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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the History of curbyr Enthusiasm podcast

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Speaker 1: on Max and YouTube, as well. Links available in the

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Speaker 1: episode description. Hi everybody, I'm Susie Esmond.

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Speaker 2: I'm Jeff Darland.

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Speaker 1: And today we are doing season four, episode three, the

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Speaker 1: Blind Date.

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Speaker 3: Yes, and we have the blind date with us. Please

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Speaker 3: welcome Moon.

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Speaker 2: Zappa, Moonzapa.

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Speaker 4: Hi, everybody, Nice to be with.

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Speaker 2: You, Happy to have you here. Hello, It's an honor.

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Speaker 1: Moon, and it's nice to see your face out of

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Speaker 1: a burka. Having just watched the episode, Moon is an

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Speaker 1: old friend of mine who I love very nice. We

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Speaker 1: have never met because I wasn't in any of those

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Speaker 1: scenes with you, so we have never met, and it's

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Speaker 1: love to meet you.

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Speaker 2: Thank you.

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Speaker 3: How did you get this part? I think I just auditioned.

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Speaker 4: I think I just came in and you did gave.

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Speaker 2: I plowed her through, which she was.

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Speaker 3: So good that she got it.

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Speaker 2: Jeff, No, no, no, Look, if she wasn't good, I

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Speaker 2: could not push her through the thing was she was

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Speaker 2: great and sometimes that still doesn't work. But when you

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Speaker 2: have somebody who's your friend in the room and you

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Speaker 2: kicked ass, you got the part. It's done.

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Speaker 3: So did you audition in a Burka Moon?

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Speaker 4: No? But the thing is what I remember is Jeff

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Speaker 4: had said he tried a few times to bring me

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Speaker 4: into audition for a few different roles and nothing just

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Speaker 4: worked out prior to that. And so then when I

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Speaker 4: went in for that role.

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Speaker 5: I drove all the way from Hollywood to Santa Monica,

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Speaker 5: which is like saying I left the planet to go.

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Speaker 3: To It depends on.

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Speaker 4: That's true.

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Speaker 2: And well, Susie, you want to talk about time of

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Speaker 2: day from Hollywood to Santa Monica, Yeah, you're good around midnight.

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Speaker 1: I live in New York at four o'clock in the morning.

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Speaker 1: You can't go on the Cross Bronx Expressway any time

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Speaker 1: of day.

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Speaker 3: The crossbro Expressway is a fucking nightmare.

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Speaker 5: But all right, So nowadays you just have to treat

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Speaker 5: everything like it's.

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Speaker 4: You're going to a festival and your camp out before

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Speaker 4: you go anywhere.

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Speaker 3: It seems so you drove all the way.

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Speaker 4: I drove all the way and then uh, yeah, I

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Speaker 4: just remember that the process.

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Speaker 5: Of like being given a kind of a note and

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Speaker 5: then improvising a little bit.

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Speaker 2: By the way, if I may, the notes that we

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Speaker 2: give to actors are not the actual scenes.

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Speaker 3: Right exactly.

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Speaker 2: There's something not even resembling the scene, just something totally different.

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Speaker 2: Because Larry doesn't want any of the stories.

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Speaker 3: You just want anybody knowing.

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Speaker 2: Yeah. Yeah, So there's these slips of paper, you know,

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Speaker 2: where it's just this little scene that has nothing to

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Speaker 2: do with what we're going to film.

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Speaker 1: And you know what's interesting to me rewatching these episodes

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Speaker 1: because I mean, I haven't seen this episode in nineteen years. Same,

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Speaker 1: what's interesting is once it's cast, nobody else could have

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Speaker 1: done that part.

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Speaker 3: I mean, yes, of course somebody else could have done

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Speaker 3: that part.

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Speaker 2: No, but she did it with a spin that was

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Speaker 2: fucking beautiful.

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Speaker 1: Y that once you inhabit that part, it's like, you

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Speaker 1: can't even think of somebody else doing that part except

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Speaker 1: for Moon playing haboos.

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Speaker 5: Well, you know, some of my favorite things in the

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Speaker 5: world are matchmaking and matchmaking gone wrong. And outside of

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Speaker 5: professional life, is there anything funnier than people trying to

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Speaker 5: make love happen?

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Speaker 3: It's just it happens all the time.

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Speaker 5: Yeah, exactly, And then to have the fun of getting

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Speaker 5: to have you know, whether you like a personality or

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Speaker 5: don't like a personality another personality is just a fun adventure.

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Speaker 5: And then to do it as though you are from

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Speaker 5: another country, which I think is riskier and riskier these

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Speaker 5: days and entertainment.

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Speaker 1: Yes, it is so, and it's interesting watching this. Certain

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Speaker 1: things I don't know if they could be done today,

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Speaker 1: but exactly.

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Speaker 2: Oh, by the way, that's true. I disagree on some levels,

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Speaker 2: but in terms of content not so much, because we're

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Speaker 2: a reverent and politically incorrect. Not to be reverent and

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Speaker 2: politically incorrect, it's just the way that turns out. But certainly,

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Speaker 2: with Moon's part, we would have.

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Speaker 3: Had to have hired and who would have ever known?

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Speaker 2: No, no, but nonetheless a Middle Eastern actress. Yes, we

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Speaker 2: would have definitely had to but that's not a bad thing.

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Speaker 1: No, But luckily Moon was hired because you were just perfect.

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Speaker 1: So let's start the episode. We start out with Larry

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Speaker 1: vacuuming Michael's apartment. This Michael is a real fucking primadonna.

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Speaker 2: Isn't also just Larry vacuuming?

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Speaker 3: Yeah?

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Speaker 2: Fur, this dude is funny on its own. Boom hilarious.

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Speaker 1: And Michael's got his headphones on and he's listening to music,

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Speaker 1: and you know, Larry's telling him he should get a

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Speaker 1: cordless vacuum. He's like, what what, he's not even he's

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Speaker 1: listening to his music. And then Larry says him, you

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Speaker 1: need to get yourself a new girlfriend. He's tired of

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Speaker 1: doing his errands in vacuuming, and and Michael says, it's

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Speaker 1: your fault that I don't have a girlfriend, which it

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Speaker 1: really is in Larry's fault.

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Speaker 3: It is Michael's fault for being so petty and superficial.

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Speaker 2: That's another thing about Larry's character. You can convince Larry

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Speaker 2: in the right moment that it's his fault. I'm talking

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Speaker 2: about the character.

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Speaker 3: Oh he's always willing to take blame.

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Speaker 2: Yeah no, no, no, not from you, but like.

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Speaker 3: From no, I mean, I don't mean me, I mean one.

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Speaker 2: No, no outsiders who aren't mean. But what's all so

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Speaker 2: beautiful about this is when he talks to him and

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Speaker 2: he criticizes him about his blindness and his expectations for

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Speaker 2: a woman. Do you know what I'm saying?

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Speaker 3: Well, he says to him.

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Speaker 6: You know what, you better get yourself a new girlfriend,

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Speaker 6: all right, because this isn't gonna last that much longer. Yeah, well,

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Speaker 6: whose fault is it that I don't have a girlfriend anymore?

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Speaker 2: Larry?

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Speaker 6: Hey, I did your favorite. The problem is it's hard

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Speaker 6: to even fix you up. You're so particular.

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Speaker 3: I would like to be an attractive woman, Yes, I wouldn't, not.

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Speaker 6: Long as you have to be good looking. But she's

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Speaker 6: going out with a blind man, so just to wait

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Speaker 6: on hand and foot.

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Speaker 3: So what matters to women is what's on the inside

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Speaker 3: of a fella.

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Speaker 6: Okay, first of all, you've got nothing good inside of you. Okay,

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Speaker 6: let me just make that clear. You're the most superficial

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Speaker 6: man I've ever met.

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Speaker 2: Be that blind or sighted as.

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Speaker 5: It meant, it's just not fair that people get to

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Speaker 5: see her and I don't.

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Speaker 6: So he's saying, it's not fair that everybody knows what

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Speaker 6: she looks like except you.

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Speaker 1: Right, you're the most superficial man I've ever met. He

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Speaker 1: says to You're the most superficial man I've ever met.

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Speaker 2: And he says, how would you know how beautiful they are?

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Speaker 1: Yeah, he wouldn't, And then we cut to Larry doing

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Speaker 1: his lines to himself, saying, you know, Max BIELI stock,

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Speaker 1: I did summer stock in the winter, you know, hilarious. Yeah,

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Speaker 1: And he's in his car and he's going into a

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Speaker 1: parking lot and the what is that called the arm,

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Speaker 1: the wooden arm comes down on the way in the front.

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Speaker 3: Of the hood.

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Speaker 2: I can't remember what those are called. Whatever, the thing

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Speaker 2: that comes down at a parking.

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Speaker 1: So he goes into reverse and he reverses through that

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Speaker 1: tired thing that do not reverse will cause tire damage,

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Speaker 1: which you know you always see.

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Speaker 3: You wonder is it really going to cause tire damage? Yes,

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Speaker 3: it does.

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Speaker 2: Those spikes Are you kidding me?

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Speaker 1: And then Ben and Christine have to pick him up

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Speaker 1: so he can't open the back door. And Ben is

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Speaker 1: taking Christine to yoga and Larry goes off on a

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Speaker 1: ridiculous riff about yoga and yogurt and they related.

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Speaker 2: And dot and they're pulling in. He's still on the.

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Speaker 3: Road, still carrying on.

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Speaker 1: It reminded me of the last episode at Ben's birthday

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Speaker 1: party when he's talking to Katie Huffman in that same way,

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Speaker 1: and in the first episode with mel when he's trying

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Speaker 1: to pick up the beautiful girl and he's talking about

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Speaker 1: bowling balls, this is just digging, digging, digging holes.

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Speaker 2: But every single time, all I think of Sari Moons.

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Speaker 2: Sari's my girlfriend. And when I watch those episodes, I

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Speaker 2: thought of us, because I do that naturally, which you

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Speaker 2: might know. And I thought to myself, poor, poor Sarry

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Speaker 2: to have to deal with that, because I really great, Jeff.

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Speaker 3: I'm so glad that you're learning something from doing it.

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Speaker 2: By the way, I am. And Larry off camera doesn't

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Speaker 2: do that, but I do. I'm the one who does that.

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Speaker 1: No, Larry is the opposite of that. He's very comfortable

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Speaker 1: with silence.

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Speaker 2: Yes, as you know, Jeff is not well. No, on

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Speaker 2: a conscious level. I am on the subconscious level, No

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Speaker 2: fucking way, yeah, because obviously I act out.

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Speaker 1: So they drop Christine off at yoga and Ben says,

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Speaker 1: when you come sit up front, Larisa, I'm good, I'm good,

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Speaker 1: I'm okay, I'm good.

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Speaker 3: And Ben's like.

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Speaker 1: I'm not going to drive you around like I'm your chauffeur.

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Speaker 1: And Larr's what kind of person? It is so insecure?

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Speaker 1: And I agree with Larry on this fun.

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Speaker 2: Right the way I wrote that to Larry not wrong,

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Speaker 2: especially because it's a very short run.

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Speaker 3: Very sure what are you just going, yeah, we're not. Yeah,

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Speaker 3: what's the big fucking deal?

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Speaker 2: Right, that's a rare occurrence of Larry being right.

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Speaker 3: I don't know.

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Speaker 1: I think he's almost always right, Jeff, he's almost always right.

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Speaker 2: No, I feel that he does not have the common

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Speaker 2: courtesy to just let him. Like, you're with your shirts

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Speaker 2: with all the the watch McCall's, the bedaz yeah, bedazzled shirts.

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Speaker 2: All he has to say to you is, hey, those

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Speaker 2: those are lovely and then move on. Yes, but instead so, yes,

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Speaker 2: he's right, they're bullshit shirts. But he doesn't have common courtesy.

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Speaker 3: He doesn't have common courtesy.

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Speaker 1: However, Yeah, when it comes to a moral or ethical issue,

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Speaker 1: he's almost always right.

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Speaker 2: Well, that's the reason people like the show because they

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Speaker 2: can associate with and also say I wish I could

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Speaker 2: say that. Well they could. I would have liked to.

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Speaker 1: Have said that, right, say what people think, but will

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Speaker 1: not say.

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Speaker 2: Yeah, that's that's the magic.

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Speaker 3: So then they continue.

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Speaker 1: Ben calls him a grown man baby a little baby

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Speaker 1: wants to walk, just like ridiculous. It devolves into a

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Speaker 1: ridiculous fight. You're the baby, you're the baby. Bit bit

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Speaker 1: bit bit bit bit bet. Cut to that Larry walks

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Speaker 1: into the kitchen of his house singing and complains that

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Speaker 1: to Cheryl, your little cousin finished all the grape nuts

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Speaker 1: and how much longer is he going to be there?

