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Speaker 1: I am all in. I am all in with Scott

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Speaker 1: Patterson and I Heart Radio podcast. Hey everybody, Scott Patterson,

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Speaker 1: aimil and podcast want to eleven productions. iHeart Radio. I

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Speaker 1: am joined by my intrepid crew, Tera Suit, Daniel Romo,

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Speaker 1: Amy Sugarman, Hello Wall How is my goodness? One? We are?

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Speaker 1: We're gonna We're gonna break down episode two, season five,

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Speaker 1: and uh, who's doing the the The synopsis today always Danielle.

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Speaker 1: But I was gonna say that somebody else want to

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Speaker 1: do it? But no, I did like to double down

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Speaker 1: on my Uh, season five is the best season ever? Like,

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Speaker 1: is do we have enough Wait a minute, do we

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Speaker 1: have enough data to make that? Well? She just likes

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Speaker 1: that logan affairs soon Let's be honest. No, because first

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Speaker 1: of all, yes, a but okay, okay, I love this

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Speaker 1: episode also, so I'll just pipe down. And as they say,

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Speaker 1: it might be too small a sample size, good the data,

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Speaker 1: I don't. The data is definitely favorable so far, I'll say,

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Speaker 1: But Danielle, why don't you get us into the air?

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Speaker 1: Yeah it is, Yeah, it is neck Let's give her.

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Speaker 1: That's good. Okay. So this is season five, episode two,

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Speaker 1: A messenger nothing more air date September twenty eighth, two

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Speaker 1: thousand and four. With Lorala and Rory's relationships still strained

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Speaker 1: and unresolved. Lorala takes on everything at the end until

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Speaker 1: Suki convinces her to take some time off. At the

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Speaker 1: corner of Bark and Cheese, Rory realizes she is wrong

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Speaker 1: and writes Dana letter, which she asks her mom to deliver.

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Speaker 1: Lane begins to see Zach and the New Light, and

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Speaker 1: Lindsay finds Rory's letter. Would he leaves Dean out in

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Speaker 1: the cold and without either girl? Who directed this? H

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Speaker 1: Daniel Palladino, Well, here's what's weird. I felt like it

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Speaker 1: was a very new directing style. Did you guys notice

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Speaker 1: that at all? In what way? Camera angles, new parts

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Speaker 1: of the town. Just I think being in Europe kind

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Speaker 1: of made it feel that way. You mean fake Europe obviously. Yeah,

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Speaker 1: well yeah, yeah, hard to do that with you know,

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Speaker 1: it's like California sunshine ruins every shot, right, So I

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Speaker 1: just thought, even right from the start, yeah oh really, so,

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Speaker 1: so you weren't You weren't vibing it? Oh totally vibing,

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Speaker 1: were vibing? It just seemed different, just different. I don't

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Speaker 1: mind different like the open. She's walking. I think we

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Speaker 1: maybe started on her shoes. I like it too. Just

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Speaker 1: say I like that opening. It's quick. Did you think

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Speaker 1: it was quick because we had such a long previously

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Speaker 1: on it was pretty long. Yeah, you're right, so that

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Speaker 1: opened was real quick. I think, you know, we got

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Speaker 1: a couple of good laughs out of the open. She

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Speaker 1: handed off the pamphlet to somebody else and said exactly

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Speaker 1: the same thing as the pamphleteer said. And it was funny,

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Speaker 1: and the apple fell over, the kid in the apple

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Speaker 1: suit fell over. Somehow you a couple of really, but

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Speaker 1: you know you got you nailed the town and what

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Speaker 1: the town is about, all the goofy, great charming stuff

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Speaker 1: happening in the town. And there she is walking along,

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Speaker 1: And is that our first time seeing the newspaper stand?

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Speaker 1: I don't think I don't all. No, I don't think so.

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Speaker 1: Also that people believe I kind of am in one

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Speaker 1: of them that when she says, hey, Al, Hey, Fred,

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Speaker 1: that that's Al from Al's Pancake World, Well who else

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Speaker 1: would it be? Right? It's another owl? I don't think so.

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Speaker 1: But it's right that they never go to Al's Pancake

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Speaker 1: world right, like, actually, like, go there, I think its

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Speaker 1: just talked about it. It's just take out. Yeah, I think, no,

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Speaker 1: you can eat there, No, no, but they usually take it.

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Speaker 1: But it was a great opening, punchy to the point, funny,

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Speaker 1: breezy everything, stars hollow, everything you love about Stars Hollow,

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Speaker 1: great opening, great, great, great opening. And there you are

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Speaker 1: with your lead actress looking fantastic acting right, a little

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Speaker 1: bit of a new haircut, I thought, maybe just a

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Speaker 1: little shorter, loving every second of it. Look good. Yeah,

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Speaker 1: everything was working everything was it kind of weird to

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Speaker 1: anybody that, like, we just jumped seven weeks. It took

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Speaker 1: me a second because I was wondering how many weeks

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Speaker 1: it was, and I think like later in the episode,

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Speaker 1: someone said it's been seven weeks. I was like seven weeks, yeah,

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Speaker 1: but how many? How many episodes are you going to

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Speaker 1: be able to do in Italy? No? I know, but

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Speaker 1: I wasn't mad about it at all. I wasn't mad either,

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Speaker 1: but I was like, whoa, that was like jarring from

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Speaker 1: episode one to two, just automatically seven weeks later, here

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Speaker 1: we are. For me, it was more jarring that Luke

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Speaker 1: was away for seven weeks and Rory wasn't more than

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Speaker 1: like the timeline of what's happening. Here's why I like

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Speaker 1: it though, and I want to hear what Scott says

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Speaker 1: because I don't want to rush into them. I like

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Speaker 1: that now we've dragged out this seven weeks and clearly

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Speaker 1: they're talking on the phone all the time like a

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Speaker 1: cute little couple like cording as they say, like because

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Speaker 1: they didn't talk on the phone every day like that,

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Speaker 1: and clearly now they are right. Yeah, it's a tease

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Speaker 1: within a tease within a tease, and it's just like

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Speaker 1: it's been four four seasons here we're in the fifth season.

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Speaker 1: We're still getting delays, delays within delays, and then you know,

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Speaker 1: not to jump ahead, but even that sort of welcome

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Speaker 1: back kiss, you know they get, they get that was

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Speaker 1: so funny that just a just a piggyback off the

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Speaker 1: seven weeks thing. Rory's hair is significantly longer and Dean's

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Speaker 1: hair it just go away. So my question, my question

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Speaker 1: is do you think they filmed episode one right after

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Speaker 1: they filmed the finale and took a break between one

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Speaker 1: and two and then you guys picked up with season

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Speaker 1: five question because also seasonsode one was so much connected

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Speaker 1: to the finale, and they probably didn't want people to

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Speaker 1: look different. Scott, like the like would have been like

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Speaker 1: a two part finale, and they just decided to push

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Speaker 1: it to the I don't know. It could be that

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Speaker 1: Jared did a film over the hiatus and he just

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Speaker 1: finished up at the end of his hair was shorter

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Speaker 1: in the film. Well, but here's my thing. You had

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Speaker 1: to have such strict continuity between the end of season

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Speaker 1: four and the beginning of season five that it would

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Speaker 1: have been really jarring if anyone changed it all. You

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Speaker 1: know what, you had a really good point we're talking

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Speaker 1: about from episode Okay, so the end of season four

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Speaker 1: and the beginning of season five. Oh sorry, yeah, I

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Speaker 1: got it right. End of season four, beginning of season

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Speaker 1: five is the same night that maybe you shot it

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Speaker 1: all back in April or March or Yeah. It is

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Speaker 1: interesting because season five, episode one can be a finale,

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Speaker 1: you know, like Rory goes to Europe, Like that could

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Speaker 1: be a finale. Somebody look this up. When did they

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Speaker 1: film Yeah, like, this has got to be on the

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Speaker 1: internet somewhere. I think you might be onto something, Daniel.

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Speaker 1: I think that they filmed it in spring of what

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Speaker 1: year is it two thousand and four? I think they

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Speaker 1: filmed season one, Season five, episode one, spring of two thousand.

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Speaker 1: Like Jared Petelec, you can very easily cut his hair,

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Speaker 1: you know what I mean? Like that, It's not the

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Speaker 1: one that kind of gave it away to me. It

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Speaker 1: was more Rory's hair was longer. I'm like, she's like,

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Speaker 1: you know what I mean, like she that was definitely

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Speaker 1: some time be too. Yeah, I agree. I agree with you.

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Speaker 1: We need to get somebody to figure that out. And

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Speaker 1: I think Luke lost a little weight, Yes he did. Luke.

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Speaker 1: I also think your teeth looked super white and smiley.

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Speaker 1: Did anyone notice that? No, it's just because I was

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Speaker 1: smiling a lot often. Rather chipper episode, there's this big

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Speaker 1: smiley guy. He smiled at his sister. He smiled. Oh,

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Speaker 1: he's smiling like a like a just a smiley smile.

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Speaker 1: Everywhere he went. There's rainbows and butterflies melting is necklace giver.

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Speaker 1: When we go into the diner for the first time

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Speaker 1: with Lane, nobody else noticed that was sort of a

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Speaker 1: new angle at the table. Yes, yeah, yeah, yes, that

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Speaker 1: it was definitely noticeable for sure. But it's like, you know,

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Speaker 1: Dan has his very special take on things. Yeah, you know,

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Speaker 1: do you think Luke feels about the free wink Winkers?

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Speaker 1: I mean he's not there, it's not there. Yeah, I

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Speaker 1: just need to know what Lane's like work schedule is

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Speaker 1: because it feels so inconsistent to me, Like somebodys that

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Speaker 1: the diner someday she's not. So, you know, it's just

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Speaker 1: like I just need to figure out, like every Monday,

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Speaker 1: Lane is, he's a student, is a student. She works

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Speaker 1: at the diner and she's in the band. Where does

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Speaker 1: she go to school that that very strict religious member

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Speaker 1: for college, I know what it's called. So she's in college.

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Speaker 1: She's in a freshman year in college, or finished her

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Speaker 1: freshman year in cost So this the summer and she's

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Speaker 1: so yeah, she's just she doesn't have a summer schedule

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Speaker 1: like band rehearsal. Yeah, she can have a different schedule

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Speaker 1: because it's summer. Yeah, because she's full time now that

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Speaker 1: Luke's not there. Yash took over. These are in a

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Speaker 1: Caesar salad. I can't wait to talk about them. Yeah. So,

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Speaker 1: so Aris had a big scene there. I think that

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Speaker 1: was his biggest scene. He did great. Can anyone do that?

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Speaker 1: You know how he did the eyebrows. Can anyone do that?

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Speaker 1: You know how instead of wink winkers? Oh whoa, it's

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Speaker 1: hard having gotten botox in a minute, you can really

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Speaker 1: see it, I know. And then what's his doos He

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Speaker 1: brings out the pennies to pay basically paying for his burger.

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Speaker 1: Oh yeah, he's like long story counting, like who has

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Speaker 1: coins anymore? Not now? Back then they did? I missed.

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Speaker 1: I missed. There was no Sean Gunn in this episode.

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Speaker 1: I know. Oh my god, you're right, no Sean Gunn

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Speaker 1: and many opportunities for him to interject. You know, no way, boy,

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Speaker 1: you really notice it when when Sean isn't in the episode. Yeah,

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Speaker 1: especially in the diner. I feel like he's always hanging

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Speaker 1: in the diner. Yeah. I want to get the other

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Speaker 1: you know, there's the other regular diner guy, Caesar, and

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Speaker 1: then there's the other guy. Oh, there's right. I want

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Speaker 1: to find that guy too. We need to find that guy, Robert.

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Speaker 1: I'll text him, okay, great, great. But also I did

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Speaker 1: notice that the fries are steak fries, which I support.

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Speaker 1: Are you anti? Like, do you actually st advocate against?

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Speaker 1: Do you march? Do you get together with people and

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Speaker 1: like pretty discriminatory with fries. I am because I don't.

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Speaker 1: I don't love a Frinklerench fry space. I don't love

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Speaker 1: a Yeah, I'm active in the French fried space. Thank you, Scott.

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Speaker 1: I don't love a crinkle, except if I had the choice,

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Speaker 1: if you were like steak, shoe string, crinkle, curly, I'm

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Speaker 1: not going for curly. I don't like. I'll take I'll

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Speaker 1: take any any fries. Same shoe string is at the

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Speaker 1: bottom of my list. Yeah, we usually do shoe string

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Speaker 1: at home, but then every once in a while on

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Speaker 1: Burger night we get the fatter fries like a steak fry. Well,

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Speaker 1: it's not a steak fry, it's in between a string. Wow. Okay,

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Speaker 1: there's a space. There's people that are very like experts

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Speaker 1: like I am on French. Yes, you own a diner obviously,

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Speaker 1: and it's a certain brand that we use it. Boy,

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Speaker 1: those burgers tastes all right or no? Right? I agree?

