WEBVTT - It’s Lorelai (S5 E2 "A Messenger, Nothing More”)

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I Heart Radio podcast. Hey everybody, Scott Patterson,

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<v Speaker 1>aimil and podcast want to eleven productions. iHeart Radio. I

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<v Speaker 1>am joined by my intrepid crew, Tera Suit, Daniel Romo,

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<v Speaker 1>Amy Sugarman, Hello Wall How is my goodness? One? We are?

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<v Speaker 1>We're gonna We're gonna break down episode two, season five,

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<v Speaker 1>and uh, who's doing the the The synopsis today always Danielle.

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<v Speaker 1>But I was gonna say that somebody else want to

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<v Speaker 1>do it? But no, I did like to double down

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<v Speaker 1>on my Uh, season five is the best season ever? Like,

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<v Speaker 1>is do we have enough Wait a minute, do we

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<v Speaker 1>have enough data to make that? Well? She just likes

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<v Speaker 1>that logan affairs soon Let's be honest. No, because first

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<v Speaker 1>of all, yes, a but okay, okay, I love this

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<v Speaker 1>episode also, so I'll just pipe down. And as they say,

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<v Speaker 1>it might be too small a sample size, good the data,

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<v Speaker 1>I don't. The data is definitely favorable so far, I'll say,

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<v Speaker 1>But Danielle, why don't you get us into the air?

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<v Speaker 1>Yeah it is, Yeah, it is neck Let's give her.

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<v Speaker 1>That's good. Okay. So this is season five, episode two,

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<v Speaker 1>A messenger nothing more air date September twenty eighth, two

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<v Speaker 1>thousand and four. With Lorala and Rory's relationships still strained

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<v Speaker 1>and unresolved. Lorala takes on everything at the end until

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<v Speaker 1>Suki convinces her to take some time off. At the

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<v Speaker 1>corner of Bark and Cheese, Rory realizes she is wrong

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<v Speaker 1>and writes Dana letter, which she asks her mom to deliver.

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<v Speaker 1>Lane begins to see Zach and the New Light, and

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<v Speaker 1>Lindsay finds Rory's letter. Would he leaves Dean out in

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<v Speaker 1>the cold and without either girl? Who directed this? H

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<v Speaker 1>Daniel Palladino, Well, here's what's weird. I felt like it

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<v Speaker 1>was a very new directing style. Did you guys notice

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<v Speaker 1>that at all? In what way? Camera angles, new parts

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<v Speaker 1>of the town. Just I think being in Europe kind

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<v Speaker 1>of made it feel that way. You mean fake Europe obviously. Yeah,

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<v Speaker 1>well yeah, yeah, hard to do that with you know,

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<v Speaker 1>it's like California sunshine ruins every shot, right, So I

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<v Speaker 1>just thought, even right from the start, yeah oh really, so,

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<v Speaker 1>so you weren't You weren't vibing it? Oh totally vibing,

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<v Speaker 1>were vibing? It just seemed different, just different. I don't

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<v Speaker 1>mind different like the open. She's walking. I think we

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<v Speaker 1>maybe started on her shoes. I like it too. Just

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<v Speaker 1>say I like that opening. It's quick. Did you think

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<v Speaker 1>it was quick because we had such a long previously

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<v Speaker 1>on it was pretty long. Yeah, you're right, so that

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<v Speaker 1>opened was real quick. I think, you know, we got

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<v Speaker 1>a couple of good laughs out of the open. She

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<v Speaker 1>handed off the pamphlet to somebody else and said exactly

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<v Speaker 1>the same thing as the pamphleteer said. And it was funny,

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<v Speaker 1>and the apple fell over, the kid in the apple

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<v Speaker 1>suit fell over. Somehow you a couple of really, but

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<v Speaker 1>you know you got you nailed the town and what

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<v Speaker 1>the town is about, all the goofy, great charming stuff

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<v Speaker 1>happening in the town. And there she is walking along,

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<v Speaker 1>And is that our first time seeing the newspaper stand?

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<v Speaker 1>I don't think I don't all. No, I don't think so.

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<v Speaker 1>Also that people believe I kind of am in one

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<v Speaker 1>of them that when she says, hey, Al, Hey, Fred,

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<v Speaker 1>that that's Al from Al's Pancake World, Well who else

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<v Speaker 1>would it be? Right? It's another owl? I don't think so.

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<v Speaker 1>But it's right that they never go to Al's Pancake

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<v Speaker 1>world right, like, actually, like, go there, I think its

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<v Speaker 1>just talked about it. It's just take out. Yeah, I think, no,

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<v Speaker 1>you can eat there, No, no, but they usually take it.

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<v Speaker 1>But it was a great opening, punchy to the point, funny,

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<v Speaker 1>breezy everything, stars hollow, everything you love about Stars Hollow,

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<v Speaker 1>great opening, great, great, great opening. And there you are

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<v Speaker 1>with your lead actress looking fantastic acting right, a little

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<v Speaker 1>bit of a new haircut, I thought, maybe just a

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<v Speaker 1>little shorter, loving every second of it. Look good. Yeah,

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<v Speaker 1>everything was working everything was it kind of weird to

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<v Speaker 1>anybody that, like, we just jumped seven weeks. It took

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<v Speaker 1>me a second because I was wondering how many weeks

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<v Speaker 1>it was, and I think like later in the episode,

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<v Speaker 1>someone said it's been seven weeks. I was like seven weeks, yeah,

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<v Speaker 1>but how many? How many episodes are you going to

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<v Speaker 1>be able to do in Italy? No? I know, but

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<v Speaker 1>I wasn't mad about it at all. I wasn't mad either,

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<v Speaker 1>but I was like, whoa, that was like jarring from

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<v Speaker 1>episode one to two, just automatically seven weeks later, here

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<v Speaker 1>we are. For me, it was more jarring that Luke

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<v Speaker 1>was away for seven weeks and Rory wasn't more than

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<v Speaker 1>like the timeline of what's happening. Here's why I like

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<v Speaker 1>it though, and I want to hear what Scott says

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<v Speaker 1>because I don't want to rush into them. I like

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<v Speaker 1>that now we've dragged out this seven weeks and clearly

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<v Speaker 1>they're talking on the phone all the time like a

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<v Speaker 1>cute little couple like cording as they say, like because

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<v Speaker 1>they didn't talk on the phone every day like that,

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<v Speaker 1>and clearly now they are right. Yeah, it's a tease

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<v Speaker 1>within a tease within a tease, and it's just like

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<v Speaker 1>it's been four four seasons here we're in the fifth season.

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<v Speaker 1>We're still getting delays, delays within delays, and then you know,

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<v Speaker 1>not to jump ahead, but even that sort of welcome

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<v Speaker 1>back kiss, you know they get, they get that was

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<v Speaker 1>so funny that just a just a piggyback off the

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<v Speaker 1>seven weeks thing. Rory's hair is significantly longer and Dean's

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<v Speaker 1>hair it just go away. So my question, my question

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<v Speaker 1>is do you think they filmed episode one right after

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<v Speaker 1>they filmed the finale and took a break between one

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<v Speaker 1>and two and then you guys picked up with season

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<v Speaker 1>five question because also seasonsode one was so much connected

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<v Speaker 1>to the finale, and they probably didn't want people to

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<v Speaker 1>look different. Scott, like the like would have been like

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<v Speaker 1>a two part finale, and they just decided to push

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<v Speaker 1>it to the I don't know. It could be that

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<v Speaker 1>Jared did a film over the hiatus and he just

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<v Speaker 1>finished up at the end of his hair was shorter

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<v Speaker 1>in the film. Well, but here's my thing. You had

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<v Speaker 1>to have such strict continuity between the end of season

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<v Speaker 1>four and the beginning of season five that it would

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<v Speaker 1>have been really jarring if anyone changed it all. You

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<v Speaker 1>know what, you had a really good point we're talking

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<v Speaker 1>about from episode Okay, so the end of season four

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<v Speaker 1>and the beginning of season five. Oh sorry, yeah, I

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<v Speaker 1>got it right. End of season four, beginning of season

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<v Speaker 1>five is the same night that maybe you shot it

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<v Speaker 1>all back in April or March or Yeah. It is

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<v Speaker 1>interesting because season five, episode one can be a finale,

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<v Speaker 1>you know, like Rory goes to Europe, Like that could

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<v Speaker 1>be a finale. Somebody look this up. When did they

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<v Speaker 1>film Yeah, like, this has got to be on the

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<v Speaker 1>internet somewhere. I think you might be onto something, Daniel.

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<v Speaker 1>I think that they filmed it in spring of what

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<v Speaker 1>year is it two thousand and four? I think they

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<v Speaker 1>filmed season one, Season five, episode one, spring of two thousand.

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<v Speaker 1>Like Jared Petelec, you can very easily cut his hair,

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<v Speaker 1>you know what I mean? Like that, It's not the

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<v Speaker 1>one that kind of gave it away to me. It

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<v Speaker 1>was more Rory's hair was longer. I'm like, she's like,

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<v Speaker 1>you know what I mean, like she that was definitely

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<v Speaker 1>some time be too. Yeah, I agree. I agree with you.

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<v Speaker 1>We need to get somebody to figure that out. And

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<v Speaker 1>I think Luke lost a little weight, Yes he did. Luke.

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<v Speaker 1>I also think your teeth looked super white and smiley.

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<v Speaker 1>Did anyone notice that? No, it's just because I was

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<v Speaker 1>smiling a lot often. Rather chipper episode, there's this big

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<v Speaker 1>smiley guy. He smiled at his sister. He smiled. Oh,

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<v Speaker 1>he's smiling like a like a just a smiley smile.

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<v Speaker 1>Everywhere he went. There's rainbows and butterflies melting is necklace giver.

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<v Speaker 1>When we go into the diner for the first time

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<v Speaker 1>with Lane, nobody else noticed that was sort of a

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<v Speaker 1>new angle at the table. Yes, yeah, yeah, yes, that

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<v Speaker 1>it was definitely noticeable for sure. But it's like, you know,

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<v Speaker 1>Dan has his very special take on things. Yeah, you know,

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<v Speaker 1>do you think Luke feels about the free wink Winkers?

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<v Speaker 1>I mean he's not there, it's not there. Yeah, I

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<v Speaker 1>just need to know what Lane's like work schedule is

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<v Speaker 1>because it feels so inconsistent to me, Like somebodys that

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<v Speaker 1>the diner someday she's not. So, you know, it's just

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<v Speaker 1>like I just need to figure out, like every Monday,

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<v Speaker 1>Lane is, he's a student, is a student. She works

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<v Speaker 1>at the diner and she's in the band. Where does

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<v Speaker 1>she go to school that that very strict religious member

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<v Speaker 1>for college, I know what it's called. So she's in college.

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<v Speaker 1>She's in a freshman year in college, or finished her

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<v Speaker 1>freshman year in cost So this the summer and she's

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<v Speaker 1>so yeah, she's just she doesn't have a summer schedule

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<v Speaker 1>like band rehearsal. Yeah, she can have a different schedule

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<v Speaker 1>because it's summer. Yeah, because she's full time now that

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<v Speaker 1>Luke's not there. Yash took over. These are in a

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<v Speaker 1>Caesar salad. I can't wait to talk about them. Yeah. So,

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<v Speaker 1>so Aris had a big scene there. I think that

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<v Speaker 1>was his biggest scene. He did great. Can anyone do that?

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<v Speaker 1>You know how he did the eyebrows. Can anyone do that?

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<v Speaker 1>You know how instead of wink winkers? Oh whoa, it's

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<v Speaker 1>hard having gotten botox in a minute, you can really

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<v Speaker 1>see it, I know. And then what's his doos He

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<v Speaker 1>brings out the pennies to pay basically paying for his burger.

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<v Speaker 1>Oh yeah, he's like long story counting, like who has

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<v Speaker 1>coins anymore? Not now? Back then they did? I missed.

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<v Speaker 1>I missed. There was no Sean Gunn in this episode.

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<v Speaker 1>I know. Oh my god, you're right, no Sean Gunn

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<v Speaker 1>and many opportunities for him to interject. You know, no way, boy,

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<v Speaker 1>you really notice it when when Sean isn't in the episode. Yeah,

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<v Speaker 1>especially in the diner. I feel like he's always hanging

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<v Speaker 1>in the diner. Yeah. I want to get the other

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<v Speaker 1>you know, there's the other regular diner guy, Caesar, and

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<v Speaker 1>then there's the other guy. Oh, there's right. I want

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<v Speaker 1>to find that guy too. We need to find that guy, Robert.

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<v Speaker 1>I'll text him, okay, great, great. But also I did

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<v Speaker 1>notice that the fries are steak fries, which I support.

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<v Speaker 1>Are you anti? Like, do you actually st advocate against?

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<v Speaker 1>Do you march? Do you get together with people and

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<v Speaker 1>like pretty discriminatory with fries. I am because I don't.

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<v Speaker 1>I don't love a Frinklerench fry space. I don't love

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<v Speaker 1>a Yeah, I'm active in the French fried space. Thank you, Scott.

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<v Speaker 1>I don't love a crinkle, except if I had the choice,

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<v Speaker 1>if you were like steak, shoe string, crinkle, curly, I'm

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<v Speaker 1>not going for curly. I don't like. I'll take I'll

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<v Speaker 1>take any any fries. Same shoe string is at the

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<v Speaker 1>bottom of my list. Yeah, we usually do shoe string

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<v Speaker 1>at home, but then every once in a while on

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<v Speaker 1>Burger night we get the fatter fries like a steak fry. Well,

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<v Speaker 1>it's not a steak fry, it's in between a string. Wow. Okay,

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<v Speaker 1>there's a space. There's people that are very like experts

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<v Speaker 1>like I am on French. Yes, you own a diner obviously,

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<v Speaker 1>and it's a certain brand that we use it. Boy,

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<v Speaker 1>those burgers tastes all right or no? Right? I agree?

