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Speaker 1: Hi, everyone. This episode was recorded before the sag After

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Speaker 1: strike began on July thirteenth. Hollywood Handbook stands in solidarity

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Speaker 1: with the w g A, sag AFTRA and all the

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Speaker 1: workers taking action.

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Speaker 2: I like to listen to it, so Adams listening to

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Speaker 2: the theme. We of course have Adam de Vine here

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Speaker 2: and he's well, it's no secret that he's passionate about music.

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Speaker 2: I mean, we are dealing with Bumper and is one

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Speaker 2: of the in Burbank. Now is that correct?

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Speaker 3: What's up?

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Speaker 2: Where's Bumper're currently in Burbank?

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Speaker 3: Yeah? Was in Berlin?

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Speaker 2: He was in Berlin. I know it was burst something.

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Speaker 3: It was burst something, Bumper and Burbank. Yeah, yeah, that

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Speaker 3: might be the second season. We are talking about what

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Speaker 3: we're doing the second season, and he might go to

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Speaker 3: Burbank or Belgium or Baltimore anything okay has anything.

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Speaker 2: With the b Okay? Okay? Well, I mean, you know,

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Speaker 2: we had some ideas about what to talk about on

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Speaker 2: the show. We could think of, Yes, we could just

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Speaker 2: think of those things be Bumper and Bayone, New Jersey.

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Speaker 3: Yeah, and that that's a real place.

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Speaker 4: But that's writing. I just want to say, that's that's

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Speaker 4: what writing. Is yes, and we're not.

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Speaker 2: We're not really doing that right now.

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Speaker 3: We're not. I figured this is the Hollywood Handbook.

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Speaker 2: We're actually not.

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Speaker 3: We're not.

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Speaker 2: We're not.

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Speaker 4: We're actually pencils down right now. And I just want

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Speaker 4: to say, so, I.

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Speaker 2: Suppen pencils down means pencils down. I support what the

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Speaker 2: guild is doing.

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Speaker 3: Nice.

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Speaker 4: I'm obviously in solidarity right now. And just because I

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Speaker 4: have like a couple of little criticisms, I don't want

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Speaker 4: that to be like, oh, you're like against the guild

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Speaker 4: or whatever.

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Speaker 2: No.

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Speaker 3: No, and they said pencils down. They didn't say laptops down.

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Speaker 2: Okay, so and that's another no.

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Speaker 3: It's like, no, one, I let me know all the

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Speaker 3: things I have to put down.

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Speaker 2: I'm holding a laptop, I'm typing, and it's like we

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Speaker 2: said pencils down. It's like, I know that. Do you

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Speaker 2: think this is a pencil nimrod? Right? I'm thinking David Goodman, not.

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Speaker 3: In front of not front of Sean. Don't be a Nimron,

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Speaker 3: please please.

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Speaker 2: I have such Nimrod radar, like I can always feel

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Speaker 2: it when someone's being a Nimrod.

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Speaker 4: Also pencils down. Okay, but now we're writing on these signs,

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Speaker 4: so like, what is it like the sign mars? You're

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Speaker 4: like making me markers up? It doesn't say markers down.

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Speaker 4: The signs are also way too small.

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Speaker 2: The signs should all be blank, and the signs should

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Speaker 2: be enormous.

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Speaker 4: Should need to be a lot bigger. My eyes are

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Speaker 4: I guess not what they used to be? Like I

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Speaker 4: need like your little eyes.

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Speaker 3: And do we think that since the actors seem like

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Speaker 3: they're going to go on strike, are they going to

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Speaker 3: be able to use pencils and pens?

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Speaker 2: Are breaking news? Are you breaking news right now?

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Speaker 3: I got a little in such scoop.

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Speaker 2: Okay, I got a little this scoop news breaking. Adam

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Speaker 2: has the inside.

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Speaker 3: Scoop that it is possible that the actors could possibly

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Speaker 3: go on strike.

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Speaker 2: So by the time you're here one minute, they will

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Speaker 2: probably either have gone or not or not gone on.

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Speaker 2: But you will know that Adam told us first they might.

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Speaker 4: That's really good, that's really reassuring to hear. So, because

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Speaker 4: the signs are too small, I need to do huge letters,

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Speaker 4: so I can only fit six characters at a time

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Speaker 4: on a sign.

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Speaker 2: When I'm doing the signs, like.

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Speaker 4: Donald, Mickey, Daffy all the main characters Donald, Daffy and make.

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Speaker 2: The frid Crew.

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Speaker 4: Those are the friends from Fred Toddald, Vicky, Daffy, Wolverine

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Speaker 4: in Raphael. Yeah the crew, I mean like six, I'm

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Speaker 4: kind of the Rafael of my friend.

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Speaker 3: I knew that about you, dude, Yeah, you're cool but rude.

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Speaker 4: So on my most recent sign, I wrote sag bag

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Speaker 4: to just be like sat like time to like go

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Speaker 4: secure the bag, like time to go get a deal.

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Speaker 4: But I was informed that that had actually set back

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Speaker 4: their negotiations a really h yes.

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Speaker 3: Fran couldn't climb out of that hole.

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Speaker 4: Fred called and was like super respectful, super nice, but

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Speaker 4: she asked me not to write sag bag on my

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Speaker 4: sign anymore because it had they had lost some some leverage.

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Speaker 3: That makes a lot of sense. Fran like she was

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Speaker 3: kicking it with Kim k Yes, and in France, I think.

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Speaker 2: We're acting like that wasn't strategic.

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Speaker 3: Dude, she's doing Okay, Nanny has it all pranned out.

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Speaker 2: It's a signal. Okay, she is letting them know like

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Speaker 2: I have clout, I have access to people with a

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Speaker 2: big microphone.

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Speaker 3: So basically we're saying that fran is Que Fran's.

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Speaker 2: Cute, I mean like yeah, I'll go beyond. Basically like

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Speaker 2: this is pretty much prove it.

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Speaker 3: At this what we're saying, Fran's cute, she's giving signals Yes,

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Speaker 3: are they coming true? Yet to be seen because like

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Speaker 3: I just broke, they possibly might it couldn't go on strike.

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Speaker 2: And that's from Fran to Adam. And think about the film.

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Speaker 3: Jack always when, don't I.

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Speaker 2: When Fran is sort of indirectly in my memory seducing

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Speaker 2: the ten year old boy Jack, who has an adult body,

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Speaker 2: she's sending little signals. Yeah, she's letting him know what

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Speaker 2: could happen. And that is what she's doing right now

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Speaker 2: to the MPP.

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Speaker 4: And just to underscore, like if we didn't have SAG,

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Speaker 4: if SA SAG didn't exist for the movie Jack, they

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Speaker 4: would have had to find a real guy who who

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Speaker 4: that was happening.

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Speaker 3: Yes, absolutely, and that that would have been hard to do.

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Speaker 2: That that would have been really hard and we might

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Speaker 2: be very sick.

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Speaker 3: I wouldnt probably wouldn't have seen it because you know

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Speaker 3: why I saw it, Robin Williams. Yes, And if it

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Speaker 3: was just an what appeared to be an old man

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Speaker 3: but really he was ten, that might have grossed me out.

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Speaker 2: I may not have bought a ticket. Yes, we're gonna

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Speaker 2: film this little kid. He's gonna die.

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Speaker 3: Yeah, it's gonna be really sad, but he looks old. Yeah, yeah,

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Speaker 3: that's really sad.

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Speaker 2: That's why we need sat thank you. I don't want

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Speaker 2: you to use up all your thank yous yet.

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Speaker 3: Yeah, I don't want to save How many do I get?

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Speaker 2: What are we at now? We try to make sure

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Speaker 2: that in a given episode, we don't have people thank.

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Speaker 3: You too many people because.

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Speaker 2: It starts to be meaningless.

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Speaker 3: Yeah yeah, yeah, okay.

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Speaker 2: Like this is why people talk about you know. You

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Speaker 2: say I'm cool but rude, And sometimes my rudeness is

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Speaker 2: just me being very careful with how often I say

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Speaker 2: things like and I want to I'm sorry I was wrong.

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Speaker 3: I want to say thank you for letting me know that.

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Speaker 3: Don't but I won't. Please don't just say that you

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Speaker 3: want I'm going it's going to be a I wish

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Speaker 3: I would like to say what.

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Speaker 2: I wish I could thank you. I wish I could apologize.

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Speaker 2: I wish I could see where I was wrong.

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Speaker 4: I want to thank you, and I'm used to getting

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Speaker 4: what I want, but yeah, this time, I'm not I'm

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Speaker 4: gonna not what I want, I'm not going to do,

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Speaker 4: not say.

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Speaker 2: What disciplines a muscle, disciplines of muscle. And we're a

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Speaker 2: fitness podcast, you know, more and more we're about We're

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Speaker 2: about getting ripped and working that discipline muscle. That's part

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Speaker 2: of the popping out, you know, dropping out like yeah, damn,

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Speaker 2: come go do whatever. Yamn, just.

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Speaker 3: You okay, okay at home, don't don't say that the

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Speaker 3: t y do.

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Speaker 2: Not why to be way too long? Please, it's early.

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Speaker 2: We should know. We are recording at six a m.

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Speaker 4: The given from his flex like when you're at the

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Speaker 4: eye doctor and you put her goddamn yes, yes you

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Speaker 4: are right.

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Speaker 2: Yeah, sorry, scary sorry him both a jump scared.

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Speaker 1: This week on the Patreon Sean talks to writer jend

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Speaker 1: Angelo about the movie State in Maine on his new podcast,

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Speaker 1: subtitles on the Boys, write the Head Gum out of Office,

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Speaker 1: Email on the pro Version, and The Flagrant Ones are

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Speaker 1: mostly talking all things basketball.

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Speaker 2: Check out all.

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Speaker 1: These shows and the video of today's episode with Adam

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Speaker 1: at patreon dot com. Slash the Flagrant Ones.

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Speaker 2: We want to talk about the work. Oh my god,

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Speaker 2: we need to get into the work. We want to

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Speaker 2: talk about you guys in the number one movie in

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Speaker 2: the world.

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Speaker 3: Yes, as of right now, we've probably fallen out to

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Speaker 3: the Peppa Pig movie. That's that's on the down the pipeline,

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Speaker 3: so that one's coming out a few weeks, probably knock

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Speaker 3: us off our throne.

