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Speaker 1: Look mare, Oh, I see you. Look over there is

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Speaker 1: that culture.

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Speaker 2: Yes, goodness lost culture ding dong los culture is calling

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Speaker 2: back and back in tact tactile position talk to us

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Speaker 2: about the mozzarellistick number crock that you were working. So.

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Speaker 2: I don't know why this was the answer to how

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Speaker 2: I should end my night. But I get home, it's

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Speaker 2: three thirty in the morning, I get stoned and order

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Speaker 2: Mozzarelli sticks.

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Speaker 1: Bad because I know I have to wake up.

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Speaker 2: But let's say ten to sort of mentally prepare and

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Speaker 2: you know, cleanse really physically prepare for the podcast today.

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Speaker 2: And last night I'm ordering my Monzrelli sticks and I

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Speaker 2: see it says six monzarel sticks, and.

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Speaker 1: In my mind that's not enough.

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Speaker 2: And then this morning, when everything sort of settles, you

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Speaker 2: think you didn't need one.

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Speaker 3: That's the devil's math. That's sixth with Mozzarelli sticks. But

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Speaker 3: I feel you, Dick, feels like nothing right. I think

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Speaker 3: six is more than enough. Well, yeah, I order Mozzarelli sticks.

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Speaker 3: This is the last time order monster six was at

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Speaker 3: Alma draft House what watching The Boy, The Boy and

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Speaker 3: the Heron, and I had to leave in the middle

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Speaker 3: because of work.

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Speaker 1: Call of a work call? Is that what you call violent?

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Speaker 3: And it was not?

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Speaker 2: What because I know you the second we both went

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Speaker 2: in here today we both ran to the bathroom, and

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Speaker 2: I know what that was.

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Speaker 3: It was a work call. Okay, this is all to

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Speaker 3: say I got six and I only finished four.

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Speaker 2: That's a huge brag and an insult to me. No,

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Speaker 2: it was ravenous last night for them. But last night

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Speaker 2: was very celebratory. It really was.

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Speaker 3: It's very nice. I did great.

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Speaker 1: What an unbelievable performance.

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Speaker 3: She had, very very fun.

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Speaker 2: I mean I think about between twelve and fifteen people

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Speaker 2: said this, and it just kind of kept getting kicked around.

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Speaker 1: But yes, this is like the Bell House. This is

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Speaker 1: like the Bellhouse. But it really was. It felt like

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Speaker 1: a celebration.

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Speaker 3: Was very nice. We made it proud of her. Now,

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Speaker 3: what was your review of the Countess Cabaret.

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Speaker 2: I'm still I saw the sheiks not because not necessarily

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Speaker 2: because of the talent, but she was great. The Countess

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Speaker 2: Luanne fifty four below was she certainly has star quality,

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Speaker 2: but there's something that happens where she steps on stage

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Speaker 2: and sort of everyone looks at each other and you go,

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Speaker 2: we're getting blacked out. We're all drinking so much tonight.

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Speaker 3: I asked you, was it like going to the Disney

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Speaker 3: World character breakfast?

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Speaker 1: It was not unlike that.

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Speaker 3: It was like seeing Goofy come out while you're eating

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Speaker 3: a Mickey shaped pancake.

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Speaker 2: Let's say Minnie Mouse, Let's become Minnie. They're not saying

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Speaker 2: Goofy comes out.

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Speaker 3: Okay, no, oh no, no, no, it's not what I

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Speaker 3: was saying, Lou. If you're watching, if you're.

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Speaker 1: You're just saying, Lou had the impact of Goofy.

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Speaker 2: Yes, yeah, yeah, yeah, not anything to do with the

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Speaker 2: air get sucked out rundred percent. Like when Goofy walks

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Speaker 2: in the room. It's like Nicole Kimmen and the Chanel

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Speaker 2: number five commercial by Baz Luhrmann. It's just like, you know,

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Speaker 2: you know the commercial I'm talking about. I think so

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Speaker 2: speaking of fragrances, I want you to smell me right

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Speaker 2: here and tell me what it is.

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Speaker 3: Okay, go you know what this is? By Rado.

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Speaker 1: No, it's acts.

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Speaker 2: Oh so I have yesterday I said about one. I'm like,

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Speaker 2: I have no deal to New York. I don't know

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Speaker 2: what happened. My New York apartment has no deal, and

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Speaker 2: my mother was like, I want to get you something

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Speaker 2: for Christmas. I said, don't, I don't want anything. She goes, Okay,

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Speaker 2: I'll get you a bunch of little small things. Ten

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Speaker 2: axe Deordorance, which is both a trigger to like high

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Speaker 2: school locker room and also quite out of fashion.

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Speaker 3: But that is like the timeless, enduring thing about suburban

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Speaker 3: life is that you're never more than half a mile

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Speaker 3: away from it from.

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Speaker 2: An axe body spray, especially from Long Island. That's like

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Speaker 2: a big culture axe body spray. Yes, and so I do.

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Speaker 2: I am walking around and it's sort of like a

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Speaker 2: little bit of having a little bit of how I

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Speaker 2: am a little triggered.

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Speaker 3: But also it's horny. It's horny.

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Speaker 2: Well, that's why I wanted you to smell me to

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Speaker 2: get your horned up for the episode. Speaking of getting

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Speaker 2: horned up, speaking of horny, Speaking of horny, I think

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Speaker 2: everyone's horny for well, first of all, Restless Leg Tour.

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Speaker 3: We're talking eleven days at the Beacon, eleven days at

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Speaker 3: the Bed's at the Yeah, I love my surprise. I'm like, well,

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Speaker 3: of course, well of course, and it's the Beacon and

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Speaker 3: New York. I think they're all sold out. But well yeah,

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Speaker 3: kind of elbow your way in. Are you going to

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Speaker 3: sign the wall?

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Speaker 4: Yes, yes, and I mean obviously if you guys want

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Speaker 4: to come.

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Speaker 2: Oh eleventh, I've been through the nineteenth.

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Speaker 4: Nineteenth thank you for doing the math real quick.

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Speaker 3: I did the math and eighteenth.

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Speaker 2: Okay, wait, now we have to officially bring around because

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Speaker 2: that can't be the entrance. Hold on, hold on it

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Speaker 2: really so weak?

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Speaker 3: No, no, not week Girls have us coming back on Netflix?

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Speaker 1: Okay, thanks fucking god, because I had been wondering about that.

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Speaker 3: Oh yeah, it's coming. Oh, March is going to be

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Speaker 3: a big month for Age for Humanity and uh, Mean

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Speaker 3: Girls the musical of course the movie. Oh we're not

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Speaker 3: calling it the.

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Speaker 1: Musical and no, we're calling it Mean Girls twenty twenty.

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Speaker 3: We're calling you about it.

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Speaker 1: I said ten times, I said, it's called me Girls.

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Speaker 3: Twenty twenty four, Mean Girls. Eighth note in the negative

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Speaker 3: space where the A is.

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Speaker 2: Do you know what's funny this person created and start

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Speaker 2: our favorite movie and our favorite show. Yeah, and I'm

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Speaker 2: not even talking about Saturday Night Live, which also is

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Speaker 2: in the top two a favorite show.

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Speaker 3: Oh yeah, thirty Rock, Oh for sure.

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Speaker 2: Can you imagine just go back in time and tell

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Speaker 2: us in twenty sixteen when we started this that Tday

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Speaker 2: is going to be on the podcast.

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Speaker 3: So Tina fe is gonna be in the podcast. You

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Speaker 3: know what I thought in the shower this morning, I thought,

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Speaker 3: what did you think in the shower where you do

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Speaker 3: your backside? This is where this I thought. Worldwide pants

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Speaker 3: took down all of the tinfa on Letterman interviews and

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Speaker 3: those were my fucking comfort watches in college.

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Speaker 2: I told you, though, that you could find it somewhere else.

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Speaker 3: Yeah, I think Seth lied liar.

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Speaker 4: Do they take them down?

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Speaker 3: I think I think a letterman wants to protect his content.

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Speaker 3: I don't know. I see I can't possibly begin to understand.

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Speaker 3: And then also, I mean so many things. You love her?

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Speaker 3: You really love this person so much, don't you. I'm

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Speaker 3: talking to you, the Surroyal you, the Royal you. Everyone.

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Speaker 2: Welcome to TFA.

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Speaker 4: Gentleman and the Crew.

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Speaker 2: By the way, this episode is directed by Christopher Nolan.

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Speaker 2: It's Oppenheimer the film The Crazy.

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Speaker 4: A Lady needs a Lot of Lights and.

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Speaker 1: The Gentleman a lot of Lights blow out the Countess Loo.

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Speaker 4: From Ladies Please.

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Speaker 1: Are you familiar with the Countess lou Yes?

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Speaker 4: That is that is the original sort of Real Housewives

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Speaker 4: New York era. That was my era. I once chased

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Speaker 4: Countess Lunn down the street on the Upper West Side

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Speaker 4: because I was so I was like, she's on the

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Speaker 4: Upper west Side, started from the restaurant West They used

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Speaker 4: to be there, and I was like, and I basically

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Speaker 4: was like, I was like Countess and I was like,

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Speaker 4: I work at NBC two, worked for University.

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Speaker 2: We brushed elbows at the upfront. So wait, when you

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Speaker 2: were watching Roney, like, were you were you sort of

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Speaker 2: were you sort of like I'm Bethany, Like I'm like.

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Speaker 4: Well, first of all, no, I'm not Bethany, no way, no,

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Speaker 4: thank you.

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Speaker 2: No.

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Speaker 4: I used to watch the season one. I used to

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Speaker 4: really love, like Season one. You guys were probably in

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Speaker 4: middle school because it was before nobody was aware, no

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Speaker 4: one was like working the camera yet nobody was, And

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Speaker 4: it was just really I just wanted to see people's apartments.

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Speaker 2: I get it.

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Speaker 4: I wanted to see their apartments and make judgments. And

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Speaker 4: I didn't need them to be fighting about stuff. No,

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Speaker 4: I just wanted And so who was it was? You

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Speaker 4: know who I was obsessed with at that time was

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Speaker 4: Alex mccorky.

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Speaker 2: Essentially, it had the show gone in a different direction,

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Speaker 2: which was we just watched these people live their crazy

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Speaker 2: lives and it wasn't like a conflict in the show. Yeah, yeah, yeah,

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Speaker 2: totally because people gravitated towards you know.

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Speaker 3: That's so funny though, because I think Architectural Digest home

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Speaker 3: tours have like scratched the itch or like taken over

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Speaker 3: that little fascination we have of like people's homes and

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Speaker 3: like that's fully been supplanted, right and just.

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Speaker 4: Be like just go and look in apartments. But remember

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Speaker 4: when she was redoing her Booklyn Townhouse and Jill's Aren

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Speaker 4: came over and she's like, we're restoring this Spanish when

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Speaker 4: she was like, honey, you don't have to save everything

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Speaker 4: that's not a good bands like Jill's Jill Zaren Almost Yeah,

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Speaker 4: who else wasn't.

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Speaker 2: That original Ramona No I just recently picked for some reason.

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Speaker 2: This was on. It was the fashion show episode where

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Speaker 2: Ramona walked with those crazy eyes and Jill is just

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Speaker 2: dragging and just like killing it in the front row. Yeah, commedically,

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Speaker 2: comedically totally, it was really on fire. Yeah, they kind

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Speaker 2: of buy like their second season, so this was not

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Speaker 2: the phenomenon back then either. But it wasn't this thing

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Speaker 2: where like they saw themselves for the first time on

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Speaker 2: TV and then they got the work done, just like facially.

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Speaker 4: Happens to everyone. I mean, you see yourself on TV

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Speaker 4: and you go, oh no, breakdown, Oh no, what are

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Speaker 4: we gonna do about this?

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Speaker 1: In my face? All the time people see my face

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Speaker 1: as that.

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Speaker 3: Yeah, speaking of universal, do you have any thoughts about

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Speaker 3: this epic universe announce.

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Speaker 2: Yeah, because we know you're a Disney gay like us.

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Speaker 4: Well listen, I'm gonna check it out.

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Speaker 2: Yeah.

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Speaker 4: My instinct, my gut instinct is oh honey, it's SNL

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Speaker 4: MAD TV. There's the taste maker at the core defines

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Speaker 4: the thing, right, and so Walt Disney is.

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Speaker 3: But I'll go, yeah, yeah, you're going to be there,

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Speaker 3: But I'll go and we all love we like mat TV.

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Speaker 4: And there are amazing things that mattieving, amazing, hilarious people

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Speaker 4: came out of that TV. But there just wasn't that unifying.

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Speaker 3: Sure, yeah, totally, Well what if I told you this?

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Speaker 2: So one of the announcements they said was that there's

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Speaker 2: going to be a Frankenstein ride and the star of

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Speaker 2: the pre show. Is Victoria Frankenstein the great grand daughter

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Speaker 2: of Doctor.

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Speaker 4: But is that the Diablo Cody movie that's I conflated

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Speaker 4: this last week.

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Speaker 2: Okay, a lot of Girl Boss Frankenstein's happening right now

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Speaker 2: in the culture. We have to differentiate.

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Speaker 4: Universal is trying to use that understanding, the Universal Monster's

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Speaker 4: catalog and fun ways, and I'm enjoying that.

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Speaker 2: If you went in there and said I'll play Doctor

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Speaker 2: Victoria Frankenstein, you, first of all, you book.

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Speaker 4: Media seventeen shows a week, seventeen nine minute shows a week, every.

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Speaker 3: Day, you wouldn't even do the pre show. I do

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Speaker 3: a cue.

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Speaker 4: That's mean a c I mean listen is in my

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Speaker 4: heart of hearts and my holding out for a Disney queue.

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Speaker 4: Of course, did I at one point try to volunteer

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Speaker 4: me and Amy Poehler to do Sarah Palin and Hillary

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Speaker 4: Clinton for the Hall of Presidents And they were like,

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Speaker 4: we're good, Oh my, well, I only volunteered it to

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Speaker 4: my friend who's like the guy, and I didn't.

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Speaker 2: Yeah, yeah, yeah, yeah, yeah.

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Speaker 4: It's a sam.

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Speaker 1: A huge part of that makes me so happy we

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Speaker 1: went there. But he loves you.

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Speaker 4: I love him.

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Speaker 2: I know you can tell it a special relationship.

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Speaker 4: It really is.

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Speaker 2: The Disney relationship is a special relationship. And that's actually

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Speaker 2: really Coach number eighty eight.

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Speaker 3: The Disney relationship is a special relationship. God blessed Sam

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Speaker 3: because Sam took us on guard to the Alexy Cosmic

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Speaker 3: rewind no less than seven times.

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Speaker 4: Which is not medically advisable. No you, yes, it's beautiful,

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Speaker 4: but I manage were like, I can do it once. Also,

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Speaker 4: you don't not see a lot of protein spills outside

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Speaker 4: garden and just for clarity, that is vomit.

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Speaker 2: Well, I've become that girl. That's like when the part

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Speaker 2: of the ride that makes people nauseous comes up, I'm like,

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Speaker 2: keep looking at the planet. Keep looking at the planet.

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Speaker 2: Don't look to the side. You're gonna suck yourself up.

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Speaker 2: You have your strategy, Yeah, I have my strategy. Yeah.

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Speaker 2: Well I knew this about all of us, that we

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Speaker 2: shared this, and that's why I bring it up. And

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Speaker 2: that's why now correct me if I'm wrong. You've been

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Speaker 2: on the Avatar flight of Passage r of course, don't

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Speaker 2: you think that should be him in the pre show.

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Speaker 3: Just explaining what the band ties are.

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Speaker 2: You have the scientific gravitas to carry that pre show through.

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Speaker 3: I don't want us to fully raise the middle finger

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Speaker 3: to that guy.

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Speaker 2: It's not about him. This is about you. This is

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Speaker 2: about what's best for you to be in that pre show.

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Speaker 2: He defined the.

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Speaker 4: Guy that c and I don't know if this is

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Speaker 4: a true story or a story that I made up

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Speaker 4: for myself. Either way, but I feel like someone else

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Speaker 4: was supposed to shoot that and then and something went

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Speaker 4: wrong and they're like, you have to do it.

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Speaker 2: You made that up.

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Speaker 3: I think you made that up.

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Speaker 4: Here's well, no, Sam.

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Speaker 2: Isn't it great to have a resource? The Disney relationship

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Speaker 2: is a special relationship. You go to that person for

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Speaker 2: information like this.

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Speaker 4: Can I tell you a deep Disney nerdery thing that

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Speaker 4: if it interests you, I could try to get you

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Speaker 4: in on this.

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Speaker 2: Let's do it.

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Speaker 4: Okay, So have you ever done a voice at Pixar?

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Speaker 1: A voice at Pixar?

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Speaker 4: No, that's an oversight that needs to happen.

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Speaker 1: Okay, sure, Okay, I think I got.

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Speaker 4: Lucky enough to do on Ana. But so the guy

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Speaker 4: Pete doctor who runs Pixar, super nice guy, legend, the kindest,

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Speaker 4: loveliest man, and he invited me in on this super

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Speaker 4: nerdy thing that sometimes they do where they have they

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Speaker 4: I guess they used to do it in persons during

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Speaker 4: the pandemic, they were doing it over zoom where they

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Speaker 4: just have literally like someone found a case of like

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Speaker 4: weird b roll building the park footage and they just

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Speaker 4: play it like they haven't seen it, and it's just

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Speaker 4: like from like nineteen seventy one, we're building the Haunted

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Speaker 4: mansion and it's just like raw footage of nothing but

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Speaker 4: like guys working, and then there's experts on who like

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Speaker 4: they're all these imagineers who are talking about what it

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Speaker 4: is and then they just drink really and it's amazing.

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Speaker 4: And because it happens on the West coast, if you're

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Speaker 4: watching it East coast, it's like start it's like two

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Speaker 4: in the morning and you put your laptop and your Wow.

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Speaker 4: But it's so cool.

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Speaker 2: That was my dream, like until I found out it

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Speaker 2: was mostly science and math and yeah, actually there's.

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Speaker 4: A lot of engineers. Otherwise the people fly.

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Speaker 1: Off and exactly.

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Speaker 3: I need to reconnect with Sam oh Sam was lovely.

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Speaker 3: Sam was really well as a.

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Speaker 2: Tour guide at Disney who is an icon and a legend,

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Speaker 2: and this is a big shout out to him.

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Speaker 4: He's a great American.

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Speaker 3: He's a great, great American. And then he said he

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Speaker 3: was coming to see you, and Amy was it.

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Speaker 4: He came to d C, came the first weekend have

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Speaker 4: the show. Has been that the shows are so fun.

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Speaker 4: I do hope you'll come to the Begon.

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Speaker 2: I want to come.

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Speaker 4: Yeah, please come, But was like, I I'm coming. We

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Speaker 4: have the best time. It's the two of us. We

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Speaker 4: take you on our little journey if we can, and

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Speaker 4: we usually always have like one special friend show up

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Speaker 4: and we go to these cities. People are so lovely

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Speaker 4: to come see us. And then we stay at a

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Speaker 4: nice hotel. And I've said this before, but it is

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Speaker 4: like we get up. Like the other night, I really

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Speaker 4: did text Amy before a show and I was like,

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Speaker 4: right before we went out, she was on the other

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Speaker 4: side of sage. Was like, I'm getting excited about going

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Speaker 4: to sleep because we do like we have so much fun.

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Speaker 4: Like I'm also learning, like I love the part where

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Speaker 4: we do the show. And I was like, I guess

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Speaker 4: some people go on tour because they want to party

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Speaker 4: after the show or whatever. They want to hook up.

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Speaker 4: And I was like, I like the part where we

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Speaker 4: do the show and sometimes if we have a new

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Speaker 4: thing and it works. I'm like that works, yeah, And

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Speaker 4: then I go home and I wash my face and

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Speaker 4: I like stand in silence facing a wall like I'm

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Speaker 4: like a little.

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Speaker 2: Like you let yourself like charge.

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Speaker 4: And I'm like satisfied.

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Speaker 3: But I think this is just a function of like time.

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Speaker 3: And I will say for Matt and I, it's exceptional

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Speaker 3: if we go out after the show.

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Speaker 2: I mean even yesterday, like we were in Bowen's dressing room,

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Speaker 2: like and Bowen comes in, He's like, all right, so

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Speaker 2: the after party and we were all were like at

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Speaker 2: the same time, like we don't know, it might be

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Speaker 2: a quick drink.

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Speaker 3: They were hung over from lou An Good.

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Speaker 4: That's the difference. You still look really good.

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Speaker 3: I put on concealer because today because the camera is

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Speaker 3: because I'm just away from people.

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Speaker 2: I love it. If I knew how to do my

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Speaker 2: own concealer, I would do it. Is it as simple

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Speaker 2: as that kind of.

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Speaker 4: I don't know. I tried. I tried to do my

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00:15:17,640 --> 00:15:19,080
Speaker 4: make up today, and I probably will see this and

360
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Speaker 4: be like, oh, it was like coming from a matine

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Speaker 4: of playing missus love it. I'm always trying to use

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Speaker 4: I didn't get to my husband went, I didn't get

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Speaker 4: see it. I was touring, all right. I try to

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Speaker 4: use that rare beauty blush, which is but it's so

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00:15:33,080 --> 00:15:35,080
Speaker 4: pigmented that then I do it and I'm like, I'm

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Speaker 4: either fucking great.

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Speaker 1: Or have you been?

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Speaker 2: Have you checked in on the new Feud?

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Speaker 4: I haven't watched it yet, but I think I will.

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Speaker 4: I don't watch every part of the the Murphy Verse,

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Speaker 4: but that one I'm like, you might get me. I

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Speaker 4: do feel I was like, okay, the pr is over

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Speaker 4: time because there's so many articles now about I was like,

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Speaker 4: are we this is really what? We're this top of

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00:15:59,360 --> 00:16:01,920
Speaker 4: top of mine in every paper? But yeah, it does

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00:16:01,920 --> 00:16:02,560
Speaker 4: seem interesting.

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Speaker 2: It is a lot of fun to watch just because

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00:16:04,640 --> 00:16:07,240
Speaker 2: of the like atmosphere of it all. I will say

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00:16:07,280 --> 00:16:09,600
Speaker 2: the entire story of it is just well, you know,

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00:16:09,640 --> 00:16:11,760
Speaker 2: Truman Capoti befriended these women and then he wrote an

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00:16:11,800 --> 00:16:13,640
Speaker 2: article and they never spoke to him again. And that's

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Speaker 2: literally kind interested to see how it's gonna be a

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00:16:16,840 --> 00:16:19,800
Speaker 2: whole limited series because even in the first episode, you

384
00:16:19,840 --> 00:16:22,280
Speaker 2: get it like they're not talking to him anymore, right,

385
00:16:22,360 --> 00:16:24,240
Speaker 2: But then I'm thinking, like, maybe every episode will be

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Speaker 2: like a bottless episode and be getting more into the

387
00:16:26,400 --> 00:16:29,080
Speaker 2: specifics of who these women were, which is going to

388
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Speaker 2: be great. I need more Callista though, at this moment.

389
00:16:31,600 --> 00:16:34,160
Speaker 3: I got three different line rates of Demi Moore calling

390
00:16:34,560 --> 00:16:36,440
Speaker 3: Tom Hollander venomous.

391
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Speaker 2: She with her whole chest gets to say a slur

392
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Speaker 2: and it's really fun to watch her just let it rip.

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Speaker 1: They really let dem go for it, and she goes.

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Speaker 4: Yes, yeah, I loved it. Well, I do you think

395
00:16:48,360 --> 00:16:51,239
Speaker 4: that is? You know that he is giving these actresses

396
00:16:51,280 --> 00:16:54,040
Speaker 4: like he's making people's phones ring who maybe their phone

397
00:16:54,120 --> 00:16:54,680
Speaker 4: wasn't ringing them.

398
00:16:54,720 --> 00:16:57,880
Speaker 2: Molly Ringwold's like her phone rang off the hook for this.

399
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Speaker 4: And you know what Molly Ringold has been doing in

400
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Speaker 4: the meantime.

401
00:17:00,040 --> 00:17:04,119
Speaker 3: Translating French book, translating French yes book, Yes Lie with me.

402
00:17:04,200 --> 00:17:06,159
Speaker 3: It's it's a really sad gay French novel.

403
00:17:06,280 --> 00:17:06,480
Speaker 2: What.

404
00:17:06,840 --> 00:17:09,600
Speaker 3: Yeah, she's really smart, she's very I believe that. No,

405
00:17:09,680 --> 00:17:12,800
Speaker 3: she's incredible, she's a very she's a great American.

406
00:17:13,080 --> 00:17:14,000
Speaker 1: Well, one of my.

407
00:17:13,920 --> 00:17:16,679
Speaker 2: Obsessions at this moment is Chloe seventy now that this

408
00:17:16,720 --> 00:17:19,720
Speaker 2: has all been happening, and apparently Chloe simply broke down

409
00:17:19,800 --> 00:17:21,640
Speaker 2: on the day where she had to shoot with Molly

410
00:17:21,720 --> 00:17:26,040
Speaker 2: Ringwold because that was how much Yeah, I don't know that.

411
00:17:26,359 --> 00:17:29,800
Speaker 2: That's uh huh. Chloe, who's like the coolest like you

412
00:17:29,800 --> 00:17:32,120
Speaker 2: would imagine, it's like very unbothered about the whole thing.

413
00:17:32,760 --> 00:17:34,800
Speaker 2: Actually in interviews, like I watched her on Jimmy the

414
00:17:34,840 --> 00:17:38,440
Speaker 2: other night and she's very like like y'all y' she's

415
00:17:38,480 --> 00:17:41,320
Speaker 2: like like everybody, Oh, I cry, I.

416
00:17:41,280 --> 00:17:43,520
Speaker 3: Break down to Molly Ringwold just like you, me and

417
00:17:43,560 --> 00:17:48,960
Speaker 3: everyone else. That's the shared I guess American experience. I'm

418
00:17:49,000 --> 00:17:52,160
Speaker 3: kind of tying this back to a national sort of narrative.

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00:17:52,960 --> 00:17:55,680
Speaker 2: Well, she also was like they did this thing because

420
00:17:55,720 --> 00:17:57,960
Speaker 2: like you know, she's obviously a fashion icon Chloe, and

421
00:17:57,960 --> 00:18:00,520
Speaker 2: they were like looking back at all of her iconic

422
00:18:00,600 --> 00:18:03,119
Speaker 2: looks because she was like that she really was.