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<v Speaker 1>I agree? Yeah, wait, okay, this is actually sorry to

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<v Speaker 1>go on a side tangent, but I think this is important.

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<v Speaker 1>Who do you think of the like fast foods, McDonald's,

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<v Speaker 1>in and out, like shack, whatever you like has the

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<v Speaker 1>best fries in and out easy. Oh, I was gonna

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<v Speaker 1>say McDonald's, but shake shack if you want cheese fries,

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<v Speaker 1>I don't know. And in and outs animal fries, Trump

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<v Speaker 1>shake shucks cheddar fries. But they're different because animal fries

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<v Speaker 1>is like it's like cheese. Yeah, there is animal I

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<v Speaker 1>don't eat. I don't like anything off fries. It's really

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<v Speaker 1>difficult to beat McDonald's fries. Yeah, kind of like salty,

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<v Speaker 1>like just salty plane fries. Yeah. Like I can only

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<v Speaker 1>eat in and Out when I want the animal fries.

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<v Speaker 1>I can't do it, Plaine, Oh, I can't. I don't

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<v Speaker 1>like animals. I've been seriously in my own eyeland blasphemers.

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<v Speaker 1>I know, take this to the people because literally this

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<v Speaker 1>is a debate that could go on for forever. And

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<v Speaker 1>I love in and out fries. We we do in

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<v Speaker 1>and out Burger once while, so do I. It's really

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<v Speaker 1>the only fast food I do. Like it's like on

0:14:04.760 --> 0:14:08.640
<v Speaker 1>the fries stay hotter longer in the bag. I kind

0:14:08.640 --> 0:14:11.840
<v Speaker 1>of agree with you. There's something about the in and

0:14:11.880 --> 0:14:14.600
<v Speaker 1>out fries that cool off very quickly. I think it's

0:14:14.640 --> 0:14:16.760
<v Speaker 1>the setting because they come in that sort of a

0:14:16.880 --> 0:14:20.240
<v Speaker 1>more of a wider thing where it's nighted around them.

0:14:20.760 --> 0:14:23.560
<v Speaker 1>I am hungry. If you get the animal fries, you

0:14:23.600 --> 0:14:28.680
<v Speaker 1>get the animal fries. I just that's so bross. I

0:14:28.680 --> 0:14:31.680
<v Speaker 1>don't like cheese, Oh my god, no, but it's cheese

0:14:31.680 --> 0:14:36.120
<v Speaker 1>with a special sauce. Dippers, dippers in the catchup or

0:14:36.160 --> 0:14:39.920
<v Speaker 1>do you go plane? Oh no, plane, Yeah, I'm not

0:14:39.960 --> 0:14:43.280
<v Speaker 1>a condimate guy at all. You know what, I'm gonna

0:14:43.320 --> 0:14:45.400
<v Speaker 1>throw another French fry in the mix and then we

0:14:45.440 --> 0:14:47.720
<v Speaker 1>can maybe move from this. Don't say Burger king. I'm sorry,

0:14:47.720 --> 0:14:54.760
<v Speaker 1>but I'm not Chick fil A's waffle fries. Oh no, no, yes, no, yes,

0:14:57.080 --> 0:14:59.480
<v Speaker 1>with the Chick fil A sauce, with the chick you

0:14:59.480 --> 0:15:02.560
<v Speaker 1>have d you think so? I think let's okay, so

0:15:02.880 --> 0:15:05.880
<v Speaker 1>we'll try that. But the worst wait a minute. Once

0:15:05.920 --> 0:15:09.320
<v Speaker 1>the last time you ordered a large McDonald's fries and

0:15:09.640 --> 0:15:13.560
<v Speaker 1>like two weeks ago, justus, I eat half of that

0:15:13.640 --> 0:15:17.040
<v Speaker 1>before even take burger. Let me tell you the worst.

0:15:17.080 --> 0:15:22.680
<v Speaker 1>I apologize in advance. Who Del Talco. They're not, but

0:15:22.720 --> 0:15:25.440
<v Speaker 1>there are they known for fries, the fact that they

0:15:25.480 --> 0:15:30.600
<v Speaker 1>have fries. It's just you've never been to I've been

0:15:30.640 --> 0:15:32.680
<v Speaker 1>to Del Taco, but I don't know, like years ago,

0:15:32.720 --> 0:15:35.320
<v Speaker 1>I don't go way Days has pretty good Wendy's has

0:15:35.400 --> 0:15:39.600
<v Speaker 1>pretty good fries. I'll give you that. I'm just going

0:15:39.640 --> 0:15:42.880
<v Speaker 1>down the list. I'm thinking of everything on my drive.

0:15:44.240 --> 0:15:47.600
<v Speaker 1>But i'm in and out of McDonald's. I think only

0:15:48.520 --> 0:15:50.760
<v Speaker 1>But then I like, to me, a gourmet is like

0:15:50.800 --> 0:15:53.480
<v Speaker 1>shake shack. That's like a level up. Yeah, it's a

0:15:53.520 --> 0:15:56.280
<v Speaker 1>little different. Shake shacks a little different. You know, it's

0:15:56.720 --> 0:16:00.760
<v Speaker 1>kind of a moneyed crowd. I see a fried bride test.

0:16:00.960 --> 0:16:10.960
<v Speaker 1>How oh, I will probbibly participate? Sign me up? All right?

0:16:11.040 --> 0:16:14.000
<v Speaker 1>So we head from there to the Renaissance. Fair well done.

0:16:14.080 --> 0:16:17.240
<v Speaker 1>I actually thought that looked way we missed something in

0:16:17.280 --> 0:16:24.320
<v Speaker 1>the first scene the postcards, Paul is Rory writing postcards

0:16:24.320 --> 0:16:28.680
<v Speaker 1>to Luke. That's Lane, Lane hanging them at She's taken

0:16:28.760 --> 0:16:30.880
<v Speaker 1>them from home to the din. She's taking over the

0:16:30.960 --> 0:16:33.640
<v Speaker 1>diner space. It's because she can't be away from from

0:16:33.760 --> 0:16:37.120
<v Speaker 1>Rory's postcards. That was random, but I get the point.

0:16:37.200 --> 0:16:41.240
<v Speaker 1>That's I mean, if Laura I can relate to missus Kim. Ever,

0:16:41.400 --> 0:16:48.560
<v Speaker 1>this is the moment WHOA also through that? Wow? Yeah? Yeah?

0:16:48.600 --> 0:16:53.800
<v Speaker 1>But Lane takes hangs them up in Luke's dining exactly, Scott,

0:16:53.880 --> 0:16:57.920
<v Speaker 1>she carries them around with her. I was I was thinking, like,

0:16:58.480 --> 0:17:01.640
<v Speaker 1>she knows that Lane were there and sending it to

0:17:01.840 --> 0:17:05.240
<v Speaker 1>the flag on the play. Yeah, why would she get

0:17:05.280 --> 0:17:07.679
<v Speaker 1>him at home, pack him up and take them to

0:17:07.720 --> 0:17:09.760
<v Speaker 1>the No, that's what I'm saying. Maybe she she knows

0:17:09.800 --> 0:17:12.760
<v Speaker 1>that Lane's taking over the diner for the sub sending them,

0:17:12.800 --> 0:17:15.000
<v Speaker 1>and so she's sending it to Luke's That's what I thought.

0:17:15.119 --> 0:17:18.399
<v Speaker 1>All right, Oh you know why, so she doesn't have

0:17:18.520 --> 0:17:21.159
<v Speaker 1>Lane's address, she just knows she's going to be at

0:17:21.160 --> 0:17:25.040
<v Speaker 1>the diner more. Yeah, maybe I don't know. I mean, right,

0:17:25.040 --> 0:17:27.560
<v Speaker 1>it's an overthink because I'm good with the plot point

0:17:27.680 --> 0:17:29.840
<v Speaker 1>being like, Oh, I don't think it's an overthink at all.

0:17:30.760 --> 0:17:33.000
<v Speaker 1>I think we need to figure this out because this

0:17:33.080 --> 0:17:35.880
<v Speaker 1>is she's just sending them to Luke the whole time.

0:17:36.000 --> 0:17:38.440
<v Speaker 1>There are two flags on the play, so we need

0:17:38.480 --> 0:17:40.760
<v Speaker 1>to go thinking through that. I mean I think that

0:17:43.760 --> 0:17:46.040
<v Speaker 1>I think she's Yeah, she's she's making a collage with

0:17:46.080 --> 0:17:51.120
<v Speaker 1>the diner for some reason. She misses her friend. It's

0:17:51.160 --> 0:17:53.560
<v Speaker 1>a little much, right, a little weird. Yeah, all right,

0:17:54.359 --> 0:17:56.680
<v Speaker 1>I mean back when we used to have desk back

0:17:56.680 --> 0:18:00.919
<v Speaker 1>in twenty nineteen. You would put stuff on your desk,

0:18:01.280 --> 0:18:05.240
<v Speaker 1>you know, like pictures and then but they aren't. So

0:18:05.320 --> 0:18:09.359
<v Speaker 1>their passions run deep for their friendship, right. I think

0:18:09.480 --> 0:18:16.840
<v Speaker 1>we've dissected bride and postcards. We definitely. Then we go

0:18:16.880 --> 0:18:21.560
<v Speaker 1>to the Renaissance Fair, which uzza I thought was Man,

0:18:21.920 --> 0:18:27.200
<v Speaker 1>I gotta tell you, Michael, Sorry, that's Michael Day Luis Jesus.

0:18:27.240 --> 0:18:30.760
<v Speaker 1>He's funny. He picks up his drink with the hand,

0:18:31.359 --> 0:18:35.440
<v Speaker 1>the hand, get the drink. Ok. Look, I mean it

0:18:35.520 --> 0:18:38.679
<v Speaker 1>was just like every beat of that guy's performance was

0:18:39.200 --> 0:18:43.359
<v Speaker 1>just outstanding. He really takes you know. Yeah, he's the

0:18:43.400 --> 0:18:47.240
<v Speaker 1>definition of there are no small roles, just small actors.

0:18:47.640 --> 0:18:51.480
<v Speaker 1>He took that role by the throat and owned it,

0:18:52.160 --> 0:18:55.560
<v Speaker 1>and he stole every scene. He was in, every single

0:18:55.600 --> 0:18:58.280
<v Speaker 1>scene with your eye went right to him, and I waited,

0:18:58.320 --> 0:19:03.200
<v Speaker 1>I anticipated what he Who's going to do next? Controversial thought.

0:19:04.520 --> 0:19:08.520
<v Speaker 1>I don't know that I would hear about Liz without

0:19:08.600 --> 0:19:11.960
<v Speaker 1>t J. I agree with you. I do agree. TJ

0:19:12.160 --> 0:19:16.760
<v Speaker 1>makes that because he makes that good Well, I agree, No,

0:19:17.040 --> 0:19:21.520
<v Speaker 1>that's a good point, excellent point. So the fair and

0:19:21.720 --> 0:19:24.239
<v Speaker 1>Luke has fully immersed himself in the fair, like he

0:19:24.280 --> 0:19:30.400
<v Speaker 1>knows all the gossip. He knows everything. It's it's good.

0:19:30.680 --> 0:19:35.280
<v Speaker 1>It was good that has Hassa was hysterical. And Third,

0:19:35.880 --> 0:19:39.359
<v Speaker 1>when they cut to the crowd, the lead hassan or

0:19:39.359 --> 0:19:47.560
<v Speaker 1>in the crowd was Daniel Paladina. No, yes, we get

0:19:47.560 --> 0:19:51.120
<v Speaker 1>the video up. I could show you and only Daniel Peladine,

0:19:54.880 --> 0:20:00.719
<v Speaker 1>he dressed up. Where is he? It's Hassassa. Okay, okay.

0:20:00.840 --> 0:20:03.359
<v Speaker 1>I think the huzzah comes in the different scene though,

0:20:04.320 --> 0:20:07.400
<v Speaker 1>doesn't it. Let's see. Yeah. I think by the way,

0:20:07.480 --> 0:20:11.280
<v Speaker 1>the final beautiful presentation Liz has for her jewels, the

0:20:11.400 --> 0:20:15.800
<v Speaker 1>tree necklace, I must say I give a good Morrow

0:20:15.920 --> 0:20:23.320
<v Speaker 1>to the tree because it's a well way. It's an

0:20:23.320 --> 0:20:26.320
<v Speaker 1>excellent way. Good detail here, Like, I feel like I'm

0:20:26.359 --> 0:20:29.800
<v Speaker 1>at a Renaissance fair. Yeahs, who raise your hand? Have

0:20:30.000 --> 0:20:33.760
<v Speaker 1>been to a Renaissance fair? We did one in the

0:20:33.800 --> 0:20:36.879
<v Speaker 1>middle school. You guys want to know how why I

0:20:36.920 --> 0:20:39.800
<v Speaker 1>had to go to a Renaissance fair? Why? This is

0:20:39.840 --> 0:20:43.640
<v Speaker 1>probably in the nineties, maybe the early aughts, as they say,

0:20:44.960 --> 0:20:50.320
<v Speaker 1>somehow they convinced Ryan Seacrest to go and do all that,

0:20:51.160 --> 0:20:54.199
<v Speaker 1>and I had to go with him to do the

0:20:54.359 --> 0:20:56.520
<v Speaker 1>Renaissance fair, and he had to get all in the

0:20:56.560 --> 0:20:58.840
<v Speaker 1>outfit and we had to like do the whole deal.

0:20:59.400 --> 0:21:03.679
<v Speaker 1>There is a Renaissance fair in LA Maybe it's Pasadena

0:21:03.720 --> 0:21:05.360
<v Speaker 1>or something like that, but it's like a big deal.

0:21:05.480 --> 0:21:07.880
<v Speaker 1>That was the one we went to. Okay, might say

0:21:08.000 --> 0:21:10.200
<v Speaker 1>it's in Pomona, but I'm not sure. Yeah, I think

0:21:10.200 --> 0:21:13.040
<v Speaker 1>that's right. I think you feel like Easton. If you're listening,

0:21:13.480 --> 0:21:20.000
<v Speaker 1>I know you've been Easton. I've been to the Renaissance Fair. Yeah,

0:21:20.240 --> 0:21:24.600
<v Speaker 1>the Renaissance Pleasure Fair in Irwindale, California. That's very good.

