WEBVTT - Can my nightmares kill me?

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. Julie.

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<v Speaker 1>Let's set the stage for this. Uh, let's travel back

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<v Speaker 1>in time to around nine. Um. I was but a

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<v Speaker 1>wee child, so I was not actually watching the news

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<v Speaker 1>or reading the New York Times. But it was reported

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<v Speaker 1>in the New York Times that the CDC Centers for

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<v Speaker 1>Disease Control headquartered here in Atlanta, our fair city. People

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<v Speaker 1>who watch The Walking Dad know that that's a big

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<v Speaker 1>claim to thing. And people who play the board game Pandemic.

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<v Speaker 1>So CDC Centers for Disease Control they were suddenly really

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<v Speaker 1>interested in eighteen deaths that had occurred over the last

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<v Speaker 1>four years. They were all apparently healthy uh Laotian refugees,

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<v Speaker 1>all except for one woman, right, Yeah, one woman the

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<v Speaker 1>rest man. They were all ethnic mong people. These were

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<v Speaker 1>a native ethnic group that had fled Laos due to

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<v Speaker 1>some severe crackdowns. Yeah in front I've read to this

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<v Speaker 1>is an isolated culture or similar to that of the

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<v Speaker 1>American Indian and their religion is an animist one, so

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<v Speaker 1>it's governed by spirits and manifestations of the soul. Yeah,

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<v Speaker 1>like like a lot of old religions very you know,

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<v Speaker 1>have this kind of vibe going on. But they escaped

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<v Speaker 1>some brutal conditions, so they you know, they had there's

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<v Speaker 1>a lot of stress most likely going on with some

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<v Speaker 1>postraumatic stress syndrome disorder as well, and they're winding up

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<v Speaker 1>dead like in the wee hours of the morning in

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<v Speaker 1>their sleep, dying right, Completely mysterious and actually really chilling

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<v Speaker 1>that these these mostly men were going to sleep and

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<v Speaker 1>they were fit people, and yep, all of a sudden,

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<v Speaker 1>this is happening all over the country, right, because they're

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<v Speaker 1>spread out in different cities, just one area of the country, right,

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<v Speaker 1>different refuging this. Yeah. So doctor started to put it

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<v Speaker 1>together and sort of say, oh, this is very odd

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<v Speaker 1>that these same people, the same refugees, these group of

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<v Speaker 1>people are dying in their sleep. What's going on? Yeah.

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<v Speaker 1>One thing that they thought might be going on was

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<v Speaker 1>the possibility, and they were looking into this, the possibility

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<v Speaker 1>that they were being scared to death by nightmares in

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<v Speaker 1>their sleep, that nightmares were killing them in their sleep. Yeah.

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<v Speaker 1>And at that time too, they termed it oriental nightmare

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<v Speaker 1>death syndrome, which of course has been updated since then. Yeah,

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<v Speaker 1>like every part of that except for except for the

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<v Speaker 1>syndrome has been updated for various reasons, as we'll explore. Uh,

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<v Speaker 1>it's not really about nightmares, and of course we don't

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<v Speaker 1>use the word oriental anymore either. But what's what's fascinating

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<v Speaker 1>about it is that it does. It does really give

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<v Speaker 1>you the chills because there is that just the possibility

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<v Speaker 1>that something in our dreams could kill us is it's something.

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<v Speaker 1>It just continues to fascinate us though. I mean, you

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<v Speaker 1>see it in our in our stories and our our fiction,

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<v Speaker 1>in our mythology, in our like third grade lunch room conversations.

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<v Speaker 1>You know where you here maybe for the first time.

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<v Speaker 1>Oh did you know that if you fall in your dream,

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<v Speaker 1>if you don't wake up before you hit the ground,

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<v Speaker 1>you'll die, right right? We always have the Boogeyman in

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<v Speaker 1>the back of our minds, so I can't help it.

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<v Speaker 1>No matter what culture you're from, you have some sort

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<v Speaker 1>of story. And the reason why this is frightening is

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<v Speaker 1>is that it actually does bear some weight. We'll talk

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<v Speaker 1>about this a little bit, but you possibly could scare

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<v Speaker 1>yourself to death, to a certain degree, and it's possible.

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<v Speaker 1>It's possible, um, and we'll talk about that is it's

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<v Speaker 1>um it's not something that obviously happens all the time,

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<v Speaker 1>or else we would all be dropping dead right now, right.

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<v Speaker 1>Don't lose any sleepover, No, nothing to leave sleepover. But

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<v Speaker 1>it is an interesting a reality for some people. And

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<v Speaker 1>so you can see that in some cultures that this

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<v Speaker 1>idea has really taken root, this idea that you could

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<v Speaker 1>dine your sleep or that um, something could come and

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<v Speaker 1>visit you in the middle of the night and basically

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<v Speaker 1>take your life. Yeah, and we'd discussed in the past.

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<v Speaker 1>I mean sleep and dreams. It's a state of the

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<v Speaker 1>human mind where a lot of the rules sort of

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<v Speaker 1>shift and change. I mean, obviously, the brain is tricked

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<v Speaker 1>into believing that that the dream is reality during the

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<v Speaker 1>dream for the most part, unless you're lucid dreaming that alone,

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<v Speaker 1>you're you're in a world where suddenly even the most

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<v Speaker 1>fantastic of happenings is believed by the mind. And then

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<v Speaker 1>you throw in all these various uh, you know, parasomnia

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<v Speaker 1>events that we've discussed in the past, and it becomes

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<v Speaker 1>even weirder. Like so you're saying like sleep paralysis right

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<v Speaker 1>where you have woken up, but your body is still

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<v Speaker 1>locked down because the body parents sort of goes into

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<v Speaker 1>the state of paralysis to keep you from say, you know,

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<v Speaker 1>you're your kung fu fighting a zombie in your dream.

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<v Speaker 1>You don't want to do that in your bed next

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<v Speaker 1>to your significant other because then a disaster ensues. Sleep paralysis,

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<v Speaker 1>as we've discussed before, you wake up, but those locks

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<v Speaker 1>are still down, so you're like, I'm awake, but I

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<v Speaker 1>a move. What's going on? U? Add that you may

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<v Speaker 1>have just been having some sort of troubling dream. Yeah,

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<v Speaker 1>add that to the mix of h when you have

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<v Speaker 1>sleep apnea. And at times some people can wake up

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<v Speaker 1>and be a little bit confused about what state they're

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<v Speaker 1>in sleep or um, whether or not they're actually waking,

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<v Speaker 1>and they'll have a sexual arousal basically um in mostly

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<v Speaker 1>a sleep state. And so take that with the sleep paralysis, UH,

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<v Speaker 1>cultural taboos, cultural stories, and all of a sudden, you've

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<v Speaker 1>got a suckubus or incubus hanging out with my bed

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<v Speaker 1>right like the I like to think about, like thick

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<v Speaker 1>a medieval monk. They're trying to live this really non

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<v Speaker 1>sexual life and then in the middle of the night, whoa,

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<v Speaker 1>you're you know, your your aroused, your dreaming, You're waking

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<v Speaker 1>up in this weird state. So you end up with

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<v Speaker 1>this cognitive distance where where what's happening is it a

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<v Speaker 1>sharp contrast with what should be happening and uh, and

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<v Speaker 1>so we end up having to create this external version

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<v Speaker 1>of of of you know, it must have been a demon,

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<v Speaker 1>must have been a demon, must have been a spirit,

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<v Speaker 1>must have there was something uh external um attacking me.

