WEBVTT - Jesse Metcalfe

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<v Speaker 1>Hello, gorgeous, welcome to the Give Them La La Podcast.

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<v Speaker 1>We had an intro and there was some technical difficulties

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<v Speaker 1>and once we sent them over to our producer, the

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<v Speaker 1>file was like nowhere to be heard. So here's the alternative.

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<v Speaker 1>I'm literally sitting in Ocean's nursery giving you guys this intro.

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<v Speaker 1>We have Jesse Metcalf on the podcast today, and I

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<v Speaker 1>cannot be the only person that was obsessed with Desperate Housewives.

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<v Speaker 1>I'm sure a lot of you guys were also obsessed,

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<v Speaker 1>and you can also stream it now, so I'm sure

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<v Speaker 1>that a lot of you, like myself, are going back

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<v Speaker 1>and rewatching. It was like every Sunday night was Desperate

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<v Speaker 1>Housewives and then Gray's Anatomy. It was just like what

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<v Speaker 1>you did on Sunday. So we have him on the

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<v Speaker 1>podcast today. We're going to pick his brain. I have

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<v Speaker 1>a few questions for him, and we're going to skip

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<v Speaker 1>vander Talk today because I slacked. I did not watch

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<v Speaker 1>last night's episode. But hopefully next week we can recap

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<v Speaker 1>two episodes in one I think that that would be

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<v Speaker 1>a lot of fun, and I also really want to

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<v Speaker 1>answer your guys' question, so please remember to call in

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<v Speaker 1>call into the podcast. That number is eight six six

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<v Speaker 1>La La Pod again, eight six six La La Pod.

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<v Speaker 1>I always love hearing from you guys, answering whatever questions

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<v Speaker 1>you have, and it just makes me feel like we're

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<v Speaker 1>in a more intimate setting. The whole reason I started

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<v Speaker 1>this podcast was so that we all could feel this

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<v Speaker 1>like connection and bond and we could get closer to

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<v Speaker 1>each other. So please reach out to me. And without

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<v Speaker 1>further ado, we're going to cut to a quick break

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<v Speaker 1>and we will be right back with the heart throb

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<v Speaker 1>Jesse Metcalf. We are back with our epic guest, mister Metcalf.

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<v Speaker 2>Okay, Jesse, that production I am.

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<v Speaker 3>Well, we give Before before you came on, we gave

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<v Speaker 3>you a very very warm welcome about your career and

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<v Speaker 3>how great of a human you are in front of us.

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<v Speaker 2>Wow, so you lied, Thank you. I have to all

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<v Speaker 2>about appearances in Hollywood.

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<v Speaker 1>The number one question I have is do you ever

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<v Speaker 1>talk to Eva Longoria?

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<v Speaker 3>Well?

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<v Speaker 2>I run into Eva from time to time. We follow

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<v Speaker 2>each other on social media, but we don't really talk. Okay,

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<v Speaker 2>you know she's uh, you know, it's mom life over

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<v Speaker 2>there with Eva right now, and she seems like she's

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<v Speaker 2>an amazing mom, and I mean, I'm so impressed and

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<v Speaker 2>proud of all the things she's done civically, socially, politically.

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<v Speaker 2>You know, they say actors shouldn't shouldn't, you know, get

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<v Speaker 2>involved with politics, and I tend to believe that what

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<v Speaker 2>I'm saying, but you know, I think she's done some

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<v Speaker 2>amazing things.

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<v Speaker 1>I agree. I think politicians should be just that, not

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<v Speaker 1>reality TV stars, not actresses.

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<v Speaker 2>Politicians suck.

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<v Speaker 3>Yeah, So.

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<v Speaker 2>Okay, whatever they want to do, who cares. I don't

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<v Speaker 2>listen to a thing. They say, Well, Jesse, do your

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<v Speaker 2>own thing, so let me. I'm just I'm just a

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<v Speaker 2>pawn in the game.

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<v Speaker 3>You too are, Yeah, So let's just back up the

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<v Speaker 3>tape a little bit here. Just tell us like early

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<v Speaker 3>days of your career, like how you got into you know,

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<v Speaker 3>acting and then the big break and okay, because I've

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<v Speaker 3>we've worked with you both Lalla and I in movies

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<v Speaker 3>and different projects, but just kind of tell fans far

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<v Speaker 3>back you want me to go, and just how you

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<v Speaker 3>got into acting, how it started, and then how you

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<v Speaker 3>got here in your first big break.

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<v Speaker 2>Okay, well, I was trying to figure out what I

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<v Speaker 2>wanted to do with my life. As a senior in

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<v Speaker 2>high school, and I really didn't have a whole lot

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<v Speaker 2>of direction, but I loved movies. My father took me

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<v Speaker 2>to a lot of movies growing up when I was

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<v Speaker 2>very young, a lot of inappropriate movies I shouldn't have

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<v Speaker 2>gone to, like, you know, Basic Instinct when I was

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<v Speaker 2>like seven years old. Mom wasn't too happy about that one.

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<v Speaker 3>Wow, that's a tough one of.

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<v Speaker 2>Them, exactly. But I had a passion for movies. I

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<v Speaker 2>think I just loved the escapism of it, and you know,

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<v Speaker 2>just getting into another world and into the characters, into

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<v Speaker 2>the stories. And so I thought, Hey, maybe I could

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<v Speaker 2>go to NYU Film School. That shouldn't be too hard

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<v Speaker 2>to get into. Wow wow yeah with no with nothing

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<v Speaker 2>yeah nothing really good looks on my application other than

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<v Speaker 2>my good looks and an essay about The Basketball Diaries,

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<v Speaker 2>which was one of my favorite movie.

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<v Speaker 3>Phenomenal movie that Lala, do you know who is that? No,

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<v Speaker 3>I've never seen you were zero years old when that

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<v Speaker 3>movie became.

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<v Speaker 2>Marky Mark was in it and that was where that

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<v Speaker 2>was when he transitioned from Marky Mark to Mark Wahlberg

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<v Speaker 2>and Leo. Oh this guy can act. Leo obviously crushed it,

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<v Speaker 2>crushed it. It was amazing, great movie. Now it's a

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<v Speaker 2>movie about a New York poet who did a lot

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<v Speaker 2>of drugs addiction.

