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Speaker 1: Oh shoot, I have to click the buttons and then

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Speaker 1: you can hear me go monomena button phenomena.

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Speaker 2: Well that's a wait, what's that you got? Yes?

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Speaker 1: I thought I was hearing my own echo, but was

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Speaker 1: just perfectly on beat. Isn't it the Muppets theme?

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Speaker 2: Monomena penomena, it's the Muppets. It's the Muppets. I think

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Speaker 2: I knew it mostly from all right. I first remember

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Speaker 2: it vividly from like the Ricky Gervais's office where there's

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Speaker 2: like a scene where they can't stop fucking doing it.

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Speaker 3: It's hard to stop. Once you start, it's going to

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Speaker 3: be happening for the Unfortunately.

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Speaker 2: It's the penomena of it all that really, it really is.

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Speaker 3: But the monomena of it all, something like a monomena?

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Speaker 3: How did they not do that?

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Speaker 2: Call weird?

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Speaker 3: Now?

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Speaker 2: What's it? Wait? So that is the Muppets. That's the

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Speaker 2: Muppet The Muppet.

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Speaker 1: Show the original did a cover.

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Speaker 2: Oh cake, my favorite.

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Speaker 1: It's on B sides and verities.

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Speaker 2: Man nomena ma na ma nah. Do we know what

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Speaker 2: it's called? Monomena a h n a? Oh, it's mona

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Speaker 2: mana mana, it's machna if we're going with the correct pronunciation.

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Speaker 2: Give a little, a little flavor on that. The song

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Speaker 2: by Piero Umilani. Yeah, it started. It was by an

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Speaker 2: Italian composer and the fucking muppets and the muppets, a

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Speaker 2: bunch of muppets just mighte have sweet.

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Speaker 1: And here I am giving them up. It's full credit.

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Speaker 1: Of course it has a coin. I mean fine Piero

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Speaker 1: Umiliani erasure.

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Speaker 2: I mean the way it's spelled to it feels like

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Speaker 2: it was a like He's like, this track is called Manna, Manna,

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Speaker 2: and then then it becomes old.

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Speaker 3: He seems like an Italian person trying to teach people

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Speaker 3: how to say Italian words mana mana, mana Miliani. Hello

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Speaker 3: the Internet, and welcome to season four, nineteen, Episode two.

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Speaker 2: Of DURDAILYSI Guys.

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Speaker 3: Yeah, it was a production of iHeartRadio as a podcast

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Speaker 3: where we take a deep dive into americans shared consciousness

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Speaker 3: through the day's news. We also have a new weekly

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Speaker 3: history version of the show dropping each Monday morning, where

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Speaker 3: we do a deep dive into the history of a

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Speaker 3: different icon. We've done this Piggy with Jamie Loftus, Arnold

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Speaker 3: Schwartzenegger with John Gabris and yesterday we covered the most

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Speaker 3: famous person on the planet, Santa Laus Santaus cows with

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Speaker 3: Blake Wexler. Look for the episodes on Monday with icon

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Speaker 3: in the title. It is Tuesday, December sixteenth, twenty twenty five.

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Speaker 2: Yeah, oh man, we know that is welcome to the

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Speaker 2: National Day. Here are your national days and totally paid

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Speaker 2: for by interest groups who wanted access to this county.

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Speaker 2: You think there's anyone.

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Speaker 3: Who visits that website as much as you I know there,

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Speaker 3: I would depress me if that if there were.

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Speaker 2: I think single handedly the people who run there like man,

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Speaker 2: they are loved. There's just one person in la who

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Speaker 2: is loving it. Five days a week there on it.

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Speaker 2: Some kinds gets nothing to live for. This guy's a

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Speaker 2: piece of shit. Man just puts weird stuff in there.

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Speaker 2: That's made up. It's actually National Chocolate Covered Anything Day.

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Speaker 2: So look, if you like it covered in chocolate, it's

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Speaker 2: your day. This one is interesting. It's Barbie and Barney

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Speaker 2: Backlash Day. This is an official day nine days out

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Speaker 2: from Christmas and it's Barbie and Barney Bloclast allows parents

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Speaker 2: to take a vacation from all the repetitive sing alongs

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Speaker 2: and storytelling.

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Speaker 3: By backlashing, by losing control of your emotions around your children.

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Speaker 2: The day permits parents to turn off the annoying cartoons

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Speaker 2: and songs and scream app Parents may insist on a

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Speaker 2: different book to read at bedtime, put away the noisy toys.

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Speaker 2: If you dare a child, what child development was?

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Speaker 4: That man.

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Speaker 2: Freed them like pets and you rub your nose, rub

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Speaker 2: their nose in it. That's how they learn. That's my day.

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Speaker 2: This is my day to tell you how much I

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Speaker 2: fucking hate Barney. No, it's Barney and Barbie backlash. This

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Speaker 2: stuff is bullshit.

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Speaker 3: You throw it out the window, and being mad at

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Speaker 3: Barney is the coolest take that you can have.

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Speaker 2: Yeah, good, Yeah, good work.

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Speaker 3: Anybody who celebrates.

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Speaker 2: I don't know.

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Speaker 3: I'm not gonna yuck your home, but come on, find

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Speaker 3: a new angle. It's a normal collar. Find a new angle.

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Speaker 3: My name is Jack O'Brien a. You're so cringe. That's

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Speaker 3: what the older girls say about you. You're so cringe

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Speaker 3: that we go to see a snarfil on the discord,

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Speaker 3: in reference to an older kid explaining what cringe means

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Speaker 3: to my nine year old that I've ever heard and

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Speaker 3: how I was like, that's a little cringe, and they

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Speaker 3: were like, wait, what what does that mean. They're like, oh,

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Speaker 3: it's like a thing that older girls say about you,

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Speaker 3: if they think what you're doing isn't cool.

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Speaker 2: I love that, just like that pure child distillation of like, yeah,

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Speaker 2: it's thing girls say when they not like you. Oh cringe, Yes, indeed.

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Speaker 3: Anyways, shout out to Snarfula on the discord. I'm thrilled

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Speaker 3: to be joined, as always by my co host, mister

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Speaker 3: Miles Grat.

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Speaker 2: It's Miles Gray, the Lord of Lancersham, the coughing Cabaletro

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Speaker 2: because I'm back from illness, uh and just lightly coughing

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Speaker 2: now and rising out of a coffin. Yes, exactly, here

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Speaker 2: I am, and I've come to ink your blood.

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Speaker 3: We're thrilled to have you here, mine, and we're thrilled

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Speaker 3: to be joined in our third seat by a hilarious

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Speaker 3: stand up comedian, comedy writer, actor, fashion icon. You can

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Speaker 3: go gaze at the stars with them in the desert.

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Speaker 3: It's one of our all time favorite TDZ guests is Caitlin.

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Speaker 1: Stately genuinely excited to cover Barbie and chocolate and devour

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Speaker 1: it today.

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Speaker 3: I think that's it's cover anything anything covered in chocolate.

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Speaker 1: I think the open doors they did not anticipate with the.

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Speaker 2: Yeah, I think it's uh yeah, it would be fun

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Speaker 2: if they're like, hey, go wild, like even putt non

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Speaker 2: food stuff, dip it in chocolate, do it. Let's just

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Speaker 2: have it anything.

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Speaker 1: You know what I'm saying.

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Speaker 2: Everything is so mindy like soap, like everything is so

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Speaker 2: like is boring. They're like, try these like bananas. Wait,

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Speaker 2: what the cookies? It says cookies.

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Speaker 3: What the wait? When you said anything, you really meant anything? Okay,

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Speaker 3: and cookies.

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Speaker 2: We're international biscotti. Ever seen biscotti dipped in chocolate? I

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Speaker 2: never have, but it is today? What is nineteen ninety two? Nugat?

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Speaker 2: I don't know, man, we're going crazy over here.

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Speaker 3: Nugat, cherries, ice cream Sunday No yeah, yeah.

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Speaker 2: Yeah, how do I know?

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Speaker 1: They already did it to bacon? Ok the Internet and

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Speaker 1: bacon culture together the most I think the most out

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Speaker 1: there thing on this list is ritz crackers. Honestly, I'm

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Speaker 1: on board.

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Speaker 2: Yeah, yeah, that's fine.

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Speaker 1: I'm not saying I wouldn't eat all these things.

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Speaker 2: I'm just saying, but everything else is things that are

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Speaker 2: normally or you've seen like covered in or with chocolate,

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Speaker 2: marshmallows or fudge. Is it fudge? Yeah? Think about that, dude,

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Speaker 2: cover fudge and what about crazy? What about child flip budge?

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Speaker 2: Covered in? You never had those tastes before.

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Speaker 3: That's the level of imagination you're working with with the

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Speaker 3: cover anything in chocolate day, people, you can do fucking anything.

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Speaker 2: Fruit, fruit, chocolate, could what else? Marshmallow?

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Speaker 3: Literally anything your heart desires. Caitlin, We're thrilled to have

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Speaker 3: you back joining us from the desert. We're gonna get

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Speaker 3: to know you a little bit better in the moment. First,

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Speaker 3: we're gonna tell the listeners a couple of things we're

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Speaker 3: talking about. One thing that happened over the weekend is

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Speaker 3: Donald Trump tried to toss a coin and did so

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Speaker 3: like an alien.

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Speaker 2: No, I hast it. They said they've never seen someone

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Speaker 2: like That's so good. No, I think you're right, sir.

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Speaker 2: Many people did say I've never seen a coin.

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Speaker 3: Tossed like that before, like almost as if he thought

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Speaker 3: the point was to not have it turn over in

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Speaker 3: the air like he like he was tossing a pizza,

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Speaker 3: you know, Yeah, yeah, yeah, doesn't.

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Speaker 1: It feel like how he would toss a coin though, yeah, yeah, right,

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Speaker 1: call it first, and then he makes his call and

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Speaker 1: then desperately tries to make the coin just levitate and

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Speaker 1: land again without alternate.

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Speaker 3: His control all outcomes so that they benefit him.

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Speaker 2: His hand shape was sort of like the the is

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Speaker 2: this a pigeon meme where it's like, it's like from

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Speaker 2: the anime, you know what I mean, and the guy's like,

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Speaker 2: is this pig? Is this butterfly? Was like, is this

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Speaker 2: coin to us? Yeah?

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Speaker 3: Uh So we'll talk about that, We'll talk about his

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Speaker 3: relatively bad approval rating, We'll talk about all those pictures

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Speaker 3: that dropped of just everybody. People were just like, let

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Speaker 3: me get let me get let me snap a few

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Speaker 3: with with Jeffrey Epstein in here real quick. Let's let's

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Speaker 3: get some group picks, guys. Like, this is before digital.

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Speaker 3: This was like back when people were didn't take that

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Speaker 3: many pictures, except except if you were wealthy and in

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Speaker 3: the orbit of Jeffrey Epstein, in which case you were,

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Speaker 3: you're as many picture as you possibly could.

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Speaker 2: Yeah, I think the pictures were common, But I think

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Speaker 2: it's one of those things too, where because physical media

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Speaker 2: was sort of like and that's in a book that

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Speaker 2: probably got lost in a dumpster somewhere versus like our

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Speaker 2: digital era. Everything's like that all at once.

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Speaker 3: We'll talk about that, We'll talk about his weird Christmas speech.

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Speaker 3: We'll talk about the new animal Farm, Animal Farm getting

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Speaker 3: the Mingian's treatment Baby, We'll talk about the history of

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Speaker 3: adapting that book and what it's looking like this one's

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Speaker 3: going to be. And we'll talk about the Home Alone House,

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Speaker 3: which is being unrenovated to look like the Home Alone

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Speaker 3: House once again. All of that plenty more. But first, Caitlin,

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Speaker 3: we do like to ask our guest, what is something

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Speaker 3: from your search history that's revealing about who you are? Well?

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Speaker 1: Very typically this week I searched the term space potatoes.

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Speaker 1: It is a term used to reference objects that are

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Speaker 1: not large enough ms to become round in space, and

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Speaker 1: I wanted to figure out how formalize this term as

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Speaker 1: because it's sort of a nickname for these objects. As

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Speaker 1: it turns out, I thought it might have there are

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Speaker 1: some sort of frivolous terms in astronomy that get stuck

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Speaker 1: pretty hard and become more official. Space potatoes more of

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Speaker 1: a dake name for these objects that retain sort of

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Speaker 1: an odd or lumpy shape. But in my search I

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Speaker 1: learned that the Fishercats out of New Hampshire, I want

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Speaker 1: to say double A baseball team did play as the

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Speaker 1: Space Potatoes for a few games, and I hope that

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Speaker 1: that returns again next year. They did three nights in

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Speaker 1: twenty twenty five as the Space Potatoes. The logo is sick.

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Speaker 1: The merch sold out super fast, But in trying to

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Speaker 1: learn how formal a name Space Potatoes was, I learned

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Speaker 1: that it was really only formal for a New Hampshire

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Speaker 1: Double A baseball team for three games this year. Still

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Speaker 1: a good nickname those objects that are not large enough

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Speaker 1: to round out.

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Speaker 2: The logo is a wild because it's like it's like

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Speaker 2: an angry potato, either resisting being beamed up from a

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Speaker 2: spaceship or getting sent down. And it's like got a

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Speaker 2: baseball bat, and I'm like, I'm gonna fuck all of

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Speaker 2: you earthlings up right now.

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Speaker 1: Yeah, I'm gonna beat every earthling at baseball.

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Speaker 3: Does seem like it's got flame coming off the top

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Speaker 3: of his head, so it does seem like it's coming

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Speaker 3: at us as if it was sent by angry aliens.

