WEBVTT - John Beck Meets World

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<v Speaker 1>We have welcomed two new members of our family, Lucky

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<v Speaker 1>and Pickle. We got cats, thank god.

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<v Speaker 2>Because of those two new kids, I was gonna say,

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<v Speaker 2>I'd like to work on their name twins, twins Lucky

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<v Speaker 2>and Pickle.

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<v Speaker 1>Oh no, we got so Lucky because they're just the best.

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<v Speaker 1>And we have been talking about getting cats for actually

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<v Speaker 1>a couple of years because Indy loves cats and we

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<v Speaker 1>can't have a dog just because we travel so much,

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<v Speaker 1>so cats were like the only option, and we've been

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<v Speaker 1>talking about it, but every time we would like, you know,

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<v Speaker 1>look into it, it was like you're just rolling the

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<v Speaker 1>dice with cats personalities, you know. And I know this

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<v Speaker 1>from my experience before where I got two cats and

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<v Speaker 1>a little crazy and like then you're stuck with them

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<v Speaker 1>forever or twenty years or whatever. So uh, this this

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<v Speaker 1>time around, we had a friend happened to be like, oh,

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<v Speaker 1>we've been fostering these two kittens and we know their

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<v Speaker 1>personalities and they're amazing. And they'd already had them for

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<v Speaker 1>like six weeks at that point, and then they're like

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<v Speaker 1>a big cat household, you know, they've always had cats

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<v Speaker 1>coming in and out. And they were like, you guys

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<v Speaker 1>want to take them, and we did, and they've turned

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<v Speaker 1>out great. How long was this It's been a couple

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<v Speaker 1>of months now it's been like now they're getting big.

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<v Speaker 1>They were so like little and now it's like, oh, oh,

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<v Speaker 1>we have cats in the house.

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<v Speaker 3>You know.

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<v Speaker 4>They're like they used to like.

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<v Speaker 1>Crawl into boxes, which was so cute. Now they're like

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<v Speaker 1>crawl into boxes and knock them off just counter. It's

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<v Speaker 1>like a little more. Yeah, but they're great.

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<v Speaker 4>Are they indoor outdoor cats or just now keeping them indoor?

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<v Speaker 3>Yeah?

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<v Speaker 4>You know, we have a we have a yard, but

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<v Speaker 4>we have possums and raccoons. Yeah, and coyotes.

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<v Speaker 1>I see coyotes on the street, like on the sidewalk

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<v Speaker 1>all the time, so I would just be terrified to

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<v Speaker 1>let them out.

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<v Speaker 5>No.

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<v Speaker 6>Yeah, it's careful about the things on your counters, you do,

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<v Speaker 6>you know. I shortly after Jensen and I started dating,

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<v Speaker 6>I Jensen had concrete floors in the townhouse he was

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<v Speaker 6>living in, and I walked in and put my cell

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<v Speaker 6>phone down on the kitchen counter, and within ten minutes

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<v Speaker 6>Bill swiped my phone. It landed on the concrete floor

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<v Speaker 6>and shattered into a million pieces. It was like, right,

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<v Speaker 6>anything you care about don't leave on any counters. Cats

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<v Speaker 6>are little jerks. I love them to death, but they're

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<v Speaker 6>little jerks. You are officially my friend who who just

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<v Speaker 6>has secret pets?

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<v Speaker 4>You Yeah, name was lived at your house. So now

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<v Speaker 4>there you go.

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<v Speaker 5>Just any other any other secrets.

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<v Speaker 4>Yet not yet get into I'm ready.

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<v Speaker 6>To right, not that you're ready to, fair enough.

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<v Speaker 2>Now did they come with Lucky and pickle or did

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<v Speaker 2>you stuck?

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<v Speaker 1>She became pickles for some reason, miss pickles and pickles

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<v Speaker 1>just sounded better at us than pickle, So it's Lucky

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<v Speaker 1>and pickles, so we added the s. But other, Yeah,

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<v Speaker 1>I thought those were great names. And we were like, oh,

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<v Speaker 1>these great catneys are. Yeah, and they're so cute and

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<v Speaker 1>they're they're not brother and sister, but they look exactly alike,

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<v Speaker 1>like they have the same coloring, and you know, they're

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<v Speaker 1>only a couple of weeks apart.

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<v Speaker 4>At age, so that's so great.

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<v Speaker 1>It's just it's so nice to have like kittens that

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<v Speaker 1>like in the hold and that come around us when

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<v Speaker 1>we were.

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<v Speaker 4>On the couch and oh I missed the peer. Yeah,

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<v Speaker 4>it's so fun. I love my dog, but I missed

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<v Speaker 4>the Yeah.

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<v Speaker 1>I mean, dogs are a lot It's funny because I

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<v Speaker 1>used to you know, I grew up with dogs and

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<v Speaker 1>always like a dog person. I had a dog before

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<v Speaker 1>with my my ex girlfriend for a couple of years.

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<v Speaker 4>But then when did you have a dog? I had

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<v Speaker 4>a dog at Bernie's Mountain Dog, Georgia. You never met Georgia.

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<v Speaker 4>Remember Georgia? Yes, I remember Georgia. She died at six.

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<v Speaker 4>You know Bernie's Mountain dogs don't live longer. Bigger the

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<v Speaker 4>dogger the dog. She was so great, so dumb, just

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<v Speaker 4>the greatest, dumbest dog. I loved her so much. Anyway,

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<v Speaker 4>what was I saying?

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<v Speaker 5>You were a dog person?

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<v Speaker 4>I was a person.

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<v Speaker 1>But you know, after I had Indy, like when you

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<v Speaker 1>have a baby and you deal with other people's dogs

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<v Speaker 1>and suddenly other people are like not putting the dog

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<v Speaker 1>on a leash or like in our neighborhood there's a

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<v Speaker 1>lot of like people have dogs that are very loud

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<v Speaker 1>and aggressive, like kind of a guard dog vibe, and like,

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<v Speaker 1>just walking around with Indy, I started to just, you know,

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<v Speaker 1>dislike dogs and'd be like, can you please put you more?

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<v Speaker 4>Let me put it this way?

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<v Speaker 1>Dislike dog owners, you know, it's like and so dog

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<v Speaker 1>you know, and ever since then, I've just been like,

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<v Speaker 1>I think, I don't know. As long as we have India,

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<v Speaker 1>I don't know. I will probably never get a dog

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<v Speaker 1>until maybe I'm older.

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<v Speaker 5>Maybe like are much more similar.

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<v Speaker 6>There's no animal that's ever close to actually what it's

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<v Speaker 6>like to have a child. But dogs are a little

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<v Speaker 6>more like children, even just in how high maintenance they are.

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<v Speaker 5>Children are very high maintenance. Sh Okay, that's.

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<v Speaker 4>Good until they mail your face off. But yeah, just

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<v Speaker 4>but that's why, that's what babies do. Babies are very dangerous.

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<v Speaker 6>And so after you have after you have children and

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<v Speaker 6>you're looking to have a pet, the idea feels.

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<v Speaker 5>Much more like am I ready to take on a dog?

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<v Speaker 6>Whereas like cats still give you the love and affection

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<v Speaker 6>assuming you don't have a cat, that's like, please do

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<v Speaker 6>not come anywhere near me.

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<v Speaker 2>Like that, we were just roommates who like would meet

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<v Speaker 2>up once a month to talk about like, all right,

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<v Speaker 2>you got the bills paid?

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<v Speaker 4>Like I would walk in, she'd look at me. I'd

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<v Speaker 4>look at her and be like, hey, hey, that was it.

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<v Speaker 6>So very very affectionate. And he also will yes, he

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<v Speaker 6>does love you.

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<v Speaker 5>Bill.

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<v Speaker 6>Also when we have people over, he can hear like.

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<v Speaker 6>He usually hangs out in our room, but then he

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<v Speaker 6>hears when people are over and he'll come downstairs to

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<v Speaker 6>scope it out.

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<v Speaker 5>Who's here? Hello? Do I like them? Do I want

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<v Speaker 5>to hang out with them?

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<v Speaker 6>He also is quite a hefty cat, although he's lost

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<v Speaker 6>some weight since he had the clear yes, since he was.

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<v Speaker 5>Nuclear radio radio.

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<v Speaker 6>But he'll he hates to have his belly scratched. And

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<v Speaker 6>but he rolls over and shows you his plump, squishy

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<v Speaker 6>belly and you want to touch it, And then you

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<v Speaker 6>go to touch. Yes, he lures you in with it.

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<v Speaker 3>And then.

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<v Speaker 5>I'm gonna I will mollel you anyway.

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<v Speaker 6>I love cats. Well, congratulations on Lucky and Pickles. I

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<v Speaker 6>look forward to cuddling the heck out of them the

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<v Speaker 6>next time I'm over there. Loving Welcome to pod meets World.

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<v Speaker 6>I'm Daniel Fischl, I'm right or strong, and I'm mister Pickles.

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<v Speaker 6>I'm well for doubt you Commonly hear phrases like it's

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<v Speaker 6>who you know or Nepo baby thrown around when it

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<v Speaker 6>comes to show business.

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<v Speaker 5>And if you take away one thing from.

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<v Speaker 6>This podcast, it's that some child stars knew absolutely no

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<v Speaker 6>one in the industry when they started out like us,

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<v Speaker 6>and with today's guest, we hope you'll take away that

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<v Speaker 6>some of the most successful working creatives currently in Hollywood

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<v Speaker 6>all started somewhere, and that somewhere is sometimes the bottom.

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<v Speaker 5>John D.

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<v Speaker 6>Beck was a production assistant on Boy Meets World, a

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<v Speaker 6>somewhat fancy term for a young jack of all trades

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<v Speaker 6>who does just about everything they're told they are a

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<v Speaker 6>crucial part of making a TV show, Often underestimated as

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<v Speaker 6>an intern, but in truth working behind the scenes with

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<v Speaker 6>various departments, working on things as tedious as a coffee order,

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<v Speaker 6>but also becoming important cogs in the machine, ensuring everything

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<v Speaker 6>is in place for tape day. If you have bad pas,

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<v Speaker 6>absolutely everything could fall apart, trust us. Since his time

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<v Speaker 6>collecting food orders and delivering scripts to our houses, he's

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<v Speaker 6>gone on to become a big time executive producer and showrunner,

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<v Speaker 6>working on according to Jim Fuller, House Side Hustle, That Girl, Leyley,

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<v Speaker 6>and creating the very successful Disney sitcom Live in Maddie

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<v Speaker 6>and Yes. One of his first jobs as a young

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<v Speaker 6>man was on the Boy Meets World set, where we

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<v Speaker 6>like to think watching us three youngungs take almost nothing

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<v Speaker 6>serious gave him the knowledge and understanding of what not

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<v Speaker 6>to take on his journey to the top. This week

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<v Speaker 6>we hear from a new perspective that of a pa

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<v Speaker 6>On boy meets world. Welcome to the show, John D.

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<v Speaker 6>Beck H, It's so good.

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<v Speaker 3>To see you. Fantastic to see you, guys.

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<v Speaker 5>Oh my gosh, okay, well, thank you for joining us.

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<v Speaker 7>Oh sure thing, thank you for me.

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<v Speaker 5>I wanted to.

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<v Speaker 6>Ask, how much cuckaroo do you think you picked up

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<v Speaker 6>for the writer's room while you were a pa On?

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<v Speaker 3>Do you have no idea how much cuckaroo? And as

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<v Speaker 3>a matter of fact, I got in such trouble ones cuckoo.

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<v Speaker 3>It was actually the one of the two moments I

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<v Speaker 3>realized that show business was more business than show. Uh

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<v Speaker 3>Bluckman and the guys over Cuckaroo and Mark Blums visiting.

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<v Speaker 8>He said, make sure to get extra cuckaroo so we

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<v Speaker 8>could take cuckaroo home.

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<v Speaker 3>Get a lot of it. Well, I thought I was

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<v Speaker 3>saying the day by getting a whole bunch of cuckaroo.

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<v Speaker 3>And the accounts were like what you buy and like,

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<v Speaker 3>am I really getting into trouble for buying too much?

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<v Speaker 3>Chicken Shut TV show on ABC? So Yes, right right.

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<v Speaker 6>I love that Blutman's like, listen, you got the company card,

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<v Speaker 6>buy enough food for seventy five people, then we'll have

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<v Speaker 6>leftovers for days, go home, and then you got in

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<v Speaker 6>trouble for it.

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<v Speaker 3>It works, Cuckaroo, get the home, get out the door.

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<v Speaker 6>Does anyone want to explain to our dear listeners who

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<v Speaker 6>may not know what cuckaroo is?

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<v Speaker 5>It was a it was a chicken restaurant.

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<v Speaker 2>It was an amazing chicken restaurant that apparently we were

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<v Speaker 2>the only ones going to because the whole thing shut down,

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<v Speaker 2>and it was like, how do you lose?

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<v Speaker 4>Cuckaroo?

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<v Speaker 3>Is just writer's rooms in Hollywood that loved Cuckaroo and

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<v Speaker 3>what less sitcom rooms? Cuckaroo went out of business. Oh

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<v Speaker 3>there's always a room for the Cuckaroo. And soup plantation

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<v Speaker 3>are coming back.

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<v Speaker 6>So really, soup plantation is going to be called sweet

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<v Speaker 6>Tomatoes because that's what it's called on in one half

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<v Speaker 6>of the country, and I think they're bringing a.

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<v Speaker 5>Sweet tomabe brandy here.

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<v Speaker 4>Yeah, maybe cocar.

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<v Speaker 2>Row is coming back then, as they're going to change

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<v Speaker 2>the names.

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<v Speaker 1>Yeah, so many conversations about Cuckoo. I mean, it's kind

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<v Speaker 1>of blonkers. I mean, I guess the reality is we're

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<v Speaker 1>just always eating lunch together every day or you.

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<v Speaker 4>Know, but the actors didn't order it that often. Did

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<v Speaker 4>we even get lunch delivered every day? Or did we

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<v Speaker 4>were on our own?

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<v Speaker 6>We had a certain we had craft service certainly, and

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<v Speaker 6>then we were definitely on our own once we could drive,

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<v Speaker 6>because I.

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<v Speaker 4>Remember going they did. I yeah, I remember, don't you.

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<v Speaker 2>We would get the like we'd get the menus in

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<v Speaker 2>the morning, we'd pick what we wanted, and then we

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<v Speaker 2>get like the.

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<v Speaker 4>Contest styrofoam containers with our name on it. It was

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<v Speaker 4>like this is right, this is yeah. But I think

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<v Speaker 4>after we were sixteen, Yeah, that was over.

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<v Speaker 1>There was like, all right, good luck, have fun kid.

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<v Speaker 6>Yeah exactly, We're not paying for your cuckaroo anymore.

