WEBVTT - Robin Thicke

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<v Speaker 1>R and B money.

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<v Speaker 2>We are.

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<v Speaker 3>Thanks, take out the child. We are the authority on

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<v Speaker 3>all things R and B. Ladies and gentlemen, my name

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<v Speaker 3>is Tank.

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<v Speaker 4>Everybody podcast the A Thorty on all things r.

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<v Speaker 1>Oh my god, I have been waiting.

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<v Speaker 3>I have been prayed.

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<v Speaker 2>The time has come.

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<v Speaker 3>I have been I have been hoping.

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<v Speaker 1>I said, Lord, if you send us anybody, send us that.

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<v Speaker 3>Name doesn't mean it doesn't doesn't name name one of

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<v Speaker 3>the coldst ever.

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<v Speaker 1>That's simple, ladies and gentlemen, mister Rob, I want to

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<v Speaker 1>do this because to me, to my brother Jay, what's

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<v Speaker 1>going on, this is this is really special. I want

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<v Speaker 1>to let you know that. And so for me, I

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<v Speaker 1>have a bottle of champagne. Come on, what you're gonna Donna?

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<v Speaker 2>I was wanting to celebrate.

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<v Speaker 3>I wouldn't like to because we we we've been talking

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<v Speaker 3>about this for a while.

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<v Speaker 2>They got to stop me from celebrating.

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<v Speaker 5>You know, they don't they don't earned Listen, you have

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<v Speaker 5>earned the right to celebrate one of your favorite songs.

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<v Speaker 3>Come on, it's a celebrate this another I have I have.

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<v Speaker 1>You know, we've talked about this and we've at the

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<v Speaker 1>time will come, and the time has come. And this

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<v Speaker 1>is not and the time is right better late than never.

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<v Speaker 1>This is in God's own time. The universe is saw

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<v Speaker 1>fit for this to be the moment. Yes, and what

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<v Speaker 1>we're gonna do is that's that, Mama, Lord, what we're

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<v Speaker 1>gonna do. We're gonna pop.

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<v Speaker 3>I told you the muscle. I told you, sir, it was.

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<v Speaker 3>Your shirt was all nicely iron. Now you're just ruined.

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<v Speaker 3>The want your shirt. I saw you walking in. I

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<v Speaker 3>opened that looking like you've been doing dishes.

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<v Speaker 2>Now and stuffs.

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<v Speaker 3>Open up at the bottom of your your shirt. Any

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<v Speaker 3>by any means necessary, you've.

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<v Speaker 4>Been just that your pain, not not yet not your brother,

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<v Speaker 4>travel to meet it.

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<v Speaker 2>Get us right, championship.

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<v Speaker 6>Yeah.

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<v Speaker 3>I don't know if you know, but those are R

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<v Speaker 3>and B glasses my brother money. It was money. You

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<v Speaker 3>know glasses say R B money on them. They don't.

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<v Speaker 2>Yes, yes they do, My lord from.

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<v Speaker 1>The United Center, Come on, United Chicago, United, the United

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<v Speaker 1>Center gave us our own glasses, our own Uh.

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<v Speaker 3>Yeah. The house that Michael Jordan's in, the house that

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<v Speaker 3>R and B Money lives in.

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<v Speaker 1>This is this is this is for us. You being here, brother,

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<v Speaker 1>it means the world to us. Man, we have been fans,

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<v Speaker 1>and we have been brothers for a long time. Man,

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<v Speaker 1>but today we get to celebrate you, man, the way

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<v Speaker 1>we've always wanted to.

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<v Speaker 3>Man. You know, R and B runs in my blood. Man,

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<v Speaker 3>what's my name? R O B.

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<v Speaker 1>Come on now, all, I'm gonna take you back to

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<v Speaker 1>the beginning. I'm gonna take you back to the beginning.

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<v Speaker 1>There's a there's a there's a good friend of mine

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<v Speaker 1>by the name of Dreno, and Dreino says to me, Nicole,

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<v Speaker 1>I got I got some I got some shoes. You

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<v Speaker 1>need to hear. He about to kill every body, to

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<v Speaker 1>kill everybody.

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<v Speaker 3>Was crazy.

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<v Speaker 1>I was like, let me, let me hear this person

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<v Speaker 1>who's supposed to be messing with me and all of

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<v Speaker 1>my R and B constituents. And he begins to play

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<v Speaker 1>this song. Oh god, he's the man, he said. It

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<v Speaker 1>hadn't even dropped yet, because I'm going to bring a

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<v Speaker 1>full circle for you. That was the late Great Andre

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<v Speaker 1>heralds cousin O'Neil Dreno. Okay, who is playing this music

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<v Speaker 1>for me? He said, Andre has him has the one

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<v Speaker 1>and and he showed me a picture.

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<v Speaker 3>Of you with with the Lord Jesus.

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<v Speaker 1>With the whip and I said, he's going to kill him,

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<v Speaker 1>all of them.

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<v Speaker 3>And I had I had never heard anything like that before.

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<v Speaker 3>And I was going for the first album.

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<v Speaker 2>I wanted to just make something that never existed, bro,

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<v Speaker 2>and that was that was a fun album to make. Man.

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<v Speaker 1>I think it was like, you know, because I think

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<v Speaker 1>we all have we all have a natural judgment when

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<v Speaker 1>it comes to things and all, and it all starts

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<v Speaker 1>from it all starts from the look in the appearance.

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<v Speaker 1>And it's like when I first when I saw the picture,

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<v Speaker 1>I heard the music first, then I saw the picture,

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<v Speaker 1>I'm like, how how the fuck did that happen? Because

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<v Speaker 1>I'm saying, I'm saying this like almost like disco esque

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<v Speaker 1>vibe with the with with the with the with the

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<v Speaker 1>Tony Montana.

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<v Speaker 3>So I'm like, what is this? And how is he

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<v Speaker 3>doing that?

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<v Speaker 7>How?

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<v Speaker 3>How are you doing that? Robin right on the back cover,

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<v Speaker 3>right like.

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<v Speaker 1>Take me to the beginning to where you even where

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<v Speaker 1>you even start constructing the fibers and the textures that

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<v Speaker 1>that design who you are.

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<v Speaker 2>Well, you know, the funny thing is, you know, I

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<v Speaker 2>come from six generations of musicians. My grandfather was a

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<v Speaker 2>jazz trumpet player. His father was a jazz trumpet player.

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<v Speaker 2>My dad was a soulful guy, you know, love to

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<v Speaker 2>write songs, love to sing h you know, wrote with

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<v Speaker 2>Richard Pryor and you know, and all these kind of things.

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<v Speaker 2>So my dad was a soulful guy and enlightened for

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<v Speaker 2>his time, you know. And my mom her number one

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<v Speaker 2>song was Friends and Lovers in the eighties with Carl Anderson,

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<v Speaker 2>a black R and B singer.

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<v Speaker 3>So all of this this stuff has been built.

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<v Speaker 2>I joked that my family's been trying to be black

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<v Speaker 2>from sixth generations, and I'm just to get it.

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<v Speaker 3>Right, you know what I mean. We made it. We

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<v Speaker 3>made it, Joe Shit, we did it, Joe, It did it?

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<v Speaker 4>Joe.

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<v Speaker 3>Yeah. I mean I love.

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<v Speaker 2>I really loved the culture just as a kid. I mean,

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<v Speaker 2>whether it was Eddie Murphy or or you know, Michael

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<v Speaker 2>Jackson and Prince And when I was a seven between

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<v Speaker 2>seven and twelve years old, it was all black music,

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<v Speaker 2>black culture, and and then and then rap music and

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<v Speaker 2>then then hip hop and then when Joe Desy and

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<v Speaker 2>Boys to Men and that era happened. I was thirteen

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<v Speaker 2>and I was very impressionable, and I was in a

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<v Speaker 2>singing group with three other black guys, and it was

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<v Speaker 2>all legit. It just you know, And so my whole

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<v Speaker 2>life and my whole culture has been black music and

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<v Speaker 2>black culture. And when you come to my shows, it's

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<v Speaker 2>ninety percent black people. Like it's not even you know,

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<v Speaker 2>that's just, oh, we were as one as one, you know, fourteen,

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<v Speaker 2>because we're all black. And I'm fourteen years old and

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<v Speaker 2>I'm wearing a double breasted Steve Harvey suit and I

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<v Speaker 2>got a cigar in my hand and my hair slicked.

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<v Speaker 3>Back, gangster like, you know. So I've always been what

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<v Speaker 3>I am, you know. And I love R and B.

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<v Speaker 2>I love really soul music, R and B music, hip

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<v Speaker 2>hop music, black coach, black comedy I watched, I watched

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<v Speaker 2>B e T. I showed up to school with the

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<v Speaker 2>Jet magazine when I was fourteen.

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<v Speaker 3>Out of here. We all grew up on the Jet

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<v Speaker 3>Beauty a week, Beauty a week No my mom.

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<v Speaker 2>To have that, got to check it out when I

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<v Speaker 2>was fourteen. So and you know, then then being married

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<v Speaker 2>to Paula Patten and just you know, my whole life

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<v Speaker 2>has been embedded in the black experience in black culture,

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<v Speaker 2>and that's that's where I belong.

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<v Speaker 1>You know, it was you know in hearing that in

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<v Speaker 1>your first entry, it was like there was no there

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<v Speaker 1>was no try, there was no there was nothing extra

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<v Speaker 1>on it. It was very author I was like, I

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<v Speaker 1>was like, where is he from?

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<v Speaker 2>I don't want to go nowhere else because.

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<v Speaker 1>Yeah, he's he's not living a lot. He's telling the

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<v Speaker 1>truth in this music. What he's doing.

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<v Speaker 2>I mean, I got I got the same guy in

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<v Speaker 2>me that you know that the Baptist Church got in

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<v Speaker 2>and you know what I mean. Whatever it is like

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<v Speaker 2>like we feel the music, we feel the soul, we

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<v Speaker 2>feel the pain, we feel the history, We understand the

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<v Speaker 2>journey where we need to support each other, we need

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<v Speaker 2>to believe in each other. We need to you know,

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<v Speaker 2>stay on the right paths and and and just be

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<v Speaker 2>a family. Like when I go to the BT Awards

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<v Speaker 2>or something like that, that's like a family reunion for me,

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<v Speaker 2>you know what I mean.

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<v Speaker 3>And that's that's just who I am. And it's always

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<v Speaker 3>been real to me. Yeah, when did is your is your?

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<v Speaker 2>Is?

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<v Speaker 1>You're coming up in this family of so many generations

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<v Speaker 1>of of of really incredible musicians. When does someone point

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<v Speaker 1>out that you are actually going to continue in that line?

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<v Speaker 1>When does somebody say oh he's got it too.

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<v Speaker 2>Well, I think it doesn't. I'm sorry, how do you mean,

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<v Speaker 2>like at what age.

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<v Speaker 3>Did did did you discovered or did or did somebody

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<v Speaker 3>say you have it?

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<v Speaker 2>Well? It started with you know, my good friend Tabiso

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<v Speaker 2>and Kye, who ended up writing hit songs and being

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<v Speaker 2>a music manager and a music publisher. And he was

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<v Speaker 2>the first. He was when I was fourteen. He was

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<v Speaker 2>in the group with me as one.

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<v Speaker 3>He was my group.

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<v Speaker 2>Tab was in that group, you know Tab. So this

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<v Speaker 2>is what so Tab was my first So Tab had

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<v Speaker 2>Tab told me how to take pictures, how to go

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<v Speaker 2>into the office. We would go to the office and

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<v Speaker 2>I would sing jodasy and commissioned songs.

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<v Speaker 3>Yeah yeah, yeah, I am here. Yeah, running back to you,

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<v Speaker 3>running back Yeah yeah.

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<v Speaker 2>It starts with Tab.

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<v Speaker 3>He becomes mine.

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<v Speaker 2>This is how you're go I started dressing like him.

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<v Speaker 2>I started, you know what I mean, like he was

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<v Speaker 2>like he was just this is stuff. You know how

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<v Speaker 2>long I've known Tab? Yeah, and this is the first

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<v Speaker 2>time ever hearing this story.

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<v Speaker 3>Yeah, that's my brother.

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<v Speaker 2>And then so then we did some demos that got

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<v Speaker 2>heard by Tricky Stewart's camp. M So I go in

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<v Speaker 2>the studio at fifteen years old writing with Tricky Stewart.

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<v Speaker 2>So this is how much information I'm getting as a

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<v Speaker 2>fourteen to fifteen year old songwriter and singer. Then next

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<v Speaker 2>door working to Tricky Stewart is Brian mckknight, who I

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<v Speaker 2>had studied. Brian McKnight's whole first album that was a

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<v Speaker 2>huge album and a huge influence on me. Brian, here's

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<v Speaker 2>what I'm doing with Tricky. He brings me in. He

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<v Speaker 2>signs me to his record label at Interscope Records when

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<v Speaker 2>I'm sixteen years old. So now I'm writing with Tricky Stewart,

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<v Speaker 2>I'm working with Brian mckknight. Then Jordan Knight from New

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<v Speaker 2>Kids on the Block. Here's the work I'm doing with

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<v Speaker 2>Brian McKnight. I go in the studio with him, I produce,

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<v Speaker 2>I write and produce his whole first solo album. And

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<v Speaker 2>guess who Jordan Knight takes me around to work with

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<v Speaker 2>and be in the studio with Jimmy jam and Terry Lewis,

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<v Speaker 2>Walter Affinasif Raphael Sadik, I'm seventeen years old, he A'm

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<v Speaker 2>seventeen eighteen years old, and I'm writing with all and

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<v Speaker 2>producing with all of those guys.

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<v Speaker 3>So the I went to school.

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<v Speaker 2>I went to Harvard and yale A Music when I

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<v Speaker 2>was sixteen, seventeen, eighteen years old. Brian McKnight, you know,

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<v Speaker 2>I mean, the Take six would come by and be

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<v Speaker 2>singing Army. I'm just sitting there learning, just listening watching.

