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Speaker 1: Good morning, telling you a little sister room anywhere else

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Speaker 1: so your friend on Friday to day, the World's most

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Speaker 1: dangerous morning. Shut the cameras. I agree, show, isn't this listen?

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Speaker 1: City South Djamry, the captain of the usually eat, the

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Speaker 1: only one who can keep these guys in. Chlomagne, the

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Speaker 1: god lorn boy, is the frefers competition. Good morning usc

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Speaker 1: yo yo yo yo yo yo yoo yoo yo go

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Speaker 1: go yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo.

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Speaker 1: Good morning angela yeat That manager m Cholomagne, the guy

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Speaker 1: piece of the planet. Guess what day it is? Guess

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Speaker 1: what day it is? Are you looking like that man?

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Speaker 1: Because it's Wednesday? Man? Happy to be alive? God is good? Okay,

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Speaker 1: really happy? Hew? Let's you talk about why shouldn't we

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Speaker 1: be breathing? We are breathing. People are going through it

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Speaker 1: right now in these streets. Okay, anything can happen. People

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Speaker 1: got herpees Ice is knocking at people door, taking people

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Speaker 1: mama's away. The megos knocking out Sean Kingston. Is that real? Yes? Oh,

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Speaker 1: Donald Trump gonna build that wall for real? Megoes is

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Speaker 1: out hit jumping people. Now Megoes is out hit jumping

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Speaker 1: American citizens. Donald Trump gonna build that wall for real,

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Speaker 1: for real. Chris Brown had some drama yesterday. Yeah, a

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Speaker 1: lot of stuff going on. At Ronie had no drama.

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Speaker 1: But ron just need to relax, okay, And if he

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Speaker 1: needs help, he needs to go get help period, all right.

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Speaker 1: And people need to stop making excuses for Chris Brown. Well,

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Speaker 1: let's get into it. Yeah. I guess you gotta tell

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Speaker 1: the people what's going on. I guess we'll do that

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Speaker 1: in the rumors. But it was a lot yesterday on

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Speaker 1: social media, a lot of videos posted, people responding to

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Speaker 1: different things, things you never would have expected to happen happening.

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Speaker 1: Where's the video to me Goes jumping Sean Kingston. I

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Speaker 1: ain't see that this morning. That wasn't all through my timeline.

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Speaker 1: That's no video. They had never happened. They had video

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Speaker 1: of them earlier being cool and being friends, but there's

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Speaker 1: no video. I didn't see any video of that shot.

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Speaker 1: Fire Man. See they always do that. They play with

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Speaker 1: the fat kid, laugh with them, joke with them, and

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Speaker 1: then jump them later on. Why did they do that

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Speaker 1: to you shouldn't always treating the chubby kid in the

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Speaker 1: hood room man. But allegedly Sean Kings's man fired the

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Speaker 1: shot in the air. Now you still be kind of big.

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Speaker 1: You shot out somebody getting it from? Man? Where where

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Speaker 1: where sight your s Okay, TMZ, I guess it's right then, yeah,

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Speaker 1: but I mean, I mean, you beat me up. Please

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Speaker 1: get them off from me shooting the end. Just get

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Speaker 1: them off me. Let me get man, y'all. I'll tell

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Speaker 1: y'all all the time. I don't talk to any words

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Speaker 1: about the five and N words don't just mean black

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Speaker 1: people in words of all colors. Okay, what you're describing

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Speaker 1: to me right now, some serious N word activity. I

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Speaker 1: think that was before final it was before five. I think.

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Speaker 1: So what what coasts they are? It doesn't Vegas, okay, alright?

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Speaker 1: And it was at the Agenda trade show that happens

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Speaker 1: during the day trade show. We went to Agenda here

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Speaker 1: in New York. That was a transgender trade show. It's

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Speaker 1: called the Agenda. Agenda. I'm like, what the hell is

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Speaker 1: going on? Kind of stuff I don't know nothing about.

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Speaker 1: Oh my god, when people go to sell their okay,

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Speaker 1: like the Magic convention back exactly what agenda? Man, I'm

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Speaker 1: on that cuss that would Harris school still kind of stopping.

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Speaker 1: Would Harris would be joined us this morning. Yeah, I

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Speaker 1: want to close bombs for Wood. Harris plays Ason Payton

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Speaker 1: for the box down the Wire Brook from new edition

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Speaker 1: You just that was on the Brakes, which just on

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Speaker 1: Monday was got a sneaky rap career? Sneaky rap, say,

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Speaker 1: sneaky rap had a sneaky rap career. I remember him

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Speaker 1: freestyling for me back in the day and me telling

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Speaker 1: him he was he was white. Maybe he did tell

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Speaker 1: me that he was like, yeah, I meant charlotegne A

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Speaker 1: long time ago ago I used to work on Ye.

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Speaker 1: He did tell me that he kicked the freestyle, and

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Speaker 1: I'm like, nah, buddy, that's a good thing. He didn't.

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Speaker 1: He didn't read and stick with rappings, didn't started acting

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Speaker 1: like he's still wrapping. He still gotta sneak your rap

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Speaker 1: career with ears. He's still Rapps'll ask him about it, though,

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Speaker 1: you're asking the freestyle up. That's what you're gonna do

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Speaker 1: this morning. No, we're not all right front page news.

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Speaker 1: What we're talking about. Let's take about some new words

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Speaker 1: that were added to the dictionary. Also, we'll talk about Popeyes.

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Speaker 1: I know you guys love Popeye. Come on, Popeyes chicken

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Speaker 1: and word cookies. See, I'm doing better affiliates from trying

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Speaker 1: not to say that word for y'all you said yesterday,

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Speaker 1: I didn't shout out to my girl Valerie, who's listening

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Speaker 1: right now in the card. It's one of my best friends,

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Speaker 1: Valley from ampty Ampton University. All right, front page news

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Speaker 1: when we come back, and also tell them why you're blessed.

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Speaker 1: If you feel blasting highly favored, call us up right now,

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Speaker 1: eight hundred five eighty five, one oh five. Want to

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Speaker 1: spread some positivity as to Breakfast Club Morning Morning. Everybody

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Speaker 1: is DJ and v Angela, Ye, Charlomagne the guy. We

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Speaker 1: are the Breakfast Club. Let's getting some front page news now.

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Speaker 1: Magic Johnson he has a new position with the Lakers.

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Speaker 1: You know the position. What's his position? I thought, you know,

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Speaker 1: he's a president of basketball operations for the Lakers. Drop

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Speaker 1: one of clues bombs for Magic Johnson. Damn it. I know.

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Speaker 1: They said he's bringing Kobe into help, supposedly allegedly. I

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Speaker 1: ain't here that one, but that's black privilege at his

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Speaker 1: finest right there. Okay, they said allegedly he's gonna try

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Speaker 1: to bring Kobe in the work, and that many to do. No, No,

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Speaker 1: the big Mark Jackson and why they already did that.

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Speaker 1: They tried that. They got a former player running their

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Speaker 1: head a basketball operations. Now, Phil Jackson used to play

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Speaker 1: for the freaking New York Knicks back in the day.

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Speaker 1: That was too far back. All right, Magic Johnson back,

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Speaker 1: that's when the train and go offense work. Listen, I'm

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Speaker 1: talking Mark Jackson. You're bringing Patrick Ewing. No, yes, you're

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Speaker 1: bringing Charles Oakley. You give that team some This what

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Speaker 1: I don't like, what you muscle, That's what I don't like. Well,

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Speaker 1: I've been saying this before they brought. These guys aren't

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Speaker 1: on the level of Magic Johnson. On note, let's just

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Speaker 1: be clear about that. Madgice Johnson has proven himself to

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Speaker 1: be a great businessman. He's been playing one on one

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Speaker 1: against HIV for decades and busting HIV's asked, that is

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Speaker 1: the man whose mind is so strong and he has

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Speaker 1: such a will to win that you want running to

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Speaker 1: be the president of your backball operations. And everybody you

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Speaker 1: just named does not have the respect among NBA players

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Speaker 1: like Maddie Johnson does, and the cool sir nobody does.

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Speaker 1: He's one of the greatest. But Patrick gild is pretty close. No,

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Speaker 1: not even no, you're not pretty close. Is one of

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Speaker 1: the greatest. Yes he is when he comes to Magic Johnson.

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Speaker 1: I didn't say level. I didn't say he's on the

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Speaker 1: same level he's in that. No he's not. Yes he is.

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Speaker 1: But they're looking for a new general manager as well

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Speaker 1: to work with Magic Johnson. So yeah, because they got

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Speaker 1: rid of cup check whatever, because the JOMP want to

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Speaker 1: clude bombs Magic Johnson again. There's a couple of stories

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Speaker 1: that inspired me yesterday between Magic Johnson becoming president of

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Speaker 1: the backball operations for the Lakers and Jay z his

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Speaker 1: own capital ventures. Whoa black privilege that his finest damn it.

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Speaker 1: Let's talk about Burger King. Burger King, Yes, Burger King's

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Speaker 1: parent company, Restaurant Brands International, purchase Popeyes for one point

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Speaker 1: eight bill billion dollars. They also owned Tim Horton's. So

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Speaker 1: what they're saying is they want to try to challenge

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Speaker 1: Kentucky Fried Chicken. Now, Kentucky Fried Chicken has eighteen thousand

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Speaker 1: plus stores in the worldwide, Popeyes only has twenty six hundred.

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Speaker 1: Let me tell you something, man. First of all, salute

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Speaker 1: to Popeyes, chicken and N word cookies. That's what I

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Speaker 1: call biscuits, all right. There's no better biscuit on the

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Speaker 1: Marketbody loves biscuits, man, everybody but Popeye. Yeah, Popeye biscuits.

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Speaker 1: Popeye is one of the best Popeye biscuits. Different, bro, Bro,

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Speaker 1: you get you some honey. That's an N word cookie.

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Speaker 1: That ain't just no regular biscuits. KFE got biscuits, Churches

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Speaker 1: got biscuits, Popeyes got N word cookies. Now let's talk

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Speaker 1: about these new words added to the website's dictionary. Yes,

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Speaker 1: a lot of words that people have been using, a

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Speaker 1: lot of phrases. NSFW was added to the dictionary. What

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Speaker 1: I mean, sayay for work because shade you know what

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Speaker 1: that is? Yes, I do. Truther, Ruther, first World problem,

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Speaker 1: binge watch, and ghosting. There's a thousand new words. About

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Speaker 1: of thousand new is added. But those are multiple words,

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Speaker 1: those are never of them are phrases, but they added

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Speaker 1: them to the dictionary. Still, so, uh, what's ghosting? I

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Speaker 1: never heard of that. Ghosting is when you like say

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Speaker 1: you and the dude is like kicking it like you

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Speaker 1: know y'all been kicking it heavy for like a week

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Speaker 1: or two, and then he just goes ghost on. You

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Speaker 1: stops answering your phone, called Charlemagne, stop answering your phone.

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Speaker 1: That's the truth. I thought. Ghost is when you when

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Speaker 1: you drive your car and you get out, let your

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Speaker 1: car driver. That's ghost d shut your ass up. That's

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Speaker 1: when he went ghost. He went ghost on. That's exactly

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Speaker 1: what's from the U from power. I bet you some

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Speaker 1: of these words, you won't know what okay, Prazo Pagnosia,

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Speaker 1: never heard of it? Sound sounds like something sound like

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Speaker 1: shirt cold. That's a pimple when you have a pimple? What? No,

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Speaker 1: that's the inability to recognize faces and co conne lane.

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Speaker 1: Does anybody know what con lane is? Why do I

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Speaker 1: have to use that big ass world when I can't

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Speaker 1: recognize that means a made up language? Con ling? Why

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Speaker 1: can't I just say he lying when it comes to

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Speaker 1: the made up language? Why can't I just what is that?

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Speaker 1: The inability to recognize face? It's like I know your name,

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Speaker 1: but I got Prizo Pagnosia. I don't be recognizing your

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Speaker 1: face Backnosi son, Like I need to wear a condom.

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Speaker 1: If you don't recognize the face, that sounds like crazy.

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Speaker 1: All right, last front page telling you're eight hundred five

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Speaker 1: eight five one oh five one. If you're upset, you

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Speaker 1: need to vent. Call us right now. Somebody went ghost

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Speaker 1: on you. Yeah, eight hundred five eight five one oh

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Speaker 1: five one. Call us now. It's the Breakfast Club. Come morning,

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Speaker 1: the Breakfast Club. Hey, yo is Dax? You know what

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Speaker 1: makes you mad? But for the truth. Can't handle the truth?

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Speaker 1: I tell them why you mad? Want to Breakfast club?

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Speaker 1: Ask me? Tell them why you're mad. I'm mad at Schlomne.

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Speaker 1: That's nothing new. Why why are you mad at him?

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Speaker 1: Slomnus was asked race from shops in South Carolina. I

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Speaker 1: tech you my nigga, to get me down with Angelus.

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Speaker 1: I can do her make up a ci double a.

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Speaker 1: You never hit me back? What's up with that? Put

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Speaker 1: nobody off the South Camo. First of all, nobody text

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Speaker 1: me about doing Angela makeup. I'm I'm Nitre Dontri's friend.

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Speaker 1: Asklete this sick brother, and I text you up. I

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Speaker 1: didn't get it. I'm a professional artist, makeup artist in Charleston,

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Speaker 1: South Carolina. I'll be in CIABA I wanted to do

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Speaker 1: her makeuptard want the opportunity that I just wanted to

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Speaker 1: do answers to makeup that you text me and asked

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Speaker 1: me about a book, and I text you against Alome

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Speaker 1: and I text you again. Oh you did at and

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Speaker 1: we had Paris reached out to you and I brought

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Speaker 1: the book sholo me and I got your book. I

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Speaker 1: suppointed you. I got your book. I appreciate that and

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Speaker 1: you didn't just s still could get a rethane. Absolutely

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Speaker 1: is the home. Yes, I love all you guys. I

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Speaker 1: love telling me Asilee. I'll be down there Saturday and Sunday.

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Speaker 1: I know you got two parties. So I got your

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Speaker 1: girl a and I'm Boma. I'm a pastor. Contact right now,

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Speaker 1: we don't say that. We have a serio coming up.

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Speaker 1: You know they called it beat you. I don't think

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Speaker 1: you should say, by the way, beat yours okay, asking

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Speaker 1: about six feet and he talking about beating my facing. Yeah,

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Speaker 1: your face. I said, beat your face. You gotta say

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Speaker 1: it like you gotta say your face looks beat face

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Speaker 1: beat And it just sounds crazy what you're saying that

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Speaker 1: just and lead the gay stuff to me? All right?

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Speaker 1: How you saying and they sound like he was about

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Speaker 1: to the gate stuff to Charlotte, I'm beat your face?

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Speaker 1: Sound right? Do you want her face beat? Okay, there

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Speaker 1: you go. You do it so natural for you. Hello,

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Speaker 1: who's this y? Hey Jasmine? Why are you mad this one?

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Speaker 1: You sound pissed. I'm mad because well, first of all,

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Speaker 1: I'm up, but second of all, I'm talk of these

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Speaker 1: dudes playing all these games. Like I feel like, if

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Speaker 1: I liked you and you like me, why don't you

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Speaker 1: got play games with each other? Like why can't we

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Speaker 1: just like like each other? You tired of guys going

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Speaker 1: ghost on you? That's not what's happening. What's happening? They

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Speaker 1: just like, I mean, they like me and I like them,

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Speaker 1: and you know, they want to hang out or whatever.

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Speaker 1: And then like they kind of like want to play games,

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Speaker 1: like they want me to chase them, like I'm about

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Speaker 1: to chase you, okay, And then I don't want to

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Speaker 1: put a label on it. I'm twenty seven. Okay. You

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Speaker 1: gotta stop letting dude hit so fast. Once they hit,

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Speaker 1: they ain't got no use. I have I have sex

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Speaker 1: on the way. I'll start the name foot. Don't even

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Speaker 1: call a while a week September, focusing on me. I'm

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Speaker 1: focusing on me. Time's Day, mama, you know on Twitter

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Speaker 1: and put self love all day. I had a time.

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Speaker 1: I had a Valentine excellent? Did that? No? What you

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Speaker 1: did sitting around play Kendrick Lamar, I love myself now.

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Speaker 1: I cooked for my friend. We made food and it

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Speaker 1: was fun. Did you have sex? Nope? No, that's why.

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Speaker 1: That's why you're singing. Now. How you gonna call that

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Speaker 1: man over Valentine Day? Cook for them? Well, maybe it's

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Speaker 1: the guys that you like. I mean it should be that,

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Speaker 1: but if this keeps on happening over and over again,

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Speaker 1: you might need to get somebody different. Chance after she's

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Speaker 1: gonna stop being these thugs. Hello? Who's this almost? Hello?

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Speaker 1: You just got robbed? Yeah, man, I just got robbed?

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Speaker 1: Man on World Star Man? What happened? Yeah? Actually, y'all,

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Speaker 1: y'all had a cameo walk to Jake Black. Ain't no

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Speaker 1: love about the count brack here for a reason. Oh

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Speaker 1: so you're telling me that you got you got a

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Speaker 1: video on World starts? What you're telling us? Yeah? And

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Speaker 1: it got robbed? No, I mean it didn't get the

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Speaker 1: views that I thought it was gonna get the I mean,

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Speaker 1: I wouldn't say that. I'll say, your wife just trash.

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Speaker 1: I'm tell you, I'm no, I'm gonna give you some

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Speaker 1: good I'll take that back just because J Cheese told

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Speaker 1: me too. I didn't tell you. I'm gonna give you

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Speaker 1: some good advice. The name of your label is body

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Speaker 1: Count Records. It's twenty seventeen. That's because with body and everything,

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Speaker 1: including ray. Nobody wants to hear that. Bro that's corny.

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Speaker 1: That's like like those days are done, Bro, that gangster

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Speaker 1: thug thing. All right, tell them why you're mad a

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Speaker 1: matter of fact, tell them why you're blessed. If you

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Speaker 1: feel blessed, blessings on blessings on blessings. You want some

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Speaker 1: positivity in this world, call us up right now. Eight

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Speaker 1: hundred five eight five one oh five one is the

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Speaker 1: breakfast cloak the morning the breakfast clubs? Are you blessed

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Speaker 1: in highly favored? I feel blessed? Tell the congregation at

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Speaker 1: eight hundred five five one, it's the breakfast club. Hello,

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Speaker 1: who's this? Tenia? Hey? Thenisia you feel blessed this morning?

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Speaker 1: I why I'm blessed because three years ago I survived

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Speaker 1: cancer in December, my son got an kidney transplaer. Wow,

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Speaker 1: my family loves me. I woke up this morning. God

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Speaker 1: is good. God is good, God is every God is

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Speaker 1: everything everything. Hello. Who's this Barry Johnson? Morning, Barry Johnson.

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Speaker 1: You're feeling blessed this morning? Bro? Yeah, man, I am

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Speaker 1: film blessed. I'm able to work full time as a

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Speaker 1: visual artist, and I recently just dropped a book. Okay,

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Speaker 1: what's the name of the book, sir. It's a children's book.

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Speaker 1: It's called Oh What Wonderful Hair? It's about hair positivity.

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Speaker 1: Um get a chance to make my work, my daughter

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Speaker 1: toair every morning, and after a while, just thought it

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Speaker 1: would be cool to be able to drop a book.

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Speaker 1: I'd love for you guys to take a look at her.

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Speaker 1: Sending some copies. Okay, send it up here, and I

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Speaker 1: can mention for doing your daughters here. I try to

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Speaker 1: do my daughter's here. It's not happening with me. I

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Speaker 1: couldn't figure it out. I can't even do my own here. Yeah,

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Speaker 1: it's a crazy routine. But you know, after a while,

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Speaker 1: we got it, and I'd love her want to take

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Speaker 1: a look at it. It's called Oh What Wonderful Hair?

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Speaker 1: And we definitely want to see a picture of your

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Speaker 1: daughters here you're talking. Do you talk about how you

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Speaker 1: burn your daughter with the hot comb? And how a

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Speaker 1: young black girl is not officially a young black woman

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Speaker 1: until she get burned with the hot comb? Yo, she's

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Speaker 1: only former man. So we have not for the hot

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Speaker 1: com anywhere local or a hair man. Now you know

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Speaker 1: you're not at a braid or you just do a

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Speaker 1: bunt or what do you do? Everything? So in the book,

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Speaker 1: like we make a different name for different hairstyles. So

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Speaker 1: we put her hair in a bun, we'll say you

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Speaker 1: put it uh in a pineapple, or if we're sprayingnik

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Speaker 1: and the curly would say she's got curly fires. If

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Speaker 1: we prayed it, we'll say next in her hair, all

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Speaker 1: sorts of things, so you could do corn rows and everything.

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Speaker 1: I'm working on it, trying just know the sequel to

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Speaker 1: the book is when a woman's write of passage, when

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Speaker 1: she gets to another level of being a woman after

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Speaker 1: being burned with the hot com Know that they still

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Speaker 1: use hot cools. Yo, what's your for a death blot

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Speaker 1: from Columbus, Ohio? You're feeling blessed this morning? Bro man,

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Speaker 1: I'm feeling I'm blessed, tell us why? Man. A couple

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Speaker 1: of weeks ago, I had an ammonia in my lung

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Speaker 1: and I went to the doctor. They didn't find nothing.

