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Speaker 1: Hey guys, Chef Kevin here, the boys and I are

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Speaker 1: taking the next two weeks off for the holidays, so

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Speaker 1: we are unpaywalling some of our favorite pro versions of

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Speaker 1: the year. We're doing two this week and two next week.

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Speaker 1: Hope you enjoyed them and we will see you in January.

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Speaker 1: Happy holidays.

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Speaker 2: Everybody's reading about how Joseph and Pete bought a boat

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Speaker 2: about the Fairy.

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Speaker 3: Yes, and spoiler alert, they weren't the most responsible ferry

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Speaker 3: owners ever, and I don't want to cut off your story,

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Speaker 3: but spoiler alert, shocker.

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Speaker 2: It turns out that a couple of comedians who might

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Speaker 2: have been smoking a little something or not I entered

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Speaker 2: the live auction or is it even more embarrassing if

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Speaker 2: one of them was stone cold sober.

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Speaker 3: And went ahead and yeah, maybe got out over their skis.

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Speaker 2: A little bit because it's a captain's license just yet

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Speaker 2: hold off on a warning that just for the moment.

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Speaker 2: So they boy this boat and they're paying six thousand,

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Speaker 2: six hundred thousand dollars like a month to store it, yeah.

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Speaker 3: To take care of the ferry, which ultimately I think

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Speaker 3: the plan was for there to be a comedy show

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Speaker 3: on the boat.

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Speaker 2: Comedy show on the Boatspitality event and it's going back

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Speaker 2: to their roots. I've been thinking so much about my

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Speaker 2: own roots.

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Speaker 3: God, as you get older, you return to the landscapes

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Speaker 3: of your youth, don't you.

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Speaker 2: And these totems that are so important to us, And

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Speaker 2: how to share that with your audience, like and Pete

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Speaker 2: has done it with book Gusts.

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Speaker 3: And the other one honoring your story the King of

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Speaker 3: Staten Island. Yes, and looking, you know, not losing sight

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Speaker 3: of where you came from, just because of how far

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Speaker 3: you've gone.

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Speaker 2: And I was thinking we could where I'm at now,

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Speaker 2: is that we could buy? Do you remember how Engineer

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Speaker 2: Sam would ride his motorcycle, Yes to our records.

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Speaker 3: Seemingly I never saw him on it, but I definitely

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Speaker 3: saw him near it.

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Speaker 2: He would be at Yes, he would like kind of

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Speaker 2: stand next to it, and he would walk in in

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Speaker 2: this way, sort of bow legged.

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Speaker 3: Sorry, guys, my legs are all wide from the.

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Speaker 2: Motorcycles, just gotten off of thundering beast legs kind of

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Speaker 2: like quaver, Like there's still they're still vibrating a little

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Speaker 2: from the V eight.

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Speaker 3: From the nine hundred c sis of Wraw wide Power.

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Speaker 2: And I was thinking we should buy that motorcycle and

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Speaker 2: turn it into a hospitality.

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Speaker 3: So the motorcycle, yes, we'd have to pay to store it,

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Speaker 3: but we would ultimately eat. What would happen is one

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Speaker 3: person could get on the back of the motorcycle. You're

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Speaker 3: riding in the front, I'm in the sidecar. You put

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Speaker 3: head rhones on that facing them. Yes, you put headphones

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Speaker 3: on that person. You each have you have wired air

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Speaker 3: pods and you each have one.

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Speaker 2: Yeah, I get one.

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Speaker 3: They have one, and they can listen to one episode

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Speaker 3: of our podcast, probably not the best one, but.

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Speaker 2: And we and we talk about the podcast with them. Yes,

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Speaker 2: and they can give they can see anything they want

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Speaker 2: about it. It's fine with me.

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Speaker 3: Then we give the motorcycle back to Sam. At the

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Speaker 3: end of every ride, I'm I.

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Speaker 2: Have a shirt that says, if you're reading this, my

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Speaker 2: guests fell off on the front the front, and you

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Speaker 2: have a shirt that says if you're reading this all

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Speaker 2: as well on the back. And it's just thinking about

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Speaker 2: how to take the legacy that we've built and keep

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Speaker 2: building another building on top.

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Speaker 3: Well, the most powerful buildings in the world are famously

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Speaker 3: often three to four buildings build on top of each other.

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Speaker 2: Yeah, because once you see that one building is really working,

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Speaker 2: then this is a great location. Your building vetted for

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Speaker 2: having buildings on it. You just put you and then

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Speaker 2: it's time.

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Speaker 3: I'm going to go find a whole new spot and

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Speaker 3: see if that can hold a building, not knowing whether

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Speaker 3: it's some sort of swamp.

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Speaker 2: And we're inspired by the office ladies. Ever since did

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Speaker 2: we ever train the swamp?

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Speaker 4: Uh?

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Speaker 2: Yeah, no, We're going to get around to that next week.

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Speaker 2: I'm sure.

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Speaker 3: Any minute now heard that before? Yeah right, yeah, please. Uh,

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Speaker 3: I'm gonna stay wet. Sorry, so's gonna be a little

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Speaker 3: marshy and boggy.

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Speaker 2: But imagine the drained one.

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Speaker 3: A fully drained swamp.

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Speaker 2: Oh, you just run around in there at the bottom,

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Speaker 2: would play touch football, flopping little mudbugs.

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Speaker 3: I played touch football with the mudbugs. Yes, and the

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Speaker 3: dying frogs no longer have moisture.

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Speaker 2: Just reach out, get a catfish mm hmm, stick them

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Speaker 2: right out of my chest. The suckle me so, I

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Speaker 2: don't even I don't even need hands to hold of them,

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Speaker 2: just slapping them on it.

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Speaker 3: I got a catfish on each nipple, just nursing off like.

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Speaker 2: The like Garfield on my window.

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Speaker 3: I'm shaking these two big old cats around like they're my.

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Speaker 2: Boom boom boy. I mean, that's living God.

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Speaker 3: That's making me hope that they do actually drain the swamp.

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Speaker 3: I don't think they're likely to.

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Speaker 2: But you were talking about the office. We're inspired by

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Speaker 2: the Office ladies. Ever, they were so gracious when we

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Speaker 2: were all nominated for Best ad Reads at the So

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Speaker 2: Cool twenty twelve I Heart Radio Podcast Awards, and.

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Speaker 3: We're almost due for another nomination.

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Speaker 2: So nice in the green room, the fact that it

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Speaker 2: was their idea for us to all go out yes,

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Speaker 2: holding hands, said whoever wins together, we all go up together. Yes,

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Speaker 2: And they were giving. They were like they didn't want

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Speaker 2: the mic for maybe the first time ever, because they

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Speaker 2: are very good on mic. They didn't want the mic.

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Speaker 2: They wanted everyone else to speak first and talk about

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Speaker 2: you know, the ads being the lifeblood obviously of the

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Speaker 2: podcast industry, and how powerful it is and how we

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Speaker 2: all lift each other up and the competition that we

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Speaker 2: feel to do the best ad read, you know, without

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Speaker 2: without that, without that driving them, they never would have

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Speaker 2: achieved what they were able to do, which was to

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Speaker 2: talk about you know, cat litter or whatever, they did

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Speaker 2: with a little personal story, and we never would have

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Speaker 2: done what we were able to do.

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Speaker 3: Which was to alienate all of our advertisers to the

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Speaker 3: point that we basically don't have any left. And that

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Speaker 3: was just so beautiful and it really to us was

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Speaker 3: a demonstration. But we've got to be like this, like

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Speaker 3: we've got to be more more open to you know, uh,

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Speaker 3: sharing with the other podcasts and also to stealing from

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Speaker 3: them and taking their ideas.

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Speaker 2: I remember this is like kind of a tangent, but

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Speaker 2: I remember as we were like getting down, free.

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Speaker 3: To go on a tangent though.

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Speaker 2: Awards season, Yes, and you know, we knew that we

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Speaker 2: were gonna be in it. We knew we were going

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Speaker 2: to be in the conversation.

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Speaker 3: We had a shot. We had a shot. We didn't

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Speaker 3: have any illusions about being a shoe in or something,

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Speaker 3: but we thought, look, if things break the right way,

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Speaker 3: you know, you gotta go press the flesh and all that.

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Speaker 2: And we talked to some different people who were like

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Speaker 2: at the time and like the the podcast Consulting Game

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Speaker 2: that was actually how we met Mitch. Yeah, Mitch before

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Speaker 2: he decided to cross over, was a podcast like consultants,

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Speaker 2: like pr type.

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Speaker 3: Yeah, it was sort of who's kind of like a

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Speaker 3: Rick Rubin sort of figure.

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Speaker 2: Just someone who knew everyone and who was at all

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Speaker 2: the parties and just like just just understood the game

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Speaker 2: better than anyone. And he was guiding us on how

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Speaker 2: to really go for it on ad reads. And then

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Speaker 2: we heard that the Office Ladies you mentioned cat litter,

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Speaker 2: they were advertising the cat litter that tells you from

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Speaker 2: the peepee whether your cat is sick basically alive or not. Yeah,

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Speaker 2: and they were making their cat sick on purpose with

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Speaker 2: poison in order to be able to have.

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Speaker 3: Cat.

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Speaker 2: Yeah. This stuff, this works for real.

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Speaker 3: This stuff is so good. Uh.

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Speaker 2: It had careens, skull and crossboats floating off the cat

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Speaker 2: litter and the.

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Speaker 3: Poison and the vomit that the cat was producing as

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Speaker 3: well was changing the color of the litter. It's making

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Speaker 3: it all vomit colored. And so that was a great

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Speaker 3: indicator for them and for them to you know, put

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Speaker 3: those put those talking points into action and the act.

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Speaker 2: And I was so powered to give it to him

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Speaker 2: right now. Yeah.

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Speaker 3: They they were willing to go further than we were,

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Speaker 3: and we've held ourselves back. We've held ourselves back on

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Speaker 3: this show in a lot of different ways, not just

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Speaker 3: with ad reads, but with content. I think we've been

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Speaker 3: afraid to go there in the way that they did.

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Speaker 3: They were the first one, obviously there were most people

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Speaker 3: learned that Osama bin Land have been uh killed, captured

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Speaker 3: and killed, dumped in the ocean. I never saw the body,

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Speaker 3: which they also were the first to tell me that.

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Speaker 2: No one was good. He went straight to They were

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Speaker 2: the first to know that there would be an announcement

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Speaker 2: that he was killed.

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Speaker 3: Tune into Nobody was going to be made available for

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Speaker 3: the media.

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Speaker 2: And yeah, they were doing the episode about where Stanley

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Speaker 2: gets whipped, and they said, speaking of Stanley, I don't

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Speaker 2: know that was a segue at all.

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Speaker 3: I didn't see the connection then, but I know from

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Speaker 3: everything I've learned it will. It will come at some point, ye,

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Speaker 3: speaking of Stanley come together, I guess, I guess all

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Speaker 3: the letters of Seal are Instantley.

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Speaker 2: Wow, that's so crazy.

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Speaker 3: And then you've got the tea for Team Left Sure,

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Speaker 3: the why Seal?

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Speaker 2: Why why didn't they let us see the body? Yeah?

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Speaker 2: The yeah.

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Speaker 3: Or no?

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Speaker 2: It's the t and then and why for New York?

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Speaker 2: Very respect but more inspiration to come. It turns out

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Speaker 2: because we have recently learned that the Office Ladies, because

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Speaker 2: I say, look at us, we're still doing it.

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Speaker 3: Yeah, we're still going. And that's something that no one

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Speaker 3: could take away from us. And the Office Ladies and

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Speaker 3: us are still We're all still going. But I are

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Speaker 3: the other nominees, Yeah, I don't know. I don't know

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Speaker 3: who they were. I don't know where they are. But

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Speaker 3: it came to my attention recently because I did think,

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Speaker 3: not without some level of glee, that we had a

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Speaker 3: good shot to outlast the Office Ladies because there was

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Speaker 3: a finite number of episodes for them to recap and

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Speaker 3: when they reached the end of that road that they

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Speaker 3: would have to kind of bid their listeners to do

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Speaker 3: and you know, maybe they would find something else to

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Speaker 3: talk about or move on from the show, but that

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Speaker 3: it would lose some of its luster. And never did

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Speaker 3: I foresee the gambit that was available to them, which

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Speaker 3: was to just start over at episode one and the

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Speaker 3: episodes of the Office that they sort of shared their

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Speaker 3: memories of for an hour plus on a podcast, that

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Speaker 3: they would just talk about it again.