0:21:25.000 --> 0:21:28.040
<v Speaker 1>Where is that, Scott? I'm surprised you've never been at

0:21:28.040 --> 0:21:34.680
<v Speaker 1>a Renaissance fair. Not my bag, my bag, No, not

0:21:34.840 --> 0:21:37.560
<v Speaker 1>my bag. Never wanted to dress up in chainmail and

0:21:37.680 --> 0:21:40.360
<v Speaker 1>be a I do think they have turkey legs though,

0:21:40.400 --> 0:21:47.320
<v Speaker 1>Oh for sure. Oh yeah, yeah, my bag. Um, but

0:21:47.440 --> 0:21:50.919
<v Speaker 1>it looks like fun. Looks like fun. The line that

0:21:51.000 --> 0:21:56.760
<v Speaker 1>made McDonald's all gone, The line that made me so

0:21:56.800 --> 0:22:01.160
<v Speaker 1>hard when you said, I'm not moving the pewter. I'm

0:22:01.160 --> 0:22:03.679
<v Speaker 1>not moving the pewter because he's like, you need to

0:22:03.680 --> 0:22:07.200
<v Speaker 1>move the pewter from the whatever, good whole thing. Liz

0:22:07.359 --> 0:22:11.280
<v Speaker 1>was listening to her Deepak Chopra. Yeah, I loved it.

0:22:11.640 --> 0:22:15.920
<v Speaker 1>Tell you you know a t J dropping his renaissance

0:22:15.960 --> 0:22:22.320
<v Speaker 1>fair knowledge. It's just hysterical, totally really great. Then we

0:22:22.480 --> 0:22:27.080
<v Speaker 1>go go to the fanciest hotel I've ever seen. Oh yeah,

0:22:27.240 --> 0:22:30.040
<v Speaker 1>as we be bopped over to Europe. I would love

0:22:30.080 --> 0:22:35.040
<v Speaker 1>to travel with the California Light one hundred percent. I

0:22:35.119 --> 0:22:36.760
<v Speaker 1>want to nap in the middle of the day and

0:22:36.800 --> 0:22:40.440
<v Speaker 1>stay in the nicest hotel rooms. Like, nothing sounds better

0:22:40.480 --> 0:22:45.440
<v Speaker 1>than traveling with Emily Gilmore. That Rose was the last stop, right, yeah,

0:22:45.480 --> 0:22:48.919
<v Speaker 1>we're in Rome. Yeah, that trip was a fifty thousand

0:22:48.920 --> 0:22:53.960
<v Speaker 1>dollars trip to you easy easy take it back to

0:22:54.240 --> 0:22:56.200
<v Speaker 1>hundred thousand dollars. And all she wanted to do is

0:22:57.240 --> 0:23:05.080
<v Speaker 1>ditch Granny to go solo. Comes I like us. She

0:23:05.160 --> 0:23:09.720
<v Speaker 1>was like the pillars moved, like I know, and Roy

0:23:09.880 --> 0:23:12.840
<v Speaker 1>was like, I'm pretty sure that ancient ruins haven't moved.

0:23:14.440 --> 0:23:17.560
<v Speaker 1>That was funny. I was funny. Oh, she just always

0:23:17.560 --> 0:23:21.760
<v Speaker 1>has to complaint about something. Yeah, yeah, I did. Like

0:23:21.880 --> 0:23:24.080
<v Speaker 1>how in that scene she was like, what was the

0:23:24.119 --> 0:23:28.040
<v Speaker 1>last time we called your mom? Yeah? I really respected

0:23:28.119 --> 0:23:31.400
<v Speaker 1>that because I think that I think that Emily knows

0:23:31.440 --> 0:23:33.439
<v Speaker 1>something's up but just doesn't want to get it involved,

0:23:33.520 --> 0:23:35.560
<v Speaker 1>doesn't want to get into the drawing. Yeah, so she's like,

0:23:35.640 --> 0:23:39.480
<v Speaker 1>let's call your mom. Yeah, I know we're not there yet,

0:23:39.480 --> 0:23:41.920
<v Speaker 1>but boy was I happy when that ended, when that

0:23:42.320 --> 0:23:45.240
<v Speaker 1>tension end, saying but it wasn't in a nice sense

0:23:45.280 --> 0:23:48.760
<v Speaker 1>of relief when they connected on the phone call and

0:23:48.760 --> 0:23:53.320
<v Speaker 1>it's like a totally totally I finally got the Gilmore

0:23:53.400 --> 0:23:56.320
<v Speaker 1>girls back, you know, like we haven't had that in

0:23:56.359 --> 0:23:59.720
<v Speaker 1>a minute. Exactly, yeah, exactly. So then we go from

0:23:59.720 --> 0:24:03.359
<v Speaker 1>your to the end and the escue brochures Michelle's tiding,

0:24:03.400 --> 0:24:05.680
<v Speaker 1>which I thought was a funny bit. Those crumbled kids.

0:24:06.880 --> 0:24:08.800
<v Speaker 1>What did you guys all think? And then we start

0:24:08.800 --> 0:24:14.480
<v Speaker 1>to see that lorelize off the rails. Um. Yeah, definitely

0:24:14.520 --> 0:24:19.760
<v Speaker 1>a good bit with the kids, very funny. Um Michelle

0:24:20.880 --> 0:24:25.120
<v Speaker 1>being wacky and being inappropriate and sort of still being lovable,

0:24:26.080 --> 0:24:29.240
<v Speaker 1>which is a testament to unich. Um. Yeah, we learned

0:24:29.240 --> 0:24:32.359
<v Speaker 1>that Michelle is a prophet participant. I think we knew,

0:24:33.040 --> 0:24:36.840
<v Speaker 1>but oh, yeah, he's a prophet, which means he gets commission.

0:24:36.960 --> 0:24:39.359
<v Speaker 1>Is that what that means? Oh, he's an owner of

0:24:39.440 --> 0:24:42.399
<v Speaker 1>the end. He gets equity in the end. He's got

0:24:42.680 --> 0:24:45.879
<v Speaker 1>he's got enough. They made that's why he was, you know,

0:24:46.160 --> 0:24:50.440
<v Speaker 1>seeking other employment to enhance his negotiating position. Yeah. Remember

0:24:50.440 --> 0:24:52.320
<v Speaker 1>when they got he knew how much he was valued.

0:24:52.320 --> 0:24:53.879
<v Speaker 1>So he said, give me a piece of the action,

0:24:54.040 --> 0:24:57.160
<v Speaker 1>which remember that fake W. It looked like a W.

0:24:57.800 --> 0:24:59.919
<v Speaker 1>And then they get him back, they get they probably

0:25:00.119 --> 0:25:02.080
<v Speaker 1>him a salary. Plus he gets, like, I don't know,

0:25:02.440 --> 0:25:06.800
<v Speaker 1>some percentage of the of the prophet. I seem yeah,

0:25:06.920 --> 0:25:10.560
<v Speaker 1>good for him. Yeah. The gut is, if they're let's

0:25:10.600 --> 0:25:14.199
<v Speaker 1>say they're partners, he's probably got like they probably are

0:25:14.240 --> 0:25:19.280
<v Speaker 1>like forty five forty five ten or you don't think

0:25:19.280 --> 0:25:25.080
<v Speaker 1>he's getting Suki and Laurela are equal partners. Well, aren't

0:25:25.080 --> 0:25:29.160
<v Speaker 1>you a partner too? Actually yes, I do think lore lions.

0:25:29.160 --> 0:25:32.160
<v Speaker 1>I agree, But you've got a piece I did. Did

0:25:32.200 --> 0:25:33.919
<v Speaker 1>I even ask for a piece or just give up

0:25:33.920 --> 0:25:36.480
<v Speaker 1>the money? No, you did not ask. I invested, you

0:25:36.520 --> 0:25:40.600
<v Speaker 1>gave a liney right, I consider an investor, So yeah,

0:25:40.640 --> 0:25:44.640
<v Speaker 1>I probably took fifteen twenty percent. Maybe that's what I think.

0:25:44.680 --> 0:25:46.680
<v Speaker 1>So I think. Okay, So say they're at thirty five

0:25:46.800 --> 0:25:50.920
<v Speaker 1>thirty five, Michelle's at a ten. I think Michelle's got

0:25:50.920 --> 0:25:54.600
<v Speaker 1>to be higher because they got to give him salary

0:25:54.640 --> 0:25:58.560
<v Speaker 1>I think they gotta give Sukie salary too, right, No,

0:25:58.840 --> 0:26:01.080
<v Speaker 1>you don't think take its salary. How I don't think

0:26:01.160 --> 0:26:03.720
<v Speaker 1>Lorelai or Suki are taking a salary. They're just taking

0:26:03.720 --> 0:26:06.960
<v Speaker 1>a piece of the profits. But they can take piece

0:26:07.000 --> 0:26:12.040
<v Speaker 1>of the profits every month. That is salary. No, technically salary,

0:26:12.080 --> 0:26:15.280
<v Speaker 1>it would be like a number. So say the inmates

0:26:15.320 --> 0:26:18.720
<v Speaker 1>a grand salary would be a minimum guarantee. So this

0:26:18.800 --> 0:26:21.800
<v Speaker 1>is after they reinvest. So it's like a dividend, so

0:26:21.920 --> 0:26:24.560
<v Speaker 1>like a monthly day. So say that. So say this

0:26:24.600 --> 0:26:26.200
<v Speaker 1>is how I would run that that in has really

0:26:26.240 --> 0:26:29.359
<v Speaker 1>operated like an ETF. I don't know what an ETF is,

0:26:29.400 --> 0:26:33.280
<v Speaker 1>but it sounds fancy. So I would do it like this.

0:26:33.680 --> 0:26:35.600
<v Speaker 1>At the end of the month, you get So say

0:26:35.640 --> 0:26:38.920
<v Speaker 1>all the money they the gross is one hundred thousand,

0:26:39.000 --> 0:26:41.800
<v Speaker 1>They pay all their bills, they pay all their servers

0:26:41.840 --> 0:26:44.399
<v Speaker 1>and housekeepers and everybody. So then say at the end

0:26:44.400 --> 0:26:46.400
<v Speaker 1>of the month they got maybe that takes half the thing.

0:26:46.680 --> 0:26:49.880
<v Speaker 1>They got fifty thousand, they've paid Michelle, So then they

0:26:49.960 --> 0:26:53.880
<v Speaker 1>give Michelle his piece. No, the margins on that kind

0:26:53.920 --> 0:26:56.440
<v Speaker 1>of a business is not good. I don't think it's

0:26:56.560 --> 0:27:02.320
<v Speaker 1>very good. I think it's probably expenses not a good business.

0:27:03.480 --> 0:27:07.880
<v Speaker 1>It's tough. I think the diner runs. Oh I got

0:27:07.920 --> 0:27:12.119
<v Speaker 1>that place running like a you're making time. I'm just

0:27:12.240 --> 0:27:15.560
<v Speaker 1>stockpiling cash. Yeah, that burger costs you two bucks, you

0:27:15.600 --> 0:27:17.840
<v Speaker 1>sell it for ten. Give me a break, come out.

0:27:19.680 --> 0:27:24.720
<v Speaker 1>But all right, okay, So I do like how I

0:27:25.200 --> 0:27:27.720
<v Speaker 1>continues to talk about the randy men that are flirting

0:27:27.720 --> 0:27:31.120
<v Speaker 1>with her the whole time, trying to make herself feel better.

0:27:31.520 --> 0:27:35.400
<v Speaker 1>Oh my god, the call, the awkward call, which which

0:27:35.440 --> 0:27:38.120
<v Speaker 1>spawned the greatest line in the one of the great

0:27:38.119 --> 0:27:40.560
<v Speaker 1>lines in the episode Hot and Sexy? Were you wearing

0:27:40.560 --> 0:27:45.840
<v Speaker 1>that hot and sexy sandwich board? I also like the

0:27:45.880 --> 0:27:49.000
<v Speaker 1>awkward phone call when she's all, oh, what a cowinkyding?

0:27:50.280 --> 0:27:55.880
<v Speaker 1>The awkward call was freking painful. Yeah. Yeah. And as

0:27:56.000 --> 0:28:02.280
<v Speaker 1>much as the Renaissance Fair looked realm, the cafe dead Lapin, Yeah,

0:28:02.400 --> 0:28:06.280
<v Speaker 1>that was more fake. I was like, oh, I've been

0:28:06.320 --> 0:28:09.320
<v Speaker 1>there on the waterline. Yeah, did you say did you

0:28:09.359 --> 0:28:11.879
<v Speaker 1>see the fake Italian guy smoking a cigarette right there?

0:28:11.920 --> 0:28:19.479
<v Speaker 1>It's like, man, there's just no, that's not how. And

0:28:19.520 --> 0:28:21.920
<v Speaker 1>then I do love when she's like says something about

0:28:21.960 --> 0:28:24.440
<v Speaker 1>the men flirting with her, and then Rory says, you

0:28:24.560 --> 0:28:31.879
<v Speaker 1>got the gams, Grandma, I loved it. Um yeah, so

0:28:31.920 --> 0:28:37.919
<v Speaker 1>other than the fakeness of Europe, which is impossible to

0:28:38.040 --> 0:28:41.680
<v Speaker 1>capture outdoors, give me you get you know, that is

0:28:41.720 --> 0:28:46.160
<v Speaker 1>such an incredibly difficult lighting project to try to make

0:28:46.200 --> 0:28:49.040
<v Speaker 1>it look like Europe. I mean, hotel looked good with

0:28:49.080 --> 0:28:52.280
<v Speaker 1>an appearance by Anthony A Zizi, who's gone on to

0:28:52.320 --> 0:28:56.000
<v Speaker 1>do so many things. He was the I sort of

0:28:56.040 --> 0:29:08.040
<v Speaker 1>thought he was the hotel manager. So we go back

0:29:08.080 --> 0:29:10.840
<v Speaker 1>and now we've got we're back at Luke's, which apparently

0:29:10.920 --> 0:29:14.040
<v Speaker 1>is like we're laying in the band really hang out now.

