1 00:00:07,000 --> 00:00:18,560 Speaker 1: Solve Presents Penance Part one, Holding my breath hair Terrence. Well, 2 00:00:20,840 --> 00:00:22,840 Speaker 1: all I can taste here is your math, Rebecca. It's 3 00:00:22,880 --> 00:00:26,800 Speaker 1: clever jargon covering up naked stats. Sorry, if I couldn't 4 00:00:26,800 --> 00:00:29,880 Speaker 1: make city council holding fatigue sexy enough for you, give 5 00:00:29,880 --> 00:00:31,640 Speaker 1: me a bigger bite. I'll show you a better scoop. 6 00:00:31,880 --> 00:00:36,479 Speaker 1: Glad you said so, I've got here handwritten letter we 7 00:00:36,560 --> 00:00:39,880 Speaker 1: received this morning postmark from an Amish town. You may recognize. 8 00:00:40,520 --> 00:00:43,040 Speaker 1: I wonder where they got our address. A letter reads 9 00:00:43,080 --> 00:00:47,520 Speaker 1: a lot like you try anonymous in style or signature, 10 00:00:47,920 --> 00:00:51,320 Speaker 1: both dream source material. It tells of a young man 11 00:00:51,440 --> 00:00:56,360 Speaker 1: returning from his rum springer. That's like an army spring break, right, 12 00:00:56,400 --> 00:00:59,200 Speaker 1: a mild analogy. Rum springer is a year of no 13 00:00:59,280 --> 00:01:03,640 Speaker 1: consequences on the outside before baptism nails you down for good. Well, anyway, 14 00:01:03,680 --> 00:01:06,600 Speaker 1: one week later, the kid kicks the bucket, just shy 15 00:01:06,680 --> 00:01:09,320 Speaker 1: of eighteen. If we print an obituary, his family is 16 00:01:09,360 --> 00:01:11,679 Speaker 1: not likely to read it. It's not a no bit. 17 00:01:11,720 --> 00:01:15,319 Speaker 1: There's a story here, see for yourself. Letter writer says 18 00:01:15,360 --> 00:01:18,559 Speaker 1: the death is mysterious, no cause anyone can name. Yeah, Well, 19 00:01:18,600 --> 00:01:21,639 Speaker 1: with the Amish, there's no autopsy, no cause, no story, 20 00:01:22,080 --> 00:01:24,760 Speaker 1: at least not for me. This can only be your story. 21 00:01:25,040 --> 00:01:27,120 Speaker 1: I've lived in Pennsylvania my whole life. I've seen the 22 00:01:27,120 --> 00:01:30,440 Speaker 1: shunned return. I didn't come to my senses and leave Terence. 23 00:01:30,720 --> 00:01:33,480 Speaker 1: I was excommunicated. Do I need to spell out the 24 00:01:33,560 --> 00:01:36,119 Speaker 1: rude Latin for you? If you want a shot at 25 00:01:36,120 --> 00:01:40,520 Speaker 1: the big leagues, investigated pieces, verticals and undercover stint is 26 00:01:40,560 --> 00:01:42,880 Speaker 1: the best way in. And this would be the easiest 27 00:01:42,920 --> 00:01:46,399 Speaker 1: chamillion of your career. Sure, just crawl back to a 28 00:01:46,440 --> 00:01:48,720 Speaker 1: town that spit me out as a minor break two 29 00:01:48,760 --> 00:01:52,480 Speaker 1: decades of silence with my father. Easy? Yeah, thanks, but 30 00:01:52,520 --> 00:01:58,480 Speaker 1: no thanks. The funerals in two days. Sleep on it. 31 00:01:59,320 --> 00:02:02,240 Speaker 1: I'd drive you there, help with any additional research. Oh, 32 00:02:02,320 --> 00:02:34,000 Speaker 1: you'd really do that for me? Did this is Rebecca Ramer? 33 00:02:34,480 --> 00:02:39,639 Speaker 1: Shoot it or lose it? You have no new messages? 