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Speaker 1: So the Starbucks oresis going back and forth with me,

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Speaker 1: and she's getting mad, and I'm getting really flipping pissed.

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Speaker 1: But I never lose my temper in public, because it's

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Speaker 1: not cool. And finally I go, Okay, I see what happened.

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Speaker 1: I want a tall coffee. I'm dating Ariana Grande.

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Speaker 2: So what happened was you had told her both of

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Speaker 2: those things, yes, when you got up to the counter,

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Speaker 2: and she confused the size of the coffee you ordered

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Speaker 2: with the person you told her you were.

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Speaker 1: Dating, who, by the way, is not tall.

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Speaker 2: Hey, welcome to Hollywood. He look at insiders guy to

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Speaker 2: kicking a button, dropping names of the red carpet lineback

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Speaker 2: always of this industry we call show biz. Well, everyone's

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Speaker 2: gonna want to talk about this new what up? What up?

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Speaker 2: This new Ghostbusters movie, and so we might as well

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Speaker 2: just get it out of the way and talk about

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Speaker 2: it right now.

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Speaker 1: Let's get into it. The official announcement came out today

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Speaker 1: and it's gonna be all female Ghostbusters, and that seems

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Speaker 1: to be the way things are going these days, and

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Speaker 1: that's okay.

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Speaker 2: And some people have speculated in the past that Sean

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Speaker 2: and I were gonna be affiliated in this movie and

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Speaker 2: maybe be some of the ghostbusters, and that this was

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Speaker 2: a way to stop us from being in the movie.

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Speaker 1: By some of our Hollywood enemies, of which unfortunately we

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Speaker 1: do have some. Because jealousy is an ugly, ugly, ugly thing.

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Speaker 2: And if that's the case, well then good luck. And

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Speaker 2: the truth is we're not actually mad, but we are

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Speaker 2: sort of confused and a little concerned for them, because

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Speaker 2: it's actually not going to be that easy to do

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Speaker 2: a movie of all female ghostbusters because of a few reasons.

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Speaker 1: Well, and one thing is fair's fair. So if you're

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Speaker 1: gonna make females busting the ghosts, then you have to

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Speaker 1: make it that it's female ghosts. You can't just have

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Speaker 1: the good guys is now girls, But then the bad

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Speaker 1: guys is still guys. That is actually freaking misandrist.

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Speaker 2: And so now you're saying, okay, well, so now the

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Speaker 2: female ghosts are are girls, the ghosts are just female. Now, well,

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Speaker 2: guess what. There's no such thing as a female ghost.

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Speaker 2: Ghosts are male.

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Speaker 1: Ghosts are guys. And a female version of a ghost

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Speaker 1: is called a wraith. That's known as a wraith, and

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Speaker 1: so and they screech, and they haunt just as viciously,

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Speaker 1: but they are not ghosts.

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Speaker 2: And so now if it's gonna be all female ghostbusters,

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Speaker 2: it's gonna have to be wraithbusters. And now what about

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Speaker 2: Slimer Slimer the ghost. Now he's becoming I guess slimerret

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Speaker 2: the Wraith.

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Speaker 1: Okay, yeah, so all right, well I'll do one. Okay,

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Speaker 1: stay Puffed the Marshmallow Man ghost is now gonna be

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Speaker 1: Stay Puffed the Marshmallow Wraith the Ghost. And that doesn't

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Speaker 1: make any sense. And so I don't know how you

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Speaker 1: can possibly script it. And this is how low some

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Speaker 1: people in Hollywood will sink to keep Haze an eye

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Speaker 1: the greatest enemies of spookiness the natural fit for someone

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Speaker 1: who was eliminating ghosts from City we Love.

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Speaker 2: We had a personal investment in destroying all these ghosts.

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Speaker 2: If you want people to appear on screen hating ghosts,

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Speaker 2: who else would you go to? By the two of us,

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Speaker 2: that's our entire thing. Some might even say we use

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Speaker 2: it too much, And I.

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Speaker 1: Understand that it was difficult to schedule production because we

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Speaker 1: refuse to be on set with anything that could be scary.

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Speaker 1: But just do it, shoot around it, green screen it

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Speaker 1: because you're getting a passionate performance then, rather than what's

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Speaker 1: going to be just trotting out the same women you

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Speaker 1: see in every comedy trying to explain how slimoret the

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Speaker 1: wraith is driving a bus and is their friend. Meanwhile,

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Speaker 1: this other wraith is a bad guy a girl.

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Speaker 2: And what is the say puff Marshal Meloman, He was

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Speaker 2: a sailor? What is he gonna be? Now he's gonna

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Speaker 2: have to He's gonna be Sailor Moon. Yeah, that's what

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Speaker 2: he's gonna have to be.

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Speaker 1: It actually has to be Sailor Moon.

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Speaker 2: Step up the Marshall, Mellowman, Wraith the Ghost is gonna

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Speaker 2: have to be Sailor Moon now, So I hope you're happy.

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Speaker 1: Stap up the marshmallow Moon Comma Sailor Wraith the Ghost.

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Speaker 1: And at that point are we making it too complicated?

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Speaker 2: It could have been much simpler if you were just

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Speaker 2: let it be some men and some women. It doesn't

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Speaker 2: even have to be all men. It can be two

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Speaker 2: guys and two girls. And maybe it's Sean and I

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Speaker 2: and maybe it's like Nina Dobrev.

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Speaker 1: Yes, it's two guys and two sexy women who are

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Speaker 1: sort of want the guys to save them. Yes, Is

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Speaker 1: that so then everybody's head.

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Speaker 2: Brevn, Carmen, Electra and sew that Hayes are out there

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Speaker 2: busted ghosts and every once in a while, like you

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Speaker 2: have to a job well done, you go home and

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Speaker 2: who knows what happens. I'm not saying, I know, we

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Speaker 2: just we figured.

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Speaker 1: Out we're not We're not going to write the whole

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Speaker 1: thing and give them free ideas. But but you know,

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Speaker 1: it could be they're just as big of heroes as us.

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Speaker 1: Maybe there's one where Hayes is trapped, Carmen accidentally, you know,

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Speaker 1: accidentally bust one of the ghosts with her curly Iron

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Speaker 1: doesn't even know she's doing it. I mean, that's a scene.

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Speaker 1: So it's not like you couldn't have them involved in

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Speaker 1: the action. And we were never saying that. So it

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Speaker 1: feels like, in an effort to maybe overcorrect, Hollywood has

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Speaker 1: lost the opportunity at a true block.

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Speaker 2: They've they've affected the actual product in the name of revenge.

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Speaker 1: Maybe with the bathwater is a phrase that comes to you. Yes, Yes,

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Speaker 1: in terms of our feud with Wolf, I want you

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Speaker 1: guys to know that you're doing great work, but we

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Speaker 1: still do need even more people. They're scared, definitely scared,

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Speaker 1: to the point that they've shut down all communication.

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Speaker 2: And we know that that's good that they're not communicating

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Speaker 2: with us at all about the rivalry. But in terms

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Speaker 2: of listens, we are still in a very distant last place.

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Speaker 1: And yes, very small number.

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Speaker 2: So from a morale perspective, it is really working, but

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Speaker 2: from an actual listens perspective, it actually appears to have

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Speaker 2: gone a little bit worse. And so but that's the

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Speaker 2: next thing to turn around. I'm sure, especially guys, do

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Speaker 2: we have such a great guest today, Clark Duke is

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Speaker 2: joining us, and you know him from all kinds of

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Speaker 2: movies and TV shows, and we're gonna say what they

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Speaker 2: are if you tune in to Hollywood Handbook. So Cindy

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Speaker 2: mark OLiS is like, try my homebrew. It's really good,

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Speaker 2: and I'm like, well, you know, it's green, it's fizzing

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Speaker 2: very actively, and she's like, come on, let's dry it.

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Speaker 2: It's beer. You like beer, don't you, Well, you know

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Speaker 2: I do. I do enjoy beer. I drink it. Three

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Speaker 2: hours later, I wake up all my jewels are gone.

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Speaker 2: Every jewel in the house has disappeared, and I called her.

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Speaker 2: She says she has no idea what happened.

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Speaker 1: How many times are you going to drink something that

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Speaker 1: Sydney Margolis hands you? She said it, I'm not going

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Speaker 1: to and hey, I'm not going to feel bad.

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Speaker 2: You're not going to drink the homber. She said it

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Speaker 2: was a sour. You know how I am about homebrewed sours. Hey,

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Speaker 2: welcome to Hollywood Handbook and inside your skuy to kicking

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Speaker 2: button dropping names in the red carpet lined back hallways

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Speaker 2: of this industry. We call Showbaz. Great guest today, very

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Speaker 2: exciting guests. We're so happy to have him. Clark Duke

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Speaker 2: is here.

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Speaker 1: Hi, everybody, Now, Clark people have called you the clown

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Speaker 1: Duke of comedy.

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Speaker 2: And what's the story behind that nickname?

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Speaker 3: Yes, I think it's just a play on words, because

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Speaker 3: my last name is Duke.

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Speaker 4: Speak on that.

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Speaker 3: First duke on record was Peter Duke. He came from

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Speaker 3: Kent County, England. I think in the eighteen hundreds or no,

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Speaker 3: may it was the sixteen hundreds.

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Speaker 2: There's there's a.

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Speaker 3: Book on this back home I saw back home, Arkansas.

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Speaker 3: That's where the whereme from. That's where the book and

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Speaker 3: that's where.

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Speaker 2: The book is capped.

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Speaker 1: Yes, Clinton, Yeah, Clinton Country.

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Speaker 2: Yeah, well you should be in the book yourself, because

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Speaker 2: what the book was published, what a nice Well you

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Speaker 2: should be in the book.

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Speaker 1: I'm just I'm if they update sometimes update for the

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Speaker 1: paperback and they'll add more footnotes or something.

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Speaker 3: It's not a big print run. I mean, I think

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Speaker 3: they literally made just a couple of copies of it

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Speaker 3: for the family.

