1 00:00:00,760 --> 00:00:05,760 Speaker 1: I am all in more. 2 00:00:07,800 --> 00:00:08,800 Speaker 2: How Let's kiss you? 3 00:00:17,000 --> 00:00:19,759 Speaker 3: I am all in with Scott Patterson and I Hurt 4 00:00:19,840 --> 00:00:20,640 Speaker 3: Radio Podcast. 5 00:00:22,160 --> 00:00:24,680 Speaker 2: I've been watching the Gimboot shoot. 6 00:00:28,640 --> 00:00:35,440 Speaker 1: Sometimes I don't know what's going on. Amen. Can you 7 00:00:35,520 --> 00:00:40,920 Speaker 1: feel me, Jackiet? Can you feel me? I don't know 8 00:00:41,000 --> 00:00:43,440 Speaker 1: what's going on. Sometime I get so confused. 9 00:00:45,360 --> 00:00:50,919 Speaker 3: Help me out of this gimbol run. I don't know 10 00:00:51,040 --> 00:00:56,320 Speaker 3: what I'm watching half the time. No more, He'll wake 11 00:00:56,400 --> 00:01:00,840 Speaker 3: me up. Give me a little tree now. I want 12 00:01:00,840 --> 00:01:01,880 Speaker 3: to find my soul. 13 00:01:02,080 --> 00:01:12,480 Speaker 4: Goom Hey, hey, everybody, it's me. 14 00:01:13,480 --> 00:01:18,080 Speaker 1: I'm all in podcast, one of our productions iHeart Radio 15 00:01:18,200 --> 00:01:23,000 Speaker 1: Media and iHeart Podcasts, and we are gonna break down 16 00:01:23,200 --> 00:01:29,880 Speaker 1: summer with Amy Sugarman I Heeart Podcasts. Listen on the 17 00:01:29,880 --> 00:01:31,000 Speaker 1: iHeartRadio app. 18 00:01:33,160 --> 00:01:41,720 Speaker 5: That was a very fitting moment because summer, poor, summer summer. 19 00:01:41,920 --> 00:01:42,840 Speaker 1: I'm going to shock you. 20 00:01:43,120 --> 00:01:46,039 Speaker 2: Oh no, you're gonna tell me you loved it. Oh 21 00:01:46,040 --> 00:01:47,760 Speaker 2: my god, You're gonna literally tell me. 22 00:01:47,920 --> 00:01:53,720 Speaker 1: I'm gonna shock you. I'm ready, I gotta tell you. 23 00:01:54,320 --> 00:01:59,360 Speaker 1: As a piece of comedy, I thought it was kind 24 00:01:59,400 --> 00:02:04,160 Speaker 1: of brilliant because Amy, Amy, Amy, what else are they going? 25 00:02:04,440 --> 00:02:08,480 Speaker 1: Here's what Dan Palladino communicated to me as an artist, 26 00:02:09,120 --> 00:02:13,320 Speaker 1: He communicated to me, what else can we do with 27 00:02:13,400 --> 00:02:20,400 Speaker 1: these characters? The story is virtually told, Okay, the storytell 28 00:02:20,639 --> 00:02:22,360 Speaker 1: What do we do with the storytelling? Where do we 29 00:02:22,400 --> 00:02:28,600 Speaker 1: take these characters? It's nine years later, Rory's thirty two. 30 00:02:29,200 --> 00:02:33,840 Speaker 1: The mother daughter thing ain't working no more, right, it's not. 31 00:02:34,440 --> 00:02:35,320 Speaker 1: She's thirty two. 32 00:02:35,520 --> 00:02:37,919 Speaker 2: They have a big fight, so there's always a mother fight. 33 00:02:38,080 --> 00:02:42,079 Speaker 1: But I mean, I'm talking about the vibe of the show. Yeah, yeah, 34 00:02:42,560 --> 00:02:46,920 Speaker 1: it's like everybody's just too old now compared to what 35 00:02:47,080 --> 00:02:48,560 Speaker 1: it was. So what are they gonna do? 36 00:02:49,080 --> 00:02:49,320 Speaker 6: Right? 37 00:02:49,560 --> 00:02:53,320 Speaker 5: Right, Well, clearly they're going to get Sutton Foster a 38 00:02:53,400 --> 00:02:55,840 Speaker 5: show because the who was brilliant? 39 00:02:56,320 --> 00:02:56,959 Speaker 1: Who was that? 40 00:02:57,000 --> 00:02:58,160 Speaker 2: Crollier is great? 41 00:02:58,280 --> 00:03:01,840 Speaker 5: So you can tell that they loved her on bun Heads, right, 42 00:03:02,160 --> 00:03:05,919 Speaker 5: and that Bunheads, for what reason, only goes one season. 43 00:03:07,240 --> 00:03:11,880 Speaker 5: But this episode is so much Sutton Foster that there 44 00:03:12,000 --> 00:03:14,400 Speaker 5: is a moment where you're like, I'm not watching Gilmore 45 00:03:14,480 --> 00:03:17,440 Speaker 5: Girls because I'm literally watching Sutton Foster. 46 00:03:18,160 --> 00:03:19,760 Speaker 2: But here's a Broadway show. 47 00:03:19,600 --> 00:03:23,919 Speaker 1: Here's a thing. By that time, Amy and Dan had 48 00:03:23,960 --> 00:03:26,880 Speaker 1: moved to New York, right, so they were having all 49 00:03:26,960 --> 00:03:29,520 Speaker 1: of these theater experience. I'm sure they were seeing off Broadways. 50 00:03:29,520 --> 00:03:31,600 Speaker 1: I'm sure they were seeing if the Wooster group is 51 00:03:31,639 --> 00:03:33,120 Speaker 1: still around, and I don't think. I don't know if 52 00:03:33,120 --> 00:03:35,080 Speaker 1: it is. They're going down to see uh, they're going 53 00:03:35,120 --> 00:03:38,680 Speaker 1: downtown to see experimental theater. There's all kinds of really 54 00:03:38,880 --> 00:03:41,320 Speaker 1: vital live theater going on in that city at any 55 00:03:41,320 --> 00:03:43,920 Speaker 1: given time. They're going to Joe Allen's, They're going to 56 00:03:44,240 --> 00:03:46,760 Speaker 1: hang out with the theater people. They're going to the 57 00:03:46,800 --> 00:03:49,040 Speaker 1: public they're going to that's still around. I don't even 58 00:03:49,040 --> 00:03:49,600 Speaker 1: know if it's around. 59 00:03:49,920 --> 00:03:54,880 Speaker 5: They've clearly got Missus Mazel maybe in there, sure their 60 00:03:54,920 --> 00:03:58,400 Speaker 5: gut because there's so many sort of undertones of what 61 00:03:58,600 --> 00:04:02,480 Speaker 5: becomes Missus from this right. 62 00:04:02,600 --> 00:04:07,600 Speaker 1: So here they've got these new relationships or these long 63 00:04:07,600 --> 00:04:11,200 Speaker 1: standing relationships that they want to explore with Sutton and 64 00:04:11,280 --> 00:04:13,040 Speaker 1: other people that pop up in the case. 65 00:04:13,160 --> 00:04:16,760 Speaker 5: There's another Bunhead's actor in this, in the in the 66 00:04:16,800 --> 00:04:20,520 Speaker 5: thirty something group who did go on to also be 67 00:04:20,560 --> 00:04:21,320 Speaker 5: a part of Masel. 68 00:04:21,480 --> 00:04:23,719 Speaker 2: So you see, like, oh wow, okay. 69 00:04:23,520 --> 00:04:26,400 Speaker 1: Right, this is this is a passing of the torch 70 00:04:26,520 --> 00:04:32,039 Speaker 1: in a way to an older generation of Gilmore characters 71 00:04:32,839 --> 00:04:37,880 Speaker 1: and the kind of indecision. It's like the characters were 72 00:04:37,920 --> 00:04:40,960 Speaker 1: having their own midlife crisis, all at the same time, 73 00:04:42,720 --> 00:04:45,360 Speaker 1: and pretty much in the same way. Because everything in 74 00:04:45,400 --> 00:04:50,360 Speaker 1: this episode, the world of Gilmore is falling apart. The 75 00:04:50,400 --> 00:04:54,799 Speaker 1: structure that we knew, it's just all gone. It's falling apart. 76 00:04:55,040 --> 00:04:58,400 Speaker 1: And if it's if it's not gone already, it's it's 77 00:04:58,440 --> 00:04:59,919 Speaker 1: disintegrating before our eyes. 78 00:05:00,320 --> 00:05:01,560 Speaker 2: Can we say evolving? 79 00:05:02,440 --> 00:05:06,080 Speaker 1: Listen, that's a kind word for it. But look, look 80 00:05:06,760 --> 00:05:09,560 Speaker 1: all of all. I wasn't captivated by the beginning. I 81 00:05:09,560 --> 00:05:12,720 Speaker 1: thought this is clunky and it ain't working cool. 82 00:05:12,760 --> 00:05:14,080 Speaker 2: Stuff is just brutal. 83 00:05:14,240 --> 00:05:18,200 Speaker 1: But as a piece of experimental theater, it works and 84 00:05:18,240 --> 00:05:18,840 Speaker 1: it's funny. 85 00:05:19,600 --> 00:05:21,640 Speaker 2: So let's okay talking about the book. 86 00:05:21,720 --> 00:05:26,120 Speaker 1: But we don't recognize the style, the tone, it's different, 87 00:05:26,440 --> 00:05:27,360 Speaker 1: it's all different. 88 00:05:27,400 --> 00:05:29,880 Speaker 5: So I love the fact that we went to the pool, 89 00:05:30,120 --> 00:05:33,320 Speaker 5: right like, oh, that's awesome, something new and stars follow. 90 00:05:33,680 --> 00:05:35,600 Speaker 2: I actually liked you as the lifeguard. 