1 00:00:00,080 --> 00:00:06,320 Speaker 1: Gettinking, Oh glore, holy spirit, I did not know you 2 00:00:06,360 --> 00:00:09,760 Speaker 1: were here. We've been in the studio together for the 3 00:00:09,840 --> 00:00:12,040 Speaker 1: last twenty minutes. I've been prepping you for the show. 4 00:00:13,280 --> 00:00:17,240 Speaker 1: What I swear, I did not even hear you talk. 5 00:00:18,079 --> 00:00:21,920 Speaker 1: All I've been doing is talking when this whole time 6 00:00:21,960 --> 00:00:25,239 Speaker 1: I just counted you down to start recording this episode. Okay, well, 7 00:00:25,280 --> 00:00:28,440 Speaker 1: I am so happy you are here because some paranormal 8 00:00:28,520 --> 00:00:33,000 Speaker 1: activity is happening in the studio today. Like what, these 9 00:00:33,000 --> 00:00:36,440 Speaker 1: headphones just appeared on my head. I did not put 10 00:00:36,479 --> 00:00:40,120 Speaker 1: them on. I put them on you. And fifteen minutes ago, 11 00:00:40,400 --> 00:00:43,000 Speaker 1: I thought, I want warm vinegar water, and then it 12 00:00:43,080 --> 00:00:46,880 Speaker 1: just a bird. You actually shouted I want warm vinegar water. 13 00:00:47,080 --> 00:00:50,080 Speaker 1: So then I brought you some. What about when my 14 00:00:50,159 --> 00:00:54,080 Speaker 1: stomach growled? Who did that? Your stomach did? You must 15 00:00:54,120 --> 00:00:56,400 Speaker 1: be hungry? But wait, wait, wait, I also saw a 16 00:00:56,480 --> 00:01:02,640 Speaker 1: ghost through that glass, the most beautiful translution woman or 17 00:01:02,760 --> 00:01:05,399 Speaker 1: in a big nest of twigs on her head and 18 00:01:05,440 --> 00:01:09,360 Speaker 1: her life snake around her shoulder like Britney Spear. That's 19 00:01:09,360 --> 00:01:15,440 Speaker 1: your literal reflection right now. Where the snake come from? 20 00:01:15,560 --> 00:01:18,200 Speaker 1: I don't know you came into the studio today, announcing 21 00:01:18,240 --> 00:01:22,080 Speaker 1: I found my snake. Yes, yes, yes, yes, es yes, 22 00:01:23,040 --> 00:01:26,880 Speaker 1: I forgot I found my snake. This is Claudia. She 23 00:01:26,920 --> 00:01:29,920 Speaker 1: has been missing in my house for months. I keep forgetting. 24 00:01:29,959 --> 00:01:31,640 Speaker 1: I found her in the middle of the night when 25 00:01:31,640 --> 00:01:36,160 Speaker 1: I woke up for night lunch. Claudia. But wouldn't you 26 00:01:36,240 --> 00:01:39,760 Speaker 1: feel the weight of her on you? I mean, Claudia 27 00:01:39,760 --> 00:01:43,119 Speaker 1: has got away what at least twenty pounds. I really 28 00:01:43,160 --> 00:01:46,080 Speaker 1: don't know anything about pounds, Clark, and I don't care 29 00:01:46,120 --> 00:01:49,240 Speaker 1: to learn. That seems like a super strong opinion about 30 00:01:49,240 --> 00:01:53,760 Speaker 1: a really non controversial topic. To pound is violence, and 31 00:01:53,960 --> 00:01:58,280 Speaker 1: violence is never the answer, except at times when it's 32 00:01:58,320 --> 00:02:02,200 Speaker 1: the only answer, like during sloping season, when the community 33 00:02:02,240 --> 00:02:05,919 Speaker 1: collectively beats up the strongest members to teach them humility. 34 00:02:06,200 --> 00:02:10,960 Speaker 1: It's tradition. I meant pounds as in weights like ms. Yeah, 35 00:02:11,000 --> 00:02:14,960 Speaker 1: I'm operating on such a divide frequency that I don't 36 00:02:15,280 --> 00:02:20,800 Speaker 1: feel weight, kind of like how I literally don't see money. See, 37 00:02:20,840 --> 00:02:24,600 Speaker 1: I have a body, but most of the time I'm 38 00:02:24,639 --> 00:02:27,919 Speaker 1: not even in it, you know. My spirit is like 39 00:02:28,760 --> 00:02:33,440 Speaker 1: usually wherever the dollar Lama is, my spirits talks to 40 00:02:33,480 --> 00:02:35,959 Speaker 1: Dolla Lama. He could be in a temple. He could 41 00:02:35,960 --> 00:02:38,160 Speaker 1: be in a toilet. My spirit is like always right 42 00:02:38,240 --> 00:02:40,760 Speaker 1: next to each face. So you're saying, most of the 43 00:02:40,840 --> 00:02:44,880 Speaker 1: time you're having an outer body experience. Sometimes, Clara, I'm 44 00:02:44,919 --> 00:02:47,679 Speaker 1: talking and I don't even know who's at the wheel here. 45 00:02:48,240 --> 00:02:50,320 Speaker 1: It's really helpful for me to know that because sometimes 46 00:02:50,360 --> 00:02:55,519 Speaker 1: I feel like, Shoot, Clore, something is interrupting you. It's 47 00:02:55,560 --> 00:03:02,440 Speaker 1: not me. Listen, it's the show theme song. The show 48 00:03:02,560 --> 00:03:07,200 Speaker 1: is just starting itself. Bla, this is so bara normal. 49 00:03:07,919 --> 00:03:10,520 Speaker 1: Please don't touch any of these buttons. You don't know 50 00:03:10,560 --> 00:03:13,880 Speaker 1: what they do. Contin don't you just wear I'm not 51 00:03:13,960 --> 00:03:17,600 Speaker 1: doing this. I see your hand moving, but I'm not 52 00:03:17,720 --> 00:03:23,040 Speaker 1: the one moving it. Clar, welcome to these this is 53 00:03:26,000 --> 00:03:41,160 Speaker 1: cuttinga is miss this isn't so welcome to me collective. Shoot, 54 00:03:41,760 --> 00:03:45,280 Speaker 1: we have to be really careful today. The studio seems 55 00:03:45,320 --> 00:03:49,720 Speaker 1: to be completely haunted by entities. You think pic tech 56 00:03:49,880 --> 00:03:52,840 Speaker 1: is buying on us. There's nothing compared to Big Ghost. 57 00:03:53,280 --> 00:03:56,440 Speaker 1: And that's not an industry. It's just a really huge ghost. 58 00:03:56,480 --> 00:04:01,880 Speaker 1: That medium's called big Ghost. He's sound norsy spy on everybody. 59 00:04:01,960 --> 00:04:04,600 Speaker 1: And what timing Because the topic of today's show is 60 00:04:04,640 --> 00:04:08,640 Speaker 1: the metaphysical realm and paranormal mysteries. But before we get 61 00:04:08,680 --> 00:04:12,040 Speaker 1: into that, how are you here? And are you okay? Katinka? 62 00:04:12,120 --> 00:04:14,000 Speaker 1: Like I really thought you were going to jail after 63 00:04:14,040 --> 00:04:18,080 Speaker 1: the police took you down to the precinct. Yeah. I 64 00:04:18,120 --> 00:04:21,760 Speaker 1: told the police every single day, tell about killing Jeff 65 00:04:21,800 --> 00:04:24,479 Speaker 1: the stockbroker while I was hooked up to a polygraph. 