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Speaker 1: I am all In.

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Speaker 2: I am all in with Scott Patterson and iHeart Radio Podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one

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Speaker 1: of them productions iHeart Radio, iHeart Media, iHeart Podcast, joined

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Speaker 1: by a fraction, a large fraction of my Intrepid crew,

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Speaker 1: Amy Sugarman, Susanne Missing One, Danielle Romo. We're missing Tara.

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Speaker 1: What's going on with Tara?

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Speaker 2: Where is Tara?

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Speaker 1: Where is Tara?

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Speaker 2: I actually don't know.

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Speaker 3: People want to handling something for me.

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Speaker 1: She's busy handling things for.

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Speaker 3: A big studio.

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Speaker 1: We got Can I ask can I ask you a

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Speaker 1: personal question? Do you ever handle things for Tara?

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Speaker 3: Because she all the time?

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Speaker 1: Okay, there you go all the time.

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Speaker 3: I was there for her this morning. I was helping

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Speaker 3: her set up and everything.

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Speaker 2: So I don't.

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Speaker 1: I don't either.

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Speaker 2: For anybody. Maybe once in a blue moon, I do.

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Speaker 2: Actually sometimes I do.

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Speaker 1: Season seven, episode eighteen, It's just like riding a bike nineteen.

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Speaker 1: This is oh my gosh, error reset episode nineteen, just

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Speaker 1: like riding a bike.

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Speaker 2: No, you don't want to admit it, but we've got nineteen, twenty,

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Speaker 2: twenty one, twenty two. So this plus three.

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Speaker 1: This plus three crazy that's some solid math right there.

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Speaker 4: Thank you.

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Speaker 1: That's advanced math.

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Speaker 4: It's crazy.

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Speaker 1: That's for me.

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Speaker 2: iHeart podcasts.

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Speaker 3: Listen on the iHeartRadio app.

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Speaker 1: Who's synopsizing?

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Speaker 4: Whoever?

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Speaker 1: I will jump right on it. Just jump right on

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Speaker 1: your bike synopsis.

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Speaker 2: Question before the synopsisization?

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Speaker 1: Amy in the front row.

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Speaker 2: Scott, take yourself back.

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Speaker 1: Yeah, I'm going yes.

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Speaker 2: Filming season seven, episode nineteen. It's just like riding a bike.

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Speaker 2: Were you all sort of like whoa when they have

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Speaker 2: four more episodes together?

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Speaker 4: Three?

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Speaker 1: Nobody knew. No, nobody knew it was the end.

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Speaker 2: Oh, because you thought you might go again?

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Speaker 1: Correct?

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Speaker 2: Okay, okay, so you weren't feeling the phone.

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Speaker 1: I was looking forward to season eight because i'd signed, uh,

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Speaker 1: I'd signed a deal. I'd signed my deal already, I

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Speaker 1: think by that point.

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Speaker 2: All right, Okay, good Intel, good in tel thank you.

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Speaker 1: H Yeah, nobody knew.

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Speaker 2: Also, no one commented that my hair is halfway up today,

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Speaker 2: but that's okay.

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Speaker 1: Look you know it looks good. You look kind of

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Speaker 1: like you look like like Jackie o Nassas a little bit.

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Speaker 2: Thank you. I thought you were going to say laurala

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Speaker 2: and I got really excited, But.

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Speaker 1: That was going to be my next I was going

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Speaker 1: to go Jackie and then Laureal I, but you beat

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Speaker 1: me to it.

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Speaker 2: I'll take jack.

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Speaker 1: And Susanne, you look like Tricia Nixon, okay, and Danielle,

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Speaker 1: you've got some Jackie O vibes going Hi.

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Speaker 3: We'll take Jackie O vibes, Ednie and.

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Speaker 1: Every day we're gonna synopsize.

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Speaker 3: This is season seven, episode nineteen. It's just like riding

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Speaker 3: a bike. Air date April twenty fourth, two thousand and seven.

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Speaker 3: Lorlai goes to Luke Steiner, but it's awkward, so she

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Speaker 3: asks him for help. After her jeep breaks down, Paris

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Speaker 3: breaks up with Doyle because of her big decisions she

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Speaker 3: has to make. Plus, Rory is getting anxious waiting to

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Speaker 3: hear back from her rest and fellowship, and Suki and

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Speaker 3: Jackson are feeling overwhelmed with a third baby on the way.

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Speaker 1: All right, so we got a bike here?

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Speaker 2: Everybody ride a bike here? Everybody you rid Yes?

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Speaker 1: Oh? I was a master on the bike.

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Speaker 2: When's the last time I was on a bike?

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Speaker 1: Though. I bought a bike when we moved about three

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Speaker 1: years ago, and I used to ride up and down

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Speaker 1: the roads. But then I started reading articles about people

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Speaker 1: that were getting crossed by cars riding up and down

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Speaker 1: the roads. So I ceased and desisted that activity. I

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Speaker 1: didn't need a letter from anyone to tell me to

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Speaker 1: stop doing it. You know, I'm scary people around here,

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Speaker 1: all the fancy day of the twenty thousand dollars bikes,

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Speaker 1: in the fancy race suits and the helmets and all

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Speaker 1: the aerodynamic helpless I was just out there in my

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Speaker 1: cutoff jeans and my shwin my tear.

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Speaker 4: With a banana seat with a.

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Speaker 1: Basket, chilling man. I was cool.

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Speaker 2: I don't know about bike riding. I mean respect to

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Speaker 2: all the bike riders, but like the cars are scary, yeah,

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Speaker 2: and like mountain biking is scary too. Anybody here write

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Speaker 2: a unicycle just before we get into it.

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Speaker 1: I just want to know, you know, I just got

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Speaker 1: off my unicycle. I went to the grocery store with it. Yeah.

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Speaker 1: Can you imagine I live in a circus world?

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Speaker 2: It's ac the dude from Gilmore Girls unit cycle.

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Speaker 4: It's hard to bring your groceries home on a unicycle.

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Speaker 2: You have to have a backpack, Okay, you got it.

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Speaker 1: You have to have very good precise balance gravity.

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Speaker 2: I apologize that I took us. There After the Juggling

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Speaker 2: Call conversation last week, I felt like we should add unicycles.

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Speaker 1: Why not add to the circus atmosphere. I like it.

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Speaker 2: Anyone here ever been on the bicycle built for two?

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Speaker 1: Oh? Sure, I have no bikes bicycle built for three?

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Speaker 2: Actually, and it's like I don't know what a bikes

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Speaker 2: goes like one?

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Speaker 4: Two?

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Speaker 3: Yeah.

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Speaker 2: I have been on those things though, where like you're

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Speaker 2: lazy at a concert and there's like a guy and

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Speaker 2: for twelve dollars he'll ride you from the venue. Yeah,

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Speaker 2: those are great. Those are great.

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Speaker 3: You know, it's the best of bicycle. That's the ones

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Speaker 3: where the barcycles.

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Speaker 2: It's a barcycle. What's a barcycle?

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Speaker 3: Is a bar Yeah, there's a bar in the middle

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Speaker 3: and there's just seats around it and you just pedal, pedal, pedal, pedal, pedal.

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Speaker 4: No, you have never.

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Speaker 2: Been I've never seen anything like that.

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Speaker 1: Does it go anywhere? You just drink?

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Speaker 2: Yes?

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Speaker 3: You just like if you like, go to downtown San

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Speaker 3: Diego or that's the only pace I could think of,

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Speaker 3: because that's where I've done it.

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Speaker 1: But who steers it?

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Speaker 3: There is a steerer, but everyone is powering the bike

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Speaker 3: by pet A steer.

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Speaker 1: I wonder if that's if there's there's a pilot, there's

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Speaker 1: a pilot and a bunch of co pilots.

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Speaker 3: There's a captain.

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Speaker 1: Huh.

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Speaker 3: It's a very bachelorette thing to do. That's the only

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Speaker 3: time I've done it.

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Speaker 2: E bikes are real popular too, Lorla really need an

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Speaker 2: e bike.

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Speaker 1: But anyway, an e bike, yeah, that's like.

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Speaker 2: The electric ones that just go jamming down. Like these

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Speaker 2: kids are basically riding motorcycle.

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Speaker 1: Oh my god, yes they are there.

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Speaker 4: So what did you guys think of this episode?

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Speaker 2: I thought it's okay.

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Speaker 1: Oh, it's like a barrel. It's a barrel of monkeys.

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Speaker 4: I think this episode.

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Speaker 1: I did too. I actually thought it was very strong. Yeah,

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Speaker 1: it's it's it's a It was kind of it was spicy.

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Speaker 1: It was a lot going on, a lot of a

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Speaker 1: lot of a lot of energy coming out of the

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Speaker 1: Doyle Paris stuff, a lot of energy coming out of

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Speaker 1: the Luke Laurelized stuff, a lot.

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Speaker 4: Of energyralized stuff.

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Speaker 2: But I feel like they didn't fight to get along.

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Speaker 2: But whatever, we'll get to that.

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Speaker 1: I think the point of that was she missed that old.

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Speaker 2: That ping pongy.

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Speaker 1: Yeah, the ping pongy, curmudgeonly guy who just let her

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Speaker 1: know how he felt, unedited, you know, finny stuff. I thought, yeah, it's.

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Speaker 2: Bad, let's go through it.

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Speaker 4: So it starts out.

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Speaker 2: So the one thing I.

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Speaker 4: Didn't like, it's not that I didn't like it, but

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Speaker 4: some of the outfits in this episode. I wasn't really

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Speaker 4: a fan of the way either.

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Speaker 2: I didn't have one note on great outfits, so that's why, Yeah,

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Speaker 2: very nothing was great.

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Speaker 4: So it opens with Laurel I wearing that dress that

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Speaker 4: kind of ties at the neck and.

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Speaker 2: Some some people love.

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Speaker 4: That, but to me, it just feels like it provokes

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Speaker 4: my anxiety because I don't like things touching my neck.

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Speaker 1: But I like that.

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Speaker 2: I thought she looked too May I say something inappropriate?

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Speaker 1: Yes? Please do? Do you never do?

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Speaker 2: There was an outfit in this that was very uh

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Speaker 2: the booby dress.

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Speaker 3: Yeahs that's what Suzanne's talking about, because it was like

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Speaker 3: it was like this, Yeah.