91 00:05:35,640 --> 00:05:37,960 Speaker 5: I thought the bit about the snack shack or whatever 92 00:05:38,000 --> 00:05:41,160 Speaker 5: it was called was actually funny. My beef about the pool, 93 00:05:41,600 --> 00:05:43,239 Speaker 5: which of which there are many, I will. 94 00:05:43,040 --> 00:05:44,400 Speaker 2: Start with two. 95 00:05:45,320 --> 00:05:49,120 Speaker 5: I can't with the shaming, the body shaming. It was 96 00:05:49,200 --> 00:05:53,279 Speaker 5: so inappropriate. They would never do that to Scott, they 97 00:05:53,279 --> 00:05:55,479 Speaker 5: would never do that to a female character. 98 00:05:55,760 --> 00:05:59,159 Speaker 1: It didn't age well. It was rough, but you know what, 99 00:05:59,520 --> 00:06:05,320 Speaker 1: that's what you know, the world changed radically, and yeah, 100 00:06:05,360 --> 00:06:07,200 Speaker 1: that stuff is no longer acceptable. 101 00:06:07,279 --> 00:06:10,360 Speaker 5: So it wasn't true to Rory and Lorelai. They are 102 00:06:10,800 --> 00:06:12,279 Speaker 5: funny and sarcastic. 103 00:06:12,360 --> 00:06:16,520 Speaker 2: They are not mean, and in that they were mean, 104 00:06:16,800 --> 00:06:20,799 Speaker 2: and I'm like, they would never be mean. They're not mean, 105 00:06:20,960 --> 00:06:22,640 Speaker 2: and so that really. 106 00:06:23,839 --> 00:06:26,880 Speaker 1: It's okay. So here here's what it seemed like to me. Okay, 107 00:06:27,440 --> 00:06:31,400 Speaker 1: the first part of this episode, this ninety minutes, I 108 00:06:31,480 --> 00:06:34,720 Speaker 1: break it up into three parts. It was it was, 109 00:06:36,160 --> 00:06:38,320 Speaker 1: you know, it started off kind of sitcom on me 110 00:06:38,640 --> 00:06:41,200 Speaker 1: because everything felt like a sitcom. It felt kind of 111 00:06:41,279 --> 00:06:42,040 Speaker 1: stilted and. 112 00:06:42,000 --> 00:06:44,800 Speaker 2: Sitcom be at a little camp It was kind of. 113 00:06:44,880 --> 00:06:47,960 Speaker 1: Heightened to the point where it's campy and just didn't like, 114 00:06:48,200 --> 00:06:53,680 Speaker 1: it's not real, okay, because you know, you know, especially 115 00:06:53,800 --> 00:06:58,120 Speaker 1: the acting coming out of Alexis at the top of 116 00:06:58,160 --> 00:07:02,120 Speaker 1: this brutal with this, with the Southern bell stuff, just 117 00:07:02,160 --> 00:07:07,200 Speaker 1: it wasn't working okay, But as a stilted sitcom it did, 118 00:07:07,720 --> 00:07:10,280 Speaker 1: so for me. It went from sitcom to like a 119 00:07:10,360 --> 00:07:15,120 Speaker 1: bad sitcom, like a Broadway to you know, sort of 120 00:07:15,200 --> 00:07:16,240 Speaker 1: experimental theater. 121 00:07:16,760 --> 00:07:17,560 Speaker 2: Let me ask you this question. 122 00:07:17,640 --> 00:07:19,760 Speaker 1: Then it turned into a kind of a really compelling 123 00:07:19,840 --> 00:07:23,800 Speaker 1: drama where I felt like Dan really hit his stride 124 00:07:23,800 --> 00:07:25,840 Speaker 1: and he was saying what he wanted to say. 125 00:07:25,960 --> 00:07:28,400 Speaker 2: It got better, I'll give you that lot better. 126 00:07:28,640 --> 00:07:33,200 Speaker 1: A lot change styles. It changed styles throughout. Interesting piece 127 00:07:33,240 --> 00:07:33,560 Speaker 1: of work. 128 00:07:33,640 --> 00:07:35,480 Speaker 2: Interesting, Yes, yes, it'll be. 129 00:07:35,600 --> 00:07:38,120 Speaker 5: This will probably be one of our most interesting conversations, 130 00:07:38,120 --> 00:07:40,000 Speaker 5: which is why we're starting with just us and then 131 00:07:40,520 --> 00:07:43,120 Speaker 5: later on, you know, everyone's going to join as we 132 00:07:43,200 --> 00:07:45,360 Speaker 5: break it down scene by scene, because I really wanted 133 00:07:45,360 --> 00:07:47,160 Speaker 5: to hear what you thought. Okay, I have so many 134 00:07:47,240 --> 00:07:50,920 Speaker 5: questions for you. First though, did you hate or like 135 00:07:51,120 --> 00:07:51,840 Speaker 5: the musical? 136 00:07:52,280 --> 00:07:52,360 Speaker 6: Not? 137 00:07:52,600 --> 00:08:00,840 Speaker 1: Did you enjoy beyond description? Loved beyond description because it 138 00:08:01,000 --> 00:08:05,760 Speaker 1: made me laugh out several times. I rewound some of 139 00:08:05,800 --> 00:08:09,480 Speaker 1: the great lines coming out of Sutton and the other actor, 140 00:08:10,320 --> 00:08:14,640 Speaker 1: the Broadway actor who was faniastic, and I just I 141 00:08:14,720 --> 00:08:19,120 Speaker 1: roared at the I like, I like where Dan's head 142 00:08:19,240 --> 00:08:24,960 Speaker 1: goes with his with the absurd nature of his comedy 143 00:08:25,240 --> 00:08:28,520 Speaker 1: archives and the way he puts everything together. I just 144 00:08:28,600 --> 00:08:31,360 Speaker 1: I found it hysterically funny. I really did. 145 00:08:32,120 --> 00:08:35,840 Speaker 5: I remember watching it eight years ago and thinking this 146 00:08:35,920 --> 00:08:37,000 Speaker 5: is meanful. 147 00:08:37,040 --> 00:08:37,760 Speaker 2: Why am I watching? 148 00:08:38,080 --> 00:08:40,040 Speaker 5: And I was a fan of Bunhead, so I knew 149 00:08:40,880 --> 00:08:43,120 Speaker 5: I loved Sutton Foster and Bunhead, so I was down 150 00:08:43,120 --> 00:08:46,400 Speaker 5: with Sutton Foster being you know in the show. It 151 00:08:46,520 --> 00:08:49,000 Speaker 5: was way too long. I mean I watched the whole musical. 152 00:08:49,360 --> 00:08:53,920 Speaker 5: It was number after number, and I was lora LILRELI 153 00:08:54,120 --> 00:08:55,920 Speaker 5: is like, what is this garbage? 154 00:08:56,040 --> 00:08:58,120 Speaker 1: Yeah? But what did she? She almost said the effort 155 00:08:58,160 --> 00:09:00,600 Speaker 1: in the top member when Shutton turns around the first 156 00:09:00,640 --> 00:09:04,000 Speaker 1: time and and we cut to Lauren, she goes, what 157 00:09:04,040 --> 00:09:09,240 Speaker 1: the fuh? Okay? 158 00:09:09,280 --> 00:09:11,280 Speaker 2: He was good because she was me. I was like, 159 00:09:11,400 --> 00:09:15,559 Speaker 2: what is this? It just was so long, though, Scott, 160 00:09:15,720 --> 00:09:16,160 Speaker 2: it was. 161 00:09:16,240 --> 00:09:18,960 Speaker 1: So for me. I could have sat there all night 162 00:09:19,040 --> 00:09:25,800 Speaker 1: and watched what. I loved every moment of that. I 163 00:09:25,840 --> 00:09:28,640 Speaker 1: rewound it and I watched it again. No, I just 164 00:09:28,679 --> 00:09:35,920 Speaker 1: appreciate how difficult it is to act and write something 165 00:09:36,040 --> 00:09:39,200 Speaker 1: and direct something that's supposed to be bad but it's 166 00:09:39,320 --> 00:09:44,600 Speaker 1: actually really entertaining. How are you and make it funny 167 00:09:44,679 --> 00:09:47,240 Speaker 1: like that? That is I mean to me that some 168 00:09:47,320 --> 00:09:55,120 Speaker 1: of the best writing Dan has executed in this entire series. 169 00:09:56,320 --> 00:10:00,400 Speaker 1: It was like, yes, I mean he wrote the lyrics 170 00:10:00,400 --> 00:10:02,199 Speaker 1: to those songs. 171 00:10:02,240 --> 00:10:04,640 Speaker 5: The concept, now, that part's pretty amazing. But yet it's 172 00:10:04,640 --> 00:10:08,360 Speaker 5: so bad and I didn't want it. But like I 173 00:10:08,360 --> 00:10:09,199 Speaker 5: didn't want it. 174 00:10:09,320 --> 00:10:11,400 Speaker 1: I wanted the whole thing to be that. I wish 175 00:10:11,480 --> 00:10:13,800 Speaker 1: the whole thing was that. And I think the absurdity 176 00:10:13,840 --> 00:10:16,640 Speaker 1: of the beginning with the Southern bell stuff got us 177 00:10:16,720 --> 00:10:18,760 Speaker 1: a little lubricated for it, you know what I mean, 178 00:10:18,840 --> 00:10:19,760 Speaker 1: It's like here it comes. 179 00:10:20,280 --> 00:10:21,880 Speaker 2: Okay. 180 00:10:22,000 --> 00:10:24,400 Speaker 1: Of course I shouldn't have said lubricated. That is a 181 00:10:24,480 --> 00:10:27,040 Speaker 1: very bad choice. 