WEBVTT - Stop, Drop, and Hold On!

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<v Speaker 1>It's nine O Gen one O engine with Jenny Garth

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<v Speaker 1>and Tory spelling.

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<v Speaker 2>Well.

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<v Speaker 1>Well, well, here we are again back with our OMG fans.

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<v Speaker 3>Yeah, how are you guys doing?

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<v Speaker 1>We are doing well and we want to keep on

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<v Speaker 1>going through this amazing show with you guys. So we

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<v Speaker 1>are back with a new episode, a great episode this week.

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<v Speaker 3>It's a great episode.

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<v Speaker 2>Interesting that. I mean, we'll hear in LA if you're

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<v Speaker 2>here in La. But the show takes place in La.

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<v Speaker 2>Earthquake weather this episode. And oddly enough, even though we

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<v Speaker 2>waited a beat kind of earthquake weather right now, wouldn't

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<v Speaker 2>you say, oh.

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<v Speaker 1>My gosh, I was going to say the same thing.

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<v Speaker 1>It's like one hundred degrees in Beverly Hills quote unquote,

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<v Speaker 1>And it's like one hundred degrees in Beverly Hills right now.

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<v Speaker 3>I don't want to be like those wacky radio guys,

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<v Speaker 3>but there's no such thing as earthquake weather.

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<v Speaker 1>What earthquake guys?

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<v Speaker 2>Give us a moment? Wait, do you believe it parallel

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<v Speaker 2>with our lives?

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<v Speaker 1>Yeah?

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<v Speaker 3>It is literally, scientifically no such thing.

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<v Speaker 1>Okay, scientists that weather girl. I have always believed in

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<v Speaker 1>earthquake weather every time it's like hot. It's not about

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<v Speaker 1>the heat for me, It's about the stillness in the air.

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<v Speaker 1>Whenever I feel like that, like everything's just too quiet,

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<v Speaker 1>that's when I'm like, oh, earthquake weather.

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<v Speaker 2>I associate earthquake weather with the intense heat, and then

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<v Speaker 2>the dip down sunny, then cloudy, overcasts, a little.

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<v Speaker 1>Breezy, like just the you associate weather.

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<v Speaker 2>Yea all at once.

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<v Speaker 4>Oh man, it's all a bs As they say, there's

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<v Speaker 4>no such thing as earthquake weather.

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<v Speaker 1>And you're as a native Californian and a scientist, born

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<v Speaker 1>and bred in.

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<v Speaker 3>California, born and raised here. But I've had many an

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<v Speaker 3>earthquake many. I was here for the So I was

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<v Speaker 3>in San Francisco for the eighty nine. Were you guys

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<v Speaker 3>there for the Loma Prieta?

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<v Speaker 2>Was that the ninety? Was it ninety four?

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<v Speaker 3>Was it? It was a big one in La really

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<v Speaker 3>really big.

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<v Speaker 1>Was it called the north Ridge?

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<v Speaker 3>Yes? Northridge?

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<v Speaker 2>Oh?

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<v Speaker 3>Wait, I was Loma Prieta?

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<v Speaker 2>Sorry I was, I don't know. I just thought you

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<v Speaker 2>gave it some fancy name.

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<v Speaker 3>Wait do you remember it?

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<v Speaker 2>Like it?

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<v Speaker 1>Earthquakes are bananas?

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<v Speaker 3>Because that was during nine o two on and oh

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<v Speaker 3>we're making nine o two and oh during the Big

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<v Speaker 3>north Ridge and I think it's probably what inspired this

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<v Speaker 3>to some extent.

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<v Speaker 2>Oh yeah, I remember we filmed the night before Jen

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<v Speaker 2>because we had worked late, I remember, and it happened

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<v Speaker 2>at like what three four am or something.

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<v Speaker 3>Aah, I think that's right.

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<v Speaker 2>I was in an apartment building, so I remember. It

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<v Speaker 2>just was shaking, shaking, and things were cracking. And grabbed

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<v Speaker 2>the dogs and tried to grab the parrot, but I

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<v Speaker 2>was like, I'm sorry, you got to save yourself and

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<v Speaker 2>ran ran downstairs and everyone was gathering on the street

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<v Speaker 2>and it was so bizarre.

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<v Speaker 3>Can you remember it?

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<v Speaker 1>You wait, people were running down the street like from

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<v Speaker 1>our building. They would go out like, yeah, it was

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<v Speaker 1>nobody wants to be up there.

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<v Speaker 2>No, no, no, it was like a real tall building. So

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<v Speaker 2>everyone ran to the street and like just stood there

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<v Speaker 2>and looked up. Everyone in their pajamas.

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<v Speaker 1>And yeah, I was in my I had bought a

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<v Speaker 1>tiny little house, my first house, I think, in the

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<v Speaker 1>hills of Sherman Oaks, and I was home alone and

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<v Speaker 1>I hadn't I didn't have any furniture anything. I had

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<v Speaker 1>a mattress on the like metal bed frame and thank

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<v Speaker 1>you baby, and I was just I woke up, my

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<v Speaker 1>bed was like jiggling all around the room, and since

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<v Speaker 1>I didn't have any other furniture, like nothing else was

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<v Speaker 1>shaking just in my bed. And I remember the first

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<v Speaker 1>thing that came to my mind was that ac DC

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<v Speaker 1>song The Earth was Shaken, the walls were whatever, and.

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<v Speaker 2>You know that song come on all night long?

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<v Speaker 1>You you shook me a long? Yeah, you yeah, that one.

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<v Speaker 1>You're welcome everybody who's listening. I know you love it

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<v Speaker 1>when we sing La singer please call her stop laughing, Amy,

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<v Speaker 1>you can stop laughing now.

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<v Speaker 3>So that went to your head like not get out

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<v Speaker 3>or like I'm annoying.

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<v Speaker 1>No, I stay on my little rinkty bed and was

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<v Speaker 1>like what is happening? Because I'm from the Midwest and

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<v Speaker 1>I don't think i'd ever felt one before that one.

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<v Speaker 2>You react like one, Cindy Brady, like freak out like

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<v Speaker 2>you do like sometimes you like you're in the head

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<v Speaker 2>lace like just.

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<v Speaker 1>Don't move, It'll all be over soon.

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<v Speaker 2>Yeah.

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<v Speaker 3>What do we think had the greatest reaction on this episode?

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<v Speaker 3>And I know we'll get to it of just like

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<v Speaker 3>overreaction maybe.

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<v Speaker 5>Maybe between Colin probably Colin, Yeah, we should talk about

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<v Speaker 5>what we're talking about because that was a big earthquake.

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<v Speaker 3>And I can't wait to ask you guys.

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<v Speaker 2>Like question because that earthquake was what there's must by

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<v Speaker 2>the north Ridge earthquake? What was that one on the

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<v Speaker 2>Richter scale? The real life one?

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<v Speaker 1>Sick sick something something? I thought, aw, I will love you.

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<v Speaker 3>Let's just kick it off.

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<v Speaker 1>Season six, Episode nine, Earthquake Weather Air November sixth, nineteen

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<v Speaker 1>ninety five.

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<v Speaker 2>Synopsis High tempts and shaky ground makes everyone go cray cray. Meanwhile,

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<v Speaker 2>the violence continues with Ray Stephen Claire take the Richter

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<v Speaker 2>Scale to the bedroom. Brandon plays doctor in an elevator,

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<v Speaker 2>Dylan Pop's question and Kelly's crush. Donna uncovers her mother's secret,

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<v Speaker 2>and Tony Marchett is making some wedding arrangements of his own.

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<v Speaker 1>Detective by Gilbert Shilton, written by Michael Lyons and kimberly

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<v Speaker 1>wells Uh. There's so much going on. There's an earthquake,

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<v Speaker 1>Brandon burling a baby, raised throwing hammers, Donna's There's a

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<v Speaker 1>lot of drama going on for Donna, left and right,

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<v Speaker 1>Claire's sex, crazy button.

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<v Speaker 3>There's so many.

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<v Speaker 1>Things happening in this episode.

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<v Speaker 3>I believe the north Ridge quake was a six point

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<v Speaker 3>seven just for those fla.

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<v Speaker 2>There's some big aftershocks. I just wanted to like say

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<v Speaker 2>that how how big it was for people that don't

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<v Speaker 2>experience earthquakes, because then they do a big one on

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<v Speaker 2>the show and it wasn't unwarranted like it was. It

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<v Speaker 2>shook really bad during the real one.

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<v Speaker 1>But I bet like people across the globe that we're

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<v Speaker 1>watching the show that was so like internationally famous, now

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<v Speaker 1>this was their first time like seeing an earthquake like that,

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<v Speaker 1>you know, like feeling I felt like I was in

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<v Speaker 1>it and it lasted forever.

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<v Speaker 2>It probably scared them really bad, Like, oh my gosh,

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<v Speaker 2>I hope I'm never an earthquake.

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<v Speaker 1>Was never going to California.

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<v Speaker 3>Huge earthquake that they created that was a massive earthquake

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<v Speaker 3>they created, Like there was so many things sliding and

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<v Speaker 3>shaking and breaking that it was like this was humongous.

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<v Speaker 2>It was exciting in real life.

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<v Speaker 1>Did a good job?

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<v Speaker 3>Did they do it? Do you remember, like do you

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<v Speaker 3>remember being somewhere and they shook it like they do

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<v Speaker 3>at Universal Studios or was it tricks with the camera.

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<v Speaker 1>It was just people standing on the back side of

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<v Speaker 1>those cabinets throwing stuff out.

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<v Speaker 3>I don't know remember in the like Art Studio, there's

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<v Speaker 3>like a whole thing sliding.

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<v Speaker 2>I didn't feel like the.

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<v Speaker 1>Camera was shaking, did.

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<v Speaker 2>You No, it must have been an afterfac I have

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<v Speaker 2>no idea. I can't remember this one, and I remember.

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<v Speaker 1>That the room was shaking, but not the my visual.

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<v Speaker 3>And create like special sets. No, I don't know how

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<v Speaker 3>they would do that. But like the nineties, I don't know.

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<v Speaker 3>It seemed like do you guys remember back? I think

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<v Speaker 3>they've changed it now. No, maybe they haven't. But at

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<v Speaker 3>Universal Studios there's definitely an earthquake part of the tour.

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<v Speaker 2>That that.

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<v Speaker 3>No, I get panicky or you like that. No, thank you.

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<v Speaker 2>I don't like roller coasters, but I like shaking. Oh gosh, yeah.

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<v Speaker 3>Well go through it because this episode is so great,

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<v Speaker 3>And I think we start with the wacky radio duo

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<v Speaker 3>Mac and Jack or whatever their names were. What were

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<v Speaker 3>their names?

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<v Speaker 1>Yeah, everybody's listening to the radio now.

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<v Speaker 3>Okay, literally in the car in the who goes into

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<v Speaker 3>a hotel room like you know what I'm gonna do,

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<v Speaker 3>I'm gonna turn on Mac and Jack?

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<v Speaker 1>Like, oh yeah, she couldn't find some music because they

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<v Speaker 1>had to have the connective tissue.

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<v Speaker 3>I can't remember what their names were, but it was

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<v Speaker 3>something like Jack and Jane or something.

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<v Speaker 1>Let's run it from the beginning. Dylan's house is where

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<v Speaker 1>we start, and Tony and Dylan are planning their move

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<v Speaker 1>to Hawaii when he suddenly mentions that he wants to

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<v Speaker 1>marry her. And he gets down on one nie and

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<v Speaker 1>proposes to Tony and she says, yes, how do we

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<v Speaker 1>feel it?

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<v Speaker 2>Come out? Time out? Time out? Okay, Jenny Garth aka

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<v Speaker 2>Kelly Taylor, how'd you feel about this?

