WEBVTT - A Tribute to Pete Dye

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<v Speaker 1>Welcome back to another edition of the Fried Egg Podcast.

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<v Speaker 1>Today's episode is brought to you by Be Dratty, our

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<v Speaker 1>friends over at B Dratty. It's a new decade and

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<v Speaker 1>Hey guys, sad news in the golf course design world

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<v Speaker 1>with the passing of Pete Dye. So Garrett and I

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<v Speaker 1>wanted to do a little bit of a Pete Die

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<v Speaker 1>tribute podcast. And what we did was, you know, Pete

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<v Speaker 1>Die obviously had a profound influence on golf course architecture, uh,

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<v Speaker 1>and he's been talked about a on this podcast. So

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<v Speaker 1>what what I did was I kind of pulled together

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<v Speaker 1>all of the different clips and architects talking about Pete

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<v Speaker 1>Die over the years of this podcast, and we kind

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<v Speaker 1>of built an episode around these clips, and we figured

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<v Speaker 1>it'd be a great way to remember one of the

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<v Speaker 1>most influential architects of in the history of golf. So

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<v Speaker 1>here is Garrett and I's episode on Pete Die with

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<v Speaker 1>the excerpts from many of today's greatest architects.

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<v Speaker 3>I miss the green, for example, I'm already upset.

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<v Speaker 4>When I find my ball in the bunker, I'm really upset.

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<v Speaker 4>And when I find my.

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<v Speaker 5>Ball in a brid Egg Friday Egg, the dreaded Frida

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<v Speaker 5>Egg Frida Egg Egg Frida egg Bride egg Lie, I'm

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<v Speaker 5>about ready to run off of the.

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<v Speaker 6>All right. So basically what we're doing with this episode

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<v Speaker 6>is we are collecting a few clips from the podcast

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<v Speaker 6>going back even a couple of years, where we have

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<v Speaker 6>had various people, mostly architects, talking about Pete Dye and

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<v Speaker 6>Pete Dye's influence. And I think that we were both

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<v Speaker 6>surprised Andy, when we were going through these clips how

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<v Speaker 6>rich they were and how much Pete Dye meant to

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<v Speaker 6>How many different people would you agree with that?

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<v Speaker 1>Yeah, I think you obviously hear it with everybody talking

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<v Speaker 1>about how influential he was, but then listening to people

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<v Speaker 1>like Bill Corr, Tom Doak talk about it, Jim or

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<v Speaker 1>Bina talk about directly working with them, and the profound

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<v Speaker 1>effect and impact that he had actually all the different

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<v Speaker 1>stories and just getting it from the state of architecture

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<v Speaker 1>before Pete Die to after is just unbelievable. And I

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<v Speaker 1>think that's uh, I always, you always I remember those clips.

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<v Speaker 1>I didn't remember Bill Corr's clip being so I mean,

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<v Speaker 1>it's crazy because you know, you do the interview and

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<v Speaker 1>I kept I remember him talking about Pete and I

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<v Speaker 1>kept pulling on the thread, but I didn't remember all

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<v Speaker 1>the stuff he said and really listening to it, it

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<v Speaker 1>was it was pretty crazy, you know.

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<v Speaker 6>Yeah, yeah it is. It's a great clip. And and

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<v Speaker 6>so this is basically how this episode is going to go.

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<v Speaker 6>Where we're going to We basically have a batch of clips,

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<v Speaker 6>and we're going to introduce them, play them for you,

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<v Speaker 6>and discuss them a little bit. We thought that this

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<v Speaker 6>would be a good way to reflect on Pete Die's legacy,

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<v Speaker 6>his impact on golf architecture. So the very first clip

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<v Speaker 6>we have is Bill cor discussing, among other things, how

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<v Speaker 6>he got into working with Pete Dye, how Pete Dye

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<v Speaker 6>changed architecture.

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<v Speaker 1>How I mean, how he even wanted how he wanted

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<v Speaker 1>to become a golf architect.

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<v Speaker 6>Right, yeah, I mean it's amazing. So yeah, so here's

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<v Speaker 6>here's the clip Bill Corr from episode fifty nine.

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<v Speaker 4>But no, it was actually after I had graduated from

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<v Speaker 4>Wake Forest and I was about to go to a

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<v Speaker 4>graduate school of Duke and Uncle Sam decided that I

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<v Speaker 4>should make a bit of a detour. And so I

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<v Speaker 4>had spent two years in the Army and as I

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<v Speaker 4>was about to get out, I saw a golf course

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<v Speaker 4>near my home in North Carolina. Was in a town

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<v Speaker 4>call high Point, North Carolina, and many Pete and I

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<v Speaker 4>was designing a course there. And the course was it

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<v Speaker 4>was called Oak Hall Public Health Course. And I had

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<v Speaker 4>never heard of Pete guy, and I knew nothing about

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<v Speaker 4>this golf course. And somebody said, oh, they're building a

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<v Speaker 4>golf course not so far away. And I remember when

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<v Speaker 4>I was, you know, I had a weekend away there

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<v Speaker 4>from the from the Army, and I'd gone home and

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<v Speaker 4>I went out to look at it. And it's when

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<v Speaker 4>Pete was doing things very much like Harbortale, shorter courses, finesse, yeah,

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<v Speaker 4>railroad sleepers, the whole thing people think about. And it

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<v Speaker 4>was just fascinating to me. This was a course in

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<v Speaker 4>the era of Robert trent Yale Senior. And when I

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<v Speaker 4>saw this golf course, I thought, okay, that's kind of

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<v Speaker 4>that's very interesting. And I think more than anything Andy

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<v Speaker 4>that's when out there that day walking around the course

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<v Speaker 4>wasn't open yet, but it wasn't too far away from open,

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<v Speaker 4>and I just remember thinking, I wonder how you do this?

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<v Speaker 4>I love golf. I think I know a good course

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<v Speaker 4>when I see one, But how does this happen? What's

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<v Speaker 4>the process? And you know, having been away from school

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<v Speaker 4>for over two years, it's that decision back do I

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<v Speaker 4>go to graduate school? And then I'm thinking, well, I'm single,

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<v Speaker 4>I don't I don't need much money or anything I could.

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<v Speaker 4>I might like to see how this is done. So

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<v Speaker 4>I remember the guy who was out there watering. It

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<v Speaker 4>was a little Sunday after the guy was at their

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<v Speaker 4>water and of course asked him who did it. He said,

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<v Speaker 4>I some man named Die. And again it didn't mean

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<v Speaker 4>anything to me at the time. This was in nineteen

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<v Speaker 4>seventy one, and I said, do you know how to

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<v Speaker 4>get in touch with you? He said, oh, I'm sure.

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<v Speaker 4>His names and the superintendent's rolodex, and here he drove

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<v Speaker 4>me back to the mainting the shop. We walked in

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<v Speaker 4>there and he takes the old fashioned rollodecks where you

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<v Speaker 4>turning around with it, you know, cards, flip cards with

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<v Speaker 4>wooden names and dressing and phone numbers, and sure enough

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<v Speaker 4>he finds it, finds Pete giving me his number. I

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<v Speaker 4>began calling Pete, said badger him to say if I

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<v Speaker 4>could get a job, just to see how this was deaf.

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<v Speaker 4>So that was the moment.

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<v Speaker 7>How long did it take together?

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<v Speaker 1>Job?

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<v Speaker 4>Quite a while? Actually, I mean I called Pete. He

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<v Speaker 4>I remember, I blatantly made up a story that I

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<v Speaker 4>was going to be in Florida, which I really didn't

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<v Speaker 4>any reason to be in Florida, but as soon as

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<v Speaker 4>I was going to get get my discharge from the military,

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<v Speaker 4>and he said, well, if you're ever down here, you

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<v Speaker 4>know calling, So I just I made my way down

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<v Speaker 4>to Florida after I was discharged in the military, and

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<v Speaker 4>I called him and he uh he interesting enough. It

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<v Speaker 4>was another of all things on a Sunday afternoon. And

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<v Speaker 4>and Pete he was a huge Miami Dolphins man. And

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<v Speaker 4>this is in the time when the Dolphins were dominant,

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<v Speaker 4>you know, the year actually I think that they went undefeated.

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<v Speaker 4>She dodge you, larrysarka barber, these guys there. You know,

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<v Speaker 4>it's just Pete was such a huge fan.

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<v Speaker 7>Dophins, Yeah, I think so.

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<v Speaker 4>I think so. So. I remember calling and Pete. You know,

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<v Speaker 4>she had no interest whatsoever what I wanted to talk about.

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<v Speaker 4>But I do remember. He said, where are you? I said, well,

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<v Speaker 4>I'm at the whatever it is, I can't remember, some

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<v Speaker 4>little hotel, hotel there beach and he said, sure, I

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<v Speaker 4>can talk to you. He said, I'll be over here.

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<v Speaker 4>But what he's gonna come over here? He wanted to

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<v Speaker 4>watch the football game. He had a bunch of folks

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<v Speaker 4>in his house. He came over there. I didn't know who.

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<v Speaker 4>I didn't know what to look for. I didn't know

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<v Speaker 4>I didn't know what he looked like or anything. I'm

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<v Speaker 4>just asking people to walk in the door. Upe done.

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<v Speaker 4>They all look him. No. Well then anyway, he walks

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<v Speaker 4>in and he says, so you want to talk about Golfer?

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<v Speaker 4>I said yes. He said, all right, let's go to

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<v Speaker 4>your room. What and so here we go up to

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<v Speaker 4>my room. He clops down in the bed and gets

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<v Speaker 4>the TV face turns the football game. That's all he

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<v Speaker 4>wanted to do was watch the football game, so he

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<v Speaker 4>sort of absent minded. They talked to me while he

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<v Speaker 4>watched the football game. So that was And then he said, well,

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<v Speaker 4>we're eventually we're going to be doing a golf course

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<v Speaker 4>up near all in North Carolina. Turned out to be

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<v Speaker 4>the Cardinal Club in Greensboro. He said, you can come

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<v Speaker 4>out there and maybe they will find something for you

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<v Speaker 4>to do. It was another year over after that that

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<v Speaker 4>they actually started a car whenever. He didn't remember me

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<v Speaker 4>from anybody.

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<v Speaker 7>I mean, you know, hey, you were I was persistent

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<v Speaker 7>and he served in immedia media.

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<v Speaker 4>You you fixed his problem.

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<v Speaker 7>You want to watch the Dolphins, and you're probably a

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<v Speaker 7>great excuse for him to get out.

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<v Speaker 4>Of exactly he was able to sit there and watch

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<v Speaker 4>the entire game. The game was over gone, you know,

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<v Speaker 4>and so but it was. It was just one of

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<v Speaker 4>those sort of odd things that happens.

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<v Speaker 7>What you know, everybody talks about the railroad ties and

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<v Speaker 7>then you know people remembering for the TPC courses he built,

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<v Speaker 7>like you know, a regular fan, but like, what would

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<v Speaker 7>you say is the most underappreciated aspect of Pete dies

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<v Speaker 7>work as an architect.

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<v Speaker 4>He changed the direction of golf architecture twice. Yeah, that's

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<v Speaker 4>no one else has ever done on that. I mean

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<v Speaker 4>he started, you know, he first changed it with courses

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<v Speaker 4>like Harbortown when Robert trip Jones Senior was doing the

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<v Speaker 4>exact opposite doing, you know, par seventy two seven thousand

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<v Speaker 4>yard championship golf courses. That was the thing, that was

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<v Speaker 4>the motto, that was the selling point, and Pete went

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<v Speaker 4>to the exact opposite direction. Shorter Fronest course was quirky.

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<v Speaker 4>He had seen Ian Alice, had seen the railroad ties

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<v Speaker 4>when they had played a lot in Scotland and thought,

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<v Speaker 4>well that could work, we can do something of that.

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<v Speaker 4>And it was just something that people in this country,

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<v Speaker 4>unless they had traveled to Scotland or Ireland, they just

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<v Speaker 4>weren't used to. So the fact that Harbor Town was

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<v Speaker 4>so well received, I think the first tournament there was

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<v Speaker 4>in nineteen seventy and called Arno potter Wood. Yeah, and

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<v Speaker 4>so the fact that was so well received instantly put him,

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<v Speaker 4>you know, in the public eye as far as the

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<v Speaker 4>golf course architect and pretty soon everything you saw started

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<v Speaker 4>going in that direction. Well then when the TPC Jacksonville

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<v Speaker 4>came in, which is many years later, but he changed

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<v Speaker 4>it again completely there. So I know, I know no

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<v Speaker 4>one else who's who's done that, who's actually changed And

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<v Speaker 4>once Pete did Harbortown in the finesse course type type situation,

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<v Speaker 4>and then when he changed to the more challenging, longer

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<v Speaker 4>whatever you want to how you want to describe it,

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<v Speaker 4>TPC type course, the next thing is almost everyone was

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<v Speaker 4>doing the same. It was just he he literally changes,

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<v Speaker 4>not just the direct but if you watch the progression,

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<v Speaker 4>you saw many courses appear like like Pete's early course

0:14:07.559 --> 0:14:11.600
<v Speaker 4>at Harbortown, But then after TPC you saw many many

0:14:11.720 --> 0:14:14.160
<v Speaker 4>courses appear that suddenly looked like that.

0:14:15.679 --> 0:14:21.160
<v Speaker 7>Yeah, the architecture industry, your time has changed so many times.

0:14:21.320 --> 0:14:22.960
<v Speaker 4>It's it's different.

0:14:23.320 --> 0:14:25.840
<v Speaker 7>It's kind of crazy about for one man to do

0:14:25.960 --> 0:14:26.640
<v Speaker 7>the life.

0:14:26.960 --> 0:14:28.720
<v Speaker 4>Yeah, I know, I'm no one else done.

0:14:31.000 --> 0:14:34.600
<v Speaker 7>So A lot of people say that he died of

0:14:34.920 --> 0:14:40.200
<v Speaker 7>penal architect versus a strategic one. What would what would

0:14:40.240 --> 0:14:41.240
<v Speaker 7>you consider.

0:14:41.520 --> 0:14:50.080
<v Speaker 4>Being well andy? I think certainly I'm a bit partial

0:14:50.480 --> 0:14:56.520
<v Speaker 4>to Pete's Harbor Town so speak phase or Finesse was

0:14:56.560 --> 0:15:01.400
<v Speaker 4>a little more at the were stone on the golf course.

0:15:01.480 --> 0:15:06.920
<v Speaker 4>And they think then they were extraordinarily strategic, playing to

0:15:07.000 --> 0:15:10.600
<v Speaker 4>certain positions to get to other to get to angles

0:15:10.600 --> 0:15:14.080
<v Speaker 4>and things. I think is Pete saw the game changing,

0:15:14.880 --> 0:15:18.840
<v Speaker 4>meaning players eating involve farther and farther and farther, and

0:15:19.800 --> 0:15:24.640
<v Speaker 4>the the I think is he then changed to try

0:15:24.680 --> 0:15:31.680
<v Speaker 4>to challenge those those players at the TBC courses. They

0:15:31.680 --> 0:15:35.680
<v Speaker 4>were still strategic. They were certainly strategic for you know,

0:15:36.000 --> 0:15:39.400
<v Speaker 4>the best players. They still wanted to play to certain positions,

0:15:39.920 --> 0:15:46.120
<v Speaker 4>usually right next to some very visible hazard. And you

0:15:46.160 --> 0:15:49.760
<v Speaker 4>would always give you something to look at. There was

0:15:49.840 --> 0:15:54.480
<v Speaker 4>always something in your eye as a player, and more

0:15:54.520 --> 0:15:56.960
<v Speaker 4>often than not that you could play close to that

0:15:57.080 --> 0:16:03.880
<v Speaker 4>you had an advantage in some way. But I think

0:16:03.960 --> 0:16:06.960
<v Speaker 4>Pete and Alison in the work that they've done through

0:16:06.960 --> 0:16:12.480
<v Speaker 4>the years is this is some absolutely fascinating, fascinating courses

0:16:13.560 --> 0:16:16.440
<v Speaker 4>and and yet you do hear about was very penal.

0:16:16.960 --> 0:16:18.720
<v Speaker 4>I think a lot of that depends on what team

0:16:18.720 --> 0:16:21.360
<v Speaker 4>you you play from. I think a lot of it

0:16:25.120 --> 0:16:28.760
<v Speaker 4>the situation is there's more the impression that comes from

0:16:28.840 --> 0:16:34.440
<v Speaker 4>the tp C course type, famous of their of their architecture.

0:16:34.600 --> 0:16:41.080
<v Speaker 4>So I see it as a strategic and penal book.

0:16:41.680 --> 0:16:48.080
<v Speaker 7>Yeah, I agree. I I think I follow the strategic

0:16:48.120 --> 0:16:51.840
<v Speaker 7>size because and I grew up playing.

0:16:51.640 --> 0:16:53.320
<v Speaker 4>The Dia Corse in Florida like.

0:16:53.480 --> 0:16:57.440
<v Speaker 7>All everyday family vacation, and you know, I still want

0:16:57.520 --> 0:17:01.520
<v Speaker 7>to go there. It's all angles, and you know, you

0:17:01.560 --> 0:17:03.560
<v Speaker 7>do have to see a little bit better at the player,

0:17:03.680 --> 0:17:06.840
<v Speaker 7>but the strategy is so good and all that stuff.

