WEBVTT - Summer Reading: Robert and Julie's Picks

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Land, and I'm Julie Douglas. If

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<v Speaker 1>you remember from last year, we did an episode where

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<v Speaker 1>we discussed a few summer reading picks. We you know,

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<v Speaker 1>during the summer, people go on vacations they said, on beaches,

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<v Speaker 1>or they're man they're not in school, they're not teaching.

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<v Speaker 1>For various reasons, sometimes we feel more inclined to pick

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<v Speaker 1>up a book and enjoy it. Or or you know,

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<v Speaker 1>maybe you read something that's a little out of your

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<v Speaker 1>normal reading uh diet, something maybe a little more fun

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<v Speaker 1>or a little more technical in some cases. I mean,

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<v Speaker 1>it just depends. Were just outside of the genres that

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<v Speaker 1>you like to to prance around in. Uh So, last

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<v Speaker 1>year we did the episode where we each shared a

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<v Speaker 1>little fiction, a little science, and we let you decide

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<v Speaker 1>if you wanted to read any of them. Well, everyone

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<v Speaker 1>seemed to really enjoy those of that episode, so we thought, well,

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<v Speaker 1>this year, let's do it again, except we'll do double side.

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<v Speaker 1>We'll do one episode where um, Julie and I share

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<v Speaker 1>a few more picks for you to consider. For this

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<v Speaker 1>summer's reading, and then we'll do another episode where we

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<v Speaker 1>just get some guests to share their summer reading picks. So, um,

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<v Speaker 1>this is the first of those two episodes where Julian

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<v Speaker 1>and I are going to go through some things that

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<v Speaker 1>we have read, are reading on, and plan to read. Uh,

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<v Speaker 1>and we'll see if they line up with what you

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<v Speaker 1>would like to consume with your brain this summer. That's right,

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<v Speaker 1>So get your scrunches ready, put your hair up, slather

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<v Speaker 1>on the sunscreen, get your towels ready, because we're gonna

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<v Speaker 1>give you some good stuff to consider reading in your

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<v Speaker 1>lay about hours here. Yeah, and I'm just gonna launch

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<v Speaker 1>into like quintessential beach reading right now. Okay, Now, when

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<v Speaker 1>you say quintessential beach reading, uh, it is worth worth

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<v Speaker 1>mentioning that for some people, I think beach reads people

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<v Speaker 1>think leok, get the lowest level book you can get,

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<v Speaker 1>you know, like a straight up airport grocery store. Sole.

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<v Speaker 1>But but we were approaching all of this with the

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<v Speaker 1>understanding that the stuff of all your mind listener um

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<v Speaker 1>is going to want something that engages the mind on

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<v Speaker 1>some level exactly, which is why I thought I would

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<v Speaker 1>start with the book by David Deutsch the beginning of

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<v Speaker 1>infinity colon explanations that transform the world. I mean seriously,

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<v Speaker 1>if you are at the beach and you are staring

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<v Speaker 1>out at the horizon the waves are crashing, then you're

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<v Speaker 1>probably considering more than ever at this very moment, how

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<v Speaker 1>the universe works, what it all means, right, And yeah,

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<v Speaker 1>that's always my experience with the beach. I mean it

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<v Speaker 1>summons deep thoughts, right, So why not go on exploration

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<v Speaker 1>with David Deutsch. Um he is a pioneer in the

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<v Speaker 1>field of quantum computation, uh, the multiverse theory. He is

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<v Speaker 1>very much someone who was a proponent of that, and

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<v Speaker 1>he has a variety of ted talks that you can

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<v Speaker 1>check them out in other ways. But um, I thought

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<v Speaker 1>this book would be great to really explore, and I've

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<v Speaker 1>just now dealt into it and it has actually see

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<v Speaker 1>my imagination from the first page because a lot of

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<v Speaker 1>the sort of territory that he covers is stuff that

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<v Speaker 1>we have touched upon or maybe even explored ourselves. So um,

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<v Speaker 1>someone who is a great science communicator Deutsches, and he

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<v Speaker 1>can sort of bring the whole story of the universe

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<v Speaker 1>to us in a way that it's difficult, right to

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<v Speaker 1>try to wrap all this up in one nice package. Um,

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<v Speaker 1>but I just wanted to say a little description from

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<v Speaker 1>the publisher and he it says that he argues that

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<v Speaker 1>explanations have a fundamental place in the universe. They have

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<v Speaker 1>unlimited scope and parato cause change, and the quest to

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<v Speaker 1>improve them is the basic regulating principle not only of science,

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<v Speaker 1>but of all successful human endeavor. The stream of ever

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<v Speaker 1>improving explanations has infinite breach. This is uh, the idea

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<v Speaker 1>of infinity that he's exploring. Um, we are subject only

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<v Speaker 1>to the laws of physics, and they impose no upper

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<v Speaker 1>boundary to what we can eventually understand, control and the chieve.

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<v Speaker 1>So he goes through all the different periods of historical

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<v Speaker 1>thoughts by humans and you know, empiricism or enlightenment, and

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<v Speaker 1>then he gets to the science revolution and says that

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<v Speaker 1>we have ideas continue to exist and knowledge is the

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<v Speaker 1>limit less and so we know. It's kind of reminded

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<v Speaker 1>me of this idea that we talked about humans being

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<v Speaker 1>meme machines, idea machines, and that our ideas just exist

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<v Speaker 1>into the future and just transmutate as they go along.

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<v Speaker 1>So anyway, very cool, book trying to scratch at this

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<v Speaker 1>idea of infinity and knowledge and and how we move

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<v Speaker 1>through the world with the information that we have available

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<v Speaker 1>to this at this very moment. Wow, the I think

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<v Speaker 1>I'm gonna definitely have to pick this one up as well. Uh,

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<v Speaker 1>in part because I dare say we shall record an

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<v Speaker 1>episode in the near future on the topic of infinity.

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<v Speaker 1>In fact, I just returned from visiting the World Science

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<v Speaker 1>Festival in New York City, where there is a There

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<v Speaker 1>was one lecture discussion on the nature of infinity. Is

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<v Speaker 1>there such thing as infinity? It's it's it's a really

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<v Speaker 1>fascinating topic because in some disciplines, if you run into

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<v Speaker 1>an infinity, you run into a problem, because an infinity

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<v Speaker 1>is an error in the computational process. Uh. So it's

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<v Speaker 1>a fascinating topic, and this book does indeed sound like

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<v Speaker 1>a great way to spend your time, uh, contemplating reality

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<v Speaker 1>on the beach. Yes, so there you go. That's that's

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<v Speaker 1>my first pick. You want to throw one in there too, Yeah,

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<v Speaker 1>I'm gonna. I'm gonna throw them start with the one

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<v Speaker 1>that I'm really most excited about because I just finished

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<v Speaker 1>reading it. I'm still at that stage where I'm I'm

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<v Speaker 1>trying to decide if I if I really really liked it,

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<v Speaker 1>or if I actually loved it I book like this,

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<v Speaker 1>I'll I tend to give it four out of five

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<v Speaker 1>stars right off the bat, and then as I think

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<v Speaker 1>about it out the side, well, I maybe should I

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<v Speaker 1>bump it up to five stars? Didn't really have that

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<v Speaker 1>kind of an impact on me? Or should I maybe uh,

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<v Speaker 1>you know, leave it for or even move it down

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<v Speaker 1>to three, you know, as you begin to fully digest

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<v Speaker 1>the ideas. So this book is a surface detail by

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<v Speaker 1>Scottish author Ian M. Banks. If you remember from last year,

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<v Speaker 1>I actually recommended another E. N. M. Banks sci fi

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<v Speaker 1>story called The Player of Games, which, like this book,

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<v Speaker 1>is set in the Culture Universe. The Culture Universe of

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<v Speaker 1>idean in Banks has created in in these ten different

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<v Speaker 1>books is um far future, almost kind of space opera world.