66 00:04:24,839 --> 00:04:28,120 Speaker 1: But it must have been broken because it told them 67 00:04:28,120 --> 00:04:32,440 Speaker 1: I was lying about literally everything. Oh well, I guess 68 00:04:32,480 --> 00:04:36,520 Speaker 1: that's good. Yeah, so then let me go on account 69 00:04:36,560 --> 00:04:41,520 Speaker 1: of all my accusations about myself apparently being false. Well, 70 00:04:41,560 --> 00:04:45,560 Speaker 1: I'm glad you're okay. So you believe the studio is 71 00:04:46,040 --> 00:04:51,120 Speaker 1: haunted them Bookers, things are happening here. Get a lot 72 00:04:51,160 --> 00:04:55,120 Speaker 1: of this. I wasn't even touching my computer for a 73 00:04:55,160 --> 00:04:59,839 Speaker 1: full ten minutes, and suddenly it josh went black like 74 00:05:00,000 --> 00:05:04,479 Speaker 1: a ghost blue, which lights out. That's just what happens 75 00:05:04,480 --> 00:05:07,360 Speaker 1: when a computer falls asleep due to inactivity. It's designed 76 00:05:07,400 --> 00:05:11,039 Speaker 1: to do that. Of course, they've jobs since when you 77 00:05:11,080 --> 00:05:14,479 Speaker 1: know so much about computer's clare, I think it's just 78 00:05:14,720 --> 00:05:20,039 Speaker 1: common knowledge. No clar no, no, no, your soul is 79 00:05:20,080 --> 00:05:24,560 Speaker 1: as young as the latest Apple operating system. Common knowledge 80 00:05:25,160 --> 00:05:29,000 Speaker 1: is stuff like the rarest thing that happens the most 81 00:05:29,040 --> 00:05:33,520 Speaker 1: often is supermans or follow the biggest bird you see 82 00:05:33,600 --> 00:05:37,960 Speaker 1: when you're lost. Stuff like that ancient wisdom, not computer stuff. 83 00:05:38,800 --> 00:05:43,320 Speaker 1: I've never heard either of those. What about make the 84 00:05:43,320 --> 00:05:46,040 Speaker 1: tree feel alive with a kiss before you kill it 85 00:05:46,040 --> 00:05:50,560 Speaker 1: with a saw? Or this one? Don't own any earthly 86 00:05:50,640 --> 00:05:53,800 Speaker 1: possession longer than the length you can throw a fruit? 87 00:05:54,560 --> 00:05:59,520 Speaker 1: What the basics, Clore, I'll say more now, how about these? One? 88 00:06:00,680 --> 00:06:04,400 Speaker 1: Don't grow higher than your parents heights combined. You can't 89 00:06:04,440 --> 00:06:06,760 Speaker 1: control that. Plus, I don't think that's even in the 90 00:06:06,760 --> 00:06:12,159 Speaker 1: realm of possibility. Here's a classic. The wise man eats 91 00:06:12,240 --> 00:06:15,880 Speaker 1: the small bread when he hungers, but the fool is 92 00:06:16,000 --> 00:06:24,880 Speaker 1: the big mustard. Yeah, I don't recognize any of these. Oh, Clar, 93 00:06:25,040 --> 00:06:30,760 Speaker 1: did you hear that? Now? What the silence? Did I 94 00:06:30,800 --> 00:06:34,560 Speaker 1: hear the silence? It was so quiet, Glar that it 95 00:06:34,680 --> 00:06:39,040 Speaker 1: made me jump. Yeah, I saw that. Shoot. He's so 96 00:06:39,320 --> 00:06:42,840 Speaker 1: unusual not to be hearing my own voice. How can 97 00:06:42,960 --> 00:06:47,120 Speaker 1: anybody explain me not talking? It is actually hard to 98 00:06:47,200 --> 00:06:50,680 Speaker 1: imagine you choosing not to talk. I'm telling you. The 99 00:06:50,760 --> 00:06:53,599 Speaker 1: veil between the living and the dead is thin to 100 00:06:53,680 --> 00:06:58,200 Speaker 1: dey Clar, isn't it It? Does feel different today. Okay, stop, 101 00:06:58,240 --> 00:07:00,320 Speaker 1: don't get too confident. You can't feel it. I can 102 00:07:00,400 --> 00:07:03,400 Speaker 1: feel it. Oh, I'm sure I can't. Have you ever 103 00:07:03,440 --> 00:07:07,200 Speaker 1: seen a ghost? Katinka? Honestly, Laura, my answer to this 104 00:07:07,320 --> 00:07:11,880 Speaker 1: question it's a spicy hottake. Okay, say no more. We're 105 00:07:11,880 --> 00:07:17,160 Speaker 1: already getting incensed, So give me the heresy of the day, Katsinka, 106 00:07:18,960 --> 00:07:23,520 Speaker 1: to answer your question, you've never seen a ghost. Here's 107 00:07:23,560 --> 00:07:28,120 Speaker 1: the shocking part. People are usually afraid of ghosts. But 108 00:07:28,280 --> 00:07:32,320 Speaker 1: the reason I haven't seen one is because ghosts are 109 00:07:32,400 --> 00:07:37,320 Speaker 1: afraid of me. So you're saying you're not afraid of ghosts, 110 00:07:37,320 --> 00:07:41,640 Speaker 1: even though you've been screaming all episode. I'm not screaming 111 00:07:41,640 --> 00:07:45,560 Speaker 1: of your Clara. I screamed because the paranormal energies I'm 112 00:07:45,560 --> 00:07:50,400 Speaker 1: feeling are nearly or gosmic. Oh, so, why do you 113 00:07:50,400 --> 00:07:53,960 Speaker 1: think ghosts are afraid of you? They're exactly like you, Clara, 114 00:07:54,200 --> 00:08:02,320 Speaker 1: afraid of my power. That's not uh okay. Ghost are 115 00:08:02,400 --> 00:08:06,840 Speaker 1: kind of like men, you know, intimidated by confiding powerful 116 00:08:06,960 --> 00:08:10,880 Speaker 1: women like I actually scheduled a meeting with the ghost 117 00:08:10,960 --> 00:08:14,520 Speaker 1: once and the ghost was a no show. Aren't ghosts 118 00:08:14,600 --> 00:08:19,600 Speaker 1: by definition no shows? No? The ghost wasn't even there invisibly. 