1 00:00:08,080 --> 00:00:11,880 Speaker 1: Hey there, folks, It's Monday, October the sixth, and before 2 00:00:12,480 --> 00:00:17,520 Speaker 1: Jason Isaacs was flashing his junk on a hot oh 3 00:00:17,600 --> 00:00:22,360 Speaker 1: my god, fun White Lotus, he was in one of 4 00:00:22,400 --> 00:00:27,480 Speaker 1: our absolute favorite sleepy little horror movies that you need 5 00:00:27,520 --> 00:00:29,440 Speaker 1: to hear about. And with that, welcome to this episode, 6 00:00:29,480 --> 00:00:32,640 Speaker 1: this Horror hit List edition of Amy and TJ. Why 7 00:00:32,680 --> 00:00:35,879 Speaker 1: do you say, Oh my god? Yes, Jason Isaacs with 8 00:00:35,960 --> 00:00:38,199 Speaker 1: a guy, a guy that everybody was paying attention to 9 00:00:38,240 --> 00:00:40,440 Speaker 1: with White Lotus, was in a little movie that a 10 00:00:40,440 --> 00:00:42,479 Speaker 1: lot of people probably never heard of and didn't know 11 00:00:43,000 --> 00:00:43,320 Speaker 1: he was in. 12 00:00:43,560 --> 00:00:45,360 Speaker 2: It was just one way to get people's attention, and 13 00:00:45,400 --> 00:00:47,360 Speaker 2: you certainly got mine. So we didn't know you were 14 00:00:47,400 --> 00:00:50,960 Speaker 2: going to go there to start off our number twenty 15 00:00:51,000 --> 00:00:54,920 Speaker 2: six on our Horror hit List on this Monday. And 16 00:00:55,160 --> 00:00:59,880 Speaker 2: the name of the movie is look Away. I thought 17 00:00:59,880 --> 00:01:00,680 Speaker 2: you were gonna say. 18 00:01:00,600 --> 00:01:03,760 Speaker 1: It clearly, we don't have a plan, oh look Away, 19 00:01:03,840 --> 00:01:04,280 Speaker 1: look Away. 20 00:01:04,319 --> 00:01:08,000 Speaker 2: It was released in October of twenty eighteen, so seven 21 00:01:08,080 --> 00:01:11,480 Speaker 2: years ago. It was rated R and it runs an 22 00:01:11,600 --> 00:01:16,440 Speaker 2: hour forty three now. The synopsis is this an alienated 23 00:01:16,520 --> 00:01:18,880 Speaker 2: high school student. Her name is Maria. Her life is 24 00:01:18,920 --> 00:01:23,840 Speaker 2: turned upside down when she switches places with her sinister 25 00:01:24,360 --> 00:01:27,920 Speaker 2: mirror image. We loved the movie. We saw it a 26 00:01:27,920 --> 00:01:28,880 Speaker 2: couple of years ago. 27 00:01:29,080 --> 00:01:31,480 Speaker 1: Actually, correct, Oh yeahn't know how we came upon this one. 28 00:01:31,520 --> 00:01:33,200 Speaker 1: How we found this one, But it's uh yeah, you 29 00:01:33,200 --> 00:01:34,960 Speaker 1: gotta go looking for it, and you gotta be curious. 30 00:01:35,120 --> 00:01:39,040 Speaker 2: That's right, because Rotten Tomatoes score, the critics review would 31 00:01:39,040 --> 00:01:42,000 Speaker 2: not send you running to your TV to find where 32 00:01:42,040 --> 00:01:45,280 Speaker 2: it's streaming. But we assure you it is brilliant, and 33 00:01:45,520 --> 00:01:48,920 Speaker 2: especially when you consider it's not just Jason Isaac's in 34 00:01:48,960 --> 00:01:52,480 Speaker 2: the cast, but you also have Mira Sorvino, who is incredible. 35 00:01:52,520 --> 00:01:55,680 Speaker 2: She's an Academy Award winner if you don't recognize the name. 36 00:01:56,040 --> 00:01:58,800 Speaker 2: And India Isisley is the young woman who is the 37 00:01:58,800 --> 00:02:02,560 Speaker 2: star of the show. But yes, just got fifteen percent 38 00:02:02,800 --> 00:02:06,160 Speaker 2: of Rotten Tomato score. But this is of note and 39 00:02:06,240 --> 00:02:08,080 Speaker 2: I always like when I see this, if you look 40 00:02:08,080 --> 00:02:11,760 Speaker 2: at the audience score, it's reversed, it's at fifty one percent. 41 00:02:11,919 --> 00:02:13,919 Speaker 1: It's not great, still not good enough. 42 00:02:13,960 --> 00:02:16,080 Speaker 2: I don't think in terms of what we thought it was. 43 00:02:16,200 --> 00:02:20,240 Speaker 2: I think it's a brilliant film. It's it's silly at 44 00:02:20,240 --> 00:02:22,520 Speaker 2: times because just the premise of it. Sometimes you have 45 00:02:22,560 --> 00:02:24,639 Speaker 2: to buy into but I loved. 46 00:02:24,320 --> 00:02:27,000 Speaker 1: It, and so you got a fifty fifty san so 47 00:02:27,000 --> 00:02:29,239 Speaker 1: of liking it if the audience score is fifty one percent. 