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Speaker 2: And just that's they did.

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Speaker 3: That they're doing that.

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Speaker 2: And potentially some of the same Memories. Although isn't it

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Speaker 2: kind of an interesting podcast? Its number?

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Speaker 3: Yeah, Like if they don't remember telling the story, are

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Speaker 3: you really going to remember listening to it?

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Speaker 2: Mm hmm.

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Speaker 3: And I don't know, you know, maybe they get a

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Speaker 3: different guest for that episode, but I don't know how

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Speaker 3: often they have guests.

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Speaker 2: I see.

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Speaker 3: Need to just remember the gals.

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Speaker 2: So we were nominated. It turns out in twenty nineteen. God,

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Speaker 2: wait later, it must have been twenty nineteen because that

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Speaker 2: was the first awards ever. You believe that was the

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Speaker 2: first iHeart Radio Podcast Awards ever.

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Speaker 3: M dude, I want to feel old and they're not

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Speaker 3: as old as he felt.

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Speaker 2: There was most being a ball uh breakout podcast armchair expert.

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Speaker 2: They weren't kidding. They didn't know how much.

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Speaker 3: Breaking out of the sleeves with those big old muscles. Now, keV,

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Speaker 3: how was the TRT therapy going? Not? Well, you're it's

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Speaker 3: the first time the test off showed has rejected the host.

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Speaker 1: Speaking of rejection, Josh met Desmond this weekend and I

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Speaker 1: snapped the pick.

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Speaker 2: Little Poudy day. Does it looks like he has bitter

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Speaker 2: beer face and a blanket from Seawan and Grace being

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Speaker 2: held by Josh.

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Speaker 3: Oh, yeah, on the back of the couch. That's the

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Speaker 3: that's the blanket, Ladies baby blanket. Yeah, that's that's right.

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Speaker 3: That's the same face I like when Josh tries to

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Speaker 3: put me on his lap.

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Speaker 2: We actually were maybe nominated in twenty twenty. I guess

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Speaker 2: this is gonna take too long to find out, but yeah,

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Speaker 2: because we were not nominated for Best Adage twenty so

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Speaker 2: that must.

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Speaker 3: Be right book keeping on these iHeartRadio Awards. He's something

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Speaker 3: to be desired. It's almost as if people are taking

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Speaker 3: this seriously as a big awards show anymore. So.

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Speaker 2: We always Sean and I met on a show caught

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Speaker 2: on Gregory.

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Speaker 3: We met on this show, this funny cartoon show that

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Speaker 3: a lot of people have always asked us, like, hey,

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Speaker 3: you know, there's these these hot recap podcasts for these shows,

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Speaker 3: like you guys have so much insight into how the

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Speaker 3: sauce just made on this one?

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Speaker 2: Why didn't you do it?

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Speaker 3: And we said, well, it was only it was only

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Speaker 3: half a season. It was only seven episodes and a

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Speaker 3: couple backup scripts.

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Speaker 2: And half season was all they was the initial order.

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Speaker 3: That was the order. They didn't cut it short. They

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Speaker 3: actually ordered additional scripts. I wrote one of them.

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Speaker 2: So they were excited about it.

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Speaker 3: So they were they were loving it. But we thought, well,

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Speaker 3: if we do that, we can only make seven episodes

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Speaker 3: of the podcast, and then we'd be done and then

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Speaker 3: we'd have to go home and never see each other again.

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Speaker 3: But now we understand, oh, we can just do.

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Speaker 2: Those seven episodes doing and you start back at episode one, and.

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Speaker 3: We'll actually remember which stories we told because it's going

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Speaker 3: to be we're gonna do it daily, so it'll be

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Speaker 3: once a week that we start over, and.

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Speaker 2: Maybe we can innovate on the form also, where like

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Speaker 2: we go episode one, episode two, episode three, then we

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Speaker 2: go back to episode one again.

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Speaker 3: That's cool. That's cool, and keep them hungry for.

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Speaker 2: Oh, I hope they get there four. Oh, they're almost

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Speaker 2: gonna get four, and that could be our thing is

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Speaker 2: like almost getting to episode four, but then we go

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Speaker 2: back to episode two, then we go back to episode

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Speaker 2: one to get.

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Speaker 3: Yeah, then we do episode four, then we go back

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Speaker 3: to episode two, then episode three, then episode one.

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Speaker 2: Mm hmm, then episode three, that episode four reunion.

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Speaker 3: Special, then episode two, then episode five and by the way,

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Speaker 3: I might be able to dig up one of those

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Speaker 3: backup scripts.

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Speaker 2: Now are the office ladies having Is it the same

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Speaker 2: guests again?

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Speaker 4: I don't think so, but I honestly don't know.

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Speaker 3: I brought up that idea whether they have guests or

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Speaker 3: if they I think they probably try to get a

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Speaker 3: different guest for the episode to get a different memory.

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Speaker 2: I think if we had, say French Stewart the voice

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Speaker 2: of Richard on as our guest to discuss episode one,

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Speaker 2: then every time we discuss episode one, French Stewart comes

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Speaker 2: back again. That's interesting, and then we're all on the

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Speaker 2: same page in terms of what our memories are that

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Speaker 2: we've already discussed. And then French can have some accountability

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Speaker 2: on us to be like, hey, you guys talked about

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Speaker 2: that already. You mentioned that with episode one, so it's

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Speaker 2: all new.

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Speaker 3: Yeah, and French. And French also has then a specialty

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Speaker 3: specialty which is episode one. He's sort of the episode

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Speaker 3: one historian. And then maybe nat faxon Jeremy. He could

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Speaker 3: be episode four, which we're not gonna do until like

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Speaker 3: twenty five episodes in.

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Speaker 2: But he's busy. He's busy.

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Speaker 3: Yeah, he's on loot.

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Speaker 2: Okay, should we watch some episode what we have here?

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Speaker 2: One issue that we're finding so far as we were,

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Speaker 2: we were really excited about this idea. We're maybe even

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Speaker 2: going to launch it today. Yeah. Uh is that the

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Speaker 2: episodes are not available to be seen.

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Speaker 3: They're not watchable in a traditional way. So a lot

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Speaker 3: of you know, there's too much TV and then all

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Speaker 3: these streamers and the internet is forever, et cetera. So

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Speaker 3: Alan Gregory doesn't really doesn't really hold true to any

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Speaker 3: of those aphorisms. You kind of can't find it. We

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Speaker 3: found one YouTube compilation that is about fifteen minutes long,

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Speaker 3: and it's just random lines from different episodes of the

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Speaker 3: episodes are all chopped up out of order.

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Speaker 2: But Alan Gregory highlights Yes has one hundred and twenty

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Speaker 2: thousand views on YouTube, which there's almost as many views

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Speaker 2: as it got what was on TV on Fox, and

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Speaker 2: we actually so this is such a special time to

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Speaker 2: be doing this. I remember being really excited for the

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Speaker 2: show to premiere because it was premiering after the Treehouse

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Speaker 2: of Horror episode of The Simpsons, Yes, which I had

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Speaker 2: somehow gotten in my head was like maybe the biggest

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Speaker 2: television event in history. Season thirty nine of the Subsonce

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Speaker 2: Treehouse of Horror episode Yes, and that we would just

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Speaker 2: be able to basically ride that wave into shore for

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Speaker 2: the next ten to fifteen years years.

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Speaker 3: I did think that was gonna be what I was

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Speaker 3: doing for a while. I couldn't help even as I

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Speaker 3: watched some of these highlights, couldn't help up remembering how

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Speaker 3: I thought that this was definitely gonna be my job

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Speaker 3: for a long time.

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Speaker 2: So let's hit play on this, and it looks like

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Speaker 2: we're gonna hear from Richard and Jerry. Me first, this

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Speaker 2: is a really great sort of the core emotional relationship

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Speaker 2: of the show, where Richard alan Gregory's dad, who is

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Speaker 2: a wealthy by sort of unclear means. I think it's

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Speaker 2: eventually established that his dad has a lot of money. Anyway,

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Speaker 2: he has a partner named Jeremy, who he is forcing.

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Speaker 3: To be gay. Yeah, So what we learned through the

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Speaker 3: course of the show is that Jeremy was a straight

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Speaker 3: man with a wife and family, and that Richard became

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Speaker 3: infatuated with him and seemingly just relentlessly bullied him into

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Speaker 3: being in a relationship with him. And it's a classic

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Speaker 3: comedy dynamic, obviously, And this is.

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Speaker 2: A relationship that other shows like A Family Guy or

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Speaker 2: Simpson's maybe if they would ever Dare would do it

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Speaker 2: as like a one shot joke about like kind of

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Speaker 2: like a fringe character.

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Speaker 3: Yeah, where it's like, oh, that's a weird, kind of

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Speaker 3: interesting backstory for the character. It is the center of

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Speaker 3: the whole show and is invest gated multiple times per episode.

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Speaker 2: The idea that.

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Speaker 3: Jeremy does not enjoy the gay sex that he's having.

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Speaker 2: So let's hear from let's hear from Richard and Jeremy.

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Speaker 4: Now, thank you for coming everyone.

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Speaker 5: Okay, so sorry, we saw that out of frame and

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Speaker 5: Alan Gregory was lifted in. Jeremy did lift up Alan Gregory,

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Speaker 5: so we won't be hearing from Richard and Jeremy right now.

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Speaker 2: But this is I believe Alan Gregory's first lines on

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Speaker 2: camera in the show.

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Speaker 3: So yeah, well, and I think this is from the

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Speaker 3: not oh no, sorry, go ahead. Yeah, there's scenes in

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Speaker 3: one of the things that Kevin said that are where

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Speaker 3: Jeremy looks different.

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Speaker 2: Because it's not the actual pilot, can we start from

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Speaker 2: the very beginning again, Please thank you for.

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Speaker 3: Coming everyone, Please lawer your voices.

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Speaker 4: I'm speaking.

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Speaker 6: Oh cue was here.

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Speaker 3: And then we immediately cut it out.

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Speaker 2: So that was on this little way. But I think

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Speaker 2: he did say Hi Chloe. Yeah, and that was not

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Speaker 2: They didn't in coclude that that's not what I like material.

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Speaker 3: That wasn't part of the highlight. Him doing the little

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Speaker 3: wave and saying Chloe's here.

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Speaker 2: A highlight.

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Speaker 3: Him saying Hi Chloe to her in the crowd. I

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Speaker 3: think we can cut that, you know, we gotta get moving.

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Speaker 3: We only got fifteen minutes to do all this.

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Speaker 2: Highlight.

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Speaker 6: Oh wow, Okay, how about it's Alan Gregory and go

401
00:23:37,560 --> 00:23:39,200
Speaker 6: ahead and only address me is that from now on?

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Speaker 2: Thanks so much.

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Speaker 6: Okay, I'm sorry I didn't catch you. Your name, it's

404
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Speaker 6: miss We're on court, sweetheart.

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Speaker 4: What's your first name?

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Speaker 6: Gina?

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Speaker 2: But you should never call for saying.

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Speaker 3: So this is one of the things that there's about

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Speaker 3: ten thousand comments underneath going like and these are the highlights,

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Speaker 3: like this is this show was the most funny thing

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Speaker 3: that ever existed and.

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Speaker 2: That I like, And maybe it was like the time

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00:24:08,960 --> 00:24:11,879
Speaker 2: and like the comedy sensibility has changed, But I remember

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00:24:13,280 --> 00:24:18,400
Speaker 2: that was me. I remember pitching. He should say what's

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Speaker 2: your name? And she should be like, what's your name too?

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Speaker 2: They should have a convers they should have a back

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Speaker 2: and forth because they're just meeting. Yes, they're just meeting

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Speaker 2: for the first time, so like it could be really

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Speaker 2: interesting to see on screen a little back and forth

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Speaker 2: about what each other's names are that I want, Yeah,

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Speaker 2: I wanted to be like I let everyone else find

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Speaker 2: like what is there like disagreement on that? Is that

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Speaker 2: for conflict?