0:29:14.840 --> 0:29:18.760
<v Speaker 1>Oh and they're talking about their cover songs. And then

0:29:18.840 --> 0:29:23.640
<v Speaker 1>the girls zax got the Ladies, one of whom was

0:29:23.720 --> 0:29:28.320
<v Speaker 1>Aaron Foster. Oh my gosh, I didn't even didn't even

0:29:28.400 --> 0:29:33.600
<v Speaker 1>see that. Okay, so Scott, we know the girls here.

0:29:33.640 --> 0:29:36.920
<v Speaker 1>We know Aaron Foster because she's the Foster sisters. And

0:29:36.960 --> 0:29:40.440
<v Speaker 1>then they started this clothing line called Favorite Daughter, and

0:29:40.800 --> 0:29:44.520
<v Speaker 1>they're like influencers. But you would know Aaron Foster because

0:29:44.640 --> 0:29:49.120
<v Speaker 1>you know David Foster, the musician does the composer. Yes,

0:29:49.600 --> 0:29:53.280
<v Speaker 1>that's one of his daughters. Oh okay, yeah, so yeah,

0:29:53.360 --> 0:29:55.320
<v Speaker 1>David she's the one that came in back back into

0:29:55.320 --> 0:29:59.240
<v Speaker 1>the diner and said, sorry, we didn't know. Yes, yes exactly.

0:29:59.520 --> 0:30:05.640
<v Speaker 1>So wow, oh my gosh, you have eagle eyes. Even me. Yeah,

0:30:05.680 --> 0:30:07.680
<v Speaker 1>I just knew I recognized her. And then I cheated

0:30:07.720 --> 0:30:11.640
<v Speaker 1>it on the internet, but I knew it. I recognized

0:30:11.680 --> 0:30:13.320
<v Speaker 1>her immediately. I was like, I know her. I don't

0:30:13.320 --> 0:30:14.840
<v Speaker 1>know her. She looks different, but I'm like, I know

0:30:14.880 --> 0:30:19.520
<v Speaker 1>that girl. Huh past Yeah. I thought that was a

0:30:19.520 --> 0:30:23.280
<v Speaker 1>good tidbit. We'll see if the crackstaff had that, We'll see.

0:30:25.480 --> 0:30:28.200
<v Speaker 1>So anyway, Lane is starting to get irritated. Well, let's

0:30:28.240 --> 0:30:31.600
<v Speaker 1>talk about set lists for bands, because you know what

0:30:31.640 --> 0:30:34.840
<v Speaker 1>they were doing was decimating their set list to try

0:30:34.880 --> 0:30:38.760
<v Speaker 1>to enhance their originals. Very bad idea, you know. I mean,

0:30:38.800 --> 0:30:41.320
<v Speaker 1>if you've got great covers and you do those covers,

0:30:41.320 --> 0:30:45.320
<v Speaker 1>well you're gonna make money. You work in an original

0:30:45.440 --> 0:30:49.120
<v Speaker 1>here and there. If you're really ballsy, you know you

0:30:49.200 --> 0:30:51.840
<v Speaker 1>have mostly originals and you have a couple of covers

0:30:51.840 --> 0:30:54.080
<v Speaker 1>because you have to have You can't have an all

0:30:54.080 --> 0:30:57.160
<v Speaker 1>original set. It won't work. People stand there and like

0:30:57.360 --> 0:30:59.880
<v Speaker 1>stare at you. Right, even if you're like Elton John,

0:31:00.080 --> 0:31:02.360
<v Speaker 1>you got to work in your hits with your couple

0:31:02.440 --> 0:31:08.320
<v Speaker 1>new songs exactly exactly so, and bands that failed to

0:31:08.360 --> 0:31:10.360
<v Speaker 1>do that and failed to play their hits. Boy, that's

0:31:10.360 --> 0:31:13.520
<v Speaker 1>a long night. That's a long night. Here's our new

0:31:13.960 --> 0:31:16.120
<v Speaker 1>we're a new album and we haven't released it yet,

0:31:16.120 --> 0:31:18.160
<v Speaker 1>but we'd like to play it for you. And you're like, yeah,

0:31:18.400 --> 0:31:21.800
<v Speaker 1>nine songs from it come. We have nothing attached to this,

0:31:21.840 --> 0:31:24.400
<v Speaker 1>we have no emotional investment in. Well, that's why I

0:31:24.440 --> 0:31:27.080
<v Speaker 1>always use, in the words of Tricia Yearwood, who I love,

0:31:27.800 --> 0:31:29.720
<v Speaker 1>she said, and I use this quote all the time,

0:31:30.200 --> 0:31:33.240
<v Speaker 1>sing the one that's bring you, Sing the one that

0:31:33.280 --> 0:31:36.440
<v Speaker 1>brung in. Its Like, if you don't sing your big hit,

0:31:36.520 --> 0:31:40.800
<v Speaker 1>even if you're sick of it, you are not You're disappointed.

0:31:40.920 --> 0:31:43.680
<v Speaker 1>Can you imagine a rolling gig without Jimmy Shelter because

0:31:43.680 --> 0:31:46.080
<v Speaker 1>they got sick of playing or jumping Jack Flash? Are

0:31:46.080 --> 0:31:49.640
<v Speaker 1>you kidding me? Right? Kidding me? Yeah, it'd be a riot.

0:31:49.880 --> 0:31:53.320
<v Speaker 1>I agree. So we do see the start of Lane

0:31:53.360 --> 0:31:58.200
<v Speaker 1>being irritated, which we soon find out she loves Zach.

0:31:58.480 --> 0:32:01.080
<v Speaker 1>But what did you think right away when she was irritated?

0:32:01.600 --> 0:32:04.040
<v Speaker 1>I think she didn't even realize, like until I think

0:32:04.080 --> 0:32:07.080
<v Speaker 1>she didn't realize until Aaron Foster came back and I

0:32:07.160 --> 0:32:08.600
<v Speaker 1>was like, oh, I'm so sorry I didn't realize. And

0:32:08.640 --> 0:32:11.880
<v Speaker 1>then I think Lane was like, oh, that's what's going on.

0:32:11.960 --> 0:32:14.680
<v Speaker 1>Like I think it took her a second too, because

0:32:14.720 --> 0:32:16.840
<v Speaker 1>I think they started out as friends. And then it

0:32:16.920 --> 0:32:19.400
<v Speaker 1>felt like too much of a stretch for me. Really,

0:32:19.960 --> 0:32:22.240
<v Speaker 1>it was way too much of a stretch. And I

0:32:21.720 --> 0:32:24.840
<v Speaker 1>know that, Yeah I got I pulled a muscle trying

0:32:24.840 --> 0:32:29.640
<v Speaker 1>to get there too. Yeah, Zach, I don't mind me.

0:32:29.640 --> 0:32:34.840
<v Speaker 1>There's sort of cute airheady, but like, yeah, it's sort

0:32:34.840 --> 0:32:38.200
<v Speaker 1>of cute. It's it's more, it's more that it's more

0:32:38.240 --> 0:32:42.560
<v Speaker 1>the storyline for yeah, I got it, you know, trying

0:32:42.560 --> 0:32:48.200
<v Speaker 1>to get there and yeah, I Danielle, how did you? Yeah,

0:32:48.320 --> 0:32:51.680
<v Speaker 1>Like even if he if she just like prior to

0:32:51.720 --> 0:32:56.720
<v Speaker 1>this moment, there was absolutely no connection, like zero, Like

0:32:56.880 --> 0:32:58.840
<v Speaker 1>it wasn't like she was like, oh, I like your

0:32:58.880 --> 0:33:01.200
<v Speaker 1>shirt and then she would walk you know, like or whatever.

0:33:01.280 --> 0:33:06.040
<v Speaker 1>Like there was no flirting whatsoever. So this felt very random,

0:33:06.720 --> 0:33:10.560
<v Speaker 1>random student, and it felt like, oh, we need to

0:33:10.560 --> 0:33:13.320
<v Speaker 1>give Lane e love interest since Dave Regowski we know's

0:33:13.360 --> 0:33:16.240
<v Speaker 1>not coming back. Adam Brody's a huge star never we'll

0:33:16.240 --> 0:33:19.720
<v Speaker 1>be back on the show again. So zach here you go, right, like,

0:33:19.720 --> 0:33:21.440
<v Speaker 1>they didn't bring someone else and they were like, he's

0:33:21.480 --> 0:33:24.440
<v Speaker 1>already here, let's just give Yeah, it's a sale as

0:33:24.440 --> 0:33:29.480
<v Speaker 1>old as time. Though, guys, fallen in love with your bandmate? Sure,

0:33:29.520 --> 0:33:33.520
<v Speaker 1>but she did that already, you know, like I think

0:33:33.520 --> 0:33:35.840
<v Speaker 1>she fell in love with right right, she did it

0:33:35.920 --> 0:33:38.400
<v Speaker 1>with Dave. She did it with Dave. That was a

0:33:38.440 --> 0:33:41.080
<v Speaker 1>big one for the fans, and it was and that

0:33:41.080 --> 0:33:45.600
<v Speaker 1>one was real, you felt it, and they took the

0:33:45.640 --> 0:33:49.280
<v Speaker 1>time to develop that. So yeah, I see your point.

0:33:49.400 --> 0:33:52.320
<v Speaker 1>It was kind of out of left field. Yeah, I

0:33:52.400 --> 0:33:57.160
<v Speaker 1>was yeah, yeah, see, we'll see how that goes. Not

0:33:57.280 --> 0:34:01.160
<v Speaker 1>that I'm saying it wouldn't be an excellent relationship, for sure.

0:34:05.360 --> 0:34:12.040
<v Speaker 1>That one was so good. So then finally we get

0:34:12.280 --> 0:34:15.680
<v Speaker 1>Sukie calling out Lorelai like you've gone nutty, which I agree.

0:34:15.719 --> 0:34:18.520
<v Speaker 1>I literally wrote, Lorelai is nuts And then Suki's like

0:34:18.520 --> 0:34:20.759
<v Speaker 1>you've gone nutty, and I'm like, thank you Suki, right,

0:34:21.040 --> 0:34:25.440
<v Speaker 1>I thoughts exactly, it's been like seven weeks of this. Yeah,

0:34:25.480 --> 0:34:29.719
<v Speaker 1>another great line from Suki. You know, nutsos don't know

0:34:29.760 --> 0:34:34.000
<v Speaker 1>they're being nutsos, Hence the nutty totally. I think about

0:34:34.000 --> 0:34:36.200
<v Speaker 1>that all the time. I'm like, am I crazy? And

0:34:36.200 --> 0:34:37.839
<v Speaker 1>then I'm like, oh, if I think I'm crazy, I'm

0:34:37.840 --> 0:34:43.080
<v Speaker 1>probably not crazy, right exactly. Yeah, crazy doesn't know they're crazy. Yeah.

0:34:43.280 --> 0:34:47.640
<v Speaker 1>I think they're saving the world. I think they're Jesus right. Yeah.

0:34:47.680 --> 0:34:54.799
<v Speaker 1>So again, more excellence from Melissa McCarthy just playing just

0:34:54.800 --> 0:34:59.160
<v Speaker 1>just Melissa is so good. I love watching her, and

0:34:59.400 --> 0:35:03.279
<v Speaker 1>especially in these heightened excited states where it's just all like,

0:35:03.360 --> 0:35:06.080
<v Speaker 1>you know, when she's when she's taking over the scene,

0:35:06.080 --> 0:35:09.720
<v Speaker 1>when she's driving the scene, it's like, yes, love it. Yeah.

0:35:10.000 --> 0:35:13.359
<v Speaker 1>Somebody voted on the Instagram that she still just has

0:35:13.400 --> 0:35:16.960
<v Speaker 1>not won an Academy Award. Academy Award, but I think

0:35:17.000 --> 0:35:22.560
<v Speaker 1>it was just an Emmy just just I'm possibly a globe.

0:35:22.560 --> 0:35:26.399
<v Speaker 1>She's possibly got a Golden bug. It was for Mike

0:35:26.480 --> 0:35:28.880
<v Speaker 1>and Molly, But for as brilliant as she is, you

0:35:28.920 --> 0:35:31.000
<v Speaker 1>would think she would have like ten just in a

0:35:31.120 --> 0:35:35.239
<v Speaker 1>cover sometimes for an Oscar. Was it for that kind

0:35:35.239 --> 0:35:41.000
<v Speaker 1>of weirder movie? It was the the film I thought

0:35:41.000 --> 0:35:45.200
<v Speaker 1>it was bridesm Yes, she was nominated for an Oscar

0:35:45.239 --> 0:35:47.040
<v Speaker 1>for that. I thought she was nominated for this weird

0:35:47.120 --> 0:35:49.640
<v Speaker 1>movie where she was like a author. I think she

0:35:49.760 --> 0:35:54.560
<v Speaker 1>was nominated for that too, I think, and I'm looking

0:35:55.239 --> 0:35:57.759
<v Speaker 1>while we talk about the fact that, Thank goodness, right

0:35:57.800 --> 0:36:01.480
<v Speaker 1>after that scene, we get the phone call is, oh,

0:36:01.560 --> 0:36:05.680
<v Speaker 1>she better not be like, you know, Lifetime Achievement Award honorary. Yeah, wait,

0:36:05.760 --> 0:36:11.120
<v Speaker 1>what is it? Just get them for bats? No, stopped

0:36:11.120 --> 0:36:17.400
<v Speaker 1>for the win there. I mean she was pretty thank you, Amy.

0:36:18.280 --> 0:36:22.959
<v Speaker 1>I studied hard for that, stayed up until about nine.

