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Speaker 1: Welcome back to another episode of Alchemy. This I'm your host,

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Speaker 1: Kevin Pollock. Yes that Kevin poll Like what's done? Yes,

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Speaker 1: this is the first episode recording of two. But no,

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Speaker 1: I don't send some measurable shift in spirit or enthusiasm

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Speaker 1: because we're all still super silly ass happy to be here.

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Speaker 1: But I digress. Let's meet a show no particular order.

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Speaker 1: Let's quickly check in with Craig Atkowski for his new

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Speaker 1: Year of Surprises corner kick oo man, so many surprises.

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Speaker 1: I was just reading about flu rhona, which is when

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Speaker 1: people get the flu and COVID at the same time. So, uh,

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Speaker 1: I guess that's that's not a surprise. Um, that's kind

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Speaker 1: of expected. That's where we are right now. Um My

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Speaker 1: wife got sixty thou likes on a tweet about Tim

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Speaker 1: Curry yesterday, so that was definitely a surprise, and it

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Speaker 1: it freaked us, freaked us out a little bit because

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Speaker 1: she only has eleven thousand followers. Yes, uh yeah. And

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Speaker 1: then like the first wave is kind of exciting, and

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Speaker 1: then like then, like anything on social media starts to

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Speaker 1: get darker, and uh, in you despair for humanity. So yeah, yeah,

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Speaker 1: So in that regard, that the new year hasn't brought

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Speaker 1: much change. Just Carlo's likes a lot more people like hers,

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Speaker 1: and thank you and congrats to her. Hey there's a

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Speaker 1: tool thing, Longhorn. Honey, you've got three sixty days to

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Speaker 1: accomplish something before this year ends. What will it be?

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Speaker 1: That's good? You know? Actually, uh, Craig mentioned in one

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Speaker 1: of his uh updates that he had read a book

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Speaker 1: a week in which was amazing to me, and so

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Speaker 1: I was like, what can I do every week? That's

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Speaker 1: that's not intense, But I think I'm just gonna I

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Speaker 1: think you've heard through through this updates that I like

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Speaker 1: to send correspondence. So I was thinking of like three

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Speaker 1: is of correspondence, So that's only like six or seven

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Speaker 1: a week, yeah, per week. Yeah, Yeah, it's a big

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Speaker 1: stamp bill, but I think it'll be worth it. And

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Speaker 1: thank you for that and good luck. That is my

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Speaker 1: uh my sweet quick cover up and look out, it's

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Speaker 1: James Heeney, Jimmy, Carl Jane. What's your favorite thing about

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Speaker 1: two so far? Well, so far two has uh, I

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Speaker 1: guess I not much. I don't know. It stopped raining

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Speaker 1: before two, so I guess the weather has been nice.

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Speaker 1: It's cold as hell out here. It suckso hasn't started

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Speaker 1: great yet? Fair, Hey, nobody's I wasn't looking for a

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Speaker 1: bag of roses or or a bouquet of chocolate or

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Speaker 1: a box of laundry. Now, please welcome Jack Giggins on

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Speaker 1: this the route day j G to the d O Lamo.

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Speaker 1: Plans for the first weekend of the new year, absolutely nothing,

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Speaker 1: you know, got to keep it safe, got to keep

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Speaker 1: it right and tight in the apartment here. Um so

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Speaker 1: I will walk my dog, that's a given. And I'll

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Speaker 1: probably play a game with my husband Chess or something

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Speaker 1: like that. Did not see chess coming, thank you. I

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Speaker 1: enjoy uh board games a lot, and I learned chess.

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Speaker 1: He taught me chess for the first time in quarantine.

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Speaker 1: So now I'm very into it. I mean very into it.

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Speaker 1: Now I'll play with him and really enjoy playing with

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Speaker 1: but I'm not like obsessed. Did you watch the miniseries

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Speaker 1: Queen's Gambit? No, so Pat? Last year when I was

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Speaker 1: home in Florida and Pat was here by himself, he

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Speaker 1: watched it without me, and I did not watch it

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Speaker 1: when I basically I haven't watched it because I feel

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Speaker 1: like I should sit down and pay attention. And when

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Speaker 1: I sit down and pay attention, I'm usually watching something

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Speaker 1: with him. M hm. So you'll have to separate for

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Speaker 1: a little bit. Yeah, I'm gonna have a brief separation

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Speaker 1: just to watch the Queens gambit. Uh. And last, but

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Speaker 1: mon your I of your needle if you think him

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Speaker 1: least it's Mark Gagliardi Marmar spaces hello. Yes, yes. How

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Speaker 1: many fights did you get into in school? Actual physical fights,

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Speaker 1: physical fist fights. It's tough because I never got in

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Speaker 1: like a fist fight with anybody at school. I never

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Speaker 1: did the like it's three o'clock meet me outside. I

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Speaker 1: never had like a proper school fist fight. But technically

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Speaker 1: my brother went to the same school, and he was

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Speaker 1: on the offensive line and much larger than me. Uh,

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Speaker 1: and I fought with him constantly. So did those count?

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Speaker 1: Because that did send me to the hospital once for

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Speaker 1: stitches in my ear when he tried to um bang

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Speaker 1: my head into the floor, uh, right into a doorframe

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Speaker 1: that almost took my ear off, at which point we

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Speaker 1: both stopped and said, we have to call mom. She's

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Speaker 1: gonna be really mad. Wow. And you were what ages? Uh,

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Speaker 1: sixteen and seventeen Sweet Jesus on a pie tin Tennessee.

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Speaker 1: And and you don't have that cauliflower ear that I've noticed. No, no,

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Speaker 1: not that. But I've got headphones on every time you

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Speaker 1: see Remember, I have thought it was weird that we're

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Speaker 1: headphones in public. Holiday. I'm just I'm just liking my jams. Yep,

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Speaker 1: he's liking his jams. Let's do a damn show all

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Speaker 1: of our scene suggestions to gather from your listener emails

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Speaker 1: or from our patron v i P s. That's right.

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Speaker 1: You can become a patron supporter of the show and

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Speaker 1: Drew and Drew exclusive content like standalone bonus scenes made

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Speaker 1: just for you, a video on demand of this very

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Speaker 1: recording session, and all the others. Yeah, nobody else gets

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Speaker 1: to see those but the patron supporters and some other perks.

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Speaker 1: Head on over to patron dot com slash alchemy this

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Speaker 1: to become a supporter. If you like some medicine suggestion

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Speaker 1: by email, please right to the podcast at alchemysts email

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Speaker 1: at gmail dot com. That's Alchemy. That email seen one

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Speaker 1: comes from patron v I P. Corey Booth, who wrote

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Speaker 1: Happy Holidays, Alchemists for your scene consideration, I would like

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Speaker 1: to suggest the following. A boss goes under cover, but

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Speaker 1: maybe isn't at good at it as he or she

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Speaker 1: thinks they are. Thanks. I don't know, man. I think

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Speaker 1: we should be able to unionize, is all I'm saying.

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Speaker 1: You know, we just get enough of the workers in

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Speaker 1: on it. We start talking about demands and and better pay,

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Speaker 1: healthcare and those sort of things. Yeah, but how do

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Speaker 1: you what do you think about the boss's new haircut?

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Speaker 1: What do you think about do you think if I

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Speaker 1: think it looks like a sixty seven Buick Skylark, if

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Speaker 1: I'm honest, and if that's a car you love, then

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Speaker 1: that's a good thing. Yeah, he must like that car.

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Speaker 1: He must love that car. Do you Maybe we should

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Speaker 1: get to know him more, you know, ask him what

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Speaker 1: kind of cars he likes. Just kind of Maybe maybe

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Speaker 1: you should start by not staring at his hair when

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Speaker 1: he comes by. Yeah, sorry about that. Absolutely obsessed with Hello,

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Speaker 1: Oh excuse me, excuse me. I seem to be in

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Speaker 1: the wrong place. I'm I'm headed to the factory across

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Speaker 1: the street. Well, I I was actually just walking through.

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Speaker 1: Why don't I show you my factory? This is your factory,

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Speaker 1: it's my factory. It's not a big deal. Looks like

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Speaker 1: a majestic Buick skylark. Oh that's what I was going for.

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Speaker 1: Well done. These are my minions. I try not to

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Speaker 1: talk aloud in front of them, but they're just working

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Speaker 1: on the line. Do your minions? You refer to your

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Speaker 1: employees as minions? My god man, the status differential is

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Speaker 1: often charts. What what what do you think they say?

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Speaker 1: Aside they might be able to hear you say that?

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Speaker 1: Hold on, what what do you think they're saying about

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Speaker 1: you behind your back? You love me or fear me? Well,

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Speaker 1: you've got to know. There must be some way for

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Speaker 1: you to know if they love you or fear you.