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<v Speaker 3>Okay, so lacious guys. You guys just keep finding ways

0:11:04.440 --> 0:11:07.640
<v Speaker 3>to continue to reinvent yourself and be relevant and stick

0:11:07.640 --> 0:11:10.480
<v Speaker 3>together as a group. And that's that's really really cool.

0:11:10.520 --> 0:11:13.559
<v Speaker 3>That does not often happen in this business. And thank

0:11:13.600 --> 0:11:16.000
<v Speaker 3>you something to see.

0:11:15.960 --> 0:11:16.679
<v Speaker 5>So thank you.

0:11:16.840 --> 0:11:21.040
<v Speaker 6>We're rather fond of each other. We can't seem to

0:11:21.200 --> 0:11:22.599
<v Speaker 6>shake one another.

0:11:22.480 --> 0:11:26.800
<v Speaker 2>And we're trying to hate each other. It just doesn't work.

0:11:26.920 --> 0:11:27.760
<v Speaker 2>We don't know why.

0:11:28.400 --> 0:11:30.520
<v Speaker 3>Looking at it, you'll eventually find something to hate you.

0:11:30.679 --> 0:11:34.720
<v Speaker 5>Yeah, you know what, maybe at forty years. It's definitely

0:11:34.720 --> 0:11:37.480
<v Speaker 5>hasn't happened after thirty, but maybe after forty he knows.

0:11:38.920 --> 0:11:40.679
<v Speaker 6>So I know, Boy Meets World for you was just

0:11:40.760 --> 0:11:43.200
<v Speaker 6>a stepping stone for what has become a long and

0:11:43.320 --> 0:11:46.200
<v Speaker 6>prosperous career. But we were hoping we could start with

0:11:46.520 --> 0:11:49.040
<v Speaker 6>how did you get the job on Boy Meets World?

0:11:49.080 --> 0:11:52.000
<v Speaker 5>What season was it? How old were you? Tell us everything.

0:11:52.280 --> 0:11:53.720
<v Speaker 7>I was just out of college.

0:11:53.880 --> 0:11:56.680
<v Speaker 3>I went to Syracuse University and packed up all my

0:11:56.760 --> 0:11:59.000
<v Speaker 3>stuff in my crappy Ford Tempo and drove out to

0:11:59.000 --> 0:12:02.800
<v Speaker 3>Hollywood to make it big. It took me a couple

0:12:02.840 --> 0:12:09.360
<v Speaker 3>of months to finally get an interview, got hired, and

0:12:09.400 --> 0:12:14.439
<v Speaker 3>then on to this day, I think they might have

0:12:14.559 --> 0:12:16.640
<v Speaker 3>hired the wrong person because.

0:12:17.120 --> 0:12:18.880
<v Speaker 5>Was your first interview for Boy Meets World.

0:12:19.920 --> 0:12:21.760
<v Speaker 3>I know I had won any interview before that, with

0:12:22.280 --> 0:12:26.760
<v Speaker 3>family matters and a tie in a blazer and sitting

0:12:26.840 --> 0:12:29.200
<v Speaker 3>down a guy by the name of Miles Christman who's

0:12:29.200 --> 0:12:31.360
<v Speaker 3>eating a turkey sandwich with turkey flying out of his mouth,

0:12:31.760 --> 0:12:34.599
<v Speaker 3>and and said, you know, we don't expect you to

0:12:34.679 --> 0:12:37.280
<v Speaker 3>dress like that. I'm like, oh, I am definitely not

0:12:37.320 --> 0:12:39.880
<v Speaker 3>getting this job because I look like somebody who doesn't

0:12:39.920 --> 0:12:44.760
<v Speaker 3>know what the job is. Wow. Eventually ended up interviewing

0:12:45.440 --> 0:12:51.319
<v Speaker 3>at Boy Meets World, was hired, and the very first

0:12:51.400 --> 0:12:53.400
<v Speaker 3>run I had over to Michael Jacob's office, which was

0:12:53.400 --> 0:12:55.440
<v Speaker 3>over at the Disney lot because were at the old

0:12:55.559 --> 0:12:58.040
<v Speaker 3>KTLA lot that in season three, which is now the

0:12:58.200 --> 0:13:02.440
<v Speaker 3>big fancy Netflix lot. Very first job or very first

0:13:02.520 --> 0:13:05.400
<v Speaker 3>run I went over there. Somebody called on the phone

0:13:05.400 --> 0:13:09.200
<v Speaker 3>while I happened to be there, and I just see

0:13:09.200 --> 0:13:11.040
<v Speaker 3>a confused look on somebody's faces, like what are you

0:13:11.080 --> 0:13:13.760
<v Speaker 3>talking about? Didn't didn't we just hire you? I'm like, oh,

0:13:13.800 --> 0:13:15.880
<v Speaker 3>whoever that is? It's suppos to me. I'm getting out

0:13:15.880 --> 0:13:17.319
<v Speaker 3>of here before they can fire me on day one.

0:13:17.360 --> 0:13:19.319
<v Speaker 3>But so whatever happy.

0:13:19.080 --> 0:13:23.720
<v Speaker 9>Accident happened, My gosh, So you think they'd like literally

0:13:23.800 --> 0:13:25.760
<v Speaker 9>just called you and gave you the job, but they

0:13:25.800 --> 0:13:29.079
<v Speaker 9>said they mixed message name.

0:13:30.000 --> 0:13:31.960
<v Speaker 3>That seemed like a better story than it actually probably was.

0:13:31.960 --> 0:13:33.880
<v Speaker 3>So that's so, how did you.

0:13:33.920 --> 0:13:36.319
<v Speaker 6>Interview with We were over at KTLA, which means it

0:13:36.400 --> 0:13:37.720
<v Speaker 6>must have been seasons.

0:13:37.320 --> 0:13:38.320
<v Speaker 5>Three and three or four.

0:13:38.720 --> 0:13:41.080
<v Speaker 6>Season three okay, season three, And do you remember who

0:13:41.120 --> 0:13:41.760
<v Speaker 6>you interviewed with?

0:13:42.160 --> 0:13:50.880
<v Speaker 3>Hearing Steve Lamar Okay Laar, Yeah, who I was like, Well,

0:13:50.880 --> 0:13:53.400
<v Speaker 3>hold on a second, you worked on alf Oh my god,

0:13:54.520 --> 0:13:55.440
<v Speaker 3>ever meet in my life?

0:13:57.480 --> 0:14:00.120
<v Speaker 4>So I have a we often talk about now.

0:14:00.360 --> 0:14:03.000
<v Speaker 2>When we were on the set, we were completely and

0:14:03.000 --> 0:14:06.360
<v Speaker 2>totally essentially oblivious to all the work that was going

0:14:06.360 --> 0:14:07.000
<v Speaker 2>on around us.

0:14:07.000 --> 0:14:09.800
<v Speaker 4>We were completely you know.

0:14:09.840 --> 0:14:12.640
<v Speaker 2>Into our own little tiny bubbles and in our worlds

0:14:12.640 --> 0:14:15.199
<v Speaker 2>and where the actors and blow. So what is the

0:14:15.240 --> 0:14:20.080
<v Speaker 2>normal day, the normal twenty nine hour day for a PA?

0:14:20.240 --> 0:14:20.680
<v Speaker 6>What is it?

0:14:20.720 --> 0:14:20.920
<v Speaker 3>You know?

0:14:21.000 --> 0:14:24.120
<v Speaker 4>How? What's an average day like for a production system?

0:14:24.160 --> 0:14:25.480
<v Speaker 2>Well, first of all, I guess we should start with

0:14:25.760 --> 0:14:30.000
<v Speaker 2>what's the actual job description? Because it's such a catch

0:14:30.040 --> 0:14:32.760
<v Speaker 2>all of being a production assistant? What were you at

0:14:32.880 --> 0:14:34.880
<v Speaker 2>least told your job was going to be?

0:14:36.400 --> 0:14:38.560
<v Speaker 3>I may be dating myself here, but do you remember

0:14:38.600 --> 0:14:39.320
<v Speaker 3>the Muppet Show?

0:14:39.560 --> 0:14:45.240
<v Speaker 2>Of course, of course Gopher, Yes, Gopher was a PA.

0:14:45.440 --> 0:14:46.760
<v Speaker 7>Basically Gopher coffee.

0:14:46.800 --> 0:14:49.360
<v Speaker 3>Go for this, Go for that, Go for this. Your

0:14:49.480 --> 0:14:53.080
<v Speaker 3>Your job as a PA is to be available to

0:14:53.120 --> 0:14:56.160
<v Speaker 3>do whatever anybody wants at any given moment, at any

0:14:56.200 --> 0:14:59.000
<v Speaker 3>time during the day. It's very important that you have

0:14:59.080 --> 0:15:01.440
<v Speaker 3>a car than you have a brain or any kind

0:15:01.480 --> 0:15:05.760
<v Speaker 3>of skills. Stuff from here to there. This was pre internet,

0:15:05.840 --> 0:15:08.280
<v Speaker 3>Like everything now is, here's the script. Let's send out

0:15:08.280 --> 0:15:13.240
<v Speaker 3>the file. Like you would work working hours. You'd get

0:15:13.240 --> 0:15:16.640
<v Speaker 3>there at eight nine o'clock with a big tray of

0:15:16.640 --> 0:15:21.040
<v Speaker 3>bagels for Blutman and the writers, and you know, you

0:15:21.480 --> 0:15:23.400
<v Speaker 3>take care of lunches, you take care of any errands

0:15:23.400 --> 0:15:25.920
<v Speaker 3>it might be going on. You do use the copy,

0:15:25.960 --> 0:15:30.040
<v Speaker 3>your NonStop and then you wait for run through which

0:15:30.600 --> 0:15:32.920
<v Speaker 3>I didn't realize after run throughs and table reads that

0:15:32.960 --> 0:15:37.640
<v Speaker 3>scripts are always massively rewritten after notes from the network.

0:15:37.680 --> 0:15:40.400
<v Speaker 3>I assume the first big meeting where they're giving a

0:15:40.400 --> 0:15:41.640
<v Speaker 3>bunch of notes, I'm like, oh my gosh, is this

0:15:41.640 --> 0:15:45.560
<v Speaker 3>writer getting fired? Oh my god, what's going Yeah, everybody

0:15:45.640 --> 0:15:47.760
<v Speaker 3>kind of gets in and talks about, you know, what

0:15:47.880 --> 0:15:50.320
<v Speaker 3>jokes work and what jokes don't work, and then you

0:15:50.440 --> 0:15:53.400
<v Speaker 3>sit and you wait for the writers to rewrite the scripts,

0:15:53.440 --> 0:15:55.360
<v Speaker 3>and you get them their dinner, and then you wait

0:15:55.440 --> 0:15:56.880
<v Speaker 3>and you wait and you wait for the script to

0:15:56.880 --> 0:16:00.400
<v Speaker 3>come out. And that's really where the biggest party job,

0:16:00.840 --> 0:16:02.760
<v Speaker 3>at least at the time, happened, because you would end

0:16:02.840 --> 0:16:06.760
<v Speaker 3>up staying up all night copying two hundred and fifty

0:16:06.760 --> 0:16:09.360
<v Speaker 3>three hundred scripts and then delivering them all around town

0:16:09.640 --> 0:16:12.680
<v Speaker 3>and at the time, like we killed so many trees.

0:16:13.160 --> 0:16:16.520
<v Speaker 8>Yep, because like people who were like, look, you knew

0:16:16.560 --> 0:16:18.880
<v Speaker 8>that the head of the curtains department at Disney was

0:16:18.920 --> 0:16:22.200
<v Speaker 8>not cracking the third rewrite of the Boynese World script

0:16:22.720 --> 0:16:26.600
<v Speaker 8>right seven in the middle of the with the baby

0:16:26.640 --> 0:16:28.840
<v Speaker 8>pig in it, Like the curtains department doesn't need this,

0:16:29.120 --> 0:16:30.560
<v Speaker 8>but they have to get this, and they have to

0:16:30.560 --> 0:16:30.960
<v Speaker 8>get it at.

0:16:30.920 --> 0:16:35.200
<v Speaker 3>Two am or else if somebody does call them they said,

0:16:35.240 --> 0:16:37.960
<v Speaker 3>well I didn't get the script. So you'd be out

0:16:38.040 --> 0:16:41.160
<v Speaker 3>until two three in the morning most nights delivering these

0:16:41.160 --> 0:16:43.240
<v Speaker 3>scripts and then going to sleep and waking up and

0:16:43.280 --> 0:16:44.720
<v Speaker 3>starting the process all over again.

0:16:45.000 --> 0:16:46.680
<v Speaker 5>So like five days a week.

0:16:46.800 --> 0:16:48.360
<v Speaker 6>I mean, I know, like on tape days, maybe the

0:16:48.400 --> 0:16:50.120
<v Speaker 6>schedule was a little bit later because that was for

0:16:50.160 --> 0:16:53.000
<v Speaker 6>our Thursdays were tape night, so everybody came in a

0:16:53.000 --> 0:16:56.320
<v Speaker 6>little later, but your hours were really like getting there

0:16:56.320 --> 0:16:58.720
<v Speaker 6>at eight am and then working You're on the clock

0:16:58.800 --> 0:17:00.200
<v Speaker 6>until like three am.

0:17:00.440 --> 0:17:01.000
<v Speaker 7>You're on the.

0:17:00.920 --> 0:17:04.159
<v Speaker 3>Clock until everything is delivered. Luckily, there was three of us.

0:17:04.200 --> 0:17:06.879
<v Speaker 3>We had Carl Ellsworth and Mark Kooneerth are the other

0:17:06.920 --> 0:17:08.879
<v Speaker 3>pas who were there with me. We were both very

0:17:08.920 --> 0:17:15.520
<v Speaker 3>accomplished writers themselves. Yeah, and you you usually have somebody

0:17:15.520 --> 0:17:17.920
<v Speaker 3>who was kind of staggered a little bit to the Okay,

0:17:17.920 --> 0:17:19.440
<v Speaker 3>you're going to do these super late runs and you'll

0:17:19.480 --> 0:17:20.320
<v Speaker 3>come in a little bit later.

0:17:20.560 --> 0:17:21.000
<v Speaker 5>Okay.

0:17:21.920 --> 0:17:23.840
<v Speaker 3>Yeah, that's just kind of what the job was. Then.

0:17:24.280 --> 0:17:26.560
<v Speaker 5>So you mentioned some other pas. What was that?

0:17:26.840 --> 0:17:29.240
<v Speaker 6>Did you were you guys particularly close? Did you have

0:17:29.320 --> 0:17:31.960
<v Speaker 6>a way you would like did you talk ish about anybody?

0:17:32.200 --> 0:17:34.600
<v Speaker 6>Like did you did you gather together.

