1 00:00:01,720 --> 00:00:04,640 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,120 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,160 Speaker 1: This is the podcast that comes after the podcast. 4 00:00:11,600 --> 00:00:26,799 Speaker 2: Welcome to Disgraceland, the after Party. 5 00:00:28,680 --> 00:00:31,960 Speaker 1: Welcome to the Disgraceland bonus episode, everybody. This is a 6 00:00:31,960 --> 00:00:34,080 Speaker 1: little thing we'd like to call the after party. This 7 00:00:34,159 --> 00:00:36,640 Speaker 1: is the show after the show, the party after the party, 8 00:00:36,680 --> 00:00:38,400 Speaker 1: the bridge to get you from one full episode of 9 00:00:38,440 --> 00:00:41,479 Speaker 1: Disgraceland to the other, the backyard to dig into the dirt. 10 00:00:41,760 --> 00:00:45,760 Speaker 1: On this episode, we are talking about mac Miller, the Matrix, 11 00:00:45,840 --> 00:00:49,199 Speaker 1: cocaine there and of course your calls, your texts, your dms, 12 00:00:49,280 --> 00:00:52,279 Speaker 1: me reading the phone book, in a whole lot of rosie. 13 00:00:52,400 --> 00:01:07,160 Speaker 1: All right, Discos, let's get into it. Happy, Happy, Joy Joy. 14 00:01:07,240 --> 00:01:11,080 Speaker 1: We are into another week here in Disgraceland. Mac Miller 15 00:01:11,120 --> 00:01:13,960 Speaker 1: lives in your feeds currently, as does ac DC in 16 00:01:14,040 --> 00:01:17,400 Speaker 1: fifty cent the three most recent episodes of our season eleven. 17 00:01:17,800 --> 00:01:20,680 Speaker 1: Next week, we're coming at you, guys fast from thirty 18 00:01:20,680 --> 00:01:23,280 Speaker 1: thousand feet with our episode on Lenard Skinner and see 19 00:01:23,319 --> 00:01:24,920 Speaker 1: what I did there. I hope you all dig My 20 00:01:24,959 --> 00:01:27,720 Speaker 1: conversation from last week with filmmaker Tiller Russell on the 21 00:01:27,840 --> 00:01:31,200 Speaker 1: night Stalker Richard Ramirez. We obviously had that talk because 22 00:01:31,240 --> 00:01:33,560 Speaker 1: of the relevance to our ac DC episode that we 23 00:01:33,680 --> 00:01:36,759 Speaker 1: just released. Receives a ton of great feedback on that episode. 24 00:01:36,760 --> 00:01:39,160 Speaker 1: Thank you to everyone who wrote. I want to thank 25 00:01:39,200 --> 00:01:41,000 Speaker 1: all of you who reached out and who shared your 26 00:01:41,000 --> 00:01:45,840 Speaker 1: listening experience relative to that episode. I appreciate it. Regarding 27 00:01:45,920 --> 00:01:50,160 Speaker 1: our most recent episode, though, the last episode of Disgraceland 28 00:01:50,200 --> 00:01:53,240 Speaker 1: on Mac Miller, this is one of those episodes where 29 00:01:53,840 --> 00:01:57,040 Speaker 1: in the mixed review process, it really hit me this 30 00:01:57,160 --> 00:02:00,880 Speaker 1: feeling of man, it would have sucked to have been 31 00:02:00,920 --> 00:02:04,360 Speaker 1: this guy, just a tormented dude with a lot of 32 00:02:04,440 --> 00:02:07,760 Speaker 1: obvious demons, but also a dude living out loud in 33 00:02:07,880 --> 00:02:10,839 Speaker 1: public with a lot of insecurities and having to deal 34 00:02:10,880 --> 00:02:14,640 Speaker 1: with all that and all kinds of bullshit. I don't 35 00:02:14,639 --> 00:02:18,280 Speaker 1: care who you are, how famous, or how successful you get. 36 00:02:18,639 --> 00:02:21,240 Speaker 1: These are things that nobody wants to deal with. Anyway. 37 00:02:21,280 --> 00:02:24,079 Speaker 1: My heart broke a little for Mac miller sad story. 38 00:02:24,200 --> 00:02:27,000 Speaker 1: I hope you guys dug the episode. Write me text 39 00:02:27,040 --> 00:02:29,960 Speaker 1: me six one seven nine zero six six six three 40 00:02:30,040 --> 00:02:32,120 Speaker 1: eight let me know what you thought of that episode, 41 00:02:32,200 --> 00:02:33,359 Speaker 1: or let me know what you think of any of 42 00:02:33,360 --> 00:02:36,400 Speaker 1: the episodes. You know, I'm here for you, guys. I 43 00:02:36,480 --> 00:02:39,880 Speaker 1: love having this conversation talking about Disgraced Land. Talking about 44 00:02:39,880 --> 00:02:42,560 Speaker 1: your listening experience is talking about the artists that you 45 00:02:42,639 --> 00:02:44,440 Speaker 1: love that I love, the artists that you want to 46 00:02:44,440 --> 00:02:47,240 Speaker 1: hear about, the artists that you've heard about already, that 47 00:02:47,520 --> 00:02:50,880 Speaker 1: you have unique takes on or experiences with in your past, 48 00:02:51,000 --> 00:02:53,320 Speaker 1: or that you've listened to at work, or that you're 49 00:02:53,320 --> 00:02:56,079 Speaker 1: listening to at work, any and all of that. I'm open. 50 00:02:56,160 --> 00:02:59,160 Speaker 1: I'm here to listen six one seven nine zero six 51 00:02:59,240 --> 00:03:02,520 Speaker 1: six eight. You can send me a text. But also 52 00:03:02,600 --> 00:03:05,280 Speaker 1: I love the voicemails, just like this one from the 53 00:03:05,360 --> 00:03:09,000 Speaker 1: two o seven Jake, great job. 54 00:03:08,840 --> 00:03:11,600 Speaker 3: On the podcast. I'm loving everything from that I've heard 55 00:03:11,600 --> 00:03:14,240 Speaker 3: from season eleven so far. I had to give you 56 00:03:14,280 --> 00:03:16,280 Speaker 3: a little shout out and just tell you how awesome 57 00:03:16,320 --> 00:03:18,919 Speaker 3: it was to hear the Chasmond Now at the end 58 00:03:18,919 --> 00:03:21,440 Speaker 3: of a CDC, because I think you and I feel 59 00:03:21,480 --> 00:03:26,200 Speaker 3: the same way about that band, quite possibly one of 60 00:03:26,280 --> 00:03:30,600 Speaker 3: the best modern rock bands. Looking forward to hearing more 61 00:03:30,600 --> 00:03:36,360 Speaker 3: about a CDC. Also, I really enjoyed the Johnny Paycheck episode. 