Speaker 1: I am all In.
Speaker 2: I am all in with Scott Patterson and iHeart Radio Podcast.
Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one
Speaker 1: of them productions iHeart Radio, iHeart Media, iHeart Podcast, joined
Speaker 1: by a fraction, a large fraction of my Intrepid crew,
Speaker 1: Amy Sugarman, Susanne Missing One, Danielle Romo. We're missing Tara.
Speaker 1: What's going on with Tara?
Speaker 2: Where is Tara?
Speaker 1: Where is Tara?
Speaker 2: I actually don't know.
Speaker 3: People want to handling something for me.
Speaker 1: She's busy handling things for.
Speaker 3: A big studio.
Speaker 1: We got Can I ask can I ask you a
Speaker 1: personal question? Do you ever handle things for Tara?
Speaker 3: Because she all the time?
Speaker 1: Okay, there you go all the time.
Speaker 3: I was there for her this morning. I was helping
Speaker 3: her set up and everything.
Speaker 2: So I don't.
Speaker 1: I don't either.
Speaker 2: For anybody. Maybe once in a blue moon, I do.
Speaker 2: Actually sometimes I do.
Speaker 1: Season seven, episode eighteen, It's just like riding a bike nineteen.
Speaker 1: This is oh my gosh, error reset episode nineteen, just
Speaker 1: like riding a bike.
Speaker 2: No, you don't want to admit it, but we've got nineteen, twenty,
Speaker 2: twenty one, twenty two. So this plus three.
Speaker 1: This plus three crazy that's some solid math right there.
Speaker 4: Thank you.
Speaker 1: That's advanced math.
Speaker 4: It's crazy.
Speaker 1: That's for me.
Speaker 2: iHeart podcasts.
Speaker 3: Listen on the iHeartRadio app.
Speaker 1: Who's synopsizing?
Speaker 4: Whoever?
Speaker 1: I will jump right on it. Just jump right on
Speaker 1: your bike synopsis.
Speaker 2: Question before the synopsisization?
Speaker 1: Amy in the front row.
Speaker 2: Scott, take yourself back.
Speaker 1: Yeah, I'm going yes.
Speaker 2: Filming season seven, episode nineteen. It's just like riding a bike.
Speaker 2: Were you all sort of like whoa when they have
Speaker 2: four more episodes together?
Speaker 4: Three?
Speaker 1: Nobody knew. No, nobody knew it was the end.
Speaker 2: Oh, because you thought you might go again?
Speaker 1: Correct?
Speaker 2: Okay, okay, so you weren't feeling the phone.
Speaker 1: I was looking forward to season eight because i'd signed, uh,
Speaker 1: I'd signed a deal. I'd signed my deal already, I
Speaker 1: think by that point.
Speaker 2: All right, Okay, good Intel, good in tel thank you.
Speaker 1: H Yeah, nobody knew.
Speaker 2: Also, no one commented that my hair is halfway up today,
Speaker 2: but that's okay.
Speaker 1: Look you know it looks good. You look kind of
Speaker 1: like you look like like Jackie o Nassas a little bit.
Speaker 2: Thank you. I thought you were going to say laurala
Speaker 2: and I got really excited, But.
Speaker 1: That was going to be my next I was going
Speaker 1: to go Jackie and then Laureal I, but you beat
Speaker 1: me to it.
Speaker 2: I'll take jack.
Speaker 1: And Susanne, you look like Tricia Nixon, okay, and Danielle,
Speaker 1: you've got some Jackie O vibes going Hi.
Speaker 3: We'll take Jackie O vibes, Ednie and.
Speaker 1: Every day we're gonna synopsize.
Speaker 3: This is season seven, episode nineteen. It's just like riding
Speaker 3: a bike. Air date April twenty fourth, two thousand and seven.
Speaker 3: Lorlai goes to Luke Steiner, but it's awkward, so she
Speaker 3: asks him for help. After her jeep breaks down, Paris
Speaker 3: breaks up with Doyle because of her big decisions she
Speaker 3: has to make. Plus, Rory is getting anxious waiting to
Speaker 3: hear back from her rest and fellowship, and Suki and
Speaker 3: Jackson are feeling overwhelmed with a third baby on the way.
Speaker 1: All right, so we got a bike here?
Speaker 2: Everybody ride a bike here? Everybody you rid Yes?
Speaker 1: Oh? I was a master on the bike.
Speaker 2: When's the last time I was on a bike?
Speaker 1: Though. I bought a bike when we moved about three
Speaker 1: years ago, and I used to ride up and down
Speaker 1: the roads. But then I started reading articles about people
Speaker 1: that were getting crossed by cars riding up and down
Speaker 1: the roads. So I ceased and desisted that activity. I
Speaker 1: didn't need a letter from anyone to tell me to
Speaker 1: stop doing it. You know, I'm scary people around here,
Speaker 1: all the fancy day of the twenty thousand dollars bikes,
Speaker 1: in the fancy race suits and the helmets and all
Speaker 1: the aerodynamic helpless I was just out there in my
Speaker 1: cutoff jeans and my shwin my tear.
Speaker 4: With a banana seat with a.
Speaker 1: Basket, chilling man. I was cool.
Speaker 2: I don't know about bike riding. I mean respect to
Speaker 2: all the bike riders, but like the cars are scary, yeah,
Speaker 2: and like mountain biking is scary too. Anybody here write
Speaker 2: a unicycle just before we get into it.
Speaker 1: I just want to know, you know, I just got
Speaker 1: off my unicycle. I went to the grocery store with it. Yeah.
Speaker 1: Can you imagine I live in a circus world?
Speaker 2: It's ac the dude from Gilmore Girls unit cycle.
Speaker 4: It's hard to bring your groceries home on a unicycle.
Speaker 2: You have to have a backpack, Okay, you got it.
Speaker 1: You have to have very good precise balance gravity.
Speaker 2: I apologize that I took us. There After the Juggling
Speaker 2: Call conversation last week, I felt like we should add unicycles.
Speaker 1: Why not add to the circus atmosphere. I like it.
Speaker 2: Anyone here ever been on the bicycle built for two?
Speaker 1: Oh? Sure, I have no bikes bicycle built for three?
Speaker 2: Actually, and it's like I don't know what a bikes
Speaker 2: goes like one?
Speaker 4: Two?
Speaker 3: Yeah.
Speaker 2: I have been on those things though, where like you're
Speaker 2: lazy at a concert and there's like a guy and
Speaker 2: for twelve dollars he'll ride you from the venue. Yeah,
Speaker 2: those are great. Those are great.
Speaker 3: You know, it's the best of bicycle. That's the ones
Speaker 3: where the barcycles.
Speaker 2: It's a barcycle. What's a barcycle?
