WEBVTT - Milton Grimes

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<v Speaker 1>Milton Charles Grimes has been practicing law in Los Angeles

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<v Speaker 1>for the last forty eight years. He's worked on fifty

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<v Speaker 1>six murder trials, but also some highly publicized civil rights

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<v Speaker 1>cases dealing with the guy named Rodney King who beat

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<v Speaker 1>ten cops. No, he got beat by four cops, and

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<v Speaker 1>twenty seven cops totally watched that other than the four

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<v Speaker 1>that participated in the beating. Grimes was responsible for winning

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<v Speaker 1>a three point eight million dollar civil claim on behalf

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<v Speaker 1>of King, the black motorist who was brutally beaten by

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<v Speaker 1>the Los Angeles Police Department and whose assailants were ultimately

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<v Speaker 1>found not guilty, sparking an uprising across the city of

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<v Speaker 1>Los Angeles and the country at large. We refer a

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<v Speaker 1>lot back to the so called La Riots in this podcast,

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<v Speaker 1>because it was in many ways the blaze that caught

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<v Speaker 1>from the powder keg that was l a when American

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<v Speaker 1>Me came out. The violence and gang culture portrayed in

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<v Speaker 1>American Me is the result of the societal neglect and

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<v Speaker 1>state of pression experienced primarily by people of color for

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<v Speaker 1>decades in Los Angeles. But we're speaking to Milton Grimes

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<v Speaker 1>about a different client today. Joe Morgan was held to

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<v Speaker 1>be the leader of the Mexican mafia. I understand I

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<v Speaker 1>met Joe Morgan. I guess was in the early nineties.

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<v Speaker 1>Um I was asked to if I would represent him

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<v Speaker 1>because he was not being cared for properly in the

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<v Speaker 1>California prison system. He was at Pelican Bay, which is

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<v Speaker 1>like the top security prison in California and a boast

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<v Speaker 1>of that anyway, and Joe was there and he wasn't

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<v Speaker 1>receiving proper medical care for his uh tessim or stomach cancer,

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<v Speaker 1>and so a friend of his, Shirley um McDonald, asked

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<v Speaker 1>me if I would help him. And I went up

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<v Speaker 1>there and interview with him, and he asked me if

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<v Speaker 1>I could help him seek proper medical attention, and that's

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<v Speaker 1>how I got acquainted with him. Joe peg Leg Morgan

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<v Speaker 1>was also who Edward James almost allegedly based the character

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<v Speaker 1>of Jdon played by William Forsyth in the movie clicka

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<v Speaker 1>ar Barrio Our Families. That's how we gotta see when

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<v Speaker 1>we were kids, belonging felt good, but having respect with

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<v Speaker 1>set feels even better. He was known for having a

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<v Speaker 1>shaved head a prosthetic leg, hence the nickname and piercing

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<v Speaker 1>eyes a lot like j D. The youngest of four siblings,

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<v Speaker 1>Morgan was born on April tenth in San Pedro, California,

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<v Speaker 1>to Croatian immigrants Clara and Grego Medagak, a truck driver.

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<v Speaker 1>According to infallible Internet reference site wikipedia dot com, shortly

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<v Speaker 1>after his birth, his father naturalized as a US citizen,

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<v Speaker 1>anglicizing the family name to Morgan due to an anti immigrant,

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<v Speaker 1>anti Slavic sentiment at the time. In the year Morgan

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<v Speaker 1>was born, the US past immigration laws limiting immigration from

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<v Speaker 1>the Balkans. It's believed that more than half of the

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<v Speaker 1>Croatian population in the US at the time was deported

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<v Speaker 1>from the nation. Morgan grew up in a primarily Mexican

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<v Speaker 1>and Croatian neighborhood in San Pedro. You can understand then,

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<v Speaker 1>how Morgan comes to identify with Mexican culture and people

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<v Speaker 1>who likewise had faced xenophobia and discriminatory immigration practices. He

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<v Speaker 1>ultimately moved to another Mexican neighborhood, Boil Heights. In the

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<v Speaker 1>late nineteen thirties, he joined the Ford Maravilla Street Gang,

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<v Speaker 1>one of the oldest documented gangs in Los Angeles, maybe

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<v Speaker 1>the oldest. The predominantly Hispanic gang was part of a

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<v Speaker 1>larger group known as Barrio Maraba, based in East l A,

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<v Speaker 1>a gang that at some point had beef with the

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<v Speaker 1>Mexican Mafia. So how does Joe Morgan come to become

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<v Speaker 1>part of Lammy Choices We Made to Survive? Godmundo J.

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<v Speaker 1>D n Me ten to five collections, according to his

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<v Speaker 1>obituary in The l A Times. In nineteen forty six,

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<v Speaker 1>at the age of sixteen, Morgan became romantically involved with

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<v Speaker 1>a thirty two year old woman literally twice his age,

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<v Speaker 1>eventually bludgeting her fifty two year old husband to death

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<v Speaker 1>with a tire iron and burying him in a shallow

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<v Speaker 1>grave in Malibu Hills. While awaiting trial in County jail,

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<v Speaker 1>Morgan escaped from custody by posing as his cellmate, who

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<v Speaker 1>was scheduled to be transferred to a juvenile forestry camp.

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<v Speaker 1>After he was captured, Morgan was convicted of second degree

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<v Speaker 1>murder and sent to San Quentin, where he served nine years.

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<v Speaker 1>In nineteen fifty six, a year after his parole, he

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<v Speaker 1>was sent back to prison for a machine gun robbery

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<v Speaker 1>of a West Covina bank, where he made off with

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<v Speaker 1>seventeen thousand dollars the equivalent of a hundred and eighty

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<v Speaker 1>five thousand today. While serving his sentence, he was transferred

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<v Speaker 1>from Fulsome back to County Jail in nineteen sixty one

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<v Speaker 1>so he could testify at another murder trial. From there,

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<v Speaker 1>he led an escape of eleven inmates through a pipe shaft,

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<v Speaker 1>reportedly using tools hidden in his prosthesis. The dude hid

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<v Speaker 1>tools in his fake leg. He was arrested a week

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<v Speaker 1>later as he shopped for groceries on the West Side.

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<v Speaker 1>Back in prison, he gradually befriended the leaders of the

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<v Speaker 1>Mexican Mafia, which was formed at Dual Vocational Institution in

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<v Speaker 1>Tracy in the mid fifties by a group of hardcore

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<v Speaker 1>East Side gang members seeking to establish a gang of gangs.

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<v Speaker 1>Although he was Anglo, Morgan was fluent in Spanish and

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<v Speaker 1>identified strongly with Latino culture. Come on totally. Quote, as

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<v Speaker 1>far as we were concerned, he was a Mexican, said

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<v Speaker 1>Raymond Mundo Mendoza forty three, a former Mexican Mafia hitman

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<v Speaker 1>who left the organization in the nineteen seventies after embracing Christianity. Quote.

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<v Speaker 1>If anybody ever called him a white boy. I have

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<v Speaker 1>no doubt he would have killed him. He knew what

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<v Speaker 1>he was as far as his jeans were concerned, but

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<v Speaker 1>his heart was Chicano end quote. Once firmly inside the mafia,

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<v Speaker 1>Morgan studied Aztec mythology and the writings of Ocdavio pass.

