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Speaker 1: No Willian.

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Speaker 2: Doctor. We are back. Yes, we are middle of the week.

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Speaker 3: Yes it is.

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Speaker 2: How's everyone feeling?

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Speaker 3: It's just me and you and here Roy. You can't

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Speaker 3: ask how everyone's feeling. It's just me.

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Speaker 2: Just asks me how I'm feeling. Well. Peter is here too.

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Speaker 4: You want me to get into it, so Jake check

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Speaker 4: this out right right? Oh listen, you know I love it.

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Speaker 4: Everyone relaxed, Everyone relaxed.

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Speaker 3: All right, let me sit my water man. It's not

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Speaker 3: really water, but I'm gonna call it.

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Speaker 1: Water before we start. No one wins when the family fuse.

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Speaker 1: I will just make that clear. That may have nothing

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Speaker 1: to do with what you're about to say. I'm just

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Speaker 1: saying no.

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Speaker 4: One will will when the family I mean, yes, the

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Speaker 4: song one somebody in the family gonna win may not

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Speaker 4: be you.

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Speaker 1: We are back sponsored by Boost. Also this weekend we

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Speaker 1: have our merch pop up shop.

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Speaker 4: Yes sir, Cafe Go Moto two eighty six Broome Street

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Speaker 4: This Saturday. Come check us out one pm to six pm.

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Speaker 4: We will be in the building. Shout out to see,

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Speaker 4: shout out to call everybody over there. Cafe Cole Model.

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Speaker 2: Yeah, we picked the menu today.

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Speaker 4: We have some some beverages named after obs, beverages, good vibes,

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Speaker 4: good food, good music, good eats, good conversations, good domino games.

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Speaker 4: Excuse me, bones, play some bones, fair play some bones.

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Speaker 4: Just come on, have a good time, man. We go

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Speaker 4: kick it for a few hours.

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Speaker 2: Man.

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Speaker 1: Also, we're doing a little bit of intern hazing as well,

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Speaker 1: our intern.

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Speaker 3: Ryan, Ryan, you're out of here. It was a good run. Baby.

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Speaker 1: He also DJs, but I mean Ryan was also born

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Speaker 1: I think in in twenty fifteen or something.

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Speaker 3: Yeah, twenty seventeen, just count.

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Speaker 1: So you know, we got to give him some time

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Speaker 1: to grow. But if you'd like to in turn shame,

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Speaker 1: come early because he will be on the wheels of steal.

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Speaker 2: Yes, and we will be very critical of every transition

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Speaker 2: that he does.

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Speaker 3: Yes, you can, you can.

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Speaker 4: You can record him and post him and let the

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Speaker 4: people know on your feet if he's terrible or not.

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Speaker 3: But Ryan will be DJ. Shoutout to our God.

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Speaker 2: Ryan.

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Speaker 1: He had me today that I hope he feels better.

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Speaker 1: He said he was sick, couldn't come in today. I

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Speaker 1: kind of felt like maybe he was trying to take

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Speaker 1: the tom to.

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Speaker 4: Yeah, to lock in and get it sick, get a

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Speaker 4: serader together. You're Ryan Rord take it nextra day and

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Speaker 4: get your serado together. It's all good man.

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Speaker 2: Yeah.

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Speaker 1: That or he was so excited that Yeat put out

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Speaker 1: an interview. Yeah, he couldn't make it here.

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Speaker 3: Probably both, probably both.

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Speaker 2: How much heat do you think is of beating the set?

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Speaker 2: I hope none, but nah.

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Speaker 4: Anybody has some eating it though, But I don't know

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Speaker 4: if it's Yeat vibes though?

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Speaker 2: Is Yeat that early in today?

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Speaker 3: The heat?

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Speaker 2: Where where does heat vibe?

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Speaker 4: I mean, you know, he Eat is a little uptempos,

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Speaker 4: a little you know what I mean. It's teenage mosh,

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Speaker 4: little rumbunksious. Did you see the Yeat track list feature

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Speaker 4: think they have? Yeah, it's like the weird of the world.

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Speaker 4: He has, Sir Elton John on there.

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Speaker 3: Yeah, man, listen, got the complexion for the connection.

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Speaker 2: I'm not here to shoot on you know how we

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Speaker 2: got down that path.

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Speaker 1: Shout out to ya Saturday. We will be there also.

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Speaker 1: Our brother Jerald Prince Miller just put out an episode

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Speaker 1: today with Joey Melino. O G. That is the Old Rage.

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Speaker 1: The Old gis great. Great episode. Shout out to Joey Molino.

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Speaker 1: Shout out to Snuff Skinny. Joey's cheese steaks.

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Speaker 3: Man, Yes, sir, when we gotta go down to Skinny Joey's.

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Speaker 2: Yeah, he said, I think they'll be there in two weeks.

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Speaker 1: He said for us to come down, all right, because

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Speaker 1: I think him in printing doing something.

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Speaker 4: I didn't dare ask Joey and and and a little

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Speaker 4: snuff to uh make a vegan cheese cheese steak.

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Speaker 2: I thought I thought they would.

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Speaker 4: What I for great, I just didn't think to to like, Yo, Yeah,

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Speaker 4: I ain't got a vegan cheese steak on the media.

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Speaker 1: I don't think of a fifty year old Italian man

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Speaker 1: from South Philly wouldn't be progressive like.

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Speaker 3: I just I just don't think so. I just don't

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Speaker 3: think so.

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Speaker 2: So.

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Speaker 3: But we're gonna go down there and check them out,

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Speaker 3: suppor the guys anyway.

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Speaker 2: Though, Yeah, absolutely, But yes I feared today.

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Speaker 3: Wow, man, So what what are you scared of? Man?

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Speaker 2: You know, when action stop, you don't have to act.

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Speaker 4: But yo, I'm so mad y'all didn't let us let

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Speaker 4: me let that clip go out. Man? When I was

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Speaker 4: a h I mean, you want a little and we

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Speaker 4: thought we were protecting you.

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Speaker 2: I don't know, maybe that was what.

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Speaker 4: Let me get my ship off sometimes, man, come on, man,

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Speaker 4: it's kind of what what was needed for sure, But yes,

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Speaker 4: I didn't want to be responsible for any family feuds today,

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Speaker 4: so I may I saw it a few times and

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Speaker 4: kind of let you rock.

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Speaker 1: Jay Z has been doing a lot of announcements, even

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Speaker 1: added extra innings because the Blueprint and Reasonable Doubt show

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Speaker 1: sold out so quickly. Yes, sir, he did an interview

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Speaker 1: with GQ that came out two days ago. Yes, sir,

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Speaker 1: with our guy Fraser.

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Speaker 4: Shout out the Fraser great interview and yeah, slew to him,

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Speaker 4: answered in a deska.

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Speaker 1: I just think it's great to shout in odeska see

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Speaker 1: great young journalists getting the looks that they deserve. I

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Speaker 1: was very happy that that Fraser did this interview. Where

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Speaker 1: do you want to begin? Should we talk about all

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Speaker 1: the positive things?

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Speaker 2: Sure? I think most of it was positive. It's always

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Speaker 2: good to hear jay Z.

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Speaker 1: Yeah, yeah, absolutely, but that's not what anyone focused on.

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Speaker 1: What he gave like a lot of gems and in

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Speaker 1: wise words that we could all live by. But nobody

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Speaker 1: really wanted to hear any of that.

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Speaker 2: They wanted to hear what's your opinion on RATB?

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Speaker 1: Yeah?

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Speaker 3: You know that you know, they want to hear.

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Speaker 4: But I understandably, right jabing who he is and having

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Speaker 4: gone through uh another one of the biggest battles in

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Speaker 4: our culture with him and ours, we would have.

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Speaker 2: Killed Fraser if he didn't ask that question. Yeah, he

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Speaker 2: had to.

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Speaker 3: He had to.

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Speaker 2: He had to ask that.

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Speaker 1: But I mean, in ironically the response to that is

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Speaker 1: kind of what Jay was getting at. He was suggesting

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Speaker 1: that maybe where the stakes are now and where rap

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Speaker 1: is now, the rap beef may not be healthy for

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Speaker 1: the culture the way that it is weaponized, where it's

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Speaker 1: you know, trying to ruin people's lives. The stands on

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Speaker 1: the internet all come together to try and ruin your family,

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Speaker 1: and you know, maybe that's not the best way to

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Speaker 1: push the culture forward. You can be competitive on a

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Speaker 1: record instead of doing a rap beef. There can still

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Speaker 1: be the competitive nature, but maybe it shouldn't be in

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Speaker 1: regards to how far maybe some of the recent beefs

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Speaker 1: have gone. And they fucking smoked him for saying that,

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Speaker 1: And I'm not mad at people for it.

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Speaker 4: Yeah, I understand the pushback that people have on that,

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Speaker 4: only only because I think it's necessary. I mean, if

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Speaker 4: you talk about you know and especially from holes standpoint.

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Speaker 4: I understand Jay is obviously the eldest statesman. Now he's

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Speaker 4: in a different space, you know, in his life where

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Speaker 4: he maybe views things obviously differently than he did when

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Speaker 4: he was so embedded in music and in rap and

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Speaker 4: in the competitive nature of it all. But I think

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Speaker 4: that that's part of it, man. I think that's you know,

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Speaker 4: battling is part of of hip hop, is part of rap.

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Speaker 3: It's a competitive thing. Who's the better MC.

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Speaker 4: You know, we have the debates all the time, whether

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Speaker 4: it's you know, in the barbershops, on the block, you know,

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Speaker 4: group chats, whether it's online now, you know, social media, wherever.

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Speaker 4: You have these conversations and these debates. Because it's all

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Speaker 4: subjective art. You know, people are going to listen to

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Speaker 4: things and they're going to pick their favorites and debate

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Speaker 4: them and say why I feel like this person is

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Speaker 4: better than that person.

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Speaker 3: I don't think you could ever remove that.

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Speaker 4: I do understand how things now are, you know, discussed,

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Speaker 4: is a little differently. It's a little more polarizing because

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Speaker 4: so many people have or what can be heard or

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Speaker 4: be seen via social media. But I don't think we

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Speaker 4: we you know, getting rid of it or it not

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Speaker 4: being healthy or you know, progressive for rap.

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Speaker 3: I don't agree with that, you you.

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Speaker 4: Know, because you always gotta you always got to figure

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Speaker 4: out through rap and through and through art you know,

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Speaker 4: who's the better artists, who's the better you know, especially

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Speaker 4: in rap, Like that's just I don't know what rap

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Speaker 4: is without that?

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Speaker 1: Well can you can you do that in the way

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Speaker 1: that that Jay said. As far as being competitive on

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Speaker 1: a record together.

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Speaker 3: Yeah, you can.

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Speaker 4: Absolutely. I think it's both. I think you can be

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Speaker 4: competitive on the record. And I think that you know,

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Speaker 4: in times, uh you know, MC's and artists are going

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Speaker 4: to have disagreements or have you know, ways they feel

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Speaker 4: about each other, and if if they decide to express

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Speaker 4: that through the music, you know, I would rather than

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Speaker 4: do it through the music than to actually run into

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Speaker 4: each other in the streets and it become physical. And

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Speaker 4: of course, yeah, so I would. I would rather be that.

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Speaker 4: I would rather it be through the music and us

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Speaker 4: to you know, display your skill set through through through

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Speaker 4: rap than to for it to turn physical.

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Speaker 3: And then that's what we don't need, you know what

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Speaker 3: I mean.

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Speaker 4: But I don't want to, you know, And again I

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Speaker 4: understand and then Jay spoke to it. You know, he

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Speaker 4: sounds like the old guy wagging his finger, you know

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Speaker 4: what I mean, like and it's like, yeah, I mean

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Speaker 4: it's you know, like Jay had to go through it,

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Speaker 4: you know, and other artists that thought that they were

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Speaker 4: the best or whether they had the best. You go

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Speaker 4: through those moments where it's like, nah, I'm better than you,

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Speaker 4: I'm the best, and it's like, okay, well, if you

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Speaker 4: the best and show me you the bet, I just don't.

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Speaker 3: That's something that has always been a part of it.

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Speaker 1: Well, you can also come across as not just the

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Speaker 1: old man that's wagging his finger or you know, you

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Speaker 1: also come across as like the hypocritical pastor to some degree,

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Speaker 1: like I'm not saying you can't change and grow, but

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Speaker 1: don't wag your finger at us when you were rapping

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Speaker 1: about putting condoms on baby seats and skeating in a jeep.

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Speaker 1: Well like, and I'm not saying Jay, that was you

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Speaker 1: know what twenty years ago. Of course, you grow and

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Speaker 1: look at different perspectives. I've had different perspectives of rap

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Speaker 1: Beep as of late, not to the degree that Jay has,

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Speaker 1: but more so on the side of what it's done

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Speaker 1: to fandom. I think that's where I think the stand

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Speaker 1: shit is getting a little too toxic and nothing to

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Speaker 1: do with music. But I kind of hear him on

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Speaker 1: the Kendrick Drake thing to some degree. But eight months

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Speaker 1: later we got an extremely healthy rap battle with Joey

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Speaker 1: Badass Daylight right like it can still happen. It just

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Speaker 1: so happens that that battle was it was the biggest

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Speaker 1: battle of all time with two A list artists that

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Speaker 1: already had stands, and then new stands came about it

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Speaker 1: and they're just fucking weird. But you had a great

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Speaker 1: example of another battle that had nothing to do with

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Speaker 1: the toxic shit the JYM was talking about.

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Speaker 4: Yes, you're right, but also to add to that, Tuto Rory,

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Speaker 4: I think the one piece and you know, I've read

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Speaker 4: comments and things over the last how many days, and

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Speaker 4: you know people are like, oh, I'm kind of hearing

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Speaker 4: about this battle and out of that, well, when you

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Speaker 4: get you know, the guys that are the biggest guys

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Speaker 4: you know from the art form talking about it, then yes,

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Speaker 4: us as podcast is we're gonna talk about the battle

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Speaker 4: and what those guys are saying.

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Speaker 1: But oh no, you don't need to be vag Yeah,

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Speaker 1: I got Quintin Miller.

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Speaker 2: Sorry, man, We're gonna keep talking about it.

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Speaker 4: Oh yeah, yeah, yeah, Quinton, Yeah, We're gonna keep talking

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Speaker 4: about it. Yeah, We're definitely gonna keep talking about it.

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Speaker 1: But if j Cole is talking about it on the

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Speaker 1: press run, I'm gonna react.

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Speaker 2: To what Ja Cole said about and vice versa with hoo. Right.

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Speaker 4: But to add to what you were saying too, though, Rory,

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Speaker 4: I think that the one thing that I think people

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Speaker 4: keep forgetting about this and the thing that I think

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Speaker 4: turned it into something else. And you know, my story

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Speaker 4: and my stance has remained the same from day one.

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Speaker 4: I don't think Jay feels the way he feels about

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Speaker 4: this battle. If the word that was used wasn't there, okay, well,

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Speaker 4: then I think that changes everything in this battle because

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Speaker 4: we didn't feel that way after the Drake and Meek.

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Speaker 4: We didn't feel this way after the Drake and Pusher, right,

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Speaker 4: we didn't feel we didn't feel these ways like you al,

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Speaker 4: it was too toxic. It was too the fan bases

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Speaker 4: would get into but no one checked on Nikki after

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Speaker 4: the world tour line. You used to understand I'm saying,

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Speaker 4: but I think things completely changed and it was a

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Speaker 4: different energy introduced because something as disgusting and as egregious

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Speaker 4: as Pedophilia was introduced. That energy was because words have meaning,

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Speaker 4: they have power behind it. Once you introduce that energy

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Speaker 4: into this, it's a completely different thing now because the

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Speaker 4: energy changes from everybody. And I think that is that

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Speaker 4: is what turned this into something that became more mud slinging,

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Speaker 4: more you know of an attack, more of from from

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Speaker 4: both sides, from from from the artists, from the fan bases.

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Speaker 4: I think the energy completely changed because when we got

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Speaker 4: push ups and like that, the like that ver it

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Speaker 4: wasn't it didn't feel like that yet, right, It just

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Speaker 4: felt like, Okay, these are some of the best going

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Speaker 4: at it right.

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Speaker 3: That energy it was it. It was a familiar energy.

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Speaker 4: It was like okay, this is Drake and Kendrick's time now,

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Speaker 4: Like okay, cool.

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Speaker 1: But I think after pedophile that changed everything. Well, all right,

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Speaker 1: stans Ween, this camera stands. Let me let me teach

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Speaker 1: you how to stand. You can be a stand and

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Speaker 1: still be objective with who you stand for. I am

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Speaker 1: admitted who Avenger He's my favorite rapper. I think Hove

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Speaker 1: is an incredible person businessman, But that does not mean

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Speaker 1: I have to sit and fucking agree with every last

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Speaker 1: thing he said, because that is you are correct, but

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Speaker 1: that is extremely hypocritical when you then take that very

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Speaker 1: toxic thing that Jay is speaking to and you put

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Speaker 1: it on the largest platform ever with the Super Bowl.

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Speaker 2: Oh well, yeah, like, don't act like you didn't participate.

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Speaker 2: Don't act like you don't have to stand on your hands.

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Speaker 3: No, no, no, one hundred percent.

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Speaker 4: You know, And that was another part of it too,

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Speaker 4: because you know, Jay was like, you know, he spoke

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Speaker 4: that like, you know, the guy had a big year. Great,

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Speaker 4: understand it's correct. But but but now, and this is

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Speaker 4: the thing about it, and you know, and I think

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Speaker 4: that people for whatever reason, you know, they they because

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Speaker 4: it was a battle and you know, it's music that

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Speaker 4: they feel like, you know, Drake wasn't supposed to be

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Speaker 4: so offended by that. You know, it's just rap, and

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Speaker 4: it's like no, no, no, no, no, no no. Because

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Speaker 4: the same way Jay sat there and spoke about the

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Speaker 4: egregious allegations towards him about sexual assault on a thirteen

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Speaker 4: year old, which would make somebody that sexually assaults a

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Speaker 4: thirteen year old a pedophile, right, So it's one and

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Speaker 4: the same. It's like, those claims are so egregious, But

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Speaker 4: just because one is coming from an alleged victim and

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Speaker 4: an attorney and one is coming from an artist doesn't

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Speaker 4: make it any difference to me. It's like, and like

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Speaker 4: Jay said, once you claim, once you say that, once

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Speaker 4: you make those claims, you have to be willing to

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Speaker 4: stand on that. Yeah, because again we're talking about halfway

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Speaker 4: sure about that. You can't. You can't, I think, no, no, no, no,

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Speaker 4: no no. You have to be one million percent sure

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Speaker 4: of what you're saying and understand the ramifications in the

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Speaker 4: weight behind what you're saying.

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Speaker 2: But okay, I hear you.

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Speaker 1: What is different between a filed lawsuit and a rap battle?

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Speaker 1: Now different too? Oh I'm not telling uh Jay or

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Speaker 1: or Drake. I would never tell them how to feel

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Speaker 1: about that. Yeah, I would be, but you can understand

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Speaker 1: how highly upset if somebody said that about me, even

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Speaker 1: if there was no lawsuit and someone just say, yeah,

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Speaker 1: you know what Rory be doing on WEE guess I

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Speaker 1: would feel like fucking well, Okay, So, but I mean

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Speaker 1: I do think what the paydwork thing is is different,

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Speaker 1: But I yes, hope contradicted himself a bit in that,

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Speaker 1: because where was even a bit more contradictory is let's

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Speaker 1: say he is just talking about the standarm and not

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Speaker 1: talking about the lyrics, because he did talk with Michael

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Speaker 1: Eric Diyson about, Hey, I think you're overthinking this whole thing.

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Speaker 2: It was just a rap battle.

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Speaker 1: So let's say isn't talking about what's happening in the

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Speaker 1: actual lyrics. It is about empowering the stand culture that's

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Speaker 1: gonna dox the other side's family and do all this

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Speaker 1: other weird shit on the internet and like really fuck

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Speaker 1: with people's lives, like you got barbs that will put

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Speaker 1: someone's address of their mother's house Like that is very toxic.

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Speaker 1: And yes, rat beef has definitely contributed to that heightening

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Speaker 1: for sure, but either but those people are crazy anyways,

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Speaker 1: they'll do it regardless even if there's a beef. You

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Speaker 1: enabled them even more with the Super Bowl. Let's not

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Speaker 1: act like the k bots and the ov Hose did

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Speaker 1: not go even crazier once Jay gave Kendrick the opportunity

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Speaker 1: at the Super Bowl to look in a fucking camera

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Speaker 1: in a red camera and go, Drake heard you like

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Speaker 1: I'm young in a whole stadium to say pedophile. So

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Speaker 1: either way, however, Hove looking at it with the toxic

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Speaker 1: part that shouldn't be here, you definitely contributed to it.

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Speaker 1: You did to amplifying, yes, and adding even more fuel

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Speaker 1: to the fire with the toxic shit that he's talking

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Speaker 1: about that I do agree with when it comes to

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Speaker 1: the internet and stead agree. Yeah, but that made it

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Speaker 1: ten times worse. But he also is correct. His job

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Speaker 1: is to get the biggest artists. He said, why would

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Speaker 1: someone get mad about bad Bunny? He's the number one

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Speaker 1: streaming artist. I don't even so why would they even

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Speaker 1: to be pushback? Kendrick had a fucking crazy year. Of

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Speaker 1: course I'm gonna book them. But no, you kind of

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Speaker 1: have to you kind of have to just sit down

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Speaker 1: and shut up a little bit if you're doing that,

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Speaker 1: Like you could feel that way quietly, but you can't

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Speaker 1: say that and then contribute the way that you contributed.

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Speaker 4: Well, it's again because he's a businessman and it's his

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Speaker 4: role to you know, as you know, being in charge

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Speaker 4: of the super Bowl halftime showing entertainment, to put on

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Speaker 4: and put forth the best show possible.

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Speaker 5: Yeah.

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Speaker 2: Right, but but like you said.

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Speaker 4: Yeah, Kendrick, as far as number wise that year twenty

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Speaker 4: twenty four amazing, But as coming off of what though

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Speaker 4: coming off like you said, that energy that was there,

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Speaker 4: those you know, introducing that energy into a battle, which

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Speaker 4: turned it into something else, which turned it into a

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Speaker 4: more uh it felt like a more personal attack.

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Speaker 2: Yeah, right, sure, and and and and again.

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Speaker 4: We've had the conversation numerous times, and my stand has

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Speaker 4: always been the same, that to me is the worst

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Speaker 4: thing you could ever possibly call somebody. So to amplify that,

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Speaker 4: like you're saying, to put that now on the biggest

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Speaker 4: stage probably in American sports culture, to put that message

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Speaker 4: in that energy, naturally, it amplifies.

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Speaker 3: It, and it gives it more more, more energy, more life.

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Speaker 1: And I honestly, really I don't have a issue with

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Speaker 1: Jay doing that. I'm saying you have to be consistent

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Speaker 1: in your argument and your outrage with with both those things.

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Speaker 2: You can geel that way. But also like they just

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Speaker 2: then understand we're all hypocrits.

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Speaker 1: I'm not thinking Jay doesn't have a right to do that,

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Speaker 1: and then also be like, yeah, this shit is kind

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Speaker 1: of nuts what we're doing right now, Like he's not

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Speaker 1: the first one quest Love who we know has contributed

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Speaker 1: to this culture mount rushmore versions of how much we

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Speaker 1: know quest love to love hip hop.

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Speaker 2: He got smoked. I think it was the first week

401
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Speaker 2: of the battle. He tweeted. He was like, I don't know, man,

402
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Speaker 2: this is I don't know if I like.

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Speaker 1: This, this type of rat battle, Like this is just

404
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Speaker 1: getting weird, and and they smoked him like, way, I

405
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Speaker 1: thought you was all about the culture battle, Like you

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Speaker 1: can also get older and be like, I just don't

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Speaker 1: feel good about that.

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Speaker 4: No, it's it's a it's a real thing, like it's

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Speaker 4: but again, I don't think the the answer is we

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Speaker 4: shouldn't have that be a part of the culture. I

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Speaker 4: think every every artist, every generation has their moment, they

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Speaker 4: have their time on the stage, they have their their

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Speaker 4: time to go through the things that you know that

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Speaker 4: the guys went before them went, And I just think

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Speaker 4: that was the time for Drake and Kendrick.

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Speaker 3: To have that moment.

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Speaker 4: Now, looking back, yes, we understand that, you know, things happen,

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Speaker 4: things were said. That's you know, especially when you're an

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Speaker 4: elder states when you're like, yo, that y'all kind of

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Speaker 4: y'all wildn you know what I'm saying.

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Speaker 3: And I understand that, But like you're saying.

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Speaker 4: At the same time, yes, that was wild, and those

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Speaker 4: you know, claims are in gregious and discussion. That's the

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Speaker 4: worst thing you could ever put on somebody, especially when

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Speaker 4: it's not true. But then we didn't reward it with

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Speaker 4: a halftime show.

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Speaker 3: We rewarded with a Grammy. You know what I'm saying.

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Speaker 4: It's like, it's it's so many other things that we

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Speaker 4: have to look at around that it's like, yo, yeah,

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Speaker 4: I get it and understanding. I think that it went

431
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Speaker 4: too far and things was said that I shouldn't have

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Speaker 4: been said, But there was a lot of support behind

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Speaker 4: that record and a lot of you know, uh, rewarding

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Speaker 4: of that song. There was a lot of it throughout

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Speaker 4: the industry. So yes, two things can be true. It

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Speaker 4: went to your answer to it, Jimmy, I think it

437
00:21:01,200 --> 00:21:03,680
Speaker 4: went too far. It was nasty, but at the same time,

438
00:21:04,160 --> 00:21:09,800
Speaker 4: people rewarded it. Sure, people applauded it. And at the

439
00:21:10,080 --> 00:21:11,399
Speaker 4: at the end of the day, he's a guy on

440
00:21:11,400 --> 00:21:14,480
Speaker 4: the other end of that. Dad has to sit back

441
00:21:14,520 --> 00:21:18,200
Speaker 4: who has helped and put money in plenty of these

442
00:21:18,240 --> 00:21:21,880
Speaker 4: same people's pockets throughout the years. He has to sit

443
00:21:21,960 --> 00:21:24,720
Speaker 4: back and then watch that happen and watch that unfold,

444
00:21:24,720 --> 00:21:26,960
Speaker 4: and watch people that he felt like he had a

445
00:21:27,040 --> 00:21:30,120
Speaker 4: relationship with and he had, you know, a good rapport

446
00:21:30,160 --> 00:21:35,520
Speaker 4: with support such a disgusting claim and accusation about the

447
00:21:35,560 --> 00:21:38,800
Speaker 4: man that he is. You know, yeah, it's unfortunate, but

448
00:21:38,840 --> 00:21:41,760
Speaker 4: you know, at the same time, people people profited off

449
00:21:41,760 --> 00:21:44,119
Speaker 4: of that. People profited off of that energy and that

450
00:21:44,160 --> 00:21:48,040
Speaker 4: message and that that disgusting you know, accusation and claim.

451
00:21:48,200 --> 00:21:50,480
Speaker 4: Like a lot of people profited off of that, So

452
00:21:50,560 --> 00:21:53,840
Speaker 4: I get it. Yes, I do think it's different.

453
00:21:53,560 --> 00:21:55,919
Speaker 2: These days with with with with you know, shit, we.