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Speaker 1: What if we do a little swap a rooney. You

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Speaker 1: come into my factory dressed as an idiot employee, and

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Speaker 1: I'll go into your factory dressed like an idiot employee.

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Speaker 1: We'll find out what are minions think of us? That

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Speaker 1: that sounds like a wonderful IDEA quick hand me those

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Speaker 1: coveralls with the name patch on them, right, my name

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Speaker 1: is Frank today. Alright, everybody, we got a new guy here.

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Speaker 1: This is Frank, Um Frank, and Frank's gonna be joining

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Speaker 1: us on the floor. Frank. We're a team here. Everything's

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Speaker 1: team efforts. So you know, if you need any help

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Speaker 1: with support, we start today with the hug. So Frank,

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Speaker 1: give me hug. Oh well, gosh, alright, alright, go around

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Speaker 1: hug for you, and uh hug for you and one

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Speaker 1: for you. Oh oh gosh, terribly sorry. I didn't mean

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Speaker 1: to squeeze you so hard. I didn't realize the common

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Speaker 1: folk were so fragile. Riddle is the word we use

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Speaker 1: for Susan. Yeah, yeah, that's Joseph. Don't mind him to.

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Speaker 1: Joseph's just trying to get a promotion. I love that guy,

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Speaker 1: all right, And we see Frank handle someone of the

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Speaker 1: tools or something, Sir, I can handle any tool you

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Speaker 1: throw at me. Throw any tool at me, provided it's

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Speaker 1: a pend sign checks no, no, no, no, no, I'm

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Speaker 1: kidding anyway, here's a wrench, oh, Susan, that hits hard. Okay,

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Speaker 1: let's let's Susan. Are you care? Do you need medical support?

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Speaker 1: It's the arm is not supposed to be bending this.

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Speaker 1: So this is this is the brake room. That's all

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Speaker 1: this is be where you're you're hanging out. You by

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Speaker 1: the way, you you look a lot like that guy

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Speaker 1: who runs the factory across the street, the pasta factory.

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Speaker 1: But I have a mustache. Yeah, yeah, I mean that

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Speaker 1: is a really elaborate mustache. But that guy across the

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Speaker 1: street doesn't have a mustache, I guess not. But he

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Speaker 1: could grow one, I guess I haven't seen him with

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Speaker 1: one anyway. Quite a rivalry between you know, the sauce

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Speaker 1: factory here in the pasta factory across the street. Oh,

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Speaker 1: I thought we were much more of like a symbiotic

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Speaker 1: relations relationship. And not that I know what we are like,

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Speaker 1: I just would assume pasta and sauce symbiotically. You mean,

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Speaker 1: like like the birds they eat the scum off the

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Speaker 1: back of rhinos. Yes, I thought it was alligators, but

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Speaker 1: I'm sure it's all the same. Yeah. I think a

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Speaker 1: lot of a lot of animals with hides have scum

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Speaker 1: on their back. I didn't know that. I'm trying. I'm

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Speaker 1: trying to enjoy my cheetos. Here, you guys talking about

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Speaker 1: fucking animals. Man, nobody was talking about that, sir. Jeez, sorry, Terry.

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Speaker 1: Uh well, let let me show you the let me

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Speaker 1: show you the showers. There's showers here. Well, yeah, I

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Speaker 1: mean after a long day bottling sauce. Oh, I guess

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Speaker 1: making pasta isn't quite as dirty as making sauce. We

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Speaker 1: bottle sauce by hand, we don't, you know, we're not

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Speaker 1: fully automated here. Oh hey, Tommy, who's a new guy

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Speaker 1: passing soap? There? Oh? Here you go, here's soap. Hope

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Speaker 1: I dropped it. Uh, this is you're kind of obligated

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Speaker 1: to go through this. Uh this He clearly purposely dropped

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Speaker 1: that soap. Yeah, well, I'll leave you to alone. This

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Speaker 1: is just a part of the okay hazing ritual that

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Speaker 1: we typically do here. Um. Quick question for anyone in

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Speaker 1: pasta Co. It's it's not a specific question. Whoever knows

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Speaker 1: the answer? Is there a specific reason that there are

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Speaker 1: Sasco pictures on all the dartboards on this floor down here?

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Speaker 1: Anyone at all? I didn't realize that that that are

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Speaker 1: two factories. I mean this factory that I work in now,

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Speaker 1: ha hated that next door factory so much. Well, listen,

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Speaker 1: they make a different product than us, and there were

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Speaker 1: in our proximity, So yeah, there's a rivalry. Plus they're unionized.

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Speaker 1: We're excuse me, we're using eyes And then not, so

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Speaker 1: we're piste off at them about that. Wait, wait, say

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Speaker 1: say that one more time. One of us is unionized.

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Speaker 1: I can't even remember which, but I do know what

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Speaker 1: piste off about it. Wait that this town allows unionization

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Speaker 1: of But that's nothing, I think. So yeah, yeah, but

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Speaker 1: also I always tell the truth and he always lies,

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Speaker 1: So that's true. Let me ask you a question, then, yep,

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Speaker 1: if I asked him if you were unionized, what would

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Speaker 1: he indicating who's him? I'm sorry, the one with the

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Speaker 1: very oh Pete. Then okay, if I asked Pete if

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Speaker 1: you were unionized, yes, he'd say, he would say, we

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Speaker 1: are absolutely unionized. And now you're a bit confused, ain't you?

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Speaker 1: Look at we are unionized because I admitted I was

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Speaker 1: the guy who always tells the truth. I'm so confused.

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Speaker 1: We hate SASCO though. Oh so I'm just supposed to

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Speaker 1: cut this with my hands and put it into that

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Speaker 1: class jar. That's right, put my balls in the jar. Okay, Well,

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Speaker 1: this shower is not getting me any cleaner, so I'm

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Speaker 1: not sure what it's for. And your balls barely fit

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Speaker 1: in this jars one at a time. Yeah, that's all right,

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Speaker 1: and your work is done. Here, thank you very much. Guess,

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Speaker 1: but if I dropped this jar, it's just gonna shatter

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Speaker 1: in the shower room. Yeah, let's not do that. Huh

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Speaker 1: So what am I that? I just hold this jar here?

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Speaker 1: I'll hold the jaw now that you got my nuts

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Speaker 1: in there, and you can head on down the line

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Speaker 1: to do some actual work. You guys. You guys done

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Speaker 1: in here yet. We're trying to go on here and

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Speaker 1: wash each other's balls and wait for it, looks like

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Speaker 1: your mustache washed off in the shower. Oh shoo shop

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Speaker 1: sho oh no, hey, wait a set, get your pinchet

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Speaker 1: against the tile here. Who are you? Okay, careful, careful listen.

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Speaker 1: I'm from Pasta Co across the streets. What I was

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Speaker 1: just trying to see how this factory here works. You're Bartholom,

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Speaker 1: you pasta from Pasta Co. Yes, I'm Bartholom, your pasta

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Speaker 1: from Pasta Cos. Wait wait, wait, it's about the fart. Listen,

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Speaker 1: I've give me that star. Okay, Bartholom. You you're gonna

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Speaker 1: take a couple of three ad vils in the morning

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Speaker 1: with breakfast two advils or I'd be profen. You know

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Speaker 1: you don't have to go brand do. I'd be profit

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Speaker 1: in the afternoon with lunch and then two at night.

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Speaker 1: You're gonna do this for seven days and that's going

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Speaker 1: to bring down the inflammation. Huh, when are my tea?

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Speaker 1: I'm not the dentist. I'm purely your your primary If

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Speaker 1: you need a reference to a dentist, I could tell

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Speaker 1: you who I go to. Um, but um to sit tight,

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Speaker 1: and we're gonna I'm just gonna have the nurse. Uh,

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Speaker 1: she's gonna check you out, make sure you have all

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Speaker 1: paid up. So just you sit you sit tight. Oh

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Speaker 1: doctor Dr Philancie sent you my way. Great, I love

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Speaker 1: teeth alright, Yeah, they're gonna grow back in about six

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Speaker 1: to nine months. Until then, Nick, you can take pain medication.

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Speaker 1: I can't tell you how much you need to go

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Speaker 1: to your primary care to tell you that. So, but

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Speaker 1: you want to see some of the cool pictures I

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Speaker 1: put on the ceiling. This one. This one's a Hawaii

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Speaker 1: Do you look up? Look up? You see it? It

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Speaker 1: really feels like Hawaii. Yeah, let's go to the other

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Speaker 1: room and I'll show I got this one about with mountains.

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Speaker 1: Don't know, I kind of got a goal. It's just

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Speaker 1: a new patient whose jaw I've been sent to wire? Yes, yes,

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Speaker 1: this is just lean back, my friend. This won't take

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Speaker 1: long at home. Try not to cry too much? Are

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Speaker 1: you sure you learned well? Well? Bartholome? You Jesus Christ?