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<v Speaker 1>And and you see shades of this throughout different cultures

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<v Speaker 1>and mythologies. Yeah, I mean, you know, we're gonna talk

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<v Speaker 1>about folklore a little bit more surrounding this, but I

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<v Speaker 1>did want to mention that in South Asian populations that

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<v Speaker 1>this sudden unexplained death syndrome that we're going to get

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<v Speaker 1>into it seems to be a bit higher in this population.

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<v Speaker 1>And you will also see that there is um a

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<v Speaker 1>lot of folklore around this, this idea of being visited

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<v Speaker 1>by a demon in your sleep. Um. In fact, let's

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<v Speaker 1>talk about that a little bit. So what do you

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<v Speaker 1>got You gotta listen suspects here I do. This is

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<v Speaker 1>actually from a fourteen Times article that you had sent me.

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<v Speaker 1>And in Japan, um this this type of death in

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<v Speaker 1>your dream or what they think is happening people dying

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<v Speaker 1>from their nightmares is called polke kuri, the Filipinos call

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<v Speaker 1>it and glunt or body bot. And the Mong people

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<v Speaker 1>you're gonna say that the entire podcast, aren't you? And

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<v Speaker 1>the Mong people of Vietnam and laos Um. Of course,

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<v Speaker 1>we just talked about the Latian people that died in

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<v Speaker 1>their sleep suddenly and unexpectedly. They call it sobs swung um.

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<v Speaker 1>And in Thailand it's called the widow ghost who comes

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<v Speaker 1>to steal away the souls of young men. And it's

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<v Speaker 1>mostly young men. They are experienced, that's right. So just

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<v Speaker 1>imagine this. Imagine that this is happening in your culture,

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<v Speaker 1>this sudden death among healthy men mostly. So what do

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<v Speaker 1>they do. They defend themselves by wearing lipstick at night.

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<v Speaker 1>I read that, so that the ghost mistakes them for

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<v Speaker 1>women and leaves them alone. It's also an excellent excuse

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<v Speaker 1>for why you woke up the next morning with lipstick

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<v Speaker 1>all over your face. You know that too. Yeah, I

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<v Speaker 1>had to defend myself from the body. But yeah, it's

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<v Speaker 1>like I wasn't out snoozing it up. I wasn't out

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<v Speaker 1>wearing lipstick. I just protective measure against the spirits to night. Yeah,

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<v Speaker 1>that's just yeah, of course. And then you're like, okay,

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<v Speaker 1>that is this ironclad excuse I cannot say anything about that.

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<v Speaker 1>But let's talk about that body about just a little

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<v Speaker 1>bit more because I find it fascinating, um and the

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<v Speaker 1>and the Philippines. The body is an obese female demon

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<v Speaker 1>that lives in the trees. There is a picture of

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<v Speaker 1>this that you found an artist interpretation, um and well,

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<v Speaker 1>I will I will definitely link to it in the

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<v Speaker 1>accompanying blog post for this yes, which you'll find on

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<v Speaker 1>the house stufforks blogs and and linked on the Facebook.

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<v Speaker 1>Can you describe this image? She appears to be made

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<v Speaker 1>out of pooh. That's That's the first thing that I

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<v Speaker 1>think came to mind for you. And then the second

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<v Speaker 1>is that she's got red lasers that are coming out

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<v Speaker 1>of her eye holes and her her mouth hole, and

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<v Speaker 1>she's sitting on the poor unsuspecting person, like sitting on

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<v Speaker 1>there face and suffocating them to death. And it was

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<v Speaker 1>we I've never have you see plenty of artists depictions

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<v Speaker 1>of a night terror or a night spirit a setting

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<v Speaker 1>on the chest. Like there's you know, the famous series

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<v Speaker 1>of paintings European paintings where you see the little squat

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<v Speaker 1>little man sitting on the person's chest and there's like

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<v Speaker 1>a nightmare horse or just you know, a nightmare sticking

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<v Speaker 1>its head through the curtain behind. Yeah, like, you know,

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<v Speaker 1>that's a famous image. So the idea of setting on

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<v Speaker 1>the chest is well established. But but the but sitting

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<v Speaker 1>on the face, that's just really through well in the

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<v Speaker 1>arts depiction too. Of whether or not here she knew it.

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<v Speaker 1>Maybe this, this being this demon being made out of

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<v Speaker 1>pooh makes it even a little bit more unsavory. Yeah,

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<v Speaker 1>but you might want to know, like or you might

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<v Speaker 1>say to yourself, why in the world would she exact

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<v Speaker 1>this revenge on this person anyway? And the reason is

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<v Speaker 1>is because her beef is she was sitting up in

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<v Speaker 1>that tree. You hacked it down and then you used

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<v Speaker 1>it for either your bed post or is a support

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<v Speaker 1>beam in your home. So she conveniently shape shifts into

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<v Speaker 1>one of the little peg holes and then when you

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<v Speaker 1>fall asleep, that is when she makes remove again. We

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<v Speaker 1>get back to like these animistic views of the world

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<v Speaker 1>in which every part of nature has some sort of

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<v Speaker 1>spirit to it, and therefore, if you're striking out against

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<v Speaker 1>anything in the world, you're potentially ticking off a spirit. Yeah. Right, So,

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<v Speaker 1>I mean it's it's kind of again, it's the cultural thing,

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<v Speaker 1>like don't don't without potentially angering the spirit. World really

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<v Speaker 1>a touchy world. It's a very touchy world. But I

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<v Speaker 1>mean there's there's definitely an environmental factor. They're right, don't

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<v Speaker 1>denied the forest or she will sit on your face. Um,

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<v Speaker 1>but let's talk about what was really going on with

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<v Speaker 1>these locations. Yeah, we will get to that right after

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<v Speaker 1>this quick break. This podcast is brought to you by Intel,

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<v Speaker 1>the sponsors of Tomorrow and the Discovery Channel. At Intel,

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<v Speaker 1>we believe curiosity is the spark which drives innovation. Join

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<v Speaker 1>us at curiosity dot com and explore the answers to

0:10:54.960 --> 0:11:02.400
<v Speaker 1>life's questions. All right, So, eighteen deadly oceans, all in

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<v Speaker 1>the course of four year period, four of them in

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<v Speaker 1>the eighteen month period, right, Yeah, Yeah, which was really freaky,

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<v Speaker 1>and all of them seemingly healthy. These are not old people,

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<v Speaker 1>they're not infirmed, they're they're not suffering from some sort

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<v Speaker 1>of weird illness. They're just suddenly dead, and they died

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<v Speaker 1>in their sleep, and there's the suspicion, what if it

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<v Speaker 1>was a nightmare? Well and and again they before this

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<v Speaker 1>uh in that back in the day one, they had

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<v Speaker 1>called it the nightmare death syndrome um. And this sort

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<v Speaker 1>of became the key candidate for what was going on.