0:17:34.359 --> 0:17:36.040
<v Speaker 5>And go claw? Did you hear what he just asked

0:17:36.080 --> 0:17:37.919
<v Speaker 5>me for? Like, I want to know what was.

0:17:41.200 --> 0:17:43.240
<v Speaker 6>I just want to know about the relationship with you

0:17:43.320 --> 0:17:46.080
<v Speaker 6>and the other pas, and like the sharing of information

0:17:46.200 --> 0:17:50.320
<v Speaker 6>and the and the the knowing glances of Like we were.

0:17:50.240 --> 0:17:53.280
<v Speaker 3>Pretty tight knit the the I mean the people that

0:17:53.320 --> 0:17:57.240
<v Speaker 3>we dealt with for the We all wanted to be writers,

0:17:57.320 --> 0:17:59.600
<v Speaker 3>and as you guys know the business and all of

0:17:59.680 --> 0:18:03.520
<v Speaker 3>us were it was our first job. Uh So we

0:18:03.920 --> 0:18:06.120
<v Speaker 3>all wanted to be writers. So you try to get

0:18:06.160 --> 0:18:08.760
<v Speaker 3>in with the writers. And I will say this about

0:18:09.080 --> 0:18:12.119
<v Speaker 3>the boy. These world writers were all ridiculously kind to

0:18:12.200 --> 0:18:17.320
<v Speaker 3>us horror stories of other places where people wrong and

0:18:17.359 --> 0:18:22.440
<v Speaker 3>they throw up, you know, throw food container up against

0:18:22.440 --> 0:18:25.080
<v Speaker 3>the wall and you'll let you never ever, ever, ever

0:18:25.160 --> 0:18:25.720
<v Speaker 3>had any of that.

0:18:25.760 --> 0:18:29.879
<v Speaker 7>It was always really really fun. And they're also very fosters, like, oh,

0:18:29.920 --> 0:18:30.480
<v Speaker 7>what do you want to do?

0:18:30.560 --> 0:18:32.080
<v Speaker 3>Great? Okay, let me let me help you with that.

0:18:32.720 --> 0:18:35.879
<v Speaker 3>Once you've read written something, let me read it. Uh.

0:18:36.760 --> 0:18:37.680
<v Speaker 7>Yeah, it was great.

0:18:37.720 --> 0:18:40.400
<v Speaker 3>And you know, Mark uh and Carl and I are

0:18:40.400 --> 0:18:42.440
<v Speaker 3>all still in touch for this day. Wow.

0:18:42.880 --> 0:18:45.400
<v Speaker 6>Was there ever a time where you got to where

0:18:45.400 --> 0:18:47.480
<v Speaker 6>any of them asked you for an idea of a

0:18:47.560 --> 0:18:49.000
<v Speaker 6>joke or you got to pitch a joke?

0:18:49.040 --> 0:18:50.800
<v Speaker 5>Did you ever get close.

0:18:50.600 --> 0:18:52.280
<v Speaker 6>Enough or we're in the room during a time where

0:18:52.280 --> 0:18:54.640
<v Speaker 6>they were breaking a script where you felt comfortable making

0:18:54.680 --> 0:18:55.280
<v Speaker 6>a suggestion?

0:18:55.920 --> 0:19:01.120
<v Speaker 3>Not really unboy in Meats World Michael Jake and by

0:19:01.480 --> 0:19:03.880
<v Speaker 3>actually the year I was there, Michael wasn't running the show.

0:19:04.119 --> 0:19:05.760
<v Speaker 3>At the very beginning out of it was a guy

0:19:06.040 --> 0:19:08.960
<v Speaker 3>David Kendall. Yes, I then worked later on with as

0:19:08.960 --> 0:19:12.479
<v Speaker 3>a director who was fabulous. Yeah, we da. He always

0:19:12.480 --> 0:19:16.320
<v Speaker 3>respected him as a good, decent, kind person. Yes, great,

0:19:17.000 --> 0:19:20.320
<v Speaker 3>like great person to have as a boss. And you

0:19:20.359 --> 0:19:25.000
<v Speaker 3>can kind of see how people are treated, especially people

0:19:25.000 --> 0:19:27.719
<v Speaker 3>that many times in Hollywood. You've got the people you

0:19:27.760 --> 0:19:29.320
<v Speaker 3>know you have to be nice to and the people

0:19:29.320 --> 0:19:31.199
<v Speaker 3>you don't have to necessarily be nice to. And you

0:19:31.240 --> 0:19:33.720
<v Speaker 3>watch how people treat the people that they don't have

0:19:33.760 --> 0:19:37.520
<v Speaker 3>to be nice to, and you know they're a decent

0:19:37.560 --> 0:19:40.800
<v Speaker 3>person when they feel them Yeah, end of all day long.

0:19:40.840 --> 0:19:43.160
<v Speaker 3>So anyway, David was running the show, and because Michael

0:19:43.200 --> 0:19:46.360
<v Speaker 3>had two other shows at the time, and those other

0:19:46.400 --> 0:19:48.639
<v Speaker 3>two shows ended up kind of falling away and he

0:19:48.760 --> 0:19:51.120
<v Speaker 3>was back at Boy by the end. But they had

0:19:52.280 --> 0:19:54.600
<v Speaker 3>kind of a closed room where it was just the writers.

0:19:54.640 --> 0:19:57.760
<v Speaker 3>You didn't have any in there, so you you got excited.

0:19:57.800 --> 0:19:59.160
<v Speaker 3>It was like, oh, it's my day for lunch. Breaight,

0:19:59.200 --> 0:20:00.480
<v Speaker 3>I get to go into the room to hear what's

0:20:00.480 --> 0:20:04.920
<v Speaker 3>going on as I'm passing out passing out menu. I'll

0:20:04.960 --> 0:20:06.920
<v Speaker 3>pass out the menus, but then I'll sit and I'll

0:20:06.920 --> 0:20:08.240
<v Speaker 3>write out the orders, so I get to stay in

0:20:08.240 --> 0:20:10.600
<v Speaker 3>the room a bit longer because it's such a magical,

0:20:10.640 --> 0:20:15.600
<v Speaker 3>mysterious place once you're in when you're not allowed to

0:20:15.600 --> 0:20:17.400
<v Speaker 3>be in there, because you want to know, like how

0:20:17.440 --> 0:20:20.960
<v Speaker 3>the magic happens, where this is coming from, who writes

0:20:21.000 --> 0:20:21.679
<v Speaker 3>what how does.

0:20:21.520 --> 0:20:24.080
<v Speaker 7>It work on that particular show?

0:20:25.680 --> 0:20:29.720
<v Speaker 3>Nothing for Boy These World specifically, But the writers were

0:20:29.840 --> 0:20:33.680
<v Speaker 3>very good about reading other sample scripts because as a writer,

0:20:33.840 --> 0:20:37.880
<v Speaker 3>you you write they call the spec script like what

0:20:37.880 --> 0:20:39.879
<v Speaker 3>you would do if you had an opportunity to it,

0:20:39.920 --> 0:20:41.200
<v Speaker 3>And they were really good about.

0:20:41.080 --> 0:20:43.640
<v Speaker 4>How did you even have time to write? Though? Where

0:20:43.640 --> 0:20:45.000
<v Speaker 4>were you? Where were you?

0:20:45.000 --> 0:20:46.760
<v Speaker 1>You were just finding the hours on the weekends to

0:20:46.800 --> 0:20:47.960
<v Speaker 1>pound out your own work.

0:20:48.280 --> 0:20:50.800
<v Speaker 3>That's that's what I always tell people who are are

0:20:51.000 --> 0:20:54.359
<v Speaker 3>trying to break into the business. There are two things

0:20:54.400 --> 0:20:55.959
<v Speaker 3>that you kind of have to focus on. There's your

0:20:56.080 --> 0:20:59.679
<v Speaker 3>job and there's your career, both equally important. Because your

0:20:59.760 --> 0:21:02.240
<v Speaker 3>job might be a PA on Boy Meets World where

0:21:02.280 --> 0:21:07.280
<v Speaker 3>you're working sixteen hours a day and doing everything you

0:21:07.280 --> 0:21:09.600
<v Speaker 3>could possibly do, and that's how you're making your money,

0:21:10.000 --> 0:21:13.000
<v Speaker 3>so you can hear and survive. But you've got to

0:21:13.000 --> 0:21:14.679
<v Speaker 3>put in the same amount of time and effort in

0:21:14.720 --> 0:21:17.359
<v Speaker 3>your career or else you're just always going to be

0:21:17.400 --> 0:21:17.879
<v Speaker 3>your job.

0:21:18.240 --> 0:21:20.520
<v Speaker 7>So the thing I would get together with.

0:21:20.440 --> 0:21:22.719
<v Speaker 3>My writing partner who and work for a couple of

0:21:22.720 --> 0:21:25.480
<v Speaker 3>hours and on the weekends cranking stuff out and just

0:21:25.920 --> 0:21:30.200
<v Speaker 3>spending an equal time on both because you know, you, guys,

0:21:30.600 --> 0:21:33.560
<v Speaker 3>I'm sure have heard all over and over and over

0:21:34.320 --> 0:21:38.000
<v Speaker 3>that this business is all about being in the right

0:21:38.040 --> 0:21:41.040
<v Speaker 3>place at the right time. I say it a different way.

0:21:41.040 --> 0:21:43.840
<v Speaker 3>It's about being prepared to take advantage of an opportunity

0:21:43.880 --> 0:21:47.720
<v Speaker 3>once that opportunity presents itself, and if you haven't done

0:21:47.720 --> 0:21:49.720
<v Speaker 3>the work to take advantage of that opportunity by then,

0:21:50.240 --> 0:21:52.760
<v Speaker 3>that opportunity goes away. You know, if you finally have

0:21:52.840 --> 0:21:54.960
<v Speaker 3>someone say okay, yeah, i'd love to you want to

0:21:54.960 --> 0:21:56.960
<v Speaker 3>be a writer? What have you read? What? What have

0:21:57.040 --> 0:21:59.639
<v Speaker 3>you written? What can I read? And you want to

0:21:59.640 --> 0:22:02.840
<v Speaker 3>be able to say, oh, here you go, Oh, while

0:22:02.840 --> 0:22:05.119
<v Speaker 3>I'm working on something that I should be ready like

0:22:05.119 --> 0:22:06.440
<v Speaker 3>two months or so, can I get back to that,

0:22:06.520 --> 0:22:10.480
<v Speaker 3>because at that point you've blown the moment. So, especially

0:22:10.520 --> 0:22:14.119
<v Speaker 3>when you're first starting out, it's it's incredibly difficult to

0:22:15.960 --> 0:22:19.600
<v Speaker 3>still be doing this stuff on top of the career stuff,

0:22:19.640 --> 0:22:20.679
<v Speaker 3>on top of the job stuff.

0:22:21.240 --> 0:22:35.640
<v Speaker 6>Yeah, so you said that the writers were all really

0:22:35.680 --> 0:22:38.600
<v Speaker 6>good about reading things. What was the first spec script

0:22:38.640 --> 0:22:41.359
<v Speaker 6>you ever wrote? And then who did you give it

0:22:41.400 --> 0:22:44.359
<v Speaker 6>to to read and what was the feedback The.

0:22:44.240 --> 0:22:47.240
<v Speaker 3>First spec script that my writing partner Ron and I wrote,

0:22:47.440 --> 0:22:51.000
<v Speaker 3>who I'm still ready with today. We wrote a news

0:22:51.080 --> 0:22:52.240
<v Speaker 3>radio spec.

0:22:52.640 --> 0:22:54.440
<v Speaker 4>Such one of my favorite shows of all time.

0:22:54.960 --> 0:22:56.720
<v Speaker 3>It was one of those shows that if you remember,

0:22:56.760 --> 0:22:58.359
<v Speaker 3>you remember it ridiculously fondly.

0:22:58.560 --> 0:22:58.800
<v Speaker 4>Yep.

0:23:00.720 --> 0:23:02.080
<v Speaker 7>So we wrote that and it was.

0:23:04.520 --> 0:23:06.000
<v Speaker 3>I think at the time, I did the thing you're

0:23:06.000 --> 0:23:09.600
<v Speaker 3>not supposed to do and was like sliding scenes under

0:23:09.600 --> 0:23:11.680
<v Speaker 3>the door for it was even a completely written script.

0:23:11.720 --> 0:23:13.479
<v Speaker 3>To the other writers who were like, oh wait, what

0:23:13.560 --> 0:23:15.479
<v Speaker 3>is this. Is this something we're supposed to be doing,

0:23:15.480 --> 0:23:16.800
<v Speaker 3>I'm like, oh no, no, it was just something I was

0:23:17.400 --> 0:23:19.160
<v Speaker 3>wondering if you would kind of reading and seeing if

0:23:19.320 --> 0:23:21.240
<v Speaker 3>I was on the right track, and they're like, oh yeah, okay.

0:23:21.280 --> 0:23:23.080
<v Speaker 3>Like Jeff Manel was like, oh this is great. I'm

0:23:23.080 --> 0:23:24.680
<v Speaker 3>gonna put a big tea here because that's when you

0:23:25.119 --> 0:23:26.639
<v Speaker 3>teed up the story and that's how I mark up

0:23:26.680 --> 0:23:27.159
<v Speaker 3>my scripts.

0:23:28.840 --> 0:23:30.440
<v Speaker 7>Pictures on your scripts.

0:23:29.760 --> 0:23:34.320
<v Speaker 4>That that's so cute.

0:23:34.320 --> 0:23:36.000
<v Speaker 5>That sounds like Manel exactly.

0:23:36.560 --> 0:23:40.080
<v Speaker 3>And then that that specscript ended up being the script

0:23:40.119 --> 0:23:42.879
<v Speaker 3>that we that Ron and I submitted to the Warner

0:23:42.920 --> 0:23:45.159
<v Speaker 3>Brothers writing program back when that was the thing, and

0:23:45.200 --> 0:23:49.040
<v Speaker 3>that that got us kind of looked at as more

0:23:49.119 --> 0:23:53.080
<v Speaker 3>than just people who were trying to become writers. We

0:23:53.080 --> 0:23:55.760
<v Speaker 3>were writers who hadn't been hired yet.

0:23:56.160 --> 0:23:56.760
<v Speaker 5>Wow.

0:23:56.960 --> 0:23:57.760
<v Speaker 7>Wow, Yeah, that's.

