1 00:00:02,360 --> 00:00:05,080 Speaker 1: For what would you talk about on your on your podcast, 2 00:00:05,360 --> 00:00:17,800 Speaker 1: Firm Present Minute Morning Show. Who's gonna start? You just did? 3 00:00:17,920 --> 00:00:20,800 Speaker 1: Did it? You're standing by the gold mic? Yeah, so no, 4 00:00:20,960 --> 00:00:22,520 Speaker 1: you have to introduce the topic, but you got it 5 00:00:22,560 --> 00:00:23,840 Speaker 1: when you start. I feel like you got to bring 6 00:00:23,880 --> 00:00:29,160 Speaker 1: the energy. Who's gonna start the podcast? A little too much? Energy? Much? 7 00:00:29,160 --> 00:00:33,240 Speaker 1: A little much. We're excited it's a Monday. Excited for Monday. 8 00:00:33,800 --> 00:00:37,919 Speaker 1: Consider it for yourself. I'm not excited at all. I 9 00:00:37,960 --> 00:00:40,200 Speaker 1: took my pills last night and I was out. Man, 10 00:00:40,680 --> 00:00:43,080 Speaker 1: I would have slept until ten today. I'm actually kind 11 00:00:43,080 --> 00:00:45,479 Speaker 1: of awake because we're getting some great weather here in 12 00:00:45,520 --> 00:00:51,360 Speaker 1: the Northeast, so yeah, it's cold again. My apartment was like, 13 00:00:51,479 --> 00:00:55,040 Speaker 1: damn it, I have to put a brawn. Gi Gandhi 14 00:00:55,080 --> 00:00:57,800 Speaker 1: has refuted everything you've said thus far into podcast. I 15 00:00:57,840 --> 00:01:04,680 Speaker 1: literally had to put a brawl. Think morning show, imagine 16 00:01:04,680 --> 00:01:07,119 Speaker 1: that would be the morning show from hell. I've worked 17 00:01:07,120 --> 00:01:09,000 Speaker 1: with morning shows that you do not want. A morning 18 00:01:09,040 --> 00:01:12,119 Speaker 1: show like host, a co host, like each other each other. 19 00:01:12,920 --> 00:01:14,520 Speaker 1: We had one of those in New York. I'm not 20 00:01:14,560 --> 00:01:17,120 Speaker 1: going to mention names, but one of them is the 21 00:01:17,200 --> 00:01:20,240 Speaker 1: sister of a very famous singer. Let's leave it at that. 22 00:01:20,680 --> 00:01:23,480 Speaker 1: But they used to do shows where I guess she 23 00:01:23,640 --> 00:01:26,880 Speaker 1: either wasn't paying attention or I didn't remember how things 24 00:01:26,920 --> 00:01:29,160 Speaker 1: worked in radio. So a lot of times he'd say, 25 00:01:29,319 --> 00:01:31,640 Speaker 1: the male host would say to her, hey, did you 26 00:01:31,640 --> 00:01:34,440 Speaker 1: see that movie yesterday? And you'd hear you know it's radio, right. 27 00:01:34,480 --> 00:01:37,920 Speaker 1: Nodding isn't gonna help anybody. Just to pull back the 28 00:01:37,959 --> 00:01:40,320 Speaker 1: curtain for a second. If you're if you're doing the 29 00:01:40,440 --> 00:01:42,920 Speaker 1: morning show, part of the chemistry is where one person 30 00:01:42,959 --> 00:01:46,600 Speaker 1: throws something out, you don't extinguish it and just like 31 00:01:46,680 --> 00:01:50,200 Speaker 1: totally negate, that's not right. That's the rules of improp, right, 32 00:01:51,960 --> 00:01:55,360 Speaker 1: and you supposed to it right. Like one time we 33 00:01:55,360 --> 00:01:58,279 Speaker 1: were on stage and uh, we were doing an improv 34 00:01:58,320 --> 00:02:03,560 Speaker 1: sketch and to the members of my improv group says, uh, oh, hey, Bill, 35 00:02:03,600 --> 00:02:10,560 Speaker 1: where'd you get that umbrella? He goes, I'm loving Umbrella's 36 00:02:10,600 --> 00:02:15,880 Speaker 1: actually very funny, right, But wanting show, you want to 37 00:02:15,919 --> 00:02:18,040 Speaker 1: co host to play off what you're saying and build 38 00:02:18,120 --> 00:02:20,160 Speaker 1: upon it. And this way you guys can go in 39 00:02:20,280 --> 00:02:24,840 Speaker 1: totally different you can go crazy directions. The possibilities are endless. Yes, 40 00:02:24,960 --> 00:02:32,200 Speaker 1: and are you yes, you're bringing the room down. Well 41 00:02:32,200 --> 00:02:34,200 Speaker 1: I got a question though. Okay, so those parts this 42 00:02:34,320 --> 00:02:37,359 Speaker 1: kind of stuff goes. If somebody says to you, this 43 00:02:37,440 --> 00:02:40,040 Speaker 1: is the story, what is your opinion? Don't you think? 44 00:02:40,480 --> 00:02:43,839 Speaker 1: And you don't think that? Aren't you supposed to disagree? Yeah, 45 00:02:43,880 --> 00:02:48,880 Speaker 1: but you shouldn't go exactly exactly. You need you need 46 00:02:48,960 --> 00:02:51,880 Speaker 1: to provide enough material that the conversation keeps going, because 47 00:02:51,880 --> 00:02:53,360 Speaker 1: I think that's what we do really well, as we 48 00:02:53,400 --> 00:02:55,840 Speaker 1: all have our own opinions, but we're all able to 49 00:02:55,960 --> 00:02:59,000 Speaker 1: articulate them and further the conversation as opposed to just 50 00:02:59,080 --> 00:03:01,480 Speaker 1: shutting it down. Right, So normally on this podcast, if 51 00:03:01,520 --> 00:03:04,720 Speaker 1: we have an idea, the next personal say something, and 52 00:03:04,760 --> 00:03:06,480 Speaker 1: then then this person has an opinion, and then we 53 00:03:06,560 --> 00:03:10,919 Speaker 1: might go off in a different direction. That's amazing, that's great. 54 00:03:11,400 --> 00:03:13,400 Speaker 1: I will tell you living your life like a morning 55 00:03:13,400 --> 00:03:15,640 Speaker 1: show where you embellish and give it you expound on 56 00:03:15,680 --> 00:03:17,480 Speaker 1: answers is not what you want to do in real 57 00:03:17,520 --> 00:03:21,160 Speaker 1: life because when your wife says, did you like that show? 58 00:03:21,200 --> 00:03:23,400 Speaker 1: Did I like it? Well? The acting just tell me 59 00:03:23,440 --> 00:03:25,440 Speaker 1: if you liked it? Like they don't want the seven 60 00:03:25,480 --> 00:03:28,080 Speaker 1: minute break? Do you guys get accused of because I 61 00:03:28,120 --> 00:03:29,760 Speaker 1: do all the time, And I swear I'm not an 62 00:03:29,760 --> 00:03:32,280 Speaker 1: embellish or about stories. Get accused of embellishing because you 63 00:03:32,280 --> 00:03:34,040 Speaker 1: work here, so I'll be telling a story. One of 64 00:03:34,080 --> 00:03:35,520 Speaker 1: your friends is like, I don't really believe that that's 65 00:03:35,520 --> 00:03:37,760 Speaker 1: how it happened. Is that really how it happened. I swear, yeah, 66 00:03:37,800 --> 00:03:39,800 Speaker 1: I get that all the kind I get that all exaggerate. 67 00:03:39,960 --> 00:03:43,600 Speaker 1: By the way, hi Elsa, we exaggerated a million percent 68 00:03:43,640 --> 00:03:47,680 Speaker 1: of the time in a million years. I get that 69 00:03:47,760 --> 00:03:50,600 Speaker 1: all the time. I get that that didn't happen. We're 70 00:03:50,600 --> 00:03:53,840 Speaker 1: talking about it. Called me a show killer. Well, it 71 00:03:54,040 --> 00:03:57,440 Speaker 1: started with the rule of improvisation. Scary was pulling the 72 00:03:57,440 --> 00:03:59,600 Speaker 1: curtain back and explaining how we do things in here 73 00:04:00,040 --> 00:04:02,320 Speaker 1: and how we further the conversation by saying yes. And 74 00:04:02,960 --> 00:04:06,080 Speaker 1: we never just shut down the conversation because because the 75 00:04:06,120 --> 00:04:09,080 