1 00:00:00,640 --> 00:00:13,640 Speaker 1: We'll go transmitting. Welcome, Hope you had a great weekend. 2 00:00:13,960 --> 00:00:14,600 Speaker 1: Glad you're here. 3 00:00:14,760 --> 00:00:17,480 Speaker 2: Morning Studio Money. All right, we're gonna do and our 4 00:00:17,560 --> 00:00:21,759 Speaker 2: get to know segment. Everybody has breaking news, breaking news, 5 00:00:21,760 --> 00:00:25,479 Speaker 2: breaking news. I'm gonna go around the room and everybody's 6 00:00:25,480 --> 00:00:26,759 Speaker 2: gonna share set. 7 00:00:26,800 --> 00:00:28,680 Speaker 3: I'm just kidding. The only one breaking news is Morgan. 8 00:00:29,720 --> 00:00:30,960 Speaker 3: Morgan breaking news. 9 00:00:31,080 --> 00:00:34,239 Speaker 1: Yeah, go ahead, are you ready? We're ready? I have 10 00:00:34,320 --> 00:00:34,960 Speaker 1: a boyfriend. 11 00:00:39,400 --> 00:00:42,639 Speaker 3: Whow for those that. 12 00:00:42,640 --> 00:00:46,640 Speaker 2: Are new, Oh, the trials and tribulations of Morgan. Yeah, 13 00:00:46,800 --> 00:00:50,680 Speaker 2: having a boyfriend and not, then having a boyfriend and not, 14 00:00:50,920 --> 00:00:54,520 Speaker 2: and then looking not then yeah, and then she meets 15 00:00:54,520 --> 00:00:58,200 Speaker 2: this guy and man in uniform and he disappears and 16 00:00:58,240 --> 00:00:59,960 Speaker 2: comes back, and Amy's like he's living a double lot 17 00:01:00,040 --> 00:01:00,600 Speaker 2: before Like. 18 00:01:00,640 --> 00:01:01,600 Speaker 4: Right, that was a theory. 19 00:01:01,880 --> 00:01:03,360 Speaker 3: Yeah, yeah, you were very strong. 20 00:01:03,480 --> 00:01:04,760 Speaker 1: Yeah, but you're strong. 21 00:01:04,840 --> 00:01:07,280 Speaker 4: But now that they're officially together, all back off. 22 00:01:07,480 --> 00:01:12,360 Speaker 5: I will he proves he's innocent. 23 00:01:12,400 --> 00:01:14,160 Speaker 4: Now, okay, he was a little guilty, of. 24 00:01:14,319 --> 00:01:14,840 Speaker 1: He was guilty. 25 00:01:14,880 --> 00:01:18,640 Speaker 3: But so Morgan, why, I don't know. 26 00:01:18,640 --> 00:01:19,800 Speaker 2: I don't know what to ask because I don't know 27 00:01:19,840 --> 00:01:21,839 Speaker 2: much about it. So you kept a secret, good job. 28 00:01:22,120 --> 00:01:22,680 Speaker 2: What's up? 29 00:01:23,200 --> 00:01:27,160 Speaker 6: Well, we've been dating I mean we've been we started 30 00:01:27,200 --> 00:01:29,319 Speaker 6: like we met each other beginning of March, so that's 31 00:01:29,360 --> 00:01:33,640 Speaker 6: kind of the timeline. And he's just a lovely, incredible human. 32 00:01:33,800 --> 00:01:38,200 Speaker 2: You met him where we met on hinge And did 33 00:01:38,200 --> 00:01:40,679 Speaker 2: you have a bunch of little fires going at the 34 00:01:40,680 --> 00:01:42,280 Speaker 2: time or it was one of your times when you 35 00:01:42,319 --> 00:01:43,520 Speaker 2: quit for a long time and went back. 36 00:01:44,160 --> 00:01:46,520 Speaker 6: No, but I had just changed my dating profile. I 37 00:01:46,520 --> 00:01:48,480 Speaker 6: had been more intentional about what I was putting on 38 00:01:48,520 --> 00:01:51,360 Speaker 6: my dating profile, so went from like fun and flirty 39 00:01:51,400 --> 00:01:53,320 Speaker 6: to like a little flirty but mostly serious. 40 00:01:53,880 --> 00:01:57,920 Speaker 2: So what about him on the app stood out to you? 41 00:01:58,960 --> 00:02:01,640 Speaker 6: He just seems well, I don't know, like something about 42 00:02:01,840 --> 00:02:04,120 Speaker 6: just the way he presented himself, Like in his pictures, 43 00:02:04,120 --> 00:02:08,200 Speaker 6: he just seemed like very cool, calm, collected and like nice. 44 00:02:08,600 --> 00:02:11,799 Speaker 3: So how did you guys define the relationship? 45 00:02:12,600 --> 00:02:15,320 Speaker 6: It happened after he had got back and was just 46 00:02:15,360 --> 00:02:16,400 Speaker 6: like it was it gone again? 47 00:02:16,800 --> 00:02:17,680 Speaker 3: No, this was the. 48 00:02:17,720 --> 00:02:19,600 Speaker 6: Time like after he got back and I've just been 49 00:02:19,639 --> 00:02:22,840 Speaker 6: kind of sitting on it and enjoying it. He was 50 00:02:22,919 --> 00:02:25,919 Speaker 6: just like, I like, I'm so happy you're still around. 51 00:02:25,960 --> 00:02:28,040 Speaker 6: Because doing what he does, he's used to people not 52 00:02:28,080 --> 00:02:30,160 Speaker 6: being able to deal with the fact. 53 00:02:29,960 --> 00:02:30,920 Speaker 3: That he's gone for work. 54 00:02:31,040 --> 00:02:32,680 Speaker 2: By the way, I think I'm the only one that 55 00:02:32,720 --> 00:02:35,320 Speaker 2: really knows what he does. You are because I think 56 00:02:35,360 --> 00:02:36,840 Speaker 2: she told me I had to write it down so 57 00:02:36,840 --> 00:02:39,400 Speaker 2: I could protect it, so because I know I can protect. 58 00:02:39,160 --> 00:02:39,440 Speaker 1: It a bit. 59 00:02:40,040 --> 00:02:42,840 Speaker 6: But okay, yeah, so he came back, he's like, dang, Like, 60 00:02:42,960 --> 00:02:43,760 Speaker 6: I'm surprised. 61 00:02:43,800 --> 00:02:44,120 Speaker 4: We went on. 62 00:02:44,280 --> 00:02:46,640 Speaker 6: We had like a whole weekend together, like just going 63 00:02:46,680 --> 00:02:49,040 Speaker 6: on dates and hanging out, and then at the end 64 00:02:49,080 --> 00:02:50,760 Speaker 6: of the weekend that conversation happened. 65 00:02:51,480 --> 00:02:52,240 Speaker 3: Who brings it up? 66 00:02:52,240 --> 00:02:55,480 Speaker 6: You were him, well, I've kind of made a joke 67 00:02:55,880 --> 00:02:56,320 Speaker 6: and was. 68 00:02:56,320 --> 00:02:58,320 Speaker 3: Like, not really joke, joke. 69 00:02:58,360 --> 00:02:58,560 Speaker 1: I got. 70 00:02:58,760 --> 00:03:01,200 Speaker 6: Well, I was like, this feels my girlfriend duties and 71 00:03:01,240 --> 00:03:03,359 Speaker 6: he was like, well, yeah you are. And I was like, 72 00:03:03,400 --> 00:03:06,960 Speaker 6: wait what, And then the conversation happened. 73 00:03:08,400 --> 00:03:10,160 Speaker 3: Okay, that's pretty cool. 74 00:03:10,960 --> 00:03:12,040 Speaker 5: It was the girlfriend duty. 75 00:03:12,400 --> 00:03:16,080 Speaker 3: I don't know. 76 00:03:13,000 --> 00:03:18,519 Speaker 6: I was meeting a lot of his friends, a lot 77 00:03:18,520 --> 00:03:20,560 Speaker 6: of his people that were close to him, and I 78 00:03:20,560 --> 00:03:22,000 Speaker 6: was like, these are girlfriend responsibilities. 79 00:03:22,080 --> 00:03:24,320 Speaker 3: There was a reason I didn't follow. 80 00:03:25,480 --> 00:03:27,040 Speaker 4: Hey, everybody can ask a question. 81 00:03:27,160 --> 00:03:30,480 Speaker 2: I'll allow question, but yes or no or super specific, 82 00:03:30,520 --> 00:03:32,359 Speaker 2: because you know some people are going to go way 83 00:03:32,360 --> 00:03:33,440 Speaker 2: specific and you don't want to. 84 00:03:33,760 --> 00:03:35,880 Speaker 3: I don't know where you want to be. Yeah, that's true. 85 00:03:36,040 --> 00:03:38,840 Speaker 4: Well, she can choose to say, yeah, okay, yeah. 86 00:03:38,840 --> 00:03:41,560 Speaker 3: Amy, what is your question? I'll go first? How tall 87 00:03:41,640 --> 00:03:41,800 Speaker 3: is he? 88 00:03:42,640 --> 00:03:47,560 Speaker 6: I think he's like five eight five nine Morgan's. 89 00:03:47,200 --> 00:03:47,800 Speaker 4: Five foot though. 90 00:03:47,920 --> 00:03:49,360 Speaker 3: Yeah, that's true. You are we little? 91 00:03:49,400 --> 00:03:50,720 Speaker 1: Everybody everybody's taller than me. 92 00:03:51,040 --> 00:03:56,640 Speaker 2: That's true. Yeah, okay, you know I thought it'd be taller. Interesting, 93 00:03:57,600 --> 00:03:58,520 Speaker 2: I didn't think he'd be taller. 94 00:03:58,600 --> 00:04:02,280 Speaker 3: Okay, he's a short king. Maybe gets another question? Oh, 95 00:04:02,320 --> 00:04:03,760 Speaker 3: I asked that one. 96 00:04:03,840 --> 00:04:05,480 Speaker 4: I guess you have one in addition to. 97 00:04:08,200 --> 00:04:12,120 Speaker 5: Well, how much are y'all hanging out now that it's changed, 98 00:04:12,120 --> 00:04:14,080 Speaker 5: Like as y'all's hanging out, is it more or less? 99 00:04:14,200 --> 00:04:16,640 Speaker 4: You still like living your lives individually? 100 00:04:16,720 --> 00:04:19,000 Speaker 6: Still living our lives individually, and we still hang out 101 00:04:19,040 --> 00:04:19,320 Speaker 6: a lot. 102 00:04:19,400 --> 00:04:20,680 Speaker 4: We're both traveling. 103 00:04:20,560 --> 00:04:20,839 Speaker 1: Back to. 104 00:04:25,839 --> 00:04:28,839 Speaker 2: She's like, okay, so does he ever call you a 105 00:04:28,920 --> 00:04:29,640 Speaker 2: different name? 106 00:04:29,800 --> 00:04:29,920 Speaker 6: Oh? 107 00:04:30,000 --> 00:04:30,680 Speaker 3: Yeah, yeah? 108 00:04:31,200 --> 00:04:32,800 Speaker 4: You like? 109 00:04:32,880 --> 00:04:33,400 Speaker 3: Is he married? 110 00:04:34,680 --> 00:04:37,480 Speaker 1: Does he have a tan on his ring finger? Okay? 111 00:04:37,480 --> 00:04:39,600 Speaker 1: So still both very independent? 112 00:04:39,800 --> 00:04:40,760 Speaker 4: Both very independent. 113 00:04:40,839 --> 00:04:42,919 Speaker 6: We're both traveling a lot right now, but lots of 114 00:04:42,920 --> 00:04:44,440 Speaker 6: face times, lots of hanging out in person. 