454
00:21:56,000 --> 00:21:59,520
Speaker 4: Fan bases, we profited off it, right, I do think

455
00:21:59,560 --> 00:22:01,719
Speaker 4: it's different these days with fan bases and things like that.

456
00:22:01,760 --> 00:22:04,080
Speaker 4: I think it's you know, everybody has a you know,

457
00:22:04,520 --> 00:22:05,320
Speaker 4: I guess a voice.

458
00:22:05,320 --> 00:22:06,719
Speaker 3: They feel like they can voice their opinion.

459
00:22:06,760 --> 00:22:09,800
Speaker 4: Everybody can be seen because everybody can jump on social

460
00:22:09,840 --> 00:22:10,719
Speaker 4: media and chime in.

461
00:22:10,800 --> 00:22:12,160
Speaker 3: So I get the energy just.

462
00:22:12,080 --> 00:22:16,280
Speaker 4: Feels a little more divisive and a little more you know, nasty,

463
00:22:16,320 --> 00:22:19,320
Speaker 4: and it's more of an attack type of vibe behind it.

464
00:22:20,240 --> 00:22:21,720
Speaker 4: But at the same time, you know a lot of

465
00:22:21,720 --> 00:22:24,760
Speaker 4: people still profited off of it and also amplified and

466
00:22:25,119 --> 00:22:27,360
Speaker 4: helped plant that message.

467
00:22:27,359 --> 00:22:28,600
Speaker 3: And that energy on the stage.

468
00:22:29,119 --> 00:22:30,720
Speaker 1: I want to be careful with my words here because

469
00:22:30,840 --> 00:22:34,920
Speaker 1: I do still want to go to those concerts where

470
00:22:35,440 --> 00:22:37,440
Speaker 1: when Jay's saying things that come along with the rap

471
00:22:37,480 --> 00:22:40,640
Speaker 1: beef that are bad outside of what's on record, shit

472
00:22:40,640 --> 00:22:44,280
Speaker 1: that happens off record that comes with it. Jay has

473
00:22:44,280 --> 00:22:46,160
Speaker 1: been accused. I'm not saying this to be a fact.

474
00:22:46,200 --> 00:22:48,840
Speaker 1: It's always just been a rumor and accusations. Three sides

475
00:22:48,880 --> 00:22:51,159
Speaker 1: to every story Jay has been accused of. If you

476
00:22:51,240 --> 00:22:54,760
Speaker 1: beef with him, there's times you get black balled behind

477
00:22:54,760 --> 00:22:59,280
Speaker 1: the scenes. There's moves that some people have said words

478
00:22:59,320 --> 00:23:01,520
Speaker 1: about Jay on recD and we never saw them again,

479
00:23:02,320 --> 00:23:05,560
Speaker 1: not like they died, but like you know, their career

480
00:23:05,600 --> 00:23:07,520
Speaker 1: was over. We've heard a lot of stories, but listen,

481
00:23:07,560 --> 00:23:09,560
Speaker 1: a lot of people tell their version when they don't

482
00:23:09,600 --> 00:23:12,280
Speaker 1: fully understand something. I'm not here to say Jay did that,

483
00:23:12,320 --> 00:23:15,600
Speaker 1: but that was always a running rumor when Jay was

484
00:23:15,720 --> 00:23:18,440
Speaker 1: more active in rap. Because yes, there's the Jay and

485
00:23:18,840 --> 00:23:21,000
Speaker 1: NAS one because it was direct records back and forth.

486
00:23:21,240 --> 00:23:26,520
Speaker 1: But Jay has been in subliminal battles with twenty five rappers,

487
00:23:26,560 --> 00:23:28,720
Speaker 1: probably like at this point that maybe you didn't catch

488
00:23:28,720 --> 00:23:31,000
Speaker 1: if you weren't like a super fan. But you always

489
00:23:31,040 --> 00:23:35,880
Speaker 1: heard that Jay was behind the scenes doing business tactics

490
00:23:36,000 --> 00:23:39,160
Speaker 1: to really get at you. Is that too far because

491
00:23:39,160 --> 00:23:43,399
Speaker 1: that fucks with somebody's livelihood, family, dreams, everything. If I

492
00:23:43,440 --> 00:23:45,000
Speaker 1: say something about you on WAX and we just keep

493
00:23:45,000 --> 00:23:48,240
Speaker 1: it on wax, why are you now making moves behind

494
00:23:48,240 --> 00:23:52,040
Speaker 1: the scene that's affecting my income and my opportunities within

495
00:23:52,160 --> 00:23:52,760
Speaker 1: this business.

496
00:23:52,880 --> 00:23:54,200
Speaker 2: And I'm not saying Jay did that. It was always

497
00:23:54,200 --> 00:23:54,560
Speaker 2: a rumor.

498
00:23:54,680 --> 00:23:56,200
Speaker 3: Yeah, but that's what I'm saying. That's just talk.

499
00:23:56,800 --> 00:23:59,520
Speaker 4: Maybe maybe the person that you know got into a

500
00:23:59,520 --> 00:24:01,240
Speaker 4: little back and forth or had a little spat which

501
00:24:01,240 --> 00:24:03,840
Speaker 4: it maybe that person just wasn't talented enough to really,

502
00:24:04,320 --> 00:24:08,280
Speaker 4: you know, to surpass or continue forward in their career.

503
00:24:08,359 --> 00:24:10,800
Speaker 2: Like maybe it was just that. I I guess what

504
00:24:10,840 --> 00:24:11,960
Speaker 2: I'm really saying.

505
00:24:12,040 --> 00:24:16,040
Speaker 1: Is is it UCI Wally or is it one mic?

506
00:24:16,800 --> 00:24:19,440
Speaker 1: Like you can't have it either has to be eve,

507
00:24:19,440 --> 00:24:21,000
Speaker 1: it's going to be toxic, like it's always going to

508
00:24:21,000 --> 00:24:24,200
Speaker 1: come with something negative as well while we're entertained by

509
00:24:24,320 --> 00:24:27,680
Speaker 1: an audio blood sport like it's gonna come it's it's

510
00:24:27,720 --> 00:24:29,439
Speaker 1: it's quote unquote war like you.

511
00:24:29,480 --> 00:24:31,240
Speaker 2: Know, I'm always but with some saying.

512
00:24:31,119 --> 00:24:32,640
Speaker 1: Is that uchi wali and one mic, like you can't

513
00:24:32,680 --> 00:24:37,080
Speaker 1: have as far as what though you can't say, hey,

514
00:24:37,320 --> 00:24:39,200
Speaker 1: maybe we should pull back on some of this because

515
00:24:39,200 --> 00:24:42,200
Speaker 1: it's getting out of hand when I mean the rules

516
00:24:42,240 --> 00:24:44,480
Speaker 1: that have been there. It's a battle type of thing,

517
00:24:44,520 --> 00:24:49,080
Speaker 1: and it's war like you can make moves behind the scenes.

518
00:24:50,119 --> 00:24:52,400
Speaker 2: Shiit. People are even accused.

519
00:24:52,440 --> 00:24:55,280
Speaker 1: Drake's accusing Universal of doing shit behind the scenes because

520
00:24:55,320 --> 00:24:58,760
Speaker 1: of the battle and his negotiations, like you can't have

521
00:24:58,800 --> 00:25:02,879
Speaker 1: one without the other. Yeah, but again, Jay's some things

522
00:25:02,880 --> 00:25:05,000
Speaker 1: wireshit like you want it to be one way. Yeah,

523
00:25:05,040 --> 00:25:07,719
Speaker 1: And I'm saying to Hove to quote himself, is it

524
00:25:07,960 --> 00:25:10,200
Speaker 1: chi wally or is it one mic? You can't have

525
00:25:11,119 --> 00:25:14,400
Speaker 1: You can't have it either way, like it either has

526
00:25:14,440 --> 00:25:16,159
Speaker 1: to come with this and he can say pedophile at

527
00:25:16,160 --> 00:25:19,040
Speaker 1: the super Bowl and you're involved with it, or you

528
00:25:19,080 --> 00:25:22,159
Speaker 1: have to say straight up no more rabbis and I

529
00:25:22,160 --> 00:25:22,800
Speaker 1: don't want to be a.

530
00:25:22,720 --> 00:25:24,600
Speaker 3: Part of it. I think you can say both.

531
00:25:24,720 --> 00:25:26,760
Speaker 4: I think because that's a that's a real feeling of

532
00:25:26,840 --> 00:25:28,879
Speaker 4: Jay like out of job. Because again he said I

533
00:25:28,880 --> 00:25:32,200
Speaker 4: don't know if it if it should be a part

534
00:25:32,240 --> 00:25:34,359
Speaker 4: of the I think he knows it will always be

535
00:25:34,520 --> 00:25:39,400
Speaker 4: but he's more so speaking from the stance of at

536
00:25:39,440 --> 00:25:41,080
Speaker 4: what cost, you know what I mean?

537
00:25:41,119 --> 00:25:43,240
Speaker 3: Like, is it is it worth it? Is it?

538
00:25:43,280 --> 00:25:44,679
Speaker 4: Is it something that you know what I mean, Like

539
00:25:44,720 --> 00:25:46,840
Speaker 4: it's just gotten to a point where things may go

540
00:25:46,960 --> 00:25:49,400
Speaker 4: too far, So he can speak to that. I think

541
00:25:49,440 --> 00:25:52,560
Speaker 4: that he knows as an MC and as a rapper,

542
00:25:52,600 --> 00:25:55,600
Speaker 4: I think he knows that that's always.

543
00:25:55,280 --> 00:25:55,960
Speaker 3: Gonna be a part of it.

544
00:25:56,000 --> 00:25:59,200
Speaker 4: Battling is always going to be MC's gonna come along

545
00:25:59,200 --> 00:26:00,960
Speaker 4: and fore like I'm better than this, I'm better than

546
00:26:01,080 --> 00:26:02,800
Speaker 4: this guy, and they're gonna want to display that. I

547
00:26:02,840 --> 00:26:04,639
Speaker 4: think that's something that will always be a part of it.

548
00:26:06,320 --> 00:26:10,520
Speaker 4: But it's not like he can't still feel like damn,

549
00:26:10,520 --> 00:26:12,520
Speaker 4: but I hate that part of it. I wish that

550
00:26:12,560 --> 00:26:15,600
Speaker 4: part of it wasn't you know, necessary, and then we

551
00:26:15,600 --> 00:26:18,119
Speaker 4: didn't have to do that. So I understand him feeling

552
00:26:18,160 --> 00:26:23,920
Speaker 4: a way. My thing is, you know, again, he's a businessman,

553
00:26:24,000 --> 00:26:25,640
Speaker 4: so he has to still conduct business.

554
00:26:26,280 --> 00:26:27,680
Speaker 3: But you can't.

555
00:26:27,800 --> 00:26:30,000
Speaker 4: We can't say, yeah, damn, that's fucked up, that's crazy.

556
00:26:31,119 --> 00:26:36,360
Speaker 4: But here's the biggest stage in our culture. To display

557
00:26:36,800 --> 00:26:40,240
Speaker 4: that message and amplify it like that, to me is like,

558
00:26:40,760 --> 00:26:42,919
Speaker 4: while on one hand, I get it because it's business

559
00:26:42,920 --> 00:26:44,400
Speaker 4: and we got to put the best show and best

560
00:26:44,440 --> 00:26:48,000
Speaker 4: biggest artists, you know, we got to do that. But

561
00:26:48,040 --> 00:26:49,600
Speaker 4: then you have to understand how people are going to

562
00:26:49,640 --> 00:26:53,440
Speaker 4: look at it like, okay, but that's amplifying it. That's

563
00:26:53,480 --> 00:26:56,400
Speaker 4: adding to the fire, that's throwing fuel on this thing

564
00:26:56,440 --> 00:26:59,879
Speaker 4: to make it even bigger and brighter than it already is. Like,

565
00:27:00,080 --> 00:27:02,080
Speaker 4: so yeah, I get both sides of it. He can

566
00:27:02,080 --> 00:27:03,800
Speaker 4: feel like, damn, this is crazy, this is nasty. We

567
00:27:03,800 --> 00:27:05,960
Speaker 4: shouldn't do this. I don't know if we should be

568
00:27:06,000 --> 00:27:09,080
Speaker 4: doing this, but the MC and him knows this is

569
00:27:09,080 --> 00:27:10,800
Speaker 4: something that's going to be forever a part.

570
00:27:10,640 --> 00:27:13,520
Speaker 1: Of the coach Oh Noah for sure, and my favorite styles.

571
00:27:13,560 --> 00:27:15,720
Speaker 1: People like you can't come here and change the rules.

572
00:27:15,720 --> 00:27:17,720
Speaker 1: It's the mud. But everyone's allowed to feel like, nah,

573
00:27:17,720 --> 00:27:21,919
Speaker 1: it's just not for me. So I get that. It

574
00:27:21,960 --> 00:27:24,520
Speaker 1: did appear in a very jay Z esque way. He

575
00:27:24,680 --> 00:27:27,200
Speaker 1: was telling us that he is working on something.

576
00:27:28,840 --> 00:27:29,359
Speaker 2: Very vague.

577
00:27:29,480 --> 00:27:32,879
Speaker 1: He didn't dodge, but he made it so open ended

578
00:27:33,160 --> 00:27:35,000
Speaker 1: that it left you to speculative.

579
00:27:34,520 --> 00:27:35,240
Speaker 2: Like did he mean that?

580
00:27:35,640 --> 00:27:37,359
Speaker 1: Because I feel like if he wasn't, he'd straight up

581
00:27:37,400 --> 00:27:39,959
Speaker 1: be like nah, not really like I'm not really that inspired.

582
00:27:39,960 --> 00:27:42,359
Speaker 1: But even when you know, Fraser asked him about the

583
00:27:42,640 --> 00:27:45,720
Speaker 1: Clips album, obviously they did the distribution with rock Nation,

584
00:27:47,000 --> 00:27:48,800
Speaker 1: so we all assume, like, all right, there's definitely a

585
00:27:48,880 --> 00:27:52,520
Speaker 1: higher chance now that Jay will be on it, and

586
00:27:52,560 --> 00:27:55,280
Speaker 1: he said he almost was, but he thought the next

587
00:27:55,280 --> 00:27:57,439
Speaker 1: thing that he says should come from him and not

588
00:27:57,720 --> 00:28:00,159
Speaker 1: a feature, which kind of made me feel like, like,

589
00:28:00,440 --> 00:28:04,240
Speaker 1: with how much he has to say he's working on

590
00:28:04,280 --> 00:28:07,840
Speaker 1: something now because if he if he wasn't, I think

591
00:28:07,840 --> 00:28:09,639
Speaker 1: he would have gotten the shit he needed off his

592
00:28:09,720 --> 00:28:11,840
Speaker 1: chest with the Clips feature the way he has in

593
00:28:11,840 --> 00:28:13,760
Speaker 1: the past. Kala doing an album, l I got some

594
00:28:13,760 --> 00:28:15,840
Speaker 1: shites get on my chest. But I think he's very

595
00:28:15,880 --> 00:28:17,920
Speaker 1: intentional now because he feels like he wants to speak

596
00:28:17,920 --> 00:28:20,639
Speaker 1: to him. So that's what I took from it, And

597
00:28:20,680 --> 00:28:22,280
Speaker 1: that could just be the fan of me hoping that

598
00:28:22,280 --> 00:28:24,919
Speaker 1: that's the case, but I think he just straight up

599
00:28:24,960 --> 00:28:25,280
Speaker 1: would have.

600
00:28:25,280 --> 00:28:27,840
Speaker 2: Been like, Nah, not working or anything. I'm just here

601
00:28:27,880 --> 00:28:30,119
Speaker 2: to celebrate twenty five years, thirty years.

602
00:28:30,160 --> 00:28:34,080
Speaker 4: Like I think the opposite. I think somebody like Jay

603
00:28:34,160 --> 00:28:37,240
Speaker 4: is always working on something, whether it means he actually

604
00:28:37,280 --> 00:28:40,280
Speaker 4: went in the studio and laid anything down, you know.

605
00:28:40,320 --> 00:28:42,120
Speaker 4: I mean, I don't think I don't think he's done that.

606
00:28:42,320 --> 00:28:43,640
Speaker 4: He said he had a lot of sketches. He just

607
00:28:43,640 --> 00:28:46,960
Speaker 4: said they all suck. Yeah, yeah, like voice notes, and

608
00:28:47,040 --> 00:28:49,120
Speaker 4: you know you know that because that's just who he

609
00:28:49,200 --> 00:28:51,040
Speaker 4: is at his core. Yeah, he's an MC. So he's

610
00:28:51,040 --> 00:28:54,000
Speaker 4: always going to have an idea and you know, he

611
00:28:54,000 --> 00:28:55,680
Speaker 4: he's always going to have a couple of bars that

612
00:28:55,720 --> 00:28:57,920
Speaker 4: he just kind of you know, comes up with. But

613
00:28:58,000 --> 00:29:02,000
Speaker 4: I don't think that he's know fully in that mode of,

614
00:29:02,880 --> 00:29:05,200
Speaker 4: you know, I'm going in here to create this album

615
00:29:05,280 --> 00:29:07,320
Speaker 4: and I'm going in here to ladies bars, And I

616
00:29:07,360 --> 00:29:08,160
Speaker 4: don't think he's I don't.

617
00:29:08,200 --> 00:29:10,920
Speaker 3: I don't think he's doing that. But again, I for a.

618
00:29:10,920 --> 00:29:14,360
Speaker 4: Fact, he's always in his head. You know, he has

619
00:29:14,960 --> 00:29:18,160
Speaker 4: he has some bars that he has in his head

620
00:29:18,200 --> 00:29:20,640
Speaker 4: that he's you know, kind of like tweaking and and

621
00:29:20,640 --> 00:29:22,760
Speaker 4: and just always kind of going over in his mind.

622
00:29:22,760 --> 00:29:26,640
Speaker 4: But I don't I don't think he's he's actively recording

623
00:29:26,640 --> 00:29:29,120
Speaker 4: and laying and laying versus then.

624
00:29:29,000 --> 00:29:32,000
Speaker 1: No, the way he was talking about uh Blue toven,

625
00:29:32,800 --> 00:29:34,520
Speaker 1: like the way he was saying how good blue is

626
00:29:34,520 --> 00:29:36,200
Speaker 1: that piano should get here any note and just start

627
00:29:36,240 --> 00:29:39,200
Speaker 1: on something Nah, he's definitely heard some keys in the

628
00:29:39,240 --> 00:29:42,760
Speaker 1: living room and and definitely started started rapping up, like

629
00:29:42,800 --> 00:29:44,800
Speaker 1: I'm keeping this, this is gonna be use someone.

630
00:29:45,600 --> 00:29:48,600
Speaker 4: Oh no, always I think the whole Blue produced. Yeah, no,

631
00:29:48,880 --> 00:29:51,520
Speaker 4: I think no ideas. He has ideas. He's a creative.

632
00:29:51,520 --> 00:29:54,080
Speaker 4: He's gonna always have ideas. But forty four keys, he

633
00:29:54,080 --> 00:29:55,760
Speaker 4: didn't lay put him down. I don't think he's He's

634
00:29:55,840 --> 00:29:58,520
Speaker 4: in the studio recording though. I don't think so. I

635
00:29:58,560 --> 00:29:59,000
Speaker 4: doubt that.

636
00:30:00,480 --> 00:30:03,960
Speaker 1: We shall see anything else before we get to the

637
00:30:04,160 --> 00:30:04,520
Speaker 1: cold part.

638
00:30:04,560 --> 00:30:05,360
Speaker 2: That stood out.

639
00:30:06,640 --> 00:30:09,520
Speaker 1: I just thought the way he talked about Blue getting

640
00:30:09,520 --> 00:30:12,640
Speaker 1: on stage, and I thought it was a very self

641
00:30:12,640 --> 00:30:19,080
Speaker 1: aware parenting point of view. He straight up like said

642
00:30:19,080 --> 00:30:20,720
Speaker 1: it was the first thing she had to ever work

643
00:30:20,760 --> 00:30:24,400
Speaker 1: for in her life, Like because obviously, look at her parents,

644
00:30:24,440 --> 00:30:27,000
Speaker 1: she doesn't have to you know, want or need for much.

645
00:30:27,400 --> 00:30:29,479
Speaker 1: She was so gifted with the piano, like she'd have

646
00:30:29,480 --> 00:30:30,800
Speaker 1: to work for it. She just gets on a piano

647
00:30:30,840 --> 00:30:33,920
Speaker 1: and can do it right away. The stage stuff came differently.

648
00:30:33,960 --> 00:30:35,920
Speaker 1: He was more proud of her to actually watch her

649
00:30:35,960 --> 00:30:38,440
Speaker 1: work for something rather than just be the talent that

650
00:30:38,520 --> 00:30:40,600
Speaker 1: she was over here with the piano, And I like

651
00:30:41,160 --> 00:30:42,840
Speaker 1: I could see someone looking at that kind of harsh

652
00:30:42,840 --> 00:30:44,360
Speaker 1: even of how he worded it, But I thought that

653
00:30:44,480 --> 00:30:49,360
Speaker 1: was like a perfect NEPO baby parenting point of view,

654
00:30:49,440 --> 00:30:51,000
Speaker 1: Like I'm not going to sit here and pretend like

655
00:30:51,040 --> 00:30:54,120
Speaker 1: my child has to work for things, because she doesn't

656
00:30:54,160 --> 00:30:56,560
Speaker 1: at all. So yeah, this is going to be your

657
00:30:56,640 --> 00:30:58,520
Speaker 1: version of having to work for something. Yeah, because you

658
00:30:58,560 --> 00:31:00,800
Speaker 1: need to have that instilled with you. If you're that

659
00:31:00,920 --> 00:31:04,720
Speaker 1: talented as is with music, and you're also a child

660
00:31:04,760 --> 00:31:08,000
Speaker 1: of two billionaires, where are you going to learn any

661
00:31:08,000 --> 00:31:10,280
Speaker 1: type of work? So I thought that was just a

662
00:31:10,320 --> 00:31:13,320
Speaker 1: cool perspective because I mean rarely you hear billionaires talk

663
00:31:13,320 --> 00:31:16,360
Speaker 1: about their kids and like anything that they've had to.

664
00:31:16,280 --> 00:31:21,280
Speaker 4: Do well create super creative parents like J and b

665
00:31:21,400 --> 00:31:23,880
Speaker 4: I obviously, but yeah, I think I thought that was

666
00:31:23,920 --> 00:31:26,200
Speaker 4: dope to kind of, you know, recognize that as a parent,

667
00:31:26,280 --> 00:31:28,920
Speaker 4: like she worked at that, she put the work in

668
00:31:29,000 --> 00:31:30,840
Speaker 4: to get better at that, and you know she had

669
00:31:30,840 --> 00:31:33,400
Speaker 4: to really, because that's not something that you know, I

670
00:31:33,440 --> 00:31:35,480
Speaker 4: don't care who your parents are, they can't just give

671
00:31:35,480 --> 00:31:38,479
Speaker 4: you that ability to go out on stage and perform

672
00:31:38,560 --> 00:31:42,440
Speaker 4: and be great and and you know, learn something like that,

673
00:31:42,560 --> 00:31:47,280
Speaker 4: especially as many different dance pieces that she had to learn, like,

674
00:31:47,680 --> 00:31:49,400
Speaker 4: so that was dope for him to recognize that and

675
00:31:49,560 --> 00:31:51,760
Speaker 4: kind of see that that the Jay dad moment like

676
00:31:52,280 --> 00:31:54,640
Speaker 4: oh shit, like she got it, like she actually I

677
00:31:54,680 --> 00:31:56,480
Speaker 4: actually watched to put this work in to get better

678
00:31:56,480 --> 00:31:56,720
Speaker 4: at this.

679
00:31:56,880 --> 00:31:57,040
Speaker 2: Yeah.

680
00:31:57,040 --> 00:31:58,520
Speaker 1: And I was also happy to because you know, we

681
00:31:58,960 --> 00:32:02,640
Speaker 1: lost jay Z to to La like almost a decade ago.

682
00:32:03,520 --> 00:32:06,080
Speaker 1: I'm so glad he hasn't gotten too progressive over there

683
00:32:06,080 --> 00:32:08,520
Speaker 1: in Beverly Hills because he was like, yeah, Blue wanted

684
00:32:08,520 --> 00:32:09,920
Speaker 1: to be on every song. I said, if you think

685
00:32:10,280 --> 00:32:12,640
Speaker 1: you're dancing to six inch heels at this show.

686
00:32:12,480 --> 00:32:15,360
Speaker 2: Get the fuck off stage. Yeah, as a that's not

687
00:32:15,400 --> 00:32:16,360
Speaker 2: the song you dance too.

688
00:32:18,320 --> 00:32:20,040
Speaker 3: That's the real dad part, right, Like.

689
00:32:20,680 --> 00:32:22,920
Speaker 1: I didn't know it could be super Hollywood. Now it's progressive.

690
00:32:22,920 --> 00:32:23,720
Speaker 1: She should be able to do it.

691
00:32:23,800 --> 00:32:26,920
Speaker 4: No no, no, no, no, not not in this household. Yeah, not

692
00:32:27,000 --> 00:32:29,120
Speaker 4: in this house yet.

693
00:32:30,840 --> 00:32:31,080
Speaker 2: Maul.

694
00:32:31,120 --> 00:32:33,680
Speaker 1: I heard you talking in the lounge earlier that you

695
00:32:33,800 --> 00:32:36,200
Speaker 1: feel like you have to overpay for great wireless.

696
00:32:36,280 --> 00:32:37,960
Speaker 2: It's like a big thing that you preach all the time.

697
00:32:38,320 --> 00:32:39,720
Speaker 3: But I'm all the time.

698
00:32:39,800 --> 00:32:42,280
Speaker 1: But Maul, you can get off your soapbox because boost

699
00:32:42,280 --> 00:32:45,160
Speaker 1: Mobile is proving that you don't have to overpay for

700
00:32:45,240 --> 00:32:48,720
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701
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702
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703
00:32:57,080 --> 00:32:58,880
Speaker 1: out you got to pay all this extra money.

704
00:32:58,640 --> 00:33:01,160
Speaker 4: Stop overpaying and switch to a fair price at boostmobile

705
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Speaker 4: dot com today based on average annual single line payment

706
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Speaker 4: of AT and T Verison and T Mobile customers compared

707
00:33:06,320 --> 00:33:08,360
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708
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709
00:33:11,640 --> 00:33:18,120
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710
00:33:18,160 --> 00:33:20,280
Speaker 1: Frederick did ask him his relationship with Cole, which I

711
00:33:20,360 --> 00:33:24,480
Speaker 1: know everyone wanted to know about based off the alleged

712
00:33:24,520 --> 00:33:29,000
Speaker 1: shot that Cole said of the apparent goat on the falloff.

713
00:33:30,200 --> 00:33:31,640
Speaker 1: I don't think they're in a good place. Jay Z

714
00:33:31,760 --> 00:33:37,320
Speaker 1: gave a very very good pr PC jay Z answer

715
00:33:37,840 --> 00:33:40,120
Speaker 1: if he's very proud of j Cole and everything that

716
00:33:40,120 --> 00:33:43,040
Speaker 1: he's done, but there's shit behind the scenes like audits

717
00:33:43,040 --> 00:33:46,200
Speaker 1: and something, but he still has no negative feelings towards him.