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<v Speaker 1>They are all these different galactic societies at varying levels

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<v Speaker 1>of technological advancement, with varying ideologies and uh and the

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<v Speaker 1>central civilization is called the Culture and it is a

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<v Speaker 1>very much a post singularity world where the Culture society

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<v Speaker 1>has all of these humans and pan humans in it,

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<v Speaker 1>but they kind of do what they want to the

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<v Speaker 1>for the most part, they kind of live you know this, Uh,

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<v Speaker 1>this free for all existence within the culture, while very

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<v Speaker 1>advanced artificial intelligences make all the decisions and the main

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<v Speaker 1>artificial intelligences here are these minds that control these enormous spaceships.

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<v Speaker 1>And the culture is kind of a benevolent entity that

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<v Speaker 1>that will, to varying degrees, involve itself in other galactic communities. Uh,

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<v Speaker 1>generally with the best intentions, but not always with the

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<v Speaker 1>best of results. And uh, even though this is a

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<v Speaker 1>ten there are ten books in this series. This is

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<v Speaker 1>not a part one, part two, part three book. You

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<v Speaker 1>can essentially jump in at any point. Not every book

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<v Speaker 1>is a great first book for someone to read in

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<v Speaker 1>this series. For instance, uh, The Player of Games. I

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<v Speaker 1>think it's an excellent first culture book to read and

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<v Speaker 1>I and I have a strong feeling that surface detail

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<v Speaker 1>also would work really well for someone who had who

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<v Speaker 1>has no idea or just a faint idea about what

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<v Speaker 1>the culture consists of. So the big thing about this

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<v Speaker 1>book that I found interesting, and certainly it has a

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<v Speaker 1>number of awesome sci fi ideas running around it. There's

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<v Speaker 1>digitized consciousness, there's a space warfare, their self replicating machines,

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<v Speaker 1>because even though it's post singularity, it's a it's for

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<v Speaker 1>the most party, very positive view of a post singularity civilization.

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<v Speaker 1>There's also the dark side of post singularity as well

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<v Speaker 1>as a there's a segment of the culture that has

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<v Speaker 1>to deal with with taking care of self replicating machines,

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<v Speaker 1>which they call smatter in the book, and keeping them

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<v Speaker 1>from becoming too much of a problem. So is is

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<v Speaker 1>boredom a problem? Um? It can't. Yeah, it can be

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<v Speaker 1>for sure within the actual pan humans. Within the culture,

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<v Speaker 1>they'll The way they tend to deal with this is

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<v Speaker 1>they get involved in the benevolent aspects of the culture,

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<v Speaker 1>trying to help other civilizations, etcetera. So they become sort

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<v Speaker 1>of like they tap into their inner opress. Yeah, yeah,

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<v Speaker 1>kind of. I want to see if you would win

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<v Speaker 1>souf I said that you did not, no, no, no,

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<v Speaker 1>no kind with that. But one of the things that

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<v Speaker 1>really drug dragged me into this book is, first of all, uh,

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<v Speaker 1>I've read a few culture books in the past, but

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<v Speaker 1>then the sad news recently is that ian and Banks

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<v Speaker 1>is dying of cancer and was not not long for

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<v Speaker 1>this world. Um, which is which is awful. We're gonna

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<v Speaker 1>lose a tremendous author and a tremendous mind here, who

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<v Speaker 1>has thankfully produced a number of books, both sci fi

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<v Speaker 1>and literary fiction. Uh. But I had I had heard

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<v Speaker 1>that his more recent books had dealt more with darker

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<v Speaker 1>issues and issues of mortality. And uh. And this book,

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<v Speaker 1>even though like a very advanced, you know, sci fi book,

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<v Speaker 1>deals for the most part, with hell, with theologies of

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<v Speaker 1>hell and the problem of hell. Because imagine a world

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<v Speaker 1>in which we can digitize human consciousness. We can create

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<v Speaker 1>a digital virtual version of you by just you know,

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<v Speaker 1>scanning the brain and put that into this virtual world.

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<v Speaker 1>So the culture and various other civilizations in this universe,

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<v Speaker 1>they generally reached the point where they either developed the technology,

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<v Speaker 1>borrow the technology, or steal the technology to digitize consciousnesses

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<v Speaker 1>and create a kind of afterlife for a virtual afterlife

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<v Speaker 1>for people who have died, for individuals who have died.

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<v Speaker 1>And for the most part, these various civilizations tend to

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<v Speaker 1>take a very um positive spin on things. It's just like,

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<v Speaker 1>you know, a hedonistic heaven for those have died, or

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<v Speaker 1>some sort of peaceful place you kind of store an

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<v Speaker 1>intelligence in a mind that you might want to, you know,

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<v Speaker 1>a loved one you might want to talk to later,

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<v Speaker 1>or a great thinker that you might want to consult

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<v Speaker 1>with later. But inevitably, some of these civilizations hold on

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<v Speaker 1>to their arguably primitive ideas of hell. So you have

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<v Speaker 1>societies that um end up sending digitized consciousness is too

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<v Speaker 1>at place of eternal suffering, and that's a problem for

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<v Speaker 1>the culture. The culture doesn't think that's cool to have

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<v Speaker 1>a you know, even a virtual world where an intelligent

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<v Speaker 1>being is tortured and had and suffers just horribly for

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<v Speaker 1>some you know, unimaginable length of time. So, uh, this

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<v Speaker 1>there ends up being this war that they call the

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<v Speaker 1>War in Heaven, but it's actually a virtual war game

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<v Speaker 1>that that ends up taking place between pro hell civilizations

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<v Speaker 1>and anti health civilizations, and the ideas it they'll they'll

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<v Speaker 1>have this virtual war and then whoever wins wins. If

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<v Speaker 1>the pro Hell side wins, then well then these these

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<v Speaker 1>few societies that cling to the idea of hell, they

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<v Speaker 1>get to keep it, they get to keep their virtual health.

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<v Speaker 1>But if the anti health side wins, well then they

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<v Speaker 1>all have to be eradicated. But in this book, there

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<v Speaker 1>are a number of storylines that are that are coming together,

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<v Speaker 1>and there's this increasing possibility that this, this virtual war

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<v Speaker 1>game is going to emerge into the real world as

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<v Speaker 1>an actual conflict and actual armed conflict. That's really fascinating

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<v Speaker 1>because I've been thinking about war a lot, and of

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<v Speaker 1>course only because my daughter continues to ask various questions

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<v Speaker 1>four years old and curious about war, and so that's

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<v Speaker 1>been on my mind lately. And and then I wonder

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<v Speaker 1>if you could get to a point where you could

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<v Speaker 1>play out of virtual war in society, yeah, and I

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<v Speaker 1>mean for us, and would it have the same sort

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<v Speaker 1>of dire consequences in one way or another that actual

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<v Speaker 1>war does. I mean, I'm not talking about fatality so much,

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<v Speaker 1>but more in terms of regime control or the ways

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<v Speaker 1>that we can strip our citizens of rights. Yeah. And

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<v Speaker 1>this this book does explore that territory where you know,

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<v Speaker 1>it's a situation where there's a big, huge conflict between

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<v Speaker 1>these two factions. And for the most part, they realized

0:12:22.440 --> 0:12:24.439
<v Speaker 1>that this is something that we can settle in a

0:12:24.520 --> 0:12:28.760
<v Speaker 1>virtual environment outside of actually bringing in real deaths and

0:12:28.840 --> 0:12:32.840
<v Speaker 1>real destruction. But then to what extent can that work?

0:12:32.880 --> 0:12:35.640
<v Speaker 1>Does it reach a point where it boils over into

0:12:35.640 --> 0:12:38.520
<v Speaker 1>the real world again. So so I found it to

0:12:38.520 --> 0:12:40.920
<v Speaker 1>be a really fascinating book. Um, and I recommend it

0:12:40.960 --> 0:12:43.360
<v Speaker 1>to anyone out there who is who's interested in sci fi,

0:12:43.400 --> 0:12:46.880
<v Speaker 1>who's interested in uh in a little theology, a little philosophy.