0:17:07.200 --> 0:17:14.119
<v Speaker 4>Yeah, it's again Pete Dallas were amazing with that and

0:17:14.160 --> 0:17:16.200
<v Speaker 4>the thing they were able to do too, I think

0:17:16.240 --> 0:17:22.159
<v Speaker 4>Andy's they could do some really unusual type country and

0:17:22.200 --> 0:17:24.520
<v Speaker 4>whether you want to call it the mounds or even

0:17:24.560 --> 0:17:26.919
<v Speaker 4>the you know, the railroad ties along the water, and

0:17:26.960 --> 0:17:32.240
<v Speaker 4>then the certain types of greens, shapes and angles and

0:17:33.200 --> 0:17:37.440
<v Speaker 4>but it's really abrupt things that people were necessarily used

0:17:37.480 --> 0:17:43.440
<v Speaker 4>to seeing and and yet they work. Yeah, it's very,

0:17:43.800 --> 0:17:46.560
<v Speaker 4>very seldom l ever see a Pete Die golf course,

0:17:46.680 --> 0:17:49.440
<v Speaker 4>even a whole on the Pea Die golf course that

0:17:49.640 --> 0:17:54.159
<v Speaker 4>doesn't function from a playing standpoint. And the other people

0:17:54.200 --> 0:17:57.280
<v Speaker 4>who then said, oh, that's what's selling now, that's what

0:17:57.400 --> 0:18:02.840
<v Speaker 4>I'm going to produce, never I don't oftentimes didn't have

0:18:02.920 --> 0:18:08.320
<v Speaker 4>the same insights as to how you truly played golf

0:18:08.840 --> 0:18:11.639
<v Speaker 4>within the confines of the golf course, and so you

0:18:11.680 --> 0:18:18.200
<v Speaker 4>would see some knockoff models, shall we say them, TPC

0:18:18.400 --> 0:18:24.639
<v Speaker 4>courses that that probably were far too people because of that,

0:18:25.280 --> 0:18:28.720
<v Speaker 4>there was just probably not that bit of insight as

0:18:28.760 --> 0:18:33.600
<v Speaker 4>to how would this actually play, how this actually it

0:18:33.600 --> 0:18:38.159
<v Speaker 4>looks like exactly visually, because they might have mounds and

0:18:38.200 --> 0:18:42.159
<v Speaker 4>pot bunkers and or water down the side or certain

0:18:42.200 --> 0:18:47.080
<v Speaker 4>angles and things always not the same. But when it

0:18:47.119 --> 0:18:50.240
<v Speaker 4>came down to the ability to move your golf ball

0:18:50.680 --> 0:18:56.119
<v Speaker 4>through the golf course and be successful, a lot of times,

0:18:57.520 --> 0:18:59.879
<v Speaker 4>you know, other people just didn't have the same insight

0:19:00.280 --> 0:19:02.160
<v Speaker 4>that Pete work.

0:19:03.640 --> 0:19:06.439
<v Speaker 6>So Andy, what was something when you listen back to

0:19:06.520 --> 0:19:09.480
<v Speaker 6>that clip, What was something that struck you that you

0:19:09.520 --> 0:19:11.960
<v Speaker 6>didn't really remember that well from the interview itself.

0:19:12.840 --> 0:19:15.480
<v Speaker 1>So I when I when I listened back to that clip,

0:19:15.520 --> 0:19:18.080
<v Speaker 1>the thing that I forgot, you know, I always said,

0:19:18.560 --> 0:19:21.840
<v Speaker 1>I always remembered him earlier in that same episode talking

0:19:21.880 --> 0:19:24.760
<v Speaker 1>about Perry Maxwell and the impact that Maxwell had on

0:19:24.840 --> 0:19:28.640
<v Speaker 1>his career. But I forgot that he said he wouldn't

0:19:28.760 --> 0:19:32.280
<v Speaker 1>have gotten into architecture had it not been for seeing

0:19:32.520 --> 0:19:35.879
<v Speaker 1>that golf course in high Point, North Carolina, which happens

0:19:35.920 --> 0:19:41.040
<v Speaker 1>to be Oakallow a public golf course there, and and

0:19:41.320 --> 0:19:44.040
<v Speaker 1>That's the thing I think that sticks out to me

0:19:44.400 --> 0:19:51.400
<v Speaker 1>was something about what Die was doing made Core say

0:19:51.400 --> 0:19:53.320
<v Speaker 1>to himself, well, I really want to be a part

0:19:53.359 --> 0:19:56.240
<v Speaker 1>of this, when he probably had thought about it before

0:19:56.320 --> 0:20:00.880
<v Speaker 1>that point, right, And and something about a different way

0:20:00.920 --> 0:20:05.000
<v Speaker 1>that Die was doing the work, or the way the

0:20:05.040 --> 0:20:09.640
<v Speaker 1>golf course presented itself differently, is what kind of made

0:20:09.720 --> 0:20:12.200
<v Speaker 1>him have this light bulb moment that said I want

0:20:12.240 --> 0:20:14.080
<v Speaker 1>to maybe look and see if I can do this

0:20:14.160 --> 0:20:17.280
<v Speaker 1>for a career. And that's the thing that, you know,

0:20:17.359 --> 0:20:20.280
<v Speaker 1>beyond anything else. And I think we have later clips

0:20:20.320 --> 0:20:24.320
<v Speaker 1>that shed more light on different aspects of the things

0:20:24.359 --> 0:20:27.399
<v Speaker 1>that Korr was talking about. But that's the thing that

0:20:27.440 --> 0:20:30.000
<v Speaker 1>stands out to me is that Die's work in a

0:20:30.000 --> 0:20:34.840
<v Speaker 1>way was inspirational and stood out amongst all the other

0:20:34.920 --> 0:20:37.119
<v Speaker 1>work that was going on in that era, which was,

0:20:37.480 --> 0:20:41.160
<v Speaker 1>you know, the most golf course construction work that we've

0:20:41.200 --> 0:20:41.760
<v Speaker 1>ever seen.

0:20:42.600 --> 0:20:46.119
<v Speaker 6>It's a very common story, in fact, where one of

0:20:46.160 --> 0:20:49.159
<v Speaker 6>these architects that we're talking to goes and sees a

0:20:49.200 --> 0:20:52.760
<v Speaker 6>Pete Die golf course and says, hey, there's something different here,

0:20:52.800 --> 0:20:56.200
<v Speaker 6>there's something interesting here. I should look into this further,

0:20:56.400 --> 0:20:58.840
<v Speaker 6>or I should go work for this guy, or I

0:20:58.880 --> 0:21:03.719
<v Speaker 6>should design my golf courses differently. It's remarkable how often

0:21:03.800 --> 0:21:06.719
<v Speaker 6>that comes up, just the act of somebody going and

0:21:06.760 --> 0:21:10.919
<v Speaker 6>seeing a peate Die golf course in the sixties, seventies,

0:21:11.040 --> 0:21:14.480
<v Speaker 6>eighties era. They were just different. There was there was

0:21:14.480 --> 0:21:18.560
<v Speaker 6>something about them that struck people, took them aback and

0:21:18.760 --> 0:21:20.200
<v Speaker 6>made them reassess.

0:21:20.359 --> 0:21:23.920
<v Speaker 1>Yeah, you often hear there's that idea of there's something

0:21:24.080 --> 0:21:28.600
<v Speaker 1>more to it. And I think personally, I grew up.

0:21:29.480 --> 0:21:33.880
<v Speaker 1>We would go see my grandparents every vacation growing up

0:21:34.080 --> 0:21:36.880
<v Speaker 1>and they lived on a peat Die course in Florida,

0:21:37.080 --> 0:21:40.320
<v Speaker 1>And whether I knew it or not, from the age

0:21:40.359 --> 0:21:42.760
<v Speaker 1>of you know, six, when I would go out and

0:21:43.000 --> 0:21:47.760
<v Speaker 1>hit plastic golf balls on the golf course like till twenties,

0:21:48.440 --> 0:21:53.080
<v Speaker 1>I think I was learning about golf architecture without knowing

0:21:53.520 --> 0:21:56.560
<v Speaker 1>I was learning, because you know, when I think about

0:21:56.560 --> 0:22:01.480
<v Speaker 1>this golf course now, it's full of really interesting strategy

0:22:01.640 --> 0:22:06.360
<v Speaker 1>and angles and there's plenty of space. And if you're

0:22:06.359 --> 0:22:09.080
<v Speaker 1>in the wrong spot, you're in you know you're in

0:22:09.080 --> 0:22:11.320
<v Speaker 1>the wrong spot because you're looking over the shot saying

0:22:11.359 --> 0:22:14.520
<v Speaker 1>I really really don't want to hit this shot. And

0:22:15.160 --> 0:22:16.919
<v Speaker 1>if you play the you know, if you find that

0:22:16.960 --> 0:22:19.560
<v Speaker 1>line of charm, and I think that's a lot of

0:22:20.119 --> 0:22:23.200
<v Speaker 1>with golf architecture. You just know there's something different about

0:22:23.240 --> 0:22:26.679
<v Speaker 1>certain places. And that's the way I felt growing up

0:22:26.800 --> 0:22:29.320
<v Speaker 1>is I always like going there, and I didn't. It

0:22:29.359 --> 0:22:32.600
<v Speaker 1>took me a long time to conceptualize why. And I

0:22:32.640 --> 0:22:36.280
<v Speaker 1>think that's with so many architects. What happens is there's

0:22:36.320 --> 0:22:38.639
<v Speaker 1>just a place that's a little bit different than your

0:22:38.680 --> 0:22:41.840
<v Speaker 1>status quo. This course on Floord was a lot different

0:22:41.880 --> 0:22:44.800
<v Speaker 1>than the municipal golf course that I grew up playing on,

0:22:45.359 --> 0:22:46.040
<v Speaker 1>and I knew that.

0:22:47.359 --> 0:22:50.399
<v Speaker 6>And so the experience you're describing is the experience that

0:22:50.760 --> 0:22:52.679
<v Speaker 6>a lot of different architects have had, a lot of

0:22:52.840 --> 0:22:56.800
<v Speaker 6>different golfers worldwide have had. In this next batch of clips,

0:22:56.840 --> 0:23:00.800
<v Speaker 6>we'll hear from Tom Doak, Brian Silva, and Jeff Mingey

0:23:01.119 --> 0:23:05.680
<v Speaker 6>about their own kind of die related awakenings. So that's

0:23:05.720 --> 0:23:14.480
<v Speaker 6>what you'll hear right now. Tom Doak from episode one

0:23:14.760 --> 0:23:15.720
<v Speaker 6>of the Yolk with Doug.

0:23:17.240 --> 0:23:19.320
<v Speaker 8>One of the very first courses I saw was Harbor

0:23:19.359 --> 0:23:22.080
<v Speaker 8>Town when it was brand new, And the thing that

0:23:22.200 --> 0:23:24.320
<v Speaker 8>got to be hooked on golf course architecture was this

0:23:24.400 --> 0:23:27.240
<v Speaker 8>little booklet that Charles Price, the golf writer had done.

0:23:27.760 --> 0:23:30.480
<v Speaker 8>It was like hole by hole diagrams. It's kind of

0:23:30.480 --> 0:23:32.920
<v Speaker 8>like you for a yardage book today, except without yardages

0:23:32.920 --> 0:23:35.000
<v Speaker 8>because it was nineteen seventy and people didn't play by.

0:23:35.000 --> 0:23:35.800
<v Speaker 2>Yardage so much.

0:23:36.160 --> 0:23:38.520
<v Speaker 8>But it had like a diagram of the whole and

0:23:38.720 --> 0:23:41.679
<v Speaker 8>three really simple sentences about how to play it, like,

0:23:42.600 --> 0:23:44.840
<v Speaker 8>you know, this is a short par five and if

0:23:44.880 --> 0:23:47.440
<v Speaker 8>you're going for the green in two, you need to

0:23:47.520 --> 0:23:50.480
<v Speaker 8>drive it left near that bunker, otherwise there's going to

0:23:50.520 --> 0:23:52.280
<v Speaker 8>be a tree in your way for the second shot,

0:23:52.880 --> 0:23:54.760
<v Speaker 8>you know. And it was something a ten year old

0:23:54.800 --> 0:23:58.760
<v Speaker 8>could read and understand, and golf course architecture really isn't

0:23:58.840 --> 0:23:59.960
<v Speaker 8>much more complicated than that.

0:24:05.320 --> 0:24:08.760
<v Speaker 6>And now a clip from episode twenty six with Andy

0:24:08.840 --> 0:24:11.399
<v Speaker 6>Johnson interviewing Jeff Mingay.

0:24:12.720 --> 0:24:14.560
<v Speaker 1>If you were going to say, you know, what's the

0:24:14.560 --> 0:24:17.440
<v Speaker 1>one thing that you would take away from Pete Die

0:24:17.480 --> 0:24:20.159
<v Speaker 1>as an architect that you know, really kind of like

0:24:20.480 --> 0:24:22.600
<v Speaker 1>that you admire the most, what would it be?

0:24:23.400 --> 0:24:28.320
<v Speaker 9>Well, I would say the guts and the strength to

0:24:28.720 --> 0:24:32.960
<v Speaker 9>be bold with your work. You know, the I deal

0:24:33.000 --> 0:24:35.080
<v Speaker 9>with a lot of client clubs and I just find

0:24:35.160 --> 0:24:38.520
<v Speaker 9>golfers and I say this to my committees and memberships

0:24:38.520 --> 0:24:42.560
<v Speaker 9>that I work with. Golfers are soft these days. You know,

0:24:43.240 --> 0:24:46.080
<v Speaker 9>they want the golf course to cater to them. You know,

0:24:46.359 --> 0:24:48.680
<v Speaker 9>you do something bold, whether it be a deep bunker

0:24:48.760 --> 0:24:51.800
<v Speaker 9>or a big contour or a green or something, and

0:24:51.880 --> 0:24:54.120
<v Speaker 9>they're they're most of them are upset all the time.

0:24:54.160 --> 0:24:57.960
<v Speaker 9>You know, they don't want golf to be golf. And

0:24:58.400 --> 0:25:00.960
<v Speaker 9>you know, Pete, you know, and we all know, he

0:25:01.200 --> 0:25:04.800
<v Speaker 9>actually gets a bad rap. I think because you know

0:25:04.840 --> 0:25:06.880
<v Speaker 9>he got he got this reputation. At all he did

0:25:06.920 --> 0:25:09.520
<v Speaker 9>was build hard golf courses. I don't believe that to

0:25:09.600 --> 0:25:11.840
<v Speaker 9>be true at all. I find a lot of his

0:25:11.880 --> 0:25:15.320
<v Speaker 9>golf courses to be really fun. But there's always bold

0:25:15.440 --> 0:25:19.520
<v Speaker 9>features out there, you know, that that excite you to play.

0:25:20.400 --> 0:25:22.320
<v Speaker 9>And I just get this sense all the time when

0:25:22.359 --> 0:25:24.600
<v Speaker 9>I'm working at clubs and people want to tone it

0:25:24.680 --> 0:25:28.520
<v Speaker 9>down because they don't want to. I mean, it sounds simplistic,

0:25:28.560 --> 0:25:30.359
<v Speaker 9>but I often say they don't want to play golf.

0:25:30.440 --> 0:25:32.240
<v Speaker 9>I mean when you go when you go to Scotland,

0:25:32.240 --> 0:25:34.600
<v Speaker 9>you go to Ireland, you know, you you see stuff

0:25:34.600 --> 0:25:38.480
<v Speaker 9>that is like bold and hard, and you know I

0:25:38.480 --> 0:25:40.360
<v Speaker 9>got to I I talked to the Pete I one

0:25:40.400 --> 0:25:43.200
<v Speaker 9>time at the uh I think it was two thousand

0:25:43.200 --> 0:25:45.880
<v Speaker 9>and eight PGA Championship at Oakland Hills. I just happened

0:25:45.920 --> 0:25:49.119
<v Speaker 9>to run into him and we were talking about things,

0:25:49.119 --> 0:25:51.240
<v Speaker 9>and you know, he said, let me tell you something.

0:25:51.320 --> 0:25:54.639
<v Speaker 9>I was all excited. He asked, you know, why do

0:25:54.680 --> 0:25:57.159
<v Speaker 9>you think people play golf? And I thought I was

0:25:57.160 --> 0:26:01.120
<v Speaker 9>going to get some philosophical answer, and he said, simply

0:26:01.280 --> 0:26:04.040
<v Speaker 9>because it's hard. You know. Part part of the reason

0:26:04.080 --> 0:26:06.679
<v Speaker 9>you play is because you always think you could do

0:26:06.760 --> 0:26:10.880
<v Speaker 9>better next time, you know, and you know, and again,

0:26:10.920 --> 0:26:12.960
<v Speaker 9>I really give him a lot of credit. I think

0:26:13.000 --> 0:26:17.159
<v Speaker 9>he built his reputation on not being afraid to be bold.