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Speaker 1: Oh well, well, your achievements are impressive enough. Thank you

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Speaker 1: that where the book to be, you know, the original

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Speaker 1: printing were to take place today. We think you deserve

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Speaker 1: to be a part of it.

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Speaker 3: Like a new preface some in then add some new

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Speaker 3: stuff for the last few years for my career.

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Speaker 2: Like, for example, let's talk about your career a little bit.

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Speaker 2: Sex ride, hot Tub time Machine, Hot Tube time Machine,

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Speaker 2: the sequel, tell me about Let's get right into it.

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Speaker 2: What was that conversation like telling John Cusack he wasn't

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Speaker 2: allowed to be in that movie take us there.

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Speaker 3: Thankfully I didn't have to personally have the conversation.

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Speaker 2: Oh, you delegate it.

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Speaker 1: And that was always good to team I say, good

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Speaker 1: to have a team.

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Speaker 3: Yeah, lawyers, just just with his team of lawyers. Yeah,

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Speaker 3: I mean Johnny. Johnny end up fowing the actually I

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Speaker 3: don't even if I can talk about it, and I

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Speaker 3: actually might get in trouble.

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Speaker 1: Oh really, it's a weird deal. It's a weird deal.

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Speaker 3: Like there literally is like we're not allowed to say

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Speaker 3: like certain stuff.

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Speaker 1: I don't know. Wow, well bad, first question.

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Speaker 2: Well speak well, what if you told a story just

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Speaker 2: in terms of I know, what about this? What if

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Speaker 2: you did this? This is a new for this is

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Speaker 2: a new topic.

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Speaker 1: Hayes, Yes, Hayes is a little bit of a legal genius.

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Speaker 2: What if you told a story about another person, not

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Speaker 2: John Cusack, if you don't say who it is, it's

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Speaker 2: an anonymous point.

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Speaker 1: Or we do say who it is and then we

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Speaker 1: know it's not John, and we'll say it's Rod Steiger

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Speaker 1: and that's.

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Speaker 2: That, and you tell, yes, why don't you tell a

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Speaker 2: story about a different person? Could be Rod Steiger who

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Speaker 2: not being allowed to take a different and a different

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Speaker 2: movie not being allowed to be in in the heat

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Speaker 2: of the night too.

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Speaker 1: M m.

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Speaker 3: But the thing is, even with my rudimentary knowledge of

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Speaker 3: the law, I feel like if anybody used the context

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Speaker 3: of this podcast whatsoever, they would pretty clearly tell that

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Speaker 3: we were talking about Johnny Key.

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Speaker 2: Well, I get think I said it was a different topic.

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Speaker 2: I clearly said it was a different topic. And is

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Speaker 2: the idea that we can't anything we talk about from

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Speaker 2: now on is going to be about John Cusack. I'm

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Speaker 2: sorry it's told, mister Cusack, but every once in a

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Speaker 2: while I like to talk about something else, like in

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Speaker 2: this case, how Rod Steiger was not allowed to be

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Speaker 2: in in the heat of the night too.

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Speaker 3: You know, I don't think it was so much that

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Speaker 3: Rod wasn't allowed to be in in the heat of

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Speaker 3: the night too. I think it was that, you know,

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Speaker 3: he had some issues, the studio had some issues, and

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Speaker 3: Rod and uh r KO just couldn't come to terms.

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Speaker 1: Oh what a great piece of Hollywood folk. Yeah, and

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Speaker 1: it's Hollywood Babylon because it's so interesting and Scoop, Troop,

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Speaker 1: get out your old fashioned notebooks for that one, because

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Speaker 1: that is a little bit of a throwback. And uh

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Speaker 1: even though it's a even though it's not Thursday, and

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Speaker 1: I am on Instagram, So are we allowed the cough?

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Speaker 2: Is that okay?

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Speaker 1: Yes, yes, yes, Brett engineer Brett will clean all that up.

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Speaker 3: You can take all that out and post it and

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Speaker 3: you look unwell, it's I mean, I noticed you guys

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Speaker 3: keep it like tropical in here. It's I don't know

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Speaker 3: if the viewers can tell, but it's it's about.

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Speaker 2: Oh they believe me, Clark, believe me. They could tell.

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Speaker 2: Anytime we try not to do it, they say, maybe

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Speaker 2: jack up the temp at that room a little bit.

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Speaker 3: They hear comedy wasn't hot every so often. Just this,

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Speaker 3: that's just beads of sweat hitting the microphone.

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Speaker 2: And we're planning and it should be at face level, Clark,

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Speaker 2: and it shouldn't be so low that beads of sweater.

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Speaker 1: Yes, I was curious as to why you insisted on

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Speaker 1: getting above the mic.

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Speaker 3: Well, I angled it up at me though, because I

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Speaker 3: like to talk down.

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Speaker 1: Yes, that's clear. But you did mention keeping it tropical.

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Speaker 1: And we are planning on getting some plants in here.

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Speaker 1: Oh that'd be nice, yes, wouldn't that just really spruce

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Speaker 1: up the place? Yes, So that's kind of why we

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Speaker 1: want the room to already feel ready when they get home.

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Speaker 3: Should get a girl on that on the plants.

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Speaker 2: Clark. You're from Arkansas, Yep. What a trip it must

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Speaker 2: have been coming out to Los Angeles the first time Yeah,

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Speaker 2: surprises that you had. We talked about those parts of

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Speaker 2: the country and places where people the lifestyle is not

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Speaker 2: the same as here. They don't eat the same food,

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Speaker 2: not at all. They don't clean themselves the same way

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Speaker 2: similar way well, but it is actually very different fundamental

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Speaker 2: ways and including results. Tell me about that. What was

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Speaker 2: that drive? Like, what'd you pack?

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Speaker 3: It was a flight?

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Speaker 1: Else the part two remains the same though. We pack

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Speaker 1: for flights.

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Speaker 3: Yeah, but if you're packing for a drive, it's you know,

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Speaker 3: I might have an ice chest with some sandwiches, some

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Speaker 3: mineral waters. It's a different vibe. You know, there'd be

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Speaker 3: more sweatpants for a drive. There'd be more uh, you know,

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Speaker 3: more kind of comfortable layers.

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Speaker 1: And you're in a formal suit for the plane. Right.

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Speaker 3: I just feel a responsibility when I fly to h

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Speaker 3: to represent the state of Arkansas in a respectable way.

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Speaker 3: So I always wear a not like a tux, usually

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Speaker 3: like a like a like the tangle term is a

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Speaker 3: morning suit. It's not as formal as a tux.

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Speaker 1: Well, go razorbacks, yeah, yeah, go hogs. Yes.

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Speaker 3: I actually don't give a shit about the razorbacks. You guys.

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Speaker 3: I didn't go to college there.

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Speaker 1: Right right right, yes, you yes, And what do you

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Speaker 1: give a shit about Clark?

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Speaker 2: In terms of college?

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Speaker 3: Oh, in terms of I went to Loyal and Marymount

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Speaker 3: University in Los Angeles.

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Speaker 1: And let's get this out of the way. Then he's

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Speaker 1: not affiliated and this is a question that comes he's

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Speaker 1: not affiliated with tests with that nasty lacrosse team.

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Speaker 3: What happened with their lacrosse? What did own You have

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Speaker 3: a lacrosse candle. I don't even know about Duke lacrosse.

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Speaker 3: Oh yeah, but you know, according to that that book

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Speaker 3: that I referenced earlier, I believe we are related to

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Speaker 3: the Dukes in North Carolina from the university.

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Speaker 1: Yeah. I can't totally back off of it.

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Speaker 2: So he going well out of your way to connect

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Speaker 2: yourself to.

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Speaker 3: Yeah, I gotta say I I'm not My hands are

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Speaker 3: not totally clean in that one either.

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Speaker 1: Okay, Well, but you s l MU had a fun

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Speaker 1: abbreviation for the school you did go to.

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Speaker 3: That's kind of like the Spanish abbreviation l m U.

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Speaker 4: Yeah.

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Speaker 3: It was a great school. I I had a really

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Speaker 3: good time. My little brother went there. He just graduated

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Speaker 3: in May.

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Speaker 1: L L like E L correct L scor show if

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Speaker 1: you remember that, Yes song.

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Speaker 3: You have a new album out. Yes, I haven't heard it,

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Speaker 3: but I assume it's not great. You know, just just

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Speaker 3: let me down over the last I think.

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Speaker 1: I think you meant to say, first four Weeser albums.

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Speaker 3: What's the is the fourth album? Maladroit?

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Speaker 2: It gotta be Maladroyd. It's okay, I know.

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Speaker 1: Yeah. We are total music ads and we've been getting

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Speaker 1: what are you guys?

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Speaker 2: Quiz me?

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Speaker 1: Yeah, he's an encyclopedia basically of music stuff.

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Speaker 3: Who was the original bass player for Weezer?

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Speaker 2: I didn't have one? Gotcha? And you almost got me?

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Speaker 2: But and now I know then it.

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Speaker 3: Was a drum machine. You're right?

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Speaker 2: Yeah, and ask me use the drum machine to play bass?

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Speaker 3: Who was the producer of the Blue album and the

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Speaker 3: Green album?

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Speaker 1: The original bass player was doing the production as well.

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Speaker 1: And I think what that means is that it was

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Speaker 1: in fact recorded on a drum machine.

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Speaker 3: Now, yeah, that's right. I can't dispute them.

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Speaker 2: We like to play a game sometimes, the show called

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Speaker 2: That's really interesting, weely, that's reely interesting? So funny that

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Speaker 2: you should notice the difference between the word really and

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Speaker 2: what I said, which is whey.

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Speaker 3: I thought maybe you had a speech impediment.

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Speaker 2: Well, instead I actually have an interesting game to play and.

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Speaker 1: A true mastery of speech where he's able to transpose

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Speaker 1: letters and words, you know, at will.

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Speaker 2: You may have noticed the wheel, the large wheel when you.

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Speaker 1: Enter I did not enter the room. Well, it's covered

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Speaker 1: in it's there, and it's bag.

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Speaker 2: And it's covered in celebrities.