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Speaker 2: Right right. Yeah. I was like, yeah, Space potato. I

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Speaker 2: was like, oh God, in the era of internet lingo,

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Speaker 2: I'm like, who is it?

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Speaker 1: What do we call directions? But it is not a

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Speaker 1: chocolate covered potato. It is something that is not big

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Speaker 1: enough to get round in space.

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Speaker 3: Like a thing a boomer would call someone who like

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Speaker 3: asks a weird trippy question and potato potatoes over here.

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Speaker 2: Or maybe that astronaut Scott Kelly if there's like anti

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Speaker 2: Irish sentiment potato.

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Speaker 3: So I didn't, I guess I hadn't really thought about

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Speaker 3: the fact that it's the planets round because closer a

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Speaker 3: lot of gravity, so a lot of mass, a lot

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Speaker 3: of gravity, so everything gets pulling in, pull them in together.

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Speaker 1: Gravity works from the center out, so as your mass increases,

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Speaker 1: it depends on what you're made of, so there's not

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Speaker 1: a specific tipping point, but depending on what accretes together,

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Speaker 1: what globs together to create you a blob in space,

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Speaker 1: maybe be kind of become a planet. Maybe you're just

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Speaker 1: an asteroid. That just an asteroid. I'm not trying to,

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Speaker 1: you know, dismiss the validity.

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Speaker 2: By the way, you're a heavenly body.

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Speaker 1: Gravity works from the center and it's active in all

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Speaker 1: directions equally, so there's a tipping point in your size

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Speaker 1: depending on what you're made of, where the force of

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Speaker 1: the gravity that you have becomes stronger than the material

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Speaker 1: you're made of. And one that when that happens, gravity

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Speaker 1: can change the shape of that material. And the most

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Speaker 1: natural shaped take if gravity's working from the center equally

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Speaker 1: in all directions, is a sphere. So things tend to

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Speaker 1: get rounded out once they have enough mass because of

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Speaker 1: the effects of gravity.

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Speaker 2: Are there, like, are there like anomalists small things that

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Speaker 2: end up getting anomalists?

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Speaker 3: Sure?

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Speaker 2: Yeah?

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Speaker 1: Are they made of? Is of low density or easily malleable? Essentially,

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Speaker 1: gravity could round you out and you could be tiny.

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Speaker 2: I'm just trying to make sure there's there's paths for everyone. Also,

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Speaker 2: I said that astronaut Scott Kelly, and I was like, wait,

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Speaker 2: did I say Mark Kelly's name wrong? The senator who's

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Speaker 2: also a NaSTA guy, because I know identical twin brother.

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Speaker 2: His identical twin brother is Scott Kelly.

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Speaker 3: As have they admitted that or are they just going

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Speaker 3: around as one person trying to trick everybody. I don't

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Speaker 3: know who they should do?

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Speaker 2: Like, now we got to catch Mark or so got

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Speaker 2: forgettable names? Yeah?

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Speaker 3: They're doing a prestige. Yeah, so that I mean that

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Speaker 3: that goes along with the roundness of the Earth. That

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Speaker 3: there's that Neil de grass Tyson concept that if you

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Speaker 3: shrunk our planet down to the size of a cubeball,

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Speaker 3: but actually be smooth and rounder than a cube ball,

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Speaker 3: even with like all the mountains and shit like, that's

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Speaker 3: how how perfectly round the planet Earth is.

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Speaker 1: We are pretty round. We do have a little football

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Speaker 1: e bulge and Neil to grass can he he'll talk

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Speaker 1: about this tube. But the moon swings around us.

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Speaker 2: One thing about.

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Speaker 1: Him because of the Moon's gravity shifting the center of

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Speaker 1: our planet back and forth over time as it swings

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Speaker 1: around us. We have a little bulge. We got a

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Speaker 1: little football American football.

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Speaker 2: Wow, yeah, Nucky, Look.

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Speaker 1: Were that dense then we to be super super smooth.

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Speaker 2: Could we have laid you down in your crib differently

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Speaker 2: to not have your head shaped like that as a baby?

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Speaker 2: Maybe you know what, I still think you're beautiful. I

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Speaker 2: still think you're beautiful. Uh, Caitlin, what is something you

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Speaker 2: think is underrated?

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Speaker 1: Okay, so this has to do with Aaron's I have

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Speaker 1: to run later today. Underrated is the chaos of Costco's layout.

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Speaker 1: Common complaint this is body built by Kirkland everybody. I'm

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Speaker 1: a Costco loyalist. This is what being forty four years

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Speaker 1: old looks like.

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Speaker 2: Uh, welcome to the signature family.

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Speaker 1: Zerra is waiting for you, our darling longer younger listeners.

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Speaker 1: Embrace this version of yourself as it emerges. But there's

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Speaker 1: a common complaint that Costco is madness and it's difficult

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Speaker 1: to find anything. And yes, that is the point. That

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Speaker 1: is the thrill of the hunt, that is the adventure.

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Speaker 1: The fact that apples are never in the same place

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Speaker 1: twice leads you to buycom quots. Just lean into it, right,

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Speaker 1: So I genuinely enjoy the active, full stroll of Costco.

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Speaker 1: And maybe it's just me giving in to immovable force,

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Speaker 1: but I uh are a movable object, irresistible for you

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Speaker 1: know what I mean. I thoroughly enjoy it.

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Speaker 2: It's a there's so much written about Costco layouts where

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Speaker 2: it's like it's actually very interesting, it's like very intentional.

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Speaker 2: If you like, what the.

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Speaker 1: Fuck is this, there's exactly it.

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Speaker 2: There's three master outs to Costco stores. It's one of them.

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Speaker 2: Always like, oh Jesus Christ, I don't know. I'm I'm

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Speaker 2: always just I'm like, damn, there's so much shit in

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Speaker 2: here's my first slide.

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Speaker 1: It's the physical algorithm, right, Like, it knows what you're

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Speaker 1: going to browse for, and it knows exactly how you're

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Speaker 1: gonna move through the store, and just as you scroll

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Speaker 1: and it, it creeps into your brain then holds onto

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Speaker 1: it tight and doesn't release you, allow the the the

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Speaker 1: planned chaos of Costco to do the same thing, right, right,

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Speaker 1: give in, don't resist. Yeah, just you know, except that

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Speaker 1: there's a palett of sweet corn hanging out above the

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Speaker 1: water pick that you didn't know you're gonna buy, but

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Speaker 1: your teeth will never feel cleaner.

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Speaker 2: Right, And then there's I was just reading too, Like

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Speaker 2: that says well for the more popular items, they are

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Speaker 2: laid out towards the back, so that means people in

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Speaker 2: the store encouraged opposite reverse the entire layout, increasing the

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Speaker 2: likelihood of impulse purchases. I'm like, okay, that's everywhere.

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Speaker 1: Yeah, last leader Cosco has like flag flagpole loss leaders

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Speaker 1: like the five dollars rotissory chicken. But the cost of

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Speaker 1: buying that chicken is that you have to walk by

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Speaker 1: everything you didn't know you on it, but suddenly desperately do.

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Speaker 2: Let's see you be, Let's see you stay fucking disciplined

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Speaker 2: as you watch by.

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Speaker 1: Did get in line with a full kart of things

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Speaker 1: that I did not walk in the store to buy,

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Speaker 1: but did anyway, and was in line behind a gentleman

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Speaker 1: who had used his scooter to grab a chicken which

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Speaker 1: now comes in bags. He hung the bag over his

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Speaker 1: handlebars and just sped right back through the store. And see,

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Speaker 1: I've never seen someone master that the willpower to connectrol

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Speaker 1: monk like. I still admire this man and think about

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Speaker 1: him regularly.

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Speaker 3: And he ited the minotaur that's throwing around in there too.

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Speaker 1: Yeah, exact, you have to get two men a tars

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Speaker 1: as something and their package together.

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Speaker 2: And he was able to solve the three mysteries as well.

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Speaker 3: I find grocery store laouds super interesting because there will

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Speaker 3: be this like agreed on wisdom to like how it's

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Speaker 3: supposed to go, so like humans naturally roam counterclockwise, Like

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Speaker 3: what if you like put a bunch of humans in

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Speaker 3: a room, like they just naturally go in that direction.

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Speaker 3: And so for a long time you always put the

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Speaker 3: milk and the produce like right to the right when

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Speaker 3: you walked in, and like the Kroger family still does that,

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Speaker 3: and everybody used to do that because like they were

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Speaker 3: like that's the direction that humans naturally want to go,

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Speaker 3: Like why fight it, And so they designed it based

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Speaker 3: around like these natural movements of like humans as herd animal.

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Speaker 2: And then the.

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Speaker 3: Trader's Joe and like Whole Foods came in and we're like,

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Speaker 3: we're gonna do things a little different around here. We're

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Speaker 3: going to make them go the opposite direction to like

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Speaker 3: make them, i don't know, feel like they're having a

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Speaker 3: different shopping experience, and so they went the other direction.

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Speaker 3: Although Trader Joe's is pretty is kind of in line

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Speaker 3: with the Costco method of like let's just like kind

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Speaker 3: of throw shit everywhere.

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Speaker 2: Yeah, there you go.

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Speaker 3: But yeah, there's always strategy of like you put the

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Speaker 3: milk somewhere that's kind of hard to get to, so

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Speaker 3: you have to roam through all the displays so that

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Speaker 3: you like get as many purchase unplanned purchases as people

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Speaker 3: are making their way through.

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Speaker 1: And I've loved everyone just give in them all.

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Speaker 2: That's right. What are some of the things overrated?

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Speaker 1: Okay, so frivolous leading to like an honest moral compass

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Speaker 1: point half billion dollar movies are overrated. I nobody's living

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Speaker 1: that that We're almost there.

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Speaker 2: Listen.

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Speaker 1: I tried to watch the new Mission Impossible and it

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Speaker 1: was very difficult to watch.

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Speaker 3: It's a challenging film. Kaelin is a challenging film, and

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Speaker 3: I'm glad you brought that up.

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Speaker 1: Deeply challenging to sit through, and the It is just

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Speaker 1: my opinion. If you love these, I'm not coming for you.

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Speaker 1: But when I looked up most expensive films, all of

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Speaker 1: them are tortuous to me. It is a long list

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Speaker 1: of like the New Jurassic Parks and the Avengers, and

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Speaker 1: they just they've all slipped up. They've lost something. You've

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Speaker 1: lost something, and having too much is sometimes bad. So

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Speaker 1: the heartfelt overrated thing is being super rich sucks. Having

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Speaker 1: enough money is awesome again forty four, it finally happened

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Speaker 1: to me. I can drive that SUPERU. I do own

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Speaker 1: a home. Is it a manufactured home? In twenty nine palms.

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Speaker 1: I don't want to talk about it, but I have

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Speaker 1: enough money and that is beautiful. Being super rich seems

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Speaker 1: horrible and latent. You have to make a series a

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Speaker 1: cascade of awful decisions, one worse than the next, and

400
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Speaker 1: nobody edits you. So no movies. I led to life.

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Speaker 1: As is so often the case, too much is a

402
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Speaker 1: bad thing. You can spend too much money on your

403
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Speaker 1: movie and it is awful.

404
00:21:41,400 --> 00:21:45,359
Speaker 3: Yeah, you start getting studio notes when you get too rich,

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Speaker 3: you start you got a lot of studio notes coming in.

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Speaker 1: I feel like everyone's note got into Mission Impossible. I

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Speaker 1: feel like every single post it that anyone took an

408
00:21:54,400 --> 00:22:00,359
Speaker 1: idea down on is physically manifested into film. Just not

409
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Speaker 1: they scrapped nothing, they had did nothing. I looked it

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Speaker 1: up and Broke Back Mountain made the same amount of

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Speaker 1: money in cash dollars as copt fourteen million to make,

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Speaker 1: made something like close to one hundred and seventy million.

413
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Speaker 1: Mission Impossible cost roughly four hundred million dollars to make,

414
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Speaker 1: made something like five hundred and ninety eight million. So

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Speaker 1: is it insane that it made that much money. It's

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Speaker 1: like it had to. The stakes were so high of

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Speaker 1: what it had to make back, and it did. But

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Speaker 1: you could have made like twenty eight broke Back Mountains.

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Speaker 1: It's Broke Back Mountain for everyone. Absolutely not if you

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Speaker 1: made twenty eight films with fourteen million dollars, would there

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Speaker 1: be one that everybody enjoys that is actually good?

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Speaker 2: Probably right, right?

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Speaker 1: Yeah, just in trying to please everyone, they pleased me.

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Speaker 2: Not at all.

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Speaker 1: Yeah, So if you enjoy these films, I'm really happy

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Speaker 1: for you. I think on enjoying them. I don't have

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Speaker 1: to be right about this, but I do feel like

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Speaker 1: the more expensive the movie is, the more likely I

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Speaker 1: am to drift away and start imdbing and wikipediaing daring it.

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Speaker 2: It's it's I think that's spot on though, because also

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Speaker 2: I don't know anyone who like earnestly rides for the

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Speaker 2: Mission Impossible franchise, like I. I watch them all out

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Speaker 2: of habit or like me, I'm like, if I'm on

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Speaker 2: an airplane, sure, sure exactly. At the last three or

435
00:23:11,200 --> 00:23:13,879
Speaker 2: actually four Mission Possible films have only been seen on

436
00:23:13,920 --> 00:23:16,400
Speaker 2: a plane for me, because I'm like, I can't I'm

437
00:23:16,440 --> 00:23:17,960
Speaker 2: not going to the theater to see this anymore.