48 00:02:29,520 --> 00:02:31,440 Speaker 1: But we are not We absolutely are not going to 49 00:02:31,480 --> 00:02:33,960 Speaker 1: be speaking about any movie here that we don't absolutely 50 00:02:34,000 --> 00:02:37,280 Speaker 1: love and would recommend to somebody. Now, this one isn't 51 00:02:37,360 --> 00:02:42,760 Speaker 1: for everybody necessarily, but we think it is. It's not heah, 52 00:02:42,760 --> 00:02:44,960 Speaker 1: we'll get into why we recommend it and all that stuff, 53 00:02:45,000 --> 00:02:48,720 Speaker 1: but this is every single movie that's on here we 54 00:02:48,760 --> 00:02:50,320 Speaker 1: can stand by on our lists. 55 00:02:50,440 --> 00:02:53,320 Speaker 2: I think it's a surefire hit when you turn it on, 56 00:02:53,360 --> 00:02:54,960 Speaker 2: if you want to be entertained, if you want to 57 00:02:55,000 --> 00:02:57,440 Speaker 2: have a little fear, feel a little creepy. Some are 58 00:02:57,480 --> 00:03:00,040 Speaker 2: scarier than others. But look Away is I think, I 59 00:03:00,040 --> 00:03:04,040 Speaker 2: think a really interesting script with it, and it's really 60 00:03:04,080 --> 00:03:05,960 Speaker 2: really well done. And so we'll read you some of 61 00:03:06,000 --> 00:03:09,679 Speaker 2: what the critics said to get you just in that 62 00:03:09,720 --> 00:03:14,480 Speaker 2: frame of thought. So this critic said director Asuf Bernstein's 63 00:03:14,560 --> 00:03:17,040 Speaker 2: version of this and look Away turns into a slow 64 00:03:17,200 --> 00:03:21,760 Speaker 2: paced horror film that aims for depth but delivers cheap thrill. 65 00:03:21,880 --> 00:03:23,760 Speaker 1: I don't know what the depth, What was the depth 66 00:03:23,840 --> 00:03:26,680 Speaker 1: in this. It had to do with I don't know, 67 00:03:27,040 --> 00:03:30,160 Speaker 1: young lady finding her inner beauty, a young lady finding 68 00:03:30,200 --> 00:03:34,240 Speaker 1: her better self but ends up being a terrible self. 69 00:03:34,240 --> 00:03:36,200 Speaker 1: I guess is a self reflection type of depth. 70 00:03:36,320 --> 00:03:37,760 Speaker 2: To me, I always thought it was more of an 71 00:03:37,800 --> 00:03:40,200 Speaker 2: alter ego kind of thing, where we all have this 72 00:03:40,280 --> 00:03:44,080 Speaker 2: evil twin inside of us, and this one actually comes, well, 73 00:03:44,160 --> 00:03:47,080 Speaker 2: it comes to fruition, not something you just fantasize about 74 00:03:47,160 --> 00:03:49,160 Speaker 2: or think, what if I actually followed through on this 75 00:03:49,280 --> 00:03:51,720 Speaker 2: dark thought I'm having, But the person who's having that 76 00:03:51,840 --> 00:03:55,480 Speaker 2: dark thought actually takes over. And so that's kind of 77 00:03:55,520 --> 00:03:57,240 Speaker 2: what the premise is of this movie. Did that make 78 00:03:57,240 --> 00:03:58,880 Speaker 2: any sense? You're kind of rolling your eyes at me. 79 00:03:59,280 --> 00:04:00,800 Speaker 1: You lost me some where. I'm not even sure where 80 00:04:00,840 --> 00:04:03,640 Speaker 1: I got lost. But no, I never looked at this 81 00:04:03,720 --> 00:04:05,080 Speaker 1: movie and thought anything about depth. 82 00:04:05,200 --> 00:04:05,280 Speaker 2: Right. 83 00:04:05,360 --> 00:04:08,040 Speaker 1: It examined some themes that people can relate to, and 84 00:04:08,080 --> 00:04:11,840 Speaker 1: certainly young people teenagers coming up and coming of age 85 00:04:11,840 --> 00:04:14,720 Speaker 1: and all this kind of stuff. And then cheap thrills. 86 00:04:15,000 --> 00:04:17,120 Speaker 1: I didn't know it was going after cheap This was 87 00:04:17,279 --> 00:04:18,320 Speaker 1: not a jump scare kind of a way. 88 00:04:18,600 --> 00:04:20,400 Speaker 2: I didn't think there were any cheap thrills. Actually, I 89 00:04:20,440 --> 00:04:23,479 Speaker 2: thought the deaths were good. They weren't overly gruesome, which yes, 90 00:04:23,520 --> 00:04:25,799 Speaker 2: if people don't like a lot of blood and guts, 91 00:04:25,839 --> 00:04:27,840 Speaker 2: this is a This is a good movie because it's 92 00:04:27,960 --> 00:04:29,799 Speaker 2: I mean, there are deaths and you do see blood, 93 00:04:29,800 --> 00:04:33,240 Speaker 2: but it's not that gruesome. I actually thought this was 94 00:04:33,279 --> 00:04:38,200 Speaker 2: a pretty good I mean, in terms of bad reviews, 95 00:04:38,240 --> 00:04:40,279 Speaker 2: it's not a terrible review and I kind of agree 96 00:04:40,320 --> 00:04:42,560 Speaker 2: with some of it. It might not be the savviest 97 00:04:42,640 --> 00:04:45,800 Speaker 2: horror ever made due to its juvenile messaging, but it's 98 00:04:45,839 --> 00:04:50,080 Speaker 2: clean and cold aesthetics and villainous characters just about managed 99 00:04:50,120 --> 00:04:50,800 Speaker 2: to pull it through. 