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<v Speaker 1>I thought, wow, wee wawa Dylan moving pretty fast. There

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<v Speaker 1>aren't chi pal. I mean that's how I felt as

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<v Speaker 1>a viewer. I was like, Okay, that just felt really fast.

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<v Speaker 1>But okay, they ask.

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<v Speaker 2>You if you're I'm asking as Kelly Taylor, the one

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<v Speaker 2>in Norway.

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<v Speaker 1>Well, as you can see, Kelly Taylor was shaken, no

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<v Speaker 1>pun intended by the news, and uh and yeah, I

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<v Speaker 1>can understand why. I feel like, of course she made

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<v Speaker 1>it about herself right away, but I think that might

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<v Speaker 1>have been a natural reaction because like, when didn't he

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<v Speaker 1>just ask her to marry him moments ago? Four month

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<v Speaker 1>I don't even know four months ago.

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<v Speaker 2>So yes, my question is watching it back now as

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<v Speaker 2>an adult, I'm liking it to like when I have

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<v Speaker 2>Cory reactions about Brian, like just because I'm like so

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<v Speaker 2>protective of David and Donna. How do you feel watching

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<v Speaker 2>it Jen like now, like do you feel like, I

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<v Speaker 2>know Kelly's reaction and everything, but like watching it now.

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<v Speaker 1>I feel not pleased.

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<v Speaker 2>Do you feel like punched in the guttle?

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<v Speaker 3>Yeah?

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<v Speaker 1>Definitely, like it's like like a slap. You know, I

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<v Speaker 1>just didn't think that would be happening that soon. But

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<v Speaker 1>you know, it's her own fault because she chose herself

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<v Speaker 1>and then she chose Colin.

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<v Speaker 3>Yeah. I think it would have been worse if they

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<v Speaker 3>didn't acknowledge it at all. Meaning you do have that

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<v Speaker 3>scene together, you do react like they at least didn't

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<v Speaker 3>just gloss over that like oh it's all I'm glad

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<v Speaker 3>that they was that lucky because that would have been

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<v Speaker 3>really bad.

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<v Speaker 1>Yeah, we'll get to that moment because that was an

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<v Speaker 1>important moment I think for both of them. We're at

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<v Speaker 1>the beach House where Donna is getting ready ready for

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<v Speaker 1>the rose Court tryouts. Back at the rose Court when

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<v Speaker 1>good old Rayproo. It shows up and he tells her

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<v Speaker 1>he's in therapy. Yeah.

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<v Speaker 2>Progress.

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<v Speaker 3>I don't think that's commonplace that you go and ask

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<v Speaker 3>your ex girlfriend to join you in therapy. And I

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<v Speaker 3>frankly don't know that the therapist would have asked for that.

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<v Speaker 3>That felt like okay, really.

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<v Speaker 2>Well could it have been? I don't know. I mean,

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<v Speaker 2>in real life sometimes people need just trying to think

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<v Speaker 2>in real life, like closure to move on to heal,

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<v Speaker 2>and if the ex is willing to. I remember my

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<v Speaker 2>first husband, we never did it, but we were going

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<v Speaker 2>to have like closure, like a therapy session, just so

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<v Speaker 2>we could both have closure.

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<v Speaker 3>I mean maybe a married couple, but for me, like

0:12:37.840 --> 0:12:40.199
<v Speaker 3>the therapist knows this guy's violent, and she's going to

0:12:40.240 --> 0:12:42.680
<v Speaker 3>be like, yeah, you know what, let's invite your ex

0:12:42.760 --> 0:12:46.200
<v Speaker 3>girlfriend here so we can really traumatize her further. And

0:12:46.240 --> 0:12:49.160
<v Speaker 3>then I'll warn her that you're probably gonna hurt her.

0:12:49.280 --> 0:12:50.800
<v Speaker 3>It's just like, well, maybe.

0:12:50.600 --> 0:12:51.720
<v Speaker 2>The therapist is kinky.

0:12:51.920 --> 0:12:55.760
<v Speaker 1>I don't know she was real therapisty, that's for sure.

0:12:56.559 --> 0:12:59.040
<v Speaker 1>But yeah, I didn't. I didn't want Donna to go

0:12:59.080 --> 0:13:02.520
<v Speaker 1>to that at all. I was shouting saying no, you

0:13:02.559 --> 0:13:05.600
<v Speaker 1>get to say no, now no, now no, I know.

0:13:06.400 --> 0:13:08.440
<v Speaker 2>Running theme of Donna's life.

0:13:09.920 --> 0:13:16.520
<v Speaker 1>The hotel room. Wow, Susan and Brandy are getting ready

0:13:16.520 --> 0:13:19.200
<v Speaker 1>to go to the pool, so they're just they're there

0:13:19.240 --> 0:13:21.080
<v Speaker 1>for a conference or what's happening.

0:13:21.840 --> 0:13:25.679
<v Speaker 3>It's what befuddled me. She's like, obviously wants to make out,

0:13:25.800 --> 0:13:28.280
<v Speaker 3>and he's like, no, we're going to the pool. Then

0:13:28.320 --> 0:13:29.920
<v Speaker 3>he comes out of the bathroom and she wants to

0:13:29.920 --> 0:13:31.199
<v Speaker 3>go to the pool and he's like, I thought we're

0:13:31.200 --> 0:13:33.800
<v Speaker 3>going to make out. Like it was so what.

0:13:34.000 --> 0:13:39.000
<v Speaker 1>Maybe they had to go peepy or something. He's want

0:13:39.200 --> 0:13:43.720
<v Speaker 1>to know, I don't know. He was very cagey at

0:13:43.720 --> 0:13:46.839
<v Speaker 1>that moment. Weird bizarre was.

0:13:46.800 --> 0:13:49.199
<v Speaker 3>That her bathing suit or her.

0:13:48.559 --> 0:13:51.280
<v Speaker 1>Works off all our clothes and under is her bathing suit.

0:13:51.280 --> 0:13:55.640
<v Speaker 3>She isn't a matching underwear. To me, I was like,

0:13:55.679 --> 0:13:56.559
<v Speaker 3>that's her underwear.

0:13:56.600 --> 0:13:59.920
<v Speaker 1>And then you know what, Oh my god, Dave, ass

0:14:00.800 --> 0:14:03.960
<v Speaker 1>is that her bathing suit? I was like, really, yeah,

0:14:04.000 --> 0:14:07.040
<v Speaker 1>what's it matter? Obviously it's her bathing suit.

0:14:08.440 --> 0:14:09.080
<v Speaker 4>It's not she was.

0:14:09.080 --> 0:14:10.640
<v Speaker 3>Suddenly wearing underwear and she's going to the pool in

0:14:10.640 --> 0:14:12.599
<v Speaker 3>her underwear. My favorite is when the lady in the

0:14:12.640 --> 0:14:15.520
<v Speaker 3>elevator mentions her bathing suit. Oh cute bathing suit. I

0:14:15.520 --> 0:14:18.320
<v Speaker 3>saw you with the pool. What you're having a baby,

0:14:18.400 --> 0:14:20.360
<v Speaker 3>lady and you're stuck in an elevator. What?

0:14:21.240 --> 0:14:25.880
<v Speaker 1>Well, she didn't see her at the pool though, they

0:14:25.920 --> 0:14:27.400
<v Speaker 1>were just going down to the pool.

0:14:27.800 --> 0:14:30.920
<v Speaker 3>They were coming back up. It's confusing. I watched the

0:14:30.920 --> 0:14:33.040
<v Speaker 3>episode twice and it wasn't until the second time that

0:14:33.160 --> 0:14:36.320
<v Speaker 3>I got that they're coming back up and the pregnant

0:14:36.360 --> 0:14:38.160
<v Speaker 3>lady had seen them at the pool.

0:14:38.960 --> 0:14:43.680
<v Speaker 2>They added that end because trying to like make it

0:14:43.760 --> 0:14:45.000
<v Speaker 2>makes sense a little bit more.

0:14:46.200 --> 0:14:47.160
<v Speaker 1>But yeah, but.

0:14:47.200 --> 0:14:50.840
<v Speaker 2>It didn't know my correction that line.

0:14:51.240 --> 0:14:54.600
<v Speaker 1>Yeah, I wanted to explains. So we go to Collin

0:14:54.680 --> 0:14:58.720
<v Speaker 1>Studio next, and Colin is just darling Kelly all about

0:14:58.720 --> 0:15:01.400
<v Speaker 1>how much he enjoys tea eaching and how happy he

0:15:01.560 --> 0:15:02.360
<v Speaker 1>is with his life.

0:15:02.840 --> 0:15:06.760
<v Speaker 2>Who cares? Are Yeah? Are you bored watching him?

0:15:07.000 --> 0:15:10.560
<v Speaker 1>I'm bored watching him. I'm board watching both of them.

0:15:10.960 --> 0:15:13.840
<v Speaker 1>The only thing exciting about it is for makeup or eyebrows.

0:15:13.920 --> 0:15:16.360
<v Speaker 1>That could perhaps some interest in those things.

0:15:16.400 --> 0:15:22.360
<v Speaker 2>But it's gonna get juicy though, Oh gosh.

0:15:22.720 --> 0:15:25.560
<v Speaker 1>Oh. And then we go to the Walsh House, Castle Walsh,

0:15:25.760 --> 0:15:27.680
<v Speaker 1>Castle Walsh, whatever you want to call it.

0:15:28.400 --> 0:15:32.960
<v Speaker 3>Steve is playing the game Earthquake. Suddenly before.

0:15:34.960 --> 0:15:36.960
<v Speaker 1>They had a pinball machine there, but it was it

0:15:37.040 --> 0:15:38.239
<v Speaker 1>always Earthquake.

0:15:40.960 --> 0:15:44.000
<v Speaker 3>But I don't think so good call out.

0:15:46.120 --> 0:15:47.960
<v Speaker 2>We have the fans take it to the fans fan

0:15:48.280 --> 0:15:51.400
<v Speaker 2>looking around. There's no fans here, but the whole film.

0:15:51.480 --> 0:15:53.760
<v Speaker 2>Now that's a good call I bet I bet they

0:15:53.800 --> 0:15:54.800
<v Speaker 2>did change it out, John.

0:15:55.160 --> 0:15:58.920
<v Speaker 1>I bet they they made it work or it was

0:15:58.960 --> 0:16:01.400
<v Speaker 1>the Earthquake pim machine, and then gave him the idea

0:16:01.400 --> 0:16:01.960
<v Speaker 1>for the story.

0:16:14.360 --> 0:16:18.160
<v Speaker 3>We'll talk about Valerie's egg salad. So is this the

0:16:18.160 --> 0:16:20.640
<v Speaker 3>same scene It might be where she's in the kitchen

0:16:21.200 --> 0:16:24.640
<v Speaker 3>and she and he's like, you make the best egg salad? Now,

0:16:24.640 --> 0:16:27.760
<v Speaker 3>first of all, what twenty one year olds are just

0:16:27.880 --> 0:16:32.080
<v Speaker 3>whipping up eggs salad? And she's like, it's all you

0:16:32.120 --> 0:16:32.560
<v Speaker 3>gotta have.

0:16:32.840 --> 0:16:37.400
<v Speaker 2>Huh wait, go back, wait, you didn't cook it twenty one? Yeah.

0:16:37.480 --> 0:16:39.360
<v Speaker 3>I certainly did not make eggs salad.

0:16:39.560 --> 0:16:40.680
<v Speaker 1>Why because it was stinky.

0:16:40.840 --> 0:16:42.960
<v Speaker 2>I made deviled eggs every weekend. What do you mean?

0:16:44.080 --> 0:16:46.240
<v Speaker 3>I just don't think a twenty something palate is like,

0:16:46.280 --> 0:16:48.920
<v Speaker 3>you know what, I'm craving egg salad. They're eating left

0:16:48.920 --> 0:16:50.120
<v Speaker 3>the room. I disagree.

