1
00:00:00,120 --> 00:00:03,400
Speaker 1: Thank you Toronto. The live show was amazing. We are

2
00:00:03,440 --> 00:00:05,960
Speaker 1: still on the road Los Angeles. We will see you

3
00:00:06,000 --> 00:00:09,960
Speaker 1: next on November fifth, London. We'll see you November seventeenth,

4
00:00:10,160 --> 00:00:12,840
Speaker 1: New York. We will see you December first. Had a

5
00:00:12,880 --> 00:00:14,440
Speaker 1: lot of fun in the sixth You didn't look too scared.

6
00:00:14,520 --> 00:00:16,120
Speaker 1: I was happy, you want too nervous.

7
00:00:16,360 --> 00:00:18,840
Speaker 2: Love the six Thank you everybody that came out. I

8
00:00:18,920 --> 00:00:21,560
Speaker 2: had a great time and looking forward to coming back

9
00:00:21,600 --> 00:00:22,920
Speaker 2: to Toronto, getting to do it soon.

10
00:00:23,160 --> 00:00:26,480
Speaker 1: Yes, we have exclusive torties available at all the live shows,

11
00:00:26,600 --> 00:00:28,120
Speaker 1: but if you can't make a show, we have merch

12
00:00:28,160 --> 00:00:31,040
Speaker 1: available at New roy maul dot com. Subscribe to our

13
00:00:31,040 --> 00:00:33,160
Speaker 1: Patreon and we'll see you guys soon.

14
00:00:33,640 --> 00:00:36,040
Speaker 3: You no worry and now.

15
00:00:37,880 --> 00:00:40,159
Speaker 4: Yeah, we don't say you know what I'm saying. Do

16
00:00:40,200 --> 00:00:41,360
Speaker 4: you not say you're done?

17
00:00:41,400 --> 00:00:43,720
Speaker 5: No, we don't say hey, that's the break. We said, yeah,

18
00:00:44,240 --> 00:00:46,120
Speaker 5: we go. We don't say you get one chance. We

19
00:00:46,200 --> 00:00:49,920
Speaker 5: said you the show, well, stop playing and you running

20
00:00:49,920 --> 00:00:53,280
Speaker 5: plumbing were talking about Cummings, were talking about that base

21
00:00:54,360 --> 00:00:55,480
Speaker 5: eating cool before.

22
00:00:55,280 --> 00:00:56,080
Speaker 4: Y'all cat say.

23
00:00:58,560 --> 00:01:01,319
Speaker 2: So, Yes we are in Canada. If you're looking at us,

24
00:01:01,480 --> 00:01:04,840
Speaker 2: yes to us either or we are in Canada. In Toronto,

25
00:01:05,400 --> 00:01:07,960
Speaker 2: back in the lovely city, one of my favorite cities

26
00:01:08,000 --> 00:01:10,560
Speaker 2: in the world where I'm sure you would agree with me.

27
00:01:10,720 --> 00:01:14,160
Speaker 1: Absolutely on that. I haven't traveled very far internationally, so

28
00:01:14,600 --> 00:01:16,280
Speaker 1: you know, it's a small list. But Toronto, you're right.

29
00:01:16,319 --> 00:01:20,759
Speaker 1: Thereto Toronto is really high. It's a thirty minute flight.

30
00:01:20,840 --> 00:01:24,720
Speaker 1: It's great, is amazing, people are great. H This city

31
00:01:24,760 --> 00:01:28,360
Speaker 1: has a special place in my heart because of women.

32
00:01:28,840 --> 00:01:30,640
Speaker 4: Oh well, that's on the list for sure.

33
00:01:30,720 --> 00:01:35,000
Speaker 1: I'm sorry. Culture, yes, just the poutine, it's the culture

34
00:01:35,040 --> 00:01:40,319
Speaker 1: of It's the poteen. It's just the uh tim Mortons.

35
00:01:40,880 --> 00:01:42,200
Speaker 4: It's the Tim Hortons.

36
00:01:42,920 --> 00:01:44,679
Speaker 2: But no, this is a I spent a lot of

37
00:01:44,680 --> 00:01:47,920
Speaker 2: time growing up here, uh in Toronto and in Montreal.

38
00:01:48,040 --> 00:01:51,000
Speaker 4: I used to come up here every pretty much every summer.

39
00:01:51,040 --> 00:01:53,320
Speaker 1: Is there a beef between Montreal and Toronto? We're asking

40
00:01:53,360 --> 00:01:55,400
Speaker 1: the Torontonians in the room.

41
00:01:55,560 --> 00:01:57,320
Speaker 3: That is that what y'all call Torontonians.

42
00:01:57,600 --> 00:01:59,120
Speaker 4: It's a small beef, but it's not.

43
00:01:59,240 --> 00:02:01,320
Speaker 2: It's not really a it's a little it's a little

44
00:02:01,320 --> 00:02:04,520
Speaker 2: snobby like it's not like you're sawing site type.

45
00:02:04,680 --> 00:02:06,840
Speaker 1: It was French when I walked into the airport. Though

46
00:02:07,040 --> 00:02:10,560
Speaker 1: it's half French half English. Yeah, do you guys bang

47
00:02:10,600 --> 00:02:12,079
Speaker 1: French international languages?

48
00:02:13,200 --> 00:02:16,000
Speaker 6: No, right, it's pretty American, like not American. It's pretty

49
00:02:16,000 --> 00:02:18,720
Speaker 6: English here like Montreal is heavy on the front.

50
00:02:18,840 --> 00:02:21,440
Speaker 1: Yeah yeah, well, I mean maybe that's why I like

51
00:02:21,480 --> 00:02:24,400
Speaker 1: Toronto better, just like English.

52
00:02:24,600 --> 00:02:25,919
Speaker 4: Okay, that's the.

53
00:02:25,880 --> 00:02:29,800
Speaker 1: Only language to speak, you know, America from Jersey, New York.

54
00:02:30,160 --> 00:02:32,560
Speaker 4: Everybody speaks different languages in Jersey.

55
00:02:32,800 --> 00:02:34,959
Speaker 6: Yeah, you've been to his house, man.

56
00:02:35,639 --> 00:02:40,720
Speaker 1: Italian Queens is the most diverse county in the entire country.

57
00:02:41,400 --> 00:02:42,519
Speaker 1: English is still pretty heavy on.

58
00:02:43,000 --> 00:02:45,040
Speaker 4: Yeah, I'm PROMI you're not gonna find.

59
00:02:44,800 --> 00:02:47,560
Speaker 1: Over you've never met on the train and read something else.

60
00:02:47,639 --> 00:02:48,520
Speaker 4: At all at all.

61
00:02:48,520 --> 00:02:51,440
Speaker 2: It's not having But yeah, so where in Toronto we

62
00:02:51,520 --> 00:02:53,440
Speaker 2: have our show if you if you're listening, we have

63
00:02:53,520 --> 00:02:56,040
Speaker 2: our show tonight in Toronto.

64
00:02:58,040 --> 00:03:00,320
Speaker 6: No, it was yesterday, oh ship we called it.

65
00:03:00,440 --> 00:03:01,000
Speaker 1: Yeah, yeah.

66
00:03:02,360 --> 00:03:03,000
Speaker 4: It was amazing.

67
00:03:04,280 --> 00:03:07,680
Speaker 1: Looks show was crazy. Drake came through. Yeah, an interview.

68
00:03:07,760 --> 00:03:09,519
Speaker 4: I missed it. If y'all didn't come, that's on y'all.

69
00:03:09,639 --> 00:03:09,839
Speaker 6: Drake.

70
00:03:10,120 --> 00:03:11,880
Speaker 4: It was Drake opened and he previewed some of his

71
00:03:11,919 --> 00:03:12,440
Speaker 4: next album.

72
00:03:12,639 --> 00:03:14,920
Speaker 1: Greg fred ed all of them were there too. Yeah,

73
00:03:15,160 --> 00:03:16,720
Speaker 1: we got down to the bottom of who loved to

74
00:03:16,800 --> 00:03:18,680
Speaker 1: of the most Charlene Nadine Christi.

75
00:03:18,800 --> 00:03:20,400
Speaker 4: Yo, we talked about that bar.

76
00:03:21,560 --> 00:03:24,280
Speaker 1: They all send me naked pictures. It's the small things.

77
00:03:24,639 --> 00:03:28,080
Speaker 1: It is, no listen, I felt that. No, I'm not

78
00:03:28,120 --> 00:03:30,399
Speaker 1: clowning to that because I got enough bar. He said

79
00:03:30,400 --> 00:03:32,560
Speaker 1: it aggressively, But if you break it down, it's the

80
00:03:32,600 --> 00:03:34,400
Speaker 1: small things that count. You remember having a bad day

81
00:03:34,440 --> 00:03:35,480
Speaker 1: and she just send you a new.

82
00:03:36,960 --> 00:03:39,040
Speaker 2: How many things in the world are greater than opening

83
00:03:39,080 --> 00:03:41,880
Speaker 2: your phone and seeing attachment one image.

84
00:03:41,560 --> 00:03:46,200
Speaker 6: From Pauline when they hit me like that hidden almost

85
00:03:46,240 --> 00:03:46,400
Speaker 6: like a.

86
00:03:46,440 --> 00:03:50,720
Speaker 7: Journey just got album of a year just left that

87
00:03:52,200 --> 00:03:54,800
Speaker 7: looks se looks because you're scared of the sixth in

88
00:03:54,880 --> 00:03:56,760
Speaker 7: the sixth I know now now you're saying this, this

89
00:03:56,840 --> 00:03:57,560
Speaker 7: is some of the decades.

90
00:03:57,600 --> 00:03:58,760
Speaker 6: This is you currently checking in.

91
00:03:59,160 --> 00:04:01,560
Speaker 2: You imagine if social media was around when Michael Jackson

92
00:04:01,560 --> 00:04:02,440
Speaker 2: put out like Thriller.

93
00:04:02,680 --> 00:04:04,000
Speaker 4: That's do y'all know the ship that some.

94
00:04:04,000 --> 00:04:07,120
Speaker 1: People would tell he probably would have y'all know a

95
00:04:07,120 --> 00:04:07,960
Speaker 1: lot of our mothers.

96
00:04:07,880 --> 00:04:09,400
Speaker 4: Listen, do y'all knowice that people would have?

97
00:04:11,040 --> 00:04:14,480
Speaker 2: Imagine if podcasting was around when Michael Jackson put out Thriller.

98
00:04:14,840 --> 00:04:16,360
Speaker 6: Would you interview Mike.

99
00:04:16,440 --> 00:04:20,080
Speaker 1: They probably would have said it was okay, it wasn't

100
00:04:20,120 --> 00:04:21,200
Speaker 1: like the last album.

101
00:04:22,040 --> 00:04:23,280
Speaker 4: Yo, Mike, I mean, I ain't gonna lie.

102
00:04:23,279 --> 00:04:26,640
Speaker 1: You could have more of a Jackson five fan, Yo, Mike.

103
00:04:26,480 --> 00:04:27,120
Speaker 4: I ain't gonna lie.

104
00:04:27,120 --> 00:04:29,200
Speaker 6: You all be there like just why you don't get

105
00:04:29,200 --> 00:04:31,919
Speaker 6: back in your billy g like what meo Diamond like

106
00:04:32,000 --> 00:04:32,440
Speaker 6: day one?

107
00:04:33,080 --> 00:04:33,200
Speaker 4: Bro?

108
00:04:33,320 --> 00:04:35,000
Speaker 1: This is I mean you know it would have been

109
00:04:35,000 --> 00:04:38,279
Speaker 1: the best podcaster of all time, Prince. I believe Prince

110
00:04:38,320 --> 00:04:41,159
Speaker 1: would have doubled as the artist podcaster and he would

111
00:04:41,200 --> 00:04:42,880
Speaker 1: have shipped on every single artist on Earth.

112
00:04:43,000 --> 00:04:45,240
Speaker 4: I believe it. Prince would have been a great Nobody

113
00:04:45,279 --> 00:04:46,200
Speaker 4: would have been his guest.

114
00:04:47,000 --> 00:04:49,800
Speaker 1: Oh, he would have held He would have held the camera.

115
00:04:50,000 --> 00:04:52,359
Speaker 4: Yeah, like he would have done everything. You see the

116
00:04:52,720 --> 00:04:55,719
Speaker 4: outcast video undred two thousand with Prince.

117
00:04:55,760 --> 00:04:57,479
Speaker 1: Hey y'all, hey y he plays.

118
00:04:57,680 --> 00:04:59,880
Speaker 2: That would have been Prince that was in the camera.

119
00:05:00,000 --> 00:05:01,320
Speaker 2: She would look like Edding with a whole bunch of

120
00:05:01,360 --> 00:05:06,000
Speaker 2: other shit on headphones. What is called edder recorder?

121
00:05:06,480 --> 00:05:07,440
Speaker 4: Fuck you what?

122
00:05:07,560 --> 00:05:10,600
Speaker 1: There's an NPC there. You're trying to make some beat?

123
00:05:11,200 --> 00:05:11,840
Speaker 4: So what you want?

124
00:05:12,080 --> 00:05:12,880
Speaker 1: Can I get my flowers?

125
00:05:12,920 --> 00:05:13,120
Speaker 6: Today?

126
00:05:13,120 --> 00:05:14,919
Speaker 1: We've been giving you guys a lot of flowers for what.

127
00:05:15,920 --> 00:05:18,760
Speaker 1: Jada pick Smith is the most toxic woman on planet Earth.

128
00:05:19,240 --> 00:05:20,880
Speaker 3: Text that are saying that she wants her flowers to

129
00:05:21,080 --> 00:05:21,919
Speaker 3: but I've.

130
00:05:21,720 --> 00:05:24,640
Speaker 1: Been suggesting this for how many years now? She is

131
00:05:24,720 --> 00:05:27,040
Speaker 1: she is the most evil woman walking the earth. So

132
00:05:27,080 --> 00:05:29,880
Speaker 1: she can't we continue to blame men for all of

133
00:05:29,960 --> 00:05:32,440
Speaker 1: her horror that she puts on our gender.

134
00:05:32,839 --> 00:05:34,479
Speaker 4: So she said horror horror.

135
00:05:34,600 --> 00:05:37,840
Speaker 1: Yeah, she's a horror that puts horror. She puts the

136
00:05:37,880 --> 00:05:38,320
Speaker 1: horror horror.

137
00:05:38,680 --> 00:05:40,160
Speaker 4: Jada Pinker Smith a horror.

138
00:05:40,400 --> 00:05:44,160
Speaker 1: Not maybe by physical standards, but by mental standards. That's

139
00:05:44,160 --> 00:05:46,279
Speaker 1: a horror. That's a means evil horror.

140
00:05:46,560 --> 00:05:47,920
Speaker 4: What do you mean? What do you mean by that?

141
00:05:48,080 --> 00:05:50,440
Speaker 1: She is tricking? I think Will Smith found out that

142
00:05:50,440 --> 00:05:53,680
Speaker 1: he was divorced like the rest of us today. No,

143
00:05:53,720 --> 00:05:56,040
Speaker 1: I don't think he realized he was separated into sixteen.

144
00:05:56,880 --> 00:05:58,479
Speaker 4: They they I think they kind of.

145
00:05:58,520 --> 00:06:00,760
Speaker 2: I can't remember the Red Table talk verbatim, but I

146
00:06:00,760 --> 00:06:03,200
Speaker 2: think they kind of. When they sat down in the

147
00:06:03,240 --> 00:06:07,159
Speaker 2: whole entanglement thing, I think they threw that out there

148
00:06:07,200 --> 00:06:09,960
Speaker 2: like they weren't together or she.

149
00:06:10,000 --> 00:06:12,560
Speaker 6: Seems like an open situation. Yeah, not so, this is

150
00:06:12,560 --> 00:06:14,680
Speaker 6: pretty definitive. She said they've been separated.

151
00:06:14,720 --> 00:06:18,320
Speaker 1: They teased open, they did not cease completely separated. Don't

152
00:06:18,360 --> 00:06:20,520
Speaker 1: have me run up to the Oscars and smack the

153
00:06:20,560 --> 00:06:23,920
Speaker 1: shit out of a comedian for my bestie. It's not

154
00:06:24,000 --> 00:06:28,760
Speaker 1: even his wife's manipulated. She spoke about that, She said,

155
00:06:28,800 --> 00:06:29,799
Speaker 1: my date to the Oscars.

156
00:06:29,839 --> 00:06:31,880
Speaker 2: She said that Chris Rock had reached out to her

157
00:06:31,920 --> 00:06:33,640
Speaker 2: and asked if he could take her out because he

158
00:06:33,640 --> 00:06:35,599
Speaker 2: had heard that they had broken up. Hear and Will

159
00:06:35,960 --> 00:06:39,279
Speaker 2: were split, and she said no, like that's just a rumor,

160
00:06:39,320 --> 00:06:41,560
Speaker 2: and he was like, oh shit, I'm sorry, Like he apologized.

161
00:06:41,600 --> 00:06:44,680
Speaker 2: Are you trying to beat well, yes, Jada Pinkett, she's

162
00:06:44,720 --> 00:06:47,479
Speaker 2: one of the prettiest women we've ever had in Hollywood,

163
00:06:47,520 --> 00:06:49,200
Speaker 2: in our culture, Like, why wouldn't he.

164
00:06:49,160 --> 00:06:51,599
Speaker 1: And again, horror behavior if that was post twenty sixteen.

165
00:06:51,600 --> 00:06:53,039
Speaker 1: Why she's trying to make Chris Rock look like the

166
00:06:53,040 --> 00:06:54,799
Speaker 1: bad guy here or like he should have been smacked.

167
00:06:54,839 --> 00:06:56,040
Speaker 4: I don't think she was trying to make him look

168
00:06:56,040 --> 00:06:56,480
Speaker 4: like a bad guy.

169
00:06:56,720 --> 00:06:58,200
Speaker 1: It appeared that way. I think she I think she

170
00:06:58,240 --> 00:07:00,360
Speaker 1: everyone took that and was like, well he should have

171
00:07:00,360 --> 00:07:00,840
Speaker 1: been smacked.

172
00:07:01,400 --> 00:07:03,320
Speaker 2: No, but she said that he didn't know. She kind

173
00:07:03,320 --> 00:07:04,680
Speaker 2: of cleared it up, like he didn't know. He thought

174
00:07:04,720 --> 00:07:06,960
Speaker 2: he thought that they were separated and he's not.

175
00:07:07,640 --> 00:07:09,600
Speaker 1: And if it's post twenty sixteen though, and what did

176
00:07:09,640 --> 00:07:11,480
Speaker 1: she tell Will because we know she lies to Will.

177
00:07:12,120 --> 00:07:15,000
Speaker 1: What so you know Will could have Will could have

178
00:07:15,000 --> 00:07:17,600
Speaker 1: went up on that stage thinking he had the right information,

179
00:07:17,920 --> 00:07:19,880
Speaker 1: knowing it was after twenty sixteen later.

180
00:07:20,680 --> 00:07:23,320
Speaker 2: I just think that, you know, Jada, Jada and Will's

181
00:07:23,360 --> 00:07:27,880
Speaker 2: relationship is not the most.

182
00:07:27,600 --> 00:07:30,080
Speaker 4: Con I don't want to say the wrong word.

183
00:07:30,560 --> 00:07:33,080
Speaker 2: I think I think that because if you think about it,

184
00:07:33,120 --> 00:07:36,720
Speaker 2: how long has it been before the Entanglement episode that

185
00:07:36,800 --> 00:07:40,280
Speaker 2: we actually saw Jada and Will like together together.

186
00:07:40,040 --> 00:07:43,360
Speaker 1: When Chris Rock was slept yea every award show we

187
00:07:43,400 --> 00:07:44,520
Speaker 1: see that, Well.

188
00:07:44,400 --> 00:07:47,080
Speaker 4: That's what I'm saying. It's when it's for the Red Car.

189
00:07:47,040 --> 00:07:49,200
Speaker 6: But it's when it's Yeah, but that's just public appearance

190
00:07:49,200 --> 00:07:52,040
Speaker 6: stuff I wouldn't put you know what I mean? Like

191
00:07:52,120 --> 00:07:52,840
Speaker 6: that's but.

192
00:07:52,760 --> 00:07:55,000
Speaker 2: There was like there were stories of Will not being

193
00:07:55,440 --> 00:07:57,520
Speaker 2: with Jada for years before that though, Like he was

194
00:07:57,560 --> 00:07:58,520
Speaker 2: in Miami.

195
00:07:58,280 --> 00:08:00,840
Speaker 1: Doing this thing, shooting movies, and we're not talking about him,

196
00:08:00,880 --> 00:08:03,800
Speaker 1: We're talking about Jada. Yeah, all the bullshit she has done.

197
00:08:03,920 --> 00:08:07,240
Speaker 1: Why do we need another interview? Like, leave us alone. Well,

198
00:08:07,280 --> 00:08:07,880
Speaker 1: I didn't need more.

199
00:08:08,080 --> 00:08:09,760
Speaker 2: I think I think that I think that their promo,

200
00:08:09,880 --> 00:08:12,440
Speaker 2: she's promoing something right is in the uh, it has

201
00:08:12,520 --> 00:08:13,360
Speaker 2: to be something coming.

202
00:08:13,800 --> 00:08:14,760
Speaker 4: It's Red Table Talks.

203
00:08:16,520 --> 00:08:19,120
Speaker 3: That's everything in terms of Facebook video is done.

204
00:08:19,680 --> 00:08:21,000
Speaker 4: So where's the Red Table Talk at?

205
00:08:21,040 --> 00:08:23,720
Speaker 6: It's up for sale there they can shop at Facebook.

206
00:08:23,760 --> 00:08:25,040
Speaker 6: Facebook watch doesn't exist.

207
00:08:25,080 --> 00:08:26,880
Speaker 1: It's in a dining room that neither of them go

208
00:08:26,920 --> 00:08:27,520
Speaker 1: into anymore.

209
00:08:28,000 --> 00:08:30,000
Speaker 4: But but the show that that was a big show.

210
00:08:30,360 --> 00:08:33,959
Speaker 2: So obviously that's something that Jada is trying to continue

211
00:08:34,000 --> 00:08:36,200
Speaker 2: to do this this interview, who was it with?

212
00:08:36,520 --> 00:08:39,480
Speaker 1: Hold an interview? Hold it in the horse that show,

213
00:08:39,600 --> 00:08:42,080
Speaker 1: Hold the horse? So why won't like I feel like,

214
00:08:42,520 --> 00:08:45,840
Speaker 1: even if you don't get along with your ex wife, husband,

215
00:08:45,960 --> 00:08:49,760
Speaker 1: ex partner, ex boyfriend, girlfriend, you owe them some type

216
00:08:49,800 --> 00:08:54,840
Speaker 1: of respect and to shut the fuck up about the relationship.

217
00:08:54,840 --> 00:08:57,880
Speaker 1: At some point, has it not dragged on long enough?

218
00:08:57,920 --> 00:09:00,640
Speaker 1: Do we really think Jada Smith gives a fuck about

219
00:09:00,679 --> 00:09:04,079
Speaker 1: Will and his feelings nah or his perception she has

220
00:09:04,120 --> 00:09:07,600
Speaker 1: had had put him on missions. He looks nuts, but

221
00:09:07,679 --> 00:09:09,880
Speaker 1: wall for her to quit back and be like, we

222
00:09:09,960 --> 00:09:11,440
Speaker 1: don't know why he did it and what it was

223
00:09:11,440 --> 00:09:11,800
Speaker 1: his skit.

224
00:09:11,920 --> 00:09:12,640
Speaker 4: But what did she say?

225
00:09:12,640 --> 00:09:14,760
Speaker 1: It's been fucking with him mentally for two decades?

226
00:09:14,880 --> 00:09:16,280
Speaker 4: Yeah, but what does she say in this interview?

227
00:09:16,520 --> 00:09:18,920
Speaker 1: And then anytime Tupac gets brought up, Tupac doesn't even

228
00:09:18,960 --> 00:09:20,679
Speaker 1: need to get brought up. They talk about Neil Diamond,

229
00:09:20,720 --> 00:09:23,960
Speaker 1: She's like, what about Tupac anytime? But anytime Will comes up,

230
00:09:23,960 --> 00:09:25,839
Speaker 1: it's like, well, you know, I was fucking someone else.

231
00:09:25,880 --> 00:09:29,000
Speaker 1: We weren't together. Like, look at this respect level that

232
00:09:29,080 --> 00:09:31,120
Speaker 1: this woman has given her life partner.

233
00:09:31,160 --> 00:09:34,080
Speaker 6: If they've been separated for since twenty sixteen, that means

234
00:09:34,080 --> 00:09:36,080
Speaker 6: for eight years she's been doing this press run of

235
00:09:36,160 --> 00:09:40,600
Speaker 6: just like slowly of course, dragging Will and just be

236
00:09:40,679 --> 00:09:44,480
Speaker 6: smirching his namesake for eight years. If they've been separated,

237
00:09:44,520 --> 00:09:46,200
Speaker 6: just stop talking about him in that regard.

238
00:09:46,280 --> 00:09:48,199
Speaker 2: What was the point of this interview though? Like, what

239
00:09:48,240 --> 00:09:50,040
Speaker 2: did what was the what was the what did they did?

240
00:09:50,120 --> 00:09:52,720
Speaker 2: What was hold of interviewing Jada Pinkett Smith about?

