1 00:00:00,240 --> 00:00:10,600 Speaker 1: It's with Jenny Garth and Tori Spelling. Hey, you guys, 2 00:00:11,119 --> 00:00:16,480 Speaker 1: happy Thanksgiving day after post post Thanksgiving, it's like four 3 00:00:16,520 --> 00:00:21,720 Speaker 1: days after Jenny's fun. Well I'm still full, how about you, guys? Yeah? 4 00:00:21,880 --> 00:00:24,840 Speaker 1: Onto Christmas. It's like it's just one holiday after another 5 00:00:27,040 --> 00:00:32,680 Speaker 1: speed like not sweeting, Yeah I wish, but like it's 6 00:00:32,680 --> 00:00:36,320 Speaker 1: like a holiday happens. It's like oh anticipation, like Halloween 7 00:00:36,640 --> 00:00:39,559 Speaker 1: onto thanks Thanksving, so now we're onto Christmas. I don't know. 8 00:00:39,920 --> 00:00:42,559 Speaker 1: That's how I live my life, you guys, Like, I'm like, 9 00:00:42,800 --> 00:00:44,559 Speaker 1: I get through Okay, let me just get through this 10 00:00:44,600 --> 00:00:47,360 Speaker 1: meeting on Thursday. Great, Okay, I gotta get through Saturday 11 00:00:47,360 --> 00:00:49,800 Speaker 1: and get the kids. You know, Like my my life 12 00:00:49,800 --> 00:00:52,320 Speaker 1: feels like it's like moment to moment like that, and 13 00:00:52,360 --> 00:00:55,080 Speaker 1: it doesn't feel good. No, it's not healthy. Yeah, we're 14 00:00:55,080 --> 00:01:01,959 Speaker 1: here with you. How do we change this meditation? Who 15 00:01:02,120 --> 00:01:05,240 Speaker 1: is time for that? I kind of I gotta pencil 16 00:01:05,319 --> 00:01:09,200 Speaker 1: that in again, like getting she Amy. Have you ever 17 00:01:09,240 --> 00:01:12,479 Speaker 1: seen her calendar? No? But I bet it was. It's 18 00:01:12,480 --> 00:01:18,800 Speaker 1: a little scary. By the way, guys, back we have 19 00:01:18,920 --> 00:01:21,960 Speaker 1: we have Amy back. This is the thing we were 20 00:01:21,959 --> 00:01:23,720 Speaker 1: so excited to have you with us today, Amy, and 21 00:01:23,760 --> 00:01:28,240 Speaker 1: we know you are so excited. Um. We finished off 22 00:01:28,280 --> 00:01:33,680 Speaker 1: season two right by the way, thank you. And now 23 00:01:35,319 --> 00:01:39,400 Speaker 1: we've decided, because you love it so much and because 24 00:01:39,560 --> 00:01:43,400 Speaker 1: a few of the characters from go On over, we're 25 00:01:43,400 --> 00:01:47,320 Speaker 1: gonna stop the show like screech it to a halt, 26 00:01:47,400 --> 00:01:50,320 Speaker 1: and we're gonna gonna become the Melrose Place Podcast for 27 00:01:50,360 --> 00:01:57,120 Speaker 1: just a day, for three episodes, sorry, three episodes. Three episodes. 28 00:01:57,960 --> 00:02:01,120 Speaker 1: That's the episodes that you guys are Wait, what is 29 00:02:01,120 --> 00:02:03,160 Speaker 1: our mashup name? There has to be a mashup name. 30 00:02:03,240 --> 00:02:10,679 Speaker 1: So there's little mel mel No. I did write this 31 00:02:11,639 --> 00:02:18,840 Speaker 1: nine oh two one spin off one spin off groundbreaking, 32 00:02:19,200 --> 00:02:21,720 Speaker 1: I'm that's I wish I could say I loved it. 33 00:02:22,040 --> 00:02:30,600 Speaker 1: But what about place? Okay, no place, Nino Place, Nino 34 00:02:30,720 --> 00:02:36,080 Speaker 1: two one? Does anybody wear a shirt on this show? So, 35 00:02:36,800 --> 00:02:38,920 Speaker 1: oh my gosh, this is why she loved the show, 36 00:02:38,960 --> 00:02:42,280 Speaker 1: you guys, This is why she she ditched Beverly Hills 37 00:02:43,160 --> 00:02:46,320 Speaker 1: like a hot potato and switched gears and now and 38 00:02:46,360 --> 00:02:50,600 Speaker 1: it became a Melrose placer. In fact, though, I go 39 00:02:50,720 --> 00:02:53,880 Speaker 1: back to my college days and we watched both. So 40 00:02:53,960 --> 00:02:58,280 Speaker 1: this premiered in the summer and I started college like 41 00:02:58,400 --> 00:03:01,720 Speaker 1: literally one month later, and we watched the boat because 42 00:03:01,760 --> 00:03:04,280 Speaker 1: you had the pre and the post and you were 43 00:03:04,360 --> 00:03:07,079 Speaker 1: right in between. So you had high school and then 44 00:03:07,280 --> 00:03:09,600 Speaker 1: like us, and then you were right there, and then 45 00:03:09,600 --> 00:03:16,720 Speaker 1: it's after college, real life with less fashion, oh well, 46 00:03:16,840 --> 00:03:21,880 Speaker 1: less shirts, less clothing. We're talking about season one, episode 47 00:03:21,919 --> 00:03:29,119 Speaker 1: one of Melrose Place, you guys had aired, and what's 48 00:03:29,120 --> 00:03:31,760 Speaker 1: a little synopsis of it? My god, get into my page. 49 00:03:31,760 --> 00:03:35,600 Speaker 1: Hold on, wait, I just want you to know I 50 00:03:35,600 --> 00:03:38,880 Speaker 1: have salsa under my nails. Guys, I wish you all 51 00:03:38,880 --> 00:03:40,680 Speaker 1: would have been here. Oh my god, you would have 52 00:03:40,680 --> 00:03:43,400 Speaker 1: put that out and or don't touch Dave because Jenny 53 00:03:43,560 --> 00:03:51,040 Speaker 1: was trying to eat lunch before we started build things everywhere. Yeah, 54 00:03:51,240 --> 00:03:53,200 Speaker 1: but what happened? I picked it up up the floor 55 00:03:53,240 --> 00:03:55,840 Speaker 1: and ate it anyway because she was resourceful. Yeah, she 56 00:03:55,840 --> 00:03:58,840 Speaker 1: doesn't waste stuffy. Thank god, my house is clean. Sorry. Go. 57 00:03:59,440 --> 00:04:03,520 Speaker 1: Synopsis is at four six one six Melrose Place. Let's 58 00:04:03,520 --> 00:04:07,280 Speaker 1: look that up? Does that exist? A garden apartment complex 59 00:04:07,280 --> 00:04:10,480 Speaker 1: in Los Angeles. A group of eight twenties something. People 60 00:04:10,560 --> 00:04:13,360 Speaker 1: try to get by in life anyway they can. Alison 61 00:04:13,440 --> 00:04:16,080 Speaker 1: Barker looks for a new roommate after her previous one 62 00:04:16,160 --> 00:04:18,120 Speaker 1: leaves are in the dead of night without money for 63 00:04:18,120 --> 00:04:21,279 Speaker 1: the rent. Are you ready for my first question for 64 00:04:21,320 --> 00:04:25,920 Speaker 1: you guys? Right off the top right from the credits 65 00:04:26,920 --> 00:04:31,560 Speaker 1: credits in alphabetical order, Tell me about that, like tell 66 00:04:31,560 --> 00:04:33,880 Speaker 1: me about that versus nine O two and oh. Like 67 00:04:34,240 --> 00:04:37,520 Speaker 1: for us regular people, what would that mean that these 68 00:04:37,560 --> 00:04:39,800 Speaker 1: credits were an alphabetical order, that they did it right? 69 00:04:40,200 --> 00:04:45,280 Speaker 1: Like usually usually that happens right when when there's an 70 00:04:45,400 --> 00:04:49,760 Speaker 1: ensemble cast and everybody's parts are start out very equal, 71 00:04:50,960 --> 00:04:55,400 Speaker 1: so and nobody wants to give anybody, you know, hierarchy 72 00:04:55,680 --> 00:04:59,280 Speaker 1: or special treatment, so they do it alphabetically and then 73 00:04:59,279 --> 00:05:01,040 Speaker 1: no one can complain, don't argue about it. How was 74 00:05:01,240 --> 00:05:04,520 Speaker 1: nine O two one oh done? Not that way clearly, 75 00:05:04,600 --> 00:05:07,000 Speaker 1: but b H nine two one oh we went in 76 00:05:07,080 --> 00:05:10,400 Speaker 1: alphabetical order because you can imagine that that would have 77 00:05:10,440 --> 00:05:14,919 Speaker 1: been you know, like I said, you know what that 78 00:05:15,160 --> 00:05:18,560 Speaker 1: this this is like TV gold for garth, not for spelling. 79 00:05:19,600 --> 00:05:25,880 Speaker 1: Last iron Iron always gets boned on that one with 80 00:05:26,040 --> 00:05:31,040 Speaker 1: zerring of it all on on nine O two one oh. 81 00:05:31,080 --> 00:05:33,719 Speaker 1: Was there somebody on the top of the call sheet 82 00:05:33,839 --> 00:05:37,320 Speaker 1: as they say, yeah, because it was about Brenda and 83 00:05:37,400 --> 00:05:39,600 Speaker 1: Brandon when the show started, who was on their one 84 00:05:39,600 --> 00:05:42,840 Speaker 1: and two one? Isn't it Brandon? And then Brenda? That 85 00:05:42,880 --> 00:05:46,920 Speaker 1: would be Jason Priestley And yes it was Jason. Then 86 00:05:46,920 --> 00:05:50,599 Speaker 1: Shannon it should have been Shin And then Jason asked 87 00:05:50,600 --> 00:05:56,480 Speaker 1: me why because female? Yeah, ladies first, Yeah, you know what, 88 00:05:56,640 --> 00:05:58,560 Speaker 1: You're right? Okay, okay, I'll go with that. I'll go 89 00:05:58,600 --> 00:06:01,040 Speaker 1: with that. I want it. I want that like chivalry. 90 00:06:01,080 --> 00:06:02,800 Speaker 1: When I want it, and then when I don't, I 91 00:06:02,800 --> 00:06:08,440 Speaker 1: don't ya. And Jenny was number three. But little fun fact, 92 00:06:08,720 --> 00:06:12,120 Speaker 1: as we know people left, Jen became number one. After 93 00:06:12,160 --> 00:06:15,760 Speaker 1: a while, we all got we all got pushed up 94 00:06:15,800 --> 00:06:19,080 Speaker 1: to I was going to ask that if there was 95 00:06:19,160 --> 00:06:22,040 Speaker 1: movement over the over the years. Yeah, if you left, 96 00:06:22,279 --> 00:06:27,680 Speaker 1: you took that space and you claimed it fast. So 97 00:06:27,760 --> 00:06:29,360 Speaker 1: I know, and I know we don't see it yet, 98 00:06:29,480 --> 00:06:32,920 Speaker 1: but hopefully most people have seen Melrose Place. Heather Lockler, 99 00:06:33,000 --> 00:06:38,719 Speaker 1: once she joined, became special guest star for six seven years, 100 00:06:38,720 --> 00:06:43,359 Speaker 1: however long it ran, which is so that that's a 101 00:06:43,360 --> 00:06:46,920 Speaker 1: special that's special treatment. Like when you see a cast 102 00:06:47,720 --> 00:06:50,520 Speaker 1: and there's some confusion because they've already started and someone's 103 00:06:50,560 --> 00:06:53,119 Speaker 1: like number one, number two, So you can't just shove 104 00:06:53,200 --> 00:06:55,520 Speaker 1: someone in because it'll freak people out, and they have 105 00:06:55,560 --> 00:06:58,760 Speaker 1: a contract. I think you do like and Special Guest 106 00:06:58,800 --> 00:07:04,080 Speaker 1: Star or and or with anything. Isn't that what it 107 00:07:04,120 --> 00:07:07,080 Speaker 1: did for us on Melrose Place. On the opening credits 108 00:07:07,120 --> 00:07:12,400 Speaker 1: of the first episode of Special Guest Stars for Everything, 109 00:07:12,760 --> 00:07:15,440 Speaker 1: I'm gonna ask the rude question, do it that means 110 00:07:15,480 --> 00:07:20,400 Speaker 1: more money? Would that mean more money for her if 111 00:07:20,400 --> 00:07:23,600 Speaker 1: she was a Special Guest Star? Obviously it's just clouds 112 00:07:23,640 --> 00:07:27,160 Speaker 1: like they can't put her first, like I believe Wait, wait, 113 00:07:27,200 --> 00:07:29,360 Speaker 1: I could be totally wrong on this. I believe in 114 00:07:29,480 --> 00:07:35,080 Speaker 1: Dynasty Joan Collins was then does that not correct? Might 115 00:07:35,080 --> 00:07:38,760 Speaker 1: be wrong? Familiar to me that it was? And Joan Collins, 116 00:07:38,800 --> 00:07:40,200 Speaker 1: do you know what I mean? Sometimes kind of a 117 00:07:40,280 --> 00:07:42,520 Speaker 1: thing like sorry, we have no more money, but we're 118 00:07:42,520 --> 00:07:45,040 Speaker 1: going to give you this title. And if you know, 119 00:07:45,200 --> 00:07:48,600 Speaker 1: you know which anybody across America in the world, when 120 00:07:48,600 --> 00:07:51,160 Speaker 1: you're watching it, they don't know, they're like, oh, I 121 00:07:51,160 --> 00:07:53,760 Speaker 1: guess you're just barely in this, but it's supposed to 122 00:07:53,800 --> 00:07:57,040 Speaker 1: mean like better than number one? Did you now? I'm 123 00:07:57,040 --> 00:07:59,880 Speaker 1: really being inappropriate, but that's okay. Did you guys ever 124 00:08:00,000 --> 00:08:04,080 Speaker 1: think of ban banming banding? Together like the Friends casted 125 00:08:04,200 --> 00:08:09,160 Speaker 1: to negotiate all as one or no, no, no, oh 126 00:08:09,200 --> 00:08:12,800 Speaker 1: my gosh, we tried to really yeah, that was later 127 00:08:13,000 --> 00:08:15,480 Speaker 1: later in the in the show, and that that was 128 00:08:15,520 --> 00:08:20,360 Speaker 1: a really a strong attempt by some people to make 129 00:08:20,400 --> 00:08:26,800 Speaker 1: that happen. We did, We really did try. You know what, 130 00:08:27,640 --> 00:08:32,000 Speaker 1: all's fair in love and prime time. So you got it. 131 00:08:32,480 --> 00:08:35,560 Speaker 1: You gotta do what you can. But at a certain point, 132 00:08:36,679 --> 00:08:40,199 Speaker 1: everyone had different deals because everyone had started different places. 