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Speaker 3: I wanted to be longer obviously as well. But I

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Speaker 3: do think and and and this is and this is

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Speaker 3: a little too real. Him say, we're not a six

427
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Speaker 3: year old, say we're not in court, sweetheart? What's your

428
00:24:54,880 --> 00:24:57,720
Speaker 3: first name? I think it's kind of funny.

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Speaker 2: Oh. I like how he says, can I see you

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Speaker 2: with halls the hallway?

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Speaker 3: I don't know. I thought it was kind of funny.

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Speaker 2: And this might be that the fact that the video

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Speaker 2: was from ancient YouTube. The color palette on the show

434
00:25:13,200 --> 00:25:14,880
Speaker 2: is insane. Yeah.

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Speaker 3: This is Global HD, which I believe is like the

436
00:25:17,800 --> 00:25:21,240
Speaker 3: Canadian television station, maybe a lot of cartoons. It also

437
00:25:21,359 --> 00:25:24,280
Speaker 3: was the home to Bob and Doug the McKenzie.

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Speaker 2: Maybe somebody went in the transmission because the character Richard

439
00:25:30,600 --> 00:25:38,520
Speaker 2: looks like he has no knows because of how he yes. Okay,

440
00:25:38,600 --> 00:25:40,520
Speaker 2: so so now we're actually cutting back.

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Speaker 3: To we're cunning back to the scene that cut out

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00:25:42,680 --> 00:25:45,520
Speaker 3: of and if you'll recall, he doesn't say hi Chloe,

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Speaker 3: and the cut that.

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00:25:46,320 --> 00:25:47,040
Speaker 2: We had before.

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Speaker 3: So let's see what else happens.

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Speaker 4: No, go ahead and have a blast.

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00:25:50,320 --> 00:25:51,680
Speaker 3: It's our night, you crazy's Chloe?

448
00:25:51,760 --> 00:25:52,159
Speaker 2: Where are you?

449
00:25:53,440 --> 00:25:56,560
Speaker 3: We did call back to Chloe, so for some reason

450
00:25:57,720 --> 00:25:59,879
Speaker 3: the middle of it, a scene from the classroom at

451
00:26:00,080 --> 00:26:04,680
Speaker 3: school that him even being at the school happens ten

452
00:26:04,760 --> 00:26:07,520
Speaker 3: minutes later in the show. From this scene which got

453
00:26:08,040 --> 00:26:08,719
Speaker 3: sliced up.

454
00:26:09,400 --> 00:26:11,240
Speaker 2: I liked it on the show. You can watch it.

455
00:26:11,280 --> 00:26:17,200
Speaker 2: You can really tell when we liked something. If if Chloe,

456
00:26:17,280 --> 00:26:17,760
Speaker 2: where are you?

457
00:26:18,040 --> 00:26:18,159
Speaker 7: Hi?

458
00:26:18,320 --> 00:26:22,040
Speaker 2: Chloe was doing well in the room, Yeah, in the room,

459
00:26:22,680 --> 00:26:27,159
Speaker 2: then it would almost be selfish to hold back on

460
00:26:27,720 --> 00:26:33,760
Speaker 2: referencing Chloe. Yes, because it done so well just a

461
00:26:33,840 --> 00:26:38,040
Speaker 2: second ago. Let's do let's do an instant callback. There

462
00:26:38,119 --> 00:26:38,879
Speaker 2: was a lot of that.

463
00:26:41,640 --> 00:26:43,560
Speaker 6: I'm not gonna lick of service baber.

464
00:26:45,600 --> 00:26:50,800
Speaker 2: To get out is Gregory, and that was a cut

465
00:26:51,560 --> 00:26:55,159
Speaker 2: that was well. After he says is at nine, I

466
00:26:55,240 --> 00:26:55,879
Speaker 2: think we will.

467
00:26:55,840 --> 00:26:58,840
Speaker 3: Cut back to the end of that scene pretty shortly.

468
00:26:59,040 --> 00:27:01,320
Speaker 3: I don't know why go to the teacher saying Alan

469
00:27:01,359 --> 00:27:03,680
Speaker 3: Gregory very slowly, which I always was confused by this

470
00:27:03,840 --> 00:27:04,280
Speaker 3: line read.

471
00:27:04,960 --> 00:27:08,840
Speaker 2: And this is not to call anyone out, but who

472
00:27:09,040 --> 00:27:14,320
Speaker 2: whose voice was this? Leslie Mint, Leslie Man? Of course, Yes, okay,

473
00:27:14,520 --> 00:27:15,280
Speaker 2: let's keep going.

474
00:27:16,240 --> 00:27:19,240
Speaker 3: I am your teacher and I need you to respect that.

475
00:27:19,440 --> 00:27:21,320
Speaker 6: Oh no, no, no, no no, I totally will respect that.

476
00:27:21,560 --> 00:27:23,080
Speaker 6: If you can respect that, we are on the same

477
00:27:23,080 --> 00:27:24,400
Speaker 6: exact level authority wise.

478
00:27:25,560 --> 00:27:27,440
Speaker 2: Now we're going back to the dial nine. So this

479
00:27:27,640 --> 00:27:28,399
Speaker 2: is like kind of a.

480
00:27:28,760 --> 00:27:30,880
Speaker 3: Which this is a piece I think that works better

481
00:27:30,960 --> 00:27:34,000
Speaker 3: when it is all together because he is going to

482
00:27:34,080 --> 00:27:38,600
Speaker 3: say sort of the the punchline as it as it were,

483
00:27:40,080 --> 00:27:42,320
Speaker 3: baby pick up hit nine and then Dala what Joe.

484
00:27:47,520 --> 00:27:50,040
Speaker 2: So that was another really fun dynamic in the show,

485
00:27:50,280 --> 00:27:55,040
Speaker 2: is that he is a little boy and he wants

486
00:27:55,160 --> 00:27:57,959
Speaker 2: to have sex with his principle.

487
00:27:58,320 --> 00:28:02,960
Speaker 3: Yeah, who's I think stated to be in her sixties

488
00:28:03,080 --> 00:28:07,199
Speaker 3: but really looks like probably even older, and.

489
00:28:07,280 --> 00:28:10,600
Speaker 2: He has a lot of sexual fantasies about her. And

490
00:28:10,720 --> 00:28:15,200
Speaker 2: this was a place where they did basically everything with

491
00:28:15,400 --> 00:28:24,200
Speaker 2: Stewie except that, yeah, him being like really hyper sexual. Yes,

492
00:28:24,520 --> 00:28:28,560
Speaker 2: so we sort of thought should we do that and just.

493
00:28:28,680 --> 00:28:32,280
Speaker 3: That that was gonna be sort of in the same

494
00:28:32,320 --> 00:28:36,280
Speaker 3: way that the Jeremy Richard dynamic we described earlier was

495
00:28:38,440 --> 00:28:42,000
Speaker 3: very thoroughly explored in every episode. Also, Alan Gregory wanting

496
00:28:42,120 --> 00:28:47,840
Speaker 3: to have sex with woman in her sixties, not just

497
00:28:47,960 --> 00:28:51,320
Speaker 3: having like a crush, but actually wanting to have sex

498
00:28:51,400 --> 00:28:51,800
Speaker 3: with her.

499
00:28:53,400 --> 00:28:53,680
Speaker 7: Was like.

500
00:28:55,640 --> 00:28:58,840
Speaker 3: Very much foregrounded by the show. Was something that got

501
00:28:58,960 --> 00:29:00,720
Speaker 3: probably the most attention on the show and is a

502
00:29:00,760 --> 00:29:03,720
Speaker 3: lot of people's main memory from it is that in

503
00:29:03,800 --> 00:29:10,480
Speaker 3: the pilot he does, in a daydream sequence recreate the

504
00:29:10,560 --> 00:29:13,760
Speaker 3: part of the Mark Wahlberg movie Fear where he fingers

505
00:29:13,800 --> 00:29:16,960
Speaker 3: reached Witherspoon on a roller coaster, but is a six

506
00:29:17,080 --> 00:29:24,880
Speaker 3: year old boy and you know, geriatric woman who is

507
00:29:24,960 --> 00:29:26,000
Speaker 3: the principle of his school.

508
00:29:26,160 --> 00:29:29,760
Speaker 2: Can we read some of the comments, please, just to

509
00:29:29,880 --> 00:29:34,480
Speaker 2: get some like reactions in real time to what we're

510
00:29:34,520 --> 00:29:38,240
Speaker 2: seeing here. You zoom in just a little bit, Okay,

511
00:29:40,360 --> 00:29:43,440
Speaker 2: scroll up. It's like they were trying to go for

512
00:29:43,480 --> 00:29:46,480
Speaker 2: a more upper class Twoe Griffin but failed miserably. Okay,

513
00:29:46,640 --> 00:29:49,800
Speaker 2: I kind of sort of copying what I just said.

514
00:29:53,360 --> 00:29:57,560
Speaker 2: Someone conscientiously watched this show and actually picked these specific

515
00:29:57,600 --> 00:30:01,560
Speaker 2: clips and called them highlights. Dear God, I don't even

516
00:30:01,640 --> 00:30:08,720
Speaker 2: want to know the low lights are like, Okay, well,

517
00:30:08,760 --> 00:30:12,479
Speaker 2: I have issues with the highlight not just the highlight selection,

518
00:30:12,680 --> 00:30:16,920
Speaker 2: but also how they're presented. I don't think we're totally

519
00:30:17,080 --> 00:30:20,600
Speaker 2: being fair to the material here, and that's been established.

520
00:30:20,640 --> 00:30:22,800
Speaker 3: I do think that this person was sort of flexing

521
00:30:22,880 --> 00:30:25,920
Speaker 3: some editing skills to the detriment of some of the

522
00:30:25,960 --> 00:30:30,040
Speaker 3: comedic moments that they were trying to highlight. Yeah, and

523
00:30:30,200 --> 00:30:32,520
Speaker 3: have made them worse than they were. Not that they

524
00:30:32,560 --> 00:30:36,360
Speaker 3: would work necessarily on their own or that they did,

525
00:30:36,680 --> 00:30:38,400
Speaker 3: you know, for a larger audience.

526
00:30:38,520 --> 00:30:43,320
Speaker 2: But still, for those of you wondering why this show

527
00:30:43,400 --> 00:30:45,280
Speaker 2: got canceled, let me take a stab at it. I

528
00:30:45,360 --> 00:30:47,120
Speaker 2: think what the writers were going for was to have

529
00:30:47,200 --> 00:30:50,440
Speaker 2: a smug, arrogant child be redeemed and made humble and

530
00:30:50,520 --> 00:30:52,920
Speaker 2: likable by the public school system and the regular non

531
00:30:53,040 --> 00:30:55,800
Speaker 2: rich kids he interacted with. The problem was that this

532
00:30:55,880 --> 00:30:57,960
Speaker 2: show hit you over the head with a sledgehammer with

533
00:30:58,000 --> 00:31:01,280
Speaker 2: how arrogant and stuck up Ag and his biological father were.

534
00:31:01,600 --> 00:31:04,400
Speaker 2: That it was simply too much. There was simply no

535
00:31:04,480 --> 00:31:06,360
Speaker 2: way people were going to wait the amount of time

536
00:31:06,400 --> 00:31:08,880
Speaker 2: it would take for Ag to grow up. Plus the

537
00:31:08,960 --> 00:31:11,800
Speaker 2: show had no other redeeming qualities at all.

538
00:31:12,360 --> 00:31:16,880
Speaker 3: I E. I E. Being funny. I do so that

539
00:31:17,320 --> 00:31:21,000
Speaker 3: so this person they're they're so wrong. I'm not even

540
00:31:21,000 --> 00:31:23,160
Speaker 3: gonna argue whether it was funny. That was never the

541
00:31:23,240 --> 00:31:25,360
Speaker 3: goal of the show. And I do want to get

542
00:31:25,480 --> 00:31:27,600
Speaker 3: before we get out of here, not because I'm in it.

543
00:31:27,680 --> 00:31:30,240
Speaker 3: I want to get to the featurette for a different reason,

544
00:31:30,880 --> 00:31:35,120
Speaker 3: which is you hear everyone describing what the show is,

545
00:31:35,240 --> 00:31:38,840
Speaker 3: the creators and Jonah and the show runner David Goodman,

546
00:31:39,760 --> 00:31:43,000
Speaker 3: and you get a little sense that they just haven't

547
00:31:43,080 --> 00:31:43,960
Speaker 3: quite dialed in.

