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Speaker 1: It's the best Bits of the week God with Morgan

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Speaker 1: number two.

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Speaker 2: What's up, y'all? Happy weekend. It is Mother's Day weekend.

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Speaker 3: Shout out to all the awesome moms out there, including

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Speaker 3: my very own. I hope you guys get to get

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Speaker 3: celebrated in all the ways that you want to, whether

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Speaker 3: it's relaxing on your own or spending time with family

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Speaker 3: however you see that. And for all my other people

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Speaker 3: who aren't moms, make sure you call your mom. Okay,

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Speaker 3: I know I'll be doing a lot of FaceTime with

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Speaker 3: my mom this weekend because I can't be with her

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Speaker 3: as much as I would like to be, so just

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Speaker 3: a reminder.

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Speaker 2: And on the Best Bits Part one.

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Speaker 3: This weekend, I have Eddie on with me, and it's

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Speaker 3: so much fun because I mesh well with Eddie and

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Speaker 3: we just have the best conversations. This weekend, we talked

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Speaker 3: about the quirks that our animals have. We admitted are

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Speaker 3: rejected rejected segments. Yeah they're rejected, but they're so pretty good.

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Speaker 3: We enjoyed talking about them, and of course we admitted

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Speaker 3: sometimes that we recently felt like we were being punked,

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Speaker 3: but we weren't actually so.

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Speaker 2: Good stuff over there with Eddie and I.

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Speaker 3: Hope you guys check out that because in my opinion,

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Speaker 3: it's like the best conversation and we've had in a while.

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Speaker 2: So don't miss it. We're gonna dive right on.

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Speaker 3: And we had Justin Moore stop by the show this

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Speaker 3: week and he talked about his new album, Stray Dog,

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Speaker 3: and why Stray Dog, the title track is kind of

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Speaker 3: after his own life, and how he feels in country music,

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Speaker 3: why he thinks he's an outsider, and he had a

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Speaker 3: lot of valid points. So really cool hearing about his

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Speaker 3: new music, but not only that, he's doing a new

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Speaker 3: sports show, so he talked about that and his tour

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Speaker 3: bus and why everybody always thinks that Bobby may be

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Speaker 3: the one on said tour bus.

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Speaker 2: So really cool interview right now.

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Speaker 4: Justin Moore number seven, So Bobby Bones Show interviews.

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Speaker 5: In case you didn't know, I.

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Speaker 6: A guy here Justin Moore. He's got eleven number ones.

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Speaker 6: Let's roll through the last five. His last one was

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Speaker 6: with the Woman you Love.

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Speaker 7: He goes, we're the woman for that.

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Speaker 6: We didn't have much therefore that why we drink.

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Speaker 5: Drink up more of that.

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Speaker 6: The ones that didn't make it back home how are

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Speaker 6: that somebody else will? He's got six others too, like

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Speaker 6: small town USA, regardless, Justin Moore. We're close so much.

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Speaker 6: If I'm like, I need some tickets to this game,

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Speaker 6: He's got season tickets. Razorback. He's a big Razorback fan

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Speaker 6: like me. We play in the same conference in high

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Speaker 6: school playing sports. He's got a new album, Stray Dog,

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Speaker 6: that is out now. He signed his record deal of

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Speaker 6: his wedding reception.

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Speaker 8: Here he is on the Bobby Bone Show.

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Speaker 7: Now, Justin Moore.

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Speaker 6: I saw I was tagged in a picture and my

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Speaker 6: sister tagged me on Facebook or something.

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Speaker 9: She was I just ran into Justin Moore. Yeah about

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Speaker 9: a monthant.

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Speaker 10: Yeah, oh got it.

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Speaker 9: I'm gonna have even remembered that Rods which is in

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Speaker 9: Hot Springs, you know, but yeah, we love that place.

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Speaker 1: Man.

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Speaker 5: Was she okay though?

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Speaker 10: Was she like?

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Speaker 9: She wasn't like, oh my god, if I need to

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Speaker 9: tell my sure didn't mess my pizza up, but it

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Speaker 9: wasn't her fault, you know what I say about that?

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Speaker 10: She was like and almost apologetically.

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Speaker 6: She was going bobbies, apologizing from being my sister more

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Speaker 6: than the pizza. I Oh okay, So anyway, it was

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Speaker 6: is it hard for people to recognize you without the

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Speaker 6: cowboy hat? Because without the cowboy hat, you're just a

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Speaker 6: You're just like a dude. Yeah, I'm just an ugly

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Speaker 6: not ugly, I would say, like myself were I think

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Speaker 6: we're both generic white guys.

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Speaker 9: Yeah, I mean it happens sometimes, but not all the time.

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Speaker 6: I think it would happen more with the hat. You

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Speaker 6: know that you get recognized. Yeah, do you ever wear

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Speaker 6: the hat?

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Speaker 9: Though?

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Speaker 6: Where would you wear your cowboy hat that doesn't involve

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Speaker 6: performing or literally working at like in your you know,

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Speaker 6: field or yard.

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Speaker 9: I was going to say working at the high house.

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Speaker 9: But outside of that, not at all.

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Speaker 6: Like, if you're really having a bad day and you're like, man,

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Speaker 6: nobody likes me, you could just go to Walmart in

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Speaker 6: your cowboy hat and people would come up to you

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Speaker 6: and make you feel good.

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Speaker 10: I guess I could.

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Speaker 9: Yeah, but no, I'd like to be incognito as much

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Speaker 9: as possible, which I'm sure you're the same.

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Speaker 6: Well, my glasses, I can't really not wear my glasses.

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Speaker 9: Well see I just started wearing glasses, like prescription glasses,

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Speaker 9: so that helps me in the grocery store not get

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Speaker 9: recognized because you know, I don't have that look so well.

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Speaker 6: It is kind of put my glass dark room, though,

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Speaker 6: aren't they like kind of like this a little bit?

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Speaker 5: Yeah, the people like are you Bobby Bones?

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Speaker 6: Just say yes, and then he's super cool and we

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Speaker 6: both win.

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Speaker 10: Hey, there you go.

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Speaker 6: Hey, new record just came out this weekend. So why

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Speaker 6: is it called stray Dog? This industry has been really

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Speaker 6: great to me. Radio in particular, you guys have been

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Speaker 6: awesome to me. The fans have been great to me.

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Speaker 6: But there have been moments in my.

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Speaker 9: Career where I've been labeled an outcast, an outlier, outlaw, whatever,

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Speaker 9: you know. Award shows never pay any attention to me

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Speaker 9: at all, even though I've sold more records and have

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Speaker 9: more hit written. And I don't mean that boastfully. It's

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Speaker 9: just a fact than a lot of people that are

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Speaker 9: on the shows and win awards, and so it kind

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Speaker 9: of became an autobiographical song, and I thought it was

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Speaker 9: a really cool album title.

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Speaker 6: So you wrote straight dogs? I did, and was that

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Speaker 6: The reason was that when you're in the room and

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Speaker 6: you're like, man, I'm not asking for it, but it

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Speaker 6: is weird based on if you're just looking at analytics

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Speaker 6: that I haven't been recognizing these capacities. I mean, how

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Speaker 6: does that come up for that song to be written?

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Speaker 9: I mean it wasn't specifically about that, but that there

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Speaker 9: were some threads through the song that you came about

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Speaker 9: when we were writing it.

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Speaker 10: But I don't know.

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Speaker 9: I think when you're writing a song, you just you're

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Speaker 9: writing the song and trying to make it as good

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Speaker 9: as it can possibly be and as real as it

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Speaker 9: can possibly be, and that just happened to be the

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Speaker 9: topic that particular day.

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Speaker 6: I'm gonna play a little bit of this. Here is

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Speaker 6: Dray Dogs from Justin Moore.

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Speaker 7: You can pad like the Doorto here.

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Speaker 9: We have dogs too many. Yes, we have two great

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Speaker 9: names that are hundred and sixty and eighty pounds. The

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Speaker 9: kids and the dogs cost more to feed the dogs probably, Yeah, dude,

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Speaker 9: it's ridiculous. And then we have a little I don't

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Speaker 9: even know what she is, a little shepherd kind of thing.

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Speaker 6: Do you have one your closest to.

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Speaker 9: This sounds terrible. I'm not really a pet guy. My wife,

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Speaker 9: My wife is, and my kids are, so I'm just like, hey, buddy,

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Speaker 9: you know I'm one of those guys.

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Speaker 6: You know, Uh, do you have any other animals.

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Speaker 9: We have the three dogs and we have two cats,

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Speaker 9: one outside cat, one inside cat.

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Speaker 6: Do you think one's jealous of the other like they

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Speaker 6: look at your wad?

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Speaker 9: Yeah, the outside the outside cat is definitely jealous of

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Speaker 9: the inside cat.

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Speaker 10: The inside cat sleeps in the bed with us.

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Speaker 9: The outside cat keeps bringing snakes and mice and stuff

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Speaker 9: to the back door, going look, look, look what I

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Speaker 9: have to do.

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Speaker 6: Man's here's my money to get in the club. Let

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Speaker 6: me Justin Morris here, we're gonna actually play your single

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Speaker 6: and we're gonna come back in a second. This is

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Speaker 6: Justin and Priscilla Block. How'd you guys get together on

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Speaker 6: this song? I was just blown away by her.

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Speaker 9: I thought she was fantastic and not only was she

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Speaker 9: great with the crowd, but I thought her you know,

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Speaker 9: songwriting was great. I thought she sang great. And I

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Speaker 9: went up to her and said, look, if I can

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Speaker 9: ever do anything to help you, I would, I would

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Speaker 9: love to.

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Speaker 10: I don't know what that would be, but uh, And.

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Speaker 9: Then I I got this song, uh, and I asked

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Speaker 9: for her help, you know, by having her on it.

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Speaker 9: And I think she's got a great future ahead of her,

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Speaker 9: and really bright future She's super talented, great person, and

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Speaker 9: it's been a lot of fun to be on the

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Speaker 9: road with her.

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Speaker 10: And you know, obviously you guys do this to get

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Speaker 10: a song together.

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Speaker 6: Yeah, with you being a guy that has done music

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Speaker 6: your whole life and have been really successful over the past,

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Speaker 6: because that's all your first number one was like fourteen

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Speaker 6: years ago or something.

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Speaker 10: Yeah, this is actually this is sixteen years.

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Speaker 6: So sixteen years that you've been doing it, so it's.

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Speaker 10: My record deal in seven you have been a.

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Speaker 6: Guy that plays late shows, You're on a bus, you're sleeping,

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Speaker 6: and now you're doing a morning show back in Arkansas.

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Speaker 10: How have you adjusted because I'm an idiot.

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Speaker 6: Well, I felt a late idiots on the weekend. If

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Speaker 6: I'm touring, I never catch up and then I struggle

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Speaker 6: all week. But how's it going for you?

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Speaker 3: Not?

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Speaker 7: Well?

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Speaker 10: No, I mean it's been a lot of fun, man.

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Speaker 9: I mean, you know, like I've had the opportunity to

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Speaker 9: talk to Scottie Thurman and Cidney Moncrief and like, you know,

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Speaker 9: all these guys that I've looked up to, and so

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Speaker 9: it's been a lot of fun.

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Speaker 10: But it's tough, man, you know, do you ever.

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Speaker 6: Wake up and go to the schedule the morning.

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Speaker 5: I just love it.

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Speaker 6: No, I never have, not once. What time do you

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Speaker 6: wake up?

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Speaker 9: So I'm on Tuesday through Thursday seven to ten?

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Speaker 6: Okay, that's a little soft up at like six fifty two.

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Speaker 10: Uh, you know when I got to be on at seven? Okay?

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Speaker 6: But do you do it from your house?

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Speaker 10: I do I do it?

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Speaker 9: Oh, thie line? Look at me talking radio, man line.

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Speaker 9: That's a pretty good gig. Three hours and from the house.

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Speaker 6: Hey, I'm making up a three thirty over here driving

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Speaker 6: into work. What kind of crap deal do I have?

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Speaker 6: He just gets to wake up. You make a lot

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Speaker 6: of money than I do. Maybe it only radio though,

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Speaker 6: Like you're doing pretty good in your other thing. I

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Speaker 6: get a lot of people that text me pictures of

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Speaker 6: your bus going who drives this bus? Because it's got

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Speaker 6: a big razorback on the back of it. I don't

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Speaker 6: even have to look at it anymore. As soon as

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Speaker 6: I see who drives this bus, I know that it's you.

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Speaker 6: Is that the same bus or have you changed out

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Speaker 6: the buses and put a new hog on it.

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Speaker 9: I've had I think that's my second or third bus

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Speaker 9: with a hog, and we're building a new one right

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Speaker 9: now that we'll be on next year, that we'll have

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Speaker 9: a I think we're going to do the Remember the

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Speaker 9: metallic hog from the Liberty Bowl. I think it was.

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Speaker 5: Hey, they all do right, everybody?

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Speaker 7: All?

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Speaker 5: I know, yeah, I do.

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Speaker 6: I know you. I think we're going to do that

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Speaker 6: one on a white bus. That's cool to see. New

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Speaker 6: buses are expensive. Do you buy your bus or no?

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Speaker 5: Lease?

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Speaker 6: I know, only think about that small town us say

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Speaker 6: what number one? Back in twenty nine, fourteen years ago,

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Speaker 6: I feel like forever ago. I felt like yesterday.

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Speaker 10: Forever, but in a good way.

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Speaker 9: I mean, you know the fact that we're still doing

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Speaker 9: this in this capacity so many years later. Man, I

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Speaker 9: just feel super blessed and I'm super thankful to the

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Speaker 9: fans listening. And again, you guys at radio have been

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Speaker 9: so good to us over the years, and that's why

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Speaker 9: we're still here.

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Speaker 6: Honestly, when you moved to Nashville, because you then left Nashville,

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Speaker 6: when did you move here?

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Speaker 9: How long were you here? I lived here? I moved

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Speaker 9: here in o two twenty one years ago. I guess

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Speaker 9: I lived here for between nine and ten years.

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Speaker 5: And when you moved.

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Speaker 6: Back to Arkansas, was it because you were like, I

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Speaker 6: feel successful enough that I can jump and then just

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Speaker 6: come back if I need to, or was it I

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Speaker 6: don't think this place is for me.

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Speaker 9: I need to go back a little bit of both.

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Speaker 9: Nashville is really good to me. I've got great friends here.

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Speaker 9: It wasn't home, I mean, and it was never my

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Speaker 9: intention to move here full time. And this Nashville is

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Speaker 9: totally different than the one I lived in.

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Speaker 10: I mean, it's changed so much and grown so much.

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Speaker 9: But yeah, it was always my intention to go back home,

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Speaker 9: and in particular for my kids, and so we moved

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Speaker 9: back home when my oldest daughter, who's now thirteen, was born.

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Speaker 10: And I never wanted my decision to.

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Speaker 9: Do this for a career to affect my kids in

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Speaker 9: a negative way. And you can certainly live here and

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Speaker 9: achieve that, but for me, I wanted to be back

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Speaker 9: home around my parents and grandparents and aunts and uncles

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Speaker 9: and all that, and so it's been really good for us.

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Speaker 9: It wasn't super popular with my record label when I

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Speaker 9: did it.

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Speaker 6: Was that a conversation you had to sit down and

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Speaker 6: have with them, or did you just moving back just

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Speaker 6: change my mouth just start sending it to this address.

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Speaker 9: Yeah, but I talked to my manager. Actually, I go,

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Speaker 9: I want to move home, and he knew, and he goes,

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Speaker 9: you're a grown man, move home, like you don't have

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Speaker 9: to ask himbody's permission.

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Speaker 10: And so I just did it.

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Speaker 9: And three years later I'm talking to my record label

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Speaker 9: president and he goes, how long you been living in Arkansas?

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Speaker 10: I go about three years?

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Speaker 9: And so it was good because it proved to him

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Speaker 9: I could do my job and live anywhere, you know,

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Speaker 9: as an artist, like when you come to Nashville, usually

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Speaker 9: you're off I mean outside of these kind of things.

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Speaker 10: I mean typically it's because you're off work.

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Speaker 9: You know, you get off the road and you're off

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Speaker 9: for two or three four days and then you get

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Speaker 9: back on a bus. But so I kept coming home

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Speaker 9: going I wish I was at home home, like eating

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Speaker 9: dinner at Nanny's house, you know, with everybody else.

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Speaker 6: And so new records called Straight Dog. I want to

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Speaker 6: play a clip of the first track, which is you

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Speaker 6: and Riley Green. This is everybody get along.

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Speaker 7: But when it comes down to we Got.

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Speaker 6: Do you feel weird because this song you gotta sound

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Speaker 6: great together?

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Speaker 5: Do you feel weird of asking people to do stuff?

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Speaker 11: No?

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Speaker 6: Just generally you get weird. Do you feel weird because

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Speaker 6: I struggle with asking anybody to do anything?

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Speaker 10: Yeah, with their formula.

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Speaker 9: I hate asking anybody for any help or you know.

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Speaker 6: Why, Riley, Do you feel like that was a guy

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Speaker 6: you could ask pretty easily.

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Speaker 9: He and I have gotten to know each other over

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Speaker 9: the last six seven years, five six years or whatever,

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Speaker 9: and I'm a big fan of his obviously, and I

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Speaker 9: really thought in the song in particular, it's two guys

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Speaker 9: that are just to like, which is the irony in

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Speaker 9: the song, even though they disagree on everything, but they're identical,

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Speaker 9: and so you know, he and I, I think, are

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Speaker 9: a little bit like that.

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Speaker 6: So one more this is with a woman you love, justin.

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Speaker 7: Moore because we're the warm.

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Speaker 6: Which, by the way, was another number one for you. You

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Speaker 6: got eleven. You got eleven to those things.

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Speaker 10: Dude, it's crazy you get.

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Speaker 6: Eleven number ones. And again I'll just kind of end

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Speaker 6: this the way that I brought it up. Eleven number ones,

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Speaker 6: and it's like, we're how's justin not playing.

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Speaker 5: On these shows?

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Speaker 6: And now it's like, you know, screw it, but yeah,

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Speaker 6: how is it?

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Speaker 7: You know?

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Speaker 9: It used to bother me, but now I don't miss

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Speaker 9: any ball games on Tuesday night when I'm supposed to

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Speaker 9: be coaching my eleven year old, so I'd rather be

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Speaker 9: doing that.

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Speaker 6: Eddie asked me to sponsor his team. You're rich, do

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Speaker 6: you want sponsor?

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Speaker 5: Ready? Seam, Come on, Jason.

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Speaker 10: You take that Cowboys out.

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Speaker 6: Justin Moore new record just came out this weekend, So congratulations.

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Speaker 6: Good to see again, buddy, keep killing it. Thanks for

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Speaker 6: representing home so well. And there he is. Go check

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Speaker 6: it out stream it and I'll say this, Justin's out

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Speaker 6: on the road. You guys go because it's so many dates.

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Speaker 6: I'm not gonna be every single city, but it's you know,

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Speaker 6: most of the cities that we're in. You have all

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Speaker 6: these dates all the way up until sept September twenty third.

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Speaker 6: A lot of shows, man, a lot of shows.

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Speaker 9: Stop it at September twenty third, you do fall, Yeah,

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Speaker 9: let's stop that right there.

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Speaker 5: Then you can go to the games.

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Speaker 6: I mean that's what I tried to now strategically, what yeah,

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Speaker 6: scheduling games, I do.

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Speaker 10: The same thing.

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Speaker 9: I have to look down the schedule and go, Okay,

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Speaker 9: I'm gonna go to this one, this one, this one,

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Speaker 9: and so.

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Speaker 6: I will see it. I are a country festive coming.

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Speaker 10: Up and ess like in a week or two.

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Speaker 6: Yes, it'll actually be this Saturday.

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Speaker 5: Yeah.

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Speaker 6: That's how you can tell we recorded this, is that

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Speaker 6: we're trying to figure out where our days are.

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Speaker 10: Yeah. Yeah, it'll be fun.

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Speaker 9: Man. I haven't been there in I don't know, five, six,

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Speaker 9: seven years, so it'll be fun to be back.

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Speaker 5: Justin.

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Speaker 6: Good to see buddy, you too, are there?

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Speaker 5: Justin Moore?

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Speaker 1: Everybody, it's the best bits of the week with Morgan.

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Speaker 3: Number two, Amy shared a totally wild story about her

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Speaker 3: son's school. Her son's teacher told her about some emotional

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Speaker 3: support animals and a crazy incident that happened, which is

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Speaker 3: why they can no longer have any emotional support animals

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Speaker 3: at the school. And it's just incredibly traumatic to not

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Speaker 3: only know that this story happened, but just hear about it.

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Speaker 3: I don't know about you guys, but hearing animal stories

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Speaker 3: is very difficult for me, so this one was traumatic

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Speaker 3: to listen to.

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Speaker 8: Number six.

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Speaker 6: I do see a lot less service support animals at

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Speaker 6: the airport because now you can't just take your hyena

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Speaker 6: from home and put a vest on it, like it's

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Speaker 6: got to really be like a service animal. Support animal.

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Speaker 6: Now they've because things were crapping on airplanes and people

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Speaker 6: were bringing ridiculous animals. But I didn't know that you

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Speaker 6: could bring support animals to school, which at least that

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Speaker 6: was happening at your son's school.

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Speaker 12: Yeah, his teacher was telling us about how they used

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Speaker 12: to allow it until there was a incident.

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Speaker 5: Okay, listen to this.

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Speaker 12: What happened the service support animal ate another animal?

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Speaker 7: What woa?

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Speaker 10: Yeah?

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Speaker 6: Telling the animals? So as a dog, which makes sense.

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Speaker 5: It's a doll. We all love dogs. What's the other one?

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Speaker 13: A bird?

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Speaker 6: It was a parrot. And so did the parrot do

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Speaker 6: the thing where it's like sit on your shoulder? Jack Sparrow,

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Speaker 6: I don't know, you can't sitting in class, you know,

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Speaker 6: doing his homework and the parents right there like you.

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Speaker 5: See, go see, probably annoyed the door.

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Speaker 12: But I was thinking, gosh, too bad we missed this

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Speaker 12: opportunity because it all went down before he was there.

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Speaker 12: Because I thought how helpful it would be for him

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Speaker 12: to have an animal with him at school.

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Speaker 13: I think it really really would. It's like, well, that's

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Speaker 13: not going to happen.

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Speaker 6: So what did they tell you?

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Speaker 12: Happened that that that they used to allow that, and

403
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Speaker 12: it was very helpful in therapeutic for the kids.

404
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Speaker 13: But it can't happen anymore because did.

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Speaker 6: They explain seeing it, like was it in the classroom?

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Speaker 5: Was it like at Rea?

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Speaker 13: Yes, I think people witnessed it. Yes, and it was everywhere.

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Speaker 13: The dog just ate the parents experience and the obviously

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Speaker 13: the parrot belonged to somebody.

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Speaker 6: And now it's not it's the parrot just hanging like

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Speaker 6: again on the desk of the kid.

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Speaker 12: Yeah, I don't have all the deeper.

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Speaker 6: In the cage because the dog can't eat the whole cage.

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Speaker 6: I would heard a stomach.

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Speaker 13: It's not like the dog went into the cage.

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Speaker 5: I'm picturing the parrot on the kid's shoulder.

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Speaker 13: It's just a hole.

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Speaker 10: I picture the kid were on an eye patch too.

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Speaker 12: Picture a whole therapeutic situation, kumbaigall the animals hanging out

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Speaker 12: doing their thing, being all therapeutic.

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Speaker 13: And then the dog went rogue.

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Speaker 5: The dog went dog.

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Speaker 6: Yeah, but I mean.

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Speaker 13: Yeah, I don't think they were expecting.

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Speaker 6: Maybe the parrot said something that offended the dog, like

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Speaker 6: erect dogs aren't dogs.

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Speaker 14: On cold dog animals, we hate dogs. Yeah, And then

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Speaker 14: the dog got mad all pit bulls should not be allowed.

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Speaker 14: Maybe even that's it. Dogs, it's not parent impression by that.

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Speaker 14: It's not bad.

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Speaker 12: Dogs live with birds in people's homes and things don't happen.

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Speaker 5: Dang, I wonder what happened, wonder what set them off?

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Speaker 5: And then I'm sure the parrot wasn't quiet about it

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Speaker 5: when he's getting eat.

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Speaker 13: I mean, I can't even imagine. It's terrible. You've probably

436
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Speaker 13: got kids want someone to save me from this dog

437
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Speaker 13: because of it? Right now? Yeah?

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Speaker 6: And nothing else? Do you sue? Did the parents sue?

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Speaker 13: I don't know.

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Speaker 5: You gotta get you, gotta get me more on this story.

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Speaker 13: I can text her.

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Speaker 6: The great stories ever heard. It makes me feel I

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Speaker 6: don't like it because but it's like you got support

444
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Speaker 6: animals to one of the animals that supported eight the

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Speaker 6: other animal that supported so does that mean he was

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Speaker 6: more supporting because the parrot wasn't good for the rest?

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Speaker 13: Okay, I'm texting her now.

448
00:19:34,680 --> 00:19:35,760
Speaker 6: We have to check it back in with this.