34 00:02:44,560 --> 00:02:47,919 Speaker 1: Fighting broke out overnight between rival factions along the Israeli 35 00:02:48,040 --> 00:03:05,360 Speaker 1: Syrian border. Screw it, morning, sunshine. Did you spotify Amish 36 00:03:05,440 --> 00:03:07,920 Speaker 1: hands for our drive? I thought it would pick you up. 37 00:03:09,200 --> 00:03:18,320 Speaker 1: Let's just go backt light. We've got more buttons than 38 00:03:18,360 --> 00:03:23,920 Speaker 1: bonnets these days, not much to pack. Hey, you can't 39 00:03:23,919 --> 00:03:27,359 Speaker 1: smoke in here. You deprived me of this one joy 40 00:03:27,480 --> 00:03:31,239 Speaker 1: before throwing me to the wolves are horridly wolves. You've 41 00:03:31,280 --> 00:03:34,640 Speaker 1: never met my father? What about your mother? I'll trained 42 00:03:34,680 --> 00:03:38,760 Speaker 1: midwife managed to climb me out before my mother passed. Jeez, 43 00:03:39,520 --> 00:03:42,320 Speaker 1: I'm sorry. So you and your dad lost your mom 44 00:03:42,360 --> 00:03:46,280 Speaker 1: and then each other. Funny thing. Much loyalty is rooted 45 00:03:46,320 --> 00:03:48,720 Speaker 1: fifty ft in the ground like no wider than haystraw. 46 00:03:49,280 --> 00:03:52,080 Speaker 1: You think cancel culture is bad, one misstep in Amish 47 00:03:52,160 --> 00:03:56,400 Speaker 1: country and you are cast off. Makes mean tweaks seemple point. Hey, 48 00:03:56,600 --> 00:03:58,840 Speaker 1: maybe this will be a good thing, reconnect with family. 49 00:03:59,360 --> 00:04:03,440 Speaker 1: I don't have a family. This is a job. So 50 00:04:04,240 --> 00:04:06,560 Speaker 1: where's your first stop? Well, I can't go to my 51 00:04:06,600 --> 00:04:09,200 Speaker 1: father's dressed like this, basic harlot. I'm not going to 52 00:04:09,240 --> 00:04:12,600 Speaker 1: find out who wrote that letter. First take the hard copy. 53 00:04:14,200 --> 00:04:29,400 Speaker 1: Handwriting might come in hand. Okay, this place hasn't changed, 54 00:04:30,120 --> 00:04:32,279 Speaker 1: almost like they condemned that kind of thing. I'm a 55 00:04:32,320 --> 00:04:36,520 Speaker 1: phone call away if you need anything, anything you hear, Yeah, 56 00:04:37,760 --> 00:04:55,560 Speaker 1: best I proceed on foot from here. Blessed day. Raber. Wrong, 57 00:04:55,800 --> 00:05:01,440 Speaker 1: we go wrong, we go pop out. We'll spin you 58 00:05:01,480 --> 00:05:11,359 Speaker 1: in his bag. Coming Rebecca Raper at my doorstop Sunday surprise. 59 00:05:12,520 --> 00:05:15,760 Speaker 1: Were you seen walking over here? I'd venture no, but 60 00:05:15,880 --> 00:05:17,960 Speaker 1: that likelihood on these texts higher the longer I stand 61 00:05:17,960 --> 00:05:20,280 Speaker 1: at your door and blue jeans. Of course, Come in, 62 00:05:20,800 --> 00:05:26,120 Speaker 1: Come in. I've prayed for this, me too, you know me, 63 00:05:26,279 --> 00:05:31,560 Speaker 1: big time prayer, fake some holiness for me. Kids. This 64 00:05:31,760 --> 00:05:37,680 Speaker 1: is mother's oldest and dearest friend, Rebecca. Hello, they're as 65 00:05:37,680 --> 00:05:41,440 Speaker 1: beautiful as you described in your letters. Speaking of letters, 66 00:05:41,520 --> 00:05:47,080 Speaker 1: I need to ask you about something um in private. Yes, certainly, come, 67 00:05:47,160 --> 00:05:56,680 Speaker 1: let's get you a change of clothes. All right, that's up? 68 00:05:57,040 --> 00:05:59,320 Speaker 1: What is this forbidden drop by all about? You want 69 00:05:59,360 --> 00:06:04,159 Speaker 1: the undergone answer always, I'm an assignment. We got an 70 00:06:04,200 --> 00:06:06,880 Speaker 1: anonymous letter into my paper about the boy who just passed. 