1 00:00:00,640 --> 00:00:04,040 Speaker 1: Hello the Internet, and welcome to season three ten, Episode 2 00:00:04,080 --> 00:00:09,000 Speaker 1: five of Dirdly's Guys iHeartRadio. 3 00:00:09,440 --> 00:00:16,160 Speaker 2: Who is that this? Why this this here? 4 00:00:17,400 --> 00:00:18,000 Speaker 3: Whre? 5 00:00:19,400 --> 00:00:19,560 Speaker 4: Oh? 6 00:00:19,680 --> 00:00:21,800 Speaker 1: This this is economy? 7 00:00:22,440 --> 00:00:24,439 Speaker 2: Why this this here? 8 00:00:24,520 --> 00:00:26,080 Speaker 1: Is a podcast where we take a deep back into 9 00:00:26,079 --> 00:00:28,840 Speaker 1: a very sure consciousness. I just got it at a 10 00:00:28,960 --> 00:00:35,160 Speaker 1: second hand store. It's very comfortable. Anyways, It's Friday, October 11 00:00:35,200 --> 00:00:37,720 Speaker 1: twenty seventh, twenty twenty three. 12 00:00:37,760 --> 00:00:40,920 Speaker 2: A banger of days. National Civic Day, shout out to 13 00:00:40,960 --> 00:00:44,240 Speaker 2: everybody who has no idea how the government or anything works. 14 00:00:44,760 --> 00:00:47,520 Speaker 2: National Black Cat Day, shout out to all the owners 15 00:00:47,560 --> 00:00:51,159 Speaker 2: of black cats, myself included, and our very lustrous guesses. Well, 16 00:00:51,640 --> 00:00:54,760 Speaker 2: National Frankenstein Friday. Don't know what that is. It's also 17 00:00:54,880 --> 00:00:58,520 Speaker 2: National bread Stick Day, so you know, holler at your 18 00:00:58,640 --> 00:01:01,240 Speaker 2: stick bread and National American Beer Day. 19 00:01:01,840 --> 00:01:06,080 Speaker 1: Frankenstime Friday, the day that the events depicted in the 20 00:01:06,120 --> 00:01:08,919 Speaker 1: Monster Mash actually like historically took place. 21 00:01:09,040 --> 00:01:13,479 Speaker 2: Maybe canonically, yeah, I don't know, but yeah, it's it's 22 00:01:13,480 --> 00:01:17,160 Speaker 2: always the Friday before or the last Friday in October 23 00:01:17,280 --> 00:01:17,720 Speaker 2: for whatever. 24 00:01:18,680 --> 00:01:21,840 Speaker 3: I had labor questions about the opening of Monster Mash 25 00:01:22,040 --> 00:01:24,839 Speaker 3: this year, where it's like, is he compensated for working 26 00:01:24,840 --> 00:01:27,880 Speaker 3: in the lab late one night, One night is self employed. 27 00:01:28,480 --> 00:01:33,200 Speaker 2: You great. I know that the guy who wrote that 28 00:01:33,360 --> 00:01:35,840 Speaker 2: song he had like a daughter who he tried to 29 00:01:35,880 --> 00:01:38,560 Speaker 2: like launch a NEPO baby pop star career with. And 30 00:01:38,680 --> 00:01:40,960 Speaker 2: it was like it was a music video. My friend 31 00:01:40,959 --> 00:01:43,960 Speaker 2: made the music video and it's heard Henry Wingler and 32 00:01:44,080 --> 00:01:45,520 Speaker 2: it was like all about like there's a bunch of 33 00:01:45,560 --> 00:01:52,480 Speaker 2: horses and anyway, what god, yeah, the sentence there were 34 00:01:52,520 --> 00:01:56,280 Speaker 2: a bunch of horses. There's like the opening scene of 35 00:01:56,320 --> 00:02:00,280 Speaker 2: the video is like the main you know, the lyric sis. 36 00:02:00,400 --> 00:02:02,720 Speaker 2: The singer she's like at a like she's at a 37 00:02:02,720 --> 00:02:05,400 Speaker 2: horse stable and like Henry Winkler Club comes out all 38 00:02:05,440 --> 00:02:09,000 Speaker 2: like perplexed. She's like, honey, we got to get the horses. 39 00:02:09,120 --> 00:02:12,720 Speaker 2: Moonshadow hasn't been fed, and it's like this weird, very 40 00:02:12,800 --> 00:02:15,840 Speaker 2: poor opening, and then like there's a music. 41 00:02:15,760 --> 00:02:18,800 Speaker 1: Video from the like what year was this taking? This 42 00:02:18,880 --> 00:02:22,480 Speaker 1: was like two thousand oh okay, so it was like 43 00:02:22,520 --> 00:02:25,680 Speaker 1: a belated launch. She was like all right, now that 44 00:02:25,840 --> 00:02:28,880 Speaker 1: this song has officially made it, and everybody is like 45 00:02:28,960 --> 00:02:33,600 Speaker 1: wondering what day in history it happened on, for instance, 46 00:02:34,080 --> 00:02:36,120 Speaker 1: maybe maybe we can launch this into something. 47 00:02:36,240 --> 00:02:39,639 Speaker 3: Now does that Are we to believe that it's it's 48 00:02:39,680 --> 00:02:44,640 Speaker 3: possible that Henry Winkler owed Boris Bobby Pickett a favor, 49 00:02:45,800 --> 00:02:48,760 Speaker 3: and if so, what could it happen? 50 00:02:48,800 --> 00:02:50,040 Speaker 2: What went down there? 51 00:02:52,320 --> 00:02:55,960 Speaker 3: Does Boris Bobby Pickett know something about Henry Winkler that 52 00:02:56,000 --> 00:02:58,280 Speaker 3: would lead him to have, like to have to be 53 00:02:58,400 --> 00:03:01,200 Speaker 3: in this because if it's mid two thousd Henry Winkler, 54 00:03:01,280 --> 00:03:03,960 Speaker 3: like he's back. He was the dad in Holes. 55 00:03:04,080 --> 00:03:10,239 Speaker 2: It's like it's like pre arrested development post holes. Yeah. Yeah, yeah, 56 00:03:10,240 --> 00:03:11,880 Speaker 2: it was like it was kind of an in between 57 00:03:12,080 --> 00:03:13,679 Speaker 2: you know, it's a bit of a lean period. I 58 00:03:13,720 --> 00:03:15,440 Speaker 2: think it was right before he like we fully re 59 00:03:15,480 --> 00:03:19,120 Speaker 2: embraced Henry. But anyway, wow, so he was just like yeah, 60 00:03:19,200 --> 00:03:21,600 Speaker 2: hell yeah, fuck it, I'll do it. Yeah, my shadow 61 00:03:21,680 --> 00:03:24,320 Speaker 2: is hungry. Fine, I can, I can, I'll kill that line. 62 00:03:26,600 --> 00:03:31,320 Speaker 1: Anyways, Uh what what a what a story to kick 63 00:03:31,360 --> 00:03:31,800 Speaker 1: us off with. 64 00:03:31,960 --> 00:03:33,920 Speaker 2: I'm telling you, if I find the video, it'll be 65 00:03:33,919 --> 00:03:35,200 Speaker 2: in the footnotes. Trust this. 66 00:03:35,400 --> 00:03:38,360 Speaker 1: Frankenstein Friday? Is that what it is? Frankenstein Friday? 67 00:03:38,440 --> 00:03:39,680 Speaker 2: Yeah? So is it? 68 00:03:39,760 --> 00:03:42,440 Speaker 1: I want it must be the last Friday before October. 69 00:03:42,040 --> 00:03:45,480 Speaker 2: Thir last Friday of October Frank Stein Frank. 70 00:03:44,760 --> 00:03:50,440 Speaker 1: Sean, Well, my name is Jack O'Brien. I forget where 71 00:03:50,440 --> 00:03:52,760 Speaker 1: I am just generally. 72 00:03:52,600 --> 00:03:54,640 Speaker 2: Aka what rice? 73 00:03:55,040 --> 00:03:59,800 Speaker 1: It's built in my pants while I was on the ride, 74 00:03:59,520 --> 00:04:03,200 Speaker 1: not wooter ice. I swear it's not pissed. It's just 75 00:04:03,320 --> 00:04:07,920 Speaker 1: waater ice. That is courtesy of First Blood five two. 76 00:04:08,600 --> 00:04:11,280 Speaker 1: We can't move on from this, can we? Aka writers, 77 00:04:11,360 --> 00:04:14,520 Speaker 1: We're still on the fact that I ghost pissed my 78 00:04:14,640 --> 00:04:16,440 Speaker 1: pants on a child's ride. 79 00:04:16,760 --> 00:04:18,040 Speaker 2: That was very scary. 80 00:04:18,240 --> 00:04:20,800 Speaker 3: I was not brought up to speed on that. 81 00:04:21,120 --> 00:04:23,880 Speaker 1: But oh, you didn't read your daily briefing, you Jamie 82 00:04:23,920 --> 00:04:26,159 Speaker 1: lost this daily briefing presidential daily briefing. 83 00:04:26,880 --> 00:04:29,440 Speaker 3: I don't feel I feel like I know and I 84 00:04:29,600 --> 00:04:32,440 Speaker 3: and if I don't know, how I'm thinking of it 85 00:04:32,160 --> 00:04:32,919 Speaker 3: is better? 86 00:04:33,160 --> 00:04:38,520 Speaker 2: Yeah, yah yeah, and that shorts on. Yeah. On the 87 00:04:39,520 --> 00:04:42,080 Speaker 2: by the way, ghost, it's a good thing. Abba. 88 00:04:42,279 --> 00:04:46,840 Speaker 1: We're not from Philly, I guess because Waterloo does wit 89 00:04:47,839 --> 00:04:52,440 Speaker 1: yeah if it's wood Loo. Anyways, I'm throwing to be 90 00:04:52,520 --> 00:04:55,280 Speaker 1: joined as always by my co host, mister Miles Gras. 91 00:04:56,600 --> 00:05:02,600 Speaker 2: Yes, my name is Miles Gray aka oh kiss me beneath. 92 00:05:02,120 --> 00:05:07,680 Speaker 4: My lace, sick eyesight, teach me to keep my eyelids close, 93 00:05:08,160 --> 00:05:11,719 Speaker 4: leave yours open and look at me, stay and meet 94 00:05:11,800 --> 00:05:17,039 Speaker 4: my wide eyed glance. Eyeballs now touching, so kiss me. 95 00:05:17,320 --> 00:05:21,120 Speaker 4: Shout out to sybodoor Jolly on the discord. Yes, you know, 96 00:05:21,520 --> 00:05:24,919 Speaker 4: Durante was on earlier and was talking about how, you know, 97 00:05:25,360 --> 00:05:28,040 Speaker 4: having some kiss chemistry issues with dates and just say, 98 00:05:28,040 --> 00:05:29,880 Speaker 4: you know what, we probably can't go on any more 99 00:05:29,960 --> 00:05:32,000 Speaker 4: dates because the chemistry is off. And I, you know, 100 00:05:32,040 --> 00:05:34,360 Speaker 4: she's talking about being honest with people, and I had 101 00:05:34,360 --> 00:05:36,119 Speaker 4: to say, shout out to my high school girlfriend and said, 102 00:05:36,200 --> 00:05:38,359 Speaker 4: stop keeping your eyes open when we make out, and 103 00:05:38,400 --> 00:05:40,400 Speaker 4: you need to hire those lessons. So shout out to 104 00:05:40,480 --> 00:05:41,160 Speaker 4: you making that. 105 00:05:41,240 --> 00:05:45,120 Speaker 2: Eye to open. Yeah, yeah, with eyes wide open. 106 00:05:51,480 --> 00:05:54,400 Speaker 1: And I like the added lore from this song that 107 00:05:54,520 --> 00:05:56,640 Speaker 1: you were doing that because you were trying to kiss 108 00:05:56,680 --> 00:05:59,599 Speaker 1: eyeballs with the person. You're trying to touch open the 109 00:05:59,600 --> 00:06:03,799 Speaker 1: eyeball with them, which is very very intimate, painful, painful, 110 00:06:03,839 --> 00:06:04,919 Speaker 1: and not very sexy. 111 00:06:05,040 --> 00:06:07,800 Speaker 3: I found it helpful, like, yeah, they're to have to 112 00:06:07,920 --> 00:06:11,479 Speaker 3: articulate if someone asks you, like like they're the back 113 00:06:11,520 --> 00:06:13,679 Speaker 3: of an eighteen wheeler, how am I doing? 114 00:06:16,480 --> 00:06:16,720 Speaker 2: Yeah? 115 00:06:16,839 --> 00:06:20,200 Speaker 3: And and I and I usually am like great, but 116 00:06:20,240 --> 00:06:23,320 Speaker 3: then every once in a while, I'm like, how are 117 00:06:23,360 --> 00:06:27,360 Speaker 3: they doing? And and the this was in like the 118 00:06:27,480 --> 00:06:30,200 Speaker 3: last year where it was like, I don't know how 119 00:06:30,240 --> 00:06:35,120 Speaker 3: you're getting your tongue to be flat, but that's not necessary. 120 00:06:35,960 --> 00:06:42,200 Speaker 3: Someone making their tongue flat like like it had suddenly experienced, 121 00:06:42,279 --> 00:06:45,560 Speaker 3: you know, like it was like thirty feet you know, subterranean. 122 00:06:45,640 --> 00:06:49,760 Speaker 3: It was just flattened. It was really interesting. Yeah, So 123 00:06:49,760 --> 00:06:53,680 Speaker 3: so I feel I also improved at giving feedback. 124 00:06:54,720 --> 00:06:59,440 Speaker 1: Yeah, and your feedback was just to clarify here, don't 125 00:06:59,520 --> 00:07:02,120 Speaker 1: have such a flat tongue, weird. 126 00:07:02,839 --> 00:07:04,280 Speaker 2: Keep that ship to yourself. Homing. 127 00:07:04,760 --> 00:07:07,080 Speaker 3: First of all, you're being disgusting. 128 00:07:09,279 --> 00:07:13,480 Speaker 1: This whole thing, this whole act is making me sick. 129 00:07:16,320 --> 00:07:16,800 Speaker 2: Miles. 130 00:07:17,600 --> 00:07:20,360 Speaker 1: We're thrilled to be joined in our third seat by 131 00:07:20,520 --> 00:07:23,120 Speaker 1: one of the very faces on Mount Site Moore, one 132 00:07:23,160 --> 00:07:26,040 Speaker 1: of our favorite guests, one of your favorite guests. Emmy 133 00:07:26,080 --> 00:07:31,440 Speaker 1: nominated writer, artist, comedian behind many of the most acclaimed 134 00:07:31,480 --> 00:07:36,280 Speaker 1: podcasts like Ghost Church, Bechtelcast. She is the New York 135 00:07:36,320 --> 00:07:38,960 Speaker 1: Times best selling author of the New York Times best 136 00:07:38,960 --> 00:07:40,240 Speaker 1: selling book Brod Dog. 137 00:07:40,720 --> 00:07:41,480 Speaker 2: He's Welcome. 138 00:07:42,000 --> 00:07:45,600 Speaker 1: The New York Times best selling author Jamie loved. 139 00:07:46,320 --> 00:07:52,400 Speaker 3: Okay, missus Joey chest Nuts yesting on an open fire. 140 00:07:52,720 --> 00:07:59,680 Speaker 3: It's at Santa University. Oh you know who's going to 141 00:07:59,720 --> 00:08:03,960 Speaker 3: be making a little appearance this year in Santa University. 