WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the best Bits of the week God with Morgan

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<v Speaker 1>number two.

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<v Speaker 2>What's up, y'all? Happy weekend. It is Mother's Day weekend.

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<v Speaker 3>Shout out to all the awesome moms out there, including

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<v Speaker 3>my very own. I hope you guys get to get

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<v Speaker 3>celebrated in all the ways that you want to, whether

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<v Speaker 3>it's relaxing on your own or spending time with family

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<v Speaker 3>however you see that. And for all my other people

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<v Speaker 3>who aren't moms, make sure you call your mom. Okay,

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<v Speaker 3>I know I'll be doing a lot of FaceTime with

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<v Speaker 3>my mom this weekend because I can't be with her

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<v Speaker 3>as much as I would like to be, so just

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<v Speaker 3>a reminder.

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<v Speaker 2>And on the Best Bits Part one.

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<v Speaker 3>This weekend, I have Eddie on with me, and it's

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<v Speaker 3>so much fun because I mesh well with Eddie and

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<v Speaker 3>we just have the best conversations. This weekend, we talked

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<v Speaker 3>about the quirks that our animals have. We admitted are

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<v Speaker 3>rejected rejected segments. Yeah they're rejected, but they're so pretty good.

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<v Speaker 3>We enjoyed talking about them, and of course we admitted

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<v Speaker 3>sometimes that we recently felt like we were being punked,

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<v Speaker 3>but we weren't actually so.

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<v Speaker 2>Good stuff over there with Eddie and I.

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<v Speaker 3>Hope you guys check out that because in my opinion,

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<v Speaker 3>it's like the best conversation and we've had in a while.

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<v Speaker 2>So don't miss it. We're gonna dive right on.

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<v Speaker 3>And we had Justin Moore stop by the show this

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<v Speaker 3>week and he talked about his new album, Stray Dog,

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<v Speaker 3>and why Stray Dog, the title track is kind of

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<v Speaker 3>after his own life, and how he feels in country music,

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<v Speaker 3>why he thinks he's an outsider, and he had a

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<v Speaker 3>lot of valid points. So really cool hearing about his

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<v Speaker 3>new music, but not only that, he's doing a new

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<v Speaker 3>sports show, so he talked about that and his tour

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<v Speaker 3>bus and why everybody always thinks that Bobby may be

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<v Speaker 3>the one on said tour bus.

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<v Speaker 2>So really cool interview right now.

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<v Speaker 4>Justin Moore number seven, So Bobby Bones Show interviews.

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<v Speaker 5>In case you didn't know, I.

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<v Speaker 6>A guy here Justin Moore. He's got eleven number ones.

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<v Speaker 6>Let's roll through the last five. His last one was

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<v Speaker 6>with the Woman you Love.

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<v Speaker 7>He goes, we're the woman for that.

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<v Speaker 6>We didn't have much therefore that why we drink.

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<v Speaker 5>Drink up more of that.

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<v Speaker 6>The ones that didn't make it back home how are

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<v Speaker 6>that somebody else will? He's got six others too, like

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<v Speaker 6>small town USA, regardless, Justin Moore. We're close so much.

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<v Speaker 6>If I'm like, I need some tickets to this game,

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<v Speaker 6>He's got season tickets. Razorback. He's a big Razorback fan

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<v Speaker 6>like me. We play in the same conference in high

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<v Speaker 6>school playing sports. He's got a new album, Stray Dog,

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<v Speaker 6>that is out now. He signed his record deal of

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<v Speaker 6>his wedding reception.

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<v Speaker 8>Here he is on the Bobby Bone Show.

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<v Speaker 7>Now, Justin Moore.

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<v Speaker 6>I saw I was tagged in a picture and my

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<v Speaker 6>sister tagged me on Facebook or something.

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<v Speaker 9>She was I just ran into Justin Moore. Yeah about

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<v Speaker 9>a monthant.

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<v Speaker 10>Yeah, oh got it.

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<v Speaker 9>I'm gonna have even remembered that Rods which is in

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<v Speaker 9>Hot Springs, you know, but yeah, we love that place.

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<v Speaker 1>Man.

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<v Speaker 5>Was she okay though?

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<v Speaker 10>Was she like?

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<v Speaker 9>She wasn't like, oh my god, if I need to

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<v Speaker 9>tell my sure didn't mess my pizza up, but it

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<v Speaker 9>wasn't her fault, you know what I say about that?

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<v Speaker 10>She was like and almost apologetically.

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<v Speaker 6>She was going bobbies, apologizing from being my sister more

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<v Speaker 6>than the pizza. I Oh okay, So anyway, it was

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<v Speaker 6>is it hard for people to recognize you without the

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<v Speaker 6>cowboy hat? Because without the cowboy hat, you're just a

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<v Speaker 6>You're just like a dude. Yeah, I'm just an ugly

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<v Speaker 6>not ugly, I would say, like myself were I think

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<v Speaker 6>we're both generic white guys.

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<v Speaker 9>Yeah, I mean it happens sometimes, but not all the time.

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<v Speaker 6>I think it would happen more with the hat. You

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<v Speaker 6>know that you get recognized. Yeah, do you ever wear

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<v Speaker 6>the hat?

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<v Speaker 9>Though?

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<v Speaker 6>Where would you wear your cowboy hat that doesn't involve

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<v Speaker 6>performing or literally working at like in your you know,

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<v Speaker 6>field or yard.

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<v Speaker 9>I was going to say working at the high house.

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<v Speaker 9>But outside of that, not at all.

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<v Speaker 6>Like, if you're really having a bad day and you're like, man,

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<v Speaker 6>nobody likes me, you could just go to Walmart in

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<v Speaker 6>your cowboy hat and people would come up to you

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<v Speaker 6>and make you feel good.

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<v Speaker 10>I guess I could.

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<v Speaker 9>Yeah, but no, I'd like to be incognito as much

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<v Speaker 9>as possible, which I'm sure you're the same.

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<v Speaker 6>Well, my glasses, I can't really not wear my glasses.

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<v Speaker 9>Well see I just started wearing glasses, like prescription glasses,

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<v Speaker 9>so that helps me in the grocery store not get

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<v Speaker 9>recognized because you know, I don't have that look so well.

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<v Speaker 6>It is kind of put my glass dark room, though,

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<v Speaker 6>aren't they like kind of like this a little bit?

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<v Speaker 5>Yeah, the people like are you Bobby Bones?

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<v Speaker 6>Just say yes, and then he's super cool and we

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<v Speaker 6>both win.

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<v Speaker 10>Hey, there you go.

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<v Speaker 6>Hey, new record just came out this weekend. So why

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<v Speaker 6>is it called stray Dog? This industry has been really

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<v Speaker 6>great to me. Radio in particular, you guys have been

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<v Speaker 6>awesome to me. The fans have been great to me.

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<v Speaker 6>But there have been moments in my.

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<v Speaker 9>Career where I've been labeled an outcast, an outlier, outlaw, whatever,

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<v Speaker 9>you know. Award shows never pay any attention to me

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<v Speaker 9>at all, even though I've sold more records and have

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<v Speaker 9>more hit written. And I don't mean that boastfully. It's

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<v Speaker 9>just a fact than a lot of people that are

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<v Speaker 9>on the shows and win awards, and so it kind

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<v Speaker 9>of became an autobiographical song, and I thought it was

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<v Speaker 9>a really cool album title.

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<v Speaker 6>So you wrote straight dogs? I did, and was that

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<v Speaker 6>The reason was that when you're in the room and

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<v Speaker 6>you're like, man, I'm not asking for it, but it

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<v Speaker 6>is weird based on if you're just looking at analytics

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<v Speaker 6>that I haven't been recognizing these capacities. I mean, how

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<v Speaker 6>does that come up for that song to be written?

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<v Speaker 9>I mean it wasn't specifically about that, but that there

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<v Speaker 9>were some threads through the song that you came about

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<v Speaker 9>when we were writing it.

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<v Speaker 10>But I don't know.

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<v Speaker 9>I think when you're writing a song, you just you're

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<v Speaker 9>writing the song and trying to make it as good

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<v Speaker 9>as it can possibly be and as real as it

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<v Speaker 9>can possibly be, and that just happened to be the

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<v Speaker 9>topic that particular day.

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<v Speaker 6>I'm gonna play a little bit of this. Here is

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<v Speaker 6>Dray Dogs from Justin Moore.

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<v Speaker 7>You can pad like the Doorto here.

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<v Speaker 9>We have dogs too many. Yes, we have two great

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<v Speaker 9>names that are hundred and sixty and eighty pounds. The

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<v Speaker 9>kids and the dogs cost more to feed the dogs probably, Yeah, dude,

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<v Speaker 9>it's ridiculous. And then we have a little I don't

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<v Speaker 9>even know what she is, a little shepherd kind of thing.

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<v Speaker 6>Do you have one your closest to.

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<v Speaker 9>This sounds terrible. I'm not really a pet guy. My wife,

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<v Speaker 9>My wife is, and my kids are, so I'm just like, hey, buddy,

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<v Speaker 9>you know I'm one of those guys.

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<v Speaker 6>You know, Uh, do you have any other animals.

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<v Speaker 9>We have the three dogs and we have two cats,

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<v Speaker 9>one outside cat, one inside cat.

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<v Speaker 6>Do you think one's jealous of the other like they

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<v Speaker 6>look at your wad?

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<v Speaker 9>Yeah, the outside the outside cat is definitely jealous of

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<v Speaker 9>the inside cat.

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<v Speaker 10>The inside cat sleeps in the bed with us.

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<v Speaker 9>The outside cat keeps bringing snakes and mice and stuff

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<v Speaker 9>to the back door, going look, look, look what I

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<v Speaker 9>have to do.

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<v Speaker 6>Man's here's my money to get in the club. Let

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<v Speaker 6>me Justin Morris here, we're gonna actually play your single

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<v Speaker 6>and we're gonna come back in a second. This is

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<v Speaker 6>Justin and Priscilla Block. How'd you guys get together on

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<v Speaker 6>this song? I was just blown away by her.

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<v Speaker 9>I thought she was fantastic and not only was she

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<v Speaker 9>great with the crowd, but I thought her you know,

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<v Speaker 9>songwriting was great. I thought she sang great. And I

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<v Speaker 9>went up to her and said, look, if I can

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<v Speaker 9>ever do anything to help you, I would, I would

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<v Speaker 9>love to.

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<v Speaker 10>I don't know what that would be, but uh, And.

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<v Speaker 9>Then I I got this song, uh, and I asked

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<v Speaker 9>for her help, you know, by having her on it.

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<v Speaker 9>And I think she's got a great future ahead of her,

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<v Speaker 9>and really bright future She's super talented, great person, and

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<v Speaker 9>it's been a lot of fun to be on the

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<v Speaker 9>road with her.

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<v Speaker 10>And you know, obviously you guys do this to get

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<v Speaker 10>a song together.

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<v Speaker 6>Yeah, with you being a guy that has done music

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<v Speaker 6>your whole life and have been really successful over the past,

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<v Speaker 6>because that's all your first number one was like fourteen

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<v Speaker 6>years ago or something.

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<v Speaker 10>Yeah, this is actually this is sixteen years.

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<v Speaker 6>So sixteen years that you've been doing it, so it's.

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<v Speaker 10>My record deal in seven you have been a.

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<v Speaker 6>Guy that plays late shows, You're on a bus, you're sleeping,

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<v Speaker 6>and now you're doing a morning show back in Arkansas.

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<v Speaker 10>How have you adjusted because I'm an idiot.

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<v Speaker 6>Well, I felt a late idiots on the weekend. If

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<v Speaker 6>I'm touring, I never catch up and then I struggle

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<v Speaker 6>all week. But how's it going for you?

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<v Speaker 3>Not?

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<v Speaker 7>Well?

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<v Speaker 10>No, I mean it's been a lot of fun, man.

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<v Speaker 9>I mean, you know, like I've had the opportunity to

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<v Speaker 9>talk to Scottie Thurman and Cidney Moncrief and like, you know,

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<v Speaker 9>all these guys that I've looked up to, and so

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<v Speaker 9>it's been a lot of fun.

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<v Speaker 10>But it's tough, man, you know, do you ever.

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<v Speaker 6>Wake up and go to the schedule the morning.

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<v Speaker 5>I just love it.

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<v Speaker 6>No, I never have, not once. What time do you

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<v Speaker 6>wake up?

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<v Speaker 9>So I'm on Tuesday through Thursday seven to ten?

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<v Speaker 6>Okay, that's a little soft up at like six fifty two.

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<v Speaker 10>Uh, you know when I got to be on at seven? Okay?

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<v Speaker 6>But do you do it from your house?

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<v Speaker 10>I do I do it?

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<v Speaker 9>Oh, thie line? Look at me talking radio, man line.

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<v Speaker 9>That's a pretty good gig. Three hours and from the house.

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<v Speaker 6>Hey, I'm making up a three thirty over here driving

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<v Speaker 6>into work. What kind of crap deal do I have?

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<v Speaker 6>He just gets to wake up. You make a lot

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<v Speaker 6>of money than I do. Maybe it only radio though,

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<v Speaker 6>Like you're doing pretty good in your other thing. I

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<v Speaker 6>get a lot of people that text me pictures of

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<v Speaker 6>your bus going who drives this bus? Because it's got

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<v Speaker 6>a big razorback on the back of it. I don't

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<v Speaker 6>even have to look at it anymore. As soon as

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<v Speaker 6>I see who drives this bus, I know that it's you.

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<v Speaker 6>Is that the same bus or have you changed out

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<v Speaker 6>the buses and put a new hog on it.

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<v Speaker 9>I've had I think that's my second or third bus

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<v Speaker 9>with a hog, and we're building a new one right

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<v Speaker 9>now that we'll be on next year, that we'll have

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<v Speaker 9>a I think we're going to do the Remember the

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<v Speaker 9>metallic hog from the Liberty Bowl. I think it was.

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<v Speaker 5>Hey, they all do right, everybody?

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<v Speaker 7>All?

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<v Speaker 5>I know, yeah, I do.

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<v Speaker 6>I know you. I think we're going to do that

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<v Speaker 6>one on a white bus. That's cool to see. New

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<v Speaker 6>buses are expensive. Do you buy your bus or no?

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<v Speaker 5>Lease?

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<v Speaker 6>I know, only think about that small town us say

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<v Speaker 6>what number one? Back in twenty nine, fourteen years ago,

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<v Speaker 6>I feel like forever ago. I felt like yesterday.

0:10:16.679 --> 0:10:18.440
<v Speaker 10>Forever, but in a good way.

0:10:18.480 --> 0:10:20.720
<v Speaker 9>I mean, you know the fact that we're still doing

0:10:20.760 --> 0:10:25.679
<v Speaker 9>this in this capacity so many years later. Man, I

0:10:26.160 --> 0:10:30.480
<v Speaker 9>just feel super blessed and I'm super thankful to the

0:10:30.559 --> 0:10:33.800
<v Speaker 9>fans listening. And again, you guys at radio have been

0:10:34.960 --> 0:10:37.520
<v Speaker 9>so good to us over the years, and that's why

0:10:37.559 --> 0:10:38.559
<v Speaker 9>we're still here.

0:10:39.000 --> 0:10:43.480
<v Speaker 6>Honestly, when you moved to Nashville, because you then left Nashville,

0:10:43.480 --> 0:10:44.360
<v Speaker 6>when did you move here?

0:10:44.400 --> 0:10:47.080
<v Speaker 9>How long were you here? I lived here? I moved

0:10:47.120 --> 0:10:50.240
<v Speaker 9>here in o two twenty one years ago. I guess

0:10:50.360 --> 0:10:53.640
<v Speaker 9>I lived here for between nine and ten years.

0:10:53.880 --> 0:10:54.720
<v Speaker 5>And when you moved.

0:10:54.600 --> 0:10:57.000
<v Speaker 6>Back to Arkansas, was it because you were like, I

0:10:57.040 --> 0:10:59.480
<v Speaker 6>feel successful enough that I can jump and then just

0:10:59.480 --> 0:11:01.559
<v Speaker 6>come back if I need to, or was it I

0:11:02.080 --> 0:11:03.120
<v Speaker 6>don't think this place is for me.

0:11:03.200 --> 0:11:05.880
<v Speaker 9>I need to go back a little bit of both.

0:11:06.240 --> 0:11:09.040
<v Speaker 9>Nashville is really good to me. I've got great friends here.

0:11:09.559 --> 0:11:13.600
<v Speaker 9>It wasn't home, I mean, and it was never my

0:11:13.720 --> 0:11:17.840
<v Speaker 9>intention to move here full time. And this Nashville is

0:11:18.000 --> 0:11:19.839
<v Speaker 9>totally different than the one I lived in.

0:11:20.200 --> 0:11:25.320
<v Speaker 10>I mean, it's changed so much and grown so much.

0:11:25.720 --> 0:11:29.040
<v Speaker 9>But yeah, it was always my intention to go back home,

0:11:29.080 --> 0:11:32.800
<v Speaker 9>and in particular for my kids, and so we moved

0:11:32.800 --> 0:11:37.080
<v Speaker 9>back home when my oldest daughter, who's now thirteen, was born.

0:11:37.480 --> 0:11:40.959
<v Speaker 10>And I never wanted my decision to.

0:11:40.920 --> 0:11:45.480
<v Speaker 9>Do this for a career to affect my kids in

0:11:45.520 --> 0:11:49.679
<v Speaker 9>a negative way. And you can certainly live here and

0:11:51.120 --> 0:11:53.760
<v Speaker 9>achieve that, but for me, I wanted to be back

0:11:53.800 --> 0:11:57.080
<v Speaker 9>home around my parents and grandparents and aunts and uncles

0:11:57.120 --> 0:11:59.800
<v Speaker 9>and all that, and so it's been really good for us.

0:12:00.559 --> 0:12:03.840
<v Speaker 9>It wasn't super popular with my record label when I

0:12:03.880 --> 0:12:05.360
<v Speaker 9>did it.

0:12:05.400 --> 0:12:06.720
<v Speaker 6>Was that a conversation you had to sit down and

0:12:06.720 --> 0:12:09.000
<v Speaker 6>have with them, or did you just moving back just

0:12:09.080 --> 0:12:11.040
<v Speaker 6>change my mouth just start sending it to this address.

0:12:11.120 --> 0:12:13.920
<v Speaker 9>Yeah, but I talked to my manager. Actually, I go,

0:12:14.280 --> 0:12:16.200
<v Speaker 9>I want to move home, and he knew, and he goes,

0:12:16.880 --> 0:12:19.360
<v Speaker 9>you're a grown man, move home, like you don't have

0:12:19.400 --> 0:12:20.600
<v Speaker 9>to ask himbody's permission.

0:12:21.400 --> 0:12:22.280
<v Speaker 10>And so I just did it.

0:12:22.320 --> 0:12:25.320
<v Speaker 9>And three years later I'm talking to my record label

0:12:25.400 --> 0:12:29.760
<v Speaker 9>president and he goes, how long you been living in Arkansas?

0:12:30.080 --> 0:12:31.840
<v Speaker 10>I go about three years?

0:12:32.360 --> 0:12:35.240
<v Speaker 9>And so it was good because it proved to him

0:12:35.240 --> 0:12:38.000
<v Speaker 9>I could do my job and live anywhere, you know,

0:12:38.040 --> 0:12:41.880
<v Speaker 9>as an artist, like when you come to Nashville, usually

0:12:41.920 --> 0:12:44.840
<v Speaker 9>you're off I mean outside of these kind of things.

0:12:44.880 --> 0:12:46.920
<v Speaker 10>I mean typically it's because you're off work.

0:12:47.360 --> 0:12:49.000
<v Speaker 9>You know, you get off the road and you're off

0:12:49.000 --> 0:12:50.480
<v Speaker 9>for two or three four days and then you get

0:12:50.480 --> 0:12:53.080
<v Speaker 9>back on a bus. But so I kept coming home

0:12:53.200 --> 0:12:57.079
<v Speaker 9>going I wish I was at home home, like eating

0:12:57.120 --> 0:13:01.240
<v Speaker 9>dinner at Nanny's house, you know, with everybody else.

0:13:01.320 --> 0:13:04.040
<v Speaker 6>And so new records called Straight Dog. I want to

0:13:04.040 --> 0:13:06.320
<v Speaker 6>play a clip of the first track, which is you

0:13:06.360 --> 0:13:08.480
<v Speaker 6>and Riley Green. This is everybody get along.

0:13:09.120 --> 0:13:12.320
<v Speaker 7>But when it comes down to we Got.

0:13:15.320 --> 0:13:18.000
<v Speaker 6>Do you feel weird because this song you gotta sound

0:13:18.000 --> 0:13:18.400
<v Speaker 6>great together?

0:13:18.400 --> 0:13:19.880
<v Speaker 5>Do you feel weird of asking people to do stuff?

0:13:19.960 --> 0:13:20.000
<v Speaker 11>No?

0:13:20.160 --> 0:13:22.520
<v Speaker 6>Just generally you get weird. Do you feel weird because

0:13:22.559 --> 0:13:24.720
<v Speaker 6>I struggle with asking anybody to do anything?

0:13:24.840 --> 0:13:26.040
<v Speaker 10>Yeah, with their formula.

0:13:26.280 --> 0:13:31.559
<v Speaker 9>I hate asking anybody for any help or you know.

0:13:31.640 --> 0:13:33.200
<v Speaker 6>Why, Riley, Do you feel like that was a guy

0:13:33.240 --> 0:13:34.200
<v Speaker 6>you could ask pretty easily.

0:13:34.640 --> 0:13:36.680
<v Speaker 9>He and I have gotten to know each other over

0:13:36.720 --> 0:13:39.920
<v Speaker 9>the last six seven years, five six years or whatever,

0:13:40.200 --> 0:13:43.960
<v Speaker 9>and I'm a big fan of his obviously, and I

0:13:44.000 --> 0:13:47.959
<v Speaker 9>really thought in the song in particular, it's two guys

0:13:48.000 --> 0:13:50.400
<v Speaker 9>that are just to like, which is the irony in

0:13:50.480 --> 0:13:54.880
<v Speaker 9>the song, even though they disagree on everything, but they're identical,

0:13:55.440 --> 0:13:57.839
<v Speaker 9>and so you know, he and I, I think, are

0:13:57.840 --> 0:13:58.760
<v Speaker 9>a little bit like that.

0:13:59.160 --> 0:14:02.400
<v Speaker 6>So one more this is with a woman you love, justin.

0:14:02.240 --> 0:14:04.200
<v Speaker 7>Moore because we're the warm.

0:14:06.720 --> 0:14:09.559
<v Speaker 6>Which, by the way, was another number one for you. You

0:14:09.160 --> 0:14:10.760
<v Speaker 6>got eleven. You got eleven to those things.

0:14:11.679 --> 0:14:13.840
<v Speaker 10>Dude, it's crazy you get.

0:14:13.760 --> 0:14:16.240
<v Speaker 6>Eleven number ones. And again I'll just kind of end

0:14:16.240 --> 0:14:19.800
<v Speaker 6>this the way that I brought it up. Eleven number ones,

0:14:20.000 --> 0:14:22.680
<v Speaker 6>and it's like, we're how's justin not playing.

0:14:22.440 --> 0:14:23.160
<v Speaker 5>On these shows?

0:14:23.560 --> 0:14:26.160
<v Speaker 6>And now it's like, you know, screw it, but yeah,

0:14:26.160 --> 0:14:26.640
<v Speaker 6>how is it?

0:14:27.120 --> 0:14:27.400
<v Speaker 7>You know?

0:14:28.000 --> 0:14:30.600
<v Speaker 9>It used to bother me, but now I don't miss

0:14:30.640 --> 0:14:32.920
<v Speaker 9>any ball games on Tuesday night when I'm supposed to

0:14:32.920 --> 0:14:35.720
<v Speaker 9>be coaching my eleven year old, so I'd rather be

0:14:35.760 --> 0:14:36.240
<v Speaker 9>doing that.

0:14:36.600 --> 0:14:39.520
<v Speaker 6>Eddie asked me to sponsor his team. You're rich, do

0:14:39.560 --> 0:14:40.040
<v Speaker 6>you want sponsor?

0:14:40.080 --> 0:14:41.880
<v Speaker 5>Ready? Seam, Come on, Jason.

0:14:41.720 --> 0:14:42.960
<v Speaker 10>You take that Cowboys out.

0:14:45.880 --> 0:14:49.600
<v Speaker 6>Justin Moore new record just came out this weekend, So congratulations.

0:14:49.600 --> 0:14:51.400
<v Speaker 6>Good to see again, buddy, keep killing it. Thanks for

0:14:51.440 --> 0:14:55.360
<v Speaker 6>representing home so well. And there he is. Go check

0:14:55.360 --> 0:14:57.520
<v Speaker 6>it out stream it and I'll say this, Justin's out

0:14:57.520 --> 0:14:59.480
<v Speaker 6>on the road. You guys go because it's so many dates.

0:14:59.480 --> 0:15:01.440
<v Speaker 6>I'm not gonna be every single city, but it's you know,

0:15:01.480 --> 0:15:03.200
<v Speaker 6>most of the cities that we're in. You have all

0:15:03.240 --> 0:15:06.880
<v Speaker 6>these dates all the way up until sept September twenty third.

0:15:07.080 --> 0:15:09.040
<v Speaker 6>A lot of shows, man, a lot of shows.

0:15:09.120 --> 0:15:11.760
<v Speaker 9>Stop it at September twenty third, you do fall, Yeah,

0:15:11.800 --> 0:15:13.360
<v Speaker 9>let's stop that right there.

0:15:13.480 --> 0:15:14.600
<v Speaker 5>Then you can go to the games.

0:15:14.920 --> 0:15:17.400
<v Speaker 6>I mean that's what I tried to now strategically, what yeah,

0:15:17.520 --> 0:15:18.760
<v Speaker 6>scheduling games, I do.

0:15:18.760 --> 0:15:19.400
<v Speaker 10>The same thing.

0:15:19.520 --> 0:15:22.720
<v Speaker 9>I have to look down the schedule and go, Okay,

0:15:22.720 --> 0:15:24.360
<v Speaker 9>I'm gonna go to this one, this one, this one,

0:15:24.560 --> 0:15:25.120
<v Speaker 9>and so.