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Speaker 1: What happened to your jaw that has seen one? Oh?

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Speaker 1: Can you tell scene too? Sending from listener Kristen Kelly,

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Speaker 1: who simply wrote scene suggestion, What the hell is going on, Steve?

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Speaker 1: Haven't seen you a while? How you been? I don't know, man,

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Speaker 1: I don't know. It's been crazy. No, no, no pressure, listen.

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Speaker 1: I I wanted to hope you don't mind me dropping

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Speaker 1: by like this. I wanted to tell you that your

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Speaker 1: son has been coming by our house around lunch time,

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Speaker 1: looking and acting pretty hungry, and I just wanted to

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Speaker 1: you know, know that's all what the fuck we give?

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Speaker 1: We give him lunch money and I packed him a lunch. Okay, well,

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Speaker 1: he doesn't give us any of that money, nor does

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Speaker 1: he let us know he's already got a lunch, so

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Speaker 1: we feed him lunch. Everyone. I think you know what

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Speaker 1: I think? I don't know what you think. That's why

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Speaker 1: I came by, Steve. Well, thank you for coming by first,

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Speaker 1: I think I think he's selling his lunch, all right,

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Speaker 1: giving him the kind of lunch that he could sell.

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Speaker 1: I don't I don't know, man, I'm I'm just come

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Speaker 1: up with theories, all right. I come up with theories, right.

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Speaker 1: I think he's selling this lunch and he takes that money,

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Speaker 1: adds it to the lunch money I give him, right,

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Speaker 1: and he's spine drugs he's buying. We're going right to

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Speaker 1: the drugs. That's what I mean. That's all. If you

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Speaker 1: I mean, next time you see Philip, Next time you

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Speaker 1: see Philip, like I said, it comes by every day

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Speaker 1: at lunch. We give him some lunch, and then we

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Speaker 1: sell him some drugs. Now you're watching him eat the

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Speaker 1: lunch right in front of him, right in front of you, right, not,

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Speaker 1: I mean right in front of me. You know. Sometimes

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Speaker 1: I'm coming and going. He could be packing up your

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Speaker 1: lunch and selling it on the streets. Uh, I don't know.

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Speaker 1: I don't think I want to buy that lunch. What

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Speaker 1: do you mean you don't think you want to buy

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Speaker 1: this lunch? Look at this lunch. Look how good this

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Speaker 1: lunch is. My father makes me this lunch. You want

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Speaker 1: you don't want to eat my father Steve's lunch. You

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Speaker 1: think you're too good for my father Steve's lunch. I

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Speaker 1: don't know. It just looks like the jelly bled through

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Speaker 1: the bread. That's the best part. When you get your

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Speaker 1: If you can poke the bread from the outside in

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Speaker 1: a little bit of concord, grape comes through. You know good?

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Speaker 1: That is right? How much do you want? Forty dollars?

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Speaker 1: Fifty thousand dollars. And it's not just the lunch, it's

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Speaker 1: the backpack the lunch comes in. That's a fifty dollar backpack,

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Speaker 1: my friend. You really think I'm out here about lunches.

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Speaker 1: You think I'm going over to Mr A's place every

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Speaker 1: day at lunch so that he can make me a

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Speaker 1: delicious meal. No, it's all about the backpack. Look at

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Speaker 1: this beauty. Don't don't open it. Don't open it. I

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Speaker 1: didn't know. I didn't know. Trust what's inside the thousand

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Speaker 1: dollars to get my parents to give me some lunch money.

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Speaker 1: Alrighty dollars from your parents? All right, I'm gonna give

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Speaker 1: it a shot. All right. Well, of course, if you

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Speaker 1: need a if you need lunch money, son, And that

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Speaker 1: I mean I'm trying to learn at school. It's hard

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Speaker 1: to concentrate when I'm hungry all day long. Sure, how much? How?

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Speaker 1: What are we talking about? Dollars? What the fuck? Dad?

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Speaker 1: Be smart? I'm trying to get education. Look, I was

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Speaker 1: gonna give you five bucks for the week, fifty dollars.

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Speaker 1: Come on, dad, I am song. I'm an assistant manager

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Speaker 1: at a at a sporting good shop. They don't pay

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Speaker 1: fifty dollars. I don't make that in a year. And

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Speaker 1: you want that for lunch. Five dollars is fine? Then okay,

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Speaker 1: you know you know what, you know what. I'm gonna

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Speaker 1: work a couple of extra shifts this week for my

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Speaker 1: boy really dead. Yeah, I was hoping you can help me.

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00:21:37,160 --> 00:21:39,199
Speaker 1: I'm looking for like, I want a test record, but

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Speaker 1: I don't want to Wilson or a prince. What else

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00:21:41,359 --> 00:21:46,840
Speaker 1: do you recommend? I only know Wilson and princes for rackets.

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00:21:47,880 --> 00:21:50,600
Speaker 1: I can help you get some kind of that kind

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00:21:50,600 --> 00:21:55,760
Speaker 1: of wrap that you put on the end of the racket. Yeah,

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00:21:55,760 --> 00:21:58,879
Speaker 1: but I would need the record first. It's wonderful. I

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00:21:58,920 --> 00:22:01,840
Speaker 1: can show you some really good princes and some really

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00:22:01,880 --> 00:22:07,560
Speaker 1: good Wilson. Some face here going really really well. Thank you?

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00:22:08,760 --> 00:22:11,399
Speaker 1: Can you mentioned how great you look? Today. By the way,

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00:22:11,400 --> 00:22:15,840
Speaker 1: boss fresh as death. Well, excuse me, I canna just

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Speaker 1: say as a customer, I'm not happy. I don't want

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Speaker 1: a Wilson or a Prince Tennis record. I lived across

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Speaker 1: the street from those two factories and I will never

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Speaker 1: own one in my life. Oh that's right. They they

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00:22:26,680 --> 00:22:29,720
Speaker 1: have that rival, yea, and the neighborhood caught the wrath

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Speaker 1: of it. So I asked your colleague here to recommend

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00:22:33,640 --> 00:22:37,480
Speaker 1: a record that's not Wilson or Prince, and I let

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Speaker 1: him know I only know Wilson and Princes. Well that's

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00:22:41,280 --> 00:22:45,000
Speaker 1: that's fine, Shelley. Uh, well, we we have a Slaves

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Speaker 1: and Juror. But it's out of stock. So what are

351
00:22:48,560 --> 00:22:51,960
Speaker 1: you gonna do? It's not even in stock. Alright, my

352
00:22:52,040 --> 00:22:54,840
Speaker 1: dad's going to do some extra shifts and until then,

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00:22:54,920 --> 00:22:57,600
Speaker 1: I've got a pink slip for his car. But you can't.

354
00:22:57,640 --> 00:23:01,920
Speaker 1: It's not yours. Is just a kind of car, is it.

355
00:23:01,920 --> 00:23:07,440
Speaker 1: It's a Subaru's an impressive or Laganza. It's it's the

356
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Speaker 1: impressive woman. It's really nice one. And besides the point,

357
00:23:12,960 --> 00:23:15,040
Speaker 1: he's going to have the money he's doing extra shifts

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Speaker 1: this week. I just need that lunched that backpack. You

359
00:23:19,320 --> 00:23:22,440
Speaker 1: want this lunch backpack? Look, I gotta get I gotta

360
00:23:22,480 --> 00:23:26,520
Speaker 1: unload this backpack. If a fifty thousand dollars, you understand,

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Speaker 1: my dad's good for it. He works as a sport

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Speaker 1: Tell me Dad's good for you know what you think

363
00:23:30,160 --> 00:23:32,399
Speaker 1: I'm you? You think I'm the guy at the top. No,

364
00:23:32,560 --> 00:23:34,639
Speaker 1: the guy at the top has been working undercover in

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Speaker 1: a sporting goods store for years. And if Miss Shelley

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Speaker 1: finds out that I didn't get fifty dollars for this backpack,

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00:23:41,040 --> 00:23:46,160
Speaker 1: I am fucked. The backpack. Your friend Philip is fucked.

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00:23:46,400 --> 00:23:51,119
Speaker 1: Do you know that? Wait? What? Yeah? I mean I

369
00:23:51,160 --> 00:23:55,240
Speaker 1: thought we were friends? Are we not? We're not friends?

370
00:23:55,280 --> 00:23:58,360
Speaker 1: We are friends? Wow, I just said. You never put

371
00:23:58,400 --> 00:24:02,480
Speaker 1: it like that. Of course we're friends. Look, I need

372
00:24:02,520 --> 00:24:04,639
Speaker 1: the money. Do what you gotta do? Talk to you

373
00:24:04,800 --> 00:24:07,640
Speaker 1: gotta talk to get me the money and my dad.