182 00:10:28,360 --> 00:10:29,920 Speaker 5: First of all, I think in the first part of 183 00:10:29,960 --> 00:10:32,480 Speaker 5: the show, they're at the pool and they're still sort 184 00:10:32,520 --> 00:10:34,600 Speaker 5: of themselves. I think it's when we go back to 185 00:10:34,640 --> 00:10:37,840 Speaker 5: the pool that they're like the Southern bells with the 186 00:10:37,880 --> 00:10:41,240 Speaker 5: two kids. That was weird too, the two kids like 187 00:10:41,640 --> 00:10:44,880 Speaker 5: holding the umbrellas and opening their drinks and like marching 188 00:10:44,920 --> 00:10:45,600 Speaker 5: them through town. 189 00:10:45,760 --> 00:10:48,240 Speaker 2: It was just extraordinarily bizarre. 190 00:10:48,480 --> 00:10:51,040 Speaker 1: But what I liked about it is that is that 191 00:10:51,160 --> 00:10:55,120 Speaker 1: Dan Okay, Dan had an idea. He went to the 192 00:10:55,240 --> 00:10:58,080 Speaker 1: end of that idea. It's like a choice that you 193 00:10:58,160 --> 00:10:59,920 Speaker 1: make in acting. If you're going to make a choice, 194 00:11:00,080 --> 00:11:02,240 Speaker 1: go to the end of it. Commit to it, and 195 00:11:02,320 --> 00:11:04,920 Speaker 1: that's what I appreciate. This is what I appreciated so 196 00:11:05,000 --> 00:11:09,600 Speaker 1: much about this episode is that that Dan committed to 197 00:11:09,760 --> 00:11:13,920 Speaker 1: the vision and sometimes it didn't work so well and 198 00:11:14,040 --> 00:11:18,280 Speaker 1: other times it worked beautifully. And I love risk taking 199 00:11:18,559 --> 00:11:20,720 Speaker 1: in art because that's what it's all about. 200 00:11:21,760 --> 00:11:25,000 Speaker 2: And it's terrible. Though it's terrible, it's not okay, So 201 00:11:25,120 --> 00:11:26,360 Speaker 2: let's talk about a few more of. 202 00:11:28,440 --> 00:11:32,400 Speaker 1: Art. It was. It was courageous and oftentimes brilliant. 203 00:11:32,640 --> 00:11:34,959 Speaker 5: A couple of notes about the top. So we do 204 00:11:35,040 --> 00:11:38,120 Speaker 5: see that Laurels reading Wild. We see that Laurel is 205 00:11:38,160 --> 00:11:38,600 Speaker 5: reading Wild. 206 00:11:38,720 --> 00:11:39,520 Speaker 1: Yes, we see that. 207 00:11:39,800 --> 00:11:42,920 Speaker 2: Okay, you know, I hate the whole Wild thing. I 208 00:11:42,960 --> 00:11:45,920 Speaker 2: hate that She's like, I'm going to do wild? Do Wild? 209 00:11:46,120 --> 00:11:46,200 Speaker 1: What? 210 00:11:46,800 --> 00:11:50,840 Speaker 2: So? So that just and so that's my cringe on 211 00:11:50,920 --> 00:11:51,920 Speaker 2: the next episode. 212 00:11:52,080 --> 00:11:56,160 Speaker 1: I just think that's Dan and Amy. Look, you got 213 00:11:56,160 --> 00:11:59,200 Speaker 1: to break everything apart to put it back all together again, right, 214 00:11:59,240 --> 00:12:03,840 Speaker 1: That's yeah, that's true. Storytell let's let's let's give you know, 215 00:12:03,880 --> 00:12:07,000 Speaker 1: the audience the fear of death, that these characters are 216 00:12:07,040 --> 00:12:11,840 Speaker 1: going away, and Michelle's going away, Suki's not there, everybody's 217 00:12:11,880 --> 00:12:15,160 Speaker 1: losing their minds and Logan's history and they break up 218 00:12:15,200 --> 00:12:19,200 Speaker 1: and it's all just coming apart at and Laurel. I 219 00:12:19,280 --> 00:12:23,120 Speaker 1: won't give permission for Rory to write the book, and. 220 00:12:22,920 --> 00:12:26,040 Speaker 2: It's we'll talk about it. 221 00:12:26,160 --> 00:12:28,760 Speaker 1: I mean it was. And you know Emily, Emily's got 222 00:12:28,800 --> 00:12:34,520 Speaker 1: a new boyfriend and everybody's freaking out, and Louis, you 223 00:12:34,520 --> 00:12:35,160 Speaker 1: know what I'm saying. 224 00:12:35,360 --> 00:12:38,319 Speaker 5: You make a great point, right, this is the crumbling. Okay, 225 00:12:38,360 --> 00:12:40,200 Speaker 5: So let's talk about a few things. First of all, 226 00:12:40,480 --> 00:12:45,160 Speaker 5: I felt Jess Milow was totally underutilized in this episode. 227 00:12:45,240 --> 00:12:45,840 Speaker 2: I'm sorry, I. 228 00:12:45,840 --> 00:12:47,680 Speaker 1: Mean it was. It was. It was an odd scene 229 00:12:48,240 --> 00:12:50,439 Speaker 1: because and I know we're jumping around, but the thing 230 00:12:50,440 --> 00:12:52,720 Speaker 1: that really jumped out at me is keep going jump around. 231 00:12:53,080 --> 00:12:56,160 Speaker 1: They haven't seen each other in four years and she 232 00:12:56,320 --> 00:12:57,880 Speaker 1: doesn't even get up to give him a hug. 233 00:12:58,080 --> 00:13:01,720 Speaker 2: This was bizarre and reveal. I love that he suddenly 234 00:13:01,920 --> 00:13:02,839 Speaker 2: is revealed, but. 235 00:13:02,840 --> 00:13:05,000 Speaker 1: Where's the like, hey, friend, where's the hug? 236 00:13:05,080 --> 00:13:08,720 Speaker 2: Well, and first of all, she loves him. The last 237 00:13:08,760 --> 00:13:13,400 Speaker 2: we left off, she loved him so like, yeah's hug, 238 00:13:14,960 --> 00:13:17,440 Speaker 2: where's the connection? That was so odd? 239 00:13:17,720 --> 00:13:19,960 Speaker 1: It was and the scene itself was so awkward. 240 00:13:20,120 --> 00:13:24,200 Speaker 2: And also the stars Alow Gazette is a cool thing. Right, 241 00:13:24,200 --> 00:13:25,440 Speaker 2: it's always been a cool paper. 242 00:13:26,320 --> 00:13:28,760 Speaker 5: There's no way like three one hundred year olds are 243 00:13:29,040 --> 00:13:31,440 Speaker 5: working at the stars like the paper was cool, So 244 00:13:31,480 --> 00:13:31,839 Speaker 5: it's like. 245 00:13:32,160 --> 00:13:33,839 Speaker 2: Make it a little bit more cool. 246 00:13:33,920 --> 00:13:37,040 Speaker 5: I do love the idea that to me, there was 247 00:13:37,080 --> 00:13:39,800 Speaker 5: something there there, right, like, oh, she's going to go 248 00:13:39,840 --> 00:13:42,480 Speaker 5: and run the paper and let's see what happens from that. 249 00:13:42,600 --> 00:13:45,640 Speaker 2: Like, don't make it so lame anyway. 250 00:13:45,960 --> 00:13:49,360 Speaker 1: Here's another thing about the rory is she's drinking like 251 00:13:49,400 --> 00:13:51,320 Speaker 1: a fish. Every time you turn around, she's pouring another 252 00:13:51,360 --> 00:13:54,360 Speaker 1: glass of whiskey for it herself. So these are characters 253 00:13:54,360 --> 00:13:57,640 Speaker 1: we don't recognize anymore. They're going into places we don't 254 00:13:57,640 --> 00:13:59,959 Speaker 1: want them to go, right, And that's part of the 255 00:14:00,120 --> 00:14:04,040 Speaker 1: brilliance of it, because, man, are you're really deconstructing this 256 00:14:04,120 --> 00:14:08,840 Speaker 1: show you're putting in this I mean that theater, those 257 00:14:08,880 --> 00:14:13,959 Speaker 1: theater numbers were better by a magnitude than any film 258 00:14:14,000 --> 00:14:20,600 Speaker 1: by Kirk and the only Apples and Oranges. That's Apples 259 00:14:20,600 --> 00:14:25,800 Speaker 1: and Oranges. Well, listen, it just the amount of rehearsal 260 00:14:25,840 --> 00:14:32,320 Speaker 1: that took, the years and years and years of practice 261 00:14:32,400 --> 00:14:34,440 Speaker 1: from Sutton to get to that point. 262 00:14:34,680 --> 00:14:38,240 Speaker 5: Fact you're coming at it from a different perspective, right, 263 00:14:38,280 --> 00:14:41,480 Speaker 5: you're looking at as like this amazing production, and Dan 264 00:14:41,560 --> 00:14:45,320 Speaker 5: wrote a full musical within a Gilmore Girls episode, and 265 00:14:45,400 --> 00:14:48,320 Speaker 5: Sutton Foster is amazing. All of that is true. For me, 266 00:14:48,400 --> 00:14:50,680 Speaker 5: it was just like, what am I watching? This is 267 00:14:50,720 --> 00:14:51,640 Speaker 5: not Gilmore Girls. 268 00:14:51,880 --> 00:14:55,800 Speaker 2: I don't like this. I'm totally bored by twenty minutes 269 00:14:55,960 --> 00:14:56,440 Speaker 2: of a music. 270 00:14:56,600 --> 00:14:59,520 Speaker 1: Don't you think that Amy and Dan felt the same 271 00:14:59,640 --> 00:15:05,280 Speaker 1: way nine years later. They're artists, they're creating new things. 