438
00:23:18,160 --> 00:23:20,400
Speaker 3: But I think what I was making this point about

439
00:23:20,400 --> 00:23:23,560
Speaker 3: those movies, I might have been on the Hollywood Handbook podcast.

440
00:23:23,560 --> 00:23:26,800
Speaker 3: What they were saying that like they can't remember which

441
00:23:27,200 --> 00:23:29,480
Speaker 3: of the movies they've seen. Yeah, I think it was

442
00:23:29,520 --> 00:23:32,560
Speaker 3: the Hollywood guys, and like, that's my problem with Mission Impossible.

443
00:23:33,600 --> 00:23:35,880
Speaker 3: All the movies, they are indistinguishable from one of them. Yeah,

444
00:23:36,320 --> 00:23:38,840
Speaker 3: Like I don't remember which one is which, or it's

445
00:23:38,840 --> 00:23:40,760
Speaker 3: some weird detail. I'm like, where's the one with Carrie

446
00:23:40,840 --> 00:23:43,399
Speaker 3: Russell's weird eye. Okay, yeah, I remember that one right.

447
00:23:43,520 --> 00:23:46,480
Speaker 2: There's the one where Sawyer from Lost gets off in

448
00:23:46,520 --> 00:23:48,960
Speaker 2: the first scene. I remember that one. Then there's a

449
00:23:49,040 --> 00:23:52,320
Speaker 2: one with Philip Seymour Hoffman. He's too good for this.

450
00:23:52,520 --> 00:23:55,040
Speaker 2: That's also a third one with Cary Russell's eye. Oh

451
00:23:55,119 --> 00:23:57,000
Speaker 2: my god. Yeah, you've only got one.

452
00:23:57,040 --> 00:24:00,720
Speaker 3: I think you've only seen one, but you just don't realize.

453
00:24:03,280 --> 00:24:06,680
Speaker 3: There's the jj Abrams mystery Box one. There's the one

454
00:24:06,720 --> 00:24:08,760
Speaker 3: where Tom Cruise runs a lot.

455
00:24:08,920 --> 00:24:10,320
Speaker 2: He's on a motorcycle in that one.

456
00:24:10,920 --> 00:24:14,600
Speaker 1: Yeah, the movie he's underwater for forty minutes. He's in

457
00:24:14,600 --> 00:24:18,280
Speaker 1: a plane for forty minutes. He just like, watching a

458
00:24:18,320 --> 00:24:20,840
Speaker 1: man who desperately wants to die while making a movie

459
00:24:21,640 --> 00:24:22,720
Speaker 1: is becoming difficult.

460
00:24:22,960 --> 00:24:25,160
Speaker 2: Yeah. And I think the other part too, is because

461
00:24:25,240 --> 00:24:28,160
Speaker 2: like in the nineties, saying something like they spent one

462
00:24:28,240 --> 00:24:32,440
Speaker 2: hundred million dollars making this, everyone was like, holy Wow, Yeah,

463
00:24:32,480 --> 00:24:37,200
Speaker 2: we gotta see this. James Cameron built a Titanic in Mexico. Yeah,

464
00:24:37,280 --> 00:24:40,560
Speaker 2: we're gonna go fucking watch, Like, yeah, I think I'm

465
00:24:40,560 --> 00:24:42,760
Speaker 2: gonna go see that one. But I think after I

466
00:24:42,840 --> 00:24:45,240
Speaker 2: think we hit the peak after the first Avatar film,

467
00:24:45,280 --> 00:24:47,560
Speaker 2: and that was the last time you could be like, guys,

468
00:24:47,560 --> 00:24:49,960
Speaker 2: this costs so much fucking money, you have to see it.

469
00:24:50,280 --> 00:24:52,320
Speaker 2: And they were like shutting where they kept.

470
00:24:52,080 --> 00:24:55,280
Speaker 1: Making avatars and he didn't need to do that. You

471
00:24:55,320 --> 00:24:58,159
Speaker 1: didn't know you're gonna have to do that. I just

472
00:24:58,200 --> 00:25:00,240
Speaker 1: feel like it's like being super rich or like having

473
00:25:00,320 --> 00:25:03,440
Speaker 1: enough money. Having enough money lets you breathe free and clear.

474
00:25:03,960 --> 00:25:06,359
Speaker 1: We all know that, Like that's what you're striving for.

475
00:25:06,480 --> 00:25:08,640
Speaker 1: You don't want to be super rich, you don't want

476
00:25:08,640 --> 00:25:11,119
Speaker 1: to be the Pallenger guys in the middle of like

477
00:25:11,200 --> 00:25:14,120
Speaker 1: a Wall Street Journal interview, Like you want to actually

478
00:25:14,840 --> 00:25:20,000
Speaker 1: just be able to breathe and enjoy just enough versus excess.

479
00:25:20,119 --> 00:25:23,119
Speaker 1: Is basically what I'm saying. And this was made manifest

480
00:25:23,160 --> 00:25:24,560
Speaker 1: by the new mission impossible for me.

481
00:25:25,920 --> 00:25:28,080
Speaker 2: I can't wait to see it. What you're gonna have

482
00:25:28,080 --> 00:25:31,119
Speaker 2: sell much fun all.

483
00:25:30,440 --> 00:25:32,920
Speaker 1: The other mission impossibles for a story. It doesn't make

484
00:25:33,000 --> 00:25:35,240
Speaker 1: sense because it sucks.

485
00:25:35,480 --> 00:25:38,359
Speaker 2: It fucking sucks. I watched it recently on a plane.

486
00:25:38,359 --> 00:25:39,480
Speaker 2: I was like, the fuck.

487
00:25:39,440 --> 00:25:43,680
Speaker 3: Variety top ten movie of the years movie of the year.

488
00:25:44,000 --> 00:25:47,199
Speaker 1: Variety was also like the number ten best grossing. It

489
00:25:47,280 --> 00:25:50,439
Speaker 1: costs four hundred million dollars to make and it's number

490
00:25:50,520 --> 00:25:52,440
Speaker 1: ten on the top grossing list.

491
00:25:52,320 --> 00:25:57,159
Speaker 2: Of this year. Right, Jesus, Okay, I'm.

492
00:25:57,040 --> 00:25:58,679
Speaker 1: Done you screaming like an old woman, but I do

493
00:25:58,720 --> 00:26:00,720
Speaker 1: appreciate you allowing me to share this point of view.

494
00:26:01,200 --> 00:26:04,080
Speaker 3: We agree, all right, let's take a quick break, we'll

495
00:26:04,080 --> 00:26:06,560
Speaker 3: come back, we'll talk about the dang economy.

496
00:26:07,160 --> 00:26:19,280
Speaker 4: We'll you're right, and we're back.

497
00:26:20,920 --> 00:26:25,800
Speaker 3: And a rare moment where the president has put outside

498
00:26:25,840 --> 00:26:29,439
Speaker 3: of his comfort zone has to do something that like

499
00:26:29,520 --> 00:26:33,000
Speaker 3: he wouldn't normally do and just has to like kind

500
00:26:33,000 --> 00:26:36,800
Speaker 3: of improvise on the spot. And that that is tossing

501
00:26:36,840 --> 00:26:37,560
Speaker 3: a coin.

502
00:26:39,920 --> 00:26:43,240
Speaker 2: Doing the coin toss for the Army Navy football game.

503
00:26:44,359 --> 00:26:48,240
Speaker 2: And my god, I just thought, again, this this is

504
00:26:48,280 --> 00:26:51,120
Speaker 2: a very odd coin flip. Let's doll you. We'll play

505
00:26:51,119 --> 00:26:53,359
Speaker 2: the audio from it and we will watch it for

506
00:26:53,400 --> 00:26:56,159
Speaker 2: a second, but like, just know, look it up because

507
00:26:56,280 --> 00:26:58,520
Speaker 2: I don't even know how to describe what it is.

508
00:26:58,600 --> 00:27:02,480
Speaker 2: It's like whimsical, robotic, and mindless all at the same time.

509
00:27:02,840 --> 00:27:06,360
Speaker 2: Yester President, would you do he's got it in his hand,

510
00:27:06,440 --> 00:27:10,399
Speaker 2: he says, oh, like a magic trick. Flat. He just

511
00:27:11,000 --> 00:27:17,159
Speaker 2: didn't get one of the players. Okay, So that was

512
00:27:17,440 --> 00:27:19,200
Speaker 2: I don't know if that was a flip more so

513
00:27:19,280 --> 00:27:22,639
Speaker 2: as like letting a carrier pigeon go off into the

514
00:27:22,680 --> 00:27:24,360
Speaker 2: sky like and.

515
00:27:24,320 --> 00:27:28,080
Speaker 1: Even then it really had that energy.

516
00:27:28,200 --> 00:27:32,920
Speaker 2: Yeah, not a flip. And I feel like for how like, uh,

517
00:27:33,000 --> 00:27:36,080
Speaker 2: you know, like most maga men are and how like

518
00:27:36,240 --> 00:27:38,480
Speaker 2: rigid their idea of masculinity is. I don't I can't

519
00:27:38,520 --> 00:27:41,520
Speaker 2: imagine any of them watch that and go like, holy shit, dude,

520
00:27:41,520 --> 00:27:46,399
Speaker 2: Trump fucking It was just like it was just odd

521
00:27:46,480 --> 00:27:48,000
Speaker 2: like it was also I think just also it was

522
00:27:48,000 --> 00:27:51,399
Speaker 2: funny because my non like super into politics friends. I mean,

523
00:27:51,440 --> 00:27:53,240
Speaker 2: they're into it because like we talk about all the time,

524
00:27:53,240 --> 00:27:56,240
Speaker 2: but usually that's not the bulk of our conversations. They

525
00:27:56,240 --> 00:27:58,320
Speaker 2: were sending that. They're like, dude, what the fuck is

526
00:27:58,320 --> 00:27:58,960
Speaker 2: this coring to.

527
00:28:02,600 --> 00:28:07,040
Speaker 1: Imagine committing a portion of your life to service, in

528
00:28:07,080 --> 00:28:10,600
Speaker 1: addition risking your physical safety to play a game in

529
00:28:10,720 --> 00:28:13,719
Speaker 1: honor of the branch of the military, your serve for

530
00:28:13,840 --> 00:28:16,760
Speaker 1: the commander in chief, the man in charge of your life,

531
00:28:17,359 --> 00:28:19,760
Speaker 1: comes out to toss a coin for you, and he

532
00:28:19,840 --> 00:28:23,280
Speaker 1: basically just releases it to the wind with a gentle

533
00:28:23,359 --> 00:28:27,520
Speaker 1: touch of his pumpy like and I get it. He's

534
00:28:27,520 --> 00:28:30,159
Speaker 1: wearing gloves and he's seventy nine. He simply doesn't have

535
00:28:30,200 --> 00:28:32,480
Speaker 1: the motor control anymore to do that. It would have

536
00:28:32,760 --> 00:28:35,280
Speaker 1: with all that handshaking, it would have just contributed to

537
00:28:35,320 --> 00:28:38,240
Speaker 1: the bruise that we see forming. That's definitely not for

538
00:28:38,280 --> 00:28:40,360
Speaker 1: an infusion due to dementia at all.

539
00:28:40,760 --> 00:28:43,160
Speaker 3: It might be some coin tossing injuries.

540
00:28:46,560 --> 00:28:47,160
Speaker 2: Talking point.

541
00:28:47,200 --> 00:28:49,080
Speaker 1: He was working so hard to aice it for the

542
00:28:49,160 --> 00:28:51,760
Speaker 1: Army Navy game that he took himself right out of contection.

543
00:28:51,880 --> 00:28:53,960
Speaker 2: Right on the back of the hand where an infusion

544
00:28:54,000 --> 00:28:58,640
Speaker 2: port would be. Crazy, crazy fucking coins out of control.

545
00:28:58,800 --> 00:29:01,320
Speaker 2: I mean, like again, he did it even flip And

546
00:29:01,360 --> 00:29:04,200
Speaker 2: also has he even seen a movie where like a

547
00:29:04,320 --> 00:29:07,000
Speaker 2: character like flips a coin all cool? Like, isn't that

548
00:29:07,080 --> 00:29:09,240
Speaker 2: some ship from his era? Like people are like she

549
00:29:09,600 --> 00:29:11,360
Speaker 2: like flicking a fucking coin up in the air and

550
00:29:11,400 --> 00:29:13,920
Speaker 2: be like, Wow, this guy's cool. He's manipulating a coin

551
00:29:14,000 --> 00:29:14,880
Speaker 2: with his hands.

552
00:29:15,200 --> 00:29:20,080
Speaker 3: And it's called flipping a coin like.

553
00:29:21,800 --> 00:29:26,400
Speaker 1: Sort of a yeah, neat in this instance that he did.

554
00:29:26,280 --> 00:29:29,640
Speaker 3: Not seem familiar with when he when he went into it,

555
00:29:29,880 --> 00:29:32,880
Speaker 3: as he was executing it. Yeah, it didn't seem to

556
00:29:32,920 --> 00:29:35,560
Speaker 3: have much of an idea. It does bring back when

557
00:29:35,560 --> 00:29:37,760
Speaker 3: he drank water, we said, we got to see him

558
00:29:37,800 --> 00:29:40,280
Speaker 3: drink water and like he had his like two little

559
00:29:40,440 --> 00:29:43,280
Speaker 3: dainty like both of his hands were like holding either

560
00:29:43,360 --> 00:29:46,560
Speaker 3: side and drank it like a like a squirrel.