0:16:50.400 --> 0:16:54.320
<v Speaker 1>It's summer. Really that's a summertime food. I mean I

0:16:54.400 --> 0:16:56.880
<v Speaker 1>don't eat eggs salad, but depending on how.

0:16:56.760 --> 0:17:00.280
<v Speaker 3>You're raised, Like right, I'll eat egg salad now, but

0:17:00.360 --> 0:17:02.120
<v Speaker 3>I don't think I ever ate it. At twenty and

0:17:02.160 --> 0:17:04.800
<v Speaker 3>she's like, it's all how much relish, like how she

0:17:04.880 --> 0:17:08.000
<v Speaker 3>perfected her eggs sell whatever? And then these kisses her shoulder.

0:17:08.400 --> 0:17:11.040
<v Speaker 1>You're really mad about this, Like yeah.

0:17:10.840 --> 0:17:13.240
<v Speaker 2>Because she must have grown. It's usually like what your

0:17:13.280 --> 0:17:17.080
<v Speaker 2>parents made growing up, Like I always like when I

0:17:17.119 --> 0:17:20.200
<v Speaker 2>moved into my perma would make like tuna fish salad, sandwiches.

0:17:21.280 --> 0:17:24.000
<v Speaker 3>It is more reasonable, okay.

0:17:24.040 --> 0:17:26.760
<v Speaker 2>Than egg salad. Interesting, interesting potato salad.

0:17:28.119 --> 0:17:31.000
<v Speaker 3>You can't make potato salad. I have to buy that.

0:17:31.200 --> 0:17:32.880
<v Speaker 3>I don't can't make that now.

0:17:33.240 --> 0:17:36.760
<v Speaker 1>Oh we need to help her, Yeah we do. Yeah,

0:17:36.840 --> 0:17:39.160
<v Speaker 1>there must be some cooking classes.

0:17:39.000 --> 0:17:43.200
<v Speaker 2>Making molds and like at twenty one, what do you mean?

0:17:43.520 --> 0:17:45.879
<v Speaker 3>I don't think any of that now? I buy it.

0:17:45.960 --> 0:17:51.200
<v Speaker 3>Turkey salad, chicken salad, eggs salad, isn't I'm hungry?

0:17:51.280 --> 0:17:54.480
<v Speaker 2>Now? They go on, well.

0:17:54.400 --> 0:17:57.159
<v Speaker 3>There's cases shoulder kisses.

0:17:56.880 --> 0:18:01.760
<v Speaker 1>And kisses, and Claire's got the horn and David's got

0:18:01.800 --> 0:18:05.720
<v Speaker 1>the horns and everybody wants to get phreaky in the

0:18:05.760 --> 0:18:08.240
<v Speaker 1>wall sh house. It's kind of creeping me out that

0:18:08.320 --> 0:18:12.240
<v Speaker 1>you just go there. Everybody goes there now like it's

0:18:12.240 --> 0:18:14.640
<v Speaker 1>the new peach Bit, but they just go and pretend

0:18:14.680 --> 0:18:15.760
<v Speaker 1>like they're adults.

0:18:16.200 --> 0:18:17.000
<v Speaker 3>It's so weird.

0:18:17.680 --> 0:18:20.040
<v Speaker 2>It feels most like a whorehouse.

0:18:20.160 --> 0:18:23.040
<v Speaker 1>There's insane. Yeah, it's like a like a.

0:18:23.200 --> 0:18:27.639
<v Speaker 2>Like cossa, come on, we got it here, we got

0:18:27.640 --> 0:18:29.399
<v Speaker 2>a pun here, sunny ranch, kassa.

0:18:29.200 --> 0:18:36.199
<v Speaker 3>Bunny ranch, bunny good. Think of Claire's aggressive, but I

0:18:36.359 --> 0:18:40.919
<v Speaker 3>like it. It's just sort of funny. That brought Sorry

0:18:40.960 --> 0:18:46.640
<v Speaker 3>Brian David Valerie conversation of so like let's sleep together.

0:18:46.920 --> 0:18:49.320
<v Speaker 3>I can't wait any longer, Like he's still back at

0:18:49.359 --> 0:18:52.800
<v Speaker 3>that same I can't wait any longer stuff, and then

0:18:52.840 --> 0:18:55.760
<v Speaker 3>she's like, tonight, that's the.

0:18:55.760 --> 0:18:57.840
<v Speaker 2>Story of his life. I can't wait.

0:18:58.680 --> 0:19:01.359
<v Speaker 1>I was thinking of that going on, like has he

0:19:01.520 --> 0:19:05.600
<v Speaker 1>had any loven between Donna?

0:19:05.760 --> 0:19:09.320
<v Speaker 2>I mean, Claire remembers the old there's some holdout trauma

0:19:09.359 --> 0:19:11.760
<v Speaker 2>and major blue balls because poor guy, he waited forever

0:19:11.800 --> 0:19:14.520
<v Speaker 2>for Donna and then he couldn't wait, but and then now.

0:19:14.680 --> 0:19:19.240
<v Speaker 1>Didn't make him wait. I'm sure no, because she's like.

0:19:19.200 --> 0:19:22.480
<v Speaker 3>A wild Girl takes me back to the high school

0:19:22.560 --> 0:19:25.560
<v Speaker 3>version of her when she was so like after Brandon totally.

0:19:25.600 --> 0:19:27.960
<v Speaker 2>I loved that part of her. Mm hmm.

0:19:29.080 --> 0:19:31.919
<v Speaker 1>Then we go to Pasadena where it's one hundred and

0:19:32.040 --> 0:19:35.920
<v Speaker 1>what'd she say, would be in Pasadena so sweaty? Yeah,

0:19:35.960 --> 0:19:38.399
<v Speaker 1>though it's November, but he said something like it's one

0:19:38.480 --> 0:19:40.280
<v Speaker 1>hundred here, it's going to be one hundred and twenty

0:19:40.280 --> 0:19:44.760
<v Speaker 1>in Pasadena or something crazy like that, right, is not true.

0:19:45.400 --> 0:19:48.960
<v Speaker 2>But to key it up that it's quote unquote hot weather,

0:19:49.200 --> 0:19:52.639
<v Speaker 2>earthquake when things happened. But I got to say, when

0:19:52.640 --> 0:19:55.879
<v Speaker 2>we were filming those scenes, oh man, it was hot.

0:19:56.560 --> 0:19:59.520
<v Speaker 6>You can get over that, yeah, Oh yeah I can, yeah,

0:19:59.560 --> 0:20:02.880
<v Speaker 6>because it really really hot and you'd be standing there

0:20:02.920 --> 0:20:05.600
<v Speaker 6>in makeup and you know, they didn't have like setting

0:20:05.640 --> 0:20:06.560
<v Speaker 6>spray back then.

0:20:07.400 --> 0:20:09.080
<v Speaker 2>You know, I would just take care of spray and

0:20:09.160 --> 0:20:11.960
<v Speaker 2>like spray it all over my face and set it,

0:20:12.240 --> 0:20:14.840
<v Speaker 2>set it, and forget it. You couldn't forget it because

0:20:14.920 --> 0:20:17.120
<v Speaker 2>it was like just pounds and makeup just was so hot,

0:20:17.160 --> 0:20:19.600
<v Speaker 2>and you'd be sweating so bad and like patting your

0:20:19.680 --> 0:20:21.879
<v Speaker 2>upper lip and your hair would be frizzing because we

0:20:21.920 --> 0:20:25.600
<v Speaker 2>could get all wet and it's no place for a

0:20:25.680 --> 0:20:28.320
<v Speaker 2>rose cord gal, no place for a rose queen.

0:20:29.080 --> 0:20:29.320
<v Speaker 5>Yeah.

0:20:30.200 --> 0:20:33.120
<v Speaker 1>Also that you made friends with your your you made

0:20:33.119 --> 0:20:34.560
<v Speaker 1>a friend. I'm so proud of you.

0:20:34.760 --> 0:20:35.000
<v Speaker 2>I did.

0:20:35.440 --> 0:20:38.600
<v Speaker 3>Yeah, And we briefly talk about the sorority girl. The

0:20:38.640 --> 0:20:40.520
<v Speaker 3>sorority girl that's now the Rose I mean, I know

0:20:40.520 --> 0:20:44.840
<v Speaker 3>we've seen her before, she's now the Rose queen girl. Sorry, Brooke. Yeah,

0:20:44.880 --> 0:20:47.119
<v Speaker 3>they must have loved that actress because like, what are

0:20:47.160 --> 0:20:49.240
<v Speaker 3>the odds she's suddenly the rose court.

0:20:51.480 --> 0:20:55.320
<v Speaker 2>They all, You're right, they no matter what, bring her

0:20:55.359 --> 0:20:58.639
<v Speaker 2>back around. Somehow liked her. She was a very was

0:20:58.640 --> 0:20:59.600
<v Speaker 2>she dating somebody?

0:21:00.160 --> 0:21:01.920
<v Speaker 1>I don't know. She was very nice to work with.

0:21:02.560 --> 0:21:05.000
<v Speaker 1>She was very lovely gal.

0:21:05.600 --> 0:21:07.959
<v Speaker 3>And I noticed she got married because her name is

0:21:08.000 --> 0:21:11.640
<v Speaker 3>now her real life name is now has a third

0:21:11.720 --> 0:21:15.000
<v Speaker 3>name to it. Tell me the name, please, Brook the

0:21:15.400 --> 0:21:19.240
<v Speaker 3>genesis on the TV it added her married name.

0:21:19.600 --> 0:21:24.720
<v Speaker 1>Okay, well congratulations, I think she was still married, so yeah,

0:21:24.760 --> 0:21:25.240
<v Speaker 1>good for her.

0:21:25.840 --> 0:21:28.919
<v Speaker 2>Oh. I love the drama of thinking like she was

0:21:28.960 --> 0:21:32.359
<v Speaker 2>someone like with somebody and they were like she's great,

0:21:32.520 --> 0:21:33.200
<v Speaker 2>like put her back.

0:21:33.320 --> 0:21:36.800
<v Speaker 3>Yeah, maybe she just came to work prepared newer lines

0:21:36.800 --> 0:21:38.359
<v Speaker 3>and they were like, let's just give her the job.

0:21:38.760 --> 0:21:41.800
<v Speaker 2>Fair. But that kept like they kept bringing that character

0:21:42.000 --> 0:21:43.600
<v Speaker 2>back in different characters.

0:21:43.640 --> 0:21:44.760
<v Speaker 1>It's highly confusing.

0:21:45.400 --> 0:21:48.159
<v Speaker 2>Oh right, it's a different character, right because she was

0:21:49.520 --> 0:21:50.080
<v Speaker 2>in college.

0:21:50.640 --> 0:21:53.760
<v Speaker 3>Yeah, she's the same girl. She just works at the

0:21:53.840 --> 0:21:57.600
<v Speaker 3>rose Court. Now she's still your sorority, so she is.

0:21:57.680 --> 0:21:59.960
<v Speaker 3>She just is like in charge of the rose parade

0:22:00.080 --> 0:22:03.080
<v Speaker 3>or what. I thought she was somebody else. Now she's

0:22:03.119 --> 0:22:04.119
<v Speaker 3>the same person.

0:22:04.720 --> 0:22:07.159
<v Speaker 2>Are you sure she didn't play somebody else though.

0:22:07.400 --> 0:22:10.720
<v Speaker 3>Yeah, she's still Leslie Sumner. She was at the Alfa

0:22:10.720 --> 0:22:11.560
<v Speaker 3>House or whatever.