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<v Speaker 1>They thought, Okay, someone just just died in their sleep.

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<v Speaker 1>And again you're dealing with people who have been refugees,

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<v Speaker 1>who have experienced lots and lots of stress, right, and

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<v Speaker 1>lots of he will lots of change. Um. But what

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<v Speaker 1>they find out is that this is actually something called

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<v Speaker 1>Brugata syndrome. Yeah, it's the underlying cause for the sudden,

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<v Speaker 1>unexplained death. And and and it's noteworthy that it's connected

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<v Speaker 1>to people of the Southeast Southeast Asian descent. Yeah, because

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<v Speaker 1>it's a genetic factor. It's uh in the same way

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<v Speaker 1>certain genetic markers appear in certain ethnic groups more than others,

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<v Speaker 1>or or appear in exclusively in certain ethnic groups. Southeast

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<v Speaker 1>Asia is where you encounter this, or people of Southeast

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<v Speaker 1>Asian descent. Yea. Not everyone who has the condition dies

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<v Speaker 1>in their sleep. And you know it actually has nothing

0:12:17.559 --> 0:12:21.680
<v Speaker 1>to do with with nightmares. It's an inherited heart rhythm disorder,

0:12:22.000 --> 0:12:24.840
<v Speaker 1>and we can actually pinpoint the gene responsible to it.

0:12:24.840 --> 0:12:28.320
<v Speaker 1>It's a gene called sc N five A, which controls

0:12:28.320 --> 0:12:31.800
<v Speaker 1>the flow of sodium ions into heart cells. All right,

0:12:32.200 --> 0:12:35.240
<v Speaker 1>This flow of ions generates the electrical field that controls

0:12:35.400 --> 0:12:39.800
<v Speaker 1>heartbeat regularity. Isn't that trippy? Yeah? So when the flow fails,

0:12:39.920 --> 0:12:43.040
<v Speaker 1>the heart fibrillates. Yeah, yeah, yeah, I mean just I mean,

0:12:43.280 --> 0:12:45.880
<v Speaker 1>I knew that we had an electrical field around our heart,

0:12:45.960 --> 0:12:48.880
<v Speaker 1>but to think that it's so sensitive that something like

0:12:48.920 --> 0:12:51.640
<v Speaker 1>that could just trip it and all of a sudden

0:12:51.679 --> 0:12:55.240
<v Speaker 1>you've got these irregularities. Um. And in fact, there's Dr

0:12:55.360 --> 0:13:00.920
<v Speaker 1>Pedro Brugatta of Brugotta syndrome. He came across this unusual pattern.

0:13:01.040 --> 0:13:03.280
<v Speaker 1>Yeah yeah. He found that he had a patient who

0:13:03.280 --> 0:13:06.640
<v Speaker 1>he suspected had something weird going on, and uh so

0:13:06.720 --> 0:13:09.400
<v Speaker 1>he hooked him up to e G and it showed

0:13:09.640 --> 0:13:11.520
<v Speaker 1>this activity and the heart and it, as you say,

0:13:11.600 --> 0:13:14.080
<v Speaker 1>it looked like a shark fin, which became known as

0:13:14.120 --> 0:13:19.000
<v Speaker 1>br Brugatta sign a sign it's Brugatta sign Um. I

0:13:19.040 --> 0:13:22.959
<v Speaker 1>don't know. He's Italian now, right, Brugatta. But what is

0:13:22.960 --> 0:13:24.920
<v Speaker 1>when of the key indicators that the patient could suffer

0:13:24.920 --> 0:13:28.720
<v Speaker 1>from this really rare syndrome. UM. And that, my friend,

0:13:28.760 --> 0:13:32.120
<v Speaker 1>is what was happening with our friends, the loations that

0:13:32.120 --> 0:13:35.280
<v Speaker 1>that all died in this four year period. Now, the

0:13:35.559 --> 0:13:37.760
<v Speaker 1>cool thing is is that we can we can treat this.

0:13:37.840 --> 0:13:41.160
<v Speaker 1>We can with severe cases, you can actually put an

0:13:41.200 --> 0:13:45.640
<v Speaker 1>electrical implant in the body that will will address the problem.

0:13:46.160 --> 0:13:48.679
<v Speaker 1>Uh and uh in the foreseeable future. I mean we're

0:13:48.679 --> 0:13:50.760
<v Speaker 1>gonna be able to to use like gene therapies on

0:13:50.800 --> 0:13:53.760
<v Speaker 1>this and tack tackle the mutation head on. So that's

0:13:53.760 --> 0:13:56.200
<v Speaker 1>even even more encouraging. Yeah, which is I mean, you

0:13:56.240 --> 0:13:58.959
<v Speaker 1>know that's the it's it's awful that people had died

0:13:59.080 --> 0:14:01.840
<v Speaker 1>from that. In certainly it must have been terrifying in

0:14:01.840 --> 0:14:04.080
<v Speaker 1>that culture too, because we all know we have this

0:14:04.120 --> 0:14:06.480
<v Speaker 1>confirmation bias, right, we take all these different details from

0:14:06.960 --> 0:14:09.920
<v Speaker 1>our lives and we put it together to make some

0:14:10.000 --> 0:14:14.480
<v Speaker 1>sort of case about something. So imagine you're from this um,

0:14:14.640 --> 0:14:17.280
<v Speaker 1>from from Laos and this happens, and you say, ah, yes,

0:14:17.360 --> 0:14:19.920
<v Speaker 1>it was the demon that got them, you know, because

0:14:19.920 --> 0:14:23.160
<v Speaker 1>they have these weird amount of people dying from something

0:14:23.160 --> 0:14:27.080
<v Speaker 1>that was completely unexplained. Um. Heretofore. Now, we know about

0:14:27.080 --> 0:14:29.240
<v Speaker 1>the eighteen louisitions, but that doesn't explain why we have

0:14:29.360 --> 0:14:36.600
<v Speaker 1>a disproportionately large amount of um deaths in this culture. Again, uh, stemming,

