1 00:00:09,119 --> 00:00:14,840 Speaker 1: Advice Shooters, it's time no never no never, never knowver no. 2 00:00:15,040 --> 00:00:17,200 Speaker 1: Welcome to the Naughty but Nice Show. I'm your host, 3 00:00:17,400 --> 00:00:20,680 Speaker 1: Rob Shooter. It's Monday. Normally on Monday, our friend Garrett 4 00:00:20,760 --> 00:00:22,880 Speaker 1: joins us. He's got to work today, so as well 5 00:00:22,920 --> 00:00:25,279 Speaker 1: as doing the Naughty but Nice Show, he has a 6 00:00:25,280 --> 00:00:28,560 Speaker 1: full time job on the Elvis Durrand Show, and a 7 00:00:28,600 --> 00:00:31,440 Speaker 1: few people are out sick today, so we're sending you 8 00:00:31,480 --> 00:00:33,600 Speaker 1: our best Garrett. He's not out sick, but he's doing 9 00:00:33,640 --> 00:00:36,200 Speaker 1: the job of two or three people. Busy, busy, busy. Okay, 10 00:00:36,280 --> 00:00:38,840 Speaker 1: let's jump into Asher. Don't worry. We've got a ton 11 00:00:39,200 --> 00:00:42,760 Speaker 1: of news of gossip to get to. What time is it, 12 00:00:42,840 --> 00:00:46,120 Speaker 1: my friends? It is tea time, big story at the 13 00:00:46,159 --> 00:00:49,440 Speaker 1: top of the show. So Hollywood is in a frenzy. 14 00:00:50,080 --> 00:00:55,080 Speaker 1: Our celebrities are scrambling for Taylor Swift, Keelsey Travis or 15 00:00:55,160 --> 00:00:59,120 Speaker 1: Travis Kelsey wedding advites. I thought I was gonna say 16 00:00:59,200 --> 00:01:02,920 Speaker 1: here that they're scra for Taylor Swift concert tickets while 17 00:01:02,960 --> 00:01:06,840 Speaker 1: they were doing that what last year, But now now 18 00:01:06,840 --> 00:01:10,840 Speaker 1: it's all about the wedding. Their wedding, their upcoming wedding. 19 00:01:11,080 --> 00:01:14,880 Speaker 1: Isn't just the hottest ticket in town. No, it's the 20 00:01:14,920 --> 00:01:19,560 Speaker 1: only ticket that matters. Sources are telling me that the 21 00:01:19,640 --> 00:01:23,760 Speaker 1: Hollywood All of Hollywood A list is in full melt 22 00:01:23,920 --> 00:01:29,920 Speaker 1: down mode, with managers, agents, publicists burning up the phone 23 00:01:30,000 --> 00:01:34,840 Speaker 1: lines trying to secure a coveted invitation to what is 24 00:01:34,880 --> 00:01:40,040 Speaker 1: already being dubbed the Royal Wedding of America. One source 25 00:01:40,080 --> 00:01:44,759 Speaker 1: tells me, quote, every power player wants their client's there. 26 00:01:45,240 --> 00:01:47,480 Speaker 1: This is like the Oscars, or the met Ball, or 27 00:01:47,560 --> 00:01:51,040 Speaker 1: the super Bowl all rolled into one. If you're not 28 00:01:51,160 --> 00:01:54,640 Speaker 1: in the room when Taylor walks down that aisle, are 29 00:01:54,680 --> 00:01:58,560 Speaker 1: you even relevant? Question mark? Well, I think you are. However, 30 00:01:58,600 --> 00:02:01,240 Speaker 1: I do understand this. In my years as a celebrity 31 00:02:01,280 --> 00:02:04,640 Speaker 1: pub bassist, my clients always wanted to be at the 32 00:02:04,680 --> 00:02:08,359 Speaker 1: hot restaurants, the hot shows. They wanted to be around 33 00:02:08,360 --> 00:02:10,480 Speaker 1: where all the buzz was, And there is going to 34 00:02:10,560 --> 00:02:15,440 Speaker 1: be nothing more buzz worthy here than Taylor Swift's wedding. 35 00:02:16,000 --> 00:02:20,560 Speaker 1: Now top stars. Top stars are offering favors, sweetness and 36 00:02:20,919 --> 00:02:25,560 Speaker 1: even aligning their brand deals in hopes to make the cut. 37 00:02:25,880 --> 00:02:29,480 Speaker 1: One rep told me that, let's be honest here, some 38 00:02:29,520 --> 00:02:35,480 Speaker 1: people are straight up begging. It's chaos. People are trading 39 00:02:35,600 --> 00:02:39,440 Speaker 1: stories about who called who, who did you call, who's 40 00:02:39,480 --> 00:02:42,040 Speaker 1: maybe on the guest list, and who has already made 41 00:02:42,080 --> 00:02:46,760 Speaker 1: the cut. Hollywood hates to be told. Now, when you're 42 00:02:46,760 --> 00:02:49,959 Speaker 1: told no, maybe you're like this, you want it even more. 43 00:02:50,320 --> 00:02:52,679 Speaker 1: There was a really hot club in New York called 44 00:02:52,680 --> 00:02:55,560 Speaker 1: Bungalow eight, and you needed a key to get into it. 45 00:02:55,760 --> 00:02:59,160 Speaker 1: I really wanted to get into it, so I tried 46 00:02:59,200 --> 00:03:01,560 Speaker 1: and I tried, and I couldn't and I couldn't, and 47 00:03:01,639 --> 00:03:04,480 Speaker 1: it