0:23:57.600 --> 0:23:59.920
<v Speaker 3>How we got representation and it just kind of went

0:24:00.000 --> 0:24:01.480
<v Speaker 3>from there. And it still took us three years after

0:24:01.520 --> 0:24:05.080
<v Speaker 3>that before we finally ended up. We were doing kind

0:24:05.119 --> 0:24:07.959
<v Speaker 3>of freelance side gigs while we were still working our

0:24:09.280 --> 0:24:11.080
<v Speaker 3>jobs instead of our career, and then it took us

0:24:11.840 --> 0:24:15.520
<v Speaker 3>three four years after that, which seemed like an insurmountable

0:24:15.560 --> 0:24:20.280
<v Speaker 3>amount of time. Then now it's like, wow, it's it's double,

0:24:20.320 --> 0:24:23.240
<v Speaker 3>if not triple, that amount of time for most people

0:24:23.240 --> 0:24:27.639
<v Speaker 3>to break in now because it's yes, it's just harder.

0:24:28.320 --> 0:24:31.080
<v Speaker 4>Had you heard of Boy Meets World before you were

0:24:31.119 --> 0:24:32.680
<v Speaker 4>on the show, and what did you think of it?

0:24:33.000 --> 0:24:34.639
<v Speaker 7>I had not heard of boy Meets World.

0:24:34.840 --> 0:24:37.920
<v Speaker 3>I got the interview, like uh, and it was a

0:24:38.400 --> 0:24:40.040
<v Speaker 3>Friday thing and I had a younger brother. I'm like,

0:24:40.160 --> 0:24:42.880
<v Speaker 3>you know the show boy meets Girl. He's like, it's

0:24:42.880 --> 0:24:51.280
<v Speaker 3>Boye's world about it? My uh, I think thirteen or

0:24:51.320 --> 0:24:53.359
<v Speaker 3>fourteen at the time, Like fill me in on everything

0:24:53.400 --> 0:24:54.280
<v Speaker 3>so I know what's going on.

0:24:54.359 --> 0:24:55.640
<v Speaker 7>So that's how he did my research.

0:24:56.000 --> 0:24:57.959
<v Speaker 5>And were you just there one season? How long did

0:24:58.000 --> 0:24:58.840
<v Speaker 5>you stay with us?

0:24:59.240 --> 0:25:01.080
<v Speaker 7>Just there one season? And I was there for season three.

0:25:02.560 --> 0:25:05.960
<v Speaker 3>At the time, I had it in my head because

0:25:05.960 --> 0:25:10.480
<v Speaker 3>I knew Hollywood was all about kind of building relationships.

0:25:11.280 --> 0:25:13.199
<v Speaker 3>I thought I was like, Okay, don't stay any place

0:25:13.400 --> 0:25:15.399
<v Speaker 3>more than one year while you're an assistant, because then

0:25:15.440 --> 0:25:17.760
<v Speaker 3>you'll meet more people. I don't know if that was

0:25:17.760 --> 0:25:19.560
<v Speaker 3>the way which I jumped from that over to. And

0:25:20.040 --> 0:25:22.840
<v Speaker 3>I always tried to move move to a different show,

0:25:22.880 --> 0:25:26.040
<v Speaker 3>but move up the ladder one rock. Sure, So I

0:25:26.080 --> 0:25:29.280
<v Speaker 3>hopped over from Boy Meets World. I was there. I

0:25:29.359 --> 0:25:32.880
<v Speaker 3>went to Ellen for a month and then got as

0:25:32.880 --> 0:25:36.240
<v Speaker 3>a writer's PA, and then I jumped onto a show

0:25:36.280 --> 0:25:39.760
<v Speaker 3>called Unhappily Ever After for a year as a writer's assistant.

0:25:39.520 --> 0:25:43.920
<v Speaker 2>With Nicki, with Nicki Cox and yeah another good show.

0:25:43.960 --> 0:25:48.480
<v Speaker 2>Yeah Bobcat Golf Wade and yeah.

0:25:47.359 --> 0:25:49.760
<v Speaker 7>Yeah, yeah, you come for Niki Cox, just stay for

0:25:49.800 --> 0:25:50.480
<v Speaker 7>the talking Rabbit.

0:25:52.040 --> 0:25:52.760
<v Speaker 4>It's true.

0:25:53.040 --> 0:25:55.520
<v Speaker 2>Nicki was my first girlfriend in Los Angeles when I

0:25:55.560 --> 0:25:57.679
<v Speaker 2>moved out first season of Boy Meets Roll. I think

0:25:57.680 --> 0:25:58.760
<v Speaker 2>we were both like sixteen.

0:25:59.520 --> 0:26:02.560
<v Speaker 3>He was red ridiculously sweet, and I can understand.

0:26:02.800 --> 0:26:04.000
<v Speaker 4>She was ridiculously sweet.

0:26:04.040 --> 0:26:06.800
<v Speaker 2>Yeah, she was ridiculously sweet.

0:26:07.720 --> 0:26:10.080
<v Speaker 3>Then I jumped over to a show called Grace under

0:26:10.119 --> 0:26:12.840
<v Speaker 3>Fire and then jumped Damon and finally ended up on

0:26:12.840 --> 0:26:14.720
<v Speaker 3>a show called The Huge LEAs, which is where Ron

0:26:14.760 --> 0:26:16.640
<v Speaker 3>and I finally got stabbed for the first time.

0:26:16.960 --> 0:26:18.320
<v Speaker 4>Oh wow, were you there?

0:26:18.520 --> 0:26:20.120
<v Speaker 2>I was gonna say, were you there a Grace Underfire

0:26:20.160 --> 0:26:21.560
<v Speaker 2>when all the stuff went down?

0:26:23.119 --> 0:26:24.400
<v Speaker 7>When didn't stuff go down?

0:26:24.520 --> 0:26:24.720
<v Speaker 3>Yeah?

0:26:25.000 --> 0:26:27.280
<v Speaker 4>Yeah it was I was there for the stuff at

0:26:27.280 --> 0:26:29.240
<v Speaker 4>the end, you were okay.

0:26:29.119 --> 0:26:32.600
<v Speaker 3>Fun fat. Technically I was the final executive producer of

0:26:32.800 --> 0:26:38.000
<v Speaker 3>Grace utter Fire really, because Grace had fired. Everybody then realized,

0:26:38.040 --> 0:26:41.240
<v Speaker 3>oh there's nobody left. So She's like, oh, what up

0:26:41.240 --> 0:26:42.520
<v Speaker 3>do Yeah? What about what about this guy?

0:26:42.520 --> 0:26:45.320
<v Speaker 7>He could be the executive producer. I'm like, I'm the

0:26:45.400 --> 0:26:46.639
<v Speaker 7>guy typing at the keyboard.

0:26:46.680 --> 0:26:48.760
<v Speaker 3>I don't know that. No, No, he the executive producer.

0:26:48.840 --> 0:26:50.920
<v Speaker 3>So there was like six writers left at that point,

0:26:51.359 --> 0:26:53.600
<v Speaker 3>and he sitting in a room with nothing to do

0:26:53.680 --> 0:26:56.159
<v Speaker 3>because we knew we were all about to, like the

0:26:56.200 --> 0:27:00.040
<v Speaker 3>show was about to go away, and the the I

0:27:00.040 --> 0:27:01.600
<v Speaker 3>think it was a guy by the name of Mark Leagan,

0:27:02.320 --> 0:27:05.320
<v Speaker 3>and Mark uh looked over me as like, so, executive producer,

0:27:05.359 --> 0:27:06.160
<v Speaker 3>can we go to lunch?

0:27:06.240 --> 0:27:13.240
<v Speaker 1>I'm like, yeah, cugaroo, go pick us up. Yeah, pick

0:27:13.280 --> 0:27:17.160
<v Speaker 1>us up, I get to send somebody.

0:27:17.280 --> 0:27:20.520
<v Speaker 6>Oh my god, that's unbelievable.

0:27:21.200 --> 0:27:22.399
<v Speaker 4>I don't know any of the drama.

0:27:22.600 --> 0:27:26.840
<v Speaker 1>It was just network notes that were just pushing back.

0:27:27.320 --> 0:27:30.800
<v Speaker 3>RCI Werner had a habit of this is back when

0:27:30.920 --> 0:27:34.680
<v Speaker 3>sitcoms were still king, and they had huge, huge, huge

0:27:34.760 --> 0:27:39.199
<v Speaker 3>hits with Bill Cosby and Roseanne and your name is

0:27:39.200 --> 0:27:44.320
<v Speaker 3>a Civil Shepherd, and they just kept finding mostly stand

0:27:44.400 --> 0:27:50.480
<v Speaker 3>up comedians to build shows around. But many times, at

0:27:50.560 --> 0:27:54.080
<v Speaker 3>least in that era, you you would build a show

0:27:54.119 --> 0:27:57.920
<v Speaker 3>around the standard comedian who was used to doing things

0:27:58.040 --> 0:28:02.720
<v Speaker 3>themselves on their own, so having a team of people

0:28:02.760 --> 0:28:08.919
<v Speaker 3>around it's tough, was difficult for them, and it there

0:28:08.920 --> 0:28:09.960
<v Speaker 3>were a lot of fireworks.

0:28:10.000 --> 0:28:15.600
<v Speaker 4>We'll say, you are being so so wonderfully diplomatic, diplomatic.

0:28:15.720 --> 0:28:18.159
<v Speaker 2>Well, our set wasn't like that at all, wasn't We

0:28:18.200 --> 0:28:19.080
<v Speaker 2>had no drama.

0:28:19.720 --> 0:28:23.320
<v Speaker 3>Well, you mentioned something that I thought was worth pointing out,

0:28:23.560 --> 0:28:27.800
<v Speaker 3>like the fact that you guys didn't know like how

0:28:27.840 --> 0:28:29.879
<v Speaker 3>the rest of everything was working is a credit to

0:28:29.920 --> 0:28:34.200
<v Speaker 3>how well produced and boy these world was and.

0:28:34.160 --> 0:28:39.080
<v Speaker 7>How well scare of you were. Yes, as a producer of.

0:28:40.880 --> 0:28:44.280
<v Speaker 3>I mean I've been on everything from network to streamers

0:28:44.280 --> 0:28:46.440
<v Speaker 3>to kids TV, you name it, and I've worked all

0:28:46.480 --> 0:28:49.360
<v Speaker 3>exclusively in multicam, which is not something most people can

0:28:49.360 --> 0:28:55.360
<v Speaker 3>say these days, but especially with kids. From where I'm standing,

0:28:55.400 --> 0:28:57.640
<v Speaker 3>the number one job you have, like I always say,

0:28:57.640 --> 0:29:01.719
<v Speaker 3>I'm a I'm a ad first, a producer second. So

0:29:01.840 --> 0:29:07.040
<v Speaker 3>making sure that especially your kid actors are protected taken

0:29:07.080 --> 0:29:10.520
<v Speaker 3>care of and I'll just be kids and listen. No,

0:29:10.600 --> 0:29:13.040
<v Speaker 3>it's a job, but it should be fun. This is

0:29:13.160 --> 0:29:17.280
<v Speaker 3>the glorified a drama club, you know, where you're just

0:29:17.320 --> 0:29:18.840
<v Speaker 3>getting to do all kinds of fun things because you

0:29:18.880 --> 0:29:22.080
<v Speaker 3>guys are pulled in like six hundred different directions, not

0:29:22.360 --> 0:29:25.680
<v Speaker 3>just in the production of the show, but also promotions

0:29:25.680 --> 0:29:29.880
<v Speaker 3>and appearances and you and it can be a lot,

0:29:30.360 --> 0:29:35.240
<v Speaker 3>especially on shows where they allow they're behind the camera

0:29:35.320 --> 0:29:39.440
<v Speaker 3>drama to the camera and for kid actors to kind

0:29:39.480 --> 0:29:41.840
<v Speaker 3>of deal with that and that to be that's not fair.

0:29:41.880 --> 0:29:46.000
<v Speaker 3>And I'm glad to hear that you guys there going

0:29:46.080 --> 0:29:50.520
<v Speaker 3>on behind the cameras anyway, so a sign of a

0:29:50.560 --> 0:29:54.720
<v Speaker 3>well run machine. But I'm glad to hear that you

0:29:54.760 --> 0:30:00.080
<v Speaker 3>guys have such posive experiences from it, because yeah.

0:29:58.640 --> 0:30:00.959
<v Speaker 6>We have given that credit now many times that it

0:30:01.000 --> 0:30:03.560
<v Speaker 6>was so it was so we were so protected in

0:30:03.600 --> 0:30:04.400
<v Speaker 6>the best ways.

0:30:04.480 --> 0:30:06.640
<v Speaker 5>It's funny that now as adults were like, oh.

0:30:06.520 --> 0:30:10.640
<v Speaker 6>Man, we had absolutely no idea any of that was

0:30:10.680 --> 0:30:12.200
<v Speaker 6>going on, And you're exactly right.

0:30:12.280 --> 0:30:13.959
<v Speaker 5>It is a it's it was.

0:30:14.080 --> 0:30:18.640
<v Speaker 6>It was a nice way of our teachers and the

0:30:18.680 --> 0:30:22.240
<v Speaker 6>adults in the production office, Karen McCain and and all

0:30:22.280 --> 0:30:24.959
<v Speaker 6>the people who didn't let us know anything was going on.

0:30:25.000 --> 0:30:26.720
<v Speaker 5>We were we were well insulated.

0:30:27.160 --> 0:30:29.640
<v Speaker 6>And that that is that is the best I want

0:30:29.640 --> 0:30:31.840
<v Speaker 6>to talk about when you would deliver the scripts again,

0:30:31.920 --> 0:30:35.360
<v Speaker 6>because to us, we just can't even believe, like we

0:30:35.680 --> 0:30:38.960
<v Speaker 6>remember it so well. We remember, you know, waking up

0:30:38.960 --> 0:30:40.840
<v Speaker 6>in the scripts, being outside the door, or if it

0:30:40.880 --> 0:30:42.920
<v Speaker 6>was if we were still awake getting the scripts, they'd

0:30:42.960 --> 0:30:46.080
<v Speaker 6>sometimes be in plastic if it were raining outside because

0:30:46.080 --> 0:30:48.120
<v Speaker 6>they were just you know, left on our porch. Was

0:30:48.160 --> 0:30:51.040
<v Speaker 6>it only one pa doing the deliveries at night or

0:30:51.080 --> 0:30:51.960
<v Speaker 6>would a couple.

0:30:51.800 --> 0:30:52.360
<v Speaker 5>Of you do it?

0:30:52.880 --> 0:30:56.680
<v Speaker 3>And there's always one person who had the super late

0:30:56.920 --> 0:31:00.320
<v Speaker 3>although at the time it was Betsy Randall lived down

0:31:00.400 --> 0:31:02.160
<v Speaker 3>in Ohi or something, and she was the.

0:31:02.120 --> 0:31:04.920
<v Speaker 5>One who here was it Bill Daniels in Monacito.

0:31:06.160 --> 0:31:07.960
<v Speaker 3>Bill was not in Monasito season.

0:31:07.960 --> 0:31:10.160
<v Speaker 4>He had a valley, a valley place. He always had

0:31:10.160 --> 0:31:11.000
<v Speaker 4>a house in the valley.