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Speaker 1: You're in the room with this right now.

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Speaker 2: Yes, yep, it's covered in celebrities names.

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Speaker 3: Oh, the celebrity wheel.

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Speaker 2: Yes.

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Speaker 1: What we like to do is when we play this game,

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Speaker 1: is we spin the wheel and then we will spin

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Speaker 1: a tail, a true tail of the first time we

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Speaker 1: met that lands on.

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Speaker 2: It's full of celebrities, you know, all right, and we're

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Speaker 2: gonna spin the wheel and all you have to do

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Speaker 2: is gonna come up with a name, and all you

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Speaker 2: have to do is talk about the first time you

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Speaker 2: met that person.

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Speaker 1: Do I do? I spin the wheel and then call

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Speaker 1: out whoever it lands So.

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Speaker 2: You have to spend it because otherwise it won't work.

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Speaker 3: Okay, I assume know maybe you were supposed to spin it.

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Speaker 2: Well you have to actually put your hands on.

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Speaker 1: You've got to spin it, and let's warn him. It

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Speaker 1: makes some wild noises when you're spinning that wheel, and

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Speaker 1: that's another way to know that it's real and that

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Speaker 1: it's here.

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Speaker 2: Yeah, so all you have to say is I'm spinning.

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Speaker 1: All right, I am spinning.

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Speaker 3: It's really good.

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00:18:12,720 --> 00:18:14,320
Speaker 1: Zoomy. Let's sped back up.

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Speaker 3: Pop pop pop pop pop, blowing down.

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Speaker 1: Zoomy click, John Laura Chette, John Laura Catt.

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Speaker 2: Wow, Now that smells like a story to me.

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Speaker 3: It's funny you would use the word smells because the

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Speaker 3: first time I met mister Laura Chette, I was actually

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Speaker 3: in a men's room at a golf course, not a

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Speaker 3: country club. It was a public course out in the valley.

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Speaker 3: We were both pretty saut. This is out at Balboa

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Speaker 3: out there past and Sino. Not a great course. It's

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Speaker 3: flat like a fucking runway. The wind blows about thirty

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Speaker 3: forty miles an hour every day all year long. I

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Speaker 3: don't know if you guys are golfers.

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Speaker 1: It's just thinking about a course like that.

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Speaker 3: It's a strong reaction.

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Speaker 1: Huh yes, yeah, blows the ball away, well, yeah, it does.

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Speaker 2: First starters.

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Speaker 1: It blows it where, it blows it wherever it wants. Well,

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Speaker 1: it's not challenging. I mean the different terrains. You know,

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Speaker 1: that's what I enjoy about.

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00:19:16,480 --> 00:19:23,359
Speaker 3: Right about game of geography topography. So anyway, uh, I

380
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Speaker 3: go in there and there's Laura Kett laid up against

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Speaker 3: the wall and the pissard and I go, oh my god,

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Speaker 3: mister Laura Keett from the John Laurria Keett Show, what

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Speaker 3: do you? What are you doing here? You look like

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Speaker 3: you you've fill in some kind of some kind of

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Speaker 3: hard look. And he looks up at me and uh

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Speaker 3: and he said, go fuck yourself.

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Speaker 2: Mm hmm. Yeah.

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Speaker 1: So I got out of there.

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Speaker 3: That was That was the the first and last time

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Speaker 3: I ever saw John Laura Kipp.

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Speaker 4: Wow.

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Speaker 2: Mmmm did you ever hear he's no longer?

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Speaker 3: I think us in the Wizard. I think everybody probably I

394
00:20:00,240 --> 00:20:03,480
Speaker 3: was gonna story was gonna crescendo in a bigger way

395
00:20:03,480 --> 00:20:04,920
Speaker 3: than that. But that's that's about it.

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Speaker 1: Yes, Yes, I remember several points during the story thinking

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Speaker 1: that it was leading to.

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Speaker 3: Probably seem like there were some details that were about

399
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Speaker 3: the door.

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00:20:13,480 --> 00:20:14,800
Speaker 2: Yeah come back into play.

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00:20:14,960 --> 00:20:17,359
Speaker 1: Well you almost rather not have that one on the wheel,

402
00:20:17,440 --> 00:20:19,639
Speaker 1: that name. If that's the story for him, you know,

403
00:20:19,760 --> 00:20:23,040
Speaker 1: you'd want, you know, in terms of just celebrities.

404
00:20:24,359 --> 00:20:25,480
Speaker 2: Well we've never taken a.

405
00:20:28,760 --> 00:20:31,439
Speaker 1: That's true, but I just feel like, you know, you

406
00:20:31,480 --> 00:20:34,280
Speaker 1: almost wish that the Wheel didn't have stories like that

407
00:20:34,400 --> 00:20:38,280
Speaker 1: on it and it only had these sort of richer tales.

408
00:20:38,640 --> 00:20:40,359
Speaker 1: But that's just not how wheels work.

409
00:20:40,520 --> 00:20:42,040
Speaker 3: I mean, you know, that's the thing with having the

410
00:20:42,080 --> 00:20:44,040
Speaker 3: real wheel with the real names on it, and you

411
00:20:44,080 --> 00:20:45,960
Speaker 3: have to rely on the real stories. Sometimes the real

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00:20:46,000 --> 00:20:47,400
Speaker 3: stories are not that exciting.

413
00:20:47,080 --> 00:20:49,320
Speaker 1: And that's unfortunately we've run into that bfore with this

414
00:20:49,440 --> 00:20:51,680
Speaker 1: kind of game where best the one you don't want

415
00:20:51,840 --> 00:20:52,840
Speaker 1: is the one that comes up.

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00:20:53,080 --> 00:20:55,320
Speaker 3: Real life can't just be mad libs, you know, sometimes

417
00:20:55,320 --> 00:20:59,680
Speaker 3: you can. Sometimes you just meet John lord Keatamnsroom. He

418
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Speaker 3: tells you to fuck yourself, and that's the end of

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Speaker 3: the story.

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00:21:01,880 --> 00:21:05,840
Speaker 1: Yeah, that's and it's and it is a good story. Yeah,

421
00:21:06,040 --> 00:21:09,120
Speaker 1: it's an okay story. Well there's star it's got stars

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00:21:09,160 --> 00:21:09,359
Speaker 1: in it.

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Speaker 2: And uh, Clark, you were talking about games and stories,

424
00:21:13,359 --> 00:21:16,199
Speaker 2: and that's actually a really good segue to h to

425
00:21:16,280 --> 00:21:19,679
Speaker 2: another interesting game that we think you actually might really like,

426
00:21:19,800 --> 00:21:21,040
Speaker 2: and Sean's gonna tell you about it.

427
00:21:21,240 --> 00:21:29,040
Speaker 1: So I've partnered with the For Dummies Company an adventure

428
00:21:29,080 --> 00:21:31,800
Speaker 1: that's kind of a big fuck you to our loan

429
00:21:31,880 --> 00:21:36,919
Speaker 1: sponsor Cards against Humanity. They keep buying ad space, but

430
00:21:36,960 --> 00:21:39,840
Speaker 1: they won't actually put an ad, so in an attempt

431
00:21:39,840 --> 00:21:43,240
Speaker 1: to torpedo their company, we've got our own funny cards here,

432
00:21:43,680 --> 00:21:45,960
Speaker 1: and this is humor at Home for dummies. And Brett,

433
00:21:46,000 --> 00:21:50,200
Speaker 1: can you get a picture of these? Oh? Well, where

434
00:21:50,200 --> 00:21:50,359
Speaker 1: do you?

435
00:21:50,400 --> 00:21:52,440
Speaker 3: Where do you pick those up? At something like that

436
00:21:52,440 --> 00:21:54,600
Speaker 3: that looks like something they sell it, like the checkout

437
00:21:54,600 --> 00:21:56,160
Speaker 3: at home depot or something that.

438
00:21:56,080 --> 00:21:59,320
Speaker 2: Would be a very good placement. Please, Actually a great

439
00:21:59,359 --> 00:22:01,439
Speaker 2: idea go to home conversation.

440
00:22:02,240 --> 00:22:04,919
Speaker 1: And even though we're not at home, I think that

441
00:22:05,119 --> 00:22:08,760
Speaker 1: a lot of the humor on these cards still applies.

442
00:22:09,680 --> 00:22:12,040
Speaker 1: And so what I'd like to do is have you

443
00:22:12,080 --> 00:22:15,520
Speaker 1: just draw a card at random and read it and

444
00:22:15,560 --> 00:22:19,439
Speaker 1: we'll have some fun and the Cards against Humanity you

445
00:22:19,440 --> 00:22:21,560
Speaker 1: can get a little lesson. This is you know, this

446
00:22:21,640 --> 00:22:25,840
Speaker 1: is real promotion that you get when you get the

447
00:22:25,920 --> 00:22:26,600
Speaker 1: kid on board.

448
00:22:26,640 --> 00:22:28,120
Speaker 3: And that's why I'm reaching for the card.

449
00:22:30,160 --> 00:22:31,639
Speaker 2: That would have been a good picture, Brett. When he

450
00:22:31,640 --> 00:22:34,680
Speaker 2: actually did take it out of the car, it has happened. Nope, Nope,

451
00:22:35,080 --> 00:22:37,240
Speaker 2: he already took it out. We don't recreate photos on

452
00:22:37,359 --> 00:22:39,320
Speaker 2: this for the future. That would have been a very

453
00:22:39,400 --> 00:22:39,879
Speaker 2: nice picture.

454
00:22:40,400 --> 00:22:42,520
Speaker 3: Have my my hair makeup guy come into before you

455
00:22:42,560 --> 00:22:44,560
Speaker 3: take any photos.

456
00:22:44,040 --> 00:22:46,800
Speaker 2: And so Brett remember that actually would not have been

457
00:22:46,840 --> 00:22:48,960
Speaker 2: a good picture to take because you should always ask first.

458
00:22:50,160 --> 00:22:54,360
Speaker 3: You gotta bring Danielle in. It's my girl, he.