561
00:29:46,360 --> 00:29:48,560
Speaker 2: Like yeah, or like a mouse, a mouse eating a

562
00:29:48,640 --> 00:29:52,440
Speaker 2: rich cracker, just like yeah, yeah, Like how do you

563
00:29:52,520 --> 00:29:53,760
Speaker 2: hold a bottle like that?

564
00:29:54,000 --> 00:29:56,320
Speaker 1: Okay, I wish I could dip this in chocolate. Yeah,

565
00:29:57,640 --> 00:29:59,880
Speaker 1: if that's what he needs to do to drink water,

566
00:30:00,560 --> 00:30:02,360
Speaker 1: like do it, that's great.

567
00:30:02,480 --> 00:30:04,760
Speaker 3: But you say land shakes might be involved there.

568
00:30:05,160 --> 00:30:07,280
Speaker 1: You also don't get to make fun of people who

569
00:30:07,280 --> 00:30:09,880
Speaker 1: don't have full lampiatory use of their body if you

570
00:30:10,040 --> 00:30:13,040
Speaker 1: have to drink water that way. R Yeah, Well that's

571
00:30:13,200 --> 00:30:15,760
Speaker 1: be that guy who's like, yeah, I'm president despite the

572
00:30:15,800 --> 00:30:17,600
Speaker 1: fact that I have to use both my hands to

573
00:30:17,600 --> 00:30:20,400
Speaker 1: bring a glass to my lips, Like awesome, I'm murder.

574
00:30:20,560 --> 00:30:23,400
Speaker 2: You imagine that he's like look, guys, I'll own it.

575
00:30:23,680 --> 00:30:25,680
Speaker 2: I'm not as sharp as I used to be, but

576
00:30:25,720 --> 00:30:28,880
Speaker 2: that doesn't mean I'm not as dedicated as I've always been.

577
00:30:29,000 --> 00:30:29,560
Speaker 2: And people like.

578
00:30:31,880 --> 00:30:36,960
Speaker 1: That was required to mention for Donald Trump level, that's.

579
00:30:36,840 --> 00:30:39,960
Speaker 2: What God, who knows what we're in store for as

580
00:30:40,040 --> 00:30:43,760
Speaker 2: this because the frequency of the weird o posts increases,

581
00:30:44,240 --> 00:30:47,240
Speaker 2: just the behavior, it gets more and more odd, and

582
00:30:47,280 --> 00:30:49,760
Speaker 2: we'll get into the Christmas reception you had. But also

583
00:30:49,800 --> 00:30:52,720
Speaker 2: the polling right is not improving for Trump. It could

584
00:30:52,720 --> 00:30:54,800
Speaker 2: be all the new Epstein photos of them together, or

585
00:30:54,800 --> 00:30:56,800
Speaker 2: maybe the you need more?

586
00:30:57,240 --> 00:31:00,400
Speaker 1: Why are people like, are we trying to a staph

587
00:31:00,480 --> 00:31:01,040
Speaker 1: a connection?

588
00:31:03,000 --> 00:31:03,960
Speaker 2: Like you need more?

589
00:31:05,440 --> 00:31:08,120
Speaker 1: I just we're at this tip like you can't.

590
00:31:10,040 --> 00:31:14,200
Speaker 3: Anyone who's not kil And I saw the fifteenth picture

591
00:31:14,840 --> 00:31:17,520
Speaker 3: this week, new picture of him hanging out with Jeffrey

592
00:31:17,560 --> 00:31:20,880
Speaker 3: Epstein over the weekend, and I said, Caitlin, we got him,

593
00:31:20,920 --> 00:31:21,840
Speaker 3: We got we got him.

594
00:31:23,040 --> 00:31:23,680
Speaker 1: Some questions.

595
00:31:23,880 --> 00:31:27,520
Speaker 3: We've crossed to the magical threshold that's going to make people, sorry,

596
00:31:27,640 --> 00:31:29,960
Speaker 3: start to suspect something might be up with this guy.

597
00:31:30,000 --> 00:31:32,320
Speaker 2: Right, I mean, so there's a lot of controversy. I mean,

598
00:31:32,360 --> 00:31:34,200
Speaker 2: it's also it could be the recession that shall not

599
00:31:34,240 --> 00:31:37,080
Speaker 2: be named, or we'll just keep saying all the numbers

600
00:31:37,080 --> 00:31:43,480
Speaker 2: are going down. I don't know payrolls. Yeah, but then

601
00:31:43,800 --> 00:31:45,840
Speaker 2: again I did like, we don't know what it is.

602
00:31:45,840 --> 00:31:49,440
Speaker 2: But right now he's at forty two percent, and like I.

603
00:31:49,440 --> 00:31:52,000
Speaker 3: Just want to say, because he's lower on other poles,

604
00:31:52,080 --> 00:31:54,920
Speaker 3: this is a fold that has been like his strong

605
00:31:54,960 --> 00:31:58,320
Speaker 3: favor hole and he's dropping like in other polsies in

606
00:31:58,320 --> 00:32:01,240
Speaker 3: the mid thirties. This one he was in like the

607
00:32:01,280 --> 00:32:05,960
Speaker 3: mid to high forties, and now he's dropped to forty two. Yeah,

608
00:32:06,000 --> 00:32:07,520
Speaker 3: every pole is pointing downward.

609
00:32:07,760 --> 00:32:10,520
Speaker 2: Everyone, yes, And I think the real the interesting wrinkle is,

610
00:32:10,560 --> 00:32:13,880
Speaker 2: like I think it's stand like the people republic registered

611
00:32:13,880 --> 00:32:17,440
Speaker 2: Republicans who don't identify as MAGA they are they are

612
00:32:17,440 --> 00:32:20,920
Speaker 2: getting lower like that that cohort is becoming less and

613
00:32:21,000 --> 00:32:24,000
Speaker 2: less on board with what's happening. But what's interesting is

614
00:32:24,000 --> 00:32:26,200
Speaker 2: that the people who have responded to the pole, who

615
00:32:26,320 --> 00:32:31,480
Speaker 2: are considered themselves MAGA Republicans, they approved his job performance

616
00:32:31,640 --> 00:32:35,000
Speaker 2: at seventy percent. But that's a drop from seventy eight

617
00:32:35,040 --> 00:32:38,360
Speaker 2: percent back in April. So that's not a huge that's

618
00:32:38,400 --> 00:32:42,040
Speaker 2: not like nothing. And again that doesn't mean like it's over, folks.

619
00:32:42,280 --> 00:32:45,880
Speaker 2: But I'm wondering. I'm wondering if it could just be

620
00:32:46,280 --> 00:32:48,880
Speaker 2: all of the humans suffering around him that he has

621
00:32:49,040 --> 00:32:52,600
Speaker 2: no interest in solving or remedying or is not even

622
00:32:52,720 --> 00:32:56,520
Speaker 2: capable of it. But luckily Trump is as sharp as

623
00:32:56,560 --> 00:32:58,920
Speaker 2: a wine cork, so he's got to get some action

624
00:32:59,160 --> 00:33:03,280
Speaker 2: going on the economy. Me and he said this at

625
00:33:03,360 --> 00:33:06,200
Speaker 2: the Christmas I believe it's at the Christmas reception.

626
00:33:06,840 --> 00:33:08,440
Speaker 1: This is just if you didn't know, don't worry. He

627
00:33:08,480 --> 00:33:09,720
Speaker 1: didn't know where he was either.

628
00:33:09,600 --> 00:33:13,200
Speaker 2: So yeah, yeah, yeah, this is him again being like

629
00:33:13,320 --> 00:33:15,520
Speaker 2: God the economy, don't worry though, I got I got

630
00:33:15,560 --> 00:33:18,960
Speaker 2: summoned in store, and the specificity of his plan, I

631
00:33:18,960 --> 00:33:21,640
Speaker 2: think it should make us all feel much better for

632
00:33:21,720 --> 00:33:22,120
Speaker 2: the future.

633
00:33:22,240 --> 00:33:25,560
Speaker 5: To Europe, they went to Mexico, Japan, they went all

634
00:33:25,600 --> 00:33:28,960
Speaker 5: of them, they went to South South Korea.

635
00:33:29,640 --> 00:33:31,000
Speaker 4: And now it's.

636
00:33:30,840 --> 00:33:32,440
Speaker 5: Just the opposite of they're all coming back.

637
00:33:32,480 --> 00:33:34,720
Speaker 2: We're gonna we have an age that's coming.

638
00:33:34,560 --> 00:33:36,960
Speaker 5: Up, the likes of which I don't think this country has,

639
00:33:37,840 --> 00:33:39,000
Speaker 5: this country has never seen.

640
00:33:39,640 --> 00:33:43,720
Speaker 2: I think for worse, not for better, but okay, and.

641
00:33:44,520 --> 00:33:47,360
Speaker 5: I just look so forward to the results. You're going

642
00:33:47,400 --> 00:33:50,040
Speaker 5: to see results in six months to a year, I

643
00:33:50,040 --> 00:33:51,120
Speaker 5: think you'll see results.

644
00:33:51,920 --> 00:33:53,320
Speaker 2: We've never had anything like it.

645
00:33:53,440 --> 00:33:57,040
Speaker 5: Again, there's never been any country China.

646
00:33:57,440 --> 00:34:00,840
Speaker 2: Going just goes. No results like this that you'll see

647
00:34:00,840 --> 00:34:03,160
Speaker 2: in six months to a year. Who is he saying

648
00:34:03,240 --> 00:34:05,640
Speaker 2: was leaving to go to other countries. They were talking

649
00:34:05,640 --> 00:34:08,960
Speaker 2: about just manufacturing and like, yeah, and the other countries

650
00:34:09,000 --> 00:34:12,280
Speaker 2: and they're coming back and where the thing he said

651
00:34:13,200 --> 00:34:16,319
Speaker 2: an age, This is such like I'm not gonna saw.

652
00:34:16,400 --> 00:34:18,960
Speaker 2: This is me in high school, like begging my high

653
00:34:19,000 --> 00:34:21,880
Speaker 2: school girlfriend and not break up with me. I'm like, babe,

654
00:34:22,320 --> 00:34:26,360
Speaker 2: the miles you're gonna see after summer breaks is to

655
00:34:26,480 --> 00:34:29,640
Speaker 2: twelve months, the likes you've never seen, the way he

656
00:34:29,760 --> 00:34:32,759
Speaker 2: will listen to what you have to say, the way

657
00:34:32,880 --> 00:34:36,680
Speaker 2: he will be more emotionally present. Oh, I mean, you're

658
00:34:36,719 --> 00:34:37,839
Speaker 2: never gonna see something like this.

659
00:34:38,360 --> 00:34:41,160
Speaker 3: But not going forward, not on a go forward basis.

660
00:34:41,520 --> 00:34:46,120
Speaker 3: In six to twelve months, I got I need some time, babe,

661
00:34:46,400 --> 00:34:48,400
Speaker 3: you need some time to work on myself.

662
00:34:48,560 --> 00:34:50,640
Speaker 2: Hey, yeah, they didn't burn Rome down in a day,

663
00:34:50,800 --> 00:34:52,480
Speaker 2: you know, or I don't know how that goes, but

664
00:34:53,920 --> 00:34:58,800
Speaker 2: but yeah, we're talking six to twelve months. Sure, maybe

665
00:34:58,840 --> 00:35:01,200
Speaker 2: he thinks he has that kind of time. But again,

666
00:35:01,480 --> 00:35:03,520
Speaker 2: this is we're living in an era where they are

667
00:35:03,520 --> 00:35:07,479
Speaker 2: distributing firewood for people whose power has been cut off

668
00:35:07,719 --> 00:35:11,520
Speaker 2: to be able to heat their homes because energy costs

669
00:35:11,560 --> 00:35:14,319
Speaker 2: have gone so high, people's wages are down the like

670
00:35:14,640 --> 00:35:17,640
Speaker 2: all these other things, and all he can muster up

671
00:35:17,719 --> 00:35:20,160
Speaker 2: is like, oh, guys, you're the wait, do you see

672
00:35:20,160 --> 00:35:22,040
Speaker 2: this shit I'm about to do with the economy in

673
00:35:22,200 --> 00:35:23,680
Speaker 2: six to twelve months.

674
00:35:24,000 --> 00:35:26,600
Speaker 3: But also doesn't help that he's also saying that it's

675
00:35:26,719 --> 00:35:29,640
Speaker 3: already awesome, So it doesn't It doesn't like if I

676
00:35:29,840 --> 00:35:35,759
Speaker 3: were worried about this economic situation and he was like,

677
00:35:35,880 --> 00:35:38,239
Speaker 3: first of all, it already rules. Second of all, it's

678
00:35:38,239 --> 00:35:41,040
Speaker 3: gonna rule, I'd be like that.

679
00:35:42,400 --> 00:35:45,080
Speaker 2: First of all, maybe we have different definitions of like

680
00:35:45,200 --> 00:35:48,239
Speaker 2: how good. No, it rules, it rules, and guess what,

681
00:35:48,320 --> 00:35:53,360
Speaker 2: it's gonna rule even harder in about six to twelve months, right, Okay.

682
00:35:52,920 --> 00:35:56,120
Speaker 1: Talking exclusively to the ten people left to own companies,

683
00:35:57,280 --> 00:36:00,319
Speaker 1: there's the audience here is very narrow. But I can't

684
00:36:00,320 --> 00:36:03,120
Speaker 1: help but thinking about campaign trail, Trump, who was already

685
00:36:03,200 --> 00:36:07,759
Speaker 1: off his rocker in the second campaign, just liked, you know,

686
00:36:08,080 --> 00:36:11,680
Speaker 1: the most recent I'm gonna get in there and two

687
00:36:11,840 --> 00:36:16,040
Speaker 1: to three days, I'm gonna fix everything this last guy missed.

