WEBVTT - From the Vault: Inner Cosmos, with David Eagleman

0:00:06.040 --> 0:00:08.160
<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

0:00:08.240 --> 0:00:09.400
<v Speaker 1>is Robert Lamb.

0:00:09.280 --> 0:00:12.120
<v Speaker 2>And I am Joe McCormick. And today we are bringing

0:00:12.160 --> 0:00:15.840
<v Speaker 2>you an episode from the Vault. This one originally published

0:00:16.079 --> 0:00:20.080
<v Speaker 2>April thirteenth, twenty twenty three, and this was our conversation

0:00:20.239 --> 0:00:25.080
<v Speaker 2>with David Eagleman, neuroscientist and host of the Inner Cosmos podcast.

0:00:25.400 --> 0:00:28.120
<v Speaker 2>I remember this was a very interesting chat. We hope

0:00:28.120 --> 0:00:28.720
<v Speaker 2>you enjoy it.

0:00:32.080 --> 0:00:38.560
<v Speaker 3>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

0:00:41.880 --> 0:00:44.400
<v Speaker 1>Hey, welcome to Stuff to Blow your Mind. My name is.

0:00:44.440 --> 0:00:47.800
<v Speaker 2>Robert Lamb and I'm Joe McCormick, and hey, welcome back, Rob.

0:00:48.320 --> 0:00:50.199
<v Speaker 2>You were out sick earlier this week. It's good to

0:00:50.200 --> 0:00:50.680
<v Speaker 2>have you back.

0:00:51.040 --> 0:00:52.720
<v Speaker 4>It's good to be back now.

0:00:53.000 --> 0:00:56.000
<v Speaker 2>Because you were outsick, we ended up putting a pause

0:00:56.240 --> 0:00:59.680
<v Speaker 2>on an ongoing series we were doing on childhood amnesia.

0:01:00.600 --> 0:01:04.160
<v Speaker 2>We ended up running a Vault episode on Tuesday, and

0:01:04.280 --> 0:01:06.399
<v Speaker 2>I just wanted to assure people that we will be

0:01:06.520 --> 0:01:09.000
<v Speaker 2>coming back to that subject. We will be resuming the series,

0:01:09.040 --> 0:01:12.959
<v Speaker 2>probably for next week's core episodes, but because we already

0:01:13.000 --> 0:01:15.440
<v Speaker 2>had it scheduled out this way, today's episode is going

0:01:15.480 --> 0:01:18.880
<v Speaker 2>to be an interview. So in fact, we are talking

0:01:18.920 --> 0:01:23.360
<v Speaker 2>to a return guest, the neuroscientist and author David Eagleman.

0:01:23.520 --> 0:01:26.520
<v Speaker 2>This is actually the second time David has been a

0:01:26.520 --> 0:01:29.800
<v Speaker 2>guest on the show. In September twenty twenty, Rob, you

0:01:30.040 --> 0:01:32.640
<v Speaker 2>spoke to him about his book Live Wired, which is

0:01:32.680 --> 0:01:35.920
<v Speaker 2>a popular science book on the subject of brain plasticity.

0:01:36.319 --> 0:01:38.720
<v Speaker 1>Yeah. Absolutely. That was a fun episode. You can find

0:01:38.720 --> 0:01:41.200
<v Speaker 1>it in the archives, and the book Live Wired is

0:01:41.360 --> 0:01:43.880
<v Speaker 1>an absolute delight. If you're at all interested in anything

0:01:44.240 --> 0:01:47.680
<v Speaker 1>you hear us discussing in this episode, pick up a

0:01:47.720 --> 0:01:48.560
<v Speaker 1>copy of it.

0:01:48.320 --> 0:01:49.000
<v Speaker 4>It's great.

0:01:49.480 --> 0:01:52.200
<v Speaker 2>So this week we invited David back on the show

0:01:52.280 --> 0:01:57.120
<v Speaker 2>because he now has a fantastic, brand new podcast on

0:01:57.160 --> 0:02:00.400
<v Speaker 2>our very own network on the iHeart Network, and it

0:02:00.440 --> 0:02:04.560
<v Speaker 2>is called Inner Cosmos with David Eagleman. So before we

0:02:04.600 --> 0:02:08.120
<v Speaker 2>get started with our interview, I thought we should just

0:02:08.160 --> 0:02:10.880
<v Speaker 2>share a bit of background about David. This is from

0:02:10.960 --> 0:02:11.800
<v Speaker 2>his website.

0:02:11.960 --> 0:02:15.440
<v Speaker 1>That's right. David Eagleman is a neuroscientist at Stanford University

0:02:15.520 --> 0:02:18.560
<v Speaker 1>and an internationally best selling author. He's the co founder

0:02:18.800 --> 0:02:22.840
<v Speaker 1>of two venture backed companies, Neosensory and brain Check, and

0:02:22.880 --> 0:02:25.200
<v Speaker 1>he also directs the Center for Science and Law, a

0:02:25.320 --> 0:02:29.120
<v Speaker 1>national nonprofit Institute. He's best known for his work on

0:02:29.400 --> 0:02:35.600
<v Speaker 1>sensory substitution, time, perception, brain plasticity, synesthesia, and neurolaw. He

0:02:35.720 --> 0:02:38.720
<v Speaker 1>is the writer and presenter of the international PBS series

0:02:38.720 --> 0:02:41.080
<v Speaker 1>The Brain with David Eagleman and the author of the

0:02:41.080 --> 0:02:44.200
<v Speaker 1>companion book, The Brain The Story of You. He's also

0:02:44.200 --> 0:02:47.280
<v Speaker 1>the writer and presenter of The Creative Brain on Netflix.

0:02:47.639 --> 0:02:50.120
<v Speaker 2>David Eagleman is the author of over one hundred and

0:02:50.160 --> 0:02:54.040
<v Speaker 2>twenty academic publications and many many books of popular science.

0:02:54.520 --> 0:02:58.040
<v Speaker 2>Eagleman is a TED speaker, a Guggenheim Fellow, and serves

0:02:58.080 --> 0:03:01.480
<v Speaker 2>on several boards, including the America Brain Foundation and the

0:03:01.560 --> 0:03:05.520
<v Speaker 2>long Now Foundation. He's the Chief Scientific Advisor of the

0:03:05.680 --> 0:03:09.480
<v Speaker 2>Mind Science Foundation and the winner of the Claude Shannon

0:03:09.560 --> 0:03:13.320
<v Speaker 2>Luminary Award from Bell Labs and the McGovern Award for

0:03:13.400 --> 0:03:18.080
<v Speaker 2>Excellence in Biomedical Communication. He serves as the academic editor

0:03:18.120 --> 0:03:20.639
<v Speaker 2>for the Journal of Science and Law. Was named Science

0:03:20.760 --> 0:03:24.000
<v Speaker 2>Educator of the Year by this Society for Neuroscience and

0:03:24.200 --> 0:03:27.480
<v Speaker 2>was featured as one of the quote Brightest Idea Guys

0:03:27.560 --> 0:03:31.680
<v Speaker 2>by Italy's Style magazine. He served as the scientific advisor

0:03:31.720 --> 0:03:35.800
<v Speaker 2>on several TV shows, including Westworld and Perception and has

0:03:35.800 --> 0:03:39.480
<v Speaker 2>been profiled on The Colbert Report, Nova Science Now, The

0:03:39.520 --> 0:03:43.160
<v Speaker 2>New Yorker, CNN's Next List, and many other venues. He

0:03:43.200 --> 0:03:47.320
<v Speaker 2>appears regularly on radio and television to discuss literature and science,

0:03:47.600 --> 0:03:49.880
<v Speaker 2>and I guess now he is going to start having

0:03:50.040 --> 0:03:54.640
<v Speaker 2>to add podcasts to the end of his bio here, So, Robin,

0:03:54.680 --> 0:03:56.480
<v Speaker 2>unless you have anything else, I think we should jump

0:03:56.560 --> 0:03:58.600
<v Speaker 2>right into our conversation with David Eagleman.

0:04:01.640 --> 0:04:03.440
<v Speaker 1>Hi, David, welcome back to the show.

0:04:03.480 --> 0:04:05.720
<v Speaker 4>Great, Thanks Rob for having me again. It's a pleasure

0:04:05.720 --> 0:04:08.119
<v Speaker 4>to be here. And hello, Joe, it's great to meet you. David.

0:04:08.440 --> 0:04:11.040
<v Speaker 1>Now, you have a great new podcast series out Inner

0:04:11.080 --> 0:04:15.280
<v Speaker 1>Cosmos through iHeart. How did you decide what path to

0:04:15.360 --> 0:04:17.200
<v Speaker 1>take with the podcast format?

0:04:18.320 --> 0:04:21.560
<v Speaker 4>You know, it's a great question. The truth is I

0:04:21.600 --> 0:04:26.000
<v Speaker 4>had not listened to many podcasts at all. Now I have.

0:04:26.160 --> 0:04:28.480
<v Speaker 4>But when I first was putting this together with iHeart,

0:04:28.520 --> 0:04:30.839
<v Speaker 4>I thought, look, I want to do a forty five

0:04:30.839 --> 0:04:34.680
<v Speaker 4>minute to hour long monologue every week. And that seemed

0:04:34.720 --> 0:04:38.240
<v Speaker 4>like a terrific idea at first, and then my wife

0:04:38.279 --> 0:04:39.880
<v Speaker 4>said she was going to kill me because it turns

0:04:39.880 --> 0:04:42.480
<v Speaker 4>out that's a ton of work. It takes me about

0:04:42.800 --> 0:04:46.000
<v Speaker 4>kind of about twelve hours a week to get a

0:04:46.040 --> 0:04:50.719
<v Speaker 4>good monologue that's almost an hour long. So that's how

0:04:50.800 --> 0:04:54.520
<v Speaker 4>I decided on the format because I thought it would

0:04:54.680 --> 0:04:58.400
<v Speaker 4>be something special rather than you know, I've been on

0:04:58.600 --> 0:05:01.480
<v Speaker 4>many different podcasts where we're doing interviews just like this,

0:05:01.600 --> 0:05:04.080
<v Speaker 4>and it's super fun. But I wanted to do something different.

0:05:04.680 --> 0:05:08.159
<v Speaker 4>So that's how I accidentally stumbled into that format.

0:05:08.560 --> 0:05:10.839
<v Speaker 2>So I figure we should give people a taste of

0:05:10.839 --> 0:05:12.880
<v Speaker 2>the kind of things you talk about on your show.

0:05:13.240 --> 0:05:15.200
<v Speaker 2>I got a chance to listen to the episode you

0:05:15.240 --> 0:05:18.520
<v Speaker 2>did about memory and the perception of time, and I

0:05:18.520 --> 0:05:20.560
<v Speaker 2>thought it was great, by the way, a really great

0:05:20.560 --> 0:05:23.600
<v Speaker 2>way to kick off the show. So your starting premise

0:05:23.800 --> 0:05:26.599
<v Speaker 2>in that episode was that many people who have been

0:05:26.640 --> 0:05:30.200
<v Speaker 2>through intense or life threatening events, maybe falling off of

0:05:30.240 --> 0:05:33.839
<v Speaker 2>a building or seeing a car speeding toward them, report

0:05:33.920 --> 0:05:38.479
<v Speaker 2>afterwards that time seemed to have somehow slowed down for

0:05:38.600 --> 0:05:41.440
<v Speaker 2>them during the pivotal few seconds, almost as if they

0:05:41.440 --> 0:05:44.560
<v Speaker 2>were able to inter a state of slow motion or

0:05:44.600 --> 0:05:47.840
<v Speaker 2>bullet time, like from the matrix. Can you talk a

0:05:47.880 --> 0:05:50.760
<v Speaker 2>bit about your research on this subject and what you

0:05:50.880 --> 0:05:52.360
<v Speaker 2>discovered about this perception.

0:05:52.960 --> 0:05:55.520
<v Speaker 4>Yeah, so my research, of course started off very personal

0:05:55.560 --> 0:05:57.320
<v Speaker 4>which is that I fell off of a house and

0:05:57.360 --> 0:05:59.760
<v Speaker 4>it seemed like things took a long time, and that's

0:05:59.800 --> 0:06:02.120
<v Speaker 4>what got me interested in this. Then when I got older,

0:06:02.160 --> 0:06:06.400
<v Speaker 4>it became a neuroscientist. Eventually I realized that I was

0:06:06.480 --> 0:06:10.400
<v Speaker 4>hearing this story not uncommonly from people who had been

0:06:10.440 --> 0:06:14.200
<v Speaker 4>in a you know, gunfight or some scary situation or

0:06:14.279 --> 0:06:17.240
<v Speaker 4>car accident or whatever, and they felt that things took longer.