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00:24:07,840 --> 00:24:09,800
Speaker 1: Why don't we go to my dad's sporting good shop

375
00:24:09,880 --> 00:24:13,439
Speaker 1: right now, some of the money that he's been working

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00:24:13,480 --> 00:24:16,080
Speaker 1: over time for all right here, let me put the

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00:24:16,080 --> 00:24:18,080
Speaker 1: backpack on, I'll hold it for safe keeping. We're going

378
00:24:18,119 --> 00:24:22,960
Speaker 1: to your dad shop. That's fair. Well, I I don't

379
00:24:23,000 --> 00:24:25,800
Speaker 1: have it yet can Oh, but just waiting for this

380
00:24:25,920 --> 00:24:28,959
Speaker 1: slavesinger to come in, just waiting for this this big sale.

381
00:24:30,040 --> 00:24:38,480
Speaker 1: Uh but Dad, I mean I need food now, I'm hungry. Okay,

382
00:24:38,520 --> 00:24:41,880
Speaker 1: Well that five bucks I didn't give you, I gave

383
00:24:41,880 --> 00:24:45,879
Speaker 1: you a didn't cut it or it was a down payment.

384
00:24:46,080 --> 00:24:52,080
Speaker 1: It's like ten of fifty dollars. Dad, How can I

385
00:24:52,160 --> 00:24:56,680
Speaker 1: help you? Oh? This is this is Shelley she uh,

386
00:24:56,840 --> 00:25:02,440
Speaker 1: she's one of my subordinates. Here U hello, hello, Shelly. Um?

387
00:25:02,840 --> 00:25:05,720
Speaker 1: Could we see a tennis racket that isn't a Wilson

388
00:25:05,840 --> 00:25:09,040
Speaker 1: or a prince. I only know Wilson and princess and

389
00:25:09,160 --> 00:25:12,800
Speaker 1: you know that, Philip. Don't look at me like I'm

390
00:25:12,800 --> 00:25:16,920
Speaker 1: a stranger. I'm I'm I'm just here with with my friend.

391
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Speaker 1: Uh we we we we're we're just here to get

392
00:25:19,640 --> 00:25:23,600
Speaker 1: some Shelley. Maybe don't grab him by the throat. Oh,

393
00:25:23,720 --> 00:25:29,000
Speaker 1: I'm sorry. I didn't mean to looked very much so

394
00:25:29,200 --> 00:25:32,520
Speaker 1: like a tennis racket, so so thin here and then

395
00:25:32,560 --> 00:25:37,879
Speaker 1: some bulbous on top of me that that slays and

396
00:25:37,960 --> 00:25:42,280
Speaker 1: juror is it? I can't even pronounce lason, chuir? How

397
00:25:42,320 --> 00:25:44,639
Speaker 1: can I check on it? I'm asking the wrong person.

398
00:25:44,680 --> 00:25:50,960
Speaker 1: How can I even check on it? Ah, so this

399
00:25:51,040 --> 00:25:53,919
Speaker 1: is my planet at your house. I'm gonna hide and

400
00:25:54,000 --> 00:25:57,879
Speaker 1: when my son comes over for lunch, I'll surprise him.

401
00:25:57,960 --> 00:26:01,080
Speaker 1: I'll forge out what the hell is going? Alright, net works?

402
00:26:01,200 --> 00:26:03,720
Speaker 1: All right? Where could I wish the hide under your bed?

403
00:26:03,760 --> 00:26:07,760
Speaker 1: In your bedroom? No, we have your bedroom under the bed.

404
00:26:08,320 --> 00:26:15,320
Speaker 1: We have a safe room. Oh so panic? Yeah, it's

405
00:26:16,040 --> 00:26:18,320
Speaker 1: my wife calls it a panicker my call to safe room,

406
00:26:18,359 --> 00:26:20,720
Speaker 1: because when you go in there, you're safe, and she's panicked.

407
00:26:20,720 --> 00:26:24,159
Speaker 1: I put her in there. But you're welcome to go

408
00:26:24,240 --> 00:26:28,280
Speaker 1: in there. Yeah, I'll be honest. Also, it's not completely safe.

409
00:26:28,560 --> 00:26:31,520
Speaker 1: What there's a secret way in. Well, I got cameras

410
00:26:31,520 --> 00:26:33,800
Speaker 1: and stuff, and I can see what you're doing. You

411
00:26:33,840 --> 00:26:36,639
Speaker 1: can see what I'm doing in the safe room. The

412
00:26:36,680 --> 00:26:40,240
Speaker 1: funk that I just say, Wow, So is that another

413
00:26:40,280 --> 00:26:43,639
Speaker 1: safe room that you're watching me from? No, I'm watching

414
00:26:43,720 --> 00:26:47,520
Speaker 1: from my bedroom. I got cameras in every room. Okay,

415
00:26:47,680 --> 00:26:49,800
Speaker 1: so why not put cameras in the safe No? I

416
00:26:49,840 --> 00:26:51,840
Speaker 1: get it. So just that way, if we're in the

417
00:26:51,880 --> 00:26:55,359
Speaker 1: safe room and there's trouble out there, right, people people

418
00:26:55,400 --> 00:26:58,960
Speaker 1: could watch us. You knew how to use their equipment. Look,

419
00:26:58,960 --> 00:27:01,919
Speaker 1: I couldn't all just a safe room. I could install

420
00:27:02,040 --> 00:27:04,240
Speaker 1: just a panic room. But I think what a lot

421
00:27:04,240 --> 00:27:05,879
Speaker 1: of people are doing right now is they have a

422
00:27:06,280 --> 00:27:09,240
Speaker 1: safe room and a panic room. It's a little like

423
00:27:09,359 --> 00:27:12,359
Speaker 1: being at the spa when you go from the hot tub,

424
00:27:13,320 --> 00:27:18,359
Speaker 1: uh to the to the cold plunge, the cold plunge exactly,

425
00:27:18,800 --> 00:27:21,520
Speaker 1: so you know, you're kind of shock your body back

426
00:27:21,560 --> 00:27:23,720
Speaker 1: and forth. So that's what's gonna happen when I go

427
00:27:23,800 --> 00:27:25,720
Speaker 1: from the safe room to the panic room. You'll feel

428
00:27:25,720 --> 00:27:28,120
Speaker 1: safe in the safe room, you'll panic in the panic room.

429
00:27:28,400 --> 00:27:30,280
Speaker 1: You want to go back to the safe room, and

430
00:27:30,320 --> 00:27:32,400
Speaker 1: then you'll feel too safe, you want to go back

431
00:27:32,440 --> 00:27:35,040
Speaker 1: to the panic room. A lot of balance, a lot

432
00:27:35,040 --> 00:27:37,720
Speaker 1: of folks who are doing this, So you can install

433
00:27:37,760 --> 00:27:40,679
Speaker 1: both of these, yeah, yeah, right, like right across the

434
00:27:40,680 --> 00:27:47,639
Speaker 1: hall from each other, like two factories. You're nasty, little

435
00:27:47,720 --> 00:27:50,359
Speaker 1: but over here, do you you have the audacity to walk

436
00:27:50,359 --> 00:27:54,040
Speaker 1: into my fake place of work wearing one of my

437
00:27:54,240 --> 00:27:57,960
Speaker 1: backpacks that you clearly haven't sold. I didn't know you

438
00:27:58,000 --> 00:28:00,720
Speaker 1: worked there. I'm sorry. I didn't know you. I knew

439
00:28:00,840 --> 00:28:03,080
Speaker 1: I knew you worked undercover. I didn't know which story. Nobody,

440
00:28:03,520 --> 00:28:07,960
Speaker 1: excuse me. That I didn't feel beholden to tell you.

441
00:28:08,280 --> 00:28:10,360
Speaker 1: Please put my arm away. Please put my arm away

442
00:28:10,359 --> 00:28:12,600
Speaker 1: where it's supposed to go. Miss she put it away.

443
00:28:12,600 --> 00:28:14,879
Speaker 1: I'll put it away in the track. Why is my

444
00:28:15,000 --> 00:28:16,440
Speaker 1: arm in the trash can and the rest of me

445
00:28:16,560 --> 00:28:19,920
Speaker 1: is outside of it? Now? You listen to me, Philip,

446
00:28:20,400 --> 00:28:25,080
Speaker 1: I need that cash. The guy's arm is completely off.

447
00:28:25,400 --> 00:28:29,159
Speaker 1: Hold the herd. Get Darry. Do you want me to

448
00:28:29,160 --> 00:28:33,119
Speaker 1: call mine on one? Uh? Can Darry help? Oh my gosh,

449
00:28:33,240 --> 00:28:41,160
Speaker 1: because what's going on here? Nothing? I fell give me

450
00:28:41,200 --> 00:28:43,240
Speaker 1: that backpack. It doesn't seem to go on your on

451
00:28:43,360 --> 00:28:48,720
Speaker 1: your I don't have a shoulder. I can't. He's got

452
00:28:48,720 --> 00:28:53,400
Speaker 1: the backpack. Miss Shelley's got the backpack. Good news, Good news.