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<v Speaker 2>I mean, and Take six is how I learned how

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<v Speaker 2>to riff the main group that I that I studied,

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<v Speaker 2>and that's when why when Brian and I came out,

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<v Speaker 2>we were also excited because I was a huge Take

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<v Speaker 2>six man.

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<v Speaker 3>But I learned every Take six song and riff. That

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<v Speaker 3>was it. That was the training that was that was

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<v Speaker 3>done right there. You know what I mean.

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<v Speaker 2>Once you learn how to sing Take six, you could

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<v Speaker 2>sing anything. You can sing anything anything.

0:12:41.760 --> 0:12:44.200
<v Speaker 3>Well, are you actually going to school at this point too?

0:12:44.240 --> 0:12:44.320
<v Speaker 4>There?

0:12:44.360 --> 0:12:45.079
<v Speaker 3>Are you are? You know?

0:12:45.200 --> 0:12:48.520
<v Speaker 2>I was out my senior year. I decided to move

0:12:48.520 --> 0:12:50.440
<v Speaker 2>out my senior year. My dad was very disappointed. Shout

0:12:50.440 --> 0:12:52.400
<v Speaker 2>out to Alan Thick, we love you and miss you.

0:12:52.520 --> 0:12:55.560
<v Speaker 5>Dropped out because I had a record deal, I had

0:12:55.559 --> 0:12:59.560
<v Speaker 5>a publishing y Jody saying yeah pretty much.

0:12:59.600 --> 0:12:59.760
<v Speaker 2>No. No.

0:13:00.080 --> 0:13:02.719
<v Speaker 3>What I did was I got the tutor and like

0:13:02.920 --> 0:13:04.880
<v Speaker 3>and like paid three hundred dollars for the tutor to

0:13:04.920 --> 0:13:06.599
<v Speaker 3>give me a bee, you know what I mean. And

0:13:06.679 --> 0:13:08.559
<v Speaker 3>then I just showed up a graduation and with the

0:13:08.600 --> 0:13:10.840
<v Speaker 3>cabin gown and all that. Everybody was like, what hell

0:13:10.880 --> 0:13:14.400
<v Speaker 3>you doing a day? You were here like the first

0:13:14.480 --> 0:13:16.440
<v Speaker 3>week in September and they had come back like.

0:13:16.440 --> 0:13:20.400
<v Speaker 7>You ain't paid at three hundred read my god right here.

0:13:22.520 --> 0:13:25.360
<v Speaker 3>So so yeah, so I just snuck out.

0:13:25.440 --> 0:13:27.719
<v Speaker 2>But really my senior year, I already had a record deal,

0:13:27.760 --> 0:13:29.600
<v Speaker 2>I had a publishing deal. I was in the studio,

0:13:29.760 --> 0:13:32.280
<v Speaker 2>you know, ten twelve hours a day with these kind

0:13:32.320 --> 0:13:34.679
<v Speaker 2>of talents, you're professional. Yeah, I mean I was in

0:13:34.840 --> 0:13:37.160
<v Speaker 2>and the training that you know here those ten thousand hours,

0:13:37.200 --> 0:13:39.400
<v Speaker 2>the outliers theory and stuff. I got ten thousand hours

0:13:39.440 --> 0:13:41.240
<v Speaker 2>by the time I was twenty one, and then it

0:13:41.360 --> 0:13:43.160
<v Speaker 2>was time for me to focus on my own career.

0:13:43.200 --> 0:13:46.440
<v Speaker 2>And then who comes into my life? Andre around because

0:13:46.559 --> 0:13:47.240
<v Speaker 2>I knew what to do.

0:13:47.800 --> 0:13:48.160
<v Speaker 3>I didn't know.

0:13:48.200 --> 0:13:50.040
<v Speaker 2>I'm not saying I was having a great time as

0:13:50.080 --> 0:13:51.959
<v Speaker 2>a songwriting producer, but I didn't know who I was

0:13:52.040 --> 0:13:53.599
<v Speaker 2>going to be as an artist. And the album that

0:13:53.679 --> 0:13:56.280
<v Speaker 2>I made with Brian Knight by the time we started,

0:13:56.320 --> 0:13:58.319
<v Speaker 2>when I'm sixteen. But by the time I'm nineteen, Jimmy

0:13:58.320 --> 0:13:58.920
<v Speaker 2>I mean, was like.

0:13:58.960 --> 0:14:00.920
<v Speaker 3>You know what it it's okay, it's good.

0:14:01.280 --> 0:14:03.360
<v Speaker 2>I give it a B plus, you know, but we're

0:14:03.400 --> 0:14:05.079
<v Speaker 2>not going to spend a lot of money promoting and baa.

0:14:05.120 --> 0:14:06.079
<v Speaker 2>I was like, you know it, don't even put it

0:14:06.120 --> 0:14:06.960
<v Speaker 2>out shelfit.

0:14:07.800 --> 0:14:08.360
<v Speaker 3>I'm out of here.

0:14:09.040 --> 0:14:11.040
<v Speaker 2>Let me go work on myself and and figure out

0:14:11.040 --> 0:14:12.800
<v Speaker 2>who I'm going to be as an artist. Then Andrea Herrel,

0:14:12.880 --> 0:14:15.400
<v Speaker 2>like the angel comes into my life. Teaches me how

0:14:15.440 --> 0:14:17.200
<v Speaker 2>to walk and talk it, how to connect with people

0:14:17.280 --> 0:14:20.160
<v Speaker 2>instead of just paint, how to make the painting connect

0:14:20.480 --> 0:14:21.560
<v Speaker 2>you know what I mean, And how to be a

0:14:21.600 --> 0:14:25.280
<v Speaker 2>part of the culture. Executive. He taught me, you know,

0:14:25.440 --> 0:14:27.160
<v Speaker 2>he took me shopping, he bought me, you know, he

0:14:27.480 --> 0:14:29.480
<v Speaker 2>told me what music. So he walked in with the

0:14:29.520 --> 0:14:31.320
<v Speaker 2>fifth of Beethoven. He when I was making the album,

0:14:31.320 --> 0:14:34.120
<v Speaker 2>he said, you know this Saturday Fever album. He said this,

0:14:35.040 --> 0:14:36.880
<v Speaker 2>this is the kind of sound. This disco. Everybody loves

0:14:36.960 --> 0:14:38.720
<v Speaker 2>this go just go last for everybody. Want to celebrate,

0:14:38.720 --> 0:14:41.000
<v Speaker 2>everybody want to dance, listen to this album. So I'm

0:14:41.000 --> 0:14:43.080
<v Speaker 2>listening to the album and first thing that camera mout

0:14:43.120 --> 0:14:45.520
<v Speaker 2>I wrote that in about ten minutes, you know, and

0:14:45.600 --> 0:14:46.320
<v Speaker 2>that ended up being.

0:14:46.240 --> 0:14:50.800
<v Speaker 3>The first single of my artistic career. You know, did

0:14:50.840 --> 0:14:54.040
<v Speaker 3>you did I perform that song? I do now.

0:14:54.040 --> 0:14:56.200
<v Speaker 2>Sometimes, but I didn't. I didn't perform it live in

0:14:56.440 --> 0:14:56.920
<v Speaker 2>our shows.

0:14:57.000 --> 0:14:58.120
<v Speaker 3>No, why not?

0:14:58.320 --> 0:15:00.680
<v Speaker 2>I know, I probably should all the time? What I

0:15:00.760 --> 0:15:01.680
<v Speaker 2>probably should all the time?

0:15:02.400 --> 0:15:02.760
<v Speaker 3>Shoot?

0:15:03.360 --> 0:15:06.640
<v Speaker 2>Well, you shooter most of the time. Yeah. Oh, the

0:15:06.720 --> 0:15:10.200
<v Speaker 2>set's different. The set's different since I, uh, what, yeah,

0:15:10.280 --> 0:15:11.880
<v Speaker 2>we do that, we do that usually.

0:15:12.280 --> 0:15:16.560
<v Speaker 3>Said, this guy's been robbed before. Guys had to be

0:15:16.960 --> 0:15:17.600
<v Speaker 3>And I was in.

0:15:17.640 --> 0:15:19.880
<v Speaker 2>The bank when it got robbed. Yeah, I was laying down.

0:15:20.520 --> 0:15:22.720
<v Speaker 2>The whole story is true. Hold on what that whole song?

0:15:22.760 --> 0:15:25.080
<v Speaker 2>I was eighteen years old, Paula was sitting in the

0:15:25.160 --> 0:15:26.960
<v Speaker 2>car outside waiting.

0:15:27.000 --> 0:15:27.120
<v Speaker 3>I was.

0:15:27.200 --> 0:15:28.680
<v Speaker 2>I went in to get like three hundred dollars, but

0:15:28.680 --> 0:15:30.400
<v Speaker 2>we're going to go to Santa Barbara to my dad's

0:15:30.480 --> 0:15:33.800
<v Speaker 2>ranch and spend the weekend together. A romantic eighteen year old,

0:15:33.960 --> 0:15:36.400
<v Speaker 2>you know, get away and I go in the bank

0:15:36.480 --> 0:15:38.840
<v Speaker 2>and all of a sudden, they get get down on

0:15:38.920 --> 0:15:40.880
<v Speaker 2>the floor, but get the buck on the floor. I

0:15:41.000 --> 0:15:44.480
<v Speaker 2>turn around. Three guys. One's coming right. He points the

0:15:44.520 --> 0:15:46.680
<v Speaker 2>gun right at me because I'm standing at the counter.

0:15:47.160 --> 0:15:48.840
<v Speaker 2>He points the gun right at me. I get down.

0:15:48.880 --> 0:15:52.080
<v Speaker 2>Of course, he comes to the counter, he hops over

0:15:52.160 --> 0:15:54.440
<v Speaker 2>the counter, you know, goes for the money. And then

0:15:54.520 --> 0:15:57.040
<v Speaker 2>the rest of the story that develops. Lady walks into

0:15:57.080 --> 0:15:59.360
<v Speaker 2>a shotgun surprise. A lady walked in to the guy

0:15:59.440 --> 0:16:01.120
<v Speaker 2>that had a shot gun at the front door. Every

0:16:01.160 --> 0:16:02.960
<v Speaker 2>word of that song is true. The fuck out of

0:16:03.000 --> 0:16:05.880
<v Speaker 2>here at eighteen, story at eighteen. And then you know,

0:16:06.000 --> 0:16:09.800
<v Speaker 2>luckily nobody was hurt in the end. But when even

0:16:09.840 --> 0:16:12.080
<v Speaker 2>when I say when I say, lady walks into a

0:16:12.080 --> 0:16:15.480
<v Speaker 2>shocking surprise, drops down to her knees, saw her life

0:16:15.520 --> 0:16:18.400
<v Speaker 2>for her eyes. He said, bitch, she's gonna get at.

0:16:18.480 --> 0:16:21.040
<v Speaker 2>Everybody going regret it. I'm your That was he did.

0:16:21.120 --> 0:16:23.440
<v Speaker 2>He said, if anybody moves this, bitch is gonna get

0:16:24.280 --> 0:16:26.320
<v Speaker 2>so those all those words in this song are true.

0:16:26.360 --> 0:16:27.880
<v Speaker 3>My hands up, my hands up. They want me with

0:16:28.000 --> 0:16:28.560
<v Speaker 3>my hands up?

0:16:28.640 --> 0:16:29.120
<v Speaker 2>No shooter.

0:16:31.280 --> 0:16:34.320
<v Speaker 1>Wow, I never knew that that might be the best

0:16:35.280 --> 0:16:38.080
<v Speaker 1>songwriting story that I've ever heard.

0:16:38.520 --> 0:16:41.120
<v Speaker 2>Write your life the second verse just for the funny

0:16:41.120 --> 0:16:43.120
<v Speaker 2>it because that's what we're doing. The second verse is

0:16:43.520 --> 0:16:46.760
<v Speaker 2>thiefs flying off at the mouth talking about dumping and

0:16:46.840 --> 0:16:49.160
<v Speaker 2>wetting me something because they were like, you're about to

0:16:49.160 --> 0:16:49.760
<v Speaker 2>get dumped on.

0:16:50.120 --> 0:16:51.400
<v Speaker 3>You're just about to get wet up in here. And

0:16:51.440 --> 0:16:57.560
<v Speaker 3>I'm like these white people don't know what translator. I'm like,

0:16:57.640 --> 0:16:59.360
<v Speaker 3>lucky on me. I'm like I told you I'm part

0:16:59.360 --> 0:17:01.280
<v Speaker 3>of the cultures. I'm I'm like, I know a dumbing

0:17:01.320 --> 0:17:04.480
<v Speaker 3>and wedding is. But again, but lay down, guys.

0:17:04.520 --> 0:17:07.439
<v Speaker 2>What they're saying, yeah, okay, everyone, they're trying to They

0:17:07.520 --> 0:17:08.520
<v Speaker 2>just want you to lay down.

0:17:09.040 --> 0:17:11.119
<v Speaker 3>You're gonna get dumped on and get wet on. Okay,

0:17:11.560 --> 0:17:14.080
<v Speaker 3>I mean shooting. You don't want that. They're gonna shoot,

0:17:14.080 --> 0:17:15.800
<v Speaker 3>and none of us want that to happen. Are you

0:17:16.119 --> 0:17:17.640
<v Speaker 3>kidding me? Yeah?

0:17:17.880 --> 0:17:21.119
<v Speaker 2>That's a great part of art, man, is that it

0:17:21.160 --> 0:17:23.600
<v Speaker 2>can come from anywhere. And when I was younger, I

0:17:23.680 --> 0:17:27.080
<v Speaker 2>really challenged myself for those kind of things.

0:17:28.720 --> 0:17:31.840
<v Speaker 1>Give me your energy as this album drops, because I

0:17:31.880 --> 0:17:35.000
<v Speaker 1>think the album the album dropped and the first single,

0:17:35.040 --> 0:17:38.800
<v Speaker 1>of course, where we all heard the first single, but

0:17:39.160 --> 0:17:43.840
<v Speaker 1>comparatively speaking, this wasn't the blast off as we as

0:17:43.880 --> 0:17:46.560
<v Speaker 1>we as we know hindsight looking.