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<v Speaker 3>Yeah, and you know, a side note and then we'll

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<v Speaker 3>come back. But Eric Weinstein, who was he, who's his assistant,

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<v Speaker 3>who now is his partner, met Mark on that movie

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<v Speaker 3>as his coach for drug coaching, like you know, oh yeah,

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<v Speaker 3>for just you know, because he had been a heroin

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<v Speaker 3>you know, former addict. So that's what.

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<v Speaker 2>Yeah, I would assume you were a pretty big fan

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<v Speaker 2>of that movie as well.

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<v Speaker 3>Yeah, that movie was phenomenal.

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<v Speaker 2>It really, it really was. So anyway, I managed to

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<v Speaker 2>get into NYU by the skin of my teeth, not

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<v Speaker 2>into Tish. I got into a new program.

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<v Speaker 3>Not into the theater program.

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<v Speaker 2>Into the theater program or the film program. The Gallatin

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<v Speaker 2>School for people that didn't know what they wanted to

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<v Speaker 2>do with their lives.

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<v Speaker 3>Yeah, they have a program for people that don't know apparently,

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<v Speaker 3>and it was called the Gallatin School.

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<v Speaker 2>So I did a half a year, two semesters in

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<v Speaker 2>the gallat In School, or I guess a semester. I

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<v Speaker 2>did a semester in the gallas In School. I had

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<v Speaker 2>good grades and I was able to transfer into TISH,

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<v Speaker 2>having already been accepted into NYU Film and Television, not

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<v Speaker 2>you know, not not a not a conservatory, not the

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<v Speaker 2>acting not an acting program. I absolutely loved it.

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<v Speaker 1>I mean it was to send any sort of like

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<v Speaker 1>audition tape to get in.

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<v Speaker 2>You're supposed to send any you know, films you've done,

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<v Speaker 2>short films you've created, which I had none.

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<v Speaker 1>I mean, I should be grateful that you got into

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<v Speaker 1>any program at all.

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<v Speaker 3>Yeah, with your effort.

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<v Speaker 1>I mean, if you're telling me that you just submitted

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<v Speaker 1>an essay.

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<v Speaker 2>On how thirteen eighty on my SAT? What? Yeah, you're

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<v Speaker 2>a lot of pot in high school and apparently I

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<v Speaker 2>had brain cells despair.

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<v Speaker 3>Go figure, Wait a second, you had a thirteen eighty

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<v Speaker 3>out of fifteen fifth that'sixteen. You're smart as fun.

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<v Speaker 1>I wouldn't know. I never took an SAT. I don't

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<v Speaker 1>even know what good score would be.

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<v Speaker 2>Yeah, they don't even do SATs anymore. They do the acts, and.

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<v Speaker 1>I don't even know what the good score on that

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<v Speaker 1>would be.

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<v Speaker 3>Immediately, the good news is you did Okay, I will say.

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<v Speaker 1>I did a movie with you. What was the name

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<v Speaker 1>of it? Again?

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<v Speaker 2>I forgot me too, something hard kill.

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<v Speaker 1>Hard kill. And I've never seen a script like yours.

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<v Speaker 1>There was so much dialogue that you had written as

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<v Speaker 1>far as your character break down, and you're the reason

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<v Speaker 1>I started doing that actually, like going into that much depth.

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<v Speaker 3>Can you let me.

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<v Speaker 1>Look at yours? And I was like, what is this?

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<v Speaker 1>You know, like I had little notes, but yours was

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<v Speaker 1>like what your character for breakfast that morning? And wanted

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<v Speaker 1>I'll do that as well.

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<v Speaker 3>Awesome, like a lot of backstory. Yeah, Jenny's pretty Jesse's

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<v Speaker 3>pretty method. I mean I've been on sets with Jesse.

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<v Speaker 3>He's pretty focused.

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<v Speaker 2>Now, it can't be too method because then people don't

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<v Speaker 2>want to work with it.

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<v Speaker 1>So then after, where are you from? Originally?

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<v Speaker 2>I grew up in Connecticut, Connecticut?

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<v Speaker 1>Okay, so you go to college in New York and

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<v Speaker 1>then when do you make your big move to Hollywood?

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<v Speaker 2>Okay? Well, while I was in college, I was doing

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<v Speaker 2>some male modeling. Oh you're a master male modeling?

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<v Speaker 3>Wow? Yeah?

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<v Speaker 2>Yeah, you know a little seventeen magazine.

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<v Speaker 3>I think we ran into each other in some.

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<v Speaker 2>And I thought, hey, well you know, maybe I can

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<v Speaker 2>do some commercials, right, So they got me a theatrical agent.

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<v Speaker 2>I went on a UPS commercial audition where I dressed

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<v Speaker 2>up like a UPS delivery man, but I wasn't playing

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<v Speaker 2>a UPS delivery man when I got there. I was

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<v Speaker 2>just playing someone who received a package, so that totally

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<v Speaker 2>didn't work. And then they sent me out on an

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<v Speaker 2>open casting call for the infamous daytime television show Passions,

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<v Speaker 2>which I booked.

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<v Speaker 3>Wow.

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<v Speaker 2>So after my junior year in college, did three years

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<v Speaker 2>you know, ninety something thousand dollars at that time, and

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<v Speaker 2>I didn't even graduate. I dropped out, came to Los Angeles,

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<v Speaker 2>and I've been acting ever since.

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<v Speaker 3>Wow. That's a great story.

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<v Speaker 1>So then when did when did my most favorite show

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<v Speaker 1>ever that I grew up watching and I thought you

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<v Speaker 1>were the hottest thing ever. I think I was in

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<v Speaker 1>the seventh grade. Oh wow, Desperate Housewives came out?

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<v Speaker 2>Okay, Well I did five years on Passions on daytime. Okay,

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<v Speaker 2>great training ground.

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<v Speaker 3>How many episodes this season would you do? Is it

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<v Speaker 3>like like fifty six? Is it like every day?

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<v Speaker 2>Like? So five episodes a week?

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<v Speaker 3>Oh my god, that's that's like fides.

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<v Speaker 2>So it was great training for memorying line memorizing lines,

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<v Speaker 2>but you you would pick up a lot of bad habits.