142 00:08:04,440 --> 00:08:08,800 Speaker 3: That's from A Zombie's and Boni thirteen Like, as if 143 00:08:08,840 --> 00:08:11,280 Speaker 3: I could know just what you think it couldn't better? 144 00:08:12,440 --> 00:08:16,720 Speaker 3: What do you think it couldn't get better? That that? Really, 145 00:08:16,800 --> 00:08:18,080 Speaker 3: I'm so happy to be back. 146 00:08:18,400 --> 00:08:21,200 Speaker 2: I'm so happy to have you. It's funny too, like 147 00:08:21,360 --> 00:08:23,720 Speaker 2: there's so many you know, this get this show is 148 00:08:23,760 --> 00:08:26,920 Speaker 2: merely a stepping stone and a place people pass through 149 00:08:27,040 --> 00:08:30,160 Speaker 2: onto greater things, and for many people that become as 150 00:08:30,160 --> 00:08:31,960 Speaker 2: successful as you. A lot of times listeners are like, 151 00:08:32,200 --> 00:08:37,040 Speaker 2: oh shit, it's beef. Jamie hasn't been shown. No, Jamie is. 152 00:08:37,320 --> 00:08:41,599 Speaker 2: Jamie's doing quite well and promoting a New York Times bestseller. 153 00:08:42,280 --> 00:08:44,160 Speaker 2: So yeah, you know, there's there's. 154 00:08:43,960 --> 00:08:47,240 Speaker 3: Other things happening, and I mean not to mention the beef. 155 00:08:47,640 --> 00:08:50,600 Speaker 1: Yeah, well yeah, the beef is ugly and we don't 156 00:08:50,600 --> 00:08:51,959 Speaker 1: talk about it, but the beef is. 157 00:08:52,280 --> 00:08:54,200 Speaker 3: But but we put aside our differences. 158 00:08:54,280 --> 00:08:56,800 Speaker 2: Well absolutely, and you know we begged you, Yeah, we 159 00:08:56,880 --> 00:08:58,920 Speaker 2: begged you to come back because like, help us, we'll 160 00:08:58,960 --> 00:09:02,560 Speaker 2: do anything. You're so mad at us. Congratulations. 161 00:09:02,600 --> 00:09:04,200 Speaker 1: I think this is the first time you've been back 162 00:09:04,240 --> 00:09:06,400 Speaker 1: since becoming a New York Times bestselling author. 163 00:09:06,520 --> 00:09:08,040 Speaker 2: I believe so thank you. 164 00:09:08,000 --> 00:09:09,440 Speaker 3: For saying it so many times. 165 00:09:11,000 --> 00:09:13,400 Speaker 2: It's dope. It's the dopest thing to say about anybody 166 00:09:13,440 --> 00:09:16,360 Speaker 2: that you know, your time's best selling obviously, Jamie Loftus. 167 00:09:17,040 --> 00:09:17,600 Speaker 2: Thanks got. 168 00:09:18,240 --> 00:09:21,640 Speaker 3: Yeah, it's been. It's been. This year's been all over 169 00:09:21,679 --> 00:09:24,000 Speaker 3: the place. That was a high. That was a good one. 170 00:09:24,360 --> 00:09:25,960 Speaker 2: Yeah. Good. 171 00:09:26,840 --> 00:09:30,120 Speaker 1: Yeah. We're very happy for you, proud of you and 172 00:09:30,200 --> 00:09:32,400 Speaker 1: excited to have you back on the daily. Get I 173 00:09:32,520 --> 00:09:34,199 Speaker 1: get to know you a little bit better in a moment. 174 00:09:34,679 --> 00:09:36,280 Speaker 2: First, a couple of. 175 00:09:36,200 --> 00:09:42,920 Speaker 1: The things we're talking about. Five nights, five night at Freddy. 176 00:09:43,559 --> 00:09:44,720 Speaker 2: Have you guys heard about this? 177 00:09:49,480 --> 00:09:52,199 Speaker 1: Is this right? 178 00:09:52,960 --> 00:09:58,559 Speaker 5: They're spending five five night at Freddy's, five knighte Freddy. 179 00:09:58,920 --> 00:10:01,880 Speaker 5: I honestly, I I'm like so stoked for five night 180 00:10:01,920 --> 00:10:03,000 Speaker 5: at Freddy. 181 00:10:02,960 --> 00:10:03,200 Speaker 2: Yeah. 182 00:10:03,760 --> 00:10:06,880 Speaker 3: I got a text to be like flower you know, 183 00:10:07,280 --> 00:10:10,240 Speaker 3: killers of the Flower Moon this weekend, queen, and it's like, well, 184 00:10:11,000 --> 00:10:14,880 Speaker 3: it's more of a five night at Freddy weekend for me. 185 00:10:15,640 --> 00:10:18,400 Speaker 3: Killers the Flower Moon. That's a November project. But I 186 00:10:18,600 --> 00:10:21,040 Speaker 3: have to you know, see is October. I already saw 187 00:10:21,160 --> 00:10:23,600 Speaker 3: Saw X. I gotta see Five Night at Freddy. I 188 00:10:23,600 --> 00:10:25,480 Speaker 3: got to see that fifth night. I'm hanging in for 189 00:10:25,520 --> 00:10:26,160 Speaker 3: the fifth night. 190 00:10:26,480 --> 00:10:28,160 Speaker 2: Right, yeah? Yeah. 191 00:10:28,280 --> 00:10:34,400 Speaker 1: The reviews are in and they are bad. I had 192 00:10:34,440 --> 00:10:38,080 Speaker 1: a friend I have tried not to learn what five 193 00:10:38,200 --> 00:10:41,560 Speaker 1: Nights at Freddy is. Five knight Freddy, five Night Freddy. 194 00:10:41,840 --> 00:10:44,840 Speaker 1: I had a friend be like, it's the latest nightmare 195 00:10:44,840 --> 00:10:51,600 Speaker 1: on ELM Street movie right, even, I know that's not correct. 196 00:10:51,880 --> 00:10:54,719 Speaker 1: But now that you're saying five knife Freddy, I mean, 197 00:10:55,120 --> 00:10:59,559 Speaker 1: who who's guy with five knife on his hand? Five knife? 198 00:10:59,640 --> 00:11:02,760 Speaker 2: Ready? Right? I'm just saying. 199 00:11:04,200 --> 00:11:07,400 Speaker 1: All that plenty more. But first, Jamie, we do like 200 00:11:07,440 --> 00:11:11,240 Speaker 1: to ask our guests, what is something from your search history? 201 00:11:11,880 --> 00:11:15,400 Speaker 3: Okay, so something for my search history is a guy 202 00:11:15,640 --> 00:11:20,440 Speaker 3: I'm just completely enamored with, move Over Joey Chestnut. Monty 203 00:11:20,559 --> 00:11:23,840 Speaker 3: Revolta is who has been on my mind. I have 204 00:11:24,000 --> 00:11:28,320 Speaker 3: either of you heard of Monty Revolta. I was really 205 00:11:28,520 --> 00:11:33,040 Speaker 3: desperately trying to write a last minute Halloween profile of 206 00:11:33,080 --> 00:11:36,320 Speaker 3: Monty Volta, but he tragically does not seem to know 207 00:11:36,400 --> 00:11:37,800 Speaker 3: how He's the internet very well. 208 00:11:38,040 --> 00:11:38,760 Speaker 1: But like I. 209 00:11:39,040 --> 00:11:42,199 Speaker 3: Okay, so I forget if we ever talked about this 210 00:11:42,440 --> 00:11:46,080 Speaker 3: on TDZ. But I worked at ant at the Haunted 211 00:11:46,080 --> 00:11:49,560 Speaker 3: hay Ride last year in Griffith Park. Yea, yeah yeah, 212 00:11:50,080 --> 00:11:54,240 Speaker 3: and it was a very you know, meaningful experience to me. 213 00:11:54,520 --> 00:11:56,080 Speaker 3: I have a lot to say about it today, and 214 00:11:56,120 --> 00:11:58,640 Speaker 3: I went back because the one thing that I didn't 215 00:11:58,679 --> 00:12:00,960 Speaker 3: get to do while I was at the hay Ride, 216 00:12:01,440 --> 00:12:04,560 Speaker 3: as like, in addition to like being treated like a person, 217 00:12:04,920 --> 00:12:08,240 Speaker 3: was I never got to see I never got to 218 00:12:08,240 --> 00:12:12,719 Speaker 3: see the like main stage huge show which is this 219 00:12:13,720 --> 00:12:18,720 Speaker 3: lounge undead lounge singer named Monty Rivolta. Oh wow, he 220 00:12:18,960 --> 00:12:21,720 Speaker 3: is the star of the hay Ride. I never got. 221 00:12:21,760 --> 00:12:24,280 Speaker 3: I never even knew what he looked like until I 222 00:12:24,320 --> 00:12:26,320 Speaker 3: looked him up, because he's kind of I'm not going 223 00:12:26,400 --> 00:12:27,960 Speaker 3: to say he's a diva because I don't know what 224 00:12:28,000 --> 00:12:31,480 Speaker 3: he's like. But he didn't fraternize with the other scare actors. 225 00:12:31,520 --> 00:12:33,880 Speaker 3: He wasn't around Oh Manty's scare actors. 226 00:12:33,880 --> 00:12:36,840 Speaker 1: God him learning so much just ambiently try to. 227 00:12:36,840 --> 00:12:41,559 Speaker 3: Keep up with these industry tonic sides that I'm like, 228 00:12:41,600 --> 00:12:44,320 Speaker 3: they're called scare actors, they're called scared. 229 00:12:44,400 --> 00:12:48,240 Speaker 2: The characters at Universal Halloeen hor nights. 230 00:12:48,320 --> 00:12:51,600 Speaker 3: Yeah, well that's some high rant stuff. We couldn't afford 231 00:12:51,640 --> 00:12:54,559 Speaker 3: that kind of that kind of vocabulary. But yeah, that's 232 00:12:54,600 --> 00:12:58,200 Speaker 3: like every every scare actor would you know, you would 233 00:12:58,320 --> 00:13:01,240 Speaker 3: see Monty's banned and Anty's band would kind of like 234 00:13:02,280 --> 00:13:04,240 Speaker 3: not well, at least one of them was like kind 235 00:13:04,240 --> 00:13:07,520 Speaker 3: of swinging swinging his dick around about his proximity to Monty, 236 00:13:08,240 --> 00:13:11,640 Speaker 3: and there were some really but but I never got 237 00:13:11,640 --> 00:13:13,760 Speaker 3: to meet Monty. I never had to see him perform. 238 00:13:14,200 --> 00:13:16,240 Speaker 3: Then I went back this week because I just had 239 00:13:16,240 --> 00:13:19,040 Speaker 3: to know, you know what changed since last year. It's 240 00:13:19,080 --> 00:13:22,120 Speaker 3: like visiting I never I have no love for my college, 241 00:13:22,160 --> 00:13:25,040 Speaker 3: like I would never return, but I would. I will 242 00:13:25,080 --> 00:13:26,680 Speaker 3: go back to the hair Ride every year as if 243 00:13:26,679 --> 00:13:34,200 Speaker 3: I graduated from Reunion and Monty unbelievable like I was. 244 00:13:34,480 --> 00:13:37,640 Speaker 3: I couldn't stop smiling. My friend took a picture of 245 00:13:37,679 --> 00:13:41,080 Speaker 3: what I looked like looking at Monty and it was like, 246 00:13:41,360 --> 00:13:48,079 Speaker 3: he's so, he's funny, he comes out of a coffin 247 00:13:48,160 --> 00:13:52,000 Speaker 3: in the beginning. Oh why he's got little jokes. He's 248 00:13:52,040 --> 00:13:56,839 Speaker 3: physically huge, He's like nine feet tall, he's every oh 249 00:13:56,920 --> 00:13:59,680 Speaker 3: it was he's he closed the set on. I will 250 00:13:59,679 --> 00:14:04,160 Speaker 3: always love you, and at one point adjusted the lyrics 251 00:14:04,200 --> 00:14:08,440 Speaker 3: to I Will Always love Gohole and I it really 252 00:14:08,559 --> 00:14:11,800 Speaker 3: hit for me. I love Monty Revolta. I love his website. 253 00:14:11,920 --> 00:14:15,679 Speaker 2: His website is so bizar legendary. 254 00:14:15,960 --> 00:14:18,880 Speaker 1: It is good. It is so good. 255 00:14:19,560 --> 00:14:21,640 Speaker 3: Monte Rivolta and his band of the Living Dead. It 256 00:14:21,760 --> 00:14:23,800 Speaker 3: was made in you know, a angel fire. 257 00:14:24,200 --> 00:14:27,000 Speaker 2: Look at his clients. He's working with everybody who's doing 258 00:14:27,000 --> 00:14:28,960 Speaker 2: a freaky fucking thing in the South Lane. 259 00:14:29,360 --> 00:14:31,600 Speaker 3: Oh he doesn't give a ship. I mean well, he 260 00:14:31,760 --> 00:14:35,080 Speaker 3: and he also the Herson Reptile Show. You know, Monty 261 00:14:35,160 --> 00:14:37,680 Speaker 3: Rivolta in his Undead band are going to be there. 262 00:14:38,120 --> 00:14:38,760 Speaker 3: I am like the. 263 00:14:40,240 --> 00:14:41,680 Speaker 1: Winchester Mystery House. 264 00:14:41,720 --> 00:14:45,520 Speaker 2: Oh yeah, I. 265 00:14:45,440 --> 00:14:52,120 Speaker 3: Love the kid CBGB's for like Haunted novelty bands. He 266 00:14:52,160 --> 00:14:54,360 Speaker 3: played the Winch I just like, I think he's so 267 00:14:54,720 --> 00:14:57,480 Speaker 3: cool and I I kind of love that he is 268 00:14:57,520 --> 00:15:00,400 Speaker 3: sharing his beautiful art. I cannot figure out what his 269 00:15:00,440 --> 00:15:02,920 Speaker 3: government name is, to save my fucking life. 270 00:15:02,960 --> 00:15:08,000 Speaker 1: I just love what I'm seeing that somebody. Blake Johnson 271 00:15:08,200 --> 00:15:13,840 Speaker 1: played Monte Ravolta in Monte Ravolta Acting Dead twenty sixteen. 272 00:15:14,320 --> 00:15:18,120 Speaker 3: I've seen, yeah, I've seen Blake Johnson, and I you know, 273 00:15:18,160 --> 00:15:20,440 Speaker 3: it could be true. I just it doesn't fit his 274 00:15:20,560 --> 00:15:26,200 Speaker 3: vibe whatsoever. Interesting this nine foot man singing I will 275 00:15:26,200 --> 00:15:28,320 Speaker 3: always love Gohole. I'm like, that can't be a guy 276 00:15:28,400 --> 00:15:29,320 Speaker 3: named Blake Johnson. 277 00:15:29,600 --> 00:15:30,320 Speaker 1: I'd lose it. 278 00:15:30,880 --> 00:15:32,960 Speaker 3: I don't understand. I don't know. I've been trying to 279 00:15:33,000 --> 00:15:35,880 Speaker 3: I've been trying to figure him out. I was like, 280 00:15:35,920 --> 00:15:38,440 Speaker 3: maybe I could shadow him for a night, but he 281 00:15:39,280 --> 00:15:42,680 Speaker 3: just crickets crickets, wants nothing to do with me and. 282 00:15:42,800 --> 00:15:48,760 Speaker 1: Lay Deadson maybe, but Blake Johnson come on exactly exactly. 