0:26:18.240 --> 0:26:20.960
<v Speaker 9>And that doesn't mean make every hole bold or every

0:26:21.400 --> 0:26:24.480
<v Speaker 9>course bold, but you need you need some stuff that's

0:26:24.480 --> 0:26:26.560
<v Speaker 9>going to excite people, want people to come back to

0:26:26.600 --> 0:26:30.320
<v Speaker 9>play and come back to try and yeah thrills and

0:26:30.640 --> 0:26:33.080
<v Speaker 9>try to try to conquer some things that are that

0:26:33.119 --> 0:26:36.720
<v Speaker 9>are seemingly difficult, you know, or are difficult, and it's

0:26:36.800 --> 0:26:40.040
<v Speaker 9>it's it's challenging these days, you know, I mean, especially

0:26:40.040 --> 0:26:42.000
<v Speaker 9>for a guy like me. You know, I'm I'm still

0:26:42.000 --> 0:26:44.000
<v Speaker 9>in the midst of building my career. I'm not a

0:26:44.080 --> 0:26:46.600
<v Speaker 9>dog or a core or even a Hants or anything

0:26:46.680 --> 0:26:50.479
<v Speaker 9>like that yet. But you know, when you're working at

0:26:50.480 --> 0:26:54.320
<v Speaker 9>a club and you see an opportunity to do something bold,

0:26:54.880 --> 0:26:57.960
<v Speaker 9>you know, your first thought is, okay, how you know,

0:26:58.040 --> 0:26:59.440
<v Speaker 9>how is this going to be received?

0:27:00.040 --> 0:27:00.959
<v Speaker 4>You know, am I going to be?

0:27:01.080 --> 0:27:02.880
<v Speaker 9>Am I going to get fired here? Because I want

0:27:02.960 --> 0:27:05.840
<v Speaker 9>to do something that's got some real character. But you know,

0:27:05.880 --> 0:27:08.200
<v Speaker 9>and I follow through because I do think you guys

0:27:08.280 --> 0:27:11.879
<v Speaker 9>like like Pete die and and other architecture, but you

0:27:12.359 --> 0:27:14.720
<v Speaker 9>need those type of features and need those types of

0:27:14.760 --> 0:27:18.440
<v Speaker 9>holes out there. But it is it's you know, it's

0:27:18.480 --> 0:27:21.600
<v Speaker 9>it's a you're always thinking about the potential threat when

0:27:21.560 --> 0:27:23.800
<v Speaker 9>you're when you're about to build something that you know

0:27:23.960 --> 0:27:26.560
<v Speaker 9>is going to be controversial. But as you know, I mean,

0:27:26.600 --> 0:27:29.720
<v Speaker 9>all the great holes in the world are are polarizing.

0:27:29.960 --> 0:27:31.600
<v Speaker 3>You know, you either love them or hate them.

0:27:31.680 --> 0:27:34.800
<v Speaker 9>If they're if they just shot in the middle, maybe

0:27:34.880 --> 0:27:35.240
<v Speaker 9>no good.

0:27:39.960 --> 0:27:42.879
<v Speaker 6>And here is Brian Silva from episode forty.

0:27:44.480 --> 0:27:47.479
<v Speaker 10>Early on in my life, when I was teaching at

0:27:47.520 --> 0:27:51.719
<v Speaker 10>Lake City and See during the summer when there were

0:27:51.760 --> 0:27:55.600
<v Speaker 10>no classes, my job was to drive around the southeast

0:27:56.520 --> 0:28:02.240
<v Speaker 10>and visit courses where my students were working on their

0:28:02.440 --> 0:28:08.359
<v Speaker 10>summer on the job training thing, and I started to

0:28:08.560 --> 0:28:13.480
<v Speaker 10>you know, Harbor Town and Well and even Seminole, which

0:28:13.720 --> 0:28:17.719
<v Speaker 10>Pete didn't design but he was a member of. I

0:28:17.760 --> 0:28:22.320
<v Speaker 10>started to think that his courses were a little bit

0:28:22.440 --> 0:28:29.200
<v Speaker 10>different than other people's courses. And it wasn't just it.

0:28:30.400 --> 0:28:35.080
<v Speaker 10>It was decidedly not the railroad ties or or pot

0:28:35.119 --> 0:28:38.680
<v Speaker 10>bunkers or strip bunkers. There was something going on there,

0:28:39.400 --> 0:28:42.520
<v Speaker 10>and and that kind of planted a little thing in

0:28:42.600 --> 0:28:46.440
<v Speaker 10>my mind. I wish I had been bright enough to

0:28:46.560 --> 0:28:50.920
<v Speaker 10>fully understand it. And then when I became a USJA

0:28:51.040 --> 0:28:56.280
<v Speaker 10>agronomist up in the Northeast, I saw lots of golf courses,

0:28:56.680 --> 0:29:00.600
<v Speaker 10>but I started to really like these McDonald and Rainer

0:29:00.680 --> 0:29:06.160
<v Speaker 10>golf courses. There was something going on there. I wasn't

0:29:06.240 --> 0:29:09.800
<v Speaker 10>quite sure what it was, but I knew they were

0:29:10.000 --> 0:29:13.920
<v Speaker 10>different and they were fun to play, but they were

0:29:13.960 --> 0:29:19.920
<v Speaker 10>still challenging. But I still was so stupid, I couldn't

0:29:20.400 --> 0:29:27.320
<v Speaker 10>really boil it down to its fundamentals. And I'm going

0:29:27.400 --> 0:29:30.960
<v Speaker 10>to tell you a story I never tell in public.

0:29:33.080 --> 0:29:35.720
<v Speaker 10>But we used to close the office the first week

0:29:35.720 --> 0:29:37.960
<v Speaker 10>in December, back when we had an office, and we'd

0:29:38.040 --> 0:29:41.400
<v Speaker 10>go out to Lakitta, California. I had friends who worked

0:29:41.400 --> 0:29:45.479
<v Speaker 10>for Landmark and we would play like Ryder Cup matches

0:29:45.520 --> 0:29:48.280
<v Speaker 10>against them for a week. There had be four of

0:29:48.360 --> 0:29:51.920
<v Speaker 10>us against four of them, and we would play Lakitita Mountain,

0:29:52.440 --> 0:29:56.480
<v Speaker 10>Lakita Citrus, we'd play PGA West, we'd play the old

0:29:56.520 --> 0:30:00.600
<v Speaker 10>Dinah Shore, we'd play the New Dinah Shore. It was

0:30:01.040 --> 0:30:07.960
<v Speaker 10>a Pete Dye extravaganza. And again I felt there was

0:30:08.040 --> 0:30:11.160
<v Speaker 10>something about his courses. And this is the truth, and

0:30:11.200 --> 0:30:14.520
<v Speaker 10>I'm a little embarrassed about this. One night after dinner,

0:30:14.560 --> 0:30:18.440
<v Speaker 10>I walked over to Lakinto Hotel and this was in December,

0:30:18.800 --> 0:30:21.840
<v Speaker 10>about two weeks after they'd had the Skins game at

0:30:21.840 --> 0:30:25.880
<v Speaker 10>PGA West, and I sat next to the fireplace, and

0:30:25.920 --> 0:30:28.800
<v Speaker 10>in a little wicker basket next to the fireplace there

0:30:28.800 --> 0:30:33.320
<v Speaker 10>were the program books that they sold during the Skins game.

0:30:34.720 --> 0:30:38.160
<v Speaker 10>And I are you taping me? Andy?

0:30:38.240 --> 0:30:38.400
<v Speaker 4>Oh?

0:30:38.480 --> 0:30:43.760
<v Speaker 10>Yeah, okay, all right, then I won't use great expletives.

0:30:45.720 --> 0:30:50.440
<v Speaker 10>In this wicker basket was a program and I opened

0:30:50.440 --> 0:30:54.200
<v Speaker 10>it up and the centerfold. You know, only a guy

0:30:54.360 --> 0:30:58.600
<v Speaker 10>interested in design can go nuts about a centerfold, which

0:30:58.640 --> 0:31:02.800
<v Speaker 10>is an aerial photograph of PGA West. And when you

0:31:02.840 --> 0:31:09.640
<v Speaker 10>look down on it from the sky. Immediately I said, oh,

0:31:10.680 --> 0:31:17.000
<v Speaker 10>holy crap, it's all about angles. I could see the

0:31:17.040 --> 0:31:20.920
<v Speaker 10>angles that Pete had put in, how a green might

0:31:21.000 --> 0:31:24.360
<v Speaker 10>point down the point at the hook side of the fairway,

0:31:24.600 --> 0:31:26.680
<v Speaker 10>and how there was one of his bite off strip

0:31:26.720 --> 0:31:29.520
<v Speaker 10>bunkers that went down the right side, and the more

0:31:29.560 --> 0:31:31.800
<v Speaker 10>you bid off, the more you aligned with the green.

0:31:32.520 --> 0:31:35.560
<v Speaker 10>And I said, honest to God, I said, oh, you stupid,

0:31:35.720 --> 0:31:40.240
<v Speaker 10>sob you were on the edge of this, but it

0:31:40.400 --> 0:31:44.120
<v Speaker 10>didn't with the different little points didn't all go together

0:31:45.000 --> 0:31:50.440
<v Speaker 10>to make you realize it. And that day what I

0:31:50.520 --> 0:31:56.120
<v Speaker 10>thought about golf course design completely changed. So it was

0:31:56.200 --> 0:32:04.959
<v Speaker 10>really Pete's angles hit me. I didn't fully form it

0:32:05.000 --> 0:32:08.720
<v Speaker 10>in my mind or verbalize it. And then Raynard McDonald

0:32:08.800 --> 0:32:11.320
<v Speaker 10>I saw more of that. And then when I saw

0:32:11.360 --> 0:32:16.240
<v Speaker 10>this picture, it completely changed the way I thought. I

0:32:16.320 --> 0:32:19.440
<v Speaker 10>knew my carter's for play had to be much wider.

0:32:19.480 --> 0:32:21.840
<v Speaker 10>I knew we had to cut down trees to give

0:32:21.920 --> 0:32:27.920
<v Speaker 10>people the width that allows alternate routes. It was really

0:32:29.000 --> 0:32:34.640
<v Speaker 10>it was a interesting for me awakening. For if you

0:32:34.680 --> 0:32:38.200
<v Speaker 10>said to me, Brian, what would you do different in

0:32:38.240 --> 0:32:41.760
<v Speaker 10>your life? I would say to you, well, I would

0:32:41.760 --> 0:32:43.880
<v Speaker 10>have gone to see all the golf courses I did

0:32:44.200 --> 0:32:46.200
<v Speaker 10>when I was working at the college, when I was

0:32:46.240 --> 0:32:49.000
<v Speaker 10>growing up, going to my dad's jobs, when I was

0:32:49.000 --> 0:32:52.480
<v Speaker 10>a USG green section agronomous. But I would have gone

0:32:52.520 --> 0:32:56.480
<v Speaker 10>and visited even more, and I would have stopped looking

0:32:56.520 --> 0:33:02.320
<v Speaker 10>at the turf, looked at what I call the skeleton,

0:33:03.200 --> 0:33:06.560
<v Speaker 10>the tops of the t's, the top of the fairway

0:33:06.920 --> 0:33:09.280
<v Speaker 10>and the top of the green, and I would look

0:33:09.400 --> 0:33:15.040
<v Speaker 10>at what angles are presented by that, because I think

0:33:15.080 --> 0:33:19.160
<v Speaker 10>that that is ninety nine point nine percent of what

0:33:19.280 --> 0:33:22.960
<v Speaker 10>allows a golf course to be strategic, but also what

0:33:23.080 --> 0:33:26.120
<v Speaker 10>allows a golf course to be played by the average

0:33:26.160 --> 0:33:28.960
<v Speaker 10>and less than average player, but what allows a golf

0:33:28.960 --> 0:33:32.640
<v Speaker 10>course to still be mentally stimulating for an excellent player.

0:33:33.600 --> 0:33:37.320
<v Speaker 10>To me, it's all it's angles and almost nothing else.

0:33:37.640 --> 0:33:42.560
<v Speaker 10>And so this age of the Internet, Google Earth is

0:33:42.640 --> 0:33:47.200
<v Speaker 10>my favorite site because when I get called, hey, this

0:33:47.280 --> 0:33:49.440
<v Speaker 10>is so and so from such and such country club,

0:33:49.880 --> 0:33:53.840
<v Speaker 10>I'm on Google Earth doing my homework before I get

0:33:53.880 --> 0:33:57.080
<v Speaker 10>out there. And the funny thing is, you know, they'll

0:33:57.120 --> 0:33:59.200
<v Speaker 10>they'll say to me when I'm walking, of course, so

0:33:59.320 --> 0:34:01.360
<v Speaker 10>what do you think of conditions? And I say, look,

0:34:01.440 --> 0:34:03.320
<v Speaker 10>I'll tell you what I think of the conditions, because

0:34:03.320 --> 0:34:05.400
<v Speaker 10>I kind of you know, I have a turf degree,

0:34:05.520 --> 0:34:08.400
<v Speaker 10>I have a master's training and plant in soil science

0:34:08.440 --> 0:34:10.319
<v Speaker 10>as I was a USC at Grontos. But I said,

0:34:10.800 --> 0:34:13.320
<v Speaker 10>I'm really not here to tell you about your turf.

0:34:14.400 --> 0:34:16.719
<v Speaker 10>I'm interested in, if you'll forgive me, I think you

0:34:16.760 --> 0:34:20.400
<v Speaker 10>should be interested in the design character of your golf course.

0:34:20.440 --> 0:34:23.920
<v Speaker 10>Does it present angles, does it present alternate routes of play?

0:34:24.600 --> 0:34:27.880
<v Speaker 10>And so on and so forth. So those are my

0:34:27.960 --> 0:34:30.400
<v Speaker 10>influences in a long answer.

0:34:30.040 --> 0:34:33.920
<v Speaker 6>Andy, So, Andy, I was telling you earlier that I

0:34:33.960 --> 0:34:38.680
<v Speaker 6>actually remember listening to the Brian Silva podcast when it

0:34:38.719 --> 0:34:41.719
<v Speaker 6>first came out. This is before I worked for you, obviously,

0:34:42.400 --> 0:34:47.520
<v Speaker 6>and I remembered that particular story about seeing the photographs

0:34:47.520 --> 0:34:51.440
<v Speaker 6>that I guess those aerial photographs of PGA West and

0:34:51.560 --> 0:34:57.360
<v Speaker 6>having an awakening related to angles and about the logic

0:34:57.520 --> 0:35:02.879
<v Speaker 6>of how certain greens encourage certain lines of play. And

0:35:03.120 --> 0:35:05.680
<v Speaker 6>it was just so memorable because it was so clear

0:35:05.760 --> 0:35:08.600
<v Speaker 6>that this was a really important moment for Silva and

0:35:09.280 --> 0:35:12.520
<v Speaker 6>kind of a paradigm shifting moment for him.

0:35:12.640 --> 0:35:16.759
<v Speaker 1>Yeah, this clip is one of my favorites, maybe my

0:35:16.880 --> 0:35:20.480
<v Speaker 1>favorite in the history of the podcast for two reasons.

0:35:20.600 --> 0:35:24.560
<v Speaker 1>One because he in the middle of breaking this down said,

0:35:24.680 --> 0:35:28.719
<v Speaker 1>and this was, you know, thirty forty minutes into the podcast,

0:35:29.080 --> 0:35:33.720
<v Speaker 1>wanted to make sure that I was recording him right.

0:35:33.160 --> 0:35:35.760
<v Speaker 6>Or was worried that you were that he would curse

0:35:35.800 --> 0:35:38.520
<v Speaker 6>while you're recording him. It's like, yeah, okay, that's what

0:35:38.560 --> 0:35:42.560
<v Speaker 6>we're doing here right where this is. This is a podcast.

0:35:43.000 --> 0:35:48.120
<v Speaker 1>But then secondly, the content and just the overall message

0:35:48.160 --> 0:35:51.160
<v Speaker 1>behind what he was saying. It was really powerful moment.

0:35:51.239 --> 0:35:54.560
<v Speaker 1>And you know, this was before I had interviewed Bill

0:35:54.640 --> 0:35:58.560
<v Speaker 1>krr And this this moment kind of ties really well

0:35:58.600 --> 0:36:01.719
<v Speaker 1>in with what Core talked about and the influence of

0:36:02.120 --> 0:36:04.640
<v Speaker 1>Die in the in the sense of how he he

0:36:04.800 --> 0:36:09.799
<v Speaker 1>shifted and changed architecture twice, you know, and how you

0:36:09.840 --> 0:36:14.680
<v Speaker 1>know he had he started to realize that work, you know,

0:36:14.840 --> 0:36:18.759
<v Speaker 1>other people's work looked just like dies, but there was

0:36:19.360 --> 0:36:21.680
<v Speaker 1>you know, there was a little bit different. There wasn't

0:36:21.760 --> 0:36:25.680
<v Speaker 1>the full substance behind the work that the full substance

0:36:25.680 --> 0:36:29.000
<v Speaker 1>that Die had. Because these people saw what Die was doing,

0:36:29.120 --> 0:36:32.560
<v Speaker 1>they realized on the surface. A lot of times not

0:36:33.000 --> 0:36:35.960
<v Speaker 1>I'm not saying for Silva. You know, some some people

0:36:36.080 --> 0:36:39.000
<v Speaker 1>completely got it. But a lot of architects realized at

0:36:39.000 --> 0:36:41.879
<v Speaker 1>the surface what Die was doing, but you know, they

0:36:41.960 --> 0:36:46.239
<v Speaker 1>and it moved architecture in these directions and improved architecture,

0:36:46.760 --> 0:36:49.280
<v Speaker 1>you know. But Die was still the best because he

0:36:49.560 --> 0:36:52.440
<v Speaker 1>was the one that knew every layer of why he

0:36:52.560 --> 0:36:55.799
<v Speaker 1>was doing this and that and this. And I think

0:36:55.840 --> 0:36:59.640
<v Speaker 1>with Silva, it's a perfect example of an architect that

0:37:01.239 --> 0:37:06.440
<v Speaker 1>had a great career going before this moment and then

0:37:06.600 --> 0:37:10.239
<v Speaker 1>upon seeing this and realizing it and as he said,

0:37:10.480 --> 0:37:12.920
<v Speaker 1>you know, you stupid, sob.