119 00:08:20,280 --> 00:08:22,920 Speaker 1: It probably got a glimpse of me, like thirty feet 120 00:08:22,960 --> 00:08:26,040 Speaker 1: away from the restaurant. Gosh scared and then stood me up. 121 00:08:26,840 --> 00:08:29,840 Speaker 1: You were meeting a ghost at a restaurant. Well, it 122 00:08:29,960 --> 00:08:33,840 Speaker 1: was a ghost restaurant, so it wasn't visible to the living, 123 00:08:34,240 --> 00:08:37,679 Speaker 1: but I sensed where it was. Where was it on 124 00:08:37,800 --> 00:08:42,040 Speaker 1: stage during a middle school production of Lembits? So not 125 00:08:42,280 --> 00:08:47,160 Speaker 1: that convenient? Definitely not. So why do you think ghosts hot? 126 00:08:48,080 --> 00:08:51,760 Speaker 1: I got more heartaches for your Clare. I can think, 127 00:08:51,960 --> 00:08:54,840 Speaker 1: please don't press it, please, no, don't press not even 128 00:08:54,840 --> 00:09:02,280 Speaker 1: doing this, this is just very normal activities. Clare. Mediums 129 00:09:02,320 --> 00:09:06,280 Speaker 1: always say ghost hunt because they have unfinished business. We 130 00:09:06,320 --> 00:09:10,400 Speaker 1: think that means revenge or love or grief, but we're 131 00:09:10,559 --> 00:09:18,440 Speaker 1: overthinking it. We are. Yes, unfinished business of ghosts is 132 00:09:18,880 --> 00:09:22,559 Speaker 1: literal business. It's the ghost I still have to close 133 00:09:22,679 --> 00:09:26,520 Speaker 1: that deal or finished fundraising or do that final fourth 134 00:09:26,600 --> 00:09:32,960 Speaker 1: quarter sales Bush. So ghosts are literal business people always yeah, 135 00:09:33,120 --> 00:09:36,280 Speaker 1: unless it's funny business. That's for ghosts who want to 136 00:09:36,320 --> 00:09:42,000 Speaker 1: hang around and do practical jokes. They have unfinished funny business, okay, 137 00:09:42,160 --> 00:09:46,480 Speaker 1: or last option. Each business in the sense of doing 138 00:09:46,600 --> 00:09:53,400 Speaker 1: your business if you get my drift, Clara using the restroom. Yeah, 139 00:09:53,440 --> 00:09:56,079 Speaker 1: some ghosts hang around because they still need to use 140 00:09:56,120 --> 00:10:00,520 Speaker 1: the restroom. It's crazy, but it's true. Clar Huh. I 141 00:10:00,559 --> 00:10:02,480 Speaker 1: think we might have a ghost in the studio then, 142 00:10:02,520 --> 00:10:06,560 Speaker 1: because I'm always finding the toilet not flushed. Yeah, each ghost. 143 00:10:06,720 --> 00:10:13,920 Speaker 1: No more questions, okay, Clare you know what I wish 144 00:10:13,960 --> 00:10:16,840 Speaker 1: I could do after spending an entire night talking to 145 00:10:16,920 --> 00:10:22,520 Speaker 1: the moon. What? Absolutely anything? When I get carried away 146 00:10:22,640 --> 00:10:26,520 Speaker 1: talking to the moon from nine pm until nine am, frankly, 147 00:10:26,720 --> 00:10:30,079 Speaker 1: I feel ready to die. I probably would if it 148 00:10:30,200 --> 00:10:34,559 Speaker 1: weren't for chocolate juice, the extreme drink snack. Chocolate juice 149 00:10:34,679 --> 00:10:37,480 Speaker 1: is my drink snack of Jelly's for those nights when 150 00:10:37,520 --> 00:10:39,839 Speaker 1: I give a twelve hour ted talk to the moon 151 00:10:39,880 --> 00:10:43,480 Speaker 1: about erotic napping. Do you wish you had the energy 152 00:10:43,640 --> 00:10:45,959 Speaker 1: to have dance your mule on the first day of 153 00:10:46,040 --> 00:10:49,120 Speaker 1: pental Do you wish you had the endurance to chase 154 00:10:49,200 --> 00:10:52,280 Speaker 1: the village car? Do you wish you could hear your 155 00:10:52,320 --> 00:10:55,480 Speaker 1: heart beat loudly in your ears at all times like 156 00:10:55,520 --> 00:11:00,719 Speaker 1: a metronome for daily life? Stop wishing and start chocolate 157 00:11:00,840 --> 00:11:06,680 Speaker 1: juice Ing studies show each bite of juice exponentially activates 158 00:11:06,760 --> 00:11:10,040 Speaker 1: brain power and focus so much that you might start 159 00:11:10,080 --> 00:11:13,880 Speaker 1: focusing on things that aren't even there, like twin girls 160 00:11:13,920 --> 00:11:17,959 Speaker 1: in a hallway or Patrick Syzy. Critics like the FDA 161 00:11:18,240 --> 00:11:23,040 Speaker 1: called chocolate juice strongly correlated with delusion, but I called 162 00:11:23,120 --> 00:11:27,959 Speaker 1: chocolate juice superpower in a bag. I usually drink six 163 00:11:28,040 --> 00:11:31,000 Speaker 1: bars of chocolate juice and bay and I've never had 164 00:11:31,080 --> 00:11:35,680 Speaker 1: a problem with delusions or frankly, with anything else. I've 165 00:11:35,720 --> 00:11:39,360 Speaker 1: never had a single problem in my life. It's chocolate juice. 166 00:11:39,400 --> 00:11:45,000 Speaker 1: The reason why I say guilty until proven innocent chocolate juice. 167 00:11:45,400 --> 00:11:53,120 Speaker 1: Eat the juice. I am so confused about what chocolate 168 00:11:53,200 --> 00:11:56,920 Speaker 1: juice is like do you eat it or drink it? Why? 169 00:11:57,040 --> 00:12:00,240 Speaker 1: Big one when you can do both. It's chocolate is 170 00:12:00,640 --> 00:12:04,160 Speaker 1: what is our listener question this week? Clara oh Um. 171 00:12:04,200 --> 00:12:08,280 Speaker 1: This week's question comes from Blake Cassio in Mesa, Arizona. 172 00:12:08,520 --> 00:12:11,640 Speaker 1: Blake writes, Hi, Katinka, my father died about a year 173 00:12:11,640 --> 00:12:13,960 Speaker 1: ago and we were not on the best terms. Could 174 00:12:14,000 --> 00:12:16,080 Speaker 1: you make contact with him and ask him if he 175 00:12:16,120 --> 00:12:23,120 Speaker 1: forgives me for selling the house black Blake, thank you 176 00:12:23,160 --> 00:12:26,439 Speaker 1: so much for reaching out to me. I'm so sorry 177 00:12:26,480 --> 00:12:29,559 Speaker 1: for your laws. You know, in my homeland. The way 178 00:12:29,600 --> 00:12:37,640 Speaker 1: I was saying spen jinguata drop and it translated to 179 00:12:38,440 --> 00:12:41,920 Speaker 1: that is not really a big deal. Said, just chill out, bro, 180 00:12:42,880 --> 00:12:47,120 Speaker 1: beautiful poetic kind of listen to him, and we are 181 00:12:47,160 --> 00:12:50,240 Speaker 1: going to make contact with your late father today. And hey, 182 00:12:50,320 --> 00:12:54,679 Speaker 1: don't cry. Okay, this is chill, sexy and fun. First, 183 00:12:54,720 --> 00:12:58,920 Speaker 1: clar I needed to take Claudia, oh um, okay, but 184 00:12:59,000 --> 00:13:06,240 Speaker 1: I thank you. Okay, the spirits are close today we 185 00:13:06,280 --> 00:13:10,400 Speaker 1: will find Blake's dad using my dawsing rods. So I'm 186 00:13:10,400 --> 00:13:17,440 Speaker 1: holding the rods now, okay, Spirit, show me your yes. Okay, 187 00:13:17,440 --> 00:13:23,360 Speaker 1: in the rods crossed, Now show me your no. Oh 188 00:13:23,679 --> 00:13:29,319 Speaker 1: the rods opened. Very nice. Okay. Spirit. We're hoping today 189 00:13:29,360 --> 00:13:34,320 Speaker 1: to make contact with Blocks Dad. If he's here, sent 190 00:13:34,480 --> 00:13:41,720 Speaker 1: him near Spirit. If Blocks Dad is there, send him 191 00:13:41,720 --> 00:13:48,640 Speaker 1: to the studio paging Blocks Dad in the spirit world. 