283 00:15:49,080 --> 00:15:52,480 Speaker 3: I wonder if he's changed, because I wonder how much 284 00:15:52,480 --> 00:15:55,640 Speaker 3: crossover there is between this and like hot dog eating 285 00:15:55,800 --> 00:15:58,360 Speaker 3: specific because there's a guy who I'm I would now 286 00:15:58,400 --> 00:16:02,080 Speaker 3: consider not a friend but like a heightened acquaintance. This 287 00:16:02,160 --> 00:16:06,240 Speaker 3: guy Crazy Legs Kanti who that is like now his 288 00:16:06,320 --> 00:16:09,120 Speaker 3: government name he had it changed, and like maybe Monty 289 00:16:09,200 --> 00:16:12,400 Speaker 3: Revolta just was like, this is my life. I'm making 290 00:16:12,400 --> 00:16:19,960 Speaker 3: this and dreadlocks. Crazy crazy Legs most certainly. 291 00:16:19,600 --> 00:16:22,800 Speaker 2: Does love those dreadlocks. 292 00:16:22,840 --> 00:16:27,040 Speaker 3: Also like a really like really really tall, uh physically 293 00:16:27,080 --> 00:16:30,040 Speaker 3: imposing person has a huge Marx Brothers collection. 294 00:16:30,640 --> 00:16:35,000 Speaker 1: Interesting guy, I feel like you have a type really 295 00:16:35,040 --> 00:16:38,400 Speaker 1: tall not a real human. 296 00:16:38,760 --> 00:16:41,080 Speaker 3: In reality men who are tini and hate me. 297 00:16:41,280 --> 00:16:43,720 Speaker 2: This guy went to Johns Hopkins Jamie. 298 00:16:43,920 --> 00:16:48,440 Speaker 3: Yeah, yeah, like super smart, got like lived in l 299 00:16:48,480 --> 00:16:51,880 Speaker 3: A for a while, like really really a fascinating man. 300 00:16:52,000 --> 00:16:55,480 Speaker 3: I went to the after party, the like hot dog 301 00:16:55,520 --> 00:16:58,880 Speaker 3: eating after party, and and like was chatting with him 302 00:16:58,920 --> 00:17:03,120 Speaker 3: for a while, and I was like, how people are amazing. 303 00:17:03,200 --> 00:17:07,840 Speaker 3: I have hope for humanity because you know this is possible. 304 00:17:08,240 --> 00:17:12,280 Speaker 2: Yeah, you could look like an Adam Durwitz like impersonator, 305 00:17:12,640 --> 00:17:15,480 Speaker 2: wear a fedora, and just crush the competitive eating scene. 306 00:17:16,000 --> 00:17:19,840 Speaker 3: Unbelievable. He spoke at my New York book release show 307 00:17:20,359 --> 00:17:22,800 Speaker 3: and was telling this story that I was like, what 308 00:17:22,840 --> 00:17:25,359 Speaker 3: are you talking about. You're sharing everybody. 309 00:17:25,200 --> 00:17:29,159 Speaker 1: Like like your like new friend that gets invited. 310 00:17:28,760 --> 00:17:32,560 Speaker 2: To the wedding, like. 311 00:17:34,200 --> 00:17:37,480 Speaker 3: Milletant feminist. But he was like telling a story about 312 00:17:37,520 --> 00:17:39,679 Speaker 3: and like he you know, he was really cool. But 313 00:17:39,720 --> 00:17:41,600 Speaker 3: he was like, yeah, I was getting ready for this 314 00:17:41,720 --> 00:17:44,520 Speaker 3: mayonnaise eating contest and I was doing it at this 315 00:17:44,560 --> 00:17:46,520 Speaker 3: girl's house. Because you don't want to be eating mayonnaise 316 00:17:46,560 --> 00:17:48,479 Speaker 3: at your house, like, but you do want to be 317 00:17:48,840 --> 00:17:53,560 Speaker 3: eating it at a girl's house. He's like me, legs, right, 318 00:17:53,640 --> 00:17:55,439 Speaker 3: So I was like, why would you eat it at 319 00:17:55,440 --> 00:17:57,800 Speaker 3: your girlfriend's house? He's like, well, she wasn't my girlfriend. 320 00:17:58,200 --> 00:18:02,760 Speaker 1: It was casual, Like whoa, I don't put you know, 321 00:18:02,800 --> 00:18:04,480 Speaker 1: crazy legs doesn't put labels on things. 322 00:18:04,680 --> 00:18:09,360 Speaker 2: That's called it's a mayon a'se side piece. That dip over. 323 00:18:12,560 --> 00:18:13,480 Speaker 3: Life is beautiful. 324 00:18:15,000 --> 00:18:18,560 Speaker 1: I love So I've been ever since he said Monty Revolta, 325 00:18:18,600 --> 00:18:21,600 Speaker 1: I've been trying to figure out what that is. It 326 00:18:21,760 --> 00:18:25,159 Speaker 1: like that, So he's a lounge act, like a lounge 327 00:18:25,200 --> 00:18:31,480 Speaker 1: singer who is like themed Halloween themed? I am I stupid? 328 00:18:31,800 --> 00:18:33,640 Speaker 1: Is there an obvious reference there? 329 00:18:34,640 --> 00:18:34,720 Speaker 2: Like? 330 00:18:34,880 --> 00:18:38,000 Speaker 1: Is Monty Revolta referencing something? 331 00:18:38,640 --> 00:18:42,439 Speaker 3: Not that I can tell? I forget, Like I I 332 00:18:42,480 --> 00:18:45,760 Speaker 3: went with somebody and he had like all these ideas, 333 00:18:45,760 --> 00:18:47,520 Speaker 3: he had all these pitches for what it could be 334 00:18:47,560 --> 00:18:51,480 Speaker 3: a reference to. He was like, is it Mars Volta? 335 00:18:51,760 --> 00:18:53,960 Speaker 3: Like that would be weird. 336 00:18:57,880 --> 00:19:00,680 Speaker 1: A Mars Vulta from the early two thousand. 337 00:19:01,119 --> 00:19:03,600 Speaker 3: That would be a very Blake Johnson to do that 338 00:19:03,720 --> 00:19:07,359 Speaker 3: sounds like a Blake Johnson. That it was a huge 339 00:19:07,400 --> 00:19:09,679 Speaker 3: Mars Valta. Guy, I can't figure out what it is. 340 00:19:09,720 --> 00:19:09,960 Speaker 1: I can't. 341 00:19:10,000 --> 00:19:12,959 Speaker 3: I also can't really tell how long he's been doing it. 342 00:19:13,000 --> 00:19:16,560 Speaker 3: But I do know that he plays weddings, and that 343 00:19:16,920 --> 00:19:20,440 Speaker 3: is really lighting a fire under my ass to considered 344 00:19:20,480 --> 00:19:23,919 Speaker 3: that to get married before he gets too huge. And 345 00:19:24,000 --> 00:19:26,880 Speaker 3: I can't, you know, get him for weddings anymore. 346 00:19:26,720 --> 00:19:29,639 Speaker 1: Because the Band of the Living Dead would suggest that 347 00:19:29,760 --> 00:19:33,840 Speaker 1: his wordplay is fairly straightforward. But Monty Revolta, I don't know. 348 00:19:34,440 --> 00:19:36,000 Speaker 2: Travolta is the closest thing I get. 349 00:19:36,160 --> 00:19:42,399 Speaker 1: Yeah, I'm waking, but like Monty Travolta, manty, like Johnny Travolta, 350 00:19:42,480 --> 00:19:45,120 Speaker 1: Monty Ravolta, who. 351 00:19:45,000 --> 00:19:48,119 Speaker 3: I'll ask him if he ever answers my fucking email. 352 00:19:48,640 --> 00:19:50,800 Speaker 3: You know, I'm going to hear from him on November fifth, 353 00:19:50,920 --> 00:19:53,159 Speaker 3: Like it is like talking to it does remind me 354 00:19:53,160 --> 00:19:58,000 Speaker 3: of like, you know, come July twelfth, Joey chest Night, 355 00:19:58,280 --> 00:20:01,600 Speaker 3: everyone is you know, temper, He's left everyone's mind temporarily 356 00:20:01,640 --> 00:20:03,760 Speaker 3: and then you can get him on the horn, right, 357 00:20:03,880 --> 00:20:09,280 Speaker 3: but you know, June, forget it. July fourth, don't even try. 358 00:20:09,280 --> 00:20:11,280 Speaker 1: Like trying to get get on the phone with my 359 00:20:11,359 --> 00:20:17,440 Speaker 1: accountant during CAx season Swish, thank you from way Downtown. 360 00:20:17,920 --> 00:20:20,080 Speaker 1: Let's take a quick break and we'll come back and 361 00:20:20,200 --> 00:20:33,840 Speaker 1: keep talking to Jamie Loftus we'll be right back, and 362 00:20:34,040 --> 00:20:38,920 Speaker 1: we're back, and Jamie is back on the show, and 363 00:20:39,400 --> 00:20:41,879 Speaker 1: we are about to ask you, what is something do 364 00:20:41,920 --> 00:20:43,040 Speaker 1: you think is overrated? 365 00:20:43,520 --> 00:20:47,240 Speaker 3: So this it does kind of dovetail with the Haunted 366 00:20:47,280 --> 00:20:54,120 Speaker 3: hay Ride discussion hyper specific conglomerates, because no one I 367 00:20:54,200 --> 00:20:56,480 Speaker 3: know worked at the Haunted hay Ride this year. Because 368 00:20:56,520 --> 00:21:00,119 Speaker 3: of this, like there is a Haunted hay Ride and 369 00:21:00,160 --> 00:21:05,639 Speaker 3: Haunted attraction specific conglomerate which acquired the Los Angeles Haunted 370 00:21:05,680 --> 00:21:08,679 Speaker 3: Haride and like kind of I don't know, not to 371 00:21:08,920 --> 00:21:12,680 Speaker 3: sound like gen X about it, but like they sold 372 00:21:12,720 --> 00:21:16,639 Speaker 3: out and now it's fucking corporate. It's sponsored by Hulu. 373 00:21:17,080 --> 00:21:19,480 Speaker 3: There's all this shit there, you know. And so yeah, 374 00:21:19,520 --> 00:21:22,159 Speaker 3: this company Thirteenth Floor, which is a great you know, 375 00:21:22,160 --> 00:21:24,560 Speaker 3: if you're gonna acquire a bunch of Haunted hayrides, you'd 376 00:21:24,560 --> 00:21:28,439 Speaker 3: better be called thirteenth Floor. Yeah, but they they, like 377 00:21:28,600 --> 00:21:31,760 Speaker 3: as far as I could tell, lowered the wages of employees, 378 00:21:32,119 --> 00:21:35,280 Speaker 3: acquired all these things, sold a bunch of sponsorships to Hulu, 379 00:21:35,440 --> 00:21:37,600 Speaker 3: jacked up the prices so it cost fifty bucks to 380 00:21:37,640 --> 00:21:40,200 Speaker 3: go on a hay ride, you know, And and and 381 00:21:40,960 --> 00:21:44,159 Speaker 3: we can only hope they're compensating Monty Rivolta and his 382 00:21:44,359 --> 00:21:48,159 Speaker 3: Band of the Living Dead fairly, but I just I 383 00:21:48,240 --> 00:21:51,159 Speaker 3: take real, real issue. I feel like they're you know, 384 00:21:52,040 --> 00:21:53,800 Speaker 3: if there was still if it was still a mom 385 00:21:53,840 --> 00:21:58,040 Speaker 3: and pop population operation, it would still be equally unsafe. 386 00:21:58,119 --> 00:22:01,520 Speaker 3: You would be taking your life in your hands by attending, 387 00:22:02,119 --> 00:22:07,080 Speaker 3: but you know it would cost twenty dollars and be fun. Well, 388 00:22:07,600 --> 00:22:10,119 Speaker 3: not that it wasn't fun. It was very fun, but 389 00:22:10,200 --> 00:22:14,560 Speaker 3: it does. It's unsettling to go to a local haunted 390 00:22:14,600 --> 00:22:16,639 Speaker 3: hay Ride and feel that it has gone corporate. 391 00:22:16,960 --> 00:22:20,639 Speaker 2: Yeah, true, especially like the wonn of Griffith Park, like 392 00:22:20,680 --> 00:22:23,800 Speaker 2: it had like this you know, homeliness to it. But 393 00:22:23,880 --> 00:22:29,080 Speaker 2: I guess now by thirteenth Floor Entertainment Group. I mean 394 00:22:29,080 --> 00:22:30,760 Speaker 2: it was like, are they owned by a venture capital? 395 00:22:31,760 --> 00:22:32,040 Speaker 1: Correct? 396 00:22:32,119 --> 00:22:34,720 Speaker 3: Right, Like it has to be someone sucking the fun 397 00:22:36,359 --> 00:22:39,200 Speaker 3: out of everything. It was still great, but I was here. 398 00:22:39,240 --> 00:22:42,320 Speaker 3: I was in a hay Ride alumni text group, and 399 00:22:42,400 --> 00:22:44,800 Speaker 3: most people who went back, they were like, I got 400 00:22:44,840 --> 00:22:50,520 Speaker 3: put in. It's there. It sounds ridiculous to read the text, 401 00:22:50,560 --> 00:22:52,520 Speaker 3: but it's like, you know, someone I worked with last 402 00:22:52,600 --> 00:22:55,919 Speaker 3: year was like, well I quit today. They put me 403 00:22:55,960 --> 00:22:58,280 Speaker 3: in skeletons, and I was told I could do a stunt, 404 00:22:58,600 --> 00:23:00,639 Speaker 3: but then I couldn't do a stunt, so I walked 405 00:23:00,680 --> 00:23:02,920 Speaker 3: out on all the skeletons and I was like, good 406 00:23:03,440 --> 00:23:03,760 Speaker 3: for you. 407 00:23:04,160 --> 00:23:06,399 Speaker 1: Yeah, I feel like this could just be the entire 408 00:23:06,680 --> 00:23:09,160 Speaker 1: episode is talking to you about your experience with these 409 00:23:09,200 --> 00:23:12,800 Speaker 1: haunted houses, like that the local haunted house market has 410 00:23:12,800 --> 00:23:16,400 Speaker 1: come up a little bit as like we've been talking about. 411 00:23:16,400 --> 00:23:19,040 Speaker 2: Like buying the haunted house Instagram. Yeah, we've been talking 412 00:23:19,040 --> 00:23:20,920 Speaker 2: about the market, like. 413 00:23:21,040 --> 00:23:23,760 Speaker 3: Pete Davidson and Colin Jo's buying a boat, you guys 414 00:23:23,760 --> 00:23:25,400 Speaker 3: buying a haunted house together. 415 00:23:27,240 --> 00:23:33,240 Speaker 1: So just like that level of like the Instagram activation 416 00:23:33,440 --> 00:23:36,480 Speaker 1: things like I took my kids to like Bubble World, 417 00:23:36,600 --> 00:23:38,119 Speaker 1: I think it was called, and it was just like 418 00:23:38,160 --> 00:23:40,760 Speaker 1: a bunch of balloons, but it's like a whole thing 419 00:23:41,320 --> 00:23:45,919 Speaker 1: designed around Instagram that seems to be like from about 420 00:23:45,960 --> 00:23:50,600 Speaker 1: the same level of like employee and thought put into 421 00:23:50,680 --> 00:23:53,760 Speaker 1: it as a haunted house, but just like not around Halloween, 422 00:23:54,000 --> 00:23:57,239 Speaker 1: and like they just fill in an old ralphs and 423 00:23:57,280 --> 00:24:01,359 Speaker 1: stuff like I'm just curious what it was like in 424 00:24:01,400 --> 00:24:04,240 Speaker 1: the guts of the haunted house industry. 