718
00:33:47,560 --> 00:33:49,200
Speaker 1: I don't think we would have really gotten that answer

719
00:33:49,240 --> 00:33:52,240
Speaker 1: if that was the case. I think he probably feels

720
00:33:52,280 --> 00:33:55,360
Speaker 1: away with the audit, which is news to me unless

721
00:33:55,360 --> 00:33:57,440
Speaker 1: you guys had heard that, and I wasn't aware. I

722
00:33:57,480 --> 00:33:58,920
Speaker 1: thought that was kind of like a bombshell that no

723
00:33:58,920 --> 00:34:00,960
Speaker 1: one kind of brought up at all, because we don't

724
00:34:01,000 --> 00:34:03,240
Speaker 1: see them together ever, and I always wondered. I was like,

725
00:34:03,280 --> 00:34:05,640
Speaker 1: I wonder why they're not as close as you think

726
00:34:05,640 --> 00:34:08,440
Speaker 1: they would be. We know, Cole got off the label,

727
00:34:09,000 --> 00:34:11,640
Speaker 1: and I think it's important that every artist learned how

728
00:34:11,680 --> 00:34:15,640
Speaker 1: to audit their label, because god, you'll find insane.

729
00:34:15,200 --> 00:34:15,960
Speaker 2: Things when you do that.

730
00:34:16,680 --> 00:34:19,680
Speaker 1: But Jay, as a business man, yeah, of course you

731
00:34:19,719 --> 00:34:23,480
Speaker 1: gave Cole his first opportunity. It did so much for him,

732
00:34:23,480 --> 00:34:25,480
Speaker 1: which Cole would say as well, But that doesn't make

733
00:34:25,480 --> 00:34:27,520
Speaker 1: you above an audit this business.

734
00:34:27,520 --> 00:34:28,160
Speaker 2: This business.

735
00:34:28,680 --> 00:34:31,080
Speaker 4: But that's why I think what Jay said his answer,

736
00:34:31,120 --> 00:34:34,520
Speaker 4: I think that is you know how he ultimately feels

737
00:34:34,560 --> 00:34:37,560
Speaker 4: because people got to remember it. It's a unique thing

738
00:34:37,600 --> 00:34:39,920
Speaker 4: to be in business with j because he came in

739
00:34:40,120 --> 00:34:42,200
Speaker 4: owning the label he came in, but he was also

740
00:34:42,200 --> 00:34:44,319
Speaker 4: an artist. He had to fight for things, so it's

741
00:34:44,600 --> 00:34:47,239
Speaker 4: it's a unique thing to have somebody that experienced it

742
00:34:47,320 --> 00:34:51,560
Speaker 4: like that, who maximized his talent and became the greatest

743
00:34:51,560 --> 00:34:54,160
Speaker 4: ever at this to be in business with them. They

744
00:34:54,560 --> 00:34:57,759
Speaker 4: understand the position of the artists very well, especially an

745
00:34:57,800 --> 00:35:00,600
Speaker 4: artist that's trying to be independent and and have as

746
00:35:00,680 --> 00:35:04,080
Speaker 4: much control over his business as possible. So I don't

747
00:35:04,080 --> 00:35:07,000
Speaker 4: I don't think Jay takes that like and looks at

748
00:35:07,040 --> 00:35:08,600
Speaker 4: that like, Yo, why you ordered in me? Like what

749
00:35:08,680 --> 00:35:10,200
Speaker 4: you think that I would try to. I think he

750
00:35:10,280 --> 00:35:14,080
Speaker 4: understands it, like like, this is something that you should do,

751
00:35:14,239 --> 00:35:17,600
Speaker 4: like you should. You should audit you know, the company

752
00:35:17,640 --> 00:35:20,120
Speaker 4: you're in business with, like you should audit. You should

753
00:35:20,320 --> 00:35:22,880
Speaker 4: have to look at everything and make sure everything is

754
00:35:23,200 --> 00:35:25,200
Speaker 4: I don't think that's a negative thing. I think that

755
00:35:25,480 --> 00:35:27,360
Speaker 4: became something that people looked at like, oh, what do

756
00:35:27,400 --> 00:35:30,520
Speaker 4: you mean you don't trust us? It's business, it's it's

757
00:35:30,520 --> 00:35:33,200
Speaker 4: it's the music industry that we all know is very

758
00:35:33,320 --> 00:35:36,400
Speaker 4: grimy and very you know, nasty at times. Like So,

759
00:35:36,480 --> 00:35:39,719
Speaker 4: I think that Jay understands any artists from that perspective

760
00:35:39,719 --> 00:35:42,600
Speaker 4: because he is that guy. He was in that in

761
00:35:42,640 --> 00:35:44,919
Speaker 4: that same position at one point. So I don't think

762
00:35:44,920 --> 00:35:46,840
Speaker 4: that he looks at Cole or feels a way about

763
00:35:46,880 --> 00:35:47,440
Speaker 4: being audited it.

764
00:35:47,480 --> 00:35:48,480
Speaker 2: I don't. I don't think so, Yo.

765
00:35:48,520 --> 00:35:50,960
Speaker 1: If there was a law firm that did pro bono

766
00:35:51,880 --> 00:35:55,839
Speaker 1: audits or like financial investigator the fuck that it's actually called.

767
00:35:56,320 --> 00:35:57,839
Speaker 2: If they did that pro bono for.

768
00:35:57,880 --> 00:36:00,360
Speaker 1: Artists, they would make so much fucking life, like the

769
00:36:00,400 --> 00:36:03,000
Speaker 1: ambulance chaser version of that, because you know a lot

770
00:36:03,000 --> 00:36:04,560
Speaker 1: of artists, even if you think they're rich, they're not,

771
00:36:04,760 --> 00:36:09,880
Speaker 1: and auditing a company like Universal Rock Nation Club, like

772
00:36:09,960 --> 00:36:13,440
Speaker 1: that's us really really really expensive, Like is it worth

773
00:36:13,440 --> 00:36:15,480
Speaker 1: how much I'm going to have to pay with what

774
00:36:15,560 --> 00:36:17,840
Speaker 1: they'll find? Like I may end up losing money in

775
00:36:17,840 --> 00:36:22,160
Speaker 1: this situation. But I do think if there was a

776
00:36:22,280 --> 00:36:25,319
Speaker 1: firm that was just like knows that artists may not

777
00:36:25,360 --> 00:36:28,719
Speaker 1: have the liquid capital to do a complete audit to

778
00:36:28,760 --> 00:36:31,279
Speaker 1: a company like that, we do, I promise you ninety

779
00:36:31,320 --> 00:36:32,839
Speaker 1: nine point nine percent of the time. If you audit

780
00:36:32,880 --> 00:36:35,239
Speaker 1: a major label and you've been on there for four

781
00:36:35,239 --> 00:36:38,680
Speaker 1: to five albums, you're you're finding bread though, like there's

782
00:36:38,680 --> 00:36:41,080
Speaker 1: no way that you're not. I wish there was a

783
00:36:41,120 --> 00:36:42,919
Speaker 1: firm that would do that, because I think they would

784
00:36:42,920 --> 00:36:44,359
Speaker 1: make a shit ton of bread.

785
00:36:44,640 --> 00:36:45,920
Speaker 2: But I'm with you.

786
00:36:46,800 --> 00:36:49,680
Speaker 1: It may be weird coming from us, But does that

787
00:36:49,719 --> 00:36:52,080
Speaker 1: dead the friendship? Because I don't think Jay feels a

788
00:36:52,080 --> 00:36:54,480
Speaker 1: way about it. I think he thinks it's just business.

789
00:36:54,880 --> 00:36:58,719
Speaker 1: But once you make that decision to audit me, I

790
00:36:58,760 --> 00:37:01,360
Speaker 1: don't know if I like it'd be weird if you

791
00:37:01,400 --> 00:37:03,600
Speaker 1: hit me for a verse on the fall Off. Like

792
00:37:04,400 --> 00:37:05,920
Speaker 1: remember I was saying, I think Jay is going to

793
00:37:05,960 --> 00:37:08,200
Speaker 1: be on the fall Off because they've never done a

794
00:37:08,239 --> 00:37:11,600
Speaker 1: proper record since Mister Nice Watch, and I thought that

795
00:37:11,680 --> 00:37:14,279
Speaker 1: was personally a bad record, And I don't think that

796
00:37:14,280 --> 00:37:16,560
Speaker 1: should be the legacy of jay Z and j Cole

797
00:37:16,880 --> 00:37:21,080
Speaker 1: working together when I've seen what a legacy like Drake

798
00:37:21,120 --> 00:37:23,120
Speaker 1: has with jay Z with the songs that he has.

799
00:37:23,960 --> 00:37:26,359
Speaker 1: So I just assume fall Off makes all perfect sense

800
00:37:26,360 --> 00:37:29,839
Speaker 1: in the world started with Jay, even if I'm not

801
00:37:29,880 --> 00:37:31,600
Speaker 1: on his label, going to end with Jay on this

802
00:37:31,680 --> 00:37:35,160
Speaker 1: last album, I thought it made every bit of sense.

803
00:37:35,239 --> 00:37:38,560
Speaker 1: Now I see why we have not gotten a verse

804
00:37:39,160 --> 00:37:40,839
Speaker 1: from Jay for Cole for quite some time.

805
00:37:40,880 --> 00:37:44,839
Speaker 3: You think it's the audit, Yeah, nah, man, I don't

806
00:37:44,880 --> 00:37:45,200
Speaker 3: think so.

807
00:37:45,960 --> 00:37:48,520
Speaker 1: I don't know when this audit started that they take

808
00:37:48,600 --> 00:37:52,080
Speaker 1: some time, But to me, that answers my question.

809
00:37:51,800 --> 00:37:54,640
Speaker 2: In my opinion. Yeah, because I'm not saying they hate

810
00:37:54,680 --> 00:37:55,839
Speaker 2: each other. But once you do.

811
00:37:55,920 --> 00:37:58,200
Speaker 1: Audit, somebody like I don't know if you guys have

812
00:37:58,360 --> 00:38:01,640
Speaker 1: the coolest relationship and you may not hate that person.

813
00:38:01,840 --> 00:38:03,800
Speaker 4: I got what you're saying. We're not going to the studio.

814
00:38:03,880 --> 00:38:05,640
Speaker 4: I do a perfect I get what you're saying that.

815
00:38:05,680 --> 00:38:08,640
Speaker 4: I get what you're saying. You doing what you're supposed

816
00:38:08,640 --> 00:38:08,799
Speaker 4: to do.

817
00:38:08,800 --> 00:38:10,520
Speaker 1: If I was in your position, I probably audit my

818
00:38:10,560 --> 00:38:12,040
Speaker 1: company too, because that that standard.

819
00:38:12,080 --> 00:38:13,600
Speaker 2: You don't know where certain money went. Shit.

820
00:38:14,000 --> 00:38:15,920
Speaker 1: I don't know where all the money went with my

821
00:38:15,960 --> 00:38:18,680
Speaker 1: own accounting department because we are a conglomerate.

822
00:38:18,800 --> 00:38:20,879
Speaker 2: Like, yeah, we could owe you money.

823
00:38:20,880 --> 00:38:21,520
Speaker 3: I don't know.

824
00:38:21,800 --> 00:38:23,839
Speaker 1: I don't go down to accounting every day when you're

825
00:38:23,880 --> 00:38:24,879
Speaker 1: at that type of level.

826
00:38:25,480 --> 00:38:30,359
Speaker 2: But nah, don't hit me when you're at quad. I'm

827
00:38:30,400 --> 00:38:31,000
Speaker 2: not coming through.

828
00:38:31,080 --> 00:38:32,799
Speaker 3: No, I'm with you.

829
00:38:32,880 --> 00:38:36,439
Speaker 4: I understand it's funny, but I understand like what you're saying.

830
00:38:36,440 --> 00:38:38,680
Speaker 4: It's like, yeah, but I don't know, man, I just

831
00:38:38,680 --> 00:38:41,800
Speaker 4: don't think just knowing the type of you know person,

832
00:38:41,880 --> 00:38:44,640
Speaker 4: J is I don't. I don't think he feels a

833
00:38:44,719 --> 00:38:46,600
Speaker 4: way about that, Like I understand what you're saying. No,

834
00:38:47,080 --> 00:38:49,400
Speaker 4: we ain't gonna be you know, we ain't about to

835
00:38:49,440 --> 00:38:52,839
Speaker 4: go get a coffee after this either. I just don't

836
00:38:52,840 --> 00:38:54,520
Speaker 4: think that it's that much, you know, that type of

837
00:38:54,600 --> 00:38:56,920
Speaker 4: energy with Jay, Like I'm not fucking with cold. He

838
00:38:56,920 --> 00:38:59,279
Speaker 4: can't ask me for nothing, or I'm never giving him

839
00:38:59,320 --> 00:39:01,080
Speaker 4: a verse. I don't know if that's energy is attached

840
00:39:01,080 --> 00:39:01,600
Speaker 4: to I don't.

841
00:39:01,640 --> 00:39:02,160
Speaker 3: I don't think so.

842
00:39:02,360 --> 00:39:04,880
Speaker 1: Yeah, well shit, Even from the Cole side, if I

843
00:39:04,960 --> 00:39:10,360
Speaker 1: was ordering someone again, it's it's you're not auditing Jay Z.

844
00:39:10,760 --> 00:39:14,680
Speaker 1: You're auditing a huge, huge record and management company. You're

845
00:39:14,680 --> 00:39:18,719
Speaker 1: not auditling Sean Carter. So I wouldn't feel bad doing

846
00:39:18,760 --> 00:39:20,680
Speaker 1: it if I had a really close relationship with Jay,

847
00:39:20,880 --> 00:39:23,000
Speaker 1: But I would also feel weird reaching out to him

848
00:39:23,040 --> 00:39:26,440
Speaker 1: after I audited him. Okay, Like, even if I'm cold,

849
00:39:26,480 --> 00:39:28,640
Speaker 1: I don't know if i'd be like broll that could

850
00:39:28,680 --> 00:39:31,799
Speaker 1: you could look nuts after we're going back, I'm getting

851
00:39:31,880 --> 00:39:32,760
Speaker 1: updates from my lawyer.

852
00:39:32,760 --> 00:39:34,320
Speaker 2: I'm c seed on certain emails.

853
00:39:35,000 --> 00:39:39,360
Speaker 1: I'm sure if there's been an audit just for sheer appearance,

854
00:39:39,480 --> 00:39:42,040
Speaker 1: they could add their MIC's muted. Jay's face and Ja

855
00:39:42,120 --> 00:39:44,120
Speaker 1: Cole's face have had to beg be on the same

856
00:39:44,200 --> 00:39:46,240
Speaker 1: zoom at one point for legal reasons.

857
00:39:47,040 --> 00:39:49,799
Speaker 2: I feel like maybe be weird if I text them yo,

858
00:39:49,840 --> 00:39:50,520
Speaker 2: I'm working on this.

859
00:39:50,719 --> 00:39:52,000
Speaker 3: Okay, let me ask you, let me ask you.

860
00:39:52,040 --> 00:39:52,560
Speaker 2: This is it.

861
00:39:56,640 --> 00:40:00,080
Speaker 4: Jay and Os had that moment, right, both said some

862
00:40:00,080 --> 00:40:04,560
Speaker 4: some wild things in that battle. Nah says some things

863
00:40:04,600 --> 00:40:07,120
Speaker 4: that as a man, if you say to me about me,

864
00:40:07,200 --> 00:40:07,920
Speaker 4: I probably.

865
00:40:07,600 --> 00:40:08,800
Speaker 3: Won't ever fuck with you again.

866
00:40:09,160 --> 00:40:12,560
Speaker 4: Right, Okay. They went on to work together after that

867
00:40:12,560 --> 00:40:14,640
Speaker 4: whole thing, right, Yeah, but that's going on.

868
00:40:14,760 --> 00:40:15,560
Speaker 3: So is that more?

869
00:40:16,160 --> 00:40:18,399
Speaker 4: Is what Nah said in the battle versus Jay more

870
00:40:18,400 --> 00:40:21,800
Speaker 4: disrespectful than cold auditing the company.

871
00:40:23,000 --> 00:40:27,839
Speaker 1: Apple apples and bowling balls? Because why what one? One

872
00:40:27,880 --> 00:40:30,839
Speaker 1: is a rap battle that that we can get over,

873
00:40:31,520 --> 00:40:34,239
Speaker 1: because yeah, and one is business. They were egregious things.

874
00:40:34,320 --> 00:40:40,359
Speaker 1: I'm saying, Wow, that's it's it's different with that as

875
00:40:40,400 --> 00:40:43,440
Speaker 1: opposed to being currently in like litigation with within audit

876
00:40:43,560 --> 00:40:44,799
Speaker 1: right now, Like.

877
00:40:44,920 --> 00:40:46,000
Speaker 2: But I'll give you.

878
00:40:48,320 --> 00:40:50,439
Speaker 4: I'm talking about once this whole order thing is over

879
00:40:50,480 --> 00:40:54,120
Speaker 4: with and yeah maybe, but say one is one is

880
00:40:54,239 --> 00:40:58,120
Speaker 4: one is business and one is is art and skill

881
00:40:58,239 --> 00:40:59,960
Speaker 4: and you know part of a battle, Like I get.

882
00:40:59,840 --> 00:41:01,920
Speaker 2: It, I hear you.

883
00:41:01,920 --> 00:41:04,719
Speaker 1: You are correct, Yes, once everything is done, there's a

884
00:41:04,760 --> 00:41:06,680
Speaker 1: world where like hey it was business, cool got the

885
00:41:06,680 --> 00:41:07,399
Speaker 1: money that you owed?

886
00:41:07,719 --> 00:41:09,800
Speaker 2: Or yeah I found out there was nothing.

887
00:41:09,719 --> 00:41:12,719
Speaker 4: Own, right, yeah, who text is?

888
00:41:12,760 --> 00:41:12,960
Speaker 2: Who?

889
00:41:13,000 --> 00:41:13,239
Speaker 3: Though?

890
00:41:13,719 --> 00:41:16,640
Speaker 1: The winner or the loser of that audit? Because if

891
00:41:16,640 --> 00:41:20,839
Speaker 1: I win? And but which is fine? If I win,

892
00:41:20,880 --> 00:41:22,920
Speaker 1: it's because you owe me the fucking money. You shouldn't

893
00:41:22,920 --> 00:41:26,000
Speaker 1: feel a way, right that I won that way? Of

894
00:41:26,040 --> 00:41:27,759
Speaker 1: course you have to give up your money and feel

895
00:41:27,760 --> 00:41:29,480
Speaker 1: a way. But you owed this to me to begin with,

896
00:41:29,560 --> 00:41:31,640
Speaker 1: so you shouldn't feel a way. But who text is who?

897
00:41:31,960 --> 00:41:35,240
Speaker 1: What if Cole loses? And there is Jay was perfect

898
00:41:35,320 --> 00:41:38,040
Speaker 1: with accounting? Yeah, and actually, matter of fact, Cole were

899
00:41:38,040 --> 00:41:40,520
Speaker 1: looking through you actually owe us money?

900
00:41:40,719 --> 00:41:43,359
Speaker 2: Right? Which is that could exist? That can very well

901
00:41:43,360 --> 00:41:43,520
Speaker 2: be this.

902
00:41:43,719 --> 00:41:47,400
Speaker 1: Yeah, that's where it could get weird with it as well.

903
00:41:48,000 --> 00:41:49,560
Speaker 1: Who text is who?

904
00:41:50,160 --> 00:41:50,359
Speaker 2: Yeah?

905
00:41:50,440 --> 00:41:53,400
Speaker 4: I mean, but that's again. I just was posing the question,

906
00:41:54,080 --> 00:41:54,880
Speaker 4: don't walk.

907
00:41:54,719 --> 00:41:56,960
Speaker 1: Away with five million dollars of my money and then

908
00:41:56,960 --> 00:41:59,320
Speaker 1: text me, hey, I have this open sixteen.

909
00:41:58,960 --> 00:42:00,600
Speaker 2: For you as well? Or not?

910
00:42:00,800 --> 00:42:02,960
Speaker 1: Let's do it, because then I'm dissing you about the

911
00:42:03,000 --> 00:42:04,200
Speaker 1: audit on the fucking.

912
00:42:04,080 --> 00:42:05,040
Speaker 2: Yeah that would be fun.

913
00:42:05,120 --> 00:42:06,960
Speaker 4: Yeah, let me let me go at you on this

914
00:42:07,120 --> 00:42:09,680
Speaker 4: verse like oh yeah, yeah, that that money that I found,

915
00:42:09,719 --> 00:42:11,919
Speaker 4: Like I think that's dope.

916
00:42:11,920 --> 00:42:14,200
Speaker 3: Why not let's turn it into a moment. Let's have

917
00:42:14,239 --> 00:42:14,560
Speaker 3: a moment.

918
00:42:14,600 --> 00:42:16,600
Speaker 1: Well, you know how much fun Jay would have with

919
00:42:16,880 --> 00:42:20,239
Speaker 1: just the audit scheme. You can't audit my influence, you could,

920
00:42:20,320 --> 00:42:22,359
Speaker 1: like he would just go through everything you can't audit

921
00:42:22,560 --> 00:42:26,200
Speaker 1: that he's done in his life. I think you can't

922
00:42:26,200 --> 00:42:28,480
Speaker 1: audit this opportunity. Yeah, you here because of me?

923
00:42:28,640 --> 00:42:29,080
Speaker 3: Yeah, I think.

924
00:42:29,120 --> 00:42:30,960
Speaker 4: I don't know, man, I just don't think that he

925
00:42:31,040 --> 00:42:33,759
Speaker 4: feels any way towards Cole about that. I think he

926
00:42:33,840 --> 00:42:36,239
Speaker 4: understands it from that perspective, because again, he came in

927
00:42:36,719 --> 00:42:38,839
Speaker 4: as an owner, as his you know, owned boss, and

928
00:42:39,080 --> 00:42:42,719
Speaker 4: he understands business from a different perspective than most artists would.

929
00:42:42,800 --> 00:42:46,040
Speaker 2: So we just saw about that with Cameron and j Cole.

930
00:42:46,280 --> 00:42:49,200
Speaker 1: Yeah, Cam has sent sent out a lawsuit on which

931
00:42:49,239 --> 00:42:51,279
Speaker 1: we now know, which we could speculate was to get

932
00:42:51,280 --> 00:42:54,360
Speaker 1: his attention based off, Hey, you you owe me a swap.

933
00:42:54,480 --> 00:42:56,040
Speaker 1: You said you're doing an interview and now you're doing

934
00:42:56,120 --> 00:42:59,320
Speaker 1: interviews and I never signed papers and you've been wrapping

935
00:42:59,320 --> 00:43:01,040
Speaker 1: on my beats, my voices here.

936
00:43:00,840 --> 00:43:05,600
Speaker 4: Like perfect same thing. Business is business. Doesn't mean that

937
00:43:05,680 --> 00:43:07,600
Speaker 4: we can't be friends, doesn't mean that we can't sit

938
00:43:07,640 --> 00:43:09,640
Speaker 4: down and do business after this.

939
00:43:09,680 --> 00:43:11,399
Speaker 3: Doesn't mean that it's any hard feelings, it's.

940
00:43:11,360 --> 00:43:16,279
Speaker 1: Business, and I understand Cole's perspective on that as well.

941
00:43:16,560 --> 00:43:19,680
Speaker 1: So the full episode is not out yet. We're recording

942
00:43:19,680 --> 00:43:22,160
Speaker 1: this right now Wednesday afternoon. I was under the impression

943
00:43:22,160 --> 00:43:24,120
Speaker 1: of shit was coming out Tuesday night, but that was

944
00:43:24,120 --> 00:43:27,319
Speaker 1: on Revolt TV for real, like on cable. It comes

945
00:43:27,320 --> 00:43:30,239
Speaker 1: out tonight. I think at like eight the full one.

946
00:43:30,280 --> 00:43:33,239
Speaker 1: So we're only going off the two clips that have

947
00:43:33,280 --> 00:43:35,560
Speaker 1: been run around the internet for the last five days,

948
00:43:36,920 --> 00:43:39,440
Speaker 1: where Cole did tell Cam like yo.

949
00:43:39,560 --> 00:43:41,600
Speaker 2: I felt a way it was like yo, you suing me,

950
00:43:41,719 --> 00:43:42,600
Speaker 2: Like what the fuck?

951
00:43:42,760 --> 00:43:46,480
Speaker 1: But I understand your perspective of hey, it feels like

952
00:43:46,480 --> 00:43:50,320
Speaker 1: this guy's giving me the run around even though everyone's busy.

953
00:43:50,480 --> 00:43:51,879
Speaker 1: You said you was gonna do something, You're not gonna

954
00:43:51,880 --> 00:43:54,640
Speaker 1: do it. Okay, wait what would you like me to

955
00:43:54,640 --> 00:43:57,399
Speaker 1: do in this situation? So I appreciate cod for looking

956
00:43:57,400 --> 00:44:00,359
Speaker 1: at things from both sides, because if I was too,

957
00:44:00,400 --> 00:44:00,960
Speaker 1: I would be like.

958
00:44:00,960 --> 00:44:02,120
Speaker 2: Lawyers, like what do we come on?

959
00:44:02,160 --> 00:44:02,319
Speaker 3: Man?

960
00:44:02,360 --> 00:44:02,839
Speaker 2: What are you doing?

961
00:44:03,160 --> 00:44:05,000
Speaker 3: But I get it, it's business man.

962
00:44:06,600 --> 00:44:08,160
Speaker 2: How do you think the rest of this this interview

963
00:44:08,200 --> 00:44:09,279
Speaker 2: is going? Did we get like.

964
00:44:09,200 --> 00:44:14,520
Speaker 1: The the main juicy clips more or less I mean,

965
00:44:14,520 --> 00:44:15,239
Speaker 1: what what what?

966
00:44:15,239 --> 00:44:15,520
Speaker 3: What?

967
00:44:15,560 --> 00:44:16,520
Speaker 2: When more juice is left?

968
00:44:16,520 --> 00:44:16,680
Speaker 3: Though?

969
00:44:16,719 --> 00:44:17,040
Speaker 2: Pause?

970
00:44:17,520 --> 00:44:19,839
Speaker 1: I mean, it's one that that we did. It's one

971
00:44:19,840 --> 00:44:25,920
Speaker 1: that we did address already in regards to Cole wanting

972
00:44:26,000 --> 00:44:28,160
Speaker 1: to reach out to them, and the last time that

973
00:44:28,200 --> 00:44:32,200
Speaker 1: they spoke and you had mentioned that they had not spoken,

974
00:44:33,480 --> 00:44:35,960
Speaker 1: you know, sense uh dream Goal Fest. I believe it was,

975
00:44:36,560 --> 00:44:43,040
Speaker 1: and we reacted to that, and naturally we got smoked.

976
00:44:44,120 --> 00:44:45,400
Speaker 2: Were we accurate and let her.

977
00:44:45,239 --> 00:44:49,239
Speaker 4: Know about Drake and Cole not speaking? Yeah, Drake and

978
00:44:49,280 --> 00:44:59,480
Speaker 4: Cole spoke once after Dreamville Festa, but not since, not

979
00:44:59,560 --> 00:44:59,920
Speaker 4: like us.

980
00:45:00,120 --> 00:45:02,439
Speaker 2: Gotcha, I have not spoke at all because I don't

981
00:45:02,440 --> 00:45:02,879
Speaker 2: know Drake.

982
00:45:02,960 --> 00:45:04,000
Speaker 3: I don't I don't know Drake.

983
00:45:04,040 --> 00:45:06,440
Speaker 4: I don't have my so I have sources though I

984
00:45:06,480 --> 00:45:08,919
Speaker 4: don't know Drake, never met him, don't speak to him.

