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Speaker 1: It's nine O Gen one O engine with Jenny Garth

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Speaker 1: and Tory spelling.

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Speaker 2: Well.

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Speaker 1: Well, well, here we are again back with our OMG fans.

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Speaker 3: Yeah, how are you guys doing?

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Speaker 1: We are doing well and we want to keep on

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Speaker 1: going through this amazing show with you guys. So we

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Speaker 1: are back with a new episode, a great episode this week.

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Speaker 3: It's a great episode.

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Speaker 2: Interesting that. I mean, we'll hear in LA if you're

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Speaker 2: here in La. But the show takes place in La.

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Speaker 2: Earthquake weather this episode. And oddly enough, even though we

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Speaker 2: waited a beat kind of earthquake weather right now, wouldn't

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Speaker 2: you say, oh.

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Speaker 1: My gosh, I was going to say the same thing.

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Speaker 1: It's like one hundred degrees in Beverly Hills quote unquote,

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Speaker 1: And it's like one hundred degrees in Beverly Hills right now.

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Speaker 3: I don't want to be like those wacky radio guys,

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Speaker 3: but there's no such thing as earthquake weather.

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Speaker 1: What earthquake guys?

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Speaker 2: Give us a moment? Wait, do you believe it parallel

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Speaker 2: with our lives?

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Speaker 1: Yeah?

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Speaker 3: It is literally, scientifically no such thing.

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Speaker 1: Okay, scientists that weather girl. I have always believed in

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Speaker 1: earthquake weather every time it's like hot. It's not about

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Speaker 1: the heat for me, It's about the stillness in the air.

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Speaker 1: Whenever I feel like that, like everything's just too quiet,

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Speaker 1: that's when I'm like, oh, earthquake weather.

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Speaker 2: I associate earthquake weather with the intense heat, and then

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Speaker 2: the dip down sunny, then cloudy, overcasts, a little.

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Speaker 1: Breezy, like just the you associate weather.

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Speaker 2: Yea all at once.

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Speaker 4: Oh man, it's all a bs As they say, there's

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Speaker 4: no such thing as earthquake weather.

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Speaker 1: And you're as a native Californian and a scientist, born

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Speaker 1: and bred in.

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Speaker 3: California, born and raised here. But I've had many an

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Speaker 3: earthquake many. I was here for the So I was

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Speaker 3: in San Francisco for the eighty nine. Were you guys

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Speaker 3: there for the Loma Prieta?

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Speaker 2: Was that the ninety? Was it ninety four?

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Speaker 3: Was it? It was a big one in La really

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Speaker 3: really big.

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Speaker 1: Was it called the north Ridge?

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Speaker 3: Yes? Northridge?

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Speaker 2: Oh?

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Speaker 3: Wait, I was Loma Prieta?

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Speaker 2: Sorry I was, I don't know. I just thought you

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Speaker 2: gave it some fancy name.

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Speaker 3: Wait do you remember it?

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Speaker 2: Like it?

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Speaker 1: Earthquakes are bananas?

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Speaker 3: Because that was during nine o two on and oh

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Speaker 3: we're making nine o two and oh during the Big

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Speaker 3: north Ridge and I think it's probably what inspired this

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Speaker 3: to some extent.

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Speaker 2: Oh yeah, I remember we filmed the night before Jen

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Speaker 2: because we had worked late, I remember, and it happened

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Speaker 2: at like what three four am or something.

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Speaker 3: Aah, I think that's right.

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Speaker 2: I was in an apartment building, so I remember. It

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Speaker 2: just was shaking, shaking, and things were cracking. And grabbed

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Speaker 2: the dogs and tried to grab the parrot, but I

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Speaker 2: was like, I'm sorry, you got to save yourself and

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Speaker 2: ran ran downstairs and everyone was gathering on the street

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Speaker 2: and it was so bizarre.

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Speaker 3: Can you remember it?

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Speaker 1: You wait, people were running down the street like from

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Speaker 1: our building. They would go out like, yeah, it was

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Speaker 1: nobody wants to be up there.

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Speaker 2: No, no, no, it was like a real tall building. So

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Speaker 2: everyone ran to the street and like just stood there

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Speaker 2: and looked up. Everyone in their pajamas.

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Speaker 1: And yeah, I was in my I had bought a

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Speaker 1: tiny little house, my first house, I think, in the

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Speaker 1: hills of Sherman Oaks, and I was home alone and

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Speaker 1: I hadn't I didn't have any furniture anything. I had

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Speaker 1: a mattress on the like metal bed frame and thank

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Speaker 1: you baby, and I was just I woke up, my

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Speaker 1: bed was like jiggling all around the room, and since

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Speaker 1: I didn't have any other furniture, like nothing else was

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Speaker 1: shaking just in my bed. And I remember the first

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Speaker 1: thing that came to my mind was that ac DC

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Speaker 1: song The Earth was Shaken, the walls were whatever, and.

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Speaker 2: You know that song come on all night long?

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Speaker 1: You you shook me a long? Yeah, you yeah, that one.

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Speaker 1: You're welcome everybody who's listening. I know you love it

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Speaker 1: when we sing La singer please call her stop laughing, Amy,

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Speaker 1: you can stop laughing now.

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Speaker 3: So that went to your head like not get out

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Speaker 3: or like I'm annoying.

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Speaker 1: No, I stay on my little rinkty bed and was

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Speaker 1: like what is happening? Because I'm from the Midwest and

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Speaker 1: I don't think i'd ever felt one before that one.

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Speaker 2: You react like one, Cindy Brady, like freak out like

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Speaker 2: you do like sometimes you like you're in the head

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Speaker 2: lace like just.

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Speaker 1: Don't move, It'll all be over soon.

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Speaker 2: Yeah.

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Speaker 3: What do we think had the greatest reaction on this episode?

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Speaker 3: And I know we'll get to it of just like

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Speaker 3: overreaction maybe.

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Speaker 5: Maybe between Colin probably Colin, Yeah, we should talk about

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Speaker 5: what we're talking about because that was a big earthquake.

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Speaker 3: And I can't wait to ask you guys.

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Speaker 2: Like question because that earthquake was what there's must by

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Speaker 2: the north Ridge earthquake? What was that one on the

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Speaker 2: Richter scale? The real life one?

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Speaker 1: Sick sick something something? I thought, aw, I will love you.

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Speaker 3: Let's just kick it off.

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Speaker 1: Season six, Episode nine, Earthquake Weather Air November sixth, nineteen

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Speaker 1: ninety five.

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Speaker 2: Synopsis High tempts and shaky ground makes everyone go cray cray. Meanwhile,

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Speaker 2: the violence continues with Ray Stephen Claire take the Richter

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Speaker 2: Scale to the bedroom. Brandon plays doctor in an elevator,

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Speaker 2: Dylan Pop's question and Kelly's crush. Donna uncovers her mother's secret,

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Speaker 2: and Tony Marchett is making some wedding arrangements of his own.

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Speaker 1: Detective by Gilbert Shilton, written by Michael Lyons and kimberly

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Speaker 1: wells Uh. There's so much going on. There's an earthquake,

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Speaker 1: Brandon burling a baby, raised throwing hammers, Donna's There's a

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Speaker 1: lot of drama going on for Donna, left and right,

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Speaker 1: Claire's sex, crazy button.

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Speaker 3: There's so many.

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Speaker 1: Things happening in this episode.

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Speaker 3: I believe the north Ridge quake was a six point

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Speaker 3: seven just for those fla.

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Speaker 2: There's some big aftershocks. I just wanted to like say

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Speaker 2: that how how big it was for people that don't

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Speaker 2: experience earthquakes, because then they do a big one on

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Speaker 2: the show and it wasn't unwarranted like it was. It

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Speaker 2: shook really bad during the real one.

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Speaker 1: But I bet like people across the globe that we're

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Speaker 1: watching the show that was so like internationally famous, now

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Speaker 1: this was their first time like seeing an earthquake like that,

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Speaker 1: you know, like feeling I felt like I was in

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Speaker 1: it and it lasted forever.

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Speaker 2: It probably scared them really bad, Like, oh my gosh,

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Speaker 2: I hope I'm never an earthquake.

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Speaker 1: Was never going to California.

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Speaker 3: Huge earthquake that they created that was a massive earthquake

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Speaker 3: they created, Like there was so many things sliding and

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Speaker 3: shaking and breaking that it was like this was humongous.

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Speaker 2: It was exciting in real life.

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Speaker 1: Did a good job?

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Speaker 3: Did they do it? Do you remember, like do you

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Speaker 3: remember being somewhere and they shook it like they do

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Speaker 3: at Universal Studios or was it tricks with the camera.

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Speaker 1: It was just people standing on the back side of

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Speaker 1: those cabinets throwing stuff out.

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Speaker 3: I don't know remember in the like Art Studio, there's

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Speaker 3: like a whole thing sliding.

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Speaker 2: I didn't feel like the.

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Speaker 1: Camera was shaking, did.

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Speaker 2: You No, it must have been an afterfac I have

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Speaker 2: no idea. I can't remember this one, and I remember.

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Speaker 1: That the room was shaking, but not the my visual.

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Speaker 3: And create like special sets. No, I don't know how

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Speaker 3: they would do that. But like the nineties, I don't know.

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Speaker 3: It seemed like do you guys remember back? I think

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Speaker 3: they've changed it now. No, maybe they haven't. But at

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Speaker 3: Universal Studios there's definitely an earthquake part of the tour.

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Speaker 2: That that.

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Speaker 3: No, I get panicky or you like that. No, thank you.

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Speaker 2: I don't like roller coasters, but I like shaking. Oh gosh, yeah.

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Speaker 3: Well go through it because this episode is so great,

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Speaker 3: And I think we start with the wacky radio duo

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Speaker 3: Mac and Jack or whatever their names were. What were

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Speaker 3: their names?

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Speaker 1: Yeah, everybody's listening to the radio now.

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Speaker 3: Okay, literally in the car in the who goes into

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Speaker 3: a hotel room like you know what I'm gonna do,

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Speaker 3: I'm gonna turn on Mac and Jack?

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Speaker 1: Like, oh yeah, she couldn't find some music because they

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Speaker 1: had to have the connective tissue.

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Speaker 3: I can't remember what their names were, but it was

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Speaker 3: something like Jack and Jane or something.

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Speaker 1: Let's run it from the beginning. Dylan's house is where

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Speaker 1: we start, and Tony and Dylan are planning their move

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Speaker 1: to Hawaii when he suddenly mentions that he wants to

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Speaker 1: marry her. And he gets down on one nie and

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Speaker 1: proposes to Tony and she says, yes, how do we

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Speaker 1: feel it?