688
00:36:16,719 --> 00:36:22,040
Speaker 1: I got Ukraine twenty three minutes, the economy sixteen minutes.

689
00:36:22,080 --> 00:36:22,520
Speaker 1: I got this.

690
00:36:22,680 --> 00:36:24,680
Speaker 3: You're all gonna actually have it on a Google calend

691
00:36:24,760 --> 00:36:27,600
Speaker 3: minutes I have the first day on a Google calendar.

692
00:36:27,680 --> 00:36:30,000
Speaker 1: And he just holds up like a my first calendar,

693
00:36:30,440 --> 00:36:35,000
Speaker 1: a piece of paper like it with Google eyes on it.

694
00:36:35,080 --> 00:36:35,440
Speaker 2: I don't know.

695
00:36:35,760 --> 00:36:39,280
Speaker 3: The weather report has like a frownie face rain cloud.

696
00:36:39,600 --> 00:36:42,200
Speaker 1: That's the longest timeline for a goal I've ever heard

697
00:36:42,200 --> 00:36:45,160
Speaker 1: an issue. And I also think he mistook a diagnosis

698
00:36:45,200 --> 00:36:49,200
Speaker 1: in terms of like length of life less recent doctor's

699
00:36:49,280 --> 00:36:52,600
Speaker 1: visit in six to twelve months, the economy might get better.

700
00:36:53,040 --> 00:36:55,719
Speaker 2: There is a chance there is a chance that could

701
00:36:55,719 --> 00:36:58,800
Speaker 2: be terminal. Is just like love that movie.

702
00:36:59,000 --> 00:37:03,439
Speaker 1: The way he's being carefully band aidd and just sort

703
00:37:03,440 --> 00:37:06,040
Speaker 1: of led around a white house full of signage to

704
00:37:06,120 --> 00:37:08,520
Speaker 1: let him know what room he's walking into at this point,

705
00:37:08,960 --> 00:37:11,239
Speaker 1: like we know the characters behind the scenes that are

706
00:37:11,280 --> 00:37:16,600
Speaker 1: just let like just pushing at his diapered rear, holding

707
00:37:16,680 --> 00:37:19,160
Speaker 1: him in place so that they can just stay behind

708
00:37:19,800 --> 00:37:22,120
Speaker 1: behind the scenes to do what they're saying, like Russwott

709
00:37:22,160 --> 00:37:25,400
Speaker 1: is delighted. Stephen Miller's perfectly happer happy to let a

710
00:37:25,480 --> 00:37:27,759
Speaker 1: tottering Trump just sort of toddle his way through the

711
00:37:27,760 --> 00:37:30,920
Speaker 1: White House, bumping from sign to sign to identify where

712
00:37:30,920 --> 00:37:33,840
Speaker 1: the Oval office is. The theory that the ballroom.

713
00:37:35,080 --> 00:37:36,120
Speaker 2: The ballroom is just.

714
00:37:36,080 --> 00:37:39,399
Speaker 1: To keep him busy, Like it's doing two things. It's

715
00:37:39,480 --> 00:37:43,160
Speaker 1: distracting an agitated dementia patient and it's allowing him to

716
00:37:43,200 --> 00:37:45,960
Speaker 1: recreate an environment that's familiar to him. So should he

717
00:37:46,000 --> 00:37:48,120
Speaker 1: live long enough to see the ballroom, it will look

718
00:37:48,280 --> 00:37:50,560
Speaker 1: just like Marlago, which he just sort of screams like

719
00:37:50,600 --> 00:37:51,520
Speaker 1: he's in all the time.

720
00:37:51,719 --> 00:37:52,600
Speaker 2: Sure like that.

721
00:37:53,760 --> 00:37:55,640
Speaker 1: Yeah, it's giving drunk lucile.

722
00:37:56,080 --> 00:37:59,680
Speaker 3: Yeah, it's it's also giving parents in the eighties, and

723
00:37:59,719 --> 00:38:02,680
Speaker 3: how they would deal with children is go to McDonald's

724
00:38:02,680 --> 00:38:06,719
Speaker 3: and put them in the ballroom. Yeah, exactly. Time they're

725
00:38:06,760 --> 00:38:09,000
Speaker 3: just like, I don't know, give them a ballroom.

726
00:38:09,200 --> 00:38:12,880
Speaker 2: Uh huh, oh, I mean there's there was Kevin Hassett,

727
00:38:12,920 --> 00:38:15,680
Speaker 2: who's the Economic Council Director, was on Face the Nation

728
00:38:15,760 --> 00:38:19,319
Speaker 2: on Sunday and he was asked directly like Trump's just

729
00:38:19,560 --> 00:38:21,680
Speaker 2: kind of like lying about the economy. He's just out

730
00:38:21,680 --> 00:38:24,720
Speaker 2: here in Pennsylvania saying like shit's better, but it's.

731
00:38:24,680 --> 00:38:27,640
Speaker 3: Better, mons better than anyone has ever seen.

732
00:38:27,920 --> 00:38:30,720
Speaker 2: Yeah, and he and he was asked point blank like

733
00:38:30,719 --> 00:38:33,400
Speaker 2: like what are you even fucking measuring this off of?

734
00:38:33,440 --> 00:38:35,200
Speaker 2: And I think the answer is pretty telling.

735
00:38:35,480 --> 00:38:37,759
Speaker 1: What data is he looking at? What's your benchmark?

736
00:38:37,840 --> 00:38:38,040
Speaker 2: Right?

737
00:38:38,120 --> 00:38:40,160
Speaker 6: Well, one of the things that if you saw his

738
00:38:40,239 --> 00:38:44,040
Speaker 6: presentation in Pennsylvania does he put up a bunch of charts,

739
00:38:44,080 --> 00:38:46,239
Speaker 6: which he loves to do, where he went through the

740
00:38:46,320 --> 00:38:50,080
Speaker 6: individual items that have we've already sort of made a

741
00:38:50,120 --> 00:38:53,560
Speaker 6: bunch of progress on and so for example, under Joe Biden,

742
00:38:54,040 --> 00:38:56,920
Speaker 6: prescription drugs were up nine percent. So far this year

743
00:38:56,960 --> 00:39:00,600
Speaker 6: they're down six ten seven percent. Gasoline is way down.

744
00:39:01,000 --> 00:39:04,160
Speaker 6: It was like the highest ever underbid and so on. Yeah,

745
00:39:04,200 --> 00:39:07,719
Speaker 6: you're talking about it. And so I think the way

746
00:39:07,760 --> 00:39:11,000
Speaker 6: to take about inflation, of course, is that there are

747
00:39:11,320 --> 00:39:13,000
Speaker 6: like micro effects.

748
00:39:12,480 --> 00:39:15,600
Speaker 2: Like the all that just is what he mentioned were

749
00:39:15,719 --> 00:39:18,960
Speaker 2: things that are pretty like meaningless in the grand scheme

750
00:39:19,000 --> 00:39:23,640
Speaker 2: of like, that's pretty cherry picked information to cherry picking. Yeah,

751
00:39:23,680 --> 00:39:26,320
Speaker 2: there's this one's.

752
00:39:25,440 --> 00:39:27,879
Speaker 1: Cheaper than ever. It's never been cheaper than to go

753
00:39:27,920 --> 00:39:30,840
Speaker 1: gather fruit from your neighbor's yard to prevent your own starvation.

754
00:39:31,160 --> 00:39:34,360
Speaker 1: Never been cheaper to go labor in fields that is,

755
00:39:34,920 --> 00:39:37,640
Speaker 1: never been cheaper to hire labors. Oops. Sorry, I wasn't

756
00:39:37,640 --> 00:39:39,400
Speaker 1: supposed to say that one.

757
00:39:39,719 --> 00:39:42,000
Speaker 2: But yeah, they're coming down. They're coming down, and it's

758
00:39:42,000 --> 00:39:46,280
Speaker 2: stuff we've made progress on already. Is like I think again,

759
00:39:46,520 --> 00:39:49,080
Speaker 2: not anything new, nothing you're going to do in the future,

760
00:39:49,600 --> 00:39:53,000
Speaker 2: just dumb talking points where you're like, I don't know. Incidentally, comparatively,

761
00:39:53,040 --> 00:39:54,759
Speaker 2: this price came down, so we're gonna go ahead and

762
00:39:54,760 --> 00:39:56,600
Speaker 2: say we're we're doing we're.

763
00:39:56,440 --> 00:40:00,360
Speaker 3: Doing shit, as he pointed out the price parmace oticles

764
00:40:00,400 --> 00:40:02,480
Speaker 3: has come down six tons of percent.

765
00:40:04,160 --> 00:40:07,080
Speaker 2: Damn, we're hanging our hat on six tons of a percent.

766
00:40:07,680 --> 00:40:09,080
Speaker 1: Printing petties anymore.

767
00:40:09,080 --> 00:40:09,560
Speaker 2: How are we.

768
00:40:09,520 --> 00:40:10,719
Speaker 1: Supposed to get changed for that?

769
00:40:11,280 --> 00:40:11,960
Speaker 2: It is wild?

770
00:40:12,040 --> 00:40:15,040
Speaker 3: How I like, I really get the sense that everybody

771
00:40:15,040 --> 00:40:17,279
Speaker 3: behind the scenes talks about him like a toddler, like

772
00:40:17,360 --> 00:40:20,680
Speaker 3: he was. She was like he mentioned eggs. He was like, yeah, yeah,

773
00:40:20,760 --> 00:40:24,760
Speaker 3: he mentioned Like that's apparent, talking about the child's weird

774
00:40:24,760 --> 00:40:25,480
Speaker 3: obsession with.

775
00:40:25,520 --> 00:40:30,960
Speaker 7: Like like turtles, Yeah, he loves turtles. Little fucker loves turtles.

776
00:40:31,160 --> 00:40:35,680
Speaker 7: I mean they asked about like turtles. Yeah, he loves

777
00:40:35,719 --> 00:40:37,480
Speaker 7: The president loves turtles, doesn't It is.

778
00:40:37,320 --> 00:40:42,799
Speaker 3: Going to be I think increasingly like an unprecedented you

779
00:40:42,840 --> 00:40:45,759
Speaker 3: know what, what would Reagan's second term have looked like

780
00:40:46,280 --> 00:40:49,359
Speaker 3: if nobody could tell him, no, you're not allowed out

781
00:40:49,440 --> 00:40:52,680
Speaker 3: in the public eye and he was just like, yeah,

782
00:40:52,680 --> 00:40:55,120
Speaker 3: I'm actually a fucking genius. Everything that comes out of

783
00:40:55,160 --> 00:40:56,920
Speaker 3: here is motherfucking bars.

784
00:40:56,960 --> 00:41:01,359
Speaker 2: Homie, Yeah, Mint, that mitt, that ship, that's right, that shit.

785
00:41:02,080 --> 00:41:06,400
Speaker 3: I mean, briefly, those pictures came out ninety out of

786
00:41:06,480 --> 00:41:10,240
Speaker 3: ninety five. The Trump administration again went with cherry picking,

787
00:41:10,760 --> 00:41:13,680
Speaker 3: which they were like, you guys are just cherry picking

788
00:41:13,920 --> 00:41:17,359
Speaker 3: pictures of me with a child trafficker? What about all

789
00:41:17,480 --> 00:41:19,520
Speaker 3: the times I didn't hang out with him? Why aren't

790
00:41:19,520 --> 00:41:20,960
Speaker 3: you releasing photos of those?

791
00:41:21,760 --> 00:41:24,120
Speaker 1: Because your daughter is still getting groped in those photos,

792
00:41:24,120 --> 00:41:26,319
Speaker 1: and you're still surrounded by fifteen year olds in your

793
00:41:26,320 --> 00:41:29,520
Speaker 1: beauty Patchet, Like, it's harder to pick photos in which

794
00:41:29,520 --> 00:41:31,280
Speaker 1: you do not look like a leccherous monster.

795
00:41:31,480 --> 00:41:31,600
Speaker 2: Right.

796
00:41:31,680 --> 00:41:35,520
Speaker 3: Eighty seven of ninety is what I went in those pictures.

797
00:41:35,880 --> 00:41:38,560
Speaker 3: Eighty seven of those I wasn't in. It's like an

798
00:41:38,920 --> 00:41:41,120
Speaker 3: you know, let's talk about that.

799
00:41:41,320 --> 00:41:43,759
Speaker 2: Pretty good, pretty good I'd have to say.

800
00:41:44,280 --> 00:41:46,640
Speaker 3: The thing that you were just playing where he was

801
00:41:46,640 --> 00:41:49,239
Speaker 3: talking about the economy and how it's going to be

802
00:41:49,280 --> 00:41:51,719
Speaker 3: so good in a year that came from his like

803
00:41:51,880 --> 00:41:55,560
Speaker 3: Christmas reception that happened over the weekend. First of all,

804
00:41:55,600 --> 00:42:00,759
Speaker 3: he was like sweating profusely, which I'll know man like

805
00:42:00,840 --> 00:42:05,839
Speaker 3: he he usually is pretty dry, so he's really kind

806
00:42:05,880 --> 00:42:08,319
Speaker 3: of all over the place. It's the water he can't

807
00:42:08,360 --> 00:42:13,480
Speaker 3: really he's just splashing it in his face, drinking problem.

808
00:42:13,840 --> 00:42:20,120
Speaker 3: But he ended up spending forty minutes talking about venomous snakes.

809
00:42:20,440 --> 00:42:22,840
Speaker 2: You want to hear old on let's let's let's not.