Speaker 3: Is a bar Yeah, there's a bar in the middle
Speaker 3: and there's just seats around it and you just pedal, pedal, pedal, pedal, pedal.
Speaker 4: No, you have never.
Speaker 2: Been I've never seen anything like that.
Speaker 1: Does it go anywhere? You just drink?
Speaker 2: Yes?
Speaker 3: You just like if you like, go to downtown San
Speaker 3: Diego or that's the only pace I could think of,
Speaker 3: because that's where I've done it.
Speaker 1: But who steers it?
Speaker 3: There is a steerer, but everyone is powering the bike
Speaker 3: by pet A steer.
Speaker 1: I wonder if that's if there's there's a pilot, there's
Speaker 1: a pilot and a bunch of co pilots.
Speaker 3: There's a captain.
Speaker 1: Huh.
Speaker 3: It's a very bachelorette thing to do. That's the only
Speaker 3: time I've done it.
Speaker 2: E bikes are real popular too, Lorla really need an
Speaker 2: e bike.
Speaker 1: But anyway, an e bike, yeah, that's like.
Speaker 2: The electric ones that just go jamming down. Like these
Speaker 2: kids are basically riding motorcycle.
Speaker 1: Oh my god, yes they are there.
Speaker 4: So what did you guys think of this episode?
Speaker 2: I thought it's okay.
Speaker 1: Oh, it's like a barrel. It's a barrel of monkeys.
Speaker 4: I think this episode.
Speaker 1: I did too. I actually thought it was very strong. Yeah,
Speaker 1: it's it's it's a It was kind of it was spicy.
Speaker 1: It was a lot going on, a lot of a
Speaker 1: lot of a lot of energy coming out of the
Speaker 1: Doyle Paris stuff, a lot of energy coming out of
Speaker 1: the Luke Laurelized stuff, a lot.
Speaker 4: Of energyralized stuff.
Speaker 2: But I feel like they didn't fight to get along.
Speaker 2: But whatever, we'll get to that.
Speaker 1: I think the point of that was she missed that old.
Speaker 2: That ping pongy.
Speaker 1: Yeah, the ping pongy, curmudgeonly guy who just let her
Speaker 1: know how he felt, unedited, you know, finny stuff. I thought, yeah, it's.
Speaker 2: Bad, let's go through it.
Speaker 4: So it starts out.
Speaker 2: So the one thing I.
Speaker 4: Didn't like, it's not that I didn't like it, but
Speaker 4: some of the outfits in this episode. I wasn't really
Speaker 4: a fan of the way either.
Speaker 2: I didn't have one note on great outfits, so that's why, Yeah,
Speaker 2: very nothing was great.
Speaker 4: So it opens with Laurel I wearing that dress that
Speaker 4: kind of ties at the neck and.
Speaker 2: Some some people love.
Speaker 4: That, but to me, it just feels like it provokes
Speaker 4: my anxiety because I don't like things touching my neck.
Speaker 1: But I like that.
Speaker 2: I thought she looked too May I say something inappropriate?
Speaker 1: Yes? Please do? Do you never do?
Speaker 2: There was an outfit in this that was very uh
Speaker 2: the booby dress.
Speaker 3: Yeahs that's what Suzanne's talking about, because it was like
Speaker 3: it was like this, Yeah.
Speaker 2: It was kind of it was yeah, very revealing. Not
Speaker 2: mad about it, totally fine, but like just calling it out.
Speaker 1: Yeah great. I thought she looked sophisticated.
Speaker 2: She's like so pretty man. I liked her riding the bike.
Speaker 1: Let the Eagles fly let the Eagles fly.
Speaker 3: I can't. I've never heard it referred to as eagles.
Speaker 4: Yeah, I'm just gonna skip right over to that. Oh,
Speaker 4: I think we're all in a movie today. So Laurla
Speaker 4: like goes into the diner to return as to why
Speaker 4: we're here, and we find out she hasn't been in
Speaker 4: the diner for like ten months because really it's been
Speaker 4: keeping track in his diary. It's been since second yeah,
Speaker 4: two thousand and six. So it was cute. We had,
Speaker 4: you know, Babbett and Miss Patty kind of observing in
Speaker 4: the background and they had their weird, little awkward moment,
Speaker 4: but it was nice to see them.
Speaker 3: If Stars Hollow had a gossip girl, it would be
Speaker 3: Miss Patty. Yeah, sure, exox so Miss Patty for sure.
Speaker 4: But it was a little bit of progress. So she
Speaker 4: she starts out she's gonna have her up of coffee
Speaker 4: there and then she it ends up just being too
Speaker 4: awkward so she has to leave. But it was it
Speaker 4: broke the ice, so that was that was good.
Speaker 1: And then on this scene talk to me, I thought
Speaker 1: I was too I thought I overacted it. I was
Speaker 1: not comfortable with what I did in this really, yeah,
Speaker 1: I should have let her play the awkwardness of it
Speaker 1: and just been straighter and cooler about it.
Speaker 2: No, I did not notice that.
Speaker 1: I was kind of I don't know. For me, it
Speaker 1: was just like it was just too much what I
Speaker 1: was doing. It was uncomfortable to watch.
Speaker 2: Oh, I didn't feel that, But I like when you call.
Speaker 4: That out, I like, yeah, I think it'd be too
Speaker 4: hard on yourself.
Speaker 1: I don't think so.
Speaker 2: I thought the awkwardness was awkward.
Speaker 1: I think I was playing the awkwardness instead of being awkward.
Speaker 2: Oh, I like, I like what you're saying there.
Speaker 1: There's a difference there, and I just love I was
Speaker 1: trying too hard. She was great, but I was trying
Speaker 1: too hard and I didn't need to try that hard.
Speaker 1: That's all I'm saying. That's all interesting.
Speaker 2: Yeah, I thought the awkwardness was awkward, and I think
Speaker 2: you're you're onto something.
Speaker 1: Yeah, I just landed on landed on too thick.
Speaker 2: Nice fair.
Speaker 4: So then it goes to Lorlai in the car and
Speaker 4: she gets a call from Suki. This scene made me
Speaker 4: laugh because of all the stuff that was going on
Speaker 4: at Suki's house. I don't know if you were watching it.
Speaker 4: She has like a banana peel that she just threw
Speaker 4: off into another part of the room. There's a used
Speaker 4: lollipop that she throws somewhere, and then she pours a
Speaker 4: cup of coffee and was dumping the milk out of
Speaker 4: the sippy cup into her coffee cup.
Speaker 2: I thought, I need to rewatch was it.
Speaker 4: Was really I wasn't even listening to the words. I
Speaker 4: just was watching everything that Melissa McCarthy was doing. It
Speaker 4: was really funny.
Speaker 2: Driving was less fake. So I appreciated that.