0:06:17.360 --> 0:06:19.080
<v Speaker 4>And so I looked in the literature and there was

0:06:19.120 --> 0:06:22.640
<v Speaker 4>not anything on this. So that's when I came to

0:06:22.640 --> 0:06:25.279
<v Speaker 4>realize I was going to have to do this myself

0:06:25.279 --> 0:06:27.720
<v Speaker 4>and figure out how to run an experiment on this.

0:06:27.880 --> 0:06:31.599
<v Speaker 4>So you know, briefly, what I did is I built

0:06:31.640 --> 0:06:34.240
<v Speaker 4>a device that I hooked to people's wrists that flashed

0:06:34.279 --> 0:06:36.919
<v Speaker 4>information them at them met a certain way so that

0:06:36.960 --> 0:06:41.200
<v Speaker 4>I could tell how rapidly their brain was perceiving, and

0:06:41.240 --> 0:06:44.000
<v Speaker 4>that way I could test whether they were actually seeing

0:06:44.040 --> 0:06:47.440
<v Speaker 4>in slow motion or The whole thing was a trick

0:06:47.480 --> 0:06:51.360
<v Speaker 4>of memory, meaning when you were in an intense situation,

0:06:51.480 --> 0:06:53.359
<v Speaker 4>you wrote down more memories. So when you said what

0:06:53.480 --> 0:06:56.320
<v Speaker 4>just happened, when just happened, that it seemed like it

0:06:56.400 --> 0:06:59.080
<v Speaker 4>must have taken longer because you have all these memories.

0:06:59.400 --> 0:07:01.720
<v Speaker 4>So what I did then is dropped people from one

0:07:01.800 --> 0:07:05.280
<v Speaker 4>hundred and fifty foot tall tower in free fall backwards

0:07:05.279 --> 0:07:09.880
<v Speaker 4>into a net below, and I measured their perception of

0:07:09.920 --> 0:07:11.720
<v Speaker 4>time on the way down this way. And what I

0:07:11.800 --> 0:07:15.280
<v Speaker 4>found after, you know, I didn't sell myself, but then

0:07:15.320 --> 0:07:20.080
<v Speaker 4>we dropped twenty three participants. What I found is that

0:07:20.240 --> 0:07:23.080
<v Speaker 4>it is in fact a trick of memory, which is

0:07:23.120 --> 0:07:25.800
<v Speaker 4>to say, when everything is hitting the fan, your brain

0:07:25.840 --> 0:07:28.720
<v Speaker 4>writes down much denser memory, and when you read that

0:07:28.760 --> 0:07:31.000
<v Speaker 4>back out, your brain has to make an assumption about

0:07:31.960 --> 0:07:35.120
<v Speaker 4>you know, how much memory, how much footage maps onto

0:07:35.120 --> 0:07:38.440
<v Speaker 4>how much time, and so it says, oh wow, that

0:07:38.480 --> 0:07:40.280
<v Speaker 4>must have been five seconds, even though it was only

0:07:40.320 --> 0:07:42.640
<v Speaker 4>one second worth. But the point is people were not

0:07:42.800 --> 0:07:45.280
<v Speaker 4>able to see in slow motion, which, by the way,

0:07:45.400 --> 0:07:47.760
<v Speaker 4>was disappointing for me because I already had. I was

0:07:47.760 --> 0:07:50.920
<v Speaker 4>already talking with the military about building cockpits in a

0:07:50.960 --> 0:07:54.440
<v Speaker 4>way that flashed information more rapidly at people when they

0:07:54.720 --> 0:07:57.600
<v Speaker 4>be in some intense situation. But it turns out none

0:07:57.680 --> 0:07:59.800
<v Speaker 4>of that makes the difference. You can't actually get information

0:08:00.120 --> 0:08:04.160
<v Speaker 4>there faster, you can only remember it faster, So.

0:08:04.200 --> 0:08:09.840
<v Speaker 2>There's not actually any any increased ability of perception. It's

0:08:10.000 --> 0:08:12.000
<v Speaker 2>just a trick of the memory exactly.

0:08:12.360 --> 0:08:14.800
<v Speaker 4>Now. It is the case that you know a lot.

0:08:15.040 --> 0:08:17.680
<v Speaker 4>You can do a lot of things pre consciously, by

0:08:17.720 --> 0:08:21.520
<v Speaker 4>which I mean your conscious awareness of something is always

0:08:21.520 --> 0:08:24.120
<v Speaker 4>the slowest thing on the ladder to ever get any information.

0:08:24.240 --> 0:08:26.680
<v Speaker 4>So by the time your brain puts together all the

0:08:26.680 --> 0:08:30.400
<v Speaker 4>signals and says, okay, this is what just happened. You know,

0:08:30.440 --> 0:08:33.480
<v Speaker 4>that's at least half a second to a second behind

0:08:33.640 --> 0:08:37.480
<v Speaker 4>real time. But the point is your body can react

0:08:37.559 --> 0:08:39.880
<v Speaker 4>much faster than that. Your body can get signals and say, whoa,

0:08:39.920 --> 0:08:42.120
<v Speaker 4>I got to do something about this right away, And

0:08:42.200 --> 0:08:45.680
<v Speaker 4>so you can react, you know, often much faster than

0:08:45.720 --> 0:08:47.920
<v Speaker 4>you can be consciously aware. So you know, I don't

0:08:47.920 --> 0:08:49.880
<v Speaker 4>know if you've been on a I mean, this is

0:08:49.880 --> 0:08:51.480
<v Speaker 4>what happened to me recently. I was on a hike

0:08:51.559 --> 0:08:54.280
<v Speaker 4>with a friend and a branch snapped back, and I was,

0:08:54.600 --> 0:08:57.040
<v Speaker 4>you know, halfway into the move of ducking out of

0:08:57.080 --> 0:08:59.480
<v Speaker 4>the way of the branch before I consciously realized it,

0:08:59.640 --> 0:09:02.840
<v Speaker 4>or my foot gets halfway to the break of my

0:09:02.880 --> 0:09:05.559
<v Speaker 4>truck before I realized that there's a car pulling out

0:09:05.600 --> 0:09:07.959
<v Speaker 4>of the driveway ahead of me. In other words, consciousness

0:09:08.000 --> 0:09:09.679
<v Speaker 4>is always the last guy on the ladder to get

0:09:09.720 --> 0:09:14.400
<v Speaker 4>any information, and your body can almost always react much faster.

0:09:15.480 --> 0:09:17.280
<v Speaker 4>In fact, wait, let me just say one more example

0:09:17.280 --> 0:09:19.520
<v Speaker 4>of that, which is when I was younger, I used

0:09:19.520 --> 0:09:23.320
<v Speaker 4>to play baseball, and my experience was always that, you know,

0:09:23.360 --> 0:09:27.439
<v Speaker 4>I'd be waiting for the pitch, and then I would

0:09:27.679 --> 0:09:32.080
<v Speaker 4>realize after it had happened that I had already hit

0:09:32.120 --> 0:09:34.760
<v Speaker 4>the ball. And I would consciously realize, oh, I have

0:09:35.000 --> 0:09:37.199
<v Speaker 4>just hit the ball. Now throw the bat and run.

0:09:38.559 --> 0:09:41.480
<v Speaker 4>But you know, the whole thing, the ball moving from

0:09:41.480 --> 0:09:44.240
<v Speaker 4>the mound to the plate, and the swing and the batting,

0:09:44.280 --> 0:09:47.680
<v Speaker 4>that's all really fast process and it often happens pre consciously.

0:09:48.280 --> 0:09:53.680
<v Speaker 2>Somewhat related to that, this raises questions about the different

0:09:53.840 --> 0:09:58.160
<v Speaker 2>kinds of circumstances that would favor the perception of slow

0:09:58.200 --> 0:10:00.560
<v Speaker 2>motion in intense situations or not.

0:10:01.360 --> 0:10:01.440
<v Speaker 3>So.

0:10:01.800 --> 0:10:04.440
<v Speaker 2>My example was there was one night years ago I

0:10:04.520 --> 0:10:07.560
<v Speaker 2>was driving under an overpass and there was a sudden

0:10:07.600 --> 0:10:10.880
<v Speaker 2>deafening sound and a shudder, And what my wife and

0:10:10.920 --> 0:10:14.520
<v Speaker 2>I deduced later was that somehow like a brick had

0:10:14.559 --> 0:10:16.600
<v Speaker 2>fallen from above and hit the roof of our car

0:10:16.760 --> 0:10:19.440
<v Speaker 2>just above the windshield. As we passed under a highway

0:10:19.440 --> 0:10:21.880
<v Speaker 2>speed and I don't know if somebody threw it or

0:10:21.880 --> 0:10:24.400
<v Speaker 2>if it somehow just fell, But I not only don't

0:10:24.440 --> 0:10:27.439
<v Speaker 2>recall a feeling of stretched time or a greater density

0:10:27.440 --> 0:10:31.360
<v Speaker 2>of memories right before and after the impact, I felt

0:10:31.400 --> 0:10:35.840
<v Speaker 2>almost a kind of retrospective amnesia, like a real paucity

0:10:35.920 --> 0:10:39.079
<v Speaker 2>of detail. And it was like we were suddenly a

0:10:39.160 --> 0:10:42.559
<v Speaker 2>good ways down the road and just trying to remember

0:10:42.720 --> 0:10:44.040
<v Speaker 2>or figure out what had happened.

0:10:45.120 --> 0:10:48.040
<v Speaker 4>Yeah, that's exactly right. It's because you didn't write down

0:10:48.040 --> 0:10:50.520
<v Speaker 4>any memory. And this is generally because as you are

0:10:50.600 --> 0:10:53.680
<v Speaker 4>taking a drive down the highway, your brain is writing

0:10:53.720 --> 0:10:58.000
<v Speaker 4>down very little stuff going on. In fact, the interesting

0:10:58.040 --> 0:11:01.200
<v Speaker 4>part is that although we think about memory as being

0:11:01.240 --> 0:11:03.520
<v Speaker 4>like a video recorder or something, in fact it's nothing

0:11:03.640 --> 0:11:06.840
<v Speaker 4>like that. You write down very little of what happens

0:11:06.840 --> 0:11:08.840
<v Speaker 4>in your life, especially when you're driving on a road

0:11:08.880 --> 0:11:12.080
<v Speaker 4>you've been down before. So what happened is there's the

0:11:12.080 --> 0:11:15.079
<v Speaker 4>deafening crash and suddenly you're thinking what just happened? What

0:11:15.160 --> 0:11:17.439
<v Speaker 4>just happened? And you've got nothing to draw on. There's

0:11:17.520 --> 0:11:21.000
<v Speaker 4>just no footage there. And by the way, just as

0:11:21.040 --> 0:11:22.679
<v Speaker 4>a very quick side note, I think this is what

0:11:22.760 --> 0:11:26.360
<v Speaker 4>happens to people when they are high on marijuana, is

0:11:26.400 --> 0:11:28.360
<v Speaker 4>they say, oh, my gosh, how long have I been

0:11:28.400 --> 0:11:30.680
<v Speaker 4>standing here? It feels like I'm standing here forever, And

0:11:30.760 --> 0:11:34.600
<v Speaker 4>it's because they're not writing down memories in the same way.

0:11:34.640 --> 0:11:37.320
<v Speaker 4>So when their brain looks for how long have I

0:11:37.360 --> 0:11:41.559
<v Speaker 4>been standing here, what it's looking for is footage in time,

0:11:41.720 --> 0:11:44.720
<v Speaker 4>as in, Okay, I remember getting here, I remember this happening,

0:11:44.760 --> 0:11:46.760
<v Speaker 4>someone said this. Then someone put the glass down and

0:11:46.760 --> 0:11:48.720
<v Speaker 4>blah blah blah, so that it can estimate how long

0:11:48.760 --> 0:11:51.719
<v Speaker 4>it's been there. But suddenly it can't grab on to

0:11:51.880 --> 0:11:55.040
<v Speaker 4>any memories at all, and so suddenly people are lost

0:11:55.559 --> 0:12:00.000
<v Speaker 4>in time anyway, So this is Joe exactly what happened

0:12:00.160 --> 0:12:04.320
<v Speaker 4>pins when people suddenly are hit by a car that

0:12:04.360 --> 0:12:06.240
<v Speaker 4>they don't see coming, like a car teet bones them

0:12:06.360 --> 0:12:09.800
<v Speaker 4>or something. Or I might have mentioned in the podcast,

0:12:09.840 --> 0:12:12.000
<v Speaker 4>I can't remember that, you know. I was once riding

0:12:12.040 --> 0:12:15.920
<v Speaker 4>my bike and the wheel suddenly dropped in a pothole

0:12:15.960 --> 0:12:18.440
<v Speaker 4>and I went flying over the handlebars. But because I

0:12:18.520 --> 0:12:22.160
<v Speaker 4>didn't see that coming, I just had the sensation of suddenly,

0:12:22.240 --> 0:12:23.320
<v Speaker 4>oh my god, what's is you know?

0:12:23.320 --> 0:12:23.480
<v Speaker 1>Here?