Speaker 1: second I said hello this morning, just now on this podcast, 76 00:04:09,840 --> 00:04:11,840 Speaker 1: I said one thing, and then Gandi just kind of 77 00:04:11,880 --> 00:04:17,080 Speaker 1: like crash it right into the crownd morning with great 78 00:04:17,120 --> 00:04:18,919 Speaker 1: morning show. Sold on a second, if I may, with 79 00:04:19,000 --> 00:04:22,920 Speaker 1: great morning shows, you're you know it's the host says 80 00:04:22,960 --> 00:04:25,719 Speaker 1: something and then the co host, rather than extinguish it, 81 00:04:25,920 --> 00:04:28,200 Speaker 1: builds upon it. So this way. So what did Gandhi 82 00:04:28,240 --> 00:04:30,720 Speaker 1: extinguish in yours? Well, you said we have great weather 83 00:04:30,760 --> 00:04:39,120 Speaker 1: here in the Northeast, and I said, not so much today. 84 00:04:39,320 --> 00:04:41,040 Speaker 1: You could have said, well not today, but let's talk 85 00:04:41,040 --> 00:04:44,280 Speaker 1: about how beautiful it was this past weekend. That's rallied 86 00:04:45,000 --> 00:04:46,760 Speaker 1: what I got. I got shucked down as soon as 87 00:04:46,760 --> 00:04:50,880 Speaker 1: I disagreed with his inaccurate weather force to the immediately 88 00:04:50,880 --> 00:04:52,839 Speaker 1: went to, well that's a bad morning show right there. 89 00:04:53,560 --> 00:04:57,640 Speaker 1: We would make a terrible You know, we have all 90 00:04:57,800 --> 00:05:00,680 Speaker 1: this time we have to fill, like fox sake, we 91 00:05:00,760 --> 00:05:04,320 Speaker 1: got fifteen minutes with to fill. Well it started with this. 92 00:05:04,400 --> 00:05:06,200 Speaker 1: Here he goes, oh, I'm excited for a Monday, and 93 00:05:06,200 --> 00:05:15,320 Speaker 1: Gandy goes, really, I'm not. I agreed, you can take 94 00:05:15,360 --> 00:05:17,520 Speaker 1: that further. And that's what Scar said, Well, why are 95 00:05:17,560 --> 00:05:22,760 Speaker 1: you know, actually, Scary, you extinguished that conversation. You should 96 00:05:22,760 --> 00:05:27,240 Speaker 1: have Dandie's defense. Scary was was tasked with hosting the 97 00:05:27,279 --> 00:05:29,880 Speaker 1: show because he ran to her gold Mike and he 98 00:05:29,960 --> 00:05:32,479 Speaker 1: starts with, hey, the day of the week and the weather, 99 00:05:32,839 --> 00:05:36,080 Speaker 1: and that's all he had. So Gandhi made it something 100 00:05:36,120 --> 00:05:39,320 Speaker 1: by pooping on him. But that is when I took 101 00:05:39,320 --> 00:05:42,279 Speaker 1: a pause and I said I said, let's let's educate 102 00:05:42,320 --> 00:05:47,000 Speaker 1: the audience on what great radio and what wait I'm saying, 103 00:05:47,040 --> 00:05:49,400 Speaker 1: when I need to learn from the master, I go, 104 00:05:49,680 --> 00:05:52,680 Speaker 1: I go to scary job. Let's listen to his Ted talk. 105 00:05:52,760 --> 00:05:55,599 Speaker 1: I was, went, I love for you to do a 106 00:05:55,640 --> 00:05:59,839 Speaker 1: Ted talk on radio mastering radio. He was teaching good radio, 107 00:06:00,160 --> 00:06:02,720 Speaker 1: showing how bad radio sounds. And then we start talking 108 00:06:02,760 --> 00:06:05,880 Speaker 1: about improvisation, and then Brodie's improv group and how the 109 00:06:05,880 --> 00:06:08,080 Speaker 1: guy dropped the ball and didn't build on the topic 110 00:06:08,120 --> 00:06:09,960 Speaker 1: at hand. Okay, so this is what I missed. Here's 111 00:06:09,960 --> 00:06:12,159 Speaker 1: another there's another great story in radio. And when you 112 00:06:12,160 --> 00:06:13,720 Speaker 1: have a lot of time to fill up, just repeat 113 