548
00:31:45,040 --> 00:31:47,800
Speaker 2: They haven't gotten there exactly.

549
00:31:48,080 --> 00:31:51,600
Speaker 3: Yeah, it's like the way David described it as a

550
00:31:52,200 --> 00:31:56,320
Speaker 3: different character really that you're talking about. I think that

551
00:31:56,520 --> 00:31:59,920
Speaker 3: comes through coming everyone. Please let your voices. I'm speaking.

552
00:32:00,800 --> 00:32:04,440
Speaker 6: I've traveled the world, folks. I've written genre shattering novels,

553
00:32:04,600 --> 00:32:05,720
Speaker 6: mediated peace talks.

554
00:32:05,760 --> 00:32:08,080
Speaker 4: You all know my resume. But I'm about to embark

555
00:32:08,200 --> 00:32:09,000
Speaker 4: on the biggest chair.

556
00:32:09,080 --> 00:32:12,240
Speaker 3: That's Jeremy the Old Jeremy's Very Good Ride.

557
00:32:12,640 --> 00:32:15,520
Speaker 6: With Children My Own Age, Alan Gregor is a show

558
00:32:15,560 --> 00:32:18,000
Speaker 6: about the world's most pretentious seven year old.

559
00:32:18,120 --> 00:32:22,440
Speaker 3: He's been homeschooled by his father's extremely sheltered and now

560
00:32:22,480 --> 00:32:24,960
Speaker 3: they've run out of money, and Alan Gregory has to

561
00:32:25,040 --> 00:32:27,600
Speaker 3: go back to public school with kids his own age,

562
00:32:27,600 --> 00:32:30,560
Speaker 3: and heine's that disgusting. He thinks they're animals.

563
00:32:31,080 --> 00:32:34,080
Speaker 7: Here's a seven year old boy who has argued for

564
00:32:34,360 --> 00:32:36,880
Speaker 7: fuel cell technology on a Capitol hill and his friends

565
00:32:37,320 --> 00:32:40,680
Speaker 7: with Sandy Bollock, really good friends, and now suddenly has

566
00:32:40,720 --> 00:32:42,680
Speaker 7: to be back in a lunch room with bullies.

567
00:32:43,080 --> 00:32:44,240
Speaker 3: It's a little delusional.

568
00:32:44,280 --> 00:32:45,880
Speaker 2: I guess delusional is a good way to put it.

569
00:32:47,200 --> 00:32:50,760
Speaker 2: What there I am? But does it feel there?

570
00:32:50,880 --> 00:32:51,239
Speaker 5: You are?

571
00:32:51,480 --> 00:32:53,080
Speaker 2: Yes? I remember that uniform.

572
00:32:53,600 --> 00:32:56,880
Speaker 3: Yeah. Down at the end of the table, me, Jake

573
00:32:57,040 --> 00:33:01,160
Speaker 3: Johnson and Will Forte in our own little corner. Lacy

574
00:33:01,240 --> 00:33:10,440
Speaker 3: Shapeer just off to my left. So does feel similar

575
00:33:10,600 --> 00:33:13,040
Speaker 3: the characters that they're describing, But one is listing like

576
00:33:13,200 --> 00:33:15,080
Speaker 3: real accomplishments that he's had.

577
00:33:15,400 --> 00:33:18,440
Speaker 2: The other was talking about him being really sheltered.

578
00:33:19,160 --> 00:33:23,200
Speaker 3: Yes, one saying delusional, one saying the most pretentious. But

579
00:33:23,320 --> 00:33:27,000
Speaker 3: they're they can exist together. But it just doesn't feel

580
00:33:27,080 --> 00:33:32,640
Speaker 3: like we really got got the same character locked in

581
00:33:32,840 --> 00:33:34,680
Speaker 3: before we went to do these interviews.

582
00:33:34,320 --> 00:33:38,880
Speaker 2: For the future at does it And one of them

583
00:33:39,000 --> 00:33:44,600
Speaker 2: ended up losing yes in this argument, and it was

584
00:33:46,360 --> 00:33:47,040
Speaker 2: David Goodman.

585
00:33:47,600 --> 00:33:50,320
Speaker 3: Well, yeah, and I think the network always saw the

586
00:33:50,440 --> 00:33:54,520
Speaker 3: character as a child genius who had accomplishments. Is also

587
00:33:54,600 --> 00:33:57,280
Speaker 3: how they open. He says that he's written these genre

588
00:33:57,360 --> 00:34:02,200
Speaker 3: shattering novels, but the creators that decided that wasn't true.

589
00:34:02,560 --> 00:34:05,400
Speaker 3: Wasn't true, confusic way to introduce a character that he's

590
00:34:05,480 --> 00:34:06,120
Speaker 3: just live.

591
00:34:05,960 --> 00:34:08,879
Speaker 2: But his family had just been like making him think

592
00:34:09,040 --> 00:34:12,800
Speaker 2: that he had all these accomplishments and also making David

593
00:34:13,000 --> 00:34:17,640
Speaker 2: and the network that and they agreed to do the show.

594
00:34:18,080 --> 00:34:21,600
Speaker 3: So it was they were insistent that the child was

595
00:34:21,680 --> 00:34:25,759
Speaker 3: not a genius, but he did speak completely differently from

596
00:34:25,760 --> 00:34:28,280
Speaker 3: everyone in his own age who all acted at tocolic

597
00:34:28,360 --> 00:34:29,640
Speaker 3: little kids, and he did it.

598
00:34:30,680 --> 00:34:35,480
Speaker 2: So David says he's argued for fuel cell technology on

599
00:34:35,600 --> 00:34:37,879
Speaker 2: Capitol Hill, and then Will Forte comes in and says

600
00:34:37,920 --> 00:34:41,839
Speaker 2: he's kind of delusional, Yeah, talking I think possibly about

601
00:34:41,920 --> 00:34:50,480
Speaker 2: David anyway, fun show? Uh huh, So we'll do this

602
00:34:50,560 --> 00:35:01,959
Speaker 2: again tomorrow. Oh yeah, bye, I'm looking for like, yeah,

603
00:35:03,760 --> 00:35:04,200
Speaker 2: the book.

604
00:35:04,239 --> 00:35:06,239
Speaker 4: Can I stop and rerecord? You mind?

605
00:35:06,280 --> 00:35:06,560
Speaker 7: If I do?

606
00:35:07,880 --> 00:35:07,920
Speaker 1: No?

607
00:35:08,080 --> 00:35:09,160
Speaker 2: Go ahead? What do you mean?

608
00:35:09,800 --> 00:35:10,920
Speaker 4: I just want to make okay, I just want to

609
00:35:10,920 --> 00:35:13,840
Speaker 4: make sure I'm recording. Should I get the book like

610
00:35:13,920 --> 00:35:15,759
Speaker 4: to have it in like, by the way, when is

611
00:35:15,800 --> 00:35:17,080
Speaker 4: this going to come out? Can I ask you that

612
00:35:17,160 --> 00:35:18,280
Speaker 4: question to twelve hours?

613
00:35:18,400 --> 00:35:18,959
Speaker 2: Twelve hours?

614
00:35:19,000 --> 00:35:19,200
Speaker 3: Yeah?

615
00:35:19,239 --> 00:35:20,879
Speaker 4: Oh okay, oh so this is like before the book

616
00:35:20,880 --> 00:35:21,200
Speaker 4: comes out.

617
00:35:21,239 --> 00:35:24,680
Speaker 2: Okay, great, m So what.

618
00:35:24,760 --> 00:35:25,520
Speaker 3: Did you want.

619
00:35:27,040 --> 00:35:27,600
Speaker 4: January?

620
00:35:27,960 --> 00:35:29,040
Speaker 2: Okay? I mean you begged to.

621
00:35:29,040 --> 00:35:29,839
Speaker 3: Be on the fucking show.

622
00:35:29,880 --> 00:35:32,000
Speaker 4: Well that's why I don't want to say like three

623
00:35:32,120 --> 00:35:32,680
Speaker 4: or four.

624
00:35:33,160 --> 00:35:36,080
Speaker 3: Messages and we're like following up. Yeah, and so it's

625
00:35:36,160 --> 00:35:39,719
Speaker 3: like I didn't know, so I don't do that in January.

626
00:35:39,880 --> 00:35:42,880
Speaker 2: My question is do you think with a book that

627
00:35:43,000 --> 00:35:45,200
Speaker 2: you can just say, like you can release the book

628
00:35:45,280 --> 00:35:49,279
Speaker 2: and say, hang on a second, let me start the

629
00:35:49,360 --> 00:35:49,839
Speaker 2: book over.

630
00:35:50,480 --> 00:35:53,359
Speaker 3: Yeah. Is that how the plan?

631
00:35:53,480 --> 00:35:55,239
Speaker 2: Because you said it's not out yet? Is the plan

632
00:35:55,360 --> 00:35:57,279
Speaker 2: going to be to release the book and people buy

633
00:35:57,400 --> 00:35:59,400
Speaker 2: it and then their doorbell rings and.

634
00:35:59,440 --> 00:36:01,600
Speaker 3: It's you and you say, well you let them read it.

635
00:36:01,719 --> 00:36:06,160
Speaker 3: Let them read like four pages. So they's like, okay,

636
00:36:06,239 --> 00:36:07,600
Speaker 3: I might fuck with this book a little bit, and

637
00:36:07,640 --> 00:36:09,120
Speaker 3: you're like, sorry, sorry, sorry, give me that.

638
00:36:10,200 --> 00:36:12,480
Speaker 4: Hang on, I'll see what the response is. Right, If

639
00:36:12,480 --> 00:36:14,560
Speaker 4: people aren't liking it, I am willing to go back

640
00:36:14,600 --> 00:36:15,319
Speaker 4: and rewrite.

641
00:36:15,000 --> 00:36:16,600
Speaker 3: The book to show up at their door with a

642
00:36:16,640 --> 00:36:17,239
Speaker 3: different book.

643
00:36:17,520 --> 00:36:19,640
Speaker 4: Yeah, or at least, like, you know, tailor to them,

644
00:36:19,719 --> 00:36:21,759
Speaker 4: like what that I think they might appreciate more of.

645
00:36:22,160 --> 00:36:25,279
Speaker 2: And you asked if you should get the book, and

646
00:36:25,360 --> 00:36:28,239
Speaker 2: the answers I don't know, you know, I do know

647
00:36:28,320 --> 00:36:30,480
Speaker 2: that I should get the book. Oh yes, And I

648
00:36:30,600 --> 00:36:33,239
Speaker 2: actually should already have it. I should be able, like

649
00:36:33,400 --> 00:36:37,360
Speaker 2: I should be holding it, just something something to a

650
00:36:37,400 --> 00:36:39,680
Speaker 2: little piece of business for me to do with my hands.

651
00:36:41,400 --> 00:36:44,080
Speaker 3: I have, so I have the book the books at home.

652
00:36:46,000 --> 00:36:48,200
Speaker 3: I don't think you'd be that like blown away to

653
00:36:48,239 --> 00:36:50,120
Speaker 3: see the book, like if I had the book here.

654
00:36:50,520 --> 00:36:53,280
Speaker 3: And sometimes people do this, and this happened. We recently

655
00:36:53,360 --> 00:36:55,640
Speaker 3: had one of these book guys, actually the last book

656
00:36:55,680 --> 00:36:57,160
Speaker 3: guy who came on here. We were actually in the

657
00:36:57,200 --> 00:37:00,600
Speaker 3: fucking book. I don't see you doing that.

658
00:37:01,520 --> 00:37:03,520
Speaker 4: You are, honestly, you have to finish it because you know,

659
00:37:03,560 --> 00:37:05,840
Speaker 4: there's a really big pivotal scene that's all about the

660
00:37:05,880 --> 00:37:06,640
Speaker 4: Hollywood hambleki.

661
00:37:06,800 --> 00:37:08,799
Speaker 3: But we get these we get these guys who did

662
00:37:08,880 --> 00:37:11,160
Speaker 3: a book, and they're like, I love you guys, and

663
00:37:11,680 --> 00:37:14,760
Speaker 3: and I've got a book. You're obsessed with us, that's fine.