0:12:47.200 --> 0:12:49.600
<v Speaker 1>Uh And and I also I should always add that

0:12:49.600 --> 0:12:52.199
<v Speaker 1>Ian and Banks had injects a certain sense of humor

0:12:52.679 --> 0:12:54.920
<v Speaker 1>into it as well, so it's not just you know,

0:12:55.360 --> 0:12:58.960
<v Speaker 1>cold hard sci fi and cold hard philosophy. There's there's

0:12:58.960 --> 0:13:03.719
<v Speaker 1>some giggles thrown in there as well, so very good. Well, Um,

0:13:03.760 --> 0:13:06.280
<v Speaker 1>I had brought up my four year old ask me questions,

0:13:06.440 --> 0:13:10.400
<v Speaker 1>and so I wanted to let you guys know of

0:13:10.440 --> 0:13:14.760
<v Speaker 1>a book called Big Questions from Little People and Simple

0:13:14.880 --> 0:13:18.000
<v Speaker 1>Answers from Great Minds, And this is geared more towards

0:13:18.040 --> 0:13:20.600
<v Speaker 1>the four too, maybe twelve year old set, and I thought, well,

0:13:20.600 --> 0:13:24.280
<v Speaker 1>I really do want to do a kid centric book recommendation. Uh.

0:13:24.400 --> 0:13:26.800
<v Speaker 1>Last year I think it was the Magic of Reality

0:13:26.840 --> 0:13:30.360
<v Speaker 1>by Hawkins, and that is excellent that book, by the way,

0:13:30.720 --> 0:13:32.839
<v Speaker 1>although I would say that's for older children, but this

0:13:32.880 --> 0:13:37.280
<v Speaker 1>book is, I mean, all the questions are generated by

0:13:37.320 --> 0:13:41.719
<v Speaker 1>children and the answers are given by various experts we're

0:13:41.760 --> 0:13:46.240
<v Speaker 1>talking about Mary Roach, Richard Dawkins, Philip Pullman, David Eagleman,

0:13:46.960 --> 0:13:51.880
<v Speaker 1>Noam Chomsky, Mario Batali. Uh So, just a variety of

0:13:51.920 --> 0:13:55.280
<v Speaker 1>different people and the questions very I mean, it can

0:13:55.400 --> 0:13:57.840
<v Speaker 1>be uh you know, sort of the wrote stuff like

0:13:57.880 --> 0:14:01.280
<v Speaker 1>who named all the cities? Anyway? To do aliens exist?

0:14:01.400 --> 0:14:05.720
<v Speaker 1>What makes me me? Is it okay to eat a worm? Uh?

0:14:05.920 --> 0:14:09.120
<v Speaker 1>Can a beasting another? B? Why are some people mean?

0:14:09.800 --> 0:14:14.800
<v Speaker 1>Why is the or why is space so sparkly? Um?

0:14:14.840 --> 0:14:17.360
<v Speaker 1>And it really it's one of those kind of books

0:14:17.360 --> 0:14:19.080
<v Speaker 1>in the in the explanations that I've given are so

0:14:19.120 --> 0:14:22.080
<v Speaker 1>pithy and great and oftentimes have a lot of humor

0:14:22.760 --> 0:14:25.520
<v Speaker 1>that even if you think you know the answer to

0:14:25.560 --> 0:14:28.480
<v Speaker 1>this question as an adult, it will be reframed for

0:14:28.520 --> 0:14:31.440
<v Speaker 1>you in another way and you'll definitely learn something from it.

0:14:31.480 --> 0:14:33.720
<v Speaker 1>In My four year old loves it. Well, just flip

0:14:33.720 --> 0:14:35.080
<v Speaker 1>through it every once in a while and let's just

0:14:35.120 --> 0:14:38.520
<v Speaker 1>say that one and when we discuss it. But anyway,

0:14:38.520 --> 0:14:40.640
<v Speaker 1>it's a it's a great kind of book for for

0:14:40.760 --> 0:14:43.800
<v Speaker 1>kids who are coming online in terms of expanding their

0:14:43.840 --> 0:14:47.520
<v Speaker 1>consciousness about the various topics in life, like hey, why

0:14:47.520 --> 0:14:51.440
<v Speaker 1>are people mean? Why is the uh nighttime skuys so

0:14:51.560 --> 0:14:55.520
<v Speaker 1>sparkly and it kind of gets at the meat of

0:14:55.720 --> 0:14:59.360
<v Speaker 1>those questions, which is pretty great. Cool. Well, my next

0:15:00.120 --> 0:15:03.080
<v Speaker 1>recommendation is is a science book, and this one is

0:15:03.080 --> 0:15:06.960
<v Speaker 1>is definitely aimed at, you know, more more grown audience,

0:15:06.960 --> 0:15:09.960
<v Speaker 1>though younger minds well I think also find plenty of

0:15:09.960 --> 0:15:12.480
<v Speaker 1>of wonderful things in it as well. And the book

0:15:12.560 --> 0:15:15.560
<v Speaker 1>is called Elephants on Acid and Other Bizarre Experiments by

0:15:15.600 --> 0:15:19.840
<v Speaker 1>Alex Bows. Alex's his his line of study is the

0:15:19.960 --> 0:15:23.920
<v Speaker 1>history of science, and this book is a it's it's

0:15:23.960 --> 0:15:26.400
<v Speaker 1>a great one. It's a great book to just pick

0:15:26.480 --> 0:15:29.600
<v Speaker 1>up and so sort of flip through and find something

0:15:29.640 --> 0:15:33.400
<v Speaker 1>interesting and start reading it, because, uh, there are several chapters.

0:15:33.400 --> 0:15:35.680
<v Speaker 1>In each chapter has all these subdivisions. Each to each

0:15:35.720 --> 0:15:39.720
<v Speaker 1>subdivision an interesting look and an actual scientific experiment or

0:15:39.760 --> 0:15:43.280
<v Speaker 1>series of experiments that have taken place, generally experiments with

0:15:43.400 --> 0:15:46.280
<v Speaker 1>kind of a either a surface level weirdness, you know,

0:15:46.280 --> 0:15:47.920
<v Speaker 1>one of those where you're you're like, well, why did

0:15:47.960 --> 0:15:50.640
<v Speaker 1>they you know, why are they giving Latte's two cockroaches?

0:15:50.680 --> 0:15:52.000
<v Speaker 1>That doesn't make any sense? And then you then you

0:15:52.000 --> 0:15:54.160
<v Speaker 1>read it and you're like, oh, well, of course if

0:15:54.160 --> 0:15:56.840
<v Speaker 1>they had not given latte to cockroaches, we would not

0:15:56.920 --> 0:15:58.840
<v Speaker 1>have this vital information. And then some of the other

0:15:58.880 --> 0:16:01.920
<v Speaker 1>ones are kind of reverse like, oh, well that seems reasonable,

0:16:01.920 --> 0:16:04.600
<v Speaker 1>but wow, they didn't really carry that out right. This

0:16:04.640 --> 0:16:07.280
<v Speaker 1>book gets its title from a nineteen sixty to experiment

0:16:07.280 --> 0:16:10.960
<v Speaker 1>that saw Oklahoma's School of Medicine researchers dose an elephant

0:16:11.040 --> 0:16:14.800
<v Speaker 1>named Tusco with l s D. Uh. Last, of course,

0:16:14.880 --> 0:16:18.520
<v Speaker 1>is the llucogen the artificial lucogens that we've talked about

0:16:18.560 --> 0:16:21.640
<v Speaker 1>in the previous episodes. Um. Not only did they give

0:16:21.880 --> 0:16:24.800
<v Speaker 1>Tusco the elephant LSD, they gave Tusco the largest dose

0:16:24.840 --> 0:16:28.120
<v Speaker 1>of LSD ever administered to a single organism, two D

0:16:28.320 --> 0:16:31.560
<v Speaker 1>ninety seven milligrams. That's three thousand times the level of

0:16:31.600 --> 0:16:34.400
<v Speaker 1>a human dose. Now, it's worth noting that at this

0:16:34.480 --> 0:16:37.400
<v Speaker 1>time everyone was getting in on LSD research. Okay, was

0:16:37.480 --> 0:16:40.600
<v Speaker 1>this is the heyday of LSD research and uh, and

0:16:40.640 --> 0:16:42.840
<v Speaker 1>we were fascinated by its effects on the human mind

0:16:42.880 --> 0:16:46.360
<v Speaker 1>and the way we we observe the world. Also, as uh,

0:16:46.520 --> 0:16:49.040
<v Speaker 1>as the author points out, UH, this was also a

