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Speaker 1: Scottie, KURTI b I'm ready for you. What are you

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Speaker 1: going to do to make me laugh?

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Speaker 2: I'm gonna really make you laugh. Here it is stolen

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Speaker 2: Colorado tiny house found in Kansas.

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Speaker 1: Wow, stolen Colorado tiny house found in Kansas. Well, let's

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Speaker 1: pack it up and pack it in and move it

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Speaker 1: on out on this brand new episode of Bananas.

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Speaker 3: Cuz don't world?

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Speaker 2: Would you mind?

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Speaker 1: Billion pieces?

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Speaker 2: Would you? Bana guys, gals, non binary pals, Welcome to Bananas.

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Speaker 2: I am half of your host team, Kurt Brown Owler.

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Speaker 1: I am a banana boy number two Scotty Landas you

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Speaker 1: might hear, my voice sounds a little weird. I have laryngitis.

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Speaker 1: I'm not trying to seduce Kurt. I mean I am,

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Speaker 1: but not in a major way. And I'm not unenthusiastic.

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Speaker 1: I'm just trying not to blow my voice up.

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Speaker 2: And just a quick reminder for all you folks on

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Speaker 2: the East Coast June first, second, and third, I'm gonna

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Speaker 2: be in DC, so you can go to link on

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Speaker 2: the Instagram, and of course you should go. Before you

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Speaker 2: do that, you should go and see Scottie's movie The

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Speaker 2: Machine That Comes out the May.

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Speaker 1: May twenty six. I think May twenty Memorial Day weekend

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Speaker 1: if you're in the States May twenty six, twenty seventh,

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Speaker 1: or twenty eighth around the world if you're not in

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Speaker 1: the United States.

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Speaker 2: Pretty exciting, all right, I'm so excited about our guess.

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Speaker 2: She is a tremendous journalist, activist, and a fantastic stand

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Speaker 2: up comedian. She's also the host of the Bituation Room podcast.

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Speaker 2: Please Welcome, Francesca Fiorentini.

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Speaker 1: Hey, hello, welcome.

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Speaker 4: Hi, thanks for having me.

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Speaker 1: We're so glad to have you. And you seem to

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Speaker 1: be sitting on the set of tron. You have incredible

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Speaker 1: lighting behind.

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Speaker 4: Yeah. Yeah, it's either that or vander pump rules, depending

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Speaker 4: on who I'm talking to at the moment and what

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Speaker 4: inspires them. But then if I say her name and

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Speaker 4: you know whose name i'm I think you might know

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Speaker 4: whose name I mean, and I don't want to trigger

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Speaker 4: everyone's person that they might have. If I say her

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Speaker 4: name and ask her to change the light color, she

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Speaker 4: can change it.

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Speaker 1: Oh, I see.

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Speaker 4: Really yeah, yeah, yeah, it's very exciting.

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Speaker 2: Oh, that's kind of that's I'm pretty excited. Also, I

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Speaker 2: think in the past we have said her name and Phoebe,

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Speaker 2: and people's things started changing in their house because they

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Speaker 2: were listening to that loud.

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Speaker 4: I know that's vibes. It is Phoebe Bridgers. Phoebe, you're

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Speaker 4: doing great.

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Speaker 2: Alexa. Turn this up, Alexa, turn this up.

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Speaker 1: There we go beautiful. Subscribe five stars.

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Speaker 2: Alexa, subscribe.

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Speaker 1: Oh yeah, we put it till I blew my voice out, y'all,

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Speaker 1: and I'm so sorry. I went to Willie Nelson's ninetieth

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Speaker 1: birthday celebration at the Hollywood Bawl, so you will go, wow,

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Speaker 1: I didn't know anybody yells at a Willie Nelson concert.

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Speaker 1: Weel it's a four and a half hour concert because

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Speaker 1: Willie's ninety, so every act in like every white person

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Speaker 1: who's ever been born is on stage at one point

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Speaker 1: or another. Damn, and just from singing and screaming and

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Speaker 1: cheering along. And then I went to a Dodgers game

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Speaker 1: the next night, and today here we are, old old

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Speaker 1: baritone landis.

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Speaker 4: Just that's a really those are great reasons, though usually

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Speaker 4: my voice goes out when it was like, oh, I

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Speaker 4: went to a shitty bar and had a bad conversation

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Speaker 4: with someone whose name I forgot and was yelling over music,

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Speaker 4: you know what I mean, Like that's usually the like

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Speaker 4: and now someone you know, then I had a puff

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Speaker 4: of a cigarette and now I'm dead forever, you know,

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Speaker 4: Like that's.

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Speaker 2: There, it is. That's like I remember the first time

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Speaker 2: I did stand up after COVID. It was in like

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Speaker 2: May of twenty twenty one in Portland. And then Thursday

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Speaker 2: night did the show like yelling for the first time

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Speaker 2: on stage for an hour, which I hadn't done, and

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Speaker 2: then when it had some drinks and had like a

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Speaker 2: puff of a cigarette, and then the next day started

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Speaker 2: and then the next day started to lose my voice,

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Speaker 2: and then Saturday had no voice and then still had

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Speaker 2: to do two full hour long shows. So I was

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Speaker 2: just like squeaking through it. It was, it was, it

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Speaker 2: was insane. It was very like by the second show

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Speaker 2: on Saturday night, I was like got out. Yes, it

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Speaker 2: was the craziest eight I'm pretty much.

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Speaker 1: Wow, that's cool. Yeah, it's crazy that your throat is

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Speaker 1: a muscle. You forget that sometimes.

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Speaker 4: Yeah, I know, Rip Rush, I mean, mister Limba over there,

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Speaker 4: I mean that wasn't really larned. It was throat cancer.

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Speaker 2: The Banadian Progress oh, also.

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Speaker 4: The band, but mostly Rush Limbaugh. Yeah, Rush Limbaugh dying

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Speaker 4: of throat cancer is just so fitting and perfect and

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Speaker 4: may he rest in Hell? Sorry? Can I can?

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Speaker 2: I damn someone you can?

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Speaker 4: Yeah?

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Speaker 1: Okay, you're course, of course, you're our guest. You're allowed

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Speaker 1: to say whatever you do.

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Speaker 2: You want to hear about this story, Francesco Hell, Yeah, okay.

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Speaker 2: This story was sent in by Brandy Dakas. Thank you,

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Speaker 2: Brandy Dacas.

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Speaker 1: She's good. She came to oar Kansas City Show. I

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Speaker 1: think yes.

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Speaker 2: This was the title is stolen Colorado tiny house found

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Speaker 2: at Kansas Grain Elevator. I admit not an amazingly hilarious headline,

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Speaker 2: but the story is I think very beautiful. This is

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Speaker 2: on KTVR dot com. Thanks k DVR. There's DVR in there. Okay.

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Speaker 1: I love that.

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Speaker 2: This is from not attributed to Oh, it's a tribute

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Speaker 2: to Laura McMillan. Thank you, Laura. You're the best in

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Speaker 2: the business of writing about tiny houses. So this Hamilton County, Kansas.

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Speaker 2: Someone stole a tiny house in Colorado and hauled it

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Speaker 2: to Kansas, but thanks to some Kansas deputies, the homeowners

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Speaker 2: getting the house back. Hamilton County Sheriff Michael Wilson said

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Speaker 2: the Colorado State Patrol notified his office Sunday. I just

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Speaker 2: realized that this is definitely just a transcript of what

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Speaker 2: they said on TV. I just that's Isn't that funny?

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Speaker 2: Doesn't it sound exactly like someone stole a tiny house

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Speaker 2: in Colorado or hauled it to Kansas, But thanks to

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Speaker 2: some asas deputies, the homeowners getting the house back. Hamilton

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Speaker 2: County Sheriff Michael Wilson said the Colorado State Patrol notified

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Speaker 2: his office Sunday evening to be on the lookout for

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Speaker 2: a tiny house and then it was possibly headed toward Coolidge.

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Speaker 2: It had been taken from a farm in Ontario County, Colorado.

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Speaker 2: The Hamilton County Sheriff's office found the house at Schooler

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Speaker 2: Grain and Coolidge. Wilson said, for some reason, three men

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Speaker 2: were attempting to install lights on the tiny house. He

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Speaker 2: said their final destination was going to be Reno. One

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Speaker 2: of the alleged suspects from Reno, the other tour from Colorado.

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Speaker 2: Sheriff said the men also had allegedly stolen a trailer

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Speaker 2: and a bobcat. So they stole the trailer, stole a bobcat,

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Speaker 2: then used the Bobcat to hook up the trailer. Fun, yes,

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Speaker 2: and then stole the house on the trailer. So they

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Speaker 2: put a house on a trailer. It was this is

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Speaker 2: like it doesn't have wheels automatically.

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Speaker 4: No, it's like that the conundrum of like, you know,

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Speaker 4: you've got like a duck and a fox on one

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Speaker 4: side of the river, how do you get them over

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Speaker 4: or whatever? It was the third one right, like a lettuce,

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Speaker 4: and you've got right. This is like that but for robbery,

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Speaker 4: and I love it.

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Speaker 1: I love it too because also you could have tiny

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Speaker 1: houses aren't very big. You could have just built a

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Speaker 1: tiny house in in Georgia at this point, or in

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Speaker 1: Kansas at this point, you could have just built one.

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Speaker 1: Instead of stealing, stealing, stealing, towing, towing towing, just get

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Speaker 1: some plywood, build yourself a tiny little house.

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Speaker 4: Absolutely rented on Airbnb for five hundred a night.

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Speaker 2: Done.

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Speaker 4: I'm charmed like a fish eye lens. Make it look.

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Speaker 1: Huge, a welcome basket with some with some soaps that

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Speaker 1: nobody will ever use.

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Speaker 4: Absolutely three dollars wine.

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Speaker 2: You know that's soap.

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Speaker 4: When you put water on it, it doesn't it gets waxier.

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Speaker 1: Yeah, when you put water on your hands just feel

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Speaker 1: like they're covered in Waxah.

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Speaker 4: Yeah, get one of those.

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Speaker 2: But it's always it's always like the beach. The beachy's

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Speaker 2: smelling swave. Yeah, the tropical swave. That smell is specific

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Speaker 2: to an airbea tiny house Airbnb, Coke.

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Speaker 1: I had.

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Speaker 2: That's exactly the flavor that we had because I had

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Speaker 2: a tiny house that I rented in New York City,

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Speaker 2: ye and Queens. Before tiny house.

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Speaker 4: You had a tiny house in Queens.

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Speaker 2: I rented it, so it was I didn't own the

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Speaker 2: tiny house, but it was you. Yes, I did live

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Speaker 2: in it, but it was exactly like what you would

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Speaker 2: imagine a tiny house is. It's like you open the

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Speaker 2: door and then it's just the the bed is lofted

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Speaker 2: over the bathroom and then there's just a little tiny

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Speaker 2: kitchenette and then a couch and that was the whole thing.

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Speaker 2: But it was our surf shack. So we had ten

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Speaker 2: surfers who all paid one hundred dollars a month to

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Speaker 2: rent that shack for from like two thousand and one

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Speaker 2: to I think it's still we they just it just

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Speaker 2: went out of hands of one of the surfers. So

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Speaker 2: it was twenty two years that that people that I

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Speaker 2: started it and that it was had been going for

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Speaker 2: twenty two years. But I was there for eleven.

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Speaker 4: Years, close to surf to Queen's there right there, just

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Speaker 4: far Rockway.

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Speaker 2: Okay, literally it was a it was a quarter block

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Speaker 2: to the beach, to the surf beach.

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Speaker 4: It was That is an amazing reason to get a

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Speaker 4: tiny house.

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Speaker 2: It was great, especially for surfing in the winter. It

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Speaker 2: was like perfect, say, take the train out at night,

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Speaker 2: sleep there, wake up in the morning, do dawn patrol,

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Speaker 2: and then take a shower, and then go back to

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Speaker 2: work and then go to work.

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Speaker 1: It was crazy that you did that for so long

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Speaker 1: because that is such a long A or C ride.

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Speaker 1: That's crazy.

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Speaker 2: It's an hour and a half.

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Speaker 4: That's a long ride. And also, like I just I'm

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Speaker 4: so glad that in my life now I'm talking about surfers,

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Speaker 4: but have never like dated a surfer, like just because

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Speaker 4: I feel like I didn't. I mean, I don't know

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Speaker 4: how you were as a surfer, but I feel like,

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Speaker 4: you know, I just couldn't be that partner. I'm not

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Speaker 4: that ride or die And like I've you've seen the

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Speaker 4: T shirts which you like, you know, I'd rather be

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Speaker 4: surfing right now than like cuddling.

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Speaker 2: With you or whatever the wife exactly like.

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Speaker 4: And then there's a lot of like partners that make

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Speaker 4: their like surfers that make their partners like sit on

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Speaker 4: the beach and just watch them and go like yeah,

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Speaker 4: you know yeah.