664
00:37:16,400 --> 00:37:21,759
Speaker 3: And they show up and they're like the last guy

665
00:37:21,840 --> 00:37:23,480
Speaker 3: didn't even give us a book. He's like, oh, I

666
00:37:23,520 --> 00:37:26,600
Speaker 3: thought I sent you one. Then it's like, hey, like,

667
00:37:27,160 --> 00:37:32,120
Speaker 3: let me send you the book. And it comes no note.

668
00:37:33,760 --> 00:37:37,080
Speaker 3: There's no note with it from a little message just yes.

669
00:37:37,560 --> 00:37:37,759
Speaker 4: Yeah.

670
00:37:37,840 --> 00:37:39,839
Speaker 3: It's like, oh, I actually know the author. He sent

671
00:37:39,920 --> 00:37:42,560
Speaker 3: me this book, and it's like, really, what does the

672
00:37:42,640 --> 00:37:45,080
Speaker 3: note say? Oh there isn't one.

673
00:37:45,520 --> 00:37:47,200
Speaker 4: Well, I feel like the book itself is the note,

674
00:37:47,320 --> 00:37:49,359
Speaker 4: you know, like that contains everything I want to say.

675
00:37:49,640 --> 00:37:52,200
Speaker 3: But that's the note to anyone who wanted to buy it. Literally,

676
00:37:53,200 --> 00:37:55,680
Speaker 3: Kevin could buy it and he would have the exact

677
00:37:55,719 --> 00:38:00,840
Speaker 3: same thing that I do. The lowest scum of the earth,

678
00:38:01,440 --> 00:38:04,560
Speaker 3: the worst person you know. Just made a great point.

679
00:38:05,280 --> 00:38:08,400
Speaker 3: The worst person you know could buy the book and

680
00:38:09,760 --> 00:38:11,880
Speaker 3: that's it. Like they would have the same thing I did.

681
00:38:11,920 --> 00:38:14,080
Speaker 3: They'd get the same note from you. So it's like,

682
00:38:14,239 --> 00:38:17,440
Speaker 3: what special about me having it?

683
00:38:18,400 --> 00:38:22,040
Speaker 2: And I wrote a note? You're saying you wrote a

684
00:38:22,200 --> 00:38:24,720
Speaker 2: note to Casey Anthony.

685
00:38:25,280 --> 00:38:35,200
Speaker 3: Yeah, with your book and the note says I love You're.

686
00:38:32,360 --> 00:38:34,960
Speaker 2: Basically saying I wanted to write a note to Casey Anthony.

687
00:38:35,280 --> 00:38:38,279
Speaker 4: M hmm, yeah, that's right. I mean, and every other

688
00:38:38,400 --> 00:38:41,120
Speaker 4: terrible person you wrote a note to Gleainne.

689
00:38:40,840 --> 00:38:42,719
Speaker 2: Maxwell Gallaine Maxwell.

690
00:38:43,719 --> 00:38:47,520
Speaker 3: Yea, and so it's like that, I don't know, not

691
00:38:47,640 --> 00:38:51,520
Speaker 3: a choice I might have made. Let me just say,

692
00:38:51,760 --> 00:38:52,719
Speaker 3: let's just get this out of.

693
00:38:52,680 --> 00:38:55,440
Speaker 2: The way, and yes, let's get this out of the

694
00:38:55,440 --> 00:38:59,680
Speaker 2: way for sure. Please to Gallaine Maxwell, hey, turn that

695
00:38:59,800 --> 00:39:01,759
Speaker 2: all off. Turn this off?

696
00:39:01,920 --> 00:39:02,080
Speaker 5: Now.

697
00:39:05,480 --> 00:39:07,920
Speaker 4: Yeah, I mean that's sort of what your podcast is, right,

698
00:39:07,960 --> 00:39:10,600
Speaker 4: it's to all of the Galay Maxwell's out.

699
00:39:10,680 --> 00:39:17,520
Speaker 2: Yeah. Well no, actually, no, that's what you do. That's

700
00:39:17,600 --> 00:39:20,200
Speaker 2: what you do, talking about you because.

701
00:39:20,000 --> 00:39:25,479
Speaker 3: We make a podcast which is enjoyed by dozens of people,

702
00:39:26,600 --> 00:39:30,239
Speaker 3: yourself included. And then when we if we have a

703
00:39:30,440 --> 00:39:35,600
Speaker 3: special guest, someone we love and care about and we

704
00:39:36,880 --> 00:39:42,120
Speaker 3: want them to have a personalized sort of experience with

705
00:39:42,320 --> 00:39:44,960
Speaker 3: the art and it is an art form that we

706
00:39:45,120 --> 00:39:51,719
Speaker 3: create here in the studio, we include a little podcast

707
00:39:52,000 --> 00:39:55,560
Speaker 3: voice note for them when we send them the episode

708
00:39:55,920 --> 00:39:58,000
Speaker 3: and we say we think you'd like this one. And

709
00:39:58,080 --> 00:39:59,600
Speaker 3: by the way, thank you for everything that you do.

710
00:40:00,080 --> 00:40:04,279
Speaker 3: Something i've heard yet today, but it is Yeah, it

711
00:40:04,400 --> 00:40:07,520
Speaker 3: is Stephen fishback here. He wrote a book called Escape.

712
00:40:09,760 --> 00:40:15,120
Speaker 3: Some of our listeners viewers will know him as a

713
00:40:15,160 --> 00:40:20,040
Speaker 3: two time loser on the show, Survivor got his ass

714
00:40:20,320 --> 00:40:24,600
Speaker 3: kicked up and down the island by just about everybody.

715
00:40:24,400 --> 00:40:28,000
Speaker 2: In total of eleventh place on the show, is that right?

716
00:40:28,440 --> 00:40:33,240
Speaker 4: Yeah, second place, and ninth place even eleventh place, yeah.

717
00:40:34,000 --> 00:40:36,359
Speaker 3: Ninth, But I feel like it should have been seventh.

718
00:40:36,680 --> 00:40:38,520
Speaker 4: Right, I kind of feel you know, so there was

719
00:40:38,520 --> 00:40:39,440
Speaker 4: a big cast back.

720
00:40:39,360 --> 00:40:45,600
Speaker 2: Then, you know, big ass cast, big money cast. Yeah,

721
00:40:45,920 --> 00:40:46,400
Speaker 2: forget it.

722
00:40:46,920 --> 00:40:50,360
Speaker 3: So but you so you wrote the book and the

723
00:40:50,400 --> 00:40:53,719
Speaker 3: book is about some sort of island reality show.

724
00:40:54,800 --> 00:40:55,000
Speaker 6: Yeah.

725
00:40:55,040 --> 00:40:57,399
Speaker 4: I looked inside myself, you know, trying to like think

726
00:40:57,480 --> 00:41:00,239
Speaker 4: of what was the most creative, kind of out side

727
00:41:00,280 --> 00:41:01,840
Speaker 4: the box thing I could do, and that was what

728
00:41:01,920 --> 00:41:02,440
Speaker 4: I came up with.

729
00:41:05,760 --> 00:41:06,000
Speaker 2: Yeah.

730
00:41:06,560 --> 00:41:10,239
Speaker 3: So you know, again, we've had a bunch of people

731
00:41:10,280 --> 00:41:12,799
Speaker 3: out here who write books, and it's like every time

732
00:41:12,880 --> 00:41:15,200
Speaker 3: someone writes one, they're just like act like it's like

733
00:41:15,520 --> 00:41:16,720
Speaker 3: so fucking hard.

734
00:41:17,040 --> 00:41:20,279
Speaker 2: Can I can? Like I and I got what the

735
00:41:20,320 --> 00:41:23,480
Speaker 2: show was supposed to be, and I know what it's

736
00:41:23,520 --> 00:41:27,800
Speaker 2: a proxy for, Like I understood. I don't think the

737
00:41:27,960 --> 00:41:33,080
Speaker 2: like fake name you used, I don't think you should

738
00:41:33,080 --> 00:41:34,279
Speaker 2: have called the show Salivor.

739
00:41:35,120 --> 00:41:40,839
Speaker 3: That just doesn't to me. It's at the same time

740
00:41:41,040 --> 00:41:45,000
Speaker 3: too close and too far from what you're and.

741
00:41:45,080 --> 00:41:47,600
Speaker 2: I get it, but I'll say I already got it

742
00:41:47,719 --> 00:41:49,640
Speaker 2: before you mentioned the name, which you did with like

743
00:41:49,800 --> 00:41:53,280
Speaker 2: basically like a real like drum roll, like get ready here.

744
00:41:53,480 --> 00:41:56,520
Speaker 3: Like well, yeah, half the chapter is about like and

745
00:41:56,640 --> 00:41:58,880
Speaker 3: the show's name was a big part of what made it.

746
00:42:00,080 --> 00:42:03,439
Speaker 3: Everyone said the name. The name was everywhere, and when

747
00:42:03,480 --> 00:42:06,920
Speaker 3: you read it, you're going to freak out, dear reader,

748
00:42:08,200 --> 00:42:10,880
Speaker 3: as I type it for you now, one letter at

749
00:42:10,920 --> 00:42:13,960
Speaker 3: a time. At the first letter is a letter that

750
00:42:14,120 --> 00:42:14,960
Speaker 3: is the letter S.

751
00:42:15,480 --> 00:42:18,440
Speaker 2: I knew it was that I did need that much.

752
00:42:18,680 --> 00:42:26,200
Speaker 3: And the whole just like it just feels like you're

753
00:42:26,239 --> 00:42:30,680
Speaker 3: trying to draw out something that maybe could have been

754
00:42:30,960 --> 00:42:33,360
Speaker 3: a little bit dropped off for me, you know.

755
00:42:33,440 --> 00:42:36,280
Speaker 4: Hearing you say it, you know I do kind of snap.

756
00:42:36,400 --> 00:42:37,719
Speaker 2: I'm pronouncing it wrong.

757
00:42:38,280 --> 00:42:40,520
Speaker 4: No, no, no, I'm saying, I now see where someone

758
00:42:40,600 --> 00:42:45,280
Speaker 4: could make that connection with Survivor, the show I was on, Salver,

759
00:42:46,840 --> 00:42:49,120
Speaker 4: it was all about taste.

760
00:42:49,640 --> 00:42:52,279
Speaker 2: You didn't mean to make the connection to Survivor, the

761
00:42:52,360 --> 00:42:55,840
Speaker 2: show you were on. You could only now see you

762
00:42:55,960 --> 00:42:58,280
Speaker 2: didn't realize that it start making.

763
00:42:58,920 --> 00:43:00,439
Speaker 3: Some of the letters are the same.

764
00:43:01,040 --> 00:43:04,400
Speaker 4: It's a totally fictional show, purely for my imagination, and

765
00:43:04,560 --> 00:43:05,400
Speaker 4: you know it's all about it.

766
00:43:05,520 --> 00:43:08,239
Speaker 2: So it's did you show coming up for you now

767
00:43:09,480 --> 00:43:13,839
Speaker 2: that this show in your book is like the show Survivor,

768
00:43:14,080 --> 00:43:14,319
Speaker 2: I have.

769
00:43:14,360 --> 00:43:17,520
Speaker 3: Another problem, which is you said the show is all about.

770
00:43:17,719 --> 00:43:19,120
Speaker 4: Taste still saliva.

771
00:43:19,600 --> 00:43:27,880
Speaker 3: Well yeah, but I just thought the excitement was mouth watering. Hmmm.

772
00:43:28,440 --> 00:43:30,760
Speaker 4: See I should have consulted you guys before.

773
00:43:30,719 --> 00:43:33,360
Speaker 3: I wrote the book that I'm drooling waiting for the

774
00:43:33,400 --> 00:43:37,200
Speaker 3: next episode like some of the drooling Cretans who watched

775
00:43:37,239 --> 00:43:43,839
Speaker 3: this reality drivel, unbelievable. This is what society is now.

776
00:43:45,480 --> 00:43:50,440
Speaker 3: The opera we used to see the opera. True, that

777
00:43:50,719 --> 00:43:52,839
Speaker 3: used to be what we did. We actually physically went

778
00:43:52,840 --> 00:43:54,080
Speaker 3: to the theater and they watched.

779
00:43:54,120 --> 00:43:56,120
Speaker 2: He had absolutely no choice.

780
00:43:59,520 --> 00:43:59,840
Speaker 4: Coward.