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<v Speaker 1>He got along well with the guards, but never sold

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<v Speaker 1>out his comrades, often using the affectionate term mijo to

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<v Speaker 1>address a particularly trusted friend. That's all from the l

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<v Speaker 1>a times oh bit. Some say Morgan was well respected

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<v Speaker 1>within the ranks of the Mexican Mafia and eventually became

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<v Speaker 1>a high ranking member. According to at least one former

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<v Speaker 1>member we spoke to, though Joe was well liked, but

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<v Speaker 1>he wasn't high ranking. His status is in non Mexican

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<v Speaker 1>would have never allowed it. However, others say his connections

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<v Speaker 1>with drug suppliers in Mexico helped pave the foundation for

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<v Speaker 1>the Mexican Mafia's narcotics business. Morgan was even able to

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<v Speaker 1>persuade the Aryan Brotherhood to forge a loose alliance with

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<v Speaker 1>LA due to having the Black Guerrilla Family as a

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<v Speaker 1>mutual arrival. Similar events play out as scenes in American

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<v Speaker 1>me but again with certain crucial details that are contested

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<v Speaker 1>by the Mexican mafia, including a scene where the b

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<v Speaker 1>GF kills a whole bunch of MS by suffocating them

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<v Speaker 1>in piles of heroin. Yeah, I know who you are

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<v Speaker 1>now breathe deep. We'll get into that in a later episode.

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<v Speaker 1>This was after Morgan had tried and successfully made some

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<v Speaker 1>loose alliances with black gangs, which eventually broke down because

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<v Speaker 1>the Mexican leaders at the time had issues with multiple

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<v Speaker 1>black gangs, you know, because Latinos are also racist. It

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<v Speaker 1>was thought that Morgan wanted to set deals with white

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<v Speaker 1>and black gangs to ensure that Lama could come out

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<v Speaker 1>the dominant force with little resistance. This was a characteristic

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<v Speaker 1>Morgan was known for being very political and strategic. Allegedly,

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<v Speaker 1>Morgan made diplomatic relations with the Los Angeles Italian crime

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<v Speaker 1>family through Michael Ristello, who he met during the nine

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<v Speaker 1>years sentence the mobster was serving in Chino for a

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<v Speaker 1>string of armed robberies during the nineteen seventies. Another event

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<v Speaker 1>loosely depicted in the film. There's going to be some

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<v Speaker 1>changes in the way business has done mist from now

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<v Speaker 1>and are people who are going to be responsible for

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<v Speaker 1>the easterly Exchange. All deliveries between Mexico and Exchange are

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<v Speaker 1>going to be done through US. All collections are going

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<v Speaker 1>to be done by us. Is that's what you came

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<v Speaker 1>here for to tell me my business for now one

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<v Speaker 1>your business into Vadio. It's going to be our business too.

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<v Speaker 1>It's rumored that Morgan even committed the first prison gang

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<v Speaker 1>street execution in Los Angeles in and here's a rumor

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<v Speaker 1>I love. It's believed that Morgan offered Croatian political refugees

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<v Speaker 1>protection from Yugoslav agents in the US. Los Angeles was

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<v Speaker 1>one of the few cities Croatians could openly oppose the

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<v Speaker 1>Communist government without any of the local leadership being murdered

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<v Speaker 1>like in Chicago or New York City. Supposedly, Morgan used

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<v Speaker 1>his gang ties to intimidate or even murder Yugoslavian state

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<v Speaker 1>agents sent to kill their political rivals. Again citing Moondo

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<v Speaker 1>Mendoza in the l A. Times obituary quote. With his savvy,

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<v Speaker 1>his manipulative skills, his intelligence, his charisma, and his knack

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<v Speaker 1>for being profitable, he easily could have been the president

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<v Speaker 1>of a major corporation. Part of him was cruel, and

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<v Speaker 1>cold blooded, but there was a side of Joe that

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<v Speaker 1>was very human, very humane end quote. Welcome to more

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<v Speaker 1>than a Movie American Me, a podcast that digs into

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<v Speaker 1>the history and mystery of American Met, a film directed

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<v Speaker 1>by and starring Edward James almost that had a huge

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<v Speaker 1>impact on Latino cinema and culture. I'm your host, Alex Fumeto,

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<v Speaker 1>and I'll be diving into the behind the scenes controversy

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<v Speaker 1>every episode. I'm gonna try to peel back a layer

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<v Speaker 1>of the story by trying to go deeper into the

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<v Speaker 1>intentions and motives behind the film and the backlash. Thirty

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<v Speaker 1>years later, on today's podcast, I'm speaking to Milton Grimes,

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<v Speaker 1>attorney for Mexican Mafia member Joe Morgan, who was the

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<v Speaker 1>basis for the character j D in American Meat. So

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<v Speaker 1>when you went to meet with uh Joe Morgan, Uh,

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<v Speaker 1>it was to bring a lawsuit against uh the state

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<v Speaker 1>of California. First, it was to see what was happening

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<v Speaker 1>with him and why was he complaining about the lack

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<v Speaker 1>of proper medical care and look into that and to

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<v Speaker 1>attempt to get the administration of the prison system to

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<v Speaker 1>give him care proper care. As you are entitled to

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<v Speaker 1>when your institutional lives, and yet not totally unsurprising that

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<v Speaker 1>the criminal justice system failed. And I tried those cases,

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<v Speaker 1>a couple of them, and it's, uh, it should be surprising.

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<v Speaker 1>Was not surprising, But how can you let a human

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<v Speaker 1>beings suffer? Is beyond my understanding? I agreed. So, Um,

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<v Speaker 1>how well did you get to know Joe Morgan in

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<v Speaker 1>that process? Um? I spent a few hours with him.

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<v Speaker 1>We may have talked on the phone. I'm not sure occasion.

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<v Speaker 1>I believe, I believe we had meetings, and I'm not

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<v Speaker 1>even sure about that. I understand that it went from

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<v Speaker 1>there too, the suing of the major studios who produced

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<v Speaker 1>the video or the video the movie American me portraying

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<v Speaker 1>Mr Morrigan in that movie, and there was some dispute

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<v Speaker 1>as to some of the things they portrayed Mr Morrigan

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<v Speaker 1>in and there was some disagreement with people that were

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<v Speaker 1>knowledgeable are involved in the Mexican Association, and uh, they

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<v Speaker 1>disagreed with some of the portrayals in their of Mr Morgan,

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<v Speaker 1>and um, some disputes and disagreements came out of that,

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<v Speaker 1>and UM, that's what happened. And you can say it's

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<v Speaker 1>just a movie. But a lot of times people don't

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<v Speaker 1>know the difference. Take the Fox News talk show where

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<v Speaker 1>they're trying to explain to the host what prison is like,

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<v Speaker 1>he'll shake it, he's gonna see I tell you, I

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<v Speaker 1>don't know. Was that a television program? That's I saw

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<v Speaker 1>the one. I've seen that one. But then they were

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<v Speaker 1>all like cutting the garlic the American You know that

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<v Speaker 1>one too, I've seen that with the rice bag, and

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<v Speaker 1>I'm just saying yes at this point, coming out poppy.