0:12:23.480 --> 0:12:25.680
<v Speaker 4>I'm lying on the asphalt, bloody, and I have no

0:12:25.720 --> 0:12:29.079
<v Speaker 4>idea what just happened. And it's precisely because you're not

0:12:29.160 --> 0:12:31.360
<v Speaker 4>running down any memories. So when your brain says what

0:12:31.520 --> 0:12:33.760
<v Speaker 4>just happened, what just happened, there's nothing to draw on,

0:12:34.400 --> 0:12:37.000
<v Speaker 4>as opposed to the brick sliding on ice towards the

0:12:37.000 --> 0:12:40.120
<v Speaker 4>brick wall phenomenon, which is where you say, oh my gosh,

0:12:40.240 --> 0:12:43.160
<v Speaker 4>I'm predicting what's going to happen and this is really

0:12:43.160 --> 0:12:44.920
<v Speaker 4>gonna hurt, this is gonna be bad, And that's when

0:12:44.960 --> 0:12:46.360
<v Speaker 4>you're writing down lots of stuff.

0:12:46.720 --> 0:12:48.920
<v Speaker 2>So would you say you're more likely to have this

0:12:49.760 --> 0:12:55.120
<v Speaker 2>memory density perception number one if you see the event

0:12:55.320 --> 0:12:58.640
<v Speaker 2>coming ahead of time, there's there's expectation of it. But

0:12:58.840 --> 0:13:03.680
<v Speaker 2>also if you're generally in a novel or unusual situation.

0:13:03.720 --> 0:13:06.920
<v Speaker 4>Yeah, that's exactly right. Actually, So two aspects of that.

0:13:06.960 --> 0:13:09.280
<v Speaker 4>One is that I just mentioned a moment ago that

0:13:09.360 --> 0:13:12.480
<v Speaker 4>you write down very little memory, and that's because as

0:13:12.559 --> 0:13:15.719
<v Speaker 4>an adult now, your brain has sort of figured out

0:13:15.760 --> 0:13:18.319
<v Speaker 4>a pretty good model of the world, meaning you don't

0:13:18.360 --> 0:13:20.760
<v Speaker 4>need to write stuff down because you've seen all the

0:13:20.760 --> 0:13:25.360
<v Speaker 4>personalities before, you've seen different cities before, you've seen roads,

0:13:25.360 --> 0:13:28.320
<v Speaker 4>and people and events and television shows and you sort

0:13:28.360 --> 0:13:32.200
<v Speaker 4>of got it. But if something really novel happens, that's

0:13:32.200 --> 0:13:34.600
<v Speaker 4>when your brain writes something down and says, WHOA, wait

0:13:34.640 --> 0:13:38.000
<v Speaker 4>a minute, I'm surprised, And that's when stuff starts getting

0:13:38.000 --> 0:13:40.199
<v Speaker 4>written down. So when you look back at the end

0:13:40.240 --> 0:13:43.040
<v Speaker 4>of let's say a novel event. Let's say you go

0:13:43.120 --> 0:13:46.640
<v Speaker 4>on some really wild trip on the weekend to Glockos

0:13:46.679 --> 0:13:49.160
<v Speaker 4>Islands and you see new things and so on, then

0:13:49.200 --> 0:13:51.600
<v Speaker 4>it seems like forever since you were at work on Friday.

0:13:51.840 --> 0:13:53.840
<v Speaker 4>But if you just go off for a normal weekend

0:13:54.160 --> 0:13:55.680
<v Speaker 4>and you come back to work, you think, oh, I

0:13:55.720 --> 0:13:57.720
<v Speaker 4>was just here because you didn't lay down any new

0:13:57.760 --> 0:14:03.080
<v Speaker 4>memories over the weekend. So it is true that things

0:14:03.080 --> 0:14:06.440
<v Speaker 4>that are novel generally seem to last longer. However, it

0:14:06.440 --> 0:14:10.319
<v Speaker 4>should be noted that when things are actually life threatening,

0:14:10.800 --> 0:14:14.520
<v Speaker 4>you have essentially an emergency response memory system that kicks

0:14:14.520 --> 0:14:18.520
<v Speaker 4>into gear. That is a secondary track on which you

0:14:18.559 --> 0:14:22.000
<v Speaker 4>write down memory. And this is underpinned by a part

0:14:22.000 --> 0:14:24.760
<v Speaker 4>of the brain called the amigla, and its job is

0:14:24.800 --> 0:14:28.840
<v Speaker 4>to say, WHOA, everything is going really bad and scary here,

0:14:29.200 --> 0:14:30.960
<v Speaker 4>and I got to write this down because that after

0:14:31.000 --> 0:14:33.720
<v Speaker 4>all is the point of memory is to make sure

0:14:33.720 --> 0:14:37.000
<v Speaker 4>that you write down stuff that is important and specifically

0:14:37.120 --> 0:14:38.600
<v Speaker 4>life threateningly important.

0:14:38.880 --> 0:14:41.960
<v Speaker 2>So if the normal memory system, would that be the

0:14:42.160 --> 0:14:46.520
<v Speaker 2>hippocampal memory system exactly? If that's the normal memory system,

0:14:46.520 --> 0:14:51.160
<v Speaker 2>and then the amygdala tends to be recruited in intense situations.

0:14:51.600 --> 0:14:55.200
<v Speaker 2>Do we know generally if there is any if there

0:14:55.200 --> 0:15:00.120
<v Speaker 2>are any characteristic differences between how memories are recorded in

0:15:00.160 --> 0:15:01.920
<v Speaker 2>the hippocampus versus the Amygdalah.

0:15:02.600 --> 0:15:06.400
<v Speaker 4>Yeah, And it turns out it's a tragic one, which

0:15:06.440 --> 0:15:12.960
<v Speaker 4>is that amygdala memories are uneaseable, whereas hippocampbel memories can

0:15:13.040 --> 0:15:15.960
<v Speaker 4>be erased. So let me unpack this because there's two

0:15:16.040 --> 0:15:18.720
<v Speaker 4>surprising parts here. So first of all, the fact that

0:15:18.800 --> 0:15:23.440
<v Speaker 4>hippocampal memories can be erased is terrifying and weird and wild.

0:15:23.520 --> 0:15:27.480
<v Speaker 4>Which is, if I ask you to recall the name

0:15:27.560 --> 0:15:33.600
<v Speaker 4>of your fifth grade teacher and then suddenly that brick

0:15:33.680 --> 0:15:36.520
<v Speaker 4>drops off the highway bridge and hits you in the head.

0:15:36.560 --> 0:15:40.960
<v Speaker 4>God forbid, let's say that happens. You will now have

0:15:41.080 --> 0:15:45.080
<v Speaker 4>amnesia for that one fact, You will not remember anything

0:15:45.160 --> 0:15:48.120
<v Speaker 4>about your fifth grade teacher anymore about the at least

0:15:48.120 --> 0:15:52.120
<v Speaker 4>the fifth grade teacher's name. Why it's because the name

0:15:52.160 --> 0:15:54.280
<v Speaker 4>of your fifth grade teacher is stored deep in the

0:15:54.280 --> 0:15:56.280
<v Speaker 4>structure of your brain, and when I ask you to

0:15:56.360 --> 0:16:01.800
<v Speaker 4>recall it, you're actually transferring it from that structural form

0:16:02.360 --> 0:16:05.920
<v Speaker 4>into activity, you know, spikes in the brain. And that's

0:16:05.960 --> 0:16:09.480
<v Speaker 4>how you're remembering the name of your teacher. Now, when

0:16:09.520 --> 0:16:13.400
<v Speaker 4>you're done remembering it, it has to get reconsolidated back

0:16:13.440 --> 0:16:15.640
<v Speaker 4>into its physical form. And if you get hit in

0:16:15.680 --> 0:16:21.040
<v Speaker 4>the head during that moment, it's gone. It's now you know,

0:16:21.080 --> 0:16:23.880
<v Speaker 4>it's been transferred from the physical to the you know,

0:16:24.000 --> 0:16:27.320
<v Speaker 4>activity in spikes. And if you you know, before it

0:16:27.360 --> 0:16:29.640
<v Speaker 4>gets transferred back into the physical, it can it is

0:16:29.680 --> 0:16:33.600
<v Speaker 4>susceptible to erasure, which is weird and terrifying. And by

0:16:33.600 --> 0:16:36.840
<v Speaker 4>the way, this can also be done with protein synthesis inhibitors.

0:16:37.440 --> 0:16:40.200
<v Speaker 4>So people do this in rats. They've been doing this

0:16:40.240 --> 0:16:42.480
<v Speaker 4>for decades, where you know, you train a rat how

0:16:42.480 --> 0:16:45.480
<v Speaker 4>to run different maases and then you put the rat

0:16:45.520 --> 0:16:48.200
<v Speaker 4>on a particular maze where the rat has to remember, oh, yeah,

0:16:48.240 --> 0:16:50.760
<v Speaker 4>that's this one, and then you just feed the rat

0:16:50.800 --> 0:16:55.440
<v Speaker 4>a protein synthesis inhibitor and now it cannot reconsolidate that

0:16:55.520 --> 0:16:59.960
<v Speaker 4>memory into physical form. So number one is hippocampal memory

0:17:00.160 --> 0:17:03.200
<v Speaker 4>can be erased. The number two point is that amigla

0:17:03.280 --> 0:17:06.040
<v Speaker 4>memories cannot be erased, which is to say, when you

0:17:06.200 --> 0:17:10.680
<v Speaker 4>recruit the emergency control system to say, wow, this is

0:17:10.760 --> 0:17:15.760
<v Speaker 4>really important, write this down. Than those are permanent, which

0:17:15.920 --> 0:17:18.959
<v Speaker 4>the reason I say that's unfortunate is because those are

0:17:19.000 --> 0:17:20.840
<v Speaker 4>the ones that people want to erase. In other words,

0:17:20.880 --> 0:17:23.439
<v Speaker 4>you know, let's say a rape victim or something like that,

0:17:23.440 --> 0:17:26.000
<v Speaker 4>that is the one thing that she wants to forget

0:17:26.440 --> 0:17:27.840
<v Speaker 4>more than anything, but cannot.

0:17:28.640 --> 0:17:31.840
<v Speaker 1>Now, I was checking out the show as well, and

0:17:31.880 --> 0:17:33.560
<v Speaker 1>I was listening to your I believe this is an

0:17:33.560 --> 0:17:35.840
<v Speaker 1>episode from just earlier this week on the topic of

0:17:36.400 --> 0:17:39.320
<v Speaker 1>animal uplift, which I don't think is a term that

0:17:39.400 --> 0:17:42.439
<v Speaker 1>I was familiar with. Can you give us a brief taste,

0:17:42.440 --> 0:17:45.040
<v Speaker 1>a brief overview of what animal uplift is.

0:17:45.720 --> 0:17:48.919
<v Speaker 4>Yeah, it's this idea that you know, look, the human

0:17:49.000 --> 0:17:51.439
<v Speaker 4>brain is made out of exactly the same stuff that

0:17:51.880 --> 0:17:54.080
<v Speaker 4>a mouse brain, the dog brain, the giraft brain. You know,

0:17:54.200 --> 0:17:56.200
<v Speaker 4>it's all the same stuff. It's got the same anatomy,

0:17:56.280 --> 0:17:59.560
<v Speaker 4>same general structure. We just have more of this wrinkly

0:17:59.640 --> 0:18:05.320
<v Speaker 4>outer bit called the cortex. But somehow we are you know,

0:18:05.359 --> 0:18:07.560
<v Speaker 4>we've taken over the whole planet as a species. We've

0:18:07.560 --> 0:18:10.960
<v Speaker 4>gotten off the planet. We've made vaccines and internet and

0:18:11.040 --> 0:18:14.280
<v Speaker 4>quantum mechanics and so like. There's some real difference in

0:18:14.359 --> 0:18:17.679
<v Speaker 4>what we are doing versus our neighbors in the animal kingdom.

0:18:18.320 --> 0:18:22.440
<v Speaker 4>But the genetic differences, as you know, are not that much.

0:18:22.520 --> 0:18:25.320
<v Speaker 4>I mean, we have enormous similarity with almost every Like

0:18:25.359 --> 0:18:27.199
<v Speaker 4>if you're building a giraffe, you got to build the

0:18:27.200 --> 0:18:28.879
<v Speaker 4>heart and the lungs and the brain and then the

0:18:29.000 --> 0:18:32.000
<v Speaker 4>esophagus and all that stuff is really the same stuff.

