WEBVTT - #651 -  Nepo Babies, Overexposed Celebs & Artists Retiring Their Big Hits

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<v Speaker 1>Hey, welcome to another episode where we're going to talk

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<v Speaker 1>about another artist getting sick and having to leave mid show.

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<v Speaker 2>We're going to talk about blue dot fever a little bit.

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<v Speaker 1>We're going to talk about nepotism in art, which I

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<v Speaker 1>think is where we'll start because it's been a really

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<v Speaker 1>weird week. We had Stella Lefty on this show on Tuesday,

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<v Speaker 1>So if you go back, if you're watching on Netflix,

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<v Speaker 1>go back a couple episodes. If you're listening, same thing.

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<v Speaker 1>And Stella Lefty is an artist that she's in her

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<v Speaker 1>young twenties. She has a song called Boston that is

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<v Speaker 1>a top three Billboard Hot one hundred song right now,

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<v Speaker 1>meaning all charts, not just country, but all charts. The

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<v Speaker 1>kind of amazing thing right now about that is you

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<v Speaker 1>have three country songs through at the top of that

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<v Speaker 1>all genre chart. You have Taylor with a song from

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<v Speaker 1>Toy Story five, which is a country song. I knew it,

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<v Speaker 1>I knew you. That maye me number two, but Ella

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<v Speaker 1>Langley and then Boston. So we had Stella Lefty on

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<v Speaker 1>and I thought she was extremely nice, so much fun.

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<v Speaker 1>We did an hour and fifteen minutes. I haven't told her, Hey,

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<v Speaker 1>I didn't know what you're gonna be like. And it

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<v Speaker 1>was one of those where I didn't know the artist

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<v Speaker 1>at all and hadn't heard much about them, so you

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<v Speaker 1>just never know.

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<v Speaker 2>And also she's young.

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<v Speaker 1>And a lot of these young artists don't have a

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<v Speaker 1>lot of life to have lived to have these stories.

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<v Speaker 1>So I posted the clips and it's great, except for

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<v Speaker 1>everybody was so hateful about the fact that her dad

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<v Speaker 1>is a billionaire. Now I'm gonna bring Eddie in here.

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<v Speaker 2>Eddie, good to see. I'm also a billionaire close, so

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<v Speaker 2>that's why you brought me on.

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<v Speaker 1>I brought you in at your intricate knowledge of being

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<v Speaker 1>a billionaire. So you know her dad's a billionaire.

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<v Speaker 2>Yeah, he founded groupon Yes, And I found that out

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<v Speaker 2>later because yeah, every time I saw a clip of hers,

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<v Speaker 2>guess what, there was one being like, look, she's the

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<v Speaker 2>daughter of so and so I'm like, okay, whatever. So

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<v Speaker 2>I spent a little time with this. And I'm not

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<v Speaker 2>someone to defend rich people.

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<v Speaker 1>I really dislike rich people generally speaking, which isn't really

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<v Speaker 1>fair because now I kind of am rich, but I

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<v Speaker 1>didn't grow up with any money at all, so I

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<v Speaker 1>always felt resentful towards rich people. But what I'm about

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<v Speaker 1>to do is actually talk about nepotism in art and

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<v Speaker 1>what is and what isn't Because just because you have

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<v Speaker 1>a rich parent, that's not nepotism. Now, there are advantages

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<v Speaker 1>that you can have to being rich, But there are

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<v Speaker 1>many artists in Nashville right now that have wildly rich

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<v Speaker 1>parents that cannot get a hit.

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<v Speaker 2>Correct, you can't buy a hit.

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<v Speaker 1>You can pay great producers, you can pay money to

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<v Speaker 1>get people in a room, a songwriting room. You can

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<v Speaker 1>pay for a lot of things. But you can't pay

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<v Speaker 1>for a hit because that means people have to connect

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<v Speaker 1>with it.

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<v Speaker 2>You can't pay for people to like people. Correct. Liability,

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<v Speaker 2>you can't pay for that.

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<v Speaker 1>And so there are two that I think of now,

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<v Speaker 1>and I think one a little more than the other.

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<v Speaker 1>But Stella Lefty is not nepotism. Her dad is in

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<v Speaker 1>business and finance. Is she the daughter of somebody rich, Yeah, absolutely,

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<v Speaker 1>no doub about our.

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<v Speaker 2>That's a billionaire.

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<v Speaker 1>However, he can have all the connections in the world,

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<v Speaker 1>but he can't make her pop. He can give her

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<v Speaker 1>a decent shot to know the right people to get

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<v Speaker 1>in the right rooms. I mean, look at Taylor's dad.

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<v Speaker 1>Taylor's dad basically funded her early career in order to

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<v Speaker 1>get her started. Like Taylor Swift was the daughter of

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<v Speaker 1>a rich person.

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<v Speaker 2>Was he rich? Yeah? Okay, I didn't realize that. Yeah

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<v Speaker 2>they had money, Okay, NOI yeah, but but I mean

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<v Speaker 2>early on, I mean didn't they all move to nationality here?

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<v Speaker 2>And he still want to support her journey.

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<v Speaker 1>And my point is, you can be rich, you can

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<v Speaker 1>be poor if you don't have work ethic, you don't

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<v Speaker 1>have tenacity, you don't have eye the tiger, you don't

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<v Speaker 1>have creativity, you don't have all that, It's not gonna

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<v Speaker 1>work for you.

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<v Speaker 2>They are multiple artists. I know.

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<v Speaker 1>Now there are a couple whose parents have hundreds of

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<v Speaker 1>millions of dollars, even billions of dollars that cannot get

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<v Speaker 1>a hit. And they have used every connection possible. So

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<v Speaker 1>I would like to say Stella Lefty's success is not

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<v Speaker 1>that of nepotism.

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<v Speaker 2>I was surprised you went to Tulane. I'm be honest

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<v Speaker 2>with them. You thought she'd go to expensive college, yeah.

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<v Speaker 1>Or like a really famous music school, or you know,

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<v Speaker 1>we had Vanessa Carlton and and she go to Berkeley.

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<v Speaker 1>I think so man, so many of those good musicians

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<v Speaker 1>you got to be really good or really richer. Sometimes

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<v Speaker 1>it's both, because you can only get so good if

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<v Speaker 1>you have the resources as a kid to get the

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<v Speaker 1>right lessons with the right person. My only point to

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<v Speaker 1>start this is people were being way too rude to

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<v Speaker 1>stell a lefty once. You also can't really change who

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<v Speaker 1>she was born to.

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<v Speaker 2>Does it make a difference to start a career when

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<v Speaker 2>you have money, I mean to me, it does give

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<v Speaker 2>you a kickstart above everyone else. When you can afford

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<v Speaker 2>to pay for a producer, pay for a record to

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<v Speaker 2>be made. I would say it's more than that.

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<v Speaker 1>You can afford to have the time to do it,

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<v Speaker 1>So it's way more than even getting in the right

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<v Speaker 1>rooms and paying for producers. I would say mostly there's

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<v Speaker 1>no middle class with artists who moved to Nashville. It's

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<v Speaker 1>other people that come here poor and they got to

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<v Speaker 1>work their face off, work in three jobs. But again,

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<v Speaker 1>they have such an anger and a passion and the

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<v Speaker 1>love and nothing's going to stop them, and they're waiting

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<v Speaker 1>tables and they're babysitting and while they're also doing their music.

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<v Speaker 1>That's the kind of person that chases a creative vocation

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<v Speaker 1>and the person that has a ton of money because

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<v Speaker 1>they can just do whatever they want, and they have

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<v Speaker 1>all the time and resources to have great teachers as

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<v Speaker 1>a kid, to be able to move here and live

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<v Speaker 1>somewhere comfortably, to not be able to work, to just

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<v Speaker 1>do their music, to go and play shows. And because

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<v Speaker 1>when you're playing shows early on, you're making fifty bucks

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<v Speaker 1>a night.

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<v Speaker 2>If that and you have another job, a full time job,

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<v Speaker 2>you don't have to do it.

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<v Speaker 1>If you're rich, you come from money, you don't have

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<v Speaker 1>to worry about money.

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<v Speaker 2>You can just take a fifty bucks yeah, and play

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<v Speaker 2>your shows. And I think that's where a lot of

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<v Speaker 2>the to use your term lower class musician status get

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<v Speaker 2>a little upset with the NEPO babies. And you're right

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<v Speaker 2>in this case, she's not a NEPO.

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<v Speaker 1>Baby's a rich dad. It's not a nepo as somebody

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<v Speaker 1>that's in the industry.

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<v Speaker 2>Or Dan Job Dylan's son NEPO baby.

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<v Speaker 1>And we can talk about I have a whole list

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<v Speaker 1>of NEPO babies, and I have another NEPO baby that

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<v Speaker 1>I'm a fan of, and like.

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<v Speaker 2>People try to do this with her too, as is

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<v Speaker 2>a gratias awesome. I think she's awesome, And I see

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<v Speaker 2>her on TV right after her dad's movie is being previewed.

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<v Speaker 2>I'm like, they are dominating the entertainment world together and

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<v Speaker 2>I love it.

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<v Speaker 1>And also he is was wildly creative, a little bit

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<v Speaker 1>that Gene's just gonna get passed down to the kid too.

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<v Speaker 1>I don't want to be sick enough for rich people.

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<v Speaker 1>This is not something I'm good at, but I felt

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<v Speaker 1>like the hate towards her was unfair.

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<v Speaker 2>Yeah, so I have people.

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<v Speaker 1>That you could say have used nepotism to their advantage.

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<v Speaker 1>Number One, Dakota Johnson. Now this isn't all music. Some

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<v Speaker 1>music somes acting big time.

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<v Speaker 2>Dakota Johnson. She's the kids of Don Johnson and Melanie Griffin. No, yeah,

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<v Speaker 2>you know you're right? Is that right? I thought she

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<v Speaker 2>was married to Antonio Benderris. That's not her dad, right,

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<v Speaker 2>Don Johnson is Yeah, Okay, okay, but those are the

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<v Speaker 2>Antonio and Don Johnson worked together.

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<v Speaker 1>What I'm saying her parents Dakota Johnson's parents are Don

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<v Speaker 1>Johnson from Miami Vice.

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<v Speaker 2>Yeah, and Melanie Griffin okay, and then they weren't together anymore,

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<v Speaker 2>and than then you got divorced and stuff. Okay. Yeah,

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<v Speaker 2>like am I thinking of the same person, But okay,

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<v Speaker 2>I got it.

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<v Speaker 1>There's a movie called rebel Ridge on Netflix.

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<v Speaker 2>Oh. I thought you're gonna say the Fifty Shades of Gray, Like,

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<v Speaker 2>I know.

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<v Speaker 1>Well, she's in that, but that rebel Ridge has Don

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<v Speaker 1>Johnson is a bad guy in it.

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<v Speaker 2>It's so good. It is a bad Yeah, he was

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<v Speaker 2>even Like, I know, he played a cool guy in

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<v Speaker 2>Miami Vice, but you kind of hated it because he

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<v Speaker 2>was so cool. I didn't. I didn't watch the show.

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<v Speaker 2>I was too young. Yeah, I was this eighties. Eighties. Yeah,

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<v Speaker 2>I mean I was little, but I mean I would

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<v Speaker 2>watch it and be like, ah, come on, next up

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<v Speaker 2>Jack Quaid. Okay, do you know who Jack Quaid is?

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<v Speaker 2>I do. But Jack Quade's a guy that I see

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<v Speaker 2>on the screen and say, he looks familiar. Oh, he

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<v Speaker 2>looks like Dennis Quaid.

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<v Speaker 1>So Jack Quaite's from the Boys and Jack Quaid isn't

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<v Speaker 1>a really great movie I'll watch called Companion.

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<v Speaker 2>Yes, he's amongst other.

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<v Speaker 1>Things, but he is a kid of Dennis Quaid and

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<v Speaker 1>Meg Ryan.

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<v Speaker 2>I know they were married. They were and then emm divorce.

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<v Speaker 1>But I think there's a point too where sure, Nepotism

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<v Speaker 1>can play a part, but it can only get you

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<v Speaker 1>so far. Like we could watch the screen and go

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<v Speaker 1>that dude sucks or that dude is awesome.

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<v Speaker 2>I feel like Jack Quaite's a really good actor. He

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<v Speaker 2>is a good actor, and you know what, you can't

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<v Speaker 2>I think that like movie producers, aw so wait for them,

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<v Speaker 2>you know, Like I mean, Dennis Quait's awesome. Meg Ryan

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<v Speaker 2>was a huge star. Their kid has to be have

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<v Speaker 2>some talent, so I'm sure they look out for him. Like,

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<v Speaker 2>are they gonna pursue acting, because I'd like to see

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<v Speaker 2>what they're all about.

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<v Speaker 1>No, I think they go, I know their mom and dad,

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<v Speaker 1>I'm gonna give them a shot.

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<v Speaker 2>In an audition.

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<v Speaker 1>I mean, that's where the nepotism gets annoying. It's because

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<v Speaker 1>people are getting advantages because of the relationships of their

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<v Speaker 1>parents within the industry that other people don't get.

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<v Speaker 2>Because they don't know them.

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<v Speaker 1>Yeah, it's it's it's relationships.

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<v Speaker 2>Yeah, because nepotism isn't always about money. It just so happens.

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<v Speaker 2>A lot of rich people are famous or rich connections. Yeah,

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<v Speaker 2>but it's connections. Yeah. Next up Maya Hawk. Yeah that's

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<v Speaker 2>Ethan Hawk and Uma Thurman's kid next day and she's

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<v Speaker 2>she's a really good actress. Lily Collins, Yeah she is.

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<v Speaker 1>She she's Peari right, she's Emily and Paris is she?

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<v Speaker 1>I think all the Clins is Emily in Paris, right, yes?

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<v Speaker 2>And I have no idea she is. So I was

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<v Speaker 2>gonna make a joke that it's Terry Collins and was

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<v Speaker 2>he a quarterback for the Giants?

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<v Speaker 1>Who is the Kerry the Giants?

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<v Speaker 2>But I don't know who she is? Who is she?

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<v Speaker 1>So massive show? It's Emily and Paris, But originally it

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<v Speaker 1>was supposed to be called Emily and Peerie and rhyme.

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<v Speaker 1>But we are super.

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<v Speaker 2>American, we are we ruined.

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<v Speaker 1>That she's the daughter of Phil Collins. Oh okay, okay,

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<v Speaker 1>but she's wildly famous. I think we've just aged out

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<v Speaker 1>of that age celebrity being cool to us. And also

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<v Speaker 1>we don't watch Emily and Paris. Kate Hudson, Yeah that is.

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<v Speaker 2>That's what's her name, Goldiehan. I'm gonna help you well,

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<v Speaker 2>Goldie Han. But I don't know who her dad is.

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<v Speaker 2>I don't know. It doesn't matter, you know, to have

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<v Speaker 2>you both, Yeah, but sometimes like when it's both, it's

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<v Speaker 2>like power NEPO.

0:10:54.240 --> 0:10:57.680
<v Speaker 1>So Kate Hudson great, Yeah, but also had advantages connections.

0:10:57.720 --> 0:10:59.600
<v Speaker 2>Sure, but she kind of proved herself.

0:11:00.800 --> 0:11:04.040
<v Speaker 1>Yeah, but what's annoying is they have a chance to

0:11:04.080 --> 0:11:06.440
<v Speaker 1>prove themselves. They grow up around people that can make

0:11:06.480 --> 0:11:08.760
<v Speaker 1>them better because they're around elite the whole time and

0:11:08.840 --> 0:11:09.600
<v Speaker 1>they have the connections.

0:11:09.679 --> 0:11:16.280
<v Speaker 2>Yeah. Zoe Kravitz, Yeah, that's Lenny Kravitz. And I don't know.

0:11:16.320 --> 0:11:17.120
<v Speaker 2>I don't know her mom.

0:11:17.640 --> 0:11:18.000
<v Speaker 1>You do?

0:11:18.600 --> 0:11:22.160
<v Speaker 2>Oh? Was she? And you got it? Hang? Get a

0:11:22.200 --> 0:11:22.680
<v Speaker 2>TV show?

0:11:22.760 --> 0:11:26.760
<v Speaker 1>Yeah, a great TV show that has been tragically canceled.

0:11:27.080 --> 0:11:31.280
<v Speaker 1>And the show was great, Oh, one of the finer sitcoms.

0:11:30.760 --> 0:11:33.440
<v Speaker 2>Of all times. Somebody ruined the show. Somebody ruined the show.

0:11:33.760 --> 0:11:35.800
<v Speaker 2>We'd probably still be watching it today. It'd be on

0:11:35.880 --> 0:11:38.360
<v Speaker 2>reruns like crazy. That's the Cosmy Show.

0:11:38.400 --> 0:11:41.679
<v Speaker 1>Yeah, Lisa bone Wow, Okay, So Zoe Kravitz mom is

0:11:41.960 --> 0:11:42.600
<v Speaker 1>Lisa Bonet.

0:11:42.600 --> 0:11:45.880
<v Speaker 2>Her dad's Lenny Kravitz. She's good. Zoe Kravitz is a

0:11:45.880 --> 0:11:49.920
<v Speaker 2>good actress. All these people are awesome. Colin Hanks, Yeah, see,

0:11:50.000 --> 0:11:52.160
<v Speaker 2>Colin Hanks is Tom Hanks and Rita Wilson's kid. But

0:11:52.200 --> 0:11:54.520
<v Speaker 2>here's the thing, I feel like he's still trying to

0:11:54.559 --> 0:11:57.920
<v Speaker 2>prove himself. He's in a lot of stuff, but he

0:11:58.000 --> 0:12:01.120
<v Speaker 2>hasn't popped off as that artist that everyone thinks that

0:12:01.520 --> 0:12:04.120
<v Speaker 2>he should be because he's one of the greatest actors

0:12:04.160 --> 0:12:06.280
<v Speaker 2>of all time. Son, I don't know.

0:12:06.280 --> 0:12:09.679
<v Speaker 1>I feel like Colin Hanks is hit hard, Mike, I

0:12:09.679 --> 0:12:13.160
<v Speaker 1>would say, but if your dad is Tom Hanks, like

0:12:13.200 --> 0:12:14.120
<v Speaker 1>it's hard to live up to that.