192 00:13:48,840 --> 00:13:59,559 Speaker 1: Please report to my studio, Blocks Dad. Okay, okay, okay, okay, okay, okay. 193 00:13:59,559 --> 00:14:04,599 Speaker 1: Sure showed. I'm feeling someone here. I am feeling a presence, 194 00:14:05,840 --> 00:14:10,800 Speaker 1: Blocks Dad. Is that you? The rods crossed? The yes? 195 00:14:12,760 --> 00:14:15,560 Speaker 1: Blocks Dad. What is the first letter of your name? Place. 196 00:14:16,679 --> 00:14:25,160 Speaker 1: Is it a B see the A F F it 197 00:14:25,280 --> 00:14:34,680 Speaker 1: crossed on f Okay, okay, easy too, Frank Forest, Fred Finn, Floyd, 198 00:14:36,200 --> 00:14:50,360 Speaker 1: um furnace, fans flood frail forge forn forign foreign across 199 00:14:50,440 --> 00:14:55,800 Speaker 1: on forgn Okay, your name is foreign, Hello, Farn, thank 200 00:14:55,840 --> 00:14:59,840 Speaker 1: you so much for speaking with me. I'm wondering today 201 00:15:00,760 --> 00:15:03,560 Speaker 1: if you are upset with your son Block for selling 202 00:15:03,600 --> 00:15:07,360 Speaker 1: the house. He has concerned how things ended between you 203 00:15:07,520 --> 00:15:13,480 Speaker 1: before you passed, and they're seeking your forgiveness form. Do 204 00:15:13,640 --> 00:15:20,240 Speaker 1: you forgive him? Yes or now? Okay? The dashing rods 205 00:15:21,080 --> 00:15:28,200 Speaker 1: are moving right. They're neither crossing nor opening guy's weird. 206 00:15:29,000 --> 00:15:35,040 Speaker 1: They're pointing to the kitchen net. Huh huh. Okay, Clark, 207 00:15:35,200 --> 00:15:39,120 Speaker 1: follow me with the route, Mike, Police, We're moving to 208 00:15:39,240 --> 00:15:44,120 Speaker 1: the kitchenette. The rods are pointing to the fridge. Where 209 00:15:44,240 --> 00:15:49,840 Speaker 1: is form going with this? Oka, I'm following your lead form, Okay, Form, 210 00:15:50,480 --> 00:15:57,040 Speaker 1: I'm opening the fridge. What now? The rods are pointing 211 00:15:57,200 --> 00:16:02,920 Speaker 1: to bell peppers, Okay, I'll grab the peppers. Now they're 212 00:16:02,960 --> 00:16:09,240 Speaker 1: pointing to onion, grabbing the onion. Now they're pointing to beef. Okay, 213 00:16:09,440 --> 00:16:11,560 Speaker 1: I don't know where you're going with this horn. This 214 00:16:11,760 --> 00:16:16,720 Speaker 1: is so so freaky. Okay, we have chopped the better 215 00:16:16,800 --> 00:16:21,120 Speaker 1: pepper corrid, onion and beefs the meat on the counter block. 216 00:16:21,240 --> 00:16:24,600 Speaker 1: I don't know if these peppers, onions and beef means 217 00:16:24,680 --> 00:16:30,400 Speaker 1: something to you, but oh shoot, oh shoot, the rods 218 00:16:30,440 --> 00:16:33,440 Speaker 1: are pulling me to the onion and they're what what 219 00:16:34,040 --> 00:16:39,200 Speaker 1: They're stabbing through an onion quarter? Oh shoot the block. 220 00:16:39,320 --> 00:16:42,400 Speaker 1: I think he is upset. Okay, the rod is through 221 00:16:42,680 --> 00:16:45,600 Speaker 1: the onion. The onion on the rod is like a 222 00:16:45,600 --> 00:16:49,920 Speaker 1: bead on a necklace, white white weather. Okay, Now the 223 00:16:50,000 --> 00:16:55,800 Speaker 1: rods are moving to a pepper slice. Oh no, oh no, okay, 224 00:16:55,840 --> 00:16:58,960 Speaker 1: they're stabbing through the pepper slice too. Okay, I think 225 00:16:58,960 --> 00:17:02,760 Speaker 1: he's really ad block. I think he's really super mad. 226 00:17:03,440 --> 00:17:08,400 Speaker 1: Shoot okay. Now they're moving to the stew beef and 227 00:17:08,840 --> 00:17:13,800 Speaker 1: yeah he are, okay, stabbing through the stew meat. So 228 00:17:13,880 --> 00:17:18,480 Speaker 1: we've got onion, pepper beef on the rod. Now oh 229 00:17:18,520 --> 00:17:22,840 Speaker 1: shoot shoot no, And it looks like he's repeating the sequence. 230 00:17:22,880 --> 00:17:29,439 Speaker 1: Now another onion, pepper beef block. What is this? I 231 00:17:29,480 --> 00:17:35,879 Speaker 1: think he's making kebabs. Shoot shoot the Clara's right forn 232 00:17:36,080 --> 00:17:40,720 Speaker 1: is making kebobs in all my years of dousing, I 233 00:17:40,880 --> 00:17:45,440 Speaker 1: have never seen spirit communications so much like the Food Network. 234 00:17:46,000 --> 00:17:49,720 Speaker 1: But she's absolutely chilling. Um that could actually be because 235 00:17:49,760 --> 00:17:54,880 Speaker 1: you left the fridge open, forn Are you still there? 236 00:17:56,240 --> 00:18:02,080 Speaker 1: Rod's crossed the ash? Good? Okay? Form. All I can 237 00:18:02,080 --> 00:18:08,560 Speaker 1: say is bring us home here. What are the next steps? Okay? 238 00:18:08,600 --> 00:18:11,760 Speaker 1: FN is leading me to get a pen and put 239 00:18:11,800 --> 00:18:13,560 Speaker 1: it on top of the hot plate we have here 240 00:18:13,560 --> 00:18:16,800 Speaker 1: in the kitchen. That what, how does this even make sense? 241 00:18:16,880 --> 00:18:19,720 Speaker 1: Kebob is cooked in a pen. They're supposed to be 242 00:18:19,760 --> 00:18:23,119 Speaker 1: cooked on a grille. I don't I didn't know I 243 00:18:23,160 --> 00:18:28,040 Speaker 1: could be the easy Okay, Okay, So for those listening 244 00:18:28,080 --> 00:18:31,560 Speaker 1: at home, what you're gonna want to do is make 245 00:18:31,600 --> 00:18:34,800 Speaker 1: sure the pen is nice and hot medium high eight. 246 00:18:35,800 --> 00:18:40,000 Speaker 1: You want a good height oil in the pan. Form likes. 