0:15:25.240 --> 0:15:27.040
<v Speaker 6>I will see it. I are a country festive coming.

0:15:26.960 --> 0:15:30.600
<v Speaker 10>Up and ess like in a week or two.

0:15:30.800 --> 0:15:34.320
<v Speaker 6>Yes, it'll actually be this Saturday.

0:15:34.560 --> 0:15:34.840
<v Speaker 5>Yeah.

0:15:35.440 --> 0:15:37.080
<v Speaker 6>That's how you can tell we recorded this, is that

0:15:37.080 --> 0:15:38.560
<v Speaker 6>we're trying to figure out where our days are.

0:15:38.680 --> 0:15:40.120
<v Speaker 10>Yeah. Yeah, it'll be fun.

0:15:40.120 --> 0:15:43.120
<v Speaker 9>Man. I haven't been there in I don't know, five, six,

0:15:43.440 --> 0:15:45.440
<v Speaker 9>seven years, so it'll be fun to be back.

0:15:45.920 --> 0:15:46.080
<v Speaker 5>Justin.

0:15:46.120 --> 0:15:47.320
<v Speaker 6>Good to see buddy, you too, are there?

0:15:47.560 --> 0:15:47.800
<v Speaker 5>Justin Moore?

0:15:47.880 --> 0:15:53.760
<v Speaker 1>Everybody, it's the best bits of the week with Morgan.

0:15:53.840 --> 0:15:58.080
<v Speaker 3>Number two, Amy shared a totally wild story about her

0:15:58.360 --> 0:16:01.600
<v Speaker 3>son's school. Her son's teacher told her about some emotional

0:16:01.680 --> 0:16:04.840
<v Speaker 3>support animals and a crazy incident that happened, which is

0:16:04.840 --> 0:16:08.120
<v Speaker 3>why they can no longer have any emotional support animals

0:16:08.280 --> 0:16:11.880
<v Speaker 3>at the school. And it's just incredibly traumatic to not

0:16:11.960 --> 0:16:14.640
<v Speaker 3>only know that this story happened, but just hear about it.

0:16:14.680 --> 0:16:16.880
<v Speaker 3>I don't know about you guys, but hearing animal stories

0:16:17.080 --> 0:16:20.000
<v Speaker 3>is very difficult for me, so this one was traumatic

0:16:20.040 --> 0:16:20.560
<v Speaker 3>to listen to.

0:16:21.160 --> 0:16:21.840
<v Speaker 8>Number six.

0:16:21.960 --> 0:16:24.840
<v Speaker 6>I do see a lot less service support animals at

0:16:24.840 --> 0:16:27.280
<v Speaker 6>the airport because now you can't just take your hyena

0:16:27.320 --> 0:16:29.280
<v Speaker 6>from home and put a vest on it, like it's

0:16:29.320 --> 0:16:31.720
<v Speaker 6>got to really be like a service animal. Support animal.

0:16:31.760 --> 0:16:35.600
<v Speaker 6>Now they've because things were crapping on airplanes and people

0:16:35.640 --> 0:16:38.760
<v Speaker 6>were bringing ridiculous animals. But I didn't know that you

0:16:38.800 --> 0:16:41.720
<v Speaker 6>could bring support animals to school, which at least that

0:16:41.760 --> 0:16:43.560
<v Speaker 6>was happening at your son's school.

0:16:43.640 --> 0:16:46.840
<v Speaker 12>Yeah, his teacher was telling us about how they used

0:16:46.880 --> 0:16:50.120
<v Speaker 12>to allow it until there was a incident.

0:16:50.360 --> 0:16:51.680
<v Speaker 5>Okay, listen to this.

0:16:51.840 --> 0:16:57.120
<v Speaker 12>What happened the service support animal ate another animal?

0:16:57.280 --> 0:16:58.040
<v Speaker 7>What woa?

0:16:58.560 --> 0:16:58.800
<v Speaker 10>Yeah?

0:16:58.920 --> 0:17:03.200
<v Speaker 6>Telling the animals? So as a dog, which makes sense.

0:17:03.240 --> 0:17:05.400
<v Speaker 5>It's a doll. We all love dogs. What's the other one?

0:17:05.720 --> 0:17:06.359
<v Speaker 13>A bird?

0:17:07.880 --> 0:17:12.679
<v Speaker 6>It was a parrot. And so did the parrot do

0:17:12.760 --> 0:17:15.600
<v Speaker 6>the thing where it's like sit on your shoulder? Jack Sparrow,

0:17:16.960 --> 0:17:19.439
<v Speaker 6>I don't know, you can't sitting in class, you know,

0:17:19.520 --> 0:17:22.080
<v Speaker 6>doing his homework and the parents right there like you.

0:17:22.119 --> 0:17:24.040
<v Speaker 5>See, go see, probably annoyed the door.

0:17:24.280 --> 0:17:26.960
<v Speaker 12>But I was thinking, gosh, too bad we missed this

0:17:27.080 --> 0:17:30.400
<v Speaker 12>opportunity because it all went down before he was there.

0:17:31.119 --> 0:17:33.120
<v Speaker 12>Because I thought how helpful it would be for him

0:17:33.119 --> 0:17:34.840
<v Speaker 12>to have an animal with him at school.

0:17:35.160 --> 0:17:37.880
<v Speaker 13>I think it really really would. It's like, well, that's

0:17:37.920 --> 0:17:38.520
<v Speaker 13>not going to happen.

0:17:38.840 --> 0:17:39.840
<v Speaker 6>So what did they tell you?

0:17:39.920 --> 0:17:44.040
<v Speaker 12>Happened that that that they used to allow that, and

0:17:44.080 --> 0:17:46.200
<v Speaker 12>it was very helpful in therapeutic for the kids.

0:17:46.280 --> 0:17:48.720
<v Speaker 13>But it can't happen anymore because did.

0:17:48.640 --> 0:17:53.280
<v Speaker 6>They explain seeing it, like was it in the classroom?

0:17:53.400 --> 0:17:54.040
<v Speaker 5>Was it like at Rea?

0:17:54.320 --> 0:17:56.920
<v Speaker 13>Yes, I think people witnessed it. Yes, and it was everywhere.

0:17:56.960 --> 0:18:00.720
<v Speaker 13>The dog just ate the parents experience and the obviously

0:18:00.760 --> 0:18:01.879
<v Speaker 13>the parrot belonged to somebody.

0:18:01.880 --> 0:18:04.560
<v Speaker 6>And now it's not it's the parrot just hanging like

0:18:04.560 --> 0:18:05.840
<v Speaker 6>again on the desk of the kid.

0:18:06.080 --> 0:18:08.000
<v Speaker 12>Yeah, I don't have all the deeper.

0:18:08.119 --> 0:18:10.840
<v Speaker 6>In the cage because the dog can't eat the whole cage.

0:18:10.840 --> 0:18:11.639
<v Speaker 6>I would heard a stomach.

0:18:12.119 --> 0:18:13.400
<v Speaker 13>It's not like the dog went into the cage.

0:18:13.600 --> 0:18:15.199
<v Speaker 5>I'm picturing the parrot on the kid's shoulder.

0:18:15.400 --> 0:18:16.200
<v Speaker 13>It's just a hole.

0:18:16.320 --> 0:18:17.840
<v Speaker 10>I picture the kid were on an eye patch too.

0:18:18.560 --> 0:18:23.360
<v Speaker 12>Picture a whole therapeutic situation, kumbaigall the animals hanging out

0:18:24.040 --> 0:18:25.679
<v Speaker 12>doing their thing, being all therapeutic.

0:18:26.200 --> 0:18:27.879
<v Speaker 13>And then the dog went rogue.

0:18:28.800 --> 0:18:29.840
<v Speaker 5>The dog went dog.

0:18:30.119 --> 0:18:32.280
<v Speaker 6>Yeah, but I mean.

0:18:32.640 --> 0:18:34.480
<v Speaker 13>Yeah, I don't think they were expecting.

0:18:34.520 --> 0:18:36.600
<v Speaker 6>Maybe the parrot said something that offended the dog, like

0:18:36.640 --> 0:18:38.119
<v Speaker 6>erect dogs aren't dogs.

0:18:37.880 --> 0:18:40.840
<v Speaker 14>On cold dog animals, we hate dogs. Yeah, And then

0:18:40.840 --> 0:18:43.280
<v Speaker 14>the dog got mad all pit bulls should not be allowed.

0:18:43.280 --> 0:18:46.680
<v Speaker 14>Maybe even that's it. Dogs, it's not parent impression by that.

0:18:46.720 --> 0:18:48.800
<v Speaker 14>It's not bad.

0:18:48.520 --> 0:18:51.480
<v Speaker 12>Dogs live with birds in people's homes and things don't happen.

0:18:51.880 --> 0:18:53.600
<v Speaker 5>Dang, I wonder what happened, wonder what set them off?

0:18:55.040 --> 0:18:56.879
<v Speaker 5>And then I'm sure the parrot wasn't quiet about it

0:18:56.880 --> 0:18:57.560
<v Speaker 5>when he's getting eat.

0:19:00.040 --> 0:19:02.400
<v Speaker 13>I mean, I can't even imagine. It's terrible. You've probably

0:19:02.400 --> 0:19:04.280
<v Speaker 13>got kids want someone to save me from this dog

0:19:05.160 --> 0:19:07.720
<v Speaker 13>because of it? Right now? Yeah?

0:19:07.760 --> 0:19:11.280
<v Speaker 6>And nothing else? Do you sue? Did the parents sue?

0:19:12.080 --> 0:19:13.720
<v Speaker 13>I don't know.

0:19:13.320 --> 0:19:16.280
<v Speaker 5>You gotta get you, gotta get me more on this story.

0:19:16.440 --> 0:19:17.240
<v Speaker 13>I can text her.

0:19:17.520 --> 0:19:19.280
<v Speaker 6>The great stories ever heard. It makes me feel I

0:19:19.280 --> 0:19:22.000
<v Speaker 6>don't like it because but it's like you got support

0:19:22.040 --> 0:19:24.520
<v Speaker 6>animals to one of the animals that supported eight the

0:19:24.600 --> 0:19:27.159
<v Speaker 6>other animal that supported so does that mean he was

0:19:27.240 --> 0:19:32.000
<v Speaker 6>more supporting because the parrot wasn't good for the rest?

0:19:32.240 --> 0:19:33.840
<v Speaker 13>Okay, I'm texting her now.

0:19:34.680 --> 0:19:35.760
<v Speaker 6>We have to check it back in with this.

0:19:35.920 --> 0:19:37.560
<v Speaker 13>Yeah, I can get the details.

0:19:38.240 --> 0:19:39.359
<v Speaker 6>And is there a video of it?

0:19:39.400 --> 0:19:41.520
<v Speaker 5>I don't want to see. And do all the kids

0:19:41.560 --> 0:19:44.560
<v Speaker 5>start screaming? Anyone try to stop it?

0:19:45.880 --> 0:19:47.080
<v Speaker 15>Did I start picking sides.

0:19:47.760 --> 0:19:51.000
<v Speaker 6>Oh a dog parrot Like if people circle like in

0:19:51.040 --> 0:19:54.320
<v Speaker 6>a fight in high school, show down, showdown, fight fight,

0:19:54.320 --> 0:19:57.520
<v Speaker 6>they're betting on it, don't going dollar bills.

0:19:57.760 --> 0:19:59.800
<v Speaker 13>I mean, if that's the case, then they probably still allow.

0:20:00.200 --> 0:20:02.240
<v Speaker 6>There's no chance the parrot beats the dog. Except the

0:20:02.280 --> 0:20:05.640
<v Speaker 6>parrot parents aren't really flyers. They fly a little bit,

0:20:05.920 --> 0:20:07.760
<v Speaker 6>but they're in but it's in and enclosed.

0:20:08.960 --> 0:20:11.080
<v Speaker 5>I think they're able to fly, but we clip their

0:20:11.119 --> 0:20:12.080
<v Speaker 5>wings so they don't.

0:20:12.160 --> 0:20:16.000
<v Speaker 6>Oh gosh, so the parrot wings were clipped.

0:20:16.040 --> 0:20:17.280
<v Speaker 5>He never had a chance against his dog.

0:20:17.320 --> 0:20:17.600
<v Speaker 10>Correct.

0:20:18.080 --> 0:20:20.280
<v Speaker 6>I wonder what draft Kings had it listed as for

0:20:20.440 --> 0:20:23.520
<v Speaker 6>the fight that I'd be willing to jump into. Okay,

0:20:23.560 --> 0:20:26.199
<v Speaker 6>find out more about that. I am because that sucks

0:20:26.760 --> 0:20:29.240
<v Speaker 6>that we make some jokes about it. But that sucks

0:20:29.320 --> 0:20:32.119
<v Speaker 6>that that happened. But that's unbelievable. First of all, you

0:20:32.160 --> 0:20:33.160
<v Speaker 6>get a parentis the support animal.

0:20:33.240 --> 0:20:33.840
<v Speaker 5>Let me go to that too.

0:20:33.880 --> 0:20:35.600
<v Speaker 6>By the way, let me just stop go to the

0:20:35.640 --> 0:20:38.160
<v Speaker 6>very beginning. You get to take too, can sam into

0:20:38.240 --> 0:20:40.199
<v Speaker 6>a room and that thing gets to help you, like

0:20:40.240 --> 0:20:40.800
<v Speaker 6>feel better.

0:20:41.600 --> 0:20:44.040
<v Speaker 12>I guess if it's your animal too, you want to

0:20:44.040 --> 0:20:45.160
<v Speaker 12>bring brings you comfort.

0:20:45.240 --> 0:20:46.800
<v Speaker 6>What'd you look up over there, lunchbox.

0:20:47.040 --> 0:20:49.200
<v Speaker 15>No, I'm just trying to see, uh, parent.

0:20:49.000 --> 0:20:50.640
<v Speaker 6>He's looking at bikini girls and I think he's looking

0:20:50.640 --> 0:20:51.840
<v Speaker 6>at something.

0:20:54.000 --> 0:20:54.119
<v Speaker 7>Way.

0:20:54.160 --> 0:20:55.600
<v Speaker 6>He's on his computer and he holds his head up.

0:20:55.640 --> 0:20:57.479
<v Speaker 6>That's what he does when he like figures something. And

0:20:57.480 --> 0:20:59.280
<v Speaker 6>he was typing and he goes head up, and I

0:20:59.320 --> 0:21:00.000
<v Speaker 6>was like, oh, the lunchbot.

0:21:00.080 --> 0:21:02.800
<v Speaker 5>What you get? Now? Have you seen Kim kard Ashy. No,

0:21:03.040 --> 0:21:03.680
<v Speaker 5>it's a blondie.

0:21:03.680 --> 0:21:04.000
<v Speaker 15>I don't know.

0:21:04.119 --> 0:21:06.119
<v Speaker 16>It's the gymnast from l s U. She's on the

0:21:06.119 --> 0:21:09.040
<v Speaker 16>Sports Illustrated some shoot suit edition. They just released the

0:21:09.040 --> 0:21:10.879
<v Speaker 16>photos she is.

0:21:11.560 --> 0:21:14.680
<v Speaker 6>Yeah, he has the biggest valuation of any n I

0:21:14.840 --> 0:21:17.480
<v Speaker 6>l athlete. Yeah, it's like millions and millions of dollars.

0:21:17.560 --> 0:21:18.200
<v Speaker 5>You can see why.

0:21:18.400 --> 0:21:20.080
<v Speaker 15>Yeah, And so I just was like, oh, man, I'm

0:21:20.160 --> 0:21:21.280
<v Speaker 15>zoning out. I need to pay attention.

0:21:21.320 --> 0:21:22.840
<v Speaker 16>So I looked up and then you called me on it,

0:21:22.880 --> 0:21:24.320
<v Speaker 16>and I'm not gonna lie to you, you know what

0:21:24.359 --> 0:21:26.320
<v Speaker 16>I mean, and tell you I'm looking at I appreciate

0:21:26.359 --> 0:21:29.320
<v Speaker 16>that I wanted to, But how hot is she?

0:21:29.359 --> 0:21:29.840
<v Speaker 15>Addy?

0:21:30.040 --> 0:21:30.360
<v Speaker 5>She's hot?

0:21:31.080 --> 0:21:33.920
<v Speaker 6>Hey, I would just go with what not that, right, man?

0:21:34.000 --> 0:21:36.679
<v Speaker 6>I would just go with Listen, dude, you should just

0:21:36.720 --> 0:21:37.440
<v Speaker 6>focus on work.

0:21:37.600 --> 0:21:38.720
<v Speaker 5>You know, I didn't even think about it. I just

0:21:38.800 --> 0:21:40.640
<v Speaker 5>kind of reacted your wife less, that's what came out.

0:21:40.680 --> 0:21:43.760
<v Speaker 16>Yeah, but look at this, I mean, hold on, hold on,

0:21:43.800 --> 0:21:45.280
<v Speaker 16>all right, We're gonna play this song thank you.

0:21:45.280 --> 0:21:46.840
<v Speaker 15>On the beat.

0:21:46.880 --> 0:21:50.080
<v Speaker 8>It's the best bits of the week with Morgan.

0:21:50.160 --> 0:21:54.879
<v Speaker 3>Number two, Bobby shared some rejected segments from the month

0:21:54.960 --> 0:21:58.280
<v Speaker 3>of April. These are segments that didn't quite make the

0:21:58.320 --> 0:22:00.919
<v Speaker 3>show in a big since, but they made it in

0:22:01.000 --> 0:22:04.040
<v Speaker 3>rejected segments. They kind of made it. It's like almost

0:22:04.080 --> 0:22:07.960
<v Speaker 3>made it, but rejected version. So check these out. Let

0:22:08.080 --> 0:22:09.480
<v Speaker 3>us know if you like any of these and wish

0:22:09.640 --> 0:22:12.399
<v Speaker 3>they might have played out in person number five.

0:22:12.520 --> 0:22:15.840
<v Speaker 6>All these segments were rejected for different reasons. I saved

0:22:15.840 --> 0:22:17.919
<v Speaker 6>the best five and present them to you as a segment.

0:22:17.960 --> 0:22:20.720
<v Speaker 5>Well, we call it rejected segments.

0:22:20.760 --> 0:22:27.040
<v Speaker 6>Rejected segment number five, number five from Lunchbox here rights

0:22:27.080 --> 0:22:30.600
<v Speaker 6>our company sucks are a bunch of liars. Whoa well huh,

0:22:30.640 --> 0:22:33.560
<v Speaker 6>I definitely it's not a company issue. But he's upset

0:22:33.560 --> 0:22:34.800
<v Speaker 6>because of the free lunch email.

0:22:34.880 --> 0:22:36.480
<v Speaker 16>Yeah, we got an email saying that we're gonna have

0:22:36.480 --> 0:22:40.040
<v Speaker 16>free lunch fajitas. From eleven forty five to twelve forty five,

0:22:40.080 --> 0:22:42.440
<v Speaker 16>come on down, and I go in there at twelve

0:22:42.480 --> 0:22:45.080
<v Speaker 16>fifteen there was nothing but one scoop of salso scoop

0:22:45.080 --> 0:22:46.520
<v Speaker 16>of beans, and one tortillo.

0:22:47.440 --> 0:22:50.280
<v Speaker 6>Like, I think that's the food that they bring and

0:22:50.320 --> 0:22:52.160
<v Speaker 6>sit in there will be there from eleven forty five

0:22:52.200 --> 0:22:54.520
<v Speaker 6>to twelve forty five. And if you don't go at

0:22:54.560 --> 0:22:57.000
<v Speaker 6>one forty five, you know, no, no, it's all gonna be on, but.

0:22:56.960 --> 0:22:59.440
<v Speaker 16>Don't send You know how many people work in this building.

0:22:59.480 --> 0:23:01.439
<v Speaker 16>There's not very many of us that work in this building,

0:23:01.760 --> 0:23:04.480
<v Speaker 16>so you can accommodate. Okay, there's twenty people that work

0:23:04.560 --> 0:23:06.960
<v Speaker 16>here in this building, so we should get twenty.

0:23:07.640 --> 0:23:10.520
<v Speaker 6>She should wore the food half hour I was doing work.

0:23:11.119 --> 0:23:12.840
<v Speaker 6>I was in the middle of doing a podcast, and

0:23:12.880 --> 0:23:15.680
<v Speaker 6>you can't pause it to go get you. No, you can't, no,

0:23:16.680 --> 0:23:21.040
<v Speaker 6>and you can't. I could, okay, but they.

0:23:20.920 --> 0:23:22.640
<v Speaker 15>Tell you it's food for everyone.

0:23:22.920 --> 0:23:24.720
<v Speaker 16>They know how many people work here, and they don't

0:23:24.720 --> 0:23:25.920
<v Speaker 16>even bring enough for everybody.

0:23:25.920 --> 0:23:27.280
<v Speaker 15>It's like, what are you doing?

0:23:27.400 --> 0:23:29.040
<v Speaker 5>I had the food. It was great. You ate it?

0:23:29.160 --> 0:23:29.320
<v Speaker 7>Yeah?

0:23:29.359 --> 0:23:31.280
<v Speaker 5>When were you there? Right when it started?

0:23:31.560 --> 0:23:32.480
<v Speaker 6>I was a fresh and warm.

0:23:32.520 --> 0:23:34.480
<v Speaker 5>Oh it was great, dude. I had three tacos.

0:23:34.840 --> 0:23:35.159
<v Speaker 7>Dang you.

0:23:35.320 --> 0:23:37.040
<v Speaker 6>I had his ebody got two supposed to that he

0:23:37.080 --> 0:23:37.520
<v Speaker 6>got thirty.

0:23:37.560 --> 0:23:38.600
<v Speaker 15>I mean it was crazy.

0:23:38.640 --> 0:23:40.560
<v Speaker 16>How we go in there and it was like, wow,

0:23:40.680 --> 0:23:42.600
<v Speaker 16>that's down to this one scoop of beachs He.

0:23:42.600 --> 0:23:44.200
<v Speaker 6>Did go half an hour after it started?

0:23:44.800 --> 0:23:45.800
<v Speaker 15>How many people are?

0:23:45.920 --> 0:23:48.720
<v Speaker 16>How hard is it to get enough for the twenty

0:23:48.720 --> 0:23:50.040
<v Speaker 16>people that work in the don't want.

0:23:49.960 --> 0:23:52.600
<v Speaker 6>To get exactly enough because there won't be everybody that

0:23:52.640 --> 0:23:52.919
<v Speaker 6>comes in.

0:23:52.960 --> 0:23:53.960
<v Speaker 13>And it sounds like some people.

0:23:54.000 --> 0:23:55.679
<v Speaker 15>It sounds like five people went in there and it

0:23:55.720 --> 0:23:56.240
<v Speaker 15>was already out.

0:23:56.480 --> 0:23:58.080
<v Speaker 6>Sounds like a little more than they should have been.

0:23:59.400 --> 0:24:02.399
<v Speaker 6>Number and this one I didn't choose just because it

0:24:02.480 --> 0:24:04.320
<v Speaker 6>us boring as crap. You may think we do some

0:24:04.320 --> 0:24:07.160
<v Speaker 6>boring stuff sometimes, but I don't know. This might actually

0:24:07.200 --> 0:24:09.560
<v Speaker 6>trump all of them. Eddie wants to do a segment

0:24:09.600 --> 0:24:10.920
<v Speaker 6>about him getting reading glasses.

0:24:11.440 --> 0:24:12.840
<v Speaker 10>Hey, this is real, guys.

0:24:13.359 --> 0:24:15.240
<v Speaker 5>I mean I don't know anything about it.

0:24:15.320 --> 0:24:16.760
<v Speaker 17>This is why I kind of wanted to talk about it,

0:24:16.800 --> 0:24:18.920
<v Speaker 17>Like do I need to go to the optometrist or what?

0:24:18.960 --> 0:24:19.679
<v Speaker 5>All? Right, there you go.

0:24:19.840 --> 0:24:21.080
<v Speaker 6>That is number four.

0:24:21.240 --> 0:24:21.600
<v Speaker 5>Thank you.

0:24:22.160 --> 0:24:23.720
<v Speaker 8>Number three.

0:24:24.000 --> 0:24:26.280
<v Speaker 6>This one is from Lunchbox and I'm just gonna read

0:24:26.280 --> 0:24:29.960
<v Speaker 6>the description win a date with Amy. We need to

0:24:29.960 --> 0:24:33.320
<v Speaker 6>get Amy back on the dating scene. Yeah, we should

0:24:33.320 --> 0:24:35.679
<v Speaker 6>hold a contest where the prize is to win a

0:24:35.720 --> 0:24:38.000
<v Speaker 6>date with Amy. We bring in three single guys or

0:24:38.040 --> 0:24:39.960
<v Speaker 6>girls and play the match game. The winner goes on

0:24:40.000 --> 0:24:41.719
<v Speaker 6>a date with Amy, and then we follow up to

0:24:41.760 --> 0:24:44.119
<v Speaker 6>be see if there's a second date, and especially if

0:24:44.160 --> 0:24:45.800
<v Speaker 6>it's a girl. I'll go as a chaperone.

0:24:46.400 --> 0:24:47.040
<v Speaker 15>Here's the deal.

0:24:47.760 --> 0:24:49.880
<v Speaker 16>When you're scared to do things, you got to force

0:24:49.920 --> 0:24:51.800
<v Speaker 16>people out there to do things. Like my kids, we

0:24:51.840 --> 0:24:53.520
<v Speaker 16>get to the top of the playground at the slide

0:24:53.560 --> 0:24:56.440
<v Speaker 16>and they're scared. I push them. They go to the slide.

0:24:56.640 --> 0:24:59.600
<v Speaker 16>Guess what, they realize they love it. Amy is scared

0:24:59.600 --> 0:25:01.600
<v Speaker 16>to get out date, so we push her out there.

0:25:01.760 --> 0:25:04.560
<v Speaker 16>She's gonna realize, Man, this is fun. That's what you

0:25:04.600 --> 0:25:05.000
<v Speaker 16>gotta do.

0:25:05.440 --> 0:25:08.360
<v Speaker 6>You're how're we helping these guys with the date?