0:36:25.719 --> 0:36:28.080
<v Speaker 1>Then thankfully we get the mom I screwed up. I'm

0:36:28.120 --> 0:36:31.719
<v Speaker 1>sorry the phone call, Thank god, because I was over them,

0:36:31.800 --> 0:36:35.759
<v Speaker 1>havn't Yeah, yeah, okay, Now the question to relieve They

0:36:35.800 --> 0:36:40.920
<v Speaker 1>tied it up like quickly because yeah, would you deliver

0:36:41.000 --> 0:36:47.080
<v Speaker 1>the letter? No to be complicit in that M kind

0:36:47.120 --> 0:36:52.080
<v Speaker 1>of goes against well, I don't know. I mean, if

0:36:52.200 --> 0:36:55.640
<v Speaker 1>Laurel I feels any kind of guilt that she overreacted,

0:36:55.680 --> 0:36:59.200
<v Speaker 1>then yeah, right, she's gonna she's gonna deliver the letter.

0:36:59.640 --> 0:37:02.560
<v Speaker 1>I just think she shouldn't involve This is between her

0:37:03.280 --> 0:37:06.600
<v Speaker 1>and Dean, and involving a third party is just adding

0:37:06.640 --> 0:37:09.880
<v Speaker 1>to it. And it's an awkward position for Laurla Like

0:37:11.080 --> 0:37:12.919
<v Speaker 1>I know, like she's like, I know that my daughter

0:37:12.920 --> 0:37:14.960
<v Speaker 1>had sex with you and you're married, and I'm going

0:37:15.040 --> 0:37:17.000
<v Speaker 1>to hand you this letter that I have no idea

0:37:17.120 --> 0:37:19.800
<v Speaker 1>what it says inside, but here you go. How great

0:37:19.880 --> 0:37:23.399
<v Speaker 1>was Dean in that scene? Though? Real good, real real

0:37:23.520 --> 0:37:28.279
<v Speaker 1>good and anxiety? Yeah? Oh was he great? And I

0:37:28.360 --> 0:37:31.200
<v Speaker 1>felt so bad for him. I agree with you. It

0:37:31.400 --> 0:37:34.520
<v Speaker 1>was his best scene ever. I think so too. He

0:37:34.760 --> 0:37:39.560
<v Speaker 1>nailed that. I literally wrote good acting, good acting. I

0:37:39.600 --> 0:37:43.799
<v Speaker 1>didn't realize he was this good. Just a kid and

0:37:43.840 --> 0:37:46.359
<v Speaker 1>he's that good, you know. I feel like I might

0:37:46.400 --> 0:37:50.479
<v Speaker 1>disagree with the whole would you like not giving the letter?

0:37:50.560 --> 0:37:54.840
<v Speaker 1>I think if I was Laurel and knowing the tension,

0:37:55.000 --> 0:37:58.840
<v Speaker 1>and I think Laurela has also reflected later being like, Okay,

0:37:58.840 --> 0:38:03.360
<v Speaker 1>that was a big day for my daughter. Horrible circumstances,

0:38:04.360 --> 0:38:07.440
<v Speaker 1>But I think she is trying to get back, you know,

0:38:07.480 --> 0:38:11.120
<v Speaker 1>in Rory's races or whatever. Yeah, and just get that

0:38:11.200 --> 0:38:14.560
<v Speaker 1>mother daughter relationship back, and more importantly, Rory's trust back,

0:38:14.560 --> 0:38:17.960
<v Speaker 1>because I think there's no trust right now. And so like,

0:38:18.000 --> 0:38:20.040
<v Speaker 1>if I was Lorlie, I might have done it, and

0:38:20.120 --> 0:38:23.880
<v Speaker 1>I think I would have done it. I would have

0:38:23.920 --> 0:38:26.680
<v Speaker 1>done it, Yeah, you would, Amy, Yeah, I would have

0:38:26.680 --> 0:38:28.680
<v Speaker 1>done it. I would have done it. I wouldn't have.

0:38:29.880 --> 0:38:32.560
<v Speaker 1>I would have said, you made your bed laying it

0:38:33.760 --> 0:38:36.279
<v Speaker 1>and you make your own best. I think Daniel's right.

0:38:36.320 --> 0:38:38.759
<v Speaker 1>She's trying so hard to sort of make amends with Rory,

0:38:38.880 --> 0:38:40.839
<v Speaker 1>and I like how she's very clear, and I think

0:38:40.920 --> 0:38:43.600
<v Speaker 1>that's where you know we need to different. This is

0:38:43.600 --> 0:38:46.960
<v Speaker 1>where an example where there are no boundaries because that's

0:38:47.000 --> 0:38:50.680
<v Speaker 1>something you ask a friend to do. Isn't it weird

0:38:49.480 --> 0:38:54.480
<v Speaker 1>that A? Yeah, you're right. I agree. I think if

0:38:54.520 --> 0:38:57.120
<v Speaker 1>I were late, I would do it. If I were Lorelai,

0:38:57.200 --> 0:39:00.720
<v Speaker 1>I wouldn't. I just also think though her daughter is distraught,

0:39:00.800 --> 0:39:04.560
<v Speaker 1>like her daughter's like, I'm sorry, Yeah, I screwed up

0:39:05.239 --> 0:39:09.719
<v Speaker 1>in Rome with her grandmother. I still think I would

0:39:09.719 --> 0:39:11.600
<v Speaker 1>have done it. But I think you're right, Tar, Like,

0:39:11.719 --> 0:39:13.200
<v Speaker 1>why didn't you just ask Lane? It would have been

0:39:14.400 --> 0:39:18.560
<v Speaker 1>I've installed a red emergency button right to doctor Kim's office.

0:39:20.200 --> 0:39:24.160
<v Speaker 1>Let's get her seriously. Yeah, I would. I wouldn't. I

0:39:24.160 --> 0:39:29.000
<v Speaker 1>wouldn't have delivered it. But danko dumb dean like a

0:39:29.160 --> 0:39:32.560
<v Speaker 1>fair one, oh one, do not leave the letter right

0:39:32.600 --> 0:39:34.160
<v Speaker 1>like when you do leave it on the counter, just

0:39:34.280 --> 0:39:37.080
<v Speaker 1>open his coat pocket. I guess, Yeah, I don't know

0:39:37.080 --> 0:39:39.160
<v Speaker 1>what he should have done with a letter disappearing ink,

0:39:39.280 --> 0:39:45.839
<v Speaker 1>read it, tear it up. I don't know, because that

0:39:46.080 --> 0:39:51.279
<v Speaker 1>is tape. This should you decide to accept this mission? Yeah?

0:39:51.320 --> 0:39:56.720
<v Speaker 1>I heard her yesterday self destruct intensive one. I saw

0:39:56.760 --> 0:40:01.400
<v Speaker 1>something on TikTok yesterday that floored me. Gail and Oprah

0:40:01.440 --> 0:40:03.960
<v Speaker 1>you know my queen's Gail and Oprah. I love him

0:40:03.960 --> 0:40:09.799
<v Speaker 1>so much. I'm Oprah is queen. Gail walked in on

0:40:10.000 --> 0:40:13.919
<v Speaker 1>her husband cheating on her. She walked, she got home

0:40:13.920 --> 0:40:16.279
<v Speaker 1>early from wherever she was with the children. This is

0:40:16.280 --> 0:40:20.640
<v Speaker 1>obviously many many years ago, in on her husband cheating

0:40:20.680 --> 0:40:23.320
<v Speaker 1>on her with like one of their friends. Oh my god,

0:40:23.560 --> 0:40:26.359
<v Speaker 1>she told Oprah the whole story. I think maybe when

0:40:26.400 --> 0:40:30.600
<v Speaker 1>Oprah's on tour or something. I was, and I tell

0:40:30.600 --> 0:40:37.799
<v Speaker 1>you those Hollywood people, those Hollywood people, wow, yeah yourself.

0:40:38.520 --> 0:40:43.239
<v Speaker 1>I I mean, it brings an excellent point here, like

0:40:43.600 --> 0:40:47.560
<v Speaker 1>darn barnyard out there. Yeah, which we'll get to the

0:40:47.640 --> 0:40:51.799
<v Speaker 1>public shaming. So we'll get to that, because I don't

0:40:51.880 --> 0:40:54.600
<v Speaker 1>even know where I stand on that. So, oh god,

0:40:54.600 --> 0:41:00.760
<v Speaker 1>there's so much Okay, So because if lie down, somebody's

0:41:00.760 --> 0:41:04.319
<v Speaker 1>gonna jump on you, you know out there, careful, all right?

0:41:04.360 --> 0:41:06.600
<v Speaker 1>So then we get back to the Renaissance Fair and

0:41:06.640 --> 0:41:09.280
<v Speaker 1>we realize, like, oh, Luca and Lorla have been talking

0:41:09.320 --> 0:41:13.480
<v Speaker 1>the whole time. They're so comfortable with each other. Lucas

0:41:13.560 --> 0:41:19.160
<v Speaker 1>using his cell phone, yeah, and the only calls Lorelai.

0:41:19.360 --> 0:41:25.440
<v Speaker 1>It's that's yeah. So, Scott, what did you think of

0:41:25.480 --> 0:41:28.640
<v Speaker 1>this scene where first you've got this great chemistry going

0:41:28.640 --> 0:41:32.640
<v Speaker 1>with Lorelai and then the darling, most darling scene ever

0:41:32.719 --> 0:41:36.560
<v Speaker 1>with Liz where you have that interaction and she's like,

0:41:37.080 --> 0:41:38.520
<v Speaker 1>is it a dark haired girl with I don't know,

0:41:38.840 --> 0:41:42.080
<v Speaker 1>it's it's it's just such another side of Luke. Do

0:41:42.200 --> 0:41:45.680
<v Speaker 1>we want to see it like one hundred percent? I

0:41:45.680 --> 0:41:50.000
<v Speaker 1>don't know. I don't want a million ses. Okay, it's

0:41:50.080 --> 0:41:54.759
<v Speaker 1>up for the audience for me on what they like,

0:41:55.040 --> 0:41:57.200
<v Speaker 1>you know what I mean? So you you enjoyed that

0:41:57.320 --> 0:42:01.200
<v Speaker 1>seeing that sunny, happy side of him. Yes, they think

0:42:01.200 --> 0:42:03.960
<v Speaker 1>of something and this is not this is like something

0:42:04.000 --> 0:42:05.960
<v Speaker 1>I want to say, But it's a little weird that

0:42:06.040 --> 0:42:08.040
<v Speaker 1>I'm saying it to you, Scott. So you have to

0:42:08.040 --> 0:42:11.280
<v Speaker 1>sort of do your best to be like an impartial judge.

0:42:11.680 --> 0:42:13.840
<v Speaker 1>I'm going to really listen to you this time. You

0:42:13.920 --> 0:42:18.880
<v Speaker 1>have really good chemistry with your scene partners, you know

0:42:18.920 --> 0:42:23.400
<v Speaker 1>what I mean, Like with Lorelei, it's really great chemistry Liz,

0:42:24.160 --> 0:42:27.759
<v Speaker 1>really great brother sister chemistry. And then I think back

0:42:27.800 --> 0:42:30.000
<v Speaker 1>about your you know, so many scenes with Kirk where

0:42:30.000 --> 0:42:36.799
<v Speaker 1>you're the best bud, older brother figure z. Yes, is

0:42:36.840 --> 0:42:40.440
<v Speaker 1>that something that you are good at creating with another

0:42:40.520 --> 0:42:46.319
<v Speaker 1>actor or is it these particular actors? It was so

0:42:46.360 --> 0:42:51.279
<v Speaker 1>sort of there really was great chemistry. I think it's

0:42:51.360 --> 0:42:54.160
<v Speaker 1>one of two things, or it could be a little

0:42:54.200 --> 0:42:59.160
<v Speaker 1>bit of both. I think if as an actor, and

0:42:59.239 --> 0:43:03.120
<v Speaker 1>here's a technical if you really listen to what they

0:43:03.160 --> 0:43:07.560
<v Speaker 1>are saying, which is seems you know, intuitive, right, it

0:43:07.560 --> 0:43:09.640
<v Speaker 1>seems of course you're going to do that, But a

0:43:09.640 --> 0:43:12.600
<v Speaker 1>lot of people don't do that, right You be worried

0:43:12.600 --> 0:43:15.080
<v Speaker 1>about your next line or something. They're thinking of their lines.

0:43:15.120 --> 0:43:18.640
<v Speaker 1>They're not listening to your lines. So I always tried

0:43:18.640 --> 0:43:20.239
<v Speaker 1>to do that. And the only way you can do

0:43:20.280 --> 0:43:22.960
<v Speaker 1>that is being like completely off book and knowing your

0:43:23.000 --> 0:43:25.239
<v Speaker 1>lines cold so you don't have to worry. So really,

0:43:25.239 --> 0:43:28.319
<v Speaker 1>it's just what I'm thinking about. I'm not thinking about anything.

0:43:28.360 --> 0:43:31.040
<v Speaker 1>I'm just listening and trying to react what they're saying

0:43:31.040 --> 0:43:34.759
<v Speaker 1>to me in real time and hitting my cues because

0:43:34.880 --> 0:43:37.799
<v Speaker 1>because the cues are really super important. I mean, it

0:43:37.840 --> 0:43:39.759
<v Speaker 1>really stands out in the scenes once we get you

0:43:39.760 --> 0:43:43.879
<v Speaker 1>back to the diner with Lauren. But the interaction with

0:43:43.960 --> 0:43:50.440
<v Speaker 1>Liz was so cute. Really, I just I just find

0:43:50.480 --> 0:43:53.640
<v Speaker 1>a way to vibe with people and you know, just

0:43:53.760 --> 0:43:55.160
<v Speaker 1>make it as no I just want it to be

0:43:55.160 --> 0:43:58.719
<v Speaker 1>as natural as possible. And and I love that she

0:43:58.800 --> 0:44:00.960
<v Speaker 1>said you're not going to be alone, just like Suki

0:44:01.120 --> 0:44:05.600
<v Speaker 1>said to such an interesting parallel. But I was going

0:44:05.640 --> 0:44:07.160
<v Speaker 1>to say, I do think a lot of it has

0:44:07.200 --> 0:44:09.680
<v Speaker 1>to do a dialogue too, Like they give you these

0:44:09.680 --> 0:44:16.480
<v Speaker 1>words that like mean something and they're meaningful scenes. Yeah, yeah,

0:44:16.520 --> 0:44:20.000
<v Speaker 1>they're there. There's scenes and dialogue that allows you to

0:44:20.320 --> 0:44:22.319
<v Speaker 1>kind of lay back and listen and just sort of

0:44:23.560 --> 0:44:27.120
<v Speaker 1>be natural. You know. That's where the acting is for me.