0:14:36.680 --> 0:14:40.120
<v Speaker 1>it seems from fear. Yeah, it's possible that you could

0:14:40.160 --> 0:14:42.680
<v Speaker 1>be scared to death, right, Yeah, it's possible. I mean

0:14:43.320 --> 0:14:45.200
<v Speaker 1>you have to sort of break down, like what happens

0:14:45.200 --> 0:14:47.160
<v Speaker 1>when we get afraid. Obviously, there is a it's a

0:14:47.200 --> 0:14:50.040
<v Speaker 1>physical there's a physical manifestation to the fear. It's a

0:14:50.120 --> 0:14:52.920
<v Speaker 1>it's flight or fright. Something bad is happening in your

0:14:52.920 --> 0:14:56.520
<v Speaker 1>body needs to prep for possibly running away from it

0:14:56.680 --> 0:14:59.480
<v Speaker 1>or duking out, duking it out, you know. So um,

0:14:59.520 --> 0:15:02.280
<v Speaker 1>you know, you're your strength surges through your strength surgers

0:15:02.280 --> 0:15:05.080
<v Speaker 1>through your muscles. Uh, so you can run or you know,

0:15:05.200 --> 0:15:08.360
<v Speaker 1>or or punch something. Your pupils dilate your you start

0:15:08.400 --> 0:15:11.560
<v Speaker 1>breathing faster, and a number of chemicals, a whole cocktail

0:15:11.920 --> 0:15:16.000
<v Speaker 1>of things, including adrenaline, began pumping through your bloodstream so

0:15:16.920 --> 0:15:20.200
<v Speaker 1>intense you know, the activity in the body is intensified. Okay,

0:15:20.200 --> 0:15:22.000
<v Speaker 1>So you have that going on, and then you have

0:15:22.080 --> 0:15:24.880
<v Speaker 1>something that's almost like a self fulfilled prophecy, because again

0:15:24.920 --> 0:15:27.800
<v Speaker 1>you've got this cultural equation going on. And in one

0:15:27.840 --> 0:15:29.680
<v Speaker 1>of the studies I read, they were looking at and

0:15:29.720 --> 0:15:32.160
<v Speaker 1>I can't believe. I can't remember if it's a Korean

0:15:32.520 --> 0:15:35.640
<v Speaker 1>or it's a Chinese similar word for fourign death, but

0:15:35.680 --> 0:15:39.040
<v Speaker 1>they're very very close, so foreign death. It's not not

0:15:39.280 --> 0:15:43.280
<v Speaker 1>a good number in this um, in this culture. And

0:15:43.360 --> 0:15:45.720
<v Speaker 1>what they were finding is that there there seemed to

0:15:45.720 --> 0:15:50.080
<v Speaker 1>be a larger number of deaths happening on the fourth

0:15:50.120 --> 0:15:53.360
<v Speaker 1>of each month. And it's not that that, you know,

0:15:53.560 --> 0:15:56.120
<v Speaker 1>four has some sort of power over people in this culture.

0:15:56.160 --> 0:15:58.960
<v Speaker 1>It's that people were sort of anticipating that the fourth

0:15:59.040 --> 0:16:02.200
<v Speaker 1>was going to come up. So if you have, you know,

0:16:02.320 --> 0:16:05.600
<v Speaker 1>some sort of condition or you're under a lot of stress,

0:16:06.480 --> 0:16:09.520
<v Speaker 1>is very possible that he'd almost talk yourself into saying,

0:16:09.520 --> 0:16:11.320
<v Speaker 1>oh gosh, the fourth is coming up, and it becomes

0:16:11.360 --> 0:16:15.400
<v Speaker 1>like this self fulfilled prophecy for yourself. And uh. Molly

0:16:15.520 --> 0:16:18.640
<v Speaker 1>Edmunds wrote this great article on hostaff works dot com

0:16:18.720 --> 0:16:21.040
<v Speaker 1>called can you really Scare someone to death? And she

0:16:21.200 --> 0:16:24.600
<v Speaker 1>was saying that it's very hard to um say how

0:16:24.640 --> 0:16:28.080
<v Speaker 1>often these sudden deaths occur, because most accounts of sudden

0:16:28.080 --> 0:16:32.280
<v Speaker 1>deaths are in otherwise healthy people in this anecdotal, right,

0:16:33.360 --> 0:16:34.880
<v Speaker 1>But what she did say that one of the most

0:16:34.920 --> 0:16:37.560
<v Speaker 1>famous reports of sudden death was published in nineteen forty

0:16:37.600 --> 0:16:41.520
<v Speaker 1>two by Harvard physiologist Walter B. Cannon, and he reported

0:16:41.520 --> 0:16:44.960
<v Speaker 1>a phenomenon that he had called the voodoo death. So

0:16:45.000 --> 0:16:47.360
<v Speaker 1>what he found is that, um that a lot of

0:16:47.360 --> 0:16:50.280
<v Speaker 1>sudden deaths were occurring in places where there were some

0:16:50.360 --> 0:16:55.560
<v Speaker 1>form of voodoo or black magic being practiced South America, Africa, Australia,

0:16:55.600 --> 0:16:58.400
<v Speaker 1>and New Zealand. And he recounted the sudden deaths of

0:16:58.440 --> 0:17:01.280
<v Speaker 1>healthy men who had been cursed by a medicine, man

0:17:01.320 --> 0:17:05.240
<v Speaker 1>accused of eating forbidden food items, and injured by spears

0:17:05.280 --> 0:17:08.560
<v Speaker 1>that were said to be enchanted. So Cannon noted that

0:17:08.640 --> 0:17:11.760
<v Speaker 1>many of the men have possibly brought about their own

0:17:11.840 --> 0:17:15.680
<v Speaker 1>deaths by refusing food and water, but also that they

0:17:16.000 --> 0:17:20.240
<v Speaker 1>died essentially because of this fear that was perpetuated in

0:17:20.280 --> 0:17:26.880
<v Speaker 1>their society. So the corporal scenario, the supernatural scenario is created, yes,

0:17:27.240 --> 0:17:30.760
<v Speaker 1>in which being scared to death is possible. Yeah, I

0:17:30.800 --> 0:17:34.320
<v Speaker 1>mean what with this article characters, and then that's the

0:17:34.359 --> 0:17:36.720
<v Speaker 1>outcome of the play. And then what he was saying is,

0:17:36.840 --> 0:17:40.240
<v Speaker 1>I think it's an overactive sympathetic nervous system, so the

0:17:40.240 --> 0:17:43.439
<v Speaker 1>conditions are there. All of a sudden, you're a migdala, right,

0:17:43.520 --> 0:17:46.280
<v Speaker 1>which is so great for trying to ferret out to

0:17:46.520 --> 0:17:51.320
<v Speaker 1>saber tooth tiger. UH is overactive now in this other

0:17:51.400 --> 0:17:54.320
<v Speaker 1>instance where the risk you know, is really actually low.