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Speaker 2: But I would not go toe to toe.

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Speaker 3: Yeah, and I don't want to.

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Speaker 2: But here we're hearing an individual.

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Speaker 3: So we are number one outlaws, the outlaws with the hyphen, Yeah,

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Speaker 3: with the hyphen talk about that conversation, Well, it's the

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Speaker 3: in laws, but they're the outlaws, so we're not talking

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Speaker 3: about we're not talking writing right now because it is

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Speaker 3: pencils and markers and sounds.

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Speaker 2: That's right.

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Speaker 3: So I don't want to.

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Speaker 2: Get you did that like you already went in this

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Speaker 2: already happened. But you can you can explain it to

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Speaker 2: me because I almost get it. Yeah, you said it's

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Speaker 2: the in law.

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Speaker 3: Us there they are my in laws, future in laws.

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Speaker 2: Yeah, so I'm closed. But then why in the movie

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Speaker 2: called the in laws? Why isn't it called the in

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Speaker 2: last Why why is it called the laws?

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Speaker 3: What's called the outlaws? Yeah, we're you're asking why it

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Speaker 3: isn't called the in Laws?

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Speaker 2: Why is why is a movie? Why is a movie

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Speaker 2: called The in Laws now called the Outlaws? Why why

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Speaker 2: do we start calling it the Outlaws?

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Speaker 3: Okay, well did you see the trailer?

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Speaker 2: So I have this Q and and it is right

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Speaker 2: near the top because I am a trailer junkie. I

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Speaker 2: love this stuff, so I am so excited for the trailer.

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Speaker 3: Yeah, what's been out for a few weeks now, so yes,

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Speaker 3: it's perfect.

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Speaker 2: And so that's probably why it's inching right up to

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Speaker 2: the top of that the Peppa Pig trailer. I have

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Speaker 2: been you know, jump ahead, double dipping up the little bit.

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Speaker 2: Yeah I could.

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Speaker 3: Yeah, I get that, get all of it. Yeah, well

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Speaker 3: especially they are their bank robbers, so and then they

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Speaker 3: meet me at ross.

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Speaker 2: So why is it? Why is it called the bank Robbers?

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Speaker 3: Because that's what that is. I want to say that

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Speaker 3: that's the worst title, but now that you pitch it, it

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Speaker 3: sounds and I don't know why it is. Yeah, I

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Speaker 3: want to say thank you forgiving me that, but I won't.

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Speaker 2: Okay, please don't.

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Speaker 3: Because we already have the post.

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Speaker 2: If their last name their last name of your last

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Speaker 2: name is banks.

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Speaker 3: Uh, I feel like that's a little on the note.

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Speaker 3: It could be called.

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Speaker 2: The banks, the banks robbers, in laws, Welcome to the

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Speaker 2: in laws.

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Speaker 3: Yeah, and that's food for thought. You know, if you

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Speaker 3: do a sequel, I feel like obvious. Pencils down, pencils

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Speaker 3: down now, so I can't do anything other than consult

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Speaker 3: with AI.

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Speaker 2: What do we think.

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Speaker 3: That's the only thing you can do.

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Speaker 2: Yeah, it's weird that you have to do that. Are

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Speaker 2: we trying to stop?

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Speaker 3: Well, technically there's no pencils involved. You just sort of

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Speaker 3: whisper into the AI only.

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Speaker 2: We should be encouraging using pencils instead of, if.

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Speaker 3: Anything, pick up your pencils with A because everyone's consulting

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Speaker 3: with AI.

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Speaker 2: Yeah. Well, this phone's always listening, man. You know, we

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Speaker 2: do these episodes and it's like, I'm going to open

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Speaker 2: up my uh phone after this, and I'm gonna have

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Speaker 2: what a bank on there? Yea, I'm going to have

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Speaker 2: a text from my in laws because I myself.

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Speaker 4: I open up my Instagram and I'm looking at the

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Speaker 4: algorithm and I was just thinking about hot babes.

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Speaker 3: Uh huh, and then what happened that it was.

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Speaker 2: Showing me these babes what I like?

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Speaker 4: Immediately I was just thinking about that, and I had

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Speaker 4: just said out loud.

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Speaker 3: A salad yes, and then you're like, you know what

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Speaker 3: I like hot picked up the phone and then that's

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Speaker 3: what I and.

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Speaker 2: My phone is full of these babes. Hayes will say

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Speaker 2: to me, excuse me, I need to go master babe.

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Speaker 3: Yeah, that was polite.

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Speaker 2: Before he even is out of the room. He opens

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Speaker 2: his phone now and I can see the imagery are

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Speaker 2: things that he finds sexually appealing. And I think is

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Speaker 2: hot bol hot babes in this case too hot ba. Yes,

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Speaker 2: the hot babes.

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Speaker 3: Because a lot of things can turn a man on sexually.

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Speaker 2: Oh my god, we were going to get into this.

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Speaker 2: My weakness. Babes are my one weekness. That's one thing.

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Speaker 2: There's I'm kind of unusual this way, this one particular

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Speaker 2: thing that appeals to me. What's hot babes something?

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Speaker 4: So I've shared some stuff with him that I'll share

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Speaker 4: with you too, pictures.

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Speaker 2: Pictures of yeah babes, babes.

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Speaker 3: Yes, wow, Okay, give me kind of wild up in

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Speaker 3: the studio.

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Speaker 2: No, I know you guys, we have a whole episode

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Speaker 2: and they can get thinking hot babes.

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Speaker 3: All of a sudden, I might not be able to

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Speaker 3: get through the internet.

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Speaker 4: Look and I'm married. Yeah, Like it was okay, Yes,

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Speaker 4: I think you're a hot babet In twenty twenty three,

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Speaker 4: I think I didn't put mine up.

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Speaker 3: Yeah, you walked out of the house, you go.

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Speaker 2: It was in the little I walked down. I say,

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Speaker 2: just in case hot babes come up.

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Speaker 5: Ye, this we talked about like king shaming, and like

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Speaker 5: I think in twenty twenty three, it's like okay to

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Speaker 5: be out there publicly and saying yeah, and.

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Speaker 3: Don't shame me for liking yes, hot babe.

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Speaker 2: Yes.

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Speaker 3: And also my version of hot might be different than

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Speaker 3: other men's version of hot, like oh my god, I'm

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Speaker 3: well and pow really nice, plump looking, juicy in the

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Speaker 3: right ways.

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Speaker 2: So that's hot.

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Speaker 3: Bit So that's just kind of my thing. And I

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Speaker 3: know that might be off base for a lot of men.

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Speaker 2: But no, but you have this particular and who knows

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Speaker 2: why what you know, we're not going to do some psychoanalysis.

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Speaker 2: Doesn't make a lot of has become like your kind

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Speaker 2: of fetish. Yeah, but you like fick, fit, beautiful women,

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Speaker 2: and you have like a swimwear thing.

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Speaker 3: I do like some swimwear, yes, And the right way.

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Speaker 2: I was hoping we wouldn't get into this, but yeah,

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Speaker 2: it's actually.

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Speaker 4: Hoping we're not going to get the word because we

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Speaker 4: did want to talk about the work I do.

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Speaker 2: I'd like to get into the work that.

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Speaker 4: Because you're on the circcause you're doing or you're doing

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Speaker 4: it right now.

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Speaker 3: I'm currently on the circuit.

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Speaker 2: Yeah, the Banks Robbers movie has been you know yeahs yeah,

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Speaker 2: I mean it's on Netflix right now. Yeah. Yeah, Outlaws

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Speaker 2: even better, you know, better times. Yeah, it should be

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Speaker 2: called that. I mean, I don't want to get back

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Speaker 2: into this, but like, yeah.

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Speaker 4: Because you know you're doing this? What else you you

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Speaker 4: where you've been going? Like what what? What have you hit?

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Speaker 3: Uh?

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Speaker 2: Well?

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Speaker 3: The Righteous Gemsums is out right now? Is that what

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Speaker 3: you're asking? The podcast?

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Speaker 2: I'm talking about? Podcast?

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Speaker 3: What's I couldn't do any of the talk shows because

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Speaker 3: uh no one watches them?

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Speaker 2: Wow?

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Speaker 3: Yeah, more people watch the Hollywood Handbook, Hollywood Minute, watch

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Speaker 3: the Hollywood hand.

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Speaker 2: People watch the Hollywood Handbook. The watch the top shows.

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Speaker 2: And you couldn't You're better off, can't? You're better off

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Speaker 2: doing the TikTok shows than the talk show that I mean?

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Speaker 2: Is that right? That was so clever.

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Speaker 3: Sean.

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Speaker 4: Yeah, I wow, Yeah, it's like the third or fourth episode.

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Speaker 2: Wrote he said that. Yeah.

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Speaker 3: Yeah, well yeah, technically it was writers, but pencls down

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Speaker 3: on Fallon and the Kimmels and the all the Jimmy's,

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Speaker 3: and uh, you couldn't do the talk shows. So I'm

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Speaker 3: I'm doing every podcast. Yeah, and uh so I finally

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Speaker 3: made my way to the Hollywood Handbook and I'm glad. Yeah,

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Speaker 3: and you guys are on the top of the list.

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Speaker 3: But it was a scheduling.

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Speaker 2: Wish the schedules are nuts now, man.

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Speaker 4: Yeah, wish in some way been prioritizing that this could

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Speaker 4: have been first and so we could have avoided some

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Speaker 4: of the issues on on some of these other podcasts, right, yeah, first,

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Speaker 4: because we.

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Speaker 2: Do we do try to identify where some of the

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Speaker 2: potholes might be on your path to promotion.

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Speaker 4: Yeah, okay, let's talk about uh, THEO Von. For anyone

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Speaker 4: who doesn't know, THEO is a comedian, I have to wait,

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Speaker 4: I keep talking while you drink. Keep okay, So don't wait,

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Speaker 4: don't wait. Okay, So THEO Von is a comedian. It's

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Speaker 4: short for THEO Von Helsing. He is most it was

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Speaker 4: originally famous for being on MTV.

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Speaker 3: I'm talking, I know, I know you're doing great, You're okay.

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Speaker 2: Yeah, he was on MTV Global Grind. He's taking a

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Speaker 2: sip of something.

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Speaker 4: No, I am talking doing Yeah, So like he was

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Speaker 4: originally MTV. I think he was on Global grind.