459
00:22:54,359 --> 00:23:03,639
Speaker 4: Said, Guys, can I go? He has no sidebar? Imp

460
00:23:03,720 --> 00:23:09,760
Speaker 4: I know, he said, by here guy. Maybe she's one

461
00:23:09,760 --> 00:23:12,640
Speaker 4: of these ones that switch. I think he's almost done

462
00:23:12,680 --> 00:23:13,199
Speaker 4: reading in the car.

463
00:23:13,640 --> 00:23:14,160
Speaker 2: Did you guys?

464
00:23:14,440 --> 00:23:15,600
Speaker 3: Did you guys stop talking for a.

465
00:23:15,520 --> 00:23:18,840
Speaker 1: Whole Yes, we were waiting for you to. I just

466
00:23:18,840 --> 00:23:23,920
Speaker 1: want to. Okay you read that's even better. Okay, I'll

467
00:23:23,960 --> 00:23:28,680
Speaker 1: read it out loud. Many families argue about clothes. Here

468
00:23:28,720 --> 00:23:31,400
Speaker 1: are a few fashion rules that are intended to keep

469
00:23:31,440 --> 00:23:35,600
Speaker 1: harmony at home. Never ask if something makes you look fat.

470
00:23:37,080 --> 00:23:41,400
Speaker 1: Number two, if your socks don't match, don't worry. You've

471
00:23:41,440 --> 00:23:45,120
Speaker 1: got another pair just like them at home. Number three,

472
00:23:46,119 --> 00:23:51,760
Speaker 1: char truce is not anybody's color. And then in bold,

473
00:23:52,560 --> 00:23:56,080
Speaker 1: I guess this is the kickoff for us. What are

474
00:23:56,119 --> 00:24:02,080
Speaker 1: the fashion rules for your family? M oh so, see

475
00:24:02,119 --> 00:24:05,520
Speaker 1: how it gives you a great opportunity to generate some comedy,

476
00:24:05,560 --> 00:24:08,879
Speaker 1: and it's just into enjoying some already pretty finely crafted humor.

477
00:24:09,760 --> 00:24:12,240
Speaker 1: These are a real product I can buy in a store.

478
00:24:12,440 --> 00:24:14,840
Speaker 1: You absolutely can buy this, and I encourage you to

479
00:24:14,880 --> 00:24:18,240
Speaker 1: do it. And when you're reaching for cards against humanity instead,

480
00:24:18,280 --> 00:24:21,359
Speaker 1: reach just a bit to the left and grab humor

481
00:24:21,400 --> 00:24:25,679
Speaker 1: at home for dummies. Conversations starters sure to make you smile.

482
00:24:25,760 --> 00:24:29,000
Speaker 2: You know, we're all left and down. Sean's been sort

483
00:24:29,000 --> 00:24:31,560
Speaker 2: of laying them on the floor next to where the cards.

484
00:24:31,720 --> 00:24:35,040
Speaker 1: I've been scattering them about. Yes, underneath the purchase of

485
00:24:35,080 --> 00:24:37,360
Speaker 1: that game, which is currently more popular, but not for.

486
00:24:37,400 --> 00:24:42,320
Speaker 3: Long nowhere Elsees would kill uh talking to the ladies

487
00:24:43,080 --> 00:24:44,679
Speaker 3: like maybe in like a nightclub setting.

488
00:24:45,080 --> 00:24:48,400
Speaker 1: Yes, a way to make you reach in the old.

489
00:24:48,240 --> 00:24:49,760
Speaker 3: Vest pocket pull these guys out.

490
00:24:49,880 --> 00:24:51,320
Speaker 2: Isn't that The secret is humor?

491
00:24:51,920 --> 00:24:52,320
Speaker 1: Mm hmm.

492
00:24:52,800 --> 00:24:54,919
Speaker 3: And you know you're letting them, Well, you women like

493
00:24:54,960 --> 00:24:57,400
Speaker 3: to be included in things. Yes, So if you let

494
00:24:57,440 --> 00:25:00,680
Speaker 3: them draw the card and demonstrate that they can read

495
00:25:01,400 --> 00:25:03,120
Speaker 3: and that they understand humor.

496
00:25:03,040 --> 00:25:04,919
Speaker 1: Yes, And Hayes likes to say, if you can make

497
00:25:04,960 --> 00:25:06,200
Speaker 1: them laugh, you can make them come.

498
00:25:08,119 --> 00:25:11,320
Speaker 3: I would say that's that's well.

499
00:25:11,359 --> 00:25:12,879
Speaker 2: I actually don't like to say it because it is

500
00:25:12,880 --> 00:25:13,680
Speaker 2: a secret but.

501
00:25:15,119 --> 00:25:18,560
Speaker 3: Old industry secret. But now that's that's actually one of

502
00:25:18,560 --> 00:25:19,680
Speaker 3: the same podcasts.

503
00:25:19,720 --> 00:25:21,399
Speaker 1: Well, we can edit it to make it sound like

504
00:25:21,480 --> 00:25:24,200
Speaker 1: I was kind of unable to finish the last word,

505
00:25:24,200 --> 00:25:26,600
Speaker 1: and hopefully that I'll somehow disguise the tip.

506
00:25:27,880 --> 00:25:31,320
Speaker 2: Do you guys do some editing. It's when it comes to.

507
00:25:31,359 --> 00:25:34,960
Speaker 1: Secrets, yes, if they're secrets. So yeah, one of us

508
00:25:35,359 --> 00:25:41,560
Speaker 1: starts down a path that the gust is we just

509
00:25:41,600 --> 00:25:43,160
Speaker 1: full on eliminate that.

510
00:25:43,280 --> 00:25:44,240
Speaker 4: Yeah.

511
00:25:44,400 --> 00:25:49,040
Speaker 3: For the best family fashion rules, what are the fashion

512
00:25:49,119 --> 00:25:50,880
Speaker 3: rules for your family?

513
00:25:51,240 --> 00:25:54,880
Speaker 1: Emphasis my own on your the Dukes of the book, Yes,

514
00:25:55,000 --> 00:25:58,520
Speaker 1: the Book of the Dukes, I guess, I'm not sure.

515
00:25:59,400 --> 00:26:01,080
Speaker 3: Are these like the way there are these rules that

516
00:26:01,119 --> 00:26:03,560
Speaker 3: I would lay down for my family, or these like

517
00:26:04,000 --> 00:26:05,520
Speaker 3: rules that have been passed down to me.

518
00:26:06,000 --> 00:26:10,119
Speaker 2: Whatever seems funnier, it's also funny.

519
00:26:10,119 --> 00:26:12,359
Speaker 3: It's hard to it's hard to narrow it down.

520
00:26:13,080 --> 00:26:14,879
Speaker 1: And this is a bit of a flaw with the

521
00:26:14,960 --> 00:26:16,879
Speaker 1: card is. I feel like some of the examples that

522
00:26:16,920 --> 00:26:20,880
Speaker 1: I've written on here are so funny that people are

523
00:26:21,760 --> 00:26:23,000
Speaker 1: hesitant to adventure.

524
00:26:23,080 --> 00:26:25,640
Speaker 2: One. It does make people shrink because they're gonna try

525
00:26:25,680 --> 00:26:27,000
Speaker 2: to top the one on the card.

526
00:26:27,240 --> 00:26:29,360
Speaker 3: Could I actually pull a different card just to just

527
00:26:29,400 --> 00:26:31,119
Speaker 3: to see. I just kind of want to see what

528
00:26:31,160 --> 00:26:33,080
Speaker 3: the other ones are like. If they're all this, that's

529
00:26:33,080 --> 00:26:34,880
Speaker 3: a great idea, all this strong.

530
00:26:36,119 --> 00:26:39,400
Speaker 2: And Brett. You didn't even ask if you could.

531
00:26:39,200 --> 00:26:40,600
Speaker 4: Take a pure.

532
00:26:44,320 --> 00:26:46,000
Speaker 3: Oh this one, this one is a winner.

533
00:26:46,040 --> 00:26:46,240
Speaker 1: Though.

534
00:26:47,920 --> 00:26:50,160
Speaker 3: If you think that long man, these are long too.

535
00:26:50,280 --> 00:26:51,639
Speaker 3: These are not like these are.

536
00:26:51,480 --> 00:26:53,920
Speaker 1: Not just like hours of enjoyment.

537
00:26:54,560 --> 00:26:57,240
Speaker 3: If you think that long family car trips are boring,

538
00:26:57,720 --> 00:27:00,359
Speaker 3: let bumper stickers provide you with a great source of

539
00:27:00,400 --> 00:27:03,720
Speaker 3: humorous relief. I like the ones that refer to driving

540
00:27:03,760 --> 00:27:09,240
Speaker 3: issues caution I drive like you do, or philosophical issues.

541
00:27:09,880 --> 00:27:12,760
Speaker 3: The fact that no one understands you does not make

542
00:27:12,800 --> 00:27:16,080
Speaker 3: you an artist. That's kind of a vicious attack.

543
00:27:16,200 --> 00:27:19,320
Speaker 1: Huh, Well, you're taking it more personally than as an artist. Yeah,

544
00:27:19,320 --> 00:27:21,600
Speaker 1: that's fair. Joe and Jane Q public that's who these

545
00:27:21,640 --> 00:27:22,040
Speaker 1: are four.

546
00:27:22,840 --> 00:27:27,200
Speaker 3: There's one more example or romanticized issues. Don't come a

547
00:27:27,280 --> 00:27:32,119
Speaker 3: knock in if this van's a rockin'. What are some

548
00:27:32,280 --> 00:27:34,560
Speaker 3: of your favorite funny bumper stickers?

549
00:27:36,359 --> 00:27:37,840
Speaker 2: That is a very good question.

550
00:27:37,920 --> 00:27:41,840
Speaker 1: We've all got them, yes, and it's it's confusing because

551
00:27:44,720 --> 00:27:49,240
Speaker 1: it kind of could be taken two ways right right,

552
00:27:49,400 --> 00:27:53,000
Speaker 1: Like it could be like, what's a good bumper sticker

553
00:27:53,040 --> 00:27:55,040
Speaker 1: you wish you'd seen, or it could just be like,

554
00:27:55,040 --> 00:27:56,920
Speaker 1: what's one you've seen before and just go ahead and

555
00:27:56,920 --> 00:27:59,959
Speaker 1: say it to you. Maybe I haven't seen it yet.