0:25:08.520 --> 0:25:10.560
<v Speaker 16>Put up a thing on the website and say why

0:25:10.560 --> 0:25:12.840
<v Speaker 16>you should be in the contest, and then ask for

0:25:12.920 --> 0:25:15.880
<v Speaker 16>what Amy, do you want pictures or do you don't care?

0:25:16.840 --> 0:25:19.640
<v Speaker 16>Just like their personality, what would you prefer?

0:25:19.760 --> 0:25:20.840
<v Speaker 15>I mean, that's that's up to her.

0:25:20.880 --> 0:25:22.919
<v Speaker 16>Like she asked to get a control tool, it's not

0:25:22.960 --> 0:25:24.679
<v Speaker 16>a one Way Street, like, I'm willing to work with

0:25:24.720 --> 0:25:25.160
<v Speaker 16>her on this.

0:25:25.440 --> 0:25:27.080
<v Speaker 5>I feel like that's just a murder waiting to happen

0:25:27.119 --> 0:25:28.160
<v Speaker 5>if you do this bit with people.

0:25:28.200 --> 0:25:30.040
<v Speaker 13>Oh gosh, my brain hadn't even gone to murder.

0:25:30.160 --> 0:25:30.760
<v Speaker 15>Yeah I didn't.

0:25:31.000 --> 0:25:33.280
<v Speaker 6>Yeah, I feel like it is if we don't background

0:25:33.320 --> 0:25:37.640
<v Speaker 6>check them, check them. Amy's out with something crazy good.

0:25:37.640 --> 0:25:38.840
<v Speaker 6>Oh good, he chases her home.

0:25:39.760 --> 0:25:40.200
<v Speaker 13>I'm good.

0:25:40.280 --> 0:25:42.679
<v Speaker 6>It's rejected, rejected, Okay, there we go.

0:25:43.240 --> 0:25:43.920
<v Speaker 11>Number two.

0:25:44.119 --> 0:25:47.640
<v Speaker 6>It's called lunchbox sexy photo shoot. We tell lunchboxes even

0:25:47.720 --> 0:25:49.320
<v Speaker 6>hired by a client he endorses to do a photo

0:25:49.359 --> 0:25:51.199
<v Speaker 6>shoot for a digital commercial, but when he gets there,

0:25:51.240 --> 0:25:53.560
<v Speaker 6>it's actually a boudoir photo shoot that we lined up.

0:25:53.640 --> 0:25:54.840
<v Speaker 5>That's good. That's good.

0:25:55.840 --> 0:25:57.760
<v Speaker 6>No, because I'd show up and be like no, no,

0:25:57.840 --> 0:25:59.200
<v Speaker 6>But the client wants you to do it. They're gonna

0:25:59.240 --> 0:25:59.439
<v Speaker 6>pay you.

0:25:59.480 --> 0:26:01.240
<v Speaker 15>Money, going to pay me.

0:26:02.960 --> 0:26:04.480
<v Speaker 6>They can say million, they're not gonna pay you actually,

0:26:04.480 --> 0:26:05.879
<v Speaker 6>but they would say ten thousand dollars.

0:26:06.520 --> 0:26:08.919
<v Speaker 15>Then I'm in okay, and then I would sue you

0:26:08.960 --> 0:26:09.640
<v Speaker 15>for not coming through.

0:26:10.080 --> 0:26:10.760
<v Speaker 7>Number one.

0:26:10.880 --> 0:26:13.760
<v Speaker 6>This is from Mike d It's called easy Trivia, Hard Consequences.

0:26:14.560 --> 0:26:16.879
<v Speaker 6>Listener's been calling for us to change the rules of

0:26:16.880 --> 0:26:20.720
<v Speaker 6>easy trivia since Eddie dominates, so there's motivation. The first

0:26:20.760 --> 0:26:22.960
<v Speaker 6>person to eliminate to get shot with three paintballs. The

0:26:22.960 --> 0:26:25.720
<v Speaker 6>second person gets shot with two paintballs, and the third

0:26:25.720 --> 0:26:29.560
<v Speaker 6>person well, who lasts? Wait, the winner lasts and the

0:26:29.640 --> 0:26:31.320
<v Speaker 6>last person the third gets shot with one paintball.

0:26:31.760 --> 0:26:36.760
<v Speaker 5>I like it. That's why easy trivia hard consequences. Who's

0:26:36.800 --> 0:26:37.879
<v Speaker 5>shooting fright me?

0:26:38.680 --> 0:26:41.159
<v Speaker 6>Yeah? Yeah, I want to shoot people. I mean that

0:26:41.160 --> 0:26:44.280
<v Speaker 6>would be fun, but we can't have people to finish

0:26:44.400 --> 0:26:47.679
<v Speaker 6>second getting shot, Yeah, like fourth would be hilarious.

0:26:47.720 --> 0:26:50.520
<v Speaker 5>And is it like as soon as they get it wrong, we.

0:26:50.480 --> 0:26:54.000
<v Speaker 6>Sent all you guys up on stage with doles and

0:26:54.040 --> 0:26:55.520
<v Speaker 6>we don't even go you got bone?

0:26:55.840 --> 0:26:58.520
<v Speaker 5>Just that's crazy, dude.

0:27:00.240 --> 0:27:02.080
<v Speaker 15>I mean, I'm gonna tell you what. That's a little

0:27:02.080 --> 0:27:03.280
<v Speaker 15>close to get shot with paintball.

0:27:04.480 --> 0:27:04.680
<v Speaker 5>Yeah.

0:27:04.840 --> 0:27:08.400
<v Speaker 16>I've been shot from like point blank range when one time,

0:27:08.440 --> 0:27:09.639
<v Speaker 16>and I don't want to talk about it.

0:27:10.080 --> 0:27:11.560
<v Speaker 15>And I mean, I have never been in so much

0:27:11.560 --> 0:27:12.240
<v Speaker 15>pain in my life.

0:27:12.560 --> 0:27:14.959
<v Speaker 5>So that is another rejected segment. It's number one.

0:27:15.000 --> 0:27:19.880
<v Speaker 6>It would just be too painful rejected segments. Thank you, guys.

0:27:19.920 --> 0:27:23.119
<v Speaker 8>It's the best Bits of the week with Morgan.

0:27:23.200 --> 0:27:23.680
<v Speaker 15>Number two.

0:27:26.520 --> 0:27:28.800
<v Speaker 3>Bailey Zimmerman stopped by the studio for the very first

0:27:28.840 --> 0:27:30.760
<v Speaker 3>time and we got to hear about his story of

0:27:30.800 --> 0:27:33.439
<v Speaker 3>how he blew up on TikTok and then quit his

0:27:33.520 --> 0:27:36.760
<v Speaker 3>job the next day. Wild Not to mention, he also

0:27:36.800 --> 0:27:38.960
<v Speaker 3>got to hang out with Brandley Gilbert and Chad Kroger

0:27:38.960 --> 0:27:42.440
<v Speaker 3>of Nickelback, which has a crazy story of itself and

0:27:42.480 --> 0:27:44.760
<v Speaker 3>what it's been like for him touring with Morgan Wallen

0:27:44.840 --> 0:27:47.480
<v Speaker 3>and playing stadium, So just really cool. This guy is

0:27:47.520 --> 0:27:50.120
<v Speaker 3>so young, and he's so talented and has a lot

0:27:50.119 --> 0:27:52.080
<v Speaker 3>of fun stories to share and he's just super hype

0:27:52.160 --> 0:27:54.119
<v Speaker 3>during this interview, so that's fun to watch too. But

0:27:54.480 --> 0:27:57.000
<v Speaker 3>you can hear his interview right now, which is really cool.

0:27:57.040 --> 0:27:58.919
<v Speaker 3>But then you'll also be able to go over to

0:27:58.960 --> 0:28:01.320
<v Speaker 3>YouTube dot com so Bobby Bones Show and watch his

0:28:01.520 --> 0:28:04.639
<v Speaker 3>entire performances. I believe you played like three different songs,

0:28:04.680 --> 0:28:05.359
<v Speaker 3>so you'll want to.

0:28:05.359 --> 0:28:05.840
<v Speaker 2>Check that out.

0:28:06.280 --> 0:28:09.280
<v Speaker 8>Number four So Bobby Bones Show Interviews.

0:28:09.600 --> 0:28:11.200
<v Speaker 5>In case you didn't.

0:28:10.920 --> 0:28:14.840
<v Speaker 6>Know, this guy has blown up. His name is Bailey Zimmerman.

0:28:15.160 --> 0:28:18.360
<v Speaker 6>He's got two number ones. You probably know this one fall.

0:28:18.240 --> 0:28:24.919
<v Speaker 5>In Love and this one Rocking a Hard Place.

0:28:25.359 --> 0:28:28.199
<v Speaker 7>This between a Rock.

0:28:29.080 --> 0:28:31.360
<v Speaker 6>He's out with Morgan Wallen on his tour. He's got

0:28:31.359 --> 0:28:33.879
<v Speaker 6>a new album, Religiously the Album, and that's out today

0:28:34.359 --> 0:28:37.440
<v Speaker 6>and he's working pipelines. All of a sudden, he quit

0:28:37.480 --> 0:28:40.120
<v Speaker 6>and started singing. Here he Is.

0:28:40.160 --> 0:28:43.280
<v Speaker 8>The Friday Morning Conversation with Bailey Zimmerman.

0:28:43.440 --> 0:28:45.000
<v Speaker 5>Bailey, good to see you, buddy, Good to see you.

0:28:45.040 --> 0:28:45.200
<v Speaker 11>Man.

0:28:45.320 --> 0:28:47.360
<v Speaker 6>I feel like, I don't know, last time I saw

0:28:47.400 --> 0:28:48.959
<v Speaker 6>you was over my house and you were like this

0:28:49.040 --> 0:28:50.240
<v Speaker 6>kid with tons of potential.

0:28:50.480 --> 0:28:51.800
<v Speaker 5>But now you're like a full star.

0:28:51.880 --> 0:28:53.520
<v Speaker 6>I wouldn't say full grown, you haven't grown much, but

0:28:53.600 --> 0:28:54.640
<v Speaker 6>like you're a full star now.

0:28:54.920 --> 0:28:55.440
<v Speaker 11>Thank you man.

0:28:55.480 --> 0:28:57.120
<v Speaker 10>How do you feel amazing?

0:28:57.200 --> 0:28:57.520
<v Speaker 5>Busy?

0:28:57.720 --> 0:29:00.160
<v Speaker 18>Yeah, I know it's it's busy, but I'm having a

0:29:00.200 --> 0:29:01.200
<v Speaker 18>blast in and it's fun.

0:29:01.320 --> 0:29:02.400
<v Speaker 6>Are you having fun right now?

0:29:02.400 --> 0:29:02.560
<v Speaker 7>Oh?

0:29:02.600 --> 0:29:03.520
<v Speaker 10>Yeah, it's a.

0:29:03.560 --> 0:29:04.400
<v Speaker 11>Lot of learning, you know.

0:29:04.640 --> 0:29:08.240
<v Speaker 18>It's fun to learn and have things come at me

0:29:08.280 --> 0:29:10.280
<v Speaker 18>that I've never experienced and then have to like learn

0:29:10.280 --> 0:29:11.160
<v Speaker 18>how to do it, and.

0:29:11.120 --> 0:29:12.400
<v Speaker 11>So it's it's a blast.

0:29:12.520 --> 0:29:13.760
<v Speaker 6>One of the things that gets brought up to me

0:29:13.800 --> 0:29:16.400
<v Speaker 6>a lot about our hour long conversation was you talking

0:29:16.400 --> 0:29:18.640
<v Speaker 6>about one of your first performances where you run out

0:29:18.640 --> 0:29:20.320
<v Speaker 6>because you always want to run a catwalk and you

0:29:20.400 --> 0:29:22.920
<v Speaker 6>ran out and you're breathing real hard, but then you

0:29:22.920 --> 0:29:24.520
<v Speaker 6>had to get back and sing, and you're like, oh,

0:29:24.520 --> 0:29:27.000
<v Speaker 6>I've never done this before. So have you figured that out?

0:29:27.000 --> 0:29:28.600
<v Speaker 6>Because you have a high energy show, you figured out

0:29:28.600 --> 0:29:29.840
<v Speaker 6>how to kind of contain your breads. Now.

0:29:30.040 --> 0:29:33.080
<v Speaker 18>Yeah, there's there's just like spots where I'm like, okay,

0:29:33.120 --> 0:29:35.800
<v Speaker 18>coming up, breathe, Like it'll come and like okay, breathe,

0:29:35.880 --> 0:29:38.360
<v Speaker 18>and then you, you know, you kind of just figure out, Okay,

0:29:38.400 --> 0:29:40.520
<v Speaker 18>I lost breath here last time, so I'm going to

0:29:40.560 --> 0:29:42.520
<v Speaker 18>make sure that I stop and don't do that one

0:29:42.600 --> 0:29:45.560
<v Speaker 18>move and breathe there instead, you know. So I'm still

0:29:45.600 --> 0:29:48.960
<v Speaker 18>like really whack and really crazy, but it's like dialed

0:29:49.040 --> 0:29:50.920
<v Speaker 18>back just a little bit, just so I can breathe.

0:29:51.000 --> 0:29:52.560
<v Speaker 6>We had Chad Kroger in here and he brought you up.

0:29:52.560 --> 0:29:54.560
<v Speaker 5>Did you hang out with Chad Kroger for nickelback.

0:29:54.160 --> 0:29:57.640
<v Speaker 18>Gosh, I'm the craziest Chad from Nickelback.

0:29:57.200 --> 0:29:58.400
<v Speaker 15>Story, all right, go for it.

0:29:58.440 --> 0:29:59.760
<v Speaker 11>So we went.

0:30:00.520 --> 0:30:02.479
<v Speaker 18>The first night I met him, he just showed up

0:30:02.480 --> 0:30:04.600
<v Speaker 18>at Winters and I was like, Hey, what's up, Chad,

0:30:04.600 --> 0:30:05.440
<v Speaker 18>And He's like, what's up?

0:30:05.440 --> 0:30:05.640
<v Speaker 10>Man?

0:30:05.720 --> 0:30:07.840
<v Speaker 18>So we just hung all night and then we were

0:30:07.840 --> 0:30:10.840
<v Speaker 18>gonna write a song that night, but then something happened

0:30:10.880 --> 0:30:12.160
<v Speaker 18>and if he would have went and wrote a song,

0:30:12.160 --> 0:30:13.560
<v Speaker 18>you wouldn't have been able to do the press the

0:30:13.600 --> 0:30:14.680
<v Speaker 18>next day and it'd have been a bad deal.

0:30:14.720 --> 0:30:15.280
<v Speaker 11>So we didn't.

0:30:15.520 --> 0:30:17.880
<v Speaker 18>So the next day we're at dinner with Jelly Roll

0:30:17.960 --> 0:30:20.520
<v Speaker 18>and Brandley Gilbert and all of our teams. We're all

0:30:20.560 --> 0:30:23.960
<v Speaker 18>having dinner and Chad. It's like middle at dinner and

0:30:24.040 --> 0:30:27.160
<v Speaker 18>we're just smoking and drinking and just had dinner and stuff.

0:30:27.200 --> 0:30:29.680
<v Speaker 18>And Chad just looks at me and goes, you got

0:30:29.720 --> 0:30:31.600
<v Speaker 18>a passport And I go yep, And he goes, what

0:30:31.640 --> 0:30:32.320
<v Speaker 18>are you doing tomorrow?

0:30:32.360 --> 0:30:33.600
<v Speaker 11>He goes nothing.

0:30:33.760 --> 0:30:35.800
<v Speaker 18>He's like, you're getting on my jet and you're gonna

0:30:35.800 --> 0:30:38.120
<v Speaker 18>come to my house in Vancouver and we're gonna write

0:30:38.120 --> 0:30:40.800
<v Speaker 18>for four days. And I'm like, okay, come in, let's go.

0:30:41.240 --> 0:30:41.719
<v Speaker 5>That happened.

0:30:41.760 --> 0:30:43.000
<v Speaker 11>That happened for real.

0:30:43.280 --> 0:30:46.280
<v Speaker 18>He put me on his jet the next day, Me, Chandler, Walters,

0:30:46.480 --> 0:30:50.200
<v Speaker 18>Gavin Lucas. We went to Vancouver and spent four days,

0:30:50.560 --> 0:30:53.520
<v Speaker 18>long days, like thirteen hour days in the studio with Chad.

0:30:53.880 --> 0:30:56.080
<v Speaker 10>So you did work, oh yeah, well the whole time,

0:30:56.080 --> 0:30:56.400
<v Speaker 10>and you did.

0:30:56.400 --> 0:30:57.480
<v Speaker 5>You had a passport, good for you.

0:30:57.640 --> 0:30:58.800
<v Speaker 11>Yeah, I have a passport.

0:30:58.880 --> 0:30:59.959
<v Speaker 5>Some of these guys are doing my passport.

0:31:00.560 --> 0:31:02.560
<v Speaker 6>Unless I get called on Survivor, they're ain't getting a passport.

0:31:02.640 --> 0:31:02.800
<v Speaker 11>Yeah.

0:31:02.800 --> 0:31:05.280
<v Speaker 18>I never needed a passport until I started doing this.

0:31:05.440 --> 0:31:06.000
<v Speaker 5>That's awesome.

0:31:06.080 --> 0:31:06.280
<v Speaker 10>Yeah.

0:31:06.320 --> 0:31:07.080
<v Speaker 5>What was his house?

0:31:07.080 --> 0:31:07.560
<v Speaker 15>Pretty cool?

0:31:07.840 --> 0:31:08.640
<v Speaker 6>Oh my gosh.

0:31:08.960 --> 0:31:13.600
<v Speaker 18>It's like there's this one room that is crazy and

0:31:13.640 --> 0:31:17.720
<v Speaker 18>it's like the dining Like if he has forty guests over,

0:31:17.800 --> 0:31:19.280
<v Speaker 18>he brings them into this room.

0:31:19.120 --> 0:31:20.040
<v Speaker 6>Long table type thing.

0:31:20.520 --> 0:31:24.120
<v Speaker 18>Crazy you guys know, Harry Potter. Yeah, yeah, like the

0:31:24.680 --> 0:31:25.560
<v Speaker 18>deciding room.

0:31:26.240 --> 0:31:27.040
<v Speaker 11>Like you go in.

0:31:27.160 --> 0:31:30.239
<v Speaker 18>It's just this massive room, like ceilings as tall as

0:31:30.240 --> 0:31:33.000
<v Speaker 18>I could like think, and the table is so long

0:31:33.040 --> 0:31:35.120
<v Speaker 18>you feel like you're walking forever to get to the top.

0:31:35.200 --> 0:31:36.560
<v Speaker 11>Like in the chairs.

0:31:36.760 --> 0:31:39.280
<v Speaker 18>Everything is oversized in the room, so like the chairs

0:31:39.320 --> 0:31:41.719
<v Speaker 18>are like ten times what they should be. They're just

0:31:41.760 --> 0:31:44.240
<v Speaker 18>like massive and like it's the sickest room.

0:31:46.120 --> 0:31:47.080
<v Speaker 6>How did you get back?

0:31:47.520 --> 0:31:50.240
<v Speaker 18>I can't remember. Oh come, oh my gosh. It was

0:31:50.280 --> 0:31:52.080
<v Speaker 18>a long weekend. We get a lot of things.

0:31:52.720 --> 0:31:53.000
<v Speaker 11>That's all.

0:31:53.040 --> 0:31:54.880
<v Speaker 6>That's a good story. Do you have a passport?

0:31:54.960 --> 0:31:55.160
<v Speaker 10>Yep?

0:31:55.200 --> 0:31:58.440
<v Speaker 6>Get on the plane going to Vancouver. That's really cool man.

0:31:58.720 --> 0:32:02.720
<v Speaker 6>So you're out with Morgan on Morgan's tour. You're playing

0:32:02.720 --> 0:32:06.000
<v Speaker 6>stadiums now, Like, what does that feel like? Going out

0:32:06.120 --> 0:32:08.960
<v Speaker 6>and they all know your songs too, so that's gonna

0:32:08.960 --> 0:32:09.560
<v Speaker 6>be pretty cool.

0:32:10.160 --> 0:32:12.560
<v Speaker 18>You can feel it, like I never really get nervous

0:32:12.600 --> 0:32:15.400
<v Speaker 18>for anything or singing, but I got out there and

0:32:15.560 --> 0:32:18.000
<v Speaker 18>all the breath techniques and all the stuff I've worked

0:32:18.000 --> 0:32:20.880
<v Speaker 18>on went out the window. Man, Like you just feel

0:32:21.160 --> 0:32:24.400
<v Speaker 18>thirty forty thousand people just like watching you, like, don't

0:32:24.440 --> 0:32:25.600
<v Speaker 18>mess up, don't mess up?

0:32:25.640 --> 0:32:27.040
<v Speaker 5>You know, So that's what you're thinking.

0:32:27.040 --> 0:32:29.600
<v Speaker 6>They're really not, dude, They're really going, this is super cool.

0:32:29.640 --> 0:32:32.120
<v Speaker 6>We get to watch Bailey Zimmerman and you're going, they're thinking,

0:32:32.120 --> 0:32:33.800
<v Speaker 6>I guess sucking. Don't mess up.

0:32:33.880 --> 0:32:36.080
<v Speaker 18>When you're standing there in the middle of w and

0:32:36.120 --> 0:32:38.720
<v Speaker 18>it's like everybody's just like watching you, waiting for you

0:32:38.760 --> 0:32:41.120
<v Speaker 18>to start singing, You're just like, oh gosh, hop, we

0:32:41.120 --> 0:32:41.680
<v Speaker 18>don't mess up.

0:32:41.720 --> 0:32:42.600
<v Speaker 5>This is this is big.

0:32:42.720 --> 0:32:42.920
<v Speaker 6>Yeah.

0:32:42.960 --> 0:32:46.280
<v Speaker 18>You can feel the energy in the stadium, like you

0:32:46.360 --> 0:32:47.960
<v Speaker 18>go to sing the first line and you almost like

0:32:48.080 --> 0:32:50.000
<v Speaker 18>can't even talk because your stomach hurts so bad.

0:32:50.640 --> 0:32:54.240
<v Speaker 6>It's the best new albums out today, religiously the album.

0:32:54.600 --> 0:32:57.040
<v Speaker 6>So I know you're such a good songwriter. You wrote

0:32:57.040 --> 0:32:59.680
<v Speaker 6>most of the songs on this record, so I don't know.

0:32:59.680 --> 0:33:01.960
<v Speaker 6>I'm all curious why you put certain songs in certain

0:33:01.960 --> 0:33:04.000
<v Speaker 6>places and you let off with the religious lations track

0:33:04.040 --> 0:33:05.960
<v Speaker 6>one named it that Why that song?

0:33:06.000 --> 0:33:07.640
<v Speaker 5>Why is it so instrumental to this record?

0:33:08.640 --> 0:33:10.680
<v Speaker 18>I don't know, just something about the song that it

0:33:10.720 --> 0:33:13.239
<v Speaker 18>didn't really relate to me when I first got it,

0:33:13.640 --> 0:33:18.240
<v Speaker 18>and now the whole the part about you know, mama's healthy,

0:33:18.560 --> 0:33:20.960
<v Speaker 18>I'm helping out the whole family. Everybody knows my name

0:33:21.080 --> 0:33:24.240
<v Speaker 18>and stuff, and that didn't really relate to me too much.

0:33:24.280 --> 0:33:27.239
<v Speaker 18>But now it's just like, man, it's so crazy how

0:33:27.320 --> 0:33:29.400
<v Speaker 18>much the song relates to me and my life and

0:33:29.400 --> 0:33:31.080
<v Speaker 18>how I'm taking care of my mom and people know

0:33:31.160 --> 0:33:33.760
<v Speaker 18>my name, but I still think about her a lot,

0:33:33.800 --> 0:33:35.479
<v Speaker 18>you know, and I still am not kind of over it,

0:33:35.560 --> 0:33:38.200
<v Speaker 18>so it kind of just made its way into my

0:33:38.240 --> 0:33:40.160
<v Speaker 18>life weirdly, and now that it's.

0:33:40.040 --> 0:33:42.440
<v Speaker 11>Like out is so relatable.

0:33:42.480 --> 0:33:45.600
<v Speaker 18>Now it's crazy how it became from that song a

0:33:45.680 --> 0:33:49.240
<v Speaker 18>trap song, to the title track of my country album.

0:33:49.520 --> 0:33:52.480
<v Speaker 6>It's same message. Yeah, you just made a little sonically

0:33:52.520 --> 0:33:54.560
<v Speaker 6>you Yeah, all right, here's Bailey zmeron We're gonna do

0:33:54.600 --> 0:33:56.760
<v Speaker 6>this now the album. I'm gonna set your album up here.

0:33:56.800 --> 0:33:58.440
<v Speaker 6>It's out today. I want you to stream the crap

0:33:58.440 --> 0:34:01.240
<v Speaker 6>out of it. He's so good. The album is called Religiously.

0:34:01.280 --> 0:34:03.760
<v Speaker 6>The album We're gonna play Religiously here, right, yeah, all right? Cool?

0:34:03.880 --> 0:34:06.680
<v Speaker 6>And here is Bailey's ever been in studio with Religiously.

0:34:10.640 --> 0:34:12.759
<v Speaker 6>I mean, I'm gonna say this in the most complimentary,

0:34:12.760 --> 0:34:14.600
<v Speaker 6>weird way, but you shouldn't be that good.

0:34:14.920 --> 0:34:15.960
<v Speaker 11>Thank you, oh man, thank you.

0:34:16.040 --> 0:34:17.080
<v Speaker 6>Yeah, you shouldn't be that good.

0:34:17.160 --> 0:34:17.319
<v Speaker 7>Huh.

0:34:17.600 --> 0:34:20.920
<v Speaker 6>You know, because you know you weren't eleven taking singing lessons.

0:34:20.960 --> 0:34:24.319
<v Speaker 6>You weren't fourteen going I want to be You know

0:34:24.520 --> 0:34:27.160
<v Speaker 6>your dad was a truck driver. You're riding with him

0:34:27.200 --> 0:34:29.960
<v Speaker 6>listening to country music. Some people just have it, man,

0:34:30.120 --> 0:34:30.600
<v Speaker 6>that's it.