71 00:06:08,040 --> 00:06:13,880 Speaker 1: It's beyond digestion. One of the shlock twins. Just kids, really, 72 00:06:14,400 --> 00:06:17,400 Speaker 1: he was a twin. Do you think there could have 73 00:06:17,440 --> 00:06:20,320 Speaker 1: been any foul play? You're asking if the boy could 74 00:06:20,320 --> 00:06:25,000 Speaker 1: have been murdered? Whoever wrote this certainly think so, honestly, Rebecca. 75 00:06:25,040 --> 00:06:27,400 Speaker 1: Not everything has to be a damn story. We'll get 76 00:06:27,440 --> 00:06:30,800 Speaker 1: the mouth on you do influence. I'll be it from 77 00:06:30,839 --> 00:06:33,720 Speaker 1: a distance. Can you think of anyone in town who 78 00:06:33,760 --> 00:06:38,760 Speaker 1: might have written this letter, I couldn't guess. But if 79 00:06:38,880 --> 00:06:41,240 Speaker 1: you want to have access to everyone in town all 80 00:06:41,279 --> 00:06:45,320 Speaker 1: in one place, the funeral, Yeah, I know, but I 81 00:06:45,360 --> 00:06:48,680 Speaker 1: can't come close to that church without repenting, Mary, more 82 00:06:48,760 --> 00:06:52,440 Speaker 1: like you can't come close to repenting without that church. Well, 83 00:06:52,440 --> 00:06:56,320 Speaker 1: in that case, how about those humbler threads. My closet 84 00:06:56,360 --> 00:07:00,400 Speaker 1: is all yours. You are an angel, and I brought 85 00:07:00,480 --> 00:07:07,680 Speaker 1: you a little something. What is it? Battery powered? Too 86 00:07:08,240 --> 00:07:12,840 Speaker 1: hard to find nowadays? You are trouble. I never learned 87 00:07:21,720 --> 00:07:26,239 Speaker 1: crowded procession, and you forget the comforts of community. Everyone 88 00:07:26,240 --> 00:07:28,120 Speaker 1: will be out today to support the Schlocks in their 89 00:07:28,160 --> 00:07:32,640 Speaker 1: time of Greek, including your father while he is the 90 00:07:32,680 --> 00:07:37,000 Speaker 1: town bishop. That would make sense, yes, but with a 91 00:07:37,000 --> 00:07:41,400 Speaker 1: few other additions. I dare not mention it in our 92 00:07:41,440 --> 00:07:44,640 Speaker 1: letters for a risk of upsetting you. But he remarried 93 00:07:44,640 --> 00:07:48,960 Speaker 1: after you left. Amity a widow from the town over. Oh, 94 00:07:49,960 --> 00:07:52,800 Speaker 1: she's quite amiable, biddingly I'll be the judge of that. 95 00:07:53,600 --> 00:07:56,680 Speaker 1: She has her own son. LEVI a bit of a brick. 96 00:07:57,000 --> 00:08:01,320 Speaker 1: What can you do? And also get your st last 97 00:08:01,360 --> 00:08:04,440 Speaker 1: horses out of my lane. Hey, Craig, is our funeral 98 00:08:04,440 --> 00:08:11,760 Speaker 1: procession making you laid for your pedicure, stupid dudgy. What's 99 00:08:11,800 --> 00:08:15,160 Speaker 1: with the asshole in the Pontiac? Not an isolated incident. 100 00:08:15,200 --> 00:08:19,680 Speaker 1: I'm afraid that Englishman has always been a problem. We're 101 00:08:19,680 --> 00:08:40,880 Speaker 1: almost there. You'll do well to start minding your language. 