556
00:28:00,480 --> 00:28:05,560
Speaker 2: Personally, can I start? I like the ones that are

557
00:28:05,640 --> 00:28:08,080
Speaker 2: just the numbers, the letters and numbers. It looks like

558
00:28:08,119 --> 00:28:09,479
Speaker 2: it's a robot talking.

559
00:28:11,240 --> 00:28:13,240
Speaker 3: I think those are town cars, like where it says

560
00:28:13,240 --> 00:28:14,360
Speaker 3: like TCP.

561
00:28:14,040 --> 00:28:17,000
Speaker 1: And then a number. No, it's just it's not all

562
00:28:17,119 --> 00:28:19,440
Speaker 1: kinds of cars. I have them on my car front

563
00:28:19,480 --> 00:28:19,960
Speaker 1: and back.

564
00:28:20,080 --> 00:28:21,120
Speaker 2: I see him everywhere.

565
00:28:21,200 --> 00:28:24,440
Speaker 1: Yeah, I don't know if I understand what these. Yeah,

566
00:28:25,119 --> 00:28:28,679
Speaker 1: it's just like they're so funny. They have like a state,

567
00:28:29,720 --> 00:28:33,800
Speaker 1: and then they just have like possibly like where the

568
00:28:33,840 --> 00:28:37,000
Speaker 1: car was acquired, like around the border of them, and

569
00:28:37,040 --> 00:28:39,720
Speaker 1: then they have these really funny like letters and numbers

570
00:28:39,720 --> 00:28:41,960
Speaker 1: where it's just like, Okay, I'm sorry, is that a

571
00:28:42,040 --> 00:28:43,200
Speaker 1: freaking robot car?

572
00:28:44,560 --> 00:28:46,719
Speaker 3: I think you guys are talking about license plates.

573
00:28:48,160 --> 00:28:48,600
Speaker 1: Those aren't.

574
00:28:48,600 --> 00:28:50,840
Speaker 3: Those aren't bumper stickers. Those are just you legally have

575
00:28:50,880 --> 00:28:53,120
Speaker 3: to get that to drive the vehicle in the state.

576
00:28:53,600 --> 00:28:59,000
Speaker 2: Oh sorry, Clark, this is California. You can just drive

577
00:28:59,040 --> 00:29:01,080
Speaker 2: you can just get the car and drive here. You

578
00:29:01,080 --> 00:29:04,000
Speaker 2: don't have to go to like some kind of sheriff

579
00:29:04,440 --> 00:29:06,880
Speaker 2: every time you want to drive a car to get like.

580
00:29:06,840 --> 00:29:08,960
Speaker 1: A, yeah, we're not sharing like a you have to

581
00:29:08,960 --> 00:29:09,240
Speaker 1: go to the.

582
00:29:09,960 --> 00:29:12,520
Speaker 2: Get like a special trope, you know, Like, no, it's.

583
00:29:12,440 --> 00:29:12,920
Speaker 1: The d m V.

584
00:29:13,040 --> 00:29:15,200
Speaker 3: It's the Department of Motiview. It's not the Sheriff's office.

585
00:29:15,600 --> 00:29:19,720
Speaker 3: He just collects taxes and enforces the law for cars.

586
00:29:19,760 --> 00:29:20,200
Speaker 1: You got to go.

587
00:29:20,280 --> 00:29:21,440
Speaker 3: They have a special department.

588
00:29:23,320 --> 00:29:23,680
Speaker 2: We don't.

589
00:29:23,800 --> 00:29:26,600
Speaker 3: I'm almost positive take forever to explain.

590
00:29:26,360 --> 00:29:28,720
Speaker 2: We do not. We do not have those here. You

591
00:29:28,720 --> 00:29:31,160
Speaker 2: you just get in the car and you can car.

592
00:29:31,240 --> 00:29:34,360
Speaker 2: You can own your own car. You'll drive I don't

593
00:29:34,440 --> 00:29:37,600
Speaker 2: keep the cars at like all in one department.

594
00:29:37,840 --> 00:29:40,240
Speaker 3: Listen, I know that I'm just a simple country movie star.

595
00:29:40,760 --> 00:29:43,440
Speaker 3: But I'm almost positive I'm right on this.

596
00:29:43,520 --> 00:29:48,120
Speaker 2: You guys. It's but isn't this a nice charming I

597
00:29:48,160 --> 00:29:51,920
Speaker 2: will say, I can see like in like a casting situation,

598
00:29:52,080 --> 00:29:54,480
Speaker 2: you come in and like do a thing like the

599
00:29:54,520 --> 00:29:59,040
Speaker 2: hay Sy thing. It's extremely charmic. I I get it.

600
00:29:59,120 --> 00:29:59,640
Speaker 2: I get it.

601
00:30:01,320 --> 00:30:04,000
Speaker 1: Yes, it's an authenticity that it brings where it's like

602
00:30:04,120 --> 00:30:07,640
Speaker 1: I really think this guy thinks this m that everybody

603
00:30:07,680 --> 00:30:13,840
Speaker 1: has to have a what did you call it? License plate? Yeah?

604
00:30:13,880 --> 00:30:14,400
Speaker 1: That's good.

605
00:30:14,840 --> 00:30:16,960
Speaker 2: Do you have any funny bumper stickers that.

606
00:30:16,920 --> 00:30:17,480
Speaker 4: You like, Clark?

607
00:30:17,680 --> 00:30:23,560
Speaker 3: Yeah, they're not really Like I like when when there's

608
00:30:23,600 --> 00:30:27,440
Speaker 3: like a really old campaign sticker, like from a like

609
00:30:27,480 --> 00:30:30,760
Speaker 3: a presidential campaign from like twelve years ago or something,

610
00:30:30,960 --> 00:30:33,160
Speaker 3: and then you're they're still and they're still repping it.

611
00:30:33,280 --> 00:30:35,520
Speaker 1: No, I'm not at all. Yeah, they're still holding out

612
00:30:35,560 --> 00:30:36,080
Speaker 1: for Yeah.

613
00:30:36,160 --> 00:30:38,280
Speaker 3: Yeah, I just like that they've in like, you know,

614
00:30:38,320 --> 00:30:42,240
Speaker 3: there's still just not giving up hope. On John Carey's campaign,

615
00:30:42,240 --> 00:30:43,440
Speaker 3: they still got the sticker out.

616
00:30:44,680 --> 00:30:46,880
Speaker 4: And who did you vote for? Oh?

617
00:30:46,920 --> 00:30:47,560
Speaker 1: I don't vote.

618
00:30:48,760 --> 00:30:49,920
Speaker 3: I would never vote Bright.

619
00:30:49,960 --> 00:30:53,080
Speaker 4: Can I have the soundtable? Brett waiting the sound cable?

620
00:30:53,200 --> 00:30:55,440
Speaker 4: Don't just keep going, Sean, keep going.

621
00:30:56,600 --> 00:30:59,640
Speaker 1: Oh so you didn't vote, It's fine, I've got this ace.

622
00:31:00,080 --> 00:31:09,600
Speaker 1: So you didn't vote Jesus Christ? So what what's that

623
00:31:09,680 --> 00:31:12,520
Speaker 1: supposed to fucking piss me off? Man?

624
00:31:12,840 --> 00:31:14,360
Speaker 3: No, I'm not trying to get any kind of reaction

625
00:31:14,400 --> 00:31:15,280
Speaker 3: out of you with the listeners.

626
00:31:15,360 --> 00:31:18,800
Speaker 1: I just yeah, good, I'm not fired up. What are

627
00:31:18,800 --> 00:31:20,640
Speaker 1: some fashion rules for your household?

628
00:31:23,240 --> 00:31:27,680
Speaker 2: Oh, it's the popcorn gallery. Sorry, it's supposed to be

629
00:31:27,720 --> 00:31:28,200
Speaker 2: a surprise.

630
00:31:29,760 --> 00:31:31,760
Speaker 3: I'm pretty surprised still.

631
00:31:31,120 --> 00:31:33,720
Speaker 2: I know you heard. I know you heard me asking

632
00:31:33,760 --> 00:31:35,320
Speaker 2: for the sound cable, and I did try to make

633
00:31:35,360 --> 00:31:38,200
Speaker 2: it a secret, but I know the sound cable could

634
00:31:38,280 --> 00:31:41,920
Speaker 2: just be in waiting at my seat when I sit down.

635
00:31:42,640 --> 00:31:44,520
Speaker 2: Then we wouldn't have to do any of this, and

636
00:31:44,760 --> 00:31:46,200
Speaker 2: I could just plug it and I wouldn't have to

637
00:31:46,200 --> 00:31:47,720
Speaker 2: ask for it in the middle of the show.

638
00:31:49,240 --> 00:31:50,720
Speaker 1: I didn't hear you ask for it. I mean, I

639
00:31:50,800 --> 00:31:51,840
Speaker 1: understand you want to yell.

640
00:31:51,680 --> 00:31:54,640
Speaker 3: At this guy, but I so you were surprised. Yeah,

641
00:31:54,640 --> 00:31:57,240
Speaker 3: when you guys talk sufficiently low like, it's kind of

642
00:31:57,240 --> 00:31:59,200
Speaker 3: sounded like you were doing like a stage twist for earlier.

643
00:31:59,600 --> 00:32:01,280
Speaker 3: I can't hear any of that. In the phones or

644
00:32:01,320 --> 00:32:04,840
Speaker 3: the cans, that's the industry term for headphones. M I

645
00:32:04,880 --> 00:32:07,880
Speaker 3: got nothing in the only because phones is already a thing. Yeah,

646
00:32:07,880 --> 00:32:10,960
Speaker 3: we already have the phones on set. Yeah. Yeah, they

647
00:32:10,960 --> 00:32:13,240
Speaker 3: bring him out a little table I got. I got

648
00:32:13,240 --> 00:32:14,720
Speaker 3: a phone guy on set. He just has like a

649
00:32:14,720 --> 00:32:17,400
Speaker 3: little uh, kind of like a server's like a waiter's trade.