0:44:27.200 --> 0:44:31.319
<v Speaker 1>It's it's the listening. It's active listening. Yeah, So you know,

0:44:31.400 --> 0:44:33.560
<v Speaker 1>to any actor out there listening to the podcast, that's

0:44:33.680 --> 0:44:36.839
<v Speaker 1>that's a big part of it. You know. It's it's

0:44:36.960 --> 0:44:39.920
<v Speaker 1>really hearing what your scene partner saying to you, really

0:44:39.960 --> 0:44:43.600
<v Speaker 1>listening to them and not worrying about pace so much,

0:44:43.680 --> 0:44:46.560
<v Speaker 1>but just really listening and playing the truth of how

0:44:46.640 --> 0:44:48.680
<v Speaker 1>you're feeling what's coming up for you in that in

0:44:48.680 --> 0:44:52.040
<v Speaker 1>that moment. So so then we get that fabulous scene

0:44:52.080 --> 0:44:56.319
<v Speaker 1>that we touched on with Dean and lower Lie with

0:44:56.360 --> 0:45:02.000
<v Speaker 1>the letter I'm a messenger nothing more. He's who what? When? Where? Why? How?

0:45:02.040 --> 0:45:03.960
<v Speaker 1>Who she with? What's going on? Why did she do

0:45:04.040 --> 0:45:07.800
<v Speaker 1>a la la la? Right? You just saw how distraught

0:45:07.880 --> 0:45:10.920
<v Speaker 1>he was, so sad totally, and then he loves her

0:45:10.960 --> 0:45:12.919
<v Speaker 1>and it's so he's so torn and this whole thing's

0:45:12.920 --> 0:45:16.719
<v Speaker 1>a mess. And I think he's also like, like, is

0:45:16.760 --> 0:45:18.440
<v Speaker 1>she trying to get away from me? He's like by

0:45:18.480 --> 0:45:21.440
<v Speaker 1>being in Europe, Like, I think he's like thinking he

0:45:21.600 --> 0:45:26.800
<v Speaker 1>did something wrong. Which also the ending scene, oh I

0:45:27.200 --> 0:45:30.520
<v Speaker 1>thought Dean was a bit of a hoopoo head again,

0:45:30.760 --> 0:45:32.759
<v Speaker 1>so we'll get to that. But so then we get

0:45:32.800 --> 0:45:36.800
<v Speaker 1>into the scene with Lane and Caesar and the Caesar salad,

0:45:37.000 --> 0:45:43.200
<v Speaker 1>the Caesar's salad hilarious, And then here we have Aaron's

0:45:43.200 --> 0:45:48.680
<v Speaker 1>Foster sot. So then we have Aaron Foster where she's like,

0:45:48.840 --> 0:45:51.279
<v Speaker 1>you know, they're flirting with Zach and the whole thing,

0:45:51.920 --> 0:45:55.520
<v Speaker 1>and then Lane has that fry meltdown and then Aaron

0:45:55.560 --> 0:45:59.040
<v Speaker 1>Foster comes back. Aaron Foster played Cheryl and she says,

0:45:59.040 --> 0:46:05.040
<v Speaker 1>we didn't know, Yeah, we didn't. Cool girl too, all

0:46:05.160 --> 0:46:08.240
<v Speaker 1>kinds of new angles. I thought, we're really we're married

0:46:08.239 --> 0:46:17.560
<v Speaker 1>to that to new table too there, and then we

0:46:17.640 --> 0:46:20.279
<v Speaker 1>get Lorelei and the coolest blazer I've ever seen, the

0:46:20.360 --> 0:46:25.320
<v Speaker 1>white blazer with the orange orange so good, and holy cow,

0:46:26.040 --> 0:46:30.880
<v Speaker 1>is Lindsay hucking the stuff out the window just watching?

0:46:31.320 --> 0:46:33.880
<v Speaker 1>You know what? Good for her? You throw those clothes

0:46:33.920 --> 0:46:40.239
<v Speaker 1>out the window so bad? Yeah, she was justified, right,

0:46:40.320 --> 0:46:43.799
<v Speaker 1>and the whole Unfortunately she was the whole time. Sukie's like,

0:46:43.800 --> 0:46:45.880
<v Speaker 1>oh my god, are you watching this? And Laura I

0:46:45.920 --> 0:46:49.120
<v Speaker 1>just know the better of her head. It was a

0:46:49.120 --> 0:46:51.759
<v Speaker 1>great little scene that preamble before they saw that. We're

0:46:51.920 --> 0:46:55.480
<v Speaker 1>a great little scene between those two. Yeah, totally totally right.

0:46:55.520 --> 0:46:59.120
<v Speaker 1>They can never leave work aside too, but also come

0:46:59.160 --> 0:47:04.759
<v Speaker 1>on invisible think the letters. Yeah, I don't know that.

0:47:04.760 --> 0:47:07.640
<v Speaker 1>That seemed like a little bit of a leap for

0:47:07.680 --> 0:47:10.640
<v Speaker 1>me too, that she was digging through the jacket. Well,

0:47:10.680 --> 0:47:13.239
<v Speaker 1>then he wouldn't be more careful with something like that

0:47:13.280 --> 0:47:16.680
<v Speaker 1>because if obviously, if he's got it in his jacket pocket,

0:47:17.280 --> 0:47:20.000
<v Speaker 1>he wants her to find it. So it's like kind

0:47:20.040 --> 0:47:21.919
<v Speaker 1>of I think, So, you know, give me a break here.

0:47:22.600 --> 0:47:26.560
<v Speaker 1>You know, who's going to be that careless with something exactly,

0:47:26.640 --> 0:47:29.440
<v Speaker 1>you know, even though he you know, it's like, at

0:47:29.520 --> 0:47:34.520
<v Speaker 1>least show some respect for your wife a little bit. Yeah,

0:47:34.600 --> 0:47:37.680
<v Speaker 1>don't know, don't drag the letter into the house, right, yeah,

0:47:38.840 --> 0:47:42.719
<v Speaker 1>clean up your clean it up? Yeah. Yeah. So the

0:47:43.239 --> 0:47:54.279
<v Speaker 1>mistake is kie. So then this was aggressive. So we

0:47:54.400 --> 0:47:56.480
<v Speaker 1>go back and Rory gets home and she's in the

0:47:56.560 --> 0:48:00.440
<v Speaker 1>kitchen and Emily, and we also find out that the

0:48:00.360 --> 0:48:03.480
<v Speaker 1>the in his book to ninety percent capacity, the restaurants

0:48:03.520 --> 0:48:08.400
<v Speaker 1>turning people away. So everything's going great. Suki's like gossiping

0:48:08.520 --> 0:48:12.000
<v Speaker 1>about Dean to Rory and it's the whole hot mass

0:48:12.080 --> 0:48:16.160
<v Speaker 1>so awkward, goodness, gracious right. I literally was like, su

0:48:16.320 --> 0:48:21.680
<v Speaker 1>please please. The attempted hug that Laurel I tried to

0:48:21.719 --> 0:48:24.200
<v Speaker 1>give her mother, Oh, I kind of missed that one.

0:48:24.320 --> 0:48:28.400
<v Speaker 1>Have you ever seen Laurel I try to hug Emily Jackie?

0:48:28.400 --> 0:48:30.239
<v Speaker 1>Can you pull that up? I have to see that

0:48:30.920 --> 0:48:33.640
<v Speaker 1>she was rebuffed. No, I have airplane all over me,

0:48:33.760 --> 0:48:37.280
<v Speaker 1>you know, Oh yeah, I miss I'm so like Emily,

0:48:37.360 --> 0:48:38.839
<v Speaker 1>Like the second I got off a plane. I need

0:48:38.840 --> 0:48:41.160
<v Speaker 1>a shower, a shower. Yeah, but I mean, did you

0:48:41.560 --> 0:48:45.839
<v Speaker 1>Laurels never attempted a hug with her mother. This would

0:48:45.880 --> 0:48:49.840
<v Speaker 1>be the first attempt She hasn't had Luke, Rory or

0:48:49.880 --> 0:48:54.960
<v Speaker 1>anyone for you know too. You can make up, but yeah,

0:48:57.080 --> 0:49:00.479
<v Speaker 1>she's not going to hug her mother, is she? Here

0:49:00.480 --> 0:49:03.040
<v Speaker 1>we go, let's see, let's see Emily comes in. She's

0:49:03.080 --> 0:49:13.280
<v Speaker 1>gonna waltz in. There we go, Here we go. Oh yeah, awkward.

0:49:13.640 --> 0:49:19.680
<v Speaker 1>That was a hard yep. Uh. Maybe it's justified because

0:49:19.680 --> 0:49:23.719
<v Speaker 1>she she was nice enough to take Rory. God. I

0:49:23.880 --> 0:49:31.080
<v Speaker 1>love Kelly Bishop, love the beautiful lady too. She's so pretty.

0:49:31.960 --> 0:49:34.600
<v Speaker 1>What an actress. What a talent, I mean, what a

0:49:34.640 --> 0:49:38.799
<v Speaker 1>glorious talent, So that we do get the moment where

0:49:38.800 --> 0:49:42.000
<v Speaker 1>then like, oh, Suki, you go do your thing or whatever,

0:49:42.040 --> 0:49:46.520
<v Speaker 1>because it's just like getting so awkward with the dean talk. Yeah,

0:49:47.120 --> 0:49:54.560
<v Speaker 1>and then oh god in the town, this is lazy

0:49:54.600 --> 0:49:58.200
<v Speaker 1>and lindsay that was both barrels that shotgun and then

0:49:58.239 --> 0:50:01.600
<v Speaker 1>she reloaded and fired again. Wow, just kept going. That

0:50:01.719 --> 0:50:06.200
<v Speaker 1>was gnarly. I mean, I thought I thought there was

0:50:06.239 --> 0:50:10.319
<v Speaker 1>going to be a physical confrontation. I thought, daughter take

0:50:10.360 --> 0:50:13.080
<v Speaker 1>the gloves off and start throwing hands man. You know,

0:50:13.400 --> 0:50:17.000
<v Speaker 1>both the daughters were so quiet. Yeah, I like, sort

0:50:17.000 --> 0:50:21.000
<v Speaker 1>of disheveled and yeah, what did you guys think? I

0:50:21.040 --> 0:50:22.759
<v Speaker 1>think that's I think you're right. I think that's where

0:50:22.760 --> 0:50:25.040
<v Speaker 1>the scene should have gone, is between the two daughters

0:50:26.560 --> 0:50:28.279
<v Speaker 1>or at least speak up a little bit, like if

0:50:28.320 --> 0:50:30.120
<v Speaker 1>that was going to get out of that, if that

0:50:30.160 --> 0:50:32.240
<v Speaker 1>could have gotten out of hand, that should have gotten

0:50:32.239 --> 0:50:35.560
<v Speaker 1>out of hand. Yeah, I would have loved to seen

0:50:35.600 --> 0:50:40.600
<v Speaker 1>that the girls talks, like right as you see, why

0:50:40.680 --> 0:50:44.360
<v Speaker 1>is Lindsey shutting up there? You know, she's she's pissed,

0:50:44.560 --> 0:50:48.880
<v Speaker 1>She's she goes after Rory, right. I also think maybe

0:50:48.880 --> 0:50:52.759
<v Speaker 1>a part of her new y she's always known, you know,

0:50:52.840 --> 0:50:57.000
<v Speaker 1>like she's always known that Rory and Dean had a

0:50:57.120 --> 0:51:00.239
<v Speaker 1>thing and Dean really loves her. I think like she

0:51:00.320 --> 0:51:03.680
<v Speaker 1>had that gut feeling in them. Yeah, and we obviously

0:51:03.719 --> 0:51:05.920
<v Speaker 1>know that she knew that there was stuff wrong in

0:51:05.920 --> 0:51:08.960
<v Speaker 1>their relationship. So I think not that it's a relief

0:51:08.960 --> 0:51:12.400
<v Speaker 1>that she knows, but she's like yeah, I know, you know,

0:51:12.520 --> 0:51:16.680
<v Speaker 1>like I think she knew, but doesn't make it better,

0:51:16.719 --> 0:51:18.840
<v Speaker 1>but she you know. I think maybe that's why she

0:51:18.960 --> 0:51:21.080
<v Speaker 1>kind of was just like, you know, arms crossed, like

0:51:21.120 --> 0:51:23.120
<v Speaker 1>looking off to the side type thing, and her mom

0:51:23.200 --> 0:51:27.879
<v Speaker 1>was just like furious, right, I like the Laura says, hey,

0:51:27.920 --> 0:51:34.080
<v Speaker 1>pull back lady, like it was yeah right. Yeah. I

0:51:34.120 --> 0:51:38.400
<v Speaker 1>think that Lindsay's mom was also like too involved. Yeah,

0:51:38.480 --> 0:51:42.960
<v Speaker 1>but she always has been and she's presenting that side

0:51:42.960 --> 0:51:46.320
<v Speaker 1>of herself that maybe caused a lot of problems between

0:51:46.400 --> 0:51:50.719
<v Speaker 1>Dean and Lindsay. Totally totally. So there you have it, right,

0:51:51.080 --> 0:51:56.000
<v Speaker 1>you know. So, say you guys are in that same situation,

0:51:57.120 --> 0:52:01.560
<v Speaker 1>would you have I don't know, kept on walking given

0:52:01.600 --> 0:52:04.319
<v Speaker 1>the stink guy like, or would you have had that confrontation?