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Speaker 1: And he wants to borrow Cheryl's car. She says, okay,

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Speaker 1: but will you take it to the car wash? And

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Speaker 1: then Cheryl's little cousin Stewart enters, and this broke my heart.

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Speaker 2: I know it's it's uh Anton Yelhun.

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Speaker 1: Anton Yelchin, who played at the I thought it's yelkin.

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Speaker 1: Maybe it's pronounced yelkin, it's a ch but maybe it's you.

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Speaker 2: Of your options. Maybe his family said everyone can pronounce

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Speaker 2: it correctly.

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Speaker 1: Maybe, but he was a really talented kid. He was

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Speaker 1: played check Off in the Star Treks and.

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Speaker 2: Actually was not just a good actor. The kids were

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Speaker 2: remarkable and.

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Speaker 3: He was remarkable in this part, remarkable.

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Speaker 2: In this part, and as people if you know or

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Speaker 2: don't know, he passed away, and you know, not only

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Speaker 2: was he sweet and a wonderful actor, his mom was

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Speaker 2: sweet too. See when you work with children, as I've

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Speaker 2: done before, Daddy daycare, etc. You know, Wizards of Waverley

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Speaker 2: Place and my other credits check out IMDb for the

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Speaker 2: full list of credits, and then you can see children

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Speaker 2: not children anyhow. Point being, it has everything to do

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Speaker 2: with the parents when they're on set, because so many

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Speaker 2: of these parents are so overbearing and they're living their

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Speaker 2: life through their children that their children grow up to

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Speaker 2: be drug addicts and assholes. And I'm not exaggerating, and.

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Speaker 1: It's said, well, we know that, but Jeff his parents

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Speaker 1: were professional figure skaters. Yes, so they know about being

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Speaker 1: in the public eye, and you know when they came

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Speaker 1: from the Soviet Union.

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Speaker 2: But his mother, who was with him was such a

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Speaker 2: wonderful woman. I remember during daddy daycare, it was the

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Speaker 2: grandma and the mother who came El Fanning, the Fanning family,

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Speaker 2: and those girls have grown up to be remarkable women.

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Speaker 2: I'm just saying, basically, I'm saying, don't let your kids

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Speaker 2: in show business if it's about you now. But a

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Speaker 2: narcissist is not going to know that. Let's keep going.

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Speaker 1: Well anyway, it broke my heart to see him because

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Speaker 1: he died way too young, and he was so talented.

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Speaker 3: It was a horrible way that he died, and talented.

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Speaker 2: And sweet that's a double bonus. You know, he hangs

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Speaker 2: with Larry in this. Oh he doesn't give in. Oh yeah,

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Speaker 2: he does not give in, which is remarkable.

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Speaker 1: Okay, go ahead, and he shows Larry a card trick

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Speaker 1: and it's actually a very good cart trick and Lars

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Speaker 1: has had you do that. No, no, magicians don't tell

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Speaker 1: people how they do their tricks.

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Speaker 2: Yeah, well, you're not really a magician. Oh yeah, I am. Well,

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Speaker 2: because you do one trick that a magician to a trick?

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Speaker 6: You were you a magician before you knew how to

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Speaker 6: do that trick?

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Speaker 4: No?

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Speaker 6: Really, well who taught you how to do the trick?

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Speaker 2: A magician? Okay, so you weren't a magician.

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Speaker 6: A magician taught you how to do the trick, right, Yeah, okay.

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Speaker 2: So I'm not a magician.

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Speaker 6: Now you're a magician, So you teach me how to

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Speaker 6: do it?

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Speaker 1: I can't just because he said I am a magician,

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Speaker 1: I can't teach you. He's like a magicians don't tell

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Speaker 1: And he's like, you know, if a magician taught you,

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Speaker 1: Larry says, a magician taught you, so you could teach me. Yeah,

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Speaker 1: but you're not a magician. I love that whole run

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Speaker 1: with him.

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Speaker 3: A magician.

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Speaker 2: By the way, the great line is why did the

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Speaker 2: magician tell you because I'm a magician? No, no, no,

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Speaker 2: because he knew I was a magician.

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Speaker 1: Right, which is just And the magician can tell I'm

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Speaker 1: a magician and you're not.

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Speaker 3: He says, yeah, yeah, So I just love that. And

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Speaker 3: what Larry leaves.

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Speaker 1: Cheryl says to Stuart, her cousin Stewart Anton, you guys

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Speaker 1: are a lot alike.

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Speaker 3: And he says, yeah, except he's not a magician. I mean,

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Speaker 3: he was just spot on this kid. Everything.

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Speaker 4: He said.

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Speaker 2: Right, we'll be.

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Speaker 3: Right back, stay tuned.

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Speaker 7: Okay, we're back.

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Speaker 1: And then you and Larry are going into Mel's office

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Speaker 1: and Larry asks you if you're going to the Halloween

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Speaker 1: party and if you're wearing a costume, and you say,

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Speaker 1: of course, and he's not gonna wear a costume, but

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Speaker 1: of course you're going to wear a costume. And then

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Speaker 1: before you go into the office, Larry tells Jeff that

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Speaker 1: last night he was, you know, in the bathroom taking

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Speaker 1: care of a few things. J Jen, Larry, that's what

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Speaker 1: I meant, Jeff tills Larry and Jenna, what is it?

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Speaker 3: Jenna Jamison?

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Speaker 2: Jenn. At that time, she was the number one porn.

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Speaker 1: Star, shorn star. She was in your head? She pops out,

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Speaker 1: and guess who popped in?

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Speaker 2: Yeah?

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Speaker 3: Cheryl, Cheryl, what do you mean?

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Speaker 2: He's yeah, she was there. I couldn't believe it, you know,

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Speaker 2: I just boom, she was there. You can't control it.

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Speaker 2: Pops in? She pops in, She pops in? Well, why

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Speaker 2: did you pop her out? I tried popping around. She

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Speaker 2: wouldn't pop out. Was she insisted on staying? Not exactly.

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Speaker 2: I want to be here with you, Jeff. I couldn't

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Speaker 2: pop around. I'm out of control that. Besides, my bench

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Speaker 2: is kind of thin. I don't really have a lot

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Speaker 2: going on there. Oh your bench? Just what was she

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Speaker 2: on your team? Now my team? She popped in?

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Speaker 5: Well?

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Speaker 2: He using my wife for I tell you, be flattered. Flattered.

329
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Speaker 2: I'm fucking nauseous.

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Speaker 1: Larry is not happy about this, and I don't blame him.

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Speaker 2: No. I teased this in an earlier episode where we

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Speaker 2: were seeing the house that Larry used to shoot we

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Speaker 2: used to shoot in. We filmed this scene before I know.

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Speaker 2: It was really funny and I got right to the point,

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Speaker 2: but too harsh. Larry said, we have to go into

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Speaker 2: this more conversational Hu and softer for this kind of scene.

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Speaker 4: Okay.

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Speaker 2: When he told me that, I was like, oh man,

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00:15:54,400 --> 00:15:58,200
Speaker 2: that that scene was so funny. And then we redid it,

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Speaker 2: and he always goes you see, you know, and I

341
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Speaker 2: course I see, so this one it's more of a

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Speaker 2: conversation and I'm more of an innocent like I didn't know.

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Speaker 4: You know.

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Speaker 3: Well, also you thought he'd be flattered. Yes, what you say,

345
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Speaker 3: which is hilarious.

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Speaker 2: Nuts, that's the least. Oh that was beautiful.

347
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Speaker 1: Yeah, yeah, and let Larry says, I'm nauseous, and You're like,

348
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Speaker 1: it didn't really happen. It'll never I'll never intentionally use

349
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Speaker 1: her again. But you are right, you can't control who

350
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Speaker 1: pops in.

351
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Speaker 2: Uh well, yes we see that later on.

352
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Speaker 1: You know, yes we too, And Larry's like, next time

353
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Speaker 1: she pops in, pick up your pants and get out

354
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Speaker 1: of the room. So they walk into Mal's office. You know,

355
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Speaker 1: I'm just thinking about it. How I would feel if

356
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Speaker 1: somebody told me I popped into there. I guess it

357
00:16:44,920 --> 00:16:47,360
Speaker 1: would depend on who it was. How would you feel, moaned?

358
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Speaker 5: Well, I mean, don't people are using us all the

359
00:16:50,360 --> 00:16:53,200
Speaker 5: time with whether they tell us or don't tell us, right, Yeah,

360
00:16:53,240 --> 00:16:56,240
Speaker 5: but how do you feel about right, So at.

361
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Speaker 2: Any point, I just can't picture someone using me.

362
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Speaker 3: Someone is someone is Well, by the way, I used

363
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Speaker 3: to do a joke.

364
00:17:04,119 --> 00:17:07,159
Speaker 2: It never worked, but I thought it was really funny.

365
00:17:08,040 --> 00:17:12,480
Speaker 2: No matter what, somewhere someone is masturbating to that show,

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Speaker 2: seeing the news, doesn't.

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Speaker 3: Matter what ever, it is somewhere in the world. Yes,

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Speaker 3: so correct.

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Speaker 2: Under that, guys. Yeah, I guess I popped in a feture.

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Speaker 1: You know, I used to have a website which I

371
00:17:22,960 --> 00:17:26,480
Speaker 1: don't even have, but on my website was a contact thing.

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00:17:26,880 --> 00:17:28,960
Speaker 1: This is many many years ago, and I had to

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Speaker 1: take it down because it was all these men sending

374
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Speaker 1: me all these s and m things.

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Speaker 2: Which is funny for this episode exactly.

376
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Speaker 1: But they would send me things like baking me to screaming.

377
00:17:41,040 --> 00:17:43,000
Speaker 1: You know, who knows who's turned on by what, but

378
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Speaker 1: they would send me these things baking me.

379
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Speaker 5: We also never know anything we're about to say or

380
00:17:48,160 --> 00:17:51,680
Speaker 5: think or do. We are always surprising ourselves an never

381
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Speaker 5: know anything about anything. Forget the jerking off part.

382
00:17:54,720 --> 00:17:57,320
Speaker 3: The jerking off is just the extra special cherry on

383
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Speaker 3: the cave.

384
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Speaker 2: Well, by the way, I want to say, if you

385
00:18:00,720 --> 00:18:04,280
Speaker 2: know the other person and there's a seduction and an

386
00:18:04,320 --> 00:18:08,400
Speaker 2: attraction when you tell the other person that much more

387
00:18:08,440 --> 00:18:12,679
Speaker 2: so women telling men that you thought of them. That

388
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Speaker 2: I know. For if someone came up to me and

389
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Speaker 2: I was attracted to them, and they told me that

390
00:18:17,080 --> 00:18:19,639
Speaker 2: they thought of me, I would have been like, oh,

391
00:18:20,000 --> 00:18:20,800
Speaker 2: how about wow?

392
00:18:20,920 --> 00:18:23,040
Speaker 3: Yeah, an attractive woman, you would have been flattered.

393
00:18:23,280 --> 00:18:25,679
Speaker 2: No, No, any woman I'd be flattered, would it to

394
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Speaker 2: be attractive? I'm not a blind man.

395
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Speaker 1: I was not flattered that men wanted me to scream,

396
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Speaker 1: yell and spank.

397
00:18:32,240 --> 00:18:36,000
Speaker 2: I'm talking about people, you know. Yeah, that's online crap.

398
00:18:36,280 --> 00:18:39,359
Speaker 2: Someone's sitting in their basement wanting us and m with you,

399
00:18:39,720 --> 00:18:41,879
Speaker 2: and their mom's upstairs making eggs salad.

400
00:18:42,240 --> 00:18:44,320
Speaker 5: But if it is someone you know, then the next

401
00:18:44,359 --> 00:18:46,440
Speaker 5: time you gather with them, then it is a little

402
00:18:46,440 --> 00:18:47,680
Speaker 5: bit a little ick.

403
00:18:48,080 --> 00:18:52,320
Speaker 2: Right, Well, no ick, if you feel ick, I imagine

404
00:18:52,320 --> 00:18:55,920
Speaker 2: that there's someone that you really dig and they say,

405
00:18:56,680 --> 00:18:59,600
Speaker 2: you know, in a non creepy way.

406
00:18:59,760 --> 00:19:01,720
Speaker 1: Just I was just gonna say that, Jeff, it can

407
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Speaker 1: feel creepy.

408
00:19:02,800 --> 00:19:04,280
Speaker 2: It's all how you approach it.

409
00:19:04,400 --> 00:19:04,640
Speaker 4: Yeah.

410
00:19:04,720 --> 00:19:04,840
Speaker 2: Right.

411
00:19:04,840 --> 00:19:06,639
Speaker 5: If you were a victim to the pop in and

412
00:19:06,680 --> 00:19:09,280
Speaker 5: you're you were victimized by your own subconscious and.