0:12:14.200 --> 0:12:14.840
<v Speaker 2>It's a good point.

0:12:14.840 --> 0:12:17.560
<v Speaker 3>I have like an iconic role like anything compared to

0:12:17.559 --> 0:12:19.040
<v Speaker 3>Tom Hanks. But he's a good actor, has had a

0:12:19.080 --> 0:12:20.160
<v Speaker 3>lot of success.

0:12:20.280 --> 0:12:23.640
<v Speaker 1>Who does right, you know, you're right there? Who is

0:12:23.679 --> 0:12:27.480
<v Speaker 1>the Tom Hanks? Nobody, No, you're right, he's I mean

0:12:27.520 --> 0:12:30.080
<v Speaker 1>the Chris Pratt. I mean there's like four that you

0:12:30.080 --> 0:12:31.600
<v Speaker 1>would say a generation below.

0:12:31.920 --> 0:12:34.320
<v Speaker 2>Man, I would feel like his brother, Like, isn't there

0:12:34.360 --> 0:12:38.440
<v Speaker 2>a brother chat? So that's an example of Tom Hanks

0:12:38.520 --> 0:12:41.240
<v Speaker 2>is so famous. Chet Hanks is in music.

0:12:42.440 --> 0:12:44.559
<v Speaker 1>Can't really get it to work, can't do it Like

0:12:44.800 --> 0:12:47.199
<v Speaker 1>I'm not saying he isn't talented, but he's tried multiple

0:12:47.240 --> 0:12:49.800
<v Speaker 1>things as a rapper, an they're doing the country thing now.

0:12:50.000 --> 0:12:51.760
<v Speaker 3>He's doing a little acting too. He's in that Netflix

0:12:51.760 --> 0:12:52.520
<v Speaker 3>show Running point.

0:12:52.880 --> 0:12:56.880
<v Speaker 2>It's pretty good in that so there's a good example

0:12:56.960 --> 0:13:01.840
<v Speaker 2>of NEPO the whole thing for you. Scott Eastwood, Yeah,

0:13:01.840 --> 0:13:04.560
<v Speaker 2>that's Clint Eastwood Son. He's good man. What did I

0:13:04.559 --> 0:13:08.079
<v Speaker 2>see him in? Oh? Is he uh a superhero?

0:13:09.520 --> 0:13:09.920
<v Speaker 3>I don't know.

0:13:11.040 --> 0:13:13.280
<v Speaker 2>I don't know. But he's a good actor.

0:13:13.520 --> 0:13:16.280
<v Speaker 1>Patrick Schwarzenegger, who I watched in White.

0:13:16.080 --> 0:13:17.840
<v Speaker 2>Lotus, White Lotus, Man, he's so good.

0:13:17.960 --> 0:13:19.959
<v Speaker 1>Obviously he's Arnold and Maria Shriver's kid.

0:13:20.880 --> 0:13:25.200
<v Speaker 2>Uh. Keifer Sutherland baby, Oh that's right, Donald Sutherland's son.

0:13:25.600 --> 0:13:29.000
<v Speaker 1>We forget because Donald Sutherland is either really old or dead.

0:13:29.320 --> 0:13:32.440
<v Speaker 2>I believe he's dead. I'd hate to kill him if

0:13:32.440 --> 0:13:34.040
<v Speaker 2>he wasn't. But yeah, but I think he was one

0:13:34.120 --> 0:13:36.360
<v Speaker 2>hundred or so yeaheah, he was old. Man. It was

0:13:36.400 --> 0:13:41.360
<v Speaker 2>crazy about Donald Sutherlands and Kirk Douglas Is. These guys

0:13:41.400 --> 0:13:44.559
<v Speaker 2>were black and white actors. He did the pictures. Yeah,

0:13:45.600 --> 0:13:48.000
<v Speaker 2>you're looking through me like that's crazy. He lived during

0:13:48.040 --> 0:13:48.840
<v Speaker 2>the picture days.

0:13:48.880 --> 0:13:49.240
<v Speaker 1>He was eight.

0:13:50.960 --> 0:13:52.640
<v Speaker 2>Okay, Well, would I take back the hundred? We wanted

0:13:52.720 --> 0:13:57.160
<v Speaker 2>him to be a hundred. Charlie Sheen, Yes, Martin Sheen's son,

0:13:57.600 --> 0:13:59.920
<v Speaker 2>Jennifer Aniston mm hmmm.

0:14:00.280 --> 0:14:02.720
<v Speaker 1>So these that I put on the list here are NEPO,

0:14:02.880 --> 0:14:05.800
<v Speaker 1>but I needed a little help. I think her dad,

0:14:05.880 --> 0:14:08.520
<v Speaker 1>who is John Aniston, was old school.

0:14:08.240 --> 0:14:10.880
<v Speaker 2>Too, okay, actor like producer.

0:14:11.160 --> 0:14:15.800
<v Speaker 1>I think an actor because when I looked up, I

0:14:15.840 --> 0:14:18.560
<v Speaker 1>just did a I did three different AI searches on

0:14:18.600 --> 0:14:20.400
<v Speaker 1>Nepple babies, and Jennifer Aston.

0:14:20.160 --> 0:14:21.040
<v Speaker 2>Came up on all of them.

0:14:21.760 --> 0:14:24.840
<v Speaker 1>And John Aniston, you see anything about him?

0:14:24.960 --> 0:14:25.680
<v Speaker 3>He was an actor.

0:14:25.720 --> 0:14:28.840
<v Speaker 2>He was on Days of Our Lives, you know what,

0:14:28.880 --> 0:14:31.080
<v Speaker 2>not full NEPO. Be honest, No, I mean I bet

0:14:31.120 --> 0:14:35.360
<v Speaker 2>he tried his best and they were like, all right, no,

0:14:35.400 --> 0:14:36.960
<v Speaker 2>trust me. My daughter's really good.

0:14:37.440 --> 0:14:40.280
<v Speaker 1>Would you consider Rashida Jones a neo baby?

0:14:41.080 --> 0:14:47.960
<v Speaker 2>Do you know that Quincy Jones' daughter? Yes, an entertainment baby.

0:14:48.400 --> 0:14:51.960
<v Speaker 1>She was in the office. She also was in that

0:14:52.080 --> 0:14:55.800
<v Speaker 1>show that was in Japan. It was really good on Apples. Yeah,

0:14:55.960 --> 0:14:59.120
<v Speaker 1>Sonny Sonny was really good. Until the end, it was okay,

0:14:59.160 --> 0:15:00.960
<v Speaker 1>it got kind of weird, but it was great premise,

0:15:01.120 --> 0:15:01.720
<v Speaker 1>great premise.

0:15:02.240 --> 0:15:04.720
<v Speaker 2>You think she's NEPO, Yeah, yeah, because I mean Quincy

0:15:04.800 --> 0:15:08.200
<v Speaker 2>Jones was so connected, not just music. I'm sure he

0:15:08.360 --> 0:15:11.560
<v Speaker 2>was Hollywood La music. Those guys all run in the

0:15:11.600 --> 0:15:15.320
<v Speaker 2>same circle. So yeah, Gwyneth Paltrow big time. Her dad

0:15:15.560 --> 0:15:16.840
<v Speaker 2>was I don't know.

0:15:16.880 --> 0:15:19.600
<v Speaker 1>I don't know her parents, and I have their names,

0:15:19.840 --> 0:15:22.000
<v Speaker 1>and she it says she is, but I don't.

0:15:22.120 --> 0:15:24.080
<v Speaker 2>I want to say one's an actor, one's a producer.

0:15:24.200 --> 0:15:29.280
<v Speaker 1>So Bruce Paltrow, don't that's her dad, Bruce. Yeah, and

0:15:29.320 --> 0:15:30.600
<v Speaker 1>her mom is Blithe Danner.

0:15:30.680 --> 0:15:31.960
<v Speaker 2>Okay, and she was an actress.

0:15:32.080 --> 0:15:35.280
<v Speaker 1>They just sound like old school gone with the Wind people.

0:15:35.360 --> 0:15:40.440
<v Speaker 2>Yeah. But but you're right. I think without that power dynamic,

0:15:40.680 --> 0:15:43.040
<v Speaker 2>there would be no Gwyneth Poutro. I don't think some

0:15:43.800 --> 0:15:50.840
<v Speaker 2>interesting ones. Nick Cage, Francis Ford, Coppola's Yes, George Clooney,

0:15:51.120 --> 0:15:57.480
<v Speaker 2>mom nephew of Rosemary Clooney. Yeah, if you're a nephew,

0:15:57.520 --> 0:16:00.640
<v Speaker 2>it's like mid nepo mid nepo. Yeah. But I've seen

0:16:00.680 --> 0:16:02.600
<v Speaker 2>movies of hers, and she's a black and white actress.

0:16:02.640 --> 0:16:04.760
<v Speaker 2>Do crazy how she looks like him or he looks

0:16:04.800 --> 0:16:10.400
<v Speaker 2>like her? O? J. Jackson mm hmm ice Cube Son, Yeah,

0:16:10.400 --> 0:16:13.720
<v Speaker 2>we saw him. We met him in La rich Isisen studio.

0:16:13.960 --> 0:16:16.960
<v Speaker 1>He ate his podcast in this Yeah.

0:16:16.600 --> 0:16:19.200
<v Speaker 2>Yeah, it's crazy how much he looks like ice Cube

0:16:19.720 --> 0:16:22.000
<v Speaker 2>in the movie. Yeah, and did a great job too.

0:16:22.600 --> 0:16:28.680
<v Speaker 1>Okay, music, it's gonna offend some people. Okay, Hank Williams Junior.

0:16:29.480 --> 0:16:31.840
<v Speaker 1>I mean that is get no more NEPO than Hank.

0:16:32.240 --> 0:16:33.560
<v Speaker 2>That is the definition of NEPO.

0:16:33.640 --> 0:16:36.000
<v Speaker 1>Now, has he proven himself over and over? That's never

0:16:36.240 --> 0:16:39.160
<v Speaker 1>That's never the question. Have they proven themselves? The NEPO

0:16:39.240 --> 0:16:42.400
<v Speaker 1>part of it is did they have an unfair advantage?

0:16:42.440 --> 0:16:45.000
<v Speaker 1>According to some that did not have the same advantage? Yes,

0:16:45.640 --> 0:16:46.440
<v Speaker 1>Hank Jr.

0:16:47.000 --> 0:16:51.760
<v Speaker 2>And And and even if his name was Eddie Eddie Williams,

0:16:52.120 --> 0:16:54.440
<v Speaker 2>that would have been a little tougher too, like for

0:16:54.520 --> 0:16:56.360
<v Speaker 2>instead of Hank the same I mean it was he

0:16:56.520 --> 0:16:59.120
<v Speaker 2>was Hank Williams Junior. He was the carbon copy of

0:16:59.200 --> 0:17:02.520
<v Speaker 2>his dad with the same name. And and your dad's dead,

0:17:03.160 --> 0:17:06.040
<v Speaker 2>So you want something that's no longer there. There you go,

0:17:06.119 --> 0:17:10.040
<v Speaker 2>we got a son. Miley. Yeah, big time NEPO.

0:17:10.520 --> 0:17:13.159
<v Speaker 1>I feel like she she got the luxury of being

0:17:13.160 --> 0:17:16.399
<v Speaker 1>the NEPO, but then also somehow her dad got to

0:17:16.400 --> 0:17:22.160
<v Speaker 1>be the renepot. Yeah, like he was able to get

0:17:22.200 --> 0:17:24.440
<v Speaker 1>her and then he kind of fell off, and then

0:17:24.520 --> 0:17:27.240
<v Speaker 1>she was able to bring him each other.

0:17:27.359 --> 0:17:30.520
<v Speaker 2>Do you know their story? Like like obviously Billy Ray

0:17:30.800 --> 0:17:35.080
<v Speaker 2>was the nineties country guy, but then did she did

0:17:35.119 --> 0:17:39.720
<v Speaker 2>he help her get her Hannah Montana career going, because

0:17:39.760 --> 0:17:41.880
<v Speaker 2>I feel like, I don't know. I know it takes

0:17:41.920 --> 0:17:43.480
<v Speaker 2>money to have to go move, go to l A.

0:17:44.400 --> 0:17:46.640
<v Speaker 1>I get No, I don't know well enough to sit

0:17:46.680 --> 0:17:48.159
<v Speaker 1>here and proclaim that I do.

0:17:49.280 --> 0:17:51.159
<v Speaker 2>But Jacob Dylan was one you mentioned earlier. That's a

0:17:51.200 --> 0:17:51.680
<v Speaker 2>big one.

0:17:51.800 --> 0:17:55.040
<v Speaker 1>So I'm gonna kind of say maybe.

0:17:55.000 --> 0:17:58.840
<v Speaker 2>Yeah, because he made it a point to he wanted

0:17:59.280 --> 0:18:02.960
<v Speaker 2>people to not bring up his dad when he was

0:18:02.960 --> 0:18:04.760
<v Speaker 2>trying to come up, so he was not using the

0:18:04.840 --> 0:18:08.080
<v Speaker 2>last name Dylan. He could have easily been just Jacob Dylan,

0:18:08.160 --> 0:18:10.560
<v Speaker 2>but he started a band called The Wallflowers, and it

0:18:10.560 --> 0:18:12.560
<v Speaker 2>took a little bit of research for us to even like,

0:18:12.600 --> 0:18:15.040
<v Speaker 2>did you know that that's Bob Dylan's son.

0:18:15.560 --> 0:18:18.760
<v Speaker 1>Now, there are still the advantages of you get to

0:18:18.760 --> 0:18:22.480
<v Speaker 1>be a rock star, and part of not making it

0:18:22.520 --> 0:18:24.639
<v Speaker 1>is it's hard to survive because rock stars don't make

0:18:24.640 --> 0:18:26.320
<v Speaker 1>any money the first years. But if you have money,

0:18:26.320 --> 0:18:27.640
<v Speaker 1>you don't have to worry about that part of it.

0:18:28.480 --> 0:18:29.480
<v Speaker 1>But yeah, Enrique is.

0:18:29.480 --> 0:18:31.639
<v Speaker 2>Julio Glacis, Oh, yeah for sure.

0:18:31.760 --> 0:18:35.720
<v Speaker 1>Now I've done rich artists. This is not the same

0:18:35.720 --> 0:18:36.119
<v Speaker 1>as NEPO.

0:18:36.240 --> 0:18:40.000
<v Speaker 2>Not NEPO. This is unfairly. You have the luxury of

0:18:40.040 --> 0:18:41.679
<v Speaker 2>not having to worry about life. You just get to

0:18:41.680 --> 0:18:42.760
<v Speaker 2>pursue your art. That's it.

0:18:42.840 --> 0:18:44.520
<v Speaker 1>But maybe without the connections, that's it.

0:18:45.119 --> 0:18:47.600
<v Speaker 2>Taylor Swift Okay, I didn't know that was news to me.

0:18:47.760 --> 0:18:50.440
<v Speaker 1>Her father was a financial advisor who relocated the family

0:18:50.440 --> 0:18:54.600
<v Speaker 1>to support her entire career. Wealth helped provide opportunities, though

0:18:54.640 --> 0:18:57.240
<v Speaker 1>not connections. So Taylor's not a NEPO kid.

0:18:58.160 --> 0:18:59.520
<v Speaker 2>Yeah, because they're not famous.

0:19:00.040 --> 0:19:02.959
<v Speaker 1>Taylor is just somebody that had the resources to just

0:19:03.000 --> 0:19:04.040
<v Speaker 1>focus on music only.

0:19:04.119 --> 0:19:04.320
<v Speaker 2>Yeah.

0:19:05.040 --> 0:19:08.240
<v Speaker 1>Ariana Grande family was rich in Florida.

0:19:08.800 --> 0:19:13.000
<v Speaker 2>It's like what they the Grande the Grande Communications.

0:19:13.119 --> 0:19:16.480
<v Speaker 1>No, her parents owned a successful graphic design business. Oh wow, cool,

0:19:16.680 --> 0:19:17.400
<v Speaker 1>Lady Gaga.

0:19:17.400 --> 0:19:17.920
<v Speaker 2>Pretty rich.

0:19:17.960 --> 0:19:22.600
<v Speaker 1>He was raised on Manhattan's Upper West Side by successful entrepreneurs.

0:19:22.680 --> 0:19:23.800
<v Speaker 2>Wow. I wouldn't have thought that.

0:19:24.040 --> 0:19:26.840
<v Speaker 1>Julian Cosablancas from The Strokes and your father founded the

0:19:26.880 --> 0:19:28.080
<v Speaker 1>Elite modeling agency.

0:19:28.240 --> 0:19:30.600
<v Speaker 2>Yeah, so he was really rich growing.

0:19:30.680 --> 0:19:31.040
<v Speaker 1>Yeah.

0:19:31.080 --> 0:19:33.359
<v Speaker 2>Man, you imagine like being friends with him and he

0:19:33.400 --> 0:19:35.679
<v Speaker 2>wants to he wants you to be in his band. Yes,

0:19:36.920 --> 0:19:40.560
<v Speaker 2>because of all the models, the money, Like, oh we're

0:19:40.640 --> 0:19:43.000
<v Speaker 2>good to go, man, we got we got all the

0:19:43.040 --> 0:19:43.960
<v Speaker 2>cash we need.

0:19:44.080 --> 0:19:45.840
<v Speaker 1>And then the other one in that category of rich

0:19:45.880 --> 0:19:47.639
<v Speaker 1>but not NEPO is Adam Levine.

0:19:48.480 --> 0:19:49.480
<v Speaker 2>I didn't know he was rich.

0:19:49.720 --> 0:19:53.399
<v Speaker 1>Yeah, his dad, fred founded the retail clothing chain M Frederick,

0:19:53.400 --> 0:19:55.800
<v Speaker 1>which became a successful boutique business southern California.

0:19:56.119 --> 0:19:56.959
<v Speaker 2>That a bunch of money.

0:19:57.200 --> 0:20:00.560
<v Speaker 1>There's a difference in rich and NEPO.