0:31:11.200 --> 0:31:15.280
<v Speaker 1>I think it was Betsy was in Topanga Canyon, right

0:31:15.800 --> 0:31:17.360
<v Speaker 1>or no, she wasn't.

0:31:17.400 --> 0:31:19.880
<v Speaker 4>O High was the way in High.

0:31:20.320 --> 0:31:23.160
<v Speaker 3>They didn't want to pay us for the hour, like

0:31:23.280 --> 0:31:25.600
<v Speaker 3>whatever whatever rate it was. It was cheaper for them

0:31:25.640 --> 0:31:29.120
<v Speaker 3>to pay for the facts than to have us drive

0:31:29.160 --> 0:31:29.480
<v Speaker 3>out there.

0:31:29.720 --> 0:31:30.120
<v Speaker 4>Facts.

0:31:30.200 --> 0:31:32.800
<v Speaker 5>I remember, you would facts her script.

0:31:32.720 --> 0:31:34.640
<v Speaker 3>You would get. Yeah, I sound like an old man

0:31:34.680 --> 0:31:36.080
<v Speaker 3>now anytime I bring up these things, but.

0:31:38.360 --> 0:31:39.640
<v Speaker 4>That's yeah.

0:31:39.840 --> 0:31:42.520
<v Speaker 2>It was magic to us because he would just open

0:31:42.560 --> 0:31:45.080
<v Speaker 2>your door and there the script would be. Now to

0:31:45.440 --> 0:31:47.600
<v Speaker 2>make it hopefully make you feel better about all the

0:31:47.600 --> 0:31:51.719
<v Speaker 2>deliveris you did? I still have all my scripts, he does, so,

0:31:51.720 --> 0:31:53.880
<v Speaker 2>so that's it. What they did not go to waste.

0:31:54.080 --> 0:31:55.640
<v Speaker 2>Just so you know I've still got him.

0:31:55.800 --> 0:31:57.920
<v Speaker 6>He's We've signed them and given them away at some

0:31:57.960 --> 0:32:00.360
<v Speaker 6>of our live shows to our dear listeners, so they

0:32:01.160 --> 0:32:03.120
<v Speaker 6>your work is still out there in the.

0:32:03.000 --> 0:32:04.840
<v Speaker 3>World, finalest work.

0:32:05.240 --> 0:32:08.720
<v Speaker 2>Yes, Would you take the time because you want to

0:32:08.760 --> 0:32:11.520
<v Speaker 2>be a writer at the time and you know that's

0:32:11.520 --> 0:32:15.560
<v Speaker 2>your career. Would you read all the scripts as they

0:32:15.600 --> 0:32:19.760
<v Speaker 2>were you were either you know, photocopying them or delivering

0:32:19.800 --> 0:32:21.400
<v Speaker 2>them I mean, would you take the time to read

0:32:21.440 --> 0:32:23.200
<v Speaker 2>the scripts and see the changes they made.

0:32:23.040 --> 0:32:24.479
<v Speaker 4>Or was it like, I don't ever want to look

0:32:24.480 --> 0:32:25.040
<v Speaker 4>at this anymore.

0:32:25.240 --> 0:32:27.480
<v Speaker 3>One hundred percent. I read every script that came out.

0:32:28.600 --> 0:32:30.080
<v Speaker 3>You get a chance to talk to her. I was like, Oh,

0:32:30.360 --> 0:32:32.120
<v Speaker 3>I noticed this one changed. Why did that change? That

0:32:32.160 --> 0:32:34.000
<v Speaker 3>seem to work? Like, oh the network felt that it

0:32:34.080 --> 0:32:37.080
<v Speaker 3>was made this character to mean or didn't they needed

0:32:37.080 --> 0:32:39.200
<v Speaker 3>to show up the relate So kind of learning the

0:32:39.200 --> 0:32:44.360
<v Speaker 3>Notes process and realizing that this is a very collaborative medium,

0:32:44.480 --> 0:32:48.280
<v Speaker 3>especially in world and sometimes you try stuff and see

0:32:48.320 --> 0:32:50.480
<v Speaker 3>if it works, and if it doesn't, you can always

0:32:50.560 --> 0:32:53.240
<v Speaker 3>kind of change it to something else and realize that, oh,

0:32:53.280 --> 0:32:58.680
<v Speaker 3>these changes aren't necessarily it's not necessarily saying that you

0:32:58.760 --> 0:32:59.960
<v Speaker 3>were wrong or did something bad.

0:33:00.160 --> 0:33:01.760
<v Speaker 7>It's like, oh, we just want to try something else.

0:33:01.920 --> 0:33:03.760
<v Speaker 3>We want to try to shade at this direction or

0:33:03.800 --> 0:33:06.520
<v Speaker 3>this is the objective that we have now. And realizing

0:33:06.560 --> 0:33:10.400
<v Speaker 3>that the notes process and including the studio and the

0:33:10.440 --> 0:33:14.360
<v Speaker 3>network in that process is huge because at the time

0:33:14.400 --> 0:33:16.600
<v Speaker 3>I didn't realize, oh, the studio the network kind of

0:33:16.640 --> 0:33:18.560
<v Speaker 3>owned everything and you're really just there to kind of

0:33:19.320 --> 0:33:22.600
<v Speaker 3>have a vision and then try to weave everything all

0:33:22.640 --> 0:33:26.520
<v Speaker 3>into one cohesive thing and then hope you get you know,

0:33:26.640 --> 0:33:28.760
<v Speaker 3>multiple seasons to do that and to build a vamily.

0:33:29.640 --> 0:33:33.960
<v Speaker 6>Do you remember any specific weird requests you got or

0:33:34.080 --> 0:33:36.800
<v Speaker 6>strange and how many packs of cigarettes were you sent

0:33:36.840 --> 0:33:37.880
<v Speaker 6>out to purchase for Will?

0:33:41.120 --> 0:33:44.760
<v Speaker 2>I always I was a responsible kid. I always bought

0:33:44.760 --> 0:33:45.320
<v Speaker 2>my own smoke.

0:33:45.360 --> 0:33:54.560
<v Speaker 6>Okay, all right, legal, Any weird request, Well, there's constant Kunkuru, which.

0:33:54.400 --> 0:33:55.960
<v Speaker 5>Was one that's a little weird.

0:33:57.640 --> 0:34:00.240
<v Speaker 3>You're the first twenty seven times, but the next twenty

0:34:00.280 --> 0:34:05.400
<v Speaker 3>five times. And I got no particular weird request. But

0:34:05.440 --> 0:34:08.719
<v Speaker 3>I remember there was a time when I got a

0:34:09.000 --> 0:34:12.960
<v Speaker 3>traffic like. I got a ticket for turning left somewhere

0:34:12.960 --> 0:34:15.920
<v Speaker 3>I wasn't supposed to left and got pulled over. And

0:34:16.920 --> 0:34:19.600
<v Speaker 3>Jeff Sherman, one of the writers, like oh, because I

0:34:19.640 --> 0:34:22.879
<v Speaker 3>was picking up something for him and his managers or ages.

0:34:22.920 --> 0:34:25.160
<v Speaker 3>And he's like, oh, I feel terrible. And he didn't

0:34:25.160 --> 0:34:28.399
<v Speaker 3>offer to pay the ticket, but he's like, I got

0:34:28.400 --> 0:34:31.080
<v Speaker 3>a guy. I'm like, oh, I always love anytime somebody

0:34:31.080 --> 0:34:34.080
<v Speaker 3>storts his sense. When I got say, I'm going to

0:34:34.120 --> 0:34:37.279
<v Speaker 3>love yeah, And he's like, I got a guy, You're

0:34:37.280 --> 0:34:39.719
<v Speaker 3>gonna go do traffic school with him, except you're not

0:34:39.760 --> 0:34:42.080
<v Speaker 3>really going to do traffic school with him. To go

0:34:42.120 --> 0:34:46.880
<v Speaker 3>to this address talk to Nico Nicoll be there. Nico

0:34:46.880 --> 0:34:48.799
<v Speaker 3>doesn't exist, But say you're talking to Nico and then

0:34:48.840 --> 0:34:50.279
<v Speaker 3>you're gonna pay whatever it is and you want to

0:34:50.320 --> 0:34:51.719
<v Speaker 3>have to go to traffic school when you would credit

0:34:51.760 --> 0:34:55.359
<v Speaker 3>for it. So that was pretty neat. When you're twenty

0:34:55.360 --> 0:34:58.480
<v Speaker 3>one years old, you're like, like, what is the shady

0:34:58.560 --> 0:34:59.960
<v Speaker 3>d I got going on here?

0:35:00.040 --> 0:35:03.200
<v Speaker 2>I'm sure with the weird traffic school hookup?

0:35:03.360 --> 0:35:07.080
<v Speaker 4>Like what, Jess love that story.

0:35:07.120 --> 0:35:07.920
<v Speaker 3>That's amazing.

0:35:09.040 --> 0:35:11.600
<v Speaker 6>What's the kind of adult I hope to be the

0:35:11.640 --> 0:35:13.480
<v Speaker 6>one with the guys who's.

0:35:13.280 --> 0:35:16.640
<v Speaker 5>Not really a guy and it's it's a little shady,

0:35:16.680 --> 0:35:17.640
<v Speaker 5>but you'll get it done.

0:35:18.000 --> 0:35:18.680
<v Speaker 4>I love that.

0:35:18.800 --> 0:35:21.640
<v Speaker 3>I love it. Yeah, Mady, farther than you've ever been

0:35:22.480 --> 0:35:23.800
<v Speaker 3>a man.

0:35:23.960 --> 0:35:27.799
<v Speaker 5>Ask for Nico, but Nico doesn't exist. I love it.

0:35:28.040 --> 0:35:29.880
<v Speaker 2>I have a question for you as somebody, because you

0:35:29.920 --> 0:35:35.120
<v Speaker 2>mentioned before that you have almost exclusively spent your career

0:35:35.480 --> 0:35:38.600
<v Speaker 2>in multicam. Yes, which is pretty amazing, and it's also

0:35:38.840 --> 0:35:41.319
<v Speaker 2>my favorite thing in the world and always has been.

0:35:42.200 --> 0:35:43.560
<v Speaker 3>It's the it's showbiz.

0:35:44.480 --> 0:35:45.680
<v Speaker 4>Is it going away?

0:35:46.600 --> 0:35:49.799
<v Speaker 3>People have said multicams are going away for decades at

0:35:49.840 --> 0:35:53.920
<v Speaker 3>this point, Right, what I did once I finally got

0:35:53.960 --> 0:35:56.040
<v Speaker 3>on staff as a writer. I was on staff on

0:35:56.080 --> 0:35:59.520
<v Speaker 3>a show called The Hugeles for four seasons. It was

0:35:59.560 --> 0:36:03.680
<v Speaker 3>a two different networks, four different nights, ninety episodes, the

0:36:03.719 --> 0:36:05.759
<v Speaker 3>longest longest running show nobody has ever heard of.

0:36:06.200 --> 0:36:08.879
<v Speaker 4>I Love Who Hysterical So.

0:36:08.880 --> 0:36:11.440
<v Speaker 3>You just finally came back. It just it's just dropped

0:36:11.440 --> 0:36:15.080
<v Speaker 3>on Netflix in this past August, so people are rediscovering it,

0:36:15.080 --> 0:36:18.960
<v Speaker 3>which is cool. After The Hugles, I jumped over to

0:36:18.960 --> 0:36:21.880
<v Speaker 3>a show called according to Gym, which it was Seasons.

0:36:23.040 --> 0:36:25.320
<v Speaker 3>And the great thing about that is we were gainfully

0:36:25.360 --> 0:36:29.200
<v Speaker 3>employed as writers for twelve straight seasons. When wow, like

0:36:29.200 --> 0:36:31.799
<v Speaker 3>when I first started on Boy Mets World, and this

0:36:31.840 --> 0:36:35.200
<v Speaker 3>is comedies in general, multi cam n single came there

0:36:35.200 --> 0:36:38.799
<v Speaker 3>were ninety comedies on just network television.

0:36:39.560 --> 0:36:42.439
<v Speaker 7>By the time, according to Gym ended, there were nine.

0:36:43.080 --> 0:36:46.359
<v Speaker 3>Oh wow, we got canceled so by like literally by

0:36:46.360 --> 0:36:49.120
<v Speaker 3>the end of the season, there were six comedies on

0:36:49.200 --> 0:36:50.080
<v Speaker 3>network television.

0:36:50.400 --> 0:36:52.400
<v Speaker 4>Right, I'm sorry, this is this is what the early

0:36:52.520 --> 0:36:55.879
<v Speaker 4>two thousands, this is reality. This is a reality TV

0:36:56.080 --> 0:36:58.960
<v Speaker 4>just came in, right, Yeah, the first strike.

0:37:00.680 --> 0:37:02.279
<v Speaker 7>After that ron they looked around.

0:37:02.320 --> 0:37:04.640
<v Speaker 3>It was like, oh shit, we shoop, we love doing

0:37:05.239 --> 0:37:09.200
<v Speaker 3>I love doing multicams, Like who's still doing these? And

0:37:09.440 --> 0:37:12.880
<v Speaker 3>looked around like, oh this, they're actually doing multicam TVs

0:37:12.960 --> 0:37:16.040
<v Speaker 3>over on Disney Channel and Nickelodeon. Let's go sniff around

0:37:16.040 --> 0:37:20.239
<v Speaker 3>over there. So they're still doing them there. And there's

0:37:20.239 --> 0:37:22.719
<v Speaker 3>a whole generation of as you well know from Girl

0:37:22.719 --> 0:37:26.319
<v Speaker 3>Mets World, there's a whole generation of former kids now

0:37:26.360 --> 0:37:29.640
<v Speaker 3>adults who are suddenly hitting the demo, the age demographic

0:37:29.680 --> 0:37:32.640
<v Speaker 3>who are used to watching their comedies their half hours

0:37:32.680 --> 0:37:35.720
<v Speaker 3>in multicam format because they wrop on hand in Montana,

0:37:35.800 --> 0:37:38.880
<v Speaker 3>Shake It Up Live in Mattie, Girl Meets World, and

0:37:38.960 --> 0:37:43.319
<v Speaker 3>now they're suddenly in the uh in the demographic. And

0:37:43.360 --> 0:37:47.600
<v Speaker 3>if you notice, there are more multicams on network primetime

0:37:47.640 --> 0:37:50.439
<v Speaker 3>now than there have been in years. I think part

0:37:50.480 --> 0:37:55.280
<v Speaker 3>of that is because they're significantly cheaper. You get to

0:37:55.360 --> 0:37:58.680
<v Speaker 3>try out stuff multiple times before you lock in on

0:37:58.760 --> 0:38:01.279
<v Speaker 3>it with single cams, and I love single cam shows

0:38:01.280 --> 0:38:05.400
<v Speaker 3>as well, but you have to know exactly what is

0:38:05.400 --> 0:38:07.200
<v Speaker 3>going to work and what is not going to work

0:38:08.120 --> 0:38:11.799
<v Speaker 3>before you shoot it, and then hope what you want

0:38:11.920 --> 0:38:14.080
<v Speaker 3>and then or hope you can fix it and post

0:38:14.320 --> 0:38:17.680
<v Speaker 3>and I don't know. There's just something about that magic

0:38:17.719 --> 0:38:19.920
<v Speaker 3>of being up in front of an audience that I

0:38:19.960 --> 0:38:25.560
<v Speaker 3>always love with a multiicam, and it feels more like

0:38:25.560 --> 0:38:28.319
<v Speaker 3>it's part of your family, like they're kind of there

0:38:28.400 --> 0:38:31.200
<v Speaker 3>that single cams like, oh, I'm watching a tiny movie

0:38:31.200 --> 0:38:34.520
<v Speaker 3>about people on TV. With multicams, it's like, oh, you're

0:38:34.719 --> 0:38:36.520
<v Speaker 3>you're watching a live play every week.