985
00:45:09,239 --> 00:45:12,080
Speaker 4: So I don't want people saying Drake told me anything. No,

986
00:45:12,200 --> 00:45:15,600
Speaker 4: I don't know Drake. I'm just I have sources. They said,

987
00:45:15,600 --> 00:45:17,560
Speaker 4: you haven't spoken to him since, not like us. I've

988
00:45:17,560 --> 00:45:19,560
Speaker 4: never spoken to Drake in my life, never had a

989
00:45:19,600 --> 00:45:22,600
Speaker 4: conversation with him, don't know him. I just know that

990
00:45:22,719 --> 00:45:28,080
Speaker 4: Drake and j Cole have not spoken since right after

991
00:45:28,160 --> 00:45:36,640
Speaker 4: Dreamville Fest, right before the whole like Dreamville Fest was April,

992
00:45:37,640 --> 00:45:40,400
Speaker 4: so right, you know, two weeks maybe a week before,

993
00:45:40,880 --> 00:45:42,320
Speaker 4: not like us, maybe two weeks before.

994
00:45:42,520 --> 00:45:43,720
Speaker 3: I have not spoken since.

995
00:45:45,200 --> 00:45:46,640
Speaker 4: You know, I don't I don't know what Cole is

996
00:45:46,640 --> 00:45:49,200
Speaker 4: speaking to in these interviews saying, you know, he's reached

997
00:45:49,239 --> 00:45:50,960
Speaker 4: out or he's I don't know what he's speaking to.

998
00:45:51,080 --> 00:45:53,360
Speaker 4: But you know I have very good sources. You have

999
00:45:53,400 --> 00:45:55,160
Speaker 4: a source at boost Mobile that showed the call. I

1000
00:45:55,160 --> 00:46:00,440
Speaker 4: have a source that boost Mobile that has unlimited and

1001
00:46:00,560 --> 00:46:03,000
Speaker 4: Dad twitches. If j Cole has that, why can't he

1002
00:46:03,040 --> 00:46:05,040
Speaker 4: reach out to him? I mean, he doesn't have to

1003
00:46:05,080 --> 00:46:07,000
Speaker 4: worry about his phone plan. He said he'd be wanting

1004
00:46:07,040 --> 00:46:07,760
Speaker 4: to shoot a text.

1005
00:46:07,840 --> 00:46:08,160
Speaker 2: I don't.

1006
00:46:08,360 --> 00:46:12,200
Speaker 4: I don't know what we wants unlimited text get boost Mobile.

1007
00:46:12,280 --> 00:46:16,360
Speaker 4: You can shoot unlimited texts to Drake and Kendred for

1008
00:46:16,400 --> 00:46:17,279
Speaker 4: twenty five dollars a month.

1009
00:46:17,280 --> 00:46:18,680
Speaker 1: Okay, Yeah, I just want to make sure sure that

1010
00:46:18,800 --> 00:46:20,319
Speaker 1: was completely clear, because I mean, I don't really care

1011
00:46:20,320 --> 00:46:22,200
Speaker 1: about the Internet. I think it was hilarious that they said

1012
00:46:22,560 --> 00:46:25,560
Speaker 1: Maul's not spoken to Drake's is not like us, and

1013
00:46:25,880 --> 00:46:27,960
Speaker 1: you know whatever, they could all have their fun and.

1014
00:46:28,080 --> 00:46:29,879
Speaker 3: Know when I read that, when I was never man.

1015
00:46:34,400 --> 00:46:36,600
Speaker 1: But okay, so that just because I wanted to clear

1016
00:46:36,640 --> 00:46:38,640
Speaker 1: that up because I know we had said maybe it

1017
00:46:38,719 --> 00:46:41,680
Speaker 1: was uh before dream Illfest.

1018
00:46:41,760 --> 00:46:44,279
Speaker 2: But again, this is all with it. Yeah, it was

1019
00:46:44,280 --> 00:46:44,920
Speaker 2: two years ago.

1020
00:46:45,080 --> 00:46:47,319
Speaker 4: I think I misspoke to Tomline, but no Drake and

1021
00:46:47,400 --> 00:46:50,520
Speaker 4: J Cole, I mean I have not This is cementous stamped.

1022
00:46:50,760 --> 00:46:52,839
Speaker 4: I don't give a fuck what J Cole is running

1023
00:46:52,840 --> 00:46:55,279
Speaker 4: around talking about. I know for a fact he has

1024
00:46:55,400 --> 00:46:59,879
Speaker 4: not spoken to Drake since not like us came out

1025
00:47:00,120 --> 00:47:03,799
Speaker 4: right after Dreamville Fest. Yes, the conversation happened after that,

1026
00:47:03,960 --> 00:47:05,120
Speaker 4: there's been no communication.

1027
00:47:05,200 --> 00:47:06,960
Speaker 3: There's been no talk. That was two years ago.

1028
00:47:07,040 --> 00:47:09,239
Speaker 4: Y'all take with that information with y'all, will I think

1029
00:47:09,239 --> 00:47:11,600
Speaker 4: it's crazy that you haven't spoke to this man in

1030
00:47:11,680 --> 00:47:14,279
Speaker 4: two years. There's been no type of communication.

1031
00:47:14,760 --> 00:47:19,360
Speaker 3: And yeah, these my sources were just as your man's that.

1032
00:47:19,400 --> 00:47:21,640
Speaker 1: I'm not just doing to defenct like all right, I'm

1033
00:47:21,640 --> 00:47:23,640
Speaker 1: saying you were off by like five days then.

1034
00:47:23,880 --> 00:47:26,719
Speaker 4: Yeah, but between people's on you know, they you know,

1035
00:47:26,760 --> 00:47:28,160
Speaker 4: you know how this this thing goes. And I don't

1036
00:47:28,160 --> 00:47:31,440
Speaker 4: ever want to misspeak and you know, say the wrong that.

1037
00:47:31,440 --> 00:47:33,040
Speaker 4: I don't want to pump bad dope. That's not who

1038
00:47:33,080 --> 00:47:36,000
Speaker 4: I am. I'm not pumping bad dope. So yes, technically

1039
00:47:36,320 --> 00:47:40,239
Speaker 4: j Cole and Drake have spoken after the apology after

1040
00:47:40,320 --> 00:47:45,399
Speaker 4: Dreamville Fest, yes, but have not spoken since Not Like Us.

1041
00:47:45,480 --> 00:47:50,040
Speaker 4: So that was April seventh. The apology happened May fourth.

1042
00:47:50,160 --> 00:47:53,360
Speaker 4: Not Like Us came out in between April seventh and

1043
00:47:53,400 --> 00:47:57,200
Speaker 4: May fourth. There was a conversation. One conversation maybe maybe

1044
00:47:57,239 --> 00:48:01,319
Speaker 4: one and a half, one of the possible whatever, but post.

1045
00:48:01,200 --> 00:48:03,440
Speaker 2: One of us. Sorry, mister Cale, I'll hit you back.

1046
00:48:03,320 --> 00:48:06,359
Speaker 3: Post not like this on this side of not like Us.

1047
00:48:06,840 --> 00:48:07,640
Speaker 2: No communication.

1048
00:48:07,760 --> 00:48:09,799
Speaker 4: So and that was twenty twenty four to ye's their

1049
00:48:09,840 --> 00:48:13,879
Speaker 4: bad Yeah old Testament news all right, but yeah it's

1050
00:48:14,120 --> 00:48:15,320
Speaker 4: before Cole, after Drake.

1051
00:48:17,719 --> 00:48:21,080
Speaker 2: What man? No, I no, that was great before co

1052
00:48:21,200 --> 00:48:26,399
Speaker 2: after acronyms. I get them before co after Dreamville Fest.

1053
00:48:26,440 --> 00:48:28,040
Speaker 2: You know it goes ac DC.

1054
00:48:28,280 --> 00:48:31,920
Speaker 1: Yeah, I'm fine with Like the internet is funny how

1055
00:48:32,000 --> 00:48:34,279
Speaker 1: much they kill like this podcast has no credibility.

1056
00:48:34,280 --> 00:48:35,320
Speaker 2: They know absolutely nothing.

1057
00:48:36,239 --> 00:48:39,520
Speaker 1: The same breath they were saying, Maul doesn't even speak

1058
00:48:39,560 --> 00:48:42,160
Speaker 1: to Drake whatsoever, and he's wrong about that, and they

1059
00:48:42,200 --> 00:48:45,640
Speaker 1: believe Cole would never lie to Cameron's face. So we're

1060
00:48:45,640 --> 00:48:49,640
Speaker 1: gonna go with Cole instead of all the same fucking interview.

1061
00:48:50,239 --> 00:48:53,400
Speaker 1: Cole comes out and confirm something y'all have been killing

1062
00:48:53,800 --> 00:48:56,480
Speaker 1: Maul and I about for the last two years as well.

1063
00:48:56,800 --> 00:49:00,840
Speaker 1: We told you that Kendrick was on the original off twice,

1064
00:49:01,400 --> 00:49:03,359
Speaker 1: and we told you that Drake was on the fall

1065
00:49:03,360 --> 00:49:07,000
Speaker 1: Off twice, and they smoked us.

1066
00:49:07,400 --> 00:49:09,680
Speaker 2: But then get quiet when Cole says it, and it's like,

1067
00:49:10,440 --> 00:49:12,400
Speaker 2: all right. I mean sometimes they write.

1068
00:49:13,480 --> 00:49:16,080
Speaker 4: Yeah, somebody's a broken clock is right twice a day

1069
00:49:16,160 --> 00:49:16,759
Speaker 4: or something like that.

1070
00:49:17,400 --> 00:49:20,560
Speaker 1: Or do you think that the information that we get

1071
00:49:21,080 --> 00:49:24,400
Speaker 1: or maybe we heard the two fucking Kendrick versus that

1072
00:49:24,440 --> 00:49:26,880
Speaker 1: were on the fall Off or verse and a hook.

1073
00:49:27,360 --> 00:49:31,040
Speaker 2: I think maybe we heard it. I don't know. I

1074
00:49:31,040 --> 00:49:31,920
Speaker 2: would never say.

1075
00:49:31,719 --> 00:49:34,279
Speaker 1: Something with such confidence if I didn't fucking hear it

1076
00:49:34,520 --> 00:49:35,440
Speaker 1: from the source.

1077
00:49:35,760 --> 00:49:39,879
Speaker 4: Listen, I don't know Drake. I just have very good sources,

1078
00:49:40,160 --> 00:49:43,440
Speaker 4: It's all I'm saying. Okay, I don't know Drake. I

1079
00:49:43,440 --> 00:49:44,680
Speaker 4: have very good sources.

1080
00:49:44,880 --> 00:49:47,920
Speaker 1: I don't think I'm fishing for content here, fishing for clicks.

1081
00:49:48,600 --> 00:49:52,040
Speaker 1: But in that clip when Cole said, yeah, it was crazy,

1082
00:49:52,040 --> 00:49:54,640
Speaker 1: he's had the fall off done rendition of it beef happened,

1083
00:49:54,640 --> 00:49:56,640
Speaker 1: had to switch everything up, and it's fucked up because

1084
00:49:56,680 --> 00:49:58,959
Speaker 1: Kendrick was on there twice, so is Drake.

1085
00:49:59,080 --> 00:50:01,000
Speaker 2: And I know who leaked it, Like I know who

1086
00:50:01,000 --> 00:50:01,399
Speaker 2: did that.

1087
00:50:02,840 --> 00:50:05,600
Speaker 1: I think we were the only podcast that that put

1088
00:50:05,600 --> 00:50:07,600
Speaker 1: that information out there. I could be completely fucking wrong.

1089
00:50:09,000 --> 00:50:11,640
Speaker 1: Norf could have done it. I have no idea.

1090
00:50:11,719 --> 00:50:13,640
Speaker 2: Well, Angela Ye could have said it. I don't know.

1091
00:50:13,960 --> 00:50:15,799
Speaker 2: All I know is you, I only saw us.

1092
00:50:16,160 --> 00:50:20,520
Speaker 3: But do you think he was saying put it out there, meaning.

1093
00:50:21,719 --> 00:50:25,799
Speaker 4: Told the public that they had that they were on

1094
00:50:25,840 --> 00:50:31,319
Speaker 4: the album, or told anyone that they want to, meaning

1095
00:50:31,360 --> 00:50:34,040
Speaker 4: like somebody from and you know his inner circle that

1096
00:50:34,080 --> 00:50:37,000
Speaker 4: he knows let that out the bag, like yo, Drake

1097
00:50:37,040 --> 00:50:39,799
Speaker 4: and Kendrick are on the album. Like you think he's

1098
00:50:39,800 --> 00:50:41,440
Speaker 4: speaking to that or speaking to the fact that we

1099
00:50:41,520 --> 00:50:44,919
Speaker 4: said it publicly because he said somebody leaked it, meaning

1100
00:50:44,960 --> 00:50:47,319
Speaker 4: like is it somebody leaked it to us or that

1101
00:50:47,360 --> 00:50:48,000
Speaker 4: we leaked.

1102
00:50:47,760 --> 00:50:50,439
Speaker 1: Into the public. I think, But I think he's saying both.

1103
00:50:50,640 --> 00:50:52,040
Speaker 1: I mean, you can't really have a leak if it

1104
00:50:52,080 --> 00:50:54,760
Speaker 1: doesn't go to the public, and.

1105
00:50:54,640 --> 00:50:56,640
Speaker 3: That no, you can have a leak if it doesn't

1106
00:50:56,640 --> 00:50:57,200
Speaker 3: go to the public.

1107
00:50:57,480 --> 00:50:59,760
Speaker 4: Either, they can leak at a group chat of five people.

1108
00:51:00,000 --> 00:51:01,480
Speaker 4: That's not a leaker, That's what I'm saying. I mean,

1109
00:51:01,480 --> 00:51:04,480
Speaker 4: But because we said that, when do we say that

1110
00:51:04,480 --> 00:51:04,959
Speaker 4: that was.

1111
00:51:05,239 --> 00:51:05,959
Speaker 2: A long time ago?

1112
00:51:06,160 --> 00:51:07,200
Speaker 3: Was it a lot? I felt like it was only

1113
00:51:07,239 --> 00:51:08,200
Speaker 3: like a couple of months ago, I.

1114
00:51:08,200 --> 00:51:12,680
Speaker 4: Think, I said, But no, that like wait, whoa, whoa,

1115
00:51:13,000 --> 00:51:14,560
Speaker 4: how the fuck did you land on that number?

1116
00:51:14,600 --> 00:51:19,680
Speaker 1: Eighty four days ago? But even then, crazy? We spoke

1117
00:51:19,680 --> 00:51:21,960
Speaker 1: about that. We talked about that one around the around

1118
00:51:22,000 --> 00:51:24,400
Speaker 1: the actual beat. We've we've been talking about that for

1119
00:51:24,600 --> 00:51:26,680
Speaker 1: a while. That's not the only clip that I did

1120
00:51:26,880 --> 00:51:29,560
Speaker 1: see that Reddit had had found one of them, but

1121
00:51:29,640 --> 00:51:31,640
Speaker 1: we had talked about it in twenty twenty four round

1122
00:51:31,640 --> 00:51:33,319
Speaker 1: it be like, oh shit, this is gonna get weird

1123
00:51:33,760 --> 00:51:36,280
Speaker 1: because we know that Kendrick is on this ship twice

1124
00:51:36,280 --> 00:51:38,040
Speaker 1: as of right now, but we don't know if that

1125
00:51:38,040 --> 00:51:42,879
Speaker 1: could happen, and that's something we've been said. So yeah,

1126
00:51:43,040 --> 00:51:45,600
Speaker 1: I mean, I'm not proud, like I don't want to

1127
00:51:45,600 --> 00:51:48,160
Speaker 1: be a proud leaker. I just didn't think it was

1128
00:51:48,200 --> 00:51:52,239
Speaker 1: that crazy. You know, then la leaker, I will shout

1129
00:51:52,239 --> 00:51:54,759
Speaker 1: out to the well that once was the l a leak.

1130
00:51:55,360 --> 00:51:57,719
Speaker 1: I wish you guys least the Fat Boys break up there. Yeah,

1131
00:51:57,719 --> 00:52:02,120
Speaker 1: man together, you need that justin you were my guys.

1132
00:52:02,760 --> 00:52:05,120
Speaker 1: I didn't like the Cole said elite, like, all right,

1133
00:52:05,680 --> 00:52:07,759
Speaker 1: why I was fine saying I know you were fine saying.

1134
00:52:07,760 --> 00:52:09,720
Speaker 1: On the other side was because it's not a crazy

1135
00:52:09,760 --> 00:52:12,640
Speaker 1: thing to say.

1136
00:52:12,840 --> 00:52:14,080
Speaker 2: Yeah, not at all.

1137
00:52:14,360 --> 00:52:16,919
Speaker 4: I wasn't trying to leak something that's not never my energy.

1138
00:52:16,920 --> 00:52:19,560
Speaker 4: I I'm not leaking anything. I just I thought it

1139
00:52:19,600 --> 00:52:24,839
Speaker 4: was honestly, how did people not think that they weren't And.

1140
00:52:24,800 --> 00:52:26,480
Speaker 2: We didn't even say it like with full impunity.

1141
00:52:26,480 --> 00:52:28,880
Speaker 1: But I mean, yeah, I don't think it was crazy

1142
00:52:28,880 --> 00:52:31,279
Speaker 1: to say, hey, you know Ken's Lamar's on the jack

1143
00:52:31,320 --> 00:52:34,520
Speaker 1: Oh album. It's happened before they you can talk about

1144
00:52:34,520 --> 00:52:36,360
Speaker 1: doing a joint album. I don't think it's crazy that

1145
00:52:36,440 --> 00:52:36,960
Speaker 1: he would plick.

1146
00:52:37,160 --> 00:52:37,919
Speaker 3: Yeah, That's what I'm saying.

1147
00:52:37,920 --> 00:52:40,560
Speaker 1: I don't That's why when Cole was like, he sounded

1148
00:52:40,560 --> 00:52:43,640
Speaker 1: like disappointed, like someone like actually leaked.

1149
00:52:43,400 --> 00:52:45,680
Speaker 2: The song almost like that's how it felt it. I

1150
00:52:45,719 --> 00:52:48,440
Speaker 2: was just like, right, right, right, I mean cool.

1151
00:52:48,440 --> 00:52:50,440
Speaker 1: And on top of that, if you go in the comments,

1152
00:52:50,440 --> 00:52:53,239
Speaker 1: everyone thinks we have no credibility on anything, so it's

1153
00:52:53,239 --> 00:52:56,040
Speaker 1: not like and it's not like you have to take

1154
00:52:56,080 --> 00:52:58,960
Speaker 1: it off now that somebody on a podcast said, Kendrick

1155
00:52:59,000 --> 00:53:01,160
Speaker 1: Lamar is on your album, don't put that shit on us.

1156
00:53:01,360 --> 00:53:06,080
Speaker 1: You didn't put Kendrick on because you haven't spoken to him, right, don't.

1157
00:53:05,640 --> 00:53:08,319
Speaker 2: Don't put me in this. He's spoken to Kendree. Okay, fair,

1158
00:53:08,920 --> 00:53:09,440
Speaker 2: I don't.

1159
00:53:09,200 --> 00:53:14,120
Speaker 1: Care who's Like I said last time, Bradby is really gay.

1160
00:53:14,560 --> 00:53:18,960
Speaker 2: This is all gay. But yeah, I mean I don't know.

1161
00:53:19,080 --> 00:53:22,200
Speaker 1: I don't I don't think us saying that affected why

1162
00:53:22,320 --> 00:53:24,239
Speaker 1: Kendrick Lamar or Drake would not be on that album

1163
00:53:24,280 --> 00:53:26,680
Speaker 1: like damn surprises out now, can't put it out.

1164
00:53:27,120 --> 00:53:30,040
Speaker 2: Like no, I don't think it works works that way.

1165
00:53:30,360 --> 00:53:32,200
Speaker 1: And on top of that, Cole like maybe you know

1166
00:53:32,280 --> 00:53:34,040
Speaker 1: leaked it because there's been people around you that have

1167
00:53:34,120 --> 00:53:38,920
Speaker 1: leaked shit. I remember when Rosenberg siphon all Them leaked

1168
00:53:38,920 --> 00:53:41,600
Speaker 1: that there was a song that Cole was rapping to

1169
00:53:41,760 --> 00:53:42,720
Speaker 1: Nas about how.

1170
00:53:42,600 --> 00:53:44,120
Speaker 2: He feels like he let him down.

1171
00:53:44,480 --> 00:53:47,080
Speaker 1: And then Cole and Eve went on the internet were

1172
00:53:47,080 --> 00:53:49,640
Speaker 1: like that's so stupid. Why would there's no song like that,

1173
00:53:49,760 --> 00:53:52,960
Speaker 1: Like that's dumb, And then it's the outra like man,

1174
00:53:53,000 --> 00:53:56,120
Speaker 1: people around you say shit, Yeah, it gets to people

1175
00:53:56,600 --> 00:53:58,399
Speaker 1: mm hm, which again is gay.

1176
00:53:58,760 --> 00:54:03,960
Speaker 4: But yeah, I mean I but then so what I

1177
00:54:04,040 --> 00:54:07,680
Speaker 4: just feel like I feel like to me one because

1178
00:54:07,719 --> 00:54:09,520
Speaker 4: I did say that if Kendrick was on the fall

1179
00:54:09,520 --> 00:54:14,040
Speaker 4: Off that would be crazy, So you know, maybe I

1180
00:54:14,040 --> 00:54:16,520
Speaker 4: feel like Cole felt that way as well, Like I

1181
00:54:16,520 --> 00:54:19,839
Speaker 4: can't you know, not speak to Drake for two years

1182
00:54:19,920 --> 00:54:22,680
Speaker 4: and then have Kendrick on my album, Like I think

1183
00:54:22,719 --> 00:54:25,080
Speaker 4: that he probably was like, yeah, that will look absolutely

1184
00:54:25,960 --> 00:54:27,880
Speaker 4: insane on my part, which I you know, I was

1185
00:54:27,960 --> 00:54:31,160
Speaker 4: very vocal about that that would look more insane than

1186
00:54:31,239 --> 00:54:34,480
Speaker 4: it already does. But to have him on that album

1187
00:54:34,520 --> 00:54:36,160
Speaker 4: on the fall Off would have been would have been

1188
00:54:36,160 --> 00:54:36,880
Speaker 4: fucking crazy.

1189
00:54:37,120 --> 00:54:38,080
Speaker 2: Yeah.

1190
00:54:38,280 --> 00:54:43,759
Speaker 1: Also on Friday, Cole will be on Mellow Show Shout

1191
00:54:43,760 --> 00:54:46,719
Speaker 1: out to Cashouts Carmelo on seven PM in Brooklyn that

1192
00:54:46,760 --> 00:54:50,400
Speaker 1: comes out Friday. I'm sorry to recording man. I just

1193
00:54:50,400 --> 00:54:52,840
Speaker 1: love saying all my friends get all these amazing interviews.

1194
00:54:52,880 --> 00:54:55,120
Speaker 1: Like I truly mean that. When I saw Kaz with

1195
00:54:55,160 --> 00:54:57,680
Speaker 1: Cole was like, this is awesome raising with jay Z.

1196
00:54:57,840 --> 00:55:01,000
Speaker 4: Not buying, but with Cole, I think yeh, but fuck

1197
00:55:01,040 --> 00:55:01,920
Speaker 4: all that, I gotta give you.

1198
00:55:01,960 --> 00:55:02,960
Speaker 3: I gotta get you push back.

1199
00:55:03,520 --> 00:55:05,360
Speaker 4: Why you not sleeping in front of the shop so

1200
00:55:05,400 --> 00:55:08,520
Speaker 4: we can get the cold interviews like what you're doing,

1201
00:55:08,600 --> 00:55:10,680
Speaker 4: like why you like you look like you can use

1202
00:55:10,680 --> 00:55:12,960
Speaker 4: a trim you look like you like you get to

1203
00:55:13,040 --> 00:55:14,840
Speaker 4: use a good line, like why you ain't at the shop?

1204
00:55:14,960 --> 00:55:17,359
Speaker 4: Like just just wait for Cold to just pull up

1205
00:55:17,360 --> 00:55:19,439
Speaker 4: and just you know what I mean, just tell Cold,

1206
00:55:19,480 --> 00:55:20,359
Speaker 4: just come holler at us.

1207
00:55:20,360 --> 00:55:20,560
Speaker 2: Man.

1208
00:55:20,880 --> 00:55:22,759
Speaker 3: We we we fuck with Cold. We just want to

1209
00:55:22,840 --> 00:55:23,359
Speaker 3: let him know face.

1210
00:55:23,520 --> 00:55:24,560
Speaker 2: You know, he gotta cold.

1211
00:55:24,560 --> 00:55:25,760
Speaker 3: You gotta come get this smoke.

1212
00:55:25,880 --> 00:55:26,080
Speaker 2: Man.

1213
00:55:27,040 --> 00:55:29,960
Speaker 4: You can sit down with the deska and cam and

1214
00:55:30,000 --> 00:55:32,799
Speaker 4: all that. That's fire. I think that's fire. But Cole

1215
00:55:32,880 --> 00:55:35,279
Speaker 4: got to come get this smoke. He got to come

1216
00:55:35,320 --> 00:55:37,480
Speaker 4: answer some cool. I got questions for Cold. I got

1217
00:55:37,520 --> 00:55:40,239
Speaker 4: questions that none of these other niggas got. I've got

1218
00:55:40,360 --> 00:55:44,480
Speaker 4: questions for Jamaine, light skin, Jamaine, where's minking the rain?

1219
00:55:44,560 --> 00:55:48,440
Speaker 4: I got questions with you. I got questions for light

1220
00:55:48,480 --> 00:55:52,560
Speaker 4: skin Jamaine. Of course I would love for Ja Cole.

1221
00:55:52,360 --> 00:55:54,399
Speaker 2: To come on this. Yeah, but you're not sleep at

1222
00:55:54,400 --> 00:55:56,719
Speaker 2: the shop. That would have to be in my well.

1223
00:55:56,840 --> 00:55:59,960
Speaker 4: First of all, one, Willias were coming to steal your clippers.

1224
00:56:00,040 --> 00:56:02,080
Speaker 4: I'm not we gotta hold his clippers for ransom. Fuck

1225
00:56:02,120 --> 00:56:05,279
Speaker 4: that colal ain't getting the cut. Fuck that they can't

1226
00:56:05,280 --> 00:56:09,080
Speaker 4: get a line. Bring the microphones to a shot, Yo, Willis,

1227
00:56:09,080 --> 00:56:10,200
Speaker 4: We come with Willis's name.

1228
00:56:10,200 --> 00:56:10,879
Speaker 2: Willis.

1229
00:56:10,880 --> 00:56:13,279
Speaker 4: Were coming to get your clippers, the bevel, whatever you

1230
00:56:13,360 --> 00:56:15,440
Speaker 4: got on that foot. Were coming to slam all your

1231
00:56:15,440 --> 00:56:18,040
Speaker 4: bebels and take them ships out the shop. We getting

1232
00:56:18,040 --> 00:56:18,800
Speaker 4: this coal interview.