413
00:19:09,640 --> 00:19:12,959
Speaker 2: That's all it different. But I would never my character

414
00:19:13,000 --> 00:19:14,640
Speaker 2: would never tell Cheryl.

415
00:19:14,920 --> 00:19:17,720
Speaker 1: Just saying, but I have no interest in real life

416
00:19:18,160 --> 00:19:21,120
Speaker 1: in knowing anything about who or what.

417
00:19:20,960 --> 00:19:23,439
Speaker 3: My husband fantasizes about. I don't want to know.

418
00:19:23,800 --> 00:19:29,280
Speaker 2: Well, by the way, my girlfriend thinks I don't because

419
00:19:29,320 --> 00:19:32,200
Speaker 2: she doesn't like it me thinking about anyone but her.

420
00:19:33,640 --> 00:19:36,359
Speaker 2: By the way, yes, but now she won't anymore because

421
00:19:36,400 --> 00:19:37,159
Speaker 2: I've said it.

422
00:19:37,280 --> 00:19:39,920
Speaker 3: All right, well whatever, it's a fantasy.

423
00:19:40,000 --> 00:19:41,159
Speaker 4: That's what text scrolling is.

424
00:19:41,160 --> 00:19:42,880
Speaker 2: For text rolling.

425
00:19:43,200 --> 00:19:44,040
Speaker 4: Text scrolling when.

426
00:19:43,960 --> 00:19:47,480
Speaker 1: You love someone's phone, that's a bad idea.

427
00:19:48,000 --> 00:19:49,240
Speaker 2: I don't want to want to talk.

428
00:19:49,320 --> 00:19:52,359
Speaker 1: Anytime you look at you look at your partner's emails

429
00:19:52,440 --> 00:19:54,560
Speaker 1: or phone, you're getting information you should not have.

430
00:19:54,720 --> 00:19:55,760
Speaker 3: And it's a bad.

431
00:19:55,520 --> 00:19:58,040
Speaker 2: Idea, an utter invasion of privacy.

432
00:19:58,160 --> 00:20:01,040
Speaker 5: It shouldn't because if there was trust, then you wouldn't

433
00:20:01,080 --> 00:20:03,080
Speaker 5: need to exactly.

434
00:20:04,040 --> 00:20:07,320
Speaker 2: Yes and no. Because even though I don't do stuff

435
00:20:07,440 --> 00:20:10,600
Speaker 2: like that, sexting or what have you, I would not

436
00:20:10,720 --> 00:20:12,280
Speaker 2: want anyone bringing it.

437
00:20:12,320 --> 00:20:15,720
Speaker 1: No, because it's privately Google in the government.

438
00:20:15,359 --> 00:20:19,040
Speaker 2: Right, Oh yeah, why I don't use Google. I use

439
00:20:19,160 --> 00:20:24,560
Speaker 2: Perplexity because it eliminates there's no tracking, like you look

440
00:20:24,640 --> 00:20:28,280
Speaker 2: up what's the best way to make porridge, just saying,

441
00:20:28,800 --> 00:20:32,760
Speaker 2: but it'll give you all the information and there's the bottom,

442
00:20:32,960 --> 00:20:35,480
Speaker 2: all the sources, so you can see.

443
00:20:35,200 --> 00:20:37,400
Speaker 3: What's really what is perplexity?

444
00:20:37,640 --> 00:20:39,520
Speaker 2: Perplexity. It's an app, and.

445
00:20:39,520 --> 00:20:42,439
Speaker 3: I discuss it after I want to find out people.

446
00:20:43,040 --> 00:20:45,639
Speaker 2: Well, I remember, I just want to go back in time.

447
00:20:46,040 --> 00:20:49,280
Speaker 2: So I'm in New York and uh, a friend of

448
00:20:49,280 --> 00:20:51,679
Speaker 2: mine tells me I need to get somewhere. He goes,

449
00:20:52,000 --> 00:20:55,800
Speaker 2: have you tried Uber? And I was like, Uber? What's that?

450
00:20:56,240 --> 00:20:59,720
Speaker 2: And he goes, don't tell anyone. And I was using

451
00:21:00,720 --> 00:21:03,280
Speaker 2: where it was a new thing, And I remember being

452
00:21:03,359 --> 00:21:07,280
Speaker 2: on stage at Caroline's in New York talking about Uber.

453
00:21:08,040 --> 00:21:10,960
Speaker 2: Nine tenths of the audience had no idea what I

454
00:21:11,000 --> 00:21:13,560
Speaker 2: was talking about. So what I'm basically saying is I'm

455
00:21:13,600 --> 00:21:14,520
Speaker 2: ahead of my time.

456
00:21:15,040 --> 00:21:17,960
Speaker 1: Oh you are an innovator baby, Okay.

457
00:21:17,840 --> 00:21:20,840
Speaker 2: But Perplexity. I recommend it, and I don't think it'll

458
00:21:20,840 --> 00:21:22,800
Speaker 2: affect my usage. If people use it.

459
00:21:23,320 --> 00:21:26,400
Speaker 1: I hope that we have enough listeners that it makes

460
00:21:26,440 --> 00:21:27,000
Speaker 1: a difference.

461
00:21:27,680 --> 00:21:29,840
Speaker 2: No, I don't want it to make a difference. I

462
00:21:29,880 --> 00:21:32,760
Speaker 2: want them to enjoy it, but if it scruise me,

463
00:21:33,320 --> 00:21:34,880
Speaker 2: I don't want it to make a difference.

464
00:21:35,480 --> 00:21:38,800
Speaker 1: So you and Larry walk into Mel's office and Joanne

465
00:21:38,920 --> 00:21:41,000
Speaker 1: played by Rachel Harris, is they're not happy to see

466
00:21:41,040 --> 00:21:41,879
Speaker 1: you if she doesn't like you.

467
00:21:42,280 --> 00:21:46,400
Speaker 2: But all done, I've always avoided her. I go sit down,

468
00:21:46,600 --> 00:21:50,119
Speaker 2: I say hello, here to see Mel. At this episode,

469
00:21:50,520 --> 00:21:53,200
Speaker 2: Larry thought it'd be good if I got the shit

470
00:21:53,359 --> 00:21:55,080
Speaker 2: to establish that it's not.

471
00:21:55,080 --> 00:21:58,359
Speaker 3: Just him, right, So you go into By the.

472
00:21:58,359 --> 00:22:00,439
Speaker 2: Way, I go on a lot of tangent on the.

473
00:22:00,560 --> 00:22:03,680
Speaker 1: Show, and I ignore them, and by the way.

474
00:22:03,720 --> 00:22:07,879
Speaker 2: She ignores them. And sometimes we fight because she ignores

475
00:22:07,920 --> 00:22:11,560
Speaker 2: them because sometimes I actually think they're interesting. The last

476
00:22:11,560 --> 00:22:12,520
Speaker 2: one who knows.

477
00:22:13,520 --> 00:22:16,040
Speaker 1: So you go into the room and there's Mel and

478
00:22:16,119 --> 00:22:18,960
Speaker 1: Norm and Rudy and Mel ask Any complaints that Larry

479
00:22:19,000 --> 00:22:21,040
Speaker 1: says he's not happy with the toilet paper in the

480
00:22:21,080 --> 00:22:22,480
Speaker 1: rehearsal law, which.

481
00:22:22,280 --> 00:22:26,040
Speaker 2: By the way, brilliant. I went to someone's house one time,

482
00:22:26,480 --> 00:22:30,000
Speaker 2: and I do this. I used to bring pop tarts

483
00:22:30,000 --> 00:22:33,159
Speaker 2: and toilet paper to a party like here, I've brought

484
00:22:33,240 --> 00:22:37,440
Speaker 2: something people are always really happy about that pop tarts

485
00:22:37,440 --> 00:22:40,600
Speaker 2: are delicious. Who doesn't need toilet paper? I did it

486
00:22:40,640 --> 00:22:43,520
Speaker 2: as a joke the last time I did it, and

487
00:22:43,600 --> 00:22:46,960
Speaker 2: I didn't check the toilet paper. I bring it and

488
00:22:47,200 --> 00:22:50,720
Speaker 2: a relative of this person looks at me and goes,

489
00:22:50,920 --> 00:22:54,359
Speaker 2: it's single ply, and it was being dead serious, and

490
00:22:54,400 --> 00:22:57,720
Speaker 2: I'm like, what, I don't like single.

491
00:22:57,440 --> 00:22:59,520
Speaker 3: Pl but I do.

492
00:22:59,520 --> 00:23:00,680
Speaker 2: Do you read I.

493
00:23:00,680 --> 00:23:02,320
Speaker 3: Prefer Scott tissue single ply.

494
00:23:02,640 --> 00:23:05,040
Speaker 2: I've never met you want to prefer single There.

495
00:23:04,960 --> 00:23:07,280
Speaker 1: You go to save the planet or you like the texture.

496
00:23:07,359 --> 00:23:09,440
Speaker 1: Now I just I'm used to it. It's one of

497
00:23:09,480 --> 00:23:11,000
Speaker 1: those things. That's what I'm used to, is what I

498
00:23:11,040 --> 00:23:12,320
Speaker 1: grew up with. That's what I'm used to.

499
00:23:12,640 --> 00:23:16,199
Speaker 2: By the way, I buy recycled toilet paper, which is

500
00:23:16,400 --> 00:23:18,680
Speaker 2: just as soft, but it might be two or three

501
00:23:18,800 --> 00:23:21,640
Speaker 2: I know it's at least two ply, if not three ply.

502
00:23:21,840 --> 00:23:23,600
Speaker 2: And so I'm upset with you keep.

503
00:23:23,440 --> 00:23:29,360
Speaker 1: Going Okay, So apparently he was Ben's books Fuck, Bad

504
00:23:29,400 --> 00:23:36,800
Speaker 1: and Beautiful, So you shit a lot. In Florida, Mel

505
00:23:36,920 --> 00:23:40,400
Speaker 1: tells Larry that Ben gave him an ultimatum and said

506
00:23:40,440 --> 00:23:44,639
Speaker 1: either Larry or me, and Mel picked Larry and Ben

507
00:23:44,720 --> 00:23:45,080
Speaker 1: is out.

508
00:23:45,400 --> 00:23:47,600
Speaker 3: Ben Stiller is out of the producers.

509
00:23:47,960 --> 00:23:51,760
Speaker 1: Mel picked Larry and Norman Rudy do a tag team

510
00:23:51,800 --> 00:23:53,760
Speaker 1: on Larry on this You couldn't sit in the front

511
00:23:53,800 --> 00:23:55,960
Speaker 1: of the car, you didn't bring a gift to the party.

512
00:23:55,960 --> 00:23:57,920
Speaker 1: They go on that you didn't shake hands, you wouldn't

513
00:23:57,920 --> 00:23:59,040
Speaker 1: sing the birthday songs.

514
00:23:59,080 --> 00:24:01,840
Speaker 2: It's really funny that Ben would tell them this is.

515
00:24:01,800 --> 00:24:04,359
Speaker 1: The right little detailed the skewer. Well, the skewer was

516
00:24:04,480 --> 00:24:07,000
Speaker 1: major because of his eye. And Larry says, you know what,

517
00:24:07,040 --> 00:24:09,600
Speaker 1: it was a blessing in disguise. And Mel says, how

518
00:24:09,600 --> 00:24:13,919
Speaker 1: about David Schwimmer? Okay, maybe, uh huh, And then you

519
00:24:13,960 --> 00:24:16,080
Speaker 1: guys leave and Norm says to him, you're making a

520
00:24:16,200 --> 00:24:17,160
Speaker 1: terrible mistake.

521
00:24:17,400 --> 00:24:19,639
Speaker 3: He's mentally challenged that.

522
00:24:19,560 --> 00:24:23,879
Speaker 1: Maybe with yeahous, Mel says, there's something about this middle

523
00:24:23,920 --> 00:24:25,880
Speaker 1: aged ball guy that is thrilling.

524
00:24:26,280 --> 00:24:31,160
Speaker 2: Well, by the way, Mel's undying belief in Larry David

525
00:24:31,240 --> 00:24:32,000
Speaker 2: for this role.

526
00:24:32,280 --> 00:24:34,040
Speaker 3: Well we find out why.

527
00:24:34,760 --> 00:24:38,199
Speaker 2: Yeah, because he's great. Yeah, but also a piece of

528
00:24:38,240 --> 00:24:40,199
Speaker 2: trivia that I'll give now because I don't know that

529
00:24:40,240 --> 00:24:43,159
Speaker 2: I'll remember it. Larry was so good that he was

530
00:24:43,240 --> 00:24:47,360
Speaker 2: offered to really do it. Yes, that's how good Larry was. Yes,

531
00:24:47,640 --> 00:24:50,560
Speaker 2: in portraying it, because he's perfect to be Max bi

532
00:24:50,600 --> 00:24:54,879
Speaker 2: Alstock And no, he was actually offered and you know,

533
00:24:55,119 --> 00:24:57,720
Speaker 2: I guess he didn't want to do it. I know

534
00:24:57,760 --> 00:25:00,359
Speaker 2: he didn't want to him, not because it wasn't good.