133 00:08:42,000 --> 00:08:46,480 Speaker 1: But we at the end we had an it's like 134 00:08:46,520 --> 00:08:51,280 Speaker 1: an alliance, it's like big brother. Mhm. So Jennan, iormed 135 00:08:51,280 --> 00:08:54,120 Speaker 1: an alliance so that no one could, like you kind 136 00:08:54,120 --> 00:08:55,800 Speaker 1: of want that cloud, so that no one could like 137 00:08:56,280 --> 00:08:58,040 Speaker 1: come in and just be like, hey I want this 138 00:08:58,120 --> 00:09:00,240 Speaker 1: and suddenly like there's a newbie and you've been working 139 00:09:00,240 --> 00:09:03,480 Speaker 1: your ass off for ten years and they're like, so 140 00:09:03,679 --> 00:09:05,320 Speaker 1: this will be my last question about sort of like 141 00:09:05,440 --> 00:09:09,240 Speaker 1: the business. But uh, on Melrose Place, if they're all 142 00:09:09,320 --> 00:09:13,640 Speaker 1: in alphabetical order, would it be favored nations as they say, 143 00:09:13,679 --> 00:09:16,520 Speaker 1: which means everyone's getting the same money or not necessarily 144 00:09:18,720 --> 00:09:21,640 Speaker 1: in a situation like this, quite possibly it could have 145 00:09:21,640 --> 00:09:26,840 Speaker 1: been favored nations or yeah, because I really felt like 146 00:09:26,880 --> 00:09:29,520 Speaker 1: this cast was super balanced, like everybody had. It started 147 00:09:29,520 --> 00:09:34,720 Speaker 1: out very like everybody has their storyline, everybody's equal, you 148 00:09:34,760 --> 00:09:38,160 Speaker 1: know what, I gotta call it. Courtney Thorne Smith came 149 00:09:38,200 --> 00:09:42,320 Speaker 1: into this with a huge resume. She was in features 150 00:09:42,760 --> 00:09:45,760 Speaker 1: like there's no chance that someone who it's their first 151 00:09:45,840 --> 00:09:48,720 Speaker 1: job is getting the same pay as Courtney Thorne Smith, 152 00:09:48,760 --> 00:09:53,320 Speaker 1: who played Allison. In my opinion, I think that's probably 153 00:09:53,400 --> 00:09:55,440 Speaker 1: right because she was coming. She had done Summer School, 154 00:09:55,520 --> 00:09:59,800 Speaker 1: that movie. Supposedly, I think Andrew Shoe had never worked. 155 00:10:00,200 --> 00:10:03,680 Speaker 1: I had never gotten a job that makes sense acting jobs. 156 00:10:03,760 --> 00:10:07,079 Speaker 1: So okay, yes, you guys give your thoughts on this 157 00:10:07,520 --> 00:10:10,480 Speaker 1: this Rose Place pilot, because I have I need to 158 00:10:10,559 --> 00:10:12,720 Speaker 1: jump in for a second and just be like, I 159 00:10:12,720 --> 00:10:15,360 Speaker 1: don't know. I wasn't that excited to rewatch this, and 160 00:10:15,400 --> 00:10:17,800 Speaker 1: at first I was like and then I got so 161 00:10:18,040 --> 00:10:21,040 Speaker 1: sucked in. I fell in love with Mallow's Place all 162 00:10:21,040 --> 00:10:23,280 Speaker 1: over again. I was like, oh my gosh, because now 163 00:10:23,280 --> 00:10:25,760 Speaker 1: I'm looking at that from a different perspective, like we're 164 00:10:25,760 --> 00:10:28,840 Speaker 1: looking at our show from a different yet. I never 165 00:10:28,840 --> 00:10:31,839 Speaker 1: watched it before, and now watching it, the same thing 166 00:10:31,840 --> 00:10:33,360 Speaker 1: happened to me. I was like, I don't really want 167 00:10:33,360 --> 00:10:35,480 Speaker 1: to watch Miller's Place, like I just want to stick 168 00:10:35,520 --> 00:10:39,000 Speaker 1: with Beverly Hills, not And then I watched it, and 169 00:10:39,679 --> 00:10:41,920 Speaker 1: first of all came a wave of jealousy. I thought, 170 00:10:41,960 --> 00:10:45,000 Speaker 1: to be honest, because their opening credits were super cool 171 00:10:45,679 --> 00:10:48,600 Speaker 1: and edgy, and I thought, I want that. I wouldn't. 172 00:10:48,600 --> 00:10:51,640 Speaker 1: I wish our show had had that. You know, it 173 00:10:51,640 --> 00:10:53,920 Speaker 1: seems so much more mature and so have you really 174 00:10:53,920 --> 00:10:57,200 Speaker 1: never seen it? Jenny ever? No, I never. I never 175 00:10:57,280 --> 00:11:00,480 Speaker 1: watched Mellorrow's Place. No, and Tori, were you a fan 176 00:11:00,600 --> 00:11:03,199 Speaker 1: back in the day. I was a big fan, like 177 00:11:03,320 --> 00:11:06,440 Speaker 1: I to be honest, like that was the show I 178 00:11:06,480 --> 00:11:09,120 Speaker 1: probably watched. I watched more than our show, like we 179 00:11:09,120 --> 00:11:10,840 Speaker 1: were working on our show. It was our show, but 180 00:11:10,920 --> 00:11:13,440 Speaker 1: Miller's Place. I was like just a legit fan. So 181 00:11:13,520 --> 00:11:15,400 Speaker 1: like in your house growing up, But was it sort 182 00:11:15,400 --> 00:11:19,600 Speaker 1: of something you did to watch your dad's shows? Um, 183 00:11:19,760 --> 00:11:22,160 Speaker 1: we did. We would always watch like the premieres of 184 00:11:22,160 --> 00:11:24,280 Speaker 1: his shows. And I usually, like when I lived at 185 00:11:24,280 --> 00:11:28,280 Speaker 1: home and everything saw things before they even Yeah, and 186 00:11:28,320 --> 00:11:31,080 Speaker 1: we'll watch Daily's with him. I was fascinated growing up, 187 00:11:31,120 --> 00:11:34,000 Speaker 1: like being able to do that. And here the backstory 188 00:11:34,040 --> 00:11:36,520 Speaker 1: of everything I will say on the credits Jenny and 189 00:11:36,559 --> 00:11:40,600 Speaker 1: this one. Uh. I can't remember if Jennie or Tory 190 00:11:40,600 --> 00:11:42,600 Speaker 1: thought the credits were cool, which I agree. It's not 191 00:11:42,679 --> 00:11:49,600 Speaker 1: the iconic Melrose Place logo yet. So later we will 192 00:11:49,640 --> 00:11:54,280 Speaker 1: see that turquoise circle that became so synonymous with Miller's Place, 193 00:11:54,320 --> 00:11:58,679 Speaker 1: but we don't have that true, just like ours was 194 00:11:58,720 --> 00:12:01,920 Speaker 1: different in the beginning to So, so what did you 195 00:12:01,920 --> 00:12:04,280 Speaker 1: guys think? So you like it? Like I love it? 196 00:12:04,360 --> 00:12:08,360 Speaker 1: So I'm not, you know, I'm obsessed. Yeah, I really 197 00:12:08,360 --> 00:12:10,880 Speaker 1: liked it. I was I was sucked in, just like Tori. 198 00:12:11,720 --> 00:12:13,880 Speaker 1: I felt like they had a really cool opening credits. 199 00:12:13,960 --> 00:12:17,440 Speaker 1: I thought there were sets. I remember filming doing the 200 00:12:17,720 --> 00:12:20,320 Speaker 1: doing the show, and I remember thinking how awesome the 201 00:12:20,360 --> 00:12:23,880 Speaker 1: whole set was. That they built this entire apartment building 202 00:12:24,240 --> 00:12:27,480 Speaker 1: with a pool into sound stage. Wait where was it? 203 00:12:27,920 --> 00:12:30,080 Speaker 1: I never got to film on it. It was in 204 00:12:30,160 --> 00:12:36,560 Speaker 1: Santa Clarita, if I'm not wrong, was like a up there, yeah, 205 00:12:36,600 --> 00:12:39,640 Speaker 1: and it was such a huge, like undertaking. I just 206 00:12:39,679 --> 00:12:42,120 Speaker 1: remember being in awe of that whole set that they 207 00:12:42,160 --> 00:12:44,600 Speaker 1: had designed and built and the way it just looked 208 00:12:44,640 --> 00:12:47,439 Speaker 1: like it was old and they, you know, they made 209 00:12:47,440 --> 00:12:50,800 Speaker 1: everything look a little dirty and it was just they 210 00:12:50,960 --> 00:12:53,920 Speaker 1: did it so well that I really did love it. 211 00:12:54,920 --> 00:12:57,600 Speaker 1: So how did they come to you guys to appear 212 00:12:58,080 --> 00:13:01,400 Speaker 1: and Jenny, especially you on three up episodes? How did 213 00:13:01,440 --> 00:13:05,400 Speaker 1: they sort of talk to you guys about that, you know, 214 00:13:05,559 --> 00:13:07,520 Speaker 1: when you film the wedding stuff with him, that you 215 00:13:07,600 --> 00:13:09,840 Speaker 1: were also going to be on it or not yet. 216 00:13:09,960 --> 00:13:13,520 Speaker 1: I don't remember. I don't know, like I cannot remember 217 00:13:13,520 --> 00:13:15,120 Speaker 1: that far back. I don't even know that. I I 218 00:13:15,120 --> 00:13:16,920 Speaker 1: didn't even know that I was in three episodes until 219 00:13:16,920 --> 00:13:22,400 Speaker 1: you just told me that, Amy, so apparently that, you know, 220 00:13:22,559 --> 00:13:24,320 Speaker 1: I thought maybe they were gonna At the end of 221 00:13:24,360 --> 00:13:26,320 Speaker 1: this episode, I was like, how things are looking good 222 00:13:26,320 --> 00:13:28,959 Speaker 1: for Kelly and Jake, and I don't see that going anywhere, 223 00:13:28,960 --> 00:13:30,800 Speaker 1: So I thought maybe they weren't going to be on anymore. 224 00:13:32,240 --> 00:13:34,720 Speaker 1: It was dramatic. I'm jumping ahead and we'll go back. 225 00:13:34,760 --> 00:13:38,360 Speaker 1: But Jenny, I really felt like this brought Kelly into 226 00:13:38,400 --> 00:13:43,920 Speaker 1: a new realm because it was so your scenes were dramatic. 227 00:13:44,840 --> 00:13:47,080 Speaker 1: There was like some heat and there was some just 228 00:13:47,200 --> 00:13:53,520 Speaker 1: real like emotion going. I felt like Kelly had to 229 00:13:53,559 --> 00:13:58,400 Speaker 1: grow up real fast to go to Melrose Place. I 230 00:13:58,480 --> 00:14:01,440 Speaker 1: felt like, and even just as an actor, I remember 231 00:14:01,520 --> 00:14:06,560 Speaker 1: feeling pressure to be two no, to do better than 232 00:14:06,800 --> 00:14:09,040 Speaker 1: I probably even knew how to do at that time, 233 00:14:09,080 --> 00:14:12,040 Speaker 1: because I was still really green in the business and 234 00:14:12,080 --> 00:14:15,280 Speaker 1: I you know, I've only been on nine for two 235 00:14:15,320 --> 00:14:18,920 Speaker 1: seasons now, and to go and do a spin off 236 00:14:18,960 --> 00:14:21,360 Speaker 1: and and act around people that were older than me, 237 00:14:21,440 --> 00:14:24,680 Speaker 1: and a lot of them who had, like you said, 238 00:14:24,760 --> 00:14:28,960 Speaker 1: like bigger resumes. It had worked more before. I felt 239 00:14:29,160 --> 00:14:31,680 Speaker 1: a lot of pressure, I think, and I was kind 240 00:14:31,720 --> 00:14:34,840 Speaker 1: of intimidated. I was kind of intimidated to go in 241 00:14:35,000 --> 00:14:37,160 Speaker 1: on that set and kind of intimidated to work. But 242 00:14:37,200 --> 00:14:40,280 Speaker 1: at the same time, oddly like, hey, this is a 243 00:14:40,320 --> 00:14:42,240 Speaker 1: spinoff of our show, so kind of like at the 244 00:14:42,240 --> 00:14:46,000 Speaker 1: same it was like a weird ecotomy. It was interesting 245 00:14:46,120 --> 00:14:50,560 Speaker 1: because from an outside perspective, I felt like Kelly was 246 00:14:50,600 --> 00:14:53,320 Speaker 1: one of the lead females in this episode, you know 247 00:14:53,360 --> 00:14:57,160 Speaker 1: what I mean, which obviously good on them, like to 248 00:14:57,360 --> 00:15:02,280 Speaker 1: establish show that's a hit, like smart to do that, um, 249 00:15:02,320 --> 00:15:05,200 Speaker 1: and I thought you were