0:34:30.719 --> 0:34:33.920
<v Speaker 5>I smiled because I mess up, and I'm just like.

0:34:34.120 --> 0:34:35.640
<v Speaker 6>Well, we didn't hear any mess up there. I hear

0:34:35.640 --> 0:34:39.160
<v Speaker 6>any mess up at all? New albums out today. Religiously the

0:34:39.200 --> 0:34:41.200
<v Speaker 6>album Bailey, I'm gonna play a little bit of Forget

0:34:41.239 --> 0:34:44.720
<v Speaker 6>About You, which you wrote the song I'm almost curious

0:34:44.719 --> 0:34:46.799
<v Speaker 6>about in a room, like who says what? And how

0:34:46.840 --> 0:34:48.680
<v Speaker 6>does the song end up being a song you walk

0:34:48.719 --> 0:34:50.000
<v Speaker 6>into write this what happens.

0:34:50.840 --> 0:34:51.919
<v Speaker 11>It's kind of a weird day.

0:34:52.080 --> 0:34:55.239
<v Speaker 18>I'd been wanting some uh, some more rock stuff, but

0:34:55.280 --> 0:34:56.960
<v Speaker 18>I hadn't been writing it. I've just been writing like

0:34:57.040 --> 0:34:59.920
<v Speaker 18>sad stuff like usual. And I got in with Drew Balder,

0:35:00.200 --> 0:35:02.480
<v Speaker 18>his producer, and Gavin Lucas, and I was like, boys,

0:35:02.520 --> 0:35:06.080
<v Speaker 18>I've got this idea just about how everybody says forgive

0:35:06.080 --> 0:35:08.759
<v Speaker 18>and forget, but how do you truly forget something that

0:35:08.800 --> 0:35:09.920
<v Speaker 18>you've forgiven somebody?

0:35:09.960 --> 0:35:10.479
<v Speaker 11>You know something?

0:35:10.480 --> 0:35:11.120
<v Speaker 10>You know what I'm saying.

0:35:11.160 --> 0:35:14.319
<v Speaker 18>So it's like I always felt like, man, I'll never

0:35:14.960 --> 0:35:17.040
<v Speaker 18>I'll always forgive you, but I don't think I'll ever

0:35:17.080 --> 0:35:19.440
<v Speaker 18>forget you or what you did to me, you know.

0:35:19.440 --> 0:35:20.720
<v Speaker 11>So that's kind of how it came together.

0:35:20.760 --> 0:35:23.120
<v Speaker 18>And then Drew started writing it, and then we just

0:35:23.160 --> 0:35:26.640
<v Speaker 18>wrote it together, and it's kind of just that vibe

0:35:26.640 --> 0:35:29.839
<v Speaker 18>of feeling like, man, how could I forget that? Like

0:35:29.880 --> 0:35:31.839
<v Speaker 18>we went through so much. I've forgiven you for that,

0:35:31.880 --> 0:35:33.640
<v Speaker 18>but how do you expect me to forget?

0:35:33.680 --> 0:35:33.920
<v Speaker 11>You know?

0:35:34.120 --> 0:35:36.760
<v Speaker 6>Here's a clip of Forget about You from Bailey's immerment.

0:35:42.840 --> 0:35:44.200
<v Speaker 6>So what's Louisville, Illinois?

0:35:44.239 --> 0:35:46.879
<v Speaker 11>Like a whole lot of cornfields?

0:35:46.920 --> 0:35:47.120
<v Speaker 7>Man?

0:35:47.440 --> 0:35:48.920
<v Speaker 5>Is there a big sign? What is it?

0:35:48.960 --> 0:35:51.480
<v Speaker 6>Is it like a you know, a state funded sign,

0:35:51.600 --> 0:35:53.320
<v Speaker 6>or is the own like a big white one that

0:35:53.440 --> 0:35:54.560
<v Speaker 6>is welcome to Louisville.

0:35:54.640 --> 0:35:54.759
<v Speaker 11>You know.

0:35:54.920 --> 0:35:57.239
<v Speaker 18>The funny thing is when you're coming in from the

0:35:57.280 --> 0:36:01.439
<v Speaker 18>interstate from Effingham, it's just this green steak in the

0:36:01.480 --> 0:36:04.000
<v Speaker 18>in the like side of the road that just says Louisville.

0:36:04.280 --> 0:36:06.440
<v Speaker 6>Oh, it's Lewisville. It's not even Louisville Lewisville.

0:36:06.920 --> 0:36:10.439
<v Speaker 18>It was supposed to be l e Wisville on the

0:36:10.480 --> 0:36:13.719
<v Speaker 18>original d to the or village, but then when they

0:36:14.000 --> 0:36:16.359
<v Speaker 18>put it on there, they accidentally put l O U I.

0:36:16.480 --> 0:36:17.600
<v Speaker 6>S like Louisville.

0:36:17.600 --> 0:36:18.200
<v Speaker 7>Like Louisville.

0:36:18.239 --> 0:36:20.839
<v Speaker 6>Yeah, so they just kept it. They want to buy

0:36:20.840 --> 0:36:23.719
<v Speaker 6>a new sign. I thought that, yeah, completely probably, Man.

0:36:23.600 --> 0:36:24.560
<v Speaker 11>That sign was really expensive.

0:36:24.560 --> 0:36:25.719
<v Speaker 10>I don't think we want to change it.

0:36:25.880 --> 0:36:28.799
<v Speaker 6>So how many people live in Louisville, do you know?

0:36:28.920 --> 0:36:31.839
<v Speaker 18>I think the last consensus was done in like twenty

0:36:31.880 --> 0:36:34.759
<v Speaker 18>and fourteen or something, so it says twelve hundred, but

0:36:35.040 --> 0:36:36.800
<v Speaker 18>I'm sure it's a lot less than that now, probably

0:36:36.840 --> 0:36:38.240
<v Speaker 18>like eight nine hundred people.

0:36:38.520 --> 0:36:42.759
<v Speaker 6>And most people do what to live there, farm farm.

0:36:42.560 --> 0:36:46.080
<v Speaker 11>Or There's been a real like a weird, big deal of.

0:36:47.719 --> 0:36:52.759
<v Speaker 18>Like putting like electric line in the ground or something like.

0:36:52.920 --> 0:36:55.160
<v Speaker 18>It's like a big company in our town that just

0:36:55.239 --> 0:36:57.680
<v Speaker 18>puts like electrical lines through.

0:36:58.520 --> 0:36:59.920
<v Speaker 5>Over the top right putting it back.

0:36:59.880 --> 0:37:01.040
<v Speaker 6>They put them in the ground.

0:37:01.239 --> 0:37:03.839
<v Speaker 18>So it's like that's a big Like you work for there,

0:37:04.120 --> 0:37:05.520
<v Speaker 18>or you do pipeline or you farm.

0:37:05.880 --> 0:37:06.239
<v Speaker 10>That's it.

0:37:06.280 --> 0:37:09.160
<v Speaker 6>And you were doing pipeline prior to your music career.

0:37:09.200 --> 0:37:10.680
<v Speaker 6>What were you doing working for the pipeline.

0:37:11.120 --> 0:37:14.439
<v Speaker 18>I was a laborer, so I just anything anybody else

0:37:14.480 --> 0:37:16.000
<v Speaker 18>didn't want to do that was really hard work.

0:37:16.040 --> 0:37:17.480
<v Speaker 11>They just told me to go do it.

0:37:17.640 --> 0:37:20.160
<v Speaker 6>If we go back five years and just picture yourself

0:37:20.160 --> 0:37:21.759
<v Speaker 6>five years ago, where did you think you would be

0:37:21.840 --> 0:37:25.000
<v Speaker 6>five years from then? Because obviously this kind of happened

0:37:25.000 --> 0:37:27.279
<v Speaker 6>in a weird way, but five years ago, where did

0:37:27.280 --> 0:37:29.879
<v Speaker 6>you think you would be five years from then?

0:37:30.440 --> 0:37:33.320
<v Speaker 18>I was hoping to be a boss on the pipeline

0:37:33.320 --> 0:37:36.320
<v Speaker 18>to where I just ran cruise to where I didn't

0:37:36.600 --> 0:37:37.560
<v Speaker 18>have to get out of my truck.

0:37:37.640 --> 0:37:38.880
<v Speaker 11>That's what my goal was.

0:37:38.920 --> 0:37:41.840
<v Speaker 18>Like, Okay, because you see all the old dudes in

0:37:41.880 --> 0:37:45.399
<v Speaker 18>their trucks and they haven't got out of that truck

0:37:45.440 --> 0:37:47.480
<v Speaker 18>in seventeen days. You don't think I've never seen them

0:37:47.520 --> 0:37:49.319
<v Speaker 18>get out of the truck. So it's kind of like

0:37:49.360 --> 0:37:52.080
<v Speaker 18>always the goal is you become a laborer and then

0:37:52.160 --> 0:37:55.040
<v Speaker 18>you either get into an operator position or a straw boss,

0:37:55.120 --> 0:37:57.480
<v Speaker 18>which is right under the boss, and then you move

0:37:57.560 --> 0:37:59.799
<v Speaker 18>up your way. So I just was hoping to move

0:37:59.880 --> 0:38:02.360
<v Speaker 18>up in the pipeline industry and not have to like

0:38:02.920 --> 0:38:04.919
<v Speaker 18>carry forty pounds of stuff all day.

0:38:05.400 --> 0:38:08.239
<v Speaker 6>When you were coming back and forth just before you

0:38:08.280 --> 0:38:11.160
<v Speaker 6>decided to make the move move to Nashville, I don't

0:38:11.200 --> 0:38:13.719
<v Speaker 6>know was that still scary because I mean, you're now

0:38:13.760 --> 0:38:18.040
<v Speaker 6>going to commit to doing something new. You are seemingly good.

0:38:18.200 --> 0:38:20.799
<v Speaker 6>This success hadn't happened yet. When you're seemingly good at it,

0:38:20.800 --> 0:38:23.040
<v Speaker 6>people like you. But it's also a career of anything creative,

0:38:23.040 --> 0:38:26.400
<v Speaker 6>it's it could be fleeting. So did that make you

0:38:26.480 --> 0:38:28.279
<v Speaker 6>nervous moving down here kind of giving it all up,

0:38:28.360 --> 0:38:29.600
<v Speaker 6>or did you know you could always go back and

0:38:29.640 --> 0:38:31.320
<v Speaker 6>get the same sort of job.

0:38:32.239 --> 0:38:33.880
<v Speaker 5>Well, the job.

0:38:33.719 --> 0:38:37.000
<v Speaker 18>Wasn't in question because I quit it, and I don't

0:38:37.000 --> 0:38:38.680
<v Speaker 18>think they want to be back because I told them

0:38:38.680 --> 0:38:39.440
<v Speaker 18>that I was quitting.

0:38:39.719 --> 0:38:41.200
<v Speaker 6>And how'd you tell them though, that's the question.

0:38:42.320 --> 0:38:47.040
<v Speaker 18>I got up out of my bed and my phone

0:38:47.120 --> 0:38:49.560
<v Speaker 18>was blown up, and I'd posted my first singing video

0:38:49.600 --> 0:38:52.440
<v Speaker 18>the night before, and then when my phone was blown up,

0:38:52.480 --> 0:38:53.319
<v Speaker 18>I was like, man, what's going on?

0:38:53.400 --> 0:38:53.960
<v Speaker 11>So I checked.

0:38:53.960 --> 0:38:56.480
<v Speaker 18>It was like seven o'clock in the morning, and it

0:38:56.560 --> 0:39:00.440
<v Speaker 18>was just like, I think the notification was like eight

0:39:00.520 --> 0:39:03.480
<v Speaker 18>hundred and forty seven, six hundred and twenty one notifications

0:39:03.480 --> 0:39:04.440
<v Speaker 18>from TikTok.

0:39:04.200 --> 0:39:05.480
<v Speaker 6>And you had a mom because you didn't have a

0:39:05.480 --> 0:39:07.319
<v Speaker 6>lot of notifications because you were post. I think he's

0:39:07.320 --> 0:39:08.160
<v Speaker 6>have truck stuff really.

0:39:08.080 --> 0:39:08.600
<v Speaker 11>Right, exactly.

0:39:08.680 --> 0:39:10.560
<v Speaker 18>Yeah, So I was just like, holy crap, I've never

0:39:10.600 --> 0:39:13.480
<v Speaker 18>got this many notifications before. So when I looked, it

0:39:13.560 --> 0:39:16.160
<v Speaker 18>had just like blown up, like blown up, dude, and

0:39:16.160 --> 0:39:16.440
<v Speaker 18>I was.

0:39:16.400 --> 0:39:17.720
<v Speaker 11>Like, holy crap.

0:39:17.800 --> 0:39:20.480
<v Speaker 18>Okay, So the first thing I thought to do was like, Okay,

0:39:21.760 --> 0:39:23.640
<v Speaker 18>you've been praying a bunch about what you need to

0:39:23.680 --> 0:39:26.520
<v Speaker 18>do in this life. Is it pipeline? Is it something else?

0:39:26.600 --> 0:39:26.759
<v Speaker 11>You know?

0:39:26.800 --> 0:39:28.719
<v Speaker 18>And you've been praying a bunch and this kind of

0:39:28.719 --> 0:39:30.400
<v Speaker 18>makes sense, like this is something to chase.

0:39:30.440 --> 0:39:31.640
<v Speaker 11>So I just got up out of my bed.

0:39:31.640 --> 0:39:33.480
<v Speaker 18>I was still in underwear, and I walked over to

0:39:33.480 --> 0:39:35.640
<v Speaker 18>my window that looks out in the backyard and I

0:39:35.680 --> 0:39:38.200
<v Speaker 18>called the union. Well, I hyped myself up first, because

0:39:38.200 --> 0:39:42.799
<v Speaker 18>I was like, dude, you come. So I called him

0:39:42.880 --> 0:39:45.959
<v Speaker 18>and they answered and I was like, hey, I'm Bailey

0:39:46.040 --> 0:39:48.920
<v Speaker 18>Zimmerman and I want to quit. And they're like like,

0:39:49.000 --> 0:39:50.800
<v Speaker 18>what do you mean you want to? Like what's going on, buddy?

0:39:50.880 --> 0:39:52.239
<v Speaker 18>Like what do you mean you want to quit? And

0:39:52.280 --> 0:39:53.600
<v Speaker 18>I'm like, man, I don't want to work there in

0:39:53.640 --> 0:39:55.600
<v Speaker 18>the more. I'm gonna be a country singer. And they're like,

0:39:55.840 --> 0:39:58.080
<v Speaker 18>oh my gosh, okay, good luck dude. I mean, this

0:39:58.160 --> 0:39:59.680
<v Speaker 18>is an awful idea. I don't know why you're quitting

0:39:59.680 --> 0:40:03.000
<v Speaker 18>your job, but yeah, I just quit it. And that

0:40:03.120 --> 0:40:06.200
<v Speaker 18>was kind of like the no no plan b thing.

0:40:06.360 --> 0:40:08.520
<v Speaker 18>I didn't want to have something to fall back on

0:40:08.600 --> 0:40:09.520
<v Speaker 18>if I got scared, you know.

0:40:09.640 --> 0:40:11.960
<v Speaker 6>So you burned the boat, like you took the boat

0:40:12.000 --> 0:40:13.520
<v Speaker 6>over to another country to fight, and you don't want

0:40:13.520 --> 0:40:15.359
<v Speaker 6>to ever go back. So he just burned the boat

0:40:15.360 --> 0:40:16.040
<v Speaker 6>so he can't leave.

0:40:16.239 --> 0:40:18.200
<v Speaker 18>Yeah, So that was kind of my thing. So moving

0:40:18.200 --> 0:40:19.879
<v Speaker 18>to Nashville, it is just like, well, this is all

0:40:19.880 --> 0:40:21.840
<v Speaker 18>you got. I mean, you're either gonna make it or

0:40:21.880 --> 0:40:23.680
<v Speaker 18>you're not. But work as hard as you can and

0:40:23.760 --> 0:40:24.440
<v Speaker 18>see what happens.

0:40:24.440 --> 0:40:24.600
<v Speaker 11>You know.

0:40:25.000 --> 0:40:28.080
<v Speaker 6>Crazy. He just called and I knew the story. I

0:40:28.120 --> 0:40:29.239
<v Speaker 6>just want to see if you want to go there.

0:40:29.400 --> 0:40:31.800
<v Speaker 6>But he just the next day he just goes, hey, Bailey,

0:40:31.800 --> 0:40:35.759
<v Speaker 6>I'm out like that's crazy. By the way, you guys

0:40:35.760 --> 0:40:36.879
<v Speaker 6>sound great. The band sounds great.

0:40:36.880 --> 0:40:37.600
<v Speaker 10>Thank you.

0:40:37.600 --> 0:40:41.200
<v Speaker 6>You know these guys? Yeah, okay, mister Chris, just make

0:40:41.200 --> 0:40:41.840
<v Speaker 6>sure you know who they are.

0:40:41.920 --> 0:40:42.080
<v Speaker 1>Yeah.

0:40:42.080 --> 0:40:43.799
<v Speaker 18>I met him right when I moved to nash and

0:40:43.840 --> 0:40:46.600
<v Speaker 18>then these boys came along, what a year ago and

0:40:46.680 --> 0:40:49.640
<v Speaker 18>a half. So we've been together basically ever since everything

0:40:49.680 --> 0:40:50.279
<v Speaker 18>started to go.

0:40:50.520 --> 0:40:51.720
<v Speaker 6>What do you guys want to play next?

0:40:52.480 --> 0:40:53.799
<v Speaker 11>We'll play some rock in a hard place.

0:40:54.239 --> 0:40:56.400
<v Speaker 6>I know this one all right? All right here he

0:40:56.520 --> 0:41:01.719
<v Speaker 6>is new records out today. By the way, it's called religiously.

0:41:02.880 --> 0:41:06.160
<v Speaker 5>The question is, did you say the S word? Yes? Okay,

0:41:06.200 --> 0:41:06.759
<v Speaker 5>we'll fix it.

0:41:07.040 --> 0:41:08.399
<v Speaker 11>I can't do you want me to do one real quick?

0:41:08.400 --> 0:41:09.280
<v Speaker 10>Do I say? Chief?

0:41:09.360 --> 0:41:09.560
<v Speaker 11>No?

0:41:09.640 --> 0:41:11.000
<v Speaker 6>You can good, We'll fix it.

0:41:11.640 --> 0:41:13.839
<v Speaker 5>Make sure I heard that right? Sorry, ft loud.

0:41:17.120 --> 0:41:18.680
<v Speaker 6>I mean you're just in it so much.

0:41:18.880 --> 0:41:21.759
<v Speaker 18>That usually I say chief if people don't want me

0:41:21.800 --> 0:41:22.840
<v Speaker 18>to say the word.

0:41:22.719 --> 0:41:23.600
<v Speaker 10>Oh, we're all good.

0:41:23.600 --> 0:41:26.360
<v Speaker 5>Okay, let me fix that. Bailey, you're ready for this.

0:41:26.360 --> 0:41:29.319
<v Speaker 6>These are questions and listeners have sent us. Hey, keep

0:41:29.360 --> 0:41:31.000
<v Speaker 6>that's awesome. Play that underneath this?

0:41:31.400 --> 0:41:31.560
<v Speaker 7>Yeah?

0:41:31.680 --> 0:41:32.759
<v Speaker 5>Yeah, just keep hitting us with that.

0:41:33.040 --> 0:41:33.279
<v Speaker 9>All right?

0:41:33.320 --> 0:41:33.719
<v Speaker 5>Here we go.

0:41:34.040 --> 0:41:38.840
<v Speaker 6>Uncomfortable questions from listeners. Does Bailey's ever feel like I

0:41:38.880 --> 0:41:40.000
<v Speaker 6>feel like he has a girl's name?

0:41:41.400 --> 0:41:41.640
<v Speaker 7>Yes?

0:41:41.719 --> 0:41:43.839
<v Speaker 18>For a long time, I was really bummed about my name.

0:41:43.880 --> 0:41:45.759
<v Speaker 18>I always asked my mom, like, why did you name

0:41:45.840 --> 0:41:49.520
<v Speaker 18>me Bailey? And her answer was because my grandpa is

0:41:49.680 --> 0:41:52.839
<v Speaker 18>William Lynn Bailey, So I'm Bailey Lynn Zimmerman. And they

0:41:52.840 --> 0:41:54.840
<v Speaker 18>thought I was gonna be a girl, but then I

0:41:54.840 --> 0:41:55.960
<v Speaker 18>turned out and I was a guy.

0:41:56.160 --> 0:41:58.040
<v Speaker 5>So how long until they knew after you were born?

0:41:59.640 --> 0:42:01.960
<v Speaker 11>I would say within the seconds? Okay?

0:42:02.200 --> 0:42:02.359
<v Speaker 12>Good?

0:42:02.400 --> 0:42:02.560
<v Speaker 11>Good?

0:42:02.800 --> 0:42:04.120
<v Speaker 6>Any even more than that, we're trying to be a

0:42:04.160 --> 0:42:07.280
<v Speaker 6>little worried. Okay, good, good deal, A good deal. Uncomfortable

0:42:07.320 --> 0:42:09.560
<v Speaker 6>question Number two. Has Bailey Zimmerman seen any money from

0:42:09.560 --> 0:42:10.399
<v Speaker 6>his first number one?

0:42:11.400 --> 0:42:12.959
<v Speaker 5>I don't think so takes a while.

0:42:13.000 --> 0:42:14.160
<v Speaker 11>They said it'll take a long time.

0:42:14.239 --> 0:42:14.560
<v Speaker 7>A year.

0:42:14.840 --> 0:42:16.240
<v Speaker 10>Yeah, sure, cool.

0:42:16.400 --> 0:42:17.439
<v Speaker 11>I'm just happy to be here.

0:42:17.520 --> 0:42:20.120
<v Speaker 6>Number three, Would Bailey Zimmerman ever date a fan?

0:42:21.760 --> 0:42:24.319
<v Speaker 18>Just depends how cool a fan is. I mean, if

0:42:24.360 --> 0:42:27.320
<v Speaker 18>she's cool enough to that I like her, then maybe absolutely.

0:42:27.400 --> 0:42:30.120
<v Speaker 6>Amen. Is Bailey Zimmerman actually really sad, but he posts

0:42:30.160 --> 0:42:32.719
<v Speaker 6>himself looking really happy online to hide a sadness.

0:42:33.480 --> 0:42:35.200
<v Speaker 18>You know some of that's true. Yeah, I would say

0:42:35.200 --> 0:42:39.120
<v Speaker 18>some of that's true. You know, everybody's sad some days,

0:42:39.239 --> 0:42:41.920
<v Speaker 18>but as long as you smile. It's when you're frowning

0:42:42.000 --> 0:42:44.239
<v Speaker 18>when they can get really bad. If you smile every day,

0:42:44.239 --> 0:42:45.879
<v Speaker 18>then maybe that sadness will leave.

0:42:46.040 --> 0:42:47.520
<v Speaker 5>You know, you're a pretty bright person.

0:42:47.640 --> 0:42:49.759
<v Speaker 6>Me like, as in I watch your social media. Just

0:42:49.760 --> 0:42:50.799
<v Speaker 6>a positive guy.

0:42:51.280 --> 0:42:53.080
<v Speaker 11>I like that to do that, man, I try to

0:42:53.080 --> 0:42:53.640
<v Speaker 11>be positive.

0:42:53.800 --> 0:42:56.719
<v Speaker 6>Final question is about your chain? How much was the

0:42:56.719 --> 0:42:59.520
<v Speaker 6>BZ chain that Bailey posted on Instagram for free?

0:43:00.080 --> 0:43:02.879
<v Speaker 18>I didn't pay for a note. This guy from Happy

0:43:02.960 --> 0:43:05.759
<v Speaker 18>Jewelers out in Orange County, LA. He was just like

0:43:05.840 --> 0:43:08.040
<v Speaker 18>he hooks up Ernest and Morgan and Hardy a bunch,

0:43:08.080 --> 0:43:09.680
<v Speaker 18>and he was like, I'd love to make you a

0:43:09.719 --> 0:43:12.279
<v Speaker 18>custom chain. And I was like, oh my gosh, I

0:43:12.280 --> 0:43:13.719
<v Speaker 18>would love that. And then he sent it to me

0:43:13.760 --> 0:43:15.719
<v Speaker 18>and I was like, this is what you've made me.

0:43:15.800 --> 0:43:17.480
<v Speaker 18>This is freaking awesome. Oh my gosh.

0:43:17.680 --> 0:43:19.040
<v Speaker 5>So yeah, you're wearing it now.

0:43:19.239 --> 0:43:21.560
<v Speaker 11>Yeah, you didn't have to pay for it, dangsy.

0:43:21.640 --> 0:43:24.319
<v Speaker 6>That's how you know, because when you can't afford anything.

0:43:24.360 --> 0:43:25.760
<v Speaker 6>And I've said this too. When I was broke, nobody

0:43:25.760 --> 0:43:28.840
<v Speaker 6>gave me crap. Now it ain't broke, Everyone's give me everything.

0:43:28.920 --> 0:43:29.560
<v Speaker 5>And I'm like, it just.

0:43:29.520 --> 0:43:31.600
<v Speaker 6>Doesn't really mad, you know, you just wish it was

0:43:31.640 --> 0:43:32.280
<v Speaker 6>the other way.

0:43:32.160 --> 0:43:32.680
<v Speaker 10>A little bit.

0:43:33.160 --> 0:43:35.120
<v Speaker 6>The new record is out. It is called Religiously.

0:43:35.239 --> 0:43:35.720
<v Speaker 5>The album.

0:43:35.840 --> 0:43:37.480
<v Speaker 6>I'm gonna play a little bit of this song right

0:43:37.520 --> 0:43:39.560
<v Speaker 6>here called fall in Love, and I'm gonna ask you

0:43:39.560 --> 0:43:46.319
<v Speaker 6>about a Bailey, but play me some fall in Love ray.

0:43:47.680 --> 0:43:50.680
<v Speaker 6>I want to know because we know the song, we've

0:43:50.880 --> 0:43:53.680
<v Speaker 6>sang the song. But again, same thing asked you about Religiously,

0:43:54.080 --> 0:43:56.440
<v Speaker 6>Like where what was the genesis of this song?