425 00:24:04,840 --> 00:24:08,000 Speaker 3: It seems like, I mean based on how my boss 426 00:24:08,320 --> 00:24:15,040 Speaker 3: last year behaved. He was he had he had he 427 00:24:15,119 --> 00:24:18,399 Speaker 3: had just about fucking had it with this with this corporation, 428 00:24:19,920 --> 00:24:22,720 Speaker 3: and and would start to say there the last night 429 00:24:22,760 --> 00:24:26,080 Speaker 3: on Halloween night twenty twenty two, uh, he was dressed 430 00:24:26,119 --> 00:24:34,439 Speaker 3: as legless. From most most nights he would wear you know, 431 00:24:34,520 --> 00:24:36,600 Speaker 3: like a black shirt and black pants because he was 432 00:24:36,640 --> 00:24:39,440 Speaker 3: at work and he wasn't he wasn't a scaracter. He 433 00:24:39,520 --> 00:24:42,280 Speaker 3: was like the actor coordinator, but the but he was 434 00:24:42,320 --> 00:24:45,399 Speaker 3: growing increased because and he had been in the haunt 435 00:24:45,480 --> 00:24:48,560 Speaker 3: business for years. He would come around and like he 436 00:24:48,640 --> 00:24:50,280 Speaker 3: was a super nice guy. He'd come around and like 437 00:24:50,520 --> 00:24:53,040 Speaker 3: show you pictures of like him and his husband working 438 00:24:53,119 --> 00:24:54,960 Speaker 3: haunts in the mid two thousands, and then he's like, 439 00:24:54,960 --> 00:24:57,199 Speaker 3: then i got the leg injury and now you know, 440 00:24:57,440 --> 00:25:00,280 Speaker 3: I'm happy to be working in a curatorial rolelah blah 441 00:25:00,280 --> 00:25:03,920 Speaker 3: blah blah blah, and like super super cool guy. 442 00:25:04,119 --> 00:25:06,639 Speaker 1: Love that level of professionalism and like dedication. 443 00:25:06,920 --> 00:25:07,359 Speaker 2: That's great. 444 00:25:07,440 --> 00:25:08,480 Speaker 1: Yeah, he was great. 445 00:25:08,520 --> 00:25:11,160 Speaker 3: And he ended up quitting and not coming back because 446 00:25:11,280 --> 00:25:14,159 Speaker 3: he was being you know, micromanaged and like told that 447 00:25:14,200 --> 00:25:16,200 Speaker 3: he was being too easy on actors. He was giving 448 00:25:16,240 --> 00:25:18,880 Speaker 3: us too many breaks and like just he was being 449 00:25:19,000 --> 00:25:21,560 Speaker 3: nice to us, and so by the end he like 450 00:25:21,640 --> 00:25:24,800 Speaker 3: made a whole speech to everyone on Halloween night dressed 451 00:25:24,800 --> 00:25:28,919 Speaker 3: as legless. Not related to the speech, but certainly enhanced it. 452 00:25:29,040 --> 00:25:29,240 Speaker 1: You know. 453 00:25:29,320 --> 00:25:33,960 Speaker 3: He was like, I am leaving this business. This season 454 00:25:34,359 --> 00:25:38,200 Speaker 3: has broken me, and I am like and like he 455 00:25:38,480 --> 00:25:41,680 Speaker 3: just he was done. They had gone corporate. He had 456 00:25:41,720 --> 00:25:44,960 Speaker 3: had it and uh and there were so many injuries 457 00:25:45,200 --> 00:25:47,879 Speaker 3: that like we weren't allowed to talk about. It was 458 00:25:47,920 --> 00:25:50,800 Speaker 3: really I and then he said he was like, my 459 00:25:50,960 --> 00:25:54,159 Speaker 3: husband and I may move to Europe. I was like, 460 00:25:54,400 --> 00:25:57,520 Speaker 3: wasn't that bad? Or was that like an unrelated plan. 461 00:25:57,800 --> 00:25:58,320 Speaker 3: I don't know. 462 00:25:59,320 --> 00:26:03,800 Speaker 1: He gave Eisenhower speech about the military industrial complex, like 463 00:26:03,840 --> 00:26:06,919 Speaker 1: on the way out, he was like, this whole industry 464 00:26:07,240 --> 00:26:08,360 Speaker 1: is fucked. 465 00:26:09,480 --> 00:26:15,119 Speaker 2: Rotten, and you're wondering why I'm dressed because gon door 466 00:26:15,320 --> 00:26:18,240 Speaker 2: has no king like what stuff. 467 00:26:19,200 --> 00:26:22,200 Speaker 1: But it does also sound because another kind of related 468 00:26:22,320 --> 00:26:26,040 Speaker 1: at that level, like world that I find super interesting 469 00:26:26,240 --> 00:26:28,920 Speaker 1: in addition to haunted houses, is like ren Fair, right, 470 00:26:29,040 --> 00:26:32,040 Speaker 1: Like I feel like ren Fair. Like ren Fair, people 471 00:26:33,119 --> 00:26:38,120 Speaker 1: might just as well like segue right into Haunted Hayaride 472 00:26:38,280 --> 00:26:39,600 Speaker 1: acting totally, but I. 473 00:26:39,520 --> 00:26:41,920 Speaker 2: Feel like the Renfair is a little more debauched, though 474 00:26:42,000 --> 00:26:42,480 Speaker 2: behind the. 475 00:26:42,440 --> 00:26:47,119 Speaker 3: Scenes it is certainly horn horny air. Like I went 476 00:26:47,160 --> 00:26:48,840 Speaker 3: to my first Renfair this year, so I can't I 477 00:26:48,840 --> 00:26:51,280 Speaker 3: can't speak to the culture. Yeah, like I can't, but 478 00:26:51,520 --> 00:26:53,639 Speaker 3: it seems like there's got to be a similar Like 479 00:26:53,640 --> 00:26:57,480 Speaker 3: there's a real theater kid showing a barn energy to 480 00:26:58,200 --> 00:27:00,679 Speaker 3: the hay Ride, which I feel like the company, like 481 00:27:00,720 --> 00:27:04,640 Speaker 3: the corporate interlopers, kind of take advantage of because it's like, oh, 482 00:27:04,840 --> 00:27:06,760 Speaker 3: if these people get injured, they're not going to say 483 00:27:06,760 --> 00:27:09,520 Speaker 3: anything because it feels like we're doing community theater and 484 00:27:09,560 --> 00:27:11,439 Speaker 3: we have to all finish it together. And I'm like, no, 485 00:27:11,560 --> 00:27:14,720 Speaker 3: we should sue these likely your capital. 486 00:27:15,160 --> 00:27:17,520 Speaker 2: You didn't you get like a promotion last year. I 487 00:27:17,560 --> 00:27:19,880 Speaker 2: remember I was following your tweets because someone like busted 488 00:27:19,920 --> 00:27:22,360 Speaker 2: their knee or some ship like a right, Jamie, you're 489 00:27:22,400 --> 00:27:23,480 Speaker 2: the fucking star tonight. 490 00:27:23,680 --> 00:27:26,399 Speaker 1: Oh that's busted their head and we are using the 491 00:27:26,480 --> 00:27:29,480 Speaker 1: passive voice into what happened to their head. And just 492 00:27:29,680 --> 00:27:33,320 Speaker 1: for legal reasons, there's nothing that Jamie had nothing to 493 00:27:33,359 --> 00:27:36,560 Speaker 1: do with it was not working to work her way up. 494 00:27:36,960 --> 00:27:39,800 Speaker 3: I certainly what if I yeah, what if I was 495 00:27:39,920 --> 00:27:41,200 Speaker 3: doing it all about. 496 00:27:40,880 --> 00:27:44,960 Speaker 1: Eve just saying you are a huge Tanya fan. 497 00:27:45,960 --> 00:27:47,440 Speaker 2: Right, Yeah. 498 00:27:47,520 --> 00:27:50,520 Speaker 3: No, I was murderers. I was cast as murderners too, 499 00:27:51,119 --> 00:27:53,800 Speaker 3: wow r Yeah. And I was like, you know, I 500 00:27:53,840 --> 00:27:56,760 Speaker 3: was like a substitute, and I was intended to play 501 00:27:56,800 --> 00:27:59,480 Speaker 3: a different part every single night because there were so 502 00:27:59,520 --> 00:28:02,320 Speaker 3: many injury Yeah, and there were so many injuries, and 503 00:28:02,440 --> 00:28:05,320 Speaker 3: like COVID was going around that there was always going 504 00:28:05,400 --> 00:28:07,600 Speaker 3: to be like I was looking forward to being like 505 00:28:07,880 --> 00:28:10,520 Speaker 3: and now I'm a spider and now I'm a chainsaw clown. 506 00:28:10,640 --> 00:28:11,720 Speaker 1: But I only ever got to be. 507 00:28:11,680 --> 00:28:14,880 Speaker 3: The murder nurse because the first night, yeah, the other 508 00:28:14,960 --> 00:28:17,399 Speaker 3: murderers like fell off of a platform and hit her 509 00:28:17,440 --> 00:28:19,919 Speaker 3: head and was taken away in an ambulance and she 510 00:28:20,080 --> 00:28:21,160 Speaker 3: still came back. 511 00:28:21,400 --> 00:28:21,639 Speaker 1: I was. 512 00:28:22,320 --> 00:28:24,280 Speaker 3: I was like, dude, you have you have to like 513 00:28:24,680 --> 00:28:25,800 Speaker 3: I don't know, I was trying to be as like 514 00:28:25,840 --> 00:28:28,320 Speaker 3: undercover as I could be, but like you should sue 515 00:28:28,359 --> 00:28:30,440 Speaker 3: these guys. And she was like, no, you know, I 516 00:28:30,480 --> 00:28:33,560 Speaker 3: got to finish out this season strong. We're a family here. 517 00:28:33,520 --> 00:28:37,760 Speaker 1: And I was like, oh no, they're family, You're not 518 00:28:37,800 --> 00:28:39,840 Speaker 1: family to the Yeah. 519 00:28:40,080 --> 00:28:42,360 Speaker 3: So yeah, I was I was the only I was 520 00:28:42,400 --> 00:28:44,680 Speaker 3: the sole murder nurse. I went through I went on 521 00:28:44,720 --> 00:28:47,880 Speaker 3: the the murder Nurse no longer a part that is 522 00:28:47,880 --> 00:28:49,320 Speaker 3: played within the hay Ride. 523 00:28:50,040 --> 00:28:55,080 Speaker 1: It was retired there to hire your number. Not going 524 00:28:55,160 --> 00:28:56,120 Speaker 1: to get better than this. 525 00:28:57,840 --> 00:28:59,120 Speaker 2: Yeah, that's such a like. 526 00:28:59,040 --> 00:29:02,040 Speaker 1: That that it feels like one of the things where 527 00:29:02,080 --> 00:29:05,719 Speaker 1: the entire charm is that it is like slapped together 528 00:29:05,840 --> 00:29:09,520 Speaker 1: by unprofessional people, and for it to be taken over 529 00:29:09,600 --> 00:29:11,080 Speaker 1: by like private equity, it's. 530 00:29:11,440 --> 00:29:14,680 Speaker 2: A real bummer, Like this is fun. You can do 531 00:29:14,720 --> 00:29:16,720 Speaker 2: this for half the price and get twice the people 532 00:29:16,760 --> 00:29:20,160 Speaker 2: in Like when private equity takes over the whole Carney circuit, 533 00:29:20,200 --> 00:29:21,920 Speaker 2: I feel like that's when we're really fucked. 534 00:29:22,840 --> 00:29:26,080 Speaker 3: There's a blog that I would read in high school 535 00:29:26,120 --> 00:29:29,000 Speaker 3: and still read now in every post called Diary of 536 00:29:29,040 --> 00:29:32,720 Speaker 3: a carnyt blogspot dot com. And he shares very similar 537 00:29:32,800 --> 00:29:35,120 Speaker 3: views to you on that point where he's just like, 538 00:29:35,320 --> 00:29:36,880 Speaker 3: we used to be a proper country. 539 00:29:38,520 --> 00:29:38,760 Speaker 2: Thank you. 540 00:29:39,280 --> 00:29:41,080 Speaker 1: I'm glad you're ascribing these views to me. 541 00:29:44,160 --> 00:29:46,160 Speaker 2: Hit many. 542 00:29:49,920 --> 00:29:51,720 Speaker 3: It is a bummer, I mean. And that's not to 543 00:29:51,800 --> 00:29:53,760 Speaker 3: advocate for the old way of doing things, because it 544 00:29:53,760 --> 00:29:56,400 Speaker 3: really did seem to you know, like because at the 545 00:29:56,560 --> 00:29:57,920 Speaker 3: at the hay Ride, it was like a lot of 546 00:29:58,040 --> 00:30:00,760 Speaker 3: you know, guys in their forties and teen age girls, 547 00:30:01,440 --> 00:30:03,400 Speaker 3: which would play out the way you would imagine, and 548 00:30:03,480 --> 00:30:05,280 Speaker 3: it really grows. So it was good that we had, 549 00:30:05,320 --> 00:30:09,640 Speaker 3: you know, a good supervisor old legalists to to. You know, 550 00:30:09,760 --> 00:30:14,040 Speaker 3: he would regularly just move the forty year old guys elsewhere, 551 00:30:14,400 --> 00:30:16,200 Speaker 3: like you'd be like, oh, there's we've got an issue 552 00:30:16,200 --> 00:30:18,160 Speaker 3: with a werewolf. We're gonna move him to the maze. 553 00:30:18,280 --> 00:30:24,560 Speaker 3: Like strategic, very strategic, I know, playing to type disgusting. 554 00:30:25,160 --> 00:30:27,280 Speaker 1: What's what's something you think is underrated? 555 00:30:27,360 --> 00:30:33,000 Speaker 3: Jamie, Oh, women's hockey. This is something that's been on 556 00:30:33,040 --> 00:30:34,800 Speaker 3: my mind recently. I know, I was excited to tell 557 00:30:34,840 --> 00:30:38,840 Speaker 3: you about Miles, So I I have been thinking about 558 00:30:38,920 --> 00:30:42,200 Speaker 3: I was with my dad over the summer and he's 559 00:30:42,240 --> 00:30:46,960 Speaker 3: a hockey writer and he was on the Bechdel Cast 560 00:30:47,000 --> 00:30:49,640 Speaker 3: after asking for years because every couple like a once 561 00:30:49,680 --> 00:30:54,080 Speaker 3: a year, he'd be like sort of throwing his hat 562 00:30:54,120 --> 00:30:56,960 Speaker 3: in the ring as a potential guest on the show. 563 00:30:57,640 --> 00:31:01,320 Speaker 3: And then he's like like he just like you know, 564 00:31:01,480 --> 00:31:04,520 Speaker 3: jam slap Shot was written by a woman. 