00:06:13,760 --> 00:06:17,919 Speaker 1: the whole thing like we just did. He speaking of 114 00:06:18,080 --> 00:06:20,760 Speaker 1: knowing how to do radio. Look, I know that we 115 00:06:21,200 --> 00:06:24,080 Speaker 1: our show does very well. The numbers are there, you know, 116 00:06:24,120 --> 00:06:26,960 Speaker 1: the companies making money off of us, left and right. Okay, 117 00:06:26,960 --> 00:06:29,440 Speaker 1: I get that, But I just don't consider what we 118 00:06:29,520 --> 00:06:34,800 Speaker 1: do like masterfully harnessing great radio. I just we just 119 00:06:34,800 --> 00:06:36,560 Speaker 1: come in here every day and have fun. I don't know, 120 00:06:36,600 --> 00:06:40,479 Speaker 1: what could you teach a radio class based on what 121 00:06:40,600 --> 00:06:43,239 Speaker 1: our show does. I don't know. This is so hard 122 00:06:43,279 --> 00:06:47,000 Speaker 1: to do. I've I know pretty much everybody here at 123 00:06:47,000 --> 00:06:49,320 Speaker 1: GANDHI you could probably and I know Brodie maybe too. 124 00:06:49,440 --> 00:06:52,760 Speaker 1: What doing this is very difficult. You make it look 125 00:06:52,800 --> 00:06:54,920 Speaker 1: so easy. No, no, we're all making it look easy. 126 00:06:54,960 --> 00:06:59,000 Speaker 1: We make it look easy because it's easy. And no, 127 00:06:59,120 --> 00:07:01,840 Speaker 1: it's not just to it's not easy for everyone, but 128 00:07:02,000 --> 00:07:04,680 Speaker 1: it's easy for us. This is very easy for I 129 00:07:04,720 --> 00:07:06,440 Speaker 1: think you make it easy for the people in this 130 00:07:06,560 --> 00:07:09,159 Speaker 1: room because I've worked with morning shows that they have. 131 00:07:09,600 --> 00:07:12,440 Speaker 1: They'll plan out conversations. Okay, I'll say this, and then 132 00:07:12,480 --> 00:07:14,440 Speaker 1: you say that, and then I'll react like this, and 133 00:07:14,480 --> 00:07:16,040 Speaker 1: then I'll give the cue to code with the phone. 134 00:07:16,120 --> 00:07:19,040 Speaker 1: All I'm saying is I think this is easy for 135 00:07:19,080 --> 00:07:20,880 Speaker 1: all of us in this room because we just we 136 00:07:21,000 --> 00:07:23,480 Speaker 1: understand each other's rhythm other and we kind of read 137 00:07:23,480 --> 00:07:26,360 Speaker 1: each other's mind, and that's just what we do. Point being, 138 00:07:26,680 --> 00:07:28,200 Speaker 1: I get a call from someone who used to work 139 00:07:28,240 --> 00:07:30,160 Speaker 1: at our radio station. It's like, I need your help. 140 00:07:30,200 --> 00:07:32,760 Speaker 1: I'm writing a book about how to do radio. And 141 00:07:32,800 --> 00:07:34,680 Speaker 1: I wrote back, I'm like, I don't I don't know 142 00:07:34,720 --> 00:07:36,400 Speaker 1: how to do radio. I'll just do what we do. 143 00:07:36,560 --> 00:07:38,600 Speaker 1: I don't consider what we do radio. It's just so happens. 144 00:07:38,600 --> 00:07:40,440 Speaker 1: We do this and they put it on the radio. 145 00:07:42,280 --> 00:07:43,640 Speaker 1: You know what I'm saying. You know, I was listening 146 00:07:43,640 --> 00:07:46,640 Speaker 1: to Howard Stern the other day, the master at this, 147 00:07:46,920 --> 00:07:49,120 Speaker 1: and he had Alec Baldwin, and Alec Baldwin was telling 148 00:07:49,160 --> 00:07:51,320 Speaker 1: this story about Marlon Brando, and Marlon Brandon was on 149 00:07:51,360 --> 00:07:55,160 Speaker 1: a talk show explaining how he's an actor, right, and 150 00:07:55,600 --> 00:07:57,800 Speaker 1: somebody was interviewing him and said, how does it feel 151 00:07:57,840 --> 00:08:00,520 Speaker 1: to be Marlon Brandon? One of the great at actors 152 00:08:00,760 --> 00:08:03,560 Speaker 1: forever of all tim And He's like, we're all acting. 