WEBVTT - Craig Robinson

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<v Speaker 1>From Cavalry Audio, the studio that brought you The Devil

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<v Speaker 1>Within and The Shadow Girls, comes a new true crime podcast,

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<v Speaker 1>The Pink Moon Murders. The local sheriff believes there may

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<v Speaker 1>be more than one killery. They were afraid it is

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<v Speaker 1>facing out in that area. The family was targeted, most

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<v Speaker 1>of them targeted while they were sleeping. The Pink Moon

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<v Speaker 1>Murders is available on February twenty second, and you can

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<v Speaker 1>follow The Pink Moon Murders on the I Heart Radio app,

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<v Speaker 1>Apple Podcasts, or wherever you get your podcasts. What Girls

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<v Speaker 1>in the Forest our imagination and our family bonds. The

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<v Speaker 1>forest is closer than you think. Find a forest near

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<v Speaker 1>you and discover the fort dot org brought to you

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<v Speaker 1>by the United States Forest Service and the AD Council.

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<v Speaker 1>Give us over attention. We need everything you've got. Fast

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<v Speaker 1>Waiting on reparations would beat the Illess podcast. Tune in

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<v Speaker 1>every Thursday. Politics and wordplay. We fight for the people

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<v Speaker 1>because they got us in the worst way, from the

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<v Speaker 1>Hill Cooper, the Bob Bay to Kant, from the f

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<v Speaker 1>Don Claves and with the Neo kan to break us

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<v Speaker 1>off with some break because we waits. Listen to Waiting

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<v Speaker 1>on reparations on I Heart Radio, app, Apple Podcasts or

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<v Speaker 1>wherever you get your podcasts. Hi, I'm Craig Robinson and

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<v Speaker 1>I played Darryl Philbin on The Office. Hello everybody, and

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<v Speaker 1>welcome back to a brand new episode of the Office

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<v Speaker 1>Deep Dive, this time with the hardest working man in showbiz. Nope,

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<v Speaker 1>not our guest, me your host Brian bung Werner. Just kidding.

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<v Speaker 1>You'll get that after you listen to the episode. Uh Today,

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<v Speaker 1>as you just heard, I'm bringing on possibly the most

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<v Speaker 1>ambitious and certainly the most competent employee at dunder Mifflin.

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<v Speaker 1>That's right, the voice of reason in all of the insanity,

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<v Speaker 1>the incredible Craig Robinson. Like so many of the characters

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<v Speaker 1>on The Office, a lot of the inspiration, as you'll

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<v Speaker 1>hear for Darryl Philbin came from Craig's real personality. He

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<v Speaker 1>is an incredible musician and a hilarious comedian. Greg Daniels

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<v Speaker 1>actually discovered him by seeing him perform perhaps one of

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<v Speaker 1>the greatest comedy songs of all time, Somebody's Working, Mi Lady. Now.

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<v Speaker 1>Despite the name, and despite the fact that Craig admits

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<v Speaker 1>to singing his way into booty calls. He insists that

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<v Speaker 1>his act is a great place to take a date,

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<v Speaker 1>and I agree, I highly recommended. Craig is amazing. In

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<v Speaker 1>addition to his work on the Office, he's gone on

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<v Speaker 1>to work on many other amazing projects, from Brooklyn nine

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<v Speaker 1>nine to Hot Tub Time Sheen to Cleveland Show and

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<v Speaker 1>American Dad. I know you've all been waiting to hear

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<v Speaker 1>from him, and I am so excited that today is

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<v Speaker 1>finally the day, even though he didn't teach me any

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<v Speaker 1>super cool new phrases like think and flicker. But before

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<v Speaker 1>we dive in, just wanted to give you a quick

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<v Speaker 1>reminder that the world's best book, if I do say

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<v Speaker 1>so myself, or holiday present or late night reading, is

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<v Speaker 1>already available right now for pre order on Amazon. It

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<v Speaker 1>is called Welcome to dunder Mifflin, The Ultimate Oral History

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<v Speaker 1>of the Office. So go check that out and get

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<v Speaker 1>ready to be overtaken with your love for the show.

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<v Speaker 1>But for now, the time has come to welcome our

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<v Speaker 1>very own warehouse foreman and my good friend, Craig Robinson. Bubble,

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<v Speaker 1>I love it, Bubble, Bubble and squeaker cooking every more

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<v Speaker 1>left over from the nabople What's what's up? How you

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<v Speaker 1>doing so? I mean, I'm good. It's been so long

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<v Speaker 1>since I saw you? How long? I mean a couple

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<v Speaker 1>of years. It's been a few what's new in your life?

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<v Speaker 1>I mean, I'm doing this right now. I'm on the

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<v Speaker 1>road a lot you. Oh yeah, yeah, what's this thing on? Yeah,

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<v Speaker 1>it's probably on. We start already. We'll not really tell

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<v Speaker 1>the truth, man, I mean it's it's recording, but I'm

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<v Speaker 1>just interested in stay. What's up? Okay? Um? Check check

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<v Speaker 1>check check? Are you checking your sound? Yeah? Are you

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<v Speaker 1>a sound expert? Well, you're a musician, so yeah. I

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<v Speaker 1>mean I don't know if it's going louder or something there.

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<v Speaker 1>Did I ever tell you the story? This is before

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<v Speaker 1>I think we had done the pilot only and I

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<v Speaker 1>hadn't been in l a very long. Did I ever

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<v Speaker 1>tell you going the Mbar story? For real? I went

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<v Speaker 1>to the Mbar and they used to do like an

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<v Speaker 1>open mic night, and somebody was like, oh, go to

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<v Speaker 1>the m Bar. I think I knew somebody who was

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<v Speaker 1>like a server there, and I remember it was David

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<v Speaker 1>Cross was there, and Sarah Silverman some other people and

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<v Speaker 1>you you were so far in away the funniest thing

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<v Speaker 1>that night. Well, you had a guy with h I

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<v Speaker 1>think me and Jerry did. Yeah. Yeah. How many shows

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<v Speaker 1>you do a year? I mean how many cities? Oh shows,

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<v Speaker 1>shows are like, you know, five sometimes seven a weekend,

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<v Speaker 1>so I probably do third Are you thirty plus weeks?

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<v Speaker 1>Are you? Jesus if I'm not feeling myself? So you're

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<v Speaker 1>the hardest working manag show business. Not not by a

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<v Speaker 1>long show. Um, okay, So rewind back like two thousand

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<v Speaker 1>three four? What were you doing before the office came on?

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<v Speaker 1>H stand up? Doing much stand up? And you know,

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<v Speaker 1>I had some parts here and there. Um did a

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<v Speaker 1>show called Lucky. I was on FX and then uh,

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<v Speaker 1>great show, thank you Commy. Yeah that was that was

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<v Speaker 1>lightning in a bottle right there, man. And then yeah

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<v Speaker 1>it was two thousand one we started four yeah, okay,

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<v Speaker 1>so yeah, so Lucky and then about to stand up.

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<v Speaker 1>I'm not sure. Did you do Second City? Yeah? Chicago? Yeah?

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<v Speaker 1>I did the training sent I didn't do the Okay,

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<v Speaker 1>I just did it, went through all the classes. Okay. Um,

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<v Speaker 1>you incorporate music a lot into your stand up. Do

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<v Speaker 1>you think that Darryl being a musician on the show,

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<v Speaker 1>did that come from you. Do you think the writers

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<v Speaker 1>wrote that? Yeah, they they we were like a towel

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<v Speaker 1>being rung up. They got whatever. But whatever they knew

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<v Speaker 1>we could do, they got it out of this right. Absolutely. Yeah,

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<v Speaker 1>you started pretty early. I mean I remember that Christmas

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<v Speaker 1>episode you and I think we were djaying in the

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<v Speaker 1>corner and then gradually you started. Yeah, we had like,

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<v Speaker 1>uh what do you call those little balls that with

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<v Speaker 1>the lights and UHC disco ball? Obviously, I mean for

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<v Speaker 1>people who don't know, music comes very easy to you. Yes,

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<v Speaker 1>I have seen people hum you tunes and you start playing, well,

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<v Speaker 1>yeah trained here Is it trained or is it natural?