115 00:04:44,520 --> 00:04:46,640 Speaker 3: It's a good mix of both, right, now lunchbox. 116 00:04:46,920 --> 00:04:48,920 Speaker 1: Wo a lot of face time? 117 00:04:49,360 --> 00:04:55,680 Speaker 7: Yeah, like he's gone again, faces travels, so I can't. 118 00:04:55,440 --> 00:04:56,719 Speaker 3: Be what I'm gonna be mad at something? 119 00:04:56,800 --> 00:04:57,799 Speaker 4: Were traveling work? 120 00:04:58,400 --> 00:04:59,480 Speaker 3: How you get one question? 121 00:04:59,560 --> 00:05:00,240 Speaker 4: You can just asked? 122 00:05:00,560 --> 00:05:04,160 Speaker 1: I didn't you answered it was a statement. Mine was 123 00:05:04,160 --> 00:05:07,720 Speaker 1: a statement. Okay, how many weeks out of the weeks 124 00:05:07,760 --> 00:05:09,800 Speaker 1: you've known him? Has he been gone out of town? 125 00:05:11,600 --> 00:05:16,159 Speaker 2: So you've known him for March? So for March, for April? Uh, 126 00:05:16,720 --> 00:05:19,360 Speaker 2: basically two May. So you're looking at roughly ten weeks. 127 00:05:19,720 --> 00:05:20,640 Speaker 3: Yeah, like four and a half. 128 00:05:22,120 --> 00:05:28,680 Speaker 6: What but it's coming up where he's not gonna have 129 00:05:28,680 --> 00:05:30,440 Speaker 6: to sound Why did you say life? 130 00:05:30,880 --> 00:05:31,200 Speaker 1: He gets here? 131 00:05:34,080 --> 00:05:34,279 Speaker 2: Life? 132 00:05:34,400 --> 00:05:35,480 Speaker 1: Okay, Eddie, go ahead? 133 00:05:35,600 --> 00:05:38,920 Speaker 8: How different is this guy from any of your other boyfriends? 134 00:05:39,160 --> 00:05:39,400 Speaker 1: Question? 135 00:05:39,440 --> 00:05:42,120 Speaker 2: Because she's really picked some losers. 136 00:05:42,560 --> 00:05:43,920 Speaker 3: Okay, no offense to me either. 137 00:05:44,760 --> 00:05:46,120 Speaker 1: I think you call them losers though. 138 00:05:45,960 --> 00:05:50,760 Speaker 6: To be fair, very different. I mean he's just everything 139 00:05:50,760 --> 00:05:52,880 Speaker 6: about him is different than what I would normally date. 140 00:05:52,920 --> 00:05:56,960 Speaker 6: We're our personalities are pretty different. He's much more cool, 141 00:05:57,200 --> 00:05:59,680 Speaker 6: Like I said cool, He's very cool, confleect and very patient, 142 00:06:00,360 --> 00:06:03,839 Speaker 6: very like, great listener and very secure in himself. 143 00:06:04,000 --> 00:06:06,560 Speaker 3: Is he jacked or is that two questions. That's two. 144 00:06:06,560 --> 00:06:08,440 Speaker 3: I hold that until next round. Okay, Okay, I hold it. 145 00:06:08,520 --> 00:06:09,920 Speaker 1: I feel like he's going. 146 00:06:10,000 --> 00:06:11,880 Speaker 2: I don't even know what he looks like, but I 147 00:06:11,920 --> 00:06:13,720 Speaker 2: feel like he's not a guy that wears a lot 148 00:06:13,720 --> 00:06:15,120 Speaker 2: of hair product and chains. 149 00:06:15,440 --> 00:06:18,839 Speaker 3: He doesn't. He does not he that's kind of like 150 00:06:18,880 --> 00:06:21,480 Speaker 3: Morgan's old type. Yeah, hair product and chains. 151 00:06:22,120 --> 00:06:24,039 Speaker 2: This guy though, I feel like that's not him, and 152 00:06:24,040 --> 00:06:25,719 Speaker 2: I don't even know, but I'm happy for you. 153 00:06:25,680 --> 00:06:26,040 Speaker 9: Thank you. 154 00:06:26,600 --> 00:06:29,240 Speaker 4: Has he done any more of those like I don't 155 00:06:29,279 --> 00:06:29,760 Speaker 4: even know where. 156 00:06:29,640 --> 00:06:30,880 Speaker 1: You're going with stalker things? 157 00:06:31,040 --> 00:06:32,200 Speaker 4: No, like he is he? 158 00:06:33,560 --> 00:06:36,800 Speaker 5: No, I didn't say that like when he got it like, 159 00:06:37,040 --> 00:06:39,400 Speaker 5: they're not elaborate, that's what it's called. 160 00:06:40,160 --> 00:06:42,719 Speaker 4: Is he love bombs anymore? He's not love bombing. 161 00:06:43,000 --> 00:06:47,080 Speaker 6: He just loving like, but he's done very sweet gestures yet. 162 00:06:47,120 --> 00:06:48,960 Speaker 6: But what's one of Maybe I haven't shared with us yet. 163 00:06:52,480 --> 00:06:53,080 Speaker 3: What was that? 164 00:06:53,360 --> 00:06:53,520 Speaker 2: No? 165 00:06:53,800 --> 00:06:56,200 Speaker 4: He interesting? I'm trying to figure out what to share. 166 00:06:56,600 --> 00:06:58,880 Speaker 3: Hold hold it, Okay, we'll come back. Okay, this is 167 00:06:58,920 --> 00:06:59,479 Speaker 3: already a lot. 168 00:06:59,640 --> 00:07:00,000 Speaker 5: This is all. 169 00:07:00,440 --> 00:07:02,560 Speaker 1: It's really cool though, it's really cool. I just wanted 170 00:07:02,640 --> 00:07:03,599 Speaker 1: to be a happy. 171 00:07:03,480 --> 00:07:06,240 Speaker 5: We are we are, Stop putting me in that category. 172 00:07:06,440 --> 00:07:08,680 Speaker 4: I feel like. Things I say are not. 173 00:07:08,600 --> 00:07:12,640 Speaker 3: Necessarily under like under us went fifty to fifty life like. 174 00:07:12,720 --> 00:07:14,480 Speaker 5: So that's good to have your fit. 175 00:07:14,680 --> 00:07:16,680 Speaker 1: No, that's not what you meant, Morgan. 176 00:07:16,760 --> 00:07:21,520 Speaker 3: Congratulations, we're gonna it's time to open up the mail bag? 177 00:07:21,800 --> 00:07:25,000 Speaker 1: Do you send the game mail and breathing all the air? 178 00:07:25,320 --> 00:07:28,000 Speaker 10: Pick something we call Bobby's mail bag? 179 00:07:28,200 --> 00:07:31,200 Speaker 2: Yeah, hello, oh Bobby Bones. I'm forty years old. I 180 00:07:31,240 --> 00:07:33,240 Speaker 2: want to make a change in my life. I'm thinking 181 00:07:33,240 --> 00:07:35,560 Speaker 2: about going back to college to get my bachelor's degree. 182 00:07:35,680 --> 00:07:38,600 Speaker 2: I'm nervous about being so much older than other students 183 00:07:38,600 --> 00:07:41,120 Speaker 2: and whether I'll be able to handle the coursework after 184 00:07:41,280 --> 00:07:44,240 Speaker 2: so long and also with my job. What can I 185 00:07:44,280 --> 00:07:46,440 Speaker 2: do to get myself ready for this change? Do you 186 00:07:46,440 --> 00:07:48,440 Speaker 2: think I'll have trouble fitting in as an older student? 187 00:07:48,880 --> 00:07:53,040 Speaker 2: Signed non traditional traditional student? So if your question is 188 00:07:53,040 --> 00:07:55,520 Speaker 2: what can I do to get myself ready, it's just 189 00:07:55,600 --> 00:07:58,640 Speaker 2: do it. You're never going to be because you don't 190 00:07:58,680 --> 00:08:00,600 Speaker 2: know what you're getting yourself into. You say that yourself like, well, 191 00:08:00,600 --> 00:08:03,360 Speaker 2: I be able to handle. The way that you'll know 192 00:08:03,400 --> 00:08:05,280 Speaker 2: you'll be able to handle is you get in, mix 193 00:08:05,360 --> 00:08:06,720 Speaker 2: it up and figure out the time you need to 194 00:08:06,720 --> 00:08:09,559 Speaker 2: dedicate to both places. If you're just sitting around kicking 195 00:08:09,680 --> 00:08:12,760 Speaker 2: rocks through, letting time pass you by, you're going to 196 00:08:12,800 --> 00:08:15,720 Speaker 2: feel even more awkward, even more awkward, or you're getting older. 197 00:08:15,720 --> 00:08:17,920 Speaker 2: You shouldn't feel award anyway, But all these feelings you 198 00:08:17,920 --> 00:08:19,840 Speaker 2: have now are just gonna get worse and worse. What's 199 00:08:19,840 --> 00:08:22,000 Speaker 2: gonna happen is you're going to get in, doesn't matter 200 00:08:22,040 --> 00:08:24,520 Speaker 2: what situation is, and you're going to realize nobody's looking 201 00:08:24,520 --> 00:08:25,440 Speaker 2: at your funny, nobody cares. 202 00:08:25,480 --> 00:08:27,000 Speaker 3: Everybody's so focused on themselves. 203 00:08:27,880 --> 00:08:30,040 Speaker 2: You'll probably be so much better at school than you 204 00:08:30,080 --> 00:08:31,840 Speaker 2: were when you were in school the first time, anyway, 205 00:08:31,840 --> 00:08:33,199 Speaker 2: because it actually matters. 206 00:08:32,920 --> 00:08:33,839 Speaker 4: To you absolutely. 207 00:08:34,480 --> 00:08:37,200 Speaker 2: So if your question is what can I do to 208 00:08:37,240 --> 00:08:41,920 Speaker 2: get myself ready for this change, the answer is sign up, 209 00:08:42,000 --> 00:08:45,400 Speaker 2: go to class scheduled around work. You star have to work. 210 00:08:45,880 --> 00:08:48,120 Speaker 2: And do you think I'll have trouble fitting in? Doesn't matter? 211 00:08:48,240 --> 00:08:50,079 Speaker 2: You're not there to fit in. Are you going to 212 00:08:50,160 --> 00:08:52,080 Speaker 2: fit in as far as I go to parties? And no, 213 00:08:52,240 --> 00:08:55,520 Speaker 2: of course not. But nobody cares. You're gonna be the 214 00:08:55,559 --> 00:08:58,040 Speaker 2: student everybody wants to be in a team with the 215 00:08:58,320 --> 00:09:00,239 Speaker 2: project because you're gonna be the one that cares. 216 00:09:00,120 --> 00:09:00,720 Speaker 3: Does the work. 217 00:09:00,920 --> 00:09:04,520 Speaker 2: Yeah, so if you continue to wait, you'll just regret 218 00:09:04,559 --> 00:09:07,840 Speaker 2: the time that you wasted waiting. If you're going to 219 00:09:07,840 --> 00:09:11,240 Speaker 2: do it, go go right now, turn me off, turn 220 00:09:11,280 --> 00:09:11,800 Speaker 2: my voice off. 221 00:09:11,880 --> 00:09:14,200 Speaker 8: Go just go sit in any class I got, I 222 00:09:14,240 --> 00:09:16,959 Speaker 8: got something ahead. I disagree. Place do you got to 223 00:09:17,000 --> 00:09:19,240 Speaker 8: go shopping? Go go shopping. Look at what the kids 224 00:09:19,240 --> 00:09:22,560 Speaker 8: are wearing, traffic school clothes, go back to school shopping. 