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Speaker 2: And that is actually my downfall as a surfer is

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Speaker 2: that I'm a better partner than I am a surfer,

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Speaker 2: and so I don't get to surf very often. There

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Speaker 2: you go.

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Speaker 1: It was really a love fun because it also had

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Speaker 1: like an outdoor space. So in the summer, if Kurt

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Speaker 1: like come down, we'll drink some beers and eat some

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Speaker 1: barbecue or whatever. We would sit out there, but we

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Speaker 1: would sit essentially in the driveway of the homeowner that

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Speaker 1: had the house that the shack was behind, and that

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Speaker 1: person would just come out and talk to us, just

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Speaker 1: like that guy was like happy to have like young

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Speaker 1: people eating hot dogs in his driveway.

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Speaker 2: Yeah.

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Speaker 4: I love Rockaway. I love how sort of Yeah, I

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Speaker 4: don't know, it's not country, but like, what is it

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Speaker 4: like peninsula?

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Speaker 2: Yeah it's a peninsula.

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Speaker 4: Yeah for real, it's just very neighborhood vibes and I

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Speaker 4: like that.

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Speaker 2: No, I I loved it there. It's I think it's

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Speaker 2: really changed. But when I, you know, when I started

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Speaker 2: going out there in two thousand and one, it was

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Speaker 2: there was like the people who served were like you

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Speaker 2: count them on two hands. It was amazing.

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Speaker 1: I've never stayed in a tiny house like. I've stayed

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Speaker 1: in a lot of Airbnbs, and I can't think of

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Speaker 1: one that was like specifically one of those like two

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Speaker 1: hundred and sixty foot tiny house is kind of like

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Speaker 1: what you're describing with like a lofty bed over a kitchenette,

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Speaker 1: a little bathroom. I did stay in an apartment or

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Speaker 1: an airbnb in Spain once in Valencia, Spain, and the

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Speaker 1: photos of this place were like gorgeous. It was like

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Speaker 1: a six floor walk up. And the owner met me

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Speaker 1: and he was a really funny guy, and he was

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Speaker 1: showing me around and I noticed that the bathroom just

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Speaker 1: had a curtain no door, and I was like, so

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Speaker 1: no door, hump, But I didn't really care because I

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Speaker 1: was by myself. Yeah, and he goes, do you have

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Speaker 1: a like a lady friend traveling with you? Do you

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Speaker 1: have a girlfriend traveling with you? I was like no,

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Speaker 1: I don't, and he goes, we got a lot of

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Speaker 1: complaints about this curtain. What do you think? And I go,

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Speaker 1: I go yeah. Also because the bed was directly next

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Speaker 1: to the bathroom and the curtain and so like it

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Speaker 1: was it was a curtain like there were gaps on

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Speaker 1: both sides you could you could look in if you

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Speaker 1: had to. And he I was like, yeah, I guess

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Speaker 1: Americans don't like that. And he just turns and looks

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Speaker 1: at me. He goes, shy poopers. I was like, yeah,

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Speaker 1: I guess we are shy in Spain, in Valencia, Spain, and.

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Speaker 4: I got good friends there, shy shy poopers.

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Speaker 1: Like it was such a weird word combination. It'sania, yeah,

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Speaker 1: Banya and to hear in a Spanish accent, and I

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Speaker 1: just I thought he was gonna be like, no privacy,

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Speaker 1: or like I'll get a door, or or yeah, their problem,

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Speaker 1: not mine.

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Speaker 2: But yeah, shy poopers, shy poopers.

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Speaker 4: We here, We go like dogs.

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Speaker 2: You know, on each other everywhere at hot Tub for

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Speaker 2: the longest time, at the Virgil where we would do

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Speaker 2: our variety show in the green room, the door to

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Speaker 2: the bathroom was slatted like a closet slatted closet door,

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Speaker 2: so there so all sound and smells were free to travel.

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Speaker 4: The green room. Bathrooms are always like that, and then

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Speaker 4: Locke never works and you're like, I know I'm gonna

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Speaker 4: get walked in on. That's sort of one of my

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Speaker 4: persistent fears. I'm like waiting, waiting for that to end.

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Speaker 4: And now it's but it's like compounded because now I'm

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Speaker 4: just afraid that someone's gonna walk in on me on

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Speaker 4: the toilet, but on my phone on the toilet, because

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Speaker 4: we're all now, of course on our so it's not

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Speaker 4: only that you'll be like, oh no, no, no, you'll just

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Speaker 4: be like with your phone and your hand up liked.

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Speaker 4: And somehow that feels worse.

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Speaker 2: It feels worse because it's like you're not just doing it.

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Speaker 2: You're not just doing your business. You're in here just

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Speaker 2: scrolling while we're all waiting for you.

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Speaker 4: Oh you don't have inner peace. You can't just sit there,

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Speaker 4: go and stare visualize. I've never been in a tiny house.

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Speaker 4: I've never rented a tiny house. I want to. I

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Speaker 4: want I want that experience. They are cheaper, I don't mind.

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Speaker 4: But I decided to marry someone who's very tall, like

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Speaker 4: six ' six tall, And I'm really not bragging. I

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Speaker 4: do think that's a it's a liability, like I just

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Speaker 4: it is. It's you know, it's like, you know, I'm

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Speaker 4: we have a queen bed, and that's it's too small.

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Speaker 4: It's too small.

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Speaker 1: Oh yeah it is.

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Speaker 2: Oh I agree on Kurt six y four Kurt.

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Speaker 1: When you lie on a queen bed or smaller on

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Speaker 1: your stomach, do your feet hang off the bottom?

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Speaker 2: They often do. The main thing is when you put

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Speaker 2: someone in the bed with me, we're just touching. Yeah,

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Speaker 2: do you know what I mean? It's just like you're

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Speaker 2: never not going to be touching, which is oh so romantic.

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Speaker 2: But then after after ten years, it's like I just

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Speaker 2: want to lay it bed and fall asleep.

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Speaker 1: Yeah right.

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Speaker 4: God. Young people who so think that like they need

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Speaker 4: to be whole holding each other in order to be

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Speaker 4: in love when they're sleeping in the same bed, get

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Speaker 4: the fuck over it.

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Speaker 1: It's so true, kid.

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Speaker 2: Shit, you know what. So I this is one thing

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Speaker 2: that I noticed about this story after I was like,

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Speaker 2: this is funny that they just stole this house. The

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Speaker 2: number of tiny houses that get stolen. I just googled

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Speaker 2: tiny house stolen so many articles. Another one from tiny

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Speaker 2: home stolen in Depress de Pres shows up in woman's

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Speaker 2: yard twenty seven miles away. Someone stole a tiny house

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Speaker 2: and then just left it in another person's yard.

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Speaker 1: Incredible.

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Speaker 2: That was another one.

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Speaker 4: They were just using it for the night.

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Speaker 2: Yeah, a'gon please find stolen two story tiny house while

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Speaker 2: investigating man's property on unrelated charges. They just find a

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Speaker 2: stolen house on your property. So this happened like.

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Speaker 4: That means there's a lot. Yeah, people have a lot

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Speaker 4: of like hitches in wagon or whatever. Like like, however

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Speaker 4: you haul thing that cannot be hauled very trailor yes,

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Speaker 4: a trailer. It's like a little bit of the way

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Speaker 4: that you remember when smart cars there was like a

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Speaker 4: smart car tipping sensation and people would try and tip

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Speaker 4: them over it.

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Speaker 2: No, I don't for that.

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Speaker 4: That happened in San Francisco. There was like a you

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Speaker 4: get your smart car tipped, And I had a smart car,

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Speaker 4: so I was always very scared. But or it's like

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Speaker 4: back in the day when people would just like steal

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Speaker 4: your horse or your cow, you know, or your chicken.

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Speaker 2: Yeah, because it's a basic it's a basic thing. It's

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Speaker 2: a basic human thing, right, house, cow, chicken. That's why

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Speaker 2: I think what makes it funny. But speaking of smart cars.

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Speaker 2: I remember in Portland they used to have this smart

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Speaker 2: car thing where you could it was a it was

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Speaker 2: a car share, but they were all smart cars, and

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Speaker 2: my friend John Breen had like a you know, a

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Speaker 2: membership to that. So we would drive around in this

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Speaker 2: little smart car. But then he would only park it.

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Speaker 2: He would only park his smart He would find another

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Speaker 2: smart car that had a space behind it, and then

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Speaker 2: he would back in the wrong direction, so it was

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Speaker 2: just two smart cars butt to butt, and then he

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Speaker 2: would just leave it and it looked so funny. It

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Speaker 2: was the funniest possible way to park a smart car,

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00:18:17,359 --> 00:18:20,719
Speaker 2: but to butt to another smart car that's adorable.

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Speaker 1: It was like one car.

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Speaker 2: Yeah, but they're under.

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Speaker 4: We only parked together. Yeah. I was that person that like,

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Speaker 4: every time I saw another smart car, I would like

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Speaker 4: honk like I was a no no solidarity, no not zero.

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Speaker 4: Nobody gave a shit that I was also driving the same.

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Speaker 2: Car, because they're just angry that they can't carry their

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Speaker 2: groceries and a person. Absolutely, they're pretty cool though, they're great.

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Speaker 1: I was goofing one time. I was just buying dumb stocks,

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Speaker 1: like cheap penny stocks and stuff, and I saw this

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Speaker 1: one that was really cheap and it was Solo sol O,

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00:18:55,080 --> 00:18:57,400
Speaker 1: and I was like, oh, Solo cups. Everybody, yes those,

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00:18:57,400 --> 00:19:00,040
Speaker 1: So I bought like one hundred dollars of Solo and

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Speaker 1: then I found out that it's a car company that

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Speaker 1: makes one person cars. And then I saw some in Glendale.

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Speaker 1: They could not be stupider. They are the dumbest looking

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Speaker 1: car in the world. And I was like, what is

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00:19:12,680 --> 00:19:14,840
Speaker 1: that dumb car? It looks like a tear drop that

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Speaker 1: one person drives around by themselves.

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00:19:17,119 --> 00:19:20,760
Speaker 2: Those sad you know, Solo stands for sad or lonely

380
00:19:21,000 --> 00:19:22,960
Speaker 2: or both, the being silent.

381
00:19:26,920 --> 00:19:27,320
Speaker 1: Both.

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00:19:28,400 --> 00:19:31,399
Speaker 4: Yeah, it's like a bike with a hood a roof.

383
00:19:32,040 --> 00:19:32,639
Speaker 4: Very dumb.

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Speaker 1: Come on, I'm probably like the vice president of Solo International.

385
00:19:36,960 --> 00:19:38,960
Speaker 1: And I don't even know if, yeah, you have controling

386
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Speaker 1: interests with your one hundred dollars fifty of Solo.

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Speaker 4: Maybe during the apocalypse, like you know it's coming real soon.

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00:19:46,960 --> 00:19:48,840
Speaker 4: I'm getting a lot of signs. I don't know if

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Speaker 4: you are, like you're gonna be rich because everyone's gonna

390
00:19:53,119 --> 00:19:56,119
Speaker 4: want a Solo, you know, to like hide from whatever

391
00:19:56,160 --> 00:19:59,280
Speaker 4: the zombie virus or the fungai or whatever. We're obsessed

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Speaker 4: climate change.

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Speaker 1: You know, think all of them incredible.

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00:20:05,560 --> 00:20:08,760
Speaker 2: Do you want to get us another story there, Scottie.

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00:20:08,640 --> 00:20:11,000
Speaker 1: Well, I would love nothing more. This was sent in

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00:20:11,040 --> 00:20:14,040
Speaker 1: by so so so many ban animals. I bet Kirk

397
00:20:14,040 --> 00:20:16,440
Speaker 1: can probably even guess what it is. But Tiff Jane

398
00:20:16,480 --> 00:20:19,520
Speaker 1: and Gus G, who both send great stories, Scott it

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00:20:19,640 --> 00:20:20,119
Speaker 1: in first.

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00:20:20,440 --> 00:20:20,880
Speaker 2: Nice.

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00:20:21,240 --> 00:20:23,560
Speaker 1: Those are two separate people. Thank you Tiff Jane and

402
00:20:23,560 --> 00:20:27,240
Speaker 1: Gus G. This was on euronews dot Culture, which Kurt,

403
00:20:27,280 --> 00:20:29,880
Speaker 1: you're reading euronews dot culture four or five times a day.

404
00:20:29,960 --> 00:20:31,640
Speaker 2: I wake up in the morning and I got one

405
00:20:31,640 --> 00:20:34,480
Speaker 2: thought on my mind. Where's my coffee? Where's my euro

406
00:20:34,720 --> 00:20:38,600
Speaker 2: news journal? You're my euro news journal and I'm yelling

407
00:20:38,840 --> 00:20:42,640
Speaker 2: coffee euro news Journal. Now my three year old culture

408
00:20:42,920 --> 00:20:46,480
Speaker 2: is trained to rush over with an iPad showing only

409
00:20:46,640 --> 00:20:48,920
Speaker 2: and it's an iPad I reserve only for your own

410
00:20:49,200 --> 00:20:50,000
Speaker 2: Jews journal.