535
00:25:00,680 --> 00:25:03,280
Speaker 2: I think he was just the thought of it was overwhelming.

536
00:25:03,400 --> 00:25:05,560
Speaker 1: Well, also to do for he did a straight play

537
00:25:05,600 --> 00:25:07,520
Speaker 1: eight shows a week, and that was brutal. To do

538
00:25:07,640 --> 00:25:10,879
Speaker 1: a musical eight shows a week, Oh my god, that

539
00:25:11,080 --> 00:25:12,240
Speaker 1: is exhausting.

540
00:25:12,600 --> 00:25:15,399
Speaker 2: Do you know they put out feelers for me for hairspreads?

541
00:25:15,400 --> 00:25:15,800
Speaker 5: Oh yeah?

542
00:25:16,160 --> 00:25:19,440
Speaker 2: And not only did I not want to do I

543
00:25:19,480 --> 00:25:22,440
Speaker 2: love the show, but not only did I not want

544
00:25:22,480 --> 00:25:24,480
Speaker 2: to do it. Part of it you had to shave

545
00:25:24,520 --> 00:25:27,359
Speaker 2: your eyebrows, and I'm sorry, I'll shave my head for

546
00:25:27,400 --> 00:25:30,920
Speaker 2: a part. No eyebrows. Sorry, eyebrows have to.

547
00:25:30,880 --> 00:25:33,520
Speaker 3: Stay, all right, Well, you have your standards, Jeff.

548
00:25:33,720 --> 00:25:36,280
Speaker 2: But the idea of me walking on the street during

549
00:25:36,320 --> 00:25:40,840
Speaker 2: the day without eyebrows or penciling them in, no, thank you.

550
00:25:41,000 --> 00:25:43,840
Speaker 3: That was missus Burkerwitz, my kindergarten teacher. I remember that

551
00:25:43,920 --> 00:25:44,320
Speaker 3: about her.

552
00:25:44,640 --> 00:25:47,480
Speaker 1: Her eyebrows were gone and it was thick brown pencil

553
00:25:47,760 --> 00:25:50,480
Speaker 1: and it struck I remember, five years old.

554
00:25:50,640 --> 00:25:52,840
Speaker 2: It's a clown. Look, yeah, it's very scary.

555
00:25:53,119 --> 00:25:55,000
Speaker 3: So now Larry takes the car.

556
00:25:55,040 --> 00:25:57,320
Speaker 1: He sees guys in the street holding up signs for

557
00:25:57,359 --> 00:25:59,560
Speaker 1: a car wash, Cheryl that has him to wash the car.

558
00:25:59,720 --> 00:26:03,919
Speaker 1: Ten and these guys are clearly mentally challenged. What are

559
00:26:03,920 --> 00:26:06,639
Speaker 1: you supposed to say mentally challenged? Mentally is that the

560
00:26:06,680 --> 00:26:09,440
Speaker 1: at least I believe so it changes all the time,

561
00:26:09,560 --> 00:26:10,480
Speaker 1: changes all the time.

562
00:26:10,920 --> 00:26:14,880
Speaker 2: What we did hear that was a mistake? Was we

563
00:26:15,000 --> 00:26:18,440
Speaker 2: cast to people who are not mentally challenged?

564
00:26:18,640 --> 00:26:21,119
Speaker 1: Yes, Judah Friedlander And why do you think it was

565
00:26:21,119 --> 00:26:22,360
Speaker 1: a mistake, Jess.

566
00:26:22,240 --> 00:26:25,439
Speaker 2: Because that's not right. You don't want someone now, Look,

567
00:26:25,840 --> 00:26:28,680
Speaker 2: I'm not saying the elephant man or my left foot.

568
00:26:29,000 --> 00:26:32,280
Speaker 3: You have to hire somebody or else or Dustin Hoffman

569
00:26:32,359 --> 00:26:32,960
Speaker 3: and Rainman.

570
00:26:33,280 --> 00:26:37,040
Speaker 2: Dustin Hoffman and Rainman. That's a different kind of thing

571
00:26:37,280 --> 00:26:40,639
Speaker 2: for this. It should have been all mentally challenged people.

572
00:26:40,680 --> 00:26:43,160
Speaker 1: Well, you know what, I think it worked well, Yes

573
00:26:43,280 --> 00:26:44,320
Speaker 1: it worked.

574
00:26:43,920 --> 00:26:46,200
Speaker 2: But I'm saying, and it's not that you can't do

575
00:26:46,280 --> 00:26:49,199
Speaker 2: this today. I just think and we're usually good, Like

576
00:26:49,240 --> 00:26:53,560
Speaker 2: I mentioned two people who were in wheelchairs, we you know,

577
00:26:53,800 --> 00:26:57,000
Speaker 2: had people who were really in wheelchairs. And by the way,

578
00:26:57,040 --> 00:27:01,120
Speaker 2: when you see the scene encanters later, the people who

579
00:27:01,160 --> 00:27:05,040
Speaker 2: are actually mentally challenged do a great job with dialogue.

580
00:27:05,080 --> 00:27:09,399
Speaker 2: So I'm just saying that it's improvised, so I forgot

581
00:27:09,440 --> 00:27:11,120
Speaker 2: the reasoning why we did it.

582
00:27:11,160 --> 00:27:25,840
Speaker 1: But we'll be right back. Stay tuned, and we're back.

583
00:27:26,480 --> 00:27:28,879
Speaker 1: So the car wash is a complete fiasco.

584
00:27:29,280 --> 00:27:31,920
Speaker 3: We see it. It's just a nightmare.

585
00:27:32,200 --> 00:27:34,720
Speaker 1: And it's all finished, and Larry's driving and all of

586
00:27:34,760 --> 00:27:37,440
Speaker 1: a sudden he runs out of gas and he calls, Shaul.

587
00:27:37,240 --> 00:27:38,879
Speaker 3: You let me you lift the car. No guess of

588
00:27:38,920 --> 00:27:42,600
Speaker 3: the car. And then my sunblock is missing. My sunblock

589
00:27:42,680 --> 00:27:44,440
Speaker 3: is missing, and I have to pee. He has to

590
00:27:44,480 --> 00:27:47,600
Speaker 3: pee really bad, so he goes. He goes to a tree,

591
00:27:47,640 --> 00:27:50,160
Speaker 3: but then a woman walks out the door, so he stops.

592
00:27:50,320 --> 00:27:52,560
Speaker 1: And then he's knocking on door after door and people

593
00:27:52,560 --> 00:27:54,560
Speaker 1: are shutting the doors in his face and just saying

594
00:27:54,600 --> 00:27:57,000
Speaker 1: no and no, and it's about five or six of

595
00:27:57,040 --> 00:27:59,480
Speaker 1: them and finally, but go ahead, es sorry.

596
00:27:59,640 --> 00:28:02,720
Speaker 2: Look, I know we're getting the moon right now. But

597
00:28:02,800 --> 00:28:05,320
Speaker 2: I want to say something. This is something I fought

598
00:28:05,359 --> 00:28:09,280
Speaker 2: against because when you have to pee bad, you can't

599
00:28:09,320 --> 00:28:12,160
Speaker 2: go to a half dozen houses. You got a one

600
00:28:12,280 --> 00:28:15,040
Speaker 2: or two and then you're taking your chance in some

601
00:28:15,200 --> 00:28:19,080
Speaker 2: bush somewhere. That to me, I know that's not what

602
00:28:19,280 --> 00:28:24,040
Speaker 2: Larry would do. I mean he would It's a tough thing.

603
00:28:24,400 --> 00:28:27,200
Speaker 2: But I always wanted to get to Moon quicker because

604
00:28:27,200 --> 00:28:31,040
Speaker 2: I hate unrealistic shit, even for the purpose of comedy.

605
00:28:31,240 --> 00:28:35,280
Speaker 2: If it's that blatantly unrealistic, And what would have been

606
00:28:35,720 --> 00:28:37,840
Speaker 2: bad about h having to pee going to one or

607
00:28:37,840 --> 00:28:41,240
Speaker 2: two houses and the people's reactions were not that funny,

608
00:28:41,560 --> 00:28:43,440
Speaker 2: and then going to one or two houses and then

609
00:28:43,480 --> 00:28:45,920
Speaker 2: be it Moon's and all right, let's get to Moon.

610
00:28:46,200 --> 00:28:48,120
Speaker 1: I disagree because I think it heightened it and it

611
00:28:48,160 --> 00:28:49,120
Speaker 1: didn't bother me at all.

612
00:28:49,360 --> 00:28:51,400
Speaker 3: But then he comes knocks on a door.

613
00:28:51,560 --> 00:28:54,520
Speaker 2: Well, by the way, disagree to disagree?

614
00:28:54,760 --> 00:28:57,360
Speaker 1: Yeah, Then he knocks on a door and a woman

615
00:28:57,520 --> 00:29:01,320
Speaker 1: answers in a burka with the most rgeous hazel eyes

616
00:29:01,400 --> 00:29:04,960
Speaker 1: I've ever seen, which are really pronounced because that's all

617
00:29:05,000 --> 00:29:05,600
Speaker 1: you see.

618
00:29:08,720 --> 00:29:10,880
Speaker 3: Oh my God, may help you.

619
00:29:12,960 --> 00:29:16,080
Speaker 6: My Cob is out of gas and I'm just desperate

620
00:29:16,120 --> 00:29:16,960
Speaker 6: to as a bathroom.

621
00:29:17,080 --> 00:29:19,320
Speaker 7: Come in, Please come in, be my invited guest.

622
00:29:19,400 --> 00:29:19,720
Speaker 5: Come in.

623
00:29:20,040 --> 00:29:22,360
Speaker 1: You're kidding, please come in, Please do come in.

624
00:29:22,440 --> 00:29:26,280
Speaker 3: Oh my God, and she's uh, come in, come in.

625
00:29:26,360 --> 00:29:29,440
Speaker 1: That that accent was so beautiful, Boone, Did you base

626
00:29:29,480 --> 00:29:31,600
Speaker 1: it on anything, No, it just.

627
00:29:31,320 --> 00:29:32,000
Speaker 3: Just popped out.

628
00:29:32,200 --> 00:29:33,600
Speaker 4: Being in That just made it up.

629
00:29:33,680 --> 00:29:36,400
Speaker 2: Yeah, And did the sweetness come for you? Did we

630
00:29:36,560 --> 00:29:39,400
Speaker 2: tell you to be sweet or did you Did that

631
00:29:39,600 --> 00:29:41,880
Speaker 2: just come out of your character? Was that an adjustment

632
00:29:42,000 --> 00:29:42,200
Speaker 2: or no?

633
00:29:43,240 --> 00:29:45,800
Speaker 5: I think he was asking me to be friendly. And

634
00:29:45,840 --> 00:29:48,040
Speaker 5: by the way, do you talk about the importance of

635
00:29:48,320 --> 00:29:51,280
Speaker 5: just a philosophy of yes? And is the possibly the

636
00:29:51,280 --> 00:29:53,080
Speaker 5: most important thing we should all adopt?

637
00:29:53,400 --> 00:29:55,040
Speaker 3: Yeah, and improv Yes, and it is.

638
00:29:55,080 --> 00:29:58,640
Speaker 2: You really did it, and which made him so happy.

639
00:29:59,000 --> 00:30:02,920
Speaker 2: But it was also such a beautiful surprise, and you know,

640
00:30:03,200 --> 00:30:06,520
Speaker 2: I believed it completely. See that I believe that she

641
00:30:06,600 --> 00:30:10,600
Speaker 2: would invite him in that she's she was trusting. Yeah,

642
00:30:10,640 --> 00:30:13,640
Speaker 2: it was just so it was actually joyful and fun to.

643
00:30:13,640 --> 00:30:15,760
Speaker 3: Watch and so delighted to have him.

644
00:30:15,840 --> 00:30:16,040
Speaker 2: Yeah.

645
00:30:16,120 --> 00:30:19,080
Speaker 1: And then he needs gasoline that my wife left it empty,

646
00:30:19,360 --> 00:30:21,640
Speaker 1: and then I love that. But oh, you were married.

647
00:30:22,800 --> 00:30:25,800
Speaker 1: That's a disappointment. You know, I thought I had finally

648
00:30:25,840 --> 00:30:28,200
Speaker 1: met someone. You thought he was your soulmate that just

649
00:30:28,320 --> 00:30:31,400
Speaker 1: knocked on the door. It was so sweet, But the way.

650
00:30:31,360 --> 00:30:35,720
Speaker 2: She said, oh you're married, that is such a disappointment. Yeah,

651
00:30:36,240 --> 00:30:39,400
Speaker 2: was just so blatant and beautiful at the same time.