565 00:31:04,960 --> 00:31:06,920 Speaker 1: Did you know that? Did you know that? 566 00:31:07,280 --> 00:31:08,440 Speaker 3: And there's a woman in. 567 00:31:08,440 --> 00:31:14,200 Speaker 1: The movie as well. And those brothers they have long hair, 568 00:31:15,480 --> 00:31:16,480 Speaker 1: so you. 569 00:31:16,440 --> 00:31:18,880 Speaker 3: Could say they're challenging the binary a little bit, those 570 00:31:18,920 --> 00:31:25,840 Speaker 3: Hampson and so this year, finally I was like, Caitlin, 571 00:31:25,920 --> 00:31:29,040 Speaker 3: my dad, he won't stop until we cover, until we 572 00:31:29,160 --> 00:31:32,120 Speaker 3: cover slap shot. It would improve my day to day 573 00:31:32,160 --> 00:31:35,560 Speaker 3: life if we just let him cover slap shot. And 574 00:31:36,160 --> 00:31:38,560 Speaker 3: I thought he did. You know, it was great. Slap 575 00:31:38,600 --> 00:31:42,240 Speaker 3: shot does not hold up particularly well, is in fact 576 00:31:42,280 --> 00:31:44,840 Speaker 3: written by a woman. But we were talking about on 577 00:31:44,880 --> 00:31:49,320 Speaker 3: the show how there's like no movies at least about 578 00:31:49,440 --> 00:31:52,600 Speaker 3: women's hockey, or at least popular movies about women's hockey, 579 00:31:53,040 --> 00:31:54,720 Speaker 3: And so I was thinking a lot about just the 580 00:31:54,760 --> 00:31:57,480 Speaker 3: idea of girls slap shot. And then when I got 581 00:31:57,520 --> 00:32:01,040 Speaker 3: back to California, I was like, well, is there even 582 00:32:01,160 --> 00:32:02,640 Speaker 3: like what is there? 583 00:32:03,160 --> 00:32:03,640 Speaker 1: And so? 584 00:32:04,360 --> 00:32:08,280 Speaker 3: And it's it's there's not much. But there's two places 585 00:32:08,280 --> 00:32:11,680 Speaker 3: that I've been checking out, including this pickup team in 586 00:32:11,840 --> 00:32:12,640 Speaker 3: Seami Valley. 587 00:32:13,040 --> 00:32:14,880 Speaker 2: Oh yeah, they got a good rink out there. Yeah. 588 00:32:15,040 --> 00:32:17,000 Speaker 3: Ooh it's the Isoplex. 589 00:32:17,160 --> 00:32:20,520 Speaker 2: I was was, Oh, seem Valley's now in Isoplex. 590 00:32:20,400 --> 00:32:20,880 Speaker 3: Is in ISO? 591 00:32:20,960 --> 00:32:24,680 Speaker 2: Wait? Did that change the original ISO? The original Isoplex 592 00:32:24,800 --> 00:32:27,520 Speaker 2: used to be in like North Hills, like West Hills area, 593 00:32:27,640 --> 00:32:30,120 Speaker 2: like off the four or five. Yeah, yeah, and their 594 00:32:30,240 --> 00:32:32,040 Speaker 2: club because I was all, you know, I was in 595 00:32:32,080 --> 00:32:35,200 Speaker 2: the socow hockey scene. Their team was called the Wolves, 596 00:32:35,600 --> 00:32:38,040 Speaker 2: and Isoplex was like one of the nicest newer ranks, 597 00:32:38,040 --> 00:32:40,520 Speaker 2: but I didn't know that they had rebranded or moved 598 00:32:40,600 --> 00:32:42,880 Speaker 2: or whatever. They like the rinks. The further you go 599 00:32:42,960 --> 00:32:45,960 Speaker 2: out of like Maine, La County, they're very they're they're 600 00:32:46,000 --> 00:32:47,880 Speaker 2: much nicer than what we have. I played at Pickwick 601 00:32:47,960 --> 00:32:48,480 Speaker 2: in Burbank. 602 00:32:49,200 --> 00:32:50,880 Speaker 3: Oh is that even still there? 603 00:32:51,280 --> 00:32:53,280 Speaker 2: Yeah, Like they shoot that. They they always like use 604 00:32:53,360 --> 00:32:55,840 Speaker 2: that place to shoot any like skating scene, like in 605 00:32:55,880 --> 00:32:58,760 Speaker 2: the office, like when like they were like ice skating there, 606 00:32:58,840 --> 00:33:00,920 Speaker 2: like they shoot it. There's so many are like filmed 607 00:33:00,920 --> 00:33:04,960 Speaker 2: in that rink, but it's just a very shallow pool. Now. 608 00:33:06,240 --> 00:33:08,520 Speaker 3: The Isoplex was beautiful, and so I was like trying 609 00:33:08,520 --> 00:33:11,280 Speaker 3: to go to these women's pickup games because there's a 610 00:33:11,320 --> 00:33:13,800 Speaker 3: lot of like cod teams, but there weren't a lot 611 00:33:13,840 --> 00:33:17,000 Speaker 3: of just like specifically women's teams. And I finally made 612 00:33:17,040 --> 00:33:19,840 Speaker 3: it up this week. I'd been like texting with this 613 00:33:19,880 --> 00:33:22,200 Speaker 3: woman and it was like we're having a difficult time, 614 00:33:22,640 --> 00:33:26,000 Speaker 3: and I was like, why am I having difficulty communicating 615 00:33:26,520 --> 00:33:28,920 Speaker 3: with this woman, and it was when I got there. 616 00:33:28,960 --> 00:33:31,800 Speaker 3: It's because she's like my mom's age. She like the 617 00:33:32,400 --> 00:33:35,560 Speaker 3: team was. It was like people in their like mid 618 00:33:35,600 --> 00:33:39,280 Speaker 3: to late twenties through their mid to late sixties, like 619 00:33:39,680 --> 00:33:45,080 Speaker 3: all playing together, play together every week, play well, no no, 620 00:33:45,240 --> 00:33:48,920 Speaker 3: which is which I think is important for the older 621 00:33:48,960 --> 00:33:51,520 Speaker 3: players to They can't. 622 00:33:51,280 --> 00:33:54,200 Speaker 5: Play exactly exactly. 623 00:33:54,200 --> 00:33:56,080 Speaker 3: And so I just have been I don't know, and 624 00:33:56,600 --> 00:33:59,320 Speaker 3: just talking to them about like everyone had driven minimum 625 00:33:59,320 --> 00:34:01,840 Speaker 3: an hour to be there because there are so few options, 626 00:34:01,880 --> 00:34:05,160 Speaker 3: and I just, man, I had the best time talking 627 00:34:05,360 --> 00:34:08,880 Speaker 3: to these ladies. And they had a you know, they 628 00:34:08,920 --> 00:34:10,840 Speaker 3: have like a bar at the rink too, so you 629 00:34:10,880 --> 00:34:13,720 Speaker 3: could just go and hang out afterwards. Crack a la bat. 630 00:34:14,000 --> 00:34:16,400 Speaker 2: Yeah there's some molten. They really have labat blue. 631 00:34:16,600 --> 00:34:19,279 Speaker 3: They had a la bat Wow. Yeah yeah la bat 632 00:34:19,360 --> 00:34:23,879 Speaker 3: on tap, yeah, on tap. It was really cool. So yeah, 633 00:34:23,960 --> 00:34:27,480 Speaker 3: I'm I'm you know, it took me, you know, thirty years, 634 00:34:27,560 --> 00:34:31,720 Speaker 3: but I finally understand the appeal of this little game. 635 00:34:32,080 --> 00:34:35,080 Speaker 2: Yeah. Well, now there's a professional league that's starting up too, 636 00:34:35,640 --> 00:34:37,680 Speaker 2: the Professional Women's Hockey League, And I know, I don't 637 00:34:37,680 --> 00:34:39,640 Speaker 2: think LA has a team, but they do on the 638 00:34:39,640 --> 00:34:40,760 Speaker 2: East Coast and in Canada. 639 00:34:40,840 --> 00:34:43,480 Speaker 1: But yeah, yeah, did your dad put a lot of 640 00:34:43,480 --> 00:34:45,560 Speaker 1: pressure on you to play like growing up? 641 00:34:46,480 --> 00:34:50,360 Speaker 3: Uh No, there was one significant push, but then he 642 00:34:50,440 --> 00:34:54,160 Speaker 3: saw me skate and he was like it's a non starter. 643 00:34:54,400 --> 00:34:57,239 Speaker 3: But when I was at the pickup game there. When 644 00:34:57,239 --> 00:34:59,360 Speaker 3: I was the pickup game, they're like hurting for players 645 00:34:59,360 --> 00:35:02,200 Speaker 3: because it's so of far out that they're like, can 646 00:35:02,239 --> 00:35:05,400 Speaker 3: you skate? I was like, no, no, I'm not gonna. 647 00:35:05,560 --> 00:35:08,200 Speaker 3: I can't play with you, but but maybe on a 648 00:35:08,239 --> 00:35:12,040 Speaker 3: long enough timeline, I'll try it, because yeah, it's like 649 00:35:12,160 --> 00:35:14,880 Speaker 3: it's a no check. There is no checking in these games. 650 00:35:15,480 --> 00:35:19,320 Speaker 3: And so that's when I could maybe I could stand 651 00:35:19,360 --> 00:35:22,040 Speaker 3: in place for yeah yeah. 652 00:35:21,880 --> 00:35:23,920 Speaker 2: Yeah, yeah, just just park it on the blue one. 653 00:35:24,320 --> 00:35:24,759 Speaker 3: Mm hmm. 654 00:35:25,120 --> 00:35:25,359 Speaker 2: Yeah. 655 00:35:25,560 --> 00:35:27,680 Speaker 1: Hockey was a big sport at my high school. Like 656 00:35:27,760 --> 00:35:31,680 Speaker 1: I went there, you know, moved to Massachusetts halfway through 657 00:35:31,760 --> 00:35:35,680 Speaker 1: high school from Kentucky, you know, a place where basketball 658 00:35:35,800 --> 00:35:38,439 Speaker 1: is the only sport that matters, to this place where 659 00:35:38,440 --> 00:35:42,200 Speaker 1: I like I truly had not encountered hockey being a 660 00:35:42,440 --> 00:35:46,200 Speaker 1: serious sport anywhere outside of a Disney movie. 661 00:35:46,520 --> 00:35:49,160 Speaker 2: And like when and everyone was like, god, the hockey 662 00:35:49,160 --> 00:35:49,759 Speaker 2: players are. 663 00:35:49,719 --> 00:35:54,480 Speaker 1: So cool, so hot and one of my friends, one 664 00:35:54,480 --> 00:35:56,719 Speaker 1: of my friends like used a loophole to get onto 665 00:35:56,800 --> 00:35:59,880 Speaker 1: the freshman hockey team even though he was a junior 666 00:36:00,440 --> 00:36:03,360 Speaker 1: and didn't know how to skate. And so when you 667 00:36:03,400 --> 00:36:06,160 Speaker 1: said just like stand there, like he just like kind 668 00:36:06,160 --> 00:36:09,640 Speaker 1: of glided out onto the ice and then like took 669 00:36:09,680 --> 00:36:12,480 Speaker 1: a like swipe at someone and fell over and they 670 00:36:12,480 --> 00:36:13,600 Speaker 1: were like, all right, man gets. 671 00:36:15,360 --> 00:36:19,400 Speaker 2: That was truly a heavy Gilmoreo put the slap shot 672 00:36:19,440 --> 00:36:22,520 Speaker 2: on that guy breaking a glass. 673 00:36:22,960 --> 00:36:26,479 Speaker 1: Shout out to Michael, Wow, yeah, what a time. Let's 674 00:36:26,480 --> 00:36:29,359 Speaker 1: take a quick break and we'll come back and cover 675 00:36:29,440 --> 00:36:43,759 Speaker 1: some news. And we're back and we're just gonna get 676 00:36:43,840 --> 00:36:47,440 Speaker 1: right down to right down to it. Five night Freddy's 677 00:36:48,400 --> 00:36:52,000 Speaker 1: video game movie that did not was not aware that 678 00:36:52,080 --> 00:36:53,840 Speaker 1: I had a sense based on the poster. It was 679 00:36:53,880 --> 00:36:56,640 Speaker 1: something it was a movie based on something based on 680 00:36:56,760 --> 00:37:02,200 Speaker 1: video game and it's like spooky Chucky, did you guys? 681 00:37:03,160 --> 00:37:07,680 Speaker 3: Yeah, which is I'm bummed that the movie sucks because 682 00:37:07,680 --> 00:37:11,720 Speaker 3: it was Chuck could really use the good pr right now, 683 00:37:12,040 --> 00:37:14,480 Speaker 3: ye there, Did either of you play it? I never 684 00:37:14,680 --> 00:37:17,000 Speaker 3: played it, but I remember that was the first video 685 00:37:17,120 --> 00:37:21,000 Speaker 3: game I ever saw, like play through YouTube. 686 00:37:21,120 --> 00:37:24,439 Speaker 2: Yeah, yes, okay, I've I never played it, but when 687 00:37:24,480 --> 00:37:26,799 Speaker 2: we were both working at Playboy Jamie, when I was 688 00:37:26,840 --> 00:37:29,640 Speaker 2: doing video there, there was like a video series with 689 00:37:29,680 --> 00:37:33,080 Speaker 2: two playmates that are gamers, and I remember I had 690 00:37:33,120 --> 00:37:35,960 Speaker 2: to like produce a shoot with that, and I was like, 691 00:37:36,040 --> 00:37:38,080 Speaker 2: what the fuck? And I was like, oh, this game 692 00:37:38,160 --> 00:37:41,359 Speaker 2: is fucking freaky. But I'm not into horror as a 693 00:37:41,480 --> 00:37:43,600 Speaker 2: like a genre, but I have seen it played and like, 694 00:37:43,640 --> 00:37:46,279 Speaker 2: at the time, this was like the biggest shit, Like 695 00:37:46,400 --> 00:37:48,520 Speaker 2: I think it came out in twenty fourteen, but yeah, 696 00:37:48,600 --> 00:37:51,279 Speaker 2: it's like a you know, huge, huge, like indie game. 697 00:37:51,800 --> 00:37:53,040 Speaker 1: Mm, yeah it was. 698 00:37:53,239 --> 00:37:55,120 Speaker 3: I didn't even realize it was an indie game because 699 00:37:55,160 --> 00:37:57,520 Speaker 3: of how like, yeah, that was the first time I 700 00:37:57,520 --> 00:38:01,480 Speaker 3: had ever like encountered that as a thing that happened 701 00:38:01,560 --> 00:38:04,160 Speaker 3: and thought it was isolated. And then you know, obviously 702 00:38:04,160 --> 00:38:07,480 Speaker 3: have never stopped seeing it. But it's I mean, Haunted 703 00:38:07,520 --> 00:38:11,680 Speaker 3: Animatronics a great idea, and the guy who invented the 704 00:38:11,719 --> 00:38:15,399 Speaker 3: Chuck E Cheese animatrons very racist, like don't don't fuck 705 00:38:15,480 --> 00:38:20,960 Speaker 3: with this guy. However, however, there he uh, at least 706 00:38:21,080 --> 00:38:23,040 Speaker 3: up as as recently as a couple of years ago, 707 00:38:23,360 --> 00:38:27,160 Speaker 3: still had this warehouse in Florida, where the animatronics were 708 00:38:27,200 --> 00:38:29,719 Speaker 3: once made, and was really trying to capitalize on the 709 00:38:29,760 --> 00:38:34,160 Speaker 3: success of five Night Freddy, and because he basically lived 710 00:38:34,400 --> 00:38:39,000 Speaker 3: in uh, you know, like haunted Animatronics Palace, so he 711 00:38:39,160 --> 00:38:44,280 Speaker 3: started like selling the like five Night Freddie birthday party 712 00:38:44,360 --> 00:38:47,880 Speaker 3: experience with his like scary old animatronics, and it seemed 713 00:38:47,920 --> 00:38:50,640 Speaker 3: to be somewhat successful at some point. 