272 00:15:05,320 --> 00:15:07,560 Speaker 1: They want to do new things, they want to challenge 273 00:15:07,560 --> 00:15:10,120 Speaker 1: themselves to do new and go in different areas. Now 274 00:15:10,160 --> 00:15:12,920 Speaker 1: they're doing this. They agreed to do it. So the 275 00:15:12,960 --> 00:15:14,840 Speaker 1: only thing that's going to keep them interested in doing 276 00:15:14,880 --> 00:15:18,560 Speaker 1: it is to experiment with these characters and see what 277 00:15:18,600 --> 00:15:21,000 Speaker 1: they can do with these characters. Now, we may or 278 00:15:21,040 --> 00:15:24,640 Speaker 1: may not agree or like what happened to some of 279 00:15:24,680 --> 00:15:28,120 Speaker 1: the characters some of the times, but we're talking about Summer, 280 00:15:28,560 --> 00:15:34,800 Speaker 1: and I'm talking about two writers who are talented beyond belief, 281 00:15:35,680 --> 00:15:38,680 Speaker 1: who were pretty much given free reign, and I think 282 00:15:38,760 --> 00:15:41,240 Speaker 1: they took it right up to the limit where you know, 283 00:15:41,280 --> 00:15:44,120 Speaker 1: Warner Brothers or Netflix is going to say or start 284 00:15:44,160 --> 00:15:47,520 Speaker 1: giving notes again and saying you guys, are going over 285 00:15:47,560 --> 00:15:50,080 Speaker 1: the line here, we can't accept this kind of writing. 286 00:15:50,120 --> 00:15:52,000 Speaker 1: And I think they took it right up to the 287 00:15:52,080 --> 00:15:54,440 Speaker 1: edge about where they could get away with. I don't 288 00:15:54,480 --> 00:15:56,880 Speaker 1: really know how much autonomy they had. I'm sure they 289 00:15:56,920 --> 00:15:59,239 Speaker 1: had a lot, and that was part of their deal. 290 00:16:00,080 --> 00:16:02,560 Speaker 2: Like Netflix would have let them do whatever they want. 291 00:16:02,600 --> 00:16:04,360 Speaker 1: Yeah, I kind of I'm kind of in that camp 292 00:16:04,400 --> 00:16:08,080 Speaker 1: as well. And I think they just had they wrote 293 00:16:08,120 --> 00:16:14,760 Speaker 1: the pieces that interested them and expressed the characters expressed. 294 00:16:14,840 --> 00:16:17,320 Speaker 1: They expressed themselves to their characters the way they wanted 295 00:16:17,320 --> 00:16:20,760 Speaker 1: to do it and what they wanted to say, characters 296 00:16:20,800 --> 00:16:25,000 Speaker 1: that they felt were underdeveloped, like Paris maybe a little bit. 297 00:16:25,120 --> 00:16:27,400 Speaker 1: And let's see, And isn't she going to be more 298 00:16:27,440 --> 00:16:32,360 Speaker 1: fun to write for nine years later than than than Rory? Right? 299 00:16:33,320 --> 00:16:34,800 Speaker 1: Or you know what I'm saying. 300 00:16:34,880 --> 00:16:37,800 Speaker 5: So there's they think they're definitely struggling with what to 301 00:16:37,800 --> 00:16:38,400 Speaker 5: do with Rory. 302 00:16:39,280 --> 00:16:40,600 Speaker 1: Well there's not What can you do? 303 00:16:41,000 --> 00:16:43,240 Speaker 2: Right, It's just like a mess. It's kind of a mess. 304 00:16:43,400 --> 00:16:45,360 Speaker 5: Right, Well, you could have done a lot of things. 305 00:16:45,400 --> 00:16:49,000 Speaker 5: Have her be with Logan, that was some that would 306 00:16:49,040 --> 00:16:51,240 Speaker 5: have been an option. I don't know, have her be 307 00:16:51,360 --> 00:16:51,840 Speaker 5: with Logan. 308 00:16:52,200 --> 00:16:55,160 Speaker 1: Now I understand why they did what they did, because 309 00:16:55,200 --> 00:17:01,720 Speaker 1: there's no way after how many reunit union movies or 310 00:17:01,760 --> 00:17:05,679 Speaker 1: TV films have you seen that are so dead on 311 00:17:06,600 --> 00:17:09,320 Speaker 1: with what they used to do, trying to mimic what 312 00:17:09,600 --> 00:17:12,639 Speaker 1: used to be, and the characters are twenty years older, 313 00:17:12,680 --> 00:17:15,119 Speaker 1: they're ten years older, and it just doesn't work, and 314 00:17:15,119 --> 00:17:19,479 Speaker 1: it's a really lame attempt. At least they attempted something different, 315 00:17:19,520 --> 00:17:22,520 Speaker 1: you know what I'm saying. They showed artistic courage, They 316 00:17:22,640 --> 00:17:31,440 Speaker 1: went to the integree in some of these characters. 317 00:17:34,040 --> 00:17:36,320 Speaker 2: It brings to mind what they did with Sex and the. 318 00:17:36,280 --> 00:17:41,920 Speaker 5: City, because you're the reboot is very, very different than 319 00:17:42,520 --> 00:17:45,840 Speaker 5: the original, and a lot of people were like shook 320 00:17:45,920 --> 00:17:48,679 Speaker 5: up by that, But I think you're correct and that 321 00:17:48,800 --> 00:17:51,919 Speaker 5: it really doesn't work if you don't evolve it in 322 00:17:52,000 --> 00:17:55,600 Speaker 5: some way. That being said, okay, let's sort of talk 323 00:17:55,640 --> 00:17:59,840 Speaker 5: a little bit more. First of all, the logan stuff, 324 00:18:02,359 --> 00:18:08,000 Speaker 5: it's compelling, but it's also like just a it's just 325 00:18:08,280 --> 00:18:11,600 Speaker 5: you're right, it's so it's sort of heartbreaking and crumbling 326 00:18:12,040 --> 00:18:13,000 Speaker 5: and messy. 327 00:18:14,400 --> 00:18:17,760 Speaker 1: Well, he's a guy who made a choice and he 328 00:18:18,119 --> 00:18:21,040 Speaker 1: put it all out there on the line, and he 329 00:18:21,119 --> 00:18:26,119 Speaker 1: got rejected and he moved on with his life and. 330 00:18:25,400 --> 00:18:26,760 Speaker 5: What do you think about the fact that he wants 331 00:18:26,800 --> 00:18:28,200 Speaker 5: to fully have an affair with Rory. 332 00:18:28,240 --> 00:18:29,919 Speaker 2: He's like, nothing has to change. 333 00:18:30,640 --> 00:18:32,240 Speaker 1: They're in love. What's wrong with Yeah, but it's just 334 00:18:32,280 --> 00:18:37,000 Speaker 1: it's just also mess It's but you know, do we 335 00:18:37,080 --> 00:18:39,520 Speaker 1: want to sit around and watch morality all day? No? 336 00:18:39,920 --> 00:18:45,200 Speaker 5: I've enjoying that storyline a lot. And actually, I will 337 00:18:45,440 --> 00:18:50,280 Speaker 5: tease that my favorite part of the entire four movies 338 00:18:50,840 --> 00:18:55,600 Speaker 5: is coming in the next episode with Logan anyway, But 339 00:18:55,640 --> 00:18:56,439 Speaker 5: it's just messy. 340 00:18:56,480 --> 00:18:59,000 Speaker 2: It's heartbreaking. Rory is a mess, right. 341 00:18:59,280 --> 00:19:01,399 Speaker 5: I did find it though in the in the opening 342 00:19:01,440 --> 00:19:05,480 Speaker 5: scene when everyone's like, welcome back, welcome back. 343 00:19:05,520 --> 00:19:08,720 Speaker 2: I'm not back. I'm not back, like you're back. 344 00:19:08,520 --> 00:19:11,240 Speaker 1: Rory, and yeah, that got a little old they went. 345 00:19:11,440 --> 00:19:12,960 Speaker 2: I still found that amusing. 346 00:19:13,119 --> 00:19:14,760 Speaker 1: I mean, the first three scenes it was all about 347 00:19:14,800 --> 00:19:17,040 Speaker 1: I'm back, I'm not back, I'm not back. Okay, we 348 00:19:17,119 --> 00:19:17,960 Speaker 1: got it, we got it. 349 00:19:18,080 --> 00:19:20,000 Speaker 2: Right, and then so what did you Okay, so let's 350 00:19:20,000 --> 00:19:22,560 Speaker 2: talk about April. So April, what do you think about. 351 00:19:22,800 --> 00:19:24,120 Speaker 1: I thought it was great. 352 00:19:24,680 --> 00:19:27,320 Speaker 2: You know, look again again, I think she's free. 353 00:19:27,160 --> 00:19:32,639 Speaker 1: Great, she's great, she's awesome actress, her comedic timing, is great. 354 00:19:33,320 --> 00:19:36,760 Speaker 1: She was funny. Her freak out in the bedroom again, 355 00:19:37,160 --> 00:19:42,360 Speaker 1: it was like, this is where they're taking this character. 