Speaker 4: Yes, so Suki's got chicken pox in her house, and
Speaker 4: so Jackson's going to come stay with Laurele I.
Speaker 2: And then.
Speaker 4: Laurel I talks about how awkward the whole Luke's thing was,
Speaker 4: and I thought it was funny when Suki says, well,
Speaker 4: it's not like they have the plague. You should have
Speaker 4: told me that in the beginning. And then Laura, you take.
Speaker 2: Someone with chicken pox into your house or without chicken pox,
Speaker 2: that had been exposed to chicken pox, I don't know how.
Speaker 1: Would you know if they were I mean.
Speaker 2: Were he never had chicken pox, So that also was
Speaker 2: sort of a flag for me, like he's been exposed.
Speaker 1: Right, like just going through life, he spent.
Speaker 2: I was like, oh, I don't know. I don't know
Speaker 2: if that was the COVID in me. That was like, oh,
Speaker 2: that's okay. I don't know that. I'm just like, yeah, come.
Speaker 1: On over in me, that was the chicken pox in you.
Speaker 2: I guess she's had chicken pox, so she doesn't care.
Speaker 2: I don't know anyway, sure thing, come on over, right.
Speaker 4: And so then Laurelie's car breaks down. It looked like
Speaker 4: the same place where she ran out of gas a
Speaker 4: couple episodes ago.
Speaker 2: First of all, correct, I thought the same thing. I'm like,
Speaker 2: are they back in Griffith Park again? Like, what is happening?
Speaker 2: That must be where they block off the road so
Speaker 2: they can do the driving sun.
Speaker 1: And I think we need to throw a flag on
Speaker 1: social responsibility with her talking on the phone while she's striving.
Speaker 2: That's awkward.
Speaker 1: Put it on speak.
Speaker 2: Emily get in trouble for that. I was just going to.
Speaker 4: Say, we know what was illegal because Emily got pulled.
Speaker 2: Some strange consistency issues. But it correct.
Speaker 4: But you know, Laurel special, the rules don't fight.
Speaker 2: It doesn't have a speakerphone in that.
Speaker 1: I mean, you know, given the laxity of these rules,
Speaker 1: she should have been puffing on a cigarette too. Why not?
Speaker 2: Are you to the scene that annoyed me? There's one
Speaker 2: where I'm like, I couldn't watch this anymore.
Speaker 4: It was too long. The scene all of the letters.
Speaker 1: Okay, I like, I love this scene. What are you
Speaker 1: guys talking about?
Speaker 4: I liked it first, but then after letter after letter,
Speaker 4: I was literally like, I.
Speaker 1: Knew that it was going to go bad at some
Speaker 1: point for her, that she was going to get rejected
Speaker 1: by somebody and freak out, or everybody was going to
Speaker 1: accept her and she was going to freak out. I
Speaker 1: knew it was going there. I just enjoyed the ride.
Speaker 1: I really it was so. It was so it was
Speaker 1: notable in that the energy was so sustained and it
Speaker 1: went on for so long, and I say, yeah, keep
Speaker 1: opening up those letters. I really wanted to know if
Speaker 1: Stanford was going to take her. I har I was gonna.
Speaker 1: I did as as an audience. I was like, keep
Speaker 1: opening those letters, just don't cut it off after one
Speaker 1: or two. Just I want to open them all because
Speaker 1: I want to see her react. I want to see
Speaker 1: Paris react. And I I'm defending the scene fair.
Speaker 2: I did not feel the same it was like watching
Speaker 2: paint dry. I was like, how many more of these
Speaker 2: are we opening? Obviously she got into everywhere.
Speaker 5: Yeah, so how I felt, Yeah.
Speaker 4: Then we have the whole letter opening scene or part
Speaker 4: of the scene, but then it like pivots. It's still
Speaker 4: the same scene, but then we're it shifts to her
Speaker 4: talking about She kind of upsets Rory when she says,
Speaker 4: you know, when she talks about the fellowship.
Speaker 1: And she got lucky right.
Speaker 4: So, I don't know. It just was a really long
Speaker 4: scene to me.
Speaker 1: You know, if it's a paras scene of any lengths,
Speaker 1: she's going to insult everybody in the room. Yeah, I
Speaker 1: mean we're we're expecting that. That's that's a big deal.
Speaker 2: Yeah. Too long, great sort of idea. Mm hmm, too long, Oh, Jackie.
Speaker 2: Our producer just said, it's a six minute scene. Very long.
Speaker 1: Like, yeah, it was a long scene. It was a
Speaker 1: long scene. But they needed that. They needed to set
Speaker 1: that up so that there would be that Doyle Paris
Speaker 1: break up later on, because how to how to make
Speaker 1: her she had to be overwhelmed with all of those
Speaker 1: choices in order to make that decision. Then then you
Speaker 1: sprinkle in a little Doyle and house. It's going to
Speaker 1: affect our relationship, and I thought that paid off so
Speaker 1: long and more it could.
Speaker 2: Yeah, I'm like, I'm happy for it, but I just
Speaker 2: don't need to see Paris get into all those schools.
Speaker 2: It's like, okay, got it, you got your your you
Speaker 2: got everyone got in to every medical school, you got
Speaker 2: into every law school. Great, Like yeah, yeah, move it along.
Speaker 4: That's kind of how I felt like there was already
Speaker 4: enough drama and overwhelmed just trying to decide between law
Speaker 4: school versus medical school, Like we didn't need to layer
Speaker 4: four schools of Like.
Speaker 2: I like the payoff that she's going to be a
Speaker 2: doctor totally down. Also made me think of the movies.
Speaker 2: And then I like the ending obviously, and I think
Speaker 2: that you had to have the pairs stuff to sort
Speaker 2: of really get the rory stuff, but just too long.
Speaker 4: Yeah yeah, I mean they had to set up that contrast,
Speaker 4: especially like you say, when to get to the ending.
Speaker 4: But yeah, it could have just.
Speaker 2: Been a couple of letters, a little clippy clip on
Speaker 2: that would have been great.
Speaker 4: But so then we go to Lorelized house when Suki
Speaker 4: is dropping off Jackson and she's being really mean. She's
Speaker 4: telling him you know, don't leave dirty towels, don't make
Speaker 4: a mess when you eat, like she's just also.
Speaker 2: Kind of irritating. Sorry, yawn, But these two things kind
Speaker 2: of where I was like, oh, this is why I
Speaker 2: think this episode's like only okay, the rest is like
Speaker 2: pretty at good actually, but this I was like, you.
Speaker 1: Know, I almost like, I almost like the type of
Speaker 1: writing that makes me irritated. It's the main characters at times,
Speaker 1: because I think that's real. I don't. I think if
Speaker 1: if they're writing and it's too fluffy and we love
Speaker 1: them all the time, every scene, every episode, it's just
Speaker 1: it's just not real.