453
00:28:53,440 --> 00:28:58,800
Speaker 1: The slazer jer is in and at five percent commission,

454
00:28:59,680 --> 00:29:07,320
Speaker 1: looks like I'm getting two dollars and fifty cents, so

455
00:29:07,680 --> 00:29:11,200
Speaker 1: just tack that on to uh we got seven dollars

456
00:29:11,200 --> 00:29:17,480
Speaker 1: and fifty cents. Oh dad, I thought it was gonna

457
00:29:17,480 --> 00:29:20,560
Speaker 1: go a little quicker. I I hope this isn't going

458
00:29:20,680 --> 00:29:23,480
Speaker 1: too far, but I am working my ass off here, kiddo.

459
00:29:24,520 --> 00:29:29,880
Speaker 1: I used your pink slip for the impressive and I

460
00:29:29,960 --> 00:29:33,680
Speaker 1: kind of put that down. Yeah, every car we sell here,

461
00:29:33,680 --> 00:29:35,720
Speaker 1: we're gonna give you a pink slip with it. Now

462
00:29:35,720 --> 00:29:37,520
Speaker 1: that has nothing to do with the car. But what

463
00:29:37,600 --> 00:29:39,720
Speaker 1: you can use that for is an I O U

464
00:29:40,480 --> 00:29:44,240
Speaker 1: or U O or ir A for retirement. So that's

465
00:29:44,240 --> 00:29:45,880
Speaker 1: what you want to do with that pink slip. Now,

466
00:29:45,880 --> 00:29:47,760
Speaker 1: we're gonna throw that in for free. So what do

467
00:29:47,800 --> 00:29:53,960
Speaker 1: we have we have a deal on this outback? I

468
00:29:54,000 --> 00:29:57,800
Speaker 1: don't know. I've I've the impressive I saw a few

469
00:29:57,880 --> 00:30:01,760
Speaker 1: days ago. Where's that? That is here here? Yeah? We

470
00:30:01,880 --> 00:30:04,320
Speaker 1: sold out where we got it on back order right now.

471
00:30:04,560 --> 00:30:06,840
Speaker 1: It's gonna be in any day. But I don't have one.

472
00:30:07,160 --> 00:30:09,600
Speaker 1: I got a lega Zama. I think that's one of

473
00:30:09,600 --> 00:30:15,120
Speaker 1: the john he signed the car. So it's right over here.

474
00:30:15,360 --> 00:30:19,680
Speaker 1: How many of the signed cars? Which ones? Which ones

475
00:30:19,760 --> 00:30:22,280
Speaker 1: do you recommend? Because some of these and some of

476
00:30:22,320 --> 00:30:25,320
Speaker 1: these autographs I can't even read. Great. Yeah, this one

477
00:30:25,440 --> 00:30:28,040
Speaker 1: here right here, this is uh Emma Smith. He used

478
00:30:28,080 --> 00:30:32,240
Speaker 1: to play he was Dancing with the Stars champion uh.

479
00:30:32,400 --> 00:30:36,200
Speaker 1: And then that's what you know Emmett Smith for too,

480
00:30:38,760 --> 00:30:47,800
Speaker 1: and he loves Texas. Same three comes from listener to Cassandra,

481
00:30:48,000 --> 00:30:50,400
Speaker 1: who wrote, Hi, y'all. I started listening a few weeks

482
00:30:50,400 --> 00:30:52,840
Speaker 1: after the beginning of the show released, around the time

483
00:30:52,840 --> 00:30:56,600
Speaker 1: I started attending school, and so Craig's I like him

484
00:30:56,720 --> 00:31:01,520
Speaker 1: for this in Turla's Diner has free Rent in my head. Man,

485
00:31:01,560 --> 00:31:04,360
Speaker 1: I love that moment that haunts me as well. I

486
00:31:04,400 --> 00:31:06,520
Speaker 1: haven't stopped thinking about it since that episode. So much

487
00:31:06,520 --> 00:31:09,080
Speaker 1: has changed everyone's lives since then, but y'all's show has

488
00:31:09,120 --> 00:31:13,880
Speaker 1: been a constant the entire time. My suggestion is tenured

489
00:31:13,920 --> 00:31:19,000
Speaker 1: professors try to relate to their students. Cassandra McCarthy they

490
00:31:19,080 --> 00:31:27,600
Speaker 1: they she yes, may I help you? Miss? Yeah, I'm

491
00:31:27,760 --> 00:31:34,000
Speaker 1: in your Thursday Evenings lit class. Uh Cartwright? Your name

492
00:31:34,080 --> 00:31:37,880
Speaker 1: is Lisa Cartwright. Yeah, okay, I didn't even think you

493
00:31:37,960 --> 00:31:42,720
Speaker 1: knew who I was. Oh yeah, you like um weirdly

494
00:31:42,760 --> 00:31:52,080
Speaker 1: you like Twitter more than Instagram? Wow? Um yeah think Well.

495
00:31:52,440 --> 00:31:54,960
Speaker 1: I like to get to know the students so that

496
00:31:55,360 --> 00:31:57,840
Speaker 1: I can help in their lives. Should they need it

497
00:31:57,960 --> 00:32:00,520
Speaker 1: or should I think they need it? Well? Well, yeah,

498
00:32:00,560 --> 00:32:04,720
Speaker 1: I'm actually I've been really struggling with the essay assignment

499
00:32:04,800 --> 00:32:07,960
Speaker 1: that's due one way, when when you say struggling, it

500
00:32:08,080 --> 00:32:10,200
Speaker 1: is due tomorrow, yes, and there's no exceptions when you

501
00:32:10,240 --> 00:32:13,320
Speaker 1: say struggling, what seems to be the issue. Um, I

502
00:32:13,400 --> 00:32:20,240
Speaker 1: don't understand the problem, Steve him Mr Jay morning, Mr J.

503
00:32:21,280 --> 00:32:23,440
Speaker 1: They call me Mr J, which is kind of nice

504
00:32:23,960 --> 00:32:28,240
Speaker 1: that I love that, Mr J. Um the problem. My

505
00:32:28,320 --> 00:32:32,920
Speaker 1: first name is Julius, So yeah, that's really it's a

506
00:32:32,920 --> 00:32:36,200
Speaker 1: way of being informal and also formal. Yeah that's cool. Um,

507
00:32:36,280 --> 00:32:38,680
Speaker 1: it makes you, it makes it's a cool name for

508
00:32:38,720 --> 00:32:44,600
Speaker 1: a cool guy. Um, you're so cool, right. I feel

509
00:32:44,640 --> 00:32:47,280
Speaker 1: this is leading somewhere. You said you were having difficulties

510
00:32:47,280 --> 00:32:50,400
Speaker 1: with the prompt is just kind of going right over

511
00:32:50,440 --> 00:32:52,960
Speaker 1: my head. And so every time that I'm trying to

512
00:32:53,480 --> 00:32:55,720
Speaker 1: sit down and write it, I'm not really understanding what

513
00:32:55,760 --> 00:33:00,160
Speaker 1: I should be doing and you should be writing it.

514
00:33:00,280 --> 00:33:03,320
Speaker 1: I mean, where's the confusing part. If you could just

515
00:33:03,360 --> 00:33:07,800
Speaker 1: help me, if you could just reinterpret the prompt. Um,

516
00:33:07,840 --> 00:33:17,080
Speaker 1: I'm finding the language difficult, difficult because it's English. Um,

517
00:33:17,080 --> 00:33:20,520
Speaker 1: maybe I'm dumb. Maybe you're cool and I'm dumb. Well,

518
00:33:20,560 --> 00:33:22,920
Speaker 1: there's no way you get this far in the university

519
00:33:23,080 --> 00:33:25,600
Speaker 1: if you are, in fact, quote unquote dumb. So let's

520
00:33:25,720 --> 00:33:28,880
Speaker 1: remove that from the context of the conversation. Good, thank you,

521
00:33:28,920 --> 00:33:34,000
Speaker 1: Thank you. Mr j Um, I'm stuck, you know. I

522
00:33:34,200 --> 00:33:38,800
Speaker 1: just it says, it says, if you were to be

523
00:33:39,160 --> 00:33:46,040
Speaker 1: one of and not of, but in that in which

524
00:33:46,240 --> 00:33:53,840
Speaker 1: you were, then what character in whose story would you

525
00:33:54,320 --> 00:34:00,280
Speaker 1: call when you were to be that? Are you? So?