0:17:46.560 --> 0:17:49.080
<v Speaker 2>Correct, this is where the magic happens.

0:17:49.160 --> 0:17:53.440
<v Speaker 1>What was your where are you artistically? And even mentally

0:17:54.440 --> 0:17:57.800
<v Speaker 1>after this project drops, because there's still so much work

0:17:57.840 --> 0:17:59.639
<v Speaker 1>to do, even with this great music you have.

0:18:00.440 --> 0:18:02.359
<v Speaker 2>Well, what happened was there was so much hype in

0:18:02.440 --> 0:18:06.639
<v Speaker 2>Andrea Herrel connecting me to the most fabulous people in

0:18:07.000 --> 0:18:09.760
<v Speaker 2>in you know the world. At times, I was very

0:18:09.840 --> 0:18:12.600
<v Speaker 2>ahead of my accomplishments.

0:18:12.760 --> 0:18:13.040
<v Speaker 3>I had.

0:18:13.560 --> 0:18:15.600
<v Speaker 2>All of the cool people were listening to it. Jay

0:18:15.680 --> 0:18:17.560
<v Speaker 2>Z was listening to it, Forarre was listening to it.

0:18:17.720 --> 0:18:19.600
<v Speaker 2>Usher had it. You know, every they all had it

0:18:19.600 --> 0:18:22.159
<v Speaker 2>because Andre had was friends with all of them, so

0:18:22.240 --> 0:18:23.760
<v Speaker 2>it was easy for him to get all of the

0:18:23.840 --> 0:18:25.000
<v Speaker 2>coolest people in music.

0:18:25.280 --> 0:18:25.920
<v Speaker 3>Mariah had it.

0:18:26.000 --> 0:18:28.280
<v Speaker 2>So I threw a Halloween party before the album came out.

0:18:28.440 --> 0:18:31.840
<v Speaker 2>Naomi Campbell was there, but Mariah Carey was there, Paul

0:18:31.920 --> 0:18:35.879
<v Speaker 2>Thomas Sanderson and the movie director Mariah Maria's is the

0:18:35.880 --> 0:18:38.159
<v Speaker 2>Halloween party. Maria's got pom poms and she's dancing on

0:18:38.200 --> 0:18:41.080
<v Speaker 2>the dance floor till you know three am. So we've

0:18:41.119 --> 0:18:44.480
<v Speaker 2>got oh Seal was there, So yeah, so, and we're

0:18:44.560 --> 0:18:46.560
<v Speaker 2>just listening to my album before it even comes out

0:18:46.600 --> 0:18:48.520
<v Speaker 2>in my studio at my house at top of Blue

0:18:48.600 --> 0:18:50.639
<v Speaker 2>Jay Way, you know what I mean. So I was

0:18:51.040 --> 0:18:53.120
<v Speaker 2>so I thought I was about to beat that thing,

0:18:53.200 --> 0:18:55.679
<v Speaker 2>you know what I mean. I'm you know, so then

0:18:55.720 --> 0:18:57.880
<v Speaker 2>all of a sudden it drops, sales don't happen.

0:18:58.280 --> 0:18:59.399
<v Speaker 3>I go to Jimmy, I'm you know.

0:18:59.520 --> 0:19:01.200
<v Speaker 2>Months later, I'm like, Jimmy, don't feel like you you know,

0:19:01.240 --> 0:19:03.160
<v Speaker 2>with support of the record, Jimmy goes in, he goes

0:19:03.280 --> 0:19:05.080
<v Speaker 2>tell me, tell me the Robin Dick numbers. Tell me

0:19:05.119 --> 0:19:08.960
<v Speaker 2>the numbers on Robin Dick goes six million, six million.

0:19:09.000 --> 0:19:10.760
<v Speaker 2>I spent on this, you know whatever it is, so

0:19:11.600 --> 0:19:16.240
<v Speaker 2>so everyone believed. Everyone believed it doesn't hit, it doesn't sell.

0:19:17.960 --> 0:19:22.800
<v Speaker 2>Culturally praised, uh, Rolling Stone magazine said it was Marvin

0:19:22.840 --> 0:19:29.000
<v Speaker 2>Gaye backed by Radiohead, and you know, so so we

0:19:29.160 --> 0:19:30.439
<v Speaker 2>had that, you know what I mean.

0:19:30.640 --> 0:19:37.399
<v Speaker 3>But but then what happens next is I go through Uh?

0:19:37.880 --> 0:19:40.200
<v Speaker 2>Who am I without success? What am I going to

0:19:40.240 --> 0:19:42.240
<v Speaker 2>be in this world? If if my music doesn't hit?

0:19:42.359 --> 0:19:45.680
<v Speaker 2>I was born to do this and and everyone said

0:19:45.720 --> 0:19:47.440
<v Speaker 2>it was going to be a big success and I

0:19:47.520 --> 0:19:49.880
<v Speaker 2>had all the right people around me, and it still

0:19:49.920 --> 0:19:50.359
<v Speaker 2>didn't hit.

0:19:50.440 --> 0:19:51.520
<v Speaker 3>What what do I do now?

0:19:51.600 --> 0:19:54.800
<v Speaker 2>And that is the evolution of Robin Thick. All those

0:19:54.920 --> 0:19:58.760
<v Speaker 2>songs were written. Next, I got to be down with

0:19:58.920 --> 0:20:01.440
<v Speaker 2>Faith's evans. I'm too complicated?

0:20:02.320 --> 0:20:03.560
<v Speaker 3>Would that make you love me?

0:20:04.280 --> 0:20:07.440
<v Speaker 2>I'm lost without you. I got to ask myself what

0:20:07.560 --> 0:20:08.080
<v Speaker 2>I'm going to be.

0:20:09.040 --> 0:20:10.640
<v Speaker 3>You know what I mean? I need love.

0:20:12.000 --> 0:20:15.199
<v Speaker 2>Can you believe when all hope is gone? I need

0:20:15.280 --> 0:20:19.080
<v Speaker 2>to look to the sky lonely world. Don't you worry, babe?

0:20:19.440 --> 0:20:21.720
<v Speaker 2>How will you get by angels?

0:20:22.280 --> 0:20:24.480
<v Speaker 3>You know what I mean. You are in a space, maam.

0:20:25.160 --> 0:20:28.240
<v Speaker 2>And that's when the magic happened, man. And that's those

0:20:28.240 --> 0:20:30.359
<v Speaker 2>are the best songs in the best moment, you know.

0:20:30.440 --> 0:20:34.879
<v Speaker 2>That's those songs are hard to repeat, and yet they

0:20:34.960 --> 0:20:37.800
<v Speaker 2>mean even more to me today, after twenty years later,

0:20:37.880 --> 0:20:40.480
<v Speaker 2>of everything I've been through. They're even more powerful to

0:20:40.600 --> 0:20:43.840
<v Speaker 2>me today when I sing them, Absolutely yeah, because I

0:20:43.880 --> 0:20:47.760
<v Speaker 2>spoke it before it happened. Lonely World, those lyrics are

0:20:47.800 --> 0:20:50.080
<v Speaker 2>pretty much the story of me meeting my new lady,

0:20:50.720 --> 0:20:53.240
<v Speaker 2>you know, my relationship with my son, all before it

0:20:53.320 --> 0:20:57.320
<v Speaker 2>ever happened. All these things spoke into existence and then

0:20:57.400 --> 0:20:59.480
<v Speaker 2>manifested in the next twenty years.

0:21:01.880 --> 0:21:05.639
<v Speaker 3>We need a song process for a loss without you.

0:21:05.880 --> 0:21:09.080
<v Speaker 3>We need a process. What was the process?

0:21:09.200 --> 0:21:11.840
<v Speaker 2>That was a quick one where with my bass player

0:21:11.920 --> 0:21:14.240
<v Speaker 2>Sean Hurley, who ended up working with John Mayer for

0:21:14.280 --> 0:21:16.760
<v Speaker 2>twenty years and one of the most amazing musicians I've

0:21:16.800 --> 0:21:19.320
<v Speaker 2>ever worked with. And he just comes over and you're like,

0:21:19.320 --> 0:21:21.600
<v Speaker 2>got this little thing, and he goes, diod Oh and

0:21:21.680 --> 0:21:24.200
<v Speaker 2>my my producing partner of twenty years from the beginning,

0:21:24.320 --> 0:21:26.280
<v Speaker 2>pro J, shout out to Proj and he does everything

0:21:26.320 --> 0:21:31.040
<v Speaker 2>to me. He grabs the the sweeper that you use

0:21:31.200 --> 0:21:33.480
<v Speaker 2>to sweep out the fireplace, and right next to it

0:21:33.520 --> 0:21:37.280
<v Speaker 2>while Chris Sean Hurley's playing and I'm singing, he goes

0:21:40.640 --> 0:21:42.720
<v Speaker 2>and that we recorded to I said, that's so cool.

0:21:42.760 --> 0:21:46.119
<v Speaker 2>That's so it's actually a fireplace sweeper. Is the shaker

0:21:46.200 --> 0:21:49.920
<v Speaker 2>on Loss Without You? But yeah, So about a couple

0:21:49.920 --> 0:21:51.280
<v Speaker 2>of weeks later, I started thinking to myself. I was

0:21:51.280 --> 0:21:54.520
<v Speaker 2>trying to write the verses, and I actually thought, I

0:21:54.640 --> 0:21:56.680
<v Speaker 2>was like, you know, if I was writing for Usher

0:21:56.760 --> 0:21:58.120
<v Speaker 2>or something, because I really wanted to be a big,

0:21:58.200 --> 0:21:59.560
<v Speaker 2>big hit, you know, and usually I just kind of

0:21:59.600 --> 0:22:00.600
<v Speaker 2>go to art up and I was like, if I

0:22:00.640 --> 0:22:02.040
<v Speaker 2>was writing this for Usher, how would I do the

0:22:02.160 --> 0:22:04.639
<v Speaker 2>verses because I just worked with Usher on his project

0:22:04.640 --> 0:22:07.720
<v Speaker 2>blah blah blah. So so I kind of wrote the

0:22:07.840 --> 0:22:09.720
<v Speaker 2>verses thinking that I was writing for usher.

0:22:09.760 --> 0:22:15.960
<v Speaker 3>How funny is that smash? Some mash smash?

0:22:29.880 --> 0:22:32.200
<v Speaker 5>So okay, So all these years you put in your

0:22:32.359 --> 0:22:36.920
<v Speaker 5>twenty thousand hours at this point, like no, seriously, right,

0:22:37.040 --> 0:22:38.720
<v Speaker 5>like you put it, you put it, you put in

0:22:38.880 --> 0:22:43.920
<v Speaker 5>real time. Like I remember when I got my first

0:22:43.960 --> 0:22:44.520
<v Speaker 5>solo deal.

0:22:45.200 --> 0:22:48.520
<v Speaker 3>They took me to your house. They took me, yes, yeah,

0:22:48.640 --> 0:22:49.040
<v Speaker 3>they took me.

0:22:49.160 --> 0:22:53.400
<v Speaker 5>Daryl Williams from from from Elektra took me to your house.

0:22:54.200 --> 0:22:56.920
<v Speaker 5>And you hadn't had your music out yet either though.

0:22:57.080 --> 0:22:57.480
<v Speaker 3>Oh wow.

0:22:57.640 --> 0:23:00.840
<v Speaker 2>Yeah, so yeah that ear he was writing, writing for

0:23:00.840 --> 0:23:03.080
<v Speaker 2>a lot of different y Stone up there.

0:23:03.119 --> 0:23:05.320
<v Speaker 3>I mean, you know, we seen in me a line

0:23:05.440 --> 0:23:06.800
<v Speaker 3>we had people were.

0:23:06.720 --> 0:23:08.600
<v Speaker 5>And I'm like, yeah, maya and they playing in pro

0:23:08.720 --> 0:23:11.760
<v Speaker 5>jus like the whole thing. So I saw the process,

0:23:11.880 --> 0:23:14.840
<v Speaker 5>you know what I mean really really early on. So

0:23:15.040 --> 0:23:17.240
<v Speaker 5>after you you've done all that, you're writing for people,

0:23:17.320 --> 0:23:21.080
<v Speaker 5>you working with everybody, now you have your first smash.

0:23:21.600 --> 0:23:25.400
<v Speaker 3>Yeah, what's the feeling for you at this point? Oh man?

0:23:25.680 --> 0:23:29.119
<v Speaker 3>Just you know, I remember just being feeling like, Okay,

0:23:29.320 --> 0:23:35.760
<v Speaker 3>I'm not crazy, I'm okay. I thought it was good.

0:23:36.160 --> 0:23:37.480
<v Speaker 3>I thought it was pretty good music.

0:23:37.680 --> 0:23:40.000
<v Speaker 2>Yeah, but yeah, no, you just you just kind of

0:23:40.040 --> 0:23:41.680
<v Speaker 2>say thank you God, you know, and you just you

0:23:41.800 --> 0:23:44.240
<v Speaker 2>just enjoy the moment and and then the ride happens

0:23:44.320 --> 0:23:46.080
<v Speaker 2>quickly and then you know, next thing, you know, I'm

0:23:46.160 --> 0:23:48.200
<v Speaker 2>on Oprah twice. A couple of months later, I do

0:23:48.280 --> 0:23:49.479
<v Speaker 2>a summer tour with Beyonce.

0:23:49.840 --> 0:23:53.920
<v Speaker 3>So that's all within like six summer tour with beyond.

0:23:54.359 --> 0:23:57.400
<v Speaker 2>Oprah twice, Yeah, and Oprah com Oprah had me back

0:23:57.720 --> 0:24:00.320
<v Speaker 2>a month later because she, you know, was a brad

0:24:00.359 --> 0:24:02.840
<v Speaker 2>the album I loved and Yeah, and the numbers were

0:24:02.880 --> 0:24:05.400
<v Speaker 2>so high once once I was on Oprah, the number

0:24:06.760 --> 0:24:08.920
<v Speaker 2>the sales sales from your Yeah, so it was just

0:24:09.000 --> 0:24:11.240
<v Speaker 2>like weekly and again it was all you know, we

0:24:11.359 --> 0:24:13.840
<v Speaker 2>had number one R and B album for like twelve weeks,

0:24:13.880 --> 0:24:15.359
<v Speaker 2>you know what I mean, Like it was Yeah, it

0:24:15.560 --> 0:24:18.040
<v Speaker 2>was we was in there. Wow.