153 00:08:03,640 --> 00:08:07,320 Speaker 1: It's like, it's not that hard. It's so easy for him. 154 00:08:07,400 --> 00:08:10,720 Speaker 1: He doesn't realize how important and special he is at 155 00:08:10,760 --> 00:08:12,480 Speaker 1: what he does. Well, that's what makes him great. But 156 00:08:12,520 --> 00:08:14,840 Speaker 1: that's the same thing about you and everybody in this room. 157 00:08:15,080 --> 00:08:17,400 Speaker 1: We're so good at it, we don't realize it's hard. 158 00:08:17,840 --> 00:08:20,280 Speaker 1: That's what I'm saying. I'm being honest, Like I've seen 159 00:08:20,320 --> 00:08:23,200 Speaker 1: some people that struggle with this. I think we're just 160 00:08:23,320 --> 00:08:28,760 Speaker 1: experts and having a good time. You know me, I'm 161 00:08:28,840 --> 00:08:31,360 Speaker 1: the last person's gonna say I'm great at doing radio 162 00:08:31,400 --> 00:08:33,880 Speaker 1: because you don't realize it though, because you're just good 163 00:08:33,880 --> 00:08:36,160 Speaker 1: at But I don't think it's something you should realize 164 00:08:36,200 --> 00:08:38,720 Speaker 1: I don't think knowing you're great at radio, or great 165 00:08:38,760 --> 00:08:40,960 Speaker 1: at tennis playing, or you shouldn't even know you're great 166 00:08:41,000 --> 00:08:42,200 Speaker 1: at I just go out there and do your best 167 00:08:42,240 --> 00:08:48,120 Speaker 1: and maybe it'll work. Gandhi, Yes, yes, your thoughts, let 168 00:08:48,160 --> 00:08:50,040 Speaker 1: me go around them. Your thoughts. I agree with you. 169 00:08:50,120 --> 00:08:53,080 Speaker 1: I also think that having done this for as long 170 00:08:53,120 --> 00:08:54,920 Speaker 1: as most of the people in this room have done it, 171 00:08:55,080 --> 00:08:57,040 Speaker 1: we do kind of take advantage of the chemistry that 172 00:08:57,080 --> 00:08:59,600 Speaker 1: goes on in here, and it seems easy, but it's 173 00:08:59,679 --> 00:09:01,880 Speaker 1: not easy. I think if you just throw random people 174 00:09:01,920 --> 00:09:03,480 Speaker 1: in here, I don't know that they would be able 175 00:09:03,480 --> 00:09:05,440 Speaker 1: to do it the same way. I think with a 176 00:09:05,480 --> 00:09:07,679 Speaker 1: few of us in random people, we could pull it off. Okay, 177 00:09:07,720 --> 00:09:10,600 Speaker 1: what about I'm very thankful for the group that we've 178 00:09:10,640 --> 00:09:13,400 Speaker 1: assembled and getting to know each other and being having 179 00:09:13,400 --> 00:09:15,040 Speaker 1: the latitude to be able to get to know each 180 00:09:15,080 --> 00:09:17,000 Speaker 1: other on the radio all these years, because it does 181 00:09:17,320 --> 00:09:20,800 Speaker 1: make it easier every day. I just had to do 182 00:09:20,960 --> 00:09:24,800 Speaker 1: something for with my father for a commercial I'm doing, 183 00:09:24,840 --> 00:09:26,839 Speaker 1: and I wanted to get his testimonial on a car 184 00:09:26,920 --> 00:09:28,760 Speaker 1: that he bought because I'm doing it for a commercial. 185 00:09:29,200 --> 00:09:31,840 Speaker 1: And as soon as the microphone went in his face. 186 00:09:31,960 --> 00:09:36,120 Speaker 1: He says, he started stammering, he started being a you know, 187 00:09:36,200 --> 00:09:39,040 Speaker 1: he wouldn't get to the point. He wouldn't. He was like, 188 00:09:39,559 --> 00:09:42,720 Speaker 1: what I'm doing right now? But he pretty sure to 189 00:09:42,880 --> 00:09:47,040 Speaker 1: be told at the airport he did one of those. 