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<v Speaker 1>I mean both. You have to sit down and like,

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<v Speaker 1>like there's time I was sitting, like, play a song

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<v Speaker 1>and let's breakdown note for no, each chord, rewind it

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<v Speaker 1>to play again. We want to play it again until

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<v Speaker 1>I get and go through the whole song and it.

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<v Speaker 1>Once you do that, you know, sometimes you start you know,

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<v Speaker 1>see patterns and you know, see what's going on in

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<v Speaker 1>the song. So that's how you learned. Do you read music? Yeah,

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<v Speaker 1>but how you do not? Like I can hear me.

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<v Speaker 1>It takes me a while to read some music, but

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<v Speaker 1>I can hear pretty good. You hear better than anyone

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<v Speaker 1>I've ever seen. Okay, no, I'm just saying I'm trying.

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<v Speaker 1>I don't know, but but you trained yourself to do that.

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<v Speaker 1>I think people think about it as being sort of

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<v Speaker 1>a natural gift, but no, it's definitely a gift. But

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<v Speaker 1>it's it's you know, it's a gift. You have to

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<v Speaker 1>work for it. It's like you you gotta know you

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<v Speaker 1>have the talent to do it, and then just developed

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<v Speaker 1>that right. I remember later on they kept pairing me

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<v Speaker 1>with you and Ed Helms in musical situations, the z

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<v Speaker 1>Kevin and the Zitz. There was Kevin and the Zitz,

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<v Speaker 1>and I remember we would you know, we never had

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<v Speaker 1>time to read the episodes before we did them, and

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<v Speaker 1>we would read the episodes and they would be like song, song, song,

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<v Speaker 1>and I don't know if you knew this. I would

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<v Speaker 1>go to them and I would be like, okay, when

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<v Speaker 1>is rehearsals? When is rehearsals? And then I would come

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<v Speaker 1>to you and I'd be like all right, you guys,

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<v Speaker 1>can we and you'd be like yeah, yeah, no, we're good,

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<v Speaker 1>We're good, and Ed be the same way, like as like, no,

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<v Speaker 1>that's fine, no, I got it, and I was like, no, no, no, guys,

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<v Speaker 1>I don't have it. I don't know what the hell

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<v Speaker 1>I'm doing. Um there's a quote that has been attributed

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<v Speaker 1>to you, which that you basically started doing music because

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<v Speaker 1>it's there were so many funny people in Chicago that

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<v Speaker 1>you wanted to do something that was different. And what

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<v Speaker 1>is that true? Not exactly? Um, I just you know,

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<v Speaker 1>it's my thing. And I had the song that I

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<v Speaker 1>did in college that transferred over to the stage. I

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<v Speaker 1>would be like, play, you know, piano the same I'm

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<v Speaker 1>singing to a girl on the phone, you know, singing

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<v Speaker 1>a nice and like talking to a singing to a

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<v Speaker 1>little bit. You know, it's romantic, and I hit up

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<v Speaker 1>with it. Can I had some booty right, and then

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<v Speaker 1>I was like, okay him, listen to see if she's laughing.

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<v Speaker 1>And watched it so she's laughing. Okay, we're good. But

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<v Speaker 1>so then I did that, like I don't know, some

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<v Speaker 1>open mic kind of thing. But it wasn't the open mic.

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<v Speaker 1>It was like, you know, actors in the room on

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<v Speaker 1>a Friday night, like you know, and then you just

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<v Speaker 1>did what you do. So they want to start doing comedy.

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<v Speaker 1>I went up and did this show, and uh, it

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<v Speaker 1>didn't go too well. Let's just think I'll heckless heaven.

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<v Speaker 1>It's in Chicago, and you get eight minutes to perform

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<v Speaker 1>the first three minutes, nobody gets the mess with you.

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<v Speaker 1>From the third minute on if people wanted to hecker you.

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<v Speaker 1>There are three people in the audience who have rubber chickens.

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<v Speaker 1>If you've got all three rubber chickens, you had to

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<v Speaker 1>get off stage. And then, uh, three people have score cards.

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<v Speaker 1>So I got two rubber chickens the first night and

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<v Speaker 1>before I get to there like I'm not getting a

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<v Speaker 1>third chicken, It's good night. Then the next week I

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<v Speaker 1>came back with my keyboard. That's all she wrote. You

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<v Speaker 1>did the song that ends with your buddy getting the phone. Um,

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<v Speaker 1>somebody's sucking my lady. Somebody's sucking my lady. Yeah, somebody's Yeah.

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<v Speaker 1>That's that's what you saw. That's what I saw at mbark.

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<v Speaker 1>That's what got me like. They got me in front

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<v Speaker 1>of Apple Town to get me in front of Greg Daniels. Yeah.

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<v Speaker 1>When I did my audition for the Office, Great Games

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<v Speaker 1>was like, doesn't get any funny into that. I was like, okay, now,

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<v Speaker 1>audition like, Oh, what like it seems like a big

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<v Speaker 1>vote of confidence, right, I'm thinking like, oh man, it's

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<v Speaker 1>that brought you The Devil Within and The Shadow Goes,

0:13:59.720 --> 0:14:04.319
<v Speaker 1>comes a new true crime podcast, The Pink Moon Murders.

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<v Speaker 1>The local sheriff believes there may be more than one killer.

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<v Speaker 1>It's been four days since those bodies were found and

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<v Speaker 1>there's no arrest as it this morning. They were afraid

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<v Speaker 1>it's face it out in that area, what if they

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<v Speaker 1>come back or whatever. It scared me to death, Like

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<v Speaker 1>it scared me, I was very very intimidating to live here.

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<v Speaker 1>Crazy to think you go to sleep one night, maybe

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<v Speaker 1>snuggling with your loved one, and never wake up, or

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<v Speaker 1>maybe you wake up in a struggle for your life,

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<v Speaker 1>which you lose. Joint host David Radiman as he explores

0:14:31.320 --> 0:14:35.000
<v Speaker 1>one fateful night when evil descended upon small town, Ohio,

0:14:35.320 --> 0:14:38.080
<v Speaker 1>killed eight members of an Ohio family in a pre

0:14:38.240 --> 0:14:41.640
<v Speaker 1>planned execution. The family was targeted, most of them targeted

0:14:41.640 --> 0:14:44.880
<v Speaker 1>while they were sleeping. The Pink Moon Murders is available

0:14:44.920 --> 0:14:47.280
<v Speaker 1>on February twenty second, and you can follow The Pink

0:14:47.320 --> 0:14:50.360
<v Speaker 1>Moon Murders on the I Heart Radio app, Apple podcasts

0:14:50.440 --> 0:14:54.200
<v Speaker 1>or wherever you get your podcasts. The art world it

0:14:54.280 --> 0:14:58.440
<v Speaker 1>is essentially a money laundering business. The best bakes are

0:14:58.440 --> 0:15:01.120
<v Speaker 1>still hanging on people's walls. You know, they don't even

0:15:01.440 --> 0:15:05.040
<v Speaker 1>know or suspect that their faces. I'm Alec Baldwin and

0:15:05.120 --> 0:15:09.680
<v Speaker 1>this is a podcast about deception, greed and forgery in