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Speaker 2: Come out? Time out? Time out? Okay, Jenny Garth aka

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Speaker 2: Kelly Taylor, how'd you feel about this?

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Speaker 1: I thought, wow, wee wawa Dylan moving pretty fast. There

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Speaker 1: aren't chi pal. I mean that's how I felt as

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Speaker 1: a viewer. I was like, Okay, that just felt really fast.

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Speaker 1: But okay, they ask.

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Speaker 2: You if you're I'm asking as Kelly Taylor, the one

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Speaker 2: in Norway.

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Speaker 1: Well, as you can see, Kelly Taylor was shaken, no

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Speaker 1: pun intended by the news, and uh and yeah, I

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Speaker 1: can understand why. I feel like, of course she made

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Speaker 1: it about herself right away, but I think that might

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Speaker 1: have been a natural reaction because like, when didn't he

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Speaker 1: just ask her to marry him moments ago? Four month

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Speaker 1: I don't even know four months ago.

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Speaker 2: So yes, my question is watching it back now as

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Speaker 2: an adult, I'm liking it to like when I have

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Speaker 2: Cory reactions about Brian, like just because I'm like so

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Speaker 2: protective of David and Donna. How do you feel watching

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Speaker 2: it Jen like now, like do you feel like, I

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Speaker 2: know Kelly's reaction and everything, but like watching it now.

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Speaker 1: I feel not pleased.

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Speaker 2: Do you feel like punched in the guttle?

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Speaker 3: Yeah?

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Speaker 1: Definitely, like it's like like a slap. You know, I

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Speaker 1: just didn't think that would be happening that soon. But

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Speaker 1: you know, it's her own fault because she chose herself

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Speaker 1: and then she chose Colin.

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Speaker 3: Yeah. I think it would have been worse if they

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Speaker 3: didn't acknowledge it at all. Meaning you do have that

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Speaker 3: scene together, you do react like they at least didn't

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Speaker 3: just gloss over that like oh it's all I'm glad

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Speaker 3: that they was that lucky because that would have been

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Speaker 3: really bad.

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Speaker 1: Yeah, we'll get to that moment because that was an

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Speaker 1: important moment I think for both of them. We're at

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Speaker 1: the beach House where Donna is getting ready ready for

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Speaker 1: the rose Court tryouts. Back at the rose Court when

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Speaker 1: good old Rayproo. It shows up and he tells her

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Speaker 1: he's in therapy. Yeah.

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Speaker 2: Progress.

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Speaker 3: I don't think that's commonplace that you go and ask

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Speaker 3: your ex girlfriend to join you in therapy. And I

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Speaker 3: frankly don't know that the therapist would have asked for that.

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Speaker 3: That felt like okay, really.

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Speaker 2: Well could it have been? I don't know. I mean,

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Speaker 2: in real life sometimes people need just trying to think

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Speaker 2: in real life, like closure to move on to heal,

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Speaker 2: and if the ex is willing to. I remember my

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Speaker 2: first husband, we never did it, but we were going

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Speaker 2: to have like closure, like a therapy session, just so

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Speaker 2: we could both have closure.

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Speaker 3: I mean maybe a married couple, but for me, like

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Speaker 3: the therapist knows this guy's violent, and she's going to

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Speaker 3: be like, yeah, you know what, let's invite your ex

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Speaker 3: girlfriend here so we can really traumatize her further. And

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Speaker 3: then I'll warn her that you're probably gonna hurt her.

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Speaker 3: It's just like, well, maybe.

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Speaker 2: The therapist is kinky.

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Speaker 1: I don't know she was real therapisty, that's for sure.

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Speaker 1: But yeah, I didn't. I didn't want Donna to go

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Speaker 1: to that at all. I was shouting saying no, you

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Speaker 1: get to say no, now no, now no, I know.

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Speaker 2: Running theme of Donna's life.

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Speaker 1: The hotel room. Wow, Susan and Brandy are getting ready

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Speaker 1: to go to the pool, so they're just they're there

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Speaker 1: for a conference or what's happening.

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Speaker 3: It's what befuddled me. She's like, obviously wants to make out,

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Speaker 3: and he's like, no, we're going to the pool. Then

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Speaker 3: he comes out of the bathroom and she wants to

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Speaker 3: go to the pool and he's like, I thought we're

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Speaker 3: going to make out. Like it was so what.

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Speaker 1: Maybe they had to go peepy or something. He's want

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Speaker 1: to know, I don't know. He was very cagey at

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Speaker 1: that moment. Weird bizarre was.

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Speaker 3: That her bathing suit or her.

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Speaker 1: Works off all our clothes and under is her bathing suit.

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Speaker 3: She isn't a matching underwear. To me, I was like,

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Speaker 3: that's her underwear.

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Speaker 1: And then you know what, Oh my god, Dave, ass

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Speaker 1: is that her bathing suit? I was like, really, yeah,

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Speaker 1: what's it matter? Obviously it's her bathing suit.

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Speaker 4: It's not she was.

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Speaker 3: Suddenly wearing underwear and she's going to the pool in

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Speaker 3: her underwear. My favorite is when the lady in the

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Speaker 3: elevator mentions her bathing suit. Oh cute bathing suit. I

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Speaker 3: saw you with the pool. What you're having a baby,

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Speaker 3: lady and you're stuck in an elevator. What?

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Speaker 1: Well, she didn't see her at the pool though, they

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Speaker 1: were just going down to the pool.

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Speaker 3: They were coming back up. It's confusing. I watched the

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Speaker 3: episode twice and it wasn't until the second time that

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Speaker 3: I got that they're coming back up and the pregnant

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Speaker 3: lady had seen them at the pool.

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Speaker 2: They added that end because trying to like make it

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Speaker 2: makes sense a little bit more.

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Speaker 1: But yeah, but.

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Speaker 2: It didn't know my correction that line.

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Speaker 1: Yeah, I wanted to explains. So we go to Collin

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Speaker 1: Studio next, and Colin is just darling Kelly all about

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Speaker 1: how much he enjoys tea eaching and how happy he

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Speaker 1: is with his life.

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Speaker 2: Who cares? Are Yeah? Are you bored watching him?

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Speaker 1: I'm bored watching him. I'm board watching both of them.

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Speaker 1: The only thing exciting about it is for makeup or eyebrows.

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Speaker 1: That could perhaps some interest in those things.

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Speaker 2: But it's gonna get juicy though, Oh gosh.

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Speaker 1: Oh. And then we go to the Walsh House, Castle Walsh,

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Speaker 1: Castle Walsh, whatever you want to call it.

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Speaker 3: Steve is playing the game Earthquake. Suddenly before.

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Speaker 1: They had a pinball machine there, but it was it

295
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Speaker 1: always Earthquake.

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Speaker 3: But I don't think so good call out.

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Speaker 2: We have the fans take it to the fans fan

298
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Speaker 2: looking around. There's no fans here, but the whole film.

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Speaker 2: Now that's a good call I bet I bet they

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Speaker 2: did change it out, John.

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Speaker 1: I bet they they made it work or it was

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Speaker 1: the Earthquake pim machine, and then gave him the idea

303
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Speaker 1: for the story.

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Speaker 3: We'll talk about Valerie's egg salad. So is this the

305
00:16:18,160 --> 00:16:20,640
Speaker 3: same scene It might be where she's in the kitchen

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Speaker 3: and she and he's like, you make the best egg salad? Now,

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Speaker 3: first of all, what twenty one year olds are just

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Speaker 3: whipping up eggs salad? And she's like, it's all you

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Speaker 3: gotta have.

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Speaker 2: Huh wait, go back, wait, you didn't cook it twenty one? Yeah.

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Speaker 3: I certainly did not make eggs salad.

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Speaker 1: Why because it was stinky.

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Speaker 2: I made deviled eggs every weekend. What do you mean?

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Speaker 3: I just don't think a twenty something palate is like,

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Speaker 3: you know what, I'm craving egg salad. They're eating left

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Speaker 3: the room. I disagree.

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Speaker 1: It's summer. Really that's a summertime food. I mean I

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Speaker 1: don't eat eggs salad, but depending on how.

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Speaker 3: You're raised, Like right, I'll eat egg salad now, but

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Speaker 3: I don't think I ever ate it. At twenty and

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Speaker 3: she's like, it's all how much relish, like how she

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Speaker 3: perfected her eggs sell whatever? And then these kisses her shoulder.

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Speaker 1: You're really mad about this, Like yeah.

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Speaker 2: Because she must have grown. It's usually like what your

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00:17:13,280 --> 00:17:17,080
Speaker 2: parents made growing up, Like I always like when I

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Speaker 2: moved into my perma would make like tuna fish salad, sandwiches.

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Speaker 3: It is more reasonable, okay.

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Speaker 2: Than egg salad. Interesting, interesting potato salad.

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Speaker 3: You can't make potato salad. I have to buy that.

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Speaker 3: I don't can't make that now.

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Speaker 1: Oh we need to help her, Yeah we do. Yeah,

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Speaker 1: there must be some cooking classes.

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Speaker 2: Making molds and like at twenty one, what do you mean?

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Speaker 3: I don't think any of that now? I buy it.

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Speaker 3: Turkey salad, chicken salad, eggs salad, isn't I'm hungry?

336
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Speaker 2: Now? They go on, well.

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Speaker 3: There's cases shoulder kisses.

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Speaker 1: And kisses, and Claire's got the horn and David's got

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Speaker 1: the horns and everybody wants to get phreaky in the

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Speaker 1: wall sh house. It's kind of creeping me out that

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Speaker 1: you just go there. Everybody goes there now like it's

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Speaker 1: the new peach Bit, but they just go and pretend

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Speaker 1: like they're adults.

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Speaker 3: It's so weird.

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Speaker 2: It feels most like a whorehouse.

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Speaker 1: There's insane. Yeah, it's like a like a.

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Speaker 2: Like cossa, come on, we got it here, we got

348
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Speaker 2: a pun here, sunny ranch, kassa.

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Speaker 3: Bunny ranch, bunny good. Think of Claire's aggressive, but I

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Speaker 3: like it. It's just sort of funny. That brought Sorry

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00:18:40,960 --> 00:18:46,640
Speaker 3: Brian David Valerie conversation of so like let's sleep together.

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Speaker 3: I can't wait any longer, Like he's still back at

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Speaker 3: that same I can't wait any longer stuff, and then

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Speaker 3: she's like, tonight, that's the.

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Speaker 2: Story of his life. I can't wait.

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Speaker 1: I was thinking of that going on, like has he

357
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Speaker 1: had any loven between Donna?

358
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Speaker 2: I mean, Claire remembers the old there's some holdout trauma

359
00:19:09,359 --> 00:19:11,760
Speaker 2: and major blue balls because poor guy, he waited forever

360
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Speaker 2: for Donna and then he couldn't wait, but and then now.