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Speaker 1: They said that there was a little hint in pneumonia

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Speaker 1: that gave me some anti bionics. It cleared up. Also,

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Speaker 1: I'm an independent artist from Ohio and my album just

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Speaker 1: came out and doing numbers build money too? What kind

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Speaker 1: of know? What kind of numbers is it doing? You

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Speaker 1: hate on that? Man? Hey, look independently, Charlomagne, I already

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Speaker 1: know those don't go there. But look, so thousand copies money?

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Speaker 1: How money in a bank? How much you selling them for?

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Speaker 1: I'm selling them for any donation whatever people can give.

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Speaker 1: Oh god, Now you walk up to people and say here,

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Speaker 1: I have a CD for you, and then you ask

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Speaker 1: for a donation. Absolutely, I ain't manage you keep bustling.

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Speaker 1: Bro all right, bro, yes, sir, all right? Tell them

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Speaker 1: why you blessed? Blessings on blessings on blessings eight hundred

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Speaker 1: five eight five one oh five one. Now we got

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Speaker 1: rumors on the way. Yes, I mean, I don't know

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Speaker 1: where to start. Let's discuss this. Megoes versus Seaun Kingston

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Speaker 1: situation and break it down. Okay, we'll get into that

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Speaker 1: when we come back. Keep it locked as the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club Bryce until it would exchange

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Speaker 1: wanting everybody is DJ Envy, Angela, Ye, Charlomagne and God

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Speaker 1: we are the Breakfast Club. Let's get into the mego

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Speaker 1: Sean Kingston in the rumors, this is the rumor report

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Speaker 1: with Angela year Breakfast Club. Well, the police are thin

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Speaker 1: to question the Megos, not that they want to arrest them,

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Speaker 1: they just want to question them. And this is all

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Speaker 1: because of an altercation that happened with John Kingston and

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Speaker 1: the Megos, reportedly at the Agenda trade show in Vegas.

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Speaker 1: How they know the Megos did it? Sean Kingston Niche Well,

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Speaker 1: a lot of people were on Twitter talking about what happened. Now.

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Speaker 1: What they are saying is that Shaun Kingston actually ran

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Speaker 1: up on the Megos. They had a heated word exchange. Patty,

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Speaker 1: not about soldier boys, they said, right, it was about

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Speaker 1: soldier boy. Allegedly Supposedly, you deserve to get your ass

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Speaker 1: beat if you defend the soldier boy. Now, amazingly enough,

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Speaker 1: back in December, young Thug warned Sean Kingston not to

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Speaker 1: get involved in this beef between the Megoes and Soldier Boy.

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Speaker 1: Hey man, pa that Soldier boy and um wayvo the megos,

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Speaker 1: let that be with them. Sean Kingston relax called weing

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Speaker 1: on plan so relaxed, stay out of that. And I

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Speaker 1: aint telling number one time he just said that dad

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Speaker 1: had the blue it was in December. I guess I

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Speaker 1: don't know it was out the blue. Must there must

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Speaker 1: be things happening behind the scenes that we don't know

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Speaker 1: about it? Are you riding for his man? And didn't

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Speaker 1: Sean Kingson come to the defensive Soldier Boy on social

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Speaker 1: media back then too, Yeah, that's his boy. So thug

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Speaker 1: riding for his guys. What Shaun Kingston's riding for his guy,

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Speaker 1: Sean gis sound like you're on the wrong team. Apparently

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Speaker 1: somebody else to fired a gunshot. That said, somebody from

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Speaker 1: Shaun Kingston's camp fired a gun in the air just

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Speaker 1: to try to get them off of him. Bummer clot

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Speaker 1: shut up. I don't know making. I don't how you

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Speaker 1: know the gun man was what you're making man, I'm

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Speaker 1: just I don't know. All right now, I want to

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Speaker 1: say if you guys have an issue with this. Oh no,

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Speaker 1: we can't speed by this. There's no video. This video

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Speaker 1: of Seaun Kingston dapping up the megoes then being cool

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Speaker 1: before cool at first, and then I guess it's two

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Speaker 1: seventeen and you're telling me the megos with the hottest

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Speaker 1: song in the country jump Seaun Kingston and there's no video.

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Speaker 1: I don't believe this. Some video gotta come be coming up.

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Speaker 1: So this is an alternative fact. I don't leave the story. Well,

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Speaker 1: maybe it just happened, so maybe this will all surface

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Speaker 1: at a later time. Seoul Kingston did post the video

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Speaker 1: after he didn't have you try to show that he

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Speaker 1: didn't have any mark his fakes. Yeah, but his mom

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Speaker 1: did say he got jumped. Oh damn it man, social

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Speaker 1: media mom. Damn All right, now, let's discuss black boy Joy. Okay. Now,

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Speaker 1: this was a hashtag that was actually Joy Chance the

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Speaker 1: rapper last year. Okay, and BT posted. There was a

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Speaker 1: lot of hashtag black boy Joy at the ABFF Honors

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Speaker 1: to witness the Magic tune in on Wednesday. All right,

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Speaker 1: that's the American Black Film Festival. Now, Ja Rue had

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Speaker 1: an issue with that. He said, who's behind this? Black

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Speaker 1: boy joy hashtag. I was wondering what Jall Rule thought

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Speaker 1: about this. I really was not cool, very demeaning. You

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Speaker 1: don't call a black man a boy. Please stop that.

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Speaker 1: It goes all the way back to slavery and segregation.

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Speaker 1: You don't call any man a boy. It's disrespectful, but

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Speaker 1: takes on a whole different meaning for black men. BT

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Speaker 1: should know better. And then Tank responded, who Tank Tank?

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Speaker 1: Evan Tank? This R and B singer? Yes, okay, Tank Tank?

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Speaker 1: I thought you sink. I thought you said tink too.

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Speaker 1: No tink okay, he responded. When one black man tears

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Speaker 1: down another black man for simply doing things a little

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Speaker 1: different than what he would that creates a divide here.

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Speaker 1: You are supposed to be a positive reinforcement to all

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Speaker 1: young black men, injecting positivity into our community, and you're

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Speaker 1: hating it. These young men have done nothing but shine

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Speaker 1: a light on black excellence. How in God's name can

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Speaker 1: you find something wrong with that? It's not like you've

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Speaker 1: been a beacon of hope for our community. First of all,

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Speaker 1: let's be clear about one thing. Let's just be clear

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Speaker 1: about one thing. Every hashtag is not gonna work. I

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Speaker 1: don't care how much your literation is in it. I

417
00:21:32,160 --> 00:21:34,520
Speaker 1: don't care how much it rhymes. Let the black women

418
00:21:34,600 --> 00:21:36,760
Speaker 1: have black girl magic. We don't need a black boy

419
00:21:36,880 --> 00:21:41,040
Speaker 1: joy black girl magic. And it sounds silly. It does

420
00:21:41,160 --> 00:21:44,920
Speaker 1: blacky joy. And y'all rule is right. Boy, what Michael

421
00:21:44,960 --> 00:21:47,160
Speaker 1: saying on Good Times boys a white racious word. It's

422
00:21:47,160 --> 00:21:49,240
Speaker 1: a word that's the meaning to black men used to

423
00:21:49,240 --> 00:21:51,520
Speaker 1: call his boy. So, yes, I understand what y'all rule

424
00:21:51,600 --> 00:21:53,080
Speaker 1: is saying, but let's just forget about all that. You

425
00:21:53,160 --> 00:21:55,320
Speaker 1: understand word either, you're right, but let's just forget about

426
00:21:55,359 --> 00:21:57,680
Speaker 1: that and just say the hashtag is whack black boy joy.

427
00:21:58,520 --> 00:22:01,240
Speaker 1: Let black women have black girl magic, black black boy joy,

428
00:22:01,400 --> 00:22:03,159
Speaker 1: black boy joys. That ain't not want to get a

429
00:22:03,200 --> 00:22:06,879
Speaker 1: part of that black well, say, y'all aren't celebrating your

430
00:22:06,920 --> 00:22:09,720
Speaker 1: black boy joy in here this black man period. I

431
00:22:09,800 --> 00:22:12,040
Speaker 1: mean black boy joys. That's not my thing. That sounds

432
00:22:12,160 --> 00:22:13,760
Speaker 1: kind of silly. But if hey, but if it works

433
00:22:13,800 --> 00:22:15,880
Speaker 1: for who does that chance to rap. If it works

434
00:22:15,920 --> 00:22:19,040
Speaker 1: for chance, let chance rock game. He posted it. If

435
00:22:19,040 --> 00:22:20,560
Speaker 1: it works a chance, let him rock out with it.

436
00:22:20,760 --> 00:22:22,040
Speaker 1: You know I'm not I'm not not good. I'm just

437
00:22:22,080 --> 00:22:24,880
Speaker 1: saying I'm not gonna use it. Black boy Joy, black

438
00:22:25,680 --> 00:22:28,840
Speaker 1: got sound crazy. All right, Well I'm Angelian. That's your

439
00:22:28,960 --> 00:22:31,679
Speaker 1: room report. All right, thank you, miss ye. Now when

440
00:22:31,720 --> 00:22:34,640
Speaker 1: we come back, Wood Harris will be joining us. Of course,

441
00:22:34,800 --> 00:22:36,920
Speaker 1: black boy Joy, of course you know from the black

442
00:22:36,960 --> 00:22:40,480
Speaker 1: Wood Good It was also the sty like black boyd

443
00:22:40,520 --> 00:22:44,639
Speaker 1: good black hashtag black Wood Good Goodness. He's also a

444
00:22:44,720 --> 00:22:47,760
Speaker 1: new additions manager in a new addition bio. Problem with people,

445
00:22:47,920 --> 00:22:50,119
Speaker 1: we think that anything that rhyme sounds good. If it

446
00:22:50,160 --> 00:22:53,000
Speaker 1: can rhyme, that's a good thing. Black boy Joy, black good,

447
00:22:53,200 --> 00:22:58,000
Speaker 1: black good Way. Yeah, don't fit. You must quit everything

448
00:22:58,119 --> 00:23:00,440
Speaker 1: that's everything not a rhyme, and everything that rob don't

449
00:23:00,480 --> 00:23:06,200
Speaker 1: sound Charlomagne, black boy jow Hey, Jerry Sad maybe some

450
00:23:06,200 --> 00:23:12,560
Speaker 1: of that little black boy Joan. All right, all right, semester, right,

451
00:23:15,359 --> 00:23:18,600
Speaker 1: we'll be back. We're always black and we're not whack o.

452
00:23:22,720 --> 00:23:28,320
Speaker 1: Breakfast club. That was Chris Brown with Party Morning. Everybody

453
00:23:28,480 --> 00:23:31,639
Speaker 1: is dj envi Angela Ye, Charlomagne the guy. We are

454
00:23:31,680 --> 00:23:33,600
Speaker 1: the breakfast club. We got a special guest in the

455
00:23:33,640 --> 00:23:37,720
Speaker 1: building where the Harris breast. Now you played some legendary

456
00:23:37,840 --> 00:23:42,600
Speaker 1: roles Avon Bobsdale, Ace and paidon for what character is

457
00:23:42,680 --> 00:23:44,200
Speaker 1: most like you, because when you walked in the room,

458
00:23:44,240 --> 00:23:46,040
Speaker 1: I felt the energy at Ace. I'm not gonna lie.

459
00:23:46,760 --> 00:23:49,200
Speaker 1: I'm not gonna lie to you. That's probably kind of it,

460
00:23:49,880 --> 00:23:52,120
Speaker 1: trying to separate myself from the characters. When you're doing

461
00:23:52,119 --> 00:23:54,080
Speaker 1: the role. You know what I'm saying, you you're really

462
00:23:54,160 --> 00:24:00,200
Speaker 1: committing to um being involved with yourself just imaginatively. You're

463
00:24:00,200 --> 00:24:03,119
Speaker 1: not really trying to give up your any of you

464
00:24:03,400 --> 00:24:06,360
Speaker 1: in a sense, really just trying to use your imagination

465
00:24:06,400 --> 00:24:08,480
Speaker 1: the best you can. Because acting is really just living,

466
00:24:08,640 --> 00:24:12,479
Speaker 1: you know, um truthfully in the imaginary circumstance. So how

467
00:24:12,560 --> 00:24:14,600
Speaker 1: well you work with your imagination, it's going to lend

468
00:24:14,640 --> 00:24:17,320
Speaker 1: to the character that you that you are. And I

469
00:24:17,400 --> 00:24:20,240
Speaker 1: played a lot of real people, you know, so Ace

470
00:24:20,520 --> 00:24:23,840
Speaker 1: avarn those are real people. Hendrix is real Julius, remember

471
00:24:23,880 --> 00:24:27,640
Speaker 1: the Titans. So my learning throughout the process has been

472
00:24:28,040 --> 00:24:29,680
Speaker 1: from that you know a lot of a lot of

473
00:24:29,760 --> 00:24:33,600
Speaker 1: real people, which means you you go into the different

474
00:24:33,640 --> 00:24:36,000
Speaker 1: research process and then you're trying to really find how

475
00:24:36,040 --> 00:24:39,040
Speaker 1: to separate yourself from from Wood Harris, from from me.

476
00:24:39,440 --> 00:24:42,399
Speaker 1: So uh, that's really the hard part. You commit to

477
00:24:42,560 --> 00:24:45,119
Speaker 1: it and you really don't break commitment of it, and

478
00:24:46,200 --> 00:24:48,879
Speaker 1: you stay imaginatively artistic with it. That's kind of how

479
00:24:48,920 --> 00:24:50,879
Speaker 1: I am about it. And once it's done, I'm just

480
00:24:51,119 --> 00:24:53,280
Speaker 1: kind of done with it. It really is that easy.

481
00:24:54,000 --> 00:24:56,399
Speaker 1: I didn't say it was easy, but now it's easy.

482
00:24:56,560 --> 00:25:00,119
Speaker 1: You know. Um, it would be easier if you know, well,

483
00:25:00,160 --> 00:25:02,720
Speaker 1: people love the characters, but if they, you know, I

484
00:25:02,800 --> 00:25:04,800
Speaker 1: guess it can't work both ways. If people didn't a

485
00:25:04,800 --> 00:25:07,480
Speaker 1: lot of characters, I wouldn't hear about it, But hearing

486
00:25:07,520 --> 00:25:09,520
Speaker 1: about it keeps it there for me too. I feel

487
00:25:09,520 --> 00:25:12,200
Speaker 1: like I'd be hard to detox from the Avon Baxdelle character.

488
00:25:12,760 --> 00:25:14,800
Speaker 1: I just to get it off. That was also very long,

489
00:25:14,920 --> 00:25:17,200
Speaker 1: ongoing for years and years and years of playing that

490
00:25:17,359 --> 00:25:20,399
Speaker 1: character on the wire. Also, that was an easier character.

491
00:25:20,520 --> 00:25:23,200
Speaker 1: You know, I'm from Chicago. You know, I could relate

492
00:25:23,280 --> 00:25:26,879
Speaker 1: to to to urban settings and stuff like that. So

493
00:25:27,200 --> 00:25:29,920
Speaker 1: I kind of that's just me. I'm so Avon and

494
00:25:30,080 --> 00:25:33,760
Speaker 1: Ace I can relate to as a man, you know,

495
00:25:33,880 --> 00:25:36,000
Speaker 1: just growing up in Chicago. Well, let's talk about who

496
00:25:36,040 --> 00:25:38,400
Speaker 1: Wood Harris is as a person and growing up in Chicago,

497
00:25:38,960 --> 00:25:41,600
Speaker 1: because I did read that you at one point didn't

498
00:25:41,600 --> 00:25:43,080
Speaker 1: want to be a rapper. I used to rap. I

499
00:25:43,119 --> 00:25:45,320
Speaker 1: am a rapper. I told Charlemagne it's a long time ago. Yeah,

500
00:25:45,320 --> 00:25:47,760
Speaker 1: when he was on Wendy Wendy Willams. He's been a

501
00:25:47,800 --> 00:25:50,240
Speaker 1: free Actually, I got I got my stuff coming out. Actually,

502
00:25:50,240 --> 00:25:51,959
Speaker 1: I was in the studio the other day with doctor Dre.

503
00:25:52,680 --> 00:25:56,879
Speaker 1: Why Doctor Dre? Why because I'm where you wanted to

504
00:25:57,560 --> 00:25:59,679
Speaker 1: That's crazy. You know, I wanted to meet want him

505
00:25:59,720 --> 00:26:01,560
Speaker 1: to talk about some other things like and why in

506
00:26:01,640 --> 00:26:05,520
Speaker 1: that sense was it happened organically like that kind of studio?

507
00:26:06,760 --> 00:26:10,159
Speaker 1: Also Dre wanted to do like I'm talking about. No, No,

508
00:26:10,440 --> 00:26:12,600
Speaker 1: he has television already and a good friend of mine

509
00:26:12,640 --> 00:26:17,000
Speaker 1: grew up with producing his show. And uh so I

510
00:26:17,040 --> 00:26:19,680
Speaker 1: went over there just to sort of see what it

511
00:26:19,840 --> 00:26:23,680
Speaker 1: was curious about by taking just talking to him about

512
00:26:23,720 --> 00:26:27,000
Speaker 1: acting in general, and you feel a real like mann't

513
00:26:27,000 --> 00:26:32,040
Speaker 1: be the studio did the song FSX, I got this

514
00:26:32,119 --> 00:26:34,600
Speaker 1: thing FSX. I'm gonna slide it to y'alls. Get y'alls

515
00:26:35,160 --> 00:26:38,159
Speaker 1: beautiful ugly opinions. Listen. That's interesting. So what if you

516
00:26:38,200 --> 00:26:39,840
Speaker 1: didn't like to beat the doctor J put on and

517
00:26:40,280 --> 00:26:42,200
Speaker 1: can you be like next? Now I don't like that one?

518
00:26:42,320 --> 00:26:47,720
Speaker 1: Next you gotta you gotta. I ain't do that. I

519
00:26:47,800 --> 00:26:50,560
Speaker 1: told Doctor J my birthday is the same Eminem's, right,

520
00:26:51,320 --> 00:26:53,520
Speaker 1: So I told him. I told him that, and he

521
00:26:53,600 --> 00:26:57,560
Speaker 1: had he had he had. He's kind of a interesting guy,

522
00:26:57,800 --> 00:26:59,760
Speaker 1: you know, and he played off of that how he

523
00:26:59,880 --> 00:27:02,120
Speaker 1: was sort of around me. Did he play one beat

524
00:27:02,200 --> 00:27:05,880
Speaker 1: or did he give you sometime a bunch of beats? Wow? Yeah,

525
00:27:06,000 --> 00:27:07,359
Speaker 1: but I mean he got probably, like you know what

526
00:27:07,400 --> 00:27:11,080
Speaker 1: I'm saying, a vault of beats. I'm not mad at

527
00:27:11,119 --> 00:27:12,639
Speaker 1: that at all. Now. We just recently saw you in

528
00:27:12,720 --> 00:27:17,080
Speaker 1: the New Edition movie series that was on Beat and

529
00:27:17,160 --> 00:27:19,880
Speaker 1: we met Brook actually Brooke came up here in real life,

530
00:27:19,880 --> 00:27:21,399
Speaker 1: and I was like, wow, I really see, like you

531
00:27:21,520 --> 00:27:24,800
Speaker 1: really bought his character. Yeah, even meeting him, I'm like, okay,

532
00:27:24,840 --> 00:27:27,040
Speaker 1: I see you acted just like how he acted when

533
00:27:27,080 --> 00:27:29,160
Speaker 1: he was up here. Yeah, yeah, Yeah, I love Brooke

534
00:27:29,560 --> 00:27:33,560
Speaker 1: And uh that was so special. Man. Those kids, I

535
00:27:33,640 --> 00:27:35,640
Speaker 1: just love working with those kids. And they say it's

536
00:27:35,680 --> 00:27:37,960
Speaker 1: hard to work with kids and animals, but that ain't true.

537
00:27:38,359 --> 00:27:41,399
Speaker 1: You know, those kids are just the perfect people. And

538
00:27:41,520 --> 00:27:43,719
Speaker 1: the and the older actors too. I just I truly

539
00:27:43,800 --> 00:27:46,000
Speaker 1: love the people sometimes I'm working with, you know, Like

540
00:27:46,520 --> 00:27:48,159
Speaker 1: I love the guys, you know what I mean, like

541
00:27:48,240 --> 00:27:50,760
Speaker 1: a teammate who loves the players on the team type,

542
00:27:50,960 --> 00:27:52,879
Speaker 1: you know. So I really love those actors in that

543
00:27:53,800 --> 00:27:56,520
Speaker 1: interests Mike and Hassan. I love those Gus and Mac

544
00:27:56,560 --> 00:27:59,200
Speaker 1: Wilds because now he's on the breaks with you. Yeah,

545
00:27:59,320 --> 00:28:02,560
Speaker 1: my whole cast on the Brakes. What research did you

546
00:28:02,640 --> 00:28:06,600
Speaker 1: do to play Brooke Brooke as a producer? Was a producer? Then? Yes,

547
00:28:06,680 --> 00:28:09,280
Speaker 1: I was with him the whole time. Um, I did

548
00:28:09,400 --> 00:28:12,320
Speaker 1: have to do research. I wasn't really aware of all

549
00:28:12,320 --> 00:28:14,800
Speaker 1: the things he had done, so you know, my research

550
00:28:14,920 --> 00:28:17,800
Speaker 1: was right there with him. Also with Payton for was

551
00:28:17,880 --> 00:28:21,720
Speaker 1: like that. I was with Ace a Z actually, like

552
00:28:21,880 --> 00:28:24,399
Speaker 1: the whole time. He was instrumental in me getting that

553
00:28:24,480 --> 00:28:27,399
Speaker 1: role and painting for he was kind of last step

554
00:28:27,880 --> 00:28:30,080
Speaker 1: flew me out here from La that with him in

555
00:28:30,119 --> 00:28:33,320
Speaker 1: a restaurant, told me a story that's in the movie,

556
00:28:33,640 --> 00:28:38,280
Speaker 1: and uh, the outpost story. And then a week later

557
00:28:38,320 --> 00:28:40,840
Speaker 1: we were shooting and I was really like, I love this.