0:37:16.360 --> 0:37:18.279
<v Speaker 6>Of course this is what it's about, right, It was

0:37:18.360 --> 0:37:21.520
<v Speaker 6>kind of his idea that, of course, I mean, why

0:37:21.560 --> 0:37:22.640
<v Speaker 6>didn't I see this before?

0:37:23.000 --> 0:37:27.080
<v Speaker 1>It was a moment where you know, Silva planted his

0:37:27.200 --> 0:37:32.440
<v Speaker 1>foot and his courses in architectural portfolio changed forever from

0:37:32.480 --> 0:37:35.040
<v Speaker 1>that moment. And you see, you know, there are a

0:37:35.080 --> 0:37:40.120
<v Speaker 1>lot of very very good Brian Silva independent designs now

0:37:40.520 --> 0:37:44.799
<v Speaker 1>that happened. And it's profoundly, you know, as he put it,

0:37:44.960 --> 0:37:49.640
<v Speaker 1>from seeing this aerial fully conceptualizing the brilliance of Die

0:37:49.719 --> 0:37:53.000
<v Speaker 1>because he saw it for once from the sky. And

0:37:53.920 --> 0:37:59.719
<v Speaker 1>I think that Silva wasn't alone in this generation of

0:37:59.800 --> 0:38:03.279
<v Speaker 1>arc attacks that had similar moments upon seeing that and

0:38:03.760 --> 0:38:07.000
<v Speaker 1>then you know from the dope clips, you know just

0:38:08.160 --> 0:38:11.640
<v Speaker 1>it got. It inspired people to get into design too.

0:38:12.080 --> 0:38:13.799
<v Speaker 6>Yeah, and there are a number of ways that it

0:38:13.840 --> 0:38:18.000
<v Speaker 6>could do that. Brian Silva was looking at his course,

0:38:18.600 --> 0:38:22.640
<v Speaker 6>his PGA West course from the air. What jeff man

0:38:22.680 --> 0:38:27.040
<v Speaker 6>Gay was describing was looking at his courses from the ground,

0:38:27.239 --> 0:38:30.799
<v Speaker 6>I guess really is That's how you can see the

0:38:30.840 --> 0:38:34.120
<v Speaker 6>boldness of Die's features. And that's another way in which

0:38:34.200 --> 0:38:37.480
<v Speaker 6>Dies were kind of liberated people. It was so bold

0:38:37.600 --> 0:38:42.319
<v Speaker 6>and at times just strange. Yes, there were bizarre man

0:38:42.320 --> 0:38:46.000
<v Speaker 6>made features sometimes on his golf courses, and that had

0:38:46.040 --> 0:38:49.279
<v Speaker 6>to be liberating coming out of an era when and

0:38:49.320 --> 0:38:52.040
<v Speaker 6>I don't want to generalize too much here, but in

0:38:52.200 --> 0:38:56.239
<v Speaker 6>era really when things were a little smoother, when the

0:38:56.560 --> 0:39:00.759
<v Speaker 6>approach to golf architecture and specifically to shape being was

0:39:00.800 --> 0:39:04.040
<v Speaker 6>to kind of smooth things out and make things kind

0:39:04.040 --> 0:39:08.400
<v Speaker 6>of calm looking. Die was very different. He was He

0:39:08.480 --> 0:39:12.680
<v Speaker 6>was willing to disrupt your emotions as you were walking

0:39:12.680 --> 0:39:15.240
<v Speaker 6>through the golf course. He was willing to make people

0:39:15.239 --> 0:39:19.800
<v Speaker 6>step back and say that's weird, right', what's that doing there.

0:39:20.200 --> 0:39:22.640
<v Speaker 1>I think a lot of it had to do with

0:39:22.800 --> 0:39:28.160
<v Speaker 1>where Dye grew up too, because growing up in Central Indiana,

0:39:28.840 --> 0:39:32.440
<v Speaker 1>he was exposed to, you know, one of my favorite architects,

0:39:32.520 --> 0:39:36.839
<v Speaker 1>William Langford and Theodore Moreau Langford Moreau and they their

0:39:36.960 --> 0:39:41.359
<v Speaker 1>work there. Some of those the courses around where Die

0:39:41.480 --> 0:39:44.560
<v Speaker 1>grew up are some you'll see some of the boldest

0:39:44.960 --> 0:39:47.680
<v Speaker 1>features you could find on a golf course. And I

0:39:47.680 --> 0:39:53.440
<v Speaker 1>think that was a very important like Die in a way,

0:39:53.640 --> 0:39:55.759
<v Speaker 1>I think the Great Depression in the World War what

0:39:55.880 --> 0:40:00.080
<v Speaker 1>happened with architecture is there there was this stop, the

0:40:00.120 --> 0:40:05.480
<v Speaker 1>evolution of architects had an abrupt halt, and we got

0:40:05.480 --> 0:40:08.240
<v Speaker 1>this new crop. It was almost like architecture was starting

0:40:08.239 --> 0:40:14.240
<v Speaker 1>over again. But Die his influences came from this Golden

0:40:14.280 --> 0:40:17.120
<v Speaker 1>Age architecture what he grew up on, and you can

0:40:17.160 --> 0:40:19.640
<v Speaker 1>see it early in his work. You know, his early

0:40:19.719 --> 0:40:22.840
<v Speaker 1>work is very lay of the land. But then he

0:40:22.880 --> 0:40:27.040
<v Speaker 1>would have these bold features, like bold greens, built up greens,

0:40:27.400 --> 0:40:30.239
<v Speaker 1>and it would be very similar to that you see

0:40:30.239 --> 0:40:33.600
<v Speaker 1>of Lankford Moreau in Indiana, whether it's max Entucky or

0:40:34.000 --> 0:40:38.960
<v Speaker 1>Culver or Harrison Hills, all that Central Illinois or Central

0:40:38.960 --> 0:40:42.360
<v Speaker 1>Indiana work. It just it mirrors a lot and I

0:40:42.520 --> 0:40:46.880
<v Speaker 1>you know, I think Die with today's generation gets a

0:40:46.920 --> 0:40:51.080
<v Speaker 1>bad rap because people think TPC sawgrass in that style.

0:40:51.160 --> 0:40:55.680
<v Speaker 1>But there's a whole different genre of Die. The early

0:40:55.840 --> 0:41:00.480
<v Speaker 1>Die is is really so much different than the later Die.

0:41:00.640 --> 0:41:03.600
<v Speaker 1>And you know where the lay of the land stuff

0:41:03.640 --> 0:41:07.279
<v Speaker 1>like Raderick Hills, the course up in ann Arbor is

0:41:07.360 --> 0:41:11.040
<v Speaker 1>incredible golf course, like it's really fun. You know that.

0:41:11.040 --> 0:41:14.880
<v Speaker 1>That's the thing with Die is the different genres of Die.

0:41:14.960 --> 0:41:18.480
<v Speaker 1>And I think with any architect that lasts a long time,

0:41:18.560 --> 0:41:21.200
<v Speaker 1>they go through evolution as an architect.

0:41:21.520 --> 0:41:24.880
<v Speaker 6>Yeah. And one of the things also about Die is

0:41:24.920 --> 0:41:28.440
<v Speaker 6>that while there are these identifiable phases of his career

0:41:28.480 --> 0:41:30.880
<v Speaker 6>you were talking about early Die, there's a kind of

0:41:30.920 --> 0:41:34.520
<v Speaker 6>middle period Die with the TPC courses, and then there's

0:41:34.640 --> 0:41:38.280
<v Speaker 6>late period Die where you have some really bizarre stuff.

0:41:39.719 --> 0:41:43.080
<v Speaker 6>But a lot of people have affection for early Die

0:41:43.120 --> 0:41:45.839
<v Speaker 6>for obvious reasons. You know, you have the golf club,

0:41:45.840 --> 0:41:48.880
<v Speaker 6>you have Harbor Town, and these are are wonderful courses

0:41:48.880 --> 0:41:51.359
<v Speaker 6>and in quite a bit more subtle than a lot

0:41:51.360 --> 0:41:53.560
<v Speaker 6>of his later work. And I think people have come

0:41:53.600 --> 0:41:56.680
<v Speaker 6>to appreciate that now. But another thing that I notice

0:41:56.719 --> 0:42:00.239
<v Speaker 6>about Die is that there is diversity within each phase

0:42:00.320 --> 0:42:03.280
<v Speaker 6>of his work, right, he was he produced a different

0:42:03.320 --> 0:42:07.040
<v Speaker 6>golf course each time. He produced golf courses with individual

0:42:07.120 --> 0:42:10.640
<v Speaker 6>stamps each time. And again this was in an era

0:42:10.800 --> 0:42:17.000
<v Speaker 6>when golf course production was becoming increasingly mechanized and corporate. Well,

0:42:17.280 --> 0:42:20.480
<v Speaker 6>Die was really resisting that. And that's what we'll hear

0:42:20.480 --> 0:42:23.719
<v Speaker 6>in this next clip from Mike Lee, who is the

0:42:23.719 --> 0:42:28.040
<v Speaker 6>director of grounds at Whistling Straits or at the.

0:42:27.000 --> 0:42:29.640
<v Speaker 1>The Coler properties. He's the headmen, but he's been there

0:42:29.680 --> 0:42:34.040
<v Speaker 1>since nineteen ninety three, so very early. He saw black

0:42:34.040 --> 0:42:37.440
<v Speaker 1>Wolf Run when it was in construction on independently. He

0:42:37.520 --> 0:42:40.520
<v Speaker 1>wasn't a part of the resort yet, but he you know,

0:42:40.719 --> 0:42:46.400
<v Speaker 1>oversaw construction of both straights courses and started working on

0:42:46.480 --> 0:42:48.640
<v Speaker 1>black Wolf Run when he first got his job there

0:42:48.640 --> 0:42:51.080
<v Speaker 1>and was in a lot of meetings with you know,

0:42:51.200 --> 0:42:56.720
<v Speaker 1>Pete and and her Cohler and the Coler corporate team.

0:42:56.840 --> 0:43:00.520
<v Speaker 1>So this was this interview has not aired yet, it

0:43:00.560 --> 0:43:02.880
<v Speaker 1>is it is going to air in the future, but

0:43:03.280 --> 0:43:05.560
<v Speaker 1>we had to pull this clip because it was it

0:43:05.600 --> 0:43:09.960
<v Speaker 1>was really interesting inside look at Di's work and especially

0:43:10.160 --> 0:43:11.320
<v Speaker 1>dies work with a client.

0:43:11.680 --> 0:43:18.440
<v Speaker 6>Yes, okay, great, So here it is Mike Lee from

0:43:18.480 --> 0:43:21.840
<v Speaker 6>a yet to be released episode of our Superintendent series.

0:43:22.520 --> 0:43:24.319
<v Speaker 11>It's funny you say I haven't been around a lot

0:43:24.320 --> 0:43:26.839
<v Speaker 11>of other designers, because that's exactly right. I just don't

0:43:26.840 --> 0:43:30.120
<v Speaker 11>know any other way. I just in the other places

0:43:30.160 --> 0:43:32.880
<v Speaker 11>I worked, we just made almost no changes. I have

0:43:33.040 --> 0:43:35.440
<v Speaker 11>no concept of the way other people do things, and

0:43:35.480 --> 0:43:37.759
<v Speaker 11>only the die way, and I kind of like that

0:43:38.160 --> 0:43:42.600
<v Speaker 11>in many regards. But you know, the way Pete handles

0:43:42.640 --> 0:43:46.160
<v Speaker 11>things is completely the opposite of the way Cooler manages things.

0:43:46.160 --> 0:43:48.840
<v Speaker 11>As a company, they could they couldn't be more different,

0:43:48.920 --> 0:43:51.040
<v Speaker 11>and that sparks a lot, a lot of conflict because

0:43:51.080 --> 0:43:52.920
<v Speaker 11>on one hand, and I'm in the middle of this

0:43:53.040 --> 0:43:55.480
<v Speaker 11>right on the one hand, I've got people telling me

0:43:55.600 --> 0:43:58.600
<v Speaker 11>all the time how much things cost, when is it

0:43:58.640 --> 0:44:01.759
<v Speaker 11>going to be done, who's going to do it, Whole

0:44:01.840 --> 0:44:03.680
<v Speaker 11>schedules of events, on what day we're going to.

0:44:03.680 --> 0:44:06.480
<v Speaker 2>Finish this, all those analytics and.

0:44:06.480 --> 0:44:09.040
<v Speaker 11>Things you'd expect from a manufacturing company, which was really

0:44:09.080 --> 0:44:12.960
<v Speaker 11>important to manufacturing, and Pete couldn't be the more opposite.

0:44:13.040 --> 0:44:16.040
<v Speaker 11>I mean, we would go out and start looking at things.

0:44:16.080 --> 0:44:18.360
<v Speaker 11>I'm thinking of Straight's eighteen, and I would bring my

0:44:18.400 --> 0:44:22.000
<v Speaker 11>clipboard and my notepad because I start writing things down

0:44:22.160 --> 0:44:24.759
<v Speaker 11>because this is my list. I gotta get these things

0:44:24.760 --> 0:44:27.120
<v Speaker 11>done before you get back. And he would, you know,

0:44:27.160 --> 0:44:29.000
<v Speaker 11>we'd get maybe a third of the way through and

0:44:29.040 --> 0:44:30.319
<v Speaker 11>he said, what are you doing? And I said, I'm

0:44:30.320 --> 0:44:32.719
<v Speaker 11>writing this stuff down. He said, we're not doing any

0:44:32.719 --> 0:44:35.520
<v Speaker 11>of this. I said, what do you mean, because we're

0:44:35.560 --> 0:44:37.279
<v Speaker 11>just talking here. We haven't figured this out yet.

0:44:38.360 --> 0:44:40.560
<v Speaker 2>Put that away. You know.

0:44:40.640 --> 0:44:43.160
<v Speaker 11>That was my small version of learning what they learned

0:44:43.200 --> 0:44:44.959
<v Speaker 11>early on at Black Wolf.

0:44:44.960 --> 0:44:46.600
<v Speaker 2>As you showed up a meeting with Pete and.

0:44:46.560 --> 0:44:50.200
<v Speaker 11>You had paper with you or any plans under your arm,

0:44:50.840 --> 0:44:53.560
<v Speaker 11>even of just the layout of the land. You weren't

0:44:53.600 --> 0:44:56.000
<v Speaker 11>invited to the meeting you were, he asked you to leave.

0:44:57.480 --> 0:45:00.359
<v Speaker 11>It's all in his head, and anyone with any kind

0:45:00.400 --> 0:45:03.560
<v Speaker 11>of you know that it's going to interfere with his

0:45:03.960 --> 0:45:07.160
<v Speaker 11>ability to not keep it in his head by putting

0:45:07.239 --> 0:45:08.000
<v Speaker 11>it on paper.

0:45:08.600 --> 0:45:09.040
<v Speaker 2>You're out.

0:45:09.840 --> 0:45:12.560
<v Speaker 1>I'd never thought about it that much, that much as

0:45:12.800 --> 0:45:17.120
<v Speaker 1>the the juxtaposition of you know, golf course architects like

0:45:17.440 --> 0:45:20.720
<v Speaker 1>they're artists. You know, they're in their small shops, they

0:45:21.120 --> 0:45:24.680
<v Speaker 1>you know, they do their craft and everybody's got their

0:45:24.680 --> 0:45:28.760
<v Speaker 1>own unique way. And then a major corporation that manages

0:45:28.800 --> 0:45:33.120
<v Speaker 1>the property, and there is so regiment of the world,

0:45:33.160 --> 0:45:36.360
<v Speaker 1>a corporate world where you have your procedures, your policies,

0:45:36.400 --> 0:45:39.840
<v Speaker 1>your steps and everything, and and golf architecture in general

0:45:39.960 --> 0:45:41.359
<v Speaker 1>is just the complete opposite.

0:45:41.520 --> 0:45:41.839
<v Speaker 2>It is.