0:20:00.760 --> 0:20:04.480
<v Speaker 2>Absolutely. My only point with this is Stelle lefty, not NEPO,

0:20:04.640 --> 0:20:06.160
<v Speaker 2>not neo rich yep.

0:20:07.280 --> 0:20:11.439
<v Speaker 1>And also even in music, if you are pure NEPO

0:20:11.920 --> 0:20:14.560
<v Speaker 1>and rich, you still can't force it.

0:20:14.800 --> 0:20:18.160
<v Speaker 2>But I do understand. I understand why anyone would think like, oh,

0:20:18.200 --> 0:20:20.840
<v Speaker 2>that's a little unfair because it feels like it's unfair

0:20:20.880 --> 0:20:23.880
<v Speaker 2>because they have an advantage, they have a head start

0:20:23.920 --> 0:20:27.160
<v Speaker 2>above everyone else. But you know what, Life isn't fair, amen, brother,

0:20:29.119 --> 0:20:32.719
<v Speaker 2>Life is not fair, amen. And I'm not arguing that

0:20:32.880 --> 0:20:35.600
<v Speaker 2>it is not unfair that some people just generally in life.

0:20:35.640 --> 0:20:37.640
<v Speaker 2>I listen, I'd like to be an NBA basketball player,

0:20:37.680 --> 0:20:40.040
<v Speaker 2>but it's unfair that I'm not six foot ten. Correct,

0:20:40.640 --> 0:20:42.760
<v Speaker 2>it's unfair that I'm not Shaquille o'niel's son.

0:20:43.680 --> 0:20:44.920
<v Speaker 1>I would have thought I wanted to be Shack. You

0:20:44.960 --> 0:20:45.520
<v Speaker 1>want to be a son.

0:20:45.520 --> 0:20:47.479
<v Speaker 2>We have different goals and ask hey, what about like

0:20:47.560 --> 0:20:49.080
<v Speaker 2>athlete NEPO babies.

0:20:49.880 --> 0:20:52.360
<v Speaker 1>I don't really think a connection helps you there. Genetics

0:20:52.359 --> 0:20:55.480
<v Speaker 1>helps you a lot, big Ti and also imagine you're Steph, right,

0:20:55.520 --> 0:20:58.520
<v Speaker 1>and so neptizat didn't help Steph at all. But his

0:20:58.600 --> 0:21:02.119
<v Speaker 1>dad's Del Curry and he is around Gym's.

0:21:01.880 --> 0:21:04.040
<v Speaker 2>His whole life. Yeah, yeah, one.

0:21:03.960 --> 0:21:07.160
<v Speaker 1>He has a genetics. He works extremely hard, so we're

0:21:07.160 --> 0:21:09.960
<v Speaker 1>not questioning that. But you get to be around it

0:21:10.000 --> 0:21:11.640
<v Speaker 1>as a kid, to be around the best.

0:21:11.680 --> 0:21:13.600
<v Speaker 2>A good one is Patrick Mahomes two talks a lot

0:21:13.640 --> 0:21:16.120
<v Speaker 2>about you know, his dad was a bas for the Cubs. Yeah,

0:21:16.160 --> 0:21:19.600
<v Speaker 2>pitch for the Cubs, So locker rooms were normal to him.

0:21:19.920 --> 0:21:21.920
<v Speaker 1>You know where it It's in money, and if you're

0:21:21.920 --> 0:21:26.320
<v Speaker 1>a professional athlet you have money, Yeah, to have resources, materials.

0:21:26.640 --> 0:21:29.439
<v Speaker 2>You think about like your first time in professional sports

0:21:29.440 --> 0:21:31.520
<v Speaker 2>and you show up to the locker room and you're

0:21:31.520 --> 0:21:33.760
<v Speaker 2>just intimidated by what's going on there. Not of you

0:21:34.359 --> 0:21:36.199
<v Speaker 2>were raised there, not of you are, like, they're your

0:21:36.200 --> 0:21:38.879
<v Speaker 2>whole life, just like another day, no problem. Same with

0:21:38.960 --> 0:21:39.760
<v Speaker 2>King Griffey Junior.

0:21:40.240 --> 0:21:42.639
<v Speaker 1>Yeah, and his dad played together. They played in the

0:21:42.640 --> 0:21:46.119
<v Speaker 1>same outfield that's the Mariners. So I'm gonna look at

0:21:46.160 --> 0:21:50.679
<v Speaker 1>the camera and say this, stell Lefty is not someone

0:21:50.720 --> 0:21:53.800
<v Speaker 1>who is using nepotism to her advantage. Just because your

0:21:53.800 --> 0:21:58.200
<v Speaker 1>parents rich does not mean there's nepotism involved. You also

0:21:58.359 --> 0:22:02.000
<v Speaker 1>can't force somebody music to connect with folks.

0:22:02.520 --> 0:22:03.639
<v Speaker 2>Say whatever you want.

0:22:04.000 --> 0:22:06.920
<v Speaker 1>But all the people in my comments going nepo baby,

0:22:06.960 --> 0:22:10.280
<v Speaker 1>nepo baby, you're all morons. If you said rich kid,

0:22:10.640 --> 0:22:13.359
<v Speaker 1>fair enough, But there are so many rich kids in

0:22:13.520 --> 0:22:15.960
<v Speaker 1>music that are taking advantage of their parents being rich

0:22:16.080 --> 0:22:17.720
<v Speaker 1>that they move to town and try music. I ain't

0:22:17.720 --> 0:22:20.640
<v Speaker 1>seeing you comment on theirs. Hers just happens.

0:22:20.320 --> 0:22:21.000
<v Speaker 2>To be public.

0:22:21.760 --> 0:22:24.439
<v Speaker 1>Clip that, and clip that of me going, clip that,

0:22:24.720 --> 0:22:26.399
<v Speaker 1>and then clip that of me going, clip that of

0:22:26.440 --> 0:22:27.240
<v Speaker 1>me going clip that.

0:22:28.640 --> 0:22:31.520
<v Speaker 2>It never ends? Yes, of me, clip that. I have

0:22:31.560 --> 0:22:33.160
<v Speaker 2>a question, Yes, Brandon, all right.

0:22:33.280 --> 0:22:38.440
<v Speaker 4>So my grandma granny rest in peace. Yeah, no, Hey,

0:22:38.640 --> 0:22:41.959
<v Speaker 4>this has to do with the Quads. My granny was

0:22:42.280 --> 0:22:48.160
<v Speaker 4>Dennis and Randy Quaid's babysitter in Houston. Okay, So would

0:22:48.200 --> 0:22:52.520
<v Speaker 4>that in some way make me a nepo baby sitter?

0:22:54.440 --> 0:22:58.960
<v Speaker 1>Interesting if she ended up getting you into the career

0:22:59.000 --> 0:23:03.120
<v Speaker 1>of babysitting celebrity. Then she only was able to get

0:23:03.160 --> 0:23:05.600
<v Speaker 1>you that connection through her connections, you would have been

0:23:05.600 --> 0:23:06.560
<v Speaker 1>an ne bo babysitter.

0:23:06.640 --> 0:23:08.879
<v Speaker 2>That's correct. Yeah, dude, Yeah, it's a great question.

0:23:09.080 --> 0:23:11.880
<v Speaker 1>We appreciate you for not using that advantage though never

0:23:12.040 --> 0:23:14.480
<v Speaker 1>because you definitely could hang tight.

0:23:15.000 --> 0:23:19.600
<v Speaker 5>The Bobby Cast will be right back. This is the

0:23:19.640 --> 0:23:20.359
<v Speaker 5>Bobby Cast.

0:23:20.760 --> 0:23:22.760
<v Speaker 1>Let's talk about blue dot fever for a second. Something

0:23:22.760 --> 0:23:25.000
<v Speaker 1>we've talked about on the show. Basically, it just means

0:23:25.359 --> 0:23:27.880
<v Speaker 1>people aren't selling me tickets, and it's happening all over.

0:23:28.400 --> 0:23:32.760
<v Speaker 1>It's for a couple of reasons. Mostly it's the tickets

0:23:32.800 --> 0:23:34.200
<v Speaker 1>are way too expensive.

0:23:35.680 --> 0:23:36.040
<v Speaker 2>That's it.

0:23:36.119 --> 0:23:39.680
<v Speaker 1>I saw a chart of a Ludacris show. It was ludicrous,

0:23:39.720 --> 0:23:42.720
<v Speaker 1>Big X, the Plug and some others I think, and

0:23:42.760 --> 0:23:45.760
<v Speaker 1>this was an arena. It looked like forty tickets were sold.

0:23:46.080 --> 0:23:48.200
<v Speaker 1>Oh it was the bluest of blue dot that I've

0:23:48.200 --> 0:23:48.640
<v Speaker 1>ever seen.

0:23:48.680 --> 0:23:51.280
<v Speaker 2>Wow, So that sucked. Suck.

0:23:51.480 --> 0:23:54.879
<v Speaker 1>I saw Casey Musgrave's canceled a couple of shows and

0:23:54.920 --> 0:23:58.720
<v Speaker 1>they were the second shows on her tour, meaning she

0:23:58.800 --> 0:24:01.399
<v Speaker 1>did two in a city and she had to peel

0:24:01.400 --> 0:24:04.480
<v Speaker 1>some back. Got it, And they're not saying that's what

0:24:04.520 --> 0:24:06.679
<v Speaker 1>it is, but they're not not saying that's what it is.

0:24:07.520 --> 0:24:10.920
<v Speaker 1>But I kind of want to just say everybody struggling

0:24:10.960 --> 0:24:15.320
<v Speaker 1>selling tickets unless you're Morgan Wallen or Luke Comb's or

0:24:15.400 --> 0:24:19.160
<v Speaker 1>Zach Bryan. And I'm not just talking about country music.

0:24:19.840 --> 0:24:20.520
<v Speaker 1>Taylor Swift.

0:24:20.560 --> 0:24:24.159
<v Speaker 2>Taylor Swift's a good one that are doing these football stadiums.

0:24:25.000 --> 0:24:29.280
<v Speaker 1>It's really hard to sell a ticket. Yeah, everybody's out hustling.

0:24:30.160 --> 0:24:33.480
<v Speaker 1>Tickets have gotten so expensive, and not just the tickets,

0:24:33.600 --> 0:24:37.080
<v Speaker 1>the fees, and at times these promoters have it all

0:24:37.119 --> 0:24:40.120
<v Speaker 1>wrapped in as far as ticket prices, and.

0:24:40.040 --> 0:24:43.479
<v Speaker 2>Then you don't get me starting a dynamic ticket ticket pricing.

0:24:43.720 --> 0:24:46.080
<v Speaker 1>But the thing about that with Blue Dot is that

0:24:46.080 --> 0:24:48.440
<v Speaker 1>doesn't come into effect a lot because if tickets aren't selling,

0:24:48.480 --> 0:24:51.280
<v Speaker 1>prices don't go up. Because the dynamic part is if

0:24:51.680 --> 0:24:54.800
<v Speaker 1>everything sells, it's like buying a flight. If the plane's

0:24:54.800 --> 0:24:56.960
<v Speaker 1>almost empty, those last few seats are pretty expensive.

0:24:57.160 --> 0:24:59.320
<v Speaker 2>So what's up with the scalpers? Are the scalpers not

0:24:59.359 --> 0:25:01.640
<v Speaker 2>even buying? The economy is bad for everybody? Body? Wow,

0:25:01.760 --> 0:25:04.960
<v Speaker 2>Even discovers like I can't do it, even the scalpers. Wow.

0:25:05.320 --> 0:25:08.480
<v Speaker 1>Garth is selling out shows and he does his completely

0:25:08.480 --> 0:25:10.960
<v Speaker 1>different First of all, he priced every ticket the same,

0:25:11.000 --> 0:25:13.200
<v Speaker 1>at like one hundred and fifty bucks a plane.

0:25:13.640 --> 0:25:15.000
<v Speaker 2>I mean, which is a lot for a ticket.

0:25:15.040 --> 0:25:18.000
<v Speaker 1>It's a lot just generally speaking, and maybe we're just

0:25:18.040 --> 0:25:20.480
<v Speaker 1>comparing it to when we were younger, but it's a

0:25:20.560 --> 0:25:23.080
<v Speaker 1>lot for a ticket. However, it's not for a massive

0:25:23.119 --> 0:25:26.199
<v Speaker 1>act and he's playing arenas. And what Garth does that

0:25:26.280 --> 0:25:28.879
<v Speaker 1>I love is that he'll just announce one show, you

0:25:28.960 --> 0:25:30.880
<v Speaker 1>know it's going to sell out in seconds, and then

0:25:30.880 --> 0:25:32.320
<v Speaker 1>he'll go second.

0:25:31.960 --> 0:25:34.760
<v Speaker 2>Show and everyone gets there. It sells out of.

0:25:34.800 --> 0:25:38.800
<v Speaker 1>Seconds, third show, and one city at a time.

0:25:38.680 --> 0:25:40.800
<v Speaker 2>Even though he probably planned three nights.

0:25:40.640 --> 0:25:44.040
<v Speaker 1>For sure, but again only one city at a time too.

0:25:44.040 --> 0:25:46.960
<v Speaker 1>It's not a full here's every city we're doing. I

0:25:47.000 --> 0:25:48.679
<v Speaker 1>love how Garth does that. And I like that all

0:25:48.720 --> 0:25:50.760
<v Speaker 1>the tickets are one price. I don't think there are

0:25:51.200 --> 0:25:53.640
<v Speaker 1>the fees are on there, but a lot of these promoters,

0:25:54.080 --> 0:25:55.560
<v Speaker 1>I should say, I don't think that there are fees

0:25:55.560 --> 0:25:57.479
<v Speaker 1>added to that. I think that's all in a lot

0:25:57.480 --> 0:26:00.400
<v Speaker 1>of these promoters. Though they own the parking, they own them. Yes,

0:26:00.680 --> 0:26:02.920
<v Speaker 1>they want the ticket price, they have it all, Yeah,

0:26:03.920 --> 0:26:06.520
<v Speaker 1>so they can kind of dictate what everybody's paying. But

0:26:06.560 --> 0:26:08.720
<v Speaker 1>I think this blue Dot fever is mostly because people

0:26:08.720 --> 0:26:11.080
<v Speaker 1>are exhausted of expensive concerts.

0:26:11.119 --> 0:26:12.720
<v Speaker 2>I mean, it's just a weird time right now with

0:26:12.800 --> 0:26:15.639
<v Speaker 2>people on their money. Like I know that even in

0:26:15.800 --> 0:26:19.320
<v Speaker 2>my family, we have to think twice sometimes talk about

0:26:19.359 --> 0:26:21.720
<v Speaker 2>it three four times before we even think about going

0:26:21.800 --> 0:26:24.320
<v Speaker 2>to go see The Odyssey. And I'm ax, like, do

0:26:24.920 --> 0:26:26.320
<v Speaker 2>we want to pay that much to go see a

0:26:26.400 --> 0:26:27.440
<v Speaker 2>movie in a movie theater?

0:26:27.640 --> 0:26:29.720
<v Speaker 1>You do have Swiss family Robinson for a family though,

0:26:30.320 --> 0:26:31.159
<v Speaker 1>do you get the reference?

0:26:31.280 --> 0:26:32.639
<v Speaker 2>No, but I have lots of kids. Hey, let me

0:26:32.680 --> 0:26:36.520
<v Speaker 2>do a different reference. You do have Johnny K plus eight. Yeah,

0:26:36.680 --> 0:26:39.800
<v Speaker 2>I got that one. Yeah, dude, that's awesome. We have

0:26:39.920 --> 0:26:43.720
<v Speaker 2>to think about it. A good example was Bruno Mars

0:26:43.800 --> 0:26:47.040
<v Speaker 2>coming too Nashville, right football Stadium, by the way, football Stadium,

0:26:47.640 --> 0:26:50.320
<v Speaker 2>and the whole family wants to go. Even my wife's like, hey,

0:26:50.440 --> 0:26:54.399
<v Speaker 2>everybody wants to go. Did you know we looked at

0:26:54.480 --> 0:26:56.560
<v Speaker 2>prices where like, there's just no way that we can

0:26:56.680 --> 0:26:59.480
<v Speaker 2>do that six of us going to a concert. You

0:26:59.520 --> 0:27:00.239
<v Speaker 2>would think two.

0:27:00.960 --> 0:27:04.200
<v Speaker 1>With the seating in a football stadium, there would be

0:27:04.320 --> 0:27:06.480
<v Speaker 1>some seats that would be really cheap, but there were

0:27:06.560 --> 0:27:07.160
<v Speaker 1>not really.

0:27:07.359 --> 0:27:11.080
<v Speaker 2>Yeah, that's crazy. Yeah, and it's just that time, and

0:27:11.119 --> 0:27:13.920
<v Speaker 2>I feel for artists that are trying to, you know,

0:27:14.240 --> 0:27:16.160
<v Speaker 2>make money right now, it's a weird time.

0:27:16.640 --> 0:27:18.560
<v Speaker 1>Post Malone and Jelly Roll had to cut a lot

0:27:18.600 --> 0:27:20.960
<v Speaker 1>of those early shows because they weren't selling as well

0:27:21.000 --> 0:27:23.320
<v Speaker 1>as they had hoped they would. And then there are

0:27:23.440 --> 0:27:25.399
<v Speaker 1>shows and I had heard that it was Post Malone

0:27:25.400 --> 0:27:27.040
<v Speaker 1>and Jelly Roll, but I don't know this for sure.

0:27:27.240 --> 0:27:31.199
<v Speaker 1>They have a thing called papering, where if shows are

0:27:31.359 --> 0:27:35.160
<v Speaker 1>selling well enough to not cancel, but they're not selling

0:27:35.280 --> 0:27:37.440
<v Speaker 1>so much that it doesn't look weird, they'll just start

0:27:38.200 --> 0:27:40.560
<v Speaker 1>giving out tons and tons of tickets to get people there,

0:27:40.880 --> 0:27:44.920
<v Speaker 1>so then it's still selling a little and there'll still.