190 00:09:47,120 --> 00:09:49,280 Speaker 1: But I'm like, Dad, we were just talking about the car. 191 00:09:49,360 --> 00:09:52,199 Speaker 1: We were having a regular colloquial conversation with the people. 192 00:09:52,400 --> 00:09:56,120 Speaker 1: Change in front of Mike appears done some brody Yes, 193 00:09:56,360 --> 00:09:58,679 Speaker 1: go ahead. I was talking to some of the room 194 00:09:58,679 --> 00:10:02,080 Speaker 1: off air before. Doing good radio is difficult, but doing 195 00:10:02,520 --> 00:10:05,040 Speaker 1: accurate radio is also difficult, And I was giving the 196 00:10:05,080 --> 00:10:09,600 Speaker 1: example of a major rock celebrity passed away Friday, and 197 00:10:09,800 --> 00:10:13,280 Speaker 1: all of the rock radio stations on satellite on terrestrial 198 00:10:13,600 --> 00:10:16,800 Speaker 1: did tributes to him, and the Q one on four three, 199 00:10:16,840 --> 00:10:18,720 Speaker 1: which is a local station, nailed that they got it right. 200 00:10:19,040 --> 00:10:21,760 Speaker 1: But one station in the New Jersey, New York area 201 00:10:22,120 --> 00:10:24,600 Speaker 1: pronounced his name wrong every time they said his name, 202 00:10:25,440 --> 00:10:28,640 Speaker 1: and then they did a whole tribute station on satellite 203 00:10:29,040 --> 00:10:32,800 Speaker 1: about his career, but they kept playing songs on albums 204 00:10:32,840 --> 00:10:36,599 Speaker 1: he wasn't on. So good radio seems like, oh, you 205 00:10:36,679 --> 00:10:38,240 Speaker 1: just put on the radio, but a lot of work 206 00:10:38,280 --> 00:10:39,840 Speaker 1: goes into it. We We spent a lot of time 207 00:10:39,840 --> 00:10:42,959 Speaker 1: making sure that we're hopefully accurate and funny and poignant 208 00:10:43,240 --> 00:10:45,720 Speaker 1: and timely, and we watch all the right TV shows 209 00:10:45,720 --> 00:10:48,200 Speaker 1: and the movies, and so it's not just we don't 210 00:10:48,240 --> 00:10:50,120 Speaker 1: just walk in here willy nilly and who happened to 211 00:10:50,160 --> 00:10:53,480 Speaker 1: know everything? We stay all afternoon, all night, all morning, 212 00:10:53,600 --> 00:10:56,319 Speaker 1: or during the show looking up all the facts, all 213 00:10:56,320 --> 00:10:58,320 Speaker 1: the things. So when people text, hey, did you know 214 00:10:58,320 --> 00:11:00,800 Speaker 1: blah blah blah, we can go yeah, we did, thankfully. 215 00:11:01,160 --> 00:11:03,280 Speaker 1: Usually we know it because we all were. When you 216 00:11:03,280 --> 00:11:06,320 Speaker 1: are a stickler for accuracy, Hey, what's up, I'm sucked 217 00:11:06,360 --> 00:11:10,360 Speaker 1: up today? Could we teach this? Yes? Could the people 218 00:11:10,480 --> 00:11:13,440 Speaker 1: that we teach it to pull it off? Probably not? 219 00:11:13,720 --> 00:11:15,880 Speaker 1: I don't think so. Because we all have that friend 220 00:11:16,120 --> 00:11:17,960 Speaker 1: that that we all come They come up to us 221 00:11:17,960 --> 00:11:20,080 Speaker 1: and go, huh, I'll be great on the show, give 222 00:11:20,080 --> 00:11:25,000 Speaker 1: me some time on the show. We're like that friend 223 00:11:25,040 --> 00:11:27,520 Speaker 1: on American Idol that goes, I'm going on American Idol, 224 00:11:27,600 --> 00:11:29,960 Speaker 1: and we are like, oh, yeah, yeah, go for it. 225 00:11:30,040 --> 00:11:32,000 Speaker 1: But in the reality we know they can't pull it off. 226 00:11:32,040 --> 00:11:34,319 Speaker 1: It's true. I don't know. I think we give ourselves 227 00:11:34,320 --> 00:11:36,319 Speaker 1: way too much credit. What we do. Don't you think 228 00:11:36,320 --> 00:11:38,760 Speaker 1: that the chemistry accounts for a big part of it. Absolutely, 229 00:11:38,880 --> 00:11:42,520 Speaker 1: you can't teach that. You can't really of what we do. Yeah, 230 00:11:42,600 --> 00:11:46,440 Speaker 1: Daniel thoughts on how great we are are just so fantastic. 