100 00:04:51,320 --> 00:04:53,520 Speaker 1: They do. They pull it off because at least two 101 00:04:54,920 --> 00:04:58,760 Speaker 1: of the performance are from like very acclaimed even Oscar 102 00:04:58,800 --> 00:05:00,960 Speaker 1: winning actors, and in the lady who plays the lead 103 00:05:01,320 --> 00:05:03,280 Speaker 1: has to play two leads. She has to pay play 104 00:05:03,279 --> 00:05:05,680 Speaker 1: herself and then an evil twin of that person if 105 00:05:05,680 --> 00:05:08,279 Speaker 1: you will, So it's performance as a solid even the 106 00:05:08,279 --> 00:05:12,239 Speaker 1: friends of supporting cast is this is a well done movie. 107 00:05:12,400 --> 00:05:14,040 Speaker 2: Yeah. I thought it was really good. So yeah, I 108 00:05:14,080 --> 00:05:16,600 Speaker 2: don't this here's another review. It's just, you know, it's 109 00:05:16,640 --> 00:05:19,919 Speaker 2: so interesting when critics jump on and say things that 110 00:05:19,960 --> 00:05:22,080 Speaker 2: I just don't agree with. The mirror on the Wall 111 00:05:22,160 --> 00:05:24,839 Speaker 2: doesn't reveal the fairest of them all in this lack 112 00:05:25,000 --> 00:05:29,240 Speaker 2: luster psychological thriller that never gains much narrative traction despite 113 00:05:29,240 --> 00:05:32,160 Speaker 2: a decent premise. I just I thought it was good. 114 00:05:32,200 --> 00:05:34,800 Speaker 2: I never once wanted to I never got bored, I 115 00:05:34,839 --> 00:05:37,640 Speaker 2: never once wanted to turn it off. I was engaged 116 00:05:37,680 --> 00:05:39,240 Speaker 2: the entire time and thought it was well done. 117 00:05:39,440 --> 00:05:41,000 Speaker 1: Look, a lot of people look for movies and look 118 00:05:41,040 --> 00:05:43,159 Speaker 1: for more depth and ah, that's a very good writing, 119 00:05:43,279 --> 00:05:45,480 Speaker 1: or there's and look for those types of things. We 120 00:05:45,560 --> 00:05:47,360 Speaker 1: were just looking to be entertained and have a little 121 00:05:47,360 --> 00:05:48,920 Speaker 1: fun watching a horror movie, and we do. 122 00:05:49,200 --> 00:05:52,160 Speaker 2: Okay, So here's why it made our list. First off, 123 00:05:52,240 --> 00:05:55,360 Speaker 2: and we've made this really clear. Incredible acting, and I 124 00:05:55,400 --> 00:05:58,359 Speaker 2: love some fun evil teen stuff like this was just 125 00:05:58,440 --> 00:06:01,240 Speaker 2: one of those fun if you're in that genre. I 126 00:06:01,279 --> 00:06:03,840 Speaker 2: would say the concept was amazing, the idea that your 127 00:06:03,880 --> 00:06:06,919 Speaker 2: evil twin or your alter ego takes over to do 128 00:06:07,080 --> 00:06:10,240 Speaker 2: or say whatever you want without considering the consequences. So 129 00:06:10,320 --> 00:06:13,440 Speaker 2: that was something that I just found really intriguing and 130 00:06:13,760 --> 00:06:15,240 Speaker 2: very highly entertaining. 131 00:06:16,560 --> 00:06:19,520 Speaker 1: Heads up, don't try to make sense of this. Well, 132 00:06:19,560 --> 00:06:22,000 Speaker 1: that's stupid. What is a twin in the don't do that. 133 00:06:22,400 --> 00:06:25,960 Speaker 1: This is just don't try to put a practical spin 134 00:06:26,040 --> 00:06:28,240 Speaker 1: on it, and it doesn't make it. No, it's a supernatural, 135 00:06:28,480 --> 00:06:33,960 Speaker 1: just a silly, almost teeny horror film. This is not 136 00:06:34,480 --> 00:06:37,440 Speaker 1: a big slasher type movie at all, And like you said, 137 00:06:37,480 --> 00:06:39,719 Speaker 1: there's not a lot of blood and guts. Yeah, in 138 00:06:39,720 --> 00:06:41,800 Speaker 1: this movie is just not But they have a creep 139 00:06:41,839 --> 00:06:44,000 Speaker 1: factor in here. It's not just creepy, like make your 140 00:06:44,000 --> 00:06:46,360 Speaker 1: skin crawl because they're doing some body horror or some 141 00:06:46,400 --> 00:06:49,359 Speaker 1: weird sounds. But they set up some situations between this 142 00:06:49,440 --> 00:06:51,840 Speaker 1: young lady and her dad, a young lady and her 143 00:06:51,880 --> 00:06:55,960 Speaker 1: mom that are just uncomfortable, comfortable that it creeps you out, 144 00:06:55,960 --> 00:06:57,280 Speaker 1: and that adds to a lot of the tension in 145 00:06:57,320 --> 00:06:57,960 Speaker 1: the front of the movie. 