0:18:32.040 --> 0:18:35.399
<v Speaker 4>And so it's just some small algorithmic difference in the

0:18:35.480 --> 0:18:38.439
<v Speaker 4>DNA that's making our brain run in a more souped

0:18:38.480 --> 0:18:42.640
<v Speaker 4>up way. Okay, the idea of animal uplift is if

0:18:42.680 --> 0:18:44.879
<v Speaker 4>we can figure that out. And this won't happen, you know,

0:18:44.960 --> 0:18:47.000
<v Speaker 4>for at least a few more decades, but if we

0:18:47.040 --> 0:18:50.000
<v Speaker 4>can figure out, ah, here's the sequence of a's and

0:18:50.080 --> 0:18:54.280
<v Speaker 4>c's and t's and g's that gives us this high intelligence.

0:18:55.160 --> 0:18:59.600
<v Speaker 4>The question is should we give this to animals? Should

0:18:59.600 --> 0:19:04.480
<v Speaker 4>we help animals become intelligent? Now, let me just mention

0:19:04.600 --> 0:19:09.480
<v Speaker 4>this is an area that bioethicists and philosophers and neuroscientists

0:19:09.560 --> 0:19:12.399
<v Speaker 4>have been talking about for a while, and there's you know,

0:19:12.480 --> 0:19:14.240
<v Speaker 4>plenty of debate about it. And on one end of

0:19:14.280 --> 0:19:16.320
<v Speaker 4>the spectrum you have people say that's a terrible idea,

0:19:16.400 --> 0:19:18.280
<v Speaker 4>We wouldn't want to give intelligence to animals, and other

0:19:18.320 --> 0:19:21.640
<v Speaker 4>people say it's a moral obligation in the same way

0:19:21.640 --> 0:19:24.680
<v Speaker 4>that you know, if we know how to fix some

0:19:24.920 --> 0:19:27.639
<v Speaker 4>viral disease or fix a broken leg or something, of

0:19:27.640 --> 0:19:29.720
<v Speaker 4>course you should do this for your dog instead of

0:19:29.800 --> 0:19:33.720
<v Speaker 4>let your dog, you know, not have the medical advances

0:19:33.760 --> 0:19:36.720
<v Speaker 4>that we have made. So anyway, it's a big debate,

0:19:36.760 --> 0:19:39.120
<v Speaker 4>but this is the idea of animal uplift. You make

0:19:39.320 --> 0:19:43.040
<v Speaker 4>an animal as intelligent as a human. And I just

0:19:43.119 --> 0:19:47.880
<v Speaker 4>find this area fascinating. And you know, as I proposed

0:19:47.960 --> 0:19:52.359
<v Speaker 4>the podcast, what would the consequences of this be in

0:19:52.440 --> 0:19:55.840
<v Speaker 4>terms of, you know, will World War five be fought

0:19:55.880 --> 0:20:00.800
<v Speaker 4>by other animal species not just humans? You know, And

0:20:01.080 --> 0:20:04.879
<v Speaker 4>the way I sort of introduced the podcast is with

0:20:04.960 --> 0:20:07.080
<v Speaker 4>this question of what will my kids look back on?

0:20:07.400 --> 0:20:10.760
<v Speaker 4>Are my grandkids Obviously there's lots of things that will

0:20:10.800 --> 0:20:15.160
<v Speaker 4>be very different about our world right now and their world,

0:20:15.160 --> 0:20:17.159
<v Speaker 4>and let's say fifty years from now. But one of

0:20:17.200 --> 0:20:19.960
<v Speaker 4>them is will they look back and say, Wow, I

0:20:19.960 --> 0:20:22.320
<v Speaker 4>can't believe there was a time when humans were the

0:20:22.359 --> 0:20:25.240
<v Speaker 4>only species on Earth that was really doing anything, and

0:20:25.680 --> 0:20:29.600
<v Speaker 4>now we've got all these other you know, crows running universities,

0:20:29.680 --> 0:20:35.600
<v Speaker 4>and donkeys' programming computers and whatever, gophers in the Senate

0:20:35.640 --> 0:20:36.080
<v Speaker 4>and so on.

0:20:47.359 --> 0:20:51.240
<v Speaker 2>So one idea of yours that I came across because

0:20:51.320 --> 0:20:53.520
<v Speaker 2>Rob sent it to me and I found really interesting

0:20:54.280 --> 0:20:58.120
<v Speaker 2>was from a paper you published in twenty twenty one,

0:20:58.160 --> 0:21:02.040
<v Speaker 2>I think maybe in Frontiers and Neuroscience, offering a hypothesis

0:21:02.119 --> 0:21:07.800
<v Speaker 2>about the adaptive function of dreams, which you call the

0:21:07.880 --> 0:21:12.439
<v Speaker 2>defensive activation theory, Could you lay out what is the

0:21:12.480 --> 0:21:17.000
<v Speaker 2>basic controversy about the biological function of dreams and how

0:21:17.080 --> 0:21:20.840
<v Speaker 2>your proposed solution here would answer this question.

0:21:21.359 --> 0:21:24.359
<v Speaker 4>Yes, so it turns out there is no controversy about

0:21:24.400 --> 0:21:28.720
<v Speaker 4>the purpose of dreams because nobody knows, right, everyone, I

0:21:28.760 --> 0:21:31.840
<v Speaker 4>mean in the sense of everyone's got a little hypothesis

0:21:31.880 --> 0:21:36.040
<v Speaker 4>about it. But really it's complicated, and people think, well,

0:21:36.080 --> 0:21:37.720
<v Speaker 4>maybe it has something to do with learning and memory.

0:21:37.800 --> 0:21:41.600
<v Speaker 4>Maybe it just has to do with you know, energy restoration.

0:21:41.880 --> 0:21:45.359
<v Speaker 4>Maybe it has to do with you know, obviously the

0:21:45.359 --> 0:21:48.280
<v Speaker 4>Freudians thought that there was some important meaning in the

0:21:48.320 --> 0:21:50.960
<v Speaker 4>content of dreams and so on, but no one really knows,

0:21:51.000 --> 0:21:54.440
<v Speaker 4>and certainly no one has a quantitative hypothesis that can

0:21:54.440 --> 0:21:56.960
<v Speaker 4>make predictions about dreams and how much dream time we have.

0:21:58.000 --> 0:22:02.840
<v Speaker 4>But my student and I developed a theory that actually

0:22:02.880 --> 0:22:06.840
<v Speaker 4>does make quantitative predictions across animal species about it predicts

0:22:06.840 --> 0:22:11.240
<v Speaker 4>actually how much each animal species will dream. And to

0:22:11.440 --> 0:22:14.159
<v Speaker 4>explain something to take one step back, which is about

0:22:14.320 --> 0:22:18.439
<v Speaker 4>brain plasticity, which is this term that we use to

0:22:18.480 --> 0:22:21.600
<v Speaker 4>explain that the brain is very malleable, the human brain

0:22:21.640 --> 0:22:25.800
<v Speaker 4>in particular, and it's constantly reconfiguring its own circuitry and

0:22:25.840 --> 0:22:28.719
<v Speaker 4>that's how it learns and remembers, and that's how it

0:22:29.160 --> 0:22:32.640
<v Speaker 4>learns new skills and all that. So it turns out,

0:22:32.880 --> 0:22:35.320
<v Speaker 4>this is what my last book, Live Wired was about,

0:22:35.640 --> 0:22:39.440
<v Speaker 4>is the massive flexibility of the brain. It turns out

0:22:40.000 --> 0:22:43.040
<v Speaker 4>is probably a lot of people already into it. If

0:22:43.119 --> 0:22:47.320
<v Speaker 4>you go blind at a young age, the visual part

0:22:47.320 --> 0:22:50.359
<v Speaker 4>of your brain gets taken over, and in fact, if

0:22:50.400 --> 0:22:54.320
<v Speaker 4>you're born blind, that takeover is complete. The rest of

0:22:54.400 --> 0:22:57.760
<v Speaker 4>the territories in your brain involved in hearing and touch

0:22:57.920 --> 0:23:01.280
<v Speaker 4>and other things. These all take over what we would

0:23:01.280 --> 0:23:04.359
<v Speaker 4>normally think of as the visual cortex, and it's no

0:23:04.440 --> 0:23:07.840
<v Speaker 4>longer visual. It's now, you know, subserving other functions.

0:23:07.920 --> 0:23:08.240
<v Speaker 1>Okay.

0:23:09.080 --> 0:23:12.080
<v Speaker 4>One of the surprises in neuroscience was a study that

0:23:12.119 --> 0:23:14.560
<v Speaker 4>came out about a decade ago from some colleagues of

0:23:14.560 --> 0:23:17.200
<v Speaker 4>Mind Harvard where they put people in a scanner. These

0:23:17.200 --> 0:23:21.359
<v Speaker 4>are normally cited people, but they blindfolded them tightly and

0:23:21.359 --> 0:23:22.920
<v Speaker 4>they put them in the scanner and they were looking

0:23:22.920 --> 0:23:26.080
<v Speaker 4>at their brain's response to touch or to sound or

0:23:26.119 --> 0:23:28.680
<v Speaker 4>things like that. And what they found, to their surprise,

0:23:28.800 --> 0:23:32.679
<v Speaker 4>is that after an hour, you could start seeing the

0:23:32.720 --> 0:23:37.040
<v Speaker 4>first hints of signals in the visual cortex in response

0:23:37.080 --> 0:23:40.760
<v Speaker 4>to touch and sounds. So, in other words, the visual

0:23:40.760 --> 0:23:45.400
<v Speaker 4>cortex was starting to get annexed from these other territories

0:23:45.520 --> 0:23:49.199
<v Speaker 4>that they've touched and sound after one hour. And so

0:23:49.320 --> 0:23:52.439
<v Speaker 4>this was a much more rapid kind of movement than

0:23:52.520 --> 0:23:56.640
<v Speaker 4>anyone had expected. And so what my student and I

0:23:56.640 --> 0:24:03.200
<v Speaker 4>immediately realized is that this is the basis of dreaming.

0:24:03.240 --> 0:24:07.120
<v Speaker 4>It's because we are on a planet that rotates, and

0:24:07.600 --> 0:24:10.200
<v Speaker 4>we spend half our time in the darkness, away from

0:24:10.400 --> 0:24:13.120
<v Speaker 4>the light of our star, and so in the dark.

0:24:13.200 --> 0:24:15.160
<v Speaker 4>You can still hear and touch and taste and smell

0:24:15.320 --> 0:24:17.800
<v Speaker 4>just fine, but you can't see. And obviously I'm talking

0:24:17.840 --> 0:24:23.800
<v Speaker 4>about evolutionary time, you know, not our modern electricity blessed times.

0:24:24.160 --> 0:24:28.640
<v Speaker 4>And so what this means is the visual system in

0:24:28.680 --> 0:24:31.440
<v Speaker 4>particular has a real disadvantage, which is it is in

0:24:31.640 --> 0:24:35.320
<v Speaker 4>danger of getting taken over from the other senses. And

0:24:35.359 --> 0:24:38.119
<v Speaker 4>this is because of the brain's great plasticity, and so

0:24:38.240 --> 0:24:41.639
<v Speaker 4>as a result, the visual system needs a way to

0:24:41.720 --> 0:24:45.800
<v Speaker 4>defend its territory during the night. And that's what dreaming is.

0:24:45.920 --> 0:24:49.600
<v Speaker 4>Dreaming is essentially a screen saver. It's making sure that

0:24:50.200 --> 0:24:52.919
<v Speaker 4>at night time, when you're curled up in the corner

0:24:52.920 --> 0:24:56.760
<v Speaker 4>of your cave, staying out of trouble sleeping, and sleeping

0:24:56.760 --> 0:24:59.119
<v Speaker 4>has other benefits too, in terms of energy restoration and

0:24:59.119 --> 0:25:01.840
<v Speaker 4>so on. So when that's happening, you know, you can

0:25:01.880 --> 0:25:04.240
<v Speaker 4>still feel if some touches your skinner, if you're smelling

0:25:04.280 --> 0:25:06.320
<v Speaker 4>something or whatever. All that can still function in the dark,

0:25:06.359 --> 0:25:08.879
<v Speaker 4>but you're not seeing anything at all. And so what

0:25:08.920 --> 0:25:11.760
<v Speaker 4>happens is you've got this circuitry that just blows activity

0:25:11.840 --> 0:25:16.000
<v Speaker 4>into the visual system to make sure it stays active

0:25:16.040 --> 0:25:18.439
<v Speaker 4>during the night. Every ninety minutes, you have this wave

0:25:18.960 --> 0:25:21.640
<v Speaker 4>of active, random activity that just gets blown in there.