0:27:44.720 --> 0:27:46.119
<v Speaker 2>Be a lot of people there because they're giving out

0:27:46.119 --> 0:27:48.399
<v Speaker 2>the free tickets. That's my theory with the NFL games

0:27:48.440 --> 0:27:52.800
<v Speaker 2>that overseas know they paper them, they start giving tickets

0:27:52.800 --> 0:27:54.480
<v Speaker 2>out all over town, all over London.

0:27:55.040 --> 0:27:57.720
<v Speaker 1>I think it'd be kind of fun if Yeah, you're

0:27:57.720 --> 0:27:59.159
<v Speaker 1>probably right, though I don't know.

0:27:59.320 --> 0:28:01.840
<v Speaker 2>It just feels like, Wow, that's a lot of football

0:28:01.880 --> 0:28:04.000
<v Speaker 2>fans in London, But are there really a lot of

0:28:04.040 --> 0:28:04.880
<v Speaker 2>football fans in London?

0:28:04.920 --> 0:28:06.800
<v Speaker 1>I feel like they just passed out jerseys outside the

0:28:06.800 --> 0:28:10.440
<v Speaker 1>stadium because they're wearing every team jersey like the Vikings.

0:28:10.560 --> 0:28:13.000
<v Speaker 2>They ain't playing right. Why the fifth of these people

0:28:13.040 --> 0:28:16.560
<v Speaker 2>were in Vikings jerseys. Megan Maroney had to end a

0:28:16.600 --> 0:28:19.760
<v Speaker 2>show earlier this week three songs in, oh, three songs in.

0:28:20.320 --> 0:28:23.399
<v Speaker 1>So she was playing in Denver. She got three songs in.

0:28:23.520 --> 0:28:25.119
<v Speaker 1>She told the crowd she could not give them the

0:28:25.119 --> 0:28:28.400
<v Speaker 1>show they deserve. She posted on her Instagram hours later

0:28:28.480 --> 0:28:32.280
<v Speaker 1>apologizing rescheduled the date, which is what's nice about it

0:28:32.400 --> 0:28:33.960
<v Speaker 1>is it's pretty close. Sometimes they do this and they

0:28:34.000 --> 0:28:36.560
<v Speaker 1>can't get back in the Yeah venue, so sometimes it's

0:28:36.560 --> 0:28:39.960
<v Speaker 1>a year out. But the rescheduled dates. August twenty seventh,

0:28:40.480 --> 0:28:42.400
<v Speaker 1>she wrote, this was the hardest decision ever had to make.

0:28:42.480 --> 0:28:44.360
<v Speaker 1>I'm quite literally bawling my eyes out in the dressing

0:28:44.440 --> 0:28:46.480
<v Speaker 1>room and it hurts me so much, disappoint you all.

0:28:46.800 --> 0:28:48.960
<v Speaker 2>I've never had to do this, and I'm truly so sorry.

0:28:49.960 --> 0:28:52.520
<v Speaker 1>It was tough to watch because there's that decision and

0:28:52.560 --> 0:28:53.840
<v Speaker 1>I've had to do it when doing stand up.

0:28:53.880 --> 0:28:54.720
<v Speaker 2>Where you're going.

0:28:56.120 --> 0:28:59.040
<v Speaker 1>One, can I get through a whole show? But can

0:28:59.040 --> 0:29:00.960
<v Speaker 1>I also get through a whole show show? And the

0:29:01.080 --> 0:29:03.720
<v Speaker 1>people out there don't think that they wasted all their money,

0:29:04.320 --> 0:29:07.160
<v Speaker 1>and you don't want to cancel because they just got babysitters.

0:29:07.440 --> 0:29:10.959
<v Speaker 1>They just sometimes drove in for two three hours. Sometimes

0:29:11.000 --> 0:29:13.400
<v Speaker 1>they got a hotel room. And if you do have

0:29:13.520 --> 0:29:16.719
<v Speaker 1>to reschedule, they just lost that money. Yeah, and then

0:29:16.760 --> 0:29:18.239
<v Speaker 1>you lost the money because you had to get there.

0:29:18.320 --> 0:29:19.880
<v Speaker 1>You have to pay for all your travel to get there,

0:29:20.560 --> 0:29:21.840
<v Speaker 1>and then you have to weigh it. And I think

0:29:21.920 --> 0:29:26.400
<v Speaker 1>she probably waited, thought she could do it, got out there,

0:29:26.520 --> 0:29:27.280
<v Speaker 1>and I'll say this.

0:29:27.680 --> 0:29:29.800
<v Speaker 2>I tipped the all hat to her. This is a tattip.

0:29:30.640 --> 0:29:32.760
<v Speaker 2>I don't know have a hat tip of Cas goes perfect.

0:29:33.000 --> 0:29:35.840
<v Speaker 2>That she got a few songs in and didn't just go,

0:29:36.760 --> 0:29:38.000
<v Speaker 2>let's just fight through it.

0:29:39.640 --> 0:29:42.160
<v Speaker 1>And count this as a check mark show that she

0:29:42.200 --> 0:29:44.600
<v Speaker 1>said we'll come back because she lost money doing that.

0:29:44.720 --> 0:29:50.240
<v Speaker 2>Dude, it is so unfair to just try to make

0:29:50.400 --> 0:29:52.800
<v Speaker 2>it healthy with every single show. I mean, how many

0:29:52.840 --> 0:29:54.720
<v Speaker 2>shows did they play a year? They play so many

0:29:54.800 --> 0:29:58.360
<v Speaker 2>shows and you have that one show where you're I'm

0:29:58.400 --> 0:30:01.200
<v Speaker 2>just not feeling good. You have no choice in the matter.

0:30:01.600 --> 0:30:04.680
<v Speaker 2>Your voice just isn't there. And I love that she

0:30:04.840 --> 0:30:06.840
<v Speaker 2>tried to do it. She tried to do three songs

0:30:06.880 --> 0:30:09.200
<v Speaker 2>and try to, you know, fight it out, but what

0:30:09.320 --> 0:30:11.440
<v Speaker 2>can you do. It's so not fair and it's unfortunate

0:30:11.560 --> 0:30:12.560
<v Speaker 2>for everyone involved.

0:30:12.840 --> 0:30:17.320
<v Speaker 1>Why I was so unselfish of her is that she

0:30:17.480 --> 0:30:20.120
<v Speaker 1>could have canceled the show right before. She could have

0:30:20.160 --> 0:30:23.320
<v Speaker 1>gone yeah, and everybody would have gone home and people

0:30:23.320 --> 0:30:25.640
<v Speaker 1>would have lost some money, like we talked about babysitter hotels,

0:30:25.680 --> 0:30:29.360
<v Speaker 1>et cetera. She thought maybe I can pull it off.

0:30:29.840 --> 0:30:33.720
<v Speaker 1>She tried, and it's the same thing. Had she canceled,

0:30:33.760 --> 0:30:35.160
<v Speaker 1>they're still going to get to come another show. And

0:30:35.200 --> 0:30:37.320
<v Speaker 1>they got to watch three songs and watch her like

0:30:37.480 --> 0:30:38.480
<v Speaker 1>that's better than nothing.

0:30:38.520 --> 0:30:39.840
<v Speaker 2>They got to see her at least, and.

0:30:39.880 --> 0:30:42.040
<v Speaker 1>It's not better than nothing, as if that's all they got.

0:30:42.160 --> 0:30:44.720
<v Speaker 1>They're going to get another show. Yeah, and you just

0:30:44.920 --> 0:30:46.680
<v Speaker 1>saw that she wanted to try to make it work.

0:30:47.440 --> 0:30:50.600
<v Speaker 2>Do people get their refund? Like if they decide they

0:30:50.640 --> 0:30:53.320
<v Speaker 2>can't make it when she comes back around, can you

0:30:53.400 --> 0:30:55.479
<v Speaker 2>just get a full refund for that show? It depends.

0:30:56.080 --> 0:30:58.120
<v Speaker 1>It'd be nice if they all were like that. So

0:30:58.440 --> 0:31:01.760
<v Speaker 1>some artists will release refund that's really the kind of

0:31:01.800 --> 0:31:05.280
<v Speaker 1>integrity thing to do. Some will go refund at point

0:31:05.320 --> 0:31:07.160
<v Speaker 1>of purchase, so you go to wherever you bought it,

0:31:07.320 --> 0:31:10.880
<v Speaker 1>get your refund. Some just go we're gonna issue tickets

0:31:10.960 --> 0:31:13.880
<v Speaker 1>for a later date, which means they're gonna all the

0:31:13.960 --> 0:31:16.160
<v Speaker 1>money stays with them. Yeah, and they're just gonna give

0:31:16.160 --> 0:31:17.000
<v Speaker 1>you tickets for a different date.

0:31:17.040 --> 0:31:18.800
<v Speaker 2>Then you figure it out and sell the tickets or not.

0:31:18.920 --> 0:31:21.680
<v Speaker 2>You can go wherever. Some will do either, which is nice.

0:31:21.760 --> 0:31:25.040
<v Speaker 1>Okay, get your tickets, but if you can't come, get

0:31:25.080 --> 0:31:26.640
<v Speaker 1>a refund and we'll resell those tickets.

0:31:27.080 --> 0:31:28.840
<v Speaker 2>Man. I remember there was a show we didn't know Passo,

0:31:28.880 --> 0:31:31.760
<v Speaker 2>I remember, and I was having some stomach issues and

0:31:31.880 --> 0:31:33.480
<v Speaker 2>I was like, I don't know if we should do this.

0:31:34.160 --> 0:31:35.480
<v Speaker 2>But then we went out and then I had to

0:31:35.600 --> 0:31:39.440
<v Speaker 2>go to the bathroom mid show, and I told you,

0:31:39.680 --> 0:31:41.680
<v Speaker 2>but we didn't tell the rest of the band. And

0:31:41.800 --> 0:31:43.640
<v Speaker 2>then I was like, dude, don't tell anyone, but I'm

0:31:43.640 --> 0:31:46.080
<v Speaker 2>going to go use the bathroom. So you guys kept playing,

0:31:46.560 --> 0:31:47.880
<v Speaker 2>and then somewhere in the middle, when I was in

0:31:47.880 --> 0:31:49.640
<v Speaker 2>the bathroom, I heard you saying, guys, you know where

0:31:49.640 --> 0:31:52.720
<v Speaker 2>read he is. He's in the bathroom pooping. Oh man,

0:31:52.720 --> 0:31:55.440
<v Speaker 2>I'm sorry you told everyone. I don't like that version

0:31:55.480 --> 0:31:58.040
<v Speaker 2>of me. And then I had to come out and

0:31:58.080 --> 0:32:00.840
<v Speaker 2>be like, I'm back. Guys do not like that version

0:32:00.920 --> 0:32:02.680
<v Speaker 2>of me, and I'd like to apologize.

0:32:03.240 --> 0:32:07.400
<v Speaker 1>So problem man, celebrities that are overexposed right now?

0:32:07.800 --> 0:32:13.240
<v Speaker 2>Ooh, So I have a list of three for sures

0:32:13.440 --> 0:32:14.160
<v Speaker 2>in my opinion.

0:32:14.680 --> 0:32:16.479
<v Speaker 1>But before I give you my three, I wonder who

0:32:16.520 --> 0:32:19.080
<v Speaker 1>comes to mind for you if I said overexposed celebrity.

0:32:19.280 --> 0:32:21.040
<v Speaker 1>Now what you guys don't know if you're listening or watching.

0:32:21.120 --> 0:32:22.719
<v Speaker 1>Eddie has no idea what I'm gonna toss at him.

0:32:22.720 --> 0:32:23.360
<v Speaker 2>I have no idea.

0:32:23.400 --> 0:32:25.920
<v Speaker 1>So he didn't have time to plan for this, and

0:32:26.000 --> 0:32:27.640
<v Speaker 1>mostly it wasn't because we didn't have a meeting, but

0:32:27.920 --> 0:32:30.040
<v Speaker 1>Eddie was editing videos for a different thing right until

0:32:30.080 --> 0:32:31.400
<v Speaker 1>five seconds before we started.

0:32:31.120 --> 0:32:32.680
<v Speaker 2>This, and we never have meetings, and we never have

0:32:32.760 --> 0:32:35.360
<v Speaker 2>meetings with the Medieah yeah, yeah, uh dude, funny. The

0:32:35.400 --> 0:32:37.240
<v Speaker 2>first thing that comes to mind, the first name is

0:32:37.320 --> 0:32:41.000
<v Speaker 2>Timothy Shallamy. He didn't make my list, but I can

0:32:41.080 --> 0:32:43.000
<v Speaker 2>hear you go ahead to me. It's just like he

0:32:43.280 --> 0:32:45.840
<v Speaker 2>is everywhere and I'm a little tired of seeing him

0:32:46.720 --> 0:32:49.600
<v Speaker 2>and it's not fair to him. But like I think

0:32:49.720 --> 0:32:52.160
<v Speaker 2>the best of the NBA Championships Finals had something.

0:32:52.040 --> 0:32:52.400
<v Speaker 1>To do with it.

0:32:52.640 --> 0:32:54.360
<v Speaker 2>Oh, Wow, I didn't think about that. He was at

0:32:54.360 --> 0:32:56.600
<v Speaker 2>every single game. Then you get on TikTok and he's

0:32:57.080 --> 0:32:59.440
<v Speaker 2>all over TikTok, you know, because people are taking pictures

0:32:59.480 --> 0:33:03.960
<v Speaker 2>with him or vide It's not fair, but he is everywhere. Yeah,

0:33:04.000 --> 0:33:05.120
<v Speaker 2>I guess over exposure.

0:33:05.160 --> 0:33:06.720
<v Speaker 1>For you to feel that someone is, you kind of

0:33:06.760 --> 0:33:09.520
<v Speaker 1>have to be annoyed by them, because if you just

0:33:09.720 --> 0:33:12.040
<v Speaker 1>like someone and they're out there a lot, that's just

0:33:12.120 --> 0:33:13.080
<v Speaker 1>someone being out there a lot.

0:33:13.160 --> 0:33:13.360
<v Speaker 2>Yeah.

0:33:13.520 --> 0:33:17.400
<v Speaker 1>I guess I'm not annoyed by him. But also, you're

0:33:17.480 --> 0:33:20.320
<v Speaker 1>a Spurs fan, and I think that affected how you

0:33:20.400 --> 0:33:22.560
<v Speaker 1>feel about him because he's a Knicks fan.

0:33:22.800 --> 0:33:24.960
<v Speaker 2>Yeah. I would put Ben Still in all that too. Yeah.

0:33:25.040 --> 0:33:27.080
<v Speaker 1>Yeah, I was wondering why you're affected by Timothy Chellam.

0:33:27.480 --> 0:33:29.840
<v Speaker 2>I got it. Now you're okay, Spike leagu get out

0:33:29.880 --> 0:33:33.280
<v Speaker 2>of here. You're Spurs fans. I got it. Uh.

0:33:34.040 --> 0:33:37.880
<v Speaker 1>When he was doing the Marty Supreme promotion, he was

0:33:37.960 --> 0:33:40.880
<v Speaker 1>doing a lot of podcasts, like sports podcasts, and he

0:33:41.000 --> 0:33:44.160
<v Speaker 1>was making the rounds. That was cool because he's an

0:33:44.480 --> 0:33:47.000
<v Speaker 1>A list star. He is, but I could see if

0:33:47.040 --> 0:33:49.320
<v Speaker 1>you didn't like him for a reason. We found your reason.

0:33:50.520 --> 0:33:53.640
<v Speaker 2>The nick that could be considered overexposure. I'll accept it.

0:33:54.080 --> 0:33:55.960
<v Speaker 2>I don't feel the same way, but I accept it.

0:33:57.120 --> 0:33:59.360
<v Speaker 2>Another one to me is I'll do two in one

0:33:59.480 --> 0:34:02.880
<v Speaker 2>is Taylor Travis. So I have Travis Kelsey down, not Taylor,

0:34:03.000 --> 0:34:03.479
<v Speaker 2>just Travis.

0:34:04.320 --> 0:34:06.560
<v Speaker 1>I think Taylor is beyond being overexposed.

0:34:07.640 --> 0:34:08.719
<v Speaker 2>She lives overexposed.

0:34:08.760 --> 0:34:11.520
<v Speaker 1>I think Taylor is just so famous that even if

0:34:11.600 --> 0:34:14.480
<v Speaker 1>she hit out for three months, hers, something about her

0:34:14.520 --> 0:34:16.239
<v Speaker 1>would still be existing everywhere all the time.

0:34:17.040 --> 0:34:18.560
<v Speaker 2>I think she has became.

0:34:18.920 --> 0:34:23.640
<v Speaker 1>She's gone from exposed to overexposed.

0:34:23.280 --> 0:34:28.520
<v Speaker 2>To she just exists. And if you don't like it,

0:34:29.160 --> 0:34:33.439
<v Speaker 2>sucks for you. She's Taylor Swift yep. But Travis Kelcey

0:34:33.480 --> 0:34:37.759
<v Speaker 2>for sure. Okay, that's a good one. And again it's

0:34:37.840 --> 0:34:38.520
<v Speaker 2>not his fault.

0:34:38.600 --> 0:34:38.960
<v Speaker 1>But like.

0:34:40.600 --> 0:34:42.760
<v Speaker 2>He just married Taylor Swift. I mean, look at his shirts.

0:34:45.400 --> 0:34:48.240
<v Speaker 2>He is living his best life. He hit the jackpot.

0:34:49.200 --> 0:34:51.799
<v Speaker 1>He wanted to be famous, he had a reality show,

0:34:52.080 --> 0:34:55.560
<v Speaker 1>he did a dating reality show himself, he did. His

0:34:55.760 --> 0:34:57.960
<v Speaker 1>goal was to be famous, not just to do sports,

0:34:57.960 --> 0:35:02.200
<v Speaker 1>but and he hit the jackpot with that, and God

0:35:02.280 --> 0:35:02.759
<v Speaker 1>bless him.

0:35:03.440 --> 0:35:09.600
<v Speaker 2>Definitely overexposed, though, Uh, I'm gonna do another athlete, Tom Brady. Oh, now,

0:35:10.200 --> 0:35:12.600
<v Speaker 2>Tom Brady That's a great point because Tom Brady is

0:35:12.640 --> 0:35:14.960
<v Speaker 2>starting to not be the.