0:17:54.960 --> 0:17:57.399
<v Speaker 1>You know this this UH, this old man with a

0:17:57.440 --> 0:18:01.680
<v Speaker 1>stick and can actually kill you, but it should be

0:18:01.720 --> 0:18:05.040
<v Speaker 1>a very low risk. But that person in the amygdala

0:18:05.080 --> 0:18:07.760
<v Speaker 1>and and the body is now perceiving it as a

0:18:07.840 --> 0:18:10.200
<v Speaker 1>real threat and reacting to it. And this is really

0:18:10.200 --> 0:18:12.359
<v Speaker 1>going to stress out all the tissues in your heart

0:18:13.040 --> 0:18:14.960
<v Speaker 1>um the rest of your body. It's really going to

0:18:15.040 --> 0:18:17.560
<v Speaker 1>take a toll on it again, making it a little

0:18:17.560 --> 0:18:20.000
<v Speaker 1>bit easier for you to possibly die from this, especially

0:18:20.040 --> 0:18:21.720
<v Speaker 1>if you're not taking any food or death or food

0:18:21.720 --> 0:18:25.560
<v Speaker 1>food or death food or water. So they're like cats.

0:18:25.600 --> 0:18:27.960
<v Speaker 1>When cats get sick, then like it creates that scenario,

0:18:28.160 --> 0:18:31.120
<v Speaker 1>like you know where cats refuse to eat and then

0:18:31.359 --> 0:18:33.359
<v Speaker 1>they die because it's like like they're sick, I'm not

0:18:33.359 --> 0:18:35.399
<v Speaker 1>gonna eat anymore. Yeah, I don't know. I mean they

0:18:35.480 --> 0:18:37.240
<v Speaker 1>kind of just seem to batten down the hatches when

0:18:37.280 --> 0:18:39.320
<v Speaker 1>cats get sick, sort of like just leave me alone.

0:18:39.359 --> 0:18:41.399
<v Speaker 1>We see if I can heal myself, and I'm just

0:18:41.400 --> 0:18:43.879
<v Speaker 1>gonna get over to this corner like the witch doctor

0:18:43.920 --> 0:18:47.560
<v Speaker 1>is essentially making them act like a cat. It's possible,

0:18:47.720 --> 0:18:52.200
<v Speaker 1>It's possible. But this other this article talked about another

0:18:52.240 --> 0:18:56.240
<v Speaker 1>instance in which Boston neurologist Martin A. Samuel's believes that

0:18:56.320 --> 0:18:58.879
<v Speaker 1>the sudden death of the former and ron CEO Kenneth

0:18:58.960 --> 0:19:01.040
<v Speaker 1>lay And July thousand and six could have been the

0:19:01.080 --> 0:19:04.240
<v Speaker 1>result of fear of a looming prison sentence or black

0:19:04.280 --> 0:19:09.480
<v Speaker 1>magic or black that's very possible that he had some

0:19:09.480 --> 0:19:11.920
<v Speaker 1>some voodoo dolls with sticks in him with his name

0:19:11.920 --> 0:19:14.680
<v Speaker 1>on it. But there's also something called broken heart syndrome,

0:19:15.200 --> 0:19:18.960
<v Speaker 1>which believe that people die broken heart. And again it's

0:19:19.000 --> 0:19:21.240
<v Speaker 1>not that they die from a broken heart per se,

0:19:21.359 --> 0:19:24.720
<v Speaker 1>but it could be that extreme extreme emotions caused something

0:19:24.760 --> 0:19:28.399
<v Speaker 1>that looks like heart failure or heart attack. Um, but

0:19:28.520 --> 0:19:31.159
<v Speaker 1>in fact it's a little bit different because blood clots

0:19:31.200 --> 0:19:34.760
<v Speaker 1>and clogged arteries that caused cardiac conditions were absent. Instead,

0:19:34.800 --> 0:19:38.280
<v Speaker 1>the heart was just weak from stressful emotions. My mom

0:19:38.359 --> 0:19:40.879
<v Speaker 1>claims that she almost had a heart attack when she

0:19:40.920 --> 0:19:46.159
<v Speaker 1>saw the first Dirty Harry movie in the theaters. Really well, okay,

0:19:46.200 --> 0:19:49.919
<v Speaker 1>so she was frightened. She was what it was just

0:19:49.960 --> 0:19:53.159
<v Speaker 1>so tense, It was so you know, exhilarating, you know

0:19:53.400 --> 0:19:55.439
<v Speaker 1>that she just she was just like, oh my goodness,

0:19:55.480 --> 0:19:57.800
<v Speaker 1>I think I almost had a heart attack. Well have

0:19:57.920 --> 0:19:59.879
<v Speaker 1>you ever had someone sneak up on you and you

0:20:00.080 --> 0:20:03.800
<v Speaker 1>really literally gasp for breath and in your whole body

0:20:03.880 --> 0:20:07.720
<v Speaker 1>just stops, it just kind of shutters itself. Every time

0:20:08.240 --> 0:20:10.480
<v Speaker 1>you come up to my desk listening to music in

0:20:10.560 --> 0:20:13.879
<v Speaker 1>my headphones, I try to tap gently and get your

0:20:13.880 --> 0:20:16.560
<v Speaker 1>attention before I scare you. Well, it's not every time,

0:20:16.560 --> 0:20:19.440
<v Speaker 1>but sometimes I'll be really into something and and somebody

0:20:19.480 --> 0:20:22.159
<v Speaker 1>will come up and you know, so, yeah, I I

0:20:22.400 --> 0:20:25.680
<v Speaker 1>that happens every day. I think you know, it's possible.

0:20:26.080 --> 0:20:28.080
<v Speaker 1>I Mean, the good news here is that it's very

0:20:28.160 --> 0:20:32.120
<v Speaker 1>rare to die from from something like this. I mean,

0:20:32.119 --> 0:20:34.280
<v Speaker 1>obviously you'd have to have some sort of conditions in place.

0:20:34.359 --> 0:20:37.680
<v Speaker 1>And when you think about the Louisian refugees again, this

0:20:37.760 --> 0:20:43.240
<v Speaker 1>is an instance where they were undergoing extreme stress, right, um,

0:20:43.280 --> 0:20:49.600
<v Speaker 1>and presumably and emotionally, well I'm sure and physically we're

0:20:49.640 --> 0:20:53.880
<v Speaker 1>having to deal with that, and that could certainly have eroded. Um,

0:20:53.960 --> 0:20:56.520
<v Speaker 1>their health to a degree, although they were otherwise healthy.