0:45:42.320 --> 0:45:45.560
<v Speaker 11>It makes for some interesting meetings because I would spend

0:45:45.560 --> 0:45:47.359
<v Speaker 11>the whole day with Pete, and as you know, when

0:45:47.360 --> 0:45:51.000
<v Speaker 11>you spend time with Pete, it's really a listening exercise

0:45:51.200 --> 0:45:52.560
<v Speaker 11>and you try to figure out the end of the

0:45:52.640 --> 0:45:56.040
<v Speaker 11>day what you're actually supposed to do. And then I

0:45:56.080 --> 0:45:58.279
<v Speaker 11>would get back to put numbers to this, which is

0:45:58.400 --> 0:46:03.040
<v Speaker 11>my primary role as managing projects, and then putting the

0:46:03.120 --> 0:46:07.399
<v Speaker 11>numbers together just for management to look at to see

0:46:07.400 --> 0:46:09.160
<v Speaker 11>if we're going to do with this project. And then

0:46:09.200 --> 0:46:11.120
<v Speaker 11>I get grill list to what Pete wants to do,

0:46:11.800 --> 0:46:15.560
<v Speaker 11>and I really don't know, so I don't I don't

0:46:15.600 --> 0:46:18.040
<v Speaker 11>know because I don't have notes, and Pete really doesn't

0:46:18.080 --> 0:46:20.480
<v Speaker 11>want me to know because he wants to do it himself.

0:46:20.719 --> 0:46:22.680
<v Speaker 11>He doesn't want to share that because he hasn't worked

0:46:22.680 --> 0:46:24.440
<v Speaker 11>it out on his head yet. He probably is as

0:46:24.480 --> 0:46:27.680
<v Speaker 11>he's flying back home or to the next job, and

0:46:27.800 --> 0:46:29.000
<v Speaker 11>you know, all he's got to do is get it

0:46:29.040 --> 0:46:31.200
<v Speaker 11>done by his next visit, and so then I was

0:46:31.239 --> 0:46:34.160
<v Speaker 11>sitting in the meetings and basically have to make up

0:46:34.280 --> 0:46:36.560
<v Speaker 11>what I think Pete's going to do. And of course

0:46:36.600 --> 0:46:40.120
<v Speaker 11>it worked out completely different than I thought, and in

0:46:40.239 --> 0:46:42.120
<v Speaker 11>almost all cases better than I thought.

0:46:42.560 --> 0:46:45.320
<v Speaker 2>So it's got a good and happy ending. But getting

0:46:45.320 --> 0:46:46.160
<v Speaker 2>there is pretty rough.

0:46:46.920 --> 0:46:51.040
<v Speaker 1>Talk about the construction of Whistling Straits, and I think

0:46:51.120 --> 0:46:54.880
<v Speaker 1>everybody is pretty aware. You know that it was a

0:46:55.200 --> 0:46:58.640
<v Speaker 1>you know, bluff with you know, relatively flat land, and

0:46:58.719 --> 0:47:00.920
<v Speaker 1>you can see it driving in and out, and then

0:47:01.200 --> 0:47:04.120
<v Speaker 1>you know, you get into you turn into the entrance

0:47:04.120 --> 0:47:07.080
<v Speaker 1>of Whistling Straits, it's like you're entering a whole different world,

0:47:07.520 --> 0:47:13.160
<v Speaker 1>and you know, could you ever imagine what you started

0:47:13.160 --> 0:47:14.560
<v Speaker 1>with and what you ended up with?

0:47:15.800 --> 0:47:18.359
<v Speaker 11>So it'd be nice to sit here and chat and say,

0:47:18.400 --> 0:47:20.440
<v Speaker 11>we had this great vision and we're all with this

0:47:20.560 --> 0:47:22.600
<v Speaker 11>great team in place, and we all had the vision,

0:47:22.600 --> 0:47:24.640
<v Speaker 11>and the leader was in front of us and all

0:47:24.680 --> 0:47:26.080
<v Speaker 11>briefed us and what it was going to do and

0:47:26.120 --> 0:47:28.200
<v Speaker 11>how great it was going to turn out, and we

0:47:28.280 --> 0:47:30.760
<v Speaker 11>all fell in line and we're all on the same page.

0:47:30.800 --> 0:47:35.520
<v Speaker 11>It wasn't any of that at all. It was exciting

0:47:35.560 --> 0:47:38.160
<v Speaker 11>to be a part of Whistling Streets even before the

0:47:38.239 --> 0:47:40.399
<v Speaker 11>land was purchased, because we were all looking at other

0:47:40.440 --> 0:47:44.080
<v Speaker 11>pieces of property, even before they ended up with a

0:47:44.160 --> 0:47:48.000
<v Speaker 11>property that Whistling Straates is on. Now, we went up

0:47:48.040 --> 0:47:51.200
<v Speaker 11>to that piece of property because it was a blank

0:47:51.280 --> 0:47:53.359
<v Speaker 11>slate and it was continuous. We had at least five

0:47:53.400 --> 0:47:56.560
<v Speaker 11>hundred acres and with one landowner rather than having to

0:47:56.560 --> 0:48:01.719
<v Speaker 11>deal with maybe twelve or fourteen landowners. And in the

0:48:02.040 --> 0:48:07.400
<v Speaker 11>relationship between Pete and her was influenced by how they

0:48:07.400 --> 0:48:10.399
<v Speaker 11>worked together at Blackwell Front. They did some amazing stuff here,

0:48:10.440 --> 0:48:12.600
<v Speaker 11>but as you read in the stories and stuff, they

0:48:12.680 --> 0:48:15.720
<v Speaker 11>really came to a lot of disagreements, and of course

0:48:15.760 --> 0:48:18.000
<v Speaker 11>all of us operational they were caught in between that.

0:48:18.200 --> 0:48:20.279
<v Speaker 11>So they got a lot of that worked out at

0:48:20.280 --> 0:48:22.359
<v Speaker 11>Blackwref Front and when they started Whistling Straight. So they

0:48:22.400 --> 0:48:26.439
<v Speaker 11>had a really strong understanding and respect for each other.

0:48:26.640 --> 0:48:29.839
<v Speaker 11>And that really helped things because it gave Pete full

0:48:29.880 --> 0:48:33.320
<v Speaker 11>authority and autonomy to do what he wanted without really

0:48:33.320 --> 0:48:35.720
<v Speaker 11>anybody telling them how to do it.

0:48:35.840 --> 0:48:37.920
<v Speaker 2>From Color Company's perspective.

0:48:37.480 --> 0:48:40.960
<v Speaker 11>So we ran the project as a company. All the

0:48:41.000 --> 0:48:43.080
<v Speaker 11>people in all the equipment were all fell on under

0:48:43.160 --> 0:48:47.000
<v Speaker 11>Color Company. As the general contractor and paid Pete as

0:48:47.320 --> 0:48:50.560
<v Speaker 11>the designer, and Pete had free rein as to what

0:48:50.600 --> 0:48:55.000
<v Speaker 11>he wanted to do, and nobody us operationally really knew

0:48:55.000 --> 0:48:57.080
<v Speaker 11>what was going on out there. We knew where there

0:48:57.120 --> 0:48:58.759
<v Speaker 11>was a route, and we knew where the front nine was,

0:48:58.760 --> 0:49:01.400
<v Speaker 11>in the back nine was. We could generally get a

0:49:01.400 --> 0:49:03.480
<v Speaker 11>feeling for where the lab with hole was where we

0:49:03.480 --> 0:49:05.880
<v Speaker 11>were standing because we could align ourselves with the bluff

0:49:05.960 --> 0:49:06.920
<v Speaker 11>and the creek and stuff.

0:49:06.960 --> 0:49:08.919
<v Speaker 2>Otherwise we had no idea.

0:49:09.480 --> 0:49:11.480
<v Speaker 11>And we would look out there and there were be

0:49:11.840 --> 0:49:15.880
<v Speaker 11>you know, you know, four trucks and three excavators, you know,

0:49:16.080 --> 0:49:18.640
<v Speaker 11>working on a bluff area for six weeks straight and

0:49:18.760 --> 0:49:21.520
<v Speaker 11>nothing changed, and we'd be like, what is this?

0:49:21.560 --> 0:49:23.919
<v Speaker 2>Where's this goffle? How come is it showing? Yet?

0:49:24.120 --> 0:49:28.479
<v Speaker 11>It was all locked up in Peacehead and his lead

0:49:28.560 --> 0:49:32.120
<v Speaker 11>shaper or construction superintendent. They're the only ones who knew

0:49:32.200 --> 0:49:34.400
<v Speaker 11>how things were going to turn out. The rest of

0:49:34.480 --> 0:49:35.760
<v Speaker 11>us just waiting for it to happen.

0:49:36.239 --> 0:49:36.920
<v Speaker 4>What was that?

0:49:37.160 --> 0:49:40.360
<v Speaker 1>Were those moments when you're seeing trucks of dirt coming

0:49:40.400 --> 0:49:43.120
<v Speaker 1>in and is that? Where is that a moment where

0:49:43.120 --> 0:49:45.680
<v Speaker 1>you had the most doubt about what this is going

0:49:45.760 --> 0:49:46.680
<v Speaker 1>to actually, you know.

0:49:46.920 --> 0:49:49.480
<v Speaker 11>And I remember some of those conversations standing on the

0:49:49.560 --> 0:49:52.800
<v Speaker 11>on these huge clay burms out there with our civil

0:49:52.840 --> 0:49:55.719
<v Speaker 11>engineers and other people, and you know, at that time

0:49:55.760 --> 0:49:57.720
<v Speaker 11>the talk was to charge two hundred and fifty dollars

0:49:57.719 --> 0:49:59.960
<v Speaker 11>around and we laughed at it quite frankly.

0:50:00.440 --> 0:50:02.480
<v Speaker 2>We said, we're just this is money just being buried

0:50:02.480 --> 0:50:03.040
<v Speaker 2>in the ground.

0:50:03.719 --> 0:50:05.319
<v Speaker 11>And if you know the you know, we know all

0:50:05.360 --> 0:50:07.239
<v Speaker 11>the rest of the story now, and it's just the

0:50:07.239 --> 0:50:10.080
<v Speaker 11>opposite is financially extremely successful business.

0:50:11.320 --> 0:50:14.440
<v Speaker 1>What would you say is most overlooked about? You know,

0:50:14.600 --> 0:50:16.960
<v Speaker 1>Pete Die is our architect.

0:50:18.040 --> 0:50:19.520
<v Speaker 2>I never thought about that before.

0:50:19.600 --> 0:50:23.360
<v Speaker 1>The most overlooked or what what do you think that

0:50:23.520 --> 0:50:27.080
<v Speaker 1>not necessarily the most what did you maybe overlook.

0:50:26.880 --> 0:50:29.239
<v Speaker 11>I think maybe for your listeners standpoint, they may not

0:50:29.360 --> 0:50:33.960
<v Speaker 11>realize what an amazing salesperson Pete Die is. I think

0:50:34.000 --> 0:50:36.799
<v Speaker 11>the people that know Pete's background, he got into this

0:50:36.920 --> 0:50:40.960
<v Speaker 11>business late, but he stayed till you was what ninety

0:50:41.040 --> 0:50:43.640
<v Speaker 11>or eighty eight or whatever is still to some degree,

0:50:43.680 --> 0:50:47.200
<v Speaker 11>I guess, or just recently retired to the health issues.

0:50:47.360 --> 0:50:50.680
<v Speaker 11>But he's an amazing salesperson when he has to be.

0:50:51.160 --> 0:50:53.160
<v Speaker 11>And so I was fortunate to be a part of

0:50:53.160 --> 0:50:56.440
<v Speaker 11>some of those conversations. When Pete really wanted to do something,

0:50:56.480 --> 0:50:58.759
<v Speaker 11>he was trying to convince Herb to do it. I

0:50:58.760 --> 0:51:01.120
<v Speaker 11>would sometimes be the fly in the wall or sometimes

0:51:01.200 --> 0:51:05.120
<v Speaker 11>be you know, around close enough to hear Pete go

0:51:05.200 --> 0:51:06.560
<v Speaker 11>into sales mode.

0:51:06.560 --> 0:51:08.960
<v Speaker 2>And it was phenomenal at it.

0:51:08.960 --> 0:51:11.880
<v Speaker 1>It's a I mean, all the most prolific architects are

0:51:11.920 --> 0:51:15.319
<v Speaker 1>all great sales people. You know, that's you see that

0:51:16.280 --> 0:51:19.680
<v Speaker 1>across the board. But in terms of you talked a

0:51:19.719 --> 0:51:23.319
<v Speaker 1>little bit about where Herb Cohler and Pete Dye wood

0:51:23.360 --> 0:51:26.799
<v Speaker 1>Butt has is it was there one specific was there

0:51:26.800 --> 0:51:31.160
<v Speaker 1>one spot or difference that consistently came up uh with

0:51:31.400 --> 0:51:34.799
<v Speaker 1>you know, in terms of owner and architect obviously you

0:51:34.840 --> 0:51:38.640
<v Speaker 1>know there's there's a little bit different viewpoints from each

0:51:38.680 --> 0:51:40.880
<v Speaker 1>side of it. And I'm just curious if there if

0:51:40.920 --> 0:51:45.120
<v Speaker 1>there was a specific, you know, kind of consistent one

0:51:45.160 --> 0:51:46.240
<v Speaker 1>spot where they.

0:51:46.320 --> 0:51:50.359
<v Speaker 11>But that one spot are trees all the way through

0:51:50.480 --> 0:51:53.960
<v Speaker 11>from from the construction of block or front to whistling straits. Uh,

0:51:54.200 --> 0:51:56.479
<v Speaker 11>Pete had to fight for every tree that one author

0:51:56.600 --> 0:51:59.799
<v Speaker 11>None of them came easy and and uh to his

0:52:00.239 --> 0:52:03.200
<v Speaker 11>at being a salesperson, he sold the idea to Herb,

0:52:03.239 --> 0:52:05.359
<v Speaker 11>and Herb finally let him cut down the trees where

0:52:05.360 --> 0:52:08.040
<v Speaker 11>he did. There's a few out there that are he

0:52:08.120 --> 0:52:08.840
<v Speaker 11>never got.

0:52:09.440 --> 0:52:11.760
<v Speaker 2>And he still remembers some of them.

0:52:12.640 --> 0:52:15.360
<v Speaker 11>So a bit of a story on that is we

0:52:15.360 --> 0:52:18.000
<v Speaker 11>we regrassed the Blackwolf Front in two thousand and nine

0:52:18.040 --> 0:52:22.000
<v Speaker 11>twenty ten. Before we went to all that work, we

0:52:22.040 --> 0:52:24.239
<v Speaker 11>thought we'd better just make sure if there's anything that

0:52:24.280 --> 0:52:26.320
<v Speaker 11>mister Cole and Pete want to change on the design,

0:52:26.360 --> 0:52:29.640
<v Speaker 11>we do that before we regress everything. So Herb asked

0:52:29.640 --> 0:52:31.120
<v Speaker 11>Pete to go out on the golf course and say,

0:52:31.160 --> 0:52:33.080
<v Speaker 11>why don't you look at some things and make some

0:52:33.120 --> 0:52:36.440
<v Speaker 11>recommendations and I'll look at them. And Pete picked up

0:52:36.920 --> 0:52:41.120
<v Speaker 11>off exactly where he left off during the construction. Everything

0:52:41.280 --> 0:52:43.800
<v Speaker 11>that he didn't get his way on. He remembered everything,

0:52:44.040 --> 0:52:45.359
<v Speaker 11>and he put it in a listen and he sent

0:52:45.360 --> 0:52:47.480
<v Speaker 11>it to Herb, and Herb just smiled and laughed, and

0:52:47.520 --> 0:52:50.560
<v Speaker 11>he remembered everything that he got on his list, and

0:52:50.600 --> 0:52:54.200
<v Speaker 11>he didn't change a thing. So those guys went back

0:52:54.239 --> 0:52:56.560
<v Speaker 11>and forth all the time on things like trees for

0:52:56.600 --> 0:52:58.279
<v Speaker 11>the most part. The other thing I would say would

0:52:58.280 --> 0:53:02.200
<v Speaker 11>be the location of hazards, but much lesser extent. Mister

0:53:02.280 --> 0:53:05.880
<v Speaker 11>Cohler typically didn't get involved with major issues like routing

0:53:05.920 --> 0:53:07.480
<v Speaker 11>and things like that. It was what land are you

0:53:07.600 --> 0:53:10.560
<v Speaker 11>going to use a mine? Placing hazards from a few?

0:53:10.840 --> 0:53:12.880
<v Speaker 11>You know, mister Coulder just had some opinions on the

0:53:12.920 --> 0:53:16.000
<v Speaker 11>depth of bunkers, and usually he wanted it much harder

0:53:16.000 --> 0:53:18.880
<v Speaker 11>than Pete is the way that went down, and then

0:53:19.120 --> 0:53:20.200
<v Speaker 11>then trees for sure.

0:53:20.200 --> 0:53:26.600
<v Speaker 1>So hazard's deeper hazards than Pete wanted, so more more challenging, really.

0:53:26.440 --> 0:53:28.880
<v Speaker 2>Two feet above your head instead of chest high.

0:53:29.000 --> 0:53:33.360
<v Speaker 1>Okay, yeah, okay, so that's interesting. So from mister Coler's standpoint,

0:53:33.960 --> 0:53:35.719
<v Speaker 1>you know, Whistling Straits was always going to be a

0:53:35.760 --> 0:53:36.920
<v Speaker 1>championship course.