0:24:18.440 --> 0:24:20.520
<v Speaker 3>And you know, it's just you just stay grateful.

0:24:20.560 --> 0:24:23.800
<v Speaker 2>And then and then comes, you know, the roller coaster

0:24:23.960 --> 0:24:27.119
<v Speaker 2>of fame and the stuff you've been you know, waiting

0:24:27.200 --> 0:24:29.560
<v Speaker 2>for for twenty years and all the complications that come

0:24:29.600 --> 0:24:29.840
<v Speaker 2>with that.

0:24:31.000 --> 0:24:34.240
<v Speaker 1>Did you perform I could be mistaken, but I feel

0:24:34.280 --> 0:24:37.240
<v Speaker 1>like you performed lost without you on the Grammys or

0:24:38.040 --> 0:24:44.000
<v Speaker 1>good they were doing, we were doing and everything amazing performance.

0:24:45.840 --> 0:24:50.040
<v Speaker 3>Amazing performance. Thank you. I appreciate that, absolutely amazing. I

0:24:50.240 --> 0:24:53.720
<v Speaker 3>was like, he's really good.

0:24:55.119 --> 0:24:59.879
<v Speaker 1>Because it's like you said, those type of hits, the

0:25:00.040 --> 0:25:03.960
<v Speaker 1>those are once in a lifetime moment for people because

0:25:04.160 --> 0:25:04.760
<v Speaker 1>we'll get.

0:25:04.680 --> 0:25:09.640
<v Speaker 2>To even just the songwriting connection, like when you when

0:25:09.680 --> 0:25:11.600
<v Speaker 2>you write a song and you know the feeling and

0:25:11.720 --> 0:25:13.960
<v Speaker 2>that song comes on in the audience and there's this

0:25:14.160 --> 0:25:20.560
<v Speaker 2>collective wave of love and appreciation and sentimentality and positivity

0:25:20.640 --> 0:25:23.640
<v Speaker 2>that just flows out of that song. Makes people feel yeah,

0:25:23.800 --> 0:25:26.760
<v Speaker 2>because they they had so many good times to that song,

0:25:26.800 --> 0:25:30.280
<v Speaker 2>and you can't take that away from them. They they

0:25:30.400 --> 0:25:33.480
<v Speaker 2>were in the bed with somebody they loved listening to that,

0:25:33.600 --> 0:25:36.800
<v Speaker 2>you know. They they were on vacation dancing with the

0:25:36.840 --> 0:25:38.520
<v Speaker 2>one they loved when they heard that, you know what

0:25:38.600 --> 0:25:40.879
<v Speaker 2>I mean. And that's I can't take away that that

0:25:41.119 --> 0:25:42.280
<v Speaker 2>that feeling and that connection.

0:25:42.520 --> 0:25:47.840
<v Speaker 1>I feel like anytime a song can fill in the blanksh.

0:25:48.160 --> 0:25:53.040
<v Speaker 3>It just it just takes voicemail. This is what I

0:25:53.080 --> 0:25:57.280
<v Speaker 3>want to say to you. It feels in the blanks.

0:25:57.520 --> 0:26:00.320
<v Speaker 3>It's just it's just something about it.

0:26:00.440 --> 0:26:03.880
<v Speaker 1>And as you say, these songs mean so much more,

0:26:04.080 --> 0:26:06.960
<v Speaker 1>Like you know, twenty whatever years and you're you're like

0:26:07.200 --> 0:26:11.120
<v Speaker 1>when they come on, it's like it's deal and puts

0:26:11.119 --> 0:26:11.479
<v Speaker 1>you back there.

0:26:11.520 --> 0:26:12.280
<v Speaker 3>And now it's like.

0:26:13.000 --> 0:26:19.520
<v Speaker 1>These songs are refreshing because of everything else that's going on.

0:26:19.760 --> 0:26:21.440
<v Speaker 3>Now that's just not like it.

0:26:21.720 --> 0:26:24.119
<v Speaker 2>Yeah, well, I mean, you know, the best things standard

0:26:24.160 --> 0:26:27.119
<v Speaker 2>test of time, and and love is in the end.

0:26:27.240 --> 0:26:30.200
<v Speaker 2>You know, love is that connection we're all looking for

0:26:30.960 --> 0:26:34.159
<v Speaker 2>and the best songs. You know, a man or a

0:26:34.240 --> 0:26:37.399
<v Speaker 2>woman or whatever you're each side of the partnership can

0:26:37.520 --> 0:26:40.480
<v Speaker 2>listen to the same song and feel the same connection

0:26:40.600 --> 0:26:42.920
<v Speaker 2>to it, even though you know they're both on different

0:26:42.960 --> 0:26:45.480
<v Speaker 2>sides of the relationship. Yeah, as the song just when

0:26:45.520 --> 0:26:47.800
<v Speaker 2>it speaks for all of us, it connects to all

0:26:47.880 --> 0:26:48.119
<v Speaker 2>of us.

0:26:48.200 --> 0:26:50.160
<v Speaker 1>You know, I want to ask you a question before

0:26:50.280 --> 0:26:54.840
<v Speaker 1>before we go to the monster, I want to ask

0:26:54.880 --> 0:26:57.560
<v Speaker 1>you a question. Me and me and Jay talk about

0:26:57.560 --> 0:27:02.800
<v Speaker 1>this a lot. You came you you you came up

0:27:03.000 --> 0:27:06.600
<v Speaker 1>and not only just a very talented family, but.

0:27:07.600 --> 0:27:10.520
<v Speaker 3>Pops was guy.

0:27:10.880 --> 0:27:16.280
<v Speaker 1>Pops was a god like you had You had the

0:27:17.760 --> 0:27:19.840
<v Speaker 1>you had the fame, you had the money, you had

0:27:19.920 --> 0:27:24.600
<v Speaker 1>the you know, probably all the things that you needed

0:27:25.480 --> 0:27:33.800
<v Speaker 1>to just be cool. But you are still chasing this

0:27:35.280 --> 0:27:39.800
<v Speaker 1>with a hunger like like you don't have it, like

0:27:39.920 --> 0:27:42.920
<v Speaker 1>you don't come from it. Yeah, yeah, what does that

0:27:43.119 --> 0:27:46.440
<v Speaker 1>come from? I think it's just you know, it's that rare.

0:27:47.840 --> 0:27:48.760
<v Speaker 3>Thing that that.

0:27:50.400 --> 0:27:52.680
<v Speaker 2>All of us have it. But when you when you

0:27:52.840 --> 0:27:56.159
<v Speaker 2>know it early and there's no doubt about it, Like

0:27:56.200 --> 0:27:59.520
<v Speaker 2>when people try to tell me, like, you know, what

0:27:59.600 --> 0:28:01.440
<v Speaker 2>do I need to do to be? You just are

0:28:01.600 --> 0:28:03.159
<v Speaker 2>you just are? You already see it? You already know

0:28:03.200 --> 0:28:04.800
<v Speaker 2>what's going to happen. You've are you know, you just

0:28:04.960 --> 0:28:07.480
<v Speaker 2>know it very early on, Like nothing's going to stop

0:28:07.560 --> 0:28:10.639
<v Speaker 2>me from learning what I need to learn, practicing what

0:28:10.720 --> 0:28:14.440
<v Speaker 2>I need to practice, out working the guy or girl

0:28:14.560 --> 0:28:18.040
<v Speaker 2>next to me, and sooner or later, you know, my

0:28:18.520 --> 0:28:21.440
<v Speaker 2>some form of these dreams will come true and I

0:28:21.560 --> 0:28:23.760
<v Speaker 2>will I will get to that that place.

0:28:23.960 --> 0:28:29.280
<v Speaker 1>But it's like most people who are in this comfortable

0:28:29.480 --> 0:28:35.600
<v Speaker 1>space growing up in this we already have it, don't

0:28:35.800 --> 0:28:40.720
<v Speaker 1>have that level of hunger or even confidence in their

0:28:40.920 --> 0:28:44.240
<v Speaker 1>own ability to get their own.

0:28:44.480 --> 0:28:44.680
<v Speaker 2>Yeah.

0:28:45.600 --> 0:28:49.040
<v Speaker 1>Was there like was there a thing in you to say, Okay,

0:28:50.080 --> 0:28:53.440
<v Speaker 1>popsot his, but that's his, I gotta get mine.

0:28:53.560 --> 0:28:53.760
<v Speaker 3>Yeah.

0:28:53.840 --> 0:28:56.480
<v Speaker 2>Of course there's a competitive spirit and that that happens

0:28:56.520 --> 0:28:59.360
<v Speaker 2>in a lot of families. Whether it's if you're a lawyer,

0:28:59.680 --> 0:29:02.640
<v Speaker 2>sometime just becomes a better lawyer or bigger, or because

0:29:02.680 --> 0:29:05.240
<v Speaker 2>he had the connections or he had the information. Because

0:29:05.320 --> 0:29:07.560
<v Speaker 2>Dad's connections didn't totally help me that.

0:29:07.640 --> 0:29:10.000
<v Speaker 3>Way, but his belief in me. He put me in

0:29:10.040 --> 0:29:10.960
<v Speaker 3>the room with David Foster.

0:29:11.040 --> 0:29:13.840
<v Speaker 2>When I was thirteen, I was in the studio like

0:29:14.000 --> 0:29:17.880
<v Speaker 2>these with Natalie Cole when she was recording Unforgettable.

0:29:18.320 --> 0:29:23.480
<v Speaker 3>I'm glad we got I got to come. He's poor

0:29:23.560 --> 0:29:23.720
<v Speaker 3>in it.

0:29:24.240 --> 0:29:27.480
<v Speaker 2>But the last, the one, the coupe de gras, the

0:29:27.560 --> 0:29:29.920
<v Speaker 2>one that takes the cake is One day I'm at

0:29:30.000 --> 0:29:34.000
<v Speaker 2>Joe Tory baseball camp in an Encino and I come

0:29:34.120 --> 0:29:38.240
<v Speaker 2>home and Kevin Costner is there at the piano with

0:29:38.560 --> 0:29:42.240
<v Speaker 2>this beautiful black woman and David Foster sitting and playing

0:29:42.320 --> 0:29:46.720
<v Speaker 2>a song and they are practicing I Will Always Love You.

0:29:46.960 --> 0:29:48.520
<v Speaker 2>Before they give it to Whitney.

0:29:48.520 --> 0:29:49.360
<v Speaker 3>I knew where he was going.

0:29:50.200 --> 0:29:52.960
<v Speaker 2>I knew, and I just walked past the piano and

0:29:53.120 --> 0:29:55.320
<v Speaker 2>I go into the uh, you know, going to my

0:29:55.440 --> 0:29:57.719
<v Speaker 2>room like it's not none. Then, like, what's Kevin Costner

0:29:57.840 --> 0:29:58.200
<v Speaker 2>doing here?

0:29:58.760 --> 0:30:00.240
<v Speaker 3>You know, my dad's not even there.

0:30:00.240 --> 0:30:02.320
<v Speaker 2>He just let David use his house because David was

0:30:02.320 --> 0:30:05.400
<v Speaker 2>working on another project at a studio right around the corner,

0:30:05.440 --> 0:30:08.240
<v Speaker 2>probably you know, one of those, and he said, I

0:30:08.320 --> 0:30:09.760
<v Speaker 2>need enough. I'm gonna have to come to your house,

0:30:09.800 --> 0:30:12.480
<v Speaker 2>Alan and use your piano and meet with Kevin real quick.

0:30:12.560 --> 0:30:16.280
<v Speaker 3>So that was that was what I walked in. That's

0:30:16.360 --> 0:30:17.440
<v Speaker 3>what my dad knew.

0:30:17.440 --> 0:30:23.280
<v Speaker 2>Everybody everyone loved him and he was, oh yeah, no

0:30:23.320 --> 0:30:25.520
<v Speaker 2>on linder Sin's day one did Lyndon was around when

0:30:25.520 --> 0:30:25.960
<v Speaker 2>I was born.

0:30:26.800 --> 0:30:28.920
<v Speaker 3>Oh this is great. Oh yes, this is great, bro.

0:30:29.680 --> 0:30:33.200
<v Speaker 2>That is how crazy is that? It's a good time.

0:30:33.240 --> 0:30:36.680
<v Speaker 3>I don't know, that's the quzy. It's just my life.

0:30:36.960 --> 0:30:39.240
<v Speaker 3>Probably it's my life.

0:30:39.400 --> 0:30:42.640
<v Speaker 2>And you know when when my dad passed away, Magic

0:30:42.720 --> 0:30:44.680
<v Speaker 2>Johnson sent me a note and was or he said

0:30:44.720 --> 0:30:46.960
<v Speaker 2>in the paper actually and he said it to me

0:30:47.040 --> 0:30:49.560
<v Speaker 2>personally again when I saw him recently, but he said,

0:30:50.480 --> 0:30:52.520
<v Speaker 2>Alan think was the first celebrity that I met when

0:30:52.560 --> 0:30:55.600
<v Speaker 2>I came to Los Angeles. My dad was at every

0:30:56.280 --> 0:30:58.680
<v Speaker 2>basketball and hockey game. He lived at the Forum. He

0:30:58.680 --> 0:31:01.160
<v Speaker 2>didn't miss a game. In fact, I was born when

0:31:01.240 --> 0:31:04.000
<v Speaker 2>he was headed to the Forum for a game and

0:31:04.160 --> 0:31:06.160
<v Speaker 2>my mom was like pregnant two weeks early. And I

0:31:06.240 --> 0:31:08.480
<v Speaker 2>remember my dad, you know, having fun of joke. Well,

0:31:08.560 --> 0:31:12.000
<v Speaker 2>you better be right, because I've got VIP parking passes,

0:31:16.920 --> 0:31:18.240
<v Speaker 2>you know, forever the comedian.