781
00:44:00,840 --> 00:44:07,680
Speaker 2: Yeah, so you the book is not there right now?

782
00:44:07,880 --> 00:44:10,960
Speaker 2: Huh the book is in another room completely.

783
00:44:10,800 --> 00:44:13,200
Speaker 4: Well, it's across this room. Can I is that weird

784
00:44:13,239 --> 00:44:15,080
Speaker 4: to go get it the book? Like, I mean, does

785
00:44:15,120 --> 00:44:15,880
Speaker 4: it do anything.

786
00:44:16,840 --> 00:44:17,879
Speaker 3: Without you on the show?

787
00:44:19,600 --> 00:44:25,799
Speaker 4: You know, I have to traverse the take out my earphones.

788
00:44:26,719 --> 00:44:29,320
Speaker 2: Oh I'm afraid if you get my wagon trained to

789
00:44:29,480 --> 00:44:31,680
Speaker 2: go across my office. It's so big.

790
00:44:31,960 --> 00:44:33,959
Speaker 3: If you left frame for a moment, I just don't

791
00:44:34,000 --> 00:44:34,680
Speaker 3: know what I would do.

792
00:44:35,280 --> 00:44:37,560
Speaker 2: If he comes back. He like ate a little piece

793
00:44:37,600 --> 00:44:43,319
Speaker 2: of himself. He got so hungry on this journey. There

794
00:44:43,400 --> 00:44:46,800
Speaker 2: he goes. He's still gone. I am kind of scared.

795
00:44:46,800 --> 00:44:50,279
Speaker 3: I actually know that he's gone. I mean, it's been

796
00:44:50,320 --> 00:44:52,160
Speaker 3: a really long time that office.

797
00:44:53,680 --> 00:44:56,760
Speaker 4: Can you can you catch me up yawning?

798
00:44:57,320 --> 00:45:05,200
Speaker 3: You've been gone for five years, Steven. A lot has changed,

799
00:45:06,719 --> 00:45:07,759
Speaker 3: but you guys are still there.

800
00:45:07,880 --> 00:45:10,680
Speaker 2: We both married your wife. Yeah, I guess we both

801
00:45:10,800 --> 00:45:12,640
Speaker 2: wear your wife. Sorry, she didn't know what to do.

802
00:45:12,880 --> 00:45:15,160
Speaker 2: I should have started with that, we both married your wife.

803
00:45:15,960 --> 00:45:19,600
Speaker 4: Social norms have changed in the in five years, not really,

804
00:45:19,840 --> 00:45:20,520
Speaker 4: not that much.

805
00:45:23,280 --> 00:45:23,880
Speaker 2: No, it's not.

806
00:45:24,040 --> 00:45:26,360
Speaker 3: We're getting some some sideways looks.

807
00:45:27,120 --> 00:45:31,000
Speaker 2: We said that that was the last thing that you

808
00:45:31,239 --> 00:45:33,200
Speaker 2: had said before going on your journey.

809
00:45:33,280 --> 00:45:34,799
Speaker 3: He couldn't totally make out what you were saying.

810
00:45:35,000 --> 00:45:37,680
Speaker 2: You were taking please marry my wife. And that's in also,

811
00:45:37,840 --> 00:45:41,120
Speaker 2: I should mention we did not end up releasing the episode.

812
00:45:41,160 --> 00:45:43,879
Speaker 3: The episode ended up not releasing, and it really hurt

813
00:45:43,920 --> 00:45:44,279
Speaker 3: the book.

814
00:45:44,400 --> 00:45:48,920
Speaker 2: It was only ten minutes, and like we could have capitalized.

815
00:45:48,960 --> 00:45:53,879
Speaker 2: I guess on your presumed death, which people presumed so fast.

816
00:45:53,920 --> 00:45:56,319
Speaker 3: It was instant it was like, if you don't see him,

817
00:45:56,400 --> 00:46:00,120
Speaker 3: probably the guy's not doing great to begin it.

818
00:46:00,719 --> 00:46:03,840
Speaker 4: I think it's probably good the episode never released since

819
00:46:04,000 --> 00:46:07,120
Speaker 4: it was talking about Saliva. I feel like it's good

820
00:46:07,200 --> 00:46:08,279
Speaker 4: that I won't have that out there.

821
00:46:08,280 --> 00:46:09,120
Speaker 3: Well, you brought it up.

822
00:46:09,160 --> 00:46:13,800
Speaker 2: I completely forgot about the whole Saliver thing. No, but

823
00:46:13,920 --> 00:46:17,040
Speaker 2: it's still top of mind for you. Huh. Also the

824
00:46:17,120 --> 00:46:20,640
Speaker 2: fact that Saliva is also a mascot type character.

825
00:46:21,520 --> 00:46:23,000
Speaker 3: Yeah, like Slimer.

826
00:46:24,239 --> 00:46:26,880
Speaker 2: Sound that much like him, but does kind of the

827
00:46:26,960 --> 00:46:30,279
Speaker 2: same things, like he eats salot and like, I guess

828
00:46:30,320 --> 00:46:34,399
Speaker 2: that's the taste thing. And I and I mean, that's

829
00:46:34,440 --> 00:46:38,560
Speaker 2: to your point about it, you know, it not being

830
00:46:38,760 --> 00:46:41,759
Speaker 2: as much like Survivor. There is no Slimer in that show,

831
00:46:43,920 --> 00:46:47,520
Speaker 2: never has. There's a smoke monster sure, m hmmmm hmm.

832
00:46:48,560 --> 00:46:51,320
Speaker 4: And there's a Hatch on Survivor.

833
00:46:51,400 --> 00:46:54,640
Speaker 2: Okay, Richard Hatch and and what that has to do

834
00:46:54,800 --> 00:46:59,240
Speaker 2: with I was talking about a monster, like a green creature,

835
00:46:59,280 --> 00:47:00,920
Speaker 2: and you're like, and there's Hatch. Well yeah, there's a

836
00:47:00,960 --> 00:47:03,719
Speaker 2: lot of other ship too. Yeah, are you gonna name

837
00:47:03,760 --> 00:47:04,600
Speaker 2: every single one?

838
00:47:04,680 --> 00:47:06,600
Speaker 3: But well, let's just go through. No, let's let him

839
00:47:06,640 --> 00:47:09,920
Speaker 3: get it. Let's let him get it to do, Steve.

840
00:47:09,960 --> 00:47:12,640
Speaker 3: It's about a lot of things that are on that

841
00:47:12,760 --> 00:47:18,759
Speaker 3: are not slimer. I'm so go ahead, like I'll just

842
00:47:18,920 --> 00:47:21,240
Speaker 3: chill out and like you just say all the things

843
00:47:21,320 --> 00:47:22,440
Speaker 3: that aren't slimy.

844
00:47:22,480 --> 00:47:25,960
Speaker 2: But this is taking me on the show five years ago,

845
00:47:26,200 --> 00:47:30,040
Speaker 2: Like this is I really thought it was behind me.

846
00:47:30,200 --> 00:47:33,040
Speaker 3: But this is why I honestly, and this is gonna

847
00:47:33,080 --> 00:47:35,440
Speaker 3: sound cool now because you're here, but I was so

848
00:47:35,840 --> 00:47:42,040
Speaker 3: relieved when you disappeared for five years. Just this weight

849
00:47:42,280 --> 00:47:44,200
Speaker 3: was lifted off me that I didn't realize I had

850
00:47:44,280 --> 00:47:44,880
Speaker 3: been carrying.

851
00:47:45,600 --> 00:47:49,800
Speaker 4: You know, well, thank you for supporting my family in

852
00:47:49,840 --> 00:47:50,560
Speaker 4: that challenging time.

853
00:47:52,600 --> 00:47:56,399
Speaker 3: Yeah, I mean that. No, that part rocked. Yeah, yeah,

854
00:47:57,000 --> 00:48:01,439
Speaker 3: just it just was a lot of fun. Yeah, let's

855
00:48:01,960 --> 00:48:04,000
Speaker 3: just sing alongs around the fire.

856
00:48:04,840 --> 00:48:05,680
Speaker 2: Let's see the book.

857
00:48:06,080 --> 00:48:08,479
Speaker 3: Yeah, give me a give me ah, this is a paper.

858
00:48:08,960 --> 00:48:10,680
Speaker 2: I was around the fire. Sorry I should say. We

859
00:48:10,760 --> 00:48:15,160
Speaker 2: all did Survivors a family, and we won. Oh yeah,

860
00:48:15,920 --> 00:48:17,960
Speaker 2: we did well. It was the first time they ever

861
00:48:18,080 --> 00:48:23,680
Speaker 2: let a family participate as like one contestant. Yes, but

862
00:48:23,840 --> 00:48:25,600
Speaker 2: that's how close of a family we were.

863
00:48:25,920 --> 00:48:27,799
Speaker 3: We all had we all had to agree on who

864
00:48:27,880 --> 00:48:30,440
Speaker 3: we were voting for. But it was it was like

865
00:48:30,520 --> 00:48:36,840
Speaker 3: blood versus water, but it was just Steven's wife, two guys,

866
00:48:37,800 --> 00:48:43,319
Speaker 3: his kids versus sorry, yes, our kids, our kids as well.

867
00:48:43,440 --> 00:48:46,600
Speaker 3: Yeah and your wives well.

868
00:48:46,960 --> 00:48:49,960
Speaker 2: Yes, our yes, our wive mm hmm.

869
00:48:50,600 --> 00:48:50,799
Speaker 7: Yeah.

870
00:48:51,640 --> 00:48:54,680
Speaker 3: But it's a good season. I bet shows kind of attack.

871
00:48:55,360 --> 00:48:57,720
Speaker 3: Mm hmmm. They had to try something.

872
00:48:58,920 --> 00:49:02,360
Speaker 4: Yeah, that that definitely, I'm sure made some headlines.

873
00:49:02,520 --> 00:49:04,040
Speaker 3: Did you get the call for season fifty?

874
00:49:04,680 --> 00:49:06,759
Speaker 4: No, I think I'm the one. I think I'm the

875
00:49:06,800 --> 00:49:08,720
Speaker 4: one person that I have been a call for season fifty.

876
00:49:12,000 --> 00:49:13,040
Speaker 2: All right, let's see it.

877
00:49:13,880 --> 00:49:17,840
Speaker 4: So this is it's called escape. Since you what I

878
00:49:17,920 --> 00:49:19,239
Speaker 4: was doing in the last five years was I was

879
00:49:19,480 --> 00:49:20,080
Speaker 4: the salivar thing?

880
00:49:20,160 --> 00:49:23,400
Speaker 2: Should it be legal to call a book this? You know,

881
00:49:23,480 --> 00:49:26,640
Speaker 2: it's like ann like yelling fire in a crowded theater,

882
00:49:26,960 --> 00:49:27,400
Speaker 2: Like is it?

883
00:49:27,560 --> 00:49:27,719
Speaker 7: Is it?

884
00:49:27,960 --> 00:49:30,680
Speaker 3: The exclamation point, I think is what really makes it

885
00:49:30,840 --> 00:49:32,000
Speaker 3: a problem.

886
00:49:32,880 --> 00:49:35,000
Speaker 4: Right because it becomes clearly a command, like you have

887
00:49:35,239 --> 00:49:37,279
Speaker 4: to escape this bookstore right now?

888
00:49:38,440 --> 00:49:41,160
Speaker 3: Well yeah, I mean it was it's like steal this book,

889
00:49:41,520 --> 00:49:47,840
Speaker 3: but instead it's escape this bookstore. Yeah, which, like, okay,

890
00:49:49,480 --> 00:49:53,800
Speaker 3: that's actually I guess where I've found the limit of

891
00:49:53,880 --> 00:49:59,239
Speaker 3: what free speech should permit. Maybe we dig back into

892
00:49:59,280 --> 00:50:02,320
Speaker 3: the old constant. Is that where we put that stuff?

893
00:50:03,440 --> 00:50:04,920
Speaker 3: Just dig back into that thing, and.

894
00:50:05,160 --> 00:50:08,279
Speaker 2: Uh, yeah, it seems like we kind of forgot kind

895
00:50:08,360 --> 00:50:11,080
Speaker 2: of redoing go uh and that. No, we wonder if

896
00:50:11,120 --> 00:50:13,799
Speaker 2: Steven was actually holding us together a freedom of.

