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Speaker 1: Listen to The Black Guy Who Tips Podcast because Roden,

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Speaker 1: Karen or Hey, welcome to another episode of The Black

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Speaker 1: Guy Who Tells Podcast. I'm your host Rod, joined as

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Speaker 1: always by my co host Karen, and we're here for people,

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Speaker 1: the dozens of us survivors that are left twelve, the

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Speaker 1: people that even waited for our slow asses to get

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Speaker 1: caught up.

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Speaker 2: All right, we're.

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Speaker 1: Recapping The Walking Dead, the final season. I think after

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Speaker 1: tonight we have four more episodes to go.

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Speaker 3: This and I know it might sound stupid, but I

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Speaker 3: feel like we're flying through the season.

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Speaker 1: Honestly, It's taken a lot not to just binge it

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Speaker 1: just to get to the next one when I see

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Speaker 1: another episode. But I know the audience is used to

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Speaker 1: the wait between and they're used to having an episode

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Speaker 1: per recap so they don't have to, you know, stop

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Speaker 1: the show because we're like, oh, we're gonna do three

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Speaker 1: today or whatever.

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Speaker 2: So I'm just trying to keep it to the tradition.

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Speaker 1: And you know, uh that way, when we add it

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Speaker 1: to the Walking Dead playlist on Spotify, it'll be like

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Speaker 1: nothing ever.

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Speaker 2: Changed, you know, But yes, it is Walking Day of

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Speaker 2: recap time.

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Speaker 1: All right, Walking dead time. This episode was titled What's

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Speaker 1: Been Lost? It's actually directed by Aisha Tyler.

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Speaker 5: Oh for real?

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Speaker 1: Yeah, one of my problematic phaves. Okay, love her, love

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Speaker 1: her work. You know she's She's actually been in episodes

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Speaker 1: of fear to walking Dead and that that dope ass

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Speaker 1: wrestling episode that was so fun. But uh yeah, it's

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Speaker 1: the one hundred and seventy third episode and the twentieth

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Speaker 1: of this season, meaning there's four left after this one. Karen,

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Speaker 1: you know how we start. What did you think about

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Speaker 1: this episode?

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Speaker 2: In general?

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Speaker 3: I like this episode. This episode was really good. It

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Speaker 3: was really fast paced good. I love the pace moving.

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Speaker 3: It concluded a lot of things. It kind of answers

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Speaker 3: some questions, but it brought up some other things which

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Speaker 3: I've got a feeling that answer later on. And just

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Speaker 3: from the preview last week, I was like, Oh, this

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Speaker 3: is gonna be good, and it really was. I enjoyed

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Speaker 3: this episode a lot.

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Speaker 1: Yeah I did too. I thought it was fast moving.

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Speaker 1: The run time seems to be somewhere around like hour

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Speaker 1: six minutes with commercials, but you know the days of

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Speaker 1: the hour thirty minute, our forty minute.

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Speaker 2: Slog, sometimes that's gone.

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Speaker 1: And I just appreciate the tight like amount of plot

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Speaker 1: movement that happened in this episode.

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Speaker 2: Everything seems to be moving forward at a rapid page.

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Speaker 3: Shout out to Jessica Kayne. Cut some of this shit out.

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Speaker 1: Yeah, there's not a lot of filler in my opinion,

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Speaker 1: and yet it's still so stylistically good. That's you know,

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Speaker 1: these recaps are short, but I honestly think that's because

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Speaker 1: I like the way the show is moving. All right,

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Speaker 1: So what's been lost? I wrote two different locations. I

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Speaker 1: got on the run with Caroly and Darryl basically, and

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Speaker 1: then I have the Governor's House everything that happened with you,

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Speaker 1: Mico and Pamela and all that stuff. I'm not really

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Speaker 1: sure which one to go with first. I guess we'll

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Speaker 1: go with the Governor's House, although some of the Governor's

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Speaker 1: House stuff will have spoilers for the second part I'm

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Speaker 1: about to tell you, but this is the boring part,

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Speaker 1: so I just say we do this first. Okay, okay,

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Speaker 1: this is the least action. So Pamela Milton is talking

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Speaker 1: to some donors after, of course, we watched her son

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Speaker 1: get zombified and eating and get exposed with the videotape, right,

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Speaker 1: I mean audio tape.

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Speaker 3: Yeah, they were sitting in there like, yes, a great job.

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Speaker 3: What do I make my donation check out to?

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Speaker 2: Yeah?

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Speaker 1: Pamela felt like Drew Barrymore coming back to work with

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Speaker 1: no writers because I don't know if you saw the

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Speaker 1: latest news.

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Speaker 2: But Drew Barrymore show is coming back.

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Speaker 1: The writers declined to come back, saying, I said it

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Speaker 1: what happened?

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Speaker 2: Because I didn't?

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Speaker 3: I say, yeah, because.

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Speaker 2: What I said? What I said? I told didn't I

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Speaker 2: said what happened? When I said so?

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Speaker 3: Because they was like, this.

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Speaker 2: Is the opposite I told you? What did I tell you?

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Speaker 2: Didn't I tell you because I told you? And when

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Speaker 2: did I tell you a long time ago? And what

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Speaker 2: did I say? What happened? When I told you exactly

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Speaker 2: what just happened?

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Speaker 3: Yeah? Because pray, what was that?

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Speaker 4: Aghattle?

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Speaker 1: Yeah, it's right, I've been about it.

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Speaker 2: We've been right about ah. Yes.

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Speaker 5: Yes.

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Speaker 3: They were mad because they was like, this is literally

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Speaker 3: the opposite of everything you stand for. And you know

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Speaker 3: in their mind they was like, hey, if something like

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Speaker 3: this was to happen again, we know that you won't

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Speaker 3: have our backs as writers.

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Speaker 2: She was walking right past them. I said that shit

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Speaker 2: on the shaw said, I don't know.

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Speaker 1: How they're gonna go back to work with her because

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Speaker 1: she walked past like she walked in that building while

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Speaker 1: they were outside picking in.

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Speaker 2: That's not a slight people can just take.

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Speaker 1: And at that level because it was her co the

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Speaker 1: like head writers coach, she has three co head writers.

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Speaker 1: At that level, you making haird writer money, you might

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Speaker 1: have some options like staff writers like me, you probably

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Speaker 1: gonna I would have walked right back up in that

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Speaker 1: bitch and just been mad that she was did that shit,

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Speaker 1: but I wouldn't have said nothing.

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Speaker 3: And they was like, oh, oh, everybody coming back, so

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Speaker 3: I can get another job somewhere.

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Speaker 2: Well, yeah, the co write like that.

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Speaker 1: At that point, you can probably find another job where

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Speaker 1: you just have enough money to work on your stuff

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Speaker 1: or whatever pet projects or are you making a huge

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Speaker 1: sacrifice to make a point Either way, all three of

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Speaker 1: them women was like, we're not coming back.

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Speaker 2: So that's how Pamela felt this episode.

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Speaker 1: She was sitting there talking about, Oh, don't worry, We're

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Speaker 1: gonna get the donations going and the order is gonna

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Speaker 1: be restored and everything's gonna be fine.

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Speaker 2: And then the people was like, well, longest the check clip.

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Speaker 1: But I was like, I don't see Max in there. Obviously,

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Speaker 1: Sebashion ain't there, Mercer ain't in there. She in there

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Speaker 1: with the B team, okay, and just like she had

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Speaker 1: the B team security going on, Yeah she did you

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Speaker 1: might go bust it up in there. When Pamela was

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Speaker 1: talking about I'm gonna stop all the immigration, that'll fix everything,

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Speaker 1: and this one Donna was like I'm sorry you lost

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Speaker 1: your son, and Umico busting it was like, man, fuck u.

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Speaker 2: Son with my friends? Right? Is happening? What's going on

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Speaker 2: up in hill now?

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Speaker 1: Last time the episode ended with us seeing Rosita get

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Speaker 1: you know, abducted basically right now.

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Speaker 3: Her business and just got a bag of her head

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Speaker 3: and yanked.

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Speaker 1: So if humico Od's busting in here asking about where

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Speaker 1: her friends are, we know more of them are going missing.

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Speaker 1: And so Pamela like, let listen, let Umicico go. There's

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Speaker 1: no threat here, and Umicod is like, bitch, I am

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Speaker 1: the threat. And Milne was like clear the room, everybody

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Speaker 1: so we could talk, and essentially she tells umicoch yeah,

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Speaker 1: I've been kidnapping your friends. I got them. We removed

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Speaker 1: him from the Commonwealth and she's like this against the law,

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Speaker 1: you know. Umic Go's like this against the law, you

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Speaker 1: don't what do you even stand for? And Pamela's like, actually,

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Speaker 1: it's about the law, it's about justice. I'm blackmailing you

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Speaker 1: because I want you as a lawyer to represent the

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Speaker 1: Commonwealth in the trial of the Commonwealth versus Eugene whatever.

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Speaker 2: His last name is, like Porter.

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Speaker 1: Yeah, She's like, uh, you gonna be the fucking head prosecutor.

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Speaker 2: And if you don't, you ain't gonna never see your

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Speaker 2: friends again. Yeah.

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Speaker 3: She looked at her, like the hell I will.

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Speaker 2: Well.

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Speaker 1: She then threatens you MCO's brother yep, who is not

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Speaker 1: one of the Alexandri's. He just he was living at

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Speaker 1: the whole time, minding his business, and we know from

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Speaker 1: our interactions with him he's kind. I don't want to

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Speaker 1: call him a coward, that's probably not fair, but he's

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Speaker 1: very much like I would be in the Commonwealth, where

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Speaker 1: it's like, girl, they got running water, what okay, some

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Speaker 1: people get kid now once in a while.

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Speaker 2: What's that got to do with this?

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Speaker 3: Yeah? And then also with her brother, he was like,

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Speaker 3: I liked being undneath the radarf. Well, I was not

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Speaker 3: seeing nobody knew who the fuck I was. You watch

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Speaker 3: your ass in here and have me in the position

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Speaker 3: where I can be seen, which is not what he

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Speaker 3: desired in the first place.

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Speaker 1: He just don't want no stress, right, you know, he's

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Speaker 1: very much like listen, I just want to make ice

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Speaker 1: cream or cash.

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Speaker 3: He was like, I just want to make cupcakes and

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Speaker 3: be on food Wars Alexandria, food Wars whatever they are,

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Speaker 3: food wars.

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Speaker 2: Hell is this.

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Speaker 1: I don't want to fix no cancers or nothing, just

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Speaker 1: nothing but easy, smooth sailing for me. Give me a

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Speaker 1: job with the least responsibility possible, the least and that's

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Speaker 1: who Pamela threatened. She was like, somethingight happen to your

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Speaker 1: brother if you don't do what I do, sell you do, Umico,

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Speaker 1: and she's like, I'm going. Pamela says, I'm about to

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Speaker 1: go prepare this press conference and your ass better be

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Speaker 1: there or be square telling everybody you're gonna prosecute Eugene.

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Speaker 2: Don't be late.

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Speaker 1: And Umico leaves and goes to the and she does

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Speaker 1: storm off, and that's and like Pamela like looks at

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Speaker 1: her for a second and she storms off, like yeah,

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Speaker 1: that's what I thought, bitch. Like they're really taking the

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Speaker 1: mask off of Pamela, and just now the last two

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Speaker 1: episodes to be like, oh, she gotta not just a

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Speaker 1: She don't just have a politician side to her.

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Speaker 2: She has like a evil do dirt side to her.

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Speaker 3: Yeah, which is I think has always been there. And

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Speaker 3: I think that she used to have her boy she

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Speaker 3: was ribbing on last week do a lot of that ship,

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Speaker 3: but now she's having to do it herself since she

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Speaker 3: kind of, you know, locked him in, locked him in

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Speaker 3: the room because I've been and killed some of his men,

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Speaker 3: so who knows if those people could even do dirt

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Speaker 3: right now? Right?

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Speaker 1: So then umuld go goes to the hospital to see

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Speaker 1: her brother, who's now a doctor and not a baker anymore,

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Speaker 1: and she tells him that, hey, Pamela took my friends

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Speaker 1: and he and she's blackmailing me.

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Speaker 2: What do you think I should do now?

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Speaker 1: I think this is interesting because one, she's asking him

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Speaker 1: for advice in this scene, and I'm not saying that

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Speaker 1: she wouldn't the character wouldn't ask, but I guess in

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Speaker 1: my mind, I feel like she's the one that always

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Speaker 1: seems to know. She seems to be the one that

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Speaker 1: would know what to do, not ask what to do.

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Speaker 1: But I think the show kind of needed her to

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Speaker 1: be in the hospital for what happens later in the hospital,

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Speaker 1: so they're just like, oh, we'll have her go talk

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Speaker 1: to her brother. Also reminds the audience. Who her brother is.