1233
00:56:20,040 --> 00:56:22,719
Speaker 1: It would have to be like it'd be way better

1234
00:56:22,760 --> 00:56:25,520
Speaker 1: if it was his idea to come sit with how

1235
00:56:25,600 --> 00:56:29,600
Speaker 1: people perceive are cold haters, which I know for a

1236
00:56:29,600 --> 00:56:32,040
Speaker 1: fact I'm not, and I don't think you are, but

1237
00:56:32,120 --> 00:56:35,000
Speaker 1: people have perceived that maybe we would be cold haters.

1238
00:56:35,640 --> 00:56:37,440
Speaker 1: I love everyone that he's sitting down with. I think

1239
00:56:37,480 --> 00:56:40,600
Speaker 1: that's great fire And if you want to do the

1240
00:56:40,640 --> 00:56:43,120
Speaker 1: full positive press run, I'm never mad at that either.

1241
00:56:43,160 --> 00:56:44,719
Speaker 1: I'm not one of these people that thinks everything with

1242
00:56:45,160 --> 00:56:47,919
Speaker 1: journalism has to be negative and gossiply. But that would

1243
00:56:47,960 --> 00:56:51,000
Speaker 1: be a cool, a cool balance I think for the

1244
00:56:51,040 --> 00:56:54,160
Speaker 1: perception of your press, run to go to people that

1245
00:56:54,239 --> 00:56:57,399
Speaker 1: are they not haters. But there's been a history last

1246
00:56:57,440 --> 00:57:01,480
Speaker 1: two years of having some comments, so I would like that,

1247
00:57:01,520 --> 00:57:04,560
Speaker 1: But I only if like Cole wanted to do it.

1248
00:57:05,600 --> 00:57:07,640
Speaker 4: Yeah, I'm listen, We sitting here just talking because we

1249
00:57:07,760 --> 00:57:10,040
Speaker 4: do a podcast. We just talking shit. I mean, I really,

1250
00:57:10,640 --> 00:57:14,480
Speaker 4: I'm not mad if Cole doesn't want to ship us,

1251
00:57:14,719 --> 00:57:16,280
Speaker 4: you know, that means it's nothing to me.

1252
00:57:16,400 --> 00:57:17,520
Speaker 3: I'm not losing sleep over that.

1253
00:57:17,960 --> 00:57:20,320
Speaker 4: But no, I think that it would be it would

1254
00:57:20,320 --> 00:57:23,280
Speaker 4: be cool to have a conversation face to face. I've never,

1255
00:57:23,400 --> 00:57:26,720
Speaker 4: you know, had a conversation with Cole like, you know,

1256
00:57:26,920 --> 00:57:29,760
Speaker 4: in depth like that, just like what's ups in passing

1257
00:57:29,840 --> 00:57:33,120
Speaker 4: and shit like that. But I've been vocal about the

1258
00:57:33,280 --> 00:57:36,200
Speaker 4: you know, the whole situation the last two years. I've

1259
00:57:36,240 --> 00:57:39,520
Speaker 4: said some things that Cold probably deemed a little disrespectful

1260
00:57:39,560 --> 00:57:43,480
Speaker 4: and too far. But it's never my intempt to disrespect anybody.

1261
00:57:43,520 --> 00:57:45,880
Speaker 4: Definitely not disrespecting somebody. I don't know that's corny. I'm

1262
00:57:46,320 --> 00:57:48,520
Speaker 4: too old for that. But yeah, I got I got,

1263
00:57:48,560 --> 00:57:50,440
Speaker 4: I got I got things that I would like to

1264
00:57:50,480 --> 00:57:53,440
Speaker 4: say to Cole's face, just so he understands that I'm

1265
00:57:53,480 --> 00:57:55,640
Speaker 4: not a guy that would just talk shit and and

1266
00:57:55,640 --> 00:57:57,680
Speaker 4: and would like I you know, I think that me

1267
00:57:57,720 --> 00:58:00,000
Speaker 4: and Cole, I think Cold would actually benefit from having.

1268
00:57:59,840 --> 00:58:01,240
Speaker 3: Him make it like me and his phone and in

1269
00:58:01,320 --> 00:58:01,680
Speaker 3: his ear.

1270
00:58:02,960 --> 00:58:05,880
Speaker 1: But there's also a world where Cole doesn't think about

1271
00:58:06,000 --> 00:58:07,840
Speaker 1: or give a single funck about any opinion that's been

1272
00:58:07,840 --> 00:58:08,600
Speaker 1: said on this podcast.

1273
00:58:08,640 --> 00:58:10,560
Speaker 2: For sure, he's having a great time with his wife

1274
00:58:10,600 --> 00:58:10,919
Speaker 2: and kids.

1275
00:58:11,040 --> 00:58:13,400
Speaker 1: He's doing just fine and would much rather sit down

1276
00:58:13,440 --> 00:58:18,320
Speaker 1: with just fine legendary Carmelo, Anthony Safe, Safe, you.

1277
00:58:18,400 --> 00:58:21,200
Speaker 4: White, like, yeah, just come highlight some guys that may

1278
00:58:21,200 --> 00:58:23,680
Speaker 4: have some pushback. Yeah, I don't talk to don't talk

1279
00:58:23,720 --> 00:58:24,520
Speaker 4: to Mellow about the.

1280
00:58:25,360 --> 00:58:27,560
Speaker 2: I think Cam. I think Mellow and Caz don't.

1281
00:58:27,600 --> 00:58:30,240
Speaker 1: I don't know pushback, but Cam I think is gonna

1282
00:58:30,520 --> 00:58:31,800
Speaker 1: ask some realer questions.

1283
00:58:32,520 --> 00:58:34,320
Speaker 4: I would hope so, because Cam is obviously he's a

1284
00:58:34,360 --> 00:58:38,120
Speaker 4: rapper too, and he understands that world more than Carmelo

1285
00:58:38,200 --> 00:58:38,960
Speaker 4: and Kaz would.

1286
00:58:39,000 --> 00:58:44,320
Speaker 2: But longest rollout ever for a podcast episode, milk It.

1287
00:58:46,240 --> 00:58:47,960
Speaker 4: Cam was about to go to court for that interview.

1288
00:58:48,200 --> 00:58:51,520
Speaker 4: Milk that motherfucker Cam. If I'm you, I roll that

1289
00:58:51,560 --> 00:58:55,880
Speaker 4: shit out another week. You treat that like the Paradise episode.

1290
00:58:56,480 --> 00:58:59,040
Speaker 4: Kick Cam announced it like on Valentine's Yeah fuck that

1291
00:58:59,360 --> 00:59:01,840
Speaker 4: roll that ship out. We're gonna roll list it out.

1292
00:59:02,200 --> 00:59:04,760
Speaker 4: This is the longest rollout you had to fall off.

1293
00:59:04,760 --> 00:59:09,520
Speaker 4: I got the rollout. Yeah, we're gonna roll list it

1294
00:59:09,520 --> 00:59:10,120
Speaker 4: all the way out.

1295
00:59:10,280 --> 00:59:13,520
Speaker 1: Do you think they paused it off with because I

1296
00:59:13,600 --> 00:59:15,840
Speaker 1: really thought that it was coming out on Revold TV obviously,

1297
00:59:15,880 --> 00:59:18,880
Speaker 1: but also on YouTube on Tuesday. Do you think the

1298
00:59:18,960 --> 00:59:20,600
Speaker 1: jay z interview had them go, you know what, just

1299
00:59:20,680 --> 00:59:21,360
Speaker 1: let them have the day?

1300
00:59:23,320 --> 00:59:23,560
Speaker 2: Nah?

1301
00:59:23,840 --> 00:59:26,080
Speaker 4: Okay, I think it's I think it's enough space for

1302
00:59:26,160 --> 00:59:28,760
Speaker 4: both of those to be out at the same time. Yeah,

1303
00:59:28,840 --> 00:59:30,520
Speaker 4: the j interview wasn't that long too. It was it

1304
00:59:30,520 --> 00:59:32,360
Speaker 4: was you know, it was. It was a good interview, Yeah,

1305
00:59:32,360 --> 00:59:36,400
Speaker 4: but it was short. Obviously, the cam And and Cole

1306
00:59:37,200 --> 00:59:42,880
Speaker 4: uh episode will be longer than Jay's gqu episode.

1307
00:59:44,200 --> 00:59:46,200
Speaker 1: There was a clip from seven PM in Brooklyn where

1308
00:59:47,360 --> 00:59:50,360
Speaker 1: Cole cleared up uh Lebron walking around with a fall

1309
00:59:50,400 --> 00:59:55,320
Speaker 1: off the vinyl, which just fucked up because once Cole

1310
00:59:55,360 --> 00:59:57,280
Speaker 1: explained it, I was like, oh, yeah, that's that makes

1311
00:59:57,320 --> 00:59:59,640
Speaker 1: all the sense of the world and that's awesome. But

1312
00:59:59,680 --> 01:00:03,120
Speaker 1: if we've you know, Bron's track record, I don't think

1313
01:00:03,120 --> 01:00:05,600
Speaker 1: it's crazy for someone on the internet to see him

1314
01:00:05,640 --> 01:00:08,680
Speaker 1: walking around just with a fall off vinyl and be

1315
01:00:08,720 --> 01:00:11,240
Speaker 1: like this is performative, Yeah, this is this is what

1316
01:00:11,280 --> 01:00:13,080
Speaker 1: are we doing here? That's that's not part of your fit.

1317
01:00:14,360 --> 01:00:17,000
Speaker 1: That definitely feels performative. If you see Bron walking around

1318
01:00:17,000 --> 01:00:18,480
Speaker 1: with a Jake Cole Viney, it's like, all right, though,

1319
01:00:18,680 --> 01:00:21,320
Speaker 1: because you coulda put that in a bag, like you

1320
01:00:21,360 --> 01:00:22,440
Speaker 1: know what I'm saying. You could have put that in

1321
01:00:22,520 --> 01:00:24,200
Speaker 1: something like nobody had to know you had a vinyl

1322
01:00:24,200 --> 01:00:26,800
Speaker 1: on your hand, like and he didn't playing that he

1323
01:00:26,840 --> 01:00:31,680
Speaker 1: game did I'm not sure okay, because it'd be playing.

1324
01:00:31,720 --> 01:00:34,760
Speaker 1: You definitely could have put that in your bag. You're

1325
01:00:34,800 --> 01:00:36,320
Speaker 1: not be like, oh, should have I left this on

1326
01:00:36,360 --> 01:00:38,200
Speaker 1: the seat and you're just walking.

1327
01:00:37,920 --> 01:00:38,520
Speaker 2: Into the right.

1328
01:00:40,640 --> 01:00:42,640
Speaker 1: But no, I think that's cool that that that Bron

1329
01:00:42,800 --> 01:00:45,120
Speaker 1: met with Coos kids because.

1330
01:00:44,880 --> 01:00:47,080
Speaker 4: There he was Lebron fans and he's dope. Man, that's

1331
01:00:47,160 --> 01:00:49,600
Speaker 4: dad ship Man, that's dad. That's the dad's you know

1332
01:00:49,960 --> 01:00:52,320
Speaker 4: they're doing doing something special for the kids. Man, there's

1333
01:00:52,320 --> 01:00:55,840
Speaker 4: nothing wrong with that. But based off Lebron's track record

1334
01:00:56,000 --> 01:00:58,880
Speaker 4: in history, that definitely did. They thought that they caught

1335
01:00:58,920 --> 01:01:01,840
Speaker 4: Lebron another performance of moment like all right, man, the

1336
01:01:01,920 --> 01:01:04,200
Speaker 4: vinyl you walking around with the vinyl A we got you.

1337
01:01:05,840 --> 01:01:08,360
Speaker 1: I could see Ron having a vinyl player and all

1338
01:01:08,400 --> 01:01:10,720
Speaker 1: his vinyls like in his locker. But then you realize

1339
01:01:10,720 --> 01:01:14,800
Speaker 1: all the plastic is still on them, like you're not playing.

1340
01:01:15,760 --> 01:01:17,840
Speaker 4: Having a vinyl player in the locker room is crazy.

1341
01:01:18,360 --> 01:01:21,440
Speaker 4: It's like, all right, fam, alright, alright, okay, enough is

1342
01:01:21,440 --> 01:01:22,920
Speaker 4: fucking enough, bro, Like we get it.

1343
01:01:23,160 --> 01:01:25,800
Speaker 2: Nah, some of these new vinyl players are great, into

1344
01:01:25,920 --> 01:01:26,320
Speaker 2: the great.

1345
01:01:27,560 --> 01:01:29,040
Speaker 3: We don't need all of that. We don't need a

1346
01:01:29,480 --> 01:01:31,280
Speaker 3: hit play and we don't need a vinyl player in

1347
01:01:31,280 --> 01:01:31,760
Speaker 3: the locker room.

1348
01:01:31,800 --> 01:01:32,640
Speaker 2: Cut it out.

1349
01:01:33,720 --> 01:01:36,600
Speaker 1: I'm sorry we dragged this this long with more Cole

1350
01:01:37,160 --> 01:01:39,240
Speaker 1: Drake and be stuff, But honestly, I don't really know

1351
01:01:39,240 --> 01:01:41,320
Speaker 1: what I want us to do when everyone's doing press

1352
01:01:41,400 --> 01:01:44,280
Speaker 1: runs and finally speaking about something we've all been curious

1353
01:01:44,840 --> 01:01:46,800
Speaker 1: about when it came to their point of view.

1354
01:01:47,320 --> 01:01:48,959
Speaker 4: And it's a world where you niggas is just making

1355
01:01:48,960 --> 01:01:50,880
Speaker 4: whack music that we don't want.

1356
01:01:50,720 --> 01:01:57,160
Speaker 2: To talk about changing the game. Not shut out, yeat, disrespect.

1357
01:01:57,600 --> 01:01:58,560
Speaker 2: I'm not here to dispet you.

1358
01:01:58,560 --> 01:02:00,280
Speaker 3: No, he's young. We gotta give him a shot. We

1359
01:02:00,280 --> 01:02:02,000
Speaker 3: gotta see what he does with his moment.

1360
01:02:01,800 --> 01:02:03,360
Speaker 2: And shout out to saye low. You know I loves it.

1361
01:02:03,400 --> 01:02:05,360
Speaker 2: You know, Zaye and I have a great relationship.

1362
01:02:04,920 --> 01:02:06,720
Speaker 3: Great relationship, the greatest of Greek.

1363
01:02:07,960 --> 01:02:09,800
Speaker 2: Well, I mean just quickly, because I'm not here to

1364
01:02:09,800 --> 01:02:11,440
Speaker 2: hate on you. Just music's not for me.

1365
01:02:12,120 --> 01:02:14,640
Speaker 1: He did say that he is the only one of

1366
01:02:14,680 --> 01:02:17,960
Speaker 1: his peers, which I don't know what he considers his peers.

1367
01:02:18,120 --> 01:02:20,720
Speaker 1: He said that is pushing music for her, or having

1368
01:02:20,760 --> 01:02:23,760
Speaker 1: a new sound, or trying to add something into the field,

1369
01:02:24,120 --> 01:02:27,920
Speaker 1: which he very well. Maybe right, but that doesn't mean

1370
01:02:27,960 --> 01:02:31,000
Speaker 1: it's good. You could be the only one trying to

1371
01:02:31,040 --> 01:02:32,800
Speaker 1: push the needle. But that doesn't mean I have to

1372
01:02:32,840 --> 01:02:34,880
Speaker 1: like it. I like Jesus, but I would never be

1373
01:02:34,920 --> 01:02:36,520
Speaker 1: mad at someone that said, yeah, he's pushing the needle,

1374
01:02:36,560 --> 01:02:37,200
Speaker 1: but I don't like it.

1375
01:02:37,320 --> 01:02:37,720
Speaker 2: Mm hmm.

1376
01:02:38,000 --> 01:02:40,800
Speaker 1: Like, sometimes that's not as profound as it comes across,

1377
01:02:40,800 --> 01:02:42,400
Speaker 1: even though Zaying's going to make it sound like the

1378
01:02:42,440 --> 01:02:44,960
Speaker 1: most profound thing he's ever heard in his entire life.

1379
01:02:45,200 --> 01:02:48,640
Speaker 1: H Sometimes the needle should just stay.

1380
01:02:48,640 --> 01:02:53,320
Speaker 2: Where is that? Because I'm cool? We gotta see man.

1381
01:02:54,880 --> 01:02:57,600
Speaker 4: I love all the artists, oh no, for sure, but

1382
01:02:57,640 --> 01:02:58,280
Speaker 4: I've never.

1383
01:02:58,240 --> 01:03:01,080
Speaker 1: Heard a good album with that many features. But listen,

1384
01:03:01,240 --> 01:03:04,800
Speaker 1: I'm not he can pick beats. Yeah, I'd like to

1385
01:03:04,840 --> 01:03:07,240
Speaker 1: hear a lot of those artists on a yeat beat.

1386
01:03:08,240 --> 01:03:10,919
Speaker 3: I want to like, I'm looking for the next young.

1387
01:03:10,720 --> 01:03:13,000
Speaker 4: Artist to like, like I want I want to I

1388
01:03:13,080 --> 01:03:15,800
Speaker 4: want to like one of the new younger artists, Like

1389
01:03:16,200 --> 01:03:16,760
Speaker 4: I want.

1390
01:03:16,600 --> 01:03:20,520
Speaker 1: To define young though, like it's Jid young anymore, it's

1391
01:03:20,600 --> 01:03:23,680
Speaker 1: Jid now like in the middle care but like he's

1392
01:03:23,760 --> 01:03:26,040
Speaker 1: surpassed being a freshman more or less. Yeah, yeah, like

1393
01:03:26,040 --> 01:03:30,160
Speaker 1: he's He's what I'm not even saying by age wise though,

1394
01:03:30,160 --> 01:03:32,680
Speaker 1: because him I is such a weird place where it's

1395
01:03:32,720 --> 01:03:35,280
Speaker 1: like a bunch of sixteen year olds and then people

1396
01:03:35,280 --> 01:03:36,840
Speaker 1: that are thirty five that are finally making it.

1397
01:03:36,920 --> 01:03:40,920
Speaker 2: Yeah, like Gibbs get his stride fifteen years into his career.

1398
01:03:41,400 --> 01:03:41,880
Speaker 2: How old is he?

1399
01:03:41,960 --> 01:03:42,800
Speaker 3: Eat? Is young though?

1400
01:03:42,880 --> 01:03:46,000
Speaker 1: Right, he's in his twenties, I would assume. So yeah,

1401
01:03:46,040 --> 01:03:48,760
Speaker 1: like I'm talking about to Sound, everything about him is young. Yeah,

1402
01:03:48,760 --> 01:03:49,800
Speaker 1: it's crowd talking.

1403
01:03:49,640 --> 01:03:51,640
Speaker 4: About guys like I want to like somebody like that.

1404
01:03:51,680 --> 01:03:53,919
Speaker 4: I want to find the artist that I really like,

1405
01:03:53,920 --> 01:03:57,040
Speaker 4: like that with like one of the twenty whatever year

1406
01:03:57,040 --> 01:04:00,840
Speaker 4: olds that has a different energy, different vibe, different sound

1407
01:04:01,000 --> 01:04:01,480
Speaker 4: that I'd.

1408
01:04:01,360 --> 01:04:02,520
Speaker 3: Just be like, you know what, I like this, I

1409
01:04:02,600 --> 01:04:03,600
Speaker 3: like this kid.

1410
01:04:03,640 --> 01:04:06,680
Speaker 1: I like him. I mean there's a lot like again,

1411
01:04:06,720 --> 01:04:11,760
Speaker 1: I think all the rappers that were in on the

1412
01:04:11,880 --> 01:04:15,600
Speaker 1: radar new generation cipher. I think all of them are

1413
01:04:15,760 --> 01:04:19,480
Speaker 1: incredible and do make good music, But are you saying

1414
01:04:19,480 --> 01:04:23,640
Speaker 1: on the level of somebody that would be in the territory,

1415
01:04:23,920 --> 01:04:27,200
Speaker 1: Like all those guys haven't popped yet. I think a

1416
01:04:27,240 --> 01:04:29,440
Speaker 1: few of them are well on their way to it's

1417
01:04:29,440 --> 01:04:31,200
Speaker 1: just going to take a few more years because they're

1418
01:04:31,240 --> 01:04:34,200
Speaker 1: going about it the lyrical route, which takes longer. But

1419
01:04:34,360 --> 01:04:36,240
Speaker 1: I'm with you, I don't have anyone in that space.

1420
01:04:37,320 --> 01:04:39,840
Speaker 1: Like when UZI was a freshman, I was like, Okay,

1421
01:04:40,120 --> 01:04:41,840
Speaker 1: not all this is for me, but I fuck with

1422
01:04:41,920 --> 01:04:43,480
Speaker 1: what he's doing. I see the creativity and he's doing.

1423
01:04:43,560 --> 01:04:46,000
Speaker 1: I fucked with some UZI stuff. I don't know if

1424
01:04:46,000 --> 01:04:47,920
Speaker 1: I feel that way about anyone that would be like

1425
01:04:47,960 --> 01:04:51,760
Speaker 1: a YAT peer. And maybe that's as far as that vibe, yeah,

1426
01:04:51,800 --> 01:04:54,960
Speaker 1: because that is the newer vibe. Like, of course there's

1427
01:04:55,000 --> 01:04:57,000
Speaker 1: plenty of great young lyrical rappers. I'm not one of

1428
01:04:57,000 --> 01:05:00,000
Speaker 1: those people that doesn't think it's perfectly balanced right now.

1429
01:05:00,240 --> 01:05:02,400
Speaker 1: But in that world, I'm with you, I haven't found

1430
01:05:02,480 --> 01:05:05,560
Speaker 1: one where like I shouldn't like this, but this is fire.

1431
01:05:05,680 --> 01:05:06,040
Speaker 2: Yeah.

1432
01:05:06,400 --> 01:05:09,200
Speaker 4: Yeah, I think the youngest artist, the youngest rapper, I

1433
01:05:09,240 --> 01:05:11,240
Speaker 4: might like it's probably Kodak. How is the Kodak now

1434
01:05:12,360 --> 01:05:16,120
Speaker 4: thirty five? No, way Kodak is thirty five. No, fuck Kodaks,

1435
01:05:16,360 --> 01:05:19,560
Speaker 4: He's still in his twenties. Okay, yeah, thirty five about

1436
01:05:19,600 --> 01:05:22,200
Speaker 4: to say hell no, nah, But the way Kodak lives,

1437
01:05:22,240 --> 01:05:25,680
Speaker 4: like no, no, he has, he has, he has years, yes,

1438
01:05:25,760 --> 01:05:30,120
Speaker 4: years of experience. Kodak is fifty years yeah, dog years

1439
01:05:30,160 --> 01:05:34,919
Speaker 4: like yeah, yeah Kodak, Now that's old man, right Yeah.

1440
01:05:34,960 --> 01:05:37,560
Speaker 4: But as far as like the twenty something old rappers,

1441
01:05:37,600 --> 01:05:41,000
Speaker 4: like Kodak is probably like my favorite that I could

1442
01:05:41,040 --> 01:05:43,160
Speaker 4: think of that's probably still in their twenties that I'm like,

1443
01:05:43,680 --> 01:05:45,360
Speaker 4: I like this dude, I fuck with him heavy.

1444
01:05:45,600 --> 01:05:48,640
Speaker 1: Yeah, probably Kodak, because even like the realm of like

1445
01:05:48,680 --> 01:05:50,640
Speaker 1: when twenty one Savage came out, I love twenty.

1446
01:05:50,440 --> 01:05:51,360
Speaker 2: One Savage.

1447
01:05:52,920 --> 01:05:55,880
Speaker 1: And his era had some shit that I was like,

1448
01:05:55,920 --> 01:05:57,840
Speaker 1: this is too young for me, even though they're my age.

1449
01:05:58,400 --> 01:06:00,360
Speaker 1: I don't know if I've had twenty one in like

1450
01:06:00,400 --> 01:06:03,040
Speaker 1: the last few years, because obviously twenty one is now

1451
01:06:03,040 --> 01:06:05,320
Speaker 1: in the middle of his career. But the way I

1452
01:06:05,320 --> 01:06:08,360
Speaker 1: love twenty one Savage, I haven't loved a new rapper

1453
01:06:08,400 --> 01:06:11,200
Speaker 1: with a different sound that isn't typically like the boombap

1454
01:06:11,200 --> 01:06:15,840
Speaker 1: shit I like in a very very long time. Yeah something, yeah,

1455
01:06:15,920 --> 01:06:17,520
Speaker 1: I mean, listen, the young boy shit. I'm starting to

1456
01:06:17,520 --> 01:06:19,200
Speaker 1: get into a little bit, but I wouldn't consider him young.

1457
01:06:19,280 --> 01:06:22,240
Speaker 1: I think he's I think I'm so late obviously young boy.

1458
01:06:22,400 --> 01:06:23,760
Speaker 2: He's been selling out fucking arenas.

1459
01:06:24,200 --> 01:06:26,000
Speaker 4: He's another one that I like him and hint to

1460
01:06:26,040 --> 01:06:29,040
Speaker 4: meet him and Kodak of like the guys that I'm

1461
01:06:29,080 --> 01:06:31,120
Speaker 4: like the young twenty something else when I'm like, I

1462
01:06:31,200 --> 01:06:31,680
Speaker 4: fuck with this.

1463
01:06:35,080 --> 01:06:37,360
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1464
01:06:37,520 --> 01:06:41,360
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Speaker 2: Do you think, uh, you think Libro slipped up? But

1501
01:08:25,560 --> 01:08:28,120
Speaker 2: what do you think?

1502
01:08:28,160 --> 01:08:28,400
Speaker 5: Ebro?

1503
01:08:28,479 --> 01:08:30,280
Speaker 2: Out of you know you'd un fucked up? Right moment?

1504
01:08:31,720 --> 01:08:32,160
Speaker 3: What do you do?

1505
01:08:33,000 --> 01:08:35,519
Speaker 1: He was, He was on his show. Shout shout out

1506
01:08:35,560 --> 01:08:38,599
Speaker 1: to to Ebro, Rosenbergen and Laura, shout out to Pete

1507
01:08:39,000 --> 01:08:41,920
Speaker 1: he uh, he was. He was discussing a lot of

1508
01:08:41,960 --> 01:08:45,640
Speaker 1: the pushback that that he gets from people in his

1509
01:08:45,800 --> 01:08:50,880
Speaker 1: Drake hate and some of his coal critiquing, and he

1510
01:08:51,400 --> 01:08:54,200
Speaker 1: basically said, why should I give a fuck how they

1511
01:08:54,240 --> 01:08:57,080
Speaker 1: feel they don't pay my bills? And if we're being real,

1512
01:08:57,120 --> 01:08:59,479
Speaker 1: the only one out of the big three that has

1513
01:08:59,479 --> 01:09:03,520
Speaker 1: supported I show and paid my bills was Kendrick Lamar.

1514
01:09:04,520 --> 01:09:07,040
Speaker 2: Oh a a he Bro.

1515
01:09:09,200 --> 01:09:11,200
Speaker 3: We got him, We got it.

1516
01:09:11,720 --> 01:09:13,320
Speaker 2: No, you guys didn't. We got him.

1517
01:09:13,400 --> 01:09:17,200
Speaker 4: Oh my god, I saw Herody got your ass.

1518
01:09:18,800 --> 01:09:20,240
Speaker 2: He said that he.

1519
01:09:22,040 --> 01:09:23,240
Speaker 3: Did say pay my bills.

1520
01:09:24,160 --> 01:09:26,360
Speaker 1: Hey, let's let let's get the exact And you said

1521
01:09:26,439 --> 01:09:28,840
Speaker 1: pay my bills again.