652
00:30:39,680 --> 00:30:42,840
Speaker 1: Yeah, there was a there was a sweetness to you

653
00:30:42,920 --> 00:30:45,240
Speaker 1: that was just very infectious.

654
00:30:45,480 --> 00:30:48,080
Speaker 2: That was the thing that I picked up watching this

655
00:30:48,480 --> 00:30:54,040
Speaker 2: was her character's kindness and sweetness because and agreeability. Just

656
00:30:54,080 --> 00:30:57,800
Speaker 2: the whole thing was pretty great. And by the way,

657
00:30:58,000 --> 00:31:00,920
Speaker 2: may I also say for our listeners, yes, I'm get

658
00:31:00,960 --> 00:31:03,840
Speaker 2: excited with Moon. It's not because she's here. If she

659
00:31:04,080 --> 00:31:07,240
Speaker 2: wasn't here, I'd be just as excited. I don't stick

660
00:31:07,280 --> 00:31:10,440
Speaker 2: my head up anybody's ass. It wouldn't fit number one

661
00:31:10,840 --> 00:31:13,480
Speaker 2: and number two. I like being honest. I just said

662
00:31:13,720 --> 00:31:16,200
Speaker 2: I didn't like the knocking on the doors. So what

663
00:31:16,240 --> 00:31:18,600
Speaker 2: I want to say is Moon was that great.

664
00:31:18,760 --> 00:31:21,960
Speaker 1: She was terrific, Okay, And Larry says, he, well, we're

665
00:31:22,040 --> 00:31:24,840
Speaker 1: very superficial people. We like to know what women look like.

666
00:31:24,960 --> 00:31:28,200
Speaker 1: So it's going to be tough for you to meet somebody.

667
00:31:28,360 --> 00:31:31,040
Speaker 1: And then and then he gets an idea. They see

668
00:31:31,040 --> 00:31:33,360
Speaker 1: the light bulb go on us and he says, I

669
00:31:33,400 --> 00:31:35,959
Speaker 1: think I got a guy for you. And it's a

670
00:31:36,120 --> 00:31:39,400
Speaker 1: literal blind gait as you say yeah.

671
00:31:39,440 --> 00:31:42,160
Speaker 3: And next oh, you go to Cantor's.

672
00:31:42,520 --> 00:31:43,880
Speaker 2: She's driving him.

673
00:31:44,040 --> 00:31:47,400
Speaker 3: Yeah, you're driving to get gasoline. And then you're he

674
00:31:47,400 --> 00:31:48,280
Speaker 3: says you want deli.

675
00:31:48,640 --> 00:31:50,520
Speaker 2: Yeah, he says, you want to go to lunch, and

676
00:31:50,560 --> 00:31:54,200
Speaker 2: she says, yes, that'll be lovely. Do you like Deli? Sure?

677
00:31:54,320 --> 00:31:59,640
Speaker 2: I love Deli? Exploring, heighten, exploring, heighten. Look what you're doing?

678
00:32:00,080 --> 00:32:00,600
Speaker 3: Car wash?

679
00:32:00,680 --> 00:32:03,400
Speaker 1: Guys are there at a table eating and he says,

680
00:32:03,400 --> 00:32:04,400
Speaker 1: how did you do today?

681
00:32:04,480 --> 00:32:06,280
Speaker 3: And the shm if they seed his sun block?

682
00:32:06,440 --> 00:32:09,720
Speaker 2: Hello? Wow? Remember me? Yeah, the guy with the really

683
00:32:09,800 --> 00:32:12,040
Speaker 2: clean car? Yeah? Yeah, blue car.

684
00:32:12,840 --> 00:32:13,040
Speaker 5: Yeah.

685
00:32:13,200 --> 00:32:14,960
Speaker 6: You guys did quite a good job on that car.

686
00:32:15,040 --> 00:32:19,280
Speaker 2: Thank you very much. No, how'd you do today?

687
00:32:19,480 --> 00:32:19,680
Speaker 4: Good?

688
00:32:19,880 --> 00:32:20,320
Speaker 1: Very good?

689
00:32:20,560 --> 00:32:23,760
Speaker 2: Yeah, we did good today. You didn't. How much money

690
00:32:23,760 --> 00:32:24,120
Speaker 2: did you make?

691
00:32:24,200 --> 00:32:25,200
Speaker 4: We made one hundred dollars?

692
00:32:25,240 --> 00:32:30,880
Speaker 2: We had ten cars? Wow? Pretty good? Congratulations? Good, good good.

693
00:32:31,520 --> 00:32:33,040
Speaker 3: Hey, guys, let me ask you a question.

694
00:32:33,400 --> 00:32:34,760
Speaker 2: Did you happen to see.

695
00:32:34,520 --> 00:32:38,560
Speaker 6: Any sunblock on the passenger seat in my car?

696
00:32:38,920 --> 00:32:43,800
Speaker 2: I don't know. I never saw any sunblock at all?

697
00:32:44,280 --> 00:32:47,240
Speaker 2: Is that right? Don't you get a feeling by the

698
00:32:47,280 --> 00:32:51,400
Speaker 2: way in the way that they replied that they kept

699
00:32:51,400 --> 00:32:51,960
Speaker 2: the money?

700
00:32:52,240 --> 00:32:54,520
Speaker 1: Oh, I don't know. What do you mean they kept

701
00:32:54,520 --> 00:32:54,960
Speaker 1: the money?

702
00:32:55,120 --> 00:32:57,360
Speaker 2: In other words, when he asked them, the look on

703
00:32:57,400 --> 00:33:01,480
Speaker 2: their faces was very mischievous, like they were keeping a secret.

704
00:33:01,720 --> 00:33:04,440
Speaker 3: Well, because it was about the sun block. The secret

705
00:33:04,440 --> 00:33:05,040
Speaker 3: was about no.

706
00:33:05,160 --> 00:33:08,080
Speaker 2: No, no, no, no, no, I'm saying when he said how

707
00:33:08,120 --> 00:33:11,239
Speaker 2: did you do today? And the last guy says one

708
00:33:11,320 --> 00:33:14,760
Speaker 2: hundred dollars. But they were playing it with smirks on

709
00:33:14,800 --> 00:33:17,480
Speaker 2: their face and they were trying to hold in laughter,

710
00:33:17,960 --> 00:33:21,520
Speaker 2: which Larry didn't notice. And obviously you didn't notice.

711
00:33:21,400 --> 00:33:23,320
Speaker 1: Keep going, well I did. I thought it was about

712
00:33:23,320 --> 00:33:26,520
Speaker 1: the sun block. No, because we know nothing about the

713
00:33:26,560 --> 00:33:27,120
Speaker 1: sun block.

714
00:33:27,360 --> 00:33:29,280
Speaker 2: They did that after that.

715
00:33:29,840 --> 00:33:31,240
Speaker 3: And well, then I didn't notice that.

716
00:33:31,280 --> 00:33:34,120
Speaker 1: And then Larry and Haboo sit with them, and Larry says,

717
00:33:34,120 --> 00:33:37,240
Speaker 1: weren't there four of you? And then Judah Friedlander shows

718
00:33:37,360 --> 00:33:38,920
Speaker 1: up with the sun block all over.

719
00:33:39,160 --> 00:33:41,880
Speaker 2: Oh, hold on, hold on, hold on. At first they

720
00:33:41,960 --> 00:33:44,640
Speaker 2: say it was just the three of them, and then

721
00:33:44,680 --> 00:33:46,560
Speaker 2: they say, yeah, there was a four.

722
00:33:46,720 --> 00:33:48,880
Speaker 3: Well they were lying, yeah, yes, no, no, I.

723
00:33:48,800 --> 00:33:51,280
Speaker 2: Know that, but there was a build up to Judah

724
00:33:51,560 --> 00:33:55,200
Speaker 2: showing up with it all over his face. I've known

725
00:33:55,280 --> 00:33:58,600
Speaker 2: Judah for years. We performed together many many times. I

726
00:33:58,680 --> 00:34:02,560
Speaker 2: was so happy that he did show i'lbeit against what

727
00:34:02,640 --> 00:34:03,760
Speaker 2: I thought was right.

728
00:34:04,040 --> 00:34:06,680
Speaker 1: And then they said relied and they laugh, left, laugh

729
00:34:06,720 --> 00:34:07,120
Speaker 1: and giggle.

730
00:34:07,440 --> 00:34:08,880
Speaker 3: It's just a delightful scene.

731
00:34:09,000 --> 00:34:11,720
Speaker 1: And then Larry is they're passing food and he drops

732
00:34:11,760 --> 00:34:15,640
Speaker 1: food on Habous's burka, and Larry says, I'm gonna go

733
00:34:15,680 --> 00:34:18,359
Speaker 1: get this cleaned. And then Larry tells a joke. They're

734
00:34:18,400 --> 00:34:21,640
Speaker 1: all laughing, and while this is all everybody's hysterical. She

735
00:34:21,800 --> 00:34:24,280
Speaker 1: no no, no, no, no no no, but he insists

736
00:34:24,280 --> 00:34:26,480
Speaker 1: on it. It's we see the whole interaction.

737
00:34:26,640 --> 00:34:26,680
Speaker 5: No.

738
00:34:26,800 --> 00:34:30,560
Speaker 2: But also what was great about this and thoughtful was

739
00:34:30,960 --> 00:34:34,560
Speaker 2: he didn't touch her douse. That would have been terrible, right.

740
00:34:34,520 --> 00:34:37,279
Speaker 1: Right, keep going, They're all laughing, yucking it up, yucking up,

741
00:34:37,280 --> 00:34:39,600
Speaker 1: and Norman Rudy walk in and see all this.

742
00:34:40,880 --> 00:34:43,840
Speaker 2: It's quite the visual. If I'm sitting at a table nearby,

743
00:34:44,440 --> 00:34:48,520
Speaker 2: I'm inherently curious on that one, like what's going on there?

744
00:34:48,960 --> 00:34:50,200
Speaker 3: How was doing that scene?

745
00:34:50,360 --> 00:34:53,120
Speaker 4: Moon? Uh? Yeah, I mean I just first of all,

746
00:34:53,120 --> 00:34:55,680
Speaker 4: I just mostly remember Larry Humming. He was like a

747
00:34:55,719 --> 00:34:58,560
Speaker 4: weird radio station in between the takes.

748
00:34:58,560 --> 00:35:00,600
Speaker 3: So yeah that he whistles, whistles.

749
00:35:00,680 --> 00:35:04,280
Speaker 2: Later years he would sing. He went from homing to singing.

750
00:35:04,719 --> 00:35:08,479
Speaker 5: Okay, all right, well, and then just you know, you,

751
00:35:08,520 --> 00:35:10,840
Speaker 5: as a professional, you just try to stay in character

752
00:35:10,920 --> 00:35:13,440
Speaker 5: and just see how the character feel about the circumstance.

753
00:35:13,480 --> 00:35:16,520
Speaker 5: And then and if you're you know, I would imagine

754
00:35:16,520 --> 00:35:19,640
Speaker 5: that if that's normal to you, then you're just used

755
00:35:19,640 --> 00:35:21,080
Speaker 5: to the weird thing.

756
00:35:21,080 --> 00:35:23,239
Speaker 1: It must have been fun to play, really fun, Yeah,

757
00:35:23,480 --> 00:35:25,440
Speaker 1: really fun. I could see that. I could see you

758
00:35:25,480 --> 00:35:27,120
Speaker 1: having a good time in your eyes. This is the

759
00:35:27,120 --> 00:35:28,640
Speaker 1: only place I saw it.

760
00:35:28,520 --> 00:35:31,560
Speaker 5: Right, It's freedom. My dream jobs are where you don't

761
00:35:31,560 --> 00:35:32,200
Speaker 5: have to wear makeup.

762
00:35:32,320 --> 00:35:34,200
Speaker 1: So oh yeah, well you don't have to wear makeup

763
00:35:34,320 --> 00:35:37,200
Speaker 1: or memorized lines exactly by the way.

764
00:35:37,520 --> 00:35:40,799
Speaker 2: I would go with Sam's costume if it wasn't most

765
00:35:40,800 --> 00:35:43,960
Speaker 2: of the time of suit, although I do wear suits. Yeah,

766
00:35:44,280 --> 00:35:47,560
Speaker 2: I did a Steven Soderberg movie called Full Frontal, and

767
00:35:47,640 --> 00:35:51,080
Speaker 2: you wore your own clothes and did your own makeup,

768
00:35:51,360 --> 00:35:55,319
Speaker 2: no kidding, And that I loved that was like, you know,

769
00:35:55,360 --> 00:35:58,759
Speaker 2: how to thank him for that? Was? That was to me.

770
00:35:59,040 --> 00:36:01,280
Speaker 3: The wardrobe, I don't care well, I love my wardrobe.

