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Speaker 1: I can never say I got it off the mud fabula. Yeah,

2
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Speaker 1: I can't say that.

3
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Speaker 2: No, No, I didn't get out the mud, got it

4
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Speaker 2: out the fridge.

5
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Speaker 3: Got it out to the fridge.

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Speaker 1: Worrian.

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Speaker 4: Now, m hm, work work work work, work work to me,

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Speaker 4: I'll be work work work, work work.

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Speaker 5: See me know me there there there there something.

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Speaker 4: That we were where you are at.

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Speaker 2: That with that Dirk record didn't go no more.

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Speaker 3: With Drake yeh wants and needs no laughing. I don't

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Speaker 3: think so, No, I don't think no.

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Speaker 2: Shout that ship Nike compound. Let's go number two. They

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Speaker 2: were on jet skis in Oregon is Kevin Durant.

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Speaker 5: And there they were on jet skis Orgon.

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Speaker 2: Odell's in that video so with Drewsy, everyone's in that.

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Speaker 3: It's a movie.

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Speaker 1: Every Nike shot a movie, and Nike that video is incredible.

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Speaker 2: Anyways, Hey everyone, we're back rolling starts. How you feeling

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Speaker 2: them all? I'm good good?

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Speaker 1: Uh you know, getting unpacked, unsettled into the new crib.

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Speaker 2: Have you christened it yet? No, I'm with intercourse.

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Speaker 1: Oh no, no, no, I'm just I'm barely I'm still

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Speaker 1: boxing everywhere. I wouldn't even know where to would have

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Speaker 1: begin to.

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Speaker 2: Christian it at that's the perfect time to christen it though.

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Speaker 3: Yeah.

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Speaker 1: But then once you like post that clarity and you

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Speaker 1: look at everything that you still got to unpack, you.

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Speaker 2: Like, fuck, well, then she helps you. She's like task

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Speaker 2: grabb it.

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Speaker 1: With I don't think that. I don't know if I

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Speaker 1: want task rabbit box.

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Speaker 2: But okay, we'll just think of it as a woman

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Speaker 2: that helps you out after she helps you out.

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Speaker 1: Not task grab it rabbit movis. Thank you again to

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Speaker 1: my guy Anthony. I need Mercedes, thank you very much.

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Speaker 1: Just come to my crib and move something. At this point, yeah,

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Speaker 1: I need to get something out of this, but no,

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Speaker 1: I'm just just unpacking. Did that all weekend. Watched a

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Speaker 1: couple of games and that was it.

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Speaker 2: We're thinking modern chic, what what's stylar? Very very very modern,

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Speaker 2: very minimal.

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Speaker 1: I'm a minimal guy now, Like I'm getting rid of

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Speaker 1: like a lot of ship that I have. I'm just like, yo,

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Speaker 1: I'm just at that point where I wish I could

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Speaker 1: we wait the same ship every day. I wish I could, like,

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Speaker 1: you know, just keep the same aesthetic day in and

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Speaker 1: day out. That's palate.

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Speaker 2: Are we thinking, uh, hotels.

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Speaker 1: No not yo, walking into my crib and see if

53
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Speaker 1: past ells like Willy wanting the chocolate factory when it

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Speaker 1: walk in kind of you know, real like white gold,

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Speaker 1: black like you know heartellity, Yeah, lot little, you know,

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Speaker 1: keep it keeping in that in that in that family, you.

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Speaker 2: Give me like red leather couch.

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Speaker 1: God, God, no, you would never see you would never

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Speaker 1: see red leather anywhere in my in my vicinity.

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Speaker 2: I feel like you could have a Miami vice room

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Speaker 2: though a white fireplace, No, nah, maybe house, Yeah, I

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Speaker 2: would do a white fireplace if it was a house.

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Speaker 1: That's dope.

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Speaker 2: My whole life, I wanted to have a crib that

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Speaker 2: looked like the crib in belly that DMX had. And

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Speaker 2: then I became an adult and was like keeping that

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Speaker 2: house clean must have been a fucking nightmare. Yeah, like

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Speaker 2: coming back from a robbery after murdering a bunch of

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Speaker 2: people and then.

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Speaker 1: A white house.