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<v Speaker 1>So it's it's thought that the character that that Mr

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<v Speaker 1>Morgan was Um took issue with the character j D

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<v Speaker 1>who is uh played by William Forsyth Um, who is

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<v Speaker 1>not of Mexican descent? Was was Joe Morgan Mexican? I

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<v Speaker 1>believe he was port your Geese. I believe that he

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<v Speaker 1>was not Mexican. They say he was white, he's not Latino,

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<v Speaker 1>but I believe he was Portuguese. He was Croatian. How

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<v Speaker 1>does a guy like that end up associated with an

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<v Speaker 1>organization called the Mexican Mafia. Well, he lived in the

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<v Speaker 1>East l A Area. I understand he associated Those were

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<v Speaker 1>his playmates, Those where his friends, those were That's where

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<v Speaker 1>he grew up and he adopted the culture. Uh, and

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<v Speaker 1>they believed in him. Uh, they loved him. Um, and

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<v Speaker 1>he was as one of them as a native born one. Um.

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<v Speaker 1>You know, there's something about how do I say this?

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<v Speaker 1>Black people have a way of identifying and accepting people

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<v Speaker 1>of an opposite race that may even be part of

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<v Speaker 1>the race that is oppressing them. But if you're a

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<v Speaker 1>person with a heart and you show concerned love and

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<v Speaker 1>belief and loyalty to the group, I think the color

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<v Speaker 1>of your skin and the race you are takes a

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<v Speaker 1>second seat. That makes sense. I mean from what I heard,

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<v Speaker 1>Joe was fluent in Spanish, right right, he which he

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<v Speaker 1>identified with the culture. Many Chicano's aren't even fluent in

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<v Speaker 1>Spanish Spanish, you know, especially in the US, right right,

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<v Speaker 1>and and he Um, So when you come to meet him,

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<v Speaker 1>it's sort of it's at a later point in his life. Um.

0:14:21.880 --> 0:14:27.920
<v Speaker 1>How does he come to be held at Pelican Bay?

0:14:27.920 --> 0:14:30.960
<v Speaker 1>His sentence, I don't I've forgotten what it was for.

0:14:31.240 --> 0:14:34.440
<v Speaker 1>Was it for any murder? I believe somewhat that was involved.

0:14:35.040 --> 0:14:40.640
<v Speaker 1>But next Pelican Bay was known to hold the worst

0:14:40.760 --> 0:14:44.520
<v Speaker 1>of the worst, so to speak. Quote, I visited Pelican

0:14:44.560 --> 0:14:47.000
<v Speaker 1>Bay once because I had a deaf pility case and

0:14:47.040 --> 0:14:49.640
<v Speaker 1>I wanted to visit it so I would know what

0:14:49.680 --> 0:14:52.120
<v Speaker 1>I was talking about when I talked to the jury

0:14:52.120 --> 0:14:57.000
<v Speaker 1>about spiring, sparing, sparing my client's life and not putting

0:14:57.080 --> 0:15:00.200
<v Speaker 1>him to death, and that Pelican Bay was a place

0:15:00.280 --> 0:15:02.920
<v Speaker 1>where NAT couldn't get out of if it was locked

0:15:02.960 --> 0:15:05.760
<v Speaker 1>up in there. You follow me, And it seemed like

0:15:05.800 --> 0:15:09.120
<v Speaker 1>that when I was there, pardon, it was like the

0:15:09.360 --> 0:15:12.480
<v Speaker 1>Blacks was on the weight power one hour, two hours,

0:15:12.520 --> 0:15:15.080
<v Speaker 1>and the Whites was the next, and the Latinos was

0:15:15.120 --> 0:15:18.800
<v Speaker 1>the next, and they didn't integrate, and they separated, and

0:15:18.840 --> 0:15:21.720
<v Speaker 1>they kept the hostility amongst the groups so that they

0:15:21.720 --> 0:15:24.880
<v Speaker 1>could be entertained, or for whatever other up and reason

0:15:24.960 --> 0:15:28.640
<v Speaker 1>they do that in the prison system. But getting back

0:15:28.680 --> 0:15:32.840
<v Speaker 1>to your question why Joe was assigned there at that

0:15:32.880 --> 0:15:35.480
<v Speaker 1>time and in his life, I guess it was just

0:15:35.560 --> 0:15:39.360
<v Speaker 1>to make sure he would be fully punished for what

0:15:39.480 --> 0:15:43.040
<v Speaker 1>society or the institution thought he needed to be punished for.

0:15:44.760 --> 0:15:47.120
<v Speaker 1>Coming up, Milton Grimes will tell us about the Joe

0:15:47.160 --> 0:15:55.240
<v Speaker 1>Morgan that he met face to face in prison. Welcome

0:15:55.280 --> 0:15:57.440
<v Speaker 1>back to More Than a Movie. I'm Alex Fometto and

0:15:57.480 --> 0:16:00.400
<v Speaker 1>we're talking to criminal and civil attorney Milton Times, who

0:16:00.440 --> 0:16:05.320
<v Speaker 1>represented Mexican mafia member. I want to go back a

0:16:05.320 --> 0:16:07.480
<v Speaker 1>little bit to this, this meeting that you had with

0:16:07.680 --> 0:16:10.800
<v Speaker 1>Joe Morgan. Can you what do you remember about him

0:16:10.840 --> 0:16:15.600
<v Speaker 1>and his personality meeting him? Rather than be in a terror,

0:16:17.960 --> 0:16:20.840
<v Speaker 1>a monster that would attack and I was supposed to

0:16:20.840 --> 0:16:24.760
<v Speaker 1>shiver in front of I remember him being a mild mannered,

0:16:24.840 --> 0:16:28.520
<v Speaker 1>grandfatherly type. To be honest with you, the monster was

0:16:28.560 --> 0:16:31.240
<v Speaker 1>not there. And I have to admit that I had

0:16:31.280 --> 0:16:36.360
<v Speaker 1>some concerns with meeting the infamous Joe Morrigan. You're following me.

0:16:36.840 --> 0:16:39.440
<v Speaker 1>None of that was there. None of that was there.

0:16:39.520 --> 0:16:43.520
<v Speaker 1>And you know, I mean, I've represented Shugu Night, I've

0:16:43.520 --> 0:16:46.600
<v Speaker 1>represented a number of people who are supposed to be

0:16:47.520 --> 0:16:49.960
<v Speaker 1>I won't say ax killers, that's taken it too far,

0:16:50.040 --> 0:16:53.360
<v Speaker 1>but people of people. Man. You know, people do some

0:16:53.440 --> 0:16:58.160
<v Speaker 1>things that are bad and ugly. But I've learned to

0:16:58.400 --> 0:17:02.040
<v Speaker 1>try to see the human side of people and respect

0:17:02.160 --> 0:17:05.439
<v Speaker 1>that and and just I respect you, I expect you

0:17:05.480 --> 0:17:10.679
<v Speaker 1>to respect me so that that monster is not there.