0:43:56.480 --> 0:43:57.120
<v Speaker 10>You're in a room.

0:43:57.680 --> 0:43:59.440
<v Speaker 5>It was on a phone note that somebody had or what.

0:44:00.560 --> 0:44:03.399
<v Speaker 18>So, my buddy I hadn't been writing very long when

0:44:03.440 --> 0:44:07.120
<v Speaker 18>this song came out. And when we sat down that day,

0:44:07.480 --> 0:44:09.920
<v Speaker 18>Gavin Lucas, my best friend that started with me in

0:44:09.960 --> 0:44:12.080
<v Speaker 18>my hometown and moved to Nashville with me, he was

0:44:12.080 --> 0:44:13.799
<v Speaker 18>sitting there with me and my producer Austin, and he

0:44:13.880 --> 0:44:17.520
<v Speaker 18>was like, Man, I got this verse, which is really cool,

0:44:17.600 --> 0:44:20.520
<v Speaker 18>but I don't know what the chorus is to it.

0:44:20.680 --> 0:44:23.360
<v Speaker 11>And I was like, I thought you wrote that already.

0:44:23.000 --> 0:44:25.879
<v Speaker 18>Isn't it just loads of smoke cream wrapped around your finger?

0:44:25.920 --> 0:44:28.480
<v Speaker 18>And he was like, no, man, that's a minor to

0:44:28.520 --> 0:44:31.080
<v Speaker 18>a major. I can't make it work. It's just not

0:44:31.120 --> 0:44:33.560
<v Speaker 18>gonna work. That's a different song. And I was like, no,

0:44:33.840 --> 0:44:36.879
<v Speaker 18>that's the same song, man, And my producer was also like, man,

0:44:36.920 --> 0:44:39.040
<v Speaker 18>that's this song could be really cool. Let's smash it.

0:44:39.120 --> 0:44:42.040
<v Speaker 18>Let's smash it, and he was just like no, no, no.

0:44:42.120 --> 0:44:45.120
<v Speaker 18>So after thirty forty five minutes of convincing him to

0:44:45.239 --> 0:44:47.960
<v Speaker 18>let us make this work, we put it all together,

0:44:48.000 --> 0:44:50.319
<v Speaker 18>wrote a second verse that day, and then we got

0:44:50.360 --> 0:44:51.160
<v Speaker 18>it done and.

0:44:51.719 --> 0:44:55.000
<v Speaker 11>It was like, dude, holy cow, I told you it is. Honestly,

0:44:55.080 --> 0:44:56.200
<v Speaker 11>just like I told you, I knew it.

0:44:56.239 --> 0:44:59.000
<v Speaker 18>I knew it'd work. Gavin was like all right, fine, no,

0:44:59.080 --> 0:45:01.279
<v Speaker 18>you got me at works. And then I sent it

0:45:01.280 --> 0:45:03.319
<v Speaker 18>to the team and they were just like, man, this

0:45:03.440 --> 0:45:03.920
<v Speaker 18>song is.

0:45:04.160 --> 0:45:05.000
<v Speaker 11>We love this song.

0:45:05.040 --> 0:45:06.960
<v Speaker 18>And then it came to be my first number one,

0:45:07.000 --> 0:45:10.120
<v Speaker 18>my first platinum record, and done a lot from our career.

0:45:10.600 --> 0:45:12.279
<v Speaker 6>When you say minor to major, let me see if

0:45:12.280 --> 0:45:14.040
<v Speaker 6>I can explain this, and then you can explain it better.

0:45:14.080 --> 0:45:15.440
<v Speaker 6>Minor chords to me, if I'm playing it like the

0:45:15.880 --> 0:45:19.120
<v Speaker 6>sad chords, dark major, brighter chords, I feel is that elementary?

0:45:19.400 --> 0:45:20.600
<v Speaker 10>Is that time learned it?

0:45:20.680 --> 0:45:24.560
<v Speaker 6>Yeah, so when you say minor to a major, that's

0:45:24.560 --> 0:45:27.080
<v Speaker 6>what you're saying it was, or major to minor. However

0:45:27.440 --> 0:45:31.920
<v Speaker 6>it felt a little too bright to then go dim.

0:45:32.000 --> 0:45:32.200
<v Speaker 5>Yeah.

0:45:32.239 --> 0:45:35.279
<v Speaker 18>It was the chords that he had for this for

0:45:35.360 --> 0:45:38.120
<v Speaker 18>that for the chorus at the time were not the

0:45:38.200 --> 0:45:40.200
<v Speaker 18>right chords to match up with the verse, so it

0:45:40.200 --> 0:45:42.200
<v Speaker 18>would have sounded really weird. But then we just took

0:45:42.239 --> 0:45:44.799
<v Speaker 18>the chords from the verse, inverted them and made them

0:45:44.840 --> 0:45:45.720
<v Speaker 18>work in the chorus.

0:45:45.760 --> 0:45:47.400
<v Speaker 6>So you switched it, got it?

0:45:47.440 --> 0:45:47.720
<v Speaker 10>Okay?

0:45:47.719 --> 0:45:47.919
<v Speaker 11>Cool?

0:45:48.000 --> 0:45:49.160
<v Speaker 5>Yes, does that makes sense?

0:45:49.560 --> 0:45:52.000
<v Speaker 13>Yes, I'm tracking it's yeah.

0:45:52.080 --> 0:45:52.520
<v Speaker 11>Musical.

0:45:52.800 --> 0:45:53.920
<v Speaker 13>And so when you did.

0:45:53.880 --> 0:45:57.120
<v Speaker 12>Say you know your friend that was like, oh, no,

0:45:57.160 --> 0:45:57.839
<v Speaker 12>we can't do it.

0:45:57.880 --> 0:46:00.520
<v Speaker 13>How does he feel about it now that it was oh.

0:46:00.400 --> 0:46:01.520
<v Speaker 11>He's like yeah.

0:46:01.600 --> 0:46:04.279
<v Speaker 18>He was like, that's the only time you're ever gonna

0:46:04.320 --> 0:46:05.840
<v Speaker 18>give me, That's the one time you got me.

0:46:06.480 --> 0:46:08.440
<v Speaker 6>You did a cover of God's Gonna Cut You Down

0:46:08.440 --> 0:46:10.680
<v Speaker 6>from Johnny Cash, which I love the song, and it

0:46:10.719 --> 0:46:12.120
<v Speaker 6>was just for a TV show theme too.

0:46:12.320 --> 0:46:14.359
<v Speaker 5>Do you know what show that was? God's Gonna cut

0:46:14.440 --> 0:46:14.960
<v Speaker 5>you down.

0:46:15.160 --> 0:46:17.080
<v Speaker 6>I forget what it was back in the day. Gosh,

0:46:17.080 --> 0:46:18.960
<v Speaker 6>what is and so? And maybe you can google that

0:46:18.960 --> 0:46:21.000
<v Speaker 6>for me, Mike that I love that Johnny Cash song.

0:46:21.080 --> 0:46:21.719
<v Speaker 6>Why that song?

0:46:22.880 --> 0:46:26.280
<v Speaker 18>Well, if I'm being completely honest, I'm a man of faith,

0:46:26.480 --> 0:46:29.799
<v Speaker 18>and I've seen a lot in the industry that you know,

0:46:29.880 --> 0:46:32.279
<v Speaker 18>God is kind of you know, you just don't talk

0:46:32.320 --> 0:46:34.239
<v Speaker 18>about it or you don't do this. And I was like, Nah,

0:46:34.320 --> 0:46:36.400
<v Speaker 18>God's gonna cut you down, and we're gonna make God

0:46:36.800 --> 0:46:39.719
<v Speaker 18>that word in a song on my album. And that

0:46:39.840 --> 0:46:42.160
<v Speaker 18>was kind of one of the reasons of just trying

0:46:42.160 --> 0:46:43.959
<v Speaker 18>to and man, I love the song.

0:46:44.200 --> 0:46:44.839
<v Speaker 11>I love the song.

0:46:44.920 --> 0:46:48.080
<v Speaker 18>It's always been a cool song and that I play

0:46:48.120 --> 0:46:49.920
<v Speaker 18>when I'm like partying and like whatever.

0:46:50.160 --> 0:46:51.359
<v Speaker 11>Just it's such a sick song.

0:46:51.400 --> 0:46:54.879
<v Speaker 18>And then also another thing is they were wanting an

0:46:54.920 --> 0:46:57.919
<v Speaker 18>anthem for the soccer team here in Nashville, and that's

0:46:57.960 --> 0:46:59.880
<v Speaker 18>Apple came to me and asked me to do the

0:47:00.000 --> 0:47:03.000
<v Speaker 18>anthem song. And at first it was a couple of

0:47:03.080 --> 0:47:05.719
<v Speaker 18>different songs of Johnny Cashes and I was like, I

0:47:05.719 --> 0:47:07.400
<v Speaker 18>don't think I can make that anthemic. And then I

0:47:07.400 --> 0:47:09.319
<v Speaker 18>heard God's Gonna Cut You Down. You know, I hadn't

0:47:09.360 --> 0:47:10.960
<v Speaker 18>heard it in a while, and I listened to it

0:47:10.960 --> 0:47:13.400
<v Speaker 18>with my producer and they were like, all right, this

0:47:13.560 --> 0:47:15.200
<v Speaker 18>is it, and then he built a track in like

0:47:16.200 --> 0:47:19.200
<v Speaker 18>two hours, cut it four times, and then that's the song.

0:47:19.400 --> 0:47:20.040
<v Speaker 6>That's super cool.

0:47:20.080 --> 0:47:21.000
<v Speaker 11>Yeah, it's really cool.

0:47:21.280 --> 0:47:23.359
<v Speaker 6>Let us do one more song. Would you mind playing

0:47:23.400 --> 0:47:23.919
<v Speaker 6>something new?

0:47:24.400 --> 0:47:24.600
<v Speaker 11>Yeah?

0:47:24.760 --> 0:47:25.760
<v Speaker 6>Is that call from the new record?

0:47:25.800 --> 0:47:26.360
<v Speaker 11>I would love that?

0:47:26.400 --> 0:47:26.719
<v Speaker 5>All right?

0:47:26.760 --> 0:47:29.160
<v Speaker 6>Religiously is the new record is out today from Bailey Zemmerman.

0:47:29.200 --> 0:47:30.400
<v Speaker 6>What are you gonna do here, Bailey.

0:47:30.160 --> 0:47:33.200
<v Speaker 18>I'm gonna sing a song that I didn't write. A

0:47:33.200 --> 0:47:34.759
<v Speaker 18>couple of my buddies wrote it, and it's called you

0:47:34.760 --> 0:47:37.919
<v Speaker 18>Don't Want That Smoke, Dude.

0:47:38.440 --> 0:47:38.959
<v Speaker 5>That's great.

0:47:38.960 --> 0:47:41.279
<v Speaker 6>Bailey's never made a new records out. It's called Religiously.

0:47:42.080 --> 0:47:44.240
<v Speaker 5>It's just like a positive vibe.

0:47:44.320 --> 0:47:44.799
<v Speaker 11>Thanks man.

0:47:44.880 --> 0:47:46.480
<v Speaker 6>Yeah, I'm sure you knocked these guys heads around, litle.

0:47:46.520 --> 0:47:48.080
<v Speaker 6>They probably don't fel that way about the boss, but me,

0:47:48.200 --> 0:47:50.479
<v Speaker 6>I like it when you're around. Yeah, yeah, yeah, yeah,

0:47:50.640 --> 0:47:52.840
<v Speaker 6>all right, Bailey Zimmerman dot com, you guys get the

0:47:52.880 --> 0:47:56.040
<v Speaker 6>record Religiously. That the album stream the crap out of it.

0:47:56.160 --> 0:48:02.600
<v Speaker 6>Bailey will see as soon, Buddy, keep killing it.

0:48:02.600 --> 0:48:05.760
<v Speaker 8>It's the Best Bits of the Week with Morgan.

0:48:05.880 --> 0:48:10.960
<v Speaker 3>Number two, Lunchbox Prank called a listener for Mother's Day.

0:48:11.040 --> 0:48:13.960
<v Speaker 3>Given that it's Mother's Day weekend, he reached out and

0:48:14.040 --> 0:48:15.600
<v Speaker 3>found out if there was any listeners out there who

0:48:15.600 --> 0:48:18.600
<v Speaker 3>wanted to prank their mom for a gift, and well,

0:48:18.680 --> 0:48:20.640
<v Speaker 3>he found one and it just so happened to be

0:48:20.760 --> 0:48:23.719
<v Speaker 3>Stacy's mom. And you gotta tell me that a lot

0:48:23.760 --> 0:48:24.920
<v Speaker 3>of y'all get this reference he has.

0:48:25.040 --> 0:48:27.880
<v Speaker 2>Stacy's mom has got it going on.

0:48:28.080 --> 0:48:30.120
<v Speaker 3>Okay, if you don't know that song, please go listen

0:48:30.200 --> 0:48:33.120
<v Speaker 3>to Fountains of Wayne Stacy's Mom. But so ironic it

0:48:33.160 --> 0:48:35.160
<v Speaker 3>was Stacy's mom that Lunchbox Prank called.

0:48:35.280 --> 0:48:37.400
<v Speaker 2>And this phone call was epic.

0:48:37.960 --> 0:48:41.000
<v Speaker 6>Number three little Mother's Day prank for you. Lunchbox calls

0:48:41.080 --> 0:48:42.400
<v Speaker 6>up a listener's mom and said.

0:48:42.239 --> 0:48:45.319
<v Speaker 16>What that she had won the Hottest Mom contest, that

0:48:45.400 --> 0:48:49.160
<v Speaker 16>her daughter had nominated her as the hottest mom. We

0:48:49.239 --> 0:48:51.280
<v Speaker 16>put pictures up and people voted.

0:48:51.560 --> 0:48:53.840
<v Speaker 6>How did you get with this listener? To even know?

0:48:54.360 --> 0:48:56.680
<v Speaker 16>I went on Instagram and I said, hey, anybody want

0:48:56.719 --> 0:48:59.040
<v Speaker 16>to prank their mom for Mother's Day? And people were

0:48:59.040 --> 0:49:02.000
<v Speaker 16>sliding into my d boom. Call my mom, Call my mom,

0:49:02.280 --> 0:49:04.720
<v Speaker 16>and so this girl, Stacy said, call my mom, Rosalind,

0:49:04.760 --> 0:49:06.520
<v Speaker 16>she'll be great, and so I did.

0:49:06.640 --> 0:49:07.759
<v Speaker 6>This is two minutes long.

0:49:10.160 --> 0:49:11.279
<v Speaker 13>Are you playing all the way through?

0:49:11.320 --> 0:49:14.760
<v Speaker 6>He's like the freaking Jerkie Boys Man is a whole song. Yeah,

0:49:14.800 --> 0:49:16.480
<v Speaker 6>what we may stop in comment a little bit, so

0:49:16.520 --> 0:49:19.920
<v Speaker 6>people turning on halfway through this documentary know exactly what

0:49:19.920 --> 0:49:22.400
<v Speaker 6>we're doing. But yeah, I think this has real potential.

0:49:22.440 --> 0:49:25.200
<v Speaker 6>I haven't heard it yet. Lunchbox calls the listener's mom action.

0:49:27.040 --> 0:49:31.640
<v Speaker 16>Hey, Roslin, this is Lunchbox with the Bobby Bone Showy okay,

0:49:31.680 --> 0:49:34.640
<v Speaker 16>and your daughter she loves you very much. Would you say,

0:49:34.680 --> 0:49:35.880
<v Speaker 16>your daughter, Stacy loves.

0:49:35.680 --> 0:49:36.440
<v Speaker 15>You very much?

0:49:37.320 --> 0:49:39.879
<v Speaker 16>Yeah, well she also likes to do stuff for you.

0:49:39.960 --> 0:49:42.799
<v Speaker 16>Because we were having a contest. We were looking for

0:49:42.840 --> 0:49:46.839
<v Speaker 16>the Bobby Bone Show Hottest Mom and Stacy said, oh

0:49:46.880 --> 0:49:49.520
<v Speaker 16>my gosh, that's my mom, Roslin, And so she went

0:49:49.560 --> 0:49:54.600
<v Speaker 16>on our website, she nominated you. She submitted some pictures

0:49:54.640 --> 0:49:57.719
<v Speaker 16>of you. We put it up online and Roslin, I

0:49:57.760 --> 0:50:01.640
<v Speaker 16>am calling to tell you that our listeners voted you

0:50:02.080 --> 0:50:07.439
<v Speaker 16>the Bobby Bow Show Hottest Mom.

0:50:08.080 --> 0:50:08.719
<v Speaker 5>Mom.

0:50:09.320 --> 0:50:11.080
<v Speaker 15>Speech speech speech.

0:50:13.880 --> 0:50:14.840
<v Speaker 3>You know where to say?

0:50:15.120 --> 0:50:17.279
<v Speaker 16>When is a good time for us to do a

0:50:17.320 --> 0:50:19.680
<v Speaker 16>bikini shoot for the Hottest Mom Calendar.

0:50:20.400 --> 0:50:21.920
<v Speaker 5>I don't think that that's gonna happen.

0:50:23.800 --> 0:50:25.960
<v Speaker 15>No, no, no, it's just for our calendar.

0:50:25.960 --> 0:50:27.880
<v Speaker 16>We're going to sell it to raise money for you know,

0:50:28.120 --> 0:50:30.359
<v Speaker 16>and we're going to inspire other hot moms out there

0:50:31.400 --> 0:50:32.600
<v Speaker 16>because they do so much.

0:50:32.480 --> 0:50:35.720
<v Speaker 5>Good for the community, futily raising money for Saints.

0:50:36.200 --> 0:50:37.920
<v Speaker 16>And you don't mind me taking the pictures? Right Like,

0:50:37.960 --> 0:50:40.160
<v Speaker 16>I mean, I'm not professional.

0:50:39.600 --> 0:50:46.480
<v Speaker 15>But.

0:50:44.880 --> 0:50:45.520
<v Speaker 18>I don't even know.

0:50:46.239 --> 0:50:48.160
<v Speaker 6>I just don't even know what to say right now.

0:50:49.160 --> 0:50:51.440
<v Speaker 16>And ro you know, I mean, if you can just

0:50:51.440 --> 0:50:54.760
<v Speaker 16>tell me one one time, I'm the sexiest mom alive.

0:50:55.120 --> 0:50:56.520
<v Speaker 6>Come on, mom, you got.

0:50:58.400 --> 0:50:59.640
<v Speaker 8>I'm at a conference.

0:51:00.640 --> 0:51:02.680
<v Speaker 15>That's are you? Hey, you're at a conference? Let him

0:51:02.680 --> 0:51:03.920
<v Speaker 15>know you're the suxiest mama.

0:51:04.040 --> 0:51:04.279
<v Speaker 19>Love.

0:51:06.600 --> 0:51:07.359
<v Speaker 8>Yes, I am.

0:51:07.760 --> 0:51:09.320
<v Speaker 6>I have the sexes mom alive.

0:51:10.560 --> 0:51:12.759
<v Speaker 16>And Roslin, we love you because you really didn't win.

0:51:12.880 --> 0:51:14.640
<v Speaker 16>She didn't even nominate you. She just wanted to say

0:51:14.640 --> 0:51:20.840
<v Speaker 16>happy Mother's Day and that she loves you.

0:51:20.960 --> 0:51:23.080
<v Speaker 15>Thank you so much. Happy Mother's Day, Roslyn.

0:51:23.120 --> 0:51:24.680
<v Speaker 16>I hope you have a great Mother's Day and I

0:51:24.719 --> 0:51:26.439
<v Speaker 16>hope you know your daughter loves you very much.

0:51:26.760 --> 0:51:28.480
<v Speaker 5>All right, that's pretty funny.

0:51:28.680 --> 0:51:30.800
<v Speaker 6>Took it down a weird road though. First off, what

0:51:30.960 --> 0:51:32.799
<v Speaker 6>she win? You know, you never said what she wants?

0:51:32.880 --> 0:51:34.200
<v Speaker 15>She No, she has won, honest mom.

0:51:34.200 --> 0:51:36.560
<v Speaker 13>And she got to be in the calendar bikini photoshoot.

0:51:36.840 --> 0:51:38.360
<v Speaker 6>Yeah, oh she won the shoot.

0:51:38.640 --> 0:51:40.600
<v Speaker 15>Yeah she won that. She gets to be in the calendar.

0:51:40.600 --> 0:51:41.560
<v Speaker 15>We're gonna take bikini pit.

0:51:41.640 --> 0:51:43.080
<v Speaker 6>I'd have been confused to if I heard that's it.

0:51:43.120 --> 0:51:45.319
<v Speaker 6>That's funny that the daughter being a part of it

0:51:45.360 --> 0:51:47.919
<v Speaker 6>was hilarious. Come on, mom, that's good.

0:51:48.040 --> 0:51:48.400
<v Speaker 7>Okay.

0:51:49.719 --> 0:51:52.680
<v Speaker 6>We used to do a bit where we call somebody

0:51:52.880 --> 0:51:56.040
<v Speaker 6>it's all right, you just want ten thousand dollars, all right,

0:51:56.080 --> 0:51:58.840
<v Speaker 6>all you gotta do. It's like tell us your favorite show,

0:51:59.160 --> 0:52:00.360
<v Speaker 6>no matter whatever show they said that.

0:52:00.440 --> 0:52:05.120
<v Speaker 17>We're like, oh, I didn't believe it.

0:52:05.120 --> 0:52:07.279
<v Speaker 6>It don't matter what show they said. It was the word.

0:52:07.560 --> 0:52:10.120
<v Speaker 6>It was so stupid. But that's a pretty good one.

0:52:10.640 --> 0:52:12.640
<v Speaker 6>I feel like they should win, like a prize or something.

0:52:12.920 --> 0:52:13.520
<v Speaker 6>You just won.

0:52:13.840 --> 0:52:15.719
<v Speaker 5>She kind of sound heard end. Oh yeah, I know.

0:52:15.760 --> 0:52:17.399
<v Speaker 6>Because he took it away from her. He goes, you're

0:52:17.440 --> 0:52:19.560
<v Speaker 6>really not just a prank.

0:52:19.760 --> 0:52:20.920
<v Speaker 15>Well, I mean if I just hung.

0:52:20.840 --> 0:52:23.879
<v Speaker 6>Up and she's like, hey, we really do think you're hot.

0:52:24.040 --> 0:52:24.120
<v Speaker 12>Right.

0:52:24.200 --> 0:52:26.520
<v Speaker 6>Also, this wasn't a context. Your daughter just wanted to

0:52:26.520 --> 0:52:29.600
<v Speaker 6>say you're hot and she loves you. Oh, instead you

0:52:29.640 --> 0:52:30.520
<v Speaker 6>pretty much told her.

0:52:30.560 --> 0:52:32.520
<v Speaker 5>You're ugly, but your daughter loves you.

0:52:32.640 --> 0:52:34.000
<v Speaker 15>I mean I really never saw a picture, so I

0:52:34.040 --> 0:52:34.800
<v Speaker 15>don't know if she's hot or not.

0:52:34.840 --> 0:52:39.399
<v Speaker 6>I don't know why to her it's good though, but no, right, Yeah,

0:52:39.400 --> 0:52:40.720
<v Speaker 6>we liked it. We glad that one played.

0:52:40.800 --> 0:52:41.000
<v Speaker 12>Yeah.

0:52:41.360 --> 0:52:43.839
<v Speaker 6>I didn't even cringe, not one time.

0:52:43.960 --> 0:52:46.880
<v Speaker 12>I cringe towards the end when he had to tell her, like, no,

0:52:47.040 --> 0:52:48.719
<v Speaker 12>you didn't really win, you're you're right.

0:52:48.760 --> 0:52:50.000
<v Speaker 13>He could have said it a different.

0:52:49.760 --> 0:52:52.480
<v Speaker 17>Way, Yeah, because he made her like scream at the conference,

0:52:52.560 --> 0:52:54.839
<v Speaker 17>like I am sexy, you're not.

0:52:58.840 --> 0:53:02.040
<v Speaker 8>It's the best bit stuff the week with Morgan.

0:53:02.120 --> 0:53:11.400
<v Speaker 3>Number two, So Eddie believes that his neighbors may have squatters.

0:53:11.440 --> 0:53:13.440
<v Speaker 3>Apparently the house has been vacant for a little bit

0:53:13.440 --> 0:53:15.400
<v Speaker 3>because they're trying to sell it, and he saw a

0:53:15.440 --> 0:53:17.600
<v Speaker 3>lot of movement going on at the house and the

0:53:17.600 --> 0:53:19.439
<v Speaker 3>neighbors said nope, nobody should be there.

0:53:19.480 --> 0:53:21.239
<v Speaker 2>So now Eddie is very skeptical.

0:53:21.480 --> 0:53:23.120
<v Speaker 3>The show really wants him to go check it out,

0:53:23.160 --> 0:53:24.959
<v Speaker 3>but he's also not having that either.

0:53:25.600 --> 0:53:26.120
<v Speaker 8>Number two.

0:53:26.320 --> 0:53:28.000
<v Speaker 6>Okay, Eddie, what's happening near you.

0:53:28.120 --> 0:53:30.240
<v Speaker 5>So my neighbors check this out. This is crazy.

0:53:30.360 --> 0:53:32.799
<v Speaker 17>They moved out about a month ago, put their house

0:53:32.880 --> 0:53:35.440
<v Speaker 17>up for sale, and everything I saw realtors come in

0:53:35.560 --> 0:53:37.880
<v Speaker 17>like a week after they put it on the market.

0:53:38.000 --> 0:53:39.640
<v Speaker 5>They came in, they painted the house and all that.

0:53:39.560 --> 0:53:42.160
<v Speaker 17>Stuff, and then I never saw anyone again, like nothing,

0:53:42.160 --> 0:53:44.879
<v Speaker 17>no cars in the driveway, nothing but in the middle

0:53:44.880 --> 0:53:48.440
<v Speaker 17>of the night, sometimes the blinds are open, sometimes the

0:53:48.440 --> 0:53:49.280
<v Speaker 17>blinds are shut.