62 00:03:36,440 --> 00:03:39,360 Speaker 3: I listened to that one again. I really like how 63 00:03:39,400 --> 00:03:41,920 Speaker 3: you touch on country and you do a good job. 64 00:03:42,000 --> 00:03:44,240 Speaker 3: You really do, man. And you're from the northeast, so 65 00:03:44,280 --> 00:03:47,840 Speaker 3: that's badass too, So have a good one. Thank you 66 00:03:47,840 --> 00:03:49,040 Speaker 3: for what you're doing. Nice for. 67 00:03:50,600 --> 00:03:56,720 Speaker 1: Yes, Chasbotn, non new Chasbotna. That's how we said it, actually, Chasbotn, 68 00:03:57,520 --> 00:04:01,000 Speaker 1: thank you. Thanks for that voicemail. Yeah, I received a 69 00:04:01,000 --> 00:04:03,240 Speaker 1: lot of a lot of incoming You guys are like, 70 00:04:03,280 --> 00:04:05,360 Speaker 1: what the fuck is he talking about? Shasbot No. 71 00:04:04,880 --> 00:04:04,920 Speaker 4: No. 72 00:04:05,560 --> 00:04:08,160 Speaker 1: I received a lot of stuff, a lot of incoming 73 00:04:08,320 --> 00:04:11,880 Speaker 1: dms mainly and of course his voicemail. People are like, 74 00:04:11,920 --> 00:04:14,080 Speaker 1: what's up with shasbot No? No, no, no. Those are the 75 00:04:14,160 --> 00:04:16,640 Speaker 1: last words I said at the end of the previous 76 00:04:16,680 --> 00:04:20,600 Speaker 1: episode of Disgrace Land on ac DC, and I did 77 00:04:20,640 --> 00:04:23,640 Speaker 1: it for ac DC heads most of you will know, 78 00:04:25,040 --> 00:04:28,200 Speaker 1: and even for Morcan mindy heads most of you will 79 00:04:28,240 --> 00:04:31,800 Speaker 1: know as well. And therein lies of the confusion at 80 00:04:31,800 --> 00:04:37,520 Speaker 1: the end of Highway to Hell, bon Scott's last record 81 00:04:37,520 --> 00:04:39,640 Speaker 1: with ac DC, at the end of the very last 82 00:04:39,680 --> 00:04:42,400 Speaker 1: song night Prowler, I think it's the last song or 83 00:04:42,480 --> 00:04:44,240 Speaker 1: is it the last song on side A. I can't 84 00:04:44,279 --> 00:04:48,400 Speaker 1: remember Night Prowler, which is the song which was associated 85 00:04:48,400 --> 00:04:50,799 Speaker 1: with the knight Stalker, which is in part the point 86 00:04:50,839 --> 00:04:53,240 Speaker 1: of my last episode. At the end of the recording 87 00:04:53,279 --> 00:04:55,640 Speaker 1: of that song on the ac DC album Highway to Hell, 88 00:04:55,680 --> 00:04:58,760 Speaker 1: Bond Scott, the last thing he says is shasbotn Nanu. 89 00:04:59,360 --> 00:05:01,200 Speaker 1: And I never know why as a kid, I can 90 00:05:01,200 --> 00:05:04,040 Speaker 1: only imagine because this was nineteen seventy nine and I'm 91 00:05:04,040 --> 00:05:06,839 Speaker 1: just guessing here, But Morcan Mindy with Robin Williams, Robin 92 00:05:06,839 --> 00:05:12,840 Speaker 1: Williams's breakthrough sitcom, Shasbot Nu Nanu was was something that 93 00:05:13,000 --> 00:05:16,240 Speaker 1: Mark said. Apparently I don't remember that. I was too little. 94 00:05:17,279 --> 00:05:19,920 Speaker 1: I do remember nan U Nanu. The shasbot I don't remember, 95 00:05:20,440 --> 00:05:22,160 Speaker 1: And I think it was just sort of in the air, 96 00:05:22,279 --> 00:05:25,520 Speaker 1: and bon Scott was probably in America hanging out and 97 00:05:25,600 --> 00:05:28,800 Speaker 1: familiar with this. How could you not be familiar with 98 00:05:28,839 --> 00:05:32,520 Speaker 1: Robin Williams. He was such a dynamo, huge force, and 99 00:05:32,560 --> 00:05:35,200 Speaker 1: he was probably inspired and goofing off in the in 100 00:05:35,279 --> 00:05:37,880 Speaker 1: the studio and let that fly at the end of 101 00:05:37,920 --> 00:05:40,440 Speaker 1: the vocal take and they kept it, and you know, 102 00:05:40,680 --> 00:05:46,279 Speaker 1: it's also kind of it's the perfect representation of Bond 103 00:05:46,400 --> 00:05:49,880 Speaker 1: Scott that I talked about in that ACDC episode. I 104 00:05:49,920 --> 00:05:52,000 Speaker 1: wasn't planning on talking about this here in the after party, 105 00:05:52,040 --> 00:05:54,480 Speaker 1: but now this voicemail has got me into it again. 106 00:05:54,560 --> 00:05:58,080 Speaker 1: The you know, ac DC was of course accused of 107 00:05:58,520 --> 00:06:02,480 Speaker 1: inspiring Richard Ramirez, and they did inspire Richard Ramirez. Of 108 00:06:02,520 --> 00:06:07,760 Speaker 1: course it was unintentional. And like I say in that episode, 109 00:06:07,839 --> 00:06:11,400 Speaker 1: you have to be a fucking moron to believe that ACDC, 110 00:06:12,120 --> 00:06:18,560 Speaker 1: that that group contained actual Satanists. And if you just 111 00:06:18,760 --> 00:06:23,040 Speaker 1: like looked at it from any angle, from objectively for 112 00:06:23,080 --> 00:06:27,000 Speaker 1: more than two seconds, you would see that, as demonstrated 113 00:06:27,040 --> 00:06:30,720 Speaker 1: by this shasbot nan Nanu, as well as a gazillion 114 00:06:30,760 --> 00:06:34,640 Speaker 1: other examples. The band ACDC, Bond, Scott Angs, Young Malcolm, 115 00:06:34,680 --> 00:06:37,960 Speaker 1: Young Cliff Williams, whoever their drummer was at the time. 116 00:06:38,839 --> 00:06:42,480 Speaker 1: They didn't take themselves seriously at all. It was a 117 00:06:42,520 --> 00:06:45,440 Speaker 1: fucking put on most of the time, just like all 118 00:06:45,520 --> 00:06:50,280 Speaker 1: the great rock and roll mostly is. And yeah, shasbot 119 00:06:50,360 --> 00:06:56,719 Speaker 1: nan Nanu perfectly encapsulates that that sentiment. All right, let's 120 00:06:56,800 --> 00:07:01,080 Speaker 1: go to well hold on. Actually, the last the two 121 00:07:01,120 --> 00:07:03,640 Speaker 1: oh seven mentioned Johnny Paycheck in that last voicemail, and 122 00:07:03,640 --> 00:07:05,000 Speaker 1: I want to hit on that too. That was from 123 00:07:05,120 --> 00:07:08,160 Speaker 1: season two, the Johnny Paycheck episode. We kind of low 124 00:07:08,240 --> 00:07:11,920 Speaker 1: key released season two into your feeds about a week 125 00:07:12,000 --> 00:07:15,920 Speaker 1: or so ago, trying to get this one hundred plus 126 00:07:16,040 --> 00:07:19,680 Speaker 1: archive of episodes out there. So season two with our 127 00:07:19,720 --> 00:07:24,080 Speaker 1: first two episodes on John Lennon, of course the aforementioned 128 00:07:24,120 --> 00:07:32,120 Speaker 1: Johnny Paycheck here, Spade, Coolly, Motley, Crue, who else Rick 129 00:07:32,200 --> 00:07:34,640 Speaker 1: James or was that now? Yeah, Rick James, big Lurch. 