241
00:09:52,960 --> 00:09:55,319
Speaker 4: Like what would they talk about? But no, it has

242
00:09:55,360 --> 00:09:58,199
Speaker 4: to be something. It has to be something. It's a

243
00:09:58,240 --> 00:09:58,679
Speaker 4: show and.

244
00:09:59,000 --> 00:10:02,320
Speaker 1: Only she's probably doing something. But you know why she

245
00:10:02,440 --> 00:10:04,320
Speaker 1: was there, and she knew the talking points and she

246
00:10:04,360 --> 00:10:06,360
Speaker 1: knew what she was gonna talk about. I'm sure maybe

247
00:10:06,400 --> 00:10:09,440
Speaker 1: she's doing another movie or some shit, But is that

248
00:10:09,520 --> 00:10:12,040
Speaker 1: really why people tuned in? Is that the headlines for anything?

249
00:10:12,120 --> 00:10:13,400
Speaker 2: No, of course they want to hit. They want to

250
00:10:13,480 --> 00:10:17,439
Speaker 2: hit her. Talk about the split and the separation like that.

251
00:10:17,520 --> 00:10:21,320
Speaker 1: Was like the definition of some woman shit you do

252
00:10:21,400 --> 00:10:25,520
Speaker 1: all that, continue on with all this press bullshit. Tell

253
00:10:25,559 --> 00:10:27,760
Speaker 1: Will about Chris Rock just trying to, you know, shoot

254
00:10:27,800 --> 00:10:29,520
Speaker 1: a shot for a second after you guys split up,

255
00:10:30,360 --> 00:10:33,640
Speaker 1: Will gets up smacks the shit out of him for

256
00:10:33,760 --> 00:10:37,959
Speaker 1: your honor, and you go, I thought it was a skit. Yo.

257
00:10:38,000 --> 00:10:44,720
Speaker 2: If I get you have been manipulating and playing mind

258
00:10:44,720 --> 00:10:46,760
Speaker 2: games with me for so long, and then you see

259
00:10:46,760 --> 00:10:49,240
Speaker 2: me smack the shit out of somebody for disrespecting you,

260
00:10:49,320 --> 00:10:51,040
Speaker 2: and you told me that he was trying to shoot

261
00:10:51,080 --> 00:10:53,040
Speaker 2: a shot and he's supposed to be my fake industry friend,

262
00:10:53,640 --> 00:10:55,040
Speaker 2: and then you say, I thought it was a skit.

263
00:10:55,880 --> 00:10:59,880
Speaker 1: That is the definition of manipulation. That woman has been

264
00:11:00,400 --> 00:11:01,720
Speaker 1: ruining that guy's life.

265
00:11:01,920 --> 00:11:05,960
Speaker 6: I don't know about He's doing all right, yeah, financially,

266
00:11:06,000 --> 00:11:09,160
Speaker 6: but his public perception is terrible, like no one respects him.

267
00:11:09,160 --> 00:11:11,480
Speaker 6: We're talking about men, the lack of men in Canada.

268
00:11:11,760 --> 00:11:13,400
Speaker 6: Who respects Will as a man? Right now?

269
00:11:14,640 --> 00:11:16,360
Speaker 1: I don't think Will probably cares too much about that.

270
00:11:16,400 --> 00:11:18,079
Speaker 1: I meant like his internal personal feelings.

271
00:11:18,640 --> 00:11:20,200
Speaker 6: Like it's hard to look at Will and be like

272
00:11:20,559 --> 00:11:22,920
Speaker 6: I would say, he's sucking up like his legacy. That's

273
00:11:22,920 --> 00:11:25,200
Speaker 6: what That's what annoys me. It's like, all this is

274
00:11:25,200 --> 00:11:27,200
Speaker 6: fucking up? How I look at Will Smith?

275
00:11:28,520 --> 00:11:30,120
Speaker 4: What for?

276
00:11:30,240 --> 00:11:30,440
Speaker 6: Ever?

277
00:11:30,920 --> 00:11:31,240
Speaker 4: Like that?

278
00:11:31,320 --> 00:11:32,520
Speaker 1: Everything?

279
00:11:33,120 --> 00:11:34,520
Speaker 4: You don't look a real crazy now?

280
00:11:34,679 --> 00:11:35,319
Speaker 6: Yeah?

281
00:11:35,559 --> 00:11:40,840
Speaker 4: You, Yes, nobody gives a fuck about Will Smith. Not

282
00:11:40,920 --> 00:11:43,960
Speaker 4: like that. Not like what I'm saying.

283
00:11:43,960 --> 00:11:45,559
Speaker 2: We don't think about Will Smith on our day to

284
00:11:45,640 --> 00:11:47,120
Speaker 2: day Nobody who thinks about what?

285
00:11:48,640 --> 00:11:49,600
Speaker 4: It's not day to day.

286
00:11:49,840 --> 00:11:52,080
Speaker 2: That's what you did about it, It's not day to day.

287
00:11:52,200 --> 00:11:54,880
Speaker 2: Shut up, Yeah, nobody thinks about Will. Nobody really cares nobody.

288
00:11:55,280 --> 00:11:57,280
Speaker 1: What do you think their kids think of this whole thing?

289
00:11:57,800 --> 00:11:59,400
Speaker 1: They have been previous adults.

290
00:11:59,440 --> 00:12:01,880
Speaker 4: Now, Jaden is on so many shrooms. He doesn't give

291
00:12:01,920 --> 00:12:02,240
Speaker 4: a fuck.

292
00:12:02,720 --> 00:12:03,520
Speaker 6: He's just riding a bike.

293
00:12:03,600 --> 00:12:07,120
Speaker 2: Yeah, it's just shrooms and in a good times, good

294
00:12:07,240 --> 00:12:09,199
Speaker 2: energy like Jayden, don't care about none of this.

295
00:12:09,240 --> 00:12:11,960
Speaker 4: Ship man talented kid though talented otis he.

296
00:12:11,960 --> 00:12:15,600
Speaker 1: Thought smacked Osmoss Jones when he was up there, see

297
00:12:15,640 --> 00:12:16,000
Speaker 1: how it was.

298
00:12:16,240 --> 00:12:17,400
Speaker 4: Yeah, definitely.

299
00:12:18,520 --> 00:12:21,080
Speaker 6: Someone made a remake of that video where it's them

300
00:12:21,080 --> 00:12:23,560
Speaker 6: as the animals, the animated animals. They've played it was

301
00:12:23,640 --> 00:12:27,800
Speaker 6: Chris Rock at the Zebra Fromatagascar and uh Will Smith

302
00:12:27,800 --> 00:12:30,120
Speaker 6: as a shark from Shark Tale, and they like it's

303
00:12:30,120 --> 00:12:30,920
Speaker 6: full on animation.

304
00:12:31,000 --> 00:12:32,920
Speaker 3: They just slappy yeah.

305
00:12:32,679 --> 00:12:35,120
Speaker 6: And then he the Debra responds in the zebra voice,

306
00:12:35,160 --> 00:12:35,920
Speaker 6: it's hilarious.

307
00:12:36,200 --> 00:12:36,840
Speaker 4: That's fucked up.

308
00:12:36,880 --> 00:12:37,520
Speaker 6: It's so fun.

309
00:12:37,520 --> 00:12:38,520
Speaker 3: We're never gonna get over it.

310
00:12:39,880 --> 00:12:42,240
Speaker 4: You're not over you over that slack? Yeah, man, I

311
00:12:42,240 --> 00:12:43,200
Speaker 4: don't care about that ship.

312
00:12:43,280 --> 00:12:46,920
Speaker 1: Do we really believe? Jada replied with no, sorry, Chris,

313
00:12:47,679 --> 00:12:48,559
Speaker 1: we're not separated.

314
00:12:48,760 --> 00:12:49,439
Speaker 6: Yeah, what do you think?

315
00:12:49,520 --> 00:12:50,280
Speaker 3: What do you think the reply?

316
00:12:50,400 --> 00:12:53,160
Speaker 4: Think you think Chris hit that no? But I don't.

317
00:12:53,200 --> 00:12:56,600
Speaker 1: I don't think Jada deaded it right away. She doesn't

318
00:12:56,640 --> 00:12:59,080
Speaker 1: seem like for the information she's given us, I'm not

319
00:12:59,280 --> 00:13:02,440
Speaker 1: speculating what she's put out there. She doesn't seem like

320
00:13:02,720 --> 00:13:04,960
Speaker 1: the woman that straight up says no, I have a man.

321
00:13:05,880 --> 00:13:08,600
Speaker 1: She looks like she actually gives into the question, so

322
00:13:08,640 --> 00:13:11,480
Speaker 1: he doesn't let you have friends? And then probably like

323
00:13:11,920 --> 00:13:14,160
Speaker 1: Chris stop. She seems like that type to me. And

324
00:13:14,200 --> 00:13:16,000
Speaker 1: I'm not saying an he hit, but I'm saying there

325
00:13:16,080 --> 00:13:19,000
Speaker 1: was some chemistry there that made Chris like pursue a

326
00:13:19,040 --> 00:13:21,160
Speaker 1: little bit more on that question. Yeah, she's don't think.

327
00:13:21,200 --> 00:13:24,120
Speaker 1: Chris Rock, out of nowhere said to Jada, can I

328
00:13:24,160 --> 00:13:26,760
Speaker 1: take you out? He didn't call up, pick up his phone,

329
00:13:27,080 --> 00:13:29,560
Speaker 1: cold dial Jada and say can I take you out?

330
00:13:29,720 --> 00:13:32,120
Speaker 1: There was in exchange before that that Jada is leaving

331
00:13:32,160 --> 00:13:34,160
Speaker 1: out and Chris went, so can I take you out?

332
00:13:34,160 --> 00:13:35,559
Speaker 1: And then she was probably well, no, no, no, I.

333
00:13:35,480 --> 00:13:36,959
Speaker 4: Have I'm still married.

334
00:13:37,160 --> 00:13:39,720
Speaker 1: Yeah, she left out the beginning of that conversation.

335
00:13:39,880 --> 00:13:41,960
Speaker 6: I'm saving myself from my son's best friend.

336
00:13:42,360 --> 00:13:48,440
Speaker 4: But I ain't gonna lie.

337
00:13:48,480 --> 00:13:49,959
Speaker 2: See this is why I can't fuck with you, though,

338
00:13:49,960 --> 00:13:51,480
Speaker 2: because you was one of the ones that was saying

339
00:13:52,160 --> 00:13:55,439
Speaker 2: mental illness, like his mental health, like August Olsen, he

340
00:13:55,559 --> 00:13:56,760
Speaker 2: was taking advantage.

341
00:13:56,360 --> 00:13:59,640
Speaker 1: Of he was he was taking advantage and Chris Rock

342
00:13:59,720 --> 00:14:01,480
Speaker 1: just came out and I want to say that mentally

343
00:14:01,559 --> 00:14:02,600
Speaker 1: ill as well, that's your type.

344
00:14:03,360 --> 00:14:05,680
Speaker 6: She got to type, I'm on the spectrum. What's up, Dada.

345
00:14:05,760 --> 00:14:08,000
Speaker 2: I want to say that August Alsina was acting like Kasa,

346
00:14:08,080 --> 00:14:09,680
Speaker 2: so say it wasn't nothing wrong. With him, but he

347
00:14:09,760 --> 00:14:11,760
Speaker 2: was acting like it was just so you could get

348
00:14:11,800 --> 00:14:14,320
Speaker 2: in the house. Think about it, that's a that's a

349
00:14:14,360 --> 00:14:17,320
Speaker 2: genius plan. Like, Yo, I'm going through something to my family,

350
00:14:17,360 --> 00:14:18,439
Speaker 2: you know, Like can I just stay here?

351
00:14:18,440 --> 00:14:19,680
Speaker 4: Can I crash for a couple?

352
00:14:20,120 --> 00:14:20,280
Speaker 6: Is that?

353
00:14:20,520 --> 00:14:22,680
Speaker 4: Is that what you would do for Jada Hell?

354
00:14:23,360 --> 00:14:25,200
Speaker 6: I think I saw her Dumbo house once. We kept

355
00:14:25,240 --> 00:14:26,600
Speaker 6: looking at each other and I was looking at her

356
00:14:26,600 --> 00:14:28,400
Speaker 6: because I thought it was her, not I was like

357
00:14:28,520 --> 00:14:31,000
Speaker 6: convinced it was her, and we kept staring back and forth.

358
00:14:31,080 --> 00:14:32,000
Speaker 1: She was Julie.

359
00:14:32,000 --> 00:14:35,800
Speaker 6: It was weird list pursu'where.

360
00:14:34,800 --> 00:14:36,840
Speaker 1: I don't think I'm a very petty person, but at

361
00:14:36,840 --> 00:14:38,960
Speaker 1: this point, if I'm Will Smith, I might build out kipd.

362
00:14:41,200 --> 00:14:42,200
Speaker 6: That's a sick transition.

363
00:14:42,240 --> 00:14:44,000
Speaker 1: What is wrong, That's what I'm saying, Like your brain

364
00:14:45,360 --> 00:14:47,960
Speaker 1: the Canadian air, Like what's wrong with I'm very sick

365
00:14:48,000 --> 00:14:48,200
Speaker 1: right now?

366
00:14:48,320 --> 00:14:50,320
Speaker 4: Yeah? Like no, you're sick all the time, Like why

367
00:14:50,320 --> 00:14:52,080
Speaker 4: would you mind go to the other I just.

368
00:14:52,080 --> 00:14:54,160
Speaker 1: I mean she continues to go out and do ship

369
00:14:54,240 --> 00:14:56,200
Speaker 1: like Will has to get his lick back. When he

370
00:14:56,200 --> 00:14:57,800
Speaker 1: thought he was getting his lick back, it was all

371
00:14:57,800 --> 00:14:58,160
Speaker 1: a lie.

372
00:14:58,560 --> 00:14:59,400
Speaker 6: You could just hit Diddy.

373
00:15:01,080 --> 00:15:03,200
Speaker 1: He might have to see with that that Keithy Bella

374
00:15:04,360 --> 00:15:07,720
Speaker 1: for a fair trial.

375
00:15:08,520 --> 00:15:12,440
Speaker 6: Yea, Julie's gonna get us, he said, I said, you

376
00:15:12,440 --> 00:15:17,240
Speaker 6: Co just hit Diddy. Talk about it.

377
00:15:17,640 --> 00:15:19,520
Speaker 4: No, I'm not. I'm leaving that alone.

378
00:15:19,560 --> 00:15:22,000
Speaker 2: I'm not talking about that. So the BT Awards are

379
00:15:22,040 --> 00:15:23,760
Speaker 2: aired last night.

380
00:15:23,840 --> 00:15:24,440
Speaker 1: Hip Hop Awards.

381
00:15:24,800 --> 00:15:26,320
Speaker 4: Excuse me, the BT hip Hop Awards.

382
00:15:26,360 --> 00:15:26,520
Speaker 6: It was.

383
00:15:26,560 --> 00:15:29,480
Speaker 4: It was taped last week though I didn't see it

384
00:15:29,480 --> 00:15:30,840
Speaker 4: though and I did. I did want to.

385
00:15:30,760 --> 00:15:36,440
Speaker 2: See Jermaine Dupriez Social Deaf thirty year anniversary tribute because

386
00:15:36,480 --> 00:15:40,360
Speaker 2: obviously JD that's family, but I also I always like

387
00:15:40,440 --> 00:15:43,160
Speaker 2: to see, uh the music we grew up on in

388
00:15:43,160 --> 00:15:44,920
Speaker 2: the culture when a lot of the artists come back

389
00:15:44,960 --> 00:15:48,840
Speaker 2: and hit the stage. So I'm mad I missed that,

390
00:15:49,280 --> 00:15:52,040
Speaker 2: but I want to talk about it because Rory is

391
00:15:52,080 --> 00:15:56,080
Speaker 2: about to blow a gasket once again. Kreshia Please won

392
00:15:56,200 --> 00:16:00,400
Speaker 2: Best hip Hop Platform Best Yeah, she won.

393
00:16:00,560 --> 00:16:01,120
Speaker 6: It's not a split.

394
00:16:01,200 --> 00:16:05,840
Speaker 4: It wasn't. It wasn't a split. It was an inside.

395
00:16:06,160 --> 00:16:08,160
Speaker 1: It wasn't a split getting this woman Awards.

396
00:16:08,240 --> 00:16:11,480
Speaker 4: It wasn't a split between drink Champs and her. This

397
00:16:11,760 --> 00:16:12,320
Speaker 4: is this year.

398
00:16:12,320 --> 00:16:12,720
Speaker 6: It was so.

399
00:16:15,400 --> 00:16:17,400
Speaker 1: She interviewed anyone sent her last award.

400
00:16:17,680 --> 00:16:20,800
Speaker 2: She's the she's the she's the Steph Curry of podcasting

401
00:16:20,880 --> 00:16:21,120
Speaker 2: right now.

402
00:16:21,600 --> 00:16:22,280
Speaker 3: That's sick.

403
00:16:22,360 --> 00:16:23,800
Speaker 4: Yeah, she's back to back a hit.

404
00:16:24,520 --> 00:16:25,960
Speaker 1: I want you to.

405
00:16:25,480 --> 00:16:27,520
Speaker 3: Explain, keep going, keep going, Like.

406
00:16:27,480 --> 00:16:31,200
Speaker 1: Give me the similarities between Steph Curry and basketball and

407
00:16:31,240 --> 00:16:32,320
Speaker 1: her and in tree media.

408
00:16:32,680 --> 00:16:35,720
Speaker 4: Well, everything she touches seems seems to go in.

409
00:16:37,080 --> 00:16:39,120
Speaker 1: You never know she's really in a relationship with that

410
00:16:39,120 --> 00:16:39,600
Speaker 1: person or not.

411
00:16:39,720 --> 00:16:40,280
Speaker 4: You don't know.

412
00:16:41,240 --> 00:16:43,920
Speaker 2: She's very uh, you know, for the most part, she's

413
00:16:44,040 --> 00:16:46,840
Speaker 2: very laid back until the lights come on and the

414
00:16:46,840 --> 00:16:48,880
Speaker 2: camera start rolling and it's time to get into her.

415
00:16:49,080 --> 00:16:51,760
Speaker 1: That's how you describe half of the city girls.

416
00:16:52,200 --> 00:16:55,560
Speaker 4: Well, yeah, most most city girls are like that.

417
00:16:55,640 --> 00:16:58,080
Speaker 2: Like if you ever met a city girl, really calm,

418
00:16:58,200 --> 00:16:59,840
Speaker 2: like when it's not like turn up time.

419
00:16:59,720 --> 00:17:01,920
Speaker 1: That's until that light on your camera comes out.

420
00:17:01,960 --> 00:17:04,040
Speaker 2: That's when they Yeah, that's when because it's something about

421
00:17:04,280 --> 00:17:06,440
Speaker 2: the light on the phone means h twerk.

422
00:17:06,760 --> 00:17:07,919
Speaker 6: Yeah, we work with the mayors.

423
00:17:08,640 --> 00:17:12,880
Speaker 1: True city girl similar listen man. Has Karesha really done

424
00:17:12,880 --> 00:17:15,280
Speaker 1: an interview since her last award or did they just

425
00:17:15,480 --> 00:17:15,960
Speaker 1: currently on.

426
00:17:15,920 --> 00:17:18,480
Speaker 6: Her YouTube page, she has one upcoming that thirty six

427
00:17:18,520 --> 00:17:20,080
Speaker 6: people are waiting for with Ari the Dawn.

428
00:17:20,680 --> 00:17:22,600
Speaker 1: So they just gave her the award because they're.

429
00:17:22,400 --> 00:17:24,520
Speaker 6: Anticipating in smash Yeah.

430
00:17:24,040 --> 00:17:30,000
Speaker 1: Yeah, she for Your Consideration Awards. Here is this video? Gotcha?

431
00:17:30,080 --> 00:17:30,359
Speaker 6: Yes?

432
00:17:30,720 --> 00:17:33,680
Speaker 4: All right, come on listen, man, because every.

433
00:17:33,480 --> 00:17:35,440
Speaker 1: Time I say this, it sounds like I'm hating on Karsha.

434
00:17:35,520 --> 00:17:36,560
Speaker 4: You are, No, I'm not.

435
00:17:36,680 --> 00:17:37,840
Speaker 3: Well, why can't you just be happy?

436
00:17:37,960 --> 00:17:40,040
Speaker 1: She was number seven with one interview and now she's

437
00:17:40,080 --> 00:17:42,920
Speaker 1: went back to back Beat Awards YEP with two interviews,

438
00:17:43,000 --> 00:17:44,640
Speaker 1: Yeah and zero this year.

439
00:17:45,240 --> 00:17:47,679
Speaker 2: All right, my bad, just and man, I think it's

440
00:17:47,720 --> 00:17:49,200
Speaker 2: the best hip hop platform.

441
00:17:49,240 --> 00:17:51,320
Speaker 4: Just anytime we get a chance to see Karesha and

442
00:17:51,400 --> 00:17:51,960
Speaker 4: just listen to.

443
00:17:51,880 --> 00:17:55,600
Speaker 1: Her, tell me, Like, what do you like about her platforms?

444
00:17:56,200 --> 00:17:58,919
Speaker 2: She asked the hard hitting questions. She gets right to it.

445
00:17:59,200 --> 00:18:01,719
Speaker 2: She's she's very diverse and who she can sit down with,

446
00:18:01,760 --> 00:18:07,600
Speaker 2: like Steph Curry, Steph Curry Curry, uh some yeah Curry chicken.

447
00:18:08,920 --> 00:18:10,600
Speaker 4: I just think that, you know. She she's just fun

448
00:18:10,600 --> 00:18:11,119
Speaker 4: to watch. She is.

449
00:18:11,160 --> 00:18:13,320
Speaker 2: She is fun to watch. Her personality she's gotten better.

450
00:18:13,400 --> 00:18:15,520
Speaker 2: I've seen I've seen some of her like clips. She

451
00:18:15,560 --> 00:18:17,480
Speaker 2: seems to be getting more comfortable. She seems to be

452
00:18:17,480 --> 00:18:20,320
Speaker 2: getting like really settling into that you almost forget that

453
00:18:20,400 --> 00:18:21,400
Speaker 2: she is a city girl.

454
00:18:22,000 --> 00:18:23,600
Speaker 6: Mm hmm with me? What reminds you?

455
00:18:23,720 --> 00:18:26,480
Speaker 1: Wow? I mean it's just the balance of duality.

456
00:18:26,680 --> 00:18:28,560
Speaker 4: No, Like seriously, like if you didn't.

457
00:18:28,240 --> 00:18:29,439
Speaker 1: Gemini, she has to be a Gemini.

458
00:18:31,000 --> 00:18:32,679
Speaker 2: If you didn't know like she was like in the

459
00:18:32,720 --> 00:18:35,120
Speaker 2: City Girls, you might think that she was the first lady.

460
00:18:35,119 --> 00:18:40,399
Speaker 2: You might think that she was the platform. She has

461
00:18:40,480 --> 00:18:43,080
Speaker 2: separated herself from that whole, like you know, City Girl.

462
00:18:43,640 --> 00:18:45,879
Speaker 1: The name of their album coming out on Friday is

463
00:18:46,000 --> 00:18:46,840
Speaker 1: real Ass Whores.

464
00:18:47,080 --> 00:18:49,880
Speaker 4: Yeah, they have an album coming out this called Raw Raw.

465
00:18:50,400 --> 00:18:53,639
Speaker 1: It's weird because the w women was right there, Like

466
00:18:53,680 --> 00:18:57,120
Speaker 1: you didn't have to you could have don't realized women, Yeah,

467
00:18:57,480 --> 00:18:59,159
Speaker 1: you didn't have to do realize.

468
00:18:59,119 --> 00:18:59,840
Speaker 4: Now, but hores.

469
00:18:59,840 --> 00:19:00,720
Speaker 1: Just it's a great word.

470
00:19:00,760 --> 00:19:03,320
Speaker 4: It's a great word because it can mean so much,

471
00:19:03,920 --> 00:19:05,000
Speaker 4: Like what what can it mean?

472
00:19:06,240 --> 00:19:07,520
Speaker 6: You said she was an aquarius.

473
00:19:08,200 --> 00:19:08,480
Speaker 1: She's a.

474
00:19:10,920 --> 00:19:11,600
Speaker 6: She's an aquary.

475
00:19:12,080 --> 00:19:13,000
Speaker 1: She played both sides.

476
00:19:13,119 --> 00:19:13,879
Speaker 4: Do you just search that?

477
00:19:14,040 --> 00:19:15,959
Speaker 6: Yeah, my googles are nasty.

478
00:19:16,160 --> 00:19:19,440
Speaker 4: That's you just search with Karesha's Zodi.

479
00:19:19,640 --> 00:19:22,080
Speaker 6: I said February eleven, zodiac. That's her birthday, you know

480
00:19:22,200 --> 00:19:24,639
Speaker 6: her birthday. I did this Wikipedia.

481
00:19:24,880 --> 00:19:26,480
Speaker 4: I thought you just had that on your brain like

482
00:19:26,520 --> 00:19:28,440
Speaker 4: her birthday srip. How about you? How do you even

483
00:19:28,440 --> 00:19:28,639
Speaker 4: know that?

484
00:19:28,760 --> 00:19:30,399
Speaker 6: Listen, girl, I asked you ten seconds ago how to

485
00:19:30,400 --> 00:19:31,040
Speaker 6: smell Karesha.