excellent in these scenes and 250 00:15:05,240 --> 00:15:09,040 Speaker 1: the scenes in the courtyard. You broke my heart in 251 00:15:09,120 --> 00:15:13,960 Speaker 1: such a relatable way. I loved I loved it. I 252 00:15:14,000 --> 00:15:19,400 Speaker 1: gotta say, though, I don't feel like Kelly, like I know, 253 00:15:19,800 --> 00:15:22,440 Speaker 1: but she did play my best friend on TV for 254 00:15:22,520 --> 00:15:25,360 Speaker 1: ten years to Donna, So I just don't feel like 255 00:15:25,440 --> 00:15:28,000 Speaker 1: Kelly would be that needy. Like the fact that she 256 00:15:28,080 --> 00:15:30,320 Speaker 1: kept going. I know they needed to do that for story, 257 00:15:30,640 --> 00:15:33,160 Speaker 1: but that bothered me a little bit of me too, 258 00:15:33,400 --> 00:15:35,800 Speaker 1: as you're on school, well your off screen friend, but 259 00:15:35,840 --> 00:15:39,200 Speaker 1: your on screen friend as well, and I felt like, 260 00:15:39,280 --> 00:15:43,160 Speaker 1: what why she so, I mean, I get it why 261 00:15:43,240 --> 00:15:46,160 Speaker 1: she was so caught up on Jake, but it did 262 00:15:46,160 --> 00:15:47,880 Speaker 1: it felt a little bit out of character for her. 263 00:15:47,880 --> 00:15:51,040 Speaker 1: You're totally right, and yes, she's too badass for this, 264 00:15:52,040 --> 00:15:54,080 Speaker 1: even if she felt it, she felt out of her 265 00:15:54,160 --> 00:15:57,280 Speaker 1: league a little and like, I don't know, she wanted 266 00:15:57,320 --> 00:16:00,840 Speaker 1: something that she hadn't had yet she's keep going there 267 00:16:01,200 --> 00:16:03,440 Speaker 1: that I mean, I know they have to. I was like, girl, 268 00:16:04,120 --> 00:16:06,840 Speaker 1: back down, like he don't want you, give it a rest, 269 00:16:07,680 --> 00:16:12,720 Speaker 1: stop embarrassing yourself, and like, yeah, Kelly's too cool and 270 00:16:12,760 --> 00:16:14,920 Speaker 1: hot to ever embarrass herself. But I like, yeah, I 271 00:16:14,960 --> 00:16:17,400 Speaker 1: was on friend alert that I was like, oh my gosh, no, 272 00:16:17,560 --> 00:16:19,720 Speaker 1: like it's too much. She would call just like Donna, 273 00:16:20,400 --> 00:16:23,480 Speaker 1: they wanted you there in the iconic set because that's 274 00:16:23,480 --> 00:16:28,160 Speaker 1: solidified this. Donna knew I was. I had a note 275 00:16:28,160 --> 00:16:31,200 Speaker 1: that was so sweet and like endearing that Donna was like, 276 00:16:31,480 --> 00:16:34,320 Speaker 1: and when they were eating outside, you're just you're trying 277 00:16:34,360 --> 00:16:36,880 Speaker 1: to be supportive and but at the same time you 278 00:16:36,880 --> 00:16:39,440 Speaker 1: could tell you were really not feeling good about it. 279 00:16:40,200 --> 00:16:42,400 Speaker 1: I love how they did it that first we meet 280 00:16:42,440 --> 00:16:45,200 Speaker 1: some of the characters at Melrose Place, we get introduced 281 00:16:45,280 --> 00:16:48,760 Speaker 1: right off the bat, very shirtless to these people, and 282 00:16:48,800 --> 00:16:51,720 Speaker 1: then comes the iconic red BMW. I thought it was 283 00:16:51,760 --> 00:16:54,600 Speaker 1: so well done because I was like, oh wow, here 284 00:16:54,640 --> 00:16:58,920 Speaker 1: they come. I know these people, and it just made 285 00:16:58,960 --> 00:17:02,640 Speaker 1: it very cohesive and I love You're right. The introductions 286 00:17:02,760 --> 00:17:05,000 Speaker 1: were great. What a great way she has to go. 287 00:17:05,160 --> 00:17:07,280 Speaker 1: I mean, not feasible, like you know, I don't think 288 00:17:07,320 --> 00:17:09,159 Speaker 1: you know everybody in your building and go knock on 289 00:17:09,200 --> 00:17:11,639 Speaker 1: everybody's store and asked where your roommate is suddenly, but 290 00:17:12,800 --> 00:17:16,160 Speaker 1: like we were introduced to the whole cast through Alison's 291 00:17:16,240 --> 00:17:18,399 Speaker 1: eyes and we got to know a little bit about 292 00:17:18,440 --> 00:17:21,320 Speaker 1: them in their vibe right away. I felt like this 293 00:17:21,400 --> 00:17:25,720 Speaker 1: show is really flushed out, whereas nine when it started, 294 00:17:25,760 --> 00:17:29,320 Speaker 1: you were like, Okay, I get it. That's the rich girl, 295 00:17:29,520 --> 00:17:32,600 Speaker 1: that's the cocky rich jock. Like it was not as 296 00:17:32,600 --> 00:17:35,600 Speaker 1: flushed out these like I got the characters right away. 297 00:17:35,640 --> 00:17:38,360 Speaker 1: It was really Yeah, I felt I felt like Darren 298 00:17:38,880 --> 00:17:42,399 Speaker 1: brought his a game when he did this pilot, because, 299 00:17:42,440 --> 00:17:45,920 Speaker 1: like you said, it's just it's so clear what we're 300 00:17:46,320 --> 00:17:49,680 Speaker 1: about to venture into. Now you know, we're a little different. Bit. 301 00:17:50,240 --> 00:17:55,040 Speaker 1: I noticed that Howard Deutsch directed this episode. Who is 302 00:17:55,160 --> 00:17:59,560 Speaker 1: Leah Thompson from Back to the Future's husband and Zoe Deutsch, 303 00:17:59,760 --> 00:18:02,959 Speaker 1: who has become such like an up and coming actress. 304 00:18:03,040 --> 00:18:08,119 Speaker 1: That's that. Yeah, we love Howie we we Um. Howie 305 00:18:08,160 --> 00:18:13,320 Speaker 1: directed pH A two and with Us and a second 306 00:18:13,320 --> 00:18:16,560 Speaker 1: one right or just to know just one, I mean 307 00:18:16,640 --> 00:18:20,479 Speaker 1: just episode two. But we love him so much. I 308 00:18:20,560 --> 00:18:22,399 Speaker 1: was so happy to see his name as the director 309 00:18:22,440 --> 00:18:37,480 Speaker 1: of this episode. Did you right away? Notice Josie Bissits. 310 00:18:37,600 --> 00:18:39,080 Speaker 1: I don't want to say these names wrong, but that 311 00:18:39,280 --> 00:18:44,800 Speaker 1: I thought it was her hair. Yes, I wanted that haircut, 312 00:18:45,119 --> 00:18:47,760 Speaker 1: and I wanted it then and I want it now. 313 00:18:47,960 --> 00:18:50,399 Speaker 1: And I turned to my husband last night, I was like, 314 00:18:51,280 --> 00:18:53,919 Speaker 1: I really want that haircut. Can I do that? And 315 00:18:53,960 --> 00:18:58,800 Speaker 1: he was like nope. It became kind of iconic hair. 316 00:18:59,440 --> 00:19:02,640 Speaker 1: I mean, she but you know what when you did 317 00:19:02,680 --> 00:19:04,840 Speaker 1: your short hair due. That is what you were going for, 318 00:19:04,920 --> 00:19:08,040 Speaker 1: because it is kind of reminiscent, like a modern day 319 00:19:08,080 --> 00:19:12,720 Speaker 1: like Rosemary's Baby, like Mia Pharaoh. The yeah, mine is 320 00:19:15,400 --> 00:19:20,199 Speaker 1: no ever, So we meet right away, we meet Allison, 321 00:19:20,800 --> 00:19:23,919 Speaker 1: and we meet Matt, and we know Jake, and we 322 00:19:23,960 --> 00:19:27,800 Speaker 1: meet Dr Michael Mancini. You wait, Michael Mancini, you guys, 323 00:19:27,960 --> 00:19:33,240 Speaker 1: um funny little fact. After all the shows were done 324 00:19:33,680 --> 00:19:35,960 Speaker 1: and we were just out, thrown out into the real world, 325 00:19:36,000 --> 00:19:39,119 Speaker 1: living lives like real people. Um. I went to a 326 00:19:39,200 --> 00:19:42,720 Speaker 1: yoga class at Angel City Yoga and Michael Mancini was 327 00:19:42,760 --> 00:19:48,320 Speaker 1: my yoga teacher. Thomas imagine me walking in and Thomas 328 00:19:48,400 --> 00:19:55,760 Speaker 1: Colabro's sitting white wait for it, shirtless leading the yoga classless. 329 00:19:56,000 --> 00:19:59,520 Speaker 1: They don't own shirts at Melrose. But he was really 330 00:19:59,600 --> 00:20:06,679 Speaker 1: good at yoga. You guys, what do yoga? Yeah? You 331 00:20:06,720 --> 00:20:12,960 Speaker 1: can like remember stand on one hand. Good for him, 332 00:20:13,040 --> 00:20:15,159 Speaker 1: he's good at that. Did you notice right away that 333 00:20:15,200 --> 00:20:17,639 Speaker 1: this show is aged up? I think Tori sort of 334 00:20:17,640 --> 00:20:22,920 Speaker 1: acknowledged it already in this conversation, like you immediately notice, like, okay, 335 00:20:23,040 --> 00:20:27,879 Speaker 1: we are just aged up just enough. It's a little risque, 336 00:20:28,160 --> 00:20:30,160 Speaker 1: a little bit more risque right out of the gate. 337 00:20:30,800 --> 00:20:34,440 Speaker 1: As you've pointed out like twenty times already, everybody shirtless 338 00:20:35,240 --> 00:20:39,200 Speaker 1: and all you see at least some skin from each 339 00:20:39,240 --> 00:20:41,879 Speaker 1: of the female co stars as well, like somebody have 340 00:20:41,960 --> 00:20:44,879 Speaker 1: no no pants than the other winds are in bikinis. 341 00:20:45,000 --> 00:20:50,760 Speaker 1: Absolutely happening. Um a little teddy pajama situation for Josie. 342 00:20:50,800 --> 00:20:55,120 Speaker 1: Everybody had to like bring it right off the bat. 343 00:20:55,160 --> 00:20:59,080 Speaker 1: Did you guys have a favorite? Like once we meet Billy? Also, 344 00:20:59,200 --> 00:21:04,040 Speaker 1: like was there of the guys that you were like, hello, well, 345 00:21:04,080 --> 00:21:07,880 Speaker 1: well I think we know his story story already out 346 00:21:07,920 --> 00:21:12,680 Speaker 1: at herself that she had a huge crush on someone. Yes, Billy, Yes, 347 00:21:13,359 --> 00:21:19,439 Speaker 1: and was adorable. He's so quirky, cute. It reminds me 348 00:21:19,520 --> 00:21:23,520 Speaker 1: of my son Finn, like just like long hair, like 349 00:21:23,520 --> 00:21:28,560 Speaker 1: like he's but slightly weird, just like a little little 350 00:21:28,560 --> 00:21:32,679 Speaker 1: off kilter from everybody. Who are we talking about Andrew? 351 00:21:33,080 --> 00:21:39,000 Speaker 1: Were Billy hair, Billy Billy? And Andrew is very serious 352 00:21:40,040 --> 00:21:43,320 Speaker 1: the character. I immediately did a deep dive on the 353 00:21:43,359 --> 00:21:46,399 Speaker 1: Google and was looking at a hundred pictures of Andrew 354 00:21:46,480 --> 00:21:54,200 Speaker 1: Shoe Now tell he looks so hot. You know he's 355 00:21:54,280 --> 00:21:57,200 Speaker 1: married to Amy Rob His wife is so nice. That's 356 00:21:57,240 --> 00:22:02,000 Speaker 1: a Good Morning America, and he looks better than ever. 357 00:22:02,480 --> 00:22:06,480 Speaker 1: And you, guys, he chose to exit acting to literally 358 00:22:07,160 --> 00:22:11,399 Speaker 1: do charity work. Wait for it, guys, guess what I 359 00:22:11,520 --> 00:22:16,480 Speaker 1: learned about him. He did that charity do something and 360 00:22:16,520 --> 00:22:20,520 Speaker 1: then started like some internet companies. And apparently he is 361 00:22:20,560 --> 00:22:26,960 Speaker 1: worth one hundred million dollars. What Tory looks like? Why 362 00:22:27,000 --> 00:22:33,000 Speaker 1: didn't been? Why didn't that work out? Dang it? And 363 00:22:33,080 --> 00:22:36,639 Speaker 1: he wrote away children's book with Amy Roebok about blended family. 