0:31:18.280 --> 0:31:19.640
<v Speaker 3>But yeah, he just lived in those games.

0:31:19.720 --> 0:31:22.280
<v Speaker 2>He lived in that culture, and he was great friends

0:31:22.320 --> 0:31:26.400
<v Speaker 2>with Jerry Buss and Magic and Wayne Gretzky. Actually, when

0:31:26.440 --> 0:31:29.360
<v Speaker 2>Wayne Gretzky was traded to the Kings, he was staying

0:31:29.480 --> 0:31:31.800
<v Speaker 2>at our house with Janet for two weeks. My dad

0:31:32.560 --> 0:31:35.160
<v Speaker 2>was in Russia with my older brother, and I was

0:31:35.200 --> 0:31:36.680
<v Speaker 2>at home at Joe Tory camp again.

0:31:37.040 --> 0:31:39.480
<v Speaker 3>And this is na storry to comedian guys. Yeah, this

0:31:39.600 --> 0:31:41.120
<v Speaker 3>is coach.

0:31:43.120 --> 0:31:46.280
<v Speaker 2>Of the New York Yankees Championships. But so I come

0:31:46.360 --> 0:31:48.480
<v Speaker 2>home and oh no, I'm at home in the morning.

0:31:48.800 --> 0:31:50.520
<v Speaker 2>At seven o'clock in the morning, the phone rings. I'm

0:31:50.520 --> 0:31:52.600
<v Speaker 2>getting ready to go to camp. And I answered the

0:31:52.600 --> 0:31:54.440
<v Speaker 2>phone as Bruce McNall, the owner of the Kings, and

0:31:54.520 --> 0:31:57.360
<v Speaker 2>he says, hey, Robin is, can you put me on

0:31:57.400 --> 0:31:59.920
<v Speaker 2>the phone with Wayne? And I go, well, he's sleeping.

0:32:00.000 --> 0:32:01.160
<v Speaker 2>You know, I really don't want to wake him. He goes,

0:32:01.440 --> 0:32:02.680
<v Speaker 2>you need to wake him. I need to talk to

0:32:02.760 --> 0:32:03.239
<v Speaker 2>him right now.

0:32:03.920 --> 0:32:04.560
<v Speaker 3>I go in there.

0:32:04.560 --> 0:32:06.600
<v Speaker 2>I say, hey, Wayne, Bruce is on the phone. You

0:32:06.920 --> 0:32:10.000
<v Speaker 2>gotta get it, he says. So Wayne answers the phone.

0:32:10.080 --> 0:32:12.360
<v Speaker 2>I go to camp, I come home Wayne's and Edmonton

0:32:12.440 --> 0:32:14.840
<v Speaker 2>at the podium. He was traded that morning. That was

0:32:14.880 --> 0:32:16.959
<v Speaker 2>the phone call when he got traded.

0:32:18.160 --> 0:32:18.840
<v Speaker 3>You took the call.

0:32:19.200 --> 0:32:21.840
<v Speaker 2>I took the call and told Wayne to get on

0:32:21.920 --> 0:32:24.000
<v Speaker 2>the phone. The day he was traded to the Kings.

0:32:25.920 --> 0:32:31.680
<v Speaker 2>It's pretty crazy. Your life was crazy, crazy crazy. This

0:32:31.880 --> 0:32:34.440
<v Speaker 2>is absolute And that's just by the time I'm twelve,

0:32:34.560 --> 0:32:38.240
<v Speaker 2>you know what I mean, we didn't even we ain't

0:32:38.240 --> 0:32:39.560
<v Speaker 2>even got into nothing yet.

0:32:39.600 --> 0:32:42.840
<v Speaker 5>So there's one thing though, as we talk about these

0:32:42.880 --> 0:32:45.560
<v Speaker 5>great songs, because I'm like a I'm a deep cut guy.

0:32:45.680 --> 0:32:48.600
<v Speaker 3>Yeah, I'm a deep cut guy. You've got this song

0:32:48.680 --> 0:32:50.000
<v Speaker 3>called Teach You a Lesson.

0:32:49.880 --> 0:32:53.160
<v Speaker 2>Yes, sir, Yeah, I love that song. That's special, that

0:32:53.360 --> 0:32:55.840
<v Speaker 2>whole I still do that in the longest shows because

0:32:55.840 --> 0:32:57.840
<v Speaker 2>it's just such a moment, you know, because the way

0:32:57.880 --> 0:32:59.800
<v Speaker 2>you talk to people, like when you when you talk

0:32:59.840 --> 0:33:02.720
<v Speaker 2>to somebody and you really oh and you know how

0:33:02.800 --> 0:33:04.960
<v Speaker 2>personally that moment was. That was a real moment where

0:33:05.000 --> 0:33:06.160
<v Speaker 2>I felt every word of that.

0:33:06.320 --> 0:33:11.600
<v Speaker 3>You know what I mean. Amazing that a cocaine Oh

0:33:11.680 --> 0:33:16.560
<v Speaker 3>that was that was a true story. Well, it was

0:33:16.640 --> 0:33:17.800
<v Speaker 3>about all the temptations.

0:33:17.840 --> 0:33:19.720
<v Speaker 2>I'd never done cocaine, and it was all about the

0:33:19.800 --> 0:33:25.240
<v Speaker 2>temptations surrounding me in this fabulous lifestyle and these Hollywood

0:33:25.280 --> 0:33:27.720
<v Speaker 2>people and yeah, and as I was getting into the

0:33:27.840 --> 0:33:31.680
<v Speaker 2>world of these superstars and you know, the late night

0:33:31.760 --> 0:33:37.280
<v Speaker 2>parties and some of that kind of stuff and so, yeah, manies.

0:33:37.360 --> 0:33:39.360
<v Speaker 3>But the funny not me. I wasn't arrested. But I

0:33:39.440 --> 0:33:41.400
<v Speaker 3>saw a friend of mine in that world.

0:33:41.680 --> 0:33:43.520
<v Speaker 2>And I was driving through Beverly Hills and I just

0:33:43.560 --> 0:33:47.000
<v Speaker 2>saw him in an alley getting getting put into a car,

0:33:47.040 --> 0:33:48.480
<v Speaker 2>and I was like, that's my homie, and I just

0:33:48.640 --> 0:33:50.600
<v Speaker 2>I just didn't know if it was cocaine or whatever.

0:33:50.760 --> 0:33:54.520
<v Speaker 2>But when I was getting into all that world, that Hollywood, No,

0:33:54.600 --> 0:33:54.800
<v Speaker 2>I just.

0:33:54.800 --> 0:33:55.480
<v Speaker 3>Don't know what it was.

0:33:55.920 --> 0:33:58.160
<v Speaker 2>I remember that visual and being afraid for him. It

0:33:58.200 --> 0:34:01.720
<v Speaker 2>turned out he was carrying a gun and it wasn't drugs.

0:34:01.760 --> 0:34:03.640
<v Speaker 2>But but the fact that I saw a friend who

0:34:03.680 --> 0:34:07.400
<v Speaker 2>I thought might have gotten caught with cocaine inspired the

0:34:07.480 --> 0:34:10.080
<v Speaker 2>line of I'm standing in an alley with my hands

0:34:10.120 --> 0:34:10.640
<v Speaker 2>behind here.

0:34:10.680 --> 0:34:14.080
<v Speaker 3>I am listening to the album like man rob up. No.

0:34:14.360 --> 0:34:17.680
<v Speaker 2>No, I never, man, I had never. It was all

0:34:17.680 --> 0:34:20.080
<v Speaker 2>about the temptations and how do you stay away from it?

0:34:20.160 --> 0:34:20.680
<v Speaker 3>And that that.

0:34:20.840 --> 0:34:23.960
<v Speaker 5>Songwriting, but that is actually a song where you put

0:34:24.160 --> 0:34:26.239
<v Speaker 5>people in a place. No matter what it is, it

0:34:26.280 --> 0:34:28.120
<v Speaker 5>could be good bad whatever.

0:34:27.960 --> 0:34:31.000
<v Speaker 3>You write screenplays, bro, Yeah, man, there's some good ones man,

0:34:31.480 --> 0:34:31.640
<v Speaker 3>you know.

0:34:31.840 --> 0:34:33.719
<v Speaker 2>But I love That's the thing. I love music, and

0:34:34.160 --> 0:34:37.320
<v Speaker 2>my songs are my story, you know, and that's what

0:34:37.400 --> 0:34:39.960
<v Speaker 2>I leave behind, you know. And so when you listen

0:34:40.080 --> 0:34:43.239
<v Speaker 2>to my songs that they are literally telling my life story.

0:34:43.040 --> 0:34:43.200
<v Speaker 3>You know.

0:34:43.560 --> 0:34:46.520
<v Speaker 2>Besides, if you dance record, yes, and then dance records,

0:34:47.880 --> 0:34:51.120
<v Speaker 2>like when you make a dance record, you just want

0:34:51.200 --> 0:34:52.120
<v Speaker 2>people to dance, you know.

0:34:57.600 --> 0:35:01.360
<v Speaker 3>I'm in record playing right there in the in the

0:35:01.480 --> 0:35:05.040
<v Speaker 3>first room on the right with a guy by the

0:35:05.160 --> 0:35:09.520
<v Speaker 3>name of t I. He's working on some music. I'm

0:35:09.560 --> 0:35:11.239
<v Speaker 3>in there with him. Were actually working with me this

0:35:11.360 --> 0:35:14.640
<v Speaker 3>story after you heard it, Actually esp actually working.

0:35:14.480 --> 0:35:16.200
<v Speaker 1>On We have an artist we're working on together. At

0:35:16.239 --> 0:35:18.040
<v Speaker 1>the time, we had a little partnership. We're doing it.

0:35:18.120 --> 0:35:22.000
<v Speaker 1>So we're just in the studio kicking it and somebody

0:35:22.120 --> 0:35:27.200
<v Speaker 1>walks in and says, hey, I need you to get

0:35:27.239 --> 0:35:28.480
<v Speaker 1>to this Robin record.

0:35:29.440 --> 0:35:31.080
<v Speaker 3>He's like, He's like, hey, all right, do it up.

0:35:31.080 --> 0:35:31.480
<v Speaker 3>Pull it up.

0:35:32.760 --> 0:35:34.360
<v Speaker 1>He said, this is the record. We think it's going

0:35:34.440 --> 0:35:37.360
<v Speaker 1>to be a big record. We need you want it.

0:35:37.480 --> 0:35:39.040
<v Speaker 1>He's got to have you on it. And he's like,

0:35:39.080 --> 0:35:45.120
<v Speaker 1>all right, played that motherfucking record. The T I says,

0:35:49.840 --> 0:35:55.280
<v Speaker 1>turn the micael I love it, goes in the booth,

0:35:57.560 --> 0:36:02.279
<v Speaker 1>listens to it maybe one more time and does that

0:36:02.680 --> 0:36:05.200
<v Speaker 1>entire rap from top to box.

0:36:05.360 --> 0:36:12.160
<v Speaker 3>No, he does not. Absolutely watched. I watched him do it.

0:36:12.200 --> 0:36:14.880
<v Speaker 3>I was like, no way, I've never seen him in

0:36:14.920 --> 0:36:16.840
<v Speaker 3>studio before. For a moment, I didn't know that.

0:36:17.080 --> 0:36:17.680
<v Speaker 2>That's amazing.

0:36:17.920 --> 0:36:28.640
<v Speaker 1>Top to bottom, didn't write nothing, nothing. Yeah, it's a talent.

0:36:28.800 --> 0:36:33.160
<v Speaker 2>And I looked that said oh that's why you okay

0:36:33.360 --> 0:36:36.439
<v Speaker 2>r T I, Yeah, that's that's that's amazing. I can't

0:36:36.440 --> 0:36:37.880
<v Speaker 2>believe he just went in and dropped.

0:36:37.600 --> 0:36:40.239
<v Speaker 3>It like that. And I'm there and I'm like, this

0:36:40.440 --> 0:36:43.239
<v Speaker 3>is going to go crazy. Yeah.

0:36:43.360 --> 0:36:45.120
<v Speaker 2>Jay and Wayne did the same thing when I worked

0:36:45.160 --> 0:36:46.759
<v Speaker 2>with them. Yeah, incredible how they.

0:36:46.719 --> 0:36:47.080
<v Speaker 3>Can do that.

0:36:47.640 --> 0:36:51.320
<v Speaker 1>But I just I remember hearing that song and knowing

0:36:51.880 --> 0:36:56.239
<v Speaker 1>that nothing or no one was going to be able

0:36:56.320 --> 0:37:00.520
<v Speaker 1>to stop you. When this record came out, and then

0:37:00.640 --> 0:37:03.080
<v Speaker 1>the video. I saw the video and I said, everything

0:37:03.160 --> 0:37:03.400
<v Speaker 1>was right.

0:37:03.560 --> 0:37:08.719
<v Speaker 5>Everything made all the right decisions, man, at least from

0:37:08.760 --> 0:37:09.240
<v Speaker 5>the outside.

0:37:09.360 --> 0:37:11.080
<v Speaker 2>I remember Jimmy I having called me as soon as

0:37:11.200 --> 0:37:13.200
<v Speaker 2>he saw the video. It calls me at seven thirty

0:37:13.239 --> 0:37:14.719
<v Speaker 2>am and goes, Robin.

0:37:14.640 --> 0:37:16.080
<v Speaker 3>Is going to be the biggest record of your life.

0:37:16.120 --> 0:37:17.879
<v Speaker 3>There's going to be number one all around the world.

0:37:18.239 --> 0:37:19.080
<v Speaker 2>This is incredible.

0:37:19.080 --> 0:37:19.880
<v Speaker 3>I love this record.

0:37:19.920 --> 0:37:20.600
<v Speaker 2>I love this video.