225 00:09:22,600 --> 00:09:25,040 Speaker 8: Because like I would remember when I was in college 226 00:09:25,040 --> 00:09:27,719 Speaker 8: and there was this older lady that came and everyone's just. 227 00:09:27,679 --> 00:09:29,199 Speaker 3: Like, oh my gosh, like what's she doing here? 228 00:09:29,200 --> 00:09:32,480 Speaker 8: You gotta blend in because it's distracting, and this lady 229 00:09:32,520 --> 00:09:32,800 Speaker 8: she was. 230 00:09:32,800 --> 00:09:35,320 Speaker 5: Always like everybody was not like, oh my gosh, what 231 00:09:35,360 --> 00:09:37,000 Speaker 5: does she doing? 232 00:09:37,840 --> 00:09:42,120 Speaker 3: This lady too, was like so annoying with the whole, Like, well. 233 00:09:41,960 --> 00:09:44,280 Speaker 8: When I work and I'm forty years old, like and 234 00:09:44,320 --> 00:09:45,679 Speaker 8: she always just don't do that. 235 00:09:45,960 --> 00:09:47,000 Speaker 3: You've got to blend in. 236 00:09:47,320 --> 00:09:49,840 Speaker 8: Wear clothes like they're wearing, you know, wear clothes like 237 00:09:49,840 --> 00:09:50,400 Speaker 8: they're wearing. 238 00:09:50,480 --> 00:09:54,920 Speaker 4: No education, Like why did you? 239 00:09:55,200 --> 00:09:56,840 Speaker 2: I felt like this lady should have done that, but 240 00:09:56,880 --> 00:09:58,679 Speaker 2: she did. She has left a bad impression on you 241 00:09:58,720 --> 00:10:02,960 Speaker 2: for other generations. Dude or lady or whomever you are. 242 00:10:03,080 --> 00:10:05,040 Speaker 2: Just go, just go, just go do it. You're gonna 243 00:10:05,040 --> 00:10:06,480 Speaker 2: love it. It's gonna be hard, but it's gonna be 244 00:10:06,520 --> 00:10:09,040 Speaker 2: worth it. Get started as soon as you can. All Right, 245 00:10:09,040 --> 00:10:09,679 Speaker 2: that's the mail bag. 246 00:10:09,720 --> 00:10:10,040 Speaker 1: Close it. 247 00:10:10,360 --> 00:10:13,199 Speaker 7: We've got your geen mail and laid it on your 248 00:10:14,000 --> 00:10:15,960 Speaker 7: Now it's sign the clothes Bobby fail. 249 00:10:16,040 --> 00:10:20,120 Speaker 2: That year, I will give you three characters from a 250 00:10:20,120 --> 00:10:22,559 Speaker 2: TV show you named. The show we talked about on 251 00:10:22,600 --> 00:10:24,520 Speaker 2: the show last week, to spin off of the Office 252 00:10:24,559 --> 00:10:26,719 Speaker 2: is coming up on Peacock. So if I were to 253 00:10:26,720 --> 00:10:33,640 Speaker 2: say Michael, Dwight and Jim, that would be go until 254 00:10:33,640 --> 00:10:37,440 Speaker 2: you can't go. It's eliminator style, survivor style. If you 255 00:10:37,480 --> 00:10:42,000 Speaker 2: miss it, you're out. The three characters are Joey, Michelle 256 00:10:42,040 --> 00:10:42,880 Speaker 2: and Stephanie. 257 00:10:44,120 --> 00:10:45,320 Speaker 1: What TV show is that? 258 00:10:45,520 --> 00:10:50,319 Speaker 2: Joey, Michelle and Stephanie. Let me know when you're in 259 00:10:51,120 --> 00:10:54,720 Speaker 2: lunch Box, Full House, Amy, Eddie, Full House forret Good Job, 260 00:10:56,320 --> 00:11:06,920 Speaker 2: Everybody survives. Next up, Corey Sean to Panga. I'm in 261 00:11:07,240 --> 00:11:11,360 Speaker 2: Corey Seawan and to Panga. Lunchbox Boy meets World, Eddie 262 00:11:11,400 --> 00:11:17,360 Speaker 2: Boy meets World, Good Job, Everybody survives. 263 00:11:17,400 --> 00:11:24,800 Speaker 3: Samantha Charlotte, Miranda I'm in for the wim wo whoa, whoa, whoa. 264 00:11:25,120 --> 00:11:29,640 Speaker 2: Samantha Charlotte Miranda. 265 00:11:31,600 --> 00:11:35,040 Speaker 3: Okay, I guess that's where I lose, where you no 266 00:11:35,080 --> 00:11:35,760 Speaker 3: longer survived. 267 00:11:36,240 --> 00:11:38,320 Speaker 2: I don't know, wish, I like a paintball going on 268 00:11:38,320 --> 00:11:43,080 Speaker 2: survivor games where it's like I hate that Charlotte Miranda 269 00:11:43,080 --> 00:11:48,880 Speaker 2: and Susan Samantha Charlotte Miranda. 270 00:11:51,440 --> 00:11:55,559 Speaker 3: I'm in, Eddie Charmed Lunchbox, Sex and the. 271 00:11:55,520 --> 00:12:00,480 Speaker 11: City, Sex and the City Direct Eddie route over the 272 00:12:00,480 --> 00:12:08,400 Speaker 11: top rope, you don't survive, stupid next one, Walter Jesse Skyler. 273 00:12:08,960 --> 00:12:09,280 Speaker 4: I'm in. 274 00:12:09,679 --> 00:12:14,040 Speaker 2: Only two remain Walter Jesse Skyler, Edie don't know this 275 00:12:14,080 --> 00:12:14,400 Speaker 2: one either. 276 00:12:15,240 --> 00:12:16,520 Speaker 1: Face it can use it. 277 00:12:16,559 --> 00:12:17,880 Speaker 3: Face go ahead, Amy. 278 00:12:17,640 --> 00:12:18,680 Speaker 4: Breaking bad, watch. 279 00:12:18,440 --> 00:12:24,760 Speaker 3: Box breaking bad, good job, Skyler's the mom. 280 00:12:25,000 --> 00:12:36,760 Speaker 2: Yeah, Deborah Robert Marie, I'm in, man, Deborah Robert Marie. 281 00:12:36,840 --> 00:12:37,840 Speaker 3: What show is that? Amy? 282 00:12:38,040 --> 00:12:39,000 Speaker 4: Everybody loves Raymond? 283 00:12:39,080 --> 00:12:41,120 Speaker 1: Correct lunchbox, everybody loves Raymond. 284 00:12:45,200 --> 00:12:56,679 Speaker 2: H Sam Diane Woody, lunch is not going to the paper. 285 00:12:56,679 --> 00:13:03,360 Speaker 2: Oh he's down, He's finally down, Sam Diane Woodie. I'm 286 00:13:03,400 --> 00:13:10,600 Speaker 2: in for the wim lunchbox and were you in that? 287 00:13:10,640 --> 00:13:12,040 Speaker 3: I'm writing a novel over there. 288 00:13:12,640 --> 00:13:15,439 Speaker 4: I'm got too that I'm going back over the same night. Okay, 289 00:13:15,520 --> 00:13:16,600 Speaker 4: I guess I'm in Amy. 290 00:13:16,640 --> 00:13:23,360 Speaker 2: You got to eat in cheers, lunchbox cheers, correct, Okay, John, thanks, m. 291 00:13:25,760 --> 00:13:35,920 Speaker 12: Rick, Darryl Carl, Oh that's quick, Rick, Darryl, Carl, I'm 292 00:13:35,960 --> 00:13:37,760 Speaker 12: in for the I used to get so mad at Carl. 293 00:13:39,120 --> 00:13:42,920 Speaker 2: I hated Carl once he got older. Lunchbox family matters incorrect. 294 00:13:43,720 --> 00:13:46,360 Speaker 2: Why would you hate that, Carl Amy for the Wind's. 295 00:13:45,920 --> 00:13:49,439 Speaker 3: Walking walking dead, Carl, stupid kid. 296 00:13:49,480 --> 00:13:52,680 Speaker 1: He's like always run off and he'd be like, there's 297 00:13:52,760 --> 00:13:53,960 Speaker 1: zobbies out there, Carl. 298 00:13:56,000 --> 00:14:01,319 Speaker 2: If I were to say, Kevin, Paul and Wayne, that's one, 299 00:14:01,520 --> 00:14:03,200 Speaker 2: Kevin Paul and Wayne, you are the winner, will play 300 00:14:03,200 --> 00:14:04,960 Speaker 2: your song. Kevin Paul and. 301 00:14:04,880 --> 00:14:06,680 Speaker 4: Wayne Kevin. 302 00:14:07,760 --> 00:14:12,920 Speaker 2: Paul, Wayne, Kevin and Wayne were brothers, shot up. Wayne 303 00:14:13,559 --> 00:14:17,079 Speaker 2: Paul was the best friend. Paul was also rumored to 304 00:14:17,080 --> 00:14:26,080 Speaker 2: be Marilyn Manson, but not true. Oh how about Denarious Circe. 305 00:14:27,680 --> 00:14:29,000 Speaker 3: Circe, no game of thro. 306 00:14:28,960 --> 00:14:33,080 Speaker 5: I'm sorry from the guess, I got right up to 307 00:14:33,160 --> 00:14:35,760 Speaker 5: the where I was gonna win and. 308 00:14:36,200 --> 00:14:38,400 Speaker 3: Just where you needed to be. What you want to 309 00:14:38,480 --> 00:14:41,440 Speaker 3: speed round for three? All you guys? Yeah, okay for 310 00:14:41,560 --> 00:14:44,480 Speaker 3: second place? Yeah, okay, only you two then you got 311 00:14:44,480 --> 00:14:45,560 Speaker 3: the champ second place. 312 00:14:45,640 --> 00:14:52,840 Speaker 8: Let's go, oh, Paulie, Eddie, Eddie, Jersey Shore in correct. 313 00:14:54,440 --> 00:14:57,560 Speaker 2: You think Paulie Shore is the person that's I don't know. 314 00:14:57,920 --> 00:14:59,520 Speaker 2: I don't know any of those people you think about 315 00:14:59,560 --> 00:15:00,920 Speaker 2: DJ Poul Is that it? 316 00:15:01,080 --> 00:15:01,480 Speaker 3: I don't know? 317 00:15:01,640 --> 00:15:07,640 Speaker 2: Yeah, Adriana, Polly and Tony lunchbox. 318 00:15:07,200 --> 00:15:09,360 Speaker 1: Lunchbox, you're you're the sopranos. 319 00:15:09,360 --> 00:15:18,160 Speaker 3: Correct one, dang ye for the silver medal here Hurley, 320 00:15:19,480 --> 00:15:20,480 Speaker 3: Eddie Eddie lost. 321 00:15:20,640 --> 00:15:23,440 Speaker 1: Correct. Let's go, oh, you're. 322 00:15:23,320 --> 00:15:27,680 Speaker 2: And Jack we are everybody. We're down to the final 323 00:15:27,720 --> 00:15:41,200 Speaker 2: one for second place, Jamie Nate Keeley, Eddie, Eddie said 324 00:15:41,280 --> 00:15:42,720 Speaker 2: Lasso correct. 325 00:15:44,600 --> 00:15:46,840 Speaker 3: Hey, I love being second place. 326 00:15:46,680 --> 00:15:47,480 Speaker 1: Silver lunchbox. 327 00:15:47,640 --> 00:15:49,320 Speaker 2: If you get a bronze medal, you gotta get this 328 00:15:49,320 --> 00:15:50,320 Speaker 2: one to get a bronze medal. 