423
00:18:03,359 --> 00:18:05,480
Speaker 1: Yeah, she had nothing nice to say about anything she

424
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Speaker 1: ever wore.

425
00:18:05,920 --> 00:18:08,080
Speaker 2: She's like, oh this, no, this, no, this no. And

426
00:18:08,119 --> 00:18:10,440
Speaker 2: I was like, maybe that's what makes her such an icon.

427
00:18:10,720 --> 00:18:13,320
Speaker 4: She also needs to keep looking. She didn't. She didn't

428
00:18:13,320 --> 00:18:16,560
Speaker 4: just find a uniform and stick with it. Never satisfied.

429
00:18:16,920 --> 00:18:22,440
Speaker 3: Never have we found our uniforms? This is your uniform? Sure, okay,

430
00:18:22,640 --> 00:18:29,240
Speaker 3: this is a cream collar long sleeved collar, a kit

431
00:18:29,400 --> 00:18:30,800
Speaker 3: Is it a sweat? Is it it's a sweat?

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00:18:30,840 --> 00:18:33,640
Speaker 2: It's yeah, it's good.

433
00:18:33,720 --> 00:18:35,159
Speaker 3: So but that's I don't know if this is the

434
00:18:35,240 --> 00:18:37,560
Speaker 3: uniform there. It's the glasses, it's the I mean, yeah,

435
00:18:37,600 --> 00:18:41,520
Speaker 3: that's it. You've changed your glasses though last year. Yeah, yeah, yesterday,

436
00:18:41,600 --> 00:18:43,600
Speaker 3: I had my contacts in for the show and then

437
00:18:43,600 --> 00:18:46,199
Speaker 3: they had to audition different pairs of glasses for the sketch.

438
00:18:46,400 --> 00:18:48,080
Speaker 3: And then one of them had an actual prescription in them,

439
00:18:48,080 --> 00:18:49,320
Speaker 3: and I was like, oh, this one has a prescription

440
00:18:49,359 --> 00:18:52,399
Speaker 3: in them. And then my addresser Auder was like laughing,

441
00:18:52,400 --> 00:18:55,320
Speaker 3: and she was like, Keenan earlier had the same thing

442
00:18:55,400 --> 00:18:58,000
Speaker 3: happened to him, and he said, there's medicine in the.

443
00:19:00,320 --> 00:19:00,800
Speaker 4: Medicine.

444
00:19:01,760 --> 00:19:04,920
Speaker 2: Medicine by the way, Keenan Thompson.

445
00:19:04,960 --> 00:19:07,199
Speaker 3: And I'm not and this is perfect, but this is

446
00:19:07,280 --> 00:19:10,160
Speaker 3: truly like a an apropos thing for me this week

447
00:19:10,240 --> 00:19:12,679
Speaker 3: where he was up till four am with us shooting

448
00:19:12,680 --> 00:19:17,159
Speaker 3: the sketch, just rallying everybody, keeping the morale up, like

449
00:19:17,240 --> 00:19:19,640
Speaker 3: getting everybody looked like like out of like the four

450
00:19:19,680 --> 00:19:22,639
Speaker 3: am overnight shoot like Doldrums or whatever.

451
00:19:22,800 --> 00:19:26,240
Speaker 1: Team captain vibes what a treasure.

452
00:19:26,600 --> 00:19:28,720
Speaker 4: And again, as we continue to make the list of

453
00:19:28,760 --> 00:19:30,879
Speaker 4: great Americans, who do we have? So far we have

454
00:19:30,920 --> 00:19:34,200
Speaker 4: Sam Loomis Keenan who was somebody in between him.

455
00:19:35,960 --> 00:19:36,200
Speaker 2: Chloe.

456
00:19:36,480 --> 00:19:43,000
Speaker 4: I mean yes, yes, Top twenty, Top twenty New Yorker.

457
00:19:43,960 --> 00:19:47,520
Speaker 3: With Hamilton up there with Hamilton. And do you have

458
00:19:47,560 --> 00:19:50,040
Speaker 3: any thoughts about what she has said? I guess in

459
00:19:50,080 --> 00:19:52,080
Speaker 3: a Rolling Stone thing about how New York is all

460
00:19:52,119 --> 00:19:54,800
Speaker 3: Lululemon and dogs, too many dogs. But you're as a

461
00:19:55,000 --> 00:19:58,080
Speaker 3: recent dog owner, yes, what do you make of this?

462
00:19:58,240 --> 00:20:00,680
Speaker 2: Like? And as someone who's been in York for a.

463
00:20:00,640 --> 00:20:03,080
Speaker 4: Minute, yes, are there too many dogs?

464
00:20:03,760 --> 00:20:05,440
Speaker 3: I mean I haven't noticed anything.

465
00:20:05,800 --> 00:20:07,600
Speaker 4: There's a lot of dogs. I mean I don't go

466
00:20:07,720 --> 00:20:10,199
Speaker 4: I don't go to like the dog park and that

467
00:20:10,240 --> 00:20:10,760
Speaker 4: kind of stuff.

468
00:20:11,119 --> 00:20:12,400
Speaker 2: I have people that.

469
00:20:14,560 --> 00:20:16,760
Speaker 4: My dogs poop inside every single day.

470
00:20:16,960 --> 00:20:20,240
Speaker 2: Oh really, Oh they're a mess consistent places.

471
00:20:20,080 --> 00:20:22,960
Speaker 4: Sometimes I I'm like, guys, I'm I'm the Queen of Versailles.

472
00:20:23,119 --> 00:20:25,480
Speaker 4: You can't have this, and the dogs are like, we

473
00:20:25,520 --> 00:20:26,159
Speaker 4: haven't watched that.

474
00:20:26,520 --> 00:20:28,960
Speaker 3: No, have you watched the series Queen?

475
00:20:29,400 --> 00:20:31,240
Speaker 4: No, someone just told me about this. I will watch it.

476
00:20:31,280 --> 00:20:32,880
Speaker 4: I did recently rewatch.

477
00:20:32,520 --> 00:20:34,280
Speaker 2: The original excellent movie.

478
00:20:34,600 --> 00:20:35,760
Speaker 4: Fascinating incredible.

479
00:20:36,400 --> 00:20:39,000
Speaker 3: The series is a little bit of a cheapened version,

480
00:20:39,000 --> 00:20:40,840
Speaker 3: I'll say. I'll say that on the record.

481
00:20:40,600 --> 00:20:43,479
Speaker 4: But because like all documentaries, not all, but a lot

482
00:20:43,520 --> 00:20:46,200
Speaker 4: of great documentaries, it's they started thinking it was gonna

483
00:20:46,200 --> 00:20:50,400
Speaker 4: be about one thing and it changes. That usually is exciting.

484
00:20:50,080 --> 00:20:52,240
Speaker 1: And yeah, yes it was not. Like the most famous

485
00:20:52,280 --> 00:20:53,680
Speaker 1: example of that is probably The Jinks, right.

486
00:20:53,720 --> 00:20:54,120
Speaker 3: Is the Jinks.

487
00:20:54,160 --> 00:20:57,240
Speaker 4: The Jinks and also Capturing the Freedman's which have you

488
00:20:57,240 --> 00:20:57,600
Speaker 4: ever seen that?

489
00:20:57,640 --> 00:20:58,480
Speaker 3: I don't think I've ever seen it.

490
00:20:58,520 --> 00:20:59,920
Speaker 4: Oh yeah, for first of all, because it's supposed to

491
00:20:59,920 --> 00:21:01,959
Speaker 4: be about this guy who's a party clown, and then

492
00:21:01,960 --> 00:21:03,760
Speaker 4: it turns out that he has his dark family history

493
00:21:03,760 --> 00:21:06,080
Speaker 4: and they follow that. But you know that Silly Billy

494
00:21:06,119 --> 00:21:08,840
Speaker 4: the party clown used to play the SNL holiday party

495
00:21:09,080 --> 00:21:12,040
Speaker 4: up when seventeen. He would come and do like party

496
00:21:12,040 --> 00:21:14,600
Speaker 4: clown stuff, like when I was a writer, when like

497
00:21:14,680 --> 00:21:18,679
Speaker 4: Norm McDonald's son would be there. So I saw the

498
00:21:18,680 --> 00:21:20,480
Speaker 4: dog and I was like, that's, oh my god, that's

499
00:21:20,480 --> 00:21:27,240
Speaker 4: Silly Billy. Oh no, Silly Billy's family. No, he was not.

500
00:21:27,560 --> 00:21:28,800
Speaker 3: What do you mean he did the party?

501
00:21:29,080 --> 00:21:30,800
Speaker 4: There used to be a little you know what it was.

502
00:21:30,840 --> 00:21:33,440
Speaker 4: They would have when the tree lighting was happening, they'd

503
00:21:33,440 --> 00:21:35,440
Speaker 4: have bagels and stuff and they would bring their kids.

504
00:21:35,520 --> 00:21:37,760
Speaker 3: Yeah, they would bring your kids to the people.

505
00:21:37,520 --> 00:21:39,359
Speaker 4: Would bring you know why, Becauselauren's kids were little.

506
00:21:39,359 --> 00:21:43,760
Speaker 3: That's why there were no children about. It's just the bagels.

507
00:21:43,800 --> 00:21:46,520
Speaker 3: And it's like the meeting's happening, like your sketch might

508
00:21:46,520 --> 00:21:48,080
Speaker 3: get picked, it might not. It's like there's a lot

509
00:21:48,119 --> 00:21:50,560
Speaker 3: of weird tens. But then the lighting is always a

510
00:21:50,560 --> 00:21:51,120
Speaker 3: beautiful moment.

511
00:21:51,200 --> 00:21:53,000
Speaker 4: It's a nice moment. But we were taught. You asked about

512
00:21:53,080 --> 00:21:55,400
Speaker 4: New York and has Does neew York have too many dogs? Probably?

513
00:21:55,480 --> 00:21:57,679
Speaker 4: Does it have too much lulu? I mean it's a

514
00:21:57,720 --> 00:21:59,280
Speaker 4: mix in my neighborhood, it's a mix of like there's

515
00:21:59,359 --> 00:22:01,520
Speaker 4: uh lulam and then everything else is vacant.

516
00:22:01,600 --> 00:22:04,320
Speaker 2: Yeah, I guess most of the time where it's just

517
00:22:04,400 --> 00:22:06,800
Speaker 2: all dogs. And so I just kind of accepted that

518
00:22:06,880 --> 00:22:09,639
Speaker 2: me not having one is I'm wrong and I should

519
00:22:09,680 --> 00:22:11,520
Speaker 2: get one. I also like, now I'm starting to feel

520
00:22:11,520 --> 00:22:13,280
Speaker 2: a little guilty that I don't have one. Do you

521
00:22:13,280 --> 00:22:15,800
Speaker 2: remember when I hosted that dog grooming camp? I hosted

522
00:22:15,800 --> 00:22:18,440
Speaker 2: a dog grooming competition show called howked Dog h a

523
00:22:18,640 --> 00:22:21,960
Speaker 2: U t r excellent. And there was a day. There

524
00:22:22,000 --> 00:22:24,560
Speaker 2: was a day where it was like rescue dog day

525
00:22:24,920 --> 00:22:26,480
Speaker 2: and they made me hold one of these dogs and

526
00:22:26,520 --> 00:22:29,320
Speaker 2: give a direct to Kevira like don't you want to

527
00:22:29,320 --> 00:22:30,080
Speaker 2: save a life?

528
00:22:30,640 --> 00:22:32,560
Speaker 1: Like how would you feel to know that you could

529
00:22:32,560 --> 00:22:33,160
Speaker 1: have saved a life?

530
00:22:33,240 --> 00:22:34,800
Speaker 2: Right? I didn't. And then I like handed the dog

531
00:22:34,840 --> 00:22:37,720
Speaker 2: back and I was like okay later and then I

532
00:22:37,720 --> 00:22:39,840
Speaker 2: felt bad. It was like, we need.

533
00:22:39,720 --> 00:22:40,840
Speaker 3: To help me to help.

534
00:22:41,000 --> 00:22:44,040
Speaker 4: The message that was the help. The SA was the help.

535
00:22:44,080 --> 00:22:44,680
Speaker 1: I did my thing.

536
00:22:44,720 --> 00:22:48,240
Speaker 2: I can be fun uncle to these dogs, actual children.

537
00:22:48,440 --> 00:22:50,480
Speaker 3: Yeah, I'm ready for parent with the dogs.

538
00:22:51,000 --> 00:22:53,280
Speaker 1: Do you want one? He would be a great dog owner.

539
00:22:53,720 --> 00:22:56,960
Speaker 4: The schedule, yeah, because does no one brings their dog

540
00:22:57,119 --> 00:22:58,560
Speaker 4: to us and ol people bring their dogs?

541
00:23:00,400 --> 00:23:01,560
Speaker 1: That would be a bridge too far.

542
00:23:01,920 --> 00:23:04,040
Speaker 3: Oh, there's there's a couple people. But it's fine, Like

543
00:23:04,080 --> 00:23:05,760
Speaker 3: they stay in the dressing room. They stay in the

544
00:23:05,840 --> 00:23:08,600
Speaker 3: dressing room, or sometimes they'll bring them out. It's okay.

545
00:23:09,200 --> 00:23:10,160
Speaker 4: That's a different world.

546
00:23:10,440 --> 00:23:12,440
Speaker 3: It's a different Yeah. Would never have flown.

547
00:23:12,760 --> 00:23:14,719
Speaker 2: No, no, no, I don't think so.

548
00:23:14,960 --> 00:23:18,960
Speaker 3: Yeah. Yeah, right now I think post pandemic, we're all

549
00:23:19,000 --> 00:23:21,440
Speaker 3: like we've had a rough couple of years.

550
00:23:22,480 --> 00:23:25,000
Speaker 4: Let's let everyone have what they need everyone, let's make.

551
00:23:24,880 --> 00:23:29,280
Speaker 3: Sure everything's fine. Yeah, which I culturally must feel wild.

552
00:23:29,400 --> 00:23:32,080
Speaker 3: I remember that this just comes with starting out there,

553
00:23:32,240 --> 00:23:34,040
Speaker 3: no matter who you are, no matter what job it is,

554
00:23:34,680 --> 00:23:37,960
Speaker 3: if you start out there, it is always hard and

555
00:23:38,000 --> 00:23:40,960
Speaker 3: it is always a cultural adjustment. But I just remember

556
00:23:41,000 --> 00:23:43,680
Speaker 3: a time like pre pandemic, where I was just like, oh,

557
00:23:43,680 --> 00:23:47,440
Speaker 3: I was terrified every day. Every day, I was shaking

558
00:23:48,040 --> 00:23:49,760
Speaker 3: just to just to be there.

559
00:23:50,359 --> 00:23:52,720
Speaker 2: And yeah, would have never thought, yeah I went there.

560
00:23:52,760 --> 00:23:56,119
Speaker 4: I was ninety seven when I went there. And I

561
00:23:56,119 --> 00:23:59,200
Speaker 4: mean that I see with clarity now, like the nineties

562
00:23:59,240 --> 00:24:01,640
Speaker 4: were so rough.

563
00:24:01,560 --> 00:24:05,800
Speaker 2: Like rough, rough, rough, what sense? What do you mean?

564
00:24:06,000 --> 00:24:09,000
Speaker 4: Like kindness was not in fashion and.

565
00:24:08,960 --> 00:24:10,399
Speaker 1: It would get worse from there.

566
00:24:10,160 --> 00:24:15,239
Speaker 4: And no mental health was like what yeah, what what

567
00:24:15,280 --> 00:24:18,320
Speaker 4: are you talking about? And that's why everyone ended up

568
00:24:18,320 --> 00:24:21,439
Speaker 4: with some form of like temporary kind of OCD. And

569
00:24:22,280 --> 00:24:25,240
Speaker 4: you know, but even just when you look back at

570
00:24:25,680 --> 00:24:28,359
Speaker 4: you just look back at like nineties Letterman interviews, Yeah,

571
00:24:28,680 --> 00:24:31,199
Speaker 4: and you're like, oh my gosh, she's just like haranguing

572
00:24:31,840 --> 00:24:35,480
Speaker 4: a teenager. Yeah, absolutely, and we were like ha ha haaa,

573
00:24:36,080 --> 00:24:36,960
Speaker 4: that dumb slut.

574
00:24:37,440 --> 00:24:37,640
Speaker 2: Yeah.

575
00:24:37,720 --> 00:24:40,760
Speaker 4: Actually that was the fifty five year old man told

576
00:24:40,800 --> 00:24:42,840
Speaker 4: that dumb teenager.

577
00:24:42,920 --> 00:24:44,560
Speaker 2: Will never be the same after that.

578
00:24:44,880 --> 00:24:49,439
Speaker 3: Well, but like the Paris Hilton thing, I still I

579
00:24:49,440 --> 00:24:52,959
Speaker 3: mean it's rough, Like I don't like celebrate that interview necessarily.

580
00:24:53,600 --> 00:24:58,679
Speaker 3: It is incredible and the most in the best not

581
00:24:58,760 --> 00:25:00,199
Speaker 3: the best way, but in a way that you're like,

582
00:25:00,400 --> 00:25:03,560
Speaker 3: it's Letterman. And then I talked about this before. It

583
00:25:03,680 --> 00:25:05,320
Speaker 3: was the thing that like Anna Dresident and I watched

584
00:25:05,320 --> 00:25:07,639
Speaker 3: and we're like, so, I guess the Iceberg should be

585
00:25:07,680 --> 00:25:09,240
Speaker 3: like I want to talk about this thing and not

586
00:25:09,240 --> 00:25:11,840
Speaker 3: talking about yeah you know what I mean modeled it

587
00:25:11,880 --> 00:25:14,760
Speaker 3: after that, Yeah, oh really yeah yeah, Like we watched that,

588
00:25:14,760 --> 00:25:16,919
Speaker 3: we were like, okay, so like I just want to

589
00:25:16,920 --> 00:25:18,560
Speaker 3: I just want to talk about my other thing. Yeah,

590
00:25:18,600 --> 00:25:20,840
Speaker 3: but it was like that was the nineties too. It

591
00:25:20,920 --> 00:25:25,680
Speaker 3: was like really fucking yeah, making you squirm a bit.

592
00:25:25,720 --> 00:25:27,840
Speaker 4: And there's just for so many things, even people like

593
00:25:28,600 --> 00:25:30,840
Speaker 4: if you've seen that again, these are all people that

594
00:25:30,920 --> 00:25:33,800
Speaker 4: I you know, hold nothing against them, like no, but

595
00:25:33,920 --> 00:25:37,920
Speaker 4: like there's some old Conan clip where the lady from

596
00:25:37,920 --> 00:25:43,280
Speaker 4: Melrose Place has no oh gosh, someone else, the other

597
00:25:43,320 --> 00:25:47,840
Speaker 4: blonde lady Courtney Thorn, thank you so much. First of all,

598
00:25:48,200 --> 00:25:49,520
Speaker 4: I think, thank you.

599
00:25:49,680 --> 00:25:50,080
Speaker 2: I believe.

600
00:25:50,119 --> 00:25:52,760
Speaker 4: I believe it's Courtney Thorne Smith and I forget. Maybe

601
00:25:52,840 --> 00:25:54,320
Speaker 4: it's like I don't know if it's ConA once ad

602
00:25:54,359 --> 00:25:56,000
Speaker 4: An Norm on the other side or something. And they're

603
00:25:56,040 --> 00:25:58,040
Speaker 4: just like doing a bit, like some kind of bit

604
00:25:58,119 --> 00:25:59,760
Speaker 4: that that she looks really hot at her and she's

605
00:25:59,760 --> 00:26:01,760
Speaker 4: just try I want to tell her story from whatever

606
00:26:01,760 --> 00:26:03,359
Speaker 4: it is the pre interview of like a funny thing

607
00:26:03,359 --> 00:26:06,560
Speaker 4: that happened, and it's like two maniacs on either side

608
00:26:06,560 --> 00:26:09,520
Speaker 4: of her, and you're just like, oh, yeah, that we're

609
00:26:09,560 --> 00:26:13,080
Speaker 4: not doing that anymore. But at the time it was

610
00:26:13,119 --> 00:26:15,760
Speaker 4: like ha ha, yeah okay, and those were like Conan

611
00:26:15,840 --> 00:26:20,040
Speaker 4: is a lovely, kindvolved, intelligent person. We all were I

612
00:26:20,080 --> 00:26:21,679
Speaker 4: should probably try to think of a story that I

613
00:26:21,720 --> 00:26:23,879
Speaker 4: tell on myself instead of like but they were like

614
00:26:24,160 --> 00:26:25,240
Speaker 4: we were just hard.

615
00:26:25,480 --> 00:26:28,480
Speaker 2: We were hard people. Well, we had Seth Meyers on

616
00:26:28,520 --> 00:26:30,639
Speaker 2: the show like probably a month ago, and he was

617
00:26:30,640 --> 00:26:33,160
Speaker 2: saying that like the best time like that, he felt

618
00:26:33,200 --> 00:26:35,560
Speaker 2: like the winning season was probably like two thousand and eight,

619
00:26:35,600 --> 00:26:38,440
Speaker 2: two thousand and nine, Like obviously when I went back, Sarah,

620
00:26:39,000 --> 00:26:40,280
Speaker 2: do you feel that way too?

621
00:26:40,840 --> 00:26:43,560
Speaker 4: Well, I feel like that was a crazy good time,

622
00:26:43,600 --> 00:26:46,480
Speaker 4: and Seth was pad writer and was doing a great

623
00:26:46,600 --> 00:26:50,399
Speaker 4: job and the world wasn't as dark and yeah for me,

624
00:26:50,480 --> 00:26:52,520
Speaker 4: I felt like that was my prayer for Owen meani

625
00:26:52,640 --> 00:26:54,480
Speaker 4: moment where I was like, it was I born to

626
00:26:54,520 --> 00:26:57,320
Speaker 4: look like this lady, I guess so yeah, but now

627
00:26:57,359 --> 00:26:58,479
Speaker 4: it all seems so gentle.

628
00:26:59,440 --> 00:27:02,040
Speaker 1: I was there, I remember, I was. I was literally there.

629
00:27:02,160 --> 00:27:04,280
Speaker 2: I remember. One of the coolest ones was it was

630
00:27:04,320 --> 00:27:09,280
Speaker 2: the I guess weekend up day Tuesday or Wednesdays special Thursday.

631
00:27:10,280 --> 00:27:12,159
Speaker 2: They would add those things and I was at the

632
00:27:12,200 --> 00:27:15,199
Speaker 2: time like a standby person, like I would wait all

633
00:27:15,200 --> 00:27:18,360
Speaker 2: the time, and so someone at the line like was like, yeah,

634
00:27:18,400 --> 00:27:20,879
Speaker 2: they actually they give us tickets for Thursday things. So

635
00:27:20,920 --> 00:27:23,680
Speaker 2: here's you go, and you will Ferrell and I guess

636
00:27:23,760 --> 00:27:26,680
Speaker 2: Daryl Hammond right like, and he was.

637
00:27:26,680 --> 00:27:27,760
Speaker 4: Doing Bush and stuff.

638
00:27:27,840 --> 00:27:28,080
Speaker 2: Yep.

639
00:27:28,119 --> 00:27:29,359
Speaker 4: I think I remember that was the one that my

640
00:27:29,400 --> 00:27:32,040
Speaker 4: parents were like, that was a little too far. They

641
00:27:32,080 --> 00:27:33,080
Speaker 4: were because they're Republican.

642
00:27:34,640 --> 00:27:35,680
Speaker 2: That was a little too far.

643
00:27:35,840 --> 00:27:38,320
Speaker 4: I forget what. I don't remember what the jokes were.

644
00:27:38,920 --> 00:27:41,399
Speaker 4: They were on board and then they got back on

645
00:27:42,680 --> 00:27:43,399
Speaker 4: they forget.

646
00:27:52,520 --> 00:27:55,119
Speaker 3: This is I don't think I've this is personally important

647
00:27:55,160 --> 00:27:57,840
Speaker 3: to me, and I will never forget this. But I

648
00:27:57,960 --> 00:28:01,760
Speaker 3: matriculated it with my sister was not in student housing,

649
00:28:01,800 --> 00:28:04,119
Speaker 3: and so I was very socially anxious about meeting new people.

650
00:28:05,520 --> 00:28:09,400
Speaker 3: And I had researched the improv group at ny in

651
00:28:09,480 --> 00:28:12,479
Speaker 3: April of senior of high school and I'm reaching out

652
00:28:12,520 --> 00:28:17,760
Speaker 3: to the facebook page Throwback and I messaged the Facebook page,

653
00:28:17,800 --> 00:28:20,639
Speaker 3: when do you guys hold auditions? Does it work against me?

654
00:28:20,640 --> 00:28:24,080
Speaker 3: If I'm not in tish, if I'm just a science major,

655
00:28:24,320 --> 00:28:27,360
Speaker 3: does it work against it? I was so and then

656
00:28:27,680 --> 00:28:31,200
Speaker 3: the person who answered me was AA dressing. She was like, hey,

657
00:28:31,320 --> 00:28:33,959
Speaker 3: so funny, but just like cosmically there was something about that.

658
00:28:34,000 --> 00:28:35,639
Speaker 3: And then she was like, don't worry, good luck with

659
00:28:35,680 --> 00:28:40,360
Speaker 3: your manifad rentals, like bye, and then auditioned for the

660
00:28:40,400 --> 00:28:43,800
Speaker 3: improv group made it to the final round. And then

661
00:28:43,840 --> 00:28:46,000
Speaker 3: I was like, I really hope I get this. Got

662
00:28:46,040 --> 00:28:49,280
Speaker 3: the email from anadress and saying we're so sorry. We

663
00:28:49,280 --> 00:28:52,560
Speaker 3: were floored by everybody. Please start your own groups. We

664
00:28:52,560 --> 00:28:54,440
Speaker 3: shouldn't be the only game in town. Blah blah blah

665
00:28:54,600 --> 00:28:56,760
Speaker 3: game in town being n YU, the only improv group

666
00:28:56,800 --> 00:28:59,560
Speaker 3: at n YU. I was like, okay, licking my wounds.

667
00:29:00,240 --> 00:29:02,120
Speaker 3: My sister had gone out. I had the apartment to myself.