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Speaker 2: It was road Rules.

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Speaker 3: Okay, you guys are the host of Halloween.

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Speaker 4: Yeah, and I wish you had done this show first

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Speaker 4: before going on his show.

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Speaker 3: He was on he was on Global Grinde. He definitely was.

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Speaker 2: No, he did Guy's only okay, only I believe I

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Speaker 2: believe you. Hey, your show, I mean, it's is it.

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Speaker 4: I don't know how to proceed from here. Like, the

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Speaker 4: only thing he did was Global Grind.

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Speaker 2: Well, he was, and he was on Dead at twenty

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Speaker 2: one starring Jack Nosworthy, wasn't he Okay?

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Speaker 4: So like yeah, eventually he had credits. Well yeah, so

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Speaker 4: he has credits, yeah exactly. And so Theovonnus is doing

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Speaker 4: this podcast now and he has comedians mostly, but like

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Speaker 4: different kinds of stars on the show to like talk

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Speaker 4: about different things, and it's kind of loose and its

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Speaker 4: structure and it's a big hit podcast.

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Speaker 2: Yeah, but it is loose. I mean that's interesting to

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Speaker 2: point out. So you do end up wandering into some

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Speaker 2: dangerous territory. We try to always kind of have clear segments,

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Speaker 2: have things decided that we're going to address beforehand, because

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00:19:35,640 --> 00:19:39,359
Speaker 2: we do end up in these situations where you know,

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Speaker 2: if you don't kind of demarcate this topic is off limits,

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Speaker 2: this topic is allowed, then you can and so this

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Speaker 2: is end up in some trouble like okay, is there

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Speaker 2: a hot baby?

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Speaker 4: Well, I just looked this up to prove I was

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Speaker 4: I was right about Global Ground. And just as we're

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Speaker 4: talking about theovon being on road rules, my phone is

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Speaker 4: now saying that theovon was on.

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Speaker 2: Yeah, Like this is like out of you look up

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Speaker 2: Jack Noseworthy for me, Jack Noseworthy.

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Speaker 3: Yes, And why did we bring up the theovon podcast?

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Speaker 2: We did the show show and I and and God

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Speaker 2: bless him. Talented guy, funny guy. I don't know that

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Speaker 2: he has the hosting experience that Hayes and I have

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Speaker 2: where he can kind of keep you inside the Then okay, yeah,

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Speaker 2: because you did wander into some dangerous territory like what's up? Yeah?

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Speaker 4: Uh so this is Jack Noseworthy, This isn't Kit Pardu.

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Speaker 4: I don't know you're telling me this isn't kit part.

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Speaker 3: Uh, that's not the Rollerblade kid from Brink? Was it

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Speaker 3: Brink or Blink?

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Speaker 2: It was Brink.

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Speaker 4: I guess if my name were Jack Nosworthy, maybe he

401
00:20:59,280 --> 00:21:02,520
Speaker 4: changed it to Yeah, you can't just be going out

402
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Speaker 4: here name Jack knows where.

403
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Speaker 2: Yeah, that's not for too long. Well career for himself

404
00:21:07,880 --> 00:21:09,240
Speaker 2: as Jack. He was dead.

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Speaker 4: Podcast did and you talked about how comedy movies are hard.

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00:21:16,640 --> 00:21:17,800
Speaker 2: Well let's watch the clip.

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Speaker 4: Let's watch the clip because what we have we have

408
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Speaker 4: some ground to come back from here, So like, can

409
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Speaker 4: we do we pull it up? Yeah?

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Speaker 2: There is the is the fit is correct?

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Speaker 3: Hang on podcast uniform.

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Speaker 2: Yeah, I think I've had this.

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Speaker 4: Okay, so let's okay, let's put our headphones on. I'm

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Speaker 4: glad you got that sip in.

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Speaker 3: Dude, I was you know.

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00:21:48,600 --> 00:21:55,720
Speaker 2: There's Yeah, especially comedies now days, you have to like

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Speaker 2: mask it.

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Speaker 3: This is why it's a big action comedy because you

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00:21:59,080 --> 00:22:01,720
Speaker 3: really have to go like an action and then and

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00:22:01,760 --> 00:22:03,840
Speaker 3: then it's a comedy. You know, you watch comedies. Now

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Speaker 3: pause the clip.

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Speaker 2: Are you saying that your movie doesn't have much comedy?

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00:22:11,720 --> 00:22:14,439
Speaker 3: No, there's a lot of comedy, but I was saying

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Speaker 3: that comedies nowadays you have to mask you. It has

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Speaker 3: to be an action comedy.

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Speaker 2: You can't market it is just we're being funny.

427
00:22:21,080 --> 00:22:21,840
Speaker 3: We're being funny.

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Speaker 2: You have to go like we have the on laws

429
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Speaker 2: and they're gonna do like all this crazy stuff. Should

430
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Speaker 2: we let it's a trojan horse?

431
00:22:29,840 --> 00:22:31,680
Speaker 3: Yeah, comedy is, and yeah that's right.

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Speaker 2: Should we let him watch?

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Speaker 4: You know, and then we can go back through it

434
00:22:35,440 --> 00:22:37,720
Speaker 4: and okay, let's watch the whole clip and then and.

435
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Speaker 2: Then we'll go, Okay, thank you, guys, thank you.

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00:22:39,480 --> 00:22:43,560
Speaker 3: This isn't a fucking comedy.

437
00:22:43,600 --> 00:22:45,199
Speaker 2: You're not. Where's the jokes?

438
00:22:45,240 --> 00:22:46,600
Speaker 3: Like, where's the bits? Bad?

439
00:22:46,720 --> 00:22:48,160
Speaker 2: Yeah, comedy's gotten kind of bad.

440
00:22:48,280 --> 00:22:51,400
Speaker 3: Yeah that kind of sucks. Yeah, movie comedy, movie com

441
00:22:51,520 --> 00:22:53,000
Speaker 3: Yeah there's movie.

442
00:22:53,080 --> 00:22:54,040
Speaker 2: Yeah, movie, yeah.

443
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Speaker 3: Movie. I know you guys are gonna come back to

444
00:22:55,600 --> 00:22:56,280
Speaker 3: watch the whole clip.

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00:22:56,320 --> 00:22:57,000
Speaker 2: Yeah, okay, but.

446
00:22:57,800 --> 00:23:03,640
Speaker 3: Luckily, Uh My theory is I think like Marvel ruined it.

447
00:23:04,400 --> 00:23:09,640
Speaker 3: I feel like superhero movies kind of ruined comedies because

448
00:23:10,440 --> 00:23:14,399
Speaker 3: they people watch. You go to the theater and you

449
00:23:14,520 --> 00:23:16,840
Speaker 3: expect to watch something that costs two hundred million dollars

450
00:23:16,880 --> 00:23:21,120
Speaker 3: to make, and comedy movies aren't that aren't that. So

451
00:23:21,560 --> 00:23:23,439
Speaker 3: you're like, well, why would I spend the same amount

452
00:23:23,480 --> 00:23:25,600
Speaker 3: of money to go watch a little comedy in the

453
00:23:25,600 --> 00:23:28,600
Speaker 3: theater if I could spend the same amount of money

454
00:23:28,640 --> 00:23:32,200
Speaker 3: and go see something that is worth two hundred million dollars.

455
00:23:32,240 --> 00:23:34,239
Speaker 3: And then now they there used to be something like

456
00:23:34,640 --> 00:23:37,520
Speaker 3: every studio would put out several comedies every every year,

457
00:23:37,560 --> 00:23:40,440
Speaker 3: and there was like forty five or forty six comedies

458
00:23:40,560 --> 00:23:47,280
Speaker 3: in the theaters every year. I said, comedy in the theaters,

459
00:23:47,359 --> 00:23:53,159
Speaker 3: and then now last year there was like six or seven.

460
00:23:53,520 --> 00:23:59,120
Speaker 2: So you want me to keep time?

461
00:23:59,480 --> 00:24:00,400
Speaker 3: Don't wait, don't wait?

462
00:24:00,480 --> 00:24:04,920
Speaker 4: Okay, okay, So you said that Marvel is responsible for

463
00:24:05,160 --> 00:24:06,480
Speaker 4: comedy movies being bad.

464
00:24:06,600 --> 00:24:12,879
Speaker 2: Now Marvel destroyed comedy. You did it? Spitg surprised takeaway

465
00:24:12,920 --> 00:24:17,400
Speaker 2: from from this? For me? That that was the spit take.

466
00:24:18,680 --> 00:24:24,160
Speaker 3: We're doing it. I would say, hey, I know comedy.

467
00:24:24,200 --> 00:24:25,399
Speaker 3: You can tell by that clip.

468
00:24:25,560 --> 00:24:33,439
Speaker 2: Yeah, well obviously and that man and that was that

469
00:24:33,640 --> 00:24:37,199
Speaker 2: was quite a quite a clip. But I'm surprised that

470
00:24:37,280 --> 00:24:41,200
Speaker 2: you're surprised because he took that away because it sounded

471
00:24:41,240 --> 00:24:45,000
Speaker 2: like you said almost directly that at least your theory

472
00:24:45,320 --> 00:24:52,399
Speaker 2: was that Marvel movies have destroyed comedy that was a

473
00:24:52,480 --> 00:25:00,560
Speaker 2: little a little more vigorous. Wow, dude, you took away

474
00:25:00,560 --> 00:25:02,080
Speaker 2: from that.

475
00:25:02,080 --> 00:25:05,960
Speaker 4: That's what you said. You said it's Marvel's fault. Why

476
00:25:07,760 --> 00:25:09,040
Speaker 4: you just said it in the clip?

477
00:25:09,160 --> 00:25:11,479
Speaker 2: Yes, we wanted to talk about like that's you know,

478
00:25:11,720 --> 00:25:13,840
Speaker 2: maybe not the best thing to say is that, like

479
00:25:14,480 --> 00:25:16,040
Speaker 2: it's Marvel's fault.

480
00:25:16,320 --> 00:25:18,280
Speaker 3: I don't know if that's exactly what I said.

481
00:25:18,600 --> 00:25:21,160
Speaker 2: Oh, Okay, what do you think?

482
00:25:21,240 --> 00:25:23,160
Speaker 3: Are you asking the essence of what I said?

483
00:25:23,320 --> 00:25:26,800
Speaker 2: Yeah? I guess that's what were you trying the commuter?