146 00:06:58,000 --> 00:06:59,520 Speaker 2: I agree. I think that is part of what makes 147 00:06:59,520 --> 00:07:02,520 Speaker 2: it fun because it is so dang uncomfortable. It makes 148 00:07:02,520 --> 00:07:06,880 Speaker 2: you go yee, So who is this movie for? If 149 00:07:06,920 --> 00:07:10,400 Speaker 2: you like teen themed high school horror films, this is 150 00:07:10,800 --> 00:07:14,760 Speaker 2: great and there is that subgenre and I love them all. 151 00:07:15,040 --> 00:07:18,880 Speaker 2: We both love those settings. It's fun. It automatically puts 152 00:07:18,880 --> 00:07:20,080 Speaker 2: a fun factor to it. 153 00:07:20,160 --> 00:07:22,280 Speaker 1: If there's a ton of movies like this out there, 154 00:07:22,320 --> 00:07:24,360 Speaker 1: you immediately go to Carrie. And there have been so 155 00:07:24,400 --> 00:07:28,320 Speaker 1: many prom scenes throughout the years, this one includes one, 156 00:07:28,360 --> 00:07:30,880 Speaker 1: but you do. You have a tormented, a tortured high 157 00:07:30,880 --> 00:07:33,920 Speaker 1: school teenager who's not with the in crowd, who gets 158 00:07:33,960 --> 00:07:36,400 Speaker 1: picked on, who gets bullied, and all these things, and 159 00:07:36,440 --> 00:07:37,920 Speaker 1: then all of a sudden she gets to have her 160 00:07:37,960 --> 00:07:41,440 Speaker 1: moment because her evil twin takes over for her. That's 161 00:07:41,480 --> 00:07:44,320 Speaker 1: the concept, and that works with this high school. She 162 00:07:44,400 --> 00:07:46,440 Speaker 1: gets back at all the people that did are wrong, 163 00:07:46,520 --> 00:07:47,000 Speaker 1: that whole thing. 164 00:07:47,160 --> 00:07:49,480 Speaker 2: Yeah, So I was gonna say, if you like Revenge Horror, 165 00:07:49,760 --> 00:07:51,960 Speaker 2: and you just summed it up Revenge Horror, if you 166 00:07:52,120 --> 00:07:55,520 Speaker 2: liked Stephen King's Carrie, you will like this movie. And 167 00:07:55,520 --> 00:07:57,560 Speaker 2: it's different because it's a little bit more fun than Carrie. 168 00:07:57,640 --> 00:08:01,200 Speaker 2: Carrie is a little bit more serious. Jesus, Yes, he's amazing, 169 00:08:01,760 --> 00:08:02,520 Speaker 2: I know, but. 170 00:08:02,440 --> 00:08:04,960 Speaker 1: For God, he's got good stuff. I forget about stuff 171 00:08:05,320 --> 00:08:05,600 Speaker 1: he does. 172 00:08:05,600 --> 00:08:08,000 Speaker 2: So I would say, if you liked Carrie, you'll appreciate 173 00:08:08,040 --> 00:08:11,560 Speaker 2: this movie. But it's not as heavy. It is sinister, 174 00:08:12,560 --> 00:08:14,160 Speaker 2: So it's a got a twist. It's not like it's 175 00:08:14,200 --> 00:08:16,000 Speaker 2: a replica or a knockoff of it, but it has 176 00:08:16,000 --> 00:08:19,400 Speaker 2: a similar theme. So again, if you appreciate good acting, 177 00:08:19,400 --> 00:08:21,680 Speaker 2: there are stellar performances. If you don't like a lot 178 00:08:21,680 --> 00:08:23,840 Speaker 2: of gore, there are some great death So I think 179 00:08:23,960 --> 00:08:26,160 Speaker 2: this is the movie for you, and I think if 180 00:08:26,200 --> 00:08:28,600 Speaker 2: you're again, this could be a starter horror movie too, 181 00:08:28,800 --> 00:08:31,040 Speaker 2: because you don't have to love the genre of horror 182 00:08:31,360 --> 00:08:32,360 Speaker 2: to like this movie. 183 00:08:32,400 --> 00:08:35,320 Speaker 1: This is a this is a thriller horror. That's a 184 00:08:35,520 --> 00:08:38,800 Speaker 1: slash in there, probably with that because it's I'm trying 185 00:08:38,840 --> 00:08:41,360 Speaker 1: to remember a single jump scare. I'm sure there had 186 00:08:41,360 --> 00:08:43,360 Speaker 1: to be one in there to acquire for most horror movies, 187 00:08:43,360 --> 00:08:45,559 Speaker 1: but it's not that type of thing. But you're still 188 00:08:45,600 --> 00:08:47,319 Speaker 1: on the edge of your seat in a lot of ways, 189 00:08:47,320 --> 00:08:49,560 Speaker 1: but you're not worried for a monster to jump out 190 00:08:49,600 --> 00:08:51,040 Speaker 1: of the closet and start stabbing people. 