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00:20:50,680 --> 00:20:53,720
Speaker 4: Yeah yeah, and then you throw it at the wall say.

412
00:20:53,600 --> 00:20:59,200
Speaker 2: This is this is UK news journal. Get the other iPad.

413
00:21:00,200 --> 00:21:04,359
Speaker 1: News written by David Moriquand who is the best in

414
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Speaker 1: the biz b David Moriquond, What a ledge, what a

415
00:21:09,800 --> 00:21:14,320
Speaker 1: true ledge? In his time, woman has loud and full

416
00:21:14,359 --> 00:21:17,840
Speaker 1: body orgasm during la Philharmonic concert.

417
00:21:17,960 --> 00:21:19,800
Speaker 2: Oh yeah, what a story.

418
00:21:19,960 --> 00:21:21,679
Speaker 1: This is a great Jessica. Did you see this on

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Speaker 1: social media in the last forty eight hours?

420
00:21:23,840 --> 00:21:27,160
Speaker 4: I did, And because there's so much happening, I didn't

421
00:21:27,160 --> 00:21:29,119
Speaker 4: even read. I didn't even read more than that.

422
00:21:29,160 --> 00:21:33,920
Speaker 2: I was just like, wow, yeah, good, that's all indeed, right, Okay,

423
00:21:34,840 --> 00:21:35,960
Speaker 2: it's pretty damn good.

424
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Speaker 1: So David really is the best in the biz because

425
00:21:38,680 --> 00:21:42,880
Speaker 1: he just gets into it. Love music, love orgasms. Well,

426
00:21:42,920 --> 00:21:46,080
Speaker 1: it turns out that Chaikovsky's Symphony Number five can induce

427
00:21:46,160 --> 00:21:50,359
Speaker 1: more than just musical ecstasy. Cast yourself back to the

428
00:21:50,359 --> 00:21:52,840
Speaker 1: best concert you've ever been to. I mean we're talking

429
00:21:52,960 --> 00:21:56,800
Speaker 1: a really good gig here. Now think about a particularly

430
00:21:56,880 --> 00:22:01,760
Speaker 1: ear shattering orgasm. I mean David is going for Yeah. Well,

431
00:22:01,960 --> 00:22:05,080
Speaker 1: one woman attending a concert performed by the La Philharmonic

432
00:22:05,160 --> 00:22:08,440
Speaker 1: Orchestra at the Walt Disney Concert Hall made those two

433
00:22:08,520 --> 00:22:10,480
Speaker 1: worlds gloriously collide.

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00:22:10,800 --> 00:22:11,560
Speaker 4: Wow, David.

435
00:22:12,160 --> 00:22:16,679
Speaker 1: Indeed, audience members reported that a concert attendee on April

436
00:22:16,720 --> 00:22:20,040
Speaker 1: twenty eighth, Friday night, so you know, people are having

437
00:22:20,040 --> 00:22:24,760
Speaker 1: fun out there, delivered her own stirring performance by making

438
00:22:24,840 --> 00:22:29,720
Speaker 1: a loud, moaning sound, which supposedly supposedly was a full

439
00:22:29,920 --> 00:22:35,199
Speaker 1: blown orgasm. This happened while the orchestra was performing Tchaikovsky

440
00:22:35,280 --> 00:22:39,120
Speaker 1: Symphony Symphony Number five, a wonderful piece. So we hear

441
00:22:39,160 --> 00:22:42,800
Speaker 1: a euronette culture, aren't the least bit surprised. I also

442
00:22:42,920 --> 00:22:45,040
Speaker 1: listened to it this morning when I was finding banana

443
00:22:45,119 --> 00:22:49,000
Speaker 1: stories and not that bombastic of a piece. It's not

444
00:22:49,119 --> 00:22:51,280
Speaker 1: like bah bah bah bah blah blah buh buh buh.

445
00:22:51,480 --> 00:22:54,360
Speaker 1: Like it's not a big one. It's just a very soothing,

446
00:22:54,560 --> 00:22:56,440
Speaker 1: wonderful Also.

447
00:22:56,560 --> 00:22:58,480
Speaker 4: Yeah, first of all, you can't come to bah bah

448
00:22:58,520 --> 00:23:03,119
Speaker 4: blah blah blah blah ba ba bye. That's clownish, you

449
00:23:03,160 --> 00:23:05,280
Speaker 4: know you. It's gotta be soothing. It's got to be

450
00:23:05,440 --> 00:23:06,480
Speaker 4: like it's got to move you.

451
00:23:06,760 --> 00:23:08,160
Speaker 2: Yeah, it's got to be emotional.

452
00:23:08,480 --> 00:23:11,240
Speaker 1: Wait. Here's also, this is the La fill right, this

453
00:23:11,400 --> 00:23:14,440
Speaker 1: is the La phil Symphony Hall. Right, So you're right

454
00:23:14,560 --> 00:23:15,480
Speaker 1: here Los Angeles.

455
00:23:15,520 --> 00:23:17,600
Speaker 2: And for those been animals who do not live in

456
00:23:17,640 --> 00:23:20,040
Speaker 2: Los Angeles, what you need to know is as you

457
00:23:20,280 --> 00:23:23,800
Speaker 2: drive into Los Angeles and you drive through downtown, which

458
00:23:23,840 --> 00:23:25,800
Speaker 2: is the way that you come when you're coming from

459
00:23:25,840 --> 00:23:28,679
Speaker 2: the from out of town, you will see on your

460
00:23:28,800 --> 00:23:34,240
Speaker 2: right hand side a six story tall gentleman who.

461
00:23:34,359 --> 00:23:37,320
Speaker 5: Is the conductor of the La fill correct and he

462
00:23:37,440 --> 00:23:41,119
Speaker 5: has been postered on a like a parking garage, I

463
00:23:41,200 --> 00:23:43,920
Speaker 5: don't know, for ten years at least and at least

464
00:23:44,000 --> 00:23:47,120
Speaker 5: two years. And he and when you look at him,

465
00:23:47,160 --> 00:23:50,320
Speaker 5: you're not like that guy's gonna give anybody a full

466
00:23:50,400 --> 00:23:52,600
Speaker 5: body or as No, I.

467
00:23:52,640 --> 00:23:58,840
Speaker 4: No, no, I don't know he could. He's big. I mean,

468
00:23:58,880 --> 00:24:01,160
Speaker 4: looking at me, he's big. He's right there.

469
00:24:01,480 --> 00:24:02,000
Speaker 2: He's tall.

470
00:24:02,119 --> 00:24:06,000
Speaker 4: He needs a king size California king. And he's kind

471
00:24:06,000 --> 00:24:08,480
Speaker 4: of got like a like the penguin, you know, tuxedo

472
00:24:08,640 --> 00:24:11,560
Speaker 4: situation going on, give a violin. I don't know if

473
00:24:11,560 --> 00:24:12,280
Speaker 4: he's holding anything.

474
00:24:12,320 --> 00:24:14,360
Speaker 2: There's a bunch of them there and one of them

475
00:24:14,400 --> 00:24:16,560
Speaker 2: he has his own, and everybody else is on there

476
00:24:16,760 --> 00:24:17,520
Speaker 2: like little poster.

477
00:24:17,760 --> 00:24:20,320
Speaker 4: Is he the dude with like the the good middle part,

478
00:24:20,440 --> 00:24:21,439
Speaker 4: like that middle part with like the.

479
00:24:21,720 --> 00:24:24,360
Speaker 1: Guy that is the conductor. Yeah, and then yeah, guy

480
00:24:24,440 --> 00:24:27,800
Speaker 1: that's like the viola violin player that looks like Steven Spielberg.

481
00:24:27,840 --> 00:24:28,879
Speaker 1: There's this oh I'm.

482
00:24:28,760 --> 00:24:30,600
Speaker 4: Talking about the viola player.

483
00:24:30,720 --> 00:24:31,320
Speaker 2: Yes, okay.

484
00:24:31,400 --> 00:24:33,639
Speaker 1: Then there's a woman that looks like Naja from what

485
00:24:33,720 --> 00:24:35,760
Speaker 1: we do in the Shadows. Yes, right, there's a guy

486
00:24:35,800 --> 00:24:39,040
Speaker 1: that looks like young Judd Apatow and all of them

487
00:24:40,359 --> 00:24:41,639
Speaker 1: are not those people.

488
00:24:41,800 --> 00:24:44,400
Speaker 4: Cannot induce that kind of orgasm.

489
00:24:44,640 --> 00:24:47,520
Speaker 1: I mean, I love this. Is there more?

490
00:24:47,760 --> 00:24:48,640
Speaker 4: Is there more context?

491
00:24:48,680 --> 00:24:50,280
Speaker 2: Because I okay, yes there is.

492
00:24:50,720 --> 00:24:52,800
Speaker 1: Here's a quote a woman in the audience had a

493
00:24:52,880 --> 00:24:55,840
Speaker 1: loud and full body orgasm during the fifth second movement.

494
00:24:55,880 --> 00:24:58,040
Speaker 1: Also there are there is video and you can hear

495
00:24:58,160 --> 00:25:01,399
Speaker 1: her and it does sound like she's having or like

496
00:25:02,160 --> 00:25:06,560
Speaker 1: just like like what's actually pretty deep. It's not like

497
00:25:06,760 --> 00:25:09,880
Speaker 1: Meg Ryan like going for it when Harry met Sally,

498
00:25:10,000 --> 00:25:14,360
Speaker 1: but it's like, oh okay, it's like she really moans

499
00:25:14,520 --> 00:25:17,600
Speaker 1: it out. Okay, So yeah, here's the context because there

500
00:25:17,840 --> 00:25:21,120
Speaker 1: were eyewitnesses many Okay, Oh, here's the que A woman

501
00:25:21,200 --> 00:25:23,280
Speaker 1: in the audience had allowed and full body orgasm during

502
00:25:23,320 --> 00:25:28,240
Speaker 1: the fifth second movement, tweeted you guessed it. Francesca British

503
00:25:28,320 --> 00:25:33,280
Speaker 1: composer Magnus Finds, who is the brother of actor ref Finds,

504
00:25:33,880 --> 00:25:36,920
Speaker 1: of course didn't know he had that. Who was in attendance.

505
00:25:37,119 --> 00:25:37,359
Speaker 2: Wow.

506
00:25:37,560 --> 00:25:40,680
Speaker 1: The band politely carried on props to the La Phil

507
00:25:41,119 --> 00:25:45,680
Speaker 1: and Petre Iliach for bringing it on. However, in a

508
00:25:45,760 --> 00:25:48,679
Speaker 1: reply to Finds, his tweet. Another attendee suggested the moon

509
00:25:48,760 --> 00:25:51,720
Speaker 1: could have come from something quite different. I was there,

510
00:25:52,160 --> 00:25:54,520
Speaker 1: That is not what happened. The poor woman was having

511
00:25:54,600 --> 00:25:59,920
Speaker 1: a breakdown of some sort. This person said. Then find

512
00:26:00,000 --> 00:26:04,119
Speaker 1: and said, I ran all possible scenarios. Tourette's even was

513
00:26:04,240 --> 00:26:07,160
Speaker 1: in close proximity and had no less than eight other

514
00:26:07,320 --> 00:26:12,040
Speaker 1: friends coincidentally attending. We all reached the similar conclusion. She

515
00:26:12,200 --> 00:26:14,720
Speaker 1: remained for the rest of the show. Her demeanor was

516
00:26:14,880 --> 00:26:19,080
Speaker 1: in evidence. My corroborated take is merely an observation, an

517
00:26:19,200 --> 00:26:22,760
Speaker 1: organistic I just like no wonder we haven't heard of

518
00:26:23,760 --> 00:26:24,760
Speaker 1: his brother Agnes.

519
00:26:25,200 --> 00:26:29,200
Speaker 4: Find Magnus because he sounds like a pill, a snitch

520
00:26:29,280 --> 00:26:29,840
Speaker 4: and a pill.

521
00:26:30,160 --> 00:26:32,720
Speaker 2: Just like we ran a different scenarios and.

522
00:26:35,280 --> 00:26:38,040
Speaker 4: Let people orgasm in public Corah.

523
00:26:40,840 --> 00:26:45,000
Speaker 1: Meanwhile, a report from the Los Angeles Times quoted concertgoer

524
00:26:45,320 --> 00:26:48,479
Speaker 1: Molly Grant, a regular person the sound, which she described

525
00:26:48,520 --> 00:26:51,600
Speaker 1: as a scream slash moan, and saw the woman heavily breathing,

526
00:26:51,760 --> 00:26:54,440
Speaker 1: sitting with her partner. Quote her partner was smiling and

527
00:26:54,520 --> 00:26:57,560
Speaker 1: looking at her like in an effort not to shame her.

528
00:26:58,480 --> 00:27:01,520
Speaker 1: It was quite beautiful, it said. So it was an orgasm.

529
00:27:01,560 --> 00:27:02,400
Speaker 1: It's what we're getting too.