0:37:20.640 --> 0:37:21.799
<v Speaker 3>It is the best thing you've ever done.

0:37:21.880 --> 0:37:22.640
<v Speaker 2>It's gonna be huge.

0:37:22.680 --> 0:37:26.920
<v Speaker 3>I'm gonna make sure of it. And I remember, and

0:37:27.080 --> 0:37:30.600
<v Speaker 3>now it's not just on the radio. It's not just

0:37:31.160 --> 0:37:31.360
<v Speaker 3>you know.

0:37:31.840 --> 0:37:37.919
<v Speaker 1>I remember being an Arenas with you watching every night

0:37:38.920 --> 0:37:41.920
<v Speaker 1>this song shake the fucking arena.

0:37:42.280 --> 0:37:46.319
<v Speaker 2>Wow, not a couple of nights, those were times every night.

0:37:46.800 --> 0:37:49.040
<v Speaker 2>Those are times every night.

0:37:49.160 --> 0:37:54.520
<v Speaker 3>That's Temple records are tough for soulful guys anyway already,

0:37:55.080 --> 0:37:59.560
<v Speaker 3>but that that's different, man.

0:38:00.040 --> 0:38:02.919
<v Speaker 2>As the brilliance of phar Real Mania was the most

0:38:03.800 --> 0:38:05.800
<v Speaker 2>talented person I've ever been in a room with. You know,

0:38:06.000 --> 0:38:10.399
<v Speaker 2>he's so the story behind it, well, we had three

0:38:10.480 --> 0:38:13.320
<v Speaker 2>days in the studio. We did three records, one record

0:38:13.360 --> 0:38:17.440
<v Speaker 2>a day. Blurred Lines was on the third day. My

0:38:17.600 --> 0:38:19.799
<v Speaker 2>dad actually came by the studio just to say hi.

0:38:19.920 --> 0:38:21.960
<v Speaker 2>But he happened to be there the night Blurred Lines

0:38:22.080 --> 0:38:24.800
<v Speaker 2>was made, and it was the kind of song like

0:38:25.280 --> 0:38:27.840
<v Speaker 2>you know, people were hearing it from the other studios,

0:38:27.960 --> 0:38:30.160
<v Speaker 2>and the lady at the front desk and the manager

0:38:30.239 --> 0:38:32.600
<v Speaker 2>of the studio and everybody just kind of started putting

0:38:32.640 --> 0:38:34.759
<v Speaker 2>their head in, you know what I mean, and wanted

0:38:34.800 --> 0:38:37.200
<v Speaker 2>to hear it. And then and as we were adding

0:38:37.239 --> 0:38:39.080
<v Speaker 2>those last little ad libs whatever, but you know, we're

0:38:39.080 --> 0:38:40.840
<v Speaker 2>playing it loud, we're figuring out what the little pieces

0:38:40.880 --> 0:38:44.000
<v Speaker 2>that are missing, and but right from the start, next thing,

0:38:44.040 --> 0:38:46.080
<v Speaker 2>I know, the whole room is dancing, and you know,

0:38:46.280 --> 0:38:48.319
<v Speaker 2>it was just that kind of and people couldn't stop

0:38:48.360 --> 0:38:51.560
<v Speaker 2>coming in from outside to uh to hear the record.

0:38:51.640 --> 0:38:53.480
<v Speaker 2>You know, Here's and there were like some other there

0:38:53.560 --> 0:38:55.440
<v Speaker 2>was a crew of other rappers that Farah was working with.

0:38:55.480 --> 0:39:00.360
<v Speaker 2>I can't recall right now, but they all wanted to

0:39:00.400 --> 0:39:01.719
<v Speaker 2>come in and hear it. And that's when we kind

0:39:01.719 --> 0:39:02.880
<v Speaker 2>of knew like we had something.

0:39:03.000 --> 0:39:09.239
<v Speaker 1>Here's a questions as a vocalist, right, this song, this

0:39:09.440 --> 0:39:16.960
<v Speaker 1>song has so many different things stylistically that you did

0:39:17.160 --> 0:39:22.080
<v Speaker 1>vocally that was different. Was that Pharrell saying no, do

0:39:22.280 --> 0:39:24.560
<v Speaker 1>it like this? Or was that you just in character,

0:39:24.680 --> 0:39:27.120
<v Speaker 1>saying I feel like this right now, like this.

0:39:27.320 --> 0:39:28.319
<v Speaker 3>Is where I think.

0:39:28.400 --> 0:39:30.800
<v Speaker 2>By then, I had already learned a lot from Pharrell,

0:39:31.200 --> 0:39:33.600
<v Speaker 2>And you know, when we did want to Love Your Girl,

0:39:33.680 --> 0:39:35.040
<v Speaker 2>he was like, make it sound a little more a

0:39:35.080 --> 0:39:36.920
<v Speaker 2>Britch and I did a little more British because he

0:39:37.040 --> 0:39:41.360
<v Speaker 2>wanted it to sound you know what I mean. But

0:39:41.520 --> 0:39:44.400
<v Speaker 2>by then him and I it was our third day together,

0:39:44.440 --> 0:39:45.960
<v Speaker 2>which is very rare to get three days in a

0:39:46.040 --> 0:39:49.000
<v Speaker 2>row with Pharrell anyway, and by the third day the

0:39:49.120 --> 0:39:51.720
<v Speaker 2>flow was just so pure. He would say, yeah, because

0:39:51.719 --> 0:39:54.239
<v Speaker 2>I think the record just opened itself for being really

0:39:54.320 --> 0:39:56.759
<v Speaker 2>silly and playful, where a lot of times, with being

0:39:56.760 --> 0:39:58.160
<v Speaker 2>an R and B soul singer, are you trying to

0:39:58.520 --> 0:40:01.360
<v Speaker 2>emotion emotion emotion? But that song has a lot of

0:40:01.440 --> 0:40:03.359
<v Speaker 2>humor in it, you know, And that's why I think

0:40:03.400 --> 0:40:05.360
<v Speaker 2>it just it's just so much fun to listen to

0:40:05.440 --> 0:40:08.319
<v Speaker 2>because it's sexy, it's funny, and it's got the humor

0:40:08.360 --> 0:40:08.520
<v Speaker 2>in it.

0:40:09.120 --> 0:40:12.320
<v Speaker 1>The first of all, I want to say that Pharrell

0:40:12.440 --> 0:40:16.560
<v Speaker 1>owes me a studio session. He came to me one

0:40:16.600 --> 0:40:18.200
<v Speaker 1>day and said, man, I want to work with you,

0:40:18.280 --> 0:40:20.239
<v Speaker 1>and I was like, well, I want to work with you.

0:40:20.400 --> 0:40:21.960
<v Speaker 3>Yeah, I want to work with you.

0:40:23.320 --> 0:40:28.399
<v Speaker 1>Yeah, I'm available now I'm not sure and I've never

0:40:28.520 --> 0:40:30.640
<v Speaker 1>gotten my studio session with Farrell.

0:40:30.880 --> 0:40:38.520
<v Speaker 3>If you talk to him, you know, you know that.

0:40:38.680 --> 0:40:40.680
<v Speaker 2>Man is on a different plane. I mean what he's

0:40:40.719 --> 0:40:43.520
<v Speaker 2>doing with us Vuitton and everything. He's just he's evolved

0:40:43.600 --> 0:40:48.520
<v Speaker 2>into all things and and an inspiration in all categories,

0:40:48.680 --> 0:40:50.520
<v Speaker 2>you know what I mean, just as a human being

0:40:50.719 --> 0:40:52.320
<v Speaker 2>and a man of the community and a man of

0:40:52.480 --> 0:40:56.680
<v Speaker 2>art and every facet and he's a leader generation with

0:40:56.960 --> 0:40:57.719
<v Speaker 2>question you.

0:40:58.160 --> 0:41:03.400
<v Speaker 3>Uh, first, congratulations for getting Struck by Lightning.

0:41:03.760 --> 0:41:10.560
<v Speaker 5>Song now twelve million, Yeah, so all time, Okay, Yeah,

0:41:10.600 --> 0:41:11.640
<v Speaker 5>we did all right on that one.

0:41:12.760 --> 0:41:14.840
<v Speaker 2>There's you know, in years in ago, I got I

0:41:14.880 --> 0:41:18.440
<v Speaker 2>got divorced, I got sued, my father passed away, my

0:41:18.600 --> 0:41:23.000
<v Speaker 2>manager passed away, my house burned down, Andre Herrel passed away.

0:41:23.440 --> 0:41:25.520
<v Speaker 2>So all that was like boom boom, boom boom for.

0:41:25.600 --> 0:41:25.960
<v Speaker 3>Me, you know.

0:41:26.280 --> 0:41:28.960
<v Speaker 2>And so so this album is about how I got

0:41:29.040 --> 0:41:31.520
<v Speaker 2>through that, where I'm at now, what's important to me

0:41:31.640 --> 0:41:35.000
<v Speaker 2>now and my family and trying to replace that broken

0:41:35.120 --> 0:41:37.000
<v Speaker 2>family that I lost when I was a kid.

0:41:37.760 --> 0:41:41.480
<v Speaker 1>I love that because you know, you're sitting next to

0:41:41.600 --> 0:41:45.319
<v Speaker 1>fathers are who are actually fathers, yeah, real real dad

0:41:46.520 --> 0:41:50.320
<v Speaker 1>And you know, people always ask like, how do you

0:41:50.480 --> 0:41:54.799
<v Speaker 1>find balance, and I'm like, there is no balance. There

0:41:54.920 --> 0:41:58.680
<v Speaker 1>is just there's just ripping and running and trying to

0:41:59.680 --> 0:42:04.080
<v Speaker 1>be all you can be in those spaces, but more

0:42:04.200 --> 0:42:06.080
<v Speaker 1>important portantly for your kids. Like you want to be

0:42:06.600 --> 0:42:08.880
<v Speaker 1>all you can be in the space that provides for

0:42:09.000 --> 0:42:11.399
<v Speaker 1>your kids, exactly, but you also want to be all

0:42:11.520 --> 0:42:14.120
<v Speaker 1>you can be in the space with your kids.

0:42:14.160 --> 0:42:16.560
<v Speaker 2>And if you think of it percentage wise, if I

0:42:16.640 --> 0:42:18.840
<v Speaker 2>have six people, I mean five people, you know, my

0:42:18.920 --> 0:42:25.320
<v Speaker 2>lady and four kids that I need to provide love, attention, humor, cuddles.

0:42:25.880 --> 0:42:27.680
<v Speaker 2>You know, they all need it. They all need it,

0:42:27.719 --> 0:42:29.080
<v Speaker 2>they all want it, you know what I mean. So

0:42:29.200 --> 0:42:31.839
<v Speaker 2>that's that's twenty percent each of my time. And now

0:42:31.880 --> 0:42:34.120
<v Speaker 2>I haven't even gone to work yet, absolutely, you know.

0:42:34.120 --> 0:42:34.440
<v Speaker 3>What I mean.

0:42:34.880 --> 0:42:37.040
<v Speaker 2>So now you cut that in half, that's fifty. Now

0:42:37.080 --> 0:42:39.080
<v Speaker 2>they're down to ten percent each of them of my

0:42:39.239 --> 0:42:41.439
<v Speaker 2>time and my love and my energy. So you really

0:42:41.520 --> 0:42:44.080
<v Speaker 2>have to conserve it. You have to stay present in it,

0:42:44.560 --> 0:42:46.839
<v Speaker 2>and you have to make sure that that the time

0:42:46.960 --> 0:42:50.920
<v Speaker 2>is being spent valuably so everybody is getting enough to

0:42:51.320 --> 0:42:54.200
<v Speaker 2>feel that, you know, Papa's love or whatever that is,

0:42:54.280 --> 0:42:55.879
<v Speaker 2>you know, and so we have a lot of work

0:42:55.920 --> 0:42:56.080
<v Speaker 2>to do.

0:42:56.320 --> 0:42:58.840
<v Speaker 1>Yeah, you get into this space, and especially you know

0:42:58.960 --> 0:43:02.239
<v Speaker 1>in your career and and how you've how successful you've been.

0:43:03.520 --> 0:43:06.680
<v Speaker 1>When of one of my friends, Terry's, hit me with

0:43:06.760 --> 0:43:09.880
<v Speaker 1>a phrase a few a few weeks ago, he said, well,

0:43:09.920 --> 0:43:11.640
<v Speaker 1>I don't think that would be the best use of

0:43:11.760 --> 0:43:16.359
<v Speaker 1>my time, and you gotta right, And so you gotta

0:43:16.600 --> 0:43:18.800
<v Speaker 1>you gotta make those decisions.

0:43:18.840 --> 0:43:21.239
<v Speaker 2>And older we get that, you know, we really want

0:43:21.280 --> 0:43:23.200
<v Speaker 2>to spend time with the people that make a smile

0:43:23.320 --> 0:43:26.879
<v Speaker 2>and laugh and dance and and feel loved and feel appreciated,

0:43:26.920 --> 0:43:28.400
<v Speaker 2>and that's where that's what we want to be.

0:43:39.920 --> 0:43:41.840
<v Speaker 5>When you when you first sat down before the cameras

0:43:41.880 --> 0:43:45.680
<v Speaker 5>went on, you're like, bro, I just did six shows.

0:43:46.200 --> 0:43:48.280
<v Speaker 3>Six cities and seven days.

0:43:48.600 --> 0:43:52.560
<v Speaker 5>Yeah, oh no, you that's that's that is the real grind,

0:43:52.600 --> 0:43:54.640
<v Speaker 5>and that's how you look up and you've done this

0:43:54.840 --> 0:43:56.759
<v Speaker 5>thing for thirty years at the highest level.

0:43:57.320 --> 0:44:00.360
<v Speaker 3>Yeah, Like people don't understand that. People don't understand that.

0:44:00.480 --> 0:44:03.560
<v Speaker 5>Like even when you talked about how you you know,

0:44:04.040 --> 0:44:08.000
<v Speaker 5>you spend your time, like that's time, Yeah, that's really

0:44:08.080 --> 0:44:09.400
<v Speaker 5>time dedicated to the craft.