810
00:42:23,560 --> 00:42:26,239
Speaker 2: Let's hear he might have said something cool at a

811
00:42:26,440 --> 00:42:29,920
Speaker 2: Green Miss reception in some respects it's cool.

812
00:42:29,960 --> 00:42:36,839
Speaker 5: Yeah in uh Peru and.

813
00:42:37,760 --> 00:42:41,840
Speaker 2: You're you're Christmas Ross. Okay, going, what about Peruser.

814
00:42:41,680 --> 00:42:46,440
Speaker 5: And it's known for being a rather rough place in

815
00:42:46,560 --> 00:42:51,920
Speaker 5: terms of physical creatures scrolling around. Twenty eight thousand people

816
00:42:52,000 --> 00:42:54,520
Speaker 5: die a year from a stake by a certain snake.

817
00:42:54,880 --> 00:42:57,879
Speaker 5: It's a viper, right, It's said to be the most

818
00:42:57,880 --> 00:42:59,240
Speaker 5: poisonous snake in the world.

819
00:43:00,080 --> 00:43:03,560
Speaker 3: Okay, Ian, he sounds like he's about to fall asleep,

820
00:43:03,680 --> 00:43:06,080
Speaker 3: Like imagine being there dude, his room.

821
00:43:06,440 --> 00:43:10,279
Speaker 2: He's drowning in his own mind, and he's grasping at

822
00:43:10,400 --> 00:43:14,800
Speaker 2: things that seem tangentially connected to what he's talking about

823
00:43:15,239 --> 00:43:17,560
Speaker 2: to seem like he's got it together. Like he's like

824
00:43:17,840 --> 00:43:20,480
Speaker 2: he knew he had something to say about Peru, and

825
00:43:20,520 --> 00:43:22,680
Speaker 2: then he's just rattle off with them, like the viper

826
00:43:22,760 --> 00:43:25,480
Speaker 2: does not cause the most deaths, Like come on now,

827
00:43:25,520 --> 00:43:28,399
Speaker 2: like you can, you can look this up, but anyway, sure,

828
00:43:28,640 --> 00:43:30,600
Speaker 2: or maybe you're talking about specifically summer, but I don't

829
00:43:30,640 --> 00:43:34,360
Speaker 2: fucking know. But that's his whole Like why be like

830
00:43:34,440 --> 00:43:37,920
Speaker 2: that's known for some snakes? Huh?

831
00:43:38,000 --> 00:43:41,240
Speaker 1: The stage of life is usually limited to your family

832
00:43:41,400 --> 00:43:44,760
Speaker 1: or during care careers, where yeah, like you're just getting

833
00:43:44,880 --> 00:43:48,799
Speaker 1: driven to your next MRI and whatever kind soul in

834
00:43:48,840 --> 00:43:51,319
Speaker 1: your life is still able or willing to drive you

835
00:43:51,480 --> 00:43:53,080
Speaker 1: just sits there and goes there are a lot of

836
00:43:53,080 --> 00:43:56,319
Speaker 1: snakes in Peru, Grandpa, And like, none of this is

837
00:43:56,400 --> 00:43:59,160
Speaker 1: based in any kind of We've all known that, Grandpa.

838
00:43:59,320 --> 00:43:59,920
Speaker 2: You don't talk.

839
00:44:00,160 --> 00:44:03,560
Speaker 1: Christmas dinner isn't spitting facts. Grandpa talking at Christmas dinner

840
00:44:03,760 --> 00:44:05,920
Speaker 1: is just remembering a dream he had about snakes in

841
00:44:05,960 --> 00:44:07,360
Speaker 1: a place he decided was Peru.

842
00:44:08,280 --> 00:44:14,200
Speaker 3: It's it's using people with other family members. Yeah, like

843
00:44:14,920 --> 00:44:18,280
Speaker 3: be like George, George, is that you, which also happened

844
00:44:18,280 --> 00:44:20,319
Speaker 3: immediately after that. I do just want to play this

845
00:44:20,440 --> 00:44:24,040
Speaker 3: clip where he stops his speech to talk about how

846
00:44:24,120 --> 00:44:28,960
Speaker 3: he keeps confusing someone in the crowd with Ivanka, like

847
00:44:29,680 --> 00:44:31,120
Speaker 3: it's so wild.

848
00:44:30,960 --> 00:44:33,680
Speaker 2: And then he's like, look, turn turn around. Let everybody

849
00:44:33,680 --> 00:44:36,480
Speaker 2: see how he said turn around for the cameras, like

850
00:44:36,719 --> 00:44:38,960
Speaker 2: it was a fucking beauty path. Whatever, here we go.

851
00:44:39,280 --> 00:44:41,080
Speaker 5: This is the most interesting story.

852
00:44:41,320 --> 00:44:44,000
Speaker 2: What do you look like Evanka? Has anyone ever told

853
00:44:44,000 --> 00:44:44,239
Speaker 2: you that?

854
00:44:44,440 --> 00:44:48,800
Speaker 5: I'm looking I'm saying, could you just turn around for

855
00:44:48,840 --> 00:44:49,240
Speaker 5: the camera?

856
00:44:49,320 --> 00:44:49,839
Speaker 3: Does she look?

857
00:44:50,360 --> 00:44:53,759
Speaker 2: Does she look like Evanka? It's the most unbelievable thing.

858
00:44:54,880 --> 00:44:56,800
Speaker 2: So I wouldn't. I didn't want to take a chance.

859
00:44:57,080 --> 00:44:58,280
Speaker 5: I say, is that Evodka?

860
00:44:58,640 --> 00:44:59,960
Speaker 2: You look just like Evanka?

861
00:45:00,440 --> 00:45:05,640
Speaker 3: Which is a great looks just like, Sirchabaka, do you want

862
00:45:05,680 --> 00:45:09,080
Speaker 3: to take a chance? Did he mean that he like

863
00:45:09,200 --> 00:45:12,200
Speaker 3: didn't want to call out in case it was in

864
00:45:12,239 --> 00:45:16,520
Speaker 3: case it was Ivanka, in case it was that's your daughter?

865
00:45:16,840 --> 00:45:17,279
Speaker 2: Do you want to know?

866
00:45:17,480 --> 00:45:20,279
Speaker 1: Around the White House? Just being like Jared, you know

867
00:45:20,480 --> 00:45:21,680
Speaker 1: it's Stephen Miller.

868
00:45:21,800 --> 00:45:24,320
Speaker 3: Is your second minute, they don't talk to you anymore.

869
00:45:24,480 --> 00:45:24,680
Speaker 3: Are you?

870
00:45:26,719 --> 00:45:27,000
Speaker 2: Are you.

871
00:45:30,760 --> 00:45:32,799
Speaker 1: Roots just get screened at. Yes.

872
00:45:34,920 --> 00:45:39,120
Speaker 3: Again, like this obsession with we we see this and

873
00:45:39,200 --> 00:45:43,920
Speaker 3: at the end of Magnolia with old people dying. We

874
00:45:44,040 --> 00:45:46,680
Speaker 3: see it in all sorts of movies where they're like,

875
00:45:46,800 --> 00:45:51,279
Speaker 3: I've made some mistakes. Go bring my son home so

876
00:45:51,320 --> 00:45:55,600
Speaker 3: that I can speak to him. He also spent so

877
00:45:55,800 --> 00:46:00,640
Speaker 3: from his thing about snakes being deadly in Peru, he

878
00:46:00,719 --> 00:46:03,840
Speaker 3: then talked about how nature always wins. He then talked

879
00:46:03,840 --> 00:46:08,600
Speaker 3: about how when he dies, his son Donald Trump Junior

880
00:46:09,200 --> 00:46:11,839
Speaker 3: is not going to spend much time there because he

881
00:46:11,880 --> 00:46:12,959
Speaker 3: always likes to.

882
00:46:12,880 --> 00:46:13,800
Speaker 2: Go out and hunt.

883
00:46:14,600 --> 00:46:17,360
Speaker 3: And but then was like, maybe he shouldn't be because nature.

884
00:46:18,280 --> 00:46:21,239
Speaker 2: Nature always wins. Baby, Yeah, he said, when I kicked

885
00:46:21,280 --> 00:46:25,000
Speaker 2: the bucket, someday, someday, I figure, I think he'll be

886
00:46:25,040 --> 00:46:27,520
Speaker 2: here for about two days. He'll go and pay his respects,

887
00:46:27,560 --> 00:46:29,919
Speaker 2: and they'll say, where's don he'd rather be. He won't

888
00:46:30,040 --> 00:46:32,799
Speaker 2: jungle won't be there from and he's a really good hunter.

889
00:46:32,960 --> 00:46:36,720
Speaker 2: But remember this, wildlife always wins. Unfortunately in this case,

890
00:46:37,400 --> 00:46:39,600
Speaker 2: so your son hates you so much he'd rather be

891
00:46:39,920 --> 00:46:41,120
Speaker 2: outside killing it.

892
00:46:41,160 --> 00:46:44,799
Speaker 3: And then you implied that by missing your funeral to

893
00:46:44,840 --> 00:46:50,080
Speaker 3: go hunt animals, he will then be killed. Like he's like, right,

894
00:46:50,239 --> 00:46:50,880
Speaker 3: isn't that what he's like?

895
00:46:51,040 --> 00:46:51,560
Speaker 2: I never know.

896
00:46:51,840 --> 00:46:55,799
Speaker 3: Remember this, wildlife always wins, unfortunately in this case.

897
00:46:55,840 --> 00:46:58,920
Speaker 2: Or in this case, it means that wildlife will always

898
00:46:59,000 --> 00:47:02,520
Speaker 2: his son will always prioritize not being around him in

899
00:47:02,600 --> 00:47:03,680
Speaker 2: favorable wildlife.

900
00:47:04,520 --> 00:47:10,120
Speaker 1: Yeah, that's yes. In the room, skirt is not here.

901
00:47:11,160 --> 00:47:13,640
Speaker 1: Rather shoot an endangered animal than be in the same

902
00:47:13,680 --> 00:47:15,080
Speaker 1: space with you, Like, that's.

903
00:47:15,880 --> 00:47:18,520
Speaker 2: Yeah, because he can at least do cocaine on his

904
00:47:18,600 --> 00:47:20,719
Speaker 2: hunting trips without being in bare Like he's like, it's

905
00:47:20,719 --> 00:47:22,520
Speaker 2: going to be really hard to be snorting coke at

906
00:47:22,520 --> 00:47:22,759
Speaker 2: the whole.

907
00:47:22,760 --> 00:47:25,240
Speaker 3: I do that he's a good hunter, Like he pays

908
00:47:25,280 --> 00:47:28,200
Speaker 3: to have good hunters take him out and tell him

909
00:47:28,239 --> 00:47:31,480
Speaker 3: where to point his high powered rifle to kill things.

910
00:47:31,800 --> 00:47:34,160
Speaker 3: Have no idea how they.

911
00:47:33,600 --> 00:47:36,400
Speaker 2: Capture a rhinoceros and put it in a steel box

912
00:47:36,440 --> 00:47:38,160
Speaker 2: with a hole in it right where its head is,

913
00:47:38,200 --> 00:47:39,880
Speaker 2: and they say, yeah, go ahead's put your gun in

914
00:47:39,920 --> 00:47:42,600
Speaker 2: the hole and pull the trigger, and they go, good shot, sir,

915
00:47:42,760 --> 00:47:44,520
Speaker 2: you got it. Yeah.

916
00:47:44,719 --> 00:47:48,839
Speaker 1: I have always had trouble humanizing Trump in anyway. He's

917
00:47:48,840 --> 00:47:52,760
Speaker 1: a very easy figure to just sort of viscerally hate,

918
00:47:52,880 --> 00:47:58,239
Speaker 1: but he is not planning this anymore. Like when Trump's

919
00:47:58,560 --> 00:48:02,320
Speaker 1: like narcissism and hemania was at the wheel and driving,

920
00:48:02,840 --> 00:48:06,960
Speaker 1: it was much harder to humanize him. But he he

921
00:48:07,120 --> 00:48:11,000
Speaker 1: is deep in a cognitive decline and is no longer

922
00:48:11,400 --> 00:48:14,160
Speaker 1: his hands can't even find the steering wheel. We watched

923
00:48:14,200 --> 00:48:17,640
Speaker 1: him try to flip a coin. So he's in a

924
00:48:17,719 --> 00:48:22,000
Speaker 1: Christmas trying to celebrate Christmas and asking for his daughter

925
00:48:22,160 --> 00:48:25,799
Speaker 1: and aware that the son will not warn him, like.

926
00:48:26,160 --> 00:48:30,040
Speaker 3: Just Christmas, very good Christmas passed all the way down.

927
00:48:30,600 --> 00:48:33,520
Speaker 1: The well of empathy here is shallow, but like what

928
00:48:33,560 --> 00:48:38,120
Speaker 1: we're watching is a deep decline, and it is like

929
00:48:38,840 --> 00:48:40,880
Speaker 1: all the best you can hope for at this phase

930
00:48:40,920 --> 00:48:42,759
Speaker 1: of your life is that your family is in the

931
00:48:42,840 --> 00:48:45,719
Speaker 1: room and does care for you, and they do not.

932
00:48:46,120 --> 00:48:46,879
Speaker 1: They are not there.

933
00:48:47,000 --> 00:48:48,920
Speaker 2: I mean it sounds like, yeah, it's playing out just

934
00:48:49,080 --> 00:48:52,560
Speaker 2: as American as possible too, where it's just like yeah,

935
00:48:52,680 --> 00:48:55,239
Speaker 2: and you know what, dude, fuck you man, We're going

936
00:48:55,320 --> 00:48:57,439
Speaker 2: to inherit your money and then you could just go here.