484
00:25:26,920 --> 00:25:30,400
Speaker 2: That's what I heard? But maybe I missed something.

485
00:25:30,560 --> 00:25:32,920
Speaker 3: Yeah, uh yeah, I think you missed a lot because

486
00:25:32,920 --> 00:25:35,240
Speaker 3: I didn't say that such. I didn't say that.

487
00:25:35,480 --> 00:25:37,399
Speaker 2: Okay, what did you say? What did you say? Or

488
00:25:37,440 --> 00:25:38,400
Speaker 2: what were you trying?

489
00:25:38,600 --> 00:25:39,280
Speaker 3: Marvel rocks?

490
00:25:39,280 --> 00:25:40,760
Speaker 2: And I missed Marvel rocks?

491
00:25:41,240 --> 00:25:43,479
Speaker 3: Marvel rocks? What happened to be a part of the

492
00:25:43,520 --> 00:25:47,520
Speaker 3: cinematic universe there? Yeah, what I think I was trying

493
00:25:47,520 --> 00:25:50,080
Speaker 3: to get across is people don't want to go to comedies.

494
00:25:50,320 --> 00:25:52,800
Speaker 3: If you have something as cool and dope to watch

495
00:25:52,920 --> 00:25:56,240
Speaker 3: as at that rock Marble, so good, so good, why

496
00:25:56,240 --> 00:26:00,440
Speaker 3: would you want to go see a stupid little comedy?

497
00:25:59,840 --> 00:26:05,720
Speaker 2: I'm my shit sucks. I Marvel rocks. Yeah, Marvel, will

498
00:26:05,760 --> 00:26:07,320
Speaker 2: you hang out with Will you hang out with me?

499
00:26:07,480 --> 00:26:07,800
Speaker 3: Please?

500
00:26:07,960 --> 00:26:10,040
Speaker 2: Oka? Yeah, that's why I didn't get that.

501
00:26:10,119 --> 00:26:12,399
Speaker 3: But that's interesting that didn't come through in that clip.

502
00:26:12,680 --> 00:26:15,119
Speaker 2: It may have been edited strange or something too.

503
00:26:15,240 --> 00:26:15,879
Speaker 3: That's what it is.

504
00:26:15,920 --> 00:26:19,280
Speaker 4: It's the editing probably, yes, okay, But even so, I

505
00:26:19,280 --> 00:26:21,240
Speaker 4: wonder if there's a way to be going and doing

506
00:26:21,280 --> 00:26:25,160
Speaker 4: press and saying, like Marvel's good, my stuff is also good.

507
00:26:25,160 --> 00:26:28,720
Speaker 3: Stuff that I wasn't necessarily saying my stuff isn't good.

508
00:26:28,720 --> 00:26:32,840
Speaker 3: I'm saying my stuff is good. But in the theaters

509
00:26:33,440 --> 00:26:35,880
Speaker 3: specifically for this movie. Because this movie that I just did,

510
00:26:35,920 --> 00:26:40,520
Speaker 3: The Outlaws on Netflix is awesome, and it's on Netflix,

511
00:26:40,560 --> 00:26:42,679
Speaker 3: and you could watch it at home and then if

512
00:26:42,680 --> 00:26:44,880
Speaker 3: you want to take your money and get in your

513
00:26:44,920 --> 00:26:46,800
Speaker 3: car and drive down to the theater and then you

514
00:26:46,960 --> 00:26:48,040
Speaker 3: go watch a cool thing.

515
00:26:48,040 --> 00:26:49,680
Speaker 2: Go watch it on Marvel movie thing.

516
00:26:49,720 --> 00:26:51,160
Speaker 3: Because I love Marvel.

517
00:26:52,520 --> 00:26:54,560
Speaker 2: So yeah, because you were saying, like.

518
00:26:55,480 --> 00:27:01,720
Speaker 3: Because I love Marvel, yeah, watch this Captain America new Captain.

519
00:27:01,920 --> 00:27:03,480
Speaker 2: One thing that was confusing to me.

520
00:27:04,240 --> 00:27:06,720
Speaker 3: I'm saluting just like Captain America, I think, or is

521
00:27:06,760 --> 00:27:08,080
Speaker 3: it up like this or is it like.

522
00:27:07,960 --> 00:27:11,280
Speaker 2: This something that was interesting to me about what you

523
00:27:11,400 --> 00:27:13,440
Speaker 2: said a little differently.

524
00:27:13,119 --> 00:27:15,600
Speaker 3: I think it's see, that's what I'm going to do,

525
00:27:15,640 --> 00:27:18,680
Speaker 3: differently than Chris Evans, because he was I think he

526
00:27:18,800 --> 00:27:21,679
Speaker 3: was like more like straight on. I'm going to.

527
00:27:24,720 --> 00:27:25,080
Speaker 2: M hmm.

528
00:27:25,160 --> 00:27:27,920
Speaker 3: But stay you stay flexed, you come out, you stay flexed. Yeah,

529
00:27:28,040 --> 00:27:29,080
Speaker 3: you cover the right eye.

530
00:27:29,880 --> 00:27:33,280
Speaker 2: Well, And isn't that what America has done is turned

531
00:27:33,280 --> 00:27:36,760
Speaker 2: a blind eye to someone that's so called justice supposed

532
00:27:36,800 --> 00:27:41,919
Speaker 2: to be seeking, you know, and so the real Captain

533
00:27:42,000 --> 00:27:45,119
Speaker 2: America would have to be at least partially behind in

534
00:27:45,240 --> 00:27:47,720
Speaker 2: order to let some of the atrocities take place that

535
00:27:47,920 --> 00:27:50,800
Speaker 2: have And right now, I know there's a great nation

536
00:27:50,920 --> 00:27:52,080
Speaker 2: of ours sort.

537
00:27:51,840 --> 00:27:55,200
Speaker 3: Of pitching an incredible movie, but it is pencils down

538
00:27:55,280 --> 00:27:55,640
Speaker 3: right now.

539
00:27:56,440 --> 00:27:57,320
Speaker 2: We are doing that.

540
00:27:57,359 --> 00:27:58,479
Speaker 3: We're not writing right now.

541
00:27:58,480 --> 00:28:00,920
Speaker 2: That is writing. What you're doing currently.

542
00:28:00,560 --> 00:28:01,639
Speaker 3: What you're doing is writing.

543
00:28:02,760 --> 00:28:06,359
Speaker 2: Isn't it true? It is that while you, while you

544
00:28:07,600 --> 00:28:12,960
Speaker 2: may have accidentally implied that Marvel movies destroyed comedy, the

545
00:28:13,040 --> 00:28:17,200
Speaker 2: Marvel movies are funny as fuck, and they actually are comedy.

546
00:28:17,320 --> 00:28:18,239
Speaker 3: They are comedy too.

547
00:28:18,720 --> 00:28:22,720
Speaker 2: Maybe they killed million dollars to be it's so funny yeah,

548
00:28:23,119 --> 00:28:25,200
Speaker 2: because why would you pay the same amount of money

549
00:28:25,320 --> 00:28:27,680
Speaker 2: when you could pay the same amount of money, Like,

550
00:28:27,960 --> 00:28:29,720
Speaker 2: why would you pay the same amount of money to

551
00:28:29,720 --> 00:28:35,359
Speaker 2: see the Why would you get what when you're trying

552
00:28:35,359 --> 00:28:38,280
Speaker 2: to pay this I have do I have to take

553
00:28:38,280 --> 00:28:42,080
Speaker 2: another so much money so I'm trying to go see

554
00:28:42,080 --> 00:28:42,640
Speaker 2: you movies?

555
00:28:43,240 --> 00:28:45,720
Speaker 3: Yeah, how much.

556
00:28:45,560 --> 00:28:50,880
Speaker 2: Money is that? Like two million dollars? You said, well,

557
00:28:51,320 --> 00:28:51,880
Speaker 2: to make.

558
00:28:51,760 --> 00:28:54,720
Speaker 3: A Marvel movie, to make a big Marvel movie.

559
00:28:54,440 --> 00:28:59,600
Speaker 2: Just to make it to the movie money in the park,

560
00:29:00,040 --> 00:29:02,320
Speaker 2: And I'm like, yeah, geza, make it on time, got

561
00:29:02,320 --> 00:29:03,680
Speaker 2: to get a sitter. Yeah.

562
00:29:03,760 --> 00:29:07,520
Speaker 3: That being said, I love the movies and I love Marvel,

563
00:29:07,640 --> 00:29:10,360
Speaker 3: and I love the cinematic universe that they've built.

564
00:29:10,680 --> 00:29:12,160
Speaker 2: That's your that's your camera.

565
00:29:12,400 --> 00:29:15,080
Speaker 4: Sorry, I know it's I know it's kind of set

566
00:29:15,160 --> 00:29:17,520
Speaker 4: up weird really, but like that is your So yeah,

567
00:29:17,520 --> 00:29:20,400
Speaker 4: if I love mar give it to your Yeah, give

568
00:29:20,440 --> 00:29:22,959
Speaker 4: it to your camera, because I do think that's yours.

569
00:29:23,600 --> 00:29:24,000
Speaker 2: Yeah.

570
00:29:24,040 --> 00:29:27,640
Speaker 3: I love the cinematic universe that they built, and I

571
00:29:27,720 --> 00:29:32,239
Speaker 3: love going to the movies. AMC Regal Pacific.

572
00:29:31,800 --> 00:29:35,720
Speaker 4: Line might as well say who you want to Calvin Glyde.

573
00:29:36,440 --> 00:29:39,480
Speaker 3: Okay, Calvin C what about Calvin cle We just got

574
00:29:39,480 --> 00:29:41,960
Speaker 3: a little little sneakyople visit.

575
00:29:41,920 --> 00:29:44,520
Speaker 2: A little little a little cameo from our friend co.

576
00:29:44,840 --> 00:29:47,920
Speaker 3: Yeah, Sean might have been there when I bought bought

577
00:29:47,920 --> 00:29:51,160
Speaker 3: these pair. It's when we went to the mall when

578
00:29:51,200 --> 00:29:53,160
Speaker 3: we were writing Workaholics.

579
00:29:52,440 --> 00:29:53,440
Speaker 2: And north Ridge Mall.

580
00:29:53,560 --> 00:29:55,600
Speaker 3: Yeah, babe, I bought some underwears.