486
00:19:31,960 --> 00:19:34,679
Speaker 1: I've been picking up the B to Hip Hop Awards

487
00:19:34,680 --> 00:19:36,840
Speaker 1: for quite some time. I think I'm here to shoot on.

488
00:19:36,840 --> 00:19:38,919
Speaker 4: Them on the BTP, did you see it?

489
00:19:39,240 --> 00:19:41,000
Speaker 1: I saw a lot of it. Just get rid of

490
00:19:41,000 --> 00:19:43,440
Speaker 1: the ciphers at this point, it's getting like disrespectful. I

491
00:19:43,480 --> 00:19:44,800
Speaker 1: don't know why they got rid of it in the

492
00:19:44,800 --> 00:19:47,280
Speaker 1: first place. I think that's what separated it from the

493
00:19:47,320 --> 00:19:50,879
Speaker 1: BET Awards and every other award show. And it's great

494
00:19:50,960 --> 00:19:54,040
Speaker 1: for YouTube, like you don't have to rely on ratings

495
00:19:54,160 --> 00:19:56,040
Speaker 1: to watch TV like that. She is going to go

496
00:19:56,080 --> 00:19:58,960
Speaker 1: great on every single platform. It's the ciphers. It's great.

497
00:19:59,440 --> 00:20:05,240
Speaker 1: They did want Cipher with Swizz Simba was great. Yeah,

498
00:20:05,280 --> 00:20:07,359
Speaker 1: no disrespect to the gentleman from PG. Shout out to

499
00:20:07,359 --> 00:20:11,160
Speaker 1: PG County my dog Foggy World on He's probably great.

500
00:20:11,840 --> 00:20:15,120
Speaker 1: I'm not saying anything disrespectful. He's probably great when he's

501
00:20:15,200 --> 00:20:17,320
Speaker 1: on the type of beats he needs to be on. Yeah,

502
00:20:17,400 --> 00:20:19,960
Speaker 1: he shouldn't be on that NAS beat. And I can't

503
00:20:20,040 --> 00:20:22,000
Speaker 1: understand a word you're saying that's not what ciphers are

504
00:20:22,000 --> 00:20:24,280
Speaker 1: for this year, that would be underwhelming as fuck. He

505
00:20:24,320 --> 00:20:29,280
Speaker 1: gave like a twelve scarlett was cool, but it was

506
00:20:29,320 --> 00:20:31,720
Speaker 1: a waste of time. Like either commit to it or

507
00:20:31,760 --> 00:20:32,720
Speaker 1: don't because.

508
00:20:32,520 --> 00:20:34,719
Speaker 2: Think that's because a lot of rappers turn it down. Now,

509
00:20:35,800 --> 00:20:37,160
Speaker 2: I think a lot of rappers will turn it down

510
00:20:37,160 --> 00:20:38,480
Speaker 2: to cipher because.

511
00:20:38,320 --> 00:20:43,439
Speaker 1: That's before they like each year quietly get a farther

512
00:20:43,480 --> 00:20:45,480
Speaker 1: away from it. So yeah, this year, I would definitely

513
00:20:45,520 --> 00:20:47,680
Speaker 1: turn it down. But that's because they've ignored it when

514
00:20:47,680 --> 00:20:49,960
Speaker 1: it was their number one platform we watched the Hip

515
00:20:50,000 --> 00:20:54,919
Speaker 1: Hop Awards for because absolutely, And don't even tell me that,

516
00:20:55,480 --> 00:20:57,280
Speaker 1: oh rap Shanes is not a lot of lyricists. There's

517
00:20:57,359 --> 00:20:59,280
Speaker 1: there's plenty of people that, even if they're not lyricists,

518
00:20:59,280 --> 00:21:03,480
Speaker 1: would do well in the ciphers. So I I just

519
00:21:03,520 --> 00:21:05,240
Speaker 1: don't get it. Why would you get away from the

520
00:21:05,280 --> 00:21:09,040
Speaker 1: one thing that you can still use on all Internet platforms.

521
00:21:09,040 --> 00:21:11,600
Speaker 1: Fuck TV ratings, ciphers, that is your thing.

522
00:21:11,960 --> 00:21:12,919
Speaker 4: But I think that speaks too.

523
00:21:12,920 --> 00:21:14,439
Speaker 1: Even if they're bad, we could laugh at them. This

524
00:21:14,560 --> 00:21:18,320
Speaker 1: was just a half ass lazy like just have simber rap,

525
00:21:19,440 --> 00:21:20,920
Speaker 1: Like just give us a Symber verse.

526
00:21:20,760 --> 00:21:22,960
Speaker 2: But I think that's it's a bigger issue though, because

527
00:21:23,000 --> 00:21:26,000
Speaker 2: I was I was listening to something that I think

528
00:21:26,040 --> 00:21:29,080
Speaker 2: it was. Was it Juicy J that said hip hop

529
00:21:29,119 --> 00:21:33,119
Speaker 2: like sales and everything's down about forty percent? Yeah, yeah, yeah,

530
00:21:33,240 --> 00:21:36,240
Speaker 2: there is a There is a whether we want to

531
00:21:36,280 --> 00:21:38,800
Speaker 2: admit it or not, there's a correlation between ticket sales

532
00:21:38,800 --> 00:21:43,560
Speaker 2: being low, streams being low, and wrap hip hop the

533
00:21:43,680 --> 00:21:45,359
Speaker 2: cipher being lackluster.

534
00:21:45,520 --> 00:21:48,400
Speaker 4: Now there is something, There is something.

535
00:21:48,480 --> 00:21:50,720
Speaker 2: There, and we do need to pay attention to it

536
00:21:51,119 --> 00:21:55,080
Speaker 2: because at this rate, I mean, does hip hop go

537
00:21:55,200 --> 00:22:00,320
Speaker 2: from being the number one genre in music to even

538
00:22:00,359 --> 00:22:02,760
Speaker 2: if it's number two, that's that's bad.

539
00:22:03,480 --> 00:22:05,640
Speaker 6: I think like the way in which, because hip hop

540
00:22:05,680 --> 00:22:07,760
Speaker 6: is still such a young genre, the way in which,

541
00:22:07,800 --> 00:22:10,919
Speaker 6: like a pop artist, there's a formula that works for

542
00:22:10,960 --> 00:22:13,359
Speaker 6: pop music, and I think hip hop is now seeing

543
00:22:13,359 --> 00:22:16,080
Speaker 6: its formula and we can get microwave hip hop where

544
00:22:16,119 --> 00:22:18,680
Speaker 6: we can get an artists to make one sign them

545
00:22:18,680 --> 00:22:20,000
Speaker 6: on the one song we know we want to own

546
00:22:20,040 --> 00:22:23,439
Speaker 6: the catalog for own the rights of that record, and

547
00:22:23,480 --> 00:22:26,119
Speaker 6: then try an EP, maybe an album if they're good

548
00:22:26,200 --> 00:22:28,000
Speaker 6: enough to even force that issue, and then just get

549
00:22:28,080 --> 00:22:29,679
Speaker 6: rid of them. So like the way in which like

550
00:22:29,720 --> 00:22:31,680
Speaker 6: pop singers were like turned over in that regard. I

551
00:22:31,720 --> 00:22:33,320
Speaker 6: think we're just seeing that with hip hop. It's just

552
00:22:33,480 --> 00:22:35,760
Speaker 6: kind of mimicking the problem.

553
00:22:35,800 --> 00:22:38,000
Speaker 1: It's not a fair metric because the amount of rappers

554
00:22:38,000 --> 00:22:41,200
Speaker 1: that they're probably comparing that to is to two pop stars,

555
00:22:41,280 --> 00:22:45,960
Speaker 1: one country singer, one rock, whereas hip hop can drop

556
00:22:46,040 --> 00:22:49,160
Speaker 1: so much because it's based off so many other artists

557
00:22:49,200 --> 00:22:51,119
Speaker 1: and so many metrics that if it takes a slight

558
00:22:52,000 --> 00:22:55,119
Speaker 1: full yeah, you get forty percent instead of Taylor Swift

559
00:22:55,320 --> 00:22:58,800
Speaker 1: versus the Migo's not selling as much. It's just a

560
00:22:58,800 --> 00:23:02,320
Speaker 1: different game. And I'm sure it's drastically lower in every

561
00:23:02,320 --> 00:23:05,639
Speaker 1: single genre. I'm sure the pop artist under Taylor Swift

562
00:23:05,760 --> 00:23:09,240
Speaker 1: there's a huge gap. Everything's what Jimmy Aveen just did. It,

563
00:23:09,240 --> 00:23:13,720
Speaker 1: did an interview and said that name replaced great Great Yeah,

564
00:23:13,720 --> 00:23:16,280
Speaker 1: And that's across everything, not just music, like it's just

565
00:23:16,320 --> 00:23:18,680
Speaker 1: fame now, but no, it's impressions.

566
00:23:18,840 --> 00:23:22,200
Speaker 4: It's bad ass, but hip hop is is. It's bad

567
00:23:22,240 --> 00:23:25,080
Speaker 4: in him too. It's really bad in him.

568
00:23:25,080 --> 00:23:28,560
Speaker 2: And you can't make a pop artist, or you can't

569
00:23:28,560 --> 00:23:32,679
Speaker 2: have a person to a pop record and let it

570
00:23:32,720 --> 00:23:35,960
Speaker 2: take off the way somebody could mimic a rap hip

571
00:23:35,960 --> 00:23:37,119
Speaker 2: hop record and it takeoff.

572
00:23:37,400 --> 00:23:39,280
Speaker 1: But I mean it became the number one genre, what

573
00:23:39,400 --> 00:23:41,600
Speaker 1: three or four years ago? It became pop three or

574
00:23:41,600 --> 00:23:44,920
Speaker 1: four years ago, number one genre, and then I think

575
00:23:44,960 --> 00:23:48,280
Speaker 1: that what Jimmy Iveen is talking about, as far as

576
00:23:48,560 --> 00:23:52,040
Speaker 1: fame replacing greatness happened. Hip hop happened to be number one,

577
00:23:52,080 --> 00:23:53,760
Speaker 1: so it took the fall. I think if rock and

578
00:23:53,840 --> 00:23:58,040
Speaker 1: roll was number one in twenty eighteen nineteen, it would

579
00:23:58,119 --> 00:24:00,000
Speaker 1: have this forty percent fall as well. I think it's

580
00:24:00,040 --> 00:24:02,600
Speaker 1: a reflection of the times, not the reflection of hip hop.

581
00:24:02,600 --> 00:24:05,920
Speaker 1: Do I think the music has suffered one hundred percent?

582
00:24:05,960 --> 00:24:08,280
Speaker 1: But I don't think that's really the full scope of it.

583
00:24:08,760 --> 00:24:11,800
Speaker 2: Do you think this is a good time for with

584
00:24:12,320 --> 00:24:14,440
Speaker 2: music being a hip hop and rap being on a

585
00:24:14,480 --> 00:24:16,800
Speaker 2: decline that it is as far as ticket sales, serenas

586
00:24:16,800 --> 00:24:18,720
Speaker 2: and numbers and things like that, Is this a good

587
00:24:18,720 --> 00:24:21,800
Speaker 2: time for Drake to step away from recording?

588
00:24:22,119 --> 00:24:24,960
Speaker 6: Well, he announced he is, so I think it's smart.

589
00:24:25,000 --> 00:24:27,280
Speaker 4: What does it mean for the cultural in the genre.

590
00:24:27,320 --> 00:24:28,880
Speaker 6: I think it's smart on his part in the sense

591
00:24:28,880 --> 00:24:32,360
Speaker 6: that a he's his output, has he's done more than enough?

592
00:24:32,400 --> 00:24:32,960
Speaker 6: Like You're good?

593
00:24:33,000 --> 00:24:33,560
Speaker 3: Three albums.

594
00:24:33,640 --> 00:24:36,160
Speaker 6: Obviously we don't need more from you, and I say

595
00:24:36,200 --> 00:24:39,760
Speaker 6: that respectfully, but also take time to survey the landscape

596
00:24:39,800 --> 00:24:42,000
Speaker 6: of what hip hop's becoming, because it is changing. And

597
00:24:42,040 --> 00:24:44,680
Speaker 6: I think by him being away, I don't think him

598
00:24:44,680 --> 00:24:46,920
Speaker 6: being away means he's going to disappear. I think it's

599
00:24:46,960 --> 00:24:52,040
Speaker 6: him tapping in and kind of like on the peripheral periphery,

600
00:24:52,160 --> 00:24:54,800
Speaker 6: just looking at the yadis and other people that are

601
00:24:54,840 --> 00:24:57,920
Speaker 6: younger and kind of still creating and are more active

602
00:24:57,920 --> 00:25:01,160
Speaker 6: in the scene and just kind of share picking qualities

603
00:25:01,200 --> 00:25:03,000
Speaker 6: and things you want to kind of build for your

604
00:25:03,000 --> 00:25:04,920
Speaker 6: next sound or whatever that case may be. For him,

605
00:25:04,960 --> 00:25:07,240
Speaker 6: I don't think he'll just disappear, but I think it's

606
00:25:07,240 --> 00:25:09,280
Speaker 6: smart that he should just take a break from putting

607
00:25:09,280 --> 00:25:10,280
Speaker 6: out his music.

608
00:25:10,320 --> 00:25:13,640
Speaker 2: I think it's great for other artists though. I think

609
00:25:13,640 --> 00:25:17,159
Speaker 2: it's an opportunity. Obviously, those shoes are not going to

610
00:25:17,200 --> 00:25:19,639
Speaker 2: be filled in a year or two years that he

611
00:25:19,680 --> 00:25:22,359
Speaker 2: decides to take off. But I think that it forces

612
00:25:22,400 --> 00:25:25,560
Speaker 2: people to listen to a lot of dope artists, Like

613
00:25:25,640 --> 00:25:27,320
Speaker 2: you know a lot of these rappers that have just

614
00:25:27,400 --> 00:25:30,200
Speaker 2: dropped projects recently, but nobody's really talking about because now

615
00:25:30,240 --> 00:25:33,040
Speaker 2: you know Obviously the biggest artists in music drop, but

616
00:25:33,080 --> 00:25:36,800
Speaker 2: the guys like Roam Streets, Nick Grant, if they get

617
00:25:36,800 --> 00:25:41,679
Speaker 2: to consistently put out projects every year and people have

618
00:25:41,760 --> 00:25:43,960
Speaker 2: to listen to that because there's no big juggernaut like

619
00:25:43,960 --> 00:25:47,000
Speaker 2: a Drake that's dominating, but you still have these artists

620
00:25:47,000 --> 00:25:49,720
Speaker 2: and these rappers that are putting out dope projects. Now,

621
00:25:49,720 --> 00:25:52,760
Speaker 2: this gives people opportunity for their careers.

622
00:25:52,440 --> 00:25:53,240
Speaker 4: To kind of take off.

623
00:25:53,760 --> 00:25:55,920
Speaker 1: I think it's great for that level of artists. I

624
00:25:55,960 --> 00:25:59,600
Speaker 1: think it may expose the B level artists that are

625
00:25:59,640 --> 00:26:01,600
Speaker 1: now to have the conversation a few times that there

626
00:26:01,680 --> 00:26:05,960
Speaker 1: is no solidified superstar for the next generation. If Drake

627
00:26:06,000 --> 00:26:10,000
Speaker 1: takes a break, that'll get exposed even more. I think

628
00:26:10,760 --> 00:26:13,399
Speaker 1: if for the wrom Streets and a Grant, great, I

629
00:26:13,440 --> 00:26:16,359
Speaker 1: think that's gonna be a good time for them. But

630
00:26:16,600 --> 00:26:24,520
Speaker 1: it can really expose the second level, little baby type artists.

631
00:26:25,480 --> 00:26:28,679
Speaker 1: If they have to dominate an entire year and just

632
00:26:28,720 --> 00:26:31,760
Speaker 1: that generation is putting music out, it's gonna the difference

633
00:26:31,800 --> 00:26:32,160
Speaker 1: will show.

634
00:26:32,280 --> 00:26:34,159
Speaker 3: How much longer do you guys think we have until

635
00:26:34,200 --> 00:26:35,320
Speaker 3: the next rep superstar.

636
00:26:36,280 --> 00:26:39,040
Speaker 1: I don't know if if we're designed to have one, Yeah,

637
00:26:39,440 --> 00:26:41,720
Speaker 1: like I don't know if the market it's scared unless

638
00:26:41,720 --> 00:26:45,440
Speaker 1: the market shifts back. Like, of course we give Drake, Cole,

639
00:26:45,560 --> 00:26:48,680
Speaker 1: Kendrick all this credit and they deserve it, but they

640
00:26:48,680 --> 00:26:51,880
Speaker 1: were also in a sustainable business model at the time.

641
00:26:51,920 --> 00:26:55,520
Speaker 1: To become a superstar. Of course, they had to you know,

642
00:26:56,760 --> 00:26:59,040
Speaker 1: find their way through where it wasn't radio, and they

643
00:26:59,080 --> 00:27:01,040
Speaker 1: had a big shift that they had to adapt to.

644
00:27:01,280 --> 00:27:03,639
Speaker 1: So they deserve that credit, but they were still in

645
00:27:03,680 --> 00:27:06,359
Speaker 1: a model that allowed for a superstar. I don't know

646
00:27:06,359 --> 00:27:08,600
Speaker 1: if we have one right now. It's fucking weird.

647
00:27:09,080 --> 00:27:11,399
Speaker 2: Kendrick doesn't put out and that's the and that's the

648
00:27:11,480 --> 00:27:14,600
Speaker 2: thing that is to be you know, they're gonna say

649
00:27:14,640 --> 00:27:17,560
Speaker 2: I'm sucking cock again. But when you when you when

650
00:27:17,600 --> 00:27:20,280
Speaker 2: you talk about just the output of music, whether it's features,

651
00:27:20,280 --> 00:27:24,280
Speaker 2: whether it's you know, albums, whatever, that's what Drake has done.

652
00:27:24,280 --> 00:27:26,560
Speaker 4: Like Kendrick could give us album but then he completely

653
00:27:26,600 --> 00:27:28,359
Speaker 4: We don't know what the fuck Kendrick is doing right now.

654
00:27:28,400 --> 00:27:31,560
Speaker 2: Every five years, like he just goes and disappears and

655
00:27:31,640 --> 00:27:33,679
Speaker 2: leaves and then comes back with great music and then

656
00:27:33,680 --> 00:27:38,399
Speaker 2: disappears again. If Drake decides to step away, people are

657
00:27:38,440 --> 00:27:39,680
Speaker 2: gonna really we're.

658
00:27:39,520 --> 00:27:42,960
Speaker 4: Gonna feel that that that that gap.

659
00:27:43,480 --> 00:27:45,360
Speaker 2: Like we're gonna feel like oh ship, like we it's

660
00:27:45,440 --> 00:27:48,280
Speaker 2: really nothing because even when this album was announced, we

661
00:27:48,280 --> 00:27:51,479
Speaker 2: were looking forward to this project because that's the project

662
00:27:51,520 --> 00:27:53,160
Speaker 2: you look forward to, like, Yo, who's the big dog.

663
00:27:53,840 --> 00:27:55,240
Speaker 4: What does he have to say? What is he working on?

664
00:27:55,320 --> 00:27:55,880
Speaker 4: What is he doing?

665
00:27:56,359 --> 00:27:59,240
Speaker 2: But if he's not there, cool, we get to pay

666
00:27:59,240 --> 00:28:03,480
Speaker 2: attention to other rappers and other other dope artists. But

667
00:28:03,480 --> 00:28:06,159
Speaker 2: there's still that gap where it's just like it doesn't

668
00:28:06,160 --> 00:28:09,240
Speaker 2: feel like it was like a a big year in

669
00:28:09,680 --> 00:28:12,240
Speaker 2: the genre without the big juggernaut.

670
00:28:12,680 --> 00:28:16,159
Speaker 4: Yeah again, Cole is the same, not as much as Kendrick.

671
00:28:16,200 --> 00:28:19,000
Speaker 2: He doesn't disappear as much as Kendrick, but Cole disappears

672
00:28:19,000 --> 00:28:21,840
Speaker 2: to like he'll completely just go where you'll see him

673
00:28:21,880 --> 00:28:25,080
Speaker 2: riding his bike up Madison or something like that. But

674
00:28:25,119 --> 00:28:27,520
Speaker 2: you know he's not working on no music. The fall

675
00:28:27,560 --> 00:28:29,199
Speaker 2: off is the fall off is come. We don't know

676
00:28:29,200 --> 00:28:32,960
Speaker 2: when that's dropping thin it's supposed to maybe maybe maybe twenty.

677
00:28:32,720 --> 00:28:39,240
Speaker 6: Four Yeah, yeah, yeah, say anything.

678
00:28:39,280 --> 00:28:40,680
Speaker 2: I know you're not going to say anything, but don't

679
00:28:40,680 --> 00:28:42,400
Speaker 2: don't do that. Don't do that like you got info

680
00:28:42,560 --> 00:28:43,760
Speaker 2: you don't want to give me them because.

681
00:28:43,600 --> 00:28:45,800
Speaker 6: You just feel like not on Mike. But I'll tell

682
00:28:45,840 --> 00:28:47,600
Speaker 6: you after a little bit. Oh god.

683
00:28:48,120 --> 00:28:50,600
Speaker 1: Anyways, I did want to say, but even even when

684
00:28:50,640 --> 00:28:55,920
Speaker 1: you had like the Nelly m Jay's take some time off,

685
00:28:56,560 --> 00:29:00,800
Speaker 1: you felt it, but it wasn't like hip hop disaip years. Yeah,

686
00:29:01,080 --> 00:29:05,000
Speaker 1: I think that could fucking happen. No what if Cole Kendrick.

687
00:29:10,960 --> 00:29:13,400
Speaker 1: But I'm saying, I'm sure there was a year where

688
00:29:13,720 --> 00:29:16,080
Speaker 1: we didn't get an Nelly, J project or m J

689
00:29:16,320 --> 00:29:19,640
Speaker 1: like out of those three, and we didn't feel it

690
00:29:19,680 --> 00:29:21,800
Speaker 1: the same way. Still got a great Ludicrous album. Still

691
00:29:21,840 --> 00:29:24,240
Speaker 1: there was still plenty of shit going on, got a

692
00:29:24,280 --> 00:29:29,000
Speaker 1: great TI album like Geez. I don't think we're gonna

693
00:29:29,520 --> 00:29:32,640
Speaker 1: feel that way anymore. Maybe I'm being pessimistic. I just

694
00:29:32,640 --> 00:29:34,840
Speaker 1: think if they are gone, all three of them for

695
00:29:34,880 --> 00:29:37,880
Speaker 1: a whole year, it would be a very odd feeling

696
00:29:37,880 --> 00:29:41,280
Speaker 1: and probably the first like absent year of hip hop.

697
00:29:41,320 --> 00:29:42,640
Speaker 3: You mean, no releases, no features.

698
00:29:42,640 --> 00:29:44,120
Speaker 1: I'm sure great needs to come out down to what

699
00:29:44,120 --> 00:29:46,720
Speaker 1: he's saying with saying like there will be great music,

700
00:29:46,800 --> 00:29:49,400
Speaker 1: but it won't feel like a dominant hip hop year,

701
00:29:50,480 --> 00:29:52,000
Speaker 1: and I don't think that's happening quite some time.

702
00:29:53,080 --> 00:29:55,600
Speaker 6: They were all nominated. The three were talking about Cole,

703
00:29:55,680 --> 00:29:58,239
Speaker 6: Kendrick and Drake for hip Hop Hours of the Year

704
00:29:58,280 --> 00:30:00,400
Speaker 6: at the BT hip Hop Awards, and Drick.

705
00:30:00,320 --> 00:30:03,520
Speaker 3: One especially hip Hop Artists, Yeah.

706
00:30:03,640 --> 00:30:08,320
Speaker 6: Arts of the Year and her Loss Project one Album

707
00:30:08,320 --> 00:30:08,680
Speaker 6: of the Year.

708
00:30:09,880 --> 00:30:14,360
Speaker 4: So really, who else was nominated? I'm mad at it

709
00:30:14,360 --> 00:30:16,040
Speaker 4: though I'm not mad at it, but I would like

710
00:30:16,080 --> 00:30:16,840
Speaker 4: to know who else was there?

711
00:30:16,840 --> 00:30:16,959
Speaker 6: Though?

712
00:30:16,960 --> 00:30:17,280
Speaker 3: Who else?

713
00:30:17,520 --> 00:30:23,920
Speaker 6: Let's see, uh, Glorilla Gez not very difficult competition, Glorilla, Coiler.

714
00:30:23,720 --> 00:30:25,640
Speaker 4: Ray Wait, Gloria put an album?

715
00:30:25,640 --> 00:30:33,000
Speaker 6: Well yeah, anyways, Life's great. Glorilla, Yeah, Coiler Ray's album

716
00:30:33,680 --> 00:30:35,680
Speaker 6: God Did? That's still somehow coiler.

717
00:30:35,480 --> 00:30:38,560
Speaker 2: Rays album was nominated for album then God did two thousand?

718
00:30:39,600 --> 00:30:43,600
Speaker 2: I don't know how wait wait wait wait wait, coiler

719
00:30:43,680 --> 00:30:46,600
Speaker 2: Rays album got nominated for hip Hop Album of the Year.

720
00:30:47,080 --> 00:30:49,760
Speaker 6: Yeah yeah, and that soell like five thousand?