0:44:09.520 --> 0:44:12.399
<v Speaker 2>Yeah, and the rest is dedicated to the kids. Absolutely, yeah,

0:44:12.480 --> 0:44:15.040
<v Speaker 2>And that's that's what it's all about, coming up right

0:44:15.080 --> 0:44:16.600
<v Speaker 2>And you know what yet, well, I've been touring. Actually

0:44:16.760 --> 0:44:18.480
<v Speaker 2>I'm with Boys and Men right now. I've been now

0:44:18.560 --> 0:44:20.920
<v Speaker 2>doing shows Boys Men. That's a great night because you know,

0:44:21.000 --> 0:44:22.960
<v Speaker 2>once again like getting to work with your idols or

0:44:23.040 --> 0:44:26.000
<v Speaker 2>just have like I learned every single harmony and ad

0:44:26.120 --> 0:44:28.360
<v Speaker 2>lib on that first album for sure, you know, and

0:44:28.440 --> 0:44:30.920
<v Speaker 2>then once they started doing work with Babyface and getting

0:44:30.960 --> 0:44:33.000
<v Speaker 2>that end of the road and I'll make Love to

0:44:33.080 --> 0:44:35.239
<v Speaker 2>you and you know and on bend and knees and

0:44:35.360 --> 0:44:37.879
<v Speaker 2>so these are records that I listened to driving as

0:44:37.920 --> 0:44:39.640
<v Speaker 2>a sixteen year old, like I want to be that

0:44:39.800 --> 0:44:42.560
<v Speaker 2>I'm going to sing like that. I want that kind

0:44:42.600 --> 0:44:44.400
<v Speaker 2>of a hit, you know what I mean? And that's

0:44:44.480 --> 0:44:46.400
<v Speaker 2>that that hunger is good for you.

0:44:46.560 --> 0:44:51.439
<v Speaker 3>You know. Well we're about to segue, please do yeah, yeah,

0:44:53.480 --> 0:44:56.040
<v Speaker 3>how you feel Robin? Because because you look good? You

0:44:56.120 --> 0:44:58.920
<v Speaker 3>walked in smelling good and looking good. Do you do?

0:44:59.040 --> 0:44:59.640
<v Speaker 3>You feel good?

0:44:59.760 --> 0:44:59.960
<v Speaker 2>Right now?

0:45:00.040 --> 0:45:00.160
<v Speaker 3>Now?

0:45:00.200 --> 0:45:01.040
<v Speaker 2>I feel delicious.

0:45:03.960 --> 0:45:05.279
<v Speaker 3>There ain't nothing wrong with that.

0:45:08.800 --> 0:45:10.880
<v Speaker 1>Special segment where we want to go to right now

0:45:10.960 --> 0:45:17.680
<v Speaker 1>and get some information from you know, You've written a

0:45:17.760 --> 0:45:21.520
<v Speaker 1>lot of songs for a lot of people, written songs

0:45:21.560 --> 0:45:22.279
<v Speaker 1>for yourself.

0:45:24.440 --> 0:45:29.400
<v Speaker 3>We just know that there are songs that have inspired you,

0:45:29.719 --> 0:45:35.640
<v Speaker 3>songs that have made you who you are. And we

0:45:35.719 --> 0:45:37.040
<v Speaker 3>don't want all the songs.

0:45:37.160 --> 0:45:39.120
<v Speaker 6>We just don't want.

0:45:39.280 --> 0:45:41.040
<v Speaker 3>We just want a few of the songs. And we

0:45:41.280 --> 0:45:43.840
<v Speaker 3>just like to call this your.

0:45:46.920 --> 0:46:00.400
<v Speaker 6>Top fun, your top five, top five, your top.

0:46:00.360 --> 0:46:06.000
<v Speaker 3>Fun, your top R and B singer. Whatelse R and.

0:46:06.160 --> 0:46:07.600
<v Speaker 7>B songs.

0:46:09.280 --> 0:46:13.800
<v Speaker 4>Were Dogs and doom be more you go bere on

0:46:14.080 --> 0:46:25.240
<v Speaker 4>this show. We don't good blow. I mean, yeah, hurrah, Yeah.

0:46:30.600 --> 0:46:50.799
<v Speaker 3>Break it down, break it down, your five Robin think

0:46:51.960 --> 0:46:56.600
<v Speaker 3>your top five R and B singers.

0:46:56.400 --> 0:46:59.759
<v Speaker 2>Oh, top five R and B singers. I mean that's

0:46:59.800 --> 0:47:02.879
<v Speaker 2>the at least the name my favorite because because I'm

0:47:02.880 --> 0:47:06.439
<v Speaker 2>I'm more of an old school man. Otis Redding. Yeah, yeah,

0:47:06.719 --> 0:47:14.479
<v Speaker 2>you can't get past baby locked the door. Yeah, start

0:47:14.560 --> 0:47:16.120
<v Speaker 2>with that and then goes solve. I mean the way

0:47:16.160 --> 0:47:21.880
<v Speaker 2>he sings, uh uh, try a little tenderness, you know

0:47:21.920 --> 0:47:27.600
<v Speaker 2>what I mean, Just try so. Yeah, Otis Redding for sure. Stevie,

0:47:27.800 --> 0:47:32.799
<v Speaker 2>of course, gotta gotta get Stevie up in there. How

0:47:32.880 --> 0:47:37.240
<v Speaker 2>green Ain't nobody know how to keep it that's small

0:47:38.680 --> 0:47:45.600
<v Speaker 2>intimate intimacy that he provides. Marvin, of course, I can't

0:47:45.640 --> 0:47:46.520
<v Speaker 2>go without Morvin.

0:47:46.719 --> 0:47:55.040
<v Speaker 3>And then oh, oh well, I'm you know, I'm on

0:47:55.880 --> 0:47:56.200
<v Speaker 3>a guy.

0:47:56.400 --> 0:47:58.439
<v Speaker 2>I'm doing all my favorite guys because mostly I would

0:47:58.480 --> 0:48:01.320
<v Speaker 2>listen to but Whitney. Then yeah, just you can't. You

0:48:01.400 --> 0:48:03.640
<v Speaker 2>can't make it Whitney and Aretha. I gotta do like

0:48:04.560 --> 0:48:08.600
<v Speaker 2>five six, Just I gotta have my two favorites, my

0:48:08.680 --> 0:48:11.320
<v Speaker 2>two favorites. I listened to so much Aretha and Whitney

0:48:11.520 --> 0:48:15.120
<v Speaker 2>that sculpted my vocal career. But as I got older

0:48:15.160 --> 0:48:17.560
<v Speaker 2>and you know, becoming a grown man and listening to

0:48:17.640 --> 0:48:20.720
<v Speaker 2>other grown men's stories at that same point in my life,

0:48:21.480 --> 0:48:23.040
<v Speaker 2>you know what I mean, that's when I started to

0:48:23.120 --> 0:48:26.839
<v Speaker 2>gravitate more towards Otis and Stevie, Marvin and al As

0:48:26.880 --> 0:48:28.880
<v Speaker 2>I got into my twenties and stuff like that, you know.

0:48:28.960 --> 0:48:31.200
<v Speaker 2>But early on, when I was in my teens, Whitney

0:48:31.320 --> 0:48:33.040
<v Speaker 2>was it. You know, you couldn't if you could do

0:48:33.080 --> 0:48:34.880
<v Speaker 2>a Whitney run, you knew what she was doing. She

0:48:34.960 --> 0:48:36.280
<v Speaker 2>was so quick and powerful.

0:48:36.400 --> 0:48:38.000
<v Speaker 3>Oh and just the.

0:48:38.120 --> 0:48:41.200
<v Speaker 2>Taste, precise, the taste, impeccable taste.

0:48:41.840 --> 0:48:44.840
<v Speaker 3>Robin, think your top five r and B songs.

0:48:45.200 --> 0:48:48.480
<v Speaker 2>Okay, Well, let's stay together. What's going on?

0:48:51.239 --> 0:48:51.359
<v Speaker 3>Uh?

0:48:54.239 --> 0:48:55.200
<v Speaker 2>What's I always.

0:48:55.000 --> 0:49:02.040
<v Speaker 3>Forget the talents out of Bens guy, I always have

0:49:02.120 --> 0:49:02.640
<v Speaker 3>been there.

0:49:04.840 --> 0:49:08.200
<v Speaker 2>And uh for me, because of the effect it had

0:49:08.280 --> 0:49:10.080
<v Speaker 2>on me and my life and career, I would say forever,

0:49:10.200 --> 0:49:10.840
<v Speaker 2>my lady.

0:49:10.880 --> 0:49:16.440
<v Speaker 3>Why not? Why not? Yeah? Yeah, come on? That did

0:49:16.480 --> 0:49:20.279
<v Speaker 3>everything for me, everything for me, Look at me. That

0:49:20.400 --> 0:49:25.879
<v Speaker 3>was everything changed my life. Come on that record right there?

0:49:26.080 --> 0:49:28.239
<v Speaker 3>Who I used to order that on the jukebox. Remember

0:49:28.280 --> 0:49:33.000
<v Speaker 3>to talk about the box, that money.

0:49:33.480 --> 0:49:35.319
<v Speaker 2>If I had a girl come over. The first date

0:49:35.400 --> 0:49:37.080
<v Speaker 2>that was I was singing. I was standing in front

0:49:37.080 --> 0:49:40.040
<v Speaker 2>of Jodasy like I was a member of the TV

0:49:40.280 --> 0:49:42.359
<v Speaker 2>behind me, and oh you know, I went you got,

0:49:42.400 --> 0:49:44.160
<v Speaker 2>you got. I went right to my vocals.

0:49:45.880 --> 0:49:53.120
<v Speaker 3>Teaching early. Oh yeah, yeah I was. I was a

0:49:53.320 --> 0:50:05.960
<v Speaker 3>magic mic you know that can sing. Now I'm doing

0:50:06.280 --> 0:50:08.359
<v Speaker 3>town type dances, you know what I mean? One more

0:50:08.360 --> 0:50:08.960
<v Speaker 3>one more song?

0:50:09.120 --> 0:50:09.959
<v Speaker 2>Okay, okay?

0:50:10.840 --> 0:50:11.440
<v Speaker 3>And B songs?

0:50:11.520 --> 0:50:15.239
<v Speaker 2>Oh you know what I gotta I gotta get a

0:50:15.760 --> 0:50:20.000
<v Speaker 2>Lauren Hill in there. Guys, you know you better watch

0:50:20.080 --> 0:50:24.800
<v Speaker 2>out some girls. And that's that's culture forever. That speaks

0:50:24.840 --> 0:50:28.520
<v Speaker 2>so many things to both do, both sexes. And cultures

0:50:28.560 --> 0:50:31.880
<v Speaker 2>and what a song, what a video? What the musical production?

0:50:32.520 --> 0:50:33.279
<v Speaker 2>Just incredible.

0:50:34.280 --> 0:50:36.960
<v Speaker 3>We're gonna build your vultron your music. You're a super

0:50:37.120 --> 0:50:37.920
<v Speaker 3>R and B artists.

0:50:38.520 --> 0:50:40.000
<v Speaker 1>We want to know who you're gonna get the vocal

0:50:40.080 --> 0:50:43.680
<v Speaker 1>from the performance style, the styling, the passion of the artist.

0:50:43.760 --> 0:50:45.840
<v Speaker 1>And since you're so great at it, who's going to

0:50:45.880 --> 0:50:49.120
<v Speaker 1>write and produce for this artist? Let's start at the vocal.

0:50:49.200 --> 0:50:51.959
<v Speaker 1>What vocal are you grabbing to build your super RB artist?

0:50:52.000 --> 0:50:54.720
<v Speaker 2>You know what I think because of the most dynamic

0:50:54.800 --> 0:50:58.280
<v Speaker 2>I mean, for me, I love the I would pick Marvin,

0:50:58.880 --> 0:51:01.680
<v Speaker 2>you know what I mean, just because there's just there

0:51:01.760 --> 0:51:04.280
<v Speaker 2>was something he just when when he sings, it feels

0:51:04.320 --> 0:51:06.120
<v Speaker 2>like the gates of heaven are opening up, and you

0:51:06.160 --> 0:51:08.320
<v Speaker 2>know we're all welcome, you know what I mean. And

0:51:08.680 --> 0:51:11.239
<v Speaker 2>uh and and there's a piece and a and a

0:51:11.400 --> 0:51:13.960
<v Speaker 2>hope and a warmth. It's like a big warm hug,

0:51:14.800 --> 0:51:19.919
<v Speaker 2>you know every time he sings. Yeah, performance style, performance style.

0:51:21.520 --> 0:51:22.279
<v Speaker 3>You know I would go.

0:51:22.640 --> 0:51:26.279
<v Speaker 2>I'd go James Brown. I mean I don't think I

0:51:26.360 --> 0:51:30.440
<v Speaker 2>think it all just starts the hardest. Yeah. I mean,

0:51:30.480 --> 0:51:33.080
<v Speaker 2>of course this is Michael, which which is just magic

0:51:33.200 --> 0:51:36.400
<v Speaker 2>that doesn't you can't even really quantify that. But for me,

0:51:36.680 --> 0:51:39.680
<v Speaker 2>just like the the way James Brown and hits with

0:51:39.760 --> 0:51:42.200
<v Speaker 2>his band and just he had he created this whole

0:51:42.360 --> 0:51:46.040
<v Speaker 2>thing that inspired everybody that came after. And you know,

0:51:46.400 --> 0:51:49.400
<v Speaker 2>and I'm a sweat you see me, I swear it

0:51:49.520 --> 0:51:52.000
<v Speaker 2>out when it's time to really go, It's James Brown.

0:51:51.800 --> 0:51:55.040
<v Speaker 3>You know what I mean? The styling of the artists.

0:51:55.280 --> 0:51:59.120
<v Speaker 2>Styling of the artist. Okay, okay, you know what. Then

0:51:59.200 --> 0:52:02.400
<v Speaker 2>I would go Mike because he really he there was

0:52:02.480 --> 0:52:06.360
<v Speaker 2>something that classy. It was dazzling, but it was every

0:52:06.440 --> 0:52:08.080
<v Speaker 2>man could wear it, you.