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Speaker 1: Didn't make him wait. I'm sure no, because she's like.

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Speaker 3: A wild Girl takes me back to the high school

363
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Speaker 3: version of her when she was so like after Brandon totally.

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Speaker 2: I loved that part of her. Mm hmm.

365
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Speaker 1: Then we go to Pasadena where it's one hundred and

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Speaker 1: what'd she say, would be in Pasadena so sweaty? Yeah,

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Speaker 1: though it's November, but he said something like it's one

368
00:19:38,480 --> 00:19:40,280
Speaker 1: hundred here, it's going to be one hundred and twenty

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Speaker 1: in Pasadena or something crazy like that, right, is not true.

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Speaker 2: But to key it up that it's quote unquote hot weather,

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Speaker 2: earthquake when things happened. But I got to say, when

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Speaker 2: we were filming those scenes, oh man, it was hot.

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Speaker 6: You can get over that, yeah, Oh yeah I can, yeah,

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Speaker 6: because it really really hot and you'd be standing there

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Speaker 6: in makeup and you know, they didn't have like setting

376
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Speaker 6: spray back then.

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00:20:07,400 --> 00:20:09,080
Speaker 2: You know, I would just take care of spray and

378
00:20:09,160 --> 00:20:11,960
Speaker 2: like spray it all over my face and set it,

379
00:20:12,240 --> 00:20:14,840
Speaker 2: set it, and forget it. You couldn't forget it because

380
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Speaker 2: it was like just pounds and makeup just was so hot,

381
00:20:17,160 --> 00:20:19,600
Speaker 2: and you'd be sweating so bad and like patting your

382
00:20:19,680 --> 00:20:21,879
Speaker 2: upper lip and your hair would be frizzing because we

383
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Speaker 2: could get all wet and it's no place for a

384
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Speaker 2: rose cord gal, no place for a rose queen.

385
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Speaker 5: Yeah.

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Speaker 1: Also that you made friends with your your you made

387
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Speaker 1: a friend. I'm so proud of you.

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Speaker 2: I did.

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Speaker 3: Yeah, And we briefly talk about the sorority girl. The

390
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Speaker 3: sorority girl that's now the Rose I mean, I know

391
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Speaker 3: we've seen her before, she's now the Rose queen girl. Sorry, Brooke. Yeah,

392
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Speaker 3: they must have loved that actress because like, what are

393
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Speaker 3: the odds she's suddenly the rose court.

394
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Speaker 2: They all, You're right, they no matter what, bring her

395
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Speaker 2: back around. Somehow liked her. She was a very was

396
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Speaker 2: she dating somebody?

397
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Speaker 1: I don't know. She was very nice to work with.

398
00:21:02,560 --> 00:21:05,000
Speaker 1: She was very lovely gal.

399
00:21:05,600 --> 00:21:07,959
Speaker 3: And I noticed she got married because her name is

400
00:21:08,000 --> 00:21:11,640
Speaker 3: now her real life name is now has a third

401
00:21:11,720 --> 00:21:15,000
Speaker 3: name to it. Tell me the name, please, Brook the

402
00:21:15,400 --> 00:21:19,240
Speaker 3: genesis on the TV it added her married name.

403
00:21:19,600 --> 00:21:24,720
Speaker 1: Okay, well congratulations, I think she was still married, so yeah,

404
00:21:24,760 --> 00:21:25,240
Speaker 1: good for her.

405
00:21:25,840 --> 00:21:28,919
Speaker 2: Oh. I love the drama of thinking like she was

406
00:21:28,960 --> 00:21:32,359
Speaker 2: someone like with somebody and they were like she's great,

407
00:21:32,520 --> 00:21:33,200
Speaker 2: like put her back.

408
00:21:33,320 --> 00:21:36,800
Speaker 3: Yeah, maybe she just came to work prepared newer lines

409
00:21:36,800 --> 00:21:38,359
Speaker 3: and they were like, let's just give her the job.

410
00:21:38,760 --> 00:21:41,800
Speaker 2: Fair. But that kept like they kept bringing that character

411
00:21:42,000 --> 00:21:43,600
Speaker 2: back in different characters.

412
00:21:43,640 --> 00:21:44,760
Speaker 1: It's highly confusing.

413
00:21:45,400 --> 00:21:48,159
Speaker 2: Oh right, it's a different character, right because she was

414
00:21:49,520 --> 00:21:50,080
Speaker 2: in college.

415
00:21:50,640 --> 00:21:53,760
Speaker 3: Yeah, she's the same girl. She just works at the

416
00:21:53,840 --> 00:21:57,600
Speaker 3: rose Court. Now she's still your sorority, so she is.

417
00:21:57,680 --> 00:21:59,960
Speaker 3: She just is like in charge of the rose parade

418
00:22:00,080 --> 00:22:03,080
Speaker 3: or what. I thought she was somebody else. Now she's

419
00:22:03,119 --> 00:22:04,119
Speaker 3: the same person.

420
00:22:04,720 --> 00:22:07,159
Speaker 2: Are you sure she didn't play somebody else though.

421
00:22:07,400 --> 00:22:10,720
Speaker 3: Yeah, she's still Leslie Sumner. She was at the Alfa

422
00:22:10,720 --> 00:22:11,560
Speaker 3: House or whatever.

423
00:22:11,680 --> 00:22:16,639
Speaker 1: Okay, it's confusing. Then, Donna, you start looking through the

424
00:22:16,680 --> 00:22:20,399
Speaker 1: old Rose Queen pictures and you find your mother. I

425
00:22:20,440 --> 00:22:22,480
Speaker 1: don't know how you recognize your mom there?

426
00:22:23,720 --> 00:22:24,600
Speaker 2: What's the big deal?

427
00:22:24,680 --> 00:22:27,639
Speaker 1: I'm like, so, why are you upset about it? Because

428
00:22:27,680 --> 00:22:28,640
Speaker 1: she didn't want you to.

429
00:22:28,560 --> 00:22:30,640
Speaker 3: Do it and she didn't tell her?

430
00:22:31,080 --> 00:22:31,920
Speaker 1: Is that why, Donna?

431
00:22:32,040 --> 00:22:33,480
Speaker 2: Is it just because she didn't tell her? I thought

432
00:22:33,480 --> 00:22:34,720
Speaker 2: it was just because she didn't tell her. But do

433
00:22:34,720 --> 00:22:36,080
Speaker 2: you think I guess?

434
00:22:36,160 --> 00:22:37,840
Speaker 1: But I was kind of like, what, it's a little

435
00:22:37,840 --> 00:22:41,480
Speaker 1: overreactory because she should be like, oh my god, my

436
00:22:41,560 --> 00:22:44,679
Speaker 1: mom never told me. Unless I think I remember your

437
00:22:44,720 --> 00:22:47,680
Speaker 1: mom was being kind of a Yoch about you doing it.

438
00:22:47,800 --> 00:22:48,840
Speaker 3: Yes, she is.

439
00:22:49,520 --> 00:22:51,960
Speaker 1: She didn't want you to waste your time or to

440
00:22:52,040 --> 00:22:55,480
Speaker 1: do it. Maybe something bad happened to her there.

441
00:22:55,560 --> 00:22:57,919
Speaker 3: So there's a deep dark secret.

442
00:22:58,359 --> 00:23:03,520
Speaker 1: M we're gonna I just remember the secret.

443
00:23:03,960 --> 00:23:07,720
Speaker 2: I mean, I remember what I have a va.

444
00:23:09,160 --> 00:23:13,560
Speaker 1: I haven't seen y And then Joe walks up and

445
00:23:13,680 --> 00:23:17,040
Speaker 1: he awkwardly puts his hand on your shoulder. It was

446
00:23:17,119 --> 00:23:18,639
Speaker 1: so I'm gonna try to do it to my I

447
00:23:18,680 --> 00:23:22,200
Speaker 1: can't because this is his hands back like so far

448
00:23:23,600 --> 00:23:26,320
Speaker 1: his hand. It was so weird.

449
00:23:26,320 --> 00:23:28,240
Speaker 2: Why I tell you guys. I tell you guys, like

450
00:23:29,880 --> 00:23:32,000
Speaker 2: I know everyone's like Joe Bradley, but.

451
00:23:31,920 --> 00:23:37,960
Speaker 3: There is no I love Joe, but he really you go.

452
00:23:37,960 --> 00:23:40,080
Speaker 2: Tori sarry, A little awkward chemistry.

453
00:23:40,119 --> 00:23:43,960
Speaker 1: It just is awkward, is what my awkward?

454
00:23:45,240 --> 00:23:48,240
Speaker 3: I respectfully disagree, you too feel awkward together.

455
00:23:48,280 --> 00:23:49,120
Speaker 1: I don't know what it is.

456
00:23:49,560 --> 00:23:53,920
Speaker 2: Thank you. And like I said, lovely guy, love Cameron,

457
00:23:55,480 --> 00:24:01,359
Speaker 2: I great actor. I don't know it just chemistry wise

458
00:24:01,440 --> 00:24:04,400
Speaker 2: with actors, I never felt like it was. I always

459
00:24:04,440 --> 00:24:06,520
Speaker 2: felt like we were friends, even when we were playing

460
00:24:06,720 --> 00:24:09,240
Speaker 2: romantic country love interests on cameras.

461
00:24:09,880 --> 00:24:11,479
Speaker 1: He says, he wants you to do what you have

462
00:24:11,560 --> 00:24:13,600
Speaker 1: to do, but he needs to do what he has

463
00:24:13,680 --> 00:24:17,720
Speaker 1: to do, and then he kisses you in the hat.

464
00:24:17,840 --> 00:24:19,000
Speaker 1: I like it sn.

465
00:24:20,800 --> 00:24:22,919
Speaker 3: I just think it's crazy that he drove from Westwood

466
00:24:22,960 --> 00:24:27,240
Speaker 3: to Pasadena to not have lunch with your really far.

467
00:24:27,400 --> 00:24:30,200
Speaker 3: It's really far to not have lunch, Like you can't

468
00:24:30,200 --> 00:24:33,399
Speaker 3: even do anything relactively defensive. I can't.

469
00:24:33,560 --> 00:24:37,280
Speaker 1: Everyone says it's so far. Isn't that that Far'd like

470
00:24:37,320 --> 00:24:37,720
Speaker 1: an hour?

471
00:24:37,840 --> 00:24:38,880
Speaker 2: It really isn't.

472
00:24:39,160 --> 00:24:41,320
Speaker 3: From Westwood to Pasadena could be ninety minutes.

473
00:24:41,440 --> 00:24:44,000
Speaker 1: Yeah, you're one hundred percent right from Westwood at the

474
00:24:44,040 --> 00:24:45,400
Speaker 1: traffic you gotta let.