102 00:08:41,800 --> 00:08:47,600 Speaker 1: You should you doing here? Are you okay? Fina? Your father? 103 00:08:48,240 --> 00:08:52,920 Speaker 1: Good dog? Good Mariah ship? I think I changed my mind. 104 00:08:53,000 --> 00:08:58,480 Speaker 1: We've come this far. No, Rebecca, Hello, Father, Hello, Bishop, 105 00:08:59,320 --> 00:09:07,160 Speaker 1: we'll be inside. Come on, kids, it's you and you dressed. Yes. 106 00:09:07,760 --> 00:09:11,000 Speaker 1: Time has warmed me to tradition. I suppose what are 107 00:09:11,000 --> 00:09:15,720 Speaker 1: you doing here? I came here to repent, Father, repent 108 00:09:16,840 --> 00:09:21,679 Speaker 1: what I thought you'd be glad. I'll be glad when 109 00:09:21,720 --> 00:09:24,480 Speaker 1: I sniff out the truth behind this little stunt, said 110 00:09:24,520 --> 00:09:35,760 Speaker 1: Jesuster was followers, please excuse me, Bishop Thomas Schluck, A 111 00:09:35,840 --> 00:09:40,400 Speaker 1: beautiful boy taken too soon or perhaps right on time? 112 00:09:41,440 --> 00:09:44,199 Speaker 1: Are you a g standard? Now? They are? When it's 113 00:09:44,240 --> 00:09:47,920 Speaker 1: the Craper Preacher service, preacher King, we call him there. 114 00:09:50,160 --> 00:09:52,440 Speaker 1: He tends to form close bonds with the boys. Worse 115 00:09:52,559 --> 00:09:56,040 Speaker 1: hardships had stung our shores, and they are sure to again. 116 00:09:56,800 --> 00:10:00,160 Speaker 1: God asks us not to search for the div in 117 00:10:00,320 --> 00:10:03,400 Speaker 1: order in this but to trust that there is one, 118 00:10:04,520 --> 00:10:26,320 Speaker 1: especially when it tastes as tenuous as ever. Yes, he 119 00:10:26,440 --> 00:10:32,559 Speaker 1: was really just a boy. You didn't so sad so 120 00:10:32,640 --> 00:10:35,240 Speaker 1: one morning he was just found lying on the ground. 121 00:10:36,440 --> 00:10:40,840 Speaker 1: You'd have to ask Silas the twin. Yes, he's the 122 00:10:40,840 --> 00:10:43,959 Speaker 1: one who found on this There he is now talking 123 00:10:43,960 --> 00:10:48,240 Speaker 1: to the preacher. Well, the intros now are never Rebecca, 124 00:10:49,280 --> 00:10:56,599 Speaker 1: be delicate. You know me best not to concern, and 125 00:10:56,679 --> 00:11:01,480 Speaker 1: you went out of respect for your brother, understood, sir Silas. 126 00:11:01,760 --> 00:11:07,720 Speaker 1: My condolences. Thanks, Sorry, who I thought I spotted you 127 00:11:07,800 --> 00:11:13,400 Speaker 1: in the pews, Rebecca or nonrepenter? Hello, Silas, meet Matthew's 128 00:11:13,400 --> 00:11:18,679 Speaker 1: long lost daughter. The bishop has another daughter, another daughter. 129 00:11:19,559 --> 00:11:23,480 Speaker 1: I should go find my parents. Nice to meet you, Rebecca. 130 00:11:24,360 --> 00:11:29,560 Speaker 1: Peace out or with you or whatever. The boy's got 131 00:11:29,559 --> 00:11:34,320 Speaker 1: a curious grief in him. Some do it sounded like 132 00:11:34,360 --> 00:11:38,439 Speaker 1: you were close with his brother. You'd find none as 133 00:11:38,520 --> 00:11:42,400 Speaker 1: pure as pious? Was that still the case when he 134 00:11:42,440 --> 00:11:45,160 Speaker 1: came back from his rum? Springer never the most? So 135 00:11:46,480 --> 00:11:50,080 Speaker 1: what's this line of questioning? You didn't even know him? No, 136 00:11:51,520 --> 00:12:01,760 Speaker 1: certainly not like you did. Mm hmm. If you'll excuse me, Rebecca, Uh, 137 00:12:02,240 --> 00:12:07,000 Speaker 1: oh my, you are our Rebecca, aren't you? I'm Amity, 138 00:12:07,280 --> 00:12:10,320 Speaker 1: though I don't presume you've heard of me. She hasn't, 139 00:12:11,040 --> 00:12:15,320 Speaker 1: not until very recently. It's nice to meet you, Amity. 