0:35:15.000 --> 0:35:18.160
<v Speaker 1>Guy we hold up to go, this is the greatest quarterback,

0:35:18.280 --> 0:35:21.880
<v Speaker 1>greatest competitor, are super champion. Now it's here's the guy

0:35:21.920 --> 0:35:22.920
<v Speaker 1>who won the most super Bowls.

0:35:23.840 --> 0:35:25.560
<v Speaker 2>But a little bit of the douchebag. Yeah, what's what?

0:35:26.200 --> 0:35:27.920
<v Speaker 2>Did he just punch that guy? Or push it?

0:35:27.960 --> 0:35:28.320
<v Speaker 3>What did he do?

0:35:28.480 --> 0:35:31.120
<v Speaker 2>Do you push logan for? Uh? Yeah, but it does

0:35:31.200 --> 0:35:34.000
<v Speaker 2>fake I understand. But it's just like one of those

0:35:34.000 --> 0:35:36.120
<v Speaker 2>things like what is Tom It's almost every time I

0:35:36.160 --> 0:35:37.879
<v Speaker 2>see Tom Brady on my social media, it's like, what's

0:35:37.920 --> 0:35:38.279
<v Speaker 2>he doing?

0:35:38.560 --> 0:35:38.600
<v Speaker 4>Like?

0:35:38.800 --> 0:35:40.560
<v Speaker 1>And the thing is he's not really a douchebag, but

0:35:40.719 --> 0:35:43.040
<v Speaker 1>we have kind of a boner against him because he's

0:35:43.040 --> 0:35:45.800
<v Speaker 1>so good looking. Okay, yeah, there's just a lot of

0:35:45.960 --> 0:35:49.440
<v Speaker 1>great Yeah he's had it all rich, but he was

0:35:49.600 --> 0:35:50.680
<v Speaker 1>quiet for a long time.

0:35:50.719 --> 0:35:53.680
<v Speaker 2>Oh he did was play football, I know, championship.

0:35:53.239 --> 0:35:56.719
<v Speaker 1>Because there was mystery surrounding him that elevated him even more.

0:35:57.000 --> 0:35:59.480
<v Speaker 2>That's why I think there is so much power to mystery.

0:36:00.040 --> 0:36:00.680
<v Speaker 2>Only if you're so.

0:36:00.840 --> 0:36:03.920
<v Speaker 1>Good, though, because if you're not the most elite and

0:36:04.000 --> 0:36:06.480
<v Speaker 1>you're mysterious, you're not mysterious because nobody cares.

0:36:06.719 --> 0:36:09.480
<v Speaker 2>You're just kin heard of. Okay, I see that, But

0:36:09.600 --> 0:36:12.440
<v Speaker 2>like Johnny Depp, we don't know much weird, but we

0:36:12.480 --> 0:36:13.560
<v Speaker 2>don't know much about him.

0:36:13.800 --> 0:36:17.719
<v Speaker 1>Okay, but he also is so a list that you

0:36:17.800 --> 0:36:20.160
<v Speaker 1>can be mysterious. But I don't know he's so weird.

0:36:20.239 --> 0:36:25.640
<v Speaker 2>I don't know. Did you watch the his his trial? No, dude,

0:36:25.680 --> 0:36:28.160
<v Speaker 2>that was awesome. No, because that was the first time

0:36:28.200 --> 0:36:30.480
<v Speaker 2>I felt like, oh, okay, we weren't watching him make

0:36:30.520 --> 0:36:32.959
<v Speaker 2>a movie, we weren't watching him act. We were watching

0:36:33.000 --> 0:36:35.480
<v Speaker 2>him just be Johnny Depp, and he was still like

0:36:35.600 --> 0:36:38.240
<v Speaker 2>he was acting. Was he weird? Oh? Dude, it was awesome.

0:36:38.280 --> 0:36:42.040
<v Speaker 2>He's like, so I drank how much wine do I drink?

0:36:42.800 --> 0:36:45.360
<v Speaker 2>I drink a lot of wine? Like he was just

0:36:45.640 --> 0:36:47.800
<v Speaker 2>it was almost like he was playing another character. So

0:36:48.120 --> 0:36:50.640
<v Speaker 2>but to that point, we still don't know who he is.

0:36:51.160 --> 0:36:53.200
<v Speaker 2>I feel like I know who he is weird. Keanu

0:36:53.280 --> 0:36:55.560
<v Speaker 2>Reeves do you know who he is? Awesome? Dude? No,

0:36:56.760 --> 0:36:58.880
<v Speaker 2>just a kind guy who does movies I like. And

0:36:59.000 --> 0:37:02.359
<v Speaker 2>he's kind of overly exposed because he's all over the place.

0:37:02.440 --> 0:37:05.200
<v Speaker 2>Do you feel like Keano's overexposed? I think people expose him. Yeah,

0:37:05.239 --> 0:37:07.319
<v Speaker 2>they take pictures of him like feeding a homeless man.

0:37:07.440 --> 0:37:09.920
<v Speaker 2>Or is that overexposed when people find you doing good

0:37:09.960 --> 0:37:12.600
<v Speaker 2>stuff and you're not purposefully out Because there is that,

0:37:12.760 --> 0:37:15.240
<v Speaker 2>there's the Keano memes and the Keanu is the greatest

0:37:15.280 --> 0:37:17.480
<v Speaker 2>guy ever. He's like helping someone jumps out of a car,

0:37:18.000 --> 0:37:21.040
<v Speaker 2>but he's not out purposefully doing that, right, He's not

0:37:21.160 --> 0:37:22.840
<v Speaker 2>giving mouth to mouth to the old person with the

0:37:22.880 --> 0:37:25.200
<v Speaker 2>PR team watching. He's doing it because he's saving an

0:37:25.239 --> 0:37:29.680
<v Speaker 2>old guy. So do you think Travis Kelcey is purposely pring? Yeah?

0:37:29.680 --> 0:37:32.520
<v Speaker 2>Of course he's not just going at doing game shows.

0:37:33.040 --> 0:37:35.680
<v Speaker 2>He's Adam Sandler. He's doing it.

0:37:35.920 --> 0:37:38.960
<v Speaker 1>Also, his podcast doesn't help him because it's very popular

0:37:39.000 --> 0:37:44.680
<v Speaker 1>and successful. Like sometimes overexposure is not negative or because

0:37:44.680 --> 0:37:46.600
<v Speaker 1>you're doing something bad. It could be because you're doing something.

0:37:46.520 --> 0:37:49.520
<v Speaker 2>So good that you're everywhere. To that point, you brought

0:37:49.600 --> 0:37:52.400
<v Speaker 2>up Adam Sandler. Uh did you see did you hear

0:37:52.520 --> 0:37:55.279
<v Speaker 2>the video? The call that he called nine one one

0:37:55.320 --> 0:37:55.600
<v Speaker 2>at or.

0:37:55.719 --> 0:37:59.279
<v Speaker 1>Was four to one one was a non emergency line

0:37:59.320 --> 0:38:01.040
<v Speaker 1>looking for a bastball court is real?

0:38:01.239 --> 0:38:03.239
<v Speaker 2>Yeah? I think so. And he called.

0:38:05.160 --> 0:38:08.560
<v Speaker 1>We will not slander Adam Sandler. We will not slander

0:38:08.920 --> 0:38:09.560
<v Speaker 1>Adam Sandler.

0:38:09.600 --> 0:38:11.920
<v Speaker 2>I'm asking you a question. So you heard the audio,

0:38:12.960 --> 0:38:15.120
<v Speaker 2>so you could just call the non emergency line and

0:38:15.239 --> 0:38:17.319
<v Speaker 2>ask like, is there a place to the ball here?

0:38:17.560 --> 0:38:19.960
<v Speaker 2>Like I like to play basketball? I believe.

0:38:20.040 --> 0:38:22.319
<v Speaker 1>So it's not an emergency and you're asking something about

0:38:22.360 --> 0:38:25.080
<v Speaker 1>the functionality of the city. I think that's exactly what

0:38:25.160 --> 0:38:25.560
<v Speaker 1>he was doing.

0:38:25.640 --> 0:38:28.480
<v Speaker 2>And you're not doing that to get attention, because you

0:38:28.520 --> 0:38:31.280
<v Speaker 2>could just google city parks with basketball hoops.

0:38:33.600 --> 0:38:34.800
<v Speaker 1>I don't think I have a good answer to that,

0:38:34.840 --> 0:38:36.839
<v Speaker 1>because I think i'd probably google it first, and maybe

0:38:36.880 --> 0:38:37.920
<v Speaker 1>he did so.

0:38:38.040 --> 0:38:41.080
<v Speaker 2>Then he just went to the non emergency line and

0:38:41.239 --> 0:38:44.440
<v Speaker 2>talk to a human. Yeah, okay, I thought that was interesting.

0:38:44.480 --> 0:38:46.080
<v Speaker 1>Cird you would hang on to that as a negative

0:38:46.719 --> 0:38:47.160
<v Speaker 1>dang hater.

0:38:47.360 --> 0:38:50.239
<v Speaker 2>It was surprising to me that he had called an

0:38:50.280 --> 0:38:53.200
<v Speaker 2>operator to Did he say I was Adam Sandler? Did

0:38:53.239 --> 0:38:54.640
<v Speaker 2>he say that? I don't think he said he was

0:38:54.680 --> 0:38:56.560
<v Speaker 2>Adam Sandler, but I don't remember. You could just tell

0:38:56.640 --> 0:39:02.000
<v Speaker 2>from the way I want to. Do you think Adam

0:39:02.040 --> 0:39:04.759
<v Speaker 2>Sandler's overexposed? Yes? Oh I do. I love him so much.

0:39:05.719 --> 0:39:07.480
<v Speaker 2>I love him so much. I don't you can't for me.

0:39:07.520 --> 0:39:09.880
<v Speaker 2>I don't have any negative so, and does he does

0:39:09.960 --> 0:39:13.160
<v Speaker 2>he really play that much pickup and with colored shirts,

0:39:13.160 --> 0:39:15.880
<v Speaker 2>because he's ever with collar shirts and long shorts. I

0:39:16.040 --> 0:39:18.279
<v Speaker 2>only know that because I just hear people say that

0:39:18.840 --> 0:39:21.759
<v Speaker 2>and do interviews where they go Adam Sandler plays basketball

0:39:21.920 --> 0:39:24.280
<v Speaker 2>all the time. And I don't hate on Adam Sandler.

0:39:24.280 --> 0:39:26.360
<v Speaker 2>I really like Adam Sandler. It's just funny to me

0:39:26.520 --> 0:39:29.360
<v Speaker 2>that he's kind of everywhere playing basketball in public.

0:39:29.960 --> 0:39:32.520
<v Speaker 1>So other three I had Travis Kelsey here. The other

0:39:32.560 --> 0:39:34.400
<v Speaker 1>two that I had Sidney Sweeney.

0:39:35.800 --> 0:39:39.120
<v Speaker 2>Yeah, yeah, I mean I don't know. Is she overexposed

0:39:39.200 --> 0:39:43.480
<v Speaker 2>or just working a lot? A fine line? Okay, sure,

0:39:43.520 --> 0:39:45.640
<v Speaker 2>So what do you think about that? I do see

0:39:45.640 --> 0:39:49.520
<v Speaker 2>her everywhere and then she's is she with Scooter Braun?

0:39:50.160 --> 0:39:52.680
<v Speaker 2>That kind of helps a little bit with the overexposure

0:39:53.800 --> 0:39:57.120
<v Speaker 2>and never TMS's covering your every move fat Yeah. But

0:39:57.400 --> 0:39:58.880
<v Speaker 2>other than that, I kind of feel like she's just

0:39:58.960 --> 0:40:01.479
<v Speaker 2>working and when I see like her in a movie,

0:40:02.440 --> 0:40:06.080
<v Speaker 2>she's just doing well for herself. What movies has she

0:40:06.160 --> 0:40:08.279
<v Speaker 2>been in? There was one that I saw where she's

0:40:08.320 --> 0:40:10.560
<v Speaker 2>like a boxer. I don't watch that one, but I

0:40:10.640 --> 0:40:13.160
<v Speaker 2>know the one you're talking about. Yeah, I didn't watch either, Mike,

0:40:15.280 --> 0:40:17.680
<v Speaker 2>you didn't watch it either no, no, no, I'm how

0:40:17.719 --> 0:40:21.120
<v Speaker 2>do you say that? I saw? Yeah, I saw that

0:40:21.200 --> 0:40:23.839
<v Speaker 2>there was a movie where she played a boxer where

0:40:23.840 --> 0:40:26.040
<v Speaker 2>it didn't look anything like her. Was that good? Mike

0:40:26.560 --> 0:40:30.000
<v Speaker 2>is all right? I didn't watch it for you. She's

0:40:30.040 --> 0:40:30.880
<v Speaker 2>in that mm hm.

0:40:31.239 --> 0:40:32.560
<v Speaker 3>Last season was this year.

0:40:33.600 --> 0:40:36.160
<v Speaker 1>But she's main character, right, one of the main and

0:40:36.160 --> 0:40:40.960
<v Speaker 1>it has been for a long time because that made

0:40:41.000 --> 0:40:43.799
<v Speaker 1>her famous though, right, I did watch a movie where

0:40:43.800 --> 0:40:45.680
<v Speaker 1>that she was great in. So this is not all

0:40:45.719 --> 0:40:46.600
<v Speaker 1>Sidney Sweeney hate.

0:40:46.640 --> 0:40:47.400
<v Speaker 2>It's not even hated at all.

0:40:47.719 --> 0:40:49.680
<v Speaker 1>I don't think any of this is I know it's

0:40:49.760 --> 0:40:52.560
<v Speaker 1>the movie where she was the one who leaked the information.

0:40:52.760 --> 0:40:55.880
<v Speaker 2>Oh yeah, and as he looks up the name of

0:40:55.960 --> 0:40:58.800
<v Speaker 2>it she was working. I think she might have a

0:40:58.840 --> 0:41:02.919
<v Speaker 2>military and it's a true story. Yeah. Reality, it's called

0:41:02.960 --> 0:41:06.040
<v Speaker 2>reality is great. You so you watch? Yeah, I watched

0:41:06.040 --> 0:41:07.600
<v Speaker 2>the whole Yeah. Yeah. When I say I watched something,

0:41:08.760 --> 0:41:12.200
<v Speaker 2>just you watched the preview. It's called reality. Yeah, it

0:41:12.320 --> 0:41:14.840
<v Speaker 2>was really great twenty twenty three. Wow, I watched it

0:41:14.880 --> 0:41:16.960
<v Speaker 2>on HBO and she's the main character. Yeah, would you

0:41:16.960 --> 0:41:17.239
<v Speaker 2>read me?

0:41:17.360 --> 0:41:20.640
<v Speaker 3>The synopsis of the movie says, a former American intelligence

0:41:20.640 --> 0:41:24.560
<v Speaker 3>specialist is given the long sentence for the unauthor unauthor

0:41:24.880 --> 0:41:28.800
<v Speaker 3>unauthorized release of government information to the media about Russian interference.

0:41:28.400 --> 0:41:29.160
<v Speaker 2>In twenty sixteen.

0:41:29.360 --> 0:41:32.440
<v Speaker 3>Is that it sounds good to me selections versus an

0:41:32.440 --> 0:41:33.160
<v Speaker 3>email operation.

0:41:33.960 --> 0:41:36.320
<v Speaker 2>She was so good in it. I think she's a

0:41:36.400 --> 0:41:39.040
<v Speaker 2>good actress and she ugled herself up for it. Yeah,

0:41:39.239 --> 0:41:41.960
<v Speaker 2>I mean, like the boxing movie. Is that what she

0:41:42.040 --> 0:41:43.760
<v Speaker 2>did for that one? Dude? I mean, she's it doesn't

0:41:43.760 --> 0:41:46.279
<v Speaker 2>look like her at all, Like I really, I think

0:41:46.880 --> 0:41:48.920
<v Speaker 2>I was at a movie watching some other movie in

0:41:48.960 --> 0:41:51.600
<v Speaker 2>the preview came out and I kept thinking, like that,

0:41:51.760 --> 0:41:53.160
<v Speaker 2>she looks familiar. I don't know who that is though,

0:41:53.200 --> 0:41:54.760
<v Speaker 2>And then at the end it was like Sidney Sweeney,

0:41:55.600 --> 0:41:58.400
<v Speaker 2>Sidney Tweeny's ugly twin. You know, there's always a.

0:42:00.080 --> 0:42:05.719
<v Speaker 5>The Bobby cast will be right back, Welcome back to

0:42:05.880 --> 0:42:06.680
<v Speaker 5>the Bobby cast.

0:42:07.239 --> 0:42:11.920
<v Speaker 2>The other one is in country music ella mm hmm.

0:42:13.120 --> 0:42:14.359
<v Speaker 2>Having a lot of success. Yeah.

0:42:14.440 --> 0:42:16.840
<v Speaker 1>I wouldn't say she's overexposed though, but she's having so

0:42:16.960 --> 0:42:18.719
<v Speaker 1>much success where I could see that would be something

0:42:18.760 --> 0:42:19.480
<v Speaker 1>that could be guessed.

0:42:19.760 --> 0:42:24.960
<v Speaker 2>Oh no, it's not. NEPO.

0:42:25.800 --> 0:42:30.520
<v Speaker 1>I would say you could have said overexposed. Just independent

0:42:30.600 --> 0:42:34.200
<v Speaker 1>of the recent controversy Oh.

0:42:35.000 --> 0:42:38.680
<v Speaker 2>Is it Morgan Wallen? M hm, wow, success.

0:42:39.080 --> 0:42:41.040
<v Speaker 1>I would say Morgan Wallan's not really that exposed. He's

0:42:41.080 --> 0:42:42.839
<v Speaker 1>playing massive shows, but he kind of kept his head down.

0:42:43.080 --> 0:42:44.920
<v Speaker 2>You're right, he's not working. There isn't a lot out

0:42:44.960 --> 0:42:49.279
<v Speaker 2>off the stage other than him break almost breaking his ankle. Well,

0:42:49.320 --> 0:42:51.319
<v Speaker 2>the phone, remember money through the phone on the phone. Yeah,

0:42:51.680 --> 0:42:54.520
<v Speaker 2>are you talking about jelly Roll? Yeah? Yeah, way over

0:42:54.600 --> 0:42:56.319
<v Speaker 2>exposed but kind of hiding a little bit.