475
00:24:45,320 --> 00:24:48,000
Speaker 2: Go over cold Water in La could be an hour

476
00:24:48,040 --> 00:24:49,960
Speaker 2: and a half, even if it's fifteen minutes to wait.

477
00:24:50,240 --> 00:24:52,480
Speaker 2: Our traffic is just getting worse and worse and worse

478
00:24:52,560 --> 00:24:53,159
Speaker 2: all times of the.

479
00:24:53,200 --> 00:24:56,000
Speaker 1: Day, so that all time there is no rush hour

480
00:24:56,040 --> 00:24:58,040
Speaker 1: here anymore. It's just always.

481
00:24:57,760 --> 00:24:59,840
Speaker 3: Rush constant, constant.

482
00:25:00,119 --> 00:25:02,240
Speaker 2: You say rush hour to the kids, and they have

483
00:25:02,359 --> 00:25:03,399
Speaker 2: no idea what that means.

484
00:25:03,640 --> 00:25:06,040
Speaker 3: I love Donna and Joe like I think they have.

485
00:25:06,200 --> 00:25:09,119
Speaker 3: We know the beginnings of chemistry. I thought the kiss

486
00:25:09,200 --> 00:25:12,240
Speaker 3: was cute. He's a keeper, so I was just a

487
00:25:12,359 --> 00:25:14,280
Speaker 3: hand for me and in hand.

488
00:25:14,480 --> 00:25:20,240
Speaker 1: The dialogue didn't feel comfortable, like.

489
00:25:20,160 --> 00:25:22,360
Speaker 2: The hand just literally took you down the thing.

490
00:25:22,960 --> 00:25:24,719
Speaker 1: And then and then he doubled down on it. At

491
00:25:24,760 --> 00:25:26,800
Speaker 1: one point he went like he was like this, and.

492
00:25:26,840 --> 00:25:28,880
Speaker 3: He went like that.

493
00:25:29,800 --> 00:25:32,199
Speaker 2: I don't know, you know, he was thinking like I

494
00:25:32,240 --> 00:25:36,360
Speaker 2: was like, get your hands off her.

495
00:25:37,280 --> 00:25:40,240
Speaker 1: You're creepy, hand off her. But he's not creepy at

496
00:25:40,240 --> 00:25:44,080
Speaker 1: all that Now, I'm just sorry that your next boyfriend's

497
00:25:44,119 --> 00:25:44,760
Speaker 1: going to be like Ray.

498
00:25:44,800 --> 00:25:47,960
Speaker 2: I don't know, Amy, do you remember who comes after Joe?

499
00:25:48,359 --> 00:25:49,840
Speaker 1: Why would you try to remember that?

500
00:25:49,920 --> 00:25:52,919
Speaker 3: I remember that because Joe's around for brought it up.

501
00:25:52,960 --> 00:25:55,280
Speaker 2: You just said, I'm just worried that your next boyfriend

502
00:25:55,359 --> 00:25:57,640
Speaker 2: is going to be like Ray after Joe, So.

503
00:25:57,960 --> 00:25:59,480
Speaker 1: I don't want to hear who it is.

504
00:26:00,040 --> 00:26:04,080
Speaker 2: We're not going to tell you, Amy, do you remember, uh?

505
00:26:04,200 --> 00:26:07,240
Speaker 3: Blurally, but Joe's around for a bit, because he's he's

506
00:26:07,280 --> 00:26:09,119
Speaker 3: here all season season.

507
00:26:09,960 --> 00:26:13,040
Speaker 2: Yeah, just this season, Jen, no concerns till next year.

508
00:26:13,080 --> 00:26:19,920
Speaker 1: You're good, Okay, Well he is the quarterback. So you guys,

509
00:26:19,920 --> 00:26:21,679
Speaker 1: the earthquake starts happening now at.

510
00:26:21,520 --> 00:26:22,320
Speaker 2: The Waalsh House.

511
00:26:22,520 --> 00:26:26,800
Speaker 1: It starts shaking and everyone starts clinging onto one another.

512
00:26:27,960 --> 00:26:30,640
Speaker 2: And we talk about this going like this little time.

513
00:26:31,560 --> 00:26:33,600
Speaker 1: Oh, the earthquake starts and everybody shaking.

514
00:26:34,400 --> 00:26:36,240
Speaker 3: No one got under a table, which is what you're

515
00:26:36,280 --> 00:26:39,040
Speaker 3: supposed to do. You're not supposed to go in a doorway.

516
00:26:39,080 --> 00:26:40,280
Speaker 3: They did everything wrong.

517
00:26:40,359 --> 00:26:42,320
Speaker 1: Wait wait, wait, whit wha wha. You're not supposed to

518
00:26:42,359 --> 00:26:42,919
Speaker 1: go in the doorway.

519
00:26:44,080 --> 00:26:46,639
Speaker 3: They've upped that, and now you've got to get under

520
00:26:46,680 --> 00:26:50,239
Speaker 3: something because you're trying to protect your head. Yeah, doorway thing,

521
00:26:50,280 --> 00:26:52,600
Speaker 3: I think was a misnomer. You're supposed to get under

522
00:26:52,600 --> 00:26:53,160
Speaker 3: a table.

523
00:26:53,480 --> 00:26:55,959
Speaker 1: Well, when you have a tornado, you're supposed to get

524
00:26:56,040 --> 00:26:59,439
Speaker 1: under a table or something heavy. Was confused.

525
00:27:00,280 --> 00:27:03,000
Speaker 3: I think a tornado is basement or bathtub or something.

526
00:27:03,080 --> 00:27:04,359
Speaker 3: I don't think a table is going to help you

527
00:27:04,359 --> 00:27:06,280
Speaker 3: in a tornado because it's just gonna fly away. It's

528
00:27:06,280 --> 00:27:08,960
Speaker 3: not securely down. So I think that's why you do

529
00:27:09,000 --> 00:27:09,520
Speaker 3: a bathtub.

530
00:27:09,640 --> 00:27:12,639
Speaker 1: They have consulted with you, I know, have you?

531
00:27:12,800 --> 00:27:14,240
Speaker 3: Have you guys not seen twisters.

532
00:27:15,320 --> 00:27:18,120
Speaker 1: I used to live in tornado alley and no tornadoes.

533
00:27:19,520 --> 00:27:22,320
Speaker 2: Its nervous to see twisters. Could be maybe this is

534
00:27:22,440 --> 00:27:25,600
Speaker 2: just like urban lugend or something the kids heard online.

535
00:27:25,600 --> 00:27:29,960
Speaker 2: But people die during the movie because the ceiling crash.

536
00:27:30,200 --> 00:27:33,240
Speaker 3: People die you mean in the theater or in the movie,

537
00:27:35,119 --> 00:27:37,119
Speaker 3: in the movie people die, I can't tell me.

538
00:27:39,359 --> 00:27:41,080
Speaker 2: Is he just telling me this because the others wanted

539
00:27:41,119 --> 00:27:42,320
Speaker 2: to go see it and he said, we can't go

540
00:27:42,320 --> 00:27:42,639
Speaker 2: see it.

541
00:27:43,840 --> 00:27:46,960
Speaker 3: Yeah, I think so, because obviously they have in some.

542
00:27:46,920 --> 00:27:49,679
Speaker 2: Of the theaters, like it's shapes and it's like when

543
00:27:49,760 --> 00:27:50,760
Speaker 2: something happened.

544
00:27:51,080 --> 00:27:52,560
Speaker 1: Something like fell from the ceiling.

545
00:27:53,440 --> 00:27:57,080
Speaker 3: Yeah, the Oh my god, No no it doesn't. That's

546
00:27:57,160 --> 00:27:59,919
Speaker 3: totally completely made whatever.

547
00:28:00,040 --> 00:28:07,600
Speaker 2: I'm not going there's some interactive experience, say.

548
00:28:06,320 --> 00:28:09,920
Speaker 3: Not at the Maraga Movie Theater where I saw it,

549
00:28:10,320 --> 00:28:16,880
Speaker 3: but no interactive anything. I understand the chair.

550
00:28:16,960 --> 00:28:20,200
Speaker 2: We understand different theaters had different experiences, Like you can

551
00:28:20,240 --> 00:28:23,199
Speaker 2: get like I just said, Deadpool the other day and

552
00:28:23,240 --> 00:28:25,360
Speaker 2: you can do it with three D or in the

553
00:28:25,359 --> 00:28:27,399
Speaker 2: theater without, Like there's different experience.

554
00:28:27,480 --> 00:28:32,160
Speaker 3: That's a different toy than suddenly the theater having shaking.

555
00:28:32,359 --> 00:28:35,160
Speaker 3: That would cost like a lot of money and they'd

556
00:28:35,160 --> 00:28:36,880
Speaker 3: have to come in and install that.

557
00:28:37,160 --> 00:28:39,680
Speaker 1: Okay, yeah, I think she's saying the chairs were shaking.

558
00:28:39,880 --> 00:28:42,400
Speaker 2: There's something like rumbling with the bass.

559
00:28:42,880 --> 00:28:46,440
Speaker 3: But anyway, these people need to get under tables. They're

560
00:28:46,600 --> 00:28:48,200
Speaker 3: all prepared for this earth.

561
00:28:48,440 --> 00:28:54,640
Speaker 4: Can I expect better of, like David, Yeah, but it

562
00:28:54,800 --> 00:28:57,520
Speaker 4: just felt so bizarre to me that they all just

563
00:28:57,520 --> 00:29:00,440
Speaker 4: stood there and hugged each other through the whole quake,

564
00:29:00,640 --> 00:29:03,440
Speaker 4: Like that's not what happens.

565
00:29:03,640 --> 00:29:06,680
Speaker 2: Right, But we got to get them all on camera,

566
00:29:06,920 --> 00:29:08,760
Speaker 2: so you know, we have to do what we had

567
00:29:08,760 --> 00:29:09,000
Speaker 2: to tell.

568
00:29:09,400 --> 00:29:12,480
Speaker 3: And Donna feels nothing in her BMW with her giant

569
00:29:12,560 --> 00:29:13,200
Speaker 3: cell phone.

570
00:29:13,320 --> 00:29:16,280
Speaker 1: She's too busy talking on the phone with some stranger

571
00:29:16,440 --> 00:29:20,000
Speaker 1: in the car seat next to her. Okay, does anybody

572
00:29:20,080 --> 00:29:23,400
Speaker 1: did anyone see this? Because I rewound it like three

573
00:29:23,400 --> 00:29:26,520
Speaker 1: times now? Donna is takes well. First of all, Donna

574
00:29:26,560 --> 00:29:29,240
Speaker 1: takes both hands off the wheel to make the phone

575
00:29:29,240 --> 00:29:31,560
Speaker 1: call for a second, and that panic me. But then

576
00:29:32,000 --> 00:29:34,160
Speaker 1: you say hi Dad, And then all of a sudden

577
00:29:34,160 --> 00:29:39,120
Speaker 1: you see someone in the frame like they're in the Parcy. No,

578
00:29:39,240 --> 00:29:42,960
Speaker 1: a human being, like a hand, a side of a face.