0:17:10.720 --> 0:17:14.320
<v Speaker 1>So did you what did you know about the Mexican

0:17:14.359 --> 0:17:19.000
<v Speaker 1>mafia before going into Mitcho? What did I know, I

0:17:19.119 --> 0:17:22.880
<v Speaker 1>know that during that time they're in the drug cases,

0:17:23.440 --> 0:17:26.320
<v Speaker 1>you had to be careful as an attorney not to

0:17:26.400 --> 0:17:30.240
<v Speaker 1>get too involved with them or close to the guys

0:17:30.359 --> 0:17:35.359
<v Speaker 1>that were known to or suspected to be involved with

0:17:35.400 --> 0:17:41.160
<v Speaker 1>the cartels, because you lose control. You could lose control

0:17:41.480 --> 0:17:46.160
<v Speaker 1>of the case, in your office and your life because

0:17:46.240 --> 0:17:48.720
<v Speaker 1>if you got too close and you learned too much,

0:17:49.200 --> 0:17:52.560
<v Speaker 1>you could get killed. Uh So that was that kind

0:17:52.560 --> 0:17:55.560
<v Speaker 1>of fear out there. I didn't have that concern as

0:17:55.640 --> 0:18:00.440
<v Speaker 1>much because I try to keep a professional relationship with clients.

0:18:00.480 --> 0:18:02.720
<v Speaker 1>Even though I get personal with clients. I like to

0:18:02.720 --> 0:18:05.240
<v Speaker 1>get to know who am I representing, because I don't

0:18:05.240 --> 0:18:07.560
<v Speaker 1>think you can represent a person very well if you

0:18:07.600 --> 0:18:10.000
<v Speaker 1>don't get to learn who they are, and they learn

0:18:10.080 --> 0:18:13.960
<v Speaker 1>who you are, and you can get a more honest relationship.

0:18:14.160 --> 0:18:18.119
<v Speaker 1>So but I was I was cautious about when a

0:18:18.200 --> 0:18:21.080
<v Speaker 1>person is going to be coming from Mexico to retain me,

0:18:21.200 --> 0:18:23.800
<v Speaker 1>and they may have certain demands and they're gonna want

0:18:23.800 --> 0:18:26.399
<v Speaker 1>to know everything and anything that's going on, and I

0:18:26.440 --> 0:18:29.040
<v Speaker 1>want to give you directions on what to do, and

0:18:29.040 --> 0:18:31.360
<v Speaker 1>and I just don't want that. The money you can

0:18:31.480 --> 0:18:33.600
<v Speaker 1>keep it, you can, and there were a lot of

0:18:33.600 --> 0:18:35.960
<v Speaker 1>guys made a lot of money. With a hundred two

0:18:36.280 --> 0:18:41.520
<v Speaker 1>fifty thousand, half million dollars billion dollar fees, I represented

0:18:41.520 --> 0:18:48.080
<v Speaker 1>more the midline dealers during that time. How did you

0:18:48.359 --> 0:18:52.400
<v Speaker 1>How did you choose your clients? How did you decide

0:18:52.600 --> 0:18:56.760
<v Speaker 1>I want to represent this person. I think everyone is

0:18:56.960 --> 0:19:02.800
<v Speaker 1>entitled to representation. Uh uh. I've represented child molesters, I've

0:19:02.840 --> 0:19:09.719
<v Speaker 1>represented murderers, I've represented the run of them, everybody, because

0:19:09.840 --> 0:19:14.000
<v Speaker 1>my belief was that everyone is entitled to the best defense.

0:19:14.920 --> 0:19:18.399
<v Speaker 1>So you know, I've represented a few people with it

0:19:18.520 --> 0:19:22.400
<v Speaker 1>and say anything defense and mental illness. Like the lady

0:19:22.400 --> 0:19:25.120
<v Speaker 1>who killed her baby, I thought she should ride in hell.

0:19:25.160 --> 0:19:27.359
<v Speaker 1>When I read the headlines and the paper mother kills

0:19:27.359 --> 0:19:29.200
<v Speaker 1>her baby and the way she did it, I'm saying

0:19:29.240 --> 0:19:31.399
<v Speaker 1>this woman should ride in hell. When I met her

0:19:31.400 --> 0:19:34.000
<v Speaker 1>at jail on a Friday after her family came and

0:19:34.040 --> 0:19:36.840
<v Speaker 1>said they interviewed six lawyers and they decided to come

0:19:36.840 --> 0:19:39.480
<v Speaker 1>back and hire me. I first thought, y'all trying to

0:19:39.520 --> 0:19:41.640
<v Speaker 1>set me up because she's a white girl. You're gonna

0:19:41.680 --> 0:19:45.080
<v Speaker 1>hide this black lawyer and I'm join in screw up,

0:19:45.200 --> 0:19:48.399
<v Speaker 1>and you're gonna be blaming me and everybody's gonna be attacked. Okay,

0:19:48.400 --> 0:19:50.359
<v Speaker 1>I'm gonna give you this figure here. So they wrote

0:19:50.400 --> 0:19:54.399
<v Speaker 1>the check, said okay, and shucks, I didn't. I didn't

0:19:54.400 --> 0:19:56.960
<v Speaker 1>get that done. So I'm stuck with this case. So

0:19:57.040 --> 0:19:58.840
<v Speaker 1>I had got to go down to jail and see her.

0:19:58.880 --> 0:20:00.840
<v Speaker 1>On a Friday night. I a to him about eleven

0:20:00.840 --> 0:20:04.200
<v Speaker 1>o'clock and I tell my wife at the time, she's

0:20:04.240 --> 0:20:07.760
<v Speaker 1>not a criminal, she's not a killer. This girl needs

0:20:07.840 --> 0:20:12.440
<v Speaker 1>some help. You follow me, and she did. She did.

0:20:12.600 --> 0:20:15.320
<v Speaker 1>I grew to understand what postpartom psychosis is, and my

0:20:15.359 --> 0:20:17.359
<v Speaker 1>wife later told me, you know, I had post bottom.

0:20:17.720 --> 0:20:21.240
<v Speaker 1>I didn't have psychosis, but I found out women who

0:20:21.240 --> 0:20:24.040
<v Speaker 1>have babies have post bottom. They don't have all that

0:20:24.160 --> 0:20:27.960
<v Speaker 1>love and good feeling and fuzzy for babies all the time.

0:20:28.040 --> 0:20:29.639
<v Speaker 1>Sometimes they want to put them in that oven. It

0:20:29.680 --> 0:20:33.280
<v Speaker 1>turned hot. You follow me, I do. In essence, what

0:20:33.320 --> 0:20:35.720
<v Speaker 1>I think Milton is saying is that most of the

0:20:35.760 --> 0:20:39.720
<v Speaker 1>people he defends, even when they've done heinous things, they're

0:20:39.800 --> 0:20:44.520
<v Speaker 1>human beings. They're not all sociopaths or monsters. They're people

0:20:44.520 --> 0:20:47.760
<v Speaker 1>who themselves have suffered or are suffering in some way

0:20:47.800 --> 0:20:49.880
<v Speaker 1>and trying to play the cards that they're dealt as

0:20:49.880 --> 0:20:54.080
<v Speaker 1>best they can. And maybe, you know, maybe folks from

0:20:54.080 --> 0:20:58.719
<v Speaker 1>these neighborhoods aren't as eloquent. And I studied about this

0:20:58.840 --> 0:21:01.600
<v Speaker 1>as you are. But they know, right, I mean, kids

0:21:01.600 --> 0:21:03.919
<v Speaker 1>who are growing up in Ramona Gardens in the early nineties,

0:21:03.920 --> 0:21:06.000
<v Speaker 1>they know that the system is not set up to

0:21:06.040 --> 0:21:08.679
<v Speaker 1>favor them. Right, that's right, they right, that's right. They

0:21:08.720 --> 0:21:11.000
<v Speaker 1>know cops don't respect them. They know cops don't treat