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<v Speaker 2>You know, because you had to memorize so quickly that

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<v Speaker 2>it wouldn't lend itself to you know, developing your craft, right,

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<v Speaker 2>I don't think. But once I ultimately decided to make

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<v Speaker 2>the jump and see if I could get something better,

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<v Speaker 2>get on the prime time. You know, there was a

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<v Speaker 2>lot of a lot of naysayers. A lot of people

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<v Speaker 2>I worked with were like, what are you going to do?

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<v Speaker 2>And I was like, you know, honestly, I don't care

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<v Speaker 2>if I'm pumping gas next week. I need to do

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<v Speaker 2>something different than this. So you left the show, yeah,

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<v Speaker 2>and it just kind of run its course. And then

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<v Speaker 2>I went through the pass.

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<v Speaker 1>Is like a soap opera?

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<v Speaker 3>Yes, okay, yeah, yeah it is?

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<v Speaker 1>And you were just over it, I.

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<v Speaker 3>Mean, long run.

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<v Speaker 2>I had aspirations I did. I did a whole pilot season,

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<v Speaker 2>my very first full pilot season. It was coming towards

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<v Speaker 2>the end of pilot season and I hadn't gotten anything,

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<v Speaker 2>you know, so I was pretty stressed.

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<v Speaker 1>I was you know, where were you living at this point?

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<v Speaker 1>Do you have one of those stories where it's like

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<v Speaker 1>you lived in a shithole, you were on someone's house.

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<v Speaker 2>No, no, no, this point, I actually owned my first property.

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<v Speaker 2>I owned a condo in West Hollywood. It was like

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<v Speaker 2>it was like Melrose Place in there.

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<v Speaker 3>You know.

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<v Speaker 2>It was like it faced into the pool and everyone's apartments,

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<v Speaker 2>you know, were around the pool. There were some unsavory

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<v Speaker 2>characters that lived there. H So, you know, that was

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<v Speaker 2>a good time. It was a good period in my life.

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<v Speaker 2>And I I had two test deals on the table

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<v Speaker 2>by the end of this pilot season. One was for

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<v Speaker 2>Veronica Mars and one was for this unknown show that

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<v Speaker 2>really not many people knew anything much about called Desperate Housewives.

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<v Speaker 2>And the Desperate Housewives deal was on the table, and

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<v Speaker 2>the Veronica Mars thing was like still in negotiation. So

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<v Speaker 2>I went for the Desperate Housewives and I ended up

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<v Speaker 2>booking it. And it was actually a recast. You know,

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<v Speaker 2>there was another actor playing the gardener, but they didn't

0:11:31.000 --> 0:11:34.000
<v Speaker 2>like him opposite Eva. They didn't think that they had chemistry,

0:11:34.640 --> 0:11:37.920
<v Speaker 2>and they recast it after they shot the pilot. Wow,

0:11:38.280 --> 0:11:47.120
<v Speaker 2>how many we had some we had good chemistry.

0:11:43.160 --> 0:11:45.680
<v Speaker 1>And played a high school student.

0:11:45.760 --> 0:11:49.240
<v Speaker 2>Right, Oh my god, Yes, where did you guys film

0:11:49.800 --> 0:11:51.040
<v Speaker 2>we filmed that universal?

0:11:51.200 --> 0:11:51.680
<v Speaker 3>Oh wow?

0:11:51.840 --> 0:11:55.440
<v Speaker 2>Yeah, so it was really cool. We had a whole block,

0:11:55.520 --> 0:11:58.520
<v Speaker 2>a whole neighborhood, like like set on the lot, whole

0:11:58.600 --> 0:12:01.520
<v Speaker 2>set ont It was very very cool. It's very cool.

0:12:01.679 --> 0:12:03.520
<v Speaker 3>Did you get to see all the tram and the visitor.

0:12:03.640 --> 0:12:05.720
<v Speaker 2>Yeah, the trams would always gone by and wave.

0:12:06.480 --> 0:12:08.000
<v Speaker 1>They were just so happy to be on with STI

0:12:08.160 --> 0:12:09.120
<v Speaker 1>Lane exactly.

0:12:09.520 --> 0:12:10.240
<v Speaker 3>Is that what it's called?

0:12:11.320 --> 0:12:13.760
<v Speaker 2>Oh yeah, I know a lot of plastic flowers and

0:12:14.559 --> 0:12:15.320
<v Speaker 2>you know, I mean.

0:12:15.280 --> 0:12:16.920
<v Speaker 1>Yes, it was like Stepford Wives.

0:12:17.000 --> 0:12:21.240
<v Speaker 2>Yeah and then so yeah, I was totally surprised at

0:12:21.240 --> 0:12:24.520
<v Speaker 2>the success of that show. I didn't I didn't anticipate

0:12:24.559 --> 0:12:26.080
<v Speaker 2>that at all at all.

0:12:26.559 --> 0:12:28.599
<v Speaker 1>No, I mean, how could you you like took a

0:12:28.679 --> 0:12:31.760
<v Speaker 1>leap of faith by leaving that show? Passions right?

0:12:31.920 --> 0:12:32.439
<v Speaker 3>That still long?

0:12:32.960 --> 0:12:35.000
<v Speaker 1>No, when did it end after you?

0:12:35.440 --> 0:12:35.719
<v Speaker 3>It has?

0:12:35.840 --> 0:12:38.520
<v Speaker 2>It has, it's gone. It went for quite a few

0:12:38.559 --> 0:12:40.560
<v Speaker 2>years after I left. But it has a cult following,

0:12:40.720 --> 0:12:43.560
<v Speaker 2>does it. I mean people were huge fans of that show.

0:12:43.640 --> 0:12:47.320
<v Speaker 2>I got a supernatural storyline. It was out there.

0:12:48.080 --> 0:12:51.760
<v Speaker 1>So it wasn't like Days of Our Lives where people

0:12:51.760 --> 0:12:53.440
<v Speaker 1>were being possessed by devils.

0:12:54.040 --> 0:12:57.280
<v Speaker 2>No, it was actually my my girlfriend was possessed on

0:12:57.280 --> 0:13:02.280
<v Speaker 2>the show, and I went to Hell to save her. Yeah,

0:13:04.840 --> 0:13:07.400
<v Speaker 2>And I was like I was battling demons.

0:13:07.400 --> 0:13:10.760
<v Speaker 3>Hell yeah, Jesse, I would love to see that conversation

0:13:10.880 --> 0:13:13.920
<v Speaker 3>between you and the director having these deep moments.