650
00:32:17,400 --> 00:32:19,080
Speaker 3: It's also got legs. You can sit it down and

651
00:32:19,120 --> 00:32:22,160
Speaker 3: it's just got the you know, mine's mind's blue, but

652
00:32:22,200 --> 00:32:23,800
Speaker 3: a lot of times they're red or beige or what

653
00:32:24,160 --> 00:32:25,800
Speaker 3: have you. But he just yeah, I just got like

654
00:32:25,840 --> 00:32:26,920
Speaker 3: a like a telephone.

655
00:32:27,200 --> 00:32:29,840
Speaker 1: Yeah, and he'll bring calls to me because you kind

656
00:32:29,840 --> 00:32:31,760
Speaker 1: of have cell phones on set because it interferes with

657
00:32:31,800 --> 00:32:33,440
Speaker 1: the signal to the camera.

658
00:32:33,960 --> 00:32:34,160
Speaker 2: Yeah.

659
00:32:34,280 --> 00:32:36,480
Speaker 3: I mean a lot of people don't know this, but

660
00:32:36,600 --> 00:32:39,960
Speaker 3: you know, there's a lot of very formal aspects to

661
00:32:40,040 --> 00:32:44,400
Speaker 3: filmmaking that still exists that have been kind of phased

662
00:32:44,440 --> 00:32:45,800
Speaker 3: out of most of society.

663
00:32:46,240 --> 00:32:48,080
Speaker 2: Well, I'd love to talk to about that, but we

664
00:32:48,120 --> 00:32:51,440
Speaker 2: already started the question asking segment, so we sort of

665
00:32:51,440 --> 00:32:54,400
Speaker 2: have to press on and that's we're going to do

666
00:32:54,440 --> 00:32:56,880
Speaker 2: that now. And who's asking questions as well? It's our

667
00:32:56,920 --> 00:33:00,720
Speaker 2: listeners and they're asking questions. This segment is called the

668
00:33:00,720 --> 00:33:05,080
Speaker 2: Popcorn Gallery. The listeners are the popcorn and the questions

669
00:33:05,080 --> 00:33:11,720
Speaker 2: are like the gallery. Okay, because movies, let's reach into

670
00:33:11,720 --> 00:33:12,560
Speaker 2: the popcorn bag.

671
00:33:12,680 --> 00:33:13,360
Speaker 1: I just got it.

672
00:33:15,520 --> 00:33:16,240
Speaker 2: Explain it to me.

673
00:33:18,440 --> 00:33:20,240
Speaker 3: See a lot of times at a movie theater they'll

674
00:33:20,280 --> 00:33:22,400
Speaker 3: serve they'll serve popcorn.

675
00:33:23,200 --> 00:33:28,600
Speaker 1: Okay, that's a great start, but that's it. If only

676
00:33:29,720 --> 00:33:33,880
Speaker 1: let's reach into the bag. It's a literal bag.

677
00:33:35,600 --> 00:33:38,160
Speaker 3: So you guys get a lot of paper correspondence like

678
00:33:38,200 --> 00:33:42,320
Speaker 3: in the mill, huh, which.

679
00:33:42,120 --> 00:33:47,360
Speaker 1: Is nice to see what license play. And so my

680
00:33:47,400 --> 00:33:51,480
Speaker 1: friend Mark me, hey, well, I don't know who it was,

681
00:33:51,560 --> 00:33:55,240
Speaker 1: but he records these sound drops for us and sends

682
00:33:55,280 --> 00:33:57,720
Speaker 1: them in. Sometimes they fit in with what's going on

683
00:33:57,760 --> 00:34:00,000
Speaker 1: with the show, and sometimes they don't, but they don't

684
00:34:00,080 --> 00:34:00,640
Speaker 1: must always do.

685
00:34:01,080 --> 00:34:03,200
Speaker 3: That sounded like maybe it was from he, maybe a

686
00:34:03,200 --> 00:34:04,480
Speaker 3: Buck Owens or somebody.

687
00:34:04,560 --> 00:34:06,360
Speaker 2: It doesn'em like it might have been targeted for you,

688
00:34:06,440 --> 00:34:09,640
Speaker 2: but there's no way to be absolutely sure. Here's a

689
00:34:09,719 --> 00:34:13,880
Speaker 2: question from Toby Keith sweat Clark. How did you prepare

690
00:34:13,960 --> 00:34:16,360
Speaker 2: for your role as party teenager and super Bad? And

691
00:34:16,520 --> 00:34:19,480
Speaker 2: was the real life party teenager happy with your portrayal

692
00:34:19,520 --> 00:34:21,120
Speaker 2: of him?

693
00:34:21,160 --> 00:34:25,560
Speaker 3: As far as I know, he died, what happened to him,

694
00:34:25,719 --> 00:34:27,440
Speaker 3: I don't know. I just I think it was a

695
00:34:27,480 --> 00:34:28,959
Speaker 3: friend of theirs that died in high school.

696
00:34:29,040 --> 00:34:29,600
Speaker 1: They based it.

697
00:34:29,560 --> 00:34:35,239
Speaker 3: On like an in memoriam, memorial memoriam and.

698
00:34:35,160 --> 00:34:38,400
Speaker 1: Did you when do you use which one? And I

699
00:34:38,440 --> 00:34:40,120
Speaker 1: don't know, this is one of these things, just as

700
00:34:40,120 --> 00:34:42,440
Speaker 1: they ought to put that on one of the il

701
00:34:42,480 --> 00:34:46,480
Speaker 1: all over again, like just one, you know, because at

702
00:34:46,520 --> 00:34:47,800
Speaker 1: this point.

703
00:34:47,920 --> 00:34:49,440
Speaker 3: I said before we started, I don't want to talk

704
00:34:49,440 --> 00:34:52,520
Speaker 3: about carn events. It was pretty clear about that.

705
00:34:53,200 --> 00:34:55,400
Speaker 2: Yes you were, and you didn't want to take a

706
00:34:55,440 --> 00:34:59,360
Speaker 2: stance on isis especially I can again, I don't know

707
00:34:59,360 --> 00:35:01,200
Speaker 2: this is to about Curt events. I did think that

708
00:35:01,280 --> 00:35:03,960
Speaker 2: was a weird thing to specify.

709
00:35:03,560 --> 00:35:07,560
Speaker 1: Upfront you that you said that there were shades of

710
00:35:07,600 --> 00:35:10,080
Speaker 1: gray and that we didn't necessarily have the whole story.

711
00:35:10,480 --> 00:35:12,239
Speaker 3: Like I said, it's it's part of the deal with

712
00:35:13,320 --> 00:35:18,400
Speaker 3: mister Steiger and the studio that I'm not allowed to

713
00:35:18,400 --> 00:35:22,480
Speaker 3: talk about. Isl enough said, enough.

714
00:35:22,440 --> 00:35:27,120
Speaker 2: Said, enough said, Ah, let's go on to the next question.

715
00:35:28,760 --> 00:35:29,520
Speaker 2: In the bag.

716
00:35:34,560 --> 00:35:37,759
Speaker 1: Sandals and socks. You better not. Oh okay, well that

717
00:35:37,840 --> 00:35:41,839
Speaker 1: must be a fun fashion rule that the Mark uses

718
00:35:41,880 --> 00:35:46,560
Speaker 1: at his house. This question, and I've heard that one.

719
00:35:47,880 --> 00:35:50,960
Speaker 2: It's not cool. This question is for Michael Bay of

720
00:35:51,040 --> 00:35:55,880
Speaker 2: pigs Clark bro Remember in high school when we had

721
00:35:55,880 --> 00:35:57,600
Speaker 2: that history test and you said you would let me

722
00:35:57,640 --> 00:35:59,359
Speaker 2: copy off you because you knew I was up late

723
00:35:59,440 --> 00:36:02,120
Speaker 2: leveling up Diablo character because you wanted me to do

724
00:36:02,200 --> 00:36:04,600
Speaker 2: some cool raids with you. But then when mister Pyatt

725
00:36:04,640 --> 00:36:06,680
Speaker 2: gave us the scantrons. You kept on putting your arm

726
00:36:06,719 --> 00:36:09,160
Speaker 2: over the scantron so I couldn't see your answers. And

727
00:36:09,200 --> 00:36:11,239
Speaker 2: then that night, since I knew I was gonna graduate late,

728
00:36:11,280 --> 00:36:13,959
Speaker 2: I was all depressed and ended up drinking at Smithy's Crib.

729
00:36:14,000 --> 00:36:16,279
Speaker 2: Then drove home drunk and hit my ex girlfriend's dog,

730
00:36:16,320 --> 00:36:18,760
Speaker 2: who was always wandering around off leash, and the cops

731
00:36:18,840 --> 00:36:20,720
Speaker 2: caught me burying it in the park, and for some reason,

732
00:36:20,760 --> 00:36:22,319
Speaker 2: they thought I kiled it on purpose to get back

733
00:36:22,400 --> 00:36:24,600
Speaker 2: at her for sleeping with you, which was weird because

734
00:36:24,600 --> 00:36:26,920
Speaker 2: I didn't even know that until they said it. So

735
00:36:27,120 --> 00:36:28,960
Speaker 2: why did you fuck my girlfriend? Bro?

736
00:36:32,280 --> 00:36:34,320
Speaker 3: I am drawing a complete blank on this gentleman?

737
00:36:34,360 --> 00:36:34,600
Speaker 4: Does he?

738
00:36:34,719 --> 00:36:35,359
Speaker 1: Does he have a name?

739
00:36:35,400 --> 00:36:39,319
Speaker 2: Besides I wish I think that's his funny web user name,

740
00:36:39,760 --> 00:36:41,680
Speaker 2: And I wish I could give you tried to get

741
00:36:41,680 --> 00:36:42,080
Speaker 2: these gas?