231 00:11:47,800 --> 00:11:50,719 Speaker 1: Sid I don't know. I just feel like we come 232 00:11:50,720 --> 00:11:52,280 Speaker 1: in here and have fun with our friends. That's all 233 00:11:52,640 --> 00:11:54,440 Speaker 1: it is, really. And but when you give it a 234 00:11:54,480 --> 00:11:56,800 Speaker 1: grade like, oh, you're the greatest radio, I just I 235 00:11:57,320 --> 00:11:59,600 Speaker 1: can't buy it. We're just good at what we do. 236 00:12:00,440 --> 00:12:03,280 Speaker 1: It's by accident. I wouldn't say it's by accident. I 237 00:12:03,320 --> 00:12:05,760 Speaker 1: think I will tell you something interrupt. I think it's 238 00:12:05,760 --> 00:12:08,120 Speaker 1: by accident. I will tell you. My husband tells me, 239 00:12:08,240 --> 00:12:10,280 Speaker 1: and I think he's pretty funny, and I think he 240 00:12:10,520 --> 00:12:12,360 Speaker 1: tells me. I could never do what you guys do. 241 00:12:12,520 --> 00:12:14,079 Speaker 1: I can never be as quick as that. I can 242 00:12:14,080 --> 00:12:15,960 Speaker 1: never be as quick as Elvis. I can. I just 243 00:12:16,120 --> 00:12:18,160 Speaker 1: sometimes I'm like, how the hell do they do this? 244 00:12:18,720 --> 00:12:20,640 Speaker 1: So I don't know, because I think like he would 245 00:12:20,679 --> 00:12:23,240 Speaker 1: be great at it, but he you know, yeah, it's 246 00:12:23,240 --> 00:12:25,079 Speaker 1: not for everybody. We've had him on before. He was great. 247 00:12:25,760 --> 00:12:28,000 Speaker 1: He's always great, all right. So we can sit here 248 00:12:28,000 --> 00:12:32,000 Speaker 1: and just kind of diddle each other you know what 249 00:12:32,000 --> 00:12:36,120 Speaker 1: I'm saying, like, really great. I think once you start 250 00:12:36,559 --> 00:12:38,480 Speaker 1: thinking you're great at what you do, I think that's 251 00:12:38,480 --> 00:12:40,439 Speaker 1: when you stop learning. I think that's when you close 252 00:12:40,480 --> 00:12:43,440 Speaker 1: your mind and close your heart to new opportunities. And 253 00:12:43,480 --> 00:12:46,160 Speaker 1: I just I'm not forced. I'm not forcing the fact 254 00:12:46,559 --> 00:12:48,280 Speaker 1: that I don't think we're great at what we do. 255 00:12:48,720 --> 00:12:50,680 Speaker 1: I'm just I really truly think that we're just in 256 00:12:50,760 --> 00:12:53,240 Speaker 1: here having fun. It just so happened, and that's just yeah, 257 00:12:53,280 --> 00:12:56,880 Speaker 1: that's a by product what we do. Blah blah blah blah. 258 00:12:57,160 --> 00:12:59,840 Speaker 1: What I like it. I think it's really important not 259 00:12:59,880 --> 00:13:02,160 Speaker 1: to think that you're the greatest at anything, because my 260 00:13:02,240 --> 00:13:04,199 Speaker 1: dad always says, if you think you're the smartest in 261 00:13:04,240 --> 00:13:05,880 Speaker 1: the room or the best in the room, you're probably 262 00:13:05,880 --> 00:13:09,120 Speaker 1: in the wrong room. So shame on you. You should. Yeah, 263 00:13:09,200 --> 00:13:11,800 Speaker 1: we love dad logic, love dead logic. He has a lot, 264 00:13:11,840 --> 00:13:13,320 Speaker 1: But I think that's true too, Like, if you ever 265 00:13:13,360 --> 00:13:15,120 Speaker 1: feel