130 00:07:35,120 --> 00:07:37,640 Speaker 1: A lot lot of good stuff actually big Roach for 131 00:07:37,680 --> 00:07:39,320 Speaker 1: season one. A lot of good stuff in season two though, 132 00:07:39,360 --> 00:07:41,240 Speaker 1: and it's all available in your feeds wherever you get 133 00:07:41,280 --> 00:07:43,680 Speaker 1: your podcasts. So check that out, and we're going to 134 00:07:43,800 --> 00:07:46,800 Speaker 1: check out how from Orlando with this voicemail. 135 00:07:46,360 --> 00:07:52,560 Speaker 5: Here, Hi Jake, this is Hal calling from Orlando, Florida. 136 00:07:53,120 --> 00:07:56,280 Speaker 5: I did not realize you were such a big NASCAR fan, 137 00:07:56,400 --> 00:07:59,200 Speaker 5: but glad you got to enjoy the racer last weekend. 138 00:08:00,160 --> 00:08:03,400 Speaker 6: Speaking of which, obviously, Jimmy Johnson is one of your 139 00:08:03,440 --> 00:08:08,480 Speaker 6: buddies Team Legacy Legacy Motorsports, Legacy Motor Group. 140 00:08:09,880 --> 00:08:12,480 Speaker 5: So Eric Jones driving the number forty three Guns and 141 00:08:12,560 --> 00:08:17,280 Speaker 5: Roses car, Gregson driving the forty two Wendy's cars, looking 142 00:08:17,400 --> 00:08:23,880 Speaker 5: like Jimmy Johnson should have a new sponsor. I love Carvana, 143 00:08:24,000 --> 00:08:25,520 Speaker 5: don't get me wrong, but you. 144 00:08:25,480 --> 00:08:28,520 Speaker 6: Know what really fucking badass on the side of that 145 00:08:28,640 --> 00:08:34,240 Speaker 6: number eighty four car, Disgraceland. Make it happen, Jake, Could 146 00:08:34,280 --> 00:08:40,080 Speaker 6: you imagine Legacy, the one you are creating with your 147 00:08:40,120 --> 00:08:48,040 Speaker 6: amazing podcast, on the side of a Legacy car anyway, 148 00:08:49,360 --> 00:08:51,000 Speaker 6: just wondering what your thoughts. 149 00:08:50,640 --> 00:08:53,760 Speaker 5: On that might be. Love to see it tell. 150 00:08:53,840 --> 00:09:02,920 Speaker 1: Jimmy said, Hi, La, Yes, yes, Hal, that would be amazing. 151 00:09:02,920 --> 00:09:05,080 Speaker 1: I wonder what kind of coin it takes to sponsor 152 00:09:05,120 --> 00:09:07,720 Speaker 1: a NASCAR driver. I could find out, I suppose, but 153 00:09:07,840 --> 00:09:09,760 Speaker 1: I doubt how that I am in that income tax 154 00:09:09,800 --> 00:09:13,400 Speaker 1: bracket though, thank you for you know, aspiring to put 155 00:09:13,440 --> 00:09:17,280 Speaker 1: me there, unlike Guns and Roses, who were indeed sponsoring 156 00:09:17,320 --> 00:09:20,040 Speaker 1: one of the Legacy Motorsports Jimmy Johnson's Club, one of 157 00:09:20,080 --> 00:09:23,520 Speaker 1: his one of his one of his team's cars at 158 00:09:23,520 --> 00:09:26,600 Speaker 1: the Daytona five hundred, which I was just at. Someday, maybe, though, 159 00:09:26,600 --> 00:09:28,559 Speaker 1: how maybe there will be a disgrace Land car on 160 00:09:28,600 --> 00:09:31,000 Speaker 1: the track. A girl can dream, as they say. All right, 161 00:09:31,080 --> 00:09:34,719 Speaker 1: let's check in with Matthew from Lancaster, Pennsylvania. 162 00:09:35,800 --> 00:09:40,520 Speaker 4: Hey, Jay, this is Matthew from Lancaster Pennsylvania. A big 163 00:09:40,559 --> 00:09:44,200 Speaker 4: fan of everything you're doing. Love all the episodes, learning 164 00:09:44,240 --> 00:09:51,120 Speaker 4: about new artists and digging deeper into some artists that 165 00:09:51,200 --> 00:09:54,760 Speaker 4: I'm already familiar with. Really great stuff. I want to 166 00:09:54,800 --> 00:09:59,120 Speaker 4: make a suggestion that you do a Clash episode, but 167 00:09:59,400 --> 00:10:03,160 Speaker 4: specific a period of Clash when the late great Joe 168 00:10:03,280 --> 00:10:09,840 Speaker 4: Strummer decided to take a personal hiatus and disappear for 169 00:10:09,920 --> 00:10:14,319 Speaker 4: a period of time. Some people say it was a 170 00:10:15,120 --> 00:10:20,240 Speaker 4: planned ability stunt. Some people say you needed some time 171 00:10:20,320 --> 00:10:25,160 Speaker 4: away from the group. What is the truth, Jake, Why 172 00:10:25,200 --> 00:10:27,320 Speaker 4: don't you do some digging and let us all know. 173 00:10:28,440 --> 00:10:30,760 Speaker 4: I'm a huge Clash fan and I would love to 174 00:10:30,840 --> 00:10:36,400 Speaker 4: hear your take on the band and specifically this time 175 00:10:36,480 --> 00:10:39,920 Speaker 4: period in the band. Thank you so much for everything. 176 00:10:40,360 --> 00:10:41,840 Speaker 4: Can't wait for some more episodes. 177 00:10:42,280 --> 00:10:46,920 Speaker 1: Have a great day, Matthew. You are reading my mind, 178 00:10:46,960 --> 00:10:50,360 Speaker 1: my man. I covered this story. You clearly are not 179 00:10:50,440 --> 00:10:52,760 Speaker 1: aware of it, and I'm a little disappointed in you, Matthew, 180 00:10:52,800 --> 00:10:55,360 Speaker 1: But here you go, man, I covered the Joe Strummer 181 00:10:55,400 --> 00:10:59,360 Speaker 1: disappearance on our YouTube channel. Those stories that are on 182 00:10:59,400 --> 00:11:02,360 Speaker 1: YouTube are not part of the podcast feed stories that 183 00:11:02,440 --> 00:11:05,800 Speaker 1: you get, So Matthew, here's your chance. I'm telling you directly. 184 00:11:06,360 --> 00:11:09,960 Speaker 1: You can go to YouTube dot com slash at Disgraceland 185 00:11:10,160 --> 00:11:14,920 Speaker 1: Pod and you will find our Disgraceland video channel. This 186 00:11:15,240 --> 00:11:18,600 Speaker 1: Joe Strummer disappearance is one of the first ones that 187 00:11:18,640 --> 00:11:22,560 Speaker 1: we filmed. We've got these long form stories up there 188 00:11:22,559 --> 00:11:25,520 Speaker 1: that are a little bit more like the podcast, though 189 00:11:25,559 --> 00:11:28,160 Speaker 1: I don't go as deep. You know, it's a different medium. 