329 00:15:51,640 --> 00:15:54,960 Speaker 3: Reese how. 330 00:15:56,720 --> 00:16:01,680 Speaker 2: Dewey, it's Malcolm in the middle, Amy Gold, Eddie, Silver lunchbox, bronze. 331 00:16:02,160 --> 00:16:08,000 Speaker 1: It's time for the good news. 332 00:16:08,680 --> 00:16:11,200 Speaker 7: Alex Taylor is a eleven year old boy scout from 333 00:16:11,320 --> 00:16:14,000 Speaker 7: Kansas City was on vacation in Hawaii. 334 00:16:14,040 --> 00:16:19,600 Speaker 3: Hello, man, what's happening right now? 335 00:16:20,160 --> 00:16:21,920 Speaker 1: You know he's just relaxed. Okay, go ahead. 336 00:16:21,920 --> 00:16:24,640 Speaker 7: He's relaxing on the beach and all of a sudden 337 00:16:24,640 --> 00:16:28,200 Speaker 7: there's a woman in the water that's struggling, you know, 338 00:16:28,360 --> 00:16:31,080 Speaker 7: strong current. He was like, I'm a boy scout, I 339 00:16:31,120 --> 00:16:33,920 Speaker 7: learned how to save people, got out there, grabbed her, 340 00:16:34,080 --> 00:16:34,680 Speaker 7: wrapped her. 341 00:16:34,600 --> 00:16:35,680 Speaker 1: Up, and swam her ashore. 342 00:16:35,840 --> 00:16:36,560 Speaker 3: How old was he? 343 00:16:36,560 --> 00:16:37,280 Speaker 1: He's eleven. 344 00:16:38,040 --> 00:16:40,600 Speaker 2: Dang thing about people rescuing other folks, Eddie, I know 345 00:16:40,600 --> 00:16:43,240 Speaker 2: you're gonna jump in here. I'm waiting is that they 346 00:16:43,280 --> 00:16:45,400 Speaker 2: have to risk their life to go and save a life. 347 00:16:46,040 --> 00:16:50,120 Speaker 2: Like if somebody's struggling fighting a current, another human body 348 00:16:50,160 --> 00:16:51,680 Speaker 2: has to go out and actually fight that current as 349 00:16:51,720 --> 00:16:53,360 Speaker 2: well and be strong enough to get them both out 350 00:16:53,360 --> 00:16:54,640 Speaker 2: of there. So that eleven year old boy went and 351 00:16:54,680 --> 00:16:56,960 Speaker 2: risk his life to save her life. Now, some of 352 00:16:57,000 --> 00:17:00,800 Speaker 2: our show have been lifeguards. Go ahead, and I had 353 00:17:00,800 --> 00:17:02,840 Speaker 2: a double save one time. I got three saves under 354 00:17:02,840 --> 00:17:05,440 Speaker 2: my belt, but one was a double save and it 355 00:17:05,520 --> 00:17:06,719 Speaker 2: was I was a lifeguard. 356 00:17:06,800 --> 00:17:09,280 Speaker 8: And this kid jumps in from the diving board and 357 00:17:09,320 --> 00:17:11,240 Speaker 8: the mom's like, oh my gosh, she can't swim. So 358 00:17:11,240 --> 00:17:13,280 Speaker 8: I'm about to jump in. But before I jump in, 359 00:17:13,560 --> 00:17:15,720 Speaker 8: the mom tries to jump in save her own child. 360 00:17:16,119 --> 00:17:17,639 Speaker 3: She can't swim either, so you're telling me you how 361 00:17:17,680 --> 00:17:18,280 Speaker 3: to save them both. 362 00:17:18,359 --> 00:17:20,280 Speaker 8: So I had to grab the kid first, because that's 363 00:17:20,320 --> 00:17:22,199 Speaker 8: almost like the like the airplane rules, you know, like 364 00:17:22,240 --> 00:17:23,480 Speaker 8: put the mask on the kid first. 365 00:17:23,520 --> 00:17:25,879 Speaker 3: No first, okay, well then. 366 00:17:25,720 --> 00:17:28,280 Speaker 8: The opposite of the airplane on airplane run, buddy. Yes, 367 00:17:28,600 --> 00:17:30,840 Speaker 8: I jumped in, grabbed the kid, then saved them all, 368 00:17:31,320 --> 00:17:32,040 Speaker 8: double saved. 369 00:17:32,119 --> 00:17:34,080 Speaker 3: And you know, my son just wrote a report on this, 370 00:17:34,400 --> 00:17:36,080 Speaker 3: on your double save. He said, Dad, did you ever 371 00:17:36,119 --> 00:17:37,200 Speaker 3: have a job when you were a kid. 372 00:17:37,240 --> 00:17:39,600 Speaker 2: I'm like, let me tell you, son, So no, No, 373 00:17:40,760 --> 00:17:41,880 Speaker 2: that's a great story though. 374 00:17:42,040 --> 00:17:42,600 Speaker 1: Yours is good. 375 00:17:42,800 --> 00:17:44,560 Speaker 3: Okay, thank you Mann Mutch about your story is great. 376 00:17:44,600 --> 00:17:45,520 Speaker 3: That is what it's all about. 377 00:17:46,000 --> 00:17:47,760 Speaker 1: That was telling me something good. 378 00:17:50,359 --> 00:17:51,600 Speaker 9: On the Bobby Bones Show. 379 00:17:51,680 --> 00:17:56,080 Speaker 2: Now the Lion Juda your new records out Where did 380 00:17:56,119 --> 00:17:58,199 Speaker 2: you get music as a kid? Has it always been 381 00:17:58,240 --> 00:18:00,000 Speaker 2: digitally or did you ever go to a record store 382 00:18:00,080 --> 00:18:00,680 Speaker 2: your whole life? 383 00:18:00,800 --> 00:18:03,000 Speaker 9: I mean, I guess best Buy? Yeah, I mean it 384 00:18:03,040 --> 00:18:03,680 Speaker 9: was like Walmart. 385 00:18:04,560 --> 00:18:05,920 Speaker 1: So did you ever buy CDs? 386 00:18:06,600 --> 00:18:09,639 Speaker 13: Yeah, early on I bought CDs from Target, but early 387 00:18:09,720 --> 00:18:12,160 Speaker 13: early on for you guys, yeah, I mean I guess 388 00:18:12,200 --> 00:18:14,280 Speaker 13: Spotify and everything kind of started. 389 00:18:14,640 --> 00:18:15,520 Speaker 1: Do you ever have Napster? 390 00:18:16,160 --> 00:18:17,600 Speaker 9: Yeah, we definitely had an napster. 391 00:18:17,680 --> 00:18:17,960 Speaker 3: Okay. 392 00:18:18,000 --> 00:18:20,840 Speaker 2: I just kind of wonder because everybody now, even within 393 00:18:20,880 --> 00:18:23,000 Speaker 2: a ten year gap, has a different place where music 394 00:18:23,040 --> 00:18:25,680 Speaker 2: started for them, Because for me it was as a kid. 395 00:18:25,760 --> 00:18:29,680 Speaker 2: I'm older than you, but it was tapes and yeah, 396 00:18:29,720 --> 00:18:31,719 Speaker 2: you buy a tape, and then from tape I went 397 00:18:31,760 --> 00:18:32,160 Speaker 2: to CD. 398 00:18:32,920 --> 00:18:33,840 Speaker 3: That was very much in CD. 399 00:18:33,920 --> 00:18:37,600 Speaker 2: First two CDs ever, Mariah Carey and ACDC same time. 400 00:18:38,080 --> 00:18:40,280 Speaker 3: Very very I'm very you know. My interest in her 401 00:18:41,119 --> 00:18:42,080 Speaker 3: was that Columbia house. 402 00:18:42,359 --> 00:18:44,720 Speaker 1: No, no, no, Columbia house at everything. You guys familiar 403 00:18:44,760 --> 00:18:45,440 Speaker 1: with Columbia House. 404 00:18:45,600 --> 00:18:45,719 Speaker 3: No. 405 00:18:45,920 --> 00:18:48,000 Speaker 2: So they would send you like tenny ten CDs for 406 00:18:48,040 --> 00:18:50,359 Speaker 2: a penny, and then they'd keep sending you CDs and 407 00:18:50,440 --> 00:18:51,280 Speaker 2: charge you for real price. 408 00:18:51,320 --> 00:18:52,480 Speaker 3: It was like almost like a scam. 409 00:18:53,000 --> 00:18:54,960 Speaker 9: Sound sounds sounded like how much do you get paid 410 00:18:54,960 --> 00:18:55,399 Speaker 9: for streaming? 411 00:18:55,560 --> 00:18:59,560 Speaker 2: That's a new Columbia house, that's correct. And so then 412 00:18:59,600 --> 00:19:02,040 Speaker 2: it was now and then it's you know everything, but 413 00:19:03,520 --> 00:19:06,040 Speaker 2: where do you guys make any money at all from streaming? 414 00:19:06,080 --> 00:19:06,639 Speaker 3: Do you feel it? 415 00:19:07,960 --> 00:19:09,800 Speaker 2: Or is it all tour now? Like when you're making 416 00:19:10,160 --> 00:19:13,760 Speaker 2: your music for your career? So you can support yourself. 417 00:19:13,760 --> 00:19:14,880 Speaker 3: Where do you Where does the most of the money 418 00:19:14,920 --> 00:19:15,960 Speaker 3: come from the touring. 419 00:19:16,080 --> 00:19:16,920 Speaker 9: The Bybone show? 420 00:19:17,160 --> 00:19:20,120 Speaker 3: Yeah, well we pay nothing, So you guys are screwed. 421 00:19:20,320 --> 00:19:23,159 Speaker 14: No, I mean, I mean the pandemic honestly changed a 422 00:19:23,200 --> 00:19:27,119 Speaker 14: lot for a lot of bands. You know, touring is 423 00:19:27,119 --> 00:19:30,119 Speaker 14: so expensive now just with you know, after the pandemic 424 00:19:30,160 --> 00:19:33,280 Speaker 14: everybody kind of being out. But I think for us 425 00:19:33,320 --> 00:19:36,520 Speaker 14: it's like we just I don't know, like touring has 426 00:19:36,560 --> 00:19:39,360 Speaker 14: always been like a mechanism for us to do what 427 00:19:39,400 --> 00:19:42,040 Speaker 14: we like love to do, which is play live music, 428 00:19:42,119 --> 00:19:44,080 Speaker 14: and a lot of our records kind of warrant themselves 429 00:19:44,080 --> 00:19:44,800 Speaker 14: to our live show. 430 00:19:44,960 --> 00:19:47,639 Speaker 2: What about merch then, is that where you? Is that 431 00:19:47,680 --> 00:19:49,040 Speaker 2: an income stream strong enough? 432 00:19:49,040 --> 00:19:50,200 Speaker 9: I don't really know how we make money. 433 00:19:50,600 --> 00:19:51,320 Speaker 1: That's fair enough. 434 00:19:52,480 --> 00:19:53,840 Speaker 9: We just make the music, man. 435 00:19:53,800 --> 00:19:57,000 Speaker 2: It just shows up somehow. You just keep making good music. Hey, 436 00:19:57,000 --> 00:19:59,359 Speaker 2: So what's the difference? Because listen, I'm a fan. I 437 00:19:59,359 --> 00:20:03,120 Speaker 2: listened to all all your music this but every record 438 00:20:03,119 --> 00:20:04,680 Speaker 2: it feels like it has like a different message behind 439 00:20:04,680 --> 00:20:06,919 Speaker 2: it or some deep meaning or at least in my 440 00:20:07,040 --> 00:20:09,240 Speaker 2: knowing of you, one record you're like, I felt super 441 00:20:09,280 --> 00:20:11,760 Speaker 2: passionate about this at this time what's new record that? 442 00:20:11,800 --> 00:20:14,040 Speaker 14: So now what is the kind of the central theme? 