581
00:29:56,040 --> 00:29:58,880
Speaker 2: This could be there. Yeah, might as well say what

582
00:29:58,960 --> 00:30:00,920
Speaker 2: character you want to be? You're here if you're talking,

583
00:30:01,080 --> 00:30:03,840
Speaker 2: you know, Captain America.

584
00:30:04,560 --> 00:30:07,040
Speaker 3: Oh yeah, but I don't think I think you're going

585
00:30:07,080 --> 00:30:10,480
Speaker 3: with Anthony Mackie for that one. Okay, you know, I

586
00:30:10,520 --> 00:30:15,200
Speaker 3: feel like I would be what's like the fat round rock.

587
00:30:17,840 --> 00:30:18,960
Speaker 2: In the Marvel World?

588
00:30:19,560 --> 00:30:20,440
Speaker 3: Is it the thing?

589
00:30:21,120 --> 00:30:21,719
Speaker 2: Yeah? There is?

590
00:30:21,960 --> 00:30:24,360
Speaker 3: Yeah, I feel like I would make a good the thing.

591
00:30:24,600 --> 00:30:26,920
Speaker 2: Yeah, the fat is kind of a rock.

592
00:30:27,160 --> 00:30:31,040
Speaker 3: Yeah, it's kind of a rock to me, Like you

593
00:30:31,080 --> 00:30:34,840
Speaker 3: wouldn't get the rock to do that because isn't as

594
00:30:34,880 --> 00:30:38,680
Speaker 3: fat and round. But I am those things, so I

595
00:30:38,680 --> 00:30:39,480
Speaker 3: feel like I can nail.

596
00:30:39,600 --> 00:30:42,000
Speaker 2: Okay, and this this guy gives me a damn glock

597
00:30:42,040 --> 00:30:44,280
Speaker 2: Homan test with his muscles and then he turned around

598
00:30:44,320 --> 00:30:49,560
Speaker 2: and goes like I'm fat and it's I'm sorry. Okay,

599
00:30:49,840 --> 00:30:54,360
Speaker 2: that's helpful. Like the beach, the titular beach.

600
00:30:55,720 --> 00:30:59,200
Speaker 4: I want let's talk like you say, like your so

601
00:30:59,240 --> 00:31:00,560
Speaker 4: your movie has action in it?

602
00:31:00,560 --> 00:31:04,080
Speaker 2: It does, right, yeah, and you action action action, but

603
00:31:04,120 --> 00:31:05,520
Speaker 2: it's something the the Trojan Horse.

604
00:31:08,440 --> 00:31:11,640
Speaker 3: Like you're watching and you're like, oh, this is like

605
00:31:11,800 --> 00:31:14,560
Speaker 3: it's going to be an action movie. Like what this

606
00:31:14,640 --> 00:31:19,920
Speaker 3: is an action movie? Starting a little fat round, A

607
00:31:20,000 --> 00:31:23,200
Speaker 3: little fat round, divine, this is an action movie. Start now,

608
00:31:23,240 --> 00:31:25,320
Speaker 3: I don't know, I don't know. And then all of

609
00:31:25,360 --> 00:31:28,320
Speaker 3: a sudden, you get it gets to gigging, You get

610
00:31:28,640 --> 00:31:29,600
Speaker 3: chucking soon.

611
00:31:29,480 --> 00:31:33,360
Speaker 2: As you soon as you metaphorically fall asleep during the

612
00:31:33,400 --> 00:31:36,760
Speaker 2: movie from the action. Once the action is pretty.

613
00:31:38,200 --> 00:31:40,680
Speaker 3: A zone of like, let me get something else is

614
00:31:40,680 --> 00:31:42,040
Speaker 3: going to explode.

615
00:31:41,760 --> 00:31:45,280
Speaker 2: Adam kicks out the like ass panel of the horse

616
00:31:45,640 --> 00:31:49,080
Speaker 2: and just releases all of this joke soldiers and the

617
00:31:50,160 --> 00:31:51,000
Speaker 2: city the.

618
00:31:51,040 --> 00:31:59,840
Speaker 3: Joke machine gun. Yeah, I'm one of the laws. Just

619
00:32:02,120 --> 00:32:04,200
Speaker 3: and you haven't seen the trailer because I think almost

620
00:32:04,200 --> 00:32:05,120
Speaker 3: exactly what happens.

621
00:32:05,680 --> 00:32:11,320
Speaker 2: Dude, you just to kind of came up. I figured

622
00:32:11,840 --> 00:32:13,560
Speaker 2: you just ended up doing it.

623
00:32:13,600 --> 00:32:15,720
Speaker 3: And you were there when I when I possibly when

624
00:32:15,720 --> 00:32:17,400
Speaker 3: I bought these underwear underwear.

625
00:32:18,680 --> 00:32:20,760
Speaker 2: Remember we were going back and forth.

626
00:32:21,440 --> 00:32:23,920
Speaker 3: We know It's like, do I get the sacks that

627
00:32:24,040 --> 00:32:25,800
Speaker 3: will hold my nutsack in place?

628
00:32:26,640 --> 00:32:29,600
Speaker 2: Really? Well? Where do I go with the park?

629
00:32:30,200 --> 00:32:31,880
Speaker 3: And I think I think it might have been it

630
00:32:31,920 --> 00:32:34,120
Speaker 3: could have been I don't know, it could have been

631
00:32:34,160 --> 00:32:36,480
Speaker 3: you that pushed me this direction. I know you're there so.

632
00:32:36,800 --> 00:32:41,640
Speaker 2: Well, you know classic for a reason name recognition. I mean,

633
00:32:41,800 --> 00:32:44,760
Speaker 2: people are trying to move away maybe from some of

634
00:32:44,800 --> 00:32:49,280
Speaker 2: the old established brands, and I just think like something

635
00:32:49,280 --> 00:32:53,960
Speaker 2: has staying power, like Calvin Klein has. It might be

636
00:32:54,000 --> 00:32:55,840
Speaker 2: a good place to park your butt.

637
00:32:56,840 --> 00:32:59,840
Speaker 4: Yeah right, And it's it's underwear that it's like a

638
00:33:00,240 --> 00:33:02,320
Speaker 4: it stays on the road, you know what I mean.

639
00:33:02,720 --> 00:33:05,520
Speaker 4: Like I've never I have not had to replace a

640
00:33:05,560 --> 00:33:06,360
Speaker 4: pair once.

641
00:33:06,600 --> 00:33:06,840
Speaker 2: Yeah.

642
00:33:07,240 --> 00:33:09,240
Speaker 3: Ever, yeah, and that was a long time ago that

643
00:33:09,920 --> 00:33:11,520
Speaker 3: so these might be decade old.

644
00:33:11,600 --> 00:33:15,400
Speaker 2: Yes, it's been under Yeah, it's been a long time

645
00:33:15,440 --> 00:33:16,240
Speaker 2: in this under.

646
00:33:16,280 --> 00:33:18,480
Speaker 4: Can we figure out instead of just complaining about it?

647
00:33:18,520 --> 00:33:22,200
Speaker 4: I guess, can we figure out a solution where if

648
00:33:22,240 --> 00:33:25,040
Speaker 4: the issue is that these comedy movies don't cost two

649
00:33:25,120 --> 00:33:26,560
Speaker 4: hundred million dollars.

650
00:33:26,240 --> 00:33:28,480
Speaker 3: Is that you haven't cost two hundred million dollars?

651
00:33:28,560 --> 00:33:30,240
Speaker 2: Right, comedies? What's your like?

652
00:33:30,280 --> 00:33:32,240
Speaker 4: I watched like King of Staten Island, and I'm like,

653
00:33:33,000 --> 00:33:36,360
Speaker 4: this movie is missing one hundred and eighty million.

654
00:33:36,600 --> 00:33:40,000
Speaker 3: Yeah, there's nothing is blowing up? Really?

655
00:33:40,360 --> 00:33:42,520
Speaker 2: But can we do it without action? Really? Why do

656
00:33:42,600 --> 00:33:45,480
Speaker 2: we even have to like have action be Why is

657
00:33:45,520 --> 00:33:49,520
Speaker 2: it action? Why isn't it Why isn't it just expensive? Yeah?

658
00:33:49,560 --> 00:33:50,240
Speaker 2: Why does it? Like?

659
00:33:50,320 --> 00:33:54,360
Speaker 3: Why more? Why aren't these actors like super well fed?

660
00:33:54,720 --> 00:33:58,080
Speaker 3: Like why is it there no bou catering? Yes? Why

661
00:33:58,200 --> 00:34:01,520
Speaker 3: why isn't there like why doesn't everyone have a will

662
00:34:02,000 --> 00:34:03,600
Speaker 3: level trailer on screen?

663
00:34:04,120 --> 00:34:04,600
Speaker 2: Rotting?

664
00:34:04,920 --> 00:34:07,400
Speaker 4: Why isn't it there like a see because that's the

665
00:34:08,360 --> 00:34:12,480
Speaker 4: dollars blue fin tun just rotting, rotting.

666
00:34:13,560 --> 00:34:15,640
Speaker 3: And that it doesn't see. This is where I think

667
00:34:15,680 --> 00:34:17,640
Speaker 3: we differ. It doesn't even need to go on screen

668
00:34:18,000 --> 00:34:20,240
Speaker 3: as if you were I just want to go, knowing

669
00:34:20,320 --> 00:34:22,880
Speaker 3: that it costs the money, I'd like it. I'd like

670
00:34:22,920 --> 00:34:23,400
Speaker 3: a making a.

671
00:34:23,520 --> 00:34:26,120
Speaker 2: Feature at excuse me, I'd like a making of feature.

672
00:34:26,600 --> 00:34:28,800
Speaker 2: It doesn't need to be on screen during the film.

673
00:34:28,880 --> 00:34:32,040
Speaker 2: But I do think that before and after the film

674
00:34:32,080 --> 00:34:35,680
Speaker 2: we see a making up featurette feature, a small documentary

675
00:34:36,120 --> 00:34:39,200
Speaker 2: about how like where some of the money went, and

676
00:34:39,239 --> 00:34:41,600
Speaker 2: that it shows that like any time an actor had

677
00:34:41,600 --> 00:34:44,400
Speaker 2: to use the bathroom. They took a yacht out to

678
00:34:44,520 --> 00:34:50,640
Speaker 2: like an expensive toilet that had the toilet. Uh.