721
00:30:51,240 --> 00:30:53,920
Speaker 4: God God Did was August twenty How was that nominated

722
00:30:53,960 --> 00:30:55,240
Speaker 4: for Hip Hop Album of the Year.

723
00:30:55,600 --> 00:30:56,880
Speaker 1: Because the labels give.

724
00:30:56,800 --> 00:30:58,920
Speaker 6: Favors by this metric rory you should have been that

725
00:30:59,120 --> 00:31:00,720
Speaker 6: has not even as a joke.

726
00:31:00,960 --> 00:31:03,800
Speaker 4: Bro no no, no, no, no, no no no, She's so two.

727
00:31:03,600 --> 00:31:06,320
Speaker 1: Thousand way glo Rilla got to do that awful single

728
00:31:06,360 --> 00:31:09,520
Speaker 1: to open the Hip Hop Awards. It's labels Label favor

729
00:31:10,200 --> 00:31:11,120
Speaker 1: COI was June.

730
00:31:11,160 --> 00:31:12,560
Speaker 4: Hip hop is in trouble Man.

731
00:31:12,640 --> 00:31:15,280
Speaker 1: Viacom Universal Friendships. That's all takes hip hop.

732
00:31:15,160 --> 00:31:16,560
Speaker 6: So this might it might have been a different project.

733
00:31:16,600 --> 00:31:19,800
Speaker 6: But this project, Coy sold approximately ten thousand.

734
00:31:19,840 --> 00:31:21,920
Speaker 3: Coy was Quick, misspoke?

735
00:31:22,000 --> 00:31:23,880
Speaker 4: How was that nominated for Hip Hop Album of the Year.

736
00:31:23,920 --> 00:31:26,680
Speaker 1: There's ten thousand people because she's very popular on TikTok

737
00:31:26,720 --> 00:31:27,800
Speaker 1: and I like Coy.

738
00:31:28,120 --> 00:31:30,800
Speaker 2: She has fain no, I like code. I think she's dope.

739
00:31:30,840 --> 00:31:33,640
Speaker 2: I like her personality. I like she's like just herself,

740
00:31:33,640 --> 00:31:34,840
Speaker 2: She's not trying to be nobody else.

741
00:31:34,840 --> 00:31:37,880
Speaker 4: I love that. But to be nominated for hip Hop

742
00:31:38,000 --> 00:31:40,520
Speaker 4: Album of the Year, like, come on, man, Like.

743
00:31:41,360 --> 00:31:43,600
Speaker 1: It's not the Source Awards, so you don't understand it exactly.

744
00:31:43,680 --> 00:31:47,160
Speaker 6: I'll finish the estlays real quick. God did Heroes and Villains, Metro,

745
00:31:47,440 --> 00:31:50,840
Speaker 6: Jack Man, Jack Harlow, the Pink Tape, Uzzi and Traumazine

746
00:31:50,880 --> 00:31:53,160
Speaker 6: from Meg and yeah, her loss was the winner.

747
00:31:53,760 --> 00:31:54,160
Speaker 3: I get it.

748
00:31:54,200 --> 00:31:55,280
Speaker 1: Metro or her loss?

749
00:31:55,320 --> 00:31:56,360
Speaker 3: Yeah, Metro, her lost?

750
00:31:56,400 --> 00:31:57,880
Speaker 4: God did? I don't.

751
00:31:58,000 --> 00:32:00,400
Speaker 3: I don't know why that keeps happening, But that's not

752
00:32:00,440 --> 00:32:01,200
Speaker 3: an album.

753
00:32:00,960 --> 00:32:04,080
Speaker 6: Is it. Yeah, the album that the title track and

754
00:32:04,160 --> 00:32:08,200
Speaker 6: the album are called God God did Yeah, staying a

755
00:32:08,280 --> 00:32:11,200
Speaker 6: lot crazy. So that was the song of the decade,

756
00:32:11,280 --> 00:32:14,360
Speaker 6: and you know that's that's what saved the environment.

757
00:32:14,480 --> 00:32:17,160
Speaker 1: Not you remember the first the culture.

758
00:32:18,800 --> 00:32:20,800
Speaker 4: You're y'all not scared for the like for hip hop

759
00:32:21,040 --> 00:32:21,440
Speaker 4: a little bit?

760
00:32:21,560 --> 00:32:22,760
Speaker 3: Yeah, I am.

761
00:32:23,480 --> 00:32:26,040
Speaker 1: I just think it's funny that Kalid can get Drake

762
00:32:26,120 --> 00:32:28,600
Speaker 1: Records off the clearance rack and still get nominated for everything.

763
00:32:29,320 --> 00:32:31,160
Speaker 4: And he has two more two more songs on his

764
00:32:31,200 --> 00:32:34,280
Speaker 4: next album coming right. Yeah, he walked out with the billboards.

765
00:32:34,280 --> 00:32:35,240
Speaker 6: That was a cool promo.

766
00:32:35,600 --> 00:32:37,920
Speaker 4: That was dope. The promo calid is Listen.

767
00:32:37,960 --> 00:32:41,360
Speaker 2: He's a genius at marketing, He's a genius album promoting

768
00:32:41,720 --> 00:32:44,440
Speaker 2: all of those things. I just think that his albums,

769
00:32:45,200 --> 00:32:47,640
Speaker 2: it's just something about his albums that you just never

770
00:32:47,720 --> 00:32:48,160
Speaker 2: go back to.

771
00:32:48,200 --> 00:32:50,240
Speaker 1: That's weird to sound like a hater. Do we really

772
00:32:50,240 --> 00:32:53,040
Speaker 1: want the two Drake records that Kalid has he put

773
00:32:53,040 --> 00:32:56,640
Speaker 1: out over sixty Drake has put out over sixty records,

774
00:32:57,000 --> 00:32:59,080
Speaker 1: and we know there was a lot of throwaways on

775
00:32:59,120 --> 00:33:01,240
Speaker 1: some of the stuff he's been putting out recently. What

776
00:33:01,320 --> 00:33:03,000
Speaker 1: two throwaways do you think Cala it has do we

777
00:33:03,040 --> 00:33:07,000
Speaker 1: need both of them throwing that God did ship? And

778
00:33:07,560 --> 00:33:11,000
Speaker 1: the Drake was the Drake intro or outro. It was

779
00:33:11,040 --> 00:33:13,760
Speaker 1: like a snippet of Drake harmonizing in the in the studio.

780
00:33:13,840 --> 00:33:18,080
Speaker 1: And yes, it was like, do I really want the

781
00:33:18,120 --> 00:33:19,800
Speaker 1: Drake records that are on this Kali project?

782
00:33:20,680 --> 00:33:23,200
Speaker 3: You would hope if he's holding that big.

783
00:33:23,680 --> 00:33:25,040
Speaker 1: And is there gonna be a new formula?

784
00:33:26,040 --> 00:33:26,280
Speaker 7: Nah?

785
00:33:26,520 --> 00:33:29,160
Speaker 1: No, because it sound like hating again, because I think

786
00:33:29,480 --> 00:33:33,440
Speaker 1: has the last have fucking stunk? Because he's sticking to

787
00:33:33,480 --> 00:33:35,960
Speaker 1: the same formula of trying to pair the biggest artists

788
00:33:36,000 --> 00:33:39,760
Speaker 1: at the time on whatever terrible beat and they're they

789
00:33:39,880 --> 00:33:41,960
Speaker 1: just walk in for five minutes, give him half a

790
00:33:42,080 --> 00:33:44,840
Speaker 1: verse and he markets it better than anyone. And then

791
00:33:44,920 --> 00:33:46,800
Speaker 1: we listened to the album for half a day and

792
00:33:46,800 --> 00:33:47,200
Speaker 1: it's done.

793
00:33:47,240 --> 00:33:49,280
Speaker 6: Who's quietly putting out a better version of that with

794
00:33:49,320 --> 00:33:52,680
Speaker 6: the same artist is Calvin Harris. Those Funk Bounce albums

795
00:33:52,720 --> 00:33:53,800
Speaker 6: are incredible.

796
00:33:53,960 --> 00:33:59,120
Speaker 1: Very unfair comparison doing the same thing. Yeah, Calvin Harris.

797
00:34:00,120 --> 00:34:01,560
Speaker 6: I he's actually doing something.

798
00:34:01,280 --> 00:34:03,320
Speaker 1: With the music, not even just that, but it's like

799
00:34:03,520 --> 00:34:04,720
Speaker 1: Calvin different.

800
00:34:04,840 --> 00:34:05,440
Speaker 4: It's a difference.

801
00:34:05,960 --> 00:34:07,720
Speaker 1: They're pulling from the same artists.

802
00:34:08,520 --> 00:34:11,960
Speaker 4: Yeah, but Calvin Harris is different is what you're missing.

803
00:34:12,120 --> 00:34:14,319
Speaker 4: They're different people, but it's not just.

804
00:34:14,360 --> 00:34:18,360
Speaker 6: Type of projects.

805
00:34:18,520 --> 00:34:24,560
Speaker 1: In Palestine. But yeah, but there that's a drastically different

806
00:34:24,600 --> 00:34:27,080
Speaker 1: comparison with Calvin Harrison his career and what he does

807
00:34:27,120 --> 00:34:29,719
Speaker 1: with music and artists and and DJ kal does. And

808
00:34:29,760 --> 00:34:32,840
Speaker 1: I'm not hating on cal They're just different artists.

809
00:34:32,880 --> 00:34:36,040
Speaker 2: I'm so glad say something about why Drake hasn't why

810
00:34:36,080 --> 00:34:40,200
Speaker 2: Drake and Kalen have not spoken on the situation and

811
00:34:40,360 --> 00:34:43,719
Speaker 2: uh in the gods are strip like while he they

812
00:34:43,719 --> 00:34:46,640
Speaker 2: haven't spoken on anything. They haven't said anything. They haven't,

813
00:34:47,400 --> 00:34:49,959
Speaker 2: you know, just no mention of it at all. Drake

814
00:34:50,040 --> 00:34:57,480
Speaker 2: being Jewish and Caled uh being Palestinian.

815
00:35:00,120 --> 00:35:00,920
Speaker 4: How do you feel about that?

816
00:35:00,960 --> 00:35:02,880
Speaker 2: And he said something about if if this is what

817
00:35:02,920 --> 00:35:05,920
Speaker 2: makes artists like Tupac great, because you know Dan, well,

818
00:35:06,000 --> 00:35:08,319
Speaker 2: Tupac would have said something if something like this hit

819
00:35:08,400 --> 00:35:09,080
Speaker 2: so close to home.

820
00:35:10,040 --> 00:35:14,479
Speaker 1: Also, that's a Calvin Harris DJ Khaled comparison as well.

821
00:35:14,920 --> 00:35:19,080
Speaker 1: So Tupac hitting the ground on everything that he did,

822
00:35:19,120 --> 00:35:22,640
Speaker 1: and that was part of his entire existence. His background

823
00:35:22,920 --> 00:35:28,760
Speaker 1: is he was an artist. Second compared to that vlat

824
00:35:28,800 --> 00:35:31,920
Speaker 1: is saying the difference is maybe the IG post, like

825
00:35:32,000 --> 00:35:35,440
Speaker 1: what we want Dj Khaled, we want Kalid to go

826
00:35:35,440 --> 00:35:38,239
Speaker 1: to the Gaza strip, like what is Vlad wants an

827
00:35:38,239 --> 00:35:40,720
Speaker 1: IG post from him and then wants to put Tupac

828
00:35:40,760 --> 00:35:41,520
Speaker 1: in the same sentence.

829
00:35:41,600 --> 00:35:43,600
Speaker 4: No, I don't think that's to be an activist. I

830
00:35:43,600 --> 00:35:44,600
Speaker 4: don't think that's what he meant.

831
00:35:44,600 --> 00:35:47,319
Speaker 2: I think he he's just saying, like, you'll have to

832
00:35:47,320 --> 00:35:48,719
Speaker 2: say something like acknowledgement.

833
00:35:49,040 --> 00:35:54,920
Speaker 6: But Michael Jordan, he's played just very Remember what more

834
00:35:54,920 --> 00:35:57,160
Speaker 6: than Michael say when you never spoke out about black issues?

835
00:35:57,200 --> 00:36:01,000
Speaker 6: Republicans by sneakers too. Yeah, So Drake, that's been Drake's

836
00:36:01,000 --> 00:36:04,840
Speaker 6: a price of chameleon. He forms to whatever matters. So

837
00:36:04,960 --> 00:36:07,440
Speaker 6: I'm saying it within music, he can be the Jamaican

838
00:36:07,480 --> 00:36:12,279
Speaker 6: for a month. He can speak Arabic. I mean we've

839
00:36:12,320 --> 00:36:13,400
Speaker 6: seen him do these things.

840
00:36:13,640 --> 00:36:19,319
Speaker 8: He's not Jake full month she was it was great,

841
00:36:22,200 --> 00:36:23,279
Speaker 8: come on again.

842
00:36:24,719 --> 00:36:26,719
Speaker 6: No, So, like we can see him play that in

843
00:36:26,800 --> 00:36:29,600
Speaker 6: the music, and I think that's he's safe playing it

844
00:36:29,640 --> 00:36:32,320
Speaker 6: when it's positive for the outcome of his music career.

845
00:36:32,640 --> 00:36:36,040
Speaker 6: But it's a risk to dip into something politically. Khalifa

846
00:36:36,080 --> 00:36:41,000
Speaker 6: lost her Porn Hubs podcast speaking about the Palestine.

847
00:36:41,800 --> 00:36:44,920
Speaker 2: No no, no, But it's not because she yes, she says

848
00:36:44,920 --> 00:36:48,120
Speaker 2: some she's like, you turn your phones horizontal like that

849
00:36:49,160 --> 00:36:52,319
Speaker 2: was crazy crazy.

850
00:36:51,960 --> 00:36:54,840
Speaker 6: Yeah, But I'm just saying there are consequences if you

851
00:36:55,040 --> 00:36:59,040
Speaker 6: even insert yourself into a conflict. So he plays it

852
00:36:59,080 --> 00:37:01,480
Speaker 6: the way Michael did. Play it safe. Just don't even

853
00:37:01,480 --> 00:37:03,960
Speaker 6: address it. Just do what people want from you, which

854
00:37:04,000 --> 00:37:04,400
Speaker 6: is music.

855
00:37:04,480 --> 00:37:06,680
Speaker 2: But you don't think that somebody as big as an

856
00:37:06,760 --> 00:37:08,640
Speaker 2: artist like a Drake or Cali.

857
00:37:08,719 --> 00:37:11,279
Speaker 4: They you don't think that it's there. It's almost like

858
00:37:12,320 --> 00:37:13,120
Speaker 4: they have to do that.

859
00:37:13,120 --> 00:37:17,680
Speaker 1: They have you can't win for losing in either side

860
00:37:18,560 --> 00:37:21,680
Speaker 1: that you post about on Instagram with this and.

861
00:37:21,280 --> 00:37:22,480
Speaker 4: And I'm not saying they have to take a side.

862
00:37:22,480 --> 00:37:25,120
Speaker 2: I'm just saying something like, yo, let's pray for peace,

863
00:37:25,280 --> 00:37:27,000
Speaker 2: like like whatever we need to do to kind of

864
00:37:27,040 --> 00:37:27,360
Speaker 2: resolve it.

865
00:37:27,560 --> 00:37:28,279
Speaker 6: Just something.

866
00:37:29,600 --> 00:37:33,200
Speaker 1: Yourself so empty to me, Like I'm not saying they

867
00:37:33,239 --> 00:37:33,879
Speaker 1: got to pick a side.

868
00:37:33,880 --> 00:37:36,200
Speaker 6: I'm not saying they have to say.

869
00:37:36,560 --> 00:37:38,279
Speaker 2: And I think that's and I think that's why they

870
00:37:38,320 --> 00:37:39,879
Speaker 2: don't do it, because they know that people are trying

871
00:37:39,920 --> 00:37:40,520
Speaker 2: to force them.

872
00:37:41,040 --> 00:37:45,000
Speaker 1: But also like do we think the horrible things that

873
00:37:45,040 --> 00:37:48,279
Speaker 1: are happening in Israel and the Gaza strips specifically right now,

874
00:37:48,719 --> 00:37:53,960
Speaker 1: are really concerned if Drake or DJ Khaled posts on Instagram.

875
00:37:54,160 --> 00:37:54,600
Speaker 4: They're not.

876
00:37:57,400 --> 00:38:02,359
Speaker 1: From you know, I've not been quiet amongst my inner

877
00:38:02,400 --> 00:38:04,839
Speaker 1: circle or people I care about, or people that have

878
00:38:04,920 --> 00:38:07,120
Speaker 1: opinions on both sides. This is something I haven't stopped

879
00:38:07,160 --> 00:38:09,440
Speaker 1: talking about for over a week. But I didn't want

880
00:38:09,480 --> 00:38:13,359
Speaker 1: to come on here to argue semantics because all I

881
00:38:13,400 --> 00:38:16,120
Speaker 1: see on my timeline is people trying to one up

882
00:38:16,160 --> 00:38:19,640
Speaker 1: each other on who can give the history of Israel

883
00:38:19,719 --> 00:38:23,640
Speaker 1: versus Palestine better? What the fuck is that helping? Yeah,

884
00:38:24,239 --> 00:38:28,080
Speaker 1: you're literally just on the Internet trying to look more

885
00:38:28,080 --> 00:38:30,280
Speaker 1: morally sound than the next person, or try to correct

886
00:38:30,280 --> 00:38:33,160
Speaker 1: someone's grammar or some part of history. Like, what are

887
00:38:33,200 --> 00:38:37,480
Speaker 1: we really contributing right now? Yeah? Maybe we should just

888
00:38:37,520 --> 00:38:39,680
Speaker 1: shut up for a second, because all we're doing is

889
00:38:39,680 --> 00:38:43,600
Speaker 1: contributing to misinformation and arguing while we sit in America

890
00:38:43,880 --> 00:38:45,080
Speaker 1: while that is happening over there.

891
00:38:45,800 --> 00:38:47,520
Speaker 4: I do think that, you know, I can.

892
00:38:48,280 --> 00:38:51,160
Speaker 1: I have I checked on my Jewish friends, Yes, have

893
00:38:51,200 --> 00:38:54,560
Speaker 1: I checked on my Palestinian friends, yes, who have family

894
00:38:54,600 --> 00:38:57,000
Speaker 1: over there. Of course, me talking about it on the

895
00:38:57,040 --> 00:39:02,600
Speaker 1: Internet or posting something contributes nothing to what's going on,

896
00:39:02,760 --> 00:39:05,920
Speaker 1: and it's there To think that's such a fucking arrogant

897
00:39:06,520 --> 00:39:09,640
Speaker 1: American thing to think to force someone to have to

898
00:39:09,680 --> 00:39:14,880
Speaker 1: say something on ig and think that's really helping the situation,

899
00:39:15,360 --> 00:39:19,160
Speaker 1: you are so fucking conceited. But it was into yourself

900
00:39:19,480 --> 00:39:21,880
Speaker 1: that those Do you think those people give a fuck

901
00:39:22,239 --> 00:39:24,960
Speaker 1: what Rory and Male on the microphone are saying, No,

902
00:39:25,040 --> 00:39:27,239
Speaker 1: they don't. It's people in America, so they can feel

903
00:39:27,280 --> 00:39:30,040
Speaker 1: better about themselves about something that they will never go

904
00:39:30,120 --> 00:39:31,279
Speaker 1: even try to help out with.

905
00:39:31,320 --> 00:39:33,359
Speaker 2: But what you're missing is a lot of their their

906
00:39:33,400 --> 00:39:35,600
Speaker 2: supporters and a lot of the people that you know

907
00:39:35,640 --> 00:39:39,080
Speaker 2: stream their music and are fans of theirs. These are

908
00:39:39,120 --> 00:39:42,040
Speaker 2: people who have family there. These are people who have

909
00:39:42,320 --> 00:39:45,279
Speaker 2: are from there. So when somebody like Blast says that

910
00:39:45,320 --> 00:39:48,600
Speaker 2: what he's saying is a lot of your supporters are

911
00:39:48,640 --> 00:39:53,280
Speaker 2: from these places because of your lineage and your connection

912
00:39:53,800 --> 00:39:55,239
Speaker 2: to this part of the world, like this is why

913
00:39:55,280 --> 00:39:57,520
Speaker 2: they support you. So in the time like this, to

914
00:39:57,640 --> 00:40:00,040
Speaker 2: not say anything, it's.

915
00:39:59,880 --> 00:40:01,239
Speaker 4: A is a little fucked up.

916
00:40:01,960 --> 00:40:06,240
Speaker 1: We don't know what Kalid or Drake have done behind

917
00:40:06,239 --> 00:40:11,239
Speaker 1: the scenes as far as actually making change so to say,

918
00:40:11,440 --> 00:40:16,360
Speaker 1: let's go with Kalid specifically, he is of Palestinian descent.

919
00:40:16,840 --> 00:40:19,960
Speaker 1: We also know there is a difference between Palestinians and

920
00:40:20,360 --> 00:40:23,160
Speaker 1: the terrorist group that is happening. Not going to get

921
00:40:23,160 --> 00:40:26,680
Speaker 1: into the particulars or my opinion on it. They have

922
00:40:26,760 --> 00:40:29,840
Speaker 1: no electricity, So if Kalid is doing something behind the

923
00:40:29,840 --> 00:40:33,320
Speaker 1: scenes to help, he doesn't need to post on Instagram

924
00:40:33,680 --> 00:40:36,839
Speaker 1: For people that don't have electricity, they can't open ig

925
00:40:37,000 --> 00:40:40,280
Speaker 1: right now. So everyone that's being activists on your timeline,

926
00:40:40,360 --> 00:40:42,360
Speaker 1: I get it. You're you're amazing, You're better than me,

927
00:40:42,760 --> 00:40:47,200
Speaker 1: You're awesome, you're great. They can't see it. Yeah, they

928
00:40:47,200 --> 00:40:51,120
Speaker 1: don't have power, So leave everyone else that does want

929
00:40:51,120 --> 00:40:53,560
Speaker 1: to be quiet about it and maybe help in their

930
00:40:53,600 --> 00:40:56,800
Speaker 1: own way within their own circles, or try to find

931
00:40:56,840 --> 00:40:59,520
Speaker 1: to learn more, educate themselves more before running out of

932
00:40:59,520 --> 00:41:01,720
Speaker 1: window that's talk about the topic. They don't fully understand

933
00:41:01,880 --> 00:41:02,560
Speaker 1: the fuck alone.

934
00:41:02,680 --> 00:41:03,280
Speaker 6: Leave us alone.

935
00:41:03,360 --> 00:41:05,360
Speaker 1: You guys are awesome. You guys are way more morally

936
00:41:05,360 --> 00:41:09,160
Speaker 1: sound than us. You tweet all day, Leave us alone, Like,

937
00:41:09,239 --> 00:41:10,160
Speaker 1: just leave us the fuck alone.

938
00:41:10,200 --> 00:41:12,480
Speaker 2: If you're doing something behind the scenes, I'm always a

939
00:41:12,520 --> 00:41:14,680
Speaker 2: fan of that. Like, I don't think that you know,

940
00:41:15,640 --> 00:41:17,680
Speaker 2: you have to announce everything. Everything is not doesn't have

941
00:41:17,760 --> 00:41:20,360
Speaker 2: to be announcement. But if these gentlemen are actively like

942
00:41:20,760 --> 00:41:23,399
Speaker 2: trying to like send aid and help in any way

943
00:41:23,400 --> 00:41:26,000
Speaker 2: that they can behind the scenes quietly without posting on

944
00:41:26,040 --> 00:41:27,800
Speaker 2: social media, then that's beautiful.

945
00:41:27,960 --> 00:41:28,560
Speaker 4: I'm all for that.

946
00:41:28,640 --> 00:41:31,439
Speaker 2: I like that type of thing because you're showing that

947
00:41:32,239 --> 00:41:35,239
Speaker 2: this is not for you know, cloud or any of

948
00:41:35,280 --> 00:41:37,080
Speaker 2: this other corny shit. This is not so that people

949
00:41:37,160 --> 00:41:40,080
Speaker 2: know that I'm doing this. I'm really concerned and you know,

950
00:41:40,800 --> 00:41:43,160
Speaker 2: innocent people are dying, babies are dying.

951
00:41:44,440 --> 00:41:47,480
Speaker 4: So if an artist is literally helping behind the scenes,

952
00:41:48,280 --> 00:41:48,960
Speaker 4: then it doesn't have.

953
00:41:48,920 --> 00:41:49,360
Speaker 6: To be posting.

954
00:41:49,560 --> 00:41:53,480
Speaker 1: I know that the cardinal sin on activist Twitter to say, hey,

955
00:41:53,520 --> 00:41:55,279
Speaker 1: I'd like to learn more about this. I'd like to

956
00:41:55,400 --> 00:41:58,760
Speaker 1: educate myself more about this. You get get killed, why

957
00:41:58,760 --> 00:42:02,480
Speaker 1: are you and why you should already know? Like already.

958
00:42:02,960 --> 00:42:05,960
Speaker 1: You can't educate yourself, you can't ask questions, you can't

959
00:42:05,960 --> 00:42:06,080
Speaker 1: do it.

960
00:42:06,120 --> 00:42:08,279
Speaker 6: You're supposed to be born with this knowledge. For three

961
00:42:08,320 --> 00:42:10,760
Speaker 6: percent of you has his knowledge three vans.