530
00:27:02,560 --> 00:27:05,080
Speaker 2: Also, what's interesting is that every single article I saw

531
00:27:05,200 --> 00:27:09,160
Speaker 2: for this, all of them said quote full body organism,

532
00:27:09,640 --> 00:27:12,200
Speaker 2: And it's like, unless we are we have spoken to

533
00:27:12,400 --> 00:27:16,639
Speaker 2: the woman, how do we know it wasn't just adorable orgasm,

534
00:27:18,560 --> 00:27:20,520
Speaker 2: this whole idea like full body.

535
00:27:20,520 --> 00:27:22,960
Speaker 4: Get up and do the wave like that's exactly like.

536
00:27:23,480 --> 00:27:25,800
Speaker 2: Little did she start doing that shaking thing.

537
00:27:27,560 --> 00:27:31,680
Speaker 4: Like I've never seen. I don't think I've ever seen

538
00:27:31,720 --> 00:27:37,359
Speaker 4: anyone orgasm and shake like that, like like a cartoon.

539
00:27:40,920 --> 00:27:43,600
Speaker 1: Well, maybe we need to go the orchestra more because

540
00:27:43,640 --> 00:27:45,320
Speaker 1: apparently this has happened before.

541
00:27:45,560 --> 00:27:48,120
Speaker 4: It's the last horny place in this country.

542
00:27:49,920 --> 00:27:53,359
Speaker 2: That come and go and pump and munch. Those are

543
00:27:53,440 --> 00:27:56,480
Speaker 2: the corniest places in America. The La phil and come

544
00:27:56,560 --> 00:27:56,760
Speaker 2: and go.

545
00:27:58,400 --> 00:28:00,560
Speaker 1: It would be funny. Our boy Dave the Best on

546
00:28:00,640 --> 00:28:03,920
Speaker 1: the Business Journalist said, don't be surprised if downloads of

547
00:28:03,920 --> 00:28:06,280
Speaker 1: Tchaikowsky starts to go through the roof, And that actually

548
00:28:06,320 --> 00:28:08,760
Speaker 1: would be so funny. That would be great if people

549
00:28:08,960 --> 00:28:12,040
Speaker 1: just went real hard to get that fifth in their life.

550
00:28:12,440 --> 00:28:14,760
Speaker 2: But also so I saw another article too about this

551
00:28:14,880 --> 00:28:17,639
Speaker 2: where a woman was like, here's she was like a

552
00:28:17,920 --> 00:28:20,480
Speaker 2: sex therapist. She's like, full body orgasms are real, here's

553
00:28:20,480 --> 00:28:22,399
Speaker 2: how you can get one, and then she went into it.

554
00:28:24,160 --> 00:28:27,680
Speaker 2: But the point I think of this article is that

555
00:28:27,800 --> 00:28:31,040
Speaker 2: the woman wasn't masturbating while listening to the music. It

556
00:28:31,160 --> 00:28:35,399
Speaker 2: was that the music itself gave her an orgasm, and

557
00:28:35,480 --> 00:28:38,640
Speaker 2: which We've talked to Mary Roach about that and Mary

558
00:28:38,760 --> 00:28:41,560
Speaker 2: Roach was like, yes, you can get an orgasm without

559
00:28:41,640 --> 00:28:43,560
Speaker 2: physically with with no physical touch.

560
00:28:43,680 --> 00:28:48,600
Speaker 4: Whatses If Mary Roach says that, then it must be true.

561
00:28:48,880 --> 00:28:51,520
Speaker 2: Yeah, she used a specific word for of what type

562
00:28:51,560 --> 00:28:55,160
Speaker 2: of a like the response it was, and she says

563
00:28:55,200 --> 00:28:56,840
Speaker 2: it does not require physical touch at all.

564
00:28:57,360 --> 00:28:57,680
Speaker 1: Cool.

565
00:28:58,240 --> 00:29:01,800
Speaker 4: My question is like, what is that like? Is it

566
00:29:01,960 --> 00:29:03,840
Speaker 4: does it have anything to do with genitals? Are we

567
00:29:03,920 --> 00:29:07,360
Speaker 4: talking about you know, which kind of stimulates you know

568
00:29:07,400 --> 00:29:11,120
Speaker 4: what I'm saying, like external? Internal? Or is it more

569
00:29:11,400 --> 00:29:12,560
Speaker 4: like a mind gasm?

570
00:29:12,840 --> 00:29:16,560
Speaker 2: It's well, I think orgasms can be triggered purely from

571
00:29:17,400 --> 00:29:20,880
Speaker 2: the mind. Is what she's saying is that it's not

572
00:29:21,160 --> 00:29:23,400
Speaker 2: it's not He doesn't want to.

573
00:29:23,440 --> 00:29:24,520
Speaker 4: Hear any more of it. Cool.

574
00:29:25,280 --> 00:29:27,280
Speaker 2: I just yeah, that's great.

575
00:29:27,640 --> 00:29:30,320
Speaker 1: Yeah, I can't. I sound bored, but I'm actually having

576
00:29:30,360 --> 00:29:32,720
Speaker 1: the time of my life over here, just not making

577
00:29:32,800 --> 00:29:34,040
Speaker 1: any high pitched squeaks.

578
00:29:34,520 --> 00:29:37,520
Speaker 4: I call bullshit. This sounds a little bit like it

579
00:29:37,720 --> 00:29:41,120
Speaker 4: just feels like it's like something that like, you know,

580
00:29:41,320 --> 00:29:44,600
Speaker 4: a myth about women that's been perpetuated, like they can

581
00:29:44,720 --> 00:29:46,920
Speaker 4: have orgasm. Well, actually they just have an orgasm with

582
00:29:47,000 --> 00:29:49,240
Speaker 4: their mind and their body and it doesn't matter. And

583
00:29:49,320 --> 00:29:53,600
Speaker 4: you know that's a scream of joy, not of pain.

584
00:29:55,000 --> 00:29:59,080
Speaker 4: Like I don't know, I guess, hmm, I don't know

585
00:29:59,120 --> 00:30:02,480
Speaker 4: what you would do in the situation. I love, I'm

586
00:30:02,520 --> 00:30:06,120
Speaker 4: thinking about a fart, like people who publicly fart, you know, sure,

587
00:30:06,800 --> 00:30:09,720
Speaker 4: sort of not the same. I guess there's two things

588
00:30:09,800 --> 00:30:12,240
Speaker 4: to say. One would people publicly.

589
00:30:13,240 --> 00:30:17,440
Speaker 2: It's not people. It's not the same at all. But

590
00:30:17,600 --> 00:30:18,080
Speaker 2: you got it.

591
00:30:18,200 --> 00:30:20,040
Speaker 4: You want to laugh. It's like we've all heard this.

592
00:30:20,720 --> 00:30:21,280
Speaker 2: What do we do?

593
00:30:21,560 --> 00:30:24,400
Speaker 4: We want to laugh? How does the person who you

594
00:30:24,520 --> 00:30:27,160
Speaker 4: know dealt it? How are they feeling about it?

595
00:30:27,360 --> 00:30:27,520
Speaker 1: Why?

596
00:30:27,560 --> 00:30:29,400
Speaker 2: Why don't we talk to her? I don't understand why

597
00:30:29,440 --> 00:30:31,440
Speaker 2: we don't We can't talk to this woman. I guess

598
00:30:31,480 --> 00:30:33,760
Speaker 2: because it's just based on a tweet from Ray.

599
00:30:33,800 --> 00:30:37,360
Speaker 1: Fine, there are video, there is video, but yeah, it's like, also,

600
00:30:38,080 --> 00:30:41,200
Speaker 1: how unless she's self reports it's just a person in

601
00:30:41,240 --> 00:30:42,640
Speaker 1: a crowd who bought a ticket. What are we going

602
00:30:42,680 --> 00:30:45,320
Speaker 1: to go through a credit card information? She's just another

603
00:30:45,440 --> 00:30:48,520
Speaker 1: woman in another orchestra somewhere in the world getting off

604
00:30:48,720 --> 00:30:54,320
Speaker 1: on Chaikovsky's fifth. Pretty cool. I went to went right

605
00:30:54,400 --> 00:30:56,080
Speaker 1: before I got my first TV job, when I was

606
00:30:56,120 --> 00:30:59,760
Speaker 1: working Red Bull, they tried to do this thing and

607
00:31:00,160 --> 00:31:04,200
Speaker 1: it was they were doing a Red Bull Orchestra event

608
00:31:04,280 --> 00:31:07,320
Speaker 1: symphony event in Carnegie Hall in two thousand and nine

609
00:31:07,440 --> 00:31:09,640
Speaker 1: or ten, and we got to go and they it

610
00:31:09,680 --> 00:31:11,680
Speaker 1: made it seem like we were VIP since we worked

611
00:31:11,680 --> 00:31:13,360
Speaker 1: for the company. They sat us so high up in

612
00:31:13,440 --> 00:31:17,240
Speaker 1: the highest, highest highest balcony. It was it was beyond

613
00:31:17,320 --> 00:31:17,920
Speaker 1: the cheap seas.

614
00:31:18,000 --> 00:31:22,720
Speaker 2: Yeah in this vip ye. Yes, it's it's definitely a

615
00:31:22,960 --> 00:31:24,280
Speaker 2: very interesting place.

616
00:31:28,480 --> 00:31:31,120
Speaker 1: So they hyped it up to us like we're going

617
00:31:31,200 --> 00:31:33,800
Speaker 1: to change music in the same way we've changed extreme

618
00:31:33,880 --> 00:31:38,400
Speaker 1: sports and car racing, wow and energy as we know it.

619
00:31:38,920 --> 00:31:41,360
Speaker 1: And they said, we're going to have DJ Radar and

620
00:31:41,520 --> 00:31:44,720
Speaker 1: he's going to play with a full symphony orchestra. It's

621
00:31:44,840 --> 00:31:47,120
Speaker 1: going to blow your mind. And it had a name

622
00:31:47,160 --> 00:31:49,600
Speaker 1: that I can't remember, but it was like orchestro It

623
00:31:49,680 --> 00:31:55,680
Speaker 1: was like Orchestrey s with an A, and it is

624
00:31:56,280 --> 00:32:01,120
Speaker 1: to this day the lamest performance piece of I've ever

625
00:32:01,240 --> 00:32:04,920
Speaker 1: seen anywhere in my entire life. Like I have seen

626
00:32:05,040 --> 00:32:08,960
Speaker 1: paper plates blowing away from picnics with more pizazz than

627
00:32:09,200 --> 00:32:14,800
Speaker 1: DJ Radar at Carnegie hallstra, Yeah, is that what it is?

628
00:32:14,920 --> 00:32:17,479
Speaker 4: Did you probably art chestra know? But that's I mean,

629
00:32:17,480 --> 00:32:19,520
Speaker 4: I storted with an A. It sounds awful.

630
00:32:20,080 --> 00:32:23,360
Speaker 1: Yeah, I would if the bananas the ban animals are

631
00:32:23,480 --> 00:32:26,440
Speaker 1: bored at work and just need a laugh. I'm sure

632
00:32:26,760 --> 00:32:29,680
Speaker 1: it's on YouTube. And just the lights were too bright.

633
00:32:29,840 --> 00:32:31,920
Speaker 1: There wasn't like a laser light. It didn't look like

634
00:32:32,000 --> 00:32:35,800
Speaker 1: Francesca's room. It wasn't like colorful and beautiful. It was

635
00:32:36,040 --> 00:32:40,360
Speaker 1: just a DJ scratching and then like violins and wood instruments,

636
00:32:40,440 --> 00:32:44,160
Speaker 1: kind of like scratching their instruments. No, no, no, I'm

637
00:32:44,200 --> 00:32:46,720
Speaker 1: telling you it sucked ass. There was a reason that

638
00:32:46,880 --> 00:32:48,880
Speaker 1: nobody knows what I'm talking about, and there was never

639
00:32:48,960 --> 00:32:51,479
Speaker 1: another one. It was also my first time in Carnegie Hall,

640
00:32:51,520 --> 00:32:53,640
Speaker 1: and I'm like, this is so great. We are setting

641
00:32:53,720 --> 00:32:57,400
Speaker 1: the bar so low that I could have watched the

642
00:32:57,520 --> 00:33:00,480
Speaker 1: main custodian mop the stage and it would have been

643
00:33:00,760 --> 00:33:04,920
Speaker 1: far more entertaining than DJ Radiar Radar at Carnegie Hall,

644
00:33:05,640 --> 00:33:10,440
Speaker 1: dar Ray Darkiest, Ray Darkest. It was sucked, but it

645
00:33:10,560 --> 00:33:11,680
Speaker 1: was I was fat.

646
00:33:12,800 --> 00:33:13,360
Speaker 2: I dude.