356 00:19:42,480 --> 00:19:49,520 Speaker 1: This is a little it still doesn't feel. It's odd 357 00:19:49,560 --> 00:19:52,760 Speaker 1: to see these characters who are so good at wearing 358 00:19:52,800 --> 00:19:57,080 Speaker 1: that mask in life but then sort of being loose 359 00:19:57,119 --> 00:19:59,920 Speaker 1: and free around each other. Everybody seems to be breaking down. 360 00:20:00,480 --> 00:20:02,160 Speaker 1: It's like all of a sudden, she's in a room 361 00:20:02,359 --> 00:20:04,440 Speaker 1: and she comes in. She confesses, I didn't smoke pod. 362 00:20:04,480 --> 00:20:08,760 Speaker 1: I tried it once and. 363 00:20:07,600 --> 00:20:11,560 Speaker 5: This is the episode. Okay, so you know how to right, 364 00:20:11,600 --> 00:20:13,080 Speaker 5: you know how in a rom comm it's like. 365 00:20:13,040 --> 00:20:15,840 Speaker 2: Oh, here's our pretty cool couple and we love them. 366 00:20:16,240 --> 00:20:19,639 Speaker 5: And then always in act to you like there's a 367 00:20:19,640 --> 00:20:23,880 Speaker 5: catastrophe and there they're torn apart, you know, and then 368 00:20:24,080 --> 00:20:26,320 Speaker 5: the third act is like will they find their. 369 00:20:26,160 --> 00:20:28,160 Speaker 2: Way back to each other? Of course they do. 370 00:20:28,560 --> 00:20:33,080 Speaker 5: We are in the crumbling here, right, because Rory's crumbling, 371 00:20:33,200 --> 00:20:38,959 Speaker 5: lorelies really crumbling, Emily's crumbling. Logan is not crumbling, but 372 00:20:39,160 --> 00:20:42,400 Speaker 5: Logan and Rory are crumbling. April is sort of going 373 00:20:42,400 --> 00:20:47,439 Speaker 5: through her thing. You're pretty steady in that you're not 374 00:20:47,640 --> 00:20:50,800 Speaker 5: falling apart, but everything's sort of falling apart around you. 375 00:20:51,920 --> 00:20:52,720 Speaker 2: So this is the. 376 00:20:52,680 --> 00:20:56,240 Speaker 5: Episode if you looked at it holistically, of the four, 377 00:20:56,760 --> 00:21:01,680 Speaker 5: this is definitely like the plummet I think. 378 00:21:03,119 --> 00:21:04,840 Speaker 2: How you watch it too, Like. 379 00:21:06,280 --> 00:21:08,880 Speaker 5: I think maybe there was so much plummeting in this, 380 00:21:09,240 --> 00:21:12,040 Speaker 5: Like I really wanted Milo to be to suggest to say, 381 00:21:12,400 --> 00:21:15,240 Speaker 5: why did you drop out of Yale? You know what 382 00:21:15,320 --> 00:21:17,560 Speaker 5: I mean, like that kind of thing, like what are 383 00:21:17,560 --> 00:21:18,400 Speaker 5: you doing here? 384 00:21:19,000 --> 00:21:21,400 Speaker 1: Like i'n't really thinking. I don't think. I don't think 385 00:21:21,760 --> 00:21:25,240 Speaker 1: that needed three or four scenes in of those two 386 00:21:25,359 --> 00:21:27,160 Speaker 1: having intimate conversations. 387 00:21:27,359 --> 00:21:29,320 Speaker 2: That's the other thing. Why did we not get that 388 00:21:29,359 --> 00:21:29,880 Speaker 2: we got we. 389 00:21:29,840 --> 00:21:32,680 Speaker 1: Can't we can't get that right away in some superficial 390 00:21:32,720 --> 00:21:35,600 Speaker 1: one scene and they're drinking and thanks for lunch and 391 00:21:36,600 --> 00:21:39,080 Speaker 1: you know, and then he goes and tosses Luke's hat 392 00:21:39,119 --> 00:21:42,919 Speaker 1: off his head. It just it it was just an 393 00:21:42,960 --> 00:21:47,159 Speaker 1: appearance to to you know, it was a cameo, that's all. Yeah, 394 00:21:47,280 --> 00:21:50,480 Speaker 1: it was just a cameo. It wasn't developed. They didn't, 395 00:21:50,520 --> 00:21:53,439 Speaker 1: I get. I don't know if they wrote anything. You know, 396 00:21:53,480 --> 00:21:55,800 Speaker 1: I think I do remember doing more scenes with him 397 00:21:55,800 --> 00:21:58,040 Speaker 1: in this. I guess that's in the last one. 398 00:21:58,200 --> 00:22:00,840 Speaker 5: So so we're only focusing on it, right now with 399 00:22:00,880 --> 00:22:01,560 Speaker 5: what we've seen. 400 00:22:02,080 --> 00:22:04,959 Speaker 1: Yeah, so they just want to introduce them and you know, 401 00:22:05,000 --> 00:22:08,840 Speaker 1: reintroduce them and all that. But yeah, again, I will 402 00:22:08,840 --> 00:22:13,879 Speaker 1: say this again as separate it from think about it 403 00:22:13,880 --> 00:22:15,880 Speaker 1: like it's the first time you've ever seen been exposed 404 00:22:15,880 --> 00:22:17,920 Speaker 1: to the show. You haven't seen any episodes, you haven't 405 00:22:17,960 --> 00:22:20,720 Speaker 1: seen any of the series. You just flipped it on 406 00:22:20,800 --> 00:22:23,160 Speaker 1: and here's this thing and you're watching it. I'm telling 407 00:22:23,200 --> 00:22:25,959 Speaker 1: you it stands on its own, It can stand up 408 00:22:25,960 --> 00:22:29,440 Speaker 1: by itself as a really good piece of comedy. And 409 00:22:29,600 --> 00:22:31,760 Speaker 1: there's some really great drama in there. And if you 410 00:22:31,800 --> 00:22:33,679 Speaker 1: didn't know what was going on, if you didn't have 411 00:22:33,880 --> 00:22:37,280 Speaker 1: any idea what was happening with these characters prior and 412 00:22:37,320 --> 00:22:39,320 Speaker 1: you turn this on, you would be entertained. 413 00:22:39,440 --> 00:22:41,720 Speaker 5: It would be saying you have you watched Fall and 414 00:22:41,840 --> 00:22:44,399 Speaker 5: Winter or are you literally just watching Summer as a 415 00:22:44,440 --> 00:22:45,360 Speaker 5: solo episode? 416 00:22:45,560 --> 00:22:49,600 Speaker 1: Just like flipping around rando, there you go, boom, Oh 417 00:22:49,640 --> 00:22:52,280 Speaker 1: what's this? Yeah I heard about this show. Let's see 418 00:22:52,480 --> 00:22:55,959 Speaker 1: let's see Summer. Boom. And you know, you watch it 419 00:22:55,960 --> 00:22:58,280 Speaker 1: with your friends or your your wife or your husband 420 00:22:58,359 --> 00:23:01,160 Speaker 1: or whomever, and it's entertaining as hell. 421 00:23:01,720 --> 00:23:03,960 Speaker 2: Man, I stop judging it. 422 00:23:04,000 --> 00:23:07,360 Speaker 1: Against the series because it's not fair and it makes. 423 00:23:07,200 --> 00:23:09,960 Speaker 5: Me nice, and I'm fully judging it against the series 424 00:23:10,000 --> 00:23:13,240 Speaker 5: and the characters, and I'm watching like people I know 425 00:23:13,480 --> 00:23:17,199 Speaker 5: and that are my people, like love, and I'm just like, 426 00:23:17,320 --> 00:23:20,600 Speaker 5: what is happening? I mean, you're right in that this 427 00:23:20,800 --> 00:23:23,560 Speaker 5: is that part where everything falls apart, because even Michelle 428 00:23:23,640 --> 00:23:27,120 Speaker 5: leaving and obviously that's upsetting to Lorlai, and Emily's going 429 00:23:27,119 --> 00:23:28,880 Speaker 5: through so many changes, and like. 430 00:23:29,320 --> 00:23:33,760 Speaker 1: Look, there's a natural inclination for any fan base or 431 00:23:33,800 --> 00:23:39,960 Speaker 1: for anybody right to reject something that isn't familiar to them. 432 00:23:40,040 --> 00:23:43,439 Speaker 1: Like I remember when Sylvester Stallone wanted to your drama 433 00:23:43,600 --> 00:23:46,040 Speaker 1: and people were like no. His agents are like, no, 434 00:23:46,160 --> 00:23:49,399 Speaker 1: don't do that, Please, don't do that. And he wanted 435 00:23:49,400 --> 00:23:51,080 Speaker 1: to work with Robert de Niro. So he did that 436 00:23:51,119 --> 00:23:53,720 Speaker 1: film with Robert de Niro and he was really great 437 00:23:53,760 --> 00:23:54,040 Speaker 1: in it. 438 00:23:54,400 --> 00:23:56,960 Speaker 2: By the way, you can argue Rocky as a drama 439 00:23:57,119 --> 00:23:58,200 Speaker 2: in my opinion. 440 00:23:57,880 --> 00:24:01,560 Speaker 1: But I'm saying that's that's that's a you know, playing 441 00:24:01,560 --> 00:24:04,960 Speaker 1: the hero character, playing you know, the formulaic type of 442 00:24:05,040 --> 00:24:07,560 Speaker 1: film where the hero wins and he goes through all 443 00:24:07,560 --> 00:24:10,920 Speaker 1: the struggles of hell, and you know that kind of thing. 