962
00:42:10,880 --> 00:42:12,080
Speaker 1: Yeah, so I.

963
00:42:11,960 --> 00:42:14,920
Speaker 4: Heard you given three percent of your pay and efforts

964
00:42:14,960 --> 00:42:16,239
Speaker 4: of work and aid.

965
00:42:17,800 --> 00:42:20,000
Speaker 3: Yeah, I'm so proud of you.

966
00:42:20,880 --> 00:42:23,000
Speaker 4: They said Floyd sent the jet over there with like,

967
00:42:23,160 --> 00:42:25,239
Speaker 4: yeah for supplies and ship.

968
00:42:25,239 --> 00:42:30,040
Speaker 1: Who that's a legal all right, I'm calling kav that's illegal.

969
00:42:30,120 --> 00:42:31,959
Speaker 1: You can't even have Kevlaar in the United States. Bred

970
00:42:31,960 --> 00:42:34,600
Speaker 1: and Floyd get a bunch of legal bulletproof vests to

971
00:42:34,680 --> 00:42:35,640
Speaker 1: fly to Israel.

972
00:42:36,160 --> 00:42:37,360
Speaker 4: Not bullets.

973
00:42:37,600 --> 00:42:42,160
Speaker 3: No supply bro.

974
00:42:42,760 --> 00:42:45,480
Speaker 4: I don't know loaded up his private ship.

975
00:42:45,640 --> 00:42:49,279
Speaker 1: He's not funny Rocky Road on his Instagram, you.

976
00:42:49,280 --> 00:42:51,680
Speaker 4: Know, loading up your jet with kevlaw.

977
00:42:54,200 --> 00:42:58,160
Speaker 3: No, No, he's right, He's right, Mayweather.

978
00:42:58,400 --> 00:43:00,759
Speaker 9: This sounds crazy though, but we stop with everything from

979
00:43:00,800 --> 00:43:02,879
Speaker 9: food and water to bulletproof vests.

980
00:43:03,160 --> 00:43:05,279
Speaker 1: They're illegal in the United States. Where did Floyd get

981
00:43:05,320 --> 00:43:05,840
Speaker 1: a bunch.

982
00:43:05,600 --> 00:43:10,239
Speaker 6: Of bulletproof After the homies in January sixth they were

983
00:43:10,239 --> 00:43:11,280
Speaker 6: all rocking the best.

984
00:43:11,760 --> 00:43:14,200
Speaker 4: Yeah, but they didn't get them on a jet loaded

985
00:43:14,200 --> 00:43:14,760
Speaker 4: about Floyda.

986
00:43:14,800 --> 00:43:17,719
Speaker 6: They probably got the best. When they got recalled hit,

987
00:43:17,800 --> 00:43:19,600
Speaker 6: the Commisariy was like, give me all that ship that

988
00:43:19,640 --> 00:43:20,319
Speaker 6: they got down there.

989
00:43:21,880 --> 00:43:23,880
Speaker 1: Floyd one of the best boxers of all time. Do

990
00:43:23,960 --> 00:43:26,680
Speaker 1: you think he's taking a private jet from the United States?

991
00:43:26,719 --> 00:43:30,160
Speaker 1: He's not doing with Kevilar landing in a war zone.

992
00:43:30,200 --> 00:43:32,200
Speaker 4: Let me read let me help, let me, let me

993
00:43:32,239 --> 00:43:32,440
Speaker 4: let you.

994
00:43:32,960 --> 00:43:34,839
Speaker 1: And the secure border period. Right now.

995
00:43:35,000 --> 00:43:37,600
Speaker 2: Somebody that's not on that jet is Floyd Wait Mayweather,

996
00:43:37,640 --> 00:43:38,839
Speaker 2: He's not on that fucking jet.

997
00:43:39,040 --> 00:43:39,759
Speaker 4: Hell no, he's not.

998
00:43:40,920 --> 00:43:43,319
Speaker 1: I say all this to say to activist Twitter when

999
00:43:43,320 --> 00:43:45,720
Speaker 1: we ask questions where we want to learn more because

1000
00:43:45,920 --> 00:43:48,799
Speaker 1: so much mis hit with so much misinformation every day

1001
00:43:49,280 --> 00:43:53,319
Speaker 1: that before I decide, like on a side that I

1002
00:43:53,320 --> 00:43:54,880
Speaker 1: want to pick, that doesn't really matter at the end

1003
00:43:54,880 --> 00:43:57,799
Speaker 1: of the day. Yeah, I need more information. I'm hit

1004
00:43:57,880 --> 00:44:01,000
Speaker 1: with so much false info every day of my fucking

1005
00:44:01,040 --> 00:44:03,000
Speaker 1: life that I'm going to take some time to do

1006
00:44:03,040 --> 00:44:06,600
Speaker 1: some research. I know that's a sin on Twitter. Also, yeah,

1007
00:44:06,600 --> 00:44:08,799
Speaker 1: I don't have an opinion yet because you guys give

1008
00:44:08,840 --> 00:44:13,480
Speaker 1: me false information, propaganda, bullshit every single day. Do I

1009
00:44:13,520 --> 00:44:17,120
Speaker 1: think innocent people should be killed? No, on either side,

1010
00:44:17,200 --> 00:44:18,359
Speaker 1: and that's where I stand right.

1011
00:44:18,640 --> 00:44:19,120
Speaker 3: Two things.

1012
00:44:19,120 --> 00:44:22,319
Speaker 9: One, you can you can uh order body armor in

1013
00:44:22,600 --> 00:44:23,920
Speaker 9: the US just not a.

1014
00:44:23,840 --> 00:44:27,760
Speaker 3: New two uh.

1015
00:44:27,840 --> 00:44:30,080
Speaker 9: Two Uh did you guys see that Elon Musk is

1016
00:44:30,080 --> 00:44:33,400
Speaker 9: making his chargers free as well?

1017
00:44:35,640 --> 00:44:41,200
Speaker 6: Stations are just going to be to use. Yeah, all react.

1018
00:44:42,520 --> 00:44:47,279
Speaker 4: They're bombing everything like, yeah, but you can charge your car.

1019
00:44:49,560 --> 00:44:51,720
Speaker 3: Listen man said that on Twitter whatever.

1020
00:44:51,760 --> 00:44:53,560
Speaker 2: I don't know what that does over it. I mean,

1021
00:44:53,600 --> 00:44:56,560
Speaker 2: I'm just saying entire cities being leveled right now. I

1022
00:44:56,560 --> 00:45:00,640
Speaker 2: don't know what the charger station is doing. But okay, yep,

1023
00:45:01,239 --> 00:45:01,880
Speaker 2: thanks Elon.

1024
00:45:03,719 --> 00:45:04,319
Speaker 4: The fuck is that?

1025
00:45:04,320 --> 00:45:05,919
Speaker 3: That's where we're at, But that's where we're at.

1026
00:45:06,360 --> 00:45:08,280
Speaker 4: I see why Drake ain't saying nothing, man.

1027
00:45:08,480 --> 00:45:15,359
Speaker 1: Y, Yeah, Yo, you know how much misinformation I can

1028
00:45:15,480 --> 00:45:18,400
Speaker 1: pull up within one flick of my thumb on X

1029
00:45:18,520 --> 00:45:21,400
Speaker 1: right now. That Elon runs on my X right now.

1030
00:45:21,960 --> 00:45:24,120
Speaker 6: But you feel me on.

1031
00:45:24,040 --> 00:45:26,760
Speaker 1: Making sure chargers are free in Israel? No, how about

1032
00:45:26,760 --> 00:45:29,560
Speaker 1: we sift through this misinformation on the app that you're running.

1033
00:45:34,960 --> 00:45:36,640
Speaker 1: What I feel like Maul actually has to be vocal

1034
00:45:36,640 --> 00:45:40,520
Speaker 1: about on socials is whether he stands with DJ, Envy,

1035
00:45:40,840 --> 00:45:44,520
Speaker 1: Caesar or the victims. How come you haven't been vocal

1036
00:45:44,560 --> 00:45:48,120
Speaker 1: about that? Of all the victims of Patterson, New Jersey,

1037
00:45:48,160 --> 00:45:50,359
Speaker 1: you've been very oddly.

1038
00:45:50,080 --> 00:45:55,120
Speaker 4: Quiet, Yeah, oddly on this topic.

1039
00:45:55,400 --> 00:45:56,640
Speaker 1: On something you have nothing to do with.

1040
00:45:57,200 --> 00:45:58,520
Speaker 4: I have nothing to do with this ship.

1041
00:45:59,200 --> 00:46:03,080
Speaker 1: So Envy and Caesar ended up on. I think it's

1042
00:46:03,120 --> 00:46:04,000
Speaker 1: just the local news.

1043
00:46:04,239 --> 00:46:06,000
Speaker 4: I feel like I've been hearing about this shit every

1044
00:46:06,040 --> 00:46:07,120
Speaker 4: day for the past.

1045
00:46:07,080 --> 00:46:09,160
Speaker 1: So it's been going off for almost four months. But

1046
00:46:09,280 --> 00:46:11,920
Speaker 1: they were on the news, well at least Caesar's wife,

1047
00:46:11,920 --> 00:46:14,160
Speaker 1: who wasn't. They explained the entire situation, and then Envy

1048
00:46:14,160 --> 00:46:16,319
Speaker 1: actually addressed it. I think was kind of forced to

1049
00:46:17,160 --> 00:46:20,840
Speaker 1: on the Breakfast Club on Wednesday morning. And I'm not

1050
00:46:20,840 --> 00:46:23,360
Speaker 1: gonna say he danced because he was in litigation and

1051
00:46:23,360 --> 00:46:25,359
Speaker 1: as being sued, so there's only so much you can say.

1052
00:46:26,080 --> 00:46:29,360
Speaker 1: But Envy was like, listen, I lost money from Caesar

1053
00:46:29,400 --> 00:46:31,759
Speaker 1: as well. No one can say they ever gave me

1054
00:46:31,760 --> 00:46:33,800
Speaker 1: a single dollar, and I have to give it to

1055
00:46:33,880 --> 00:46:36,960
Speaker 1: Charlotte Man. He did give Envy some pushback. All the

1056
00:46:37,000 --> 00:46:41,120
Speaker 1: victims on the news said they were introduced to Caesar

1057
00:46:41,320 --> 00:46:43,600
Speaker 1: through you, through you promoting it on the Breakfast Club,

1058
00:46:43,640 --> 00:46:45,399
Speaker 1: through you doing the seminars. They paid for all the shit.

1059
00:46:46,200 --> 00:46:49,399
Speaker 1: Even on the news report, victims were like, I thought

1060
00:46:49,440 --> 00:46:51,839
Speaker 1: this was legit because I heard it on Power one

1061
00:46:51,880 --> 00:46:54,560
Speaker 1: oh five. No, I didn't think this would be a scam.

1062
00:46:54,640 --> 00:46:58,600
Speaker 1: It's iHeartMedia. Yeah, I think this could get a little

1063
00:46:58,640 --> 00:47:02,960
Speaker 1: crazier for Envy than we thought. I don't know if

1064
00:47:02,960 --> 00:47:06,359
Speaker 1: they'll have actual proof of him taking money and scamming people,

1065
00:47:06,400 --> 00:47:08,440
Speaker 1: even though Caesar was his partner. I don't know if

1066
00:47:08,440 --> 00:47:11,000
Speaker 1: they had an loc together. I don't know the details there,

1067
00:47:11,480 --> 00:47:15,480
Speaker 1: but just from an iHeart perspective, that looks kind of

1068
00:47:15,480 --> 00:47:21,359
Speaker 1: crazy because you you were basically using iHeartMedia to give

1069
00:47:21,400 --> 00:47:25,200
Speaker 1: a commercial for a scam. Is which cable. I don't

1070
00:47:25,200 --> 00:47:27,120
Speaker 1: know if they're liable per se. I'm sure they have

1071
00:47:27,200 --> 00:47:29,120
Speaker 1: some clause because they're one of the biggest media companies

1072
00:47:29,120 --> 00:47:31,960
Speaker 1: on planet Earth that says anything that's said here we

1073
00:47:32,000 --> 00:47:34,040
Speaker 1: have nothing to do with. But remember when there could

1074
00:47:34,080 --> 00:47:34,479
Speaker 1: be a case.

1075
00:47:34,520 --> 00:47:37,400
Speaker 10: Remember when Kim Kardashian posted that thing on Instagram and

1076
00:47:37,440 --> 00:47:41,040
Speaker 10: then the company was like some coin base, some bitcoin scam,

1077
00:47:41,400 --> 00:47:43,480
Speaker 10: and they gave her a stupid bag to post this thing,

1078
00:47:43,520 --> 00:47:45,000
Speaker 10: and then it turns out it was and she was

1079
00:47:45,040 --> 00:47:48,600
Speaker 10: held liable for promoting a fraudulent operation?

1080
00:47:49,000 --> 00:47:49,359
Speaker 6: Is it not?

1081
00:47:49,480 --> 00:47:51,800
Speaker 1: But a little different when you're you know, iHeart is

1082
00:47:51,840 --> 00:47:57,440
Speaker 1: like the Little Yes, But iHeart was on the similar

1083
00:47:57,480 --> 00:47:58,600
Speaker 1: strategy that they're not.

1084
00:47:58,719 --> 00:48:03,880
Speaker 6: Just they're a little different than the Deep I understand

1085
00:48:03,920 --> 00:48:07,360
Speaker 6: they have more like pull in the media's space and influence,

1086
00:48:07,520 --> 00:48:09,960
Speaker 6: but the strategies the same. You're going after the face

1087
00:48:10,560 --> 00:48:12,640
Speaker 6: of something that you know, people trust and behind a

1088
00:48:12,680 --> 00:48:15,120
Speaker 6: brand that people trust, and you're using them to push bullshit.

1089
00:48:15,280 --> 00:48:18,040
Speaker 1: Well, so see some of the victims that were on

1090
00:48:18,160 --> 00:48:20,719
Speaker 1: the news. You know, some which were the most unfortunate.

1091
00:48:20,800 --> 00:48:23,160
Speaker 1: We're giving like, you know, the only one hundred thousand

1092
00:48:23,160 --> 00:48:24,680
Speaker 1: dollars they had to invest because they thought they were

1093
00:48:24,680 --> 00:48:26,840
Speaker 1: gonna flip it. But there was also some people that

1094
00:48:26,840 --> 00:48:29,840
Speaker 1: were millionaires that gave up some bread and are doing fine,

1095
00:48:29,880 --> 00:48:32,600
Speaker 1: but they lost a million dollars. Those are the people

1096
00:48:32,600 --> 00:48:34,279
Speaker 1: I'd be scared of because I think they're going to

1097
00:48:34,320 --> 00:48:37,400
Speaker 1: try to sue Caesar and Envy first, and whatever the

1098
00:48:37,440 --> 00:48:40,439
Speaker 1: result of that is may put iHeart on the hook

1099
00:48:40,480 --> 00:48:43,000
Speaker 1: after that, because if you win the case against Envy,

1100
00:48:43,040 --> 00:48:44,920
Speaker 1: then I think you have a case with iHeart. They

1101
00:48:44,960 --> 00:48:47,839
Speaker 1: lose against Envy and just Caesar, then I don't think

1102
00:48:47,840 --> 00:48:48,120
Speaker 1: you have.

1103
00:48:48,040 --> 00:48:49,440
Speaker 4: A case, though iHeart is not.

1104
00:48:49,600 --> 00:48:52,160
Speaker 2: They have something in the fine print somewhere you have

1105
00:48:52,239 --> 00:48:54,319
Speaker 2: to and we don't talk about the fine print enough

1106
00:48:54,360 --> 00:48:57,120
Speaker 2: because how can you go in You could you could

1107
00:48:57,120 --> 00:48:59,319
Speaker 2: go in and throw something into fine print, like oh shit,

1108
00:48:59,360 --> 00:49:01,040
Speaker 2: they coming for us and just put something in there

1109
00:49:01,320 --> 00:49:01,960
Speaker 2: that we never.

1110
00:49:01,880 --> 00:49:02,399
Speaker 4: Knew was there.

1111
00:49:02,520 --> 00:49:05,279
Speaker 2: Not Nobody reads that shit when they say, except all

1112
00:49:05,280 --> 00:49:07,320
Speaker 2: of this, I've never read all the copy.

1113
00:49:07,440 --> 00:49:09,680
Speaker 1: If you let some of the things Charlemagne has said,

1114
00:49:10,040 --> 00:49:11,680
Speaker 1: I don't know if real estate scam is that high

1115
00:49:11,719 --> 00:49:14,319
Speaker 1: on the list, like Charlemagne has, iHeart on the hook

1116
00:49:14,480 --> 00:49:16,680
Speaker 1: for real. If real estate scam is where you draw

1117
00:49:16,680 --> 00:49:19,640
Speaker 1: the line, I think every artist in the two thousands

1118
00:49:19,640 --> 00:49:21,360
Speaker 1: consume Charlemagne and I.

1119
00:49:21,680 --> 00:49:24,080
Speaker 2: As far as defamation, I do think that Envy will

1120
00:49:24,160 --> 00:49:27,480
Speaker 2: end up losing his job. I think at the breakfast club,

1121
00:49:27,520 --> 00:49:29,840
Speaker 2: I think I think that, But I think they'll do

1122
00:49:29,840 --> 00:49:32,200
Speaker 2: it in a way where Envy steps down. I don't

1123
00:49:32,200 --> 00:49:34,560
Speaker 2: think they'll announce that they let him go. I think

1124
00:49:34,560 --> 00:49:36,200
Speaker 2: they'll just tell him, like, bro, you're gonna have to

1125
00:49:36,280 --> 00:49:37,560
Speaker 2: like you're gonna have to step down.

1126
00:49:38,000 --> 00:49:38,719
Speaker 4: I definitely see that.

1127
00:49:38,840 --> 00:49:41,000
Speaker 2: I see that happening for sure, because at this point,

1128
00:49:41,320 --> 00:49:44,279
Speaker 2: it's too many people, there's too many lawsuits coming in.

1129
00:49:45,120 --> 00:49:47,759
Speaker 2: And you actively were bringing this gentleman up there on

1130
00:49:47,800 --> 00:49:50,680
Speaker 2: the radio station, you were shooting content with him. Y'all

1131
00:49:50,680 --> 00:49:53,760
Speaker 2: shared the same office space that was your business partner.

1132
00:49:54,320 --> 00:49:56,040
Speaker 2: Like now, granted you may not know he was doing

1133
00:49:56,080 --> 00:49:59,920
Speaker 2: something dirty, but at the same time, that falls on

1134
00:50:00,080 --> 00:50:02,520
Speaker 2: you because your business partners and y'all are walking around

1135
00:50:02,560 --> 00:50:05,320
Speaker 2: promoting this business together. There's plenty of plenty of footage,

1136
00:50:05,800 --> 00:50:08,719
Speaker 2: plenty of times she was up at the breakfast club.

1137
00:50:08,800 --> 00:50:12,399
Speaker 2: So I definitely see ENV having it step down from

1138
00:50:12,440 --> 00:50:13,400
Speaker 2: the breakfast club.

1139
00:50:13,880 --> 00:50:16,359
Speaker 1: As soon as it affects an advertiser. And I'm sure

1140
00:50:16,360 --> 00:50:18,600
Speaker 1: that's what iHeart is waiting for to make it. The

1141
00:50:18,640 --> 00:50:21,759
Speaker 1: easy clip is if one advertisers like I don't think

1142
00:50:21,840 --> 00:50:24,800
Speaker 1: we want to do syndication with breakfast club because it

1143
00:50:24,840 --> 00:50:27,400
Speaker 1: looks like your man isn't some heat, then they have

1144
00:50:27,440 --> 00:50:29,680
Speaker 1: the easy way to say, Envy, you should just leave.

1145
00:50:29,760 --> 00:50:32,160
Speaker 1: But if that doesn't happen, I agree, they are going

1146
00:50:32,200 --> 00:50:34,200
Speaker 1: to find that. Have you ever seen knocked up when

1147
00:50:34,239 --> 00:50:37,239
Speaker 1: she's like a pundit on like an E news thing

1148
00:50:38,080 --> 00:50:40,479
Speaker 1: and they're like, we're not telling you to lose weight,

1149
00:50:40,520 --> 00:50:42,800
Speaker 1: we can't legally do that. I love that, But step

1150
00:50:42,800 --> 00:50:45,680
Speaker 1: on a scale and look at that number and like

1151
00:50:45,800 --> 00:50:48,160
Speaker 1: make it ten pounds less. Yeah, so you want me

1152
00:50:48,200 --> 00:50:50,440
Speaker 1: to lose weight? No no no, no, no no no, just

1153
00:50:50,440 --> 00:50:53,359
Speaker 1: look at that number and make it so. I think

1154
00:50:53,400 --> 00:50:55,439
Speaker 1: those do that with and Vy will be like, hey,

1155
00:50:55,600 --> 00:50:57,360
Speaker 1: lot's going on. I want to focus on my family.

1156
00:50:57,640 --> 00:50:59,400
Speaker 1: Just had a good run. It's time for me to

1157
00:50:59,400 --> 00:51:01,239
Speaker 1: do other stuff. He'll do one of those.

1158
00:51:01,360 --> 00:51:04,520
Speaker 4: I want to focus on my community, my family, being

1159
00:51:04,560 --> 00:51:05,360
Speaker 4: a better person.

1160
00:51:05,680 --> 00:51:09,960
Speaker 6: Israel pal sign that type, you know you priorities exactly,

1161
00:51:10,560 --> 00:51:12,719
Speaker 6: tractation exactly.

1162
00:51:14,560 --> 00:51:18,080
Speaker 1: I don't blame this one on Vlad, but sometimes timing

1163
00:51:18,160 --> 00:51:21,719
Speaker 1: is just hilarious. Why did Envy show off all his

1164
00:51:22,280 --> 00:51:26,480
Speaker 1: ten million dollar car collection the day that that broke?

1165
00:51:27,200 --> 00:51:30,959
Speaker 6: Yes, you know why? Interviews and it's like the Drake

1166
00:51:31,000 --> 00:51:31,879
Speaker 6: curse and.

1167
00:51:32,040 --> 00:51:34,720
Speaker 1: Envy went and did a whole look at how fucking

1168
00:51:34,840 --> 00:51:38,480
Speaker 1: rich I am? Content piece with dj vladd the week

1169
00:51:38,640 --> 00:51:41,560
Speaker 1: that he was on the hook for fraud, and I

1170
00:51:41,560 --> 00:51:43,800
Speaker 1: think the news sets a forty million dollar scheme.

1171
00:51:45,239 --> 00:51:49,040
Speaker 4: You know where the money's at? Send those cars, those

1172
00:51:49,080 --> 00:51:49,759
Speaker 4: cars showing you.

1173
00:51:49,800 --> 00:51:51,279
Speaker 6: He's like, this is where I embezzle all the money.

1174
00:51:51,320 --> 00:51:55,000
Speaker 1: Yeah, du that dude. Caesar was wild. Some of those

1175
00:51:55,080 --> 00:51:58,920
Speaker 1: houses he didn't even own. Wow, you know how wild?

1176
00:51:58,960 --> 00:52:01,480
Speaker 1: There was three different invents there is on one rundown

1177
00:52:01,480 --> 00:52:04,480
Speaker 1: house in Patterson, each put in over two an or k.

1178
00:52:05,040 --> 00:52:11,560
Speaker 1: Caesar didn't own the house. It's like, how fucking crazy

1179
00:52:11,600 --> 00:52:11,879
Speaker 1: is that?

1180
00:52:12,000 --> 00:52:12,759
Speaker 4: Bro? But how do you?

1181
00:52:12,840 --> 00:52:13,200
Speaker 1: How do you?

1182
00:52:13,360 --> 00:52:15,440
Speaker 2: How do you do something like that for so long

1183
00:52:16,000 --> 00:52:19,600
Speaker 2: and like without it going like notice, like without somebody

1184
00:52:19,680 --> 00:52:21,839
Speaker 2: saying your hold up? Like I think after like after

1185
00:52:21,840 --> 00:52:23,920
Speaker 2: the first two, wouldn't somebody be like, yo, they.

1186
00:52:24,040 --> 00:52:25,200
Speaker 6: How many years were they doing that?

1187
00:52:25,920 --> 00:52:26,200
Speaker 1: Wow?

1188
00:52:26,239 --> 00:52:26,879
Speaker 4: It was a few years.

1189
00:52:27,880 --> 00:52:29,239
Speaker 6: How many years are doing it? And then how many

1190
00:52:29,280 --> 00:52:31,600
Speaker 6: years was it before Envy was promoting it on the

1191
00:52:31,719 --> 00:52:32,360
Speaker 6: radio station?

1192
00:52:34,520 --> 00:52:36,360
Speaker 2: I'm not sure about that, but I know that the

1193
00:52:36,480 --> 00:52:39,279
Speaker 2: Doe season was doing that ship on his own at

1194
00:52:39,320 --> 00:52:41,759
Speaker 2: one point, and I think he brought Envy nd as

1195
00:52:41,800 --> 00:52:45,160
Speaker 2: a business partner, used the celebrity status to kind of

1196
00:52:45,200 --> 00:52:47,759
Speaker 2: make it legit, put them on a radio station. You're

1197
00:52:47,880 --> 00:52:50,280
Speaker 2: seven hours together seminars. We were building a community.