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Speaker 2: Just irresponsibly sitting on a couch. You guys just came

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Speaker 2: from the tunnel and had a triple murder. Detectives won't

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Speaker 2: have no problem solve in this case. Also, committing a

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Speaker 2: murder and then going to play pool by yourself is

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Speaker 2: funny to me for some reason.

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Speaker 3: Yeah, you know, clarity, you like the all white look.

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Speaker 3: It's just too sterile, reminds you of a doctor's office.

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Speaker 1: You don't like the all white look? Wow? Talk about change, right,

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Speaker 1: I mean with the with the big windows just this

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Speaker 1: this month, that's just for the month, all right, cool,

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Speaker 1: get it?

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Speaker 2: That's funny. So it was just unpacking for the weekend.

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Speaker 3: That was it.

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Speaker 1: Unpacked. Watched a couple of games. Shout out to the

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Speaker 1: New York Knicks. Are we shouting them out? Of course?

86
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Speaker 1: The upsetting man it was, and I had to deal

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Speaker 1: with three starters is out. It's okay, that's what I'm saying.

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Speaker 1: I lost fumble, It's sure, it's okay. They're sitting comfortable

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Speaker 1: third at five. Jalen Brunson is officially my vote for

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Speaker 1: MVP this year. But we'll say the sports talk for

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Speaker 1: later on. Yeah.

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Speaker 2: I enjoyed watching the game. I had a pretty calm weekend.

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Speaker 2: I went thrifting, which was fun. But the highlight of

94
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Speaker 2: it I found out that I'm a black woman according

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Speaker 2: to twenty three and me.

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Speaker 1: Really, I think you were Irish Jewish Ashcanazi.

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Speaker 2: Yes, I thought I was ninety seven percent Irish and

98
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Speaker 2: three percent Zionist. But I get emails from twenty three

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Speaker 2: and me that I don't put in like my junk

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Speaker 2: mail because I want to read them. I get this

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Speaker 2: on Sunday evening. You descend from a long line of

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Speaker 2: female ancestors that can be traced back to Eastern Africa

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Speaker 2: over one hundred and fifty thousand years ago. These are

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Speaker 2: the people of your eternal line and your maternal hoplow

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Speaker 2: group sheds light onto their stories. They just want me

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Speaker 2: to buy some more shit. So yeah, I can find

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Speaker 2: out about my tribe. But it was nice to find

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Speaker 2: out Sunday evening watching the Grammys. I felt snubbed after

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Speaker 2: I got that email. Yeah, really felt like I.

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Speaker 1: Was part of So you found out during Black Black

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Speaker 1: Hair History Month that you are a black woman. Yes,

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Speaker 1: that's a good marketing on their part. Oh I like that.

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Speaker 2: So now, like, when what's that Kendrick Drake song African Girl? Like?

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Speaker 2: I can really wrap those lyrics?

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Speaker 6: Now?

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Speaker 1: You too busy?

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Speaker 3: Fucking with you? O the man?

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Speaker 2: Yeah that's me, I'm too busy.

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Speaker 1: Was that poetic justice? Yes? The name okay, yes? The

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Speaker 1: E Stafford girl. I'm like, I don't know. I don't

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Speaker 1: know if Drake had a record call that, but I

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Speaker 1: wouldn't be surprised. Being from Toronto, I would not be surprised.

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Speaker 1: If Drake has a record called East African.

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Speaker 2: He should look in Maybe he is Eastern African.

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Speaker 3: Maybe you could be the video vixen for that right,

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Speaker 3: since you're now an East African girl.

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Speaker 2: I would have to check in with Britney Sky, who

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Speaker 2: was the actual video vixen in that.

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Speaker 5: Shout out to Brittany.

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Speaker 2: Oh, friend of the show.

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Speaker 3: We Love Brittany, she was that's my friend cast and

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Speaker 3: Brittany Sky.

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Speaker 2: I would have to check with her, like I don't

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Speaker 2: want to make her feel a way. You know what,

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Speaker 2: I don't step on Brittney stuf going from Brittany to

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Speaker 2: me is nuts. Yeah, that's a nasty video I don't want.

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Speaker 2: I don't think Dave and Kendrick want to take that way.

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Speaker 1: I'm cool. I think they're cool, But.