0:22:11.680 --> 0:22:16.639
<v Speaker 1>Okay, it's confusing. Then, Donna, you start looking through the

0:22:16.680 --> 0:22:20.399
<v Speaker 1>old Rose Queen pictures and you find your mother. I

0:22:20.440 --> 0:22:22.480
<v Speaker 1>don't know how you recognize your mom there?

0:22:23.720 --> 0:22:24.600
<v Speaker 2>What's the big deal?

0:22:24.680 --> 0:22:27.639
<v Speaker 1>I'm like, so, why are you upset about it? Because

0:22:27.680 --> 0:22:28.640
<v Speaker 1>she didn't want you to.

0:22:28.560 --> 0:22:30.640
<v Speaker 3>Do it and she didn't tell her?

0:22:31.080 --> 0:22:31.920
<v Speaker 1>Is that why, Donna?

0:22:32.040 --> 0:22:33.480
<v Speaker 2>Is it just because she didn't tell her? I thought

0:22:33.480 --> 0:22:34.720
<v Speaker 2>it was just because she didn't tell her. But do

0:22:34.720 --> 0:22:36.080
<v Speaker 2>you think I guess?

0:22:36.160 --> 0:22:37.840
<v Speaker 1>But I was kind of like, what, it's a little

0:22:37.840 --> 0:22:41.480
<v Speaker 1>overreactory because she should be like, oh my god, my

0:22:41.560 --> 0:22:44.679
<v Speaker 1>mom never told me. Unless I think I remember your

0:22:44.720 --> 0:22:47.680
<v Speaker 1>mom was being kind of a Yoch about you doing it.

0:22:47.800 --> 0:22:48.840
<v Speaker 3>Yes, she is.

0:22:49.520 --> 0:22:51.960
<v Speaker 1>She didn't want you to waste your time or to

0:22:52.040 --> 0:22:55.480
<v Speaker 1>do it. Maybe something bad happened to her there.

0:22:55.560 --> 0:22:57.919
<v Speaker 3>So there's a deep dark secret.

0:22:58.359 --> 0:23:03.520
<v Speaker 1>M we're gonna I just remember the secret.

0:23:03.960 --> 0:23:07.720
<v Speaker 2>I mean, I remember what I have a va.

0:23:09.160 --> 0:23:13.560
<v Speaker 1>I haven't seen y And then Joe walks up and

0:23:13.680 --> 0:23:17.040
<v Speaker 1>he awkwardly puts his hand on your shoulder. It was

0:23:17.119 --> 0:23:18.639
<v Speaker 1>so I'm gonna try to do it to my I

0:23:18.680 --> 0:23:22.200
<v Speaker 1>can't because this is his hands back like so far

0:23:23.600 --> 0:23:26.320
<v Speaker 1>his hand. It was so weird.

0:23:26.320 --> 0:23:28.240
<v Speaker 2>Why I tell you guys. I tell you guys, like

0:23:29.880 --> 0:23:32.000
<v Speaker 2>I know everyone's like Joe Bradley, but.

0:23:31.920 --> 0:23:37.960
<v Speaker 3>There is no I love Joe, but he really you go.

0:23:37.960 --> 0:23:40.080
<v Speaker 2>Tori sarry, A little awkward chemistry.

0:23:40.119 --> 0:23:43.960
<v Speaker 1>It just is awkward, is what my awkward?

0:23:45.240 --> 0:23:48.240
<v Speaker 3>I respectfully disagree, you too feel awkward together.

0:23:48.280 --> 0:23:49.120
<v Speaker 1>I don't know what it is.

0:23:49.560 --> 0:23:53.920
<v Speaker 2>Thank you. And like I said, lovely guy, love Cameron,

0:23:55.480 --> 0:24:01.359
<v Speaker 2>I great actor. I don't know it just chemistry wise

0:24:01.440 --> 0:24:04.400
<v Speaker 2>with actors, I never felt like it was. I always

0:24:04.440 --> 0:24:06.520
<v Speaker 2>felt like we were friends, even when we were playing

0:24:06.720 --> 0:24:09.240
<v Speaker 2>romantic country love interests on cameras.

0:24:09.880 --> 0:24:11.479
<v Speaker 1>He says, he wants you to do what you have

0:24:11.560 --> 0:24:13.600
<v Speaker 1>to do, but he needs to do what he has

0:24:13.680 --> 0:24:17.720
<v Speaker 1>to do, and then he kisses you in the hat.

0:24:17.840 --> 0:24:19.000
<v Speaker 1>I like it sn.

0:24:20.800 --> 0:24:22.919
<v Speaker 3>I just think it's crazy that he drove from Westwood

0:24:22.960 --> 0:24:27.240
<v Speaker 3>to Pasadena to not have lunch with your really far.

0:24:27.400 --> 0:24:30.200
<v Speaker 3>It's really far to not have lunch, Like you can't

0:24:30.200 --> 0:24:33.399
<v Speaker 3>even do anything relactively defensive. I can't.

0:24:33.560 --> 0:24:37.280
<v Speaker 1>Everyone says it's so far. Isn't that that Far'd like

0:24:37.320 --> 0:24:37.720
<v Speaker 1>an hour?

0:24:37.840 --> 0:24:38.880
<v Speaker 2>It really isn't.

0:24:39.160 --> 0:24:41.320
<v Speaker 3>From Westwood to Pasadena could be ninety minutes.

0:24:41.440 --> 0:24:44.000
<v Speaker 1>Yeah, you're one hundred percent right from Westwood at the

0:24:44.040 --> 0:24:45.400
<v Speaker 1>traffic you gotta let.

0:24:45.320 --> 0:24:48.000
<v Speaker 2>Go over cold Water in La could be an hour

0:24:48.040 --> 0:24:49.960
<v Speaker 2>and a half, even if it's fifteen minutes to wait.

0:24:50.240 --> 0:24:52.480
<v Speaker 2>Our traffic is just getting worse and worse and worse

0:24:52.560 --> 0:24:53.159
<v Speaker 2>all times of the.

0:24:53.200 --> 0:24:56.000
<v Speaker 1>Day, so that all time there is no rush hour

0:24:56.040 --> 0:24:58.040
<v Speaker 1>here anymore. It's just always.

0:24:57.760 --> 0:24:59.840
<v Speaker 3>Rush constant, constant.

0:25:00.119 --> 0:25:02.240
<v Speaker 2>You say rush hour to the kids, and they have

0:25:02.359 --> 0:25:03.399
<v Speaker 2>no idea what that means.

0:25:03.640 --> 0:25:06.040
<v Speaker 3>I love Donna and Joe like I think they have.

0:25:06.200 --> 0:25:09.119
<v Speaker 3>We know the beginnings of chemistry. I thought the kiss

0:25:09.200 --> 0:25:12.240
<v Speaker 3>was cute. He's a keeper, so I was just a

0:25:12.359 --> 0:25:14.280
<v Speaker 3>hand for me and in hand.

0:25:14.480 --> 0:25:20.240
<v Speaker 1>The dialogue didn't feel comfortable, like.

0:25:20.160 --> 0:25:22.360
<v Speaker 2>The hand just literally took you down the thing.

0:25:22.960 --> 0:25:24.719
<v Speaker 1>And then and then he doubled down on it. At

0:25:24.760 --> 0:25:26.800
<v Speaker 1>one point he went like he was like this, and.

0:25:26.840 --> 0:25:28.880
<v Speaker 3>He went like that.

0:25:29.800 --> 0:25:32.199
<v Speaker 2>I don't know, you know, he was thinking like I

0:25:32.240 --> 0:25:36.360
<v Speaker 2>was like, get your hands off her.

0:25:37.280 --> 0:25:40.240
<v Speaker 1>You're creepy, hand off her. But he's not creepy at

0:25:40.240 --> 0:25:44.080
<v Speaker 1>all that Now, I'm just sorry that your next boyfriend's

0:25:44.119 --> 0:25:44.760
<v Speaker 1>going to be like Ray.

0:25:44.800 --> 0:25:47.960
<v Speaker 2>I don't know, Amy, do you remember who comes after Joe?

0:25:48.359 --> 0:25:49.840
<v Speaker 1>Why would you try to remember that?

0:25:49.920 --> 0:25:52.919
<v Speaker 3>I remember that because Joe's around for brought it up.

0:25:52.960 --> 0:25:55.280
<v Speaker 2>You just said, I'm just worried that your next boyfriend

0:25:55.359 --> 0:25:57.640
<v Speaker 2>is going to be like Ray after Joe, So.

0:25:57.960 --> 0:25:59.480
<v Speaker 1>I don't want to hear who it is.

0:26:00.040 --> 0:26:04.080
<v Speaker 2>We're not going to tell you, Amy, do you remember, uh?

0:26:04.200 --> 0:26:07.240
<v Speaker 3>Blurally, but Joe's around for a bit, because he's he's

0:26:07.280 --> 0:26:09.119
<v Speaker 3>here all season season.

0:26:09.960 --> 0:26:13.040
<v Speaker 2>Yeah, just this season, Jen, no concerns till next year.

0:26:13.080 --> 0:26:19.920
<v Speaker 1>You're good, Okay, Well he is the quarterback. So you guys,

0:26:19.920 --> 0:26:21.679
<v Speaker 1>the earthquake starts happening now at.

0:26:21.520 --> 0:26:22.320
<v Speaker 2>The Waalsh House.

0:26:22.520 --> 0:26:26.800
<v Speaker 1>It starts shaking and everyone starts clinging onto one another.

0:26:27.960 --> 0:26:30.640
<v Speaker 2>And we talk about this going like this little time.

0:26:31.560 --> 0:26:33.600
<v Speaker 1>Oh, the earthquake starts and everybody shaking.

0:26:34.400 --> 0:26:36.240
<v Speaker 3>No one got under a table, which is what you're

0:26:36.280 --> 0:26:39.040
<v Speaker 3>supposed to do. You're not supposed to go in a doorway.

0:26:39.080 --> 0:26:40.280
<v Speaker 3>They did everything wrong.

0:26:40.359 --> 0:26:42.320
<v Speaker 1>Wait wait, wait, whit wha wha. You're not supposed to

0:26:42.359 --> 0:26:42.919
<v Speaker 1>go in the doorway.

0:26:44.080 --> 0:26:46.639
<v Speaker 3>They've upped that, and now you've got to get under

0:26:46.680 --> 0:26:50.239
<v Speaker 3>something because you're trying to protect your head. Yeah, doorway thing,

0:26:50.280 --> 0:26:52.600
<v Speaker 3>I think was a misnomer. You're supposed to get under

0:26:52.600 --> 0:26:53.160
<v Speaker 3>a table.

0:26:53.480 --> 0:26:55.959
<v Speaker 1>Well, when you have a tornado, you're supposed to get

0:26:56.040 --> 0:26:59.439
<v Speaker 1>under a table or something heavy. Was confused.

0:27:00.280 --> 0:27:03.000
<v Speaker 3>I think a tornado is basement or bathtub or something.

0:27:03.080 --> 0:27:04.359
<v Speaker 3>I don't think a table is going to help you

0:27:04.359 --> 0:27:06.280
<v Speaker 3>in a tornado because it's just gonna fly away. It's

0:27:06.280 --> 0:27:08.960
<v Speaker 3>not securely down. So I think that's why you do

0:27:09.000 --> 0:27:09.520
<v Speaker 3>a bathtub.

0:27:09.640 --> 0:27:12.639
<v Speaker 1>They have consulted with you, I know, have you?

0:27:12.800 --> 0:27:14.240
<v Speaker 3>Have you guys not seen twisters.

0:27:15.320 --> 0:27:18.120
<v Speaker 1>I used to live in tornado alley and no tornadoes.

0:27:19.520 --> 0:27:22.320
<v Speaker 2>Its nervous to see twisters. Could be maybe this is

0:27:22.440 --> 0:27:25.600
<v Speaker 2>just like urban lugend or something the kids heard online.