0:15:09.720 --> 0:15:16.520
<v Speaker 1>the art world. You knew the painting was fake. Um,

0:15:16.560 --> 0:15:19.840
<v Speaker 1>listen to Art Fraud on the I Heart Radio app,

0:15:19.920 --> 0:15:42.520
<v Speaker 1>Apple podcasts or wherever you get your podcasts. Do you

0:15:42.560 --> 0:15:45.440
<v Speaker 1>do Lucky? And then you're doing stand up? And then

0:15:45.520 --> 0:15:48.640
<v Speaker 1>how did you did you know about the office before

0:15:48.680 --> 0:15:56.640
<v Speaker 1>you came on? Saul the British pilot on an airplane, okay,

0:15:56.880 --> 0:16:00.800
<v Speaker 1>And I was dying right, and I was like, damn,

0:16:00.800 --> 0:16:02.800
<v Speaker 1>I wish I could find that, you know. And one

0:16:02.840 --> 0:16:05.040
<v Speaker 1>day I was like drumming past seven eleven and I

0:16:05.080 --> 0:16:08.640
<v Speaker 1>saw the picture David Brent. Now that's that's the dude

0:16:08.720 --> 0:16:11.160
<v Speaker 1>from this show, you know. And then I end up

0:16:11.200 --> 0:16:14.840
<v Speaker 1>getting the audition. No, I didn't know much about except

0:16:14.880 --> 0:16:20.720
<v Speaker 1>for that pilot. And when you got the audition was

0:16:20.840 --> 0:16:22.680
<v Speaker 1>did you think it was just for one episode or

0:16:22.720 --> 0:16:25.840
<v Speaker 1>were they saying like you may come around. No, it

0:16:25.960 --> 0:16:29.120
<v Speaker 1>was just I mean it was it was the first season,

0:16:29.840 --> 0:16:32.960
<v Speaker 1>so you didn't even know, you know, what was going on.

0:16:33.160 --> 0:16:36.200
<v Speaker 1>So I just came in, did the did the audition,

0:16:36.360 --> 0:16:39.640
<v Speaker 1>and they called me later after y'all get well on

0:16:39.720 --> 0:16:44.120
<v Speaker 1>the way, I was established an episode for Yeah, And

0:16:44.160 --> 0:16:47.560
<v Speaker 1>did you know Allison Jones before that? I don't know

0:16:47.560 --> 0:16:50.200
<v Speaker 1>if I worked with Alison. I'm not before that. No,

0:16:50.360 --> 0:16:54.960
<v Speaker 1>you know what let missing? I think I had gotten

0:16:55.200 --> 0:16:57.880
<v Speaker 1>forty yeo, I'm sorry, knocked up? How did I do that?

0:16:58.840 --> 0:17:01.760
<v Speaker 1>Everybody does that to me? Fort Your Virgin? Like, no,

0:17:01.840 --> 0:17:04.520
<v Speaker 1>it's knocked up, knocked up and I just messed it up.

0:17:04.880 --> 0:17:08.680
<v Speaker 1>I got auditioned for Fortio Virgin, but I didn't get that,

0:17:08.720 --> 0:17:11.080
<v Speaker 1>but I did get knocked up, So I'm not sure

0:17:12.200 --> 0:17:15.560
<v Speaker 1>exactly what you want happen right right right? But did

0:17:15.560 --> 0:17:18.520
<v Speaker 1>you know that it was had the possibility to to

0:17:18.560 --> 0:17:21.720
<v Speaker 1>recur at that point or zero idea of just doing

0:17:21.720 --> 0:17:26.840
<v Speaker 1>a job, right, What was different for you or was

0:17:26.880 --> 0:17:28.920
<v Speaker 1>there anything different for you in terms of the way

0:17:29.000 --> 0:17:31.600
<v Speaker 1>that the show was shot. Yeah, that was that was

0:17:31.720 --> 0:17:35.000
<v Speaker 1>way different. Like everything else was like a movie was

0:17:35.119 --> 0:17:38.000
<v Speaker 1>you know, the two cameras doing a thing, but nobody

0:17:38.040 --> 0:17:42.000
<v Speaker 1>was swinging cameras around. Right. I feel like Darryl, you know,

0:17:42.080 --> 0:17:46.280
<v Speaker 1>even from the beginning, had kind of a gem thing

0:17:46.800 --> 0:17:50.000
<v Speaker 1>with the camera, like it felt like you were on

0:17:50.040 --> 0:17:52.359
<v Speaker 1>the same page, Like you would do the looks to

0:17:52.400 --> 0:17:54.919
<v Speaker 1>the camera like did you just see that idiot. I

0:17:54.920 --> 0:17:58.720
<v Speaker 1>don't get a lot of camera looks untill later, but

0:17:59.400 --> 0:18:02.199
<v Speaker 1>people do say, yeah, see me as a voice of

0:18:02.200 --> 0:18:08.080
<v Speaker 1>reason and in all the insanity. Yeah, Ben Silverman says

0:18:08.280 --> 0:18:12.359
<v Speaker 1>that you're the smartest person who worked a Dunner Mifflin. Well, no,

0:18:12.880 --> 0:18:16.560
<v Speaker 1>not you, but Darryl right right, right right, I can

0:18:16.640 --> 0:18:19.719
<v Speaker 1>see that. Yeah, Daryl was just trying to you know,

0:18:20.080 --> 0:18:24.320
<v Speaker 1>be honest, make an honest buck, and I couldn't believe

0:18:24.400 --> 0:18:26.720
<v Speaker 1>a lot of things that I was going around him.

0:18:26.800 --> 0:18:28.399
<v Speaker 1>And you know, he knew he had to keep the

0:18:28.440 --> 0:18:31.840
<v Speaker 1>peace and knew he had to uh keep his job.

0:18:32.800 --> 0:18:35.160
<v Speaker 1>So I don't I don't think he has worked out

0:18:35.480 --> 0:18:38.080
<v Speaker 1>smart in these cats. He just was, you know, just

0:18:38.160 --> 0:18:40.320
<v Speaker 1>like would you believe these cats? You know, but it

0:18:40.400 --> 0:18:43.119
<v Speaker 1>felt like, you know, they showed a lot that the

0:18:43.200 --> 0:18:49.159
<v Speaker 1>warehouse maybe was run more efficiently than the regular office.

0:18:49.720 --> 0:18:55.800
<v Speaker 1>Like you were well, you were good. Yeah. Um. Darryl's

0:18:55.840 --> 0:18:59.960
<v Speaker 1>relationship with Michael in the show, it was a very

0:19:00.240 --> 0:19:03.399
<v Speaker 1>like he kept coming to you for advice, particularly on

0:19:04.080 --> 0:19:08.520
<v Speaker 1>black culture. It was a very very funny dynamic. What

0:19:08.600 --> 0:19:14.040
<v Speaker 1>was your experience working with Steve? He's the greatest. The

0:19:14.080 --> 0:19:19.160
<v Speaker 1>way he could turn it comedy button off and on

0:19:19.359 --> 0:19:25.040
<v Speaker 1>like a falsett. It was just genius to me. Whenever

0:19:25.080 --> 0:19:26.720
<v Speaker 1>I had a scene with him on it, and I

0:19:26.800 --> 0:19:32.360
<v Speaker 1>was like, titilation was holy, you know, very exciting. And

0:19:32.359 --> 0:19:36.680
<v Speaker 1>I learned from him, stole from him all of that. Yeah,

0:19:36.800 --> 0:19:38.600
<v Speaker 1>it's funny that you said you said that, because I

0:19:38.640 --> 0:19:39.960
<v Speaker 1>thought you were going to say something else, which I

0:19:40.000 --> 0:19:42.959
<v Speaker 1>think is also true. Is part of his genius is

0:19:43.000 --> 0:19:47.600
<v Speaker 1>how he turns so quick even within a scene, you

0:19:47.640 --> 0:19:49.879
<v Speaker 1>know what I mean, Like he is he is fighting

0:19:49.920 --> 0:19:52.520
<v Speaker 1>down one path and something may happen and he just

0:19:52.640 --> 0:19:56.840
<v Speaker 1>turns it like that and he's like, you know, ultimate

0:19:56.880 --> 0:20:02.320
<v Speaker 1>scene part of two. He listens and acts two. You

0:20:02.359 --> 0:20:05.560
<v Speaker 1>know what's going on? Like, we had a scene I

0:20:05.600 --> 0:20:11.400
<v Speaker 1>didn't even really notice until it aired. It was a negotiation.