made me want to do it even more so. 48 00:03:04,560 --> 00:03:07,520 Speaker 1: The fact I was told no made me really want 49 00:03:07,560 --> 00:03:09,600 Speaker 1: to do it. Ultimately, I did get in. It wasn't 50 00:03:09,600 --> 00:03:12,000 Speaker 1: so great, but the fact that I couldn't get in 51 00:03:12,520 --> 00:03:14,679 Speaker 1: made me want to get in. Is he Are you 52 00:03:14,800 --> 00:03:17,880 Speaker 1: a little like that? Are you like when you're told no, 53 00:03:18,040 --> 00:03:19,839 Speaker 1: that you really want it? If you were told yes, 54 00:03:19,880 --> 00:03:22,360 Speaker 1: I'm not quite sure I would want it. This will 55 00:03:22,360 --> 00:03:24,239 Speaker 1: be a fun wedding. It's going to be a moment 56 00:03:24,280 --> 00:03:27,560 Speaker 1: in history, isn't it? These two? There's nobody bigger it 57 00:03:27,600 --> 00:03:29,080 Speaker 1: really is. I don't think it's going to be a 58 00:03:29,320 --> 00:03:31,840 Speaker 1: royal wedding because access to it is not going to 59 00:03:31,840 --> 00:03:33,880 Speaker 1: be the same. Now if they stream it and there 60 00:03:33,919 --> 00:03:37,360 Speaker 1: are some reports that many streaming companies would love to 61 00:03:37,360 --> 00:03:39,800 Speaker 1: stream it. I don't think Taylor will, but if they 62 00:03:39,800 --> 00:03:42,600 Speaker 1: stream it, they could get hundreds of millions of people 63 00:03:42,760 --> 00:03:46,840 Speaker 1: watching this. She is an international star. So think Meghan 64 00:03:46,880 --> 00:03:49,360 Speaker 1: and Harry how many people watch their wedding, or Princess 65 00:03:49,360 --> 00:03:53,080 Speaker 1: Diana how many people watch her wedding, Kate and William. 66 00:03:53,200 --> 00:03:56,680 Speaker 1: These are events that bring the nation together if they 67 00:03:56,720 --> 00:04:00,800 Speaker 1: are televised. So all those three weddings were from the 68 00:04:01,000 --> 00:04:04,320 Speaker 1: moment they left their homes or the palace and got 69 00:04:04,400 --> 00:04:06,960 Speaker 1: to the cathedral or the abbey, and so we watched 70 00:04:07,000 --> 00:04:10,480 Speaker 1: every step of the way. We even had cameras inside 71 00:04:10,520 --> 00:04:12,640 Speaker 1: the church. That is not going to be the case 72 00:04:12,680 --> 00:04:15,160 Speaker 1: with Taylor Swift. She's not going to do that. However, 73 00:04:15,840 --> 00:04:20,560 Speaker 1: there will be news helicopters everywhere. We will see guests arrive. 74 00:04:21,000 --> 00:04:24,000 Speaker 1: There will be reporters wherever this wedding is. Some people 75 00:04:24,040 --> 00:04:26,320 Speaker 1: say it's going to be at our home in Rhode Island. 76 00:04:26,320 --> 00:04:30,080 Speaker 1: I'm hearing no, that is not actually a set detail yet. 77 00:04:30,120 --> 00:04:33,120 Speaker 1: They're still planning this wedding. But there will be wherever 78 00:04:33,160 --> 00:04:35,800 Speaker 1: it is, there will be people like me outside with 79 00:04:35,920 --> 00:04:40,839 Speaker 1: cameras with them, with reporters with news crews from around 80 00:04:41,000 --> 00:04:44,320 Speaker 1: the world getting every single detail about this wedding. So 81 00:04:44,360 --> 00:04:47,279 Speaker 1: I understand why celebrities want to go. And then it's 82 00:04:47,320 --> 00:04:50,200 Speaker 1: not just the size of this wedding, it's that Taylor's 83 00:04:50,240 --> 00:04:53,880 Speaker 1: really cool. Taylor is one of those celebrities who has 84 00:04:53,920 --> 00:04:58,040 Speaker 1: commercial success and critical success. She is somebody that wins 85 00:04:58,080 --> 00:05:02,960 Speaker 1: Grammys and sells millions. Many artists do that. You are 86 00:05:03,000 --> 00:05:06,080 Speaker 1: either a critics darling, you're part of the cool club, 87 00:05:06,760 --> 00:05:10,800 Speaker 1: or you're a superstar at the public gloves. It's very 88 00:05:10,920 --> 00:05:15,160 Speaker 1: very rare that somebody is respected by the industry and 89 00:05:15,680 --> 00:05:19,599 Speaker 1: as popular as massive as somebody like Taylor Swift. It 90 00:05:19,680 --> 00:05:24,479 Speaker 1: is very, very unusual to have both she does. She 91 00:05:24,920 --> 00:05:30,000 Speaker 1: is absolutely the eat person of the moment. She can 92 00:05:30,160 --> 00:05:33,440 Speaker 1: change your brand. If you're a little cheesy, if you're 93 00:05:33,480 --> 00:05:35,520 Speaker 1: a little washed up, if you're an up and comer 94 00:05:35,760 --> 00:05:38,120 