443 00:20:14,320 --> 00:20:17,080 Speaker 14: So it's about the process of grief. I went through 444 00:20:17,080 --> 00:20:21,080 Speaker 14: a pretty painful divorce, a lot of just a lot 445 00:20:21,119 --> 00:20:23,720 Speaker 14: of wild life stuff happening in a couple of people 446 00:20:23,720 --> 00:20:27,760 Speaker 14: close with me lost their life to suicide, and I 447 00:20:27,800 --> 00:20:29,680 Speaker 14: didn't really know how to grieve, to be honest with you, 448 00:20:29,800 --> 00:20:32,680 Speaker 14: and so after the divorce, it kind of kind of 449 00:20:32,720 --> 00:20:35,320 Speaker 14: culminated into this, like, hey, you got you have to 450 00:20:35,320 --> 00:20:38,680 Speaker 14: either like process this or not. And so I learned 451 00:20:38,680 --> 00:20:40,680 Speaker 14: a lot about the stages of grief, just the Cooper 452 00:20:40,760 --> 00:20:43,960 Speaker 14: Rossis stages, which seemed to be pretty effective for me. 453 00:20:44,040 --> 00:20:46,080 Speaker 2: I don't know what you just said, the Cooper Rossis stages. 454 00:20:46,160 --> 00:20:48,920 Speaker 14: Yeah, it's a Cooper ross Is the author of these 455 00:20:48,920 --> 00:20:52,760 Speaker 14: stages that we chose, which is denial, anger, bargaining, depression, 456 00:20:52,800 --> 00:20:53,840 Speaker 14: and acceptance. 457 00:20:54,520 --> 00:20:57,000 Speaker 2: Did you learn about Were you dealing with it and 458 00:20:57,040 --> 00:20:59,720 Speaker 2: you weren't familiar, you didn't know how to process it? 459 00:20:59,720 --> 00:21:02,720 Speaker 2: But then you learned about this and then it helped. 460 00:21:02,520 --> 00:21:05,119 Speaker 14: Correct Yeah, And because I was, I mean, I grew 461 00:21:05,200 --> 00:21:08,760 Speaker 14: up an athlete, so I wanted, like give me a 462 00:21:08,800 --> 00:21:11,200 Speaker 14: plan or a system to kind of heal my broken 463 00:21:11,200 --> 00:21:13,520 Speaker 14: heart essentially, and. 464 00:21:12,800 --> 00:21:13,879 Speaker 9: Nothing was really working. 465 00:21:13,920 --> 00:21:17,960 Speaker 14: And so I think once we kind of dove into 466 00:21:18,040 --> 00:21:20,960 Speaker 14: the reality of like getting to the forgiveness and acceptance 467 00:21:21,040 --> 00:21:24,240 Speaker 14: portion of what was kind of going on in my story, 468 00:21:24,280 --> 00:21:26,560 Speaker 14: I think that that was when I really, as we 469 00:21:26,600 --> 00:21:30,040 Speaker 14: were writing the record, really began to heal and kind 470 00:21:30,080 --> 00:21:33,120 Speaker 14: of unfold unpack when I was in denial didn't even 471 00:21:33,119 --> 00:21:38,160 Speaker 14: know it, when I had these anger spouts, and I'm 472 00:21:38,160 --> 00:21:40,280 Speaker 14: not really good at anger, you know, and so like 473 00:21:40,440 --> 00:21:43,040 Speaker 14: learning how to really accept all these emotions that are 474 00:21:43,040 --> 00:21:46,480 Speaker 14: happening at once was, you know, was really difficult for me. 475 00:21:46,520 --> 00:21:48,800 Speaker 9: So getting to write this record proved to be pretty healing. 476 00:21:48,880 --> 00:21:51,320 Speaker 2: Did you feel like then, as you're writing it, even 477 00:21:51,320 --> 00:21:55,360 Speaker 2: the writing process was a bit different or vulnerable or darker, 478 00:21:55,520 --> 00:21:58,560 Speaker 2: since this is definitely a difficult subject just in general, I. 479 00:21:58,480 --> 00:22:00,200 Speaker 14: Mean, it's hard to go back to this place, is 480 00:22:00,240 --> 00:22:02,560 Speaker 14: to be honest with you, I mean, we would we 481 00:22:02,600 --> 00:22:04,600 Speaker 14: would do like our song Floating in the Night, which 482 00:22:04,640 --> 00:22:06,159 Speaker 14: is in the anger section. So we wrote like a 483 00:22:06,200 --> 00:22:10,320 Speaker 14: few songs per stage and like even going to do 484 00:22:10,359 --> 00:22:12,320 Speaker 14: and like vocal takes are Floating in the Night. I 485 00:22:12,359 --> 00:22:15,719 Speaker 14: found myself angry again, angry about what was going on, 486 00:22:16,560 --> 00:22:18,040 Speaker 14: but it happened like a few years back. 487 00:22:18,119 --> 00:22:21,240 Speaker 9: So I think, you know, there's three. 488 00:22:21,119 --> 00:22:23,800 Speaker 14: Different kind of phases for for us when we make music, 489 00:22:24,560 --> 00:22:26,440 Speaker 14: and it's almost like a morning or a grieving. It's 490 00:22:26,480 --> 00:22:30,960 Speaker 14: like writing it is healing, Recording it comes with a 491 00:22:30,960 --> 00:22:33,960 Speaker 14: lot of emotions, and then the aftermath of it is 492 00:22:34,000 --> 00:22:36,639 Speaker 14: like playing it, releasing it, and playing it live with 493 00:22:36,720 --> 00:22:39,399 Speaker 14: people that are connecting. So I feel like in a 494 00:22:39,480 --> 00:22:41,440 Speaker 14: lot of ways, that's just how artists heal. 495 00:22:41,960 --> 00:22:43,440 Speaker 3: If you guys don't mind, I would love to hear 496 00:22:43,440 --> 00:22:44,200 Speaker 3: floating in the night. 497 00:22:44,320 --> 00:22:46,119 Speaker 1: Now you guys don't do that, let's do I hear 498 00:22:46,119 --> 00:22:46,400 Speaker 1: they are. 499 00:22:46,400 --> 00:22:48,400 Speaker 3: Judah in the line and the new records out today. 500 00:22:48,240 --> 00:22:49,679 Speaker 1: Here is floating in the Night. 501 00:22:51,480 --> 00:22:52,280 Speaker 3: Things one. 502 00:22:52,280 --> 00:22:57,479 Speaker 13: I'm assuming that's in the anger party. Yeah to that 503 00:22:57,560 --> 00:23:00,840 Speaker 13: is extred is extremely vulnerable on and in that and 504 00:23:01,560 --> 00:23:04,600 Speaker 13: you know, it's it's awesome to hear because a lot 505 00:23:04,600 --> 00:23:07,399 Speaker 13: of people will relate. But also that's very difficult to do, 506 00:23:08,119 --> 00:23:11,000 Speaker 13: especially early, because it's like, here are my guts, I 507 00:23:11,000 --> 00:23:11,639 Speaker 13: have a look at them. 508 00:23:11,640 --> 00:23:14,320 Speaker 1: Everybody, you know, So I applaud you for that. 509 00:23:14,359 --> 00:23:16,119 Speaker 2: I mean, the stuff that connects more than anything is 510 00:23:16,119 --> 00:23:18,199 Speaker 2: whenever you feel like maybe this is too vulnerable and 511 00:23:18,240 --> 00:23:22,280 Speaker 2: then people go, I felt that too, So man, that 512 00:23:22,359 --> 00:23:23,439 Speaker 2: is that is awesome. 513 00:23:24,440 --> 00:23:27,560 Speaker 3: On the Bobby Bones Show now the Lion, they have 514 00:23:27,600 --> 00:23:28,280 Speaker 3: a new record out. 515 00:23:28,280 --> 00:23:31,160 Speaker 2: It's called The Process, which is out now, and I'm 516 00:23:31,160 --> 00:23:32,960 Speaker 2: assuming the Process is the process. 517 00:23:32,600 --> 00:23:37,560 Speaker 9: Of grief, right, But you know what the record feels like? Happy? 518 00:23:37,880 --> 00:23:43,520 Speaker 2: It's still hopeful, no chance, yeah, after there are happy 519 00:23:43,560 --> 00:23:45,680 Speaker 2: songs on the record, the end maybe the end. 520 00:23:45,640 --> 00:23:50,280 Speaker 9: And the acceptings. Yeah, acceptance. Okay, there's this undertone of hope, 521 00:23:50,320 --> 00:23:51,040 Speaker 9: don't don't you worry. 522 00:23:51,080 --> 00:23:53,200 Speaker 2: I'm not saying that hopeful. There's a lot of hope 523 00:23:53,200 --> 00:23:55,840 Speaker 2: and sadness. I've had it, but happy I did not 524 00:23:56,000 --> 00:24:00,239 Speaker 2: expect after the experience we just had. I'm I mean, look, 525 00:24:00,240 --> 00:24:01,800 Speaker 2: why don't we just get to the second song if 526 00:24:01,800 --> 00:24:02,920 Speaker 2: you guys are good with that, because I have a 527 00:24:02,960 --> 00:24:03,560 Speaker 2: lot of questions. 528 00:24:03,600 --> 00:24:07,280 Speaker 3: But Long Dark Knight, what part is this of the album? 529 00:24:07,480 --> 00:24:09,960 Speaker 9: This starts the acceptance section, Like the. 530 00:24:09,880 --> 00:24:12,000 Speaker 2: Acceptance I feel like Long Dark Night, like maybe that 531 00:24:12,040 --> 00:24:14,400 Speaker 2: was gonna get The title doesn't seem happy though, That's 532 00:24:14,440 --> 00:24:15,000 Speaker 2: all I'm saying. 533 00:24:15,400 --> 00:24:16,280 Speaker 3: Long Dark Night. 534 00:24:16,400 --> 00:24:19,720 Speaker 2: Judah in the line in studio right now, that was 535 00:24:19,720 --> 00:24:20,280 Speaker 2: a little happier. 536 00:24:20,240 --> 00:24:21,600 Speaker 1: I'll be honest with you, that's a little happier. 537 00:24:21,680 --> 00:24:24,399 Speaker 2: Juda in the line at studio, maybe did you go 538 00:24:24,440 --> 00:24:25,520 Speaker 2: watch them we need to Breathe? 