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Speaker 1: I agree? Yeah, wait, okay, this is actually sorry to

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Speaker 1: go on a side tangent, but I think this is important.

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Speaker 1: Who do you think of the like fast foods, McDonald's,

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Speaker 1: in and out, like shack, whatever you like has the

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Speaker 1: best fries in and out easy. Oh, I was gonna

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Speaker 1: say McDonald's, but shake shack if you want cheese fries,

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Speaker 1: I don't know. And in and outs animal fries, Trump

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Speaker 1: shake shucks cheddar fries. But they're different because animal fries

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Speaker 1: is like it's like cheese. Yeah, there is animal I

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Speaker 1: don't eat. I don't like anything off fries. It's really

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Speaker 1: difficult to beat McDonald's fries. Yeah, kind of like salty,

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Speaker 1: like just salty plane fries. Yeah. Like I can only

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Speaker 1: eat in and Out when I want the animal fries.

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Speaker 1: I can't do it, Plaine, Oh, I can't. I don't

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Speaker 1: like animals. I've been seriously in my own eyeland blasphemers.

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Speaker 1: I know, take this to the people because literally this

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Speaker 1: is a debate that could go on for forever. And

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Speaker 1: I love in and out fries. We we do in

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Speaker 1: and out Burger once while, so do I. It's really

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Speaker 1: the only fast food I do. Like it's like on

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Speaker 1: the fries stay hotter longer in the bag. I kind

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Speaker 1: of agree with you. There's something about the in and

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Speaker 1: out fries that cool off very quickly. I think it's

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Speaker 1: the setting because they come in that sort of a

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Speaker 1: more of a wider thing where it's nighted around them.

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Speaker 1: I am hungry. If you get the animal fries, you

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Speaker 1: get the animal fries. I just that's so bross. I

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Speaker 1: don't like cheese, Oh my god, no, but it's cheese

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Speaker 1: with a special sauce. Dippers, dippers in the catchup or

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Speaker 1: do you go plane? Oh no, plane, Yeah, I'm not

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Speaker 1: a condimate guy at all. You know what, I'm gonna

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Speaker 1: throw another French fry in the mix and then we

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Speaker 1: can maybe move from this. Don't say Burger king. I'm sorry,

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Speaker 1: but I'm not Chick fil A's waffle fries. Oh no, no, yes, no, yes,

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Speaker 1: with the Chick fil A sauce, with the chick you

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Speaker 1: have d you think so? I think let's okay, so

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Speaker 1: we'll try that. But the worst wait a minute. Once

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Speaker 1: the last time you ordered a large McDonald's fries and

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Speaker 1: like two weeks ago, justus, I eat half of that

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Speaker 1: before even take burger. Let me tell you the worst.

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Speaker 1: I apologize in advance. Who Del Talco. They're not, but

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Speaker 1: there are they known for fries, the fact that they

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Speaker 1: have fries. It's just you've never been to I've been

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Speaker 1: to Del Taco, but I don't know, like years ago,

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Speaker 1: I don't go way Days has pretty good Wendy's has

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Speaker 1: pretty good fries. I'll give you that. I'm just going

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Speaker 1: down the list. I'm thinking of everything on my drive.

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Speaker 1: But i'm in and out of McDonald's. I think only

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Speaker 1: But then I like, to me, a gourmet is like

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Speaker 1: shake shack. That's like a level up. Yeah, it's a

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Speaker 1: little different. Shake shacks a little different. You know, it's

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Speaker 1: kind of a moneyed crowd. I see a fried bride test.

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Speaker 1: How oh, I will probbibly participate? Sign me up? All right?

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Speaker 1: So we head from there to the Renaissance. Fair well done.

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Speaker 1: I actually thought that looked way we missed something in

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Speaker 1: the first scene the postcards, Paul is Rory writing postcards

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Speaker 1: to Luke. That's Lane, Lane hanging them at She's taken

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Speaker 1: them from home to the din. She's taking over the

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Speaker 1: diner space. It's because she can't be away from from

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Speaker 1: Rory's postcards. That was random, but I get the point.

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Speaker 1: That's I mean, if Laura I can relate to missus Kim. Ever,

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Speaker 1: this is the moment WHOA also through that? Wow? Yeah? Yeah?

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Speaker 1: But Lane takes hangs them up in Luke's dining exactly, Scott,

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Speaker 1: she carries them around with her. I was I was thinking, like,

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Speaker 1: she knows that Lane were there and sending it to

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Speaker 1: the flag on the play. Yeah, why would she get

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Speaker 1: him at home, pack him up and take them to

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Speaker 1: the No, that's what I'm saying. Maybe she she knows

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Speaker 1: that Lane's taking over the diner for the sub sending them,

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Speaker 1: and so she's sending it to Luke's That's what I thought.

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Speaker 1: All right, Oh you know why, so she doesn't have

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Speaker 1: Lane's address, she just knows she's going to be at

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Speaker 1: the diner more. Yeah, maybe I don't know. I mean, right,

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Speaker 1: it's an overthink because I'm good with the plot point

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Speaker 1: being like, Oh, I don't think it's an overthink at all.

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Speaker 1: I think we need to figure this out because this

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Speaker 1: is she's just sending them to Luke the whole time.

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Speaker 1: There are two flags on the play, so we need

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Speaker 1: to go thinking through that. I mean I think that

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Speaker 1: I think she's Yeah, she's she's making a collage with

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Speaker 1: the diner for some reason. She misses her friend. It's

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Speaker 1: a little much, right, a little weird. Yeah, all right,

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Speaker 1: I mean back when we used to have desk back

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Speaker 1: in twenty nineteen. You would put stuff on your desk,

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Speaker 1: you know, like pictures and then but they aren't. So

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Speaker 1: their passions run deep for their friendship, right. I think

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Speaker 1: we've dissected bride and postcards. We definitely. Then we go

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Speaker 1: to the Renaissance Fair, which uzza I thought was Man,

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Speaker 1: I gotta tell you, Michael, Sorry, that's Michael Day Luis Jesus.

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Speaker 1: He's funny. He picks up his drink with the hand,

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Speaker 1: the hand, get the drink. Ok. Look, I mean it

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Speaker 1: was just like every beat of that guy's performance was

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Speaker 1: just outstanding. He really takes you know. Yeah, he's the

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Speaker 1: definition of there are no small roles, just small actors.

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Speaker 1: He took that role by the throat and owned it,

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Speaker 1: and he stole every scene. He was in, every single

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Speaker 1: scene with your eye went right to him, and I waited,

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Speaker 1: I anticipated what he Who's going to do next? Controversial thought.

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Speaker 1: I don't know that I would hear about Liz without

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Speaker 1: t J. I agree with you. I do agree. TJ

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Speaker 1: makes that because he makes that good Well, I agree, No,

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Speaker 1: that's a good point, excellent point. So the fair and

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Speaker 1: Luke has fully immersed himself in the fair, like he

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Speaker 1: knows all the gossip. He knows everything. It's it's good.

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Speaker 1: It was good that has Hassa was hysterical. And Third,

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Speaker 1: when they cut to the crowd, the lead hassan or

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Speaker 1: in the crowd was Daniel Paladina. No, yes, we get

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Speaker 1: the video up. I could show you and only Daniel Peladine,

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Speaker 1: he dressed up. Where is he? It's Hassassa. Okay, okay.

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Speaker 1: I think the huzzah comes in the different scene though,

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Speaker 1: doesn't it. Let's see. Yeah. I think by the way,

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Speaker 1: the final beautiful presentation Liz has for her jewels, the

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Speaker 1: tree necklace, I must say I give a good Morrow

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Speaker 1: to the tree because it's a well way. It's an

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Speaker 1: excellent way. Good detail here, Like, I feel like I'm

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Speaker 1: at a Renaissance fair. Yeahs, who raise your hand? Have

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Speaker 1: been to a Renaissance fair? We did one in the

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Speaker 1: middle school. You guys want to know how why I

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Speaker 1: had to go to a Renaissance fair? Why? This is

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Speaker 1: probably in the nineties, maybe the early aughts, as they say,

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Speaker 1: somehow they convinced Ryan Seacrest to go and do all that,

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Speaker 1: and I had to go with him to do the

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Speaker 1: Renaissance fair, and he had to get all in the

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Speaker 1: outfit and we had to like do the whole deal.

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Speaker 1: There is a Renaissance fair in LA Maybe it's Pasadena

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Speaker 1: or something like that, but it's like a big deal.

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Speaker 1: That was the one we went to. Okay, might say

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Speaker 1: it's in Pomona, but I'm not sure. Yeah, I think

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Speaker 1: that's right. I think you feel like Easton. If you're listening,

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Speaker 1: I know you've been Easton. I've been to the Renaissance Fair. Yeah,

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Speaker 1: the Renaissance Pleasure Fair in Irwindale, California. That's very good.

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Speaker 1: Where is that, Scott? I'm surprised you've never been at

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Speaker 1: a Renaissance fair. Not my bag, my bag, No, not

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Speaker 1: my bag. Never wanted to dress up in chainmail and

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Speaker 1: be a I do think they have turkey legs though,

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Speaker 1: Oh for sure. Oh yeah, yeah, my bag. Um, but

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Speaker 1: it looks like fun. Looks like fun. The line that

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Speaker 1: made McDonald's all gone, The line that made me so

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Speaker 1: hard when you said, I'm not moving the pewter. I'm

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Speaker 1: not moving the pewter because he's like, you need to

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Speaker 1: move the pewter from the whatever, good whole thing. Liz

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Speaker 1: was listening to her Deepak Chopra. Yeah, I loved it.

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Speaker 1: Tell you you know a t J dropping his renaissance

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Speaker 1: fair knowledge. It's just hysterical, totally really great. Then we

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Speaker 1: go go to the fanciest hotel I've ever seen. Oh yeah,

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Speaker 1: as we be bopped over to Europe. I would love

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Speaker 1: to travel with the California Light one hundred percent. I

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Speaker 1: want to nap in the middle of the day and

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Speaker 1: stay in the nicest hotel rooms. Like, nothing sounds better

348
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Speaker 1: than traveling with Emily Gilmore. That Rose was the last stop, right, yeah,

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Speaker 1: we're in Rome. Yeah, that trip was a fifty thousand

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Speaker 1: dollars trip to you easy easy take it back to

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Speaker 1: hundred thousand dollars. And all she wanted to do is

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Speaker 1: ditch Granny to go solo. Comes I like us. She

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Speaker 1: was like the pillars moved, like I know, and Roy

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Speaker 1: was like, I'm pretty sure that ancient ruins haven't moved.

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Speaker 1: That was funny. I was funny. Oh, she just always

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Speaker 1: has to complaint about something. Yeah, yeah, I did. Like

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Speaker 1: how in that scene she was like, what was the

358
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Speaker 1: last time we called your mom? Yeah? I really respected

359
00:23:28,119 --> 00:23:31,400
Speaker 1: that because I think that I think that Emily knows

360
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Speaker 1: something's up but just doesn't want to get it involved,

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Speaker 1: doesn't want to get into the drawing. Yeah, so she's like,

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Speaker 1: let's call your mom. Yeah, I know we're not there yet,

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Speaker 1: but boy was I happy when that ended, when that

364
00:23:42,320 --> 00:23:45,240
Speaker 1: tension end, saying but it wasn't in a nice sense

365
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Speaker 1: of relief when they connected on the phone call and

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Speaker 1: it's like a totally totally I finally got the Gilmore

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Speaker 1: girls back, you know, like we haven't had that in

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Speaker 1: a minute. Exactly, yeah, exactly. So then we go from

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Speaker 1: your to the end and the escue brochures Michelle's tiding,

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Speaker 1: which I thought was a funny bit. Those crumbled kids.

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Speaker 1: What did you guys all think? And then we start

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Speaker 1: to see that lorelize off the rails. Um. Yeah, definitely

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Speaker 1: a good bit with the kids, very funny. Um Michelle

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Speaker 1: being wacky and being inappropriate and sort of still being lovable,

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Speaker 1: which is a testament to unich. Um. Yeah, we learned

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Speaker 1: that Michelle is a prophet participant. I think we knew,

377
00:24:33,040 --> 00:24:36,840
Speaker 1: but oh, yeah, he's a prophet, which means he gets commission.

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Speaker 1: Is that what that means? Oh, he's an owner of

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Speaker 1: the end. He gets equity in the end. He's got

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00:24:42,680 --> 00:24:45,879
Speaker 1: he's got enough. They made that's why he was, you know,

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00:24:46,160 --> 00:24:50,440
Speaker 1: seeking other employment to enhance his negotiating position. Yeah. Remember

382
00:24:50,440 --> 00:24:52,320
Speaker 1: when they got he knew how much he was valued.

383
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Speaker 1: So he said, give me a piece of the action,

384
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Speaker 1: which remember that fake W. It looked like a W.