0:42:57.040 --> 0:43:00.200
<v Speaker 1>But but the fact that Bunny is doing her thing

0:43:00.760 --> 0:43:03.600
<v Speaker 1>and their divorce, Yeah, you can't hide whenever you're in

0:43:03.640 --> 0:43:04.759
<v Speaker 1>the news every second.

0:43:04.840 --> 0:43:05.080
<v Speaker 4>Have you.

0:43:05.160 --> 0:43:07.400
<v Speaker 2>I haven't seen much of him though since the divorce

0:43:07.520 --> 0:43:10.440
<v Speaker 2>was announced. I seen on social media sometimes you do,

0:43:10.920 --> 0:43:14.319
<v Speaker 2>but I don't know. And then I saw their daughter

0:43:14.400 --> 0:43:15.400
<v Speaker 2>come out and say something.

0:43:15.680 --> 0:43:17.600
<v Speaker 1>If she told the world what she knew about the divorce,

0:43:18.000 --> 0:43:19.120
<v Speaker 1>the internet would crumble, right.

0:43:19.160 --> 0:43:20.840
<v Speaker 2>And then I saw Bunny come back and be like,

0:43:20.880 --> 0:43:22.320
<v Speaker 2>come on, you guys are learning this out of proportion.

0:43:22.440 --> 0:43:24.040
<v Speaker 2>It's not what she really meant. Do you see Bunny

0:43:24.080 --> 0:43:27.200
<v Speaker 2>spend five hundred thousand dollars on a Rolls voice four

0:43:28.880 --> 0:43:32.839
<v Speaker 2>after divorce day? She's going hard. I feel like jelly

0:43:32.960 --> 0:43:36.640
<v Speaker 2>roll overexposed. Yeah, yeah, would you agree with that one? Yeah,

0:43:36.640 --> 0:43:37.600
<v Speaker 2>I would agree with that guys.

0:43:38.480 --> 0:43:41.120
<v Speaker 3>Yeah, definitely had the World Cup song and everything.

0:43:41.480 --> 0:43:42.320
<v Speaker 2>Yeah, he's everywhere.

0:43:43.200 --> 0:43:47.040
<v Speaker 1>And again fine line between working hard, yeah, and being overexposed.

0:43:47.320 --> 0:43:48.880
<v Speaker 2>I mean, honestly, I think that's kind of what they

0:43:48.920 --> 0:43:51.080
<v Speaker 2>work for too, right to be overexposed.

0:43:51.719 --> 0:43:55.040
<v Speaker 1>When I was working in pop radio and a little

0:43:55.080 --> 0:43:58.279
<v Speaker 1>bit now in country, but I don't what music do

0:43:58.360 --> 0:43:59.480
<v Speaker 1>we listen to while we're doing the show?

0:43:59.520 --> 0:44:02.080
<v Speaker 2>Almost No, No, we don't. We don't hear any We

0:44:02.120 --> 0:44:02.920
<v Speaker 2>don't play that much.

0:44:03.120 --> 0:44:05.680
<v Speaker 1>We tossed to it and then yeah, maybe it's a

0:44:05.719 --> 0:44:09.239
<v Speaker 1>couple times an hour, but especially in pop radio, you know,

0:44:09.280 --> 0:44:10.839
<v Speaker 1>the same songs to play every hour and a half

0:44:10.920 --> 0:44:12.759
<v Speaker 1>or so, and people would say, man, I hate it.

0:44:13.360 --> 0:44:15.680
<v Speaker 1>These artists have to hate that their songs get played.

0:44:15.440 --> 0:44:15.759
<v Speaker 2>All the time.

0:44:15.800 --> 0:44:17.360
<v Speaker 1>I no, of the goal is to get overexposed, to

0:44:17.520 --> 0:44:19.160
<v Speaker 1>have a song so big. People get annoyed by that's

0:44:19.160 --> 0:44:21.000
<v Speaker 1>what they were working for, because that means like it's

0:44:21.040 --> 0:44:21.480
<v Speaker 1>a monster.

0:44:21.680 --> 0:44:23.520
<v Speaker 2>Yeah, and then they go through that period right of

0:44:23.560 --> 0:44:25.800
<v Speaker 2>where they're like, I'm kind of tired of playing that song. Gosh,

0:44:26.080 --> 0:44:30.120
<v Speaker 2>well that takes me to our next thing. Should Legacy

0:44:30.280 --> 0:44:35.759
<v Speaker 2>artists be able to retire a song. I mean how

0:44:35.880 --> 0:44:39.160
<v Speaker 2>you phrased it. I mean I think anyone should be

0:44:39.200 --> 0:44:42.920
<v Speaker 2>allowed to do whatever they want to do, obviously, right, Okay, However,

0:44:43.360 --> 0:44:47.719
<v Speaker 2>I think it would be extremely selfish and rude for

0:44:47.840 --> 0:44:49.600
<v Speaker 2>the rest of us to never play that song.

0:44:49.640 --> 0:44:52.120
<v Speaker 1>A Yet the band that I can think of and

0:44:52.200 --> 0:44:54.120
<v Speaker 1>they play it I think a little bit now, and

0:44:54.200 --> 0:44:54.960
<v Speaker 1>it's not country.

0:44:55.560 --> 0:44:57.200
<v Speaker 2>Did they just stop playing their biggest hit?

0:45:00.200 --> 0:45:00.400
<v Speaker 5>Is that?

0:45:00.880 --> 0:45:02.480
<v Speaker 2>We've talked about this for sure, now you know it.

0:45:02.520 --> 0:45:06.239
<v Speaker 2>You're just not coming to your mind right now. British Oasis,

0:45:09.160 --> 0:45:12.799
<v Speaker 2>oh oh yeah, Radiohead, Yeah, and that's their biggest song

0:45:14.239 --> 0:45:16.680
<v Speaker 2>and they've just chosen not to play it and they'll

0:45:16.680 --> 0:45:19.160
<v Speaker 2>occasionally play it. Now. I've seen Radiohead twice and they

0:45:19.200 --> 0:45:20.000
<v Speaker 2>did not play that song.

0:45:20.120 --> 0:45:23.520
<v Speaker 1>Really, it'd be disappointing to go to a major artist

0:45:23.560 --> 0:45:25.319
<v Speaker 1>show and they not play their biggest song. But if

0:45:25.360 --> 0:45:27.000
<v Speaker 1>you know what ahead of times they're not gonna play it,

0:45:27.040 --> 0:45:28.800
<v Speaker 1>it's not as disappointing because they're just saying we're not

0:45:28.800 --> 0:45:30.279
<v Speaker 1>gonna play it, so you're not waiting on it.

0:45:30.440 --> 0:45:33.160
<v Speaker 2>Yeah, but I have these artists and so.

0:45:34.920 --> 0:45:37.520
<v Speaker 1>Let's pick the artist and what song can they not replace?

0:45:38.040 --> 0:45:39.920
<v Speaker 2>Okay, like this is their staple song. They have to,

0:45:40.000 --> 0:45:42.880
<v Speaker 2>they have to. They can't replace the song. Garth Brooks

0:45:43.480 --> 0:45:47.120
<v Speaker 2>friends in low places, like, I know, it's probably hard

0:45:47.560 --> 0:45:51.000
<v Speaker 2>to play that every night, and yeah, I'll say the

0:45:51.080 --> 0:45:54.359
<v Speaker 2>same and even like to own that that's your biggest song.

0:45:54.360 --> 0:45:56.600
<v Speaker 2>It's probably hard for an artist because I'm sure they're

0:45:56.640 --> 0:45:59.600
<v Speaker 2>so proud of other songs that mean way more to them,

0:46:00.120 --> 0:46:02.799
<v Speaker 2>that they love way more. But then everyone else loves

0:46:03.040 --> 0:46:07.240
<v Speaker 2>that song. He's got to play that, George Strait.

0:46:07.360 --> 0:46:10.400
<v Speaker 1>Your personal pick, because I Garth, that wouldn't have been

0:46:10.440 --> 0:46:11.160
<v Speaker 1>a personal.

0:46:10.920 --> 0:46:14.600
<v Speaker 2>Pick, but we'll do personal pick. That personal pick.

0:46:14.719 --> 0:46:17.360
<v Speaker 1>Yeah, song that you will not allow them to retire

0:46:17.400 --> 0:46:18.440
<v Speaker 1>because you love it so much.

0:46:18.560 --> 0:46:23.520
<v Speaker 2>George Strait, I like that, George straight check yes or no.

0:46:23.800 --> 0:46:26.359
<v Speaker 1>Mine's gonna be so cliche after I say that about Garth,

0:46:26.400 --> 0:46:29.600
<v Speaker 1>Mine is so cliche about George Strait, my morning.

0:46:29.719 --> 0:46:32.000
<v Speaker 2>It's the most cliche. I don't even think George would

0:46:32.280 --> 0:46:34.040
<v Speaker 2>ever think about and never play that song.

0:46:34.600 --> 0:46:37.640
<v Speaker 1>I think these guys have a relationship with success.

0:46:37.719 --> 0:46:40.800
<v Speaker 2>That is, holy crap, I'm successful. Oh man, do I

0:46:40.840 --> 0:46:41.080
<v Speaker 2>have to?

0:46:42.000 --> 0:46:44.520
<v Speaker 1>Oh man, I'm so lucky. This song has lasted so long.

0:46:44.600 --> 0:46:46.839
<v Speaker 2>I love it again. Those are the stages of those

0:46:47.040 --> 0:46:53.400
<v Speaker 2>of the big songs. Yes, the Rolling Stones, ooh, Personal,

0:46:54.239 --> 0:47:01.799
<v Speaker 2>Beast of Burden, Good, I'm gonna go painted black? Yeah.

0:47:02.400 --> 0:47:05.600
<v Speaker 2>Now the real one is Satisfaction. Satisfaction, right, I mean

0:47:05.640 --> 0:47:06.919
<v Speaker 2>that would be that. I bet that's the one they've

0:47:06.920 --> 0:47:08.600
<v Speaker 2>talked about a hundred times, like, do we really need

0:47:08.640 --> 0:47:15.840
<v Speaker 2>to play Satisfaction? Personal? Though? Ye? Do? And awesome? Have

0:47:16.360 --> 0:47:21.399
<v Speaker 2>them live, dude, they're so good. Do they have hair?

0:47:21.600 --> 0:47:23.560
<v Speaker 2>They all still have their playing in the back for them,

0:47:23.880 --> 0:47:25.959
<v Speaker 2>That's what they say. But when I went to the show,

0:47:26.360 --> 0:47:28.759
<v Speaker 2>my seats were so high, I looked for him. I

0:47:28.800 --> 0:47:30.840
<v Speaker 2>didn't see anyone back there. They could be playing underneath

0:47:30.840 --> 0:47:34.239
<v Speaker 2>the stage. I'm not there. I don't know what band.

0:47:34.480 --> 0:47:36.719
<v Speaker 2>I saw one band. I want to say it was

0:47:36.760 --> 0:47:40.800
<v Speaker 2>the Killers. It was a band like that, The Killers,

0:47:42.560 --> 0:47:45.320
<v Speaker 2>something along those lines where there was a guy behind

0:47:45.440 --> 0:47:47.799
<v Speaker 2>the amp with a little you know, you know how

0:47:47.840 --> 0:47:49.920
<v Speaker 2>the orchestra they have the sheet music with a little light.

0:47:50.560 --> 0:47:53.640
<v Speaker 2>He had the sheet music stand with a light and

0:47:53.840 --> 0:47:56.520
<v Speaker 2>playing the guitar back there, and no one saw him,

0:47:56.560 --> 0:47:58.839
<v Speaker 2>but I did because I was high up. You sure

0:47:58.880 --> 0:48:01.000
<v Speaker 2>he wasn't tuning the guitar no, no, no, he was playing.

0:48:01.040 --> 0:48:03.000
<v Speaker 2>He was playing, Yeah, because could see him playing. You

0:48:03.040 --> 0:48:03.759
<v Speaker 2>know what I like about the.

0:48:03.800 --> 0:48:06.640
<v Speaker 1>Killers is that they start their shows, the ones that

0:48:06.719 --> 0:48:09.200
<v Speaker 1>I've seen online, with their absolute biggest songs.

0:48:09.320 --> 0:48:10.960
<v Speaker 2>Yeah, that's gotta be cool.

0:48:12.320 --> 0:48:14.279
<v Speaker 1>Like the curtain drops and they go right in down

0:48:14.480 --> 0:48:19.400
<v Speaker 1>somebody man, because you just don't expect a band like

0:48:19.520 --> 0:48:22.000
<v Speaker 1>that to come out and play their freaking monster at

0:48:22.040 --> 0:48:22.720
<v Speaker 1>the very beginning.

0:48:22.880 --> 0:48:25.400
<v Speaker 2>Usually it's the last song that they've played. They do

0:48:25.560 --> 0:48:27.680
<v Speaker 2>have four or five big songs.

0:48:27.719 --> 0:48:30.479
<v Speaker 1>But when Vanessa Carlton was on this show, she does

0:48:31.120 --> 0:48:32.440
<v Speaker 1>thousand Miles at the very beginning.

0:48:32.520 --> 0:48:32.880
<v Speaker 2>I love it.

0:48:33.040 --> 0:48:34.800
<v Speaker 1>And part of that is she knows everybody's waiting on

0:48:34.840 --> 0:48:37.000
<v Speaker 1>and have their phone's ready, and she's like, Okay, let's

0:48:37.000 --> 0:48:37.279
<v Speaker 1>just get.

0:48:37.160 --> 0:48:39.640
<v Speaker 2>It Overwhere would you be cool with a monster artist

0:48:39.960 --> 0:48:42.560
<v Speaker 2>like George Strait to play Amarillo by morning in the

0:48:42.640 --> 0:48:45.680
<v Speaker 2>open and then at the end, Yeah, of course I would.

0:48:45.840 --> 0:48:47.919
<v Speaker 1>I would love it play twice, play the start played

0:48:47.960 --> 0:48:49.959
<v Speaker 1>in I don't care if you played it ten thousand

0:48:50.000 --> 0:48:51.640
<v Speaker 1>times at home. I would love to hear it two

0:48:51.719 --> 0:48:52.680
<v Speaker 1>times from the artist.

0:48:52.760 --> 0:48:55.120
<v Speaker 2>Man. I thought like, that'd be so cool for artists

0:48:55.160 --> 0:48:56.560
<v Speaker 2>to do that, but I don't think anyone does that.

0:48:57.120 --> 0:49:03.239
<v Speaker 2>Alan Jackson, Chattahoucci Personal End, Yeah, Chattahoochie. That's probably the

0:49:03.239 --> 0:49:04.719
<v Speaker 2>one too where he's like, oh, I gotta play this

0:49:04.800 --> 0:49:08.920
<v Speaker 2>song every night. I think I'm gonna do Remember When?

0:49:09.360 --> 0:49:13.000
<v Speaker 2>Oh yeah, thirty seems so old. I love that song.

0:49:13.080 --> 0:49:16.120
<v Speaker 2>But the actual answer is, Chattahoochie. I wonder if those

0:49:16.200 --> 0:49:18.680
<v Speaker 2>songs like remember When and like songs that are real

0:49:18.880 --> 0:49:23.520
<v Speaker 2>meaningful get hard to recreate because you write it with

0:49:23.640 --> 0:49:26.200
<v Speaker 2>such meaning. But then when you play a song every night,

0:49:26.280 --> 0:49:27.640
<v Speaker 2>there's no meaning. You're just performing it.

0:49:27.719 --> 0:49:29.320
<v Speaker 1>Yeah, I don't think you recreated. I think you just

0:49:29.440 --> 0:49:31.560
<v Speaker 1>know that everybody else is feeling what they feel from it.

0:49:32.000 --> 0:49:33.399
<v Speaker 1>You just need to do as close to the job

0:49:33.440 --> 0:49:34.720
<v Speaker 1>as you did really as possible.

0:49:34.719 --> 0:49:36.080
<v Speaker 2>It's like an acting job where you like it, just

0:49:36.120 --> 0:49:40.399
<v Speaker 2>got to act like I'm I'm feeling it too. Tim McGraw, Oh,

0:49:40.520 --> 0:49:45.240
<v Speaker 2>there's a hard one, man, I'm gonna go with something

0:49:45.400 --> 0:49:48.560
<v Speaker 2>like that. Not a huge fan of that song. That's

0:49:48.719 --> 0:49:49.400
<v Speaker 2>crazy to me.

0:49:49.600 --> 0:49:51.719
<v Speaker 1>Yeah, I think it was just that era I got too.

0:49:51.760 --> 0:49:52.400
<v Speaker 1>Mcgral eras.

0:49:52.440 --> 0:49:55.520
<v Speaker 2>I like the beginning and the I'm like to say end,

0:49:55.560 --> 0:49:59.640
<v Speaker 2>he's not dying, but like the light, I'm gonna go.

0:50:00.000 --> 0:50:03.879
<v Speaker 2>Oh yeah, you're gonna go front End Orca. Probably don't

0:50:03.880 --> 0:50:05.399
<v Speaker 2>take the girl. Oh yeah, that's a good one.

0:50:08.440 --> 0:50:10.800
<v Speaker 1>There are songs that I probably like better than that.

0:50:11.040 --> 0:50:12.520
<v Speaker 1>But as far as like songs I have to hear

0:50:12.560 --> 0:50:14.239
<v Speaker 1>if I go to a mcgral show, don't take the Girl,

0:50:14.280 --> 0:50:17.000
<v Speaker 1>I think it's don't take the girl, like I like

0:50:17.080 --> 0:50:19.960
<v Speaker 1>best friend too, but my best friend, Yeah, I think

0:50:20.000 --> 0:50:21.880
<v Speaker 1>that oka if he didn't play it, like okay, but

0:50:21.880 --> 0:50:23.719
<v Speaker 1>if he didn't play don't Take the Girl, I think

0:50:23.760 --> 0:50:24.160
<v Speaker 1>a pissed.