247 00:18:40,119 --> 00:18:43,800 Speaker 1: I'm hearing non GMO staff flower oil or sunflower oil too, 248 00:18:43,960 --> 00:18:51,359 Speaker 1: great options. Okay, FN is choosing safflower today. So we're 249 00:18:51,400 --> 00:18:54,560 Speaker 1: putting about two tablespoons give or take in the pen 250 00:18:55,320 --> 00:18:58,600 Speaker 1: and getting nice and hot but not smoking right before 251 00:18:58,600 --> 00:19:01,240 Speaker 1: we put our clubs in the pen. Now, this is 252 00:19:01,320 --> 00:19:04,320 Speaker 1: super important because we don't want the beef to dry 253 00:19:04,320 --> 00:19:06,720 Speaker 1: out cooking on a lower temperature while the pen is 254 00:19:06,760 --> 00:19:10,040 Speaker 1: still heating up. Right, So if we put them in 255 00:19:10,359 --> 00:19:13,760 Speaker 1: once the oil is already hot, it's going to share 256 00:19:13,800 --> 00:19:16,639 Speaker 1: the beef nicely and keep it tender and jicy on 257 00:19:16,680 --> 00:19:21,200 Speaker 1: the insides. So while the pen is eating up, we're 258 00:19:21,200 --> 00:19:23,800 Speaker 1: gonna cause season these kebabs to really make the flavored 259 00:19:23,800 --> 00:19:29,280 Speaker 1: pop form likes chappell like powder Papericka, shalt, of course, 260 00:19:29,680 --> 00:19:33,439 Speaker 1: and are you ready for this, honey? It gives the 261 00:19:33,440 --> 00:19:38,320 Speaker 1: cabab a really tasty carmalization and a nice crasp. Now 262 00:19:38,359 --> 00:19:42,119 Speaker 1: that our cobobs are seasoned, the pen should be ready. 263 00:19:42,320 --> 00:19:46,640 Speaker 1: So generally lower the kebabs into the oil and get 264 00:19:46,680 --> 00:19:49,280 Speaker 1: ready because this is gonna cook faster. Then you can 265 00:19:49,280 --> 00:19:54,560 Speaker 1: say Papa daily. Hey, don't get too excited, Form says, 266 00:19:54,640 --> 00:20:00,280 Speaker 1: homemade pasta is for next week, one recipe at a time. Okay, born, 267 00:20:00,480 --> 00:20:06,440 Speaker 1: our eyes are bigger than our stomachs, right, collective? Okay, Mmm, 268 00:20:07,280 --> 00:20:12,679 Speaker 1: starting to smell really good now. Now, because the skewers 269 00:20:12,720 --> 00:20:16,879 Speaker 1: we're using our copper dousing rods, they're going to be 270 00:20:17,080 --> 00:20:20,159 Speaker 1: very hot to touch, so definitely use an oven mit 271 00:20:20,320 --> 00:20:23,320 Speaker 1: to rotate the skiller so the kebab is resting now 272 00:20:23,359 --> 00:20:27,320 Speaker 1: on the less cooked side. Very good, and we're gonna 273 00:20:27,400 --> 00:20:30,720 Speaker 1: let this cook for just another minute. You know, this 274 00:20:30,840 --> 00:20:33,160 Speaker 1: is one of those recipes that Forn would whip up 275 00:20:33,200 --> 00:20:36,960 Speaker 1: as an easy week night dinner or dinner to impress guests. 276 00:20:37,359 --> 00:20:40,280 Speaker 1: It's just one of those dishes that can really step 277 00:20:40,400 --> 00:20:43,960 Speaker 1: up and be whatever meal you need. Okay, so that 278 00:20:43,960 --> 00:20:48,879 Speaker 1: should be caramelizing nicely. Now with your Ovenmit, take the 279 00:20:49,000 --> 00:20:52,920 Speaker 1: skiller off the heat, turn off the stove, and let 280 00:20:52,920 --> 00:20:55,960 Speaker 1: it cool on a plate. Now. Forn likes to finish 281 00:20:56,080 --> 00:20:59,720 Speaker 1: Ditch with squeeze of lemon over the kebabs because op 282 00:20:59,880 --> 00:21:04,640 Speaker 1: a acid really wakes up the flavors and collective. That's it. 283 00:21:05,640 --> 00:21:09,760 Speaker 1: Let it cool if you can, and then dig in. Honestly, 284 00:21:09,840 --> 00:21:16,800 Speaker 1: I can't wait. I'm drooling. I gotta take a bite. 285 00:21:17,560 --> 00:21:24,760 Speaker 1: Mm hmm. Absolutely divine. M I don't know how foreign 286 00:21:24,880 --> 00:21:29,439 Speaker 1: does it. It's delicious. Clark, you gotta try these. Um, 287 00:21:29,440 --> 00:21:36,560 Speaker 1: Maybe you should ask form about Blake's question again? Oh shoot, shoot, right, 288 00:21:36,840 --> 00:21:40,160 Speaker 1: I didn't want to circle back to that. Okay, I'm 289 00:21:40,240 --> 00:21:46,639 Speaker 1: using the dawsing rods again, even though they are Gobob's. Now, So, Forn, 290 00:21:47,480 --> 00:21:52,800 Speaker 1: are you still with us? Yes? Yes, he is do 291 00:21:53,000 --> 00:22:04,359 Speaker 1: you forgive block for selling the house or form? Okay? 292 00:22:04,359 --> 00:22:13,119 Speaker 1: Form left so Block? Hey, buddy said that that maybe 293 00:22:13,080 --> 00:22:16,080 Speaker 1: it wasn't the message you wanted from your dad, but 294 00:22:16,240 --> 00:22:19,520 Speaker 1: I can assure you it was the message you needed. 295 00:22:20,160 --> 00:22:23,119 Speaker 1: So I hope you've got a lot out of that 296 00:22:23,240 --> 00:22:26,919 Speaker 1: definition and that it may be clarified any confusion you 297 00:22:27,040 --> 00:22:32,359 Speaker 1: had about cooking. So thank you so much for writing 298 00:22:32,359 --> 00:22:39,600 Speaker 1: in Block. Thanks Blake. Wow, that was so educational. I'm 299 00:22:39,640 --> 00:22:42,400 Speaker 1: going to add it to my meal rotation, no doubt 300 00:22:42,440 --> 00:22:45,840 Speaker 1: about it. I might too, you know, Kebab's are an 301 00:22:45,880 --> 00:22:48,840 Speaker 1: easy dinner that I don't really ever think about totally 302 00:22:48,920 --> 00:22:53,000 Speaker 1: carp Can I have Cloudia back now? Police? Oh ah, 303 00:22:54,680 --> 00:22:57,080 Speaker 1: so I was trying to tell you before. I um, 304 00:22:57,119 --> 00:23:00,440 Speaker 1: I just couldn't hold a snake. She was here, but 305 00:23:00,520 --> 00:23:04,040 Speaker 1: now I don't know where she So now Claudia is 306 00:23:04,080 --> 00:23:10,480 Speaker 1: lost again. It's incredible how she can get so lost indoors. Yeah, 307 00:23:10,520 --> 00:23:12,719 Speaker 1: we're in one room right now with the door closed. 308 00:23:12,720 --> 00:23:15,680 Speaker 1: I don't know where she could have gone. She's a magician, 309 00:23:15,840 --> 00:23:20,800 Speaker 1: that Claudia a very long magician. As the saying goes, 310 00:23:21,400 --> 00:23:24,639 Speaker 1: a lost friend is a cheaper bill. It's okay, Clara, 311 00:23:24,880 --> 00:23:27,760 Speaker 1: I don't know that, saying I'm sorry, though, Hey you 312 00:23:27,800 --> 00:23:31,359 Speaker 1: are absolved, thank you. Okay, So we have such an 313 00:23:31,359 --> 00:23:33,560 Speaker 1: exciting guest this week. I can't believe we even got him. 314 00:23:33,720 --> 00:23:36,400 Speaker 1: He's a household name in the New Age movement and 315 00:23:36,560 --> 00:23:39,239 Speaker 1: it looks like he's running a little bit late. No, no no, no, 316 00:23:39,280 --> 00:23:43,560 Speaker 1: I canceled deepox Oprah you what I call him? This morning? 