449
00:19:35,920 --> 00:19:37,560
Speaker 13: Yeah, I can get the details.

450
00:19:38,240 --> 00:19:39,359
Speaker 6: And is there a video of it?

451
00:19:39,400 --> 00:19:41,520
Speaker 5: I don't want to see. And do all the kids

452
00:19:41,560 --> 00:19:44,560
Speaker 5: start screaming? Anyone try to stop it?

453
00:19:45,880 --> 00:19:47,080
Speaker 15: Did I start picking sides.

454
00:19:47,760 --> 00:19:51,000
Speaker 6: Oh a dog parrot Like if people circle like in

455
00:19:51,040 --> 00:19:54,320
Speaker 6: a fight in high school, show down, showdown, fight fight,

456
00:19:54,320 --> 00:19:57,520
Speaker 6: they're betting on it, don't going dollar bills.

457
00:19:57,760 --> 00:19:59,800
Speaker 13: I mean, if that's the case, then they probably still allow.

458
00:20:00,200 --> 00:20:02,240
Speaker 6: There's no chance the parrot beats the dog. Except the

459
00:20:02,280 --> 00:20:05,640
Speaker 6: parrot parents aren't really flyers. They fly a little bit,

460
00:20:05,920 --> 00:20:07,760
Speaker 6: but they're in but it's in and enclosed.

461
00:20:08,960 --> 00:20:11,080
Speaker 5: I think they're able to fly, but we clip their

462
00:20:11,119 --> 00:20:12,080
Speaker 5: wings so they don't.

463
00:20:12,160 --> 00:20:16,000
Speaker 6: Oh gosh, so the parrot wings were clipped.

464
00:20:16,040 --> 00:20:17,280
Speaker 5: He never had a chance against his dog.

465
00:20:17,320 --> 00:20:17,600
Speaker 10: Correct.

466
00:20:18,080 --> 00:20:20,280
Speaker 6: I wonder what draft Kings had it listed as for

467
00:20:20,440 --> 00:20:23,520
Speaker 6: the fight that I'd be willing to jump into. Okay,

468
00:20:23,560 --> 00:20:26,199
Speaker 6: find out more about that. I am because that sucks

469
00:20:26,760 --> 00:20:29,240
Speaker 6: that we make some jokes about it. But that sucks

470
00:20:29,320 --> 00:20:32,119
Speaker 6: that that happened. But that's unbelievable. First of all, you

471
00:20:32,160 --> 00:20:33,160
Speaker 6: get a parentis the support animal.

472
00:20:33,240 --> 00:20:33,840
Speaker 5: Let me go to that too.

473
00:20:33,880 --> 00:20:35,600
Speaker 6: By the way, let me just stop go to the

474
00:20:35,640 --> 00:20:38,160
Speaker 6: very beginning. You get to take too, can sam into

475
00:20:38,240 --> 00:20:40,199
Speaker 6: a room and that thing gets to help you, like

476
00:20:40,240 --> 00:20:40,800
Speaker 6: feel better.

477
00:20:41,600 --> 00:20:44,040
Speaker 12: I guess if it's your animal too, you want to

478
00:20:44,040 --> 00:20:45,160
Speaker 12: bring brings you comfort.

479
00:20:45,240 --> 00:20:46,800
Speaker 6: What'd you look up over there, lunchbox.

480
00:20:47,040 --> 00:20:49,200
Speaker 15: No, I'm just trying to see, uh, parent.

481
00:20:49,000 --> 00:20:50,640
Speaker 6: He's looking at bikini girls and I think he's looking

482
00:20:50,640 --> 00:20:51,840
Speaker 6: at something.

483
00:20:54,000 --> 00:20:54,119
Speaker 7: Way.

484
00:20:54,160 --> 00:20:55,600
Speaker 6: He's on his computer and he holds his head up.

485
00:20:55,640 --> 00:20:57,479
Speaker 6: That's what he does when he like figures something. And

486
00:20:57,480 --> 00:20:59,280
Speaker 6: he was typing and he goes head up, and I

487
00:20:59,320 --> 00:21:00,000
Speaker 6: was like, oh, the lunchbot.

488
00:21:00,080 --> 00:21:02,800
Speaker 5: What you get? Now? Have you seen Kim kard Ashy. No,

489
00:21:03,040 --> 00:21:03,680
Speaker 5: it's a blondie.

490
00:21:03,680 --> 00:21:04,000
Speaker 15: I don't know.

491
00:21:04,119 --> 00:21:06,119
Speaker 16: It's the gymnast from l s U. She's on the

492
00:21:06,119 --> 00:21:09,040
Speaker 16: Sports Illustrated some shoot suit edition. They just released the

493
00:21:09,040 --> 00:21:10,879
Speaker 16: photos she is.

494
00:21:11,560 --> 00:21:14,680
Speaker 6: Yeah, he has the biggest valuation of any n I

495
00:21:14,840 --> 00:21:17,480
Speaker 6: l athlete. Yeah, it's like millions and millions of dollars.

496
00:21:17,560 --> 00:21:18,200
Speaker 5: You can see why.

497
00:21:18,400 --> 00:21:20,080
Speaker 15: Yeah, And so I just was like, oh, man, I'm

498
00:21:20,160 --> 00:21:21,280
Speaker 15: zoning out. I need to pay attention.

499
00:21:21,320 --> 00:21:22,840
Speaker 16: So I looked up and then you called me on it,

500
00:21:22,880 --> 00:21:24,320
Speaker 16: and I'm not gonna lie to you, you know what

501
00:21:24,359 --> 00:21:26,320
Speaker 16: I mean, and tell you I'm looking at I appreciate

502
00:21:26,359 --> 00:21:29,320
Speaker 16: that I wanted to, But how hot is she?

503
00:21:29,359 --> 00:21:29,840
Speaker 15: Addy?

504
00:21:30,040 --> 00:21:30,360
Speaker 5: She's hot?

505
00:21:31,080 --> 00:21:33,920
Speaker 6: Hey, I would just go with what not that, right, man?

506
00:21:34,000 --> 00:21:36,679
Speaker 6: I would just go with Listen, dude, you should just

507
00:21:36,720 --> 00:21:37,440
Speaker 6: focus on work.

508
00:21:37,600 --> 00:21:38,720
Speaker 5: You know, I didn't even think about it. I just

509
00:21:38,800 --> 00:21:40,640
Speaker 5: kind of reacted your wife less, that's what came out.

510
00:21:40,680 --> 00:21:43,760
Speaker 16: Yeah, but look at this, I mean, hold on, hold on,

511
00:21:43,800 --> 00:21:45,280
Speaker 16: all right, We're gonna play this song thank you.

512
00:21:45,280 --> 00:21:46,840
Speaker 15: On the beat.

513
00:21:46,880 --> 00:21:50,080
Speaker 8: It's the best bits of the week with Morgan.

514
00:21:50,160 --> 00:21:54,879
Speaker 3: Number two, Bobby shared some rejected segments from the month

515
00:21:54,960 --> 00:21:58,280
Speaker 3: of April. These are segments that didn't quite make the

516
00:21:58,320 --> 00:22:00,919
Speaker 3: show in a big since, but they made it in

517
00:22:01,000 --> 00:22:04,040
Speaker 3: rejected segments. They kind of made it. It's like almost

518
00:22:04,080 --> 00:22:07,960
Speaker 3: made it, but rejected version. So check these out. Let

519
00:22:08,080 --> 00:22:09,480
Speaker 3: us know if you like any of these and wish

520
00:22:09,640 --> 00:22:12,399
Speaker 3: they might have played out in person number five.

521
00:22:12,520 --> 00:22:15,840
Speaker 6: All these segments were rejected for different reasons. I saved

522
00:22:15,840 --> 00:22:17,919
Speaker 6: the best five and present them to you as a segment.

523
00:22:17,960 --> 00:22:20,720
Speaker 5: Well, we call it rejected segments.

524
00:22:20,760 --> 00:22:27,040
Speaker 6: Rejected segment number five, number five from Lunchbox here rights

525
00:22:27,080 --> 00:22:30,600
Speaker 6: our company sucks are a bunch of liars. Whoa well huh,

526
00:22:30,640 --> 00:22:33,560
Speaker 6: I definitely it's not a company issue. But he's upset

527
00:22:33,560 --> 00:22:34,800
Speaker 6: because of the free lunch email.

528
00:22:34,880 --> 00:22:36,480
Speaker 16: Yeah, we got an email saying that we're gonna have

529
00:22:36,480 --> 00:22:40,040
Speaker 16: free lunch fajitas. From eleven forty five to twelve forty five,

530
00:22:40,080 --> 00:22:42,440
Speaker 16: come on down, and I go in there at twelve

531
00:22:42,480 --> 00:22:45,080
Speaker 16: fifteen there was nothing but one scoop of salso scoop

532
00:22:45,080 --> 00:22:46,520
Speaker 16: of beans, and one tortillo.

533
00:22:47,440 --> 00:22:50,280
Speaker 6: Like, I think that's the food that they bring and

534
00:22:50,320 --> 00:22:52,160
Speaker 6: sit in there will be there from eleven forty five

535
00:22:52,200 --> 00:22:54,520
Speaker 6: to twelve forty five. And if you don't go at

536
00:22:54,560 --> 00:22:57,000
Speaker 6: one forty five, you know, no, no, it's all gonna be on, but.

537
00:22:56,960 --> 00:22:59,440
Speaker 16: Don't send You know how many people work in this building.

538
00:22:59,480 --> 00:23:01,439
Speaker 16: There's not very many of us that work in this building,

539
00:23:01,760 --> 00:23:04,480
Speaker 16: so you can accommodate. Okay, there's twenty people that work

540
00:23:04,560 --> 00:23:06,960
Speaker 16: here in this building, so we should get twenty.

541
00:23:07,640 --> 00:23:10,520
Speaker 6: She should wore the food half hour I was doing work.

542
00:23:11,119 --> 00:23:12,840
Speaker 6: I was in the middle of doing a podcast, and

543
00:23:12,880 --> 00:23:15,680
Speaker 6: you can't pause it to go get you. No, you can't, no,

544
00:23:16,680 --> 00:23:21,040
Speaker 6: and you can't. I could, okay, but they.

545
00:23:20,920 --> 00:23:22,640
Speaker 15: Tell you it's food for everyone.

546
00:23:22,920 --> 00:23:24,720
Speaker 16: They know how many people work here, and they don't

547
00:23:24,720 --> 00:23:25,920
Speaker 16: even bring enough for everybody.

548
00:23:25,920 --> 00:23:27,280
Speaker 15: It's like, what are you doing?

549
00:23:27,400 --> 00:23:29,040
Speaker 5: I had the food. It was great. You ate it?

550
00:23:29,160 --> 00:23:29,320
Speaker 7: Yeah?

551
00:23:29,359 --> 00:23:31,280
Speaker 5: When were you there? Right when it started?

552
00:23:31,560 --> 00:23:32,480
Speaker 6: I was a fresh and warm.

553
00:23:32,520 --> 00:23:34,480
Speaker 5: Oh it was great, dude. I had three tacos.

554
00:23:34,840 --> 00:23:35,159
Speaker 7: Dang you.

555
00:23:35,320 --> 00:23:37,040
Speaker 6: I had his ebody got two supposed to that he

556
00:23:37,080 --> 00:23:37,520
Speaker 6: got thirty.

557
00:23:37,560 --> 00:23:38,600
Speaker 15: I mean it was crazy.

558
00:23:38,640 --> 00:23:40,560
Speaker 16: How we go in there and it was like, wow,

559
00:23:40,680 --> 00:23:42,600
Speaker 16: that's down to this one scoop of beachs He.

560
00:23:42,600 --> 00:23:44,200
Speaker 6: Did go half an hour after it started?

561
00:23:44,800 --> 00:23:45,800
Speaker 15: How many people are?

562
00:23:45,920 --> 00:23:48,720
Speaker 16: How hard is it to get enough for the twenty

563
00:23:48,720 --> 00:23:50,040
Speaker 16: people that work in the don't want.

564
00:23:49,960 --> 00:23:52,600
Speaker 6: To get exactly enough because there won't be everybody that

565
00:23:52,640 --> 00:23:52,919
Speaker 6: comes in.

566
00:23:52,960 --> 00:23:53,960
Speaker 13: And it sounds like some people.

567
00:23:54,000 --> 00:23:55,679
Speaker 15: It sounds like five people went in there and it

568
00:23:55,720 --> 00:23:56,240
Speaker 15: was already out.

569
00:23:56,480 --> 00:23:58,080
Speaker 6: Sounds like a little more than they should have been.

570
00:23:59,400 --> 00:24:02,399
Speaker 6: Number and this one I didn't choose just because it

571
00:24:02,480 --> 00:24:04,320
Speaker 6: us boring as crap. You may think we do some

572
00:24:04,320 --> 00:24:07,160
Speaker 6: boring stuff sometimes, but I don't know. This might actually

573
00:24:07,200 --> 00:24:09,560
Speaker 6: trump all of them. Eddie wants to do a segment

574
00:24:09,600 --> 00:24:10,920
Speaker 6: about him getting reading glasses.

575
00:24:11,440 --> 00:24:12,840
Speaker 10: Hey, this is real, guys.

576
00:24:13,359 --> 00:24:15,240
Speaker 5: I mean I don't know anything about it.

577
00:24:15,320 --> 00:24:16,760
Speaker 17: This is why I kind of wanted to talk about it,

578
00:24:16,800 --> 00:24:18,920
Speaker 17: Like do I need to go to the optometrist or what?

579
00:24:18,960 --> 00:24:19,679
Speaker 5: All? Right, there you go.

580
00:24:19,840 --> 00:24:21,080
Speaker 6: That is number four.

581
00:24:21,240 --> 00:24:21,600
Speaker 5: Thank you.

582
00:24:22,160 --> 00:24:23,720
Speaker 8: Number three.

583
00:24:24,000 --> 00:24:26,280
Speaker 6: This one is from Lunchbox and I'm just gonna read

584
00:24:26,280 --> 00:24:29,960
Speaker 6: the description win a date with Amy. We need to

585
00:24:29,960 --> 00:24:33,320
Speaker 6: get Amy back on the dating scene. Yeah, we should

586
00:24:33,320 --> 00:24:35,679
Speaker 6: hold a contest where the prize is to win a

587
00:24:35,720 --> 00:24:38,000
Speaker 6: date with Amy. We bring in three single guys or

588
00:24:38,040 --> 00:24:39,960
Speaker 6: girls and play the match game. The winner goes on

589
00:24:40,000 --> 00:24:41,719
Speaker 6: a date with Amy, and then we follow up to

590
00:24:41,760 --> 00:24:44,119
Speaker 6: be see if there's a second date, and especially if

591
00:24:44,160 --> 00:24:45,800
Speaker 6: it's a girl. I'll go as a chaperone.

592
00:24:46,400 --> 00:24:47,040
Speaker 15: Here's the deal.

593
00:24:47,760 --> 00:24:49,880
Speaker 16: When you're scared to do things, you got to force

594
00:24:49,920 --> 00:24:51,800
Speaker 16: people out there to do things. Like my kids, we

595
00:24:51,840 --> 00:24:53,520
Speaker 16: get to the top of the playground at the slide

596
00:24:53,560 --> 00:24:56,440
Speaker 16: and they're scared. I push them. They go to the slide.

597
00:24:56,640 --> 00:24:59,600
Speaker 16: Guess what, they realize they love it. Amy is scared

598
00:24:59,600 --> 00:25:01,600
Speaker 16: to get out date, so we push her out there.

599
00:25:01,760 --> 00:25:04,560
Speaker 16: She's gonna realize, Man, this is fun. That's what you

600
00:25:04,600 --> 00:25:05,000
Speaker 16: gotta do.

601
00:25:05,440 --> 00:25:08,360
Speaker 6: You're how're we helping these guys with the date?

602
00:25:08,520 --> 00:25:10,560
Speaker 16: Put up a thing on the website and say why

603
00:25:10,560 --> 00:25:12,840
Speaker 16: you should be in the contest, and then ask for

604
00:25:12,920 --> 00:25:15,880
Speaker 16: what Amy, do you want pictures or do you don't care?

605
00:25:16,840 --> 00:25:19,640
Speaker 16: Just like their personality, what would you prefer?

606
00:25:19,760 --> 00:25:20,840
Speaker 15: I mean, that's that's up to her.

607
00:25:20,880 --> 00:25:22,919
Speaker 16: Like she asked to get a control tool, it's not

608
00:25:22,960 --> 00:25:24,679
Speaker 16: a one Way Street, like, I'm willing to work with

609
00:25:24,720 --> 00:25:25,160
Speaker 16: her on this.

610
00:25:25,440 --> 00:25:27,080
Speaker 5: I feel like that's just a murder waiting to happen

611
00:25:27,119 --> 00:25:28,160
Speaker 5: if you do this bit with people.

612
00:25:28,200 --> 00:25:30,040
Speaker 13: Oh gosh, my brain hadn't even gone to murder.

613
00:25:30,160 --> 00:25:30,760
Speaker 15: Yeah I didn't.

614
00:25:31,000 --> 00:25:33,280
Speaker 6: Yeah, I feel like it is if we don't background

615
00:25:33,320 --> 00:25:37,640
Speaker 6: check them, check them. Amy's out with something crazy good.

616
00:25:37,640 --> 00:25:38,840
Speaker 6: Oh good, he chases her home.

617
00:25:39,760 --> 00:25:40,200
Speaker 13: I'm good.

618
00:25:40,280 --> 00:25:42,679
Speaker 6: It's rejected, rejected, Okay, there we go.

619
00:25:43,240 --> 00:25:43,920
Speaker 11: Number two.

620
00:25:44,119 --> 00:25:47,640
Speaker 6: It's called lunchbox sexy photo shoot. We tell lunchboxes even

621
00:25:47,720 --> 00:25:49,320
Speaker 6: hired by a client he endorses to do a photo

622
00:25:49,359 --> 00:25:51,199
Speaker 6: shoot for a digital commercial, but when he gets there,

623
00:25:51,240 --> 00:25:53,560
Speaker 6: it's actually a boudoir photo shoot that we lined up.

624
00:25:53,640 --> 00:25:54,840
Speaker 5: That's good. That's good.

625
00:25:55,840 --> 00:25:57,760
Speaker 6: No, because I'd show up and be like no, no,

626
00:25:57,840 --> 00:25:59,200
Speaker 6: But the client wants you to do it. They're gonna

627
00:25:59,240 --> 00:25:59,439
Speaker 6: pay you.

628
00:25:59,480 --> 00:26:01,240
Speaker 15: Money, going to pay me.

629
00:26:02,960 --> 00:26:04,480
Speaker 6: They can say million, they're not gonna pay you actually,

630
00:26:04,480 --> 00:26:05,879
Speaker 6: but they would say ten thousand dollars.

631
00:26:06,520 --> 00:26:08,919
Speaker 15: Then I'm in okay, and then I would sue you

632
00:26:08,960 --> 00:26:09,640
Speaker 15: for not coming through.

633
00:26:10,080 --> 00:26:10,760
Speaker 7: Number one.

634
00:26:10,880 --> 00:26:13,760
Speaker 6: This is from Mike d It's called easy Trivia, Hard Consequences.

635
00:26:14,560 --> 00:26:16,879
Speaker 6: Listener's been calling for us to change the rules of

636
00:26:16,880 --> 00:26:20,720
Speaker 6: easy trivia since Eddie dominates, so there's motivation. The first

637
00:26:20,760 --> 00:26:22,960
Speaker 6: person to eliminate to get shot with three paintballs. The

638
00:26:22,960 --> 00:26:25,720
Speaker 6: second person gets shot with two paintballs, and the third

639
00:26:25,720 --> 00:26:29,560
Speaker 6: person well, who lasts? Wait, the winner lasts and the

640
00:26:29,640 --> 00:26:31,320
Speaker 6: last person the third gets shot with one paintball.

641
00:26:31,760 --> 00:26:36,760
Speaker 5: I like it. That's why easy trivia hard consequences. Who's

642
00:26:36,800 --> 00:26:37,879
Speaker 5: shooting fright me?

643
00:26:38,680 --> 00:26:41,159
Speaker 6: Yeah? Yeah, I want to shoot people. I mean that

644
00:26:41,160 --> 00:26:44,280
Speaker 6: would be fun, but we can't have people to finish

645
00:26:44,400 --> 00:26:47,679
Speaker 6: second getting shot, Yeah, like fourth would be hilarious.

646
00:26:47,720 --> 00:26:50,520
Speaker 5: And is it like as soon as they get it wrong, we.

647
00:26:50,480 --> 00:26:54,000
Speaker 6: Sent all you guys up on stage with doles and

648
00:26:54,040 --> 00:26:55,520
Speaker 6: we don't even go you got bone?

649
00:26:55,840 --> 00:26:58,520
Speaker 5: Just that's crazy, dude.

650
00:27:00,240 --> 00:27:02,080
Speaker 15: I mean, I'm gonna tell you what. That's a little

651
00:27:02,080 --> 00:27:03,280
Speaker 15: close to get shot with paintball.

652
00:27:04,480 --> 00:27:04,680
Speaker 5: Yeah.

653
00:27:04,840 --> 00:27:08,400
Speaker 16: I've been shot from like point blank range when one time,

654
00:27:08,440 --> 00:27:09,639
Speaker 16: and I don't want to talk about it.

655
00:27:10,080 --> 00:27:11,560
Speaker 15: And I mean, I have never been in so much

656
00:27:11,560 --> 00:27:12,240
Speaker 15: pain in my life.

657
00:27:12,560 --> 00:27:14,959
Speaker 5: So that is another rejected segment. It's number one.

658
00:27:15,000 --> 00:27:19,880
Speaker 6: It would just be too painful rejected segments. Thank you, guys.

659
00:27:19,920 --> 00:27:23,119
Speaker 8: It's the best Bits of the week with Morgan.

660
00:27:23,200 --> 00:27:23,680
Speaker 15: Number two.

661
00:27:26,520 --> 00:27:28,800
Speaker 3: Bailey Zimmerman stopped by the studio for the very first

662
00:27:28,840 --> 00:27:30,760
Speaker 3: time and we got to hear about his story of

663
00:27:30,800 --> 00:27:33,439
Speaker 3: how he blew up on TikTok and then quit his

664
00:27:33,520 --> 00:27:36,760
Speaker 3: job the next day. Wild Not to mention, he also

665
00:27:36,800 --> 00:27:38,960
Speaker 3: got to hang out with Brandley Gilbert and Chad Kroger

666
00:27:38,960 --> 00:27:42,440
Speaker 3: of Nickelback, which has a crazy story of itself and

667
00:27:42,480 --> 00:27:44,760
Speaker 3: what it's been like for him touring with Morgan Wallen

668
00:27:44,840 --> 00:27:47,480
Speaker 3: and playing stadium, So just really cool. This guy is

669
00:27:47,520 --> 00:27:50,120
Speaker 3: so young, and he's so talented and has a lot

670
00:27:50,119 --> 00:27:52,080
Speaker 3: of fun stories to share and he's just super hype

671
00:27:52,160 --> 00:27:54,119
Speaker 3: during this interview, so that's fun to watch too. But

672
00:27:54,480 --> 00:27:57,000
Speaker 3: you can hear his interview right now, which is really cool.

673
00:27:57,040 --> 00:27:58,919
Speaker 3: But then you'll also be able to go over to

674
00:27:58,960 --> 00:28:01,320
Speaker 3: YouTube dot com so Bobby Bones Show and watch his

675
00:28:01,520 --> 00:28:04,639
Speaker 3: entire performances. I believe you played like three different songs,

676
00:28:04,680 --> 00:28:05,359
Speaker 3: so you'll want to.

677
00:28:05,359 --> 00:28:05,840
Speaker 2: Check that out.

678
00:28:06,280 --> 00:28:09,280
Speaker 8: Number four So Bobby Bones Show Interviews.

679
00:28:09,600 --> 00:28:11,200
Speaker 5: In case you didn't.

680
00:28:10,920 --> 00:28:14,840
Speaker 6: Know, this guy has blown up. His name is Bailey Zimmerman.

681
00:28:15,160 --> 00:28:18,360
Speaker 6: He's got two number ones. You probably know this one fall.

682
00:28:18,240 --> 00:28:24,919
Speaker 5: In Love and this one Rocking a Hard Place.

683
00:28:25,359 --> 00:28:28,199
Speaker 7: This between a Rock.

684
00:28:29,080 --> 00:28:31,360
Speaker 6: He's out with Morgan Wallen on his tour. He's got

685
00:28:31,359 --> 00:28:33,879
Speaker 6: a new album, Religiously the Album, and that's out today

686
00:28:34,359 --> 00:28:37,440
Speaker 6: and he's working pipelines. All of a sudden, he quit

687
00:28:37,480 --> 00:28:40,120
Speaker 6: and started singing. Here he Is.

688
00:28:40,160 --> 00:28:43,280
Speaker 8: The Friday Morning Conversation with Bailey Zimmerman.

689
00:28:43,440 --> 00:28:45,000
Speaker 5: Bailey, good to see you, buddy, Good to see you.

690
00:28:45,040 --> 00:28:45,200
Speaker 11: Man.