385
00:24:57,800 --> 00:24:59,919
Speaker 1: And then they get him back, they get they probably

386
00:25:00,119 --> 00:25:02,080
Speaker 1: him a salary. Plus he gets, like, I don't know,

387
00:25:02,440 --> 00:25:06,800
Speaker 1: some percentage of the of the prophet. I seem yeah,

388
00:25:06,920 --> 00:25:10,560
Speaker 1: good for him. Yeah. The gut is, if they're let's

389
00:25:10,600 --> 00:25:14,199
Speaker 1: say they're partners, he's probably got like they probably are

390
00:25:14,240 --> 00:25:19,280
Speaker 1: like forty five forty five ten or you don't think

391
00:25:19,280 --> 00:25:25,080
Speaker 1: he's getting Suki and Laurela are equal partners. Well, aren't

392
00:25:25,080 --> 00:25:29,160
Speaker 1: you a partner too? Actually yes, I do think lore lions.

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00:25:29,160 --> 00:25:32,160
Speaker 1: I agree, But you've got a piece I did. Did

394
00:25:32,200 --> 00:25:33,919
Speaker 1: I even ask for a piece or just give up

395
00:25:33,920 --> 00:25:36,480
Speaker 1: the money? No, you did not ask. I invested, you

396
00:25:36,520 --> 00:25:40,600
Speaker 1: gave a liney right, I consider an investor, So yeah,

397
00:25:40,640 --> 00:25:44,640
Speaker 1: I probably took fifteen twenty percent. Maybe that's what I think.

398
00:25:44,680 --> 00:25:46,680
Speaker 1: So I think. Okay, So say they're at thirty five

399
00:25:46,800 --> 00:25:50,920
Speaker 1: thirty five, Michelle's at a ten. I think Michelle's got

400
00:25:50,920 --> 00:25:54,600
Speaker 1: to be higher because they got to give him salary

401
00:25:54,640 --> 00:25:58,560
Speaker 1: I think they gotta give Sukie salary too, right, No,

402
00:25:58,840 --> 00:26:01,080
Speaker 1: you don't think take its salary. How I don't think

403
00:26:01,160 --> 00:26:03,720
Speaker 1: Lorelai or Suki are taking a salary. They're just taking

404
00:26:03,720 --> 00:26:06,960
Speaker 1: a piece of the profits. But they can take piece

405
00:26:07,000 --> 00:26:12,040
Speaker 1: of the profits every month. That is salary. No, technically salary,

406
00:26:12,080 --> 00:26:15,280
Speaker 1: it would be like a number. So say the inmates

407
00:26:15,320 --> 00:26:18,720
Speaker 1: a grand salary would be a minimum guarantee. So this

408
00:26:18,800 --> 00:26:21,800
Speaker 1: is after they reinvest. So it's like a dividend, so

409
00:26:21,920 --> 00:26:24,560
Speaker 1: like a monthly day. So say that. So say this

410
00:26:24,600 --> 00:26:26,200
Speaker 1: is how I would run that that in has really

411
00:26:26,240 --> 00:26:29,359
Speaker 1: operated like an ETF. I don't know what an ETF is,

412
00:26:29,400 --> 00:26:33,280
Speaker 1: but it sounds fancy. So I would do it like this.

413
00:26:33,680 --> 00:26:35,600
Speaker 1: At the end of the month, you get So say

414
00:26:35,640 --> 00:26:38,920
Speaker 1: all the money they the gross is one hundred thousand,

415
00:26:39,000 --> 00:26:41,800
Speaker 1: They pay all their bills, they pay all their servers

416
00:26:41,840 --> 00:26:44,399
Speaker 1: and housekeepers and everybody. So then say at the end

417
00:26:44,400 --> 00:26:46,400
Speaker 1: of the month they got maybe that takes half the thing.

418
00:26:46,680 --> 00:26:49,880
Speaker 1: They got fifty thousand, they've paid Michelle, So then they

419
00:26:49,960 --> 00:26:53,880
Speaker 1: give Michelle his piece. No, the margins on that kind

420
00:26:53,920 --> 00:26:56,440
Speaker 1: of a business is not good. I don't think it's

421
00:26:56,560 --> 00:27:02,320
Speaker 1: very good. I think it's probably expenses not a good business.

422
00:27:03,480 --> 00:27:07,880
Speaker 1: It's tough. I think the diner runs. Oh I got

423
00:27:07,920 --> 00:27:12,119
Speaker 1: that place running like a you're making time. I'm just

424
00:27:12,240 --> 00:27:15,560
Speaker 1: stockpiling cash. Yeah, that burger costs you two bucks, you

425
00:27:15,600 --> 00:27:17,840
Speaker 1: sell it for ten. Give me a break, come out.

426
00:27:19,680 --> 00:27:24,720
Speaker 1: But all right, okay, So I do like how I

427
00:27:25,200 --> 00:27:27,720
Speaker 1: continues to talk about the randy men that are flirting

428
00:27:27,720 --> 00:27:31,120
Speaker 1: with her the whole time, trying to make herself feel better.

429
00:27:31,520 --> 00:27:35,400
Speaker 1: Oh my god, the call, the awkward call, which which

430
00:27:35,440 --> 00:27:38,120
Speaker 1: spawned the greatest line in the one of the great

431
00:27:38,119 --> 00:27:40,560
Speaker 1: lines in the episode Hot and Sexy? Were you wearing

432
00:27:40,560 --> 00:27:45,840
Speaker 1: that hot and sexy sandwich board? I also like the

433
00:27:45,880 --> 00:27:49,000
Speaker 1: awkward phone call when she's all, oh, what a cowinkyding?

434
00:27:50,280 --> 00:27:55,880
Speaker 1: The awkward call was freking painful. Yeah. Yeah. And as

435
00:27:56,000 --> 00:28:02,280
Speaker 1: much as the Renaissance Fair looked realm, the cafe dead Lapin, Yeah,

436
00:28:02,400 --> 00:28:06,280
Speaker 1: that was more fake. I was like, oh, I've been

437
00:28:06,320 --> 00:28:09,320
Speaker 1: there on the waterline. Yeah, did you say did you

438
00:28:09,359 --> 00:28:11,879
Speaker 1: see the fake Italian guy smoking a cigarette right there?

439
00:28:11,920 --> 00:28:19,479
Speaker 1: It's like, man, there's just no, that's not how. And

440
00:28:19,520 --> 00:28:21,920
Speaker 1: then I do love when she's like says something about

441
00:28:21,960 --> 00:28:24,440
Speaker 1: the men flirting with her, and then Rory says, you

442
00:28:24,560 --> 00:28:31,879
Speaker 1: got the gams, Grandma, I loved it. Um yeah, so

443
00:28:31,920 --> 00:28:37,919
Speaker 1: other than the fakeness of Europe, which is impossible to

444
00:28:38,040 --> 00:28:41,680
Speaker 1: capture outdoors, give me you get you know, that is

445
00:28:41,720 --> 00:28:46,160
Speaker 1: such an incredibly difficult lighting project to try to make

446
00:28:46,200 --> 00:28:49,040
Speaker 1: it look like Europe. I mean, hotel looked good with

447
00:28:49,080 --> 00:28:52,280
Speaker 1: an appearance by Anthony A Zizi, who's gone on to

448
00:28:52,320 --> 00:28:56,000
Speaker 1: do so many things. He was the I sort of

449
00:28:56,040 --> 00:29:08,040
Speaker 1: thought he was the hotel manager. So we go back

450
00:29:08,080 --> 00:29:10,840
Speaker 1: and now we've got we're back at Luke's, which apparently

451
00:29:10,920 --> 00:29:14,040
Speaker 1: is like we're laying in the band really hang out now.

452
00:29:14,840 --> 00:29:18,760
Speaker 1: Oh and they're talking about their cover songs. And then

453
00:29:18,840 --> 00:29:23,640
Speaker 1: the girls zax got the Ladies, one of whom was

454
00:29:23,720 --> 00:29:28,320
Speaker 1: Aaron Foster. Oh my gosh, I didn't even didn't even

455
00:29:28,400 --> 00:29:33,600
Speaker 1: see that. Okay, so Scott, we know the girls here.

456
00:29:33,640 --> 00:29:36,920
Speaker 1: We know Aaron Foster because she's the Foster sisters. And

457
00:29:36,960 --> 00:29:40,440
Speaker 1: then they started this clothing line called Favorite Daughter, and

458
00:29:40,800 --> 00:29:44,520
Speaker 1: they're like influencers. But you would know Aaron Foster because

459
00:29:44,640 --> 00:29:49,120
Speaker 1: you know David Foster, the musician does the composer. Yes,

460
00:29:49,600 --> 00:29:53,280
Speaker 1: that's one of his daughters. Oh okay, yeah, so yeah,

461
00:29:53,360 --> 00:29:55,320
Speaker 1: David she's the one that came in back back into

462
00:29:55,320 --> 00:29:59,240
Speaker 1: the diner and said, sorry, we didn't know. Yes, yes exactly.

463
00:29:59,520 --> 00:30:05,640
Speaker 1: So wow, oh my gosh, you have eagle eyes. Even me. Yeah,

464
00:30:05,680 --> 00:30:07,680
Speaker 1: I just knew I recognized her. And then I cheated

465
00:30:07,720 --> 00:30:11,640
Speaker 1: it on the internet, but I knew it. I recognized

466
00:30:11,680 --> 00:30:13,320
Speaker 1: her immediately. I was like, I know her. I don't

467
00:30:13,320 --> 00:30:14,840
Speaker 1: know her. She looks different, but I'm like, I know

468
00:30:14,880 --> 00:30:19,520
Speaker 1: that girl. Huh past Yeah. I thought that was a

469
00:30:19,520 --> 00:30:23,280
Speaker 1: good tidbit. We'll see if the crackstaff had that, We'll see.

470
00:30:25,480 --> 00:30:28,200
Speaker 1: So anyway, Lane is starting to get irritated. Well, let's

471
00:30:28,240 --> 00:30:31,600
Speaker 1: talk about set lists for bands, because you know what

472
00:30:31,640 --> 00:30:34,840
Speaker 1: they were doing was decimating their set list to try

473
00:30:34,880 --> 00:30:38,760
Speaker 1: to enhance their originals. Very bad idea, you know. I mean,

474
00:30:38,800 --> 00:30:41,320
Speaker 1: if you've got great covers and you do those covers,

475
00:30:41,320 --> 00:30:45,320
Speaker 1: well you're gonna make money. You work in an original

476
00:30:45,440 --> 00:30:49,120
Speaker 1: here and there. If you're really ballsy, you know you

477
00:30:49,200 --> 00:30:51,840
Speaker 1: have mostly originals and you have a couple of covers

478
00:30:51,840 --> 00:30:54,080
Speaker 1: because you have to have You can't have an all

479
00:30:54,080 --> 00:30:57,160
Speaker 1: original set. It won't work. People stand there and like

480
00:30:57,360 --> 00:30:59,880
Speaker 1: stare at you. Right, even if you're like Elton John,

481
00:31:00,080 --> 00:31:02,360
Speaker 1: you got to work in your hits with your couple

482
00:31:02,440 --> 00:31:08,320
Speaker 1: new songs exactly exactly so, and bands that failed to

483
00:31:08,360 --> 00:31:10,360
Speaker 1: do that and failed to play their hits. Boy, that's

484
00:31:10,360 --> 00:31:13,520
Speaker 1: a long night. That's a long night. Here's our new

485
00:31:13,960 --> 00:31:16,120
Speaker 1: we're a new album and we haven't released it yet,

486
00:31:16,120 --> 00:31:18,160
Speaker 1: but we'd like to play it for you. And you're like, yeah,

487
00:31:18,400 --> 00:31:21,800
Speaker 1: nine songs from it come. We have nothing attached to this,

488
00:31:21,840 --> 00:31:24,400
Speaker 1: we have no emotional investment in. Well, that's why I

489
00:31:24,440 --> 00:31:27,080
Speaker 1: always use, in the words of Tricia Yearwood, who I love,

490
00:31:27,800 --> 00:31:29,720
Speaker 1: she said, and I use this quote all the time,

491
00:31:30,200 --> 00:31:33,240
Speaker 1: sing the one that's bring you, Sing the one that

492
00:31:33,280 --> 00:31:36,440
Speaker 1: brung in. Its Like, if you don't sing your big hit,

493
00:31:36,520 --> 00:31:40,800
Speaker 1: even if you're sick of it, you are not You're disappointed.

494
00:31:40,920 --> 00:31:43,680
Speaker 1: Can you imagine a rolling gig without Jimmy Shelter because

495
00:31:43,680 --> 00:31:46,080
Speaker 1: they got sick of playing or jumping Jack Flash? Are

496
00:31:46,080 --> 00:31:49,640
Speaker 1: you kidding me? Right? Kidding me? Yeah, it'd be a riot.