Speaker 4: It's it's a little sick commy right, good point.
Speaker 2: Good point.
Speaker 1: So I think I think putting a pox or two
Speaker 1: on one of these characters at times, or two of
Speaker 1: these characters at times, is not a bad thing.
Speaker 2: Oh, I agree with that. I think that's a really
Speaker 2: astute point you make there. Yeah.
Speaker 4: Truth, Yeah, I mean I didn't mind the scene, Like,
Speaker 4: you know, Suki's kind of she's very pregnant and she's
Speaker 4: just she's just done, like.
Speaker 1: She's over it, and she's.
Speaker 2: Got two kids with chicken pox, like I think, sort
Speaker 2: of alluding to the vasectomy thing. Though, it's kind of like,
Speaker 2: have they not talked about this?
Speaker 1: Well, I guess it's all been buried.
Speaker 2: And yeah, I mean.
Speaker 1: She's got a lot of reasons to began.
Speaker 3: She still has to be meds.
Speaker 1: Not getting sleep, lack of sleep, she's pregnant, the kids
Speaker 1: have chicken pox. She's not dealt with the best ectomy
Speaker 1: thing with him yet. Yeah, I haven't had. Of course,
Speaker 1: she's going to be a little snippy.
Speaker 4: She's just cranky, no unintended.
Speaker 1: One thing, Thank you Danielle for the safe.
Speaker 2: Yeah, I keep going. I'm way more into the like
Speaker 2: Luke saving the day.
Speaker 4: Thank you. So one thing I wanted to point out
Speaker 4: in this scene when I noticed the dollhouse had lights
Speaker 4: on inside of Oh my gosh, it was so cute
Speaker 4: picture like little doll people living inside of it.
Speaker 2: So I had a dollhouse like that that my grandpa made.
Speaker 2: It fully had electricity, the whole thing. The destruction of
Speaker 2: the dollhouse like actually really stressed me out.
Speaker 1: I was like, oh my god, I'll tell you why.
Speaker 1: Do you know why? I think I know why it's
Speaker 1: stressed you out. Why Because we didn't get to see
Speaker 1: him fall on it, and they could have made a
Speaker 1: fake dollhouse.
Speaker 2: That would have that's a really good point.
Speaker 1: So that's a funny scene, right, that's a really funny scene,
Speaker 1: and that would have given Jackson a chance to perform
Speaker 1: some not you know, some some physical comedy chops, because
Speaker 1: that's a really funny scene. He's loses balance and he
Speaker 1: falls on it. That's it. Come on, let's see to
Speaker 1: get it fixed.
Speaker 2: I think you're right. They're going to get it fixed.
Speaker 2: So that's great. I'm happy that it's not ruined forever.
Speaker 2: But like I think you're right, Like without the fall,
Speaker 2: it's just another sort of why for me, Like why
Speaker 2: why we destroyed the dollhouse?
Speaker 1: If we got if we got to enjoy that?
Speaker 2: Why think you're right.
Speaker 4: That's kind of a typical motif for this show though,
Speaker 4: is they talk about things without showing them like that
Speaker 4: has happened so many times.
Speaker 1: I think with all the words generated, they could use
Speaker 1: a little action. Yeah, it really needed a little action there. Yes,
Speaker 1: that's amazing.
Speaker 2: Bike didn't give me enough.
Speaker 1: Right, so imagine his reaction after he fell on it, like,
Speaker 1: oh my god.
Speaker 4: Yeah. So speaking of riding bikes, So the next scene
Speaker 4: is is Laurela I riding through that same stretch where
Speaker 4: her car had just broken.
Speaker 1: All right, sorry, I don't interrupted, but but I mean
Speaker 1: they set him up so beautifully to fall on it.
Speaker 1: Because if that scene with Suki, don't do this, don't
Speaker 1: put your feet there, and then the next thing, you know,
Speaker 1: the guy's falling into the thing, it would have been
Speaker 1: the biggest.
Speaker 2: Calling her Jackson, calling Suki being like that would have
Speaker 2: been funny.
Speaker 4: Yeah, that would have been a natural extension.
Speaker 1: Right there you go. Sorry, sorry to interrupt you.
Speaker 4: Oh no, no worries.
Speaker 1: Just don't please, don't fire me.
Speaker 4: So Laurela is riding her bike and I could not
Speaker 4: stop looking at the puffy sleeves on that shirt, Like
Speaker 4: that was the only thing I got from that scene
Speaker 4: was the puffy sleeves.
Speaker 2: Well, and now she's got the phone in her ears too.
Speaker 4: And she had like wide legged pants. I'm like, she's
Speaker 4: gonna get that caught in the bike chain. That was
Speaker 4: the other thing that was.
Speaker 2: How far is the inn all of a sudden.
Speaker 3: Yeah, it's very it's walking distance.
Speaker 2: But then yet the tourists took a bus to the
Speaker 2: hay Bail Maze and now she's like jaunting down the
Speaker 2: highway it's very like, I can't what where's the the inn,
Speaker 2: like just like over yonder.
Speaker 4: Yeah, because they showed it. There was one episode where
Speaker 4: she ran from the Inn to Luke's and she stepped
Speaker 4: in the icy hole on the lot. The ends like
Speaker 4: super close, right, Well, the inn was at the ranch,
Speaker 4: it was I thought.
Speaker 2: The inn was on the lot. Oh, pardon me, pardon me,
Speaker 2: James Pettitt, I need a mappy pooh.
Speaker 4: Okay, the ranch may at rest in peace?
Speaker 2: Was the ranch gone?
Speaker 1: Now?
Speaker 4: The ranch is gone?
Speaker 2: So for everyone listening, we're talking about war Our Brothers
Speaker 2: has the Warner Brothers lot where the whole set is,
Speaker 2: and then there was the Warner Ranch, which was sort
Speaker 2: of like not even half a mile away, like a
Speaker 2: mile away.
Speaker 1: A lot, right right, right?
Speaker 4: Yeah.
Speaker 2: I learned that the Gilmour's house exterior is a real
Speaker 2: house somewhere like far away. I saw it on Instagram.
Speaker 2: I'll try to find it.
Speaker 4: Yeah, the one they used in the pilot was a
Speaker 4: real one in Canada somewhere.
Speaker 2: Yeah, in Canada. Okay, Yeah, that's that's that's what I saw. Well,
Speaker 2: that's right, because they shot the pilot, all right.
Speaker 1: So I tried to get us to shoot it up there,
Speaker 1: and we said.
Speaker 4: No, yeah, yeah, yeah.
Speaker 1: We voted, we voted.
Speaker 2: Is that true? You guys have the power?
Speaker 1: Now, well they I don't know if we had the
Speaker 1: ultimate power, but they asked. They were nice enough to ask. Everybody,
Speaker 1: you know.