0:25:21.880 --> 0:25:24.800
<v Speaker 4>And because we're visual creatures, we see we have full,

0:25:24.880 --> 0:25:27.080
<v Speaker 4>rich visual experience even though our eyes are closed and

0:25:27.160 --> 0:25:31.520
<v Speaker 4>it's dark out, and it's because we are just making

0:25:31.560 --> 0:25:34.600
<v Speaker 4>sure the brain is making sure that it's keeping this

0:25:34.720 --> 0:25:38.320
<v Speaker 4>competition going so the visual system doesn't get taken over. Interestingly,

0:25:38.720 --> 0:25:41.600
<v Speaker 4>dream sleep is something we find across the animal kingdom,

0:25:41.960 --> 0:25:44.919
<v Speaker 4>but what we were able to demonstrate is that it

0:25:45.000 --> 0:25:48.240
<v Speaker 4>correlates with how plastic the animal species is. So some

0:25:48.760 --> 0:25:52.120
<v Speaker 4>animals drop out of the womb and they figure out

0:25:52.160 --> 0:25:54.960
<v Speaker 4>in thirty minutes how to run, how to walk. Very quickly,

0:25:55.000 --> 0:25:59.639
<v Speaker 4>they reach adolescence, they can reproduce, so all kinds, you know,

0:25:59.680 --> 0:26:02.800
<v Speaker 4>they're just they're obviously very pre programmed, let's just put

0:26:02.800 --> 0:26:06.840
<v Speaker 4>it that way. But other creatures like humans, are extremely plastic.

0:26:06.920 --> 0:26:09.560
<v Speaker 4>We take forever to learn how to walk, to wean

0:26:10.280 --> 0:26:14.320
<v Speaker 4>to reach reproductive age, things like that, precisely because we're

0:26:14.359 --> 0:26:19.160
<v Speaker 4>extremely plastic, and so we have lots of dreaming because

0:26:19.200 --> 0:26:21.800
<v Speaker 4>we have to protect our visual cortex at night. But

0:26:22.320 --> 0:26:25.600
<v Speaker 4>other animals that are, you know, these pre program types,

0:26:26.320 --> 0:26:29.080
<v Speaker 4>they have just a tiny bit of visual dreaming, but

0:26:29.480 --> 0:26:31.640
<v Speaker 4>not a lot. And by the way, I'll just mention

0:26:31.760 --> 0:26:36.040
<v Speaker 4>that the amount of visual dreaming we have goes down

0:26:36.080 --> 0:26:38.480
<v Speaker 4>with age. So it's an infant, you're dreaming all the time,

0:26:38.560 --> 0:26:40.520
<v Speaker 4>and as you get older and older, you dream less

0:26:40.520 --> 0:26:43.560
<v Speaker 4>and less is a fraction of your sleep. And you

0:26:43.600 --> 0:26:46.320
<v Speaker 4>know that's just a correlation. But in theory, what that

0:26:46.400 --> 0:26:49.840
<v Speaker 4>suggests is, you know, as an infant, your visual system

0:26:49.920 --> 0:26:53.199
<v Speaker 4>is very highly at risk of getting taken over, and

0:26:53.240 --> 0:26:55.800
<v Speaker 4>as you get older and things get more cemented into place,

0:26:55.800 --> 0:26:57.520
<v Speaker 4>it's less at risk of getting taken over, so you

0:26:57.560 --> 0:27:00.280
<v Speaker 4>don't need as much screensaver time and only.

0:27:00.320 --> 0:27:02.760
<v Speaker 2>This kind of reminds me of studies I've read on

0:27:03.240 --> 0:27:07.160
<v Speaker 2>a related subject, which is a prolonged blindfolding of normally

0:27:07.200 --> 0:27:11.680
<v Speaker 2>cited people who apparently it's very common for people under

0:27:11.720 --> 0:27:15.680
<v Speaker 2>those circumstances to experience a lot of visual hallucinations. Does

0:27:15.720 --> 0:27:18.040
<v Speaker 2>that have any relationship to what you're talking about here?

0:27:18.080 --> 0:27:20.800
<v Speaker 4>It does, Thank you for asking. That's perfect because this

0:27:20.880 --> 0:27:24.560
<v Speaker 4>is all part of the defensive activation theory, which is

0:27:24.600 --> 0:27:27.760
<v Speaker 4>to say, if a system is used to having data

0:27:27.800 --> 0:27:31.640
<v Speaker 4>coming in and suddenly it's not getting that data anymore,

0:27:32.480 --> 0:27:34.840
<v Speaker 4>it fights back from the inside it starts producing that

0:27:34.960 --> 0:27:39.160
<v Speaker 4>data itself. So one example of this is let's say blindfolding,

0:27:39.280 --> 0:27:42.720
<v Speaker 4>or you also see this for example in you know,

0:27:42.920 --> 0:27:45.640
<v Speaker 4>when people get thrown in solitary confinement in the dark,

0:27:45.680 --> 0:27:49.720
<v Speaker 4>they start having hallucinations both auditory and visual because they're

0:27:49.720 --> 0:27:51.760
<v Speaker 4>not getting that data and they're used to it they're

0:27:51.760 --> 0:27:55.160
<v Speaker 4>supposed to get. There's also something called Bonet syndrome Charles

0:27:55.240 --> 0:27:58.440
<v Speaker 4>Bone syndrome, which is people start losing their vision, but

0:27:58.480 --> 0:28:00.840
<v Speaker 4>they don't realize that they're losing their vision because they

0:28:00.960 --> 0:28:06.080
<v Speaker 4>start having hallucinations that essentially fill in for them. This

0:28:06.200 --> 0:28:08.480
<v Speaker 4>is all the same issue, though, which is that the

0:28:08.520 --> 0:28:11.160
<v Speaker 4>brain is used to getting certain inputs, suddenly it's not

0:28:11.280 --> 0:28:14.080
<v Speaker 4>getting it anymore, and so it starts generating in itself.

0:28:14.400 --> 0:28:17.640
<v Speaker 4>One more example is tonightis which is ringing in the ears.

0:28:17.960 --> 0:28:21.720
<v Speaker 4>This typically comes about because somebody loses hearing in some

0:28:22.440 --> 0:28:25.560
<v Speaker 4>frequency or some band of frequencies and the brain says,

0:28:25.560 --> 0:28:28.520
<v Speaker 4>wait a minute, I'm not hearing anything at twelve thousand

0:28:28.560 --> 0:28:32.080
<v Speaker 4>hurts anymore, so I'm going to start making myself and

0:28:32.160 --> 0:28:36.000
<v Speaker 4>it starts making this sound by itself. So this all

0:28:36.040 --> 0:28:38.040
<v Speaker 4>falls under the defensive activation theory.

0:28:39.120 --> 0:28:42.120
<v Speaker 2>One of the interesting things I recall about the studies

0:28:42.120 --> 0:28:48.200
<v Speaker 2>on prolonged blindfolding was that the hallucinations that were reported

0:28:48.240 --> 0:28:50.600
<v Speaker 2>were not entirely random. So it wasn't just you know,

0:28:50.640 --> 0:28:53.160
<v Speaker 2>people seeing strange scenes play out in front of them.

0:28:53.200 --> 0:28:57.680
<v Speaker 2>That they would often hallucinate stuff that you would expect

0:28:57.840 --> 0:29:00.360
<v Speaker 2>to see in that place in the room based on

0:29:00.400 --> 0:29:03.800
<v Speaker 2>other senses. So like if they heard someone come to

0:29:03.840 --> 0:29:06.640
<v Speaker 2>the door of the room, they would hallucinate the image

0:29:06.640 --> 0:29:07.960
<v Speaker 2>of that person in the door.

0:29:08.520 --> 0:29:12.080
<v Speaker 4>Yeah, that's perfect. And by the way, I think this

0:29:12.400 --> 0:29:15.560
<v Speaker 4>also has a lot to tell us about dream content

0:29:16.120 --> 0:29:18.960
<v Speaker 4>because the thing about dreams, I love the way you

0:29:19.000 --> 0:29:21.719
<v Speaker 4>put this, because you could, in theory, dream about anything

0:29:21.760 --> 0:29:25.920
<v Speaker 4>at all. You could dream that you are in Cambodia

0:29:26.080 --> 0:29:28.800
<v Speaker 4>and that you are in the fourteen hundreds and you're

0:29:28.920 --> 0:29:32.800
<v Speaker 4>a magician who's doing something. But you know, you tend

0:29:32.840 --> 0:29:35.160
<v Speaker 4>to dream about you know, your work and your spouse

0:29:35.200 --> 0:29:37.800
<v Speaker 4>and your drive and whatever, you know, things that are

0:29:37.800 --> 0:29:42.360
<v Speaker 4>more local to you. And it's precisely because when you

0:29:43.200 --> 0:29:47.960
<v Speaker 4>slam random activity into the visual system, the synapse is

0:29:47.960 --> 0:29:51.040
<v Speaker 4>the connections that are essentially hot from the day's work,

0:29:52.240 --> 0:29:54.280
<v Speaker 4>you know, those those are the things that tend to

0:29:54.280 --> 0:29:57.960
<v Speaker 4>get activated, and the association is very loose in a

0:29:58.200 --> 0:30:01.200
<v Speaker 4>sleeping dream state, and so what happens is, you know,

0:30:01.280 --> 0:30:05.440
<v Speaker 4>things can go off on weird tangents, but physics still

0:30:05.520 --> 0:30:07.960
<v Speaker 4>works fine in a dream. You know, rocks don't float

0:30:08.040 --> 0:30:12.120
<v Speaker 4>upwards and stuff like that, and so you know, essentially

0:30:12.160 --> 0:30:16.160
<v Speaker 4>you're just rebooting things that were there during the day.

0:30:16.520 --> 0:30:19.240
<v Speaker 4>And and this is closely related to what you're saying about.

0:30:20.640 --> 0:30:22.840
<v Speaker 4>You know, all the associations that your brain builds up

0:30:22.880 --> 0:30:25.200
<v Speaker 4>over a lifetime. So you hear the voice and you're

0:30:25.240 --> 0:30:29.440
<v Speaker 4>expecting to see that person, and that's exactly what happens. Actually,

0:30:29.480 --> 0:30:31.640
<v Speaker 4>I just want to mention one other thing about the dreams,

0:30:32.080 --> 0:30:35.680
<v Speaker 4>which is people will often ask me, well, what about

0:30:35.840 --> 0:30:38.480
<v Speaker 4>a blind person, how do they dream? And the answer

0:30:38.640 --> 0:30:41.760
<v Speaker 4>is blind people also dream because you have this very

0:30:41.840 --> 0:30:44.920
<v Speaker 4>ancient circuitry in your head that's blasting activity into the

0:30:44.960 --> 0:30:47.880
<v Speaker 4>back of the brain the occipital cortex, which is normally

0:30:47.880 --> 0:30:50.240
<v Speaker 4>the visual cortex. And people but if you're born blind,

0:30:50.640 --> 0:30:53.200
<v Speaker 4>it's you know, long taken over by hearing in touch,

0:30:53.520 --> 0:30:56.920
<v Speaker 4>and so a blind person's dream is all about hearing

0:30:56.960 --> 0:31:00.520
<v Speaker 4>in touch. They don't see anything, but they say, oh,

0:31:00.600 --> 0:31:02.480
<v Speaker 4>I was, you know, moving through the living room and

0:31:02.560 --> 0:31:04.960
<v Speaker 4>I felt the furniture was rearranged, and then there was

0:31:05.000 --> 0:31:07.360
<v Speaker 4>a big dog in the corner and I ran from

0:31:07.440 --> 0:31:09.280
<v Speaker 4>it and I was scared. And so, you know, they've

0:31:09.280 --> 0:31:12.680
<v Speaker 4>got full, rich dream experience. It's just that it is

0:31:13.360 --> 0:31:15.960
<v Speaker 4>not visual because that part of their brain is no

0:31:16.040 --> 0:31:16.760
<v Speaker 4>longer visual.

0:31:17.320 --> 0:31:20.000
<v Speaker 2>And would you well, that makes me wonder then if

0:31:20.840 --> 0:31:25.120
<v Speaker 2>if your hypothesis about the defensive activity of dreaming is correct,

0:31:25.200 --> 0:31:28.920
<v Speaker 2>does that mean that that dreaming is now to protect

0:31:29.160 --> 0:31:32.880
<v Speaker 2>still what would normally be used for visual processing that

0:31:32.920 --> 0:31:36.200
<v Speaker 2>part of the brain, but its role in processing auditory

0:31:36.240 --> 0:31:37.560
<v Speaker 2>and other stimuli.

0:31:37.840 --> 0:31:42.239
<v Speaker 4>A great question. No, that it's that these circuits that

0:31:42.360 --> 0:31:46.760
<v Speaker 4>underlie dreaming are extremely ancient, and so they are assuming

0:31:47.280 --> 0:31:50.360
<v Speaker 4>that you've got perfectly fine vision. And if you don't

0:31:50.360 --> 0:31:53.640
<v Speaker 4>have vision for some reason, then the circuits aren't going

0:31:53.720 --> 0:31:58.720
<v Speaker 4>to change. They're just doing a basic architectural job of saying, hey, guys,

0:31:58.760 --> 0:32:01.680
<v Speaker 4>every ninety minutes, just last some activity into the back

0:32:01.720 --> 0:32:02.120
<v Speaker 4>of the brain.

0:32:02.200 --> 0:32:02.440
<v Speaker 1>There.