526
00:34:00,320 --> 00:34:03,560
Speaker 1: I think's the problem. I think the issue maybe at

527
00:34:03,600 --> 00:34:07,320
Speaker 1: the beginning of all that, wherein you said, and I

528
00:34:07,440 --> 00:34:12,880
Speaker 1: quote it says, so, yeah, these are words they don't speak.

529
00:34:13,160 --> 00:34:19,560
Speaker 1: It reads, is what you mean to say, Diana? You

530
00:34:19,640 --> 00:34:22,800
Speaker 1: call me in. But let me tell you, I'm not apologizing.

531
00:34:24,680 --> 00:34:26,840
Speaker 1: What do you mean? You're not you're you're not apologizing

532
00:34:26,880 --> 00:34:29,960
Speaker 1: that that was an egregious, regious act out there. You

533
00:34:29,960 --> 00:34:35,680
Speaker 1: can't one word what tenured? I'm tenured. Fo. I could

534
00:34:35,680 --> 00:34:38,239
Speaker 1: take a dump in this office right now, and you

535
00:34:38,280 --> 00:34:42,520
Speaker 1: can't do no pun intended shit about it. You know what?

536
00:34:42,680 --> 00:34:44,680
Speaker 1: You know what, You're right, You're right. You got to

537
00:34:44,760 --> 00:34:47,680
Speaker 1: buy the balls. You're tenured. There's nothing I can do.

538
00:34:47,840 --> 00:34:50,080
Speaker 1: But you think, what do you think this is a

539
00:34:50,120 --> 00:34:52,640
Speaker 1: way to get your students to respect you. You are

540
00:34:52,719 --> 00:34:56,719
Speaker 1: Internet trolling every one of your students. What the hell

541
00:34:56,719 --> 00:34:59,040
Speaker 1: do you You wrote it? You wrote a manifesto about

542
00:34:59,200 --> 00:35:02,439
Speaker 1: negging and slipped it under my door. Somehow that's gonna

543
00:35:02,440 --> 00:35:05,359
Speaker 1: make your students. But what is this bullshit? I can

544
00:35:05,360 --> 00:35:07,719
Speaker 1: do whatever I want, So I do whatever I want. Fine,

545
00:35:07,880 --> 00:35:09,839
Speaker 1: you know what, be an asshole if you want, that's

546
00:35:09,840 --> 00:35:11,480
Speaker 1: what you That's what you're doing. You're being an asshole.

547
00:35:11,520 --> 00:35:13,319
Speaker 1: You're paying the mask. You want to talk real, I'll

548
00:35:13,360 --> 00:35:15,600
Speaker 1: talk real right now. I can't fire you, but I

549
00:35:15,600 --> 00:35:18,280
Speaker 1: can make your life. Hell. I will find other students.

550
00:35:18,320 --> 00:35:21,160
Speaker 1: I will get a gang of students together to troll

551
00:35:21,239 --> 00:35:24,080
Speaker 1: you so hard you will be crying into someone else's

552
00:35:24,080 --> 00:35:27,600
Speaker 1: Twitter account. Okay, get out of my fucking office, Jesus

553
00:35:28,160 --> 00:35:31,319
Speaker 1: want to Oh, well, you know what I can't stop

554
00:35:31,360 --> 00:35:33,680
Speaker 1: you from leh, which is I can't stop you from

555
00:35:33,760 --> 00:35:35,840
Speaker 1: leaving my office. But now is when you want to go.

556
00:35:35,960 --> 00:35:38,520
Speaker 1: I'm making the decision that I want to go, Dean,

557
00:35:38,640 --> 00:35:40,640
Speaker 1: so I'm gonna leave. Sake. It's like a four year

558
00:35:40,760 --> 00:35:43,920
Speaker 1: I brought this mason jar with me. Did you pee

559
00:35:43,960 --> 00:35:45,960
Speaker 1: in that Mason jar? I did? I was going to

560
00:35:46,080 --> 00:35:49,440
Speaker 1: leave it on your Get off my desk? What do you?

561
00:35:49,480 --> 00:35:51,000
Speaker 1: What do you? Why are you doing this to me?

562
00:35:51,920 --> 00:35:54,080
Speaker 1: You don't do this. No other Dean puts up with

563
00:35:54,120 --> 00:35:57,040
Speaker 1: the things that I put up Mr J. Come on,

564
00:35:57,400 --> 00:36:00,080
Speaker 1: he's a PhD. And he goes by Mr. Come on

565
00:36:00,440 --> 00:36:03,239
Speaker 1: that he's the cool teacher. Everyone knows he's the cool

566
00:36:03,280 --> 00:36:08,480
Speaker 1: teacher with the clearest assignments. Dr Epstein, as your lawyer,

567
00:36:08,480 --> 00:36:10,600
Speaker 1: I need to let you know that you've gotten a

568
00:36:10,560 --> 00:36:13,960
Speaker 1: as season assist order from Julia serving former NBA grade.

569
00:36:14,640 --> 00:36:18,600
Speaker 1: You can no longer use Dr J as a nickname,

570
00:36:19,680 --> 00:36:24,000
Speaker 1: but but he will consent to you being called Mr J. Well,

571
00:36:24,160 --> 00:36:26,720
Speaker 1: my understanding is that all the students were just using

572
00:36:26,760 --> 00:36:29,560
Speaker 1: the moniker Mr J. I don't know how Dr Ja

573
00:36:29,719 --> 00:36:32,279
Speaker 1: got into the conversation because I don't know how he

574
00:36:32,320 --> 00:36:35,520
Speaker 1: caught word of it, but he is angry. I'm a

575
00:36:35,560 --> 00:36:37,400
Speaker 1: big fan of his. What's he up to now? By

576
00:36:37,440 --> 00:36:42,439
Speaker 1: the way, if you haven't, I think he's uh, he's

577
00:36:42,480 --> 00:36:46,160
Speaker 1: investing in crypto. I think yeah, a lot of the athletes,

578
00:36:46,200 --> 00:36:48,840
Speaker 1: says stars have caught onto that and done quite well.

579
00:36:49,280 --> 00:36:52,359
Speaker 1: I find it to be an antiquated system already. So

580
00:36:52,719 --> 00:36:56,120
Speaker 1: we've talked mostly, just been conferring with his lawyer. I

581
00:36:56,120 --> 00:36:59,880
Speaker 1: haven't haven't talked to Dr J himself. I wonder if

582
00:37:00,000 --> 00:37:03,600
Speaker 1: he could get him on us speaker on a phone call.

583
00:37:04,120 --> 00:37:06,160
Speaker 1: Is that possible, you think, well, I'll see what I

584
00:37:06,160 --> 00:37:09,880
Speaker 1: can do. I mean, I can apologize, all right, South

585
00:37:10,080 --> 00:37:14,279
Speaker 1: Street knuckle heads, we've been brought together. We're supposed to

586
00:37:14,320 --> 00:37:17,319
Speaker 1: go into a class and raise hell. So we're going

587
00:37:17,360 --> 00:37:24,560
Speaker 1: to college. Who's ready for college? Your mother? Yeah, we're classes.

588
00:37:25,880 --> 00:37:30,000
Speaker 1: I'm not entirely sure, but this this teacher's tenured and

589
00:37:30,040 --> 00:37:33,279
Speaker 1: we're supposed to raise hell, and that's what we're good

590
00:37:33,320 --> 00:37:38,520
Speaker 1: at his Maybe we will put his balls in a jar.

591
00:37:38,560 --> 00:37:40,400
Speaker 1: Who's got a mason jar that we can bring with?

592
00:37:40,600 --> 00:37:46,760
Speaker 1: Maybe it'll be anthropology, Fuck his mother. I'm not trially

593
00:37:46,840 --> 00:37:48,520
Speaker 1: sure what we're gonna do, but I need you all

594
00:37:48,560 --> 00:37:52,600
Speaker 1: the dressing college outfits with college backpacks, and we're going

595
00:37:52,640 --> 00:37:57,880
Speaker 1: into his class today. I wouldn't mind a sociology class either. Listen,

596
00:37:57,880 --> 00:38:00,560
Speaker 1: we're not going for class. We're going to do disrupt

597
00:38:00,880 --> 00:38:04,680
Speaker 1: and to destroy this tenure. Could we in fact sign

598
00:38:04,800 --> 00:38:08,560
Speaker 1: up if we liked what we're hearing? I suppose, But

599
00:38:08,640 --> 00:38:10,760
Speaker 1: there's not a lot of room in the South Street

600
00:38:10,840 --> 00:38:13,480
Speaker 1: knuckleheads for people going Yeah, of course, and fun your

601
00:38:13,480 --> 00:38:16,719
Speaker 1: mother too, But I just you know, it sounds interesting.