Speaker 3: Get makes sense with seasons, right, like when it's cold,
Speaker 3: it was right.
Speaker 2: Right, maybe.
Speaker 1: Yeah.
Speaker 4: Everybody always comments on how the trees always have leaves
Speaker 4: on them all year round. So if you were sew
Speaker 4: in Canada, you would have a little more realistic winter.
Speaker 1: If you're really going through realistic winters, it's a it's
Speaker 1: a production nightmare.
Speaker 4: Yeah.
Speaker 1: Actually, to keep things the continuity becomes a huge issue
Speaker 1: and it just takes forever to shoot stuff. It's just
Speaker 1: it's better to control it if you're on a tiny budget.
Speaker 1: We kind of had a smaller budget.
Speaker 2: Yeah, she's just riding that bike.
Speaker 4: So and she doesn't have a helmet on, so we're
Speaker 4: talking about, you know, things that are not socially acceptable anymore.
Speaker 4: She should have been wearing a helmet. Yeah, but you
Speaker 4: know that would mess up her hair. So uh okay.
Speaker 4: So Rory admits that she's worried about the rest and fellowship, which.
Speaker 2: Job, right, take that other job or negotiate better. But
Speaker 2: we talked about that last week.
Speaker 4: That's water under the bridge now, Rory. Yeah, okay, So
Speaker 4: then at the drag.
Speaker 2: Her future is a real letdown, Danielle, but just telling.
Speaker 4: You don't give anything.
Speaker 2: Sorry, I'm getting better. I'm getting a little better. It's like,
Speaker 2: really shocking. We'll get to that, okay.
Speaker 4: Anyway, all right, So we're at the Dragonfly now and
Speaker 4: Larela is trying to decide on new cars. Suki expects
Speaker 4: that Jackson is causing Lorelei a lot of problems and
Speaker 4: he's not. Did you notice on Suki's jacket the buttons
Speaker 4: have dragonflies on them? Like, oh, I don't know.
Speaker 2: What car? Do you think?
Speaker 1: Are you watching this show under a microscope? How are
Speaker 1: you seeing these things? This is bizarre.
Speaker 4: Was going on on a big TV screen When they're
Speaker 4: doing a close up? You can you can see you?
Speaker 1: No, you can't see that. Have you read all the books?
Speaker 1: You've read all the books? You're doing all kinds of research?
Speaker 4: Oh well no, I just used my eyes on what
Speaker 4: she just pays attention.
Speaker 2: I don't know the half this stuff. I'm like, wait, wait,
Speaker 2: you had to buy a car for Laura she's got
Speaker 2: to exactly, she's like way egalized compared to the rest
Speaker 2: of us that are just I am. She noticed the artwork,
Speaker 2: remember when she noticed the artwork that the artwork at
Speaker 2: Suki's was the same artwork. That was like who noticed that? Anyway? Guys,
Speaker 2: if you had to buy Loreli car not a g
Speaker 2: what was you? What is the right car for her?
Speaker 4: Oh?
Speaker 1: I don't know. You know, in real life she bought
Speaker 1: a used Porsche and I just ripped her a new
Speaker 1: one for that.
Speaker 2: Oh yeah, I think like a Ford Explorer.
Speaker 1: She bought a used Porsche.
Speaker 2: Bought a used what's wrong with the used?
Speaker 1: Because she's the lead of a hit show at that point,
Speaker 1: and she goes off like why can't she buy Because
Speaker 1: I got on her about it, I'm like, what are
Speaker 1: you think? No? Not even a classic. It was just
Speaker 1: like a couple you know, it was like ten years
Speaker 1: old or something like that wasn't No, No, I'm not
Speaker 1: mad about it because she's the lead of the show
Speaker 1: and you gotta she's got to be in a big
Speaker 1: suv and be partic. You're not. You're not getting it.
Speaker 1: You're not getting the point.
Speaker 2: Do you feel like she should be more protected. Yes,
Speaker 2: well maybe she had to her. I told her, whoa
Speaker 2: like you just thought she was in a speedy roadster.
Speaker 3: That could such a dad comment of you, Scott.
Speaker 4: He's like, my dad says that, like you don't bigger car.
Speaker 2: God likes SUVs because he likes to be safe.
Speaker 1: I like sitting up high and I like, yeah, because
Speaker 1: there's so many SUVs out there. You can't realize that.
Speaker 2: Car that Scott would never drive, like not a Mini Cooper,
Speaker 2: but there's one that's like smallmart cars, more cars. What
Speaker 2: if we were like, Scott, you have to drive this
Speaker 2: smart car, he like, won't do it. I don't think
Speaker 2: he could fit.
Speaker 4: I don't think too tall. That's just like it needs
Speaker 4: would be like a bround his chin.
Speaker 1: Those are those are great cars for small Belgian villages
Speaker 1: up in the mountain or something that everybody has a
Speaker 1: smart car. If everybody's driving a smart car.
Speaker 2: That what you're saying. I would have liked her to
Speaker 2: get a truck. I actually not Lauren, but Laurel. I
Speaker 2: I think a truck would suit her.
Speaker 3: Cute truck that's Lukes okay, then Bronco, Yeah, Bronco for sure.
Speaker 1: Yeah, maybe I don't know lorle.
Speaker 4: Suki suggests that she should ask Luke for help with
Speaker 4: the car buying things. That's kind of his wheelhouse, and
Speaker 4: that makes sense.
Speaker 1: Totally again, I'm here, I'm gonna throw another flag here.
Speaker 1: She goes out to the porch of the Dragonfly and
Speaker 1: she calls them, but we don't see the other side
Speaker 1: of the conversation.
Speaker 2: M hm.
Speaker 1: And that was a fairly big moment in there, kind
Speaker 1: of coming to get you know this. I mean, that
Speaker 1: was awkward too, but maybe they felt since they already
Speaker 1: had the awkward thing in the diner, they didn't want
Speaker 1: to have another awkward scene. But why is less of
Speaker 1: Luke and Laurelai. More well, I didn't get that because
Speaker 1: I was waiting for them to cut to me on
Speaker 1: the other side, and they never cut to the other side.
Speaker 4: And right before she walks outside, Suki gets a phone
Speaker 4: call from Jackson, and we don't see the other side
Speaker 4: of that phone call either, So we see Suki side
Speaker 4: of a phone call, and then it goes straight to
Speaker 4: Laurelized side of the phone call, so we didn't see
Speaker 4: like there was maybe maybe some lost opportunities there and weird,
Speaker 4: but yeah.
Speaker 1: What are you gonna do? What are you gonna do?
Speaker 2: Yeah?
Speaker 4: Can it now?