579
00:29:43,080 --> 00:29:44,040
Speaker 1: I don't know what it was.

580
00:29:44,360 --> 00:29:45,160
Speaker 2: Like a crew member.

581
00:29:45,480 --> 00:29:49,240
Speaker 1: It was the camera man holding this handheld camera.

582
00:29:49,280 --> 00:29:51,840
Speaker 2: The way they to that, I didn't catch that.

583
00:29:52,200 --> 00:29:53,920
Speaker 1: You know, they sit next to you and like try

584
00:29:53,960 --> 00:29:56,200
Speaker 1: to hold the camera. Well, you're actually driving the car.

585
00:29:56,400 --> 00:29:59,440
Speaker 1: It's not easy for that guy. And he was in

586
00:29:59,480 --> 00:30:02,600
Speaker 1: the frame. Why because there was was there another camera

587
00:30:02,720 --> 00:30:05,400
Speaker 1: filming that. I am so.

588
00:30:05,400 --> 00:30:08,400
Speaker 2: Confused, so confused, but I want to see this.

589
00:30:09,280 --> 00:30:13,080
Speaker 3: I just love that she's like on that giant phone, Daddy, Daddy,

590
00:30:13,240 --> 00:30:17,560
Speaker 3: because I felt like, of course you call your dad

591
00:30:17,560 --> 00:30:21,680
Speaker 3: on the show, daddy, because you called your dad daddy. Yeah,

592
00:30:21,720 --> 00:30:24,080
Speaker 3: So I was like, oh, you're like, daddy, I can't

593
00:30:24,080 --> 00:30:24,520
Speaker 3: hear you.

594
00:30:25,200 --> 00:30:26,840
Speaker 1: I don't know. But she didn't hear it, she didn't

595
00:30:26,840 --> 00:30:29,920
Speaker 1: feel it. That's lucky. I think it's your lucky to

596
00:30:29,920 --> 00:30:34,360
Speaker 1: be driving, yeah, during an earthquake, right, because the rubber

597
00:30:35,280 --> 00:30:41,040
Speaker 1: wheels are tires sort of lessen the shake from the quake.

598
00:30:41,280 --> 00:30:41,680
Speaker 2: I don't know.

599
00:30:53,560 --> 00:30:57,120
Speaker 1: Brandon and Susan are trapped in an elevator, you guys

600
00:30:57,120 --> 00:31:00,640
Speaker 1: with the pregnant lady. That's then or water breaks because

601
00:31:01,000 --> 00:31:03,960
Speaker 1: she's probably freaking out in there. They're trapped. And have

602
00:31:04,040 --> 00:31:05,480
Speaker 1: you ever been trapped in an elevator?

603
00:31:05,840 --> 00:31:06,280
Speaker 2: Yes? I have.

604
00:31:06,440 --> 00:31:10,040
Speaker 3: I don't go on elevators because I one time. First

605
00:31:10,080 --> 00:31:11,880
Speaker 3: of all, I don't go on them, and one time

606
00:31:11,920 --> 00:31:14,840
Speaker 3: I did get stuck and I didn't really go on them,

607
00:31:14,840 --> 00:31:16,240
Speaker 3: and now I really don't go on them.

608
00:31:16,280 --> 00:31:19,719
Speaker 1: So you've both been stuck in an elevator, yes, that's scary.

609
00:31:21,240 --> 00:31:23,320
Speaker 1: Can you tell me when and where and why and

610
00:31:23,440 --> 00:31:26,320
Speaker 1: how I blocked it out? You all things? When, where,

611
00:31:26,480 --> 00:31:27,120
Speaker 1: why and how.

612
00:31:28,000 --> 00:31:32,040
Speaker 2: I was living at my second apartment building, the Wilshire

613
00:31:34,160 --> 00:31:38,600
Speaker 2: and there were elevators that took everyone down, and I

614
00:31:38,720 --> 00:31:41,640
Speaker 2: was going to meet my friends for dinner. And I

615
00:31:41,720 --> 00:31:44,040
Speaker 2: remember they were like, hurr, yup, hurry up, you got

616
00:31:44,120 --> 00:31:46,200
Speaker 2: to get here. Jennifer Aniston's here. And I was like,

617
00:31:46,600 --> 00:31:49,600
Speaker 2: what it and like, you know, and I feel like

618
00:31:49,640 --> 00:31:51,880
Speaker 2: it was like in it was far it was We

619
00:31:51,920 --> 00:31:55,720
Speaker 2: lived in Westwood, not as far as Pasadena, but kind

620
00:31:55,720 --> 00:31:57,800
Speaker 2: of where was that area? It was Mexican, you know

621
00:31:58,720 --> 00:32:02,360
Speaker 2: that you would go it was like Overly, which in

622
00:32:02,400 --> 00:32:04,480
Speaker 2: the nineties like was just coming up. So if you

623
00:32:04,520 --> 00:32:06,920
Speaker 2: lived in like Beverly Hills or Westwood, you were like

624
00:32:07,920 --> 00:32:10,400
Speaker 2: and I was meeting and like of course, like I

625
00:32:10,520 --> 00:32:12,920
Speaker 2: was like the Westwood Beverly Hills girl, and like Kathleen

626
00:32:13,000 --> 00:32:14,600
Speaker 2: was all the Silver Lake girl and she was like,

627
00:32:14,800 --> 00:32:18,680
Speaker 2: come here and meet and our other friends. And anyway,

628
00:32:18,720 --> 00:32:20,480
Speaker 2: I got stuck in my elevators there for an hour.

629
00:32:20,720 --> 00:32:22,719
Speaker 2: I got there, but Jenniferanison was gone by then.

630
00:32:23,400 --> 00:32:25,520
Speaker 1: Wait were you scared though, or were you just like, well,

631
00:32:25,520 --> 00:32:26,239
Speaker 1: this is you know what.

632
00:32:26,360 --> 00:32:30,480
Speaker 2: I wasn't scared. That is shock very typical me. I

633
00:32:30,600 --> 00:32:32,600
Speaker 2: was like, this is going to be a great story.

634
00:32:32,680 --> 00:32:36,040
Speaker 2: Look at this. Of course this happens to me. Yeah,

635
00:32:36,040 --> 00:32:36,600
Speaker 2: why would you guys?

636
00:32:36,600 --> 00:32:39,920
Speaker 3: See Jennifer Garner get stuck in that elevator. It's pretty hilarious.

637
00:32:40,000 --> 00:32:43,880
Speaker 2: Yeah, that's really good. I mean not good, but it's really.

638
00:32:43,920 --> 00:32:46,160
Speaker 3: It's really good. Yeah, he was stuck for she was

639
00:32:46,160 --> 00:32:50,040
Speaker 3: stuck for over an hour. Yeah, at Comic Con or something.

640
00:32:50,200 --> 00:32:51,520
Speaker 1: Yeah, aw, oh my god.

641
00:32:52,840 --> 00:32:53,400
Speaker 2: Yeah.

642
00:32:53,720 --> 00:32:56,239
Speaker 3: Anyway, No, I don't like elevators, and I haven't been

643
00:32:56,240 --> 00:32:58,160
Speaker 3: in an elevator since twenty eighteen.

644
00:32:58,480 --> 00:33:00,840
Speaker 2: We had fours Like, I don't even know how you

645
00:33:00,880 --> 00:33:04,160
Speaker 2: get places? Like, you don't fly, you don't go in elevators?

646
00:33:04,200 --> 00:33:06,400
Speaker 3: What do you? How is this?

647
00:33:07,280 --> 00:33:09,200
Speaker 2: What else? What else do you not do?

648
00:33:10,720 --> 00:33:11,240
Speaker 3: Drugs?

649
00:33:11,760 --> 00:33:12,080
Speaker 2: Right?

650
00:33:12,480 --> 00:33:13,920
Speaker 1: You don't drink, you don't smoke?

651
00:33:14,000 --> 00:33:14,760
Speaker 2: What do you drink?

652
00:33:15,200 --> 00:33:18,360
Speaker 3: Smoke? Carbs? I eat carbs?

653
00:33:20,240 --> 00:33:20,440
Speaker 4: Guy?

654
00:33:20,520 --> 00:33:24,320
Speaker 2: She does like business? Why she like does everything? Runs everything.

655
00:33:24,400 --> 00:33:27,800
Speaker 2: I just don't know how she physically gets places, that's

656
00:33:27,880 --> 00:33:28,240
Speaker 2: the thing.

657
00:33:29,280 --> 00:33:30,120
Speaker 1: Automobile.

658
00:33:30,840 --> 00:33:33,560
Speaker 2: She doesn't go on elevators Like this is just a

659
00:33:33,600 --> 00:33:35,080
Speaker 2: whole added level it's.

660
00:33:35,000 --> 00:33:36,560
Speaker 3: Pretty easy to avoid elevators.

661
00:33:36,640 --> 00:33:38,640
Speaker 1: I don't like taking elevators either. I just don't take

662
00:33:38,680 --> 00:33:41,160
Speaker 1: them because I want to walk the stairs. A need exercise.

663
00:33:41,480 --> 00:33:45,280
Speaker 3: Yeah, it's it's pretty easy to avoid them. Escalators.

664
00:33:45,280 --> 00:33:46,760
Speaker 2: Are you okay with those? Yeah?

665
00:33:46,960 --> 00:33:49,520
Speaker 3: I'll even do those rolling things like at the airport.

666
00:33:49,600 --> 00:33:50,600
Speaker 3: I don't go to the airport.

667
00:33:50,640 --> 00:33:54,400
Speaker 1: But you are a risk taker escalator.

668
00:33:54,480 --> 00:33:58,920
Speaker 3: No problem is that Weirdly, I drive a boat by myself, like,

669
00:33:59,480 --> 00:34:02,560
Speaker 3: which is so like it's yeah, it's like it doesn't

670
00:34:02,560 --> 00:34:04,320
Speaker 3: make sense because most people are like that would be

671
00:34:04,480 --> 00:34:05,160
Speaker 3: you're so.

672
00:34:05,560 --> 00:34:08,000
Speaker 1: Scaredy cat, you're a badass.

673
00:34:07,960 --> 00:34:10,600
Speaker 2: And I know, but I just there's certain irrational fears,

674
00:34:10,640 --> 00:34:12,480
Speaker 2: like you're just irrational.