1198
00:52:50,360 --> 00:52:52,320
Speaker 4: Let's show people how they can get to this money

1199
00:52:52,320 --> 00:52:54,080
Speaker 4: and real estate things like that.

1200
00:52:54,160 --> 00:52:55,919
Speaker 1: Over seven years.

1201
00:52:56,280 --> 00:52:58,319
Speaker 6: Yeah, because I'm thinking, like there's always that thing with

1202
00:52:58,360 --> 00:53:01,680
Speaker 6: these kind of schemes where you're obviously doing well financially,

1203
00:53:01,680 --> 00:53:03,920
Speaker 6: you're comfortable, but then enough is never enough, and then

1204
00:53:03,960 --> 00:53:05,520
Speaker 6: you're like, what else can we leverage to make this

1205
00:53:05,560 --> 00:53:07,879
Speaker 6: bigger than what it currently is? And then that's when

1206
00:53:07,880 --> 00:53:10,480
Speaker 6: you start. The more you open it up, the more

1207
00:53:10,560 --> 00:53:13,160
Speaker 6: vulnerable it gets to falling apart. And I think NB

1208
00:53:13,440 --> 00:53:16,960
Speaker 6: just parading this on a public radio station every morning

1209
00:53:17,360 --> 00:53:19,400
Speaker 6: is when it just that's a taking time by me.

1210
00:53:19,440 --> 00:53:22,400
Speaker 4: That said that Caesar dude was paying people back. He

1211
00:53:22,480 --> 00:53:23,520
Speaker 4: was sending up his jewelry.

1212
00:53:24,200 --> 00:53:27,960
Speaker 1: Yeah, watching his change. There was a gentleman that that

1213
00:53:28,080 --> 00:53:30,880
Speaker 1: worked on Envy's cars in a low Douting Jersey. He

1214
00:53:30,880 --> 00:53:32,880
Speaker 1: had like a mechanic shop and he was working on

1215
00:53:32,960 --> 00:53:35,680
Speaker 1: mv's cars for over a decade, and he gave him

1216
00:53:35,719 --> 00:53:38,680
Speaker 1: the pitch. Caesar took the bread, couldn't pay him back,

1217
00:53:38,680 --> 00:53:40,719
Speaker 1: and was like, Yo, hold this, hold this chain till

1218
00:53:40,719 --> 00:53:41,359
Speaker 1: I pay you back.

1219
00:53:41,960 --> 00:53:43,880
Speaker 2: That's sick, man, and it's fucked up because a lot

1220
00:53:43,920 --> 00:53:45,799
Speaker 2: of people really jumped into that lane thinking that they

1221
00:53:45,800 --> 00:53:47,719
Speaker 2: were going to be able to flip their money and

1222
00:53:47,840 --> 00:53:50,840
Speaker 2: probably gave their last the savings thinking that yo getting

1223
00:53:50,840 --> 00:53:53,879
Speaker 2: to the real estate game, and now they're fucked out

1224
00:53:53,880 --> 00:53:56,880
Speaker 2: of money and possibly can't pay their current bills.

1225
00:53:57,320 --> 00:54:00,520
Speaker 4: So it's fun that scamming ship man. I'm I've never

1226
00:54:00,520 --> 00:54:00,839
Speaker 4: been a.

1227
00:54:00,760 --> 00:54:03,960
Speaker 2: Fan of scams and schemes because you never know what

1228
00:54:04,080 --> 00:54:07,760
Speaker 2: people really have going on in their life, and people

1229
00:54:07,840 --> 00:54:11,239
Speaker 2: really use you or use something that you're teaching them

1230
00:54:11,239 --> 00:54:13,719
Speaker 2: as a last ditch effort to kind of change their

1231
00:54:13,719 --> 00:54:16,040
Speaker 2: lives financially and get into a better space. And then

1232
00:54:16,080 --> 00:54:17,839
Speaker 2: you do something like that where you steal from them

1233
00:54:17,920 --> 00:54:20,920
Speaker 2: and take their money, and people are like now having to.

1234
00:54:20,840 --> 00:54:22,719
Speaker 4: Move in with their parents. People have to move in

1235
00:54:23,320 --> 00:54:26,000
Speaker 4: fucking you know, from a house to a fucking apartment.

1236
00:54:26,280 --> 00:54:27,799
Speaker 4: It's just it's fucked up, man, you know.

1237
00:54:27,880 --> 00:54:31,319
Speaker 1: I do think actually did happen, and I'm speculating. I

1238
00:54:31,360 --> 00:54:35,120
Speaker 1: think Caesar probably did go into that business legitimate and

1239
00:54:35,160 --> 00:54:39,200
Speaker 1: probably did a few good deals. Met MVY got a

1240
00:54:39,200 --> 00:54:42,120
Speaker 1: lot of promo and a lot of money and was

1241
00:54:42,239 --> 00:54:46,000
Speaker 1: in over his head and his expertise. I think he

1242
00:54:46,160 --> 00:54:49,840
Speaker 1: just got way over his head and started paying off

1243
00:54:50,080 --> 00:54:52,600
Speaker 1: investors with other investors money, of course, like he just

1244
00:54:52,880 --> 00:54:55,239
Speaker 1: I don't think he went in there intentionally trying to

1245
00:54:55,320 --> 00:54:59,200
Speaker 1: scam people, but he sold too much bullshit. Like people

1246
00:54:59,200 --> 00:55:00,839
Speaker 1: believed him because he was on Breakfast Club.

1247
00:55:00,880 --> 00:55:01,080
Speaker 4: Yeah.

1248
00:55:01,080 --> 00:55:03,120
Speaker 1: But and no, at that point you just gotta be like, no,

1249
00:55:03,160 --> 00:55:04,799
Speaker 1: I can't take this song. But you get to a

1250
00:55:04,840 --> 00:55:07,000
Speaker 1: point where you have to say, all right, he started

1251
00:55:07,000 --> 00:55:07,920
Speaker 1: believing it's on bullshit.

1252
00:55:08,000 --> 00:55:08,880
Speaker 4: Yeah, and that's the problem.

1253
00:55:08,960 --> 00:55:11,000
Speaker 2: Yeah, you start believing the bullshit and like, oh shit,

1254
00:55:11,080 --> 00:55:12,600
Speaker 2: this is working, like I'm getting away with the shit.

1255
00:55:12,640 --> 00:55:14,360
Speaker 2: But now you look up and it's like everybody's at

1256
00:55:14,400 --> 00:55:15,719
Speaker 2: your door, Like, Yo, what's up with that money you

1257
00:55:15,719 --> 00:55:17,000
Speaker 2: said was coming in four months?

1258
00:55:17,000 --> 00:55:19,240
Speaker 4: Five months, it's been a year. I don't have anything.

1259
00:55:19,280 --> 00:55:22,440
Speaker 1: I think he probably fucked up on one deal, couldn't

1260
00:55:22,480 --> 00:55:26,160
Speaker 1: pay the due back, got some money from another rob

1261
00:55:26,200 --> 00:55:29,680
Speaker 1: Peter to paypol and it worked. And then seven years

1262
00:55:29,760 --> 00:55:32,360
Speaker 1: later he's at forty million, thinking like, oh, it's going

1263
00:55:32,440 --> 00:55:33,200
Speaker 1: to continue to work.

1264
00:55:33,480 --> 00:55:35,480
Speaker 4: I know one thing, Tony the Clothes had been motherfucking

1265
00:55:35,520 --> 00:55:38,120
Speaker 4: reporting on this shit every hour on the hour. He

1266
00:55:38,280 --> 00:55:40,480
Speaker 4: not letting nothing. Tony's not letting up.

1267
00:55:41,000 --> 00:55:43,560
Speaker 1: I mean, I don't blame him though, like you scammed,

1268
00:55:43,600 --> 00:55:45,160
Speaker 1: you scammed none of orking people.

1269
00:55:45,160 --> 00:55:46,759
Speaker 4: Bro, I'm one hundred percent with it.

1270
00:55:46,800 --> 00:55:48,759
Speaker 2: Like when you when you scam people and people are

1271
00:55:48,760 --> 00:55:51,400
Speaker 2: exposing you for being a scammer, I'm one hundred percent

1272
00:55:51,440 --> 00:55:54,440
Speaker 2: with that, except if you have hookup on Polo, like

1273
00:55:54,480 --> 00:55:58,400
Speaker 2: then I support the scammers when Polo, Yeah, yeah, I'm

1274
00:55:58,400 --> 00:55:58,920
Speaker 2: supporting that.

1275
00:55:59,000 --> 00:56:01,040
Speaker 1: But that's a weird position for Envy to be in.

1276
00:56:01,120 --> 00:56:04,000
Speaker 1: And Charlemagne started that seedment was saying, Yo, shut up

1277
00:56:04,000 --> 00:56:05,560
Speaker 1: your lawyer, sold you to shut up, so shut up.

1278
00:56:05,560 --> 00:56:06,640
Speaker 1: And then he's like, no, I feel like I have

1279
00:56:06,719 --> 00:56:08,520
Speaker 1: to say something, but.

1280
00:56:08,480 --> 00:56:10,200
Speaker 4: You can't made him say something.

1281
00:56:10,480 --> 00:56:12,960
Speaker 1: No, No, I think he was just I think his

1282
00:56:13,360 --> 00:56:17,239
Speaker 1: own ego and his own ig comments made him say something,

1283
00:56:17,320 --> 00:56:19,440
Speaker 1: or his wife made him say something, or somebody in

1284
00:56:19,440 --> 00:56:22,680
Speaker 1: his circle made him say something, not realizing that. And

1285
00:56:22,719 --> 00:56:25,640
Speaker 1: I'm not a lawyer. But if he apologizes, I know,

1286
00:56:25,719 --> 00:56:28,359
Speaker 1: I hate to break it too. You look at all

1287
00:56:28,360 --> 00:56:34,359
Speaker 1: my passage. Clearly I'm a lawyer. Clearly I haven't all

1288
00:56:34,520 --> 00:56:38,880
Speaker 1: figured out concious. But you can't apologize for it on

1289
00:56:38,920 --> 00:56:41,640
Speaker 1: the air because then it makes you fucking liable. That's

1290
00:56:41,640 --> 00:56:43,520
Speaker 1: why you have to shut the fuck up. So and

1291
00:56:43,600 --> 00:56:46,839
Speaker 1: he couldn't apologize to all these people for introducing them

1292
00:56:46,880 --> 00:56:49,399
Speaker 1: to Caesar. He just kept saying I didn't take any money.

1293
00:56:49,440 --> 00:56:51,200
Speaker 1: I didn't take any money, and he just looked more

1294
00:56:51,239 --> 00:56:54,200
Speaker 1: guilty instead of taking accountability and being like, yo, I'm

1295
00:56:54,200 --> 00:56:57,160
Speaker 1: sorry I introduced you to a scammer. But you can't

1296
00:56:57,160 --> 00:56:58,719
Speaker 1: say that on the air because that gets brought up

1297
00:56:58,719 --> 00:57:01,000
Speaker 1: in court. And now, okay, so you're part of this.

1298
00:57:01,840 --> 00:57:04,680
Speaker 1: You're admitting that you introduced all these people to Caesar. Oh,

1299
00:57:04,719 --> 00:57:06,200
Speaker 1: bet all right, we're seeing you as well.

1300
00:57:06,239 --> 00:57:08,239
Speaker 4: I see him be stepping down, so yeah, he has

1301
00:57:08,960 --> 00:57:09,360
Speaker 4: I see it.

1302
00:57:09,880 --> 00:57:11,759
Speaker 6: And if there's a way where he can step down

1303
00:57:11,800 --> 00:57:15,040
Speaker 6: and not be held liable, I don't think those things

1304
00:57:15,040 --> 00:57:17,800
Speaker 6: two things would correlate. I think you can step down

1305
00:57:17,840 --> 00:57:19,800
Speaker 6: and get like the fair treatment from my heart that

1306
00:57:19,840 --> 00:57:22,080
Speaker 6: you think you deserve, but then also still be fucked

1307
00:57:22,080 --> 00:57:23,360
Speaker 6: in the other regard.

1308
00:57:23,280 --> 00:57:27,000
Speaker 4: Should Does that mean break the breakfast club is no.

1309
00:57:27,520 --> 00:57:30,880
Speaker 6: No, they'll get another like guest host again, who would

1310
00:57:30,880 --> 00:57:34,320
Speaker 6: you like to see in that seat? And why is

1311
00:57:34,360 --> 00:57:34,680
Speaker 6: it you?

1312
00:57:34,760 --> 00:57:35,560
Speaker 4: Does it have to be another?

1313
00:57:36,040 --> 00:57:40,200
Speaker 1: I would love to see that just hilarious out of here.

1314
00:57:40,600 --> 00:57:41,920
Speaker 1: I'm not joking either.

1315
00:57:42,000 --> 00:57:42,919
Speaker 4: Yeah, I think that'd be great.

1316
00:57:42,960 --> 00:57:47,600
Speaker 2: First of all, don't say out of here? Yeah, no,

1317
00:57:48,720 --> 00:57:52,720
Speaker 2: me and Charlemagne and just and just that would be

1318
00:57:52,800 --> 00:57:53,280
Speaker 2: that would.

1319
00:57:53,080 --> 00:57:55,120
Speaker 1: Be interesting, would be like your ghost DJ.

1320
00:57:55,240 --> 00:57:59,080
Speaker 6: But I think thanks you want to hear would you say?

1321
00:57:59,160 --> 00:58:01,720
Speaker 1: Would you sit well? Kings that they sit in?

1322
00:58:02,520 --> 00:58:05,720
Speaker 4: No, that is so nasty that that king seat, that throne.

1323
00:58:06,600 --> 00:58:07,520
Speaker 3: Oh yeah, I'm not a fan.

1324
00:58:07,640 --> 00:58:07,880
Speaker 6: That is.

1325
00:58:08,360 --> 00:58:10,000
Speaker 1: And this this is why I don't want to climb them,

1326
00:58:10,040 --> 00:58:13,080
Speaker 1: because I don't think that was Charlemagne or Andy's idea.

1327
00:58:13,280 --> 00:58:17,840
Speaker 1: I think that dumb ass. Okay, it was like ten

1328
00:58:17,960 --> 00:58:20,840
Speaker 1: years you know, like you in the conference room, was

1329
00:58:20,840 --> 00:58:23,160
Speaker 1: like we should there's the kings of radio that the

1330
00:58:23,280 --> 00:58:25,000
Speaker 1: producer as many How many times do I come to

1331
00:58:25,040 --> 00:58:26,720
Speaker 1: you guys with an idea and you're both like, shut

1332
00:58:26,760 --> 00:58:27,280
Speaker 1: the funk up?

1333
00:58:27,280 --> 00:58:28,400
Speaker 6: That's terrible you.

1334
00:58:28,360 --> 00:58:29,360
Speaker 1: Ultimately you know work.

1335
00:58:29,840 --> 00:58:30,400
Speaker 6: We worked.

1336
00:58:32,120 --> 00:58:35,320
Speaker 1: Difference, but like you, they probably showed up to it.

1337
00:58:35,320 --> 00:58:37,400
Speaker 1: And I'm not shooting on envying Charlotte. I'm not doing

1338
00:58:37,400 --> 00:58:39,200
Speaker 1: the dame thing that you work somewhere. I think it's

1339
00:58:39,240 --> 00:58:41,480
Speaker 1: fine that you guys have a great job radio legends.

1340
00:58:41,760 --> 00:58:44,800
Speaker 1: I think they walked in on that rebrand when Angela

1341
00:58:44,840 --> 00:58:47,000
Speaker 1: went to the other room, walked in that morning and

1342
00:58:47,040 --> 00:58:51,600
Speaker 1: there was fucking Sloans right there the slight.

1343
00:58:51,720 --> 00:58:52,960
Speaker 6: Angela left, they took a right.

1344
00:58:54,280 --> 00:58:55,080
Speaker 1: Is that not what happened?

1345
00:58:55,160 --> 00:58:57,000
Speaker 3: It is, but you didn't have to put that in there.

1346
00:58:57,200 --> 00:58:58,880
Speaker 1: Why didn't they give Angela throw?

1347
00:59:00,120 --> 00:59:02,000
Speaker 4: Do we think that Angela yee knew this was was

1348
00:59:02,080 --> 00:59:04,160
Speaker 4: great to happen with? Uh No, with envy?

1349
00:59:04,520 --> 00:59:05,240
Speaker 1: Maybe I don't think.

1350
00:59:06,600 --> 00:59:09,040
Speaker 6: Yeah, yeah, it's Roy's playing. I think her situation was

1351
00:59:09,080 --> 00:59:09,800
Speaker 6: independent of that.

1352
00:59:09,880 --> 00:59:12,080
Speaker 4: Yeah, Okay, it's.

1353
00:59:11,880 --> 00:59:15,280
Speaker 1: Time y'all don't think it's weird that Angela and Charlottagne

1354
00:59:15,800 --> 00:59:21,240
Speaker 1: never got involved in DJ Envy's real estate business.

1355
00:59:21,480 --> 00:59:21,880
Speaker 6: A good point.

1356
00:59:22,360 --> 00:59:25,080
Speaker 4: No, but that might just be you know how one of.

1357
00:59:25,080 --> 00:59:27,120
Speaker 2: Your friends come come at you with something like yo,

1358
00:59:27,160 --> 00:59:28,959
Speaker 2: I got this, and you're just.

1359
00:59:28,880 --> 00:59:31,400
Speaker 4: Like, no, I'm good. Yeah, Like I don't know if

1360
00:59:31,400 --> 00:59:33,120
Speaker 4: they knew, but it's just like, I'm cool. I'm not

1361
00:59:33,160 --> 00:59:33,840
Speaker 4: trying to really get.

1362
00:59:33,800 --> 00:59:36,680
Speaker 1: Because they probably didn't think it well. If you came

1363
00:59:36,720 --> 00:59:38,920
Speaker 1: to me with the success rate that it was perceived

1364
00:59:38,920 --> 00:59:42,640
Speaker 1: between Envy and Caesar, I would take my money and

1365
00:59:42,640 --> 00:59:43,160
Speaker 1: give it to you.

1366
00:59:43,240 --> 00:59:44,680
Speaker 4: Okay, I'm gonna come up. I'm glad you.

1367
00:59:44,680 --> 00:59:47,000
Speaker 1: Said no, no, no, But I'm telling you, I think they

1368
00:59:47,120 --> 00:59:48,240
Speaker 1: just heard the pitch.

1369
00:59:48,280 --> 00:59:51,400
Speaker 2: And was like nah, I think they saw season was

1370
00:59:51,480 --> 00:59:53,600
Speaker 2: like nah, something about him.

1371
00:59:53,640 --> 00:59:55,160
Speaker 4: I don't know me. I don't like him. His eyes.

1372
00:59:55,160 --> 00:59:58,040
Speaker 4: I don't like his eyes and listen, something about his eyes.

1373
00:59:58,040 --> 00:59:59,040
Speaker 4: I don't like it.

1374
00:59:59,040 --> 01:00:03,560
Speaker 1: It's crazy. Get forty million off like four houses in Patterson. Yeah.

1375
01:00:04,040 --> 01:00:05,720
Speaker 1: What's what's my man's name from Wall Street that did

1376
01:00:05,760 --> 01:00:06,400
Speaker 1: the Ponzi scheme?

1377
01:00:06,880 --> 01:00:07,640
Speaker 6: Jordan Belford?

1378
01:00:07,800 --> 01:00:11,160
Speaker 1: Yeah, oh, the guy the mainga po he invented the

1379
01:00:11,200 --> 01:00:14,680
Speaker 1: Ponzi scheme. Robert Niro played him on the HBO thing

1380
01:00:15,960 --> 01:00:16,640
Speaker 1: and killed himself.

1381
01:00:16,720 --> 01:00:16,880
Speaker 6: Yeah.

1382
01:00:16,960 --> 01:00:20,840
Speaker 1: Made off, yeahs made off season, made off. Bernie did

1383
01:00:20,840 --> 01:00:24,240
Speaker 1: that like made off. Caesar might be a leiged to

1384
01:00:24,280 --> 01:00:25,600
Speaker 1: do that. In Patterson was.

1385
01:00:25,600 --> 01:00:27,880
Speaker 6: He convinced investors there would get forty to fifty percent

1386
01:00:28,120 --> 01:00:30,920
Speaker 6: return within ninety days. That was his classic.

1387
01:00:31,200 --> 01:00:33,200
Speaker 2: I'm saying, somebody tell you that and you don't, Yeah,

1388
01:00:33,400 --> 01:00:35,240
Speaker 2: you're gonna bite, Like I'm gonna throw all my money

1389
01:00:35,240 --> 01:00:35,520
Speaker 2: into that.

1390
01:00:36,400 --> 01:00:36,680
Speaker 6: Listen.

1391
01:00:36,680 --> 01:00:38,600
Speaker 1: I did it with Loyon. I got my money back.

1392
01:00:39,240 --> 01:00:43,880
Speaker 1: Oh yeah, but get That's why I'm saying, Like Lloyon

1393
01:00:43,920 --> 01:00:45,400
Speaker 1: pitches to me and it seemed legit and it was

1394
01:00:45,440 --> 01:00:47,800
Speaker 1: I got my money back. I'm saying, when Envy walked

1395
01:00:47,800 --> 01:00:50,120
Speaker 1: in that room to Angela and Charlot Mane, I want

1396
01:00:50,160 --> 01:00:53,360
Speaker 1: to know what in his pitch that Angela like Charla Magne,

1397
01:00:53,400 --> 01:00:55,040
Speaker 1: who don't like each other, looked at each other and

1398
01:00:55,040 --> 01:00:55,400
Speaker 1: we're like.

1399
01:00:55,840 --> 01:00:56,840
Speaker 3: This is cool.

1400
01:00:56,960 --> 01:01:04,440
Speaker 1: Yeah, no fucking way.

1401
01:01:05,400 --> 01:01:09,160
Speaker 4: All right, Well, do we have a voicemail? You've got mail?

1402
01:01:09,680 --> 01:01:14,600
Speaker 6: Yeah, we do, so we obviously have a Patreon. This

1403
01:01:14,920 --> 01:01:17,560
Speaker 6: was a topic that we had on Patreon. Mal asked

1404
01:01:17,560 --> 01:01:21,440
Speaker 6: the question about Martin Scorsese and why he's.

1405
01:01:21,280 --> 01:01:24,480
Speaker 4: Never worked with Jnjel Washington or really.

1406
01:01:24,280 --> 01:01:27,640
Speaker 6: Any major black actor. So we discussed the history of

1407
01:01:27,680 --> 01:01:30,200
Speaker 6: his films and the reasoning behind those things. So we

1408
01:01:30,280 --> 01:01:33,720
Speaker 6: had a caller call in specifically about that question.

1409
01:01:34,040 --> 01:01:36,480
Speaker 1: Also unfair though, because he worked with Samuel Jackson for

1410
01:01:36,560 --> 01:01:38,280
Speaker 1: like two frames and then he got murdered.

1411
01:01:39,120 --> 01:01:39,680
Speaker 6: That's the fact.

1412
01:01:39,920 --> 01:01:41,680
Speaker 4: Samuel said, what, Tom is it? You got his head

1413
01:01:41,680 --> 01:01:42,080
Speaker 4: blow up?

1414
01:01:42,200 --> 01:01:46,320
Speaker 7: Yeah, Jesus Tommy came in.

1415
01:01:46,720 --> 01:01:48,120
Speaker 1: I thought she was in here with one of your bitches.

1416
01:01:49,960 --> 01:01:52,959
Speaker 4: Went alright, let's hear.

1417
01:01:52,840 --> 01:01:57,600
Speaker 1: It, Lena, get right to it.

1418
01:01:57,640 --> 01:02:00,720
Speaker 11: Because I was a listening to y'all podcast the Patreon

1419
01:02:00,880 --> 01:02:03,880
Speaker 11: and Rory and y'all bring up a good idea about

1420
01:02:04,320 --> 01:02:07,240
Speaker 11: Mark Scorsetan. I put picking black actors for his movie

1421
01:02:07,920 --> 01:02:10,440
Speaker 11: you Know you Go for good Fellas on down Irish Man.

1422
01:02:10,640 --> 01:02:12,840
Speaker 4: I wasn't liquor black, and none of his roles.

1423
01:02:13,040 --> 01:02:16,600
Speaker 11: But one fun fact that I thought Themarreson mall would

1424
01:02:16,600 --> 01:02:19,800
Speaker 11: probably bring up in the conversation was that he directed.

1425
01:02:20,240 --> 01:02:23,360
Speaker 4: He was director for the bad Music video for Michael Jackson.

1426
01:02:23,800 --> 01:02:26,400
Speaker 4: I'm not sure if that if that holds.

1427
01:02:26,280 --> 01:02:30,480
Speaker 11: That that holds him, except because Mike pay for Mike

1428
01:02:31,400 --> 01:02:36,320
Speaker 11: White Rack White writers, you know, underscore sasy to make

1429
01:02:36,320 --> 01:02:39,440
Speaker 11: the plotline for the video. You know, just a little

1430
01:02:39,440 --> 01:02:41,320
Speaker 11: fun fact because you know, I know, y'all some Michael

1431
01:02:41,360 --> 01:02:44,440
Speaker 11: Jackson advocates just like me. You know, I'm still get

1432
01:02:44,440 --> 01:02:46,000
Speaker 11: around to my voice. M I really want to know

1433
01:02:46,000 --> 01:02:52,240
Speaker 11: what y'all. Top five Michael Jackson song piece Michigan House.