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Speaker 2: It was kind of it was yeah, very revealing. Not

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Speaker 2: mad about it, totally fine, but like just calling it out.

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Speaker 1: Yeah great. I thought she looked sophisticated.

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Speaker 2: She's like so pretty man. I liked her riding the bike.

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Speaker 1: Let the Eagles fly let the Eagles fly.

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Speaker 3: I can't. I've never heard it referred to as eagles.

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Speaker 4: Yeah, I'm just gonna skip right over to that. Oh,

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Speaker 4: I think we're all in a movie today. So Laurla

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Speaker 4: like goes into the diner to return as to why

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Speaker 4: we're here, and we find out she hasn't been in

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Speaker 4: the diner for like ten months because really it's been

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Speaker 4: keeping track in his diary. It's been since second yeah,

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Speaker 4: two thousand and six. So it was cute. We had,

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Speaker 4: you know, Babbett and Miss Patty kind of observing in

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Speaker 4: the background and they had their weird, little awkward moment,

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Speaker 4: but it was nice to see them.

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Speaker 3: If Stars Hollow had a gossip girl, it would be

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Speaker 3: Miss Patty. Yeah, sure, exox so Miss Patty for sure.

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Speaker 4: But it was a little bit of progress. So she

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Speaker 4: she starts out she's gonna have her up of coffee

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Speaker 4: there and then she it ends up just being too

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Speaker 4: awkward so she has to leave. But it was it

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Speaker 4: broke the ice, so that was that was good.

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Speaker 1: And then on this scene talk to me, I thought

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Speaker 1: I was too I thought I overacted it. I was

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Speaker 1: not comfortable with what I did in this really, yeah,

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Speaker 1: I should have let her play the awkwardness of it

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Speaker 1: and just been straighter and cooler about it.

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Speaker 2: No, I did not notice that.

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Speaker 1: I was kind of I don't know. For me, it

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Speaker 1: was just like it was just too much what I

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Speaker 1: was doing. It was uncomfortable to watch.

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Speaker 2: Oh, I didn't feel that, But I like when you call.

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Speaker 4: That out, I like, yeah, I think it'd be too

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Speaker 4: hard on yourself.

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Speaker 1: I don't think so.

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Speaker 2: I thought the awkwardness was awkward.

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Speaker 1: I think I was playing the awkwardness instead of being awkward.

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Speaker 2: Oh, I like, I like what you're saying there.

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Speaker 1: There's a difference there, and I just love I was

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Speaker 1: trying too hard. She was great, but I was trying

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Speaker 1: too hard and I didn't need to try that hard.

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Speaker 1: That's all I'm saying. That's all interesting.

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Speaker 2: Yeah, I thought the awkwardness was awkward, and I think

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Speaker 2: you're you're onto something.

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Speaker 1: Yeah, I just landed on landed on too thick.

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Speaker 2: Nice fair.

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Speaker 4: So then it goes to Lorlai in the car and

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Speaker 4: she gets a call from Suki. This scene made me

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Speaker 4: laugh because of all the stuff that was going on

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Speaker 4: at Suki's house. I don't know if you were watching it.

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Speaker 4: She has like a banana peel that she just threw

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Speaker 4: off into another part of the room. There's a used

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Speaker 4: lollipop that she throws somewhere, and then she pours a

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Speaker 4: cup of coffee and was dumping the milk out of

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Speaker 4: the sippy cup into her coffee cup.

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Speaker 2: I thought, I need to rewatch was it.

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Speaker 4: Was really I wasn't even listening to the words. I

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Speaker 4: just was watching everything that Melissa McCarthy was doing. It

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Speaker 4: was really funny.

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Speaker 2: Driving was less fake. So I appreciated that.

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Speaker 4: Yes, so Suki's got chicken pox in her house, and

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Speaker 4: so Jackson's going to come stay with Laurele I.

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Speaker 2: And then.

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Speaker 4: Laurel I talks about how awkward the whole Luke's thing was,

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Speaker 4: and I thought it was funny when Suki says, well,

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Speaker 4: it's not like they have the plague. You should have

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Speaker 4: told me that in the beginning. And then Laura, you take.

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Speaker 2: Someone with chicken pox into your house or without chicken pox,

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Speaker 2: that had been exposed to chicken pox, I don't know how.

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Speaker 1: Would you know if they were I mean.

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Speaker 2: Were he never had chicken pox, So that also was

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Speaker 2: sort of a flag for me, like he's been exposed.

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Speaker 1: Right, like just going through life, he spent.

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Speaker 2: I was like, oh, I don't know. I don't know

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Speaker 2: if that was the COVID in me. That was like, oh,

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Speaker 2: that's okay. I don't know that. I'm just like, yeah, come.

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Speaker 1: On over in me, that was the chicken pox in you.

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Speaker 2: I guess she's had chicken pox, so she doesn't care.

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Speaker 2: I don't know anyway, sure thing, come on over, right.

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Speaker 4: And so then Laurelie's car breaks down. It looked like

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Speaker 4: the same place where she ran out of gas a

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Speaker 4: couple episodes ago.

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Speaker 2: First of all, correct, I thought the same thing. I'm like,

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Speaker 2: are they back in Griffith Park again? Like, what is happening?

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Speaker 2: That must be where they block off the road so

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Speaker 2: they can do the driving sun.

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Speaker 1: And I think we need to throw a flag on

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Speaker 1: social responsibility with her talking on the phone while she's striving.

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Speaker 2: That's awkward.

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Speaker 1: Put it on speak.

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Speaker 2: Emily get in trouble for that. I was just going to.

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Speaker 4: Say, we know what was illegal because Emily got pulled.

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Speaker 2: Some strange consistency issues. But it correct.

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Speaker 4: But you know, Laurel special, the rules don't fight.

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Speaker 2: It doesn't have a speakerphone in that.

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Speaker 1: I mean, you know, given the laxity of these rules,

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Speaker 1: she should have been puffing on a cigarette too. Why not?

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Speaker 2: Are you to the scene that annoyed me? There's one

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Speaker 2: where I'm like, I couldn't watch this anymore.

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Speaker 4: It was too long. The scene all of the letters.

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Speaker 1: Okay, I like, I love this scene. What are you

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Speaker 1: guys talking about?

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Speaker 4: I liked it first, but then after letter after letter,

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Speaker 4: I was literally like, I.

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Speaker 1: Knew that it was going to go bad at some

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Speaker 1: point for her, that she was going to get rejected

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Speaker 1: by somebody and freak out, or everybody was going to

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Speaker 1: accept her and she was going to freak out. I

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Speaker 1: knew it was going there. I just enjoyed the ride.

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Speaker 1: I really it was so. It was so it was

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Speaker 1: notable in that the energy was so sustained and it

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Speaker 1: went on for so long, and I say, yeah, keep

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Speaker 1: opening up those letters. I really wanted to know if

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Speaker 1: Stanford was going to take her. I har I was gonna.

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Speaker 1: I did as as an audience. I was like, keep

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Speaker 1: opening those letters, just don't cut it off after one

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Speaker 1: or two. Just I want to open them all because

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Speaker 1: I want to see her react. I want to see

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Speaker 1: Paris react. And I I'm defending the scene fair.

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Speaker 2: I did not feel the same it was like watching

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Speaker 2: paint dry. I was like, how many more of these

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Speaker 2: are we opening? Obviously she got into everywhere.

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Speaker 5: Yeah, so how I felt, Yeah.

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Speaker 4: Then we have the whole letter opening scene or part

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Speaker 4: of the scene, but then it like pivots. It's still

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Speaker 4: the same scene, but then we're it shifts to her

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Speaker 4: talking about She kind of upsets Rory when she says,

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Speaker 4: you know, when she talks about the fellowship.

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Speaker 1: And she got lucky right.

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Speaker 4: So, I don't know. It just was a really long

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Speaker 4: scene to me.

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Speaker 1: You know, if it's a paras scene of any lengths,

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Speaker 1: she's going to insult everybody in the room. Yeah, I

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Speaker 1: mean we're we're expecting that. That's that's a big deal.

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Speaker 2: Yeah. Too long, great sort of idea. Mm hmm, too long, Oh, Jackie.

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Speaker 2: Our producer just said, it's a six minute scene. Very long.

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Speaker 1: Like, yeah, it was a long scene. It was a

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Speaker 1: long scene. But they needed that. They needed to set

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Speaker 1: that up so that there would be that Doyle Paris

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Speaker 1: break up later on, because how to how to make

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Speaker 1: her she had to be overwhelmed with all of those

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Speaker 1: choices in order to make that decision. Then then you

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Speaker 1: sprinkle in a little Doyle and house. It's going to

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Speaker 1: affect our relationship, and I thought that paid off so

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Speaker 1: long and more it could.

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Speaker 2: Yeah, I'm like, I'm happy for it, but I just

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Speaker 2: don't need to see Paris get into all those schools.

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Speaker 2: It's like, okay, got it, you got your your you

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Speaker 2: got everyone got in to every medical school, you got

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Speaker 2: into every law school. Great, Like yeah, yeah, move it along.

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Speaker 4: That's kind of how I felt like there was already

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Speaker 4: enough drama and overwhelmed just trying to decide between law

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Speaker 4: school versus medical school, Like we didn't need to layer

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Speaker 4: four schools of Like.

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Speaker 2: I like the payoff that she's going to be a

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Speaker 2: doctor totally down. Also made me think of the movies.

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Speaker 2: And then I like the ending obviously, and I think

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Speaker 2: that you had to have the pairs stuff to sort

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Speaker 2: of really get the rory stuff, but just too long.

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Speaker 4: Yeah yeah, I mean they had to set up that contrast,

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Speaker 4: especially like you say, when to get to the ending.

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Speaker 4: But yeah, it could have just.

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Speaker 2: Been a couple of letters, a little clippy clip on

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Speaker 2: that would have been great.

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Speaker 4: But so then we go to Lorelized house when Suki

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Speaker 4: is dropping off Jackson and she's being really mean. She's

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Speaker 4: telling him you know, don't leave dirty towels, don't make

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Speaker 4: a mess when you eat, like she's just also.

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Speaker 2: Kind of irritating. Sorry, yawn, But these two things kind

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Speaker 2: of where I was like, oh, this is why I

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Speaker 2: think this episode's like only okay, the rest is like

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Speaker 2: pretty at good actually, but this I was like, you.