0:52:05.000 --> 0:52:08.759
<v Speaker 1>What would you have done? Yeah? I would have walked

0:52:08.760 --> 0:52:11.640
<v Speaker 1>by him be and like you suck, just kept walking.

0:52:12.120 --> 0:52:15.359
<v Speaker 1>I would have said nothing, it's not confrontation. Is not

0:52:15.400 --> 0:52:21.319
<v Speaker 1>my not my bag on something like that. Um, it's hard,

0:52:21.360 --> 0:52:25.799
<v Speaker 1>it's tough. I don't really know what I do. I

0:52:25.840 --> 0:52:30.640
<v Speaker 1>just wouldn't want my mom involved standing that seeking for me. Yeah,

0:52:30.680 --> 0:52:36.040
<v Speaker 1>I don't like that public display. Yeah, especially in that town. Yeah,

0:52:36.080 --> 0:52:39.240
<v Speaker 1>in a small town, that is a big deal. Yeah.

0:52:39.320 --> 0:52:41.760
<v Speaker 1>I mean, you know, as Patty probably heard as telling

0:52:41.800 --> 0:52:43.800
<v Speaker 1>the whole town by now, I wouldn't have thrown the

0:52:43.840 --> 0:52:46.160
<v Speaker 1>stuff out the window. Either I would have been very

0:52:46.440 --> 0:52:51.800
<v Speaker 1>calm and said, back up, so is Lindsey from Stars

0:52:51.840 --> 0:52:54.560
<v Speaker 1>Hollow or she from else? She isn't because they went

0:52:54.600 --> 0:52:57.280
<v Speaker 1>to they went to school together. Like in the first

0:52:57.360 --> 0:53:01.080
<v Speaker 1>or second Season's Bad, you know that somebody's gonna have

0:53:01.080 --> 0:53:04.200
<v Speaker 1>to move out of town. That's what I think. I

0:53:04.200 --> 0:53:07.040
<v Speaker 1>bet you. Rory is like, can Yale please start getting

0:53:07.200 --> 0:53:15.120
<v Speaker 1>out of it? Yeah. So in another great scene, we

0:53:15.239 --> 0:53:19.480
<v Speaker 1>go to Luke's and the root beers on the house

0:53:20.400 --> 0:53:22.400
<v Speaker 1>and he knows it. He's like, Rory looked pale, but

0:53:22.440 --> 0:53:24.680
<v Speaker 1>he obviously hasn't gotten word of what just went down.

0:53:25.120 --> 0:53:29.600
<v Speaker 1>And then in the Ultimate Parallel Universe, Oh, I have

0:53:29.640 --> 0:53:32.880
<v Speaker 1>to run an errand, Oh I have to run an errand,

0:53:32.920 --> 0:53:36.840
<v Speaker 1>just like Jess and Rory did. So at first, I

0:53:36.920 --> 0:53:38.759
<v Speaker 1>was like, he's just nervous to be around her and

0:53:38.800 --> 0:53:42.239
<v Speaker 1>doesn't like can't can't handle himself. And like after we

0:53:42.320 --> 0:53:45.279
<v Speaker 1>figured out where he went and Lorela I met up

0:53:45.320 --> 0:53:49.000
<v Speaker 1>with him, I'm like, oh, you you're slick. You've planned

0:53:49.160 --> 0:53:53.520
<v Speaker 1>that so good. And while there there we get the

0:53:53.600 --> 0:53:57.120
<v Speaker 1>excitement of Lane saying you know, I'm in love with

0:53:57.239 --> 0:54:05.200
<v Speaker 1>Zach occurring according to the Dirty Troll, up the necklace

0:54:05.239 --> 0:54:09.000
<v Speaker 1>giving was so cute and then the band comes out

0:54:09.120 --> 0:54:15.640
<v Speaker 1>and I I laughed so hardy And the fact that

0:54:15.680 --> 0:54:18.239
<v Speaker 1>she was wearing the ear rings, you know, like the

0:54:18.280 --> 0:54:21.200
<v Speaker 1>matching piece, like she you know, he gave. He's like,

0:54:21.239 --> 0:54:23.320
<v Speaker 1>I got this for you and and you know whatever,

0:54:23.400 --> 0:54:26.520
<v Speaker 1>and then she just shows that she's wearing the earrings too,

0:54:26.719 --> 0:54:29.600
<v Speaker 1>Like you can just tell, you can just tell the

0:54:29.680 --> 0:54:31.799
<v Speaker 1>chemistry and the connection that the two of them have

0:54:31.920 --> 0:54:35.160
<v Speaker 1>and that they're both so excited about it. Yeah, we

0:54:35.200 --> 0:54:37.439
<v Speaker 1>haven't seen Luke like that. Like Luke with an hole,

0:54:37.560 --> 0:54:41.600
<v Speaker 1>he was just like constantly still grouchy, like uh you know,

0:54:41.680 --> 0:54:45.399
<v Speaker 1>and like this he's just like thinking about her and

0:54:45.600 --> 0:54:49.440
<v Speaker 1>wanting to court her and like and every of the

0:54:51.080 --> 0:54:58.279
<v Speaker 1>perfect match, Perfect match, it's always so good. Definitely a

0:54:58.280 --> 0:55:02.080
<v Speaker 1>different side of Luke. Oh so judge whether you like

0:55:02.239 --> 0:55:08.239
<v Speaker 1>that side or not. Been waiting for it for four years. Yeah, adorable. Yeah,

0:55:08.560 --> 0:55:12.200
<v Speaker 1>it was it weird now in season five to switch

0:55:12.360 --> 0:55:15.879
<v Speaker 1>like that. No, it was. It's nice because I get

0:55:15.880 --> 0:55:18.200
<v Speaker 1>to do both now, so I can't you know, I

0:55:18.239 --> 0:55:20.000
<v Speaker 1>can still be grumpy in the diner, but with her,

0:55:20.080 --> 0:55:23.279
<v Speaker 1>I can I don't have to be grumpy anymore. Yeah,

0:55:23.320 --> 0:55:27.040
<v Speaker 1>you know, I know this shit, it's another color to play.

0:55:27.080 --> 0:55:29.960
<v Speaker 1>It's fun. You know. This was a job that was

0:55:30.000 --> 0:55:32.080
<v Speaker 1>a lot of work, long hours. But was it just

0:55:32.200 --> 0:55:36.120
<v Speaker 1>so much fun most of the time. Yeah, yeah, yeah,

0:55:36.160 --> 0:55:38.240
<v Speaker 1>most of the time. It really was a lot of laughs.

0:55:38.239 --> 0:55:42.760
<v Speaker 1>Everybody laughed, you know. Then the one, the only scene

0:55:42.760 --> 0:55:45.360
<v Speaker 1>that I thought didn't really go as I thought it

0:55:45.440 --> 0:55:50.279
<v Speaker 1>would was Rory going over to Dean's. I thought he

0:55:50.360 --> 0:55:54.319
<v Speaker 1>was really caustic and sort of coming at her when

0:55:54.360 --> 0:55:57.680
<v Speaker 1>it was like, dude, bro, you did it. You were

0:55:57.719 --> 0:55:59.680
<v Speaker 1>the married one, and here she is making sure you're

0:56:00.040 --> 0:56:03.600
<v Speaker 1>hey and try to do the right thing by you. Yeah.

0:56:03.640 --> 0:56:05.719
<v Speaker 1>He keeps laying his heart out for her, and she

0:56:05.800 --> 0:56:08.040
<v Speaker 1>keeps dropping bombs on the guy, and then she sends

0:56:08.080 --> 0:56:10.840
<v Speaker 1>him a letter that she didn't even deliver. It didn't

0:56:10.960 --> 0:56:13.160
<v Speaker 1>have enough respect for him to sit down and talk

0:56:13.200 --> 0:56:16.360
<v Speaker 1>to him. When she got back, I agree and have

0:56:16.440 --> 0:56:18.600
<v Speaker 1>a heart to heart and treat him like, you know,

0:56:18.719 --> 0:56:21.359
<v Speaker 1>she really loves and respects him. But I gotta I

0:56:21.400 --> 0:56:25.080
<v Speaker 1>gotta pull away from this. I mean, but I think

0:56:25.160 --> 0:56:28.120
<v Speaker 1>that's the cowards way out. The letter said it was

0:56:28.160 --> 0:56:32.840
<v Speaker 1>really special. It meant so much to care. What what's

0:56:32.880 --> 0:56:35.960
<v Speaker 1>the butt though, she said, but I'm removing myself from

0:56:35.960 --> 0:56:39.000
<v Speaker 1>the situation. Yeah. And here's the thing, he said it

0:56:39.320 --> 0:56:42.800
<v Speaker 1>she dumped him before, and I think he finally thought

0:56:42.840 --> 0:56:46.000
<v Speaker 1>maybe he was getting her back, and then another dump

0:56:46.320 --> 0:56:53.319
<v Speaker 1>you know again? Guys, Right, guys, what married? She is

0:56:53.360 --> 0:56:56.600
<v Speaker 1>taking the high road, She's going I love you, she

0:56:56.680 --> 0:56:58.759
<v Speaker 1>basically is saying in the letter, like this was so

0:56:58.800 --> 0:57:02.320
<v Speaker 1>special to me. I have feelings for you, but you're married,

0:57:02.440 --> 0:57:05.879
<v Speaker 1>and I will take myself out of the equation and

0:57:06.000 --> 0:57:08.600
<v Speaker 1>not make this. You did the damage already, Like I

0:57:08.600 --> 0:57:11.360
<v Speaker 1>don't know what to tell you, but you you literally screwed.

0:57:11.719 --> 0:57:14.920
<v Speaker 1>There is no marriage anymore. You screwed it up like

0:57:15.120 --> 0:57:18.760
<v Speaker 1>there wasn't before. But she's saying, she's basically said, you

0:57:18.840 --> 0:57:21.800
<v Speaker 1>work it out. And if I think she's saying, if

0:57:21.840 --> 0:57:25.840
<v Speaker 1>you end up getting separated, divorced, we can talk. I

0:57:25.920 --> 0:57:31.000
<v Speaker 1>need the transcript of the letter. We need a forensic

0:57:32.160 --> 0:57:35.400
<v Speaker 1>investigation on this letter, because I just think a letter.

0:57:36.200 --> 0:57:38.520
<v Speaker 1>I think she did the right thing. It's not appropriate.

0:57:40.440 --> 0:57:44.760
<v Speaker 1>Did she do the right thing by taking herself out, Yes,

0:57:44.840 --> 0:57:48.400
<v Speaker 1>but she should have never put herself in to begin with. Yeah, well, Abby,

0:57:48.560 --> 0:57:52.640
<v Speaker 1>but he's the one that's married. But she helped wreck

0:57:52.720 --> 0:57:57.640
<v Speaker 1>the marriage in person, in bed with him, face to face,

0:57:57.800 --> 0:58:01.480
<v Speaker 1>wrecked the marriage. She could pull away and do it

0:58:01.640 --> 0:58:04.400
<v Speaker 1>face to face. Just don't hit it. He was the

0:58:04.480 --> 0:58:07.280
<v Speaker 1>married guy. He was the one playing video games. He

0:58:07.360 --> 0:58:09.480
<v Speaker 1>was the one who didn't you know it was kind

0:58:09.480 --> 0:58:11.600
<v Speaker 1>of barking at Lindsay all the time. He is the

0:58:11.600 --> 0:58:15.800
<v Speaker 1>one who went and pursued Rory. Guys, I love Dean,

0:58:16.200 --> 0:58:19.040
<v Speaker 1>but this is on Dean. And so for Dean to

0:58:19.080 --> 0:58:22.000
<v Speaker 1>come to the door and be all Rory, he should

0:58:22.000 --> 0:58:24.320
<v Speaker 1>have been like, I'm so sorry. I messed up so

0:58:24.360 --> 0:58:27.600
<v Speaker 1>many things and hurt so many different people. I'm gonna

0:58:27.640 --> 0:58:30.040
<v Speaker 1>go straight to the therapist for six months and I

0:58:30.080 --> 0:58:34.000
<v Speaker 1>will call you. Dean. I give what you're saying. I

0:58:34.080 --> 0:58:38.520
<v Speaker 1>do actually totally understand that. I do. There's definitely an

0:58:38.600 --> 0:58:41.680
<v Speaker 1>argument to be mate. Yeah, and I think everyone I

0:58:41.720 --> 0:58:44.600
<v Speaker 1>think everyone's right here though, Like, if I'm being honest,

0:58:44.920 --> 0:58:47.960
<v Speaker 1>like I do think everyone's right. He walked like a penguin.

0:58:48.000 --> 0:58:55.240
<v Speaker 1>It was great, but I don't when I watched it.

0:58:55.480 --> 0:58:57.640
<v Speaker 1>When I watched it, I didn't like it. But like

0:58:57.800 --> 0:59:02.760
<v Speaker 1>after thinking about it, I'm like, all right, I like

0:59:02.840 --> 0:59:05.600
<v Speaker 1>do understand why he's so hurt, like he I feel

0:59:05.640 --> 0:59:09.120
<v Speaker 1>like he's lashing out out of being hurt because he

0:59:09.200 --> 0:59:11.400
<v Speaker 1>did have the cookie cutter marriage that he thought he

0:59:11.440 --> 0:59:14.880
<v Speaker 1>wanted back in the day, and now that's just completely

0:59:14.920 --> 0:59:19.760
<v Speaker 1>squashed and the love of his life is now just

0:59:19.800 --> 0:59:22.360
<v Speaker 1>taking herself out of the equipment. I think, I think maybe,

0:59:22.440 --> 0:59:24.000
<v Speaker 1>you know, I don't know. I don't know if this

0:59:24.040 --> 0:59:26.960
<v Speaker 1>is a conscious choice. It probably is. I have no idea,

0:59:27.040 --> 0:59:31.320
<v Speaker 1>But I mean, you have a main character that's beloved, right,

0:59:31.400 --> 0:59:36.240
<v Speaker 1>and now she's done something and she's getting a lot

0:59:36.280 --> 0:59:40.360
<v Speaker 1>of backlash for this, and she she's like gonna be

0:59:40.440 --> 0:59:43.320
<v Speaker 1>The town is gonna be. Yeah, it loves their rory

0:59:43.400 --> 0:59:46.120
<v Speaker 1>but right, but I mean their limits right to be.