0:27:25.600 --> 0:27:29.960
<v Speaker 2>But people die during the movie because the ceiling crash.

0:27:30.200 --> 0:27:33.240
<v Speaker 3>People die you mean in the theater or in the movie,

0:27:35.119 --> 0:27:37.119
<v Speaker 3>in the movie people die, I can't tell me.

0:27:39.359 --> 0:27:41.080
<v Speaker 2>Is he just telling me this because the others wanted

0:27:41.119 --> 0:27:42.320
<v Speaker 2>to go see it and he said, we can't go

0:27:42.320 --> 0:27:42.639
<v Speaker 2>see it.

0:27:43.840 --> 0:27:46.960
<v Speaker 3>Yeah, I think so, because obviously they have in some.

0:27:46.920 --> 0:27:49.679
<v Speaker 2>Of the theaters, like it's shapes and it's like when

0:27:49.760 --> 0:27:50.760
<v Speaker 2>something happened.

0:27:51.080 --> 0:27:52.560
<v Speaker 1>Something like fell from the ceiling.

0:27:53.440 --> 0:27:57.080
<v Speaker 3>Yeah, the Oh my god, No no it doesn't. That's

0:27:57.160 --> 0:27:59.919
<v Speaker 3>totally completely made whatever.

0:28:00.040 --> 0:28:07.600
<v Speaker 2>I'm not going there's some interactive experience, say.

0:28:06.320 --> 0:28:09.920
<v Speaker 3>Not at the Maraga Movie Theater where I saw it,

0:28:10.320 --> 0:28:16.880
<v Speaker 3>but no interactive anything. I understand the chair.

0:28:16.960 --> 0:28:20.200
<v Speaker 2>We understand different theaters had different experiences, Like you can

0:28:20.240 --> 0:28:23.199
<v Speaker 2>get like I just said, Deadpool the other day and

0:28:23.240 --> 0:28:25.360
<v Speaker 2>you can do it with three D or in the

0:28:25.359 --> 0:28:27.399
<v Speaker 2>theater without, Like there's different experience.

0:28:27.480 --> 0:28:32.160
<v Speaker 3>That's a different toy than suddenly the theater having shaking.

0:28:32.359 --> 0:28:35.160
<v Speaker 3>That would cost like a lot of money and they'd

0:28:35.160 --> 0:28:36.880
<v Speaker 3>have to come in and install that.

0:28:37.160 --> 0:28:39.680
<v Speaker 1>Okay, yeah, I think she's saying the chairs were shaking.

0:28:39.880 --> 0:28:42.400
<v Speaker 2>There's something like rumbling with the bass.

0:28:42.880 --> 0:28:46.440
<v Speaker 3>But anyway, these people need to get under tables. They're

0:28:46.600 --> 0:28:48.200
<v Speaker 3>all prepared for this earth.

0:28:48.440 --> 0:28:54.640
<v Speaker 4>Can I expect better of, like David, Yeah, but it

0:28:54.800 --> 0:28:57.520
<v Speaker 4>just felt so bizarre to me that they all just

0:28:57.520 --> 0:29:00.440
<v Speaker 4>stood there and hugged each other through the whole quake,

0:29:00.640 --> 0:29:03.440
<v Speaker 4>Like that's not what happens.

0:29:03.640 --> 0:29:06.680
<v Speaker 2>Right, But we got to get them all on camera,

0:29:06.920 --> 0:29:08.760
<v Speaker 2>so you know, we have to do what we had

0:29:08.760 --> 0:29:09.000
<v Speaker 2>to tell.

0:29:09.400 --> 0:29:12.480
<v Speaker 3>And Donna feels nothing in her BMW with her giant

0:29:12.560 --> 0:29:13.200
<v Speaker 3>cell phone.

0:29:13.320 --> 0:29:16.280
<v Speaker 1>She's too busy talking on the phone with some stranger

0:29:16.440 --> 0:29:20.000
<v Speaker 1>in the car seat next to her. Okay, does anybody

0:29:20.080 --> 0:29:23.400
<v Speaker 1>did anyone see this? Because I rewound it like three

0:29:23.400 --> 0:29:26.520
<v Speaker 1>times now? Donna is takes well. First of all, Donna

0:29:26.560 --> 0:29:29.240
<v Speaker 1>takes both hands off the wheel to make the phone

0:29:29.240 --> 0:29:31.560
<v Speaker 1>call for a second, and that panic me. But then

0:29:32.000 --> 0:29:34.160
<v Speaker 1>you say hi Dad, And then all of a sudden

0:29:34.160 --> 0:29:39.120
<v Speaker 1>you see someone in the frame like they're in the Parcy. No,

0:29:39.240 --> 0:29:42.960
<v Speaker 1>a human being, like a hand, a side of a face.

0:29:43.080 --> 0:29:44.040
<v Speaker 1>I don't know what it was.

0:29:44.360 --> 0:29:45.160
<v Speaker 2>Like a crew member.

0:29:45.480 --> 0:29:49.240
<v Speaker 1>It was the camera man holding this handheld camera.

0:29:49.280 --> 0:29:51.840
<v Speaker 2>The way they to that, I didn't catch that.

0:29:52.200 --> 0:29:53.920
<v Speaker 1>You know, they sit next to you and like try

0:29:53.960 --> 0:29:56.200
<v Speaker 1>to hold the camera. Well, you're actually driving the car.

0:29:56.400 --> 0:29:59.440
<v Speaker 1>It's not easy for that guy. And he was in

0:29:59.480 --> 0:30:02.600
<v Speaker 1>the frame. Why because there was was there another camera

0:30:02.720 --> 0:30:05.400
<v Speaker 1>filming that. I am so.

0:30:05.400 --> 0:30:08.400
<v Speaker 2>Confused, so confused, but I want to see this.

0:30:09.280 --> 0:30:13.080
<v Speaker 3>I just love that she's like on that giant phone, Daddy, Daddy,

0:30:13.240 --> 0:30:17.560
<v Speaker 3>because I felt like, of course you call your dad

0:30:17.560 --> 0:30:21.680
<v Speaker 3>on the show, daddy, because you called your dad daddy. Yeah,

0:30:21.720 --> 0:30:24.080
<v Speaker 3>So I was like, oh, you're like, daddy, I can't

0:30:24.080 --> 0:30:24.520
<v Speaker 3>hear you.

0:30:25.200 --> 0:30:26.840
<v Speaker 1>I don't know. But she didn't hear it, she didn't

0:30:26.840 --> 0:30:29.920
<v Speaker 1>feel it. That's lucky. I think it's your lucky to

0:30:29.920 --> 0:30:34.360
<v Speaker 1>be driving, yeah, during an earthquake, right, because the rubber

0:30:35.280 --> 0:30:41.040
<v Speaker 1>wheels are tires sort of lessen the shake from the quake.

0:30:41.280 --> 0:30:41.680
<v Speaker 2>I don't know.

0:30:53.560 --> 0:30:57.120
<v Speaker 1>Brandon and Susan are trapped in an elevator, you guys

0:30:57.120 --> 0:31:00.640
<v Speaker 1>with the pregnant lady. That's then or water breaks because

0:31:01.000 --> 0:31:03.960
<v Speaker 1>she's probably freaking out in there. They're trapped. And have

0:31:04.040 --> 0:31:05.480
<v Speaker 1>you ever been trapped in an elevator?

0:31:05.840 --> 0:31:06.280
<v Speaker 2>Yes? I have.

0:31:06.440 --> 0:31:10.040
<v Speaker 3>I don't go on elevators because I one time. First

0:31:10.080 --> 0:31:11.880
<v Speaker 3>of all, I don't go on them, and one time

0:31:11.920 --> 0:31:14.840
<v Speaker 3>I did get stuck and I didn't really go on them,

0:31:14.840 --> 0:31:16.240
<v Speaker 3>and now I really don't go on them.

0:31:16.280 --> 0:31:19.719
<v Speaker 1>So you've both been stuck in an elevator, yes, that's scary.

0:31:21.240 --> 0:31:23.320
<v Speaker 1>Can you tell me when and where and why and

0:31:23.440 --> 0:31:26.320
<v Speaker 1>how I blocked it out? You all things? When, where,

0:31:26.480 --> 0:31:27.120
<v Speaker 1>why and how.

0:31:28.000 --> 0:31:32.040
<v Speaker 2>I was living at my second apartment building, the Wilshire

0:31:34.160 --> 0:31:38.600
<v Speaker 2>and there were elevators that took everyone down, and I

0:31:38.720 --> 0:31:41.640
<v Speaker 2>was going to meet my friends for dinner. And I

0:31:41.720 --> 0:31:44.040
<v Speaker 2>remember they were like, hurr, yup, hurry up, you got

0:31:44.120 --> 0:31:46.200
<v Speaker 2>to get here. Jennifer Aniston's here. And I was like,

0:31:46.600 --> 0:31:49.600
<v Speaker 2>what it and like, you know, and I feel like

0:31:49.640 --> 0:31:51.880
<v Speaker 2>it was like in it was far it was We

0:31:51.920 --> 0:31:55.720
<v Speaker 2>lived in Westwood, not as far as Pasadena, but kind

0:31:55.720 --> 0:31:57.800
<v Speaker 2>of where was that area? It was Mexican, you know

0:31:58.720 --> 0:32:02.360
<v Speaker 2>that you would go it was like Overly, which in

0:32:02.400 --> 0:32:04.480
<v Speaker 2>the nineties like was just coming up. So if you

0:32:04.520 --> 0:32:06.920
<v Speaker 2>lived in like Beverly Hills or Westwood, you were like

0:32:07.920 --> 0:32:10.400
<v Speaker 2>and I was meeting and like of course, like I

0:32:10.520 --> 0:32:12.920
<v Speaker 2>was like the Westwood Beverly Hills girl, and like Kathleen

0:32:13.000 --> 0:32:14.600
<v Speaker 2>was all the Silver Lake girl and she was like,

0:32:14.800 --> 0:32:18.680
<v Speaker 2>come here and meet and our other friends. And anyway,

0:32:18.720 --> 0:32:20.480
<v Speaker 2>I got stuck in my elevators there for an hour.

0:32:20.720 --> 0:32:22.719
<v Speaker 2>I got there, but Jenniferanison was gone by then.

0:32:23.400 --> 0:32:25.520
<v Speaker 1>Wait were you scared though, or were you just like, well,

0:32:25.520 --> 0:32:26.239
<v Speaker 1>this is you know what.

0:32:26.360 --> 0:32:30.480
<v Speaker 2>I wasn't scared. That is shock very typical me. I

0:32:30.600 --> 0:32:32.600
<v Speaker 2>was like, this is going to be a great story.

0:32:32.680 --> 0:32:36.040
<v Speaker 2>Look at this. Of course this happens to me. Yeah,

0:32:36.040 --> 0:32:36.600
<v Speaker 2>why would you guys?

0:32:36.600 --> 0:32:39.920
<v Speaker 3>See Jennifer Garner get stuck in that elevator. It's pretty hilarious.

0:32:40.000 --> 0:32:43.880
<v Speaker 2>Yeah, that's really good. I mean not good, but it's really.

0:32:43.920 --> 0:32:46.160
<v Speaker 3>It's really good. Yeah, he was stuck for she was

0:32:46.160 --> 0:32:50.040
<v Speaker 3>stuck for over an hour. Yeah, at Comic Con or something.

0:32:50.200 --> 0:32:51.520
<v Speaker 1>Yeah, aw, oh my god.

0:32:52.840 --> 0:32:53.400
<v Speaker 2>Yeah.