0:53:49.480 --> 0:53:51.440
<v Speaker 5>So one night, my son and I we saw it

0:53:51.480 --> 0:53:53.920
<v Speaker 5>at the same time. A light turned on in the

0:53:54.000 --> 0:53:56.680
<v Speaker 5>kitchen while we were walking the dog, and I was like,

0:53:56.760 --> 0:53:59.600
<v Speaker 5>someone's in there. I feel like there's squatters in there.

0:53:59.840 --> 0:54:01.480
<v Speaker 7>And I don't know.

0:54:01.560 --> 0:54:03.160
<v Speaker 17>I don't have the guts to knock on that door

0:54:03.360 --> 0:54:04.719
<v Speaker 17>or find out if they're in there or not.

0:54:04.880 --> 0:54:07.200
<v Speaker 6>But I'm telling you, there's movement in that house and

0:54:07.239 --> 0:54:08.080
<v Speaker 6>nobody should be there.

0:54:08.160 --> 0:54:08.279
<v Speaker 11>No.

0:54:08.320 --> 0:54:10.480
<v Speaker 17>I even called my neighbors who moved like to another

0:54:10.520 --> 0:54:11.600
<v Speaker 17>side of town, and they're like, no.

0:54:12.600 --> 0:54:16.120
<v Speaker 5>They go checked in. I think they're scared too. This

0:54:16.320 --> 0:54:18.080
<v Speaker 5>just happened the other day and we're like, I don't

0:54:18.120 --> 0:54:18.680
<v Speaker 5>know what to do.

0:54:19.360 --> 0:54:20.480
<v Speaker 6>Lunch watch, what would you do here?

0:54:21.000 --> 0:54:23.360
<v Speaker 15>I think you knock on the door. I just think you.

0:54:23.400 --> 0:54:26.440
<v Speaker 5>Knock off with cookies, like, hey, new neighbors.

0:54:26.000 --> 0:54:28.480
<v Speaker 16>Exactly, I'd like they're new neighbors. Or you're just like, oh,

0:54:28.480 --> 0:54:30.520
<v Speaker 16>do you have any ketchup I can borrow? Just trying

0:54:30.520 --> 0:54:32.680
<v Speaker 16>to check and see, like you don't know what's going on.

0:54:32.800 --> 0:54:35.080
<v Speaker 6>Like that a thing where people now go and order,

0:54:35.239 --> 0:54:37.520
<v Speaker 6>like borrow ketchup because we have delivery services now you

0:54:37.520 --> 0:54:39.279
<v Speaker 6>can mostly just take you know, type it in.

0:54:39.360 --> 0:54:40.560
<v Speaker 5>Yeah, I borrowed sugar the other day.

0:54:40.600 --> 0:54:41.880
<v Speaker 15>Yeah, you can borrow stuff in the neighbors.

0:54:42.480 --> 0:54:43.000
<v Speaker 5>Yeah.

0:54:43.040 --> 0:54:44.279
<v Speaker 6>I didn't do it back in the day. I don't

0:54:44.280 --> 0:54:48.479
<v Speaker 6>do it now if I like, I'm bothering people. But Eddie,

0:54:48.600 --> 0:54:49.600
<v Speaker 6>how much to do that?

0:54:50.120 --> 0:54:50.359
<v Speaker 7>No?

0:54:50.360 --> 0:54:52.279
<v Speaker 5>No, no, no, no, no, I'm out.

0:54:52.400 --> 0:54:53.400
<v Speaker 13>We send lunchbox.

0:54:53.800 --> 0:54:58.640
<v Speaker 17>I'm down, let's do that. And his neighbor though, yeah, yeah,

0:54:58.640 --> 0:55:00.839
<v Speaker 17>but he does this kind of stuff. He likes doing

0:55:00.840 --> 0:55:02.960
<v Speaker 17>this stuff. Whenever we have problems with like the cable,

0:55:03.200 --> 0:55:05.520
<v Speaker 17>I'll call him. I'll get your free cable. Same thing,

0:55:05.840 --> 0:55:06.960
<v Speaker 17>I'll deal with your squatters.

0:55:07.320 --> 0:55:09.560
<v Speaker 15>So what it sounds like is Eddie's scared. He's assists.

0:55:09.560 --> 0:55:10.720
<v Speaker 5>Absolutely, I'm terrified.

0:55:10.760 --> 0:55:11.240
<v Speaker 10>I's sissy.

0:55:11.239 --> 0:55:13.160
<v Speaker 5>I mean, what if there's a whole family living, he says.

0:55:12.920 --> 0:55:17.200
<v Speaker 6>Sissy, anymore lunchbox my uncle in nineteen eighty seven.

0:55:17.480 --> 0:55:19.680
<v Speaker 13>You have to go during the day, though, Well.

0:55:19.560 --> 0:55:20.399
<v Speaker 15>They're probably work.

0:55:21.040 --> 0:55:21.920
<v Speaker 6>Well, hell no, here's the thing.

0:55:22.320 --> 0:55:22.879
<v Speaker 7>Do they work?

0:55:22.920 --> 0:55:26.319
<v Speaker 6>You're squatting. I don't think you're crushing your nine to five?

0:55:27.280 --> 0:55:28.000
<v Speaker 15>Oh you don't think.

0:55:28.040 --> 0:55:28.719
<v Speaker 8>I don't think so.

0:55:28.960 --> 0:55:32.399
<v Speaker 17>No, no, no, there's no car though, no, uh huh

0:55:32.440 --> 0:55:33.000
<v Speaker 17>no cars.

0:55:33.200 --> 0:55:34.879
<v Speaker 15>Now, so how do they come? Do you ever see

0:55:34.960 --> 0:55:36.640
<v Speaker 15>him walk down the street? How do they get food?

0:55:36.840 --> 0:55:38.839
<v Speaker 5>I'm telling you, I don't see anyone go in and

0:55:38.840 --> 0:55:39.480
<v Speaker 5>out of that house.

0:55:39.560 --> 0:55:41.760
<v Speaker 17>All I see is the lights turn on or blind's

0:55:41.760 --> 0:55:44.480
<v Speaker 17>going up and down, and it's and I never see

0:55:44.480 --> 0:55:46.600
<v Speaker 17>the blind move. I just see like, oh, look the

0:55:46.600 --> 0:55:48.600
<v Speaker 17>blinds are up today. And then I look later and like,

0:55:48.719 --> 0:55:49.400
<v Speaker 17>blinds are closed.

0:55:49.400 --> 0:55:51.000
<v Speaker 12>It could have been that the house was shown by

0:55:51.040 --> 0:55:52.839
<v Speaker 12>a realtor that day and they opened and closed door.

0:55:52.880 --> 0:55:54.760
<v Speaker 5>I've asked my wife and like, have you seen anyone

0:55:54.800 --> 0:55:55.680
<v Speaker 5>come by? She's like no.

0:55:55.840 --> 0:55:57.959
<v Speaker 6>Do you ever see the very very This is gonna

0:55:57.960 --> 0:55:59.760
<v Speaker 6>be a weird question, the very very top of someone's

0:55:59.800 --> 0:56:06.280
<v Speaker 6>head there. If they're squatting, you can't really see them. Yeah, yeah, yeah, yeah, Okay,

0:56:06.360 --> 0:56:08.719
<v Speaker 6>the next time you see something fishy happen, let us know.

0:56:09.200 --> 0:56:10.759
<v Speaker 6>I got just the guy we can send over there.

0:56:11.360 --> 0:56:14.560
<v Speaker 6>Not this time because it might be that amy that

0:56:14.920 --> 0:56:18.080
<v Speaker 6>somebody's being shown the house. But you see one more thing,

0:56:18.120 --> 0:56:20.040
<v Speaker 6>We're gonna as munch Box went to my place wants

0:56:20.080 --> 0:56:20.880
<v Speaker 6>slipper squatters.

0:56:21.160 --> 0:56:22.879
<v Speaker 5>No, yeah, I did.

0:56:23.160 --> 0:56:24.799
<v Speaker 15>I found nothing. I went to the golf club up

0:56:24.840 --> 0:56:25.520
<v Speaker 15>on the roof of me.

0:56:25.800 --> 0:56:27.600
<v Speaker 6>It is the whole thing, a situation.

0:56:27.840 --> 0:56:29.240
<v Speaker 13>It's live on the air.

0:56:29.160 --> 0:56:33.239
<v Speaker 6>Right dost thing ever? Because they were like, we're going

0:56:33.320 --> 0:56:34.279
<v Speaker 6>live with it, Eddie.

0:56:34.280 --> 0:56:35.640
<v Speaker 13>Do you have cameras at your house?

0:56:35.719 --> 0:56:35.919
<v Speaker 5>Yeah?

0:56:35.960 --> 0:56:38.479
<v Speaker 13>Yeah, okay, can you point one towards their house?

0:56:38.600 --> 0:56:39.560
<v Speaker 15>That might be creepy.

0:56:39.800 --> 0:56:42.080
<v Speaker 12>No, it just then you have footage because you're not

0:56:42.120 --> 0:56:42.759
<v Speaker 12>always home.

0:56:42.840 --> 0:56:44.600
<v Speaker 5>It's a good point.

0:56:45.280 --> 0:56:45.520
<v Speaker 6>Yeah.

0:56:45.640 --> 0:56:50.160
<v Speaker 5>Or I just stay up all night, stay steak out.

0:56:51.719 --> 0:56:54.920
<v Speaker 8>It's the best bits of the week with Morgan.

0:56:55.000 --> 0:56:55.640
<v Speaker 15>Number two.

0:56:57.200 --> 0:56:59.840
<v Speaker 3>Massive star moment on the show this week, Chris Stapleton

0:57:00.200 --> 0:57:02.800
<v Speaker 3>was in studio, the first time he's been in studio

0:57:02.840 --> 0:57:04.799
<v Speaker 3>since I've been with this show. He's called in and

0:57:05.200 --> 0:57:07.759
<v Speaker 3>zoomed in, and he was here before I had joined

0:57:07.760 --> 0:57:09.600
<v Speaker 3>the show about six and a half years ago. But

0:57:09.680 --> 0:57:11.319
<v Speaker 3>This is the first time he was in studio, and

0:57:11.440 --> 0:57:14.520
<v Speaker 3>boy does he have a presence. He is just you know,

0:57:14.600 --> 0:57:16.480
<v Speaker 3>he's one of the massive stars out there, and when

0:57:16.480 --> 0:57:19.440
<v Speaker 3>he comes in he has such a cool, calming presence,

0:57:19.480 --> 0:57:22.120
<v Speaker 3>which is crazy and not what you would anticipate. But

0:57:22.120 --> 0:57:23.880
<v Speaker 3>he's such a chill, really awesome guy and it was

0:57:23.920 --> 0:57:25.720
<v Speaker 3>fun to hear some of the stories that he shared

0:57:25.760 --> 0:57:28.880
<v Speaker 3>and how he sees himself with all this crazy stardom.

0:57:29.000 --> 0:57:32.360
<v Speaker 2>So awesome interview right now with Bobby Bones.

0:57:32.080 --> 0:57:36.720
<v Speaker 4>And Chris Stapleton, Number one, So Bobby Bones Show interviews

0:57:36.960 --> 0:57:39.080
<v Speaker 4>in case you didn't know, just one.

0:57:39.000 --> 0:57:41.240
<v Speaker 6>Of those where if you don't know, you're crazy. That's

0:57:41.240 --> 0:57:43.320
<v Speaker 6>what this interview is, is Chris Stapleton, If you don't

0:57:43.320 --> 0:57:43.720
<v Speaker 6>know who he is.

0:57:43.720 --> 0:57:45.520
<v Speaker 5>You're crazy? Oh yeah, I mean yeah, just.

0:57:45.440 --> 0:57:49.320
<v Speaker 6>Making sure, all right, Christapleton walk in the studio right now. Look,

0:57:49.760 --> 0:57:58.880
<v Speaker 6>Tennessee Whiskey, come on back in the day, Restmooth, Broken, Halos, Parachute,

0:57:59.120 --> 0:58:02.880
<v Speaker 6>I could keep going. His current single is Joy of

0:58:02.960 --> 0:58:13.400
<v Speaker 6>My Life. He's a ten time ACM Award winner, nominated

0:58:13.440 --> 0:58:16.200
<v Speaker 6>for three more this year Entertainer of the Year Tonight

0:58:16.440 --> 0:58:18.720
<v Speaker 6>ACM Awards, Amazon Prime Here.

0:58:18.640 --> 0:58:21.640
<v Speaker 8>He is on the Bobby Bones Show.

0:58:21.720 --> 0:58:24.280
<v Speaker 6>Now, Chris, it's good to see you, buddy.

0:58:24.320 --> 0:58:25.160
<v Speaker 10>Yeah, man, good to see you.

0:58:25.240 --> 0:58:26.800
<v Speaker 5>How are you, Howard?

0:58:27.640 --> 0:58:29.760
<v Speaker 6>I'm good. Nobody cares about me right now though, but

0:58:29.760 --> 0:58:31.240
<v Speaker 6>I appreciate that because the kind of guy you are.

0:58:31.640 --> 0:58:32.000
<v Speaker 6>Thank you.

0:58:32.040 --> 0:58:32.560
<v Speaker 5>How are you?

0:58:33.000 --> 0:58:33.919
<v Speaker 10>I'm doing just great?

0:58:34.160 --> 0:58:35.040
<v Speaker 6>How's everything been?

0:58:35.240 --> 0:58:35.760
<v Speaker 5>Just generally?

0:58:35.800 --> 0:58:37.280
<v Speaker 6>Because I have been spoke to you in a while,

0:58:37.320 --> 0:58:40.240
<v Speaker 6>like you, what are you doing now? Are you balancing

0:58:40.320 --> 0:58:41.520
<v Speaker 6>right now? Are you working?

0:58:41.760 --> 0:58:42.720
<v Speaker 10>What does that even mean?

0:58:42.880 --> 0:58:43.200
<v Speaker 7>Well?

0:58:43.840 --> 0:58:45.640
<v Speaker 19>You work more than any known a man, I think,

0:58:45.720 --> 0:58:48.320
<v Speaker 19>so you know, the work life balance thing is is

0:58:48.320 --> 0:58:50.160
<v Speaker 19>a tough thing for anybody in this industry.

0:58:50.280 --> 0:58:51.040
<v Speaker 6>Have you mastered it?

0:58:51.240 --> 0:58:51.439
<v Speaker 7>No?

0:58:52.080 --> 0:58:52.160
<v Speaker 9>You?

0:58:52.840 --> 0:58:53.240
<v Speaker 10>Oh no?

0:58:54.000 --> 0:58:55.720
<v Speaker 6>And I was going to ask you because you're Morgan.

0:58:55.720 --> 0:58:58.240
<v Speaker 6>I have married a long time. I have had to

0:58:58.360 --> 0:59:00.760
<v Speaker 6>learn to taper off of working all the time. Like

0:59:00.800 --> 0:59:03.120
<v Speaker 6>I have to listen. It's hard for me to listen

0:59:03.160 --> 0:59:05.280
<v Speaker 6>because I didn't ge married till I was thirty nine.

0:59:05.480 --> 0:59:08.920
<v Speaker 6>So we've married a couple of years, maybe two years

0:59:09.080 --> 0:59:09.840
<v Speaker 6>almost two years now.

0:59:09.880 --> 0:59:10.600
<v Speaker 5>You need to know how long?

0:59:10.720 --> 0:59:10.880
<v Speaker 6>I know?

0:59:10.960 --> 0:59:11.120
<v Speaker 7>Boy?

0:59:11.320 --> 0:59:12.880
<v Speaker 6>I said that, I was like, way we can edit this?

0:59:12.920 --> 0:59:13.640
<v Speaker 10>Were live? Yeah?

0:59:14.040 --> 0:59:17.880
<v Speaker 6>So but I've had to learn to value her time

0:59:18.000 --> 0:59:21.480
<v Speaker 6>and sometimes that's by taking sure less away from me working.

0:59:22.760 --> 0:59:25.600
<v Speaker 6>Is that How do you find balance, or at least

0:59:25.680 --> 0:59:27.240
<v Speaker 6>chase balance in your life.

0:59:27.360 --> 0:59:29.600
<v Speaker 19>Well, you just do everything you can to make that happen,

0:59:29.880 --> 0:59:32.439
<v Speaker 19>you know, and sometimes that means saying no to things.

0:59:32.440 --> 0:59:34.960
<v Speaker 19>And that's hard in this industry where you can get

0:59:35.040 --> 0:59:38.680
<v Speaker 19>used to you know, you want to do that. Sure, yes, opportunity, yes,

0:59:39.400 --> 0:59:42.600
<v Speaker 19>but you have to, you know, try to make conscious

0:59:42.680 --> 0:59:47.240
<v Speaker 19>choices to choose living, sometimes over money or any of

0:59:47.240 --> 0:59:47.680
<v Speaker 19>those things.

0:59:47.720 --> 0:59:49.600
<v Speaker 10>Living, that's the key.

0:59:49.720 --> 0:59:53.520
<v Speaker 6>Maybe maybe it's living for me. I didn't get to

0:59:53.520 --> 0:59:55.320
<v Speaker 6>do a lot of cool stuff until the last couple

0:59:55.320 --> 0:59:57.520
<v Speaker 6>of years, and I was saying yes to everything because

0:59:57.520 --> 0:59:58.200
<v Speaker 6>I just wanted to make it.

0:59:58.200 --> 0:59:58.880
<v Speaker 10>I just wanted to.

0:59:59.360 --> 1:00:01.840
<v Speaker 6>Yes, you can please do this, Yes, yes, yes, And

1:00:01.880 --> 1:00:03.840
<v Speaker 6>I'm finally now getting to say no to things. But

1:00:03.880 --> 1:00:06.400
<v Speaker 6>I have this sort of imposter syndrome where if I

1:00:06.400 --> 1:00:07.800
<v Speaker 6>feel like if I say no to too much, I'll

1:00:07.800 --> 1:00:09.360
<v Speaker 6>never get asked to do anything again.

1:00:09.520 --> 1:00:10.560
<v Speaker 10>Absolutely. Yeah.

1:00:10.560 --> 1:00:11.520
<v Speaker 6>Wait, do you understand that?

1:00:12.960 --> 1:00:13.760
<v Speaker 5>You understand that?

1:00:13.880 --> 1:00:14.080
<v Speaker 6>Yeah?

1:00:14.200 --> 1:00:17.040
<v Speaker 5>Yes, how so you're the greatest.

1:00:17.600 --> 1:00:19.400
<v Speaker 19>You might think that, or somebody else might think that,

1:00:19.440 --> 1:00:21.600
<v Speaker 19>but you know, I don't feel that way. I feel

1:00:21.680 --> 1:00:24.320
<v Speaker 19>very much like a working musician who is trying to

1:00:24.360 --> 1:00:26.440
<v Speaker 19>get keep his gig, you.

1:00:26.400 --> 1:00:28.840
<v Speaker 6>Know, yeah, even you, Yeah, I think that gives a

1:00:28.880 --> 1:00:31.360
<v Speaker 6>lot of people hope because they're going well. Chris Tableton,

1:00:31.400 --> 1:00:33.560
<v Speaker 6>who we all feel like like, you're like the greatest vocalist,

1:00:33.600 --> 1:00:36.560
<v Speaker 6>You're a phenomenal songwriter. Love to hear you live, and

1:00:36.600 --> 1:00:38.240
<v Speaker 6>even you're like, you know, I don't even know about

1:00:38.240 --> 1:00:39.200
<v Speaker 6>me sometimes.

1:00:38.800 --> 1:00:40.600
<v Speaker 19>Well, but I want to be better. Do you want

1:00:40.640 --> 1:00:42.200
<v Speaker 19>to be better? Everybody wants to be better at their

1:00:42.280 --> 1:00:45.200
<v Speaker 19>job or there's always there's always something else, you know.

1:00:45.240 --> 1:00:48.720
<v Speaker 19>That's the other thing I think when you have the

1:00:48.840 --> 1:00:51.640
<v Speaker 19>problem with work life balance, thing is, no matter what

1:00:51.640 --> 1:00:54.960
<v Speaker 19>you achieve or no matter what you do, there's a

1:00:54.960 --> 1:00:58.240
<v Speaker 19>certain personality type and I'm one of them. I'm guessing

1:00:58.240 --> 1:01:00.600
<v Speaker 19>maybe you're one of them too. That was like, well,

1:01:00.720 --> 1:01:03.439
<v Speaker 19>but then there's this next thing. There's always the next thing.

1:01:03.960 --> 1:01:06.920
<v Speaker 19>There's always the next thing. It's there's never an end

1:01:07.040 --> 1:01:09.880
<v Speaker 19>for that personality. So you have to learn to let

1:01:10.040 --> 1:01:13.360
<v Speaker 19>flip that switch and you know, be present a little bit,

1:01:13.360 --> 1:01:13.840
<v Speaker 19>and it's hard.

1:01:14.000 --> 1:01:15.120
<v Speaker 10>Being present is hard.

1:01:14.920 --> 1:01:17.480
<v Speaker 19>And enjoying moments, you know, sometimes you're moving through the

1:01:17.480 --> 1:01:21.200
<v Speaker 19>moments so fast that you're not even looking around and going, hey,

1:01:21.200 --> 1:01:24.360
<v Speaker 19>this is this is pretty killer. What's going on right now?

1:01:24.680 --> 1:01:25.400
<v Speaker 19>It's beautiful.

1:01:25.680 --> 1:01:27.440
<v Speaker 6>You know, my wife has been a big part of

1:01:27.480 --> 1:01:29.280
<v Speaker 6>me being forced to do that. But then once I

1:01:29.320 --> 1:01:30.479
<v Speaker 6>do it, a couple of times like, oh, it's pretty

1:01:30.480 --> 1:01:33.640
<v Speaker 6>cool to actually acknowledge how cool we have it, how

1:01:33.640 --> 1:01:36.320
<v Speaker 6>good we have it. My thing has always been I

1:01:36.320 --> 1:01:38.520
<v Speaker 6>can't wait. I want to host one of the award shows,

1:01:38.520 --> 1:01:40.320
<v Speaker 6>and tonight we're gonna beat the ACMs. I'm not hosting,

1:01:40.320 --> 1:01:41.960
<v Speaker 6>but I'm like, Garth and.

1:01:41.840 --> 1:01:44.080
<v Speaker 10>Dollar should happen, I'll vote for that.

1:01:44.160 --> 1:01:46.880
<v Speaker 6>Well thanks, I mean, you know who knows that. They

1:01:46.920 --> 1:01:49.080
<v Speaker 6>won't let me, but I'm very happy I'm at the

1:01:49.160 --> 1:01:50.000
<v Speaker 6>I'm part of the I'm.

1:01:49.920 --> 1:01:50.840
<v Speaker 5>Part of the ACM tonight.

1:01:50.840 --> 1:01:54.480
<v Speaker 6>Everybody, Okay, this is not an ACM thing, but that's

1:01:54.520 --> 1:01:56.200
<v Speaker 6>the next thing. It's hard for me to enjoy a

1:01:56.240 --> 1:01:58.720
<v Speaker 6>lot of this stuff because I'm like, I do so

1:01:58.800 --> 1:02:00.800
<v Speaker 6>much comedy, I do so much like I would be

1:02:00.840 --> 1:02:03.600
<v Speaker 6>perfect for that job, but they but it's all I

1:02:03.600 --> 1:02:05.120
<v Speaker 6>can focus on. So when all these other good things

1:02:05.120 --> 1:02:07.560
<v Speaker 6>are happening, I'm still like, yeah, but I still haven't

1:02:07.560 --> 1:02:09.520
<v Speaker 6>been able to do this. Do you have one of

1:02:09.520 --> 1:02:10.680
<v Speaker 6>those what's the dream for you?

1:02:12.360 --> 1:02:14.040
<v Speaker 10>The work life balance is the dream.

1:02:14.720 --> 1:02:17.320
<v Speaker 19>I've done so many things that I never dreamed of,

1:02:18.120 --> 1:02:20.600
<v Speaker 19>and so I'm well beyond having a dream in that way,

1:02:20.680 --> 1:02:23.040
<v Speaker 19>you know, like it's hard for me to look at

1:02:23.040 --> 1:02:25.040
<v Speaker 19>something else and go, but I need to do that,

1:02:25.280 --> 1:02:29.880
<v Speaker 19>you know, And I'm not trying to Maybe that's cocky

1:02:29.880 --> 1:02:30.560
<v Speaker 19>sounding or something.

1:02:30.600 --> 1:02:32.440
<v Speaker 6>I don't think cocky at all. I think it's true.

1:02:32.480 --> 1:02:34.120
<v Speaker 6>And you have to have confidence to even be able

1:02:34.120 --> 1:02:36.280
<v Speaker 6>to like put our foot in the water, honestly.

1:02:36.200 --> 1:02:39.840
<v Speaker 19>Yeah, I mean, and I'm do you think you have

1:02:39.880 --> 1:02:41.320
<v Speaker 19>confidence in some spaces?

1:02:41.320 --> 1:02:41.640
<v Speaker 10>Sure me.

1:02:41.760 --> 1:02:43.640
<v Speaker 6>That's what I was gonna say too. And something I'm terrible,

1:02:43.680 --> 1:02:44.600
<v Speaker 6>I'm so insecure.

1:02:44.720 --> 1:02:45.520
<v Speaker 10>Yeah, well, I think.

1:02:45.520 --> 1:02:47.240
<v Speaker 19>And that's part of the other things that makes you

1:02:47.400 --> 1:02:50.919
<v Speaker 19>always pushing too, you know, you're trying to be better,

1:02:50.960 --> 1:02:52.960
<v Speaker 19>trying to do something better, bigger than yourself.

1:02:53.000 --> 1:02:54.320
<v Speaker 10>Maybe even do you think.

1:02:54.120 --> 1:02:58.760
<v Speaker 6>That you try to get better because of your want

1:02:58.920 --> 1:03:02.320
<v Speaker 6>to achieve or your fear of not achieving.

1:03:03.400 --> 1:03:05.040
<v Speaker 10>Probably a little bit of both. I mean I think

1:03:05.080 --> 1:03:08.960
<v Speaker 10>that both would be fair. I don't know.

1:03:09.360 --> 1:03:15.200
<v Speaker 19>I mean, I don'ly I don't especially now that I'm older.