0:50:24.440 --> 0:50:26.560
<v Speaker 2>I think there's a handful of songs where like I

0:50:26.560 --> 0:50:27.920
<v Speaker 2>would be pissed if he didn't play.

0:50:27.800 --> 0:50:32.200
<v Speaker 1>On Kenny Chesney, mind You and Tequila, because that's one

0:50:32.200 --> 0:50:33.319
<v Speaker 1>of my favorite songs of all time.

0:50:33.920 --> 0:50:38.160
<v Speaker 2>Okay, you gonna think I'm stupid. No, she thinks my

0:50:38.239 --> 0:50:41.480
<v Speaker 2>Tractor Sexy. He stopped playing that for a long time.

0:50:41.520 --> 0:50:41.840
<v Speaker 2>He told me.

0:50:41.960 --> 0:50:44.239
<v Speaker 1>Yeah, he said that, he said, Mega Maroney got him

0:50:44.239 --> 0:50:44.759
<v Speaker 1>to play it again.

0:50:44.920 --> 0:50:49.799
<v Speaker 2>Thank you, Meghan Maroney, Thank you yep. Because I love

0:50:49.920 --> 0:50:53.120
<v Speaker 2>I love Beach Kenny. But to me, like she thinks

0:50:53.280 --> 0:50:55.920
<v Speaker 2>she thinks My Tractor Sexy is such a party song,

0:50:56.360 --> 0:50:58.279
<v Speaker 2>like if you're gonna go to a concert. Set the

0:50:58.400 --> 0:51:01.040
<v Speaker 2>tone with like a good song like that, you have

0:51:01.239 --> 0:51:03.160
<v Speaker 2>to play it. But he saw party songs.

0:51:03.600 --> 0:51:07.000
<v Speaker 1>You have your song you love but he's no shoes,

0:51:07.040 --> 0:51:07.759
<v Speaker 1>no shirt.

0:51:07.560 --> 0:51:10.640
<v Speaker 2>No problem. Yeah yeah yeah, but she thinks is like

0:51:10.760 --> 0:51:16.280
<v Speaker 2>that is so good, Luke Combs. You can just scratch

0:51:16.320 --> 0:51:18.920
<v Speaker 2>off ticket. Luke, I mean that's a good one. Uh

0:51:19.400 --> 0:51:22.239
<v Speaker 2>when it rains of poorse that's a real good one.

0:51:22.920 --> 0:51:26.600
<v Speaker 2>I'm gonna have to go though, car No, no, we

0:51:26.719 --> 0:51:29.120
<v Speaker 2>can do I can. I'm fine with no fast car.

0:51:29.360 --> 0:51:30.560
<v Speaker 2>If he says I'm not gonna do that, and then

0:51:30.560 --> 0:51:32.239
<v Speaker 2>I'd be like, all right, no problem, Luke, You're good,

0:51:32.760 --> 0:51:38.200
<v Speaker 2>You're good. I'm gonna dude, I'm gonna go with long neck,

0:51:38.840 --> 0:51:46.000
<v Speaker 2>long ice, cold long neck, guys, cold beer. Yeah, as

0:51:46.080 --> 0:51:48.080
<v Speaker 2>you can tell. I like those party songs.

0:51:49.000 --> 0:51:50.920
<v Speaker 1>Yeah, because it ain't in the real show unless there's

0:51:50.920 --> 0:51:51.239
<v Speaker 1>a party.

0:51:51.239 --> 0:51:53.839
<v Speaker 2>Of course, I'm drinking. I want to sing about drinking.

0:51:53.920 --> 0:51:56.640
<v Speaker 2>I think I'm going to scratch off ticket. It's called

0:51:57.280 --> 0:52:01.359
<v Speaker 2>when do you think? Do you think? On the set

0:52:01.400 --> 0:52:03.239
<v Speaker 2>list he writes down scratch off ticket, he probably just

0:52:03.239 --> 0:52:06.640
<v Speaker 2>writes down pores poors. Yeah, yeah, they do that. One

0:52:06.760 --> 0:52:11.000
<v Speaker 2>final one Elton John Oh my there are so many.

0:52:11.640 --> 0:52:15.720
<v Speaker 1>The answer for everyone is Tiny Dancer, Like that's universal,

0:52:15.760 --> 0:52:16.920
<v Speaker 1>but that doesn't have to be ours. But if he

0:52:16.920 --> 0:52:19.680
<v Speaker 1>doesn't like Tiny Dancer, I think people riot I think

0:52:19.719 --> 0:52:23.000
<v Speaker 1>that's his most famous song, right rocket Man? Oh, you

0:52:23.080 --> 0:52:26.439
<v Speaker 1>think that more than Tiny Dancer? Even after Tiny Dancer

0:52:26.480 --> 0:52:27.200
<v Speaker 1>got big again?

0:52:27.960 --> 0:52:32.080
<v Speaker 2>Yea and whatever that movie was almost famous.

0:52:32.200 --> 0:52:34.400
<v Speaker 1>Yeah, you're telling me you think rocket Man is more

0:52:34.440 --> 0:52:35.400
<v Speaker 1>famous than Tiny Dancer?

0:52:35.440 --> 0:52:39.120
<v Speaker 2>Do and Friends? Tiny Dancer? They had a whole hold

0:52:39.200 --> 0:52:42.080
<v Speaker 2>Me Close or Tony Dance. I think for people our age,

0:52:42.880 --> 0:52:45.080
<v Speaker 2>you know that that lived around that time when Friends

0:52:45.200 --> 0:52:47.520
<v Speaker 2>was doing that and almost famous. Yes, tiny Dancer got

0:52:47.560 --> 0:52:51.400
<v Speaker 2>pretty big, but for everyone else, Rocketman was his his

0:52:51.560 --> 0:52:52.320
<v Speaker 2>song that he was known for.

0:52:52.400 --> 0:52:54.000
<v Speaker 1>I wouldn't fight you to the death over that, but

0:52:54.040 --> 0:52:56.400
<v Speaker 1>I'm gonna go look at streams because you know you

0:52:56.440 --> 0:52:56.880
<v Speaker 1>could be right.

0:52:56.920 --> 0:52:57.840
<v Speaker 2>I don't have the answer to this.

0:53:02.239 --> 0:53:04.520
<v Speaker 1>You want to know what's got even more streams than Rocketman,

0:53:04.560 --> 0:53:07.000
<v Speaker 1>which is over Tiny Dancer?

0:53:07.040 --> 0:53:09.320
<v Speaker 2>By the way, Rocketman is. Oh, I know I know

0:53:09.400 --> 0:53:12.680
<v Speaker 2>what it is. I bet you don't. I bet you don't. Okay,

0:53:12.760 --> 0:53:15.319
<v Speaker 2>maybe I don't give it. I have to have two guesses,

0:53:15.560 --> 0:53:18.440
<v Speaker 2>you have ten, don't two guys winning anything, So how

0:53:18.440 --> 0:53:21.880
<v Speaker 2>about it? Circle of Life? Nope, dang it because that

0:53:22.040 --> 0:53:25.560
<v Speaker 2>was a gem. Uh it's it's the Princess Diana one.

0:53:25.640 --> 0:53:30.440
<v Speaker 1>Huh you're not going to get it. You know it,

0:53:30.560 --> 0:53:31.719
<v Speaker 1>but you're not going to get it. I would not

0:53:31.800 --> 0:53:34.560
<v Speaker 1>have thought this was number one Yellow it's a jam though.

0:53:34.800 --> 0:53:39.960
<v Speaker 2>I'm still that's number one. That stupid sing due the

0:53:40.040 --> 0:53:43.000
<v Speaker 2>cartoon did oh it's from singing you're writing.

0:53:42.920 --> 0:53:46.319
<v Speaker 1>The gorilla, but that would be their version of why

0:53:46.400 --> 0:53:50.080
<v Speaker 1>the songs? That's our friends do? Tiny Dancer and to.

0:53:50.520 --> 0:53:54.680
<v Speaker 2>My Kids are Kids is the almost famous.

0:53:55.040 --> 0:54:01.759
<v Speaker 1>So I'm still standing Rocketman Yeah, Tiny Dancer. Okay, don't

0:54:01.800 --> 0:54:02.319
<v Speaker 1>go breaking my.

0:54:02.320 --> 0:54:04.239
<v Speaker 2>Heart, don't go breaking in my heart. I won't go

0:54:04.360 --> 0:54:07.640
<v Speaker 2>break in your heart. That's with Olivia Newton John. It's

0:54:08.000 --> 0:54:11.239
<v Speaker 2>hold on you're not going to get it. But but

0:54:11.560 --> 0:54:17.520
<v Speaker 2>jon't jet he would No, it's with mmmm Elton John

0:54:17.800 --> 0:54:22.960
<v Speaker 2>and uh, oh you're not going to get it. I

0:54:23.040 --> 0:54:25.640
<v Speaker 2>have it's in my playlist. You're not going to get it.

0:54:27.000 --> 0:54:30.600
<v Speaker 2>Give me the initials k D. Don't go breaking in

0:54:30.719 --> 0:54:34.160
<v Speaker 2>my heart, break in your Heart? Yeah, Katie lang.

0:54:39.760 --> 0:54:42.200
<v Speaker 1>Way Off, Yeah it's Elton Kid.

0:54:43.719 --> 0:54:48.719
<v Speaker 2>Hey, your song. That's a princes right. No, no, every song,

0:54:48.800 --> 0:54:53.640
<v Speaker 2>No Princess Diana. What's Princess Diana?

0:54:54.000 --> 0:54:58.400
<v Speaker 1>Candle and your song is you can tell everybody this

0:54:58.760 --> 0:54:59.279
<v Speaker 1>is your song.

0:54:59.719 --> 0:55:02.120
<v Speaker 2>That's such a jam. I hope you don't that.

0:55:03.760 --> 0:55:07.319
<v Speaker 1>Benny and the Jets, Benny Goodbye Yellow Brick Road. Yeah,

0:55:07.560 --> 0:55:09.439
<v Speaker 1>but yeah, you're thinking of Candle in the Wind, which

0:55:09.520 --> 0:55:10.280
<v Speaker 1>was released twice.

0:55:11.040 --> 0:55:15.080
<v Speaker 2>Uh, once originally and then one after. Marilyn Monroe was

0:55:15.120 --> 0:55:16.080
<v Speaker 2>the original version.

0:55:16.120 --> 0:55:17.920
<v Speaker 1>It wasn't because he wasn't alive then, but it was

0:55:17.920 --> 0:55:20.840
<v Speaker 1>written with her, got it inspiration, and then once Princess

0:55:20.840 --> 0:55:22.480
<v Speaker 1>Diana died again.

0:55:22.400 --> 0:55:26.120
<v Speaker 2>Got it. No Levon Levan's on there. No, Levon's a jam.

0:55:26.200 --> 0:55:28.479
<v Speaker 2>But he has a ton of songs. That Bernie Topping,

0:55:28.520 --> 0:55:28.839
<v Speaker 2>the guy.

0:55:28.760 --> 0:55:31.520
<v Speaker 1>That wrote the lyrics for those songs, his partner. He

0:55:31.640 --> 0:55:33.080
<v Speaker 1>just putting out a record for the first time ever.

0:55:33.400 --> 0:55:36.160
<v Speaker 1>Really he's old, but it's like Bernie Topping, the guy

0:55:36.200 --> 0:55:37.839
<v Speaker 1>who wrote all the songs with Elton John. I think

0:55:37.840 --> 0:55:40.359
<v Speaker 1>you were all the lyrics. Yeah, took all these big songs,

0:55:40.480 --> 0:55:42.359
<v Speaker 1>most of them. He's putting out an album.

0:55:43.200 --> 0:55:45.800
<v Speaker 5>Let's take a quick pause for a message from our sponsor.

0:55:48.200 --> 0:55:50.200
<v Speaker 5>This is the Bobby Cast.

0:55:50.680 --> 0:55:53.040
<v Speaker 2>Did you enjoy our time together. I always man. So

0:55:53.080 --> 0:55:55.960
<v Speaker 2>what was the topic of that one. Should artists be

0:55:56.320 --> 0:55:58.800
<v Speaker 2>oh songs that they allowed to retire a song that

0:55:59.040 --> 0:56:02.239
<v Speaker 2>we kind of just picked. What's your answer to that? Well,

0:56:02.360 --> 0:56:05.239
<v Speaker 2>the human answer is do whatever you want. It gives

0:56:05.280 --> 0:56:05.560
<v Speaker 2>a crap.

0:56:06.120 --> 0:56:08.320
<v Speaker 1>We're not China or North Korea. We can't force you

0:56:08.400 --> 0:56:11.880
<v Speaker 1>to do a song. But I think it is kind

0:56:12.040 --> 0:56:16.440
<v Speaker 1>to your fans to play your biggest hits. If you

0:56:16.680 --> 0:56:19.600
<v Speaker 1>really want to get in and out of them. And

0:56:19.640 --> 0:56:23.000
<v Speaker 1>there's a couple you hate, combine them, put them in

0:56:23.000 --> 0:56:25.120
<v Speaker 1>the same key, combine them so everybody feels like they

0:56:25.160 --> 0:56:27.440
<v Speaker 1>can get a little experience from it, like a little mashup.

0:56:28.080 --> 0:56:30.200
<v Speaker 2>Can I give you an artist real quick? I want

0:56:30.239 --> 0:56:36.640
<v Speaker 2>to know what you John Mayer my favorite. Okay, you

0:56:36.640 --> 0:56:38.640
<v Speaker 2>gotta understand what John Mayer. I don't give a crap.

0:56:38.480 --> 0:56:41.080
<v Speaker 1>About the hits, Like if you buy, if you play

0:56:41.120 --> 0:56:44.120
<v Speaker 1>bubble Gum Tongue, dude, you can retire that tomorrow.

0:56:44.200 --> 0:56:46.359
<v Speaker 2>No, No, that is his best song. Okay, then that's

0:56:46.440 --> 0:56:52.200
<v Speaker 2>fine for people to think that aren't mayor heads. That's

0:56:52.200 --> 0:56:54.040
<v Speaker 2>not even what we're called. And you are, but you

0:56:54.160 --> 0:56:54.799
<v Speaker 2>are one of those.

0:56:55.000 --> 0:56:58.000
<v Speaker 1>I think i'd be what would be a good John May.

0:56:58.080 --> 0:56:59.239
<v Speaker 1>I'm not in the fan club or anything, but like

0:56:59.320 --> 0:57:03.200
<v Speaker 1>a t Mayor. Now Mayor, how about uh.

0:57:03.800 --> 0:57:07.880
<v Speaker 2>The mayor, the mayor? The mayors? For me, my favorite song.

0:57:09.200 --> 0:57:11.600
<v Speaker 1>Ever depending on what month it is, because I have

0:57:11.680 --> 0:57:13.719
<v Speaker 1>like three, But Stop this Train, John Mayer is my

0:57:13.760 --> 0:57:16.439
<v Speaker 1>favorite song ever that he's ever done. Stop this train.

0:57:16.800 --> 0:57:18.720
<v Speaker 1>I want to get off and go home again. The

0:57:18.760 --> 0:57:22.680
<v Speaker 1>whole thing's about there's one line that says, uh, I'm

0:57:22.720 --> 0:57:23.480
<v Speaker 1>so scared.

0:57:23.240 --> 0:57:23.960
<v Speaker 2>Of getting older.

0:57:24.000 --> 0:57:26.080
<v Speaker 1>I'm only good at being young, So I play a

0:57:26.160 --> 0:57:28.080
<v Speaker 1>numbers game to act like life is just begun.

0:57:28.240 --> 0:57:28.560
<v Speaker 2>That time.

0:57:30.320 --> 0:57:34.640
<v Speaker 1>He was the first songwriter that ever wrote things I felt,

0:57:36.040 --> 0:57:38.439
<v Speaker 1>so yeah, stop his train.

0:57:38.520 --> 0:57:41.040
<v Speaker 2>He doesn't always play it. He doesn't. Gosh, I feel

0:57:41.040 --> 0:57:44.080
<v Speaker 2>like that would be an essential. I don't think he does.

0:57:44.240 --> 0:57:47.760
<v Speaker 1>I think I think I've probably been ten shows, maybe

0:57:47.800 --> 0:57:48.800
<v Speaker 1>seven right of them he's played it.

0:57:48.920 --> 0:57:51.840
<v Speaker 2>What does he always play? Like the shows that you

0:57:51.920 --> 0:57:54.680
<v Speaker 2>went to? He's bubble gum tongue. He's got to play

0:57:54.720 --> 0:57:57.920
<v Speaker 2>that one, even though he probably hates playing that.

0:57:58.000 --> 0:58:00.200
<v Speaker 1>What's his least favorite song to play? Wait on the

0:58:00.200 --> 0:58:01.360
<v Speaker 1>World to Change was It was one of his least

0:58:01.360 --> 0:58:03.360
<v Speaker 1>favorite songs to play because of the range of his

0:58:03.440 --> 0:58:05.560
<v Speaker 1>voice and because it's just such a cliche song, but

0:58:05.640 --> 0:58:07.360
<v Speaker 1>also people love it and people feel something from it.

0:58:07.440 --> 0:58:09.200
<v Speaker 1>He knows that I have his top five most played

0:58:09.240 --> 0:58:11.760
<v Speaker 1>songs of concert. Okay, I love it from that set list.

0:58:13.760 --> 0:58:18.640
<v Speaker 1>I'm gonna say it was a little bit later. But well,

0:58:18.680 --> 0:58:20.920
<v Speaker 1>if I go from the first album Room the Room

0:58:20.960 --> 0:58:26.640
<v Speaker 1>for Squares album, yeah, I'm not the great right person.

0:58:26.480 --> 0:58:28.360
<v Speaker 2>To ask because it's the one that because if you

0:58:28.440 --> 0:58:29.720
<v Speaker 2>were to go, what would.

0:58:29.520 --> 0:58:31.960
<v Speaker 1>You want him to play? You can't miss with gravity. Obviously,

0:58:32.000 --> 0:58:33.040
<v Speaker 1>it's a big crowd pleaser.