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Speaker 1: It's now he be on the screen every week.

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Speaker 2: Correct. But of course he gives the advice I thought

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Speaker 2: he was gonna give.

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Speaker 3: Oh no, uh, because he not about that life if

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Speaker 3: and it is, I ain't seen it. I ain't seen nothing.

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Speaker 1: So he's very much like, just keep your head down.

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Speaker 1: Let her prosecute your friend.

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Speaker 3: She threatened me to like, let's keep everybody safe, and

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Speaker 3: he said something that I knew was not true, but

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Speaker 3: he because he don't know, you know, her crew, he

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Speaker 3: was like, this is what they would have wanted. I

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Speaker 3: was thinking the fuck they would.

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Speaker 1: Right, And so she then says, uh, so you just

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Speaker 1: accept it. That's you're just gonna accept this bullshit And

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Speaker 1: he said it's not acceptance, it's survival. So she goes

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Speaker 1: to leave, you know, and she doesn't look like she's

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Speaker 1: mad at him. She looks like she might be about

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Speaker 1: to take his advice. I don't know, because he's like,

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Speaker 1: just fucking do the blackmail trial, bitch, what's.

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Speaker 2: Wrong with you? Stop trying to.

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Speaker 1: And so on her way out, Connie is in like

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Speaker 1: a supply closet and she like like motions to Umiko,

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Speaker 1: come here in the closet, and because uh, you know,

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Speaker 1: Connie uh uses asl they basically can have this conversation

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Speaker 1: with just their hands whenever got loud. And just one

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Speaker 1: of the things that is an asset in the Zpoch

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Speaker 1: that you would think would be a detriment, but it's like, actually,

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Speaker 1: the ability to communicate in a way that you don't

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Speaker 1: have to use your voices correct is extremely important, especially

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Speaker 1: when you're hiding from the secret police.

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Speaker 3: Yes, it was very important not to be heard.

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Speaker 1: So they had this long conversation. Connie says, basically, she

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Speaker 1: got away. They tried to kidnap her. She stabbed the

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Speaker 1: dude in the leg and got free. Even though she

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Speaker 1: looked around, Kelly got taken. Connie came to the hospital

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Speaker 1: because she knew she stabbed that man, he was gonna

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Speaker 1: need medical attention, right, she know how to stab, and

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Speaker 1: so she they look through event and see he's actually

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Speaker 1: in the room next to them. So because Connie's been

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Speaker 1: keeping track the whole time, then they have like a

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Speaker 1: little bit of an argument because Connie's plan is, I'm

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Speaker 1: gonna wait till this man's leaving the hospital. I'm gonna

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Speaker 1: follow him to where he goes next. That's probably where

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Speaker 1: our friends will be. But there's two problems with this.

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Speaker 1: Number One, Connie is obviously a wanted person. The second

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Speaker 1: they see on the street, she's done for. And then secondly,

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Speaker 1: you know Umicole wants to to help and to follow

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Speaker 1: the man instead of her because uh, she she knows

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Speaker 1: they're not looking for her like the but they know

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Speaker 1: if she spotted following this man, it'll obviously mean that

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Speaker 1: Umicote has spoken to Connie because Connie stabbed him and

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Speaker 1: now Umico's following him to see where her friends are.

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Speaker 1: So it was kind of a risky plan. But Connie says,

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Speaker 1: she trusts you, Michot, and she's gonna let her do it,

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Speaker 1: And but that also means they can't see each other anymore,

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Speaker 1: like like, it's too it's gonna be too dangerous for

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Speaker 1: me to be around you if people know that you

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Speaker 1: followed that dude, and I must have told you about

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Speaker 1: it or something like.

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Speaker 3: That, right, because when she initially told her, she was like,

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Speaker 3: I don't think this is a good idea, and she

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Speaker 3: was like, I.

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Speaker 2: Didn't know, I don't care. I didn't ask you, I didn't.

301
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Speaker 3: Ask for your permission. This is something I'm saying she

302
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Speaker 3: and she but oh Connie, Yeah, Connie was like, I

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Speaker 3: didn't ask you If I didn't ask for your permission, woman,

304
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Speaker 3: I told you what I was gonna do.

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Speaker 1: Y'all loved that line at her face and everything. Her

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Speaker 1: expression was just like, uh, it's my sister. I don't

307
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Speaker 1: need you to approve me going to try to save

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Speaker 1: my sister. And we know Connie doesn't done so much

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Speaker 1: shit by herself, got you know, lost and came all

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Speaker 1: the way back through the zpoch. She ain't waiting on

311
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Speaker 1: UMI code to approve shit. But anyway, umicode tries to

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Speaker 1: follow him right so, and she does a terrible job.

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Speaker 1: She does a terrible job. She gets spotted.

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Speaker 3: Yeah, she wouldn't even trying to hide. She wouldn't even

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Speaker 3: try to like slow her paste down where there would

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Speaker 3: be something of a distance or anything. She was like

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Speaker 3: basically right on his ass.

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Speaker 1: Your dude manage to like double back and literally look

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Speaker 1: her in the face like I know you're following me.

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Speaker 1: And they didn't say anything, but it was like busted,

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Speaker 1: you know. So now everyone knows that she talked to Connie,

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Speaker 1: and they know Connie's out there somewhere right right, So

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Speaker 1: now back in the Mayor's office, Pamela dictates notes to

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Speaker 1: a new assistant. What she's talking about, either the trial

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Speaker 1: or basically execution of Eugene, or how oh we'll put

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Speaker 1: the security twenty feet back. We don't want people to

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00:17:03,480 --> 00:17:09,280
Speaker 1: feel like, you know, they're under siege. But she's you

328
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Speaker 1: know her, she's in her Hillary Clinton mode, you know,

329
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Speaker 1: just Boston there, Boston it up and she's like, make

330
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Speaker 1: sure you write that down, Max, and the woman's like

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Speaker 1: looks at it, and she's like, oh, I'm sorry because

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Speaker 1: she's been Max has been working for us so long,

333
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Speaker 1: and obviously Max can't come back. This is another we

334
00:17:29,080 --> 00:17:31,040
Speaker 1: didn't see Mercer in Max this week, but this is

335
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Speaker 1: another one of those moments where I questioned Mercer's plan

336
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Speaker 1: and how he doesn't see what's gonna happen, because to me,

337
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Speaker 1: I'm like, you know, Max is in back at her

338
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Speaker 1: job because that confession whatever, nothing's ever.

339
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Speaker 2: Gonna make that hole or rite.

340
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Speaker 3: Nope, and if Max wouldn't take the job anyway.

341
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Speaker 1: Right, and she hasn't changed her mind about Pamela Milton,

342
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Speaker 1: and Pamela Milton I think is a type to oh,

343
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Speaker 1: we'll get rid the Eugenie and then get rid of

344
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Speaker 1: Max too eventually, like she does dirt and why would

345
00:18:04,720 --> 00:18:08,399
Speaker 1: you let this loose? Then thread out here, you know.

346
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Speaker 1: So I don't know how Mercer didn't realize he needs

347
00:18:11,440 --> 00:18:15,000
Speaker 1: the side with the Alexandrians, but just out of necessity.

348
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Speaker 2: But he feels like some days he's playing checkers.

349
00:18:18,760 --> 00:18:20,840
Speaker 3: Yeah, just to watch him go out because he's trying

350
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Speaker 3: to follow the rules. And like Niakin told him, everybody,

351
00:18:26,240 --> 00:18:27,960
Speaker 3: fuck you. The only want to find the rules. You

352
00:18:28,000 --> 00:18:29,920
Speaker 3: see what the fuck everybody else doing and they ain't

353
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Speaker 3: not following the rules.

354
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Speaker 2: So then.

355
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Speaker 1: Uh, she gets a phone called Pamela Milton does and

356
00:18:38,000 --> 00:18:40,159
Speaker 1: she's like what and then she rushes to the prison.

357
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Speaker 1: In the prison, she finds zombie Sebastian's body dead dead,

358
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Speaker 1: like the skull has been crushed. The brains, it's very

359
00:18:49,720 --> 00:18:54,040
Speaker 1: gross looking brains on the cell floor. Hornsby is missing,

360
00:18:54,560 --> 00:18:58,199
Speaker 1: and in the brains is Hornsby's coin, the ones she

361
00:18:58,280 --> 00:19:00,639
Speaker 1: poured out of his pocket last episode, and like a

362
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Speaker 1: magic trick that made her like, yeah, a magic dick.

363
00:19:03,680 --> 00:19:06,680
Speaker 2: I thought she was daving his balls, but.

364
00:19:07,119 --> 00:19:10,960
Speaker 1: She put he left that coin there to let her

365
00:19:11,080 --> 00:19:15,520
Speaker 1: know he desecrated that body, which on two levels is interesting.

366
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Speaker 1: On the first level, it is team petty. Oh my god,

367
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Speaker 1: what a petty thing for horns.

368
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Speaker 2: We to do two.

369
00:19:23,040 --> 00:19:26,119
Speaker 1: It's it so points out how much of a liar

370
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Speaker 1: he is, because he was begging.

371
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Speaker 2: Like I would do, I'm gonna work for your family.

372
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Speaker 2: I love Pamela, You'll never have to work.

373
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Speaker 3: I'm at your disposal.

374
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Speaker 1: All that she desecrated the body of her son just

375
00:19:38,560 --> 00:19:41,040
Speaker 1: to be like an extra fuck you, because he really

376
00:19:41,119 --> 00:19:44,880
Speaker 1: did hate her and that family, and he doesn't see

377
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Speaker 1: himself being subservient to her period.

378
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Speaker 3: I think that was the whole point of him breaking

379
00:19:51,160 --> 00:19:54,680
Speaker 3: out and doing shit undercover without her permission, and going

380
00:19:54,680 --> 00:19:57,639
Speaker 3: to these other places and basically creating his own little

381
00:19:57,680 --> 00:19:59,840
Speaker 3: thing outside of her. I think that was his biggest

382
00:19:59,840 --> 00:20:05,800
Speaker 3: thing about Alexandria Hilltop, you know, an ocean side, was

383
00:20:05,840 --> 00:20:08,760
Speaker 3: he basically wanted his own separate pieces he could run

384
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Speaker 3: outside of her in a.

385
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Speaker 2: Way for her.

386
00:20:11,119 --> 00:20:16,200
Speaker 1: He's like starscreen. You know he can't He fundamentally can't lead.

387
00:20:16,320 --> 00:20:18,960
Speaker 1: But he can never be anybody's number two. It's because

388
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Speaker 1: you want to accept that I'm just a number two,

389
00:20:21,440 --> 00:20:23,240
Speaker 1: Like he feels like he has to be equal and

390
00:20:23,320 --> 00:20:26,360
Speaker 1: I think his ego made him be like, I'm gonna

391
00:20:26,359 --> 00:20:28,720
Speaker 1: put this coin in the thing just to show that bitch,

392
00:20:29,200 --> 00:20:32,760
Speaker 1: you don't play me like this. But it's very like

393
00:20:32,880 --> 00:20:35,400
Speaker 1: I need you to know I'm the one that desecrated

394
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Speaker 1: the body, right.

395
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Speaker 4: Uh.

396
00:20:37,280 --> 00:20:39,560
Speaker 2: Later, Umico goes to Eugene cell.

397
00:20:39,720 --> 00:20:42,880
Speaker 1: In jail to update him on everything, and she says that,

398
00:20:43,400 --> 00:20:45,640
Speaker 1: you know, like I fucked up. I got caught following

399
00:20:45,680 --> 00:20:48,360
Speaker 1: the dude, and she says, all this within like kind

400
00:20:48,359 --> 00:20:52,080
Speaker 1: of earshot of security, but it seemed like they weren't.

401
00:20:52,359 --> 00:20:56,040
Speaker 1: They were talking quiet, but not like they weren't mincing

402
00:20:56,080 --> 00:20:57,240
Speaker 1: words like trying to talk in.

403
00:20:57,280 --> 00:20:58,000
Speaker 2: Code or whatever.

404
00:20:58,520 --> 00:21:01,040
Speaker 1: So he's caught up on everything, and he knows the

405
00:21:01,160 --> 00:21:04,959
Speaker 1: choice she has to make prosecute me or basically our

406
00:21:05,000 --> 00:21:07,399
Speaker 1: friends that our kidnapped are gonna get killed or whatever.

407
00:21:08,000 --> 00:21:11,199
Speaker 1: And he says, yeah, just go ahead and prosecute me.