317 00:23:43,560 --> 00:23:47,560 Speaker 1: I said, please don't come Deepoke tink. Why would you 318 00:23:47,600 --> 00:23:54,320 Speaker 1: do that? Because I booked someone even better, Clara? Who Gandhi? 319 00:23:58,320 --> 00:24:04,680 Speaker 1: Gandhi isn't alive, so so how did how would you even? 320 00:24:05,520 --> 00:24:09,800 Speaker 1: Oh Clare, I love to watch you grow like a slow, 321 00:24:10,000 --> 00:24:15,439 Speaker 1: slow grass piece, barely perceptible. Clark, tell me what's the 322 00:24:15,440 --> 00:24:21,560 Speaker 1: theme of today's episode, the metaphysical Realm of the Dead Bongo? 323 00:24:21,840 --> 00:24:25,119 Speaker 1: We were beholding a science in the studio to de Clara, 324 00:24:25,680 --> 00:24:29,000 Speaker 1: and we will be contacting but hot mc Gandhi himself. 325 00:24:30,600 --> 00:24:36,879 Speaker 1: Whoa Clara? Do I detect a little bit of sexism? Um? 326 00:24:36,920 --> 00:24:40,479 Speaker 1: Because Gandhi was a man? I'm not really following because 327 00:24:40,520 --> 00:24:46,639 Speaker 1: you might be doubting this is possible. Oh skepticism? Uh no, no, no, 328 00:24:46,960 --> 00:24:49,760 Speaker 1: I'm actually very open. I'm just kind of readjusting to 329 00:24:49,800 --> 00:24:52,919 Speaker 1: the new plan. That's all. Well, it is illegal to 330 00:24:53,000 --> 00:24:56,199 Speaker 1: do a science alone. Look it up. Sciences require a 331 00:24:56,359 --> 00:25:00,359 Speaker 1: medium and then extra people called sitters in this circle 332 00:25:00,640 --> 00:25:06,360 Speaker 1: to be the supportive energy. And guess what that's you. Well, 333 00:25:06,400 --> 00:25:08,840 Speaker 1: I can be a sider, I said all the time. 334 00:25:09,359 --> 00:25:12,280 Speaker 1: Jokes and merriment are just the armor some people where 335 00:25:12,359 --> 00:25:15,960 Speaker 1: to protect themselves from the truths of their existence. Remember 336 00:25:16,040 --> 00:25:21,320 Speaker 1: that when you laugh, Clark. Every time I laugh, Bongo, personally, 337 00:25:21,720 --> 00:25:25,120 Speaker 1: I've evolved out of laughing. I can't even remember how 338 00:25:25,119 --> 00:25:31,440 Speaker 1: to do it, So that's really enlightened. I know. Last 339 00:25:31,480 --> 00:25:35,480 Speaker 1: time I laughed, I was two days old. That's way 340 00:25:35,520 --> 00:25:40,040 Speaker 1: younger than babies normally start laughing. Maybe they're just not 341 00:25:40,080 --> 00:25:43,520 Speaker 1: seeing anything funny enough. When I was two days old, 342 00:25:43,800 --> 00:25:47,119 Speaker 1: I confused my mom's bosom with her butt. Can you 343 00:25:47,200 --> 00:25:51,360 Speaker 1: believe here? I am starving at two days old, Like, hey, 344 00:25:51,359 --> 00:25:54,080 Speaker 1: where's the milk in here, lady? And then the nurses 345 00:25:54,080 --> 00:25:57,040 Speaker 1: were like, that's the butt and we all had such 346 00:25:57,080 --> 00:26:04,080 Speaker 1: a merry laugh. Sounds funny and impossible. Please the focused, Clara, 347 00:26:04,440 --> 00:26:08,800 Speaker 1: You're going off on so many tangents here. Sorry you 348 00:26:08,840 --> 00:26:15,040 Speaker 1: are absolved. No, it's time to meet our guests. No, 349 00:26:15,920 --> 00:26:20,639 Speaker 1: let's do it. Okay. The veil is already health in 350 00:26:20,760 --> 00:26:23,520 Speaker 1: in here. We don't really have to boost the psychic 351 00:26:23,560 --> 00:26:27,760 Speaker 1: power of the space. The psychic energy is very high. 352 00:26:30,040 --> 00:26:32,399 Speaker 1: But just don't be safe. I'm going to smodule on 353 00:26:32,440 --> 00:26:37,840 Speaker 1: the bone the Frankin Saints spray freakin sense holy water. 354 00:26:38,000 --> 00:26:41,840 Speaker 1: Don't close your ice, Clark, keeping very open please, and 355 00:26:41,880 --> 00:26:45,840 Speaker 1: then I'm going to oil down the space and myself 356 00:26:46,040 --> 00:26:51,879 Speaker 1: thick with Frankin sense foil. Better hold both my hands, 357 00:26:51,920 --> 00:26:57,400 Speaker 1: clar they're really slipping. Okay. If you don't know how 358 00:26:57,440 --> 00:27:01,160 Speaker 1: to hold hands, I think you do. Now we make 359 00:27:01,200 --> 00:27:07,960 Speaker 1: a sacred circle, the two of us. We brave our 360 00:27:07,960 --> 00:27:11,119 Speaker 1: protection from an evil being, and we ask God Is 361 00:27:11,160 --> 00:27:13,760 Speaker 1: to help us with all of the seeing of only 362 00:27:13,800 --> 00:27:17,760 Speaker 1: good spirits in our circle. Forthwith and let them be 363 00:27:18,040 --> 00:27:24,360 Speaker 1: cooler than even little smith. Amen, we are reaching out 364 00:27:24,359 --> 00:27:28,600 Speaker 1: to Mahatma Gandhi. Please join us in our circle tonight 365 00:27:28,680 --> 00:27:36,600 Speaker 1: when you're ready, Gandhi, we welcome you whenever you are ready. 366 00:27:36,680 --> 00:27:41,320 Speaker 1: Mahatma Gandhi, please make your presence known when you are here. 367 00:27:44,760 --> 00:27:50,800 Speaker 1: What was that you? No, Gandhi? Is that you? Okay? 368 00:27:50,840 --> 00:27:55,800 Speaker 1: They said no, okay, who it is? Please? It's a 369 00:27:55,800 --> 00:28:01,560 Speaker 1: guy named I'm hearing Gean. He's just an average guy, 370 00:28:01,680 --> 00:28:07,359 Speaker 1: super piste about prohibition. Gene I herea he's saying he's 371 00:28:07,400 --> 00:28:11,119 Speaker 1: just whiskey. He's repating that a lot of self best. Okay, 372 00:28:11,119 --> 00:28:16,879 Speaker 1: thank you, Jean. Can you send Gandhi this way? Please? Okay? 373 00:28:16,920 --> 00:28:25,040 Speaker 1: Someone else is here. It's not Gandhi Hi. Who are you? Okay? 374 00:28:25,040 --> 00:28:27,800 Speaker 1: It's Betty. She doesn't have a lot of time because 375 00:28:27,800 --> 00:28:30,560 Speaker 1: her husband thinks she's home doing her makeup. So you 376 00:28:30,640 --> 00:28:34,600 Speaker 1: bought yourself a good hour? Huh Betty? She thinks the 377 00:28:34,720 --> 00:28:38,479 Speaker 1: ladies cast role class. There's a waste of resources I'm hearing. 