647
00:33:13,480 --> 00:33:17,360
Speaker 4: I just have to say, like I in terms of orgasming,

648
00:33:17,680 --> 00:33:22,280
Speaker 4: in like classical music making you orgasm, I get it

649
00:33:22,720 --> 00:33:26,240
Speaker 4: a little bit in that, you know, I feel like

650
00:33:26,360 --> 00:33:28,920
Speaker 4: a sign of age is whether or not you respond

651
00:33:29,000 --> 00:33:31,560
Speaker 4: to classical music. When I was in my twenties, I

652
00:33:31,680 --> 00:33:34,520
Speaker 4: was like, what, no, I'm not studying. Even if I

653
00:33:34,760 --> 00:33:37,000
Speaker 4: was like I'm not, I don't want to listen to

654
00:33:37,040 --> 00:33:38,600
Speaker 4: classical reminds me of whatever my.

655
00:33:38,680 --> 00:33:39,360
Speaker 2: Mom, my, dad.

656
00:33:40,400 --> 00:33:43,880
Speaker 4: And then at like thirty five, I think a light

657
00:33:44,080 --> 00:33:45,840
Speaker 4: switch and it was like now you got to pee

658
00:33:45,840 --> 00:33:47,640
Speaker 4: in the middle of the night. Number one of course,

659
00:33:48,440 --> 00:33:52,200
Speaker 4: and two just like Broms started playing and I was like,

660
00:33:52,360 --> 00:33:56,640
Speaker 4: what is this beautiful melody? Why do I feel things

661
00:33:56,720 --> 00:33:59,000
Speaker 4: I've never you know? And it was just like that.

662
00:33:59,080 --> 00:34:01,240
Speaker 4: It was like no night and day. Maybe when I

663
00:34:01,360 --> 00:34:05,200
Speaker 4: turned thirty five, welcome to classical This is your the

664
00:34:05,280 --> 00:34:08,040
Speaker 4: rest of your life now. And so I can imagine

665
00:34:08,120 --> 00:34:11,480
Speaker 4: by the time you know, I completely you know, never

666
00:34:11,640 --> 00:34:15,040
Speaker 4: have actual physical sex because we're just so tired and

667
00:34:15,160 --> 00:34:19,240
Speaker 4: worn down from life. You know that going to a concert,

668
00:34:19,360 --> 00:34:22,000
Speaker 4: going to an orchestra at age, I don't know, seventy

669
00:34:22,160 --> 00:34:26,200
Speaker 4: sixty five, it might, you know, excite me in that

670
00:34:26,360 --> 00:34:28,719
Speaker 4: way that I hadn't felt in many years. And then

671
00:34:28,800 --> 00:34:30,880
Speaker 4: I would, you know, hump a cello.

672
00:34:31,000 --> 00:34:33,800
Speaker 1: Probably Thank you for being open about that. Yeah, I

673
00:34:33,840 --> 00:34:37,080
Speaker 1: know you're welcome. You're welcome. Phisticated adult way to handle this,

674
00:34:37,440 --> 00:34:40,239
Speaker 1: Thank you, Curdi b you want to tease us into

675
00:34:40,280 --> 00:34:41,719
Speaker 1: a hot, hot commercial break?

676
00:34:41,840 --> 00:34:46,160
Speaker 2: Yeah, I'm going to give Francesca a choice here. Do

677
00:34:46,360 --> 00:34:50,400
Speaker 2: you want pasta news? Do you want potato news? Or

678
00:34:50,520 --> 00:34:53,719
Speaker 2: do you want Garfield news? God, he's good, Curtis so

679
00:34:53,800 --> 00:34:54,120
Speaker 2: good at this.

680
00:34:54,320 --> 00:34:55,680
Speaker 4: I always want pasta news.

681
00:34:55,719 --> 00:35:00,399
Speaker 2: All right, Great, here it is. This was estimated three

682
00:35:00,719 --> 00:35:04,920
Speaker 2: hundred to four hundred pounds of pasta dumped in Old Bridge,

683
00:35:05,000 --> 00:35:05,640
Speaker 2: New Jersey.

684
00:35:07,719 --> 00:35:08,160
Speaker 1: I love that.

685
00:35:08,840 --> 00:35:09,240
Speaker 2: Crazy.

686
00:35:09,360 --> 00:35:11,640
Speaker 1: We'll be well, use your noodle while you listen to

687
00:35:11,800 --> 00:35:15,120
Speaker 1: these beautiful advertisements on bananas.

688
00:35:43,200 --> 00:35:45,240
Speaker 2: Folks, we are back. Welcome back, Scotty.

689
00:35:45,280 --> 00:35:47,799
Speaker 1: You got any shoutout as far as I do, Buddy boy,

690
00:35:47,960 --> 00:35:50,800
Speaker 1: we've been getting an avalanche. So if you've been like,

691
00:35:50,960 --> 00:35:54,080
Speaker 1: why hasn't Scotty said my shout out? It'll come. We're

692
00:35:54,120 --> 00:35:56,480
Speaker 1: doing We're doing a solo episode with just Kurty B

693
00:35:56,560 --> 00:35:58,160
Speaker 1: and I next week. I'm on a bang through like

694
00:35:58,280 --> 00:36:03,040
Speaker 1: ten of them. But first and foremost, Rachel Farley wants

695
00:36:03,080 --> 00:36:05,799
Speaker 1: to shout out her mother, Janet Farley, because Rachel broke

696
00:36:05,880 --> 00:36:09,600
Speaker 1: her right foot recently. Janet dropped everything she was doing

697
00:36:09,680 --> 00:36:11,919
Speaker 1: and drove eight hours to take care of her daughter.

698
00:36:12,840 --> 00:36:16,800
Speaker 1: Rachel also introduced Janet to bananas. Here's where it gets great. Okay,

699
00:36:18,200 --> 00:36:21,720
Speaker 1: Janet doesn't like cursing. She doesn't like cussing, she doesn't

700
00:36:21,800 --> 00:36:25,680
Speaker 1: like blue language, and sometimes we're an adult podcast. Francisca,

701
00:36:25,719 --> 00:36:31,160
Speaker 1: we're an adult I'm so sorry, but Janet looks beyond it.

702
00:36:31,360 --> 00:36:37,000
Speaker 1: She ignores our cursing because she loves bananas so much so, Janet,

703
00:36:37,160 --> 00:36:40,200
Speaker 1: you're awesome, great mom, Rachel heal quick, thanks for listening.

704
00:36:41,160 --> 00:36:43,960
Speaker 1: Isla Birch has a rare double shout out, kind of

705
00:36:44,000 --> 00:36:46,000
Speaker 1: like when you get two bananas in one peel. Yeah,

706
00:36:46,440 --> 00:36:50,520
Speaker 1: never happens. Isla Birch is also a fantastic name. Isla

707
00:36:50,560 --> 00:36:53,560
Speaker 1: Birch should shout out. Wants to shout out her husband,

708
00:36:53,680 --> 00:36:56,400
Speaker 1: who is starting his own pediatric clinic and already has

709
00:36:56,480 --> 00:36:58,600
Speaker 1: one under patience signed up. He was part of a

710
00:36:58,680 --> 00:37:01,680
Speaker 1: larger hospital system. No no, no, no no, and started

711
00:37:01,719 --> 00:37:06,360
Speaker 1: his own. So I'm guessing it's doctor Birch. Congratulations, doctor Birch, babe.

712
00:37:07,640 --> 00:37:09,719
Speaker 1: And Isla, like I said, is also shouting her own

713
00:37:09,840 --> 00:37:13,480
Speaker 1: damn self out forgetting her master's in social work. After

714
00:37:13,520 --> 00:37:16,560
Speaker 1: seeing so many injustices in twenty twenty, she went back

715
00:37:16,560 --> 00:37:20,520
Speaker 1: to school. Oh awesome, And now she is working for

716
00:37:20,640 --> 00:37:25,319
Speaker 1: policy change for children and families in Idaho, which it's

717
00:37:25,440 --> 00:37:28,160
Speaker 1: hard to change policies in Idaho. They aren't the most

718
00:37:28,239 --> 00:37:33,360
Speaker 1: flexible people. And they are the gemstones of people, hard, cold,

719
00:37:34,760 --> 00:37:39,560
Speaker 1: beautiful and beautiful. But yeah, but you don't want one

720
00:37:39,960 --> 00:37:40,919
Speaker 1: riding up your ass.

721
00:37:41,200 --> 00:37:45,160
Speaker 4: I know one needs good people though, so yes, so good.

722
00:37:45,080 --> 00:37:48,399
Speaker 1: For you, Isla. She did all of this while also

723
00:37:48,520 --> 00:37:50,800
Speaker 1: taking care of her two daughters. So Isla, way to go,

724
00:37:51,040 --> 00:37:54,520
Speaker 1: Doctor Birch, way to go, or Isla's partner, way to go.

725
00:37:54,680 --> 00:37:57,720
Speaker 1: You guys sound like you're awesome, Ben animals in Idaho

726
00:37:57,960 --> 00:38:01,759
Speaker 1: and last but not least, And this one is me

727
00:38:02,080 --> 00:38:06,440
Speaker 1: just making this a point to say this. Dorothy Alfonso Dorothy.

728
00:38:07,560 --> 00:38:10,479
Speaker 1: We met her in Portland, Kurt after our live show.

729
00:38:10,760 --> 00:38:14,160
Speaker 1: She was the wonderful Bananamal who gave us the pigeon

730
00:38:14,280 --> 00:38:15,040
Speaker 1: backpack pack.

731
00:38:15,239 --> 00:38:19,759
Speaker 2: Yes, the little baby pigeon backpacks, the yellow banana pigeon backpacks.

732
00:38:19,920 --> 00:38:22,919
Speaker 1: Francesca, we've covered a couple news stories. We covered one story,

733
00:38:22,960 --> 00:38:24,960
Speaker 1: but it's happened to many times where people will fly

734
00:38:25,200 --> 00:38:29,360
Speaker 1: meth into prisons on pigeons wearing cute little pigeon backpacks.

735
00:38:29,360 --> 00:38:32,840
Speaker 1: And we see, God, I want pigeon backpacks. And Dorothy Alfonso,

736
00:38:33,080 --> 00:38:35,719
Speaker 1: the great Bananamal Kurt dare I say it banana of

737
00:38:35,920 --> 00:38:38,839
Speaker 1: the week, Yes, hell yeah, made Kurt and I two

738
00:38:39,280 --> 00:38:42,600
Speaker 1: little yellow, jan sporty looking pigeon backpacks and gave it

739
00:38:42,680 --> 00:38:44,719
Speaker 1: to us. We both kept them and I have mine

740
00:38:44,760 --> 00:38:48,000
Speaker 1: Kurt as his Thank you, Dorothy. That is so funny

741
00:38:48,080 --> 00:38:49,040
Speaker 1: and so well done.

742
00:38:49,520 --> 00:38:51,680
Speaker 4: Oh that's awesome. And you guys can put your meth

743
00:38:51,760 --> 00:38:52,240
Speaker 4: in there.

744
00:38:52,239 --> 00:38:54,000
Speaker 2: Now, that's where I keep my mass.

745
00:38:54,520 --> 00:38:56,880
Speaker 1: When we're striking with the WJA, we're going to carry

746
00:38:56,920 --> 00:38:59,080
Speaker 1: meth in a little on the napes of our mack.

747
00:38:59,520 --> 00:39:02,640
Speaker 2: Yeah. And of course we are here with the fantastic

748
00:39:03,000 --> 00:39:07,960
Speaker 2: Francesca Fiorentini and Francesca's podcast Thebituation Room tell us a

749
00:39:07,960 --> 00:39:09,120
Speaker 2: little bit about your podcast.

750
00:39:09,200 --> 00:39:09,520
Speaker 1: Friendly.

751
00:39:09,880 --> 00:39:13,600
Speaker 4: Yeah, it's like a weekly show with comedians and experts

752
00:39:13,640 --> 00:39:16,799
Speaker 4: and activists and it's you know, newsy but also fun.

753
00:39:16,960 --> 00:39:19,440
Speaker 4: So if you want to hear about the news and

754
00:39:19,520 --> 00:39:23,279
Speaker 4: what's going on, but also you know, take the edge

755
00:39:23,320 --> 00:39:26,080
Speaker 4: off a little bit. All of my comedian guests like

756
00:39:26,320 --> 00:39:29,919
Speaker 4: Kurt do a great job at doing that. So yeah,

757
00:39:30,200 --> 00:39:33,080
Speaker 4: Situation Room. It's a live stream also on YouTube and twitch.

758
00:39:33,360 --> 00:39:36,720
Speaker 2: Wow, it's delightful, So you should go listen. Everybody sounds

759
00:39:36,760 --> 00:39:38,440
Speaker 2: like a sister podcast to Bananas.

760
00:39:38,480 --> 00:39:41,239
Speaker 1: Really it sounds like we are very we are.

761
00:39:41,520 --> 00:39:45,360
Speaker 4: Siblings sometimes, yes, I mean you gotta have some of

762
00:39:45,440 --> 00:39:47,880
Speaker 4: these light news stories to like get us through the

763
00:39:48,000 --> 00:39:51,880
Speaker 4: slog you know. Then you talk about the budget like.