742
00:36:42,280 --> 00:36:46,000
Speaker 3: This thing is, that's such a common, a common story

743
00:36:46,040 --> 00:36:48,160
Speaker 3: that it's hard for me to nail that down.

744
00:36:48,200 --> 00:36:51,440
Speaker 2: The number of different people, and you'd love to decide it.

745
00:36:51,480 --> 00:36:54,000
Speaker 2: I guess the only distinction is the reason why you

746
00:36:54,080 --> 00:36:56,600
Speaker 2: fucked the person's girlfriend, and so you would love it.

747
00:36:56,760 --> 00:36:59,719
Speaker 1: Yes, maybe just say some reasons why you fucked some

748
00:36:59,760 --> 00:37:02,719
Speaker 1: people's girlfriends and then hopefully it'll apply to this guy.

749
00:37:05,120 --> 00:37:09,160
Speaker 1: I mean, why why does the wind blow? Yeah, I

750
00:37:09,200 --> 00:37:09,560
Speaker 1: don't know.

751
00:37:09,840 --> 00:37:14,120
Speaker 3: Nobody knows because of the because that winoon.

752
00:37:13,920 --> 00:37:16,160
Speaker 1: Is moving in and out and it pushes the air.

753
00:37:16,440 --> 00:37:17,799
Speaker 3: Well, I guess I did it because of the moon.

754
00:37:18,000 --> 00:37:21,080
Speaker 1: Yeah, when it moves closer to the earth, it pushes

755
00:37:21,160 --> 00:37:24,120
Speaker 1: down some of the sky and it has to go somewhere.

756
00:37:23,760 --> 00:37:26,719
Speaker 2: And that I can't have an effect on horniness.

757
00:37:27,200 --> 00:37:27,600
Speaker 3: Mm hmm.

758
00:37:28,440 --> 00:37:30,120
Speaker 2: Let's answer another question.

759
00:37:33,120 --> 00:37:37,200
Speaker 1: Such coarse paper. I think, I think what's happening. He's

760
00:37:37,239 --> 00:37:39,200
Speaker 1: reaching into it and I sorry to interrupt the sound,

761
00:37:39,239 --> 00:37:41,120
Speaker 1: drop Brett and way to cut it off. I think

762
00:37:41,120 --> 00:37:44,359
Speaker 1: he's reaching into a bag of popcorn, and then and

763
00:37:44,400 --> 00:37:48,440
Speaker 1: that sort of rustles around, and then when he finds

764
00:37:48,480 --> 00:37:51,000
Speaker 1: the question in there, he pulls it out.

765
00:37:51,719 --> 00:37:54,799
Speaker 2: He usually said, has something to say. It used to

766
00:37:54,840 --> 00:37:56,279
Speaker 2: be about what he found.

767
00:37:56,840 --> 00:38:03,040
Speaker 1: Stop it again, but then fire back up, Brett. I

768
00:38:03,160 --> 00:38:05,960
Speaker 1: just got the paper out of the popcorn. Okay, So

769
00:38:06,000 --> 00:38:10,040
Speaker 1: that so that confirms for me, Yes, that was that

770
00:38:10,160 --> 00:38:12,719
Speaker 1: was Mark saying that, And that confirms for me that

771
00:38:12,719 --> 00:38:14,359
Speaker 1: that is what that sound is.

772
00:38:14,640 --> 00:38:17,680
Speaker 3: You know, it seems like since this is a go

773
00:38:17,680 --> 00:38:20,319
Speaker 3: ahead you know this, Nobody sees this show. They just

774
00:38:20,400 --> 00:38:23,000
Speaker 3: listened to it. You could just have the the questions

775
00:38:23,000 --> 00:38:24,440
Speaker 3: out on the table. You don't even have to put

776
00:38:24,480 --> 00:38:26,000
Speaker 3: them in the popcorn to begin with.

777
00:38:26,200 --> 00:38:27,720
Speaker 2: Well, it's not the table gallery.

778
00:38:27,800 --> 00:38:30,080
Speaker 3: I get the presentational aspect of it that you want to,

779
00:38:30,920 --> 00:38:31,960
Speaker 3: you know, give it a little.

780
00:38:31,760 --> 00:38:34,759
Speaker 1: Character, but hmmm, well, we could also not have a

781
00:38:34,800 --> 00:38:37,080
Speaker 1: big wheel in here. I mean, you know, like there's

782
00:38:37,080 --> 00:38:38,640
Speaker 1: a lot of things we could do, but then it's

783
00:38:38,680 --> 00:38:40,560
Speaker 1: not really a fun game.

784
00:38:41,440 --> 00:38:44,080
Speaker 3: There's a lot I don't understand about broadcasting, and I'm

785
00:38:44,360 --> 00:38:47,040
Speaker 3: the first person to admit that, So I apologize where

786
00:38:47,040 --> 00:38:47,640
Speaker 3: you're from.

787
00:38:47,920 --> 00:38:51,160
Speaker 2: It's questions from Joe mcgirrel on The Office. You played

788
00:38:51,200 --> 00:38:53,840
Speaker 2: a character called Clark. How difficult was it for you

789
00:38:53,960 --> 00:38:55,719
Speaker 2: to play a character that had the same name as

790
00:38:55,719 --> 00:39:00,000
Speaker 2: you and looked exactly like you.

791
00:39:00,080 --> 00:39:03,160
Speaker 3: It was actually the second time I've done that. I

792
00:39:03,520 --> 00:39:06,360
Speaker 3: also did it in a this show called Clark and Michael.

793
00:39:06,840 --> 00:39:07,719
Speaker 1: Michael Sarah.

794
00:39:08,120 --> 00:39:12,600
Speaker 3: Yeah, So in my mind I always kind of figured

795
00:39:12,600 --> 00:39:15,040
Speaker 3: that it was the same Clark, and he had just

796
00:39:15,120 --> 00:39:18,000
Speaker 3: kind of washed out of Hollywood and ended up working

797
00:39:18,040 --> 00:39:19,399
Speaker 3: at this paper company.

798
00:39:19,320 --> 00:39:21,920
Speaker 2: Clark and Michael. Let's speak on that for a little bit.

799
00:39:22,880 --> 00:39:25,120
Speaker 2: Some people will call that something of a computer show.

800
00:39:25,640 --> 00:39:26,520
Speaker 3: Yeah, that'd be accurate.

801
00:39:28,080 --> 00:39:34,000
Speaker 2: And where is computers in two years from now? Would

802
00:39:34,040 --> 00:39:35,879
Speaker 2: you say? Mmmm? Well?

803
00:39:35,920 --> 00:39:39,759
Speaker 3: I mean Prince said on Twitter a few years back

804
00:39:39,800 --> 00:39:40,640
Speaker 3: that the Internet was a.

805
00:39:40,560 --> 00:39:42,120
Speaker 1: Fad, so.

806
00:39:43,520 --> 00:39:46,759
Speaker 3: I am kind of leaning towards that that the whole

807
00:39:46,800 --> 00:39:47,839
Speaker 3: thing's going to dry up soon.

808
00:39:47,880 --> 00:39:49,719
Speaker 1: It's going to be like a well. But doesn't the

809
00:39:49,760 --> 00:39:54,960
Speaker 1: prevalence of inner Tube, the site correct that Clark and

810
00:39:54,960 --> 00:39:59,240
Speaker 1: Michael was initially on. Yeah, wow, doesn't that only smokes?

811
00:39:59,520 --> 00:40:03,040
Speaker 1: Doesn't that being the you know, sort of the website

812
00:40:03,080 --> 00:40:06,640
Speaker 1: these days go directly against what Prince said, where it's

813
00:40:06,680 --> 00:40:08,920
Speaker 1: not a fad and some of this stuff like inner

814
00:40:08,960 --> 00:40:10,320
Speaker 1: Tube is here to stay.

815
00:40:10,800 --> 00:40:11,000
Speaker 2: Yeah.

816
00:40:11,040 --> 00:40:13,759
Speaker 3: I mean, I don't think anybody will dispute that CBS

817
00:40:13,840 --> 00:40:17,359
Speaker 3: is at the forefront of digital distribution and just one

818
00:40:17,440 --> 00:40:19,080
Speaker 3: hundred percent knows what they're doing.

819
00:40:20,840 --> 00:40:23,719
Speaker 2: So maybe that and have for over a decade. The

820
00:40:23,719 --> 00:40:28,040
Speaker 2: message is Prince computer blue, yes, computer expert, maybe not.

821
00:40:29,440 --> 00:40:32,239
Speaker 2: And I think that's a great way to end the showut, Yes,

822
00:40:34,000 --> 00:40:40,000
Speaker 2: very sometime sometimes sometimes you know, we could have gone

823
00:40:40,040 --> 00:40:42,120
Speaker 2: for a lot longer, But sometimes you find the perfect

824
00:40:42,160 --> 00:40:42,919
Speaker 2: way to end it.

825
00:40:43,400 --> 00:40:45,920
Speaker 1: I have nowhere to be. I can keep going, but I.

826
00:40:45,880 --> 00:40:48,640
Speaker 2: Already said the funniest thing, so that it has to

827
00:40:48,680 --> 00:40:49,200
Speaker 2: be the end of this.

828
00:40:49,320 --> 00:40:52,160
Speaker 1: Again. I'm not a broadcasting expert. Can I take a picture?

829
00:40:54,040 --> 00:40:56,399
Speaker 3: Do you mean to reach for another card? We can

830
00:40:56,440 --> 00:40:59,279
Speaker 3: try to read. Let me put this sweter on.

831
00:41:00,640 --> 00:41:04,040
Speaker 2: Brettto Brett, I'm going to tell you something now, and

832
00:41:04,120 --> 00:41:07,200
Speaker 2: don't act like you didn't hear me. Like last time

833
00:41:07,239 --> 00:41:10,040
Speaker 2: we had this conversation. Do not submit these photos for

834
00:41:10,120 --> 00:41:13,120
Speaker 2: your class. Okay, these are for the website.

835
00:41:13,280 --> 00:41:15,560
Speaker 1: Brett's take new photography class and he's trying to do

836
00:41:15,640 --> 00:41:17,080
Speaker 1: all this artsy stuff.