0:16:49.040 --> 0:16:52.080
<v Speaker 1>time when the CIA was very interested in military applications

0:16:52.080 --> 0:16:54.080
<v Speaker 1>of l s D, so they funneled tons of money

0:16:54.120 --> 0:16:58.760
<v Speaker 1>through front organizations to various American LSD research projects. So

0:16:59.280 --> 0:17:01.760
<v Speaker 1>uh no, we're not sure. We can't say one we

0:17:01.880 --> 0:17:07.440
<v Speaker 1>or another. Uh if this particular experiment benefited from CIA funds,

0:17:07.480 --> 0:17:09.480
<v Speaker 1>but a number of them down. A lot of people

0:17:09.520 --> 0:17:13.199
<v Speaker 1>got their hands into that candy jar. So uh, this uh,

0:17:13.280 --> 0:17:16.959
<v Speaker 1>this is kind of a tragic experiment though, because of

0:17:17.000 --> 0:17:19.600
<v Speaker 1>what happens is that they they had a syringe of

0:17:19.640 --> 0:17:23.800
<v Speaker 1>this LST again, two seven milligrams of three thousand times

0:17:23.840 --> 0:17:27.560
<v Speaker 1>the level of human dosage injected into Tusco, and Tusco

0:17:27.920 --> 0:17:32.720
<v Speaker 1>staggers a bit, uh, trumpets his his trunk falls over

0:17:32.800 --> 0:17:36.879
<v Speaker 1>and seems to have a seizure. So they administer milligrams

0:17:36.880 --> 0:17:39.879
<v Speaker 1>of anti psychotics. The seizures subside a little, but not

0:17:40.000 --> 0:17:43.200
<v Speaker 1>much so. Then then they administer a bunch of barbagurates uh,

0:17:43.240 --> 0:17:46.080
<v Speaker 1>and Tusco dies a few minutes later. So it's sad,

0:17:46.160 --> 0:17:48.560
<v Speaker 1>not the first time an elephant has died neediously in

0:17:48.560 --> 0:17:54.399
<v Speaker 1>the scientifically experiment um, but but sad. Nonetheless, they performed

0:17:54.440 --> 0:17:57.600
<v Speaker 1>in that cropsy revealed that it died from asphyxiation. His

0:17:57.600 --> 0:18:00.200
<v Speaker 1>throat muscles had closed up, and there's a film this

0:18:00.320 --> 0:18:03.440
<v Speaker 1>somewhere in the u c l A archives, but it's

0:18:03.480 --> 0:18:05.720
<v Speaker 1>never been made public for obvious reasons. This was a

0:18:05.800 --> 0:18:09.080
<v Speaker 1>huge embarrassment. This was uh. It showed up in all

0:18:09.119 --> 0:18:12.200
<v Speaker 1>the papers. There were some misinformation floating about as well.

0:18:12.600 --> 0:18:15.199
<v Speaker 1>There was some information about how the researchers may have

0:18:15.280 --> 0:18:18.760
<v Speaker 1>had LSD themselves um earlier in the week, and that

0:18:18.880 --> 0:18:20.720
<v Speaker 1>led to some people saying, well, were they on LSD

0:18:20.760 --> 0:18:23.679
<v Speaker 1>when they get the elephant? LSD? There was, it was,

0:18:23.760 --> 0:18:27.440
<v Speaker 1>it was. It was not a pleasant story for anyone involved.

0:18:27.560 --> 0:18:30.200
<v Speaker 1>I can't imagine like that happened today. Can you imagine

0:18:30.400 --> 0:18:33.880
<v Speaker 1>the fun politicians would have with that. I mean, I'm

0:18:34.040 --> 0:18:37.520
<v Speaker 1>actually surprised that didn't become LSD gate back then. Yeah. Well,

0:18:37.640 --> 0:18:41.520
<v Speaker 1>in nineteen nine, another U c l A researcher came

0:18:41.520 --> 0:18:44.400
<v Speaker 1>along and he decided to follow up dozing two elephants

0:18:44.400 --> 0:18:48.520
<v Speaker 1>with LSD. But here's here's the catch, under much more control.

0:18:49.080 --> 0:18:51.840
<v Speaker 1>And the guy doing it was Ronald Siegel. And Ronald

0:18:51.880 --> 0:18:53.879
<v Speaker 1>Siegel was one of the world's leading experts on the

0:18:53.880 --> 0:18:56.520
<v Speaker 1>effects of Hallucingen's on animals, so he brought a lot

0:18:56.600 --> 0:19:00.200
<v Speaker 1>more experience, a lot more control, and he had a

0:19:01.040 --> 0:19:03.760
<v Speaker 1>bad example to look back on. He was not involved

0:19:03.800 --> 0:19:07.200
<v Speaker 1>in the first experiment, but he benefited from their missteps.

0:19:07.280 --> 0:19:09.800
<v Speaker 1>So he did it a few things differently. Uh, he

0:19:09.840 --> 0:19:12.520
<v Speaker 1>put LSD in the animals water instead of a syringe,

0:19:12.520 --> 0:19:14.919
<v Speaker 1>and then that didn't then didn't let the elephants have

0:19:14.920 --> 0:19:17.560
<v Speaker 1>any water for twelve hours, so they came in thirsty.

0:19:17.600 --> 0:19:21.640
<v Speaker 1>But they're not getting that skyrocket effect all at once.

0:19:21.680 --> 0:19:24.240
<v Speaker 1>It's more of a gradual um. And they used two

0:19:24.240 --> 0:19:26.840
<v Speaker 1>dose wages, one for each elephant, one with a lower dose,

0:19:26.880 --> 0:19:29.800
<v Speaker 1>one with a higher and the higher one was actually

0:19:29.880 --> 0:19:34.000
<v Speaker 1>proportionally equivalent to what Tusco had, not in terms of

0:19:34.000 --> 0:19:37.840
<v Speaker 1>the actual amount of the drug, but proportionately to its body.

0:19:38.119 --> 0:19:39.880
<v Speaker 1>And this is, you know, it's important for a number

0:19:39.880 --> 0:19:42.239
<v Speaker 1>of reasons. First of all, he wanted to correct the

0:19:42.280 --> 0:19:45.600
<v Speaker 1>problems of that first study. You know, let's let's and

0:19:45.680 --> 0:19:48.240
<v Speaker 1>figure out what happened, like why did the elephant die.

0:19:48.400 --> 0:19:49.879
<v Speaker 1>Did the elephant die because it had all of this

0:19:50.040 --> 0:19:52.639
<v Speaker 1>LSD in its system or was it the cocktail of

0:19:52.720 --> 0:19:55.000
<v Speaker 1>other things that they administered after the fact, you know

0:19:55.359 --> 0:19:57.920
<v Speaker 1>what was going on here. So so that they conducted

0:19:57.920 --> 0:20:00.520
<v Speaker 1>the experiment, the the elephants acted a little weird but

0:20:00.520 --> 0:20:02.560
<v Speaker 1>there were no seizures. There was just one of them

0:20:02.560 --> 0:20:05.560
<v Speaker 1>took an extended hay bath. Uh. It was a much

0:20:05.600 --> 0:20:08.880
<v Speaker 1>more pleasant story. So so it gave us a little

0:20:08.880 --> 0:20:12.760
<v Speaker 1>more insight into what what happens when packet erms take

0:20:12.880 --> 0:20:16.960
<v Speaker 1>hallucinogenic drugs and and also helped us better understand what

0:20:17.040 --> 0:20:19.880
<v Speaker 1>happened with this first disastrous attempt. So that's just one

0:20:19.920 --> 0:20:22.800
<v Speaker 1>of the studies that is looked at in the in

0:20:22.840 --> 0:20:24.399
<v Speaker 1>this book, and you can flip through it. There's all

0:20:24.440 --> 0:20:26.919
<v Speaker 1>sorts of stuff you want, stuff having to do with automobiles,

0:20:27.280 --> 0:20:31.320
<v Speaker 1>you know, digestion um cats. Oh, that there were a

0:20:31.320 --> 0:20:33.960
<v Speaker 1>way to measure whether or not the elephants were more

0:20:33.960 --> 0:20:38.840
<v Speaker 1>open as elephants as packetderms after really experience you know, yeah,

0:20:39.200 --> 0:20:44.200
<v Speaker 1>I don't know. I mean, what are elephant doors of perception? Anyway,

0:20:44.080 --> 0:20:48.800
<v Speaker 1>they were, They're very large, I'm sure. Nice. All right,

0:20:48.880 --> 0:20:51.040
<v Speaker 1>we're gonna take a quick break and when we get

0:20:51.040 --> 0:20:55.320
<v Speaker 1>back more books. We're talking to graphic novels, uh, novel

0:20:55.440 --> 0:20:58.679
<v Speaker 1>from an Icelandic author and all sorts of stuff, So

0:20:59.080 --> 0:21:15.080
<v Speaker 1>we'll be right back. Hey, we're back. We're continuing with

0:21:15.320 --> 0:21:18.200
<v Speaker 1>Julian and I summer reading recommendations to you the listener.