0:13:15.160 --> 0:13:17.319
<v Speaker 1>What is it like meeting with a director on a soap?

0:13:17.440 --> 0:13:18.960
<v Speaker 1>I mean, I know what it's like meeting with a

0:13:19.000 --> 0:13:24.079
<v Speaker 1>director on a film. If you're shooting five days a week.

0:13:23.960 --> 0:13:28.240
<v Speaker 2>And there's not a lot of talk about performance. It's

0:13:28.240 --> 0:13:30.160
<v Speaker 2>like if you if you get the words out of

0:13:30.200 --> 0:13:33.840
<v Speaker 2>your mouth and they're intelligible, then they're moving on.

0:13:34.120 --> 0:13:34.640
<v Speaker 3>Wow.

0:13:35.080 --> 0:13:38.080
<v Speaker 2>Because you do so much material each day, there's not

0:13:38.120 --> 0:13:41.960
<v Speaker 2>a yeah, there's episode a day right around full episode.

0:13:42.040 --> 0:13:42.640
<v Speaker 3>It's crazy.

0:13:42.800 --> 0:13:44.760
<v Speaker 2>How hour long episode.

0:13:44.920 --> 0:13:48.640
<v Speaker 3>I can't even imagine. That's nuts, dude.

0:13:49.000 --> 0:13:52.640
<v Speaker 1>I think I can't memorize that. Like, how much dialogue

0:13:52.679 --> 0:13:54.520
<v Speaker 1>do you think you had to memorize daily?

0:13:54.640 --> 0:13:58.320
<v Speaker 2>Thirty pages? Twenty to thirty pages? If you were a

0:13:58.360 --> 0:14:00.520
<v Speaker 2>main character and had, you know, a big.

0:14:00.400 --> 0:14:02.800
<v Speaker 1>Storyline, you must have been fried by the.

0:14:02.800 --> 0:14:05.200
<v Speaker 2>End of Fried. But I had a young brain.

0:14:05.480 --> 0:14:06.840
<v Speaker 1>Hello were you when you were doing this?

0:14:07.160 --> 0:14:08.520
<v Speaker 2>My twenties? My early twenties?

0:14:08.840 --> 0:14:09.080
<v Speaker 1>Early?

0:14:09.200 --> 0:14:10.040
<v Speaker 3>Okay? But I have a question.

0:14:10.240 --> 0:14:12.600
<v Speaker 2>You're a sharp then, yeah, exactly. You get a lot

0:14:12.720 --> 0:14:17.839
<v Speaker 2>dollars and get older. I need my Ginko Beloba. Probably

0:14:17.880 --> 0:14:19.880
<v Speaker 2>don't know what that is. It was the thing. It

0:14:19.960 --> 0:14:22.040
<v Speaker 2>was a thing that always advertised on the price is right,

0:14:22.080 --> 0:14:23.800
<v Speaker 2>and it's supposed to, like, you know, help your brain,

0:14:24.440 --> 0:14:29.880
<v Speaker 2>supposed to help your memory. Your older listeners, which I'm

0:14:29.880 --> 0:14:33.160
<v Speaker 2>sure you have a few, Well, I will understand.

0:14:32.760 --> 0:14:35.440
<v Speaker 1>That some that are in their fifties. Yeah, sure, perfect

0:14:35.800 --> 0:14:37.040
<v Speaker 1>sold are your forty something?

0:14:37.600 --> 0:14:38.360
<v Speaker 3>Let's not go there.

0:14:38.880 --> 0:14:41.080
<v Speaker 1>I think people should wear their age with pride.

0:14:41.120 --> 0:14:44.040
<v Speaker 2>I do wear mine with pride. On forty two years young,

0:14:44.240 --> 0:14:47.360
<v Speaker 2>about to turn forty three in December.

0:14:47.160 --> 0:14:49.040
<v Speaker 1>Good for you had a good head of hair on you.

0:14:49.200 --> 0:14:51.760
<v Speaker 2>Thank you, You're welcome. You're like, is she about that?

0:14:51.960 --> 0:14:53.760
<v Speaker 2>There's nothing money can't buy?

0:14:57.520 --> 0:14:59.840
<v Speaker 1>Oh my gosh. We're going to cut to a short

0:15:00.240 --> 0:15:05.480
<v Speaker 1>and we will be right back with Jesse Metcalf. All right,

0:15:05.560 --> 0:15:08.280
<v Speaker 1>we are back with Jesse Metcalf, and we're talking about

0:15:08.320 --> 0:15:15.360
<v Speaker 1>all things Jesse Metcalf, from his great hair to his career.

0:15:16.200 --> 0:15:19.160
<v Speaker 1>I found out you did two movies with randall back

0:15:19.200 --> 0:15:20.960
<v Speaker 1>to back. I had no idea. What are they called.

0:15:21.240 --> 0:15:27.600
<v Speaker 2>They're called Fortress, Fortress, Fortress, b dubs Bruce Willis Bruce

0:15:27.640 --> 0:15:31.320
<v Speaker 2>ye exactly. They're really fun movies though they're like the

0:15:31.440 --> 0:15:34.360
<v Speaker 2>Indiana Jones kind of type movies. They're a little little

0:15:34.520 --> 0:15:36.280
<v Speaker 2>little tongue in cheek and they have a little bit

0:15:36.280 --> 0:15:38.200
<v Speaker 2>of everything. You know. They have a little comedy, they

0:15:38.200 --> 0:15:40.000
<v Speaker 2>have a little romance, and they have a lot of action.

0:15:40.800 --> 0:15:42.720
<v Speaker 2>They're pretty cool, you know, they're kind they're kind of

0:15:42.800 --> 0:15:45.880
<v Speaker 2>they're kind of different. And apparently from both of our

0:15:45.920 --> 0:15:48.760
<v Speaker 2>directors of one and two, I'm hearing that they came

0:15:48.800 --> 0:15:50.240
<v Speaker 2>out quite well good.

0:15:50.560 --> 0:15:54.000
<v Speaker 1>Yeah, well, I know the one that most of the

0:15:54.360 --> 0:15:57.560
<v Speaker 1>movies that Randall's made with Bruce Willis have always topped

0:15:58.200 --> 0:16:03.120
<v Speaker 1>in either Netflix or on demand pretty high. Yeah, so

0:16:03.760 --> 0:16:04.760
<v Speaker 1>is Fortress out yet?