0:53:37.400 --> 0:53:39.000
<v Speaker 2>Absolutely without a doubt.

0:53:40.040 --> 0:53:42.120
<v Speaker 6>Okay. And so I think I think something that comes

0:53:42.160 --> 0:53:48.799
<v Speaker 6>out of that clip is how Diye's approach was sort

0:53:48.840 --> 0:53:53.440
<v Speaker 6>of naturally ill fitted to a corporate structure. And one

0:53:53.520 --> 0:53:55.480
<v Speaker 6>of the reasons it was like that, I think, and

0:53:55.520 --> 0:53:57.520
<v Speaker 6>I'd be curious to get your take on this, is

0:53:57.520 --> 0:54:00.799
<v Speaker 6>that he was a design build person. And we've heard

0:54:00.840 --> 0:54:03.719
<v Speaker 6>this a lot and the days since he died that

0:54:04.040 --> 0:54:06.440
<v Speaker 6>one of his huge areas of influence was on the

0:54:06.480 --> 0:54:10.040
<v Speaker 6>process of golf architecture. Where he insisted on being on

0:54:10.160 --> 0:54:12.800
<v Speaker 6>site more than many other architects were at the time,

0:54:13.160 --> 0:54:16.960
<v Speaker 6>and he insisted on having his team building features in

0:54:17.040 --> 0:54:20.680
<v Speaker 6>the field and personally crafting things. And I think that

0:54:20.680 --> 0:54:25.719
<v Speaker 6>that approach came up against the Colar approach, but it

0:54:25.760 --> 0:54:29.840
<v Speaker 6>sounds like they eventually found a decent middle ground. But

0:54:30.200 --> 0:54:33.320
<v Speaker 6>is that sort of what you were getting from your discussion.

0:54:32.840 --> 0:54:36.840
<v Speaker 1>With Mike, Yeah, totally. I think it's the constant battle

0:54:36.880 --> 0:54:41.040
<v Speaker 1>of mass production, where you develop your specs, you draw

0:54:41.080 --> 0:54:43.040
<v Speaker 1>your plans out, and then you meant and you know,

0:54:43.120 --> 0:54:45.840
<v Speaker 1>this is what Cohler's business is. You know, they designed

0:54:45.880 --> 0:54:49.239
<v Speaker 1>their sink, they draw it to spec, and then they

0:54:49.360 --> 0:54:51.919
<v Speaker 1>build that sink and they mass produce the sink out

0:54:52.120 --> 0:54:56.800
<v Speaker 1>exactly how you know it was designed. And you hear, especially,

0:54:57.080 --> 0:55:00.479
<v Speaker 1>you know, with every single golf architect that that does

0:55:00.760 --> 0:55:04.200
<v Speaker 1>the practices design build now is like, well, you gotta

0:55:04.400 --> 0:55:07.239
<v Speaker 1>you can, I can draw your plans. You hear so

0:55:07.320 --> 0:55:09.560
<v Speaker 1>many of them say this, I could draw your plans,

0:55:09.600 --> 0:55:12.040
<v Speaker 1>but it might not look like this when it's done,

0:55:12.120 --> 0:55:15.080
<v Speaker 1>because I might be in the field and realize that

0:55:15.480 --> 0:55:18.480
<v Speaker 1>something over here works way better than what I thought.

0:55:19.160 --> 0:55:24.560
<v Speaker 1>In so many decisions and iterations and improvisations of a

0:55:24.600 --> 0:55:28.880
<v Speaker 1>plan happen in the field. And this was Die and Pete,

0:55:28.920 --> 0:55:31.640
<v Speaker 1>Die and Alice Dye to tea like you heard when

0:55:31.840 --> 0:55:34.880
<v Speaker 1>Alicetye passed, Like all the stories of Alice Dye coming

0:55:34.880 --> 0:55:37.600
<v Speaker 1>over and saying like now Pete, like, don't you think

0:55:37.640 --> 0:55:40.440
<v Speaker 1>that's a little you know, a little harsh on players,

0:55:40.600 --> 0:55:43.120
<v Speaker 1>or saying, you know, maybe we should do this that,

0:55:43.239 --> 0:55:46.919
<v Speaker 1>you know, like with the Island Green and seventeen at Sawgrass.

0:55:47.320 --> 0:55:49.840
<v Speaker 6>Or maybe we should actually think about where we're putting

0:55:49.840 --> 0:55:51.279
<v Speaker 6>the forward tees exactly.

0:55:51.760 --> 0:55:55.920
<v Speaker 1>So you think about that style and you think about

0:55:56.040 --> 0:56:00.640
<v Speaker 1>I think any sort of it. It was this idea.

0:56:00.880 --> 0:56:06.160
<v Speaker 1>Die was this idea of artistic nature in golf design

0:56:06.280 --> 0:56:10.160
<v Speaker 1>that it wasn't It had swung to the engineering mold

0:56:10.760 --> 0:56:15.040
<v Speaker 1>of build the spec plan. And I think that's much

0:56:15.160 --> 0:56:17.600
<v Speaker 1>like golf, where golf has an artistic side and a

0:56:17.640 --> 0:56:22.040
<v Speaker 1>scientific side and analytical side. Architecture has this too, where

0:56:22.080 --> 0:56:25.080
<v Speaker 1>you have the building the construction is very you know,

0:56:25.120 --> 0:56:28.319
<v Speaker 1>there's a lot of science that goes into golf architecture,

0:56:28.719 --> 0:56:32.480
<v Speaker 1>but then there's this artistic side. And Die was really

0:56:32.680 --> 0:56:37.880
<v Speaker 1>the craftsman, the artistic craftsman changing an era full of

0:56:38.560 --> 0:56:41.800
<v Speaker 1>guys that were kind of paint by the lines color

0:56:41.840 --> 0:56:42.880
<v Speaker 1>withinside the lines.

0:56:43.400 --> 0:56:48.080
<v Speaker 6>Yeah, and that craftsmanship was really important and a feature

0:56:48.120 --> 0:56:50.719
<v Speaker 6>of Die's work throughout his career and something that he

0:56:50.800 --> 0:56:55.000
<v Speaker 6>insisted on repeatedly. You even hear people like Davis Love saying,

0:56:55.080 --> 0:56:57.960
<v Speaker 6>you know, his peak Die anecdote is that I told

0:56:58.000 --> 0:57:00.359
<v Speaker 6>him that you're not really an architect unless you get

0:57:00.360 --> 0:57:04.200
<v Speaker 6>on a bulldozer. So it seemed like that was his

0:57:04.360 --> 0:57:09.920
<v Speaker 6>consistent message, both publicly and within his design projects, that

0:57:10.080 --> 0:57:13.320
<v Speaker 6>you had to go out and do it yourself, otherwise

0:57:13.400 --> 0:57:15.880
<v Speaker 6>you'd turn out work that didn't really have much of

0:57:15.920 --> 0:57:19.840
<v Speaker 6>an identity. And obviously we see that influence in the

0:57:19.920 --> 0:57:23.040
<v Speaker 6>architecture that's being done today. And so the next batch

0:57:23.080 --> 0:57:26.320
<v Speaker 6>of clips that we have here are from Tom Doak

0:57:26.600 --> 0:57:31.200
<v Speaker 6>and Jim Orbina, who are two architects who studied with

0:57:31.400 --> 0:57:34.560
<v Speaker 6>Pete Die early on in their careers, and here they

0:57:34.600 --> 0:57:42.240
<v Speaker 6>are talking about Die's influence on them. Tom Doak from

0:57:42.280 --> 0:57:52.000
<v Speaker 6>episode six of The Yoke with Doak.

0:57:49.840 --> 0:57:52.040
<v Speaker 8>You know when I when I got when I started

0:57:52.040 --> 0:57:55.360
<v Speaker 8>in college seriously trying to pursue this, and I didn't

0:57:55.360 --> 0:57:57.120
<v Speaker 8>know anything in the golf business, so I just wrote

0:57:57.200 --> 0:57:59.400
<v Speaker 8>letters to people in the golf business give me advice,

0:57:59.520 --> 0:58:03.080
<v Speaker 8>which I do. Who should I work for? This is so,

0:58:03.160 --> 0:58:07.919
<v Speaker 8>this is nineteen eighty. Every single person in a golf

0:58:07.960 --> 0:58:10.600
<v Speaker 8>business said, work for Pete Dide. I mean there wasn't

0:58:10.600 --> 0:58:14.120
<v Speaker 8>any Oh you should work for Trent Jones. Oh you

0:58:14.160 --> 0:58:17.640
<v Speaker 8>should work for Mike Hurtzen, Oh you should work for whoever.

0:58:18.040 --> 0:58:20.640
<v Speaker 8>Every single person. You gotta go work for this guy,

0:58:21.840 --> 0:58:26.959
<v Speaker 8>partly because he was so hands on and partly because

0:58:26.960 --> 0:58:31.080
<v Speaker 8>he was so passionate about what he did. But so

0:58:32.280 --> 0:58:35.160
<v Speaker 8>I can't even you know, like, after I got back

0:58:35.240 --> 0:58:38.600
<v Speaker 8>from my scholarship to spend a year in the UK,

0:58:38.840 --> 0:58:43.440
<v Speaker 8>I mister Jones, Trent Jones Senior, who'd gone to Cornell

0:58:43.440 --> 0:58:48.600
<v Speaker 8>at thirty sixty fifty years before I did, gotten too.

0:58:48.720 --> 0:58:50.920
<v Speaker 8>He had been up at Cornell and they told him

0:58:50.920 --> 0:58:53.160
<v Speaker 8>they had this student overseas, and he was like, I'll

0:58:53.160 --> 0:58:55.080
<v Speaker 8>have him get in touch with me when he gets back.

0:58:55.400 --> 0:58:57.720
<v Speaker 8>And he would have offered me a job to go

0:58:57.760 --> 0:59:00.160
<v Speaker 8>work in his office in Europe. And fortunately I had

0:59:00.160 --> 0:59:02.880
<v Speaker 8>already worked for mister Dye for one summer of construction,

0:59:03.400 --> 0:59:05.280
<v Speaker 8>and I was hooked on the idea that it was

0:59:05.320 --> 0:59:10.080
<v Speaker 8>about construction and it wasn't about drawing plans, so you know,

0:59:10.120 --> 0:59:12.200
<v Speaker 8>so I so that didn't appeal to me at all.

0:59:12.400 --> 0:59:15.240
<v Speaker 8>And if I hadn't had that one summer of construction experience,

0:59:15.280 --> 0:59:18.880
<v Speaker 8>it might have been different. Even though, just like these

0:59:18.880 --> 0:59:21.160
<v Speaker 8>guys have talked about, one of the most appealing things

0:59:21.200 --> 0:59:23.800
<v Speaker 8>to me about this business and about golf in general,

0:59:24.040 --> 0:59:26.720
<v Speaker 8>is spending your time outdoors. You know, sitting in an

0:59:26.760 --> 0:59:30.240
<v Speaker 8>office drawing plans of this stuff does not interest me

0:59:30.400 --> 0:59:33.919
<v Speaker 8>at all. I want to be out there doing it.

0:59:34.080 --> 0:59:38.840
<v Speaker 8>I think it The work benefits from that. So if

0:59:38.880 --> 0:59:42.560
<v Speaker 8>I'd work for anybody else at the time, I mean

0:59:42.680 --> 0:59:44.959
<v Speaker 8>at the time, Pete Die was the only guy who

0:59:45.000 --> 0:59:49.040
<v Speaker 8>was out there building stuff himself and hiring young guys

0:59:49.080 --> 0:59:52.000
<v Speaker 8>that were interested in golf to help him build stuff.

0:59:52.520 --> 0:59:55.600
<v Speaker 8>Now there's a lot because we all learned from Pete

0:59:56.280 --> 0:59:59.040
<v Speaker 8>or you know, Billkore and I learned from Pete, and

0:59:59.080 --> 1:00:01.000
<v Speaker 8>then a lot of other guys have learned from us.

1:00:01.160 --> 1:00:03.480
<v Speaker 8>So there's a lot of people taking this approach now.

1:00:03.720 --> 1:00:07.600
<v Speaker 8>But it was really rare that I can't imagine doing

1:00:07.640 --> 1:00:08.360
<v Speaker 8>it any other way.

1:00:11.000 --> 1:00:13.919
<v Speaker 6>And here we have another Tom Dope clip, this one

1:00:14.000 --> 1:00:15.400
<v Speaker 6>from episode sixteen.

1:00:18.560 --> 1:00:20.840
<v Speaker 3>You know, a lot of people are very critical of

1:00:20.920 --> 1:00:24.240
<v Speaker 3>mister Dye, which to me is crazy. I mean, nobody

1:00:24.240 --> 1:00:28.520
<v Speaker 3>that's ever spent any time with the guy would criticize

1:00:28.560 --> 1:00:32.200
<v Speaker 3>the man at all. I mean, he's He's given a

1:00:32.200 --> 1:00:35.520
<v Speaker 3>lot to a lot of people. He's always been very

1:00:35.640 --> 1:00:38.440
<v Speaker 3>open about the game and what he thinks is right

1:00:38.480 --> 1:00:40.280
<v Speaker 3>about it and what he thinks is wrong about it.

1:00:40.840 --> 1:00:44.640
<v Speaker 3>He had me ghostwriting articles about how the golf equipment

1:00:44.720 --> 1:00:48.240
<v Speaker 3>was getting out of hand thirty years ago. That more

1:00:48.280 --> 1:00:51.760
<v Speaker 3>than thirty years ago. He's still sort of a role

1:00:51.800 --> 1:00:54.640
<v Speaker 3>model to me, especially in the way he went about

1:00:54.680 --> 1:00:58.320
<v Speaker 3>the work, how involved he was in it personally, and

1:00:58.640 --> 1:01:00.640
<v Speaker 3>that you know, he made this visions out in the

1:01:00.680 --> 1:01:03.080
<v Speaker 3>field and he changed it. He changed his mind on

1:01:03.160 --> 1:01:06.160
<v Speaker 3>the fly to make something better. He wasn't afraid to,

1:01:07.120 --> 1:01:10.240
<v Speaker 3>you know, do that. And you know, even if even

1:01:10.280 --> 1:01:12.680
<v Speaker 3>if the client was nervous about it, and he's like,

1:01:12.920 --> 1:01:15.040
<v Speaker 3>it's gonna be fine, I'm here, I'll get it sort

1:01:15.080 --> 1:01:18.480
<v Speaker 3>of out. And you know, people see our work as

1:01:18.520 --> 1:01:22.320
<v Speaker 3>being completely different because my golf courses don't look like

1:01:22.400 --> 1:01:26.320
<v Speaker 3>his golf courses, but the way that they're built, and

1:01:27.040 --> 1:01:29.200
<v Speaker 3>you know, and even a lot of the philosophy behind him.

1:01:29.240 --> 1:01:32.680
<v Speaker 3>I mean, I'm building golf courses that are challenging to people.

1:01:33.520 --> 1:01:36.200
<v Speaker 3>I just put the challenge in different places. And I

1:01:36.280 --> 1:01:39.280
<v Speaker 3>don't make it all about length, because I'm not building

1:01:39.320 --> 1:01:40.439
<v Speaker 3>golf courses for the tour.

1:01:45.080 --> 1:01:48.600
<v Speaker 6>And now Jim Orbina from episode sixty.

1:01:48.280 --> 1:01:57.560
<v Speaker 12>Eight, I've never played golf. I didn't understand golf. I

1:01:57.680 --> 1:02:01.000
<v Speaker 12>was like Seth Rayner, you know the famous that McDonald

1:02:01.040 --> 1:02:03.919
<v Speaker 12>talked about Seth Rayner. He didn't know a tennis ball

1:02:03.960 --> 1:02:08.840
<v Speaker 12>from a golf ball. That was me. And I'm very

1:02:08.840 --> 1:02:11.959
<v Speaker 12>thankful to Pete Dye, who I got my career started with.

1:02:13.280 --> 1:02:17.040
<v Speaker 12>He embraced the work that I was doing for him,

1:02:17.200 --> 1:02:20.560
<v Speaker 12>the creativity that he allowed me to do as a shaper.

1:02:20.920 --> 1:02:23.800
<v Speaker 12>I started as a shaper. I knew how to draw

1:02:23.880 --> 1:02:26.800
<v Speaker 12>because I was a high school drafting trade teacher by trade.

1:02:27.200 --> 1:02:31.120
<v Speaker 12>But I started as a shaper, and I didn't think

1:02:31.160 --> 1:02:34.080
<v Speaker 12>I wanted to be in this golf business. But the

1:02:34.120 --> 1:02:37.080
<v Speaker 12>more and more Pete Dye sent me around looking at

1:02:37.080 --> 1:02:42.280
<v Speaker 12>his golf courses, Old Marsh and PGA West, all these

1:02:42.320 --> 1:02:45.040
<v Speaker 12>golf courses he had done, the golf club on and

1:02:45.080 --> 1:02:47.560
<v Speaker 12>on and on, the more I started to understanding the

1:02:47.600 --> 1:02:50.760
<v Speaker 12>beauty of it, and his son Perry died, sending me

1:02:50.800 --> 1:02:54.560
<v Speaker 12>around to other golf courses, allowing me to go to Cyprus,

1:02:54.560 --> 1:02:58.040
<v Speaker 12>point the Dye sending me to Saint Andrews of Scotland.