378 00:28:39,160 --> 00:28:42,680 Speaker 1: And she wants more progressive culinary opportunities like learning how 379 00:28:42,720 --> 00:28:46,000 Speaker 1: to shoehorn, more gelatine, and more recipes. Yeah, she's from 380 00:28:46,000 --> 00:28:50,440 Speaker 1: the fifties. Okay, sorry, Betty, we can't really help you there. 381 00:28:51,320 --> 00:28:59,320 Speaker 1: Can you please get Gandhi for us? Okay, okay, okay, okay, 382 00:28:59,600 --> 00:29:06,360 Speaker 1: I'm feeling Gonda here Gandhi. No, he's a guy saying 383 00:29:06,400 --> 00:29:11,840 Speaker 1: he invented the telephone. What's your name, sir, Alexander Bell? 384 00:29:12,080 --> 00:29:16,880 Speaker 1: He says, okay, and why are you here? He's like, 385 00:29:17,520 --> 00:29:20,720 Speaker 1: he's like, people don't get it. The telephone has got 386 00:29:20,720 --> 00:29:25,000 Speaker 1: to change the world. Okay, cooler, Alexander Bell, You're right, 387 00:29:25,120 --> 00:29:27,760 Speaker 1: it already did. They changed the world. It's like kind 388 00:29:27,800 --> 00:29:29,880 Speaker 1: of a big deal. I honestly don't know what you're 389 00:29:29,920 --> 00:29:36,000 Speaker 1: complaining about. Okay, you just left, so rude? Do you 390 00:29:36,000 --> 00:29:39,960 Speaker 1: see Gandhi? Oh? Okay, okay, I can't no, I can't 391 00:29:39,960 --> 00:29:42,680 Speaker 1: say anything right now. A guy just got right up 392 00:29:42,680 --> 00:29:48,400 Speaker 1: in my grill. Excuse me, sir. Okay, Hello Hans. Mm 393 00:29:48,480 --> 00:29:56,240 Speaker 1: hmmm mm hmmm mm hmm. Okay. His town got a 394 00:29:56,320 --> 00:30:00,320 Speaker 1: printing press and someone called him a cumber world world 395 00:30:00,600 --> 00:30:04,120 Speaker 1: in the press. He's still pished, and he wants to 396 00:30:04,120 --> 00:30:08,760 Speaker 1: know what we're gonna do about it. Okay, we'll look 397 00:30:08,800 --> 00:30:13,600 Speaker 1: into it, Hans. He just screamed the politicians and left. 398 00:30:13,680 --> 00:30:18,080 Speaker 1: Who does he think we are? Oh? Excuse me, Clark, Yes, okay, 399 00:30:18,160 --> 00:30:28,560 Speaker 1: Hi Flavia Okay, she's really all she's from Constantinople. Mm hmmm, um, 400 00:30:28,600 --> 00:30:34,520 Speaker 1: I see her neighbor is barbaric. He wears pants. Yeah, 401 00:30:34,600 --> 00:30:38,480 Speaker 1: it sounds like guys must be from Gaul. Yeah, she's 402 00:30:38,480 --> 00:30:41,600 Speaker 1: telling me it's illegal, but there's no police in Rome. 403 00:30:41,720 --> 00:30:45,720 Speaker 1: To enforce their own law about the pants. So you 404 00:30:45,720 --> 00:30:48,920 Speaker 1: want to punish him with the sack you're saying. No, 405 00:30:49,120 --> 00:30:54,720 Speaker 1: I'm not judging Flavia. I'm just trying to understand because 406 00:30:54,760 --> 00:30:56,760 Speaker 1: she just said this is the worst town home meetings 407 00:30:56,800 --> 00:30:59,960 Speaker 1: she's ever been to. We're trying our best, Flavia, Jesus, 408 00:31:00,040 --> 00:31:04,680 Speaker 1: this this isn't a town hall meeting. Oh shoot, Clara 409 00:31:04,840 --> 00:31:07,480 Speaker 1: is right. This isn't even a town hall meeting, Flavia. 410 00:31:08,080 --> 00:31:11,360 Speaker 1: This is your seance. You all are already dead and 411 00:31:11,400 --> 00:31:15,120 Speaker 1: you're kind of crying over spilled milk care. So that's it. Okay, 412 00:31:15,280 --> 00:31:18,520 Speaker 1: we're not hearing any more suggestions today, so you're just 413 00:31:18,600 --> 00:31:21,720 Speaker 1: gonna have the way for next week's meeting. There is 414 00:31:21,760 --> 00:31:26,640 Speaker 1: no meeting next week. Shoot, Clarie's right again. Everyone's really 415 00:31:26,680 --> 00:31:29,400 Speaker 1: getting in my head here and tricking me into thinking 416 00:31:29,400 --> 00:31:32,760 Speaker 1: I'm a local official, but I'm not. I'd be amazing, 417 00:31:33,080 --> 00:31:36,840 Speaker 1: don't get me wrong, but I never signed up for this. Okay, 418 00:31:37,320 --> 00:31:42,640 Speaker 1: So town hall meeting adjourned. Oh shoot, shoot, there's a 419 00:31:42,680 --> 00:31:45,600 Speaker 1: little medieval boy making a beeline for me right now. 420 00:31:46,360 --> 00:31:50,920 Speaker 1: I'm sorry, boy, no more shares for today. What are you? 421 00:31:51,160 --> 00:31:54,640 Speaker 1: Why are you so classed out? Stop out? No, they 422 00:31:54,720 --> 00:32:09,760 Speaker 1: still clushing me out. Tinker. Um, she's she's slimp Katinka Continka, 423 00:32:10,320 --> 00:32:13,600 Speaker 1: Oh god, oh god, what happened? Please wake up? Katinka? 424 00:32:13,960 --> 00:32:23,959 Speaker 1: Are you okay? Katinka? Katinka? Oh, I'm fine. You know 425 00:32:24,080 --> 00:32:31,480 Speaker 1: I'm in great ship. Um you sound really different, Oh 426 00:32:32,400 --> 00:32:37,240 Speaker 1: the angelic lady. He didn't worry about this, lad. I 427 00:32:37,360 --> 00:32:41,520 Speaker 1: couldn't be in better health. I'm proud to have only 428 00:32:41,680 --> 00:32:46,600 Speaker 1: three maladies English sweat and sickness, which, as you know, 429 00:32:46,800 --> 00:32:52,000 Speaker 1: is when you swear so much you die. Water health disease, which, 430 00:32:52,240 --> 00:32:55,240 Speaker 1: as I'm sure you're aware, is when your eyes water 431 00:32:55,440 --> 00:32:58,360 Speaker 1: so much you look like an health and die. And 432 00:32:58,440 --> 00:33:03,800 Speaker 1: of course, of course mean case of dancing plague, which 433 00:33:03,800 --> 00:33:07,200 Speaker 1: we all know is when you start spontaneously dancing so 434 00:33:07,320 --> 00:33:12,240 Speaker 1: much you die. Just the normal run of the mill 435 00:33:12,400 --> 00:33:17,320 Speaker 1: diseases of the damn a lady. And what day is that? 436 00:33:17,800 --> 00:33:22,400 Speaker 1: Why I believe it's a Woden's day? And the year 437 00:33:23,360 --> 00:33:30,200 Speaker 1: why it's eleven eighty eight of course, of course, okay, ah, 438 00:33:30,800 --> 00:33:38,000 Speaker 1: the lady pals understandably soul. The swift passage of time 439 00:33:38,240 --> 00:33:41,960 Speaker 1: is enough to make even the fairest of ladies faint 440 00:33:42,040 --> 00:33:46,040 Speaker 1: with fevers. Yeah, yeah, That's that's it. I just can't 441 00:33:46,040 --> 00:33:49,600 Speaker 1: believe how quickly time is flying. What a strange little 442 00:33:49,720 --> 00:33:53,480 Speaker 1: room we're in. I've never seen anything quite like it. 443 00:33:53,960 --> 00:34:00,320 Speaker 1: What's your name? Nobody's ever asked me such a clip. 444 00:34:01,840 --> 00:34:08,000 Speaker 1: It's Alwen, my lady, Ilwen. I'm clear you know you 445 00:34:08,040 --> 00:34:11,600 Speaker 1: can't look at me, Oh, my lady. I wouldn't know 446 00:34:11,800 --> 00:34:17,920 Speaker 1: how why I've never laid my eye upon a lady before. Wow, 447 00:34:18,160 --> 00:34:23,080 Speaker 1: that's impressive. I don't know how you've managed to do that. Technically. 