679
00:34:50,719 --> 00:34:55,640
Speaker 3: Yeah, I would say to add to your point, the

680
00:34:55,680 --> 00:35:00,160
Speaker 3: movie can be a small cute indie darling, but in

681
00:35:00,239 --> 00:35:03,880
Speaker 3: the featurette the feature had big, big money spent on

682
00:35:03,960 --> 00:35:07,640
Speaker 3: the big money, and that would get that would get

683
00:35:07,640 --> 00:35:10,120
Speaker 3: butts in the seats for me, Yes, because going because

684
00:35:10,120 --> 00:35:12,080
Speaker 3: I know, like me and my family were driving to

685
00:35:12,120 --> 00:35:15,319
Speaker 3: the theater. My dad is always like, now, how much

686
00:35:15,360 --> 00:35:16,160
Speaker 3: did this one cost?

687
00:35:16,400 --> 00:35:17,160
Speaker 2: Yeah?

688
00:35:17,200 --> 00:35:19,560
Speaker 3: And I'm like, Dad, does it really matter? And He's like,

689
00:35:19,760 --> 00:35:22,560
Speaker 3: I'm pulling this car around if it doesn't cost two

690
00:35:22,640 --> 00:35:27,160
Speaker 3: hundred million dollars And I'm like, well sorry.

691
00:35:27,239 --> 00:35:31,120
Speaker 2: You know, like we can't then we can't say. But

692
00:35:31,160 --> 00:35:32,239
Speaker 2: I think you'll really lack.

693
00:35:32,280 --> 00:35:34,799
Speaker 3: I think you would like it. I mean they have

694
00:35:34,840 --> 00:35:39,480
Speaker 3: a funny phone. Was there a funny Hamburger Hamburger phone? Yeah,

695
00:35:39,560 --> 00:35:43,160
Speaker 3: there was a Hamburger phone. I guess that maybe those

696
00:35:43,160 --> 00:35:46,919
Speaker 3: are hard to find, so maybe that would be pretty expensive, so.

697
00:35:47,800 --> 00:35:52,000
Speaker 4: Very expensive crafty mm hmm. In terms of crew, I

698
00:35:52,040 --> 00:35:56,640
Speaker 4: think Coco the Gorilla is a DP, for example, very

699
00:35:56,680 --> 00:35:59,439
Speaker 4: expensive to get her services because she's so smart. Yes,

700
00:35:59,800 --> 00:36:03,720
Speaker 4: and that was so sad. When Robin Williams died super sad.

701
00:36:04,760 --> 00:36:07,839
Speaker 4: She remembered they had met like fifteen years earlier, and

702
00:36:07,920 --> 00:36:10,960
Speaker 4: her trainer was like, hey, cocoa, Robin Williams just died.

703
00:36:11,160 --> 00:36:13,880
Speaker 4: She signed, like, are you fucking kidding me?

704
00:36:14,080 --> 00:36:14,480
Speaker 5: Yeah?

705
00:36:14,920 --> 00:36:18,320
Speaker 4: Wow, my friend Robin Williams, who I met fifteen years

706
00:36:18,400 --> 00:36:19,320
Speaker 4: just started signing.

707
00:36:19,360 --> 00:36:24,680
Speaker 2: Don't film this? Why are you filming this?

708
00:36:25,120 --> 00:36:30,520
Speaker 4: What happened? Louis body said Droe. It's like, what, how

709
00:36:30,560 --> 00:36:31,440
Speaker 4: do you know what that is?

710
00:36:31,480 --> 00:36:34,239
Speaker 2: You're so smart, such a smart gorilla.

711
00:36:34,320 --> 00:36:36,680
Speaker 3: So yeah, I mean that that was right, Like the

712
00:36:36,840 --> 00:36:39,520
Speaker 3: behind the don't need to go on camera, but behind

713
00:36:39,560 --> 00:36:41,479
Speaker 3: the camera, I want big money spent.

714
00:36:42,000 --> 00:36:44,360
Speaker 2: Fuck what's on camera in the movies? I see? Yeah,

715
00:36:44,440 --> 00:36:45,239
Speaker 2: I do not care.

716
00:36:45,520 --> 00:36:49,280
Speaker 3: Like you know how, like crew guys wear very comfortable shoes,

717
00:36:50,080 --> 00:36:52,240
Speaker 3: Like maybe we get them those red boots that everyone's

718
00:36:52,239 --> 00:36:57,480
Speaker 3: wearing nowadays, like those big Mario Brothers style big red boots,

719
00:36:57,719 --> 00:37:01,280
Speaker 3: those Mario Brothers big big o old boots that everyone,

720
00:37:01,880 --> 00:37:08,040
Speaker 3: everyone Williams get wearing them. So we get them for

721
00:37:08,040 --> 00:37:08,760
Speaker 3: the whole crew.

722
00:37:08,640 --> 00:37:11,200
Speaker 4: And you can't the whole movie isn't going to be

723
00:37:11,200 --> 00:37:13,160
Speaker 4: shot like full Body, but you should be able to

724
00:37:13,200 --> 00:37:15,080
Speaker 4: hear them kind of clamping around.

725
00:37:16,160 --> 00:37:18,319
Speaker 3: You want to you want to hear the squeaks of

726
00:37:18,360 --> 00:37:23,719
Speaker 3: the crew on film of their super expensive shoes. So

727
00:37:23,800 --> 00:37:26,880
Speaker 3: you know, as a viewer, this might look like a

728
00:37:26,920 --> 00:37:30,279
Speaker 3: small comedy, but it is. It does cost a lot

729
00:37:30,320 --> 00:37:30,840
Speaker 3: of mula.

730
00:37:31,000 --> 00:37:34,560
Speaker 2: Yes, what was the Did grimes get like a mesh

731
00:37:34,760 --> 00:37:38,600
Speaker 2: like I am plan or something like that. Why don't

732
00:37:38,600 --> 00:37:43,360
Speaker 2: you do that? Because that's expensive. That's that could be

733
00:37:43,400 --> 00:37:45,479
Speaker 2: somewhere that the money goes where we're not. They don't

734
00:37:45,520 --> 00:37:48,400
Speaker 2: look different, but they do. Look we're talking about the

735
00:37:48,440 --> 00:37:51,799
Speaker 2: actors and the crew. What about the audience. Why are

736
00:37:51,840 --> 00:37:53,960
Speaker 2: we paying for the audience to get a besch iye,

737
00:37:54,200 --> 00:37:56,360
Speaker 2: pay some of that budget in the audience.

738
00:37:56,480 --> 00:37:59,359
Speaker 3: Yeah, the whole Transport Department veneers.

739
00:38:00,680 --> 00:38:04,680
Speaker 2: Oh okay, just a full watch.

740
00:38:04,760 --> 00:38:08,759
Speaker 3: Everyone's looking like Joe Biden. Uh just some big old clompers.

741
00:38:08,920 --> 00:38:12,799
Speaker 2: Yeah right, just just chomping away, not a care.

742
00:38:13,440 --> 00:38:16,200
Speaker 3: That's the Hollywood I want to see. That's just an

743
00:38:16,239 --> 00:38:19,920
Speaker 3: average American viewer. You go in, you're from Omaha, Nebraska,

744
00:38:19,920 --> 00:38:21,120
Speaker 3: You're like, what's Hollywood up to?

745
00:38:21,320 --> 00:38:22,200
Speaker 2: You can feel?

746
00:38:22,360 --> 00:38:24,359
Speaker 3: And then you watch the movie You're like, that was cute.

747
00:38:24,400 --> 00:38:27,399
Speaker 3: And then you watch the feature att and you and

748
00:38:27,480 --> 00:38:29,600
Speaker 3: in the future atte you see the transport crat to

749
00:38:29,760 --> 00:38:31,240
Speaker 3: like just a big old sit.

750
00:38:31,120 --> 00:38:36,600
Speaker 2: Of clompers where to Hey, I could give you a ride.

751
00:38:38,160 --> 00:38:42,480
Speaker 6: Big squeaky red boots on looking Wait, you don't know

752
00:38:42,520 --> 00:38:46,080
Speaker 6: where we're going, and you're you're offering me a ride,

753
00:38:46,920 --> 00:38:47,480
Speaker 6: just like.

754
00:38:49,480 --> 00:38:51,719
Speaker 3: And that's one of the twists and turns of the FEATURETTE.

755
00:38:51,800 --> 00:38:52,200
Speaker 3: Right now.

756
00:38:52,440 --> 00:38:54,759
Speaker 2: You watch some of these old movies, right and you

757
00:38:54,880 --> 00:38:57,040
Speaker 2: just like you pick a classic thing, you know, Kramer

758
00:38:57,120 --> 00:39:00,439
Speaker 2: versus Cramer or something, and people say the performances there's good,

759
00:39:00,440 --> 00:39:02,560
Speaker 2: But I watch it and I just know that they

760
00:39:02,600 --> 00:39:05,719
Speaker 2: got driven a set by someone with small teeth. Yeah, Like,

761
00:39:06,560 --> 00:39:12,439
Speaker 2: like you feel that on screen, this tiny it takes

762
00:39:12,480 --> 00:39:16,200
Speaker 2: away the magic, doesn't It doesn't feel like I want,

763
00:39:16,239 --> 00:39:19,480
Speaker 2: you know, I want. Hollywood is a dream factory, right,

764
00:39:19,520 --> 00:39:23,880
Speaker 2: It's a land of fantasy because we're fucking big, popping

765
00:39:23,960 --> 00:39:24,960
Speaker 2: out the mouth.

766
00:39:24,760 --> 00:39:28,680
Speaker 4: And clients need some fake money on gas. They need

767
00:39:28,719 --> 00:39:31,520
Speaker 4: to have small teeth because the big heavy teeth are

768
00:39:31,560 --> 00:39:32,520
Speaker 4: like weighing.

769
00:39:32,280 --> 00:39:35,279
Speaker 2: Down And that's that the whole way get me a driver.

770
00:39:36,560 --> 00:39:39,480
Speaker 3: Hollywood has been up to lately that I feel, especially

771
00:39:39,480 --> 00:39:41,719
Speaker 3: with comedies, yeah, we spend.

772
00:39:41,480 --> 00:39:45,080
Speaker 2: A little more marble fault, marble fault at all.