0:21:11.040 --> 0:21:13.400
<v Speaker 1>white kids and Beverly Hills or bell Air like they

0:21:13.440 --> 0:21:17.040
<v Speaker 1>treat them. You follow me and make them these fucking

0:21:18.520 --> 0:21:23.199
<v Speaker 1>these two judges in Pennsylvania that were kids for cash

0:21:23.640 --> 0:21:26.800
<v Speaker 1>juvenile justice, that's right. Yeah, they're selling these kids for

0:21:27.440 --> 0:21:30.200
<v Speaker 1>a traffic citation, six months in juvenile hall, in prisons,

0:21:30.200 --> 0:21:33.359
<v Speaker 1>six months, little kids they were putting in the criminal

0:21:33.400 --> 0:21:38.400
<v Speaker 1>justice system, and nobody doing anything about it. The clerks,

0:21:38.520 --> 0:21:41.879
<v Speaker 1>the bailiffs, they got kids. You're sitting there letting this

0:21:41.960 --> 0:21:44.560
<v Speaker 1>happen because it's not your son. He's skin is different

0:21:44.560 --> 0:21:47.080
<v Speaker 1>than yours, and you're letting these judges make millions of

0:21:47.160 --> 0:21:51.840
<v Speaker 1>dollars evilly doing evil. Yeah, but then these kids in

0:21:51.920 --> 0:21:54.359
<v Speaker 1>prison for money, and this is how how old is

0:21:54.440 --> 0:21:57.480
<v Speaker 1>Joe Morgan. When you met him in the nineties, you

0:21:57.560 --> 0:22:00.399
<v Speaker 1>counted up because I don't remember birthday, but met him

0:22:00.400 --> 0:22:04.000
<v Speaker 1>in ninety nine four, Morgan would have been in his

0:22:04.040 --> 0:22:06.919
<v Speaker 1>early to mid sixties. Yeah, he should have been taken

0:22:06.920 --> 0:22:09.720
<v Speaker 1>care of more and he which means that he came

0:22:09.760 --> 0:22:13.760
<v Speaker 1>of age in a time in Los Angeles where I

0:22:13.800 --> 0:22:16.359
<v Speaker 1>mean by you know, we see it in the movie

0:22:16.440 --> 0:22:18.439
<v Speaker 1>right with the zoot Suit Riots, right, I don't know

0:22:18.560 --> 0:22:22.960
<v Speaker 1>if you've seen recently, yes, sir, and I always go

0:22:23.040 --> 0:22:26.920
<v Speaker 1>back to, you know, during the zoot Suits Riots, the

0:22:27.400 --> 0:22:31.000
<v Speaker 1>Marie I'm sorry, the army guys in the sellers, they

0:22:31.040 --> 0:22:33.400
<v Speaker 1>were beating Chicanos and then they said, well, let's get

0:22:33.720 --> 0:22:36.280
<v Speaker 1>we beat the black too, and they started beating them

0:22:36.520 --> 0:22:39.040
<v Speaker 1>and there was It's in It's in the l A

0:22:39.119 --> 0:22:42.359
<v Speaker 1>Times because I used it in a lawsuit against the

0:22:42.359 --> 0:22:45.600
<v Speaker 1>Sea of Santa Monica for racial discrimination and voter rights

0:22:46.640 --> 0:22:49.439
<v Speaker 1>violation that we won. And part of it was the

0:22:49.480 --> 0:22:55.600
<v Speaker 1>research of the zoot Suit days with Chicanos. And believe

0:22:55.640 --> 0:22:59.720
<v Speaker 1>it or not, the brothers and the Chicanos got together

0:23:00.119 --> 0:23:05.000
<v Speaker 1>over in Compton, I think it was or what and

0:23:05.040 --> 0:23:08.960
<v Speaker 1>they entice them out because they had heard that there's

0:23:08.960 --> 0:23:12.680
<v Speaker 1>gonna be three bus loads of sailors coming to beat

0:23:12.720 --> 0:23:15.480
<v Speaker 1>the black's ass over and watch. I think it was.

0:23:16.080 --> 0:23:19.919
<v Speaker 1>And so they got together. It isn't you can research

0:23:19.960 --> 0:23:22.679
<v Speaker 1>it in the paper. They got together and they developed

0:23:22.680 --> 0:23:25.280
<v Speaker 1>attacked it. And they had two or three guys out

0:23:25.320 --> 0:23:27.840
<v Speaker 1>there going f you, f you come on them, and

0:23:27.880 --> 0:23:31.280
<v Speaker 1>they got them to charge them and come around the corner.

0:23:32.560 --> 0:23:36.960
<v Speaker 1>They were they they they've done away with a couple

0:23:36.960 --> 0:23:41.720
<v Speaker 1>of lovers. Yeah, it'sn't written about. And what I'm saying, man,

0:23:41.760 --> 0:23:44.160
<v Speaker 1>how do we lose that coalition? How do we lose

0:23:44.240 --> 0:23:47.320
<v Speaker 1>that support for one another brother because we got the

0:23:47.359 --> 0:23:49.879
<v Speaker 1>same enemy. Why they why you're letting them put us

0:23:49.920 --> 0:23:51.919
<v Speaker 1>against each other? Well, certainly part of it is that

0:23:52.000 --> 0:23:54.400
<v Speaker 1>you get sent to prison. You described it yourself. You said,

0:23:54.880 --> 0:23:58.080
<v Speaker 1>first the white people are the black people are on

0:23:58.160 --> 0:24:03.000
<v Speaker 1>the workout station and rotate. So you separate them like that,

0:24:03.080 --> 0:24:05.199
<v Speaker 1>and then you go back to society. And those are

0:24:05.240 --> 0:24:07.680
<v Speaker 1>the kinds of norms they're taking with your used to.

0:24:08.080 --> 0:24:12.320
<v Speaker 1>I did some cases out of Corkran during the gladiator

0:24:12.720 --> 0:24:15.320
<v Speaker 1>war that they had where six people got killed out

0:24:15.359 --> 0:24:18.359
<v Speaker 1>in the yard because they had the gladiator fights and

0:24:18.440 --> 0:24:22.040
<v Speaker 1>they would pit black against Mexican and and and brother

0:24:22.119 --> 0:24:25.119
<v Speaker 1>against brother, and they would kill each other and the

0:24:25.119 --> 0:24:27.280
<v Speaker 1>guards will be up there betting on it in the towers,

0:24:27.800 --> 0:24:33.160
<v Speaker 1>the glad looking up. And I represented two families who

0:24:33.160 --> 0:24:36.919
<v Speaker 1>had lost young men to that gladiator war. You're following me,

0:24:37.400 --> 0:24:40.600
<v Speaker 1>And we learned that I never forget. One of the

0:24:40.640 --> 0:24:45.080
<v Speaker 1>cases was we got the research the discovery on uh

0:24:45.160 --> 0:24:47.679
<v Speaker 1>the use how many times they had used the rifle

0:24:47.760 --> 0:24:52.119
<v Speaker 1>to shoot down in the yard. And on one occasion

0:24:52.880 --> 0:24:55.760
<v Speaker 1>the guy the guard had propped the rifle up against

0:24:55.800 --> 0:24:59.200
<v Speaker 1>something in it slid off and Paul went down and