0:38:36.320 --> 0:38:38.040
<v Speaker 4>And you're yeah, you're in the house. It feels like

0:38:38.080 --> 0:38:39.880
<v Speaker 4>you're there in the house. So that's really interesting.

0:38:39.880 --> 0:38:41.880
<v Speaker 1>I've never thought about it that way, and we've kind

0:38:41.880 --> 0:38:43.439
<v Speaker 1>of said a version of that, but I never thought

0:38:43.440 --> 0:38:47.200
<v Speaker 1>about the fact that it's multiicam liveness actually makes it

0:38:47.480 --> 0:38:50.480
<v Speaker 1>even though it's more presentational, it makes it feel more

0:38:51.080 --> 0:38:51.600
<v Speaker 1>in person.

0:38:51.680 --> 0:38:52.640
<v Speaker 4>That's super interesting.

0:38:53.000 --> 0:38:57.040
<v Speaker 3>More in person, and it feels like it feels like

0:38:57.239 --> 0:39:00.719
<v Speaker 3>someone you can know instead of someone you can experience

0:39:00.800 --> 0:39:03.600
<v Speaker 3>on TV. It's it's a different feel to it that

0:39:05.920 --> 0:39:10.240
<v Speaker 3>I feel like you your audience is more invested because

0:39:10.239 --> 0:39:10.480
<v Speaker 3>of that.

0:39:10.960 --> 0:39:12.480
<v Speaker 7>Yeah, especially younger audiences.

0:39:25.120 --> 0:39:27.360
<v Speaker 6>So something we haven't talked about on the show before,

0:39:27.520 --> 0:39:30.520
<v Speaker 6>but that I wanted to ask you, do you remember

0:39:30.760 --> 0:39:33.880
<v Speaker 6>when the entire cast and crew was on lockdown at

0:39:33.960 --> 0:39:36.839
<v Speaker 6>KTLA because there was a shooter on the roof.

0:39:37.600 --> 0:39:44.280
<v Speaker 3>Was my first day of whoa welcome shoh my gosh, okay,

0:39:44.320 --> 0:39:48.040
<v Speaker 3>please tell us your first day of work story. The

0:39:48.080 --> 0:39:50.680
<v Speaker 3>first run over to Michael Jacob's off is when I

0:39:50.719 --> 0:39:53.640
<v Speaker 3>realized I think they hearrd the wrong person. Second time

0:39:53.680 --> 0:39:56.239
<v Speaker 3>I go over and I get a call saying, yeah,

0:39:56.360 --> 0:39:58.680
<v Speaker 3>don't don't bother coming back, and I thought for sure

0:39:58.960 --> 0:40:01.239
<v Speaker 3>we figured it out. I'm then they figured who the

0:40:01.280 --> 0:40:03.680
<v Speaker 3>other guy is gonna be actually want to hire, and

0:40:03.719 --> 0:40:06.239
<v Speaker 3>then they're like, there's a sniper on the top of

0:40:06.239 --> 0:40:10.520
<v Speaker 3>the Metropolitan Hotel, so you can go home. So I

0:40:10.600 --> 0:40:13.239
<v Speaker 3>was done by two o'clock that first day. I'm like,

0:40:13.280 --> 0:40:14.920
<v Speaker 3>this has been a very uh.

0:40:15.000 --> 0:40:19.759
<v Speaker 4>Strange Oh wow, I don't remember this at all. I

0:40:19.760 --> 0:40:21.719
<v Speaker 4>don't remember this at all either. We've talked about this

0:40:21.719 --> 0:40:24.360
<v Speaker 4>a number of times. Yeah, were we part of the lockdown?

0:40:25.719 --> 0:40:29.080
<v Speaker 6>Do you remember so, John, when you're your first day,

0:40:29.400 --> 0:40:31.600
<v Speaker 6>was it the first day of one of our weeks?

0:40:31.640 --> 0:40:34.160
<v Speaker 6>Like was it a Friday? And then you're was this

0:40:34.400 --> 0:40:36.680
<v Speaker 6>was the lockdown on a Monday? I'm trying to figure

0:40:36.719 --> 0:40:40.239
<v Speaker 6>out if it was the start of an episode or

0:40:40.280 --> 0:40:41.560
<v Speaker 6>were you in the middle of the week, because I'm

0:40:41.560 --> 0:40:43.239
<v Speaker 6>trying to really like, where would we have been at

0:40:43.280 --> 0:40:43.800
<v Speaker 6>two pm?

0:40:44.360 --> 0:40:47.719
<v Speaker 3>If I remember right, it was one of the four

0:40:47.800 --> 0:40:50.000
<v Speaker 3>days before, because Friday was table Reday.

0:40:50.120 --> 0:40:51.600
<v Speaker 4>Yes, four days.

0:40:51.400 --> 0:40:55.439
<v Speaker 3>And if again, going back many, many, many many decades here,

0:40:56.000 --> 0:41:00.720
<v Speaker 3>if I recall correctly, you were there Danielle banking school

0:41:00.719 --> 0:41:04.200
<v Speaker 3>hours before because she's very studious.

0:41:03.680 --> 0:41:05.080
<v Speaker 5>Very studious. I was very studious.

0:41:05.120 --> 0:41:06.640
<v Speaker 3>Yeah, I don't know who the rest of the cast

0:41:06.800 --> 0:41:07.280
<v Speaker 3>was there.

0:41:08.280 --> 0:41:10.560
<v Speaker 1>Okay, so you might have just been having a school

0:41:10.640 --> 0:41:12.920
<v Speaker 1>day to bank hours for the next week when we

0:41:12.920 --> 0:41:14.160
<v Speaker 1>were on hiatus or something.

0:41:14.520 --> 0:41:18.120
<v Speaker 5>But during hiatus weeks, I always I would.

0:41:17.880 --> 0:41:20.080
<v Speaker 6>Have always, I would have gone back to my regular school.

0:41:20.840 --> 0:41:22.239
<v Speaker 6>And if it were yeah, So I don't know.

0:41:22.320 --> 0:41:24.080
<v Speaker 5>I mean I have either. The funny thing is I

0:41:24.120 --> 0:41:25.560
<v Speaker 5>have a vague.

0:41:25.920 --> 0:41:28.359
<v Speaker 6>Very vague recollection of it. But there was a lot

0:41:28.400 --> 0:41:30.000
<v Speaker 6>of action when we were at KTLA.

0:41:30.560 --> 0:41:32.360
<v Speaker 4>Yeah, because of where we were. Well, that was the

0:41:32.400 --> 0:41:35.640
<v Speaker 4>same day that rider. Ironically, you were on the roof

0:41:35.719 --> 0:41:36.520
<v Speaker 4>of the Metropolitan.

0:41:37.480 --> 0:41:42.200
<v Speaker 2>You told me, you told me that remember that that day.

0:41:42.640 --> 0:41:47.000
<v Speaker 4>It was rightful Monday. We kind of snapped, right.

0:41:46.840 --> 0:41:48.520
<v Speaker 5>I knew that half of it. I'm trying to remember

0:41:48.560 --> 0:41:51.480
<v Speaker 5>the other part of it, you know, the terror.

0:41:52.120 --> 0:41:52.160
<v Speaker 7>No.

0:41:52.320 --> 0:41:54.920
<v Speaker 2>I just remember when we first went to KTLA because

0:41:54.920 --> 0:41:57.840
<v Speaker 2>it was like, hey, which strip club should we go

0:41:57.920 --> 0:41:58.640
<v Speaker 2>to for lunch?

0:41:59.680 --> 0:42:01.480
<v Speaker 4>Because it was like it was such a different We

0:42:01.520 --> 0:42:02.840
<v Speaker 4>went through the Disney.

0:42:03.400 --> 0:42:05.600
<v Speaker 2>Yeah, like literally the squirrels would come up to you

0:42:05.640 --> 0:42:08.759
<v Speaker 2>and like feed you grapes themselves to k t l

0:42:08.840 --> 0:42:11.400
<v Speaker 2>A where it was like, hey, wow, I got heppatitis.

0:42:11.640 --> 0:42:13.400
<v Speaker 4>So it was.

0:42:13.080 --> 0:42:14.880
<v Speaker 5>Where the old spaghetti factory was.

0:42:15.560 --> 0:42:22.400
<v Speaker 6>Yes, yeah, the old spaghetti factory.

0:42:19.960 --> 0:42:22.120
<v Speaker 3>Factory that out in front had daytime hookers.

0:42:22.480 --> 0:42:26.879
<v Speaker 6>Yes, not to be confused with night time hookers.

0:42:26.880 --> 0:42:27.640
<v Speaker 8>If the.

0:42:29.400 --> 0:42:36.000
<v Speaker 4>Afternoon, yeah, if you're working the day shift. Yikes.

0:42:36.280 --> 0:42:40.880
<v Speaker 6>Okay, So you mentioned run throughs.

0:42:40.920 --> 0:42:42.680
<v Speaker 5>Were you ever did you get to be on set

0:42:42.680 --> 0:42:44.560
<v Speaker 5>for run throughs? Did you get to watch them?

0:42:45.000 --> 0:42:45.080
<v Speaker 4>Not?

0:42:45.160 --> 0:42:48.880
<v Speaker 3>They wanted people down there for the the reaction.

0:42:50.280 --> 0:42:52.360
<v Speaker 5>What do you remember about the three of us? You

0:42:52.400 --> 0:42:55.040
<v Speaker 5>can be honest, God, you guys are all great.

0:42:55.120 --> 0:42:57.080
<v Speaker 3>I literally I wish I had some crubby things to

0:42:57.120 --> 0:42:59.960
<v Speaker 3>say about you.

0:42:59.880 --> 0:43:02.440
<v Speaker 5>You make something up, Just make up one crummy thing

0:43:02.440 --> 0:43:03.040
<v Speaker 5>about Rider.

0:43:04.680 --> 0:43:06.640
<v Speaker 4>We just made him an active shooter. Make it up

0:43:06.640 --> 0:43:06.960
<v Speaker 4>about me.

0:43:07.080 --> 0:43:08.640
<v Speaker 5>You're right, Okay, make it about well.

0:43:10.120 --> 0:43:13.080
<v Speaker 3>A play several years ago where you did the Graduate

0:43:13.120 --> 0:43:13.839
<v Speaker 3>with Jerry Hall.

0:43:14.200 --> 0:43:16.800
<v Speaker 7>Oh, yes, theater years ago. I was like, I know

0:43:16.920 --> 0:43:17.239
<v Speaker 7>that guy.

0:43:17.280 --> 0:43:18.400
<v Speaker 3>Look at him, he's all grown up.

0:43:18.440 --> 0:43:24.880
<v Speaker 2>Now do you play the guitar and or the keyboard?

0:43:25.360 --> 0:43:28.200
<v Speaker 3>I do not. My son does. My son is a

0:43:28.239 --> 0:43:29.600
<v Speaker 3>fantastic drummer.

0:43:29.719 --> 0:43:31.239
<v Speaker 4>And that's the whole thing.

0:43:31.320 --> 0:43:33.560
<v Speaker 3>The thing but it makes me look a lot cooler

0:43:33.560 --> 0:43:35.520
<v Speaker 3>to have something that.

0:43:35.800 --> 0:43:38.960
<v Speaker 6>So you mentioned that you're still close to Mark Blutman, uh,

0:43:39.000 --> 0:43:41.279
<v Speaker 6>and one of an other person you met on Boy

0:43:41.280 --> 0:43:41.680
<v Speaker 6>Meets World?

0:43:41.680 --> 0:43:42.880
<v Speaker 5>Who else are you still close to?

0:43:43.760 --> 0:43:47.080
<v Speaker 3>Uh? Well, the the cool thing is there's been two

0:43:47.080 --> 0:43:51.560
<v Speaker 3>different times when like the writers from Boyme's World have

0:43:51.640 --> 0:43:55.880
<v Speaker 3>kind of re entered my life later on, which like when, uh,

0:43:56.200 --> 0:43:57.600
<v Speaker 3>because Michael likes to keep.

0:43:57.480 --> 0:43:58.600
<v Speaker 7>His people around.

0:44:00.280 --> 0:44:00.400
<v Speaker 9>Uh.

0:44:02.280 --> 0:44:04.120
<v Speaker 3>Years later, when I had kind of moved up the

0:44:04.160 --> 0:44:07.719
<v Speaker 3>ranks and had become an executive producer on according to Jim,

0:44:07.840 --> 0:44:12.439
<v Speaker 3>Michael did a show called Misery Loves Company I believe, yeah,

0:44:12.960 --> 0:44:16.440
<v Speaker 3>and they were going to air after according to Gym

0:44:16.440 --> 0:44:20.239
<v Speaker 3>when they launched, and they the cast was supposed to

0:44:20.280 --> 0:44:22.400
<v Speaker 3>come to our set to shoot promos for their launch

0:44:23.960 --> 0:44:25.839
<v Speaker 3>and at the time I had no idea who what

0:44:25.960 --> 0:44:27.719
<v Speaker 3>Misery Loves Company was. I just knew that they were

0:44:27.719 --> 0:44:32.239
<v Speaker 3>coming in. And behind the actors comes all the guys

0:44:32.280 --> 0:44:33.839
<v Speaker 3>I used to get lunch for. I'm like, oh my god,

0:44:33.880 --> 0:44:37.640
<v Speaker 3>that's Bluckman and Matt Nelson. Well, and they came walking

0:44:37.680 --> 0:44:40.239
<v Speaker 3>in and like, I'm like, oh my god, this is

0:44:40.239 --> 0:44:42.680
<v Speaker 3>so cool that they're like over here now and they're like, oh, hey,

0:44:42.719 --> 0:44:45.640
<v Speaker 3>could we do It would be okay if we I'm like,

0:44:46.360 --> 0:44:50.239
<v Speaker 3>why are you talking like that? Gonna make you a sandwich? Like.