771
00:36:01,400 --> 00:36:02,400
Speaker 3: I mean on curb.

772
00:36:03,040 --> 00:36:06,440
Speaker 2: Gardrobe is another story. Yeah, that's actually a story on

773
00:36:06,480 --> 00:36:06,919
Speaker 2: its own.

774
00:36:06,960 --> 00:36:09,040
Speaker 3: But the not having to learn lines to me is

775
00:36:09,440 --> 00:36:09,920
Speaker 3: the highlight.

776
00:36:10,239 --> 00:36:15,680
Speaker 2: Relaxing, so delightful, I mean, holy Molly. And then by

777
00:36:15,719 --> 00:36:20,120
Speaker 2: the way, Moon's character, who wouldn't love a friend like that?

778
00:36:20,440 --> 00:36:23,880
Speaker 2: Who just she's so lovely no, no, but game game

779
00:36:23,960 --> 00:36:26,560
Speaker 2: to do anything. Yes, let's go to a pottery shop,

780
00:36:26,840 --> 00:36:30,400
Speaker 2: let's go make Dradle's, let's go buy as many raisins

781
00:36:30,440 --> 00:36:32,920
Speaker 2: as we can. These are things I might like to do.

782
00:36:33,040 --> 00:36:35,520
Speaker 3: It's surprising she doesn't have a guy. She's such a

783
00:36:35,560 --> 00:36:36,080
Speaker 3: great gal.

784
00:36:36,520 --> 00:36:39,240
Speaker 2: Yeah, yeah, yeah.

785
00:36:39,480 --> 00:36:42,440
Speaker 1: Next we're at Michael's and Larry is telling him about

786
00:36:43,080 --> 00:36:47,640
Speaker 1: haboos and Michael is like, you've leveled the playing field.

787
00:36:47,760 --> 00:36:48,839
Speaker 2: Yeah, that's a great line.

788
00:36:49,080 --> 00:36:51,359
Speaker 3: Level the playing No one knows what she looks like.

789
00:36:51,480 --> 00:36:55,120
Speaker 1: Everyone is blind now, Larry says, and lack but says,

790
00:36:55,120 --> 00:36:57,520
Speaker 1: I do have to go with you to chaperone, which,

791
00:36:57,520 --> 00:37:00,680
Speaker 1: of course, because she's Muslim and very strict and has.

792
00:37:00,560 --> 00:37:01,200
Speaker 3: To be done.

793
00:37:01,360 --> 00:37:05,360
Speaker 1: So next we are back at Larry's house and Stewart

794
00:37:05,400 --> 00:37:08,400
Speaker 1: is doing card tricks in his bedroom in his Superman costume.

795
00:37:08,440 --> 00:37:12,440
Speaker 1: It's Halloween and Larry's trying to guess the trick and

796
00:37:12,480 --> 00:37:14,600
Speaker 1: he demands to know, and Stuart.

797
00:37:14,320 --> 00:37:15,760
Speaker 3: Is just like, you know what I mean, a magician.

798
00:37:16,120 --> 00:37:18,520
Speaker 1: He's just so matter of fact and non plus you

799
00:37:18,520 --> 00:37:21,320
Speaker 1: know you're not a magician, Harry.

800
00:37:21,560 --> 00:37:25,600
Speaker 2: But what's beautiful about this? With the trick and everything?

801
00:37:25,840 --> 00:37:28,359
Speaker 2: Larry's getting furious at this kid.

802
00:37:29,360 --> 00:37:31,640
Speaker 3: Really, Trick is not a magician, he says to him.

803
00:37:32,680 --> 00:37:35,360
Speaker 1: He tells him, when you come back with the Halloween candy,

804
00:37:35,440 --> 00:37:36,600
Speaker 1: I'm taking half of it.

805
00:37:37,000 --> 00:37:39,680
Speaker 3: Okay, that's like a real you know, nasty.

806
00:37:39,760 --> 00:37:44,719
Speaker 2: By the way, Anton at no point laughed. Larry's hilarious

807
00:37:45,200 --> 00:37:48,560
Speaker 2: and even at that age, so focused.

808
00:37:49,200 --> 00:37:51,680
Speaker 3: So see that he was probably about twelve or something.

809
00:37:52,000 --> 00:37:55,520
Speaker 2: Yeah, yeah, yeah, I remember, by the way, sitting with

810
00:37:55,600 --> 00:37:58,000
Speaker 2: he and his mom at our wrap party. They were

811
00:37:58,080 --> 00:38:01,040
Speaker 2: just delightful, I mean really yeah.

812
00:38:01,080 --> 00:38:04,359
Speaker 1: And then from the background, Cheryl calls Larry. And then

813
00:38:04,480 --> 00:38:06,799
Speaker 1: Cheryl is in her costume. She's in a dream of

814
00:38:06,880 --> 00:38:09,560
Speaker 1: Genie costume, looking very fetching and hot.

815
00:38:09,840 --> 00:38:11,520
Speaker 7: Look at this happy Halloween.

816
00:38:12,200 --> 00:38:12,839
Speaker 1: What do you think?

817
00:38:13,200 --> 00:38:16,200
Speaker 3: Oh my god, huh isn't she like correct?

818
00:38:16,280 --> 00:38:16,760
Speaker 4: That's great?

819
00:38:18,120 --> 00:38:20,160
Speaker 6: Oh look at Andy Divine over here?

820
00:38:21,080 --> 00:38:24,560
Speaker 1: Use I am sure now you look hot?

821
00:38:24,880 --> 00:38:26,240
Speaker 3: Thank you, Susie.

822
00:38:26,640 --> 00:38:27,360
Speaker 1: What are you wearing?

823
00:38:27,400 --> 00:38:27,759
Speaker 2: What is this?

824
00:38:27,880 --> 00:38:28,440
Speaker 1: No outfit?

825
00:38:28,560 --> 00:38:32,719
Speaker 2: No costume? She could wear a burlapped bag and looked

826
00:38:32,760 --> 00:38:33,680
Speaker 2: fetching and.

827
00:38:33,719 --> 00:38:36,960
Speaker 3: Hot and hot. And then Jeff and I walk in.

828
00:38:37,239 --> 00:38:41,239
Speaker 1: Jeff is dressed in a cowboy Andy Devine look, and

829
00:38:41,280 --> 00:38:44,839
Speaker 1: I am in full Dominatrix garb And I'll tell you

830
00:38:44,880 --> 00:38:47,760
Speaker 1: something funny about that day that I recall.

831
00:38:48,080 --> 00:38:51,520
Speaker 3: And I was wearing these spike heels and I couldn't walk.

832
00:38:51,600 --> 00:38:54,920
Speaker 1: I had to basically be carried and placed down because

833
00:38:54,920 --> 00:38:55,800
Speaker 1: they were like these.

834
00:38:55,600 --> 00:38:58,840
Speaker 3: Thigh high patent leather boots and spike heels.

835
00:38:59,000 --> 00:39:01,640
Speaker 2: I don't remember you if you remember when I saw you,

836
00:39:01,800 --> 00:39:02,720
Speaker 2: I couldn't function.

837
00:39:03,080 --> 00:39:03,319
Speaker 5: I was.

838
00:39:04,160 --> 00:39:05,240
Speaker 3: It was quite the outfit.

839
00:39:05,640 --> 00:39:08,760
Speaker 1: But what I remember most about that is the crew

840
00:39:09,000 --> 00:39:12,640
Speaker 1: guys were so solicitous to me when I was in

841
00:39:12,640 --> 00:39:15,560
Speaker 1: that outfit. It was like they could completely change. They

842
00:39:15,560 --> 00:39:17,560
Speaker 1: were like, Susie, can I get you anything? And I

843
00:39:17,640 --> 00:39:19,360
Speaker 1: was like one of them. You know, I've been working

844
00:39:19,360 --> 00:39:20,920
Speaker 1: with them all these years. I was like one of them.

845
00:39:20,960 --> 00:39:23,720
Speaker 1: They were like my brothers. And all of a sudden,

846
00:39:23,760 --> 00:39:26,880
Speaker 1: I'm in this black patent leather with a whip.

847
00:39:27,000 --> 00:39:28,200
Speaker 3: I had a whim and by the.

848
00:39:28,120 --> 00:39:30,640
Speaker 2: Way, what else did you have? Domin ponytail?

849
00:39:30,880 --> 00:39:34,920
Speaker 1: I had a ponytail Dominatrix outfit and they were all like, Susie,

850
00:39:34,920 --> 00:39:37,480
Speaker 1: do you need anything? But they was like how men

851
00:39:37,560 --> 00:39:41,920
Speaker 1: are so visually oriented and completely change on a dime

852
00:39:42,120 --> 00:39:44,400
Speaker 1: by a visual It's amazing.

853
00:39:45,320 --> 00:39:49,200
Speaker 2: Audio wise change on the dime. All we need to

854
00:39:49,239 --> 00:39:53,520
Speaker 2: hear is someone who might be having sex, someone who's

855
00:39:53,680 --> 00:39:57,600
Speaker 2: they're going, oh, you know even that, like, are they

856
00:39:57,640 --> 00:40:02,080
Speaker 2: having sex? No, it's both men. Just react.

857
00:40:02,239 --> 00:40:03,799
Speaker 3: It's ridiculous. I'm telling you.

858
00:40:03,840 --> 00:40:06,560
Speaker 1: It was so noticeable that I'm in a dominatrix outfit

859
00:40:06,640 --> 00:40:09,160
Speaker 1: and all these guys that I saw every day are

860
00:40:10,160 --> 00:40:11,280
Speaker 1: my ass Oh.

861
00:40:11,160 --> 00:40:14,319
Speaker 2: Yeah, I never knew this. And by the way, may

862
00:40:14,360 --> 00:40:16,719
Speaker 2: I knowing that crew, I'm actually.

863
00:40:16,440 --> 00:40:19,680
Speaker 3: Surprised, I recall. I recalled that. It was like, wow,

864
00:40:19,960 --> 00:40:20,600
Speaker 3: look at this.

865
00:40:21,280 --> 00:40:44,719
Speaker 7: We'll be right back, stay tuned, Okay.

866
00:40:34,120 --> 00:40:34,600
Speaker 5: We're back.

867
00:40:34,880 --> 00:40:39,160
Speaker 1: And then Jeff kind of very surreptitiously looks at Cheryl's boobs,

868
00:40:39,480 --> 00:40:41,600
Speaker 1: you know, because she's wearing something very low cut.

869
00:40:41,719 --> 00:40:44,320
Speaker 3: And then right away Larry notices it and he's like,

870
00:40:44,320 --> 00:40:45,440
Speaker 3: all right, that's it, you're changing.

871
00:40:45,520 --> 00:40:48,120
Speaker 1: And he brings out how Boos's burka, which he had,

872
00:40:48,200 --> 00:40:50,520
Speaker 1: and it's in the dry cleaning thing, you know, with

873
00:40:50,560 --> 00:40:53,240
Speaker 1: the plastic and just back for the drive cleaners.

874
00:40:53,239 --> 00:40:55,040
Speaker 3: You're going as an Islamic fundamentalist.

875
00:40:55,440 --> 00:40:57,440
Speaker 1: Then four of us are in the car, and the

876
00:40:57,480 --> 00:40:59,960
Speaker 1: fact that it's not realistic to me that Cheryl actually

877
00:41:00,000 --> 00:41:00,600
Speaker 1: listened to him.

878
00:41:00,600 --> 00:41:03,040
Speaker 3: But whatever it was for a purpose.

879
00:41:03,400 --> 00:41:05,040
Speaker 1: The four of us are in the car, Larry and

880
00:41:05,080 --> 00:41:08,640
Speaker 1: Cheryl in the back, and these kids. What did he say, hey,

881
00:41:08,640 --> 00:41:11,839
Speaker 1: oh sama or something like this obnoxious kid throws an

882
00:41:11,840 --> 00:41:14,600
Speaker 1: egg at Cheryl in the burkup, which she ducks and

883
00:41:14,640 --> 00:41:16,440
Speaker 1: it goes into Larry's face.

884
00:41:16,800 --> 00:41:19,880
Speaker 2: Now I want to give a little background on that. Okay,

885
00:41:20,000 --> 00:41:24,640
Speaker 2: that night, Larry was really sick. I mean we shot

886
00:41:24,640 --> 00:41:26,200
Speaker 2: that at like six o'clock in the morning. If I

887
00:41:26,239 --> 00:41:30,560
Speaker 2: read run yes car at Sam Vicente, I remember Jay.

888
00:41:30,719 --> 00:41:34,319
Speaker 2: But hold on, though, Larry's up all night and he's

889
00:41:34,360 --> 00:41:37,600
Speaker 2: sick as a dog. I mean, he's really sick. He

890
00:41:37,680 --> 00:41:41,160
Speaker 2: usually contains that no one knows. We knew he was sick.