Speaker 1: and you get on Taylor Swift's radar and she is 95 00:05:38,320 --> 00:05:40,600 Speaker 1: kind to you and she's a very kind person, it's 96 00:05:40,640 --> 00:05:42,479 Speaker 1: going to change your career. So I think a lot 97 00:05:42,920 --> 00:05:45,760 Speaker 1: of stars are going to want to go here, not 98 00:05:45,920 --> 00:05:48,360 Speaker 1: just to celebrate Taylor. In fact, I don't think that's 99 00:05:48,400 --> 00:05:50,719 Speaker 1: the reason at all. I'm being a little cynical, but 100 00:05:50,800 --> 00:05:52,280 Speaker 1: a lot of stars are going to want to go 101 00:05:52,360 --> 00:05:56,120 Speaker 1: to reinvent themselves, to make themselves relevant. Think of a 102 00:05:56,200 --> 00:05:58,680 Speaker 1: star a little past their prime, a little washed up, 103 00:05:59,080 --> 00:06:01,680 Speaker 1: probably not doing as well. Are well, they get invited 104 00:06:01,720 --> 00:06:05,920 Speaker 1: to Taylor's wedding. Suddenly they are back in the conversation. 105 00:06:06,440 --> 00:06:09,760 Speaker 1: So everybody is trying to get in. It is rough 106 00:06:09,800 --> 00:06:12,120 Speaker 1: for the agents and the managers and the publicist. I 107 00:06:12,279 --> 00:06:15,240 Speaker 1: was in this position when they wanted tickets to the 108 00:06:15,279 --> 00:06:19,039 Speaker 1: met Ball, begging, begging Ganna Winter, begging Vogue to let 109 00:06:19,040 --> 00:06:22,440 Speaker 1: my clients in the super Bowl. That's another really hard 110 00:06:22,480 --> 00:06:26,640 Speaker 1: ticket to get. And so these big, big events Taylors 111 00:06:26,720 --> 00:06:31,479 Speaker 1: might be bigger, are gonna be really really tough tickets, 112 00:06:31,480 --> 00:06:34,080 Speaker 1: Which brings us to our whole question of the day. 113 00:06:34,640 --> 00:06:37,640 Speaker 1: A listas are begging to get invited to Taylor Swift 114 00:06:37,720 --> 00:06:40,680 Speaker 1: and Travis Kelsey's wedding. I keep forgetting that he's part 115 00:06:40,720 --> 00:06:43,920 Speaker 1: of this wedding. Forgive me, that's so naughty. It's so naughty. 116 00:06:44,240 --> 00:06:46,800 Speaker 1: You ever got his name backwards? It's the Taylor Swift wedding, 117 00:06:46,880 --> 00:06:49,120 Speaker 1: isn't it. It is the Taylor Swift wedding. Now, if 118 00:06:49,120 --> 00:06:52,600 Speaker 1: she was marrying somebody else, maybe we'd be slightly, slightly, 119 00:06:52,640 --> 00:06:56,000 Speaker 1: slightly less interested. He is a star. He just brings 120 00:06:56,200 --> 00:06:58,000 Speaker 1: a lot to the table. But this is the Taylor 121 00:06:58,040 --> 00:07:02,000 Speaker 1: Swift wedding. Will it be a small, private family affair. 122 00:07:02,040 --> 00:07:04,960 Speaker 1: Will it be small or will it be packed with stars? 123 00:07:05,360 --> 00:07:07,920 Speaker 1: They get to make this decision, don't they. They get 124 00:07:07,960 --> 00:07:12,480 Speaker 1: to decide do they want a big, big, celebrity Hollywood 125 00:07:12,520 --> 00:07:16,040 Speaker 1: Kardashian type wedding. Meghan mark or got George Cloey there 126 00:07:16,080 --> 00:07:18,640 Speaker 1: and Oprah there? The Clueys didn't really know Meghan, but 127 00:07:18,680 --> 00:07:21,720 Speaker 1: they were invited. Will it be a big, flashy wedding 128 00:07:21,800 --> 00:07:23,800 Speaker 1: or will it be small and intimate? When Bruce and 129 00:07:23,800 --> 00:07:26,800 Speaker 1: I got married, we decided no celebrities. We know a 130 00:07:26,840 --> 00:07:29,600 Speaker 1: bunch of celebrities. I have a few celebrity friends, and 131 00:07:29,640 --> 00:07:32,480 Speaker 1: I deliberately picked days that they couldn't come. I didn't 132 00:07:32,480 --> 00:07:35,880 Speaker 1: want celebrities there because they make it all about themselves, 133 00:07:35,920 --> 00:07:39,000 Speaker 1: Even the nice celebrities, it's about them, and that is 134 00:07:39,200 --> 00:07:41,560 Speaker 1: not the reason we're there. It was by day, it 135 00:07:41,600 --> 00:07:44,800 Speaker 1: was Bruce's day. Well, there's a difference with Taylor Swift. 136 00:07:45,520 --> 00:07:49,240 Speaker 1: Nobody there's not any star that's going to outshine her. 137 00:07:49,680 --> 00:07:52,440 Speaker 1: Every person that's sort of famous would outshine me because 138 00:07:52,440 --> 00:07:55,360 Speaker 1: I'm not famous. But Taylor's a superstar, says she doesn't 139 00:07:55,360 --> 00:07:56,760 Speaker 1: have to worry about that. But what do you think? 