764
00:39:52,080 --> 00:39:57,080
Speaker 2: You well, hear about this. Somebody over budgeted how much

765
00:39:57,239 --> 00:39:58,239
Speaker 2: pasta they need?

766
00:39:58,719 --> 00:39:59,279
Speaker 1: Damn music?

767
00:39:59,520 --> 00:40:02,840
Speaker 2: Thank you so much. This was sent in by Carrie Panya.

768
00:40:03,080 --> 00:40:07,560
Speaker 2: Thank you, Carrie. This was on Reddit. In subreddit for

769
00:40:07,680 --> 00:40:12,200
Speaker 2: New Jersey. Estimated three three hundred to four hundred pounds

770
00:40:12,239 --> 00:40:15,640
Speaker 2: of pasta dumped an old bridge and this is all

771
00:40:15,719 --> 00:40:19,040
Speaker 2: the information we have and estimated three hundred to four

772
00:40:19,120 --> 00:40:23,040
Speaker 2: hundred pounds of pasta was mysteriously dumped alongside a creek

773
00:40:23,120 --> 00:40:26,239
Speaker 2: near Veterans Park in Old Bridge last week. It has

774
00:40:26,440 --> 00:40:29,320
Speaker 2: since been cleared by the township. The culprit has not

775
00:40:29,560 --> 00:40:33,680
Speaker 2: been apprehended, and that is all the information we have.

776
00:40:34,160 --> 00:40:37,680
Speaker 2: The pictures are so funny because it is not just

777
00:40:38,680 --> 00:40:42,399
Speaker 2: the same type of pasta it is. There's like two

778
00:40:42,560 --> 00:40:46,800
Speaker 2: hundred pounds of spaghetti and then like one hundred pounds

779
00:40:46,960 --> 00:40:51,319
Speaker 2: of elbows, and then looks like there's what else, what other?

780
00:40:51,480 --> 00:40:54,680
Speaker 2: What other pasta shapes are there that might actually be

781
00:40:54,960 --> 00:41:00,239
Speaker 2: like a fusili there's a little RIGATONI me too, uh,

782
00:41:00,920 --> 00:41:03,640
Speaker 2: And it looks like it's angel hair pasta as well.

783
00:41:04,080 --> 00:41:08,720
Speaker 2: And it is so much half of it is half

784
00:41:08,800 --> 00:41:12,839
Speaker 2: of it is has sauce on it, and the other

785
00:41:13,000 --> 00:41:16,680
Speaker 2: half is just by itself, but cooked, fully cooked cooked pasta.

786
00:41:16,800 --> 00:41:18,839
Speaker 4: Oh yeah, I'm thinking dry.

787
00:41:19,440 --> 00:41:23,680
Speaker 2: Oh no, no, no, fully cooked pasta. So I don't

788
00:41:23,680 --> 00:41:26,520
Speaker 2: even know where you can you can cook, Like what

789
00:41:26,719 --> 00:41:30,120
Speaker 2: kind of a vat requires to cook?

790
00:41:32,680 --> 00:41:35,160
Speaker 4: You just cooking in a matt boil that tiny house.

791
00:41:35,400 --> 00:41:37,560
Speaker 2: Yeah, you're just throwing in the house and light the

792
00:41:37,640 --> 00:41:38,600
Speaker 2: house on fire.

793
00:41:38,400 --> 00:41:43,080
Speaker 4: With absolutely I mean this is in Jersey.

794
00:41:42,880 --> 00:41:45,680
Speaker 2: Yeah, an old Bridge, this is in Jersey.

795
00:41:46,040 --> 00:41:49,560
Speaker 4: It's a lot of pasta. I'm going with a mob

796
00:41:49,719 --> 00:41:53,920
Speaker 4: connect y'all. I mean, look, my name is Francesca Orandini.

797
00:41:54,239 --> 00:41:57,560
Speaker 4: I am half Italian. I know, I know my people,

798
00:41:57,960 --> 00:42:01,760
Speaker 4: and they're they're put the squeeze on some small business.

799
00:42:01,840 --> 00:42:05,920
Speaker 4: We're gonna boil your busta. I don't know why it

800
00:42:06,040 --> 00:42:09,239
Speaker 4: sounds a little that sound a little scarface, but like,

801
00:42:09,800 --> 00:42:12,200
Speaker 4: we're just gonna take all this pasa that you imported.

802
00:42:12,200 --> 00:42:15,120
Speaker 4: Oh you you like this precious, amazing pass imported from Italy.

803
00:42:15,239 --> 00:42:17,880
Speaker 4: We're gonna boil it and ruin it. No, no, no,

804
00:42:18,120 --> 00:42:21,439
Speaker 4: kill my family, kill them all, kill my dog, put

805
00:42:21,480 --> 00:42:24,719
Speaker 4: a dead horsehead in my bed. No, just don't touch

806
00:42:24,760 --> 00:42:26,920
Speaker 4: the pase that we're gonna do it Like that's, you know,

807
00:42:27,600 --> 00:42:29,720
Speaker 4: the worst thing you could possibly do to an Italian.

808
00:42:29,880 --> 00:42:32,560
Speaker 2: I love, yes, I had no idea that you're only

809
00:42:32,680 --> 00:42:36,160
Speaker 2: half Italian, and I love that you're you're half Italian,

810
00:42:36,200 --> 00:42:38,520
Speaker 2: but your name is one hundred percent Italian.

811
00:42:39,360 --> 00:42:44,800
Speaker 4: My name so Italian, most Italian. It's so Italian that

812
00:42:45,560 --> 00:42:48,960
Speaker 4: kids in the hall had a joke like they had

813
00:42:49,000 --> 00:42:53,600
Speaker 4: a a character named Francesca Fiore that was supposed to

814
00:42:53,640 --> 00:42:58,200
Speaker 4: be such a ridiculously like Italian named Francisca Fiori, and

815
00:42:58,360 --> 00:43:00,800
Speaker 4: she was like an Italian man, no, no, and like, no,

816
00:43:00,960 --> 00:43:03,160
Speaker 4: my name is even crazier than that. If Franceisca, if

817
00:43:03,160 --> 00:43:05,240
Speaker 4: you had in d it's like damn.

818
00:43:06,080 --> 00:43:07,960
Speaker 1: Anyway, what do you say at Starbucks? Or what do

819
00:43:08,040 --> 00:43:09,800
Speaker 1: you say when you're getting your coffee and you have

820
00:43:09,840 --> 00:43:11,360
Speaker 1: to give him a name? Do you say Francesca?

821
00:43:12,280 --> 00:43:14,799
Speaker 4: I do say Francesca. Sometimes I'm like you fucking write

822
00:43:14,840 --> 00:43:18,880
Speaker 4: that whole thing down. You write it, Cesca, you do it.

823
00:43:19,000 --> 00:43:20,759
Speaker 4: And then other times I'm like, just say Fran, even

824
00:43:20,800 --> 00:43:23,359
Speaker 4: though I hate being called Fran, Like what EV's it's

825
00:43:23,400 --> 00:43:25,560
Speaker 4: Fran again? I'm old, I listen to Brahms.

826
00:43:25,960 --> 00:43:26,200
Speaker 2: Fran.

827
00:43:26,440 --> 00:43:28,319
Speaker 4: It's fine, we're going.

828
00:43:28,400 --> 00:43:31,560
Speaker 1: Scotty is an interesting one because Scotty actually sounds like

829
00:43:31,600 --> 00:43:33,600
Speaker 1: a lot of things if you don't say it very clear,

830
00:43:33,719 --> 00:43:37,400
Speaker 1: and so people would yell like stop. People would think

831
00:43:37,440 --> 00:43:39,840
Speaker 1: it's like instead Scott. They would be like stop, and

832
00:43:39,960 --> 00:43:42,439
Speaker 1: I'm like what they're calling me? So I started saying

833
00:43:42,480 --> 00:43:45,200
Speaker 1: OJ for years. I would give him OJ. I love

834
00:43:45,239 --> 00:43:47,239
Speaker 1: it OJ. As soon as you hear it too, It's

835
00:43:47,280 --> 00:43:48,799
Speaker 1: like very easy to hear in the crowd. And when

836
00:43:48,800 --> 00:43:50,120
Speaker 1: I was living in New York and you're, you know,

837
00:43:50,200 --> 00:43:52,120
Speaker 1: you're getting your breakfast sandwich on the way to work,

838
00:43:52,160 --> 00:43:55,640
Speaker 1: you'd be like OJ and but yeah, Scotty just never

839
00:43:55,760 --> 00:43:59,000
Speaker 1: works out. I have to enunciate so clearly for them

840
00:43:59,080 --> 00:44:02,440
Speaker 1: not to write the strangest things, which I think is

841
00:44:02,480 --> 00:44:04,120
Speaker 1: a fairly common name.

842
00:44:04,840 --> 00:44:05,040
Speaker 2: Yeah.

843
00:44:09,080 --> 00:44:13,600
Speaker 4: I also feel like lose pasta. I mean like, look,

844
00:44:13,880 --> 00:44:18,000
Speaker 4: I just feel like the creek life really benefited that day,

845
00:44:18,280 --> 00:44:19,480
Speaker 4: you know, and for months.

846
00:44:19,400 --> 00:44:20,280
Speaker 1: Right that's went wild?

847
00:44:22,600 --> 00:44:23,320
Speaker 4: Should they feast?

848
00:44:23,480 --> 00:44:27,280
Speaker 2: It was like this fucking serengetti of I don't understand

849
00:44:27,280 --> 00:44:28,480
Speaker 2: why it needed to be cleaned up.

850
00:44:29,080 --> 00:44:30,759
Speaker 1: Just letrain take it away.

851
00:44:30,960 --> 00:44:35,520
Speaker 2: Yeah, just five hundred pounds of pasta slowly floating back

852
00:44:35,560 --> 00:44:37,640
Speaker 2: into the creek where it came from.

853
00:44:38,280 --> 00:44:39,960
Speaker 4: This is like the beginning of it, you know, like

854
00:44:40,040 --> 00:44:42,600
Speaker 4: the clown comes out. It's like a bib on, It's

855
00:44:42,640 --> 00:44:44,239
Speaker 4: like slurping up all the angel hair.

856
00:44:44,360 --> 00:44:47,279
Speaker 1: Yeah, Pasta Monsters emerges when it colts right up on

857
00:44:47,360 --> 00:44:49,480
Speaker 1: old bikes, like come.

858
00:44:49,400 --> 00:44:54,160
Speaker 2: On in everything saw monster would honestly be probably terrifying,

859
00:44:54,640 --> 00:44:57,360
Speaker 2: like all long arms made out of spaghettis and like

860
00:44:57,480 --> 00:45:00,920
Speaker 2: fingers went made out of fusili and oh my god.

861
00:45:01,000 --> 00:45:03,400
Speaker 4: Yeah, I think it'd be a rigatoni on the on

862
00:45:03,480 --> 00:45:04,160
Speaker 4: the big on the.

863
00:45:04,840 --> 00:45:08,360
Speaker 2: And then little little elbows making up the like the

864
00:45:08,480 --> 00:45:10,880
Speaker 2: eyes and the and the eyebrows.

865
00:45:10,520 --> 00:45:12,480
Speaker 4: And confusing because you like want to eat him.

866
00:45:12,640 --> 00:45:15,360
Speaker 2: Yes, hey, but he's terrifying. He's very upsetting.

867
00:45:16,040 --> 00:45:18,920
Speaker 1: There's an Italian place in New York and LA called REOs,

868
00:45:19,000 --> 00:45:22,680
Speaker 1: I thinks, and it's right in LA. The one is

869
00:45:22,840 --> 00:45:25,759
Speaker 1: right near a studio, the TV and film studios. So

870
00:45:26,400 --> 00:45:28,160
Speaker 1: the first time I went, I might have told this

871
00:45:28,239 --> 00:45:30,640
Speaker 1: one before, but the first time I went, I go

872
00:45:30,800 --> 00:45:33,920
Speaker 1: in and I'm meeting somebody that's getting off work, and

873
00:45:34,000 --> 00:45:36,240
Speaker 1: they have like a concierge guy who is like straight

874
00:45:36,280 --> 00:45:38,520
Speaker 1: out of Jersey. He's got on like a three piece suit.

875
00:45:38,560 --> 00:45:40,520
Speaker 1: He's got like a stick pin in his tie, like

876
00:45:41,560 --> 00:45:44,800
Speaker 1: I mean, like amazingly stereotypically in New Jersey. And so

877
00:45:45,160 --> 00:45:46,719
Speaker 1: they're like, there's a small little bar. They're like, you

878
00:45:46,719 --> 00:45:48,280
Speaker 1: can say at the bar, I wait for my friends.