like you're the best at something, maybe you just 266 00:13:15,160 --> 00:13:17,400 Speaker 1: need to go investigate a little more because there might 267 00:13:17,400 --> 00:13:19,000 Speaker 1: be better out there. How boring would it be if 268 00:13:19,000 --> 00:13:21,800 Speaker 1: you thought you were the best? Well? What else is there? Then? Why? 269 00:13:21,800 --> 00:13:24,840 Speaker 1: I live another day? Exactly which I actually think is 270 00:13:24,840 --> 00:13:27,160 Speaker 1: why a lot of these celebrities sort of have breakdowns 271 00:13:27,200 --> 00:13:28,760 Speaker 1: because they feel like they're the best at anything. What 272 00:13:28,760 --> 00:13:31,560 Speaker 1: more do I have to accomplish? They get bored. It's 273 00:13:31,559 --> 00:13:33,959 Speaker 1: like an existential crisis. Also, you know what, in the 274 00:13:34,080 --> 00:13:37,080 Speaker 1: entertainment business, we're lucky because we signed long term contracts 275 00:13:37,080 --> 00:13:39,400 Speaker 1: and so we're here. We know that we have the 276 00:13:39,400 --> 00:13:43,440 Speaker 1: next whatever years here. When you do a film or 277 00:13:43,480 --> 00:13:46,320 Speaker 1: record an album, it's a pulse and it's done, and 278 00:13:46,360 --> 00:13:50,000 Speaker 1: it's out that you're done. It's over. So you wait 279 00:13:50,040 --> 00:13:51,080 Speaker 1: for the phone to ring. Am I going to be 280 00:13:51,120 --> 00:13:53,719 Speaker 1: called to do another one? That's frightening and it is. 281 00:13:53,920 --> 00:13:55,559 Speaker 1: That's why when we have these artists come in here 282 00:13:55,559 --> 00:13:58,840 Speaker 1: with their brand new albums, you can see how nervous 283 00:13:58,840 --> 00:14:01,640 Speaker 1: they are because they wonder. I put everything into this. 284 00:14:01,760 --> 00:14:04,560 Speaker 1: I saying my heart out. I worked with people, the 285 00:14:04,679 --> 00:14:07,360 Speaker 1: right people, and they're promoting it. They're spending all the 286 00:14:07,360 --> 00:14:10,480 Speaker 1: money on the marketing. It better work because if it doesn't, 287 00:14:10,480 --> 00:14:12,640 Speaker 1: I'm done. When Jason Derulo came in here to promote 288 00:14:12,679 --> 00:14:20,560 Speaker 1: cats like that, he'll be fine. He's gonna be fine. 289 00:14:19,880 --> 00:14:23,600 Speaker 1: He has a wonderful musical career, and he may be 290 00:14:23,840 --> 00:14:25,520 Speaker 1: doing more acting, and I bet you they released an 291 00:14:25,520 --> 00:14:30,640 Speaker 1: addition with his ball, just showing you know what. An 292 00:14:30,640 --> 00:14:33,680 Speaker 1: example to me was Cuba Gooding Jr. Remember he was 293 00:14:33,720 --> 00:14:36,640 Speaker 1: in What the heck was the movie? He was fantastic. 294 00:14:36,760 --> 00:14:39,200 Speaker 1: Everyone was like, he's going to be the next big thing. 295 00:14:39,560 --> 00:14:41,520 Speaker 1: He I thought he was going to get Left and 296 00:14:41,600 --> 00:14:44,080 Speaker 1: Right movies, you know what I mean? And I don't. 297 00:14:44,400 --> 00:14:45,920 Speaker 1: I feel like he fell off the face of the 298 00:14:45,920 --> 00:14:47,520 Speaker 1: earth after that. Now he hanged out in New York 299 00:14:47,560 --> 00:14:51,560 Speaker 1: City bars, right, But you know what I mean, You 300 00:14:51,640 --> 00:14:53,520 Speaker 1: never know. You never know if that phone's gonna ring again. 301 00:14:53,720 --> 00:14:55,520 Speaker 1: So let's sign new contracts and stay here for a 302 00:14:55,520 --> 00:15:00,080 Speaker 1: couple of more years. The fifteen Minute Morning Show m