0:32:53.720 --> 0:32:56.239
<v Speaker 3>Anyway, No, I don't like elevators, and I haven't been

0:32:56.240 --> 0:32:58.160
<v Speaker 3>in an elevator since twenty eighteen.

0:32:58.480 --> 0:33:00.840
<v Speaker 2>We had fours Like, I don't even know how you

0:33:00.880 --> 0:33:04.160
<v Speaker 2>get places? Like, you don't fly, you don't go in elevators?

0:33:04.200 --> 0:33:06.400
<v Speaker 3>What do you? How is this?

0:33:07.280 --> 0:33:09.200
<v Speaker 2>What else? What else do you not do?

0:33:10.720 --> 0:33:11.240
<v Speaker 3>Drugs?

0:33:11.760 --> 0:33:12.080
<v Speaker 2>Right?

0:33:12.480 --> 0:33:13.920
<v Speaker 1>You don't drink, you don't smoke?

0:33:14.000 --> 0:33:14.760
<v Speaker 2>What do you drink?

0:33:15.200 --> 0:33:18.360
<v Speaker 3>Smoke? Carbs? I eat carbs?

0:33:20.240 --> 0:33:20.440
<v Speaker 4>Guy?

0:33:20.520 --> 0:33:24.320
<v Speaker 2>She does like business? Why she like does everything? Runs everything.

0:33:24.400 --> 0:33:27.800
<v Speaker 2>I just don't know how she physically gets places, that's

0:33:27.880 --> 0:33:28.240
<v Speaker 2>the thing.

0:33:29.280 --> 0:33:30.120
<v Speaker 1>Automobile.

0:33:30.840 --> 0:33:33.560
<v Speaker 2>She doesn't go on elevators Like this is just a

0:33:33.600 --> 0:33:35.080
<v Speaker 2>whole added level it's.

0:33:35.000 --> 0:33:36.560
<v Speaker 3>Pretty easy to avoid elevators.

0:33:36.640 --> 0:33:38.640
<v Speaker 1>I don't like taking elevators either. I just don't take

0:33:38.680 --> 0:33:41.160
<v Speaker 1>them because I want to walk the stairs. A need exercise.

0:33:41.480 --> 0:33:45.280
<v Speaker 3>Yeah, it's it's pretty easy to avoid them. Escalators.

0:33:45.280 --> 0:33:46.760
<v Speaker 2>Are you okay with those? Yeah?

0:33:46.960 --> 0:33:49.520
<v Speaker 3>I'll even do those rolling things like at the airport.

0:33:49.600 --> 0:33:50.600
<v Speaker 3>I don't go to the airport.

0:33:50.640 --> 0:33:54.400
<v Speaker 1>But you are a risk taker escalator.

0:33:54.480 --> 0:33:58.920
<v Speaker 3>No problem is that Weirdly, I drive a boat by myself, like,

0:33:59.480 --> 0:34:02.560
<v Speaker 3>which is so like it's yeah, it's like it doesn't

0:34:02.560 --> 0:34:04.320
<v Speaker 3>make sense because most people are like that would be

0:34:04.480 --> 0:34:05.160
<v Speaker 3>you're so.

0:34:05.560 --> 0:34:08.000
<v Speaker 1>Scaredy cat, you're a badass.

0:34:07.960 --> 0:34:10.600
<v Speaker 2>And I know, but I just there's certain irrational fears,

0:34:10.640 --> 0:34:12.480
<v Speaker 2>like you're just irrational.

0:34:12.800 --> 0:34:17.160
<v Speaker 1>Okay, So wait, you guys, Brandon delivered a baby. What

0:34:17.360 --> 0:34:20.759
<v Speaker 1>I was really curious, like, why wasn't Susan at that

0:34:20.960 --> 0:34:25.759
<v Speaker 1>end and Brandon was up there petting her head?

0:34:27.960 --> 0:34:32.320
<v Speaker 3>Why he was more skilled at delivering babies? But do

0:34:32.360 --> 0:34:36.399
<v Speaker 3>you want to know the star laugh so hard, like actually.

0:34:36.200 --> 0:34:38.280
<v Speaker 1>Laughed so hard that he was sweaty.

0:34:39.560 --> 0:34:42.560
<v Speaker 3>Yes, that for sure, he was sweaty, like he'd run

0:34:42.840 --> 0:34:47.640
<v Speaker 3>a marathon. But funnier is when they're stuck and Susan's

0:34:47.680 --> 0:34:49.600
<v Speaker 3>trying is her name Susan? Why is her name sound

0:34:49.640 --> 0:34:52.160
<v Speaker 3>weird to me? Susan's trying to calm the pregnant lady,

0:34:52.200 --> 0:34:54.600
<v Speaker 3>and she's like, maybe they just need to reboot the

0:34:54.680 --> 0:34:58.239
<v Speaker 3>elevator computer. And he's like elevator computer like looking at

0:34:58.239 --> 0:34:59.799
<v Speaker 3>her like and she's all, I don't know. And then

0:34:59.840 --> 0:35:02.040
<v Speaker 3>the the guy the Voice of God comes on and

0:35:02.080 --> 0:35:05.440
<v Speaker 3>he's like, we gotta reboot that computer.

0:35:06.040 --> 0:35:09.040
<v Speaker 1>And she's like, see, she should have been the one

0:35:09.080 --> 0:35:11.359
<v Speaker 1>delivering the baby. That's all I have to say about it.

0:35:11.440 --> 0:35:13.600
<v Speaker 3>And then they're so in love after and he's like,

0:35:13.640 --> 0:35:16.000
<v Speaker 3>do you ever think we'll do that again? Like what,

0:35:16.239 --> 0:35:17.480
<v Speaker 3>Brandon have a baby?

0:35:17.560 --> 0:35:18.080
<v Speaker 2>Yeah?

0:35:18.120 --> 0:35:20.360
<v Speaker 3>I don't know, but it was so good. It was

0:35:20.560 --> 0:35:23.800
<v Speaker 3>so good, baby Brandon.

0:35:25.360 --> 0:35:28.560
<v Speaker 1>He'd probably wear those same big fat, ugly sneakers with

0:35:29.360 --> 0:35:32.400
<v Speaker 1>a like knee high jim shorts.

0:35:32.560 --> 0:35:33.480
<v Speaker 2>It's very in then.

0:35:36.640 --> 0:35:39.520
<v Speaker 1>And then also the other thing about the earthquake at

0:35:39.600 --> 0:35:44.759
<v Speaker 1>Dylan's house, they're they're they're putting unbroken glasses back in

0:35:44.840 --> 0:35:49.240
<v Speaker 1>the cabinet, like nothing broke when it fell fifteen feet

0:35:49.280 --> 0:35:51.120
<v Speaker 1>onto the ground in the earthquake.

0:35:51.680 --> 0:35:53.759
<v Speaker 2>I don't care about being right, but I do like

0:35:53.840 --> 0:35:59.120
<v Speaker 2>to win, and I am competitive for DX Twisters movie

0:35:59.160 --> 0:36:01.799
<v Speaker 2>tickets and showtime. I'm at theaters. According to the Regal

0:36:02.040 --> 0:36:07.720
<v Speaker 2>Cinema's announcement, yeah, the chairs move, okay.

0:36:08.200 --> 0:36:13.040
<v Speaker 1>I believe that she was saying that the the real

0:36:13.200 --> 0:36:16.839
<v Speaker 1>the building doesn't shake. I think that was shape.

0:36:16.880 --> 0:36:19.400
<v Speaker 2>But there's an interactive.

0:36:18.600 --> 0:36:23.520
<v Speaker 1>You can go to that. I don't want to do that.

0:36:23.520 --> 0:36:27.680
<v Speaker 1>That's feel so much better.

0:36:31.440 --> 0:36:32.000
<v Speaker 2>Accomplished.

0:36:34.120 --> 0:36:36.719
<v Speaker 1>Bruno calls to make sure that Tony is okay after

0:36:36.760 --> 0:36:39.239
<v Speaker 1>the earthquake, and that's where she tells him that she's

0:36:39.280 --> 0:36:41.560
<v Speaker 1>gonna marry Dylan. All of a sudden, they've just gotten

0:36:41.600 --> 0:36:44.120
<v Speaker 1>engaged right there on the floor in front of the

0:36:44.280 --> 0:36:48.160
<v Speaker 1>ugly Futon and now they're going to start telling everybody

0:36:48.360 --> 0:36:51.000
<v Speaker 1>left and right on the same exact day.

0:36:51.719 --> 0:36:56.680
<v Speaker 2>He's not bitter at all, though. Nope, nope, I don't

0:36:56.760 --> 0:36:57.600
<v Speaker 2>know about that.

0:36:57.680 --> 0:37:00.320
<v Speaker 1>I feel like they should maybe just wait a second

0:37:00.560 --> 0:37:03.239
<v Speaker 1>and have like maybe a dinner or be a little

0:37:03.280 --> 0:37:04.480
<v Speaker 1>more thoughtful about.

0:37:04.280 --> 0:37:07.000
<v Speaker 3>There's no time because they have like one episode.

0:37:06.400 --> 0:37:12.839
<v Speaker 1>Telling people, oh my god, Amy, what are you talking about?

0:37:13.120 --> 0:37:16.799
<v Speaker 2>Nothing? You heard nothing? Move on?

0:37:18.440 --> 0:37:22.400
<v Speaker 1>Okay, do you guys? I want to go back to

0:37:22.440 --> 0:37:23.799
<v Speaker 1>the Walls House because it's.

0:37:23.760 --> 0:37:24.480
<v Speaker 2>Not really is this.

0:37:26.719 --> 0:37:28.960
<v Speaker 1>Where, Oh they're going to have us sleepover.

0:37:29.880 --> 0:37:32.799
<v Speaker 3>It's gonna be a part earthquake party earthquake party, which

0:37:32.880 --> 0:37:33.200
<v Speaker 3>kind of.

0:37:33.120 --> 0:37:36.560
<v Speaker 1>Sounds fun and I like the idea. Yeah, i'd be

0:37:36.600 --> 0:37:38.360
<v Speaker 1>into going to that if I was their age.

0:37:39.520 --> 0:37:41.920
<v Speaker 3>But I can let eat some of that leftover eggs salad.

0:37:42.080 --> 0:37:44.600
<v Speaker 1>Yeah, they'll have that for days.

0:37:44.320 --> 0:37:48.840
<v Speaker 2>It's the better it is older, and yeah, ew.

0:37:48.840 --> 0:37:52.200
<v Speaker 3>I love like calling the hotel and like they're like,

0:37:53.000 --> 0:37:55.440
<v Speaker 3>we can't reach them, so they must be fine. Little

0:37:55.440 --> 0:37:57.960
<v Speaker 3>do they know they're stuck in an elevator delivering a baby.

0:37:57.960 --> 0:37:59.480
<v Speaker 3>But they're like, I don't know, I couldn't reach them.

0:37:59.480 --> 0:38:02.880
<v Speaker 1>They're probably, oh, yeah, there was just a giant earthquake.

0:38:03.440 --> 0:38:09.120
<v Speaker 1>They're so lave fair about Brandon. Yeah, and Colin come over.

0:38:09.280 --> 0:38:13.839
<v Speaker 1>And then Kelly warns David again at nauseum. It's all

0:38:13.840 --> 0:38:16.880
<v Speaker 1>she does is warn people about things. Because I don't know,

0:38:16.960 --> 0:38:18.280
<v Speaker 1>is she like a psychic.

0:38:17.960 --> 0:38:20.560
<v Speaker 2>Or she's always right though she's always greight. Isn't that

0:38:20.640 --> 0:38:23.040
<v Speaker 2>nice she warns people? I guess it's her.