773
00:39:46,320 --> 00:39:49,319
Speaker 3: Huge fan of Marvel, huge fan of Marvel and their

774
00:39:49,320 --> 00:39:53,040
Speaker 3: cinematic universe. But if if we were to spend take

775
00:39:53,080 --> 00:39:56,400
Speaker 3: that money and spend it on the things audiences care about,

776
00:39:56,760 --> 00:40:01,200
Speaker 3: squeaky expensive shoes and big old chomper te for the crew.

777
00:40:03,480 --> 00:40:07,680
Speaker 3: Oh you're checking on my shades. Yeah, I don't think

778
00:40:07,719 --> 00:40:08,960
Speaker 3: you were there when I bought those.

779
00:40:09,040 --> 00:40:13,400
Speaker 2: But so that sucks nice.

780
00:40:13,600 --> 00:40:15,200
Speaker 3: Yeah, I might have been allergic to it.

781
00:40:15,560 --> 00:40:19,320
Speaker 2: Yeah, what he can do looking through him is cool. Really,

782
00:40:19,480 --> 00:40:21,480
Speaker 2: it's darker. It is darker.

783
00:40:21,840 --> 00:40:25,719
Speaker 3: Yeah, very Now when I wear these, do you think

784
00:40:25,840 --> 00:40:29,400
Speaker 3: I'm maybe more appealing to the Marvels of the world,

785
00:40:29,440 --> 00:40:32,000
Speaker 3: the d C's of the world, Because now I look

786
00:40:32,080 --> 00:40:33,480
Speaker 3: like a Hollywood cool guy.

787
00:40:33,840 --> 00:40:36,680
Speaker 2: Before you're that guy tired? How tired is that man

788
00:40:36,760 --> 00:40:38,080
Speaker 2: would wear something like that?

789
00:40:38,360 --> 00:40:40,920
Speaker 3: This looks like a tired comedy guy.

790
00:40:41,000 --> 00:40:48,040
Speaker 2: I know this guy, cool Hollywood guy. He's wildyclops cyclops,

791
00:40:49,239 --> 00:40:50,759
Speaker 2: he's glasses.

792
00:40:51,280 --> 00:40:55,040
Speaker 3: He's glasses. Hey, and we just figured it out. Hey, Marvel, give.

793
00:40:54,920 --> 00:40:56,960
Speaker 2: Me a call. And he's married.

794
00:40:58,040 --> 00:40:59,120
Speaker 3: Yeah and so much so.

795
00:40:59,200 --> 00:41:01,240
Speaker 2: Yeah, so that's yeah, so that's perfect.

796
00:41:01,520 --> 00:41:02,560
Speaker 3: That makes a lot of sense.

797
00:41:02,600 --> 00:41:06,040
Speaker 2: Actually, when did you switch to the When did you

798
00:41:06,080 --> 00:41:09,279
Speaker 2: switch to this from the improv phone? Because I know

799
00:41:09,360 --> 00:41:12,799
Speaker 2: you're trained, and I know the training is improv phone.

800
00:41:12,840 --> 00:41:14,239
Speaker 2: You hold, you hold like you.

801
00:41:14,280 --> 00:41:17,120
Speaker 3: Got to do. You hold the phone, you do correct

802
00:41:17,160 --> 00:41:17,719
Speaker 3: space work.

803
00:41:18,120 --> 00:41:21,080
Speaker 2: But you know what, he switched to this and and

804
00:41:21,160 --> 00:41:23,680
Speaker 2: I think you should. Yeah, because you're not in the

805
00:41:24,160 --> 00:41:25,080
Speaker 2: world anymore.

806
00:41:25,640 --> 00:41:26,919
Speaker 3: I took a step out of that world.

807
00:41:26,960 --> 00:41:27,160
Speaker 2: Yeah.

808
00:41:27,480 --> 00:41:30,879
Speaker 3: Yeah, So I feel like most people, uh, if you're

809
00:41:30,920 --> 00:41:33,799
Speaker 3: not trained like we all are, I know you got

810
00:41:33,840 --> 00:41:36,520
Speaker 3: t Yeah, if we're not trained like we are, most

811
00:41:36,560 --> 00:41:37,960
Speaker 3: people are like, what is he holding?

812
00:41:38,160 --> 00:41:39,319
Speaker 2: Yes, what is that?

813
00:41:39,360 --> 00:41:42,320
Speaker 3: Like the grapefruit hold into his ear like it doesn't.

814
00:41:42,080 --> 00:41:44,920
Speaker 2: Even make it. He's kind of God. Yeah, well I

815
00:41:44,920 --> 00:41:48,239
Speaker 2: think grapefruit is right, Yeah, we need to pitch on grapefruit.

816
00:41:48,719 --> 00:41:53,880
Speaker 2: But you do think holding a grapefruit, specifically, he's holding

817
00:41:53,880 --> 00:41:55,799
Speaker 2: a grape fruit to his ear, try to talk it

818
00:41:55,840 --> 00:41:59,040
Speaker 2: to it. I don't know if that would really because

819
00:41:59,080 --> 00:42:03,040
Speaker 2: the juices phone. We already talked about a hamburger, so

820
00:42:03,120 --> 00:42:06,520
Speaker 2: that yeah, you know, it actually would be a phone

821
00:42:06,520 --> 00:42:10,319
Speaker 2: if I thought he was holding a big mac. But

822
00:42:10,440 --> 00:42:13,400
Speaker 2: I think that yeah, you could open I do you think.

823
00:42:13,719 --> 00:42:16,439
Speaker 3: I feel like most people. Most people if you're you're

824
00:42:16,480 --> 00:42:18,880
Speaker 3: living in Cedar Rapids, Iowa, and you're like, what is

825
00:42:18,880 --> 00:42:19,400
Speaker 3: it holding?

826
00:42:19,480 --> 00:42:24,359
Speaker 4: But this You're like, that's it's got the on and

827
00:42:24,440 --> 00:42:25,560
Speaker 4: on the bottom of the flip.

828
00:42:25,640 --> 00:42:27,560
Speaker 3: It's the flip down. You know, this is the flip.

829
00:42:27,680 --> 00:42:28,280
Speaker 3: That's the flip.

830
00:42:29,160 --> 00:42:31,799
Speaker 2: The old motoro hand becomes the phone. The hand's not

831
00:42:31,840 --> 00:42:33,719
Speaker 2: holding the phone is the phone? Right?

832
00:42:34,040 --> 00:42:36,240
Speaker 3: He basically I'm pitching for the future.

833
00:42:37,600 --> 00:42:40,760
Speaker 2: Can we do that? Right? The phone is always listening anyway?

834
00:42:42,200 --> 00:42:46,720
Speaker 3: Hand yo, zuck, hit me up, hit me on my hip, Zuck,

835
00:42:46,840 --> 00:42:48,760
Speaker 3: come on, come on, Zucky.

836
00:42:49,080 --> 00:42:50,160
Speaker 2: Is this my camera as well?

837
00:42:50,320 --> 00:42:54,480
Speaker 4: That's that one's all of us?

838
00:42:56,920 --> 00:42:58,360
Speaker 3: Come on, Zuck, come.

839
00:42:58,160 --> 00:43:04,520
Speaker 2: On, zuck sucking fuck right. Yes, the book, come on, dude.

840
00:43:06,200 --> 00:43:11,520
Speaker 7: We talked about the food. We talked about the gorilla,

841
00:43:12,320 --> 00:43:16,560
Speaker 7: the phone, the big old chompers, the big old choppers,

842
00:43:16,640 --> 00:43:17,280
Speaker 7: the veneers.

843
00:43:17,360 --> 00:43:19,120
Speaker 2: We got that. Do you want to talk about When

844
00:43:19,120 --> 00:43:20,320
Speaker 2: you said movies.

845
00:43:23,360 --> 00:43:25,839
Speaker 3: I wish you went probably, Well they cut it.

846
00:43:25,880 --> 00:43:28,080
Speaker 4: They cut it really because like in the for the

847
00:43:28,120 --> 00:43:31,520
Speaker 4: TikTok because it's shorter. But in the actual podcast, you said, movie,

848
00:43:31,560 --> 00:43:32,560
Speaker 4: these movie, these movies.

849
00:43:32,600 --> 00:43:33,400
Speaker 2: That's all folks.

850
00:43:33,520 --> 00:43:36,279
Speaker 3: Yeah, it was more of a bit what I was

851
00:43:36,320 --> 00:43:39,520
Speaker 3: doing it before. Now they cut the funny. It doesn't read,

852
00:43:39,920 --> 00:43:43,040
Speaker 3: it doesn't doesn't now now they don't get how hilarious

853
00:43:43,080 --> 00:43:45,520
Speaker 3: I've been when I said movie is I like.

854
00:43:45,680 --> 00:43:47,840
Speaker 2: My favorite moment I think is early on in the

855
00:43:47,880 --> 00:43:52,479
Speaker 2: clip where he goes, comedy's gotten kind of bad. Hone

856
00:43:52,560 --> 00:43:54,480
Speaker 2: you go it kind of has and he goes movie comedy,

857
00:43:54,520 --> 00:43:57,239
Speaker 2: movie comedy because he's going, wait, wait, I.

858
00:43:57,280 --> 00:44:03,200
Speaker 3: Do comedy comedy and friends himself. Yeah, And I just

859
00:44:03,360 --> 00:44:06,719
Speaker 3: like I relate, don't we all?

860
00:44:06,960 --> 00:44:09,040
Speaker 4: I think we all relate to the Let's talk about

861
00:44:09,040 --> 00:44:11,120
Speaker 4: how there used to be forty five or forty six

862
00:44:11,160 --> 00:44:12,560
Speaker 4: comedy movies per year.

863
00:44:12,680 --> 00:44:15,080
Speaker 2: Let's talk about whether that would translate to every week

864
00:44:15,160 --> 00:44:19,680
Speaker 2: or every other week. No, I did.

865
00:44:19,760 --> 00:44:22,359
Speaker 3: I read the math might be wrong, but I did

866
00:44:22,360 --> 00:44:27,200
Speaker 3: read something about how there were multiple comedy movies that

867
00:44:27,200 --> 00:44:32,200
Speaker 3: would come out a month. Yeah, and uh and just

868
00:44:32,320 --> 00:44:36,200
Speaker 3: through my basic math, So that's one hundred comedy movies.