364 00:22:38,680 --> 00:22:43,679 Speaker 1: I'm sorry, Tory, I'm sortay. He has three boys and 365 00:22:43,760 --> 00:22:46,680 Speaker 1: she has two girls. I hope I'm not reversing that 366 00:22:47,160 --> 00:22:51,399 Speaker 1: they all get married. And then Amy and Andrew wrote 367 00:22:51,440 --> 00:22:54,719 Speaker 1: a children's book about the blending. But they never had 368 00:22:54,760 --> 00:22:58,320 Speaker 1: a baby together. I think they don't have any babies together. Sure, 369 00:22:58,359 --> 00:23:00,680 Speaker 1: I feel like she was pregnant and lost. Here look 370 00:23:00,680 --> 00:23:02,879 Speaker 1: in my deep dive of research, I didn't see it. 371 00:23:02,920 --> 00:23:06,520 Speaker 1: But it doesn't mean that covered everything. He looked so hot. 372 00:23:06,720 --> 00:23:08,520 Speaker 1: He might look hot, but he was not a very 373 00:23:08,520 --> 00:23:11,760 Speaker 1: good dancer for a ballroom dance teacher. I just want 374 00:23:11,760 --> 00:23:16,359 Speaker 1: to point out, what's that dance studio called? But he's like, 375 00:23:16,840 --> 00:23:19,080 Speaker 1: I don't want to go to it. Arthur Murray. That's 376 00:23:19,119 --> 00:23:22,400 Speaker 1: where he said he was working. I think he said 377 00:23:22,400 --> 00:23:27,000 Speaker 1: he's only one ahead. He's teaching the classes. Basically, why 378 00:23:27,000 --> 00:23:29,800 Speaker 1: did they let this? Because how did you guys let 379 00:23:29,880 --> 00:23:33,240 Speaker 1: me box? I didn't notice him jump on the bed 380 00:23:33,280 --> 00:23:35,919 Speaker 1: with his um dirty converse that I loved, and I 381 00:23:35,960 --> 00:23:39,080 Speaker 1: was just like, oh my, I love you. He went 382 00:23:39,119 --> 00:23:44,080 Speaker 1: for it, which was okay, wait deep diving, I remember, okay, 383 00:23:44,119 --> 00:23:46,320 Speaker 1: So Kelly had a scene where she walks in and 384 00:23:46,440 --> 00:23:48,320 Speaker 1: knocks on Jake's store and then the girl in the 385 00:23:48,320 --> 00:23:50,879 Speaker 1: red bathing suit is by the pool. Yeah, Amy Locane, 386 00:23:51,200 --> 00:23:54,240 Speaker 1: Amy Lokane, and I remember like being like, oh my god, 387 00:23:54,320 --> 00:23:58,080 Speaker 1: she's so beautiful. She's so pretty, and her body and 388 00:23:58,080 --> 00:24:00,760 Speaker 1: her the bathing suits so beautiful, and I just love 389 00:24:00,840 --> 00:24:03,439 Speaker 1: her accent, like everything about it. I was so like 390 00:24:03,760 --> 00:24:11,360 Speaker 1: into her as that character or Emilkin. I know, I know. So, 391 00:24:11,359 --> 00:24:14,600 Speaker 1: so we're getting ahead, but since we're only watching three episodes, 392 00:24:14,720 --> 00:24:16,880 Speaker 1: we might as well. So she was let go from 393 00:24:16,880 --> 00:24:21,600 Speaker 1: Melrose Place, Amy Locane and Vanessa Williams the other Vanessa 394 00:24:21,640 --> 00:24:23,879 Speaker 1: Williams at the at the end of the first season, 395 00:24:24,440 --> 00:24:29,560 Speaker 1: nor threw why I think it was Amy Lokane was 396 00:24:29,560 --> 00:24:31,400 Speaker 1: only in the pilot. Is that not true? No, she's 397 00:24:31,440 --> 00:24:34,960 Speaker 1: around for a bit and obviously probably your dad and 398 00:24:35,160 --> 00:24:41,720 Speaker 1: Darren realized like, okay, we're we got so kind of 399 00:24:41,760 --> 00:24:46,760 Speaker 1: like Luke Perry. So going into it, I remember my 400 00:24:46,840 --> 00:24:50,439 Speaker 1: dad being super like he loved the cast, but he 401 00:24:50,560 --> 00:24:54,840 Speaker 1: was super excited about star potential with Andrew Shoe and 402 00:24:54,840 --> 00:24:59,920 Speaker 1: emy Lokane. Those were his two fines. And I rem 403 00:25:00,040 --> 00:25:03,840 Speaker 1: member there was some cast party that I got to 404 00:25:03,880 --> 00:25:07,679 Speaker 1: go to and I became friendly with her, and she 405 00:25:07,840 --> 00:25:11,320 Speaker 1: was so excited, and this always breaks my heart when 406 00:25:11,359 --> 00:25:13,480 Speaker 1: someone is She's like, this is it, this is my thing, 407 00:25:13,640 --> 00:25:15,720 Speaker 1: this is and she was so excited. And then when 408 00:25:15,720 --> 00:25:17,560 Speaker 1: I heard that she wasn't moving forward, I was like, 409 00:25:17,680 --> 00:25:21,520 Speaker 1: oh my god. She was so nice. But she went 410 00:25:21,560 --> 00:25:23,760 Speaker 1: on to Star and John Waters cry Baby and was 411 00:25:23,800 --> 00:25:27,680 Speaker 1: the lead. So so was that before though I had 412 00:25:27,680 --> 00:25:30,119 Speaker 1: this weird feeling, so that was after. That was before 413 00:25:30,200 --> 00:25:34,240 Speaker 1: I think it was before, So I don't want to 414 00:25:34,280 --> 00:25:36,439 Speaker 1: mess it up, so everybody should do their own google 415 00:25:36,480 --> 00:25:42,239 Speaker 1: And basically years later I was was cry Baby, so 416 00:25:42,560 --> 00:25:44,600 Speaker 1: it was neck and neck. When it was neck and neck, 417 00:25:44,680 --> 00:25:47,080 Speaker 1: I don't remember her telling me she was in something 418 00:25:47,200 --> 00:25:49,680 Speaker 1: like I don't know if I don't know. We'll figure 419 00:25:49,680 --> 00:25:53,400 Speaker 1: it out, but the timeline is closed. Yes, so I 420 00:25:53,440 --> 00:25:55,560 Speaker 1: did read about this and I don't want to mess 421 00:25:55,560 --> 00:25:57,040 Speaker 1: it up, so everybody should do their own reading. But 422 00:25:57,119 --> 00:26:01,360 Speaker 1: basically years years later, there's a drunk driving accident and 423 00:26:01,440 --> 00:26:05,440 Speaker 1: she is convicted and sent to jail, prison, jail. I'm 424 00:26:05,480 --> 00:26:08,720 Speaker 1: not sure what's what she gets. It's very crazy story. 425 00:26:08,840 --> 00:26:13,479 Speaker 1: She gets out on parole for a couple of years 426 00:26:14,000 --> 00:26:19,200 Speaker 1: and in one was sent back for the same crime. 427 00:26:20,080 --> 00:26:24,080 Speaker 1: She's sitting in jail right now. Yeah, it's very interesting 428 00:26:24,160 --> 00:26:26,679 Speaker 1: story if you research it, because I've never heard of 429 00:26:26,720 --> 00:26:32,879 Speaker 1: someone going back. Yeah that is I mean che so 430 00:26:32,920 --> 00:26:38,159 Speaker 1: read a fortunate events. Yeah, vehicular manslaughter awful. She was 431 00:26:38,520 --> 00:26:43,320 Speaker 1: a really nice person. I wanted her to succeed. I 432 00:26:43,440 --> 00:26:48,639 Speaker 1: gotta admit, though, I felt like, I know what you 433 00:26:48,680 --> 00:26:52,399 Speaker 1: liked about her. I felt like the accent, Like I 434 00:26:52,440 --> 00:26:57,840 Speaker 1: feel like the accent was a little a lot, a 435 00:26:57,880 --> 00:27:01,000 Speaker 1: little a lot. But I don't know she I don't. 436 00:27:01,000 --> 00:27:04,359 Speaker 1: I just liked the character and I did too. I 437 00:27:04,400 --> 00:27:07,960 Speaker 1: did too, And she's susuality gorgeous, and I felt like 438 00:27:07,960 --> 00:27:11,960 Speaker 1: they needed that, Like Vixen later obviously Heather lack Lair, 439 00:27:12,359 --> 00:27:18,399 Speaker 1: But I just liked her look a lot, and I yeah, 440 00:27:18,840 --> 00:27:21,320 Speaker 1: I don't know, the accent. Maybe they could have grounded 441 00:27:21,320 --> 00:27:23,480 Speaker 1: her a little bit more. Yeah for me the other characters. 442 00:27:23,520 --> 00:27:27,720 Speaker 1: And I don't know if like hindsight, because I continued 443 00:27:27,800 --> 00:27:29,760 Speaker 1: to fall in love with these characters, So I don't 444 00:27:29,800 --> 00:27:31,720 Speaker 1: know if I was more drawn to them rewatching the 445 00:27:31,720 --> 00:27:34,199 Speaker 1: pilot because I knew I was going to go on 446 00:27:34,240 --> 00:27:36,680 Speaker 1: the journey with them, whereas she really was gone in 447 00:27:36,720 --> 00:27:39,960 Speaker 1: the blink of an eye. Same with Vanessa Williams character. 448 00:27:40,720 --> 00:27:44,439 Speaker 1: Why did Vanessa Williams character get I don't know for 449 00:27:44,520 --> 00:27:47,000 Speaker 1: a fact, but I think it was the same thing 450 00:27:47,040 --> 00:27:49,680 Speaker 1: that those two characters didn't test as well when they 451 00:27:49,680 --> 00:27:53,560 Speaker 1: did the you know testing things, and I think it 452 00:27:53,640 --> 00:27:56,320 Speaker 1: was more they weren't grounded as much as the others 453 00:27:56,400 --> 00:28:00,960 Speaker 1: just seemed, you know, they were a little heightened. I mean, 454 00:28:01,160 --> 00:28:04,879 Speaker 1: Vanessa Williams has gone on lately, She's like killing it lately. 455 00:28:04,960 --> 00:28:06,359 Speaker 1: She was just in The New Candy Man. I just 456 00:28:06,359 --> 00:28:08,560 Speaker 1: watched her the other night. Well she wait, she was 457 00:28:08,600 --> 00:28:12,640 Speaker 1: in another big movie. So that Vanessa Williams is still working. 458 00:28:12,720 --> 00:28:16,960 Speaker 1: It's confusing because there's two I know, there's like there's 459 00:28:17,000 --> 00:28:21,119 Speaker 1: the Miss USA or Miss America, right singer Vanessa Williams, 460 00:28:21,160 --> 00:28:23,760 Speaker 1: who was also an ugly Betty. Not that Vanessa Williams, 461 00:28:23,800 --> 00:28:28,040 Speaker 1: but Vanessa Williams, the younger actress. She's killing it. I 462 00:28:28,080 --> 00:28:31,080 Speaker 1: see her in feature feature after feature. Is there another 463 00:28:31,200 --> 00:28:34,879 Speaker 1: there's one more huge one that was out recently. We 464 00:28:34,880 --> 00:28:36,320 Speaker 1: can look it up. We'll look it up while we 465 00:28:36,480 --> 00:28:38,960 Speaker 1: keep talking. By the way, and she's so good. She 466 00:28:39,080 --> 00:28:40,640 Speaker 1: was so good in that. I love that she was 467 00:28:40,640 --> 00:28:44,480 Speaker 1: an aerobics teacher, which kind of like modern day. I'm like, oh, 468 00:28:44,560 --> 00:28:48,719 Speaker 1: everyone a plotes teacher like funk. Yeah. I like that 469 00:28:48,760 --> 00:28:52,640 Speaker 1: she did that. She had an energy to the show. 470 00:28:52,680 --> 00:28:55,320 Speaker 1: I really like that character. I liked her character more 471 00:28:55,400 --> 00:29:00,000 Speaker 1: than Amy Locane's character. I forgot to mention though, Donna's 472 00:29:00,040 --> 00:29:04,200 Speaker 1: hair was once again epic in this. That hairritory I 473 00:29:04,360 --> 00:29:08,600 Speaker 1: was big. It was amazing. I remember it. I remember 474 00:29:08,720 --> 00:29:14,520 Speaker 1: worshiping your hair. It felt It's a little different, obviously 475 00:29:14,520 --> 00:29:17,640 Speaker 1: it's a different makeup and hair team. Was it blown out? 476 00:29:18,360 --> 00:29:20,360 Speaker 1: Was that? What did they do? Give you a big blowout? 477 00:29:20,480 --> 00:29:23,880 Speaker 1: Or that was teased? I think I think it might 478 00:29:23,880 --> 00:29:26,840 Speaker 1: have been teased and then curled in places but still 479 00:29:27,120 --> 00:29:31,200 Speaker 1: straight in places with the U. I liked Kelly's hair 480 00:29:31,400 --> 00:29:34,360 Speaker 1: that last scene we lost the bank because you grew up. 481 00:29:35,440 --> 00:29:37,760 Speaker 1: Did anyone feel Corney Thorne Smith sort of had the 482 00:29:37,880 --> 00:29:41,800 Speaker 1: Rachel from friends? I was Corney Thorne Smith invent the 483 00:29:41,920 --> 00:29:44,080 Speaker 1: Rachel and we just didn't know it well. When she 484 00:29:44,200 --> 00:29:45,760 Speaker 1: tied it back though, it kind of looked like a 485 00:29:45,800 --> 00:29:50,440 Speaker 1: weird mullet, like like all of this was not part 486 00:29:50,480 --> 00:29:53,000 Speaker 1: of the back part, like it fell out and like, 487 00:29:53,360 --> 00:29:55,920 Speaker 1: you know, I don't know. It made me uncomfortable. Did 488 00:29:55,960 --> 00:29:58,960 Speaker 1: it feel nineties to you guys? This this show? It 489 00:29:59,040 --> 00:30:02,280 Speaker 1: felt nine these to me from like the man sin 490 00:30:02,360 --> 00:30:06,080 Speaker 1: he's betting to like just some of them decore. I 491 00:30:06,160 --> 00:30:12,040 Speaker 1: was like, this is very bad fashion nineties. I don't know. 492 00:30:12,480 --> 00:30:14,720 Speaker 1: They lost me in fashion on this one. I don't 493 00:30:14,720 --> 00:30:17,280 Speaker 1: know about the nineties of it, but I just know 494 00:30:17,320 --> 00:30:19,560 Speaker 1: that it seemed like there was always a man cleaning 495 00:30:19,600 --> 00:30:22,240 Speaker 1: the pool. Unless they were in it, there was always 496 00:30:22,240 --> 00:30:24,640 Speaker 1: a man cleaning it. I want to I want to 497 00:30:24,640 --> 00:30:27,200 