714 00:38:50,680 --> 00:38:53,040 Speaker 2: I mean, like the real the diehard fans are like 715 00:38:53,160 --> 00:38:55,600 Speaker 2: they fuck. I mean, it's there's a reason why it 716 00:38:55,640 --> 00:38:59,520 Speaker 2: became a Blumhouse film. It's because definitely there is an audience. 717 00:38:59,560 --> 00:39:01,000 Speaker 2: There's an absolute obvious for it. 718 00:39:01,200 --> 00:39:04,480 Speaker 1: Producer Victor is noting that there are multiple three hour 719 00:39:04,640 --> 00:39:07,640 Speaker 1: lore documentaries about five Night, five Night. 720 00:39:07,800 --> 00:39:08,560 Speaker 3: Five Night Freddy. 721 00:39:08,960 --> 00:39:11,560 Speaker 1: Yeah, Freddy, what could that possibly mean? 722 00:39:11,840 --> 00:39:14,080 Speaker 3: That's that's so interesting. 723 00:39:14,160 --> 00:39:15,719 Speaker 2: Well, that's like a big thing that like as the 724 00:39:15,840 --> 00:39:18,040 Speaker 2: reviews come in, like there's a whole debate where some 725 00:39:18,080 --> 00:39:21,000 Speaker 2: people are like it's not really for casuals man, like 726 00:39:21,120 --> 00:39:22,880 Speaker 2: if you don't funk like, or some people are like. 727 00:39:22,840 --> 00:39:24,320 Speaker 1: There's not enough for vision. 728 00:39:24,800 --> 00:39:27,040 Speaker 2: Yeah, yeah, yeah, it is wild, Like I'm and I'm like, 729 00:39:27,080 --> 00:39:30,360 Speaker 2: it's interesting following the reaction because, like anything when you 730 00:39:30,440 --> 00:39:33,239 Speaker 2: have a huge like when a fandom gets to that 731 00:39:33,320 --> 00:39:36,839 Speaker 2: point where now like a Plumhouse or major studios like, yeah, 732 00:39:36,880 --> 00:39:38,359 Speaker 2: let's see if we can make money off of this. 733 00:39:38,760 --> 00:39:42,600 Speaker 2: It's always interesting to see how like inevitably the fans 734 00:39:42,600 --> 00:39:44,600 Speaker 2: will be disappointed. I think it's just generally what's always 735 00:39:44,640 --> 00:39:47,120 Speaker 2: gonna happen, Like it's there's only a few instances where 736 00:39:47,120 --> 00:39:50,040 Speaker 2: you have something with like a huge mega following take 737 00:39:50,120 --> 00:39:52,880 Speaker 2: that next jump to like major film distribution, and it 738 00:39:53,000 --> 00:39:55,560 Speaker 2: be you know, palatable. 739 00:39:56,040 --> 00:39:59,480 Speaker 3: I was kind of I was positive because I didn't 740 00:39:59,600 --> 00:40:01,600 Speaker 3: see I kind of forgot it was coming out until 741 00:40:01,640 --> 00:40:05,920 Speaker 3: I they showed the trailer at saw X and I 742 00:40:06,040 --> 00:40:09,200 Speaker 3: was like, damn, they got Hutcherson. And my friend was like, 743 00:40:09,760 --> 00:40:10,959 Speaker 3: I don't think that's hard to. 744 00:40:10,840 --> 00:40:11,560 Speaker 1: Do, but. 745 00:40:13,239 --> 00:40:21,480 Speaker 2: What did you just say? Yeah, damn, Josh's what like 746 00:40:21,640 --> 00:40:23,720 Speaker 2: twenty twelve, Yeah you need something. 747 00:40:23,920 --> 00:40:27,240 Speaker 3: I did see Josh Hutcherson getting into a very quiet 748 00:40:27,320 --> 00:40:29,440 Speaker 3: argument with his girlfriend in front of a restaurant near 749 00:40:29,480 --> 00:40:31,600 Speaker 3: my house once, so it is like not that hard 750 00:40:31,680 --> 00:40:36,120 Speaker 3: to get Hutcherson. But but I was like, I don't know, 751 00:40:36,320 --> 00:40:38,560 Speaker 3: maybe I just like went twenty twelve brain for a second, 752 00:40:38,600 --> 00:40:41,000 Speaker 3: where like, oh my damn they got Hutcherson. Five night 753 00:40:41,080 --> 00:40:41,880 Speaker 3: Freddy is huge. 754 00:40:42,080 --> 00:40:43,720 Speaker 2: Yeah, it's bigger than Hunger Games. 755 00:40:44,000 --> 00:40:44,680 Speaker 1: Yeah. 756 00:40:44,840 --> 00:40:45,040 Speaker 2: Yeah. 757 00:40:45,040 --> 00:40:49,520 Speaker 1: There's something about the minds of people who are like 758 00:40:49,880 --> 00:40:53,160 Speaker 1: scared of animatronics I guess, or like into I don't know, 759 00:40:53,200 --> 00:40:57,680 Speaker 1: because the writer of the original indie game also like 760 00:40:57,719 --> 00:40:59,200 Speaker 1: a right wing person. 761 00:40:59,680 --> 00:41:03,200 Speaker 3: God, what is it with animatronics and being a piece 762 00:41:03,239 --> 00:41:03,640 Speaker 3: of shit? 763 00:41:04,040 --> 00:41:07,080 Speaker 2: I think because they're like techno slaves or some shit. 764 00:41:07,200 --> 00:41:09,919 Speaker 2: Probably you know, oh yeah, it's like I make them 765 00:41:09,960 --> 00:41:12,160 Speaker 2: do what I say, and I can make you in 766 00:41:12,239 --> 00:41:15,720 Speaker 2: my like I don't know. That's probably some weird god complex. Yeah, yeah, 767 00:41:16,160 --> 00:41:17,960 Speaker 2: on some level. But hey, I would love to see 768 00:41:18,000 --> 00:41:20,719 Speaker 2: where the where the woke animaznic. 769 00:41:21,520 --> 00:41:26,680 Speaker 3: Right, I mean, there's certainly woke animatronic fans, but I right, right, 770 00:41:27,120 --> 00:41:30,240 Speaker 3: but we're not technically minded unfortunately, right right. 771 00:41:30,120 --> 00:41:31,759 Speaker 2: Right right, you're just there for the commentary. 772 00:41:32,320 --> 00:41:34,799 Speaker 1: We are topping out for five nights at Freddy's. We 773 00:41:34,840 --> 00:41:39,880 Speaker 1: are topping out on metacritics. So the overall metacritics score 774 00:41:40,000 --> 00:41:42,680 Speaker 1: is twenty nine, an average of twenty nine, and we're 775 00:41:42,719 --> 00:41:47,000 Speaker 1: topping out. Usually usually you will get like one or 776 00:41:47,000 --> 00:41:50,560 Speaker 1: two that's like, hey, I actually enjoyed this because I 777 00:41:50,600 --> 00:41:53,440 Speaker 1: was like, my meds are dialed in or something, you know, 778 00:41:53,560 --> 00:41:55,879 Speaker 1: like so like I sometimes I just enjoy the hell 779 00:41:55,880 --> 00:41:58,640 Speaker 1: out of them. Like one of my favorite film going Expirits, 780 00:41:58,680 --> 00:42:00,920 Speaker 1: was Die Hard for for no reason other than I 781 00:42:00,960 --> 00:42:03,160 Speaker 1: was just in a good, good movie. Right place in 782 00:42:03,200 --> 00:42:05,640 Speaker 1: your life, Yeah, good place in my life. Loved that 783 00:42:05,680 --> 00:42:06,960 Speaker 1: movie the first time I saw it, and then I 784 00:42:07,000 --> 00:42:08,880 Speaker 1: watched it again, I was like, oh, this is bad, 785 00:42:09,640 --> 00:42:13,080 Speaker 1: right right right, But like this is at we're topping 786 00:42:13,120 --> 00:42:16,080 Speaker 1: out at two out of five stars. Most of them 787 00:42:16,080 --> 00:42:19,239 Speaker 1: are lower than that average, and this like not all 788 00:42:19,320 --> 00:42:22,040 Speaker 1: reviews are in, but it's it seems pretty dismal, and 789 00:42:22,080 --> 00:42:27,360 Speaker 1: everyone's saying it's boring. Yeah, it's not boring. 790 00:42:28,000 --> 00:42:30,000 Speaker 2: Yeah, I mean even like the fans, Like there's a 791 00:42:30,040 --> 00:42:32,839 Speaker 2: guy who would like stream it on YouTube, like this guy, 792 00:42:32,920 --> 00:42:36,319 Speaker 2: Jack Septic. Guy, like his review is like it is 793 00:42:36,760 --> 00:42:40,920 Speaker 2: not great, sort of like the nice person and a 794 00:42:40,960 --> 00:42:42,360 Speaker 2: lot of people were like, you made a lot of 795 00:42:42,400 --> 00:42:44,960 Speaker 2: five nights at freddie content. But again I think that's 796 00:42:45,000 --> 00:42:47,120 Speaker 2: where like you see a lot of you know, other 797 00:42:47,360 --> 00:42:50,040 Speaker 2: other fans come in and be like it's just people 798 00:42:50,080 --> 00:42:52,719 Speaker 2: aren't gonna understand it. It's not for normies. But then 799 00:42:52,800 --> 00:42:54,520 Speaker 2: this guy who like plays the game a ton is 800 00:42:54,560 --> 00:42:57,120 Speaker 2: like just felt rushed in some spots. Other parts it 801 00:42:57,280 --> 00:43:00,319 Speaker 2: just was very normal, like did not feel like is 802 00:43:00,840 --> 00:43:03,200 Speaker 2: you know, original as like the game the original idea 803 00:43:03,239 --> 00:43:03,760 Speaker 2: is itself. 804 00:43:03,800 --> 00:43:07,680 Speaker 1: So you see the trailer, You're like, oh, they got Hutcherson, 805 00:43:07,880 --> 00:43:13,120 Speaker 1: but they but they Like now I'm kind of embarrassed 806 00:43:13,120 --> 00:43:15,759 Speaker 1: because Hutcherson knows like what I'm into, and like they 807 00:43:15,760 --> 00:43:19,000 Speaker 1: did such a bad job with the lore that now 808 00:43:19,520 --> 00:43:22,960 Speaker 1: like I'm like, they shouldn't have done this to Hutcherson. 809 00:43:22,520 --> 00:43:26,719 Speaker 3: Or us or Matthew Lillard, you know Matthew they got 810 00:43:26,760 --> 00:43:29,440 Speaker 3: they got Lillard, That got Lillard, I. 811 00:43:29,440 --> 00:43:32,040 Speaker 2: Mean Mary Stuart Masterson, you. 812 00:43:32,120 --> 00:43:35,399 Speaker 3: Know, kind of a star studded cast. I was really 813 00:43:35,400 --> 00:43:37,920 Speaker 3: impressed with the cast. I love that they got Lillard. 814 00:43:38,000 --> 00:43:41,040 Speaker 3: I feel like Lillard played the game. That's my guess 815 00:43:41,280 --> 00:43:44,719 Speaker 3: is that Lillard was into it. Hudgerson, we don't. I 816 00:43:44,760 --> 00:43:47,000 Speaker 3: don't know of his hobbies. I don't know. 817 00:43:47,440 --> 00:43:49,279 Speaker 2: His agents were like, hey man, you're gonna have to 818 00:43:49,280 --> 00:43:52,160 Speaker 2: say yes to this. We got bad news. 819 00:43:52,680 --> 00:43:54,040 Speaker 3: You have to be the lead of five Knight. 820 00:43:54,080 --> 00:44:00,240 Speaker 1: Freddy, You're five knighte Freddy because you're five Freddy. 821 00:43:59,239 --> 00:44:01,960 Speaker 2: Your knife, your knighte Freddie. Because nobody was fucking with 822 00:44:02,080 --> 00:44:03,799 Speaker 2: Journey to the Center of the Earth too. 823 00:44:04,480 --> 00:44:08,360 Speaker 3: Oh god, he was in that. Uh it's a bummer 824 00:44:08,360 --> 00:44:09,919 Speaker 3: that we would eat at the same realm in place. 825 00:44:10,040 --> 00:44:12,279 Speaker 3: It's like when I saw Taylor Lautner at a bar, 826 00:44:12,400 --> 00:44:14,440 Speaker 3: I go too, and you're. 827 00:44:14,239 --> 00:44:16,120 Speaker 1: Just like, this is this sucks recently. 828 00:44:17,040 --> 00:44:19,040 Speaker 3: It's like five years ago, so I think that. 829 00:44:19,640 --> 00:44:22,480 Speaker 2: Well, yeah, but I mean like post like super high 830 00:44:22,640 --> 00:44:23,440 Speaker 2: Twilight Peak. 831 00:44:23,880 --> 00:44:26,839 Speaker 3: Yeah, yeah, And it was like a place where you 832 00:44:26,880 --> 00:44:29,839 Speaker 3: get like, you know, three dollars backwash. I'm like, why 833 00:44:29,880 --> 00:44:33,280 Speaker 3: the hell is Taylor Latner here drinking three dollar backwash 834 00:44:33,320 --> 00:44:34,000 Speaker 3: with the pleabs? 835 00:44:34,320 --> 00:44:35,680 Speaker 2: Was he doing the thing where he had his back 836 00:44:35,719 --> 00:44:37,160 Speaker 2: to the bar looking out at the bar? 837 00:44:38,120 --> 00:44:41,640 Speaker 3: He was holding court. He was holding court. It was 838 00:44:41,680 --> 00:44:45,080 Speaker 3: really cool, Like he bought rounds, he was holding court. 839 00:44:45,160 --> 00:44:49,080 Speaker 3: He had no issue with you knowing he was drinking 840 00:44:49,120 --> 00:44:51,920 Speaker 3: backwash at the bar, which is cool. That's a cool quality. 