444 00:24:11,000 --> 00:24:14,200 Speaker 1: So it's like the fan base doesn't want to see 445 00:24:14,200 --> 00:24:18,280 Speaker 1: these characters in unfamiliar settings, which this whole thing was 446 00:24:18,400 --> 00:24:21,640 Speaker 1: unfamiliar settings and acting in unfamiliar ways. They don't want 447 00:24:21,640 --> 00:24:22,960 Speaker 1: to see if they don't want to accept it. I 448 00:24:23,040 --> 00:24:27,720 Speaker 1: get that. I just wanted to. I just wanted to 449 00:24:27,880 --> 00:24:30,479 Speaker 1: enjoy my hour and a half and not judge it 450 00:24:30,520 --> 00:24:34,040 Speaker 1: against the series. And it was very freeing and very liberating, 451 00:24:34,119 --> 00:24:35,680 Speaker 1: and I enjoyed the hell out of it. So I 452 00:24:35,920 --> 00:24:38,320 Speaker 1: would ask fans to go back and watch it in 453 00:24:38,359 --> 00:24:40,480 Speaker 1: that context and see if you can get something out 454 00:24:40,480 --> 00:24:44,640 Speaker 1: of it, just for it's hard to forget about these 455 00:24:44,720 --> 00:24:49,560 Speaker 1: characters and what came before. Just try to say, oh, well, 456 00:24:49,600 --> 00:24:52,000 Speaker 1: I'm gonna give us a chance, this is my virgin 457 00:24:52,119 --> 00:24:55,600 Speaker 1: view of it, and enjoy it, because I did. I 458 00:24:55,680 --> 00:24:57,840 Speaker 1: really enjoyed this ride. 459 00:25:00,000 --> 00:25:01,560 Speaker 5: I mean, I guess if I could have watched it 460 00:25:01,600 --> 00:25:04,399 Speaker 5: and just been like, I just think it's impossible to 461 00:25:04,520 --> 00:25:06,919 Speaker 5: not care about these characters. 462 00:25:07,000 --> 00:25:08,920 Speaker 2: I care about it. 463 00:25:08,960 --> 00:25:09,480 Speaker 1: I don't care. 464 00:25:09,760 --> 00:25:10,719 Speaker 2: I guess you've done that. 465 00:25:11,200 --> 00:25:14,000 Speaker 1: I've let it go, and I don't want to place 466 00:25:14,080 --> 00:25:17,199 Speaker 1: judgment on I want. I want. What's thrilling to me 467 00:25:18,520 --> 00:25:25,240 Speaker 1: is an artist taking chances, and Dan took a lot 468 00:25:25,280 --> 00:25:30,400 Speaker 1: of chances in this. He risked everything and I appreciate that, 469 00:25:30,560 --> 00:25:32,440 Speaker 1: and I think that takes a lot of courage and 470 00:25:32,480 --> 00:25:36,840 Speaker 1: a lot of creative energy. And I think that the 471 00:25:36,960 --> 00:25:41,760 Speaker 1: end result for me was, Wow, what a pair of 472 00:25:41,800 --> 00:25:43,600 Speaker 1: balls on this guy? You know what I mean? 473 00:25:43,800 --> 00:25:47,240 Speaker 5: Sure, sure, yeah, But I did not get that same 474 00:25:47,280 --> 00:25:49,960 Speaker 5: thing because I'm not like wow, I'm just like, Okay, 475 00:25:50,000 --> 00:25:53,200 Speaker 5: I just watched twenty minutes of Sutton Foster, and I 476 00:25:53,280 --> 00:25:57,040 Speaker 5: like Sutton Foster. I love Younger. I didn't particularly love 477 00:25:57,200 --> 00:26:00,680 Speaker 5: her in this. I loved her and bun Heads Turn Younger. 478 00:26:01,080 --> 00:26:05,480 Speaker 1: She had a great scene with Laurla waiting for her outside. 479 00:26:05,119 --> 00:26:07,919 Speaker 2: The Smoke's fantastic. 480 00:26:07,960 --> 00:26:10,720 Speaker 1: She's a great actress. You could see you could see 481 00:26:10,720 --> 00:26:13,119 Speaker 1: how good an actress she is in that scene, and 482 00:26:13,160 --> 00:26:15,040 Speaker 1: you can see how good a singer and dancer she is. 483 00:26:15,160 --> 00:26:16,360 Speaker 1: And she's funny as hell. 484 00:26:16,560 --> 00:26:18,360 Speaker 2: Yeah, of course she's all those things. 485 00:26:18,359 --> 00:26:22,760 Speaker 1: But I didn't She's like, she's like a triple threat singing, dancing, acting. 486 00:26:22,800 --> 00:26:26,520 Speaker 1: I mean, it's like those are rare, and I now 487 00:26:26,600 --> 00:26:31,120 Speaker 1: I can see why Amy Once is writing a whole 488 00:26:31,160 --> 00:26:32,160 Speaker 1: Broadway show for her. 489 00:26:32,560 --> 00:26:35,360 Speaker 2: Of course, of course, of course it's brilliant. 490 00:26:35,400 --> 00:26:36,240 Speaker 1: She's brilliant. 491 00:26:36,600 --> 00:26:38,800 Speaker 2: Yes, she totally is. She's she is. 492 00:26:39,200 --> 00:26:42,960 Speaker 1: The art form itself as a way to deliver comedy 493 00:26:43,359 --> 00:26:48,919 Speaker 1: is probably unmatched. Okay. It's hype in theater with music 494 00:26:49,680 --> 00:26:53,480 Speaker 1: and and the and and the historical perspective and and 495 00:26:53,520 --> 00:26:57,280 Speaker 1: the comedy injected into Dan's writing, and these songs and 496 00:26:57,320 --> 00:27:00,320 Speaker 1: these lyrics in this show had me in stitches. I 497 00:27:00,359 --> 00:27:01,760 Speaker 1: mean I was roaring with laughter. 498 00:27:01,880 --> 00:27:06,159 Speaker 5: I think this was the like beta test for what 499 00:27:06,240 --> 00:27:08,600 Speaker 5: they did with Missus Mazel, because I actually think that 500 00:27:08,800 --> 00:27:11,280 Speaker 5: is brilliant and they did get it right. This just 501 00:27:11,359 --> 00:27:13,840 Speaker 5: feels all kinds of weird to me. 502 00:27:14,040 --> 00:27:16,280 Speaker 1: You know what it is? Dan's an iconoclast. I think 503 00:27:16,359 --> 00:27:24,040 Speaker 1: at their soul at heart, Amy and Dan aren't iconoclasts, Okay, And. 504 00:27:24,280 --> 00:27:26,119 Speaker 2: I don't really know what that word means. I'm not 505 00:27:26,160 --> 00:27:27,920 Speaker 2: gonna lie, I don't really know what that word means. 506 00:27:28,200 --> 00:27:29,080 Speaker 2: Does that work mean. 507 00:27:29,960 --> 00:27:31,520 Speaker 1: They like to tear down idols? 508 00:27:32,080 --> 00:27:33,080 Speaker 2: Oh? Okay? 509 00:27:33,280 --> 00:27:35,360 Speaker 1: Icons? Right, they're iconoclastic? 510 00:27:36,240 --> 00:27:38,679 Speaker 5: Okay, yeah, yeah, I mean you see that in some 511 00:27:38,720 --> 00:27:39,800 Speaker 5: of the pop culture too. 512 00:27:40,160 --> 00:27:42,640 Speaker 1: Yeah, sure, that's what that's what it is. It's got 513 00:27:42,640 --> 00:27:44,200 Speaker 1: that edge in that bite. 514 00:27:44,160 --> 00:27:44,920 Speaker 2: That is what. 515 00:27:45,640 --> 00:27:48,160 Speaker 5: I think they missed it a hint on this because 516 00:27:48,760 --> 00:27:51,480 Speaker 5: the pool scenes are mean. 517 00:27:52,320 --> 00:27:54,919 Speaker 2: There's a little bit too mean. So yes, I get it, 518 00:27:54,960 --> 00:27:57,200 Speaker 2: they tried it could kind of be funny. 519 00:27:56,920 --> 00:27:59,560 Speaker 1: Right, Okay, I get And nobody else has a right 520 00:28:00,600 --> 00:28:07,800 Speaker 1: to deconstruct or tear down monuments unless they created them. 521 00:28:07,840 --> 00:28:13,040 Speaker 1: And they created them. Okay, they created them, and now 522 00:28:13,080 --> 00:28:18,040 Speaker 1: they're just trying to find other dimensions of this show 523 00:28:18,080 --> 00:28:21,840 Speaker 1: to explore with these characters, other dimensions of these characters 524 00:28:21,920 --> 00:28:26,040 Speaker 1: to explore, and they just did their thing. It might 525 00:28:27,280 --> 00:28:30,760 Speaker 1: have pissed me off a little bit, you know, seeing 526 00:28:30,840 --> 00:28:31,879 Speaker 1: Luke dumb down like that. 527 00:28:31,920 --> 00:28:34,400 Speaker 2: They tried that brings us to that Luke. 528 00:28:34,720 --> 00:28:36,960 Speaker 1: At least they tried something. They tried something. 529 00:28:45,840 --> 00:28:48,800 Speaker 2: What did you feel about Luke in this episode? 530 00:28:49,000 --> 00:28:49,920 Speaker 1: I thought he was Luke. 531 00:28:50,080 --> 00:28:53,840 Speaker 2: I thought it was Yeah, he was wasted a little bit. 532 00:28:53,880 --> 00:28:56,080 Speaker 2: I just didn't feel like there was enough. It was 533 00:28:56,200 --> 00:28:57,360 Speaker 2: just not enough for me. 534 00:28:57,400 --> 00:28:59,880 Speaker 5: I was sort of like, he's just sort of bouncing 535 00:29:00,040 --> 00:29:02,160 Speaker 5: off Laura is sort of imploding. 