0:16:04.880 --> 0:16:07.080
<v Speaker 2>Not yet? I think the first one's coming out in December?

0:16:07.200 --> 0:16:07.640
<v Speaker 3>Am I right?

0:16:08.560 --> 0:16:11.280
<v Speaker 1>Oh? Around Christmas time? Christmas?

0:16:11.320 --> 0:16:14.200
<v Speaker 2>Really a Christmas Bruce Willis movie. You know how people

0:16:14.280 --> 0:16:17.000
<v Speaker 2>like to say that Diehards a Christmas movie? You ever

0:16:17.040 --> 0:16:17.440
<v Speaker 2>heard that?

0:16:17.920 --> 0:16:18.120
<v Speaker 1>No?

0:16:18.280 --> 0:16:21.440
<v Speaker 2>Yeah, Like, what's your favorite Christmas movie? Die Hard? Die Hard?

0:16:21.640 --> 0:16:23.280
<v Speaker 1>Why? Because it came out around Christmas time?

0:16:23.280 --> 0:16:26.560
<v Speaker 2>Because the story takes place during Christmas.

0:16:27.120 --> 0:16:28.680
<v Speaker 1>I'm going to be honest, never seen it.

0:16:28.800 --> 0:16:30.280
<v Speaker 2>Yeah, it's a classic.

0:16:30.560 --> 0:16:32.760
<v Speaker 1>There's a lot of classics that I haven't seen. Apparently

0:16:32.800 --> 0:16:34.600
<v Speaker 1>the other one, what is it? Basketball? Diaries that we

0:16:34.680 --> 0:16:37.640
<v Speaker 1>just spoke about. Yes, all right, I did get who

0:16:37.680 --> 0:16:40.480
<v Speaker 1>plays your love interest in Fortress? Or is does?

0:16:41.000 --> 0:16:44.560
<v Speaker 2>Is it someone that I had a love interest? Kelly?

0:16:44.760 --> 0:16:46.480
<v Speaker 3>Yeah, yeah, Kelly was great.

0:16:46.520 --> 0:16:49.360
<v Speaker 2>Yeah, an old friend of Randall's and she's amazing in

0:16:49.400 --> 0:16:49.760
<v Speaker 2>the movie.

0:16:50.000 --> 0:16:53.320
<v Speaker 1>Oh yeah, very nice. Where did you shoot this? These movies?

0:16:53.560 --> 0:16:54.280
<v Speaker 3>Puerto Rico?

0:16:57.480 --> 0:16:59.960
<v Speaker 2>It's becoming a very popular place to shoot.

0:17:01.600 --> 0:17:04.879
<v Speaker 3>It is it is. It is so busy now that

0:17:05.000 --> 0:17:07.040
<v Speaker 3>I can't even get movies in there, Like we were

0:17:07.080 --> 0:17:09.720
<v Speaker 3>just shot in Alabama because we can't, like, we can't

0:17:09.720 --> 0:17:11.639
<v Speaker 3>get movies into Puerto Rico. So my next movie in

0:17:11.720 --> 0:17:15.160
<v Speaker 3>Porto Rico is not until March because it's it's too busy. Wow. Yeah,

0:17:15.560 --> 0:17:17.600
<v Speaker 3>we started that. We started that that.

0:17:17.680 --> 0:17:19.600
<v Speaker 2>Hole, which I'm sure is great for the economy.

0:17:19.720 --> 0:17:22.640
<v Speaker 3>Oh they're so busy. I mean it's but it's great

0:17:22.680 --> 0:17:25.159
<v Speaker 3>for the whole. Yes, it's great for everything. But I

0:17:25.160 --> 0:17:26.679
<v Speaker 3>love Puerto rican I mean it's a great place to

0:17:26.680 --> 0:17:28.880
<v Speaker 3>make movies. It's just you know, there's only so many

0:17:28.880 --> 0:17:31.560
<v Speaker 3>crew there, so whoever gets in, you know, kind of

0:17:31.560 --> 0:17:32.640
<v Speaker 3>they can only handle so much.

0:17:32.680 --> 0:17:34.879
<v Speaker 1>But do you think as they start filming more movies

0:17:34.880 --> 0:17:38.840
<v Speaker 1>there that they'll more people will move there as far

0:17:38.840 --> 0:17:40.800
<v Speaker 1>as production goes, so that they're.

0:17:40.920 --> 0:17:43.680
<v Speaker 2>I mean, I don't know about that, because.

0:17:43.400 --> 0:17:45.600
<v Speaker 1>Every time I've filmed a movie there, it's kind of

0:17:45.640 --> 0:17:46.280
<v Speaker 1>a shit show.

0:17:47.280 --> 0:17:52.080
<v Speaker 2>Well, you know, I actually, I actually was impressed by

0:17:52.160 --> 0:17:54.080
<v Speaker 2>the Puerto Rican Cruise. I thought I thought they were

0:17:54.160 --> 0:17:54.640
<v Speaker 2>really good.

0:17:54.960 --> 0:17:56.600
<v Speaker 3>Yeah, I agree that they.

0:17:57.000 --> 0:18:00.800
<v Speaker 1>Weren't hard workers. They're incredibly like everyone that work is

0:18:01.080 --> 0:18:03.040
<v Speaker 1>hard working, just on most movies.

0:18:02.760 --> 0:18:05.480
<v Speaker 2>That I not necessarily a lot of experience, but I'm right.

0:18:05.359 --> 0:18:07.360
<v Speaker 1>And I'm a virgo, so I like things to be

0:18:07.520 --> 0:18:09.720
<v Speaker 1>very timely and organized.

0:18:09.840 --> 0:18:12.919
<v Speaker 2>Yes, yeah, that's I like that as well. You know,

0:18:13.000 --> 0:18:15.240
<v Speaker 2>as an actor that's been in the industry for twenty

0:18:15.280 --> 0:18:15.960
<v Speaker 2>two years.