0:20:56.640 --> 0:21:01.000
<v Speaker 1>You know, sod the gene. Yeah, I mean the gene

0:21:01.040 --> 0:21:03.199
<v Speaker 1>was the main factor there. But but but from what

0:21:03.240 --> 0:21:06.000
<v Speaker 1>we looked at, it is conceivable that one could have

0:21:06.040 --> 0:21:09.399
<v Speaker 1>a nightmare, and if one's physical condition was such to

0:21:09.960 --> 0:21:13.680
<v Speaker 1>facilitate this, you could be scared to death by a nightmare.

0:21:14.280 --> 0:21:16.360
<v Speaker 1>But then who would know? Right, I mean, well that's

0:21:16.400 --> 0:21:19.199
<v Speaker 1>the problem, right. It's kind of hard to do a

0:21:19.200 --> 0:21:22.880
<v Speaker 1>double blind study on that one. Yeah, it is um

0:21:23.119 --> 0:21:25.720
<v Speaker 1>until we really get that inception technology going, and then

0:21:25.720 --> 0:21:28.560
<v Speaker 1>we'll we'll figure it out. We're getting there. It's also

0:21:28.600 --> 0:21:30.880
<v Speaker 1>worth noting and I did a blog about this aspect

0:21:30.960 --> 0:21:33.000
<v Speaker 1>of it. This New York Times article came out in

0:21:33.240 --> 0:21:35.960
<v Speaker 1>eight one and about the CDC study and and made

0:21:35.960 --> 0:21:39.400
<v Speaker 1>the headlines. And then in the first Nightmare on Elm

0:21:39.400 --> 0:21:41.399
<v Speaker 1>Street movie came oh right, right right, You have a

0:21:41.400 --> 0:21:43.480
<v Speaker 1>great blog post about this. Yeah, this was a news

0:21:43.520 --> 0:21:47.200
<v Speaker 1>item that partially inspired West Craven to create Nightmare on

0:21:47.200 --> 0:21:49.800
<v Speaker 1>Elm Streets. So if you like those movies, this is

0:21:50.320 --> 0:21:53.239
<v Speaker 1>where it came from. Interview. Don't like those movies? This

0:21:53.320 --> 0:21:56.400
<v Speaker 1>is something the story you can blame that. Yeah, yeah,

0:21:57.119 --> 0:21:59.000
<v Speaker 1>but again, nothing to fear of really, I mean, when

0:21:59.000 --> 0:22:01.679
<v Speaker 1>you think about it, low scare folks, um, when you

0:22:01.720 --> 0:22:05.520
<v Speaker 1>think about actual high risk situations in our lives, like

0:22:05.560 --> 0:22:08.679
<v Speaker 1>getting into our cars, that's that's nuts. Yeah, So be

0:22:08.720 --> 0:22:11.400
<v Speaker 1>careful there, Please one one more thing before we move

0:22:11.440 --> 0:22:15.160
<v Speaker 1>on to a listener. Mail I was looking through Carol Roses, giants,

0:22:15.160 --> 0:22:18.120
<v Speaker 1>monsters and dragons and Encyclopedia Folklore, legend and myths looking

0:22:18.160 --> 0:22:20.520
<v Speaker 1>for some sleep related demons. And I think all the

0:22:20.560 --> 0:22:23.080
<v Speaker 1>sleep most of the sleep demons are hiding in her

0:22:23.520 --> 0:22:26.320
<v Speaker 1>her other book about fairies that I don't have. Yeah,

0:22:26.400 --> 0:22:29.320
<v Speaker 1>I keep some some serious scientific books on hand here.

0:22:29.760 --> 0:22:31.360
<v Speaker 1>But you're not gonna bring the fairies book to work,

0:22:31.400 --> 0:22:33.520
<v Speaker 1>is what I'm hearing. Well, I'm gonna have to buy it.

0:22:34.000 --> 0:22:37.240
<v Speaker 1>I don't know. Yeah, like, yeah, I'll put it on

0:22:37.240 --> 0:22:41.520
<v Speaker 1>my bookshelf. But it did have an item about the Sandman,

0:22:42.240 --> 0:22:44.399
<v Speaker 1>which this is fascinating, says. This is the name of

0:22:44.400 --> 0:22:47.840
<v Speaker 1>the fearsome nursery bogey in the late eighteenth and early

0:22:47.880 --> 0:22:50.720
<v Speaker 1>nineteen centuries of England. The sandman was a vicious and

0:22:50.840 --> 0:22:54.119
<v Speaker 1>terrifying ogre who came during the night to throw handfuls

0:22:54.200 --> 0:22:56.720
<v Speaker 1>of course sand into the eyes of children who would

0:22:56.720 --> 0:22:59.040
<v Speaker 1>not go to sleep. And it gets worse. When the

0:22:59.119 --> 0:23:02.080
<v Speaker 1>eyes of the screen child were rubbed, they dropped out

0:23:02.160 --> 0:23:05.359
<v Speaker 1>all bloody on the floor. The sandman gathered these eyes

0:23:05.440 --> 0:23:08.000
<v Speaker 1>to take in his sack as food for his long

0:23:08.280 --> 0:23:11.720
<v Speaker 1>beaked progeny nesting in the crook of the crescent moon.

0:23:12.280 --> 0:23:14.800
<v Speaker 1>This was the image of the salmon nursery boogie in

0:23:14.840 --> 0:23:17.800
<v Speaker 1>the fairy tale written by E. T. A. Hoffman in

0:23:17.880 --> 0:23:21.879
<v Speaker 1>eighteen seventeen and then in subsequent years. We uh we we,

0:23:22.280 --> 0:23:24.440
<v Speaker 1>I think we There are also other folk tales where

0:23:24.480 --> 0:23:26.960
<v Speaker 1>there's you know, they're fairies that bring like sleep dust

0:23:27.000 --> 0:23:29.280
<v Speaker 1>and put in your eyes. And we've been along with

0:23:29.480 --> 0:23:31.920
<v Speaker 1>with those ideas. We ended up turning the salmon into

0:23:32.000 --> 0:23:36.000
<v Speaker 1>this more benign uh or even benevolent spirit that comes

0:23:36.040 --> 0:23:40.840
<v Speaker 1>in and sprinkles, and they of rubbing your eyes out

0:23:40.880 --> 0:23:43.000
<v Speaker 1>all bloody on the floor and feeding them to some

0:23:43.040 --> 0:23:45.359
<v Speaker 1>sort of bird like creatures that live on the moon.

0:23:45.520 --> 0:23:48.760
<v Speaker 1>It's uh terrifying. So you know, I've been looking for

0:23:48.800 --> 0:23:51.920
<v Speaker 1>a good story to read my daughter. Yeah, we went

0:23:51.960 --> 0:23:54.000
<v Speaker 1>through the whole doctor SEUs thing, So that's thank you.

0:23:55.040 --> 0:23:56.520
<v Speaker 1>Just set her down and have a talk with us.