675
00:34:12,800 --> 00:34:17,160
Speaker 1: Okay, So wait, you guys, Brandon delivered a baby. What

676
00:34:17,360 --> 00:34:20,759
Speaker 1: I was really curious, like, why wasn't Susan at that

677
00:34:20,960 --> 00:34:25,759
Speaker 1: end and Brandon was up there petting her head?

678
00:34:27,960 --> 00:34:32,320
Speaker 3: Why he was more skilled at delivering babies? But do

679
00:34:32,360 --> 00:34:36,399
Speaker 3: you want to know the star laugh so hard, like actually.

680
00:34:36,200 --> 00:34:38,280
Speaker 1: Laughed so hard that he was sweaty.

681
00:34:39,560 --> 00:34:42,560
Speaker 3: Yes, that for sure, he was sweaty, like he'd run

682
00:34:42,840 --> 00:34:47,640
Speaker 3: a marathon. But funnier is when they're stuck and Susan's

683
00:34:47,680 --> 00:34:49,600
Speaker 3: trying is her name Susan? Why is her name sound

684
00:34:49,640 --> 00:34:52,160
Speaker 3: weird to me? Susan's trying to calm the pregnant lady,

685
00:34:52,200 --> 00:34:54,600
Speaker 3: and she's like, maybe they just need to reboot the

686
00:34:54,680 --> 00:34:58,239
Speaker 3: elevator computer. And he's like elevator computer like looking at

687
00:34:58,239 --> 00:34:59,799
Speaker 3: her like and she's all, I don't know. And then

688
00:34:59,840 --> 00:35:02,040
Speaker 3: the the guy the Voice of God comes on and

689
00:35:02,080 --> 00:35:05,440
Speaker 3: he's like, we gotta reboot that computer.

690
00:35:06,040 --> 00:35:09,040
Speaker 1: And she's like, see, she should have been the one

691
00:35:09,080 --> 00:35:11,359
Speaker 1: delivering the baby. That's all I have to say about it.

692
00:35:11,440 --> 00:35:13,600
Speaker 3: And then they're so in love after and he's like,

693
00:35:13,640 --> 00:35:16,000
Speaker 3: do you ever think we'll do that again? Like what,

694
00:35:16,239 --> 00:35:17,480
Speaker 3: Brandon have a baby?

695
00:35:17,560 --> 00:35:18,080
Speaker 2: Yeah?

696
00:35:18,120 --> 00:35:20,360
Speaker 3: I don't know, but it was so good. It was

697
00:35:20,560 --> 00:35:23,800
Speaker 3: so good, baby Brandon.

698
00:35:25,360 --> 00:35:28,560
Speaker 1: He'd probably wear those same big fat, ugly sneakers with

699
00:35:29,360 --> 00:35:32,400
Speaker 1: a like knee high jim shorts.

700
00:35:32,560 --> 00:35:33,480
Speaker 2: It's very in then.

701
00:35:36,640 --> 00:35:39,520
Speaker 1: And then also the other thing about the earthquake at

702
00:35:39,600 --> 00:35:44,759
Speaker 1: Dylan's house, they're they're they're putting unbroken glasses back in

703
00:35:44,840 --> 00:35:49,240
Speaker 1: the cabinet, like nothing broke when it fell fifteen feet

704
00:35:49,280 --> 00:35:51,120
Speaker 1: onto the ground in the earthquake.

705
00:35:51,680 --> 00:35:53,759
Speaker 2: I don't care about being right, but I do like

706
00:35:53,840 --> 00:35:59,120
Speaker 2: to win, and I am competitive for DX Twisters movie

707
00:35:59,160 --> 00:36:01,799
Speaker 2: tickets and showtime. I'm at theaters. According to the Regal

708
00:36:02,040 --> 00:36:07,720
Speaker 2: Cinema's announcement, yeah, the chairs move, okay.

709
00:36:08,200 --> 00:36:13,040
Speaker 1: I believe that she was saying that the the real

710
00:36:13,200 --> 00:36:16,839
Speaker 1: the building doesn't shake. I think that was shape.

711
00:36:16,880 --> 00:36:19,400
Speaker 2: But there's an interactive.

712
00:36:18,600 --> 00:36:23,520
Speaker 1: You can go to that. I don't want to do that.

713
00:36:23,520 --> 00:36:27,680
Speaker 1: That's feel so much better.

714
00:36:31,440 --> 00:36:32,000
Speaker 2: Accomplished.

715
00:36:34,120 --> 00:36:36,719
Speaker 1: Bruno calls to make sure that Tony is okay after

716
00:36:36,760 --> 00:36:39,239
Speaker 1: the earthquake, and that's where she tells him that she's

717
00:36:39,280 --> 00:36:41,560
Speaker 1: gonna marry Dylan. All of a sudden, they've just gotten

718
00:36:41,600 --> 00:36:44,120
Speaker 1: engaged right there on the floor in front of the

719
00:36:44,280 --> 00:36:48,160
Speaker 1: ugly Futon and now they're going to start telling everybody

720
00:36:48,360 --> 00:36:51,000
Speaker 1: left and right on the same exact day.

721
00:36:51,719 --> 00:36:56,680
Speaker 2: He's not bitter at all, though. Nope, nope, I don't

722
00:36:56,760 --> 00:36:57,600
Speaker 2: know about that.

723
00:36:57,680 --> 00:37:00,320
Speaker 1: I feel like they should maybe just wait a second

724
00:37:00,560 --> 00:37:03,239
Speaker 1: and have like maybe a dinner or be a little

725
00:37:03,280 --> 00:37:04,480
Speaker 1: more thoughtful about.

726
00:37:04,280 --> 00:37:07,000
Speaker 3: There's no time because they have like one episode.

727
00:37:06,400 --> 00:37:12,839
Speaker 1: Telling people, oh my god, Amy, what are you talking about?

728
00:37:13,120 --> 00:37:16,799
Speaker 2: Nothing? You heard nothing? Move on?

729
00:37:18,440 --> 00:37:22,400
Speaker 1: Okay, do you guys? I want to go back to

730
00:37:22,440 --> 00:37:23,799
Speaker 1: the Walls House because it's.

731
00:37:23,760 --> 00:37:24,480
Speaker 2: Not really is this.

732
00:37:26,719 --> 00:37:28,960
Speaker 1: Where, Oh they're going to have us sleepover.

733
00:37:29,880 --> 00:37:32,799
Speaker 3: It's gonna be a part earthquake party earthquake party, which

734
00:37:32,880 --> 00:37:33,200
Speaker 3: kind of.

735
00:37:33,120 --> 00:37:36,560
Speaker 1: Sounds fun and I like the idea. Yeah, i'd be

736
00:37:36,600 --> 00:37:38,360
Speaker 1: into going to that if I was their age.

737
00:37:39,520 --> 00:37:41,920
Speaker 3: But I can let eat some of that leftover eggs salad.

738
00:37:42,080 --> 00:37:44,600
Speaker 1: Yeah, they'll have that for days.

739
00:37:44,320 --> 00:37:48,840
Speaker 2: It's the better it is older, and yeah, ew.

740
00:37:48,840 --> 00:37:52,200
Speaker 3: I love like calling the hotel and like they're like,

741
00:37:53,000 --> 00:37:55,440
Speaker 3: we can't reach them, so they must be fine. Little

742
00:37:55,440 --> 00:37:57,960
Speaker 3: do they know they're stuck in an elevator delivering a baby.

743
00:37:57,960 --> 00:37:59,480
Speaker 3: But they're like, I don't know, I couldn't reach them.

744
00:37:59,480 --> 00:38:02,880
Speaker 1: They're probably, oh, yeah, there was just a giant earthquake.

745
00:38:03,440 --> 00:38:09,120
Speaker 1: They're so lave fair about Brandon. Yeah, and Colin come over.

746
00:38:09,280 --> 00:38:13,839
Speaker 1: And then Kelly warns David again at nauseum. It's all

747
00:38:13,840 --> 00:38:16,880
Speaker 1: she does is warn people about things. Because I don't know,

748
00:38:16,960 --> 00:38:18,280
Speaker 1: is she like a psychic.

749
00:38:17,960 --> 00:38:20,560
Speaker 2: Or she's always right though she's always greight. Isn't that

750
00:38:20,640 --> 00:38:23,040
Speaker 2: nice she warns people? I guess it's her.

751
00:38:23,680 --> 00:38:27,720
Speaker 1: It's very similar to me. It's very very hard to

752
00:38:27,760 --> 00:38:31,399
Speaker 1: hold back my wanting to help people or like guide

753
00:38:31,440 --> 00:38:34,399
Speaker 1: them or save them from a mistake, and it's very

754
00:38:34,400 --> 00:38:37,080
Speaker 1: hard for me to not do that sometimes, so I

755
00:38:37,160 --> 00:38:41,080
Speaker 1: understand Kelly's just trying to help, but it always comes

756
00:38:41,080 --> 00:38:48,040
Speaker 1: off as a little like twirpy but her criticism vs

757
00:38:48,120 --> 00:38:49,600
Speaker 1: being a torp, like like a.

758
00:38:50,640 --> 00:38:55,120
Speaker 3: Maybe but like Valerie is kind of bad news, like

759
00:38:55,160 --> 00:38:56,120
Speaker 3: we have a lot.

760
00:38:55,960 --> 00:38:59,680
Speaker 2: Of perfectly Vale David. Yeah, it's factual at this point.

761
00:38:59,840 --> 00:39:02,040
Speaker 1: I know, I'm sorry, but they look happy. I've never

762
00:39:02,080 --> 00:39:05,719
Speaker 1: seen either of them this happy and comfortable. A lot

763
00:39:06,520 --> 00:39:10,680
Speaker 1: makes U so much sense because their real life loved.

764
00:39:10,520 --> 00:39:13,120
Speaker 3: Having that back right now you are right now.

765
00:39:13,160 --> 00:39:15,600
Speaker 2: I feel you didn't see David this happy with Donna.

766
00:39:16,640 --> 00:39:19,600
Speaker 1: I didn't honestly, because he wanted to have you know

767
00:39:19,680 --> 00:39:21,680
Speaker 1: what with her, and.

768
00:39:23,200 --> 00:39:25,160
Speaker 2: You could be happy with someone with that whoo woo.