191 00:08:51,160 --> 00:08:55,760 Speaker 2: Yeah, it's monsters don't carry not they could. But it's suspenseful, 192 00:08:55,920 --> 00:08:58,120 Speaker 2: I think is a good way to put it. It's suspenseful, 193 00:08:58,200 --> 00:09:02,000 Speaker 2: it's creepy, it'll keep you entertained, and it's just fun 194 00:09:02,000 --> 00:09:04,080 Speaker 2: to watch these actors do what they do so well. 195 00:09:04,120 --> 00:09:06,360 Speaker 1: We should give Jason Isaac's credit. If you loved him 196 00:09:06,360 --> 00:09:08,280 Speaker 1: in White Lotus, you're gonna love him here because he's 197 00:09:08,320 --> 00:09:13,720 Speaker 1: almost the same type of mean dad, right, loving caring 198 00:09:13,760 --> 00:09:15,960 Speaker 1: but not exactly sure how to go about doing the 199 00:09:16,000 --> 00:09:18,080 Speaker 1: loving and caring and make some errors along the way. 200 00:09:18,520 --> 00:09:20,400 Speaker 1: He is the same character almost. 201 00:09:20,120 --> 00:09:24,400 Speaker 2: But he's meaner. He's meaner in this one, I mean eviscerating. 202 00:09:24,440 --> 00:09:27,960 Speaker 2: I mean, I think there's a little befuddledness and humility 203 00:09:28,000 --> 00:09:30,360 Speaker 2: in his character in White Lotus, maybe perhaps because he 204 00:09:30,400 --> 00:09:33,520 Speaker 2: was losing everything, But in this one he's just mean 205 00:09:33,679 --> 00:09:37,920 Speaker 2: and biting and unfeeling. And yeah, he's kind of a 206 00:09:37,960 --> 00:09:40,959 Speaker 2: despicable dad and a despicable husband in this so he's 207 00:09:41,000 --> 00:09:41,480 Speaker 2: easy to. 208 00:09:41,480 --> 00:09:43,240 Speaker 1: Not like, but he nails the role. 209 00:09:43,240 --> 00:09:45,560 Speaker 2: Again. Yes, for us to elicit or for him to 210 00:09:45,600 --> 00:09:48,440 Speaker 2: elicit that much feeling about his character, you know, he 211 00:09:48,559 --> 00:09:52,199 Speaker 2: did his job right, and Miras Sorvino did such a 212 00:09:52,240 --> 00:09:54,559 Speaker 2: good job. Honestly, I hate saying this word, but kind 213 00:09:54,559 --> 00:09:59,079 Speaker 2: of playing a pathetic wife, a pathetic mom. This this 214 00:09:59,440 --> 00:10:02,680 Speaker 2: powerless woman, but she does it so well and just 215 00:10:02,760 --> 00:10:05,000 Speaker 2: the dynamic between her and her daughter and her and 216 00:10:05,040 --> 00:10:07,560 Speaker 2: her husband. She has an amazing performance as well. 217 00:10:07,640 --> 00:10:10,360 Speaker 1: This is okay, she's probably I mean, she's a supporting character 218 00:10:10,400 --> 00:10:12,880 Speaker 1: as the mom, but I'm trying to think of what 219 00:10:12,880 --> 00:10:15,480 Speaker 1: her relevance is. She is the scenestealer. I think in 220 00:10:15,520 --> 00:10:18,959 Speaker 1: the movie she makes you feel something, you relate to something, 221 00:10:18,960 --> 00:10:21,560 Speaker 1: you recognize something in her just by the look on 222 00:10:21,600 --> 00:10:24,319 Speaker 1: her face or in her eyes. At times. She gives 223 00:10:24,600 --> 00:10:27,880 Speaker 1: a performance here that is worthy of an Oscar winner. 224 00:10:27,920 --> 00:10:28,920 Speaker 1: I suppose she's good. 225 00:10:29,120 --> 00:10:32,920 Speaker 2: She brought the heart because Jason Isaac's character is just mean, 226 00:10:33,000 --> 00:10:35,160 Speaker 2: and then the teen gets all twisted and evil, so 227 00:10:35,320 --> 00:10:38,800 Speaker 2: she's she's the sad one you're rooting for, but you're 228 00:10:38,840 --> 00:10:41,240 Speaker 2: also annoyed with her because she won't she won't stand 229 00:10:41,320 --> 00:10:43,200 Speaker 2: up for herself in any way. But she does represent 230 00:10:43,240 --> 00:10:45,440 Speaker 2: the heart I think of the movie, and so yes, 231 00:10:45,600 --> 00:10:47,920 Speaker 2: all of those elements together make it a great film. 232 00:10:48,000 --> 00:10:50,880 Speaker 2: So we're gonna tell you now and we have some 233 00:10:51,000 --> 00:10:54,120 Speaker 2: specifics about who this film is not for. There