0:24:59.359 --> 0:25:04.080
<v Speaker 1>ricochet and shot it. And they did an investigation said

0:25:04.080 --> 0:25:08.560
<v Speaker 1>that was a justified shooting. Oh my god. Yeah, that's

0:25:08.560 --> 0:25:10.680
<v Speaker 1>how they write it off. Man. It's like you said,

0:25:10.680 --> 0:25:13.439
<v Speaker 1>it's it shouldn't be surprising, but it's still, you know,

0:25:13.560 --> 0:25:19.040
<v Speaker 1>it's still You're like Jesus when it never ends. After

0:25:19.080 --> 0:25:21.240
<v Speaker 1>the break, we'll hear more about Joe Morgan the human

0:25:21.280 --> 0:25:24.240
<v Speaker 1>being and try to better understand whatever James almost got

0:25:24.359 --> 0:25:35.119
<v Speaker 1>right and wrong with j D in American Me. Welcome

0:25:35.119 --> 0:25:37.119
<v Speaker 1>back to More Than a Movie. I'm Alex Flomto, and

0:25:37.119 --> 0:25:40.080
<v Speaker 1>we're talking to criminal and civil attorney Milton Grimes, who

0:25:40.080 --> 0:25:43.960
<v Speaker 1>represented Mexican mafia member Joe Morgan. I asked Milton how

0:25:44.000 --> 0:25:46.199
<v Speaker 1>he thinks Joe Morgan should be thought of by the

0:25:46.240 --> 0:25:49.639
<v Speaker 1>general public as a human being, whether he was Croatian

0:25:49.760 --> 0:25:54.919
<v Speaker 1>or Portuguese or whatever. We all here with this one throughty. Second,

0:25:55.000 --> 0:25:58.800
<v Speaker 1>the skin that defines who we are for some dumbass

0:25:58.880 --> 0:26:02.720
<v Speaker 1>reason that makes no sense, and we are used. That's

0:26:02.840 --> 0:26:05.240
<v Speaker 1>used to keep us from getting to know each other.

0:26:05.680 --> 0:26:08.560
<v Speaker 1>But but culturally speaking here in l A, you know,

0:26:09.240 --> 0:26:11.960
<v Speaker 1>two is the year of American me comes out. It's

0:26:12.000 --> 0:26:18.359
<v Speaker 1>also the year of the So can you talk to

0:26:18.680 --> 0:26:21.800
<v Speaker 1>you know, there's young people maybe hopefully that are listening

0:26:21.840 --> 0:26:24.399
<v Speaker 1>to this. Can you can you tell them how that

0:26:24.400 --> 0:26:26.639
<v Speaker 1>that period was different in l A than it is

0:26:26.680 --> 0:26:28.320
<v Speaker 1>now or what it was like? Just what was that

0:26:28.359 --> 0:26:32.119
<v Speaker 1>period like in l A. And that can be as

0:26:32.160 --> 0:26:35.120
<v Speaker 1>simple as you know your client, right, starting with your client,

0:26:35.200 --> 0:26:41.480
<v Speaker 1>Rodney King. It's um, you know, I was probably been

0:26:41.520 --> 0:26:44.719
<v Speaker 1>practicing law then almost twenty years. I started in nineteen

0:26:44.880 --> 0:26:49.760
<v Speaker 1>seventy four, and um, you know it was kind of

0:26:49.800 --> 0:26:53.600
<v Speaker 1>a good time for me. I was doing well, uh

0:26:53.640 --> 0:26:57.800
<v Speaker 1>in the practice of law, and uh, I see the

0:26:57.880 --> 0:27:01.680
<v Speaker 1>Rodney King beating a friend of mine calls said, hey, man,

0:27:02.000 --> 0:27:04.480
<v Speaker 1>this guy got beat by the police and he's on

0:27:04.640 --> 0:27:07.560
<v Speaker 1>parole and they're calling the inn word and died out.

0:27:07.560 --> 0:27:10.280
<v Speaker 1>And I said, hey, bro, I really don't have time

0:27:10.320 --> 0:27:11.879
<v Speaker 1>for it because I'm in the middle of this trial.

0:27:12.359 --> 0:27:15.080
<v Speaker 1>His name was Ron Jesse. Used to play football with

0:27:15.119 --> 0:27:17.720
<v Speaker 1>the Rams. He was a wide receiver and he's ad. Man,

0:27:17.760 --> 0:27:19.520
<v Speaker 1>this guy is you know, he's a friend of mine,

0:27:19.640 --> 0:27:21.680
<v Speaker 1>nephew and he got beat pretty bad grimes. Can you

0:27:21.680 --> 0:27:23.320
<v Speaker 1>help him? I said no, I'm in trial, man, I'm

0:27:23.359 --> 0:27:25.960
<v Speaker 1>in trial with this brother on a double hummer side.

0:27:25.960 --> 0:27:28.480
<v Speaker 1>We're facing the death penalty. And he caressed out the

0:27:28.600 --> 0:27:31.760
<v Speaker 1>judge yesterday and because of the jury selection we were

0:27:31.800 --> 0:27:36.120
<v Speaker 1>going through and the eight excuse the only black possible juror,

0:27:36.320 --> 0:27:39.239
<v Speaker 1>he called the judge of racist redneck road wearing who

0:27:39.280 --> 0:27:42.040
<v Speaker 1>would wearing one to be Grand Wizard of the Clucuse Clan,

0:27:42.119 --> 0:27:46.160
<v Speaker 1>buckethead motherfucker. I said, I don't have time to deal

0:27:46.200 --> 0:27:48.480
<v Speaker 1>with another case right now, because I got to deal

0:27:48.520 --> 0:27:52.400
<v Speaker 1>with this crazy man. You follow me, and so he said, man,

0:27:52.520 --> 0:27:54.480
<v Speaker 1>but you know, I said, no, brother, I can't do it.

0:27:54.720 --> 0:27:56.760
<v Speaker 1>You know. Plus I get I see those cases all

0:27:56.800 --> 0:27:59.400
<v Speaker 1>the time and how we gonna prove that? They called

0:27:59.480 --> 0:28:02.840
<v Speaker 1>him the end word. And so I go home after

0:28:02.840 --> 0:28:05.080
<v Speaker 1>I leave the office and I'm changing clothes to go

0:28:05.200 --> 0:28:08.480
<v Speaker 1>to the gym, and I see this but the news

0:28:08.520 --> 0:28:11.760
<v Speaker 1>on them. Wow, they're beating this brothermdam. They got to

0:28:11.800 --> 0:28:14.359
<v Speaker 1>stop that ship in South Africa. This is unreal how

0:28:14.440 --> 0:28:16.760
<v Speaker 1>they do us? And that bus is too big to

0:28:16.760 --> 0:28:18.440
<v Speaker 1>be in South Africa. It's not one of them too.

0:28:19.359 --> 0:28:22.920
<v Speaker 1>That's the Oh, that's the key. That's what he called

0:28:22.960 --> 0:28:26.919
<v Speaker 1>me about. I saw this shaking almost something. That's that's history.