Speaker 2: But that's kind of rare. Usually on Gilmer Girls, they
Speaker 2: show both sides of the conversation. They're big into phone calls.
Speaker 1: Yeah, you know, maybe it was probably a last minute
Speaker 1: thing that they threw in realizing they needed to connect that.
Speaker 1: Maybe so they only had the time, yeah, to do
Speaker 1: her side of it or something.
Speaker 2: Paris opening the envelope scene was actually ten minutes, and
Speaker 2: they spared us four minutes of it to squeeze in
Speaker 2: these phone calls. I do not know, but.
Speaker 4: Yeah, it would have been fun to see, like is
Speaker 4: Luke awkward or is he excited? Like how they would
Speaker 4: have played that.
Speaker 1: Yeah, I mean it's a fairly big moment, right, I
Speaker 1: mean it's like these two coming back together at the
Speaker 1: beginnings of that totally.
Speaker 4: Yeah, and then it goes straight from there to the truck,
Speaker 4: So we go straight from the phone call to they're
Speaker 4: in the truck. I thought it was funny that they
Speaker 4: would both rather listen to static than try to talk
Speaker 4: to each other.
Speaker 2: So that was so weird. First of all, that was
Speaker 2: so weird.
Speaker 1: I thought it was weird too that.
Speaker 2: These two would be fine chatting away. Number two he'd
Speaker 2: obviously like have a cassette or something. Not static, he'd
Speaker 2: be like, let me just put on my journey. You know,
Speaker 2: I don't know that was weird.
Speaker 4: Yeah, I didn't mind it. I thought it was okay.
Speaker 4: So then we had a surprise. We go to Paris's
Speaker 4: apartment and Paris kicked him out, which that was not expected.
Speaker 4: And so this is kind of where Rory and Paris
Speaker 4: are starting to go through the same process, like making
Speaker 4: the decision and taking the boyfriend into account, not taking
Speaker 4: the boyfriend into account, et cetera, et cetera.
Speaker 2: Kind of a good conversation. I didn't I thought it
Speaker 2: could have been had a little bit better, but a
Speaker 2: good conversation.
Speaker 4: Yeah, I I thought it was funny. You know, Paris
Speaker 4: has her point system, and she says, of course I'm
Speaker 4: going to make the right decision. That that's why i
Speaker 4: have a point system. That was just so stereotypically Paris.
Speaker 4: I thought that was funny. Okay. So then we're back
Speaker 4: at Lorelize and it's Sukie and Jackson looking at the
Speaker 4: smashup dollhouse, and then this is where they have the
Speaker 4: conversation you haven't forgiven me, blah blah, blah. So they
Speaker 4: have like their little kind of meeting of the minds
Speaker 4: on the whole you know, vasectomy pregnancy thing, and they're
Speaker 4: both kind of scared about having a third kid.
Speaker 2: Yeah, it seems like even when you're talking about it,
Speaker 2: I'm like, huh.
Speaker 4: Yeah, it was. It was. I mean that conversation had
Speaker 4: to have had to happen somewhere, so I guess this
Speaker 4: is just where they decided to put it.
Speaker 1: So the question then becomes, is this the Gilmour to
Speaker 1: portray as having deep problems? No? Or is the Gilmore?
Speaker 1: Is this the Gilmour couple that that manufacture stability?
Speaker 4: Yeah, well that's one good times. That kind of goes
Speaker 4: back to the whole thing that I had an issue
Speaker 4: with when the whole thing happened, Like why did they
Speaker 4: have to make why did they have to use that
Speaker 4: reason to have her get pregnant? Like why couldn't they
Speaker 4: just have said the vasectomy failed? Like why did there
Speaker 4: need to be this big breach of trust and controversy
Speaker 4: between them? Because I agree with your points, Scott, like
Speaker 4: we want them to be happy and stable, and because
Speaker 4: everybody else's relationship is crazy and mixed up, like lorele
Speaker 4: I and Rory and everybody else, like we want Suki
Speaker 4: and Jackson to succeed, Like, why did they have to
Speaker 4: throw that in there? They could have just made it,
Speaker 4: you know, Vasseectumi's failed. It's something that happens, and why
Speaker 4: did they have to make it something better? I guess
Speaker 4: it's that was my question from the beginning, and that
Speaker 4: that's what you're saying. I think Scott he never got
Speaker 4: the vasectomy, I.
Speaker 1: Know, but the fact, bad man, bad man.
Speaker 2: You're saying they should have just made it where he
Speaker 2: got the vasectomy right then they got pregnant anyway.
Speaker 4: Because we didn't know that he got the vasectomy until
Speaker 4: they had to come up with a reason for Suki
Speaker 4: to be pregnant.
Speaker 2: Because I set real life right.
Speaker 4: So because in a different episode they referred to in
Speaker 4: the in the baptism episode, they referred to him having
Speaker 4: had the vaseectomy, so it was understood that he had
Speaker 4: had it, even though in real life you don't just.
Speaker 2: Worr or did they refer to it because everyone thought
Speaker 2: did they refer to it because everyone thought he did
Speaker 2: it but he didn't do it.
Speaker 4: Well, they talked about I can't remember the exact context.
Speaker 4: It was something about his mom and they had to
Speaker 4: do the baptism because his mom was mad about the
Speaker 4: vasecta me and this was going to be to make
Speaker 4: it up to her or something like that. Oh, it's
Speaker 4: just so yeah. So they kind of went with the
Speaker 4: story that he'd even though it was in real life
Speaker 4: he would never have had the vasectomy because you don't
Speaker 4: just sign people up for surgical procedures like that. But
Speaker 4: they they kind of went with that narrative that he
Speaker 4: had had the vasectomy until they needed to make Suki pregnant,
Speaker 4: and then then it came out that he had lied
Speaker 4: about it. Why could they have just said it failed?
Speaker 3: I don't know, because it's also interesting because not necessary.
Speaker 3: We only have a few episodes left, and how many
Speaker 3: episodes has Suki been pregnant for?
Speaker 4: Like four?
Speaker 2: So I thought you meant over the course with the
Speaker 2: three kids. Sorry sorry, sorry.
Speaker 3: Sorry, No, I mean this with this last pregnancy. It's
Speaker 3: kind of like, couldn't they have just finished the season
Speaker 3: without Suki getting pregnant?
Speaker 2: Couldn't you just carry grocery bagags or like right right?
Speaker 4: That was another question too, especially well, I don't want
Speaker 4: to spoil anything, but for the outcome of Suki's for
Speaker 4: where Suki is in the final episode. It was all
Speaker 4: pointless and that will make more sense later. But I
Speaker 4: thought it was unnecessary to create this conflict between them boring.
Speaker 2: I stand by my whole thing. This episode's kind of
Speaker 2: it okay, okay.