0:44:52.120 --> 0:44:53.759
<v Speaker 3>It was cool to see them then and kind of

0:44:53.800 --> 0:45:00.680
<v Speaker 3>reconnected then. And then when my writing part I created

0:45:00.680 --> 0:45:03.800
<v Speaker 3>a show on Disney Channel called liv and Maddie. We

0:45:03.880 --> 0:45:07.319
<v Speaker 3>were doing liv and Maddie season two when Girls World

0:45:07.320 --> 0:45:11.600
<v Speaker 3>got picked up. So Michael and you know, Blutman and

0:45:12.160 --> 0:45:17.279
<v Speaker 3>Manel and and uh ended up coming to set to

0:45:17.360 --> 0:45:20.359
<v Speaker 3>kind of learn the ways of Disney Channel, which has

0:45:20.360 --> 0:45:21.400
<v Speaker 3>a bit of a learning curve.

0:45:21.760 --> 0:45:22.680
<v Speaker 5>Yeah, So it.

0:45:22.719 --> 0:45:25.560
<v Speaker 3>Was again cool to just kind of intersect with these

0:45:25.560 --> 0:45:29.640
<v Speaker 3>guys who I respected incredibly and have such fond memories for.

0:45:29.760 --> 0:45:32.000
<v Speaker 3>And then they they got to come see me all

0:45:32.000 --> 0:45:33.800
<v Speaker 3>grown up, which was nice. So cool.

0:45:34.800 --> 0:45:35.600
<v Speaker 5>That's so cool.

0:45:35.800 --> 0:45:39.600
<v Speaker 6>AU what a great full circle moment to be having

0:45:39.640 --> 0:45:43.080
<v Speaker 6>been the PA bringing those guys kuckaroo and now being

0:45:43.080 --> 0:45:45.560
<v Speaker 6>the person who says, yes, allow them to come on

0:45:45.800 --> 0:45:48.680
<v Speaker 6>and see my set and let me teach them and

0:45:48.760 --> 0:45:50.840
<v Speaker 6>guide them into what they're.

0:45:50.640 --> 0:45:51.759
<v Speaker 5>About ready to embark on.

0:45:51.800 --> 0:45:52.800
<v Speaker 4>That is so cool.

0:45:52.880 --> 0:45:54.640
<v Speaker 5>That's such a great moment.

0:45:54.800 --> 0:45:58.520
<v Speaker 3>Right there was the Boy Means World reunion strike, Yes,

0:45:58.640 --> 0:46:01.440
<v Speaker 3>and I got into that, and so I Cuckreo was

0:46:01.480 --> 0:46:02.960
<v Speaker 3>no longer around anymore. So I went and got a

0:46:02.960 --> 0:46:07.200
<v Speaker 3>box of stonnuts and wrote Cuckreo on the top and

0:46:07.680 --> 0:46:10.400
<v Speaker 3>he is your.

0:46:10.280 --> 0:46:12.200
<v Speaker 4>That is just so cool?

0:46:12.960 --> 0:46:13.560
<v Speaker 5>Do you think?

0:46:13.640 --> 0:46:15.600
<v Speaker 6>And I'm sure the answer is yes, but I want

0:46:15.600 --> 0:46:18.080
<v Speaker 6>to hear it from you. Do you think having been

0:46:18.200 --> 0:46:22.959
<v Speaker 6>a PA yourself impacted the way you then lead a show,

0:46:23.120 --> 0:46:25.240
<v Speaker 6>run a show, the way you interact with people?

0:46:25.719 --> 0:46:26.840
<v Speaker 5>Were there? Did you?

0:46:26.880 --> 0:46:28.719
<v Speaker 6>Did you walk away from that going I know I

0:46:28.760 --> 0:46:32.280
<v Speaker 6>am always going to treat people with respect and kindness.

0:46:32.880 --> 0:46:35.520
<v Speaker 3>It is yes.

0:46:36.520 --> 0:46:37.480
<v Speaker 7>There.

0:46:38.160 --> 0:46:43.759
<v Speaker 3>One of my all time heroes in uh in television

0:46:43.880 --> 0:46:46.920
<v Speaker 3>is a guy with the name of Gary Marshall cast

0:46:46.920 --> 0:46:49.800
<v Speaker 3>a Happy Days did guest on Boy Meets World the

0:46:49.880 --> 0:46:53.719
<v Speaker 3>year I was really cool. Yeah, And Gary had a

0:46:53.800 --> 0:47:00.000
<v Speaker 3>saying that I think about constantly in this business. He said,

0:47:00.040 --> 0:47:03.360
<v Speaker 3>it's nice to be important, but it's more important to

0:47:03.360 --> 0:47:09.640
<v Speaker 3>be nice. And I think that is hugely important, especially

0:47:09.680 --> 0:47:16.160
<v Speaker 3>in especially in the entertainment business, because it can be

0:47:16.200 --> 0:47:21.240
<v Speaker 3>so high stress, and it can be a place where

0:47:22.560 --> 0:47:28.520
<v Speaker 3>nerves are afraid, and it's creative people who are trying

0:47:28.560 --> 0:47:32.640
<v Speaker 3>to make things the best they could possibly make it,

0:47:32.719 --> 0:47:36.160
<v Speaker 3>and tempers can flare. But at the end of the day,

0:47:36.880 --> 0:47:41.560
<v Speaker 3>everybody's like, everybody from top to bottom, if you staffed

0:47:41.600 --> 0:47:43.920
<v Speaker 3>your show correctly, is trying to do a great job

0:47:44.880 --> 0:47:51.799
<v Speaker 3>for your show, your product, and everybody deserves the same

0:47:51.880 --> 0:47:56.359
<v Speaker 3>respect that you hope you got when you were still

0:47:56.360 --> 0:47:59.080
<v Speaker 3>starting out or when you were you know, whether you

0:47:59.080 --> 0:48:00.960
<v Speaker 3>have screwed something up up or whether you which by

0:48:00.960 --> 0:48:02.080
<v Speaker 3>the way, I did a lot when I was a

0:48:02.080 --> 0:48:08.080
<v Speaker 3>BA or and especially the moments where you thought you

0:48:08.080 --> 0:48:12.759
<v Speaker 3>were doing the right thing and it ends up screwing on.

0:48:13.280 --> 0:48:15.040
<v Speaker 3>But yeah, that's hugely important to me, and it's I

0:48:15.040 --> 0:48:19.920
<v Speaker 3>also remember what it was like to be the person

0:48:20.000 --> 0:48:24.279
<v Speaker 3>who was trying so hard to do a good job

0:48:24.320 --> 0:48:26.440
<v Speaker 3>with what you're doing, but also let you know, like

0:48:27.400 --> 0:48:34.480
<v Speaker 3>I want to do more, and remembering how difficult it

0:48:34.560 --> 0:48:37.840
<v Speaker 3>felt to get in the room, get through the door,

0:48:37.880 --> 0:48:39.480
<v Speaker 3>to get to get to where you want to be.

0:48:40.239 --> 0:48:44.319
<v Speaker 3>And you can't always do that for everybody, but you

0:48:44.320 --> 0:48:46.839
<v Speaker 3>can at least provide an environment where you can learn

0:48:46.960 --> 0:48:50.400
<v Speaker 3>and get yourself a little bit closer. And it takes

0:48:50.719 --> 0:48:53.920
<v Speaker 3>more work on your part as a showrunner to do

0:48:54.080 --> 0:48:58.840
<v Speaker 3>the little things that helped foster the next generation of people,

0:48:58.880 --> 0:49:01.880
<v Speaker 3>but they were done for me and it's been, you know,

0:49:02.880 --> 0:49:07.239
<v Speaker 3>my twenty five year goal to and in counting I

0:49:07.280 --> 0:49:12.400
<v Speaker 3>hoped continue to create that kind of environment for other people.

0:49:12.760 --> 0:49:13.439
<v Speaker 4>Yeah, that's great.

0:49:13.560 --> 0:49:15.880
<v Speaker 2>It's also telling that Gary Marshall is the person who

0:49:15.960 --> 0:49:17.840
<v Speaker 2>said that when he had to deal with personalities on

0:49:17.920 --> 0:49:19.480
<v Speaker 2>things like Lavernon Shirley.

0:49:20.400 --> 0:49:23.440
<v Speaker 3>So about that, as if you guys have worked in

0:49:23.480 --> 0:49:27.359
<v Speaker 3>the Paramount lot, Yeah, yes, Happy Day stage and right

0:49:27.360 --> 0:49:29.680
<v Speaker 3>next door to it was the Lavernon Shirley stage. There's

0:49:29.719 --> 0:49:35.680
<v Speaker 3>literally about this much room between this door and this door. Gary,

0:49:35.719 --> 0:49:39.200
<v Speaker 3>we go from the Laverne and Shirley stage, which was

0:49:39.280 --> 0:49:42.879
<v Speaker 3>the most contentious high drama state ever and literally walk

0:49:42.960 --> 0:49:49.120
<v Speaker 3>into the most beautiful place ever. On Happy Days during

0:49:49.160 --> 0:49:51.960
<v Speaker 3>the pandemic, I was doing a show called Side Hustle,

0:49:52.480 --> 0:49:55.920
<v Speaker 3>which happened to shoot on the Happy Day stage and

0:49:56.000 --> 0:49:58.160
<v Speaker 3>we happen to be in the Happy Day's offices, and

0:49:58.160 --> 0:50:00.000
<v Speaker 3>I realized, oh, I'm in.

0:50:01.080 --> 0:50:03.600
<v Speaker 7>Gary Marshall's writer's room.

0:50:03.960 --> 0:50:06.960
<v Speaker 3>Really difficult, really difficult time, because we were one of

0:50:07.040 --> 0:50:08.600
<v Speaker 3>the first shows that we're kind of up back and

0:50:08.640 --> 0:50:15.960
<v Speaker 3>producing after lockdown, and it was just kind of nice

0:50:16.000 --> 0:50:18.759
<v Speaker 3>to feel that energy and realize, okay, like nerves are

0:50:18.800 --> 0:50:21.120
<v Speaker 3>going to be even higher for people now, so your

0:50:21.200 --> 0:50:28.840
<v Speaker 3>threshold for patience and kindness is going to be really

0:50:28.880 --> 0:50:32.080
<v Speaker 3>important in it. It's kind of nice to feel like

0:50:32.120 --> 0:50:33.520
<v Speaker 3>I was channeling Gary a little bit there.

0:50:34.160 --> 0:50:35.359
<v Speaker 4>That's cool. That's cool.

0:50:36.080 --> 0:50:39.200
<v Speaker 6>Well, for any of our dear listeners who are looking

0:50:39.239 --> 0:50:42.719
<v Speaker 6>to get into the business, how do you tell people, like,

0:50:42.760 --> 0:50:44.360
<v Speaker 6>what do you think the first step is? Do you

0:50:44.400 --> 0:50:47.480
<v Speaker 6>still recommend a PA route? Is that even possible these days?

0:50:47.640 --> 0:50:49.359
<v Speaker 6>What's your advice to young people.

0:50:50.640 --> 0:50:51.680
<v Speaker 7>Look for a PA gig?

0:50:53.440 --> 0:50:57.600
<v Speaker 3>The there used to be a fairly consistent pathway that

0:50:57.680 --> 0:50:59.600
<v Speaker 3>I think. I think the door might have closed right

0:50:59.640 --> 0:51:02.040
<v Speaker 3>as I finally got through it, where you'd work as

0:51:02.040 --> 0:51:04.719
<v Speaker 3>a PA you would then work your way up to

0:51:04.760 --> 0:51:07.200
<v Speaker 3>writer's assistant, and when you're a writer assistant more often

0:51:07.239 --> 0:51:08.520
<v Speaker 3>than not. Then you were in the room and you're

0:51:08.560 --> 0:51:10.239
<v Speaker 3>interacting with writers a little bit, and if you were

0:51:10.239 --> 0:51:12.279
<v Speaker 3>in a cool place, maybe they'd let you pitch a joke,

0:51:12.320 --> 0:51:14.840
<v Speaker 3>maybe they'd let you. But you've got access to outlines,

0:51:14.840 --> 0:51:17.560
<v Speaker 3>you've got access, and more importantly, you've got access to

0:51:17.600 --> 0:51:22.399
<v Speaker 3>the people who are doing the job that you want

0:51:22.400 --> 0:51:25.080
<v Speaker 3>to eventually do. These are the relationships you want to

0:51:25.120 --> 0:51:28.640
<v Speaker 3>build because one of those writers could end up getting

0:51:28.680 --> 0:51:30.359
<v Speaker 3>their own show and bring you in as a script

0:51:30.400 --> 0:51:32.680
<v Speaker 3>coordinator and then maybe get you a script. It's a

0:51:32.719 --> 0:51:35.080
<v Speaker 3>little bit tougher now because rooms are smaller. There are

0:51:35.160 --> 0:51:38.520
<v Speaker 3>less rooms, so those opportunities, like the pipeline is not there.

0:51:38.560 --> 0:51:42.440
<v Speaker 3>But still you want to be around the people who

0:51:42.520 --> 0:51:47.000
<v Speaker 3>you eventually want to be if because you're learning how

0:51:47.040 --> 0:51:51.920
<v Speaker 3>to you're learning your craft, you're learning how they carry themselves.

0:51:52.400 --> 0:51:55.399
<v Speaker 3>And you also have somebody who, like a vouch from

0:51:55.400 --> 0:51:57.759
<v Speaker 3>somebody else, is worth his weight in gold in this business,

0:51:58.239 --> 0:52:00.480
<v Speaker 3>whether that's oh, I read this kid's script, it's good,

0:52:00.560 --> 0:52:02.640
<v Speaker 3>or you know what this this this this, this kid

0:52:02.719 --> 0:52:05.480
<v Speaker 3>is a hard worker. You know, we could trust them

0:52:05.520 --> 0:52:07.120
<v Speaker 3>to do little things, so why don't we trust them

0:52:07.160 --> 0:52:10.520
<v Speaker 3>to do the big things? But at the same time,

0:52:11.320 --> 0:52:13.319
<v Speaker 3>in addition to what I talk about, like you got

0:52:13.360 --> 0:52:14.960
<v Speaker 3>you got your job, and you've got to also work

0:52:15.239 --> 0:52:18.320
<v Speaker 3>on your career. I think it's even more important now

0:52:19.200 --> 0:52:24.520
<v Speaker 3>than it has ever been to just be doing stuff

0:52:24.800 --> 0:52:28.800
<v Speaker 3>you cause set yourself apart somehow, whether it's shooting shorts,

0:52:28.800 --> 0:52:33.000
<v Speaker 3>whether it's I mean when I when I was when

0:52:33.040 --> 0:52:36.120
<v Speaker 3>I was a PA and Boy Meets World, I became

0:52:36.280 --> 0:52:39.440
<v Speaker 3>very close friends with Alex Dasaer, and Alex at the

0:52:39.440 --> 0:52:43.040
<v Speaker 3>time was shooting Swingers, which at the time was like,

0:52:43.080 --> 0:52:46.839
<v Speaker 3>oh yeah, they got this this little this movie thing

0:52:46.880 --> 0:52:49.520
<v Speaker 3>that we're also kind of shooting. That became such a

0:52:49.560 --> 0:52:53.120
<v Speaker 3>huge thing and launched so many careers. That's the kind

0:52:53.160 --> 0:52:55.600
<v Speaker 3>of thing people need to be doing now, because it's

0:52:55.640 --> 0:52:58.520
<v Speaker 3>always it's really hard to get somebody.