1522
01:09:29,479 --> 01:09:31,120
Speaker 5: All right, that what I'm saying is you end up

1523
01:09:31,120 --> 01:09:33,519
Speaker 5: being something me too, I'm sure, but even you seem

1524
01:09:33,560 --> 01:09:36,439
Speaker 5: more like the captain of it of that you could

1525
01:09:36,439 --> 01:09:39,160
Speaker 5: someone could say that is what happened because you've been

1526
01:09:39,160 --> 01:09:40,439
Speaker 5: critical about Drake before.

1527
01:09:41,040 --> 01:09:43,120
Speaker 6: But what I'm saying, I was critical about Drake before

1528
01:09:43,120 --> 01:09:45,960
Speaker 6: to be so if you're doing that, you ain't been

1529
01:09:45,960 --> 01:09:46,639
Speaker 6: watching my show.

1530
01:09:46,920 --> 01:09:49,840
Speaker 5: Oh so you mean it's different because you're not someone

1531
01:09:49,880 --> 01:09:52,120
Speaker 5: who stayed quiet and was like, ooh, I got a reason.

1532
01:09:52,320 --> 01:09:54,479
Speaker 5: It's like, no, I've been critical about missteps you've had.

1533
01:09:54,720 --> 01:09:56,960
Speaker 5: Here's a giant misstep, and I'm critical again.

1534
01:09:57,439 --> 01:09:59,040
Speaker 3: Yeah. I would hope that he would see.

1535
01:09:58,880 --> 01:10:01,680
Speaker 5: The difference that like I don't, there are people who

1536
01:10:01,720 --> 01:10:03,880
Speaker 5: actually wanted Drake to do better in that and hopefully,

1537
01:10:04,200 --> 01:10:04,759
Speaker 5: by the way.

1538
01:10:04,680 --> 01:10:09,720
Speaker 6: I like all these guys musically artistically, some I like

1539
01:10:09,760 --> 01:10:12,479
Speaker 6: more than others. I'm really loving what Cole's doing right now.

1540
01:10:13,280 --> 01:10:16,160
Speaker 6: But I don't give a god damn. Like we respond

1541
01:10:16,240 --> 01:10:18,960
Speaker 6: to things on the fly, bro, like it's happening right now.

1542
01:10:19,000 --> 01:10:22,719
Speaker 3: You did X y Z, Like what are you supposed

1543
01:10:22,720 --> 01:10:22,880
Speaker 3: to do?

1544
01:10:23,520 --> 01:10:26,040
Speaker 2: Yeah? And Drake's criticism came to how he was acting

1545
01:10:26,200 --> 01:10:27,160
Speaker 2: each time.

1546
01:10:27,000 --> 01:10:29,240
Speaker 6: And if we're keeping it a bean, the only person

1547
01:10:29,280 --> 01:10:33,640
Speaker 6: that's supported my show and me is Kendrick Lamar. So like,

1548
01:10:33,680 --> 01:10:36,400
Speaker 6: if we're talking about how we pay our bills, y'all

1549
01:10:36,439 --> 01:10:37,600
Speaker 6: ain't been up here supporting me.

1550
01:10:38,439 --> 01:10:44,120
Speaker 2: None of y'all Kendrick has. I don't think anyone was

1551
01:10:44,160 --> 01:10:45,160
Speaker 2: talking about that specifically.

1552
01:10:45,200 --> 01:10:47,040
Speaker 6: But I'm just saying, like, why would I care how

1553
01:10:47,040 --> 01:10:49,760
Speaker 6: they feel about how I feel you I'm commenting on

1554
01:10:49,800 --> 01:10:51,519
Speaker 6: what you're doing. Wow, I don't give it right right? Well,

1555
01:10:51,520 --> 01:10:54,240
Speaker 6: what's the obligation of I have no obligation.

1556
01:10:53,840 --> 01:10:54,040
Speaker 3: I know.

1557
01:10:54,080 --> 01:10:55,439
Speaker 5: And people act as if it's like, yeah, but it's

1558
01:10:55,439 --> 01:10:56,360
Speaker 5: not critical journalism.

1559
01:10:56,400 --> 01:10:59,000
Speaker 3: Then he bro No, no, you know that.

1560
01:10:59,240 --> 01:11:02,559
Speaker 4: You know that's not what I'm I have ovo algorithm

1561
01:11:02,640 --> 01:11:04,040
Speaker 4: and you guys thought you got him.

1562
01:11:04,560 --> 01:11:06,040
Speaker 2: I know what he's trying to say.

1563
01:11:06,160 --> 01:11:09,200
Speaker 4: I know Payola. When I hear it, I know Payola.

1564
01:11:09,400 --> 01:11:14,639
Speaker 4: You don't know Payola like I know Payolar. That's the problem,

1565
01:11:14,640 --> 01:11:16,800
Speaker 4: you know, that's what they know. They accuse you of that.

1566
01:11:18,320 --> 01:11:19,400
Speaker 4: They accused me of Payola.

1567
01:11:20,040 --> 01:11:22,280
Speaker 1: What I need to see tax returns on you and

1568
01:11:22,320 --> 01:11:23,920
Speaker 1: on Ebro because I had to see if TD is

1569
01:11:23,960 --> 01:11:25,720
Speaker 1: paying that is paying back.

1570
01:11:25,720 --> 01:11:29,760
Speaker 2: They accuse me, Peg, I'm gonna wait. I'm gonna audit

1571
01:11:29,880 --> 01:11:31,519
Speaker 2: Maul because I need to see.

1572
01:11:32,680 --> 01:11:34,880
Speaker 1: Paol in here because now I found out that there's

1573
01:11:34,920 --> 01:11:36,519
Speaker 1: Ketrick Payola with Hebro and Apple.

1574
01:11:36,880 --> 01:11:38,240
Speaker 2: I want my OVO check.

1575
01:11:38,360 --> 01:11:40,960
Speaker 4: Hold on, yo, Peg, I'm gonna look your eyes. They

1576
01:11:40,960 --> 01:11:43,120
Speaker 4: accused me of Payola. That's crazy.

1577
01:11:43,160 --> 01:11:44,559
Speaker 2: I'm calling Lloyon tonight.

1578
01:11:44,720 --> 01:11:47,240
Speaker 1: Does Mal have some separate account that he's he's funneling

1579
01:11:47,240 --> 01:11:49,599
Speaker 1: what's what's the Canadian dollar called whatever?

1580
01:11:49,640 --> 01:11:50,840
Speaker 2: Tim Horton Bucky got.

1581
01:11:51,080 --> 01:11:53,799
Speaker 1: I know Mal has a separate offshore account with Ovo,

1582
01:11:53,880 --> 01:11:56,479
Speaker 1: and I need to see it because now I know

1583
01:11:56,520 --> 01:11:57,559
Speaker 1: that Hebro's getting paid.

1584
01:11:57,600 --> 01:12:01,679
Speaker 3: Man, they think I'm on Payola. That's coreat no Ebro.

1585
01:12:01,800 --> 01:12:04,479
Speaker 2: They didn't catch Ebro the way they think they did.

1586
01:12:04,600 --> 01:12:07,080
Speaker 1: What he is saying, I don't have an incentive or

1587
01:12:07,960 --> 01:12:10,639
Speaker 1: loyalty to anybody because no one is here to pay

1588
01:12:11,360 --> 01:12:11,800
Speaker 1: my bills.

1589
01:12:11,840 --> 01:12:14,759
Speaker 2: I only have a responsibility to those people.

1590
01:12:15,680 --> 01:12:18,799
Speaker 1: But you are now kind of admitting that if somebody

1591
01:12:18,800 --> 01:12:21,439
Speaker 1: did that, you'd have an incentive to be nicer to them, which,

1592
01:12:21,680 --> 01:12:25,000
Speaker 1: to Rosenberg point is like, well, that's not journalism. You

1593
01:12:25,040 --> 01:12:28,200
Speaker 1: can't now if someone fucks with you and comes up here.

1594
01:12:28,400 --> 01:12:31,800
Speaker 1: Now you do not criticize them whatsoever. You have to

1595
01:12:31,800 --> 01:12:33,880
Speaker 1: be somewhat objective, and even if you're not a journalist,

1596
01:12:33,960 --> 01:12:35,439
Speaker 1: we should still be somewhat objective.

1597
01:12:35,520 --> 01:12:36,200
Speaker 2: Yeah, we laughing.

1598
01:12:36,280 --> 01:12:38,800
Speaker 3: But him saying that Kendrick is the only one that

1599
01:12:38,840 --> 01:12:39,840
Speaker 3: has supported.

1600
01:12:39,479 --> 01:12:46,080
Speaker 4: Him, that's kind of payola as well. Man, wires may

1601
01:12:46,120 --> 01:12:49,920
Speaker 4: not have been sent out. Yeah, it's social paola. It's

1602
01:12:50,000 --> 01:12:52,519
Speaker 4: just like, okay, you know what I mean, Like, all right,

1603
01:12:52,560 --> 01:12:55,439
Speaker 4: he came up here supported you, So that means that now,

1604
01:12:55,520 --> 01:12:57,880
Speaker 4: like that's your man's you rolling you, ain't you know.

1605
01:12:58,200 --> 01:13:01,040
Speaker 2: I wish, Oh, I wish.

1606
01:13:01,120 --> 01:13:03,120
Speaker 1: I wish the perception of this podcast was not that

1607
01:13:03,160 --> 01:13:06,720
Speaker 1: we were on Ovio's payroll or were some Drake Dick riders,

1608
01:13:07,120 --> 01:13:11,439
Speaker 1: because sometimes facts are facts, hebro. If Drake didn't exist,

1609
01:13:12,040 --> 01:13:17,040
Speaker 1: radio would have died way quicker than it did. Yes,

1610
01:13:17,640 --> 01:13:22,080
Speaker 1: Drake had supported you in ways you have no fucking idea.

1611
01:13:23,720 --> 01:13:25,679
Speaker 2: Radio caught another ten year running.

1612
01:13:25,920 --> 01:13:29,519
Speaker 4: Oh my god, Man, talk about it, Bro, talk about it,

1613
01:13:29,800 --> 01:13:30,360
Speaker 4: talk about it.

1614
01:13:30,400 --> 01:13:33,280
Speaker 1: No, Drake has has not well, he has been up

1615
01:13:33,439 --> 01:13:35,400
Speaker 1: high ninety seven. He was up there with Flex and

1616
01:13:35,479 --> 01:13:37,360
Speaker 1: Scipe and he's been up there before. Then there was

1617
01:13:37,520 --> 01:13:41,280
Speaker 1: a back and forth with hot and you know Drake,

1618
01:13:41,400 --> 01:13:43,960
Speaker 1: Drake even dissing Hot on the Madison Square Garden stages,

1619
01:13:43,960 --> 01:13:46,160
Speaker 1: which to me is kind of a form of support

1620
01:13:46,200 --> 01:13:50,320
Speaker 1: to some degree. But nah, you can't work in radio

1621
01:13:50,760 --> 01:13:54,200
Speaker 1: and say Drake's never supported you. It's impossible.

1622
01:13:54,280 --> 01:13:56,280
Speaker 3: Yeah, that's that doesn't even make sense. But I understand

1623
01:13:56,280 --> 01:13:56,439
Speaker 3: what you.

1624
01:13:57,000 --> 01:13:59,599
Speaker 4: And I know this is more like here's the thing though,

1625
01:14:00,080 --> 01:14:02,240
Speaker 4: he bro Kendrick gets your God that shit man, that's

1626
01:14:02,240 --> 01:14:05,040
Speaker 4: cool too, Like we gotta get to that point where

1627
01:14:05,080 --> 01:14:08,040
Speaker 4: niggas understand you. That's my man, like I that's my guy.

1628
01:14:08,600 --> 01:14:10,760
Speaker 4: I fuck with him on a different level. We have

1629
01:14:10,840 --> 01:14:13,439
Speaker 4: a different relationship. Like I think that that's okay to

1630
01:14:13,479 --> 01:14:15,840
Speaker 4: admit as well, Like I understand you can still be

1631
01:14:16,200 --> 01:14:19,559
Speaker 4: you know, like Jay is like my big brother.

1632
01:14:19,640 --> 01:14:20,880
Speaker 2: That's family. You know what I'm saying.

1633
01:14:21,479 --> 01:14:23,240
Speaker 4: But if Jay says something that I don't agree with,

1634
01:14:23,320 --> 01:14:25,360
Speaker 4: I'm gonna like, nah, I don't agree with that, big bro,

1635
01:14:25,479 --> 01:14:28,280
Speaker 4: Like that was to me. But you know, it's not

1636
01:14:28,320 --> 01:14:30,000
Speaker 4: a disrespect thing. I would just of course I would

1637
01:14:30,040 --> 01:14:32,200
Speaker 4: never dispeb. But it's just like you can agree, you

1638
01:14:32,200 --> 01:14:34,880
Speaker 4: can disagree with people that support you and that you

1639
01:14:34,920 --> 01:14:38,080
Speaker 4: have a different relationship where you have a closer bond

1640
01:14:38,240 --> 01:14:40,720
Speaker 4: and connection with Like that's okay like for people to

1641
01:14:40,760 --> 01:14:43,559
Speaker 4: say that, but you can also still be you know, like, yo, nah,

1642
01:14:43,600 --> 01:14:46,559
Speaker 4: I don't. I disagree with that move. I disagree with

1643
01:14:46,600 --> 01:14:48,519
Speaker 4: what you said there. That's all I mean.

1644
01:14:48,600 --> 01:14:50,439
Speaker 1: Let me not be a hypocritic. Jay, if you want

1645
01:14:50,439 --> 01:14:52,040
Speaker 1: to come up here, I agree with everything that you say.

1646
01:14:53,320 --> 01:14:57,120
Speaker 4: See you can't see Paola we got him, Pege, we

1647
01:14:57,200 --> 01:15:01,519
Speaker 4: got him, You got him. It was a rock Nation.

1648
01:15:01,680 --> 01:15:04,280
Speaker 4: This this this relationship. I want to see the counting now.

1649
01:15:04,840 --> 01:15:07,960
Speaker 4: I want to see that. I've had no life conversations

1650
01:15:07,960 --> 01:15:11,000
Speaker 4: with with with the Gold parties every year I've had

1651
01:15:11,040 --> 01:15:11,719
Speaker 4: healthy the basements.

1652
01:15:11,760 --> 01:15:12,439
Speaker 2: I've never seen you.

1653
01:15:12,400 --> 01:15:14,400
Speaker 3: When the Gold Party happens, like what's going.

1654
01:15:17,160 --> 01:15:19,280
Speaker 2: What's going on? I saw your brother suited and booted,

1655
01:15:21,120 --> 01:15:23,639
Speaker 2: but I didn't see you. I couldn't even but I don't.

1656
01:15:24,800 --> 01:15:26,680
Speaker 4: I didn't see you. As what I'm saying, and of

1657
01:15:26,680 --> 01:15:29,880
Speaker 4: course that loser Rock Nation ties with you before, Like

1658
01:15:29,920 --> 01:15:31,240
Speaker 4: I'm just saying, relationship.

1659
01:15:32,120 --> 01:15:37,960
Speaker 1: Listen, sometimes behind the scenes there's audist white white white things. James,

1660
01:15:38,200 --> 01:15:40,120
Speaker 1: you got to sell doing now after after the hour,

1661
01:15:43,560 --> 01:15:46,200
Speaker 1: oh man, yeah, no, after what we played with the

1662
01:15:46,240 --> 01:15:47,120
Speaker 1: Jay Electronica budget.

1663
01:15:47,120 --> 01:15:48,600
Speaker 2: I don't think I'll ever be friends with you. I

1664
01:15:48,640 --> 01:15:51,200
Speaker 2: didn't even do that. Man, your pee the jail elect

1665
01:15:51,640 --> 01:15:52,680
Speaker 2: Rock Nation, Yo.

1666
01:15:52,800 --> 01:15:53,920
Speaker 3: Nah, I got to see that now, I got to

1667
01:15:53,960 --> 01:15:54,439
Speaker 3: see the papers.

1668
01:15:54,439 --> 01:15:57,840
Speaker 4: I gotta see the wait first of all, man, nothing changes, Look, Peege,

1669
01:15:57,840 --> 01:15:59,280
Speaker 4: I'm asking for accounting once again.

1670
01:15:59,360 --> 01:16:01,960
Speaker 3: I need the account and Rory, I need to see it.

1671
01:16:02,439 --> 01:16:05,120
Speaker 2: See. This will never be used in clips on the internet.

1672
01:16:06,040 --> 01:16:09,280
Speaker 1: I have always been very forthcoming of my bias with

1673
01:16:09,360 --> 01:16:11,439
Speaker 1: jay Z. I've also been critical of jay Z, but

1674
01:16:11,439 --> 01:16:13,920
Speaker 1: I'm also biased because he's my favorite and yes, at

1675
01:16:13,920 --> 01:16:17,599
Speaker 1: one point we had a working relationship. I've always said that,

1676
01:16:18,080 --> 01:16:20,200
Speaker 1: but like today, I disagree with that. After she said

1677
01:16:21,320 --> 01:16:23,519
Speaker 1: but it's not my fault that I just agree a

1678
01:16:23,520 --> 01:16:25,280
Speaker 1: lot of times with what JAYC does.

1679
01:16:25,160 --> 01:16:25,559
Speaker 3: I'll put it.

1680
01:16:25,560 --> 01:16:26,400
Speaker 2: It's also not my fault.

1681
01:16:26,520 --> 01:16:27,160
Speaker 3: Jay is family.

1682
01:16:27,200 --> 01:16:29,679
Speaker 4: I'm never I'm never going to fuck whatever you niggas

1683
01:16:29,680 --> 01:16:31,519
Speaker 4: just talking about on the internet. That's my family. And

1684
01:16:31,560 --> 01:16:33,680
Speaker 4: it ain't even about biased shit. That's family niggas. So

1685
01:16:33,720 --> 01:16:35,840
Speaker 4: fuck y'all. Yeah, I'm letting it be known. Yeah, it

1686
01:16:35,920 --> 01:16:36,479
Speaker 4: is what it is.

1687
01:16:37,479 --> 01:16:38,920
Speaker 2: Nah. But if we don't get tickets, I'm going to

1688
01:16:38,960 --> 01:16:43,040
Speaker 2: rent what rent you going on? Like, I don't know?

1689
01:16:43,280 --> 01:16:46,519
Speaker 4: Blueprint extra and it's extra and it sold out. Rory, Look,

1690
01:16:46,520 --> 01:16:49,240
Speaker 4: you had another shot to get tickets. Jay put extra

1691
01:16:49,280 --> 01:16:51,360
Speaker 4: in in ands out for you, and you still didn't

1692
01:16:51,360 --> 01:16:52,080
Speaker 4: get your tickets.

1693
01:16:52,360 --> 01:16:54,439
Speaker 1: If I don't, If I don't get tickets, Mom, I'm

1694
01:16:54,439 --> 01:16:55,639
Speaker 1: coming here and saying Blueprints already.

1695
01:16:57,040 --> 01:17:00,000
Speaker 4: But you you said it before, you see you said

1696
01:17:00,080 --> 01:17:02,240
Speaker 4: even before the cots are No.

1697
01:17:02,360 --> 01:17:06,200
Speaker 2: If I get tickets, it's the greatest album of all time.

1698
01:17:06,320 --> 01:17:07,519
Speaker 3: Okay, But if not.

1699
01:17:08,680 --> 01:17:11,840
Speaker 1: Can you imagine overcoming a release on nine to eleven like.

1700
01:17:12,320 --> 01:17:15,759
Speaker 3: Never Forget, Never forget, we will never forget?

1701
01:17:16,680 --> 01:17:18,759
Speaker 1: Does he bring out Fab just to do his street

1702
01:17:18,800 --> 01:17:22,200
Speaker 1: Dreams album just solidarity? Nah, it's a rough day, not

1703
01:17:22,240 --> 01:17:24,960
Speaker 1: gonna happen. That must have been tough. I mean outside

1704
01:17:25,000 --> 01:17:26,559
Speaker 1: of not eleven. I'll make that clear.

1705
01:17:27,800 --> 01:17:29,680
Speaker 2: That must have been the other things that happened that

1706
01:17:29,760 --> 01:17:31,800
Speaker 2: day that made that day rough. No, I think Fab

1707
01:17:31,920 --> 01:17:32,760
Speaker 2: was focused on something else.

1708
01:17:33,160 --> 01:17:35,320
Speaker 1: Why do you think that Jam would want to put

1709
01:17:35,320 --> 01:17:37,160
Speaker 1: out both those albums together.

1710
01:17:38,200 --> 01:17:40,280
Speaker 3: I mean they didn't anticipate what was about to happen.

1711
01:17:40,320 --> 01:17:41,800
Speaker 2: No, no, no, no, no, Well.

1712
01:17:44,360 --> 01:17:49,000
Speaker 3: Listen, if we're not gonna do if you can't do that.

1713
01:17:50,680 --> 01:17:54,640
Speaker 2: If I if I start, no, just don't know.

1714
01:17:54,640 --> 01:17:59,200
Speaker 1: Maybe because when like record labels were doing those types

1715
01:17:59,240 --> 01:18:01,599
Speaker 1: of things, I only had like money for one CD,

1716
01:18:01,760 --> 01:18:04,200
Speaker 1: whereas like streaming now I can listen to everything if

1717
01:18:04,240 --> 01:18:06,360
Speaker 1: it comes out on the same day. I guess I

1718
01:18:06,400 --> 01:18:07,840
Speaker 1: can see it from the point of view of like,

1719
01:18:08,120 --> 01:18:09,280
Speaker 1: if you're going to CD.

1720
01:18:09,080 --> 01:18:11,519
Speaker 2: Store, let's have everything there that we could.

1721
01:18:11,560 --> 01:18:15,360
Speaker 1: But for like younger fans, and whether I had the

1722
01:18:15,400 --> 01:18:17,360
Speaker 1: money or my mom was gonna buy me a CD,

1723
01:18:18,280 --> 01:18:20,519
Speaker 1: we weren't going there for a bunch of CDs. You

1724
01:18:20,640 --> 01:18:23,439
Speaker 1: picking Blueprint or fat like you gotta pick it, like

1725
01:18:23,479 --> 01:18:25,600
Speaker 1: that's what shit. Even with Volume three and it was

1726
01:18:25,640 --> 01:18:26,960
Speaker 1: ex I had to do that, Like my mom was like,

1727
01:18:26,960 --> 01:18:29,720
Speaker 1: well pick one. I was like, but I love Party Up.

1728
01:18:29,840 --> 01:18:31,639
Speaker 4: I loved getting that type of music back then though,

1729
01:18:32,360 --> 01:18:34,800
Speaker 4: going to Vergin megastore, standing and there listening to the

1730
01:18:34,840 --> 01:18:38,080
Speaker 4: album with the headphones on while the homies just walking around.

1731
01:18:38,320 --> 01:18:40,880
Speaker 4: You're on track six like, nah, this shit hard, I'm

1732
01:18:40,920 --> 01:18:41,559
Speaker 4: about to buy this.

1733
01:18:41,720 --> 01:18:44,000
Speaker 2: Yeah, that was such an experience. Your man's already broke

1734
01:18:44,040 --> 01:18:44,679
Speaker 2: the plastic shit.

1735
01:18:44,880 --> 01:18:50,679
Speaker 4: Yeah, come on, man, those the day's peage where those

1736
01:18:50,800 --> 01:18:52,200
Speaker 4: the days you.

1737
01:18:52,160 --> 01:18:55,559
Speaker 1: Know, we used to take actual exact o knives and

1738
01:18:56,760 --> 01:18:58,719
Speaker 1: cut the ship and take just a discout.

1739
01:18:59,400 --> 01:19:00,720
Speaker 2: Yeah, like that was always to do.

1740
01:19:00,880 --> 01:19:01,400
Speaker 3: We don't need to.

1741
01:19:01,520 --> 01:19:03,160
Speaker 1: That's why I love CD booklets because a lot of

1742
01:19:03,200 --> 01:19:06,679
Speaker 1: the CDs that I have statute of limitations. I guess

1743
01:19:06,800 --> 01:19:08,040
Speaker 1: I don't think they're going to come in and find

1744
01:19:08,040 --> 01:19:11,280
Speaker 1: me no version of shut down. Okay, yeah, we would.

1745
01:19:11,439 --> 01:19:13,280
Speaker 1: That's why we didn't have a CD. We would just

1746
01:19:13,360 --> 01:19:15,840
Speaker 1: cut the shit and take the disc out. That was

1747
01:19:15,920 --> 01:19:17,080
Speaker 1: the easiest way to get music.

1748
01:19:17,200 --> 01:19:20,920
Speaker 2: Yeah, for sure, and then everyone burns it. Those are

1749
01:19:20,920 --> 01:19:24,879
Speaker 2: fun days. Three times. Well, yes, ma, mall.

1750
01:19:24,680 --> 01:19:26,720
Speaker 1: Will never critique jay Z and he probably will never

1751
01:19:26,760 --> 01:19:27,280
Speaker 1: come up here.

1752
01:19:27,360 --> 01:19:29,120
Speaker 2: But they don't know.

1753
01:19:29,160 --> 01:19:30,719
Speaker 4: We're gonna get the J interview in front of Yankee

1754
01:19:30,720 --> 01:19:34,000
Speaker 4: Stadium with Jerome Jerome av. They're not ready for that.

1755
01:19:34,680 --> 01:19:35,680
Speaker 4: They're not ready for that.

1756
01:19:36,600 --> 01:19:38,559
Speaker 2: It would be fun just to ride to the train

1757
01:19:38,720 --> 01:19:41,120
Speaker 2: back and forth, the whole four up and down. Yeah, yeah,

1758
01:19:41,120 --> 01:19:41,599
Speaker 2: it'll be fun.

1759
01:19:41,760 --> 01:19:44,639
Speaker 1: Yeah, you're getting us J in front of Yankee Stadium

1760
01:19:44,760 --> 01:19:46,280
Speaker 1: and Drake in front of the Sea and Tower.

1761
01:19:46,880 --> 01:19:48,000
Speaker 2: We're gonna go to the top of the list.

1762
01:19:48,040 --> 01:19:50,639
Speaker 3: Come on, man, who else but us can do that?

1763
01:19:51,280 --> 01:19:54,559
Speaker 1: Oh we, I mean we definitely. I'm honored for every

1764
01:19:54,560 --> 01:19:57,120
Speaker 1: time we've been on the the media list of being

1765
01:19:57,240 --> 01:20:01,439
Speaker 1: thirteen and the nine and just listen, man, as the

1766
01:20:01,520 --> 01:20:03,920
Speaker 1: days go by, I just see us going lower and lower,

1767
01:20:03,960 --> 01:20:07,200
Speaker 1: like Fraser's got to be Fraser's got to be number two.

1768
01:20:07,840 --> 01:20:10,280
Speaker 1: Oh after one day, shout out to Fraser. He's a

1769
01:20:10,280 --> 01:20:13,439
Speaker 1: great journals. I want to make that very clear. Uh yeah,

1770
01:20:13,520 --> 01:20:17,240
Speaker 1: ne deska out of here, Like we just keep the pegs,

1771
01:20:17,280 --> 01:20:19,360
Speaker 1: just keep getting lower every time everyone gets an a

1772
01:20:19,439 --> 01:20:22,880
Speaker 1: list interview in one week. Because Cam got to be

1773
01:20:22,880 --> 01:20:25,280
Speaker 1: there now too, if he was, if he wasn't.