Speaker 1: see who that is. I want that guy. He could 498 00:30:27,200 --> 00:30:29,040 Speaker 1: have he could have been a character. They should have 499 00:30:29,200 --> 00:30:33,760 Speaker 1: gone fas shut up? Wait? So who So you guys 500 00:30:33,760 --> 00:30:38,720 Speaker 1: were so Tori? You were drawn to Andrew Shoe Billy, Jenny, 501 00:30:39,000 --> 00:30:43,600 Speaker 1: is it still Grant show or when you're rewatching it? Now? No? 502 00:30:43,760 --> 00:30:47,640 Speaker 1: I mean yeah, but I don't know. I feel like 503 00:30:47,680 --> 00:30:51,720 Speaker 1: he's not the greatest guy, so I don't we're talking 504 00:30:51,720 --> 00:30:59,720 Speaker 1: about just as action, Okay, okay, okay, okay. Well, I 505 00:30:59,760 --> 00:31:02,680 Speaker 1: guess Grant. But then I really did think that Michael 506 00:31:02,720 --> 00:31:05,840 Speaker 1: Mancini was cute. And then I didn't know what to 507 00:31:05,880 --> 00:31:09,800 Speaker 1: think about about Matt Fielding because was Matt Fielding straight 508 00:31:09,920 --> 00:31:12,080 Speaker 1: or gay? I wanted him so badly for getting the 509 00:31:12,120 --> 00:31:18,480 Speaker 1: glimpses that he's gay. Best friends with him. Michael Mancini 510 00:31:18,640 --> 00:31:22,200 Speaker 1: is your younger version of James Eckhouse. That makes it 511 00:31:22,520 --> 00:31:25,400 Speaker 1: a perfect sense. Now, Yeah, I didn't see the hair 512 00:31:25,480 --> 00:31:29,480 Speaker 1: though he was shirtless and he had no hair, so, Jenny, 513 00:31:29,480 --> 00:31:33,160 Speaker 1: I'm glad to deduct a few points. Jake Hansen is 514 00:31:33,200 --> 00:31:37,400 Speaker 1: sort of a jerk. What what Okay? The scene work 515 00:31:37,480 --> 00:31:39,800 Speaker 1: at the end where Kelly comes over to talk what 516 00:31:39,880 --> 00:31:41,520 Speaker 1: and he comes out and he put the shirt on 517 00:31:41,600 --> 00:31:44,040 Speaker 1: really quickly. I was like, oh, is there a girl? 518 00:31:44,200 --> 00:31:47,480 Speaker 1: I thought so too. I thought it was weird, and 519 00:31:47,520 --> 00:31:51,200 Speaker 1: then he grabbed her at one point, too aggressive for 520 00:31:51,280 --> 00:31:55,520 Speaker 1: what was happening in the scene for a child, a child, 521 00:31:56,440 --> 00:31:59,200 Speaker 1: this little girl. I cannot kiss a seven teen year old, 522 00:31:59,240 --> 00:32:03,320 Speaker 1: but I can man hand her in public. And nobody 523 00:32:03,440 --> 00:32:05,920 Speaker 1: said they think there was people in the apartment complex, 524 00:32:05,920 --> 00:32:08,280 Speaker 1: like in the court yard that nobody really cared. How 525 00:32:08,440 --> 00:32:11,680 Speaker 1: was we extras? Why? Why we know in a small building, 526 00:32:11,760 --> 00:32:14,200 Speaker 1: we've met everybody I think at this point that lives 527 00:32:14,200 --> 00:32:17,000 Speaker 1: there almost Who are these people? Who are these people? 528 00:32:17,160 --> 00:32:20,840 Speaker 1: Turn around? When someone's getting to people are like kind 529 00:32:20,880 --> 00:32:24,080 Speaker 1: of yelling at each other at their pool. We have 530 00:32:24,280 --> 00:32:26,320 Speaker 1: so so much to talk about, you guys. We have 531 00:32:26,400 --> 00:32:27,960 Speaker 1: to take a break though, and then we'll come back, 532 00:32:28,000 --> 00:32:44,120 Speaker 1: I promise. Okay, since you have so so much to 533 00:32:44,160 --> 00:32:50,440 Speaker 1: say about this episode, pilot, spin off, whatever we want 534 00:32:50,480 --> 00:32:53,400 Speaker 1: to call it, this very special episode of nine two 535 00:32:53,160 --> 00:32:58,320 Speaker 1: o G. They really not know what's going to happen, 536 00:32:58,520 --> 00:33:04,640 Speaker 1: Like that's so you star. I mean, I guess that 537 00:33:04,800 --> 00:33:06,560 Speaker 1: it's not gonna work out because, like you said, I'm 538 00:33:06,600 --> 00:33:10,400 Speaker 1: only in three episodes and also I stayed on Beverly 539 00:33:10,440 --> 00:33:12,280 Speaker 1: Hills in a to a O for another, you know, 540 00:33:12,360 --> 00:33:16,040 Speaker 1: eight years, So I'm gonna guess that Kelly and Jake 541 00:33:16,120 --> 00:33:20,400 Speaker 1: don't work out. Okay, So what is your initial it's 542 00:33:20,440 --> 00:33:22,560 Speaker 1: going to have another characters and you and I do. 543 00:33:23,120 --> 00:33:26,240 Speaker 1: I know that. It was really hard to watch the 544 00:33:26,320 --> 00:33:29,200 Speaker 1: pilot and see certain things which I know are gonna 545 00:33:29,280 --> 00:33:34,880 Speaker 1: go terribly wrong later, even the pool, even the building, 546 00:33:36,360 --> 00:33:40,520 Speaker 1: the building. It's like, guys, I don't have time for 547 00:33:40,560 --> 00:33:43,960 Speaker 1: another show. Follow show like Jenny. What do you want it? 548 00:33:44,320 --> 00:33:47,080 Speaker 1: Billy and Allison? Then if you don't know, Yeah, what 549 00:33:47,120 --> 00:33:48,960 Speaker 1: do you think? What do you think? I think they're 550 00:33:48,960 --> 00:33:54,480 Speaker 1: gonna become an item. M no, yes, I write I'm 551 00:33:54,560 --> 00:33:59,320 Speaker 1: breaking off. Okay, they're gonna be a couple of real life. 552 00:34:00,120 --> 00:34:04,680 Speaker 1: This is so exciting. There were a lot of couples. 553 00:34:04,760 --> 00:34:07,000 Speaker 1: They had a lot of couples on that show. Whoa 554 00:34:07,240 --> 00:34:11,920 Speaker 1: off screen wow, A lot raizy and weird twists in 555 00:34:12,000 --> 00:34:15,480 Speaker 1: real life that you never like. Look, we'll we'll tell you. So. 556 00:34:15,600 --> 00:34:20,280 Speaker 1: Doug Savant married Laura Layton. They've been married for twenty 557 00:34:20,280 --> 00:34:23,480 Speaker 1: plus years. She comes into the show later and then 558 00:34:23,520 --> 00:34:26,920 Speaker 1: they got married. You know, they never dated during Wait 559 00:34:27,200 --> 00:34:30,280 Speaker 1: Wait for It though, So Laura late in the Redhead, 560 00:34:30,360 --> 00:34:33,239 Speaker 1: you know her. She comes on the show and is 561 00:34:33,320 --> 00:34:36,279 Speaker 1: one of the most iconic characters. You're gonna love her 562 00:34:37,239 --> 00:34:40,799 Speaker 1: in real life. Dates Grant Show. Oh yes, that's right. 563 00:34:40,840 --> 00:34:43,399 Speaker 1: I forgot that part for a long time. And they're 564 00:34:43,440 --> 00:34:46,240 Speaker 1: all on the show together, and then when the show 565 00:34:46,320 --> 00:34:50,040 Speaker 1: is over, dates and Mary's Dug Savants and oh my god, 566 00:34:50,120 --> 00:34:54,279 Speaker 1: that's too good. Well, our show is pales by comparison, 567 00:34:54,400 --> 00:34:58,880 Speaker 1: and the juicy kind of true because we were just 568 00:34:58,960 --> 00:35:01,600 Speaker 1: kids and we weren't supposed to have these juicy interactions. 569 00:35:01,640 --> 00:35:06,600 Speaker 1: But these guys were adults. So so yes, I do 570 00:35:06,719 --> 00:35:13,680 Speaker 1: feel like they're foreshadowing Billion Allison's relationship right from the right. Yeah, 571 00:35:13,800 --> 00:35:16,720 Speaker 1: but they do it well this Okay. I know Howard 572 00:35:16,760 --> 00:35:20,360 Speaker 1: Deutsch directed, and he did so many iconic eighties films, 573 00:35:20,920 --> 00:35:24,520 Speaker 1: but it felt very like John Hughes like you just 574 00:35:25,520 --> 00:35:28,160 Speaker 1: the interaction with the characters, you're like on the banter, 575 00:35:29,080 --> 00:35:32,799 Speaker 1: and I just like, from a rom com standpoint, at 576 00:35:32,840 --> 00:35:35,879 Speaker 1: Billion Allison, I'm like, yes, yes, yes, yes. Even when 577 00:35:36,080 --> 00:35:38,600 Speaker 1: Billy says, have you told your parents like that you 578 00:35:38,640 --> 00:35:41,400 Speaker 1: live with a boy? Like it was like old but 579 00:35:41,440 --> 00:35:44,799 Speaker 1: they're not that old. Yeah, they're still young. And the 580 00:35:44,880 --> 00:35:48,719 Speaker 1: money okay, so so because we know that Allison is 581 00:35:48,719 --> 00:35:51,799 Speaker 1: paying four hundred dollars and Billy's paying for dollars eight 582 00:35:51,920 --> 00:35:55,080 Speaker 1: hundred dollars. I guess is about right for that apartment 583 00:35:55,760 --> 00:36:01,080 Speaker 1: back then then then now know that'd would be four 584 00:36:01,120 --> 00:36:08,200 Speaker 1: thousand dollars probably now a month ohez. They weren't crappy apartments. 585 00:36:08,600 --> 00:36:11,440 Speaker 1: They weren't like the greatest, but they were crappy. They 586 00:36:11,440 --> 00:36:15,600 Speaker 1: had a pool in middle, yeah, pool, beautiful windows and 587 00:36:16,080 --> 00:36:18,480 Speaker 1: a lot of landscaping. I loved it. I wouldn't good 588 00:36:18,480 --> 00:36:23,560 Speaker 1: location there. Melrose Place is right there at the corner 589 00:36:23,600 --> 00:36:27,600 Speaker 1: of Melrose and Melrose Place, walking distance from a lot 590 00:36:27,640 --> 00:36:31,360 Speaker 1: of good restaurants. So I have a question multiple times, 591 00:36:31,360 --> 00:36:34,279 Speaker 1: and I get why they did this. Miller's Place kind 592 00:36:34,320 --> 00:36:36,399 Speaker 1: of wasn't a thing then and now it's like a thing. 593 00:36:37,239 --> 00:36:41,080 Speaker 1: But Allison says when she's putting the ad Hollywood, it's 594 00:36:41,080 --> 00:36:44,160 Speaker 1: in Hollywood. It's not Hollywood. I think it technically is 595 00:36:44,239 --> 00:36:47,839 Speaker 1: Do you think it's Hollywood? I thought so, it's right. 596 00:36:47,920 --> 00:36:51,760 Speaker 1: Think it's right on the board. It's customy, you guys, 597 00:36:52,120 --> 00:36:54,680 Speaker 1: it's Melrose Place and Melrose technically kind of right across 598 00:36:54,680 --> 00:36:59,840 Speaker 1: from the Beverly Center, list little further east or whatever. 599 00:37:00,000 --> 00:37:03,760 Speaker 1: What's that big restaurants that was there was there for years. 600 00:37:03,800 --> 00:37:10,239 Speaker 1: But Steel I always wanted to go Monique Lullers there. Yes, yes, Um, 601 00:37:11,520 --> 00:37:14,040 Speaker 1: it just made me really remember like we used to 602 00:37:14,080 --> 00:37:18,799 Speaker 1: go shopping on Melrose. Remember the days when you felt 603 00:37:18,800 --> 00:37:20,120 Speaker 1: like you weren't going to be killed if you went 604 00:37:20,160 --> 00:37:24,319 Speaker 1: down to Morrows and went shopping. I just love doing that, 605 00:37:24,360 --> 00:37:26,799 Speaker 1: but like I might get killed, but like then, yeah, 606 00:37:27,960 --> 00:37:31,319 Speaker 1: there's the side of Melrose. So there's that part where 607 00:37:31,320 --> 00:37:35,520 Speaker 1: it's more designer side of the road and right across 608 00:37:35,560 --> 00:37:38,800 Speaker 1: from its script like Mark Jacobs is right there and 609 00:37:39,560 --> 00:37:42,239 Speaker 1: offshoot in Morrow's Place. If you go further down, it's 610 00:37:42,239 --> 00:37:44,040 Speaker 1: where we all used a shop because you could get 611 00:37:44,080 --> 00:37:47,839 Speaker 1: like the knockoff for thirty dollars Doc Martin's and the 612 00:37:47,880 --> 00:37:51,520 Speaker 1: baby doll dresses and the dress we got all our 613 00:37:51,600 --> 00:37:55,440 Speaker 1: vintage that was like the first was the first vintage. 614 00:37:55,480 --> 00:38:01,880 Speaker 1: Oh my god, what you like go through bins and 615 00:38:02,000 --> 00:38:04,840 Speaker 1: really thrift? Okay, you guys, this is what makes me 616 00:38:04,920 --> 00:38:07,960 Speaker 1: feel old. My third general daughter, Stella, says to me 617 00:38:08,000 --> 00:38:10,879 Speaker 1: the other day, Mom, did you know, um, the new 618 00:38:10,920 --> 00:38:13,920 Speaker 1: thing to do is thrifting. So I've never gone drifting. 