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Speaker 2: It seems like Grammy's worth the talk of the weekend.

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Speaker 1: More or less, The Grammys are always a talk game.

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Speaker 1: Every year. We say we're not watching, we don't care

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Speaker 1: about the Grammys. We never create our own show to

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Speaker 1: support our culture and to you know, appreciate our artists.

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Speaker 1: We say that every year, and then every year we

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Speaker 1: find ourselves Sunday in February surrounded sitting to buy the

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Speaker 1: TV watching the Grammys. So again this weekend, another Grammy

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Speaker 1: Sunday comes around, and we are all sitting at the

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Speaker 1: television watching some of our favorite arts either get snubbed,

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Speaker 1: either get celebrated, finding out who's some new artists are

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Speaker 1: that we never even heard about.

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Speaker 2: So yeah, I enjoyed that we all got to watch

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Speaker 2: it together. We watched on Discord Live. And this isn't

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Speaker 2: even a plug. This is just like I thought it

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Speaker 2: was cool. I didn't know you could watch the actual

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Speaker 2: show in Discord while you can talk to everyone else

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Speaker 2: on Discord. Like now, I want to watch every event.

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Speaker 2: I want to watch the Knicks game, like with the

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Speaker 2: Patreon crew. That was so much fun. We sat, we watched,

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Speaker 2: and we debated. Even though I am an East African woman,

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Speaker 2: I am here to ask what do you guys.

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Speaker 1: Want from the Grammys at this point? Well, I think

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Speaker 1: that that was the big debate in our Discord.

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Speaker 2: People were upset rightfully, so I understand I'm team SOS,

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Speaker 2: but what more do you guys want from the it's

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Speaker 2: the Grammys.

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Speaker 1: I don't what do you What do you mean? You

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Speaker 1: keep saying this to Grammys, Like what does that mean?

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Speaker 1: It sounds like you're saying something but not saying something.

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Speaker 2: They have to cover all bases, and I'm not saying

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Speaker 2: they do an amazing job at it. They've gotten better

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Speaker 2: and people are still honored to some degree, Like they

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Speaker 2: can't just go across the board with the R and

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Speaker 2: B we like, it's the Grammys. I get the outrage.

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Speaker 2: I think Scissor should have won over Taylor Swift, but

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Speaker 2: I'm also on the side of I get it. It's

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Speaker 2: Taylor Swift. I mean, it's what do you guys want

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Speaker 2: from the Grammys? It's the Grammys the whole music world.

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Speaker 1: I think that jay Z's speech was spot on and

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Speaker 1: it I think it it aged pretty well by the

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Speaker 1: end of the night. I love Taylor Swift. I think

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Speaker 1: you'll be a fool to think that Taylor Swift is talented.

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Speaker 1: She's a great artist, she's a great performer. Obviously she

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Speaker 1: has an incredible fan base. But it's just it gets

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Speaker 1: to a point where it's like, Okay, four albums of

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Speaker 1: the year. No other artists have ever done it. Stevie

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Speaker 1: Wanted won it three times, Michael Jackson won it once,

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Speaker 1: and these are just you know.

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Speaker 2: Can we pull up the four years that she's won

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Speaker 2: this Album of the Year? Right, Album the Year four

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Speaker 2: years in a row or four times four.

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Speaker 5: Times four times?

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Speaker 1: Not four years in a Oh, I believe it's four

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Speaker 1: out the last five years. Yeah, that's just I mean,

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Speaker 1: we could have the conversation or the Grammy committee is

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Speaker 1: is because first of all, this is all subjective. Music

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Speaker 1: is subjective. The artist that you like is subjective. Is

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Speaker 1: whatever you like, that's up to you. But in J's speech,

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Speaker 1: he said, even by your metrics, if somebody wins more

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Speaker 1: Grammys than anybody, they've won more Grammys than anybody ever,

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Speaker 1: but they've never won Album of the Year. There's something wrong.

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Speaker 1: There is there, Yes, there is.

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Speaker 2: I think Beyonce, whatever Lemonade went against, I think it

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Speaker 2: should have won. I agree that beyond.

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Speaker 1: You think one thing, you think she should have won,

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Speaker 1: and a lot of other people think she should have won.