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Speaker 1: Know, I almost like, I almost like the type of

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Speaker 1: writing that makes me irritated. It's the main characters at times,

359
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Speaker 1: because I think that's real. I don't. I think if

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Speaker 1: if they're writing and it's too fluffy and we love

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Speaker 1: them all the time, every scene, every episode, it's just

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Speaker 1: it's just not real.

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Speaker 4: It's it's a little sick commy right, good point.

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Speaker 2: Good point.

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Speaker 1: So I think I think putting a pox or two

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Speaker 1: on one of these characters at times, or two of

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Speaker 1: these characters at times, is not a bad thing.

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Speaker 2: Oh, I agree with that. I think that's a really

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Speaker 2: astute point you make there. Yeah.

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Speaker 4: Truth, Yeah, I mean I didn't mind the scene, Like,

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Speaker 4: you know, Suki's kind of she's very pregnant and she's

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Speaker 4: just she's just done, like.

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Speaker 1: She's over it, and she's.

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Speaker 2: Got two kids with chicken pox, like I think, sort

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Speaker 2: of alluding to the vasectomy thing. Though, it's kind of like,

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Speaker 2: have they not talked about this?

377
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Speaker 1: Well, I guess it's all been buried.

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Speaker 2: And yeah, I mean.

379
00:19:01,840 --> 00:19:03,760
Speaker 1: She's got a lot of reasons to began.

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Speaker 3: She still has to be meds.

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Speaker 1: Not getting sleep, lack of sleep, she's pregnant, the kids

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Speaker 1: have chicken pox. She's not dealt with the best ectomy

383
00:19:13,960 --> 00:19:16,760
Speaker 1: thing with him yet. Yeah, I haven't had. Of course,

384
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Speaker 1: she's going to be a little snippy.

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Speaker 4: She's just cranky, no unintended.

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Speaker 1: One thing, Thank you Danielle for the safe.

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Speaker 2: Yeah, I keep going. I'm way more into the like

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Speaker 2: Luke saving the day.

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Speaker 4: Thank you. So one thing I wanted to point out

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Speaker 4: in this scene when I noticed the dollhouse had lights

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Speaker 4: on inside of Oh my gosh, it was so cute

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Speaker 4: picture like little doll people living inside of it.

393
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Speaker 2: So I had a dollhouse like that that my grandpa made.

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Speaker 2: It fully had electricity, the whole thing. The destruction of

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Speaker 2: the dollhouse like actually really stressed me out.

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Speaker 1: I was like, oh my god, I'll tell you why.

397
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Speaker 1: Do you know why? I think I know why it's

398
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Speaker 1: stressed you out. Why Because we didn't get to see

399
00:19:58,720 --> 00:20:02,119
Speaker 1: him fall on it, and they could have made a

400
00:20:02,160 --> 00:20:03,119
Speaker 1: fake dollhouse.

401
00:20:03,280 --> 00:20:05,399
Speaker 2: That would have that's a really good point.

402
00:20:05,600 --> 00:20:09,439
Speaker 1: So that's a funny scene, right, that's a really funny scene,

403
00:20:09,720 --> 00:20:13,080
Speaker 1: and that would have given Jackson a chance to perform

404
00:20:13,200 --> 00:20:17,280
Speaker 1: some not you know, some some physical comedy chops, because

405
00:20:17,320 --> 00:20:20,600
Speaker 1: that's a really funny scene. He's loses balance and he

406
00:20:20,640 --> 00:20:22,679
Speaker 1: falls on it. That's it. Come on, let's see to

407
00:20:22,680 --> 00:20:23,440
Speaker 1: get it fixed.

408
00:20:23,520 --> 00:20:25,399
Speaker 2: I think you're right. They're going to get it fixed.

409
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Speaker 2: So that's great. I'm happy that it's not ruined forever.

410
00:20:28,040 --> 00:20:31,560
Speaker 2: But like I think you're right, Like without the fall,

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Speaker 2: it's just another sort of why for me, Like why

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Speaker 2: why we destroyed the dollhouse?

413
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Speaker 1: If we got if we got to enjoy that?

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Speaker 2: Why think you're right.

415
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Speaker 4: That's kind of a typical motif for this show though,

416
00:20:46,240 --> 00:20:49,640
Speaker 4: is they talk about things without showing them like that

417
00:20:49,760 --> 00:20:51,200
Speaker 4: has happened so many times.

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Speaker 1: I think with all the words generated, they could use

419
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Speaker 1: a little action. Yeah, it really needed a little action there. Yes,

420
00:21:00,160 --> 00:21:00,919
Speaker 1: that's amazing.

421
00:21:01,200 --> 00:21:02,600
Speaker 2: Bike didn't give me enough.

422
00:21:02,760 --> 00:21:06,919
Speaker 1: Right, so imagine his reaction after he fell on it, like,

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Speaker 1: oh my god.

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Speaker 4: Yeah. So speaking of riding bikes, So the next scene

425
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Speaker 4: is is Laurela I riding through that same stretch where

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Speaker 4: her car had just broken.

427
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Speaker 1: All right, sorry, I don't interrupted, but but I mean

428
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Speaker 1: they set him up so beautifully to fall on it.

429
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Speaker 1: Because if that scene with Suki, don't do this, don't

430
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Speaker 1: put your feet there, and then the next thing, you know,

431
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Speaker 1: the guy's falling into the thing, it would have been

432
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Speaker 1: the biggest.

433
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Speaker 2: Calling her Jackson, calling Suki being like that would have

434
00:21:36,200 --> 00:21:36,719
Speaker 2: been funny.

435
00:21:37,040 --> 00:21:39,840
Speaker 4: Yeah, that would have been a natural extension.

436
00:21:39,680 --> 00:21:41,840
Speaker 1: Right there you go. Sorry, sorry to interrupt you.

437
00:21:42,359 --> 00:21:43,320
Speaker 4: Oh no, no worries.

438
00:21:43,800 --> 00:21:45,199
Speaker 1: Just don't please, don't fire me.

439
00:21:47,119 --> 00:21:50,440
Speaker 4: So Laurela is riding her bike and I could not

440
00:21:50,600 --> 00:21:53,879
Speaker 4: stop looking at the puffy sleeves on that shirt, Like

441
00:21:53,920 --> 00:21:56,080
Speaker 4: that was the only thing I got from that scene

442
00:21:56,119 --> 00:21:57,040
Speaker 4: was the puffy sleeves.

443
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Speaker 2: Well, and now she's got the phone in her ears too.

444
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Speaker 4: And she had like wide legged pants. I'm like, she's

445
00:22:03,280 --> 00:22:05,359
Speaker 4: gonna get that caught in the bike chain. That was

446
00:22:05,440 --> 00:22:06,639
Speaker 4: the other thing that was.

447
00:22:08,160 --> 00:22:10,080
Speaker 2: How far is the inn all of a sudden.

448
00:22:10,640 --> 00:22:15,880
Speaker 3: Yeah, it's very it's walking distance.

449
00:22:15,920 --> 00:22:19,639
Speaker 2: But then yet the tourists took a bus to the

450
00:22:19,800 --> 00:22:23,919
Speaker 2: hay Bail Maze and now she's like jaunting down the

451
00:22:24,000 --> 00:22:27,720
Speaker 2: highway it's very like, I can't what where's the the inn,

452
00:22:27,880 --> 00:22:29,480
Speaker 2: like just like over yonder.

453
00:22:29,840 --> 00:22:32,160
Speaker 4: Yeah, because they showed it. There was one episode where

454
00:22:32,200 --> 00:22:35,720
Speaker 4: she ran from the Inn to Luke's and she stepped

455
00:22:35,760 --> 00:22:37,760
Speaker 4: in the icy hole on the lot. The ends like

456
00:22:37,920 --> 00:22:41,240
Speaker 4: super close, right, Well, the inn was at the ranch,

457
00:22:42,320 --> 00:22:43,480
Speaker 4: it was I thought.

458
00:22:43,240 --> 00:22:48,520
Speaker 2: The inn was on the lot. Oh, pardon me, pardon me,

459
00:22:48,760 --> 00:22:51,879
Speaker 2: James Pettitt, I need a mappy pooh.

460
00:22:52,000 --> 00:22:53,840
Speaker 4: Okay, the ranch may at rest in peace?

461
00:22:54,680 --> 00:22:55,440
Speaker 2: Was the ranch gone?

462
00:22:55,480 --> 00:22:55,600
Speaker 1: Now?

463
00:22:56,119 --> 00:22:56,960
Speaker 4: The ranch is gone?

464
00:22:58,400 --> 00:23:00,600
Speaker 2: So for everyone listening, we're talking about war Our Brothers

465
00:23:00,920 --> 00:23:03,840
Speaker 2: has the Warner Brothers lot where the whole set is,

466
00:23:04,280 --> 00:23:06,400
Speaker 2: and then there was the Warner Ranch, which was sort

467
00:23:06,400 --> 00:23:09,119
Speaker 2: of like not even half a mile away, like a

468
00:23:09,160 --> 00:23:12,640
Speaker 2: mile away.

469
00:23:11,400 --> 00:23:13,000
Speaker 1: A lot, right right, right?

470
00:23:13,160 --> 00:23:14,240
Speaker 4: Yeah.

471
00:23:14,440 --> 00:23:18,520
Speaker 2: I learned that the Gilmour's house exterior is a real

472
00:23:18,600 --> 00:23:26,320
Speaker 2: house somewhere like far away. I saw it on Instagram.

473
00:23:26,359 --> 00:23:27,200
Speaker 2: I'll try to find it.

474
00:23:27,440 --> 00:23:29,600
Speaker 4: Yeah, the one they used in the pilot was a

475
00:23:29,640 --> 00:23:32,879
Speaker 4: real one in Canada somewhere.

476
00:23:32,960 --> 00:23:35,879
Speaker 2: Yeah, in Canada. Okay, Yeah, that's that's that's what I saw. Well,

477
00:23:35,920 --> 00:23:43,200
Speaker 2: that's right, because they shot the pilot, all right.

478
00:23:43,359 --> 00:23:45,280
Speaker 1: So I tried to get us to shoot it up there,

479
00:23:45,320 --> 00:23:46,200
Speaker 1: and we said.

480
00:23:46,160 --> 00:23:49,680
Speaker 4: No, yeah, yeah, yeah.

481
00:23:49,960 --> 00:23:51,199
Speaker 1: We voted, we voted.