408
00:21:11,200 --> 00:21:13,040
Speaker 1: I knew that when I turn myself in, and I

409
00:21:13,080 --> 00:21:16,919
Speaker 1: was probably gonna get killed, right, And then she's like,

410
00:21:19,960 --> 00:21:21,879
Speaker 1: it's not your fault, and then he tells her that

411
00:21:21,920 --> 00:21:24,800
Speaker 1: it's not your fault for getting busted following dude. You

412
00:21:24,800 --> 00:21:28,000
Speaker 1: want to help, And then lastly he says but even

413
00:21:28,200 --> 00:21:34,000
Speaker 1: if you do everything, Pamela says, how do we know

414
00:21:34,160 --> 00:21:35,960
Speaker 1: she will live up to her end of the deal.

415
00:21:36,119 --> 00:21:40,520
Speaker 3: Ain't that the truth? We don't know know because he's

416
00:21:40,560 --> 00:21:43,320
Speaker 3: like it's been too much shady shit happening.

417
00:21:43,960 --> 00:21:46,919
Speaker 1: Yeah, I'm with him because that's the big thing to

418
00:21:46,960 --> 00:21:49,280
Speaker 1: me is like, I mean, go along with the plan

419
00:21:49,480 --> 00:21:52,199
Speaker 1: to extend the amount of time that everyone can be

420
00:21:52,280 --> 00:21:55,800
Speaker 1: alive and stuff. But you know this plan is not

421
00:21:55,840 --> 00:21:58,080
Speaker 1: a good plan on Pamela's part because she truly does

422
00:21:58,119 --> 00:22:00,320
Speaker 1: not know these people. She just thinks she does us.

423
00:22:00,560 --> 00:22:03,919
Speaker 1: But she's soft because she from she from the Commonwealth.

424
00:22:03,920 --> 00:22:06,520
Speaker 1: All the niggas saw they just don't.

425
00:22:06,359 --> 00:22:08,640
Speaker 3: Know they saw right, compared to other groups that they've

426
00:22:08,680 --> 00:22:10,440
Speaker 3: been they went across in the past.

427
00:22:10,520 --> 00:22:13,040
Speaker 1: Yeah, the stability makes them think they're not soft, but

428
00:22:13,040 --> 00:22:14,600
Speaker 1: they soft as as baby butter.

429
00:22:14,640 --> 00:22:15,320
Speaker 2: Okay.

430
00:22:15,480 --> 00:22:21,480
Speaker 1: But the thing that, uh, the thing, the thing that

431
00:22:21,480 --> 00:22:27,240
Speaker 1: I thought I was interested here was uh, Eugens like

432
00:22:27,640 --> 00:22:31,480
Speaker 1: follow the plan anyway because he's ready.

433
00:22:31,200 --> 00:22:33,600
Speaker 2: To die, like coward. Eugene scared.

434
00:22:33,640 --> 00:22:35,960
Speaker 1: Maybe when the moment comes, he'll be scared and shit.

435
00:22:36,600 --> 00:22:39,360
Speaker 1: But I mean he did not renig on that ship.

436
00:22:39,480 --> 00:22:42,040
Speaker 3: He was like he tend toes down. He was like,

437
00:22:42,359 --> 00:22:45,600
Speaker 3: I'm gonna take full blame. I'm gonna take full responsibility,

438
00:22:46,119 --> 00:22:48,200
Speaker 3: you know, because in his spine he was like, if

439
00:22:48,200 --> 00:22:53,560
Speaker 3: somebody had I would rather sacrifice myself than to sacrifice Max.

440
00:22:53,680 --> 00:22:55,600
Speaker 3: You know, even though it was her idea and we

441
00:22:55,640 --> 00:22:58,240
Speaker 3: was in this together, you know, he was like, I'm

442
00:22:58,280 --> 00:23:00,320
Speaker 3: just gonna push her out and just be like I Nope,

443
00:23:00,320 --> 00:23:02,240
Speaker 3: she had nothing to do with it was one hundred

444
00:23:02,240 --> 00:23:04,199
Speaker 3: percent of me. I'm the one that forced her to

445
00:23:04,200 --> 00:23:07,359
Speaker 3: do it, so that you know, she can live a

446
00:23:07,440 --> 00:23:08,760
Speaker 3: life now.

447
00:23:09,119 --> 00:23:12,200
Speaker 1: Karen, what do you think about Pamela's plan in general,

448
00:23:12,440 --> 00:23:17,720
Speaker 1: which is, you know, kidnap the Alexandrians, to blackmail Yumiko

449
00:23:18,000 --> 00:23:22,720
Speaker 1: and being a prosecutor for the Commonwealth against Eugene so

450
00:23:22,760 --> 00:23:26,240
Speaker 1: they can put on the show trial. I guess, give

451
00:23:26,440 --> 00:23:30,119
Speaker 1: Eugene the death penalty and then I guess give the

452
00:23:30,200 --> 00:23:33,439
Speaker 1: Alexandrians back, you know, their friends, and then they I

453
00:23:33,440 --> 00:23:35,359
Speaker 1: guess they go homes. What do you think about the

454
00:23:35,359 --> 00:23:36,480
Speaker 1: plan that she's trying to do.

455
00:23:37,160 --> 00:23:42,080
Speaker 3: I because I know the group and she underestimates the

456
00:23:42,119 --> 00:23:45,240
Speaker 3: tight knitness of the group, and even when they're not

457
00:23:45,440 --> 00:23:48,520
Speaker 3: in each other's presence, a lot of times they're still

458
00:23:48,560 --> 00:23:50,840
Speaker 3: on the same page and the same accord, which is

459
00:23:50,840 --> 00:23:52,880
Speaker 3: a lot of times trying to get back to each

460
00:23:52,920 --> 00:23:56,160
Speaker 3: other regardless of how separated they are. You know, we've

461
00:23:56,200 --> 00:23:58,120
Speaker 3: been with this group for years and there be people

462
00:23:58,160 --> 00:24:00,280
Speaker 3: that's left the group, and you know it mission came

463
00:24:00,280 --> 00:24:02,000
Speaker 3: back to the group, people that went out to find

464
00:24:02,040 --> 00:24:04,560
Speaker 3: people that have you know, they're out, they're out there

465
00:24:04,600 --> 00:24:09,520
Speaker 3: kind of lost. And so I think that she underestimates

466
00:24:09,560 --> 00:24:13,520
Speaker 3: this group. I you know, and from the I know

467
00:24:13,560 --> 00:24:16,080
Speaker 3: we're gonna go on. But from the beginning when she

468
00:24:16,359 --> 00:24:18,280
Speaker 3: threatened you, Michoe, I was like, Oh, she's not gonna

469
00:24:18,280 --> 00:24:20,800
Speaker 3: do that, like because I was like, oh, I know

470
00:24:20,920 --> 00:24:22,800
Speaker 3: her and the love she has for the group. I

471
00:24:22,840 --> 00:24:26,359
Speaker 3: was like, I could not see her going doing that

472
00:24:26,600 --> 00:24:31,440
Speaker 3: to Eugene and having the conscious to actually go through

473
00:24:31,480 --> 00:24:34,400
Speaker 3: with it unless the threat you had was like a

474
00:24:34,440 --> 00:24:42,040
Speaker 3: really serious one. And it's also you know, one of

475
00:24:42,080 --> 00:24:46,080
Speaker 3: the things for me when I look, I go it's

476
00:24:46,119 --> 00:24:50,120
Speaker 3: a from Pamela's mind, it's a good plan because she's

477
00:24:50,240 --> 00:24:53,680
Speaker 3: used to not try funny dealing with people this kind

478
00:24:53,720 --> 00:24:55,920
Speaker 3: of think like she does that they're used to a

479
00:24:56,000 --> 00:24:59,040
Speaker 3: lot of the privileges and the advantages of that society.

480
00:24:59,280 --> 00:25:02,000
Speaker 3: But when bitch, we came from the outside, like, we

481
00:25:02,080 --> 00:25:05,119
Speaker 3: had to deal with shit that y'all probably can't even imagine,

482
00:25:05,520 --> 00:25:07,720
Speaker 3: you know, because it's been so long since y'all had

483
00:25:07,720 --> 00:25:10,000
Speaker 3: to deal with the outside world. And some of them,

484
00:25:10,119 --> 00:25:12,480
Speaker 3: you know, may have stumbled across that place kind of

485
00:25:12,480 --> 00:25:16,320
Speaker 3: at the beginning of everything. And so you know, when

486
00:25:16,359 --> 00:25:18,440
Speaker 3: you go ten twelve, haveever many years and that place

487
00:25:18,520 --> 00:25:21,440
Speaker 3: has been there, You've not really had to deal with anything.

488
00:25:21,520 --> 00:25:25,360
Speaker 3: And so they've had to deal with sucide, with going places,

489
00:25:25,440 --> 00:25:29,080
Speaker 3: places going down, having to rebuild and all that stuff.

490
00:25:29,119 --> 00:25:33,159
Speaker 3: And like I said, I think Pamela underestimated the ties

491
00:25:33,200 --> 00:25:36,080
Speaker 3: and the connections and the real friendship because with Pamela,

492
00:25:37,040 --> 00:25:39,959
Speaker 3: she is like I tell people what to do and

493
00:25:40,000 --> 00:25:42,560
Speaker 3: they're like, no, we actually got each other's back. We

494
00:25:42,680 --> 00:25:45,919
Speaker 3: actually hear for each other, like like the relationship is

495
00:25:45,920 --> 00:25:47,720
Speaker 3: a completely different relationship.

496
00:25:48,240 --> 00:25:51,560
Speaker 2: So I hear everything you're saying. I agree. I think that.

497
00:25:51,800 --> 00:25:53,280
Speaker 2: What I would say is, I think the.

498
00:25:53,240 --> 00:25:57,640
Speaker 1: Plane is stupid from Pamela's part. And here's why they

499
00:25:57,680 --> 00:26:02,440
Speaker 1: were already gonna leave. Yeah, she could have just let

500
00:26:02,480 --> 00:26:06,120
Speaker 1: them lead like they were packing up to go your

501
00:26:06,200 --> 00:26:07,800
Speaker 1: kidnapping people packing up to go.

502
00:26:07,960 --> 00:26:12,840
Speaker 2: Okay, that's number one. Number two, this whole like show.

503
00:26:13,000 --> 00:26:17,120
Speaker 1: Trial bullshit to keep order, this bread and circus shit,

504
00:26:17,240 --> 00:26:19,400
Speaker 1: if it might as well be that wrestling match, Like

505
00:26:20,119 --> 00:26:22,040
Speaker 1: if it works on those people, it's because those people

506
00:26:22,040 --> 00:26:25,560
Speaker 1: are just basically brainwashed and soft. But in general, it's

507
00:26:25,640 --> 00:26:29,800
Speaker 1: not that complex of a plan. Like you want to

508
00:26:29,880 --> 00:26:32,520
Speaker 1: kill Eugene because you blame him for your son getting killed,

509
00:26:32,760 --> 00:26:34,640
Speaker 1: and you want to kill Max, but you don't think

510
00:26:34,680 --> 00:26:38,680
Speaker 1: you should because it's gonna look bad. Both things you

511
00:26:38,680 --> 00:26:41,199
Speaker 1: could have had done by your dirt people. Both things.

512
00:26:41,440 --> 00:26:43,439
Speaker 1: I mean, if you're willing to kidnap people, then just

513
00:26:43,520 --> 00:26:46,359
Speaker 1: kill them people, right, It's not like you really care

514
00:26:46,400 --> 00:26:50,000
Speaker 1: about justice and shit. In that case, you left hornsby alive,

515
00:26:50,040 --> 00:26:54,480
Speaker 1: which is such a weird, loose cannon move. And then

516
00:26:54,560 --> 00:26:58,800
Speaker 1: the last part of it is these Alexandrias can escape.

517
00:26:59,080 --> 00:27:01,280
Speaker 2: They like you're gonna hold.

518
00:27:01,040 --> 00:27:03,040
Speaker 1: Them for a month, Like you would have been better

519
00:27:03,040 --> 00:27:07,679
Speaker 1: off kidnapping and killing everybody that night, because if you

520
00:27:07,760 --> 00:27:11,240
Speaker 1: give our crew, we've seen them down bad, We've seen

521
00:27:11,280 --> 00:27:15,240
Speaker 1: them with a twenty eight to three deficit in the

522
00:27:15,280 --> 00:27:17,560
Speaker 1: super Bowl and come back and wins.

523
00:27:17,160 --> 00:27:19,720
Speaker 3: We see so like one person go okay, I'm a

524
00:27:19,800 --> 00:27:21,680
Speaker 3: fuck all, y'all look like one person.

525
00:27:21,800 --> 00:27:25,240
Speaker 1: So it looks like you're leaving a bunch of a

526
00:27:25,280 --> 00:27:27,359
Speaker 1: bag of louse cannons. You're just leaving a bag of

527
00:27:27,400 --> 00:27:30,600
Speaker 1: louise cannon is laying around like and we'll we'll.

528
00:27:30,280 --> 00:27:31,440
Speaker 2: We'll control that.