668
00:29:02,160 --> 00:29:06,440
Speaker 3: It was Saturday, Michael Phelips episode of SNL. Tina Namy

669
00:29:06,480 --> 00:29:08,720
Speaker 3: were just going on as Hillary and Sarah. Yeah, I

670
00:29:08,840 --> 00:29:12,560
Speaker 3: get the call during the cold open live from Anna

671
00:29:12,640 --> 00:29:16,200
Speaker 3: being like we talked about it, just kidding, we're taking

672
00:29:16,240 --> 00:29:18,640
Speaker 3: on two people and you and like you're in the group.

673
00:29:18,800 --> 00:29:24,480
Speaker 3: And then it was like this crazy shift, like something like.

674
00:29:25,080 --> 00:29:27,400
Speaker 2: The culture decided to be good. No, no, no, it was

675
00:29:27,440 --> 00:29:29,240
Speaker 2: just it was just like we're gonna it's gonna be

676
00:29:29,240 --> 00:29:29,800
Speaker 2: a good time.

677
00:29:29,960 --> 00:29:33,920
Speaker 3: The trajectory was like perturbed in like the best way

678
00:29:34,000 --> 00:29:36,880
Speaker 3: for me possible. But like you were like the fact.

679
00:29:36,760 --> 00:29:38,560
Speaker 2: I caused it, you caused it.

680
00:29:38,400 --> 00:29:42,400
Speaker 3: And no matter what you were like, it was you.

681
00:29:43,520 --> 00:29:46,320
Speaker 3: But anyway, that's what I like will always fondly remember.

682
00:29:46,360 --> 00:29:47,680
Speaker 4: Not that that's a great memory.

683
00:29:48,160 --> 00:29:50,240
Speaker 3: That's a great memory, Okay, But is this the thing then,

684
00:29:50,440 --> 00:29:53,160
Speaker 3: like starting at SNL when you did or coming back

685
00:29:53,640 --> 00:29:56,360
Speaker 3: whatever the after party culture is at any given time,

686
00:29:56,960 --> 00:29:59,840
Speaker 3: is that informing what you and Amy do after the show,

687
00:30:00,360 --> 00:30:02,200
Speaker 3: because where you're like, well let's just go to bed.

688
00:30:02,360 --> 00:30:03,880
Speaker 4: Oh no, I mean we used to, I mean we'll

689
00:30:03,880 --> 00:30:05,280
Speaker 4: we were at SNL. We used to go out until

690
00:30:05,280 --> 00:30:07,560
Speaker 4: I had my first child, and then I would sometimes

691
00:30:07,640 --> 00:30:10,760
Speaker 4: begrudgingly go and they like you.

692
00:30:10,640 --> 00:30:12,760
Speaker 3: Have to say with Laura, I'd be like, okay, oh yeah,

693
00:30:12,800 --> 00:30:15,240
Speaker 3: I'm at that stage, but I'm childless. I'm a childless Yeah.

694
00:30:15,600 --> 00:30:17,040
Speaker 4: But we used to go, but I never was an

695
00:30:17,080 --> 00:30:19,560
Speaker 4: after after that was always I'm like, yeah.

696
00:30:19,440 --> 00:30:21,120
Speaker 1: I can't imagine what that would even be.

697
00:30:21,280 --> 00:30:23,760
Speaker 4: No, I remember I feel like one time Tracy Morgan

698
00:30:23,880 --> 00:30:27,280
Speaker 4: had like he did, like an illegal private casino somewhere

699
00:30:28,640 --> 00:30:30,960
Speaker 4: the drash went to like the next day, I was

700
00:30:31,040 --> 00:30:33,160
Speaker 4: like it was insane, Like.

701
00:30:34,880 --> 00:30:39,160
Speaker 2: Of course, but speaking of all this culture so that

702
00:30:39,200 --> 00:30:41,600
Speaker 2: we're talking about, in many ways culture that made us side,

703
00:30:41,640 --> 00:30:43,040
Speaker 2: culture was for us. But we have to ask you

704
00:30:43,080 --> 00:30:45,520
Speaker 2: this question, and it is of course a difficult question

705
00:30:45,560 --> 00:30:47,920
Speaker 2: that has really open to interpretation. But Tina Fey, what

706
00:30:48,040 --> 00:30:51,120
Speaker 2: was the culture that made you say culture is for me?

707
00:30:51,680 --> 00:30:54,960
Speaker 4: Okay, I've been thinking about this question. I struggled to

708
00:30:55,240 --> 00:30:56,920
Speaker 4: understand it, but I think I'm going to try to

709
00:30:57,000 --> 00:30:59,400
Speaker 4: frame it like have you ever done those I am

710
00:30:59,440 --> 00:31:03,719
Speaker 4: from yes, so if we frame it that way, I'm

711
00:31:03,760 --> 00:31:06,120
Speaker 4: also much older than you guys, and so I'm really

712
00:31:06,560 --> 00:31:09,080
Speaker 4: going back, I may say things that mean nothing to you, right,

713
00:31:09,160 --> 00:31:13,360
Speaker 4: I mean try Like I am from watching Benny Hill

714
00:31:13,400 --> 00:31:17,120
Speaker 4: as a family, Yes, yes, yes, what yeah, watching a

715
00:31:17,120 --> 00:31:19,240
Speaker 4: weird old man, Ogle women m Kings, being like this

716
00:31:19,400 --> 00:31:25,920
Speaker 4: is formative. I because a family, Like it's on PBS, guys.

717
00:31:26,600 --> 00:31:30,160
Speaker 4: I am from you know a time when it just

718
00:31:30,280 --> 00:31:33,360
Speaker 4: our whole life was. You go to Blockbuster, you rent

719
00:31:33,360 --> 00:31:39,040
Speaker 4: the Stepfather, you rent the now incredibly problematic sleep away

720
00:31:39,080 --> 00:31:43,200
Speaker 4: camp that's like and you watch it with your you know,

721
00:31:43,760 --> 00:31:46,000
Speaker 4: gay friends. So again, if you want to talk about

722
00:31:46,000 --> 00:31:51,080
Speaker 4: how hard it is, like cackling, like knowing like it's horrible,

723
00:31:51,120 --> 00:31:53,320
Speaker 4: like yeah, or like it's me and my best friend

724
00:31:53,320 --> 00:31:55,920
Speaker 4: Marlene going to Pretty Women when it first came out

725
00:31:55,960 --> 00:31:59,280
Speaker 4: and immediately cackling, being like we're the only ones that

726
00:31:59,440 --> 00:32:02,480
Speaker 4: know that he's a sex worker and this is grim right,

727
00:32:03,680 --> 00:32:07,680
Speaker 4: Like Okay, this week it's Richard Gear, but every other

728
00:32:07,840 --> 00:32:12,520
Speaker 4: week it's terrible, you know, ye cackling? What else?

729
00:32:12,600 --> 00:32:12,920
Speaker 2: I mean?

730
00:32:13,960 --> 00:32:19,760
Speaker 4: Real World New York Season, Why, guys. I remember getting

731
00:32:19,840 --> 00:32:24,320
Speaker 4: up early with my brother to see the beginning of MTV.

732
00:32:25,720 --> 00:32:29,320
Speaker 1: The first video like Downtown Julie Brown.

733
00:32:29,560 --> 00:32:33,560
Speaker 4: Like video killed the Like let's put it on getting

734
00:32:33,640 --> 00:32:37,280
Speaker 4: up to see Live Aid and being so and being

735
00:32:37,320 --> 00:32:41,400
Speaker 4: so pumped that it was partly in Philadelphia and being

736
00:32:42,080 --> 00:32:44,240
Speaker 4: guys like Phil Collins is on the concord. You guys

737
00:32:44,240 --> 00:32:47,560
Speaker 4: see Phil Collins is on the concord. Yeah, it was

738
00:32:47,600 --> 00:32:49,959
Speaker 4: for whatever reason because the quality of the venue it

739
00:32:50,080 --> 00:32:52,960
Speaker 4: was in wherever it wasn't Wembley, I guess, and like

740
00:32:53,040 --> 00:32:56,080
Speaker 4: Veterans Stadium and pH or something must have been the.

741
00:32:56,240 --> 00:32:57,720
Speaker 3: I'm silly and stupid and I thought it was just

742
00:32:57,760 --> 00:32:58,760
Speaker 3: in the UK, know, And that.

743
00:32:58,800 --> 00:33:00,920
Speaker 4: Was the big thing was they were like Phil Collin's

744
00:33:00,960 --> 00:33:02,720
Speaker 4: gonna play with this band and then get on the

745
00:33:02,720 --> 00:33:07,800
Speaker 4: concord and play again. What else is formed? Who I am?

746
00:33:08,160 --> 00:33:10,320
Speaker 4: You know Sheila the Glamorous Life?

747
00:33:10,480 --> 00:33:11,600
Speaker 1: Wow, thanks for that.

748
00:33:11,800 --> 00:33:14,000
Speaker 2: You know, Kelly Clarkson just brought her back. Sheila is

749
00:33:14,040 --> 00:33:15,920
Speaker 2: on Kelly Clarkson's album and I feel like no one

750
00:33:16,000 --> 00:33:21,840
Speaker 2: talk yeah on the last Yes, like yeah, he gave

751
00:33:21,840 --> 00:33:26,240
Speaker 2: her a special culture award. We did. We gave her

752
00:33:26,280 --> 00:33:29,000
Speaker 2: like a we gave her something. She's been recognized by

753
00:33:29,000 --> 00:33:29,560
Speaker 2: this podcast.

754
00:33:29,600 --> 00:33:31,920
Speaker 4: Good. I'm glad she must What else can I give

755
00:33:31,920 --> 00:33:35,560
Speaker 4: you? You know? The Divinyls I touched myself. That was like

756
00:33:35,680 --> 00:33:39,760
Speaker 4: or like me trying to have to no success, trying

757
00:33:39,760 --> 00:33:42,600
Speaker 4: to convince people that our junior prom theme should be

758
00:33:43,040 --> 00:33:47,800
Speaker 4: there must be an angel by e rhythmic. I was

759
00:33:48,040 --> 00:33:50,000
Speaker 4: just going to keep writing these papers and putting it

760
00:33:50,000 --> 00:33:50,480
Speaker 4: in the box.

761
00:33:50,560 --> 00:33:53,960
Speaker 2: Now wasn't ultimately under well?

762
00:33:54,040 --> 00:33:57,960
Speaker 4: It was like Brian Adams Heaven. And then I think

763
00:33:58,040 --> 00:34:00,320
Speaker 4: maybe a senior year was maybe like this is the

764
00:34:00,320 --> 00:34:04,480
Speaker 4: time Billy Joel new song.

765
00:34:06,560 --> 00:34:09,399
Speaker 3: I wow, but this is the thing where I go,

766
00:34:09,920 --> 00:34:12,440
Speaker 3: how would I have done? How would any of us do?

767
00:34:12,600 --> 00:34:14,040
Speaker 3: In like a bygone time?

768
00:34:14,160 --> 00:34:14,719
Speaker 4: You would love it.

769
00:34:14,800 --> 00:34:17,400
Speaker 2: The Blackbuster of it all really resonates because it's also

770
00:34:17,480 --> 00:34:20,160
Speaker 2: about going to Blockbuster and only ever renting two.

771
00:34:19,960 --> 00:34:22,560
Speaker 4: Things, renting two things over and over, over and over,

772
00:34:22,760 --> 00:34:25,920
Speaker 4: over and over. Watching another one was like a rach

773
00:34:26,000 --> 00:34:28,080
Speaker 4: Noophobia was a big one. I feel like there's a

774
00:34:28,080 --> 00:34:29,799
Speaker 4: Martin Sheen one that I can't think of that was

775
00:34:29,800 --> 00:34:32,560
Speaker 4: like a horror movie. Maybe that's right. And like also

776
00:34:32,760 --> 00:34:35,400
Speaker 4: with my two good friends Jim and Damien, who are brothers,

777
00:34:35,400 --> 00:34:37,560
Speaker 4: who between the two of them are the amalgam that

778
00:34:37,600 --> 00:34:41,319
Speaker 4: are the basis for the day. Yeah, And in their

779
00:34:41,320 --> 00:34:43,680
Speaker 4: house they had a back staircase that had been closed

780
00:34:43,680 --> 00:34:45,640
Speaker 4: off and made into a pantry that was full of

781
00:34:45,719 --> 00:34:50,560
Speaker 4: every kind of junk food and get after it and

782
00:34:50,640 --> 00:34:53,800
Speaker 4: also just like it like it was the eight is,

783
00:34:53,840 --> 00:34:56,799
Speaker 4: like no one did fitness. Your outfit was like a

784
00:34:56,920 --> 00:34:58,800
Speaker 4: high collar thing with a blazer.

785
00:35:00,360 --> 00:35:02,520
Speaker 1: It was just like there was no did you drink

786
00:35:02,560 --> 00:35:03,120
Speaker 1: a lot of soda?

787
00:35:03,280 --> 00:35:06,960
Speaker 4: Drank so much soda, would eat like a cheese hogy,

788
00:35:07,440 --> 00:35:09,880
Speaker 4: So like a twelve inch hogy with three kinds of

789
00:35:09,960 --> 00:35:12,400
Speaker 4: cheese and then still able to poot.

790
00:35:13,520 --> 00:35:18,200
Speaker 1: Right exactly the body.

791
00:35:16,800 --> 00:35:18,640
Speaker 4: And just think I'm trying to think culturally too. It

792
00:35:18,719 --> 00:35:24,520
Speaker 4: was like VC Andrew's flowers in the attic flowers, reading

793
00:35:24,560 --> 00:35:27,319
Speaker 4: those on like the beach at the Jersey Shore, or

794
00:35:27,360 --> 00:35:32,120
Speaker 4: like on the trolley to work. Other weird things that

795
00:35:32,200 --> 00:35:35,359
Speaker 4: I don't realize are like I was obsessed with Paul Young.

796
00:35:36,440 --> 00:35:38,440
Speaker 4: That was like every time you go away.

797
00:35:39,920 --> 00:35:41,480
Speaker 1: Originally like boy music.

798
00:35:42,080 --> 00:35:45,320
Speaker 4: Well he was super cute, okay yeah, And like SCTV

799
00:35:45,480 --> 00:35:48,040
Speaker 4: used to be on after SNL three weekends a month,

800
00:35:48,120 --> 00:35:50,080
Speaker 4: and then the fourth weekend it was wrestling and he'd be.

801
00:35:50,040 --> 00:35:53,400
Speaker 2: Like, uh, what did you imprint on on SCTV was

802
00:35:53,440 --> 00:35:54,920
Speaker 2: a Catherine and.

803
00:35:56,160 --> 00:36:00,399
Speaker 4: Catherine Yeah for sure, Andrew so aspirational song.

804
00:36:01,200 --> 00:36:03,160
Speaker 2: As you say, did I use that right? You used that?

805
00:36:03,760 --> 00:36:06,640
Speaker 3: You absolutely used for song is the word of twenty

806
00:36:06,680 --> 00:36:10,480
Speaker 3: twenty four. It's like it's just like a feeling of

807
00:36:10,520 --> 00:36:13,680
Speaker 3: like something in the air, like when something is.

808
00:36:13,600 --> 00:36:17,040
Speaker 2: Like, oh, I have the free song thinking about this one.

809
00:36:17,440 --> 00:36:18,200
Speaker 3: It's the table I got.

810
00:36:18,560 --> 00:36:21,120
Speaker 2: I got there thinking about getting us on the Guardians

811
00:36:21,160 --> 00:36:23,120
Speaker 2: of the Guy. Yeah, beautiful ride.

812
00:36:24,040 --> 00:36:27,600
Speaker 3: I think that the boy music thing is like that

813
00:36:27,719 --> 00:36:29,920
Speaker 3: is also a thing like the men of the eighties

814
00:36:29,960 --> 00:36:30,920
Speaker 3: and nineties.

815
00:36:30,640 --> 00:36:31,880
Speaker 2: Were allowed to be.

816
00:36:32,000 --> 00:36:34,840
Speaker 3: Yeah, but like there was something I'm gonna say, like

817
00:36:36,040 --> 00:36:39,239
Speaker 3: set aside, like oagly and stuff. But like the men

818
00:36:39,320 --> 00:36:42,799
Speaker 3: of that time hot I sound insane for saying this,

819
00:36:44,400 --> 00:36:46,200
Speaker 3: you could look up to men in a way that

820
00:36:46,360 --> 00:36:48,600
Speaker 3: was like fine.

821
00:36:48,560 --> 00:36:51,240
Speaker 2: Yeah, you can look up to men and be like, I'm.

822
00:36:51,080 --> 00:36:54,280
Speaker 4: Okay, I'm worried about what they were up to. Maybe

823
00:36:54,719 --> 00:36:55,319
Speaker 4: I'm not even that.

824
00:36:55,440 --> 00:36:57,520
Speaker 3: I mean I think they were. They were good Americans,

825
00:36:57,560 --> 00:36:58,280
Speaker 3: good Americans.

826
00:36:58,320 --> 00:36:59,239
Speaker 4: That's the name of this.

827
00:36:59,320 --> 00:37:01,719
Speaker 1: That's the not literally good American.

828
00:37:03,640 --> 00:37:06,440
Speaker 4: But we also, I mean we also were like Janet Jackson,

829
00:37:06,480 --> 00:37:09,680
Speaker 4: Madonna go gos like that's along the rhythmics. I remember

830
00:37:09,680 --> 00:37:12,360
Speaker 4: also remember when you rhythmics came out, like when the

831
00:37:12,400 --> 00:37:15,520
Speaker 4: first Sweet Dreams came out and we were like people

832
00:37:15,560 --> 00:37:19,120
Speaker 4: were scared of them. It was like different, Like she

833
00:37:19,239 --> 00:37:21,320
Speaker 4: had that short hair and she was wearing a suit

834
00:37:21,400 --> 00:37:22,160
Speaker 4: and everyone.

835
00:37:21,920 --> 00:37:24,799
Speaker 2: Was like what she was vaunt pop And even when

836
00:37:24,840 --> 00:37:27,200
Speaker 2: she did like diva and like did do her own thing,

837
00:37:27,239 --> 00:37:29,440
Speaker 2: like it was still there was something sinister about it

838
00:37:29,480 --> 00:37:30,399
Speaker 2: in a way that I love.

839
00:37:30,680 --> 00:37:33,640
Speaker 3: Yeah, Like yeah, just gender Bendy or the.

840
00:37:33,640 --> 00:37:37,239
Speaker 2: Song why by Annie Lennox. I want that as I'm

841
00:37:37,239 --> 00:37:37,960
Speaker 2: lowered into the.

842
00:37:37,920 --> 00:37:40,560
Speaker 4: Ground, I remember, but I do say revisit. There must

843
00:37:40,560 --> 00:37:41,120
Speaker 4: be an angel.

844
00:37:41,320 --> 00:37:44,480
Speaker 2: It's beautiful, Okay. And also I mean walking on broken Glass,

845
00:37:44,520 --> 00:37:47,080
Speaker 2: like there's a reason for it. Someone's gonna sample that

846
00:37:47,120 --> 00:37:52,680
Speaker 2: song and it's going to be just appear stranger things. Yeah,

847
00:37:52,880 --> 00:37:55,719
Speaker 2: like like that song taking off the all.

848
00:37:56,120 --> 00:37:58,200
Speaker 3: I'm happy for the rediscovery.

849
00:37:58,280 --> 00:38:00,239
Speaker 4: As you guys talked about this that that's the year

850
00:38:00,280 --> 00:38:02,000
Speaker 4: of the the needle drop.

851
00:38:02,239 --> 00:38:06,440
Speaker 2: Yes, do you watch the bear? Okay?

852
00:38:06,480 --> 00:38:08,160
Speaker 4: I have seen some of them, but not all of that.

853
00:38:08,640 --> 00:38:10,719
Speaker 2: Probably one of the most famous needle drops of this

854
00:38:10,800 --> 00:38:13,279
Speaker 2: year is Taylor Swift love story on the Oh they

855
00:38:13,280 --> 00:38:15,880
Speaker 2: did that, They did that and to get the Taylor

856
00:38:15,920 --> 00:38:17,960
Speaker 2: Swift song must have cost a lot of money, so

857
00:38:18,040 --> 00:38:21,520
Speaker 2: thankfully it paid off. Like the Bear the Bearrier doing excellent. Yes,

858
00:38:21,640 --> 00:38:24,879
Speaker 2: you guys are crushing it out there. They are, they

859
00:38:24,960 --> 00:38:25,520
Speaker 2: really are.

860
00:38:26,280 --> 00:38:28,960
Speaker 1: It's so wild to see her like sleigh drama like this.

861
00:38:29,440 --> 00:38:30,239
Speaker 3: Yeah, yeah, I know.

862
00:38:30,280 --> 00:38:31,560
Speaker 4: I have to go back and get into it so

863
00:38:31,600 --> 00:38:34,160
Speaker 4: I can see where her character arc went because I know.

864
00:38:34,520 --> 00:38:36,480
Speaker 2: She's so good and I think it was like I

865
00:38:36,480 --> 00:38:38,880
Speaker 2: always like, of course coming up with her, like we

866
00:38:38,880 --> 00:38:40,120
Speaker 2: always knew she was so talented.

867
00:38:40,120 --> 00:38:41,880
Speaker 1: But then I was watching Bottoms. Did you see bottom?

868
00:38:42,040 --> 00:38:42,320
Speaker 3: Yes?

869
00:38:42,480 --> 00:38:44,200
Speaker 1: I was watching her on screen there to see.

870
00:38:44,000 --> 00:38:45,800
Speaker 2: Where the camera gets way up in her face and

871
00:38:45,840 --> 00:38:48,920
Speaker 2: I think she's having a moment with her love interest,

872
00:38:48,960 --> 00:38:51,279
Speaker 2: and I'm like, you got it, girl.

873
00:38:51,600 --> 00:38:52,919
Speaker 4: She got it big time.

874
00:38:53,000 --> 00:38:53,799
Speaker 2: We were big time.

875
00:38:53,880 --> 00:38:57,080
Speaker 3: You were in the edit yesterday for this pre tape.

876
00:38:57,360 --> 00:38:59,640
Speaker 3: Every take, I was like, oh, I don't know, she

877
00:38:59,800 --> 00:39:04,200
Speaker 3: knows where to find the can whatever the camera, but

878
00:39:04,239 --> 00:39:05,760
Speaker 3: like and it would cut to me and it'd.

879
00:39:05,600 --> 00:39:05,959
Speaker 4: Be like.

880
00:39:08,239 --> 00:39:10,120
Speaker 1: No, no, no, but when you know what to do

881
00:39:10,200 --> 00:39:10,840
Speaker 1: with the camera.

882
00:39:11,000 --> 00:39:11,799
Speaker 2: Do we all have this?

883
00:39:12,360 --> 00:39:15,719
Speaker 3: Do we all have this thing where it's this there

884
00:39:15,800 --> 00:39:18,799
Speaker 3: is some dysmorphia. If not, might be the right word,

885
00:39:18,840 --> 00:39:22,080
Speaker 3: but it's like, I think it's getting worse and worse

886
00:39:22,120 --> 00:39:23,520
Speaker 3: for me in terms of watching myself.

887
00:39:24,040 --> 00:39:26,279
Speaker 4: I've reached a point where I don't do it, like

888
00:39:26,840 --> 00:39:28,759
Speaker 4: unless I'm in unless it's something that I'm in charge

889
00:39:28,760 --> 00:39:31,520
Speaker 4: of them is like I have to edit it. I'm like, oh,

890
00:39:31,600 --> 00:39:33,160
Speaker 4: I'm gonna make this movie and I have an idea,

891
00:39:33,320 --> 00:39:35,680
Speaker 4: I'm never gonna watch it. Yeah, I got it, and

892
00:39:35,719 --> 00:39:36,440
Speaker 4: that's like freeing.

893
00:39:36,640 --> 00:39:38,800
Speaker 2: Yeah, you know when the it came out about the

894
00:39:38,800 --> 00:39:42,680
Speaker 2: four Seasons, Yeah, the gay group chats were of course,

895
00:39:43,239 --> 00:39:44,200
Speaker 2: that's really exciting.

896
00:39:44,440 --> 00:39:45,480
Speaker 4: I'm excited about that too.

897
00:39:45,760 --> 00:39:46,879
Speaker 2: Yeah, this is gonna be good.

898
00:39:47,320 --> 00:39:49,319
Speaker 3: That's a good link up again with with Tracy and with.

899
00:39:49,880 --> 00:39:52,960
Speaker 4: Oh Tracy and Lang the best, Tracyfield and Langfish.

900
00:39:54,280 --> 00:39:57,200
Speaker 2: The gays that remember the movie were like, huh, like

901
00:39:57,239 --> 00:39:58,279
Speaker 2: they were very total.

902
00:39:58,640 --> 00:39:59,040
Speaker 4: That's great.

903
00:39:59,120 --> 00:40:02,799
Speaker 2: Oh no, yeah, they're lining up already. I can't get

904
00:40:02,840 --> 00:40:05,280
Speaker 2: over that. My two movies from Blockbuster were The First

905
00:40:05,280 --> 00:40:06,840
Speaker 2: Wives Club and Golden Eye.

906
00:40:07,440 --> 00:40:11,080
Speaker 3: That's that was my personality, Like First Vibes Club.

907
00:40:11,400 --> 00:40:13,080
Speaker 1: That makes sense, Yeah, First Wives Club.

908
00:40:13,360 --> 00:40:16,000
Speaker 2: So you watch it now and you're like, it's so

909
00:40:16,160 --> 00:40:18,719
Speaker 2: a movie of the nineties where it's just like it

910
00:40:18,800 --> 00:40:22,120
Speaker 2: takes a bit to get into being a movie.

911
00:40:22,440 --> 00:40:24,080
Speaker 1: Yeah, and then yeah, then it is, you know what

912
00:40:24,120 --> 00:40:24,319
Speaker 1: I mean?

913
00:40:24,320 --> 00:40:26,640
Speaker 2: But I kind of missed the days where it's just like, no,

914
00:40:26,719 --> 00:40:28,600
Speaker 2: the first half hour is just gonna be a lot

915
00:40:28,640 --> 00:40:30,080
Speaker 2: of relationship building.

916
00:40:30,280 --> 00:40:31,240
Speaker 1: Yep, like a lot.