482
00:23:52,359 --> 00:23:53,879
Speaker 2: Is that true? You guys have the power?

483
00:23:53,960 --> 00:23:55,840
Speaker 1: Now, well they I don't know if we had the

484
00:23:55,920 --> 00:23:59,120
Speaker 1: ultimate power, but they asked. They were nice enough to ask. Everybody,

485
00:23:59,200 --> 00:23:59,520
Speaker 1: you know.

486
00:23:59,600 --> 00:24:02,840
Speaker 3: Get makes sense with seasons, right, like when it's cold,

487
00:24:02,960 --> 00:24:04,240
Speaker 3: it was right.

488
00:24:04,720 --> 00:24:05,719
Speaker 2: Right, maybe.

489
00:24:06,680 --> 00:24:06,920
Speaker 1: Yeah.

490
00:24:07,040 --> 00:24:10,080
Speaker 4: Everybody always comments on how the trees always have leaves

491
00:24:10,119 --> 00:24:12,600
Speaker 4: on them all year round. So if you were sew

492
00:24:12,680 --> 00:24:15,359
Speaker 4: in Canada, you would have a little more realistic winter.

493
00:24:15,760 --> 00:24:18,840
Speaker 1: If you're really going through realistic winters, it's a it's

494
00:24:18,840 --> 00:24:19,960
Speaker 1: a production nightmare.

495
00:24:20,280 --> 00:24:20,480
Speaker 4: Yeah.

496
00:24:20,520 --> 00:24:24,199
Speaker 1: Actually, to keep things the continuity becomes a huge issue

497
00:24:24,240 --> 00:24:27,040
Speaker 1: and it just takes forever to shoot stuff. It's just

498
00:24:27,320 --> 00:24:30,000
Speaker 1: it's better to control it if you're on a tiny budget.

499
00:24:30,520 --> 00:24:32,000
Speaker 1: We kind of had a smaller budget.

500
00:24:32,080 --> 00:24:34,480
Speaker 2: Yeah, she's just riding that bike.

501
00:24:35,080 --> 00:24:37,720
Speaker 4: So and she doesn't have a helmet on, so we're

502
00:24:37,760 --> 00:24:41,959
Speaker 4: talking about, you know, things that are not socially acceptable anymore.

503
00:24:42,000 --> 00:24:45,440
Speaker 4: She should have been wearing a helmet. Yeah, but you

504
00:24:45,480 --> 00:24:49,280
Speaker 4: know that would mess up her hair. So uh okay.

505
00:24:49,320 --> 00:24:53,200
Speaker 4: So Rory admits that she's worried about the rest and fellowship, which.

506
00:24:55,119 --> 00:24:59,000
Speaker 2: Job, right, take that other job or negotiate better. But

507
00:24:59,200 --> 00:25:00,680
Speaker 2: we talked about that last week.

508
00:25:01,400 --> 00:25:05,399
Speaker 4: That's water under the bridge now, Rory. Yeah, okay, So

509
00:25:05,480 --> 00:25:07,080
Speaker 4: then at the drag.

510
00:25:10,600 --> 00:25:13,280
Speaker 2: Her future is a real letdown, Danielle, but just telling.

511
00:25:13,040 --> 00:25:15,399
Speaker 4: You don't give anything.

512
00:25:15,720 --> 00:25:20,879
Speaker 2: Sorry, I'm getting better. I'm getting a little better. It's like,

513
00:25:21,040 --> 00:25:23,080
Speaker 2: really shocking. We'll get to that, okay.

514
00:25:23,200 --> 00:25:31,240
Speaker 4: Anyway, all right, So we're at the Dragonfly now and

515
00:25:31,440 --> 00:25:36,560
Speaker 4: Larela is trying to decide on new cars. Suki expects

516
00:25:36,600 --> 00:25:39,760
Speaker 4: that Jackson is causing Lorelei a lot of problems and

517
00:25:39,920 --> 00:25:44,960
Speaker 4: he's not. Did you notice on Suki's jacket the buttons

518
00:25:45,359 --> 00:25:48,240
Speaker 4: have dragonflies on them? Like, oh, I don't know.

519
00:25:51,119 --> 00:25:52,280
Speaker 2: What car? Do you think?

520
00:25:52,720 --> 00:25:55,399
Speaker 1: Are you watching this show under a microscope? How are

521
00:25:55,440 --> 00:25:58,199
Speaker 1: you seeing these things? This is bizarre.

522
00:25:58,800 --> 00:26:02,760
Speaker 4: Was going on on a big TV screen When they're

523
00:26:02,760 --> 00:26:05,440
Speaker 4: doing a close up? You can you can see you?

524
00:26:05,440 --> 00:26:07,959
Speaker 1: No, you can't see that. Have you read all the books?

525
00:26:08,920 --> 00:26:11,360
Speaker 1: You've read all the books? You're doing all kinds of research?

526
00:26:12,080 --> 00:26:17,000
Speaker 4: Oh well no, I just used my eyes on what

527
00:26:18,320 --> 00:26:19,440
Speaker 4: she just pays attention.

528
00:26:19,720 --> 00:26:24,760
Speaker 2: I don't know the half this stuff. I'm like, wait, wait,

529
00:26:27,240 --> 00:26:34,000
Speaker 2: you had to buy a car for Laura she's got

530
00:26:34,000 --> 00:26:37,120
Speaker 2: to exactly, she's like way egalized compared to the rest

531
00:26:37,160 --> 00:26:42,800
Speaker 2: of us that are just I am. She noticed the artwork,

532
00:26:43,520 --> 00:26:45,959
Speaker 2: remember when she noticed the artwork that the artwork at

533
00:26:45,960 --> 00:26:52,760
Speaker 2: Suki's was the same artwork. That was like who noticed that? Anyway? Guys,

534
00:26:52,840 --> 00:26:54,520
Speaker 2: if you had to buy Loreli car not a g

535
00:26:54,760 --> 00:26:56,840
Speaker 2: what was you? What is the right car for her?

536
00:26:58,680 --> 00:26:58,840
Speaker 4: Oh?

537
00:26:59,400 --> 00:27:01,639
Speaker 1: I don't know. You know, in real life she bought

538
00:27:01,680 --> 00:27:04,800
Speaker 1: a used Porsche and I just ripped her a new

539
00:27:04,840 --> 00:27:05,240
Speaker 1: one for that.

540
00:27:05,359 --> 00:27:07,680
Speaker 2: Oh yeah, I think like a Ford Explorer.

541
00:27:07,880 --> 00:27:09,320
Speaker 1: She bought a used Porsche.

542
00:27:10,400 --> 00:27:13,600
Speaker 2: Bought a used what's wrong with the used?

543
00:27:14,240 --> 00:27:16,919
Speaker 1: Because she's the lead of a hit show at that point,

544
00:27:17,000 --> 00:27:20,440
Speaker 1: and she goes off like why can't she buy Because

545
00:27:20,480 --> 00:27:22,760
Speaker 1: I got on her about it, I'm like, what are

546
00:27:22,800 --> 00:27:26,399
Speaker 1: you think? No? Not even a classic. It was just

547
00:27:26,440 --> 00:27:28,320
Speaker 1: like a couple you know, it was like ten years

548
00:27:28,320 --> 00:27:32,280
Speaker 1: old or something like that wasn't No, No, I'm not

549
00:27:32,400 --> 00:27:34,639
Speaker 1: mad about it because she's the lead of the show

550
00:27:35,080 --> 00:27:37,080
Speaker 1: and you gotta she's got to be in a big

551
00:27:37,200 --> 00:27:43,119
Speaker 1: suv and be partic. You're not. You're not getting it.

552
00:27:43,240 --> 00:27:44,359
Speaker 1: You're not getting the point.

553
00:27:44,600 --> 00:27:47,399
Speaker 2: Do you feel like she should be more protected. Yes,

554
00:27:49,000 --> 00:27:52,760
Speaker 2: well maybe she had to her. I told her, whoa

555
00:27:52,840 --> 00:27:55,040
Speaker 2: like you just thought she was in a speedy roadster.

556
00:27:55,240 --> 00:27:57,919
Speaker 3: That could such a dad comment of you, Scott.

557
00:27:58,040 --> 00:28:00,879
Speaker 4: He's like, my dad says that, like you don't bigger car.

558
00:28:01,040 --> 00:28:03,800
Speaker 2: God likes SUVs because he likes to be safe.

559
00:28:04,440 --> 00:28:06,920
Speaker 1: I like sitting up high and I like, yeah, because

560
00:28:06,920 --> 00:28:09,920
Speaker 1: there's so many SUVs out there. You can't realize that.

561
00:28:09,920 --> 00:28:13,120
Speaker 2: Car that Scott would never drive, like not a Mini Cooper,

562
00:28:13,200 --> 00:28:16,919
Speaker 2: but there's one that's like smallmart cars, more cars. What

563
00:28:17,000 --> 00:28:18,840
Speaker 2: if we were like, Scott, you have to drive this

564
00:28:18,920 --> 00:28:20,760
Speaker 2: smart car, he like, won't do it. I don't think

565
00:28:20,800 --> 00:28:21,440
Speaker 2: he could fit.

566
00:28:21,880 --> 00:28:26,320
Speaker 4: I don't think too tall. That's just like it needs

567
00:28:26,280 --> 00:28:27,560
Speaker 4: would be like a bround his chin.

568
00:28:28,800 --> 00:28:32,120
Speaker 1: Those are those are great cars for small Belgian villages

569
00:28:32,200 --> 00:28:34,600
Speaker 1: up in the mountain or something that everybody has a

570
00:28:34,600 --> 00:28:36,720
Speaker 1: smart car. If everybody's driving a smart car.

571
00:28:36,600 --> 00:28:39,360
Speaker 2: That what you're saying. I would have liked her to

572
00:28:39,400 --> 00:28:43,200
Speaker 2: get a truck. I actually not Lauren, but Laurel. I

573
00:28:43,200 --> 00:28:44,920
Speaker 2: I think a truck would suit her.

574
00:28:46,440 --> 00:28:52,200
Speaker 3: Cute truck that's Lukes okay, then Bronco, Yeah, Bronco for sure.

575
00:28:52,480 --> 00:28:55,400
Speaker 1: Yeah, maybe I don't know lorle.