897
00:50:13,880 --> 00:50:18,680
Speaker 3: Speech, you know, protest assembly whatever, except for Steven.

898
00:50:18,840 --> 00:50:20,720
Speaker 2: Yeah, some of that stuff did kind of go downhill

899
00:50:20,800 --> 00:50:21,960
Speaker 2: after Stephen disappeared.

900
00:50:23,200 --> 00:50:25,520
Speaker 3: In that five year period where Steven was gone.

901
00:50:25,600 --> 00:50:27,400
Speaker 2: I just like, I didn't think there was a connection

902
00:50:27,520 --> 00:50:29,359
Speaker 2: at all, But like now that I'm starting to dig

903
00:50:29,480 --> 00:50:32,520
Speaker 2: back into it and reconsider it now that Stephen is back,

904
00:50:33,800 --> 00:50:36,600
Speaker 2: that makes me think that Steven not the person I

905
00:50:36,640 --> 00:50:40,400
Speaker 2: would have suggested to be, like the one who was

906
00:50:40,480 --> 00:50:46,239
Speaker 2: kind of holding society a lot of invisible work going on. Yeah,

907
00:50:46,280 --> 00:50:49,120
Speaker 2: it was if he was the one responsible for uh,

908
00:50:49,400 --> 00:50:51,480
Speaker 2: some of that stuff staying. I mean, he did say

909
00:50:51,600 --> 00:50:55,000
Speaker 2: that societal norms had changed in the past five years,

910
00:50:55,000 --> 00:50:56,520
Speaker 2: and I did say, no, they haven't.

911
00:50:57,680 --> 00:50:59,279
Speaker 3: I mean, but now that I look at it, some

912
00:50:59,440 --> 00:50:59,839
Speaker 3: of them did.

913
00:51:00,239 --> 00:51:02,960
Speaker 2: Yeah. It can't just me right, Like there must have

914
00:51:03,000 --> 00:51:05,720
Speaker 2: been other He's talking about the marriage stuff that didn't

915
00:51:06,440 --> 00:51:09,240
Speaker 2: that new that's that's yeah, that's.

916
00:51:09,320 --> 00:51:09,920
Speaker 3: Kind of normal.

917
00:51:10,360 --> 00:51:11,880
Speaker 4: M The free speech.

918
00:51:12,000 --> 00:51:13,399
Speaker 2: That's that's what really changed. Yeah.

919
00:51:13,719 --> 00:51:14,000
Speaker 3: M hm.

920
00:51:14,680 --> 00:51:19,040
Speaker 2: So the book has an exclamation point mm hmmm. So

921
00:51:19,239 --> 00:51:22,919
Speaker 2: exciting exclamation point right in the name of the book

922
00:51:23,960 --> 00:51:29,080
Speaker 2: mm hmm. Yeah. And is there another one inside?

923
00:51:29,600 --> 00:51:32,040
Speaker 4: I think there are a few. I really tried to

924
00:51:32,160 --> 00:51:35,480
Speaker 4: use all the punctuations, you know, that was a goal

925
00:51:35,560 --> 00:51:38,280
Speaker 4: of yours. Mmm. Like it as many of the different

926
00:51:38,719 --> 00:51:39,520
Speaker 4: every keyboard.

927
00:51:39,560 --> 00:51:41,160
Speaker 3: You said, I paid a lot for this keyboard. I'm

928
00:51:41,160 --> 00:51:42,600
Speaker 3: gonna use the whole fucking thing.

929
00:51:42,960 --> 00:51:45,680
Speaker 4: Yeah, the terra bang like, I use that quite liberally.

930
00:51:46,400 --> 00:51:48,040
Speaker 2: M that's two keys.

931
00:51:48,920 --> 00:51:51,399
Speaker 3: Well, you know, I want it's not its own. Yeah,

932
00:51:51,400 --> 00:51:53,239
Speaker 3: it just doesn't fit what we're saying. So what we're

933
00:51:53,320 --> 00:51:57,600
Speaker 3: talking about is that every symbol on the keyboard would

934
00:51:57,680 --> 00:52:00,719
Speaker 3: get used, and you're saying that two of the more

935
00:52:00,800 --> 00:52:05,279
Speaker 3: commonly used symbols that you would do them together, which

936
00:52:05,400 --> 00:52:09,719
Speaker 3: is fine. It's sort of like being like I want

937
00:52:09,760 --> 00:52:12,200
Speaker 3: to use every letter and then you're going like, yeah,

938
00:52:12,239 --> 00:52:14,399
Speaker 3: and I did the thch sound a lot, and it's

939
00:52:14,480 --> 00:52:17,719
Speaker 3: like okay, but we're going like.

940
00:52:17,920 --> 00:52:21,120
Speaker 2: Z Q and you know, like completely off what we

941
00:52:21,239 --> 00:52:21,640
Speaker 2: were saying.

942
00:52:21,760 --> 00:52:25,160
Speaker 3: It's not but at the same time it is. Yeah,

943
00:52:25,560 --> 00:52:28,840
Speaker 3: but that's you know, that's you're you're the writer. I

944
00:52:28,960 --> 00:52:34,280
Speaker 3: do want to I do want to talk about your writing,

945
00:52:34,640 --> 00:52:40,400
Speaker 3: because we did, you know, we did sort of communicate

946
00:52:41,160 --> 00:52:46,040
Speaker 3: via DM via text in order to secure you as

947
00:52:46,080 --> 00:52:51,680
Speaker 3: a guest on this show. And the messages I got

948
00:52:51,760 --> 00:52:57,040
Speaker 3: are long and it could be a good way because

949
00:52:57,080 --> 00:52:59,080
Speaker 3: we don't have the book here in studio to read

950
00:52:59,120 --> 00:53:01,080
Speaker 3: to anyone. Do you want to read eight or nine

951
00:53:01,080 --> 00:53:03,000
Speaker 3: pages of the book right now? No?

952
00:53:03,880 --> 00:53:06,239
Speaker 4: I mean, I mean, I do, you know, but I

953
00:53:06,280 --> 00:53:08,920
Speaker 4: don't want, you know, I don't want to subject others.

954
00:53:08,960 --> 00:53:10,680
Speaker 4: I mean I do want to subject them, but you know,

955
00:53:10,800 --> 00:53:11,600
Speaker 4: for not for free.

956
00:53:11,719 --> 00:53:14,759
Speaker 3: Not for free. Okay, so this is this is like

957
00:53:14,840 --> 00:53:17,879
Speaker 3: what you're like. So let me just read. So I'll

958
00:53:17,960 --> 00:53:20,520
Speaker 3: read the first message. There's like three or four messages

959
00:53:20,640 --> 00:53:23,040
Speaker 3: that we got, and we just if you're going to

960
00:53:23,080 --> 00:53:24,719
Speaker 3: be trying to go on other shows, if you're going

961
00:53:24,800 --> 00:53:26,799
Speaker 3: to be writing more books, maybe we can go over

962
00:53:28,200 --> 00:53:35,719
Speaker 3: what uh what might help mm hmmm. Hey Sean, First

963
00:53:35,760 --> 00:53:38,560
Speaker 3: of all, congratulations on the dink. This is a good start.

964
00:53:38,719 --> 00:53:41,719
Speaker 3: See there you be technology, and then he says, which

965
00:53:41,840 --> 00:53:44,279
Speaker 3: sounds sublime, So there you go.

966
00:53:45,560 --> 00:53:46,560
Speaker 4: What more could you ask for?

967
00:53:46,960 --> 00:53:52,239
Speaker 3: You know, you know, having said about Faukner, because Fox

968
00:53:52,440 --> 00:53:57,160
Speaker 3: he said, he's he said good, Graduate said, he said,

969
00:53:57,400 --> 00:54:00,440
Speaker 3: he said. Falkner thinks I don't know the ten dollars words.

970
00:54:00,880 --> 00:54:05,319
Speaker 3: I know them, I just don't need to use them. Sublime,

971
00:54:07,440 --> 00:54:11,439
Speaker 3: Come on, congratulations on that. Just say it sounds neat.

972
00:54:12,880 --> 00:54:16,200
Speaker 3: Just say it sounds neat. I know what you mean.

973
00:54:16,400 --> 00:54:23,000
Speaker 3: Nifty yeah, bitching, you know, just be a guy. I

974
00:54:23,120 --> 00:54:25,040
Speaker 3: wanted to see if I could send you a galley

975
00:54:25,120 --> 00:54:28,439
Speaker 3: of my novel. I don't know, can you? The book

976
00:54:28,520 --> 00:54:30,640
Speaker 3: set in a jungle reality show and comes out on

977
00:54:30,760 --> 00:54:34,279
Speaker 3: January twenty seventh. No expectation that you'll read it. Well,

978
00:54:34,320 --> 00:54:39,280
Speaker 3: I haven't, but I but I plan too. But early

979
00:54:39,440 --> 00:54:42,520
Speaker 3: buzz is that this is the best novel ever. Cite

980
00:54:42,560 --> 00:54:46,399
Speaker 3: your sources. Then if that's real, you have to tell

981
00:54:46,440 --> 00:54:47,040
Speaker 3: me who said it.

982
00:54:48,040 --> 00:54:49,920
Speaker 4: I mean so many it's hard to pick one.

983
00:54:51,320 --> 00:54:54,640
Speaker 3: Probably my wife, my new wife. Obviously, it would be

984
00:54:54,719 --> 00:54:59,080
Speaker 3: a fantasy to be a guest on the pod. I

985
00:54:59,200 --> 00:55:02,160
Speaker 3: feel confident I could do as well as Rob c

986
00:55:02,520 --> 00:55:07,000
Speaker 3: Rob Sesternino, two time guests, and only slightly worse than

987
00:55:07,080 --> 00:55:13,720
Speaker 3: Cochrane two time guests. When I listen, I find myself

988
00:55:13,760 --> 00:55:16,439
Speaker 3: giving my own responses to your guys questions like people

989
00:55:16,480 --> 00:55:20,120
Speaker 3: who play along to Jeopardy, this is getting don't do that? Yeah,

990
00:55:21,040 --> 00:55:22,280
Speaker 3: point is that it's embarrassing?

991
00:55:22,440 --> 00:55:24,799
Speaker 2: Or do you want to do them now? Yeah?

992
00:55:25,000 --> 00:55:26,880
Speaker 3: Get off some of your What's what are some of

993
00:55:26,920 --> 00:55:28,239
Speaker 3: the good responses you've had?

994
00:55:28,800 --> 00:55:32,080
Speaker 4: Okay? Oh this is a good this is good, this

995
00:55:32,280 --> 00:55:32,600
Speaker 4: is good.

996
00:55:33,680 --> 00:55:33,799
Speaker 6: Oh.

997
00:55:33,840 --> 00:55:35,600
Speaker 4: You know, I I had a list, I do. I

998
00:55:35,680 --> 00:55:37,239
Speaker 4: had a list. I was like taking notes of all

999
00:55:37,239 --> 00:55:39,480
Speaker 4: the good responses to like past Oh there was one.

1000
00:55:41,280 --> 00:55:44,399
Speaker 3: Yeah, this guy's gonna leave, we'll never see him again. Yeah,

1001
00:55:44,800 --> 00:55:46,240
Speaker 3: I'm afraid of what's gonna happen.

1002
00:55:46,920 --> 00:55:47,040
Speaker 6: Oh.

1003
00:55:47,239 --> 00:55:49,399
Speaker 4: I mean I really was like I had a whole

1004
00:55:49,480 --> 00:55:51,080
Speaker 4: you know, I was ready to give you some of

1005
00:55:51,160 --> 00:55:51,760
Speaker 4: my past.

1006
00:55:51,600 --> 00:55:56,759
Speaker 2: Responses to joke goes like dips below the horizon line.

1007
00:55:58,880 --> 00:56:02,480
Speaker 3: The other thing is like, do you think he had

1008
00:56:02,520 --> 00:56:04,680
Speaker 3: all these books behind him before he became like a

1009
00:56:04,880 --> 00:56:06,000
Speaker 3: guy who's selling a book.

1010
00:56:06,120 --> 00:56:09,080
Speaker 2: Honestly, at the beginning of this call, he didn't have

1011
00:56:09,200 --> 00:56:12,760
Speaker 2: the bude right, yes, And so when he was like, actually,

1012
00:56:12,800 --> 00:56:14,680
Speaker 2: can I start over real quick? Did you see him

1013
00:56:14,680 --> 00:56:16,080
Speaker 2: put all those book show.