140 00:07:56,960 --> 00:07:59,920 Speaker 1: Will it be a big Hollywood type wedding or a 141 00:08:00,120 --> 00:08:03,880 Speaker 1: small intimate family affair. Hey, go vote on our Twitter 142 00:08:03,880 --> 00:08:07,600 Speaker 1: page add naughteen Ice ram Our facebook page is normally 143 00:08:07,680 --> 00:08:10,600 Speaker 1: jonzib and be sure that she had bettermorrow to hear 144 00:08:10,760 --> 00:08:13,800 Speaker 1: your results. Okay, moving along. Madonna has announced that she's 145 00:08:13,800 --> 00:08:15,840 Speaker 1: got a new album coming out, and the response to 146 00:08:15,840 --> 00:08:19,120 Speaker 1: the reaction wasn't that great? So the sixty six year 147 00:08:19,120 --> 00:08:21,600 Speaker 1: old pop star, she is a legend. She's confirmed that 148 00:08:21,640 --> 00:08:26,920 Speaker 1: she's reuniting with producer Stuart Price. He's the mastermind behind 149 00:08:27,000 --> 00:08:31,000 Speaker 1: her two thousand and five smash hit Confessions on Our 150 00:08:31,080 --> 00:08:33,400 Speaker 1: Dance Floor. I love that album, but it's twenty years 151 00:08:33,400 --> 00:08:35,800 Speaker 1: old now, and so she's gonna go back and she 152 00:08:35,960 --> 00:08:37,760 Speaker 1: is going to put out an album. So it's gonna 153 00:08:37,760 --> 00:08:40,640 Speaker 1: be a dance album. You can always tell what sort 154 00:08:40,679 --> 00:08:43,560 Speaker 1: of album it's going to be by the producer. So 155 00:08:43,679 --> 00:08:47,160 Speaker 1: Taylor Swift's new album, she's going back to old school 156 00:08:47,200 --> 00:08:50,640 Speaker 1: pop and We know that because the producer Max, who 157 00:08:50,679 --> 00:08:54,080 Speaker 1: she has picked to do this is really really Max 158 00:08:54,160 --> 00:08:58,040 Speaker 1: Martin is really really that sort of pop guy. He 159 00:08:58,080 --> 00:09:01,000 Speaker 1: wrote and produced a lot of songs for Britain En Sync. 160 00:09:01,200 --> 00:09:03,920 Speaker 1: He's worked with Taylor before, and so I think that 161 00:09:04,040 --> 00:09:06,400 Speaker 1: Madonna's album is going to be more like Confessions on 162 00:09:06,400 --> 00:09:09,520 Speaker 1: her dance Floor, very very dance music. It's gonna get 163 00:09:09,600 --> 00:09:14,600 Speaker 1: us the dance. But the response wasn't that great. Fans 164 00:09:14,720 --> 00:09:18,760 Speaker 1: want classics, they want holiday like a Prayer, Vogue or 165 00:09:18,800 --> 00:09:22,319 Speaker 1: even Ray of Light. They don't go to see her 166 00:09:22,440 --> 00:09:26,200 Speaker 1: live to see new songs. Maybe this has happened to 167 00:09:26,320 --> 00:09:28,600 Speaker 1: you when you see your favorite pop star. I once 168 00:09:28,640 --> 00:09:31,440 Speaker 1: went to see Madonna and she only sang new songs 169 00:09:31,440 --> 00:09:34,840 Speaker 1: and it was really awful. It was boring. I wanted 170 00:09:34,880 --> 00:09:38,320 Speaker 1: the big hits. You're almost a failure of your own success. 171 00:09:38,679 --> 00:09:41,680 Speaker 1: When you have that many hits like Madonna, you gotta 172 00:09:41,840 --> 00:09:44,800 Speaker 1: do them. You can't pretend you don't have them. Well, 173 00:09:44,800 --> 00:09:47,480 Speaker 1: if you do all the hits, there's no room for 174 00:09:47,520 --> 00:09:50,559 Speaker 1: the new stuff, and the new stuff is never gonna 175 00:09:50,559 --> 00:09:53,720 Speaker 1: get the same response. Nobody in that room is gonna 176 00:09:53,720 --> 00:09:56,600 Speaker 1: get as excited about a new song as a classic song. 177 00:09:56,760 --> 00:09:59,680 Speaker 1: What can Madonna do that's gonna get a bigger round 178 00:09:59,679 --> 00:10:02,720 Speaker 1: of a play? And Vogue pretty much nothing or like 179 00:10:02,720 --> 00:10:05,680 Speaker 1: a prayer, nothing of the new stuff. So I get 180 00:10:05,760 --> 00:10:08,040 Speaker 1: that she's doing a new album. I hope it is 181 00:10:08,120 --> 00:10:10,800 Speaker 1: a success. I hope the music is great. It does 182 00:10:10,880 --> 00:10:14,480 Speaker 1: feel as if she is trying to apply a formula 183 00:10:14,559 --> 00:10:17,160 Speaker 1: that doesn't work anymore. The music business has changed so 184 00:10:17,280 --> 00:10:20,440 Speaker 1: much in the last ten twenty years. Albums are almost gone. 185 00:10:20,440 --> 00:10:23,240 Speaker 1: With the exception of Taylor Swift and Beyonce maybe Adele, 186 00:10:23,920 --> 00:10:27,760 Speaker 1: most music now singles, most people