0:21:18.200 --> 0:21:22.280
<v Speaker 1>A mix of fiction, mix of science, a little science

0:21:22.320 --> 0:21:25.359
<v Speaker 1>fiction and even a little comics. So Julie take it

0:21:25.600 --> 0:21:29.480
<v Speaker 1>all right. So here is my little guilty pleasure. Here

0:21:29.560 --> 0:21:33.040
<v Speaker 1>this this summer. It is The Hitman's Guide the House Cleaning.

0:21:33.480 --> 0:21:36.679
<v Speaker 1>It is by hal Garum Halston and this is his

0:21:36.840 --> 0:21:40.800
<v Speaker 1>first book in English. He is an Icelandic author crime fiction,

0:21:41.359 --> 0:21:43.679
<v Speaker 1>very very dark humor. I cannot wait to read this.

0:21:43.760 --> 0:21:45.919
<v Speaker 1>My my husband actually get us for me. Let me

0:21:46.000 --> 0:21:48.440
<v Speaker 1>just kind of give you a quick synopsis of this book.

0:21:48.640 --> 0:21:53.159
<v Speaker 1>It is about this Croatian hit man. He worked for

0:21:53.200 --> 0:21:57.040
<v Speaker 1>the Croatian mafia. His name is Toxic. His real name

0:21:57.080 --> 0:22:01.600
<v Speaker 1>is Thomas Loves Toxic and that he has sixties six

0:22:01.640 --> 0:22:04.560
<v Speaker 1>flawless hits under his belt. Of course number sixty seven.

0:22:04.600 --> 0:22:07.399
<v Speaker 1>He kills the wrong guy and he has forced to

0:22:07.600 --> 0:22:10.960
<v Speaker 1>flee the United States and he takes on a new

0:22:11.080 --> 0:22:14.200
<v Speaker 1>identity in in the form of Father Friendly, who is

0:22:14.200 --> 0:22:18.679
<v Speaker 1>an American evangelist who he actually ends up killing and

0:22:18.720 --> 0:22:22.280
<v Speaker 1>assuming his identity. Um So here he is on his

0:22:22.359 --> 0:22:26.000
<v Speaker 1>way to Iceland. He has no means of escape from

0:22:26.000 --> 0:22:28.840
<v Speaker 1>this island he which is devoid of gun shops by

0:22:28.880 --> 0:22:32.440
<v Speaker 1>the way. So he's completely out of his element. Um,

0:22:32.600 --> 0:22:35.040
<v Speaker 1>and there's no business for him there. Obviously there's not

0:22:35.119 --> 0:22:38.320
<v Speaker 1>a lot of contract killing in Iceland, and he's sort

0:22:38.359 --> 0:22:40.480
<v Speaker 1>of forced to come to terms with his own bloody pass.

0:22:40.480 --> 0:22:43.040
<v Speaker 1>And so it's got all the little you know, fun traps.

0:22:43.080 --> 0:22:47.600
<v Speaker 1>They're mistaken identity, uh, the forces of good and evil

0:22:47.640 --> 0:22:49.840
<v Speaker 1>and who we really are? You know, who is this

0:22:49.880 --> 0:22:53.080
<v Speaker 1>person inside of us? Um? So I really can't wait

0:22:53.119 --> 0:22:55.840
<v Speaker 1>to read this. Um it's gotten some some good reviews,

0:22:56.160 --> 0:22:58.560
<v Speaker 1>and um, I haven't developed into a crime fiction in

0:22:58.560 --> 0:23:00.320
<v Speaker 1>a while. So, like I said, this is going to

0:23:00.359 --> 0:23:03.439
<v Speaker 1>be my guilty pleasure. But I just wanted to mention

0:23:03.480 --> 0:23:05.919
<v Speaker 1>that how the sin is, he's kind of a larger

0:23:05.920 --> 0:23:09.840
<v Speaker 1>than life figure himself. Um, he's a poet. Um, he's

0:23:09.880 --> 0:23:12.760
<v Speaker 1>kind of a provocateur. Um. He is someone who really

0:23:12.800 --> 0:23:15.400
<v Speaker 1>has come down actually very hard on Iceland in terms

0:23:15.400 --> 0:23:19.600
<v Speaker 1>of its politics and its economics. And uh, he's been

0:23:19.720 --> 0:23:22.560
<v Speaker 1>called the Bukowski of Iceland. I'm not sure how I

0:23:22.600 --> 0:23:24.720
<v Speaker 1>feel about that, but I think that just sort of

0:23:24.760 --> 0:23:26.600
<v Speaker 1>points to the idea that he ruffles a lot of

0:23:26.680 --> 0:23:32.359
<v Speaker 1>people's feathers, albeit in a very darkly rendered way with

0:23:32.400 --> 0:23:35.960
<v Speaker 1>his humor. So for anybody out there who is looking

0:23:36.000 --> 0:23:38.919
<v Speaker 1>for a new crime fiction novel, there you go. And

0:23:38.960 --> 0:23:41.280
<v Speaker 1>I often find that the European crime fiction is the

0:23:41.280 --> 0:23:44.240
<v Speaker 1>way to go because, especially if you've read enough for

0:23:44.400 --> 0:23:48.760
<v Speaker 1>seen enough American and US based crime fiction. He kind

0:23:48.760 --> 0:23:51.040
<v Speaker 1>of you kind of grow dead to it after a while.

0:23:51.359 --> 0:23:55.639
<v Speaker 1>But even a fairly cliche crime story set in uh,

0:23:56.000 --> 0:24:00.000
<v Speaker 1>in a European country, instantly it's all these different elements

0:24:00.560 --> 0:24:04.280
<v Speaker 1>influence the experience. Yeah, he has spent a good chunk

0:24:04.320 --> 0:24:06.679
<v Speaker 1>of his life in New York and various other cities

0:24:06.720 --> 0:24:09.600
<v Speaker 1>around the world, so he has a baseline understanding of

0:24:09.760 --> 0:24:14.639
<v Speaker 1>different cultures and the strangeness that comes with, you know,

0:24:14.640 --> 0:24:17.120
<v Speaker 1>flipping between one and another, which kind of I think

0:24:17.640 --> 0:24:21.840
<v Speaker 1>helps to sort of underscore this idea about what identity is. Well,

0:24:21.880 --> 0:24:26.640
<v Speaker 1>that one sounds very good. Yeah, cool. Well, uh, from

0:24:26.680 --> 0:24:29.119
<v Speaker 1>my next one, I'm gonna I'm gonna go with another

0:24:29.320 --> 0:24:31.159
<v Speaker 1>science the topic. And this is actually a book you

0:24:31.240 --> 0:24:33.919
<v Speaker 1>gave to me. And and this is another one that

0:24:34.040 --> 0:24:36.199
<v Speaker 1>is nice and that it is not a you know,

0:24:36.240 --> 0:24:38.880
<v Speaker 1>it's a it's a reasonably thick, like you know, about

0:24:38.920 --> 0:24:44.600
<v Speaker 1>four pages, but it's composed of various essays and uh,

0:24:44.720 --> 0:24:50.400
<v Speaker 1>and and and articles by a host of scientists, science writers,

0:24:50.880 --> 0:24:54.320
<v Speaker 1>um other professional commentators on on the subjects contained. It's

0:24:54.359 --> 0:24:58.240
<v Speaker 1>called This will make You Smarter Uh. New scientific Concepts

0:24:58.240 --> 0:25:01.680
<v Speaker 1>to improve your thinking, Edited by John Brockman. The book

0:25:01.720 --> 0:25:03.760
<v Speaker 1>is great because, again you can just flip through it.