869
00:44:36,239 --> 00:44:39,040
Speaker 2: Yeah, you're close to it. And now they're you know,

870
00:44:39,680 --> 00:44:43,040
Speaker 2: five or six, which is true. Yeah. And so once again,

871
00:44:43,080 --> 00:44:45,480
Speaker 2: instead of complaining, where aren't we going in and pitching

872
00:44:46,320 --> 00:44:48,920
Speaker 2: pencils down already comedy movies.

873
00:44:49,080 --> 00:44:51,439
Speaker 3: Well, because it's pencils down right now, we can't go pitch.

874
00:44:51,520 --> 00:44:54,799
Speaker 4: Yeah, but yeah, but we're just talking a pencil, you know,

875
00:44:56,840 --> 00:44:58,600
Speaker 4: we're just having to pencils in it.

876
00:44:59,200 --> 00:45:00,920
Speaker 3: Yeah, but where would you where would you pitch it?

877
00:45:00,960 --> 00:45:04,000
Speaker 3: Because you can go into the studios to pitch.

878
00:45:04,760 --> 00:45:05,160
Speaker 2: Are you going.

879
00:45:05,160 --> 00:45:09,480
Speaker 4: To find some other common grounding place, you know, just

880
00:45:09,560 --> 00:45:12,160
Speaker 4: on the ten freeway from part of the next Yes.

881
00:45:12,480 --> 00:45:15,440
Speaker 2: Oh wow, I can't believe we just both ran having

882
00:45:15,440 --> 00:45:19,399
Speaker 2: a picnic at the same landfill. Yeah.

883
00:45:19,840 --> 00:45:22,600
Speaker 3: I can't believe we just met at this local landfill.

884
00:45:22,719 --> 00:45:25,320
Speaker 2: I can't believe we're both right next to the tires

885
00:45:25,320 --> 00:45:26,080
Speaker 2: at the landfill.

886
00:45:26,200 --> 00:45:32,280
Speaker 3: Yeah, coincidentally eating egg salad at the landfill near the tires.

887
00:45:32,000 --> 00:45:40,719
Speaker 2: Bo j Pack? Wait, what happened? Who's the new guy?

888
00:45:40,800 --> 00:45:45,439
Speaker 2: It's the old guy? You guys, you're both old guys. Yeah,

889
00:45:45,640 --> 00:45:47,959
Speaker 2: this business? Did you hear Did you hear this about

890
00:45:48,000 --> 00:45:51,080
Speaker 2: Bob Jpek? Did you know about this? Yeah?

891
00:45:52,080 --> 00:45:54,520
Speaker 3: Well yeah, I laughed like I knew what was happening,

892
00:45:54,520 --> 00:45:56,680
Speaker 3: And then I was like, I maybe I just drink

893
00:45:56,719 --> 00:45:58,600
Speaker 3: some cold grew reset myself.

894
00:45:59,040 --> 00:46:02,200
Speaker 2: Jack fortunately has collected his last Bob paycheck.

895
00:46:05,640 --> 00:46:09,040
Speaker 3: Now who's Bob. He's the Disney.

896
00:46:08,840 --> 00:46:11,799
Speaker 2: Disney So Bob Iger was in charge of Disney. That's right.

897
00:46:12,719 --> 00:46:14,759
Speaker 2: Then he stepped down.

898
00:46:15,040 --> 00:46:15,680
Speaker 3: He's retiring.

899
00:46:16,160 --> 00:46:21,560
Speaker 2: He did, tapped Bob chapeak, Bobby chaps. Then he walked

900
00:46:21,600 --> 00:46:26,200
Speaker 2: back into his old office and said, Bobby chappeck, you

901
00:46:26,200 --> 00:46:30,160
Speaker 2: collect your last but paycheck. And then Iger took the

902
00:46:30,280 --> 00:46:33,719
Speaker 2: job again. And now I think, and I you know,

903
00:46:33,880 --> 00:46:36,879
Speaker 2: I have no crystal ball. I think if you could

904
00:46:36,880 --> 00:46:40,920
Speaker 2: ask him how's it going, he would say not great?

905
00:46:41,200 --> 00:46:43,640
Speaker 3: Yeah, yeah, I bet he might be saying that.

906
00:46:43,719 --> 00:46:45,839
Speaker 4: And it's tough on everyone. Sean was getting a lot

907
00:46:45,880 --> 00:46:48,400
Speaker 4: of gas out of this paycheck.

908
00:46:48,480 --> 00:46:52,560
Speaker 2: Oh my god, I've been doing Bob paycheck every time

909
00:46:52,719 --> 00:46:56,759
Speaker 2: anything related to Disney or any of its many offshoots

910
00:46:56,880 --> 00:47:00,359
Speaker 2: came up. Well that's a nigh on a year. That's

911
00:47:00,360 --> 00:47:01,239
Speaker 2: a fun bite.

912
00:47:01,440 --> 00:47:03,319
Speaker 3: And what I know about you is you do like

913
00:47:03,400 --> 00:47:05,720
Speaker 3: to take a bit and ground it into the ground.

914
00:47:05,760 --> 00:47:10,759
Speaker 2: It'll be done. Yeah, he's only allowed to much like

915
00:47:10,800 --> 00:47:13,160
Speaker 2: the grapefruit I hold to my ear, I will get

916
00:47:13,200 --> 00:47:16,080
Speaker 2: every last drop of juice out of that thing until

917
00:47:16,160 --> 00:47:19,200
Speaker 2: it is just a pile of gross pulp up the ground.

918
00:47:19,400 --> 00:47:20,279
Speaker 3: Yeah, and I love that.

919
00:47:20,280 --> 00:47:22,480
Speaker 2: About you speak gas.

920
00:47:22,520 --> 00:47:27,560
Speaker 4: I wonder if in the movies cast is holding gas

921
00:47:28,040 --> 00:47:32,680
Speaker 4: nozzles in both hands and they're they're pulling down on

922
00:47:32,760 --> 00:47:37,040
Speaker 4: the on the trigger and they're releasing the gas onto

923
00:47:37,040 --> 00:47:40,680
Speaker 4: the ground, and so like you're seeing and you're seeing

924
00:47:40,960 --> 00:47:43,560
Speaker 4: the number go up, like the cost of it.

925
00:47:43,560 --> 00:47:47,520
Speaker 2: Other than yeahs.

926
00:47:47,840 --> 00:47:50,560
Speaker 3: And then at the end we light the sets on fire,

927
00:47:50,760 --> 00:47:53,919
Speaker 3: so like also kind of blow up the set the set,

928
00:47:54,040 --> 00:47:56,840
Speaker 3: and then at least then it can be a cute

929
00:47:56,960 --> 00:48:05,400
Speaker 3: small indie darling do Plas Brothers style comedy. Yes, But

930
00:48:05,440 --> 00:48:07,600
Speaker 3: then at the end you're like, well that was expensive

931
00:48:08,320 --> 00:48:10,239
Speaker 3: worth going to the theater to see.

932
00:48:10,400 --> 00:48:12,440
Speaker 4: Yes, And you can see that's one of the funnest

933
00:48:12,440 --> 00:48:16,080
Speaker 4: things about going to do gas is you're watching, you're

934
00:48:16,120 --> 00:48:17,520
Speaker 4: seeing the number go up.

935
00:48:17,920 --> 00:48:22,040
Speaker 2: Oh as it's happening, Oh yeah, just a little counter

936
00:48:22,120 --> 00:48:24,520
Speaker 2: in the corner of the screen just like ticking up

937
00:48:24,560 --> 00:48:27,759
Speaker 2: and up and up, and they're looking at the like,

938
00:48:27,800 --> 00:48:28,760
Speaker 2: oh my god.

939
00:48:29,200 --> 00:48:31,680
Speaker 4: Yeah, they're kind of freaking out. It's exciting about like

940
00:48:31,760 --> 00:48:32,799
Speaker 4: kind of nervous.

941
00:48:32,520 --> 00:48:35,640
Speaker 2: And like you see somebody blow a take a couple

942
00:48:35,680 --> 00:48:38,319
Speaker 2: of times. They just like can't get this one line right,

943
00:48:38,400 --> 00:48:40,839
Speaker 2: and they just like keep eyes on the gas being

944
00:48:40,840 --> 00:48:45,799
Speaker 2: like Jesus, you know, yeah, because it's costing so much

945
00:48:45,880 --> 00:48:49,120
Speaker 2: money spraying during my line.

946
00:48:49,440 --> 00:48:51,040
Speaker 3: Well you don't have to get it right because the

947
00:48:51,040 --> 00:48:52,400
Speaker 3: more money kind of the better.

948
00:48:52,920 --> 00:48:56,279
Speaker 2: Yeah. Or then you start to build bloopers into the film, right,

949
00:48:56,480 --> 00:48:58,400
Speaker 2: you go, I'm gonna do something.

950
00:48:58,840 --> 00:49:02,520
Speaker 3: You play a classic bloop Yeah, yeah, those are great.

951
00:49:02,719 --> 00:49:05,960
Speaker 2: Pretend to sneeze and you know, spray silly string on

952
00:49:06,000 --> 00:49:10,200
Speaker 2: the camera one of my carriages. Yeah.

953
00:49:10,360 --> 00:49:12,560
Speaker 4: But like in Liar Liar, you remember when he like

954
00:49:12,560 --> 00:49:14,600
Speaker 4: screwed up crumpling the paper and he was like, it's

955
00:49:14,640 --> 00:49:15,400
Speaker 4: a goose.

956
00:49:15,280 --> 00:49:15,840
Speaker 2: A goose.

957
00:49:16,440 --> 00:49:19,880
Speaker 3: I weirdly watched flyre Liar last night.

958
00:49:20,600 --> 00:49:24,040
Speaker 4: Was weird about that for me? Yeah, but this is

959
00:49:24,120 --> 00:49:28,640
Speaker 4: but this is the algorithm. Yeah, right, So as soon

960
00:49:28,680 --> 00:49:29,600
Speaker 4: as you watch it, we talk.

961
00:49:29,880 --> 00:49:34,000
Speaker 2: We talked about how much did cost I don't know

962
00:49:34,080 --> 00:49:41,680
Speaker 2: exactly right, you make so rich from it, that's all

963
00:49:41,719 --> 00:49:44,000
Speaker 2: I care about, man, as long as my guy's eating.

964
00:49:44,120 --> 00:49:47,920
Speaker 3: Yeah, dude, things