558
00:28:40,920 --> 00:28:43,000
Speaker 1: I gotta, I gotta really can't do a disservice to

559
00:28:43,080 --> 00:28:45,840
Speaker 1: this real life person who who that's the same with Brooke,

560
00:28:46,200 --> 00:28:47,480
Speaker 1: Like you get a role you don't want to do

561
00:28:47,520 --> 00:28:49,760
Speaker 1: a disservice somebody standing across from you, you know, so

562
00:28:50,120 --> 00:28:51,560
Speaker 1: you're just like I got a nailist, you know, and

563
00:28:51,600 --> 00:28:53,360
Speaker 1: you really just put it on your in your back.

564
00:28:53,400 --> 00:28:55,400
Speaker 1: I guess one of my parents teams been paiding for

565
00:28:55,600 --> 00:28:58,440
Speaker 1: is when you walk in the house and uh, Regina

566
00:28:58,520 --> 00:29:02,480
Speaker 1: Hall tells you she's so you think it's the little

567
00:29:02,640 --> 00:29:05,120
Speaker 1: boy that's dad, but it's actually Mitch. Yeah, and just

568
00:29:05,240 --> 00:29:07,600
Speaker 1: your reaction it was just real, but it's just you

569
00:29:07,760 --> 00:29:12,280
Speaker 1: was just like you put your hands on you like

570
00:29:12,480 --> 00:29:14,640
Speaker 1: stuff like that. It's not scripted, but if that's why,

571
00:29:14,680 --> 00:29:16,800
Speaker 1: you gotta be committed so you can find Like, really,

572
00:29:16,840 --> 00:29:18,880
Speaker 1: you just want to find the moments because you know,

573
00:29:18,960 --> 00:29:20,480
Speaker 1: you guys are gonna get asked to do all kinds

574
00:29:20,480 --> 00:29:22,280
Speaker 1: of stuff. Y'all can call me if y'all need Smithson,

575
00:29:23,160 --> 00:29:26,480
Speaker 1: but I'm sure y'all already do. And um, just find

576
00:29:26,560 --> 00:29:29,520
Speaker 1: every moment, moment by moment, just be you know, I'm

577
00:29:29,520 --> 00:29:31,920
Speaker 1: just y'all get when you're in front of the camera

578
00:29:32,000 --> 00:29:34,760
Speaker 1: and action happens, just b then be as great as

579
00:29:34,800 --> 00:29:36,920
Speaker 1: you can. Just be moment for moment though, was that

580
00:29:37,000 --> 00:29:39,280
Speaker 1: in the script because you start a shadow boxing None

581
00:29:39,320 --> 00:29:42,880
Speaker 1: of that script you gotta be like a live for

582
00:29:42,960 --> 00:29:45,320
Speaker 1: the role like and you you almost I don't know

583
00:29:45,360 --> 00:29:47,640
Speaker 1: if I would have reacted like that, but we would.

584
00:29:47,760 --> 00:29:50,120
Speaker 1: But I could see him being like that, you know,

585
00:29:50,200 --> 00:29:53,440
Speaker 1: because there's no words. So there's no words there. Yeah,

586
00:29:54,320 --> 00:30:00,480
Speaker 1: it's just uh Ace cries, Wow, it says Ace cries. Yeah.

587
00:30:00,640 --> 00:30:02,320
Speaker 1: How do you choose your roles? Because I'm sure you

588
00:30:02,400 --> 00:30:04,440
Speaker 1: get a lot of offers to do different things, but

589
00:30:04,600 --> 00:30:07,040
Speaker 1: you've made some pretty great choices. You don't you can't

590
00:30:07,040 --> 00:30:09,800
Speaker 1: even anticipate, Like I know with the Wire, nobody even

591
00:30:09,920 --> 00:30:12,640
Speaker 1: knew how none of them can be anticipated. Really, I can't,

592
00:30:12,720 --> 00:30:15,880
Speaker 1: you know, you really can't. I choose roles based on

593
00:30:16,920 --> 00:30:20,760
Speaker 1: diversifying myself now because I think I don't want you

594
00:30:20,800 --> 00:30:22,320
Speaker 1: to see me play the bad guy too much. You

595
00:30:22,920 --> 00:30:24,760
Speaker 1: just see me like that so much that it would

596
00:30:24,760 --> 00:30:27,240
Speaker 1: be difficult for me to shape my career to where

597
00:30:27,240 --> 00:30:30,480
Speaker 1: I want to. So over the last few years I've

598
00:30:30,520 --> 00:30:35,760
Speaker 1: been trying to just measure diversity in characters. So if

599
00:30:35,800 --> 00:30:37,840
Speaker 1: it's something I've done already and more than once and

600
00:30:37,960 --> 00:30:39,680
Speaker 1: twice and I can't figure out how to make it

601
00:30:39,800 --> 00:30:43,720
Speaker 1: feel new, probably not gonna do it. I could be

602
00:30:43,800 --> 00:30:45,520
Speaker 1: buggling but I feel like the Brakes is the first

603
00:30:45,600 --> 00:30:47,560
Speaker 1: time you've been a TV regular since The Wire, right

604
00:30:48,600 --> 00:30:52,880
Speaker 1: it is? It is? Yeah, yeah, yeah, it is. Well,

605
00:30:52,880 --> 00:30:54,760
Speaker 1: it's hip hop, and y'all know I love hip hop.

606
00:30:55,480 --> 00:30:57,640
Speaker 1: It's New York and it's the people from the Wire.

607
00:30:57,800 --> 00:31:00,960
Speaker 1: Lots of the behind the camera people are from the Wire,

608
00:31:01,080 --> 00:31:05,120
Speaker 1: like Seetman and Mac and lots of the crew and stuff.

609
00:31:05,160 --> 00:31:07,520
Speaker 1: So I felt like the quality of it would be

610
00:31:07,560 --> 00:31:10,000
Speaker 1: a certain way, you know what I'm saying. And I

611
00:31:10,160 --> 00:31:13,360
Speaker 1: love the nineties in New York and the nineties so

612
00:31:13,520 --> 00:31:17,320
Speaker 1: special that era of music, nineteen ninety not the nineties,

613
00:31:17,440 --> 00:31:19,520
Speaker 1: like right there and the smoke of the eighties. It

614
00:31:19,560 --> 00:31:22,320
Speaker 1: is clearing, it's nineteen nineties. It's still really the eighties

615
00:31:22,440 --> 00:31:25,320
Speaker 1: is not fully the nineties yet it you know, people

616
00:31:25,360 --> 00:31:27,280
Speaker 1: didn't know what was going to happen in the industry,

617
00:31:27,400 --> 00:31:29,840
Speaker 1: in the hip hop industry. And I just love how

618
00:31:29,920 --> 00:31:33,000
Speaker 1: the fledgling moguls they moguls now, but those were guys

619
00:31:33,040 --> 00:31:35,840
Speaker 1: who were just trying to make it D d J. Yeah,

620
00:31:36,080 --> 00:31:38,760
Speaker 1: and they weren't what they are now, just like Tupac

621
00:31:39,120 --> 00:31:42,760
Speaker 1: and all those other guys. They were more like us, driven,

622
00:31:42,880 --> 00:31:45,760
Speaker 1: differently driven, like everybody else. Now they now the Moguls,

623
00:31:45,800 --> 00:31:48,440
Speaker 1: and they have different drives. The purposes are different for

624
00:31:48,520 --> 00:31:50,360
Speaker 1: how they get up in the morning and move and

625
00:31:50,360 --> 00:31:52,600
Speaker 1: all that kind of stuff. I like this character because

626
00:31:52,600 --> 00:31:56,480
Speaker 1: he's able to be old school Russell Simmons, you know

627
00:31:56,520 --> 00:31:59,680
Speaker 1: what I mean, and not a cooke a lot of women.

628
00:32:00,720 --> 00:32:03,080
Speaker 1: He kind of like that a little bit rock and roll,

629
00:32:03,120 --> 00:32:04,840
Speaker 1: you know what I'm saying. We have more with Wood

630
00:32:04,880 --> 00:32:07,160
Speaker 1: Harris when we come back, keeping locks as the Breakfast Club,

631
00:32:07,200 --> 00:32:13,000
Speaker 1: Good Morning, the Breakfast Club, doing from the Wire. You

632
00:32:13,080 --> 00:32:15,640
Speaker 1: might know him from Breaks and he just played Brook

633
00:32:15,760 --> 00:32:18,320
Speaker 1: from the New Edition movie. We got Wood Harris in

634
00:32:18,400 --> 00:32:21,160
Speaker 1: the building. Yee, what are you watch? What where Harris watch?

635
00:32:21,320 --> 00:32:23,760
Speaker 1: I look at y'all. I don't really watch TV. I

636
00:32:23,800 --> 00:32:26,640
Speaker 1: don't watch acting. I look at sports. Um, I look

637
00:32:26,680 --> 00:32:32,040
Speaker 1: at like conversational things, look at documentary stuff Netflix, and

638
00:32:33,120 --> 00:32:34,920
Speaker 1: do watch a lot of sports. Because you love you

639
00:32:35,080 --> 00:32:37,280
Speaker 1: slammed in that hell out of Kevin Durant. I happen

640
00:32:37,320 --> 00:32:38,760
Speaker 1: to let him have it a little bit. What did

641
00:32:38,840 --> 00:32:41,560
Speaker 1: he do? You robbed me a little bit of my

642
00:32:41,680 --> 00:32:43,480
Speaker 1: love for the game, A little about doing that that

643
00:32:43,640 --> 00:32:45,720
Speaker 1: was just bogus. Is about clicking up with the Warriors

644
00:32:45,760 --> 00:32:49,080
Speaker 1: like that. That's how I felt that security when he

645
00:32:49,200 --> 00:32:51,600
Speaker 1: went there to go play and everything. They had extra security,

646
00:32:51,640 --> 00:32:54,840
Speaker 1: fans insecurity. Yeah, after that, he was killing him. But

647
00:32:54,960 --> 00:32:56,680
Speaker 1: I'm cool with Westbrook, you know what I'm saying. I'm

648
00:32:56,680 --> 00:32:59,520
Speaker 1: actually spoken to him about doing I produced a thirty

649
00:32:59,560 --> 00:33:01,840
Speaker 1: for third and worked on the thirty, the one that

650
00:33:01,920 --> 00:33:03,840
Speaker 1: I'm on. Sometimes I get with those guys and do

651
00:33:03,880 --> 00:33:06,760
Speaker 1: different things. So with Westbrook, his background story is very interesting.

652
00:33:06,920 --> 00:33:10,560
Speaker 1: So I met with him last season. I guess for

653
00:33:10,640 --> 00:33:12,400
Speaker 1: the first time. I like him a lot. And you

654
00:33:12,480 --> 00:33:15,320
Speaker 1: know what, Kevin Durant, I don't dislike that move though

655
00:33:16,960 --> 00:33:20,040
Speaker 1: you could it hard to watch a trader. Kevin Durand

656
00:33:20,120 --> 00:33:23,000
Speaker 1: is looking like a real chump right now. I had

657
00:33:23,040 --> 00:33:24,200
Speaker 1: to say it like that, man, you know, in the

658
00:33:24,240 --> 00:33:26,320
Speaker 1: passion of watching it, I'm doing that. Then I went

659
00:33:26,400 --> 00:33:28,960
Speaker 1: and I was on some sports showing. They put they

660
00:33:29,000 --> 00:33:33,320
Speaker 1: put the tweets something myself. Oh man, jack me in

661
00:33:33,400 --> 00:33:35,280
Speaker 1: the jaw when he's seeing me thinking. But no, I

662
00:33:35,400 --> 00:33:38,560
Speaker 1: respect the players off the court. On the court, I'm

663
00:33:38,600 --> 00:33:40,600
Speaker 1: just a fan, you know what I'm saying. So I'm

664
00:33:40,640 --> 00:33:43,240
Speaker 1: able to throw a tomato or you know, not the

665
00:33:43,360 --> 00:33:45,480
Speaker 1: real deal. But you know, I can throw tomatoes and

666
00:33:45,760 --> 00:33:49,040
Speaker 1: or I can applaud to my favorites, and I can't

667
00:33:49,080 --> 00:33:52,320
Speaker 1: really dislike Kevin Durant that moved though the russe will

668
00:33:52,320 --> 00:33:54,440
Speaker 1: give you any insight to their relationship while you were

669
00:33:54,480 --> 00:33:56,720
Speaker 1: doing the third Nah, Now, now, he would never do

670
00:33:56,800 --> 00:34:00,160
Speaker 1: anything like that. Pretty quiet dude, And he got my

671
00:34:00,200 --> 00:34:02,440
Speaker 1: son's birthday right. I was like, man, I want my

672
00:34:02,520 --> 00:34:05,080
Speaker 1: son to play like you. Did you question your career choice?

673
00:34:05,080 --> 00:34:07,600
Speaker 1: He's like, damn, I should have played ball. I played ball.

674
00:34:07,640 --> 00:34:09,839
Speaker 1: I couldn't. I couldn't be the pro that those dudes are.

675
00:34:09,880 --> 00:34:11,360
Speaker 1: I mean, I don't think I was gonna be a

676
00:34:11,440 --> 00:34:13,560
Speaker 1: pro like that. I can play. I'm probably the best

677
00:34:13,640 --> 00:34:17,040
Speaker 1: actor basketball player. Because that was your movie. I don't

678
00:34:17,040 --> 00:34:18,840
Speaker 1: think it's an actor. It might be, I mean I

679
00:34:18,920 --> 00:34:21,520
Speaker 1: can't name. I mean it probably is. You wouldn't. You

680
00:34:21,560 --> 00:34:23,680
Speaker 1: wouldn't lose and get mad and then grab your gun

681
00:34:23,760 --> 00:34:28,920
Speaker 1: and want to shoot people on the whiting whining, I'm whining.

682
00:34:29,320 --> 00:34:31,160
Speaker 1: Did you have a relationship with Pop? Like off the

683
00:34:31,440 --> 00:34:36,560
Speaker 1: Off the Off that film? Slightly? Like? I spoke to

684
00:34:36,840 --> 00:34:40,680
Speaker 1: Pop two weeks before he died, so I wasn't um

685
00:34:42,239 --> 00:34:44,239
Speaker 1: I wouldn't say, I talked to him a lot, you know,

686
00:34:44,440 --> 00:34:46,800
Speaker 1: but two weeks before he died, like right before he

687
00:34:46,880 --> 00:34:51,480
Speaker 1: got shot. And then I think he lived seven days

688
00:34:51,760 --> 00:34:53,920
Speaker 1: something like that. Yeah, so I spoke to him a

689
00:34:54,040 --> 00:34:57,279
Speaker 1: week before you got shot. Well, that conversation about a

690
00:34:57,440 --> 00:34:59,440
Speaker 1: fast conversation. I was out here. I think I was

691
00:34:59,560 --> 00:35:03,480
Speaker 1: doing um as good as it gets, and uh, somebody

692
00:35:03,600 --> 00:35:05,480
Speaker 1: that I knew. I was like, oh man, you know

693
00:35:05,560 --> 00:35:07,880
Speaker 1: what I know Poc, and we were talking about you

694
00:35:08,040 --> 00:35:12,200
Speaker 1: this and that. Oh yeah, just scraped him him up. Yo.

695
00:35:12,400 --> 00:35:13,799
Speaker 1: Put me on the phone on him because I want

696
00:35:13,840 --> 00:35:16,040
Speaker 1: to call him. What I'm saying, Yeah, what's up man,

697
00:35:16,080 --> 00:35:18,560
Speaker 1: how's it going? Just a regular conversation. I think I

698
00:35:18,680 --> 00:35:21,959
Speaker 1: never had a weird conversation with Tupac. He was bright,

699
00:35:22,400 --> 00:35:25,239
Speaker 1: very bright. Everybody kind of knows Tupac. That's what I

700
00:35:25,360 --> 00:35:28,319
Speaker 1: learned about him from an artists he left like him.

701
00:35:29,200 --> 00:35:32,200
Speaker 1: You know, um, we we kind of know. Somebody said,

702
00:35:32,200 --> 00:35:35,680
Speaker 1: what's Tupac? Like you know already, m that's we know

703
00:35:35,840 --> 00:35:38,520
Speaker 1: what Tupac is, like you genuinely know. We know the

704
00:35:38,680 --> 00:35:44,239
Speaker 1: dead Mama Tupac, and we know that, Um, the disrespect Tupac. Yeah,

705
00:35:44,280 --> 00:35:46,680
Speaker 1: to hit him up Tupac, So we know those characters.

706
00:35:46,880 --> 00:35:49,120
Speaker 1: That's pretty much that was Tupac. He talked to me

707
00:35:49,200 --> 00:35:53,920
Speaker 1: about like Gandhi Lorraine Handsbury who was a playwright. She

708
00:35:54,080 --> 00:35:58,440
Speaker 1: wrote Raising in the Sun, and we was I was

709
00:35:58,480 --> 00:36:00,320
Speaker 1: a rapper at the time, and I was pretty hockey like,

710
00:36:00,320 --> 00:36:02,600
Speaker 1: I ain't you know, that wasn't this Tupac. That was

711
00:36:02,680 --> 00:36:05,560
Speaker 1: Tupac only one movie in you know what I mean,

712
00:36:05,719 --> 00:36:08,400
Speaker 1: And he wasn't iconic and none of that. So the

713
00:36:08,480 --> 00:36:11,640
Speaker 1: way I looked at everybody was that, you know, it's equal,

714
00:36:12,040 --> 00:36:14,719
Speaker 1: you know what I'm saying. No, I just look at

715
00:36:14,719 --> 00:36:17,120
Speaker 1: all the rappers the same and in terms of what

716
00:36:17,200 --> 00:36:20,080
Speaker 1: I feel like a rapper. So so let's wrap. You know,

717
00:36:20,160 --> 00:36:22,759
Speaker 1: I never thought anything but then ton of events during

718
00:36:22,800 --> 00:36:24,320
Speaker 1: Above the Rim at the end of the movie, he

719
00:36:24,480 --> 00:36:27,480
Speaker 1: was shot the first time and the movie wasn't done yet.

720
00:36:27,960 --> 00:36:31,120
Speaker 1: The end Above the Rim, um there's a look alike.

721
00:36:32,000 --> 00:36:34,200
Speaker 1: It's like, there's a look alike at the end of

722
00:36:34,600 --> 00:36:37,680
Speaker 1: Above the Rim. Hold on the end Above the Rim

723
00:36:37,840 --> 00:36:39,640
Speaker 1: is when he goes on the court. You on the court,

724
00:36:39,680 --> 00:36:42,200
Speaker 1: and he like, if you look at that, they're using

725
00:36:42,280 --> 00:36:44,800
Speaker 1: the same shots. I hate to sort of, you know,

726
00:36:45,239 --> 00:36:48,439
Speaker 1: go into the magic of the movie. But yeah, they're using,

727
00:36:48,719 --> 00:36:52,120
Speaker 1: um a close up of Tupac to show him show

728
00:36:52,160 --> 00:36:54,239
Speaker 1: aggression on the court. At that time, he was not

729
00:36:54,360 --> 00:36:57,799
Speaker 1: around anymore. He had shot that already, and then they

730
00:36:57,880 --> 00:37:00,480
Speaker 1: just kept on using the same stuff too. But he

731
00:37:00,560 --> 00:37:03,760
Speaker 1: handed you the Duffel bag though they shot that already,

732
00:37:03,840 --> 00:37:05,640
Speaker 1: but there was more to shoot. So they ended up

733
00:37:06,320 --> 00:37:09,520
Speaker 1: um cutting out stuff and taking stuff away and reshaping

734
00:37:09,560 --> 00:37:11,080
Speaker 1: the movie because at the end of the movie your

735
00:37:11,120 --> 00:37:13,399
Speaker 1: shot he was shot in real life. Yeah, I gotta

736
00:37:13,400 --> 00:37:15,239
Speaker 1: go back and look at it. So when Marlin shot him,

737
00:37:15,280 --> 00:37:17,359
Speaker 1: that was really him, though at the end, right, I'm

738
00:37:17,400 --> 00:37:19,040
Speaker 1: not sure. I'm not sure. I have to look at

739
00:37:19,080 --> 00:37:20,560
Speaker 1: it to see because when I look at it, I

740
00:37:20,600 --> 00:37:23,320
Speaker 1: see the I see the because I see it, I

741
00:37:23,440 --> 00:37:26,040
Speaker 1: see the what do you call it look alike? But

742
00:37:26,080 --> 00:37:28,640
Speaker 1: I'm gonna tell you, the guy looks just like Tupoc.