529
00:27:31,480 --> 00:27:33,800
Speaker 1: And at the end, if it's so, at the end,

530
00:27:34,320 --> 00:27:37,679
Speaker 1: if you really fulfill your promise and let Umico and

531
00:27:37,720 --> 00:27:43,239
Speaker 1: everybody reunite, they're gonna kill you. Yes, they they like

532
00:27:43,560 --> 00:27:47,320
Speaker 1: Carolyn Daryl will not be still be breathing and be like, well,

533
00:27:47,880 --> 00:27:50,159
Speaker 1: she got us time to go home. I get I

534
00:27:50,280 --> 00:27:52,920
Speaker 1: understand why she had to kill Eugene. No, they're going

535
00:27:52,960 --> 00:27:54,920
Speaker 1: to kill you. And it don't take many of them

536
00:27:55,280 --> 00:27:58,040
Speaker 1: to fuck up that fifty thousand people in there.

537
00:27:58,119 --> 00:28:00,680
Speaker 2: It would not take them an afternoon and the.

538
00:28:00,640 --> 00:28:03,840
Speaker 3: Whole place of being chaos, like they came in looking

539
00:28:03,840 --> 00:28:06,520
Speaker 3: around go security kind of like that is looking like

540
00:28:06,560 --> 00:28:09,040
Speaker 3: oh everything oh this place going like a lot of

541
00:28:09,040 --> 00:28:10,800
Speaker 3: them like ooh, this place is gonna fall apart. I mean,

542
00:28:10,840 --> 00:28:13,600
Speaker 3: I go with the program, but child, we ain't gonna

543
00:28:13,640 --> 00:28:14,080
Speaker 3: be here long.

544
00:28:14,119 --> 00:28:18,399
Speaker 1: This barbecue chicken out there, and so they so that's

545
00:28:18,440 --> 00:28:19,480
Speaker 1: that's the reason I think.

546
00:28:19,359 --> 00:28:20,359
Speaker 2: Her plan is stupid.

547
00:28:21,520 --> 00:28:24,240
Speaker 1: It just feels stupid and like a thing you do

548
00:28:24,280 --> 00:28:26,440
Speaker 1: when you care about optings. I'm not saying the plan

549
00:28:26,560 --> 00:28:29,000
Speaker 1: is stupid and like oh the writing on the show.

550
00:28:29,119 --> 00:28:32,280
Speaker 1: I mean the plan is stupid in the yes, this

551
00:28:32,400 --> 00:28:35,560
Speaker 1: is what the commonwealth would think is important, a fucking

552
00:28:35,640 --> 00:28:39,600
Speaker 1: circus trial that'll keep order. It's like, nah, you just

553
00:28:39,600 --> 00:28:43,040
Speaker 1: just kill the people if that's the case, and you.

554
00:28:43,000 --> 00:28:44,840
Speaker 3: Know right, and it's also one of those things. But

555
00:28:45,000 --> 00:28:47,160
Speaker 3: I do agree with you that it is a stupid plan.

556
00:28:47,240 --> 00:28:47,960
Speaker 2: I do agree.

557
00:28:48,360 --> 00:28:50,960
Speaker 3: If she quote unquote wanted to get rid of them

558
00:28:51,240 --> 00:28:54,320
Speaker 3: as much as she said she did, she would have,

559
00:28:54,440 --> 00:28:56,120
Speaker 3: like you said, let them walk, because you know what,

560
00:28:56,160 --> 00:28:58,040
Speaker 3: they would have left and they would have never cared.

561
00:28:58,040 --> 00:28:59,800
Speaker 1: He didn't want to live there. Only a few of

562
00:28:59,840 --> 00:29:02,080
Speaker 1: them were even gonna stay. Yep, most of them she

563
00:29:02,120 --> 00:29:04,080
Speaker 1: would have only had to worry about. It seemed like

564
00:29:04,080 --> 00:29:10,680
Speaker 1: Ezekiel maybe yeah, because I think every majority Ezekiel, Connie, Kelly, maybe,

565
00:29:10,720 --> 00:29:16,160
Speaker 1: Magda Magna maybe right, everybody else was either like Princess

566
00:29:16,200 --> 00:29:18,400
Speaker 1: was leaving, like I think was gonna stay.

567
00:29:18,520 --> 00:29:20,720
Speaker 2: Humico was just gonna stay. She wasn't gonna stay. They

568
00:29:20,720 --> 00:29:21,160
Speaker 2: helped fight.

569
00:29:21,440 --> 00:29:23,840
Speaker 1: No, like only a few of them wanted to like

570
00:29:24,400 --> 00:29:27,280
Speaker 1: try to make the place better. Everybody else is stupid

571
00:29:27,320 --> 00:29:32,120
Speaker 1: ass decision. So Pamela fucked up. But back to this,

572
00:29:33,160 --> 00:29:34,600
Speaker 1: sorry just a little sidebar.

573
00:29:34,720 --> 00:29:36,720
Speaker 3: There no problem like sangents.

574
00:29:37,240 --> 00:29:40,560
Speaker 1: So at the press conference, Umicod has a prepared speech.

575
00:29:40,640 --> 00:29:43,800
Speaker 1: Pamela's like read the words, and Umico's like it's all

576
00:29:44,520 --> 00:29:47,640
Speaker 1: bullshit theater and Pamela's like, just make sure you know

577
00:29:47,720 --> 00:29:50,520
Speaker 1: your lines. Uh So they have like a little like

578
00:29:50,640 --> 00:29:52,800
Speaker 1: tit for tat, you know, a little you know, like

579
00:29:52,840 --> 00:29:55,480
Speaker 1: that goes you know, I can respect how you stand

580
00:29:55,520 --> 00:29:57,440
Speaker 1: up for your family and your people. That's what I'm

581
00:29:57,440 --> 00:30:00,480
Speaker 1: trying to do. And then like this he's doing this

582
00:30:00,520 --> 00:30:05,360
Speaker 1: for yourself. In the audience is a bunch of townspeople.

583
00:30:04,760 --> 00:30:06,120
Speaker 2: Including Yumiko's brother.

584
00:30:07,360 --> 00:30:09,880
Speaker 1: Of course, none of the Alexandrians and people are there

585
00:30:09,880 --> 00:30:14,880
Speaker 1: because they're kidnapped, and we know that Yumico's brother is

586
00:30:15,080 --> 00:30:18,840
Speaker 1: a person that Pamela is using to threaten Umico in

587
00:30:18,840 --> 00:30:20,440
Speaker 1: addition to the kidnap people.

588
00:30:21,040 --> 00:30:23,000
Speaker 2: So Umico as she goes to take.

589
00:30:22,880 --> 00:30:27,000
Speaker 1: The stage, here's the security walkie talkie go off and

590
00:30:27,080 --> 00:30:30,400
Speaker 1: Milwaukie Talkie says, there are certain people that are still

591
00:30:30,440 --> 00:30:34,200
Speaker 1: on the loose, Carol and Darryl and Hans Hornsby, I think,

592
00:30:35,520 --> 00:30:38,800
Speaker 1: and that's enough for her to know, like, wait a minute,

593
00:30:38,800 --> 00:30:43,040
Speaker 1: they don't got all my people, because you know, it's.

594
00:30:42,920 --> 00:30:45,000
Speaker 3: Like she lied to me the way she made it

595
00:30:45,040 --> 00:30:49,280
Speaker 3: sound like they literally caught everybody. And she knows enough

596
00:30:49,320 --> 00:30:52,440
Speaker 3: that I'll not try to be funny. That's like you

597
00:30:52,880 --> 00:30:54,960
Speaker 3: got the big joker in the little Joker, and you

598
00:30:55,240 --> 00:30:58,000
Speaker 3: like and she's like, oh, y'all. Oh, so they're still

599
00:30:58,000 --> 00:31:00,720
Speaker 3: out there. Oh, the two of them can do enough

600
00:31:00,880 --> 00:31:08,479
Speaker 3: damage to I know that anything I do, I'm going

601
00:31:08,520 --> 00:31:10,120
Speaker 3: to do it for the group. I think that was

602
00:31:10,160 --> 00:31:13,280
Speaker 3: the thing that actually changed her mind at that point

603
00:31:13,320 --> 00:31:13,680
Speaker 3: in time.

604
00:31:13,840 --> 00:31:15,600
Speaker 2: And so she gets up to get a speech.

605
00:31:15,640 --> 00:31:18,800
Speaker 1: At first, she starts giving the speech like it was written,

606
00:31:19,360 --> 00:31:24,480
Speaker 1: and then at one point she points to her points

607
00:31:24,520 --> 00:31:27,720
Speaker 1: out her brother and goes off script and makes him

608
00:31:27,760 --> 00:31:32,680
Speaker 1: stand and make sure everyone recognizes him as a commended

609
00:31:32,760 --> 00:31:34,800
Speaker 1: to the community in part a member of the community,

610
00:31:34,840 --> 00:31:39,400
Speaker 1: a doctor, and her brother, her brother, her brother. She's emphasizing,

611
00:31:39,480 --> 00:31:43,320
Speaker 1: this is my brother. And then Pamela doesn't like that shit.

612
00:31:43,400 --> 00:31:47,120
Speaker 1: They show her face and then Umko finishes her speech

613
00:31:47,240 --> 00:31:51,959
Speaker 1: vibe basically saying, I'm going to defend Eugene against the

614
00:31:52,000 --> 00:31:57,240
Speaker 1: Commonwealth because he didn't do it. And she walks over

615
00:31:57,280 --> 00:32:02,920
Speaker 1: towards Pamela and just drops the speech at her feet

616
00:32:03,000 --> 00:32:05,880
Speaker 1: and says, here's your speech and then walks off.

617
00:32:06,240 --> 00:32:09,680
Speaker 3: Yeah. Also, I personally think the biggest reason why she

618
00:32:09,800 --> 00:32:12,680
Speaker 3: had her brother stand up is because she wanted everybody

619
00:32:12,760 --> 00:32:16,520
Speaker 3: recognize her brother, see her brother, and if anything happens

620
00:32:16,520 --> 00:32:20,080
Speaker 3: to him, people will know, Okay, that's her brother. If

621
00:32:20,120 --> 00:32:21,760
Speaker 3: you do something to him, they're gonna be like, oh

622
00:32:21,840 --> 00:32:26,080
Speaker 3: you sham you shamming. You know what happened to her brother?

623
00:32:26,240 --> 00:32:28,440
Speaker 3: Like people aren't gonna demand things from you. So she

624
00:32:28,560 --> 00:32:31,040
Speaker 3: basically that was the way to protect her brother exactly.

625
00:32:31,160 --> 00:32:32,600
Speaker 2: That's exactly what I thought happened.

626
00:32:32,640 --> 00:32:35,360
Speaker 1: Like, this is her way of saying, if he goes missing,

627
00:32:36,000 --> 00:32:41,760
Speaker 1: y'all know that the some high jinks are foot, all right.

628
00:32:41,880 --> 00:32:43,960
Speaker 1: So now we go to on the run portion, the

629
00:32:44,280 --> 00:32:49,400
Speaker 1: action portion. So we start with another montage. This time

630
00:32:49,440 --> 00:32:53,000
Speaker 1: it's a Carol centric montage with what I assume to

631
00:32:53,040 --> 00:32:55,680
Speaker 1: be future Judy, but Judith, what could be someone else

632
00:32:55,920 --> 00:32:59,840
Speaker 1: to Carol. When it's done, Carol's in the bakery getting

633
00:32:59,880 --> 00:33:03,600
Speaker 1: some food. So for that trip back to Alexandria. Yeah,

634
00:33:03,640 --> 00:33:06,720
Speaker 1: she pack it up, Meaning the baddest bitch in the

635
00:33:06,760 --> 00:33:09,240
Speaker 1: camp was about to leave, the impossible white man of

636
00:33:09,320 --> 00:33:11,920
Speaker 1: the show was about to leave. This is another reason

637
00:33:11,960 --> 00:33:14,400
Speaker 1: I say that fucking playing is stupid about Pamela because

638
00:33:14,440 --> 00:33:15,240
Speaker 1: what happens next.

639
00:33:15,520 --> 00:33:18,120
Speaker 3: I mean, if if Pamela was smart because she don't

640
00:33:18,120 --> 00:33:20,520
Speaker 3: know the structure of the crew, should have got her first.

641
00:33:21,160 --> 00:33:23,960
Speaker 1: Well, this is why I think why I say the

642
00:33:24,040 --> 00:33:24,840
Speaker 1: plan is stupid.

643
00:33:25,200 --> 00:33:26,760
Speaker 2: It's not about getting Carol first.