0:32:02.680 --> 0:32:04.320
<v Speaker 4>That's all they're doing. And they don't know if you're

0:32:04.320 --> 0:32:04.880
<v Speaker 4>blind or not.

0:32:05.560 --> 0:32:09.120
<v Speaker 1>Now, speaking about dreams, I guess it's not too much

0:32:09.120 --> 0:32:12.840
<v Speaker 1>of a leap to start talking about consciousness. I was wondering,

0:32:12.960 --> 0:32:16.840
<v Speaker 1>where do you think we are in terms of coraling, testing,

0:32:16.960 --> 0:32:22.240
<v Speaker 1>and even eliminating various theories concerning the nature of human consciousness. Yeah?

0:32:22.280 --> 0:32:26.280
<v Speaker 4>Boy, this still remains to my mind the central unsolved

0:32:26.360 --> 0:32:29.040
<v Speaker 4>mystery of neuroscience. What's interesting, by the way, I wrote

0:32:29.080 --> 0:32:32.920
<v Speaker 4>an article, the cover article is Discover magazine back in

0:32:32.960 --> 0:32:36.480
<v Speaker 4>something like two thousand and six, called ten Unsolved Questions

0:32:36.480 --> 0:32:39.440
<v Speaker 4>of Neuroscience. And what's fascinating to me is it's now

0:32:39.480 --> 0:32:42.840
<v Speaker 4>twenty twenty three and they are equally as unsolved. I mean,

0:32:42.840 --> 0:32:46.640
<v Speaker 4>it's funny because we're making so much progress in the

0:32:46.640 --> 0:32:49.760
<v Speaker 4>field in some ways, and yet in other ways we're

0:32:49.800 --> 0:32:54.400
<v Speaker 4>just facing some really tough problems. So the consciousness, you know,

0:32:54.440 --> 0:32:57.680
<v Speaker 4>what is consciousness is really I think the central one.

0:32:57.960 --> 0:33:01.640
<v Speaker 4>And you know, for any listeners who are wondering what

0:33:01.800 --> 0:33:03.960
<v Speaker 4>is the question, the question is how do you take

0:33:04.000 --> 0:33:07.960
<v Speaker 4>eighty six billion cells and stick them together and hook

0:33:08.000 --> 0:33:11.040
<v Speaker 4>them up in such a way that you have private,

0:33:11.080 --> 0:33:17.479
<v Speaker 4>subjective internal experience. So you know, the smell of apple

0:33:17.560 --> 0:33:20.160
<v Speaker 4>pie and the taste of feta cheese, and the pain

0:33:20.200 --> 0:33:22.400
<v Speaker 4>of pain, and the redness of red and so on

0:33:23.240 --> 0:33:27.280
<v Speaker 4>how does that happen? Because you know, my laptop computer

0:33:28.440 --> 0:33:31.280
<v Speaker 4>has lots of signals running around, zeros and ones running around,

0:33:31.280 --> 0:33:35.160
<v Speaker 4>and it's transistors, but presumably it's not experiencing anything. It

0:33:35.200 --> 0:33:39.400
<v Speaker 4>can play a YouTube video for me, but presumably it

0:33:39.440 --> 0:33:42.120
<v Speaker 4>doesn't find it funny the way I do. And so

0:33:42.360 --> 0:33:45.560
<v Speaker 4>this is really the question of consciousness. We don't know

0:33:45.640 --> 0:33:50.120
<v Speaker 4>the answer to it. I can just tell you my

0:33:51.080 --> 0:33:54.800
<v Speaker 4>general feeling on this, which is when you look at

0:33:54.800 --> 0:33:57.360
<v Speaker 4>the history of science, what you find is that in

0:33:57.440 --> 0:34:02.040
<v Speaker 4>every era there were big pieces of information missing, and

0:34:02.560 --> 0:34:04.600
<v Speaker 4>yet the scientists were in a position of having to

0:34:04.640 --> 0:34:09.680
<v Speaker 4>try to explain everything not knowing some other thing. Here's

0:34:09.680 --> 0:34:13.120
<v Speaker 4>an example. You know, when the pump was invented, people

0:34:13.160 --> 0:34:15.680
<v Speaker 4>suddenly said, oh, I see the heart is like a pump,

0:34:15.960 --> 0:34:18.280
<v Speaker 4>and then it was obvious, oh, click falls into place.

0:34:18.520 --> 0:34:20.279
<v Speaker 4>But before that, everyone's trying to figure out what the

0:34:20.320 --> 0:34:21.680
<v Speaker 4>heck the heart was doing, but no one had the

0:34:21.719 --> 0:34:26.400
<v Speaker 4>concept of a pump. Or you know, before the magnetosphere

0:34:26.440 --> 0:34:28.400
<v Speaker 4>of the Earth was discovered, you'd have no way to

0:34:28.440 --> 0:34:31.920
<v Speaker 4>explain the northern lights. You'd have to make up some

0:34:32.080 --> 0:34:35.080
<v Speaker 4>crazy story about the northern lights and so on. Anyway,

0:34:35.400 --> 0:34:38.040
<v Speaker 4>I feel like we're in that situation now with consciousness.

0:34:38.040 --> 0:34:42.000
<v Speaker 4>There's something right at the edges. We're all listening for

0:34:42.120 --> 0:34:45.279
<v Speaker 4>its whispers. We can sort of feel that there's something there,

0:34:45.280 --> 0:34:47.520
<v Speaker 4>but we don't know exactly what it is that we're

0:34:48.040 --> 0:34:50.600
<v Speaker 4>missing that will allow us to explain how you take

0:34:50.600 --> 0:34:53.359
<v Speaker 4>a bunch of physical stuff and have it experience.

0:35:03.040 --> 0:35:06.680
<v Speaker 1>Now, a topic that's being discussed a lot right now is,

0:35:06.719 --> 0:35:12.239
<v Speaker 1>of course, as always artificial intelligence, but specifically generative artificial intelligence,

0:35:13.239 --> 0:35:16.239
<v Speaker 1>especially with so many of these text and image creative

0:35:16.280 --> 0:35:18.640
<v Speaker 1>tools that are available just to the average person to

0:35:18.719 --> 0:35:23.200
<v Speaker 1>experiment with and share the results of. And I was wondering,

0:35:23.239 --> 0:35:27.719
<v Speaker 1>what's your take on generative artificial intelligence and how it

0:35:27.800 --> 0:35:30.480
<v Speaker 1>relates or doesn't relate to human creativity.

0:35:30.800 --> 0:35:33.880
<v Speaker 4>Yeah, so actually this is my next episode because I'm

0:35:33.960 --> 0:35:38.160
<v Speaker 4>fascinated by this. Yeah, I'm just so Okay. So, you

0:35:38.200 --> 0:35:41.080
<v Speaker 4>guys may know I'm a neuroscientist, but I'm also a writer,

0:35:41.280 --> 0:35:45.600
<v Speaker 4>including of fiction. And so suddenly, when when generatively I

0:35:45.680 --> 0:35:48.799
<v Speaker 4>started blowing up really at the end of last year,

0:35:49.360 --> 0:35:51.880
<v Speaker 4>I of course, like many artists, thought, oh my gosh,

0:35:51.920 --> 0:35:54.560
<v Speaker 4>what does this mean for me? What's the what's the

0:35:54.600 --> 0:36:00.000
<v Speaker 4>future for writers? But actually, in my next episode, I

0:36:00.160 --> 0:36:03.480
<v Speaker 4>make a four part argument why I think it'll be

0:36:03.560 --> 0:36:07.080
<v Speaker 4>an important part of the symbiosis between humans and machines

0:36:07.120 --> 0:36:08.080
<v Speaker 4>that eventually comes about.

0:36:08.120 --> 0:36:09.120
<v Speaker 1>But it's not going to.

0:36:09.080 --> 0:36:12.759
<v Speaker 4>Replace writers and artists. There are many reasons. You know,

0:36:12.840 --> 0:36:14.360
<v Speaker 4>One thing is it can it can only do short

0:36:14.400 --> 0:36:16.960
<v Speaker 4>form stuff, and it does it very nicely. But you know,

0:36:16.960 --> 0:36:19.440
<v Speaker 4>if you want to write a little blog post or

0:36:19.440 --> 0:36:22.040
<v Speaker 4>a little jingle or poem or whatever, like, it's great

0:36:22.040 --> 0:36:24.840
<v Speaker 4>for that, but to actually write a novel is a

0:36:24.880 --> 0:36:27.600
<v Speaker 4>completely different sort of thing because what the author is

0:36:27.640 --> 0:36:31.320
<v Speaker 4>doing there is planting clues and having let's say, a

0:36:31.320 --> 0:36:34.600
<v Speaker 4>cliffhanger that doesn't come back for two or three chapters,

0:36:34.640 --> 0:36:38.400
<v Speaker 4>and you know, there's a continuity through time where what

0:36:38.480 --> 0:36:40.920
<v Speaker 4>the author knows is what the end of the story

0:36:41.080 --> 0:36:45.120
<v Speaker 4>is and then writes towards that. But AI can't even

0:36:45.160 --> 0:36:46.879
<v Speaker 4>do things like make up a joke, because to make

0:36:46.920 --> 0:36:48.839
<v Speaker 4>up a joke you have to know the punchline first

0:36:48.840 --> 0:36:51.439
<v Speaker 4>and then construct the joke to meet it. But it's

0:36:51.480 --> 0:36:55.440
<v Speaker 4>doing everything in the forward direction, so there are there

0:36:55.480 --> 0:36:58.680
<v Speaker 4>are reasons like that. There's also make the argument that

0:36:59.400 --> 0:37:03.000
<v Speaker 4>we as readers, I think, actually really care about the

0:37:03.040 --> 0:37:06.160
<v Speaker 4>heartbeat behind the page, which is to say, if you

0:37:06.239 --> 0:37:09.279
<v Speaker 4>offered me two books, and one was written by AI

0:37:09.440 --> 0:37:13.319
<v Speaker 4>and one was written by you, Rob, and you know,

0:37:13.400 --> 0:37:16.000
<v Speaker 4>I would absolutely want the one that's written by a

0:37:16.040 --> 0:37:20.120
<v Speaker 4>real human, because I know that you're a human with

0:37:20.160 --> 0:37:25.759
<v Speaker 4>all the you know, limitations and anxieties and joys and

0:37:25.800 --> 0:37:28.880
<v Speaker 4>ecstasies of a real human. And and that's what I

0:37:28.920 --> 0:37:33.160
<v Speaker 4>care about as a fellow human. And you know, part

0:37:33.200 --> 0:37:35.319
<v Speaker 4>of my evidence for this is a colleague of mine

0:37:35.360 --> 0:37:38.799
<v Speaker 4>here in Silicon Valley announced recently that he'd written a

0:37:38.800 --> 0:37:41.440
<v Speaker 4>book that was half by him and half by chat

0:37:41.520 --> 0:37:46.439
<v Speaker 4>gpt And and I actually read most of the book

0:37:46.440 --> 0:37:49.680
<v Speaker 4>and it's it's actually a good book, but I was

0:37:49.719 --> 0:37:52.080
<v Speaker 4>not inspired when I heard that I read it for

0:37:52.160 --> 0:37:55.799
<v Speaker 4>other reasons. I thought that sounds terrible, and I was

0:37:55.800 --> 0:37:58.000
<v Speaker 4>trying to figure out why why did I feel that way?

0:37:58.040 --> 0:38:00.840
<v Speaker 4>Why did I feel that it was interesting to me?

0:38:01.000 --> 0:38:04.640
<v Speaker 4>And it has to do with this heartbeat behind behind

0:38:04.760 --> 0:38:08.200
<v Speaker 4>the page that that matters. Here's the analogy that I'm

0:38:08.520 --> 0:38:13.359
<v Speaker 4>thinking about nowadays, is it was when cameras first came

0:38:13.400 --> 0:38:19.919
<v Speaker 4>on this scene, visual painters all panicked and thought we're

0:38:19.920 --> 0:38:22.439
<v Speaker 4>done for because why would anyone want me to sit

0:38:22.480 --> 0:38:25.560
<v Speaker 4>here and paint something for weeks and weeks when you

0:38:25.560 --> 0:38:28.360
<v Speaker 4>can just get a perfect representation of it in a

0:38:28.440 --> 0:38:31.279
<v Speaker 4>fraction of a second with a camera. And the answer is,

0:38:31.360 --> 0:38:34.040
<v Speaker 4>cameras did not kill visual painting. They just ended up

0:38:34.080 --> 0:38:38.160
<v Speaker 4>filling a different neighboring niche and became their own art form.