691
00:28:45,320 --> 00:28:47,360
Speaker 6: I feel like, I don't know, last time I saw

692
00:28:47,400 --> 00:28:48,959
Speaker 6: you was over my house and you were like this

693
00:28:49,040 --> 00:28:50,240
Speaker 6: kid with tons of potential.

694
00:28:50,480 --> 00:28:51,800
Speaker 5: But now you're like a full star.

695
00:28:51,880 --> 00:28:53,520
Speaker 6: I wouldn't say full grown, you haven't grown much, but

696
00:28:53,600 --> 00:28:54,640
Speaker 6: like you're a full star now.

697
00:28:54,920 --> 00:28:55,440
Speaker 11: Thank you man.

698
00:28:55,480 --> 00:28:57,120
Speaker 10: How do you feel amazing?

699
00:28:57,200 --> 00:28:57,520
Speaker 5: Busy?

700
00:28:57,720 --> 00:29:00,160
Speaker 18: Yeah, I know it's it's busy, but I'm having a

701
00:29:00,200 --> 00:29:01,200
Speaker 18: blast in and it's fun.

702
00:29:01,320 --> 00:29:02,400
Speaker 6: Are you having fun right now?

703
00:29:02,400 --> 00:29:02,560
Speaker 7: Oh?

704
00:29:02,600 --> 00:29:03,520
Speaker 10: Yeah, it's a.

705
00:29:03,560 --> 00:29:04,400
Speaker 11: Lot of learning, you know.

706
00:29:04,640 --> 00:29:08,240
Speaker 18: It's fun to learn and have things come at me

707
00:29:08,280 --> 00:29:10,280
Speaker 18: that I've never experienced and then have to like learn

708
00:29:10,280 --> 00:29:11,160
Speaker 18: how to do it, and.

709
00:29:11,120 --> 00:29:12,400
Speaker 11: So it's it's a blast.

710
00:29:12,520 --> 00:29:13,760
Speaker 6: One of the things that gets brought up to me

711
00:29:13,800 --> 00:29:16,400
Speaker 6: a lot about our hour long conversation was you talking

712
00:29:16,400 --> 00:29:18,640
Speaker 6: about one of your first performances where you run out

713
00:29:18,640 --> 00:29:20,320
Speaker 6: because you always want to run a catwalk and you

714
00:29:20,400 --> 00:29:22,920
Speaker 6: ran out and you're breathing real hard, but then you

715
00:29:22,920 --> 00:29:24,520
Speaker 6: had to get back and sing, and you're like, oh,

716
00:29:24,520 --> 00:29:27,000
Speaker 6: I've never done this before. So have you figured that out?

717
00:29:27,000 --> 00:29:28,600
Speaker 6: Because you have a high energy show, you figured out

718
00:29:28,600 --> 00:29:29,840
Speaker 6: how to kind of contain your breads. Now.

719
00:29:30,040 --> 00:29:33,080
Speaker 18: Yeah, there's there's just like spots where I'm like, okay,

720
00:29:33,120 --> 00:29:35,800
Speaker 18: coming up, breathe, Like it'll come and like okay, breathe,

721
00:29:35,880 --> 00:29:38,360
Speaker 18: and then you, you know, you kind of just figure out, Okay,

722
00:29:38,400 --> 00:29:40,520
Speaker 18: I lost breath here last time, so I'm going to

723
00:29:40,560 --> 00:29:42,520
Speaker 18: make sure that I stop and don't do that one

724
00:29:42,600 --> 00:29:45,560
Speaker 18: move and breathe there instead, you know. So I'm still

725
00:29:45,600 --> 00:29:48,960
Speaker 18: like really whack and really crazy, but it's like dialed

726
00:29:49,040 --> 00:29:50,920
Speaker 18: back just a little bit, just so I can breathe.

727
00:29:51,000 --> 00:29:52,560
Speaker 6: We had Chad Kroger in here and he brought you up.

728
00:29:52,560 --> 00:29:54,560
Speaker 5: Did you hang out with Chad Kroger for nickelback.

729
00:29:54,160 --> 00:29:57,640
Speaker 18: Gosh, I'm the craziest Chad from Nickelback.

730
00:29:57,200 --> 00:29:58,400
Speaker 15: Story, all right, go for it.

731
00:29:58,440 --> 00:29:59,760
Speaker 11: So we went.

732
00:30:00,520 --> 00:30:02,479
Speaker 18: The first night I met him, he just showed up

733
00:30:02,480 --> 00:30:04,600
Speaker 18: at Winters and I was like, Hey, what's up, Chad,

734
00:30:04,600 --> 00:30:05,440
Speaker 18: And He's like, what's up?

735
00:30:05,440 --> 00:30:05,640
Speaker 10: Man?

736
00:30:05,720 --> 00:30:07,840
Speaker 18: So we just hung all night and then we were

737
00:30:07,840 --> 00:30:10,840
Speaker 18: gonna write a song that night, but then something happened

738
00:30:10,880 --> 00:30:12,160
Speaker 18: and if he would have went and wrote a song,

739
00:30:12,160 --> 00:30:13,560
Speaker 18: you wouldn't have been able to do the press the

740
00:30:13,600 --> 00:30:14,680
Speaker 18: next day and it'd have been a bad deal.

741
00:30:14,720 --> 00:30:15,280
Speaker 11: So we didn't.

742
00:30:15,520 --> 00:30:17,880
Speaker 18: So the next day we're at dinner with Jelly Roll

743
00:30:17,960 --> 00:30:20,520
Speaker 18: and Brandley Gilbert and all of our teams. We're all

744
00:30:20,560 --> 00:30:23,960
Speaker 18: having dinner and Chad. It's like middle at dinner and

745
00:30:24,040 --> 00:30:27,160
Speaker 18: we're just smoking and drinking and just had dinner and stuff.

746
00:30:27,200 --> 00:30:29,680
Speaker 18: And Chad just looks at me and goes, you got

747
00:30:29,720 --> 00:30:31,600
Speaker 18: a passport And I go yep, And he goes, what

748
00:30:31,640 --> 00:30:32,320
Speaker 18: are you doing tomorrow?

749
00:30:32,360 --> 00:30:33,600
Speaker 11: He goes nothing.

750
00:30:33,760 --> 00:30:35,800
Speaker 18: He's like, you're getting on my jet and you're gonna

751
00:30:35,800 --> 00:30:38,120
Speaker 18: come to my house in Vancouver and we're gonna write

752
00:30:38,120 --> 00:30:40,800
Speaker 18: for four days. And I'm like, okay, come in, let's go.

753
00:30:41,240 --> 00:30:41,719
Speaker 5: That happened.

754
00:30:41,760 --> 00:30:43,000
Speaker 11: That happened for real.

755
00:30:43,280 --> 00:30:46,280
Speaker 18: He put me on his jet the next day, Me, Chandler, Walters,

756
00:30:46,480 --> 00:30:50,200
Speaker 18: Gavin Lucas. We went to Vancouver and spent four days,

757
00:30:50,560 --> 00:30:53,520
Speaker 18: long days, like thirteen hour days in the studio with Chad.

758
00:30:53,880 --> 00:30:56,080
Speaker 10: So you did work, oh yeah, well the whole time,

759
00:30:56,080 --> 00:30:56,400
Speaker 10: and you did.

760
00:30:56,400 --> 00:30:57,480
Speaker 5: You had a passport, good for you.

761
00:30:57,640 --> 00:30:58,800
Speaker 11: Yeah, I have a passport.

762
00:30:58,880 --> 00:30:59,959
Speaker 5: Some of these guys are doing my passport.

763
00:31:00,560 --> 00:31:02,560
Speaker 6: Unless I get called on Survivor, they're ain't getting a passport.

764
00:31:02,640 --> 00:31:02,800
Speaker 11: Yeah.

765
00:31:02,800 --> 00:31:05,280
Speaker 18: I never needed a passport until I started doing this.

766
00:31:05,440 --> 00:31:06,000
Speaker 5: That's awesome.

767
00:31:06,080 --> 00:31:06,280
Speaker 10: Yeah.

768
00:31:06,320 --> 00:31:07,080
Speaker 5: What was his house?

769
00:31:07,080 --> 00:31:07,560
Speaker 15: Pretty cool?

770
00:31:07,840 --> 00:31:08,640
Speaker 6: Oh my gosh.

771
00:31:08,960 --> 00:31:13,600
Speaker 18: It's like there's this one room that is crazy and

772
00:31:13,640 --> 00:31:17,720
Speaker 18: it's like the dining Like if he has forty guests over,

773
00:31:17,800 --> 00:31:19,280
Speaker 18: he brings them into this room.

774
00:31:19,120 --> 00:31:20,040
Speaker 6: Long table type thing.

775
00:31:20,520 --> 00:31:24,120
Speaker 18: Crazy you guys know, Harry Potter. Yeah, yeah, like the

776
00:31:24,680 --> 00:31:25,560
Speaker 18: deciding room.

777
00:31:26,240 --> 00:31:27,040
Speaker 11: Like you go in.

778
00:31:27,160 --> 00:31:30,239
Speaker 18: It's just this massive room, like ceilings as tall as

779
00:31:30,240 --> 00:31:33,000
Speaker 18: I could like think, and the table is so long

780
00:31:33,040 --> 00:31:35,120
Speaker 18: you feel like you're walking forever to get to the top.

781
00:31:35,200 --> 00:31:36,560
Speaker 11: Like in the chairs.

782
00:31:36,760 --> 00:31:39,280
Speaker 18: Everything is oversized in the room, so like the chairs

783
00:31:39,320 --> 00:31:41,719
Speaker 18: are like ten times what they should be. They're just

784
00:31:41,760 --> 00:31:44,240
Speaker 18: like massive and like it's the sickest room.

785
00:31:46,120 --> 00:31:47,080
Speaker 6: How did you get back?

786
00:31:47,520 --> 00:31:50,240
Speaker 18: I can't remember. Oh come, oh my gosh. It was

787
00:31:50,280 --> 00:31:52,080
Speaker 18: a long weekend. We get a lot of things.

788
00:31:52,720 --> 00:31:53,000
Speaker 11: That's all.

789
00:31:53,040 --> 00:31:54,880
Speaker 6: That's a good story. Do you have a passport?

790
00:31:54,960 --> 00:31:55,160
Speaker 10: Yep?

791
00:31:55,200 --> 00:31:58,440
Speaker 6: Get on the plane going to Vancouver. That's really cool man.

792
00:31:58,720 --> 00:32:02,720
Speaker 6: So you're out with Morgan on Morgan's tour. You're playing

793
00:32:02,720 --> 00:32:06,000
Speaker 6: stadiums now, Like, what does that feel like? Going out

794
00:32:06,120 --> 00:32:08,960
Speaker 6: and they all know your songs too, so that's gonna

795
00:32:08,960 --> 00:32:09,560
Speaker 6: be pretty cool.

796
00:32:10,160 --> 00:32:12,560
Speaker 18: You can feel it, like I never really get nervous

797
00:32:12,600 --> 00:32:15,400
Speaker 18: for anything or singing, but I got out there and

798
00:32:15,560 --> 00:32:18,000
Speaker 18: all the breath techniques and all the stuff I've worked

799
00:32:18,000 --> 00:32:20,880
Speaker 18: on went out the window. Man, Like you just feel

800
00:32:21,160 --> 00:32:24,400
Speaker 18: thirty forty thousand people just like watching you, like, don't

801
00:32:24,440 --> 00:32:25,600
Speaker 18: mess up, don't mess up?

802
00:32:25,640 --> 00:32:27,040
Speaker 5: You know, So that's what you're thinking.

803
00:32:27,040 --> 00:32:29,600
Speaker 6: They're really not, dude, They're really going, this is super cool.

804
00:32:29,640 --> 00:32:32,120
Speaker 6: We get to watch Bailey Zimmerman and you're going, they're thinking,

805
00:32:32,120 --> 00:32:33,800
Speaker 6: I guess sucking. Don't mess up.

806
00:32:33,880 --> 00:32:36,080
Speaker 18: When you're standing there in the middle of w and

807
00:32:36,120 --> 00:32:38,720
Speaker 18: it's like everybody's just like watching you, waiting for you

808
00:32:38,760 --> 00:32:41,120
Speaker 18: to start singing, You're just like, oh gosh, hop, we

809
00:32:41,120 --> 00:32:41,680
Speaker 18: don't mess up.

810
00:32:41,720 --> 00:32:42,600
Speaker 5: This is this is big.

811
00:32:42,720 --> 00:32:42,920
Speaker 6: Yeah.

812
00:32:42,960 --> 00:32:46,280
Speaker 18: You can feel the energy in the stadium, like you

813
00:32:46,360 --> 00:32:47,960
Speaker 18: go to sing the first line and you almost like

814
00:32:48,080 --> 00:32:50,000
Speaker 18: can't even talk because your stomach hurts so bad.

815
00:32:50,640 --> 00:32:54,240
Speaker 6: It's the best new albums out today, religiously the album.

816
00:32:54,600 --> 00:32:57,040
Speaker 6: So I know you're such a good songwriter. You wrote

817
00:32:57,040 --> 00:32:59,680
Speaker 6: most of the songs on this record, so I don't know.

818
00:32:59,680 --> 00:33:01,960
Speaker 6: I'm all curious why you put certain songs in certain

819
00:33:01,960 --> 00:33:04,000
Speaker 6: places and you let off with the religious lations track

820
00:33:04,040 --> 00:33:05,960
Speaker 6: one named it that Why that song?

821
00:33:06,000 --> 00:33:07,640
Speaker 5: Why is it so instrumental to this record?

822
00:33:08,640 --> 00:33:10,680
Speaker 18: I don't know, just something about the song that it

823
00:33:10,720 --> 00:33:13,239
Speaker 18: didn't really relate to me when I first got it,

824
00:33:13,640 --> 00:33:18,240
Speaker 18: and now the whole the part about you know, mama's healthy,

825
00:33:18,560 --> 00:33:20,960
Speaker 18: I'm helping out the whole family. Everybody knows my name

826
00:33:21,080 --> 00:33:24,240
Speaker 18: and stuff, and that didn't really relate to me too much.

827
00:33:24,280 --> 00:33:27,239
Speaker 18: But now it's just like, man, it's so crazy how

828
00:33:27,320 --> 00:33:29,400
Speaker 18: much the song relates to me and my life and

829
00:33:29,400 --> 00:33:31,080
Speaker 18: how I'm taking care of my mom and people know

830
00:33:31,160 --> 00:33:33,760
Speaker 18: my name, but I still think about her a lot,

831
00:33:33,800 --> 00:33:35,479
Speaker 18: you know, and I still am not kind of over it,

832
00:33:35,560 --> 00:33:38,200
Speaker 18: so it kind of just made its way into my

833
00:33:38,240 --> 00:33:40,160
Speaker 18: life weirdly, and now that it's.

834
00:33:40,040 --> 00:33:42,440
Speaker 11: Like out is so relatable.

835
00:33:42,480 --> 00:33:45,600
Speaker 18: Now it's crazy how it became from that song a

836
00:33:45,680 --> 00:33:49,240
Speaker 18: trap song, to the title track of my country album.

837
00:33:49,520 --> 00:33:52,480
Speaker 6: It's same message. Yeah, you just made a little sonically

838
00:33:52,520 --> 00:33:54,560
Speaker 6: you Yeah, all right, here's Bailey zmeron We're gonna do

839
00:33:54,600 --> 00:33:56,760
Speaker 6: this now the album. I'm gonna set your album up here.

840
00:33:56,800 --> 00:33:58,440
Speaker 6: It's out today. I want you to stream the crap

841
00:33:58,440 --> 00:34:01,240
Speaker 6: out of it. He's so good. The album is called Religiously.

842
00:34:01,280 --> 00:34:03,760
Speaker 6: The album We're gonna play Religiously here, right, yeah, all right? Cool?

843
00:34:03,880 --> 00:34:06,680
Speaker 6: And here is Bailey's ever been in studio with Religiously.

844
00:34:10,640 --> 00:34:12,759
Speaker 6: I mean, I'm gonna say this in the most complimentary,

845
00:34:12,760 --> 00:34:14,600
Speaker 6: weird way, but you shouldn't be that good.

846
00:34:14,920 --> 00:34:15,960
Speaker 11: Thank you, oh man, thank you.

847
00:34:16,040 --> 00:34:17,080
Speaker 6: Yeah, you shouldn't be that good.

848
00:34:17,160 --> 00:34:17,319
Speaker 7: Huh.

849
00:34:17,600 --> 00:34:20,920
Speaker 6: You know, because you know you weren't eleven taking singing lessons.

850
00:34:20,960 --> 00:34:24,319
Speaker 6: You weren't fourteen going I want to be You know

851
00:34:24,520 --> 00:34:27,160
Speaker 6: your dad was a truck driver. You're riding with him

852
00:34:27,200 --> 00:34:29,960
Speaker 6: listening to country music. Some people just have it, man,

853
00:34:30,120 --> 00:34:30,600
Speaker 6: that's it.

854
00:34:30,719 --> 00:34:33,920
Speaker 5: I smiled because I mess up, and I'm just like.

855
00:34:34,120 --> 00:34:35,640
Speaker 6: Well, we didn't hear any mess up there. I hear

856
00:34:35,640 --> 00:34:39,160
Speaker 6: any mess up at all? New albums out today. Religiously the

857
00:34:39,200 --> 00:34:41,200
Speaker 6: album Bailey, I'm gonna play a little bit of Forget

858
00:34:41,239 --> 00:34:44,720
Speaker 6: About You, which you wrote the song I'm almost curious

859
00:34:44,719 --> 00:34:46,799
Speaker 6: about in a room, like who says what? And how

860
00:34:46,840 --> 00:34:48,680
Speaker 6: does the song end up being a song you walk

861
00:34:48,719 --> 00:34:50,000
Speaker 6: into write this what happens.

862
00:34:50,840 --> 00:34:51,919
Speaker 11: It's kind of a weird day.

863
00:34:52,080 --> 00:34:55,239
Speaker 18: I'd been wanting some uh, some more rock stuff, but

864
00:34:55,280 --> 00:34:56,960
Speaker 18: I hadn't been writing it. I've just been writing like

865
00:34:57,040 --> 00:34:59,920
Speaker 18: sad stuff like usual. And I got in with Drew Balder,

866
00:35:00,200 --> 00:35:02,480
Speaker 18: his producer, and Gavin Lucas, and I was like, boys,

867
00:35:02,520 --> 00:35:06,080
Speaker 18: I've got this idea just about how everybody says forgive

868
00:35:06,080 --> 00:35:08,759
Speaker 18: and forget, but how do you truly forget something that

869
00:35:08,800 --> 00:35:09,920
Speaker 18: you've forgiven somebody?

870
00:35:09,960 --> 00:35:10,479
Speaker 11: You know something?

871
00:35:10,480 --> 00:35:11,120
Speaker 10: You know what I'm saying.

872
00:35:11,160 --> 00:35:14,319
Speaker 18: So it's like I always felt like, man, I'll never

873
00:35:14,960 --> 00:35:17,040
Speaker 18: I'll always forgive you, but I don't think I'll ever

874
00:35:17,080 --> 00:35:19,440
Speaker 18: forget you or what you did to me, you know.

875
00:35:19,440 --> 00:35:20,720
Speaker 11: So that's kind of how it came together.

876
00:35:20,760 --> 00:35:23,120
Speaker 18: And then Drew started writing it, and then we just

877
00:35:23,160 --> 00:35:26,640
Speaker 18: wrote it together, and it's kind of just that vibe

878
00:35:26,640 --> 00:35:29,839
Speaker 18: of feeling like, man, how could I forget that? Like

879
00:35:29,880 --> 00:35:31,839
Speaker 18: we went through so much. I've forgiven you for that,

880
00:35:31,880 --> 00:35:33,640
Speaker 18: but how do you expect me to forget?

881
00:35:33,680 --> 00:35:33,920
Speaker 11: You know?

882
00:35:34,120 --> 00:35:36,760
Speaker 6: Here's a clip of Forget about You from Bailey's immerment.

883
00:35:42,840 --> 00:35:44,200
Speaker 6: So what's Louisville, Illinois?

884
00:35:44,239 --> 00:35:46,879
Speaker 11: Like a whole lot of cornfields?

885
00:35:46,920 --> 00:35:47,120
Speaker 7: Man?

886
00:35:47,440 --> 00:35:48,920
Speaker 5: Is there a big sign? What is it?

887
00:35:48,960 --> 00:35:51,480
Speaker 6: Is it like a you know, a state funded sign,

888
00:35:51,600 --> 00:35:53,320
Speaker 6: or is the own like a big white one that

889
00:35:53,440 --> 00:35:54,560
Speaker 6: is welcome to Louisville.

890
00:35:54,640 --> 00:35:54,759
Speaker 11: You know.

891
00:35:54,920 --> 00:35:57,239
Speaker 18: The funny thing is when you're coming in from the

892
00:35:57,280 --> 00:36:01,439
Speaker 18: interstate from Effingham, it's just this green steak in the

893
00:36:01,480 --> 00:36:04,000
Speaker 18: in the like side of the road that just says Louisville.

894
00:36:04,280 --> 00:36:06,440
Speaker 6: Oh, it's Lewisville. It's not even Louisville Lewisville.

895
00:36:06,920 --> 00:36:10,439
Speaker 18: It was supposed to be l e Wisville on the

896
00:36:10,480 --> 00:36:13,719
Speaker 18: original d to the or village, but then when they

897
00:36:14,000 --> 00:36:16,359
Speaker 18: put it on there, they accidentally put l O U I.

898
00:36:16,480 --> 00:36:17,600
Speaker 6: S like Louisville.

899
00:36:17,600 --> 00:36:18,200
Speaker 7: Like Louisville.

900
00:36:18,239 --> 00:36:20,839
Speaker 6: Yeah, so they just kept it. They want to buy

901
00:36:20,840 --> 00:36:23,719
Speaker 6: a new sign. I thought that, yeah, completely probably, Man.

902
00:36:23,600 --> 00:36:24,560
Speaker 11: That sign was really expensive.

903
00:36:24,560 --> 00:36:25,719
Speaker 10: I don't think we want to change it.

904
00:36:25,880 --> 00:36:28,799
Speaker 6: So how many people live in Louisville, do you know?

905
00:36:28,920 --> 00:36:31,839
Speaker 18: I think the last consensus was done in like twenty

906
00:36:31,880 --> 00:36:34,759
Speaker 18: and fourteen or something, so it says twelve hundred, but

907
00:36:35,040 --> 00:36:36,800
Speaker 18: I'm sure it's a lot less than that now, probably

908
00:36:36,840 --> 00:36:38,240
Speaker 18: like eight nine hundred people.

909
00:36:38,520 --> 00:36:42,759
Speaker 6: And most people do what to live there, farm farm.

910
00:36:42,560 --> 00:36:46,080
Speaker 11: Or There's been a real like a weird, big deal of.

911
00:36:47,719 --> 00:36:52,759
Speaker 18: Like putting like electric line in the ground or something like.

912
00:36:52,920 --> 00:36:55,160
Speaker 18: It's like a big company in our town that just

913
00:36:55,239 --> 00:36:57,680
Speaker 18: puts like electrical lines through.

914
00:36:58,520 --> 00:36:59,920
Speaker 5: Over the top right putting it back.

915
00:36:59,880 --> 00:37:01,040
Speaker 6: They put them in the ground.

916
00:37:01,239 --> 00:37:03,839
Speaker 18: So it's like that's a big Like you work for there,

917
00:37:04,120 --> 00:37:05,520
Speaker 18: or you do pipeline or you farm.

918
00:37:05,880 --> 00:37:06,239
Speaker 10: That's it.

919
00:37:06,280 --> 00:37:09,160
Speaker 6: And you were doing pipeline prior to your music career.

920
00:37:09,200 --> 00:37:10,680
Speaker 6: What were you doing working for the pipeline.

921
00:37:11,120 --> 00:37:14,439
Speaker 18: I was a laborer, so I just anything anybody else

922
00:37:14,480 --> 00:37:16,000
Speaker 18: didn't want to do that was really hard work.

923
00:37:16,040 --> 00:37:17,480
Speaker 11: They just told me to go do it.

924
00:37:17,640 --> 00:37:20,160
Speaker 6: If we go back five years and just picture yourself

925
00:37:20,160 --> 00:37:21,759
Speaker 6: five years ago, where did you think you would be

926
00:37:21,840 --> 00:37:25,000
Speaker 6: five years from then? Because obviously this kind of happened

927
00:37:25,000 --> 00:37:27,279
Speaker 6: in a weird way, but five years ago, where did

928
00:37:27,280 --> 00:37:29,879
Speaker 6: you think you would be five years from then?

929
00:37:30,440 --> 00:37:33,320
Speaker 18: I was hoping to be a boss on the pipeline

930
00:37:33,320 --> 00:37:36,320
Speaker 18: to where I just ran cruise to where I didn't

931
00:37:36,600 --> 00:37:37,560
Speaker 18: have to get out of my truck.

932
00:37:37,640 --> 00:37:38,880
Speaker 11: That's what my goal was.