0:20:13.119 --> 0:20:15.800
<v Speaker 1>It might be my favorite episode just because of the

0:20:15.840 --> 0:20:19.600
<v Speaker 1>work I did with Steve and being able to play

0:20:19.640 --> 0:20:21.879
<v Speaker 1>with him like that. It was a scene where he's like,

0:20:21.960 --> 0:20:26.200
<v Speaker 1>I'm not going to speak first, like decline to speak first.

0:20:27.040 --> 0:20:29.880
<v Speaker 1>So we did a couple of takes and it was fine. Uh,

0:20:29.920 --> 0:20:32.920
<v Speaker 1>And then he did his next take and he's making

0:20:32.960 --> 0:20:37.880
<v Speaker 1>these faces and if you look closely, you could see

0:20:38.720 --> 0:20:43.600
<v Speaker 1>Meet started crack a smile on that. But it was

0:20:43.640 --> 0:20:46.280
<v Speaker 1>just like, without even speaking, he could, you know, pull

0:20:46.359 --> 0:20:49.080
<v Speaker 1>us out of you. The laughter is like, oh, he's

0:20:49.080 --> 0:20:53.680
<v Speaker 1>about to get me. But also in that episode when

0:20:53.680 --> 0:20:56.359
<v Speaker 1>I was saying, uh, where he listens and you know,

0:20:56.960 --> 0:21:00.879
<v Speaker 1>like the perfect improvisation partner, You're listening and take it

0:21:00.920 --> 0:21:02.920
<v Speaker 1>to the next level. So we's talking about, you know,

0:21:02.960 --> 0:21:05.359
<v Speaker 1>getting a raise from Jane. I said, make it happen, Captain,

0:21:06.600 --> 0:21:20.040
<v Speaker 1>he said, I will, Sergeant God game amazing. Do you

0:21:20.119 --> 0:21:24.360
<v Speaker 1>think that your relationship with him evolved throughout the show. Yeah,

0:21:24.400 --> 0:21:29.160
<v Speaker 1>but I think everybody's everybody evolved in this show. Everybody

0:21:29.680 --> 0:21:34.080
<v Speaker 1>I went through character development. Um, you know, that's one

0:21:34.080 --> 0:21:37.359
<v Speaker 1>of the things that makes it what it is. People

0:21:37.680 --> 0:21:40.160
<v Speaker 1>got to know these people, right. But yeah, I think

0:21:40.240 --> 0:21:44.640
<v Speaker 1>every every situation evolved to something. I mean, you started

0:21:44.640 --> 0:21:49.000
<v Speaker 1>out and your episodes were mainly about like the office

0:21:49.359 --> 0:21:54.200
<v Speaker 1>versus the warehouse, whether directly in basketball or like a

0:21:54.240 --> 0:21:56.720
<v Speaker 1>weird class thing where you have like the white collar

0:21:56.800 --> 0:21:59.680
<v Speaker 1>and the blue collar. Talk to me about the transition

0:21:59.720 --> 0:22:02.919
<v Speaker 1>for you character wise or as an actor of you

0:22:03.080 --> 0:22:05.439
<v Speaker 1>finally coming up and being a regular part of like

0:22:05.520 --> 0:22:13.359
<v Speaker 1>the bullpen characterized. Um, it felt like like it did

0:22:13.760 --> 0:22:17.480
<v Speaker 1>in real life, like oh many and making you a

0:22:17.560 --> 0:22:21.560
<v Speaker 1>regular you know what I'm saying. So definitely a move

0:22:21.640 --> 0:22:24.760
<v Speaker 1>on up for Craig, INFI, Darryl, you know. And it

0:22:24.840 --> 0:22:28.600
<v Speaker 1>was like more responsibility. And Rain used to say I

0:22:28.600 --> 0:22:31.600
<v Speaker 1>had the sweetest schedule in Hollywood because I would come

0:22:31.640 --> 0:22:33.400
<v Speaker 1>in for like an episode here and then four weeks

0:22:33.480 --> 0:22:38.640
<v Speaker 1>later come in to the Christmas episode. But yeah, character wiz,

0:22:38.840 --> 0:22:42.000
<v Speaker 1>it was it was like, yeah, step up and okay,

0:22:42.080 --> 0:22:44.359
<v Speaker 1>let's starting to see you know, starting to feel me.

0:22:45.000 --> 0:22:48.239
<v Speaker 1>And for Craig myself, it was like, hey, this is

0:22:49.000 --> 0:22:53.679
<v Speaker 1>this is awesome, Like because I didn't understand like I

0:22:53.680 --> 0:22:56.440
<v Speaker 1>thought we were a year to year like every other show.

0:22:56.480 --> 0:22:59.439
<v Speaker 1>You know, you don't know, you don't know, But it

0:22:59.520 --> 0:23:01.720
<v Speaker 1>was something about the offered, like like I remember one

0:23:01.840 --> 0:23:04.440
<v Speaker 1>one year and they were like many was like, yeah,

0:23:04.480 --> 0:23:07.320
<v Speaker 1>we're gonna be dating, and it didn't happen for a year,

0:23:07.359 --> 0:23:09.120
<v Speaker 1>and I kind of forget about. In the next year

0:23:09.880 --> 0:23:12.560
<v Speaker 1>we were dating. I was like, Oh, that's that's interesting.

0:23:15.400 --> 0:23:17.119
<v Speaker 1>How don't know we're gonna be picked up? You know,

0:23:18.080 --> 0:23:20.920
<v Speaker 1>I guess you don't know what you do that kind

0:23:20.920 --> 0:23:26.960
<v Speaker 1>of I wasn't, you know, none of those conversations. So

0:23:27.000 --> 0:23:28.760
<v Speaker 1>one of the people that I've talked to is uh

0:23:28.960 --> 0:23:33.199
<v Speaker 1>TV critic, and she talked about The Office. One of

0:23:33.200 --> 0:23:35.479
<v Speaker 1>the things that was notable about it was that it

0:23:35.560 --> 0:23:39.120
<v Speaker 1>was She defined it as casually diverse. Do you feel

0:23:39.160 --> 0:23:41.920
<v Speaker 1>like the Office in terms of race or your experience?

0:23:41.960 --> 0:23:44.600
<v Speaker 1>Do you feel like it it did something right or

0:23:44.680 --> 0:23:48.760
<v Speaker 1>wrong in terms of that it presented us as people?

0:23:49.240 --> 0:23:54.520
<v Speaker 1>And now all right with me, I don't notice right

0:23:54.600 --> 0:23:57.440
<v Speaker 1>or wrong. I think casually diverse is a great way

0:23:57.480 --> 0:24:01.080
<v Speaker 1>to put it. But it just, you know, we would

0:24:01.160 --> 0:24:03.800
<v Speaker 1>regularly it would look like a real office. We weren't like,

0:24:03.880 --> 0:24:09.840
<v Speaker 1>you know, models walking around. It was so proper dialogue.