1:03:15.240 --> 1:03:16.720
<v Speaker 19>Right now, I don't have as much of a fear

1:03:16.760 --> 1:03:20.439
<v Speaker 19>of failure, because that's how you learn things. You can't

1:03:20.520 --> 1:03:25.640
<v Speaker 19>learn anything without failing at something. But I certainly like

1:03:26.280 --> 1:03:29.080
<v Speaker 19>I mean, and who doesn't I don't think, but maybe

1:03:29.080 --> 1:03:33.480
<v Speaker 19>there's somebody that doesn't like, you know, achieving things.

1:03:33.280 --> 1:03:34.120
<v Speaker 10>It feels good.

1:03:34.360 --> 1:03:34.640
<v Speaker 7>Everybody.

1:03:34.640 --> 1:03:35.520
<v Speaker 10>Everybody likes to win.

1:03:35.760 --> 1:03:39.760
<v Speaker 19>Yeah, it's not necessarily competitive competitive with anybody other.

1:03:39.680 --> 1:03:45.919
<v Speaker 10>Than myself for me, but yeah, I do like those things.

1:03:46.000 --> 1:03:48.160
<v Speaker 19>I grew up playing sports and things like that, so

1:03:48.200 --> 1:03:50.880
<v Speaker 19>some of that's kind of, you know, hardwired into me.

1:03:51.040 --> 1:03:54.920
<v Speaker 6>But I don't know how do you get out your

1:03:54.960 --> 1:03:58.480
<v Speaker 6>competition bug if not in music, because I love to compete,

1:03:58.600 --> 1:04:01.120
<v Speaker 6>same thing, grow up playing sports. I just so competitive.

1:04:01.280 --> 1:04:02.800
<v Speaker 6>So I have different things that I do. If it's

1:04:02.800 --> 1:04:04.800
<v Speaker 6>a you know, my buddy is an iron A league,

1:04:04.800 --> 1:04:07.720
<v Speaker 6>we play Madden, or I play golf. I love to compete.

1:04:07.720 --> 1:04:08.880
<v Speaker 6>It doesn't matter what it is. I just need to

1:04:08.920 --> 1:04:09.760
<v Speaker 6>beat somebody at something.

1:04:11.120 --> 1:04:11.400
<v Speaker 7>You know.

1:04:12.040 --> 1:04:14.080
<v Speaker 19>I've kind of reached a space where I don't feel

1:04:14.080 --> 1:04:15.400
<v Speaker 19>like I'm trying to beat anybody anything.

1:04:15.440 --> 1:04:16.120
<v Speaker 10>I'm just trying to.

1:04:16.160 --> 1:04:19.160
<v Speaker 6>You're healthy, okay, to move You're a healthy person. I'm

1:04:19.160 --> 1:04:19.960
<v Speaker 6>not a healthy person.

1:04:20.000 --> 1:04:22.600
<v Speaker 19>Chris Well, I mean, if we would and played something

1:04:22.640 --> 1:04:24.840
<v Speaker 19>I would want to beat, let's be it.

1:04:24.920 --> 1:04:26.720
<v Speaker 10>Let's be real clear about that.

1:04:26.840 --> 1:04:30.080
<v Speaker 19>But when I was a teenager where I might have

1:04:30.120 --> 1:04:33.320
<v Speaker 19>thrown a golf club, you know, maybe I'd be like, oh,

1:04:33.360 --> 1:04:36.200
<v Speaker 19>well I shank that one in the woods, I'll hit

1:04:36.240 --> 1:04:36.680
<v Speaker 19>another one.

1:04:36.960 --> 1:04:37.600
<v Speaker 10>It's fine.

1:04:37.760 --> 1:04:41.120
<v Speaker 6>You're single now. Is enjoying my life? John Fogerty. I'm

1:04:41.160 --> 1:04:43.040
<v Speaker 6>a massive John Fogerty fan. One of the first concert

1:04:43.120 --> 1:04:46.400
<v Speaker 6>I went to was John Fogerty. I mean, do you yeah?

1:04:46.440 --> 1:04:46.840
<v Speaker 5>I was like.

1:04:48.400 --> 1:04:51.520
<v Speaker 6>Fourteen fifteen. I saw Diamond Rio, I saw Peter Frampton,

1:04:51.640 --> 1:04:53.320
<v Speaker 6>I saw John Fogerty.

1:04:53.000 --> 1:04:54.920
<v Speaker 5>On one show. No. I wish that had been a

1:04:54.920 --> 1:04:55.640
<v Speaker 5>heck of a festival.

1:04:55.960 --> 1:04:57.840
<v Speaker 6>I was like, but like all of the like like

1:04:57.960 --> 1:05:01.200
<v Speaker 6>six months and my first concerts ever and John Fogerty.

1:05:01.240 --> 1:05:04.520
<v Speaker 6>I love CCR. I could do the whole catalog even

1:05:04.560 --> 1:05:06.400
<v Speaker 6>as a solo artist. Eve, when I think about baseball,

1:05:06.440 --> 1:05:09.439
<v Speaker 6>even like center field, it's great, so and so joy

1:05:09.520 --> 1:05:11.640
<v Speaker 6>my life, Like, that's John Fogerty song, right it is,

1:05:11.640 --> 1:05:13.760
<v Speaker 6>because I've heard him. I've heard his live version as well.

1:05:13.880 --> 1:05:15.919
<v Speaker 6>Why would you Why did you pick that song?

1:05:15.920 --> 1:05:17.640
<v Speaker 19>Of the great songs that it's a record of his

1:05:17.800 --> 1:05:20.720
<v Speaker 19>that I had when that record came out as maybe

1:05:20.760 --> 1:05:24.400
<v Speaker 19>the nineties. And I don't know if that song is

1:05:24.520 --> 1:05:26.880
<v Speaker 19>known as well as some of you. Certainly he has

1:05:26.920 --> 1:05:29.480
<v Speaker 19>a really deep catalog. But I just always loved that

1:05:29.600 --> 1:05:32.040
<v Speaker 19>song and I would play that, you know, like a

1:05:32.040 --> 1:05:34.880
<v Speaker 19>lot of songs that I cut that are covers. It's

1:05:34.920 --> 1:05:36.640
<v Speaker 19>just some song that I love, you know, and I

1:05:36.640 --> 1:05:39.960
<v Speaker 19>think it's cool and it's fun to sing, and I

1:05:40.000 --> 1:05:44.760
<v Speaker 19>love the sentiment of it, and maybe not maybe I'm

1:05:44.840 --> 1:05:46.680
<v Speaker 19>I'm sure that I never would have written it that

1:05:46.760 --> 1:05:49.200
<v Speaker 19>way or even thought of it that way. And so

1:05:49.280 --> 1:05:55.880
<v Speaker 19>it's it's it's neat to find songs that feel like

1:05:55.920 --> 1:05:59.600
<v Speaker 19>they can be personal, but there they didn't come from

1:05:59.640 --> 1:06:00.000
<v Speaker 19>you at all.

1:06:01.080 --> 1:06:02.960
<v Speaker 6>We're gonna play it now. We're gonna come back with Chris, which,

1:06:03.000 --> 1:06:06.200
<v Speaker 6>by the way, Chris tonight ACM Awards up for I mean,

1:06:06.680 --> 1:06:08.400
<v Speaker 6>he's the man, But Entertainer of the Year is the

1:06:08.400 --> 1:06:10.360
<v Speaker 6>one I'm talking about here. You got three total nominations,

1:06:10.400 --> 1:06:12.600
<v Speaker 6>but I do the video for Entertainer of the Year.

1:06:12.760 --> 1:06:14.400
<v Speaker 6>I gave your name a little extra buzz, don't worry.

1:06:14.440 --> 1:06:17.080
<v Speaker 6>Oh yeah, everybody else, I was like Morgan Wall and

1:06:17.200 --> 1:06:20.760
<v Speaker 6>Randall lamber Chris, So when you hear that, you know.

1:06:20.920 --> 1:06:22.760
<v Speaker 10>I hear that. When you do that, it makes the

1:06:22.840 --> 1:06:23.680
<v Speaker 10>voting good differently.

1:06:23.760 --> 1:06:26.439
<v Speaker 6>Absolutely, even though there's no chance because they've already happened.

1:06:26.480 --> 1:06:29.040
<v Speaker 6>But still, Chris, everybody, when's the last time you were nervous?

1:06:29.120 --> 1:06:31.360
<v Speaker 6>Let me ask you that, when's the last time? For performance?

1:06:31.800 --> 1:06:32.400
<v Speaker 10>For performance?

1:06:32.400 --> 1:06:34.840
<v Speaker 6>For performance? Because I can't see you get nervous.

1:06:34.880 --> 1:06:35.480
<v Speaker 10>Super Bowl?

1:06:36.320 --> 1:06:38.080
<v Speaker 6>Really is it?

1:06:38.120 --> 1:06:42.840
<v Speaker 20>Because it's a super Bowl? Yeah? Yeah, it's a super Bowl.

1:06:42.880 --> 1:06:46.080
<v Speaker 20>You know, it's just and it's the anthem. You know,

1:06:46.520 --> 1:06:48.920
<v Speaker 20>that's a hard song and it's a it's one that

1:06:48.960 --> 1:06:52.080
<v Speaker 20>if you mess it up, you are immortalized messing it

1:06:52.160 --> 1:06:52.680
<v Speaker 20>up forever.

1:06:53.320 --> 1:06:55.520
<v Speaker 19>And if you do do well, you you you did

1:06:55.520 --> 1:06:57.960
<v Speaker 19>good there too. But the main goal with anthem is

1:06:57.960 --> 1:06:59.760
<v Speaker 19>don't mess up the words and don't mess up.

1:06:59.760 --> 1:07:03.840
<v Speaker 6>To me, did you have a conversation on if you listen,

1:07:03.880 --> 1:07:06.480
<v Speaker 6>we all love America. Let's get that straight. You have

1:07:06.560 --> 1:07:08.280
<v Speaker 6>a conversation was do I do I want to go

1:07:08.280 --> 1:07:10.080
<v Speaker 6>sing the national anthem at the super Bowl? Because if

1:07:10.080 --> 1:07:11.800
<v Speaker 6>you were, you're right, If you nail it, everybody's like,

1:07:11.800 --> 1:07:13.280
<v Speaker 6>good job, let's get the game. But if you don't.

1:07:13.320 --> 1:07:14.200
<v Speaker 6>It's remembered forever.

1:07:15.520 --> 1:07:19.400
<v Speaker 19>Yes, well here's noe of those things we're talking about,

1:07:19.400 --> 1:07:21.320
<v Speaker 19>the dream things. People would ask me to do the

1:07:21.360 --> 1:07:24.280
<v Speaker 19>anthem for various other things. I'd be like, no, I'll

1:07:24.320 --> 1:07:26.880
<v Speaker 19>just wait on the super Bowl thinking, you know, like

1:07:27.680 --> 1:07:29.160
<v Speaker 19>they're not going to call me from the super Bowl.

1:07:29.240 --> 1:07:31.160
<v Speaker 19>So but then they call you for the super Bowl

1:07:31.200 --> 1:07:33.560
<v Speaker 19>in your life, Well, I said I would do that

1:07:33.600 --> 1:07:36.920
<v Speaker 19>if if they called me for that. So I went

1:07:36.920 --> 1:07:40.080
<v Speaker 19>and did it, and now I am retired from the anthem.

1:07:40.840 --> 1:07:42.920
<v Speaker 6>So whenever you perform it, and you know they can

1:07:42.920 --> 1:07:45.280
<v Speaker 6>bet on how long it goes? Did you ever did

1:07:45.320 --> 1:07:46.880
<v Speaker 6>you know how long yours was going to be? Just

1:07:46.920 --> 1:07:47.440
<v Speaker 6>from practice?

1:07:47.480 --> 1:07:48.480
<v Speaker 10>I want a lot of money.

1:07:48.560 --> 1:07:55.080
<v Speaker 6>Yeah, some guy named Chris Babulton dollars? Yes, you did

1:07:55.160 --> 1:07:56.400
<v Speaker 6>you judge it for yourself?

1:07:57.240 --> 1:07:57.720
<v Speaker 10>Did I judge?

1:07:57.720 --> 1:07:58.560
<v Speaker 6>Did you even think about it?

1:07:58.600 --> 1:07:58.680
<v Speaker 7>Like?

1:07:58.680 --> 1:08:00.640
<v Speaker 6>Did you time it yourself? Even know that was a thing?

1:08:01.920 --> 1:08:02.280
<v Speaker 7>I did?

1:08:02.360 --> 1:08:02.560
<v Speaker 5>Yeah?

1:08:02.600 --> 1:08:06.400
<v Speaker 19>Good, I did after people started asking me, like I

1:08:06.480 --> 1:08:08.160
<v Speaker 19>didn't know it was a thing. First of all, I

1:08:08.320 --> 1:08:10.800
<v Speaker 19>never didn't know you could bet on how long the

1:08:10.800 --> 1:08:13.080
<v Speaker 19>anthem was. And once I learned that, I was like, man,

1:08:13.120 --> 1:08:16.160
<v Speaker 19>I know how long the anthem is? That's crazy. But

1:08:16.560 --> 1:08:18.960
<v Speaker 19>I haven't really told anybody. I didn't tell anybody, so

1:08:19.560 --> 1:08:21.839
<v Speaker 19>there's still some honor there. I didn't all annoyings.

1:08:21.840 --> 1:08:24.200
<v Speaker 6>I never got a message saying, hey, it's two forty two,

1:08:24.280 --> 1:08:28.360
<v Speaker 6>because I'd have been killing. Is it when you sing

1:08:28.400 --> 1:08:32.439
<v Speaker 6>the anthem with a guitar? Is it easier to stay

1:08:33.160 --> 1:08:36.160
<v Speaker 6>the same pitch because you have that you can hear

1:08:36.200 --> 1:08:39.000
<v Speaker 6>the note, you know, because somebody hurt and they blow

1:08:39.080 --> 1:08:39.479
<v Speaker 6>that thing?

1:08:40.240 --> 1:08:43.280
<v Speaker 19>Yeah, I mean does it not matter. It's a non

1:08:43.280 --> 1:08:45.320
<v Speaker 19>issue for me. It might be for somebody else. I

1:08:45.360 --> 1:08:48.080
<v Speaker 19>don't know's I can only judge it for me.

1:08:48.160 --> 1:08:49.000
<v Speaker 5>Do you have perfect pitch?

1:08:49.280 --> 1:08:49.400
<v Speaker 7>No?

1:08:49.600 --> 1:08:50.800
<v Speaker 6>Can you hear perfect pitch?

1:08:51.720 --> 1:08:54.800
<v Speaker 19>I mean perfect pitch means that I could. I could

1:08:55.360 --> 1:08:58.400
<v Speaker 19>hear you hit and didn't match it, and I could

1:08:58.400 --> 1:08:59.920
<v Speaker 19>tell you, well, I could tell you what that note was.

1:09:00.120 --> 1:09:03.559
<v Speaker 10>I can't do that. That's perfect pitch, like Charlie Peot

1:09:03.600 --> 1:09:04.280
<v Speaker 10>has perfect pitch.

1:09:04.320 --> 1:09:05.880
<v Speaker 6>But could you guess pretty good?

1:09:06.280 --> 1:09:09.360
<v Speaker 19>No, not not even close. I don't even know the

1:09:09.439 --> 1:09:11.200
<v Speaker 19>names of all the notes on the guitar, you know,

1:09:11.320 --> 1:09:13.559
<v Speaker 19>so I can't tell you what I'm playing most of

1:09:13.600 --> 1:09:13.960
<v Speaker 19>the time.

1:09:14.439 --> 1:09:16.120
<v Speaker 6>What's the best concert you've ever been to?

1:09:16.760 --> 1:09:20.920
<v Speaker 10>The best concert I've ever been to. I've been to

1:09:20.960 --> 1:09:21.559
<v Speaker 10>some good ones.

1:09:23.880 --> 1:09:27.560
<v Speaker 19>Paul McCartney, The Eagles Health Freezes Over Tour, uh, the

1:09:27.640 --> 1:09:29.240
<v Speaker 19>Vince Giltour whlread he had the big band.

1:09:29.880 --> 1:09:31.559
<v Speaker 10>I don't know. It's hard to pick. There's a lot

1:09:31.560 --> 1:09:34.280
<v Speaker 10>of good ones, but one but one.

1:09:34.520 --> 1:09:36.519
<v Speaker 6>You only go to one. You get to relive it,

1:09:37.439 --> 1:09:38.920
<v Speaker 6>get to relive that you've been to.

1:09:41.680 --> 1:09:45.040
<v Speaker 19>Man if I was reliving, i'd probably go. And part

1:09:45.080 --> 1:09:47.000
<v Speaker 19>of this is just the era of my life.

1:09:47.000 --> 1:09:47.360
<v Speaker 5>It is.

1:09:47.400 --> 1:09:49.439
<v Speaker 19>It's it's the Eagles Health Freezes Over Tour, you know,

1:09:49.880 --> 1:09:52.920
<v Speaker 19>Fourth Row, Charleston, West Virginia. Me and my brother. I

1:09:52.920 --> 1:09:55.080
<v Speaker 19>spent all my money. I had to get these these tickets,

1:09:55.080 --> 1:09:58.000
<v Speaker 19>you know. And they played for four hours, and it

1:09:58.120 --> 1:10:00.960
<v Speaker 19>was they did all their solo stuff plus all the

1:10:00.960 --> 1:10:03.000
<v Speaker 19>Eagle stuff. So you got everything that you wanted out

1:10:03.040 --> 1:10:05.280
<v Speaker 19>of that show, and it was an immaculate show.

1:10:05.320 --> 1:10:06.640
<v Speaker 6>Did you ever watched their documentary?

1:10:07.479 --> 1:10:07.840
<v Speaker 10>I have not.

1:10:08.000 --> 1:10:09.920
<v Speaker 5>It's like three and a half. It was awesome.

1:10:10.000 --> 1:10:12.840
<v Speaker 6>It was that it was them getting back together and

1:10:13.760 --> 1:10:17.320
<v Speaker 6>doing that tour. You see the Tom Petty documentary about

1:10:17.320 --> 1:10:19.040
<v Speaker 6>each Chap, it's like seven hours, eight hours long.

1:10:19.080 --> 1:10:22.240
<v Speaker 19>I haven't Oh, I've watched about half of the Beatles

1:10:22.840 --> 1:10:24.040
<v Speaker 19>the one on Apple.

1:10:23.880 --> 1:10:25.280
<v Speaker 5>Yeah, I watched about half of that.

1:10:25.320 --> 1:10:29.200
<v Speaker 10>I haven't gone through. I just I get distracted a lot.

1:10:29.479 --> 1:10:30.640
<v Speaker 5>What did you think about the Apple One?

1:10:30.640 --> 1:10:32.519
<v Speaker 6>Because I see why everybody thought it was so awesome,

1:10:32.520 --> 1:10:34.680
<v Speaker 6>But I also couldn't sit for long periods because you're

1:10:34.680 --> 1:10:38.000
<v Speaker 6>just watching them live. You know, it's voyeurism, you know.

1:10:38.200 --> 1:10:41.719
<v Speaker 19>You was sure as a songwriter, it's fascinating to watch

1:10:41.720 --> 1:10:45.680
<v Speaker 19>some of these things be created and realize that a

1:10:45.680 --> 1:10:48.640
<v Speaker 19>lot of the processes are not too different than what

1:10:48.720 --> 1:10:49.600
<v Speaker 19>the rest of us trying to do.

1:10:49.640 --> 1:10:50.879
<v Speaker 10>They just happen to be the Beatles.

1:10:51.520 --> 1:10:54.120
<v Speaker 19>Yeah, you know, like they're sitting there, digging around on something,

1:10:54.160 --> 1:10:56.960
<v Speaker 19>thinking they're not doing anything, and then it's you know,

1:10:57.280 --> 1:10:59.679
<v Speaker 19>some classic Beatles song that everybody knows.

1:11:00.280 --> 1:11:02.679
<v Speaker 21>Yeah, there's one part where Paul is just like Jujo

1:11:02.920 --> 1:11:08.200
<v Speaker 21>wasn't man, Jojo was man, and you're hearing him. Yeah,

1:11:08.240 --> 1:11:11.720
<v Speaker 21>you're making you hear like the beginning parts of Get

1:11:11.720 --> 1:11:13.800
<v Speaker 21>Back that we all know now we've heard ten million times,

1:11:13.800 --> 1:11:15.920
<v Speaker 21>but it's just him like dinking around figuring.

1:11:15.680 --> 1:11:16.960
<v Speaker 5>It out right. It's incredible.

1:11:17.320 --> 1:11:19.560
<v Speaker 19>That's an incredible thing to have on film.

1:11:19.800 --> 1:11:21.920
<v Speaker 6>Are you recording a lot of your life so we

1:11:21.960 --> 1:11:25.360
<v Speaker 6>can do one of these about you. No, no, nobody.

1:11:25.400 --> 1:11:27.679
<v Speaker 6>You don't have somebody that's recording a bunch of stuff

1:11:27.680 --> 1:11:30.080
<v Speaker 6>that's not getting out on social media, but one day

1:11:30.400 --> 1:11:33.759
<v Speaker 6>when it's time for Staple to uncut unedited midnight version.

1:11:34.720 --> 1:11:37.040
<v Speaker 19>No, I'm pretty I'm pretty private. I mean there we

1:11:37.120 --> 1:11:38.400
<v Speaker 19>film shows and stuff like that.

1:11:38.520 --> 1:11:40.840
<v Speaker 6>But you don't want a documentary about your life?

1:11:41.160 --> 1:11:41.719
<v Speaker 10>Not really?

1:11:42.080 --> 1:11:43.760
<v Speaker 6>No I do.

1:11:44.040 --> 1:11:46.160
<v Speaker 10>Yeah, well there's one.

1:11:47.640 --> 1:11:52.000
<v Speaker 6>Did you think us go twenty years ago? Did you

1:11:52.040 --> 1:11:54.519
<v Speaker 6>have dreams that equal to where you are now?

1:11:54.680 --> 1:11:55.640
<v Speaker 10>No?

1:11:55.640 --> 1:12:00.960
<v Speaker 19>No dreams, No, no, but because I you know, I try

1:12:01.000 --> 1:12:02.759
<v Speaker 19>to work very much in the space and the doors

1:12:02.760 --> 1:12:07.960
<v Speaker 19>that feel like they're open, not necessarily like I guess

1:12:08.000 --> 1:12:10.280
<v Speaker 19>it's good to have goals like, but my goals were

1:12:10.320 --> 1:12:13.880
<v Speaker 19>always I'm a songwriter. I want to keep this job.

1:12:15.200 --> 1:12:18.760
<v Speaker 19>You know, I'm touring. I don't want to lose money.

1:12:19.400 --> 1:12:21.040
<v Speaker 10>You know, like those are those.

1:12:20.840 --> 1:12:23.519
<v Speaker 19>Are the kinds of things that there was never like

1:12:23.560 --> 1:12:28.000
<v Speaker 19>a hey, I want to be getting interviewed on the

1:12:28.120 --> 1:12:33.520
<v Speaker 19>radio talking about being nominated for much of awards doesn't

1:12:33.880 --> 1:12:35.360
<v Speaker 19>not a not was not a.

1:12:37.439 --> 1:12:40.519
<v Speaker 6>Not a thing you would have liked it though it

1:12:40.600 --> 1:12:42.479
<v Speaker 6>just was it was just so out of the realm

1:12:42.520 --> 1:12:44.080
<v Speaker 6>of what you thought was a possibility.

1:12:44.240 --> 1:12:45.160
<v Speaker 10>Well, you know, I'm not.

1:12:47.360 --> 1:12:51.200
<v Speaker 19>Hm, Well, it just didn't seem Some of those things

1:12:51.240 --> 1:12:55.559
<v Speaker 19>don't seem achievable or practical, right, and they're not without

1:12:55.560 --> 1:12:56.479
<v Speaker 19>a whole lot of luck.

1:12:57.120 --> 1:12:59.479
<v Speaker 6>You know, if we go back to that performance with

1:12:59.560 --> 1:13:03.200
<v Speaker 6>you and JT, where I think America was introduced to

1:13:03.240 --> 1:13:05.599
<v Speaker 6>you was the next few days and a week after that,

1:13:05.760 --> 1:13:07.280
<v Speaker 6>was it just bonkers.

1:13:06.800 --> 1:13:07.879
<v Speaker 10>For super bonkers?

1:13:08.200 --> 1:13:10.800
<v Speaker 19>Yeah, we went from you know, the next thing that

1:13:10.840 --> 1:13:14.720
<v Speaker 19>we had after that, we had like a West Coast run,

1:13:14.760 --> 1:13:16.800
<v Speaker 19>which we'd never played really on the West Coast at all,

1:13:17.160 --> 1:13:20.880
<v Speaker 19>and we were playing places that held maybe eight hundred

1:13:20.920 --> 1:13:25.439
<v Speaker 19>people that were half sold, you know, because nobody knew

1:13:25.439 --> 1:13:28.720
<v Speaker 19>who knew who we were out there, and you know,

1:13:28.920 --> 1:13:31.519
<v Speaker 19>those tickets were gone. And then pretty soon we were

1:13:31.520 --> 1:13:35.960
<v Speaker 19>booking things we didn't know how, you know, Deep the

1:13:36.080 --> 1:13:37.720
<v Speaker 19>River was all of a sudden, and so there was

1:13:37.720 --> 1:13:43.120
<v Speaker 19>a lot of guessing about what venue we could play

1:13:43.160 --> 1:13:46.840
<v Speaker 19>for the next year or so, and then and then

1:13:46.880 --> 1:13:48.200
<v Speaker 19>we're in the venues that we're in.

1:13:48.439 --> 1:13:50.080
<v Speaker 6>Did you feel like that could be fleeting?

1:13:51.560 --> 1:13:54.240
<v Speaker 5>I still do, yeah, but not but you can't.

1:13:54.600 --> 1:13:55.840
<v Speaker 6>I mean, I get it because I feel the same

1:13:55.880 --> 1:13:59.200
<v Speaker 6>way people say if you got fired today, you'd be fine.