190 00:11:28,320 --> 00:11:32,080 Speaker 1: They're probably about fifteen to twenty minutes max. Lots of 191 00:11:32,160 --> 00:11:36,320 Speaker 1: visuals to support the narrative storytelling. And then I do 192 00:11:36,440 --> 00:11:39,760 Speaker 1: these daily sixty second shorts that are all connected together 193 00:11:39,840 --> 00:11:41,720 Speaker 1: to show you guys. You know, you can go from 194 00:11:42,920 --> 00:11:48,040 Speaker 1: gosh Nia Simone to Mariah Carey to the Go Gos, 195 00:11:48,080 --> 00:11:52,959 Speaker 1: to Bruce Springsteen to whomever. In my mind, all these 196 00:11:53,040 --> 00:11:57,319 Speaker 1: rock and roll stories are completely connected. In some weird way, 197 00:11:57,480 --> 00:12:03,800 Speaker 1: this insane world of transgressive behavior connects all of these artists. 198 00:12:03,920 --> 00:12:06,440 Speaker 1: It's definitely the theme of my book, and it's definitely 199 00:12:06,520 --> 00:12:12,439 Speaker 1: the theme of our shorts, actually our entire YouTube channel. 200 00:12:12,800 --> 00:12:16,960 Speaker 1: Everything sort of connects and weaves together. So head over there, Matthew, 201 00:12:17,400 --> 00:12:19,640 Speaker 1: check out that Joe Stormer story, the one you're recommending. 202 00:12:19,679 --> 00:12:22,760 Speaker 1: It's there. It's waiting for you. YouTube dot com slash 203 00:12:22,840 --> 00:12:26,440 Speaker 1: at Disgrace lampod. Subscribe, turn on all your notifications so 204 00:12:26,480 --> 00:12:29,360 Speaker 1: that you get updated every time we release the story. 205 00:12:29,400 --> 00:12:31,720 Speaker 1: We just released a new one. It's my favorite one. 206 00:12:31,960 --> 00:12:34,040 Speaker 1: It's on the Cocaine Bear. You guys know about this 207 00:12:34,120 --> 00:12:36,920 Speaker 1: movie that's out right now, directed by Elizabeth Banks, which 208 00:12:36,920 --> 00:12:40,440 Speaker 1: I have not seen. However, the actual real story of 209 00:12:40,440 --> 00:12:45,120 Speaker 1: the Cocaine Bear. It has this crazy country music connection 210 00:12:45,600 --> 00:12:49,160 Speaker 1: to Waylon Jennings, which I'm not spoiling anything by letting 211 00:12:49,360 --> 00:12:51,760 Speaker 1: by mentioning Whyalan's name, but that he's a big part 212 00:12:51,760 --> 00:12:55,720 Speaker 1: of this actual story. The story about the bear eating 213 00:12:55,760 --> 00:12:59,440 Speaker 1: and snorting the cocaine is actually true, but there's a 214 00:12:59,440 --> 00:13:01,640 Speaker 1: whole lot of other truth to it that I'm pretty 215 00:13:01,679 --> 00:13:04,000 Speaker 1: sure the movie doesn't get to, which is fine. The 216 00:13:04,040 --> 00:13:06,280 Speaker 1: movie is its own thing. It's probably the greatest title 217 00:13:06,559 --> 00:13:10,760 Speaker 1: in the last century for films. It's insane, the Cocaine Bear. 218 00:13:11,760 --> 00:13:14,200 Speaker 1: But the actual real story and how it rubs up 219 00:13:14,200 --> 00:13:17,400 Speaker 1: against the history of country music is really fascinating, and 220 00:13:17,720 --> 00:13:20,440 Speaker 1: I get into that on our YouTube channel. Check that out. 221 00:13:20,440 --> 00:13:23,000 Speaker 1: Like I said, YouTube dot com, slash at Disgrace lampod 222 00:13:23,040 --> 00:13:25,480 Speaker 1: you can go watch that. It's available right now. All right, 223 00:13:25,640 --> 00:13:30,440 Speaker 1: let's do some texts, all right. Looking at this text 224 00:13:30,480 --> 00:13:35,040 Speaker 1: message from the six four to six excellent shows as always. 225 00:13:35,040 --> 00:13:36,440 Speaker 1: I would love for you to do a show on 226 00:13:36,559 --> 00:13:41,000 Speaker 1: Public Enemy. That's interesting, man, that's interesting. And then there's 227 00:13:41,080 --> 00:13:45,520 Speaker 1: a here's another gravestone here, image of a gravestone. This 228 00:13:45,600 --> 00:13:48,079 Speaker 1: is my guy who sends me, sends me the good, 229 00:13:48,760 --> 00:13:54,760 Speaker 1: good graves from the mobsters in New York. But this one, 230 00:13:54,800 --> 00:13:58,760 Speaker 1: I honestly don't know who this is unless they spelled Lucky, 231 00:13:59,080 --> 00:14:05,000 Speaker 1: unless say, spelled Luczy his name wrong. It's luck Casey, 232 00:14:05,200 --> 00:14:07,400 Speaker 1: l u c k e s E l u c 233 00:14:07,640 --> 00:14:10,880 Speaker 1: k e s E, Thomas, Robert and Conchetta. And it 234 00:14:10,920 --> 00:14:12,719 Speaker 1: says monster of the week. Dude, I don't know who 235 00:14:12,800 --> 00:14:16,600 Speaker 1: lu Cay is. I know Lukez, the Lukazy, the mob 236 00:14:16,640 --> 00:14:19,040 Speaker 1: boss from back in the day. But this is spelled 237 00:14:19,080 --> 00:14:22,920 Speaker 1: differently and huge letters, so fill me in. Then he 238 00:14:22,960 --> 00:14:24,880 Speaker 1: goes on to just say just this his name and 239 00:14:24,960 --> 00:14:28,160 Speaker 1: names here, Eddie Mannix, Richard Pryor, George Carlin, Freddie Prince, Senior, 240 00:14:28,280 --> 00:14:31,720 Speaker 1: Al Sharpton, Lewis Farakahn. Those are all guys who did 241 00:14:31,760 --> 00:14:36,600 Speaker 1: some stuff. Maybe you're maybe you're suggesting these as future 242 00:14:36,760 --> 00:14:42,560 Speaker 1: bad Lands episode subjects. Richard Pryor, I hear you. We 243 00:14:42,640 --> 00:14:45,280 Speaker 1: have that coming shortly, if it's not out already. I 244 00:14:45,320 --> 00:14:51,600 Speaker 1: honestly can't remember. Freddy Prince Senior. That's interesting, George Carlin, 245 00:14:51,800 --> 00:14:54,840 Speaker 1: also very interesting. Eddie Mannix. I need to bone up 246 00:14:54,880 --> 00:14:58,440 Speaker 1: and figure out who Eddie Mannix is. Al Sharpton and 247 00:14:58,520 --> 00:15:00,760 Speaker 1: Lewis Farakahn. I don't do Paul to dude, but thank 248 00:15:00,800 --> 00:15:03,520 Speaker 1: you for the suggestions, all right. From the two one 249 00:15:03,600 --> 00:15:06,320 Speaker 1: seven The musical scene of Area Code two one seven 250 00:15:06,520 --> 00:15:09,320 Speaker 1: is insane. Guitar Steve Hunter left here and later joined 251 00:15:09,360 --> 00:15:13,080 Speaker 1: Alice Cooper to record Welcome to My Nightmare. Okay, all right, 252 00:15:13,080 --> 00:15:15,200 Speaker 1: I didn't know that other legendary sounds from the two 253 00:15:15,400 --> 00:15:17,240 Speaker 1: two oh seven got