0:52:58.239 --> 0:53:00.640
<v Speaker 7>To read something, to sit down descript.

0:53:00.680 --> 0:53:03.600
<v Speaker 3>It's much easier to get somebody to watch something that

0:53:03.640 --> 0:53:05.480
<v Speaker 3>you've sent them, and it's so much easier to kind

0:53:05.480 --> 0:53:07.960
<v Speaker 3>of get that out there and distribute it now than

0:53:07.960 --> 0:53:12.279
<v Speaker 3>it used to be. I always feel that's the kind

0:53:12.320 --> 0:53:14.160
<v Speaker 3>of thing that gets you noticed more than anything now.

0:53:16.680 --> 0:53:22.280
<v Speaker 3>Nothing nothing replaces being in a room and being around

0:53:23.360 --> 0:53:27.439
<v Speaker 3>a staff of people and proving yourself to be invaluable.

0:53:28.239 --> 0:53:31.839
<v Speaker 3>But if you don't have that access, producing something that

0:53:31.880 --> 0:53:35.760
<v Speaker 3>you can get to people is also just as fantastic.

0:53:35.800 --> 0:53:36.440
<v Speaker 3>And if you can do.

0:53:36.400 --> 0:53:39.960
<v Speaker 4>Both, great, right, that's great, John.

0:53:40.040 --> 0:53:41.960
<v Speaker 6>As I mentioned in your intro, which you didn't get

0:53:41.960 --> 0:53:44.440
<v Speaker 6>to hear, but I mentioned all several of the shows

0:53:44.480 --> 0:53:47.399
<v Speaker 6>you have been an executive producer for, one of which

0:53:47.440 --> 0:53:51.320
<v Speaker 6>is Fuller House, and also many shows that you've.

0:53:51.120 --> 0:53:52.359
<v Speaker 5>Created and show Ran.

0:53:53.480 --> 0:53:55.560
<v Speaker 6>I want to thank you so much for spending your

0:53:55.680 --> 0:53:59.440
<v Speaker 6>time here with us today. You are far more successful

0:53:59.520 --> 0:54:03.200
<v Speaker 6>than our little podcast and I'm just we are so

0:54:03.239 --> 0:54:05.680
<v Speaker 6>appreciative that you came and spent time with us today.

0:54:05.880 --> 0:54:08.480
<v Speaker 6>And also i'd love to know what are you working

0:54:08.520 --> 0:54:11.319
<v Speaker 6>on now? Where can people see your work, what are

0:54:11.360 --> 0:54:13.719
<v Speaker 6>you excited about? Tell us what's in the pipeline for

0:54:13.800 --> 0:54:15.279
<v Speaker 6>you that we can get behind and root for.

0:54:15.680 --> 0:54:17.400
<v Speaker 7>Well, First of all, thank you guys for having me.

0:54:17.480 --> 0:54:19.600
<v Speaker 3>This is something that David Kendall's talked to me about

0:54:19.640 --> 0:54:21.160
<v Speaker 3>and Mark Bluman's talked to me about. A couple of

0:54:21.160 --> 0:54:22.640
<v Speaker 3>people are like, I don't want to talk to me.

0:54:22.680 --> 0:54:24.520
<v Speaker 5>I was just not true.

0:54:24.960 --> 0:54:29.200
<v Speaker 3>I will say I was incredibly nervous to come on.

0:54:30.440 --> 0:54:32.960
<v Speaker 3>I didn't realize I would be as nervous as I was.

0:54:33.040 --> 0:54:36.400
<v Speaker 3>So thank you. That dream you have when you go

0:54:36.440 --> 0:54:37.879
<v Speaker 3>back to high school and you're like, oh my gosh,

0:54:37.920 --> 0:54:39.560
<v Speaker 3>everybody thought it was a jerk. I have no idea.

0:54:41.160 --> 0:54:44.200
<v Speaker 3>So nice to come back and see some faces who

0:54:44.280 --> 0:54:47.200
<v Speaker 3>I remember very finally and to find out that you

0:54:47.280 --> 0:54:49.560
<v Speaker 3>either didn't remember me or remember me finally.

0:54:49.400 --> 0:54:52.760
<v Speaker 5>Either right, you'll take either.

0:54:54.600 --> 0:54:57.920
<v Speaker 3>Most recently, I was doing two different shows for Nickelodeon.

0:54:58.000 --> 0:54:59.640
<v Speaker 3>I was doing a show called Back Rolele and a

0:54:59.640 --> 0:55:03.200
<v Speaker 3>show Side Hustle, kind of out pitching and developing. Right

0:55:03.239 --> 0:55:07.759
<v Speaker 3>now project I've been taken out with Jody Sweeten. I'm

0:55:07.800 --> 0:55:10.960
<v Speaker 3>kind of waiting to hear on that and you know,

0:55:11.160 --> 0:55:13.040
<v Speaker 3>just just kind of out hooking it. Well.

0:55:13.040 --> 0:55:16.440
<v Speaker 6>We are big fans of Jody here so and big

0:55:16.480 --> 0:55:18.840
<v Speaker 6>fans of yours as well, So I can't wait to

0:55:18.880 --> 0:55:21.200
<v Speaker 6>hear where that ends up. We will be We would

0:55:21.280 --> 0:55:23.880
<v Speaker 6>love to have you guys back on whenever that goes somewhere.

0:55:23.920 --> 0:55:25.440
<v Speaker 6>We will have you back on to talk about it

0:55:25.480 --> 0:55:27.520
<v Speaker 6>and promote it and get our dear listeners to watch

0:55:27.520 --> 0:55:29.280
<v Speaker 6>it with us.

0:55:29.560 --> 0:55:30.319
<v Speaker 3>How nice would that be?

0:55:30.640 --> 0:55:33.360
<v Speaker 6>Yes, that's that's the hope. So, John thank you again

0:55:33.400 --> 0:55:34.560
<v Speaker 6>for spending your time with us.

0:55:34.680 --> 0:55:36.839
<v Speaker 7>Well, thank you guys for having me. I really appreciate it.

0:55:37.200 --> 0:55:41.440
<v Speaker 4>Thank you great to see you. Bye bye.

0:55:41.920 --> 0:55:45.759
<v Speaker 6>It's always so nice when you talk to people who

0:55:45.960 --> 0:55:50.280
<v Speaker 6>are like him, and it just absolutely seems like something's

0:55:50.360 --> 0:55:53.200
<v Speaker 6>right in the universe when a guy like that starts

0:55:53.200 --> 0:55:55.279
<v Speaker 6>as a PA and then makes it to a showrunner.

0:55:55.320 --> 0:55:59.680
<v Speaker 5>You know, just the kindest, nicest.

0:55:59.320 --> 0:56:03.040
<v Speaker 1>Hardest work I work. The way that he's able to

0:56:03.120 --> 0:56:06.680
<v Speaker 1>articulate the whole job career, I mean, it's so smart,

0:56:06.800 --> 0:56:10.000
<v Speaker 1>like God, and like so many people I think, you know,

0:56:10.320 --> 0:56:11.880
<v Speaker 1>think that oh I can just be a PA and

0:56:12.000 --> 0:56:15.120
<v Speaker 1>just that's it and then the job ends or they

0:56:15.120 --> 0:56:17.000
<v Speaker 1>stay in the like all the strategies.

0:56:17.040 --> 0:56:19.040
<v Speaker 4>The fact that he kept moving, I'll get a job

0:56:19.040 --> 0:56:20.440
<v Speaker 4>over here because I got to know more people like

0:56:20.480 --> 0:56:22.880
<v Speaker 4>that's so smart. I know, I don't know, the deserve

0:56:23.000 --> 0:56:23.520
<v Speaker 4>is the same.

0:56:23.600 --> 0:56:25.480
<v Speaker 2>I hope the business is the same where that's still,

0:56:25.520 --> 0:56:27.440
<v Speaker 2>like he said, a pathway to success where you can

0:56:27.560 --> 0:56:29.480
<v Speaker 2>still do I mean, look any way.

0:56:29.320 --> 0:56:31.840
<v Speaker 4>In is the way in right, right? Of course? Yeah?

0:56:31.880 --> 0:56:34.239
<v Speaker 1>So, but I just you know, the saddest thing is

0:56:34.280 --> 0:56:36.040
<v Speaker 1>just that there's not as much being made.

0:56:36.000 --> 0:56:39.800
<v Speaker 6>Like that's just ninety sitcoms.

0:56:39.120 --> 0:56:43.320
<v Speaker 5>On the sports television down to six in like eight seasons.

0:56:43.440 --> 0:56:46.319
<v Speaker 1>Yeah, and then you get their Kardashians guys. You know

0:56:46.360 --> 0:56:48.160
<v Speaker 1>we get the payoff the Apprentice.

0:56:48.280 --> 0:56:53.839
<v Speaker 4>You know, well, I miss Lavert and surely they used

0:56:53.880 --> 0:56:55.600
<v Speaker 4>to get that. Set was such a nightmare.

0:56:55.760 --> 0:56:59.520
<v Speaker 2>They used to count each other's lines, and if one

0:56:59.560 --> 0:57:01.400
<v Speaker 2>of them had had one line more.

0:57:01.400 --> 0:57:02.880
<v Speaker 4>They wouldn't come out of their dressing room.

0:57:03.440 --> 0:57:06.000
<v Speaker 2>They had to write the script to where both the

0:57:06.120 --> 0:57:09.120
<v Speaker 2>actors had exactly the same number of lines.

0:57:09.160 --> 0:57:10.040
<v Speaker 4>Can you imagine that?

0:57:11.000 --> 0:57:15.360
<v Speaker 5>Oh, you know what, I want enough time to care.

0:57:15.520 --> 0:57:17.360
<v Speaker 4>About that, right right?

0:57:17.680 --> 0:57:18.840
<v Speaker 5>Could you imagine the.

0:57:18.920 --> 0:57:22.120
<v Speaker 6>Kind of free time you must have to count your

0:57:22.240 --> 0:57:25.000
<v Speaker 6>life and your line, not just count yours to see

0:57:25.000 --> 0:57:25.760
<v Speaker 6>where you stand?

0:57:26.120 --> 0:57:28.280
<v Speaker 5>What about the other person?

0:57:29.160 --> 0:57:32.040
<v Speaker 4>I couldn't imagine. I couldn't imagine.

0:57:32.280 --> 0:57:35.000
<v Speaker 5>Yeah, I just like to poop alone. That'd be nice.

0:57:35.240 --> 0:57:39.000
<v Speaker 5>If I could just poop alone, ever, would be so great.

0:57:40.400 --> 0:57:42.240
<v Speaker 6>Thank you all for joining us for this episode of

0:57:42.280 --> 0:57:44.240
<v Speaker 6>Pod Meets World. As always, you can follow us on

0:57:44.240 --> 0:57:46.600
<v Speaker 6>Instagram pod Meets World Show. You can send us your

0:57:46.640 --> 0:57:49.360
<v Speaker 6>emails at podmeets World Show at gmail dot com.

0:57:49.680 --> 0:57:51.280
<v Speaker 5>And we've got merch.

0:57:51.680 --> 0:57:54.200
<v Speaker 4>Who are you pooping with merch?

0:57:54.560 --> 0:58:01.080
<v Speaker 6>Children of the mails in this house, I can't be

0:58:01.200 --> 0:58:03.560
<v Speaker 6>away from me, and Indy.

0:58:03.400 --> 0:58:05.480
<v Speaker 1>Is finally at the age where he does not walk

0:58:05.520 --> 0:58:07.880
<v Speaker 1>in on me in the bathroom. I'm like, I've yelled

0:58:07.880 --> 0:58:10.680
<v Speaker 1>and screamed so many times and it's like, finally I am.

0:58:10.840 --> 0:58:13.360
<v Speaker 1>I am able to go without having to lock the door,

0:58:13.400 --> 0:58:14.600
<v Speaker 1>which is what I used to have to do. I'm

0:58:14.640 --> 0:58:16.200
<v Speaker 1>just I'm locking the door, dude.

0:58:16.400 --> 0:58:18.640
<v Speaker 6>Yes, yes, But the worst part is even if you

0:58:18.640 --> 0:58:21.440
<v Speaker 6>lock the door, then it's still banging, handle, jiggling.

0:58:21.560 --> 0:58:26.120
<v Speaker 2>Please, Mommy, hoop it alone, merch.

0:58:26.560 --> 0:58:27.360
<v Speaker 4>That's where we're going.

0:58:27.600 --> 0:58:31.640
<v Speaker 6>Pod meets World show dot Com will send us out.

0:58:31.920 --> 0:58:34.720
<v Speaker 4>We love you all. Pod dismissed sentences.

0:58:34.880 --> 0:58:39.240
<v Speaker 1>No one ever thought they'd hear from Tippega.

0:58:40.440 --> 0:58:43.160
<v Speaker 2>Pod Meats World is Myheart podcast produced and hosted by

0:58:43.280 --> 0:58:47.400
<v Speaker 2>Danielle Fischel, Wilfredell and Ryder Strong. Executive producers, Jensen Carp

0:58:47.440 --> 0:58:50.720
<v Speaker 2>and Amy Sugarman, Executive in charge of production, Danielle Romo,

0:58:51.040 --> 0:58:55.320
<v Speaker 2>producer and editor, Tara Sudbaksh, producer, Maddy Moore, engineer and

0:58:55.360 --> 0:58:58.000
<v Speaker 2>boy Me's World super fan Easton Allen. Our theme song

0:58:58.080 --> 0:59:00.160
<v Speaker 2>is by Kyle Morton of Typhoon and you can fillow

0:59:00.200 --> 0:59:02.880
<v Speaker 2>us on Instagram at Podmets World Show or email us

0:59:02.920 --> 0:59:06.920
<v Speaker 2>at Podmetsworldshow at gmail dot com