1:02:58.400 --> 1:03:01.160
<v Speaker 12>They hooked me, man, They hooked me time, and they

1:03:01.160 --> 1:03:05.440
<v Speaker 12>hooked me because they showed me a different way to

1:03:05.560 --> 1:03:08.480
<v Speaker 12>build a golf course, not that I knew any other

1:03:08.520 --> 1:03:12.240
<v Speaker 12>way than just hands on. I realized that the only

1:03:12.280 --> 1:03:14.080
<v Speaker 12>way to do it right, as Pete Dye told me,

1:03:14.200 --> 1:03:17.520
<v Speaker 12>was to do it yourself. And because they taught me

1:03:17.600 --> 1:03:21.720
<v Speaker 12>from the ground up, I understood it and I appreciated

1:03:21.800 --> 1:03:24.120
<v Speaker 12>how these things were built. And to go on to

1:03:24.160 --> 1:03:28.080
<v Speaker 12>work at Pasa Tempo and learn from McKenzie and the

1:03:28.200 --> 1:03:31.680
<v Speaker 12>Raider courses yamens Hall. I did work at mid Ocean,

1:03:32.160 --> 1:03:36.000
<v Speaker 12>San Francisco Golf Club, Garden City, the Bobelin Club, on

1:03:36.040 --> 1:03:39.840
<v Speaker 12>and on. Recently sank it he had in Nantucket, Emerson

1:03:39.960 --> 1:03:43.600
<v Speaker 12>Armstrong one off design. I started to realize all of

1:03:43.640 --> 1:03:48.040
<v Speaker 12>these guys had the same passion, and it's addictive, and

1:03:48.320 --> 1:03:53.640
<v Speaker 12>it's it's all encompassing, and it's funny when I send times,

1:03:53.640 --> 1:03:56.160
<v Speaker 12>I send emails or text out at two in the

1:03:56.200 --> 1:03:59.760
<v Speaker 12>morning because I'm thinking about golf. I'm all wrapped up

1:03:59.800 --> 1:04:01.320
<v Speaker 12>in it, and you want you say, well, why are

1:04:01.360 --> 1:04:03.000
<v Speaker 12>you wrapped up in it? You didn't grow up in

1:04:03.040 --> 1:04:06.720
<v Speaker 12>the game. Well, because the way Pete and his son

1:04:06.800 --> 1:04:11.000
<v Speaker 12>Perry shared their experiences with me, they allowed me to travel.

1:04:11.480 --> 1:04:14.320
<v Speaker 12>They allowed me to see new and and and and

1:04:14.880 --> 1:04:18.320
<v Speaker 12>beautiful places Cypress Point when I was a punk, the

1:04:18.440 --> 1:04:22.320
<v Speaker 12>National Golf Links before I was uh, before I was thirty,

1:04:22.560 --> 1:04:25.800
<v Speaker 12>before it was fashionable to travel and look at architecture,

1:04:26.320 --> 1:04:30.160
<v Speaker 12>and it just became all encompassing. And because I like

1:04:30.280 --> 1:04:33.800
<v Speaker 12>working with my hands, I like building things, it was

1:04:33.840 --> 1:04:36.840
<v Speaker 12>a perfect scenario for me and for them to allow

1:04:36.920 --> 1:04:40.880
<v Speaker 12>me to draw, do grading maps, work in the office,

1:04:40.920 --> 1:04:45.240
<v Speaker 12>do drainage plans. It was all just a big uh

1:04:45.400 --> 1:04:47.800
<v Speaker 12>foundation that I had no idea what I was doing,

1:04:48.160 --> 1:04:50.080
<v Speaker 12>but I was doing the best I could do because

1:04:50.080 --> 1:04:52.120
<v Speaker 12>that's what my mom and dad taught me in the

1:04:52.120 --> 1:04:54.560
<v Speaker 12>little town I grew up in. Whatever you do, do

1:04:54.640 --> 1:04:57.920
<v Speaker 12>it well, work hard at it, and uh the benefits

1:04:57.920 --> 1:05:01.400
<v Speaker 12>will will reap and they have. And I've had the

1:05:01.640 --> 1:05:06.880
<v Speaker 12>chance to meet some wonderful people, and all because Pete

1:05:07.160 --> 1:05:10.600
<v Speaker 12>allowed me to seek out and look at different golf courses,

1:05:11.040 --> 1:05:14.160
<v Speaker 12>and he embraced me, he trusted me, and he let

1:05:14.200 --> 1:05:17.000
<v Speaker 12>me build and be creative. And who doesn't want to

1:05:17.040 --> 1:05:20.560
<v Speaker 12>be creative? And who doesn't want to build something cool

1:05:20.840 --> 1:05:23.680
<v Speaker 12>that they could stand and say I built that? And

1:05:23.840 --> 1:05:26.000
<v Speaker 12>who doesn't want to be out in the open air

1:05:26.280 --> 1:05:29.080
<v Speaker 12>and the open space and to travel and to see

1:05:29.120 --> 1:05:32.560
<v Speaker 12>beautiful places. I mean, who doesn't want to do that? Well?

1:05:32.840 --> 1:05:35.800
<v Speaker 12>I didn't think I did. And thirty seven, thirty eight

1:05:35.880 --> 1:05:38.320
<v Speaker 12>years later, I'm still doing it and I still have

1:05:38.440 --> 1:05:41.120
<v Speaker 12>that passion. And the day that it burns out is the

1:05:41.200 --> 1:05:44.680
<v Speaker 12>day I'm done. But whether it's an interview a couple

1:05:44.720 --> 1:05:49.760
<v Speaker 12>of days ago, or I'm working with Mike Kayser on

1:05:50.160 --> 1:05:56.320
<v Speaker 12>some projects, working with new designs, working with restorations, it's

1:05:56.320 --> 1:05:59.200
<v Speaker 12>the passion. And when that passion's gone, you know, I'll

1:05:59.200 --> 1:06:02.760
<v Speaker 12>probably be done. But maybe sometimes it's too much passion.

1:06:03.040 --> 1:06:06.280
<v Speaker 12>I can't sleep at all. That's how I got started.

1:06:06.640 --> 1:06:08.680
<v Speaker 1>I end up doing the same thing I am.

1:06:08.920 --> 1:06:10.440
<v Speaker 4>I like, you.

1:06:10.560 --> 1:06:15.960
<v Speaker 1>Get you get crazed, but you get crazed the A

1:06:16.000 --> 1:06:19.440
<v Speaker 1>lot of people say that we're in this second Golden Age,

1:06:19.480 --> 1:06:22.760
<v Speaker 1>and something that seems to be to me. A common

1:06:22.800 --> 1:06:27.480
<v Speaker 1>theme is Pete Dye with Yeah, I mean, and I

1:06:27.520 --> 1:06:30.880
<v Speaker 1>feel like he doesn't get enough credit for what he did.

1:06:31.600 --> 1:06:35.760
<v Speaker 12>Well. I think Pete Die was People always ask me

1:06:35.800 --> 1:06:39.479
<v Speaker 12>about the Mount Rushmore of golf course architects, and Pete

1:06:39.560 --> 1:06:41.640
<v Speaker 12>Dye should be up there, and you know you're going

1:06:41.720 --> 1:06:45.120
<v Speaker 12>to say, wow, that's just because you work for him. Well,

1:06:45.600 --> 1:06:49.560
<v Speaker 12>Pete Dye taught me about detail and taught me about

1:06:49.600 --> 1:06:52.480
<v Speaker 12>being hands on. And look at how many people he

1:06:52.600 --> 1:06:56.880
<v Speaker 12>spun off. Look how many people work for him, Lee Schmidt,

1:06:56.920 --> 1:07:01.600
<v Speaker 12>Brian Curly, Bill cooor Uh. The list goes on and

1:07:01.680 --> 1:07:05.760
<v Speaker 12>on and on. And I think about all of the

1:07:05.800 --> 1:07:09.400
<v Speaker 12>people who got that chance to work for Pete and

1:07:09.480 --> 1:07:15.840
<v Speaker 12>I think, wow, we all had that same attachment. Pete

1:07:15.840 --> 1:07:18.200
<v Speaker 12>putting his hand on your shoulder saying, you know, this

1:07:18.360 --> 1:07:20.840
<v Speaker 12>is what we're gonna do here, and trust in you.

1:07:21.520 --> 1:07:25.040
<v Speaker 12>Tom Doak working for Pete Dye pretty cool, Pretty cool

1:07:25.280 --> 1:07:28.000
<v Speaker 12>that we all had a chance to work for the man.

1:07:42.120 --> 1:07:45.000
<v Speaker 6>Andy, is there anything that you'd like to pull out

1:07:45.040 --> 1:07:47.480
<v Speaker 6>from that clip from Jim Urbina.

1:07:47.720 --> 1:07:47.919
<v Speaker 9>Yeah.

1:07:47.960 --> 1:07:52.640
<v Speaker 1>I think Urbina's experience with Die where he was somebody

1:07:52.640 --> 1:07:54.800
<v Speaker 1>that didn't know anything about golf. He went there and

1:07:55.440 --> 1:07:59.120
<v Speaker 1>started working as he would say therect you know, just

1:07:59.360 --> 1:08:02.720
<v Speaker 1>digging hole. That's what he was doing. And he became,

1:08:03.160 --> 1:08:06.480
<v Speaker 1>you know now where he's a independent golf architect that's

1:08:06.520 --> 1:08:11.560
<v Speaker 1>building like a pretty impressive resume. Die could take guys

1:08:11.640 --> 1:08:14.240
<v Speaker 1>that didn't know anything about golf and teach him golf.

1:08:14.760 --> 1:08:19.600
<v Speaker 1>A similar situation is what how coren Crenshaw approached their shapers.

1:08:19.800 --> 1:08:22.960
<v Speaker 1>Keith Rebb would be one that falls under this bucket.

1:08:23.000 --> 1:08:27.040
<v Speaker 1>He he got on a core Crenshaw job, but he

1:08:27.240 --> 1:08:30.280
<v Speaker 1>was he was a he would build highways, you know,

1:08:30.439 --> 1:08:34.080
<v Speaker 1>before he became a golf architect. And it's this this

1:08:34.320 --> 1:08:38.080
<v Speaker 1>sideways where core Crenshaw talk about how they don't have

1:08:38.120 --> 1:08:41.439
<v Speaker 1>any bad habits. And I think that's the thing with

1:08:41.439 --> 1:08:45.519
<v Speaker 1>with Die is not only was he great in his

1:08:45.560 --> 1:08:49.000
<v Speaker 1>own right, but he also had an incredible eye for talent.

1:08:49.160 --> 1:08:52.360
<v Speaker 1>And you have to consider him a great manager where

1:08:52.360 --> 1:08:58.320
<v Speaker 1>he empowered his employees to do things and knowing having

1:08:58.360 --> 1:09:01.080
<v Speaker 1>the you know, ability to put the ego aside and

1:09:01.600 --> 1:09:04.800
<v Speaker 1>say a lot of times, hey, this person might do

1:09:04.840 --> 1:09:07.400
<v Speaker 1>this better than I do is one of the key

1:09:07.439 --> 1:09:10.679
<v Speaker 1>traits to great managers. And I think that is something

1:09:10.760 --> 1:09:13.680
<v Speaker 1>where you look at the success of people that you

1:09:13.720 --> 1:09:17.240
<v Speaker 1>know worked under Pete Dye, and Pete Die was clearly

1:09:17.800 --> 1:09:22.519
<v Speaker 1>attempting to create great architects. You know, I think I

1:09:22.560 --> 1:09:25.760
<v Speaker 1>don't know this for sure, but I'm sure that he

1:09:25.880 --> 1:09:28.960
<v Speaker 1>was very pro them going out and working for other

1:09:29.240 --> 1:09:34.560
<v Speaker 1>for themselves and wanted that growth and regression from the

1:09:34.600 --> 1:09:35.559
<v Speaker 1>guys that work for them.

1:09:36.160 --> 1:09:39.479
<v Speaker 6>Yeah, there's a generosity there. That's a feature, as you say,

1:09:39.479 --> 1:09:43.759
<v Speaker 6>of good managers, good bosses, but also of great teachers.

1:09:44.080 --> 1:09:47.320
<v Speaker 6>You know, he seemed to teach in a kind and

1:09:47.360 --> 1:09:53.240
<v Speaker 6>subtle way, and he honored the artistic integrity, the artistic

1:09:53.360 --> 1:09:56.479
<v Speaker 6>potential of the people who are working under him. So,

1:09:57.000 --> 1:10:01.439
<v Speaker 6>you know, just shifting more broadly, as you've gone through

1:10:01.479 --> 1:10:04.080
<v Speaker 6>all these clips, I mean you went back and listened

1:10:04.120 --> 1:10:08.160
<v Speaker 6>to these podcasts again and pulled out these clips. What

1:10:08.400 --> 1:10:13.040
<v Speaker 6>is one thing that you've been thinking about more than

1:10:13.080 --> 1:10:15.479
<v Speaker 6>anything else in these past couple of days, about the

1:10:15.520 --> 1:10:18.320
<v Speaker 6>effect that Day had on this discipline?

1:10:19.120 --> 1:10:22.480
<v Speaker 1>Just in general. I think about him as an innovator.

1:10:23.640 --> 1:10:26.679
<v Speaker 1>I think he was the guy. You know, you look

1:10:26.720 --> 1:10:31.200
<v Speaker 1>at all the history of innovation in different industries and

1:10:31.240 --> 1:10:36.720
<v Speaker 1>there's always one company or one innovation that bridges so

1:10:36.880 --> 1:10:40.040
<v Speaker 1>many other you know, is a bridge to the you

1:10:40.080 --> 1:10:42.839
<v Speaker 1>know greatness, and if you look at like the Apple

1:10:42.920 --> 1:10:47.320
<v Speaker 1>computer for example, it you know, it led to kind

1:10:47.360 --> 1:10:52.519
<v Speaker 1>of Microsoft taking dominance for a while before Apple came back. Right.

1:10:53.200 --> 1:10:57.120
<v Speaker 1>But like there's a bridge there right with the computers

1:10:57.160 --> 1:11:00.320
<v Speaker 1>and a lot of people like to bang on die

1:11:00.400 --> 1:11:04.920
<v Speaker 1>some and I think it's very it's understanding that Pete

1:11:05.000 --> 1:11:08.400
<v Speaker 1>Dye was pushing architecture in a different direction. And at

1:11:08.400 --> 1:11:10.960
<v Speaker 1>the end of the day, he was working for developers

1:11:11.400 --> 1:11:15.920
<v Speaker 1>who were all of the old guard, and you know,

1:11:16.160 --> 1:11:21.839
<v Speaker 1>he was proposing ideas that were extraordinarily different than everybody

1:11:21.840 --> 1:11:25.200
<v Speaker 1>else in the field and profession at the time. And

1:11:25.360 --> 1:11:28.720
<v Speaker 1>he was proposing these ideas to the same developers that

1:11:28.760 --> 1:11:32.080
<v Speaker 1>were listening to ten other architects come in and tell

1:11:32.120 --> 1:11:34.599
<v Speaker 1>them this was the way. So you'd have to understand

1:11:34.640 --> 1:11:36.960
<v Speaker 1>there was some give and take, and Pete Dye was

1:11:37.000 --> 1:11:40.400
<v Speaker 1>the guy that got us to wear to the spot

1:11:40.479 --> 1:11:44.799
<v Speaker 1>that Billkore, Tom dok could really thrive as golf architects

1:11:44.840 --> 1:11:47.880
<v Speaker 1>and Gil Hants and you know this era today where

1:11:48.000 --> 1:11:51.320
<v Speaker 1>you know, we have craftsmanship, we have you know, gold

1:11:51.760 --> 1:11:56.960
<v Speaker 1>modern architecture that adheres to you know, these strategic principles

1:11:57.040 --> 1:12:01.920
<v Speaker 1>and this design build craftsmanship that is really in vogue

1:12:01.960 --> 1:12:06.000
<v Speaker 1>today is because of the groundwork that Pete Die laid

1:12:06.160 --> 1:12:09.120
<v Speaker 1>and getting it to here. You know, a perfect example

1:12:09.160 --> 1:12:13.360
<v Speaker 1>would be, you know, Dick Young's cap who was who

1:12:13.439 --> 1:12:17.719
<v Speaker 1>is the founder of sand Hills. His first golf course

1:12:17.760 --> 1:12:22.479
<v Speaker 1>project was Firethorn and Lincoln, Nebraska, and it was with

1:12:22.600 --> 1:12:26.800
<v Speaker 1>Pete Dye. Pete Dye was there on site like he

1:12:26.840 --> 1:12:30.840
<v Speaker 1>had learned. And that project doesn't go well, sand Hills

1:12:30.840 --> 1:12:34.400
<v Speaker 1>doesn't happen. And if sand Hills doesn't happen, it's very

1:12:34.479 --> 1:12:37.040
<v Speaker 1>unlikely that Mike Kaiser, who was a member of sand

1:12:37.080 --> 1:12:40.720
<v Speaker 1>Hills builds band and dunes and who knows where we

1:12:40.760 --> 1:12:45.439
<v Speaker 1>are today without that. So you start to think about

1:12:45.520 --> 1:12:48.320
<v Speaker 1>it at a very minutial level beyond just you know,

1:12:48.360 --> 1:12:53.559
<v Speaker 1>the architectural tree of dok and core working for Pete Dye,

1:12:53.600 --> 1:12:56.400
<v Speaker 1>But you think about just that, you know, not having

1:12:56.439 --> 1:13:00.680
<v Speaker 1>the client, to pushing the client the client. The thing

1:13:01.320 --> 1:13:03.920
<v Speaker 1>is a big aspect of it is that he also

1:13:04.000 --> 1:13:08.520
<v Speaker 1>pushed clients outside their comfort zone. Beyond inspiring younger architects,

1:13:08.680 --> 1:13:10.800
<v Speaker 1>he pushed clients, you know, in a.