1434
01:02:52,760 --> 01:02:53,600
Speaker 6: Can we do three?

1435
01:02:54,280 --> 01:02:57,320
Speaker 4: Top five Michael Jackson songs.

1436
01:02:56,240 --> 01:02:58,480
Speaker 1: Was also by the bad video that was full the

1437
01:02:58,520 --> 01:03:01,560
Speaker 1: logo Mike right, no full, he was he was starting

1438
01:03:01,680 --> 01:03:03,240
Speaker 1: he was starting to light up a little Yeah, yeah,

1439
01:03:03,280 --> 01:03:05,240
Speaker 1: he starting bad, Yeah a little bit.

1440
01:03:05,800 --> 01:03:06,680
Speaker 4: He was full.

1441
01:03:07,200 --> 01:03:09,280
Speaker 1: So I don't know if we can give Scorsese.

1442
01:03:09,800 --> 01:03:11,560
Speaker 2: I just think it's interesting, Like I said, you know,

1443
01:03:11,600 --> 01:03:15,520
Speaker 2: marsh Scorsese one of the greatest directors ever, Denzel Washington

1444
01:03:15,560 --> 01:03:16,760
Speaker 2: one of the greatest actors ever.

1445
01:03:18,360 --> 01:03:19,080
Speaker 4: I just thought it.

1446
01:03:19,280 --> 01:03:22,000
Speaker 2: I feel like it's odd that they haven't worked on

1447
01:03:22,160 --> 01:03:25,240
Speaker 2: anything that sometimes like that's just to me. I just

1448
01:03:25,280 --> 01:03:26,560
Speaker 2: I don't know, I just and then you notice that,

1449
01:03:26,600 --> 01:03:28,760
Speaker 2: and he was like, well, wait, it's not many black people,

1450
01:03:28,800 --> 01:03:32,160
Speaker 2: and none of Scorsese's films either, But do.

1451
01:03:32,120 --> 01:03:34,480
Speaker 6: You think just doing the bad video is enough to

1452
01:03:35,040 --> 01:03:37,120
Speaker 6: no forgive No, definitely not no.

1453
01:03:37,400 --> 01:03:38,160
Speaker 4: One music video.

1454
01:03:38,400 --> 01:03:39,520
Speaker 6: I mean it's a good music.

1455
01:03:39,480 --> 01:03:40,800
Speaker 3: Video, great music video, it's not.

1456
01:03:41,200 --> 01:03:42,280
Speaker 4: But no that's not enough.

1457
01:03:42,360 --> 01:03:46,040
Speaker 1: Okay, what what type of black film would you like? Scorsese?

1458
01:03:46,760 --> 01:03:48,640
Speaker 4: I just feel like in all of these like, what

1459
01:03:48,680 --> 01:03:49,280
Speaker 4: are you trying to say?

1460
01:03:49,880 --> 01:03:55,920
Speaker 1: I'm asking a legitimate question because we know we know Saft, Yeah,

1461
01:03:56,120 --> 01:03:59,560
Speaker 1: we know his competition just loves a good slave movie. Yeah,

1462
01:04:00,360 --> 01:04:02,320
Speaker 1: we do want scorsesees a slave movie. What type of

1463
01:04:02,360 --> 01:04:04,680
Speaker 1: black now? No, no, not not a slave to do?

1464
01:04:05,000 --> 01:04:05,880
Speaker 4: It doesn't have to be, it's not.

1465
01:04:05,960 --> 01:04:09,360
Speaker 1: It's not for oscars. And I'm sorry that's the only.

1466
01:04:09,320 --> 01:04:11,040
Speaker 2: But you're not gonna tell me that in all of these,

1467
01:04:11,160 --> 01:04:13,280
Speaker 2: all of these stories, all of these stories that Martin

1468
01:04:13,280 --> 01:04:18,720
Speaker 2: Scorsese directed, that there's not a role somewhere for more

1469
01:04:19,120 --> 01:04:24,000
Speaker 2: black roles and black stories and black people in those times,

1470
01:04:24,000 --> 01:04:27,760
Speaker 2: Like there's definitely understand the whole Mafia and all of

1471
01:04:27,800 --> 01:04:30,320
Speaker 2: those stories and things like that, but we're not going

1472
01:04:30,360 --> 01:04:33,800
Speaker 2: to act like there weren't black people. I mean, you

1473
01:04:33,840 --> 01:04:36,600
Speaker 2: could have had Scorsese could have did a great fucking

1474
01:04:36,600 --> 01:04:40,080
Speaker 2: film on Vegas and how the Mafia do Vegas and

1475
01:04:40,120 --> 01:04:43,200
Speaker 2: have fucking you know Sammy Davis role in the movie

1476
01:04:43,200 --> 01:04:44,400
Speaker 2: by now, he could have did that, he could did

1477
01:04:44,400 --> 01:04:45,520
Speaker 2: the rat Pack movie by now.

1478
01:04:46,880 --> 01:04:51,840
Speaker 4: You know what I'm saying, not saying, you know, I'm not. Well, yeah,

1479
01:04:52,080 --> 01:04:53,080
Speaker 4: that's that's my point.

1480
01:04:53,160 --> 01:04:56,360
Speaker 2: But there were black people in those times in Vegas,

1481
01:04:56,600 --> 01:04:59,000
Speaker 2: So why not have that story tied in there somewhere

1482
01:04:59,040 --> 01:05:02,440
Speaker 2: too with Quincy Jones and and and Frank Sinatra. Like,

1483
01:05:03,240 --> 01:05:04,720
Speaker 2: I don't know, I just think that there's room for

1484
01:05:05,440 --> 01:05:07,439
Speaker 2: those stories in the Mars Scorsese film.

1485
01:05:07,480 --> 01:05:09,920
Speaker 4: That's so that's what about.

1486
01:05:09,760 --> 01:05:10,760
Speaker 1: Top three Michael songs?

1487
01:05:11,480 --> 01:05:13,160
Speaker 4: Top in order for me?

1488
01:05:13,400 --> 01:05:16,480
Speaker 3: Yeah, in order? It's I want in order in order?

1489
01:05:16,680 --> 01:05:18,840
Speaker 3: Okay for me? Started from three?

1490
01:05:19,200 --> 01:05:23,800
Speaker 4: Okay, rock with you? Fuck yeah, number one, number.

1491
01:05:23,640 --> 01:05:26,000
Speaker 1: Two, don't matter to me, Michael Jackson.

1492
01:05:27,560 --> 01:05:30,720
Speaker 3: What said don't matter to me? Drake Michael Jackson.

1493
01:05:30,960 --> 01:05:38,720
Speaker 4: No. Number two human nature? Okay, wow, number.

1494
01:05:38,440 --> 01:05:41,760
Speaker 9: Three this is like the number one where you're getting

1495
01:05:41,760 --> 01:05:43,120
Speaker 9: at now okay, this is number one.

1496
01:05:43,200 --> 01:05:51,080
Speaker 6: Yeah, you still have my thriller Billy Jean on the

1497
01:05:52,080 --> 01:05:56,120
Speaker 6: damn You. I'm actually surprised about enough pretty young thing

1498
01:05:57,200 --> 01:06:00,160
Speaker 6: black or white, bad keep going off the wall.

1499
01:06:01,040 --> 01:06:03,960
Speaker 4: Mm hmm. I mean I'm trying to think of my

1500
01:06:04,000 --> 01:06:04,800
Speaker 4: favorite Mike.

1501
01:06:06,240 --> 01:06:07,960
Speaker 3: Roy, gonna choose all White, Michael Jackson, I.

1502
01:06:07,960 --> 01:06:09,800
Speaker 4: Gotta go Billy, you gotta go Billy Gene number one.

1503
01:06:10,440 --> 01:06:14,520
Speaker 6: Yeah, I mean into classic, Yeah.

1504
01:06:14,840 --> 01:06:20,120
Speaker 2: Billy Jean, only because I remember being a kid seeing

1505
01:06:20,120 --> 01:06:23,480
Speaker 2: that video and I remember like just staring at the TV, like, yo,

1506
01:06:23,640 --> 01:06:26,040
Speaker 2: this is some of the coolest ship. He's walking in

1507
01:06:26,120 --> 01:06:28,840
Speaker 2: his sidewalkers lighting up like that was to.

1508
01:06:28,800 --> 01:06:34,960
Speaker 6: Me while trying to know we had color, the colors,

1509
01:06:35,640 --> 01:06:36,400
Speaker 6: we had a clear TV.

1510
01:06:36,680 --> 01:06:40,160
Speaker 2: To me that Billy Jean was because I remember even

1511
01:06:40,200 --> 01:06:42,680
Speaker 2: when seeing Mike when he first performed Billy Jean at

1512
01:06:43,920 --> 01:06:47,320
Speaker 2: I forgot which which show that was, but that was

1513
01:06:47,360 --> 01:06:52,120
Speaker 2: like when Mike became the solo superstar that he became

1514
01:06:52,200 --> 01:06:52,360
Speaker 2: to be.

1515
01:06:52,400 --> 01:06:55,240
Speaker 4: It was like, Okay, no, Mike is he's a superstar.

1516
01:06:55,400 --> 01:06:56,280
Speaker 4: It was a Jackson five.

1517
01:06:56,360 --> 01:06:59,959
Speaker 2: But Billy Jean his performance, his first performance as doing

1518
01:07:00,000 --> 01:07:01,200
Speaker 2: Billy Gen dies Mike.

1519
01:07:01,120 --> 01:07:03,720
Speaker 6: McKay, Mike is was it at the nineteen ninety three

1520
01:07:04,360 --> 01:07:04,880
Speaker 6: Super Bowl?

1521
01:07:05,200 --> 01:07:05,360
Speaker 4: Wait?

1522
01:07:05,440 --> 01:07:09,320
Speaker 8: Wait sorry, yeah, no, this was the eighties. This might

1523
01:07:09,320 --> 01:07:13,720
Speaker 8: have been eighty It was actually eighty three in Germany. No,

1524
01:07:13,760 --> 01:07:15,920
Speaker 8: it was an award show here in America.

1525
01:07:15,960 --> 01:07:19,800
Speaker 9: He Didtown twenty five, Motown twenty time twenty five.

1526
01:07:19,800 --> 01:07:22,560
Speaker 3: It was May sixteen, nineteen eighty three.

1527
01:07:22,440 --> 01:07:24,920
Speaker 4: Eighty three. Yep, okay, so I remember seeing it in

1528
01:07:24,960 --> 01:07:26,160
Speaker 4: like eighty six. I was young.

1529
01:07:26,600 --> 01:07:27,840
Speaker 6: What are your top three.

1530
01:07:28,240 --> 01:07:29,400
Speaker 3: From starting from three?

1531
01:07:29,640 --> 01:07:30,400
Speaker 1: Starting from three?

1532
01:07:30,520 --> 01:07:32,800
Speaker 3: Yeah, so you're lowest one.

1533
01:07:33,480 --> 01:07:34,560
Speaker 1: Butterflies at three?

1534
01:07:34,760 --> 01:07:39,640
Speaker 4: Maybe hipster Butterfly. That's fucking that's not even Mike, that's uh,

1535
01:07:40,040 --> 01:07:41,280
Speaker 4: what's the group Flowa Tree?

1536
01:07:41,360 --> 01:07:43,520
Speaker 1: Yeah, but Mike's I mean, Mike did a great version.

1537
01:07:44,760 --> 01:07:46,120
Speaker 3: Yeah, I'm gonna need you to do it.

1538
01:07:46,160 --> 01:07:49,280
Speaker 1: That's Martial. That's not Michael Philly Jean, Dirty Diana. Like

1539
01:07:49,360 --> 01:07:53,160
Speaker 1: I'm trying to name great recording. I was gonna go

1540
01:07:53,240 --> 01:07:55,640
Speaker 1: Man in the Mirror number two and Human Nature number one.

1541
01:07:55,800 --> 01:07:56,400
Speaker 3: Wow.

1542
01:07:57,160 --> 01:07:59,200
Speaker 1: Also, why can't I have Butterflies at number three because

1543
01:07:59,200 --> 01:08:02,520
Speaker 1: its not thirty three years old? But that was the

1544
01:08:02,600 --> 01:08:05,480
Speaker 1: last like real Michael Jackson song unless you count this.

1545
01:08:06,920 --> 01:08:08,600
Speaker 4: Oh yeah, well that was the big hit off of

1546
01:08:08,680 --> 01:08:09,000
Speaker 4: that album.

1547
01:08:09,120 --> 01:08:12,680
Speaker 3: Very easy, beat it Yo, Thriller.

1548
01:08:13,440 --> 01:08:15,880
Speaker 1: Rock with You, pause, all three, all three?

1549
01:08:16,040 --> 01:08:17,400
Speaker 4: You play Rock with You in the club. They still

1550
01:08:17,400 --> 01:08:17,720
Speaker 4: go off to that.

1551
01:08:17,920 --> 01:08:21,040
Speaker 3: Hell yeah, it's wonderful. So it's good to know amazing song.

1552
01:08:21,920 --> 01:08:23,200
Speaker 6: I wasn't good enough is in mine?

1553
01:08:23,280 --> 01:08:25,240
Speaker 1: Could have been a hipster of like human nature with

1554
01:08:25,320 --> 01:08:28,879
Speaker 1: the s WV remix like blended great records.

1555
01:08:30,000 --> 01:08:31,840
Speaker 4: I'm mad that great fucking record.

1556
01:08:31,640 --> 01:08:34,320
Speaker 6: Julian I. Yeah, don't stop to you and I just

1557
01:08:34,360 --> 01:08:35,240
Speaker 6: love you look like like.

1558
01:08:35,240 --> 01:08:36,479
Speaker 1: The free Willy sound very well.

1559
01:08:39,360 --> 01:08:43,360
Speaker 2: You definitely you definitely cry with when Willy made leap

1560
01:08:43,439 --> 01:08:44,040
Speaker 2: over that wall.

1561
01:08:44,600 --> 01:08:45,360
Speaker 4: You cry.

1562
01:08:45,920 --> 01:08:47,880
Speaker 2: Don't tell me you didn't cry when Willy jumped over

1563
01:08:47,920 --> 01:08:49,519
Speaker 2: the wall and he made it back to the ocean.

1564
01:08:50,400 --> 01:08:51,679
Speaker 6: Yeah, bro, you cried.

1565
01:08:56,800 --> 01:08:58,720
Speaker 1: And now that we know that, like killer whales can

1566
01:08:58,760 --> 01:09:01,280
Speaker 1: just sink chips at will like he was being ma

1567
01:09:01,400 --> 01:09:02,280
Speaker 1: dramatic jumping.

1568
01:09:02,080 --> 01:09:05,280
Speaker 6: Over the he could have just won around you just

1569
01:09:05,280 --> 01:09:06,400
Speaker 6: want to movies, Huh.

1570
01:09:07,120 --> 01:09:08,840
Speaker 1: We didn't know at the time that killer whales could

1571
01:09:08,920 --> 01:09:11,679
Speaker 1: just like you know, jump, hit a rudder.

1572
01:09:11,479 --> 01:09:13,599
Speaker 4: And just yeah, we didn't know that, because.

1573
01:09:13,400 --> 01:09:15,320
Speaker 1: Like, why are you jumping over that to escape?

1574
01:09:15,520 --> 01:09:17,880
Speaker 4: Around the strongest run right into it?

1575
01:09:18,240 --> 01:09:20,679
Speaker 6: Yeah, yeah, you get in this whole ship.

1576
01:09:21,520 --> 01:09:25,880
Speaker 4: You can be free, sir. You look like you like

1577
01:09:25,960 --> 01:09:26,720
Speaker 4: Liberian Girl.

1578
01:09:27,200 --> 01:09:30,679
Speaker 1: Sorry, I love Liberian Girl because your video is your library. Yeah,

1579
01:09:30,880 --> 01:09:33,599
Speaker 1: Scorsese could have never done that one never who did

1580
01:09:33,640 --> 01:09:37,040
Speaker 1: that one? I had everyone ever in it. You look

1581
01:09:37,120 --> 01:09:38,360
Speaker 1: like you don't know what library I love.

1582
01:09:38,880 --> 01:09:40,679
Speaker 6: When it came time for me to pick my three songs,

1583
01:09:40,680 --> 01:09:44,160
Speaker 6: you guys were just chastising.

1584
01:09:46,240 --> 01:09:48,040
Speaker 1: He led with that energy. I tried to say, I'm

1585
01:09:48,040 --> 01:09:52,840
Speaker 1: like butterflies he did when he started, he said, I

1586
01:09:52,920 --> 01:09:53,439
Speaker 1: jumped on.

1587
01:09:56,000 --> 01:09:57,760
Speaker 4: Me like that. I'm just sitting too. Are you gonna

1588
01:09:57,800 --> 01:09:59,639
Speaker 4: just gol me up like that? That's crazy?

1589
01:10:00,120 --> 01:10:02,600
Speaker 6: Was I was following with mall those reciprocating. He was

1590
01:10:02,600 --> 01:10:06,200
Speaker 6: picking everybody, shut the fuck up with your top butterflies. No,

1591
01:10:07,479 --> 01:10:10,120
Speaker 6: don't don't stop to you get enough Man in the

1592
01:10:10,160 --> 01:10:12,200
Speaker 6: Mirror and I'll do beat it?

1593
01:10:12,760 --> 01:10:14,799
Speaker 4: And you like Man in the Mirror?

1594
01:10:15,720 --> 01:10:17,760
Speaker 6: Look at Julian, Why is that you.

1595
01:10:17,760 --> 01:10:20,120
Speaker 1: Don't like Man in the Mirror? Thank you?

1596
01:10:20,240 --> 01:10:21,559
Speaker 4: But not top three mic song?

1597
01:10:21,720 --> 01:10:22,720
Speaker 1: Why top three?

1598
01:10:22,800 --> 01:10:23,479
Speaker 6: You never cried a man.

1599
01:10:23,640 --> 01:10:24,759
Speaker 1: It's one of the greatest balances.

1600
01:10:25,800 --> 01:10:27,439
Speaker 4: It's a great record, but top three.

1601
01:10:27,439 --> 01:10:29,080
Speaker 6: I don't know if that's an emotional ass record.

1602
01:10:29,680 --> 01:10:31,320
Speaker 4: You do this with your hair too.

1603
01:10:32,080 --> 01:10:36,000
Speaker 6: In the shower. Probably in the shower is depressing as fun,

1604
01:10:37,000 --> 01:10:38,639
Speaker 6: because like I got the glass shower, so you gotta

1605
01:10:38,680 --> 01:10:39,960
Speaker 6: get the reflections. It was like the man in the

1606
01:10:40,680 --> 01:10:41,400
Speaker 6: hole in the shower.

1607
01:10:41,439 --> 01:10:44,240
Speaker 4: When you listen to that, you cry the water to

1608
01:10:44,400 --> 01:10:45,679
Speaker 4: your face, so you don't know that you're crying.

1609
01:10:45,680 --> 01:10:47,519
Speaker 6: We've all done like the R and B video in

1610
01:10:47,520 --> 01:10:49,599
Speaker 6: the shower scene, that's debatable. Don't do that.

1611
01:10:49,720 --> 01:10:51,080
Speaker 1: I have just not man in the mirror.

1612
01:10:51,120 --> 01:10:54,080
Speaker 6: Yeah, that's that's bad money in the shower, that's R

1613
01:10:54,120 --> 01:10:54,400
Speaker 6: and B.

1614
01:10:54,400 --> 01:10:57,960
Speaker 4: Okay, throw ass.

1615
01:10:58,600 --> 01:11:01,400
Speaker 6: So I told you that, Okay, Jesus.

1616
01:11:01,439 --> 01:11:01,840
Speaker 4: All right?

1617
01:11:01,880 --> 01:11:04,640
Speaker 1: Man sharing a room on the road, No is that

1618
01:11:04,680 --> 01:11:04,920
Speaker 1: how you.

1619
01:11:04,920 --> 01:11:07,920
Speaker 6: Know we're on the same floor. I don't know if

1620
01:11:07,920 --> 01:11:08,839
Speaker 6: we share a wall.

1621
01:11:10,920 --> 01:11:11,479
Speaker 4: For your sake.

1622
01:11:11,600 --> 01:11:13,160
Speaker 6: Yeah, what floor are you on?

1623
01:11:14,520 --> 01:11:15,640
Speaker 1: Oh we've left by now, right?

1624
01:11:15,720 --> 01:11:15,880
Speaker 4: Yeah?

1625
01:11:15,920 --> 01:11:18,840
Speaker 3: No, no, no, no, no? Is he doing this now?

1626
01:11:19,720 --> 01:11:22,040
Speaker 1: I'm scared of the sixth Yeah?

1627
01:11:22,040 --> 01:11:25,440
Speaker 6: Six I'm yeah.

1628
01:11:25,840 --> 01:11:29,000
Speaker 4: Okay, God, do we have another voice? That was it?

1629
01:11:29,120 --> 01:11:29,240
Speaker 10: Uh?

1630
01:11:29,680 --> 01:11:31,400
Speaker 3: Should we just do one more?

1631
01:11:32,200 --> 01:11:36,840
Speaker 6: We're in Canada, let's have some fun. Let Yeah. Uh oh,

1632
01:11:36,920 --> 01:11:37,559
Speaker 6: this is a good one.

1633
01:11:37,560 --> 01:11:39,679
Speaker 1: Actually, no one said the way you make me feel?

1634
01:11:39,840 --> 01:11:42,400
Speaker 1: I love that song. Go ahead, what the way you

1635
01:11:42,400 --> 01:11:42,960
Speaker 1: make me feel?

1636
01:11:42,960 --> 01:11:44,120
Speaker 3: No one but you could have said it, but you

1637
01:11:44,360 --> 01:11:44,960
Speaker 3: said butterfly.

1638
01:11:45,400 --> 01:11:46,080
Speaker 1: I love butterfly.

1639
01:11:47,720 --> 01:11:49,600
Speaker 4: Both good from Virginia.

1640
01:11:49,840 --> 01:11:52,040
Speaker 12: I was just calling to ask, what's the craziest ship

1641
01:11:52,280 --> 01:11:54,960
Speaker 12: you've ever done in y'all life? They're like, you can't

1642
01:11:55,000 --> 01:12:01,160
Speaker 12: believe it's fucking successful. Did deliver for my own baby

1643
01:12:02,120 --> 01:12:06,439
Speaker 12: because the midwife was forty five minutes late and my

1644
01:12:06,520 --> 01:12:08,640
Speaker 12: girl wanted to have an en home birth with just

1645
01:12:08,800 --> 01:12:12,600
Speaker 12: us and the midwife. Oh, he was not trained. I

1646
01:12:12,600 --> 01:12:15,559
Speaker 12: had no idea what I was doing. The bilical cord

1647
01:12:15,680 --> 01:12:18,160
Speaker 12: was ripped, I had no idea what that meant that.

1648
01:12:18,320 --> 01:12:20,880
Speaker 12: My girl told me that if he bleeds, like any

1649
01:12:20,920 --> 01:12:24,240
Speaker 12: blood out of it, he could die. So grab the clamps.

1650
01:12:24,360 --> 01:12:28,160
Speaker 12: I didn't know what a clamp for that was. So

1651
01:12:28,200 --> 01:12:30,040
Speaker 12: I'm fucking trying to find something I don't know what

1652
01:12:30,160 --> 01:12:32,960
Speaker 12: looks like crying, thinking my son's gonna die when he's

1653
01:12:33,000 --> 01:12:38,479
Speaker 12: thirteen seconds old. I'm about to take a shoe lace

1654
01:12:38,560 --> 01:12:41,120
Speaker 12: out of a shoe and use that to tie it off.

1655
01:12:42,600 --> 01:12:45,920
Speaker 12: Finally she finds the clamp. I clamp it off. The

1656
01:12:45,960 --> 01:12:49,640
Speaker 12: midwife shows up. He's thirteen months old, perfectly healthy. I

1657
01:12:49,680 --> 01:12:50,800
Speaker 12: still can't believe that shit.

1658
01:12:52,840 --> 01:12:55,080
Speaker 1: Yeah, well them, that's crazy, right, I don't really have

1659
01:12:55,120 --> 01:12:57,040
Speaker 1: anything to follow. Do you think he used like the

1660
01:12:57,080 --> 01:13:00,120
Speaker 1: clamp that you like close potato chips? With like with

1661
01:13:00,120 --> 01:13:01,000
Speaker 1: like a chip clamp.

1662
01:13:01,640 --> 01:13:04,200
Speaker 2: Yeah, I mean that'd probably be better than taking it.

1663
01:13:05,760 --> 01:13:07,559
Speaker 6: That is, what do you need to do to clamp?

1664
01:13:07,560 --> 01:13:08,920
Speaker 6: I don't understand what the.

1665
01:13:08,800 --> 01:13:10,640
Speaker 1: Other side of the biblical cord has, like blood that

1666
01:13:10,640 --> 01:13:12,960
Speaker 1: it was ripping, so he had to stop the blood

1667
01:13:12,960 --> 01:13:17,360
Speaker 1: from from the police. It's like where all the nutrients is.

1668
01:13:17,479 --> 01:13:20,519
Speaker 6: You can like big lead show and like yeah, that's

1669
01:13:20,520 --> 01:13:21,040
Speaker 6: why he said that.