536 00:29:02,520 --> 00:29:06,040 Speaker 1: But if they're if Amy and Dan or Dan are 537 00:29:07,480 --> 00:29:11,920 Speaker 1: are not inspired to write for Luke in summer, how 538 00:29:11,960 --> 00:29:14,640 Speaker 1: can that You can't force them to do it? Nobody 539 00:29:14,640 --> 00:29:17,640 Speaker 1: can force them to do it. They wanted to write 540 00:29:18,000 --> 00:29:20,840 Speaker 1: or Dan wanted to write for Sutton Foster, he wanted 541 00:29:20,880 --> 00:29:23,600 Speaker 1: to write for Laurla. He wanted to write, you know, 542 00:29:23,640 --> 00:29:26,400 Speaker 1: the focus is on these uh again. 543 00:29:26,240 --> 00:29:27,760 Speaker 2: Is pretty much still Laurel. 544 00:29:27,840 --> 00:29:30,880 Speaker 1: I right, it's the generations, right, it's it's grandma and 545 00:29:31,000 --> 00:29:33,360 Speaker 1: mother and daughter's that's what they're focusing. 546 00:29:33,840 --> 00:29:36,400 Speaker 5: Yes, that is correct, and I'm okay with that. I 547 00:29:36,440 --> 00:29:39,120 Speaker 5: don't mind seeing Emily's journey. I actually was not as 548 00:29:39,160 --> 00:29:42,400 Speaker 5: off put by Emily having the sort of boyfriend, and 549 00:29:42,960 --> 00:29:47,960 Speaker 5: I actually enjoyed them imploding about it because LOURAI, because 550 00:29:47,960 --> 00:29:49,760 Speaker 5: that is what she would do, That is what a 551 00:29:49,920 --> 00:29:50,520 Speaker 5: daughter would do. 552 00:29:50,600 --> 00:29:52,920 Speaker 2: It feels a little too soon. It's like, oh God, 553 00:29:53,000 --> 00:29:53,760 Speaker 2: what's happening. 554 00:29:54,200 --> 00:29:58,200 Speaker 5: Your whole life's disrupted, which is also why she's imploding. 555 00:29:58,280 --> 00:30:03,240 Speaker 5: Like she's not just imploding over like Michelle leaving or Luke. 556 00:30:03,760 --> 00:30:04,360 Speaker 2: It's all of it. 557 00:30:04,360 --> 00:30:06,520 Speaker 5: It's losing her father, it's a relationship with her mother, 558 00:30:06,560 --> 00:30:09,240 Speaker 5: it's Rory, Like I don't I frankly think she's super 559 00:30:09,280 --> 00:30:12,640 Speaker 5: concerned that, Like Rory's so not finding her way right, 560 00:30:12,680 --> 00:30:16,400 Speaker 5: like Rory's coming home, Like even how calm she is 561 00:30:16,440 --> 00:30:17,760 Speaker 5: about the logan thing. 562 00:30:18,040 --> 00:30:20,960 Speaker 2: It's like she's just sort of like shutting down. 563 00:30:21,560 --> 00:30:24,200 Speaker 1: The bigger the obstacle, the more thrilling it is to 564 00:30:24,320 --> 00:30:28,000 Speaker 1: watch somebody come back from it, right. 565 00:30:27,880 --> 00:30:31,360 Speaker 5: So we're so is your intention by saying that, like 566 00:30:31,760 --> 00:30:35,200 Speaker 5: we're gearing up for the finale, which will be Fall, 567 00:30:36,600 --> 00:30:38,240 Speaker 5: and we kind of had to have this to get 568 00:30:38,280 --> 00:30:38,680 Speaker 5: to Fall. 569 00:30:39,560 --> 00:30:43,040 Speaker 1: Yep, that's right, because it's for them. It's a four 570 00:30:43,280 --> 00:30:45,960 Speaker 1: part opus, right, it's. 571 00:30:45,800 --> 00:30:48,320 Speaker 2: Four parts for them, right right, right. 572 00:30:48,160 --> 00:30:50,400 Speaker 1: And they have to get to the end of it. 573 00:30:51,440 --> 00:30:55,200 Speaker 5: Do you think the way to watch this, if someone could, 574 00:30:55,440 --> 00:30:57,880 Speaker 5: would be to take six hours and just sit there 575 00:30:58,040 --> 00:31:01,600 Speaker 5: and watch it as a whole, because is the problem 576 00:31:01,720 --> 00:31:04,000 Speaker 5: like that we went away for a week and then 577 00:31:04,040 --> 00:31:07,120 Speaker 5: I watched Summer and I'm like, eh, which is like 578 00:31:07,240 --> 00:31:10,560 Speaker 5: because it was bingeable, right, So I bet you super 579 00:31:10,600 --> 00:31:13,640 Speaker 5: fans just cranked it out like it was one big 580 00:31:13,720 --> 00:31:14,840 Speaker 5: six hour marathon. 581 00:31:15,160 --> 00:31:17,840 Speaker 1: M you know. Yeah. I mean, if you go to 582 00:31:17,840 --> 00:31:22,840 Speaker 1: see Beethoven's Ninth, you don't leave, and then tomorrow we'll 583 00:31:22,880 --> 00:31:26,440 Speaker 1: come back and we'll hear the coral part of it. 584 00:31:26,520 --> 00:31:28,200 Speaker 1: You know, it's a lot, that's a big chunk. It's 585 00:31:28,200 --> 00:31:29,920 Speaker 1: six hours a big chunk of time. But I mean 586 00:31:29,920 --> 00:31:32,240 Speaker 1: people do it, and they did it on this. They 587 00:31:32,320 --> 00:31:35,600 Speaker 1: binged this. Six hours was nothing to them because they'd 588 00:31:35,600 --> 00:31:36,360 Speaker 1: binge it for you know. 589 00:31:36,560 --> 00:31:38,160 Speaker 5: I bet you a lot of people match hours at 590 00:31:38,160 --> 00:31:40,080 Speaker 5: a time sharp, yeah, or over two days. They might 591 00:31:40,080 --> 00:31:42,320 Speaker 5: have watched three hours on Saturday, three hours on Sunday, 592 00:31:42,360 --> 00:31:43,800 Speaker 5: and they had the whole thing. I think I watched 593 00:31:43,840 --> 00:31:47,960 Speaker 5: it fairly quickly. I didn't take a lot of time 594 00:31:48,480 --> 00:31:50,320 Speaker 5: when I watched it the first time. I'm taking more 595 00:31:50,320 --> 00:31:52,280 Speaker 5: time this time, which may be why summer. 596 00:31:52,040 --> 00:31:54,040 Speaker 1: I was like, oh, and I think if I ever 597 00:31:54,080 --> 00:31:58,160 Speaker 1: find six hours that I can afford, I will sit 598 00:31:58,200 --> 00:32:01,800 Speaker 1: down and watch this back to back, just because I'm fascinated. 599 00:32:01,600 --> 00:32:03,800 Speaker 2: It, right, Because then you really, I'm really. 600 00:32:03,600 --> 00:32:06,560 Speaker 1: Fascinated with it now, because look, at the end of 601 00:32:06,600 --> 00:32:10,080 Speaker 1: the day, Amy and Dan have to entertain themselves. If 602 00:32:10,120 --> 00:32:12,120 Speaker 1: they don't like it, if they're not engaged, if they're 603 00:32:12,160 --> 00:32:14,080 Speaker 1: not passionate about what they're putting down on the page, 604 00:32:14,120 --> 00:32:16,560 Speaker 1: you ain't going to make it on the page. And 605 00:32:16,600 --> 00:32:18,800 Speaker 1: this is what made it on the page, right, This 606 00:32:18,920 --> 00:32:21,680 Speaker 1: is what they wanted to say, and I respect it. 607 00:32:21,680 --> 00:32:27,959 Speaker 1: I and I just think you get to see you 608 00:32:28,000 --> 00:32:30,720 Speaker 1: get to see why the show was so great in 609 00:32:30,760 --> 00:32:32,280 Speaker 1: the series because of the talent. 610 00:32:32,720 --> 00:32:33,600 Speaker 2: They're so clever. 611 00:32:34,000 --> 00:32:37,400 Speaker 5: I respect you respecting it, like I like that you 612 00:32:37,960 --> 00:32:41,520 Speaker 5: like it I and it's making any sort of question things, 613 00:32:41,520 --> 00:32:44,120 Speaker 5: but I still am going to stay strong on this 614 00:32:44,280 --> 00:32:45,320 Speaker 5: is not my favorite. 615 00:32:45,400 --> 00:32:46,080 Speaker 2: Like it's mean. 616 00:32:47,160 --> 00:32:48,760 Speaker 5: I do not like I don't know why they're acting 617 00:32:48,800 --> 00:32:51,960 Speaker 5: like Southern bells with like two children, Like that's weird 618 00:32:52,680 --> 00:32:56,080 Speaker 5: walking through town, it's weird. 619 00:32:55,520 --> 00:32:58,480 Speaker 2: The meanness. 620 00:32:58,720 --> 00:33:01,080 Speaker 5: It was not crazy about the the Milo I was 621 00:33:01,120 --> 00:33:06,320 Speaker 5: not crazy about and that the Broadway Show or Stars 622 00:33:06,360 --> 00:33:11,440 Speaker 5: Hollow Show was so long, and I like Lorali was 623 00:33:11,480 --> 00:33:13,640 Speaker 5: like I don't get it, Like I didn't get it 624 00:33:13,680 --> 00:33:16,280 Speaker 5: at all. I was like, I don't even understand what 625 00:33:16,480 --> 00:33:19,000 Speaker 5: this is. Like if I pretend I just watched only 626 00:33:19,200 --> 00:33:23,160 Speaker 5: Sutton Foster, I would be like, I totally I don't 627 00:33:23,160 --> 00:33:26,040 Speaker 5: even know what that was about, Like what was that about. 