0:25:03.800 --> 0:25:07.560
<v Speaker 1>You can find a number of really interesting topics, including, uh,

0:25:07.680 --> 0:25:10.840
<v Speaker 1>the article that we referenced in our pro Wrestling episode. Uh,

0:25:10.960 --> 0:25:12.680
<v Speaker 1>that's where I found it. I was just flipping through

0:25:12.680 --> 0:25:14.879
<v Speaker 1>the back, looking through the index, and I saw the

0:25:14.920 --> 0:25:17.280
<v Speaker 1>word wrestling, and I'm like, really, there's one of these

0:25:17.359 --> 0:25:20.520
<v Speaker 1>articles deals with wrestling. And sure enough, Uh, mathematition and

0:25:20.560 --> 0:25:24.160
<v Speaker 1>economist Eric Weinstein had that article about cafe about the

0:25:24.160 --> 0:25:28.479
<v Speaker 1>the altered reality of layered falsehoods and how this it's

0:25:28.520 --> 0:25:31.439
<v Speaker 1>existance in the world of professional wrestling actually relates very

0:25:31.480 --> 0:25:34.240
<v Speaker 1>strongly to the way systems work in the real world.

0:25:35.160 --> 0:25:37.959
<v Speaker 1>But in addition to that, you'll find articles inside by

0:25:38.119 --> 0:25:41.240
<v Speaker 1>Richard Dawkins we mentioned earlier. Uh. This is is Max

0:25:41.480 --> 0:25:44.280
<v Speaker 1>tech Mark, who I just saw in New York at

0:25:44.280 --> 0:25:48.359
<v Speaker 1>the World Science Festival, always a great scientific communicator. Jonah Laire,

0:25:48.640 --> 0:25:53.240
<v Speaker 1>Aubrey de Gray, David Eagleman, Alison gott Nick, v s Rama, Chandrin.

0:25:53.359 --> 0:25:56.200
<v Speaker 1>All these names I'm sure you recognized from from previous

0:25:56.200 --> 0:26:00.159
<v Speaker 1>episodes of our show and your external scientific reading. Uh so,

0:26:00.320 --> 0:26:02.959
<v Speaker 1>highly recommend this. You can like, really, you can like.

0:26:03.000 --> 0:26:05.359
<v Speaker 1>I flipped through it and then here is an article

0:26:05.640 --> 0:26:10.080
<v Speaker 1>by Matthew Richie systematic equilibrium bam, and it's like three pages.

0:26:10.119 --> 0:26:12.159
<v Speaker 1>So it's a great book for I don't know, if

0:26:12.200 --> 0:26:14.000
<v Speaker 1>you're one of the people who read stuff on in

0:26:14.040 --> 0:26:17.600
<v Speaker 1>the bathroom and you want an enlightened experience there, I

0:26:17.680 --> 0:26:19.879
<v Speaker 1>think this would be a great one, likewise on the beach,

0:26:20.080 --> 0:26:23.679
<v Speaker 1>fitting in quick bursts of information for your brain in

0:26:23.720 --> 0:26:27.160
<v Speaker 1>between your various travels. Go for it. And honestly, who

0:26:27.200 --> 0:26:31.200
<v Speaker 1>hasn't reached enlightenment in the bathroom? Really, you know, let's

0:26:31.240 --> 0:26:34.520
<v Speaker 1>be honest about it. Um. So, when I was talking

0:26:34.520 --> 0:26:36.360
<v Speaker 1>about him AND's God the house cleaning, I was talking

0:26:36.400 --> 0:26:39.080
<v Speaker 1>about this idea of what it means to be a

0:26:39.119 --> 0:26:42.240
<v Speaker 1>stranger in a strange land, and perhaps one of the

0:26:42.320 --> 0:26:47.040
<v Speaker 1>best books to capture what that feels like is a

0:26:47.119 --> 0:26:50.879
<v Speaker 1>graphic novel by Shaun tan It's called The Arrival and

0:26:50.960 --> 0:26:54.560
<v Speaker 1>it is just hauntingly beautiful. It is about a man

0:26:54.600 --> 0:26:58.440
<v Speaker 1>who leaves his family and he gets on a boat

0:26:58.480 --> 0:27:01.720
<v Speaker 1>and he goes to another land. Um. There are absolutely

0:27:01.800 --> 0:27:05.000
<v Speaker 1>no words in it. And the reason is that um,

0:27:05.040 --> 0:27:07.639
<v Speaker 1>as he leaves his land, his home land, he leaves

0:27:07.680 --> 0:27:10.719
<v Speaker 1>his language, he leaves his mother tongue. And so the

0:27:10.760 --> 0:27:13.880
<v Speaker 1>idea is that you get the sense of pure isolation

0:27:14.520 --> 0:27:20.800
<v Speaker 1>that he is experiencing, and also other worldliness, strangeness alien uh,

0:27:20.800 --> 0:27:24.600
<v Speaker 1>an alien culture with an alien language. And so the

0:27:24.720 --> 0:27:28.000
<v Speaker 1>way that Tan represents this is that he has all

0:27:28.000 --> 0:27:32.240
<v Speaker 1>sorts of incredibly mystical creatures that are running around in

0:27:32.320 --> 0:27:36.080
<v Speaker 1>this new land that this man is experiencing. So um,

0:27:36.119 --> 0:27:39.639
<v Speaker 1>the drawings themselves are technically absolutely beautiful. UM. They're in

0:27:39.720 --> 0:27:43.440
<v Speaker 1>shades of black and white and gray and brown. UM.

0:27:43.480 --> 0:27:46.000
<v Speaker 1>And you'll see street scenes and they look at first

0:27:46.000 --> 0:27:48.480
<v Speaker 1>glance completely normal, and then you see that that birds

0:27:48.480 --> 0:27:51.119
<v Speaker 1>have horns on them, or that there's a giant snail

0:27:51.280 --> 0:27:55.520
<v Speaker 1>just walking around. UM. I wanted to read a really

0:27:55.600 --> 0:27:58.639
<v Speaker 1>quick excerpt from Breton Nickel. He reviewed the book on

0:27:58.680 --> 0:28:00.440
<v Speaker 1>good Reads. I just thought he had an a good

0:28:00.560 --> 0:28:03.320
<v Speaker 1>take on this. He says, Tan's world here is struck

0:28:03.359 --> 0:28:07.000
<v Speaker 1>through with fantastical twist, as though we view a quantum

0:28:07.040 --> 0:28:10.960
<v Speaker 1>reality several iterations from our own. It is vaguely steampunkished

0:28:10.960 --> 0:28:13.439
<v Speaker 1>with perhaps a hint of anime. This is where you

0:28:13.480 --> 0:28:16.760
<v Speaker 1>find the genius of Sean Tan. He has imagined an

0:28:16.760 --> 0:28:21.080
<v Speaker 1>alternate reality that is fully alien yet instantly familiar. Many

0:28:21.160 --> 0:28:23.960
<v Speaker 1>an artist, when attempting to depict the alien, will lazily

0:28:24.119 --> 0:28:27.239
<v Speaker 1>skip straight to the zany, the nonsensical, the surreal, so

0:28:27.280 --> 0:28:28.919
<v Speaker 1>that the audience is struck on the head by the

0:28:28.960 --> 0:28:32.160
<v Speaker 1>message that this is not your earth. Tan is better

0:28:32.160 --> 0:28:35.879
<v Speaker 1>than that. He draws pet animals, food, architecture, and vehicles

0:28:35.920 --> 0:28:38.200
<v Speaker 1>that are certainly odd and whimsical, but the reader is

0:28:38.240 --> 0:28:41.120
<v Speaker 1>able to intuit how it might fit all together and work.