0:38:23.680 --> 0:38:27.720
<v Speaker 1>It's very similar to me. It's very very hard to

0:38:27.760 --> 0:38:31.399
<v Speaker 1>hold back my wanting to help people or like guide

0:38:31.440 --> 0:38:34.399
<v Speaker 1>them or save them from a mistake, and it's very

0:38:34.400 --> 0:38:37.080
<v Speaker 1>hard for me to not do that sometimes, so I

0:38:37.160 --> 0:38:41.080
<v Speaker 1>understand Kelly's just trying to help, but it always comes

0:38:41.080 --> 0:38:48.040
<v Speaker 1>off as a little like twirpy but her criticism vs

0:38:48.120 --> 0:38:49.600
<v Speaker 1>being a torp, like like a.

0:38:50.640 --> 0:38:55.120
<v Speaker 3>Maybe but like Valerie is kind of bad news, like

0:38:55.160 --> 0:38:56.120
<v Speaker 3>we have a lot.

0:38:55.960 --> 0:38:59.680
<v Speaker 2>Of perfectly Vale David. Yeah, it's factual at this point.

0:38:59.840 --> 0:39:02.040
<v Speaker 1>I know, I'm sorry, but they look happy. I've never

0:39:02.080 --> 0:39:05.719
<v Speaker 1>seen either of them this happy and comfortable. A lot

0:39:06.520 --> 0:39:10.680
<v Speaker 1>makes U so much sense because their real life loved.

0:39:10.520 --> 0:39:13.120
<v Speaker 3>Having that back right now you are right now.

0:39:13.160 --> 0:39:15.600
<v Speaker 2>I feel you didn't see David this happy with Donna.

0:39:16.640 --> 0:39:19.600
<v Speaker 1>I didn't honestly, because he wanted to have you know

0:39:19.680 --> 0:39:21.680
<v Speaker 1>what with her, and.

0:39:23.200 --> 0:39:25.160
<v Speaker 2>You could be happy with someone with that whoo woo.

0:39:25.719 --> 0:39:28.759
<v Speaker 1>But it doesn't matter because David shuts her down and

0:39:29.000 --> 0:39:32.160
<v Speaker 1>she says okay. Then we go back to therapy and yeah,

0:39:32.200 --> 0:39:35.919
<v Speaker 1>it's weird, and I just wanted to see him come

0:39:36.000 --> 0:39:38.799
<v Speaker 1>back into the room and some real therapy happen, but

0:39:39.560 --> 0:39:43.600
<v Speaker 1>no such luck. Donna tells the gang that her she

0:39:43.680 --> 0:39:48.000
<v Speaker 1>gets there from her long long car ride from Pasadena

0:39:48.040 --> 0:39:51.799
<v Speaker 1>to Alta Dina, which is, well, you were in Pasadena

0:39:52.160 --> 0:39:54.839
<v Speaker 1>and then you went to Beverly Hills also known as

0:39:54.960 --> 0:39:59.000
<v Speaker 1>Alta Dina, which is five minutes away. Yeah, and she

0:39:59.120 --> 0:40:02.040
<v Speaker 1>tells the gang that her mom was in the rose

0:40:02.080 --> 0:40:06.759
<v Speaker 1>Court and I don't know why the buddy's upset with that.

0:40:07.120 --> 0:40:10.439
<v Speaker 1>And then Dylan and Tony come over and just up

0:40:10.480 --> 0:40:14.360
<v Speaker 1>and announced to the whole gang as they all magically

0:40:14.480 --> 0:40:17.799
<v Speaker 1>rifle past them and into a beautiful group shot of

0:40:17.840 --> 0:40:21.760
<v Speaker 1>like two four, six, eight people, six people, they all

0:40:21.840 --> 0:40:24.879
<v Speaker 1>eight people. They just all magically sit on that edge

0:40:24.880 --> 0:40:27.840
<v Speaker 1>of the couch like perfect. It's so weird.

0:40:28.160 --> 0:40:29.960
<v Speaker 2>I know, it's so cute, you guys. I got it.

0:40:30.200 --> 0:40:36.080
<v Speaker 2>I got the Punkasa cat house. Okay, another word for

0:40:36.120 --> 0:40:37.000
<v Speaker 2>a brothel.

0:40:37.560 --> 0:40:40.120
<v Speaker 3>Cossa cat back from twenty minutes ago. But that is

0:40:40.200 --> 0:40:41.680
<v Speaker 3>totally fine.

0:40:42.360 --> 0:40:43.319
<v Speaker 1>You gotta give her some time.

0:40:43.360 --> 0:40:44.560
<v Speaker 2>You got to bring it back around.

0:40:44.719 --> 0:40:47.400
<v Speaker 3>Yeah, it's totally fine. Cossa bunny house was totally bunny

0:40:47.440 --> 0:40:51.040
<v Speaker 3>ranch felt good to me, but cathouse good. Just see

0:40:51.080 --> 0:40:53.600
<v Speaker 3>you see they did film a porn there too, so

0:40:53.719 --> 0:40:56.760
<v Speaker 3>like it really has gotten to be very.

0:40:57.920 --> 0:41:01.000
<v Speaker 1>Overtly sexual over there is I don't want to hang

0:41:01.040 --> 0:41:04.479
<v Speaker 1>out there. I gotta be honest. It feels dirty, dirty, and.

0:41:05.640 --> 0:41:07.160
<v Speaker 2>If you had one of those lights, you would be

0:41:07.200 --> 0:41:09.640
<v Speaker 2>doing that pasta cat house.

0:41:09.680 --> 0:41:11.400
<v Speaker 3>You didn't go from a nice home to sort of

0:41:11.400 --> 0:41:13.239
<v Speaker 3>a Here's.

0:41:13.000 --> 0:41:18.279
<v Speaker 1>What I don't understand. Claire and Steve were just in

0:41:18.360 --> 0:41:23.920
<v Speaker 1>there making silent whoopee what everyone called it up against

0:41:23.960 --> 0:41:27.640
<v Speaker 1>the bookcase, and then Dylan and Tony walk in, and

0:41:27.680 --> 0:41:29.920
<v Speaker 1>then all of a sudden, everybody else walks into the

0:41:31.360 --> 0:41:34.239
<v Speaker 1>to the living room. But why is Claire holding that

0:41:34.280 --> 0:41:37.480
<v Speaker 1>pillow like that? I don't know.

0:41:37.560 --> 0:41:39.640
<v Speaker 3>It just felt so weird, was the pillow. But the

0:41:39.680 --> 0:41:41.960
<v Speaker 3>whole thing was just like weird, And like, did you

0:41:42.000 --> 0:41:45.680
<v Speaker 3>notice when Colin tells you like you did good? That

0:41:45.760 --> 0:41:51.080
<v Speaker 3>must have been it did good? Right? He obviously knows,

0:41:51.080 --> 0:41:53.240
<v Speaker 3>but like she thought was sort of nice. But also.

0:41:54.960 --> 0:41:56.879
<v Speaker 2>I liked him in this episode.

0:41:57.600 --> 0:41:59.720
<v Speaker 3>Yeah, he wasn't bad. I sort of liked the Freddy

0:41:59.800 --> 0:42:01.600
<v Speaker 3>cat guy too, because he's so.

0:42:01.560 --> 0:42:06.560
<v Speaker 1>Scared, made him a little set of people so cocky. Yeah,

0:42:06.640 --> 0:42:08.560
<v Speaker 1>everybody has to go to the peach pit though, because

0:42:09.080 --> 0:42:11.560
<v Speaker 1>apparently all the dishes broke at Gnats.

0:42:11.560 --> 0:42:13.080
<v Speaker 3>At the peach pit hacked in.

0:42:13.000 --> 0:42:16.000
<v Speaker 1>There and they really need some more hands on the

0:42:16.040 --> 0:42:17.359
<v Speaker 1>ground because the dish is.

0:42:17.320 --> 0:42:21.640
<v Speaker 3>Weird, so weird. When Joe comes in and Donna's like, oh,

0:42:21.640 --> 0:42:24.160
<v Speaker 3>it's really busy, but I'll get you a table, like

0:42:24.239 --> 0:42:26.440
<v Speaker 3>what Like that was so weird. I'm like, you're not

0:42:26.480 --> 0:42:29.200
<v Speaker 3>going to hang out with him, and like she's busy,

0:42:29.360 --> 0:42:34.000
<v Speaker 3>she's working. Yeah, that was weird.

0:42:35.280 --> 0:42:42.080
<v Speaker 1>Out back, that's when Kelly confronts Dylan about the engagement

0:42:42.520 --> 0:42:47.239
<v Speaker 1>and how he hurt her feelings, which I don't really

0:42:47.280 --> 0:42:49.839
<v Speaker 1>think he was thinking about. He's happy and he's moved on,

0:42:49.920 --> 0:42:52.320
<v Speaker 1>so why is she I don't know.

0:42:53.360 --> 0:42:54.400
<v Speaker 3>I think he understood.

0:42:56.600 --> 0:42:59.279
<v Speaker 1>I felt like it was a genuine, nice conversation that

0:42:59.320 --> 0:43:01.759
<v Speaker 1>people wouldn't normally have. But I thought I was proud

0:43:01.800 --> 0:43:02.839
<v Speaker 1>of them for having it.

0:43:04.440 --> 0:43:06.560
<v Speaker 3>Maybe there's two soulmates and all it made me think

0:43:06.719 --> 0:43:08.120
<v Speaker 3>was season ten.

0:43:08.280 --> 0:43:11.120
<v Speaker 1>I was like, oh, okay, I have no idea what

0:43:11.160 --> 0:43:11.879
<v Speaker 1>you're talking about.

0:43:11.920 --> 0:43:13.880
<v Speaker 3>You're fine, don't worry about it. Worry about it in

0:43:13.920 --> 0:43:14.880
<v Speaker 3>a couple of years.

0:43:15.640 --> 0:43:16.719
<v Speaker 2>Yeah, it was rough.

0:43:16.760 --> 0:43:18.160
<v Speaker 1>That was scene was good. It was rough.

0:43:18.239 --> 0:43:20.680
<v Speaker 3>It's a good scene. That is a good scene. And

0:43:20.760 --> 0:43:23.480
<v Speaker 3>Colin's like, so fine with you just going out to

0:43:23.560 --> 0:43:27.280
<v Speaker 3>the back driveway slash garbage.

0:43:27.400 --> 0:43:32.400
<v Speaker 1>Well, just like earlier when Val Kelly are cutting eggs together.

0:43:32.520 --> 0:43:34.200
<v Speaker 1>Whatever the hell they were doing in the kitchen, side

0:43:34.200 --> 0:43:36.600
<v Speaker 1>by side, working in harmony. I don't understand that either.

0:43:37.560 --> 0:43:40.040
<v Speaker 1>Then Colin goes outside because he's too scared to be

0:43:40.080 --> 0:43:42.719
<v Speaker 1>in the house, and he goes out there with val.

0:43:42.880 --> 0:43:45.680
<v Speaker 1>I'm sure I didn't believe that that. I don't know.

0:43:47.040 --> 0:43:51.240
<v Speaker 1>I'm just not believing a lot today. Anyway.

0:43:51.440 --> 0:43:53.760
<v Speaker 2>You just have to go with it. It's TV land.

0:43:54.560 --> 0:43:58.360
<v Speaker 1>After that, you go home with Joe. He takes you

0:43:58.440 --> 0:44:01.440
<v Speaker 1>home and then raise there and he throws a hammer

0:44:01.480 --> 0:44:02.040
<v Speaker 1>through the door.

0:44:02.320 --> 0:44:04.880
<v Speaker 2>That was crazy happening.

0:44:05.120 --> 0:44:06.120
<v Speaker 3>This is not funny.

0:44:06.840 --> 0:44:08.680
<v Speaker 1>He didn't he didn't even like throw it. He kind

0:44:08.680 --> 0:44:09.600
<v Speaker 1>of just like flung it.