769
00:39:25,719 --> 00:39:28,759
Speaker 1: But it doesn't matter because David shuts her down and

770
00:39:29,000 --> 00:39:32,160
Speaker 1: she says okay. Then we go back to therapy and yeah,

771
00:39:32,200 --> 00:39:35,919
Speaker 1: it's weird, and I just wanted to see him come

772
00:39:36,000 --> 00:39:38,799
Speaker 1: back into the room and some real therapy happen, but

773
00:39:39,560 --> 00:39:43,600
Speaker 1: no such luck. Donna tells the gang that her she

774
00:39:43,680 --> 00:39:48,000
Speaker 1: gets there from her long long car ride from Pasadena

775
00:39:48,040 --> 00:39:51,799
Speaker 1: to Alta Dina, which is, well, you were in Pasadena

776
00:39:52,160 --> 00:39:54,839
Speaker 1: and then you went to Beverly Hills also known as

777
00:39:54,960 --> 00:39:59,000
Speaker 1: Alta Dina, which is five minutes away. Yeah, and she

778
00:39:59,120 --> 00:40:02,040
Speaker 1: tells the gang that her mom was in the rose

779
00:40:02,080 --> 00:40:06,759
Speaker 1: Court and I don't know why the buddy's upset with that.

780
00:40:07,120 --> 00:40:10,439
Speaker 1: And then Dylan and Tony come over and just up

781
00:40:10,480 --> 00:40:14,360
Speaker 1: and announced to the whole gang as they all magically

782
00:40:14,480 --> 00:40:17,799
Speaker 1: rifle past them and into a beautiful group shot of

783
00:40:17,840 --> 00:40:21,760
Speaker 1: like two four, six, eight people, six people, they all

784
00:40:21,840 --> 00:40:24,879
Speaker 1: eight people. They just all magically sit on that edge

785
00:40:24,880 --> 00:40:27,840
Speaker 1: of the couch like perfect. It's so weird.

786
00:40:28,160 --> 00:40:29,960
Speaker 2: I know, it's so cute, you guys. I got it.

787
00:40:30,200 --> 00:40:36,080
Speaker 2: I got the Punkasa cat house. Okay, another word for

788
00:40:36,120 --> 00:40:37,000
Speaker 2: a brothel.

789
00:40:37,560 --> 00:40:40,120
Speaker 3: Cossa cat back from twenty minutes ago. But that is

790
00:40:40,200 --> 00:40:41,680
Speaker 3: totally fine.

791
00:40:42,360 --> 00:40:43,319
Speaker 1: You gotta give her some time.

792
00:40:43,360 --> 00:40:44,560
Speaker 2: You got to bring it back around.

793
00:40:44,719 --> 00:40:47,400
Speaker 3: Yeah, it's totally fine. Cossa bunny house was totally bunny

794
00:40:47,440 --> 00:40:51,040
Speaker 3: ranch felt good to me, but cathouse good. Just see

795
00:40:51,080 --> 00:40:53,600
Speaker 3: you see they did film a porn there too, so

796
00:40:53,719 --> 00:40:56,760
Speaker 3: like it really has gotten to be very.

797
00:40:57,920 --> 00:41:01,000
Speaker 1: Overtly sexual over there is I don't want to hang

798
00:41:01,040 --> 00:41:04,479
Speaker 1: out there. I gotta be honest. It feels dirty, dirty, and.

799
00:41:05,640 --> 00:41:07,160
Speaker 2: If you had one of those lights, you would be

800
00:41:07,200 --> 00:41:09,640
Speaker 2: doing that pasta cat house.

801
00:41:09,680 --> 00:41:11,400
Speaker 3: You didn't go from a nice home to sort of

802
00:41:11,400 --> 00:41:13,239
Speaker 3: a Here's.

803
00:41:13,000 --> 00:41:18,279
Speaker 1: What I don't understand. Claire and Steve were just in

804
00:41:18,360 --> 00:41:23,920
Speaker 1: there making silent whoopee what everyone called it up against

805
00:41:23,960 --> 00:41:27,640
Speaker 1: the bookcase, and then Dylan and Tony walk in, and

806
00:41:27,680 --> 00:41:29,920
Speaker 1: then all of a sudden, everybody else walks into the

807
00:41:31,360 --> 00:41:34,239
Speaker 1: to the living room. But why is Claire holding that

808
00:41:34,280 --> 00:41:37,480
Speaker 1: pillow like that? I don't know.

809
00:41:37,560 --> 00:41:39,640
Speaker 3: It just felt so weird, was the pillow. But the

810
00:41:39,680 --> 00:41:41,960
Speaker 3: whole thing was just like weird, And like, did you

811
00:41:42,000 --> 00:41:45,680
Speaker 3: notice when Colin tells you like you did good? That

812
00:41:45,760 --> 00:41:51,080
Speaker 3: must have been it did good? Right? He obviously knows,

813
00:41:51,080 --> 00:41:53,240
Speaker 3: but like she thought was sort of nice. But also.

814
00:41:54,960 --> 00:41:56,879
Speaker 2: I liked him in this episode.

815
00:41:57,600 --> 00:41:59,720
Speaker 3: Yeah, he wasn't bad. I sort of liked the Freddy

816
00:41:59,800 --> 00:42:01,600
Speaker 3: cat guy too, because he's so.

817
00:42:01,560 --> 00:42:06,560
Speaker 1: Scared, made him a little set of people so cocky. Yeah,

818
00:42:06,640 --> 00:42:08,560
Speaker 1: everybody has to go to the peach pit though, because

819
00:42:09,080 --> 00:42:11,560
Speaker 1: apparently all the dishes broke at Gnats.

820
00:42:11,560 --> 00:42:13,080
Speaker 3: At the peach pit hacked in.

821
00:42:13,000 --> 00:42:16,000
Speaker 1: There and they really need some more hands on the

822
00:42:16,040 --> 00:42:17,359
Speaker 1: ground because the dish is.

823
00:42:17,320 --> 00:42:21,640
Speaker 3: Weird, so weird. When Joe comes in and Donna's like, oh,

824
00:42:21,640 --> 00:42:24,160
Speaker 3: it's really busy, but I'll get you a table, like

825
00:42:24,239 --> 00:42:26,440
Speaker 3: what Like that was so weird. I'm like, you're not

826
00:42:26,480 --> 00:42:29,200
Speaker 3: going to hang out with him, and like she's busy,

827
00:42:29,360 --> 00:42:34,000
Speaker 3: she's working. Yeah, that was weird.

828
00:42:35,280 --> 00:42:42,080
Speaker 1: Out back, that's when Kelly confronts Dylan about the engagement

829
00:42:42,520 --> 00:42:47,239
Speaker 1: and how he hurt her feelings, which I don't really

830
00:42:47,280 --> 00:42:49,839
Speaker 1: think he was thinking about. He's happy and he's moved on,

831
00:42:49,920 --> 00:42:52,320
Speaker 1: so why is she I don't know.

832
00:42:53,360 --> 00:42:54,400
Speaker 3: I think he understood.

833
00:42:56,600 --> 00:42:59,279
Speaker 1: I felt like it was a genuine, nice conversation that

834
00:42:59,320 --> 00:43:01,759
Speaker 1: people wouldn't normally have. But I thought I was proud

835
00:43:01,800 --> 00:43:02,839
Speaker 1: of them for having it.

836
00:43:04,440 --> 00:43:06,560
Speaker 3: Maybe there's two soulmates and all it made me think

837
00:43:06,719 --> 00:43:08,120
Speaker 3: was season ten.

838
00:43:08,280 --> 00:43:11,120
Speaker 1: I was like, oh, okay, I have no idea what

839
00:43:11,160 --> 00:43:11,879
Speaker 1: you're talking about.

840
00:43:11,920 --> 00:43:13,880
Speaker 3: You're fine, don't worry about it. Worry about it in

841
00:43:13,920 --> 00:43:14,880
Speaker 3: a couple of years.

842
00:43:15,640 --> 00:43:16,719
Speaker 2: Yeah, it was rough.

843
00:43:16,760 --> 00:43:18,160
Speaker 1: That was scene was good. It was rough.

844
00:43:18,239 --> 00:43:20,680
Speaker 3: It's a good scene. That is a good scene. And

845
00:43:20,760 --> 00:43:23,480
Speaker 3: Colin's like, so fine with you just going out to

846
00:43:23,560 --> 00:43:27,280
Speaker 3: the back driveway slash garbage.

847
00:43:27,400 --> 00:43:32,400
Speaker 1: Well, just like earlier when Val Kelly are cutting eggs together.

848
00:43:32,520 --> 00:43:34,200
Speaker 1: Whatever the hell they were doing in the kitchen, side

849
00:43:34,200 --> 00:43:36,600
Speaker 1: by side, working in harmony. I don't understand that either.

850
00:43:37,560 --> 00:43:40,040
Speaker 1: Then Colin goes outside because he's too scared to be

851
00:43:40,080 --> 00:43:42,719
Speaker 1: in the house, and he goes out there with val.

852
00:43:42,880 --> 00:43:45,680
Speaker 1: I'm sure I didn't believe that that. I don't know.

853
00:43:47,040 --> 00:43:51,240
Speaker 1: I'm just not believing a lot today. Anyway.

854
00:43:51,440 --> 00:43:53,760
Speaker 2: You just have to go with it. It's TV land.

855
00:43:54,560 --> 00:43:58,360
Speaker 1: After that, you go home with Joe. He takes you

856
00:43:58,440 --> 00:44:01,440
Speaker 1: home and then raise there and he throws a hammer

857
00:44:01,480 --> 00:44:02,040
Speaker 1: through the door.

858
00:44:02,320 --> 00:44:04,880
Speaker 2: That was crazy happening.

859
00:44:05,120 --> 00:44:06,120
Speaker 3: This is not funny.

860
00:44:06,840 --> 00:44:08,680
Speaker 1: He didn't he didn't even like throw it. He kind

861
00:44:08,680 --> 00:44:09,600
Speaker 1: of just like flung it.

862
00:44:09,880 --> 00:44:13,600
Speaker 2: Earthquake weather it makes people do crazy things things.

863
00:44:14,239 --> 00:44:16,799
Speaker 1: It's like to be hugged and held by Joe to

864
00:44:16,840 --> 00:44:19,680
Speaker 1: feel better. Hu, it's maining mad?

865
00:44:20,400 --> 00:44:22,879
Speaker 2: What specifically which partickure out?

866
00:44:22,880 --> 00:44:25,360
Speaker 3: How the window was boarded up and then the hammer

867
00:44:25,400 --> 00:44:28,560
Speaker 3: went through it. I was like, you guys are so literal.