0:38:38.200 --> 0:38:40.680
<v Speaker 4>But visual painting still exists because you could do other

0:38:40.760 --> 0:38:44.000
<v Speaker 4>things with it, and I can you know, at least

0:38:44.160 --> 0:38:49.600
<v Speaker 4>right the moment, all these text generation programs are extraordinarily

0:38:49.880 --> 0:38:53.000
<v Speaker 4>boring in what they come up with, because they get

0:38:53.040 --> 0:38:56.719
<v Speaker 4>pushed through reinforcement learning with humans so that humans say, oh,

0:38:56.920 --> 0:38:59.040
<v Speaker 4>don't say that, don't say that, that might defend someone,

0:38:59.080 --> 0:39:00.880
<v Speaker 4>and so on, which is fine. I mean, I'm not

0:39:00.920 --> 0:39:03.480
<v Speaker 4>opposed to that. But the thing is that good literature

0:39:04.000 --> 0:39:06.759
<v Speaker 4>is stuff that really challenges us. Any good piece of

0:39:06.760 --> 0:39:09.200
<v Speaker 4>literature that you find is something that's full of stuff wethink.

0:39:09.280 --> 0:39:13.440
<v Speaker 4>Oh yikes, that sounds like a terrible thing that just happened.

0:39:13.840 --> 0:39:17.200
<v Speaker 4>And none of these large language models are even willing

0:39:17.239 --> 0:39:19.239
<v Speaker 4>to go near that or touch that. So I think

0:39:19.280 --> 0:39:21.840
<v Speaker 4>they're going to be quite a distance from real literature

0:39:21.920 --> 0:39:23.360
<v Speaker 4>for the foreseeable future.

0:39:23.719 --> 0:39:26.520
<v Speaker 2>I would tend to think also with literary craft. A

0:39:26.560 --> 0:39:30.359
<v Speaker 2>lot of what we really like about literary style is

0:39:30.760 --> 0:39:35.719
<v Speaker 2>being surprised. But I wonder if a you know, surprised

0:39:35.719 --> 0:39:39.240
<v Speaker 2>by like a strange word choice or a strange metaphor

0:39:39.360 --> 0:39:42.280
<v Speaker 2>or something. Those are the things that feel really good.

0:39:42.400 --> 0:39:46.719
<v Speaker 2>But can can a generative AI tell the difference between

0:39:46.960 --> 0:39:50.920
<v Speaker 2>a comparison or a word choice that is strange and

0:39:51.000 --> 0:39:54.239
<v Speaker 2>a pleasing and exciting way versus one that will be

0:39:54.400 --> 0:39:58.040
<v Speaker 2>essentially interpreted as a hallucination or an error by the AI.

0:39:58.760 --> 0:40:03.400
<v Speaker 4>That's interesting, I would say, I mean, say something positive

0:40:03.440 --> 0:40:06.279
<v Speaker 4>about these ais. I think probably it would be able

0:40:06.320 --> 0:40:07.920
<v Speaker 4>to do that, because remember, all us doing is a

0:40:07.960 --> 0:40:11.439
<v Speaker 4>statistical game of saying, Okay, what's the most probable thing

0:40:11.520 --> 0:40:14.920
<v Speaker 4>to come next, and you can turn up the temperature

0:40:14.960 --> 0:40:17.680
<v Speaker 4>on it so that it does things that are increasingly

0:40:17.800 --> 0:40:23.279
<v Speaker 4>less probable but somehow makes sense. I had not thought

0:40:23.280 --> 0:40:26.320
<v Speaker 4>about that, But I think these things might be great

0:40:26.600 --> 0:40:30.880
<v Speaker 4>at making really good metaphors that are surprising, because one

0:40:30.920 --> 0:40:32.400
<v Speaker 4>of the things that authors have to deal with all

0:40:32.440 --> 0:40:36.760
<v Speaker 4>the time is that they recycle metaphors and it's totally

0:40:36.960 --> 0:40:39.560
<v Speaker 4>you know, a soporific to the reader. It puts them

0:40:39.560 --> 0:40:43.560
<v Speaker 4>to sleep. But a good author I was just reading

0:40:44.160 --> 0:40:47.560
<v Speaker 4>the other day. It was name Frank Herbert who in

0:40:47.640 --> 0:40:52.920
<v Speaker 4>Dune he said something about the waves throwing white robes

0:40:53.040 --> 0:40:55.880
<v Speaker 4>over the rocks. That's how he was describing the foam

0:40:55.960 --> 0:40:58.520
<v Speaker 4>hitting the rocks, which is beautiful because it wakes you

0:40:58.600 --> 0:41:00.279
<v Speaker 4>up in that moment you think, oh, what a nice

0:41:00.280 --> 0:41:03.439
<v Speaker 4>way of describing that. But if one of these large

0:41:03.520 --> 0:41:06.480
<v Speaker 4>language models simply says, hey, I want to make something

0:41:06.520 --> 0:41:10.600
<v Speaker 4>not the most probable thing, but less probable, less probable,

0:41:10.760 --> 0:41:12.680
<v Speaker 4>I'll bet it could come up with really good stuff

0:41:12.719 --> 0:41:15.400
<v Speaker 4>like that that no human author has yet tried. Let

0:41:15.480 --> 0:41:19.120
<v Speaker 4>me just give it one example, which is when Alpha

0:41:19.200 --> 0:41:24.320
<v Speaker 4>Go beat le so Dole, the Go champion back and

0:41:24.360 --> 0:41:27.800
<v Speaker 4>so I think twenty seventeen. You know, here's the best

0:41:27.880 --> 0:41:29.560
<v Speaker 4>human in the world of playing the game of Go,

0:41:30.680 --> 0:41:34.840
<v Speaker 4>and the AI program beats him, and everybody sort of

0:41:34.880 --> 0:41:36.839
<v Speaker 4>watched that and thought, wow, wow, that's the end of that.

0:41:37.440 --> 0:41:39.680
<v Speaker 4>But the most interesting part of the story was what

0:41:39.719 --> 0:41:44.600
<v Speaker 4>happened next, which is le Sodole ended up then playing

0:41:45.239 --> 0:41:53.080
<v Speaker 4>against his his human opponents and took on different sorts

0:41:53.080 --> 0:41:55.879
<v Speaker 4>of moves that he had seen Alpha Go play that

0:41:55.960 --> 0:41:59.120
<v Speaker 4>no human had played before, like it was just doing

0:41:59.160 --> 0:42:01.680
<v Speaker 4>these weird things that were totally in the rules. They

0:42:01.680 --> 0:42:04.320
<v Speaker 4>were legal, but no one had thought of doing it before.

0:42:04.360 --> 0:42:08.560
<v Speaker 4>So now he started doing this and started beating his

0:42:08.719 --> 0:42:12.120
<v Speaker 4>human opponents at a much higher rate. So the point

0:42:12.239 --> 0:42:14.600
<v Speaker 4>is we can learn from AI, and I think there's

0:42:14.640 --> 0:42:18.000
<v Speaker 4>going to be this really interesting collaboration that happens into

0:42:18.040 --> 0:42:21.319
<v Speaker 4>the future where we see new things happening and in

0:42:21.360 --> 0:42:24.080
<v Speaker 4>this case, new metaphors that come out in literature and

0:42:24.160 --> 0:42:26.000
<v Speaker 4>we think, wow, I would have never thought of that one,

0:42:26.080 --> 0:42:29.320
<v Speaker 4>and then we can use them.

0:42:29.480 --> 0:42:32.759
<v Speaker 2>Another element of literary style, though, I think about with

0:42:33.480 --> 0:42:38.839
<v Speaker 2>Generative AI is the role of insight in writing, and

0:42:39.040 --> 0:42:42.480
<v Speaker 2>it makes me wonder what insight actually is. This is

0:42:42.520 --> 0:42:44.880
<v Speaker 2>obviously something we prize, you know, when we read a

0:42:44.920 --> 0:42:47.080
<v Speaker 2>novel that we really like and we say that it

0:42:47.239 --> 0:42:50.320
<v Speaker 2>is true, you know there's something true in it. Obviously

0:42:50.360 --> 0:42:53.279
<v Speaker 2>the story is literally fictional, it didn't happen, but it

0:42:53.680 --> 0:42:57.200
<v Speaker 2>observes something about life that we perceive as like deeply

0:42:57.280 --> 0:43:01.239
<v Speaker 2>correct and do I don't know, I would have an

0:43:01.239 --> 0:43:04.680
<v Speaker 2>intuition that says I would come across insights like that,

0:43:04.840 --> 0:43:08.000
<v Speaker 2>or things that feel like insights like that. Less in

0:43:08.160 --> 0:43:11.040
<v Speaker 2>generat in something generated by AI. I can't prove that,

0:43:11.840 --> 0:43:14.880
<v Speaker 2>but it does raise this question of what insight is.

0:43:15.560 --> 0:43:19.000
<v Speaker 4>Yeah, you know, I tell you, I think I'm signing

0:43:19.000 --> 0:43:22.640
<v Speaker 4>with the A on this one. Because what these large

0:43:22.680 --> 0:43:26.200
<v Speaker 4>language models are essentially is every human all put together.

0:43:26.560 --> 0:43:30.000
<v Speaker 4>So whatever insights people have had previously, this is all

0:43:30.040 --> 0:43:33.080
<v Speaker 4>available to the language model, and so there's no reason

0:43:33.080 --> 0:43:36.879
<v Speaker 4>that it can't put something together that's very insightful. And

0:43:36.920 --> 0:43:39.680
<v Speaker 4>it's not that it's having the insight, it's that it

0:43:39.719 --> 0:43:42.520
<v Speaker 4>gets to say, Okay, well, here's a billion people who

0:43:42.520 --> 0:43:45.960
<v Speaker 4>have written stuff down, and I've noticed that, you know

0:43:46.239 --> 0:43:48.279
<v Speaker 4>a number of these maybe two hundred of these people

0:43:48.320 --> 0:43:50.520
<v Speaker 4>have all said the same thing over here. And maybe

0:43:50.600 --> 0:43:54.520
<v Speaker 4>Joe's never read that sentence, you know, that paragraph, but

0:43:54.520 --> 0:43:57.000
<v Speaker 4>but I there's something going on over here, and it

0:43:57.040 --> 0:43:59.040
<v Speaker 4>puts it together and then you say, oh my gosh,

0:43:59.080 --> 0:44:01.839
<v Speaker 4>that was really insight because it's not a machine telling

0:44:01.840 --> 0:44:04.640
<v Speaker 4>you the story, it's a billion people telling you the story.

0:44:05.320 --> 0:44:09.200
<v Speaker 1>Now, Joe and I are actually currently doing some episodes

0:44:09.280 --> 0:44:13.000
<v Speaker 1>of our own podcast on the subject of infantile amnesia.

0:44:13.520 --> 0:44:17.200
<v Speaker 1>You know, why we don't remember our earliest childhood or

0:44:17.239 --> 0:44:21.160
<v Speaker 1>you know, infancy and birth and so forth. And and

0:44:21.560 --> 0:44:24.800
<v Speaker 1>we've heard from some listeners, as we inevitably knew we would,

0:44:25.120 --> 0:44:27.560
<v Speaker 1>who say that they do remember their birth, so they

0:44:27.600 --> 0:44:31.560
<v Speaker 1>do remember very early childhood. And we were just wondering

0:44:31.600 --> 0:44:35.440
<v Speaker 1>what your take is on people who who have that

0:44:35.520 --> 0:44:38.560
<v Speaker 1>experience or seem to have that memory. What may be

0:44:38.680 --> 0:44:39.319
<v Speaker 1>going on there?

0:44:40.040 --> 0:44:43.600
<v Speaker 4>Yeah, I mean, here's here's what we think in there.

0:44:43.760 --> 0:44:46.239
<v Speaker 4>Science generally is that, you know, memory is a is

0:44:46.280 --> 0:44:50.200
<v Speaker 4>something that unpacks slowly with time. It's a cognitive development

0:44:50.280 --> 0:44:53.399
<v Speaker 4>in some sense. And you know, as you guys know,

0:44:53.520 --> 0:44:56.200
<v Speaker 4>it's about three years old for girls and three and

0:44:56.200 --> 0:44:58.239
<v Speaker 4>a half years old for boys that they start laying

0:44:58.239 --> 0:45:01.239
<v Speaker 4>down their first memories. Here's the interesting thing. Memory is

0:45:01.320 --> 0:45:05.600
<v Speaker 4>a myth making machine, and we're constantly reinventing our past.