619 00:38:14,080 --> 00:38:17,799 Speaker 1: I was like, exquease me, like you're raised. We went 620 00:38:18,040 --> 00:38:21,759 Speaker 1: and like flea markets, vintage stores. She goes, No, mom 621 00:38:21,880 --> 00:38:26,439 Speaker 1: like thrifting, like it's different, it's like will and she's 622 00:38:26,480 --> 00:38:28,799 Speaker 1: talking to me like I know nothing about this, and 623 00:38:28,840 --> 00:38:32,279 Speaker 1: I was just like okay. So when I first moved 624 00:38:32,320 --> 00:38:36,319 Speaker 1: to l A, it was like ninety seven something like that, 625 00:38:36,920 --> 00:38:40,440 Speaker 1: and I was working for Ryan Seacrest and I would 626 00:38:40,440 --> 00:38:42,360 Speaker 1: like run out of money and I would have to 627 00:38:42,400 --> 00:38:46,600 Speaker 1: go through my closet and like your fine crap that 628 00:38:46,640 --> 00:38:49,879 Speaker 1: I wasn't wearing and take it to Buffalo Exchange and 629 00:38:49,920 --> 00:38:52,680 Speaker 1: like get some cash so I could like do whatever 630 00:38:52,719 --> 00:38:56,680 Speaker 1: I wanted to do. My kids do that, my teenagers 631 00:38:56,800 --> 00:39:00,520 Speaker 1: do that. I'm like, I just bought you that you 632 00:39:00,560 --> 00:39:03,640 Speaker 1: haven't even warned. Now you're selling it and you're taking 633 00:39:03,640 --> 00:39:07,080 Speaker 1: that that money's mine theoretically that is my money. Yeah, 634 00:39:07,400 --> 00:39:10,680 Speaker 1: I did that, but I don't see anything. I also loved, 635 00:39:11,000 --> 00:39:13,200 Speaker 1: did you love? I mean Billie and Allison really do 636 00:39:13,360 --> 00:39:17,080 Speaker 1: kind of shine because I love when he says, what 637 00:39:17,239 --> 00:39:20,480 Speaker 1: about when I bring a babe home, I'm being in 638 00:39:20,560 --> 00:39:22,680 Speaker 1: a bokaty boo. No he didn't see that. It was 639 00:39:22,719 --> 00:39:25,840 Speaker 1: like boom boom, what is that? And then they agree 640 00:39:25,920 --> 00:39:29,440 Speaker 1: like one night only you can bring someone home and 641 00:39:29,560 --> 00:39:31,959 Speaker 1: you get a hall pass. And later on the crap 642 00:39:32,000 --> 00:39:34,640 Speaker 1: in the fridge with the stickies. I just can't for 643 00:39:34,800 --> 00:39:38,160 Speaker 1: outfits like the outfit she wears to shooters. Okay, so 644 00:39:38,200 --> 00:39:41,520 Speaker 1: can we talk about shooters because that's there, that's their 645 00:39:41,840 --> 00:39:46,279 Speaker 1: peach bit. Yes, that's their their peach bit after dark 646 00:39:46,480 --> 00:39:51,120 Speaker 1: kind of. You're right. It was so weird that Jake 647 00:39:51,200 --> 00:39:53,640 Speaker 1: brought you two shooters. That was a little bit like, 648 00:39:53,920 --> 00:39:56,480 Speaker 1: really do well. He said, I want to take you somewhere. 649 00:39:56,480 --> 00:39:58,279 Speaker 1: It's not fancy, it's just down the street. Is that 650 00:39:58,320 --> 00:40:01,040 Speaker 1: what he was referring to shooters? Yeah, because that's why 651 00:40:01,080 --> 00:40:06,759 Speaker 1: Amy Locane is the waitress. Why would he part thing 652 00:40:06,880 --> 00:40:09,200 Speaker 1: with Amy Locaine? Why is he gonna go get weighted 653 00:40:09,200 --> 00:40:11,640 Speaker 1: on her with a new girl? He doesn't he work there? 654 00:40:11,680 --> 00:40:15,960 Speaker 1: Isn't he the bartender? M hmm. I don't think yet, 655 00:40:18,120 --> 00:40:20,760 Speaker 1: because right now he's just the handy man it Okay. 656 00:40:20,760 --> 00:40:22,920 Speaker 1: I thought probably one of his other odd jobs that 657 00:40:22,960 --> 00:40:26,520 Speaker 1: he does that. Maybe I'm wrong. So I thought there 658 00:40:26,520 --> 00:40:29,880 Speaker 1: because he could pay for it because it's like friends 659 00:40:29,880 --> 00:40:33,000 Speaker 1: and family. I don't know, Tory didn't Billy drive a cab? 660 00:40:33,760 --> 00:40:35,840 Speaker 1: Oh my god, I think you see. I was like 661 00:40:35,880 --> 00:40:38,120 Speaker 1: confused by that. I'm like I thought he drove a cab, 662 00:40:38,160 --> 00:40:41,080 Speaker 1: but maybe that comes later. Maybe I think you're right. 663 00:40:41,200 --> 00:40:45,319 Speaker 1: Before there was dancing and what's going on. It was 664 00:40:45,440 --> 00:40:50,640 Speaker 1: really sweet that Steve and Donna and David all came 665 00:40:50,680 --> 00:40:55,319 Speaker 1: to Shooters though, to like make sure Kelly wasn't date 666 00:40:55,400 --> 00:40:58,480 Speaker 1: raped or anything. Well, and Steve wins over the waitress 667 00:40:58,520 --> 00:41:01,640 Speaker 1: Amy Locaine by mentioning his mom because she's like an actress, 668 00:41:03,320 --> 00:41:05,000 Speaker 1: and then she was like sitting on his lap, all 669 00:41:05,080 --> 00:41:09,359 Speaker 1: like yeah. I was a little disappointed though. I wanted, 670 00:41:09,880 --> 00:41:13,200 Speaker 1: like Steve to be more excited about that moment and 671 00:41:13,640 --> 00:41:18,799 Speaker 1: like really lean into that, but he was real serious. Wait, Jen, 672 00:41:18,920 --> 00:41:21,080 Speaker 1: do you remember that? Okay, so that bar scene we 673 00:41:21,160 --> 00:41:24,320 Speaker 1: filmed first when we like the first thing we filmed 674 00:41:24,320 --> 00:41:26,920 Speaker 1: from Melroy's place was that and it was daytime, but 675 00:41:27,000 --> 00:41:32,920 Speaker 1: they made a look like it was night inside. And um, 676 00:41:33,040 --> 00:41:38,520 Speaker 1: that was my summer romance with Brian and in real life, yes, 677 00:41:39,400 --> 00:41:42,480 Speaker 1: it didn't go any further, but whatever. Um that and 678 00:41:42,520 --> 00:41:45,600 Speaker 1: remember we drove to set together and that was like 679 00:41:45,640 --> 00:41:47,640 Speaker 1: a big deal and he was like, should drop you off? 680 00:41:47,719 --> 00:41:51,080 Speaker 1: And then like a park and like, yeah, we had 681 00:41:51,160 --> 00:41:53,279 Speaker 1: spent the night or anything, like I don't glass over this. 682 00:41:53,440 --> 00:41:55,080 Speaker 1: I think I went to his house and then we 683 00:41:55,160 --> 00:41:57,479 Speaker 1: drove together. He was like that was a big deal 684 00:41:57,480 --> 00:42:00,759 Speaker 1: to me because he had sent me roses is on 685 00:42:01,000 --> 00:42:03,719 Speaker 1: my birthday and I was like super excited. And then 686 00:42:03,800 --> 00:42:06,239 Speaker 1: Meller's place came up and he was like, hey, you know, 687 00:42:06,440 --> 00:42:09,480 Speaker 1: I want to drive to set together that So were 688 00:42:09,480 --> 00:42:14,759 Speaker 1: you sing and would you kiss? No? Not that day. Now, 689 00:42:14,920 --> 00:42:17,439 Speaker 1: I was just like super nervous and like even more 690 00:42:17,640 --> 00:42:19,799 Speaker 1: like nervous about how I looked because I was like, oh, 691 00:42:19,840 --> 00:42:25,680 Speaker 1: something starting and then m hmmm. Yeah. But that when 692 00:42:25,680 --> 00:42:27,880 Speaker 1: I saw that scene of them entering, I was like, 693 00:42:28,239 --> 00:42:30,640 Speaker 1: oh my gosh, I'm sure like they had some outfits 694 00:42:30,640 --> 00:42:31,960 Speaker 1: and I was like, I'm going to pick that like 695 00:42:32,120 --> 00:42:34,360 Speaker 1: bright skin tight dress because I want to like Brian 696 00:42:34,400 --> 00:42:35,640 Speaker 1: to think of it looks. So, was it hard to 697 00:42:35,640 --> 00:42:37,719 Speaker 1: be a couple on nine o two and oh when 698 00:42:37,760 --> 00:42:41,279 Speaker 1: you wanted to like be more in real life or 699 00:42:41,280 --> 00:42:43,400 Speaker 1: were you able to like separate it. I don't know. 700 00:42:43,480 --> 00:42:45,719 Speaker 1: He's a boy and boys don't think like that, So 701 00:42:45,800 --> 00:42:49,239 Speaker 1: for me, it was probably hard and you probably made 702 00:42:49,239 --> 00:42:53,239 Speaker 1: more of it than he ever did. Ever in your mind, Yeah, 703 00:42:53,520 --> 00:42:56,480 Speaker 1: like just that's what we do. Yeah, how so when 704 00:42:56,480 --> 00:42:59,920 Speaker 1: you think back about nine. Does it blur like all 705 00:43:00,120 --> 00:43:04,879 Speaker 1: that blur? Or are you able to remember Tory and 706 00:43:05,200 --> 00:43:12,040 Speaker 1: Brian and then David and Donna? Um, it doesn't blur? Actually, 707 00:43:12,160 --> 00:43:15,920 Speaker 1: like is Brian and David were very different, especially in 708 00:43:15,960 --> 00:43:17,759 Speaker 1: the beginning, Like I feel like we all kind of 709 00:43:18,960 --> 00:43:22,440 Speaker 1: merged into real like our real characters. The only time 710 00:43:22,480 --> 00:43:25,040 Speaker 1: it ever blurred was the wedding, and that was literally 711 00:43:25,080 --> 00:43:28,480 Speaker 1: ten years after we had hooked up or whatever. And 712 00:43:28,760 --> 00:43:31,200 Speaker 1: during the wedding I literally turned to Jen and I 713 00:43:31,200 --> 00:43:32,680 Speaker 1: was like, I think I'm in love with Brian again. 714 00:43:32,760 --> 00:43:34,279 Speaker 1: She's like, oh no, no, no, we're not doing this again, 715 00:43:34,360 --> 00:43:36,760 Speaker 1: and I was like, yeah, you mean on the season 716 00:43:36,800 --> 00:43:40,040 Speaker 1: finale of Oh's when it blurred, we were doing the 717 00:43:40,160 --> 00:43:42,600 Speaker 1: vows and I was like and I looked at her 718 00:43:42,640 --> 00:43:45,319 Speaker 1: and he was like, no wait. But when we did 719 00:43:45,400 --> 00:43:47,640 Speaker 1: vhnin No two, oh no, I think you said the 720 00:43:47,680 --> 00:43:49,759 Speaker 1: same thing to me because he looked at me at 721 00:43:49,760 --> 00:43:54,920 Speaker 1: one point You're like, oh no, it's I feel something. 722 00:43:55,120 --> 00:43:59,560 Speaker 1: Well remember my no, that was my character. Sorry, yeah, 723 00:44:00,480 --> 00:44:04,080 Speaker 1: you're getting confused to Tori was like, I think I'm 724 00:44:04,120 --> 00:44:10,480 Speaker 1: like in that wasn't Oh my god, that's so sweet. 725 00:44:10,520 --> 00:44:12,560 Speaker 1: Tory sort of like to me, that just means it 726 00:44:12,680 --> 00:44:16,560 Speaker 1: is Donna and David forever. It's like you'll always have 727 00:44:16,640 --> 00:44:21,760 Speaker 1: a little piece of your heart for him, Oh for sure, 728 00:44:21,920 --> 00:44:25,600 Speaker 1: Like whatever it was in anyone's mind, I could definitely 729 00:44:25,640 --> 00:44:28,160 Speaker 1: say like he was like one of my first loves 730 00:44:28,360 --> 00:44:30,160 Speaker 1: for sure, And I have no problem saying that. And 731 00:44:30,200 --> 00:44:33,000 Speaker 1: it doesn't matter how he felt or whatever. And if 732 00:44:33,040 --> 00:44:35,400 Speaker 1: he just thought we were friends, that's fine. Like I'm 733 00:44:35,440 --> 00:44:37,080 Speaker 1: confident enough to say like he was one of my 734 00:44:37,080 --> 00:44:41,440 Speaker 1: first loves. I feel like I feel like this is 735 00:44:42,600 --> 00:44:47,799 Speaker 1: breaking Amy's heart. I'm sorry, it's so sweet. Yes, it 736 00:44:47,840 --> 00:44:51,400 Speaker 1: never works out. Sorry, Okay, wait, let's give Amy just 737 00:44:51,480 --> 00:44:55,959 Speaker 1: a minute to recollect herself overwhelmed because it's like, yeah, 738 00:44:56,120 --> 00:45:05,680 Speaker 1: like stay on track. So much information? That is good? 739 00:45:05,840 --> 00:45:10,480 Speaker 1: All right, Okay, we we've already talked about everybody shirtless, 740 00:45:10,520 --> 00:45:15,000 Speaker 1: but we have we really paid enough tribute to the 741 00:45:15,040 --> 00:45:20,080 Speaker 1: abs of it all? Where did each of these actors 742 00:45:20,160 --> 00:45:25,320 Speaker 1: get these abs? Look what happened? They all looked great. 