937
00:48:57,840 --> 00:48:59,239
Speaker 2: But I think that the hard part too is like

938
00:48:59,320 --> 00:49:01,640
Speaker 2: just like with my own in my own family, just

939
00:49:01,680 --> 00:49:05,719
Speaker 2: having like family members have dementia and things like. The

940
00:49:05,800 --> 00:49:08,320
Speaker 2: thing that really freaks me out is that, like he's

941
00:49:08,360 --> 00:49:12,960
Speaker 2: in power. As all of this is melting away, a sign.

942
00:49:12,719 --> 00:49:15,360
Speaker 1: Has to point him to the office his administration is

943
00:49:15,400 --> 00:49:19,120
Speaker 1: in power. Yeah, it's like using the contents of his

944
00:49:19,200 --> 00:49:21,479
Speaker 1: dipe to draw a new image of a dangerous snake

945
00:49:21,560 --> 00:49:24,239
Speaker 1: that he says it's from Peru. Like he's not in

946
00:49:24,280 --> 00:49:25,240
Speaker 1: the building anymore.

947
00:49:25,400 --> 00:49:29,200
Speaker 2: Yeah, yeah, yeah, it's it's it's fucking frightening. It's frightening.

948
00:49:29,800 --> 00:49:32,080
Speaker 3: All right, let's take a quick break. We'll come back.

949
00:49:32,239 --> 00:49:34,440
Speaker 3: We'll talk about the new Animal Farm movie.

950
00:49:34,520 --> 00:49:47,600
Speaker 2: We'll be right that and we're back. Mm hmm.

951
00:49:48,280 --> 00:49:52,480
Speaker 3: And our writer JM poses the question, does George Orwell's

952
00:49:52,560 --> 00:49:56,600
Speaker 3: Animal Farm have the most cursed cinematic history of any

953
00:49:56,719 --> 00:50:01,759
Speaker 3: literary word? And it's out And I didn't realize this.

954
00:50:01,840 --> 00:50:05,759
Speaker 3: The nineteen fifty four animated version was secretly made by

955
00:50:05,800 --> 00:50:10,480
Speaker 3: the CIA. They bought the rights from Orwell's widow right

956
00:50:10,520 --> 00:50:13,880
Speaker 3: after his death, turned it into Cold War propaganda, and

957
00:50:13,960 --> 00:50:16,680
Speaker 3: changed the ending so that the animals revolt against their

958
00:50:16,680 --> 00:50:21,759
Speaker 3: pigs in the end, rather than accepting the yoke of

959
00:50:22,239 --> 00:50:27,680
Speaker 3: more authoritarianism. George Orwell also was a democratic socialist, so

960
00:50:27,760 --> 00:50:32,680
Speaker 3: it was not like he was against authoritarianism. But then

961
00:50:32,719 --> 00:50:35,759
Speaker 3: there was a Hallmark version in nineteen ninety nine which

962
00:50:35,880 --> 00:50:40,800
Speaker 3: used Henson Shop creations featured Kelsey Grammer not as doctor

963
00:50:40,840 --> 00:50:45,000
Speaker 3: Fraser Crane, a voice Snowball. And now the trailer just

964
00:50:45,080 --> 00:50:48,000
Speaker 3: dropped for the new CGI movie, directed by Andy serkis

965
00:50:48,480 --> 00:50:52,280
Speaker 3: from I thought it like it has illumination, he vibes,

966
00:50:52,320 --> 00:50:58,040
Speaker 3: but maybe it's not illumination, but it looks we So

967
00:50:58,560 --> 00:51:00,960
Speaker 3: it features the voice of Seth again. Should we just

968
00:51:01,000 --> 00:51:03,439
Speaker 3: watch it really quick? Yeah, let's let's watch a couple

969
00:51:03,480 --> 00:51:04,000
Speaker 3: then we can.

970
00:51:03,880 --> 00:51:05,719
Speaker 2: Talk about it on the other side. Let's just do it.

971
00:51:05,880 --> 00:51:11,000
Speaker 2: Can a cautionary tea feel good? Okay?

972
00:51:11,080 --> 00:51:14,200
Speaker 3: All right, we've just watched the trailer. Everyone's feeling a

973
00:51:14,200 --> 00:51:15,040
Speaker 3: little under the weather.

974
00:51:17,000 --> 00:51:17,280
Speaker 2: Wow.

975
00:51:19,920 --> 00:51:25,640
Speaker 3: Wow, that's interesting because the producer Catherine asks a very

976
00:51:25,640 --> 00:51:29,800
Speaker 3: important question. Why are all the animals face tuned? They

977
00:51:29,880 --> 00:51:32,040
Speaker 3: all look like they're through the filter of like did

978
00:51:32,120 --> 00:51:35,840
Speaker 3: you clock at the beginning? Said Angel, that's the memes

979
00:51:35,840 --> 00:51:38,640
Speaker 3: you did the Sound of Freedom, like the faith based

980
00:51:39,040 --> 00:51:43,560
Speaker 3: Utah production company. Yep, they're back, baby, So they're going

981
00:51:43,640 --> 00:51:44,759
Speaker 3: to be really they're really going to.

982
00:51:44,800 --> 00:51:48,960
Speaker 2: Be doing a true to Orwell's vision depiction of what

983
00:51:49,239 --> 00:51:50,359
Speaker 2: the message of this book, you.

984
00:51:50,320 --> 00:51:55,160
Speaker 3: Think, Yeah, and then pointing out like having an external

985
00:51:55,239 --> 00:51:59,760
Speaker 3: villain who corrupts the pig also kind of misses the point,

986
00:52:00,000 --> 00:52:04,240
Speaker 3: which is obviously the like power corrupt. And they're like, well,

987
00:52:04,239 --> 00:52:07,000
Speaker 3: not unless you have like somebody from the outside coming

988
00:52:07,040 --> 00:52:09,880
Speaker 3: in and like tricking you into doing it, because Seth

989
00:52:09,920 --> 00:52:13,239
Speaker 3: Rogan's character doesn't want to actually like be a bad guy, right,

990
00:52:13,280 --> 00:52:16,840
Speaker 3: So we're gonna have it be some external force and

991
00:52:17,400 --> 00:52:19,520
Speaker 3: it's gonna be said in the future for some reason,

992
00:52:20,080 --> 00:52:23,920
Speaker 3: like giving sort of I mean, it doesn't seem like

993
00:52:23,960 --> 00:52:27,040
Speaker 3: it's in the future until it like suddenly cuts to

994
00:52:27,920 --> 00:52:32,320
Speaker 3: an illumination scene like a scene from Blade Runner twenty

995
00:52:32,360 --> 00:52:36,600
Speaker 3: forty two as illustrated by illumination, and then you're like, oh,

996
00:52:36,640 --> 00:52:39,520
Speaker 3: I guess this is the future, right right?

997
00:52:40,200 --> 00:52:46,640
Speaker 2: Oh man, Well that's that's uh. I have really trying

998
00:52:46,680 --> 00:52:49,799
Speaker 2: to understand how how they sort of tie this up.

999
00:52:49,800 --> 00:52:52,440
Speaker 2: I guess maybe that's how they conveniently sort of sidestep

1000
00:52:52,560 --> 00:52:54,640
Speaker 2: the story to be like, well, if it wasn't for

1001
00:52:54,680 --> 00:52:58,520
Speaker 2: this lady, like then Seth Rogan wouldn't have gone astray.

1002
00:52:58,960 --> 00:53:02,520
Speaker 3: Yeah, I think that's probably right. People are like, how

1003
00:53:02,960 --> 00:53:05,360
Speaker 3: how do you turn? So the right is also mad? No,

1004
00:53:05,520 --> 00:53:09,480
Speaker 3: nobody seems to be psyched psyched about this one because

1005
00:53:09,520 --> 00:53:13,640
Speaker 3: the right has always been like, this is about how

1006
00:53:13,680 --> 00:53:17,440
Speaker 3: the left is bad, because it's like an allegory for

1007
00:53:17,719 --> 00:53:20,800
Speaker 3: the Russian Revolution, and it's just like or it's about

1008
00:53:20,800 --> 00:53:23,120
Speaker 3: how power corrupts.

1009
00:53:23,440 --> 00:53:26,200
Speaker 2: Nah, I can't be that can't be that. I don't

1010
00:53:26,200 --> 00:53:29,239
Speaker 2: think so, because I don't. I don't see any real

1011
00:53:29,719 --> 00:53:34,560
Speaker 2: example of that. Huh, I wonder what the fuck that is.

1012
00:53:35,239 --> 00:53:37,640
Speaker 1: It feels like this movie costs four hundred million dollars

1013
00:53:37,680 --> 00:53:38,000
Speaker 1: to make.

1014
00:53:38,600 --> 00:53:41,440
Speaker 3: Yeah, well, those movies we'll find out soon enough. Yeah,

1015
00:53:41,840 --> 00:53:47,880
Speaker 3: the illumination animation movie has always cost a shocking a

1016
00:53:47,920 --> 00:53:49,360
Speaker 3: shockingly high amount of money.

1017
00:53:49,480 --> 00:53:51,960
Speaker 2: This is by illumination. I don't know if it is,

1018
00:53:52,000 --> 00:53:54,239
Speaker 2: but it looks like it is. You know, it's a.

1019
00:53:54,280 --> 00:53:58,560
Speaker 1: Musical choice if you if you ask me to describe

1020
00:53:58,560 --> 00:54:01,839
Speaker 1: the feeling of Animal Fall and pick a song, it's

1021
00:54:01,920 --> 00:54:05,720
Speaker 1: not gonna be feel it still like, it's not gonna

1022
00:54:05,760 --> 00:54:07,399
Speaker 1: be a pop It's like.

1023
00:54:08,200 --> 00:54:10,880
Speaker 2: I think, yeah, well, I think that's where you know

1024
00:54:11,040 --> 00:54:13,320
Speaker 2: what the gist of the film is gonna be. To

1025
00:54:13,520 --> 00:54:15,960
Speaker 2: have it sort of come because like the real version

1026
00:54:16,120 --> 00:54:18,160
Speaker 2: it would have been dark as fuck, you know what

1027
00:54:18,160 --> 00:54:22,120
Speaker 2: I mean, And you're like, yo, this looks interesting. But

1028
00:54:22,400 --> 00:54:24,760
Speaker 2: I think somehow they're like, well, look it'll be talking

1029
00:54:24,840 --> 00:54:27,680
Speaker 2: animals and we'll take this story about authoritarianism and just

1030
00:54:27,680 --> 00:54:31,040
Speaker 2: like there's there'll be lambeaus and shit for kids to

1031
00:54:31,120 --> 00:54:34,399
Speaker 2: laugh at, and yeah, great, let's do it.

1032
00:54:35,239 --> 00:54:35,719
Speaker 4: Yeah.

1033
00:54:36,000 --> 00:54:36,280
Speaker 2: Yeah.

1034
00:54:36,360 --> 00:54:40,000
Speaker 3: The whole message of Animal Farm is the totalitarian pigs

1035
00:54:40,480 --> 00:54:45,400
Speaker 3: eventually become monsters because they become indistinguishable from the human capitalists.

1036
00:54:46,000 --> 00:54:49,160
Speaker 3: And the last, literally the last line of the book

1037
00:54:49,200 --> 00:54:50,920
Speaker 3: is the source of the trouble appeared to be that

1038
00:54:51,000 --> 00:54:54,480
Speaker 3: Napoleon and mister Pilkington had each played an ace of

1039
00:54:54,520 --> 00:54:55,920
Speaker 3: spades simultaneously.

1040
00:54:56,280 --> 00:54:56,680
Speaker 2: Hmmm.

1041
00:54:57,280 --> 00:54:59,680
Speaker 3: Twelve voices were shouting in anger, and they were all like,

1042
00:54:59,760 --> 00:55:03,600
Speaker 3: no question, now, no question, now? What had happened to

1043
00:55:03,680 --> 00:55:06,399
Speaker 3: the faces of the pigs? The creatures outside looked from

1044
00:55:06,400 --> 00:55:08,319
Speaker 3: pig to man, and from man to pig, and from

1045
00:55:08,360 --> 00:55:11,279
Speaker 3: pig to man again. But already it was impossible to

1046
00:55:11,320 --> 00:55:12,520
Speaker 3: say which was.

1047
00:55:12,680 --> 00:55:16,560
Speaker 2: Which right, right? George Orwell, who fought.

1048
00:55:17,000 --> 00:55:23,279
Speaker 3: Fascists in the Spanish Civil War, Uh, it would would

1049
00:55:23,360 --> 00:55:25,279
Speaker 3: have loved that I mean I think he would have.

1050
00:55:25,320 --> 00:55:27,680
Speaker 3: There is a part where it cuts to from the

1051
00:55:27,800 --> 00:55:31,240
Speaker 3: visionary George Orwell, and it's written in like chalk.

1052
00:55:31,800 --> 00:55:35,279
Speaker 2: Yeah, oh my god, it's as in.

1053
00:55:35,360 --> 00:55:37,920
Speaker 1: His work can be easily erased. So I suppose that's a.

1054
00:55:38,120 --> 00:55:40,080
Speaker 2: That's right, I like chalk.

1055
00:55:41,360 --> 00:55:47,760
Speaker 3: Anyways, I can't wait to see that one can Yeah, I'm.

1056
00:55:47,640 --> 00:55:52,360
Speaker 2: Taking my kids opening opening day, Jack, We're going children

1057
00:55:52,400 --> 00:55:55,239
Speaker 2: in tow like gaze upon this masterpiece.