is 234 00:10:54,520 --> 00:10:57,400 Speaker 2: there are a couple warnings, and then what to pair 235 00:10:57,480 --> 00:11:00,760 Speaker 2: it with snack's food, setting drinks. All of that. We're 236 00:11:00,760 --> 00:11:02,280 Speaker 2: also going to tell you where you can watch it 237 00:11:02,559 --> 00:11:04,520 Speaker 2: and what movie. We'll give you a hint about what 238 00:11:04,520 --> 00:11:16,560 Speaker 2: our next movie is. So stay with us and welcome 239 00:11:16,600 --> 00:11:19,280 Speaker 2: back as we talk about our number twenty six on 240 00:11:19,760 --> 00:11:23,920 Speaker 2: deep cuts, Amy and TJ's horror hit list, and number 241 00:11:23,920 --> 00:11:27,760 Speaker 2: twenty six is look Away. It is one you probably 242 00:11:27,760 --> 00:11:29,680 Speaker 2: have not heard of, wanted it do just a little 243 00:11:29,679 --> 00:11:31,839 Speaker 2: over a million at the box office because it was 244 00:11:31,880 --> 00:11:36,120 Speaker 2: actually never released domestically, only internationally, so you can get 245 00:11:36,120 --> 00:11:37,760 Speaker 2: it streaming. Will tell you where in just a bit. 246 00:11:37,840 --> 00:11:41,760 Speaker 2: But this has an a list of cast members including 247 00:11:42,200 --> 00:11:45,240 Speaker 2: Jason Isaac's Mirosorvino, just to name a few. But this 248 00:11:45,440 --> 00:11:51,000 Speaker 2: is a deliciously evil, fun teen thriller horror. So we 249 00:11:51,120 --> 00:11:53,760 Speaker 2: told you why it made the list and who it's for, 250 00:11:53,920 --> 00:11:57,600 Speaker 2: But here's who it's not for. If you need your 251 00:11:57,640 --> 00:12:00,240 Speaker 2: horror to be realistic, you want it to feel like 252 00:12:00,440 --> 00:12:03,200 Speaker 2: this could happen, this is definitely not for you. It's 253 00:12:03,240 --> 00:12:06,160 Speaker 2: supernatural and it's some people might kind of roll their 254 00:12:06,160 --> 00:12:07,720 Speaker 2: eyes a little bit at the premise, but we thought 255 00:12:07,760 --> 00:12:11,120 Speaker 2: it was fun something about this mirror image. But I 256 00:12:11,200 --> 00:12:14,760 Speaker 2: also would not watch this with anyone. It would be 257 00:12:14,840 --> 00:12:19,200 Speaker 2: uncomfortable to watch a self pleasuring scene or teen sex 258 00:12:19,320 --> 00:12:22,960 Speaker 2: scenes with AKA. This might not be a good family 259 00:12:23,000 --> 00:12:25,200 Speaker 2: horror movie. I wouldn't want to watch it with my kids, 260 00:12:25,360 --> 00:12:27,160 Speaker 2: and I wouldn't want to watch it with my parents. 261 00:12:27,480 --> 00:12:30,079 Speaker 2: So if you know, I just wanted to put out 262 00:12:30,080 --> 00:12:32,800 Speaker 2: that warning that is a little uncomfortable if you're not 263 00:12:32,880 --> 00:12:34,000 Speaker 2: watching it with the right people. 264 00:12:34,400 --> 00:12:36,480 Speaker 1: I don't usually want to watch most movies with my 265 00:12:36,559 --> 00:12:39,920 Speaker 1: kids or parents, so there's that. This movie is no 266 00:12:39,960 --> 00:12:40,760 Speaker 1: exception there for me. 267 00:12:41,000 --> 00:12:43,520 Speaker 2: But monsturvation and teen sex. 268 00:12:44,840 --> 00:12:47,840 Speaker 1: Uh yeah, it gets a little and it's not necessarily. 269 00:12:47,840 --> 00:12:51,040 Speaker 1: I wouldn't have a problem with a teen kid necessarily 270 00:12:51,040 --> 00:12:52,600 Speaker 1: watching it. I just don't want to be in room 271 00:12:52,600 --> 00:12:55,040 Speaker 1: with the kid correct while they're watching the movies, which 272 00:12:55,040 --> 00:13:00,400 Speaker 1: is what you're essentially saying. I don't look, folks, we're 273 00:13:00,400 --> 00:13:05,319 Speaker 1: talking to here, this is not a traditional horror this. 274 00:13:06,000 --> 00:13:07,679 Speaker 1: Of all the movies we have on the list, this 275 00:13:07,720 --> 00:13:10,240 Speaker 1: one might be the closest to not being a horror 276 00:13:10,240 --> 00:13:13,680 Speaker 1: movie out of all of them. So in that regard, 277 00:13:13,760 --> 00:13:16,200 Speaker 1: if you are not that you need the action, you 278 00:13:16,240 --> 00:13:18,520 Speaker 1: need somebody chased and screaming and all, this is not 279 00:13:18,600 --> 00:13:20,760 Speaker 1: going to be your lane. Some called it slow. I 280 00:13:20,800 --> 00:13:24,800 Speaker 1: think it's a slower pace, but the tension is there 281 00:13:24,920 --> 00:13:27,440 Speaker 1: and bills to rouse. You're never bored. 