837
00:41:17,320 --> 00:41:19,160
Speaker 2: These are not for your photo class.

838
00:41:19,320 --> 00:41:21,560
Speaker 1: I know people are impressed, but I got a secret

839
00:41:21,640 --> 00:41:26,239
Speaker 1: for you, Brett. It's not your composition that they're impressed with.

840
00:41:26,880 --> 00:41:29,000
Speaker 1: So they think you actually know guys like us.

841
00:41:29,320 --> 00:41:33,040
Speaker 2: Yes, and excuse me for saying so, but I think

842
00:41:33,040 --> 00:41:35,640
Speaker 2: that might be part of your plan. Go ahead and

843
00:41:35,640 --> 00:41:36,360
Speaker 2: take this picture.

844
00:41:36,520 --> 00:41:39,360
Speaker 1: I can crop out whatever you want if you're trying

845
00:41:39,360 --> 00:41:41,600
Speaker 1: to well, why would you take a picture if you're

846
00:41:41,600 --> 00:41:43,200
Speaker 1: going to crop out all three of us? And if

847
00:41:43,239 --> 00:41:48,439
Speaker 1: I see myself in Funny Business two by Brett Morris, Well,

848
00:41:48,520 --> 00:41:50,840
Speaker 1: I'm not gonna be thrilled. I'll tell you what.

849
00:41:51,480 --> 00:41:53,440
Speaker 2: Get one wide one, Brett. How about this? You get

850
00:41:53,440 --> 00:41:56,400
Speaker 2: one wide one one one really tight one of just

851
00:41:56,440 --> 00:41:58,320
Speaker 2: the two hands on the cards, and you can submit

852
00:41:58,360 --> 00:41:59,280
Speaker 2: that to your class.

853
00:42:00,440 --> 00:42:02,520
Speaker 1: Okay, do I have to crop anything out?

854
00:42:03,560 --> 00:42:03,880
Speaker 2: Oh?

855
00:42:03,920 --> 00:42:06,120
Speaker 1: Brett? I need you to take these photos, and I

856
00:42:06,160 --> 00:42:07,279
Speaker 1: need you to do it quickly because we lose the

857
00:42:07,280 --> 00:42:08,200
Speaker 1: studio twenty minutes.

858
00:42:08,239 --> 00:42:10,960
Speaker 3: Okay, do you want to set up that phil light?

859
00:42:11,160 --> 00:42:12,920
Speaker 3: I feel like this is gonna be kind of flat.

860
00:42:13,280 --> 00:42:14,480
Speaker 4: All right, m m.

861
00:42:16,160 --> 00:42:17,799
Speaker 2: Wait it should be taking the card?

862
00:42:18,520 --> 00:42:21,520
Speaker 1: Well, are you gonna do one? Okay, take the card.

863
00:42:22,360 --> 00:42:26,120
Speaker 2: Yes, that's good, and I'll be sort of taking it too.

864
00:42:27,360 --> 00:42:30,000
Speaker 3: I'm gonna make I'm gonna get my eyeline to the car.

865
00:42:32,000 --> 00:42:32,959
Speaker 4: Okay, one?

866
00:42:33,200 --> 00:42:34,000
Speaker 1: Two, three?

867
00:42:35,560 --> 00:42:38,719
Speaker 2: Oh? Everyone wants the cards that keep their hand being

868
00:42:38,880 --> 00:42:40,080
Speaker 2: very good at actually yes?

869
00:42:40,680 --> 00:42:42,040
Speaker 1: Yeah, well Clark.

870
00:42:41,800 --> 00:42:43,359
Speaker 2: Thank you so much for coming on the show.

871
00:42:43,400 --> 00:42:44,200
Speaker 3: Thanks for having me.

872
00:42:44,680 --> 00:42:47,520
Speaker 1: And please, if you guys ever have a.

873
00:42:47,480 --> 00:42:52,120
Speaker 3: Week that Paul F. Thompkins can't come in, you know

874
00:42:52,160 --> 00:42:52,680
Speaker 3: I'm around.

875
00:42:53,320 --> 00:42:58,120
Speaker 2: Uh, were that in that imaginary world? Were that wherever

876
00:42:58,280 --> 00:42:59,720
Speaker 2: to happen?

877
00:43:00,400 --> 00:43:05,640
Speaker 1: For yes, for everyone involved, but yeah, that would be.

878
00:43:07,200 --> 00:43:13,560
Speaker 3: I will take that as a note.

879
00:43:12,840 --> 00:43:15,759
Speaker 2: Please, well, thank you for rating us on iTunes. A

880
00:43:15,800 --> 00:43:16,600
Speaker 2: lot of you rated us.

881
00:43:16,560 --> 00:43:18,759
Speaker 1: On A lot of people did ratings, and we're we're

882
00:43:18,800 --> 00:43:19,640
Speaker 1: gonna get you away.

883
00:43:19,640 --> 00:43:21,640
Speaker 3: I couldn't find you guys on iTunes. I had to

884
00:43:21,680 --> 00:43:27,280
Speaker 3: go onto uh onto uh a website, uh your wife

885
00:43:28,000 --> 00:43:31,759
Speaker 3: dot net or c A or something we uh and

886
00:43:31,920 --> 00:43:34,000
Speaker 3: and try to listen to it on the laptop, which

887
00:43:34,040 --> 00:43:36,640
Speaker 3: is not ideal. You guys may want to have a

888
00:43:36,640 --> 00:43:38,239
Speaker 3: guy look into that.

889
00:43:38,640 --> 00:43:40,920
Speaker 2: Well, that's part of the problem because my little cousin

890
00:43:40,960 --> 00:43:43,680
Speaker 2: Sam is gonna start doing something. That's what he keeps

891
00:43:43,680 --> 00:43:46,920
Speaker 2: saying is that he's going over to iTunes to like

892
00:43:47,040 --> 00:43:50,360
Speaker 2: talk to them about it. But it's somehow nothing gets fixed.

893
00:43:50,400 --> 00:43:55,399
Speaker 2: And so just f y, I, well, don't even bother

894
00:43:55,520 --> 00:43:56,240
Speaker 2: checking iTunes.

895
00:43:56,280 --> 00:43:57,200
Speaker 1: Well, go to your wife.

896
00:43:57,200 --> 00:43:58,920
Speaker 2: Apparently there's some kind of big problem.

897
00:43:59,000 --> 00:43:59,800
Speaker 1: Go to your wife.

898
00:44:00,239 --> 00:44:04,759
Speaker 3: In the ladies' restroom. Uh the sink on the right,

899
00:44:05,480 --> 00:44:09,320
Speaker 3: the hot water handle was that it was kind of loose.

900
00:44:11,040 --> 00:44:13,080
Speaker 2: Well, that's the second thing I was going to talk about.

901
00:44:13,120 --> 00:44:13,520
Speaker 1: And so.

902
00:44:15,160 --> 00:44:16,560
Speaker 2: I guess, don't come to our studio and go to

903
00:44:16,600 --> 00:44:17,160
Speaker 2: the bathroom.

904
00:44:17,719 --> 00:44:20,440
Speaker 1: Uh to hot water handles on the fritz right now,

905
00:44:20,480 --> 00:44:22,640
Speaker 1: and we have a plan of attack, but we don't

906
00:44:22,640 --> 00:44:27,520
Speaker 1: necessarily have a timeline that's firm, so we will update you.

907
00:44:28,440 --> 00:44:32,120
Speaker 1: But thank you so much the like us on We're

908
00:44:32,120 --> 00:44:37,000
Speaker 1: not on Facebook, but we're on something Facebook adjacent. Uh,

909
00:44:37,400 --> 00:44:44,680
Speaker 1: it's a site LinkedIn. No, it's that, that's Friendster. It's

910
00:44:44,760 --> 00:44:49,360
Speaker 1: a lot like that. It's it's hot or not. So anyway,

911
00:44:49,400 --> 00:44:51,160
Speaker 1: we're on hot or not. And if you could please

912
00:44:51,200 --> 00:44:54,000
Speaker 1: click hot and give us a you know, say, we're

913
00:44:54,000 --> 00:45:00,520
Speaker 1: at least a nine. Thanks, bye bye, everybody. Thanks for

914
00:45:00,520 --> 00:45:03,520
Speaker 1: buying the pro version take home joke. Thanks for buying

915
00:45:03,520 --> 00:45:03,839
Speaker 1: the pro.

916
00:45:04,200 --> 00:45:08,160
Speaker 2: Joke about the pro version Clark. Give him a quick prize.

917
00:45:09,320 --> 00:45:10,200
Speaker 1: Oh wait, can I can?

918
00:45:10,239 --> 00:45:12,160
Speaker 3: I can I plug one thing before I go?

919
00:45:12,360 --> 00:45:14,359
Speaker 2: Oh yeah, and your prize is a plug take home joke.

920
00:45:15,200 --> 00:45:19,239
Speaker 3: Everybody, Uh, please go watch Hot Tub Time Machine two

921
00:45:19,239 --> 00:45:20,480
Speaker 3: in theaters this Christmas.

922
00:45:20,520 --> 00:45:23,520
Speaker 2: That's only for you to hear. Take them your prizes.

923
00:45:23,560 --> 00:45:25,600
Speaker 2: You have to go see Hot Tub Time Machine two

924
00:45:25,760 --> 00:45:27,320
Speaker 2: on Christmas Day in theaters.

925
00:45:27,440 --> 00:45:27,760
Speaker 1: Yes.

926
00:45:28,000 --> 00:45:28,360
Speaker 2: Bye.

927
00:45:34,200 --> 00:45:37,160
Speaker 5: This has been an Earwolf Media production executive producers Jeff

928
00:45:37,200 --> 00:45:49,760
Speaker 5: Ulrick and Scott Offerman. For more information, visit Earwolf dot com.

929
00:45:44,920 --> 00:45:48,000
Speaker 2: Ear Warf Radio Boom dot com.

930
00:45:54,719 --> 00:45:55,560
Speaker 1: The wolf dead,