their start and laid their roots 254 00:15:17,280 --> 00:15:24,160 Speaker 1: Ario Speedwagon, Dave Dan Fogelberg and mud Vain oh Man. 255 00:15:24,280 --> 00:15:26,720 Speaker 1: And why should I mention to you that berber Dan 256 00:15:26,760 --> 00:15:29,160 Speaker 1: Feeling fighting music to play if you could afford it, 257 00:15:29,200 --> 00:15:31,000 Speaker 1: because those are the number one musicians that have come 258 00:15:31,040 --> 00:15:33,480 Speaker 1: from the two one seven area code. Very well, very cheeky, 259 00:15:33,520 --> 00:15:35,560 Speaker 1: well done there, Thanks Jake for all you do with 260 00:15:35,600 --> 00:15:37,640 Speaker 1: disgrace Slam from the two one seven. All right, where 261 00:15:37,680 --> 00:15:39,240 Speaker 1: the hell is the two one seven? I don't even 262 00:15:39,280 --> 00:15:41,160 Speaker 1: know where that is? Someone let me know what part 263 00:15:41,160 --> 00:15:42,920 Speaker 1: of the country. Maybe I'll read the phone book from 264 00:15:42,880 --> 00:15:45,680 Speaker 1: the two one seven at some point. All right, let's 265 00:15:45,680 --> 00:15:47,920 Speaker 1: see here from the three one oh, you and your 266 00:15:47,920 --> 00:15:52,240 Speaker 1: team bring exposure and unreal ear brain fuckery to what 267 00:15:52,400 --> 00:15:56,320 Speaker 1: I absolutely dig. Thank you sir. All right, all right, 268 00:15:56,360 --> 00:15:59,880 Speaker 1: I like that, thank you? Three one zero absolute fuckery 269 00:16:00,160 --> 00:16:05,360 Speaker 1: into that. Uh that, Let's see, let's read another one here, Hey, Jake, 270 00:16:05,440 --> 00:16:08,760 Speaker 1: this is tom My wife. Heather turned me on to 271 00:16:08,880 --> 00:16:11,000 Speaker 1: Disgraceland a few years ago, but she had been a 272 00:16:11,000 --> 00:16:13,320 Speaker 1: fan for about a year before I finally listened. And 273 00:16:13,360 --> 00:16:16,960 Speaker 1: nobody looks better than Heather in a zombie Elvis t shirts. 274 00:16:17,000 --> 00:16:19,000 Speaker 1: Just saying. Once I did listen, though, I binge them 275 00:16:19,000 --> 00:16:22,120 Speaker 1: all in a ten hour drive. All right, man, all right, Tom, 276 00:16:22,400 --> 00:16:25,680 Speaker 1: I think my favorite is the April Fools episode. Can't 277 00:16:25,720 --> 00:16:28,160 Speaker 1: believe I fell for it so hard, awesome stuff. We 278 00:16:28,200 --> 00:16:29,720 Speaker 1: both think an episode of The Go Gos would have 279 00:16:29,720 --> 00:16:32,960 Speaker 1: a lot of fuel. Rock a roller. Well, Tom and Heather, 280 00:16:33,440 --> 00:16:37,520 Speaker 1: I just recorded like literally seconds ago, a Go Gos 281 00:16:37,600 --> 00:16:41,560 Speaker 1: short for our YouTube page. That's six one seven nine 282 00:16:41,640 --> 00:16:44,200 Speaker 1: zero six six six three eight to call with your 283 00:16:44,320 --> 00:16:48,800 Speaker 1: other recommendations. But you can check out the go Gos story. 284 00:16:48,840 --> 00:16:51,960 Speaker 1: It's a short one, but still that's over at YouTube 285 00:16:52,000 --> 00:16:56,120 Speaker 1: dot com. Slash at disgracelam pod Tom and his wife 286 00:16:56,360 --> 00:17:00,960 Speaker 1: Heather looking fine in the zombie Elvis T shirt. All right, 287 00:17:01,000 --> 00:17:02,440 Speaker 1: what else do we go? How about we do some 288 00:17:02,520 --> 00:17:04,800 Speaker 1: dms for a second. Let's do that. Let's see what 289 00:17:04,800 --> 00:17:09,560 Speaker 1: we got here? All right, Ashley Lauren writes on Instagram today, 290 00:17:09,560 --> 00:17:11,840 Speaker 1: I was heading down the Canning Highway listening to your 291 00:17:11,880 --> 00:17:14,720 Speaker 1: ACDC episode. If you didn't know, the song Highway to 292 00:17:14,840 --> 00:17:17,280 Speaker 1: Hell was about the Canning Highway and Perth, I had 293 00:17:17,400 --> 00:17:21,600 Speaker 1: no idea. Thank you and thanks for the picture. Ashley 294 00:17:21,680 --> 00:17:24,880 Speaker 1: sends the picture of her display in her car where 295 00:17:24,920 --> 00:17:29,960 Speaker 1: she is playing ACDC a satanic serial killer by Disgraceland, 296 00:17:30,000 --> 00:17:32,680 Speaker 1: and she screenshoted the map as well. Look at that. 297 00:17:32,680 --> 00:17:36,480 Speaker 1: That's awesome from Perth, all the way from Perth. Appreciate you, Perth, 298 00:17:37,160 --> 00:17:42,240 Speaker 1: Ashley Lauren. All right from Courtney Ford. Also on Instagram, 299 00:17:42,320 --> 00:17:46,080 Speaker 1: DM Jake speaking insert throw clearing here and parentheses and 300 00:17:46,119 --> 00:17:49,480 Speaker 1: a second a M. Mike Patton. Check out his project 301 00:17:49,600 --> 00:17:52,919 Speaker 1: lovage for some smooth jams to relax. We're getting your 302 00:17:53,000 --> 00:17:57,480 Speaker 1: daily cardio with the missus. Wink wink. All right, well, 303 00:17:57,800 --> 00:18:02,280 Speaker 1: thank you Courtney. Yeah, maybe I'll uh, maybe maybe I'll 304 00:18:02,280 --> 00:18:04,960 Speaker 1: fly that flag. See what happens. I once opened for 305 00:18:05,080 --> 00:18:08,240 Speaker 1: Faith No More back in the day with my band 306 00:18:08,359 --> 00:18:12,160 Speaker 1: Cast Iron Hike. We went on right before them, and 307 00:18:13,000 --> 00:18:15,520 Speaker 1: my brother and I actually they had a Faith and 308 00:18:15,520 --> 00:18:18,080 Speaker 1: More had a limousine backstage, and my brother and I 309 00:18:18,119 --> 00:18:21,000 Speaker 1: commandeered it. We just got in it, told the driver 310 00:18:21,080 --> 00:18:22,760 Speaker 1: to take us into town so that we could buy 311 00:18:22,800 --> 00:18:25,640 Speaker 1: some cigarettes, and then we brought Faith No Moore's limo back, 312 00:18:26,080 --> 00:18:29,320 Speaker 1: parked it backstage. I went on stage, got in a 313 00:18:29,320 --> 00:18:32,399 Speaker 1: fight with a DJ from WAAF and that was it. 314 00:18:32,440 --> 00:18:34,200 Speaker 1: That was my Faith No More experience. But I will 315 00:18:34,280 --> 00:18:37,080 Speaker 1: check out Lovage. I've never heard of them. I'm kind 316 00:18:37,119 --> 00:18:39,320 Speaker 1: of embarrassed