644
00:33:26,800 --> 00:33:29,240
Speaker 1: It's Carol was about to leave and would have been

645
00:33:29,280 --> 00:33:31,400
Speaker 1: non the wiser of what the fuck was happening in

646
00:33:31,400 --> 00:33:34,440
Speaker 1: those walls. She just would have been gone. You wouldn't

647
00:33:34,480 --> 00:33:38,400
Speaker 1: have to worry about anything but Carroll. But but, but

648
00:33:38,440 --> 00:33:42,360
Speaker 1: the actions that Pamela's people take next make sure that that.

649
00:33:42,360 --> 00:33:43,360
Speaker 2: Carol will be around.

650
00:33:43,880 --> 00:33:47,680
Speaker 1: So Zeke comes in. Carol doesn't even have to turn around.

651
00:33:47,760 --> 00:33:49,760
Speaker 1: She can tell it's him from his way. He's walking

652
00:33:49,920 --> 00:33:52,840
Speaker 1: his footsteps, and he said, maybe you know me too,

653
00:33:52,840 --> 00:33:55,920
Speaker 1: well haha, she said, well, I know you're not here

654
00:33:55,960 --> 00:33:58,800
Speaker 1: to say goodbye, because we already said goodbye. It's like, well,

655
00:33:58,920 --> 00:34:01,000
Speaker 1: I am here to give you some medical supplies for

656
00:34:01,040 --> 00:34:04,880
Speaker 1: your trip back home. And she says, cool, I left

657
00:34:04,920 --> 00:34:09,320
Speaker 1: you some like bagels or some shit. And she says,

658
00:34:09,520 --> 00:34:11,759
Speaker 1: you know, like Zekiel, and she turns around and.

659
00:34:11,800 --> 00:34:12,560
Speaker 2: Zeke is gone.

660
00:34:12,600 --> 00:34:14,760
Speaker 3: He gone, Like it just got quiet.

661
00:34:14,880 --> 00:34:17,240
Speaker 1: I was like, oh shit, this was filmed so well

662
00:34:17,320 --> 00:34:20,319
Speaker 1: and so fun and so cool because like you were

663
00:34:20,440 --> 00:34:23,719
Speaker 1: looking through the bagels with her one second, Zeke is

664
00:34:23,760 --> 00:34:26,600
Speaker 1: gone the next and my first thought was, oh no,

665
00:34:26,680 --> 00:34:30,120
Speaker 1: it's Carol going crazy and she having hallucinations. Was Zeke

666
00:34:30,200 --> 00:34:32,400
Speaker 1: not even there and she made him up? Oh no,

667
00:34:32,560 --> 00:34:35,040
Speaker 1: this is gonna be one of those weird episodes where

668
00:34:35,080 --> 00:34:39,120
Speaker 1: they just make somebody do ghostly things and you kind

669
00:34:39,120 --> 00:34:42,160
Speaker 1: of hate it because they're messing with reality. Except it

670
00:34:42,320 --> 00:34:47,480
Speaker 1: wasn't that someone had someone busting and tries to kidnap Carol,

671
00:34:47,520 --> 00:34:49,759
Speaker 1: which means they already grabbed Zeke.

672
00:34:50,040 --> 00:34:52,319
Speaker 3: Yeah, they they caught him because he was too busy

673
00:34:52,400 --> 00:34:54,759
Speaker 3: looking at that ass and they put that mask over

674
00:34:54,840 --> 00:34:56,040
Speaker 3: and was like, oh I got you.

675
00:34:56,320 --> 00:34:57,919
Speaker 1: He was like, I don't want no bagel. I want

676
00:34:57,960 --> 00:35:02,840
Speaker 1: some of them cakes, them sticky vanilla craks. You know

677
00:35:02,880 --> 00:35:05,040
Speaker 1: what I'm saying we need to swirl them anyway. So

678
00:35:05,160 --> 00:35:09,399
Speaker 1: then the kidnapper guys can't catch Carrol because it's Carol.

679
00:35:09,480 --> 00:35:11,160
Speaker 2: She like beats him up a little bit.

680
00:35:11,320 --> 00:35:12,719
Speaker 3: I was like, I was thinking the whole time, like

681
00:35:12,760 --> 00:35:14,279
Speaker 3: I hope y'all don't think y'all gonna get her.

682
00:35:14,440 --> 00:35:19,760
Speaker 1: And she escapes, you know, like putting stuff like down

683
00:35:19,800 --> 00:35:21,840
Speaker 1: so they can't open doors and shit, just you know,

684
00:35:22,000 --> 00:35:22,800
Speaker 1: like a home alone.

685
00:35:22,840 --> 00:35:23,080
Speaker 2: Shit.

686
00:35:23,239 --> 00:35:25,520
Speaker 3: Yeah, she's smart. She's like, oh, I'm gonna make it

687
00:35:25,520 --> 00:35:26,360
Speaker 3: difficult to get to me.

688
00:35:26,680 --> 00:35:29,440
Speaker 1: Outside, she ducks and hides as the guards look for her,

689
00:35:29,480 --> 00:35:30,399
Speaker 1: they can't find her.

690
00:35:31,200 --> 00:35:32,520
Speaker 2: She goes to find Darryl.

691
00:35:33,160 --> 00:35:36,480
Speaker 1: Darryl is fighting for his life, like r Kelly getting

692
00:35:36,480 --> 00:35:37,880
Speaker 1: an interviewed by Gail.

693
00:35:38,080 --> 00:35:42,279
Speaker 3: Because it took two of them and when they panned around, uh,

694
00:35:42,360 --> 00:35:44,080
Speaker 3: one of them was already dead. I was like, God,

695
00:35:44,280 --> 00:35:45,279
Speaker 3: dary All took one of them out.

696
00:35:45,360 --> 00:35:48,239
Speaker 1: It was like, oh, word right, he killed one of

697
00:35:48,280 --> 00:35:52,160
Speaker 1: his attackers, and then he's struggling fighting the other one

698
00:35:52,440 --> 00:35:55,120
Speaker 1: and the guys. It's a long, prolong fight that the

699
00:35:55,200 --> 00:35:57,600
Speaker 1: guy's kind of getting the upper hand of Darryl, but

700
00:35:59,719 --> 00:36:03,040
Speaker 1: Caro y All comes over and knocks the guy offered Darryl.

701
00:36:03,640 --> 00:36:06,800
Speaker 1: Then they get up and the henchman that Daryl killed first,

702
00:36:07,600 --> 00:36:11,760
Speaker 1: he turns into a walker and bites the other henchmen

703
00:36:12,200 --> 00:36:14,080
Speaker 1: because convenience zombie.

704
00:36:14,400 --> 00:36:17,759
Speaker 3: Yes, convenience zombie. Whatever the plot needs to do, yep,

705
00:36:17,840 --> 00:36:18,440
Speaker 3: I'm here for it.

706
00:36:19,239 --> 00:36:22,960
Speaker 1: So the convenor zombie it morphs in record time and

707
00:36:23,080 --> 00:36:26,239
Speaker 1: kills this man, and then Darryl stabs both of them

708
00:36:26,239 --> 00:36:29,320
Speaker 1: through the head and he turns to Carroll. He's like, Carol,

709
00:36:29,360 --> 00:36:31,480
Speaker 1: they got the kids, and she's like, nigga, they got everybody.

710
00:36:31,680 --> 00:36:32,960
Speaker 1: And they're like, oh shit.

711
00:36:33,040 --> 00:36:35,239
Speaker 3: They run out like they piece that together and they're

712
00:36:35,320 --> 00:36:36,000
Speaker 3: like wait a minute.

713
00:36:36,840 --> 00:36:39,479
Speaker 2: And Daryl's like, man, they took They even took dog,

714
00:36:40,600 --> 00:36:45,319
Speaker 2: right not dog, and they're like, you get something too, dog.

715
00:36:46,360 --> 00:36:50,160
Speaker 1: They immediately figure out these men work for Pamela, and

716
00:36:50,600 --> 00:36:54,719
Speaker 1: Darryl's first stought is to go to Mercer. Yeah, and

717
00:36:54,920 --> 00:36:59,080
Speaker 1: Carol says she's not sure about Mercer when he turned

718
00:36:59,120 --> 00:37:01,239
Speaker 1: them in, when he helped them. They don't know that,

719
00:37:01,480 --> 00:37:03,400
Speaker 1: you know, which says a lot about Mercer to me,

720
00:37:03,960 --> 00:37:08,719
Speaker 1: because he's he's what princes the Prince's dilemma. He's a

721
00:37:08,920 --> 00:37:12,279
Speaker 1: good man that still wants to do what's right. But

722
00:37:12,400 --> 00:37:16,920
Speaker 1: what's right to him is the whatever his job demands

723
00:37:16,960 --> 00:37:18,880
Speaker 1: of him, and that's right. That means you're not a

724
00:37:18,960 --> 00:37:22,280
Speaker 1: good man, because you gotta know these things are wrong anyway,

725
00:37:23,440 --> 00:37:25,239
Speaker 1: So they say he can't go to Mercer where we're

726
00:37:25,280 --> 00:37:28,960
Speaker 1: gonna do. Carol's like, I know one more person, and

727
00:37:29,160 --> 00:37:32,080
Speaker 1: it's Hornsby. They're gonna go get Hornsby.

728
00:37:31,680 --> 00:37:32,120
Speaker 2: Out of jail.

729
00:37:32,200 --> 00:37:33,959
Speaker 3: And I was thinking, this is a terrible plan.

730
00:37:34,400 --> 00:37:37,000
Speaker 2: So Darryl and Carroll take out. Now, why'd you think

731
00:37:37,000 --> 00:37:37,759
Speaker 2: it was a terrible plan?

732
00:37:38,280 --> 00:37:41,800
Speaker 3: Because he can't be trusted. I mean they know that,

733
00:37:42,160 --> 00:37:45,000
Speaker 3: but it's one of those things. But he can't be trusted.

734
00:37:45,080 --> 00:37:52,239
Speaker 3: But also he is dirty enough to where I think

735
00:37:52,280 --> 00:37:54,640
Speaker 3: that they understand, well, we can actually use each other

736
00:37:54,760 --> 00:37:55,480
Speaker 3: in this situation.

737
00:37:55,719 --> 00:37:58,960
Speaker 1: I think he can't be trusted, but he but he's

738
00:37:59,080 --> 00:38:02,280
Speaker 1: like a person that at if you know what motivates somebody,

739
00:38:02,360 --> 00:38:03,319
Speaker 1: you don't have to trust him.

740
00:38:03,400 --> 00:38:04,960
Speaker 2: If I know what you'll do, I don't need to

741
00:38:05,000 --> 00:38:05,360
Speaker 2: trust you.

742
00:38:05,920 --> 00:38:08,239
Speaker 1: Like it's like if I know that you'll go in

743
00:38:08,320 --> 00:38:10,759
Speaker 1: my wallet and take twenty dollars out every time I

744
00:38:10,880 --> 00:38:13,560
Speaker 1: leave the round, Right, I don't really have to trust you.

745
00:38:13,680 --> 00:38:15,840
Speaker 1: I just take my wallet with me, you know what

746
00:38:15,920 --> 00:38:18,000
Speaker 1: I mean, Or if I don't or if I don't care,

747
00:38:18,000 --> 00:38:20,040
Speaker 1: if you get the twenty dollars, I leave twenty dollars

748
00:38:20,360 --> 00:38:22,040
Speaker 1: in my wallet, you know, and you just steal it.

749
00:38:22,800 --> 00:38:24,279
Speaker 2: So if I know what you're gonna do.

750
00:38:24,760 --> 00:38:28,160
Speaker 1: And I feel like there's a way where when Hornsby

751
00:38:28,239 --> 00:38:30,360
Speaker 1: has certain things that are advantageous to him, you know

752
00:38:30,480 --> 00:38:32,719
Speaker 1: what he's gonna do. So you can't trust him, You're

753
00:38:32,760 --> 00:38:36,000
Speaker 1: absolutely right, but you can't, but you can rely on

754
00:38:36,160 --> 00:38:39,839
Speaker 1: him to use what he can to his advantage. True,

755
00:38:39,880 --> 00:38:43,239
Speaker 1: and so we'll get you out of jail. You tell

756
00:38:43,360 --> 00:38:46,960
Speaker 1: us where Pamela is taking our friends. It feels like

757
00:38:47,200 --> 00:38:49,760
Speaker 1: it to me a better plan than going to Mercer,

758
00:38:49,760 --> 00:38:52,040
Speaker 1: because Mercer, to me, is a guy that you could

759
00:38:52,080 --> 00:38:54,400
Speaker 1: tell him everything and then he marks your ass right

760
00:38:54,480 --> 00:38:56,520
Speaker 1: in the Pamela's office and be like, look what they

761
00:38:56,560 --> 00:38:57,160
Speaker 1: were trying to do?

762
00:38:57,480 --> 00:38:57,640
Speaker 4: You know?

763
00:38:58,080 --> 00:39:03,920
Speaker 3: Yeah, that's true, and you know it's him with Hornsby.