0:24:09.920 --> 0:24:14.280
<v Speaker 1>This was like, just Okay, these are people someone probably

0:24:14.280 --> 0:24:17.760
<v Speaker 1>have some mentally know problems that they need to take

0:24:17.760 --> 0:24:22.000
<v Speaker 1>care of, right there, unleashed on society and it's fine.

0:24:22.600 --> 0:24:26.200
<v Speaker 1>Do you think the show did anything in terms of

0:24:26.880 --> 0:24:32.560
<v Speaker 1>a positive message in terms of diversity or race? I

0:24:32.560 --> 0:24:35.480
<v Speaker 1>mean you were nominated for three and double A CP Awards,

0:24:35.520 --> 0:24:43.720
<v Speaker 1>correct lost a three though, Nick Cannon, Ice Cube and

0:24:43.800 --> 0:24:47.800
<v Speaker 1>somebody else. But um, I mean people from all walks

0:24:47.840 --> 0:24:53.399
<v Speaker 1>of life love the Office, So I I wish I

0:24:53.440 --> 0:24:57.200
<v Speaker 1>could speak to that specifically somebody you know, and somebody

0:24:57.200 --> 0:24:59.680
<v Speaker 1>would be like, you know what, I had a problem

0:24:59.760 --> 0:25:03.439
<v Speaker 1>back people, But it's just that show. You know, I

0:25:03.480 --> 0:25:06.919
<v Speaker 1>don't know, right, I just don't know that answer. You

0:25:06.960 --> 0:25:09.720
<v Speaker 1>know what's funny? This is kind of side note. Someone

0:25:09.760 --> 0:25:12.480
<v Speaker 1>pointed this out that in Christmas Party we were talking

0:25:12.480 --> 0:25:15.600
<v Speaker 1>about before season two, Michael tells Darryl that he can't

0:25:15.600 --> 0:25:21.520
<v Speaker 1>wear a Santa hat, and eight years later Megan Kelly

0:25:21.640 --> 0:25:26.160
<v Speaker 1>there was a controversy was started by Santa Claus White kids. Yeah,

0:25:26.320 --> 0:25:29.119
<v Speaker 1>like he was before anyone ever knew who Meg and

0:25:29.240 --> 0:25:32.480
<v Speaker 1>Kelly was. He was making a joke out of what

0:25:32.640 --> 0:25:37.600
<v Speaker 1>she would say in the future calling America. Yeah, um,

0:25:37.640 --> 0:25:41.760
<v Speaker 1>do you do that in your comedy race? Yeah? Stuff,

0:25:43.080 --> 0:25:47.760
<v Speaker 1>We're just about America. No, not really, No, I have

0:25:47.840 --> 0:25:52.560
<v Speaker 1>a date x my acting mostly for like lovers. It's

0:25:52.600 --> 0:25:55.080
<v Speaker 1>a great date night. I mean it's for everybody, but

0:25:56.160 --> 0:25:58.960
<v Speaker 1>it's a couples get. I don't know, a boost out

0:25:58.960 --> 0:26:02.120
<v Speaker 1>of it, a boot, like a sexual boost, something you give,

0:26:02.160 --> 0:26:06.680
<v Speaker 1>a sexual boost, something that gally happens. I'm definitely about

0:26:06.720 --> 0:26:10.679
<v Speaker 1>the you know, the relationship. But interesting, I wonder what

0:26:10.800 --> 0:26:25.639
<v Speaker 1>my vibe is. I don't think it's that Hello, Hello, Hi,

0:26:26.000 --> 0:26:27.440
<v Speaker 1>Oh my god. I want to come through the screen

0:26:27.440 --> 0:26:35.160
<v Speaker 1>and hug you. Hey, everybody. Jessica's are here, also known

0:26:35.200 --> 0:26:38.480
<v Speaker 1>as Vanessa Abrams on Gossip Girl. I am so excited

0:26:38.520 --> 0:26:40.680
<v Speaker 1>to share my new podcast with you guys. It's called

0:26:40.840 --> 0:26:42.720
<v Speaker 1>x O x O and it's a walk down memory

0:26:42.760 --> 0:26:44.960
<v Speaker 1>lane all about Gossip Girl. I'll chat with some of

0:26:45.000 --> 0:26:47.679
<v Speaker 1>the cast crew fans of the show, and I'm just

0:26:47.720 --> 0:26:49.480
<v Speaker 1>so pumped for you guys to go on this journey

0:26:49.480 --> 0:26:52.920
<v Speaker 1>with me. All Right, I made Westwick. I played Chuck Bass.

0:26:53.080 --> 0:26:55.320
<v Speaker 1>I just can't believe that I did that. With my

0:26:55.400 --> 0:26:59.200
<v Speaker 1>life Jay. We had like the most amazing time. Listen

0:26:59.240 --> 0:27:02.320
<v Speaker 1>to XO X on the I Heart Radio app, Apple podcasts,

0:27:02.480 --> 0:27:08.760
<v Speaker 1>or wherever you get your podcasts. On the latest season

0:27:08.800 --> 0:27:11.879
<v Speaker 1>of the Next Question with Katie correct podcast, Katie dives

0:27:11.880 --> 0:27:17.160
<v Speaker 1>into Well Katie Here, exclusive podcast only conversations between Katie

0:27:17.200 --> 0:27:19.800
<v Speaker 1>and the people who made her memoir Going There Possible.

0:27:20.000 --> 0:27:23.160
<v Speaker 1>We spent a lot of time together around a dining

0:27:23.240 --> 0:27:26.239
<v Speaker 1>room table here and in the city, and you know,

0:27:26.640 --> 0:27:30.760
<v Speaker 1>it was a very intense experience. All episodes of Next

0:27:30.840 --> 0:27:33.679
<v Speaker 1>Question with Katie Couric are available now. Listen on the

0:27:33.680 --> 0:27:36.439
<v Speaker 1>I Heart Radio app, Apple podcasts, or wherever you get

0:27:36.480 --> 0:27:41.560
<v Speaker 1>your podcasts. And we're live here outside the Perez family home,

0:27:41.720 --> 0:27:45.080
<v Speaker 1>just waiting for the and there they go, almost on time.

0:27:45.119 --> 0:27:47.880
<v Speaker 1>This morning, Mom is coming off the front door strong

0:27:47.920 --> 0:27:50.480
<v Speaker 1>with a double arm kid carry. Looks like Dad has

0:27:50.520 --> 0:27:53.879
<v Speaker 1>the bags. Daughter's bringing up the rear. Oh but the

0:27:54.000 --> 0:27:59.520
<v Speaker 1>diaper bag wasn't closed. Diapers and toys are everywhere. Oh

0:27:59.600 --> 0:28:02.760
<v Speaker 1>but Mom has just nailed the perfect car seat buckle

0:28:02.880 --> 0:28:05.920
<v Speaker 1>for the toddler. And now the eldest daughter, who looks

0:28:05.960 --> 0:28:08.600
<v Speaker 1>to be about nine or ten, has secured herself in

0:28:08.640 --> 0:28:12.080
<v Speaker 1>the booster seat. Dad SIPs the bad clothes and they're off,

0:28:13.160 --> 0:28:15.520
<v Speaker 1>but looks like Mom doesn't realize her coffee cup is

0:28:15.560 --> 0:28:18.640
<v Speaker 1>still on the roof of the car, and there it goes.