that I've never heard of Mike Patten's band. 317 00:18:39,320 --> 00:18:45,280 Speaker 1: Lovage sounds awesome. Thanks for the recommendation. All right, So 318 00:18:45,400 --> 00:18:48,760 Speaker 1: let's see. I got a comment here from Vintage Vigilante 319 00:18:48,960 --> 00:18:51,560 Speaker 1: commenting saying, disgrace and pop. Back in the day, my 320 00:18:51,680 --> 00:18:54,600 Speaker 1: dad used to drink the same pub ac DC would 321 00:18:54,680 --> 00:18:56,920 Speaker 1: drink at and play pool and hang out with them 322 00:18:57,320 --> 00:19:00,560 Speaker 1: mostly Malcolm and Angus. Holy crap, this is about the 323 00:19:00,560 --> 00:19:02,920 Speaker 1: time they were just becoming known in Sydney and then 324 00:19:02,960 --> 00:19:06,879 Speaker 1: shortly after globally on the big time music scene. Damn, 325 00:19:07,000 --> 00:19:11,040 Speaker 1: vintage Vigilante. Your dad's got some stories. I bet that's amazing. 326 00:19:11,040 --> 00:19:15,000 Speaker 1: I cannot imagine hanging out with Malcolm Young, honestly, I mean, whoa, 327 00:19:15,320 --> 00:19:18,920 Speaker 1: All right, let's see uh that that? What else we go? 328 00:19:19,040 --> 00:19:22,360 Speaker 1: Let's do some Facebook messages here. 329 00:19:22,840 --> 00:19:23,240 Speaker 5: All right? 330 00:19:23,680 --> 00:19:27,240 Speaker 1: Rick Deskris hit me up on Facebook. Great podcast man, 331 00:19:27,320 --> 00:19:30,400 Speaker 1: look into the Deep Purple Jakarta murder of their road 332 00:19:30,440 --> 00:19:33,280 Speaker 1: crew in military trying to stop the plane from taking off. 333 00:19:33,840 --> 00:19:37,239 Speaker 1: This was nineteen seventy six. This year Deep Purple are 334 00:19:37,320 --> 00:19:40,440 Speaker 1: going back, going back to Jakarta, I presume the first 335 00:19:40,440 --> 00:19:43,080 Speaker 1: time since the incident. Wow, I had no idea. That's insane. 336 00:19:43,160 --> 00:19:46,320 Speaker 1: I'm definitely gonna look that up. That sounds nuts, all right? 337 00:19:46,359 --> 00:19:49,159 Speaker 1: Six point seven nine zero six six six three to 338 00:19:49,280 --> 00:19:53,360 Speaker 1: eight to text message me or to send me a voicemail, 339 00:19:53,400 --> 00:19:55,119 Speaker 1: leave me a voicemail or you know where. To hit 340 00:19:55,160 --> 00:19:59,160 Speaker 1: me up on Instagram, Twitter, Facebook, at Disgrace, Slam Pod, 341 00:19:59,240 --> 00:20:01,960 Speaker 1: TikTok it's all all the same. Get at me over there. 342 00:20:02,560 --> 00:20:05,680 Speaker 1: Check out the YouTube dot com slash at Disgrace lampods 343 00:20:05,680 --> 00:20:07,879 Speaker 1: stories we got going on over there as well. I 344 00:20:07,920 --> 00:20:31,320 Speaker 1: will be back in one second. All right, let's do 345 00:20:31,359 --> 00:20:34,680 Speaker 1: some recommendations. This is the recommendations part. It's still missing 346 00:20:34,720 --> 00:20:36,359 Speaker 1: a theme song. One of these days we're gonna have 347 00:20:36,359 --> 00:20:39,040 Speaker 1: a theme song for the recommendations part. This is the 348 00:20:39,080 --> 00:20:43,399 Speaker 1: recommendations part. Guys, I saw the Matrix. I know, welcome 349 00:20:43,400 --> 00:20:46,159 Speaker 1: to nineteen ninety nine, dude, but I'd never seen The 350 00:20:46,160 --> 00:20:48,919 Speaker 1: Matrix before until this past weekend, and holy fuck, what 351 00:20:49,080 --> 00:20:52,000 Speaker 1: was I doing? I don't know. I don't know what 352 00:20:52,080 --> 00:20:54,600 Speaker 1: to tell you. This is a huge blind spot in 353 00:20:54,680 --> 00:20:56,160 Speaker 1: my movie watching. 354 00:20:57,400 --> 00:20:57,720 Speaker 4: View. 355 00:20:57,800 --> 00:21:00,560 Speaker 1: I think I've had some sort of maybe unconscious against 356 00:21:00,600 --> 00:21:02,399 Speaker 1: Cano Reeves because I don't know, he seems like a 357 00:21:02,440 --> 00:21:05,280 Speaker 1: dumb fuck. But then again, he makes movies that are awesome, 358 00:21:05,440 --> 00:21:08,320 Speaker 1: like River's Edge and Bill and Ted's and I guess 359 00:21:08,359 --> 00:21:11,280 Speaker 1: that place to the dumb dumb part. But I was 360 00:21:11,359 --> 00:21:15,240 Speaker 1: never particularly compelled to watch The Matrix. My wife made 361 00:21:15,320 --> 00:21:17,040 Speaker 1: me watch it. She sat me down one of the 362 00:21:17,040 --> 00:21:19,159 Speaker 1: many reasons why my wife is awesome, and she said, hey, 363 00:21:19,200 --> 00:21:21,040 Speaker 1: you get to watch this fucking movie. What's wrong with You? 364 00:21:22,440 --> 00:21:24,720 Speaker 1: No doubt all of you know, because this is such 365 00:21:24,840 --> 00:21:28,520 Speaker 1: a huge movie and has been and it's a historical movie. 366 00:21:28,680 --> 00:21:33,040 Speaker 1: No doubt you all know how incredibly imaginative is imaginative. 367 00:21:33,240 --> 00:21:38,760 Speaker 1: It is imaginative, it is, and it also has incredible resonance, 368 00:21:38,920 --> 00:21:40,879 Speaker 1: resonance for what's going on right now in the world. 369 00:21:40,920 --> 00:21:43,439 Speaker 1: I love the JC allegory, whether intentional or not. I 370 00:21:43,440 --> 00:21:46,560 Speaker 1: thought it was cool. Highly recommend this. If you're one 371 00:21:46,560 --> 00:21:48,520 Speaker 1: of the five people on earth who hasn't yet seen 372 00:21:48,520 --> 00:21:50,879 Speaker 1: The Matrix, take the Red Pill, do yourself a favor. 