497
00:31:49,880 --> 00:31:53,320
Speaker 1: I agree. So we do see the start of Lane

498
00:31:53,360 --> 00:31:58,200
Speaker 1: being irritated, which we soon find out she loves Zach.

499
00:31:58,480 --> 00:32:01,080
Speaker 1: But what did you think right away when she was irritated?

500
00:32:01,600 --> 00:32:04,040
Speaker 1: I think she didn't even realize, like until I think

501
00:32:04,080 --> 00:32:07,080
Speaker 1: she didn't realize until Aaron Foster came back and I

502
00:32:07,160 --> 00:32:08,600
Speaker 1: was like, oh, I'm so sorry I didn't realize. And

503
00:32:08,640 --> 00:32:11,880
Speaker 1: then I think Lane was like, oh, that's what's going on.

504
00:32:11,960 --> 00:32:14,680
Speaker 1: Like I think it took her a second too, because

505
00:32:14,720 --> 00:32:16,840
Speaker 1: I think they started out as friends. And then it

506
00:32:16,920 --> 00:32:19,400
Speaker 1: felt like too much of a stretch for me. Really,

507
00:32:19,960 --> 00:32:22,240
Speaker 1: it was way too much of a stretch. And I

508
00:32:21,720 --> 00:32:24,840
Speaker 1: know that, Yeah I got I pulled a muscle trying

509
00:32:24,840 --> 00:32:29,640
Speaker 1: to get there too. Yeah, Zach, I don't mind me.

510
00:32:29,640 --> 00:32:34,840
Speaker 1: There's sort of cute airheady, but like, yeah, it's sort

511
00:32:34,840 --> 00:32:38,200
Speaker 1: of cute. It's it's more, it's more that it's more

512
00:32:38,240 --> 00:32:42,560
Speaker 1: the storyline for yeah, I got it, you know, trying

513
00:32:42,560 --> 00:32:48,200
Speaker 1: to get there and yeah, I Danielle, how did you? Yeah,

514
00:32:48,320 --> 00:32:51,680
Speaker 1: Like even if he if she just like prior to

515
00:32:51,720 --> 00:32:56,720
Speaker 1: this moment, there was absolutely no connection, like zero, Like

516
00:32:56,880 --> 00:32:58,840
Speaker 1: it wasn't like she was like, oh, I like your

517
00:32:58,880 --> 00:33:01,200
Speaker 1: shirt and then she would walk you know, like or whatever.

518
00:33:01,280 --> 00:33:06,040
Speaker 1: Like there was no flirting whatsoever. So this felt very random,

519
00:33:06,720 --> 00:33:10,560
Speaker 1: random student, and it felt like, oh, we need to

520
00:33:10,560 --> 00:33:13,320
Speaker 1: give Lane e love interest since Dave Regowski we know's

521
00:33:13,360 --> 00:33:16,240
Speaker 1: not coming back. Adam Brody's a huge star never we'll

522
00:33:16,240 --> 00:33:19,720
Speaker 1: be back on the show again. So zach here you go, right, like,

523
00:33:19,720 --> 00:33:21,440
Speaker 1: they didn't bring someone else and they were like, he's

524
00:33:21,480 --> 00:33:24,440
Speaker 1: already here, let's just give Yeah, it's a sale as

525
00:33:24,440 --> 00:33:29,480
Speaker 1: old as time. Though, guys, fallen in love with your bandmate? Sure,

526
00:33:29,520 --> 00:33:33,520
Speaker 1: but she did that already, you know, like I think

527
00:33:33,520 --> 00:33:35,840
Speaker 1: she fell in love with right right, she did it

528
00:33:35,920 --> 00:33:38,400
Speaker 1: with Dave. She did it with Dave. That was a

529
00:33:38,440 --> 00:33:41,080
Speaker 1: big one for the fans, and it was and that

530
00:33:41,080 --> 00:33:45,600
Speaker 1: one was real, you felt it, and they took the

531
00:33:45,640 --> 00:33:49,280
Speaker 1: time to develop that. So yeah, I see your point.

532
00:33:49,400 --> 00:33:52,320
Speaker 1: It was kind of out of left field. Yeah, I

533
00:33:52,400 --> 00:33:57,160
Speaker 1: was yeah, yeah, see, we'll see how that goes. Not

534
00:33:57,280 --> 00:34:01,160
Speaker 1: that I'm saying it wouldn't be an excellent relationship, for sure.

535
00:34:05,360 --> 00:34:12,040
Speaker 1: That one was so good. So then finally we get

536
00:34:12,280 --> 00:34:15,680
Speaker 1: Sukie calling out Lorelai like you've gone nutty, which I agree.

537
00:34:15,719 --> 00:34:18,520
Speaker 1: I literally wrote, Lorelai is nuts And then Suki's like

538
00:34:18,520 --> 00:34:20,759
Speaker 1: you've gone nutty, and I'm like, thank you Suki, right,

539
00:34:21,040 --> 00:34:25,440
Speaker 1: I thoughts exactly, it's been like seven weeks of this. Yeah,

540
00:34:25,480 --> 00:34:29,719
Speaker 1: another great line from Suki. You know, nutsos don't know

541
00:34:29,760 --> 00:34:34,000
Speaker 1: they're being nutsos, Hence the nutty totally. I think about

542
00:34:34,000 --> 00:34:36,200
Speaker 1: that all the time. I'm like, am I crazy? And

543
00:34:36,200 --> 00:34:37,839
Speaker 1: then I'm like, oh, if I think I'm crazy, I'm

544
00:34:37,840 --> 00:34:43,080
Speaker 1: probably not crazy, right exactly. Yeah, crazy doesn't know they're crazy. Yeah.

545
00:34:43,280 --> 00:34:47,640
Speaker 1: I think they're saving the world. I think they're Jesus right. Yeah.

546
00:34:47,680 --> 00:34:54,799
Speaker 1: So again, more excellence from Melissa McCarthy just playing just

547
00:34:54,800 --> 00:34:59,160
Speaker 1: just Melissa is so good. I love watching her, and

548
00:34:59,400 --> 00:35:03,279
Speaker 1: especially in these heightened excited states where it's just all like,

549
00:35:03,360 --> 00:35:06,080
Speaker 1: you know, when she's when she's taking over the scene,

550
00:35:06,080 --> 00:35:09,720
Speaker 1: when she's driving the scene, it's like, yes, love it. Yeah.

551
00:35:10,000 --> 00:35:13,359
Speaker 1: Somebody voted on the Instagram that she still just has

552
00:35:13,400 --> 00:35:16,960
Speaker 1: not won an Academy Award. Academy Award, but I think

553
00:35:17,000 --> 00:35:22,560
Speaker 1: it was just an Emmy just just I'm possibly a globe.

554
00:35:22,560 --> 00:35:26,399
Speaker 1: She's possibly got a Golden bug. It was for Mike

555
00:35:26,480 --> 00:35:28,880
Speaker 1: and Molly, But for as brilliant as she is, you

556
00:35:28,920 --> 00:35:31,000
Speaker 1: would think she would have like ten just in a

557
00:35:31,120 --> 00:35:35,239
Speaker 1: cover sometimes for an Oscar. Was it for that kind

558
00:35:35,239 --> 00:35:41,000
Speaker 1: of weirder movie? It was the the film I thought

559
00:35:41,000 --> 00:35:45,200
Speaker 1: it was bridesm Yes, she was nominated for an Oscar

560
00:35:45,239 --> 00:35:47,040
Speaker 1: for that. I thought she was nominated for this weird

561
00:35:47,120 --> 00:35:49,640
Speaker 1: movie where she was like a author. I think she

562
00:35:49,760 --> 00:35:54,560
Speaker 1: was nominated for that too, I think, and I'm looking

563
00:35:55,239 --> 00:35:57,759
Speaker 1: while we talk about the fact that, Thank goodness, right

564
00:35:57,800 --> 00:36:01,480
Speaker 1: after that scene, we get the phone call is, oh,

565
00:36:01,560 --> 00:36:05,680
Speaker 1: she better not be like, you know, Lifetime Achievement Award honorary. Yeah, wait,

566
00:36:05,760 --> 00:36:11,120
Speaker 1: what is it? Just get them for bats? No, stopped

567
00:36:11,120 --> 00:36:17,400
Speaker 1: for the win there. I mean she was pretty thank you, Amy.

568
00:36:18,280 --> 00:36:22,959
Speaker 1: I studied hard for that, stayed up until about nine.

569
00:36:25,719 --> 00:36:28,080
Speaker 1: Then thankfully we get the mom I screwed up. I'm

570
00:36:28,120 --> 00:36:31,719
Speaker 1: sorry the phone call, Thank god, because I was over them,

571
00:36:31,800 --> 00:36:35,759
Speaker 1: havn't Yeah, yeah, okay, Now the question to relieve They

572
00:36:35,800 --> 00:36:40,920
Speaker 1: tied it up like quickly because yeah, would you deliver

573
00:36:41,000 --> 00:36:47,080
Speaker 1: the letter? No to be complicit in that M kind

574
00:36:47,120 --> 00:36:52,080
Speaker 1: of goes against well, I don't know. I mean, if

575
00:36:52,200 --> 00:36:55,640
Speaker 1: Laurel I feels any kind of guilt that she overreacted,

576
00:36:55,680 --> 00:36:59,200
Speaker 1: then yeah, right, she's gonna she's gonna deliver the letter.

577
00:36:59,640 --> 00:37:02,560
Speaker 1: I just think she shouldn't involve This is between her

578
00:37:03,280 --> 00:37:06,600
Speaker 1: and Dean, and involving a third party is just adding

579
00:37:06,640 --> 00:37:09,880
Speaker 1: to it. And it's an awkward position for Laurla Like

580
00:37:11,080 --> 00:37:12,919
Speaker 1: I know, like she's like, I know that my daughter

581
00:37:12,920 --> 00:37:14,960
Speaker 1: had sex with you and you're married, and I'm going

582
00:37:15,040 --> 00:37:17,000
Speaker 1: to hand you this letter that I have no idea

583
00:37:17,120 --> 00:37:19,800
Speaker 1: what it says inside, but here you go. How great

584
00:37:19,880 --> 00:37:23,399
Speaker 1: was Dean in that scene? Though? Real good, real real

585
00:37:23,520 --> 00:37:28,279
Speaker 1: good and anxiety? Yeah? Oh was he great? And I

586
00:37:28,360 --> 00:37:31,200
Speaker 1: felt so bad for him. I agree with you. It

587
00:37:31,400 --> 00:37:34,520
Speaker 1: was his best scene ever. I think so too. He

588
00:37:34,760 --> 00:37:39,560
Speaker 1: nailed that. I literally wrote good acting, good acting. I

589
00:37:39,600 --> 00:37:43,799
Speaker 1: didn't realize he was this good. Just a kid and

590
00:37:43,840 --> 00:37:46,359
Speaker 1: he's that good, you know. I feel like I might

591
00:37:46,400 --> 00:37:50,479
Speaker 1: disagree with the whole would you like not giving the letter?

592
00:37:50,560 --> 00:37:54,840
Speaker 1: I think if I was Laurel and knowing the tension,

593
00:37:55,000 --> 00:37:58,840
Speaker 1: and I think Laurela has also reflected later being like, Okay,

594
00:37:58,840 --> 00:38:03,360
Speaker 1: that was a big day for my daughter. Horrible circumstances,

595
00:38:04,360 --> 00:38:07,440
Speaker 1: But I think she is trying to get back, you know,

596
00:38:07,480 --> 00:38:11,120
Speaker 1: in Rory's races or whatever. Yeah, and just get that

597
00:38:11,200 --> 00:38:14,560
Speaker 1: mother daughter relationship back, and more importantly, Rory's trust back,

598
00:38:14,560 --> 00:38:17,960
Speaker 1: because I think there's no trust right now. And so like,

599
00:38:18,000 --> 00:38:20,040
Speaker 1: if I was Lorlie, I might have done it, and

600
00:38:20,120 --> 00:38:23,880
Speaker 1: I think I would have done it. I would have

601
00:38:23,920 --> 00:38:26,680
Speaker 1: done it, Yeah, you would, Amy, Yeah, I would have

602
00:38:26,680 --> 00:38:28,680
Speaker 1: done it. I would have done it. I wouldn't have.

603
00:38:29,880 --> 00:38:32,560
Speaker 1: I would have said, you made your bed laying it

604
00:38:33,760 --> 00:38:36,279
Speaker 1: and you make your own best. I think Daniel's right.