1774
01:20:25,080 --> 01:20:26,200
Speaker 2: Already, I didn't memorize the.

1775
01:20:26,200 --> 01:20:28,760
Speaker 1: List, but yeah, for sure, but they should do a

1776
01:20:28,800 --> 01:20:30,599
Speaker 1: lot of sports stuff. That's where I think maybe they

1777
01:20:30,600 --> 01:20:32,760
Speaker 1: wouldn't have been on the list before. But I think

1778
01:20:32,800 --> 01:20:35,519
Speaker 1: anyone that gets to Jacob interview, you're automatically on the

1779
01:20:35,880 --> 01:20:37,200
Speaker 1: top twenty media list.

1780
01:20:37,520 --> 01:20:40,439
Speaker 3: Yeah, Mellow will be up there as you should. Yeah, yeah,

1781
01:20:40,800 --> 01:20:41,320
Speaker 3: as you should.

1782
01:20:41,560 --> 01:20:44,920
Speaker 1: With that said, Maul has his dancing shoes on. We

1783
01:20:44,960 --> 01:20:46,880
Speaker 1: are we are still and get busy in ease. We

1784
01:20:47,080 --> 01:20:52,320
Speaker 1: were knee deep in the bracket game right now. Oh man,

1785
01:20:52,320 --> 01:20:56,320
Speaker 1: my bracket is at sixty six point eight percent right now,

1786
01:20:56,640 --> 01:20:59,240
Speaker 1: which isn't great. But with the spreads, I've been doing

1787
01:20:59,280 --> 01:21:02,519
Speaker 1: okay on on hard rock that the spreads have been

1788
01:21:02,600 --> 01:21:05,960
Speaker 1: nicer than me than the winds here. Even I'm sixty six,

1789
01:21:06,000 --> 01:21:09,240
Speaker 1: I've done all right on hard rock. We have like

1790
01:21:09,400 --> 01:21:13,760
Speaker 1: a cool uh like bracket pool as well with some

1791
01:21:13,840 --> 01:21:15,040
Speaker 1: of our Patreon and Discord.

1792
01:21:15,080 --> 01:21:15,960
Speaker 2: I'm getting smoked.

1793
01:21:16,439 --> 01:21:19,240
Speaker 1: Yeah, some some are our Discord people are smoking Mall

1794
01:21:19,600 --> 01:21:24,400
Speaker 1: money bag. Mall is currently ranked seventh in our pool

1795
01:21:24,560 --> 01:21:26,720
Speaker 1: of shit. I don't even know how many are here ten.

1796
01:21:26,760 --> 01:21:30,840
Speaker 1: Maybe I'm doing okay at four. But we should have

1797
01:21:30,880 --> 01:21:32,800
Speaker 1: never let Tray into this. That was the stupidest idea

1798
01:21:32,840 --> 01:21:35,880
Speaker 1: I ever had. Someone texts treying at him.

1799
01:21:35,920 --> 01:21:37,080
Speaker 3: He got Arizona winning at all.

1800
01:21:37,400 --> 01:21:40,240
Speaker 1: I have Arizona winning at all as well. On my bracket,

1801
01:21:40,240 --> 01:21:44,040
Speaker 1: you have Houston winning the entire thing. I mean, I've

1802
01:21:44,040 --> 01:21:46,920
Speaker 1: Houston in my final four. But you can if Houston wins,

1803
01:21:46,920 --> 01:21:48,320
Speaker 1: you can make a run up these charts.

1804
01:21:48,439 --> 01:21:49,920
Speaker 2: Yeah, there's there's still hope.

1805
01:21:50,360 --> 01:21:51,720
Speaker 3: I'm not out. I'm not out of it.

1806
01:21:52,240 --> 01:21:52,559
Speaker 2: I'm on.

1807
01:21:52,880 --> 01:21:55,720
Speaker 4: It's I need a miracle. But yeah, I've still got

1808
01:21:55,720 --> 01:21:56,840
Speaker 4: some life. I still got some life.

1809
01:21:56,920 --> 01:21:59,160
Speaker 2: Left while we are recording this.

1810
01:22:00,640 --> 01:22:05,439
Speaker 1: Listen, man, one of the biggest games March twenty seventh

1811
01:22:05,439 --> 01:22:08,280
Speaker 1: that I'm paying attention to. Should I speak from my

1812
01:22:08,400 --> 01:22:12,839
Speaker 1: heart and then also speak from my hard rock heart?

1813
01:22:13,360 --> 01:22:13,599
Speaker 3: Both?

1814
01:22:13,840 --> 01:22:15,400
Speaker 2: Okay, I think both were important.

1815
01:22:16,840 --> 01:22:20,240
Speaker 1: Both are aligned but not aligned to my bracket Duke

1816
01:22:20,320 --> 01:22:23,600
Speaker 1: versus Saint John's. I have Duke beating Saint John's on

1817
01:22:23,760 --> 01:22:28,160
Speaker 1: my bracket. On my bracket, I have Duke beating Saint John's.

1818
01:22:28,640 --> 01:22:30,200
Speaker 3: I don't know, man, but.

1819
01:22:31,720 --> 01:22:36,160
Speaker 1: I will be rooting for Saint John's and I'm betting

1820
01:22:36,160 --> 01:22:38,760
Speaker 1: on Saint John's. Saint John's is getting six and a

1821
01:22:38,800 --> 01:22:41,880
Speaker 1: half right now. I think Duke's gonna win, but I

1822
01:22:41,880 --> 01:22:45,960
Speaker 1: don't think They're gonna win by seven. I think that's

1823
01:22:45,960 --> 01:22:48,679
Speaker 1: gonna be an extremely closed game. I'm definitely taking Saint

1824
01:22:48,760 --> 01:22:52,920
Speaker 1: John's plus six and a half, like for sure. That's

1825
01:22:53,000 --> 01:22:56,840
Speaker 1: kind of like disrespectful, not to say Duke isn't good,

1826
01:22:56,840 --> 01:22:58,960
Speaker 1: but I don't think Duke is six and a half

1827
01:22:59,040 --> 01:23:01,719
Speaker 1: better than the runs Saint Johns's on right now. Yeah,

1828
01:23:02,000 --> 01:23:04,120
Speaker 1: I think that the smart bet with that is cool.

1829
01:23:04,120 --> 01:23:07,240
Speaker 1: Even if Duke wins, they definitely not winning by by seven.

1830
01:23:08,920 --> 01:23:09,360
Speaker 2: I don't know.

1831
01:23:09,640 --> 01:23:11,519
Speaker 4: It's gonna be a good game. But I don't know

1832
01:23:11,560 --> 01:23:13,920
Speaker 4: about seven though, so you might be safe.

1833
01:23:14,680 --> 01:23:17,040
Speaker 1: I'm I'm going to Saint John's with that for sure,

1834
01:23:17,920 --> 01:23:19,639
Speaker 1: but it conflicts because of my bracket.

1835
01:23:19,640 --> 01:23:20,240
Speaker 2: I have Duke one.

1836
01:23:20,439 --> 01:23:23,000
Speaker 4: But either way, either way, you might, you might, you

1837
01:23:23,040 --> 01:23:24,040
Speaker 4: might come out victorious.

1838
01:23:24,360 --> 01:23:25,920
Speaker 1: I just want Saint John's. I just want to see

1839
01:23:25,920 --> 01:23:27,559
Speaker 1: Saint John's go just play good. I was trying to

1840
01:23:27,560 --> 01:23:31,280
Speaker 1: be logical in my bracket, but logically on the betting side, yeah, I'm.

1841
01:23:31,080 --> 01:23:33,040
Speaker 2: Taking that six and a half. I'm not mad at that.

1842
01:23:33,960 --> 01:23:36,639
Speaker 1: Yukon versus Michigan State is probably the other one. That's

1843
01:23:37,200 --> 01:23:40,120
Speaker 1: that I've been debating in in my my betting group.

1844
01:23:40,200 --> 01:23:46,160
Speaker 1: Chats Huskies are favorited by one and a half. That's

1845
01:23:46,200 --> 01:23:48,360
Speaker 1: that's the risky bet. Which which side are you taking?

1846
01:23:50,040 --> 01:23:53,400
Speaker 3: I think I'm taking you Yukon. I'm taking that.

1847
01:23:55,080 --> 01:23:59,120
Speaker 1: But what if they only win by one, because there's

1848
01:23:59,240 --> 01:24:01,360
Speaker 1: a high chance that could happen, especially with this tournament,

1849
01:24:01,320 --> 01:24:06,760
Speaker 1: it's been nothing but buzzer beaters. You're right, there's been

1850
01:24:06,800 --> 01:24:08,759
Speaker 1: a layoffs of someone that didn't play the whole game.

1851
01:24:09,240 --> 01:24:09,880
Speaker 3: On the basket.

1852
01:24:09,880 --> 01:24:13,320
Speaker 4: That mad Yeah, I like, I like Yukon for for

1853
01:24:13,360 --> 01:24:16,200
Speaker 4: one and a half though, Okay, taking that, I think

1854
01:24:16,240 --> 01:24:17,680
Speaker 4: I might be on your side with that.

1855
01:24:19,040 --> 01:24:21,479
Speaker 1: I think Yukon is gonna win, but I think it

1856
01:24:21,560 --> 01:24:23,719
Speaker 1: might only be by one point. I'm still gonna go Yukon.

1857
01:24:24,080 --> 01:24:27,360
Speaker 1: I'm that bet for sure. But anyone that is betting

1858
01:24:29,040 --> 01:24:32,000
Speaker 1: hard rock bet, that's our guys. We've uh, we've been

1859
01:24:32,000 --> 01:24:34,960
Speaker 1: doing okay on on that side. We also have our

1860
01:24:35,479 --> 01:24:38,439
Speaker 1: label bracket. Have you have you take a look to

1861
01:24:38,680 --> 01:24:39,320
Speaker 1: look at them.

1862
01:24:39,160 --> 01:24:41,200
Speaker 2: On I didn't look at that yet, but the first

1863
01:24:41,280 --> 01:24:43,479
Speaker 2: round is over, right, first round is over.

1864
01:24:44,320 --> 01:24:48,360
Speaker 1: Shout out to to everybody that that did participate in

1865
01:24:48,439 --> 01:24:51,200
Speaker 1: the first round. We can run through this really quick

1866
01:24:51,360 --> 01:24:53,040
Speaker 1: for those that are just tuning in maybe didn't hear.

1867
01:24:53,040 --> 01:24:56,639
Speaker 1: A few episodes ago, we put together a March Madness

1868
01:24:56,640 --> 01:25:01,040
Speaker 1: style bracket with each rap label, and.

1869
01:25:01,000 --> 01:25:03,080
Speaker 3: It was mad about some of those some of some

1870
01:25:03,120 --> 01:25:03,960
Speaker 3: of those rankings.

1871
01:25:04,080 --> 01:25:06,040
Speaker 2: Yeah, I definitely got got some flak.

1872
01:25:07,080 --> 01:25:09,000
Speaker 1: But then there was also people dming me that I

1873
01:25:09,040 --> 01:25:12,080
Speaker 1: just don't think they understand how brackets work. They were like,

1874
01:25:12,160 --> 01:25:15,120
Speaker 1: why would you guys ever put death Row against Dreamville?

1875
01:25:15,160 --> 01:25:18,360
Speaker 1: Like that's so unfirm, Like that's how brackets work. The

1876
01:25:18,439 --> 01:25:21,360
Speaker 1: number one seed is gonna go against the worst seed.

1877
01:25:21,920 --> 01:25:24,280
Speaker 1: That's how it works. But we can run through this quickly.

1878
01:25:25,920 --> 01:25:29,800
Speaker 1: First round death row Dreamville not really a surprise. Their

1879
01:25:29,840 --> 01:25:34,120
Speaker 1: death row cleans up QC versus Tommy Boy QC with

1880
01:25:35,120 --> 01:25:36,400
Speaker 1: I didn't know if that one was gonna go the

1881
01:25:36,400 --> 01:25:40,320
Speaker 1: way I thought. I don't know if QC gets the

1882
01:25:40,360 --> 01:25:43,040
Speaker 1: same respect that I have for them, But maybe people

1883
01:25:43,040 --> 01:25:45,320
Speaker 1: are just unfamiliar with Tommy Boy. Yeah, for sure, I

1884
01:25:45,400 --> 01:25:46,840
Speaker 1: was thinking maybe there'd be an upset there.

1885
01:25:46,880 --> 01:25:47,439
Speaker 2: There wasn't.

1886
01:25:48,000 --> 01:25:52,320
Speaker 1: Rough Riders g and it, man, Fuck y'all. Rough Riders

1887
01:25:52,320 --> 01:25:53,360
Speaker 1: with the clear wind.

1888
01:25:54,760 --> 01:25:58,080
Speaker 2: Was an even close. It was a blowout.

1889
01:26:01,280 --> 01:26:04,040
Speaker 1: Shady after Matt had a two seed against o Vio

1890
01:26:04,920 --> 01:26:06,080
Speaker 1: after Math Shady wins that.

1891
01:26:06,840 --> 01:26:12,680
Speaker 2: Come on, come on, was it a blowout? It was

1892
01:26:12,760 --> 01:26:16,040
Speaker 2: Nicki Nicki Minaj versus Roy Woods. Yeah, oh my god.

1893
01:26:16,160 --> 01:26:17,800
Speaker 2: It was a nail bier. Oh my god.

1894
01:26:18,920 --> 01:26:21,360
Speaker 1: Getting to the lower bracket here, cash money versus Griselda,

1895
01:26:21,479 --> 01:26:25,439
Speaker 1: cash money, rap a lot versus no limit. They went

1896
01:26:25,520 --> 01:26:31,000
Speaker 1: no limit man, Fuck y'all, Okay, I'm not saying no

1897
01:26:31,080 --> 01:26:38,439
Speaker 1: limits not incredible, y'all go through yeah scarface alone?

1898
01:26:39,560 --> 01:26:41,800
Speaker 4: Oh man, they don't they don't respect the eldest man.

1899
01:26:41,800 --> 01:26:45,560
Speaker 4: That's the problem. It's the problem with these youngsters. He's youngsters.

1900
01:26:46,040 --> 01:26:51,680
Speaker 4: Everybody loves murder Murder Inc. Versus CMG. That was a

1901
01:26:51,680 --> 01:26:55,200
Speaker 4: tough one for CMG. Bad matchup because I think CMG

1902
01:26:55,280 --> 01:26:56,880
Speaker 4: could have went far in this tournament. But it's tough

1903
01:26:56,920 --> 01:26:57,960
Speaker 4: when you're going against Murder Inc.

1904
01:26:58,000 --> 01:26:59,880
Speaker 1: In the first round. But that's a three seed to

1905
01:26:59,920 --> 01:27:05,320
Speaker 1: a sixteed. Sorry, CMG, you should be here next year. Yeah,

1906
01:27:06,360 --> 01:27:06,559
Speaker 1: it's a.

1907
01:27:06,560 --> 01:27:09,320
Speaker 4: Lot of freshet, a lot of people in the transfer portal.

1908
01:27:09,320 --> 01:27:10,800
Speaker 3: Man, they got some people in the portal. Don't worry

1909
01:27:10,800 --> 01:27:11,200
Speaker 3: about it.

1910
01:27:11,960 --> 01:27:14,720
Speaker 2: Glo Glowal is still young. Yeah, she's not ready to

1911
01:27:14,760 --> 01:27:15,160
Speaker 2: go to the lead.

1912
01:27:15,479 --> 01:27:16,280
Speaker 3: She'll be back.

1913
01:27:17,000 --> 01:27:18,519
Speaker 2: Uh so so deaf.

1914
01:27:19,520 --> 01:27:22,839
Speaker 1: Sorry, our intern that was born in uh twenty seventeen

1915
01:27:22,920 --> 01:27:26,600
Speaker 1: put Soso records and they still won against yl.

1916
01:27:26,840 --> 01:27:29,519
Speaker 4: I'm not sure who's on that roster, but they still won.

1917
01:27:29,960 --> 01:27:31,920
Speaker 2: That's fucked tough thing. If I'm why, I sell, I'm

1918
01:27:31,920 --> 01:27:32,960
Speaker 2: mad that so So beat me.

1919
01:27:33,120 --> 01:27:36,439
Speaker 1: Yeah, Loud Records verus DTP kind of knew where that

1920
01:27:36,439 --> 01:27:38,280
Speaker 1: one was gonna go. Swish the House versus cold chilling

1921
01:27:38,520 --> 01:27:41,800
Speaker 1: Swish House. Y'all are fucking absolutely insane, cold Chilling could

1922
01:27:41,800 --> 01:27:42,880
Speaker 1: have made it to the final four.

1923
01:27:43,680 --> 01:27:46,760
Speaker 2: Good Music versus ruthless Good Music one.

1924
01:27:47,400 --> 01:27:51,280
Speaker 1: I guess I get it, bad Boy verse hypnotized Mind

1925
01:27:51,360 --> 01:27:54,840
Speaker 1: bad Boy obviously there, td E versus rough House tde

1926
01:27:55,920 --> 01:27:58,960
Speaker 1: Uptown Records versus MMG. I thought y'all were gonna go

1927
01:27:59,040 --> 01:28:02,040
Speaker 1: MMG on this. I really I hell no, no, I

1928
01:28:02,040 --> 01:28:04,800
Speaker 1: don't think we in this room. I did think people

1929
01:28:04,880 --> 01:28:10,040
Speaker 1: might pick MMG over that raucous verse. Grand Hustle, Grand

1930
01:28:10,080 --> 01:28:15,439
Speaker 1: Hustle wins I Grand Hustle be raucous, that that might

1931
01:28:15,479 --> 01:28:19,400
Speaker 1: be the biggest upset. Oh, that's the bracketbuster. That's got

1932
01:28:19,400 --> 01:28:23,600
Speaker 1: a bracketbuster. That was a bracketbuster. That's Davidson. That's like

1933
01:28:23,960 --> 01:28:28,720
Speaker 1: Iggy is is Steph Curry? Like how did how did

1934
01:28:28,760 --> 01:28:36,560
Speaker 1: Davidson get there? Is Steph? Who did Jamia Nelson and

1935
01:28:36,880 --> 01:28:42,680
Speaker 1: uh Lebron's Moms ex play for again? Saint Bonaventure, Saint Joe,

1936
01:28:42,760 --> 01:28:47,439
Speaker 1: Saint Joe's Bonovich No, Sat Bonnie's has done some damage

1937
01:28:47,439 --> 01:28:51,960
Speaker 1: in bracket busting before. Yeah, Joe's that's all right. Grand

1938
01:28:52,000 --> 01:28:55,960
Speaker 1: Hustle is definitely Saint Joe's this because that's nuts. Rockefeller

1939
01:28:56,040 --> 01:29:00,599
Speaker 1: verse ten seventeen. I mean, yeah, that where that goes.

1940
01:29:00,640 --> 01:29:03,919
Speaker 1: So we don't have to go through the next matchups

1941
01:29:03,920 --> 01:29:07,320
Speaker 1: with every single one, but let's let's pick a few

1942
01:29:09,240 --> 01:29:12,760
Speaker 1: where we want to make some predictions. Rough Riders versus

1943
01:29:12,760 --> 01:29:14,320
Speaker 1: Aftermath is a two and three seed.

1944
01:29:16,120 --> 01:29:19,000
Speaker 3: That's the next matchup, Rough Aftermath.

1945
01:29:24,120 --> 01:29:26,719
Speaker 1: I'm still going after Math when you have the run

1946
01:29:26,760 --> 01:29:31,200
Speaker 1: of Eminem and you have the run of fifty cent alone.

1947
01:29:30,720 --> 01:29:35,880
Speaker 3: Yeah that pains me, but yeah, gotta go after Math there.

1948
01:29:37,400 --> 01:29:40,320
Speaker 1: You know what where you could make an argument which

1949
01:29:40,360 --> 01:29:42,960
Speaker 1: would be a good of like getting one and a

1950
01:29:43,000 --> 01:29:46,360
Speaker 1: half points, It would be the third person on the

1951
01:29:46,439 --> 01:29:49,040
Speaker 1: roster that would really define that because all right, X

1952
01:29:49,080 --> 01:29:54,280
Speaker 1: had an insane run, not to Eminem's just off sheer longevity,

1953
01:29:54,320 --> 01:29:57,840
Speaker 1: but X had a crazy run that could you could

1954
01:29:57,840 --> 01:30:01,160
Speaker 1: debate against fifties with his first three albums versus X's

1955
01:30:01,280 --> 01:30:02,280
Speaker 1: first three albums, Like you.

1956
01:30:02,600 --> 01:30:03,320
Speaker 2: Could make a case.

1957
01:30:05,080 --> 01:30:08,280
Speaker 1: Do you put Eve against Obi Trice at that point?

1958
01:30:08,280 --> 01:30:10,639
Speaker 1: Because now I'm starting to lean more on Rough Riders

1959
01:30:10,920 --> 01:30:13,719
Speaker 1: if you get deeper into the bench, because the locks

1960
01:30:13,760 --> 01:30:15,360
Speaker 1: only add we are the Streets, which to me is

1961
01:30:15,439 --> 01:30:19,559
Speaker 1: a classic, but it wasn't their money power respect where

1962
01:30:19,560 --> 01:30:21,639
Speaker 1: they had insane hit records, but they had rotted divage

1963
01:30:21,680 --> 01:30:24,200
Speaker 1: on there got the locks. Once you go down the bench,

1964
01:30:24,760 --> 01:30:32,519
Speaker 1: rough Riders may beat Aftermath, Yes, carry the whole squad. Yeah,

1965
01:30:32,800 --> 01:30:35,840
Speaker 1: like when once you get to Bizarre, I think Eve

1966
01:30:35,880 --> 01:30:38,840
Speaker 1: is clearing up Bizarre for sure.

1967
01:30:39,280 --> 01:30:42,000
Speaker 3: For sure, for sure that matchup, Yeah, for sure.

1968
01:30:42,880 --> 01:30:45,439
Speaker 1: I had Aftermath that as a two seed myself. I

1969
01:30:45,439 --> 01:30:48,680
Speaker 1: think rough Riders could could upset them.

1970
01:30:48,880 --> 01:30:50,760
Speaker 4: That could be close. Yeah, that's gonna be a close.

1971
01:30:50,880 --> 01:30:52,200
Speaker 4: That might be the closest matchup.

1972
01:30:52,360 --> 01:30:54,040
Speaker 2: Yeah, cash money no limit.

1973
01:30:54,080 --> 01:30:56,040
Speaker 1: I mean we saw that verses already, but that did

1974
01:30:56,080 --> 01:30:58,840
Speaker 1: not include Wayne Nikki and uh Drake.

1975
01:30:59,000 --> 01:31:02,960
Speaker 2: So I don't know. I just don't think. Yeah, we

1976
01:31:03,000 --> 01:31:03,439
Speaker 2: ain't got to.

1977
01:31:03,439 --> 01:31:05,200
Speaker 1: Do anyone in this side of the I'm sorry guys

1978
01:31:05,200 --> 01:31:07,520
Speaker 1: that you had to even go against cash Money. Yeah,

1979
01:31:07,760 --> 01:31:12,639
Speaker 1: So So Deaf Murder inc M. I don't know where

1980
01:31:12,640 --> 01:31:13,200
Speaker 1: I land on that.

1981
01:31:14,240 --> 01:31:15,800
Speaker 2: I think I'm going so so Deaf.

1982
01:31:17,360 --> 01:31:20,599
Speaker 1: It had a much longer run. Yeah, yeah, I think

1983
01:31:20,600 --> 01:31:22,160
Speaker 1: I would probably have to land on So so Deaf.

1984
01:31:22,240 --> 01:31:22,800
Speaker 2: Unfortunately.

1985
01:31:23,720 --> 01:31:26,840
Speaker 1: I love Charlie Baltimore. But again, once you get down

1986
01:31:26,880 --> 01:31:30,800
Speaker 1: the bench and then your starters get tired. Sorry, make

1987
01:31:30,880 --> 01:31:33,519
Speaker 1: some stuff yeah, it get different. I don't know it

1988
01:31:33,640 --> 01:31:37,840
Speaker 1: get different, but yeah, you can now vote for the

1989
01:31:37,880 --> 01:31:40,640
Speaker 1: next round. Shout out to everyone that did participate in this,

1990
01:31:40,720 --> 01:31:43,519
Speaker 1: and I love all the messages and debates of how

1991
01:31:43,520 --> 01:31:45,880
Speaker 1: stupid you think we are with where these rankings are.

1992
01:31:45,880 --> 01:31:47,760
Speaker 2: But it's it's in y'all hands now.

1993
01:31:48,120 --> 01:31:51,439
Speaker 1: Yeah, you know, if they take Grand Hustle, like, what

1994
01:31:51,760 --> 01:31:56,920
Speaker 1: was the dude that did the game stop insider trading thing? Yeah, roaring,

1995
01:31:57,080 --> 01:32:00,040
Speaker 1: If y'all roaring kitty Grand Hustle to the to the

1996
01:32:00,080 --> 01:32:01,880
Speaker 1: final four, I'm won't be so fucking masch.

1997
01:32:02,360 --> 01:32:07,560
Speaker 4: Who's the Who's grehand Hustle? Next matchup against Rockefeller? Hell nah?

1998
01:32:07,640 --> 01:32:09,920
Speaker 1: But you have to understand the power is in the

1999
01:32:09,920 --> 01:32:13,000
Speaker 1: people's hands. That's why GameStop they were able to change

2000
01:32:13,040 --> 01:32:15,000
Speaker 1: the stock. We can't beat Wall Street and be like,

2001
01:32:15,000 --> 01:32:16,400
Speaker 1: now we gotta change the rules again, do it?

2002
01:32:16,479 --> 01:32:18,439
Speaker 2: People? The people get behind Grand Hustle.

2003
01:32:18,479 --> 01:32:21,519
Speaker 4: People are stupid. They ain't that stupid? People stupid? Now,

2004
01:32:21,560 --> 01:32:24,879
Speaker 4: I'm with you on that, they ain't that stupid. Rockefeller

2005
01:32:24,960 --> 01:32:26,040
Speaker 4: to the finals.

2006
01:32:26,880 --> 01:32:29,240
Speaker 1: Now, they I think they might champion around Great Hustle

2007
01:32:29,280 --> 01:32:30,840
Speaker 1: to make a point, because then they show that we

2008
01:32:30,920 --> 01:32:33,160
Speaker 1: have the power Rockefeller wins this round, it would be

2009
01:32:33,320 --> 01:32:34,920
Speaker 1: against Uptown or TD.

2010
01:32:35,400 --> 01:32:38,639
Speaker 4: Oh yeah, Rockefeller walking, they walking walking, they walk into

2011
01:32:38,640 --> 01:32:39,720
Speaker 4: the finals.

2012
01:32:39,640 --> 01:32:42,600
Speaker 1: Between Uptown and TD. That's that's a tough matchup. I

2013
01:32:42,640 --> 01:32:47,920
Speaker 1: think TD might slightly beat them, but again that's that

2014
01:32:47,920 --> 01:32:49,559
Speaker 1: that could go either way with me, and I wouldn't

2015
01:32:49,800 --> 01:32:52,400
Speaker 1: think it was crazy. I don't know if Rockefellers just

2016
01:32:52,479 --> 01:32:58,719
Speaker 1: walking through TD or Uptime Records just walking walking walk

2017
01:33:00,160 --> 01:33:04,880
Speaker 1: Kanye West dog Kanye west Man talking about how do

2018
01:33:04,960 --> 01:33:06,519
Speaker 1: we talk about Kanye.