576
00:28:55,840 --> 00:28:58,920
Speaker 4: Suki suggests that she should ask Luke for help with

577
00:28:58,960 --> 00:29:02,040
Speaker 4: the car buying things. That's kind of his wheelhouse, and

578
00:29:02,160 --> 00:29:03,160
Speaker 4: that makes sense.

579
00:29:03,240 --> 00:29:06,680
Speaker 1: Totally again, I'm here, I'm gonna throw another flag here.

580
00:29:07,360 --> 00:29:11,240
Speaker 1: She goes out to the porch of the Dragonfly and

581
00:29:11,280 --> 00:29:13,880
Speaker 1: she calls them, but we don't see the other side

582
00:29:13,920 --> 00:29:14,640
Speaker 1: of the conversation.

583
00:29:15,120 --> 00:29:15,440
Speaker 2: M hm.

584
00:29:15,760 --> 00:29:19,240
Speaker 1: And that was a fairly big moment in there, kind

585
00:29:19,240 --> 00:29:21,520
Speaker 1: of coming to get you know this. I mean, that

586
00:29:21,680 --> 00:29:23,920
Speaker 1: was awkward too, but maybe they felt since they already

587
00:29:23,920 --> 00:29:25,840
Speaker 1: had the awkward thing in the diner, they didn't want

588
00:29:25,840 --> 00:29:28,840
Speaker 1: to have another awkward scene. But why is less of

589
00:29:28,960 --> 00:29:33,320
Speaker 1: Luke and Laurelai. More well, I didn't get that because

590
00:29:33,320 --> 00:29:34,720
Speaker 1: I was waiting for them to cut to me on

591
00:29:34,760 --> 00:29:37,920
Speaker 1: the other side, and they never cut to the other side.

592
00:29:38,360 --> 00:29:42,160
Speaker 4: And right before she walks outside, Suki gets a phone

593
00:29:42,160 --> 00:29:44,680
Speaker 4: call from Jackson, and we don't see the other side

594
00:29:44,720 --> 00:29:47,120
Speaker 4: of that phone call either, So we see Suki side

595
00:29:47,160 --> 00:29:48,920
Speaker 4: of a phone call, and then it goes straight to

596
00:29:49,000 --> 00:29:51,400
Speaker 4: Laurelized side of the phone call, so we didn't see

597
00:29:51,480 --> 00:29:56,320
Speaker 4: like there was maybe maybe some lost opportunities there and weird,

598
00:29:56,520 --> 00:29:57,320
Speaker 4: but yeah.

599
00:29:57,400 --> 00:29:58,600
Speaker 1: What are you gonna do? What are you gonna do?

600
00:29:59,000 --> 00:30:00,120
Speaker 2: Yeah?

601
00:29:59,760 --> 00:30:00,480
Speaker 4: Can it now?

602
00:30:00,560 --> 00:30:02,520
Speaker 2: But that's kind of rare. Usually on Gilmer Girls, they

603
00:30:02,560 --> 00:30:05,280
Speaker 2: show both sides of the conversation. They're big into phone calls.

604
00:30:05,680 --> 00:30:08,560
Speaker 1: Yeah, you know, maybe it was probably a last minute

605
00:30:08,640 --> 00:30:11,960
Speaker 1: thing that they threw in realizing they needed to connect that.

606
00:30:12,600 --> 00:30:18,480
Speaker 1: Maybe so they only had the time, yeah, to do

607
00:30:18,640 --> 00:30:19,760
Speaker 1: her side of it or something.

608
00:30:20,160 --> 00:30:23,080
Speaker 2: Paris opening the envelope scene was actually ten minutes, and

609
00:30:23,120 --> 00:30:25,760
Speaker 2: they spared us four minutes of it to squeeze in

610
00:30:25,840 --> 00:30:28,960
Speaker 2: these phone calls. I do not know, but.

611
00:30:29,000 --> 00:30:31,000
Speaker 4: Yeah, it would have been fun to see, like is

612
00:30:31,080 --> 00:30:34,920
Speaker 4: Luke awkward or is he excited? Like how they would

613
00:30:34,960 --> 00:30:35,440
Speaker 4: have played that.

614
00:30:35,560 --> 00:30:37,760
Speaker 1: Yeah, I mean it's a fairly big moment, right, I

615
00:30:37,840 --> 00:30:40,240
Speaker 1: mean it's like these two coming back together at the

616
00:30:40,280 --> 00:30:42,320
Speaker 1: beginnings of that totally.

617
00:30:42,880 --> 00:30:46,920
Speaker 4: Yeah, and then it goes straight from there to the truck,

618
00:30:47,080 --> 00:30:50,320
Speaker 4: So we go straight from the phone call to they're

619
00:30:50,360 --> 00:30:53,640
Speaker 4: in the truck. I thought it was funny that they

620
00:30:53,640 --> 00:30:56,200
Speaker 4: would both rather listen to static than try to talk

621
00:30:56,320 --> 00:30:57,040
Speaker 4: to each other.

622
00:30:57,200 --> 00:30:59,840
Speaker 2: So that was so weird. First of all, that was

623
00:31:00,120 --> 00:31:00,600
Speaker 2: so weird.

624
00:31:00,720 --> 00:31:02,480
Speaker 1: I thought it was weird too that.

625
00:31:04,120 --> 00:31:07,400
Speaker 2: These two would be fine chatting away. Number two he'd

626
00:31:07,440 --> 00:31:11,080
Speaker 2: obviously like have a cassette or something. Not static, he'd

627
00:31:11,080 --> 00:31:14,360
Speaker 2: be like, let me just put on my journey. You know,

628
00:31:14,880 --> 00:31:16,120
Speaker 2: I don't know that was weird.

629
00:31:17,040 --> 00:31:18,920
Speaker 4: Yeah, I didn't mind it. I thought it was okay.

630
00:31:20,880 --> 00:31:24,640
Speaker 4: So then we had a surprise. We go to Paris's

631
00:31:24,680 --> 00:31:29,440
Speaker 4: apartment and Paris kicked him out, which that was not expected.

632
00:31:33,120 --> 00:31:36,560
Speaker 4: And so this is kind of where Rory and Paris

633
00:31:36,560 --> 00:31:39,400
Speaker 4: are starting to go through the same process, like making

634
00:31:39,440 --> 00:31:42,200
Speaker 4: the decision and taking the boyfriend into account, not taking

635
00:31:42,240 --> 00:31:45,880
Speaker 4: the boyfriend into account, et cetera, et cetera.

636
00:31:46,560 --> 00:31:49,680
Speaker 2: Kind of a good conversation. I didn't I thought it

637
00:31:49,680 --> 00:31:52,120
Speaker 2: could have been had a little bit better, but a

638
00:31:52,160 --> 00:31:53,080
Speaker 2: good conversation.

639
00:31:53,520 --> 00:31:57,280
Speaker 4: Yeah, I I thought it was funny. You know, Paris

640
00:31:57,280 --> 00:31:58,959
Speaker 4: has her point system, and she says, of course I'm

641
00:31:58,960 --> 00:32:00,360
Speaker 4: going to make the right decision. That that's why i

642
00:32:00,440 --> 00:32:03,680
Speaker 4: have a point system. That was just so stereotypically Paris.

643
00:32:03,760 --> 00:32:15,840
Speaker 4: I thought that was funny. Okay. So then we're back

644
00:32:15,880 --> 00:32:18,720
Speaker 4: at Lorelize and it's Sukie and Jackson looking at the

645
00:32:18,720 --> 00:32:24,160
Speaker 4: smashup dollhouse, and then this is where they have the

646
00:32:24,200 --> 00:32:28,760
Speaker 4: conversation you haven't forgiven me, blah blah, blah. So they

647
00:32:28,760 --> 00:32:32,800
Speaker 4: have like their little kind of meeting of the minds

648
00:32:32,840 --> 00:32:38,800
Speaker 4: on the whole you know, vasectomy pregnancy thing, and they're

649
00:32:38,800 --> 00:32:43,120
Speaker 4: both kind of scared about having a third kid.

650
00:32:43,440 --> 00:32:45,360
Speaker 2: Yeah, it seems like even when you're talking about it,

651
00:32:45,400 --> 00:32:46,840
Speaker 2: I'm like, huh.

652
00:32:47,400 --> 00:32:51,120
Speaker 4: Yeah, it was. It was. I mean that conversation had

653
00:32:51,200 --> 00:32:53,560
Speaker 4: to have had to happen somewhere, so I guess this

654
00:32:53,680 --> 00:32:55,200
Speaker 4: is just where they decided to put it.

655
00:32:55,560 --> 00:33:02,200
Speaker 1: So the question then becomes, is this the Gilmour to

656
00:33:02,240 --> 00:33:08,120
Speaker 1: portray as having deep problems? No? Or is the Gilmore?

657
00:33:08,680 --> 00:33:13,920
Speaker 1: Is this the Gilmour couple that that manufacture stability?

658
00:33:14,680 --> 00:33:19,280
Speaker 4: Yeah, well that's one good times. That kind of goes

659
00:33:19,400 --> 00:33:22,240
Speaker 4: back to the whole thing that I had an issue

660
00:33:22,280 --> 00:33:24,400
Speaker 4: with when the whole thing happened, Like why did they

661
00:33:24,440 --> 00:33:28,760
Speaker 4: have to make why did they have to use that

662
00:33:28,920 --> 00:33:31,240
Speaker 4: reason to have her get pregnant? Like why couldn't they

663
00:33:31,280 --> 00:33:33,440
Speaker 4: just have said the vasectomy failed? Like why did there

664
00:33:33,480 --> 00:33:38,080
Speaker 4: need to be this big breach of trust and controversy

665
00:33:38,120 --> 00:33:41,520
Speaker 4: between them? Because I agree with your points, Scott, like

666
00:33:42,800 --> 00:33:45,600
Speaker 4: we want them to be happy and stable, and because

667
00:33:45,640 --> 00:33:49,760
Speaker 4: everybody else's relationship is crazy and mixed up, like lorele

668
00:33:49,760 --> 00:33:52,160
Speaker 4: I and Rory and everybody else, like we want Suki

669
00:33:52,200 --> 00:33:54,160
Speaker 4: and Jackson to succeed, Like, why did they have to

670
00:33:54,200 --> 00:33:56,160
Speaker 4: throw that in there? They could have just made it,

671
00:33:56,280 --> 00:33:58,320
Speaker 4: you know, Vasseectumi's failed. It's something that happens, and why

672
00:33:58,360 --> 00:34:01,320
Speaker 4: did they have to make it something better? I guess

673
00:34:01,400 --> 00:34:04,880
Speaker 4: it's that was my question from the beginning, and that

674
00:34:04,880 --> 00:34:09,960
Speaker 4: that's what you're saying. I think Scott he never got

675
00:34:10,000 --> 00:34:12,480
Speaker 4: the vasectomy, I.