0:18:16.640 --> 0:18:18.879
<v Speaker 3>I'll say on behalf of recall say that the crews

0:18:18.880 --> 0:18:21.800
<v Speaker 3>are very experienced. They're limited though there's only so many

0:18:21.800 --> 0:18:24.520
<v Speaker 3>of them, so once our movie starts, if you come

0:18:24.560 --> 0:18:26.600
<v Speaker 3>in after the fact, you kind of have to bring

0:18:26.640 --> 0:18:29.920
<v Speaker 3>a lot of people in. So just because there's not enough.

0:18:29.920 --> 0:18:33.600
<v Speaker 1>It was less about the crew and more about maybe

0:18:33.640 --> 0:18:35.800
<v Speaker 1>the director or other people.

0:18:36.000 --> 0:18:38.920
<v Speaker 3>Hold on, oh that was we don't drop the tea,

0:18:38.960 --> 0:18:40.639
<v Speaker 3>but I think she spilled the tea or he dropped

0:18:40.640 --> 0:18:44.080
<v Speaker 3>it or something. Director you felt you didn't have the

0:18:44.080 --> 0:18:47.720
<v Speaker 3>connection with Yeah, movie.

0:18:47.760 --> 0:18:48.800
<v Speaker 2>That can happen.

0:18:49.000 --> 0:18:52.879
<v Speaker 1>Yeah, now you tell me we're working on pages you

0:18:52.920 --> 0:18:57.000
<v Speaker 1>know why through Z And then you come in and

0:18:57.040 --> 0:19:00.280
<v Speaker 1>you're like, no, no, I told you A and be

0:19:00.600 --> 0:19:03.600
<v Speaker 1>today and it's like you're fucking moron.

0:19:04.160 --> 0:19:08.840
<v Speaker 4>Okay, okay, and movie.

0:19:10.320 --> 0:19:13.199
<v Speaker 3>Jesse, would you like to share your uh stories with

0:19:13.760 --> 0:19:15.320
<v Speaker 3>about some of your directors?

0:19:15.320 --> 0:19:18.240
<v Speaker 2>Well, I think you know when you're talking about the

0:19:18.280 --> 0:19:21.199
<v Speaker 2>top of the food chain, you know, and on a film,

0:19:21.600 --> 0:19:24.320
<v Speaker 2>you know, a director really is the captain of the ship,

0:19:24.560 --> 0:19:27.400
<v Speaker 2>you know, and he likes to I would generally generally

0:19:27.960 --> 0:19:29.639
<v Speaker 2>maintain that persona.

0:19:29.920 --> 0:19:31.520
<v Speaker 3>I want to make it clear I didn't direct either

0:19:31.560 --> 0:19:32.080
<v Speaker 3>of your movies.

0:19:32.160 --> 0:19:36.119
<v Speaker 2>Sometimes sometimes you have to be sensitive to.

0:19:36.200 --> 0:19:37.320
<v Speaker 3>That, you know.

0:19:37.480 --> 0:19:40.119
<v Speaker 1>See, I feel as the actor someone they need to

0:19:40.119 --> 0:19:41.119
<v Speaker 1>be sensitive to me.

0:19:42.359 --> 0:19:43.119
<v Speaker 3>You will know.

0:19:43.440 --> 0:19:46.399
<v Speaker 2>Yeah, everyone has a perspective.

0:19:46.720 --> 0:19:51.879
<v Speaker 3>Yeah, I'm gonna I'm gonna switch subjects in about a second.

0:19:51.920 --> 0:19:54.520
<v Speaker 3>I just want to say, Jesse, during your movie with

0:19:54.560 --> 0:19:57.560
<v Speaker 3>your sensitivity to directors, I did receive a lot of

0:19:57.600 --> 0:20:00.680
<v Speaker 3>calls from you on one particular film.

0:20:00.920 --> 0:20:03.080
<v Speaker 2>Uh, but that's come full circle.

0:20:03.160 --> 0:20:06.520
<v Speaker 3>No, you guys wonderfully. No, you guys made up and

0:20:06.600 --> 0:20:09.400
<v Speaker 3>I think that's amazing. I also think sometimes, like lawa said,

0:20:09.920 --> 0:20:12.800
<v Speaker 3>circumstance and just it might be that film or whatever

0:20:12.880 --> 0:20:13.440
<v Speaker 3>things happen.

0:20:13.680 --> 0:20:17.359
<v Speaker 2>Yeah, I know it's very hot, very hot and humid

0:20:17.359 --> 0:20:20.360
<v Speaker 2>in Puerto Rico. Tensions can run high. But if you're

0:20:20.400 --> 0:20:23.639
<v Speaker 2>passionate about what you're doing and you bring that passion

0:20:23.680 --> 0:20:25.560
<v Speaker 2>to the project, sometimes it can it can get a

0:20:25.600 --> 0:20:26.640
<v Speaker 2>little fiery on set.

0:20:26.880 --> 0:20:27.160
<v Speaker 1>Yeah.

0:20:27.200 --> 0:20:28.800
<v Speaker 2>You know, it's important to be able to work a

0:20:28.800 --> 0:20:30.639
<v Speaker 2>lot of egos on a side. It's important to be

0:20:30.680 --> 0:20:32.639
<v Speaker 2>able to work through these things on a set because

0:20:32.640 --> 0:20:34.280
<v Speaker 2>at the end of the day, we're a team and

0:20:34.320 --> 0:20:38.320
<v Speaker 2>it's a collaborative art form. Yes, so we can't forget that.

0:20:38.880 --> 0:20:40.639
<v Speaker 1>No, I fully agree. And at the end of the day,

0:20:40.680 --> 0:20:43.560
<v Speaker 1>everyone's intent is to do the same thing, which is

0:20:43.680 --> 0:20:46.760
<v Speaker 1>create a great film. So I respect that. I actually

0:20:46.800 --> 0:20:49.119
<v Speaker 1>remember when you were going toes with whoever you were

0:20:49.119 --> 0:20:53.520
<v Speaker 1>doing toes with, going everyone to calm down.

0:20:53.560 --> 0:20:54.840
<v Speaker 3>Oh yeah, I used to say to Law when I

0:20:54.840 --> 0:20:57.080
<v Speaker 3>was getting those calls, I was like, dude, what doing

0:20:57.240 --> 0:20:59.720
<v Speaker 3>She's like, everyone just needs to settle down in Porto Rico.