0:45:05.920 --> 0:45:10.719
<v Speaker 4>And so one of the difficult things to assess when

0:45:10.719 --> 0:45:14.319
<v Speaker 4>someone says, hey, I remember whatever being born or being

0:45:14.320 --> 0:45:17.319
<v Speaker 4>one years old, is it's really difficult to know the

0:45:17.400 --> 0:45:21.040
<v Speaker 4>degree to which they think that's true. But it's not

0:45:21.080 --> 0:45:23.879
<v Speaker 4>true because we're all told stories by our parents of oh,

0:45:23.960 --> 0:45:25.880
<v Speaker 4>and you were an infant, you did this hilarious thing

0:45:25.920 --> 0:45:27.759
<v Speaker 4>and blah blah blah, and you hear the story once

0:45:27.840 --> 0:45:31.319
<v Speaker 4>or twice, and eventually it becomes a false memory. So

0:45:32.680 --> 0:45:35.640
<v Speaker 4>I think it's very difficult to know to be able

0:45:35.719 --> 0:45:38.680
<v Speaker 4>to tell this sort of thing. And of course for

0:45:38.800 --> 0:45:43.800
<v Speaker 4>someone who has a memory, it's very difficult to tell them, Hey,

0:45:43.960 --> 0:45:47.400
<v Speaker 4>that might be false and you just think you remember that.

0:45:47.400 --> 0:45:51.120
<v Speaker 4>That makes people angry. But you know, the truth is,

0:45:51.160 --> 0:45:54.000
<v Speaker 4>this kind of stuff comes up all the time in

0:45:54.080 --> 0:45:57.680
<v Speaker 4>courts of law, in the realm of eyewitness testimony, because

0:45:58.840 --> 0:46:01.920
<v Speaker 4>people think that they're memories are like a video recorder,

0:46:01.960 --> 0:46:07.799
<v Speaker 4>and they're simply not. There's a giant psychology literature on

0:46:07.880 --> 0:46:12.080
<v Speaker 4>this showing all kinds of ways that things get false,

0:46:12.160 --> 0:46:15.000
<v Speaker 4>memories get introduced, and so on. You know, a colleague

0:46:15.000 --> 0:46:19.240
<v Speaker 4>of mine did a really great study right after September eleventh,

0:46:19.239 --> 0:46:22.040
<v Speaker 4>two thousand and one. She was in New York, and

0:46:22.200 --> 0:46:26.760
<v Speaker 4>she went and interviewed a bunch of people in downtown

0:46:26.800 --> 0:46:29.480
<v Speaker 4>in Midtown, New York about what they had just seen

0:46:30.200 --> 0:46:32.880
<v Speaker 4>on September eleventh, and then she was clever enough to

0:46:33.080 --> 0:46:36.400
<v Speaker 4>also ask them to describe a memory from September tenth,

0:46:36.920 --> 0:46:39.160
<v Speaker 4>the day before, like lunch here, and I did this,

0:46:39.239 --> 0:46:41.120
<v Speaker 4>and I did that, And then she went and tracked

0:46:41.120 --> 0:46:44.919
<v Speaker 4>all these people down a year later and asked them

0:46:44.920 --> 0:46:47.960
<v Speaker 4>to tell their memories again about September eleventh, September tenth,

0:46:48.160 --> 0:46:50.480
<v Speaker 4>of the year before, and it turns out that in

0:46:50.520 --> 0:46:53.719
<v Speaker 4>both cases the memories drifted. So this comes back to

0:46:53.760 --> 0:46:56.680
<v Speaker 4>the beginning of our conversation. Even Amigdala memories, even the

0:46:56.680 --> 0:46:59.360
<v Speaker 4>scariest memories that you have, it doesn't mean they're accurate.

0:47:00.120 --> 0:47:03.680
<v Speaker 4>And so I mean, especially it doesn't surprise me about

0:47:03.680 --> 0:47:06.480
<v Speaker 4>September eleventh, because especially the more you tell a story,

0:47:06.800 --> 0:47:09.520
<v Speaker 4>the more you start laying down these ruts in the road,

0:47:10.040 --> 0:47:13.359
<v Speaker 4>and that becomes the story that becomes the truth. And

0:47:13.800 --> 0:47:15.680
<v Speaker 4>you know, we've all run into these things in our

0:47:15.719 --> 0:47:18.520
<v Speaker 4>life where someone suddenly shows us a photograph or something

0:47:18.560 --> 0:47:20.239
<v Speaker 4>that says, wait, that's not my memory. Look here's the

0:47:20.280 --> 0:47:22.680
<v Speaker 4>thing here, and you go, oh, gosh, I had actually

0:47:22.719 --> 0:47:25.520
<v Speaker 4>misremembered that that thing that happened, or where I was

0:47:25.560 --> 0:47:28.520
<v Speaker 4>standing or what I was doing. Anyway, So this is

0:47:28.560 --> 0:47:32.960
<v Speaker 4>the concern when people say, oh, I remember whatever being

0:47:33.000 --> 0:47:34.920
<v Speaker 4>born or this event when I was really young, is

0:47:34.920 --> 0:47:38.760
<v Speaker 4>that we know how easy it is to believe memories

0:47:38.800 --> 0:47:39.399
<v Speaker 4>that are not true.

0:47:40.400 --> 0:47:42.560
<v Speaker 2>Now correct me if I'm wrong, But I think I

0:47:42.600 --> 0:47:45.680
<v Speaker 2>recall reading that. In some of these cases with the

0:47:45.920 --> 0:47:50.200
<v Speaker 2>like where there's a big public event and people remember you,

0:47:50.320 --> 0:47:52.920
<v Speaker 2>people are like asked to write down their experiences that day,

0:47:52.960 --> 0:47:56.319
<v Speaker 2>and then the researchers contact them again later and have

0:47:56.440 --> 0:47:58.280
<v Speaker 2>them try it again. You say, what do you remember

0:47:58.320 --> 0:48:00.759
<v Speaker 2>about that day? Not only do they often get details wrong,

0:48:00.840 --> 0:48:03.480
<v Speaker 2>but don't they often insist that the way they remember

0:48:03.520 --> 0:48:06.080
<v Speaker 2>it now is correct and what they wrote at the

0:48:06.080 --> 0:48:06.880
<v Speaker 2>time was wrong.

0:48:07.840 --> 0:48:11.839
<v Speaker 4>Exactly. That's exactly right, Yeah, because it's so hard to

0:48:11.880 --> 0:48:14.719
<v Speaker 4>disbelieve our own memories about things. You know, this is

0:48:14.760 --> 0:48:17.680
<v Speaker 4>obviously at the heart of lots of spousal arguments too.

0:48:17.840 --> 0:48:20.360
<v Speaker 4>You know, you have two brains, you have two different

0:48:20.360 --> 0:48:25.719
<v Speaker 4>ways of remembering what precisely happened. Yes, that's exactly right.

0:48:26.600 --> 0:48:28.640
<v Speaker 1>All right, Well, you already mentioned that you have the

0:48:28.680 --> 0:48:32.880
<v Speaker 1>episode coming up about AI creativity. I'm definitely excited to

0:48:32.960 --> 0:48:35.080
<v Speaker 1>check that one out. Is there anything else you want

0:48:35.120 --> 0:48:38.360
<v Speaker 1>to tease out for listeners what else they can expect

0:48:38.360 --> 0:48:41.280
<v Speaker 1>from future episodes of Inner Cosmos? Yeah?

0:48:41.320 --> 0:48:43.560
<v Speaker 4>Well, okay, so my next one after that is going

0:48:43.640 --> 0:48:47.040
<v Speaker 4>to be is a I sentient Because you know, this

0:48:47.120 --> 0:48:49.840
<v Speaker 4>is a big question now as these models get larger

0:48:49.840 --> 0:48:52.720
<v Speaker 4>and larger, and things are moving at an extraordinary pace. Now,

0:48:53.040 --> 0:48:55.160
<v Speaker 4>what does sentients mean? And this is related to the

0:48:55.239 --> 0:48:58.000
<v Speaker 4>question you asked me Rob about consciousness and so on.

0:48:58.239 --> 0:49:01.800
<v Speaker 4>So I think this actually gives an interesting tool into

0:49:02.080 --> 0:49:05.080
<v Speaker 4>studying consciousness that we haven't had before. But I have

0:49:05.160 --> 0:49:10.520
<v Speaker 4>other episodes about my One after that is about counterfeiting

0:49:10.719 --> 0:49:13.839
<v Speaker 4>money and what it is that we notice about counterfeits

0:49:14.360 --> 0:49:19.120
<v Speaker 4>or we do not. I have an episode on will

0:49:19.200 --> 0:49:23.160
<v Speaker 4>you perceive the event that kills you? And I find

0:49:23.440 --> 0:49:25.319
<v Speaker 4>this is just a topic I've been thinking about for

0:49:25.360 --> 0:49:27.120
<v Speaker 4>a long time and have put together a lot of

0:49:27.120 --> 0:49:31.839
<v Speaker 4>work on this about you know, if suddenly something, let's

0:49:31.880 --> 0:49:35.120
<v Speaker 4>say that the brick from the pedestrian bridge over the

0:49:35.160 --> 0:49:38.040
<v Speaker 4>highway fell on your head when you were in a convertible,

0:49:38.239 --> 0:49:42.000
<v Speaker 4>The question is, would you perceive dying or would you

0:49:42.080 --> 0:49:44.799
<v Speaker 4>be dead before you knew anything happen? And what does

0:49:44.880 --> 0:49:46.520
<v Speaker 4>that look like? Does it look like you know, suddenly

0:49:46.520 --> 0:49:50.239
<v Speaker 4>the footage just ends but there's no pain, stuff like that.

0:49:51.320 --> 0:49:54.399
<v Speaker 4>So I have lots and lots of episodes. Can we

0:49:54.440 --> 0:49:57.680
<v Speaker 4>create new senses for humans? Which is a big part

0:49:57.680 --> 0:49:59.320
<v Speaker 4>of what I've been doing over the last eight years

0:49:59.320 --> 0:50:04.880
<v Speaker 4>with company that I run called Neosensory. Yeah, and I

0:50:04.960 --> 0:50:08.480
<v Speaker 4>have forty six episodes this year, all of which I've outlined,

0:50:09.000 --> 0:50:12.520
<v Speaker 4>and then it's just a matter of spending the twelve

0:50:12.520 --> 0:50:15.319
<v Speaker 4>hours per week of writing the hour long monologue.

0:50:15.800 --> 0:50:19.920
<v Speaker 1>Awesome, it sounds exciting. I'm excited to check out more episodes.

0:50:20.560 --> 0:50:24.160
<v Speaker 4>Great. Thank you guys so much for having me. It's

0:50:24.200 --> 0:50:25.319
<v Speaker 4>been a pleasure to see all.

0:50:25.520 --> 0:50:28.520
<v Speaker 1>Yeah, thanks for coming on the show.

0:50:29.280 --> 0:50:31.640
<v Speaker 2>All right, well that was our conversation with David Eagleman.

0:50:32.000 --> 0:50:35.040
<v Speaker 2>Once again, much appreciation to David for taking the time

0:50:35.080 --> 0:50:37.600
<v Speaker 2>to chat with us today. If you want to check

0:50:37.600 --> 0:50:40.000
<v Speaker 2>out his new show, and we do recommend it once again,

0:50:40.080 --> 0:50:43.279
<v Speaker 2>it is called Inner Cosmos with David Eagleman. You can

0:50:43.320 --> 0:50:45.919
<v Speaker 2>find it on the iHeart app or wherever you get

0:50:45.920 --> 0:50:47.200
<v Speaker 2>your podcasts.

0:50:47.280 --> 0:50:49.759
<v Speaker 1>Just a reminder that's Stuff to Blow Your Mind is

0:50:49.880 --> 0:50:53.719
<v Speaker 1>a science podcast with core episodes on Tuesdays and Thursdays

0:50:53.719 --> 0:50:56.640
<v Speaker 1>in the Stuff to Blow your Mind podcast feed. On

0:50:56.680 --> 0:50:59.360
<v Speaker 1>Mondays we do listener mail episodes. On Wednesdays we do

0:50:59.360 --> 0:51:01.640
<v Speaker 1>a short form artifact or monster fack episode, and on

0:51:01.680 --> 0:51:03.719
<v Speaker 1>Fridays we set aside most serious concerns to just talk

0:51:03.719 --> 0:51:06.120
<v Speaker 1>about a weird film on Weird House Cinema.

0:51:06.360 --> 0:51:09.480
<v Speaker 2>Huge thanks to our audio producer JJ Posway. If you

0:51:09.480 --> 0:51:11.440
<v Speaker 2>would like to get in touch with us with feedback

0:51:11.480 --> 0:51:13.760
<v Speaker 2>on this episode or any other, to suggest a topic

0:51:13.800 --> 0:51:16.000
<v Speaker 2>for the future, or just to say hello, you can

0:51:16.040 --> 0:51:18.840
<v Speaker 2>email us at contact at stuff to Blow your Mind

0:51:18.960 --> 0:51:26.839
<v Speaker 2>dot com.

0:51:26.880 --> 0:51:29.840
<v Speaker 3>Stuff to Blow Your Mind is production of iHeartRadio. For

0:51:29.920 --> 0:51:32.720
<v Speaker 3>more podcasts from my Heart Radio, visit the iHeartRadio app,

0:51:32.840 --> 0:51:48.680
<v Speaker 3>Apple Podcasts, or wherever you're listening to your favorite shows.