764
00:39:04,080 --> 00:39:07,800
Speaker 3: I think that they go, well, we know he knows

765
00:39:07,880 --> 00:39:09,920
Speaker 3: where they are, you know, because this has sound like

766
00:39:10,000 --> 00:39:11,480
Speaker 3: some shit that he would probably do.

767
00:39:14,000 --> 00:39:15,719
Speaker 2: Yeah, So I think that's a big part of it.

768
00:39:15,840 --> 00:39:18,200
Speaker 1: And it also like it's Darryln Carroll, so I don't

769
00:39:18,239 --> 00:39:21,040
Speaker 1: think like, if something go wrong, they'll be fine.

770
00:39:21,440 --> 00:39:24,200
Speaker 2: Yes, so you know, to me, the only question was

771
00:39:24,200 --> 00:39:25,880
Speaker 2: like can they really break in prison? But then I

772
00:39:26,000 --> 00:39:27,520
Speaker 2: was like, nah, Darrel and Carroll could.

773
00:39:27,400 --> 00:39:29,680
Speaker 1: Break in the prison in this place. They could definitely

774
00:39:29,719 --> 00:39:33,080
Speaker 1: break into this prison right with their lack of security.

775
00:39:33,680 --> 00:39:36,680
Speaker 1: So Darryl and Carroll take out a couple of guards

776
00:39:36,719 --> 00:39:41,080
Speaker 1: at the prison. They get into Hornsby cell and it's

777
00:39:41,120 --> 00:39:44,880
Speaker 1: a gruesome mess. Sebastian the zombie is covered in blood,

778
00:39:45,560 --> 00:39:47,759
Speaker 1: smear it on the floor, all over his body. He's

779
00:39:47,840 --> 00:39:51,239
Speaker 1: crawling because it's not like a walking zombie kind of thing.

780
00:39:51,440 --> 00:39:52,560
Speaker 3: And then he's chained too.

781
00:39:52,760 --> 00:39:54,879
Speaker 1: He's still chained up to the corner so he can't

782
00:39:55,000 --> 00:39:59,080
Speaker 1: get to Hornsby. But Hornsby has been feeding the zombie

783
00:39:59,160 --> 00:40:03,400
Speaker 1: his man, his day man. And also Hans has his

784
00:40:03,560 --> 00:40:07,640
Speaker 1: coin and he's desponded. He's just looking at the coin

785
00:40:07,760 --> 00:40:08,440
Speaker 1: repeating like.

786
00:40:09,080 --> 00:40:12,400
Speaker 2: There's always away, always a way out, There's always away,

787
00:40:12,920 --> 00:40:14,600
Speaker 2: over and over and over again.

788
00:40:15,000 --> 00:40:16,239
Speaker 3: I was like, oh, he done lost it.

789
00:40:16,760 --> 00:40:18,360
Speaker 1: Yeah, And at first I thought maybe he's putting on

790
00:40:18,400 --> 00:40:20,640
Speaker 1: an act, you know. I was like, oh, he wants

791
00:40:20,680 --> 00:40:22,680
Speaker 1: to look crazy in front of him, but he wouldn't

792
00:40:22,680 --> 00:40:24,960
Speaker 1: have known they were coming and stuff, and his men

793
00:40:25,080 --> 00:40:27,839
Speaker 1: really are dead, and so he's like always a path,

794
00:40:27,960 --> 00:40:31,200
Speaker 1: always think and looking spinning the coin.

795
00:40:31,920 --> 00:40:32,040
Speaker 3: Uh.

796
00:40:32,239 --> 00:40:36,240
Speaker 1: Darryl goes and Batman on this nigga just like friends

797
00:40:36,320 --> 00:40:39,680
Speaker 1: on start like choking them and all kinds of shit,

798
00:40:40,680 --> 00:40:43,960
Speaker 1: just giving him, just giving him CTE like Batman does Criminals.

799
00:40:45,920 --> 00:40:48,000
Speaker 1: Carol takes over, but it's almost like when the three

800
00:40:48,000 --> 00:40:52,200
Speaker 1: stoodents take over, it's not really better because like like

801
00:40:52,360 --> 00:40:54,920
Speaker 1: Daryl was like pulling at the dude scarred and he

802
00:40:55,120 --> 00:40:57,000
Speaker 1: left him on his face when he chopped them and

803
00:40:57,000 --> 00:41:02,000
Speaker 1: ship and then uh oh, Carol puts.

804
00:41:01,760 --> 00:41:02,760
Speaker 2: A knife through his throat.

805
00:41:03,239 --> 00:41:06,719
Speaker 1: Yeah, right, So everybody fighting in the man, it was

806
00:41:06,760 --> 00:41:09,399
Speaker 1: like airplane where they all take turns slapping that person.

807
00:41:10,239 --> 00:41:12,040
Speaker 1: It's like, no, I got it, slap hey, get a

808
00:41:12,080 --> 00:41:14,400
Speaker 1: hold of yourself, get yourself together. No, I've got to

809
00:41:14,440 --> 00:41:16,680
Speaker 1: tell you my turn. Slap hey, man, what are you doing?

810
00:41:16,719 --> 00:41:17,440
Speaker 1: You're going crazy?

811
00:41:17,640 --> 00:41:20,560
Speaker 2: Slap you know that. It felt like that, But she

812
00:41:20,719 --> 00:41:21,359
Speaker 2: does get him.

813
00:41:21,280 --> 00:41:25,160
Speaker 1: To come back to reality for a second, and he

814
00:41:25,600 --> 00:41:28,759
Speaker 1: because she's like, listen, we either got to kill you.

815
00:41:30,320 --> 00:41:31,359
Speaker 2: Or you gotta come with us.

816
00:41:31,760 --> 00:41:33,759
Speaker 1: We can't let you be alive that of we've been here,

817
00:41:34,440 --> 00:41:36,600
Speaker 1: so come back to reality and tell us where our

818
00:41:36,640 --> 00:41:37,439
Speaker 1: friends are dead.

819
00:41:37,920 --> 00:41:41,640
Speaker 2: He's like, I'll show you where they are.

820
00:41:42,400 --> 00:41:45,200
Speaker 1: He's like, y'all don't trust me anyway, so let me

821
00:41:45,440 --> 00:41:48,319
Speaker 1: show y'all where your friends are. And that way y'all

822
00:41:48,440 --> 00:41:50,400
Speaker 1: maket like, take me out here instead of killing me

823
00:41:50,480 --> 00:41:52,680
Speaker 1: right now, because in his mind, if I tell you

824
00:41:52,719 --> 00:41:54,880
Speaker 1: where they are, we'll stop y'all from killing me. I agreed,

825
00:41:56,160 --> 00:41:58,040
Speaker 1: So he says, I know a way out of this thing.

826
00:41:59,160 --> 00:42:02,080
Speaker 1: He gets he's so he's back in the game. He's

827
00:42:02,080 --> 00:42:05,000
Speaker 1: paying attention again, these hornsby again. He has an ankle

828
00:42:05,080 --> 00:42:07,640
Speaker 1: monitor on, but it's not like what we have where

829
00:42:07,760 --> 00:42:11,160
Speaker 1: it tracks your location. It just sends radio signals that

830
00:42:11,360 --> 00:42:14,839
Speaker 1: someone has escaped their cell and it goes off as

831
00:42:14,880 --> 00:42:18,520
Speaker 1: soon as you escape yourself. So he's like, Daryl goes

832
00:42:18,560 --> 00:42:20,279
Speaker 1: to cut it off, and Hawsey says, you're gonna have

833
00:42:20,280 --> 00:42:22,000
Speaker 1: to cut off my leg, to which you know, of course,

834
00:42:22,120 --> 00:42:24,680
Speaker 1: Daryl's like, that ain't no problem, but Hornsey's like, and

835
00:42:24,800 --> 00:42:25,960
Speaker 1: then what y'all gonna carry me?

836
00:42:27,120 --> 00:42:31,520
Speaker 3: So The's like, Carol says, well, you better run fast, right,

837
00:42:31,600 --> 00:42:32,560
Speaker 3: don't be fucking around.

838
00:42:33,680 --> 00:42:34,360
Speaker 2: So then.

839
00:42:35,920 --> 00:42:38,360
Speaker 1: Uh, he says, all right, I just need to do

840
00:42:38,440 --> 00:42:41,359
Speaker 1: one thing first, and we see later the one thing

841
00:42:41,640 --> 00:42:47,080
Speaker 1: was crushing Sebastian skull. Even though Daryl killed Designbie just

842
00:42:47,160 --> 00:42:49,560
Speaker 1: stabbed it in the head one time. But he crushes

843
00:42:49,600 --> 00:42:52,680
Speaker 1: the skull leaving and then puts his coin in the

844
00:42:52,719 --> 00:42:55,239
Speaker 1: brain matter, just gross as hell, and.

845
00:42:55,560 --> 00:42:58,120
Speaker 2: Pet teene petee to the fullest.

846
00:42:59,600 --> 00:43:03,439
Speaker 1: So as they're escaping, they getting to shoot out, Darryl

847
00:43:03,480 --> 00:43:06,800
Speaker 1: stays back to shoot the guards, meaning Carol and Hornsby

848
00:43:07,000 --> 00:43:09,200
Speaker 1: have to run out on their own. Carol doesn't want

849
00:43:09,200 --> 00:43:11,799
Speaker 1: to leave them, but you know, Darrel's like, I'm gonna

850
00:43:11,840 --> 00:43:13,600
Speaker 1: be fine. You just you know, you go, And we

851
00:43:13,719 --> 00:43:16,320
Speaker 1: know he will be fine because it's Darryl, but also,

852
00:43:16,719 --> 00:43:18,759
Speaker 1: you know, I think the show wants just that.

853
00:43:18,920 --> 00:43:24,320
Speaker 2: See Carol and Hornsby alone and he's a dangerous figure.

854
00:43:24,400 --> 00:43:25,960
Speaker 2: What will he do toward Carrol?

855
00:43:25,960 --> 00:43:29,040
Speaker 1: Will he try to overpower her, try to escape, try

856
00:43:29,080 --> 00:43:31,640
Speaker 1: to think he can reverse psychology her or something, because

857
00:43:31,640 --> 00:43:36,400
Speaker 1: he don't really know her either. And so outside the walls,

858
00:43:36,960 --> 00:43:39,360
Speaker 1: Carolyn Hornsby are walking and he tries a sweet talker.

859
00:43:40,120 --> 00:43:42,640
Speaker 2: He's like, oh, man, the way you was killing them people.

860
00:43:42,960 --> 00:43:43,920
Speaker 2: Oh you're so smart.

861
00:43:44,239 --> 00:43:46,600
Speaker 1: See that's the thing you special. You ten steps ahead

862
00:43:46,640 --> 00:43:48,120
Speaker 1: of everybody. That's all I like about you.

863
00:43:48,520 --> 00:43:49,719
Speaker 2: That's what makes you so dope.

864
00:43:50,000 --> 00:43:52,600
Speaker 3: He was he was talking too much because she she

865
00:43:52,719 --> 00:43:55,600
Speaker 3: put that gun out, like like, I will blow your

866
00:43:55,680 --> 00:43:58,319
Speaker 3: fucking brains out. The fuck is this all this goddamn talking?

867
00:43:58,320 --> 00:43:58,880
Speaker 2: What's wrong with you?

868
00:43:59,040 --> 00:43:59,200
Speaker 1: Sir?

869
00:43:59,440 --> 00:43:59,600
Speaker 4: Yeah?

870
00:43:59,600 --> 00:44:01,239
Speaker 2: He said, who else could have deal what you did?

871
00:44:01,640 --> 00:44:02,720
Speaker 2: I hope Daryl's okay.

872
00:44:02,960 --> 00:44:03,120
Speaker 5: You know.

873
00:44:03,840 --> 00:44:05,680
Speaker 1: That's when she pulls her gun out and points it

874
00:44:05,719 --> 00:44:08,880
Speaker 1: at him, basically like niggas stopped playing. You know, you

875
00:44:08,960 --> 00:44:11,200
Speaker 1: don't think you don't even give a fuck about Darryl,

876
00:44:11,239 --> 00:44:14,480
Speaker 1: so don't even try that bullshit on me. He's like, what,

877
00:44:14,920 --> 00:44:17,480
Speaker 1: maybe I'm just not operating a full capacity because I

878
00:44:17,880 --> 00:44:20,919
Speaker 1: went through a traumatic ordeal. I fed my my man

879
00:44:21,400 --> 00:44:26,960
Speaker 1: to my son, my boss's son. And she's like, nah,

880
00:44:27,080 --> 00:44:29,960
Speaker 1: don't like, stop trying to fucking sweet talk to me

881
00:44:30,080 --> 00:44:32,680
Speaker 1: or whatever the fuck, Just show me where we need

882
00:44:32,800 --> 00:44:35,120
Speaker 1: to go. And finally he's like, well shoot me then

883
00:44:35,520 --> 00:44:38,239
Speaker 1: you know, fuck good luck finding your friends. But before

884
00:44:38,280 --> 00:44:41,920
Speaker 1: they got a conversation, they see a caravan a soldiers

885
00:44:42,040 --> 00:44:46,000
Speaker 1: security guys on their vehicles and they're patrolling for them,

886
00:44:46,080 --> 00:44:48,759
Speaker 1: and so Hornsby was like, I know a secret way

887
00:44:48,880 --> 00:44:52,560
Speaker 1: we can escape, but you just gotta trust me. And

888
00:44:52,800 --> 00:44:55,320
Speaker 1: she hesitates at first, but then basically like, fuck it.