605
00:38:36,320 --> 00:38:38,759
Speaker 1: She's trying so hard to sort of make amends with Rory,

606
00:38:38,880 --> 00:38:40,839
Speaker 1: and I like how she's very clear, and I think

607
00:38:40,920 --> 00:38:43,600
Speaker 1: that's where you know we need to different. This is

608
00:38:43,600 --> 00:38:46,960
Speaker 1: where an example where there are no boundaries because that's

609
00:38:47,000 --> 00:38:50,680
Speaker 1: something you ask a friend to do. Isn't it weird

610
00:38:49,480 --> 00:38:54,480
Speaker 1: that A? Yeah, you're right. I agree. I think if

611
00:38:54,520 --> 00:38:57,120
Speaker 1: I were late, I would do it. If I were Lorelai,

612
00:38:57,200 --> 00:39:00,720
Speaker 1: I wouldn't. I just also think though her daughter is distraught,

613
00:39:00,800 --> 00:39:04,560
Speaker 1: like her daughter's like, I'm sorry, Yeah, I screwed up

614
00:39:05,239 --> 00:39:09,719
Speaker 1: in Rome with her grandmother. I still think I would

615
00:39:09,719 --> 00:39:11,600
Speaker 1: have done it. But I think you're right, Tar, Like,

616
00:39:11,719 --> 00:39:13,200
Speaker 1: why didn't you just ask Lane? It would have been

617
00:39:14,400 --> 00:39:18,560
Speaker 1: I've installed a red emergency button right to doctor Kim's office.

618
00:39:20,200 --> 00:39:24,160
Speaker 1: Let's get her seriously. Yeah, I would. I wouldn't. I

619
00:39:24,160 --> 00:39:29,000
Speaker 1: wouldn't have delivered it. But danko dumb dean like a

620
00:39:29,160 --> 00:39:32,560
Speaker 1: fair one, oh one, do not leave the letter right

621
00:39:32,600 --> 00:39:34,160
Speaker 1: like when you do leave it on the counter, just

622
00:39:34,280 --> 00:39:37,080
Speaker 1: open his coat pocket. I guess, Yeah, I don't know

623
00:39:37,080 --> 00:39:39,160
Speaker 1: what he should have done with a letter disappearing ink,

624
00:39:39,280 --> 00:39:45,839
Speaker 1: read it, tear it up. I don't know, because that

625
00:39:46,080 --> 00:39:51,279
Speaker 1: is tape. This should you decide to accept this mission? Yeah?

626
00:39:51,320 --> 00:39:56,720
Speaker 1: I heard her yesterday self destruct intensive one. I saw

627
00:39:56,760 --> 00:40:01,400
Speaker 1: something on TikTok yesterday that floored me. Gail and Oprah

628
00:40:01,440 --> 00:40:03,960
Speaker 1: you know my queen's Gail and Oprah. I love him

629
00:40:03,960 --> 00:40:09,799
Speaker 1: so much. I'm Oprah is queen. Gail walked in on

630
00:40:10,000 --> 00:40:13,919
Speaker 1: her husband cheating on her. She walked, she got home

631
00:40:13,920 --> 00:40:16,279
Speaker 1: early from wherever she was with the children. This is

632
00:40:16,280 --> 00:40:20,640
Speaker 1: obviously many many years ago, in on her husband cheating

633
00:40:20,680 --> 00:40:23,320
Speaker 1: on her with like one of their friends. Oh my god,

634
00:40:23,560 --> 00:40:26,359
Speaker 1: she told Oprah the whole story. I think maybe when

635
00:40:26,400 --> 00:40:30,600
Speaker 1: Oprah's on tour or something. I was, and I tell

636
00:40:30,600 --> 00:40:37,799
Speaker 1: you those Hollywood people, those Hollywood people, wow, yeah yourself.

637
00:40:38,520 --> 00:40:43,239
Speaker 1: I I mean, it brings an excellent point here, like

638
00:40:43,600 --> 00:40:47,560
Speaker 1: darn barnyard out there. Yeah, which we'll get to the

639
00:40:47,640 --> 00:40:51,799
Speaker 1: public shaming. So we'll get to that, because I don't

640
00:40:51,880 --> 00:40:54,600
Speaker 1: even know where I stand on that. So, oh god,

641
00:40:54,600 --> 00:41:00,760
Speaker 1: there's so much Okay, So because if lie down, somebody's

642
00:41:00,760 --> 00:41:04,319
Speaker 1: gonna jump on you, you know out there, careful, all right?

643
00:41:04,360 --> 00:41:06,600
Speaker 1: So then we get back to the Renaissance Fair and

644
00:41:06,640 --> 00:41:09,280
Speaker 1: we realize, like, oh, Luca and Lorla have been talking

645
00:41:09,320 --> 00:41:13,480
Speaker 1: the whole time. They're so comfortable with each other. Lucas

646
00:41:13,560 --> 00:41:19,160
Speaker 1: using his cell phone, yeah, and the only calls Lorelai.

647
00:41:19,360 --> 00:41:25,440
Speaker 1: It's that's yeah. So, Scott, what did you think of

648
00:41:25,480 --> 00:41:28,640
Speaker 1: this scene where first you've got this great chemistry going

649
00:41:28,640 --> 00:41:32,640
Speaker 1: with Lorelai and then the darling, most darling scene ever

650
00:41:32,719 --> 00:41:36,560
Speaker 1: with Liz where you have that interaction and she's like,

651
00:41:37,080 --> 00:41:38,520
Speaker 1: is it a dark haired girl with I don't know,

652
00:41:38,840 --> 00:41:42,080
Speaker 1: it's it's it's just such another side of Luke. Do

653
00:41:42,200 --> 00:41:45,680
Speaker 1: we want to see it like one hundred percent? I

654
00:41:45,680 --> 00:41:50,000
Speaker 1: don't know. I don't want a million ses. Okay, it's

655
00:41:50,080 --> 00:41:54,759
Speaker 1: up for the audience for me on what they like,

656
00:41:55,040 --> 00:41:57,200
Speaker 1: you know what I mean? So you you enjoyed that

657
00:41:57,320 --> 00:42:01,200
Speaker 1: seeing that sunny, happy side of him. Yes, they think

658
00:42:01,200 --> 00:42:03,960
Speaker 1: of something and this is not this is like something

659
00:42:04,000 --> 00:42:05,960
Speaker 1: I want to say, But it's a little weird that

660
00:42:06,040 --> 00:42:08,040
Speaker 1: I'm saying it to you, Scott. So you have to

661
00:42:08,040 --> 00:42:11,280
Speaker 1: sort of do your best to be like an impartial judge.

662
00:42:11,680 --> 00:42:13,840
Speaker 1: I'm going to really listen to you this time. You

663
00:42:13,920 --> 00:42:18,880
Speaker 1: have really good chemistry with your scene partners, you know

664
00:42:18,920 --> 00:42:23,400
Speaker 1: what I mean, Like with Lorelei, it's really great chemistry Liz,

665
00:42:24,160 --> 00:42:27,759
Speaker 1: really great brother sister chemistry. And then I think back

666
00:42:27,800 --> 00:42:30,000
Speaker 1: about your you know, so many scenes with Kirk where

667
00:42:30,000 --> 00:42:36,799
Speaker 1: you're the best bud, older brother figure z. Yes, is

668
00:42:36,840 --> 00:42:40,440
Speaker 1: that something that you are good at creating with another

669
00:42:40,520 --> 00:42:46,319
Speaker 1: actor or is it these particular actors? It was so

670
00:42:46,360 --> 00:42:51,279
Speaker 1: sort of there really was great chemistry. I think it's

671
00:42:51,360 --> 00:42:54,160
Speaker 1: one of two things, or it could be a little

672
00:42:54,200 --> 00:42:59,160
Speaker 1: bit of both. I think if as an actor, and

673
00:42:59,239 --> 00:43:03,120
Speaker 1: here's a technical if you really listen to what they

674
00:43:03,160 --> 00:43:07,560
Speaker 1: are saying, which is seems you know, intuitive, right, it

675
00:43:07,560 --> 00:43:09,640
Speaker 1: seems of course you're going to do that, But a

676
00:43:09,640 --> 00:43:12,600
Speaker 1: lot of people don't do that, right You be worried

677
00:43:12,600 --> 00:43:15,080
Speaker 1: about your next line or something. They're thinking of their lines.

678
00:43:15,120 --> 00:43:18,640
Speaker 1: They're not listening to your lines. So I always tried

679
00:43:18,640 --> 00:43:20,239
Speaker 1: to do that. And the only way you can do

680
00:43:20,280 --> 00:43:22,960
Speaker 1: that is being like completely off book and knowing your

681
00:43:23,000 --> 00:43:25,239
Speaker 1: lines cold so you don't have to worry. So really,

682
00:43:25,239 --> 00:43:28,319
Speaker 1: it's just what I'm thinking about. I'm not thinking about anything.

683
00:43:28,360 --> 00:43:31,040
Speaker 1: I'm just listening and trying to react what they're saying

684
00:43:31,040 --> 00:43:34,759
Speaker 1: to me in real time and hitting my cues because

685
00:43:34,880 --> 00:43:37,799
Speaker 1: because the cues are really super important. I mean, it

686
00:43:37,840 --> 00:43:39,759
Speaker 1: really stands out in the scenes once we get you

687
00:43:39,760 --> 00:43:43,879
Speaker 1: back to the diner with Lauren. But the interaction with

688
00:43:43,960 --> 00:43:50,440
Speaker 1: Liz was so cute. Really, I just I just find

689
00:43:50,480 --> 00:43:53,640
Speaker 1: a way to vibe with people and you know, just

690
00:43:53,760 --> 00:43:55,160
Speaker 1: make it as no I just want it to be

691
00:43:55,160 --> 00:43:58,719
Speaker 1: as natural as possible. And and I love that she

692
00:43:58,800 --> 00:44:00,960
Speaker 1: said you're not going to be alone, just like Suki

693
00:44:01,120 --> 00:44:05,600
Speaker 1: said to such an interesting parallel. But I was going

694
00:44:05,640 --> 00:44:07,160
Speaker 1: to say, I do think a lot of it has

695
00:44:07,200 --> 00:44:09,680
Speaker 1: to do a dialogue too, Like they give you these

696
00:44:09,680 --> 00:44:16,480
Speaker 1: words that like mean something and they're meaningful scenes. Yeah, yeah,

697
00:44:16,520 --> 00:44:20,000
Speaker 1: they're there. There's scenes and dialogue that allows you to

698
00:44:20,320 --> 00:44:22,319
Speaker 1: kind of lay back and listen and just sort of

699
00:44:23,560 --> 00:44:27,120
Speaker 1: be natural. You know. That's where the acting is for me.

700
00:44:27,200 --> 00:44:31,319
Speaker 1: It's it's the listening. It's active listening. Yeah, So you know,

701
00:44:31,400 --> 00:44:33,560
Speaker 1: to any actor out there listening to the podcast, that's

702
00:44:33,680 --> 00:44:36,839
Speaker 1: that's a big part of it. You know. It's it's

703
00:44:36,960 --> 00:44:39,920
Speaker 1: really hearing what your scene partner saying to you, really

704
00:44:39,960 --> 00:44:43,600
Speaker 1: listening to them and not worrying about pace so much,

705
00:44:43,680 --> 00:44:46,560
Speaker 1: but just really listening and playing the truth of how

706
00:44:46,640 --> 00:44:48,680
Speaker 1: you're feeling what's coming up for you in that in

707
00:44:48,680 --> 00:44:52,040
Speaker 1: that moment. So so then we get that fabulous scene

708
00:44:52,080 --> 00:44:56,319
Speaker 1: that we touched on with Dean and lower Lie with

709
00:44:56,360 --> 00:45:02,000
Speaker 1: the letter I'm a messenger nothing more. He's who what? When? Where? Why? How?

710
00:45:02,040 --> 00:45:03,960
Speaker 1: Who she with? What's going on? Why did she do

711
00:45:04,040 --> 00:45:07,800
Speaker 1: a la la la? Right? You just saw how distraught

712
00:45:07,880 --> 00:45:10,920
Speaker 1: he was, so sad totally, and then he loves her

713
00:45:10,960 --> 00:45:12,919
Speaker 1: and it's so he's so torn and this whole thing's

714
00:45:12,920 --> 00:45:16,719
Speaker 1: a mess. And I think he's also like, like, is

715
00:45:16,760 --> 00:45:18,440
Speaker 1: she trying to get away from me? He's like by

716
00:45:18,480 --> 00:45:21,440
Speaker 1: being in Europe, Like, I think he's like thinking he

717
00:45:21,600 --> 00:45:26,800
Speaker 1: did something wrong. Which also the ending scene, oh I

718
00:45:27,200 --> 00:45:30,520
Speaker 1: thought Dean was a bit of a hoopoo head again,

719
00:45:30,760 --> 00:45:32,759
Speaker 1: so we'll get to that. But so then we get

720
00:45:32,800 --> 00:45:36,800
Speaker 1: into the scene with Lane and Caesar and the Caesar salad,

721
00:45:37,000 --> 00:45:43,200
Speaker 1: the Caesar's salad hilarious, And then here we have Aaron's

722
00:45:43,200 --> 00:45:48,680
Speaker 1: Foster sot. So then we have Aaron Foster where she's like,

723
00:45:48,840 --> 00:45:51,279
Speaker 1: you know, they're flirting with Zach and the whole thing,

724
00:45:51,920 --> 00:45:55,520
Speaker 1: and then Lane has that fry meltdown and then Aaron

725
00:45:55,560 --> 00:45:59,040
Speaker 1: Foster comes back. Aaron Foster played Cheryl and she says,

726
00:45:59,040 --> 00:46:05,040
Speaker 1: we didn't know, Yeah, we didn't. Cool girl too, all

727
00:46:05,160 --> 00:46:08,240
Speaker 1: kinds of new angles. I thought, we're really we're married

728
00:46:08,239 --> 00:46:17,560
Speaker 1: to that to new table too there, and then we

729
00:46:17,640 --> 00:46:20,279
Speaker 1: get Lorelei and the coolest blazer I've ever seen, the

730
00:46:20,360 --> 00:46:25,320
Speaker 1: white blazer with the orange orange so good, and holy cow,

731
00:46:26,040 --> 00:46:30,880
Speaker 1: is Lindsay hucking the stuff out the window just watching?