743
00:37:29,200 --> 00:37:31,920
Speaker 1: You can, you can. I'm wondering that myself. But I

744
00:37:32,040 --> 00:37:33,960
Speaker 1: was just thinking that what was that, dude? But um,

745
00:37:34,480 --> 00:37:36,879
Speaker 1: I just saw a little bit of the Tupop movie

746
00:37:37,360 --> 00:37:41,759
Speaker 1: maybe a few months ago, because I know, I know, yeah, yeah, yeah, no,

747
00:37:41,920 --> 00:37:46,000
Speaker 1: no like Hutton, El Tie Hutting, Eli Hutton and Bennie

748
00:37:46,040 --> 00:37:49,040
Speaker 1: Boom together. Yeah, um yeah, I saw I saw some

749
00:37:49,160 --> 00:37:51,239
Speaker 1: of that. And that guy he looks like Tupac. This

750
00:37:51,280 --> 00:37:53,440
Speaker 1: is the other guy. He was just spitting him into Tupoc.

751
00:37:53,800 --> 00:37:55,680
Speaker 1: I wonder how that dynamic worked because you also East

752
00:37:55,680 --> 00:37:58,160
Speaker 1: Coast heavy. Did you have like a look at this dude,

753
00:37:58,200 --> 00:38:01,640
Speaker 1: pot this and all East Coast art at that time. Nah,

754
00:38:01,760 --> 00:38:05,759
Speaker 1: it wasn't like that. Pop wasn't even dissent people. He was. Yeah,

755
00:38:05,840 --> 00:38:08,600
Speaker 1: that was pre Suged Night. That was so really that

756
00:38:08,719 --> 00:38:14,360
Speaker 1: sig Night was the instigation of Tupacs. Like Tupac was

757
00:38:14,360 --> 00:38:17,480
Speaker 1: out on bail. Literally it was only outline don't know

758
00:38:17,880 --> 00:38:20,279
Speaker 1: six months before he died or some or a year.

759
00:38:21,000 --> 00:38:25,080
Speaker 1: Six months later Bigge died. That was pretty tragic music history,

760
00:38:25,640 --> 00:38:28,439
Speaker 1: you know. And that's just bad times. But he did

761
00:38:28,560 --> 00:38:30,880
Speaker 1: so much in four years. He was only on the

762
00:38:30,960 --> 00:38:34,120
Speaker 1: scene maybe four years seven, I think. But when he

763
00:38:34,200 --> 00:38:36,919
Speaker 1: got out of jail, Cat only lived like a few

764
00:38:37,000 --> 00:38:39,600
Speaker 1: more months. Did all these records. He got records Now

765
00:38:39,680 --> 00:38:42,120
Speaker 1: that's gonna come out a few months, and he was

766
00:38:42,239 --> 00:38:44,759
Speaker 1: already just like everybody is now tatted up. He was

767
00:38:44,800 --> 00:38:47,840
Speaker 1: already here, you know what I mean. He was literally

768
00:38:48,360 --> 00:38:50,399
Speaker 1: I remember the first time I saw the thug life

769
00:38:50,440 --> 00:38:53,120
Speaker 1: to Nobody was tatted back then like that, nobody had

770
00:38:53,360 --> 00:38:56,360
Speaker 1: body tats and old. He didn't have a sleep but

771
00:38:56,520 --> 00:38:59,480
Speaker 1: tats all over the body, so pop would like not

772
00:38:59,600 --> 00:39:02,520
Speaker 1: having short you know what I'm saying. It's like and

773
00:39:02,600 --> 00:39:05,279
Speaker 1: I remember seeing it. I was just like, damn, it

774
00:39:05,440 --> 00:39:08,080
Speaker 1: was just shocking, literally shocking. He was like, oh, I've

775
00:39:08,080 --> 00:39:11,320
Speaker 1: never seen nobody like put that rain thin. Man. He

776
00:39:11,480 --> 00:39:13,719
Speaker 1: was all into it, like he was in, all in

777
00:39:14,080 --> 00:39:17,200
Speaker 1: and committed as an artist. And I think that the

778
00:39:17,320 --> 00:39:20,680
Speaker 1: Sugar Knight turn was a turn, was kind of a

779
00:39:20,800 --> 00:39:23,480
Speaker 1: bad turn for him. I love the nineties, man, Why

780
00:39:23,480 --> 00:39:25,839
Speaker 1: why do you think I like the late eighties and nineties,

781
00:39:25,840 --> 00:39:27,719
Speaker 1: But why do you think these period pieces are more

782
00:39:27,800 --> 00:39:30,680
Speaker 1: popular than ever? Now? We need that. It's like at

783
00:39:30,719 --> 00:39:32,960
Speaker 1: this point it's refreshing. We don't know what to do

784
00:39:33,200 --> 00:39:35,520
Speaker 1: futuristically if we have to go in the past. We

785
00:39:35,560 --> 00:39:37,480
Speaker 1: ain't going to the eighties too much. A little bit

786
00:39:37,600 --> 00:39:40,880
Speaker 1: cast getting the boxes box haircuts with the lines in them,

787
00:39:40,920 --> 00:39:44,400
Speaker 1: and you can rock anything esthetically, but the energy in

788
00:39:44,480 --> 00:39:47,720
Speaker 1: the nineties like was like, was that like that fertile

789
00:39:47,920 --> 00:39:50,320
Speaker 1: energy you know that you feel like You're gonna Sum's

790
00:39:50,320 --> 00:39:53,480
Speaker 1: gonna spawn from this. You know that dream energy Cast

791
00:39:53,640 --> 00:39:55,319
Speaker 1: used to have before y'all. You guys are on the show.

792
00:39:55,520 --> 00:39:59,239
Speaker 1: Congratulations again being three years on Revolt and everything. But

793
00:39:59,360 --> 00:40:02,080
Speaker 1: you guys are doing the show. That energy you had

794
00:40:02,640 --> 00:40:05,359
Speaker 1: when you was with Wendy and when you would would

795
00:40:05,520 --> 00:40:07,359
Speaker 1: had your feet moving in a direction where you were

796
00:40:07,480 --> 00:40:11,279
Speaker 1: driven and when you that digging you do. That's so

797
00:40:11,480 --> 00:40:14,200
Speaker 1: important to keep that the processing. Yeah, the feeling of

798
00:40:14,360 --> 00:40:18,080
Speaker 1: like I'm getting up and I'm I'm Charlotte Magne, you know,

799
00:40:18,440 --> 00:40:21,239
Speaker 1: and Cast gone say something to me every ten feet

800
00:40:21,280 --> 00:40:24,319
Speaker 1: I moved. I still gotta be the digger right now.

801
00:40:24,400 --> 00:40:27,560
Speaker 1: I still gotta dig, you know, because the goal is deeper,

802
00:40:27,880 --> 00:40:31,200
Speaker 1: you know, and so to have long longevity like you

803
00:40:31,280 --> 00:40:34,680
Speaker 1: guys have and will continue to have, I'm just I'm excited.

804
00:40:34,719 --> 00:40:36,400
Speaker 1: I'm happy for y'all. How what's the best route for

805
00:40:36,440 --> 00:40:38,600
Speaker 1: a kid to take to go to school for acting

806
00:40:38,760 --> 00:40:41,800
Speaker 1: or just go to la And I think it depends

807
00:40:41,920 --> 00:40:44,920
Speaker 1: on I depend on Like me being from Chicago, I

808
00:40:45,000 --> 00:40:46,680
Speaker 1: mean I had to go to college just I had.

809
00:40:46,760 --> 00:40:48,920
Speaker 1: If I didn't do it, I mean I would have

810
00:40:48,960 --> 00:40:51,600
Speaker 1: been home and it wouldn't have been it wouldn't have

811
00:40:51,680 --> 00:40:53,640
Speaker 1: been all right. But I think the best route is

812
00:40:53,719 --> 00:40:56,200
Speaker 1: school if you're in a situation like that, because you

813
00:40:56,280 --> 00:40:58,960
Speaker 1: gotta move, like you need a new society, you know

814
00:40:58,960 --> 00:41:02,440
Speaker 1: what I mean. You can't be in this environment anymore

815
00:41:02,760 --> 00:41:04,960
Speaker 1: because it's two toxics. So you get this new environment,

816
00:41:04,960 --> 00:41:08,280
Speaker 1: you're able to create, recreate yourself, and you create the actor,

817
00:41:09,160 --> 00:41:11,440
Speaker 1: you know what I mean. Otherwise I'm this dude who

818
00:41:11,480 --> 00:41:14,000
Speaker 1: think he can play ball with an actor in my heart,

819
00:41:14,040 --> 00:41:17,080
Speaker 1: who didn't do it, who stayed in Chicago and you know,

820
00:41:17,360 --> 00:41:19,919
Speaker 1: maybe got involved with the wrong thing, made some money

821
00:41:19,960 --> 00:41:23,000
Speaker 1: with the wrong people in jail, and just that typical route,

822
00:41:23,080 --> 00:41:25,160
Speaker 1: if it is the scholastic route where you're going to

823
00:41:25,239 --> 00:41:27,520
Speaker 1: the schools the top schools are on the east, would

824
00:41:27,520 --> 00:41:32,040
Speaker 1: be NYU, Rutgers, Juilliard. You auditioned for that. You do

825
00:41:32,160 --> 00:41:34,279
Speaker 1: a two minute mono law. You could be thirty two

826
00:41:34,360 --> 00:41:37,480
Speaker 1: years old, twenty one years old, whatever. You just have

827
00:41:37,640 --> 00:41:41,560
Speaker 1: to have had undergrad school, right, and if you're great,

828
00:41:41,560 --> 00:41:43,480
Speaker 1: you're gonna get in. I mean, the margin is slim.

829
00:41:43,600 --> 00:41:46,759
Speaker 1: They take like two three thousand people and they take

830
00:41:46,840 --> 00:41:50,200
Speaker 1: like ten people out of the row a few thousand people.

831
00:41:50,760 --> 00:41:53,000
Speaker 1: But you got to imagine, you know, some of those

832
00:41:53,000 --> 00:41:54,600
Speaker 1: people got to be black, that that number is going

833
00:41:54,640 --> 00:41:58,960
Speaker 1: to be one hundred black people. They're choosen within smaller

834
00:41:58,960 --> 00:42:01,839
Speaker 1: pool that you're being chosen chosen from. So I would say,

835
00:42:02,000 --> 00:42:04,080
Speaker 1: like Charlemagne asked, you know if that if you're if

836
00:42:04,120 --> 00:42:06,400
Speaker 1: you need to be in a society like he put

837
00:42:06,480 --> 00:42:09,720
Speaker 1: itself in the right place. And it's different with acting

838
00:42:09,800 --> 00:42:14,120
Speaker 1: like you can you can revolutionize the radio, and you

839
00:42:14,200 --> 00:42:16,160
Speaker 1: guys have in many ways. You guys have in any ways,

840
00:42:16,200 --> 00:42:19,080
Speaker 1: and you guys are part of the evolution of this

841
00:42:19,520 --> 00:42:23,080
Speaker 1: the game, the breakfast club. You know, Um, if I

842
00:42:23,160 --> 00:42:25,880
Speaker 1: wouldn't have gone to school, like I said, I wouldn't

843
00:42:25,880 --> 00:42:27,520
Speaker 1: be here. You know what I'm saying, I definitely wouldn't

844
00:42:27,520 --> 00:42:28,800
Speaker 1: be here if I had not gone to school. It

845
00:42:28,920 --> 00:42:32,120
Speaker 1: wasn't about the schooling, but I needed that society, so

846
00:42:32,200 --> 00:42:34,040
Speaker 1: I would not I can be enriched by it a

847
00:42:34,120 --> 00:42:36,359
Speaker 1: little bit if need to be or a lot. Can

848
00:42:36,440 --> 00:42:39,320
Speaker 1: they teach you to be a good actor like those instincts? No,

849
00:42:39,440 --> 00:42:40,920
Speaker 1: But like I told you, like, let's say you do

850
00:42:41,080 --> 00:42:43,560
Speaker 1: have addiction things, you know, because a lot of black

851
00:42:43,600 --> 00:42:45,960
Speaker 1: people might be a little hot understanding. You know what

852
00:42:45,960 --> 00:42:48,120
Speaker 1: I mean, you're talking like this and think everybody know

853
00:42:48,120 --> 00:42:52,160
Speaker 1: what you're saying and working a role. But you still

854
00:42:52,200 --> 00:42:54,560
Speaker 1: gotta even if you're doing a role, you gotta articulate enough.

855
00:42:54,880 --> 00:42:57,440
Speaker 1: You know. I feel like you and mcay gave Cameron

856
00:42:57,520 --> 00:43:00,040
Speaker 1: from on the job training for paying for Cameron and

857
00:43:01,560 --> 00:43:04,000
Speaker 1: eOne is great in that Without Cameron being great, that

858
00:43:04,120 --> 00:43:08,280
Speaker 1: movie ain't gonna be no flash. Cam is a dope, dope,

859
00:43:08,360 --> 00:43:11,120
Speaker 1: dope actor. He did that work like he researched it.

860
00:43:11,680 --> 00:43:14,640
Speaker 1: He went and talked to the guy and he did

861
00:43:14,719 --> 00:43:18,080
Speaker 1: everything he could to be him and from me and McKay.

862
00:43:18,680 --> 00:43:21,080
Speaker 1: He just let us like lead, you know what I'm saying.

863
00:43:21,120 --> 00:43:23,080
Speaker 1: So he was an active listener, like looking at us

864
00:43:23,120 --> 00:43:25,360
Speaker 1: with his eyes opening. So you didn't have to teach me,

865
00:43:25,440 --> 00:43:27,879
Speaker 1: like that's great acting already you're listening, Like don't you're listening.

866
00:43:27,880 --> 00:43:30,520
Speaker 1: You're gonna give a genuine response. So when you're looking

867
00:43:30,560 --> 00:43:35,080
Speaker 1: at his eyes in the movie, you see genuine expression

868
00:43:35,120 --> 00:43:37,400
Speaker 1: in his eyes and mine and McCay. That's why Payton

869
00:43:37,480 --> 00:43:40,040
Speaker 1: full it's dope and will always be that way because

870
00:43:40,200 --> 00:43:42,600
Speaker 1: it's real in our eyes. A lot of close ups

871
00:43:42,640 --> 00:43:44,799
Speaker 1: I mean that technically, it's a lot of close ups

872
00:43:45,000 --> 00:43:46,840
Speaker 1: and you don't see this like acting. Okay, if this

873
00:43:46,880 --> 00:43:48,600
Speaker 1: is an actor right here in the microphone and the

874
00:43:48,719 --> 00:43:51,759
Speaker 1: actors like right here, right actors, right here, it's me.

875
00:43:52,560 --> 00:43:54,359
Speaker 1: Now I'm looking I'm gazing at the I'm gazing at

876
00:43:54,400 --> 00:43:56,440
Speaker 1: the microphone, empty eye, like I'm not really looking at

877
00:43:56,440 --> 00:43:58,960
Speaker 1: the microphone. Well, i could be really locked into the microphone.

878
00:43:58,960 --> 00:44:01,000
Speaker 1: And there's there's this way again. Amazing, that's not there.

879
00:44:01,239 --> 00:44:03,480
Speaker 1: A lot of time actors do that. That's why mcay

880
00:44:03,560 --> 00:44:07,279
Speaker 1: when he was in the car crying that the side, Yeah,

881
00:44:07,360 --> 00:44:11,239
Speaker 1: that was man McCay, so dope did that. That was

882
00:44:11,280 --> 00:44:15,239
Speaker 1: two takes. He did both takes the same way. Wow, camera,

883
00:44:15,360 --> 00:44:18,160
Speaker 1: let me tell you cameeron story real quick. There's a

884
00:44:18,239 --> 00:44:22,000
Speaker 1: scene the movie where this guy drives up and he's like, Yo,

885
00:44:22,080 --> 00:44:24,799
Speaker 1: what's up. It's dry out there. Your man ain't got nothing.

886
00:44:25,120 --> 00:44:27,200
Speaker 1: And you see Cam walk up to him. And now

887
00:44:27,280 --> 00:44:29,840
Speaker 1: the script says he's supposed to just walk up to

888
00:44:29,960 --> 00:44:34,440
Speaker 1: him punch him, right, Cameron really punches him for real.

889
00:44:35,680 --> 00:44:38,240
Speaker 1: Cameron snatched him out the car. That's not in the script.

890
00:44:38,480 --> 00:44:42,000
Speaker 1: You still had a real busted snatched him out the car,

891
00:44:42,120 --> 00:44:45,480
Speaker 1: whole body, hitting the egg thing Avery step slammed him

892
00:44:45,520 --> 00:44:48,279
Speaker 1: on the ground, really stilling on him. I remember and

893
00:44:48,760 --> 00:44:52,439
Speaker 1: I remember when the director Chucks Charles Stone directed Payton Forward.

894
00:44:52,440 --> 00:44:54,640
Speaker 1: Shout out Charleston. He was like, Yo, what we had

895
00:44:54,680 --> 00:44:57,800
Speaker 1: the best shot today. I just gotta tell you what happened.

896
00:44:58,160 --> 00:45:02,360
Speaker 1: He said, camera, camera really punched the guy. We kept it,

897
00:45:02,520 --> 00:45:04,880
Speaker 1: We got it. He was so excited and when you

898
00:45:04,960 --> 00:45:07,120
Speaker 1: see it, that's real. That's why it's a jump cut

899
00:45:07,280 --> 00:45:10,400
Speaker 1: because they got ran down the street. So he was

900
00:45:10,440 --> 00:45:12,640
Speaker 1: really scared. He well, I don't know if he was

901
00:45:12,680 --> 00:45:18,800
Speaker 1: really scared that yeah, he just stayed there and you

902
00:45:18,880 --> 00:45:21,759
Speaker 1: know how you got put attended. He rolled with the

903
00:45:21,880 --> 00:45:25,799
Speaker 1: punch after that. You're not gonna do a second tape

904
00:45:26,200 --> 00:45:30,480
Speaker 1: a second it's I remember. Um, it's great when when

905
00:45:30,520 --> 00:45:32,319
Speaker 1: you can get that kind of like that's real stuff.

906
00:45:32,360 --> 00:45:34,120
Speaker 1: So Payton Ford got that kind of stuff in it.

907
00:45:34,239 --> 00:45:37,920
Speaker 1: You know you could be later, but without Cameron and McCay,

908
00:45:38,640 --> 00:45:41,399
Speaker 1: I can't make that as genuine. You know, they had

909
00:45:41,440 --> 00:45:45,160
Speaker 1: the harder haul him in them for real. Like McCay

910
00:45:45,239 --> 00:45:46,759
Speaker 1: came to me with the script, Yo, what you gotta

911
00:45:46,760 --> 00:45:48,360
Speaker 1: do this? I already knew McCay right, That's how I

912
00:45:48,400 --> 00:45:50,960
Speaker 1: got involved with the movie. I'm like, yeah, I'm doing this.

913
00:45:51,560 --> 00:45:54,360
Speaker 1: But McCay was so, yo, we gotta do this, Like

914
00:45:54,920 --> 00:45:58,200
Speaker 1: that's how we gotta do this. Life is good. He

915
00:45:58,320 --> 00:46:00,640
Speaker 1: was like, life this good. We gotta do this. But

916
00:46:00,800 --> 00:46:03,000
Speaker 1: we got through. We gotta put this, we gotta put

917
00:46:03,080 --> 00:46:05,359
Speaker 1: this down. It's gonna have to be put down. There's

918
00:46:05,400 --> 00:46:07,359
Speaker 1: no option because we could make a classic. I mean,

919
00:46:07,400 --> 00:46:09,600
Speaker 1: we would have done a lot better if two things.

920
00:46:09,760 --> 00:46:14,400
Speaker 1: I believe that probably Damon, you know his as a

921
00:46:14,480 --> 00:46:16,440
Speaker 1: producer on that movie. I don't think he had a

922
00:46:16,480 --> 00:46:22,160
Speaker 1: good relationship with Harvey Weinstein, and I think that relationship

923
00:46:22,480 --> 00:46:26,719
Speaker 1: soured the the the movie in a sense where it

924
00:46:26,880 --> 00:46:29,680
Speaker 1: didn't hit the screens as many screens. It didn't get

925
00:46:29,719 --> 00:46:31,880
Speaker 1: as much because it could be just a classic for everyone.

926
00:46:33,360 --> 00:46:35,160
Speaker 1: It should have won something. It could have won. It

927
00:46:35,239 --> 00:46:37,040
Speaker 1: should have won something, It could have won something. I

928
00:46:37,120 --> 00:46:39,719
Speaker 1: think that Damon at that time, and I like, Damon,

929
00:46:39,719 --> 00:46:41,880
Speaker 1: I don't want people think I don't like throwing anybody on.

930
00:46:41,960 --> 00:46:44,720
Speaker 1: I will never throw a person under the bus. Damon

931
00:46:45,520 --> 00:46:47,280
Speaker 1: at that time. I think if he could do it differently,

932
00:46:47,320 --> 00:46:49,960
Speaker 1: he would have It's it's a classic because the perfect

933
00:46:50,000 --> 00:46:52,800
Speaker 1: storms happened a bunch of perfect storms, but his relationship

934
00:46:52,840 --> 00:46:56,880
Speaker 1: with Harvey dolled. It's dolled, it's box off. Sometimes you

935
00:46:56,960 --> 00:46:58,600
Speaker 1: have to put your personal step to the side for

936
00:46:58,719 --> 00:47:00,680
Speaker 1: the better man out. Yeah you can't. That was old

937
00:47:00,719 --> 00:47:04,399
Speaker 1: school Dame being old school Dame. But also it came

938
00:47:04,440 --> 00:47:07,520
Speaker 1: out on the street. Remember you could go get that

939
00:47:07,600 --> 00:47:10,960
Speaker 1: on the corner right now. That's how I believe Harvey

940
00:47:11,960 --> 00:47:14,880
Speaker 1: or whoever. I believe whoever leaked it to the streets

941
00:47:15,239 --> 00:47:18,160
Speaker 1: because paid and full and R. Kelly tape was number

942
00:47:18,200 --> 00:47:22,759
Speaker 1: one on the block. Anybody was watching R. Kelly and

943
00:47:22,800 --> 00:47:25,480
Speaker 1: then putting on the page for Wow, what a night

944
00:47:27,440 --> 00:47:35,120
Speaker 1: up here? Yea classic Dame. I like Dame Dash, you

945
00:47:35,160 --> 00:47:37,800
Speaker 1: know what I'm saying. Um, I know him a little differently.