889
00:44:55,400 --> 00:44:57,480
Speaker 1: What other they're gonna find us and we stay in

890
00:44:57,520 --> 00:44:57,879
Speaker 1: the field?

891
00:44:58,560 --> 00:44:59,480
Speaker 2: What other choice do I have?

892
00:44:59,680 --> 00:45:03,000
Speaker 3: Right? And basically it's like a pathway that they don't use.

893
00:45:03,040 --> 00:45:05,600
Speaker 3: Anyone's almost decommissioned because they were saying how it was

894
00:45:05,640 --> 00:45:08,479
Speaker 3: so unstable and had a few collapses, so don't nobody

895
00:45:08,520 --> 00:45:09,560
Speaker 3: even go the pathway?

896
00:45:09,800 --> 00:45:09,960
Speaker 4: Right?

897
00:45:10,080 --> 00:45:12,239
Speaker 1: It looks like a like almost like a cave or

898
00:45:12,239 --> 00:45:15,920
Speaker 1: a big sewer or something. And inside of it he

899
00:45:16,080 --> 00:45:19,040
Speaker 1: does another like rounder trying to talk talk his way

900
00:45:19,440 --> 00:45:23,719
Speaker 1: ingratiate himself, but he also brings up a valid question

901
00:45:24,160 --> 00:45:27,400
Speaker 1: that I believe he doesn't care about, which is, Okay,

902
00:45:27,840 --> 00:45:31,400
Speaker 1: y'all take out Pamela Milton and the leadership of the Commonwealth,

903
00:45:31,800 --> 00:45:34,920
Speaker 1: then what what y'all gonna do with the fifty thousand

904
00:45:34,920 --> 00:45:35,719
Speaker 1: people that live here?

905
00:45:36,000 --> 00:45:37,920
Speaker 2: And she's like, I don't know, I don't know them.

906
00:45:37,960 --> 00:45:39,560
Speaker 2: My last name is Bennett. I'm not in it.

907
00:45:39,920 --> 00:45:42,800
Speaker 1: She's like, not my problem, sir, And he's like what

908
00:45:42,920 --> 00:45:45,279
Speaker 1: about the kids then, And we know Carol do love

909
00:45:45,400 --> 00:45:49,600
Speaker 1: the kids though, so she goes quiet, but she doesn't

910
00:45:49,719 --> 00:45:53,120
Speaker 1: like answer him or not answer him. I wondered if

911
00:45:53,200 --> 00:45:56,719
Speaker 1: this is his bid to run the commonwealth, Like this

912
00:45:56,840 --> 00:45:59,480
Speaker 1: is him doing this thing again where I'm gonna help y'all,

913
00:45:59,520 --> 00:46:01,399
Speaker 1: I'm gonna be and I'm gonna be that. But really

914
00:46:02,520 --> 00:46:05,239
Speaker 1: he won't ever be happy until he's ruling the commonwealth.

915
00:46:05,280 --> 00:46:06,680
Speaker 2: That is basically a tyrant, you know.

916
00:46:07,560 --> 00:46:10,840
Speaker 1: And you know, he's like, somebody need to help the

917
00:46:10,920 --> 00:46:13,840
Speaker 1: kids and all this stuff, and she's basically, I'm not

918
00:46:13,920 --> 00:46:15,200
Speaker 1: talking about thinking about all that.

919
00:46:16,080 --> 00:46:19,480
Speaker 2: Then a smell is so bad it basically makes everybody

920
00:46:19,560 --> 00:46:23,520
Speaker 2: shut up. He looks up. There's skin from a walker

921
00:46:23,760 --> 00:46:25,040
Speaker 2: sitting on like a.

922
00:46:26,760 --> 00:46:30,319
Speaker 1: Just a suitcase or something. Just skin, just just walker skin.

923
00:46:30,560 --> 00:46:33,239
Speaker 1: And it didn't look like the whisper or mask. It's

924
00:46:33,440 --> 00:46:36,439
Speaker 1: like an actual just the skin of a walker fell

925
00:46:36,520 --> 00:46:41,800
Speaker 1: off or something. And they end up getting into a

926
00:46:41,880 --> 00:46:45,640
Speaker 1: basically a scuffle with zombies. One of them grabs Hornsby's leg, no,

927
00:46:46,200 --> 00:46:49,759
Speaker 1: and and it doesn't bite him, but he just can't

928
00:46:49,800 --> 00:46:54,480
Speaker 1: get loose and he starts yelling because he's not like them,

929
00:46:54,560 --> 00:46:55,880
Speaker 1: you know, about.

930
00:46:55,719 --> 00:46:58,799
Speaker 3: That life, which drowns more out right.

931
00:46:58,920 --> 00:47:02,839
Speaker 1: And so then Carol ends up having a fight off

932
00:47:02,920 --> 00:47:05,479
Speaker 1: some of the walkers and I And of course they've

933
00:47:05,520 --> 00:47:07,719
Speaker 1: now already added an element of fear to the show

934
00:47:07,840 --> 00:47:10,840
Speaker 1: that wasn't there last week, which is now that I

935
00:47:10,960 --> 00:47:13,719
Speaker 1: know variant walkers exists, I'm looking at the walkers close

936
00:47:13,800 --> 00:47:15,680
Speaker 1: to be like, did that walker fucking slap her hand

937
00:47:15,719 --> 00:47:17,520
Speaker 1: away or did it like, you know, like is that

938
00:47:17,640 --> 00:47:21,719
Speaker 1: walker going for her gun? I don't know, but these

939
00:47:21,760 --> 00:47:26,000
Speaker 1: were just regular walkers the scene. But he gets loose

940
00:47:26,080 --> 00:47:30,520
Speaker 1: from the walker that grabs his leg disappears. Carrol's flashlight

941
00:47:30,640 --> 00:47:33,440
Speaker 1: falls down like another part of the cave. Carol pulls

942
00:47:33,440 --> 00:47:35,920
Speaker 1: out her gun, shoots a bunch of zombies in the face,

943
00:47:36,360 --> 00:47:38,040
Speaker 1: struggles with fighting the last.

944
00:47:37,840 --> 00:47:40,840
Speaker 3: One Hornsby, and his skin started peeling.

945
00:47:41,640 --> 00:47:47,200
Speaker 1: I was gonna get Yeah, Hornsby has the flashlight that

946
00:47:47,360 --> 00:47:49,680
Speaker 1: Carol dropped, but he's way in the back.

947
00:47:49,800 --> 00:47:51,279
Speaker 2: He got her back and.

948
00:47:51,280 --> 00:47:53,640
Speaker 3: He's like, I'm way back here, I'm shining in the light.

949
00:47:53,680 --> 00:47:55,879
Speaker 3: He started shining light. She was like the hell.

950
00:47:55,960 --> 00:47:58,080
Speaker 1: He was like, I just want you to see, right,

951
00:47:58,400 --> 00:48:02,480
Speaker 1: And so she goes to rip the like fight, struggle, fight,

952
00:48:02,560 --> 00:48:05,600
Speaker 1: to zombie. She goes to like rip at the zombie

953
00:48:05,640 --> 00:48:07,479
Speaker 1: to push it off for her, and its skin comes

954
00:48:07,520 --> 00:48:08,480
Speaker 1: off like chicken skin.

955
00:48:08,760 --> 00:48:11,440
Speaker 3: It just stopped piling cool special effect.

956
00:48:12,239 --> 00:48:12,520
Speaker 1: It was.

957
00:48:12,880 --> 00:48:14,640
Speaker 2: It was real girls, Yes it was.

958
00:48:15,760 --> 00:48:16,520
Speaker 3: But real cool.

959
00:48:17,120 --> 00:48:19,440
Speaker 2: Yeah, yeah, I mean it was. Oh my god, it

960
00:48:19,560 --> 00:48:21,120
Speaker 2: was such a cool special effect.

961
00:48:22,320 --> 00:48:25,080
Speaker 1: So then Hornsby apologized for not helping, but says, I

962
00:48:25,120 --> 00:48:27,120
Speaker 1: had to hold the lights so you could see they

963
00:48:27,239 --> 00:48:30,320
Speaker 1: run out of the tunnel that the walkers are following

964
00:48:30,400 --> 00:48:34,279
Speaker 1: them out of, which is this is interesting because we

965
00:48:34,400 --> 00:48:37,120
Speaker 1: don't see those walkers again in the next scene because

966
00:48:37,600 --> 00:48:39,480
Speaker 1: as soon as they get out of their security must

967
00:48:39,520 --> 00:48:43,480
Speaker 1: have heard the gunshots. Yes, they surround Carol and Hornsby,

968
00:48:44,360 --> 00:48:45,880
Speaker 1: and like I said, it was, it was just like

969
00:48:46,000 --> 00:48:49,960
Speaker 1: a weird thing because normally when they show like walkers

970
00:48:50,120 --> 00:48:52,680
Speaker 1: doing that or something, they normally show the walkers come

971
00:48:52,800 --> 00:48:55,919
Speaker 1: up later or something. But I guess the walkers can

972
00:48:56,400 --> 00:48:59,439
Speaker 1: hit something. They just turned took a left and didn't

973
00:48:59,440 --> 00:48:59,960
Speaker 1: follow Carrol.

974
00:49:01,400 --> 00:49:03,920
Speaker 3: I was like, who too far, I'm tired, all right,

975
00:49:04,800 --> 00:49:05,840
Speaker 3: I'm taking that, guys.

976
00:49:06,440 --> 00:49:07,200
Speaker 2: So then.

977
00:49:08,960 --> 00:49:14,120
Speaker 1: The these are dirty cops, like these security people. Mercer's

978
00:49:14,160 --> 00:49:18,080
Speaker 1: not around, and I don't know if it's pavolous people.

979
00:49:18,160 --> 00:49:18,800
Speaker 2: They just lazy.

980
00:49:18,880 --> 00:49:22,320
Speaker 1: But they was like radio in to the tower that

981
00:49:22,840 --> 00:49:26,640
Speaker 1: we found Hornsby and Carroll, and they put up a

982
00:49:26,719 --> 00:49:30,120
Speaker 1: fight and they got killed in the resistance and I

983
00:49:30,320 --> 00:49:34,040
Speaker 1: was like, damn, they just gonna kill him. But of

984
00:49:34,200 --> 00:49:36,960
Speaker 1: course before they can do that, my man Darryl pulls

985
00:49:37,080 --> 00:49:39,160
Speaker 1: up and kills a bunch.

986
00:49:39,000 --> 00:49:43,239
Speaker 2: Of them from behind because he was the trucks. Yeah,

987
00:49:43,680 --> 00:49:47,000
Speaker 2: you know here, my man Darryl. They we knew he

988
00:49:47,200 --> 00:49:49,279
Speaker 2: was gonna be fine when he said go without me.

989
00:49:49,840 --> 00:49:51,719
Speaker 1: He'll come up. He'll be catching up to you when

990
00:49:51,719 --> 00:49:54,359
Speaker 1: you need them. So yeah, he may not came when

991
00:49:54,360 --> 00:49:56,279
Speaker 1: you need it, but he was on time and shot.

992
00:49:56,040 --> 00:49:57,479
Speaker 2: Them motherfucking security people.

993
00:49:57,560 --> 00:49:58,080
Speaker 3: Yes he did.

994
00:49:58,880 --> 00:50:01,759
Speaker 2: After they shoot the security people, Darrel joins the crew.

995
00:50:01,880 --> 00:50:05,640
Speaker 1: Dall sees that there's only two people guarding this structure

996
00:50:06,239 --> 00:50:08,520
Speaker 1: where maybe they're planning on holding up for the night

997
00:50:08,640 --> 00:50:12,080
Speaker 1: or something, or you know, I don't think they thought

998
00:50:12,120 --> 00:50:14,200
Speaker 1: that people were there, because horns be still alive. And

999
00:50:14,320 --> 00:50:17,120
Speaker 1: he's like, okay, so your people ain't down there.

1000
00:50:17,239 --> 00:50:17,720
Speaker 2: Your people.

1001
00:50:18,560 --> 00:50:18,800
Speaker 5: I know.