373 00:21:51,080 --> 00:21:54,080 Speaker 1: I also I rewatched Gross point blank. I was hung 374 00:21:54,119 --> 00:21:56,840 Speaker 1: over a bit. On Saturday. I went to see Ashley 375 00:21:56,840 --> 00:22:00,720 Speaker 1: Flowers do her thing, Crime Junkie. Ashley's from Crime Junkie, 376 00:22:00,720 --> 00:22:03,000 Speaker 1: but she has another podcast called The Deck and she 377 00:22:03,119 --> 00:22:05,840 Speaker 1: was doing a live version of The Deck podcast here 378 00:22:05,880 --> 00:22:09,840 Speaker 1: in Boston, and we went to that, my wife and 379 00:22:09,840 --> 00:22:12,000 Speaker 1: I on Friday, and the Thursday night before we had 380 00:22:12,000 --> 00:22:14,680 Speaker 1: dinner with Ashley and her husband Eric, and it was awesome, 381 00:22:14,720 --> 00:22:16,959 Speaker 1: but we we over and bibed a bit, so by 382 00:22:17,000 --> 00:22:20,760 Speaker 1: the time Saturday came I was a little worse for 383 00:22:20,800 --> 00:22:23,840 Speaker 1: wear and I needed something familiar, so I queued up 384 00:22:23,880 --> 00:22:27,520 Speaker 1: the old Cuzack Gross point Blank and a movie I've 385 00:22:27,520 --> 00:22:30,320 Speaker 1: seen a million times. It's awesome. It still holds up 386 00:22:30,359 --> 00:22:33,399 Speaker 1: being from Boston. I love the Morphine reference every single 387 00:22:33,400 --> 00:22:36,680 Speaker 1: time from Mini Driver. Very cool. If for some reason 388 00:22:36,720 --> 00:22:39,040 Speaker 1: any of you have never seen Gross point Blank, this 389 00:22:39,080 --> 00:22:41,200 Speaker 1: is the push you need. If you're a music fan, 390 00:22:41,320 --> 00:22:43,919 Speaker 1: you'll love it. If you're a Cuzac fan, you'll love it. 391 00:22:43,960 --> 00:22:46,800 Speaker 1: If you're just a fan of I don't know, dumb 392 00:22:46,840 --> 00:22:49,760 Speaker 1: comfortable movies, and it's not dumb. It's actually very smart, 393 00:22:49,800 --> 00:22:52,640 Speaker 1: but it's not the matrix. You will love it though. 394 00:22:53,840 --> 00:22:55,840 Speaker 1: And if you've never heard of Morphine, who I just 395 00:22:55,880 --> 00:22:57,480 Speaker 1: referenced and you're wondering what the hell I'm talking about, 396 00:22:57,520 --> 00:22:59,720 Speaker 1: by all means, run to Spotify or Amazon Music or 397 00:22:59,760 --> 00:23:01,880 Speaker 1: app wherever you listen to your podcast. Hey, maybe even 398 00:23:01,920 --> 00:23:04,720 Speaker 1: go to a record store and find the Morphine album. 399 00:23:04,800 --> 00:23:07,800 Speaker 1: Cure for Pain Seminal Boston band from the nineteen nineties. 400 00:23:07,840 --> 00:23:11,720 Speaker 1: Three piece three piece a bassist, a baritone sax player, 401 00:23:11,720 --> 00:23:15,919 Speaker 1: and a drummer. Damn unique rocking, great lyrics, incredible vibe. 402 00:23:16,000 --> 00:23:19,560 Speaker 1: You will dig Morphine. I promise I'm Also, I'm on 403 00:23:19,600 --> 00:23:22,040 Speaker 1: this weird I guess we're doing what I'm listening to 404 00:23:22,160 --> 00:23:24,719 Speaker 1: right now. I'm on this weird Billy Joel kick at 405 00:23:24,720 --> 00:23:28,440 Speaker 1: the moment. On TV the other night, Sunday Night, PBS 406 00:23:28,480 --> 00:23:30,560 Speaker 1: was running the Billy Joel concert at Yankee Stadium, which 407 00:23:30,600 --> 00:23:33,600 Speaker 1: I've never seen before. I found myself strangely captivated by 408 00:23:33,640 --> 00:23:37,000 Speaker 1: this concert. Billy Joel is not one of my guys, 409 00:23:37,040 --> 00:23:40,159 Speaker 1: never has been. I like him, fine, I don't dislike him, 410 00:23:40,200 --> 00:23:44,159 Speaker 1: but I guess I get why people dislike him. I 411 00:23:44,560 --> 00:23:47,359 Speaker 1: never liked him as a kid. I kind of only 412 00:23:48,080 --> 00:23:50,600 Speaker 1: liked that album The Stranger. It's sort of a thing 413 00:23:50,640 --> 00:23:52,600 Speaker 1: that my wife and I were into, sort of as 414 00:23:52,600 --> 00:23:54,560 Speaker 1: a record, but not really as a Billy Joel artist, 415 00:23:54,600 --> 00:23:57,080 Speaker 1: though we did go see him live. But whatever, man, 416 00:23:57,280 --> 00:23:59,120 Speaker 1: I've just been on a Billy Joel kick the last 417 00:23:59,240 --> 00:24:01,359 Speaker 1: couple of days. I was working out to freaking we 418 00:24:01,400 --> 00:24:05,040 Speaker 1: didn't start the fire yesterday. So I don't know if 419 00:24:05,040 --> 00:24:07,840 Speaker 1: you needed a if you needed some sort of kick 420 00:24:07,920 --> 00:24:10,920 Speaker 1: to go listen to Billy Joel, there it is given 421 00:24:10,920 --> 00:24:15,280 Speaker 1: it to you. Also, a little confusion on the what 422 00:24:15,359 --> 00:24:18,800 Speaker 1: I'm listening to part of Side of the Fence here 423 00:24:18,800 --> 00:24:22,760 Speaker 1: that I got to clean up last after party, or 424 00:24:22,760 --> 00:24:25,000 Speaker 1: maybe it was the one before. I can't even remember. 425 00:24:25,040 --> 00:24:26,760 Speaker 1: God I who it wasn't the one before. I mentioned 426 00:24:26,800 --> 00:24:31,360 Speaker 1: the Spotify playlist that I was creating for Disgraceland for 427 00:24:31,480 --> 00:24:36,600 Speaker 1: the folks at Spotify, and when I recorded it, all 428 00:24:36,640 --> 00:24:40,480 Speaker 1: our intentions were were in order and it was supposed 429 00:24:40,520 --> 00:24:44,400 Speaker 1: to come out the day that the after party came out, 430 00:24:44,440 --> 00:24:47,520 Speaker 1: but Spotify had to hold back the playlist for whatever reason. 431 00:24:48,280 --> 00:24:50,040 Speaker 1: This isn't just like a playlist I created on my 432 00:24:50,040 --> 00:24:52,640 Speaker 1: Spotify account. I created it with the folks at Spotify. 433 00:24:52,680 --> 00:24:54,879 Speaker 1: They're promoting it. Blah blah blah. It's for It's the 434 00:24:54,920 --> 00:24:59,320 Speaker 1: official Disgraceland Spotify playlist. It is now available. That's my point. 435 00:24:59,359 --> 00:25:03,399 Speaker 1: As I babbled here. You can just search Disgraceland playlist 436 00:25:03,560 --> 00:25:07,600 Speaker 1: on Spotify you will find this. It's five hours of music. 437 00:25:08,119 --> 00:25:10,800 Speaker 1: Like I mentioned before, it takes you on this ride 438 00:25:11,080 --> 00:25:15,000 Speaker 1: through the entire series for the most part of Disgraceland, 439 00:25:15,040 --> 00:25:18,720 Speaker 1: and I'm talking everything from David Bowie to Johnny Cash 440 00:25:18,720 --> 00:25:21,560 Speaker 1: to Oasis to Asap Rocky to Mac Miller to ac 441 00:25:21,720 --> 00:25:24,879 Speaker 1: DC to Black Sabbath to Prince But not just like 442 00:25:24,960 --> 00:25:28,160 Speaker 1: me just grabbing stuff and piling them into a playlist. 