946
00:47:37,840 --> 00:47:40,399
Speaker 1: I think all those guys treat me a little different.

947
00:47:40,440 --> 00:47:44,320
Speaker 1: Whether it's Ross Simmons or Sean Combs or Dame and stuff.

948
00:47:44,360 --> 00:47:46,879
Speaker 1: They treat me just a little differently. Um, just kind

949
00:47:46,920 --> 00:47:48,640
Speaker 1: of more like an artist, you know, and just they

950
00:47:48,719 --> 00:47:52,640
Speaker 1: respect me in a certain way. And um, so I've

951
00:47:52,719 --> 00:47:55,000
Speaker 1: not had any conflicts with any people, you know, but

952
00:47:55,120 --> 00:47:57,640
Speaker 1: you see and you know, and you hear things, and

953
00:47:57,920 --> 00:47:59,400
Speaker 1: it is what it is. Though people have to go

954
00:47:59,480 --> 00:48:02,440
Speaker 1: through what the guy go through. The breaks Monday, the

955
00:48:02,520 --> 00:48:05,800
Speaker 1: breaks Monday. Ut you so much for coming through. I

956
00:48:06,000 --> 00:48:08,600
Speaker 1: was like, because you know, people just bought you and

957
00:48:08,719 --> 00:48:10,279
Speaker 1: I've seen I was like, yo, yeah, I come to

958
00:48:10,320 --> 00:48:14,279
Speaker 1: the breakfast. I asked twice. He really said it's gonna come.

959
00:48:14,320 --> 00:48:16,399
Speaker 1: And then they really hit me up like so, um,

960
00:48:16,800 --> 00:48:19,319
Speaker 1: I'm leaving on Saturday. I was like, all right, what's

961
00:48:19,520 --> 00:48:20,960
Speaker 1: it was gonna come? I was shocked to see you.

962
00:48:20,960 --> 00:48:22,520
Speaker 1: It was very nice to see you with this listen,

963
00:48:22,600 --> 00:48:24,000
Speaker 1: and so we're shocking to me that. I was like,

964
00:48:24,040 --> 00:48:26,239
Speaker 1: I can't believe what. Harris knows who I am. So

965
00:48:26,640 --> 00:48:29,440
Speaker 1: that was are you kidding? Yeah? Yeah, yeah, yeah, we

966
00:48:29,560 --> 00:48:31,799
Speaker 1: all know who you all are. Everybody knows who you got.

967
00:48:31,880 --> 00:48:34,080
Speaker 1: And even Jamie Hector was there, who played Marlon on

968
00:48:34,200 --> 00:48:35,960
Speaker 1: the Wire and he was like, hey, I listened to

969
00:48:36,080 --> 00:48:37,759
Speaker 1: y'all all the time, and I was like, wow, are

970
00:48:37,760 --> 00:48:41,000
Speaker 1: we really doing something? What you guys killing me right now?

971
00:48:41,000 --> 00:48:45,040
Speaker 1: I stop it all doing something for the Brakes at nine.

972
00:48:45,160 --> 00:48:46,719
Speaker 1: So you always got to come back and check with

973
00:48:46,840 --> 00:48:49,360
Speaker 1: us and let us go on. I got blave running

974
00:48:49,360 --> 00:48:51,600
Speaker 1: coming out with Ryan Gosling and a bunch of all

975
00:48:51,600 --> 00:48:53,759
Speaker 1: the stuff. I'll come check y'all out man open open

976
00:48:53,800 --> 00:48:56,000
Speaker 1: door policy for you. What thank you, thank you, Charlotte man.

977
00:48:56,160 --> 00:49:02,320
Speaker 1: It's the Breakfast Club. The Breakfast Club, got some pants,

978
00:49:02,440 --> 00:49:07,560
Speaker 1: Come run with this me boo move back morning. Everybody's

979
00:49:07,640 --> 00:49:10,279
Speaker 1: DJ m vy angela Ye Charlomagne the guy. We all

980
00:49:10,280 --> 00:49:13,200
Speaker 1: the Breakfast Club. But don't forget. Breakfast Club's Annual Day

981
00:49:13,280 --> 00:49:16,440
Speaker 1: Party goes down this Saturday. Yes, at the v Charlotte.

982
00:49:16,480 --> 00:49:17,839
Speaker 1: We do it each and every year. This is our

983
00:49:17,920 --> 00:49:22,200
Speaker 1: sixth annual day Party, annual celebrity day party. It's always amazing.

984
00:49:22,280 --> 00:49:23,920
Speaker 1: We just love to kick it with you guys. We

985
00:49:24,520 --> 00:49:26,759
Speaker 1: it's so many artists stops do. We just have a

986
00:49:26,880 --> 00:49:28,920
Speaker 1: lot of fun. So if you're heading out to Cuba,

987
00:49:29,640 --> 00:49:31,440
Speaker 1: make sure you hang out with a Saturday to day

988
00:49:31,480 --> 00:49:33,080
Speaker 1: party who are from one to six, one to seven.

989
00:49:33,239 --> 00:49:38,160
Speaker 1: It gets crazy every Yes, hust Fifth Street, Charlotte, North Carolina,

990
00:49:38,200 --> 00:49:41,000
Speaker 1: scoop to my guy, DJ b Lord. DJ Louis Video

991
00:49:41,000 --> 00:49:43,919
Speaker 1: will be providing the soundtrack. My man Chris e h Yeah.

992
00:49:44,080 --> 00:49:45,560
Speaker 1: To make sure you come on out like every year

993
00:49:45,640 --> 00:49:48,080
Speaker 1: something I mean last year I think fifty came applies came.

994
00:49:51,560 --> 00:49:55,360
Speaker 1: Last year, I was a year before. You never know

995
00:49:55,400 --> 00:49:58,839
Speaker 1: who's gonna show up, but will definitely be there. Christ

996
00:49:59,160 --> 00:50:01,680
Speaker 1: even Charlomagne's going to be there. Charlemagne will be That's

997
00:50:01,719 --> 00:50:04,520
Speaker 1: my one club appearance. This is one time he goes

998
00:50:04,560 --> 00:50:07,239
Speaker 1: out for He's in and out though. If you want

999
00:50:07,280 --> 00:50:09,200
Speaker 1: to send some bottles to Charlemagne, this is the place

1000
00:50:09,239 --> 00:50:12,319
Speaker 1: to be. I'm flying into Charlotte and I'm flying right

1001
00:50:12,360 --> 00:50:15,239
Speaker 1: out after the part. That's how I roll. She all right, well,

1002
00:50:15,320 --> 00:50:18,200
Speaker 1: let's get to the rumors. Let's tell Chris Brown it's

1003
00:50:18,280 --> 00:50:31,200
Speaker 1: about Angela Ye on the Breakfast Club. Well, apparently Kruch

1004
00:50:31,400 --> 00:50:34,400
Speaker 1: has filed a restraining order against Chris Brown. Now this

1005
00:50:34,480 --> 00:50:37,080
Speaker 1: information has been made public. She wrote in court filings

1006
00:50:37,360 --> 00:50:40,279
Speaker 1: that Chris Brown had repeatedly threatened her since December. She

1007
00:50:40,440 --> 00:50:42,680
Speaker 1: also said that he punched her in the stomach and

1008
00:50:42,880 --> 00:50:46,080
Speaker 1: pushed her down the stairs a few years ago. They

1009
00:50:46,160 --> 00:50:49,680
Speaker 1: said there were no events, nobody was present at the time.

1010
00:50:49,719 --> 00:50:51,360
Speaker 1: We don't know what happened at that time with the

1011
00:50:51,400 --> 00:50:54,560
Speaker 1: police or anything, but according to a judge, they have

1012
00:50:54,800 --> 00:50:58,160
Speaker 1: ordered that he stay away from Kurucci after she accused

1013
00:50:58,200 --> 00:51:02,000
Speaker 1: him of physically abusing and thing her. Now here is

1014
00:51:02,120 --> 00:51:04,759
Speaker 1: Chris Brown's response, A couple of things happened yesterday. He

1015
00:51:04,840 --> 00:51:07,520
Speaker 1: was responding to that and also responding to the fact

1016
00:51:07,600 --> 00:51:10,000
Speaker 1: that he's not going to be fighting Soldier Boy at

1017
00:51:10,040 --> 00:51:12,080
Speaker 1: all now, and make sure I don't be listening to

1018
00:51:12,120 --> 00:51:15,919
Speaker 1: all this bullshit man they're talking about. And number two,

1019
00:51:16,320 --> 00:51:18,239
Speaker 1: I bouted it out of this soldier boy for it

1020
00:51:18,480 --> 00:51:21,520
Speaker 1: because it was a legit thing on a positive scale.

1021
00:51:21,920 --> 00:51:24,280
Speaker 1: All the wrong people got in the way. The middleman

1022
00:51:24,320 --> 00:51:26,520
Speaker 1: people got in the way. The homie so to speak,

1023
00:51:26,560 --> 00:51:28,520
Speaker 1: that that's right, got in away because they want to

1024
00:51:28,520 --> 00:51:31,000
Speaker 1: get a piece of the problem. It's in mature first

1025
00:51:31,040 --> 00:51:33,920
Speaker 1: of all, first and foremost. Second of all, ain't no

1026
00:51:34,400 --> 00:51:37,480
Speaker 1: ever hold me up. So however everything goes, this is

1027
00:51:37,480 --> 00:51:39,480
Speaker 1: how we were rocking. He gonna see me, you won't

1028
00:51:39,520 --> 00:51:41,680
Speaker 1: see you know. The problem with Chris Brown. The problem

1029
00:51:41,680 --> 00:51:43,840
Speaker 1: with Chris Brown is Chris won't acknowledge himself that he

1030
00:51:43,920 --> 00:51:46,759
Speaker 1: probably has a problem. Okay, if ten years ago you

1031
00:51:46,840 --> 00:51:49,440
Speaker 1: put speed knights on Rihanna's forehead, then you're being accused

1032
00:51:49,480 --> 00:51:51,719
Speaker 1: of punching a girl in the stomach. Now you can't

1033
00:51:51,760 --> 00:51:53,080
Speaker 1: just make a video and be like, man, that's what

1034
00:51:53,200 --> 00:51:56,040
Speaker 1: that other side talking about. Right, you know what I'm saying.

1035
00:51:56,320 --> 00:51:57,680
Speaker 1: And plus, after you just put out a video, did

1036
00:51:57,680 --> 00:51:59,080
Speaker 1: you put out of view like a mufflego thing? He'd

1037
00:51:59,120 --> 00:52:02,040
Speaker 1: stalk to that video right here. Here's what Chris Brown

1038
00:52:02,120 --> 00:52:04,880
Speaker 1: had to say about stalking and X lady y'all complaining

1039
00:52:04,920 --> 00:52:07,560
Speaker 1: about being like stalker is in love with y'all kind

1040
00:52:07,600 --> 00:52:10,160
Speaker 1: of crazy, can't get tired of him? Well, guess what

1041
00:52:10,239 --> 00:52:12,680
Speaker 1: I wanted to If I love you, Mitch, ain't nobody

1042
00:52:12,719 --> 00:52:15,520
Speaker 1: gonna hey, I'm gonna make get miserable. I'm gonna chase

1043
00:52:15,600 --> 00:52:20,800
Speaker 1: that out o wa chase yo ass around? Yeah, you

1044
00:52:20,920 --> 00:52:23,520
Speaker 1: can't think that kind of behavior is normal. It was.

1045
00:52:23,840 --> 00:52:27,479
Speaker 1: It was interesting that I was reading that the artist

1046
00:52:27,600 --> 00:52:30,920
Speaker 1: Kakola was speaking out against Chris Brown. She used to

1047
00:52:30,960 --> 00:52:34,840
Speaker 1: be neighbors to Chris Brown, well to Carucci, and she

1048
00:52:34,960 --> 00:52:38,680
Speaker 1: said that she said, um, y'all wonder watch lips get

1049
00:52:38,680 --> 00:52:40,479
Speaker 1: away with so much because of weirdos like you putting

1050
00:52:40,520 --> 00:52:42,479
Speaker 1: them on a pedestal, letting them get away with this crap.

1051
00:52:43,000 --> 00:52:44,640
Speaker 1: And she said that she would get into it with

1052
00:52:44,719 --> 00:52:47,000
Speaker 1: Chris because his loud ass used to wake up my daughter.

1053
00:52:47,120 --> 00:52:48,759
Speaker 1: He was rude as f and I had known him

1054
00:52:48,800 --> 00:52:51,040
Speaker 1: since he was a kid. I never spoke up because

1055
00:52:51,040 --> 00:52:52,799
Speaker 1: I didn't feel it was my place. But hearing y'all

1056
00:52:52,800 --> 00:52:55,239
Speaker 1: say she's lying, I can't just sit by and watch this.

1057
00:52:55,320 --> 00:52:57,840
Speaker 1: Some people were very upset with Carucci about what happened,

1058
00:52:58,360 --> 00:53:00,879
Speaker 1: But she did file a restraining The reason why it's

1059
00:53:00,920 --> 00:53:02,960
Speaker 1: public and people know it, it's because she did go

1060
00:53:03,040 --> 00:53:04,960
Speaker 1: ahead and follow restraining order. It's not that she went

1061
00:53:05,040 --> 00:53:07,319
Speaker 1: to the press and said Chris Brown did this. Chris

1062
00:53:07,400 --> 00:53:10,399
Speaker 1: Brown did that. It's not that. Why would people think

1063
00:53:10,440 --> 00:53:13,080
Speaker 1: she's lying? I mean, I mean, I mean, we don't

1064
00:53:13,080 --> 00:53:15,879
Speaker 1: know what happened, but I wouldn't automatically. Yeah, we can't

1065
00:53:15,920 --> 00:53:17,719
Speaker 1: confirm it's the truth, but don't you think Chris Brown

1066
00:53:17,840 --> 00:53:20,360
Speaker 1: is giving us warning enough evidence to think she probably

1067
00:53:20,400 --> 00:53:22,680
Speaker 1: could be telling the drup? Okay, Carla also said I've

1068
00:53:22,719 --> 00:53:25,040
Speaker 1: heard him beating her myself. I even called the police.

1069
00:53:25,080 --> 00:53:27,680
Speaker 1: I used to cry over that situation, hearing her screaming

1070
00:53:27,719 --> 00:53:29,960
Speaker 1: at the top of her lungs because I am also

1071
00:53:30,080 --> 00:53:32,160
Speaker 1: a victim of domestic violence. Now a lot of people

1072
00:53:32,200 --> 00:53:34,160
Speaker 1: are saying, well, if that was true, she should have

1073
00:53:34,200 --> 00:53:36,239
Speaker 1: called the police and had him arrested. Dada da da da.

1074
00:53:36,560 --> 00:53:39,000
Speaker 1: But it is too. In a lot of domestic violence cases.

1075
00:53:39,000 --> 00:53:41,000
Speaker 1: And I'm not even saying for sure whether or not

1076
00:53:41,160 --> 00:53:43,200
Speaker 1: what this what happened here, but a lot of people

1077
00:53:43,280 --> 00:53:45,200
Speaker 1: don't call the police and don't arrest somebody. And even

1078
00:53:45,280 --> 00:53:47,480
Speaker 1: the police do come, if you don't press charges or

1079
00:53:47,600 --> 00:53:49,439
Speaker 1: said yes, he was just hitting me, they won't arrest

1080
00:53:49,480 --> 00:53:53,040
Speaker 1: the person. Well why did she restraining order now? Because

1081
00:53:53,080 --> 00:53:55,239
Speaker 1: he's making death threats against it and she feels like

1082
00:53:55,280 --> 00:53:56,880
Speaker 1: her life is in danger and saying I thought she

1083
00:53:56,920 --> 00:53:58,799
Speaker 1: foiled a while ago. We just recently got it. Yeah,

1084
00:53:58,840 --> 00:54:01,640
Speaker 1: well she got the judgment proved it. Listen, that bade

1085
00:54:01,680 --> 00:54:03,600
Speaker 1: rage is different. Man. Well, if the police come for

1086
00:54:03,760 --> 00:54:05,839
Speaker 1: domestic violence, they got to bring somebody in. No, they

1087
00:54:05,840 --> 00:54:08,080
Speaker 1: don't have to in certain states. They gotta bring something.

1088
00:54:08,320 --> 00:54:10,680
Speaker 1: Because I actually had a situation where my landlord called

1089
00:54:10,719 --> 00:54:13,919
Speaker 1: the police on somebody and I didn't say I wasn't

1090
00:54:13,960 --> 00:54:16,399
Speaker 1: the person that said. Somebody else called. So somebody else

1091
00:54:16,480 --> 00:54:18,160
Speaker 1: called and you don't say yes he hit me, yes

1092
00:54:18,200 --> 00:54:19,680
Speaker 1: he did this, They're not going to arrest that person.

1093
00:54:19,760 --> 00:54:22,759
Speaker 1: You have to say that unless they see something happen.

1094
00:54:23,280 --> 00:54:25,000
Speaker 1: But they won't do that unless and a lot of

1095
00:54:25,000 --> 00:54:26,920
Speaker 1: people don't want to get somebody arrested. Have you ever

1096
00:54:27,000 --> 00:54:32,080
Speaker 1: called the police on your boyfriend? Like sometimes the police

1097
00:54:32,080 --> 00:54:34,719
Speaker 1: will just make the person's leave. They'll just make the

1098
00:54:34,800 --> 00:54:37,200
Speaker 1: person leave and if you don't press charges, they won't

1099
00:54:37,200 --> 00:54:39,000
Speaker 1: get arrested. You know, one time my wife had been

1100
00:54:39,000 --> 00:54:41,040
Speaker 1: in the headlocker, I almost called the police. Huh wow,

1101
00:54:41,600 --> 00:54:43,399
Speaker 1: I knew. I knew it was something in your eyes

1102
00:54:45,600 --> 00:54:48,640
Speaker 1: the way you said somebody has to take somebody in

1103
00:54:49,200 --> 00:54:50,799
Speaker 1: when you call him. I could see it in your

1104
00:54:50,840 --> 00:54:53,560
Speaker 1: eyes that you have been hit some abuse so that

1105
00:54:53,560 --> 00:54:56,120
Speaker 1: I couldn't bring. And before we end this, I just

1106
00:54:56,160 --> 00:54:59,319
Speaker 1: want to say Soldier Boy also responded to Chris Brown.

1107
00:54:59,400 --> 00:55:01,680
Speaker 1: Here's what he said. I'm just here to accept this

1108
00:55:01,880 --> 00:55:04,800
Speaker 1: dub hand this hell to Chris Brown. You know, I

1109
00:55:04,880 --> 00:55:07,600
Speaker 1: want to thank so DMG. I want to thank all

1110
00:55:07,680 --> 00:55:10,600
Speaker 1: my fans. I want to thank God. Carucci foul to

1111
00:55:11,000 --> 00:55:14,400
Speaker 1: restraining order against this crazy as she said, he pushed him.

1112
00:55:14,400 --> 00:55:16,399
Speaker 1: He pushed her in the stomach two times and threw

1113
00:55:16,400 --> 00:55:21,719
Speaker 1: it down upstairs. This you wanted to fight me over

1114
00:55:21,800 --> 00:55:24,480
Speaker 1: this girl, and she just put a French straining order

1115
00:55:24,600 --> 00:55:27,640
Speaker 1: on this. He can't be a hundred feet of this girl. Chris,

1116
00:55:27,760 --> 00:55:31,279
Speaker 1: take this ill Okay, even though even though he laughed

1117
00:55:31,280 --> 00:55:34,920
Speaker 1: at the wrong time, I played fair. Soldier boy got

1118
00:55:35,000 --> 00:55:36,800
Speaker 1: a hell of a point. I'm not gonna lie to you.

1119
00:55:37,200 --> 00:55:40,279
Speaker 1: You got a hell of a point. You just wanted

1120
00:55:40,320 --> 00:55:42,960
Speaker 1: to fight Soldier Boy over Carucci, but she got to

1121
00:55:43,000 --> 00:55:45,640
Speaker 1: restrain and all that against you. A hell of a point, sir.

1122
00:55:46,280 --> 00:55:47,960
Speaker 1: All right, well, I mean angela ye, and that is

1123
00:55:48,000 --> 00:55:51,640
Speaker 1: your rumor report, all right? Yes, who give me that

1124
00:55:51,719 --> 00:55:55,880
Speaker 1: dog to char Mayne say that gang don't get the

1125
00:55:55,960 --> 00:56:03,960
Speaker 1: shape man you are gay. Donkey today does not discriminate.

1126
00:56:04,280 --> 00:56:05,840
Speaker 1: I might not have the song of today, but I

1127
00:56:05,920 --> 00:56:07,960
Speaker 1: got to donkey that. So if you ever feel I

1128
00:56:08,080 --> 00:56:12,759
Speaker 1: need to be a donkey man, hitot with the practice club, bitch.