Speaker 4: But then we go to the car lot, and I
Speaker 4: really liked the scenes on the car.
Speaker 2: It was okay for me, you guys, you guys say, Danielle,
Speaker 2: I want to hear what you think. For me, it
Speaker 2: was all just sort of okay, like I love that
Speaker 2: they're together.
Speaker 1: But the tail end of the car scene was great.
Speaker 1: It was one of the best Luke lore Law scenes
Speaker 1: film that I agree with.
Speaker 2: That I agree with. Yeah, yeah, I wanted to get there.
Speaker 3: Yeah, I like the diner stuff in the beginning, and
Speaker 3: I did. I did like the car stuff. I do
Speaker 3: feel to echo your point about the whole Paris College
Speaker 3: a lot of thing too long to get to the
Speaker 3: point that we needed to get to.
Speaker 2: You know, I agree, everything's a little long.
Speaker 4: It was bantery and talking about you know, sedans are
Speaker 4: not afraid of getting dirty and small cars do not
Speaker 4: have inferiority complexes.
Speaker 1: All that Luke rant was classic, and you know, lauralized
Speaker 1: reactions were classic and great, and her smile was just
Speaker 1: perfect when she and all the all the memories were
Speaker 1: flooding back in, like, boy, does this feel right? And
Speaker 1: does this feel good? And then I sure missed this
Speaker 1: guy and it was just such a great moment. Yeah,
Speaker 1: And I think I think she she Lauren executed throughout
Speaker 1: this entire scene so flawlessly and so beautifully to show
Speaker 1: us exactly how she was feeling without getting caught up.
Speaker 1: And the rant, she was like welcoming the rant, you know.
Speaker 4: She starts to smile and Luke was like, what it was?
Speaker 4: That was perfect?
Speaker 2: But the payoff was great.
Speaker 1: Yeah, was great, really great.
Speaker 4: And then so they get in the car and she
Speaker 4: wants to stop for a milkshake and he say, no, no, no,
Speaker 4: we're not stopping. And then I wanted her to roll
Speaker 4: up in the next scene with a milkshake in her hand,
Speaker 4: because the same thing she rides her bike up to
Speaker 4: the front porch for Jackson, I'm like, where's the milkshake?
Speaker 4: Because you stop for a milk?
Speaker 1: I mean, that's that's an easy one. Just connect that, man.
Speaker 2: Did I miss already the scene where Rory talks about
Speaker 2: Hoosy and Doozy's dumb apartment.
Speaker 4: No, that's that's the next scene. Yeah, we haven't gotten
Speaker 4: there yet. We hadn't seen them for a while until
Speaker 4: the bar scene. So so Laura comes home on her
Speaker 4: bike and that's when she finds out about the dollhouse
Speaker 4: and she you know, she looks sad, but she was happy.
Speaker 4: I liked when she said what did she She made
Speaker 4: some comment like, oh, we started bickering and it was great. Yeah, yeah, yeah, yeah,
Speaker 4: so it was that was a cute scene. The dog
Speaker 4: was there.
Speaker 2: I'm just glad that the dollhouse is going to get
Speaker 2: fixed because I would have had like serious adjuda if
Speaker 2: I was like, it's just broken forever, like oh my god.
Speaker 2: So I'm happy that I know that in my heart
Speaker 2: that the dollhouse is getting fixed. Yeah.
Speaker 4: She made she made a comment that Rory wrote her
Speaker 4: name in the old jeep in permanent marker, and I'm thinking,
Speaker 4: but it was only eight years old, so she would
Speaker 4: have been Rory would have been fourteen, Like why would
Speaker 4: have fourteen year old write their name? But you know,
Speaker 4: the timeline doesn't often make sense in this show. So
Speaker 4: that's fine. So then that now is the scene you
Speaker 4: were thinking of Amy where they're in the bar and
Speaker 4: they're talking about Olivia's Lucy and Olivia's new London twenty one.
Speaker 4: Olivia is making twenty one thousand dollars a year at
Speaker 4: her art gallery. That was not very much money even
Speaker 4: in two thousand and seven.
Speaker 2: No, and I'm so not into them. Were they even
Speaker 2: in the scene or were we just talking about them?
Speaker 4: They know they were there in it. They were there
Speaker 4: for a hot minute, and then when they sensed that
Speaker 4: Rory and Paris needed to talk, then they went to
Speaker 4: go play our adult God. I never saw not.
Speaker 2: It's just okay, bye. Is that our last appearance with them?
Speaker 4: No, they are in the finale.
Speaker 2: Sorry to be so negative, Nelly, but it's just.
Speaker 4: Like, I don't mind them.
Speaker 3: I liked the man and Louise n say.
Speaker 2: Like it's just such a bad imitation.
Speaker 4: Yeah, they were better, but I didn't mind Lucy and Olivia.
Speaker 4: So this is where they have the conversation about what's
Speaker 4: more important, right, the career or the boy. It was interesting.
Speaker 2: That's good.
Speaker 4: Yeah, that hit home for me. I had to make
Speaker 4: a similar I was back in the day. I don't
Speaker 4: know what did you guys think about that good.
Speaker 2: I thought that they're having compelling conversations in this episode. Yeah,
Speaker 2: and I'm good with that.
Speaker 1: Yeah. I think they really fleshed out that the Paris
Speaker 1: Doyle relationship adventure in this episode, and they really gave
Speaker 1: it great care and we're seeing all signs of it,
Speaker 1: so it's, you know, it's a full experience, and.
Speaker 4: It was It was good to see Paris kind of
Speaker 4: in a vulnerable moment because she's usually so like she's
Speaker 4: just so you know, self confident, embossing everybody else around.
Speaker 4: So it was nice to see her kind of breaking down, like,
Speaker 4: I'm only twenty two. I didn't expect this to happen.
Speaker 4: And then then we have the reappearance of Jackson and
Speaker 4: his wrestling pajamas. I think they probably figured they had
Speaker 4: to get those pajamas into one more episode.
Speaker 2: Before the season, spent the fifty bucks on them, let's
Speaker 2: say exactly. I agree, I actually agree.
Speaker 4: And Luca's kind of looking at him like what are
Speaker 4: you doing here? Like why are you be lorelized house
Speaker 4: in your pajamas? So that was funny. And then c
Speaker 4: cute band I really like yeah, yeah, yeah, really, yeah,
Speaker 4: he found a jeep and it's gonna be silly to
Speaker 4: replace the engine in her old jeep, but that's what
Speaker 4: she wants, so that's what she gets. Like she doesn't
Speaker 4: want a bell, she wants a horn.
Speaker 1: Yeah that was their banter is great, isn't it?
Speaker 4: It really is.
Speaker 2: This was great. This, This was worth the whole episode
Speaker 2: because this was good.