1:13:59.280 --> 1:14:01.880
<v Speaker 6>I'm like, I don't know, so I completely understand. But

1:14:01.880 --> 1:14:03.599
<v Speaker 6>I'm saying this from my perfect like there's no chance

1:14:03.640 --> 1:14:06.439
<v Speaker 6>it's fleeting now. But you did feel like maybe this

1:14:06.560 --> 1:14:08.200
<v Speaker 6>is just a blips. I need to hold on as

1:14:08.200 --> 1:14:08.840
<v Speaker 6>long as I can.

1:14:09.439 --> 1:14:12.400
<v Speaker 19>Well, yeah, I mean working musician mentality kicks in and

1:14:12.400 --> 1:14:14.720
<v Speaker 19>you're like, all sunshine and let's make some Hey, let's

1:14:14.840 --> 1:14:17.360
<v Speaker 19>let's do what we can do. And you and you

1:14:17.439 --> 1:14:20.200
<v Speaker 19>and you run pretty hard in those moments, as hard

1:14:20.200 --> 1:14:20.639
<v Speaker 19>as you can.

1:14:20.840 --> 1:14:21.840
<v Speaker 6>Was it ever overwhelming?

1:14:23.040 --> 1:14:24.000
<v Speaker 10>No, it was exciting.

1:14:24.080 --> 1:14:28.640
<v Speaker 19>I mean it was exhausting, but it was exciting, you know,

1:14:28.760 --> 1:14:32.640
<v Speaker 19>and and just uh surreal and life and still is

1:14:32.760 --> 1:14:33.880
<v Speaker 19>on a lot of nights.

1:14:33.920 --> 1:14:36.200
<v Speaker 6>You know, can you go to dinner in a public place?

1:14:36.920 --> 1:14:37.280
<v Speaker 10>I can?

1:14:38.240 --> 1:14:39.679
<v Speaker 6>Can you go to dinner in a public place where

1:14:39.680 --> 1:14:42.320
<v Speaker 6>people don't recognize you or want to pay for your

1:14:42.320 --> 1:14:43.360
<v Speaker 6>bill or try to get a picture?

1:14:43.520 --> 1:14:46.680
<v Speaker 5>Sometimes so hard?

1:14:47.280 --> 1:14:47.879
<v Speaker 10>I mean.

1:14:49.400 --> 1:14:52.800
<v Speaker 19>That that kind of adjustment was hard. That was that

1:14:52.880 --> 1:14:56.439
<v Speaker 19>was the hardest part initially, and it and it's probably

1:14:58.479 --> 1:15:00.800
<v Speaker 19>and now it's just that's that's just what my life is,

1:15:01.120 --> 1:15:02.880
<v Speaker 19>you know, and I'm sure that what.

1:15:02.800 --> 1:15:05.519
<v Speaker 5>Your life is totally the same, the same thing.

1:15:05.560 --> 1:15:06.320
<v Speaker 10>Yeah, pretty much.

1:15:06.360 --> 1:15:10.439
<v Speaker 19>Yeah, I don't know what you have to deal with.

1:15:10.439 --> 1:15:16.040
<v Speaker 6>Man, it gets were sometimes. But you're you're very I mean,

1:15:16.280 --> 1:15:19.720
<v Speaker 6>you're such a great songwriter and singer. And on top

1:15:19.760 --> 1:15:23.120
<v Speaker 6>of that, your beard is very distinct. Sure where my

1:15:23.200 --> 1:15:26.040
<v Speaker 6>glasses is pretty distinct, but your beard. So I would think,

1:15:26.080 --> 1:15:27.280
<v Speaker 6>like I got I got pulled over the other day.

1:15:27.280 --> 1:15:28.519
<v Speaker 6>I had a phone up to my ear ship. You

1:15:28.520 --> 1:15:29.600
<v Speaker 6>can't do that, by the way, you can't hold the

1:15:29.600 --> 1:15:30.920
<v Speaker 6>phone up to your ear. You get a ticket. I

1:15:30.960 --> 1:15:32.439
<v Speaker 6>wasn't speeding. I got a phone up to my ear.

1:15:32.479 --> 1:15:33.040
<v Speaker 10>CONFI not.

1:15:33.160 --> 1:15:34.600
<v Speaker 6>If you're not talking to anybody, it doesn't matter. I

1:15:34.640 --> 1:15:36.960
<v Speaker 6>can't have phone in your ear. Yeah you can't know

1:15:37.200 --> 1:15:37.880
<v Speaker 6>you can't hold it up.

1:15:38.040 --> 1:15:39.040
<v Speaker 10>What if it's a toy.

1:15:38.880 --> 1:15:41.479
<v Speaker 6>Phone, Chris, I don't have the answers, but that'd be hilarious.

1:15:41.479 --> 1:15:43.000
<v Speaker 6>You drive by a cop of the toy phone just

1:15:43.040 --> 1:15:46.799
<v Speaker 6>to see got you. That's funny. Okay, man, that's funny

1:15:46.880 --> 1:15:48.479
<v Speaker 6>right there.

1:15:49.200 --> 1:15:51.800
<v Speaker 5>I got so I got pulled over. It does that

1:15:51.840 --> 1:15:52.320
<v Speaker 5>ever happen?

1:15:52.320 --> 1:15:53.960
<v Speaker 6>And somebody, like a cop is like, oh, Chris table

1:15:54.000 --> 1:15:54.920
<v Speaker 6>To look at that. We'll let you go.

1:15:54.960 --> 1:15:56.200
<v Speaker 5>I know you dropped the bank, but you go ahead

1:15:56.200 --> 1:15:57.280
<v Speaker 5>and go for your Chris Tableton.

1:15:57.720 --> 1:16:02.760
<v Speaker 19>Uh, I've gotten, you know, because my whole life, because

1:16:02.760 --> 1:16:04.439
<v Speaker 19>I look like I do, I look like I need

1:16:04.439 --> 1:16:08.760
<v Speaker 19>a ticket. You know, I'll get caught for like a

1:16:08.880 --> 1:16:11.000
<v Speaker 19>rolling stuff on a stop sign or something. And it

1:16:11.040 --> 1:16:13.439
<v Speaker 19>doesn't happen as much anymore. But anytime I used to

1:16:13.439 --> 1:16:14.960
<v Speaker 19>get pulled, I just knew I was getting a ticket.

1:16:14.960 --> 1:16:18.200
<v Speaker 19>There were no warnings, nothing that they would find everything

1:16:18.240 --> 1:16:20.440
<v Speaker 19>they could find me, and I would get those because

1:16:20.720 --> 1:16:23.400
<v Speaker 19>I think in their heart they knew that because I

1:16:23.439 --> 1:16:26.840
<v Speaker 19>look like I look. It was even though they didn't

1:16:26.840 --> 1:16:29.320
<v Speaker 19>catch me for something that I've done, I did something,

1:16:29.920 --> 1:16:30.160
<v Speaker 19>you know.

1:16:30.280 --> 1:16:31.400
<v Speaker 5>I felt like that a lot.

1:16:31.479 --> 1:16:34.920
<v Speaker 19>But no, I actually have gotten off with a warning

1:16:36.200 --> 1:16:37.920
<v Speaker 19>and last two or three years.

1:16:38.120 --> 1:16:40.320
<v Speaker 6>But they say, Chris, please sing to me like a warning,

1:16:41.040 --> 1:16:41.599
<v Speaker 6>and he's like.

1:16:41.560 --> 1:16:43.599
<v Speaker 15>All right, I need a warning.

1:16:43.960 --> 1:16:44.880
<v Speaker 5>Here you go, Chris.

1:16:45.920 --> 1:16:46.840
<v Speaker 6>I saw a video of you.

1:16:47.240 --> 1:16:48.280
<v Speaker 5>I don't know how long it was.

1:16:48.600 --> 1:16:50.200
<v Speaker 6>Were you at a Tyler Perry show and they were like,

1:16:50.200 --> 1:16:51.080
<v Speaker 6>made you get up and sing?

1:16:51.120 --> 1:16:51.559
<v Speaker 5>Is that real?

1:16:51.720 --> 1:16:51.920
<v Speaker 10>Yeah?

1:16:51.920 --> 1:16:53.320
<v Speaker 5>That's real? How long ago is that?

1:16:53.320 --> 1:16:54.200
<v Speaker 10>That's been a minute.

1:16:54.280 --> 1:16:54.879
<v Speaker 6>It happens.

1:16:54.960 --> 1:16:58.719
<v Speaker 10>Yeah, I don't know. It's pretty pandemic.

1:16:58.800 --> 1:17:01.599
<v Speaker 6>So I wondered how to how did a microphone get

1:17:01.600 --> 1:17:02.600
<v Speaker 6>to you? How did they know it was you?

1:17:02.800 --> 1:17:04.880
<v Speaker 19>Well, I was coming to the show and we were gonna,

1:17:05.160 --> 1:17:08.160
<v Speaker 19>you know, a bunch of folks don't work with We

1:17:08.200 --> 1:17:10.400
<v Speaker 19>wanted to go see the show because at the time,

1:17:10.479 --> 1:17:11.840
<v Speaker 19>that was like the last one he was going to do,

1:17:11.920 --> 1:17:16.479
<v Speaker 19>you know, and he knew that I was there, going

1:17:16.520 --> 1:17:18.920
<v Speaker 19>to be there, and he's like, so before she was like, hey, man,

1:17:19.000 --> 1:17:20.760
<v Speaker 19>can I just hand you a microphone? Can we break

1:17:20.760 --> 1:17:22.080
<v Speaker 19>out of the show for a minute and to do

1:17:22.120 --> 1:17:24.160
<v Speaker 19>that thing? I was like, I mean, I guess, so

1:17:24.240 --> 1:17:26.120
<v Speaker 19>let's let's go. And so that's what we did.

1:17:26.280 --> 1:17:26.920
<v Speaker 6>That's pretty cool.

1:17:26.960 --> 1:17:27.880
<v Speaker 10>Yeah, it was super cool.

1:17:28.040 --> 1:17:29.799
<v Speaker 6>Is it cool to people that are also uber talented

1:17:29.800 --> 1:17:30.719
<v Speaker 6>think you're uber talented?

1:17:33.200 --> 1:17:34.040
<v Speaker 5>Because that's what that is.

1:17:34.160 --> 1:17:37.880
<v Speaker 19>Certainly it feels validating, you know, And if you want

1:17:37.920 --> 1:17:39.760
<v Speaker 19>to say it's cool, yeah, I think, I mean, yeah,

1:17:39.800 --> 1:17:40.519
<v Speaker 19>I think that's cool.

1:17:40.960 --> 1:17:44.600
<v Speaker 6>You're on the road. We were talking about this. We

1:17:44.640 --> 1:17:46.679
<v Speaker 6>look through your tour dates here all American Road Show,

1:17:47.160 --> 1:17:50.439
<v Speaker 6>Chris Stapleton dot com and March all the way through

1:17:50.680 --> 1:17:53.799
<v Speaker 6>it looks like the end of October. Do you still

1:17:53.920 --> 1:17:58.160
<v Speaker 6>enjoy being that hour and a half on stage?

1:17:58.479 --> 1:18:01.320
<v Speaker 5>We usually do two hours, but yeah, two.

1:18:01.080 --> 1:18:02.439
<v Speaker 6>Hours, you still enjoy that?

1:18:02.800 --> 1:18:05.000
<v Speaker 10>Yeah, I mean certainly.

1:18:05.160 --> 1:18:08.600
<v Speaker 19>I mean every night is a new animally, you know,

1:18:08.640 --> 1:18:11.240
<v Speaker 19>and if you you know, fill out of the weather

1:18:11.520 --> 1:18:15.040
<v Speaker 19>or it's super hot or super gold, those are things,

1:18:15.160 --> 1:18:17.000
<v Speaker 19>you know, if you're playing outside, those are things that

1:18:17.720 --> 1:18:20.120
<v Speaker 19>are kind of wild cards that you know. But it

1:18:20.320 --> 1:18:23.120
<v Speaker 19>is as long as you can get to the the

1:18:23.120 --> 1:18:26.920
<v Speaker 19>best version of how something can sound on stage, and

1:18:26.960 --> 1:18:30.200
<v Speaker 19>you really can find that that musicianship thing with all

1:18:30.200 --> 1:18:33.800
<v Speaker 19>the guys and on stage and getting the groove something, Yeah,

1:18:33.800 --> 1:18:36.280
<v Speaker 19>that's that's really something to enjoy because then you see

1:18:36.400 --> 1:18:39.479
<v Speaker 19>this thing start happening with the circle of the fans

1:18:39.520 --> 1:18:42.679
<v Speaker 19>and everybody's You send something out and the energy comes

1:18:42.720 --> 1:18:45.519
<v Speaker 19>back at you, and then you get to send that

1:18:45.640 --> 1:18:47.960
<v Speaker 19>energy back out and and it elevates what you do.

1:18:48.040 --> 1:18:51.200
<v Speaker 19>You can't I don't know, you can't do that without

1:18:51.280 --> 1:18:53.160
<v Speaker 19>people coming to watch you.

1:18:53.160 --> 1:18:53.360
<v Speaker 10>You know.

1:18:53.880 --> 1:18:58.000
<v Speaker 6>Three more questions. If you're we'll say writers, block writers,

1:18:58.040 --> 1:19:01.400
<v Speaker 6>slow writers, and you're not there, you can't get there.

1:19:02.560 --> 1:19:05.479
<v Speaker 6>What can you do in order to kind of find

1:19:05.520 --> 1:19:10.360
<v Speaker 6>that spark, go do something else, just get away completely.

1:19:10.160 --> 1:19:10.599
<v Speaker 10>Just stop.

1:19:11.200 --> 1:19:14.320
<v Speaker 19>It's not happened to just stop, go do something else.

1:19:14.600 --> 1:19:20.839
<v Speaker 19>And you know, I've had rare occasions where I've dedicated

1:19:20.920 --> 1:19:23.840
<v Speaker 19>time to go do something like that that that happens.

1:19:23.840 --> 1:19:26.080
<v Speaker 19>But I've certainly had it happens. That said, I've had

1:19:26.360 --> 1:19:29.400
<v Speaker 19>writing plumas with people when I was a songwriter, and

1:19:29.439 --> 1:19:32.679
<v Speaker 19>we'd be banging around on trying to beat our heads

1:19:32.680 --> 1:19:34.800
<v Speaker 19>against a wall for two hours and then look at

1:19:34.840 --> 1:19:36.759
<v Speaker 19>each other and just go, hey, let's just go to lunch.

1:19:37.720 --> 1:19:40.280
<v Speaker 19>And you do that, and that's the day. And that's

1:19:40.520 --> 1:19:45.000
<v Speaker 19>that's songwriting and being creative too. Like some days you're

1:19:45.000 --> 1:19:47.040
<v Speaker 19>not going to have it, but if you, you know,

1:19:47.320 --> 1:19:51.640
<v Speaker 19>can have enough presence of mind to.

1:19:50.160 --> 1:19:50.800
<v Speaker 10>Just walk away.

1:19:51.600 --> 1:19:53.800
<v Speaker 6>Is that where Salisbury's Steak was written? That song that's

1:19:53.800 --> 1:19:55.639
<v Speaker 6>my favorite song here, Salisbury's Steak was that at lunch.

1:19:56.040 --> 1:20:00.479
<v Speaker 19>I have no idea, but listen, I I could have

1:20:00.520 --> 1:20:01.960
<v Speaker 19>written a song like that in my twenties.

1:20:02.080 --> 1:20:02.759
<v Speaker 10>I don't remember.

1:20:03.439 --> 1:20:03.680
<v Speaker 5>You know.

1:20:04.400 --> 1:20:08.080
<v Speaker 6>So, Okay, you're on the road, you're playing these shows,

1:20:08.120 --> 1:20:10.960
<v Speaker 6>you play these songs that you've either written or that

1:20:11.000 --> 1:20:13.840
<v Speaker 6>you've you've picked, like the John Fogerty song, or we

1:20:13.880 --> 1:20:15.160
<v Speaker 6>go back to some of the great covers that you

1:20:15.160 --> 1:20:17.439
<v Speaker 6>put on your records. Do you have a This is

1:20:17.479 --> 1:20:19.439
<v Speaker 6>such a cliche question, but I love asking do you

1:20:19.479 --> 1:20:20.479
<v Speaker 6>have a favorite song?

1:20:20.600 --> 1:20:22.759
<v Speaker 5>Right now that you play a favorite song?

1:20:22.840 --> 1:20:23.080
<v Speaker 11>Yeah?

1:20:23.120 --> 1:20:23.639
<v Speaker 5>What do you like.

1:20:23.560 --> 1:20:26.800
<v Speaker 6>Playing the most? You see it coming up in the

1:20:26.800 --> 1:20:28.160
<v Speaker 6>set less You're like, man, this is what I'm looking

1:20:28.120 --> 1:20:28.439
<v Speaker 6>forward to.

1:20:31.240 --> 1:20:32.360
<v Speaker 10>I look forward to playing.

1:20:32.560 --> 1:20:35.160
<v Speaker 19>I was wrong a lot just because you know, I

1:20:35.200 --> 1:20:38.000
<v Speaker 19>get to we extended and played like a bunch of

1:20:38.040 --> 1:20:40.880
<v Speaker 19>guitar on the end. And so as a singer who

1:20:40.960 --> 1:20:44.800
<v Speaker 19>likes to play guitar, I'm you know, I like to

1:20:44.840 --> 1:20:45.200
<v Speaker 19>do that.

1:20:45.760 --> 1:20:47.920
<v Speaker 6>You know, John Mayer plays with Dead and Company? Right,

1:20:47.960 --> 1:20:51.000
<v Speaker 6>so he goes, would you ever not with Grateful Dead,

1:20:51.040 --> 1:20:53.800
<v Speaker 6>Dead and Company? But is that intriguing exciting to you?

1:20:53.840 --> 1:20:55.479
<v Speaker 6>If somebody was like, hey, some famous man like the

1:20:55.520 --> 1:20:57.280
<v Speaker 6>Eagles or something like, hey, would you play guitar for

1:20:57.320 --> 1:20:59.559
<v Speaker 6>us for three shows? But only guitar where you don't

1:20:59.560 --> 1:20:59.960
<v Speaker 6>have to sing?

1:21:00.240 --> 1:21:00.439
<v Speaker 10>Yes?

1:21:00.520 --> 1:21:01.160
<v Speaker 5>But that be fine?

1:21:01.200 --> 1:21:03.679
<v Speaker 19>Oh yeah, and that's Those are my favorite calls sometimes

1:21:03.680 --> 1:21:06.320
<v Speaker 19>when people call me just to come play guitar on

1:21:06.439 --> 1:21:11.599
<v Speaker 19>something because you know, I secretly really love.

1:21:11.439 --> 1:21:14.120
<v Speaker 10>That, you know, not secretly. I'm publicly setting right here.

1:21:14.240 --> 1:21:16.759
<v Speaker 19>My favorite thing is to get a call to not sing,

1:21:17.800 --> 1:21:20.679
<v Speaker 19>you know that's weird, or or or just to write

1:21:21.040 --> 1:21:24.120
<v Speaker 19>with somebody for something they're doing and not because it

1:21:24.200 --> 1:21:25.080
<v Speaker 19>has to be a duet.

1:21:25.880 --> 1:21:27.000
<v Speaker 10>Those are the things that.

1:21:27.600 --> 1:21:29.160
<v Speaker 6>So not to write for you to sing on, but

1:21:29.240 --> 1:21:33.759
<v Speaker 6>just they just want your your writing perspective ability.

1:21:33.880 --> 1:21:34.080
<v Speaker 10>Yeah.

1:21:34.080 --> 1:21:37.360
<v Speaker 19>I love to do that because it allows you there's

1:21:37.360 --> 1:21:41.960
<v Speaker 19>so much more. I'm trying to get somebody else's thing

1:21:42.040 --> 1:21:45.320
<v Speaker 19>and help them get to whatever they're looking for and

1:21:45.720 --> 1:21:51.919
<v Speaker 19>in my own way. And that's a really fun creative

1:21:51.920 --> 1:21:55.280
<v Speaker 19>space to be in for me because I don't do

1:21:55.320 --> 1:21:55.920
<v Speaker 19>that all the time.

1:21:56.439 --> 1:21:58.120
<v Speaker 6>Well, I gotta write you over not to sing. That's

1:21:58.120 --> 1:22:00.000
<v Speaker 6>pretty easy. Hey, come over, man, just don't sing. Yeah,

1:22:00.080 --> 1:22:03.600
<v Speaker 6>to hang out Chris Stapleton tonight, you guys watched the ACMs.

1:22:03.720 --> 1:22:07.920
<v Speaker 6>Please it is on Amazon Prime. Are you playing tonight?

1:22:08.840 --> 1:22:09.160
<v Speaker 5>You're not.

1:22:09.600 --> 1:22:11.559
<v Speaker 6>And that's why you're going because they, like Chris, want

1:22:11.600 --> 1:22:12.479
<v Speaker 6>you to come, but don't play.

1:22:12.520 --> 1:22:13.080
<v Speaker 5>That's what I heard.

1:22:13.160 --> 1:22:15.479
<v Speaker 6>They wanted you not said please never play. And then

1:22:15.479 --> 1:22:17.439
<v Speaker 6>you're like, my favorite call is not to play, So

1:22:17.479 --> 1:22:18.160
<v Speaker 6>I'm going to be there.

1:22:18.600 --> 1:22:20.800
<v Speaker 19>Well, we don't really I mean, we're at the end

1:22:20.840 --> 1:22:24.840
<v Speaker 19>of an album cycle. With that we've there wasn't much

1:22:24.880 --> 1:22:26.680
<v Speaker 19>reason for us to play, so we just pumped the

1:22:26.720 --> 1:22:28.000
<v Speaker 19>brakes and we'll show up and.

1:22:28.920 --> 1:22:29.960
<v Speaker 10>Be there, be present.

1:22:30.120 --> 1:22:31.760
<v Speaker 6>But if we're at the end of one, is it

1:22:31.840 --> 1:22:35.360
<v Speaker 6>almost a rebirth of another album cycle?

1:22:36.400 --> 1:22:36.760
<v Speaker 10>Could be?

1:22:37.000 --> 1:22:41.160
<v Speaker 6>Yes, they're yes, they're okay. There he is Chris Staple.

1:22:41.240 --> 1:22:42.320
<v Speaker 6>He just said it here. He's got a brand new

1:22:42.320 --> 1:22:44.160
<v Speaker 6>album coming out called Salisbury's Steak.

1:22:46.520 --> 1:22:47.320
<v Speaker 10>It was untitled.

1:22:48.880 --> 1:22:51.679
<v Speaker 6>All right, you guys follow Chris at Chris Stapleton. Chris,

1:22:51.760 --> 1:22:53.479
<v Speaker 6>you know, I love you man, just as dude, just

1:22:53.600 --> 1:22:57.280
<v Speaker 6>as obviously your music is fantastic. But you guys go

1:22:57.320 --> 1:23:01.000
<v Speaker 6>see Chris. The show is with George straight That's gotta

1:23:01.000 --> 1:23:01.519
<v Speaker 6>be crazy.

1:23:01.920 --> 1:23:02.679
<v Speaker 5>That's gotta be crazy.

1:23:02.680 --> 1:23:03.439
<v Speaker 10>It's insane, man.

1:23:05.479 --> 1:23:07.559
<v Speaker 19>We had played a few of those kind of shows before,

1:23:07.800 --> 1:23:10.519
<v Speaker 19>and I just bugged George to do some more because

1:23:10.560 --> 1:23:10.960
<v Speaker 19>it's fun.

1:23:11.000 --> 1:23:14.639
<v Speaker 10>It's a great bill to be on. It's George straight Man,

1:23:14.800 --> 1:23:15.559
<v Speaker 10>George straight Man.

1:23:15.560 --> 1:23:18.240
<v Speaker 6>You know that's right, all right there he has ACMs Tonight,

1:23:18.360 --> 1:23:21.920
<v Speaker 6>Amazon Prime. Clap your hands for Chris Staple toon everybody.

1:23:24.080 --> 1:23:27.840
<v Speaker 8>It's the best bits of the week with Morgan number two.

1:23:29.000 --> 1:23:31.120
<v Speaker 3>That's it for me this week y'all. It's been great

1:23:31.240 --> 1:23:33.160
<v Speaker 3>hanging out with you guys again. Go check out Part

1:23:33.200 --> 1:23:33.800
<v Speaker 3>one with Eddie.

1:23:34.040 --> 1:23:37.240
<v Speaker 2>You will love it. We also gave some TV recommendations and.

1:23:37.520 --> 1:23:40.360
<v Speaker 3>If Taylor Swift concert that I went to in Nashville

1:23:40.560 --> 1:23:42.920
<v Speaker 3>actually lived up to the hype, I promise some good

1:23:42.960 --> 1:23:45.559
<v Speaker 3>stuff over there that'll make you laugh, make you feel

1:23:45.640 --> 1:23:48.400
<v Speaker 3>seen or heard. That's, you know, kind of the vibe

1:23:48.439 --> 1:23:50.559
<v Speaker 3>we were going for this weekend, Eddie and I and

1:23:50.600 --> 1:23:52.639
<v Speaker 3>you can follow me on all the things at web

1:23:52.680 --> 1:23:54.439
<v Speaker 3>Girl Morgan. You can come hang out with me there,

1:23:54.439 --> 1:23:57.320
<v Speaker 3>but of course please also follow the show at Bobby

1:23:57.360 --> 1:23:57.760
<v Speaker 3>Bone Show.

1:23:57.760 --> 1:23:59.720
<v Speaker 2>There's more content up there than I ever get to

1:23:59.720 --> 1:24:01.919
<v Speaker 2>talk to you guys about here. So go watch the videos.

1:24:01.960 --> 1:24:05.760
<v Speaker 3>We're on TikTok, Instagram, Twitter, YouTube, Facebook, you name it,

1:24:05.800 --> 1:24:06.240
<v Speaker 3>we're there.

1:24:06.600 --> 1:24:09.000
<v Speaker 2>You guys have a fabulous Mother's Day weekend. Go call

1:24:09.040 --> 1:24:10.760
<v Speaker 2>your mom. I love you. Bye.

1:24:12.160 --> 1:24:15.400
<v Speaker 8>Come No Bobby Boney, Bobby Bones