282 00:13:27,880 --> 00:13:31,440 Speaker 2: Yeah, who is there anyone you think shouldn't watch this movie? 283 00:13:32,480 --> 00:13:35,240 Speaker 1: Shouldn't? Oh my goodness, they could make this one rated 284 00:13:35,280 --> 00:13:37,720 Speaker 1: G for all I care. Because this is for general audiences. 285 00:13:37,760 --> 00:13:38,600 Speaker 1: Anybody can stop. 286 00:13:38,760 --> 00:13:41,360 Speaker 2: I just mentioned masturbation, teen sex. 287 00:13:41,800 --> 00:13:44,080 Speaker 1: What I'm saying for the people who do. I'm not 288 00:13:44,160 --> 00:13:46,520 Speaker 1: recommending a child watched the movie. What I'm saying is 289 00:13:47,000 --> 00:13:49,680 Speaker 1: anybody who is a movie watcher. I don't have a 290 00:13:49,760 --> 00:13:52,440 Speaker 1: warning in here for anybody to say if you don't, 291 00:13:52,679 --> 00:13:55,400 Speaker 1: just as a matter of preferences in style. But I 292 00:13:55,440 --> 00:13:57,880 Speaker 1: still think even if you like the Slashers, even if 293 00:13:57,880 --> 00:13:59,480 Speaker 1: you need to see a girl running through the woods 294 00:13:59,480 --> 00:14:04,040 Speaker 1: and falling over a brick that ain't even there, this 295 00:14:04,200 --> 00:14:06,960 Speaker 1: is still a movie you will like. I recommend it 296 00:14:07,000 --> 00:14:10,600 Speaker 1: for everybody across the way, especially folks. This is another 297 00:14:10,840 --> 00:14:12,600 Speaker 1: starter horror movie, if you will. 298 00:14:12,640 --> 00:14:15,120 Speaker 2: Agreed. Agreed, all right. So I had some fun with 299 00:14:15,160 --> 00:14:17,040 Speaker 2: this one in trying to figure out what to pairrot 300 00:14:17,040 --> 00:14:21,640 Speaker 2: with snacks, drinks, food setting. So this is absolutely revenge horror. 301 00:14:21,720 --> 00:14:23,720 Speaker 2: So we all know that Revenge is a dish. Beth 302 00:14:23,840 --> 00:14:26,600 Speaker 2: serve cold and the movie is completely set in winter 303 00:14:27,080 --> 00:14:29,760 Speaker 2: with snow and ice, so you do feel the chill 304 00:14:29,800 --> 00:14:33,040 Speaker 2: of the movie on multiple levels. So I would pair 305 00:14:33,120 --> 00:14:36,600 Speaker 2: it with an Irish coffee a hot toddy mulled wine 306 00:14:36,720 --> 00:14:39,720 Speaker 2: just to warm yourself up. Maybe some dessert, try to 307 00:14:39,720 --> 00:14:42,640 Speaker 2: sweeten it up, because this girl is very salty, and 308 00:14:42,680 --> 00:14:44,880 Speaker 2: I see it with a big blanket and someone to 309 00:14:44,920 --> 00:14:45,400 Speaker 2: snuggle with. 310 00:14:45,880 --> 00:14:49,520 Speaker 1: Okay, you gave it way too much thought like you were. 311 00:14:49,640 --> 00:14:51,800 Speaker 1: You were like the critics who want everything to be deep. 312 00:14:52,360 --> 00:14:54,400 Speaker 1: You put a little too much depth into what the 313 00:14:54,440 --> 00:14:56,320 Speaker 1: hell you's both to eat and drink during this movie. 314 00:14:56,360 --> 00:14:59,120 Speaker 1: I applaud you. It'll take you. You gave you took 315 00:14:59,120 --> 00:15:02,960 Speaker 1: the assignment. Seriously, just just grab some popcorn folks on 316 00:15:02,960 --> 00:15:04,160 Speaker 1: this one, and a beer and have a good time. 317 00:15:04,320 --> 00:15:06,120 Speaker 2: No, but you know what, don't you feel like when 318 00:15:06,120 --> 00:15:09,200 Speaker 2: you watch a movie that is completely that I keep. 319 00:15:09,120 --> 00:15:09,760 Speaker 1: Not hitting the mic. 320 00:15:09,800 --> 00:15:12,680 Speaker 2: Sorry'll you need to drop the mic, not hit the mic. 321 00:15:12,960 --> 00:15:15,160 Speaker 2: So when you watch a movie that's set in the 322 00:15:15,160 --> 00:15:18,200 Speaker 2: cold like this, and really there's there's a great ice 323 00:15:18,200 --> 00:15:20,960 Speaker 2: skating see there are two great ice skating scenes. Actually 324 00:15:21,800 --> 00:15:23,400 Speaker 2: they're both set on ice in ice. 325 00:15:23,600 --> 00:15:24,320 Speaker 1: The second one's fun. 326 00:15:24,680 --> 00:15:26,280 Speaker 2: Second one was fun, but I thought the first one 327 00:15:26,320 --> 00:15:26,960 Speaker 2: was really fun too. 328 00:15:27,080 --> 00:15:29,480 Speaker 1: This one's kind of wait, we're talking about. 