933
00:37:38,920 --> 00:37:41,840
Speaker 18: Like, Okay, because you see all the old dudes in

934
00:37:41,880 --> 00:37:45,399
Speaker 18: their trucks and they haven't got out of that truck

935
00:37:45,440 --> 00:37:47,480
Speaker 18: in seventeen days. You don't think I've never seen them

936
00:37:47,520 --> 00:37:49,319
Speaker 18: get out of the truck. So it's kind of like

937
00:37:49,360 --> 00:37:52,080
Speaker 18: always the goal is you become a laborer and then

938
00:37:52,160 --> 00:37:55,040
Speaker 18: you either get into an operator position or a straw boss,

939
00:37:55,120 --> 00:37:57,480
Speaker 18: which is right under the boss, and then you move

940
00:37:57,560 --> 00:37:59,799
Speaker 18: up your way. So I just was hoping to move

941
00:37:59,880 --> 00:38:02,360
Speaker 18: up in the pipeline industry and not have to like

942
00:38:02,920 --> 00:38:04,919
Speaker 18: carry forty pounds of stuff all day.

943
00:38:05,400 --> 00:38:08,239
Speaker 6: When you were coming back and forth just before you

944
00:38:08,280 --> 00:38:11,160
Speaker 6: decided to make the move move to Nashville, I don't

945
00:38:11,200 --> 00:38:13,719
Speaker 6: know was that still scary because I mean, you're now

946
00:38:13,760 --> 00:38:18,040
Speaker 6: going to commit to doing something new. You are seemingly good.

947
00:38:18,200 --> 00:38:20,799
Speaker 6: This success hadn't happened yet. When you're seemingly good at it,

948
00:38:20,800 --> 00:38:23,040
Speaker 6: people like you. But it's also a career of anything creative,

949
00:38:23,040 --> 00:38:26,400
Speaker 6: it's it could be fleeting. So did that make you

950
00:38:26,480 --> 00:38:28,279
Speaker 6: nervous moving down here kind of giving it all up,

951
00:38:28,360 --> 00:38:29,600
Speaker 6: or did you know you could always go back and

952
00:38:29,640 --> 00:38:31,320
Speaker 6: get the same sort of job.

953
00:38:32,239 --> 00:38:33,880
Speaker 5: Well, the job.

954
00:38:33,719 --> 00:38:37,000
Speaker 18: Wasn't in question because I quit it, and I don't

955
00:38:37,000 --> 00:38:38,680
Speaker 18: think they want to be back because I told them

956
00:38:38,680 --> 00:38:39,440
Speaker 18: that I was quitting.

957
00:38:39,719 --> 00:38:41,200
Speaker 6: And how'd you tell them though, that's the question.

958
00:38:42,320 --> 00:38:47,040
Speaker 18: I got up out of my bed and my phone

959
00:38:47,120 --> 00:38:49,560
Speaker 18: was blown up, and I'd posted my first singing video

960
00:38:49,600 --> 00:38:52,440
Speaker 18: the night before, and then when my phone was blown up,

961
00:38:52,480 --> 00:38:53,319
Speaker 18: I was like, man, what's going on?

962
00:38:53,400 --> 00:38:53,960
Speaker 11: So I checked.

963
00:38:53,960 --> 00:38:56,480
Speaker 18: It was like seven o'clock in the morning, and it

964
00:38:56,560 --> 00:39:00,440
Speaker 18: was just like, I think the notification was like eight

965
00:39:00,520 --> 00:39:03,480
Speaker 18: hundred and forty seven, six hundred and twenty one notifications

966
00:39:03,480 --> 00:39:04,440
Speaker 18: from TikTok.

967
00:39:04,200 --> 00:39:05,480
Speaker 6: And you had a mom because you didn't have a

968
00:39:05,480 --> 00:39:07,319
Speaker 6: lot of notifications because you were post. I think he's

969
00:39:07,320 --> 00:39:08,160
Speaker 6: have truck stuff really.

970
00:39:08,080 --> 00:39:08,600
Speaker 11: Right, exactly.

971
00:39:08,680 --> 00:39:10,560
Speaker 18: Yeah, So I was just like, holy crap, I've never

972
00:39:10,600 --> 00:39:13,480
Speaker 18: got this many notifications before. So when I looked, it

973
00:39:13,560 --> 00:39:16,160
Speaker 18: had just like blown up, like blown up, dude, and

974
00:39:16,160 --> 00:39:16,440
Speaker 18: I was.

975
00:39:16,400 --> 00:39:17,720
Speaker 11: Like, holy crap.

976
00:39:17,800 --> 00:39:20,480
Speaker 18: Okay, So the first thing I thought to do was like, Okay,

977
00:39:21,760 --> 00:39:23,640
Speaker 18: you've been praying a bunch about what you need to

978
00:39:23,680 --> 00:39:26,520
Speaker 18: do in this life. Is it pipeline? Is it something else?

979
00:39:26,600 --> 00:39:26,759
Speaker 11: You know?

980
00:39:26,800 --> 00:39:28,719
Speaker 18: And you've been praying a bunch and this kind of

981
00:39:28,719 --> 00:39:30,400
Speaker 18: makes sense, like this is something to chase.

982
00:39:30,440 --> 00:39:31,640
Speaker 11: So I just got up out of my bed.

983
00:39:31,640 --> 00:39:33,480
Speaker 18: I was still in underwear, and I walked over to

984
00:39:33,480 --> 00:39:35,640
Speaker 18: my window that looks out in the backyard and I

985
00:39:35,680 --> 00:39:38,200
Speaker 18: called the union. Well, I hyped myself up first, because

986
00:39:38,200 --> 00:39:42,799
Speaker 18: I was like, dude, you come. So I called him

987
00:39:42,880 --> 00:39:45,959
Speaker 18: and they answered and I was like, hey, I'm Bailey

988
00:39:46,040 --> 00:39:48,920
Speaker 18: Zimmerman and I want to quit. And they're like like,

989
00:39:49,000 --> 00:39:50,800
Speaker 18: what do you mean you want to? Like what's going on, buddy?

990
00:39:50,880 --> 00:39:52,239
Speaker 18: Like what do you mean you want to quit? And

991
00:39:52,280 --> 00:39:53,600
Speaker 18: I'm like, man, I don't want to work there in

992
00:39:53,640 --> 00:39:55,600
Speaker 18: the more. I'm gonna be a country singer. And they're like,

993
00:39:55,840 --> 00:39:58,080
Speaker 18: oh my gosh, okay, good luck dude. I mean, this

994
00:39:58,160 --> 00:39:59,680
Speaker 18: is an awful idea. I don't know why you're quitting

995
00:39:59,680 --> 00:40:03,000
Speaker 18: your job, but yeah, I just quit it. And that

996
00:40:03,120 --> 00:40:06,200
Speaker 18: was kind of like the no no plan b thing.

997
00:40:06,360 --> 00:40:08,520
Speaker 18: I didn't want to have something to fall back on

998
00:40:08,600 --> 00:40:09,520
Speaker 18: if I got scared, you know.

999
00:40:09,640 --> 00:40:11,960
Speaker 6: So you burned the boat, like you took the boat

1000
00:40:12,000 --> 00:40:13,520
Speaker 6: over to another country to fight, and you don't want

1001
00:40:13,520 --> 00:40:15,359
Speaker 6: to ever go back. So he just burned the boat

1002
00:40:15,360 --> 00:40:16,040
Speaker 6: so he can't leave.

1003
00:40:16,239 --> 00:40:18,200
Speaker 18: Yeah, So that was kind of my thing. So moving

1004
00:40:18,200 --> 00:40:19,879
Speaker 18: to Nashville, it is just like, well, this is all

1005
00:40:19,880 --> 00:40:21,840
Speaker 18: you got. I mean, you're either gonna make it or

1006
00:40:21,880 --> 00:40:23,680
Speaker 18: you're not. But work as hard as you can and

1007
00:40:23,760 --> 00:40:24,440
Speaker 18: see what happens.

1008
00:40:24,440 --> 00:40:24,600
Speaker 11: You know.

1009
00:40:25,000 --> 00:40:28,080
Speaker 6: Crazy. He just called and I knew the story. I

1010
00:40:28,120 --> 00:40:29,239
Speaker 6: just want to see if you want to go there.

1011
00:40:29,400 --> 00:40:31,800
Speaker 6: But he just the next day he just goes, hey, Bailey,

1012
00:40:31,800 --> 00:40:35,759
Speaker 6: I'm out like that's crazy. By the way, you guys

1013
00:40:35,760 --> 00:40:36,879
Speaker 6: sound great. The band sounds great.

1014
00:40:36,880 --> 00:40:37,600
Speaker 10: Thank you.

1015
00:40:37,600 --> 00:40:41,200
Speaker 6: You know these guys? Yeah, okay, mister Chris, just make

1016
00:40:41,200 --> 00:40:41,840
Speaker 6: sure you know who they are.

1017
00:40:41,920 --> 00:40:42,080
Speaker 1: Yeah.

1018
00:40:42,080 --> 00:40:43,799
Speaker 18: I met him right when I moved to nash and

1019
00:40:43,840 --> 00:40:46,600
Speaker 18: then these boys came along, what a year ago and

1020
00:40:46,680 --> 00:40:49,640
Speaker 18: a half. So we've been together basically ever since everything

1021
00:40:49,680 --> 00:40:50,279
Speaker 18: started to go.

1022
00:40:50,520 --> 00:40:51,720
Speaker 6: What do you guys want to play next?

1023
00:40:52,480 --> 00:40:53,799
Speaker 11: We'll play some rock in a hard place.

1024
00:40:54,239 --> 00:40:56,400
Speaker 6: I know this one all right? All right here he

1025
00:40:56,520 --> 00:41:01,719
Speaker 6: is new records out today. By the way, it's called religiously.

1026
00:41:02,880 --> 00:41:06,160
Speaker 5: The question is, did you say the S word? Yes? Okay,

1027
00:41:06,200 --> 00:41:06,759
Speaker 5: we'll fix it.

1028
00:41:07,040 --> 00:41:08,399
Speaker 11: I can't do you want me to do one real quick?

1029
00:41:08,400 --> 00:41:09,280
Speaker 10: Do I say? Chief?

1030
00:41:09,360 --> 00:41:09,560
Speaker 11: No?

1031
00:41:09,640 --> 00:41:11,000
Speaker 6: You can good, We'll fix it.

1032
00:41:11,640 --> 00:41:13,839
Speaker 5: Make sure I heard that right? Sorry, ft loud.

1033
00:41:17,120 --> 00:41:18,680
Speaker 6: I mean you're just in it so much.

1034
00:41:18,880 --> 00:41:21,759
Speaker 18: That usually I say chief if people don't want me

1035
00:41:21,800 --> 00:41:22,840
Speaker 18: to say the word.

1036
00:41:22,719 --> 00:41:23,600
Speaker 10: Oh, we're all good.

1037
00:41:23,600 --> 00:41:26,360
Speaker 5: Okay, let me fix that. Bailey, you're ready for this.

1038
00:41:26,360 --> 00:41:29,319
Speaker 6: These are questions and listeners have sent us. Hey, keep

1039
00:41:29,360 --> 00:41:31,000
Speaker 6: that's awesome. Play that underneath this?

1040
00:41:31,400 --> 00:41:31,560
Speaker 7: Yeah?

1041
00:41:31,680 --> 00:41:32,759
Speaker 5: Yeah, just keep hitting us with that.

1042
00:41:33,040 --> 00:41:33,279
Speaker 9: All right?

1043
00:41:33,320 --> 00:41:33,719
Speaker 5: Here we go.

1044
00:41:34,040 --> 00:41:38,840
Speaker 6: Uncomfortable questions from listeners. Does Bailey's ever feel like I

1045
00:41:38,880 --> 00:41:40,000
Speaker 6: feel like he has a girl's name?

1046
00:41:41,400 --> 00:41:41,640
Speaker 7: Yes?

1047
00:41:41,719 --> 00:41:43,839
Speaker 18: For a long time, I was really bummed about my name.

1048
00:41:43,880 --> 00:41:45,759
Speaker 18: I always asked my mom, like, why did you name

1049
00:41:45,840 --> 00:41:49,520
Speaker 18: me Bailey? And her answer was because my grandpa is

1050
00:41:49,680 --> 00:41:52,839
Speaker 18: William Lynn Bailey, So I'm Bailey Lynn Zimmerman. And they

1051
00:41:52,840 --> 00:41:54,840
Speaker 18: thought I was gonna be a girl, but then I

1052
00:41:54,840 --> 00:41:55,960
Speaker 18: turned out and I was a guy.

1053
00:41:56,160 --> 00:41:58,040
Speaker 5: So how long until they knew after you were born?

1054
00:41:59,640 --> 00:42:01,960
Speaker 11: I would say within the seconds? Okay?

1055
00:42:02,200 --> 00:42:02,359
Speaker 12: Good?

1056
00:42:02,400 --> 00:42:02,560
Speaker 11: Good?

1057
00:42:02,800 --> 00:42:04,120
Speaker 6: Any even more than that, we're trying to be a

1058
00:42:04,160 --> 00:42:07,280
Speaker 6: little worried. Okay, good, good deal, A good deal. Uncomfortable

1059
00:42:07,320 --> 00:42:09,560
Speaker 6: question Number two. Has Bailey Zimmerman seen any money from

1060
00:42:09,560 --> 00:42:10,399
Speaker 6: his first number one?

1061
00:42:11,400 --> 00:42:12,959
Speaker 5: I don't think so takes a while.

1062
00:42:13,000 --> 00:42:14,160
Speaker 11: They said it'll take a long time.

1063
00:42:14,239 --> 00:42:14,560
Speaker 7: A year.

1064
00:42:14,840 --> 00:42:16,240
Speaker 10: Yeah, sure, cool.

1065
00:42:16,400 --> 00:42:17,439
Speaker 11: I'm just happy to be here.

1066
00:42:17,520 --> 00:42:20,120
Speaker 6: Number three, Would Bailey Zimmerman ever date a fan?

1067
00:42:21,760 --> 00:42:24,319
Speaker 18: Just depends how cool a fan is. I mean, if

1068
00:42:24,360 --> 00:42:27,320
Speaker 18: she's cool enough to that I like her, then maybe absolutely.

1069
00:42:27,400 --> 00:42:30,120
Speaker 6: Amen. Is Bailey Zimmerman actually really sad, but he posts

1070
00:42:30,160 --> 00:42:32,719
Speaker 6: himself looking really happy online to hide a sadness.

1071
00:42:33,480 --> 00:42:35,200
Speaker 18: You know some of that's true. Yeah, I would say

1072
00:42:35,200 --> 00:42:39,120
Speaker 18: some of that's true. You know, everybody's sad some days,

1073
00:42:39,239 --> 00:42:41,920
Speaker 18: but as long as you smile. It's when you're frowning

1074
00:42:42,000 --> 00:42:44,239
Speaker 18: when they can get really bad. If you smile every day,

1075
00:42:44,239 --> 00:42:45,879
Speaker 18: then maybe that sadness will leave.

1076
00:42:46,040 --> 00:42:47,520
Speaker 5: You know, you're a pretty bright person.

1077
00:42:47,640 --> 00:42:49,759
Speaker 6: Me like, as in I watch your social media. Just

1078
00:42:49,760 --> 00:42:50,799
Speaker 6: a positive guy.

1079
00:42:51,280 --> 00:42:53,080
Speaker 11: I like that to do that, man, I try to

1080
00:42:53,080 --> 00:42:53,640
Speaker 11: be positive.

1081
00:42:53,800 --> 00:42:56,719
Speaker 6: Final question is about your chain? How much was the

1082
00:42:56,719 --> 00:42:59,520
Speaker 6: BZ chain that Bailey posted on Instagram for free?

1083
00:43:00,080 --> 00:43:02,879
Speaker 18: I didn't pay for a note. This guy from Happy

1084
00:43:02,960 --> 00:43:05,759
Speaker 18: Jewelers out in Orange County, LA. He was just like

1085
00:43:05,840 --> 00:43:08,040
Speaker 18: he hooks up Ernest and Morgan and Hardy a bunch,

1086
00:43:08,080 --> 00:43:09,680
Speaker 18: and he was like, I'd love to make you a

1087
00:43:09,719 --> 00:43:12,279
Speaker 18: custom chain. And I was like, oh my gosh, I

1088
00:43:12,280 --> 00:43:13,719
Speaker 18: would love that. And then he sent it to me

1089
00:43:13,760 --> 00:43:15,719
Speaker 18: and I was like, this is what you've made me.

1090
00:43:15,800 --> 00:43:17,480
Speaker 18: This is freaking awesome. Oh my gosh.

1091
00:43:17,680 --> 00:43:19,040
Speaker 5: So yeah, you're wearing it now.

1092
00:43:19,239 --> 00:43:21,560
Speaker 11: Yeah, you didn't have to pay for it, dangsy.

1093
00:43:21,640 --> 00:43:24,319
Speaker 6: That's how you know, because when you can't afford anything.

1094
00:43:24,360 --> 00:43:25,760
Speaker 6: And I've said this too. When I was broke, nobody

1095
00:43:25,760 --> 00:43:28,840
Speaker 6: gave me crap. Now it ain't broke, Everyone's give me everything.

1096
00:43:28,920 --> 00:43:29,560
Speaker 5: And I'm like, it just.

1097
00:43:29,520 --> 00:43:31,600
Speaker 6: Doesn't really mad, you know, you just wish it was

1098
00:43:31,640 --> 00:43:32,280
Speaker 6: the other way.

1099
00:43:32,160 --> 00:43:32,680
Speaker 10: A little bit.

1100
00:43:33,160 --> 00:43:35,120
Speaker 6: The new record is out. It is called Religiously.

1101
00:43:35,239 --> 00:43:35,720
Speaker 5: The album.

1102
00:43:35,840 --> 00:43:37,480
Speaker 6: I'm gonna play a little bit of this song right

1103
00:43:37,520 --> 00:43:39,560
Speaker 6: here called fall in Love, and I'm gonna ask you

1104
00:43:39,560 --> 00:43:46,319
Speaker 6: about a Bailey, but play me some fall in Love ray.

1105
00:43:47,680 --> 00:43:50,680
Speaker 6: I want to know because we know the song, we've

1106
00:43:50,880 --> 00:43:53,680
Speaker 6: sang the song. But again, same thing asked you about Religiously,

1107
00:43:54,080 --> 00:43:56,440
Speaker 6: Like where what was the genesis of this song?

1108
00:43:56,480 --> 00:43:57,120
Speaker 10: You're in a room.

1109
00:43:57,680 --> 00:43:59,440
Speaker 5: It was on a phone note that somebody had or what.

1110
00:44:00,560 --> 00:44:03,399
Speaker 18: So, my buddy I hadn't been writing very long when

1111
00:44:03,440 --> 00:44:07,120
Speaker 18: this song came out. And when we sat down that day,

1112
00:44:07,480 --> 00:44:09,920
Speaker 18: Gavin Lucas, my best friend that started with me in

1113
00:44:09,960 --> 00:44:12,080
Speaker 18: my hometown and moved to Nashville with me, he was

1114
00:44:12,080 --> 00:44:13,799
Speaker 18: sitting there with me and my producer Austin, and he

1115
00:44:13,880 --> 00:44:17,520
Speaker 18: was like, Man, I got this verse, which is really cool,

1116
00:44:17,600 --> 00:44:20,520
Speaker 18: but I don't know what the chorus is to it.

1117
00:44:20,680 --> 00:44:23,360
Speaker 11: And I was like, I thought you wrote that already.

1118
00:44:23,000 --> 00:44:25,879
Speaker 18: Isn't it just loads of smoke cream wrapped around your finger?

1119
00:44:25,920 --> 00:44:28,480
Speaker 18: And he was like, no, man, that's a minor to

1120
00:44:28,520 --> 00:44:31,080
Speaker 18: a major. I can't make it work. It's just not

1121
00:44:31,120 --> 00:44:33,560
Speaker 18: gonna work. That's a different song. And I was like, no,

1122
00:44:33,840 --> 00:44:36,879
Speaker 18: that's the same song, man, And my producer was also like, man,

1123
00:44:36,920 --> 00:44:39,040
Speaker 18: that's this song could be really cool. Let's smash it.

1124
00:44:39,120 --> 00:44:42,040
Speaker 18: Let's smash it, and he was just like no, no, no.

1125
00:44:42,120 --> 00:44:45,120
Speaker 18: So after thirty forty five minutes of convincing him to

1126
00:44:45,239 --> 00:44:47,960
Speaker 18: let us make this work, we put it all together,

1127
00:44:48,000 --> 00:44:50,319
Speaker 18: wrote a second verse that day, and then we got

1128
00:44:50,360 --> 00:44:51,160
Speaker 18: it done and.

1129
00:44:51,719 --> 00:44:55,000
Speaker 11: It was like, dude, holy cow, I told you it is. Honestly,

1130
00:44:55,080 --> 00:44:56,200
Speaker 11: just like I told you, I knew it.

1131
00:44:56,239 --> 00:44:59,000
Speaker 18: I knew it'd work. Gavin was like all right, fine, no,

1132
00:44:59,080 --> 00:45:01,279
Speaker 18: you got me at works. And then I sent it

1133
00:45:01,280 --> 00:45:03,319
Speaker 18: to the team and they were just like, man, this

1134
00:45:03,440 --> 00:45:03,920
Speaker 18: song is.

1135
00:45:04,160 --> 00:45:05,000
Speaker 11: We love this song.

1136
00:45:05,040 --> 00:45:06,960
Speaker 18: And then it came to be my first number one,

1137
00:45:07,000 --> 00:45:10,120
Speaker 18: my first platinum record, and done a lot from our career.

1138
00:45:10,600 --> 00:45:12,279
Speaker 6: When you say minor to major, let me see if

1139
00:45:12,280 --> 00:45:14,040
Speaker 6: I can explain this, and then you can explain it better.

1140
00:45:14,080 --> 00:45:15,440
Speaker 6: Minor chords to me, if I'm playing it like the

1141
00:45:15,880 --> 00:45:19,120
Speaker 6: sad chords, dark major, brighter chords, I feel is that elementary?

1142
00:45:19,400 --> 00:45:20,600
Speaker 10: Is that time learned it?

1143
00:45:20,680 --> 00:45:24,560
Speaker 6: Yeah, so when you say minor to a major, that's

1144
00:45:24,560 --> 00:45:27,080
Speaker 6: what you're saying it was, or major to minor. However

1145
00:45:27,440 --> 00:45:31,920
Speaker 6: it felt a little too bright to then go dim.

1146
00:45:32,000 --> 00:45:32,200
Speaker 5: Yeah.

1147
00:45:32,239 --> 00:45:35,279
Speaker 18: It was the chords that he had for this for

1148
00:45:35,360 --> 00:45:38,120
Speaker 18: that for the chorus at the time were not the

1149
00:45:38,200 --> 00:45:40,200
Speaker 18: right chords to match up with the verse, so it

1150
00:45:40,200 --> 00:45:42,200
Speaker 18: would have sounded really weird. But then we just took

1151
00:45:42,239 --> 00:45:44,799
Speaker 18: the chords from the verse, inverted them and made them

1152
00:45:44,840 --> 00:45:45,720
Speaker 18: work in the chorus.

1153
00:45:45,760 --> 00:45:47,400
Speaker 6: So you switched it, got it?

1154
00:45:47,440 --> 00:45:47,720
Speaker 10: Okay?

1155
00:45:47,719 --> 00:45:47,919
Speaker 11: Cool?

1156
00:45:48,000 --> 00:45:49,160
Speaker 5: Yes, does that makes sense?

1157
00:45:49,560 --> 00:45:52,000
Speaker 13: Yes, I'm tracking it's yeah.

1158
00:45:52,080 --> 00:45:52,520
Speaker 11: Musical.

1159
00:45:52,800 --> 00:45:53,920
Speaker 13: And so when you did.

1160
00:45:53,880 --> 00:45:57,120
Speaker 12: Say you know your friend that was like, oh, no,

1161
00:45:57,160 --> 00:45:57,839
Speaker 12: we can't do it.

1162
00:45:57,880 --> 00:46:00,520
Speaker 13: How does he feel about it now that it was oh.

1163
00:46:00,400 --> 00:46:01,520
Speaker 11: He's like yeah.

1164
00:46:01,600 --> 00:46:04,279
Speaker 18: He was like, that's the only time you're ever gonna

1165
00:46:04,320 --> 00:46:05,840
Speaker 18: give me, That's the one time you got me.

1166
00:46:06,480 --> 00:46:08,440
Speaker 6: You did a cover of God's Gonna Cut You Down

1167
00:46:08,440 --> 00:46:10,680
Speaker 6: from Johnny Cash, which I love the song, and it

1168
00:46:10,719 --> 00:46:12,120
Speaker 6: was just for a TV show theme too.

1169
00:46:12,320 --> 00:46:14,359
Speaker 5: Do you know what show that was? God's Gonna cut

1170
00:46:14,440 --> 00:46:14,960
Speaker 5: you down.