0:23:56.560 --> 0:24:01.159
<v Speaker 1>I look, um, but Sam and the sand Man. This

0:24:01.200 --> 0:24:03.160
<v Speaker 1>is how it works, that's how it's gonna go down.

0:24:04.600 --> 0:24:06.680
<v Speaker 1>Well cool, let me get to the listener mail here.

0:24:07.359 --> 0:24:10.520
<v Speaker 1>So we recently covered electronic music, or at least week

0:24:10.920 --> 0:24:13.320
<v Speaker 1>we sort of did an introduction to electronic music because

0:24:13.800 --> 0:24:16.440
<v Speaker 1>as we as we mentioned, we can't possibly cover everything

0:24:16.440 --> 0:24:18.840
<v Speaker 1>about it. It is very vast. So yeah, we had

0:24:18.880 --> 0:24:21.560
<v Speaker 1>some some people wrote in with some interesting feedback on that.

0:24:21.880 --> 0:24:24.960
<v Speaker 1>A number of people actually UM. A listener by the

0:24:25.000 --> 0:24:27.240
<v Speaker 1>name of Ian wrote in and said, Dear Robert and Julie,

0:24:27.520 --> 0:24:31.359
<v Speaker 1>I love the podcast, especially the recent episode and electric music. UM,

0:24:31.400 --> 0:24:33.040
<v Speaker 1>but when Robert said he did not know what a

0:24:33.119 --> 0:24:36.199
<v Speaker 1>Nintendo step was, I thought I'd clarified. Uh, And this

0:24:36.320 --> 0:24:38.639
<v Speaker 1>is good for me because I'm I truly didn't there

0:24:38.680 --> 0:24:41.359
<v Speaker 1>what it was. Uh. Nintendo step is a subgenre of

0:24:41.440 --> 0:24:46.320
<v Speaker 1>dub step, but instead of using electronic electronics synthesizers on samplers, computers,

0:24:46.400 --> 0:24:49.440
<v Speaker 1>or keyboards, they use chip tunes, which is music from

0:24:49.440 --> 0:24:52.800
<v Speaker 1>older video game consoles I think original Mario to create

0:24:53.080 --> 0:24:56.440
<v Speaker 1>the warbling, robotic sounds of normal dub staff. That he

0:24:56.480 --> 0:24:59.040
<v Speaker 1>included a few samples which I listened to, which I

0:24:59.080 --> 0:25:01.159
<v Speaker 1>think they were from Ruscoe and they were they were

0:25:01.280 --> 0:25:04.720
<v Speaker 1>pretty interesting. Thanks for getting me through a few six

0:25:04.760 --> 0:25:10.520
<v Speaker 1>hour bus rides to ex country ski races. Sincerely again. Cool. Yeah,

0:25:11.320 --> 0:25:13.439
<v Speaker 1>there you go, a Nintendo stuff. I think we're all

0:25:13.520 --> 0:25:15.240
<v Speaker 1>richard for knowing what that is. It is. But you

0:25:15.280 --> 0:25:17.240
<v Speaker 1>know part of that trend where you see, uh, you

0:25:17.240 --> 0:25:19.920
<v Speaker 1>see a lot of artists going back to older electronics

0:25:20.119 --> 0:25:23.480
<v Speaker 1>sounds and bringing them back like I've I've really been

0:25:23.480 --> 0:25:27.000
<v Speaker 1>into this one chill wave. Um, I guess you've called

0:25:27.040 --> 0:25:30.240
<v Speaker 1>chill wave artists that goes by the name Calm Truise

0:25:30.359 --> 0:25:34.280
<v Speaker 1>like Tom Cruise with the letters and uh that alone

0:25:35.119 --> 0:25:38.480
<v Speaker 1>for that alone, and uh and he has his style

0:25:38.520 --> 0:25:40.800
<v Speaker 1>is like very much calling back to like, uh like

0:25:40.960 --> 0:25:45.719
<v Speaker 1>nineteen eighties, um, kind of like Miami Vice soundtrack kind

0:25:45.760 --> 0:25:48.439
<v Speaker 1>of stuff. Um, but in a good way. Uh. It

0:25:48.480 --> 0:25:50.959
<v Speaker 1>sounds like listening to the music makes you feel like

0:25:51.000 --> 0:25:55.080
<v Speaker 1>you're in the best possible like convertible. Well now I'm

0:25:55.080 --> 0:25:59.800
<v Speaker 1>thinking about like like psychedelic Miami vibes and you know,

0:26:00.040 --> 0:26:03.359
<v Speaker 1>movie of some kind. But okay, yeah, all right, Clubs

0:26:03.359 --> 0:26:05.639
<v Speaker 1>and Crockett there you go. And we also heard from J. J.

0:26:05.880 --> 0:26:08.720
<v Speaker 1>Rodan said, I just listened to your electronic music podcast

0:26:08.720 --> 0:26:10.640
<v Speaker 1>and really enjoyed it. However, I was surprised you didn't

0:26:10.680 --> 0:26:14.600
<v Speaker 1>mention of vocaloid music. It's been around long enough to

0:26:14.760 --> 0:26:17.439
<v Speaker 1>not be a fad. Even though it is wildly popular

0:26:17.440 --> 0:26:19.960
<v Speaker 1>in Japan and East Asia, there have been some very

0:26:19.960 --> 0:26:22.560
<v Speaker 1>successful concerts in the US. The amazing part about this

0:26:22.760 --> 0:26:27.119
<v Speaker 1>is that vocal oid singers are completely virtual. They are

0:26:27.160 --> 0:26:29.920
<v Speaker 1>software programs, not people. So in order to have a concert,

0:26:29.960 --> 0:26:33.760
<v Speaker 1>the vocal oad characters have to take the stage as holograms. Um.

0:26:33.800 --> 0:26:36.240
<v Speaker 1>I hope this subject will blow your mind. It certainly

0:26:36.240 --> 0:26:40.000
<v Speaker 1>has blown mind. Sincerely, Jay Um. Yeah, that's uh. I

0:26:40.040 --> 0:26:43.000
<v Speaker 1>think Josh Clark did a blog post about this, uh

0:26:43.440 --> 0:26:46.879
<v Speaker 1>ball back um where yes, like the the the frontman

0:26:47.119 --> 0:26:50.080
<v Speaker 1>or front woman for the group the The the singer

0:26:50.480 --> 0:26:54.040
<v Speaker 1>is a hologram on stage and people were like going nuts.

0:26:54.119 --> 0:26:56.840
<v Speaker 1>But the the the the main character, that the main

0:26:56.880 --> 0:27:00.359
<v Speaker 1>persona of this band does not exist in physical reality.