download their favorite song. 187 00:10:28,440 --> 00:10:31,520 Speaker 1: Very few people listen to albums anymore. I used to 188 00:10:31,559 --> 00:10:35,160 Speaker 1: love getting a new album and sitting there and listening 189 00:10:35,240 --> 00:10:37,280 Speaker 1: to the whole thing. It took me an hour and 190 00:10:37,320 --> 00:10:39,480 Speaker 1: a half and I used to sit there. I loved it. 191 00:10:39,679 --> 00:10:43,360 Speaker 1: An artist really thought they were very thoughtful about what 192 00:10:43,520 --> 00:10:45,559 Speaker 1: songs should follow each song. They wanted it to be 193 00:10:45,600 --> 00:10:50,560 Speaker 1: a total experience. Poof gone. That does not really exist anymore. Now. 194 00:10:50,640 --> 00:10:52,319 Speaker 1: It is sung by song, and if you don't get 195 00:10:52,320 --> 00:10:54,760 Speaker 1: a hit song on the radio, that album does not 196 00:10:54,920 --> 00:10:57,240 Speaker 1: sell well. It's going to be really tricky for Madonna. 197 00:10:57,280 --> 00:11:00,440 Speaker 1: I do admire that she never gives up. I do 198 00:11:00,559 --> 00:11:02,960 Speaker 1: admire that when a lot of people sit down and 199 00:11:02,960 --> 00:11:06,280 Speaker 1: say that's it, I'm not doing this anymore, she keeps going. 200 00:11:06,320 --> 00:11:09,200 Speaker 1: What I'm a little bit worried about is it appears 201 00:11:09,240 --> 00:11:12,760 Speaker 1: as if she is applying an old formula to a 202 00:11:12,960 --> 00:11:19,400 Speaker 1: new world of music. Okay, moving along, Gallaine Maxwell's pedophile Palace, 203 00:11:19,440 --> 00:11:21,200 Speaker 1: that's what it's called here in New York is up 204 00:11:21,200 --> 00:11:24,439 Speaker 1: for sale and nobody wants it. So the infamous Upper 205 00:11:24,440 --> 00:11:27,160 Speaker 1: Side mansion that once was owned by Galaine Maxwell. It 206 00:11:27,200 --> 00:11:30,600 Speaker 1: was very close to Jeffrey Epstein's mansion. It is on 207 00:11:30,720 --> 00:11:34,560 Speaker 1: sixty fifth Street. It is dubbed, as I said, pedophile palace. 208 00:11:34,600 --> 00:11:38,000 Speaker 1: That explains while nobody wants it is listed for seventeen 209 00:11:38,040 --> 00:11:42,400 Speaker 1: point seventy five million dollars. One real estate broker tells 210 00:11:42,400 --> 00:11:44,920 Speaker 1: me people hear Maxwell's name and they run in the 211 00:11:44,920 --> 00:11:47,800 Speaker 1: other direction. It doesn't matter how many times it has 212 00:11:47,840 --> 00:11:50,760 Speaker 1: been renovated. You can't scrub away that history. Now, the 213 00:11:50,800 --> 00:11:52,959 Speaker 1: mansion was given to her. Can you imagine being given 214 00:11:53,000 --> 00:11:56,199 Speaker 1: a gift from a lawyer linked to Jeffrey Epstein. The 215 00:11:56,200 --> 00:11:58,760 Speaker 1: whole thing is shady. So she never actually bored it. 216 00:11:58,840 --> 00:12:03,520 Speaker 1: She got given and this mansion. She sold it for 217 00:12:03,600 --> 00:12:07,800 Speaker 1: fifteen million about ten years ago, and now it's back 218 00:12:07,800 --> 00:12:10,400 Speaker 1: on the market, so it is not going from galayan 219 00:12:10,640 --> 00:12:13,880 Speaker 1: to the market. There's been somebody in there in the 220 00:12:13,920 --> 00:12:16,400 Speaker 1: period in between, but now it's back on sale. Would 221 00:12:16,440 --> 00:12:18,959 Speaker 1: you live there? A who's got that money? But if 222 00:12:18,960 --> 00:12:21,800 Speaker 1: you do have that money, do you want to live 223 00:12:21,840 --> 00:12:28,240 Speaker 1: in Gallaine Maxwell's old apartment town? Has homes come with histories, 224 00:12:28,320 --> 00:12:31,440 Speaker 1: don't they. Part of me is like, it's a new home, 225 00:12:31,480 --> 00:12:33,400 Speaker 1: and what happened here was not the house. It was 226 00:12:33,440 --> 00:12:37,239 Speaker 1: the person. The house did nothing wrong. It was the disgusting, 227 00:12:37,679 --> 00:12:42,160 Speaker 1: disgusting person who lived here. And so maybe I could. 228 00:12:42,240 --> 00:12:44,800 Speaker 1: But then if I looked around some of the rooms, 229 00:12:44,880 --> 00:12:49,760 Speaker 1: the bathrooms, and I thought about the horror stories, the abuse, 230 00:12:50,160 --> 00:12:55,280 Speaker 1: the absolute inhumanity that had happened within those walls, I 231 00:12:55,360 --> 00:12:58,480 Speaker 1: totally get it. Maybe maybe I wouldn't want to live there. 