Speaker 4: Yeah, and like that smile on her face at the end,
Speaker 4: she's like, okay, we're back, Like yeah, we're you know,
Speaker 4: things are the universe is right again.
Speaker 1: And then.
Speaker 4: So this scene now this is again. It kind of
Speaker 4: is dragging out, like we're gonna talk about Paris.
Speaker 2: Is kind of dragging out. The whole episode is kind.
Speaker 4: Of Yeah, she wants to be a doctor. She still
Speaker 4: doesn't know what school, but she got two more acceptances
Speaker 4: because Doyle walks in with the mail.
Speaker 1: Right. It's really it's like, yeah, it's weird.
Speaker 3: Because when I watched it didn't feel this slow. But
Speaker 3: now I'm like talking about him like.
Speaker 1: This is right, and then he and then he comes
Speaker 1: in with that kind of weird scene like wherever you go,
Speaker 1: I'll be there with you. I won't elect whoa Okay, yeah.
Speaker 2: You know what?
Speaker 4: Good for them?
Speaker 3: I love Paris and Doyle together. I knew that breakup
Speaker 3: wasn't gonna last, and they found their way back to
Speaker 3: each other.
Speaker 4: Yeah, they're kind of meant for each other because episode it's.
Speaker 2: Like, look in season seven, it's pretty good compared to
Speaker 2: the rest of the show not so good only Okay, yeah,
Speaker 2: I mean I like the negative Nelly on season seven.
Speaker 2: I'm just giving my real, honest feedback.
Speaker 4: For me, the Luke and Laureli stuff was enough to
Speaker 4: carry the episode. So even though there were those other
Speaker 4: scenes that dragged out, I still loved this episode, I agree.
Speaker 4: And then so to wrap the whole thing up, then
Speaker 4: Rory opens her letter from the New York Times and
Speaker 4: did not get the fellowship. Who saw that?
Speaker 3: I didn't see that coming. I thought she was going
Speaker 3: to get out. Yeah, I thought she was going to
Speaker 3: get it.
Speaker 4: I you know, they they made a point to say
Speaker 4: that only four people in the entire country get picked. So,
Speaker 4: I mean, I know that we're supposed to think that,
Speaker 4: you know, Rory is this wonder child, but I just
Speaker 4: felt like, you know, eventually, it's going to catch up
Speaker 4: with her at.
Speaker 3: Some but I just thought that, like, they didn't give
Speaker 3: her Harvard, so I thought they would give her this,
Speaker 3: you know, like I did give her Harvard.
Speaker 2: She picked Yale, she got into both.
Speaker 1: Got into her.
Speaker 2: Yeah, she picked YALEH you're right. It was that didn't
Speaker 2: get right.
Speaker 4: You're right, you're right.
Speaker 2: But I'll say about Rory, she's entering into a career
Speaker 2: that's very, very hard, and very few like I don't
Speaker 2: mean to be a preacher, but preach, very few people
Speaker 2: go from like Yale, even to the New York Times,
Speaker 2: like let's be applying to the Des Moines Gazette, or
Speaker 2: like k w b X Sam to cruise, do you
Speaker 2: know what I mean?
Speaker 1: Like your craft first?
Speaker 4: Right, So she's so.
Speaker 2: That's why I'm like, this doesn't track, you know, I don't.
Speaker 4: Know, but it does track though, because she's she's kind
Speaker 4: of cocky like her years at Yale, she got less humble. Yeah,
Speaker 4: she thought she had it wrapped up. She that's why
Speaker 4: she turned down that other job, because she was sure
Speaker 4: she was going to get this this thing. So I
Speaker 4: don't know, for me, it kind of tracked because she's
Speaker 4: what I what she wants.
Speaker 2: I don't mind that she's not getting it in this series.
Speaker 2: My beef comes later in the movies, but or whatever,
Speaker 2: you guys want to call them, I'll call them movies
Speaker 2: just to differentiate.
Speaker 4: But yeah, yeah, I can't wait until we watch this
Speaker 4: because that's going There's gonna be some interesting conversations there.
Speaker 4: And I haven't seen them in a long time, so
Speaker 4: I'm looking either.
Speaker 2: I only watched them once because I didn't love them.
Speaker 4: Oh really, I've seen it a couple of times and
Speaker 4: only really only.
Speaker 2: There's only one scene. I rewatch a lot from the movies,
Speaker 2: and I'll tell you when we get to it, because
Speaker 2: I love it.
Speaker 3: I just want Milo back.
Speaker 2: He comes back right in the movies.
Speaker 3: Yeah, yeah, that's what I say.
Speaker 2: In a really good scene. Actually I cannot wait.
Speaker 4: So anyways, that was the end of the episode, was
Speaker 4: her opening that letter, all right, what do we think?
Speaker 1: What do we think? I see?
Speaker 2: Guys, I hate to be right, but I might have
Speaker 2: been right.
Speaker 1: What are you giving it?
Speaker 2: Why don't I go first? Since I'm the negative? Now, yeah,
Speaker 2: you're you're going to give it six point nine bicycles.
Speaker 3: I'll give it eight mm eight point one college except.
Speaker 4: What I will give it a nine?
Speaker 2: Who nine?
Speaker 4: I love this episode. I took I took points off
Speaker 4: because I didn't love the clothes and some of the
Speaker 4: pair of stuff was draggy, So half a point for
Speaker 4: each of those.
Speaker 1: You know, I'm going to give it. I think I'll
Speaker 1: go eight five. I'll give it eight point five. Luke
Speaker 1: awkward expressions, milk trying to milk that scene.
Speaker 2: I felt like I was on the car lot long
Speaker 2: enough to buy a used car.
Speaker 4: I'm like, wow, I've been in a long time.
Speaker 1: All right, that's going to wrap it up for this episode.
Speaker 1: Thanks for downloading everyone. We will see you next time
Speaker 1: for episode twenty, season seven. Laurel Laurel, thank you, Danielle,
Speaker 1: thank you, Susanne Amy.
Speaker 2: Any more episodes. We have three more episodes to go,
Speaker 2: and everybody listening nervous about what will come after.
Speaker 1: When what what is happening we will reveal. We're going
Speaker 1: to welcome it.
Speaker 3: I can't wait.
Speaker 2: There's exciting stuff.
Speaker 1: So there's yeah, stay tuned because there's exciting developments happening
Speaker 1: in the I Am all in world. That universe is expanding, uh, anyway,
Speaker 1: that is going to do it best fans on the planet.
Speaker 1: Thanks for download and keep the cards and letters coming.
Speaker 1: We need you, We love you. We'll see you next time.
Speaker 1: Remember we and I I'm all in, Stay safe, everyone
Speaker 1: dot Hey, everybody forget. Follow us on Instagram at I
Speaker 1: Am all In podcast, and email us at Gilmore at
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