443 00:25:28,240 --> 00:25:31,320 Speaker 1: I went at this very intentionally, and I really try 444 00:25:31,359 --> 00:25:34,359 Speaker 1: to string these together in some sort of Now you 445 00:25:34,400 --> 00:25:36,359 Speaker 1: know me, I'm a storyteller, So there's some sort of 446 00:25:36,440 --> 00:25:40,000 Speaker 1: narrative piece thread to this playlist, and if you listen 447 00:25:40,040 --> 00:25:42,000 Speaker 1: to it, I think you will get it, and I 448 00:25:42,040 --> 00:25:43,800 Speaker 1: think you'll enjoy it. And I spend a lot of 449 00:25:43,800 --> 00:25:46,480 Speaker 1: time on it, man, So go check it out. And 450 00:25:46,560 --> 00:25:49,359 Speaker 1: thanks to the folks at Spotify for for allowing me 451 00:25:49,440 --> 00:25:51,600 Speaker 1: to do this and for suggesting it. It was a 452 00:25:51,640 --> 00:25:55,520 Speaker 1: trip and I enjoyed it all right. I'm also watching 453 00:25:56,320 --> 00:25:59,719 Speaker 1: and you know this was recommended to me. Remember, I 454 00:25:59,760 --> 00:26:02,040 Speaker 1: was like, what's the sort of light thirty minute thing 455 00:26:02,080 --> 00:26:03,719 Speaker 1: that I needed to need to watch? At the end 456 00:26:03,720 --> 00:26:05,280 Speaker 1: of the I get a lot of great recommendations, and 457 00:26:05,280 --> 00:26:07,440 Speaker 1: I've talked about Letter Kenny here in the last few episodes, 458 00:26:07,720 --> 00:26:11,720 Speaker 1: but I was also recommended Party Down, and I'd watched 459 00:26:12,040 --> 00:26:15,359 Speaker 1: Party Down the entire series, I think, just two seasons 460 00:26:15,960 --> 00:26:18,879 Speaker 1: years ago when it was out, because now it's almost 461 00:26:18,920 --> 00:26:22,000 Speaker 1: fifteen years old. I think at this point I didn't 462 00:26:22,040 --> 00:26:25,280 Speaker 1: see it when it was released. I wasn't that early 463 00:26:25,320 --> 00:26:27,320 Speaker 1: to it. But I did see it pretty early and 464 00:26:27,400 --> 00:26:30,200 Speaker 1: I loved it. Of course, it was great. And then 465 00:26:30,359 --> 00:26:32,400 Speaker 1: just last night, you know, there's a new Party Down 466 00:26:32,400 --> 00:26:34,479 Speaker 1: that was just released. There was a reboot with everybody 467 00:26:34,520 --> 00:26:37,920 Speaker 1: except Lizzie Kaplan. I don't know why. I think she's 468 00:26:37,920 --> 00:26:40,160 Speaker 1: not in it. But anyways, I went to go watch 469 00:26:40,200 --> 00:26:42,879 Speaker 1: the reboot and I was like, huh, I'm just gonna 470 00:26:42,960 --> 00:26:44,920 Speaker 1: I'm just going to cruise these first two season. I 471 00:26:44,920 --> 00:26:46,879 Speaker 1: can give him a light cruise. I put it on 472 00:26:46,920 --> 00:26:50,159 Speaker 1: while I'm like whatever, you know, like not really paying attention. 473 00:26:50,359 --> 00:26:54,520 Speaker 1: Sucked right in my god, I forgot everything about it. 474 00:26:54,720 --> 00:26:58,679 Speaker 1: And it is so funny. It is so so so 475 00:26:59,680 --> 00:27:03,600 Speaker 1: fun and if you have not seen Party Down, do 476 00:27:03,640 --> 00:27:06,040 Speaker 1: yourself a favor go watch it. I have no idea 477 00:27:06,080 --> 00:27:08,520 Speaker 1: what the reboot's gonna be like. I can't imagine that 478 00:27:08,560 --> 00:27:12,320 Speaker 1: they get close to how good these first the first season. Anyways, 479 00:27:12,640 --> 00:27:15,480 Speaker 1: I'm like three deep into the first season. I'm gonna 480 00:27:15,480 --> 00:27:18,480 Speaker 1: crush a bunch of it tonight. I'll report back next week, 481 00:27:18,640 --> 00:27:22,359 Speaker 1: having hopefully by then watched the reboot as well. But 482 00:27:22,520 --> 00:27:24,600 Speaker 1: I'm going to take a quick little break here, grab 483 00:27:24,640 --> 00:27:42,280 Speaker 1: some water, pay some bills. Back in the flash all right, 484 00:27:42,560 --> 00:27:47,280 Speaker 1: so let's recap everybody. Mac Miller. Our latest installment from 485 00:27:47,320 --> 00:27:50,880 Speaker 1: season eleven is available now wherever you get your podcasts 486 00:27:51,280 --> 00:27:53,960 Speaker 1: Lynyrd Skinnyrd is coming at you next in the feed 487 00:27:54,160 --> 00:27:58,199 Speaker 1: next week. The Story of the Cocaine Bear is available now. 488 00:27:58,600 --> 00:28:01,360 Speaker 1: That's on YouTube only, you tube dot com. Slash at 489 00:28:01,359 --> 00:28:06,920 Speaker 1: Disgrace slampod head over there for more storytelling beyond the podcast. Subscribe, 490 00:28:07,359 --> 00:28:11,119 Speaker 1: bang on that notifications Bell what else? Number four on 491 00:28:11,119 --> 00:28:13,720 Speaker 1: my list here listen to Morphine Go, listen to Morphine 492 00:28:13,760 --> 00:28:16,119 Speaker 1: watch party down. Uh Now I'm gonna get out of 493 00:28:16,119 --> 00:28:17,480 Speaker 1: here and I'm gonna give you my moment a bliss. 494 00:28:17,520 --> 00:28:21,040 Speaker 1: This is me reading the phone Book from nineteen forty 495 00:28:21,119 --> 00:28:28,320 Speaker 1: seven in West Virginia. Damon Oscar Montvale AV nine to 496 00:28:28,320 --> 00:28:34,000 Speaker 1: eight W Dash two, Damn Ron Wayne twelve dash W 497 00:28:34,400 --> 00:28:39,200 Speaker 1: three Damon Dark Oscar, Dude Montville Justice Satus eight five 498 00:28:39,440 --> 00:28:44,440 Speaker 1: dash J Dash one two, David Robert five to five three, 499 00:28:44,480 --> 00:28:50,440 Speaker 1: Stratton one five two nine, Davids Dora Sherry Tree Jottoms 500 00:28:50,680 --> 00:28:56,080 Speaker 1: one one seven to two, Davis Physician sixty four, Stratton 501 00:28:56,440 --> 00:29:01,680 Speaker 1: five zero two Davis News Agency three two Cole seven 502 00:29:01,760 --> 00:29:06,280 Speaker 1: four to two d bar t, Mister and Missus Stoling's, 503 00:29:06,280 --> 00:29:11,479 Speaker 1: West Virginia one six one three Deary Dan and Ethel, 504 00:29:11,720 --> 00:29:17,720 Speaker 1: West Virginia nine one J desh one two Daphobia alex 505 00:29:18,080 --> 00:29:23,880 Speaker 1: Capital Apartments eight four nine de hate George mount Addison 506 00:29:24,280 --> 00:29:30,440 Speaker 1: two zero four five. Quit talking and start mixing good