0:28:20.160 --> 0:28:23.120
<v Speaker 1>That's a shame that mug was a fan favorite. Don't

0:28:23.160 --> 0:28:25.720
<v Speaker 1>sweat the small stuff, just nailed the big stuff, like

0:28:25.760 --> 0:28:27.560
<v Speaker 1>making sure your kids are buckled correctly in the right

0:28:27.600 --> 0:28:29.760
<v Speaker 1>seat for their agent's eyes. Learn more n h t

0:28:29.920 --> 0:28:32.240
<v Speaker 1>s A dot gov slash the Right Seat visits n

0:28:32.440 --> 0:28:36.359
<v Speaker 1>h s A dot gov slash the Right Seat brought

0:28:36.359 --> 0:28:50.000
<v Speaker 1>to you by NITZA and the ad Council. Darryll eventually

0:28:50.760 --> 0:28:56.480
<v Speaker 1>interviews to be the new manager. Did you want that job? Why?

0:28:57.880 --> 0:29:00.840
<v Speaker 1>I just didn't, And they would talking about me being it,

0:29:00.880 --> 0:29:02.880
<v Speaker 1>and I was, And when time I went up to Paul,

0:29:03.400 --> 0:29:07.280
<v Speaker 1>I'm like, hey, man, just uh, you know, just put

0:29:07.320 --> 0:29:09.720
<v Speaker 1>that in your pocket game of dollar, like you're thinking

0:29:09.760 --> 0:29:12.920
<v Speaker 1>about the managed, But I was. No. I did not

0:29:13.000 --> 0:29:15.160
<v Speaker 1>want to be managing. I thought that was interesting that

0:29:15.200 --> 0:29:17.080
<v Speaker 1>my name got brought up and it was cool and

0:29:17.800 --> 0:29:19.600
<v Speaker 1>and you know, I thought about it, but that would

0:29:19.600 --> 0:29:23.000
<v Speaker 1>be like and all that, But no, it seemed like

0:29:23.760 --> 0:29:28.680
<v Speaker 1>it looked like a lot of work, way different than

0:29:28.960 --> 0:29:33.840
<v Speaker 1>rain talking about your schedule coming In one episode four yeah,

0:29:34.160 --> 0:29:39.440
<v Speaker 1>but the path to that, Oh, it was amazing. Uh,

0:29:40.440 --> 0:29:47.400
<v Speaker 1>it's gonna Cassy Bates and Will Ferrell, Will James James Spader.

0:29:49.520 --> 0:29:51.920
<v Speaker 1>I looked back at some of those episodes like, that's right,

0:29:51.960 --> 0:29:58.000
<v Speaker 1>that actually happened, Spade. It was incredible, man, God damn. Yeah.

0:29:58.000 --> 0:30:00.640
<v Speaker 1>How was it like working with you know once Eve laughed?

0:30:00.840 --> 0:30:03.680
<v Speaker 1>Working with those guys. I mean, these are legends coming

0:30:03.720 --> 0:30:08.520
<v Speaker 1>in and you just like hanging out. You no battle trailer,

0:30:08.600 --> 0:30:13.240
<v Speaker 1>what's up? Catherine Tate? Catherine Tate, who I don't know

0:30:13.240 --> 0:30:17.600
<v Speaker 1>anything about Melanan That's that's my homies still to this day,

0:30:17.760 --> 0:30:21.280
<v Speaker 1>she's the best Spader. How is working with Spader different

0:30:21.280 --> 0:30:26.320
<v Speaker 1>than Steve Well, I mean, you know Spader, he's how

0:30:26.320 --> 0:30:30.400
<v Speaker 1>do you describe the guy? He's his own world, he's

0:30:30.440 --> 0:30:34.240
<v Speaker 1>his own I don't know. It was cool. It was

0:30:34.320 --> 0:30:37.360
<v Speaker 1>real cool. He was, you know, chatty and you know,

0:30:37.440 --> 0:30:41.040
<v Speaker 1>say what's up and it's smoothed with it, but you

0:30:41.080 --> 0:30:44.880
<v Speaker 1>know he's got that weird, creepy funny and Steve was

0:30:45.000 --> 0:30:50.560
<v Speaker 1>just like a falsetto just whatever you needed. And then

0:30:50.880 --> 0:30:54.520
<v Speaker 1>Spade of Dight, they wrote to him beautifully. Yeah. He

0:30:55.800 --> 0:30:59.600
<v Speaker 1>It was just interesting how they just approached it in

0:30:59.680 --> 0:31:04.600
<v Speaker 1>a totally opposite way from like really wanting a crafted

0:31:04.800 --> 0:31:11.800
<v Speaker 1>acting performance to way more sort of improv fass Ale. Yeah,

0:31:12.200 --> 0:31:14.840
<v Speaker 1>you were talking before about the leading up to Darryl

0:31:15.280 --> 0:31:18.040
<v Speaker 1>becoming the manager and getting to work with all of

0:31:18.040 --> 0:31:20.160
<v Speaker 1>those people. I mean that was that was a huge

0:31:20.200 --> 0:31:22.480
<v Speaker 1>storyline for you. I mean, and then eventually you going

0:31:22.520 --> 0:31:26.120
<v Speaker 1>off and working with Jim. Do you think today Darryl

0:31:26.160 --> 0:31:30.360
<v Speaker 1>would still be working with Jim at the Athlete Athlete

0:31:31.440 --> 0:31:36.600
<v Speaker 1>Oh yeah, oh yeah, they be at all no dope

0:31:36.640 --> 0:31:42.320
<v Speaker 1>games and killing it hecky yeah. I mean, I'm sure

0:31:42.320 --> 0:31:45.640
<v Speaker 1>he would have found another way to rise on his point,

0:31:45.760 --> 0:31:49.760
<v Speaker 1>but uh, maybe he was in his own company. Who

0:31:49.800 --> 0:31:54.720
<v Speaker 1>knows Daryl was ambitious? Yeah. Uh again going back to

0:31:54.840 --> 0:31:57.640
<v Speaker 1>Ben's talking about Darryl being the smartest person in the office,

0:31:57.680 --> 0:32:01.720
<v Speaker 1>but he was overlooked a lot. I sort of like,

0:32:02.320 --> 0:32:06.720
<v Speaker 1>you know, like Kevin was overlooked um in the basketball episode,

0:32:06.760 --> 0:32:08.480
<v Speaker 1>like where I was like, oh, yeah, of course that

0:32:08.560 --> 0:32:13.000
<v Speaker 1>guy can't play, and then you know you exactly, Daryl,

0:32:13.320 --> 0:32:15.840
<v Speaker 1>You really are an athletes, really, I am. I mean

0:32:15.880 --> 0:32:21.320
<v Speaker 1>we got a soft ball killed, bro, you killed Oh

0:32:21.480 --> 0:32:28.440
<v Speaker 1>I forgot about that. The beasts stuff We're like, okay, okay,

0:32:29.040 --> 0:32:31.560
<v Speaker 1>don't make me run that fast. That's all. Hit it

0:32:31.560 --> 0:32:33.520
<v Speaker 1>far up so that they hit it far up so

0:32:33.560 --> 0:32:36.400
<v Speaker 1>I don't have to run so fast. Yeah, but Daryl,

0:32:36.480 --> 0:32:40.080
<v Speaker 1>but it felt like Darryl kept being overlooked, at least

0:32:40.120 --> 0:32:44.000
<v Speaker 1>by Michael. I mean he was in the warehouse, he

0:32:44.040 --> 0:32:48.280
<v Speaker 1>put in the you know, trying we looked at I

0:32:48.280 --> 0:32:54.040
<v Speaker 1>guess what was your negotiation? Was that your favorite episode? Probably? Yeah,

0:32:54.360 --> 0:32:58.880
<v Speaker 1>just the sheer amount of work Mike an idea and

0:32:58.920 --> 0:33:01.200
<v Speaker 1>they said people don't only only want I called him Mike.