0:21:00.400 --> 0:21:03.919
<v Speaker 3>But just tell us because you don't you know, in

0:21:04.000 --> 0:21:06.480
<v Speaker 3>terms of like what is the perfect project that you'd

0:21:06.480 --> 0:21:08.359
<v Speaker 3>like to see yourself do over the next few years,

0:21:08.359 --> 0:21:11.080
<v Speaker 3>Like what, what director? What kind of genre? Is there

0:21:11.119 --> 0:21:12.960
<v Speaker 3>anything you want to challenge yourself with or is it.

0:21:12.960 --> 0:21:18.240
<v Speaker 2>Just okay, my my favorite genre is gangster films. Really yeah,

0:21:18.280 --> 0:21:21.639
<v Speaker 2>I would love to do, you know, a mob movie

0:21:22.800 --> 0:21:25.800
<v Speaker 2>where I was maybe the black sheep of an Italian

0:21:25.840 --> 0:21:31.080
<v Speaker 2>mafia family that had a drug problem and maybe a

0:21:31.119 --> 0:21:34.359
<v Speaker 2>gambling problem. Because of my gambling problem, I get in

0:21:34.480 --> 0:21:39.560
<v Speaker 2>debt to a rival family and in order to you know,

0:21:39.680 --> 0:21:45.920
<v Speaker 2>not get killed, I have to inform on my own family. Wow, yeah,

0:21:46.000 --> 0:21:46.439
<v Speaker 2>I just care.

0:21:46.440 --> 0:21:48.560
<v Speaker 3>I just came up with that's that's a great that's

0:21:48.560 --> 0:21:50.800
<v Speaker 3>a great develop that. Yeah, we should. I actually like

0:21:50.880 --> 0:21:53.040
<v Speaker 3>it all right. By the way, if anybody tries to

0:21:53.080 --> 0:21:55.639
<v Speaker 3>steal that Jesse did, we're copywriting it right now.

0:21:56.080 --> 0:22:00.120
<v Speaker 2>We have it, we have it on record. Okay, I'll find.

0:22:00.520 --> 0:22:03.800
<v Speaker 3>Yeah, No, I like that. That's interesting. It sounds like

0:22:03.920 --> 0:22:06.399
<v Speaker 3>a little like Godfather. But we'll we'll modify it to

0:22:06.720 --> 0:22:12.480
<v Speaker 3>contemporary times for sure. Okay, tell us the best the

0:22:12.480 --> 0:22:14.640
<v Speaker 3>most exciting moment of Desert Housewives. That's what I want

0:22:14.640 --> 0:22:17.640
<v Speaker 3>to steel, Like, what was the best episode or the best.

0:22:18.160 --> 0:22:22.320
<v Speaker 2>The most exciting moment for me was winning a SAG Award.

0:22:22.640 --> 0:22:24.480
<v Speaker 3>That's right, that's huge.

0:22:24.400 --> 0:22:30.080
<v Speaker 2>Ensemble comedy cast. So that was an unbelievable that the moment,

0:22:30.440 --> 0:22:33.480
<v Speaker 2>you know, we're all up on stage at the SAG Awards.

0:22:33.600 --> 0:22:34.080
<v Speaker 3>That's big.

0:22:34.240 --> 0:22:35.920
<v Speaker 2>Yeah, it was really awesome.

0:22:35.960 --> 0:22:37.640
<v Speaker 1>Where do you keep your SAG Award right now?

0:22:37.880 --> 0:22:40.920
<v Speaker 2>Where is that tiward on the back of the toilet

0:22:41.080 --> 0:22:45.000
<v Speaker 2>in the guest room? Why no, I'm just kidding.

0:22:47.040 --> 0:22:49.159
<v Speaker 3>I was going to living obviously, I.

0:22:50.359 --> 0:22:53.520
<v Speaker 1>Was going to say that needs to be removed and

0:22:53.560 --> 0:22:54.040
<v Speaker 1>placed out.

0:22:55.680 --> 0:22:57.919
<v Speaker 3>Can I tell you a funny story about the SAG Awards?

0:22:59.280 --> 0:23:01.080
<v Speaker 3>And then I've said on the podcast, I'm gonna say

0:23:01.080 --> 0:23:03.320
<v Speaker 3>real quick and in a cliff dal version, Lala and

0:23:03.320 --> 0:23:05.840
<v Speaker 3>I went to the Syhorts for the Irishman. I wanted

0:23:05.840 --> 0:23:07.880
<v Speaker 3>to say hello to Meryl Streep. Meryl Streep was sitting

0:23:07.880 --> 0:23:09.600
<v Speaker 3>at the table next to us. As she got up

0:23:09.640 --> 0:23:11.760
<v Speaker 3>and started moving, I stood up. It's the only person I,

0:23:11.920 --> 0:23:13.560
<v Speaker 3>you know, fangirled about.

0:23:13.400 --> 0:23:15.120
<v Speaker 1>She couldn't get away from Randam fast enough.

0:23:15.119 --> 0:23:19.480
<v Speaker 3>Okay, they literally, no, she's don't. That's not what she said.

0:23:19.520 --> 0:23:23.760
<v Speaker 3>She said, can you give me one second right back?

0:23:23.920 --> 0:23:28.040
<v Speaker 1>Yeah, And I never came back and then proceeded when

0:23:28.080 --> 0:23:30.879
<v Speaker 1>she came back to instead of take that route, go.

0:23:30.880 --> 0:23:33.760
<v Speaker 4>All the way around to the other around the table

0:23:33.880 --> 0:23:36.560
<v Speaker 4>to dodge me. And but here is the kicker that

0:23:36.640 --> 0:23:39.600
<v Speaker 4>I have to live with this to this day. Fast

0:23:39.640 --> 0:23:41.200
<v Speaker 4>forward the entire night.

0:23:41.320 --> 0:23:44.720
<v Speaker 3>Every time they do a shot of Meryl Streep and

0:23:44.760 --> 0:23:47.119
<v Speaker 3>Reese witherspent the table next to us, who is in

0:23:47.200 --> 0:23:50.600
<v Speaker 3>the eye line, La La Kent. So so all of

0:23:50.640 --> 0:23:53.800
<v Speaker 3>the photos are Meryl Streep and Lala Kent without Lala

0:23:53.880 --> 0:23:56.159
<v Speaker 3>Ken ever asking for a photo, and I got I

0:23:56.200 --> 0:23:56.720
<v Speaker 3>got dissed.