628 00:33:26,160 --> 00:33:28,760 Speaker 1: It was the history of Stars Hollow and Song, and 629 00:33:30,160 --> 00:33:33,600 Speaker 1: it was Pilgrims, and then it was the Revolutionary War, 630 00:33:33,680 --> 00:33:35,720 Speaker 1: and then it was the Industrial Lege and then it 631 00:33:35,760 --> 00:33:40,680 Speaker 1: was the seventies. It was fantastic. I didn't follow so great. 632 00:33:40,760 --> 00:33:43,560 Speaker 1: It was so wacky and great. I was so happy. 633 00:33:44,400 --> 00:33:47,360 Speaker 2: I did love that, Laurel. I didn't like it, and 634 00:33:47,480 --> 00:33:50,719 Speaker 2: everyone else loved it, and I know, I know that 635 00:33:50,960 --> 00:33:53,000 Speaker 2: it is kind of amusing, but I didn't get it. 636 00:33:53,040 --> 00:33:55,880 Speaker 5: I am lorrili because I was like, I don't I 637 00:33:55,880 --> 00:33:57,760 Speaker 5: don't even understand what's happening. 638 00:33:58,040 --> 00:34:00,160 Speaker 2: What is this so bad? 639 00:34:01,920 --> 00:34:02,120 Speaker 1: Bad? 640 00:34:03,000 --> 00:34:03,320 Speaker 6: Oh? 641 00:34:03,440 --> 00:34:05,640 Speaker 1: No, no, come on? Some of those lines in there 642 00:34:05,680 --> 00:34:08,680 Speaker 1: that they were brother and sister and. 643 00:34:07,920 --> 00:34:10,040 Speaker 2: I didn't get it. I couldn't even really follow it. 644 00:34:10,080 --> 00:34:11,640 Speaker 1: And it's not illegal yet. 645 00:34:12,200 --> 00:34:15,360 Speaker 5: I didn't follow any of this. You're smarter than me 646 00:34:15,400 --> 00:34:17,560 Speaker 5: because I was so like, I don't get it. I 647 00:34:17,560 --> 00:34:19,640 Speaker 5: couldn't even really hear it. I was like, I don't 648 00:34:19,719 --> 00:34:22,200 Speaker 5: understand what they're talking about. I'm not following a story. 649 00:34:22,239 --> 00:34:24,640 Speaker 5: I'm not getting a storyline. I'm not even I couldn't 650 00:34:24,680 --> 00:34:26,440 Speaker 5: tell you what was in any of those songs. 651 00:34:26,760 --> 00:34:32,640 Speaker 1: Listen. There's nothing funnier than bad poetry and a context 652 00:34:32,840 --> 00:34:35,560 Speaker 1: or a bad song. Remember, remember Okay. This reminded me 653 00:34:35,680 --> 00:34:38,480 Speaker 1: of that film Arthur where Dudley Moore falls in love 654 00:34:38,520 --> 00:34:41,359 Speaker 1: with Derek and in order to find out where bo 655 00:34:41,520 --> 00:34:46,080 Speaker 1: Derek went on her honeymoon, Yeah, he visits the priest. 656 00:34:46,680 --> 00:34:49,560 Speaker 2: I remember that I've been you know. 657 00:34:49,600 --> 00:34:53,360 Speaker 1: And Dudley Moore places a hit songwriter right and and 658 00:34:53,600 --> 00:34:55,919 Speaker 1: the priest gets all excited. He goes, you know, I'm 659 00:34:55,920 --> 00:34:57,640 Speaker 1: a bit of a writer. He sings in that song 660 00:34:58,600 --> 00:35:00,760 Speaker 1: like my heart is a thumping thing. 661 00:35:03,239 --> 00:35:06,120 Speaker 2: You're into you like this stuff? This is all I 662 00:35:06,160 --> 00:35:06,759 Speaker 2: can tell you. 663 00:35:07,480 --> 00:35:10,080 Speaker 5: I've watched this now twice and the only takeaway I 664 00:35:10,120 --> 00:35:12,719 Speaker 5: get from the Broadway show is sort of sutt and 665 00:35:12,719 --> 00:35:16,319 Speaker 5: Foster like, no, no, no, no, no, no, no no, I'm 666 00:35:16,320 --> 00:35:20,040 Speaker 5: sudden Foster, like that's all I see here, Like nothing 667 00:35:20,280 --> 00:35:23,200 Speaker 5: lands on me other than like more sudden Foster. 668 00:35:23,600 --> 00:35:26,720 Speaker 1: But can you listen to the lyrics of the songs? 669 00:35:26,840 --> 00:35:29,000 Speaker 2: I couldn't hear it. And I don't mean I couldn't 670 00:35:29,160 --> 00:35:32,920 Speaker 2: hear it like my ears work. I couldn't hear it. 671 00:35:33,000 --> 00:35:35,880 Speaker 1: Like I just was like, I don't go back and 672 00:35:36,760 --> 00:35:39,560 Speaker 1: just watch that stuff again and listen to the lyrics 673 00:35:39,600 --> 00:35:40,120 Speaker 1: of the song. 674 00:35:41,160 --> 00:35:43,280 Speaker 2: I'll try, I'll try Miracle. 675 00:35:43,400 --> 00:35:46,320 Speaker 5: I was pleasantly surprised by the therapist being a good singer. 676 00:35:46,800 --> 00:35:50,120 Speaker 5: That was random, the therapist and the one. Okay, so 677 00:35:50,239 --> 00:35:53,560 Speaker 5: all right, so so enough for today, So everybody listening, 678 00:35:53,960 --> 00:35:57,759 Speaker 5: We're gonna continue by bringing in the crew in the 679 00:35:57,760 --> 00:36:00,760 Speaker 5: next episode, and and we'll break it down see by scene. 680 00:36:00,920 --> 00:36:02,839 Speaker 2: But I just felt like it was so bizarre. Oh yes, 681 00:36:02,840 --> 00:36:05,040 Speaker 2: Scott take us Out was some bad song. 682 00:36:08,040 --> 00:36:09,040 Speaker 1: I appreciate him. 683 00:36:09,200 --> 00:36:14,839 Speaker 2: Valatino, I didn't get it at all, experimenting around when 684 00:36:14,880 --> 00:36:18,480 Speaker 2: these characters we love so much. All I saw was 685 00:36:18,480 --> 00:36:19,200 Speaker 2: Sutton Foster. 686 00:36:19,640 --> 00:36:25,240 Speaker 1: Come wake me up now? Why such a mess? 687 00:36:26,320 --> 00:36:29,279 Speaker 2: Why won't loget and break up with the fiance and 688 00:36:29,680 --> 00:36:30,480 Speaker 2: marry my girl? 689 00:36:31,920 --> 00:36:35,040 Speaker 5: Why is Loralai doing wild? Nothing is more annoying to me. 690 00:36:38,080 --> 00:36:44,160 Speaker 1: Amy's still confused. 691 00:36:44,200 --> 00:36:47,680 Speaker 2: She don't know what. I'm just up. I did not 692 00:36:47,760 --> 00:36:49,200 Speaker 2: get it at all. 693 00:36:49,440 --> 00:36:55,080 Speaker 1: Come on, help me lo, help me raise an so 694 00:36:55,120 --> 00:36:56,680 Speaker 1: she can see the last. 695 00:36:56,560 --> 00:36:59,239 Speaker 5: Am I super stupid because I did not get it 696 00:36:59,280 --> 00:36:59,640 Speaker 5: at all. 697 00:37:00,960 --> 00:37:06,759 Speaker 2: It's not stupid, will listeners, It's just. 698 00:37:07,400 --> 00:37:09,600 Speaker 1: You weren't in the mood and we gotta wait. 699 00:37:10,880 --> 00:37:14,600 Speaker 2: Haven't been in the mood at whiskey. 700 00:37:16,760 --> 00:37:17,120 Speaker 6: To us. 701 00:37:18,320 --> 00:37:20,280 Speaker 5: I do think Emily's boyfriend is kind of cute. 702 00:37:22,640 --> 00:37:25,680 Speaker 2: What boyfriend, dude that drives the mercedes. I don't know 703 00:37:25,680 --> 00:37:29,600 Speaker 2: if he's her boyfriend. He's great, he's great. No, I 704 00:37:29,960 --> 00:37:30,439 Speaker 2: like that guy. 705 00:37:30,600 --> 00:37:33,279 Speaker 1: And there's a funny bit between them when they got 706 00:37:33,280 --> 00:37:35,480 Speaker 1: to the funeral and and Lord and they were walking. 707 00:37:35,840 --> 00:37:38,440 Speaker 1: Ray's gonna stay in the car, and. 708 00:37:42,560 --> 00:37:45,640 Speaker 5: It was fune, can you sing us out? Send your 709 00:37:45,680 --> 00:37:49,880 Speaker 5: cards and letters? Oh, if your cards and letters come in. 710 00:37:51,600 --> 00:37:53,920 Speaker 2: All we'll rate this in the next episode. 711 00:37:56,239 --> 00:37:59,840 Speaker 1: And that's going to George. Let's fans a print, he 712 00:38:00,040 --> 00:38:03,239 Speaker 1: new cons and let it come home. We appreciate you all. 713 00:38:03,360 --> 00:38:07,560 Speaker 2: Now, thank you to munch Chip a crew of one. 714 00:38:07,680 --> 00:38:08,640 Speaker 1: Am a sugar Moon. 715 00:38:09,880 --> 00:38:11,919 Speaker 2: You gotta help it now, see you later. 716 00:38:12,920 --> 00:38:16,120 Speaker 1: Remember we and I I'm all in. 717 00:38:16,239 --> 00:38:46,600 Speaker 6: Stay safe, everybody, don't forget. 718 00:38:46,640 --> 00:38:50,719 Speaker 1: Follow us on Instagram at I Am all In podcast 719 00:38:50,800 --> 00:39:03,680 Speaker 1: and email us at Gilmore at iHeartRadio dot com.