1171
00:46:15,160 --> 00:46:17,080
Speaker 6: I forget what it was back in the day. Gosh,

1172
00:46:17,080 --> 00:46:18,960
Speaker 6: what is and so? And maybe you can google that

1173
00:46:18,960 --> 00:46:21,000
Speaker 6: for me, Mike that I love that Johnny Cash song.

1174
00:46:21,080 --> 00:46:21,719
Speaker 6: Why that song?

1175
00:46:22,880 --> 00:46:26,280
Speaker 18: Well, if I'm being completely honest, I'm a man of faith,

1176
00:46:26,480 --> 00:46:29,799
Speaker 18: and I've seen a lot in the industry that you know,

1177
00:46:29,880 --> 00:46:32,279
Speaker 18: God is kind of you know, you just don't talk

1178
00:46:32,320 --> 00:46:34,239
Speaker 18: about it or you don't do this. And I was like, Nah,

1179
00:46:34,320 --> 00:46:36,400
Speaker 18: God's gonna cut you down, and we're gonna make God

1180
00:46:36,800 --> 00:46:39,719
Speaker 18: that word in a song on my album. And that

1181
00:46:39,840 --> 00:46:42,160
Speaker 18: was kind of one of the reasons of just trying

1182
00:46:42,160 --> 00:46:43,959
Speaker 18: to and man, I love the song.

1183
00:46:44,200 --> 00:46:44,839
Speaker 11: I love the song.

1184
00:46:44,920 --> 00:46:48,080
Speaker 18: It's always been a cool song and that I play

1185
00:46:48,120 --> 00:46:49,920
Speaker 18: when I'm like partying and like whatever.

1186
00:46:50,160 --> 00:46:51,359
Speaker 11: Just it's such a sick song.

1187
00:46:51,400 --> 00:46:54,879
Speaker 18: And then also another thing is they were wanting an

1188
00:46:54,920 --> 00:46:57,919
Speaker 18: anthem for the soccer team here in Nashville, and that's

1189
00:46:57,960 --> 00:46:59,880
Speaker 18: Apple came to me and asked me to do the

1190
00:47:00,000 --> 00:47:03,000
Speaker 18: anthem song. And at first it was a couple of

1191
00:47:03,080 --> 00:47:05,719
Speaker 18: different songs of Johnny Cashes and I was like, I

1192
00:47:05,719 --> 00:47:07,400
Speaker 18: don't think I can make that anthemic. And then I

1193
00:47:07,400 --> 00:47:09,319
Speaker 18: heard God's Gonna Cut You Down. You know, I hadn't

1194
00:47:09,360 --> 00:47:10,960
Speaker 18: heard it in a while, and I listened to it

1195
00:47:10,960 --> 00:47:13,400
Speaker 18: with my producer and they were like, all right, this

1196
00:47:13,560 --> 00:47:15,200
Speaker 18: is it, and then he built a track in like

1197
00:47:16,200 --> 00:47:19,200
Speaker 18: two hours, cut it four times, and then that's the song.

1198
00:47:19,400 --> 00:47:20,040
Speaker 6: That's super cool.

1199
00:47:20,080 --> 00:47:21,000
Speaker 11: Yeah, it's really cool.

1200
00:47:21,280 --> 00:47:23,359
Speaker 6: Let us do one more song. Would you mind playing

1201
00:47:23,400 --> 00:47:23,919
Speaker 6: something new?

1202
00:47:24,400 --> 00:47:24,600
Speaker 11: Yeah?

1203
00:47:24,760 --> 00:47:25,760
Speaker 6: Is that call from the new record?

1204
00:47:25,800 --> 00:47:26,360
Speaker 11: I would love that?

1205
00:47:26,400 --> 00:47:26,719
Speaker 5: All right?

1206
00:47:26,760 --> 00:47:29,160
Speaker 6: Religiously is the new record is out today from Bailey Zemmerman.

1207
00:47:29,200 --> 00:47:30,400
Speaker 6: What are you gonna do here, Bailey.

1208
00:47:30,160 --> 00:47:33,200
Speaker 18: I'm gonna sing a song that I didn't write. A

1209
00:47:33,200 --> 00:47:34,759
Speaker 18: couple of my buddies wrote it, and it's called you

1210
00:47:34,760 --> 00:47:37,919
Speaker 18: Don't Want That Smoke, Dude.

1211
00:47:38,440 --> 00:47:38,959
Speaker 5: That's great.

1212
00:47:38,960 --> 00:47:41,279
Speaker 6: Bailey's never made a new records out. It's called Religiously.

1213
00:47:42,080 --> 00:47:44,240
Speaker 5: It's just like a positive vibe.

1214
00:47:44,320 --> 00:47:44,799
Speaker 11: Thanks man.

1215
00:47:44,880 --> 00:47:46,480
Speaker 6: Yeah, I'm sure you knocked these guys heads around, litle.

1216
00:47:46,520 --> 00:47:48,080
Speaker 6: They probably don't fel that way about the boss, but me,

1217
00:47:48,200 --> 00:47:50,479
Speaker 6: I like it when you're around. Yeah, yeah, yeah, yeah,

1218
00:47:50,640 --> 00:47:52,840
Speaker 6: all right, Bailey Zimmerman dot com, you guys get the

1219
00:47:52,880 --> 00:47:56,040
Speaker 6: record Religiously. That the album stream the crap out of it.

1220
00:47:56,160 --> 00:48:02,600
Speaker 6: Bailey will see as soon, Buddy, keep killing it.

1221
00:48:02,600 --> 00:48:05,760
Speaker 8: It's the Best Bits of the Week with Morgan.

1222
00:48:05,880 --> 00:48:10,960
Speaker 3: Number two, Lunchbox Prank called a listener for Mother's Day.

1223
00:48:11,040 --> 00:48:13,960
Speaker 3: Given that it's Mother's Day weekend, he reached out and

1224
00:48:14,040 --> 00:48:15,600
Speaker 3: found out if there was any listeners out there who

1225
00:48:15,600 --> 00:48:18,600
Speaker 3: wanted to prank their mom for a gift, and well,

1226
00:48:18,680 --> 00:48:20,640
Speaker 3: he found one and it just so happened to be

1227
00:48:20,760 --> 00:48:23,719
Speaker 3: Stacy's mom. And you gotta tell me that a lot

1228
00:48:23,760 --> 00:48:24,920
Speaker 3: of y'all get this reference he has.

1229
00:48:25,040 --> 00:48:27,880
Speaker 2: Stacy's mom has got it going on.

1230
00:48:28,080 --> 00:48:30,120
Speaker 3: Okay, if you don't know that song, please go listen

1231
00:48:30,200 --> 00:48:33,120
Speaker 3: to Fountains of Wayne Stacy's Mom. But so ironic it

1232
00:48:33,160 --> 00:48:35,160
Speaker 3: was Stacy's mom that Lunchbox Prank called.

1233
00:48:35,280 --> 00:48:37,400
Speaker 2: And this phone call was epic.

1234
00:48:37,960 --> 00:48:41,000
Speaker 6: Number three little Mother's Day prank for you. Lunchbox calls

1235
00:48:41,080 --> 00:48:42,400
Speaker 6: up a listener's mom and said.

1236
00:48:42,239 --> 00:48:45,319
Speaker 16: What that she had won the Hottest Mom contest, that

1237
00:48:45,400 --> 00:48:49,160
Speaker 16: her daughter had nominated her as the hottest mom. We

1238
00:48:49,239 --> 00:48:51,280
Speaker 16: put pictures up and people voted.

1239
00:48:51,560 --> 00:48:53,840
Speaker 6: How did you get with this listener? To even know?

1240
00:48:54,360 --> 00:48:56,680
Speaker 16: I went on Instagram and I said, hey, anybody want

1241
00:48:56,719 --> 00:48:59,040
Speaker 16: to prank their mom for Mother's Day? And people were

1242
00:48:59,040 --> 00:49:02,000
Speaker 16: sliding into my d boom. Call my mom, Call my mom,

1243
00:49:02,280 --> 00:49:04,720
Speaker 16: and so this girl, Stacy said, call my mom, Rosalind,

1244
00:49:04,760 --> 00:49:06,520
Speaker 16: she'll be great, and so I did.

1245
00:49:06,640 --> 00:49:07,759
Speaker 6: This is two minutes long.

1246
00:49:10,160 --> 00:49:11,279
Speaker 13: Are you playing all the way through?

1247
00:49:11,320 --> 00:49:14,760
Speaker 6: He's like the freaking Jerkie Boys Man is a whole song. Yeah,

1248
00:49:14,800 --> 00:49:16,480
Speaker 6: what we may stop in comment a little bit, so

1249
00:49:16,520 --> 00:49:19,920
Speaker 6: people turning on halfway through this documentary know exactly what

1250
00:49:19,920 --> 00:49:22,400
Speaker 6: we're doing. But yeah, I think this has real potential.

1251
00:49:22,440 --> 00:49:25,200
Speaker 6: I haven't heard it yet. Lunchbox calls the listener's mom action.

1252
00:49:27,040 --> 00:49:31,640
Speaker 16: Hey, Roslin, this is Lunchbox with the Bobby Bone Showy okay,

1253
00:49:31,680 --> 00:49:34,640
Speaker 16: and your daughter she loves you very much. Would you say,

1254
00:49:34,680 --> 00:49:35,880
Speaker 16: your daughter, Stacy loves.

1255
00:49:35,680 --> 00:49:36,440
Speaker 15: You very much?

1256
00:49:37,320 --> 00:49:39,879
Speaker 16: Yeah, well she also likes to do stuff for you.

1257
00:49:39,960 --> 00:49:42,799
Speaker 16: Because we were having a contest. We were looking for

1258
00:49:42,840 --> 00:49:46,839
Speaker 16: the Bobby Bone Show Hottest Mom and Stacy said, oh

1259
00:49:46,880 --> 00:49:49,520
Speaker 16: my gosh, that's my mom, Roslin, And so she went

1260
00:49:49,560 --> 00:49:54,600
Speaker 16: on our website, she nominated you. She submitted some pictures

1261
00:49:54,640 --> 00:49:57,719
Speaker 16: of you. We put it up online and Roslin, I

1262
00:49:57,760 --> 00:50:01,640
Speaker 16: am calling to tell you that our listeners voted you

1263
00:50:02,080 --> 00:50:07,439
Speaker 16: the Bobby Bow Show Hottest Mom.

1264
00:50:08,080 --> 00:50:08,719
Speaker 5: Mom.

1265
00:50:09,320 --> 00:50:11,080
Speaker 15: Speech speech speech.

1266
00:50:13,880 --> 00:50:14,840
Speaker 3: You know where to say?

1267
00:50:15,120 --> 00:50:17,279
Speaker 16: When is a good time for us to do a

1268
00:50:17,320 --> 00:50:19,680
Speaker 16: bikini shoot for the Hottest Mom Calendar.

1269
00:50:20,400 --> 00:50:21,920
Speaker 5: I don't think that that's gonna happen.

1270
00:50:23,800 --> 00:50:25,960
Speaker 15: No, no, no, it's just for our calendar.

1271
00:50:25,960 --> 00:50:27,880
Speaker 16: We're going to sell it to raise money for you know,

1272
00:50:28,120 --> 00:50:30,359
Speaker 16: and we're going to inspire other hot moms out there

1273
00:50:31,400 --> 00:50:32,600
Speaker 16: because they do so much.

1274
00:50:32,480 --> 00:50:35,720
Speaker 5: Good for the community, futily raising money for Saints.

1275
00:50:36,200 --> 00:50:37,920
Speaker 16: And you don't mind me taking the pictures? Right Like,

1276
00:50:37,960 --> 00:50:40,160
Speaker 16: I mean, I'm not professional.

1277
00:50:39,600 --> 00:50:46,480
Speaker 15: But.

1278
00:50:44,880 --> 00:50:45,520
Speaker 18: I don't even know.

1279
00:50:46,239 --> 00:50:48,160
Speaker 6: I just don't even know what to say right now.

1280
00:50:49,160 --> 00:50:51,440
Speaker 16: And ro you know, I mean, if you can just

1281
00:50:51,440 --> 00:50:54,760
Speaker 16: tell me one one time, I'm the sexiest mom alive.

1282
00:50:55,120 --> 00:50:56,520
Speaker 6: Come on, mom, you got.

1283
00:50:58,400 --> 00:50:59,640
Speaker 8: I'm at a conference.

1284
00:51:00,640 --> 00:51:02,680
Speaker 15: That's are you? Hey, you're at a conference? Let him

1285
00:51:02,680 --> 00:51:03,920
Speaker 15: know you're the suxiest mama.

1286
00:51:04,040 --> 00:51:04,279
Speaker 19: Love.

1287
00:51:06,600 --> 00:51:07,359
Speaker 8: Yes, I am.

1288
00:51:07,760 --> 00:51:09,320
Speaker 6: I have the sexes mom alive.

1289
00:51:10,560 --> 00:51:12,759
Speaker 16: And Roslin, we love you because you really didn't win.

1290
00:51:12,880 --> 00:51:14,640
Speaker 16: She didn't even nominate you. She just wanted to say

1291
00:51:14,640 --> 00:51:20,840
Speaker 16: happy Mother's Day and that she loves you.

1292
00:51:20,960 --> 00:51:23,080
Speaker 15: Thank you so much. Happy Mother's Day, Roslyn.

1293
00:51:23,120 --> 00:51:24,680
Speaker 16: I hope you have a great Mother's Day and I

1294
00:51:24,719 --> 00:51:26,439
Speaker 16: hope you know your daughter loves you very much.

1295
00:51:26,760 --> 00:51:28,480
Speaker 5: All right, that's pretty funny.

1296
00:51:28,680 --> 00:51:30,800
Speaker 6: Took it down a weird road though. First off, what

1297
00:51:30,960 --> 00:51:32,799
Speaker 6: she win? You know, you never said what she wants?

1298
00:51:32,880 --> 00:51:34,200
Speaker 15: She No, she has won, honest mom.

1299
00:51:34,200 --> 00:51:36,560
Speaker 13: And she got to be in the calendar bikini photoshoot.

1300
00:51:36,840 --> 00:51:38,360
Speaker 6: Yeah, oh she won the shoot.

1301
00:51:38,640 --> 00:51:40,600
Speaker 15: Yeah she won that. She gets to be in the calendar.

1302
00:51:40,600 --> 00:51:41,560
Speaker 15: We're gonna take bikini pit.

1303
00:51:41,640 --> 00:51:43,080
Speaker 6: I'd have been confused to if I heard that's it.

1304
00:51:43,120 --> 00:51:45,319
Speaker 6: That's funny that the daughter being a part of it

1305
00:51:45,360 --> 00:51:47,919
Speaker 6: was hilarious. Come on, mom, that's good.

1306
00:51:48,040 --> 00:51:48,400
Speaker 7: Okay.

1307
00:51:49,719 --> 00:51:52,680
Speaker 6: We used to do a bit where we call somebody

1308
00:51:52,880 --> 00:51:56,040
Speaker 6: it's all right, you just want ten thousand dollars, all right,

1309
00:51:56,080 --> 00:51:58,840
Speaker 6: all you gotta do. It's like tell us your favorite show,

1310
00:51:59,160 --> 00:52:00,360
Speaker 6: no matter whatever show they said that.

1311
00:52:00,440 --> 00:52:05,120
Speaker 17: We're like, oh, I didn't believe it.

1312
00:52:05,120 --> 00:52:07,279
Speaker 6: It don't matter what show they said. It was the word.

1313
00:52:07,560 --> 00:52:10,120
Speaker 6: It was so stupid. But that's a pretty good one.

1314
00:52:10,640 --> 00:52:12,640
Speaker 6: I feel like they should win, like a prize or something.

1315
00:52:12,920 --> 00:52:13,520
Speaker 6: You just won.

1316
00:52:13,840 --> 00:52:15,719
Speaker 5: She kind of sound heard end. Oh yeah, I know.

1317
00:52:15,760 --> 00:52:17,399
Speaker 6: Because he took it away from her. He goes, you're

1318
00:52:17,440 --> 00:52:19,560
Speaker 6: really not just a prank.

1319
00:52:19,760 --> 00:52:20,920
Speaker 15: Well, I mean if I just hung.

1320
00:52:20,840 --> 00:52:23,879
Speaker 6: Up and she's like, hey, we really do think you're hot.

1321
00:52:24,040 --> 00:52:24,120
Speaker 12: Right.

1322
00:52:24,200 --> 00:52:26,520
Speaker 6: Also, this wasn't a context. Your daughter just wanted to

1323
00:52:26,520 --> 00:52:29,600
Speaker 6: say you're hot and she loves you. Oh, instead you

1324
00:52:29,640 --> 00:52:30,520
Speaker 6: pretty much told her.

1325
00:52:30,560 --> 00:52:32,520
Speaker 5: You're ugly, but your daughter loves you.

1326
00:52:32,640 --> 00:52:34,000
Speaker 15: I mean I really never saw a picture, so I

1327
00:52:34,040 --> 00:52:34,800
Speaker 15: don't know if she's hot or not.

1328
00:52:34,840 --> 00:52:39,399
Speaker 6: I don't know why to her it's good though, but no, right, Yeah,

1329
00:52:39,400 --> 00:52:40,720
Speaker 6: we liked it. We glad that one played.

1330
00:52:40,800 --> 00:52:41,000
Speaker 12: Yeah.

1331
00:52:41,360 --> 00:52:43,839
Speaker 6: I didn't even cringe, not one time.

1332
00:52:43,960 --> 00:52:46,880
Speaker 12: I cringe towards the end when he had to tell her, like, no,

1333
00:52:47,040 --> 00:52:48,719
Speaker 12: you didn't really win, you're you're right.

1334
00:52:48,760 --> 00:52:50,000
Speaker 13: He could have said it a different.

1335
00:52:49,760 --> 00:52:52,480
Speaker 17: Way, Yeah, because he made her like scream at the conference,

1336
00:52:52,560 --> 00:52:54,839
Speaker 17: like I am sexy, you're not.

1337
00:52:58,840 --> 00:53:02,040
Speaker 8: It's the best bit stuff the week with Morgan.

1338
00:53:02,120 --> 00:53:11,400
Speaker 3: Number two, So Eddie believes that his neighbors may have squatters.

1339
00:53:11,440 --> 00:53:13,440
Speaker 3: Apparently the house has been vacant for a little bit

1340
00:53:13,440 --> 00:53:15,400
Speaker 3: because they're trying to sell it, and he saw a

1341
00:53:15,440 --> 00:53:17,600
Speaker 3: lot of movement going on at the house and the

1342
00:53:17,600 --> 00:53:19,439
Speaker 3: neighbors said nope, nobody should be there.

1343
00:53:19,480 --> 00:53:21,239
Speaker 2: So now Eddie is very skeptical.

1344
00:53:21,480 --> 00:53:23,120
Speaker 3: The show really wants him to go check it out,

1345
00:53:23,160 --> 00:53:24,959
Speaker 3: but he's also not having that either.

1346
00:53:25,600 --> 00:53:26,120
Speaker 8: Number two.

1347
00:53:26,320 --> 00:53:28,000
Speaker 6: Okay, Eddie, what's happening near you.

1348
00:53:28,120 --> 00:53:30,240
Speaker 5: So my neighbors check this out. This is crazy.

1349
00:53:30,360 --> 00:53:32,799
Speaker 17: They moved out about a month ago, put their house

1350
00:53:32,880 --> 00:53:35,440
Speaker 17: up for sale, and everything I saw realtors come in

1351
00:53:35,560 --> 00:53:37,880
Speaker 17: like a week after they put it on the market.

1352
00:53:38,000 --> 00:53:39,640
Speaker 5: They came in, they painted the house and all that.

1353
00:53:39,560 --> 00:53:42,160
Speaker 17: Stuff, and then I never saw anyone again, like nothing,

1354
00:53:42,160 --> 00:53:44,879
Speaker 17: no cars in the driveway, nothing but in the middle

1355
00:53:44,880 --> 00:53:48,440
Speaker 17: of the night, sometimes the blinds are open, sometimes the

1356
00:53:48,440 --> 00:53:49,280
Speaker 17: blinds are shut.

1357
00:53:49,480 --> 00:53:51,440
Speaker 5: So one night, my son and I we saw it

1358
00:53:51,480 --> 00:53:53,920
Speaker 5: at the same time. A light turned on in the

1359
00:53:54,000 --> 00:53:56,680
Speaker 5: kitchen while we were walking the dog, and I was like,

1360
00:53:56,760 --> 00:53:59,600
Speaker 5: someone's in there. I feel like there's squatters in there.

1361
00:53:59,840 --> 00:54:01,480
Speaker 7: And I don't know.

1362
00:54:01,560 --> 00:54:03,160
Speaker 17: I don't have the guts to knock on that door

1363
00:54:03,360 --> 00:54:04,719
Speaker 17: or find out if they're in there or not.

1364
00:54:04,880 --> 00:54:07,200
Speaker 6: But I'm telling you, there's movement in that house and

1365
00:54:07,239 --> 00:54:08,080
Speaker 6: nobody should be there.

1366
00:54:08,160 --> 00:54:08,279
Speaker 11: No.

1367
00:54:08,320 --> 00:54:10,480
Speaker 17: I even called my neighbors who moved like to another

1368
00:54:10,520 --> 00:54:11,600
Speaker 17: side of town, and they're like, no.

1369
00:54:12,600 --> 00:54:16,120
Speaker 5: They go checked in. I think they're scared too. This

1370
00:54:16,320 --> 00:54:18,080
Speaker 5: just happened the other day and we're like, I don't

1371
00:54:18,120 --> 00:54:18,680
Speaker 5: know what to do.

1372
00:54:19,360 --> 00:54:20,480
Speaker 6: Lunch watch, what would you do here?

1373
00:54:21,000 --> 00:54:23,360
Speaker 15: I think you knock on the door. I just think you.

1374
00:54:23,400 --> 00:54:26,440
Speaker 5: Knock off with cookies, like, hey, new neighbors.

1375
00:54:26,000 --> 00:54:28,480
Speaker 16: Exactly, I'd like they're new neighbors. Or you're just like, oh,

1376
00:54:28,480 --> 00:54:30,520
Speaker 16: do you have any ketchup I can borrow? Just trying

1377
00:54:30,520 --> 00:54:32,680
Speaker 16: to check and see, like you don't know what's going on.

1378
00:54:32,800 --> 00:54:35,080
Speaker 6: Like that a thing where people now go and order,

1379
00:54:35,239 --> 00:54:37,520
Speaker 6: like borrow ketchup because we have delivery services now you

1380
00:54:37,520 --> 00:54:39,279
Speaker 6: can mostly just take you know, type it in.

1381
00:54:39,360 --> 00:54:40,560
Speaker 5: Yeah, I borrowed sugar the other day.

1382
00:54:40,600 --> 00:54:41,880
Speaker 15: Yeah, you can borrow stuff in the neighbors.

1383
00:54:42,480 --> 00:54:43,000
Speaker 5: Yeah.

1384
00:54:43,040 --> 00:54:44,279
Speaker 6: I didn't do it back in the day. I don't

1385
00:54:44,280 --> 00:54:48,479
Speaker 6: do it now if I like, I'm bothering people. But Eddie,

1386
00:54:48,600 --> 00:54:49,600
Speaker 6: how much to do that?

1387
00:54:50,120 --> 00:54:50,359
Speaker 7: No?

1388
00:54:50,360 --> 00:54:52,279
Speaker 5: No, no, no, no, no, I'm out.

1389
00:54:52,400 --> 00:54:53,400
Speaker 13: We send lunchbox.

1390
00:54:53,800 --> 00:54:58,640
Speaker 17: I'm down, let's do that. And his neighbor though, yeah, yeah,

1391
00:54:58,640 --> 00:55:00,839
Speaker 17: but he does this kind of stuff. He likes doing

1392
00:55:00,840 --> 00:55:02,960
Speaker 17: this stuff. Whenever we have problems with like the cable,

1393
00:55:03,200 --> 00:55:05,520
Speaker 17: I'll call him. I'll get your free cable. Same thing,

1394
00:55:05,840 --> 00:55:06,960
Speaker 17: I'll deal with your squatters.

1395
00:55:07,320 --> 00:55:09,560
Speaker 15: So what it sounds like is Eddie's scared. He's assists.

1396
00:55:09,560 --> 00:55:10,720
Speaker 5: Absolutely, I'm terrified.

1397
00:55:10,760 --> 00:55:11,240
Speaker 10: I's sissy.

1398
00:55:11,239 --> 00:55:13,160
Speaker 5: I mean, what if there's a whole family living, he says.

1399
00:55:12,920 --> 00:55:17,200
Speaker 6: Sissy, anymore lunchbox my uncle in nineteen eighty seven.

1400
00:55:17,480 --> 00:55:19,680
Speaker 13: You have to go during the day, though, Well.

1401
00:55:19,560 --> 00:55:20,399
Speaker 15: They're probably work.

1402
00:55:21,040 --> 00:55:21,920
Speaker 6: Well, hell no, here's the thing.

1403
00:55:22,320 --> 00:55:22,879
Speaker 7: Do they work?

1404
00:55:22,920 --> 00:55:26,319
Speaker 6: You're squatting. I don't think you're crushing your nine to five?

1405
00:55:27,280 --> 00:55:28,000
Speaker 15: Oh you don't think.