917
00:40:31,719 --> 00:40:34,120
Speaker 3: Is it any first talk stuff that actually ever pays

918
00:40:34,160 --> 00:40:36,120
Speaker 3: off in the end? No? Right, that felt like a

919
00:40:36,200 --> 00:40:37,839
Speaker 3: nineties thing where it was like you.

920
00:40:37,880 --> 00:40:40,120
Speaker 2: Just I think it's all worth it to watch them

921
00:40:40,120 --> 00:40:41,640
Speaker 2: at the end saying you don't own me. And I

922
00:40:42,280 --> 00:40:44,600
Speaker 2: can't remember anything else about the movie besides that. And

923
00:40:44,680 --> 00:40:46,239
Speaker 2: you know who else you forget is in that movie?

924
00:40:46,320 --> 00:40:48,120
Speaker 2: Kind of crushing its SVP.

925
00:40:48,360 --> 00:40:50,560
Speaker 4: Yeah, she's great in that movie, so good. She's great

926
00:40:50,560 --> 00:40:54,000
Speaker 4: in that movie. She's great in La Story. Yes, she's

927
00:40:54,080 --> 00:40:58,759
Speaker 4: great in Edwood. Oh yeah, I've seen Wait a minute,

928
00:40:58,960 --> 00:41:01,200
Speaker 4: when Edward is so great.

929
00:41:01,280 --> 00:41:02,239
Speaker 1: That's a really good one.

930
00:41:02,320 --> 00:41:03,439
Speaker 3: Okay, I've got two weeks off.

931
00:41:03,680 --> 00:41:05,759
Speaker 1: Yeah, I'm not Wow, you do have two weeks off.

932
00:41:05,760 --> 00:41:09,080
Speaker 3: I excited. I'm not going anywhere. I'm going to the Beacond.

933
00:41:09,239 --> 00:41:11,280
Speaker 4: I was gonna say, except the Begon the Beacon.

934
00:41:11,520 --> 00:41:13,960
Speaker 2: So wait when you would have a vacation from SNL

935
00:41:13,960 --> 00:41:15,600
Speaker 2: back in the day. Would you go or would you

936
00:41:15,800 --> 00:41:17,440
Speaker 2: just sit? Would you bedrot?

937
00:41:17,640 --> 00:41:19,760
Speaker 4: I think I mostly just sat. I feel like people

938
00:41:19,800 --> 00:41:21,680
Speaker 4: at s and I'll do much better sort of self

939
00:41:21,719 --> 00:41:25,040
Speaker 4: care and living their lives. But I think in the beginning,

940
00:41:25,200 --> 00:41:27,800
Speaker 4: my now husband was still in Chicago, so sometimes I

941
00:41:27,800 --> 00:41:30,640
Speaker 4: would go back to Chicago for thee or whatever. But

942
00:41:30,640 --> 00:41:33,520
Speaker 4: but no, I didn't. I never took one real vacation.

943
00:41:33,760 --> 00:41:34,000
Speaker 3: Yeah.

944
00:41:34,080 --> 00:41:35,160
Speaker 2: Yeah, I'm just.

945
00:41:35,120 --> 00:41:36,960
Speaker 4: Still learning how to do that. I'm like, oh, right,

946
00:41:37,000 --> 00:41:38,480
Speaker 4: you book a trip and then you go there.

947
00:41:38,960 --> 00:41:39,359
Speaker 2: Yeah, right.

948
00:41:39,440 --> 00:41:42,080
Speaker 3: Can I say I've never developed I don't think I

949
00:41:42,120 --> 00:41:44,640
Speaker 3: think my time is up, Like I think if I

950
00:41:44,680 --> 00:41:46,440
Speaker 3: haven't learned by now to like book a vacation on

951
00:41:46,480 --> 00:41:48,120
Speaker 3: the two weeks off, and like, I don't think I

952
00:41:48,120 --> 00:41:50,920
Speaker 3: ever will for my remaining time there. I'm just like

953
00:41:51,480 --> 00:41:55,000
Speaker 3: I don't have that thing of like that admin thing

954
00:41:55,040 --> 00:41:57,480
Speaker 3: of like let me book and here ABNB or something.

955
00:41:57,520 --> 00:41:57,719
Speaker 4: Yeah.

956
00:41:57,840 --> 00:41:59,960
Speaker 3: So I think it's I think there's something about work

957
00:42:00,160 --> 00:42:03,680
Speaker 3: there that like makes you want to stay put because

958
00:42:03,680 --> 00:42:05,480
Speaker 3: you're just like moving around a lot or something.

959
00:42:06,080 --> 00:42:08,560
Speaker 4: Yeah, you need to recover. Yeah, the thought of going

960
00:42:08,560 --> 00:42:11,440
Speaker 4: to the airport doesn't seem good after that.

961
00:42:11,760 --> 00:42:14,560
Speaker 3: No, never ever, I literally did this when you were

962
00:42:14,560 --> 00:42:16,400
Speaker 3: in town last season where I would like do a

963
00:42:16,400 --> 00:42:19,880
Speaker 3: show on Saturday. My flight was at eight a m.

964
00:42:20,120 --> 00:42:23,759
Speaker 3: After daylight savings after the spring clock jumped forward, so

965
00:42:23,840 --> 00:42:25,800
Speaker 3: I lost an hour and then went to the airport

966
00:42:25,920 --> 00:42:28,319
Speaker 3: to go to London to then yeah, shoot, and I

967
00:42:28,360 --> 00:42:31,520
Speaker 3: was just like, this is actually, this is CT. This

968
00:42:31,760 --> 00:42:34,840
Speaker 3: is like there's there's there's a part of my brain

969
00:42:34,920 --> 00:42:37,719
Speaker 3: that's leaving, and so I don't know.

970
00:42:37,719 --> 00:42:39,319
Speaker 4: I think, oh my god, that's sketch. Last night when

971
00:42:39,440 --> 00:42:41,120
Speaker 4: I was like and when the wind blows, I.

972
00:42:41,080 --> 00:42:46,680
Speaker 3: Could shout out to Asha Ward, hilarious, she's this. She's

973
00:42:46,719 --> 00:42:49,600
Speaker 3: a new young writer. She co wrote this elevator sketch

974
00:42:49,640 --> 00:42:53,880
Speaker 3: with us as well. Yeah great, she is so damn funny.

975
00:42:54,200 --> 00:42:55,880
Speaker 3: And yeah no she said that line I said on

976
00:42:55,920 --> 00:42:57,880
Speaker 3: Tuesday night when she was pitching it, which was like

977
00:42:57,920 --> 00:42:59,640
Speaker 3: kind of like going around with the idea. She's like, yeah,

978
00:42:59,640 --> 00:43:03,520
Speaker 3: it's this People's Court, this actual People's Court episode was

979
00:43:04,239 --> 00:43:08,200
Speaker 3: the plaintiff did have like the haircut, was that her

980
00:43:08,320 --> 00:43:10,799
Speaker 3: scalp was showing obviously not her actual brain, but then

981
00:43:11,480 --> 00:43:12,719
Speaker 3: like I think we're going to make it her brain

982
00:43:12,760 --> 00:43:15,640
Speaker 3: in the skitches, Like that's amazing. Event and then she goes, yeah,

983
00:43:15,640 --> 00:43:17,560
Speaker 3: and I think I wanted to say, when the wind blows,

984
00:43:17,560 --> 00:43:19,680
Speaker 3: I can feel my memories like being blown away, and

985
00:43:19,719 --> 00:43:22,080
Speaker 3: I threw my head back. I was like, you have

986
00:43:22,200 --> 00:43:22,600
Speaker 3: to put that.

987
00:43:22,840 --> 00:43:25,200
Speaker 2: Yeah, well you must, you must. I did want to ask,

988
00:43:25,239 --> 00:43:28,279
Speaker 2: so like when you're at SNL and also you're at

989
00:43:28,280 --> 00:43:31,560
Speaker 2: the same time writing mean girls, like I guess I'm

990
00:43:31,560 --> 00:43:34,120
Speaker 2: what I'm wondering is like, how long did it take

991
00:43:34,160 --> 00:43:36,560
Speaker 2: you to do that? Because I remember, like literally at

992
00:43:36,600 --> 00:43:38,759
Speaker 2: the time reading interviews with you where you were like

993
00:43:38,800 --> 00:43:41,000
Speaker 2: I just wanted to see if I could do it, yeah,

994
00:43:41,040 --> 00:43:44,759
Speaker 2: and then you so obviously could, But like, how what

995
00:43:44,840 --> 00:43:47,400
Speaker 2: was that process of like juggling that because that seems

996
00:43:47,400 --> 00:43:48,760
Speaker 2: like a lot of work all the time.

997
00:43:48,960 --> 00:43:51,719
Speaker 4: I am trying to remember. I know I did a

998
00:43:51,760 --> 00:43:54,080
Speaker 4: bunch of it in the summer. I feel like maybe

999
00:43:54,080 --> 00:43:56,439
Speaker 4: it was over two summers because it was the first

1000
00:43:56,480 --> 00:44:00,960
Speaker 4: time we rented a house in Fire Island. On we

1001
00:44:01,120 --> 00:44:04,960
Speaker 4: left the fire on a guest tire had recommended just

1002
00:44:04,960 --> 00:44:07,400
Speaker 4: doing that, and we went and trash picked a desk

1003
00:44:07,600 --> 00:44:10,799
Speaker 4: and we carried it and I remember Jeff's arms got

1004
00:44:10,840 --> 00:44:12,600
Speaker 4: like a huge because you never it's not fire around

1005
00:44:12,600 --> 00:44:14,480
Speaker 4: if you don't get a weird rash and he like

1006
00:44:14,480 --> 00:44:15,719
Speaker 4: immediately got a ration and I was like, oh, I

1007
00:44:15,760 --> 00:44:18,120
Speaker 4: think there was deer pee all over the dea or something.

1008
00:44:18,880 --> 00:44:22,600
Speaker 4: And so the I must have been doing first draft

1009
00:44:23,160 --> 00:44:26,319
Speaker 4: the first summer and then the shooting. I remember the

1010
00:44:26,400 --> 00:44:28,520
Speaker 4: second summer was the shooting draft. Because I would get

1011
00:44:28,760 --> 00:44:31,239
Speaker 4: Mark Waters, the director. I would get pages of notes

1012
00:44:31,320 --> 00:44:33,400
Speaker 4: every single day and I'd be like, I think I

1013
00:44:33,440 --> 00:44:34,880
Speaker 4: did it and then be like, okay, let's go through

1014
00:44:34,920 --> 00:44:37,800
Speaker 4: today again. He's like page four and I'd be but

1015
00:44:37,920 --> 00:44:39,640
Speaker 4: he was right. It was like it was stuff of

1016
00:44:39,680 --> 00:44:41,879
Speaker 4: like where are they this that? Could this be short?

1017
00:44:41,920 --> 00:44:44,560
Speaker 4: It was like a lot of technical stuff. And there

1018
00:44:44,600 --> 00:44:47,600
Speaker 4: was an amazing woman named Jill Messick who worked for

1019
00:44:47,640 --> 00:44:49,400
Speaker 4: Laura at the time, who she also was just like

1020
00:44:49,440 --> 00:44:53,080
Speaker 4: poking me. Okay, like a lot of drafts in between

1021
00:44:53,160 --> 00:44:56,160
Speaker 4: unofficial drafts. So I don't think I was doing it.

1022
00:44:56,200 --> 00:44:58,600
Speaker 4: I must have been doing it on weeks off. I

1023
00:44:58,640 --> 00:45:00,319
Speaker 4: don't think. I don't have a memory of do it

1024
00:45:00,400 --> 00:45:01,680
Speaker 4: and trying to do it at the same time as

1025
00:45:01,719 --> 00:45:02,799
Speaker 4: the actual show.

1026
00:45:02,920 --> 00:45:06,880
Speaker 2: Like only because like and obviously like the movie is

1027
00:45:06,920 --> 00:45:07,800
Speaker 2: so perfect.

1028
00:45:07,840 --> 00:45:08,680
Speaker 1: It's just everything.

1029
00:45:08,719 --> 00:45:10,520
Speaker 2: It's one of those things that like just falls into

1030
00:45:10,560 --> 00:45:13,640
Speaker 2: place in every way. Like I remember we were saying

1031
00:45:14,560 --> 00:45:16,279
Speaker 2: it was one of those movies where you sat down

1032
00:45:16,280 --> 00:45:18,480
Speaker 2: and watched it, and I knew I was going to

1033
00:45:18,760 --> 00:45:21,920
Speaker 2: and had to remember every line I saw with my

1034
00:45:22,000 --> 00:45:24,160
Speaker 2: cousin and I was just like, this is a really

1035
00:45:24,200 --> 00:45:27,040
Speaker 2: special thing. And then going to school, I remember like

1036
00:45:27,120 --> 00:45:29,000
Speaker 2: I was like all the track girls I used to

1037
00:45:29,040 --> 00:45:31,600
Speaker 2: run winter. I used this is a specific but I

1038
00:45:31,600 --> 00:45:33,440
Speaker 2: would run track and I would practice with all the

1039
00:45:33,480 --> 00:45:36,000
Speaker 2: girls because we would just talk about things like this, Yeah,

1040
00:45:36,040 --> 00:45:39,960
Speaker 2: and everyone knew all the lines. And it was so

1041
00:45:40,000 --> 00:45:42,600
Speaker 2: funny because I watched my one friend sort of I

1042
00:45:42,640 --> 00:45:44,840
Speaker 2: could tell she wanted to be like Regina George in

1043
00:45:44,840 --> 00:45:46,680
Speaker 2: a way where she didn't really get it. I was like,

1044
00:45:46,719 --> 00:45:49,120
Speaker 2: you don't want to be actually mean, like, but the

1045
00:45:49,120 --> 00:45:53,240
Speaker 2: way she started speaking, I'm like, it truly perfect. Remember

1046
00:45:53,280 --> 00:45:55,840
Speaker 2: it was that anchorman. Yeah, it was like and I

1047
00:45:55,840 --> 00:45:58,800
Speaker 2: remember as a gay kid too, I learned the language

1048
00:45:58,800 --> 00:46:00,480
Speaker 2: of mean girls because that was what all the girls

1049
00:46:00,480 --> 00:46:02,520
Speaker 2: were doing, and then anchormag was what all the boys

1050
00:46:02,560 --> 00:46:04,000
Speaker 2: were doing. And so it was sort of this like

1051
00:46:04,040 --> 00:46:07,799
Speaker 2: code switch, code switch, Yeah. And I remember taking my

1052
00:46:07,920 --> 00:46:10,840
Speaker 2: dad to see it and like he was so excited

1053
00:46:10,840 --> 00:46:13,160
Speaker 2: because it was coming from you, and I remember it

1054
00:46:13,200 --> 00:46:16,440
Speaker 2: was just like this like moment that felt like a unifier,

1055
00:46:16,520 --> 00:46:19,080
Speaker 2: like in high school, because everyone thought it was funny,

1056
00:46:19,360 --> 00:46:22,960
Speaker 2: everyone thought the cast was amazing, And I really wanted

1057
00:46:22,960 --> 00:46:25,200
Speaker 2: to ask about Rachel mcaddam because this is essentially is

1058
00:46:25,239 --> 00:46:28,359
Speaker 2: a Rachel McAdam stand podcast. Yeah, we could just talk

1059
00:46:28,360 --> 00:46:31,880
Speaker 2: about her and yeah, but like I was reading an

1060
00:46:31,880 --> 00:46:34,680
Speaker 2: interview with you recently where you were like you mentioned

1061
00:46:34,719 --> 00:46:38,680
Speaker 2: like watching her act like change the way that you approached.

1062
00:46:38,400 --> 00:46:40,480
Speaker 4: Yeah, because I had never been in a movie before

1063
00:46:40,560 --> 00:46:42,400
Speaker 4: and I didn't know what I would go and be

1064
00:46:42,440 --> 00:46:44,439
Speaker 4: in the scene. I'd only done SNL and I wasn't

1065
00:46:44,440 --> 00:46:47,279
Speaker 4: even really in sketches on SNL. I just update, so

1066
00:46:47,320 --> 00:46:49,359
Speaker 4: I'd be like I would literally be like in my head,

1067
00:46:49,360 --> 00:46:51,400
Speaker 4: I'd be like, I don't know if I'm on camera

1068
00:46:51,480 --> 00:46:53,959
Speaker 4: right now, so I'm gonna try real hard every time. Yeah,

1069
00:46:54,160 --> 00:46:56,040
Speaker 4: Like didn't know to even ask if I'm in this

1070
00:46:56,120 --> 00:46:59,000
Speaker 4: part of the setup. And she her performance was so

1071
00:46:59,080 --> 00:47:01,839
Speaker 4: small that I remember being worried and going to park

1072
00:47:01,840 --> 00:47:03,440
Speaker 4: watch and be like, oh, and then you get the

1073
00:47:03,520 --> 00:47:06,799
Speaker 4: dailies and it was like perfection. But it was very

1074
00:47:06,920 --> 00:47:10,080
Speaker 4: it was small. It was a film performance. It wasn't

1075
00:47:10,160 --> 00:47:10,680
Speaker 4: like me like.

1076
00:47:12,400 --> 00:47:14,680
Speaker 2: That all the time, like the sketch mentality of coming

1077
00:47:14,719 --> 00:47:16,880
Speaker 2: in in one mode, especially like because we didn't have

1078
00:47:16,920 --> 00:47:18,880
Speaker 2: any acting training coming out, we were like creatures of

1079
00:47:18,920 --> 00:47:21,040
Speaker 2: the basements, you know, like any of us. And then

1080
00:47:21,080 --> 00:47:23,200
Speaker 2: all of a sudden you book a thing where you

1081
00:47:23,239 --> 00:47:25,120
Speaker 2: have to be on camera acting and they're like, hey,

1082
00:47:25,200 --> 00:47:29,640
Speaker 2: just throw it away, and like, I don't know what.

1083
00:47:28,760 --> 00:47:30,960
Speaker 4: But you learned. But the difference is then when you

1084
00:47:31,000 --> 00:47:33,040
Speaker 4: see when you see people on SNL, when you see

1085
00:47:33,040 --> 00:47:35,840
Speaker 4: someone like Io who understands the assignment to use a

1086
00:47:36,000 --> 00:47:40,480
Speaker 4: now old phrase, it's bad, I brought it back. She

1087
00:47:40,520 --> 00:47:42,320
Speaker 4: understands what she's supposed to do and what sketch requires.

1088
00:47:42,360 --> 00:47:44,759
Speaker 4: And then you compare to well not name names, but

1089
00:47:44,840 --> 00:47:46,239
Speaker 4: you see people who come in who have only ever

1090
00:47:46,280 --> 00:47:48,560
Speaker 4: done film, whose performances are built in the edit room right,

1091
00:47:48,600 --> 00:47:52,560
Speaker 4: who have no internal sense of pacing or even energy,

1092
00:47:52,760 --> 00:47:57,040
Speaker 4: and you and oh, they can fuck up a show, but.

1093
00:47:56,960 --> 00:47:58,080
Speaker 2: They can slay the pre tape.

1094
00:47:58,080 --> 00:47:58,799
Speaker 3: They can play the pre.

1095
00:47:58,719 --> 00:48:01,000
Speaker 4: Tape tapes tape for them, pre tape.

1096
00:48:01,239 --> 00:48:04,120
Speaker 3: Literally all we want to tell people now at SNL,

1097
00:48:04,280 --> 00:48:06,560
Speaker 3: like all I tell the hosts all the time on Wednesdays,

1098
00:48:06,640 --> 00:48:09,839
Speaker 3: especially at the Rea through I go fast and we

1099
00:48:09,840 --> 00:48:11,960
Speaker 3: were just like, just do it fast and loud, fast

1100
00:48:12,000 --> 00:48:14,480
Speaker 3: and loud wow, and that usually it is plenty of

1101
00:48:14,520 --> 00:48:15,760
Speaker 3: dials it in. It's plenty.

1102
00:48:15,880 --> 00:48:17,920
Speaker 4: Yeah. That's what Amy talks about, how because we do

1103
00:48:17,920 --> 00:48:19,120
Speaker 4: a Q and A and our show, and like we

1104
00:48:19,160 --> 00:48:20,640
Speaker 4: often get asked like, you know, who are your favorite

1105
00:48:21,000 --> 00:48:22,919
Speaker 4: guests and stuff, and she's like, I love athletes because

1106
00:48:22,920 --> 00:48:24,719
Speaker 4: they're used to being coached and they don't care. And

1107
00:48:24,760 --> 00:48:26,319
Speaker 4: you just be like, just do that. They just do

1108
00:48:26,360 --> 00:48:29,040
Speaker 4: it louder and like say it and they're like okay ah.

1109
00:48:29,160 --> 00:48:31,080
Speaker 1: You also get a sense that anyone with like a

1110
00:48:31,120 --> 00:48:33,799
Speaker 1: Disney Kid pass yep comes in there and tears it

1111
00:48:33,920 --> 00:48:34,359
Speaker 1: up yep.

1112
00:48:34,360 --> 00:48:36,560
Speaker 4: Also, by the way, people who've done and there are

1113
00:48:36,560 --> 00:48:38,040
Speaker 4: fewer and fewer of these people, but used to be

1114
00:48:38,040 --> 00:48:40,600
Speaker 4: people who had done soaps. Because you know who's Scott

1115
00:48:40,640 --> 00:48:45,360
Speaker 4: to start on soaps, Alec Baldwin, Julianne Moore. Yes, Julian,

1116
00:48:45,480 --> 00:48:47,880
Speaker 4: make a choice, make a choice and go.

1117
00:48:47,960 --> 00:48:52,160
Speaker 3: Get Lisa Rinna to hosts. Oh, come on, Lisa, Julian Moore.

1118
00:48:52,239 --> 00:48:54,240
Speaker 3: I think well, and that's I think.

1119
00:48:54,160 --> 00:48:55,680
Speaker 2: Our favorite movie of leaders made December.

1120
00:48:55,680 --> 00:48:59,279
Speaker 4: We Love Me, that's your favorite movie there. I enjoyed it,

1121
00:48:59,320 --> 00:49:02,000
Speaker 4: but that Four Things were my I haven't watched Poor Things,

1122
00:49:02,000 --> 00:49:02,600
Speaker 4: Oh love it?

1123
00:49:02,640 --> 00:49:03,640
Speaker 1: Oh you'd like Poor Things.

1124
00:49:03,800 --> 00:49:06,960
Speaker 2: It's Emma's Emma's another one like comes in and like

1125
00:49:07,120 --> 00:49:11,239
Speaker 2: just yeah, yeah, gets it, yeah and gets it, gets

1126
00:49:11,280 --> 00:49:12,320
Speaker 2: it on camera obviously.

1127
00:49:12,680 --> 00:49:14,000
Speaker 1: But Julian Moore, I.

1128
00:49:13,960 --> 00:49:16,440
Speaker 2: Guess because what's so fun about the movie is it's

1129
00:49:16,440 --> 00:49:18,839
Speaker 2: like purposefully a melodrama, right, that insane music.

1130
00:49:18,960 --> 00:49:20,440
Speaker 4: That music was She's like, we're out of hot.

1131
00:49:20,320 --> 00:49:24,200
Speaker 2: Time, yeah, her insane accident. But then she was talking

1132
00:49:24,200 --> 00:49:25,680
Speaker 2: about like she's like, well, you know, I started in

1133
00:49:25,680 --> 00:49:28,880
Speaker 2: soaps and I actually did the archetype of like the Twins,

1134
00:49:28,880 --> 00:49:31,919
Speaker 2: the twins, the evil twins, like the Amnesia twin. Yeah,

1135
00:49:32,000 --> 00:49:34,359
Speaker 2: it wasn't even just amnesia or just twin.

1136
00:49:34,640 --> 00:49:39,200
Speaker 3: It was both acting opposite herself, wanting to kill herself,

1137
00:49:39,719 --> 00:49:40,759
Speaker 3: incredible kill the other.

1138
00:49:41,080 --> 00:49:42,640
Speaker 1: But like, there's all the sense in the world to me.

1139
00:49:42,800 --> 00:49:44,360
Speaker 3: But you said about Alex too, though, where it's like

1140
00:49:44,360 --> 00:49:47,440
Speaker 3: they're the Rachel maccadams thing where it's like just so quiet, Yeah,

1141
00:49:47,480 --> 00:49:48,840
Speaker 3: it's gonna work. And then you watch the she's like

1142
00:49:48,920 --> 00:49:50,120
Speaker 3: oh my god, Oh my god.

1143
00:49:50,200 --> 00:49:52,759
Speaker 4: Yeah, And sometimes you know, real stars, they don't really

1144
00:49:52,760 --> 00:49:55,160
Speaker 4: do what they're gonna do till you're on their close up.

1145
00:49:55,200 --> 00:49:57,000
Speaker 4: And so you know, you look at those first two

1146
00:49:57,000 --> 00:50:01,719
Speaker 4: seasons of thirty out Rock and I'm like hey, and

1147
00:50:01,800 --> 00:50:06,400
Speaker 4: he's like, you won that one.

1148
00:50:07,040 --> 00:50:09,319
Speaker 2: That one. It really is well though, because I remember

1149
00:50:09,360 --> 00:50:11,200
Speaker 2: you do a take and they're like, okay, we're moving on,

1150
00:50:11,280 --> 00:50:11,719
Speaker 2: and you're like.

1151
00:50:11,680 --> 00:50:14,239
Speaker 1: There's no way we can. I didn't do anything, and

1152
00:50:14,239 --> 00:50:15,960
Speaker 1: they're like, no, you get the performance of a lifetime.

1153
00:50:16,480 --> 00:50:18,520
Speaker 2: You just won't ever know because it wasn't fun for

1154
00:50:18,600 --> 00:50:19,040
Speaker 2: you at.

1155
00:50:18,960 --> 00:50:20,719
Speaker 1: All, right, Yeah, but it worked for us.

1156
00:50:20,760 --> 00:50:23,600
Speaker 3: Yeah, back to Mean Girls really quickly. How many times

1157
00:50:23,640 --> 00:50:24,960
Speaker 3: did you see in theater because you brot your dad?

1158
00:50:28,760 --> 00:50:28,960
Speaker 4: Oh?