2019
01:33:06,840 --> 01:33:09,519
Speaker 3: He talking about right now? It's a dog walk, bro,

2020
01:33:09,920 --> 01:33:10,280
Speaker 3: all right?

2021
01:33:10,360 --> 01:33:12,520
Speaker 2: Isaiah Shavers, Emil.

2022
01:33:13,160 --> 01:33:17,960
Speaker 1: Don't see take you take your pick, take your pick man.

2023
01:33:18,160 --> 01:33:20,720
Speaker 3: Man, don't do that doing that rock and filler to

2024
01:33:20,760 --> 01:33:21,360
Speaker 3: the final four.

2025
01:33:21,960 --> 01:33:23,760
Speaker 1: Yeah, I think so as well. But it has been

2026
01:33:23,760 --> 01:33:26,040
Speaker 1: fun so far, and I love seeing who who people

2027
01:33:26,040 --> 01:33:28,799
Speaker 1: are voting for. It's been a really cool Patreon discord

2028
01:33:28,840 --> 01:33:29,240
Speaker 1: type thing.

2029
01:33:29,920 --> 01:33:31,160
Speaker 2: You're paying attention to our socials.

2030
01:33:31,200 --> 01:33:34,280
Speaker 1: The links are there and you can vote and again

2031
01:33:34,320 --> 01:33:38,080
Speaker 1: shout out to everyone that has been voting, and shout

2032
01:33:38,080 --> 01:33:40,519
Speaker 1: out to hard Rock. Maybe one day we can convince

2033
01:33:40,600 --> 01:33:44,240
Speaker 1: hard Rock to add this to their you know, their dashboard,

2034
01:33:45,240 --> 01:33:47,759
Speaker 1: the label, and we could start really betting on label labels,

2035
01:33:47,960 --> 01:33:48,479
Speaker 1: label ship.

2036
01:33:49,080 --> 01:33:49,160
Speaker 4: No.

2037
01:33:49,240 --> 01:33:50,639
Speaker 1: I think this brag has done a lot of good

2038
01:33:50,640 --> 01:33:52,880
Speaker 1: for artists as well. M M G got knocked out

2039
01:33:52,880 --> 01:33:56,080
Speaker 1: of the first round, and now Meek is doing AI, found.

2040
01:33:55,840 --> 01:33:58,799
Speaker 2: A new path. What do you mean he's doing AI.

2041
01:33:58,920 --> 01:33:59,840
Speaker 2: He's doing it.

2042
01:34:00,240 --> 01:34:02,760
Speaker 3: He's like, yo, I got a I know, like he's

2043
01:34:02,880 --> 01:34:03,479
Speaker 3: using AI.

2044
01:34:03,720 --> 01:34:04,759
Speaker 2: Yeah for what.

2045
01:34:06,520 --> 01:34:08,880
Speaker 1: I mean, things that I actually think are great, But

2046
01:34:08,920 --> 01:34:10,920
Speaker 1: they're gonna clown Meek because it's like everybody got chat

2047
01:34:11,000 --> 01:34:15,240
Speaker 1: GVT uh you said, like what he says like recover

2048
01:34:15,320 --> 01:34:19,080
Speaker 1: all business controls, tracking royalties, locating money, finding red flags, planning,

2049
01:34:19,240 --> 01:34:23,280
Speaker 1: organizing years of information, creating a family office structure, business navigation.

2050
01:34:23,840 --> 01:34:25,680
Speaker 1: I've been waiting my whole life for tools like this.

2051
01:34:26,120 --> 01:34:26,320
Speaker 2: Now.

2052
01:34:26,400 --> 01:34:30,120
Speaker 1: I love to laugh at meek sweets, but I feel

2053
01:34:31,080 --> 01:34:32,640
Speaker 1: I would just love to see, like, what do you

2054
01:34:32,680 --> 01:34:35,080
Speaker 1: think the Meek and chat Get conversation, Like I want

2055
01:34:35,080 --> 01:34:37,479
Speaker 1: to sneak peak add me to the group chat.

2056
01:34:37,560 --> 01:34:38,960
Speaker 2: I mean, I gotta see what they be saying a

2057
01:34:39,040 --> 01:34:40,639
Speaker 2: Meek and what he'd be saying back Listen.

2058
01:34:41,080 --> 01:34:43,240
Speaker 4: I love the fact that Meek is trying to jump

2059
01:34:43,280 --> 01:34:45,599
Speaker 4: into the tech space and do things on the business

2060
01:34:45,680 --> 01:34:50,080
Speaker 4: side that's We love that, but can we keep it

2061
01:34:50,120 --> 01:34:53,600
Speaker 4: on brand and let Meek actually tweet like we know

2062
01:34:53,680 --> 01:34:58,200
Speaker 4: Meek didn't tweet that. There's no grammatical errors, there's no

2063
01:34:58,280 --> 01:35:00,000
Speaker 4: runofs like come on, don't let me.

2064
01:35:00,080 --> 01:35:01,840
Speaker 2: Basically the spacing that he usually has.

2065
01:35:02,040 --> 01:35:04,639
Speaker 4: Come on bro like keep on brand, but don't do that.

2066
01:35:04,720 --> 01:35:07,519
Speaker 1: It's obvious that while he was talking to AI about

2067
01:35:07,560 --> 01:35:11,160
Speaker 1: these things, he said, Hey, can you formard tweet for

2068
01:35:11,200 --> 01:35:12,639
Speaker 1: me about what we're doing together?

2069
01:35:13,240 --> 01:35:14,840
Speaker 3: Yeah, but even that's not an AI.

2070
01:35:15,200 --> 01:35:16,880
Speaker 1: Oh no, I think AI told him all those words.

2071
01:35:16,880 --> 01:35:18,080
Speaker 1: He just put dots in between them.

2072
01:35:18,520 --> 01:35:21,000
Speaker 4: Nah, that's somebody got meek phone, they got his account,

2073
01:35:21,040 --> 01:35:22,000
Speaker 4: they got his Twitter account.

2074
01:35:22,200 --> 01:35:23,880
Speaker 3: They're trying to clean up. They're trying to clean up

2075
01:35:23,920 --> 01:35:24,960
Speaker 3: meets tweets like, don't do.

2076
01:35:24,920 --> 01:35:28,280
Speaker 4: That now, they're trying to do it. That's what I'm saying.

2077
01:35:28,320 --> 01:35:31,160
Speaker 4: Let meet two years later. Let me get his ship off, man,

2078
01:35:31,200 --> 01:35:33,160
Speaker 4: that's what that's the that's the magic in it. Let

2079
01:35:33,240 --> 01:35:36,840
Speaker 4: me tweet his own ship, that's the magic. And meets

2080
01:35:36,880 --> 01:35:38,880
Speaker 4: tweets man, listen man.

2081
01:35:39,479 --> 01:35:42,439
Speaker 1: He said, Uh, he truly believes in this that he

2082
01:35:42,479 --> 01:35:44,800
Speaker 1: can't code, but he knows how to create things that

2083
01:35:44,880 --> 01:35:47,960
Speaker 1: last forever. Empower the creation to the masses. I do

2084
01:35:48,040 --> 01:35:50,000
Speaker 1: that with RAP all the time. If I could deliver

2085
01:35:50,120 --> 01:35:53,440
Speaker 1: a new software to my supporters or the masses, is insane.

2086
01:35:53,760 --> 01:35:56,840
Speaker 2: I used to pray for times like this. See you

2087
01:35:56,880 --> 01:35:59,160
Speaker 2: see that's come on man.

2088
01:35:59,160 --> 01:36:02,000
Speaker 1: Or whatever one he's trying to promote right now, Claudia

2089
01:36:02,040 --> 01:36:07,840
Speaker 1: or whatever the fuck is called Claude Claude Claudia Ortiz. Like, yeah,

2090
01:36:08,040 --> 01:36:09,679
Speaker 1: one of those those AI programs.

2091
01:36:09,960 --> 01:36:13,400
Speaker 4: Keep the meet tweets going, Man, let Meek tweet free

2092
01:36:13,439 --> 01:36:14,080
Speaker 4: meet tweets.

2093
01:36:15,439 --> 01:36:18,640
Speaker 1: Why Meek doesn't have a coffee table book of his Like,

2094
01:36:18,720 --> 01:36:21,760
Speaker 1: that's something I would buy for like three hundred bucks.

2095
01:36:21,760 --> 01:36:23,120
Speaker 3: That would buy that mets greatest tweets.

2096
01:36:23,320 --> 01:36:27,960
Speaker 1: What that coffee table book? You put that in the office,

2097
01:36:28,040 --> 01:36:30,639
Speaker 1: Like you just gave him that. Listen, man, we could

2098
01:36:30,720 --> 01:36:32,559
Speaker 1: used AI to figure out how to monetize it and

2099
01:36:33,160 --> 01:36:34,799
Speaker 1: like where to find the coffee table books?

2100
01:36:35,080 --> 01:36:37,360
Speaker 2: Yeah, yes, that's us, that's me and Meek. I ain't

2101
01:36:37,360 --> 01:36:37,840
Speaker 2: mad at that.

2102
01:36:37,960 --> 01:36:40,320
Speaker 1: How am I already h why I'm a silent investor,

2103
01:36:40,320 --> 01:36:41,840
Speaker 1: But how am I already bringing more to the table

2104
01:36:41,840 --> 01:36:43,759
Speaker 1: with making more than.

2105
01:36:43,600 --> 01:36:49,280
Speaker 4: You I forgot?

2106
01:36:53,240 --> 01:36:55,400
Speaker 1: Oh yeah, yeah, pter just saying that there was somebody

2107
01:36:55,439 --> 01:36:58,920
Speaker 1: that created AI music and an AI artist and bodied

2108
01:36:58,960 --> 01:37:02,080
Speaker 1: it with AI and made you know, like millions of dollars,

2109
01:37:02,560 --> 01:37:04,719
Speaker 1: which I mean we already knew.

2110
01:37:05,680 --> 01:37:06,559
Speaker 2: I'm not mad at that.

2111
01:37:06,720 --> 01:37:07,599
Speaker 3: And much time did they.

2112
01:37:07,600 --> 01:37:08,280
Speaker 2: Give that gentleman.

2113
01:37:09,320 --> 01:37:12,599
Speaker 1: Oh no, he's fucked, Yeah, you know he's I mean

2114
01:37:12,880 --> 01:37:16,160
Speaker 1: back to the roaring kiddy shit, Like, somebody found a

2115
01:37:16,200 --> 01:37:18,880
Speaker 1: loophole to disrupt the system of the people that create

2116
01:37:18,920 --> 01:37:22,000
Speaker 1: the system. So while it's fair like these rules were

2117
01:37:22,000 --> 01:37:24,679
Speaker 1: never here before, why would I be punished were something

2118
01:37:24,720 --> 01:37:27,160
Speaker 1: that is never regulated just because you were too stupid

2119
01:37:27,160 --> 01:37:28,760
Speaker 1: to realize that we had the power to do this,

2120
01:37:29,200 --> 01:37:31,559
Speaker 1: But now you have the ability to change it and

2121
01:37:31,600 --> 01:37:33,320
Speaker 1: no one can do it, and now i'm you know,

2122
01:37:33,400 --> 01:37:34,880
Speaker 1: I owe you ten point eight million.

2123
01:37:34,880 --> 01:37:35,400
Speaker 2: I think it was.

2124
01:37:35,920 --> 01:37:38,479
Speaker 1: It was something fucking crazy and it was like, wait,

2125
01:37:38,479 --> 01:37:39,840
Speaker 1: this wasn't the rules. Why would I owe you the

2126
01:37:39,840 --> 01:37:42,960
Speaker 1: shit back? Same with the rowing Kitty thing with GameStop, Like,

2127
01:37:43,800 --> 01:37:45,920
Speaker 1: y'all are mad that we found a loophole in y'all rules.

2128
01:37:46,120 --> 01:37:47,960
Speaker 4: Yeah, I'm just not willing to play with my freedom

2129
01:37:48,000 --> 01:37:51,519
Speaker 4: for a LOOPHOLEO that was never that guy. We know

2130
01:37:51,560 --> 01:37:54,320
Speaker 4: the loopholes did, but is it worth worth the ristle.

2131
01:37:55,200 --> 01:37:58,160
Speaker 2: Sometimes if you still got that money, though, if you

2132
01:37:58,160 --> 01:37:59,040
Speaker 2: give it back to them, you good.

2133
01:37:59,120 --> 01:37:59,320
Speaker 5: Right.

2134
01:38:00,040 --> 01:38:02,760
Speaker 1: If I'm making ten point eight million with the ars,

2135
01:38:02,760 --> 01:38:05,880
Speaker 1: I'm going nuts. You won't know I'm spending a lot

2136
01:38:05,920 --> 01:38:11,639
Speaker 1: of that, don't. I didn't hold you today, Taylor, who

2137
01:38:12,280 --> 01:38:15,240
Speaker 1: see my numbers over here. But that's when you get

2138
01:38:15,240 --> 01:38:18,920
Speaker 1: a little too greedy, man, Like sometimes not ninety two

2139
01:38:18,920 --> 01:38:19,559
Speaker 1: bricks is too much.

2140
01:38:19,600 --> 01:38:21,000
Speaker 2: Sometimes you have to fall back.

2141
01:38:21,320 --> 01:38:24,519
Speaker 1: Just chill, Like if you're making if you quietly making

2142
01:38:24,560 --> 01:38:27,000
Speaker 1: one hundred thousand of mailbox money because you found out

2143
01:38:27,000 --> 01:38:31,599
Speaker 1: how to just quietly, don't go for the gusto. Like, clearly,

2144
01:38:31,680 --> 01:38:35,559
Speaker 1: if somebody is making you p eight off streaming music,

2145
01:38:36,400 --> 01:38:37,600
Speaker 1: someone's gonna notice that.

2146
01:38:37,640 --> 01:38:41,760
Speaker 2: Of like, wait, sweet, they tailor this made it hot.

2147
01:38:41,800 --> 01:38:42,880
Speaker 2: You made it hot.

2148
01:38:42,840 --> 01:38:44,360
Speaker 1: Because there was plenty of people that were doing this

2149
01:38:44,400 --> 01:38:47,760
Speaker 1: with botting forums before. And yeah, it's kind of nuts

2150
01:38:48,240 --> 01:38:49,840
Speaker 1: that it took them this long to do it, but

2151
01:38:50,800 --> 01:38:53,880
Speaker 1: I do feel them, like you have to regulate of

2152
01:38:53,920 --> 01:38:56,920
Speaker 1: course that AI. Shoot, I'm happy for that trailblazer, but

2153
01:38:56,960 --> 01:38:58,960
Speaker 1: now let's fix that. Yeah, because that that it fucks

2154
01:38:59,000 --> 01:39:00,680
Speaker 1: with the market for artists that are put music out

2155
01:39:00,720 --> 01:39:02,960
Speaker 1: now exactly so, but I mean salute.

2156
01:39:02,960 --> 01:39:05,720
Speaker 2: Maybe you found a way. Yeah, definitely a way.

2157
01:39:05,840 --> 01:39:08,240
Speaker 4: Now enjoy that all that last sell on tier three,

2158
01:39:09,080 --> 01:39:11,720
Speaker 4: that's where you'll be at.

2159
01:39:13,240 --> 01:39:15,240
Speaker 2: Getting in the day room, trying to explain why you're here.

2160
01:39:15,479 --> 01:39:17,839
Speaker 3: Yeah, I ran it up all right.

2161
01:39:17,800 --> 01:39:19,560
Speaker 1: To somebody that's been in jail for twenty years that

2162
01:39:19,760 --> 01:39:20,919
Speaker 1: has no idea what Spotify.

2163
01:39:21,000 --> 01:39:23,000
Speaker 4: They don't know what what AI is. They like, I

2164
01:39:23,000 --> 01:39:24,120
Speaker 4: haven't seen it still playing.

2165
01:39:24,640 --> 01:39:27,160
Speaker 1: Do they allow like Spotify and stuff on on the

2166
01:39:27,160 --> 01:39:27,799
Speaker 1: prison tablets?

2167
01:39:27,880 --> 01:39:28,240
Speaker 2: Probably?

2168
01:39:28,280 --> 01:39:28,479
Speaker 3: Right?

2169
01:39:29,520 --> 01:39:31,400
Speaker 2: Oh yeah, I think you get music on the tablets? Yeah,

2170
01:39:31,640 --> 01:39:32,800
Speaker 2: I think so. That would scare me.

2171
01:39:32,960 --> 01:39:36,720
Speaker 1: Don't don't let like certain inmates get drill music, be

2172
01:39:36,800 --> 01:39:40,360
Speaker 1: fucking riots every day playing that. Are you gonna bet

2173
01:39:40,400 --> 01:39:43,280
Speaker 1: on the Seattle and Las Vegas NBA teams?

2174
01:39:44,200 --> 01:39:44,720
Speaker 2: No?

2175
01:39:44,600 --> 01:39:48,320
Speaker 4: No, okay, Seattle needs a team though, for sure they do. Yeah,

2176
01:39:48,360 --> 01:39:53,160
Speaker 4: they definitely need Vegas. That's a whole other conversation. Can

2177
01:39:53,200 --> 01:39:54,840
Speaker 4: only imagine what that team is gonna look like.

2178
01:39:55,320 --> 01:39:59,640
Speaker 1: I give it, I give it fifteen years. All the

2179
01:39:59,640 --> 01:40:01,240
Speaker 1: teams that are either going to Vegas or they're going

2180
01:40:01,320 --> 01:40:04,280
Speaker 1: to start in Vegas are going to be the conglomerate.

2181
01:40:04,960 --> 01:40:07,720
Speaker 1: There'll be the new Celtics Laker like the they're going

2182
01:40:07,760 --> 01:40:10,439
Speaker 1: to make sure all the Vegas teams are the best.

2183
01:40:10,960 --> 01:40:14,760
Speaker 3: There's no taxes living in uh Nevada or yeah, well there's.

2184
01:40:14,800 --> 01:40:16,080
Speaker 2: I mean there's some taxes, just not.

2185
01:40:16,040 --> 01:40:16,720
Speaker 3: As well, not.

2186
01:40:18,439 --> 01:40:21,160
Speaker 2: Like not like California, right, But yeah.

2187
01:40:21,000 --> 01:40:24,719
Speaker 1: I can see Vegas becoming just because it's everyone's investing

2188
01:40:24,720 --> 01:40:28,840
Speaker 1: obviously in gambling and everything. Yeah, it's why don't we

2189
01:40:28,840 --> 01:40:31,280
Speaker 1: make all the sports teams here? Yeah? Are you gonna

2190
01:40:31,280 --> 01:40:34,639
Speaker 1: go to fifty cents a planet Hollywood where you can

2191
01:40:35,080 --> 01:40:36,840
Speaker 1: dine with the celebs?

2192
01:40:38,520 --> 01:40:40,240
Speaker 3: Nah, I don't think so. I don't think I'll be

2193
01:40:40,240 --> 01:40:40,920
Speaker 3: pulling up today.

2194
01:40:40,920 --> 01:40:42,320
Speaker 2: I'm just trying to give you updates on the news,

2195
01:40:42,360 --> 01:40:42,880
Speaker 2: that's that's all.

2196
01:40:43,200 --> 01:40:45,839
Speaker 3: Yeah, a planet like the old planet Hollywood.

2197
01:40:46,160 --> 01:40:51,000
Speaker 1: They put that as like the the Avvy for the article,

2198
01:40:51,040 --> 01:40:54,320
Speaker 1: but they're yeah, like fifty cents opening some ship for

2199
01:40:54,439 --> 01:40:57,240
Speaker 1: regular people. They just planning all but they didn't put

2200
01:40:57,240 --> 01:40:58,720
Speaker 1: that in the article. They just had the photo of

2201
01:40:58,760 --> 01:41:03,160
Speaker 1: planet Hollywood. Yeah, apparently, you know, regular people will be

2202
01:41:03,160 --> 01:41:04,920
Speaker 1: able to be in the same place where they're going

2203
01:41:05,000 --> 01:41:07,840
Speaker 1: to pay the libs to just hang out.

2204
01:41:07,439 --> 01:41:09,080
Speaker 2: More or less. Yeah, I don't know. I don't know.

2205
01:41:09,120 --> 01:41:11,040
Speaker 2: If I want to be a part of that sounds

2206
01:41:11,040 --> 01:41:11,800
Speaker 2: like a circus.

2207
01:41:12,360 --> 01:41:13,880
Speaker 1: I mean, I don't think we'll be high on any

2208
01:41:13,920 --> 01:41:17,599
Speaker 1: list of like demand, but I would take a check

2209
01:41:17,680 --> 01:41:19,880
Speaker 1: to just stand in Times Square planning Hollywood and be like.

2210
01:41:19,880 --> 01:41:23,479
Speaker 3: Yo, what's up? You can get you ready to sell you?

2211
01:41:23,560 --> 01:41:26,840
Speaker 1: So I have a daughter that's in daycare of five

2212
01:41:26,920 --> 01:41:27,400
Speaker 1: days a week.

2213
01:41:27,560 --> 01:41:31,760
Speaker 2: Okay, so fifty I'm available to be sold. Soul for sale.

2214
01:41:32,200 --> 01:41:35,559
Speaker 2: Soul for sale? All right, everything is for sale.

2215
01:41:35,840 --> 01:41:38,479
Speaker 4: Well, just have been a great conversation. Hopefully we won't

2216
01:41:38,520 --> 01:41:41,760
Speaker 4: be a band from Yankee Stadium. Yeah, I think we're fine.

2217
01:41:41,840 --> 01:41:44,800
Speaker 1: And for everyone that stays this long into the episodes,

2218
01:41:44,840 --> 01:41:47,560
Speaker 1: please wish DeMar's a happy birthday today.

2219
01:41:47,439 --> 01:41:47,760
Speaker 2: Just sir.

2220
01:41:47,800 --> 01:41:50,000
Speaker 3: Happy birthday, baby Dy, Happy birthday baby.

2221
01:41:50,160 --> 01:41:55,040
Speaker 1: The baby D turns twenty seven today, so BABYD good

2222
01:41:55,120 --> 01:41:57,560
Speaker 1: for a happy birthday. Do you have your your like

2223
01:41:58,320 --> 01:42:01,400
Speaker 1: birthday text message ready for midnight for Damaris?

2224
01:42:01,520 --> 01:42:04,720
Speaker 3: Yeah? Yeah I do.

2225
01:42:05,600 --> 01:42:09,800
Speaker 4: It starts something like happy birthday, continued health and blessings.

2226
01:42:10,160 --> 01:42:12,400
Speaker 4: If your ass is not back in the studio on Monday,

2227
01:42:12,640 --> 01:42:15,160
Speaker 4: you no longer work here, something like that.

2228
01:42:15,320 --> 01:42:19,720
Speaker 3: I'm just spitballing right now. I'm just spit a week off.

2229
01:42:20,479 --> 01:42:23,840
Speaker 1: The timing was so perfect with the fucking flights and spitballing.

2230
01:42:23,840 --> 01:42:25,240
Speaker 2: I'm just spitballing because it was cool.

2231
01:42:25,240 --> 01:42:27,160
Speaker 1: We want to get your birthday off. I'm never, never

2232
01:42:27,200 --> 01:42:30,240
Speaker 1: mad at that. But then somehow you finagled the whole

2233
01:42:30,280 --> 01:42:30,760
Speaker 1: week off.

2234
01:42:30,920 --> 01:42:33,880
Speaker 3: Yeah, it's all good. A lot of weeks off of them.

2235
01:42:35,320 --> 01:42:35,599
Speaker 2: I know.

2236
01:42:35,800 --> 01:42:38,479
Speaker 1: I know for a fact everyone in this room has

2237
01:42:38,520 --> 01:42:40,919
Speaker 1: worked on their birthday and this fucking podcast.

2238
01:42:41,040 --> 01:42:45,080
Speaker 2: Man, man, just because we put a balloon in the

2239
01:42:45,120 --> 01:42:48,400
Speaker 2: office doesn't make our birthdays better. Like what the fuck?

2240
01:42:48,520 --> 01:42:50,160
Speaker 2: It's all right though, we got something for you.

2241
01:42:51,120 --> 01:42:53,240
Speaker 1: And that's that's why men and women are so much different.

2242
01:42:53,280 --> 01:42:56,040
Speaker 1: Like what Peas worked on his Birthdaymarus was like, well,

2243
01:42:56,080 --> 01:42:57,559
Speaker 1: let's go get him a cake. I'm like, he's working

2244
01:42:57,600 --> 01:42:59,439
Speaker 1: on his birthday. Like a cake is not going to.

2245
01:42:59,640 --> 01:43:01,880
Speaker 4: Pease the men don't want to see a fucking cake

2246
01:43:01,920 --> 01:43:04,680
Speaker 4: on their birthdays. You don't want to change out of

2247
01:43:04,720 --> 01:43:05,639
Speaker 4: here anything.

2248
01:43:05,720 --> 01:43:08,880
Speaker 1: If you get a balloon that says happy birth like,

2249
01:43:08,920 --> 01:43:10,600
Speaker 1: that's not going to change a man working on his

2250
01:43:10,680 --> 01:43:11,800
Speaker 1: birthday's day at all.

2251
01:43:12,240 --> 01:43:14,839
Speaker 2: It's actually gonna remind him. Why the fuck am I hearing.

2252
01:43:14,600 --> 01:43:17,599
Speaker 4: My brain exactly more depression, So who's want to give

2253
01:43:17,640 --> 01:43:20,920
Speaker 4: us depression calories and high blood pressure with cake and

2254
01:43:20,960 --> 01:43:21,639
Speaker 4: shit like, get.

2255
01:43:21,479 --> 01:43:22,160
Speaker 2: The fuck out of here.

2256
01:43:22,479 --> 01:43:23,600
Speaker 3: But happy birthday, baby D.

2257
01:43:23,640 --> 01:43:26,360
Speaker 4: Hopefully she's somewhere having fun to join herself, and hopefully

2258
01:43:26,400 --> 01:43:31,479
Speaker 4: she'll have a job next week. Did she make it?

2259
01:43:31,520 --> 01:43:33,000
Speaker 4: Back stated, I don't even know if she's in New York.

2260
01:43:33,040 --> 01:43:36,280
Speaker 4: Don't know where Demaris is. I know, I don't know

2261
01:43:36,280 --> 01:43:39,679
Speaker 4: where Demarus is. I haven't heard from her. She flew

2262
01:43:39,680 --> 01:43:44,760
Speaker 4: out of LaGuardia this morning. How'd she get to Little Guardian? Yeah?

2263
01:43:45,120 --> 01:43:49,679
Speaker 4: Who knows? Who knows? Man, who knows? Who fucking knows?

2264
01:43:49,720 --> 01:43:52,840
Speaker 4: But wherever she is, hopefully, baby D, you're safe and

2265
01:43:52,960 --> 01:43:56,600
Speaker 4: enjoy yourself. Yes, and everybody else that's listening, Hopefully you

2266
01:43:56,680 --> 01:44:00,000
Speaker 4: are safe somewhere enjoying yourself until next time.

2267
01:44:00,240 --> 01:44:00,880
Speaker 2: See you Saturday.

2268
01:44:01,040 --> 01:44:05,360
Speaker 3: Be safe, be blessed. I'm that nigga, he's just ginger peace.

2269
01:44:06,000 --> 01:44:07,479
Speaker 2: No Willian now