1129
00:56:12,960 --> 00:56:17,360
Speaker 1: They just don't give today today. Always remember anything I

1130
00:56:17,480 --> 00:56:20,520
Speaker 1: say is just my perspective, okay, just my thoughts on

1131
00:56:20,640 --> 00:56:23,560
Speaker 1: the situation. And I always remember something could be wrong

1132
00:56:23,600 --> 00:56:26,320
Speaker 1: with me. But donkey to day From Wednesday, February twenty

1133
00:56:26,360 --> 00:56:29,840
Speaker 1: second goes to the Saint Dusky Police Department in Sandusky, Ohio.

1134
00:56:30,000 --> 00:56:32,919
Speaker 1: Not a police in Sandusky, Ohio have arrested a twenty

1135
00:56:32,960 --> 00:56:37,319
Speaker 1: six year old care worker named Brittany Folks. Okay, Brittany Folks,

1136
00:56:37,400 --> 00:56:41,360
Speaker 1: faces a charge of gross sexual imposition and it's possible

1137
00:56:41,400 --> 00:56:44,239
Speaker 1: she could be facing additional charges, and I am absolutely

1138
00:56:44,280 --> 00:56:46,800
Speaker 1: appalled that she has been arrested in charge. Now, I

1139
00:56:46,920 --> 00:56:49,919
Speaker 1: am not the type to scream free anybody, because truth

1140
00:56:50,040 --> 00:56:51,720
Speaker 1: be told, I don't know if the person I'm screaming

1141
00:56:51,760 --> 00:56:53,359
Speaker 1: free earn the right to be in jail. You can

1142
00:56:53,400 --> 00:56:55,600
Speaker 1: be my man, and I won't scream free you because

1143
00:56:55,600 --> 00:56:57,040
Speaker 1: I don't know if you deserve to be in there not.

1144
00:56:57,360 --> 00:56:59,160
Speaker 1: If you tell me you're anything cool, I'll take your

1145
00:56:59,200 --> 00:57:00,880
Speaker 1: word for it. I wish the best for you in

1146
00:57:00,960 --> 00:57:03,279
Speaker 1: your situation, but I'm not screaming free you because I

1147
00:57:03,480 --> 00:57:05,600
Speaker 1: wasn't there with you when you alleged crime went down.

1148
00:57:05,800 --> 00:57:08,359
Speaker 1: So I'm not screaming free you because I honestly don't

1149
00:57:08,400 --> 00:57:11,200
Speaker 1: know if you deserve to be in jail. So when

1150
00:57:11,200 --> 00:57:14,000
Speaker 1: you hear me say free somebody, then I absolutely positively

1151
00:57:14,040 --> 00:57:16,880
Speaker 1: feel like an injustice is happening. And this twenty six

1152
00:57:17,000 --> 00:57:20,840
Speaker 1: year old young girl, Brittany Folks, needs to be free. Okay,

1153
00:57:20,920 --> 00:57:23,520
Speaker 1: she is being railroaded by the system simply because she

1154
00:57:23,640 --> 00:57:27,600
Speaker 1: went above and beyond her duties as a caregiver care worker.

1155
00:57:28,000 --> 00:57:30,840
Speaker 1: Let's go to Fox eight Sandusky. For the report, the

1156
00:57:31,000 --> 00:57:34,400
Speaker 1: Fox eight It team obtained this cell phone video showing

1157
00:57:34,560 --> 00:57:38,320
Speaker 1: former comments of Providence worker Brittany Folks inside the room

1158
00:57:38,480 --> 00:57:40,920
Speaker 1: of an elderly man. I can show you new things.

1159
00:57:41,400 --> 00:57:46,080
Speaker 1: I can show you new things. Tell if I'm a girl,

1160
00:57:47,200 --> 00:57:53,080
Speaker 1: you know what that means. Sandusky police say the victim

1161
00:57:53,240 --> 00:57:56,360
Speaker 1: is one hundred years old and has dementia. Soon after

1162
00:57:56,440 --> 00:57:59,919
Speaker 1: receiving the video, they started an investigation and last week

1163
00:58:00,320 --> 00:58:04,960
Speaker 1: arrested Folds. We charged the suspect with gross sexual imposition,

1164
00:58:05,120 --> 00:58:07,000
Speaker 1: which is a colony of the fourth degree. And the

1165
00:58:07,080 --> 00:58:10,360
Speaker 1: reason why we pursue that because the touching. We have

1166
00:58:10,440 --> 00:58:15,160
Speaker 1: a caretaker who's pretty much harassing a resident. She's making

1167
00:58:15,240 --> 00:58:18,320
Speaker 1: sexual acts towards him. She at one point touches him

1168
00:58:18,400 --> 00:58:22,960
Speaker 1: by grinds on his diarrhea, and another point she flashes

1169
00:58:23,040 --> 00:58:27,400
Speaker 1: on her buttox towards him. Disturbing to see an elderly

1170
00:58:27,600 --> 00:58:30,240
Speaker 1: subject being treated that way, and he has no way

1171
00:58:30,320 --> 00:58:32,480
Speaker 1: to defend himself because he's a one hundred years old

1172
00:58:32,520 --> 00:58:35,960
Speaker 1: and he's diagnosed with dementia. Life is all about perspective.

1173
00:58:36,520 --> 00:58:38,120
Speaker 1: You mean to tell me that the twenty six year

1174
00:58:38,120 --> 00:58:40,360
Speaker 1: old woman got arrested for giving a hundred year old

1175
00:58:40,360 --> 00:58:43,480
Speaker 1: man a lap dance. Can't give a decided to give

1176
00:58:43,520 --> 00:58:45,240
Speaker 1: this one hundred year old man a lap dance a

1177
00:58:45,320 --> 00:58:47,840
Speaker 1: little scriptease, and she gets arrested for it. This is

1178
00:58:47,880 --> 00:58:50,960
Speaker 1: a travesty, an injustice of epic proportions. Okay, she don't

1179
00:58:51,000 --> 00:58:53,120
Speaker 1: need to be arrested. She needs to be promoted, all right,

1180
00:58:53,200 --> 00:58:54,920
Speaker 1: she needs a medal of honor. That man is one

1181
00:58:55,000 --> 00:58:56,840
Speaker 1: hundred years old. When I'm one hundred years old and

1182
00:58:56,880 --> 00:58:58,240
Speaker 1: this is a twenty six year old woman trying to

1183
00:58:58,280 --> 00:59:01,040
Speaker 1: give me a lap dance. Don't cry for me, Okay.

1184
00:59:01,360 --> 00:59:04,680
Speaker 1: Sometimes blessings come when you never expect them to, you know,

1185
00:59:05,000 --> 00:59:07,160
Speaker 1: sometimes they come at a hundred years old. You're sitting

1186
00:59:07,160 --> 00:59:09,479
Speaker 1: around and you got this cute little caregiver walking around

1187
00:59:09,520 --> 00:59:11,800
Speaker 1: the house, and in your mind you probably imagined her

1188
00:59:11,920 --> 00:59:14,280
Speaker 1: that get millions of times. In fact, the thought of

1189
00:59:14,360 --> 00:59:17,320
Speaker 1: that little cute care worker is probably what's keeping you going.

1190
00:59:17,600 --> 00:59:21,200
Speaker 1: True story. I remember one time I caught a charge

1191
00:59:21,240 --> 00:59:23,040
Speaker 1: with something. I don't even remember what for, because I've

1192
00:59:23,160 --> 00:59:25,760
Speaker 1: had several but I remember my bondsman at the time

1193
00:59:25,920 --> 00:59:28,440
Speaker 1: asking me to bring him a scripple because he was

1194
00:59:28,480 --> 00:59:30,280
Speaker 1: an old man and he said, the scripple keeps his

1195
00:59:30,320 --> 00:59:32,600
Speaker 1: blood flowing correctly. Okay. His exact words to me was

1196
00:59:32,680 --> 00:59:34,760
Speaker 1: the scripple was good for his heart, all right. That

1197
00:59:34,880 --> 00:59:36,680
Speaker 1: a hundred year old man hasn't had that kind of

1198
00:59:36,720 --> 00:59:39,520
Speaker 1: action in years, and you're gonna take that from him, dude.

1199
00:59:39,560 --> 00:59:41,640
Speaker 1: You know, blessings coming in a hard different shapes and sizes.

1200
00:59:41,680 --> 00:59:43,360
Speaker 1: That hundred year old man got a blessing in the

1201
00:59:43,400 --> 00:59:45,440
Speaker 1: form of a twenty six year old care worker who

1202
00:59:45,520 --> 00:59:47,440
Speaker 1: decided to give him a little lap dance. And the

1203
00:59:47,560 --> 00:59:49,960
Speaker 1: police call that disturbing. Can I can I hit a

1204
00:59:50,000 --> 00:59:52,080
Speaker 1: cop again? Just the cop because maybe I'm missing them.

1205
00:59:52,640 --> 00:59:56,680
Speaker 1: We charged the suspect with cross sexual imposition, which is

1206
00:59:56,720 --> 00:59:58,760
Speaker 1: a sony of the fourth degree. And the reason why

1207
00:59:58,800 --> 01:00:01,600
Speaker 1: I be I'll pursue that because the touching. We have

1208
01:00:01,720 --> 01:00:06,400
Speaker 1: a caretaker who's pretty much harassing a resident. She's making

1209
01:00:06,480 --> 01:00:09,600
Speaker 1: sexual acts towards him, share at one point touches him

1210
01:00:09,640 --> 01:00:14,240
Speaker 1: by grinds on his diarrhea, and another point she flashes

1211
01:00:14,320 --> 01:00:18,640
Speaker 1: on her buttocks towards him. Disturbing to see an elderly

1212
01:00:18,840 --> 01:00:21,520
Speaker 1: subject being traded that way, and he has no way

1213
01:00:21,600 --> 01:00:23,840
Speaker 1: to defend himself because he's one hundred years old and

1214
01:00:23,920 --> 01:00:26,360
Speaker 1: he's diagnosed with dementia. You need to go to the

1215
01:00:26,400 --> 01:00:28,160
Speaker 1: World Star and watch the video. If you're watching her

1216
01:00:28,240 --> 01:00:30,160
Speaker 1: Vote TV, the three people that watch your VOTEV you

1217
01:00:30,200 --> 01:00:33,040
Speaker 1: see the video. The only thing disturbing about this situation

1218
01:00:33,440 --> 01:00:36,000
Speaker 1: is the fact that this situation is considered disturbing. The

1219
01:00:36,080 --> 01:00:38,080
Speaker 1: cops sound like he hating. Okay, he sound like you

1220
01:00:38,200 --> 01:00:39,840
Speaker 1: up said that one hundred year old man with dementia

1221
01:00:39,840 --> 01:00:42,600
Speaker 1: is still getting lap dances by pretty young things. Okay,

1222
01:00:42,640 --> 01:00:44,560
Speaker 1: if that cop got a lap dance every now and then,

1223
01:00:44,560 --> 01:00:46,440
Speaker 1: he wouldn't be so up tight and taking his aggression

1224
01:00:46,480 --> 01:00:48,280
Speaker 1: out on a twenty six year old kid. Give a

1225
01:00:48,440 --> 01:00:51,440
Speaker 1: scent from God named Brittany Folds. Okay, let me tell

1226
01:00:51,480 --> 01:00:53,520
Speaker 1: you something. I hope and pray that at a hundred

1227
01:00:53,600 --> 01:00:56,040
Speaker 1: years old, I'm still getting lap dances from twenty six

1228
01:00:56,120 --> 01:00:57,800
Speaker 1: year old women. At one hundred, I would love to

1229
01:00:57,840 --> 01:00:59,680
Speaker 1: feel like I still got it. But I can still

1230
01:00:59,720 --> 01:01:01,680
Speaker 1: make a woman want to get naked. And if this woman,

1231
01:01:01,680 --> 01:01:03,560
Speaker 1: Brittany decided she wanted to give this one hundred year

1232
01:01:03,560 --> 01:01:05,840
Speaker 1: old man a lap dance, what's the problem. She didn't

1233
01:01:05,920 --> 01:01:08,000
Speaker 1: hurt him, she didn't steal from him, she didn't verbally

1234
01:01:08,040 --> 01:01:09,920
Speaker 1: abuse him. All she did would probably get this man

1235
01:01:10,000 --> 01:01:12,160
Speaker 1: the best time he's having a long time, and she's

1236
01:01:12,200 --> 01:01:14,640
Speaker 1: being arrested for it. What kind of world do we

1237
01:01:14,760 --> 01:01:16,880
Speaker 1: live in when people are being punished for good deeds.

1238
01:01:17,240 --> 01:01:19,800
Speaker 1: Please give this sad dusky, Ohio Police Department the biggest

1239
01:01:19,840 --> 01:01:25,640
Speaker 1: hef No, I was disturbed by it? Why because the

1240
01:01:25,720 --> 01:01:30,479
Speaker 1: man suffers from dementia. You're not gonna remember I felt

1241
01:01:30,560 --> 01:01:34,040
Speaker 1: bad if I was. Just if that was my great grandfather,

1242
01:01:34,560 --> 01:01:37,880
Speaker 1: I would be disturbed. Why because I don't want somebody

1243
01:01:38,000 --> 01:01:40,600
Speaker 1: touching all over him without his Wait till you a

1244
01:01:40,760 --> 01:01:43,160
Speaker 1: hundred you're gonna want a young twenty six ye old

1245
01:01:43,200 --> 01:01:46,280
Speaker 1: man to touch you, I probably won't, Okay, all right,

1246
01:01:46,480 --> 01:01:48,280
Speaker 1: he didn't look like he was having a great time.

1247
01:01:50,200 --> 01:01:51,840
Speaker 1: You never look like you're having a good time when

1248
01:01:51,880 --> 01:01:55,080
Speaker 1: you permanently got bit of bear faced. When you are

1249
01:01:55,080 --> 01:01:57,320
Speaker 1: a hundred, you can be having the best time in

1250
01:01:57,360 --> 01:01:59,000
Speaker 1: your life, and you'll look like a grumpy old man.

1251
01:01:59,040 --> 01:02:01,720
Speaker 1: When you're one hundred years old, you're a hundred, gravity

1252
01:02:01,760 --> 01:02:04,440
Speaker 1: setting in your cheeks, fall into the ground. Ye, you're hunted.

1253
01:02:04,760 --> 01:02:07,400
Speaker 1: I don't even understand. Why would she do that? Because

1254
01:02:07,440 --> 01:02:09,520
Speaker 1: that man still got it dropped on a clues bump

1255
01:02:09,560 --> 01:02:11,120
Speaker 1: for that one hundred ye old man who's still hot.

1256
01:02:11,240 --> 01:02:13,560
Speaker 1: He might have flirted with us, But the sad thing

1257
01:02:13,640 --> 01:02:16,160
Speaker 1: is he's not gonna remember it because he has he

1258
01:02:16,360 --> 01:02:18,400
Speaker 1: can't remember remember last She might have been playing a

1259
01:02:18,480 --> 01:02:21,640
Speaker 1: role when she was like, I'm I'm twenty six and

1260
01:02:22,560 --> 01:02:24,120
Speaker 1: I'm a girl. You know what that is? And he

1261
01:02:24,280 --> 01:02:26,520
Speaker 1: was like, what is that? She just playing dumb? You'ren't

1262
01:02:26,520 --> 01:02:28,400
Speaker 1: always supposed to do. You know how many guys talk

1263
01:02:28,480 --> 01:02:31,320
Speaker 1: themselves out of a judge. Now, what if? But if

1264
01:02:31,360 --> 01:02:33,560
Speaker 1: a man did that to a woman that was laying

1265
01:02:33,560 --> 01:02:36,080
Speaker 1: there a hundred years old, suffering from dementia, and he

1266
01:02:36,200 --> 01:02:38,440
Speaker 1: came in there and started flapping his thing around, that's

1267
01:02:38,440 --> 01:02:41,200
Speaker 1: why double standards exist. Ye, I didn't make these rules. Okay,

1268
01:02:41,320 --> 01:02:44,840
Speaker 1: double standards exist for a reason. All right, Well, thank

1269
01:02:44,880 --> 01:02:47,080
Speaker 1: you for that. Learned something from that man, And what

1270
01:02:47,200 --> 01:02:50,080
Speaker 1: you learned is when a girl is making the moves on,

1271
01:02:50,200 --> 01:02:52,160
Speaker 1: you shut the hell up because you usually ruined it

1272
01:02:52,200 --> 01:02:54,480
Speaker 1: by opening your mouth. Okay, that man played dumb like you.

1273
01:02:54,520 --> 01:02:56,840
Speaker 1: We all should do in those situations. Oh my goodness,

1274
01:02:56,920 --> 01:03:00,280
Speaker 1: all right, ask he is next eight, don't you five

1275
01:03:00,360 --> 01:03:02,720
Speaker 1: eighty five one oh five one. If you need relationship device,

1276
01:03:02,800 --> 01:03:04,560
Speaker 1: you can call you right now. She'll help you out

1277
01:03:04,560 --> 01:03:07,280
Speaker 1: with your problems. You're going through situations for a line

1278
01:03:07,320 --> 01:03:10,360
Speaker 1: to wide open. She will help you. Eight hundred five

1279
01:03:10,440 --> 01:03:12,240
Speaker 1: eighty five one oh five one. Call us now. It's

1280
01:03:12,280 --> 01:03:19,080
Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. Angela, Yee, Charlomagne,

1281
01:03:19,120 --> 01:03:21,480
Speaker 1: the guy. We are the Breakfast Club. It's time to

1282
01:03:21,600 --> 01:03:24,240
Speaker 1: ask ye. Eight hundred five eighty five one oh five one.

1283
01:03:24,280 --> 01:03:26,080
Speaker 1: We got Jenny from New Jersey on the line. Come

1284
01:03:26,080 --> 01:03:28,640
Speaker 1: on to Jenny from New Jersey. What's your question for ye? Okay,

1285
01:03:28,680 --> 01:03:31,600
Speaker 1: I've been waiting this guy for the past three years

1286
01:03:31,720 --> 01:03:34,080
Speaker 1: and five months. I've been living with him for five months.

1287
01:03:35,160 --> 01:03:38,480
Speaker 1: Ten years older than me. I'm plinty seven, his thirty seven,

1288
01:03:38,960 --> 01:03:44,560
Speaker 1: and I have a feeling that he's been seeing other woman. Um.

1289
01:03:44,640 --> 01:03:46,160
Speaker 1: I know I shouldn't have, but I went through his

1290
01:03:46,400 --> 01:03:49,680
Speaker 1: tall and I saw like different text messages, different women

1291
01:03:49,840 --> 01:03:53,040
Speaker 1: pictures that he's a woman. He's been talking still, and

1292
01:03:53,240 --> 01:03:55,720
Speaker 1: every time I confront him about it, it's always, oh,

1293
01:03:55,800 --> 01:03:58,400
Speaker 1: it's nothing. You know, I don't have time for other woman.

1294
01:03:58,520 --> 01:04:02,160
Speaker 1: I'm busy, I'm working and Um, last night, I went

1295
01:04:02,240 --> 01:04:08,160
Speaker 1: through his phone again. It's it's this false stop. So

1296
01:04:09,000 --> 01:04:10,600
Speaker 1: let me ask you a question. You have a feeling

1297
01:04:10,680 --> 01:04:12,880
Speaker 1: he's cheating, or you know he's cheating because you've seen

1298
01:04:13,000 --> 01:04:15,800
Speaker 1: evidence that he's cheating. Have you seen him meeting up

1299
01:04:15,840 --> 01:04:17,840
Speaker 1: with these women telling him that he missed them, that

1300
01:04:17,920 --> 01:04:19,920
Speaker 1: he can't wait to see them again? What is in

1301
01:04:20,040 --> 01:04:23,000
Speaker 1: these messages? I mean the world? Basically, Yes, there are

1302
01:04:23,200 --> 01:04:25,840
Speaker 1: part of where, um, I'm coming to see you, We're

1303
01:04:25,880 --> 01:04:27,640
Speaker 1: going out to dinner, or we're gonna go out to

1304
01:04:27,720 --> 01:04:31,680
Speaker 1: the club. You know I haven't eate and cook me dinner.

1305
01:04:31,840 --> 01:04:35,240
Speaker 1: He's a meeting with these Okay, so he's cheating on you.

1306
01:04:35,360 --> 01:04:37,520
Speaker 1: You don't just have a feeling, yes, I mean I

1307
01:04:37,520 --> 01:04:39,520
Speaker 1: actually went through his phone and I saw all the

1308
01:04:39,640 --> 01:04:44,160
Speaker 1: text messages, different women, different pictures, making pictures. Because it's

1309
01:04:44,320 --> 01:04:46,040
Speaker 1: very interesting to me how you said you have a

1310
01:04:46,120 --> 01:04:48,000
Speaker 1: feeling that he's cheating on you, but you have all

1311
01:04:48,040 --> 01:04:51,000
Speaker 1: the evidence, So basically you know that he's cheating on you.

1312
01:04:51,400 --> 01:04:54,280
Speaker 1: You keep going through his phone and finding more evidence

1313
01:04:54,320 --> 01:04:56,120
Speaker 1: that he's cheating on you, but for some reason, you

1314
01:04:56,160 --> 01:04:58,560
Speaker 1: won't just say my boyfriend is cheating on me, and

1315
01:04:58,680 --> 01:05:00,480
Speaker 1: I just keep going through his phone and choosing to

1316
01:05:00,480 --> 01:05:03,040
Speaker 1: stay with him, because that's basically what the scenario is.