1406
00:55:28,040 --> 00:55:28,719
Speaker 8: I don't think so.

1407
00:55:28,960 --> 00:55:32,399
Speaker 17: No, no, no, there's no car though, no, uh huh

1408
00:55:32,440 --> 00:55:33,000
Speaker 17: no cars.

1409
00:55:33,200 --> 00:55:34,879
Speaker 15: Now, so how do they come? Do you ever see

1410
00:55:34,960 --> 00:55:36,640
Speaker 15: him walk down the street? How do they get food?

1411
00:55:36,840 --> 00:55:38,839
Speaker 5: I'm telling you, I don't see anyone go in and

1412
00:55:38,840 --> 00:55:39,480
Speaker 5: out of that house.

1413
00:55:39,560 --> 00:55:41,760
Speaker 17: All I see is the lights turn on or blind's

1414
00:55:41,760 --> 00:55:44,480
Speaker 17: going up and down, and it's and I never see

1415
00:55:44,480 --> 00:55:46,600
Speaker 17: the blind move. I just see like, oh, look the

1416
00:55:46,600 --> 00:55:48,600
Speaker 17: blinds are up today. And then I look later and like,

1417
00:55:48,719 --> 00:55:49,400
Speaker 17: blinds are closed.

1418
00:55:49,400 --> 00:55:51,000
Speaker 12: It could have been that the house was shown by

1419
00:55:51,040 --> 00:55:52,839
Speaker 12: a realtor that day and they opened and closed door.

1420
00:55:52,880 --> 00:55:54,760
Speaker 5: I've asked my wife and like, have you seen anyone

1421
00:55:54,800 --> 00:55:55,680
Speaker 5: come by? She's like no.

1422
00:55:55,840 --> 00:55:57,959
Speaker 6: Do you ever see the very very This is gonna

1423
00:55:57,960 --> 00:55:59,760
Speaker 6: be a weird question, the very very top of someone's

1424
00:55:59,800 --> 00:56:06,280
Speaker 6: head there. If they're squatting, you can't really see them. Yeah, yeah, yeah, yeah, Okay,

1425
00:56:06,360 --> 00:56:08,719
Speaker 6: the next time you see something fishy happen, let us know.

1426
00:56:09,200 --> 00:56:10,759
Speaker 6: I got just the guy we can send over there.

1427
00:56:11,360 --> 00:56:14,560
Speaker 6: Not this time because it might be that amy that

1428
00:56:14,920 --> 00:56:18,080
Speaker 6: somebody's being shown the house. But you see one more thing,

1429
00:56:18,120 --> 00:56:20,040
Speaker 6: We're gonna as munch Box went to my place wants

1430
00:56:20,080 --> 00:56:20,880
Speaker 6: slipper squatters.

1431
00:56:21,160 --> 00:56:22,879
Speaker 5: No, yeah, I did.

1432
00:56:23,160 --> 00:56:24,799
Speaker 15: I found nothing. I went to the golf club up

1433
00:56:24,840 --> 00:56:25,520
Speaker 15: on the roof of me.

1434
00:56:25,800 --> 00:56:27,600
Speaker 6: It is the whole thing, a situation.

1435
00:56:27,840 --> 00:56:29,240
Speaker 13: It's live on the air.

1436
00:56:29,160 --> 00:56:33,239
Speaker 6: Right dost thing ever? Because they were like, we're going

1437
00:56:33,320 --> 00:56:34,279
Speaker 6: live with it, Eddie.

1438
00:56:34,280 --> 00:56:35,640
Speaker 13: Do you have cameras at your house?

1439
00:56:35,719 --> 00:56:35,919
Speaker 5: Yeah?

1440
00:56:35,960 --> 00:56:38,479
Speaker 13: Yeah, okay, can you point one towards their house?

1441
00:56:38,600 --> 00:56:39,560
Speaker 15: That might be creepy.

1442
00:56:39,800 --> 00:56:42,080
Speaker 12: No, it just then you have footage because you're not

1443
00:56:42,120 --> 00:56:42,759
Speaker 12: always home.

1444
00:56:42,840 --> 00:56:44,600
Speaker 5: It's a good point.

1445
00:56:45,280 --> 00:56:45,520
Speaker 6: Yeah.

1446
00:56:45,640 --> 00:56:50,160
Speaker 5: Or I just stay up all night, stay steak out.

1447
00:56:51,719 --> 00:56:54,920
Speaker 8: It's the best bits of the week with Morgan.

1448
00:56:55,000 --> 00:56:55,640
Speaker 15: Number two.

1449
00:56:57,200 --> 00:56:59,840
Speaker 3: Massive star moment on the show this week, Chris Stapleton

1450
00:57:00,200 --> 00:57:02,800
Speaker 3: was in studio, the first time he's been in studio

1451
00:57:02,840 --> 00:57:04,799
Speaker 3: since I've been with this show. He's called in and

1452
00:57:05,200 --> 00:57:07,759
Speaker 3: zoomed in, and he was here before I had joined

1453
00:57:07,760 --> 00:57:09,600
Speaker 3: the show about six and a half years ago. But

1454
00:57:09,680 --> 00:57:11,319
Speaker 3: This is the first time he was in studio, and

1455
00:57:11,440 --> 00:57:14,520
Speaker 3: boy does he have a presence. He is just you know,

1456
00:57:14,600 --> 00:57:16,480
Speaker 3: he's one of the massive stars out there, and when

1457
00:57:16,480 --> 00:57:19,440
Speaker 3: he comes in he has such a cool, calming presence,

1458
00:57:19,480 --> 00:57:22,120
Speaker 3: which is crazy and not what you would anticipate. But

1459
00:57:22,120 --> 00:57:23,880
Speaker 3: he's such a chill, really awesome guy and it was

1460
00:57:23,920 --> 00:57:25,720
Speaker 3: fun to hear some of the stories that he shared

1461
00:57:25,760 --> 00:57:28,880
Speaker 3: and how he sees himself with all this crazy stardom.

1462
00:57:29,000 --> 00:57:32,360
Speaker 2: So awesome interview right now with Bobby Bones.

1463
00:57:32,080 --> 00:57:36,720
Speaker 4: And Chris Stapleton, Number one, So Bobby Bones Show interviews

1464
00:57:36,960 --> 00:57:39,080
Speaker 4: in case you didn't know, just one.

1465
00:57:39,000 --> 00:57:41,240
Speaker 6: Of those where if you don't know, you're crazy. That's

1466
00:57:41,240 --> 00:57:43,320
Speaker 6: what this interview is, is Chris Stapleton, If you don't

1467
00:57:43,320 --> 00:57:43,720
Speaker 6: know who he is.

1468
00:57:43,720 --> 00:57:45,520
Speaker 5: You're crazy? Oh yeah, I mean yeah, just.

1469
00:57:45,440 --> 00:57:49,320
Speaker 6: Making sure, all right, Christapleton walk in the studio right now. Look,

1470
00:57:49,760 --> 00:57:58,880
Speaker 6: Tennessee Whiskey, come on back in the day, Restmooth, Broken, Halos, Parachute,

1471
00:57:59,120 --> 00:58:02,880
Speaker 6: I could keep going. His current single is Joy of

1472
00:58:02,960 --> 00:58:13,400
Speaker 6: My Life. He's a ten time ACM Award winner, nominated

1473
00:58:13,440 --> 00:58:16,200
Speaker 6: for three more this year Entertainer of the Year Tonight

1474
00:58:16,440 --> 00:58:18,720
Speaker 6: ACM Awards, Amazon Prime Here.

1475
00:58:18,640 --> 00:58:21,640
Speaker 8: He is on the Bobby Bones Show.

1476
00:58:21,720 --> 00:58:24,280
Speaker 6: Now, Chris, it's good to see you, buddy.

1477
00:58:24,320 --> 00:58:25,160
Speaker 10: Yeah, man, good to see you.

1478
00:58:25,240 --> 00:58:26,800
Speaker 5: How are you, Howard?

1479
00:58:27,640 --> 00:58:29,760
Speaker 6: I'm good. Nobody cares about me right now though, but

1480
00:58:29,760 --> 00:58:31,240
Speaker 6: I appreciate that because the kind of guy you are.

1481
00:58:31,640 --> 00:58:32,000
Speaker 6: Thank you.

1482
00:58:32,040 --> 00:58:32,560
Speaker 5: How are you?

1483
00:58:33,000 --> 00:58:33,919
Speaker 10: I'm doing just great?

1484
00:58:34,160 --> 00:58:35,040
Speaker 6: How's everything been?

1485
00:58:35,240 --> 00:58:35,760
Speaker 5: Just generally?

1486
00:58:35,800 --> 00:58:37,280
Speaker 6: Because I have been spoke to you in a while,

1487
00:58:37,320 --> 00:58:40,240
Speaker 6: like you, what are you doing now? Are you balancing

1488
00:58:40,320 --> 00:58:41,520
Speaker 6: right now? Are you working?

1489
00:58:41,760 --> 00:58:42,720
Speaker 10: What does that even mean?

1490
00:58:42,880 --> 00:58:43,200
Speaker 7: Well?

1491
00:58:43,840 --> 00:58:45,640
Speaker 19: You work more than any known a man, I think,

1492
00:58:45,720 --> 00:58:48,320
Speaker 19: so you know, the work life balance thing is is

1493
00:58:48,320 --> 00:58:50,160
Speaker 19: a tough thing for anybody in this industry.

1494
00:58:50,280 --> 00:58:51,040
Speaker 6: Have you mastered it?

1495
00:58:51,240 --> 00:58:51,439
Speaker 7: No?

1496
00:58:52,080 --> 00:58:52,160
Speaker 9: You?

1497
00:58:52,840 --> 00:58:53,240
Speaker 10: Oh no?

1498
00:58:54,000 --> 00:58:55,720
Speaker 6: And I was going to ask you because you're Morgan.

1499
00:58:55,720 --> 00:58:58,240
Speaker 6: I have married a long time. I have had to

1500
00:58:58,360 --> 00:59:00,760
Speaker 6: learn to taper off of working all the time. Like

1501
00:59:00,800 --> 00:59:03,120
Speaker 6: I have to listen. It's hard for me to listen

1502
00:59:03,160 --> 00:59:05,280
Speaker 6: because I didn't ge married till I was thirty nine.

1503
00:59:05,480 --> 00:59:08,920
Speaker 6: So we've married a couple of years, maybe two years

1504
00:59:09,080 --> 00:59:09,840
Speaker 6: almost two years now.

1505
00:59:09,880 --> 00:59:10,600
Speaker 5: You need to know how long?

1506
00:59:10,720 --> 00:59:10,880
Speaker 6: I know?

1507
00:59:10,960 --> 00:59:11,120
Speaker 7: Boy?

1508
00:59:11,320 --> 00:59:12,880
Speaker 6: I said that, I was like, way we can edit this?

1509
00:59:12,920 --> 00:59:13,640
Speaker 10: Were live? Yeah?

1510
00:59:14,040 --> 00:59:17,880
Speaker 6: So but I've had to learn to value her time

1511
00:59:18,000 --> 00:59:21,480
Speaker 6: and sometimes that's by taking sure less away from me working.

1512
00:59:22,760 --> 00:59:25,600
Speaker 6: Is that How do you find balance, or at least

1513
00:59:25,680 --> 00:59:27,240
Speaker 6: chase balance in your life.

1514
00:59:27,360 --> 00:59:29,600
Speaker 19: Well, you just do everything you can to make that happen,

1515
00:59:29,880 --> 00:59:32,439
Speaker 19: you know, and sometimes that means saying no to things.

1516
00:59:32,440 --> 00:59:34,960
Speaker 19: And that's hard in this industry where you can get

1517
00:59:35,040 --> 00:59:38,680
Speaker 19: used to you know, you want to do that. Sure, yes, opportunity, yes,

1518
00:59:39,400 --> 00:59:42,600
Speaker 19: but you have to, you know, try to make conscious

1519
00:59:42,680 --> 00:59:47,240
Speaker 19: choices to choose living, sometimes over money or any of

1520
00:59:47,240 --> 00:59:47,680
Speaker 19: those things.

1521
00:59:47,720 --> 00:59:49,600
Speaker 10: Living, that's the key.

1522
00:59:49,720 --> 00:59:53,520
Speaker 6: Maybe maybe it's living for me. I didn't get to

1523
00:59:53,520 --> 00:59:55,320
Speaker 6: do a lot of cool stuff until the last couple

1524
00:59:55,320 --> 00:59:57,520
Speaker 6: of years, and I was saying yes to everything because

1525
00:59:57,520 --> 00:59:58,200
Speaker 6: I just wanted to make it.

1526
00:59:58,200 --> 00:59:58,880
Speaker 10: I just wanted to.

1527
00:59:59,360 --> 01:00:01,840
Speaker 6: Yes, you can please do this, Yes, yes, yes, And

1528
01:00:01,880 --> 01:00:03,840
Speaker 6: I'm finally now getting to say no to things. But

1529
01:00:03,880 --> 01:00:06,400
Speaker 6: I have this sort of imposter syndrome where if I

1530
01:00:06,400 --> 01:00:07,800
Speaker 6: feel like if I say no to too much, I'll

1531
01:00:07,800 --> 01:00:09,360
Speaker 6: never get asked to do anything again.

1532
01:00:09,520 --> 01:00:10,560
Speaker 10: Absolutely. Yeah.

1533
01:00:10,560 --> 01:00:11,520
Speaker 6: Wait, do you understand that?

1534
01:00:12,960 --> 01:00:13,760
Speaker 5: You understand that?

1535
01:00:13,880 --> 01:00:14,080
Speaker 6: Yeah?

1536
01:00:14,200 --> 01:00:17,040
Speaker 5: Yes, how so you're the greatest.

1537
01:00:17,600 --> 01:00:19,400
Speaker 19: You might think that, or somebody else might think that,

1538
01:00:19,440 --> 01:00:21,600
Speaker 19: but you know, I don't feel that way. I feel

1539
01:00:21,680 --> 01:00:24,320
Speaker 19: very much like a working musician who is trying to

1540
01:00:24,360 --> 01:00:26,440
Speaker 19: get keep his gig, you.

1541
01:00:26,400 --> 01:00:28,840
Speaker 6: Know, yeah, even you, Yeah, I think that gives a

1542
01:00:28,880 --> 01:00:31,360
Speaker 6: lot of people hope because they're going well. Chris Tableton,

1543
01:00:31,400 --> 01:00:33,560
Speaker 6: who we all feel like like, you're like the greatest vocalist,

1544
01:00:33,600 --> 01:00:36,560
Speaker 6: You're a phenomenal songwriter. Love to hear you live, and

1545
01:00:36,600 --> 01:00:38,240
Speaker 6: even you're like, you know, I don't even know about

1546
01:00:38,240 --> 01:00:39,200
Speaker 6: me sometimes.

1547
01:00:38,800 --> 01:00:40,600
Speaker 19: Well, but I want to be better. Do you want

1548
01:00:40,640 --> 01:00:42,200
Speaker 19: to be better? Everybody wants to be better at their

1549
01:00:42,280 --> 01:00:45,200
Speaker 19: job or there's always there's always something else, you know.

1550
01:00:45,240 --> 01:00:48,720
Speaker 19: That's the other thing I think when you have the

1551
01:00:48,840 --> 01:00:51,640
Speaker 19: problem with work life balance, thing is, no matter what

1552
01:00:51,640 --> 01:00:54,960
Speaker 19: you achieve or no matter what you do, there's a

1553
01:00:54,960 --> 01:00:58,240
Speaker 19: certain personality type and I'm one of them. I'm guessing

1554
01:00:58,240 --> 01:01:00,600
Speaker 19: maybe you're one of them too. That was like, well,

1555
01:01:00,720 --> 01:01:03,439
Speaker 19: but then there's this next thing. There's always the next thing.

1556
01:01:03,960 --> 01:01:06,920
Speaker 19: There's always the next thing. It's there's never an end

1557
01:01:07,040 --> 01:01:09,880
Speaker 19: for that personality. So you have to learn to let

1558
01:01:10,040 --> 01:01:13,360
Speaker 19: flip that switch and you know, be present a little bit,

1559
01:01:13,360 --> 01:01:13,840
Speaker 19: and it's hard.

1560
01:01:14,000 --> 01:01:15,120
Speaker 10: Being present is hard.

1561
01:01:14,920 --> 01:01:17,480
Speaker 19: And enjoying moments, you know, sometimes you're moving through the

1562
01:01:17,480 --> 01:01:21,200
Speaker 19: moments so fast that you're not even looking around and going, hey,

1563
01:01:21,200 --> 01:01:24,360
Speaker 19: this is this is pretty killer. What's going on right now?

1564
01:01:24,680 --> 01:01:25,400
Speaker 19: It's beautiful.

1565
01:01:25,680 --> 01:01:27,440
Speaker 6: You know, my wife has been a big part of

1566
01:01:27,480 --> 01:01:29,280
Speaker 6: me being forced to do that. But then once I

1567
01:01:29,320 --> 01:01:30,479
Speaker 6: do it, a couple of times like, oh, it's pretty

1568
01:01:30,480 --> 01:01:33,640
Speaker 6: cool to actually acknowledge how cool we have it, how

1569
01:01:33,640 --> 01:01:36,320
Speaker 6: good we have it. My thing has always been I

1570
01:01:36,320 --> 01:01:38,520
Speaker 6: can't wait. I want to host one of the award shows,

1571
01:01:38,520 --> 01:01:40,320
Speaker 6: and tonight we're gonna beat the ACMs. I'm not hosting,

1572
01:01:40,320 --> 01:01:41,960
Speaker 6: but I'm like, Garth and.

1573
01:01:41,840 --> 01:01:44,080
Speaker 10: Dollar should happen, I'll vote for that.

1574
01:01:44,160 --> 01:01:46,880
Speaker 6: Well thanks, I mean, you know who knows that. They

1575
01:01:46,920 --> 01:01:49,080
Speaker 6: won't let me, but I'm very happy I'm at the

1576
01:01:49,160 --> 01:01:50,000
Speaker 6: I'm part of the I'm.

1577
01:01:49,920 --> 01:01:50,840
Speaker 5: Part of the ACM tonight.

1578
01:01:50,840 --> 01:01:54,480
Speaker 6: Everybody, Okay, this is not an ACM thing, but that's

1579
01:01:54,520 --> 01:01:56,200
Speaker 6: the next thing. It's hard for me to enjoy a

1580
01:01:56,240 --> 01:01:58,720
Speaker 6: lot of this stuff because I'm like, I do so

1581
01:01:58,800 --> 01:02:00,800
Speaker 6: much comedy, I do so much like I would be

1582
01:02:00,840 --> 01:02:03,600
Speaker 6: perfect for that job, but they but it's all I

1583
01:02:03,600 --> 01:02:05,120
Speaker 6: can focus on. So when all these other good things

1584
01:02:05,120 --> 01:02:07,560
Speaker 6: are happening, I'm still like, yeah, but I still haven't

1585
01:02:07,560 --> 01:02:09,520
Speaker 6: been able to do this. Do you have one of

1586
01:02:09,520 --> 01:02:10,680
Speaker 6: those what's the dream for you?

1587
01:02:12,360 --> 01:02:14,040
Speaker 10: The work life balance is the dream.

1588
01:02:14,720 --> 01:02:17,320
Speaker 19: I've done so many things that I never dreamed of,

1589
01:02:18,120 --> 01:02:20,600
Speaker 19: and so I'm well beyond having a dream in that way,

1590
01:02:20,680 --> 01:02:23,040
Speaker 19: you know, like it's hard for me to look at

1591
01:02:23,040 --> 01:02:25,040
Speaker 19: something else and go, but I need to do that,

1592
01:02:25,280 --> 01:02:29,880
Speaker 19: you know, And I'm not trying to Maybe that's cocky

1593
01:02:29,880 --> 01:02:30,560
Speaker 19: sounding or something.

1594
01:02:30,600 --> 01:02:32,440
Speaker 6: I don't think cocky at all. I think it's true.

1595
01:02:32,480 --> 01:02:34,120
Speaker 6: And you have to have confidence to even be able

1596
01:02:34,120 --> 01:02:36,280
Speaker 6: to like put our foot in the water, honestly.

1597
01:02:36,200 --> 01:02:39,840
Speaker 19: Yeah, I mean, and I'm do you think you have

1598
01:02:39,880 --> 01:02:41,320
Speaker 19: confidence in some spaces?

1599
01:02:41,320 --> 01:02:41,640
Speaker 10: Sure me.

1600
01:02:41,760 --> 01:02:43,640
Speaker 6: That's what I was gonna say too. And something I'm terrible,

1601
01:02:43,680 --> 01:02:44,600
Speaker 6: I'm so insecure.

1602
01:02:44,720 --> 01:02:45,520
Speaker 10: Yeah, well, I think.

1603
01:02:45,520 --> 01:02:47,240
Speaker 19: And that's part of the other things that makes you

1604
01:02:47,400 --> 01:02:50,919
Speaker 19: always pushing too, you know, you're trying to be better,

1605
01:02:50,960 --> 01:02:52,960
Speaker 19: trying to do something better, bigger than yourself.

1606
01:02:53,000 --> 01:02:54,320
Speaker 10: Maybe even do you think.

1607
01:02:54,120 --> 01:02:58,760
Speaker 6: That you try to get better because of your want

1608
01:02:58,920 --> 01:03:02,320
Speaker 6: to achieve or your fear of not achieving.

1609
01:03:03,400 --> 01:03:05,040
Speaker 10: Probably a little bit of both. I mean I think

1610
01:03:05,080 --> 01:03:08,960
Speaker 10: that both would be fair. I don't know.

1611
01:03:09,360 --> 01:03:15,200
Speaker 19: I mean, I don'ly I don't especially now that I'm older.

1612
01:03:15,240 --> 01:03:16,720
Speaker 19: Right now, I don't have as much of a fear

1613
01:03:16,760 --> 01:03:20,439
Speaker 19: of failure, because that's how you learn things. You can't

1614
01:03:20,520 --> 01:03:25,640
Speaker 19: learn anything without failing at something. But I certainly like

1615
01:03:26,280 --> 01:03:29,080
Speaker 19: I mean, and who doesn't I don't think, but maybe

1616
01:03:29,080 --> 01:03:33,480
Speaker 19: there's somebody that doesn't like, you know, achieving things.

1617
01:03:33,280 --> 01:03:34,120
Speaker 10: It feels good.

1618
01:03:34,360 --> 01:03:34,640
Speaker 7: Everybody.

1619
01:03:34,640 --> 01:03:35,520
Speaker 10: Everybody likes to win.

1620
01:03:35,760 --> 01:03:39,760
Speaker 19: Yeah, it's not necessarily competitive competitive with anybody other.

1621
01:03:39,680 --> 01:03:45,919
Speaker 10: Than myself for me, but yeah, I do like those things.

1622
01:03:46,000 --> 01:03:48,160
Speaker 19: I grew up playing sports and things like that, so

1623
01:03:48,200 --> 01:03:50,880
Speaker 19: some of that's kind of, you know, hardwired into me.

1624
01:03:51,040 --> 01:03:54,920
Speaker 6: But I don't know how do you get out your

1625
01:03:54,960 --> 01:03:58,480
Speaker 6: competition bug if not in music, because I love to compete,

1626
01:03:58,600 --> 01:04:01,120
Speaker 6: same thing, grow up playing sports. I just so competitive.

1627
01:04:01,280 --> 01:04:02,800
Speaker 6: So I have different things that I do. If it's

1628
01:04:02,800 --> 01:04:04,800
Speaker 6: a you know, my buddy is an iron A league,

1629
01:04:04,800 --> 01:04:07,720
Speaker 6: we play Madden, or I play golf. I love to compete.

1630
01:04:07,720 --> 01:04:08,880
Speaker 6: It doesn't matter what it is. I just need to

1631
01:04:08,920 --> 01:04:09,760
Speaker 6: beat somebody at something.

1632
01:04:11,120 --> 01:04:11,400
Speaker 7: You know.

1633
01:04:12,040 --> 01:04:14,080
Speaker 19: I've kind of reached a space where I don't feel

1634
01:04:14,080 --> 01:04:15,400
Speaker 19: like I'm trying to beat anybody anything.

1635
01:04:15,440 --> 01:04:16,120
Speaker 10: I'm just trying to.

1636
01:04:16,160 --> 01:04:19,160
Speaker 6: You're healthy, okay, to move You're a healthy person. I'm

1637
01:04:19,160 --> 01:04:19,960
Speaker 6: not a healthy person.

1638
01:04:20,000 --> 01:04:22,600
Speaker 19: Chris Well, I mean, if we would and played something

1639
01:04:22,640 --> 01:04:24,840
Speaker 19: I would want to beat, let's be it.

1640
01:04:24,920 --> 01:04:26,720
Speaker 10: Let's be real clear about that.

1641
01:04:26,840 --> 01:04:30,080
Speaker 19: But when I was a teenager where I might have

1642
01:04:30,120 --> 01:04:33,320
Speaker 19: thrown a golf club, you know, maybe I'd be like, oh,

1643
01:04:33,360 --> 01:04:36,200
Speaker 19: well I shank that one in the woods, I'll hit

1644
01:04:36,240 --> 01:04:36,680
Speaker 19: another one.