0:28:27.119 --> 0:28:31.080
<v Speaker 1>We finally caught the lock Ness monster. You follow me,

0:28:31.560 --> 0:28:34.560
<v Speaker 1>that beating that we never could prove, and the N

0:28:34.600 --> 0:28:37.320
<v Speaker 1>word that we never could prove. We tell brothers may

0:28:37.359 --> 0:28:39.640
<v Speaker 1>have brother but what am gonna do? You got five

0:28:39.640 --> 0:28:43.640
<v Speaker 1>cops that didn't happen that you tripped, you understand, and

0:28:43.800 --> 0:28:46.720
<v Speaker 1>got that dolldom broke them on. So what we But

0:28:46.840 --> 0:28:51.280
<v Speaker 1>now we got the lock next monster. So it was like, wow,

0:28:51.840 --> 0:28:54.840
<v Speaker 1>that was a ninety one. Finally got it. So when

0:28:54.840 --> 0:28:56.600
<v Speaker 1>I called him back and said, hey, hey, I am

0:28:56.640 --> 0:28:58.840
<v Speaker 1>not going to the gym. We need I need this case.

0:28:58.880 --> 0:29:01.200
<v Speaker 1>This is my if I was to design a case

0:29:01.240 --> 0:29:03.280
<v Speaker 1>in law school, it would be this case. This is

0:29:03.320 --> 0:29:07.160
<v Speaker 1>the epitome of our civil rights here. And I called

0:29:07.200 --> 0:29:08.680
<v Speaker 1>him back and he said, let me get back to you.

0:29:08.760 --> 0:29:10.600
<v Speaker 1>Coming back, said King's mama said she don't want you,

0:29:10.760 --> 0:29:12.960
<v Speaker 1>Johnny Cochrane associated with it because she don't want it

0:29:12.960 --> 0:29:14.640
<v Speaker 1>to be a race case. I go, at leastoud have

0:29:14.640 --> 0:29:17.840
<v Speaker 1>got the asshipping there, mama, that dog. So that was

0:29:17.880 --> 0:29:20.960
<v Speaker 1>my reaction, I'm being honest. So I didn't hear about

0:29:21.000 --> 0:29:24.480
<v Speaker 1>it until after the civil disorder. I heard about it

0:29:24.560 --> 0:29:28.120
<v Speaker 1>and heard from him in September of ninety two. But

0:29:28.720 --> 0:29:32.240
<v Speaker 1>that verdict and see me, Valley man Um, it felt

0:29:32.280 --> 0:29:34.960
<v Speaker 1>like a mu had kicked me in my stomach, you know,

0:29:35.600 --> 0:29:38.760
<v Speaker 1>like back in the country we always were warn don't

0:29:38.760 --> 0:29:41.480
<v Speaker 1>go behind that horseboard, don't go behind that mule, kick

0:29:41.520 --> 0:29:43.720
<v Speaker 1>you kill you. And it felt like I had been

0:29:43.800 --> 0:29:46.600
<v Speaker 1>kicked in the stomach. You know. It was painful. So

0:29:46.680 --> 0:29:50.200
<v Speaker 1>I understand the young people involved. Do you remember anything

0:29:50.240 --> 0:29:54.200
<v Speaker 1>about Edward James almost from that time. I only remember

0:29:54.480 --> 0:29:59.120
<v Speaker 1>that he had to go into seclusion because there was

0:29:59.280 --> 0:30:03.000
<v Speaker 1>alleged threats on his life. A couple of people were

0:30:03.200 --> 0:30:07.280
<v Speaker 1>killed because of the production of that movie depicting Joe

0:30:07.320 --> 0:30:12.680
<v Speaker 1>borgan in a non complementary fashion, or saying that certain

0:30:12.720 --> 0:30:17.480
<v Speaker 1>things happened to him that they didn't appreciate it appreciate

0:30:17.560 --> 0:30:23.440
<v Speaker 1>because it challenged his manhood and his sexual preference or sexuality,

0:30:23.520 --> 0:30:25.959
<v Speaker 1>or maybe he was a victim portrayed. I don't remember

0:30:26.000 --> 0:30:29.360
<v Speaker 1>the exact portrayal of what happened there, but it was like,

0:30:29.440 --> 0:30:32.240
<v Speaker 1>that can't happen, that's not a that's a no. Note,

0:30:32.240 --> 0:30:34.600
<v Speaker 1>that didn't happen. He would have never been the leader

0:30:34.680 --> 0:30:38.320
<v Speaker 1>of our organization if that was the case, And so

0:30:38.400 --> 0:30:44.200
<v Speaker 1>that's not true. I mean, look, homophobia still exists, just

0:30:44.240 --> 0:30:47.640
<v Speaker 1>as racism still exists. But what was the culture around

0:30:48.240 --> 0:30:51.240
<v Speaker 1>that kind of an accusation in those kinds of neighborhoods

0:30:51.240 --> 0:30:53.960
<v Speaker 1>here in l A. At that time, I believe in

0:30:54.000 --> 0:31:00.880
<v Speaker 1>the African American community, homosexuality was beginning to because of

0:31:00.920 --> 0:31:04.360
<v Speaker 1>the game members coming back from prison to be more

0:31:04.360 --> 0:31:11.880
<v Speaker 1>of an accepted uh uh devior for whatever better description.

0:31:11.920 --> 0:31:16.000
<v Speaker 1>There is behavior or a different behavior than it was

0:31:16.560 --> 0:31:24.480
<v Speaker 1>allegedly was in the Latino Hispanic community. Uh but I

0:31:24.840 --> 0:31:33.080
<v Speaker 1>understand now is accepted more so in the Hispanic community. Um,

0:31:33.200 --> 0:31:42.080
<v Speaker 1>but I probably didn't recognize that homosexuality was as much

0:31:42.080 --> 0:31:46.000
<v Speaker 1>of a taboo in the Hispanic community to I learned

0:31:46.080 --> 0:31:50.160
<v Speaker 1>that that was one of the primers of motivators for

0:31:50.880 --> 0:31:54.560
<v Speaker 1>why that movie was rejected. I mean, it's it seems

0:31:54.600 --> 0:31:57.160
<v Speaker 1>to me like Edward James almost in American was almost

0:31:57.280 --> 0:32:01.920
<v Speaker 1>using rape as like a scared straight tactic, right like

0:32:02.000 --> 0:32:06.360
<v Speaker 1>he he said he made that movie to basically end

0:32:06.400 --> 0:32:09.160
<v Speaker 1>gang violence, to stop kids the cycle of violence, kids

0:32:09.240 --> 0:32:12.840
<v Speaker 1>joining games. Do you think, like, does that work? I

0:32:12.880 --> 0:32:15.560
<v Speaker 1>don't think that would have been justifiable cause for doing that.

0:32:15.880 --> 0:32:18.479
<v Speaker 1>You can't take a man out of character for something

0:32:18.520 --> 0:32:24.200
<v Speaker 1>that's serious. And I know Hollywood justify based on a

0:32:24.240 --> 0:32:30.920
<v Speaker 1>true story with their creativeness in presenting their true story,

0:32:31.080 --> 0:32:34.120
<v Speaker 1>but I think it's a if you're gonna put the

0:32:34.160 --> 0:32:37.320
<v Speaker 1>true story or alleged that that's what it is, you

0:32:37.320 --> 0:32:41.600
<v Speaker 1>should stick as close to that as possible. And whatever

0:32:41.760 --> 0:32:46.720
<v Speaker 1>your personal or goal is, or your personal or acceptance

0:32:46.760 --> 0:32:49.560
<v Speaker 1>of things are, I don't think you should portrayed that

0:32:49.720 --> 0:32:54.880
<v Speaker 1>to someone if it doesn't have some quantum quality of

0:32:54.960 --> 0:32:58.360
<v Speaker 1>truth to it. Okay, I don't have any problem with

0:32:58.480 --> 0:33:04.080
<v Speaker 1>gays or home sexuality at all. I'm pretty sure and

0:33:04.240 --> 0:33:07.440
<v Speaker 1>much better than my old age than I was maybe

0:33:07.840 --> 0:33:09.720
<v Speaker 1>it used to bother me. If I saw two men

0:33:09.800 --> 0:33:12.840
<v Speaker 1>kissing two women kissing, I'm gonna damn, that looks good.