0:52:08.120 --> 0:52:08.600
<v Speaker 3>Know what I mean?

0:52:08.880 --> 0:52:12.960
<v Speaker 2>And and uh, he just kept evolving and and that's

0:52:13.040 --> 0:52:16.440
<v Speaker 2>what inspired Kanye's type of you know, metamorphosis as a

0:52:16.680 --> 0:52:19.920
<v Speaker 2>as a fashion icon and h And then you can

0:52:20.000 --> 0:52:22.960
<v Speaker 2>go right to who's the songwriter producer? That's Pharrell, you know.

0:52:23.360 --> 0:52:24.880
<v Speaker 2>And I would just go Pharrell, but we.

0:52:24.920 --> 0:52:27.880
<v Speaker 3>Gotta go passions, passion of the artist, the heart of

0:52:27.920 --> 0:52:30.000
<v Speaker 3>the artist, heart of the passion. Oh.

0:52:30.080 --> 0:52:33.520
<v Speaker 2>Then I would go with Otis. I'll go with Otis's

0:52:33.600 --> 0:52:35.480
<v Speaker 2>heart because you know he we lost him early. I

0:52:35.560 --> 0:52:39.240
<v Speaker 2>mean you know that I believe he wrote and finished

0:52:39.239 --> 0:52:41.000
<v Speaker 2>sitting on the dock of the bay and then passed

0:52:41.040 --> 0:52:43.880
<v Speaker 2>before it was released, and and then it became sitting

0:52:43.960 --> 0:52:47.160
<v Speaker 2>on the dock of the bay. Wow, I mean, come on,

0:52:47.480 --> 0:52:50.200
<v Speaker 2>you know. So there was something about the heart, especially

0:52:50.280 --> 0:52:53.319
<v Speaker 2>in the era also the era that he came from,

0:52:53.440 --> 0:52:55.960
<v Speaker 2>you know. And once again I'm picking mostly male artists

0:52:56.000 --> 0:53:01.040
<v Speaker 2>and producers, but but that's uh yeah, I mean the

0:53:01.239 --> 0:53:03.640
<v Speaker 2>heart heart of Otis and Aretha. You know you could

0:53:03.719 --> 0:53:05.680
<v Speaker 2>you could do the same thing like what came out

0:53:05.680 --> 0:53:06.840
<v Speaker 2>of Aretha when she sang it.

0:53:06.920 --> 0:53:10.120
<v Speaker 3>But oh oh oh no, I got a better one.

0:53:10.239 --> 0:53:15.040
<v Speaker 2>Just the fun Nina Simone, the heart of Nina, the

0:53:15.239 --> 0:53:21.040
<v Speaker 2>heart of Nina. Listen to that voice who for real

0:53:21.080 --> 0:53:24.359
<v Speaker 2>writing and producing it, the passion of Nina Simone. Yeah,

0:53:24.400 --> 0:53:26.200
<v Speaker 2>from the era she came up in as a black

0:53:26.320 --> 0:53:29.520
<v Speaker 2>woman in those times, and the songs she wrote.

0:53:29.560 --> 0:53:34.239
<v Speaker 3>It was so it was so many layers to that

0:53:34.560 --> 0:53:37.240
<v Speaker 3>music and her songwriting, her lyricis, her lyrics.

0:53:37.680 --> 0:53:38.800
<v Speaker 2>It's an amazing.

0:53:39.960 --> 0:53:41.840
<v Speaker 3>We got one more thang for you, please do we

0:53:41.960 --> 0:53:44.279
<v Speaker 3>got one more than because I got to go, I

0:53:44.400 --> 0:53:49.480
<v Speaker 3>got I got to go, got to get home.

0:53:51.120 --> 0:54:02.880
<v Speaker 7>I said, yeah, saying no, Nick, saying no name, are you.

0:54:04.960 --> 0:54:10.640
<v Speaker 3>What you did? Don't say I ain't saying no.

0:54:19.800 --> 0:54:24.800
<v Speaker 5>It's a very important sec very important secment song, not

0:54:24.960 --> 0:54:27.880
<v Speaker 5>a song because now you wrote so many damn songs.

0:54:28.719 --> 0:54:32.520
<v Speaker 3>Fat segment of the show, Will you tell us a story? Funny?

0:54:32.680 --> 0:54:35.160
<v Speaker 3>Fucked up? Are funny and fucked up?

0:54:35.200 --> 0:54:35.480
<v Speaker 2>Okay?

0:54:36.040 --> 0:54:38.800
<v Speaker 3>Only rule to the game is you can't say no names.

0:54:39.480 --> 0:54:43.520
<v Speaker 2>Okay, okay, funny story.

0:54:44.040 --> 0:54:47.360
<v Speaker 3>Life and time, Life and time, I'm robbing.

0:54:47.800 --> 0:54:58.360
<v Speaker 2>Thick, okay, okay. So after the met ball, oh, she

0:54:58.920 --> 0:54:59.120
<v Speaker 2>know what?

0:54:59.360 --> 0:54:59.680
<v Speaker 3>You know what?

0:55:01.200 --> 0:55:07.239
<v Speaker 2>I was, Yeah, yeah, yeah, and it was a great

0:55:07.320 --> 0:55:10.359
<v Speaker 2>night because uh and yeah, I won't include the name

0:55:10.440 --> 0:55:12.359
<v Speaker 2>that has the punchline, but I'll use some other names

0:55:12.400 --> 0:55:12.840
<v Speaker 2>to help.

0:55:12.800 --> 0:55:15.319
<v Speaker 3>Get the story go. It right's part, but I won't

0:55:15.400 --> 0:55:16.759
<v Speaker 3>use the punchline.

0:55:18.239 --> 0:55:21.920
<v Speaker 2>So Jennifer Hudson is performing, which was amazing because that

0:55:22.040 --> 0:55:23.520
<v Speaker 2>was the first time I'd ever seen her live. And

0:55:23.640 --> 0:55:25.320
<v Speaker 2>after that I was so inspired. I went home and

0:55:25.360 --> 0:55:28.920
<v Speaker 2>I wrote on her debut Grammy winning R and B album,

0:55:29.760 --> 0:55:33.200
<v Speaker 2>and so she was performing. I actually was sitting at

0:55:33.239 --> 0:55:36.360
<v Speaker 2>the table with Rihanna, who was very young in her

0:55:36.400 --> 0:55:38.239
<v Speaker 2>and I had just done a photo shoot together for

0:55:38.440 --> 0:55:40.400
<v Speaker 2>GQ mag It was a GQ Yeah, I think it

0:55:40.440 --> 0:55:44.120
<v Speaker 2>was GQ magazine. Very early in her career.

0:55:44.960 --> 0:55:47.640
<v Speaker 3>And so that night we end up going out.

0:55:47.719 --> 0:55:51.520
<v Speaker 2>It's after party after party. We end up at Richie's

0:55:51.560 --> 0:55:53.719
<v Speaker 2>Butter in New York City. Richie Akiva shout out to

0:55:53.800 --> 0:55:56.560
<v Speaker 2>Richie Kieva at Butter in New York City. And I'm

0:55:56.600 --> 0:55:59.800
<v Speaker 2>hanging out with this very famous, very talented Grammy Award

0:55:59.840 --> 0:56:03.760
<v Speaker 2>winning artists and We're making friends, We're having a blast,

0:56:03.840 --> 0:56:05.799
<v Speaker 2>and he's like, you know, I after this, man, let's

0:56:05.800 --> 0:56:08.400
<v Speaker 2>go back to my studio and and uh, you know,

0:56:08.680 --> 0:56:09.279
<v Speaker 2>make some music.

0:56:09.280 --> 0:56:12.880
<v Speaker 3>And I was like, man, not tonight, not tonight. I

0:56:12.960 --> 0:56:13.680
<v Speaker 3>was like, you know.

0:56:15.080 --> 0:56:18.120
<v Speaker 2>And so somehow he was affronted by you know, like

0:56:18.280 --> 0:56:22.759
<v Speaker 2>felt rejected or something, and uh, and then it got

0:56:22.840 --> 0:56:24.560
<v Speaker 2>to I don't want to do that, you know, and

0:56:24.680 --> 0:56:27.400
<v Speaker 2>he was like, hey, man, you know I'm better than you.

0:56:29.120 --> 0:56:31.279
<v Speaker 2>And I go, I go what I said, I'll take

0:56:31.320 --> 0:56:33.040
<v Speaker 2>the Pepsi challenge with Joe asked.

0:56:37.800 --> 0:56:39.440
<v Speaker 3>The Pepsi challenge.

0:56:40.120 --> 0:56:42.400
<v Speaker 2>And we had already we already spent the night complimenting

0:56:42.440 --> 0:56:43.920
<v Speaker 2>each other, we had met, we had met at the

0:56:44.000 --> 0:56:45.800
<v Speaker 2>met Ball, we had already spent the night when we

0:56:45.840 --> 0:56:47.799
<v Speaker 2>didn't really leave, we were like hanging out. We ended

0:56:47.880 --> 0:56:49.680
<v Speaker 2>up going to like, Paul, let's go there. Now, let's

0:56:49.680 --> 0:56:52.080
<v Speaker 2>go there. So we were making friends very quickly, and

0:56:52.719 --> 0:56:55.640
<v Speaker 2>by the end of the story, Uh yeah, I think

0:56:56.080 --> 0:56:57.480
<v Speaker 2>he was offended that I didn't want to go to

0:56:57.560 --> 0:57:00.360
<v Speaker 2>the studio when we're at this incredible party to you know,

0:57:00.360 --> 0:57:03.200
<v Speaker 2>I just didn't want to go afterwards, and I think

0:57:03.239 --> 0:57:05.080
<v Speaker 2>he thought that I didn't, you know, that I was

0:57:05.120 --> 0:57:09.040
<v Speaker 2>dissing him or something. Just finished with I'll take the

0:57:09.080 --> 0:57:10.239
<v Speaker 2>PEPs of challenge with Joe.

0:57:12.800 --> 0:57:13.640
<v Speaker 3>Did you guys remain?

0:57:14.239 --> 0:57:16.280
<v Speaker 2>You know, we saw each other many years later at

0:57:16.280 --> 0:57:18.800
<v Speaker 2>an airport Terminal six baggage.

0:57:18.400 --> 0:57:20.720
<v Speaker 3>Claim, you know what I mean, and just was like it.

0:57:23.160 --> 0:57:25.960
<v Speaker 3>You know, but man, you know, man, Man, you too.

0:57:26.120 --> 0:57:27.920
<v Speaker 3>We don't really keep we don't really keep beef. We

0:57:28.040 --> 0:57:31.840
<v Speaker 3>just don't hang out. We talk about the beef. Man.

0:57:32.440 --> 0:57:33.440
<v Speaker 2>That is great.

0:57:33.720 --> 0:57:36.320
<v Speaker 1>Yeah, it was a good time. Robin you are you

0:57:36.480 --> 0:57:39.760
<v Speaker 1>are who you are, man. Thanks for having me. Thank

0:57:40.000 --> 0:57:43.720
<v Speaker 1>we appreciate you. Man, Hang with you continue success and

0:57:43.840 --> 0:57:44.000
<v Speaker 1>for you.

0:57:44.080 --> 0:57:46.200
<v Speaker 2>Congratulations on the rise of this show. You know, you

0:57:46.240 --> 0:57:48.840
<v Speaker 2>guys are really taking over in a in a category

0:57:48.920 --> 0:57:51.040
<v Speaker 2>that we really needed. We needed, we needed all this

0:57:51.200 --> 0:57:55.000
<v Speaker 2>talk and all this laughter and all this appreciation of

0:57:55.440 --> 0:57:57.080
<v Speaker 2>great R and B Culture and Music.

0:57:57.360 --> 0:57:59.960
<v Speaker 3>Well, thank you, bro, I couldn't have closed it out better.

0:58:00.600 --> 0:58:03.000
<v Speaker 1>My name is Tank and this is the R and

0:58:03.080 --> 0:58:05.680
<v Speaker 1>B Money Podcast, the authority on all things R and B.

0:58:07.760 --> 0:58:09.440
<v Speaker 3>I don't I don't even know what to say. Man,

0:58:10.040 --> 0:58:12.760
<v Speaker 3>my brother, man, you know I love you.

0:58:13.280 --> 0:58:15.280
<v Speaker 2>I taught so much with you as an artist and

0:58:15.360 --> 0:58:18.120
<v Speaker 2>a human being in it. And h and Jay you know,

0:58:18.200 --> 0:58:20.959
<v Speaker 2>you know I've always loved you, and we've been around

0:58:21.000 --> 0:58:22.520
<v Speaker 2>each other for so long in this business.

0:58:22.560 --> 0:58:23.760
<v Speaker 3>But you guys are doing great.

0:58:23.800 --> 0:58:25.720
<v Speaker 2>I'm so excited part of it. God bless you.

0:58:25.800 --> 0:58:32.080
<v Speaker 3>Listen, big ladies and gentlemen, R and B Money.

0:58:33.240 --> 0:58:35.000
<v Speaker 5>R and B Money is a production of the Black

0:58:35.040 --> 0:58:39.800
<v Speaker 5>Effect Podcast Network. For more podcasts from iHeartRadio, visit the

0:58:39.960 --> 0:58:43.760
<v Speaker 5>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:58:43.800 --> 0:58:47.640
<v Speaker 5>favorite shows. Don't forget to subscribe to and rate our show,

0:58:48.000 --> 0:58:50.600
<v Speaker 5>and you can connect with us on social media at

0:58:50.680 --> 0:58:54.920
<v Speaker 5>Jay Valentine and at the Real Tank. For the extended episode,

0:58:55.040 --> 0:58:59.600
<v Speaker 5>subscribe to YouTube dot com, forward Slash, R and B Money.

0:59:00.040 --> 0:59:00.200
<v Speaker 2>Yeah,