539 00:24:25,600 --> 00:24:27,879 Speaker 4: I did, Yeah, and it was amazing. Yeah, so good. 540 00:24:28,200 --> 00:24:32,520 Speaker 5: And I'm particularly intrigued by this album and the concept 541 00:24:32,560 --> 00:24:36,800 Speaker 5: behind it because some people don't don't know even the 542 00:24:36,880 --> 00:24:39,000 Speaker 5: Koula Rosser have that, but this is a way for 543 00:24:39,080 --> 00:24:43,160 Speaker 5: them to have it, and it's a provided a roadmap 544 00:24:43,400 --> 00:24:45,480 Speaker 5: where they can start on the journey from song one 545 00:24:45,640 --> 00:24:50,920 Speaker 5: to song what twenty, song nineteen, but also to know 546 00:24:51,760 --> 00:24:54,879 Speaker 5: that grief, Yes, there's an order to the stages, but 547 00:24:55,000 --> 00:24:57,120 Speaker 5: we can go in and out of them at any 548 00:24:57,160 --> 00:24:59,560 Speaker 5: given time. And so for them to know that, like, 549 00:24:59,600 --> 00:25:01,520 Speaker 5: oh I can some of these particular songs now, but 550 00:25:01,600 --> 00:25:03,560 Speaker 5: and make it to acceptance, but hey, you might have 551 00:25:03,600 --> 00:25:07,119 Speaker 5: to go back to the anger part again or the 552 00:25:07,200 --> 00:25:08,000 Speaker 5: denial part. 553 00:25:08,000 --> 00:25:09,960 Speaker 14: Well, and that's what's that for me, that's what was 554 00:25:10,000 --> 00:25:11,920 Speaker 14: so frustrating is I was like looking for this step 555 00:25:11,960 --> 00:25:14,640 Speaker 14: to step program to heal this broken heart. And the truth, 556 00:25:14,720 --> 00:25:16,919 Speaker 14: the truth about acceptances is being able to hold all 557 00:25:17,000 --> 00:25:20,160 Speaker 14: those at once, right, because you know, the first song 558 00:25:20,359 --> 00:25:23,440 Speaker 14: Denial is about like it's not Leaniar. You know you're 559 00:25:23,440 --> 00:25:25,200 Speaker 14: gonna wake up some days and you're gonna be angry. 560 00:25:25,680 --> 00:25:26,720 Speaker 14: You're gonna wake up some days. 561 00:25:26,760 --> 00:25:26,919 Speaker 9: You know. 562 00:25:27,000 --> 00:25:31,080 Speaker 14: Acceptances is about holding it all, all these emotions and saying, hey, 563 00:25:31,160 --> 00:25:32,800 Speaker 14: I can hold these emotions and be okay with it 564 00:25:32,840 --> 00:25:33,439 Speaker 14: and move forward. 565 00:25:33,920 --> 00:25:35,160 Speaker 4: Yeah. I think it's beautiful. 566 00:25:35,240 --> 00:25:37,919 Speaker 2: The double album Repressions for me, you press everything, repress 567 00:25:37,960 --> 00:25:41,399 Speaker 2: all all, and then let it manifest itself physically in 568 00:25:41,400 --> 00:25:41,919 Speaker 2: some ways. 569 00:25:42,119 --> 00:25:43,479 Speaker 1: So that's my version. 570 00:25:43,560 --> 00:25:45,760 Speaker 9: Yeah, yeah, yeah, I had chronic back pain for three 571 00:25:45,800 --> 00:25:46,479 Speaker 9: years because of that. 572 00:25:46,560 --> 00:25:47,960 Speaker 1: Okay, well what happened there? 573 00:25:48,000 --> 00:25:52,840 Speaker 2: So did you know that if you psychologically got yourself better, 574 00:25:52,880 --> 00:25:55,119 Speaker 2: your physical physical body would get better or did it 575 00:25:55,160 --> 00:25:57,560 Speaker 2: just happen as a product and you went, oh, now 576 00:25:57,640 --> 00:25:58,480 Speaker 2: that makes sense. 577 00:25:59,080 --> 00:25:59,399 Speaker 9: It was. 578 00:25:59,560 --> 00:26:01,600 Speaker 14: I mean, I really got into like the body keeps 579 00:26:01,640 --> 00:26:04,600 Speaker 14: the score and the body knows the way. And ironically, 580 00:26:04,720 --> 00:26:08,399 Speaker 14: mine and Brian's both of our moms are therapists and counselors. 581 00:26:08,800 --> 00:26:11,879 Speaker 14: My aunt is a professor at Tennessee Tech for the 582 00:26:11,920 --> 00:26:15,119 Speaker 14: same thing. So we had a lot of great people 583 00:26:15,119 --> 00:26:17,480 Speaker 14: in our corner. Because me and Brian are not experts 584 00:26:17,480 --> 00:26:20,360 Speaker 14: on this at all. We're storytellers. We love telling stories, 585 00:26:20,400 --> 00:26:24,879 Speaker 14: but I think having those educated people to kind of 586 00:26:24,920 --> 00:26:27,399 Speaker 14: lean on was super important. So as far as my 587 00:26:27,440 --> 00:26:30,679 Speaker 14: back pain goes, it was like very obvious after this 588 00:26:30,760 --> 00:26:33,719 Speaker 14: week where I really kind of dove into anger, screaming 589 00:26:33,760 --> 00:26:38,840 Speaker 14: and pillows, like you know, punching stuff that's more constructive, 590 00:26:38,880 --> 00:26:41,480 Speaker 14: but like just letting out all of this rage that 591 00:26:41,520 --> 00:26:44,639 Speaker 14: I had inside of me. That was when I folly 592 00:26:44,760 --> 00:26:47,040 Speaker 14: was able to kind of get to the healing. 593 00:26:47,800 --> 00:26:49,800 Speaker 2: Anytime you guys put anything new out, you're always welcome 594 00:26:49,840 --> 00:26:51,920 Speaker 2: to come by. It's kind of the standing role of 595 00:26:51,960 --> 00:26:55,080 Speaker 2: you guys. And Floating in the Night, which you played earlier, 596 00:26:55,119 --> 00:26:56,760 Speaker 2: is that like the current single that you guys are 597 00:26:56,800 --> 00:26:57,320 Speaker 2: putting out on? 598 00:26:57,840 --> 00:26:58,400 Speaker 1: Is there a single? 599 00:26:58,480 --> 00:26:59,080 Speaker 9: Year so long? 600 00:26:59,160 --> 00:27:03,359 Speaker 14: Dark Eyes the focus track for the record, and Floating 601 00:27:03,359 --> 00:27:06,480 Speaker 14: that Night is actually doing super well kind of organically 602 00:27:06,560 --> 00:27:09,520 Speaker 14: right now, which has been super fun to watch people 603 00:27:09,720 --> 00:27:11,040 Speaker 14: really connect to that song. 604 00:27:10,960 --> 00:27:13,399 Speaker 2: That's called the Process and you got I got your 605 00:27:13,400 --> 00:27:15,320 Speaker 2: whole tour schedule here, I'm gonna come to all of them. 606 00:27:15,359 --> 00:27:15,840 Speaker 1: It's so cool. 607 00:27:16,119 --> 00:27:18,600 Speaker 9: We would love that cool Jude and the line, yeah 608 00:27:18,760 --> 00:27:20,040 Speaker 9: we got a little gift for you guys. 609 00:27:20,080 --> 00:27:20,680 Speaker 1: I'm awkward with it. 610 00:27:20,720 --> 00:27:22,000 Speaker 9: It's not that big of a deal, but. 611 00:27:22,119 --> 00:27:23,359 Speaker 1: I needed to be a big deal and I need 612 00:27:23,359 --> 00:27:23,760 Speaker 1: to be awkward. 613 00:27:23,800 --> 00:27:26,399 Speaker 4: So go ahead, that's a little baggy. 614 00:27:26,880 --> 00:27:29,080 Speaker 9: This one's free the man himself. 615 00:27:29,160 --> 00:27:31,520 Speaker 2: Let me say that as you hand this, thank you, 616 00:27:31,560 --> 00:27:33,920 Speaker 2: I'm awkward with the gifts. So they're out with the 617 00:27:34,119 --> 00:27:36,000 Speaker 2: Need to Breathe on the Caves World Tour. Go to 618 00:27:36,080 --> 00:27:38,560 Speaker 2: Judeandelion dot com and then they're headlining tour kicks off 619 00:27:38,560 --> 00:27:42,720 Speaker 2: October fourth, the Process Tour, same thing, Judaanthelion dot com 620 00:27:42,720 --> 00:27:45,040 Speaker 2: and they're all in all the cities that we're in here. 621 00:27:45,880 --> 00:27:48,480 Speaker 3: Okay, well we get gifts too. 622 00:27:51,119 --> 00:27:51,600 Speaker 10: This is good. 623 00:27:51,880 --> 00:27:54,800 Speaker 2: So this is actually a need because I wear you 624 00:27:54,840 --> 00:27:57,600 Speaker 2: guys's other hat all the time and I only have 625 00:27:57,640 --> 00:27:58,280 Speaker 2: a black one. 626 00:27:58,400 --> 00:27:59,760 Speaker 3: Did you guys know that you see me wearing your 627 00:27:59,800 --> 00:28:00,360 Speaker 3: hat all time? 628 00:28:00,760 --> 00:28:00,960 Speaker 9: Yeah? 629 00:28:01,040 --> 00:28:03,760 Speaker 2: Yeah, okay, and I only have a black one. So 630 00:28:03,880 --> 00:28:05,119 Speaker 2: now what's got my name on it? 631 00:28:05,119 --> 00:28:05,880 Speaker 4: Look at that? Nice? 632 00:28:06,480 --> 00:28:10,119 Speaker 3: Oh yeah. So now people can be like, oh, I 633 00:28:10,160 --> 00:28:11,200 Speaker 3: like your hat, but I hate you. 634 00:28:11,280 --> 00:28:12,800 Speaker 1: That's you. I hate your show. 635 00:28:13,400 --> 00:28:16,280 Speaker 2: No, thank you, thank you very much. Uh this logo, 636 00:28:17,160 --> 00:28:18,920 Speaker 2: like where did this come from? 637 00:28:19,160 --> 00:28:22,880 Speaker 14: So that that kind of originated from our record, which 638 00:28:22,920 --> 00:28:24,400 Speaker 14: is the first time you had us on PEP Talks 639 00:28:24,440 --> 00:28:27,200 Speaker 14: that we've got to talk about, and then it kind 640 00:28:27,200 --> 00:28:28,600 Speaker 14: of became like our band's kind of symbol. 641 00:28:28,680 --> 00:28:30,840 Speaker 2: Everybody always asks, hey, what's that logo, And I'm like, 642 00:28:30,880 --> 00:28:33,200 Speaker 2: I made it up. I don't, I really, but no, 643 00:28:33,280 --> 00:28:34,040 Speaker 2: it's one of my favorite hats. 644 00:28:34,680 --> 00:28:35,120 Speaker 9: Definitely. 645 00:28:35,440 --> 00:28:38,239 Speaker 14: Yeah, as you've worn it, we've had some of our 646 00:28:38,280 --> 00:28:40,200 Speaker 14: fans we like Bobby Bones are droping your heads like 647 00:28:40,240 --> 00:28:40,680 Speaker 14: that's sick. 648 00:28:40,760 --> 00:28:42,520 Speaker 3: Yeah, you guys went to a whole new level of thing. 