1317
01:05:03,360 --> 01:05:05,520
Speaker 1: He's cheating on me. I found out I went through

1318
01:05:05,560 --> 01:05:07,400
Speaker 1: his phone. He probably got mad at you for going

1319
01:05:07,440 --> 01:05:09,840
Speaker 1: through his phone, right, saying that you're violating his privacy.

1320
01:05:10,000 --> 01:05:11,760
Speaker 1: If you look for something, you're gonna find it. That's

1321
01:05:11,800 --> 01:05:16,400
Speaker 1: the line that people love to use. Right, and your

1322
01:05:16,480 --> 01:05:19,320
Speaker 1: decision now, because my whole thing is this, If you're

1323
01:05:19,320 --> 01:05:21,880
Speaker 1: gonna stay with somebody and you know that they're cheating

1324
01:05:21,960 --> 01:05:24,000
Speaker 1: on you, then why do you keep looking for more

1325
01:05:24,040 --> 01:05:26,520
Speaker 1: evidence that they're cheating on you? You already know what

1326
01:05:26,680 --> 01:05:30,760
Speaker 1: you know. Now you have made the conscious decision to yourself.

1327
01:05:31,280 --> 01:05:33,520
Speaker 1: I know he's cheating on me, but I just want

1328
01:05:33,520 --> 01:05:36,320
Speaker 1: to stay and make both our lives living hell. What

1329
01:05:36,520 --> 01:05:37,760
Speaker 1: is it that you want him to do? You want

1330
01:05:37,800 --> 01:05:39,600
Speaker 1: him to admit to you, yes, I've been cheating and

1331
01:05:39,600 --> 01:05:41,320
Speaker 1: sleeping with these others. You want him to just say it,

1332
01:05:41,480 --> 01:05:43,280
Speaker 1: even though you know it. You want to hear him

1333
01:05:43,280 --> 01:05:45,640
Speaker 1: say it, and he's not gonna say it. He's line.

1334
01:05:46,000 --> 01:05:48,120
Speaker 1: So now I say to you, like, stop saying that

1335
01:05:48,320 --> 01:05:51,080
Speaker 1: I have a feeling. I know he's cheating. I've seen

1336
01:05:51,160 --> 01:05:53,760
Speaker 1: the evidence, and now it's up to me to decide

1337
01:05:53,800 --> 01:05:55,560
Speaker 1: what do I want to do to move forward? Am

1338
01:05:55,600 --> 01:05:57,200
Speaker 1: I gonna stay with him? If I'm gonna stay with

1339
01:05:57,280 --> 01:05:59,240
Speaker 1: him knowing that he's cheating on me, I should stop

1340
01:05:59,280 --> 01:06:01,080
Speaker 1: going through his stuff because what's the point. I'm not

1341
01:06:01,160 --> 01:06:04,280
Speaker 1: going anywhere. Or I went through a step, found out

1342
01:06:04,280 --> 01:06:06,120
Speaker 1: what I found out, and now I have to take action.

1343
01:06:06,200 --> 01:06:08,600
Speaker 1: Are you going to take action? I think that's exactly

1344
01:06:08,680 --> 01:06:11,480
Speaker 1: what I have to do. You think are you no? No?

1345
01:06:11,720 --> 01:06:15,040
Speaker 1: I know that that's exactly what I Okay, what is

1346
01:06:15,080 --> 01:06:17,480
Speaker 1: that action going to be? Well, I'm gonna just have

1347
01:06:17,600 --> 01:06:19,680
Speaker 1: to make a decision and all to just get up

1348
01:06:19,680 --> 01:06:22,600
Speaker 1: and leave right because I don't understand why you would

1349
01:06:22,640 --> 01:06:27,040
Speaker 1: put yourself through this torture just to stay true. I've

1350
01:06:27,160 --> 01:06:32,120
Speaker 1: tried everything. I've been the best women that I could

1351
01:06:32,200 --> 01:06:35,440
Speaker 1: I could even here is ten years older than me.

1352
01:06:35,880 --> 01:06:38,760
Speaker 1: I just turned twenty seven, and it's like everything that

1353
01:06:38,840 --> 01:06:40,560
Speaker 1: I do is like But if you know what, I

1354
01:06:40,760 --> 01:06:43,880
Speaker 1: blame yourself because he's not mature enough to be in

1355
01:06:44,280 --> 01:06:46,920
Speaker 1: a monogamous relationship. And to be honest with you, that's

1356
01:06:46,960 --> 01:06:51,280
Speaker 1: not your fault. True, Okay, you're only twenty seven years old.

1357
01:06:51,840 --> 01:06:55,200
Speaker 1: Trust me, you deserve better than that. You'll be fine.

1358
01:06:59,480 --> 01:07:01,960
Speaker 1: I still I love you too, But I just think

1359
01:07:02,160 --> 01:07:04,520
Speaker 1: and what your problem is? You love the abuse. I

1360
01:07:04,600 --> 01:07:06,200
Speaker 1: know a lot of I know know a lot of

1361
01:07:06,320 --> 01:07:10,240
Speaker 1: nice women with trash box, but stopping trash fark, I

1362
01:07:10,360 --> 01:07:13,320
Speaker 1: don't I know that. Don't cry? You better not cry.

1363
01:07:13,400 --> 01:07:16,840
Speaker 1: You're still a good person. I'm sure. If it's okay

1364
01:07:16,920 --> 01:07:21,600
Speaker 1: to cry, it's okay to cry when you're nothing wrong

1365
01:07:21,640 --> 01:07:23,480
Speaker 1: with that. You cry and you get over it. The

1366
01:07:23,600 --> 01:07:25,680
Speaker 1: thing that needed to be crying is your vagina. Vagina

1367
01:07:25,680 --> 01:07:26,920
Speaker 1: need to get a little west On mark. That's what

1368
01:07:27,000 --> 01:07:29,400
Speaker 1: the tars need. That's what the tears need to be clearly,

1369
01:07:29,760 --> 01:07:36,160
Speaker 1: all right, moisture for your vagina. Baby, God bless you.

1370
01:07:36,280 --> 01:07:38,280
Speaker 1: I ain't mean. Y'all got to stop thinking that. We

1371
01:07:38,400 --> 01:07:40,160
Speaker 1: have to stop thinking that if a man cheating us,

1372
01:07:40,200 --> 01:07:42,360
Speaker 1: it's our fault. Maybe y'all have some issues. It was

1373
01:07:42,440 --> 01:07:44,400
Speaker 1: her fault. You were telling her a box of trash.

1374
01:07:44,480 --> 01:07:47,560
Speaker 1: That makes it her fault. Hey, man, have you ever cheated?

1375
01:07:47,640 --> 01:07:50,920
Speaker 1: That means that your woman's box was trashed? No? Exactly,

1376
01:07:51,000 --> 01:07:53,920
Speaker 1: all right, let's move on situation. In this situation, I

1377
01:07:54,000 --> 01:07:56,160
Speaker 1: think her box was trash that's the way she described it.

1378
01:07:57,200 --> 01:08:02,360
Speaker 1: Describe the way she broke that situation down. It's like, yeah, okay, yeah,

1379
01:08:03,200 --> 01:08:05,440
Speaker 1: all right, ask ye eight hundred five eighty five, one

1380
01:08:05,520 --> 01:08:07,240
Speaker 1: oh five one, if you got a question for ye Carling.

1381
01:08:07,280 --> 01:08:08,760
Speaker 1: Now it's the breakfast Club of the morning e j

1382
01:08:09,120 --> 01:08:11,920
Speaker 1: Envy Angela Ye, Charlomagne the God. We all the breakfast

1383
01:08:12,040 --> 01:08:14,800
Speaker 1: club we're in the middle of. Ask ye eight hundred

1384
01:08:14,880 --> 01:08:17,679
Speaker 1: five eighty five one oh five one, Lane Ye eight. Hello,

1385
01:08:17,760 --> 01:08:21,439
Speaker 1: who's this? I'm gonna I'm not a sunny people that

1386
01:08:21,520 --> 01:08:27,280
Speaker 1: listen to the show Anonymous. What's your course to for? Yazy? Oh? So, basically,

1387
01:08:28,240 --> 01:08:32,559
Speaker 1: me and my husband have not been having um as

1388
01:08:32,680 --> 01:08:35,760
Speaker 1: much sex and it's more on his end, and I

1389
01:08:35,840 --> 01:08:38,240
Speaker 1: want to approach them about this, but I just really

1390
01:08:38,280 --> 01:08:41,360
Speaker 1: don't know how. I've never really had to before. How

1391
01:08:41,400 --> 01:08:44,519
Speaker 1: long have you guys been together? Oh, we've been together

1392
01:08:44,760 --> 01:08:47,599
Speaker 1: since two thousand and nine. We've been married since two

1393
01:08:47,600 --> 01:08:52,000
Speaker 1: thousand and eleven. Okay, And how often now y'all having sex? Gosh,

1394
01:08:52,080 --> 01:08:55,519
Speaker 1: it's probably like like once or twice a week, And

1395
01:08:55,640 --> 01:08:58,559
Speaker 1: we used to do it like multiple times, like every day,

1396
01:08:59,640 --> 01:09:02,720
Speaker 1: has anything's been anything? He's been happening in his life

1397
01:09:02,760 --> 01:09:05,639
Speaker 1: that would affect him, like mentally, did he get way

1398
01:09:05,840 --> 01:09:09,120
Speaker 1: did he lose a job as he stressed out? Um?

1399
01:09:09,720 --> 01:09:12,000
Speaker 1: I mean I could finally say it might be working stress.

1400
01:09:12,080 --> 01:09:16,000
Speaker 1: He is an active duty member and they worked long

1401
01:09:16,080 --> 01:09:17,719
Speaker 1: hours and stuff like that, so a lot of times

1402
01:09:17,760 --> 01:09:21,080
Speaker 1: to come home and he's just like he's just tired,

1403
01:09:21,160 --> 01:09:24,519
Speaker 1: like he can he just eat there and that's it, Okay.

1404
01:09:24,720 --> 01:09:27,200
Speaker 1: I think what the issue is strangling. I think what

1405
01:09:27,320 --> 01:09:29,720
Speaker 1: the issue is as well is that you know, we

1406
01:09:30,000 --> 01:09:32,120
Speaker 1: we did when we know, we dated in high school

1407
01:09:32,160 --> 01:09:35,120
Speaker 1: back in old nine, so when we were kids, you know,

1408
01:09:35,200 --> 01:09:37,920
Speaker 1: we were like having sex all the time, right, So

1409
01:09:38,680 --> 01:09:40,400
Speaker 1: and so that's that's the thing too, Like we've both

1410
01:09:40,479 --> 01:09:42,479
Speaker 1: kind of brown up together. So I mean, I'm not

1411
01:09:42,520 --> 01:09:44,200
Speaker 1: going to express for it to be the same, but

1412
01:09:45,120 --> 01:09:47,280
Speaker 1: I mean lately I've been kind of disappointed because like

1413
01:09:47,520 --> 01:09:49,920
Speaker 1: I want to and he gets so tiring. I try

1414
01:09:49,960 --> 01:09:52,080
Speaker 1: to be understanding of that because you know, I'm a

1415
01:09:52,160 --> 01:09:55,120
Speaker 1: full time Twitter. I don't work. I just take So

1416
01:09:55,280 --> 01:09:57,960
Speaker 1: you feel like maybe you guys sex jobs just earned

1417
01:09:58,000 --> 01:10:03,000
Speaker 1: and sync with each other basically, Yeah, and it didn't

1418
01:10:03,080 --> 01:10:04,479
Speaker 1: used to be like this, So did this really just

1419
01:10:04,520 --> 01:10:06,960
Speaker 1: happened when he started having a lot longer hours and

1420
01:10:07,040 --> 01:10:11,120
Speaker 1: just being more tired. I mean, I mean, I guess so.

1421
01:10:11,240 --> 01:10:13,599
Speaker 1: But it's like, you know, even when he first started

1422
01:10:13,600 --> 01:10:15,840
Speaker 1: in the military life, we were you know, we were

1423
01:10:15,880 --> 01:10:18,599
Speaker 1: so kind of consistent ranting. He was gone a lot.

1424
01:10:18,680 --> 01:10:21,120
Speaker 1: So maybe it was because whenever he got home it

1425
01:10:21,240 --> 01:10:24,760
Speaker 1: was like a honeymoon perious. So it was like hell

1426
01:10:24,840 --> 01:10:26,559
Speaker 1: over me, you know what I mean. And then now

1427
01:10:26,640 --> 01:10:29,519
Speaker 1: he's just comfortable, relaxed. You guys have fallen into the routine,

1428
01:10:29,560 --> 01:10:31,760
Speaker 1: but you are still having sex because there's people that

1429
01:10:31,880 --> 01:10:34,280
Speaker 1: haven't had sex and months that I know who are

1430
01:10:34,360 --> 01:10:37,160
Speaker 1: married to each other and you but you don't ever

1431
01:10:37,240 --> 01:10:40,160
Speaker 1: want to get like that. Yeah, you don't. Never went

1432
01:10:40,320 --> 01:10:44,080
Speaker 1: right now, are you initiating sex? Yes? Like I try to,

1433
01:10:44,160 --> 01:10:47,600
Speaker 1: like I try to subdue him, like um, A lot

1434
01:10:47,640 --> 01:10:50,280
Speaker 1: of times I'll send like our baby too, you know,

1435
01:10:50,479 --> 01:10:53,559
Speaker 1: like for god mom for the weekend, to have time

1436
01:10:53,640 --> 01:10:59,320
Speaker 1: by ourselves. Like sometimes like he just really don't get it,

1437
01:10:59,439 --> 01:11:02,800
Speaker 1: or he did really that tired. Right. I'm gonna say

1438
01:11:02,800 --> 01:11:05,639
Speaker 1: a couple of things here. Okay, So when I was younger,

1439
01:11:05,680 --> 01:11:07,920
Speaker 1: I dated this guy and there was a period of

1440
01:11:07,960 --> 01:11:09,479
Speaker 1: time when he was like saving up money to get

1441
01:11:09,520 --> 01:11:12,519
Speaker 1: a car. So he was working like double overtime shifts,

1442
01:11:12,560 --> 01:11:15,320
Speaker 1: and he was always tired, and I was still working

1443
01:11:15,360 --> 01:11:17,439
Speaker 1: my regular job. So we used to have sex a lot.

1444
01:11:17,560 --> 01:11:19,320
Speaker 1: But then during that period of time when he was

1445
01:11:19,360 --> 01:11:21,840
Speaker 1: always tired, he never really wanted to have sex. But

1446
01:11:21,960 --> 01:11:23,960
Speaker 1: I was always like kind of up and awake and like,

1447
01:11:24,040 --> 01:11:25,920
Speaker 1: all right, this is whack. You know what I'm saying.

1448
01:11:26,560 --> 01:11:28,920
Speaker 1: So it could legitimately be like for this period of

1449
01:11:29,000 --> 01:11:31,640
Speaker 1: time that he is tired, and you can respect that

1450
01:11:32,080 --> 01:11:33,840
Speaker 1: if he's still having sex with you a couple of

1451
01:11:33,920 --> 01:11:36,400
Speaker 1: times a week. The other thing is that sometimes guys

1452
01:11:36,439 --> 01:11:37,920
Speaker 1: feel like when they have sex with you, it has

1453
01:11:37,960 --> 01:11:39,760
Speaker 1: to be an all out production. That's why sometimes I

1454
01:11:39,800 --> 01:11:42,720
Speaker 1: feel like they rather masturbate, have an orgasm quickly, and

1455
01:11:42,760 --> 01:11:45,760
Speaker 1: then be done with it. So sometimes they feel like

1456
01:11:45,800 --> 01:11:47,479
Speaker 1: it's too much of a production. And if you let

1457
01:11:47,560 --> 01:11:49,000
Speaker 1: him know I just want to get a quick, quickie

1458
01:11:49,040 --> 01:11:51,280
Speaker 1: end before you go to bed, that might take a

1459
01:11:51,320 --> 01:11:54,040
Speaker 1: lot of pressure off of him. Also, Yeah, and then

1460
01:11:54,120 --> 01:11:59,120
Speaker 1: it's like he's kind of embarrassing, but like he he

1461
01:11:59,320 --> 01:12:03,840
Speaker 1: found like vibrator and he and he was like part

1462
01:12:03,880 --> 01:12:06,479
Speaker 1: of offended, right and don't get me wrong. Like when

1463
01:12:06,520 --> 01:12:09,759
Speaker 1: we when we do have sex, it's it's great, it's great.

1464
01:12:09,840 --> 01:12:13,360
Speaker 1: Oh yeah, it's great. It's not enough. It's not enough.

1465
01:12:13,479 --> 01:12:16,040
Speaker 1: And so he found like my vibrator one time when

1466
01:12:16,040 --> 01:12:17,639
Speaker 1: I had him go look for something in the head

1467
01:12:17,720 --> 01:12:19,519
Speaker 1: and the head and the heading. He wanted him to

1468
01:12:19,520 --> 01:12:25,040
Speaker 1: see it and I did not Usually usually it's tacked away,

1469
01:12:25,080 --> 01:12:27,720
Speaker 1: but I had used it the day before. Well and

1470
01:12:29,720 --> 01:12:34,760
Speaker 1: buy it. And I'm like, I think that another guy, right,

1471
01:12:34,880 --> 01:12:36,840
Speaker 1: he feels like he's not doing enough for you. I

1472
01:12:36,920 --> 01:12:38,880
Speaker 1: just want to say a couple of things here. Number one,

1473
01:12:39,240 --> 01:12:41,280
Speaker 1: you can get the party started before he even gets home.

1474
01:12:41,320 --> 01:12:44,040
Speaker 1: You should send him some nice, fun sexy text messages.

1475
01:12:44,120 --> 01:12:46,000
Speaker 1: Sometimes when you guys aren't in sync with each other

1476
01:12:46,320 --> 01:12:50,200
Speaker 1: and you complain a lot and make them less interested. Okay,

1477
01:12:50,560 --> 01:12:52,559
Speaker 1: all right, So what you can do is start getting

1478
01:12:52,640 --> 01:12:55,040
Speaker 1: him in the move before he even comes home. And

1479
01:12:55,200 --> 01:12:57,439
Speaker 1: then sometimes it don't got to be a big, big projection.

1480
01:12:57,560 --> 01:12:59,280
Speaker 1: Sometimes you just have a quickie and let him go

1481
01:12:59,320 --> 01:13:01,680
Speaker 1: to bed. Sometimes you just said, you know where, let

1482
01:13:01,760 --> 01:13:04,400
Speaker 1: me just take care of you because I had a long,

1483
01:13:04,479 --> 01:13:07,280
Speaker 1: hard day and just cater to that, and hopefully it'll

1484
01:13:07,320 --> 01:13:11,040
Speaker 1: make things get better. Okay, I can try. Yeah, I

1485
01:13:11,080 --> 01:13:13,439
Speaker 1: think you just talk about it tonight. Just try that.

1486
01:13:13,560 --> 01:13:15,120
Speaker 1: But you know, just make sure you do the things

1487
01:13:15,160 --> 01:13:18,240
Speaker 1: that you used to do too. I mean, that's the thing, though.

1488
01:13:18,240 --> 01:13:20,479
Speaker 1: I do all that and more, send those text messages

1489
01:13:20,560 --> 01:13:22,240
Speaker 1: like I can't wait till you get home. You know

1490
01:13:22,439 --> 01:13:24,360
Speaker 1: all of that. I'm gonna do this, this and not

1491
01:13:24,520 --> 01:13:28,040
Speaker 1: to you and really do it and really sometimes don't

1492
01:13:28,080 --> 01:13:30,360
Speaker 1: be a selfish person. Maybe you just take care of

1493
01:13:30,479 --> 01:13:33,080
Speaker 1: him and cater to him. And sometimes you said that

1494
01:13:33,160 --> 01:13:35,760
Speaker 1: and you get to jump right into it. Okay, I

1495
01:13:35,800 --> 01:13:37,679
Speaker 1: don't try to all right, But at least you're still

1496
01:13:37,680 --> 01:13:39,839
Speaker 1: having sex. Trust me. I got some friends whose boyfriends

1497
01:13:39,880 --> 01:13:42,519
Speaker 1: aren't having sex with them at all, husbands and everything.

1498
01:13:42,760 --> 01:13:44,120
Speaker 1: I hate to be the bear of bad news. But

1499
01:13:44,160 --> 01:13:47,280
Speaker 1: he's cheating on him. No, he's not. He's absolutely cheap. Hours.

1500
01:13:48,280 --> 01:13:50,760
Speaker 1: How long you've been with your woman? And I've been

1501
01:13:50,880 --> 01:13:55,880
Speaker 1: mind eighteen? Okay, No, I love having sex all the time.

1502
01:13:56,000 --> 01:13:58,559
Speaker 1: I like getting it popping. You feel like getting popping,

1503
01:13:58,600 --> 01:14:01,960
Speaker 1: mister five kids? Absolutely, okay, everybody didn't have the same situation.

1504
01:14:02,040 --> 01:14:03,760
Speaker 1: I'm sure this time. And did you go home and

1505
01:14:03,800 --> 01:14:05,160
Speaker 1: you're tired? You've been working all day and you just

1506
01:14:05,200 --> 01:14:06,920
Speaker 1: don't feel like ladies believe that be other if you

1507
01:14:06,960 --> 01:14:08,479
Speaker 1: want to every now and then, Yeah, man may be

1508
01:14:08,560 --> 01:14:10,679
Speaker 1: too tired, but many ain't too tired. Form no poom poom,

1509
01:14:10,840 --> 01:14:13,240
Speaker 1: that's sorry. That man is cheating on that woman once

1510
01:14:13,280 --> 01:14:16,400
Speaker 1: in the while. You get tired every way, every blue mood.