0:33:01.880 --> 0:33:06.520
<v Speaker 1>That's right. I didn't even realize that. Yeah, you're the

0:33:06.600 --> 0:33:10.440
<v Speaker 1>only one who called him Mike. Um, what was it?

0:33:10.520 --> 0:33:12.560
<v Speaker 1>What was it like for you working with Krasinski? How

0:33:12.640 --> 0:33:15.680
<v Speaker 1>was he different than Steve? And he's a pain in

0:33:15.720 --> 0:33:20.320
<v Speaker 1>the ass. But other than that, it was that John

0:33:20.480 --> 0:33:24.800
<v Speaker 1>always struck me. I mean he just knew like he

0:33:24.880 --> 0:33:28.640
<v Speaker 1>feel like he was, you know, just just brilliant dude.

0:33:28.720 --> 0:33:34.920
<v Speaker 1>You know, uh, I love his directing and he's funny,

0:33:35.000 --> 0:33:36.320
<v Speaker 1>you know when he wanted to be, but he was

0:33:36.360 --> 0:33:41.480
<v Speaker 1>the more the leading man kind of dude. Yeah, but

0:33:41.960 --> 0:33:44.040
<v Speaker 1>you know, he was always cool man. It was great

0:33:45.280 --> 0:33:49.680
<v Speaker 1>in the finale. Um do you remember what happens in

0:33:49.680 --> 0:33:52.160
<v Speaker 1>the finale We all go back to Scratton like a

0:33:52.240 --> 0:33:54.320
<v Speaker 1>year later and we do that Q and a panel

0:33:54.680 --> 0:33:58.000
<v Speaker 1>on the show. Yeah, and l A and her parents

0:33:58.000 --> 0:34:00.920
<v Speaker 1>are there. My god, what card thinking about it? Yeah?

0:34:01.360 --> 0:34:06.960
<v Speaker 1>Joelqu sick? Was it sad? Sad to watch on? Uh

0:34:07.360 --> 0:34:10.560
<v Speaker 1>in that moment with Ellie and because I don't know

0:34:10.600 --> 0:34:13.560
<v Speaker 1>what was going on? Right? Yeah, that was pretty you know,

0:34:14.280 --> 0:34:17.360
<v Speaker 1>rinching well and Creed singing the song all the faces

0:34:17.480 --> 0:34:19.960
<v Speaker 1>he sings that and then Jenna takes the painting off

0:34:20.000 --> 0:34:23.040
<v Speaker 1>the wall and goes outside. Oh yeah, I do remember that.

0:34:24.400 --> 0:34:28.200
<v Speaker 1>Jens Alotta talked about that. Greg used to talk about

0:34:28.719 --> 0:34:33.959
<v Speaker 1>the show was like a giant parking lot that goes

0:34:34.000 --> 0:34:36.160
<v Speaker 1>on forever, Like as far as you can see, there's

0:34:36.200 --> 0:34:41.080
<v Speaker 1>just asphalt everywhere, and then just line parking space, parking space,

0:34:41.520 --> 0:34:45.040
<v Speaker 1>handicapped space, and that just goes on and on, he said.

0:34:45.040 --> 0:34:47.800
<v Speaker 1>But then when you start to look closer, you see

0:34:48.080 --> 0:34:51.279
<v Speaker 1>the little cracks in the parking lot, and every once

0:34:51.280 --> 0:34:54.440
<v Speaker 1>in a while there's just a little teeny flower that

0:34:54.600 --> 0:34:59.720
<v Speaker 1>comes up out of the ground. And examining that beauty

0:34:59.760 --> 0:35:02.600
<v Speaker 1>in a waste land was what the show was trying

0:35:02.640 --> 0:35:05.560
<v Speaker 1>to do. I think that's why it relates to people.

0:35:05.840 --> 0:35:09.080
<v Speaker 1>One of the many reasons. Of course, have you ever

0:35:09.120 --> 0:35:14.160
<v Speaker 1>seen Greg going to his own like what so we

0:35:14.160 --> 0:35:17.560
<v Speaker 1>were doing this shows what in the office it was

0:35:18.080 --> 0:35:23.120
<v Speaker 1>Mr Robins, Mr Robinson. Yeah, so we the pitch like

0:35:23.280 --> 0:35:26.360
<v Speaker 1>the big pitch was like later on the the day

0:35:26.840 --> 0:35:30.760
<v Speaker 1>and uh and Catskey was there. Tracy shout out Tracy

0:35:31.160 --> 0:35:33.520
<v Speaker 1>and she had to move. She's like, great, we gotta go.

0:35:34.080 --> 0:35:40.360
<v Speaker 1>And Greg went into this feverish, fierce like you saw

0:35:40.480 --> 0:35:43.880
<v Speaker 1>his brain work and he started writing and banging. It

0:35:44.600 --> 0:35:49.799
<v Speaker 1>was it was like watching Michaelangelo paint or something. It

0:35:49.880 --> 0:35:53.600
<v Speaker 1>was it was like, Oh, this is happening right now

0:35:53.640 --> 0:36:00.560
<v Speaker 1>in front of me, dude, is incredible. Salute Greg Nagels. Yeah.

0:36:00.800 --> 0:36:03.200
<v Speaker 1>When when he was doing it, going into his writing

0:36:03.400 --> 0:36:06.000
<v Speaker 1>mode and cast Key was trying to set Greg we go,

0:36:06.360 --> 0:36:10.680
<v Speaker 1>he almost like you know, like he was typing. It was.

0:36:10.760 --> 0:36:15.160
<v Speaker 1>It was it was amazing, bro. Wow, he was just

0:36:15.320 --> 0:36:17.120
<v Speaker 1>he like he had an idea and he had do

0:36:17.280 --> 0:36:21.840
<v Speaker 1>I swear it was like watching Harry Potter or something.

0:36:22.120 --> 0:36:25.520
<v Speaker 1>It was. It was magic. It was like a whirldwind

0:36:25.600 --> 0:36:29.680
<v Speaker 1>around him and he almost barked at her which she

0:36:29.760 --> 0:36:34.280
<v Speaker 1>trying to get it to go. Yeah, see the smartest

0:36:34.280 --> 0:36:39.560
<v Speaker 1>comedy person you know. Yes, I'm to say absolutely A

0:36:39.640 --> 0:36:42.319
<v Speaker 1>do love working with Greg. I mean he couldn't be

0:36:42.320 --> 0:36:45.279
<v Speaker 1>a nicer guy, you know, and then smartest dude in

0:36:45.360 --> 0:36:50.040
<v Speaker 1>every room. Yeah, what are you? What are you most

0:36:50.080 --> 0:36:56.440
<v Speaker 1>thankful for? For the Office? Um, you know, when you

0:36:56.480 --> 0:37:03.560
<v Speaker 1>meet people, it's it's this genuine like like it feels

0:37:03.600 --> 0:37:09.839
<v Speaker 1>like you you have friends everywhere, and that's, uh, that's

0:37:09.880 --> 0:37:12.200
<v Speaker 1>a big part of my life because you know, these

0:37:12.239 --> 0:37:15.279
<v Speaker 1>friends come out, they support my shows and what have you.

0:37:16.719 --> 0:37:21.000
<v Speaker 1>And it's a lot of like the deeper goals. You know,

0:37:21.080 --> 0:37:24.360
<v Speaker 1>people had these stories of you know, my my uh

0:37:24.520 --> 0:37:28.160
<v Speaker 1>mother had cancer and you know we watched The Office

0:37:28.160 --> 0:37:30.600
<v Speaker 1>and you know, we got through this and it will

0:37:30.680 --> 0:37:36.480
<v Speaker 1>be these incredible heart wrenching stories about our family. We

0:37:36.520 --> 0:37:39.440
<v Speaker 1>don't talk, but we bond over the Office. You know.