0:23:56.960 --> 0:23:59.640
<v Speaker 1>I don't care about famous people that much.

0:24:00.480 --> 0:24:02.840
<v Speaker 2>Neither do I. But I mean, if it's a it's

0:24:02.880 --> 0:24:05.399
<v Speaker 2>an actor that I really admire. I think it's cool

0:24:05.400 --> 0:24:06.960
<v Speaker 2>to be able to meet the person. But I'm not

0:24:07.000 --> 0:24:08.520
<v Speaker 2>going to be like falling all over myself.

0:24:08.560 --> 0:24:10.639
<v Speaker 1>And I'm definitely not asking for a picture either, Like

0:24:10.680 --> 0:24:11.600
<v Speaker 1>what am I going to do with it?

0:24:11.760 --> 0:24:14.560
<v Speaker 2>Same anyone for a picture of my.

0:24:14.480 --> 0:24:16.480
<v Speaker 3>Wife, Well, I'll take a picture with you.

0:24:17.600 --> 0:24:21.160
<v Speaker 2>I have too many pictures with you, that's true, But.

0:24:21.080 --> 0:24:23.000
<v Speaker 3>I honestly no. But you know, Meryl Streep is just

0:24:23.040 --> 0:24:24.960
<v Speaker 3>one of those actors that I looked up to since

0:24:25.000 --> 0:24:26.840
<v Speaker 3>I was a kid and she's the greatest ever. So

0:24:26.880 --> 0:24:28.960
<v Speaker 3>it was like this weird moment that she was walking

0:24:28.960 --> 0:24:30.720
<v Speaker 3>and I said, I got to do it, but it

0:24:30.760 --> 0:24:31.960
<v Speaker 3>did work out, so I'm.

0:24:31.840 --> 0:24:34.160
<v Speaker 1>Not gonna I'll be I'll be right back.

0:24:34.520 --> 0:24:37.400
<v Speaker 3>And by the way, and by the way, she thanks law,

0:24:37.480 --> 0:24:39.240
<v Speaker 3>thanks for that. And by the way, I asked law,

0:24:39.840 --> 0:24:41.480
<v Speaker 3>I said, no, she was being nice. She wanted to

0:24:41.480 --> 0:24:43.640
<v Speaker 3>go talk to Marty and then she's going to come back.

0:24:43.680 --> 0:24:46.399
<v Speaker 3>And she says she ain't coming back and that like that.

0:24:46.400 --> 0:24:49.359
<v Speaker 1>That the waste is called avoiding you like you're the plague.

0:24:50.040 --> 0:24:50.399
<v Speaker 3>Thank you?

0:24:53.280 --> 0:24:53.760
<v Speaker 2>You know what?

0:24:53.800 --> 0:24:54.040
<v Speaker 1>Man?

0:24:54.200 --> 0:24:54.760
<v Speaker 3>You were there?

0:24:55.400 --> 0:24:56.360
<v Speaker 2>I was you were there.

0:24:56.400 --> 0:24:58.520
<v Speaker 3>I was a table over. That is I was a

0:24:58.560 --> 0:24:59.240
<v Speaker 3>table over.

0:25:00.119 --> 0:25:01.600
<v Speaker 1>Even know and it looked like I was there so

0:25:01.720 --> 0:25:04.560
<v Speaker 1>low kicking it by Meryl Streep.

0:25:06.040 --> 0:25:08.119
<v Speaker 3>I can't believe I didn't get a shot. She gets

0:25:08.160 --> 0:25:10.119
<v Speaker 3>all these shots. All I wanted was a picture. I

0:25:10.160 --> 0:25:13.080
<v Speaker 3>could have taken the picture off the off the screen

0:25:13.560 --> 0:25:15.639
<v Speaker 3>and then blown it up and put it in my office.

0:25:15.720 --> 0:25:16.560
<v Speaker 2>Too funny.

0:25:17.160 --> 0:25:19.800
<v Speaker 1>Well, this has been a fun podcast, Yes, yes it has.

0:25:20.280 --> 0:25:21.960
<v Speaker 1>I can't wait to see Fortress.

0:25:22.520 --> 0:25:24.640
<v Speaker 2>Never a dull moment with you two.

0:25:28.200 --> 0:25:30.240
<v Speaker 1>We try to keep it fun and keep it classy.

0:25:30.520 --> 0:25:33.879
<v Speaker 2>Keep it that way. I think we kept it pretty classy.

0:25:34.040 --> 0:25:36.159
<v Speaker 2>I think, you know, maybe you know a couple of

0:25:36.400 --> 0:25:38.800
<v Speaker 2>color comments from you, La love, but I mean, you know,

0:25:39.720 --> 0:25:40.199
<v Speaker 2>got to be you.

0:25:41.520 --> 0:25:42.720
<v Speaker 1>I will never deny them.

0:25:43.520 --> 0:25:49.560
<v Speaker 2>Keep it real before classy, keep them authentic and classy,

0:25:49.680 --> 0:25:51.560
<v Speaker 2>you know, because there's not enough authentic people out here.

0:25:51.760 --> 0:25:52.280
<v Speaker 1>No, there's not.

0:25:52.400 --> 0:25:56.680
<v Speaker 2>There's that, Holly. Would you know what I.

0:25:56.600 --> 0:25:59.680
<v Speaker 3>Love about podcasts with friends? It's fun, for sure, it's

0:25:59.680 --> 0:26:02.160
<v Speaker 3>really on. Jesse. I want to tell you something. You're

0:26:02.200 --> 0:26:04.000
<v Speaker 3>a good friend to me. You're a good friend to us,

0:26:04.080 --> 0:26:06.200
<v Speaker 3>and I want to thank you. And you're incredible actor,

0:26:06.280 --> 0:26:08.080
<v Speaker 3>and we thank you for having me for all being

0:26:08.119 --> 0:26:09.800
<v Speaker 3>on and being with us always my pleasure.

0:26:10.000 --> 0:26:12.320
<v Speaker 1>Thanks Mitt cav Thank you guys so much for listening

0:26:12.320 --> 0:26:14.720
<v Speaker 1>to another episode of We Give Them La La with

0:26:14.920 --> 0:26:17.800
<v Speaker 1>Randall podcast. We will catch you next week.