1670
01:13:21,240 --> 01:13:23,040
Speaker 1: And they say you shouldn't even really cut in builical

1671
01:13:23,080 --> 01:13:23,679
Speaker 1: cord period.

1672
01:13:24,040 --> 01:13:26,040
Speaker 4: Wait why not? What's wrong with you?

1673
01:13:26,200 --> 01:13:31,400
Speaker 6: Everything? You never use? I mean I'm not as a

1674
01:13:31,400 --> 01:13:32,479
Speaker 6: man that hasn't been in that position.

1675
01:13:32,800 --> 01:13:35,160
Speaker 4: That's some scary ship. Having to deliver your own baby.

1676
01:13:35,560 --> 01:13:37,439
Speaker 1: That is well, that sounds crazy like we think.

1677
01:13:37,840 --> 01:13:41,719
Speaker 4: We think like making dinner is like tough. Who who

1678
01:13:42,479 --> 01:13:42,960
Speaker 4: like men?

1679
01:13:43,640 --> 01:13:46,160
Speaker 2: We had people coming over you kind of like, I'm sorry,

1680
01:13:46,200 --> 01:13:49,080
Speaker 2: you know how to make a mean sleep my salmon?

1681
01:13:49,200 --> 01:13:52,320
Speaker 4: Yeah? Coos coos? I mean you know he makes cool schools.

1682
01:13:54,720 --> 01:13:56,479
Speaker 4: The only man I know that it was how to

1683
01:13:56,520 --> 01:13:57,200
Speaker 4: make couscous?

1684
01:13:57,240 --> 01:14:00,599
Speaker 1: What the fuck is I was there saying breathe, O breathe.

1685
01:14:01,439 --> 01:14:02,439
Speaker 4: But you were in the hospital.

1686
01:14:03,120 --> 01:14:04,320
Speaker 1: Yeah, but like I was, I was there.

1687
01:14:04,479 --> 01:14:07,280
Speaker 4: Yeah, but that don't count. Man, this this guy he's ah.

1688
01:14:08,680 --> 01:14:10,360
Speaker 6: I mean, none of what we say can top him.

1689
01:14:10,360 --> 01:14:12,920
Speaker 6: But his question was like, what's the craziest thing that

1690
01:14:12,960 --> 01:14:16,400
Speaker 6: you've done successfully that looking back on, you couldn't believe

1691
01:14:16,439 --> 01:14:17,680
Speaker 6: you were able to accomplish.

1692
01:14:18,360 --> 01:14:20,080
Speaker 1: I thought delivering a baby in the hospital was there,

1693
01:14:20,120 --> 01:14:20,719
Speaker 1: but never mind.

1694
01:14:21,160 --> 01:14:24,280
Speaker 2: No, the craziest thing I've ever done and I can't

1695
01:14:24,280 --> 01:14:25,360
Speaker 2: believe I accomplished it.

1696
01:14:28,360 --> 01:14:29,000
Speaker 6: What was her name?

1697
01:14:30,160 --> 01:14:30,360
Speaker 4: No?

1698
01:14:32,080 --> 01:14:32,679
Speaker 1: She verified?

1699
01:14:33,080 --> 01:14:34,840
Speaker 6: Damn you give her the check.

1700
01:14:35,000 --> 01:14:37,519
Speaker 2: I'm trying to think, like what nothing lands close to that?

1701
01:14:37,600 --> 01:14:40,200
Speaker 2: But I don't know if I have that type of story.

1702
01:14:40,800 --> 01:14:43,400
Speaker 1: I was gonna go with the album. It's not like

1703
01:14:43,479 --> 01:14:45,640
Speaker 1: that's a story. But yeah, like that, that was some

1704
01:14:45,720 --> 01:14:49,200
Speaker 1: crazy shit to me to actually like open my phone

1705
01:14:49,200 --> 01:14:50,320
Speaker 1: and be on DSPs like that.

1706
01:14:50,439 --> 01:14:50,640
Speaker 6: It was.

1707
01:14:50,720 --> 01:14:53,640
Speaker 1: That was kind of crazy. I can be purchased That

1708
01:14:53,760 --> 01:14:57,680
Speaker 1: was cool Amazon and by myself.

1709
01:14:58,840 --> 01:15:00,439
Speaker 4: Yeah that is that was that. That is dope.

1710
01:15:00,640 --> 01:15:02,200
Speaker 1: You can get bezol a cut of myself.

1711
01:15:02,320 --> 01:15:05,559
Speaker 2: Yeah, it's cool. I think for me it would probably

1712
01:15:05,600 --> 01:15:12,559
Speaker 2: be I think Rory and I completing the live show run.

1713
01:15:12,439 --> 01:15:13,120
Speaker 4: We did last year.

1714
01:15:13,439 --> 01:15:14,960
Speaker 1: Yeah, it was crazy just you two.

1715
01:15:15,840 --> 01:15:18,400
Speaker 4: Well, I mean no, I'm not trying to I'm not

1716
01:15:18,479 --> 01:15:19,479
Speaker 4: trying to exclude the team.

1717
01:15:19,479 --> 01:15:21,360
Speaker 6: In Toronto right now about you were.

1718
01:15:21,200 --> 01:15:23,520
Speaker 1: You were the clamp Like you weren't the baby.

1719
01:15:23,360 --> 01:15:25,120
Speaker 6: Or the viral part.

1720
01:15:25,840 --> 01:15:28,040
Speaker 4: Yes, like yeah, one of you weren't.

1721
01:15:28,320 --> 01:15:30,880
Speaker 1: You weren't the father, the daughter, the baby. He was

1722
01:15:31,280 --> 01:15:32,639
Speaker 1: the umbilica. You clamped him.

1723
01:15:32,720 --> 01:15:37,479
Speaker 4: Yeah, like us putting that together was that was fun.

1724
01:15:37,800 --> 01:15:39,599
Speaker 2: It was fun, but it was It was scary though,

1725
01:15:40,200 --> 01:15:42,200
Speaker 2: because it was like, all right, what imber Me and

1726
01:15:42,320 --> 01:15:43,439
Speaker 2: Rory sat down and talked about it. He was like,

1727
01:15:43,600 --> 01:15:45,160
Speaker 2: what the fuck are we doing? Like how do we

1728
01:15:45,200 --> 01:15:47,920
Speaker 2: do this? And it was like, let's just figure it out.

1729
01:15:48,000 --> 01:15:50,479
Speaker 2: So that was like scary because now you have people

1730
01:15:50,560 --> 01:15:53,639
Speaker 2: like standing in front of you. Yeah, and it's like, oh, ship,

1731
01:15:53,720 --> 01:15:56,880
Speaker 2: this is real. But I mean we found a way

1732
01:15:56,880 --> 01:15:59,120
Speaker 2: to do it and get it done. So it's pretty cool.

1733
01:15:59,120 --> 01:16:01,120
Speaker 6: And while we're in the middle of tour, because to

1734
01:16:01,200 --> 01:16:04,080
Speaker 6: your guys credit, it's not when people ask, oh, it's

1735
01:16:04,080 --> 01:16:06,680
Speaker 6: a live podcast, you just like sit and talk. I

1736
01:16:06,720 --> 01:16:09,680
Speaker 6: think that's the coolest thing about what you guys and

1737
01:16:09,680 --> 01:16:12,040
Speaker 6: like as a team have been able to collect to

1738
01:16:12,080 --> 01:16:15,320
Speaker 6: build is it's such a variety show that when people

1739
01:16:15,360 --> 01:16:17,400
Speaker 6: ask me the question it's a long answer because we

1740
01:16:17,439 --> 01:16:22,320
Speaker 6: do so many segmented things that are well scripted while executed,

1741
01:16:22,360 --> 01:16:25,479
Speaker 6: but also there's original elements in each show, which I think,

1742
01:16:25,560 --> 01:16:28,519
Speaker 6: you know, makes each experience unique. And I just think

1743
01:16:28,560 --> 01:16:30,960
Speaker 6: that that's just so far beyond what I've seen other

1744
01:16:31,000 --> 01:16:33,080
Speaker 6: podcasts that are in a position to tour. So few

1745
01:16:33,120 --> 01:16:35,920
Speaker 6: that are in this position normally they just pull up

1746
01:16:35,960 --> 01:16:38,280
Speaker 6: and just do literally a lot. If we were to

1747
01:16:38,320 --> 01:16:40,679
Speaker 6: do this on a stage, people would probably be satisfied

1748
01:16:40,760 --> 01:16:42,920
Speaker 6: with it. But we know we can offer more th

1749
01:16:43,120 --> 01:16:45,200
Speaker 6: just sitting and watching us entertain people.

1750
01:16:45,600 --> 01:16:47,240
Speaker 1: And I mean with the amount of cities that we

1751
01:16:47,280 --> 01:16:47,639
Speaker 1: did to.

1752
01:16:47,720 --> 01:16:51,480
Speaker 6: Like thirteen, we don't have like a hit record.

1753
01:16:51,560 --> 01:16:53,280
Speaker 1: Like and I'm not trying to take away anything that

1754
01:16:53,400 --> 01:16:56,400
Speaker 1: musicians do when they're on tour, Yeah, but we don't

1755
01:16:56,400 --> 01:16:58,200
Speaker 1: have that one thing that the whole audience is like

1756
01:16:58,280 --> 01:17:01,120
Speaker 1: waiting for us to per form that we've rehearsed, that

1757
01:17:01,160 --> 01:17:04,960
Speaker 1: we know, like every every show is completely different to

1758
01:17:05,000 --> 01:17:05,800
Speaker 1: some degree, Like.

1759
01:17:05,920 --> 01:17:07,599
Speaker 4: It's easier when you're well.

1760
01:17:07,600 --> 01:17:08,920
Speaker 2: I don't want to make it seem like that, but

1761
01:17:08,960 --> 01:17:10,679
Speaker 2: if if I was a rapper, it would be easy

1762
01:17:10,760 --> 01:17:13,080
Speaker 2: to do that because I already know what I'm gonna

1763
01:17:13,080 --> 01:17:14,880
Speaker 2: say in every single day, we.

1764
01:17:14,840 --> 01:17:17,559
Speaker 6: Don't have a set list. We have a run of show. Yeah,

1765
01:17:17,720 --> 01:17:19,160
Speaker 6: of course, segments.

1766
01:17:19,439 --> 01:17:22,040
Speaker 4: A lot of it is based off of the audience.

1767
01:17:22,400 --> 01:17:24,480
Speaker 3: Projectives don't work the city.

1768
01:17:24,240 --> 01:17:28,080
Speaker 2: That we're in, particular cities that we're in, so everything

1769
01:17:28,200 --> 01:17:31,479
Speaker 2: is just like constantly changing. And then you know we're

1770
01:17:31,520 --> 01:17:35,400
Speaker 2: backstage and you know Rory, Rory is already on his

1771
01:17:35,400 --> 01:17:36,839
Speaker 2: his his anxiety Meetia.

1772
01:17:36,600 --> 01:17:38,280
Speaker 4: Is on the thousands on a way.

1773
01:17:38,400 --> 01:17:40,679
Speaker 2: What you don't see when Rory goes to the bathroom

1774
01:17:40,720 --> 01:17:42,040
Speaker 2: twenty times before we go to stay.

1775
01:17:41,880 --> 01:17:45,120
Speaker 1: That's because I have a terrible bladder and its a

1776
01:17:45,160 --> 01:17:47,800
Speaker 1: whole bottle white wine before we with the red cup.

1777
01:17:47,960 --> 01:17:50,320
Speaker 6: Yeah, dead silence talking.

1778
01:17:52,920 --> 01:17:55,160
Speaker 4: Even my nephew and Atlanta. We were in Atlanta. My

1779
01:17:55,200 --> 01:17:58,120
Speaker 4: nephew was like, yo, Rory's always nervous like this, and

1780
01:17:58,160 --> 01:17:58,519
Speaker 4: I was.

1781
01:17:58,760 --> 01:18:01,600
Speaker 1: It's not nerves, it's definitely I don't get nervous. I

1782
01:18:01,960 --> 01:18:04,559
Speaker 1: don't have really like crazy anxiety for these shows ever.

1783
01:18:05,640 --> 01:18:07,599
Speaker 1: That's just I don't know how I prepare to.

1784
01:18:07,840 --> 01:18:10,599
Speaker 4: I think it's like your rain Man thing. Yeah, OK,

1785
01:18:10,800 --> 01:18:11,080
Speaker 4: got you.

1786
01:18:11,240 --> 01:18:14,559
Speaker 1: I haven't gotten like nervous for a show in quite

1787
01:18:14,560 --> 01:18:16,920
Speaker 1: some I think the only time I got nervous from

1788
01:18:16,920 --> 01:18:20,000
Speaker 1: our last tour was London. Real they told us fucking

1789
01:18:20,040 --> 01:18:23,080
Speaker 1: ten minutes before go rocket two hour show with no

1790
01:18:23,200 --> 01:18:24,840
Speaker 1: for chapter, and the entire show is on.

1791
01:18:24,800 --> 01:18:25,479
Speaker 6: A progest roll.

1792
01:18:26,000 --> 01:18:27,680
Speaker 4: Y'all know I keep saying it, y'all don't know how

1793
01:18:27,760 --> 01:18:28,680
Speaker 4: pissed off I wasn't there.

1794
01:18:28,800 --> 01:18:30,519
Speaker 1: Of course I have the footage of that, but you

1795
01:18:30,760 --> 01:18:34,720
Speaker 1: really don't know what Atlanta was different too. I do

1796
01:18:34,800 --> 01:18:37,840
Speaker 1: more of the pacing thing when we have way too

1797
01:18:37,840 --> 01:18:40,040
Speaker 1: many people in the green room and like, I'm just

1798
01:18:40,080 --> 01:18:42,600
Speaker 1: not in that phase. I'm not in that phase in

1799
01:18:42,600 --> 01:18:44,400
Speaker 1: my life, and I get annoyed because I do want

1800
01:18:44,400 --> 01:18:47,720
Speaker 1: to focus on the show, and to your point, so

1801
01:18:47,800 --> 01:18:50,639
Speaker 1: much stuff is catered to each city and there has

1802
01:18:50,680 --> 01:18:52,880
Speaker 1: to be some type of memorizing and some stuff we

1803
01:18:52,960 --> 01:18:55,920
Speaker 1: write in the green room to what's happening at the moment.

1804
01:18:56,280 --> 01:18:58,640
Speaker 1: I fucking can't stand when there's so many people in

1805
01:18:58,680 --> 01:19:01,760
Speaker 1: the green room and they want to talk, and I'm like, dog,

1806
01:19:01,800 --> 01:19:03,240
Speaker 1: I have to go talk in a second, Like not,

1807
01:19:03,360 --> 01:19:04,840
Speaker 1: I know that sounds crazy, like it's.

1808
01:19:04,680 --> 01:19:07,679
Speaker 3: Some Yeah, I mean, you're a terrible probably doing something.

1809
01:19:07,760 --> 01:19:10,200
Speaker 1: Yeah, But that's that's where I start pacing. Green rooms

1810
01:19:10,160 --> 01:19:13,920
Speaker 1: that I don't particularly care to. Atlanta had like thirty people.

1811
01:19:13,720 --> 01:19:16,160
Speaker 6: That Oh my god, the green room next to us,

1812
01:19:16,160 --> 01:19:19,360
Speaker 6: which was just a fucking but in a weird way,

1813
01:19:19,400 --> 01:19:19,920
Speaker 6: y'all don't.

1814
01:19:19,760 --> 01:19:22,400
Speaker 2: Feel like y'all don't feel like that that Atlanta green

1815
01:19:22,479 --> 01:19:24,880
Speaker 2: room was like made for like a great show, because

1816
01:19:24,880 --> 01:19:27,679
Speaker 2: like we were kind of already in this phase, like yeah,

1817
01:19:27,800 --> 01:19:29,840
Speaker 2: you know what I'm saying, so it's important, Like you

1818
01:19:29,880 --> 01:19:31,760
Speaker 2: don't we don't talk about the importance of having a

1819
01:19:31,800 --> 01:19:34,519
Speaker 2: good green room before the show, Like a lot of

1820
01:19:34,520 --> 01:19:36,599
Speaker 2: people don't focus on that, like a good green room,

1821
01:19:37,280 --> 01:19:38,479
Speaker 2: having the right people in there.

1822
01:19:39,960 --> 01:19:40,479
Speaker 6: The music.

1823
01:19:40,920 --> 01:19:44,360
Speaker 2: The music just added adds to just your energy. It

1824
01:19:44,400 --> 01:19:47,840
Speaker 2: adds to your calmness, It adds to your your preparation

1825
01:19:47,960 --> 01:19:49,640
Speaker 2: of going on stage in front of people and just

1826
01:19:49,720 --> 01:19:52,799
Speaker 2: delivering a good show and entertaining them. Because I remember

1827
01:19:52,800 --> 01:19:54,280
Speaker 2: that Atlanta green room and I kind of felt like

1828
01:19:54,320 --> 01:19:56,479
Speaker 2: it was getting a little busy in there at one point,

1829
01:19:57,000 --> 01:19:58,439
Speaker 2: but it was the right busy though.

1830
01:19:58,479 --> 01:20:01,320
Speaker 4: It was the right people in there, was the right birthday.

1831
01:20:01,400 --> 01:20:03,320
Speaker 6: We had a great time. It was my birthday, it

1832
01:20:03,360 --> 01:20:05,080
Speaker 6: was your birthday. Wait, I wanted to ask while we're

1833
01:20:05,120 --> 01:20:08,480
Speaker 6: on the green room topic. Her Loss was the soundtrack

1834
01:20:08,640 --> 01:20:11,320
Speaker 6: to last year's tour. What's the soundtrack going to be

1835
01:20:11,360 --> 01:20:12,120
Speaker 6: this year? Do we know?

1836
01:20:12,200 --> 01:20:12,360
Speaker 1: Yeah?

1837
01:20:12,600 --> 01:20:12,880
Speaker 4: I was.

1838
01:20:13,240 --> 01:20:15,120
Speaker 6: I'm usually in charge of the thing. I'll play her.

1839
01:20:15,200 --> 01:20:17,080
Speaker 4: We was already, We was already. We was in London

1840
01:20:17,120 --> 01:20:17,320
Speaker 4: with her.

1841
01:20:17,840 --> 01:20:20,400
Speaker 6: Yeah. Yeah. That became every show from there on. We

1842
01:20:20,400 --> 01:20:21,599
Speaker 6: were just playing that in every green.

1843
01:20:21,640 --> 01:20:23,479
Speaker 4: Because when we were Seattle it was Siza.

1844
01:20:24,479 --> 01:20:26,120
Speaker 6: That was the only other show where it wasn't her

1845
01:20:28,040 --> 01:20:32,000
Speaker 6: from from London, straight through the South, straight through wherever

1846
01:20:32,000 --> 01:20:38,719
Speaker 6: that was. It wasn't London, Texas. Yeah. No, November November

1847
01:20:38,720 --> 01:20:41,040
Speaker 6: fourth was the London show. That's when Her Loss came

1848
01:20:41,040 --> 01:20:43,360
Speaker 6: out in November fourth, And I believe our show was

1849
01:20:43,360 --> 01:20:44,120
Speaker 6: on the seventh.

1850
01:20:44,200 --> 01:20:48,200
Speaker 4: And when was Seattle that was December one, I think

1851
01:20:48,240 --> 01:20:49,840
Speaker 4: because l A was December.

1852
01:20:49,520 --> 01:20:51,080
Speaker 1: He didn't get home so Christmas Eve.

1853
01:20:51,080 --> 01:20:51,519
Speaker 6: We were out.

1854
01:20:51,520 --> 01:20:57,240
Speaker 4: We were out over Yeah. Yeah, so never again, never

1855
01:20:57,280 --> 01:20:57,439
Speaker 4: do it.

1856
01:20:57,840 --> 01:21:01,040
Speaker 6: By the way, is there a runaway we know this one?

1857
01:21:01,200 --> 01:21:02,679
Speaker 6: You know, I'll play her loss again.

1858
01:21:02,960 --> 01:21:03,680
Speaker 3: We know what it is.

1859
01:21:05,760 --> 01:21:07,280
Speaker 1: I don't think it could be for the dogs.

1860
01:21:07,600 --> 01:21:09,880
Speaker 6: No, it can't be, because we're not. We don't in

1861
01:21:09,880 --> 01:21:10,840
Speaker 6: the same way about it.

1862
01:21:11,040 --> 01:21:11,280
Speaker 4: Yeah.

1863
01:21:12,120 --> 01:21:15,000
Speaker 6: Uh, Utopia definitely not utopia.

1864
01:21:15,479 --> 01:21:16,639
Speaker 4: Utopia be different.

1865
01:21:18,960 --> 01:21:21,240
Speaker 3: Oh yeah, I'm not. I'm not that either.

1866
01:21:21,240 --> 01:21:23,439
Speaker 4: It be different, dog, Yeah.

1867
01:21:24,120 --> 01:21:25,160
Speaker 1: You don't seem very convinced.

1868
01:21:25,240 --> 01:21:28,920
Speaker 6: But we had a backup no, because the thing was incredible.

1869
01:21:28,960 --> 01:21:31,799
Speaker 6: It actually Apple gave me I most played music recently

1870
01:21:31,840 --> 01:21:34,559
Speaker 6: and it was on my top five most played albums.

1871
01:21:34,280 --> 01:21:35,720
Speaker 4: For you don't I'm not going to show you my

1872
01:21:35,800 --> 01:21:36,160
Speaker 4: top five.

1873
01:21:36,200 --> 01:21:37,120
Speaker 6: Yeah, I mean, but.

1874
01:21:38,680 --> 01:21:40,120
Speaker 1: Just like my girl's phone, I don't want to see

1875
01:21:43,240 --> 01:21:45,679
Speaker 1: everything's going fin I don't want to problems.

1876
01:21:46,000 --> 01:21:47,639
Speaker 6: I don't want like an up and down. I wanted

1877
01:21:47,680 --> 01:21:48,800
Speaker 6: to just be constant.

1878
01:21:48,880 --> 01:21:49,519
Speaker 3: But what happened?

1879
01:21:49,560 --> 01:21:50,240
Speaker 4: Are you going to name?

1880
01:21:50,400 --> 01:21:51,000
Speaker 3: Because I was just.

1881
01:21:51,000 --> 01:21:52,880
Speaker 6: Gonna say her loss again. I just want to run.

1882
01:21:53,439 --> 01:21:54,160
Speaker 6: You can't run it back.

1883
01:21:55,640 --> 01:21:57,640
Speaker 3: It was so good, No, it was, it was, But

1884
01:21:58,000 --> 01:21:58,840
Speaker 3: we gotta do something new.

1885
01:22:00,120 --> 01:22:01,160
Speaker 1: What was the last good album?

1886
01:22:01,720 --> 01:22:03,360
Speaker 6: That's a great question that came out.

1887
01:22:03,920 --> 01:22:04,320
Speaker 4: Don't do that.

1888
01:22:04,439 --> 01:22:06,040
Speaker 3: There's a lot of good albums that came out. But

1889
01:22:06,080 --> 01:22:09,800
Speaker 3: we're talking about the scene of a green room. What

1890
01:22:09,800 --> 01:22:12,120
Speaker 3: would be a good album.

1891
01:22:12,080 --> 01:22:14,360
Speaker 6: And we all know it. That's the thing. All of

1892
01:22:14,439 --> 01:22:17,080
Speaker 6: us have to be a fan and that's tough.

1893
01:22:17,120 --> 01:22:18,479
Speaker 3: I think we're gonna just have to make a playlist.

1894
01:22:18,520 --> 01:22:20,599
Speaker 6: Yeah, that's tough make a playlist, yeah.

1895
01:22:20,840 --> 01:22:25,000
Speaker 1: Maul and I would say the last Magic Nas album,

1896
01:22:25,000 --> 01:22:26,120
Speaker 1: but you guys magic three.

1897
01:22:26,200 --> 01:22:30,960
Speaker 3: Yeah all right, see, but I don't like Magic three.

1898
01:22:31,720 --> 01:22:34,640
Speaker 1: I just speaking of this music today. I want to

1899
01:22:34,640 --> 01:22:38,400
Speaker 1: get into at on Jacob's tweets on Patreon. So let's

1900
01:22:38,400 --> 01:22:38,800
Speaker 1: do that.

1901
01:22:40,200 --> 01:22:44,160
Speaker 4: Yeah, I want to do that. Let's Patreon. All right, Well,

1902
01:22:44,240 --> 01:22:45,679
Speaker 4: well we'll see you on Patreon.

1903
01:22:45,760 --> 01:22:48,960
Speaker 2: We're about to uh have this ato Jacob, because that

1904
01:22:49,040 --> 01:22:50,680
Speaker 2: was a that was a wild take.

1905
01:22:50,720 --> 01:22:53,200
Speaker 4: He said that, even though Dan agrees with him.

1906
01:22:53,200 --> 01:22:57,479
Speaker 2: But but I like I like Jacob, so I do.

1907
01:22:58,200 --> 01:22:59,680
Speaker 4: I'll talk about it because I do like him. I

1908
01:22:59,680 --> 01:23:00,479
Speaker 4: think he's talented.

1909
01:23:00,520 --> 01:23:04,639
Speaker 2: I think he's uh I do them actually yeah, so yeah,

1910
01:23:04,680 --> 01:23:08,120
Speaker 2: let's finish it on patrop No Willian Lownd