1002
00:50:18,920 --> 00:50:21,480
Speaker 2: The path like the path forks off a couple of ways,

1003
00:50:21,640 --> 00:50:24,000
Speaker 2: but it goes to our.

1004
00:50:24,560 --> 00:50:31,280
Speaker 1: Train Commonwealth is building a train, laying tracks and stuff

1005
00:50:31,840 --> 00:50:35,160
Speaker 1: so that the working train will connect all the communities together,

1006
00:50:36,280 --> 00:50:39,719
Speaker 1: making the Commonwealth's reach grow bigger and bigger. That's the

1007
00:50:40,040 --> 00:50:41,799
Speaker 1: you know, I guess a big secret they haven't been

1008
00:50:41,840 --> 00:50:45,000
Speaker 1: bringing up all this time, right, And it makes you think,

1009
00:50:45,280 --> 00:50:49,120
Speaker 1: wait a minute, people been going and disappearing. It wasn't

1010
00:50:49,200 --> 00:50:52,759
Speaker 1: just people running down in that damn house. People been

1011
00:50:52,840 --> 00:50:53,920
Speaker 1: going and disappearing.

1012
00:50:54,400 --> 00:50:56,600
Speaker 2: Maybe they're using their labor to build the train.

1013
00:50:56,920 --> 00:51:00,640
Speaker 3: Yep. When they when they excommunicate people kick people out

1014
00:51:00,640 --> 00:51:04,640
Speaker 3: of community, they probably take them there, right, So see,

1015
00:51:04,680 --> 00:51:06,840
Speaker 3: they don't actually let them quote unquote go out and

1016
00:51:06,960 --> 00:51:10,520
Speaker 3: open anymore. And to an extent, it's smart because we

1017
00:51:10,640 --> 00:51:19,560
Speaker 3: let you go out, you might come back and slavery.

1018
00:51:19,840 --> 00:51:22,120
Speaker 1: Yeah, And I think this is one of those moments

1019
00:51:23,120 --> 00:51:26,719
Speaker 1: where they've done a great job of just as send

1020
00:51:26,840 --> 00:51:30,879
Speaker 1: up of America. The Commonwealth is just so America. It's

1021
00:51:31,000 --> 00:51:35,160
Speaker 1: secretly founded on slavery that no one talks about. And

1022
00:51:35,239 --> 00:51:39,800
Speaker 1: they're still using slavery, disappearing people and putting them in

1023
00:51:39,920 --> 00:51:44,600
Speaker 1: wherever this fucking labor camp is or something making them

1024
00:51:44,640 --> 00:51:48,920
Speaker 1: work on the train. Now, horns be fucked up because

1025
00:51:49,680 --> 00:51:52,480
Speaker 1: and he didn't know it yet, but they was basically like,

1026
00:51:52,680 --> 00:51:56,560
Speaker 1: well you you can go ahead and go cause he's like, well,

1027
00:51:56,719 --> 00:51:58,960
Speaker 1: we're gonna take over the commonwealth. We're gonna make it better.

1028
00:51:59,120 --> 00:52:00,400
Speaker 2: He's just like, know we not.

1029
00:52:00,760 --> 00:52:03,440
Speaker 1: He's like, I already got a campaign slogan. Uh and

1030
00:52:03,520 --> 00:52:06,080
Speaker 1: then like we don't care about that ship. You don't

1031
00:52:06,160 --> 00:52:09,920
Speaker 1: get to be here, get out. He's like, oh, come on, man,

1032
00:52:10,080 --> 00:52:13,600
Speaker 1: y'all gonna kill me. And there Carol's like, we might

1033
00:52:13,800 --> 00:52:18,680
Speaker 1: not kill you. You can run and he's like how

1034
00:52:19,440 --> 00:52:22,279
Speaker 1: and do what like? And she was like, go, you're

1035
00:52:22,320 --> 00:52:26,239
Speaker 1: a smart guy. Go fucking surviving the ZPOC outside like

1036
00:52:26,320 --> 00:52:29,120
Speaker 1: we did. And he's like, I made mistakes. I know that,

1037
00:52:29,280 --> 00:52:32,160
Speaker 1: but I'm not who I That's not who I am anymore.

1038
00:52:33,080 --> 00:52:35,920
Speaker 2: That guy's gone. He died back in that cell. I

1039
00:52:36,000 --> 00:52:39,439
Speaker 2: won't make it out of here. And they're like Daryl

1040
00:52:39,520 --> 00:52:44,120
Speaker 2: says good, yeah, yeah, he said I make I won't

1041
00:52:44,160 --> 00:52:46,000
Speaker 2: make it out there. Yeah, I won't make it out there.

1042
00:52:46,040 --> 00:52:46,759
Speaker 4: He says good.

1043
00:52:47,239 --> 00:52:50,759
Speaker 2: And Carol's like, listen, man, you got a chance being

1044
00:52:50,800 --> 00:52:52,239
Speaker 2: out there, so go leave.

1045
00:52:52,440 --> 00:52:55,719
Speaker 1: He goes to leave. He's passing the jeep that I

1046
00:52:55,800 --> 00:52:57,880
Speaker 1: guess they stole her one of the people's jeeps.

1047
00:52:58,960 --> 00:53:01,879
Speaker 2: He's passing the gee. There's a gun in the back

1048
00:53:01,920 --> 00:53:02,399
Speaker 2: of the jeep.

1049
00:53:02,880 --> 00:53:05,279
Speaker 1: He tries to grab the gun and shoot both of them.

1050
00:53:06,239 --> 00:53:09,920
Speaker 1: Because at the end of the day, this motherfucker, it's

1051
00:53:10,120 --> 00:53:11,560
Speaker 1: just like the coin in the brains.

1052
00:53:12,320 --> 00:53:16,720
Speaker 2: This motherfucker right here at Hornsby. He's so full of audacity.

1053
00:53:16,840 --> 00:53:17,200
Speaker 3: Man, he.

1054
00:53:18,719 --> 00:53:22,520
Speaker 1: Want he wants that man or leadership in the Commonwealth.

1055
00:53:22,600 --> 00:53:24,680
Speaker 1: And it wouldn't matter if Pamela kicked him out or not.

1056
00:53:24,760 --> 00:53:27,880
Speaker 1: If you don't kill someone like this, they're just gonna

1057
00:53:27,880 --> 00:53:31,839
Speaker 1: be a problem. And Carol was already thinking it because

1058
00:53:31,880 --> 00:53:34,080
Speaker 1: she shot this motherfucker with a bowl before he could

1059
00:53:34,120 --> 00:53:35,440
Speaker 1: even pull the trick on that gun.

1060
00:53:35,360 --> 00:53:37,719
Speaker 3: Right in the neck. I was like, oh, and I

1061
00:53:37,800 --> 00:53:40,000
Speaker 3: thought about it. I was like, you know what, I

1062
00:53:40,120 --> 00:53:42,160
Speaker 3: think that they really would have let him leave. Yeah,

1063
00:53:42,200 --> 00:53:45,839
Speaker 3: I think you just leave and just be like Okay, Well,

1064
00:53:45,920 --> 00:53:48,440
Speaker 3: never know for sure, but I was leaning towards they

1065
00:53:48,440 --> 00:53:49,279
Speaker 3: would have let him leave.

1066
00:53:49,600 --> 00:53:52,640
Speaker 1: But the way the arrow hit him felt like that

1067
00:53:52,840 --> 00:53:54,399
Speaker 1: arrow might have been in the air before he even

1068
00:53:54,440 --> 00:53:55,000
Speaker 1: turned around.

1069
00:53:55,080 --> 00:53:58,160
Speaker 2: Like that motherfucker arrow hit this nigga so quick, y'all.

1070
00:54:00,160 --> 00:54:02,040
Speaker 3: She was like, oh, we know we can't trust you,

1071
00:54:02,200 --> 00:54:05,160
Speaker 3: like like like the second he passed and she's seen that,

1072
00:54:05,360 --> 00:54:05,719
Speaker 3: she was like.

1073
00:54:06,320 --> 00:54:07,959
Speaker 1: He looked like he was like how about the old

1074
00:54:08,440 --> 00:54:11,399
Speaker 1: damn I almost got me. And so he was dead

1075
00:54:12,160 --> 00:54:15,680
Speaker 1: and they leave him in the ground bleeding out. Uh,

1076
00:54:16,840 --> 00:54:20,279
Speaker 1: gonna soon turn into a zombie. And the last scene

1077
00:54:20,480 --> 00:54:24,160
Speaker 1: is a bus full of people wearing those kidnap poots.

1078
00:54:25,840 --> 00:54:28,560
Speaker 3: When they said they got everybody, I mean they caught everybody.

1079
00:54:29,040 --> 00:54:31,520
Speaker 1: Yeah, I didn't see Dog, but I assumed Dog was there,

1080
00:54:33,080 --> 00:54:35,600
Speaker 1: and that's probably just because I didn't rewind. But yeah,

1081
00:54:35,640 --> 00:54:38,120
Speaker 1: they basically they had a guy on a soldier that

1082
00:54:38,320 --> 00:54:41,440
Speaker 1: was taking needles and sticking each one of them with

1083
00:54:41,640 --> 00:54:44,919
Speaker 1: drugs to make sure they were passed out the whole ride,

1084
00:54:45,440 --> 00:54:48,880
Speaker 1: and we see him stick Ezekiel last with with the

1085
00:54:48,960 --> 00:54:49,720
Speaker 1: knockout juice.

1086
00:54:49,920 --> 00:54:52,320
Speaker 3: Yeah, and I think maybe some of that too, was

1087
00:54:52,719 --> 00:54:54,560
Speaker 3: in case people may have been familiar with.

1088
00:54:54,640 --> 00:54:56,920
Speaker 1: The area or something like that, just so they so

1089
00:54:56,960 --> 00:54:58,600
Speaker 1: they won't notice around as to be able to get

1090
00:54:58,640 --> 00:55:02,600
Speaker 1: back to the Commonwealth problem. I agreed, But yeah, that's

1091
00:55:02,680 --> 00:55:04,040
Speaker 1: and that's the end of the show. It was a

1092
00:55:04,280 --> 00:55:06,719
Speaker 1: heck of an ending, a lot of action, I know,

1093
00:55:07,040 --> 00:55:09,160
Speaker 1: I tried to describe it to you, but some of

1094
00:55:09,200 --> 00:55:12,200
Speaker 1: the action you'd have to see. The chicken skan walkers

1095
00:55:12,360 --> 00:55:13,400
Speaker 1: were amazing.

1096
00:55:13,640 --> 00:55:16,800
Speaker 2: That was really neat. What are you looking forward to

1097
00:55:16,920 --> 00:55:17,319
Speaker 2: next week?

1098
00:55:18,719 --> 00:55:22,880
Speaker 3: I am looking forward to see what's what's happening into

1099
00:55:23,000 --> 00:55:25,400
Speaker 3: the people at the railroad track. You know that's the

1100
00:55:25,560 --> 00:55:29,920
Speaker 3: sound or the man working on the change gang.

1101
00:55:30,920 --> 00:55:36,839
Speaker 2: Yeah, I'm looking forward to to Carolyn, I'm looking forward

1102
00:55:36,880 --> 00:55:37,560
Speaker 2: to some slavery.

1103
00:55:37,719 --> 00:55:39,560
Speaker 3: Carolyn, dere are gonna suck them up? And I was

1104
00:55:39,680 --> 00:55:42,800
Speaker 3: like the two people were actually because the way the

1105
00:55:42,960 --> 00:55:45,439
Speaker 3: team functions, I don't think it would have mattered which

1106
00:55:45,520 --> 00:55:48,840
Speaker 3: to you left anything. It was free. They was like,

1107
00:55:48,920 --> 00:55:50,680
Speaker 3: we're going to get our goddamn people.

1108
00:55:50,840 --> 00:55:53,200
Speaker 1: I honestly feel like that's the point. That's the place

1109
00:55:53,200 --> 00:55:55,279
Speaker 1: where at right now, where it don't even really matter.

1110
00:55:55,880 --> 00:56:00,239
Speaker 1: Uh you leave Judith alive. Everybody getting free, got to

1111
00:56:00,280 --> 00:56:02,279
Speaker 1: get some Yeah. I can't wait to see what they

1112
00:56:02,360 --> 00:56:05,040
Speaker 1: do next week. Uh that's it for this week. Thanks

1113
00:56:05,080 --> 00:56:07,279
Speaker 1: for listening to everybody. We'll talk to you soon until

1114
00:56:07,360 --> 00:56:07,759
Speaker 1: next time.

1115
00:56:07,880 --> 00:56:08,239
Speaker 2: I love you.

1116
00:56:08,400 --> 00:56:08,920
Speaker 3: I love you too.

1117
00:56:09,120 --> 00:56:09,319
Speaker 1: Why