140 00:12:15,559 --> 00:12:22,240 Speaker 1: And this here's LEVI say hello, Hello, Matthew, Rebecca. This 141 00:12:22,440 --> 00:12:26,880 Speaker 1: is our daughter, Emma. What a pleasure it is to 142 00:12:26,880 --> 00:12:30,320 Speaker 1: meet you, sister. We've heard such things. I can only 143 00:12:30,320 --> 00:12:32,800 Speaker 1: imagine you've done more than just that from what I 144 00:12:32,800 --> 00:12:37,480 Speaker 1: can gather. Sorry, where are my manners? You'll come back 145 00:12:37,520 --> 00:12:42,199 Speaker 1: with us for lunch. I wouldn't impose, we insist. She 146 00:12:42,280 --> 00:12:48,160 Speaker 1: hasn't repented yet, Emity, she's still family girl. Come on, 147 00:12:48,600 --> 00:13:07,400 Speaker 1: my mamma, you know what? Sure I could eat m apologies. 148 00:13:07,440 --> 00:13:10,000 Speaker 1: The seller isn't a bit of a state as with 149 00:13:10,040 --> 00:13:15,080 Speaker 1: my father, your parents. Your father's in shock at warm. 150 00:13:15,120 --> 00:13:19,200 Speaker 1: Here take these cans? Wow? Is it possible? But I 151 00:13:19,240 --> 00:13:22,640 Speaker 1: actually missed can beats. The rest of us are thrilled 152 00:13:22,640 --> 00:13:26,520 Speaker 1: beyond our wits. Emma, though she's a bit boy crazed 153 00:13:26,559 --> 00:13:28,320 Speaker 1: as it is. So if you could just, you know, 154 00:13:28,440 --> 00:13:30,959 Speaker 1: keep an eye on your influence, that would be that 155 00:13:31,000 --> 00:13:40,439 Speaker 1: would be just peachy. Dear Lord, thank you for this food, 156 00:13:41,000 --> 00:13:43,120 Speaker 1: but thank you most of all for the fresh company 157 00:13:43,200 --> 00:13:46,000 Speaker 1: we keep in the eating of it. Our long lost 158 00:13:46,080 --> 00:13:52,600 Speaker 1: child of God returned to us, and am Rebecca. I 159 00:13:52,640 --> 00:13:55,120 Speaker 1: want to know all about so many things. What it 160 00:13:55,160 --> 00:13:57,840 Speaker 1: feels like to put contact lenses in It blows my 161 00:13:57,880 --> 00:14:01,000 Speaker 1: hair back, really, I mean when I bit doubt and 162 00:14:01,080 --> 00:14:03,679 Speaker 1: the sorcery that is a hair dryer. Rebecca doesn't want 163 00:14:03,679 --> 00:14:07,439 Speaker 1: to talk about the very world she just left behind forever, now, 164 00:14:07,480 --> 00:14:13,320 Speaker 1: does she? We They the English are just like you 165 00:14:13,400 --> 00:14:16,199 Speaker 1: and me, but with one eye on the devil at 166 00:14:16,200 --> 00:14:25,920 Speaker 1: all times. Matthew, I'm not hungry. I'm going to the barn. Oh, 167 00:14:26,080 --> 00:14:28,680 Speaker 1: don't mind your father. We'll have you squared away with 168 00:14:28,680 --> 00:14:30,440 Speaker 1: the preacher and all will be well in no time. 169 00:14:30,800 --> 00:14:34,520 Speaker 1: He seems up to his eyeballs