0:33:13.400 --> 0:33:17.280
<v Speaker 1>So that's just my bringing up. But people grow. Yeah,

0:33:17.440 --> 0:33:20.440
<v Speaker 1>my bringing up, my process and things. You follow me?

0:33:21.280 --> 0:33:25.000
<v Speaker 1>Uh so my kids? You know, I have relatives who

0:33:25.040 --> 0:33:30.360
<v Speaker 1>have same sex relationships. What's up? You know? Fine? Fine,

0:33:30.760 --> 0:33:32.880
<v Speaker 1>it's funny how I didn't know I could be that

0:33:33.280 --> 0:33:37.479
<v Speaker 1>easily accepted something that close. Sure, but it's okay. Do

0:33:37.520 --> 0:33:39.960
<v Speaker 1>you think that, like is does that actually work? Do

0:33:40.040 --> 0:33:43.040
<v Speaker 1>people actually decide not to commit crimes because they're afraid? No,

0:33:43.200 --> 0:33:45.120
<v Speaker 1>it's no more of a deterrent than it is for

0:33:45.240 --> 0:33:47.960
<v Speaker 1>killing somebody in a robberie or something, because they ain't

0:33:48.000 --> 0:33:51.520
<v Speaker 1>thinking about getting caught, and the death penalty is not

0:33:51.640 --> 0:33:56.320
<v Speaker 1>a deterrent. So almost sexuality show is not a deterrent, right,

0:33:56.400 --> 0:33:58.400
<v Speaker 1>and all the research will tell you that. Do you

0:33:58.400 --> 0:34:01.440
<v Speaker 1>think that that a movie like American Micke get made today?

0:34:01.560 --> 0:34:05.800
<v Speaker 1>We're in a time where there's notice difference in truth

0:34:05.840 --> 0:34:08.000
<v Speaker 1>in a lie. We're living in a time in our

0:34:08.520 --> 0:34:13.880
<v Speaker 1>history where a big lie becomes the truth. Uh. I

0:34:13.920 --> 0:34:18.520
<v Speaker 1>want to say we have more transparency now and more

0:34:19.160 --> 0:34:23.560
<v Speaker 1>determination to present the truth and we don't have to

0:34:23.680 --> 0:34:27.279
<v Speaker 1>hide behind pretending that's the truth, believe it or not.

0:34:27.360 --> 0:34:31.120
<v Speaker 1>I'm a lawyer, but I take my reputation, my credibility,

0:34:31.160 --> 0:34:34.200
<v Speaker 1>my integrity is based on me being believed, believe it

0:34:34.280 --> 0:34:37.760
<v Speaker 1>or not by judges, jurors, and other attorneys and people.

0:34:38.120 --> 0:34:43.279
<v Speaker 1>I really guard that that movie probably could be made today,

0:34:43.320 --> 0:34:45.520
<v Speaker 1>but I think that there would be more of an

0:34:45.520 --> 0:34:50.320
<v Speaker 1>immediate attack on the incorrectness of it and the inaccuracy

0:34:50.360 --> 0:34:53.040
<v Speaker 1>of it in the lie of it, I think, rather

0:34:53.120 --> 0:34:56.640
<v Speaker 1>than as letting it go because James almost is a

0:34:56.680 --> 0:34:59.840
<v Speaker 1>great actor and he's achieved in Academy Award or something

0:34:59.880 --> 0:35:03.560
<v Speaker 1>to whatever, and uh that that movie would be more

0:35:03.800 --> 0:35:09.920
<v Speaker 1>challenged today because of its inaccurate portrayal of the truth,

0:35:11.680 --> 0:35:16.440
<v Speaker 1>because we're more conscious about the lives that presented to

0:35:16.560 --> 0:35:20.880
<v Speaker 1>us today. On our next episode, I'm speaking with a

0:35:21.000 --> 0:35:25.120
<v Speaker 1>real Angelino, a Southeast l A native, Eric Galindo. In

0:35:25.160 --> 0:35:28.080
<v Speaker 1>addition to being a great journalist and podcaster, he's a

0:35:28.120 --> 0:35:31.640
<v Speaker 1>screenwriter who specifically writes about his experience as a Chicano

0:35:31.800 --> 0:35:35.160
<v Speaker 1>growing up in l A. I remember specifically arguments and

0:35:35.280 --> 0:35:38.080
<v Speaker 1>playground about like is that real? But they're really green

0:35:38.160 --> 0:35:40.719
<v Speaker 1>light of celebrity, Like, how are they even gonna get

0:35:40.760 --> 0:35:43.880
<v Speaker 1>to him? He's so famous, Like he's not you know,

0:35:44.040 --> 0:35:46.680
<v Speaker 1>he's not fucking on Florence. And the thing about like

0:35:46.760 --> 0:35:49.400
<v Speaker 1>the kids is like you hear the stories from like

0:35:49.440 --> 0:35:52.920
<v Speaker 1>your older siblings, you know, and like they become like

0:35:52.960 --> 0:35:55.560
<v Speaker 1>that game of Telephone where you know, by the end

0:35:55.600 --> 0:36:00.200
<v Speaker 1>it's like Edward James almost it's actually fucking a gangster. Now.

0:36:01.200 --> 0:36:04.319
<v Speaker 1>That's on the next episode of More Than a Movie American.

0:36:06.400 --> 0:36:08.480
<v Speaker 1>More Than a Movie American Me is a production of

0:36:08.520 --> 0:36:12.680
<v Speaker 1>Exile Content Studios in partnership with I Hearts, Michael Podcast Network,

0:36:12.719 --> 0:36:15.279
<v Speaker 1>and Trojan Horse Media. The show is produced by me

0:36:15.440 --> 0:36:18.640
<v Speaker 1>Alex Fometo at Angry Yuka on the Internets, and our

0:36:18.680 --> 0:36:22.239
<v Speaker 1>senior producer is Nigel Dora. Our executive producers are Rose Red,

0:36:22.440 --> 0:36:26.160
<v Speaker 1>Nando Vila and Kareem Taps. Production assistance from Sabine Jansen

0:36:26.239 --> 0:36:29.319
<v Speaker 1>and Octavio and Stella Emmett. Mixing and sound designed by

0:36:29.360 --> 0:36:32.480
<v Speaker 1>the waterlo Albornos. Our executive producers at I Heart are

0:36:32.520 --> 0:36:36.400
<v Speaker 1>Gisel Bansas and Arlene Santana. For more podcasts, listen to

0:36:36.400 --> 0:36:39.360
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

0:36:39.440 --> 0:36:40.640
<v Speaker 1>listen to your favorite shows,