649 00:28:42,920 --> 00:28:44,920 Speaker 9: There's a little bit of manipulation in there too for us, 650 00:28:45,000 --> 00:28:45,160 Speaker 9: you know. 651 00:28:46,000 --> 00:28:47,000 Speaker 1: And here you go. 652 00:28:47,080 --> 00:28:50,280 Speaker 2: I got you a free tattoo session with He's going 653 00:28:50,320 --> 00:28:54,200 Speaker 2: to do Bobby Bones as my homeboy in your neck. Okay, yeah, yeah, yeah, 654 00:28:54,240 --> 00:28:56,480 Speaker 2: all right, Juda and the Lion. The process is the record. 655 00:28:56,480 --> 00:28:58,800 Speaker 2: Good to see you guys. Thanks for having go see 656 00:28:58,840 --> 00:29:01,960 Speaker 2: him on the road. There is an amazing live show. 657 00:29:02,280 --> 00:29:03,520 Speaker 3: And there they are Jude in the Lion. 658 00:29:03,600 --> 00:29:07,280 Speaker 1: I shot on the phone. 659 00:29:07,280 --> 00:29:10,480 Speaker 2: We have Becky in Iowa. I had a crazy migraine 660 00:29:10,480 --> 00:29:12,520 Speaker 2: I was talking about on the show. I don't know 661 00:29:12,520 --> 00:29:15,200 Speaker 2: there was a migraine, but listeners assigned it as a migraine. 662 00:29:15,240 --> 00:29:16,080 Speaker 3: I was just thrown out. 663 00:29:16,160 --> 00:29:16,680 Speaker 1: My head was. 664 00:29:16,680 --> 00:29:19,479 Speaker 2: Killing me, and so it concerned me a little bit 665 00:29:19,480 --> 00:29:21,800 Speaker 2: because I don't want to be migraine guy, meaning I 666 00:29:21,800 --> 00:29:25,320 Speaker 2: don't want to just get migraines, because that's it was miserable. So, Becky, 667 00:29:25,360 --> 00:29:26,000 Speaker 2: what do you want to say? 668 00:29:26,120 --> 00:29:29,240 Speaker 10: This happened to me on my wedding day. I woke 669 00:29:29,320 --> 00:29:32,560 Speaker 10: up with the headache, didn't think too much about it, 670 00:29:33,240 --> 00:29:36,320 Speaker 10: and as the morning went on, it got worse and 671 00:29:36,400 --> 00:29:40,280 Speaker 10: worse and worse to where it felt like somebody was 672 00:29:40,320 --> 00:29:44,880 Speaker 10: smacking my head with a baseball back in there. Yeah, 673 00:29:45,240 --> 00:29:47,600 Speaker 10: it ended up being an aneurysm. 674 00:29:47,760 --> 00:29:50,640 Speaker 3: Okay, I'll be doing this. Oh my goodness, that's for 675 00:29:50,680 --> 00:29:51,320 Speaker 3: sure what it was. 676 00:29:51,640 --> 00:29:56,960 Speaker 10: They had to fly me to the hospital to take 677 00:29:57,000 --> 00:29:57,560 Speaker 10: care of it. 678 00:29:57,680 --> 00:29:59,520 Speaker 2: The fact that I went to work the next day's 679 00:30:00,040 --> 00:30:01,239 Speaker 2: an aneurysm. 680 00:30:01,520 --> 00:30:04,240 Speaker 3: What do you gotta say now you're a fighter man? Yeah, 681 00:30:04,560 --> 00:30:05,400 Speaker 3: or you're dying. 682 00:30:06,880 --> 00:30:08,840 Speaker 4: Because you probably still need to get it addressed. 683 00:30:09,120 --> 00:30:11,480 Speaker 2: Do you ever wonder, though, what your pain tolerance really 684 00:30:11,520 --> 00:30:13,080 Speaker 2: is compared to others, meaning there's no way to fill 685 00:30:13,120 --> 00:30:16,600 Speaker 2: anybody else's paint tolerance, Like I wonder if my wife 686 00:30:17,160 --> 00:30:19,880 Speaker 2: or a launch Box or Morgan would have had the 687 00:30:19,920 --> 00:30:22,760 Speaker 2: same headache. Had they been like me, like I can't 688 00:30:22,760 --> 00:30:26,120 Speaker 2: even get comfortable, it hurts, or they were they just like, 689 00:30:26,440 --> 00:30:28,600 Speaker 2: oh man, this sucks and it took some medicine, or 690 00:30:28,640 --> 00:30:30,560 Speaker 2: would they be even worse when they've gone to the hospital, 691 00:30:30,760 --> 00:30:32,480 Speaker 2: like we can't. There are two things we can't tell, 692 00:30:32,600 --> 00:30:35,440 Speaker 2: one another person's pain tolerance, and two we can't really 693 00:30:35,440 --> 00:30:37,960 Speaker 2: compare having a baby versus get kicked in the nuts. 694 00:30:39,520 --> 00:30:44,280 Speaker 2: Both could be equally as painful because you can't but you, 695 00:30:44,440 --> 00:30:46,440 Speaker 2: no one ever knows you're true. 696 00:30:46,440 --> 00:30:46,880 Speaker 4: You don't know. 697 00:30:46,920 --> 00:30:49,360 Speaker 3: No one ever knows true. So I'm gonna leave that 698 00:30:49,400 --> 00:30:51,720 Speaker 3: for you. Guys. I appreciate that call back. 699 00:30:51,760 --> 00:30:51,800 Speaker 11: You. 700 00:30:51,840 --> 00:30:53,520 Speaker 3: I don't think I had an aneurysm. 701 00:30:53,840 --> 00:30:59,040 Speaker 2: I didn't, but now I might have fought and won. 702 00:31:00,440 --> 00:31:02,720 Speaker 3: No, no, no, I think I a brain. 703 00:31:04,200 --> 00:31:04,520 Speaker 2: Thank you. 704 00:31:05,680 --> 00:31:08,480 Speaker 3: Dang Oh pretty good. You're the man. 705 00:31:08,520 --> 00:31:08,760 Speaker 4: Man. 706 00:31:08,880 --> 00:31:13,560 Speaker 3: Let's go pile of stories. 707 00:31:13,640 --> 00:31:15,680 Speaker 5: So the five second rule with food on the floor 708 00:31:15,720 --> 00:31:18,040 Speaker 5: has always been a little bit controversial because either people 709 00:31:18,080 --> 00:31:19,600 Speaker 5: go buy it or they don't, and it's like, well 710 00:31:19,600 --> 00:31:21,880 Speaker 5: what do doctors think? And there's a doctor going viral 711 00:31:21,880 --> 00:31:25,560 Speaker 5: on TikTok saying uh no, the five second rule, don't 712 00:31:25,600 --> 00:31:27,200 Speaker 5: eat food if it's fallen on the floor. 713 00:31:27,520 --> 00:31:29,840 Speaker 2: People just want to eat their food they dropped. That's 714 00:31:29,880 --> 00:31:31,680 Speaker 2: the only reason there was even a mention of a 715 00:31:31,720 --> 00:31:32,440 Speaker 2: five second rule. 716 00:31:32,480 --> 00:31:32,840 Speaker 3: Correct. 717 00:31:32,920 --> 00:31:35,040 Speaker 2: I don't think anybody in their right mind would think 718 00:31:35,080 --> 00:31:37,760 Speaker 2: that's okay if they really were debating if it were 719 00:31:37,800 --> 00:31:38,640 Speaker 2: still safe or not. 720 00:31:38,960 --> 00:31:40,840 Speaker 3: I remember like guys in high school, like, just pick 721 00:31:40,840 --> 00:31:41,040 Speaker 3: it up. 722 00:31:41,960 --> 00:31:42,560 Speaker 1: That's just because you. 723 00:31:42,480 --> 00:31:44,040 Speaker 3: Still want to eat it and you don't mind how 724 00:31:44,080 --> 00:31:45,360 Speaker 3: disgusting or germ. 725 00:31:45,080 --> 00:31:45,520 Speaker 1: Filled it is. 726 00:31:45,600 --> 00:31:48,080 Speaker 5: Yeah, but part of what we were told and if 727 00:31:48,080 --> 00:31:49,840 Speaker 5: you want to believe it is like, oh, it takes 728 00:31:49,880 --> 00:31:51,800 Speaker 5: a few seconds for germs to actually attach to. 729 00:31:51,800 --> 00:31:52,760 Speaker 4: The food, so you're good. 730 00:31:52,880 --> 00:31:55,600 Speaker 2: But nobody's smart ever believed at them. 731 00:31:55,160 --> 00:31:57,160 Speaker 4: Well, we believe a lot of things that we hear. 732 00:31:57,400 --> 00:32:00,480 Speaker 2: Nothing five second rule, Like it looked one the germs 733 00:32:00,480 --> 00:32:03,560 Speaker 2: like give me five yeah, yeah, yeah, it's like and 734 00:32:03,720 --> 00:32:05,760 Speaker 2: also if it's like wet or damp or any of 735 00:32:05,760 --> 00:32:08,920 Speaker 2: that food, it hits now gross gross gross. 736 00:32:09,040 --> 00:32:11,720 Speaker 5: But this doctor is saying that not all floor surfaces 737 00:32:11,720 --> 00:32:13,320 Speaker 5: are created equals, so there are some. 738 00:32:13,280 --> 00:32:14,400 Speaker 4: That are safer than others. 739 00:32:14,600 --> 00:32:18,600 Speaker 5: Pretty much, if it falls on the like a tile floor, no, dice, 740 00:32:18,680 --> 00:32:21,320 Speaker 5: don't eat it. It's ninety nine percent covered in bacteria, 741 00:32:21,320 --> 00:32:23,720 Speaker 5: and salmonilla can live on floors for up to four weeks. 742 00:32:24,160 --> 00:32:27,640 Speaker 2: Also, just because it's the floor doesn't mean it's disgusting, 743 00:32:27,640 --> 00:32:29,080 Speaker 2: But just because it's a counter doesn't mean it's not. 744 00:32:29,280 --> 00:32:31,120 Speaker 2: It could fall on the counter where it could be 745 00:32:31,160 --> 00:32:33,480 Speaker 2: any surface off the counter, like. 746 00:32:33,480 --> 00:32:36,000 Speaker 4: Just off the gun. I put my toasts on the hair. 747 00:32:36,000 --> 00:32:37,920 Speaker 2: As as clean but our white. My counter is on 748 00:32:37,960 --> 00:32:39,840 Speaker 2: the bottom of your feet. Don't touch your counter unless 749 00:32:39,840 --> 00:32:40,480 Speaker 2: you're doing like. 750 00:32:40,640 --> 00:32:41,960 Speaker 4: But my cat does that. 751 00:32:42,560 --> 00:32:43,920 Speaker 3: Unless you're doing it like that? What's that? 752 00:32:43,960 --> 00:32:45,840 Speaker 2: What's the movie where the where they're the bar, they 753 00:32:45,880 --> 00:32:48,600 Speaker 2: get on the bar unless you're going kyot your house. 754 00:32:49,120 --> 00:32:52,240 Speaker 5: Wood surfaces like it's you got a fifty percent chance 755 00:32:52,280 --> 00:32:55,240 Speaker 5: of food staying on the floor. And then carpet less 756 00:32:55,240 --> 00:32:58,479 Speaker 5: than one percent of bacteria transfers instantly, So carpets your 757 00:32:58,520 --> 00:32:59,000 Speaker 5: best bet. 758 00:33:00,000 --> 00:33:01,640 Speaker 4: But then you're gonna get a little fuzzies on your phone. 