329 00:15:29,320 --> 00:15:33,160 Speaker 2: The same yeah, because there's prom is on ice. Oh yeah, 330 00:15:33,160 --> 00:15:33,760 Speaker 2: and that's what I thought. 331 00:15:33,800 --> 00:15:36,800 Speaker 1: You were referring the latter one with the refriend. 332 00:15:36,640 --> 00:15:39,520 Speaker 2: That was the first like really fun ice scene I thought. 333 00:15:39,560 --> 00:15:41,960 Speaker 1: And it's almost ridiculous. It's almost silly some of these 334 00:15:41,960 --> 00:15:44,200 Speaker 1: scenes you see, but they still build some kind of tension, 335 00:15:44,200 --> 00:15:47,160 Speaker 1: and it's this is a fun movie. Even if you 336 00:15:47,200 --> 00:15:49,440 Speaker 1: think it's ridiculous and you laugh about it, you still 337 00:15:49,520 --> 00:15:50,520 Speaker 1: enjoy what you're seeing. 338 00:15:50,840 --> 00:15:54,680 Speaker 2: I agree. So where can you watch it? Amazon Prime subscribers, 339 00:15:54,800 --> 00:15:57,720 Speaker 2: y'all get to watch it for free, so that is fun. 340 00:15:57,720 --> 00:15:59,800 Speaker 2: But it's anywhere you stream you can just if you 341 00:15:59,840 --> 00:16:02,760 Speaker 2: need to purchase it, you can. It's pretty much everywhere, 342 00:16:02,800 --> 00:16:05,320 Speaker 2: so it'll be easy to find. It's a fun watch. 343 00:16:05,440 --> 00:16:09,440 Speaker 2: Would you watch this with the crowd by yourself a couple? 344 00:16:09,680 --> 00:16:12,280 Speaker 1: You can do this when on your own, you know 345 00:16:12,320 --> 00:16:14,760 Speaker 1: what I would almost say, because it's the fifty percent 346 00:16:14,800 --> 00:16:19,120 Speaker 1: on the audience score, I wouldn't. Maybe the person you're 347 00:16:19,160 --> 00:16:21,480 Speaker 1: with is not going to be into it. It might ruin 348 00:16:21,520 --> 00:16:24,440 Speaker 1: it for you, right like you, They might influence how 349 00:16:24,520 --> 00:16:26,720 Speaker 1: you are seeing this particular movie. So I don't mind 350 00:16:26,720 --> 00:16:28,520 Speaker 1: if you watch this alone. Again, I say, horror movies, 351 00:16:28,520 --> 00:16:30,360 Speaker 1: you should always have somebody there with you, but this 352 00:16:30,400 --> 00:16:32,120 Speaker 1: is a fun one almost to look at each other 353 00:16:32,160 --> 00:16:34,120 Speaker 1: and go, if somebody else having the same reaction to 354 00:16:34,160 --> 00:16:35,800 Speaker 1: this I'm having, that would be fun. 355 00:16:35,920 --> 00:16:38,080 Speaker 2: Yeah, I think, I mean you and I obviously would 356 00:16:38,120 --> 00:16:39,960 Speaker 2: be able to watch this together. But this is another 357 00:16:39,960 --> 00:16:42,080 Speaker 2: one where you can watch alone. And not all horror 358 00:16:42,080 --> 00:16:44,600 Speaker 2: movies are like that, but this this works as a thriller. 359 00:16:44,640 --> 00:16:46,560 Speaker 2: It builds it slow, So if you just have a 360 00:16:46,600 --> 00:16:49,600 Speaker 2: fun night on the couch, that's perfect. This movie is 361 00:16:49,600 --> 00:16:53,040 Speaker 2: perfect for you, all right. So we have our next 362 00:16:53,080 --> 00:16:56,440 Speaker 2: movie coming out tomorrow. It will be our number twenty five. 363 00:16:57,120 --> 00:17:00,680 Speaker 2: And here's the best tease I have for it. If 364 00:17:00,680 --> 00:17:03,000 Speaker 2: you want to chime in and add anything else, feel free. 365 00:17:03,200 --> 00:17:05,639 Speaker 2: I would call this next movie number twenty five. It 366 00:17:05,680 --> 00:17:10,639 Speaker 2: will be fun. It's unexpected, it's retro, and it's a 367 00:17:10,720 --> 00:17:12,000 Speaker 2: found footage. 368 00:17:11,520 --> 00:17:15,119 Speaker 1: Film, and it is not for the may department. 369 00:17:16,280 --> 00:17:18,560 Speaker 2: All right, And with that, thank you for listening to us. 370 00:17:18,760 --> 00:17:21,480 Speaker 2: We will be back, of course with more of our 371 00:17:21,560 --> 00:17:25,520 Speaker 2: countdown a e TJ's Halloween hit list. Thanks for listening, everyone, 372 00:17:25,520 --> 00:17:27,960 Speaker 2: I'm made me roboch alongside TJ. Holmes. We'll talk to 373 00:17:28,000 --> 00:17:28,360 Speaker 2: you soon.