676
00:34:12,520 --> 00:34:15,799
Speaker 1: Know, but the fact, bad man, bad man.

677
00:34:15,920 --> 00:34:18,080
Speaker 2: You're saying they should have just made it where he

678
00:34:18,200 --> 00:34:21,560
Speaker 2: got the vasectomy right then they got pregnant anyway.

679
00:34:21,239 --> 00:34:24,680
Speaker 4: Because we didn't know that he got the vasectomy until

680
00:34:24,680 --> 00:34:26,440
Speaker 4: they had to come up with a reason for Suki

681
00:34:26,560 --> 00:34:27,200
Speaker 4: to be pregnant.

682
00:34:27,200 --> 00:34:31,080
Speaker 2: Because I set real life right.

683
00:34:31,160 --> 00:34:34,440
Speaker 4: So because in a different episode they referred to in

684
00:34:34,480 --> 00:34:37,319
Speaker 4: the in the baptism episode, they referred to him having

685
00:34:37,320 --> 00:34:41,680
Speaker 4: had the vaseectomy, so it was understood that he had

686
00:34:41,719 --> 00:34:43,920
Speaker 4: had it, even though in real life you don't just.

687
00:34:43,840 --> 00:34:46,480
Speaker 2: Worr or did they refer to it because everyone thought

688
00:34:46,760 --> 00:34:48,960
Speaker 2: did they refer to it because everyone thought he did

689
00:34:49,040 --> 00:34:50,600
Speaker 2: it but he didn't do it.

690
00:34:52,440 --> 00:34:55,600
Speaker 4: Well, they talked about I can't remember the exact context.

691
00:34:55,680 --> 00:34:58,279
Speaker 4: It was something about his mom and they had to

692
00:34:58,280 --> 00:35:01,239
Speaker 4: do the baptism because his mom was mad about the

693
00:35:01,320 --> 00:35:03,120
Speaker 4: vasecta me and this was going to be to make

694
00:35:03,160 --> 00:35:05,919
Speaker 4: it up to her or something like that. Oh, it's

695
00:35:05,960 --> 00:35:09,279
Speaker 4: just so yeah. So they kind of went with the

696
00:35:09,280 --> 00:35:11,600
Speaker 4: story that he'd even though it was in real life

697
00:35:11,640 --> 00:35:15,200
Speaker 4: he would never have had the vasectomy because you don't

698
00:35:15,239 --> 00:35:17,520
Speaker 4: just sign people up for surgical procedures like that. But

699
00:35:19,719 --> 00:35:22,040
Speaker 4: they they kind of went with that narrative that he

700
00:35:22,080 --> 00:35:25,760
Speaker 4: had had the vasectomy until they needed to make Suki pregnant,

701
00:35:25,800 --> 00:35:29,080
Speaker 4: and then then it came out that he had lied

702
00:35:29,080 --> 00:35:31,640
Speaker 4: about it. Why could they have just said it failed?

703
00:35:32,360 --> 00:35:35,240
Speaker 3: I don't know, because it's also interesting because not necessary.

704
00:35:35,280 --> 00:35:37,319
Speaker 3: We only have a few episodes left, and how many

705
00:35:37,360 --> 00:35:38,800
Speaker 3: episodes has Suki been pregnant for?

706
00:35:39,080 --> 00:35:40,000
Speaker 4: Like four?

707
00:35:41,480 --> 00:35:43,400
Speaker 2: So I thought you meant over the course with the

708
00:35:43,440 --> 00:35:45,080
Speaker 2: three kids. Sorry sorry, sorry.

709
00:35:44,920 --> 00:35:48,399
Speaker 3: Sorry, No, I mean this with this last pregnancy. It's

710
00:35:48,480 --> 00:35:50,760
Speaker 3: kind of like, couldn't they have just finished the season

711
00:35:50,800 --> 00:35:52,120
Speaker 3: without Suki getting pregnant?

712
00:35:52,320 --> 00:35:55,200
Speaker 2: Couldn't you just carry grocery bagags or like right right?

713
00:35:55,320 --> 00:35:58,000
Speaker 4: That was another question too, especially well, I don't want

714
00:35:58,000 --> 00:36:03,400
Speaker 4: to spoil anything, but for the outcome of Suki's for

715
00:36:03,480 --> 00:36:06,359
Speaker 4: where Suki is in the final episode. It was all

716
00:36:06,360 --> 00:36:11,279
Speaker 4: pointless and that will make more sense later. But I

717
00:36:11,280 --> 00:36:15,160
Speaker 4: thought it was unnecessary to create this conflict between them boring.

718
00:36:15,239 --> 00:36:17,279
Speaker 2: I stand by my whole thing. This episode's kind of

719
00:36:17,880 --> 00:36:20,719
Speaker 2: it okay, okay.

720
00:36:20,400 --> 00:36:22,000
Speaker 4: But then we go to the car lot, and I

721
00:36:22,080 --> 00:36:23,839
Speaker 4: really liked the scenes on the car.

722
00:36:24,640 --> 00:36:28,160
Speaker 2: It was okay for me, you guys, you guys say, Danielle,

723
00:36:28,160 --> 00:36:29,640
Speaker 2: I want to hear what you think. For me, it

724
00:36:29,719 --> 00:36:32,120
Speaker 2: was all just sort of okay, like I love that

725
00:36:32,160 --> 00:36:33,400
Speaker 2: they're together.

726
00:36:33,600 --> 00:36:36,840
Speaker 1: But the tail end of the car scene was great.

727
00:36:37,000 --> 00:36:39,000
Speaker 1: It was one of the best Luke lore Law scenes

728
00:36:39,320 --> 00:36:41,000
Speaker 1: film that I agree with.

729
00:36:41,400 --> 00:36:44,040
Speaker 2: That I agree with. Yeah, yeah, I wanted to get there.

730
00:36:44,400 --> 00:36:46,640
Speaker 3: Yeah, I like the diner stuff in the beginning, and

731
00:36:46,680 --> 00:36:49,759
Speaker 3: I did. I did like the car stuff. I do

732
00:36:49,800 --> 00:36:52,560
Speaker 3: feel to echo your point about the whole Paris College

733
00:36:52,560 --> 00:36:54,920
Speaker 3: a lot of thing too long to get to the

734
00:36:54,920 --> 00:36:56,120
Speaker 3: point that we needed to get to.

735
00:36:57,920 --> 00:37:01,200
Speaker 2: You know, I agree, everything's a little long.

736
00:37:01,400 --> 00:37:06,799
Speaker 4: It was bantery and talking about you know, sedans are

737
00:37:06,800 --> 00:37:10,759
Speaker 4: not afraid of getting dirty and small cars do not

738
00:37:10,840 --> 00:37:12,240
Speaker 4: have inferiority complexes.

739
00:37:12,520 --> 00:37:18,520
Speaker 1: All that Luke rant was classic, and you know, lauralized

740
00:37:18,560 --> 00:37:23,880
Speaker 1: reactions were classic and great, and her smile was just

741
00:37:24,080 --> 00:37:27,480
Speaker 1: perfect when she and all the all the memories were

742
00:37:27,520 --> 00:37:31,200
Speaker 1: flooding back in, like, boy, does this feel right? And

743
00:37:31,280 --> 00:37:33,640
Speaker 1: does this feel good? And then I sure missed this

744
00:37:33,719 --> 00:37:36,720
Speaker 1: guy and it was just such a great moment. Yeah,

745
00:37:36,760 --> 00:37:41,520
Speaker 1: And I think I think she she Lauren executed throughout

746
00:37:41,560 --> 00:37:45,839
Speaker 1: this entire scene so flawlessly and so beautifully to show

747
00:37:45,920 --> 00:37:50,080
Speaker 1: us exactly how she was feeling without getting caught up.

748
00:37:50,120 --> 00:37:53,600
Speaker 1: And the rant, she was like welcoming the rant, you know.

749
00:37:55,200 --> 00:37:58,239
Speaker 4: She starts to smile and Luke was like, what it was?

750
00:37:58,719 --> 00:37:59,600
Speaker 4: That was perfect?

751
00:38:00,080 --> 00:38:01,360
Speaker 2: But the payoff was great.

752
00:38:01,800 --> 00:38:04,320
Speaker 1: Yeah, was great, really great.

753
00:38:05,560 --> 00:38:07,719
Speaker 4: And then so they get in the car and she

754
00:38:07,840 --> 00:38:10,600
Speaker 4: wants to stop for a milkshake and he say, no, no, no,

755
00:38:10,640 --> 00:38:13,600
Speaker 4: we're not stopping. And then I wanted her to roll

756
00:38:13,680 --> 00:38:15,560
Speaker 4: up in the next scene with a milkshake in her hand,

757
00:38:15,600 --> 00:38:20,200
Speaker 4: because the same thing she rides her bike up to

758
00:38:20,239 --> 00:38:23,360
Speaker 4: the front porch for Jackson, I'm like, where's the milkshake?

759
00:38:23,360 --> 00:38:25,040
Speaker 4: Because you stop for a milk?

760
00:38:25,560 --> 00:38:29,120
Speaker 1: I mean, that's that's an easy one. Just connect that, man.

761
00:38:29,160 --> 00:38:35,400
Speaker 2: Did I miss already the scene where Rory talks about

762
00:38:36,280 --> 00:38:38,520
Speaker 2: Hoosy and Doozy's dumb apartment.

763
00:38:38,560 --> 00:38:42,200
Speaker 4: No, that's that's the next scene. Yeah, we haven't gotten

764
00:38:42,200 --> 00:38:46,719
Speaker 4: there yet. We hadn't seen them for a while until

765
00:38:46,760 --> 00:38:52,319
Speaker 4: the bar scene. So so Laura comes home on her

766
00:38:52,320 --> 00:38:56,120
Speaker 4: bike and that's when she finds out about the dollhouse

767
00:38:58,200 --> 00:39:04,320
Speaker 4: and she you know, she looks sad, but she was happy.