1511
01:14:16,680 --> 01:14:18,479
Speaker 1: But then when your wife getting naked, it it's on.

1512
01:14:18,920 --> 01:14:22,400
Speaker 1: It's on. I don't care. Everybody had always in sync sex.

1513
01:14:22,960 --> 01:14:24,880
Speaker 1: They're still having sex once or twice a week. I'm

1514
01:14:24,880 --> 01:14:27,439
Speaker 1: telling you from a man perspective. Man cheating on. He

1515
01:14:27,520 --> 01:14:29,160
Speaker 1: might be tired. Man, he might be stressed. I ain't

1516
01:14:29,240 --> 01:14:31,680
Speaker 1: gonna see that. But alright, ask you eight hundred five

1517
01:14:31,760 --> 01:14:33,120
Speaker 1: eighty five, one oh five one. If you got a

1518
01:14:33,200 --> 01:14:34,800
Speaker 1: question for you, you could call that anytime. Now. We

1519
01:14:34,840 --> 01:14:36,760
Speaker 1: got roomors all the way. Yes, we talk about jay

1520
01:14:36,880 --> 01:14:38,560
Speaker 1: Z and what he's got going on. He's got some

1521
01:14:38,680 --> 01:14:42,639
Speaker 1: new things popping. Also, Mike Epps NBA All Star Weekend.

1522
01:14:42,960 --> 01:14:45,840
Speaker 1: What did he just do? Some guys whole faces toe

1523
01:14:45,920 --> 01:14:47,840
Speaker 1: up da all right, all that and more, keep it

1524
01:14:47,880 --> 01:14:51,599
Speaker 1: locked this to Breakfast club. Come on, that's Bryce untiller,

1525
01:14:51,720 --> 01:14:54,400
Speaker 1: exchange tired. Let me just played it. I said, I

1526
01:14:54,479 --> 01:14:57,040
Speaker 1: see played it twenty minutes ago. Why are we still

1527
01:14:57,080 --> 01:14:59,320
Speaker 1: playing that record? And I need to re see the

1528
01:14:59,360 --> 01:15:01,120
Speaker 1: research on that. I know I'm not a program director

1529
01:15:01,120 --> 01:15:03,040
Speaker 1: of music director, but somebody got approved to me that

1530
01:15:03,200 --> 01:15:05,360
Speaker 1: that record is still It must be doing moving, It

1531
01:15:05,439 --> 01:15:07,400
Speaker 1: must be doing great. Maybe somebody just forgot about it.

1532
01:15:08,000 --> 01:15:10,880
Speaker 1: They just pressed off. He made it law because I'm sorry,

1533
01:15:10,880 --> 01:15:13,439
Speaker 1: it's inside baseball. I'm sorry. You donate money to the

1534
01:15:14,160 --> 01:15:16,479
Speaker 1: Foundation for the University of the West Indies. No, I

1535
01:15:16,600 --> 01:15:21,960
Speaker 1: have it, Okay, you ask me a question that they haven't.

1536
01:15:21,960 --> 01:15:23,519
Speaker 1: I haven't looked at it yet. I am, though I'm not.

1537
01:15:23,760 --> 01:15:26,120
Speaker 1: I will too. I will as well. I just haven't yet.

1538
01:15:26,160 --> 01:15:29,240
Speaker 1: You said I haven't to Thursday. Yeah, well I'll do

1539
01:15:29,320 --> 01:15:31,680
Speaker 1: it before tomorrow. By the way, I know. I'm going

1540
01:15:31,720 --> 01:15:34,880
Speaker 1: to donate money for a student and named Guilla drop Bomb.

1541
01:15:35,920 --> 01:15:38,840
Speaker 1: And I'm gonna do Dominica because that's where you're from.

1542
01:15:38,920 --> 01:15:41,360
Speaker 1: Is that how you pronounce it? But you're from there,

1543
01:15:41,400 --> 01:15:44,760
Speaker 1: but it's now, that's the Dominican Republic. It's not the

1544
01:15:44,800 --> 01:15:47,439
Speaker 1: same thing. One is West Indies. Yeah, I don't know.

1545
01:15:47,960 --> 01:15:50,760
Speaker 1: My dad's dad's from there. So I'm gonna donate money there.

1546
01:15:51,000 --> 01:15:53,840
Speaker 1: You are Spanish. That's not Spanish, it's West Indian. Man.

1547
01:15:55,040 --> 01:15:56,840
Speaker 1: I think we own some land out there. I wonder

1548
01:15:57,200 --> 01:16:00,120
Speaker 1: I think my dad taxes on it, because if not,

1549
01:16:00,200 --> 01:16:02,240
Speaker 1: you don't know it anymore. Well, we're gonna go out

1550
01:16:02,240 --> 01:16:04,479
Speaker 1: there and check it out. Some land or something for

1551
01:16:04,560 --> 01:16:07,000
Speaker 1: the hotel or something. My grandfather used to live there

1552
01:16:07,080 --> 01:16:10,560
Speaker 1: for a little while. Yeah, where your grandfather's from? Was

1553
01:16:10,600 --> 01:16:15,640
Speaker 1: that the Menicana? It's not that I didn't you you

1554
01:16:15,760 --> 01:16:19,360
Speaker 1: said that. What you say Minica is ain't different, man,

1555
01:16:20,320 --> 01:16:25,799
Speaker 1: christ Let's get to the rumors. Let's talk. Oh gosh,

1556
01:16:27,040 --> 01:16:35,360
Speaker 1: report got breakfast club. Usure has another album coming out

1557
01:16:35,520 --> 01:16:39,160
Speaker 1: this Friday, is called Hendrix. Why he just released the

1558
01:16:39,200 --> 01:16:41,800
Speaker 1: album last week. So the rumors of that Rocko thing

1559
01:16:41,880 --> 01:16:44,400
Speaker 1: must be true. Did they say Rocos getting fifty getting

1560
01:16:44,439 --> 01:16:46,080
Speaker 1: all his roadies for the next two albums? I guess

1561
01:16:46,120 --> 01:16:47,840
Speaker 1: he there was a lawsuit. We don't know if it's

1562
01:16:47,880 --> 01:16:50,680
Speaker 1: true or not. That was the rumor that was put

1563
01:16:50,760 --> 01:16:52,680
Speaker 1: out there, And we don't know for sure what's going

1564
01:16:52,760 --> 01:16:55,439
Speaker 1: on with that situation. Album Friday, and now you put

1565
01:16:55,520 --> 01:16:59,000
Speaker 1: out another album this Friday. That's not like you obligation.

1566
01:16:59,160 --> 01:17:02,000
Speaker 1: You're also tagged Rianna and the Weekend when he made

1567
01:17:02,040 --> 01:17:05,160
Speaker 1: that announcement on Instagram, So possibly they're on the album too.

1568
01:17:05,200 --> 01:17:08,040
Speaker 1: It's the album he always wanted to make, all right now.

1569
01:17:08,120 --> 01:17:10,479
Speaker 1: He also went on Instagram and actually just an hour

1570
01:17:10,479 --> 01:17:12,000
Speaker 1: ago on Twitter he said, told you I got a

1571
01:17:12,040 --> 01:17:14,920
Speaker 1: fully loaded clip. Thought I was bluffing. If you purchase Future,

1572
01:17:14,920 --> 01:17:17,919
Speaker 1: you will understand Hendricks. Okay. Then he went on Instagram

1573
01:17:18,320 --> 01:17:20,439
Speaker 1: yesterday and said, who told you you couldn't be exactly

1574
01:17:20,520 --> 01:17:22,479
Speaker 1: who you wanted to be? They lie, They wasn't bold,

1575
01:17:22,520 --> 01:17:24,759
Speaker 1: They didn't have the ambition, They didn't have the courage.

1576
01:17:24,800 --> 01:17:26,760
Speaker 1: They was misled. They didn't believe in themselves, but no

1577
01:17:26,840 --> 01:17:28,880
Speaker 1: one else would. They cared about what other people thought

1578
01:17:28,920 --> 01:17:31,320
Speaker 1: of them. They gave up, not knowing God wouldn't give

1579
01:17:31,360 --> 01:17:33,280
Speaker 1: you more than you can handle. They didn't sew seeds.

1580
01:17:33,520 --> 01:17:35,280
Speaker 1: They didn't have the passion, they didn't have the drive.

1581
01:17:35,320 --> 01:17:37,200
Speaker 1: They didn't tell you all of their flaws because they

1582
01:17:37,240 --> 01:17:40,160
Speaker 1: were scared of not being accepted by their pairs. They said,

1583
01:17:40,200 --> 01:17:42,120
Speaker 1: I can't I tried. I need help, but not me.

1584
01:17:42,400 --> 01:17:44,280
Speaker 1: I won't say it. Don't sound like a rush job, though,

1585
01:17:44,280 --> 01:17:47,639
Speaker 1: because if you put out an album on one Friday,

1586
01:17:47,680 --> 01:17:49,400
Speaker 1: called Future, and you drop another one a week later

1587
01:17:49,479 --> 01:17:51,760
Speaker 1: called Hendrix. So you had a plan. Yeah, absolutely, it

1588
01:17:51,800 --> 01:17:53,720
Speaker 1: sounds like a plan. So it's a fully loaded clip,

1589
01:17:53,800 --> 01:17:56,479
Speaker 1: he said. All right, jay Z is planning to start

1590
01:17:56,560 --> 01:17:59,799
Speaker 1: a venture capital fund, dropping a clues bomb for holdemit.

1591
01:18:01,160 --> 01:18:03,200
Speaker 1: He's going to do his own firm and he's going

1592
01:18:03,240 --> 01:18:06,360
Speaker 1: to team up with rock Nation co founder Jay Brown.

1593
01:18:06,760 --> 01:18:09,000
Speaker 1: So what they want to do is focus on seed

1594
01:18:09,120 --> 01:18:11,479
Speaker 1: investments and young startups. So they're going to get some

1595
01:18:11,600 --> 01:18:14,439
Speaker 1: help from Sherpa Capital that was created by some of

1596
01:18:14,640 --> 01:18:16,880
Speaker 1: Uber's other early investors because jay Z was an early

1597
01:18:16,920 --> 01:18:20,000
Speaker 1: investor in Uber as well. So some other things that

1598
01:18:20,160 --> 01:18:22,280
Speaker 1: jay Z and rock Nation have invested in in the past,

1599
01:18:22,400 --> 01:18:26,960
Speaker 1: Dance Uber and that tells you yes, Vitti Supernova, it's

1600
01:18:27,120 --> 01:18:32,760
Speaker 1: a Instagram for video app, black Jet Jet Smarter. Yeah,

1601
01:18:32,840 --> 01:18:34,600
Speaker 1: just a few different things that they've invested in and

1602
01:18:34,800 --> 01:18:38,600
Speaker 1: they've all done pretty well. So they've made some promising

1603
01:18:38,880 --> 01:18:41,680
Speaker 1: startup investments and now they want to keep on doing

1604
01:18:41,760 --> 01:18:44,679
Speaker 1: that for young companies flex their black privilege hole. Whynot.

1605
01:18:45,120 --> 01:18:48,640
Speaker 1: That's dope. Yeah, that's a great idea. If you got it,

1606
01:18:48,880 --> 01:18:51,599
Speaker 1: let's go yeah right, all right, now, Nick Cannon has

1607
01:18:51,640 --> 01:18:55,000
Speaker 1: some issues. He's actually going to be suing the National Inquirer.

1608
01:18:55,520 --> 01:18:58,280
Speaker 1: He says, there's a false article that the Inquirer is

1609
01:18:58,400 --> 01:19:02,599
Speaker 1: preparing to run. He's the rightning a slander and defamation lawsuit.

1610
01:19:02,640 --> 01:19:04,920
Speaker 1: He put up an image on text, he said, more lies.

1611
01:19:05,439 --> 01:19:07,799
Speaker 1: So the Inquirer wants to play around with my children.

1612
01:19:07,920 --> 01:19:10,559
Speaker 1: Only evil operates in this manner. What is the purpose

1613
01:19:10,920 --> 01:19:14,880
Speaker 1: except to exemplify pure and moral wickedness? So he said,

1614
01:19:14,920 --> 01:19:18,280
Speaker 1: no weapon forms against Michelle Prosper And I guess the

1615
01:19:18,360 --> 01:19:20,720
Speaker 1: National quire is trying to do a story about Nick

1616
01:19:20,800 --> 01:19:24,200
Speaker 1: Cannon having a nervous breakdown, his erratic behavior, and Mariah

1617
01:19:24,280 --> 01:19:27,000
Speaker 1: Carey has a little choice but to petition for custody

1618
01:19:27,040 --> 01:19:30,679
Speaker 1: of their kids. When did Nick Cannon have a nervous breakdown?

1619
01:19:31,280 --> 01:19:33,599
Speaker 1: And just because a man puts on the turban and dashiki,

1620
01:19:33,640 --> 01:19:38,200
Speaker 1: don't mean that he's having erratic behavior. Like, what's the problem. Yeah,

1621
01:19:38,400 --> 01:19:41,080
Speaker 1: I'm listen. But he's gonna sue if they put this

1622
01:19:41,240 --> 01:19:43,320
Speaker 1: article out, So maybe it's not gonna happen. I guess

1623
01:19:43,360 --> 01:19:46,280
Speaker 1: he got the heads up that that article was gonna happen.

1624
01:19:46,400 --> 01:19:50,599
Speaker 1: Now we were talking about this Tuesday night. Allegedly there

1625
01:19:50,640 --> 01:19:53,160
Speaker 1: were rumors that the Megos ran up on Sean Kingston.

1626
01:19:53,240 --> 01:19:56,280
Speaker 1: There was a gunshot fired, but we do have more information.

1627
01:19:56,360 --> 01:19:59,200
Speaker 1: This happened in Vegas at the Agenda trade show. Sean

1628
01:19:59,320 --> 01:20:00,920
Speaker 1: Kingston and the me It was at first we're friendly

1629
01:20:00,960 --> 01:20:03,320
Speaker 1: with each other. Then there was a heated exchange and

1630
01:20:03,479 --> 01:20:06,600
Speaker 1: they said that the Megos actually followed Sean Kingston to

1631
01:20:06,720 --> 01:20:09,200
Speaker 1: the parking lot after they had gotten into a fight

1632
01:20:09,520 --> 01:20:11,680
Speaker 1: and one of Sean Kingston's friends had to shoot up

1633
01:20:11,720 --> 01:20:14,519
Speaker 1: in the air to get the altercation to end. I

1634
01:20:14,560 --> 01:20:17,639
Speaker 1: don't believe none of this store why because there's no video. Well,

1635
01:20:17,760 --> 01:20:20,639
Speaker 1: Young Doug predicted all of this happening, and he predicted

1636
01:20:20,680 --> 01:20:24,479
Speaker 1: this back in December. Hey man, PSA that what sold

1637
01:20:24,520 --> 01:20:28,960
Speaker 1: you what? And um qaitboa Megos, Let that be with them.

1638
01:20:29,640 --> 01:20:34,280
Speaker 1: Sean Kingston relax, called ing on my plan and so relax,

1639
01:20:34,439 --> 01:20:36,920
Speaker 1: stay out of that. And I ain't telling number one

1640
01:20:37,000 --> 01:20:39,439
Speaker 1: time all right, miss Cleo. How do you know that

1641
01:20:39,600 --> 01:20:42,519
Speaker 1: Predicting the Future knew it? First of all, I don't

1642
01:20:42,560 --> 01:20:44,639
Speaker 1: believe the situation happened because that a gender trade show

1643
01:20:44,720 --> 01:20:47,280
Speaker 1: is full of so many different people them with people

1644
01:20:47,360 --> 01:20:51,000
Speaker 1: following them to the cards like nobody got that jumping

1645
01:20:51,080 --> 01:20:54,200
Speaker 1: on video, the megos jumping that that's not on video.

1646
01:20:54,360 --> 01:20:58,000
Speaker 1: Who knows you haven't seen it yet. Hold onto that gold.

1647
01:20:58,560 --> 01:21:00,599
Speaker 1: Somebody trying to make some money. Someone trying to make

1648
01:21:01,040 --> 01:21:05,920
Speaker 1: a deal, all right. The w NBA one prominent retired

1649
01:21:06,040 --> 01:21:07,960
Speaker 1: w NBA player, Candice a Week, and she was number

1650
01:21:08,000 --> 01:21:10,200
Speaker 1: three pick in the two thousand and eight w NBA draft,

1651
01:21:10,760 --> 01:21:13,400
Speaker 1: is saying that part of her reason that she retired

1652
01:21:13,960 --> 01:21:15,880
Speaker 1: is because of her mental state. She said, it was

1653
01:21:15,960 --> 01:21:18,439
Speaker 1: depressing state in the w NBA. It's not watched, our

1654
01:21:18,520 --> 01:21:21,280
Speaker 1: value is diminished. It was toxic. She said. Me being

1655
01:21:21,400 --> 01:21:24,599
Speaker 1: heterosexual and straight and being vocal in my identity as

1656
01:21:24,640 --> 01:21:27,439
Speaker 1: a straight woman was huge. I would say ninety eight

1657
01:21:27,520 --> 01:21:31,840
Speaker 1: percent of the women in the w NBA are gay women. Yeah.

1658
01:21:31,880 --> 01:21:34,120
Speaker 1: She said people were deliberately trying to hurt her all

1659
01:21:34,160 --> 01:21:35,760
Speaker 1: the time. She said, I've never been called the B

1660
01:21:35,880 --> 01:21:38,160
Speaker 1: words so many times in my life. Then I was

1661
01:21:38,240 --> 01:21:40,280
Speaker 1: in my rookie season. I'd never been thrown to the

1662
01:21:40,360 --> 01:21:43,640
Speaker 1: ground so much. The message was we wants you to

1663
01:21:43,800 --> 01:21:46,360
Speaker 1: know we don't like you. Yes, Charlomagne, I threw you

1664
01:21:46,400 --> 01:21:49,560
Speaker 1: to the ground because I like you. That's why I

1665
01:21:49,600 --> 01:21:51,600
Speaker 1: threw you to the ground. She also said that you

1666
01:21:51,760 --> 01:21:54,680
Speaker 1: get compared so much to men that you mirror the men.

1667
01:21:54,800 --> 01:21:56,439
Speaker 1: She said, so many people think you have to look

1668
01:21:56,520 --> 01:21:58,439
Speaker 1: like a man, play like a man to get respect.

1669
01:21:58,720 --> 01:22:00,760
Speaker 1: I was the opposite. I was to be a woman

1670
01:22:00,800 --> 01:22:02,840
Speaker 1: and it didn't fit well in that culture. Well, I

1671
01:22:02,920 --> 01:22:05,000
Speaker 1: can't you know, you can't co sign that number ninety

1672
01:22:05,040 --> 01:22:08,120
Speaker 1: eight percent, but you can probably say the majority lots

1673
01:22:08,360 --> 01:22:10,400
Speaker 1: and a lot of the w NBA players do look

1674
01:22:10,439 --> 01:22:12,760
Speaker 1: like men. But why don't anybody watch the w n

1675
01:22:12,840 --> 01:22:16,439
Speaker 1: BA because anybody dunking? That's all. It really boils down to,

1676
01:22:16,640 --> 01:22:19,400
Speaker 1: why nobody's dunking? We need some people jumping out the gym,

1677
01:22:19,680 --> 01:22:22,759
Speaker 1: and why now people are not? As there's more three pointers?

1678
01:22:22,800 --> 01:22:25,960
Speaker 1: Now anybody shooting? You know what? Brittney Grinder was so intriguing.

1679
01:22:26,280 --> 01:22:29,639
Speaker 1: She could dunk brittany flock of flame, two hand slams,

1680
01:22:29,680 --> 01:22:31,040
Speaker 1: all kind of stuff. That's what I want to see.

1681
01:22:31,160 --> 01:22:33,360
Speaker 1: Give me some dunking, all right, All right, well I'm

1682
01:22:33,360 --> 01:22:36,360
Speaker 1: managing LEGI and that's your rumor reports. All right, thank you,

1683
01:22:36,400 --> 01:22:39,400
Speaker 1: missing you're any good like satire point was about the

1684
01:22:39,520 --> 01:22:41,840
Speaker 1: w NBA. Gotta be some good lesbian point about the

1685
01:22:41,920 --> 01:22:46,799
Speaker 1: w NBA. Right, let me Google, oh, revoke piece everybody

1686
01:22:46,800 --> 01:22:48,640
Speaker 1: else to People's Choice mixes up next you want to

1687
01:22:48,680 --> 01:22:50,960
Speaker 1: hear something eight hundred five eight five one on five

1688
01:22:51,080 --> 01:22:54,360
Speaker 1: one get your request one. Yeah, but did you look

1689
01:22:54,439 --> 01:22:58,320
Speaker 1: up he got some he What did you look up? Google?

1690
01:22:58,439 --> 01:23:00,880
Speaker 1: Lesbian point w NBA. But you what did you find?

1691
01:23:00,960 --> 01:23:08,800
Speaker 1: Tell us what you find? Uh? No, all right? The

1692
01:23:08,880 --> 01:23:11,679
Speaker 1: People's choice mixes up next to request