879
00:45:48,320 --> 00:45:50,640
Speaker 1: And he's like, yeah, haven't been here before, and I'm like,

880
00:45:50,840 --> 00:45:53,719
Speaker 1: now I haven't. He goes you gott I get the meatballs,

881
00:45:54,480 --> 00:45:56,080
Speaker 1: and I was like okay. And so they have a

882
00:45:56,160 --> 00:45:59,200
Speaker 1: giant meatball that's like as big as a grapefruit as

883
00:45:59,200 --> 00:46:01,560
Speaker 1: one of their appetis there. It's quite good. It's also

884
00:46:02,040 --> 00:46:03,799
Speaker 1: a lot of people in La Art meat eaters. It's

885
00:46:03,800 --> 00:46:06,120
Speaker 1: a bold choice. So then I go like two years

886
00:46:06,200 --> 00:46:09,000
Speaker 1: later with our buddy Tommy Kaprio who Kurt Brown older

887
00:46:09,080 --> 00:46:12,719
Speaker 1: knows the great Italian jersey name. And Tommy and I

888
00:46:12,840 --> 00:46:15,480
Speaker 1: go and we walk in together and the same guy's

889
00:46:15,520 --> 00:46:18,600
Speaker 1: there and he's like, you guys been in before, and

890
00:46:18,719 --> 00:46:20,759
Speaker 1: Tommy's like, yeah, we've been. You know here New York,

891
00:46:20,800 --> 00:46:23,879
Speaker 1: We've been and he goes, you gotta get the meatballs

892
00:46:24,080 --> 00:46:27,920
Speaker 1: and we're like, okay, so we do. Post twenty twenty,

893
00:46:27,960 --> 00:46:30,520
Speaker 1: I go so like, now like seven years have gone

894
00:46:30,560 --> 00:46:33,040
Speaker 1: by since that last one? Oh no? And I go

895
00:46:33,200 --> 00:46:36,120
Speaker 1: in and there's that guy suit all the shit, and

896
00:46:36,200 --> 00:46:37,560
Speaker 1: when he comes over to me, he's like, hey, you

897
00:46:37,600 --> 00:46:39,200
Speaker 1: ever been here before? I'm like, do I have to

898
00:46:39,239 --> 00:46:41,600
Speaker 1: try the meatballs? And he looks at me and he

899
00:46:41,719 --> 00:46:45,920
Speaker 1: like like calculates, and he goes, you gotta try the meatballs.

900
00:46:46,320 --> 00:46:49,080
Speaker 1: He just said it right back. It's just his thing.

901
00:46:49,560 --> 00:46:50,839
Speaker 4: He didn't recalibrate.

902
00:46:50,960 --> 00:46:53,839
Speaker 2: He just like I'm still gonna say it for him. Yeah,

903
00:46:53,880 --> 00:46:55,719
Speaker 2: I'm still gonna say it. I get a full body

904
00:46:55,840 --> 00:46:57,800
Speaker 2: orgasm when I say you gotta try the meat balls.

905
00:46:57,960 --> 00:46:59,400
Speaker 2: I'm not gonna say.

906
00:46:59,239 --> 00:47:01,600
Speaker 1: It to you. It was the funniest response he could

907
00:47:01,640 --> 00:47:03,759
Speaker 1: have said to me instead of like, hey, give me

908
00:47:03,880 --> 00:47:05,920
Speaker 1: one of those like punches, like you're embarrassing me. But

909
00:47:06,080 --> 00:47:07,920
Speaker 1: I work here so I can't. But no, yeah, you

910
00:47:08,040 --> 00:47:09,200
Speaker 1: gotta try the meat back.

911
00:47:09,320 --> 00:47:13,320
Speaker 4: At this point, he's just an animatronic like mascot outside

912
00:47:13,400 --> 00:47:13,880
Speaker 4: it right.

913
00:47:14,920 --> 00:47:17,520
Speaker 2: Oh man, I miss Jersey so much. I was hanging

914
00:47:17,520 --> 00:47:20,680
Speaker 2: out with my buddy from New Jersey yesterday in San Diego.

915
00:47:20,800 --> 00:47:23,439
Speaker 2: Mike Merril and his mom called while we were hanging

916
00:47:23,520 --> 00:47:26,800
Speaker 2: out and he answers the phone to his mom and

917
00:47:26,920 --> 00:47:28,839
Speaker 2: like puts it on speaker and right off the bat,

918
00:47:28,880 --> 00:47:30,200
Speaker 2: there's no hello or anything.

919
00:47:30,560 --> 00:47:34,439
Speaker 3: Mom just goes Landa Lake's cheese tastes like dog shit.

920
00:47:36,680 --> 00:47:38,880
Speaker 3: She's like, it tastes like plastic and that is the

921
00:47:39,000 --> 00:47:42,040
Speaker 3: open egglide. And then Mike's immediately in there. He's like, yeah,

922
00:47:42,080 --> 00:47:42,879
Speaker 3: it tastes really bad.

923
00:47:43,840 --> 00:47:47,160
Speaker 2: That's great. Made me miss Jersey so much. That is

924
00:47:47,440 --> 00:47:51,319
Speaker 2: so good Landal Lake's cheese. They don't even sell Landa

925
00:47:51,360 --> 00:47:54,120
Speaker 2: Lake's cheese out here it was that was a Jersey thing.

926
00:47:55,600 --> 00:47:57,800
Speaker 1: Here's one that I think you both will enjoy.

927
00:47:58,160 --> 00:47:58,560
Speaker 2: M hmm.

928
00:47:59,239 --> 00:48:01,680
Speaker 1: Valerie O'Neil's sent this in thanks. Valor. You always send

929
00:48:01,760 --> 00:48:06,600
Speaker 1: great stories. We really appreciate it. This was on Indy

930
00:48:06,719 --> 00:48:09,560
Speaker 1: one hundred, written by Emmy Norton. I think Indy one

931
00:48:09,640 --> 00:48:11,800
Speaker 1: hundred is sort of like an aggregator, so kind of

932
00:48:11,840 --> 00:48:12,840
Speaker 1: like a Reddit or something.

933
00:48:13,080 --> 00:48:17,000
Speaker 2: Okay, I always imagined it was like a radio station,

934
00:48:17,200 --> 00:48:18,719
Speaker 2: but maybe in Indianapolis.

935
00:48:18,920 --> 00:48:21,400
Speaker 1: I mean, yeah, Emmy Norton wrote this, and she is

936
00:48:21,600 --> 00:48:23,960
Speaker 1: clearly the best in the biz. We love what she

937
00:48:24,120 --> 00:48:26,960
Speaker 1: does over there. Oh yeah, would be Indy ninety nine

938
00:48:27,040 --> 00:48:33,160
Speaker 1: without her. Insect Lovers, Yes, you're Urtzi. I'm an insect lover.

939
00:48:33,320 --> 00:48:34,680
Speaker 1: Excuse me? Which is even weirder.

940
00:48:34,840 --> 00:48:35,520
Speaker 2: Insect lover?

941
00:48:35,840 --> 00:48:40,640
Speaker 1: Oh okay, invents device that allows him to kiss bugs.

942
00:48:42,640 --> 00:48:46,000
Speaker 6: Why didn't you begin the podcast with this one? This

943
00:48:46,160 --> 00:48:49,000
Speaker 6: is this is this is a big wrap it up tight.

944
00:48:49,160 --> 00:48:51,640
Speaker 6: Sometimes I had to feel for in jsc Out see

945
00:48:51,640 --> 00:48:53,239
Speaker 6: if she was on the level. Now that I know

946
00:48:53,400 --> 00:48:57,000
Speaker 6: she's number one, She's getting a man who created a

947
00:48:57,080 --> 00:48:59,919
Speaker 6: kissing device that allows him to get intimate with bug.

948
00:49:00,120 --> 00:49:00,640
Speaker 4: Wow.

949
00:49:00,960 --> 00:49:02,240
Speaker 2: Wow, how does it work?

950
00:49:03,840 --> 00:49:07,080
Speaker 1: What are you picturing right now? Oh? What do you

951
00:49:07,160 --> 00:49:07,759
Speaker 1: got in your head?

952
00:49:07,840 --> 00:49:09,359
Speaker 2: Go ahead, you first, Francesca.

953
00:49:09,880 --> 00:49:16,640
Speaker 4: I'm picturing like a little toilet paper roll, but like smaller,

954
00:49:17,440 --> 00:49:20,000
Speaker 4: you know, like a little bit between toilet paper and straw.

955
00:49:20,120 --> 00:49:22,000
Speaker 4: That's a big difference and like kind of like a

956
00:49:22,320 --> 00:49:27,480
Speaker 4: like a cage situation and or g Yeah, yeah, yeah,

957
00:49:27,520 --> 00:49:31,200
Speaker 4: so it can like it can shimmy all the way

958
00:49:31,680 --> 00:49:34,719
Speaker 4: up my butt, which is I'm assuming what they're doing

959
00:49:34,800 --> 00:49:37,120
Speaker 4: with it. Yeah, yeah, that's what I'm picturing.

960
00:49:37,560 --> 00:49:39,240
Speaker 1: Really nice, Kurt, you got an idea.

961
00:49:39,440 --> 00:49:43,160
Speaker 2: Yeah, So it's a series of chopsticks, right that are

962
00:49:43,239 --> 00:49:45,680
Speaker 2: all in the shape of a of a mouth. But

963
00:49:45,760 --> 00:49:48,560
Speaker 2: then they go out and they're whittled down, whittled down,

964
00:49:48,560 --> 00:49:51,560
Speaker 2: whittled down, whittled down, whittled down until they're just the

965
00:49:51,600 --> 00:49:56,840
Speaker 2: the length and width of hairs and so that so

966
00:49:56,960 --> 00:50:00,400
Speaker 2: that you can actually it's actually lips like hair lips

967
00:50:00,480 --> 00:50:04,600
Speaker 2: that you can actually caress the actual mandible of a

968
00:50:04,880 --> 00:50:08,360
Speaker 2: insect with love that so it's more for the insect,

969
00:50:08,520 --> 00:50:10,279
Speaker 2: it's more for the INDs that belongs.

970
00:50:10,680 --> 00:50:12,520
Speaker 4: I think I just had a full board body or guys,

971
00:50:12,520 --> 00:50:14,880
Speaker 4: I'm hearing you would just explain that that was insane,

972
00:50:15,520 --> 00:50:18,040
Speaker 4: so very very good. Can I have another guest? I

973
00:50:18,080 --> 00:50:20,759
Speaker 4: think it also can Is there a way to like

974
00:50:20,920 --> 00:50:24,400
Speaker 4: glue wax lips onto a dragonfly? You know?

975
00:50:24,680 --> 00:50:30,480
Speaker 1: Oh and just like that? Nah's well, I won't be

976
00:50:30,560 --> 00:50:33,160
Speaker 1: offended if either of you Google image search this while

977
00:50:33,200 --> 00:50:36,480
Speaker 1: I'm reading this, because it's far stupider than anything we've

978
00:50:36,560 --> 00:50:39,840
Speaker 1: said so far. It is so comically dumb. I started

979
00:50:39,920 --> 00:50:43,280
Speaker 1: laughing out loud almost posted it on The Banana's podcast

980
00:50:43,360 --> 00:50:48,640
Speaker 1: our Instagram. Here we Go. A man has created a

981
00:50:48,719 --> 00:50:51,200
Speaker 1: kissing device that allows people to get intimate with bugs,

982
00:50:51,239 --> 00:50:55,120
Speaker 1: but not everyone is convinced with this new invention. Justin,

983
00:50:55,760 --> 00:50:58,520
Speaker 1: who is a software developer, designed a product that has

984
00:50:58,560 --> 00:51:01,200
Speaker 1: gone viral and TikTok with fifteen million views. Kurtz looking

985
00:51:01,239 --> 00:51:05,760
Speaker 1: at it, I am too. Oh my god, it's sensational.

986
00:51:05,960 --> 00:51:09,920
Speaker 1: It's so funny, uh with over fifty million views a

987
00:51:10,000 --> 00:51:11,839
Speaker 1: two million likes. In the clip, the thirty four year

988
00:51:11,840 --> 00:51:14,440
Speaker 1: old shows how he uses the item dubbed bug kiss

989
00:51:14,920 --> 00:51:17,800
Speaker 1: to get to first base with insects such as worms

990
00:51:17,880 --> 00:51:24,040
Speaker 1: and ants. Quote the intended method to properly enjoy bug kisss.

991
00:51:24,160 --> 00:51:27,040
Speaker 2: So funny, you guys, we're gonna post these pictures on

992
00:51:27,120 --> 00:51:30,120
Speaker 2: our Instagram. Please go. You'll maybe see lots of pictures

993
00:51:30,160 --> 00:51:31,960
Speaker 2: of pasta dumped in the woods, and you'll be able

994
00:51:31,960 --> 00:51:33,680
Speaker 2: to see a man kiss a inch worm.

995
00:51:34,440 --> 00:51:38,759
Speaker 1: The intended method to properly enjoy bug kisses. He hold

996
00:51:38,800 --> 00:51:41,560
Speaker 1: the silicon bite piece in your mouth with many lips

997
00:51:41,640 --> 00:51:44,800
Speaker 1: pointing in the direction of the bugs. Justin who is

998
00:51:44,880 --> 00:51:49,879
Speaker 1: from shockingly Florida told need to know dot UK. Then

999
00:51:49,960 --> 00:51:52,840
Speaker 1: you move in slowly for a smooch, gently pressing the

1000
00:51:54,680 --> 00:51:59,080
Speaker 1: many lips against the bug. You should avoid eye contact.