0:27:00.680 --> 0:27:03.320
<v Speaker 1>M I think about this movie called Wild Palms by

0:27:03.280 --> 0:27:06.280
<v Speaker 1>Oliver Stone, and I feel like there was a such

0:27:06.320 --> 0:27:09.520
<v Speaker 1>a of that movie that has something very similar. You

0:27:09.600 --> 0:27:11.800
<v Speaker 1>could just beam in your own music, you know, you'd

0:27:11.840 --> 0:27:13.879
<v Speaker 1>have like I don't know, I think in this like

0:27:13.920 --> 0:27:17.480
<v Speaker 1>the Pointer Sisters. Well it makes you wonder like in

0:27:17.520 --> 0:27:19.720
<v Speaker 1>the future, it's like we we we depend more and

0:27:19.760 --> 0:27:23.800
<v Speaker 1>more on holographic pop stars, and then would we be

0:27:23.880 --> 0:27:26.879
<v Speaker 1>able to well, be able to preserve past pop stars

0:27:26.920 --> 0:27:29.280
<v Speaker 1>this way or recreate them? So like would you have

0:27:29.320 --> 0:27:32.840
<v Speaker 1>holographic Elvis concerts? Well, I mean I can definitely see

0:27:33.440 --> 0:27:37.359
<v Speaker 1>cable companies really continent to this, right because they would say, okay,

0:27:37.440 --> 0:27:40.480
<v Speaker 1>well we're gonna have Selean Dion or Justin Bieber you

0:27:40.480 --> 0:27:43.240
<v Speaker 1>know who remember at this point come on and uh

0:27:43.520 --> 0:27:46.160
<v Speaker 1>and we're gonna you know, for extra one hundred dollars,

0:27:46.200 --> 0:27:48.600
<v Speaker 1>you can get them beamed into your living room. Oh man,

0:27:48.640 --> 0:27:50.760
<v Speaker 1>imagine the benefit. What was the song that they did,

0:27:50.880 --> 0:27:53.840
<v Speaker 1>like the sort of fiebe children kind of things, where

0:27:53.840 --> 0:27:56.600
<v Speaker 1>they we are the world, we are the world. You

0:27:56.680 --> 0:27:58.679
<v Speaker 1>know what do you imagine that we are the world?

0:27:58.800 --> 0:28:00.920
<v Speaker 1>Concerts of the future, you could you could actually go

0:28:01.000 --> 0:28:03.159
<v Speaker 1>to this concert and they would have hallgrams of like

0:28:03.200 --> 0:28:05.119
<v Speaker 1>all these like past pop stars, and that would be

0:28:05.280 --> 0:28:07.600
<v Speaker 1>you know, be like Beethoven and Elvis. We'll see. I

0:28:07.720 --> 0:28:09.920
<v Speaker 1>kind of loving this too for a cocktail party, right,

0:28:10.160 --> 0:28:12.880
<v Speaker 1>Oh yeah, you know you got like you said Elvis

0:28:12.880 --> 0:28:15.080
<v Speaker 1>and Beth heaven hanging. I mean they're obviously not able

0:28:15.080 --> 0:28:18.159
<v Speaker 1>to interact, I would assume, but still, no, you make

0:28:18.200 --> 0:28:20.960
<v Speaker 1>them interact, yeah, make them eat all the notches. Yeah,

0:28:21.000 --> 0:28:23.639
<v Speaker 1>and then you you could tweak their musical setting. So like,

0:28:24.000 --> 0:28:27.600
<v Speaker 1>imagine this idea you have, like Elvis doing like dub

0:28:27.640 --> 0:28:30.760
<v Speaker 1>step in your house. Like, how horrifying is that? It's

0:28:30.800 --> 0:28:35.920
<v Speaker 1>pretty great? The future is shiny, it is so Hey,

0:28:35.920 --> 0:28:38.840
<v Speaker 1>if you have any thoughts about the future, about what

0:28:38.920 --> 0:28:41.800
<v Speaker 1>about the pasture? Why not we're gaining the present. Yeah,

0:28:42.160 --> 0:28:44.520
<v Speaker 1>we'll listen to that too, especially if they have any

0:28:44.520 --> 0:28:48.760
<v Speaker 1>thoughts about dreams and nightmares. I'm I'm very interested. How

0:28:48.800 --> 0:28:51.960
<v Speaker 1>many of you have ever died in a dream? Um,

0:28:52.000 --> 0:28:53.640
<v Speaker 1>and of course not died in real life the person?

0:28:53.680 --> 0:28:56.040
<v Speaker 1>How would you write us? Uh? Because we were talking

0:28:56.080 --> 0:28:58.040
<v Speaker 1>about this earlier. How you said that you've mentioned that

0:28:58.120 --> 0:28:59.880
<v Speaker 1>him dream You've had dreams where you have died or

0:29:00.520 --> 0:29:04.080
<v Speaker 1>about to die and obviously you're still alive. Well, yeah,

0:29:04.080 --> 0:29:06.000
<v Speaker 1>I'm alucid dreamer. And it was more like a movie

0:29:06.320 --> 0:29:09.000
<v Speaker 1>watching myself. It wasn't There wasn't any sort of real

0:29:09.080 --> 0:29:11.800
<v Speaker 1>fear there. Okay, I'm for my part, I don't think

0:29:11.800 --> 0:29:14.800
<v Speaker 1>I've ever had a dream where I actually died. Uh.

0:29:15.400 --> 0:29:17.280
<v Speaker 1>So it's it's it's really fascinating to think about it. So,

0:29:17.320 --> 0:29:19.000
<v Speaker 1>but let us know, tell us what tell us all

0:29:19.000 --> 0:29:21.960
<v Speaker 1>about your dreams and uh and how they line up

0:29:21.960 --> 0:29:24.560
<v Speaker 1>with this podcast? Who else ask you to do that?

0:29:24.960 --> 0:29:27.320
<v Speaker 1>I know everybody loves talking about their dreams. Let us know,

0:29:27.880 --> 0:29:29.840
<v Speaker 1>and even if we don't respond, we will. We will

0:29:29.960 --> 0:29:33.280
<v Speaker 1>read them for sure. Indeed, so if you want to

0:29:33.360 --> 0:29:35.600
<v Speaker 1>check out what we're up to, drop our Facebook and

0:29:35.600 --> 0:29:38.040
<v Speaker 1>Twitter feeds. We are blow the Mind on both of those,

0:29:38.200 --> 0:29:40.400
<v Speaker 1>and you can also drop us an email at blow

0:29:40.440 --> 0:29:47.520
<v Speaker 1>the Mind at house to works dot com. Be sure

0:29:47.560 --> 0:29:50.480
<v Speaker 1>to check out our new video podcast, Stuff from the Future.

0:29:50.800 --> 0:29:53.120
<v Speaker 1>Join House to Work staff as we explore the most

0:29:53.120 --> 0:29:56.000
<v Speaker 1>promising and perplexing possibilities of tomorrow.