1645
01:04:36,960 --> 01:04:37,600
Speaker 10: It's fine.

1646
01:04:37,760 --> 01:04:41,120
Speaker 6: You're single now. Is enjoying my life? John Fogerty. I'm

1647
01:04:41,160 --> 01:04:43,040
Speaker 6: a massive John Fogerty fan. One of the first concert

1648
01:04:43,120 --> 01:04:46,400
Speaker 6: I went to was John Fogerty. I mean, do you yeah?

1649
01:04:46,440 --> 01:04:46,840
Speaker 5: I was like.

1650
01:04:48,400 --> 01:04:51,520
Speaker 6: Fourteen fifteen. I saw Diamond Rio, I saw Peter Frampton,

1651
01:04:51,640 --> 01:04:53,320
Speaker 6: I saw John Fogerty.

1652
01:04:53,000 --> 01:04:54,920
Speaker 5: On one show. No. I wish that had been a

1653
01:04:54,920 --> 01:04:55,640
Speaker 5: heck of a festival.

1654
01:04:55,960 --> 01:04:57,840
Speaker 6: I was like, but like all of the like like

1655
01:04:57,960 --> 01:05:01,200
Speaker 6: six months and my first concerts ever and John Fogerty.

1656
01:05:01,240 --> 01:05:04,520
Speaker 6: I love CCR. I could do the whole catalog even

1657
01:05:04,560 --> 01:05:06,400
Speaker 6: as a solo artist. Eve, when I think about baseball,

1658
01:05:06,440 --> 01:05:09,439
Speaker 6: even like center field, it's great, so and so joy

1659
01:05:09,520 --> 01:05:11,640
Speaker 6: my life, Like, that's John Fogerty song, right it is,

1660
01:05:11,640 --> 01:05:13,760
Speaker 6: because I've heard him. I've heard his live version as well.

1661
01:05:13,880 --> 01:05:15,919
Speaker 6: Why would you Why did you pick that song?

1662
01:05:15,920 --> 01:05:17,640
Speaker 19: Of the great songs that it's a record of his

1663
01:05:17,800 --> 01:05:20,720
Speaker 19: that I had when that record came out as maybe

1664
01:05:20,760 --> 01:05:24,400
Speaker 19: the nineties. And I don't know if that song is

1665
01:05:24,520 --> 01:05:26,880
Speaker 19: known as well as some of you. Certainly he has

1666
01:05:26,920 --> 01:05:29,480
Speaker 19: a really deep catalog. But I just always loved that

1667
01:05:29,600 --> 01:05:32,040
Speaker 19: song and I would play that, you know, like a

1668
01:05:32,040 --> 01:05:34,880
Speaker 19: lot of songs that I cut that are covers. It's

1669
01:05:34,920 --> 01:05:36,640
Speaker 19: just some song that I love, you know, and I

1670
01:05:36,640 --> 01:05:39,960
Speaker 19: think it's cool and it's fun to sing, and I

1671
01:05:40,000 --> 01:05:44,760
Speaker 19: love the sentiment of it, and maybe not maybe I'm

1672
01:05:44,840 --> 01:05:46,680
Speaker 19: I'm sure that I never would have written it that

1673
01:05:46,760 --> 01:05:49,200
Speaker 19: way or even thought of it that way. And so

1674
01:05:49,280 --> 01:05:55,880
Speaker 19: it's it's it's neat to find songs that feel like

1675
01:05:55,920 --> 01:05:59,600
Speaker 19: they can be personal, but there they didn't come from

1676
01:05:59,640 --> 01:06:00,000
Speaker 19: you at all.

1677
01:06:01,080 --> 01:06:02,960
Speaker 6: We're gonna play it now. We're gonna come back with Chris, which,

1678
01:06:03,000 --> 01:06:06,200
Speaker 6: by the way, Chris tonight ACM Awards up for I mean,

1679
01:06:06,680 --> 01:06:08,400
Speaker 6: he's the man, But Entertainer of the Year is the

1680
01:06:08,400 --> 01:06:10,360
Speaker 6: one I'm talking about here. You got three total nominations,

1681
01:06:10,400 --> 01:06:12,600
Speaker 6: but I do the video for Entertainer of the Year.

1682
01:06:12,760 --> 01:06:14,400
Speaker 6: I gave your name a little extra buzz, don't worry.

1683
01:06:14,440 --> 01:06:17,080
Speaker 6: Oh yeah, everybody else, I was like Morgan Wall and

1684
01:06:17,200 --> 01:06:20,760
Speaker 6: Randall lamber Chris, So when you hear that, you know.

1685
01:06:20,920 --> 01:06:22,760
Speaker 10: I hear that. When you do that, it makes the

1686
01:06:22,840 --> 01:06:23,680
Speaker 10: voting good differently.

1687
01:06:23,760 --> 01:06:26,439
Speaker 6: Absolutely, even though there's no chance because they've already happened.

1688
01:06:26,480 --> 01:06:29,040
Speaker 6: But still, Chris, everybody, when's the last time you were nervous?

1689
01:06:29,120 --> 01:06:31,360
Speaker 6: Let me ask you that, when's the last time? For performance?

1690
01:06:31,800 --> 01:06:32,400
Speaker 10: For performance?

1691
01:06:32,400 --> 01:06:34,840
Speaker 6: For performance? Because I can't see you get nervous.

1692
01:06:34,880 --> 01:06:35,480
Speaker 10: Super Bowl?

1693
01:06:36,320 --> 01:06:38,080
Speaker 6: Really is it?

1694
01:06:38,120 --> 01:06:42,840
Speaker 20: Because it's a super Bowl? Yeah? Yeah, it's a super Bowl.

1695
01:06:42,880 --> 01:06:46,080
Speaker 20: You know, it's just and it's the anthem. You know,

1696
01:06:46,520 --> 01:06:48,920
Speaker 20: that's a hard song and it's a it's one that

1697
01:06:48,960 --> 01:06:52,080
Speaker 20: if you mess it up, you are immortalized messing it

1698
01:06:52,160 --> 01:06:52,680
Speaker 20: up forever.

1699
01:06:53,320 --> 01:06:55,520
Speaker 19: And if you do do well, you you you did

1700
01:06:55,520 --> 01:06:57,960
Speaker 19: good there too. But the main goal with anthem is

1701
01:06:57,960 --> 01:06:59,760
Speaker 19: don't mess up the words and don't mess up.

1702
01:06:59,760 --> 01:07:03,840
Speaker 6: To me, did you have a conversation on if you listen,

1703
01:07:03,880 --> 01:07:06,480
Speaker 6: we all love America. Let's get that straight. You have

1704
01:07:06,560 --> 01:07:08,280
Speaker 6: a conversation was do I do I want to go

1705
01:07:08,280 --> 01:07:10,080
Speaker 6: sing the national anthem at the super Bowl? Because if

1706
01:07:10,080 --> 01:07:11,800
Speaker 6: you were, you're right, If you nail it, everybody's like,

1707
01:07:11,800 --> 01:07:13,280
Speaker 6: good job, let's get the game. But if you don't.

1708
01:07:13,320 --> 01:07:14,200
Speaker 6: It's remembered forever.

1709
01:07:15,520 --> 01:07:19,400
Speaker 19: Yes, well here's noe of those things we're talking about,

1710
01:07:19,400 --> 01:07:21,320
Speaker 19: the dream things. People would ask me to do the

1711
01:07:21,360 --> 01:07:24,280
Speaker 19: anthem for various other things. I'd be like, no, I'll

1712
01:07:24,320 --> 01:07:26,880
Speaker 19: just wait on the super Bowl thinking, you know, like

1713
01:07:27,680 --> 01:07:29,160
Speaker 19: they're not going to call me from the super Bowl.

1714
01:07:29,240 --> 01:07:31,160
Speaker 19: So but then they call you for the super Bowl

1715
01:07:31,200 --> 01:07:33,560
Speaker 19: in your life, Well, I said I would do that

1716
01:07:33,600 --> 01:07:36,920
Speaker 19: if if they called me for that. So I went

1717
01:07:36,920 --> 01:07:40,080
Speaker 19: and did it, and now I am retired from the anthem.

1718
01:07:40,840 --> 01:07:42,920
Speaker 6: So whenever you perform it, and you know they can

1719
01:07:42,920 --> 01:07:45,280
Speaker 6: bet on how long it goes? Did you ever did

1720
01:07:45,320 --> 01:07:46,880
Speaker 6: you know how long yours was going to be? Just

1721
01:07:46,920 --> 01:07:47,440
Speaker 6: from practice?

1722
01:07:47,480 --> 01:07:48,480
Speaker 10: I want a lot of money.

1723
01:07:48,560 --> 01:07:55,080
Speaker 6: Yeah, some guy named Chris Babulton dollars? Yes, you did

1724
01:07:55,160 --> 01:07:56,400
Speaker 6: you judge it for yourself?

1725
01:07:57,240 --> 01:07:57,720
Speaker 10: Did I judge?

1726
01:07:57,720 --> 01:07:58,560
Speaker 6: Did you even think about it?

1727
01:07:58,600 --> 01:07:58,680
Speaker 7: Like?

1728
01:07:58,680 --> 01:08:00,640
Speaker 6: Did you time it yourself? Even know that was a thing?

1729
01:08:01,920 --> 01:08:02,280
Speaker 7: I did?

1730
01:08:02,360 --> 01:08:02,560
Speaker 5: Yeah?

1731
01:08:02,600 --> 01:08:06,400
Speaker 19: Good, I did after people started asking me, like I

1732
01:08:06,480 --> 01:08:08,160
Speaker 19: didn't know it was a thing. First of all, I

1733
01:08:08,320 --> 01:08:10,800
Speaker 19: never didn't know you could bet on how long the

1734
01:08:10,800 --> 01:08:13,080
Speaker 19: anthem was. And once I learned that, I was like, man,

1735
01:08:13,120 --> 01:08:16,160
Speaker 19: I know how long the anthem is? That's crazy. But

1736
01:08:16,560 --> 01:08:18,960
Speaker 19: I haven't really told anybody. I didn't tell anybody, so

1737
01:08:19,560 --> 01:08:21,839
Speaker 19: there's still some honor there. I didn't all annoyings.

1738
01:08:21,840 --> 01:08:24,200
Speaker 6: I never got a message saying, hey, it's two forty two,

1739
01:08:24,280 --> 01:08:28,360
Speaker 6: because I'd have been killing. Is it when you sing

1740
01:08:28,400 --> 01:08:32,439
Speaker 6: the anthem with a guitar? Is it easier to stay

1741
01:08:33,160 --> 01:08:36,160
Speaker 6: the same pitch because you have that you can hear

1742
01:08:36,200 --> 01:08:39,000
Speaker 6: the note, you know, because somebody hurt and they blow

1743
01:08:39,080 --> 01:08:39,479
Speaker 6: that thing?

1744
01:08:40,240 --> 01:08:43,280
Speaker 19: Yeah, I mean does it not matter. It's a non

1745
01:08:43,280 --> 01:08:45,320
Speaker 19: issue for me. It might be for somebody else. I

1746
01:08:45,360 --> 01:08:48,080
Speaker 19: don't know's I can only judge it for me.

1747
01:08:48,160 --> 01:08:49,000
Speaker 5: Do you have perfect pitch?

1748
01:08:49,280 --> 01:08:49,400
Speaker 7: No?

1749
01:08:49,600 --> 01:08:50,800
Speaker 6: Can you hear perfect pitch?

1750
01:08:51,720 --> 01:08:54,800
Speaker 19: I mean perfect pitch means that I could. I could

1751
01:08:55,360 --> 01:08:58,400
Speaker 19: hear you hit and didn't match it, and I could

1752
01:08:58,400 --> 01:08:59,920
Speaker 19: tell you, well, I could tell you what that note was.

1753
01:09:00,120 --> 01:09:03,559
Speaker 10: I can't do that. That's perfect pitch, like Charlie Peot

1754
01:09:03,600 --> 01:09:04,280
Speaker 10: has perfect pitch.

1755
01:09:04,320 --> 01:09:05,880
Speaker 6: But could you guess pretty good?

1756
01:09:06,280 --> 01:09:09,360
Speaker 19: No, not not even close. I don't even know the

1757
01:09:09,439 --> 01:09:11,200
Speaker 19: names of all the notes on the guitar, you know,

1758
01:09:11,320 --> 01:09:13,559
Speaker 19: so I can't tell you what I'm playing most of

1759
01:09:13,600 --> 01:09:13,960
Speaker 19: the time.

1760
01:09:14,439 --> 01:09:16,120
Speaker 6: What's the best concert you've ever been to?

1761
01:09:16,760 --> 01:09:20,920
Speaker 10: The best concert I've ever been to. I've been to

1762
01:09:20,960 --> 01:09:21,559
Speaker 10: some good ones.

1763
01:09:23,880 --> 01:09:27,560
Speaker 19: Paul McCartney, The Eagles Health Freezes Over Tour, uh, the

1764
01:09:27,640 --> 01:09:29,240
Speaker 19: Vince Giltour whlread he had the big band.

1765
01:09:29,880 --> 01:09:31,559
Speaker 10: I don't know. It's hard to pick. There's a lot

1766
01:09:31,560 --> 01:09:34,280
Speaker 10: of good ones, but one but one.

1767
01:09:34,520 --> 01:09:36,519
Speaker 6: You only go to one. You get to relive it,

1768
01:09:37,439 --> 01:09:38,920
Speaker 6: get to relive that you've been to.

1769
01:09:41,680 --> 01:09:45,040
Speaker 19: Man if I was reliving, i'd probably go. And part

1770
01:09:45,080 --> 01:09:47,000
Speaker 19: of this is just the era of my life.

1771
01:09:47,000 --> 01:09:47,360
Speaker 5: It is.

1772
01:09:47,400 --> 01:09:49,439
Speaker 19: It's it's the Eagles Health Freezes Over Tour, you know,

1773
01:09:49,880 --> 01:09:52,920
Speaker 19: Fourth Row, Charleston, West Virginia. Me and my brother. I

1774
01:09:52,920 --> 01:09:55,080
Speaker 19: spent all my money. I had to get these these tickets,

1775
01:09:55,080 --> 01:09:58,000
Speaker 19: you know. And they played for four hours, and it

1776
01:09:58,120 --> 01:10:00,960
Speaker 19: was they did all their solo stuff plus all the

1777
01:10:00,960 --> 01:10:03,000
Speaker 19: Eagle stuff. So you got everything that you wanted out

1778
01:10:03,040 --> 01:10:05,280
Speaker 19: of that show, and it was an immaculate show.

1779
01:10:05,320 --> 01:10:06,640
Speaker 6: Did you ever watched their documentary?

1780
01:10:07,479 --> 01:10:07,840
Speaker 10: I have not.

1781
01:10:08,000 --> 01:10:09,920
Speaker 5: It's like three and a half. It was awesome.

1782
01:10:10,000 --> 01:10:12,840
Speaker 6: It was that it was them getting back together and

1783
01:10:13,760 --> 01:10:17,320
Speaker 6: doing that tour. You see the Tom Petty documentary about

1784
01:10:17,320 --> 01:10:19,040
Speaker 6: each Chap, it's like seven hours, eight hours long.

1785
01:10:19,080 --> 01:10:22,240
Speaker 19: I haven't Oh, I've watched about half of the Beatles

1786
01:10:22,840 --> 01:10:24,040
Speaker 19: the one on Apple.

1787
01:10:23,880 --> 01:10:25,280
Speaker 5: Yeah, I watched about half of that.

1788
01:10:25,320 --> 01:10:29,200
Speaker 10: I haven't gone through. I just I get distracted a lot.

1789
01:10:29,479 --> 01:10:30,640
Speaker 5: What did you think about the Apple One?

1790
01:10:30,640 --> 01:10:32,519
Speaker 6: Because I see why everybody thought it was so awesome,

1791
01:10:32,520 --> 01:10:34,680
Speaker 6: But I also couldn't sit for long periods because you're

1792
01:10:34,680 --> 01:10:38,000
Speaker 6: just watching them live. You know, it's voyeurism, you know.

1793
01:10:38,200 --> 01:10:41,719
Speaker 19: You was sure as a songwriter, it's fascinating to watch

1794
01:10:41,720 --> 01:10:45,680
Speaker 19: some of these things be created and realize that a

1795
01:10:45,680 --> 01:10:48,640
Speaker 19: lot of the processes are not too different than what

1796
01:10:48,720 --> 01:10:49,600
Speaker 19: the rest of us trying to do.

1797
01:10:49,640 --> 01:10:50,879
Speaker 10: They just happen to be the Beatles.

1798
01:10:51,520 --> 01:10:54,120
Speaker 19: Yeah, you know, like they're sitting there, digging around on something,

1799
01:10:54,160 --> 01:10:56,960
Speaker 19: thinking they're not doing anything, and then it's you know,

1800
01:10:57,280 --> 01:10:59,679
Speaker 19: some classic Beatles song that everybody knows.

1801
01:11:00,280 --> 01:11:02,679
Speaker 21: Yeah, there's one part where Paul is just like Jujo

1802
01:11:02,920 --> 01:11:08,200
Speaker 21: wasn't man, Jojo was man, and you're hearing him. Yeah,

1803
01:11:08,240 --> 01:11:11,720
Speaker 21: you're making you hear like the beginning parts of Get

1804
01:11:11,720 --> 01:11:13,800
Speaker 21: Back that we all know now we've heard ten million times,

1805
01:11:13,800 --> 01:11:15,920
Speaker 21: but it's just him like dinking around figuring.

1806
01:11:15,680 --> 01:11:16,960
Speaker 5: It out right. It's incredible.

1807
01:11:17,320 --> 01:11:19,560
Speaker 19: That's an incredible thing to have on film.

1808
01:11:19,800 --> 01:11:21,920
Speaker 6: Are you recording a lot of your life so we

1809
01:11:21,960 --> 01:11:25,360
Speaker 6: can do one of these about you. No, no, nobody.

1810
01:11:25,400 --> 01:11:27,679
Speaker 6: You don't have somebody that's recording a bunch of stuff

1811
01:11:27,680 --> 01:11:30,080
Speaker 6: that's not getting out on social media, but one day

1812
01:11:30,400 --> 01:11:33,759
Speaker 6: when it's time for Staple to uncut unedited midnight version.

1813
01:11:34,720 --> 01:11:37,040
Speaker 19: No, I'm pretty I'm pretty private. I mean there we

1814
01:11:37,120 --> 01:11:38,400
Speaker 19: film shows and stuff like that.

1815
01:11:38,520 --> 01:11:40,840
Speaker 6: But you don't want a documentary about your life?

1816
01:11:41,160 --> 01:11:41,719
Speaker 10: Not really?

1817
01:11:42,080 --> 01:11:43,760
Speaker 6: No I do.

1818
01:11:44,040 --> 01:11:46,160
Speaker 10: Yeah, well there's one.

1819
01:11:47,640 --> 01:11:52,000
Speaker 6: Did you think us go twenty years ago? Did you

1820
01:11:52,040 --> 01:11:54,519
Speaker 6: have dreams that equal to where you are now?

1821
01:11:54,680 --> 01:11:55,640
Speaker 10: No?

1822
01:11:55,640 --> 01:12:00,960
Speaker 19: No dreams, No, no, but because I you know, I try

1823
01:12:01,000 --> 01:12:02,759
Speaker 19: to work very much in the space and the doors

1824
01:12:02,760 --> 01:12:07,960
Speaker 19: that feel like they're open, not necessarily like I guess

1825
01:12:08,000 --> 01:12:10,280
Speaker 19: it's good to have goals like, but my goals were

1826
01:12:10,320 --> 01:12:13,880
Speaker 19: always I'm a songwriter. I want to keep this job.

1827
01:12:15,200 --> 01:12:18,760
Speaker 19: You know, I'm touring. I don't want to lose money.

1828
01:12:19,400 --> 01:12:21,040
Speaker 10: You know, like those are those.

1829
01:12:20,840 --> 01:12:23,519
Speaker 19: Are the kinds of things that there was never like

1830
01:12:23,560 --> 01:12:28,000
Speaker 19: a hey, I want to be getting interviewed on the

1831
01:12:28,120 --> 01:12:33,520
Speaker 19: radio talking about being nominated for much of awards doesn't

1832
01:12:33,880 --> 01:12:35,360
Speaker 19: not a not was not a.

1833
01:12:37,439 --> 01:12:40,519
Speaker 6: Not a thing you would have liked it though it

1834
01:12:40,600 --> 01:12:42,479
Speaker 6: just was it was just so out of the realm

1835
01:12:42,520 --> 01:12:44,080
Speaker 6: of what you thought was a possibility.

1836
01:12:44,240 --> 01:12:45,160
Speaker 10: Well, you know, I'm not.

1837
01:12:47,360 --> 01:12:51,200
Speaker 19: Hm, Well, it just didn't seem Some of those things

1838
01:12:51,240 --> 01:12:55,559
Speaker 19: don't seem achievable or practical, right, and they're not without

1839
01:12:55,560 --> 01:12:56,479
Speaker 19: a whole lot of luck.

1840
01:12:57,120 --> 01:12:59,479
Speaker 6: You know, if we go back to that performance with

1841
01:12:59,560 --> 01:13:03,200
Speaker 6: you and JT, where I think America was introduced to

1842
01:13:03,240 --> 01:13:05,599
Speaker 6: you was the next few days and a week after that,

1843
01:13:05,760 --> 01:13:07,280
Speaker 6: was it just bonkers.

1844
01:13:06,800 --> 01:13:07,879
Speaker 10: For super bonkers?

1845
01:13:08,200 --> 01:13:10,800
Speaker 19: Yeah, we went from you know, the next thing that

1846
01:13:10,840 --> 01:13:14,720
Speaker 19: we had after that, we had like a West Coast run,

1847
01:13:14,760 --> 01:13:16,800
Speaker 19: which we'd never played really on the West Coast at all,

1848
01:13:17,160 --> 01:13:20,880
Speaker 19: and we were playing places that held maybe eight hundred

1849
01:13:20,920 --> 01:13:25,439
Speaker 19: people that were half sold, you know, because nobody knew

1850
01:13:25,439 --> 01:13:28,720
Speaker 19: who knew who we were out there, and you know,

1851
01:13:28,920 --> 01:13:31,519
Speaker 19: those tickets were gone. And then pretty soon we were

1852
01:13:31,520 --> 01:13:35,960
Speaker 19: booking things we didn't know how, you know, Deep the

1853
01:13:36,080 --> 01:13:37,720
Speaker 19: River was all of a sudden, and so there was

1854
01:13:37,720 --> 01:13:43,120
Speaker 19: a lot of guessing about what venue we could play

1855
01:13:43,160 --> 01:13:46,840
Speaker 19: for the next year or so, and then and then

1856
01:13:46,880 --> 01:13:48,200
Speaker 19: we're in the venues that we're in.

1857
01:13:48,439 --> 01:13:50,080
Speaker 6: Did you feel like that could be fleeting?

1858
01:13:51,560 --> 01:13:54,240
Speaker 5: I still do, yeah, but not but you can't.

1859
01:13:54,600 --> 01:13:55,840
Speaker 6: I mean, I get it because I feel the same

1860
01:13:55,880 --> 01:13:59,200
Speaker 6: way people say if you got fired today, you'd be fine.

1861
01:13:59,280 --> 01:14:01,880
Speaker 6: I'm like, I don't know, so I completely understand. But

1862
01:14:01,880 --> 01:14:03,599
Speaker 6: I'm saying this from my perfect like there's no chance

1863
01:14:03,640 --> 01:14:06,439
Speaker 6: it's fleeting now. But you did feel like maybe this

1864
01:14:06,560 --> 01:14:08,200
Speaker 6: is just a blips. I need to hold on as

1865
01:14:08,200 --> 01:14:08,840
Speaker 6: long as I can.

1866
01:14:09,439 --> 01:14:12,400
Speaker 19: Well, yeah, I mean working musician mentality kicks in and

1867
01:14:12,400 --> 01:14:14,720
Speaker 19: you're like, all sunshine and let's make some Hey, let's

1868
01:14:14,840 --> 01:14:17,360
Speaker 19: let's do what we can do. And you and you

1869
01:14:17,439 --> 01:14:20,200
Speaker 19: and you run pretty hard in those moments, as hard

1870
01:14:20,200 --> 01:14:20,639
Speaker 19: as you can.

1871
01:14:20,840 --> 01:14:21,840
Speaker 6: Was it ever overwhelming?

1872
01:14:23,040 --> 01:14:24,000
Speaker 10: No, it was exciting.

1873
01:14:24,080 --> 01:14:28,640
Speaker 19: I mean it was exhausting, but it was exciting, you know,

1874
01:14:28,760 --> 01:14:32,640
Speaker 19: and and just uh surreal and life and still is

1875
01:14:32,760 --> 01:14:33,880
Speaker 19: on a lot of nights.

1876
01:14:33,920 --> 01:14:36,200
Speaker 6: You know, can you go to dinner in a public place?

1877
01:14:36,920 --> 01:14:37,280
Speaker 10: I can?