0:58:33.200 --> 0:58:34.920
<v Speaker 2>She's got to play that one every single show.

0:58:35.160 --> 0:58:37.680
<v Speaker 1>Probably, but it was later, so it's probably not played

0:58:37.680 --> 0:58:38.720
<v Speaker 1>as much in the early days.

0:58:38.720 --> 0:58:39.920
<v Speaker 2>I see what you're saying. Can you just tell me

0:58:40.000 --> 0:58:40.360
<v Speaker 2>Number one?

0:58:40.600 --> 0:58:41.720
<v Speaker 3>Number one is why Georgia?

0:58:42.080 --> 0:58:44.960
<v Speaker 1>Okay, So that's from his EP before even Room for Squares,

0:58:45.240 --> 0:58:46.480
<v Speaker 1>and it was on Room for Squares.

0:58:47.040 --> 0:58:51.760
<v Speaker 2>Wow, Wow, Wow. The EP was called Inside once Out

0:58:51.800 --> 0:58:55.760
<v Speaker 2>and I listened to that sucker five million times.

0:58:56.480 --> 0:59:00.680
<v Speaker 1>Not only that, Comfortable was on that and this is

0:59:00.760 --> 0:59:04.880
<v Speaker 1>just an EP and Clay from Zach Brown Bands was yeah,

0:59:04.920 --> 0:59:06.560
<v Speaker 1>you know, in the duo with him for a long time. Yeah,

0:59:07.560 --> 0:59:10.560
<v Speaker 1>but sometimes most comfortable shows and people freak out because

0:59:10.560 --> 0:59:11.920
<v Speaker 1>it's from his EP. You never put it on a

0:59:11.920 --> 0:59:12.320
<v Speaker 1>real round.

0:59:12.320 --> 0:59:14.080
<v Speaker 2>I don't think I know that one? What else you got?

0:59:14.400 --> 0:59:15.680
<v Speaker 2>And number two is no such thing?

0:59:15.840 --> 0:59:17.640
<v Speaker 1>Okay, so that's from the first album. So we're looking

0:59:17.680 --> 0:59:19.280
<v Speaker 1>at songs from the first album.

0:59:19.320 --> 0:59:23.640
<v Speaker 2>So more time to play Yeah, three, your Body's a Winderland,

0:59:23.840 --> 0:59:27.000
<v Speaker 2>bubblegum tongue, retire it from the first album.

0:59:27.600 --> 0:59:31.720
<v Speaker 1>Four Gravity that from Continuum.

0:59:33.320 --> 0:59:36.160
<v Speaker 2>Just a great piece of art. And number five is

0:59:36.440 --> 0:59:39.840
<v Speaker 2>waiting on the world to change. Oh, stab in the

0:59:39.920 --> 0:59:42.720
<v Speaker 2>neck with every time? What's the one with the run

0:59:42.800 --> 0:59:46.440
<v Speaker 2>down the hallway? He did that one? What's that one called? Oh?

0:59:46.520 --> 0:59:50.840
<v Speaker 2>I didn't know was that his first first single? First single?

0:59:50.880 --> 0:59:53.360
<v Speaker 2>That's what I thought. My kids asked me the dumbest

0:59:53.440 --> 0:59:56.360
<v Speaker 2>questions and instead of being I really just want to go,

0:59:56.440 --> 0:59:58.360
<v Speaker 2>like google it, but then I have to be like, well,

0:59:58.440 --> 1:00:00.800
<v Speaker 2>let's think about this. What was the question they asked recently?

1:00:00.880 --> 1:00:02.560
<v Speaker 2>It was so dumb that one? What was the first

1:00:02.680 --> 1:00:04.280
<v Speaker 2>What was his first song? But you just asked me

1:00:04.400 --> 1:00:07.480
<v Speaker 2>that because I told them that, like I like I

1:00:07.560 --> 1:00:10.360
<v Speaker 2>knew the answer. Oh, for sure, this one? And then

1:00:10.360 --> 1:00:12.560
<v Speaker 2>I played that played on that one show and tail

1:00:12.600 --> 1:00:16.760
<v Speaker 2>before we leave. Yeah, my back art's a little bit.

1:00:16.800 --> 1:00:19.360
<v Speaker 2>I'm playing pick a ball. I'm gonna stand up for

1:00:19.360 --> 1:00:21.760
<v Speaker 2>a second. I'm gonna show you guys on camera and

1:00:21.760 --> 1:00:26.760
<v Speaker 2>I'll just describe it on this for the studio. Oh,

1:00:26.840 --> 1:00:28.320
<v Speaker 2>this is why you didn't answer me when I asked

1:00:28.360 --> 1:00:28.880
<v Speaker 2>you what that was.

1:00:29.320 --> 1:00:32.720
<v Speaker 1>Yeah, So I'm gonna bring this on camera a little bit,

1:00:36.080 --> 1:00:37.640
<v Speaker 1>so Eddie describe it for people.

1:00:37.960 --> 1:00:42.480
<v Speaker 2>It is a very tall piece of art. It looks

1:00:42.520 --> 1:00:47.840
<v Speaker 2>like maybe pencil art, possibly because it's black and white. Yeah, yeah,

1:00:47.880 --> 1:00:52.080
<v Speaker 2>I mean the sketches. It's a skeleton. It's okay, it's

1:00:52.320 --> 1:00:57.880
<v Speaker 2>it's basically yeah, well yeah, because you're six to one. Yeah,

1:00:57.920 --> 1:01:00.640
<v Speaker 2>so that's about yeah, that's about right, six foot tall skeleton.

1:01:00.920 --> 1:01:05.400
<v Speaker 2>And so doctors use this. This is from the drawing

1:01:05.520 --> 1:01:08.800
<v Speaker 2>is from eighteen sixty seven. Whoa does it have the

1:01:08.920 --> 1:01:14.240
<v Speaker 2>artist's name on that? Hold on eighteen sixty seven, dude,

1:01:14.240 --> 1:01:17.120
<v Speaker 2>that's amazing. So we're gonna put this in the studio

1:01:18.800 --> 1:01:20.840
<v Speaker 2>on the wall. But I got to match it with something.

1:01:21.440 --> 1:01:31.120
<v Speaker 2>So this is Ludwig of course German, eighteen sixty seven.

1:01:32.360 --> 1:01:34.680
<v Speaker 2>And then there's a bunch of words in German yeah,

1:01:34.760 --> 1:01:37.400
<v Speaker 2>so German. Dude, dude, that's amazing. How much you don't

1:01:37.400 --> 1:01:39.160
<v Speaker 2>want to know? How much you don't that? No, I

1:01:39.240 --> 1:01:44.680
<v Speaker 2>really do two car tires. Oh my goodness, dude, that's

1:01:44.720 --> 1:01:48.600
<v Speaker 2>a that's amazing. Unfortunately, let me tell you when I

1:01:48.680 --> 1:01:50.920
<v Speaker 2>first saw that, I saw it and I'm like, what

1:01:51.000 --> 1:01:53.360
<v Speaker 2>did you buy? That's the stupidest thing anybody would ever buy.

1:01:53.680 --> 1:01:56.040
<v Speaker 2>But then you find out that it's that old and

1:01:56.280 --> 1:02:01.240
<v Speaker 2>it's a real piece of art, Like, that's actually really amazing, dude. Yeah,

1:02:01.440 --> 1:02:03.000
<v Speaker 2>I didn't know you were an art collector. I'm not.

1:02:03.160 --> 1:02:04.760
<v Speaker 1>My wife said, hey, I think there's the and she

1:02:04.840 --> 1:02:06.400
<v Speaker 1>doesn't play into the bones thing at all.

1:02:06.520 --> 1:02:08.760
<v Speaker 2>She kind of hates it. I didn't even put I

1:02:08.800 --> 1:02:12.720
<v Speaker 2>didn't put that together. Oh you guys, did Mike digit immediately? Yes,

1:02:12.760 --> 1:02:13.360
<v Speaker 2>so did I know?

1:02:13.720 --> 1:02:18.520
<v Speaker 1>And she said, there is this old doctor's drawing of

1:02:18.600 --> 1:02:20.720
<v Speaker 1>a skeleton that they use back in the eighteen hundreds

1:02:21.200 --> 1:02:24.200
<v Speaker 1>at this store, and the paper is weathered and old.

1:02:24.280 --> 1:02:27.680
<v Speaker 2>They've tried to preserve it. Yeah, she said, but I

1:02:27.760 --> 1:02:28.480
<v Speaker 2>hadn't put it aside.

1:02:28.520 --> 1:02:30.040
<v Speaker 1>If you go look at it and if you should

1:02:30.040 --> 1:02:32.360
<v Speaker 1>buy it for the studio. And so it's a six

1:02:32.440 --> 1:02:35.920
<v Speaker 1>foot like skeleton drawing best from the eighteen hundreds.

1:02:36.000 --> 1:02:38.560
<v Speaker 2>That's really cool. Cool, huh, it's really really This isn't

1:02:38.560 --> 1:02:40.600
<v Speaker 2>a giveaway, right Call her ten.

1:02:41.560 --> 1:02:44.360
<v Speaker 1>Call her ten on my cell phone right now. So

1:02:44.440 --> 1:02:46.520
<v Speaker 1>if you guys got on Netflix you can see that.

1:02:46.560 --> 1:02:49.080
<v Speaker 2>You can see it. Randon, Well we did. Yeah, that's

1:02:49.160 --> 1:02:51.760
<v Speaker 2>really cool man. All right, that's a wrap. I'm I

1:02:51.880 --> 1:02:52.480
<v Speaker 2>want to end with this.

1:02:53.840 --> 1:02:57.440
<v Speaker 1>I'm very upset at what and not angry, just disappointed

1:02:57.880 --> 1:03:00.960
<v Speaker 1>because this week there was a concert that you and

1:03:01.000 --> 1:03:02.320
<v Speaker 1>I would have for sure gone to, but you had

1:03:02.320 --> 1:03:03.840
<v Speaker 1>to leave town, I know. And I even asked my

1:03:03.880 --> 1:03:05.240
<v Speaker 1>wife and she would go, and she didn't want to go.

1:03:06.160 --> 1:03:08.680
<v Speaker 2>I know. So I haven't told my wife that I'm

1:03:08.720 --> 1:03:09.880
<v Speaker 2>not going to be able to go to this concert.

1:03:10.440 --> 1:03:15.080
<v Speaker 2>Is training bare necka Ladies and coming up.

1:03:15.640 --> 1:03:17.680
<v Speaker 1>If everything still goes to plan, Pat Mont and from

1:03:17.680 --> 1:03:19.360
<v Speaker 1>Train's going to be on this show. We haven't done

1:03:19.400 --> 1:03:22.800
<v Speaker 1>the interview yet, but he's coming up. And I said,

1:03:22.800 --> 1:03:23.880
<v Speaker 1>do you want to go to a Train? And she goes,

1:03:23.920 --> 1:03:25.280
<v Speaker 1>I don't know any of their songs. My wife's twelve

1:03:25.320 --> 1:03:27.560
<v Speaker 1>years younger than I am, and I said, yeah, she

1:03:27.920 --> 1:03:30.600
<v Speaker 1>knows their song. I said, you know at least four goes.

1:03:30.800 --> 1:03:32.040
<v Speaker 2>I would have said too, She says, I don't know

1:03:32.120 --> 1:03:35.120
<v Speaker 2>any she was six, she knew six of them. Yeah,

1:03:35.160 --> 1:03:40.760
<v Speaker 2>she knew play that song. I long, she knew that one.

1:03:41.000 --> 1:03:44.680
<v Speaker 2>She knew drops a Jupiter in her say yeah yeah.

1:03:45.360 --> 1:03:47.680
<v Speaker 1>And we're rolling through all these songs and she's like, yeah,

1:03:47.680 --> 1:03:49.000
<v Speaker 1>I know that one. And I'm like, I'm convincing her

1:03:49.040 --> 1:03:50.920
<v Speaker 1>that she's gonna go, and I'm like, let's go.

1:03:51.280 --> 1:03:52.560
<v Speaker 2>And I said, you do what you want to go now.

1:03:52.640 --> 1:03:54.400
<v Speaker 2>She's not, I'm good, I don't want to go. I

1:03:54.480 --> 1:03:56.760
<v Speaker 2>was like, so are you? So are you not going? Now?

1:03:56.800 --> 1:03:59.680
<v Speaker 2>I'm not going to go. Hey soulsa Hey soul sister.

1:04:00.920 --> 1:04:03.040
<v Speaker 2>Mister mister, well, I won't take Brandon.

1:04:03.240 --> 1:04:05.160
<v Speaker 1>I've already committed to not going with a baby because

1:04:05.160 --> 1:04:06.560
<v Speaker 1>we had to find somebody take the baby.

1:04:06.760 --> 1:04:08.640
<v Speaker 2>Can you imagine I took I took my baby to

1:04:08.640 --> 1:04:13.200
<v Speaker 2>a Jimmy Buffet concert. Dude, not even that. That's not

1:04:13.280 --> 1:04:15.200
<v Speaker 2>the one I freaked out at. I took I took

1:04:15.280 --> 1:04:19.920
<v Speaker 2>my baby. Must have been your baby's age to Stephen Marley,

1:04:20.320 --> 1:04:23.800
<v Speaker 2>Stephen and Damian Marley, Bob Marley's sons. And the first

1:04:23.840 --> 1:04:25.880
<v Speaker 2>thing my wife says, when we walked in, like, is

1:04:25.960 --> 1:04:31.400
<v Speaker 2>he gonna get high? We're like, probably, we should get

1:04:31.440 --> 1:04:31.920
<v Speaker 2>him out of here.

1:04:32.400 --> 1:04:34.920
<v Speaker 1>I'm not that into to go into anything right now

1:04:35.040 --> 1:04:39.120
<v Speaker 1>take a four month old. Okay, but but that had

1:04:39.160 --> 1:04:41.560
<v Speaker 1>been our one concert a year. We should go to

1:04:41.600 --> 1:04:42.000
<v Speaker 1>about one.

1:04:42.280 --> 1:04:45.240
<v Speaker 2>The other songs that she knew were, uh, that's a

1:04:45.440 --> 1:04:50.320
<v Speaker 2>dry by, ha ha ha, do you not good dear

1:04:50.520 --> 1:04:55.560
<v Speaker 2>to you? And this is not a dry by? The

1:04:55.680 --> 1:05:02.680
<v Speaker 2>other one was we did that so badly? Ca aga. Dude,

1:05:02.720 --> 1:05:05.320
<v Speaker 2>I forgot about that one. They have meet Virginia Virgina.

1:05:05.360 --> 1:05:08.320
<v Speaker 2>I can't wait to meet Virginia. That's how we first

1:05:08.360 --> 1:05:11.080
<v Speaker 2>were introduced to train and she was like, she didn't

1:05:11.120 --> 1:05:13.440
<v Speaker 2>know that one because it was so far back, and

1:05:13.560 --> 1:05:17.240
<v Speaker 2>I said, uh, mama works on Cobber reed.

1:05:17.880 --> 1:05:20.960
<v Speaker 1>She goes all their lines kind of dumb. I was like, well,

1:05:20.960 --> 1:05:22.600
<v Speaker 1>they just kind of sprinkle.

1:05:23.320 --> 1:05:24.880
<v Speaker 2>He likes to do a little too, like a virgin

1:05:24.960 --> 1:05:27.920
<v Speaker 2>your Madonna Like, he likes to do a lot, sprinkle

1:05:27.960 --> 1:05:30.440
<v Speaker 2>a little silly things. Yeah, but I like it. So

1:05:30.680 --> 1:05:32.880
<v Speaker 2>that's what's up, dang man. I know, well, I do

1:05:33.000 --> 1:05:36.000
<v Speaker 2>appreciate you not going, hey, I'm doing your honor. Now

1:05:36.000 --> 1:05:37.320
<v Speaker 2>that you say that you can give me a good talk.

1:05:37.320 --> 1:05:39.920
<v Speaker 2>I'm doing that in your honor. H Okay, that's it.

1:05:40.440 --> 1:05:42.960
<v Speaker 2>Thank you guys for watching, Thank you for listening. Be

1:05:43.040 --> 1:05:44.920
<v Speaker 2>sure to go back and check the arc aft.

1:05:44.960 --> 1:05:47.000
<v Speaker 1>We have a bunch of great Vanessa Carlton episode, which

1:05:47.000 --> 1:05:48.840
<v Speaker 1>we've referenced here a couple of times, is great. To

1:05:48.920 --> 1:05:52.080
<v Speaker 1>Kenny Chesney episode if you've missed that one, it's great

1:05:52.120 --> 1:05:55.400
<v Speaker 1>as well because he talks about Megan Maroney getting him.

1:05:55.280 --> 1:06:00.720
<v Speaker 2>To do She thinked my drack just because he was like,

1:06:00.880 --> 1:06:01.440
<v Speaker 2>I'm done with it.

1:06:02.080 --> 1:06:05.120
<v Speaker 1>And then if I can be a little bit braggy,

1:06:05.600 --> 1:06:07.680
<v Speaker 1>I got Megan Maroney on the episode that she came

1:06:07.720 --> 1:06:10.200
<v Speaker 1>in to do hair salon because she wasn't gonna do

1:06:10.240 --> 1:06:12.080
<v Speaker 1>it really and I said, you can't not do it.

1:06:12.600 --> 1:06:14.160
<v Speaker 1>And the first show that she did after that, she

1:06:14.240 --> 1:06:16.000
<v Speaker 1>played hair salon. And I don't think she's playing it

1:06:16.040 --> 1:06:18.160
<v Speaker 1>every show, but she was like, I don't play that anymore.

1:06:18.200 --> 1:06:19.840
<v Speaker 1>In the first show after I said you have to play.

1:06:19.720 --> 1:06:22.080
<v Speaker 2>Hair salon, that was all you. She did it. Good job.

1:06:22.200 --> 1:06:24.360
<v Speaker 1>So all right, that's what's up. Thank you guys for watching,

1:06:24.600 --> 1:06:25.920
<v Speaker 1>and we will see you guys next time.

1:06:27.600 --> 1:06:30.040
<v Speaker 5>Thanks for listening to a Bobby cast production,