732
00:46:31,320 --> 00:46:33,880
Speaker 1: You know what? Good for her? You throw those clothes

733
00:46:33,920 --> 00:46:40,239
Speaker 1: out the window so bad? Yeah, she was justified, right,

734
00:46:40,320 --> 00:46:43,799
Speaker 1: and the whole Unfortunately she was the whole time. Sukie's like,

735
00:46:43,800 --> 00:46:45,880
Speaker 1: oh my god, are you watching this? And Laura I

736
00:46:45,920 --> 00:46:49,120
Speaker 1: just know the better of her head. It was a

737
00:46:49,120 --> 00:46:51,759
Speaker 1: great little scene that preamble before they saw that. We're

738
00:46:51,920 --> 00:46:55,480
Speaker 1: a great little scene between those two. Yeah, totally totally right.

739
00:46:55,520 --> 00:46:59,120
Speaker 1: They can never leave work aside too, but also come

740
00:46:59,160 --> 00:47:04,759
Speaker 1: on invisible think the letters. Yeah, I don't know that.

741
00:47:04,760 --> 00:47:07,640
Speaker 1: That seemed like a little bit of a leap for

742
00:47:07,680 --> 00:47:10,640
Speaker 1: me too, that she was digging through the jacket. Well,

743
00:47:10,680 --> 00:47:13,239
Speaker 1: then he wouldn't be more careful with something like that

744
00:47:13,280 --> 00:47:16,680
Speaker 1: because if obviously, if he's got it in his jacket pocket,

745
00:47:17,280 --> 00:47:20,000
Speaker 1: he wants her to find it. So it's like kind

746
00:47:20,040 --> 00:47:21,919
Speaker 1: of I think, So, you know, give me a break here.

747
00:47:22,600 --> 00:47:26,560
Speaker 1: You know, who's going to be that careless with something exactly,

748
00:47:26,640 --> 00:47:29,440
Speaker 1: you know, even though he you know, it's like, at

749
00:47:29,520 --> 00:47:34,520
Speaker 1: least show some respect for your wife a little bit. Yeah,

750
00:47:34,600 --> 00:47:37,680
Speaker 1: don't know, don't drag the letter into the house, right, yeah,

751
00:47:38,840 --> 00:47:42,719
Speaker 1: clean up your clean it up? Yeah. Yeah. So the

752
00:47:43,239 --> 00:47:54,279
Speaker 1: mistake is kie. So then this was aggressive. So we

753
00:47:54,400 --> 00:47:56,480
Speaker 1: go back and Rory gets home and she's in the

754
00:47:56,560 --> 00:48:00,440
Speaker 1: kitchen and Emily, and we also find out that the

755
00:48:00,360 --> 00:48:03,480
Speaker 1: the in his book to ninety percent capacity, the restaurants

756
00:48:03,520 --> 00:48:08,400
Speaker 1: turning people away. So everything's going great. Suki's like gossiping

757
00:48:08,520 --> 00:48:12,000
Speaker 1: about Dean to Rory and it's the whole hot mass

758
00:48:12,080 --> 00:48:16,160
Speaker 1: so awkward, goodness, gracious right. I literally was like, su

759
00:48:16,320 --> 00:48:21,680
Speaker 1: please please. The attempted hug that Laurel I tried to

760
00:48:21,719 --> 00:48:24,200
Speaker 1: give her mother, Oh, I kind of missed that one.

761
00:48:24,320 --> 00:48:28,400
Speaker 1: Have you ever seen Laurel I try to hug Emily Jackie?

762
00:48:28,400 --> 00:48:30,239
Speaker 1: Can you pull that up? I have to see that

763
00:48:30,920 --> 00:48:33,640
Speaker 1: she was rebuffed. No, I have airplane all over me,

764
00:48:33,760 --> 00:48:37,280
Speaker 1: you know, Oh yeah, I miss I'm so like Emily,

765
00:48:37,360 --> 00:48:38,839
Speaker 1: Like the second I got off a plane. I need

766
00:48:38,840 --> 00:48:41,160
Speaker 1: a shower, a shower. Yeah, but I mean, did you

767
00:48:41,560 --> 00:48:45,839
Speaker 1: Laurels never attempted a hug with her mother. This would

768
00:48:45,880 --> 00:48:49,840
Speaker 1: be the first attempt She hasn't had Luke, Rory or

769
00:48:49,880 --> 00:48:54,960
Speaker 1: anyone for you know too. You can make up, but yeah,

770
00:48:57,080 --> 00:49:00,479
Speaker 1: she's not going to hug her mother, is she? Here

771
00:49:00,480 --> 00:49:03,040
Speaker 1: we go, let's see, let's see Emily comes in. She's

772
00:49:03,080 --> 00:49:13,280
Speaker 1: gonna waltz in. There we go, Here we go. Oh yeah, awkward.

773
00:49:13,640 --> 00:49:19,680
Speaker 1: That was a hard yep. Uh. Maybe it's justified because

774
00:49:19,680 --> 00:49:23,719
Speaker 1: she she was nice enough to take Rory. God. I

775
00:49:23,880 --> 00:49:31,080
Speaker 1: love Kelly Bishop, love the beautiful lady too. She's so pretty.

776
00:49:31,960 --> 00:49:34,600
Speaker 1: What an actress. What a talent, I mean, what a

777
00:49:34,640 --> 00:49:38,799
Speaker 1: glorious talent, So that we do get the moment where

778
00:49:38,800 --> 00:49:42,000
Speaker 1: then like, oh, Suki, you go do your thing or whatever,

779
00:49:42,040 --> 00:49:46,520
Speaker 1: because it's just like getting so awkward with the dean talk. Yeah,

780
00:49:47,120 --> 00:49:54,560
Speaker 1: and then oh god in the town, this is lazy

781
00:49:54,600 --> 00:49:58,200
Speaker 1: and lindsay that was both barrels that shotgun and then

782
00:49:58,239 --> 00:50:01,600
Speaker 1: she reloaded and fired again. Wow, just kept going. That

783
00:50:01,719 --> 00:50:06,200
Speaker 1: was gnarly. I mean, I thought I thought there was

784
00:50:06,239 --> 00:50:10,319
Speaker 1: going to be a physical confrontation. I thought, daughter take

785
00:50:10,360 --> 00:50:13,080
Speaker 1: the gloves off and start throwing hands man. You know,

786
00:50:13,400 --> 00:50:17,000
Speaker 1: both the daughters were so quiet. Yeah, I like, sort

787
00:50:17,000 --> 00:50:21,000
Speaker 1: of disheveled and yeah, what did you guys think? I

788
00:50:21,040 --> 00:50:22,759
Speaker 1: think that's I think you're right. I think that's where

789
00:50:22,760 --> 00:50:25,040
Speaker 1: the scene should have gone, is between the two daughters

790
00:50:26,560 --> 00:50:28,279
Speaker 1: or at least speak up a little bit, like if

791
00:50:28,320 --> 00:50:30,120
Speaker 1: that was going to get out of that, if that

792
00:50:30,160 --> 00:50:32,240
Speaker 1: could have gotten out of hand, that should have gotten

793
00:50:32,239 --> 00:50:35,560
Speaker 1: out of hand. Yeah, I would have loved to seen

794
00:50:35,600 --> 00:50:40,600
Speaker 1: that the girls talks, like right as you see, why

795
00:50:40,680 --> 00:50:44,360
Speaker 1: is Lindsey shutting up there? You know, she's she's pissed,

796
00:50:44,560 --> 00:50:48,880
Speaker 1: She's she goes after Rory, right. I also think maybe

797
00:50:48,880 --> 00:50:52,759
Speaker 1: a part of her new y she's always known, you know,

798
00:50:52,840 --> 00:50:57,000
Speaker 1: like she's always known that Rory and Dean had a

799
00:50:57,120 --> 00:51:00,239
Speaker 1: thing and Dean really loves her. I think like she

800
00:51:00,320 --> 00:51:03,680
Speaker 1: had that gut feeling in them. Yeah, and we obviously

801
00:51:03,719 --> 00:51:05,920
Speaker 1: know that she knew that there was stuff wrong in

802
00:51:05,920 --> 00:51:08,960
Speaker 1: their relationship. So I think not that it's a relief

803
00:51:08,960 --> 00:51:12,400
Speaker 1: that she knows, but she's like yeah, I know, you know,

804
00:51:12,520 --> 00:51:16,680
Speaker 1: like I think she knew, but doesn't make it better,

805
00:51:16,719 --> 00:51:18,840
Speaker 1: but she you know. I think maybe that's why she

806
00:51:18,960 --> 00:51:21,080
Speaker 1: kind of was just like, you know, arms crossed, like

807
00:51:21,120 --> 00:51:23,120
Speaker 1: looking off to the side type thing, and her mom

808
00:51:23,200 --> 00:51:27,879
Speaker 1: was just like furious, right, I like the Laura says, hey,

809
00:51:27,920 --> 00:51:34,080
Speaker 1: pull back lady, like it was yeah right. Yeah. I

810
00:51:34,120 --> 00:51:38,400
Speaker 1: think that Lindsay's mom was also like too involved. Yeah,

811
00:51:38,480 --> 00:51:42,960
Speaker 1: but she always has been and she's presenting that side

812
00:51:42,960 --> 00:51:46,320
Speaker 1: of herself that maybe caused a lot of problems between

813
00:51:46,400 --> 00:51:50,719
Speaker 1: Dean and Lindsay. Totally totally. So there you have it, right,

814
00:51:51,080 --> 00:51:56,000
Speaker 1: you know. So, say you guys are in that same situation,

815
00:51:57,120 --> 00:52:01,560
Speaker 1: would you have I don't know, kept on walking given

816
00:52:01,600 --> 00:52:04,319
Speaker 1: the stink guy like, or would you have had that confrontation?

817
00:52:05,000 --> 00:52:08,759
Speaker 1: What would you have done? Yeah? I would have walked

818
00:52:08,760 --> 00:52:11,640
Speaker 1: by him be and like you suck, just kept walking.

819
00:52:12,120 --> 00:52:15,359
Speaker 1: I would have said nothing, it's not confrontation. Is not

820
00:52:15,400 --> 00:52:21,319
Speaker 1: my not my bag on something like that. Um, it's hard,

821
00:52:21,360 --> 00:52:25,799
Speaker 1: it's tough. I don't really know what I do. I

822
00:52:25,840 --> 00:52:30,640
Speaker 1: just wouldn't want my mom involved standing that seeking for me. Yeah,

823
00:52:30,680 --> 00:52:36,040
Speaker 1: I don't like that public display. Yeah, especially in that town. Yeah,

824
00:52:36,080 --> 00:52:39,240
Speaker 1: in a small town, that is a big deal. Yeah.

825
00:52:39,320 --> 00:52:41,760
Speaker 1: I mean, you know, as Patty probably heard as telling

826
00:52:41,800 --> 00:52:43,800
Speaker 1: the whole town by now, I wouldn't have thrown the

827
00:52:43,840 --> 00:52:46,160
Speaker 1: stuff out the window. Either I would have been very

828
00:52:46,440 --> 00:52:51,800
Speaker 1: calm and said, back up, so is Lindsey from Stars

829
00:52:51,840 --> 00:52:54,560
Speaker 1: Hollow or she from else? She isn't because they went

830
00:52:54,600 --> 00:52:57,280
Speaker 1: to they went to school together. Like in the first

831
00:52:57,360 --> 00:53:01,080
Speaker 1: or second Season's Bad, you know that somebody's gonna have

832
00:53:01,080 --> 00:53:04,200
Speaker 1: to move out of town. That's what I think. I

833
00:53:04,200 --> 00:53:07,040
Speaker 1: bet you. Rory is like, can Yale please start getting

834
00:53:07,200 --> 00:53:15,120
Speaker 1: out of it? Yeah. So in another great scene, we

835
00:53:15,239 --> 00:53:19,480
Speaker 1: go to Luke's and the root beers on the house

836
00:53:20,400 --> 00:53:22,400
Speaker 1: and he knows it. He's like, Rory looked pale, but

837
00:53:22,440 --> 00:53:24,680
Speaker 1: he obviously hasn't gotten word of what just went down.