232 00:12:58,679 --> 00:13:01,280 Speaker 1: In fact, I wouldn't. I'm much more happy in my 233 00:13:01,320 --> 00:13:05,440 Speaker 1: little flat down here in Chelsea. Okay, moving along, talking 234 00:13:05,440 --> 00:13:08,280 Speaker 1: about being happy, Woopy Goldberg is backing down at the 235 00:13:08,360 --> 00:13:11,880 Speaker 1: view and she has eight million reasons to keep her 236 00:13:11,920 --> 00:13:15,600 Speaker 1: mouth shut. So Woody Godberg is no fool and insiders 237 00:13:15,600 --> 00:13:18,480 Speaker 1: are telling me that the daytime legend has decided to 238 00:13:18,520 --> 00:13:21,920 Speaker 1: play it safe now rather than risk her golden gig. 239 00:13:22,400 --> 00:13:26,520 Speaker 1: The Oscar winning actress who turned moderator earns about eight 240 00:13:26,559 --> 00:13:28,720 Speaker 1: million dollars a year on the view. That's a lot 241 00:13:28,760 --> 00:13:31,920 Speaker 1: of money, making her one of the highest paid personalities 242 00:13:32,200 --> 00:13:36,160 Speaker 1: in daytime television ever. And with that kind of paycheck 243 00:13:36,960 --> 00:13:41,240 Speaker 1: also comes a very cushy job. It is a lovely schedule. 244 00:13:41,400 --> 00:13:44,600 Speaker 1: It is such a nice schedule. You get there about 245 00:13:44,640 --> 00:13:48,240 Speaker 1: seven eight am, you were done around noon. It's a 246 00:13:48,280 --> 00:13:51,400 Speaker 1: part time job. They don't tape on Fridays. They tape 247 00:13:51,440 --> 00:13:54,880 Speaker 1: two shows on Thursdays, so you only work four days 248 00:13:54,920 --> 00:13:58,559 Speaker 1: a week. It's a lovely schedule, tons and tons of money, 249 00:13:58,559 --> 00:14:01,200 Speaker 1: and she knows what a great dal is. The money 250 00:14:01,280 --> 00:14:05,080 Speaker 1: is amazing, the hours are fantastic compared to acting, to 251 00:14:05,160 --> 00:14:08,360 Speaker 1: making a movie. And she's not gonna mess this up. 252 00:14:08,600 --> 00:14:11,720 Speaker 1: Inside hes say she's superstar smart and she does not 253 00:14:11,880 --> 00:14:16,760 Speaker 1: want to walk away from an eight million easy job. Now. 254 00:14:16,800 --> 00:14:19,120 Speaker 1: The reason we're talking about this is obviously there are 255 00:14:19,160 --> 00:14:23,160 Speaker 1: big transitions in the media landscape. There's been a lot 256 00:14:23,200 --> 00:14:26,640 Speaker 1: of threats from the government. Some of them are working 257 00:14:26,800 --> 00:14:30,040 Speaker 1: very well shows that are disappearing, and so the View 258 00:14:30,280 --> 00:14:32,800 Speaker 1: is a show that presses buttons. That's the whole point 259 00:14:32,840 --> 00:14:35,080 Speaker 1: of it, isn't it. It's meant to be a show 260 00:14:35,120 --> 00:14:37,960 Speaker 1: that gets people excited, that has an opinion, that has 261 00:14:38,000 --> 00:14:40,200 Speaker 1: a view. It appears as if we were living in 262 00:14:40,200 --> 00:14:42,960 Speaker 1: a world at the moment where that's very, very dangerous, 263 00:14:43,000 --> 00:14:45,600 Speaker 1: and so Woodpy is going to back down and then 264 00:14:45,680 --> 00:14:47,600 Speaker 1: quickly before we get a break. Harry is not moving 265 00:14:47,640 --> 00:14:49,760 Speaker 1: back to the UK. There are tons of roomors out 266 00:14:49,760 --> 00:14:52,800 Speaker 1: there that he said something to Josh Stone at the 267 00:14:53,200 --> 00:14:57,240 Speaker 1: well Child Awards about He asked her in conversation about 268 00:14:57,280 --> 00:14:59,680 Speaker 1: this moving back. She had left the UK and she 269 00:14:59,800 --> 00:15:02,200 Speaker 1: moved and he was like, oh, terrific and the schools 270 00:15:02,240 --> 00:15:06,240 Speaker 1: are great. He was just making conversation. He's not moving back. 271 00:15:06,280 --> 00:15:08,520 Speaker 1: He's not bringing his children back. There's lots of rumors 272 00:15:08,680 --> 00:15:11,120 Speaker 1: that his kids are going to eaton No, no, no, 273 00:15:11,280 --> 00:15:13,200 Speaker 1: Megan would not have it. The kids are not going 274 00:15:13,200 --> 00:15:15,520 Speaker 1: to a boarding school. They're not moving back to Britain. 275 00:15:15,560 --> 00:15:17,280 Speaker 1: The kids are not going to go back to Britain 276 00:15:17,480 --> 00:15:20,920 Speaker 1: without their mom. There is just no way this is happening. 