743 00:45:26,680 --> 00:45:28,360 Speaker 1: It was like you could it's like a washboard, like 744 00:45:28,360 --> 00:45:31,399 Speaker 1: you like you could run your hand down it would 745 00:45:31,400 --> 00:45:40,399 Speaker 1: be like lousy. I mean it really was. What did 746 00:45:40,440 --> 00:45:44,520 Speaker 1: you think of the And it was a little cliche, 747 00:45:44,680 --> 00:45:46,680 Speaker 1: if I dare say that it was a little ahead 748 00:45:46,680 --> 00:45:48,480 Speaker 1: of its time. But it was also a little cliche 749 00:45:49,120 --> 00:45:52,440 Speaker 1: of the D and D advertising, which, first of all, 750 00:45:52,480 --> 00:45:54,880 Speaker 1: I love that we meet D and D advertising right away, 751 00:45:55,080 --> 00:46:00,279 Speaker 1: But Alison's boss who you mean when she got by? Yeah, 752 00:46:00,360 --> 00:46:03,320 Speaker 1: Tim Gunn? Like the first of all, the guy reminds 753 00:46:03,360 --> 00:46:10,480 Speaker 1: me of Tim Gunn, and he mechooser. Yeah, but I 754 00:46:10,520 --> 00:46:13,040 Speaker 1: did love that Billy saves the day and acts like 755 00:46:13,040 --> 00:46:16,680 Speaker 1: they're married, and like it kind of was so like 756 00:46:17,440 --> 00:46:20,880 Speaker 1: more foreshadowing, like this guy, he's just a total stud 757 00:46:21,080 --> 00:46:26,680 Speaker 1: and these two are destined. But I love that we 758 00:46:26,760 --> 00:46:29,960 Speaker 1: met the iconic D and D advertising, which I found 759 00:46:29,960 --> 00:46:33,000 Speaker 1: out Tory was shot at your dad's. That's the exterior 760 00:46:33,080 --> 00:46:38,279 Speaker 1: of spelling. But you also where used those buildings a lot. 761 00:46:38,440 --> 00:46:40,880 Speaker 1: We use those buildings that your dad had had a 762 00:46:40,920 --> 00:46:47,080 Speaker 1: lot for like different. I remember it's a different because 763 00:46:47,080 --> 00:46:51,000 Speaker 1: when yeah, yes, it used to be where Ryan Seacrest 764 00:46:51,040 --> 00:46:54,960 Speaker 1: studio was. I knew it. He moved. Everybody's moved. He 765 00:46:55,160 --> 00:46:57,239 Speaker 1: moved too, but it used to be where he was. 766 00:47:00,280 --> 00:47:10,799 Speaker 1: H m hm, you guys, I'm gonna ask something that's 767 00:47:10,800 --> 00:47:14,040 Speaker 1: probably inappropriate. I can't get past d and d Wait 768 00:47:14,080 --> 00:47:18,080 Speaker 1: when when you have something and like, let's say you 769 00:47:18,080 --> 00:47:20,239 Speaker 1: have a miscarriage and then they have to go in 770 00:47:20,239 --> 00:47:25,840 Speaker 1: the dance. Okay, thank you for the n C or 771 00:47:25,960 --> 00:47:30,680 Speaker 1: d n C. I think it's d n n C. Okay, well, Dandy. 772 00:47:30,719 --> 00:47:32,840 Speaker 1: I kept thinking of that and I couldn't stop thinking, 773 00:47:32,880 --> 00:47:35,520 Speaker 1: and it just put bad. Well, how about this, it's 774 00:47:35,560 --> 00:47:41,000 Speaker 1: Donna and David. It's it's Africa David better. Yeah, it 775 00:47:41,200 --> 00:47:43,920 Speaker 1: is hard and Jenny. Probably not for you, but for 776 00:47:44,000 --> 00:47:46,520 Speaker 1: tor reasons. We've seen the show and we were big fans. 777 00:47:46,920 --> 00:47:52,160 Speaker 1: It is missing Heather Locklett. It's definitely like I love it. 778 00:47:52,360 --> 00:47:56,360 Speaker 1: I love the pilot, but it's not quite there yet. 779 00:47:56,760 --> 00:47:58,799 Speaker 1: When does she come in? Not for a while, not 780 00:47:59,080 --> 00:48:01,640 Speaker 1: for a bit. I think halfway through season one, end 781 00:48:01,680 --> 00:48:04,799 Speaker 1: of season one, something like that, pretty early on. I'm 782 00:48:04,800 --> 00:48:07,920 Speaker 1: pretty sure. Oh my gosh, I want to. I was like, 783 00:48:07,960 --> 00:48:09,680 Speaker 1: can we get Heather on the show as if this 784 00:48:09,760 --> 00:48:14,600 Speaker 1: is a second show? Oh man, just special for now. 785 00:48:15,320 --> 00:48:18,080 Speaker 1: I just want to hear the story of how that happened, 786 00:48:18,480 --> 00:48:21,319 Speaker 1: Like where the ratings not doing well? And and my 787 00:48:21,400 --> 00:48:23,839 Speaker 1: dad was like, I need my lucky penny. Where's Heather? 788 00:48:25,280 --> 00:48:29,640 Speaker 1: H Yeah, I don't know, we need to, like does? 789 00:48:29,640 --> 00:48:32,640 Speaker 1: It gets sort of sad that we can't ask your 790 00:48:32,719 --> 00:48:36,959 Speaker 1: dad all these stories anymore. I hope you remember all 791 00:48:37,000 --> 00:48:41,839 Speaker 1: the things and hopefully they share them with you, because 792 00:48:41,840 --> 00:48:44,919 Speaker 1: I would have loved to have Heather tell you all 793 00:48:44,920 --> 00:48:48,719 Speaker 1: those stories. Oh my gosh. Yeah, Okay, let's try to 794 00:48:48,719 --> 00:48:52,319 Speaker 1: get her. She might do it. She just had her 795 00:48:53,080 --> 00:48:59,600 Speaker 1: lifetime movie. Um, don't swap the small stuff. She looks 796 00:48:59,640 --> 00:49:02,440 Speaker 1: great too. I was really happy to see her great 797 00:49:02,960 --> 00:49:10,560 Speaker 1: return to acting and she seems good. Yeah, we think 798 00:49:10,600 --> 00:49:16,080 Speaker 1: that motorcycle wed heart that Jake Hanson's motorcycle. Does she 799 00:49:16,200 --> 00:49:18,879 Speaker 1: date Jake Hanson at one point? I'm sure she does. 800 00:49:19,120 --> 00:49:21,960 Speaker 1: I think she dated everybody on The Girls date Jake 801 00:49:22,000 --> 00:49:26,000 Speaker 1: Hanson on the show, not in real life. And the 802 00:49:26,080 --> 00:49:30,920 Speaker 1: crazy thing is Grant looks exactly the same today as 803 00:49:30,920 --> 00:49:36,520 Speaker 1: he didn't. God, I great, It's weird for me. It's 804 00:49:37,000 --> 00:49:39,920 Speaker 1: Grant show and Andrew Shoe, Like, could they be hotter? 805 00:49:39,960 --> 00:49:42,560 Speaker 1: I wasn't as much into Michael Man sing me sorry Jen. 806 00:49:44,880 --> 00:49:47,200 Speaker 1: I just liked how he was a cute little husband 807 00:49:47,280 --> 00:49:54,239 Speaker 1: and like seemed so responsible. Doesn't know. In this episode, 808 00:49:54,480 --> 00:49:58,080 Speaker 1: he seems like such a dutiful like bringing her breakfast 809 00:49:58,080 --> 00:50:03,840 Speaker 1: in bed when and the fans were like, cute but boring, 810 00:50:03,960 --> 00:50:07,239 Speaker 1: we need drama and spoiler alert, he becomes one of 811 00:50:07,280 --> 00:50:11,520 Speaker 1: the biggest villains to me later he's such a what 812 00:50:11,560 --> 00:50:15,600 Speaker 1: do you mean he's a villain? Oh just wait, just wait, 813 00:50:15,719 --> 00:50:19,520 Speaker 1: because he's maybe we're watching it like that going you 814 00:50:20,120 --> 00:50:22,960 Speaker 1: ask Although when she kissed his toe, I wanted to 815 00:50:23,000 --> 00:50:27,640 Speaker 1: get that was weird, Like, who whose idea was that? 816 00:50:27,920 --> 00:50:31,319 Speaker 1: It was said, Howe's idea the director? Or did that 817 00:50:31,360 --> 00:50:34,640 Speaker 1: come straight from the script from Darren, Like she leans 818 00:50:34,680 --> 00:50:37,920 Speaker 1: down and kisses his big toe and she read it, 819 00:50:38,160 --> 00:50:42,480 Speaker 1: she just did it, or maybe it was a choice. Yeah, whatever. 820 00:50:42,520 --> 00:50:45,680 Speaker 1: She really wants to get some from him all the time, 821 00:50:45,719 --> 00:50:47,960 Speaker 1: and he's not playing, and I feel we're going to 822 00:50:48,040 --> 00:50:50,920 Speaker 1: find out. We know he sucks, but like I think 823 00:50:50,920 --> 00:50:54,279 Speaker 1: we find out pretty quickly. I think, so, wait, do 824 00:50:54,400 --> 00:51:01,320 Speaker 1: they not stayed married? Oh honey, no comment, They don't. 825 00:51:01,400 --> 00:51:04,800 Speaker 1: I can tell by your reaction. Snock on. And so 826 00:51:07,080 --> 00:51:10,799 Speaker 1: you're in for some drama and then some it's like 827 00:51:11,040 --> 00:51:14,840 Speaker 1: just suffice it to say. When I saw Marcia Cross 828 00:51:14,880 --> 00:51:20,560 Speaker 1: at Rawls in Brentwood in the nineties, all I could 829 00:51:20,600 --> 00:51:24,680 Speaker 1: think about was the wig coming off, No matter what, 830 00:51:25,360 --> 00:51:28,799 Speaker 1: we have to watch that episode, not even on a podcast, like, 831 00:51:28,960 --> 00:51:31,719 Speaker 1: we just want to see your reaction on that episode. 832 00:51:32,080 --> 00:51:33,919 Speaker 1: Why is it Mike? Is it Mike when she takes 833 00:51:33,920 --> 00:51:35,880 Speaker 1: the wig off? Is it Michael Mancini under that? I 834 00:51:35,880 --> 00:51:42,480 Speaker 1: don't understand. I still in my mind this many years later, 835 00:51:42,560 --> 00:51:44,920 Speaker 1: if I like, it's like I have a polaroid picture 836 00:51:45,200 --> 00:51:48,080 Speaker 1: to my mind of the whole thing. I'm looking at 837 00:51:48,120 --> 00:51:50,520 Speaker 1: it right now. It's one of those things that you 838 00:51:50,680 --> 00:51:55,240 Speaker 1: just can't ever unseen. I think that's because trauma. Trauma 839 00:51:55,280 --> 00:52:00,000 Speaker 1: stays with you and it was is that? Wait? Wait, 840 00:52:00,040 --> 00:52:02,160 Speaker 1: what season does that happen? How many episodes of the 841 00:52:02,200 --> 00:52:05,960 Speaker 1: show do I have to watch? Didn't even come in 842 00:52:06,000 --> 00:52:10,239 Speaker 1: so later seasons, but there's eight seasons of Molrow's Place, 843 00:52:10,280 --> 00:52:12,200 Speaker 1: you guys, I don't know if I have it in me. 844 00:52:12,440 --> 00:52:15,080 Speaker 1: Why didn't they do tend Why did they stop at eight? 845 00:52:15,320 --> 00:52:17,200 Speaker 1: What happened? I think the ratings were in the pooper? 846 00:52:17,360 --> 00:52:21,840 Speaker 1: Damn it? The pool, let's just before we go, Mho, 847 00:52:23,120 --> 00:52:27,080 Speaker 1: would you get in that pool? Well, it's probably freaking 848 00:52:27,120 --> 00:52:30,200 Speaker 1: clean according to how much the guys there, so I'd 849 00:52:30,239 --> 00:52:34,719 Speaker 1: get in it. It's crystal clear, but you know how 850 00:52:34,760 --> 00:52:37,640 Speaker 1: many times they've done it in that pool? He says, 851 00:52:37,680 --> 00:52:39,560 Speaker 1: don't pee in the pool, But how about no, you 852 00:52:39,640 --> 00:52:43,840 Speaker 1: know what in the pool for nication? I bet that 853 00:52:43,880 --> 00:52:46,800 Speaker 1: happened time or two. There's some film they got to 854 00:52:46,840 --> 00:52:51,360 Speaker 1: clean off. Yeah, you know what was different about not 855 00:52:51,480 --> 00:52:53,040 Speaker 1: this show from nine O two and oh? And I 856 00:52:53,080 --> 00:52:56,040 Speaker 1: could be wrong, but for some reason, those inner stitials 857 00:52:56,120 --> 00:52:59,200 Speaker 1: stand out to me more, those sort of like cutaways 858 00:52:59,280 --> 00:53:02,799 Speaker 1: to like town Melrose Place me on lights like that 859 00:53:02,880 --> 00:53:06,920 Speaker 1: they go, like this dance move that you're doing towns 860 00:53:07,000 --> 00:53:09,600 Speaker 1: Place like it's going to do that. They kind of 861 00:53:09,600 --> 00:53:13,400 Speaker 1: made it. We're edgy, we're hip music, are a little 862 00:53:13,520 --> 00:53:16,000 Speaker 1: like and not putting woman, but like, I don't know, 863 00:53:16,000 --> 00:53:19,520 Speaker 1: it's a little eighty's almost Yeah. And then this like 864 00:53:19,880 --> 00:53:23,239 Speaker 1: was like cool hip because we weren't cooler hip, we 865 00:53:23,280 --> 00:53:26,680 Speaker 1: were just she I love that you all went to shooters. 