602
00:38:17,360 --> 00:38:23,919
Speaker 1: Going to school sounds interesting a topology, you know, it's

603
00:38:24,360 --> 00:38:27,560
Speaker 1: it's a study of ants. So I'm in, Well, we

604
00:38:27,640 --> 00:38:30,280
Speaker 1: don't know what he's We don't know what he's teaching

605
00:38:30,400 --> 00:38:32,360
Speaker 1: right now, So I guess I'll leave it up to

606
00:38:32,440 --> 00:38:35,800
Speaker 1: your discretion in the moment. As long as we're raising

607
00:38:35,920 --> 00:38:39,359
Speaker 1: hell and making this teacher's life a living hell. How

608
00:38:39,360 --> 00:38:42,400
Speaker 1: many electives do we need? I think we just have

609
00:38:42,480 --> 00:38:45,239
Speaker 1: to go to this one class. The dean has made

610
00:38:45,239 --> 00:38:49,799
Speaker 1: an exception, and we're all enrolled in this university, so mother,

611
00:38:49,840 --> 00:38:53,680
Speaker 1: but we don't need a prerequisite at all. The dean

612
00:38:53,800 --> 00:38:56,680
Speaker 1: has gotten it all straightened out. All we gotta do.

613
00:38:57,800 --> 00:39:03,960
Speaker 1: Dean Passenger, excuse me? What? Well? I heard that you

614
00:39:04,080 --> 00:39:07,799
Speaker 1: got the South Street knuckleheads to come and funk with

615
00:39:07,840 --> 00:39:11,920
Speaker 1: one of the ten yeared professors. Excuse my French, and

616
00:39:12,200 --> 00:39:15,600
Speaker 1: I have a bit of a problem. You know that

617
00:39:15,640 --> 00:39:18,040
Speaker 1: I control the ship out of anyone that you want.

618
00:39:18,120 --> 00:39:21,120
Speaker 1: I can make someone feel so low they want to die.

619
00:39:21,840 --> 00:39:25,120
Speaker 1: Why the you're mad that I didn't come to you first? Yeah,

620
00:39:25,200 --> 00:39:30,560
Speaker 1: no ship, no ship, deans Lessenger. I live for nothing else.

621
00:39:31,560 --> 00:39:34,279
Speaker 1: This is all I can do. Well, alright, shut the door,

622
00:39:34,320 --> 00:39:40,040
Speaker 1: shut the door, close the blinds. Look and it's he's

623
00:39:40,040 --> 00:39:42,440
Speaker 1: been he's been, he's been on my ass. He's been

624
00:39:42,520 --> 00:39:44,440
Speaker 1: nagging all of his students, thinking it's gonna make him

625
00:39:44,440 --> 00:39:46,520
Speaker 1: better and thinking it's gonna make him cool. So here's

626
00:39:46,520 --> 00:39:47,920
Speaker 1: what I need you to do. I need you to

627
00:39:48,040 --> 00:39:51,000
Speaker 1: docks that motherfucker right in the middle of I want

628
00:39:51,040 --> 00:39:53,120
Speaker 1: you to do it online, and I want you to

629
00:39:53,160 --> 00:39:56,319
Speaker 1: do it on the wall of the student center. I

630
00:39:56,360 --> 00:39:58,200
Speaker 1: want a big poster on the wall of the student

631
00:39:58,280 --> 00:40:01,600
Speaker 1: center that has his name, is a dress, his phone number,

632
00:40:01,840 --> 00:40:04,040
Speaker 1: hit all of his handles. What what? Why are you

633
00:40:04,080 --> 00:40:05,600
Speaker 1: looking at me like that you have a better idea?

634
00:40:05,760 --> 00:40:08,040
Speaker 1: Like I really really like this, but I feel like

635
00:40:08,080 --> 00:40:11,160
Speaker 1: the South, the little knuckleheads, Like I feel like this

636
00:40:11,239 --> 00:40:13,560
Speaker 1: is something that they could do because what I do

637
00:40:13,680 --> 00:40:16,160
Speaker 1: best just like just give someone like a knowing look

638
00:40:16,200 --> 00:40:19,640
Speaker 1: and it's like are you tired? And now they feel

639
00:40:19,640 --> 00:40:21,320
Speaker 1: like ship? Now they feel like they look like share

640
00:40:21,440 --> 00:40:26,760
Speaker 1: Like I can just like, oh, is that is that

641
00:40:27,080 --> 00:40:30,600
Speaker 1: how you wear your hair every day? Or is there something?

642
00:40:30,800 --> 00:40:33,960
Speaker 1: Are you not feeling well? And just like really make

643
00:40:34,040 --> 00:40:38,919
Speaker 1: them just like doubles. I don't know. And that's gonna

644
00:40:38,920 --> 00:40:40,400
Speaker 1: take a lot of needle. You're gonna have to follow

645
00:40:40,480 --> 00:40:45,240
Speaker 1: him around Dean's listener heard you still have problems. Listen,

646
00:40:45,280 --> 00:40:48,239
Speaker 1: this is a Dean Wilson. I'm Dean Prince, dean of

647
00:40:48,239 --> 00:40:52,000
Speaker 1: the science program across the street. Here's our idea. We

648
00:40:52,080 --> 00:40:55,600
Speaker 1: all switched places from the university across the street. No, no, no,

649
00:40:55,760 --> 00:40:58,920
Speaker 1: the school, the School of Sciences. Oh got you, got you?

650
00:40:59,080 --> 00:41:00,440
Speaker 1: I thought you met the other. I think you met

651
00:41:00,440 --> 00:41:03,160
Speaker 1: the rival university across the street. All right, what then

652
00:41:03,239 --> 00:41:06,680
Speaker 1: do you guys want? Listen, we're all having some problems.

653
00:41:06,800 --> 00:41:10,399
Speaker 1: We go undercover, all right, in each other's schools, act

654
00:41:10,440 --> 00:41:17,879
Speaker 1: as students. And hey, is that the South Street knuckleheads? Oh? Yes,

655
00:41:18,160 --> 00:41:22,640
Speaker 1: somebody hired them to funk with a class. But now

656
00:41:22,640 --> 00:41:25,520
Speaker 1: they're all students here. Actually one of them, he got

657
00:41:25,520 --> 00:41:28,759
Speaker 1: fast tracked really really quickly, needs a professor. Now he's

658
00:41:28,760 --> 00:41:34,480
Speaker 1: almost a tenure. There's a South Street knucklehead who almost

659
00:41:34,520 --> 00:41:37,640
Speaker 1: has tenure in your college. Yeah, he studies ants. I

660
00:41:37,640 --> 00:41:39,719
Speaker 1: don't know what the hell happened, but somehow he got

661
00:41:39,800 --> 00:41:44,000
Speaker 1: enough credits that quickly. Look, the knuckleheads. Don't don't discount

662
00:41:44,040 --> 00:41:46,640
Speaker 1: the street. The street urchins, my friend, don't discount the

663
00:41:46,640 --> 00:41:51,279
Speaker 1: street urchins. They can and if you focus this magnifying

664
00:41:51,360 --> 00:41:55,680
Speaker 1: glass over the ants. You will slowly talkture them the

665
00:41:55,800 --> 00:42:01,840
Speaker 1: death professor, professor a question, yeah, yeah, use why do

666
00:42:01,880 --> 00:42:06,440
Speaker 1: you have that baseball bat on your desk to potentially

667
00:42:06,520 --> 00:42:10,080
Speaker 1: beat the ship out of you with? Here's my great

668
00:42:10,120 --> 00:42:15,879
Speaker 1: on a coive, here's my here's my assignment early? All right,

669
00:42:16,360 --> 00:42:18,080
Speaker 1: all right, that's good. Anybody else want to turn in

670
00:42:18,120 --> 00:42:22,839
Speaker 1: their assignment early? Do you? I don't know. I'll turn

671
00:42:22,880 --> 00:42:27,520
Speaker 1: it in, but it's not complete. Uh come here for

672
00:42:27,560 --> 00:42:33,000
Speaker 1: a second. Well, what's your name? Uh? My name's Jared. Okay, Jared?

673
00:42:33,800 --> 00:42:38,279
Speaker 1: How did you like a baseball bat across your face? Oh? No, no, no,

674
00:42:38,360 --> 00:42:41,360
Speaker 1: I don't want that. I don't want that. You stopped

675
00:42:41,400 --> 00:42:44,879
Speaker 1: really close to my face. I did, I did. Now

676
00:42:44,920 --> 00:42:47,359
Speaker 1: turn in your assignment and fuck your mother too, by

677
00:42:47,360 --> 00:42:54,920
Speaker 1: the way, And that is our show today. Uh uh,

678
00:42:55,360 --> 00:42:58,440
Speaker 1: there they are. Thank you and every damn one of

679
00:42:58,480 --> 00:43:02,200
Speaker 1: you here at our first recording of I want to

680
00:43:02,239 --> 00:43:06,560
Speaker 1: go around the horn as it were, starting with Jackie,

681
00:43:06,760 --> 00:43:08,560
Speaker 1: thank you so much for being here in a happy

682
00:43:08,640 --> 00:43:12,319
Speaker 1: new year, damnit, happy new year. Thank you for having me.