277 00:15:20,960 --> 00:15:23,400 Speaker 1: I hope they all get a better relationship. But moving 278 00:15:23,480 --> 00:15:25,680 Speaker 1: back to Britain with the kids, you're going to be 279 00:15:25,720 --> 00:15:30,880 Speaker 1: reading that today. Not true. Trust your friend, rabbit. Okay, 280 00:15:30,920 --> 00:15:33,120 Speaker 1: we're gonna take it a quick break and we'll be 281 00:15:33,320 --> 00:15:37,480 Speaker 1: right back. Welcome back to the Naughty but Niceham your 282 00:15:37,480 --> 00:15:39,440 Speaker 1: host job shutter. Hey, let's get to the polls that 283 00:15:39,600 --> 00:15:42,400 Speaker 1: da dah. Last year we talked about Jimmy Kimmel's best 284 00:15:42,400 --> 00:15:46,120 Speaker 1: friends Jennifer Aniston. They're really close in Howard Stern and 285 00:15:46,160 --> 00:15:48,960 Speaker 1: also Matt Damon. They are going to turn their back 286 00:15:49,000 --> 00:15:52,920 Speaker 1: on ABC, so they're very angry with Jimmy Bean suspended, canceled. 287 00:15:53,240 --> 00:15:56,840 Speaker 1: Should celebrities boycott the network? What do you think? Oh? 288 00:15:57,080 --> 00:16:01,000 Speaker 1: Sixty five percent said yes. If you'd something bad to 289 00:16:01,080 --> 00:16:04,360 Speaker 1: one of my friends, I would boycott that network. I 290 00:16:04,360 --> 00:16:07,960 Speaker 1: would boycott you. I'm pretty loyal when it comes to friendship. 291 00:16:08,000 --> 00:16:10,800 Speaker 1: In fact, I'm very loyal. I'm proud of that. If 292 00:16:10,840 --> 00:16:13,880 Speaker 1: you banned mister, then I'll ban you. I wouldn't play 293 00:16:13,960 --> 00:16:16,680 Speaker 1: if you banned a friend of mine, if you treated 294 00:16:16,680 --> 00:16:20,240 Speaker 1: a friend of mine terribly, I wouldn't be playing with that. 295 00:16:20,360 --> 00:16:23,480 Speaker 1: And so I think I agree with you. Naughtys Hey, 296 00:16:23,520 --> 00:16:26,600 Speaker 1: don't forget to vote on today's Paul got a Twitter 297 00:16:26,600 --> 00:16:29,920 Speaker 1: page at Naughty Knights. Rob Our facebook page is Naughty 298 00:16:29,920 --> 00:16:32,480 Speaker 1: Gossip and be sure to check back to my road 299 00:16:32,600 --> 00:16:36,760 Speaker 1: to hear your results. And now it's time for and nicest, 300 00:16:36,800 --> 00:16:40,160 Speaker 1: the cheeky. But the nicest of the day and nicest 301 00:16:40,200 --> 00:16:43,640 Speaker 1: of the day is Matthew McConaughey saying size does matter 302 00:16:44,080 --> 00:16:46,840 Speaker 1: in the bedroom. Oh no, it's not what you think. 303 00:16:47,120 --> 00:16:50,000 Speaker 1: Get your mind out of the gutter's naughties. He just 304 00:16:50,040 --> 00:16:52,680 Speaker 1: dropped a bombshell in a new book, his new book, 305 00:16:52,720 --> 00:16:55,600 Speaker 1: Pones and Prayers. He said him and his wife Camilla 306 00:16:55,880 --> 00:16:58,680 Speaker 1: ditch their king size mattress for a queen and it 307 00:16:58,800 --> 00:17:01,160 Speaker 1: saved their relationship. He said, I woke up one morning 308 00:17:01,240 --> 00:17:04,520 Speaker 1: and Camilla was like a football field away. He said, 309 00:17:04,520 --> 00:17:07,040 Speaker 1: you want to snuggle and he doesn't want to yell 310 00:17:07,080 --> 00:17:10,800 Speaker 1: across a twelve foot bed. That damn king sized bed 311 00:17:11,000 --> 00:17:13,359 Speaker 1: was not good for a marriage. Get rid of the 312 00:17:13,359 --> 00:17:15,560 Speaker 1: son of her, you know what. So now they have 313 00:17:15,760 --> 00:17:18,320 Speaker 1: a king size bed and he said it is so 314 00:17:18,440 --> 00:17:21,520 Speaker 1: much better. They want to be close. There's no room 315 00:17:21,600 --> 00:17:25,040 Speaker 1: for the kids to squeeze in any more. I think 316 00:17:25,160 --> 00:17:28,120 Speaker 1: this is adorable, very very cheeky. Headline made me laugh 317 00:17:28,200 --> 00:17:32,720 Speaker 1: at lad size matters in the bedroom and smaller is 318 00:17:32,760 --> 00:17:38,240 Speaker 1: better for Matthew mcconnor. Cheeky, cheeky, And now I'm naughtyus 319 00:17:38,280 --> 00:17:42,119 Speaker 1: of the day, naughty, naughty. The Presley family has exploded 320 00:17:42,359 --> 00:17:45,639 Speaker 1: over Priscilla Presley's new bomb. Short Shell claims she has 321 00:17:45,680 --> 00:17:48,879 Speaker 1: a new book out, and she goes there. She talks 322 00:17:48,920 --> 00:17:52,159 Speaker 1: about her daughter, Lisa Maurice's marriage to Michael Jackson. She 323 00:17:52,200 --> 00:17:54,439 Speaker 1: said it was bizarre. She asked if there was a 324 00:17:54,440 --> 00:17:57,960 Speaker 1: physical relationship, and Lisa Maurice said yes, and then she 325 00:17:58,160 --> 00:18:01,800 Speaker 1: told her daughter he was married the Presley dynasty. He 326 00:18:01,880 --> 00:18:05,160 Speaker 1: did it for good publicity. This would admit his child 327 00:18:05,280 --> 00:18:09,119 Speaker 1: abuse scandal. So the King of pop married married the 328 00:18:09,440 --> 00:18:13,560 Speaker 1: daughter of the King, Elvis Presley. Now this has really 329 00:18:13,680 --> 00:18:18,720 Speaker 1: upset Riley, Lisa Marie's daughter. They don't want Grandma out 330 00:18:18,760 --> 00:18:22,879 Speaker 1: there telling secret. She really is going there. She's been very, 331 00:18:23,040 --> 00:18:26,000 Speaker 1: very cagy in the past. Let's remember Elvis Presley met 332 00:18:26,040 --> 00:18:29,400 Speaker 1: her when she was fourteen. I'll say that again, fourteen 333 00:18:29,480 --> 00:18:32,680 Speaker 1: years old. It is a wacky, wacky family. Some people 334 00:18:32,680 --> 00:18:36,520 Speaker 1: think it's even more sinister than that. And now this 335 00:18:36,560 --> 00:18:39,480 Speaker 1: book is coming out talking about her daughter who's no 336 00:18:39,560 --> 00:18:43,359 Speaker 1: longer around to defend herself. Lisa Marie rest in peace. 337 00:18:43,760 --> 00:18:48,399 Speaker 1: The family is really really angry about this Tell All book. 338 00:18:48,880 --> 00:18:51,159 Speaker 1: You can tell your story, you can tell other people's 339 00:18:51,160 --> 00:18:54,959 Speaker 1: story too, but there will be a consequence. That consequence 340 00:18:55,000 --> 00:18:58,600 Speaker 1: is happening right now in the Presley family. Okay, let's 341 00:18:58,680 --> 00:19:00,600 Speaker 1: end with a moment of rye are you gonna rub? 342 00:19:00,680 --> 00:19:02,720 Speaker 1: You rub? You rub your rub. I love this part 343 00:19:02,760 --> 00:19:04,320 Speaker 1: of the show. Thank you for making it your most 344 00:19:04,359 --> 00:19:06,400 Speaker 1: favorite part of the show. Makes me laugh. We work 345 00:19:06,480 --> 00:19:08,960 Speaker 1: so hard on celebrity lose and gossip. I reported you 346 00:19:09,119 --> 00:19:13,720 Speaker 1: what a moment of rub. So if their absence brings 347 00:19:13,760 --> 00:19:19,200 Speaker 1: you peace, you didn't lose anything. Losing people isn't always 348 00:19:19,200 --> 00:19:23,479 Speaker 1: a loss. If the room feels lighter when they are gone, 349 00:19:24,280 --> 00:19:27,720 Speaker 1: if their absence brings you peace instead of pain, and 350 00:19:27,760 --> 00:19:33,480 Speaker 1: that's not losing, that's winning your freedom back. Real connections 351 00:19:33,520 --> 00:19:37,560 Speaker 1: add value to your life. Anything else it's just noise. 352 00:19:38,160 --> 00:19:42,240 Speaker 1: So don't grieve what wasn't meant to be. We beat 353 00:19:42,280 --> 00:19:44,240 Speaker 1: ourselves up, don't we. When we lose someone that we 354 00:19:44,280 --> 00:19:47,760 Speaker 1: thought was a friend, we grieve them. Don't grieve what 355 00:19:47,960 --> 00:19:51,840 Speaker 1: wasn't meant to be. You didn't lose a thing, You 356 00:19:52,000 --> 00:19:57,480 Speaker 1: gain space for what is real. Once again, Noughties, if 357 00:19:57,480 --> 00:20:02,600 Speaker 1: their absence brings you peace, you didn't lose anything. Hey, 358 00:20:02,760 --> 00:20:05,320 Speaker 1: that is it for today. Thank you so much for 359 00:20:05,400 --> 00:20:07,720 Speaker 1: listening to the Naughty but Nice with Rob and the Naughty. 360 00:20:07,920 --> 00:20:09,879 Speaker 1: You're the co hosts to day show. We're a production 361 00:20:09,920 --> 00:20:12,800 Speaker 1: of Elvis Durant and iHeartRadio. Don't forget to subscribe on 362 00:20:12,840 --> 00:20:17,000 Speaker 1: the iHeart Radio app, Apple podcasts. Wherever you listen, leave 363 00:20:17,040 --> 00:20:18,400 Speaker 1: us a review if you can. They really do help. 364 00:20:18,440 --> 00:20:21,160 Speaker 1: And thank you naughties for sharing these episodes. I did 365 00:20:21,200 --> 00:20:23,359 Speaker 1: not know you could even do that. You can share 366 00:20:23,400 --> 00:20:26,600 Speaker 1: this with friends. We are growing our little community together. 367 00:20:26,960 --> 00:20:29,680 Speaker 1: Thank you, thank you, thank you, and remember altogether. Now, 368 00:20:30,080 --> 00:20:32,840 Speaker 1: if you're going to be naughty, you've got to be 369 00:20:33,040 --> 00:20:39,520 Speaker 1: let me nice. You sound love. It's not even nice 370 00:20:39,640 --> 00:20:40,520 Speaker 1: with Rob