1159
00:50:28,960 --> 00:50:31,279
Speaker 2: Come on? I mean, like, first of all, like I

1160
00:50:31,320 --> 00:50:34,120
Speaker 2: wonder how this feels too, because to join this thing

1161
00:50:34,200 --> 00:50:36,160
Speaker 2: of like it was like Heathers was Clueless and then

1162
00:50:36,200 --> 00:50:37,960
Speaker 2: it's Mean Girls, and that has to be really.

1163
00:50:38,040 --> 00:50:40,640
Speaker 4: Meaningful, very meaningful to me, Yeah, because those are you

1164
00:50:40,640 --> 00:50:43,719
Speaker 4: know how those and Clueless were huge informative.

1165
00:50:43,800 --> 00:50:47,080
Speaker 3: Yeah, I mean, this is my thing. This is my

1166
00:50:47,160 --> 00:50:50,600
Speaker 3: specificity with it is there was like a website two

1167
00:50:50,640 --> 00:50:54,280
Speaker 3: thousand and four and five in that time of the internet,

1168
00:50:54,360 --> 00:50:56,439
Speaker 3: called like the script Database or something, and they would

1169
00:50:56,560 --> 00:50:58,919
Speaker 3: either have the screenplay, the original screenplay of the movie,

1170
00:50:59,239 --> 00:51:01,680
Speaker 3: any movie you could think of, if they had it

1171
00:51:02,200 --> 00:51:04,719
Speaker 3: the original actual PDF or the scan or whatever of

1172
00:51:04,760 --> 00:51:07,399
Speaker 3: the script, or they would have a transcript. And then

1173
00:51:07,440 --> 00:51:09,719
Speaker 3: I remember reaching out to the admin of that being like,

1174
00:51:10,160 --> 00:51:12,879
Speaker 3: I will transcribe Mean Girls for you, and then.

1175
00:51:12,760 --> 00:51:13,600
Speaker 2: He said you do it.

1176
00:51:13,640 --> 00:51:17,000
Speaker 3: And I did it, and then and this guy was like,

1177
00:51:17,600 --> 00:51:21,839
Speaker 3: God bless you. The demand for a movie has never

1178
00:51:21,880 --> 00:51:22,719
Speaker 3: been higher than for me.

1179
00:51:23,200 --> 00:51:23,520
Speaker 4: You did.

1180
00:51:23,560 --> 00:51:25,440
Speaker 3: And I was like, I'm gonna do it. And I

1181
00:51:25,520 --> 00:51:29,040
Speaker 3: wrote the fucking like the Slugs and the Girls.

1182
00:51:29,440 --> 00:51:30,120
Speaker 2: I didn't write.

1183
00:51:30,160 --> 00:51:34,719
Speaker 3: I transcribed Mean Girls. He was like, well you were fourteen?

1184
00:51:34,920 --> 00:51:36,839
Speaker 2: Wow? I was, And this is what I said.

1185
00:51:36,840 --> 00:51:39,160
Speaker 3: I said, I can get you the script. And then

1186
00:51:39,200 --> 00:51:41,440
Speaker 3: this guy, this like thirty year old man, was probably like,

1187
00:51:41,640 --> 00:51:44,160
Speaker 3: you mean the actual like Tina Fey, like the draft.

1188
00:51:44,200 --> 00:51:46,799
Speaker 3: I was like, no, no, no, I'm just gonna type

1189
00:51:46,840 --> 00:51:47,720
Speaker 3: out what they say.

1190
00:51:47,920 --> 00:51:51,200
Speaker 2: I like didn't know. I didn't know what. I didn't

1191
00:51:51,200 --> 00:51:52,000
Speaker 2: know what he was looking for.

1192
00:51:52,040 --> 00:51:54,000
Speaker 3: He was like, I don't care, I'll take a transcript.

1193
00:51:54,040 --> 00:51:56,680
Speaker 3: I was like, oh, that's yes, of course transcribed yes,

1194
00:51:56,800 --> 00:51:58,800
Speaker 3: I will write out what they say. I'll see Katie

1195
00:51:58,800 --> 00:52:01,320
Speaker 3: says that, you know, like yeah, that was the level

1196
00:52:01,400 --> 00:52:03,680
Speaker 3: of like crazy fucking yeah.

1197
00:52:03,440 --> 00:52:06,080
Speaker 2: There's like joy in every scene. And I guess what

1198
00:52:06,120 --> 00:52:09,200
Speaker 2: I feel is like you forget like that such big

1199
00:52:09,239 --> 00:52:11,520
Speaker 2: deals came out of that movie to like Amanda Seifrid,

1200
00:52:11,640 --> 00:52:13,680
Speaker 2: like she's just so in the fabric of the movie

1201
00:52:13,800 --> 00:52:15,799
Speaker 2: having fun doing her part that you forget that she

1202
00:52:15,800 --> 00:52:19,759
Speaker 2: would then become like yeah, hello, And I mean it

1203
00:52:19,800 --> 00:52:22,680
Speaker 2: was it's like that down to to everything, And I

1204
00:52:22,719 --> 00:52:26,080
Speaker 2: wonder like, in shooting it, did you know that it

1205
00:52:26,160 --> 00:52:28,880
Speaker 2: was like did you have a feeling that there was

1206
00:52:28,880 --> 00:52:32,919
Speaker 2: something special happening? Which feels like a question, like boring question,

1207
00:52:33,040 --> 00:52:36,760
Speaker 2: But because it did end up being culturally significant.

1208
00:52:36,360 --> 00:52:39,120
Speaker 4: Thank you. I feel like, I mean, part of the

1209
00:52:39,160 --> 00:52:42,760
Speaker 4: reason that it worked is because those girls were so

1210
00:52:42,920 --> 00:52:46,759
Speaker 4: legit and took it seriously and played and played it

1211
00:52:46,880 --> 00:52:49,600
Speaker 4: so real, you know if they had been campy about it,

1212
00:52:50,120 --> 00:52:53,040
Speaker 4: because I think that's the thing I try to sometimes

1213
00:52:53,120 --> 00:52:55,839
Speaker 4: pass on and whatever writershims whatever is like no one

1214
00:52:56,120 --> 00:52:59,760
Speaker 4: no villain thinks they're no one's the villain in their story, right,

1215
00:53:00,040 --> 00:53:02,200
Speaker 4: Regina's whole thing is like it's hard, Like she's gonna

1216
00:53:02,200 --> 00:53:03,759
Speaker 4: come crying to me and then I gotta help her.

1217
00:53:03,840 --> 00:53:06,279
Speaker 4: Like yeah, no, one's a villain in their own story, right,

1218
00:53:06,280 --> 00:53:08,960
Speaker 4: And I think they all played that perfectly because you know,

1219
00:53:09,040 --> 00:53:11,399
Speaker 4: and you can see now like, oh, Gina's villain, Janis

1220
00:53:11,480 --> 00:53:13,960
Speaker 4: is a villain, Kate is a huge villain. Like everyone's

1221
00:53:14,000 --> 00:53:18,480
Speaker 4: making mistakes and they played them all perfectly. But you know,

1222
00:53:18,520 --> 00:53:20,040
Speaker 4: I think I was just at that place of like

1223
00:53:20,400 --> 00:53:23,240
Speaker 4: basically like is it gonna air? You know, we're gonna,

1224
00:53:23,280 --> 00:53:25,640
Speaker 4: We're gonna it's gonna get made. That was the That

1225
00:53:25,760 --> 00:53:26,919
Speaker 4: was the triumph in my mind.

1226
00:53:27,120 --> 00:53:29,399
Speaker 3: That's refreshing to hear because I think I think Matt

1227
00:53:29,400 --> 00:53:31,960
Speaker 3: and I are in that mindset right now where we're

1228
00:53:32,000 --> 00:53:33,400
Speaker 3: just like we're working on things and we're just like,

1229
00:53:33,520 --> 00:53:36,919
Speaker 3: let's just not worry about the contours of this. Let's

1230
00:53:37,000 --> 00:53:38,799
Speaker 3: just like the goal is just to get it made,

1231
00:53:39,560 --> 00:53:40,120
Speaker 3: you know what I mean.

1232
00:53:40,560 --> 00:53:42,520
Speaker 4: I read this book. I think it's called like Wild

1233
00:53:42,560 --> 00:53:45,200
Speaker 4: and Crazy Guys, and it's just a little nonfiction book

1234
00:53:45,200 --> 00:53:48,200
Speaker 4: about that span of time where like it's like Steve Martin,

1235
00:53:48,320 --> 00:53:50,680
Speaker 4: Eddie Murphy, Bill Murray, Dan it's like all of when

1236
00:53:50,680 --> 00:53:54,239
Speaker 4: they all were blowing up and what movies got made

1237
00:53:54,239 --> 00:53:56,920
Speaker 4: and whatever, and so many of these movies that are

1238
00:53:57,120 --> 00:54:00,000
Speaker 4: just cannon to us. Yeah they were like didn't really

1239
00:54:00,040 --> 00:54:04,200
Speaker 4: they open and you're like I don't care, Like you know,

1240
00:54:04,520 --> 00:54:07,600
Speaker 4: I watched it one hundred thousand times. Whatever, The Man

1241
00:54:07,640 --> 00:54:10,480
Speaker 4: with Two Brains or like that was just there. Just

1242
00:54:10,480 --> 00:54:13,719
Speaker 4: were movies, you know, and to like not worry too

1243
00:54:13,800 --> 00:54:17,439
Speaker 4: much about like how it does, how it does, yeah,

1244
00:54:17,480 --> 00:54:18,400
Speaker 4: how many theaters.

1245
00:54:18,480 --> 00:54:18,719
Speaker 3: It is.

1246
00:54:18,840 --> 00:54:22,280
Speaker 2: Just you wonder, like how many things we would actually

1247
00:54:22,280 --> 00:54:23,920
Speaker 2: love so much that it just get written off. I

1248
00:54:23,960 --> 00:54:25,399
Speaker 2: wonder about that all the time. Like with the way

1249
00:54:25,440 --> 00:54:27,880
Speaker 2: the industry is now, like how many things aren't getting

1250
00:54:27,880 --> 00:54:30,399
Speaker 2: made that like are actually going to be things that

1251
00:54:30,960 --> 00:54:32,920
Speaker 2: we think about in fifteen twenty years, you know what

1252
00:54:32,960 --> 00:54:34,800
Speaker 2: I mean? Like it feels very far in few between

1253
00:54:34,840 --> 00:54:36,600
Speaker 2: that you get something, you know.

1254
00:54:36,960 --> 00:54:41,000
Speaker 4: Yeah, yeah, well I think movies still are tighter. Yeah,

1255
00:54:41,080 --> 00:54:43,279
Speaker 4: I feel like TV because there's just so much more

1256
00:54:43,320 --> 00:54:45,840
Speaker 4: like you are getting, You're getting reservation dogs, you're getting

1257
00:54:46,400 --> 00:54:50,000
Speaker 4: you know, Simon Rich's Weird Show where the like, uh,

1258
00:54:50,920 --> 00:54:53,839
Speaker 4: Simon Simon, you know, it's what bottoms felt like. Yeah,

1259
00:54:53,960 --> 00:54:55,000
Speaker 4: totally so refreshing.

1260
00:54:55,640 --> 00:55:00,160
Speaker 2: It's just so incredible. Msgment, the director of that, She's like,

1261
00:55:00,440 --> 00:55:01,560
Speaker 2: I think she can do anything.

1262
00:55:01,600 --> 00:55:06,480
Speaker 3: She can baby in bottom and we love Rachel.

1263
00:55:08,120 --> 00:55:10,320
Speaker 4: So it's happening like and you know, my daughter's eighteen,

1264
00:55:10,440 --> 00:55:12,880
Speaker 4: my older daughter, and that is bottoms is everything?

1265
00:55:12,960 --> 00:55:13,160
Speaker 2: Yeah?

1266
00:55:13,239 --> 00:55:14,080
Speaker 4: Really everything?

1267
00:55:14,239 --> 00:55:16,640
Speaker 3: Right? Yeah, it's her mean girls in a way.

1268
00:55:16,800 --> 00:55:17,040
Speaker 4: Yeah.

1269
00:55:17,160 --> 00:55:20,200
Speaker 3: Yeah, Oh that's so cool. That's so cool. I mean,

1270
00:55:20,800 --> 00:55:22,760
Speaker 3: it is this thing where like maybe we're just because

1271
00:55:22,760 --> 00:55:25,720
Speaker 3: we're like in we have some awareness, we're like reading

1272
00:55:25,760 --> 00:55:27,200
Speaker 3: like the Ankler or whatever. But I'm just like the

1273
00:55:27,520 --> 00:55:30,279
Speaker 3: survivorship bias of it all is really hitting me where

1274
00:55:30,280 --> 00:55:31,640
Speaker 3: I'm just like, oh yeah, if I think too hard

1275
00:55:31,640 --> 00:55:33,120
Speaker 3: about the things that aren't getting me that I start

1276
00:55:33,120 --> 00:55:35,360
Speaker 3: to I start to lose my mind a little.

1277
00:55:44,480 --> 00:55:47,080
Speaker 2: I'm still going to the casting of me. Did everyone

1278
00:55:47,120 --> 00:55:50,000
Speaker 2: audition for that? Like, did you get a tape from

1279
00:55:50,040 --> 00:55:53,480
Speaker 2: Lizzie Kaplan or were you like I think so, yeah, probably.

1280
00:55:53,600 --> 00:55:54,080
Speaker 4: Yeah.

1281
00:55:54,120 --> 00:55:56,040
Speaker 1: It just feels like there can't have ever been a

1282
00:55:56,080 --> 00:55:58,840
Speaker 1: time when there was like not those not It's one.

1283
00:55:58,680 --> 00:56:00,839
Speaker 4: Of those things it's like yeah, yeah, I think so.

1284
00:56:01,000 --> 00:56:03,680
Speaker 2: And Lindsay had worked with Mark before Lindsay.

1285
00:56:03,480 --> 00:56:05,440
Speaker 4: Had was coming. She had a lot of heat coming

1286
00:56:05,440 --> 00:56:05,719
Speaker 4: off of.

1287
00:56:05,760 --> 00:56:08,759
Speaker 2: Freaky Friday, and there's waters.

1288
00:56:09,360 --> 00:56:11,399
Speaker 4: I think maybe I can't remember. We should fact check

1289
00:56:11,440 --> 00:56:14,560
Speaker 4: for sure, but yeah, yeah, I think so. Yeah, And

1290
00:56:14,600 --> 00:56:17,000
Speaker 4: she came and she remember she came by SNLI just

1291
00:56:17,080 --> 00:56:19,800
Speaker 4: to like hang out and be seen because she I

1292
00:56:19,840 --> 00:56:22,720
Speaker 4: think she wanted to be considered. She wanted to play Regina,

1293
00:56:22,760 --> 00:56:26,760
Speaker 4: which I think yes, and Lauren was what always Wise

1294
00:56:26,880 --> 00:56:29,200
Speaker 4: was like, no, you want that person to be the

1295
00:56:29,200 --> 00:56:33,200
Speaker 4: person who takes the trajectory to Regina. Yeah, he's like that,

1296
00:56:33,440 --> 00:56:37,399
Speaker 4: He's basically that's the part that you want. She was like, okay, but.

1297
00:56:37,520 --> 00:56:39,960
Speaker 3: Was that when both you and Dennis were head writer

1298
00:56:40,080 --> 00:56:44,120
Speaker 3: or do he used to? Yeah, that's so funny. I

1299
00:56:44,160 --> 00:56:44,480
Speaker 3: loved that.

1300
00:56:44,760 --> 00:56:48,720
Speaker 1: She was also a killer on SNL just people who.

1301
00:56:48,880 --> 00:56:50,560
Speaker 4: Like acted as kids also, they're just like, where do

1302
00:56:50,600 --> 00:56:51,920
Speaker 4: I stand on what do I say? Let's do it?

1303
00:56:51,920 --> 00:56:53,239
Speaker 4: Miley Cyrus? Where do I stand?

1304
00:56:53,239 --> 00:56:55,719
Speaker 2: What do I say?

1305
00:56:56,080 --> 00:56:56,400
Speaker 1: Everything?

1306
00:56:58,680 --> 00:57:02,359
Speaker 4: We need to push more children into show. We need

1307
00:57:02,360 --> 00:57:07,040
Speaker 4: to feed the SNL host pipeline by ruining children.

1308
00:57:07,880 --> 00:57:12,120
Speaker 3: If there is like some sort of surgical neuralink type

1309
00:57:12,160 --> 00:57:14,920
Speaker 3: procedure to just to implant that thing, and actress of

1310
00:57:15,040 --> 00:57:16,480
Speaker 3: just like stand here say it loud.

1311
00:57:16,520 --> 00:57:19,000
Speaker 2: Say you guys had that at the same time too

1312
00:57:19,000 --> 00:57:19,280
Speaker 2: that much.

1313
00:57:20,680 --> 00:57:22,200
Speaker 3: That's not what it souit. You would say that, and

1314
00:57:22,240 --> 00:57:23,880
Speaker 3: then this lesson I say that now, like to all

1315
00:57:23,880 --> 00:57:26,120
Speaker 3: the hosts, we're just like, just project, that's that's our thing.

1316
00:57:26,360 --> 00:57:29,160
Speaker 3: But we're nice, but we're not like we're just like, yeah,

1317
00:57:29,280 --> 00:57:31,800
Speaker 3: just loud and it works.

1318
00:57:32,360 --> 00:57:34,160
Speaker 1: I bet it does anyway.

1319
00:57:34,800 --> 00:57:37,280
Speaker 3: I mean, are incredible.

1320
00:57:37,440 --> 00:57:39,480
Speaker 4: They really were. I mean from home, they were nice.

1321
00:57:39,560 --> 00:57:39,920
Speaker 3: They were nice.

1322
00:57:39,960 --> 00:57:40,800
Speaker 1: Are you watching every week?

1323
00:57:41,320 --> 00:57:42,840
Speaker 4: Not every single week? But I try.

1324
00:57:42,920 --> 00:57:43,040
Speaker 3: You know.

1325
00:57:43,080 --> 00:57:45,240
Speaker 4: What sort of got me back into the was was

1326
00:57:45,280 --> 00:57:47,840
Speaker 4: Alice being old enough to love wanting to stay up

1327
00:57:47,840 --> 00:57:50,600
Speaker 4: and watch it. But she was not home last night

1328
00:57:50,600 --> 00:57:52,600
Speaker 4: because she was at the cast party for her own

1329
00:57:52,680 --> 00:57:56,760
Speaker 4: high school musical, They Do Well the prom. She killed it.

1330
00:57:56,800 --> 00:58:00,520
Speaker 4: They all killed it. They were all great. That sounds

1331
00:58:00,600 --> 00:58:03,040
Speaker 4: like a girls production.

1332
00:58:02,720 --> 00:58:04,760
Speaker 2: Of Oh that's even more.

1333
00:58:05,000 --> 00:58:07,760
Speaker 4: That's a that I know, super cute.

1334
00:58:07,800 --> 00:58:11,080
Speaker 2: Oh the prom Okay, so that is a hilarious. So

1335
00:58:11,280 --> 00:58:14,360
Speaker 2: I think about someone playing d d as like a child.

1336
00:58:14,680 --> 00:58:18,200
Speaker 4: By the way, girl killed killed. I wish I had

1337
00:58:18,280 --> 00:58:21,040
Speaker 4: video for you because she killed Oh my.

1338
00:58:21,040 --> 00:58:23,520
Speaker 2: God, that's the good people like, if you could do

1339
00:58:23,600 --> 00:58:26,480
Speaker 2: one role. What would it be. I'm like, it'll never happen,

1340
00:58:26,520 --> 00:58:29,960
Speaker 2: but I'd love to do in the prom. When I

1341
00:58:30,040 --> 00:58:31,320
Speaker 2: had to do drag for the show I was in

1342
00:58:31,400 --> 00:58:33,120
Speaker 2: last year, and like I put this little wig on,

1343
00:58:33,200 --> 00:58:35,680
Speaker 2: like a little you know, side swoop, like not exactly

1344
00:58:35,760 --> 00:58:38,040
Speaker 2: Catherine's ata, but in the world, I was like, I

1345
00:58:38,080 --> 00:58:38,840
Speaker 2: think I am.

1346
00:58:38,800 --> 00:58:42,160
Speaker 4: D D I know I am Do you know Jeff

1347
00:58:42,160 --> 00:58:45,480
Speaker 4: math and Jeff yes, yeah. So he often brings up that,

1348
00:58:45,520 --> 00:58:48,560
Speaker 4: like back in musical theater, like major of college that

1349
00:58:48,680 --> 00:58:50,920
Speaker 4: you take makeup class, and part of makeup class was

1350
00:58:50,960 --> 00:58:53,720
Speaker 4: always like you had to do drag or like do

1351
00:58:53,720 --> 00:58:55,680
Speaker 4: you have to like you a gender swap with your makeup?

1352
00:58:55,720 --> 00:58:57,800
Speaker 4: And he really likes to brag that he looked. This

1353
00:58:57,840 --> 00:58:59,320
Speaker 4: may be total reference. She was like, I was very

1354
00:58:59,360 --> 00:59:00,880
Speaker 4: pretty and I look like Barbara Mandrell.

1355
00:59:01,160 --> 00:59:02,240
Speaker 2: Oh my god.

1356
00:59:02,560 --> 00:59:05,000
Speaker 4: He's like I was very pretty photos.

1357
00:59:05,000 --> 00:59:05,600
Speaker 1: Could you confirm?

1358
00:59:05,720 --> 00:59:09,680
Speaker 4: I have not seen photos. I know he's we'd have

1359
00:59:09,680 --> 00:59:11,560
Speaker 4: to has a beard right now, but oh right, right,

1360
00:59:11,760 --> 00:59:14,120
Speaker 4: but he might shave it for the opportunity.

1361
00:59:14,320 --> 00:59:17,240
Speaker 2: We might shave Just tell him if he wants a stage,

1362
00:59:17,320 --> 00:59:19,560
Speaker 2: we do something that the culture awards every year.

1363
00:59:19,600 --> 00:59:21,200
Speaker 1: He just welcome to come out and do it, give

1364
00:59:21,200 --> 00:59:22,680
Speaker 1: his and then you.

1365
00:59:22,600 --> 00:59:25,760
Speaker 4: Can judge whether he still looks like Barbara Mandrush Barbara Mandrell.

1366
00:59:25,840 --> 00:59:28,439
Speaker 1: Also you're kind of almost there with the drag name anyway.

1367
00:59:28,160 --> 00:59:31,800
Speaker 3: Totally Mandrell. And then this is what I'm saying, is

1368
00:59:31,800 --> 00:59:33,760
Speaker 3: what we're saying, the opportunity he's like a riper and riper,

1369
00:59:33,800 --> 00:59:35,680
Speaker 3: we're not going to judge him. It's going to be

1370
00:59:35,720 --> 00:59:37,560
Speaker 3: like a fucking v M a situation where he knows

1371
00:59:37,600 --> 00:59:42,200
Speaker 3: ahead of time that.

1372
00:59:39,560 --> 00:59:42,800
Speaker 2: You say, the Grammys are today, And we're like, we

1373
00:59:42,920 --> 00:59:44,840
Speaker 2: think people don't know if they're going to win a Grammy,

1374
00:59:44,880 --> 00:59:46,960
Speaker 2: but I think you know if you're winning like a VMA. Yeah,

1375
00:59:47,160 --> 00:59:53,360
Speaker 2: I bet yeah, because Taylor Swift has changed her Yeah,

1376
00:59:53,520 --> 00:59:57,320
Speaker 2: she's changed her Instagram to all black and white, which

1377
00:59:57,320 --> 00:59:59,320
Speaker 2: we believe means there's an announcement coming.

1378
00:59:59,840 --> 01:00:04,920
Speaker 1: And I'm like, well, I wonder if she's winning a Grammy.

1379
01:00:04,920 --> 01:00:07,640
Speaker 2: But because if someone could, it's probably tell her Swift, right,

1380
01:00:07,720 --> 01:00:09,840
Speaker 2: Probably you don't know what the Oscars, You.

1381
01:00:09,760 --> 01:00:11,480
Speaker 1: Don't know what the Emmy's. You probably don't know what

1382
01:00:11,520 --> 01:00:12,080
Speaker 1: the Grammys.

1383
01:00:12,200 --> 01:00:15,560
Speaker 2: Yeah, it's not people's choice, No, no, no, they want

1384
01:00:15,560 --> 01:00:16,280
Speaker 2: a ton of these things.

1385
01:00:16,280 --> 01:00:17,400
Speaker 1: They call you before.

1386
01:00:17,240 --> 01:00:19,280
Speaker 4: No, no, no, I feel like I do remember one

1387
01:00:19,320 --> 01:00:21,800
Speaker 4: time with the Golden Globes, like Alec was nominated for

1388
01:00:21,840 --> 01:00:23,640
Speaker 4: thirty Rock and he wasn't and he was like, I

1389
01:00:23,880 --> 01:00:26,200
Speaker 4: just call him and ask him if I want, because

1390
01:00:26,240 --> 01:00:28,040
Speaker 4: I felt like with that one, maybe you could have

1391
01:00:28,200 --> 01:00:30,120
Speaker 4: and I don't think he was able to. And I

1392
01:00:30,120 --> 01:00:31,720
Speaker 4: don't remember if he want or not or but I

1393
01:00:31,760 --> 01:00:34,120
Speaker 4: don't he He was like, surely this one, they'll just

1394
01:00:34,120 --> 01:00:35,040
Speaker 4: tell me if I have to go.

1395
01:00:36,080 --> 01:00:38,680
Speaker 3: And well, I mean, I bet they would if it's Alec,

1396
01:00:39,720 --> 01:00:42,320
Speaker 3: especially the Globes at that time. Now, oh, by the way,

1397
01:00:42,440 --> 01:00:44,320
Speaker 3: your guys host, would you guys go back and host

1398
01:00:44,320 --> 01:00:44,640
Speaker 3: the Gunner?

1399
01:00:44,720 --> 01:00:46,440
Speaker 4: Oh my gosh, I don't know if it's a fain

1400
01:00:46,480 --> 01:00:48,240
Speaker 4: because we ended The last time we did it was

1401
01:00:48,240 --> 01:00:50,840
Speaker 4: this weird like zoom one that was the bummer. But

1402
01:00:51,120 --> 01:00:53,040
Speaker 4: we did used to have so much fun doing that.