868
00:44:28,640 --> 00:44:32,760
Speaker 1: Oh no, I was upset that Donna. This hur scared

869
00:44:32,800 --> 00:44:36,960
Speaker 1: her obviously, but then she has to go be hugged

870
00:44:37,000 --> 00:44:39,840
Speaker 1: by Joe to feel better like that. For me, he

871
00:44:40,000 --> 00:44:43,239
Speaker 1: just fires me up, Like I understand you don't need

872
00:44:43,239 --> 00:44:46,600
Speaker 1: that hug. Come on, girl, I get it that you

873
00:44:46,640 --> 00:44:48,080
Speaker 1: want the best for her and you want her to

874
00:44:48,239 --> 00:44:51,399
Speaker 1: know that she'sng and she's got this. She doesn't need

875
00:44:51,440 --> 00:44:52,759
Speaker 1: this guy to help her, That's what.

876
00:44:53,239 --> 00:44:55,960
Speaker 2: And as her best friend, Yes, you are right. It

877
00:44:56,000 --> 00:44:58,759
Speaker 2: does feel nice in the moment when someone gives you

878
00:44:58,800 --> 00:44:59,600
Speaker 2: a hug sometimes.

879
00:44:59,760 --> 00:45:03,480
Speaker 1: Wait, we have to talk really quickly. You're a hugger.

880
00:45:04,719 --> 00:45:09,960
Speaker 1: Talk about Tony Marchett's when he gives for sperience the

881
00:45:09,960 --> 00:45:13,760
Speaker 1: Bible to his daughter. He looks like he is going

882
00:45:13,800 --> 00:45:16,040
Speaker 1: to kill someone in that scene, and I was terrified

883
00:45:16,080 --> 00:45:21,240
Speaker 1: of him, Like his guys are just you're sing well played.

884
00:45:22,520 --> 00:45:25,360
Speaker 3: He wants to kill somebody and his name is Dylan.

885
00:45:25,600 --> 00:45:26,960
Speaker 1: He put a hit out on him.

886
00:45:27,560 --> 00:45:33,319
Speaker 3: Yeah, it's gnarly. Wait till you see what happens. Oh gosh, yeah,

887
00:45:33,680 --> 00:45:34,640
Speaker 3: be ready, it's narly.

888
00:45:34,920 --> 00:45:37,840
Speaker 1: But also before that, Donna doesn't want to go to

889
00:45:37,920 --> 00:45:41,719
Speaker 1: lunch with her mom because she's so so hard dramatic.

890
00:45:43,480 --> 00:45:45,680
Speaker 1: And then police tells her husband she's not ready to

891
00:45:45,719 --> 00:45:48,480
Speaker 1: tell Donna the truth and then she says, damn it,

892
00:45:49,719 --> 00:45:52,680
Speaker 1: that was my favorite particle show and she was damn it.

893
00:45:53,840 --> 00:45:57,439
Speaker 2: Wait, what do you think is going. Okay, let's play

894
00:45:57,440 --> 00:45:59,439
Speaker 2: this game. What do you think the truth is going

895
00:45:59,480 --> 00:45:59,680
Speaker 2: to be?

896
00:46:00,080 --> 00:46:02,279
Speaker 1: But you know, so this isn't even a fun game

897
00:46:02,360 --> 00:46:03,279
Speaker 1: because you already know it.

898
00:46:04,760 --> 00:46:07,960
Speaker 2: Do you want to shock her? I don't. I don't know,

899
00:46:08,640 --> 00:46:14,400
Speaker 2: no idea, what what's going to happen? Yeah, it's just

900
00:46:14,440 --> 00:46:16,200
Speaker 2: for stakes sake and moving that so long.

901
00:46:17,719 --> 00:46:20,840
Speaker 1: Yeah, like I'll remember that next time you say you

902
00:46:20,880 --> 00:46:22,200
Speaker 1: remember think it is Jenny.

903
00:46:22,239 --> 00:46:24,720
Speaker 3: Yeah, take a guess what you think is drama.

904
00:46:24,880 --> 00:46:26,959
Speaker 2: Let's all guess except name me. She knows I won't

905
00:46:26,960 --> 00:46:27,359
Speaker 2: play it.

906
00:46:27,880 --> 00:46:34,080
Speaker 1: Maybe she was the Rose Queen and the Rose King

907
00:46:34,920 --> 00:46:35,800
Speaker 1: is really your father?

908
00:46:36,480 --> 00:46:43,840
Speaker 2: Hmmm No, Or it's like an all about even moment.

909
00:46:44,520 --> 00:46:48,720
Speaker 2: And she took out like Nancy Kergan, like Tanya Harding.

910
00:46:49,440 --> 00:46:51,839
Speaker 3: She like like.

911
00:46:53,320 --> 00:46:56,560
Speaker 2: Took over and that's why she became Rose Queen because

912
00:46:56,560 --> 00:47:00,399
Speaker 2: there was someone else and she cheated. She she did,

913
00:47:01,000 --> 00:47:05,240
Speaker 2: she like took over her life. She like did everything.

914
00:47:05,320 --> 00:47:09,640
Speaker 2: I'm sorry, you know I was creat horror creepy like

915
00:47:09,719 --> 00:47:13,919
Speaker 2: you know, ah, wow, she didn't do the fair thing.

916
00:47:14,560 --> 00:47:17,240
Speaker 2: She'd like, do you guys believe in karma?

917
00:47:17,560 --> 00:47:17,719
Speaker 1: Yes?

918
00:47:17,880 --> 00:47:21,000
Speaker 2: Worse, oh my god, yes, maybe she didn't do the

919
00:47:21,040 --> 00:47:21,359
Speaker 2: right thing.

920
00:47:21,440 --> 00:47:23,360
Speaker 1: Something bad she did something bad.

921
00:47:23,680 --> 00:47:24,040
Speaker 3: I don't know.

922
00:47:26,280 --> 00:47:27,400
Speaker 2: It wasn't genuine.

923
00:47:28,520 --> 00:47:31,279
Speaker 1: Let's see, let's see, well, we shall see, and we

924
00:47:31,320 --> 00:47:35,359
Speaker 1: shall also see what happens now that they are going

925
00:47:35,400 --> 00:47:36,040
Speaker 1: to kill Dylan.

926
00:47:38,680 --> 00:47:43,040
Speaker 3: It's not good. It's not good. Just letting you know

927
00:47:43,080 --> 00:47:43,680
Speaker 3: it's not good.

928
00:47:43,760 --> 00:47:45,800
Speaker 2: But I have a question. When you put out a

929
00:47:45,880 --> 00:47:48,320
Speaker 2: hit on someone, can you take it back? Can you

930
00:47:48,400 --> 00:47:51,120
Speaker 2: be like, oh, you know what, actually cancel a hit?

931
00:47:51,239 --> 00:47:52,560
Speaker 3: Sure? Can you cancel a hit?

932
00:47:53,160 --> 00:47:55,480
Speaker 1: I mean in a timely manner. You've got to.

933
00:48:00,160 --> 00:48:01,080
Speaker 2: So what was I thinking?

934
00:48:01,320 --> 00:48:02,960
Speaker 3: You got to cut them off at the pass?

935
00:48:03,080 --> 00:48:05,200
Speaker 2: Yeah? For sure. It's like can you send a text

936
00:48:05,200 --> 00:48:08,239
Speaker 2: to someone and you're like, oh, why did I say that?

937
00:48:08,560 --> 00:48:10,720
Speaker 2: And then if you don't do it within like five minutes,

938
00:48:10,800 --> 00:48:12,200
Speaker 2: you can't undersend that text.

939
00:48:12,800 --> 00:48:13,399
Speaker 3: It's like a hit.

940
00:48:14,120 --> 00:48:18,160
Speaker 1: Okay, maybe he'll take it back hopefully. Also, I noticed

941
00:48:18,200 --> 00:48:23,120
Speaker 1: in that scene how tall Tony Marschhett is and how

942
00:48:23,120 --> 00:48:26,120
Speaker 1: small he made Dylan look. Did you see the difference

943
00:48:26,120 --> 00:48:26,879
Speaker 1: in heighten.

944
00:48:26,640 --> 00:48:28,920
Speaker 2: That's for him being tall that actor.

945
00:48:28,680 --> 00:48:31,200
Speaker 1: Though I don't either, maybe even standing on something because

946
00:48:31,200 --> 00:48:32,600
Speaker 1: they wanted to make him seem.

947
00:48:32,400 --> 00:48:34,320
Speaker 5: Like like tall.

948
00:48:35,680 --> 00:48:36,120
Speaker 2: I don't know.

949
00:48:36,200 --> 00:48:38,479
Speaker 1: I love the episode. I give it a ten.

950
00:48:39,120 --> 00:48:40,560
Speaker 3: T me too, ten.

951
00:48:42,680 --> 00:48:44,520
Speaker 2: Just to do a Richter scale, I'm gonna give it

952
00:48:44,560 --> 00:48:47,360
Speaker 2: a nine point eat on the Richter. WHOA, that's a

953
00:48:47,400 --> 00:48:49,560
Speaker 2: big bake in here at OMG.

954
00:48:49,880 --> 00:48:52,279
Speaker 1: That was a big one. We loved it.

955
00:48:52,520 --> 00:48:53,319
Speaker 3: What's next week?

956
00:48:53,520 --> 00:48:54,160
Speaker 2: What have we got?

957
00:48:54,400 --> 00:48:57,640
Speaker 1: Season six? Episode ten is next week? You guys? One

958
00:48:57,680 --> 00:48:59,759
Speaker 1: wedding at a funeral. You don't want to miss it.

959
00:48:59,800 --> 00:49:02,120
Speaker 1: You got to watch this with us because so much crazy.

960
00:49:02,200 --> 00:49:04,640
Speaker 1: You know what is happening right now in the show. Yeah,

961
00:49:05,160 --> 00:49:07,359
Speaker 1: really getting exciting. I know, I know I.

962
00:49:07,280 --> 00:49:08,880
Speaker 2: Will be here, but I want it to happen. I

963
00:49:08,920 --> 00:49:10,960
Speaker 2: may want to watch it because I'm so excited, but

964
00:49:11,040 --> 00:49:12,080
Speaker 2: I want to watch it. Yeah.

965
00:49:12,200 --> 00:49:12,800
Speaker 3: That's awful.

966
00:49:13,920 --> 00:49:17,160
Speaker 1: I love it. Well, thanks you guys. I hope nobody

967
00:49:17,239 --> 00:49:19,359
Speaker 1: gets in an earthquake this week.

968
00:49:19,760 --> 00:49:21,000
Speaker 2: See I take it back and take it back.

969
00:49:21,400 --> 00:49:24,000
Speaker 1: Remember when the fire episode happened and then there was

970
00:49:24,040 --> 00:49:25,880
Speaker 1: weird fire things in our real life?

971
00:49:26,640 --> 00:49:28,360
Speaker 2: What take it back?

972
00:49:29,400 --> 00:49:31,520
Speaker 1: Take it back? I take it back, I take it back. Okay,

973
00:49:31,920 --> 00:49:32,920
Speaker 1: all right, I love you.