0:44:09.880 --> 0:44:13.600
<v Speaker 2>Earthquake weather it makes people do crazy things things.

0:44:14.239 --> 0:44:16.799
<v Speaker 1>It's like to be hugged and held by Joe to

0:44:16.840 --> 0:44:19.680
<v Speaker 1>feel better. Hu, it's maining mad?

0:44:20.400 --> 0:44:22.879
<v Speaker 2>What specifically which partickure out?

0:44:22.880 --> 0:44:25.360
<v Speaker 3>How the window was boarded up and then the hammer

0:44:25.400 --> 0:44:28.560
<v Speaker 3>went through it. I was like, you guys are so literal.

0:44:28.640 --> 0:44:32.760
<v Speaker 1>Oh no, I was upset that Donna. This hur scared

0:44:32.800 --> 0:44:36.960
<v Speaker 1>her obviously, but then she has to go be hugged

0:44:37.000 --> 0:44:39.840
<v Speaker 1>by Joe to feel better like that. For me, he

0:44:40.000 --> 0:44:43.239
<v Speaker 1>just fires me up, Like I understand you don't need

0:44:43.239 --> 0:44:46.600
<v Speaker 1>that hug. Come on, girl, I get it that you

0:44:46.640 --> 0:44:48.080
<v Speaker 1>want the best for her and you want her to

0:44:48.239 --> 0:44:51.399
<v Speaker 1>know that she'sng and she's got this. She doesn't need

0:44:51.440 --> 0:44:52.759
<v Speaker 1>this guy to help her, That's what.

0:44:53.239 --> 0:44:55.960
<v Speaker 2>And as her best friend, Yes, you are right. It

0:44:56.000 --> 0:44:58.759
<v Speaker 2>does feel nice in the moment when someone gives you

0:44:58.800 --> 0:44:59.600
<v Speaker 2>a hug sometimes.

0:44:59.760 --> 0:45:03.480
<v Speaker 1>Wait, we have to talk really quickly. You're a hugger.

0:45:04.719 --> 0:45:09.960
<v Speaker 1>Talk about Tony Marchett's when he gives for sperience the

0:45:09.960 --> 0:45:13.760
<v Speaker 1>Bible to his daughter. He looks like he is going

0:45:13.800 --> 0:45:16.040
<v Speaker 1>to kill someone in that scene, and I was terrified

0:45:16.080 --> 0:45:21.240
<v Speaker 1>of him, Like his guys are just you're sing well played.

0:45:22.520 --> 0:45:25.360
<v Speaker 3>He wants to kill somebody and his name is Dylan.

0:45:25.600 --> 0:45:26.960
<v Speaker 1>He put a hit out on him.

0:45:27.560 --> 0:45:33.319
<v Speaker 3>Yeah, it's gnarly. Wait till you see what happens. Oh gosh, yeah,

0:45:33.680 --> 0:45:34.640
<v Speaker 3>be ready, it's narly.

0:45:34.920 --> 0:45:37.840
<v Speaker 1>But also before that, Donna doesn't want to go to

0:45:37.920 --> 0:45:41.719
<v Speaker 1>lunch with her mom because she's so so hard dramatic.

0:45:43.480 --> 0:45:45.680
<v Speaker 1>And then police tells her husband she's not ready to

0:45:45.719 --> 0:45:48.480
<v Speaker 1>tell Donna the truth and then she says, damn it,

0:45:49.719 --> 0:45:52.680
<v Speaker 1>that was my favorite particle show and she was damn it.

0:45:53.840 --> 0:45:57.439
<v Speaker 2>Wait, what do you think is going. Okay, let's play

0:45:57.440 --> 0:45:59.439
<v Speaker 2>this game. What do you think the truth is going

0:45:59.480 --> 0:45:59.680
<v Speaker 2>to be?

0:46:00.080 --> 0:46:02.279
<v Speaker 1>But you know, so this isn't even a fun game

0:46:02.360 --> 0:46:03.279
<v Speaker 1>because you already know it.

0:46:04.760 --> 0:46:07.960
<v Speaker 2>Do you want to shock her? I don't. I don't know,

0:46:08.640 --> 0:46:14.400
<v Speaker 2>no idea, what what's going to happen? Yeah, it's just

0:46:14.440 --> 0:46:16.200
<v Speaker 2>for stakes sake and moving that so long.

0:46:17.719 --> 0:46:20.840
<v Speaker 1>Yeah, like I'll remember that next time you say you

0:46:20.880 --> 0:46:22.200
<v Speaker 1>remember think it is Jenny.

0:46:22.239 --> 0:46:24.720
<v Speaker 3>Yeah, take a guess what you think is drama.

0:46:24.880 --> 0:46:26.959
<v Speaker 2>Let's all guess except name me. She knows I won't

0:46:26.960 --> 0:46:27.359
<v Speaker 2>play it.

0:46:27.880 --> 0:46:34.080
<v Speaker 1>Maybe she was the Rose Queen and the Rose King

0:46:34.920 --> 0:46:35.800
<v Speaker 1>is really your father?

0:46:36.480 --> 0:46:43.840
<v Speaker 2>Hmmm No, Or it's like an all about even moment.

0:46:44.520 --> 0:46:48.720
<v Speaker 2>And she took out like Nancy Kergan, like Tanya Harding.

0:46:49.440 --> 0:46:51.839
<v Speaker 3>She like like.

0:46:53.320 --> 0:46:56.560
<v Speaker 2>Took over and that's why she became Rose Queen because

0:46:56.560 --> 0:47:00.399
<v Speaker 2>there was someone else and she cheated. She she did,

0:47:01.000 --> 0:47:05.240
<v Speaker 2>she like took over her life. She like did everything.

0:47:05.320 --> 0:47:09.640
<v Speaker 2>I'm sorry, you know I was creat horror creepy like

0:47:09.719 --> 0:47:13.919
<v Speaker 2>you know, ah, wow, she didn't do the fair thing.

0:47:14.560 --> 0:47:17.240
<v Speaker 2>She'd like, do you guys believe in karma?

0:47:17.560 --> 0:47:17.719
<v Speaker 1>Yes?

0:47:17.880 --> 0:47:21.000
<v Speaker 2>Worse, oh my god, yes, maybe she didn't do the

0:47:21.040 --> 0:47:21.359
<v Speaker 2>right thing.

0:47:21.440 --> 0:47:23.360
<v Speaker 1>Something bad she did something bad.

0:47:23.680 --> 0:47:24.040
<v Speaker 3>I don't know.

0:47:26.280 --> 0:47:27.400
<v Speaker 2>It wasn't genuine.

0:47:28.520 --> 0:47:31.279
<v Speaker 1>Let's see, let's see, well, we shall see, and we

0:47:31.320 --> 0:47:35.359
<v Speaker 1>shall also see what happens now that they are going

0:47:35.400 --> 0:47:36.040
<v Speaker 1>to kill Dylan.

0:47:38.680 --> 0:47:43.040
<v Speaker 3>It's not good. It's not good. Just letting you know

0:47:43.080 --> 0:47:43.680
<v Speaker 3>it's not good.

0:47:43.760 --> 0:47:45.800
<v Speaker 2>But I have a question. When you put out a

0:47:45.880 --> 0:47:48.320
<v Speaker 2>hit on someone, can you take it back? Can you

0:47:48.400 --> 0:47:51.120
<v Speaker 2>be like, oh, you know what, actually cancel a hit?

0:47:51.239 --> 0:47:52.560
<v Speaker 3>Sure? Can you cancel a hit?

0:47:53.160 --> 0:47:55.480
<v Speaker 1>I mean in a timely manner. You've got to.

0:48:00.160 --> 0:48:01.080
<v Speaker 2>So what was I thinking?

0:48:01.320 --> 0:48:02.960
<v Speaker 3>You got to cut them off at the pass?

0:48:03.080 --> 0:48:05.200
<v Speaker 2>Yeah? For sure. It's like can you send a text

0:48:05.200 --> 0:48:08.239
<v Speaker 2>to someone and you're like, oh, why did I say that?

0:48:08.560 --> 0:48:10.720
<v Speaker 2>And then if you don't do it within like five minutes,

0:48:10.800 --> 0:48:12.200
<v Speaker 2>you can't undersend that text.

0:48:12.800 --> 0:48:13.399
<v Speaker 3>It's like a hit.

0:48:14.120 --> 0:48:18.160
<v Speaker 1>Okay, maybe he'll take it back hopefully. Also, I noticed

0:48:18.200 --> 0:48:23.120
<v Speaker 1>in that scene how tall Tony Marschhett is and how

0:48:23.120 --> 0:48:26.120
<v Speaker 1>small he made Dylan look. Did you see the difference

0:48:26.120 --> 0:48:26.879
<v Speaker 1>in heighten.

0:48:26.640 --> 0:48:28.920
<v Speaker 2>That's for him being tall that actor.

0:48:28.680 --> 0:48:31.200
<v Speaker 1>Though I don't either, maybe even standing on something because

0:48:31.200 --> 0:48:32.600
<v Speaker 1>they wanted to make him seem.

0:48:32.400 --> 0:48:34.320
<v Speaker 5>Like like tall.

0:48:35.680 --> 0:48:36.120
<v Speaker 2>I don't know.

0:48:36.200 --> 0:48:38.479
<v Speaker 1>I love the episode. I give it a ten.

0:48:39.120 --> 0:48:40.560
<v Speaker 3>T me too, ten.

0:48:42.680 --> 0:48:44.520
<v Speaker 2>Just to do a Richter scale, I'm gonna give it

0:48:44.560 --> 0:48:47.360
<v Speaker 2>a nine point eat on the Richter. WHOA, that's a

0:48:47.400 --> 0:48:49.560
<v Speaker 2>big bake in here at OMG.

0:48:49.880 --> 0:48:52.279
<v Speaker 1>That was a big one. We loved it.

0:48:52.520 --> 0:48:53.319
<v Speaker 3>What's next week?

0:48:53.520 --> 0:48:54.160
<v Speaker 2>What have we got?

0:48:54.400 --> 0:48:57.640
<v Speaker 1>Season six? Episode ten is next week? You guys? One

0:48:57.680 --> 0:48:59.759
<v Speaker 1>wedding at a funeral. You don't want to miss it.

0:48:59.800 --> 0:49:02.120
<v Speaker 1>You got to watch this with us because so much crazy.

0:49:02.200 --> 0:49:04.640
<v Speaker 1>You know what is happening right now in the show. Yeah,

0:49:05.160 --> 0:49:07.359
<v Speaker 1>really getting exciting. I know, I know I.

0:49:07.280 --> 0:49:08.880
<v Speaker 2>Will be here, but I want it to happen. I

0:49:08.920 --> 0:49:10.960
<v Speaker 2>may want to watch it because I'm so excited, but

0:49:11.040 --> 0:49:12.080
<v Speaker 2>I want to watch it. Yeah.

0:49:12.200 --> 0:49:12.800
<v Speaker 3>That's awful.

0:49:13.920 --> 0:49:17.160
<v Speaker 1>I love it. Well, thanks you guys. I hope nobody

0:49:17.239 --> 0:49:19.359
<v Speaker 1>gets in an earthquake this week.

0:49:19.760 --> 0:49:21.000
<v Speaker 2>See I take it back and take it back.

0:49:21.400 --> 0:49:24.000
<v Speaker 1>Remember when the fire episode happened and then there was

0:49:24.040 --> 0:49:25.880
<v Speaker 1>weird fire things in our real life?

0:49:26.640 --> 0:49:28.360
<v Speaker 2>What take it back?

0:49:29.400 --> 0:49:31.520
<v Speaker 1>Take it back? I take it back, I take it back. Okay,

0:49:31.920 --> 0:49:32.920
<v Speaker 1>all right, I love you.