891
00:41:41,200 --> 00:41:45,120
Speaker 2: He was a cold sweat the whole thing. And the

892
00:41:45,160 --> 00:41:49,680
Speaker 2: egg thing didn't work. It missed, it hit the wrong place.

893
00:41:50,520 --> 00:41:53,920
Speaker 2: You had to have done and I'm not exaggerating, probably

894
00:41:53,960 --> 00:41:56,840
Speaker 2: eight nine times getting the egg thrown at his face

895
00:41:57,239 --> 00:42:00,719
Speaker 2: and almost well, and you always had to get one safety.

896
00:42:01,000 --> 00:42:03,799
Speaker 2: So once it hit, we had to keep trying for

897
00:42:03,880 --> 00:42:06,319
Speaker 2: it to hit. And it wasn't the kid throwing it,

898
00:42:06,440 --> 00:42:09,840
Speaker 2: that was just there was no car on the other side. Obviously,

899
00:42:10,520 --> 00:42:14,960
Speaker 2: but I forgot who was maybe door, I don't know

900
00:42:15,000 --> 00:42:19,800
Speaker 2: who was tossing it into his face from a very

901
00:42:19,800 --> 00:42:24,120
Speaker 2: short distance, one after another, and Larry feeling the way

902
00:42:24,120 --> 00:42:25,040
Speaker 2: he did. Wow.

903
00:42:25,040 --> 00:42:27,640
Speaker 1: And also, even if you're feeling well, who wants raw

904
00:42:27,719 --> 00:42:28,640
Speaker 1: egg on their face?

905
00:42:28,680 --> 00:42:31,960
Speaker 3: It's a salmonila nightmare? Who wants that on you?

906
00:42:32,239 --> 00:42:34,279
Speaker 2: Well? By the way, don't forget Rocky put a raw

907
00:42:34,360 --> 00:42:36,959
Speaker 2: egg in his drink and he didn't pretty good.

908
00:42:37,480 --> 00:42:40,560
Speaker 3: Yeah, I'm not from the raw egg people.

909
00:42:40,560 --> 00:42:42,480
Speaker 2: By the way, can I tell you I would have

910
00:42:42,520 --> 00:42:45,200
Speaker 2: bet everything I own that you're not part of the

911
00:42:45,280 --> 00:42:45,960
Speaker 2: raw egg people?

912
00:42:46,000 --> 00:42:48,960
Speaker 1: Now, not me, my paranoid self. Okay, So the kid

913
00:42:49,000 --> 00:42:51,240
Speaker 1: throws the egg on Larry. Next we cut to Michael

914
00:42:51,280 --> 00:42:54,839
Speaker 1: and Larry Or at Haboose's front door. The blind date

915
00:42:54,960 --> 00:42:58,200
Speaker 1: is happening and it's raining, and Larry has an umbrella

916
00:42:58,320 --> 00:43:02,040
Speaker 1: and Haboos answers the door. Her abuliant is that the

917
00:43:02,080 --> 00:43:06,439
Speaker 1: word abuliant? And oh you're beautiful to Michael and date

918
00:43:06,480 --> 00:43:10,680
Speaker 1: with two handsome men, and she's so excited and what

919
00:43:10,760 --> 00:43:11,359
Speaker 1: shall we do?

920
00:43:11,440 --> 00:43:12,480
Speaker 3: Shall we take a walk?

921
00:43:12,560 --> 00:43:14,919
Speaker 1: And you know, she's thinking of things to do, and

922
00:43:15,120 --> 00:43:17,520
Speaker 1: Larry says, well, you could walk because I have an umbrella,

923
00:43:17,640 --> 00:43:21,240
Speaker 1: and he goes to open the umbrella and he pulls

924
00:43:21,280 --> 00:43:23,960
Speaker 1: off her burka somehow at the point of the umbrella,

925
00:43:24,040 --> 00:43:25,400
Speaker 1: and you see Larry's face.

926
00:43:25,440 --> 00:43:27,760
Speaker 3: He's just disgusted, but she's.

927
00:43:27,600 --> 00:43:29,960
Speaker 2: Also horrified at the exact same time.

928
00:43:30,080 --> 00:43:33,040
Speaker 3: Of course, she's hard to great and this really bothered me.

929
00:43:33,520 --> 00:43:34,279
Speaker 2: What would he mean?

930
00:43:34,840 --> 00:43:37,920
Speaker 1: It really bothered me that they were so judgmental of

931
00:43:37,960 --> 00:43:38,520
Speaker 1: her looks.

932
00:43:38,880 --> 00:43:41,680
Speaker 2: But if I may, that wasn't necessary.

933
00:43:41,800 --> 00:43:42,840
Speaker 3: What wasn't necessary?

934
00:43:42,960 --> 00:43:47,520
Speaker 2: Well, the blind man obviously can't be but Larry being

935
00:43:47,600 --> 00:43:52,320
Speaker 2: so judgmental, although maybe that was showing that even Larry

936
00:43:52,400 --> 00:43:54,400
Speaker 2: is shallow in that situation.

937
00:43:55,080 --> 00:43:58,040
Speaker 1: But Moon with the table, what the fuck of these

938
00:43:58,080 --> 00:44:01,279
Speaker 1: two guys to be so goddamn judge meant all like

939
00:44:01,360 --> 00:44:03,879
Speaker 1: it's Brad Pitt and Paul Newman standing.

940
00:44:04,000 --> 00:44:06,920
Speaker 2: Well, by the way, that's the joke. But Moon in

941
00:44:07,040 --> 00:44:11,319
Speaker 2: that moment, because I was standing behind Moon watching and

942
00:44:11,400 --> 00:44:14,520
Speaker 2: I was standing behind Larry when we did both sides.

943
00:44:14,880 --> 00:44:18,560
Speaker 2: But the noises that she makee when she was upset

944
00:44:18,960 --> 00:44:19,879
Speaker 2: were hilarious.

945
00:44:21,000 --> 00:44:22,319
Speaker 3: How did you feel about that?

946
00:44:22,480 --> 00:44:22,680
Speaker 2: Moon?

947
00:44:23,960 --> 00:44:27,320
Speaker 4: I mean, you know, if you're playing somebody who's ugly

948
00:44:27,360 --> 00:44:30,560
Speaker 4: and wants to be accepted as they are, and it's

949
00:44:30,640 --> 00:44:34,239
Speaker 4: you know, it's I think that's always an interesting circumstance.

950
00:44:34,239 --> 00:44:35,400
Speaker 4: I mean, you know, beauty.

951
00:44:35,120 --> 00:44:37,719
Speaker 5: Really is in the eye beholder, and it's just a

952
00:44:37,719 --> 00:44:40,640
Speaker 5: funny setup that, you know, like you said, I if

953
00:44:40,640 --> 00:44:43,399
Speaker 5: somebody's blind, why does it matter, But that.

954
00:44:43,600 --> 00:44:46,840
Speaker 2: He's sent the umbrella hit you on one or two takes.

955
00:44:47,320 --> 00:44:49,759
Speaker 2: I remember that because.

956
00:44:49,480 --> 00:44:53,200
Speaker 1: It's very it's almost as though Larry's reaction was almost

957
00:44:53,200 --> 00:44:56,279
Speaker 1: as though you were deformed or something. Yeah, that's how

958
00:44:56,280 --> 00:44:57,799
Speaker 1: I took it, you know what I mean, Like it

959
00:44:57,880 --> 00:45:01,080
Speaker 1: was so extreme that you were just figured and he was,

960
00:45:01,280 --> 00:45:03,400
Speaker 1: you know, shocked and appalled by that.

961
00:45:03,800 --> 00:45:06,640
Speaker 5: Yeah, yeah, yeah, And that's how I took it too,

962
00:45:06,760 --> 00:45:10,239
Speaker 5: that I was undtable, undatable even for a blind man.

963
00:45:10,520 --> 00:45:13,800
Speaker 1: All right, Then we're back at Larry's house and Stewart

964
00:45:13,920 --> 00:45:17,920
Speaker 1: is showing Judah Friedlander, who's at Larry's house, the trick,

965
00:45:18,400 --> 00:45:21,440
Speaker 1: and Judah figures out the trick. So this mentally impaired

966
00:45:21,480 --> 00:45:24,000
Speaker 1: person figured out the trick that Larry couldn't figure and

967
00:45:24,320 --> 00:45:26,000
Speaker 1: Judas says, anyone could figure that out.

968
00:45:26,080 --> 00:45:28,879
Speaker 2: Well, by the way, here's another thing for Judas performance.

969
00:45:28,960 --> 00:45:32,560
Speaker 2: And he did look mentally challenged. But part of it

970
00:45:32,600 --> 00:45:34,640
Speaker 2: is is yeah, you know, putting the time and you

971
00:45:34,680 --> 00:45:37,920
Speaker 2: can see his tongue pushing out his bottom lip, and

972
00:45:37,960 --> 00:45:40,080
Speaker 2: it was just, you know, he was in character, that

973
00:45:40,200 --> 00:45:42,720
Speaker 2: was for sure. But yeah, yeah, that was really funny.

974
00:45:43,000 --> 00:45:45,400
Speaker 1: And then then we see Larry in the bathroom. No, no,

975
00:45:45,680 --> 00:45:48,640
Speaker 1: where's Arry Chelsea's I don't know. I think he's in

976
00:45:48,680 --> 00:45:52,200
Speaker 1: the bathroom. We see Larry in the bathroom fantasizing he's

977
00:45:52,280 --> 00:45:56,000
Speaker 1: walking backstage in the theater. Katie Huffman comes out in

978
00:45:56,080 --> 00:45:59,160
Speaker 1: some feathery kind of a thing and calls him into

979
00:45:59,160 --> 00:46:02,560
Speaker 1: her dressing room pink feathers, and you know, you feel

980
00:46:02,560 --> 00:46:04,080
Speaker 1: like the seduction is gonna happen.

981
00:46:04,320 --> 00:46:07,760
Speaker 3: And then all of a sudden, who pops in.

982
00:46:07,080 --> 00:46:08,800
Speaker 2: In your outfit by the way.

983
00:46:08,719 --> 00:46:12,759
Speaker 3: In my dominatrix outfit? Yes, and Lars, where's the other one?

984
00:46:12,760 --> 00:46:14,400
Speaker 3: Where's the other one? I want the other one?

985
00:46:14,480 --> 00:46:17,839
Speaker 1: I was like, you got me, baby, Yeah, you went nuts.

986
00:46:17,880 --> 00:46:18,840
Speaker 2: It was awesome.

987
00:46:19,040 --> 00:46:21,400
Speaker 3: It was so much fun. That was such a fun

988
00:46:21,440 --> 00:46:25,400
Speaker 3: scene to do. I'm just like, it was just so

989
00:46:25,520 --> 00:46:26,960
Speaker 3: much fun. And that was it.

990
00:46:27,480 --> 00:46:29,359
Speaker 1: That was it, And that was the sad story of

991
00:46:29,400 --> 00:46:32,440
Speaker 1: Haboos and Michael that they could have been a lovely couple.

992
00:46:32,480 --> 00:46:34,640
Speaker 3: But you know what, I think he wasn't good enough

993
00:46:34,640 --> 00:46:35,240
Speaker 3: for Haboos.

994
00:46:35,880 --> 00:46:39,200
Speaker 2: Well, of course he wasn't. Michael's a jerk.

995
00:46:39,800 --> 00:46:41,960
Speaker 3: Michael's a superficial asshole.

996
00:46:41,520 --> 00:46:43,960
Speaker 2: Shallow blind man who writes it.

997
00:46:44,040 --> 00:46:46,480
Speaker 5: Is interesting though, because it's true that, you know, which

998
00:46:46,520 --> 00:46:48,440
Speaker 5: is in the beginning of the podcast, that you guys

999
00:46:48,520 --> 00:46:51,200
Speaker 5: got in on the ground floor with the freedom to

1000
00:46:51,280 --> 00:46:54,160
Speaker 5: be inappropriate, and then in fact it's it's you know,

1001
00:46:54,239 --> 00:46:57,239
Speaker 5: that's what's your what the show is, it'said tension a right.

1002
00:46:57,320 --> 00:47:00,759
Speaker 2: Imagine an NBC show where one of the care there's

1003
00:47:00,800 --> 00:47:05,920
Speaker 2: criticizes rightly, mind you a blind person the letters. To

1004
00:47:06,000 --> 00:47:08,680
Speaker 2: my knowledge, we don't get letters. Do you know? The

1005
00:47:08,719 --> 00:47:12,759
Speaker 2: only show that we got some pushback on is when

1006
00:47:12,840 --> 00:47:15,560
Speaker 2: Larry peas on the Jesus and the.

1007
00:47:15,480 --> 00:47:19,720
Speaker 3: Bed doesn't pee on the Jesus. No, it bounces, splashes.