already with grief. Thomas 170 00:14:34,520 --> 00:14:37,640 Speaker 1: sounded like a very special young man, him and all 171 00:14:37,680 --> 00:14:42,720 Speaker 1: the others. The others. Mother's talking about the curse. I'm sorry, 172 00:14:42,720 --> 00:14:46,000 Speaker 1: did you say curse? It started before I was born. 173 00:14:46,040 --> 00:14:49,600 Speaker 1: Even cow boys healthier than horses gone overnight in the 174 00:14:49,640 --> 00:14:54,280 Speaker 1: same way Thomas's death marks unlucky thirteen. Oh my god, gosh, 175 00:14:54,400 --> 00:14:58,760 Speaker 1: if you could, Rebecca. Um. Some believe that acknowledging the 176 00:14:58,760 --> 00:15:01,920 Speaker 1: curse at all just continu is the madness so Mom's 177 00:15:01,960 --> 00:15:05,640 Speaker 1: the word on a dozen dead teenagers. There's nothing to 178 00:15:05,680 --> 00:15:08,960 Speaker 1: be done. These boys dropped like flies. No one can 179 00:15:09,000 --> 00:15:12,520 Speaker 1: think of any good reason. Maybe it's nature telling us. 180 00:15:13,480 --> 00:15:17,160 Speaker 1: I don't know what. With Thomas gone, there hasn't been 181 00:15:17,200 --> 00:15:19,360 Speaker 1: one young man to reach his baptism in the past, 182 00:15:20,120 --> 00:15:23,840 Speaker 1: at least since I came to town. Obviously, with LEVI 183 00:15:24,040 --> 00:15:28,640 Speaker 1: were sensitive to it. Silas is alive and wrong the 184 00:15:28,680 --> 00:15:31,480 Speaker 1: one beacon you're saying, Silas is the only boy in 185 00:15:31,480 --> 00:15:33,360 Speaker 1: this town who has lived to see his eighteenth birthday 186 00:15:33,360 --> 00:15:37,320 Speaker 1: in two decades. Call it a curse if we must, though, 187 00:15:37,360 --> 00:15:39,320 Speaker 1: all that black magic talk does is rid us of 188 00:15:39,360 --> 00:15:42,480 Speaker 1: any responsibility to get to the bottom of it, which 189 00:15:42,480 --> 00:16:23,480 Speaker 1: we will because we must. Yeah. Rebecca Raber was played 190 00:16:23,520 --> 00:16:28,760 Speaker 1: by Alice Lovek, Terrence by Blaine Gray, Matthew Raber by 191 00:16:28,880 --> 00:16:34,440 Speaker 1: Jim Hannah, Amity Raber by Carrie Kawa, Silas Shrock by 192 00:16:34,520 --> 00:16:40,200 Speaker 1: Dmitri Todd, Preacher King by Bradley Fisher, Kenny by Devon 193 00:16:40,360 --> 00:16:45,760 Speaker 1: Matthew McKee, Emma Raber by Brady Ryder, Levi Raber by 194 00:16:45,840 --> 00:16:50,960 Speaker 1: Chad Roberts, Mary by a rouned Stores. This episode of 195 00:16:51,000 --> 00:16:55,000 Speaker 1: Solve was written by Shannon Riley, directed by Corey Serge 196 00:16:55,600 --> 00:17:00,240 Speaker 1: Executive produced by Corey Serge Executive produced by walp Omer 197 00:17:00,280 --> 00:17:05,639 Speaker 1: and Sterling Barnett. Casting by Daisy Laura. Audio production and 198 00:17:05,720 --> 00:17:10,880 Speaker 1: post production by Salt Audio Production manager Liz Lamay. Recording 199 00:17:10,920 --> 00:17:15,000 Speaker 1: engineers Hope Brush and John Schmidt. Original music and score 200 00:17:15,080 --> 00:17:20,440 Speaker 1: by Nathan Turchon, Editing and mixed by Zach Jurich, Assistant 201 00:17:20,520 --> 00:17:25,919 Speaker 1: editor Hope Brush. Sound designed by Eric Rachelson. Script supervisor 202 00:17:26,000 --> 00:17:26,760 Speaker 1: Marilyn Miller