683
00:43:12,800 --> 00:43:17,080
Speaker 1: I hope it's a spectacular one for you and yours

684
00:43:19,000 --> 00:43:23,000
Speaker 1: and to you and yours and to everybody, well, may

685
00:43:23,160 --> 00:43:28,759
Speaker 1: this year suck less than last. That's the plan and

686
00:43:28,960 --> 00:43:35,759
Speaker 1: quite the logo. Ah, thank you, Mark Gagliardi. Yes, thank god.

687
00:43:35,840 --> 00:43:38,280
Speaker 1: So tomorrow all the lights come down and the tree.

688
00:43:39,920 --> 00:43:44,240
Speaker 1: Yeah ish, look, I do it piecemeal. I've taken some down.

689
00:43:44,600 --> 00:43:48,000
Speaker 1: I'll take the rest down slowly. Bye Bye Valentine's Day.

690
00:43:48,040 --> 00:43:49,680
Speaker 1: I'll be ready to put up the Valentine tree. You

691
00:43:49,680 --> 00:43:51,600
Speaker 1: should have your neighbors just break in and take it

692
00:43:51,640 --> 00:43:56,120
Speaker 1: down as a true epiphany. Oh that's oh, I like,

693
00:43:56,239 --> 00:43:59,319
Speaker 1: I like what this is going. Have three neighbors come over.

694
00:44:00,080 --> 00:44:02,759
Speaker 1: One brings gold and to bring essential oils, because that's

695
00:44:02,760 --> 00:44:05,640
Speaker 1: a big thing. Yeah, inside the house. As the Patren

696
00:44:05,680 --> 00:44:08,520
Speaker 1: members can see in their special recording of this session,

697
00:44:09,080 --> 00:44:11,360
Speaker 1: you've got lights in a tree and stuff outside of

698
00:44:11,400 --> 00:44:15,160
Speaker 1: one's home. Jamie and I will drive around, and sure enough,

699
00:44:15,239 --> 00:44:18,200
Speaker 1: last night we were pointing and saying our favorite term

700
00:44:18,280 --> 00:44:20,839
Speaker 1: this time of year, which is take it down now,

701
00:44:21,400 --> 00:44:25,600
Speaker 1: thank you, take it down hard, disagree, leave it up

702
00:44:25,640 --> 00:44:29,160
Speaker 1: all year, all year? We do we. I I did

703
00:44:29,200 --> 00:44:32,640
Speaker 1: take to leaving a few lights around the doorframe, the

704
00:44:32,719 --> 00:44:35,839
Speaker 1: gate out front, and up one particular tree. I do

705
00:44:35,920 --> 00:44:37,680
Speaker 1: leave those around because they're white lights and I leave

706
00:44:37,719 --> 00:44:41,120
Speaker 1: them up here around now perfect. You're festive. You're festive guy. Yeah,

707
00:44:41,200 --> 00:44:42,960
Speaker 1: and I want people to think my house is the

708
00:44:43,000 --> 00:44:45,960
Speaker 1: restaurant the ivy. But thank you for being here, my pleasure.

709
00:44:46,120 --> 00:44:49,719
Speaker 1: Thanks for having me. Yeah, but tools sing, thank you

710
00:44:49,800 --> 00:44:52,320
Speaker 1: very much for having me. A great way to start

711
00:44:52,320 --> 00:44:55,920
Speaker 1: off the year. So I'm just so excited. And uh

712
00:44:56,080 --> 00:44:59,440
Speaker 1: I think five days in it is already better than

713
00:44:59,560 --> 00:45:02,359
Speaker 1: last two. Well that's the spirit. And by the way,

714
00:45:02,360 --> 00:45:06,080
Speaker 1: when I wrote the prep pre show lead ins and

715
00:45:06,160 --> 00:45:08,560
Speaker 1: called you Longhorn, honey, I did not know you'd be

716
00:45:08,600 --> 00:45:10,759
Speaker 1: wearing the hoodie. It's a good good chance. It was

717
00:45:10,760 --> 00:45:15,759
Speaker 1: about sixty of my wardrobe, so it's a good I

718
00:45:15,800 --> 00:45:18,640
Speaker 1: will remember that for the future. Great kowski, thank you

719
00:45:18,719 --> 00:45:22,560
Speaker 1: so much, and nice to see that you've remained safe

720
00:45:22,560 --> 00:45:28,680
Speaker 1: and sound in that room. Yes, have not left. I'm

721
00:45:28,719 --> 00:45:32,040
Speaker 1: pretty stocked up with the Yeah, with powdered water, and

722
00:45:32,200 --> 00:45:35,160
Speaker 1: uh yeah, I think I think it's gonna be okay.

723
00:45:35,200 --> 00:45:39,720
Speaker 1: I might emerge sometime around May or June, just depending

724
00:45:39,719 --> 00:45:41,719
Speaker 1: on the numbers. Should be safe r on then and

725
00:45:41,760 --> 00:45:45,400
Speaker 1: again FLA is going around, so sure remind me to

726
00:45:45,560 --> 00:45:49,240
Speaker 1: turn powdered water into actual water. You just add water.

727
00:45:50,480 --> 00:45:53,600
Speaker 1: Good good, good, good good. James Heeney, thank you, as

728
00:45:53,640 --> 00:45:57,120
Speaker 1: always my friend from the void. Thank you. It's great

729
00:45:57,120 --> 00:45:58,920
Speaker 1: to be here. And you know, there's a lot of

730
00:45:58,920 --> 00:46:01,640
Speaker 1: things that I've been frustrated with two already, but one

731
00:46:01,680 --> 00:46:05,279
Speaker 1: thing that's brought me joy is reviews. And we've got

732
00:46:05,280 --> 00:46:07,080
Speaker 1: some reviews in and I want to just make it clear,

733
00:46:07,440 --> 00:46:10,239
Speaker 1: we only want honest, real reviews. We're not looking for

734
00:46:10,280 --> 00:46:13,000
Speaker 1: fake reviews. And we got a real, honest, great one here.

735
00:46:13,080 --> 00:46:17,239
Speaker 1: It's a five star review from Linguini likes it. It says, Hi,

736
00:46:17,320 --> 00:46:21,799
Speaker 1: I'm Linguini. I'm a roadrunner from Tuscan, Arizona, and I

737
00:46:21,840 --> 00:46:24,279
Speaker 1: love this podcast. I've been listening to it ever since

738
00:46:24,280 --> 00:46:27,080
Speaker 1: I started roosting on this lady's back porch about nine

739
00:46:27,120 --> 00:46:29,960
Speaker 1: months ago. She thinks I'm here because I like her

740
00:46:29,960 --> 00:46:33,160
Speaker 1: electrical box protected from the rain, cats, talks hours, etcetera.

741
00:46:33,400 --> 00:46:37,359
Speaker 1: But it's really because I love this podcast. Now, if

742
00:46:37,400 --> 00:46:41,480
Speaker 1: we can just get many more honest podcast reviews like that,

743
00:46:43,080 --> 00:46:48,680
Speaker 1: it will make two really joyful for me. I'm sorry,

744
00:46:48,719 --> 00:46:50,640
Speaker 1: go ahead, Yeah, no, no, go ahead. And I was

745
00:46:50,640 --> 00:46:55,480
Speaker 1: gonna say, did it really say Tuscan? It might be Tucson.

746
00:47:00,680 --> 00:47:06,399
Speaker 1: That's why you bring a hen to the party. Okay, yeah, yeah,

747
00:47:06,440 --> 00:47:10,200
Speaker 1: I think it's Tucson because I've never heard of When

748
00:47:10,239 --> 00:47:12,799
Speaker 1: I perform on stage in Tucson, I do call it

749
00:47:12,880 --> 00:47:18,160
Speaker 1: tucks in to their face. So, um, thank you all.

750
00:47:18,239 --> 00:47:20,560
Speaker 1: I'm your host, Kevin Pollican. Oh, let's thank our engineering

751
00:47:20,560 --> 00:47:25,160
Speaker 1: producer to the stars, Mr Doug Baine, the fine folks

752
00:47:25,160 --> 00:47:29,520
Speaker 1: that I heart media. I am still your host, Kevin pod.

753
00:47:29,560 --> 00:47:31,879
Speaker 1: Please be kind of each other, Happy New Year. Tell

754
00:47:31,880 --> 00:47:34,600
Speaker 1: everyone you've ever met about the podcast, and until next time,