1008
00:47:19,280 --> 00:47:22,640
Speaker 2: Splashes, But we got complaints on that.

1009
00:47:22,640 --> 00:47:24,080
Speaker 3: That was the only one that I remember.

1010
00:47:24,200 --> 00:47:27,480
Speaker 2: Also, yeah, yeah, but most people love it.

1011
00:47:27,520 --> 00:47:30,120
Speaker 4: But looking back in this way, it is interesting too.

1012
00:47:30,440 --> 00:47:30,640
Speaker 2: Uh.

1013
00:47:30,760 --> 00:47:33,239
Speaker 5: It is like analyzing a dream when you when you

1014
00:47:33,280 --> 00:47:36,400
Speaker 5: think about it, because when you improvise a show and

1015
00:47:36,400 --> 00:47:39,560
Speaker 5: then you reflect on it as though it was intentional,

1016
00:47:39,640 --> 00:47:43,480
Speaker 5: because it's your you're reflecting on the improvised moments, and

1017
00:47:43,520 --> 00:47:47,359
Speaker 5: so it's it's it's just an interesting, weird exercise and

1018
00:47:47,520 --> 00:47:51,120
Speaker 5: considering now like it makes me think of how composers

1019
00:47:51,200 --> 00:47:52,000
Speaker 5: must have played.

1020
00:47:51,840 --> 00:47:54,480
Speaker 4: Music before there were recording devices. There's no way to

1021
00:47:54,800 --> 00:47:55,359
Speaker 4: capture it.

1022
00:47:55,480 --> 00:47:57,279
Speaker 5: Yeah, but you're you know, you play the music in

1023
00:47:57,320 --> 00:48:01,279
Speaker 5: real time and in a forward linear way, and only

1024
00:48:01,360 --> 00:48:03,520
Speaker 5: the audience is like, what was that? And then you

1025
00:48:03,560 --> 00:48:06,240
Speaker 5: can't hear it back as the composer or as the audience.

1026
00:48:06,280 --> 00:48:09,359
Speaker 4: But we've advanced to be able to look at the stuff, and.

1027
00:48:09,360 --> 00:48:12,040
Speaker 1: That's what this whole exercise of doing this podcast has

1028
00:48:12,080 --> 00:48:12,719
Speaker 1: been for us.

1029
00:48:12,800 --> 00:48:14,440
Speaker 3: Moon We're looking back.

1030
00:48:14,440 --> 00:48:17,719
Speaker 4: But also just that there's all these just talking about

1031
00:48:17,760 --> 00:48:20,640
Speaker 4: the psychological parts of it, and the surprise is about

1032
00:48:20,760 --> 00:48:22,160
Speaker 4: how you arrive at something.

1033
00:48:22,440 --> 00:48:25,360
Speaker 2: By the way, originally cast in that role was Bette

1034
00:48:25,400 --> 00:48:30,160
Speaker 2: Midler and she quit same day. Then Ben Vereen came in.

1035
00:48:30,280 --> 00:48:31,520
Speaker 2: Then it was Susie What.

1036
00:48:31,960 --> 00:48:32,480
Speaker 4: Is that true?

1037
00:48:32,719 --> 00:48:34,080
Speaker 3: No, what do you mean that's true?

1038
00:48:36,160 --> 00:48:40,360
Speaker 2: Ben Vereen? Ben Vero? But what do I know?

1039
00:48:40,480 --> 00:48:42,319
Speaker 4: What people like and what they now?

1040
00:48:42,440 --> 00:48:44,520
Speaker 3: It was always made from day one? No one else

1041
00:48:44,640 --> 00:48:45,520
Speaker 3: was ever cast.

1042
00:48:45,800 --> 00:48:48,480
Speaker 4: And why and how did you both get the jobs.

1043
00:48:48,680 --> 00:48:49,520
Speaker 4: Did you both audition?

1044
00:48:49,960 --> 00:48:50,000
Speaker 5: No?

1045
00:48:50,280 --> 00:48:50,719
Speaker 2: What for this?

1046
00:48:51,360 --> 00:48:53,600
Speaker 3: Neither of us are auditioned. We both knew Larry No,

1047
00:48:53,760 --> 00:48:54,719
Speaker 3: I the show.

1048
00:48:55,000 --> 00:48:57,560
Speaker 2: Mine's different because I came up with the idea for

1049
00:48:57,680 --> 00:49:01,359
Speaker 2: the show, and I approached Larry. And it's always good

1050
00:49:01,480 --> 00:49:05,720
Speaker 2: to tell a genius your idea, and the show turned

1051
00:49:05,760 --> 00:49:07,920
Speaker 2: into what it did. And by the way, if I

1052
00:49:08,080 --> 00:49:10,520
Speaker 2: was left to my own devices, even though they told

1053
00:49:10,600 --> 00:49:12,520
Speaker 2: me I could make a show like I got the

1054
00:49:12,600 --> 00:49:16,680
Speaker 2: green light on my own failure, failure, failure from the

1055
00:49:16,760 --> 00:49:19,719
Speaker 2: get go. I told the genius and now here we.

1056
00:49:19,800 --> 00:49:21,920
Speaker 3: Are, and Larry just called me up one day and

1057
00:49:22,160 --> 00:49:22,960
Speaker 3: offered me the part.

1058
00:49:23,200 --> 00:49:26,280
Speaker 2: Yes, we talked about he'd see that exactly, the roast.

1059
00:49:26,120 --> 00:49:28,080
Speaker 3: Of generals for years I knew.

1060
00:49:28,200 --> 00:49:29,560
Speaker 2: Oh yeah, we all knew each other.

1061
00:49:30,040 --> 00:49:32,319
Speaker 3: You know, all stand ups back in the old days

1062
00:49:32,320 --> 00:49:34,120
Speaker 3: in New York catchurizing stars.

1063
00:49:34,200 --> 00:49:38,200
Speaker 2: So yeah, yeah, but that's how we got our Neither

1064
00:49:38,280 --> 00:49:41,240
Speaker 2: one of us had to audition. Yeah, and s Cheryl

1065
00:49:41,320 --> 00:49:44,640
Speaker 2: had audition, which we discussed last episode of the one

1066
00:49:44,760 --> 00:49:49,440
Speaker 2: before JB had to audition. Yeah, Ted didn't have to audition.

1067
00:49:49,760 --> 00:49:53,000
Speaker 2: He's Ted dancing well, by the way, just in life,

1068
00:49:53,120 --> 00:49:55,760
Speaker 2: whatever he does, you just go oh he's Ted Danson.

1069
00:49:56,239 --> 00:49:56,600
Speaker 2: We're going to.

1070
00:49:56,640 --> 00:49:58,680
Speaker 1: Discuss it coming up to the next episode. We have

1071
00:49:58,760 --> 00:50:01,960
Speaker 1: another guest start. I'll tell you something. Going through these episodes,

1072
00:50:02,040 --> 00:50:05,000
Speaker 1: and there's a lot of people who died over all

1073
00:50:05,080 --> 00:50:05,560
Speaker 1: these years.

1074
00:50:05,600 --> 00:50:06,840
Speaker 3: It's it's horrible what.

1075
00:50:07,000 --> 00:50:11,040
Speaker 2: You're talking about. I know, Bob Einstein and Anton, hopefully a.

1076
00:50:11,080 --> 00:50:13,000
Speaker 3: Bunch of others, a bunch of others.

1077
00:50:13,120 --> 00:50:15,520
Speaker 1: But anyway, we're going to get to that next episode.

1078
00:50:16,160 --> 00:50:18,840
Speaker 2: Are you doing. The show's about positivity.

1079
00:50:19,000 --> 00:50:21,080
Speaker 3: Yes, positive death is not negative?

1080
00:50:21,160 --> 00:50:25,440
Speaker 1: Death is reality yet negative, Susie, And everyone lives on

1081
00:50:25,880 --> 00:50:28,600
Speaker 1: exactly and everyone's gonna die.

1082
00:50:28,920 --> 00:50:31,160
Speaker 2: But let's deal with more pleasant things, Susie.

1083
00:50:31,480 --> 00:50:36,880
Speaker 1: Don't We loved having you with us and I I

1084
00:50:37,080 --> 00:50:39,640
Speaker 1: once more admired your performer, Twista.

1085
00:50:39,800 --> 00:50:41,440
Speaker 3: I think was a tour de force in that.

1086
00:50:41,719 --> 00:50:44,680
Speaker 1: And I think, you know, it's an exercise for an

1087
00:50:44,719 --> 00:50:47,960
Speaker 1: actress to not use their face. You could only use

1088
00:50:48,040 --> 00:50:50,640
Speaker 1: your voice and your eyes. So that was another you

1089
00:50:50,760 --> 00:50:53,520
Speaker 1: know trick is so to speak, that was working.

1090
00:50:53,800 --> 00:50:57,120
Speaker 2: So what a thing to come up with, because I

1091
00:50:57,280 --> 00:51:00,080
Speaker 2: have to say, if I'm playing somebody who asked to

1092
00:51:00,160 --> 00:51:03,040
Speaker 2: wear a mask, what voice do I use? How do

1093
00:51:03,160 --> 00:51:06,799
Speaker 2: I play this? It's a very difficult like I always say,

1094
00:51:06,840 --> 00:51:11,120
Speaker 2: I'm a comedian who acts, so have low expectations. But

1095
00:51:11,239 --> 00:51:14,080
Speaker 2: I'm a decent actor. But I'm a comedian who acts,

1096
00:51:14,600 --> 00:51:17,640
Speaker 2: and uh, Moon, I would say it is a writer

1097
00:51:17,880 --> 00:51:20,600
Speaker 2: performer who acts. Am I correct? That's sure?

1098
00:51:20,920 --> 00:51:23,839
Speaker 4: Yeah, And I was surprised by how many people really

1099
00:51:24,239 --> 00:51:25,080
Speaker 4: loved the performance.

1100
00:51:25,120 --> 00:51:30,160
Speaker 2: And we thank you for coming, and thank you for

1101
00:51:30,280 --> 00:51:33,439
Speaker 2: adding positivity and not discussing death.

1102
00:51:33,760 --> 00:51:36,680
Speaker 1: It's not I have no problem. I don't find death negative.

1103
00:51:36,719 --> 00:51:40,360
Speaker 1: I find it's.

1104
00:51:38,840 --> 00:51:41,920
Speaker 2: Negative, but it doesn't need to be brought up. It's

1105
00:51:41,960 --> 00:51:45,560
Speaker 2: a Curb your Enthusiasm podcast. Let's not talk about people

1106
00:51:45,560 --> 00:51:46,160
Speaker 2: who died.

1107
00:51:47,040 --> 00:51:49,239
Speaker 4: Didn't but didn't he doesn't he talk about death in

1108
00:51:49,320 --> 00:51:50,240
Speaker 4: a bunch of episodes.

1109
00:51:52,480 --> 00:51:54,520
Speaker 2: By the way, that the number of times, and I'm

1110
00:51:54,600 --> 00:51:58,160
Speaker 2: not there's no exaggeration. I think three times we have

1111
00:51:58,280 --> 00:52:01,560
Speaker 2: filmed in the cemetery in the middle of the night,

1112
00:52:02,160 --> 00:52:04,320
Speaker 2: and I always walk around singing thriller.

1113
00:52:05,120 --> 00:52:08,160
Speaker 1: I do thank you for coming, Moon and audience. We

1114
00:52:08,239 --> 00:52:10,120
Speaker 1: will see you next week, thank.

1115
00:52:10,000 --> 00:52:12,239
Speaker 2: You, and I promise you next week there'll be no

1116
00:52:12,440 --> 00:52:15,200
Speaker 2: death talk. Bye, Susie. Oh they will be oh you

1117
00:52:15,440 --> 00:52:18,080
Speaker 2: don't and who's going to tune in I Love a good.

1118
00:52:18,200 --> 00:52:19,439
Speaker 4: People get comfortable with death.

1119
00:52:19,560 --> 00:52:22,160
Speaker 1: Yeah, well next week is one of our favorite people

1120
00:52:22,239 --> 00:52:24,160
Speaker 1: who is no longer with us, so we'll get to that.

1121
00:52:24,680 --> 00:52:29,479
Speaker 1: Oh all right, Bye, by thanks everyone, by thanks moon, bye,

1122
00:52:29,560 --> 00:52:29,880
Speaker 1: thank you.

1123
00:52:39,160 --> 00:52:41,680
Speaker 3: The History of Curby Enthusiasm is a production.

1124
00:52:41,480 --> 00:52:44,720
Speaker 4: Of iHeart Radio. For more podcasts from iHeart Radio

1125
00:52:45,040 --> 00:52:48,279
Speaker 1: Visit the iHeart Radio app, Apple Podcasts, or wherever you

1126
00:52:48,520 --> 00:52:49,680
Speaker 1: listen to your favorite shows.