1403
01:00:53,200 --> 01:00:54,960
Speaker 2: We really did. You guys were the best at it.

1404
01:00:55,200 --> 01:00:57,040
Speaker 3: Some one can't be the period on the piece.

1405
01:00:57,240 --> 01:00:58,080
Speaker 4: That's the tricky.

1406
01:00:57,840 --> 01:00:58,920
Speaker 3: Idea to put the pressure on.

1407
01:00:59,040 --> 01:01:00,760
Speaker 4: I know, but maybe, yeah, I could either try to

1408
01:01:00,800 --> 01:01:03,280
Speaker 4: erase the zoom on or yeah, well NBC doesn't own

1409
01:01:03,280 --> 01:01:07,280
Speaker 4: it anymore, right, and you know me, you Countess Luanne.

1410
01:01:07,440 --> 01:01:08,240
Speaker 4: We work for NBC.

1411
01:01:09,520 --> 01:01:14,080
Speaker 2: You got we're Comcast girl upset who's in charge of

1412
01:01:14,080 --> 01:01:15,200
Speaker 2: it now these days?

1413
01:01:15,440 --> 01:01:15,600
Speaker 4: Right?

1414
01:01:15,760 --> 01:01:17,880
Speaker 2: I will say she was on one the other night.

1415
01:01:18,000 --> 01:01:21,120
Speaker 2: She is alive up there. Yeah, she goes for it.

1416
01:01:21,120 --> 01:01:22,760
Speaker 2: And it's so funny because you watch the early seasons

1417
01:01:22,760 --> 01:01:24,160
Speaker 2: and you're like, this woman's never going to become a

1418
01:01:24,200 --> 01:01:27,440
Speaker 2: cabaret star, and then you go to fifty four below

1419
01:01:27,480 --> 01:01:29,920
Speaker 2: and she was doing covers of Oh What a Night.

1420
01:01:30,840 --> 01:01:35,960
Speaker 4: How do I ask this delicately? Has she been working

1421
01:01:36,000 --> 01:01:40,600
Speaker 4: on her singing? Because everyone does? It's so Taylor Swift died.

1422
01:01:42,240 --> 01:01:46,200
Speaker 2: Here's what I'll say. There is a quality to her

1423
01:01:46,280 --> 01:01:48,560
Speaker 2: voice that I think limits what it can do.

1424
01:01:48,720 --> 01:01:50,360
Speaker 4: Yes, it is.

1425
01:01:50,400 --> 01:01:53,760
Speaker 2: So it's a b Arthur, It's Carol Channing Channing. Yeah,

1426
01:01:53,800 --> 01:01:56,760
Speaker 2: it exists where it exists, And so I think we're

1427
01:01:56,760 --> 01:02:00,840
Speaker 2: picking songs that just the keys are too steps down

1428
01:02:00,880 --> 01:02:03,360
Speaker 2: from what they even are for the men she covers. Yes,

1429
01:02:03,480 --> 01:02:07,280
Speaker 2: but I will say there's something sort of she really

1430
01:02:07,400 --> 01:02:09,360
Speaker 2: knows her range.

1431
01:02:09,440 --> 01:02:11,360
Speaker 4: She's matching pitches.

1432
01:02:11,760 --> 01:02:13,280
Speaker 1: And you're never going to see her like go for

1433
01:02:13,360 --> 01:02:14,160
Speaker 1: the money note.

1434
01:02:14,280 --> 01:02:16,480
Speaker 2: Right. In fact, one time she did go for the

1435
01:02:16,520 --> 01:02:19,920
Speaker 2: money note, and it was more like I'm joyfully making

1436
01:02:19,920 --> 01:02:21,640
Speaker 2: a big sound than it is. I'm hitting a.

1437
01:02:21,600 --> 01:02:24,480
Speaker 3: Note, which it's just about the selling and the delivery

1438
01:02:24,520 --> 01:02:24,680
Speaker 3: of it.

1439
01:02:24,760 --> 01:02:24,960
Speaker 2: Yeah.

1440
01:02:25,000 --> 01:02:27,720
Speaker 3: I think I think her range being what it is,

1441
01:02:27,720 --> 01:02:32,440
Speaker 3: is the perfect extra dimension to her performance. And I

1442
01:02:32,440 --> 01:02:34,040
Speaker 3: think she knows that now, and I think she's like,

1443
01:02:34,160 --> 01:02:35,200
Speaker 3: let me just have fun.

1444
01:02:35,600 --> 01:02:35,800
Speaker 2: Yeah.

1445
01:02:35,920 --> 01:02:38,520
Speaker 3: No, I'm not the best singer. And we're saying this

1446
01:02:38,600 --> 01:02:39,920
Speaker 3: with love lou.

1447
01:02:40,400 --> 01:02:42,280
Speaker 4: Well, there's a lot of people who Yeah, it's like,

1448
01:02:42,320 --> 01:02:44,360
Speaker 4: if you know how to put your show together, yeah,

1449
01:02:44,920 --> 01:02:46,919
Speaker 4: and give people and also if people know what they're

1450
01:02:46,960 --> 01:02:47,800
Speaker 4: signing up for.

1451
01:02:48,080 --> 01:02:48,240
Speaker 2: Yes.

1452
01:02:48,640 --> 01:02:51,080
Speaker 1: When we were signing up for four Red sangree As, I.

1453
01:02:51,120 --> 01:02:55,600
Speaker 2: Found and I don't know, I don't know what it

1454
01:02:55,680 --> 01:02:57,640
Speaker 2: was about it that made me feel like, this is

1455
01:02:57,640 --> 01:03:00,400
Speaker 2: the drink tonight, sugar, I don't you.

1456
01:03:00,800 --> 01:03:03,040
Speaker 1: And this is also what got me really fine.

1457
01:03:03,040 --> 01:03:05,800
Speaker 2: I'd make like a quote unquote famous Sangria winters Angria

1458
01:03:05,880 --> 01:03:09,280
Speaker 2: for holidays. It's just so much booze and I literally

1459
01:03:09,320 --> 01:03:11,160
Speaker 2: was just like yay, And I realized no one likes

1460
01:03:11,200 --> 01:03:13,120
Speaker 2: it as much as me. But because I made it,

1461
01:03:13,120 --> 01:03:15,600
Speaker 2: I feel it must get consumed and then you're blacked

1462
01:03:15,600 --> 01:03:17,480
Speaker 2: out on Christmas and I don't. I don't even get

1463
01:03:17,560 --> 01:03:20,600
Speaker 2: drunk like this. It's only when I'm drinking red Sangria.

1464
01:03:20,840 --> 01:03:23,600
Speaker 3: And you before pre twenty one, if you didn't have

1465
01:03:23,640 --> 01:03:25,760
Speaker 3: a fake place that he gives a little italy, you

1466
01:03:25,760 --> 01:03:26,240
Speaker 3: would just.

1467
01:03:26,360 --> 01:03:29,000
Speaker 2: Order like a house kianti house Kianti.

1468
01:03:29,080 --> 01:03:32,440
Speaker 3: Well, no, you would order like a huge picture of sangria.

1469
01:03:32,960 --> 01:03:35,000
Speaker 3: It got you there, Well cottage, it's Chinese.

1470
01:03:35,440 --> 01:03:36,640
Speaker 1: Do you remember the Chinese?

1471
01:03:37,320 --> 01:03:38,720
Speaker 2: Yeah, so there.

1472
01:03:39,520 --> 01:03:42,480
Speaker 3: Steph Shoe of everything ever, yeah, Steph Shoe would go

1473
01:03:42,520 --> 01:03:45,320
Speaker 3: there in college and get wasted at nineteen and.

1474
01:03:45,360 --> 01:03:47,400
Speaker 2: Drink red wine. What was that?

1475
01:03:47,720 --> 01:03:50,200
Speaker 3: It was worse than tubuc chuck. It was something worse

1476
01:03:50,320 --> 01:03:51,440
Speaker 3: than fermented.

1477
01:03:53,040 --> 01:03:54,080
Speaker 1: I had my birthday there.

1478
01:03:54,480 --> 01:03:56,920
Speaker 2: It was like a party of twenty five underage kids

1479
01:03:57,200 --> 01:04:01,640
Speaker 2: getting so much of this red so much. But wait.

1480
01:04:01,760 --> 01:04:05,000
Speaker 3: In terms of putting together a show though, just quickly

1481
01:04:05,200 --> 01:04:06,320
Speaker 3: was it like you and a me being like, what

1482
01:04:06,360 --> 01:04:07,919
Speaker 3: do we want to do? Do? We just want to sit down?

1483
01:04:08,200 --> 01:04:10,120
Speaker 1: Because you need to just do that. I mean we

1484
01:04:10,160 --> 01:04:11,400
Speaker 1: do it all the time, right, just sit down.

1485
01:04:11,920 --> 01:04:15,640
Speaker 4: We did a little test run of like Netflix as

1486
01:04:15,680 --> 01:04:17,680
Speaker 4: a joke. It's just mostly a Q and A and

1487
01:04:17,760 --> 01:04:19,520
Speaker 4: a couple of little like really undercooked bits and it

1488
01:04:19,560 --> 01:04:22,240
Speaker 4: was easy and fun. But we sort of thought like, oh,

1489
01:04:22,280 --> 01:04:24,800
Speaker 4: we should have a little bit of structure, and so

1490
01:04:24,840 --> 01:04:27,040
Speaker 4: we do. I feel like this is a really nice

1491
01:04:27,080 --> 01:04:29,680
Speaker 4: little structure. I don't know if I should give it away.

1492
01:04:29,920 --> 01:04:32,480
Speaker 4: We may keep touring, but like, yeah, it has sort

1493
01:04:32,480 --> 01:04:37,040
Speaker 4: of like four parts. There are wardrobe changes, there are

1494
01:04:37,880 --> 01:04:42,439
Speaker 4: one to four wigs. Yeah, depending on the night, there

1495
01:04:42,560 --> 01:04:47,200
Speaker 4: is a little bit of Emperor is a little bit

1496
01:04:47,240 --> 01:04:51,800
Speaker 4: of stand up and a special guest and a special

1497
01:04:51,960 --> 01:04:54,400
Speaker 4: guest and so. But if so, the structure we it

1498
01:04:54,440 --> 01:04:56,520
Speaker 4: felt reminded us of Golden Globe times because we always

1499
01:04:56,600 --> 01:05:00,160
Speaker 4: have we have such it's over thirty years. Yeah, we

1500
01:05:00,160 --> 01:05:02,440
Speaker 4: know each other, so we do really have a shorthand

1501
01:05:02,520 --> 01:05:05,280
Speaker 4: of like what if we go X, Y Z. Like

1502
01:05:05,320 --> 01:05:08,200
Speaker 4: there's no ego in it, there's like we and also

1503
01:05:08,240 --> 01:05:10,040
Speaker 4: we both been producing things for a long time. So

1504
01:05:10,320 --> 01:05:12,600
Speaker 4: I do feel proud. I feel like we're giving the

1505
01:05:12,640 --> 01:05:16,160
Speaker 4: white women that come to see us and other people too.

1506
01:05:16,160 --> 01:05:17,680
Speaker 1: But that's not a full life and.

1507
01:05:19,600 --> 01:05:25,960
Speaker 4: Beautiful all are welcome. I feel like we're giving people

1508
01:05:26,520 --> 01:05:29,440
Speaker 4: like what they want. But anyway, but also it's like

1509
01:05:29,480 --> 01:05:32,200
Speaker 4: hopefully a little bit surprising as it goes along. And

1510
01:05:32,480 --> 01:05:35,200
Speaker 4: but the answer was like it Basically, I was on set.

1511
01:05:35,360 --> 01:05:37,720
Speaker 4: We were finishing filming the Me and Girls movie in Middletown,

1512
01:05:37,760 --> 01:05:40,000
Speaker 4: New Jersey, and we had Amy and I had been

1513
01:05:40,040 --> 01:05:42,439
Speaker 4: working like once a week over Zoom being like talking

1514
01:05:42,440 --> 01:05:44,280
Speaker 4: about what the show could be whatever, and then we

1515
01:05:44,360 --> 01:05:46,200
Speaker 4: had from the day I finished, and it was a

1516
01:05:46,240 --> 01:05:48,880
Speaker 4: brutal It was a very tiring, fast shoot. It was

1517
01:05:48,920 --> 01:05:52,760
Speaker 4: like a lot of late nights and whatever. And so

1518
01:05:52,800 --> 01:05:54,720
Speaker 4: that was say I finished on like the Monday, and

1519
01:05:54,760 --> 01:05:56,960
Speaker 4: then like Saturday, we were like our test show was

1520
01:05:57,000 --> 01:05:58,560
Speaker 4: in Port Chester, so she came in. We had like

1521
01:05:58,560 --> 01:05:59,960
Speaker 4: three or four days. It was very much like the

1522
01:06:00,000 --> 01:06:02,440
Speaker 4: Golden Globes. We were like, Okay, we got this, we

1523
01:06:02,480 --> 01:06:04,960
Speaker 4: got this, and we just sort of finished figuring out

1524
01:06:04,960 --> 01:06:07,200
Speaker 4: the show and we've honed it some since. But it

1525
01:06:07,280 --> 01:06:08,760
Speaker 4: is sort of like you know when you writetuff and

1526
01:06:08,800 --> 01:06:10,960
Speaker 4: it's born quickly and it just comes right out. It's

1527
01:06:11,040 --> 01:06:13,520
Speaker 4: usually a good sign and the structure kind of.

1528
01:06:13,480 --> 01:06:16,320
Speaker 2: Just sucked right out. So when did you realize there

1529
01:06:16,360 --> 01:06:18,160
Speaker 2: was like music to you? And Amy? Like I wonder,

1530
01:06:18,240 --> 01:06:20,560
Speaker 2: like you guys have always been like friends, and I

1531
01:06:20,720 --> 01:06:22,760
Speaker 2: think I don't know how true this is, but like

1532
01:06:22,840 --> 01:06:26,280
Speaker 2: you were snl and like put her name in their ears,

1533
01:06:26,280 --> 01:06:27,640
Speaker 2: and then she came Yeah.

1534
01:06:27,480 --> 01:06:29,800
Speaker 4: So we started, you know, we were in We started

1535
01:06:29,800 --> 01:06:33,400
Speaker 4: together at improv Olympic. Ye, Shanna Halpern said to both

1536
01:06:33,440 --> 01:06:36,240
Speaker 4: of us, this guy, you don't like this girl, and

1537
01:06:36,240 --> 01:06:37,560
Speaker 4: we were the only two girls on a team. We

1538
01:06:37,600 --> 01:06:39,040
Speaker 4: go inside Vladimir.

1539
01:06:39,040 --> 01:06:41,440
Speaker 3: And which is a gay porn That's what.

1540
01:06:41,400 --> 01:06:44,840
Speaker 4: It was named, a gay porn VHS tape that was

1541
01:06:44,840 --> 01:06:49,760
Speaker 4: on display a JJ peppers on Clark and I remember

1542
01:06:49,760 --> 01:06:51,520
Speaker 4: we also were like we named it after that. And

1543
01:06:51,520 --> 01:06:52,880
Speaker 4: then we as a team, we're like, we should all

1544
01:06:52,920 --> 01:06:54,920
Speaker 4: watch it once as a group, and then we're like, oh,

1545
01:06:54,920 --> 01:06:56,560
Speaker 4: we watched it the first time, and then people drifted

1546
01:06:56,560 --> 01:06:58,160
Speaker 4: to other parts of the party except for like one

1547
01:06:58,240 --> 01:07:02,800
Speaker 4: or two of the straight guys that just hung in right. Yeah.

1548
01:07:03,800 --> 01:07:06,840
Speaker 4: And so we toured together and then she and we

1549
01:07:06,840 --> 01:07:09,040
Speaker 4: were both under studies for the main stage and she

1550
01:07:09,200 --> 01:07:11,920
Speaker 4: was one hundred percent the A team and I was

1551
01:07:11,960 --> 01:07:14,560
Speaker 4: the B team. Like I remember one time Kelly Leonards

1552
01:07:14,680 --> 01:07:18,680
Speaker 4: was like, you know, so and So is going dratch

1553
01:07:18,760 --> 01:07:21,960
Speaker 4: dract like Josh's going on vacation and Amy can't. She

1554
01:07:22,040 --> 01:07:23,840
Speaker 4: can do all of the nights except one, and I

1555
01:07:23,880 --> 01:07:25,520
Speaker 4: was like, so I get it, and he's like, no,

1556
01:07:25,680 --> 01:07:27,680
Speaker 4: you're gonna she's gonna do all the nights except one,

1557
01:07:27,720 --> 01:07:30,680
Speaker 4: and you're gonna go on one time. And I was like, oh, okay.

1558
01:07:30,920 --> 01:07:33,840
Speaker 4: But and then she left to go to UCB show

1559
01:07:33,840 --> 01:07:36,120
Speaker 4: in New York. And then and then I did main

1560
01:07:36,120 --> 01:07:39,080
Speaker 4: stage literally only because she left or I would have

1561
01:07:39,120 --> 01:07:41,800
Speaker 4: been waiting another two years behind her. I was John

1562
01:07:41,840 --> 01:07:48,080
Speaker 4: Glazier's understudy, and he is such like a gender neutral

1563
01:07:48,120 --> 01:07:49,800
Speaker 4: in his comedy that I just like, yeah, you can

1564
01:07:49,840 --> 01:07:54,080
Speaker 4: just step right in because it's all just like wonderful weirdness.

1565
01:07:55,280 --> 01:07:59,000
Speaker 3: I both read for a John Glazier assistant part You

1566
01:07:59,040 --> 01:08:01,480
Speaker 3: Love John, he his wife listened to the podcast The

1567
01:08:01,960 --> 01:08:03,440
Speaker 3: Yeah the Best I see them on Fire.

1568
01:08:04,280 --> 01:08:06,040
Speaker 2: By the way, I'm actually I didn't even mean to

1569
01:08:06,040 --> 01:08:06,520
Speaker 2: do this, but I.

1570
01:08:08,320 --> 01:08:09,000
Speaker 4: Fire Island.

1571
01:08:10,040 --> 01:08:10,640
Speaker 3: Sorry. Sorry.

1572
01:08:11,240 --> 01:08:13,200
Speaker 4: So then I ended up trying to get a writing

1573
01:08:13,240 --> 01:08:16,720
Speaker 4: job at SNL and Adam McKay hired me and I

1574
01:08:16,760 --> 01:08:18,719
Speaker 4: started and then yes, So at some point, I guess

1575
01:08:18,720 --> 01:08:21,120
Speaker 4: after the UCB TV show ended, I was like, but

1576
01:08:21,160 --> 01:08:23,080
Speaker 4: would you ever but would you ever come over here?

1577
01:08:23,080 --> 01:08:25,160
Speaker 4: Would you ever audition? And I feel like it was

1578
01:08:25,200 --> 01:08:27,960
Speaker 4: sort of broker that she was like basically like I

1579
01:08:28,000 --> 01:08:29,600
Speaker 4: am not doing three through the door, Like I'm not

1580
01:08:30,200 --> 01:08:33,360
Speaker 4: like I'm too established to come with my characters in

1581
01:08:33,400 --> 01:08:36,559
Speaker 4: my box of wigs. And so it was some kind

1582
01:08:36,600 --> 01:08:39,640
Speaker 4: of in between. It was more like a camera test, right,

1583
01:08:40,120 --> 01:08:41,439
Speaker 4: there was something where it was like, I'm not going

1584
01:08:41,479 --> 01:08:46,160
Speaker 4: to work too hard. Yeah forever the enneagram eight, the challenge?

1585
01:08:47,240 --> 01:08:47,720
Speaker 2: What is that one?

1586
01:08:47,760 --> 01:08:48,280
Speaker 3: The challenger?

1587
01:08:48,560 --> 01:08:48,840
Speaker 2: Yes?

1588
01:08:49,280 --> 01:08:49,920
Speaker 4: What are you do? You know?

1589
01:08:49,960 --> 01:08:52,120
Speaker 2: What? You know? You three? Three?

1590
01:08:52,200 --> 01:08:52,800
Speaker 3: What is three? Again?

1591
01:08:52,880 --> 01:08:53,320
Speaker 4: The achiever?

1592
01:08:53,840 --> 01:08:55,920
Speaker 2: Oh, now that I know, I'm going to become obsessed with.

1593
01:08:56,080 --> 01:08:58,400
Speaker 4: Amy's obsessed with it. Yea, you need to take the

1594
01:08:58,439 --> 01:08:59,000
Speaker 4: test tonight.

1595
01:08:59,080 --> 01:09:02,879
Speaker 2: Okay, as Amy's eight is one through eight.

1596
01:09:02,920 --> 01:09:03,559
Speaker 4: It's one through nine.

1597
01:09:03,640 --> 01:09:03,760
Speaker 3: Nine.

1598
01:09:03,840 --> 01:09:06,400
Speaker 4: Oh yeah, I forget what nine is because I don't

1599
01:09:06,400 --> 01:09:07,000
Speaker 4: know a lot of nine.

1600
01:09:07,520 --> 01:09:09,560
Speaker 3: What's what's it called? Like your echo for what is

1601
01:09:09,560 --> 01:09:09,840
Speaker 3: it called?

1602
01:09:09,880 --> 01:09:10,000
Speaker 4: Wing?

1603
01:09:10,240 --> 01:09:11,240
Speaker 2: Wing? For four?

1604
01:09:11,280 --> 01:09:12,880
Speaker 3: I think I'm wing four and I forget what four is?

1605
01:09:12,880 --> 01:09:14,040
Speaker 2: But this is exciting.

1606
01:09:14,120 --> 01:09:16,000
Speaker 3: Yeah, Oh this is going to take Do you do

1607
01:09:16,040 --> 01:09:18,000
Speaker 3: you ever dabble in your astrology?

1608
01:09:18,200 --> 01:09:21,200
Speaker 4: I know I'm a tourist. I don't believe so much

1609
01:09:21,240 --> 01:09:23,400
Speaker 4: an astrology because it's random. But why which is and

1610
01:09:23,439 --> 01:09:25,880
Speaker 4: again I'm not the enneagram suf. It's because I've been

1611
01:09:25,920 --> 01:09:27,360
Speaker 4: on tour with Amy for the last seventeen weekends. So

1612
01:09:27,400 --> 01:09:30,000
Speaker 4: we're talking about a lot. But I do put more

1613
01:09:30,000 --> 01:09:32,040
Speaker 4: stock in it because it's based on you answer a

1614
01:09:32,080 --> 01:09:35,280
Speaker 4: million questions. It's based on you and what you think

1615
01:09:35,280 --> 01:09:37,879
Speaker 4: and how you react. Correct, that's the word word qualitative.

1616
01:09:37,960 --> 01:09:39,880
Speaker 2: Yeah, So with the U and Amy thing like would

1617
01:09:39,880 --> 01:09:41,280
Speaker 2: you consider yourselves opposites?

1618
01:09:42,120 --> 01:09:44,520
Speaker 4: No, we're not. We're not opposites, Yeah.

1619
01:09:44,320 --> 01:09:46,639
Speaker 2: Because it presents us that in the comedic duel, which

1620
01:09:46,640 --> 01:09:48,439
Speaker 2: I guess yeah, I've been talking about this a lot

1621
01:09:48,800 --> 01:09:53,160
Speaker 2: being this, but like, yeah, it's funny how you present person.

1622
01:09:52,800 --> 01:09:54,880
Speaker 4: As our opposites, right, because it's more like I'm sort

1623
01:09:54,880 --> 01:09:57,519
Speaker 4: of tightly buttoned up and then she's more like little

1624
01:09:58,280 --> 01:10:02,240
Speaker 4: dark bag. But we're both actually pretty bossy. But yeah,

1625
01:10:02,240 --> 01:10:04,559
Speaker 4: I just to answer your question, like when did I

1626
01:10:04,600 --> 01:10:08,559
Speaker 4: realize that we're sort of more powerful together. I remember before,

1627
01:10:08,880 --> 01:10:10,559
Speaker 4: like Jimmy, I was doing an update with Jimmy and

1628
01:10:10,560 --> 01:10:14,519
Speaker 4: then he left and I was felt very abandoned because

1629
01:10:14,560 --> 01:10:18,519
Speaker 4: I was like we left, like he left and I

1630
01:10:18,560 --> 01:10:20,599
Speaker 4: did tests with other people and stuff, and then Lauren

1631
01:10:20,680 --> 01:10:22,439
Speaker 4: was doing that learning he was like, what do you think,

1632
01:10:22,520 --> 01:10:24,040
Speaker 4: like leaving it sort of up to me, And there

1633
01:10:24,080 --> 01:10:26,360
Speaker 4: was part of me that was like, oh god, I

1634
01:10:26,360 --> 01:10:30,439
Speaker 4: think I'm supposed to want to do this by myself, right,

1635
01:10:30,600 --> 01:10:32,559
Speaker 4: Like that's the power. But I was like, but I'm

1636
01:10:32,600 --> 01:10:36,000
Speaker 4: a sketch person. I'm not a stand up partner, right.

1637
01:10:36,040 --> 01:10:38,559
Speaker 4: And at the very like last minute, I remember I

1638
01:10:38,600 --> 01:10:40,880
Speaker 4: was coming back, this is too much information. It's coming

1639
01:10:40,880 --> 01:10:44,439
Speaker 4: back from a train trip from Washington, d C. Where

1640
01:10:44,479 --> 01:10:47,920
Speaker 4: I had weirdly and presiently taken a photograph for like

1641
01:10:48,360 --> 01:10:51,720
Speaker 4: a cover of I don't know with John McCain, like

1642
01:10:51,760 --> 01:10:54,120
Speaker 4: in two thousand and whatever, but way before two thousand

1643
01:10:54,120 --> 01:10:56,400
Speaker 4: and eight, and I had to make the decision on

1644
01:10:56,439 --> 01:10:58,800
Speaker 4: the amtrak ride back and I called Amy and I

1645
01:10:58,840 --> 01:11:01,439
Speaker 4: was like, would you do me the great honor of

1646
01:11:01,479 --> 01:11:04,240
Speaker 4: being my wife? And then it just worked from there

1647
01:11:04,240 --> 01:11:06,040
Speaker 4: and I think by the time the globes and the

1648
01:11:06,120 --> 01:11:08,920
Speaker 4: Hillary and Sarah all of it all, it just was like, oh, people.