0:28:41.560 --> 0:28:44.800
<v Speaker 1>The strange horrors that the books protagonist and his new

0:28:44.840 --> 0:28:48.080
<v Speaker 1>found friends fled from in their homelands rest firmly in

0:28:48.120 --> 0:28:50.640
<v Speaker 1>the realm of fantasy that they can easily be interpreted

0:28:51.000 --> 0:28:53.720
<v Speaker 1>as nods to various evils and hardships in our own

0:28:53.760 --> 0:28:56.800
<v Speaker 1>real world, and some of the animals that are in here.

0:28:56.880 --> 0:29:00.880
<v Speaker 1>It's just like it's such a feat of imagination. Um.

0:29:00.920 --> 0:29:02.920
<v Speaker 1>You know, you see things that look like they could

0:29:02.960 --> 0:29:05.120
<v Speaker 1>be a reptilian, or you often see this sort of

0:29:05.520 --> 0:29:08.680
<v Speaker 1>tadpole looking dog. The tadpole looking dog is the one

0:29:08.720 --> 0:29:11.720
<v Speaker 1>that that caught my at first. It's just because because

0:29:11.840 --> 0:29:14.640
<v Speaker 1>very cute, very alien though, and and again the art

0:29:14.720 --> 0:29:18.120
<v Speaker 1>is wonderful here. It looks like like like sort of

0:29:18.200 --> 0:29:23.120
<v Speaker 1>classic CPI, A toned images of of of you newcomers

0:29:23.160 --> 0:29:25.800
<v Speaker 1>to New York and the Golden Age, but fused with this,

0:29:26.160 --> 0:29:29.520
<v Speaker 1>with with this alien world, this world of alien creatures.

0:29:29.560 --> 0:29:31.760
<v Speaker 1>And it's funny that you say that, because you know,

0:29:31.840 --> 0:29:34.040
<v Speaker 1>he began this as a children's book, and then he

0:29:34.120 --> 0:29:35.960
<v Speaker 1>realized that he had much more to say about it,

0:29:36.000 --> 0:29:38.480
<v Speaker 1>as is the child of a father who had immigrated,

0:29:39.000 --> 0:29:41.760
<v Speaker 1>and he spent four years researching it and really going

0:29:41.760 --> 0:29:44.959
<v Speaker 1>through the Ellis Islands records. In fact, you see a

0:29:44.960 --> 0:29:50.280
<v Speaker 1>lot of sketches of um people. Art really echoes those images,

0:29:50.320 --> 0:29:53.000
<v Speaker 1>those those iconic immigrant images that we see just so

0:29:53.120 --> 0:29:55.600
<v Speaker 1>well it just yeah. And then he shows these the

0:29:55.640 --> 0:29:59.120
<v Speaker 1>picture of the new city that the character is in,

0:29:59.200 --> 0:30:03.400
<v Speaker 1>and it's just so futuristic. It's like Blade Runner meets like, uh,

0:30:03.480 --> 0:30:06.400
<v Speaker 1>you know, nineteenth century America. It's amazing. Well, that's one

0:30:06.400 --> 0:30:09.560
<v Speaker 1>of the wonderful things about fantasy is that is that

0:30:09.880 --> 0:30:13.880
<v Speaker 1>like like fantasy, like pure fantasy, that's great. But when

0:30:13.920 --> 0:30:16.480
<v Speaker 1>you inject like a little bit of fantasy and a

0:30:16.480 --> 0:30:19.320
<v Speaker 1>little bit of of of real world, a little bit

0:30:19.320 --> 0:30:21.640
<v Speaker 1>of science, a little bit of history, what have you? Uh,

0:30:21.800 --> 0:30:24.880
<v Speaker 1>you can illuminate things in the history or in the

0:30:24.920 --> 0:30:27.400
<v Speaker 1>science that either you had grown numb to or you

0:30:27.440 --> 0:30:29.600
<v Speaker 1>never realize we're there to begin with. Well, and see,

0:30:29.640 --> 0:30:31.600
<v Speaker 1>that's what I think is so intriguing about this. We

0:30:31.640 --> 0:30:33.840
<v Speaker 1>often talk about this like there's there are certain tropes

0:30:34.280 --> 0:30:37.400
<v Speaker 1>that just are like the alien experience, right, or being

0:30:37.440 --> 0:30:40.560
<v Speaker 1>a stranger in a strange land, and it's very easy

0:30:40.600 --> 0:30:43.320
<v Speaker 1>to sort of fall into cliche. And when we've talked

0:30:43.320 --> 0:30:46.880
<v Speaker 1>about artists being successful at picking this, it's usually because

0:30:46.880 --> 0:30:48.920
<v Speaker 1>they're coming in at an angle that you would not

0:30:49.040 --> 0:30:53.080
<v Speaker 1>expect and it makes that trope feel new and fresh

0:30:53.120 --> 0:30:56.720
<v Speaker 1>and understood again for the first time. And one of

0:30:56.760 --> 0:30:59.440
<v Speaker 1>the ways that I think that Tan does this, it's

0:30:59.480 --> 0:31:03.040
<v Speaker 1>just by even uh this two page spread of clouds

0:31:03.080 --> 0:31:05.800
<v Speaker 1>and cloud formations that he has in the book, and

0:31:05.840 --> 0:31:08.920
<v Speaker 1>it's meant to show you what the character sees when

0:31:08.920 --> 0:31:11.960
<v Speaker 1>he's on the steamship to this new world looking up

0:31:12.000 --> 0:31:15.120
<v Speaker 1>at the sky each day, Each each cloud formation is

0:31:15.240 --> 0:31:19.960
<v Speaker 1>different and beautiful and just other worldly. And so I

0:31:20.000 --> 0:31:22.000
<v Speaker 1>mean just this page. I could sit here and stare

0:31:22.040 --> 0:31:24.920
<v Speaker 1>it probably for an hour and analyze it. Um. So

0:31:24.960 --> 0:31:28.480
<v Speaker 1>anyway that if you guys like graphic novels, if you, um,

0:31:28.520 --> 0:31:30.800
<v Speaker 1>if you want to, should have delve in deeper to

0:31:30.880 --> 0:31:33.720
<v Speaker 1>the psychological aspects of what it is to feel isolated

0:31:33.840 --> 0:31:37.000
<v Speaker 1>or to be uh, are you know, inserted into this

0:31:37.240 --> 0:31:39.959
<v Speaker 1>what feels like alien existence? Then check out the arrival.

0:31:40.080 --> 0:31:42.120
<v Speaker 1>Can't recommend it enough? Yeah, And this is one to

0:31:42.320 --> 0:31:43.760
<v Speaker 1>just look looking at you can tell it's not a

0:31:43.800 --> 0:31:45.640
<v Speaker 1>comic that you read and you put on the shelf.

0:31:45.800 --> 0:31:47.040
<v Speaker 1>You know, it's it's when you can keep out on

0:31:47.080 --> 0:31:50.120
<v Speaker 1>the coffee. Yes, people are gonna be drawn to it. Well,

0:31:50.160 --> 0:31:51.760
<v Speaker 1>and I tend to pick it up and just flip

0:31:51.760 --> 0:31:55.120
<v Speaker 1>through it again and again just because esthetically I can't

0:31:55.160 --> 0:31:57.880
<v Speaker 1>help it. But you know, thematically, it's just I find

0:31:57.880 --> 0:32:01.280
<v Speaker 1>something new every time I look at it. Okay, Well,

0:32:01.320 --> 0:32:03.040
<v Speaker 1>for my next pick, I just want I have to

0:32:03.080 --> 0:32:06.400
<v Speaker 1>mention this one because this is the most beautiful book

0:32:06.400 --> 0:32:09.360
<v Speaker 1>that I have read, uh this year. Um. And it's

0:32:09.400 --> 0:32:12.760
<v Speaker 1>called Train Dreams by Dennis Johnson. Uh. It's a story

0:32:12.800 --> 0:32:15.440
<v Speaker 1>of Robert Grenier a day labor in the American West

0:32:15.440 --> 0:32:17.640
<v Speaker 1>at the start of the twenties century, an ordinary man

0:32:17.640 --> 0:32:23.080
<v Speaker 1>in extraordinary times. Uh. He experiences some severe loss, loses

0:32:23.160 --> 0:32:25.160
<v Speaker 1>his family, and then struggles to make sense of this,

0:32:25.440 --> 0:32:29.040
<v Speaker 1>uh as the modern world creeps into this uh, this

0:32:29.040 --> 0:32:32.120
<v Speaker 1>this American West that he's grown to know and love.