1001
00:51:59,160 --> 00:52:03,160
Speaker 1: This can be threatned to some insects. Note it helps

1002
00:52:03,239 --> 00:52:12,719
Speaker 1: to chirrup softly, not chirp. Chirrup like a British softly

1003
00:52:12,800 --> 00:52:15,319
Speaker 1: in your throat as you close in to let bug

1004
00:52:15,440 --> 00:52:18,640
Speaker 1: know your intentions are for affection and not for eating them.

1005
00:52:19,440 --> 00:52:21,800
Speaker 1: So far I have used bug kiss to get to

1006
00:52:21,880 --> 00:52:25,759
Speaker 1: first pace with ants, caterpillars, a dung beetle, a grasshopper,

1007
00:52:25,800 --> 00:52:28,719
Speaker 1: a mosquito, a snail which is not an insect, a

1008
00:52:28,760 --> 00:52:32,160
Speaker 1: spider which is not an insect, a wasp, a woodlouse,

1009
00:52:32,320 --> 00:52:35,160
Speaker 1: and a worm. The wasp was scary, but a thrilling

1010
00:52:35,200 --> 00:52:37,920
Speaker 1: and dworphin rush. The rest of them were simply delightful,

1011
00:52:38,160 --> 00:52:40,399
Speaker 1: and the worm kissed back.

1012
00:52:41,360 --> 00:52:41,680
Speaker 2: Wow.

1013
00:52:43,480 --> 00:52:45,680
Speaker 4: Sure sure, sure sure.

1014
00:52:46,520 --> 00:52:48,719
Speaker 1: Justin was inspired to create the invention after seeing an

1015
00:52:48,719 --> 00:52:51,600
Speaker 1: image circulating online about kissing insects. He said, there's an

1016
00:52:51,640 --> 00:52:54,960
Speaker 1: image circulating online of a window sticker that reads, I

1017
00:52:55,040 --> 00:52:57,759
Speaker 1: want to kiss every bug, but they're so small, my

1018
00:52:57,880 --> 00:53:02,440
Speaker 1: lips are so strong. That made me think this is

1019
00:53:02,480 --> 00:53:03,680
Speaker 1: a problem I can solve.

1020
00:53:04,400 --> 00:53:05,720
Speaker 4: That's a great bumper sticker.

1021
00:53:06,040 --> 00:53:09,279
Speaker 1: It's so good. With his thinking cap on, Justin came

1022
00:53:09,320 --> 00:53:11,840
Speaker 1: with a plan to make the internet's bug kissing problem,

1023
00:53:11,920 --> 00:53:14,920
Speaker 1: and he did it by using kids toys quote and

1024
00:53:15,040 --> 00:53:17,320
Speaker 1: so ban animal's picturing this at home. I had a

1025
00:53:17,520 --> 00:53:21,040
Speaker 1: dollar store baby doll left over from a previous project,

1026
00:53:21,120 --> 00:53:23,680
Speaker 1: so I recycled its lips to make bug go.

1027
00:53:24,239 --> 00:53:26,239
Speaker 4: Hang on, hang on, hang on, hang on. So right,

1028
00:53:26,360 --> 00:53:28,840
Speaker 4: So you cut off its lips.

1029
00:53:29,040 --> 00:53:30,480
Speaker 2: You cut off a doll's lips.

1030
00:53:31,160 --> 00:53:35,160
Speaker 4: Yes, you're cutting off different yeah, parts of a doll

1031
00:53:35,280 --> 00:53:36,840
Speaker 4: that you got from a dollar store.

1032
00:53:37,280 --> 00:53:38,200
Speaker 2: Super problems.

1033
00:53:38,680 --> 00:53:41,640
Speaker 1: Then I used air dry clay, the spring from a

1034
00:53:41,800 --> 00:53:45,680
Speaker 1: retractable ballpoint pen, and a silicon baby teether to bring

1035
00:53:45,760 --> 00:53:47,759
Speaker 1: it all together. So it's like a binkie with a

1036
00:53:47,880 --> 00:53:51,000
Speaker 1: spring with baby lips, baby doll lips on the end,

1037
00:53:51,160 --> 00:53:52,640
Speaker 1: so it waggles a little bit.

1038
00:53:53,040 --> 00:53:56,440
Speaker 2: Yeah. I don't know why the waggles is necessary. Is

1039
00:53:56,520 --> 00:53:58,600
Speaker 2: that that can push back?

1040
00:54:00,040 --> 00:54:02,120
Speaker 1: At no point is any of this necessary.

1041
00:54:02,560 --> 00:54:04,800
Speaker 4: You know what, though, Kurt, I think it might be necessary.

1042
00:54:04,800 --> 00:54:07,760
Speaker 4: You know why, because it can be gentle, right, because

1043
00:54:07,760 --> 00:54:11,320
Speaker 4: if you can a stick, it'll hit it. But you

1044
00:54:11,400 --> 00:54:14,840
Speaker 4: got to be a little you know, a little yeah, a.

1045
00:54:14,840 --> 00:54:17,520
Speaker 2: Little give on because this is about romance, it's not

1046
00:54:17,680 --> 00:54:18,880
Speaker 2: about aggression.

1047
00:54:19,960 --> 00:54:20,200
Speaker 1: Yeah.

1048
00:54:20,320 --> 00:54:20,480
Speaker 2: Yeah.

1049
00:54:22,000 --> 00:54:24,480
Speaker 1: I've had so many viewers asked to buy bug Kiss

1050
00:54:24,560 --> 00:54:28,160
Speaker 1: that I've decided to launch a Kickstarter. He's the response

1051
00:54:28,160 --> 00:54:31,480
Speaker 1: has been overwhelming. Justin is now planning on making and

1052
00:54:31,600 --> 00:54:34,120
Speaker 1: selling this product, and I think he should and I

1053
00:54:34,200 --> 00:54:36,960
Speaker 1: think he will sell at least a thousand of them,

1054
00:54:37,080 --> 00:54:39,320
Speaker 1: just for people who are like, this is so stupid.

1055
00:54:39,360 --> 00:54:39,920
Speaker 1: I have to give this.

1056
00:54:40,239 --> 00:54:42,520
Speaker 2: I would I mean my kids would love to kiss bugs.

1057
00:54:43,080 --> 00:54:43,279
Speaker 1: Yep.

1058
00:54:43,600 --> 00:54:43,799
Speaker 2: Yeah.

1059
00:54:44,120 --> 00:54:47,160
Speaker 4: Well now here's here's the thing though, I mean, this

1060
00:54:47,280 --> 00:54:48,839
Speaker 4: is a great story. Obviously, I don't want to poke

1061
00:54:48,880 --> 00:54:51,040
Speaker 4: holes in it or anything, but there's a lot of holes.

1062
00:54:53,160 --> 00:54:58,319
Speaker 4: You can kiss a bug. You're just not courageous enough

1063
00:54:58,640 --> 00:54:59,400
Speaker 4: to get close.

1064
00:55:00,080 --> 00:55:01,239
Speaker 1: See, you know what I'm saying.

1065
00:55:01,400 --> 00:55:03,279
Speaker 4: And lips. That's the thing about lips. You know how

1066
00:55:03,280 --> 00:55:06,600
Speaker 4: to use them, like they get smaller when you push

1067
00:55:06,680 --> 00:55:11,560
Speaker 4: them out, you can create little baby doll lips. And

1068
00:55:12,000 --> 00:55:13,440
Speaker 4: lips are soft, those baby dollips.

1069
00:55:13,520 --> 00:55:15,200
Speaker 2: That's that's plastic, that's hard.

1070
00:55:15,920 --> 00:55:16,680
Speaker 1: He's a coward.

1071
00:55:17,120 --> 00:55:17,840
Speaker 2: He's a coward.

1072
00:55:19,640 --> 00:55:21,759
Speaker 1: These boots aren't consenting. So I don't know if this

1073
00:55:21,920 --> 00:55:24,240
Speaker 1: is okay to begin with. Maybe about.

1074
00:55:25,520 --> 00:55:30,040
Speaker 2: Cannabug consent, I don't think so. All right, well we've

1075
00:55:30,120 --> 00:55:33,040
Speaker 2: decided it. We've decided here on the podcast. I think

1076
00:55:33,080 --> 00:55:35,880
Speaker 2: that's the title of this episode, cannabug consent.

1077
00:55:36,200 --> 00:55:38,680
Speaker 1: Canbug consent's talking about.

1078
00:55:38,719 --> 00:55:40,040
Speaker 4: But you're in California.

1079
00:55:40,160 --> 00:55:40,279
Speaker 6: You know.

1080
00:55:40,480 --> 00:55:43,160
Speaker 4: The big thing is especially up north, is kissing a

1081
00:55:43,440 --> 00:55:46,240
Speaker 4: banana slug. You gotta kiss a banana slug.

1082
00:55:46,840 --> 00:55:48,680
Speaker 1: Is that true? They're not poisonous or something?

1083
00:55:49,040 --> 00:55:51,279
Speaker 4: No, no, no, you kiss them.

1084
00:55:52,080 --> 00:55:54,440
Speaker 2: And that's the Santa Cruz banana slugs, right.

1085
00:55:54,760 --> 00:55:58,120
Speaker 4: Yes, Santa Cruz banana slugs. I've touched them. I don't

1086
00:55:58,160 --> 00:56:01,400
Speaker 4: think I've like kissed one, or maybe I did it.

1087
00:56:01,719 --> 00:56:02,279
Speaker 2: I don't know why.

1088
00:56:02,400 --> 00:56:04,560
Speaker 4: I might have been high, but you know, you gotta

1089
00:56:04,640 --> 00:56:04,880
Speaker 4: keep it.

1090
00:56:05,360 --> 00:56:07,480
Speaker 2: You kiss a slug all right? You know what, I

1091
00:56:07,600 --> 00:56:09,160
Speaker 2: don't ever want to do that.

1092
00:56:10,960 --> 00:56:14,399
Speaker 1: They're sweet, true, very very true.

1093
00:56:14,480 --> 00:56:17,200
Speaker 2: Well, thank you so much Francesca for being on the show.

1094
00:56:17,280 --> 00:56:20,160
Speaker 2: Where can people find you? Tell us all about all

1095
00:56:20,200 --> 00:56:22,440
Speaker 2: the different ways to watch and enjoy you?

1096
00:56:22,800 --> 00:56:22,920
Speaker 6: Oh?

1097
00:56:22,960 --> 00:56:25,480
Speaker 4: Hell yeah? Just you know you can follow me at

1098
00:56:25,560 --> 00:56:27,759
Speaker 4: Franny Feo, f R A and I F I oh

1099
00:56:27,880 --> 00:56:30,960
Speaker 4: on all the platforms, all the things, and Situation Room

1100
00:56:31,360 --> 00:56:35,840
Speaker 4: is also YouTube dot com slash Frannie Feo, where we

1101
00:56:35,880 --> 00:56:38,480
Speaker 4: stream live every Tuesday one pm Pacific, four pm Eastern

1102
00:56:39,000 --> 00:56:40,160
Speaker 4: and Friday same time.

1103
00:56:40,640 --> 00:56:40,839
Speaker 1: Cool.

1104
00:56:41,280 --> 00:56:44,440
Speaker 4: Yeah, thanks so much for having me, guys delight, You're

1105
00:56:44,520 --> 00:56:49,200
Speaker 4: so glad you bugs can't consent, We agree work stop it.

1106
00:56:49,280 --> 00:56:51,200
Speaker 4: They need their own me too movement and we can

1107
00:56:51,280 --> 00:56:57,919
Speaker 4: make little, tiny little signs for them. Time's up for bugs. Okay, sorry,

1108
00:56:57,920 --> 00:56:58,319
Speaker 4: I'm done.

1109
00:56:58,840 --> 00:57:02,760
Speaker 1: Thank you to exactly Kurtie b, Katie Levin, Lisa Maggott.

1110
00:57:03,200 --> 00:57:17,320
Speaker 1: Banana Breanas Bananas is an Exactly Right Media production.

1111
00:57:17,520 --> 00:57:19,680
Speaker 2: Our producer and engineer is Katie Levine.

1112
00:57:20,160 --> 00:57:23,360
Speaker 1: The catchy Bananas theme song was composed and performed by Kahan.

1113
00:57:23,600 --> 00:57:27,000
Speaker 2: Artwork for Bananas was designed by Travis Millard and.

1114
00:57:27,080 --> 00:57:30,120
Speaker 1: Our benevolent overlords are the great Karen Kilgareff and Georgia

1115
00:57:30,200 --> 00:57:30,680
Speaker 1: Hartstart

1116
00:57:30,800 --> 00:57:33,520
Speaker 2: And Lisa Maggott is our full human, not a robot

1117
00:57:33,640 --> 00:57:34,040
Speaker 2: intern