1649
01:11:08,640 --> 01:11:13,720
Speaker 3: Do like us, tiktoo, that's the music to it that

1650
01:11:14,000 --> 01:11:14,760
Speaker 3: you're asking about.

1651
01:11:14,920 --> 01:11:17,439
Speaker 2: Yes, I mean, I just because it feels like again,

1652
01:11:17,520 --> 01:11:19,160
Speaker 2: it feels like that thing that always was.

1653
01:11:19,400 --> 01:11:21,080
Speaker 1: But there had to be a time when it was

1654
01:11:21,160 --> 01:11:24,400
Speaker 1: decided like, oh yeah, this feels really good because and

1655
01:11:24,439 --> 01:11:27,080
Speaker 1: I think that's like it just feels like the synergistic

1656
01:11:27,120 --> 01:11:29,519
Speaker 1: thing that must have always been you know what I mean.

1657
01:11:29,560 --> 01:11:30,800
Speaker 4: I mean it kind of asks been for a long

1658
01:11:30,880 --> 01:11:32,799
Speaker 4: like maybe the credit goes to Sharna.

1659
01:11:33,040 --> 01:11:35,840
Speaker 3: I mean it sounds like sounds like yeah, but like

1660
01:11:35,960 --> 01:11:37,559
Speaker 3: in terms of you guys building up the structure for

1661
01:11:37,560 --> 01:11:40,560
Speaker 3: the show for Russell's leg, like that is interesting to

1662
01:11:40,600 --> 01:11:42,600
Speaker 3: hear about because I feel like with Globes it was

1663
01:11:42,680 --> 01:11:45,280
Speaker 3: you guys looking at the established structure of like what

1664
01:11:45,280 --> 01:11:47,639
Speaker 3: an award show looks like and then being like, let's

1665
01:11:47,640 --> 01:11:50,679
Speaker 3: go out with mustaches and be like nominees for Dog

1666
01:11:50,720 --> 01:11:54,960
Speaker 3: President a movie called Dog like form breaking, Like I

1667
01:11:55,000 --> 01:11:56,800
Speaker 3: was like, I remember just watching I was with my

1668
01:11:56,880 --> 01:12:00,519
Speaker 3: friends watching that first year of the Globes just being like,

1669
01:12:01,080 --> 01:12:02,120
Speaker 3: oh my god.

1670
01:12:02,560 --> 01:12:06,280
Speaker 2: This this was also the joke structure they handed to

1671
01:12:06,320 --> 01:12:08,400
Speaker 2: you guys, which they don't do anymore. Which as a

1672
01:12:08,439 --> 01:12:10,439
Speaker 2: woman who dot dot dot dot.

1673
01:12:10,280 --> 01:12:12,960
Speaker 4: Dot dot dot dot dot doesn't.

1674
01:12:12,920 --> 01:12:17,439
Speaker 2: Like, I love that that that I wish they would

1675
01:12:17,479 --> 01:12:19,920
Speaker 2: do that because sometimes they would just like describe it

1676
01:12:19,960 --> 01:12:21,719
Speaker 2: in such a weird way and they're on the actor

1677
01:12:21,800 --> 01:12:24,360
Speaker 2: like and just like not a total idiot.

1678
01:12:24,400 --> 01:12:26,759
Speaker 4: A total idiot who looks terrible.

1679
01:12:27,240 --> 01:12:32,120
Speaker 3: End who looks terrible even now yeah Matt Rogers dog president.

1680
01:12:32,400 --> 01:12:32,639
Speaker 1: Yeah.

1681
01:12:32,680 --> 01:12:35,360
Speaker 4: I mean the things I think we knew from like

1682
01:12:35,439 --> 01:12:38,600
Speaker 4: I felt that we brought producer brain to the table

1683
01:12:38,760 --> 01:12:42,240
Speaker 4: were like front loaded, Yes, don't come out. And I've

1684
01:12:42,320 --> 01:12:44,840
Speaker 4: watched other wh SHOs since I've been like oh no, no, no,

1685
01:12:44,880 --> 01:12:48,280
Speaker 4: my darling. At the end of like the oscars don't

1686
01:12:48,320 --> 01:12:53,080
Speaker 4: come out at like ten fifty with a long ass bit.

1687
01:12:53,680 --> 01:12:57,320
Speaker 4: Everyone's tired. Everyone who's still in the room has lost Yeah,

1688
01:12:57,600 --> 01:13:00,000
Speaker 4: get out of there, you know, So like front loaded,

1689
01:13:00,120 --> 01:13:03,439
Speaker 4: don't go too long, right, work the room. And also

1690
01:13:03,479 --> 01:13:06,680
Speaker 4: literally just like say who you are, remind people who

1691
01:13:06,840 --> 01:13:08,960
Speaker 4: how they know you. Like just I feel like we

1692
01:13:09,080 --> 01:13:11,519
Speaker 4: had just training form SNL. I'm just like watching a

1693
01:13:11,560 --> 01:13:12,320
Speaker 4: million monologues.

1694
01:13:12,360 --> 01:13:14,759
Speaker 3: That's a larn thing of like okay, like most tis're

1695
01:13:14,760 --> 01:13:16,920
Speaker 3: gonna be the cold up in monologue like before update,

1696
01:13:16,960 --> 01:13:18,320
Speaker 3: Like that's like above the fold in terms of the

1697
01:13:18,400 --> 01:13:20,880
Speaker 3: newspaper speak. It's like it's common sense to us. But

1698
01:13:20,920 --> 01:13:22,519
Speaker 3: it's also like things that I guess like people don't

1699
01:13:23,040 --> 01:13:26,240
Speaker 3: think of all the time, And that's that's okay, But

1700
01:13:26,280 --> 01:13:28,920
Speaker 3: it's also like I feel like the biggest boon of

1701
01:13:28,960 --> 01:13:31,519
Speaker 3: working there is to like see a different version of

1702
01:13:32,080 --> 01:13:35,040
Speaker 3: let's just say, like fame every week and then to

1703
01:13:35,160 --> 01:13:39,680
Speaker 3: be like, oh, I can behaviorally adjust myself based on

1704
01:13:39,680 --> 01:13:40,479
Speaker 3: what I'm witnessing.

1705
01:13:41,040 --> 01:13:44,280
Speaker 4: You know, which of these paths seems like a good path?

1706
01:13:44,320 --> 01:13:45,240
Speaker 4: And yeah, that.

1707
01:13:45,240 --> 01:13:48,639
Speaker 3: Sounds weird to say so, speaking of like the famous

1708
01:13:48,680 --> 01:13:51,160
Speaker 3: of it all, I wonder like you've probably met everyone

1709
01:13:51,200 --> 01:13:52,960
Speaker 3: at this point, but then you're in the Golden Globes

1710
01:13:53,080 --> 01:13:56,120
Speaker 3: room and it's literally like, is there anyone who throws

1711
01:13:56,160 --> 01:13:57,120
Speaker 3: you off?

1712
01:13:57,880 --> 01:14:00,479
Speaker 4: That is a great question, I have to say, after

1713
01:14:00,640 --> 01:14:03,880
Speaker 4: so much time at SNL and also just being fifty three,

1714
01:14:03,920 --> 01:14:06,719
Speaker 4: where you're just like I don't care and you've seen,

1715
01:14:06,800 --> 01:14:09,120
Speaker 4: like you've seen so many waves of culture and you're like,

1716
01:14:09,520 --> 01:14:12,360
Speaker 4: guess who used to be a big deal and isn't anymore?

1717
01:14:12,400 --> 01:14:16,479
Speaker 4: Like whoever you are, it will pass, right, And also

1718
01:14:16,520 --> 01:14:18,880
Speaker 4: having had to go make crazy phone calls and have

1719
01:14:18,960 --> 01:14:21,720
Speaker 4: crazy meetings and be like like I've had to do

1720
01:14:21,760 --> 01:14:25,160
Speaker 4: things like can you call Mariah Carey and ask her

1721
01:14:25,200 --> 01:14:27,760
Speaker 4: for the rights to you know, this song? And like

1722
01:14:28,040 --> 01:14:32,200
Speaker 4: and once you've done, like, I don't know, if I

1723
01:14:32,200 --> 01:14:34,519
Speaker 4: can think of a person that that, I'd be like,

1724
01:14:34,640 --> 01:14:35,720
Speaker 4: You're such a big deal.

1725
01:14:35,960 --> 01:14:41,160
Speaker 2: Even Oprah has been your colleague I have met. Yeah,

1726
01:14:41,280 --> 01:14:42,719
Speaker 2: I mean I'm one of the most iconic.

1727
01:14:43,000 --> 01:14:43,559
Speaker 3: So there you go.

1728
01:14:44,600 --> 01:14:47,840
Speaker 2: Mariah is huge because you got her with her for

1729
01:14:48,160 --> 01:14:51,640
Speaker 2: she loves me girls, She loves girls, whole song about it,

1730
01:14:51,680 --> 01:14:54,400
Speaker 2: one of her best songs. Yeah, to are so obsessed

1731
01:14:54,520 --> 01:14:56,559
Speaker 2: with me? Do you like the new? Do you like

1732
01:14:56,600 --> 01:15:01,760
Speaker 2: the new? Do you like it all the time?

1733
01:15:01,880 --> 01:15:02,960
Speaker 3: You like it?

1734
01:15:03,120 --> 01:15:07,360
Speaker 4: Renee is a real one, a real star, a real star,

1735
01:15:07,640 --> 01:15:08,160
Speaker 4: real star.

1736
01:15:08,400 --> 01:15:11,679
Speaker 1: She came on this podcast then it's like her voice

1737
01:15:11,720 --> 01:15:15,040
Speaker 1: in that movie. Were with Jimmy Do you know this?

1738
01:15:15,800 --> 01:15:18,519
Speaker 3: At the Jimmy Wars there Me, Joe, Kim Booster, Brandon Scott,

1739
01:15:18,560 --> 01:15:27,439
Speaker 3: Jon cruisings O, we were there and then Renee came

1740
01:15:27,479 --> 01:15:29,640
Speaker 3: out and then Laura Barnanty was hosting the whole thing

1741
01:15:29,680 --> 01:15:32,320
Speaker 3: and being like and just on stage or Barananci thing like,

1742
01:15:32,520 --> 01:15:34,679
Speaker 3: if I had the confidence of that girl, I would

1743
01:15:34,680 --> 01:15:36,679
Speaker 3: have no problems. And it was just you could tell

1744
01:15:36,680 --> 01:15:40,280
Speaker 3: from that night, Yeah, it was just And the kid that.

1745
01:15:40,280 --> 01:15:43,920
Speaker 2: Won was Andrew Bartel Jennifer Lawrence movie No Hard.

1746
01:15:43,720 --> 01:15:46,400
Speaker 4: Feelings, Yes, and and Evon Hansen right.

1747
01:15:47,840 --> 01:15:48,240
Speaker 2: For the gym.

1748
01:15:48,400 --> 01:15:53,439
Speaker 4: Yeah, yeah, Jimmy's with the future. Other thing that I

1749
01:15:53,479 --> 01:15:56,920
Speaker 4: loved about Renee on SNL was her live vocal was

1750
01:15:57,720 --> 01:15:58,760
Speaker 4: right up front in that.

1751
01:15:58,720 --> 01:16:02,080
Speaker 3: Mix, right up right in the zone.

1752
01:16:03,120 --> 01:16:05,080
Speaker 4: You could hear it was live.

1753
01:16:06,560 --> 01:16:07,960
Speaker 3: She was great vibes. And then and then the after

1754
01:16:08,040 --> 01:16:11,759
Speaker 3: party was like I don't do like big spaces, always

1755
01:16:11,800 --> 01:16:25,200
Speaker 3: like you're so cool, great Americans. I think it's time

1756
01:16:25,240 --> 01:16:25,600
Speaker 3: to move on.

1757
01:16:25,640 --> 01:16:27,320
Speaker 2: Shall we move to I don't think so honey. Okay,

1758
01:16:27,360 --> 01:16:29,679
Speaker 2: So this is the segment, Tina where we take one

1759
01:16:30,000 --> 01:16:33,519
Speaker 2: minute to rant and rave against something in culture. And

1760
01:16:33,520 --> 01:16:35,439
Speaker 2: I'm gonna get a little specific, and I apologize to

1761
01:16:35,479 --> 01:16:37,960
Speaker 2: you in advance. Oh no, but I think you need

1762
01:16:38,000 --> 01:16:40,120
Speaker 2: to make some changes. Oh god, I know.

1763
01:16:40,280 --> 01:16:42,160
Speaker 3: But don't be scared. Okay, okay, this is Matt Rogers.

1764
01:16:42,160 --> 01:16:44,400
Speaker 3: I don't think so honey about me. I guess as

1765
01:16:44,439 --> 01:16:45,200
Speaker 3: time starts, I.

1766
01:16:45,160 --> 01:16:45,880
Speaker 1: Don't think so honey.

1767
01:16:45,920 --> 01:16:48,280
Speaker 2: Boon Yang. No deodorant in your dressing room.

1768
01:16:48,520 --> 01:16:51,439
Speaker 3: Oh get out, because I think it's like a it's

1769
01:16:51,439 --> 01:16:52,439
Speaker 3: a staple, right.

1770
01:16:52,920 --> 01:16:55,599
Speaker 2: I don't need it and I don't need a babe.

1771
01:16:56,280 --> 01:16:58,439
Speaker 2: My thing is like I needed it, And remember that

1772
01:16:58,560 --> 01:17:00,479
Speaker 2: you have guessed and some of them are going to

1773
01:17:00,520 --> 01:17:02,040
Speaker 2: be in that hot, little stuffy.

1774
01:17:01,720 --> 01:17:03,240
Speaker 1: Dressing and dressing room stuffy.

1775
01:17:03,439 --> 01:17:05,360
Speaker 2: And I'm turning around and as I said before, no,

1776
01:17:05,600 --> 01:17:08,840
Speaker 2: not a deal reate in sight in my apartment, only acts,

1777
01:17:08,880 --> 01:17:11,599
Speaker 2: which I didn't find till this morning. I feel like, Bowen,

1778
01:17:11,640 --> 01:17:14,320
Speaker 2: we need to rethink and restock your dress room with

1779
01:17:14,320 --> 01:17:17,639
Speaker 2: the ESSENTI second, because there's a lot of fancy, good

1780
01:17:17,640 --> 01:17:21,080
Speaker 2: whiskey and no dealerance, no nothing that's going to actually

1781
01:17:21,080 --> 01:17:22,479
Speaker 2: get us to the end of the day, the end

1782
01:17:22,479 --> 01:17:24,960
Speaker 2: of the week, because it was smelling in there. And

1783
01:17:25,000 --> 01:17:27,240
Speaker 2: I apologize to you, but you had a lot of

1784
01:17:27,280 --> 01:17:29,519
Speaker 2: men in your in your dressing room last night and

1785
01:17:30,439 --> 01:17:33,120
Speaker 2: it's stank by the end of it. And I'm telling you, like,

1786
01:17:33,240 --> 01:17:35,160
Speaker 2: I just couldn't believe you didn't have your little essentials.

1787
01:17:35,160 --> 01:17:36,800
Speaker 2: You do have a lot of good Colonne I do

1788
01:17:37,800 --> 01:17:39,920
Speaker 2: than acts, I know, okay, But I'm just saying like,

1789
01:17:39,960 --> 01:17:42,400
Speaker 2: in terms of the sweat and the antiperson moriant, you

1790
01:17:42,439 --> 01:17:43,160
Speaker 2: could be doing better.

1791
01:17:43,200 --> 01:17:45,880
Speaker 3: I don't think. And that's one minute. I had Toms

1792
01:17:45,920 --> 01:17:49,000
Speaker 3: available for our friend day because he had an upset stomach. Yeah,

1793
01:17:49,080 --> 01:17:51,639
Speaker 3: I have so many other This is the thing about

1794
01:17:51,640 --> 01:17:54,439
Speaker 3: working at SNL that I I'm never gonna get over.

1795
01:17:55,600 --> 01:17:58,840
Speaker 3: You could have had the worst week professionally, not the

1796
01:17:58,840 --> 01:18:01,160
Speaker 3: worst week, but just a rough week professor at the

1797
01:18:01,200 --> 01:18:04,400
Speaker 3: show's and then you still have to host your friends

1798
01:18:04,439 --> 01:18:06,680
Speaker 3: and make sure the ice and get drinks for them.

1799
01:18:06,760 --> 01:18:09,519
Speaker 3: I'm like, this is the thing that I don't love, Like.

1800
01:18:09,520 --> 01:18:11,880
Speaker 4: Your aunt and uncle are coming to take them to

1801
01:18:11,920 --> 01:18:12,880
Speaker 4: the party.

1802
01:18:12,560 --> 01:18:14,000
Speaker 3: And you're like, well, that's a light show for me.

1803
01:18:14,120 --> 01:18:16,840
Speaker 2: And I will say I did check myself when like

1804
01:18:17,040 --> 01:18:18,400
Speaker 2: I think it was a couple of years ago, like

1805
01:18:18,560 --> 01:18:20,080
Speaker 2: a few of us were in your dressing room just

1806
01:18:20,120 --> 01:18:22,320
Speaker 2: like having the time, and I think it was like

1807
01:18:22,400 --> 01:18:24,080
Speaker 2: a week where you're having a hard time. You came

1808
01:18:24,120 --> 01:18:26,559
Speaker 2: and we were just like, ah, what.

1809
01:18:26,520 --> 01:18:28,280
Speaker 3: Do you mean, just because like you don't want to

1810
01:18:28,320 --> 01:18:30,400
Speaker 3: be like whoa like, come on, get them up on

1811
01:18:30,439 --> 01:18:31,160
Speaker 3: our level.

1812
01:18:30,920 --> 01:18:33,320
Speaker 1: When it's like I am at work still, And then

1813
01:18:33,360 --> 01:18:34,200
Speaker 1: I do respect that.

1814
01:18:34,600 --> 01:18:36,160
Speaker 3: I'm sorry they didn't have deodorant.

1815
01:18:36,479 --> 01:18:39,519
Speaker 4: I'll get I just felt that because I wathed you

1816
01:18:39,600 --> 01:18:41,320
Speaker 4: need to have a little basket like in a wedding

1817
01:18:41,360 --> 01:18:43,760
Speaker 4: reception ladies room like mints.

1818
01:18:45,280 --> 01:18:47,400
Speaker 2: I have brothers, past deals. I'm gonna get mints, and

1819
01:18:47,720 --> 01:18:49,840
Speaker 2: he does have brothers past deals. Does everyone know where

1820
01:18:49,840 --> 01:18:54,439
Speaker 2: you got then tampons? Yeah, Cynthiaio gave me this past

1821
01:18:54,439 --> 01:18:58,559
Speaker 2: Cynthia Rivo gave him the best singer in the world. Yeah,

1822
01:18:58,680 --> 01:19:04,040
Speaker 2: it's great. I also big big brothers past had well.

1823
01:19:04,080 --> 01:19:05,599
Speaker 3: I'm sorry. I will do my best too.

1824
01:19:06,080 --> 01:19:07,840
Speaker 1: No, I'm kidding, Jess. I just didn't want to smell

1825
01:19:07,880 --> 01:19:08,240
Speaker 1: so bad.

1826
01:19:08,320 --> 01:19:08,759
Speaker 3: That's okay.

1827
01:19:08,840 --> 01:19:10,720
Speaker 2: And also I'm being a little like I'm erring on

1828
01:19:10,720 --> 01:19:12,519
Speaker 2: the side of caution. I don't think Swanny because I

1829
01:19:12,520 --> 01:19:14,720
Speaker 2: got absolutely dragged for the one I did last week,

1830
01:19:14,760 --> 01:19:17,600
Speaker 2: which was people should not be riding tailor swift so

1831
01:19:17,640 --> 01:19:18,920
Speaker 2: hard for the private jet usage.

1832
01:19:19,479 --> 01:19:20,639
Speaker 1: You don't want her to ride commercials.

1833
01:19:20,680 --> 01:19:21,840
Speaker 4: I saw that and you're like, what is she gonna

1834
01:19:21,840 --> 01:19:24,679
Speaker 4: fly adult adulta.

1835
01:19:25,400 --> 01:19:26,960
Speaker 1: Yeah, I'm just teasing everyone.

1836
01:19:27,000 --> 01:19:31,120
Speaker 2: And the girls absolutely dragged me because I'm harmful.

1837
01:19:31,560 --> 01:19:34,439
Speaker 4: No no, no, no, no, no, I'm You're the real problem,

1838
01:19:34,720 --> 01:19:35,600
Speaker 4: the real problem.

1839
01:19:36,439 --> 01:19:36,960
Speaker 2: Apologize.

1840
01:19:37,479 --> 01:19:40,320
Speaker 3: I've got one, Okay, bow I might be biting the hand.

1841
01:19:40,800 --> 01:19:43,120
Speaker 2: Oh baby, we'll see this is Bowe yangs. I don't

1842
01:19:43,120 --> 01:19:44,360
Speaker 2: think Swanny as time starts now, I.

1843
01:19:44,320 --> 01:19:47,400
Speaker 3: Don't think so, honey. My co host doing ads for

1844
01:19:47,479 --> 01:19:50,439
Speaker 3: The Tiger's Apprentice, now streaming on Paramount Plus and naming

1845
01:19:50,439 --> 01:19:53,840
Speaker 3: off the cast list Henry Golden, Greta Lee, Sandra, Oh,

1846
01:19:53,880 --> 01:19:56,600
Speaker 3: Michelle Yo, but no mention of Bow and Yang of

1847
01:19:57,160 --> 01:20:01,600
Speaker 3: I normally don't mind, but I it's my own podcast.

1848
01:20:02,040 --> 01:20:04,680
Speaker 3: I mean, I'm giving Paramount a platform. I saw Mean

1849
01:20:04,680 --> 01:20:07,160
Speaker 3: Girls in theaters four times. I went to go see

1850
01:20:07,160 --> 01:20:11,000
Speaker 3: Mean Girls the Musical twenty twenty four. I'm a supporter

1851
01:20:11,120 --> 01:20:15,479
Speaker 3: of Paramount of CBS, the Vicom. I've had many wonderful

1852
01:20:15,520 --> 01:20:20,360
Speaker 3: experiences to work with Viacom CBS, and I can't even

1853
01:20:20,439 --> 01:20:22,880
Speaker 3: get a damn mention in the ads and the promo

1854
01:20:23,040 --> 01:20:25,639
Speaker 3: material for this movie that I had a great time doing.

1855
01:20:25,960 --> 01:20:28,560
Speaker 3: I play Sydney the raft to the movie where the

1856
01:20:28,640 --> 01:20:30,640
Speaker 3: twelve animals of the Chinese Zodiac team up to fight

1857
01:20:30,720 --> 01:20:34,040
Speaker 3: an evil in San Francisco. Oh, Michelle, you plays the

1858
01:20:34,120 --> 01:20:37,559
Speaker 3: villain mean secentual coworker with our guest.

1859
01:20:38,680 --> 01:20:41,679
Speaker 2: I put Paramount, please put me in the damn.

1860
01:20:41,640 --> 01:20:42,679
Speaker 1: Credit and that's a minute.

1861
01:20:42,720 --> 01:20:45,200
Speaker 2: I personally like to apologize for not improvising in the

1862
01:20:45,280 --> 01:20:47,160
Speaker 2: ad that you were, but I don't think, but dead ass,

1863
01:20:47,439 --> 01:20:48,599
Speaker 2: you do not know that I was in that movie.

1864
01:20:48,680 --> 01:20:50,479
Speaker 2: No deadass, I do know that you're in the movie,

1865
01:20:50,520 --> 01:20:52,160
Speaker 2: but you know what it's like to do ads in

1866
01:20:52,200 --> 01:20:54,240
Speaker 2: This sort of a peak behind the curtain usually happens

1867
01:20:54,240 --> 01:20:55,800
Speaker 2: at the end of a podcast when you just want

1868
01:20:55,840 --> 01:20:58,320
Speaker 2: to leave. Yeah, until you're like coming soon into Paramount

1869
01:20:58,320 --> 01:21:00,360
Speaker 2: Plus it's gonna be everyone but bowen a right, see

1870
01:21:00,360 --> 01:21:00,960
Speaker 2: you later, everybody.

1871
01:21:01,120 --> 01:21:03,639
Speaker 3: I I want to say when I love I didn't

1872
01:21:03,640 --> 01:21:04,760
Speaker 3: go to the math for you. When I love that

1873
01:21:04,840 --> 01:21:06,120
Speaker 3: for you came out and we were doing answer, I

1874
01:21:06,160 --> 01:21:08,120
Speaker 3: love that for you. I made sure to really make

1875
01:21:08,200 --> 01:21:12,839
Speaker 3: your name an emphatic part of that. I just expected better.

1876
01:21:12,720 --> 01:21:17,080
Speaker 4: From you from expected better from you is really hard.

1877
01:21:18,520 --> 01:21:22,479
Speaker 2: Said that to you. If your best friend and coming

1878
01:21:22,479 --> 01:21:24,960
Speaker 2: to partner said I expected better from you on the air,

1879
01:21:26,400 --> 01:21:26,960
Speaker 2: that's rough.

1880
01:21:27,240 --> 01:21:27,760
Speaker 4: That's rough.

1881
01:21:27,880 --> 01:21:29,439
Speaker 1: No, I expect better for myself. I'm sorry.

1882
01:21:29,800 --> 01:21:32,160
Speaker 2: And from now on I will always say your name.

1883
01:21:32,200 --> 01:21:34,000
Speaker 2: I'll sneak your name into projects you're not even in.

1884
01:21:34,200 --> 01:21:36,760
Speaker 2: Thank you, and then maybe just like and you have

1885
01:21:36,880 --> 01:21:38,640
Speaker 2: deoduring for me, let's have each other's back to more

1886
01:21:38,680 --> 01:21:40,439
Speaker 2: in the future. Because there is a magic here, and

1887
01:21:40,439 --> 01:21:43,080
Speaker 2: there's a music there's I've always known it. That's an

1888
01:21:43,120 --> 01:21:45,400
Speaker 2: equilic exchange the teen and amy of your generation.

1889
01:21:46,040 --> 01:21:48,120
Speaker 3: You know what, what don't don't?

1890
01:21:49,000 --> 01:21:50,000
Speaker 2: Shall we host the Globes?

1891
01:21:50,360 --> 01:21:54,320
Speaker 4: Are getting by the way, you should host the Globes together.