0:59:46.560 --> 0:59:50.040
<v Speaker 1>That's a big deal. Yeah, anytime, but especially in a

0:59:50.040 --> 0:59:52.760
<v Speaker 1>small town, right, you don't want to be that that reverberates,

0:59:53.600 --> 0:59:57.959
<v Speaker 1>that's reputational. That's just she destroyed her reputation in that town. Yeah,

0:59:58.000 --> 1:00:00.520
<v Speaker 1>so it's a big deal. And she she's getting a

1:00:00.520 --> 1:00:03.160
<v Speaker 1>lot of backlash for a reason. It's because she should

1:00:03.720 --> 1:00:06.120
<v Speaker 1>and now she's getting it. She's getting it from Lindsay,

1:00:06.160 --> 1:00:09.160
<v Speaker 1>she's getting it from Dean all these people. Yeah, you know,

1:00:09.320 --> 1:00:11.800
<v Speaker 1>and it's uh, but that was a little extra harsh

1:00:11.800 --> 1:00:15.800
<v Speaker 1>of Dean, who's very complicit in this, if not more so. Yeah,

1:00:16.120 --> 1:00:19.040
<v Speaker 1>does anyone have the symbolism of those balloons going by?

1:00:19.400 --> 1:00:25.240
<v Speaker 1>Wasn't that beautiful? Favorite shot? That's the balloons that Rory

1:00:25.280 --> 1:00:28.919
<v Speaker 1>acidentally knocked. I mean, sorry that Laura, Laura I knocked. Yeah. Yeah,

1:00:29.000 --> 1:00:31.120
<v Speaker 1>all I can thinking about was it the red balloon?

1:00:31.560 --> 1:00:35.840
<v Speaker 1>Me too? Like she's literally in front of the house

1:00:35.880 --> 1:00:40.040
<v Speaker 1>of represent an opportunity that was lost for a kiss,

1:00:40.080 --> 1:00:42.320
<v Speaker 1>and then she bumped in and then she sent the

1:00:42.360 --> 1:00:47.280
<v Speaker 1>balloons to Rory to think about the lost the opportunity.

1:00:47.480 --> 1:00:49.560
<v Speaker 1>We need the people, Yeah, we need the people to

1:00:49.560 --> 1:00:52.600
<v Speaker 1>weigh in. Yeah, what is the symbolism of that? That's interesting?

1:00:52.680 --> 1:00:54.760
<v Speaker 1>It was a beautiful shot. It was my favorite shot

1:00:54.760 --> 1:00:57.600
<v Speaker 1>of the whole thing. You know, the last episode they

1:00:57.600 --> 1:01:00.360
<v Speaker 1>had Richard coming into the door lighting his cigars. Oh yeah,

1:01:00.640 --> 1:01:04.000
<v Speaker 1>I mean it's there's some beautiful, sweeping shots that you

1:01:04.560 --> 1:01:09.240
<v Speaker 1>love that with the cigar to television. That's foreign film,

1:01:09.760 --> 1:01:12.959
<v Speaker 1>high level foreign film stuff. It's just beautiful stuff. So

1:01:13.280 --> 1:01:15.080
<v Speaker 1>I don't know if this is one hundred percent true,

1:01:15.120 --> 1:01:17.400
<v Speaker 1>but I just found something that said, um, the red

1:01:17.400 --> 1:01:20.400
<v Speaker 1>balloons are simply helping set a timetable for events and

1:01:20.480 --> 1:01:22.920
<v Speaker 1>tie them together. Oh that it's all happening at the

1:01:22.960 --> 1:01:26.400
<v Speaker 1>same time. Kind yeah, so then you sort of think

1:01:26.480 --> 1:01:29.800
<v Speaker 1>that it's over the episode. But you have this other

1:01:29.880 --> 1:01:33.160
<v Speaker 1>scene where we see, like Danielle said, the Gilmore girls

1:01:33.200 --> 1:01:37.840
<v Speaker 1>back together. They've got all their snacks. Oh, so many snacks. Steaks,

1:01:37.880 --> 1:01:42.080
<v Speaker 1>also pizza. The combination plane or snacks makes me gag

1:01:42.640 --> 1:01:46.920
<v Speaker 1>Like branch dressing, for sure, They've always got chips and

1:01:47.000 --> 1:01:49.120
<v Speaker 1>pizza and steak, sauce and Chinese. But it's just like,

1:01:49.320 --> 1:01:52.880
<v Speaker 1>oh god, it's just yeah, I mean it's like, now

1:01:52.960 --> 1:01:59.760
<v Speaker 1>Rory is low in the relationship terms, Laurelize ultra high

1:02:00.120 --> 1:02:03.520
<v Speaker 1>in relationship turns. It's you know, their shoes. On the

1:02:03.520 --> 1:02:06.640
<v Speaker 1>other front, they're going to watch Show Girls and it's

1:02:06.640 --> 1:02:17.520
<v Speaker 1>they're sanctuary but the greatest film of all time. But yeah, yeah,

1:02:17.520 --> 1:02:20.160
<v Speaker 1>these are powerful episodes. I mean just they really are

1:02:20.520 --> 1:02:22.720
<v Speaker 1>wash over you. And they're just such a joy to watch.

1:02:22.800 --> 1:02:26.240
<v Speaker 1>They're so funny, they're so detailed, they're so poignant, they're

1:02:26.280 --> 1:02:30.720
<v Speaker 1>so dramatic. One thing I will say is I'm excited

1:02:30.760 --> 1:02:34.920
<v Speaker 1>for Luke and Lorelei to be the focus because I

1:02:34.960 --> 1:02:38.520
<v Speaker 1>feel like I don't know Dean and Rory and Lindsay

1:02:38.640 --> 1:02:42.240
<v Speaker 1>situation at least for me, has been like clouding everything.

1:02:42.440 --> 1:02:46.400
<v Speaker 1>Like I'm just so fixated on that and I'm excited,

1:02:46.400 --> 1:02:49.480
<v Speaker 1>and we've seen bits of Luke and Lorelie, but I'm

1:02:49.480 --> 1:02:51.880
<v Speaker 1>ready for them to go all in, you know what

1:02:51.920 --> 1:02:58.760
<v Speaker 1>I mean, Like, I'm ready for that one they're Danielle, Yeah,

1:02:58.800 --> 1:03:03.640
<v Speaker 1>I mean I for me, it's ten out of ten? Yeah,

1:03:03.680 --> 1:03:07.240
<v Speaker 1>how many? But what what measuring stick are you applied? Oh?

1:03:07.400 --> 1:03:13.120
<v Speaker 1>Ten out of ten, steak, four eyes, nine, nine point

1:03:13.200 --> 1:03:18.640
<v Speaker 1>five out of ten, red balloons, loof balloons or just

1:03:18.680 --> 1:03:28.840
<v Speaker 1>red bullonsinnin loof balloons, char I was gonna use both

1:03:28.880 --> 1:03:37.960
<v Speaker 1>of those. I'm trying a nine out of ten. Necklaces

1:03:37.800 --> 1:03:41.880
<v Speaker 1>his necklaces you just snuck into mine. There weren't that

1:03:41.920 --> 1:03:45.600
<v Speaker 1>many items in this episode. I mean I was gonna

1:03:45.600 --> 1:03:51.000
<v Speaker 1>say the letter, that'd be kind of h That's good. Uh.

1:03:51.360 --> 1:03:56.320
<v Speaker 1>I'm gonna deduct for the you know, the the long

1:03:56.400 --> 1:03:58.640
<v Speaker 1>jump that we were required to do to get to

1:03:58.760 --> 1:04:03.800
<v Speaker 1>the lane love thing. Um, so I'm gonna I'm not

1:04:03.840 --> 1:04:06.880
<v Speaker 1>going to deduct a lot though. I think I'm gonna

1:04:06.960 --> 1:04:12.960
<v Speaker 1>do a nine point seven five or okay, um uh

1:04:13.000 --> 1:04:19.320
<v Speaker 1>TJ grabbing his drink. Oh yeah, because I just I

1:04:19.400 --> 1:04:27.919
<v Speaker 1>just out of ten tjs and I want that guy

1:04:27.960 --> 1:04:32.439
<v Speaker 1>in every scene every episode. Sorry, Hey, what's next week's called?

1:04:32.600 --> 1:04:35.160
<v Speaker 1>And I think there's a world where TJ and Kirk

1:04:35.600 --> 1:04:38.560
<v Speaker 1>co existed. It could be glorious and I want to

1:04:38.560 --> 1:04:43.959
<v Speaker 1>see it. Yes, all right, everybody, So that's way next week?

1:04:44.040 --> 1:04:47.000
<v Speaker 1>It's next week? Written in the stars, is the greatest

1:04:47.040 --> 1:04:51.320
<v Speaker 1>moment of my life? Do we meet not Zukery next week?

1:04:51.480 --> 1:04:53.200
<v Speaker 1>I don't know, but I don't want to know, and

1:04:53.240 --> 1:04:55.160
<v Speaker 1>I don't want you to tell me. But the one

1:04:55.240 --> 1:04:58.120
<v Speaker 1>thing I do I will not tell you. The one

1:04:58.160 --> 1:04:59.600
<v Speaker 1>thing I do want you to know is that I'm

1:04:59.600 --> 1:05:04.680
<v Speaker 1>going to be in Louisville the Louisville Pop Con June

1:05:05.720 --> 1:05:10.840
<v Speaker 1>sixteen through eighteen. So I'll be in Louisville, Kentucky and

1:05:11.120 --> 1:05:14.160
<v Speaker 1>meeting fans and it'll be wonderful. And I have another

1:05:14.200 --> 1:05:19.600
<v Speaker 1>announcement to make, but it's not quite announceable yet. Oh oh,

1:05:19.600 --> 1:05:23.760
<v Speaker 1>that's a tease, tea. Can you give us a hint? Nope? Sorry,

1:05:24.280 --> 1:05:25.800
<v Speaker 1>do I know what it is? No, it's going to

1:05:25.880 --> 1:05:28.640
<v Speaker 1>be like this show tease within a tease within a

1:05:28.640 --> 1:05:32.000
<v Speaker 1>t I know what it is you do, not what No,

1:05:32.560 --> 1:05:35.320
<v Speaker 1>it's incredible, right because you know everything I know, and

1:05:35.360 --> 1:05:37.640
<v Speaker 1>I know things that we haven't announced, right. I want

1:05:37.640 --> 1:05:39.560
<v Speaker 1>you to deal with a little bit of mystery, a

1:05:39.560 --> 1:05:41.080
<v Speaker 1>little bit. That's a good tease, dude, that's a good

1:05:41.120 --> 1:05:43.480
<v Speaker 1>tease because I'm huck. Let's talk about my new show,

1:05:44.000 --> 1:05:47.080
<v Speaker 1>by the way, which is kicking ass in Canada. Well, great,

1:05:47.160 --> 1:05:49.240
<v Speaker 1>thanks Canada. We don't live there. When is it coming

1:05:49.280 --> 1:05:55.040
<v Speaker 1>to like? Hello? We all like Chad Michael Murray too.

1:05:56.680 --> 1:06:00.320
<v Speaker 1>I think we're number one in Canada. That's amazing that

1:06:03.960 --> 1:06:06.760
<v Speaker 1>a lot of people, they're really happy. But here it's

1:06:07.320 --> 1:06:10.120
<v Speaker 1>at all. It's common. I can't say anything, but it's common.

1:06:10.200 --> 1:06:15.440
<v Speaker 1>Don't work. I figured that coming. It's common. All right, Um,

1:06:15.480 --> 1:06:19.720
<v Speaker 1>talk to y'all later, everybody. Thanks, best fans on the planet.

1:06:20.440 --> 1:06:22.720
<v Speaker 1>We love you so so much. I wouldn't be mad

1:06:22.760 --> 1:06:26.120
<v Speaker 1>at a couple of five stars. I'm not gonna live anybody.

1:06:27.320 --> 1:06:30.320
<v Speaker 1>We'll take any we can get. We'll take it. Give

1:06:30.400 --> 1:06:34.560
<v Speaker 1>us some five stars, even if you don't want to

1:06:34.560 --> 1:06:37.040
<v Speaker 1>do it, do it just be out of the kindness

1:06:37.080 --> 1:06:41.840
<v Speaker 1>of your heart. We could use it. Star. Thank you anyway.

1:06:42.000 --> 1:07:14.760
<v Speaker 1>All the best, stay safe, hey everybody, and don't forget

1:07:14.800 --> 1:07:18.880
<v Speaker 1>Follow us on Instagram at I Am all In podcast

1:07:18.960 --> 1:07:24.040
<v Speaker 1>and email us at Gilmore at iHeartRadio dot com. Oh

1:07:24.080 --> 1:07:25.960
<v Speaker 1>you're Gilmore fans. If you're looking for the best cup

1:07:26.000 --> 1:07:28.760
<v Speaker 1>of coffee in the world, go to my website from

1:07:28.760 --> 1:07:31.680
<v Speaker 1>my company scott ep dot com, s c O. T.

1:07:31.680 --> 1:07:36.000
<v Speaker 1>T YP dot com, scottip dot com Grade one Specialty

1:07:36.280 --> 1:07:44.040
<v Speaker 1>Coffee