866 00:53:26,719 --> 00:53:33,320 Speaker 1: Though you all went to shooters, we did oh okay, 867 00:53:33,360 --> 00:53:35,839 Speaker 1: so like all in like I don't know, scale of 868 00:53:35,840 --> 00:53:38,719 Speaker 1: one to ten, what would you give the pilot of 869 00:53:38,760 --> 00:53:44,239 Speaker 1: Melrose Place. You're thinking ten, aren't you. I'm gonna go 870 00:53:44,280 --> 00:53:47,879 Speaker 1: with eight because I just get too carried away. You 871 00:53:47,920 --> 00:53:50,480 Speaker 1: wanted to go with. I want to go with the 872 00:53:50,480 --> 00:53:52,120 Speaker 1: full ten, and I didn't really think if there I 873 00:53:52,120 --> 00:53:55,600 Speaker 1: just got to really excited, I would have to give 874 00:53:55,640 --> 00:53:59,719 Speaker 1: it about an eight too. Yeah, I agree. I think 875 00:53:59,760 --> 00:54:02,839 Speaker 1: my eight is more because I know that it becomes 876 00:54:02,920 --> 00:54:07,440 Speaker 1: a ten, so I can't. It really does really and 877 00:54:07,520 --> 00:54:11,239 Speaker 1: you know what, it really held up like watching it 878 00:54:12,400 --> 00:54:14,680 Speaker 1: thirty years later, like I was like, oh my gosh, 879 00:54:14,719 --> 00:54:20,080 Speaker 1: this is this is great. I mean, like I already said, 880 00:54:20,320 --> 00:54:22,719 Speaker 1: I'm really not into the fashion in the show, like 881 00:54:22,760 --> 00:54:27,720 Speaker 1: I have a problem with guys. Maybe it was reality based, 882 00:54:27,920 --> 00:54:30,680 Speaker 1: but it just bugged me because I'm just like I 883 00:54:30,840 --> 00:54:34,400 Speaker 1: wore a white body suit with jeans, just like Alison. 884 00:54:34,440 --> 00:54:37,239 Speaker 1: I didn't have that oversized blazer. But I definitely thank 885 00:54:37,280 --> 00:54:41,000 Speaker 1: god I did not care. I love Kelly's outfits in 886 00:54:41,040 --> 00:54:45,680 Speaker 1: this episode world dress. She looks pretty um and I 887 00:54:45,719 --> 00:54:49,160 Speaker 1: like that like little lass skirt thing, and I loved that, 888 00:54:49,480 --> 00:54:51,799 Speaker 1: and I loved the dress. But I gotta say the 889 00:54:51,960 --> 00:54:55,120 Speaker 1: two like baby doll dresses you wore to Jake's place. 890 00:54:56,239 --> 00:55:00,760 Speaker 1: I was like, I get like wearing that normally, especially 891 00:55:00,840 --> 00:55:02,560 Speaker 1: the date. I feel like the date you would have 892 00:55:02,600 --> 00:55:05,560 Speaker 1: done a little more right. I think that they were 893 00:55:05,600 --> 00:55:09,000 Speaker 1: trying to just really didn't distinguish that she was younger 894 00:55:09,080 --> 00:55:13,120 Speaker 1: and innocent. Yeah, her clothes, I got it, Yeah, but 895 00:55:13,200 --> 00:55:15,319 Speaker 1: I didn't. I didn't really love when Alison were those 896 00:55:15,440 --> 00:55:18,000 Speaker 1: um those bike shorts, but those are back in now. 897 00:55:18,080 --> 00:55:23,839 Speaker 1: Like her fashion though, was never never blocklayers. That was 898 00:55:23,880 --> 00:55:27,960 Speaker 1: the thing. Like poor Allison just was never like in 899 00:55:28,000 --> 00:55:31,960 Speaker 1: the pilot, you're kind of like, oh, she's awesome, but 900 00:55:32,080 --> 00:55:36,560 Speaker 1: then when Heather Lockler shows up, you're just like her 901 00:55:36,640 --> 00:55:39,920 Speaker 1: fashion was amazing the whole run. Yeah, the Allison of 902 00:55:40,000 --> 00:55:45,359 Speaker 1: it all Allison, I think, in my opinion, I liked 903 00:55:45,400 --> 00:55:48,840 Speaker 1: Turned Billy, but when what it becomes later on, I 904 00:55:48,920 --> 00:55:52,720 Speaker 1: felt a little she felt a little Andrea. Yes, whoa, 905 00:55:52,800 --> 00:55:55,520 Speaker 1: that's an interest little Miranda, like you know, like you 906 00:55:55,600 --> 00:56:00,640 Speaker 1: just were like, he's more conservatives them all. She's always 907 00:56:00,640 --> 00:56:03,799 Speaker 1: telling everyone like I don't know, but she started out 908 00:56:03,880 --> 00:56:07,000 Speaker 1: like kind of really like girl next door sexy. I 909 00:56:07,040 --> 00:56:09,160 Speaker 1: love that button. I'm sure she runs out in. I 910 00:56:09,239 --> 00:56:14,240 Speaker 1: was like, all about her legs. Yeah, it's a good one, guys, 911 00:56:14,360 --> 00:56:19,239 Speaker 1: I'm excited. Did any Dinny like lines like stand out 912 00:56:19,280 --> 00:56:24,680 Speaker 1: for you as like memorable? Though, Like I liked when 913 00:56:25,760 --> 00:56:29,520 Speaker 1: Amy Locane's character what's her name? Sandy gives Jake a 914 00:56:29,600 --> 00:56:32,440 Speaker 1: hard time and she's like, did it ever, Curtie, like 915 00:56:32,480 --> 00:56:35,560 Speaker 1: we live next door and he's like, love that neighbor. Yes, 916 00:56:36,480 --> 00:56:38,680 Speaker 1: what about when we were doing this scene in Shooters? 917 00:56:38,800 --> 00:56:40,880 Speaker 1: Remember the scene and Shooters and she's sitting on Iron's 918 00:56:40,920 --> 00:56:45,000 Speaker 1: lap and she's like, shut up, Jake. It's the way 919 00:56:45,080 --> 00:56:49,680 Speaker 1: she said it. Shut up Jake, Like, I just remember 920 00:56:49,719 --> 00:56:51,760 Speaker 1: when she said that. I remember thinking when she said 921 00:56:51,760 --> 00:56:56,400 Speaker 1: it on the day, like, wow, good annunciation. Um wait 922 00:56:56,719 --> 00:57:00,840 Speaker 1: this you will notice this? Um this sane. When Kelly 923 00:57:00,920 --> 00:57:03,719 Speaker 1: first comes and she's laying out on the lounge chair, 924 00:57:04,640 --> 00:57:09,600 Speaker 1: her line was a d R right which one the 925 00:57:09,640 --> 00:57:14,160 Speaker 1: whole scene talking to her voice look okay, it looks 926 00:57:14,160 --> 00:57:16,400 Speaker 1: like it sync up and her voice was lower, and 927 00:57:16,440 --> 00:57:18,920 Speaker 1: I was like, wow, I don't remember if she really why? 928 00:57:20,240 --> 00:57:26,160 Speaker 1: And then it got better? Yeah I will sorry, I don't. 929 00:57:26,480 --> 00:57:28,160 Speaker 1: I mean, you guys have the good lines, but I 930 00:57:28,200 --> 00:57:30,960 Speaker 1: will say, and I don't know if it's Jenny and 931 00:57:31,000 --> 00:57:35,720 Speaker 1: Grant or Kelly and Jake. Once again, the kissing is 932 00:57:35,840 --> 00:57:40,000 Speaker 1: right on point, like it's amazing kiss He's a good kisser, 933 00:57:40,160 --> 00:57:42,360 Speaker 1: right wait, this is so funny, you guys we were 934 00:57:42,400 --> 00:57:44,880 Speaker 1: watching it in bed last night. My husband was like, 935 00:57:45,240 --> 00:57:46,680 Speaker 1: I'm going to go to sleep while you watch it 936 00:57:46,720 --> 00:57:49,120 Speaker 1: because I had a stamp late and watch it. And 937 00:57:49,160 --> 00:57:51,440 Speaker 1: he couldn't fall asleep because he got sucked in of course. 938 00:57:51,840 --> 00:57:53,919 Speaker 1: And then he saw the kissing scene and he turns 939 00:57:53,920 --> 00:57:55,919 Speaker 1: to me, becaues, why don't you kiss me like that? 940 00:57:56,480 --> 00:57:59,200 Speaker 1: And I said, why don't you ever kiss me like that? 941 00:57:59,720 --> 00:58:06,000 Speaker 1: Like Jake just grabs her head in her faces. It's good, 942 00:58:06,960 --> 00:58:13,600 Speaker 1: rancho is, he is hot. We should do kiss Mary kill. 943 00:58:13,680 --> 00:58:17,360 Speaker 1: Let's do it. We have to, so we have three episodes. 944 00:58:17,400 --> 00:58:19,240 Speaker 1: So one of you guys do it for this one, 945 00:58:19,320 --> 00:58:22,160 Speaker 1: then the next one in the next one. That's no fair. 946 00:58:22,880 --> 00:58:26,280 Speaker 1: The first story you go first. Yeah, I mean kiss 947 00:58:26,360 --> 00:58:30,120 Speaker 1: Mary or kill with the current characters. Yeah, yeah, yeah, 948 00:58:30,920 --> 00:58:37,479 Speaker 1: the boys didn't change. Okay, um okay. I would mm hmmm. 949 00:58:38,280 --> 00:58:42,440 Speaker 1: I would kiss Jake, I would marry Billy, and I 950 00:58:42,480 --> 00:58:47,360 Speaker 1: would kick to the curb. Michael Mancini, Alright, stay tuned 951 00:58:47,760 --> 00:58:51,240 Speaker 1: to find out how Amy and I feel about that 952 00:58:51,280 --> 00:58:54,919 Speaker 1: on the next episode. I love it. I'm glad we're 953 00:58:54,920 --> 00:58:58,960 Speaker 1: doing three. Wait, so what are we doing you guys? Like, 954 00:58:59,000 --> 00:59:01,640 Speaker 1: officially we're doing this is the pilot. Next week we're 955 00:59:01,640 --> 00:59:05,840 Speaker 1: gonna watch episode two, because we're gonna watch episode three. 956 00:59:06,120 --> 00:59:08,840 Speaker 1: Then I have something special planned for the two of 957 00:59:08,880 --> 00:59:10,720 Speaker 1: you to end the year, and then in January, we're 958 00:59:10,720 --> 00:59:15,200 Speaker 1: gonna come back with nine season three. I love the 959 00:59:15,240 --> 00:59:17,440 Speaker 1: way you've thought this through, Amy, and I love that 960 00:59:17,480 --> 00:59:20,000 Speaker 1: we're having this meeting about it right now on the air. 961 00:59:22,360 --> 00:59:25,960 Speaker 1: Um No, this is so fun and exciting. We love 962 00:59:26,000 --> 00:59:28,240 Speaker 1: doing our show. Was really cool to like get to 963 00:59:28,240 --> 00:59:31,040 Speaker 1: know all these new characters and get yeah, we have. 964 00:59:31,280 --> 00:59:33,560 Speaker 1: I feel like we have like a so much more 965 00:59:33,640 --> 00:59:36,400 Speaker 1: energy talking about someone else's show than we do our own. 966 00:59:37,360 --> 00:59:39,040 Speaker 1: I love it all. I could talk about them all 967 00:59:39,080 --> 00:59:40,880 Speaker 1: all day long. Don't you worry about that? When we 968 00:59:40,880 --> 00:59:43,600 Speaker 1: were just happy that you're happy? Amy? Really? Bottom line, 969 00:59:43,840 --> 00:59:47,840 Speaker 1: did we get to your six pages of notes and much? 970 00:59:47,880 --> 00:59:50,360 Speaker 1: I mean, I make it fun for myself because I 971 00:59:50,400 --> 00:59:55,000 Speaker 1: get in my bed my Justin's peanut butter cups, and 972 00:59:55,040 --> 00:59:59,760 Speaker 1: I get a orange not a orginary like a cutie. Okay, 973 01:00:00,560 --> 01:00:05,520 Speaker 1: while I watched it, Really just like, I feel like 974 01:00:05,640 --> 01:00:08,440 Speaker 1: everybody knows you a lot better right now, Get a 975 01:00:08,480 --> 01:00:14,000 Speaker 1: cup of tea, two guys, no wine, No, that's that's 976 01:00:14,040 --> 01:00:20,120 Speaker 1: good for you getting crazy, getting crazy, I keep spilling 977 01:00:20,120 --> 01:00:21,920 Speaker 1: the chocolate on my sheets, so I had to actually 978 01:00:21,920 --> 01:00:25,680 Speaker 1: switch from white sheets to leopard. Wait so you could 979 01:00:25,760 --> 01:00:29,200 Speaker 1: just lay in the chocolate, I don't understand. So if 980 01:00:29,240 --> 01:00:32,360 Speaker 1: a little chocolate gets on the white even if you 981 01:00:32,400 --> 01:00:34,920 Speaker 1: wipe it out with like a you know, white bee, 982 01:00:36,280 --> 01:00:38,800 Speaker 1: eating chocolate in the bed is something that happens not 983 01:00:38,880 --> 01:00:41,600 Speaker 1: just once a week or some special occasion, but every night. 984 01:00:42,560 --> 01:00:45,160 Speaker 1: So far as to change her sheets to a darker 985 01:00:45,200 --> 01:00:50,400 Speaker 1: print chocolate every night, that's my god. But Leopard, I 986 01:00:50,480 --> 01:00:52,920 Speaker 1: want to see those Let's see him. Come on over, ja, 987 01:00:53,400 --> 01:01:02,080 Speaker 1: Oh my gosh, Like now we know what you changed 988 01:01:02,120 --> 01:01:07,640 Speaker 1: the leopard cheets because of Jake. Okay, we're gonna come 989 01:01:07,680 --> 01:01:10,320 Speaker 1: back next week, you guys. You heard it from Amy Stuggerman. 990 01:01:10,400 --> 01:01:14,520 Speaker 1: We're gonna be here talking about episode two of melrose 991 01:01:14,560 --> 01:01:21,000 Speaker 1: Place next week. I hope are you in number two? 992 01:01:21,160 --> 01:01:29,480 Speaker 1: I am am? I not right? Two Friends and lovers 993 01:01:29,560 --> 01:01:31,440 Speaker 1: and make sure you watch it, you guys, and do 994 01:01:31,520 --> 01:01:37,400 Speaker 1: your homework. Yes, have a great week. Thanks Amy,