768
00:39:04,360 --> 00:39:07,560
Speaker 4: I liked when she said what did she She made

769
00:39:07,600 --> 00:39:13,239
Speaker 4: some comment like, oh, we started bickering and it was great. Yeah, yeah, yeah, yeah,

770
00:39:13,440 --> 00:39:15,680
Speaker 4: so it was that was a cute scene. The dog

771
00:39:15,800 --> 00:39:16,080
Speaker 4: was there.

772
00:39:16,680 --> 00:39:18,600
Speaker 2: I'm just glad that the dollhouse is going to get

773
00:39:18,600 --> 00:39:21,359
Speaker 2: fixed because I would have had like serious adjuda if

774
00:39:21,360 --> 00:39:23,959
Speaker 2: I was like, it's just broken forever, like oh my god.

775
00:39:24,560 --> 00:39:26,600
Speaker 2: So I'm happy that I know that in my heart

776
00:39:26,640 --> 00:39:28,760
Speaker 2: that the dollhouse is getting fixed. Yeah.

777
00:39:29,680 --> 00:39:32,600
Speaker 4: She made she made a comment that Rory wrote her

778
00:39:32,680 --> 00:39:36,680
Speaker 4: name in the old jeep in permanent marker, and I'm thinking,

779
00:39:36,880 --> 00:39:39,640
Speaker 4: but it was only eight years old, so she would

780
00:39:39,640 --> 00:39:42,319
Speaker 4: have been Rory would have been fourteen, Like why would

781
00:39:42,320 --> 00:39:48,600
Speaker 4: have fourteen year old write their name? But you know,

782
00:39:49,120 --> 00:39:52,160
Speaker 4: the timeline doesn't often make sense in this show. So

783
00:39:52,320 --> 00:39:55,640
Speaker 4: that's fine. So then that now is the scene you

784
00:39:55,680 --> 00:39:57,640
Speaker 4: were thinking of Amy where they're in the bar and

785
00:39:57,680 --> 00:40:03,640
Speaker 4: they're talking about Olivia's Lucy and Olivia's new London twenty one.

786
00:40:03,760 --> 00:40:06,279
Speaker 4: Olivia is making twenty one thousand dollars a year at

787
00:40:06,280 --> 00:40:09,360
Speaker 4: her art gallery. That was not very much money even

788
00:40:09,520 --> 00:40:10,560
Speaker 4: in two thousand and seven.

789
00:40:11,400 --> 00:40:14,560
Speaker 2: No, and I'm so not into them. Were they even

790
00:40:14,600 --> 00:40:16,719
Speaker 2: in the scene or were we just talking about them?

791
00:40:16,840 --> 00:40:18,879
Speaker 4: They know they were there in it. They were there

792
00:40:18,920 --> 00:40:22,000
Speaker 4: for a hot minute, and then when they sensed that

793
00:40:22,280 --> 00:40:25,560
Speaker 4: Rory and Paris needed to talk, then they went to

794
00:40:25,560 --> 00:40:27,560
Speaker 4: go play our adult God. I never saw not.

795
00:40:27,680 --> 00:40:30,640
Speaker 2: It's just okay, bye. Is that our last appearance with them?

796
00:40:31,320 --> 00:40:34,080
Speaker 4: No, they are in the finale.

797
00:40:34,760 --> 00:40:37,640
Speaker 2: Sorry to be so negative, Nelly, but it's just.

798
00:40:37,560 --> 00:40:39,719
Speaker 4: Like, I don't mind them.

799
00:40:39,800 --> 00:40:44,680
Speaker 3: I liked the man and Louise n say.

800
00:40:44,360 --> 00:40:46,839
Speaker 2: Like it's just such a bad imitation.

801
00:40:47,640 --> 00:40:51,760
Speaker 4: Yeah, they were better, but I didn't mind Lucy and Olivia.

802
00:40:52,440 --> 00:40:55,560
Speaker 4: So this is where they have the conversation about what's

803
00:40:55,600 --> 00:41:01,080
Speaker 4: more important, right, the career or the boy. It was interesting.

804
00:41:01,200 --> 00:41:01,640
Speaker 2: That's good.

805
00:41:01,920 --> 00:41:05,799
Speaker 4: Yeah, that hit home for me. I had to make

806
00:41:05,840 --> 00:41:11,120
Speaker 4: a similar I was back in the day. I don't

807
00:41:11,120 --> 00:41:13,879
Speaker 4: know what did you guys think about that good.

808
00:41:13,920 --> 00:41:18,520
Speaker 2: I thought that they're having compelling conversations in this episode. Yeah,

809
00:41:18,880 --> 00:41:19,600
Speaker 2: and I'm good with that.

810
00:41:20,040 --> 00:41:25,920
Speaker 1: Yeah. I think they really fleshed out that the Paris

811
00:41:25,960 --> 00:41:33,600
Speaker 1: Doyle relationship adventure in this episode, and they really gave

812
00:41:33,640 --> 00:41:37,400
Speaker 1: it great care and we're seeing all signs of it,

813
00:41:37,520 --> 00:41:41,879
Speaker 1: so it's, you know, it's a full experience, and.

814
00:41:41,880 --> 00:41:44,279
Speaker 4: It was It was good to see Paris kind of

815
00:41:44,280 --> 00:41:47,959
Speaker 4: in a vulnerable moment because she's usually so like she's

816
00:41:48,040 --> 00:41:51,920
Speaker 4: just so you know, self confident, embossing everybody else around.

817
00:41:51,960 --> 00:41:54,400
Speaker 4: So it was nice to see her kind of breaking down, like,

818
00:41:54,400 --> 00:41:56,480
Speaker 4: I'm only twenty two. I didn't expect this to happen.

819
00:41:59,120 --> 00:42:02,800
Speaker 4: And then then we have the reappearance of Jackson and

820
00:42:02,880 --> 00:42:07,000
Speaker 4: his wrestling pajamas. I think they probably figured they had

821
00:42:07,040 --> 00:42:09,920
Speaker 4: to get those pajamas into one more episode.

822
00:42:10,520 --> 00:42:13,600
Speaker 2: Before the season, spent the fifty bucks on them, let's

823
00:42:13,640 --> 00:42:18,280
Speaker 2: say exactly. I agree, I actually agree.

824
00:42:19,040 --> 00:42:21,960
Speaker 4: And Luca's kind of looking at him like what are

825
00:42:21,960 --> 00:42:24,440
Speaker 4: you doing here? Like why are you be lorelized house

826
00:42:24,480 --> 00:42:28,360
Speaker 4: in your pajamas? So that was funny. And then c

827
00:42:28,719 --> 00:42:31,319
Speaker 4: cute band I really like yeah, yeah, yeah, really, yeah,

828
00:42:31,680 --> 00:42:34,920
Speaker 4: he found a jeep and it's gonna be silly to

829
00:42:35,000 --> 00:42:37,759
Speaker 4: replace the engine in her old jeep, but that's what

830
00:42:37,800 --> 00:42:40,759
Speaker 4: she wants, so that's what she gets. Like she doesn't

831
00:42:40,800 --> 00:42:41,960
Speaker 4: want a bell, she wants a horn.

832
00:42:43,680 --> 00:42:47,360
Speaker 1: Yeah that was their banter is great, isn't it?

833
00:42:47,360 --> 00:42:48,080
Speaker 4: It really is.

834
00:42:48,600 --> 00:42:50,840
Speaker 2: This was great. This, This was worth the whole episode

835
00:42:50,840 --> 00:42:51,719
Speaker 2: because this was good.

836
00:42:52,840 --> 00:42:54,880
Speaker 4: Yeah, and like that smile on her face at the end,

837
00:42:54,880 --> 00:42:59,080
Speaker 4: she's like, okay, we're back, Like yeah, we're you know,

838
00:42:59,200 --> 00:43:01,560
Speaker 4: things are the universe is right again.

839
00:43:03,600 --> 00:43:04,160
Speaker 1: And then.

840
00:43:05,560 --> 00:43:08,000
Speaker 4: So this scene now this is again. It kind of

841
00:43:08,040 --> 00:43:10,520
Speaker 4: is dragging out, like we're gonna talk about Paris.

842
00:43:10,239 --> 00:43:12,640
Speaker 2: Is kind of dragging out. The whole episode is kind.

843
00:43:12,560 --> 00:43:16,000
Speaker 4: Of Yeah, she wants to be a doctor. She still

844
00:43:16,040 --> 00:43:18,440
Speaker 4: doesn't know what school, but she got two more acceptances

845
00:43:18,440 --> 00:43:19,879
Speaker 4: because Doyle walks in with the mail.

846
00:43:20,840 --> 00:43:24,480
Speaker 1: Right. It's really it's like, yeah, it's weird.

847
00:43:24,280 --> 00:43:26,759
Speaker 3: Because when I watched it didn't feel this slow. But

848
00:43:26,920 --> 00:43:28,640
Speaker 3: now I'm like talking about him like.

849
00:43:31,280 --> 00:43:33,080
Speaker 1: This is right, and then he and then he comes

850
00:43:33,080 --> 00:43:35,879
Speaker 1: in with that kind of weird scene like wherever you go,

851
00:43:36,000 --> 00:43:42,480
Speaker 1: I'll be there with you. I won't elect whoa Okay, yeah.

852
00:43:42,160 --> 00:43:42,600
Speaker 2: You know what?

853
00:43:43,120 --> 00:43:43,759
Speaker 4: Good for them?

854
00:43:44,040 --> 00:43:48,400
Speaker 3: I love Paris and Doyle together. I knew that breakup

855
00:43:48,440 --> 00:43:52,960
Speaker 3: wasn't gonna last, and they found their way back to

856
00:43:53,040 --> 00:43:53,439
Speaker 3: each other.

857
00:43:53,640 --> 00:43:57,840
Speaker 4: Yeah, they're kind of meant for each other because episode it's.

858
00:43:57,719 --> 00:44:05,560
Speaker 2: Like, look in season seven, it's pretty good compared to

859
00:44:05,600 --> 00:44:10,239
Speaker 2: the rest of the show not so good only Okay, yeah,

860
00:44:10,360 --> 00:44:13,200
Speaker 2: I mean I like the negative Nelly on season seven.

861
00:44:13,280 --> 00:44:15,240
Speaker 2: I'm just giving my real, honest feedback.