841 00:44:52,080 --> 00:44:54,000 Speaker 3: He was with I think his girlfriend now his wife 842 00:44:54,120 --> 00:44:57,320 Speaker 3: also named Taylor. That's not very cool. I don't think. 843 00:44:58,040 --> 00:44:59,440 Speaker 1: Wait he married a Taylor. 844 00:45:00,200 --> 00:45:00,799 Speaker 2: Yeah. 845 00:45:00,800 --> 00:45:03,480 Speaker 3: Now they're the Tailor's Lotner. 846 00:45:03,960 --> 00:45:08,360 Speaker 1: Yeah, that's incredible. Should we talk about the Britney Spears 847 00:45:08,400 --> 00:45:10,359 Speaker 1: memoir the audio book? 848 00:45:10,520 --> 00:45:14,680 Speaker 2: Have you got Williams? Yeah? I I've just slowly seen 849 00:45:14,800 --> 00:45:18,000 Speaker 2: some like excerpts get sort of elevated to the top. 850 00:45:18,040 --> 00:45:20,560 Speaker 2: But obviously I think the big one with the release 851 00:45:20,719 --> 00:45:24,120 Speaker 2: of the audiobook was everyone sharing the clip of Michelle 852 00:45:24,440 --> 00:45:28,040 Speaker 2: Michelle Williams doing an impression of Justin Timberlake doing a 853 00:45:28,080 --> 00:45:28,600 Speaker 2: black scent. 854 00:45:29,040 --> 00:45:31,600 Speaker 1: Yeah, it's what It's a lot. 855 00:45:31,760 --> 00:45:34,399 Speaker 2: Have you not heard it? No, Jamie, For someone who 856 00:45:34,440 --> 00:45:36,600 Speaker 2: is so online, I'm like, James, this is old hat 857 00:45:36,640 --> 00:45:38,360 Speaker 2: for Jamie, I'm sure. Okay, So I was. 858 00:45:38,520 --> 00:45:40,600 Speaker 3: I was trying to. I was like, let's see how 859 00:45:40,600 --> 00:45:42,080 Speaker 3: long I because I was like I want to read it. 860 00:45:42,120 --> 00:45:45,040 Speaker 3: And I also was waiting for an episode of Chelsea 861 00:45:45,120 --> 00:45:47,880 Speaker 3: Devonte's podcast about it. It was like, and then I'll engage. 862 00:45:47,960 --> 00:45:51,399 Speaker 2: Oh yeah, just one excerpt, you know, like this is 863 00:45:51,560 --> 00:45:55,279 Speaker 2: one loose line that's like blowing up where she's first 864 00:45:55,280 --> 00:45:57,120 Speaker 2: of all, like Britney Spears is talking about why she 865 00:45:57,239 --> 00:45:59,880 Speaker 2: was fucking with in Sync over Backstreet Boys. She's like 866 00:46:00,080 --> 00:46:02,040 Speaker 2: in sync, like they listened to hip hop, like they 867 00:46:02,080 --> 00:46:04,360 Speaker 2: seem more oriented towards that kind of culture where the 868 00:46:04,360 --> 00:46:07,160 Speaker 2: Backstreet Boys felt very white. I'm just gonna we'll just 869 00:46:07,160 --> 00:46:09,120 Speaker 2: play this clip really quick because there's all. 870 00:46:09,080 --> 00:46:13,359 Speaker 3: White guys from Florida and yeah, like the same guy. 871 00:46:13,680 --> 00:46:18,080 Speaker 2: Let's not forget Chris with his techno dreads either, but hey, 872 00:46:18,320 --> 00:46:22,440 Speaker 2: let's focus on this Skylark. So but yeah, this is 873 00:46:22,440 --> 00:46:24,640 Speaker 2: a this is one of the excerpts here, just talking 874 00:46:24,640 --> 00:46:27,799 Speaker 2: about this time where he met another famous R and 875 00:46:27,840 --> 00:46:28,480 Speaker 2: B musician. 876 00:46:29,080 --> 00:46:31,120 Speaker 1: So the other thing, like a lot of people are 877 00:46:31,120 --> 00:46:35,160 Speaker 1: pointing out like this seems Michelle Williams is a five 878 00:46:35,280 --> 00:46:39,160 Speaker 1: time Academy Award nominee. People are like, why is she 879 00:46:39,320 --> 00:46:42,800 Speaker 1: doing this? And then they're listening and they're like, oh, 880 00:46:42,840 --> 00:46:46,279 Speaker 1: she's the best that has ever done this before. She's 881 00:46:46,360 --> 00:46:49,480 Speaker 1: killing it. She's doing a great job. So yeah, this 882 00:46:49,560 --> 00:46:51,680 Speaker 1: is a little sample of that, and it's an anecdote 883 00:46:51,840 --> 00:46:53,920 Speaker 1: that a lot of it's caught a lot of people's attention. 884 00:46:54,719 --> 00:46:57,120 Speaker 6: His band in Sync was what people back then called 885 00:46:57,160 --> 00:47:00,160 Speaker 6: so Pimp. They were white boys, but they loved hip hop. 886 00:47:00,719 --> 00:47:03,280 Speaker 6: To me, that's what separated them from the Backstreet Boys, 887 00:47:03,680 --> 00:47:06,720 Speaker 6: who seemed very consciously to position themselves as a white group. 888 00:47:07,320 --> 00:47:11,919 Speaker 6: In Sync hung out with black artists sometimes I thought 889 00:47:11,920 --> 00:47:15,040 Speaker 6: they tried too hard to fit in. One day, Jay 890 00:47:15,040 --> 00:47:16,920 Speaker 6: and I were in New York going to parts of 891 00:47:17,000 --> 00:47:20,239 Speaker 6: town i'd never been to before. Walking our way was 892 00:47:20,280 --> 00:47:23,000 Speaker 6: a guy with a huge, blinged out medallion. He was 893 00:47:23,040 --> 00:47:26,920 Speaker 6: flanked by two giant security guards. Jay got all excited 894 00:47:26,960 --> 00:47:33,040 Speaker 6: and said so loud, oh yeahches, Genuine, what's up, homie? 895 00:47:33,400 --> 00:47:36,480 Speaker 6: After Genuine walked away, Felicia did an impression of Jay. 896 00:47:37,080 --> 00:47:39,600 Speaker 6: Oh yeah, boches bosches Genuine. 897 00:47:40,560 --> 00:47:41,920 Speaker 3: Jay wasn't even embarrassed. 898 00:47:43,800 --> 00:47:49,640 Speaker 1: Wow, I like the there's like a YadA YadA pass that. 899 00:47:49,719 --> 00:47:51,560 Speaker 1: I'm sure they had an interaction, but it kind of 900 00:47:51,600 --> 00:47:54,799 Speaker 1: suggests that Genuine just he did that and Genuine just 901 00:47:54,800 --> 00:47:55,360 Speaker 1: walked away. 902 00:47:55,560 --> 00:47:58,680 Speaker 2: Yeah. It was like, oh my god, the fuck is that? 903 00:48:01,280 --> 00:48:06,000 Speaker 3: The abrupt switch after the like the audiobook pause before 904 00:48:06,600 --> 00:48:08,160 Speaker 3: Genuine walked away, Like you're. 905 00:48:08,080 --> 00:48:12,760 Speaker 1: Just oh my god, after walked away. 906 00:48:12,800 --> 00:48:19,560 Speaker 3: She's a professional's good professional. That alarming. I'm looking forward to, 907 00:48:19,680 --> 00:48:24,560 Speaker 3: uh to reading that book or probably more likely listening 908 00:48:24,600 --> 00:48:26,920 Speaker 3: to it. Celebrity memoirs are meant to be listened. 909 00:48:26,640 --> 00:48:28,960 Speaker 2: To, especially oh yeah, because I'm pretty sure what Britney 910 00:48:29,000 --> 00:48:32,280 Speaker 2: spears personally was like I want Michelle Williams to narrate 911 00:48:32,320 --> 00:48:34,120 Speaker 2: this like, this is why this is happening. 912 00:48:34,600 --> 00:48:37,359 Speaker 3: Very weird, very weird. How do they know each other? 913 00:48:37,760 --> 00:48:38,919 Speaker 2: Dialed in so well? 914 00:48:38,960 --> 00:48:39,080 Speaker 4: Though? 915 00:48:39,960 --> 00:48:43,600 Speaker 2: What better person to lend your voice to have their like, 916 00:48:43,920 --> 00:48:45,719 Speaker 2: have them lend their voice and have Michelle Williams do 917 00:48:45,760 --> 00:48:49,680 Speaker 2: the Britney Spears book so good, James get the egot. 918 00:48:50,760 --> 00:48:55,440 Speaker 3: She will this is her grammy, Yeah, yeah, beautiful. 919 00:48:56,160 --> 00:48:58,560 Speaker 1: There's I mean, there's all sorts of there's also the 920 00:48:58,600 --> 00:49:01,920 Speaker 1: story that Britney Spears almost got what was the famous 921 00:49:02,000 --> 00:49:06,040 Speaker 1: role that she almost oh the Notebook, the Notebook, Yeah, 922 00:49:06,040 --> 00:49:07,920 Speaker 1: she almost was cast in the Notebook. 923 00:49:08,120 --> 00:49:09,120 Speaker 2: She was like in the field. 924 00:49:09,640 --> 00:49:12,759 Speaker 1: Yeah, it was between No, she was in the final two, 925 00:49:12,960 --> 00:49:17,520 Speaker 1: between her and Rachel McAdams, and like they like Scarlett 926 00:49:17,600 --> 00:49:20,359 Speaker 1: Johansson all these other people had tried out and they 927 00:49:20,360 --> 00:49:25,160 Speaker 1: were like, Britney Spears is like fucking nailing this really 928 00:49:25,400 --> 00:49:28,160 Speaker 1: absolutely like an amazing actor. 929 00:49:28,800 --> 00:49:31,080 Speaker 3: Oh wow, there's like her audition tape is avail. 930 00:49:33,200 --> 00:49:35,959 Speaker 2: I think they camera tested with with Ryan too. 931 00:49:36,560 --> 00:49:37,799 Speaker 1: Yeah, that's I always want. 932 00:49:37,840 --> 00:49:40,160 Speaker 3: I mean, I know that there were a number of 933 00:49:40,239 --> 00:49:42,480 Speaker 3: extenuating circumstances in Brittany's life that. 934 00:49:42,600 --> 00:49:44,000 Speaker 2: U but I was her. 935 00:49:44,120 --> 00:49:47,560 Speaker 3: Her movie career was like a non starter, and up 936 00:49:47,640 --> 00:49:51,720 Speaker 3: until recently you couldn't even get Crossroads, Like you couldn't 937 00:49:51,719 --> 00:49:55,560 Speaker 3: even stream it until recently. Even though that was like 938 00:49:55,600 --> 00:49:57,600 Speaker 3: an early Shonda Rhime's script. 939 00:49:58,040 --> 00:49:59,359 Speaker 2: Oh I didn't realize that. 940 00:49:59,719 --> 00:50:02,960 Speaker 3: Yeah, that was like one. I think it was like Shondai. 941 00:50:03,120 --> 00:50:06,040 Speaker 3: One of Shonda Rhime's like first produced scripts ever was 942 00:50:06,080 --> 00:50:10,160 Speaker 3: the Britney Spears vehicle Crossroads. And she's so good in it, 943 00:50:10,239 --> 00:50:14,280 Speaker 3: and she's so charming and like she's a good actor, 944 00:50:14,400 --> 00:50:16,560 Speaker 3: and it's like there it worked out for Mandy Moore 945 00:50:16,719 --> 00:50:19,680 Speaker 3: many more kind of dropped music and started this is 946 00:50:19,760 --> 00:50:22,360 Speaker 3: us singer. I still don't know what that show is about, 947 00:50:22,440 --> 00:50:24,880 Speaker 3: but damn, she would have been cool in the notebook. 948 00:50:25,600 --> 00:50:29,320 Speaker 2: Yeah, here's what Shonda Rhime's. Also, didn't she do Princess 949 00:50:29,360 --> 00:50:31,279 Speaker 2: Diaries too? That was like another. 950 00:50:32,600 --> 00:50:35,440 Speaker 1: Yeah, yeah, yeah, shout after Crossroads? 951 00:50:35,520 --> 00:50:39,160 Speaker 3: Yeah right yeah, pre Crossroads. And if I'm recalling, I 952 00:50:40,560 --> 00:50:45,239 Speaker 3: know I know too much of Shonda's filmography. I think 953 00:50:45,239 --> 00:50:48,400 Speaker 3: it's just shy of It's like the year before Grey's Anatomy. 954 00:50:48,840 --> 00:50:52,759 Speaker 3: She did Princess Diaries too. Royal Engagement, Yep, sure enough. 955 00:50:53,000 --> 00:50:55,279 Speaker 3: It is true. It is true, but I'm like, what 956 00:50:55,360 --> 00:50:57,959 Speaker 3: is Shonda's relationship with Britney? Is there one? 957 00:50:58,640 --> 00:51:02,520 Speaker 2: Yeah, you don't know, We don't know, right what could 958 00:51:02,560 --> 00:51:06,879 Speaker 2: have been you know, true if she was Meredith Gray, Yeah, 959 00:51:07,080 --> 00:51:07,359 Speaker 2: you know. 960 00:51:07,440 --> 00:51:09,120 Speaker 3: Yeah, right, but then it's like we would have been 961 00:51:09,239 --> 00:51:11,440 Speaker 3: I mean, and again this is like not even taking 962 00:51:11,440 --> 00:51:15,080 Speaker 3: into account what happens later in Britney's career, but like 963 00:51:15,080 --> 00:51:18,680 Speaker 3: we would have we would have not gotten some really 964 00:51:18,719 --> 00:51:22,160 Speaker 3: solid Britney albums if she if she had gotten too 965 00:51:22,200 --> 00:51:22,880 Speaker 3: far into acting. 966 00:51:23,000 --> 00:51:26,200 Speaker 1: So yeah, when she talks about it, she's like, you know, 967 00:51:26,320 --> 00:51:29,200 Speaker 1: at a certain point, I decided to stop auditioning and 968 00:51:29,280 --> 00:51:34,719 Speaker 1: just record, just drop classic albums on you all, Like, yeah, 969 00:51:34,719 --> 00:51:35,000 Speaker 1: if we. 970 00:51:35,000 --> 00:51:38,840 Speaker 3: Got because if we got like if we got Brittany 971 00:51:38,840 --> 00:51:42,640 Speaker 3: in the Notebook, we may not have gotten Blackout, And 972 00:51:42,760 --> 00:51:46,040 Speaker 3: that would have been challenging for me. 973 00:51:45,920 --> 00:51:46,520 Speaker 1: As a youth. 