1878
01:14:38,240 --> 01:14:39,679
Speaker 6: Can you go to dinner in a public place where

1879
01:14:39,680 --> 01:14:42,320
Speaker 6: people don't recognize you or want to pay for your

1880
01:14:42,320 --> 01:14:43,360
Speaker 6: bill or try to get a picture?

1881
01:14:43,520 --> 01:14:46,680
Speaker 5: Sometimes so hard?

1882
01:14:47,280 --> 01:14:47,879
Speaker 10: I mean.

1883
01:14:49,400 --> 01:14:52,800
Speaker 19: That that kind of adjustment was hard. That was that

1884
01:14:52,880 --> 01:14:56,439
Speaker 19: was the hardest part initially, and it and it's probably

1885
01:14:58,479 --> 01:15:00,800
Speaker 19: and now it's just that's that's just what my life is,

1886
01:15:01,120 --> 01:15:02,880
Speaker 19: you know, and I'm sure that what.

1887
01:15:02,800 --> 01:15:05,519
Speaker 5: Your life is totally the same, the same thing.

1888
01:15:05,560 --> 01:15:06,320
Speaker 10: Yeah, pretty much.

1889
01:15:06,360 --> 01:15:10,439
Speaker 19: Yeah, I don't know what you have to deal with.

1890
01:15:10,439 --> 01:15:16,040
Speaker 6: Man, it gets were sometimes. But you're you're very I mean,

1891
01:15:16,280 --> 01:15:19,720
Speaker 6: you're such a great songwriter and singer. And on top

1892
01:15:19,760 --> 01:15:23,120
Speaker 6: of that, your beard is very distinct. Sure where my

1893
01:15:23,200 --> 01:15:26,040
Speaker 6: glasses is pretty distinct, but your beard. So I would think,

1894
01:15:26,080 --> 01:15:27,280
Speaker 6: like I got I got pulled over the other day.

1895
01:15:27,280 --> 01:15:28,519
Speaker 6: I had a phone up to my ear ship. You

1896
01:15:28,520 --> 01:15:29,600
Speaker 6: can't do that, by the way, you can't hold the

1897
01:15:29,600 --> 01:15:30,920
Speaker 6: phone up to your ear. You get a ticket. I

1898
01:15:30,960 --> 01:15:32,439
Speaker 6: wasn't speeding. I got a phone up to my ear.

1899
01:15:32,479 --> 01:15:33,040
Speaker 10: CONFI not.

1900
01:15:33,160 --> 01:15:34,600
Speaker 6: If you're not talking to anybody, it doesn't matter. I

1901
01:15:34,640 --> 01:15:36,960
Speaker 6: can't have phone in your ear. Yeah you can't know

1902
01:15:37,200 --> 01:15:37,880
Speaker 6: you can't hold it up.

1903
01:15:38,040 --> 01:15:39,040
Speaker 10: What if it's a toy.

1904
01:15:38,880 --> 01:15:41,479
Speaker 6: Phone, Chris, I don't have the answers, but that'd be hilarious.

1905
01:15:41,479 --> 01:15:43,000
Speaker 6: You drive by a cop of the toy phone just

1906
01:15:43,040 --> 01:15:46,799
Speaker 6: to see got you. That's funny. Okay, man, that's funny

1907
01:15:46,880 --> 01:15:48,479
Speaker 6: right there.

1908
01:15:49,200 --> 01:15:51,800
Speaker 5: I got so I got pulled over. It does that

1909
01:15:51,840 --> 01:15:52,320
Speaker 5: ever happen?

1910
01:15:52,320 --> 01:15:53,960
Speaker 6: And somebody, like a cop is like, oh, Chris table

1911
01:15:54,000 --> 01:15:54,920
Speaker 6: To look at that. We'll let you go.

1912
01:15:54,960 --> 01:15:56,200
Speaker 5: I know you dropped the bank, but you go ahead

1913
01:15:56,200 --> 01:15:57,280
Speaker 5: and go for your Chris Tableton.

1914
01:15:57,720 --> 01:16:02,760
Speaker 19: Uh, I've gotten, you know, because my whole life, because

1915
01:16:02,760 --> 01:16:04,439
Speaker 19: I look like I do, I look like I need

1916
01:16:04,439 --> 01:16:08,760
Speaker 19: a ticket. You know, I'll get caught for like a

1917
01:16:08,880 --> 01:16:11,000
Speaker 19: rolling stuff on a stop sign or something. And it

1918
01:16:11,040 --> 01:16:13,439
Speaker 19: doesn't happen as much anymore. But anytime I used to

1919
01:16:13,439 --> 01:16:14,960
Speaker 19: get pulled, I just knew I was getting a ticket.

1920
01:16:14,960 --> 01:16:18,200
Speaker 19: There were no warnings, nothing that they would find everything

1921
01:16:18,240 --> 01:16:20,440
Speaker 19: they could find me, and I would get those because

1922
01:16:20,720 --> 01:16:23,400
Speaker 19: I think in their heart they knew that because I

1923
01:16:23,439 --> 01:16:26,840
Speaker 19: look like I look. It was even though they didn't

1924
01:16:26,840 --> 01:16:29,320
Speaker 19: catch me for something that I've done, I did something,

1925
01:16:29,920 --> 01:16:30,160
Speaker 19: you know.

1926
01:16:30,280 --> 01:16:31,400
Speaker 5: I felt like that a lot.

1927
01:16:31,479 --> 01:16:34,920
Speaker 19: But no, I actually have gotten off with a warning

1928
01:16:36,200 --> 01:16:37,920
Speaker 19: and last two or three years.

1929
01:16:38,120 --> 01:16:40,320
Speaker 6: But they say, Chris, please sing to me like a warning,

1930
01:16:41,040 --> 01:16:41,599
Speaker 6: and he's like.

1931
01:16:41,560 --> 01:16:43,599
Speaker 15: All right, I need a warning.

1932
01:16:43,960 --> 01:16:44,880
Speaker 5: Here you go, Chris.

1933
01:16:45,920 --> 01:16:46,840
Speaker 6: I saw a video of you.

1934
01:16:47,240 --> 01:16:48,280
Speaker 5: I don't know how long it was.

1935
01:16:48,600 --> 01:16:50,200
Speaker 6: Were you at a Tyler Perry show and they were like,

1936
01:16:50,200 --> 01:16:51,080
Speaker 6: made you get up and sing?

1937
01:16:51,120 --> 01:16:51,559
Speaker 5: Is that real?

1938
01:16:51,720 --> 01:16:51,920
Speaker 10: Yeah?

1939
01:16:51,920 --> 01:16:53,320
Speaker 5: That's real? How long ago is that?

1940
01:16:53,320 --> 01:16:54,200
Speaker 10: That's been a minute.

1941
01:16:54,280 --> 01:16:54,879
Speaker 6: It happens.

1942
01:16:54,960 --> 01:16:58,719
Speaker 10: Yeah, I don't know. It's pretty pandemic.

1943
01:16:58,800 --> 01:17:01,599
Speaker 6: So I wondered how to how did a microphone get

1944
01:17:01,600 --> 01:17:02,600
Speaker 6: to you? How did they know it was you?

1945
01:17:02,800 --> 01:17:04,880
Speaker 19: Well, I was coming to the show and we were gonna,

1946
01:17:05,160 --> 01:17:08,160
Speaker 19: you know, a bunch of folks don't work with We

1947
01:17:08,200 --> 01:17:10,400
Speaker 19: wanted to go see the show because at the time,

1948
01:17:10,479 --> 01:17:11,840
Speaker 19: that was like the last one he was going to do,

1949
01:17:11,920 --> 01:17:16,479
Speaker 19: you know, and he knew that I was there, going

1950
01:17:16,520 --> 01:17:18,920
Speaker 19: to be there, and he's like, so before she was like, hey, man,

1951
01:17:19,000 --> 01:17:20,760
Speaker 19: can I just hand you a microphone? Can we break

1952
01:17:20,760 --> 01:17:22,080
Speaker 19: out of the show for a minute and to do

1953
01:17:22,120 --> 01:17:24,160
Speaker 19: that thing? I was like, I mean, I guess, so

1954
01:17:24,240 --> 01:17:26,120
Speaker 19: let's let's go. And so that's what we did.

1955
01:17:26,280 --> 01:17:26,920
Speaker 6: That's pretty cool.

1956
01:17:26,960 --> 01:17:27,880
Speaker 10: Yeah, it was super cool.

1957
01:17:28,040 --> 01:17:29,799
Speaker 6: Is it cool to people that are also uber talented

1958
01:17:29,800 --> 01:17:30,719
Speaker 6: think you're uber talented?

1959
01:17:33,200 --> 01:17:34,040
Speaker 5: Because that's what that is.

1960
01:17:34,160 --> 01:17:37,880
Speaker 19: Certainly it feels validating, you know, And if you want

1961
01:17:37,920 --> 01:17:39,760
Speaker 19: to say it's cool, yeah, I think, I mean, yeah,

1962
01:17:39,800 --> 01:17:40,519
Speaker 19: I think that's cool.

1963
01:17:40,960 --> 01:17:44,600
Speaker 6: You're on the road. We were talking about this. We

1964
01:17:44,640 --> 01:17:46,679
Speaker 6: look through your tour dates here all American Road Show,

1965
01:17:47,160 --> 01:17:50,439
Speaker 6: Chris Stapleton dot com and March all the way through

1966
01:17:50,680 --> 01:17:53,799
Speaker 6: it looks like the end of October. Do you still

1967
01:17:53,920 --> 01:17:58,160
Speaker 6: enjoy being that hour and a half on stage?

1968
01:17:58,479 --> 01:18:01,320
Speaker 5: We usually do two hours, but yeah, two.

1969
01:18:01,080 --> 01:18:02,439
Speaker 6: Hours, you still enjoy that?

1970
01:18:02,800 --> 01:18:05,000
Speaker 10: Yeah, I mean certainly.

1971
01:18:05,160 --> 01:18:08,600
Speaker 19: I mean every night is a new animally, you know,

1972
01:18:08,640 --> 01:18:11,240
Speaker 19: and if you you know, fill out of the weather

1973
01:18:11,520 --> 01:18:15,040
Speaker 19: or it's super hot or super gold, those are things,

1974
01:18:15,160 --> 01:18:17,000
Speaker 19: you know, if you're playing outside, those are things that

1975
01:18:17,720 --> 01:18:20,120
Speaker 19: are kind of wild cards that you know. But it

1976
01:18:20,320 --> 01:18:23,120
Speaker 19: is as long as you can get to the the

1977
01:18:23,120 --> 01:18:26,920
Speaker 19: best version of how something can sound on stage, and

1978
01:18:26,960 --> 01:18:30,200
Speaker 19: you really can find that that musicianship thing with all

1979
01:18:30,200 --> 01:18:33,800
Speaker 19: the guys and on stage and getting the groove something, Yeah,

1980
01:18:33,800 --> 01:18:36,280
Speaker 19: that's that's really something to enjoy because then you see

1981
01:18:36,400 --> 01:18:39,479
Speaker 19: this thing start happening with the circle of the fans

1982
01:18:39,520 --> 01:18:42,679
Speaker 19: and everybody's You send something out and the energy comes

1983
01:18:42,720 --> 01:18:45,519
Speaker 19: back at you, and then you get to send that

1984
01:18:45,640 --> 01:18:47,960
Speaker 19: energy back out and and it elevates what you do.

1985
01:18:48,040 --> 01:18:51,200
Speaker 19: You can't I don't know, you can't do that without

1986
01:18:51,280 --> 01:18:53,160
Speaker 19: people coming to watch you.

1987
01:18:53,160 --> 01:18:53,360
Speaker 10: You know.

1988
01:18:53,880 --> 01:18:58,000
Speaker 6: Three more questions. If you're we'll say writers, block writers,

1989
01:18:58,040 --> 01:19:01,400
Speaker 6: slow writers, and you're not there, you can't get there.

1990
01:19:02,560 --> 01:19:05,479
Speaker 6: What can you do in order to kind of find

1991
01:19:05,520 --> 01:19:10,360
Speaker 6: that spark, go do something else, just get away completely.

1992
01:19:10,160 --> 01:19:10,599
Speaker 10: Just stop.

1993
01:19:11,200 --> 01:19:14,320
Speaker 19: It's not happened to just stop, go do something else.

1994
01:19:14,600 --> 01:19:20,839
Speaker 19: And you know, I've had rare occasions where I've dedicated

1995
01:19:20,920 --> 01:19:23,840
Speaker 19: time to go do something like that that that happens.

1996
01:19:23,840 --> 01:19:26,080
Speaker 19: But I've certainly had it happens. That said, I've had

1997
01:19:26,360 --> 01:19:29,400
Speaker 19: writing plumas with people when I was a songwriter, and

1998
01:19:29,439 --> 01:19:32,679
Speaker 19: we'd be banging around on trying to beat our heads

1999
01:19:32,680 --> 01:19:34,800
Speaker 19: against a wall for two hours and then look at

2000
01:19:34,840 --> 01:19:36,759
Speaker 19: each other and just go, hey, let's just go to lunch.

2001
01:19:37,720 --> 01:19:40,280
Speaker 19: And you do that, and that's the day. And that's

2002
01:19:40,520 --> 01:19:45,000
Speaker 19: that's songwriting and being creative too. Like some days you're

2003
01:19:45,000 --> 01:19:47,040
Speaker 19: not going to have it, but if you, you know,

2004
01:19:47,320 --> 01:19:51,640
Speaker 19: can have enough presence of mind to.

2005
01:19:50,160 --> 01:19:50,800
Speaker 10: Just walk away.

2006
01:19:51,600 --> 01:19:53,800
Speaker 6: Is that where Salisbury's Steak was written? That song that's

2007
01:19:53,800 --> 01:19:55,639
Speaker 6: my favorite song here, Salisbury's Steak was that at lunch.

2008
01:19:56,040 --> 01:20:00,479
Speaker 19: I have no idea, but listen, I I could have

2009
01:20:00,520 --> 01:20:01,960
Speaker 19: written a song like that in my twenties.

2010
01:20:02,080 --> 01:20:02,759
Speaker 10: I don't remember.

2011
01:20:03,439 --> 01:20:03,680
Speaker 5: You know.

2012
01:20:04,400 --> 01:20:08,080
Speaker 6: So, Okay, you're on the road, you're playing these shows,

2013
01:20:08,120 --> 01:20:10,960
Speaker 6: you play these songs that you've either written or that

2014
01:20:11,000 --> 01:20:13,840
Speaker 6: you've you've picked, like the John Fogerty song, or we

2015
01:20:13,880 --> 01:20:15,160
Speaker 6: go back to some of the great covers that you

2016
01:20:15,160 --> 01:20:17,439
Speaker 6: put on your records. Do you have a This is

2017
01:20:17,479 --> 01:20:19,439
Speaker 6: such a cliche question, but I love asking do you

2018
01:20:19,479 --> 01:20:20,479
Speaker 6: have a favorite song?

2019
01:20:20,600 --> 01:20:22,759
Speaker 5: Right now that you play a favorite song?

2020
01:20:22,840 --> 01:20:23,080
Speaker 11: Yeah?

2021
01:20:23,120 --> 01:20:23,639
Speaker 5: What do you like.

2022
01:20:23,560 --> 01:20:26,800
Speaker 6: Playing the most? You see it coming up in the

2023
01:20:26,800 --> 01:20:28,160
Speaker 6: set less You're like, man, this is what I'm looking

2024
01:20:28,120 --> 01:20:28,439
Speaker 6: forward to.

2025
01:20:31,240 --> 01:20:32,360
Speaker 10: I look forward to playing.

2026
01:20:32,560 --> 01:20:35,160
Speaker 19: I was wrong a lot just because you know, I

2027
01:20:35,200 --> 01:20:38,000
Speaker 19: get to we extended and played like a bunch of

2028
01:20:38,040 --> 01:20:40,880
Speaker 19: guitar on the end. And so as a singer who

2029
01:20:40,960 --> 01:20:44,800
Speaker 19: likes to play guitar, I'm you know, I like to

2030
01:20:44,840 --> 01:20:45,200
Speaker 19: do that.

2031
01:20:45,760 --> 01:20:47,920
Speaker 6: You know, John Mayer plays with Dead and Company? Right,

2032
01:20:47,960 --> 01:20:51,000
Speaker 6: so he goes, would you ever not with Grateful Dead,

2033
01:20:51,040 --> 01:20:53,800
Speaker 6: Dead and Company? But is that intriguing exciting to you?

2034
01:20:53,840 --> 01:20:55,479
Speaker 6: If somebody was like, hey, some famous man like the

2035
01:20:55,520 --> 01:20:57,280
Speaker 6: Eagles or something like, hey, would you play guitar for

2036
01:20:57,320 --> 01:20:59,559
Speaker 6: us for three shows? But only guitar where you don't

2037
01:20:59,560 --> 01:20:59,960
Speaker 6: have to sing?

2038
01:21:00,240 --> 01:21:00,439
Speaker 10: Yes?

2039
01:21:00,520 --> 01:21:01,160
Speaker 5: But that be fine?

2040
01:21:01,200 --> 01:21:03,679
Speaker 19: Oh yeah, and that's Those are my favorite calls sometimes

2041
01:21:03,680 --> 01:21:06,320
Speaker 19: when people call me just to come play guitar on

2042
01:21:06,439 --> 01:21:11,599
Speaker 19: something because you know, I secretly really love.

2043
01:21:11,439 --> 01:21:14,120
Speaker 10: That, you know, not secretly. I'm publicly setting right here.

2044
01:21:14,240 --> 01:21:16,759
Speaker 19: My favorite thing is to get a call to not sing,

2045
01:21:17,800 --> 01:21:20,679
Speaker 19: you know that's weird, or or or just to write

2046
01:21:21,040 --> 01:21:24,120
Speaker 19: with somebody for something they're doing and not because it

2047
01:21:24,200 --> 01:21:25,080
Speaker 19: has to be a duet.

2048
01:21:25,880 --> 01:21:27,000
Speaker 10: Those are the things that.

2049
01:21:27,600 --> 01:21:29,160
Speaker 6: So not to write for you to sing on, but

2050
01:21:29,240 --> 01:21:33,759
Speaker 6: just they just want your your writing perspective ability.

2051
01:21:33,880 --> 01:21:34,080
Speaker 10: Yeah.

2052
01:21:34,080 --> 01:21:37,360
Speaker 19: I love to do that because it allows you there's

2053
01:21:37,360 --> 01:21:41,960
Speaker 19: so much more. I'm trying to get somebody else's thing

2054
01:21:42,040 --> 01:21:45,320
Speaker 19: and help them get to whatever they're looking for and

2055
01:21:45,720 --> 01:21:51,919
Speaker 19: in my own way. And that's a really fun creative

2056
01:21:51,920 --> 01:21:55,280
Speaker 19: space to be in for me because I don't do

2057
01:21:55,320 --> 01:21:55,920
Speaker 19: that all the time.

2058
01:21:56,439 --> 01:21:58,120
Speaker 6: Well, I gotta write you over not to sing. That's

2059
01:21:58,120 --> 01:22:00,000
Speaker 6: pretty easy. Hey, come over, man, just don't sing. Yeah,

2060
01:22:00,080 --> 01:22:03,600
Speaker 6: to hang out Chris Stapleton tonight, you guys watched the ACMs.

2061
01:22:03,720 --> 01:22:07,920
Speaker 6: Please it is on Amazon Prime. Are you playing tonight?

2062
01:22:08,840 --> 01:22:09,160
Speaker 5: You're not.

2063
01:22:09,600 --> 01:22:11,559
Speaker 6: And that's why you're going because they, like Chris, want

2064
01:22:11,600 --> 01:22:12,479
Speaker 6: you to come, but don't play.

2065
01:22:12,520 --> 01:22:13,080
Speaker 5: That's what I heard.

2066
01:22:13,160 --> 01:22:15,479
Speaker 6: They wanted you not said please never play. And then

2067
01:22:15,479 --> 01:22:17,439
Speaker 6: you're like, my favorite call is not to play, So

2068
01:22:17,479 --> 01:22:18,160
Speaker 6: I'm going to be there.

2069
01:22:18,600 --> 01:22:20,800
Speaker 19: Well, we don't really I mean, we're at the end

2070
01:22:20,840 --> 01:22:24,840
Speaker 19: of an album cycle. With that we've there wasn't much

2071
01:22:24,880 --> 01:22:26,680
Speaker 19: reason for us to play, so we just pumped the

2072
01:22:26,720 --> 01:22:28,000
Speaker 19: brakes and we'll show up and.

2073
01:22:28,920 --> 01:22:29,960
Speaker 10: Be there, be present.

2074
01:22:30,120 --> 01:22:31,760
Speaker 6: But if we're at the end of one, is it

2075
01:22:31,840 --> 01:22:35,360
Speaker 6: almost a rebirth of another album cycle?

2076
01:22:36,400 --> 01:22:36,760
Speaker 10: Could be?

2077
01:22:37,000 --> 01:22:41,160
Speaker 6: Yes, they're yes, they're okay. There he is Chris Staple.

2078
01:22:41,240 --> 01:22:42,320
Speaker 6: He just said it here. He's got a brand new

2079
01:22:42,320 --> 01:22:44,160
Speaker 6: album coming out called Salisbury's Steak.

2080
01:22:46,520 --> 01:22:47,320
Speaker 10: It was untitled.

2081
01:22:48,880 --> 01:22:51,679
Speaker 6: All right, you guys follow Chris at Chris Stapleton. Chris,

2082
01:22:51,760 --> 01:22:53,479
Speaker 6: you know, I love you man, just as dude, just

2083
01:22:53,600 --> 01:22:57,280
Speaker 6: as obviously your music is fantastic. But you guys go

2084
01:22:57,320 --> 01:23:01,000
Speaker 6: see Chris. The show is with George straight That's gotta

2085
01:23:01,000 --> 01:23:01,519
Speaker 6: be crazy.

2086
01:23:01,920 --> 01:23:02,679
Speaker 5: That's gotta be crazy.

2087
01:23:02,680 --> 01:23:03,439
Speaker 10: It's insane, man.

2088
01:23:05,479 --> 01:23:07,559
Speaker 19: We had played a few of those kind of shows before,

2089
01:23:07,800 --> 01:23:10,519
Speaker 19: and I just bugged George to do some more because

2090
01:23:10,560 --> 01:23:10,960
Speaker 19: it's fun.

2091
01:23:11,000 --> 01:23:14,639
Speaker 10: It's a great bill to be on. It's George straight Man,

2092
01:23:14,800 --> 01:23:15,559
Speaker 10: George straight Man.

2093
01:23:15,560 --> 01:23:18,240
Speaker 6: You know that's right, all right there he has ACMs Tonight,

2094
01:23:18,360 --> 01:23:21,920
Speaker 6: Amazon Prime. Clap your hands for Chris Staple toon everybody.

2095
01:23:24,080 --> 01:23:27,840
Speaker 8: It's the best bits of the week with Morgan number two.

2096
01:23:29,000 --> 01:23:31,120
Speaker 3: That's it for me this week y'all. It's been great

2097
01:23:31,240 --> 01:23:33,160
Speaker 3: hanging out with you guys again. Go check out Part

2098
01:23:33,200 --> 01:23:33,800
Speaker 3: one with Eddie.

2099
01:23:34,040 --> 01:23:37,240
Speaker 2: You will love it. We also gave some TV recommendations and.

2100
01:23:37,520 --> 01:23:40,360
Speaker 3: If Taylor Swift concert that I went to in Nashville

2101
01:23:40,560 --> 01:23:42,920
Speaker 3: actually lived up to the hype, I promise some good

2102
01:23:42,960 --> 01:23:45,559
Speaker 3: stuff over there that'll make you laugh, make you feel

2103
01:23:45,640 --> 01:23:48,400
Speaker 3: seen or heard. That's, you know, kind of the vibe

2104
01:23:48,439 --> 01:23:50,559
Speaker 3: we were going for this weekend, Eddie and I and

2105
01:23:50,600 --> 01:23:52,639
Speaker 3: you can follow me on all the things at web

2106
01:23:52,680 --> 01:23:54,439
Speaker 3: Girl Morgan. You can come hang out with me there,

2107
01:23:54,439 --> 01:23:57,320
Speaker 3: but of course please also follow the show at Bobby

2108
01:23:57,360 --> 01:23:57,760
Speaker 3: Bone Show.

2109
01:23:57,760 --> 01:23:59,720
Speaker 2: There's more content up there than I ever get to

2110
01:23:59,720 --> 01:24:01,919
Speaker 2: talk to you guys about here. So go watch the videos.

2111
01:24:01,960 --> 01:24:05,760
Speaker 3: We're on TikTok, Instagram, Twitter, YouTube, Facebook, you name it,

2112
01:24:05,800 --> 01:24:06,240
Speaker 3: we're there.

2113
01:24:06,600 --> 01:24:09,000
Speaker 2: You guys have a fabulous Mother's Day weekend. Go call

2114
01:24:09,040 --> 01:24:10,760
Speaker 2: your mom. I love you. Bye.

2115
01:24:12,160 --> 01:24:15,400
Speaker 8: Come No Bobby Boney, Bobby Bones