838
00:53:25,120 --> 00:53:29,600
Speaker 1: And then in the Ultimate Parallel Universe, Oh, I have

839
00:53:29,640 --> 00:53:32,880
Speaker 1: to run an errand, Oh I have to run an errand,

840
00:53:32,920 --> 00:53:36,840
Speaker 1: just like Jess and Rory did. So at first, I

841
00:53:36,920 --> 00:53:38,759
Speaker 1: was like, he's just nervous to be around her and

842
00:53:38,800 --> 00:53:42,239
Speaker 1: doesn't like can't can't handle himself. And like after we

843
00:53:42,320 --> 00:53:45,279
Speaker 1: figured out where he went and Lorela I met up

844
00:53:45,320 --> 00:53:49,000
Speaker 1: with him, I'm like, oh, you you're slick. You've planned

845
00:53:49,160 --> 00:53:53,520
Speaker 1: that so good. And while there there we get the

846
00:53:53,600 --> 00:53:57,120
Speaker 1: excitement of Lane saying you know, I'm in love with

847
00:53:57,239 --> 00:54:05,200
Speaker 1: Zach occurring according to the Dirty Troll, up the necklace

848
00:54:05,239 --> 00:54:09,000
Speaker 1: giving was so cute and then the band comes out

849
00:54:09,120 --> 00:54:15,640
Speaker 1: and I I laughed so hardy And the fact that

850
00:54:15,680 --> 00:54:18,239
Speaker 1: she was wearing the ear rings, you know, like the

851
00:54:18,280 --> 00:54:21,200
Speaker 1: matching piece, like she you know, he gave. He's like,

852
00:54:21,239 --> 00:54:23,320
Speaker 1: I got this for you and and you know whatever,

853
00:54:23,400 --> 00:54:26,520
Speaker 1: and then she just shows that she's wearing the earrings too,

854
00:54:26,719 --> 00:54:29,600
Speaker 1: Like you can just tell, you can just tell the

855
00:54:29,680 --> 00:54:31,799
Speaker 1: chemistry and the connection that the two of them have

856
00:54:31,920 --> 00:54:35,160
Speaker 1: and that they're both so excited about it. Yeah, we

857
00:54:35,200 --> 00:54:37,439
Speaker 1: haven't seen Luke like that. Like Luke with an hole,

858
00:54:37,560 --> 00:54:41,600
Speaker 1: he was just like constantly still grouchy, like uh you know,

859
00:54:41,680 --> 00:54:45,399
Speaker 1: and like this he's just like thinking about her and

860
00:54:45,600 --> 00:54:49,440
Speaker 1: wanting to court her and like and every of the

861
00:54:51,080 --> 00:54:58,279
Speaker 1: perfect match, Perfect match, it's always so good. Definitely a

862
00:54:58,280 --> 00:55:02,080
Speaker 1: different side of Luke. Oh so judge whether you like

863
00:55:02,239 --> 00:55:08,239
Speaker 1: that side or not. Been waiting for it for four years. Yeah, adorable. Yeah,

864
00:55:08,560 --> 00:55:12,200
Speaker 1: it was it weird now in season five to switch

865
00:55:12,360 --> 00:55:15,879
Speaker 1: like that. No, it was. It's nice because I get

866
00:55:15,880 --> 00:55:18,200
Speaker 1: to do both now, so I can't you know, I

867
00:55:18,239 --> 00:55:20,000
Speaker 1: can still be grumpy in the diner, but with her,

868
00:55:20,080 --> 00:55:23,279
Speaker 1: I can I don't have to be grumpy anymore. Yeah,

869
00:55:23,320 --> 00:55:27,040
Speaker 1: you know, I know this shit, it's another color to play.

870
00:55:27,080 --> 00:55:29,960
Speaker 1: It's fun. You know. This was a job that was

871
00:55:30,000 --> 00:55:32,080
Speaker 1: a lot of work, long hours. But was it just

872
00:55:32,200 --> 00:55:36,120
Speaker 1: so much fun most of the time. Yeah, yeah, yeah,

873
00:55:36,160 --> 00:55:38,240
Speaker 1: most of the time. It really was a lot of laughs.

874
00:55:38,239 --> 00:55:42,760
Speaker 1: Everybody laughed, you know. Then the one, the only scene

875
00:55:42,760 --> 00:55:45,360
Speaker 1: that I thought didn't really go as I thought it

876
00:55:45,440 --> 00:55:50,279
Speaker 1: would was Rory going over to Dean's. I thought he

877
00:55:50,360 --> 00:55:54,319
Speaker 1: was really caustic and sort of coming at her when

878
00:55:54,360 --> 00:55:57,680
Speaker 1: it was like, dude, bro, you did it. You were

879
00:55:57,719 --> 00:55:59,680
Speaker 1: the married one, and here she is making sure you're

880
00:56:00,040 --> 00:56:03,600
Speaker 1: hey and try to do the right thing by you. Yeah.

881
00:56:03,640 --> 00:56:05,719
Speaker 1: He keeps laying his heart out for her, and she

882
00:56:05,800 --> 00:56:08,040
Speaker 1: keeps dropping bombs on the guy, and then she sends

883
00:56:08,080 --> 00:56:10,840
Speaker 1: him a letter that she didn't even deliver. It didn't

884
00:56:10,960 --> 00:56:13,160
Speaker 1: have enough respect for him to sit down and talk

885
00:56:13,200 --> 00:56:16,360
Speaker 1: to him. When she got back, I agree and have

886
00:56:16,440 --> 00:56:18,600
Speaker 1: a heart to heart and treat him like, you know,

887
00:56:18,719 --> 00:56:21,359
Speaker 1: she really loves and respects him. But I gotta I

888
00:56:21,400 --> 00:56:25,080
Speaker 1: gotta pull away from this. I mean, but I think

889
00:56:25,160 --> 00:56:28,120
Speaker 1: that's the cowards way out. The letter said it was

890
00:56:28,160 --> 00:56:32,840
Speaker 1: really special. It meant so much to care. What what's

891
00:56:32,880 --> 00:56:35,960
Speaker 1: the butt though, she said, but I'm removing myself from

892
00:56:35,960 --> 00:56:39,000
Speaker 1: the situation. Yeah. And here's the thing, he said it

893
00:56:39,320 --> 00:56:42,800
Speaker 1: she dumped him before, and I think he finally thought

894
00:56:42,840 --> 00:56:46,000
Speaker 1: maybe he was getting her back, and then another dump

895
00:56:46,320 --> 00:56:53,319
Speaker 1: you know again? Guys, Right, guys, what married? She is

896
00:56:53,360 --> 00:56:56,600
Speaker 1: taking the high road, She's going I love you, she

897
00:56:56,680 --> 00:56:58,759
Speaker 1: basically is saying in the letter, like this was so

898
00:56:58,800 --> 00:57:02,320
Speaker 1: special to me. I have feelings for you, but you're married,

899
00:57:02,440 --> 00:57:05,879
Speaker 1: and I will take myself out of the equation and

900
00:57:06,000 --> 00:57:08,600
Speaker 1: not make this. You did the damage already, Like I

901
00:57:08,600 --> 00:57:11,360
Speaker 1: don't know what to tell you, but you you literally screwed.

902
00:57:11,719 --> 00:57:14,920
Speaker 1: There is no marriage anymore. You screwed it up like

903
00:57:15,120 --> 00:57:18,760
Speaker 1: there wasn't before. But she's saying, she's basically said, you

904
00:57:18,840 --> 00:57:21,800
Speaker 1: work it out. And if I think she's saying, if

905
00:57:21,840 --> 00:57:25,840
Speaker 1: you end up getting separated, divorced, we can talk. I

906
00:57:25,920 --> 00:57:31,000
Speaker 1: need the transcript of the letter. We need a forensic

907
00:57:32,160 --> 00:57:35,400
Speaker 1: investigation on this letter, because I just think a letter.

908
00:57:36,200 --> 00:57:38,520
Speaker 1: I think she did the right thing. It's not appropriate.

909
00:57:40,440 --> 00:57:44,760
Speaker 1: Did she do the right thing by taking herself out, Yes,

910
00:57:44,840 --> 00:57:48,400
Speaker 1: but she should have never put herself in to begin with. Yeah, well, Abby,

911
00:57:48,560 --> 00:57:52,640
Speaker 1: but he's the one that's married. But she helped wreck

912
00:57:52,720 --> 00:57:57,640
Speaker 1: the marriage in person, in bed with him, face to face,

913
00:57:57,800 --> 00:58:01,480
Speaker 1: wrecked the marriage. She could pull away and do it

914
00:58:01,640 --> 00:58:04,400
Speaker 1: face to face. Just don't hit it. He was the

915
00:58:04,480 --> 00:58:07,280
Speaker 1: married guy. He was the one playing video games. He

916
00:58:07,360 --> 00:58:09,480
Speaker 1: was the one who didn't you know it was kind

917
00:58:09,480 --> 00:58:11,600
Speaker 1: of barking at Lindsay all the time. He is the

918
00:58:11,600 --> 00:58:15,800
Speaker 1: one who went and pursued Rory. Guys, I love Dean,

919
00:58:16,200 --> 00:58:19,040
Speaker 1: but this is on Dean. And so for Dean to

920
00:58:19,080 --> 00:58:22,000
Speaker 1: come to the door and be all Rory, he should

921
00:58:22,000 --> 00:58:24,320
Speaker 1: have been like, I'm so sorry. I messed up so

922
00:58:24,360 --> 00:58:27,600
Speaker 1: many things and hurt so many different people. I'm gonna

923
00:58:27,640 --> 00:58:30,040
Speaker 1: go straight to the therapist for six months and I

924
00:58:30,080 --> 00:58:34,000
Speaker 1: will call you. Dean. I give what you're saying. I

925
00:58:34,080 --> 00:58:38,520
Speaker 1: do actually totally understand that. I do. There's definitely an

926
00:58:38,600 --> 00:58:41,680
Speaker 1: argument to be mate. Yeah, and I think everyone I

927
00:58:41,720 --> 00:58:44,600
Speaker 1: think everyone's right here though, Like, if I'm being honest,

928
00:58:44,920 --> 00:58:47,960
Speaker 1: like I do think everyone's right. He walked like a penguin.

929
00:58:48,000 --> 00:58:55,240
Speaker 1: It was great, but I don't when I watched it.

930
00:58:55,480 --> 00:58:57,640
Speaker 1: When I watched it, I didn't like it. But like

931
00:58:57,800 --> 00:59:02,760
Speaker 1: after thinking about it, I'm like, all right, I like

932
00:59:02,840 --> 00:59:05,600
Speaker 1: do understand why he's so hurt, like he I feel

933
00:59:05,640 --> 00:59:09,120
Speaker 1: like he's lashing out out of being hurt because he

934
00:59:09,200 --> 00:59:11,400
Speaker 1: did have the cookie cutter marriage that he thought he

935
00:59:11,440 --> 00:59:14,880
Speaker 1: wanted back in the day, and now that's just completely

936
00:59:14,920 --> 00:59:19,760
Speaker 1: squashed and the love of his life is now just

937
00:59:19,800 --> 00:59:22,360
Speaker 1: taking herself out of the equipment. I think, I think maybe,

938
00:59:22,440 --> 00:59:24,000
Speaker 1: you know, I don't know. I don't know if this

939
00:59:24,040 --> 00:59:26,960
Speaker 1: is a conscious choice. It probably is. I have no idea,

940
00:59:27,040 --> 00:59:31,320
Speaker 1: But I mean, you have a main character that's beloved, right,

941
00:59:31,400 --> 00:59:36,240
Speaker 1: and now she's done something and she's getting a lot

942
00:59:36,280 --> 00:59:40,360
Speaker 1: of backlash for this, and she she's like gonna be

943
00:59:40,440 --> 00:59:43,320
Speaker 1: The town is gonna be. Yeah, it loves their rory

944
00:59:43,400 --> 00:59:46,120
Speaker 1: but right, but I mean their limits right to be.