974 00:51:46,680 --> 00:51:49,760 Speaker 3: That would American culture, that would have been pretty hard. 975 00:51:50,440 --> 00:51:54,359 Speaker 1: America's bad right now, Think America's bad right now? Try 976 00:51:54,760 --> 00:52:00,120 Speaker 1: and picture this counterpack. But yeah, and also she he 977 00:52:00,840 --> 00:52:03,480 Speaker 1: has a quote like in one of the articles I 978 00:52:03,520 --> 00:52:06,920 Speaker 1: read about the Notebook thing that she was like it 979 00:52:06,960 --> 00:52:12,160 Speaker 1: was just mentally too difficult, like I just embodied the 980 00:52:12,280 --> 00:52:15,359 Speaker 1: character and like trying out for that character like got 981 00:52:15,440 --> 00:52:17,879 Speaker 1: to me so like she was almost like too meth 982 00:52:18,600 --> 00:52:22,120 Speaker 1: for to to like actually pursue acting because it was 983 00:52:22,160 --> 00:52:26,360 Speaker 1: just like too painful for her, which sounds like a 984 00:52:26,400 --> 00:52:29,560 Speaker 1: great actor, Like, yeah, let's make it happen. Yeah. 985 00:52:29,600 --> 00:52:32,120 Speaker 2: It's funny too, like because Justin Timberlake does not come 986 00:52:32,120 --> 00:52:34,360 Speaker 2: out looking good in this too. Like she talks about 987 00:52:34,360 --> 00:52:37,040 Speaker 2: how like she became pregnant like with his child and 988 00:52:37,120 --> 00:52:39,400 Speaker 2: then you know, have an abortion and things like that, 989 00:52:39,440 --> 00:52:41,360 Speaker 2: and then like now it's funny to see the pr 990 00:52:41,440 --> 00:52:44,680 Speaker 2: machine move in Justin's direction and they're like, Justin Timberlake 991 00:52:44,760 --> 00:52:47,719 Speaker 2: is fine. He's actually just focusing on being with his 992 00:52:47,840 --> 00:52:49,400 Speaker 2: family like amid the noise. 993 00:52:51,320 --> 00:52:54,240 Speaker 3: But it's also like pretty well documented that his family 994 00:52:54,360 --> 00:52:58,399 Speaker 3: does not like him. So cool, I hope. I'm sure 995 00:52:58,400 --> 00:53:01,200 Speaker 3: they're really enjoying spending time with you on this your 996 00:53:01,280 --> 00:53:05,160 Speaker 3: fiftieth cancelation. I was trying to I was trying to 997 00:53:05,200 --> 00:53:08,279 Speaker 3: think of, you know, like because of SAG rules, I'm 998 00:53:08,320 --> 00:53:10,440 Speaker 3: like I have to think of like a Halloween costume 999 00:53:10,480 --> 00:53:12,320 Speaker 3: I can wear, and I have a lot of I 1000 00:53:12,680 --> 00:53:16,160 Speaker 3: can pretty close to replicate the justin Timberlake denim outfit. 1001 00:53:16,280 --> 00:53:18,640 Speaker 3: And so I'm trying to put something together like recently 1002 00:53:18,640 --> 00:53:23,720 Speaker 3: Disgrace Denim boyfriend. But but it's getting the hat together 1003 00:53:23,960 --> 00:53:25,960 Speaker 3: because then I, you know, and then I was just 1004 00:53:25,960 --> 00:53:28,560 Speaker 3: gonna put you know, tears, streaks, some snotch like that 1005 00:53:28,600 --> 00:53:30,040 Speaker 3: recently disgraced Denhim boyfriend. 1006 00:53:30,120 --> 00:53:34,040 Speaker 2: That's a freak one for everything. You got to get 1007 00:53:34,040 --> 00:53:36,640 Speaker 2: those gradiated like those gradient shades. 1008 00:53:36,280 --> 00:53:41,280 Speaker 3: Too, Oh my god. Yeah, like the yellow, the freaky 1009 00:53:41,840 --> 00:53:43,480 Speaker 3: late nineties blue blockers everything. 1010 00:53:43,520 --> 00:53:46,880 Speaker 2: Yeah, yeah, Yo, it's so wild like that that outfit. 1011 00:53:46,920 --> 00:53:49,520 Speaker 2: There's like how there's like tutorials on how to make 1012 00:53:49,560 --> 00:53:53,040 Speaker 2: the Disgrace Denim boyfriend outfit. Like it's like how to 1013 00:53:53,080 --> 00:53:59,439 Speaker 2: make your denim Britney and Justine. Good lord, what a time? 1014 00:54:00,160 --> 00:54:00,680 Speaker 1: What a time? 1015 00:54:00,760 --> 00:54:06,640 Speaker 3: I mean, great, great, horrible man great outfits. Brittany, God 1016 00:54:06,680 --> 00:54:07,520 Speaker 3: bless her, She's a bet. 1017 00:54:07,880 --> 00:54:09,440 Speaker 2: Keep on dancing those knives, girl. 1018 00:54:10,960 --> 00:54:14,960 Speaker 1: Or don Jamie. Such a pleasure having you as always? Yeah, 1019 00:54:15,000 --> 00:54:17,880 Speaker 1: where can people find you? Follow you all that good stuff? 1020 00:54:18,200 --> 00:54:18,359 Speaker 7: Oh? 1021 00:54:18,560 --> 00:54:23,880 Speaker 3: The same old places. Instagram at Jamie christ Superstar, Twitter 1022 00:54:24,080 --> 00:54:28,719 Speaker 3: at Jamie Lofts, help listened to Bechdel Cast, read raw 1023 00:54:28,840 --> 00:54:32,160 Speaker 3: Dog and and and stay safe out there. 1024 00:54:32,840 --> 00:54:36,200 Speaker 1: Yeah, is there a work a media you've been enjoying? 1025 00:54:37,080 --> 00:54:40,200 Speaker 3: I wanted to shout out Marsha Belsky really quick. She 1026 00:54:40,360 --> 00:54:44,840 Speaker 3: tweeted about it yesterday, but she was arrested at the 1027 00:54:44,920 --> 00:54:48,720 Speaker 3: Capitol this week. She was protesting with if Not Now 1028 00:54:49,120 --> 00:54:52,279 Speaker 3: calling for a fire and kind of shared her whole 1029 00:54:52,320 --> 00:54:56,000 Speaker 3: kind of experience of what that was like. And you know, 1030 00:54:56,080 --> 00:54:59,400 Speaker 3: some criticism of Bernie Sanders in particular, and I just 1031 00:54:59,760 --> 00:55:03,560 Speaker 3: it's very informative thread and she's the fucking coolest. So 1032 00:55:03,920 --> 00:55:07,560 Speaker 3: that is a work of media that I found inspiring 1033 00:55:07,640 --> 00:55:08,600 Speaker 3: and cool this week. 1034 00:55:08,960 --> 00:55:11,399 Speaker 1: There you go, Miles, Where can people find you? What's 1035 00:55:11,400 --> 00:55:12,760 Speaker 1: the working media you've been enjoying? 1036 00:55:13,560 --> 00:55:18,719 Speaker 2: Find me on Twitter, Instagram, everywhere else. Let's see yeah 1037 00:55:18,760 --> 00:55:21,120 Speaker 2: yeah at Miles of Gray. Also follow us on our 1038 00:55:21,160 --> 00:55:24,960 Speaker 2: basketball podcast, Miles and Jack Got Mad boost like ninety 1039 00:55:25,040 --> 00:55:27,680 Speaker 2: Day Fiance and Trash TV. We'll check on my other 1040 00:55:27,680 --> 00:55:31,600 Speaker 2: podcast for twenty Day Fiance Sophia Alexandra. And if you 1041 00:55:31,719 --> 00:55:33,600 Speaker 2: like you know true crime, check out The Good Thief, 1042 00:55:33,680 --> 00:55:35,719 Speaker 2: the new true crime show I'm doing. But it's all 1043 00:55:36,000 --> 00:55:38,920 Speaker 2: all eight episodes are out. Let's see a tweet that 1044 00:55:39,200 --> 00:55:41,200 Speaker 2: I like I don't know if I have any tweets 1045 00:55:41,200 --> 00:55:44,279 Speaker 2: because I haven't been on there recently, but I just 1046 00:55:44,320 --> 00:55:47,640 Speaker 2: started watching The Bear. Oh so I just I was like, Yo, 1047 00:55:47,680 --> 00:55:51,720 Speaker 2: what the fuck is going on here? Yeah, it sounds 1048 00:55:51,719 --> 00:55:54,520 Speaker 2: like people are right. That shows it's it's worth watching. 1049 00:55:54,640 --> 00:55:57,600 Speaker 2: But yeah, so far I'm enjoying what I'm seeing. Yes, 1050 00:55:57,719 --> 00:56:04,680 Speaker 2: chef am I right behind is Joel McHale that much 1051 00:56:04,680 --> 00:56:06,480 Speaker 2: of a dick. I've only like seen this like one 1052 00:56:06,560 --> 00:56:13,960 Speaker 2: flashback scene where he's like maniacally being like you fucking suck. 1053 00:56:14,840 --> 00:56:22,520 Speaker 7: Suck, suck your slow fast man really like embodies the 1054 00:56:23,200 --> 00:56:25,960 Speaker 7: like your mind at the at its least healthy, or 1055 00:56:26,000 --> 00:56:28,240 Speaker 7: at least my mind it's least least healthy. 1056 00:56:28,360 --> 00:56:31,280 Speaker 1: It's just like I feel like he's a great stand 1057 00:56:31,320 --> 00:56:31,839 Speaker 1: in for that. 1058 00:56:32,400 --> 00:56:34,880 Speaker 2: Right, what the fuck do you think you did? 1059 00:56:35,000 --> 00:56:37,919 Speaker 1: It's like so mean, it's like kind of comical. It's 1060 00:56:38,120 --> 00:56:40,600 Speaker 1: it's pretty incredible, right The Bear. 1061 00:56:41,200 --> 00:56:41,800 Speaker 2: The Bear. 1062 00:56:43,160 --> 00:56:47,319 Speaker 1: You can find me on Twitter at Jack Underscore. 1063 00:56:47,480 --> 00:56:49,480 Speaker 2: O'Brien, I haven't really. 1064 00:56:49,320 --> 00:56:52,839 Speaker 1: Been looking at Twitter for the past three hours. Thank you, 1065 00:56:53,760 --> 00:56:56,200 Speaker 1: my bloody Valentine. That I think that's the name of 1066 00:56:56,280 --> 00:57:00,360 Speaker 1: the slasher film that I recently watched that is fun 1067 00:57:00,600 --> 00:57:05,799 Speaker 1: hot Garbage from like nineteen eighty one eighty two, and 1068 00:57:06,080 --> 00:57:11,000 Speaker 1: it is shot in a town in Canada. You like, 1069 00:57:11,280 --> 00:57:14,120 Speaker 1: it's this like really run down town. They shot it 1070 00:57:14,160 --> 00:57:17,720 Speaker 1: on location. I think probably because like they lived there 1071 00:57:18,120 --> 00:57:20,920 Speaker 1: and but you really get a sense of like the 1072 00:57:21,000 --> 00:57:26,240 Speaker 1: town from the movie about a slasher who comes out 1073 00:57:26,280 --> 00:57:30,880 Speaker 1: around Valentine's Day and starts cutting people's hearts out the best. Yes, 1074 00:57:31,200 --> 00:57:34,960 Speaker 1: you can find us on Twitter at daily Zeikeeist. We're 1075 00:57:34,960 --> 00:57:37,640 Speaker 1: at the Daily Zeikeeist on Instagram. We have a Facebook 1076 00:57:37,640 --> 00:57:40,280 Speaker 1: fan page on our website daily zeikeist dot com where 1077 00:57:40,320 --> 00:57:46,000 Speaker 1: he posts our episodes and our footnotes. See it basically 1078 00:57:46,040 --> 00:57:48,160 Speaker 1: talked about in today's episode, as well as a song 1079 00:57:48,240 --> 00:57:50,440 Speaker 1: that we think you might enjoy it. Miles, what song 1080 00:57:50,480 --> 00:57:51,400 Speaker 1: do you think people might enjoy? 1081 00:57:51,440 --> 00:57:51,560 Speaker 4: Well? 1082 00:57:51,560 --> 00:57:53,160 Speaker 2: I guess what. We're gonna have the link to that 1083 00:57:53,240 --> 00:57:56,320 Speaker 2: Henry Winkler music video because I found it. Uh hell yeah, 1084 00:57:56,520 --> 00:58:00,800 Speaker 2: the opening is wild anyway, a. 1085 00:58:00,600 --> 00:58:04,840 Speaker 1: Song that is also about monsters or is it about Portoh? 1086 00:58:05,280 --> 00:58:09,960 Speaker 2: Is it Monty Coded It's it's called Puddles and wishing Wells. 1087 00:58:10,560 --> 00:58:14,760 Speaker 2: Oh no. And you know, I'll let y'all check the footnotes. 1088 00:58:14,760 --> 00:58:17,440 Speaker 2: You can watch the full ninth video that came out 1089 00:58:17,440 --> 00:58:19,800 Speaker 2: in two thousand and nine. It was actually two thousand 1090 00:58:19,840 --> 00:58:22,120 Speaker 2: and nine, it turns out. But anyway, the music that 1091 00:58:22,200 --> 00:58:24,760 Speaker 2: I think we should go out on is this. 1092 00:58:25,680 --> 00:58:28,640 Speaker 3: Manti Revolta's rendition of I Will Always Love Cool. 1093 00:58:30,320 --> 00:58:35,720 Speaker 1: His wordplay is truly level band of the Living Dead. 1094 00:58:36,200 --> 00:58:38,760 Speaker 2: They're going out on an LA band called the Altons 1095 00:58:38,800 --> 00:58:42,000 Speaker 2: A L t o n s. And they're like, you 1096 00:58:42,000 --> 00:58:44,200 Speaker 2: know a band that's around now. They're from LA, but 1097 00:58:44,240 --> 00:58:47,600 Speaker 2: they their shit sounds like you've discovered like new forty 1098 00:58:47,640 --> 00:58:50,480 Speaker 2: five records, like if like Motown was like in LA. 1099 00:58:50,640 --> 00:58:54,160 Speaker 2: Like it feels like West Coast like sixties seventies soul. 1100 00:58:54,720 --> 00:58:57,280 Speaker 2: It's really dope and they're really talented and like they 1101 00:58:57,320 --> 00:58:59,360 Speaker 2: got the esthetic really down. And this track is called 1102 00:58:59,400 --> 00:59:01,880 Speaker 2: over and over by the Altons A L t O 1103 00:59:02,040 --> 00:59:02,400 Speaker 2: n s. 1104 00:59:02,800 --> 00:59:04,520 Speaker 1: Oh right, well, we will link off to that in 1105 00:59:04,560 --> 00:59:06,960 Speaker 1: the footnotes for Daily is the production of ByHeart Radio. 1106 00:59:07,000 --> 00:59:09,360 Speaker 1: For more podcasts from my Art Radio, visit the iHeartRadio 1107 00:59:09,400 --> 00:59:11,680 Speaker 1: Wrap Apple podcast or wherever you listen to your favorite shows. 1108 00:59:11,720 --> 00:59:13,480 Speaker 2: That is going to do it for us this morning 1109 00:59:13,920 --> 00:59:15,640 Speaker 2: back on Monday. 1110 00:59:16,120 --> 00:59:18,520 Speaker 1: Yeah, we'll tell you what is trending, what was trending 1111 00:59:18,560 --> 00:59:21,200 Speaker 1: over the weekend, and then on Tuesday for a special 1112 00:59:21,560 --> 00:59:25,080 Speaker 1: expert guest episode, so we will talk to y'all then, 1113 00:59:25,160 --> 00:59:26,000 Speaker 1: have a good weekend. 1114 00:59:26,440 --> 00:59:28,160 Speaker 2: Stay safe Byeye