0:32:32.520 --> 0:32:34.760
<v Speaker 1>Dennis Johnson's writing, and this is just beautiful. I'm gonna

0:32:34.800 --> 0:32:36.560
<v Speaker 1>read a little bit from it in just a moment.

0:32:36.600 --> 0:32:39.239
<v Speaker 1>But it's Uh. First of all, it's in novella. So

0:32:39.320 --> 0:32:41.400
<v Speaker 1>if you're wondering, what's I need something short from my

0:32:41.440 --> 0:32:43.840
<v Speaker 1>trip or from my my beach read or from my travels.

0:32:44.040 --> 0:32:47.480
<v Speaker 1>What is the shortest but but the most beautiful thing

0:32:47.480 --> 0:32:49.640
<v Speaker 1>I could possibly read, then I would I would suggest

0:32:49.680 --> 0:32:52.600
<v Speaker 1>giving this one a try. Um, there's nothing there's no

0:32:52.720 --> 0:32:55.400
<v Speaker 1>science in it. Really, there's uh, there's some some fun

0:32:55.440 --> 0:32:58.840
<v Speaker 1>little bits of history uh interesstpersed in there. Uh, there's

0:32:58.880 --> 0:33:01.400
<v Speaker 1>there's nothing really in the way fantasy. There's some dream

0:33:01.520 --> 0:33:05.440
<v Speaker 1>context uh involved, but that's about it. But still it's

0:33:05.520 --> 0:33:06.960
<v Speaker 1>the most beautiful thing that I've read. And I'm just

0:33:06.960 --> 0:33:09.360
<v Speaker 1>gonna read a quick bit here. This is a before

0:33:09.360 --> 0:33:11.520
<v Speaker 1>he experiences this loss, he has a conversation with his

0:33:11.600 --> 0:33:15.520
<v Speaker 1>wife about their about their infant, He says, how much

0:33:15.520 --> 0:33:17.480
<v Speaker 1>does she know? Do you suppose, Gladys, as much as

0:33:17.480 --> 0:33:20.200
<v Speaker 1>a dog pup? Do you suppose a dog pup can

0:33:20.280 --> 0:33:22.240
<v Speaker 1>live by its own after the bitch weans it away,

0:33:22.280 --> 0:33:25.160
<v Speaker 1>Gladys said. He waited for her to explain what this meant.

0:33:25.320 --> 0:33:28.120
<v Speaker 1>She often thought ahead of him. A man child couldn't

0:33:28.160 --> 0:33:30.200
<v Speaker 1>do that way, she said, Just go off and live

0:33:30.600 --> 0:33:32.880
<v Speaker 1>after it was ween. The dog knows more than a

0:33:32.880 --> 0:33:35.480
<v Speaker 1>babe until the babe knows its words, but not just

0:33:35.560 --> 0:33:38.200
<v Speaker 1>a few words. A dog raised around the house knows

0:33:38.240 --> 0:33:42.560
<v Speaker 1>some words too, as many as a baby. How many words, Gladys,

0:33:42.600 --> 0:33:44.600
<v Speaker 1>you know, she said, the word for its tricks and

0:33:44.640 --> 0:33:46.840
<v Speaker 1>the things you tell it to do. Just say some

0:33:46.880 --> 0:33:49.040
<v Speaker 1>of the words, glad It was dark, and he wanted

0:33:49.080 --> 0:33:51.960
<v Speaker 1>to keep hearing her voice. Well, fetch and come and

0:33:52.000 --> 0:33:54.680
<v Speaker 1>sit and lay and roll over. Whatever it knows to do,

0:33:54.880 --> 0:33:57.600
<v Speaker 1>it knows the words. In the dark, he felt his

0:33:57.680 --> 0:34:01.400
<v Speaker 1>daughter's eyes turned on him like a hornered brutes. It

0:34:01.480 --> 0:34:04.200
<v Speaker 1>was only his thoughts tricking him, but it poured something

0:34:04.240 --> 0:34:06.800
<v Speaker 1>cold down his spine. He shuddered and pulled the quilt

0:34:06.880 --> 0:34:09.400
<v Speaker 1>up to his neck all of his life. Robert Grenier

0:34:09.480 --> 0:34:12.040
<v Speaker 1>was able to recall that very moment on this very night.

0:34:12.920 --> 0:34:16.160
<v Speaker 1>Oh so it's uh, you know, it's it's it's a

0:34:16.200 --> 0:34:19.399
<v Speaker 1>beautiful novella. I highly recommend checking it out. It's it's

0:34:19.400 --> 0:34:22.560
<v Speaker 1>available in various formats and also as an audiobook. UM,

0:34:22.800 --> 0:34:26.040
<v Speaker 1>give you a shot. All right, it sounds very very good. UM.

0:34:26.080 --> 0:34:29.080
<v Speaker 1>So those are just some recommendations from us. We would

0:34:29.120 --> 0:34:30.920
<v Speaker 1>love to hear from you guys to do. Is there

0:34:31.000 --> 0:34:33.920
<v Speaker 1>something that you you feel very strongly that we should

0:34:34.400 --> 0:34:37.319
<v Speaker 1>check out, that others should check out. Um, if you

0:34:37.400 --> 0:34:41.240
<v Speaker 1>have one or two recommendations, UM, please blind by us. Yeah.

0:34:41.400 --> 0:34:43.760
<v Speaker 1>And also remember we were going to do a second

0:34:43.760 --> 0:34:46.200
<v Speaker 1>episode here that should publish after this one, where we'll

0:34:46.239 --> 0:34:50.320
<v Speaker 1>have some guests, some outside guests from from from various

0:34:50.800 --> 0:34:53.200
<v Speaker 1>parts of the end of the world, uh well two

0:34:53.239 --> 0:34:55.880
<v Speaker 1>parts of the world really, and then also some some

0:34:55.960 --> 0:34:59.040
<v Speaker 1>guests from various parts of our office. So we'll have

0:34:59.280 --> 0:35:00.799
<v Speaker 1>some guests from some of the other house Stuff Works

0:35:00.800 --> 0:35:03.840
<v Speaker 1>podcast on to share their recommendations. And through all of

0:35:03.880 --> 0:35:05.400
<v Speaker 1>this they're gonna be places where you're like, oh, that

0:35:05.440 --> 0:35:07.200
<v Speaker 1>book sounded really interesting. What was the name of that

0:35:07.239 --> 0:35:09.719
<v Speaker 1>how do you spell that? Well, luckily we have a

0:35:09.760 --> 0:35:12.520
<v Speaker 1>blog and on that blog you will find an accompanying

0:35:12.560 --> 0:35:14.759
<v Speaker 1>blog post where we will list all the books that

0:35:14.800 --> 0:35:17.839
<v Speaker 1>we've mentioned in this podcast episode and the other one,

0:35:18.320 --> 0:35:20.080
<v Speaker 1>and you can find that at stuff to bowl your

0:35:20.080 --> 0:35:22.520
<v Speaker 1>Mind dot com. That's the mothership. That's where we keep

0:35:22.560 --> 0:35:24.560
<v Speaker 1>all of our our content, or at least links to

0:35:24.600 --> 0:35:27.000
<v Speaker 1>our content. But you can also find us on social

0:35:27.040 --> 0:35:29.279
<v Speaker 1>media where you will find us at Facebook where we

0:35:29.280 --> 0:35:30.680
<v Speaker 1>are stuff to Blow Your Mind. To find us on

0:35:30.719 --> 0:35:33.440
<v Speaker 1>Twitter where handle is blow the Mind. We're on tumbler

0:35:33.480 --> 0:35:36.920
<v Speaker 1>as well, and also YouTube where our handle is mind

0:35:37.040 --> 0:35:40.240
<v Speaker 1>Stuff Show. And you can always drop us a line

0:35:40.280 --> 0:35:46.200
<v Speaker 1>at the load of mind at discoveries dot com.