1058
00:55:55,360 --> 00:55:58,200
Speaker 3: Be the most annoying people in the theory, Like the

1059
00:55:58,200 --> 00:55:58,839
Speaker 3: fuck is this?

1060
00:55:59,640 --> 00:55:59,879
Speaker 4: No?

1061
00:56:01,800 --> 00:56:06,120
Speaker 3: No, not that, Nope, that was wrong. Sorry, sorry, yep,

1062
00:56:06,600 --> 00:56:12,920
Speaker 3: this is going to be a bit of an annotated screening. Guys, Caitlin,

1063
00:56:13,160 --> 00:56:15,600
Speaker 3: such a pleasure having you as always on the Daily Zekeeist.

1064
00:56:16,320 --> 00:56:18,160
Speaker 1: Always a genuine treat, gentlemen, Thank.

1065
00:56:18,040 --> 00:56:21,080
Speaker 2: You, people find you, follow you all that good stuff.

1066
00:56:21,480 --> 00:56:25,640
Speaker 1: Jtree astronomy dot com and at Jtree Astronomy Astronomy. Easy

1067
00:56:25,680 --> 00:56:28,600
Speaker 1: for me to say on Instagram Tree as well. Uh,

1068
00:56:28,880 --> 00:56:31,160
Speaker 1: come see the stars with me anytime you like, if

1069
00:56:31,200 --> 00:56:33,320
Speaker 1: you want to follow me personally, I am on Instagram

1070
00:56:33,360 --> 00:56:35,279
Speaker 1: as as Caitlin is.

1071
00:56:35,239 --> 00:56:37,520
Speaker 3: Tall, there you go, because I'm tall.

1072
00:56:38,080 --> 00:56:41,560
Speaker 1: Oh yeah, that's the thing. I'm pretty all right.

1073
00:56:41,640 --> 00:56:46,960
Speaker 2: I owe you money, Jack. Is there a work of

1074
00:56:47,280 --> 00:56:48,600
Speaker 2: media that you've been enjoying.

1075
00:56:49,520 --> 00:56:52,239
Speaker 1: I enjoyed the work of stalking the Capitol online. I

1076
00:56:52,239 --> 00:56:53,360
Speaker 1: bet he's come up before.

1077
00:56:53,719 --> 00:56:53,839
Speaker 3: Uh.

1078
00:56:54,440 --> 00:56:58,239
Speaker 1: But there's an account that financially ranks by algorithm the

1079
00:56:58,320 --> 00:57:02,040
Speaker 1: representatives and our our Congress, and I find the work

1080
00:57:02,080 --> 00:57:06,160
Speaker 1: to be satisfying and enjoyable. It's like lo fi takedown.

1081
00:57:06,680 --> 00:57:09,200
Speaker 1: It is a and if you want to if you're

1082
00:57:09,200 --> 00:57:11,520
Speaker 1: a Democrat who feels like your party is corrupted, don't worry.

1083
00:57:11,560 --> 00:57:11,799
Speaker 2: It is.

1084
00:57:12,920 --> 00:57:14,640
Speaker 1: It's nice to see actual numbers.

1085
00:57:15,000 --> 00:57:17,480
Speaker 2: Yeah, right home represent Yeah.

1086
00:57:17,800 --> 00:57:22,000
Speaker 1: Amazingius the perpetual stew, but that's a different side of

1087
00:57:22,000 --> 00:57:22,520
Speaker 1: the internet.

1088
00:57:23,000 --> 00:57:25,200
Speaker 3: Who'sus the perpetual stew?

1089
00:57:25,560 --> 00:57:29,600
Speaker 1: Uh? Yeah, there is a somebody has a perpetual stew going,

1090
00:57:30,160 --> 00:57:32,080
Speaker 1: which is a stuw that always stays you just had

1091
00:57:32,120 --> 00:57:35,000
Speaker 1: new ingredients in daily he offers a ranking of that

1092
00:57:35,120 --> 00:57:38,920
Speaker 1: day's stew. So if you feel sickened by stocking the Capitol,

1093
00:57:38,920 --> 00:57:41,080
Speaker 1: which is justifiable, you can go feel sick or still

1094
00:57:41,120 --> 00:57:43,280
Speaker 1: by watching a guy add weird things to a stew.

1095
00:57:43,160 --> 00:57:45,440
Speaker 3: And there might be stuff. There might be ingredients in

1096
00:57:45,480 --> 00:57:48,000
Speaker 3: there from hundreds of days ago.

1097
00:57:50,080 --> 00:57:51,880
Speaker 1: Dock you strain it every now and again. But yeah,

1098
00:57:51,880 --> 00:57:54,360
Speaker 1: the stock is now something like two hundred and twenty

1099
00:57:54,400 --> 00:57:54,840
Speaker 1: days old.

1100
00:57:55,240 --> 00:57:57,480
Speaker 2: Oh so it's like a stew of theseus kind of

1101
00:57:57,560 --> 00:58:01,200
Speaker 2: thing too. We're kind of wow, Okay.

1102
00:58:00,480 --> 00:58:02,960
Speaker 1: That's a classic. That's an old school thing, is we

1103
00:58:04,080 --> 00:58:06,400
Speaker 1: an eating establishment would just always have a fire burning

1104
00:58:06,440 --> 00:58:07,880
Speaker 1: with a pot on it and would just serve you

1105
00:58:07,920 --> 00:58:11,280
Speaker 1: from that because it's hot. It never it can stay

1106
00:58:11,320 --> 00:58:12,120
Speaker 1: there forever.

1107
00:58:12,000 --> 00:58:13,760
Speaker 2: Right, because I've seen this, because like in Asia, there's

1108
00:58:13,840 --> 00:58:16,320
Speaker 2: very similar things too, Like this dude's been going for

1109
00:58:16,560 --> 00:58:18,280
Speaker 2: seventy years.

1110
00:58:18,080 --> 00:58:22,320
Speaker 3: And it's delicious, wonderful. Miles Where can people find you

1111
00:58:22,360 --> 00:58:24,160
Speaker 3: as their work and media you've been enjoying?

1112
00:58:24,280 --> 00:58:28,120
Speaker 2: Uh yeah, you can find me everywhere at Miles of Gray.

1113
00:58:28,360 --> 00:58:31,880
Speaker 2: You can also find me talking about soccer football on

1114
00:58:32,080 --> 00:58:35,480
Speaker 2: the new podcast Ain't at Footy, where myself, Jamel Johnson

1115
00:58:35,480 --> 00:58:39,160
Speaker 2: and Chris Martin not from Coldplay talk about everything happening

1116
00:58:39,160 --> 00:58:42,560
Speaker 2: in European soccer and also still talking about ninety day

1117
00:58:42,600 --> 00:58:46,040
Speaker 2: on four to twenty Day Fiance. A work of media.

1118
00:58:46,160 --> 00:58:49,720
Speaker 2: I like, what did I Oh? I've just been watching

1119
00:58:49,760 --> 00:58:56,080
Speaker 2: that fucking documentary, the Puffet Eddy documentary, because it's fucking

1120
00:58:56,240 --> 00:58:59,680
Speaker 2: it's fucking out there. Uh, it's it's definitely. I think

1121
00:58:59,720 --> 00:59:02,000
Speaker 2: also just as like somebody who grew up in la

1122
00:59:02,080 --> 00:59:03,640
Speaker 2: and when Tupac was killed and being like, what the

1123
00:59:03,680 --> 00:59:05,480
Speaker 2: fuck is going on and then just have a document

1124
00:59:05,560 --> 00:59:08,680
Speaker 2: call and be like it was him, guys, feels very

1125
00:59:09,520 --> 00:59:12,680
Speaker 2: aggressive or the implication of it feels like that. And

1126
00:59:12,720 --> 00:59:15,840
Speaker 2: then also I was just watching, Oh, I just saw

1127
00:59:15,960 --> 00:59:20,560
Speaker 2: Ja Kelly over the weekend and that was, Yeah, all right,

1128
00:59:20,840 --> 00:59:21,400
Speaker 2: our year end.

1129
00:59:22,280 --> 00:59:26,680
Speaker 3: But we're doing our preparations for Annajos Nias Prestige casting. Yeah,

1130
00:59:26,880 --> 00:59:29,960
Speaker 3: we've been given our homework yep, and we're each doing

1131
00:59:29,960 --> 00:59:31,800
Speaker 3: our best to get through some of them.

1132
00:59:32,160 --> 00:59:34,280
Speaker 2: But Jake Kelly was fun. I also watched Jake Kelly.

1133
00:59:34,480 --> 00:59:38,040
Speaker 2: Yeah it was good cast. Yeah, good Blockbuster cast and

1134
00:59:38,080 --> 00:59:40,520
Speaker 2: some really I've Yeah, I don't know how I feel

1135
00:59:40,520 --> 00:59:44,920
Speaker 2: about like Noah Bombacks directing just generally, but yeah, who's enjoyable.

1136
00:59:45,360 --> 00:59:48,680
Speaker 3: Sure. You can find me on Twitter at Jack Underscore,

1137
00:59:48,800 --> 00:59:51,560
Speaker 3: Brian on Blue Sky Jack ob the number one like

1138
00:59:51,600 --> 00:59:53,880
Speaker 3: to tweet speaking of your end lists. C J.

1139
00:59:54,040 --> 00:59:54,720
Speaker 2: Prince tweeted.

1140
00:59:54,800 --> 00:59:57,480
Speaker 3: For the fifteenth year in a row, the Boston Society

1141
00:59:57,480 --> 01:00:01,120
Speaker 3: of Film Critics has given Best picture to Ben Afflex

1142
01:00:01,240 --> 01:00:09,000
Speaker 3: the Town. You can find us on Twitter and Blue

1143
01:00:09,000 --> 01:00:13,560
Speaker 3: Sky at Daily Zeitgeist. We're at the Daily Zeitgeist on Instagram.

1144
01:00:13,840 --> 01:00:16,680
Speaker 3: You can go to the description of this episode wherever

1145
01:00:16,680 --> 01:00:18,320
Speaker 3: you're listening to it, and there at the bottom you

1146
01:00:18,320 --> 01:00:20,640
Speaker 3: will find the footnotes, which is where we link off

1147
01:00:20,640 --> 01:00:22,880
Speaker 3: to the information that we talked about in today's episode.

1148
01:00:22,960 --> 01:00:24,680
Speaker 3: We also link off to a song that we think

1149
01:00:24,680 --> 01:00:26,760
Speaker 3: you might enjoy. Miles, is there a song that you

1150
01:00:26,760 --> 01:00:27,800
Speaker 3: think that people might end.

1151
01:00:27,960 --> 01:00:30,800
Speaker 2: Yeah, I think just generally people are listening to all

1152
01:00:30,920 --> 01:00:34,000
Speaker 2: kinds of holiday music. On the Trending episode, Jack and

1153
01:00:34,080 --> 01:00:35,840
Speaker 2: I were talking about, like just listen to the same

1154
01:00:35,880 --> 01:00:39,919
Speaker 2: forty songs over and over, but sometimes others there's other

1155
01:00:40,040 --> 01:00:42,200
Speaker 2: kinds of music that still make it feel like it's

1156
01:00:42,240 --> 01:00:45,880
Speaker 2: winter that you want to be cozy. I think classic

1157
01:00:46,040 --> 01:00:49,480
Speaker 2: jazz is one of those textures that is perfect a

1158
01:00:49,560 --> 01:00:52,840
Speaker 2: case in point Oscar the Oscar Peterson Trio t for

1159
01:00:52,920 --> 01:00:56,400
Speaker 2: two great song to have on just this entire album,

1160
01:00:56,200 --> 01:01:00,320
Speaker 2: The Mercury Complete Mercury Cleff Recordings of the Oscar Peterson Trio.

1161
01:01:01,240 --> 01:01:04,959
Speaker 2: He's a fantastic piano player from Canada, a so he's

1162
01:01:05,000 --> 01:01:09,080
Speaker 2: bringing that he's bringing that great, great North uh frigid

1163
01:01:09,160 --> 01:01:10,760
Speaker 2: energy to his piano playing. But anyway, this is a

1164
01:01:10,800 --> 01:01:13,240
Speaker 2: great track t for two Oscar Peterson trio.

1165
01:01:13,960 --> 01:01:15,760
Speaker 3: See you can do a lot with your fingers even

1166
01:01:15,760 --> 01:01:16,680
Speaker 3: when it's cold.

1167
01:01:16,600 --> 01:01:19,000
Speaker 2: Mister President, exactly exactly.

1168
01:01:19,320 --> 01:01:21,280
Speaker 3: The Daily Zye Guy is a production of iHeartRadio for

1169
01:01:21,320 --> 01:01:23,560
Speaker 3: More podcast from my Heart Radio visits the iHeartRadio at

1170
01:01:23,560 --> 01:01:25,600
Speaker 3: Apple podcast or wherever you listen to your favorite show

1171
01:01:25,920 --> 01:01:28,480
Speaker 3: that is going to do it for us this morning.

1172
01:01:28,480 --> 01:01:30,400
Speaker 3: We're back this afternoon to tell you what is trending,

1173
01:01:30,400 --> 01:01:33,440
Speaker 3: and we will talk to y'all then bye bye.

1174
01:01:33,960 --> 01:01:36,880
Speaker 2: The Daily Zeite Guys is executive produced by Catherine Long.

1175
01:01:37,040 --> 01:01:39,200
Speaker 1: Co produced by Bee Wang.

1176
01:01:39,320 --> 01:01:43,160
Speaker 2: Co produced by Victor Wright, co written by J M mcnapp,

1177
01:01:43,720 --> 01:01:46,200
Speaker 2: Edited and engineered by Justin Connor.