1:13:10.760 --> 1:13:16.240
<v Speaker 6>Direction absolutely, Yeah, I think that we actually, I don't know,

1:13:16.439 --> 1:13:18.360
<v Speaker 6>I guess I haven't asked you about this. There are

1:13:18.400 --> 1:13:21.680
<v Speaker 6>certainly Pete Die golf courses that I've played that I

1:13:21.680 --> 1:13:26.360
<v Speaker 6>didn't particularly enjoy, that I didn't really think were very

1:13:26.360 --> 1:13:28.840
<v Speaker 6>good golf courses. I've also played some Pete Die golf

1:13:28.840 --> 1:13:33.800
<v Speaker 6>courses that I thought were great. But there's some variety

1:13:33.960 --> 1:13:38.000
<v Speaker 6>in my response to Die golf courses. But a lot

1:13:38.040 --> 1:13:40.479
<v Speaker 6>of that makes sense when you consider, as you're saying,

1:13:40.640 --> 1:13:44.120
<v Speaker 6>the clients that he was working for, the purpose toward

1:13:44.240 --> 1:13:48.040
<v Speaker 6>which his golf courses were put, and when you think

1:13:48.040 --> 1:13:50.559
<v Speaker 6>about it in that context, the fact that he was

1:13:50.640 --> 1:13:55.439
<v Speaker 6>doing interesting work, that he was doing craft driven work

1:13:55.680 --> 1:14:00.640
<v Speaker 6>within that business model of the residential golf course or

1:14:00.720 --> 1:14:03.679
<v Speaker 6>of the what was then considered the modern golf course.

1:14:04.479 --> 1:14:07.519
<v Speaker 6>It is pretty remarkable what he did. And if you

1:14:08.439 --> 1:14:13.040
<v Speaker 6>want to understand the transition from golf architecture as it

1:14:13.120 --> 1:14:16.680
<v Speaker 6>was practiced in the seventies, eighties, and for much of

1:14:16.720 --> 1:14:20.760
<v Speaker 6>the nineties to golf architecture as it's practiced now, there

1:14:20.760 --> 1:14:22.439
<v Speaker 6>are a number of things that you would look at

1:14:22.600 --> 1:14:25.080
<v Speaker 6>right There are a number of different influences that drove

1:14:25.280 --> 1:14:28.760
<v Speaker 6>change in golf architecture, but a huge part of that

1:14:28.880 --> 1:14:32.920
<v Speaker 6>story is always going to be Pete Dye and his

1:14:33.360 --> 1:14:37.840
<v Speaker 6>design firm and his collaboration with Alice Dye and his

1:14:37.960 --> 1:14:42.080
<v Speaker 6>mentorship of these architects who were in his company.

1:14:42.400 --> 1:14:44.800
<v Speaker 1>Yeah, I think you could look at it from like

1:14:45.280 --> 1:14:50.320
<v Speaker 1>look at rock and roll now, Like would Led Zeppelin

1:14:50.400 --> 1:14:54.519
<v Speaker 1>have been like widely appreciated and loved if they had

1:14:54.640 --> 1:14:57.439
<v Speaker 1>came out in the early sixties. Probably not.

1:14:57.680 --> 1:15:00.840
<v Speaker 6>They have existed in the in the early sixties, everything built,

1:15:00.880 --> 1:15:02.200
<v Speaker 6>But where would all the influence has.

1:15:02.160 --> 1:15:05.640
<v Speaker 1>Been exactly and everything built, like you know, the the

1:15:06.360 --> 1:15:10.879
<v Speaker 1>movement from you know, say the fifties style of music

1:15:11.040 --> 1:15:15.120
<v Speaker 1>to seventies rock and roll. There was a lot of

1:15:15.200 --> 1:15:17.760
<v Speaker 1>bands that came and went that pushed it a little

1:15:17.800 --> 1:15:20.519
<v Speaker 1>bit further. And that's the way I always think about

1:15:20.640 --> 1:15:24.720
<v Speaker 1>Die is that Die. He He's never going to be

1:15:25.439 --> 1:15:28.320
<v Speaker 1>acclaimed as the greatest, like if you had one golf

1:15:28.360 --> 1:15:30.960
<v Speaker 1>course to build like the greatest, But in terms of

1:15:31.800 --> 1:15:36.559
<v Speaker 1>influence and importance, he's one that you could say would

1:15:36.560 --> 1:15:39.000
<v Speaker 1>be on Mount Rushmore. I wouldn't put him on like

1:15:39.080 --> 1:15:42.360
<v Speaker 1>my personal route Mount Rushmore. For like golf courses I

1:15:42.400 --> 1:15:44.360
<v Speaker 1>want to play. But if you said, who were the

1:15:44.360 --> 1:15:48.280
<v Speaker 1>most important and influential golf course architects. He would most

1:15:48.320 --> 1:15:49.919
<v Speaker 1>definitely be on Mount Rushmore.

1:15:50.760 --> 1:15:52.800
<v Speaker 6>And you you heard Bill Course say it toward the

1:15:52.840 --> 1:15:57.080
<v Speaker 6>beginning of this podcast that Pete Dye changed the direction

1:15:57.320 --> 1:16:00.760
<v Speaker 6>of golf architecture not once but twice. And how many

1:16:00.760 --> 1:16:03.000
<v Speaker 6>golf architects can claim to have done that even once?

1:16:03.200 --> 1:16:06.800
<v Speaker 1>Yeah, And I think Jeff Minge's comments about his boldness

1:16:07.040 --> 1:16:12.160
<v Speaker 1>and is unapologetic about his architecture and even even to

1:16:12.640 --> 1:16:16.400
<v Speaker 1>standing up to PGA tour pros, which we see is

1:16:16.479 --> 1:16:19.240
<v Speaker 1>still an ongoing problem. Is you know, we need more

1:16:19.280 --> 1:16:23.080
<v Speaker 1>Pete Dies in golf architecture that say screw them, like

1:16:23.640 --> 1:16:26.960
<v Speaker 1>we see just this week with Trinity Forrest getting pulled

1:16:26.960 --> 1:16:30.120
<v Speaker 1>from the schedule because you know, it's it's different and

1:16:30.280 --> 1:16:33.960
<v Speaker 1>golf and golfers don't want to go. You know, great

1:16:34.040 --> 1:16:37.760
<v Speaker 1>architecture is just like great art. Anything that evokes a

1:16:37.880 --> 1:16:42.040
<v Speaker 1>reaction is good. You don't want it to evoke nothing.

1:16:42.560 --> 1:16:45.559
<v Speaker 1>You know, whether the thing about Die's work was it

1:16:45.680 --> 1:16:49.479
<v Speaker 1>evoked reaction, whether good or bad, and you have to

1:16:49.520 --> 1:16:53.000
<v Speaker 1>say that's a plus. That means he's doing something that's

1:16:53.040 --> 1:16:57.160
<v Speaker 1>different and unique, and that in itself is important.

1:16:58.080 --> 1:17:00.519
<v Speaker 6>I'm always happy to see a Pete Die or on

1:17:00.560 --> 1:17:04.600
<v Speaker 6>television on tour. I always look forward to that. I

1:17:04.680 --> 1:17:08.120
<v Speaker 6>might not be the hugest fan of TPC Sawgrass in

1:17:08.160 --> 1:17:12.000
<v Speaker 6>the world, but I look forward to seeing that golf

1:17:12.040 --> 1:17:15.479
<v Speaker 6>course on television. And yeah, and that's that's a tribute

1:17:15.520 --> 1:17:18.320
<v Speaker 6>to his boldness and and something we didn't really even

1:17:18.360 --> 1:17:20.679
<v Speaker 6>talk about that much, though I hope it came through

1:17:20.680 --> 1:17:24.479
<v Speaker 6>in the clips, is that Pete Dye's personality had an

1:17:24.479 --> 1:17:26.800
<v Speaker 6>effect on a lot of people. And that was really

1:17:26.840 --> 1:17:30.240
<v Speaker 6>important to the impact that he had, you know, just

1:17:30.280 --> 1:17:32.680
<v Speaker 6>the way as you were referring to earlier, just the

1:17:32.680 --> 1:17:35.920
<v Speaker 6>way that he was that he dealt with complaints from

1:17:36.000 --> 1:17:38.759
<v Speaker 6>PGA tour pros. I mean a lot of the pros

1:17:38.800 --> 1:17:42.720
<v Speaker 6>were actively hostile towards his work, right. You go back

1:17:42.760 --> 1:17:44.439
<v Speaker 6>and look at some of these quotes from you know,

1:17:44.560 --> 1:17:47.160
<v Speaker 6>the Peter Jacobson's of the World. I think Paul Asinger

1:17:47.240 --> 1:17:49.920
<v Speaker 6>was in there too, calling him out. Oh yeah, okay,

1:17:50.800 --> 1:17:51.479
<v Speaker 6>you know from.

1:17:51.400 --> 1:17:55.400
<v Speaker 1>I don't know, maybe not sorry, I'm sorry, Paul.

1:17:58.880 --> 1:18:01.559
<v Speaker 6>And Corey Pavin. Corey Haven was particularly severe.

1:18:01.800 --> 1:18:03.120
<v Speaker 1>Yeah, he won that week too.

1:18:04.479 --> 1:18:07.519
<v Speaker 6>You know, there was this was the case from TPC

1:18:07.680 --> 1:18:10.599
<v Speaker 6>Sawgrass forward. I think the pros generally liked Harbor Town,

1:18:10.640 --> 1:18:13.160
<v Speaker 6>though there was maybe a little bit of grumbling about that.

1:18:13.240 --> 1:18:16.280
<v Speaker 6>But once Pete Dye entered that phase of his more

1:18:16.320 --> 1:18:20.880
<v Speaker 6>difficult golf courses, his stadium golf courses, the pros really resisted.

1:18:21.240 --> 1:18:23.760
<v Speaker 6>And you know, whatever you think of legitimacy of the

1:18:23.800 --> 1:18:27.679
<v Speaker 6>pro's complaints, you have to have a regard for how

1:18:27.760 --> 1:18:31.519
<v Speaker 6>Pete Dye reacted to them. Basically, he said, it's what

1:18:31.560 --> 1:18:33.439
<v Speaker 6>I was going for. That's what you know. He wasn't

1:18:33.439 --> 1:18:35.760
<v Speaker 6>defensive about it. He had a sense of humor. He

1:18:35.880 --> 1:18:37.920
<v Speaker 6>just took it and he held his ground.

1:18:38.000 --> 1:18:40.760
<v Speaker 1>And this is where it's so important to remember who

1:18:40.800 --> 1:18:43.920
<v Speaker 1>he was building courses for. These were he was hired

1:18:43.960 --> 1:18:48.479
<v Speaker 1>by the PGA Tour to build tournament championship golf courses.

1:18:48.560 --> 1:18:53.439
<v Speaker 1>These golf courses that so often you hear that the

1:18:53.479 --> 1:18:57.280
<v Speaker 1>retail golfer complain about, there are golf courses that were

1:18:57.280 --> 1:19:01.120
<v Speaker 1>built to host tournaments, built to to test the pros.

1:19:01.439 --> 1:19:04.639
<v Speaker 1>You know, these weren't golf courses built by Mike Kaiser

1:19:04.800 --> 1:19:08.280
<v Speaker 1>to be for the retail golfer, as he likes to

1:19:08.320 --> 1:19:12.559
<v Speaker 1>call it is the sole purpose of them. What Pete

1:19:12.560 --> 1:19:16.000
<v Speaker 1>Die was going was to challenge PGA Tour players, and

1:19:16.040 --> 1:19:20.040
<v Speaker 1>that's an important thing to remember with golf courses. And

1:19:20.280 --> 1:19:24.080
<v Speaker 1>Tom Doak said it like, I rarely build golf courses

1:19:24.120 --> 1:19:27.479
<v Speaker 1>for championship golf and tournament When Pete Die was built,

1:19:27.520 --> 1:19:30.240
<v Speaker 1>every golf course that Pete Die built was for tournament

1:19:30.280 --> 1:19:33.960
<v Speaker 1>golf with the intention of hosting championship golf. And that's

1:19:34.000 --> 1:19:38.679
<v Speaker 1>an important thing. How Die's kind of career shifted wasn't

1:19:39.320 --> 1:19:43.000
<v Speaker 1>I don't think necessarily he you know, what he wanted

1:19:43.000 --> 1:19:47.639
<v Speaker 1>to build shifted. It was what he was building for shifted.

1:19:47.760 --> 1:19:47.960
<v Speaker 9>Right.

1:19:48.080 --> 1:19:50.920
<v Speaker 1>His early work was you know, you're getting the jobs

1:19:50.920 --> 1:19:53.720
<v Speaker 1>you can, and most of those jobs are focused on

1:19:54.040 --> 1:19:57.840
<v Speaker 1>clubs like these are golf courses built for members, not

1:19:58.040 --> 1:20:01.479
<v Speaker 1>for PGA Tour players. The later when you got pop,

1:20:01.520 --> 1:20:04.760
<v Speaker 1>when he got popular, and we've seen some similar thing

1:20:04.800 --> 1:20:08.479
<v Speaker 1>with Gil Hants, where Gil Hans is now the guy

1:20:08.520 --> 1:20:11.640
<v Speaker 1>to go higher for a championship golf course. You know,

1:20:11.720 --> 1:20:14.719
<v Speaker 1>if you want to, you know, refresh your championship golf course.

1:20:15.040 --> 1:20:18.280
<v Speaker 1>It seems like everybody's hiring Gil Hans. That wasn't what

1:20:18.400 --> 1:20:22.160
<v Speaker 1>Gil's original career was. He made his name by restoring

1:20:22.240 --> 1:20:26.040
<v Speaker 1>some great classic golf courses that have no intention of

1:20:26.080 --> 1:20:27.880
<v Speaker 1>hosting major championship golf.

1:20:28.160 --> 1:20:31.400
<v Speaker 6>Yeah, I mean, is Pete Die building a stadium golf

1:20:31.400 --> 1:20:34.479
<v Speaker 6>course for just a membership? No, I mean, the idea

1:20:34.560 --> 1:20:38.120
<v Speaker 6>is ridiculous. Obviously, he wouldn't build a stadium golf course

1:20:38.439 --> 1:20:42.080
<v Speaker 6>unless there is, you know, a presumed crowd to fill

1:20:42.120 --> 1:20:45.960
<v Speaker 6>the stadium. And he executed that idea in TPC Sawgrass.

1:20:46.000 --> 1:20:47.720
<v Speaker 6>And I don't know if you've talked to people who

1:20:47.720 --> 1:20:51.599
<v Speaker 6>have been to the Players Championship, but apparently it's the

1:20:51.640 --> 1:20:54.080
<v Speaker 6>most fun thing pretty much that you can do.

1:20:54.160 --> 1:20:57.519
<v Speaker 1>Oh, it's an incredible it's incredible viewing experience, like you

1:20:57.560 --> 1:21:00.639
<v Speaker 1>can see, Yeah, you can see all kinds. It is

1:21:01.439 --> 1:21:05.040
<v Speaker 1>comparatively to other you know, you go to a different

1:21:05.160 --> 1:21:10.360
<v Speaker 1>US Open course every every year, and the the way

1:21:10.439 --> 1:21:13.679
<v Speaker 1>the viewer experienced as a fan, the way you can

1:21:13.720 --> 1:21:18.439
<v Speaker 1>see shots at Sawgrass is unlike anything I've seen at

1:21:18.439 --> 1:21:22.080
<v Speaker 1>a at a US Open venue or really, for that matter,

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<v Speaker 1>many other tournament venues.

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<v Speaker 6>And that that was the intention, and he really pulled

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<v Speaker 6>it off. And so there's so much to dig into

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<v Speaker 6>in Pete Dye's career, Pete Die's work. I'm sure that

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<v Speaker 6>we'll continue talking about it in the coming months, but

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<v Speaker 6>in the meantime it was It was good to hear

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<v Speaker 6>from some of these architects who have worked for him

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<v Speaker 6>and to whom Pete Dye meant a lot. It was

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<v Speaker 6>really cool to reflect on these clips.

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<v Speaker 1>Yeah, it was fun to ta