1014
00:56:17,680 --> 00:56:19,759
Speaker 4: Knows about the books right or the backs of the books.

1015
00:56:19,800 --> 00:56:21,880
Speaker 4: There's not the full book. It's just like the spines.

1016
00:56:24,719 --> 00:56:26,560
Speaker 2: I'm not sure if this is now works so much

1017
00:56:26,640 --> 00:56:29,839
Speaker 2: harder to do than just to put the books on there,

1018
00:56:30,239 --> 00:56:32,839
Speaker 2: to like cut the spines off and then to glue

1019
00:56:32,920 --> 00:56:37,600
Speaker 2: them all together like that shows real well like love

1020
00:56:37,680 --> 00:56:38,480
Speaker 2: of book to me.

1021
00:56:40,200 --> 00:56:41,120
Speaker 4: Defeating the book.

1022
00:56:41,400 --> 00:56:42,759
Speaker 3: I'm not sure if this is how it works in

1023
00:56:42,840 --> 00:56:44,320
Speaker 3: the biz where you just asked to be on a

1024
00:56:44,360 --> 00:56:45,200
Speaker 3: show you want to get on.

1025
00:56:45,239 --> 00:56:46,319
Speaker 2: It does with this show.

1026
00:56:48,000 --> 00:56:50,279
Speaker 3: That's okay with this show. I figure the worst case

1027
00:56:50,280 --> 00:56:52,800
Speaker 3: scenario is I humiliate myself in doing that over email

1028
00:56:52,880 --> 00:56:57,759
Speaker 3: is no worse than doing it on CBS primetime. It's

1029
00:56:57,760 --> 00:57:02,160
Speaker 3: a little flex at the end, right, writing back when primetime.

1030
00:57:01,840 --> 00:57:05,000
Speaker 2: Mattered, and this is all like this is Ernie, right,

1031
00:57:05,760 --> 00:57:08,560
Speaker 2: we need to be like looking to Ernie for this.

1032
00:57:09,400 --> 00:57:16,440
Speaker 2: Every sentence should be fist mm hmm. Every sentence is fist.

1033
00:57:16,720 --> 00:57:25,520
Speaker 3: Terse masculine pros. Say it with me now, terse masculine.

1034
00:57:24,960 --> 00:57:29,960
Speaker 4: Sculin pros has heard you muscular muscular bros.

1035
00:57:30,640 --> 00:57:33,600
Speaker 2: Mm hmmm pros before bros.

1036
00:57:33,600 --> 00:57:37,600
Speaker 4: Pros pros thro prose. I thought you said terse masculine

1037
00:57:37,800 --> 00:57:40,640
Speaker 4: bros like boys.

1038
00:57:41,960 --> 00:57:47,360
Speaker 3: And not against that either, But I think that some

1039
00:57:47,560 --> 00:57:51,520
Speaker 3: of this writing is literally asking for permission.

1040
00:57:53,600 --> 00:57:56,640
Speaker 2: You gotta tell me what I'm gonna do for you?

1041
00:57:58,240 --> 00:57:58,280
Speaker 4: What?

1042
00:57:58,520 --> 00:57:58,560
Speaker 6: What?

1043
00:57:58,720 --> 00:57:59,880
Speaker 2: What formative is coming?

1044
00:57:59,880 --> 00:58:01,960
Speaker 3: Instagram DM Instagram DM.

1045
00:58:03,640 --> 00:58:08,880
Speaker 2: You hit right message Greetings cock.

1046
00:58:13,080 --> 00:58:15,360
Speaker 4: Greetings is not a terse. I like greetings.

1047
00:58:15,400 --> 00:58:17,160
Speaker 2: I could do better than greetings cock.

1048
00:58:17,600 --> 00:58:20,040
Speaker 3: It sets you up though. It's the it's the little

1049
00:58:20,200 --> 00:58:23,760
Speaker 3: jab that gets your chin open for that right cross

1050
00:58:24,560 --> 00:58:26,840
Speaker 3: leads into the cock cock.

1051
00:58:26,840 --> 00:58:33,720
Speaker 2: October eleventh or just like ten eleven, right, I see

1052
00:58:33,920 --> 00:58:35,959
Speaker 2: just kind of say the and then a zoom link.

1053
00:58:36,040 --> 00:58:39,920
Speaker 2: But you've converted it into a bitly link.

1054
00:58:40,480 --> 00:58:43,040
Speaker 3: Yeah, that's how short.

1055
00:58:43,080 --> 00:58:52,800
Speaker 2: It is, a personalized bitle link, bit dot l y slash.

1056
00:58:53,880 --> 00:58:59,479
Speaker 4: Come mm hmmm, that's what I'll send a Rogan.

1057
00:59:02,160 --> 00:59:03,600
Speaker 2: You gotta get on there.

1058
00:59:03,720 --> 00:59:05,960
Speaker 3: Such a big overlap anyone who goes on here. We're

1059
00:59:06,000 --> 00:59:06,919
Speaker 3: such a stepping stone.

1060
00:59:07,080 --> 00:59:07,160
Speaker 7: Ye.

1061
00:59:09,040 --> 00:59:11,240
Speaker 3: He's like, it's like, hey, can I please be on

1062
00:59:11,360 --> 00:59:13,600
Speaker 3: your show? Then we teach you how to ask to

1063
00:59:13,680 --> 00:59:15,680
Speaker 3: be on a show, and then it's like, next thing,

1064
00:59:15,760 --> 00:59:23,240
Speaker 3: I know, you're on Rogan. I think that the the

1065
00:59:23,480 --> 00:59:29,080
Speaker 3: idea that Hayes has to force me to click that

1066
00:59:29,240 --> 00:59:34,880
Speaker 3: bit ley lymb is good. I think I would even

1067
00:59:35,040 --> 00:59:39,400
Speaker 3: go a step further to you show up at my

1068
00:59:39,520 --> 00:59:41,000
Speaker 3: door with a baseball.

1069
00:59:40,640 --> 00:59:43,400
Speaker 4: Bat and a video camera.

1070
00:59:44,160 --> 00:59:49,960
Speaker 2: Uh huh, like Ernie Lennen shirt. You drove an air

1071
00:59:50,080 --> 00:59:56,919
Speaker 2: boat there, Uh huh, Ernie yeah, big big fan boat. Yeah,

1072
00:59:57,360 --> 01:00:05,640
Speaker 2: Ernie Hemingway, come on, man, your your fanboat destroyed the street.

1073
01:00:08,920 --> 01:00:13,640
Speaker 3: And the boat. It's absolutely yards of boat and street everywhere.

1074
01:00:16,760 --> 01:00:23,680
Speaker 3: You ask me, hey, brother, you like being able to

1075
01:00:23,800 --> 01:00:25,440
Speaker 3: kiss with those big soft lips.

1076
01:00:26,640 --> 01:00:27,760
Speaker 2: I don't know what I go.

1077
01:00:29,280 --> 01:00:31,960
Speaker 3: I guess so yeah, you go kiss.

1078
01:00:31,840 --> 01:00:35,840
Speaker 4: This and what's the This is that the bat.

1079
01:00:38,240 --> 01:00:40,520
Speaker 2: Like you like you're drawing it back like a bow

1080
01:00:40,600 --> 01:00:46,360
Speaker 2: and arrow. So it's even more. This isn't a game,

1081
01:00:46,680 --> 01:00:51,160
Speaker 2: this is a weapon. Yeah, you've got to completely taught.

1082
01:00:52,240 --> 01:00:53,600
Speaker 4: And that's like extra kissable.

1083
01:00:53,800 --> 01:00:54,760
Speaker 3: It's trained on me.

1084
01:00:54,920 --> 01:01:01,120
Speaker 2: Oh yeah, because it's like, yeah, kissing the whole mouth

1085
01:01:01,200 --> 01:01:01,960
Speaker 2: in there. Yeah.

1086
01:01:03,280 --> 01:01:05,439
Speaker 3: No, it might go might go straight through my head.

1087
01:01:07,160 --> 01:01:09,080
Speaker 3: And then I'm going like, hey, what's this about?

1088
01:01:09,240 --> 01:01:09,400
Speaker 2: Man?

1089
01:01:09,560 --> 01:01:11,640
Speaker 3: Like I just like you know, it's it's three am.

1090
01:01:12,800 --> 01:01:18,000
Speaker 2: Like you should be wearing a baseball jersey too, right,

1091
01:01:18,520 --> 01:01:24,040
Speaker 2: that's it. The Savannah bananas, right, the Savannah bananas. Yeah, probably,

1092
01:01:24,440 --> 01:01:26,400
Speaker 2: but Jehan doesn't know who I am in this scenario, right,

1093
01:01:26,480 --> 01:01:30,080
Speaker 2: maybe your jersey should say the Stevens. Oh maybe, like

1094
01:01:30,440 --> 01:01:33,440
Speaker 2: really that could be helpful, just so we're like showing,

1095
01:01:33,560 --> 01:01:34,880
Speaker 2: not telling, you know what I mean. So you're like,

1096
01:01:34,920 --> 01:01:36,840
Speaker 2: who is this? Well he plays for a team called

1097
01:01:36,880 --> 01:01:38,440
Speaker 2: the Stevens, so this must be steven.

1098
01:01:38,800 --> 01:01:41,200
Speaker 3: Yeah, he's got to be the main guy on it.

1099
01:01:41,240 --> 01:01:44,680
Speaker 3: They let him take the bat home. Yeah, so it's all,

1100
01:01:44,960 --> 01:01:48,800
Speaker 3: you know, it's all very nice. It's uh, it's the

1101
01:01:48,920 --> 01:01:53,360
Speaker 3: kind of thing where what you do is you finally

1102
01:01:53,480 --> 01:01:57,960
Speaker 3: pull the bat out of my throat right and say

1103
01:01:58,000 --> 01:02:00,600
Speaker 3: and you say, are you ready to play a ball

1104
01:02:01,840 --> 01:02:02,080
Speaker 3: or what?

1105
01:02:02,960 --> 01:02:07,200
Speaker 4: Mm hmm? And then do we come to the studio,

1106
01:02:07,520 --> 01:02:09,400
Speaker 4: Like do we drive together? Do we drive separately?

1107
01:02:10,240 --> 01:02:11,680
Speaker 3: Well, I'm dead in this scenario.

1108
01:02:12,720 --> 01:02:13,680
Speaker 2: He had a bat.

1109
01:02:15,520 --> 01:02:17,600
Speaker 3: Like through my head for a long time.

1110
01:02:20,200 --> 01:02:25,520
Speaker 2: So like, so I get your like you could drive together.

1111
01:02:25,840 --> 01:02:29,200
Speaker 2: You're driving, Yeah, the fan boat is.

1112
01:02:30,720 --> 01:02:30,880
Speaker 4: You know.

1113
01:02:31,200 --> 01:02:33,600
Speaker 2: Yeah, so you're gonna have to take his car.

1114
01:02:33,880 --> 01:02:36,720
Speaker 3: Kind of ruined. Yeah, so I guess you'd take my car.

1115
01:02:37,560 --> 01:02:39,360
Speaker 4: So, Hayes, would you do the podcast?

1116
01:02:39,600 --> 01:02:40,760
Speaker 3: Would you do that episode?

1117
01:02:42,440 --> 01:02:42,920
Speaker 5: I mean.

1118
01:02:46,440 --> 01:02:51,280
Speaker 2: If that were Sewnan's like last Witch final, But that's

1119
01:02:51,320 --> 01:02:56,720
Speaker 2: what he really wanted. Would I do a show it's

1120
01:02:56,800 --> 01:03:00,080
Speaker 2: just me and you and Seawan is sitting there with

1121
01:03:00,160 --> 01:03:02,920
Speaker 2: a bat just like Protruder from the back of my

1122
01:03:03,040 --> 01:03:11,840
Speaker 2: head the center of his head. No, probably that I

1123
01:03:11,880 --> 01:03:13,040
Speaker 2: don't think I would do that show.

1124
01:03:13,400 --> 01:03:15,200
Speaker 4: That's why I don't think that's an effective strategy.

1125
01:03:15,240 --> 01:03:19,200
Speaker 2: I said no, bye, who it would Hamburg