759 00:33:02,560 --> 00:33:04,600 Speaker 2: Yeah, the best bet is don't drop your food, and 760 00:33:04,640 --> 00:33:07,280 Speaker 2: if you do, move on to the next unless you're 761 00:33:07,320 --> 00:33:11,120 Speaker 2: willing to sacrifice for the food, which I'm willing to 762 00:33:11,120 --> 00:33:12,840 Speaker 2: sacrifice for the food most of time, I'll be honest. 763 00:33:12,760 --> 00:33:15,160 Speaker 5: Right, what else A new survey found that a quarter 764 00:33:15,240 --> 00:33:18,200 Speaker 5: of people between the ages eighteen and thirty four say 765 00:33:18,240 --> 00:33:21,800 Speaker 5: they never answer their phone ever. If they get a 766 00:33:21,800 --> 00:33:23,680 Speaker 5: phone call, it doesn't matter who it is, like even 767 00:33:23,720 --> 00:33:26,040 Speaker 5: if it's a family member, they don't answer, and they 768 00:33:26,120 --> 00:33:28,040 Speaker 5: instantly text the person and say, hey. 769 00:33:27,960 --> 00:33:28,360 Speaker 4: What's up. 770 00:33:28,800 --> 00:33:31,280 Speaker 2: So I would think that these people would have a 771 00:33:31,320 --> 00:33:33,280 Speaker 2: phone call, but they won't answer it without knowing what 772 00:33:33,280 --> 00:33:34,240 Speaker 2: it's about exactly. 773 00:33:34,320 --> 00:33:35,080 Speaker 3: Yeah, Oh, I'm on that. 774 00:33:36,040 --> 00:33:37,360 Speaker 4: But you're not eighteen or thirty four. 775 00:33:37,320 --> 00:33:39,520 Speaker 3: But I'm on that. I'm the whatever percentage. 776 00:33:39,160 --> 00:33:41,520 Speaker 4: You're ahead of the If you're ahead of this, don't. 777 00:33:41,240 --> 00:33:43,560 Speaker 2: I need If we're going to talk on the phone, 778 00:33:43,640 --> 00:33:45,880 Speaker 2: I need either a text leading and going hey I'm 779 00:33:45,880 --> 00:33:49,000 Speaker 2: gonna call you it's by this, or after I missed 780 00:33:49,040 --> 00:33:51,040 Speaker 2: the call, Hey it was me, I was calling to 781 00:33:51,040 --> 00:33:51,360 Speaker 2: do this. 782 00:33:52,720 --> 00:33:54,360 Speaker 3: Otherwise, what am I going to do? 783 00:33:54,400 --> 00:33:54,640 Speaker 1: Answer? 784 00:33:54,720 --> 00:33:56,560 Speaker 3: Be trapped on the phone for thirty minutes. Yeah, it's 785 00:33:56,560 --> 00:33:57,760 Speaker 3: the worst trapped. 786 00:33:58,000 --> 00:33:58,440 Speaker 4: I mean, just. 787 00:34:00,440 --> 00:34:02,560 Speaker 5: Cause you are trapping yourself if you don't find a 788 00:34:02,560 --> 00:34:03,120 Speaker 5: way to just be. 789 00:34:03,080 --> 00:34:03,960 Speaker 4: Like, Okay, I gotta go. 790 00:34:04,360 --> 00:34:06,000 Speaker 3: Sometimes you're talking to somebody, then else I'll talking. 791 00:34:06,120 --> 00:34:08,360 Speaker 1: Oh I don't know that. 792 00:34:09,440 --> 00:34:11,840 Speaker 5: Parker McCollum is a huge John Mayer fan, like so 793 00:34:11,960 --> 00:34:14,799 Speaker 5: much so he admits to spending hours in front of 794 00:34:14,800 --> 00:34:18,320 Speaker 5: the mirror, like playing guitar, trying to, you know, write 795 00:34:18,360 --> 00:34:20,799 Speaker 5: something that John would approve of or be like John. 796 00:34:21,239 --> 00:34:23,120 Speaker 5: But then he had the opportunity to meet John and 797 00:34:23,360 --> 00:34:25,600 Speaker 5: he said no, And he said it's because he's such 798 00:34:25,640 --> 00:34:27,359 Speaker 5: a huge fan that he doesn't want to know him, 799 00:34:27,480 --> 00:34:30,200 Speaker 5: because you know what if something changes in the mind 800 00:34:30,239 --> 00:34:31,239 Speaker 5: of how he thinks John is. 801 00:34:31,400 --> 00:34:32,560 Speaker 3: I used to feel that way, and I guess I 802 00:34:32,560 --> 00:34:33,560 Speaker 3: still do a little bit. 803 00:34:33,960 --> 00:34:35,840 Speaker 2: But most of the time, when I've met people that 804 00:34:35,920 --> 00:34:38,000 Speaker 2: I really looked up to or thought were cool, they 805 00:34:38,080 --> 00:34:40,279 Speaker 2: ended up being pretty cool most of the time. But 806 00:34:40,400 --> 00:34:42,120 Speaker 2: I guess I don't have the expectation as an adult 807 00:34:42,200 --> 00:34:44,600 Speaker 2: now because I do realize some people just have bad days. 808 00:34:45,160 --> 00:34:48,000 Speaker 2: Some people sometimes a're just in bad moods or sick. 809 00:34:48,320 --> 00:34:51,040 Speaker 2: Some people just are douches. That's part of it too. 810 00:34:51,040 --> 00:34:54,560 Speaker 2: But for the most part, everybody I've ever met that 811 00:34:54,640 --> 00:34:55,960 Speaker 2: I was like, I cannot wait to meet this person, 812 00:34:56,080 --> 00:34:59,319 Speaker 2: they've been really cool. Even John Mayer, Like we had 813 00:34:59,320 --> 00:35:03,160 Speaker 2: a brief friendship fling like eight months where we hang out. 814 00:35:03,040 --> 00:35:04,680 Speaker 3: But you still won't meet David Letterman. 815 00:35:04,920 --> 00:35:05,880 Speaker 1: I would if he'd let me. 816 00:35:06,040 --> 00:35:08,160 Speaker 3: Oh that's why I haven't done it. 817 00:35:08,280 --> 00:35:08,480 Speaker 10: Yeah. 818 00:35:09,680 --> 00:35:12,520 Speaker 8: Is he still hiding or is he No? I've seen 819 00:35:12,600 --> 00:35:14,000 Speaker 8: him on a few things. Oh yeah, he won't let me. 820 00:35:15,000 --> 00:35:15,799 Speaker 3: He's like, not him. 821 00:35:16,640 --> 00:35:18,960 Speaker 1: Here's all the people I will talk to you. We're 822 00:35:18,960 --> 00:35:20,760 Speaker 1: not gonna do that guy though, he's a little obsessed. 823 00:35:20,760 --> 00:35:21,959 Speaker 1: All right, go ahead, I'm Amy. 824 00:35:21,960 --> 00:35:22,520 Speaker 4: That's my pile. 825 00:35:23,480 --> 00:35:26,799 Speaker 1: That was Amy's pile of store. It's time for the 826 00:35:26,840 --> 00:35:27,279 Speaker 1: good news. 827 00:35:28,040 --> 00:35:28,279 Speaker 12: Ready. 828 00:35:32,280 --> 00:35:35,360 Speaker 8: So Tim, he's hanging out with his son in North Carolina. 829 00:35:35,400 --> 00:35:36,239 Speaker 3: They're watching a movie. 830 00:35:36,280 --> 00:35:38,520 Speaker 8: It's late at night, and his son goes, Dad, you 831 00:35:38,560 --> 00:35:40,560 Speaker 8: want to order a pizza? He says, all right, let's 832 00:35:40,640 --> 00:35:43,600 Speaker 8: order a pizza. They call the pizza place. They wait 833 00:35:43,640 --> 00:35:44,239 Speaker 8: for it to come. 834 00:35:44,480 --> 00:35:45,600 Speaker 3: Nothing. Nothing. 835 00:35:45,640 --> 00:35:48,440 Speaker 8: They wait for almost like an hour. Then finally the 836 00:35:48,440 --> 00:35:51,520 Speaker 8: doorbell rings. All right, pizza's here. Open it up. It's 837 00:35:51,520 --> 00:35:54,399 Speaker 8: a cop. It's not even the pizza guy. Cop goes, 838 00:35:54,400 --> 00:35:57,000 Speaker 8: did you order a pizza? They're like, yeah, what's going 839 00:35:57,040 --> 00:35:57,399 Speaker 8: on here? 840 00:35:57,840 --> 00:35:58,200 Speaker 3: Well? 841 00:35:58,320 --> 00:36:01,359 Speaker 8: Yeah, yeah, apparently the pizza guy he got he got 842 00:36:01,360 --> 00:36:01,839 Speaker 8: pulled over. 843 00:36:01,920 --> 00:36:03,960 Speaker 3: He had a warm for his arrest, and so he 844 00:36:04,000 --> 00:36:06,359 Speaker 3: got arrested. But the cop. He didn't stop there. He said, 845 00:36:06,360 --> 00:36:08,359 Speaker 3: you know what, where was this pizza going? He gave 846 00:36:08,400 --> 00:36:10,240 Speaker 3: him the address, and the cop delivered the pizza. 847 00:36:10,400 --> 00:36:10,879 Speaker 4: I love that. 848 00:36:11,280 --> 00:36:12,080 Speaker 3: How cool is that? 849 00:36:12,120 --> 00:36:14,160 Speaker 5: Those are fun videos when the cop shows up on 850 00:36:14,160 --> 00:36:15,080 Speaker 5: the Doorhan. 851 00:36:15,280 --> 00:36:17,719 Speaker 3: So if you tip on the app, does the guy 852 00:36:17,719 --> 00:36:21,000 Speaker 3: in jail get the money? Probably? What is that for? Promisary? 853 00:36:21,640 --> 00:36:21,839 Speaker 2: Yeah? 854 00:36:21,840 --> 00:36:24,040 Speaker 3: You can use that first commissary or bond? Yeah, yeah, 855 00:36:24,600 --> 00:36:25,000 Speaker 3: that's cool. 856 00:36:25,000 --> 00:36:26,680 Speaker 2: The cop picked the pizza, and the cop probably knows 857 00:36:26,680 --> 00:36:27,640 Speaker 2: what it's like to do one to have your food 858 00:36:27,640 --> 00:36:30,319 Speaker 2: delivered when you're sitting there waiting, starving, ready for your 859 00:36:30,320 --> 00:36:31,000 Speaker 2: food to be delivered. 860 00:36:31,040 --> 00:36:32,759 Speaker 5: There's one video I keep seeing a lot and I 861 00:36:32,760 --> 00:36:35,600 Speaker 5: can't I guess it was kind of fast food somewhere 862 00:36:35,640 --> 00:36:38,640 Speaker 5: and the cop she opens the door and she's like, 863 00:36:38,680 --> 00:36:40,799 Speaker 5: what are you doing here? And he's like, your Uber 864 00:36:40,880 --> 00:36:42,920 Speaker 5: drive or your uber eats guy got arrested. 865 00:36:44,600 --> 00:36:47,080 Speaker 4: And I see that clip a lot. It's funny. 866 00:36:47,120 --> 00:36:48,439 Speaker 3: Good job, Yeah, I love that. 867 00:36:48,440 --> 00:36:50,759 Speaker 1: That is what it's all about. That was telling me 868 00:36:50,800 --> 00:36:51,359 Speaker 1: something good.