448 00:34:23,520 --> 00:34:27,480 Speaker 1: It's been the toil of my life, my lady, and 449 00:34:27,560 --> 00:34:32,320 Speaker 1: it's made fainting a wife particularly burdensome. And I must 450 00:34:32,400 --> 00:34:36,080 Speaker 1: do that soon, for I will die any day now 451 00:34:36,239 --> 00:34:40,960 Speaker 1: from old age. I'm already to elve. I'm so sorry 452 00:34:40,960 --> 00:34:43,719 Speaker 1: to bring this to you, Illwen, but I think you're 453 00:34:43,719 --> 00:34:49,080 Speaker 1: already dead. It sure feels that way sometimes, milady, being 454 00:34:49,160 --> 00:34:55,839 Speaker 1: nothing but a lonely flowboy and all, what's a floor boy? Oh? 455 00:34:56,600 --> 00:35:01,120 Speaker 1: What's a flaw boy? Why am I to swell be asking? 456 00:35:01,480 --> 00:35:06,680 Speaker 1: What's this big flat world we live on? Lady Claire? 457 00:35:06,719 --> 00:35:09,880 Speaker 1: What covers the hard floors to make them soft for 458 00:35:09,920 --> 00:35:17,960 Speaker 1: the noble's blessed feet? Um carpet floor? Boys, milady. Could 459 00:35:18,000 --> 00:35:21,640 Speaker 1: be five, could be twenty, depending on the size of 460 00:35:21,719 --> 00:35:27,279 Speaker 1: the area. What's carpet? It's something that kind of does 461 00:35:27,280 --> 00:35:31,440 Speaker 1: what you're talking about. Actually, well, can it whimper and 462 00:35:31,560 --> 00:35:34,480 Speaker 1: cry under the weight of a lord to let him 463 00:35:34,520 --> 00:35:39,680 Speaker 1: know what a wealthy, well fed man is? Definitely not? No, 464 00:35:40,200 --> 00:35:44,399 Speaker 1: So that's what floor boys do. That and so much more. 465 00:35:45,280 --> 00:35:50,400 Speaker 1: Whose heads sweep the floor with their hair? Floor boys? 466 00:35:50,440 --> 00:35:53,960 Speaker 1: And who vacuums up all the bones and debris with 467 00:35:54,120 --> 00:35:59,480 Speaker 1: their lucky mouths? Floor boys who's been tending the floor 468 00:35:59,560 --> 00:36:05,800 Speaker 1: for say, choice us fleets of long haired boys of girls. 469 00:36:06,040 --> 00:36:10,319 Speaker 1: We are the keepers of the medieval flow, the grossest 470 00:36:10,520 --> 00:36:15,600 Speaker 1: place in history because the medieval flaw serves many purposes. 471 00:36:15,960 --> 00:36:23,040 Speaker 1: Trash can toilet place. People just die gruesome, messy deaths. 472 00:36:23,920 --> 00:36:29,040 Speaker 1: Why a floor without a boy, he's just the ground. 473 00:36:29,920 --> 00:36:33,200 Speaker 1: Sounds like you play an important role in society. Really, 474 00:36:34,560 --> 00:36:38,240 Speaker 1: Why that's the kindest jest I've ever had the honor 475 00:36:38,320 --> 00:36:41,000 Speaker 1: of hearing the lady. No, I mean it. You know, 476 00:36:42,760 --> 00:36:46,680 Speaker 1: it's been actually really lovely talking to you. You're very sweet, 477 00:36:47,320 --> 00:36:49,480 Speaker 1: which is why I'm really sorry to do this. But 478 00:36:49,560 --> 00:36:52,160 Speaker 1: Katinka gave me explicit instructions about what to do if 479 00:36:52,200 --> 00:36:54,080 Speaker 1: she ever got possessed by a spirit. So I have 480 00:36:54,120 --> 00:36:57,800 Speaker 1: to follow protocol. I don't understand any of the lovely 481 00:36:57,880 --> 00:37:02,560 Speaker 1: words that came from your nobe lips, milady, but please 482 00:37:03,200 --> 00:37:07,640 Speaker 1: do what you must. Really, you are so selfless. It's 483 00:37:07,719 --> 00:37:14,719 Speaker 1: just so refreshing. I wish I could keep you. You 484 00:37:14,719 --> 00:37:17,120 Speaker 1: know what, Illwen will do the protocol later. Why don't 485 00:37:17,160 --> 00:37:20,800 Speaker 1: you bring our show home? Where is home, my lady? 486 00:37:21,440 --> 00:37:25,520 Speaker 1: And who is show? Sorry? Let me rephrase that. Usually 487 00:37:25,560 --> 00:37:30,080 Speaker 1: we like to finish this oh um conversation with a 488 00:37:30,239 --> 00:37:32,400 Speaker 1: song or prayer. Do you know when you could lead 489 00:37:32,480 --> 00:37:36,560 Speaker 1: us in? Do I ever? Milady? I'm proud to say 490 00:37:36,640 --> 00:37:40,000 Speaker 1: I know the most fashionable song prayers of the day. 491 00:37:40,560 --> 00:37:44,719 Speaker 1: Oh sing my favorite? Where is your lute? I don't 492 00:37:44,719 --> 00:37:49,440 Speaker 1: have a lute. There's no bother, noble lady, but you 493 00:37:49,560 --> 00:37:54,320 Speaker 1: must forgive my voice tis far from a dove's perfection. 494 00:37:57,400 --> 00:38:06,759 Speaker 1: M We prayer to protect or dearest king for his blessings. 495 00:38:06,840 --> 00:38:12,440 Speaker 1: We all to sing. Let his so be clean and 496 00:38:12,719 --> 00:38:18,840 Speaker 1: b life, let his face be pink and life. Let 497 00:38:19,120 --> 00:38:25,640 Speaker 1: him be forever chest but still have sons to take 498 00:38:26,080 --> 00:38:33,160 Speaker 1: his place. Give him fifty sons at least and extra 499 00:38:33,480 --> 00:38:39,160 Speaker 1: daughters to feed the beast, Speaking of which let him 500 00:38:39,160 --> 00:38:46,799 Speaker 1: slave the beast which ter rises every feast. Where is 501 00:38:46,880 --> 00:38:52,399 Speaker 1: his beast no one has seen, except the king, who 502 00:38:52,480 --> 00:38:57,880 Speaker 1: sees every scene. When something goes wrong, it's the beast, 503 00:38:58,160 --> 00:39:03,520 Speaker 1: no doubt. These are the words a good king does, shout. 504 00:39:03,920 --> 00:39:09,400 Speaker 1: The hateful beast killed all the king's wives. We pray 505 00:39:10,080 --> 00:39:33,720 Speaker 1: the eighteenth one survives, And that's our show. Namasta