1892
01:21:54,920 --> 01:21:56,639
Speaker 3: That room is going to be like who the fuck

1893
01:21:56,680 --> 01:22:01,720
Speaker 3: are those to? Joe Cooy like who No, They're like

1894
01:22:01,760 --> 01:22:02,200
Speaker 3: who is that?

1895
01:22:03,160 --> 01:22:06,160
Speaker 4: It would be like it's duel Kimbooster because that keeps

1896
01:22:06,160 --> 01:22:07,240
Speaker 4: happening to you guys.

1897
01:22:08,040 --> 01:22:12,280
Speaker 2: And they'll be like and Zachary Quinto, No, but you really.

1898
01:22:12,120 --> 01:22:14,280
Speaker 4: Should do it because together are so much more fun.

1899
01:22:14,439 --> 01:22:16,479
Speaker 2: I would not only do it with someone with you,

1900
01:22:17,120 --> 01:22:18,800
Speaker 2: I'm throwing our name in there. I was like, yeah,

1901
01:22:18,800 --> 01:22:20,439
Speaker 2: we're gonna do it, and Bomo was like, no, not

1902
01:22:20,560 --> 01:22:22,639
Speaker 2: the Globes And I was like, well, I think they're back.

1903
01:22:22,920 --> 01:22:24,680
Speaker 2: I think now we know they're back. You know what

1904
01:22:24,760 --> 01:22:25,720
Speaker 2: I mean? Yeah they're back.

1905
01:22:25,800 --> 01:22:27,360
Speaker 1: Yeah, okay, okay, you ready for this?

1906
01:22:27,600 --> 01:22:30,080
Speaker 4: I think so okay. So I will say I was like,

1907
01:22:30,280 --> 01:22:33,720
Speaker 4: I was kind of sweating this because I you know,

1908
01:22:33,720 --> 01:22:36,160
Speaker 4: again fifty three, I have nothing but opinions, right of

1909
01:22:36,439 --> 01:22:39,439
Speaker 4: violent opinions about everything. But I'm also constantly afraid of

1910
01:22:39,560 --> 01:22:40,240
Speaker 4: getting in trouble.

1911
01:22:40,720 --> 01:22:41,479
Speaker 3: So do you an audition?

1912
01:22:41,600 --> 01:22:44,240
Speaker 4: Some No, I think I'm an okay area now, but

1913
01:22:44,400 --> 01:22:46,040
Speaker 4: also like, I do have backups if we do it,

1914
01:22:46,080 --> 01:22:47,640
Speaker 4: and you could you be like no, do a different one.

1915
01:22:47,680 --> 01:22:49,760
Speaker 1: If we're like no, you'll get crucified for that.

1916
01:22:50,080 --> 01:22:53,280
Speaker 4: I think I was thinking about my own fear of crucifixion,

1917
01:22:53,360 --> 01:22:57,719
Speaker 4: and it led me to my choice of topic. Okay,

1918
01:22:57,800 --> 01:22:59,240
Speaker 4: so and I may look at my phone, old.

1919
01:22:59,400 --> 01:23:01,240
Speaker 3: You have to have it. This is Tina fays I

1920
01:23:01,280 --> 01:23:02,760
Speaker 3: don't think so, Honey, time starts now.

1921
01:23:03,080 --> 01:23:05,160
Speaker 4: I don't think so, honey, Bow and Yang giving his

1922
01:23:05,240 --> 01:23:09,680
Speaker 4: real opinions about movies on this podcast. I regret to

1923
01:23:09,840 --> 01:23:14,679
Speaker 4: inform you that you are too famous. Now, sir, what's

1924
01:23:14,760 --> 01:23:19,759
Speaker 4: gonna happen? You have a problem with saltburn, shy, quiet, luxury,

1925
01:23:20,520 --> 01:23:22,320
Speaker 4: keep it to yourself, because what are you gonna do

1926
01:23:22,479 --> 01:23:25,880
Speaker 4: when Emerald Fennel calls you about her next project where

1927
01:23:26,000 --> 01:23:29,240
Speaker 4: you play Carrie Mulligan's co worker in the bridal section

1928
01:23:29,360 --> 01:23:32,880
Speaker 4: of Herod's and then Act three takes a sexually violent

1929
01:23:32,960 --> 01:23:35,160
Speaker 4: turn and you have to pretend to be surprised by

1930
01:23:35,240 --> 01:23:39,759
Speaker 4: that term. You have to have a clean paper trail.

1931
01:23:39,920 --> 01:23:45,120
Speaker 4: Nothing negative. Everything everyone does is amazing. Okay, you hang

1932
01:23:45,240 --> 01:23:49,439
Speaker 4: out with Ariana and SpongeBob, Now that is your life, okay,

1933
01:23:49,640 --> 01:23:51,639
Speaker 4: And Matt Rogers, I gonna tell you got about one

1934
01:23:51,760 --> 01:23:54,879
Speaker 4: year left and then you, yes, learn from my mistakes,

1935
01:23:54,960 --> 01:24:00,640
Speaker 4: learn from io podcasts or forever. Authenticity is dangerous and expensive.

1936
01:24:00,760 --> 01:24:04,639
Speaker 4: I don't think so, honey, an.

1937
01:24:04,680 --> 01:24:08,360
Speaker 2: All timer, And you know they're starting to come for us,

1938
01:24:08,520 --> 01:24:10,000
Speaker 2: the people that listen to this and like they don't

1939
01:24:10,000 --> 01:24:12,360
Speaker 2: say they're real opinions, and it's like, yeah, I don't

1940
01:24:12,400 --> 01:24:14,519
Speaker 2: think that anyone needs that.

1941
01:24:15,360 --> 01:24:17,880
Speaker 4: Sometimes it gets hard, it gets harder, I know, I

1942
01:24:17,920 --> 01:24:18,320
Speaker 4: bet it does.

1943
01:24:18,439 --> 01:24:20,080
Speaker 3: And they're also digging through our stuff and being like, well,

1944
01:24:20,080 --> 01:24:23,599
Speaker 3: there's a period when they didn't like Taylor Swift, why

1945
01:24:23,640 --> 01:24:24,200
Speaker 3: they didn't like them?

1946
01:24:24,240 --> 01:24:25,960
Speaker 2: So to hear them be so sick a fantic now

1947
01:24:26,000 --> 01:24:28,639
Speaker 2: it was really crazy. They call us boot liquors. I'm like, you, guys,

1948
01:24:29,520 --> 01:24:30,879
Speaker 2: it's a walk doing.

1949
01:24:30,800 --> 01:24:35,000
Speaker 4: This and it's a dangerous dance and it's impossible.

1950
01:24:35,400 --> 01:24:38,200
Speaker 2: It's really crazy because the fact is we do have

1951
01:24:38,280 --> 01:24:41,479
Speaker 2: strong opinions about almost everything, and that's what people want.

1952
01:24:41,960 --> 01:24:42,439
Speaker 4: It's authentic.

1953
01:24:42,520 --> 01:24:45,000
Speaker 1: But also, what do I do when Emerald calls?

1954
01:24:45,320 --> 01:24:46,120
Speaker 4: What are you going to do? When?

1955
01:24:46,360 --> 01:24:50,960
Speaker 3: Yeah, but I personally and I cannot expect this of everyone.

1956
01:24:51,880 --> 01:24:54,880
Speaker 3: If someone's not a fan of one thing that I've done,

1957
01:24:55,640 --> 01:24:57,800
Speaker 3: if someone was like I didn't love Fire Island, I'll

1958
01:24:57,840 --> 01:25:00,240
Speaker 3: be like, no problem, I'll still be in a getch

1959
01:25:00,280 --> 01:25:02,360
Speaker 3: with you. I'll still like take a meet, you know.

1960
01:25:03,000 --> 01:25:07,120
Speaker 2: Emerald, if I'll still take a meeting. Emerald Fanel had

1961
01:25:07,160 --> 01:25:10,240
Speaker 2: gotten on a podcast and absolutely destroyed Fire Island and

1962
01:25:10,280 --> 01:25:12,360
Speaker 2: said this is bad. I didn't get the performances, and

1963
01:25:12,400 --> 01:25:14,479
Speaker 2: Emerald Fanel said the words, I don't think Bowen Yang

1964
01:25:14,520 --> 01:25:15,519
Speaker 2: has ever pulled it off.

1965
01:25:15,880 --> 01:25:16,759
Speaker 1: You would feel crazy.

1966
01:25:16,800 --> 01:25:18,560
Speaker 3: I would feel crazy, but he'd be like, that's so.

1967
01:25:18,720 --> 01:25:21,240
Speaker 1: I was like, no, but she's entitled that, Emerald.

1968
01:25:21,360 --> 01:25:22,880
Speaker 4: That was I forgotten. My one note that I didn't

1969
01:25:22,920 --> 01:25:24,519
Speaker 4: get to as I was at the bottom, was going

1970
01:25:24,600 --> 01:25:26,320
Speaker 4: to be I don't listen. I don't expect you to

1971
01:25:26,400 --> 01:25:28,559
Speaker 4: stand with Dave Chappelle good night. I'm not a monster,

1972
01:25:29,080 --> 01:25:31,240
Speaker 4: I'm not crazy, but I do need you to hug

1973
01:25:31,320 --> 01:25:34,120
Speaker 4: Mark Cuban like he is your long lost honor like

1974
01:25:34,320 --> 01:25:36,880
Speaker 4: Jimmy did. And also why did Jimmy do that? Why

1975
01:25:37,080 --> 01:25:40,240
Speaker 4: was Jimmy hugging Mark Cuban like they won the super

1976
01:25:40,280 --> 01:25:40,800
Speaker 4: Bowl together?

1977
01:25:41,120 --> 01:25:42,920
Speaker 3: Jimmy was so happy, and Jimmy was so nice and

1978
01:25:43,000 --> 01:25:43,920
Speaker 3: he sent me milk Bark cookies.

1979
01:25:43,960 --> 01:25:46,200
Speaker 4: Well that's why Jimmy's the best, because he's capable of joy.

1980
01:25:46,479 --> 01:25:48,760
Speaker 3: Oh my god, no, and we need that. And I was,

1981
01:25:49,400 --> 01:25:51,080
Speaker 3: by the way, people are like reading me for like

1982
01:25:51,160 --> 01:25:53,200
Speaker 3: in the bear Gip Talk Show sketch, like looking autitated

1983
01:25:53,200 --> 01:25:53,479
Speaker 3: in a word.

1984
01:25:53,479 --> 01:25:55,200
Speaker 4: I was like, no, I was like playing this.

1985
01:25:55,439 --> 01:25:57,200
Speaker 3: I was playing in this sketch and being like, oh,

1986
01:25:57,280 --> 01:25:59,240
Speaker 3: there's the guests are supposed to be like a little perplexed.

1987
01:25:59,280 --> 01:26:02,720
Speaker 3: I was like, you got eyes. But that was fantastic.

1988
01:26:02,920 --> 01:26:06,080
Speaker 2: Honestly, this is a genuine question, how would you do

1989
01:26:06,240 --> 01:26:06,919
Speaker 2: this podcast?

1990
01:26:07,040 --> 01:26:07,639
Speaker 4: You know what I mean?

1991
01:26:07,720 --> 01:26:09,799
Speaker 2: Like, how like, if you're us, how would you continue

1992
01:26:09,800 --> 01:26:12,320
Speaker 2: to do this podcast which started in twenty sixteen when

1993
01:26:12,360 --> 01:26:14,640
Speaker 2: we thought there's no way anyone will ever listen to

1994
01:26:14,720 --> 01:26:17,000
Speaker 2: it even once. Yeah, And we sort of established this

1995
01:26:17,120 --> 01:26:19,360
Speaker 2: thing of like, we see things, we talk about it,

1996
01:26:19,479 --> 01:26:21,360
Speaker 2: we're honest, we have our little fun with things in

1997
01:26:21,400 --> 01:26:23,640
Speaker 2: the pop culture. And then all of a sudden that

1998
01:26:23,840 --> 01:26:26,320
Speaker 2: does become hard because someone who might be a dear

1999
01:26:26,479 --> 01:26:29,360
Speaker 2: sister to you, right might be right.

2000
01:26:29,439 --> 01:26:30,920
Speaker 4: I mean, I do think you guys four You guys

2001
01:26:30,920 --> 01:26:32,639
Speaker 4: are thoughtful and gentle, and if you say you don't

2002
01:26:32,680 --> 01:26:34,719
Speaker 4: like something, it's not just like just to be jerks,

2003
01:26:34,760 --> 01:26:36,599
Speaker 4: but you know you don't. Obviously we're very thoughtful about

2004
01:26:36,600 --> 01:26:38,680
Speaker 4: those movies. But it does become a thing where it's like, oh,

2005
01:26:39,080 --> 01:26:41,400
Speaker 4: do you want to be people who keep it real

2006
01:26:41,439 --> 01:26:43,240
Speaker 4: and have their podcast forever or do you want to

2007
01:26:43,280 --> 01:26:44,519
Speaker 4: be goddamn movie stars?

2008
01:26:44,680 --> 01:26:48,280
Speaker 3: Are you god? The former? Then go?

2009
01:26:48,479 --> 01:26:51,560
Speaker 4: Then then I think then you're doing that. But like my,

2010
01:26:51,880 --> 01:26:55,160
Speaker 4: like my my trail of mistakes lives behind me, like

2011
01:26:55,520 --> 01:26:59,160
Speaker 4: then Jacob Marley's train, like just chains of shame, like

2012
01:26:59,720 --> 01:27:01,280
Speaker 4: from I'm like, I'll.

2013
01:27:01,200 --> 01:27:03,880
Speaker 2: Just use this real name from my high school, like

2014
01:27:04,000 --> 01:27:04,360
Speaker 2: and then.

2015
01:27:04,680 --> 01:27:07,960
Speaker 4: Hit this person like that wasn't even it just like

2016
01:27:08,120 --> 01:27:10,840
Speaker 4: I liked their name, like it's nothing to do with them, yes,

2017
01:27:11,040 --> 01:27:12,759
Speaker 4: And then I'm like, that's a level.

2018
01:27:12,600 --> 01:27:15,000
Speaker 1: Of sh they're now going impatient because of what you've done.

2019
01:27:14,880 --> 01:27:18,360
Speaker 4: I mean, and then like just and then like update

2020
01:27:18,560 --> 01:27:21,080
Speaker 4: jokes that you're like, I'll do it, I don't care,

2021
01:27:21,240 --> 01:27:23,280
Speaker 4: and then you're like oh right, and then yeah, like

2022
01:27:23,960 --> 01:27:26,960
Speaker 4: so many kinds of of these mistakes that you're like,

2023
01:27:27,000 --> 01:27:28,040
Speaker 4: what did I write?

2024
01:27:28,080 --> 01:27:30,519
Speaker 2: What? Especially the thing with the io thing it's like,

2025
01:27:31,080 --> 01:27:34,360
Speaker 2: so someone like j Lo is so famous and has

2026
01:27:34,439 --> 01:27:37,080
Speaker 2: been so famous for such a long time that literally

2027
01:27:37,240 --> 01:27:40,879
Speaker 2: everyone in the world has said something probably incredibly positive

2028
01:27:41,080 --> 01:27:45,000
Speaker 2: and negative about her, just because that's like a colloquialism almost,

2029
01:27:45,240 --> 01:27:47,120
Speaker 2: and so for her to get dragged so much for this,

2030
01:27:47,439 --> 01:27:49,639
Speaker 2: not only do I think it's like uncool, but I'm like, guys,

2031
01:27:49,720 --> 01:27:52,160
Speaker 2: this is not this is not a Pandora's box. We

2032
01:27:52,200 --> 01:27:54,719
Speaker 2: want to open and let's dig up everything everyone said

2033
01:27:54,720 --> 01:27:56,959
Speaker 2: on the name and it will be an apocalypse.

2034
01:27:57,120 --> 01:27:58,600
Speaker 4: Let's guess was like, why did I why did you

2035
01:27:58,600 --> 01:27:59,960
Speaker 4: say it? That was funny too, was great.

2036
01:28:00,360 --> 01:28:04,080
Speaker 3: They threw that line in after Friday, after that news broke.

2037
01:28:04,280 --> 01:28:05,320
Speaker 4: It was just.

2038
01:28:06,840 --> 01:28:09,840
Speaker 3: Fortuitous or the opposite in terms of like it's Io

2039
01:28:09,920 --> 01:28:11,600
Speaker 3: and j Lo being on the same bill for us,

2040
01:28:11,640 --> 01:28:12,720
Speaker 3: and now like that's the only reason.

2041
01:28:13,120 --> 01:28:15,639
Speaker 2: Yeah, that's but it's like even that is just like, guys,

2042
01:28:15,720 --> 01:28:18,439
Speaker 2: it's just I don't think anyone's gonna stand by every

2043
01:28:18,520 --> 01:28:21,000
Speaker 2: single thing they've ever said, and it is tough. And

2044
01:28:21,080 --> 01:28:23,360
Speaker 2: then when a lot of people do start listening, there

2045
01:28:23,439 --> 01:28:25,120
Speaker 2: is a weird rub and so like, honestly that I

2046
01:28:25,160 --> 01:28:27,120
Speaker 2: don't think so Honey comes out of really interesting time

2047
01:28:27,160 --> 01:28:29,880
Speaker 2: because a lot I catch it.

2048
01:28:29,920 --> 01:28:32,960
Speaker 1: All the time, and like I honestly also sometimes.

2049
01:28:32,640 --> 01:28:35,519
Speaker 2: I only ever think, don't take my opinion seriously. I'm

2050
01:28:35,560 --> 01:28:37,599
Speaker 2: like a dummy with a podcast, Like I'm just trying

2051
01:28:37,600 --> 01:28:39,600
Speaker 2: to have fun with this, but people do take it

2052
01:28:39,800 --> 01:28:43,759
Speaker 2: very seriously and that's not up to me. And also like, however,

2053
01:28:44,160 --> 01:28:46,439
Speaker 2: and I've never heard from I've literally never heard from

2054
01:28:46,520 --> 01:28:49,160
Speaker 2: like an artist or anyone that's done anything out there

2055
01:28:49,160 --> 01:28:51,200
Speaker 2: and said, what you said on your podcast really hurt me.

2056
01:28:51,720 --> 01:28:54,240
Speaker 2: But like, I don't know, if I were to hear that,

2057
01:28:54,400 --> 01:28:57,960
Speaker 2: I would definitely certainly feel bad, right, Like, I don't

2058
01:28:57,960 --> 01:29:00,719
Speaker 2: want anyone to feel anything but good for having listened

2059
01:29:00,760 --> 01:29:02,400
Speaker 2: to it. But it is a thing.

2060
01:29:02,640 --> 01:29:05,400
Speaker 3: Yeah, that was a good impartment.

2061
01:29:08,080 --> 01:29:12,360
Speaker 2: It's been so long since we've been imparted on Oh yeah,

2062
01:29:14,520 --> 01:29:17,360
Speaker 2: to be imparted in this way, we needed it. Well,

2063
01:29:17,439 --> 01:29:18,960
Speaker 2: this was just a joy and a half.

2064
01:29:19,160 --> 01:29:21,360
Speaker 4: I would a delight to talk to you to enjoy

2065
01:29:21,439 --> 01:29:22,320
Speaker 4: the podcast so much.

2066
01:29:22,520 --> 01:29:24,400
Speaker 2: Thank you for even saying that. And I just mean,

2067
01:29:24,560 --> 01:29:28,000
Speaker 2: like truly, like this was wish for filming, for us,

2068
01:29:28,040 --> 01:29:30,200
Speaker 2: to say the least, to even have you here and

2069
01:29:30,280 --> 01:29:32,839
Speaker 2: even know who the hell we are so this is pleasure.

2070
01:29:33,040 --> 01:29:35,240
Speaker 3: Oh my gosh, we love you, We love you a lot.

2071
01:29:35,520 --> 01:29:37,479
Speaker 1: And oh, by the way, get tickets to the show?

2072
01:29:37,960 --> 01:29:38,680
Speaker 1: Is it all sold out?

2073
01:29:38,720 --> 01:29:41,400
Speaker 4: To the Beacon might be sold out? We have some

2074
01:29:41,560 --> 01:29:43,960
Speaker 4: We still have a show coming in like Seattle. Thank

2075
01:29:44,000 --> 01:29:45,920
Speaker 4: you for knowing that in Portland there might still be

2076
01:29:45,960 --> 01:29:47,400
Speaker 4: tickets because we have to go back to the city

2077
01:29:47,520 --> 01:29:49,840
Speaker 4: froze and we had to cancel the ship. Everyone who

2078
01:29:49,920 --> 01:29:53,120
Speaker 4: was mad on Twitter if you couldn't get to the

2079
01:29:53,200 --> 01:29:55,599
Speaker 4: show that still happened, you can, I think you can

2080
01:29:55,640 --> 01:29:58,559
Speaker 4: get tickets. Like we're not. We're doing the right thing.

2081
01:29:58,640 --> 01:30:00,559
Speaker 4: So everyone him down.

2082
01:30:00,680 --> 01:30:04,360
Speaker 2: Calm down, We're doing the right thing. Calm down, We're

2083
01:30:04,360 --> 01:30:05,040
Speaker 2: doing the right thing.

2084
01:30:05,080 --> 01:30:06,560
Speaker 3: And that's just generally applicable.

2085
01:30:07,200 --> 01:30:08,560
Speaker 4: And then let me see what I should I be

2086
01:30:08,600 --> 01:30:11,759
Speaker 4: a professional about. Oh yeah, girls five ever. Yeah, Meredith

2087
01:30:11,760 --> 01:30:12,880
Speaker 4: Gardino is an amazing show.

2088
01:30:13,200 --> 01:30:13,800
Speaker 1: It's so good.

2089
01:30:13,880 --> 01:30:16,160
Speaker 4: All three seasons come to Netflix so you can see

2090
01:30:16,479 --> 01:30:19,800
Speaker 4: and yeah, you can see so many wonderful people. I believe.

2091
01:30:19,880 --> 01:30:21,400
Speaker 4: March fourteenth, I hope I'm right about that.

2092
01:30:21,520 --> 01:30:24,719
Speaker 2: March fourteenth. One of our dearest friends, Matt Whitaker.

2093
01:30:25,160 --> 01:30:27,720
Speaker 1: Oh I love yeah.

2094
01:30:27,800 --> 01:30:29,360
Speaker 4: I text with him sometimes.

2095
01:30:29,160 --> 01:30:31,439
Speaker 2: He's a big We saw Appropriate the other night on

2096
01:30:31,520 --> 01:30:33,680
Speaker 2: Broadways together. He's a great theater going for Yes, he

2097
01:30:33,800 --> 01:30:36,280
Speaker 2: is great. Yes he sees everything, he sees it all.

2098
01:30:36,760 --> 01:30:41,160
Speaker 4: And then me and Girls twenty twenty fourth, My mom and.

2099
01:30:41,240 --> 01:30:43,600
Speaker 2: Aunt sat the other night and their review was this.

2100
01:30:44,040 --> 01:30:44,600
Speaker 2: We loved it.

2101
01:30:44,720 --> 01:30:46,479
Speaker 1: You know it was different because it was a musical.

2102
01:30:46,760 --> 01:30:50,000
Speaker 2: Yeah, that was Yeah.

2103
01:30:50,080 --> 01:30:51,360
Speaker 4: That was one of the ones that I was like, oh,

2104
01:30:51,400 --> 01:30:52,680
Speaker 4: I can't do this and I'll get I want to

2105
01:30:52,720 --> 01:30:55,400
Speaker 4: be like, I don't think so, honey, Little Broadway counts

2106
01:30:56,560 --> 01:30:59,640
Speaker 4: complaining about two lines of Revenge Party when I bring

2107
01:30:59,720 --> 01:31:04,920
Speaker 4: you Renee Rap, I bring you Quell Spyby. This is

2108
01:31:04,960 --> 01:31:05,640
Speaker 4: why we can't have.

2109
01:31:09,000 --> 01:31:11,120
Speaker 2: She show up to I was like she did.

2110
01:31:11,200 --> 01:31:12,640
Speaker 3: I was like, that's fucking that's her.

2111
01:31:12,840 --> 01:31:15,599
Speaker 4: Yeah. When the real the original movie came out, she wasn't.

2112
01:31:17,200 --> 01:31:19,880
Speaker 2: No, this is see and I wonder if that's gonna happen.

2113
01:31:20,000 --> 01:31:21,400
Speaker 2: Is like now we're gonna start watching it and it's

2114
01:31:21,439 --> 01:31:23,679
Speaker 2: gonna look like, in terms of fashion, like really dated,

2115
01:31:24,000 --> 01:31:25,840
Speaker 2: and I'm gonna be like, oh my god, no, it's

2116
01:31:25,920 --> 01:31:28,280
Speaker 2: becoming the clueless of it all, where you watch Clueless

2117
01:31:28,280 --> 01:31:30,000
Speaker 2: now and you're like, oh, can you imagine why wearing

2118
01:31:30,080 --> 01:31:31,160
Speaker 2: that it's gonna be like that.

2119
01:31:31,320 --> 01:31:33,200
Speaker 3: So no, no, but for me, like the fashions of

2120
01:31:33,320 --> 01:31:35,120
Speaker 3: those movies are like Frozen and Namber, you know what

2121
01:31:35,120 --> 01:31:36,640
Speaker 3: I mean. It's like said all back now.

2122
01:31:36,640 --> 01:31:38,080
Speaker 2: If you if you walk out the room looking like

2123
01:31:38,120 --> 01:31:40,120
Speaker 2: Sharon Dane, you'll get the coolest bitch at the part.

2124
01:31:40,160 --> 01:31:41,840
Speaker 3: It's not even the loop back around. It's just like

2125
01:31:42,160 --> 01:31:44,160
Speaker 3: that just kind of looks cool in the world of

2126
01:31:44,240 --> 01:31:46,719
Speaker 3: the movie. Anyway. Okay, we end every episode with the song.

2127
01:31:47,400 --> 01:31:47,760
Speaker 2: It's not.

2128
01:31:50,720 --> 01:31:53,479
Speaker 3: With Me. Who wouldn't want to follow in love with me?

2129
01:31:55,479 --> 01:31:55,760
Speaker 2: I don't know.

2130
01:31:55,880 --> 01:32:00,519
Speaker 1: Okay, well you should be off Bush Readers five