862
00:44:16,200 --> 00:44:19,520
Speaker 4: For me, the Luke and Laureli stuff was enough to

863
00:44:19,600 --> 00:44:21,839
Speaker 4: carry the episode. So even though there were those other

864
00:44:21,880 --> 00:44:25,520
Speaker 4: scenes that dragged out, I still loved this episode, I agree.

865
00:44:26,200 --> 00:44:28,200
Speaker 4: And then so to wrap the whole thing up, then

866
00:44:28,280 --> 00:44:30,719
Speaker 4: Rory opens her letter from the New York Times and

867
00:44:31,800 --> 00:44:33,560
Speaker 4: did not get the fellowship. Who saw that?

868
00:44:35,000 --> 00:44:36,920
Speaker 3: I didn't see that coming. I thought she was going

869
00:44:37,000 --> 00:44:39,640
Speaker 3: to get out. Yeah, I thought she was going to

870
00:44:39,719 --> 00:44:40,040
Speaker 3: get it.

871
00:44:40,520 --> 00:44:43,279
Speaker 4: I you know, they they made a point to say

872
00:44:43,280 --> 00:44:47,239
Speaker 4: that only four people in the entire country get picked. So,

873
00:44:47,800 --> 00:44:49,359
Speaker 4: I mean, I know that we're supposed to think that,

874
00:44:49,480 --> 00:44:53,239
Speaker 4: you know, Rory is this wonder child, but I just

875
00:44:53,440 --> 00:44:55,279
Speaker 4: felt like, you know, eventually, it's going to catch up

876
00:44:55,280 --> 00:44:55,879
Speaker 4: with her at.

877
00:44:55,800 --> 00:45:00,239
Speaker 3: Some but I just thought that, like, they didn't give

878
00:45:00,280 --> 00:45:03,040
Speaker 3: her Harvard, so I thought they would give her this,

879
00:45:03,440 --> 00:45:05,480
Speaker 3: you know, like I did give her Harvard.

880
00:45:05,640 --> 00:45:08,280
Speaker 2: She picked Yale, she got into both.

881
00:45:08,719 --> 00:45:09,680
Speaker 1: Got into her.

882
00:45:09,840 --> 00:45:14,279
Speaker 2: Yeah, she picked YALEH you're right. It was that didn't

883
00:45:14,280 --> 00:45:14,719
Speaker 2: get right.

884
00:45:15,719 --> 00:45:16,480
Speaker 4: You're right, you're right.

885
00:45:16,520 --> 00:45:21,040
Speaker 2: But I'll say about Rory, she's entering into a career

886
00:45:21,120 --> 00:45:23,600
Speaker 2: that's very, very hard, and very few like I don't

887
00:45:23,640 --> 00:45:26,600
Speaker 2: mean to be a preacher, but preach, very few people

888
00:45:26,719 --> 00:45:30,040
Speaker 2: go from like Yale, even to the New York Times,

889
00:45:30,440 --> 00:45:34,520
Speaker 2: like let's be applying to the Des Moines Gazette, or

890
00:45:34,719 --> 00:45:39,480
Speaker 2: like k w b X Sam to cruise, do you

891
00:45:39,560 --> 00:45:40,000
Speaker 2: know what I mean?

892
00:45:40,120 --> 00:45:41,440
Speaker 1: Like your craft first?

893
00:45:41,680 --> 00:45:42,600
Speaker 4: Right, So she's so.

894
00:45:42,920 --> 00:45:47,240
Speaker 2: That's why I'm like, this doesn't track, you know, I don't.

895
00:45:47,040 --> 00:45:50,120
Speaker 4: Know, but it does track though, because she's she's kind

896
00:45:50,160 --> 00:45:57,439
Speaker 4: of cocky like her years at Yale, she got less humble. Yeah,

897
00:45:57,840 --> 00:45:59,920
Speaker 4: she thought she had it wrapped up. She that's why

898
00:46:00,160 --> 00:46:02,520
Speaker 4: she turned down that other job, because she was sure

899
00:46:02,600 --> 00:46:05,480
Speaker 4: she was going to get this this thing. So I

900
00:46:05,520 --> 00:46:08,000
Speaker 4: don't know, for me, it kind of tracked because she's

901
00:46:08,400 --> 00:46:10,160
Speaker 4: what I what she wants.

902
00:46:10,360 --> 00:46:12,880
Speaker 2: I don't mind that she's not getting it in this series.

903
00:46:13,040 --> 00:46:15,799
Speaker 2: My beef comes later in the movies, but or whatever,

904
00:46:15,800 --> 00:46:17,360
Speaker 2: you guys want to call them, I'll call them movies

905
00:46:17,480 --> 00:46:18,400
Speaker 2: just to differentiate.

906
00:46:18,520 --> 00:46:22,080
Speaker 4: But yeah, yeah, I can't wait until we watch this

907
00:46:22,160 --> 00:46:24,600
Speaker 4: because that's going There's gonna be some interesting conversations there.

908
00:46:25,440 --> 00:46:26,880
Speaker 4: And I haven't seen them in a long time, so

909
00:46:26,920 --> 00:46:27,680
Speaker 4: I'm looking either.

910
00:46:27,719 --> 00:46:29,520
Speaker 2: I only watched them once because I didn't love them.

911
00:46:29,640 --> 00:46:31,840
Speaker 4: Oh really, I've seen it a couple of times and

912
00:46:32,080 --> 00:46:33,719
Speaker 4: only really only.

913
00:46:33,560 --> 00:46:37,360
Speaker 2: There's only one scene. I rewatch a lot from the movies,

914
00:46:37,400 --> 00:46:39,400
Speaker 2: and I'll tell you when we get to it, because

915
00:46:39,400 --> 00:46:39,759
Speaker 2: I love it.

916
00:46:40,160 --> 00:46:41,319
Speaker 3: I just want Milo back.

917
00:46:43,000 --> 00:46:44,800
Speaker 2: He comes back right in the movies.

918
00:46:44,920 --> 00:46:46,120
Speaker 3: Yeah, yeah, that's what I say.

919
00:46:46,440 --> 00:46:49,040
Speaker 2: In a really good scene. Actually I cannot wait.

920
00:46:52,680 --> 00:46:54,680
Speaker 4: So anyways, that was the end of the episode, was

921
00:46:54,800 --> 00:46:58,200
Speaker 4: her opening that letter, all right, what do we think?

922
00:46:58,640 --> 00:46:59,799
Speaker 1: What do we think? I see?

923
00:47:00,040 --> 00:47:02,200
Speaker 2: Guys, I hate to be right, but I might have

924
00:47:02,320 --> 00:47:02,680
Speaker 2: been right.

925
00:47:03,640 --> 00:47:04,320
Speaker 1: What are you giving it?

926
00:47:06,480 --> 00:47:08,799
Speaker 2: Why don't I go first? Since I'm the negative? Now, yeah,

927
00:47:09,000 --> 00:47:17,200
Speaker 2: you're you're going to give it six point nine bicycles.

928
00:47:19,880 --> 00:47:25,120
Speaker 3: I'll give it eight mm eight point one college except.

929
00:47:24,880 --> 00:47:29,680
Speaker 4: What I will give it a nine?

930
00:47:30,680 --> 00:47:33,080
Speaker 2: Who nine?

931
00:47:33,600 --> 00:47:35,759
Speaker 4: I love this episode. I took I took points off

932
00:47:35,760 --> 00:47:37,440
Speaker 4: because I didn't love the clothes and some of the

933
00:47:37,520 --> 00:47:41,120
Speaker 4: pair of stuff was draggy, So half a point for

934
00:47:41,200 --> 00:47:41,640
Speaker 4: each of those.

935
00:47:43,640 --> 00:47:46,399
Speaker 1: You know, I'm going to give it. I think I'll

936
00:47:46,480 --> 00:47:50,439
Speaker 1: go eight five. I'll give it eight point five. Luke

937
00:47:50,640 --> 00:47:56,479
Speaker 1: awkward expressions, milk trying to milk that scene.

938
00:47:56,920 --> 00:47:58,399
Speaker 2: I felt like I was on the car lot long

939
00:47:58,480 --> 00:47:59,680
Speaker 2: enough to buy a used car.

940
00:48:01,719 --> 00:48:04,239
Speaker 4: I'm like, wow, I've been in a long time.

941
00:48:06,280 --> 00:48:08,520
Speaker 1: All right, that's going to wrap it up for this episode.

942
00:48:08,600 --> 00:48:11,719
Speaker 1: Thanks for downloading everyone. We will see you next time

943
00:48:11,920 --> 00:48:16,840
Speaker 1: for episode twenty, season seven. Laurel Laurel, thank you, Danielle,

944
00:48:16,920 --> 00:48:18,400
Speaker 1: thank you, Susanne Amy.

945
00:48:18,160 --> 00:48:21,000
Speaker 2: Any more episodes. We have three more episodes to go,

946
00:48:21,560 --> 00:48:24,560
Speaker 2: and everybody listening nervous about what will come after.

947
00:48:26,000 --> 00:48:30,239
Speaker 1: When what what is happening we will reveal. We're going

948
00:48:30,320 --> 00:48:30,960
Speaker 1: to welcome it.

949
00:48:31,120 --> 00:48:31,640
Speaker 3: I can't wait.

950
00:48:32,800 --> 00:48:33,840
Speaker 2: There's exciting stuff.

951
00:48:33,920 --> 00:48:37,800
Speaker 1: So there's yeah, stay tuned because there's exciting developments happening

952
00:48:37,880 --> 00:48:46,360
Speaker 1: in the I Am all in world. That universe is expanding, uh, anyway,

953
00:48:47,000 --> 00:48:50,160
Speaker 1: that is going to do it best fans on the planet.

954
00:48:50,239 --> 00:48:52,359
Speaker 1: Thanks for download and keep the cards and letters coming.

955
00:48:53,040 --> 00:48:56,319
Speaker 1: We need you, We love you. We'll see you next time.

956
00:48:56,400 --> 00:48:59,919
Speaker 1: Remember we and I I'm all in, Stay safe, everyone

957
00:49:08,360 --> 00:49:32,160
Speaker 1: dot Hey, everybody forget. Follow us on Instagram at I

958
00:49:32,440 --> 00:49:36,480
Speaker 1: Am all In podcast, and email us at Gilmore at

959
00:49:36,680 --> 00:49:38,520
Speaker 1: iHeartRadio dot com