0:37:40.000 --> 0:37:41.960
<v Speaker 1>Thank you asking me, You're like, why why the hell

0:37:42.080 --> 0:37:46.080
<v Speaker 1>is the show still relevant? And I think that's that's

0:37:46.080 --> 0:37:51.200
<v Speaker 1>a big part of it. People really connect through the

0:37:51.239 --> 0:37:55.840
<v Speaker 1>show with family members or whoever. Right, why do you

0:37:55.840 --> 0:37:59.240
<v Speaker 1>think it resonates? I mean, here was my impression anyway

0:37:59.280 --> 0:38:03.640
<v Speaker 1>that people are like, oh, the office. Yeah, people can

0:38:03.719 --> 0:38:08.200
<v Speaker 1>relate because sixty million people work in offices around the country.

0:38:08.239 --> 0:38:13.239
<v Speaker 1>So of course, now like it's young people who are

0:38:13.560 --> 0:38:18.360
<v Speaker 1>really into it. Soldiers for sure, man um yeah, and

0:38:18.360 --> 0:38:21.120
<v Speaker 1>you young people like starting and people are like, yeah,

0:38:21.160 --> 0:38:24.239
<v Speaker 1>I'm on my knight, nice time around watching it or

0:38:24.280 --> 0:38:26.600
<v Speaker 1>we watched it, you know, three times or four times.

0:38:27.040 --> 0:38:30.440
<v Speaker 1>You know, it's a phenomenon. I don't know how to

0:38:30.480 --> 0:38:33.560
<v Speaker 1>put my finger on it. I think that awkwardness. You know,

0:38:33.600 --> 0:38:38.120
<v Speaker 1>it's got everything that humor, awkward, it's got heart, you

0:38:38.440 --> 0:38:43.759
<v Speaker 1>fall in love with people. You know, it's a beautiful.

0:38:44.760 --> 0:38:49.560
<v Speaker 1>So yeah, alright, guys, do we need anything else from

0:38:49.680 --> 0:38:57.960
<v Speaker 1>Mr Robinson here? No predictors, murn good, Thanks buddy, You're welcome,

0:38:58.000 --> 0:39:03.840
<v Speaker 1>sir dude, it's been oh crazy, I've seen everyone, uh John,

0:39:04.600 --> 0:39:08.080
<v Speaker 1>Johannah Rain. I'm sure this is the most boring interview.

0:39:11.120 --> 0:39:31.560
<v Speaker 1>I'm suck at these things. Just good ladies and gentlemen,

0:39:32.000 --> 0:39:35.520
<v Speaker 1>the man himself, Craig Robinson. Craig, it's so good to

0:39:35.520 --> 0:39:37.759
<v Speaker 1>see you, and I think we can all agree that

0:39:37.800 --> 0:39:43.000
<v Speaker 1>you're anything but boring. Thank you for taking the time

0:39:43.200 --> 0:39:47.560
<v Speaker 1>to stop by, and thank you, my favorite listeners for

0:39:47.640 --> 0:39:51.239
<v Speaker 1>tuning in you're in luck because today we've got a

0:39:51.360 --> 0:39:54.239
<v Speaker 1>double whammy of a release, So make sure you go

0:39:54.360 --> 0:39:58.960
<v Speaker 1>check out round two of my conversation with director Ken

0:39:59.040 --> 0:40:03.399
<v Speaker 1>kopp Us right now. I will see you over there

0:40:10.400 --> 0:40:13.680
<v Speaker 1>the Office. Deep Dive is hosted and executive produced by

0:40:13.719 --> 0:40:18.600
<v Speaker 1>me Brian Baumgartner, alongside our executive producer, Lang Lee. Our

0:40:18.640 --> 0:40:22.480
<v Speaker 1>senior producer is Tessa Kramer. Our producers for this episode

0:40:22.520 --> 0:40:25.880
<v Speaker 1>are Liz Hayes and Diego Tapia. My main man in

0:40:25.880 --> 0:40:29.719
<v Speaker 1>the booth is Alec Moore. Our theme song Bubble and

0:40:29.760 --> 0:40:33.120
<v Speaker 1>Squeak performed by my great friend Creed Bratton, and the

0:40:33.160 --> 0:40:58.040
<v Speaker 1>episode was mixed by seth Olandsky. Big Brother, North Koreae

0:40:58.120 --> 0:41:00.880
<v Speaker 1>Forgotten Prince is a new true crime podcast that dives

0:41:00.880 --> 0:41:03.680
<v Speaker 1>deep into the life and mysterious assassination of the man

0:41:03.719 --> 0:41:06.960
<v Speaker 1>once destined to be North Korea's next dictator. Join me

0:41:07.080 --> 0:41:11.360
<v Speaker 1>Eaten Lee as we investigate a twisting tale of espionage, palas, gossip,

0:41:11.520 --> 0:41:15.160
<v Speaker 1>and political backstabbing, and dive into the motives and suspects

0:41:15.320 --> 0:41:19.040
<v Speaker 1>behind the most bizarre assassination plot of the century. Listen

0:41:19.080 --> 0:41:21.840
<v Speaker 1>to Big Brother on the I Heart Radio app, Apple Podcast,

0:41:22.040 --> 0:41:27.640
<v Speaker 1>or wherever you get your podcasts coming February. Hello, this

0:41:27.719 --> 0:41:31.720
<v Speaker 1>is Christina Hutchinson and Karin Fisher. We're thrilled to announce

0:41:31.800 --> 0:41:34.920
<v Speaker 1>that our show, Guys, We the Anti plot Schaming Podcast,

0:41:35.120 --> 0:41:38.520
<v Speaker 1>is returning to wide release. That's right, every Friday, we

0:41:38.560 --> 0:41:40.920
<v Speaker 1>talked to one of our favorite comedians or an expert

0:41:40.920 --> 0:41:43.919
<v Speaker 1>in the field of sexuality, love and relationships to hear

0:41:43.920 --> 0:41:46.640
<v Speaker 1>what all the fos are about. Subscribe now and listen

0:41:46.680 --> 0:41:51.120
<v Speaker 1>to the Luminary original podcast. Guys. We've starting January one

0:41:51.280 --> 0:41:54.880
<v Speaker 1>on the I Heart Radio app, Apple podcasts or wherever

0:41:54.920 --> 0:42:00.359
<v Speaker 1>you get your podcasts. Roses are read, She shot six

0:42:00.440 --> 0:42:04.200
<v Speaker 1>times and violets are blue. It's almost like her dream

0:42:04.200 --> 0:42:06.879
<v Speaker 1>man came into her life. Are you looking for love?

0:42:07.080 --> 0:42:10.480
<v Speaker 1>I do anything for you? And a little murder too.

0:42:10.560 --> 0:42:12.799
<v Speaker 1>She would kill her own daughters to get away with it.

0:42:12.920 --> 0:42:16.160
<v Speaker 1>He has a weapon, dropped a gun in honor of

0:42:16.280 --> 0:42:19.200
<v Speaker 1>Valentine's Day. Listen to Crazy and Love the entire month

0:42:19.239 --> 0:42:22.680
<v Speaker 1>of February on the I Heart Radio app, Apple Podcasts,

0:42:22.960 --> 0:42:26.799
<v Speaker 1>or wherever you get your podcasts. What can I say?

0:42:27.040 --> 0:42:29.799
<v Speaker 1>Love made Me crazy?