945
00:59:46,560 --> 00:59:50,040
Speaker 1: That's a big deal. Yeah, anytime, but especially in a

946
00:59:50,040 --> 00:59:52,760
Speaker 1: small town, right, you don't want to be that that reverberates,

947
00:59:53,600 --> 00:59:57,959
Speaker 1: that's reputational. That's just she destroyed her reputation in that town. Yeah,

948
00:59:58,000 --> 01:00:00,520
Speaker 1: so it's a big deal. And she she's getting a

949
01:00:00,520 --> 01:00:03,160
Speaker 1: lot of backlash for a reason. It's because she should

950
01:00:03,720 --> 01:00:06,120
Speaker 1: and now she's getting it. She's getting it from Lindsay,

951
01:00:06,160 --> 01:00:09,160
Speaker 1: she's getting it from Dean all these people. Yeah, you know,

952
01:00:09,320 --> 01:00:11,800
Speaker 1: and it's uh, but that was a little extra harsh

953
01:00:11,800 --> 01:00:15,800
Speaker 1: of Dean, who's very complicit in this, if not more so. Yeah,

954
01:00:16,120 --> 01:00:19,040
Speaker 1: does anyone have the symbolism of those balloons going by?

955
01:00:19,400 --> 01:00:25,240
Speaker 1: Wasn't that beautiful? Favorite shot? That's the balloons that Rory

956
01:00:25,280 --> 01:00:28,919
Speaker 1: acidentally knocked. I mean, sorry that Laura, Laura I knocked. Yeah. Yeah,

957
01:00:29,000 --> 01:00:31,120
Speaker 1: all I can thinking about was it the red balloon?

958
01:00:31,560 --> 01:00:35,840
Speaker 1: Me too? Like she's literally in front of the house

959
01:00:35,880 --> 01:00:40,040
Speaker 1: of represent an opportunity that was lost for a kiss,

960
01:00:40,080 --> 01:00:42,320
Speaker 1: and then she bumped in and then she sent the

961
01:00:42,360 --> 01:00:47,280
Speaker 1: balloons to Rory to think about the lost the opportunity.

962
01:00:47,480 --> 01:00:49,560
Speaker 1: We need the people, Yeah, we need the people to

963
01:00:49,560 --> 01:00:52,600
Speaker 1: weigh in. Yeah, what is the symbolism of that? That's interesting?

964
01:00:52,680 --> 01:00:54,760
Speaker 1: It was a beautiful shot. It was my favorite shot

965
01:00:54,760 --> 01:00:57,600
Speaker 1: of the whole thing. You know, the last episode they

966
01:00:57,600 --> 01:01:00,360
Speaker 1: had Richard coming into the door lighting his cigars. Oh yeah,

967
01:01:00,640 --> 01:01:04,000
Speaker 1: I mean it's there's some beautiful, sweeping shots that you

968
01:01:04,560 --> 01:01:09,240
Speaker 1: love that with the cigar to television. That's foreign film,

969
01:01:09,760 --> 01:01:12,959
Speaker 1: high level foreign film stuff. It's just beautiful stuff. So

970
01:01:13,280 --> 01:01:15,080
Speaker 1: I don't know if this is one hundred percent true,

971
01:01:15,120 --> 01:01:17,400
Speaker 1: but I just found something that said, um, the red

972
01:01:17,400 --> 01:01:20,400
Speaker 1: balloons are simply helping set a timetable for events and

973
01:01:20,480 --> 01:01:22,920
Speaker 1: tie them together. Oh that it's all happening at the

974
01:01:22,960 --> 01:01:26,400
Speaker 1: same time. Kind yeah, so then you sort of think

975
01:01:26,480 --> 01:01:29,800
Speaker 1: that it's over the episode. But you have this other

976
01:01:29,880 --> 01:01:33,160
Speaker 1: scene where we see, like Danielle said, the Gilmore girls

977
01:01:33,200 --> 01:01:37,840
Speaker 1: back together. They've got all their snacks. Oh, so many snacks. Steaks,

978
01:01:37,880 --> 01:01:42,080
Speaker 1: also pizza. The combination plane or snacks makes me gag

979
01:01:42,640 --> 01:01:46,920
Speaker 1: Like branch dressing, for sure, They've always got chips and

980
01:01:47,000 --> 01:01:49,120
Speaker 1: pizza and steak, sauce and Chinese. But it's just like,

981
01:01:49,320 --> 01:01:52,880
Speaker 1: oh god, it's just yeah, I mean it's like, now

982
01:01:52,960 --> 01:01:59,760
Speaker 1: Rory is low in the relationship terms, Laurelize ultra high

983
01:02:00,120 --> 01:02:03,520
Speaker 1: in relationship turns. It's you know, their shoes. On the

984
01:02:03,520 --> 01:02:06,640
Speaker 1: other front, they're going to watch Show Girls and it's

985
01:02:06,640 --> 01:02:17,520
Speaker 1: they're sanctuary but the greatest film of all time. But yeah, yeah,

986
01:02:17,520 --> 01:02:20,160
Speaker 1: these are powerful episodes. I mean just they really are

987
01:02:20,520 --> 01:02:22,720
Speaker 1: wash over you. And they're just such a joy to watch.

988
01:02:22,800 --> 01:02:26,240
Speaker 1: They're so funny, they're so detailed, they're so poignant, they're

989
01:02:26,280 --> 01:02:30,720
Speaker 1: so dramatic. One thing I will say is I'm excited

990
01:02:30,760 --> 01:02:34,920
Speaker 1: for Luke and Lorelei to be the focus because I

991
01:02:34,960 --> 01:02:38,520
Speaker 1: feel like I don't know Dean and Rory and Lindsay

992
01:02:38,640 --> 01:02:42,240
Speaker 1: situation at least for me, has been like clouding everything.

993
01:02:42,440 --> 01:02:46,400
Speaker 1: Like I'm just so fixated on that and I'm excited,

994
01:02:46,400 --> 01:02:49,480
Speaker 1: and we've seen bits of Luke and Lorelie, but I'm

995
01:02:49,480 --> 01:02:51,880
Speaker 1: ready for them to go all in, you know what

996
01:02:51,920 --> 01:02:58,760
Speaker 1: I mean, Like, I'm ready for that one they're Danielle, Yeah,

997
01:02:58,800 --> 01:03:03,640
Speaker 1: I mean I for me, it's ten out of ten? Yeah,

998
01:03:03,680 --> 01:03:07,240
Speaker 1: how many? But what what measuring stick are you applied? Oh?

999
01:03:07,400 --> 01:03:13,120
Speaker 1: Ten out of ten, steak, four eyes, nine, nine point

1000
01:03:13,200 --> 01:03:18,640
Speaker 1: five out of ten, red balloons, loof balloons or just

1001
01:03:18,680 --> 01:03:28,840
Speaker 1: red bullonsinnin loof balloons, char I was gonna use both

1002
01:03:28,880 --> 01:03:37,960
Speaker 1: of those. I'm trying a nine out of ten. Necklaces

1003
01:03:37,800 --> 01:03:41,880
Speaker 1: his necklaces you just snuck into mine. There weren't that

1004
01:03:41,920 --> 01:03:45,600
Speaker 1: many items in this episode. I mean I was gonna

1005
01:03:45,600 --> 01:03:51,000
Speaker 1: say the letter, that'd be kind of h That's good. Uh.

1006
01:03:51,360 --> 01:03:56,320
Speaker 1: I'm gonna deduct for the you know, the the long

1007
01:03:56,400 --> 01:03:58,640
Speaker 1: jump that we were required to do to get to

1008
01:03:58,760 --> 01:04:03,800
Speaker 1: the lane love thing. Um, so I'm gonna I'm not

1009
01:04:03,840 --> 01:04:06,880
Speaker 1: going to deduct a lot though. I think I'm gonna

1010
01:04:06,960 --> 01:04:12,960
Speaker 1: do a nine point seven five or okay, um uh

1011
01:04:13,000 --> 01:04:19,320
Speaker 1: TJ grabbing his drink. Oh yeah, because I just I

1012
01:04:19,400 --> 01:04:27,919
Speaker 1: just out of ten tjs and I want that guy

1013
01:04:27,960 --> 01:04:32,439
Speaker 1: in every scene every episode. Sorry, Hey, what's next week's called?

1014
01:04:32,600 --> 01:04:35,160
Speaker 1: And I think there's a world where TJ and Kirk

1015
01:04:35,600 --> 01:04:38,560
Speaker 1: co existed. It could be glorious and I want to

1016
01:04:38,560 --> 01:04:43,959
Speaker 1: see it. Yes, all right, everybody, So that's way next week?

1017
01:04:44,040 --> 01:04:47,000
Speaker 1: It's next week? Written in the stars, is the greatest

1018
01:04:47,040 --> 01:04:51,320
Speaker 1: moment of my life? Do we meet not Zukery next week?

1019
01:04:51,480 --> 01:04:53,200
Speaker 1: I don't know, but I don't want to know, and

1020
01:04:53,240 --> 01:04:55,160
Speaker 1: I don't want you to tell me. But the one

1021
01:04:55,240 --> 01:04:58,120
Speaker 1: thing I do I will not tell you. The one

1022
01:04:58,160 --> 01:04:59,600
Speaker 1: thing I do want you to know is that I'm

1023
01:04:59,600 --> 01:05:04,680
Speaker 1: going to be in Louisville the Louisville Pop Con June

1024
01:05:05,720 --> 01:05:10,840
Speaker 1: sixteen through eighteen. So I'll be in Louisville, Kentucky and

1025
01:05:11,120 --> 01:05:14,160
Speaker 1: meeting fans and it'll be wonderful. And I have another

1026
01:05:14,200 --> 01:05:19,600
Speaker 1: announcement to make, but it's not quite announceable yet. Oh oh,

1027
01:05:19,600 --> 01:05:23,760
Speaker 1: that's a tease, tea. Can you give us a hint? Nope? Sorry,

1028
01:05:24,280 --> 01:05:25,800
Speaker 1: do I know what it is? No, it's going to

1029
01:05:25,880 --> 01:05:28,640
Speaker 1: be like this show tease within a tease within a

1030
01:05:28,640 --> 01:05:32,000
Speaker 1: t I know what it is you do, not what No,

1031
01:05:32,560 --> 01:05:35,320
Speaker 1: it's incredible, right because you know everything I know, and

1032
01:05:35,360 --> 01:05:37,640
Speaker 1: I know things that we haven't announced, right. I want

1033
01:05:37,640 --> 01:05:39,560
Speaker 1: you to deal with a little bit of mystery, a

1034
01:05:39,560 --> 01:05:41,080
Speaker 1: little bit. That's a good tease, dude, that's a good

1035
01:05:41,120 --> 01:05:43,480
Speaker 1: tease because I'm huck. Let's talk about my new show,

1036
01:05:44,000 --> 01:05:47,080
Speaker 1: by the way, which is kicking ass in Canada. Well, great,

1037
01:05:47,160 --> 01:05:49,240
Speaker 1: thanks Canada. We don't live there. When is it coming

1038
01:05:49,280 --> 01:05:55,040
Speaker 1: to like? Hello? We all like Chad Michael Murray too.

1039
01:05:56,680 --> 01:06:00,320
Speaker 1: I think we're number one in Canada. That's amazing that

1040
01:06:03,960 --> 01:06:06,760
Speaker 1: a lot of people, they're really happy. But here it's

1041
01:06:07,320 --> 01:06:10,120
Speaker 1: at all. It's common. I can't say anything, but it's common.

1042
01:06:10,200 --> 01:06:15,440
Speaker 1: Don't work. I figured that coming. It's common. All right, Um,

1043
01:06:15,480 --> 01:06:19,720
Speaker 1: talk to y'all later, everybody. Thanks, best fans on the planet.

1044
01:06:20,440 --> 01:06:22,720
Speaker 1: We love you so so much. I wouldn't be mad

1045
01:06:22,760 --> 01:06:26,120
Speaker 1: at a couple of five stars. I'm not gonna live anybody.

1046
01:06:27,320 --> 01:06:30,320
Speaker 1: We'll take any we can get. We'll take it. Give

1047
01:06:30,400 --> 01:06:34,560
Speaker 1: us some five stars, even if you don't want to

1048
01:06:34,560 --> 01:06:37,040
Speaker 1: do it, do it just be out of the kindness

1049
01:06:37,080 --> 01:06:41,840
Speaker 1: of your heart. We could use it. Star. Thank you anyway.

1050
01:06:42,000 --> 01:07:14,760
Speaker 1: All the best, stay safe, hey everybody, and don't forget

1051
01:07:14,800 --> 01:07:18,880
Speaker 1: Follow us on Instagram at I Am all In podcast

1052
01:07:18,960 --> 01:07:24,040
Speaker 1: and email us at Gilmore at iHeartRadio dot com. Oh

1053
01:07:24,080 --> 01:07:25,960
Speaker 1: you're Gilmore fans. If you're looking for the best cup

1054
01:07:26,000 --> 01:07:28,760
Speaker 1: of coffee in the world, go to my website from

1055
01:07:28,760 --> 01:07:31,680
Speaker 1: my company scott ep dot com, s c O. T.

1056
01:07:31,680 --> 01:07:36,000
Speaker 1: T YP dot com, scottip dot com Grade one Specialty

1057
01:07:36,280 --> 01:07:44,040
Speaker 1: Coffee