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Speaker 2: But also at the same time, I'm not really seeing

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Speaker 2: the point. It's also a time cycle. Like Beyonce has

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Speaker 2: put out how many albums now, then.

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Speaker 5: We would have to look that up. I'm thinking, all right,

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Speaker 5: that sounds about right.

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Speaker 2: In those cycles of her winning all those Grammys for songs, collaborations, performances, writing, whatever,

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Speaker 2: maybe that year four shouldn't have won against an album

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Speaker 2: of someone that has way less Grammies. Like it can

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Speaker 2: happen as far as time goes. It needs to time

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Speaker 2: up correctly too.

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Speaker 1: Yeah, but it's just it gets to a point where, again,

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Speaker 1: this is all it's a committee. It's a group of

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Speaker 1: people that vote. It's a group of people that come

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Speaker 1: to a decision on who wins each of these awards.

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Speaker 1: So it comes a point when it's like, Okay, what

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Speaker 1: are y'all trying to say by giving Taylor Swift four

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Speaker 1: Albums of the Year? No other artist has ever done it.

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Speaker 1: Love Taylor, but she's not the greatest artist of all time,

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Speaker 1: and my humble opinion, she's not a greater artist than

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Speaker 1: Stevie Wonder. She's definitely not a greater artist than Michael Jackson.

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Speaker 1: So what exactly are we trying to say?

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Speaker 2: Look, you have to look at the league too, Like

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Speaker 2: you could compare stats with certain players, but if they're

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Speaker 2: in completely different decades, they're not very comparable. It's not

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Speaker 2: like Taylor went up against Stevie in his prime and

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Speaker 2: Taylor won. No, but the playing field is just is

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Speaker 2: different at the moment. It's not saying that she's correct

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Speaker 2: than Stevie.

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Speaker 1: Correct, but she also has done something that no other

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Speaker 1: artist has ever done. And she's not as great as

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Speaker 1: some of these artists that never won or didn't win for.

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Speaker 2: Even though I agree with you, that's still opinion based.

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Speaker 1: It's all opinion based.

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Speaker 2: Grammy's for the most part, goes off impact numbers and audience,

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Speaker 2: where Taylor Swift has smoked all those categories for the

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Speaker 2: last decade. All right, Well, if we're going hasn't even been.

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Speaker 1: If we're going off impact numbers and audience, then Michael

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Speaker 1: Jackson should have more than one album of the year.

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Speaker 2: Correct, Yes, I agree, But what was bad going against?

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Speaker 1: It doesn't matter.

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Speaker 2: I don't know it does matter.

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Speaker 3: It doesn't matter.

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Speaker 1: How does it matter because there's no other artist that

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Speaker 1: ever was as big, that had a bigger audience, that

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Speaker 1: sold more than Michael Jackson. I don't care what ye

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Speaker 1: his album game.

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Speaker 7: I'm sure that that Michael has been snubbed before, but

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Speaker 7: Michael had a lot. Michael's competition was way tougher than

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Speaker 7: Taylor Swift's competition. Is Michael was going against Stevie and Whitney,

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Speaker 7: and that's who Michael was going against.

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Speaker 5: Are you seeing what I'm saying?

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Speaker 7: Like he wasn't going against Olivia Rodrigo in some unknown

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Speaker 7: country singer, like he was going against people that we

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Speaker 7: it was legends, going against legends at that time. Correct,

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Speaker 7: So yeah, the hill was a little steeper for him

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Speaker 7: to climb.

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Speaker 1: Yeah, But again, we're talking about people that are just

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Speaker 1: sitting in a room. This is not like this is

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Speaker 1: a committee. These are people that are voting for this.

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Speaker 1: So to sit and vote for the same artists to

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Speaker 1: win Album of the Year four times, you gotta start

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Speaker 1: to think that, Okay, there's something going on behind the

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Speaker 1: scenes that were not Again love taylors with. I'm not

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Speaker 1: saying she's not deserving an Album of the Year. I'm

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Speaker 1: just saying we have to start looking at the process

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Speaker 1: of giving out these awards, who's in these rooms, what's

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Speaker 1: exactly going on.

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Speaker 2: But if someone continues to dominate, you can't move the

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Speaker 2: goalposts and be like, well, she's got it three years

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Speaker 2: in a row. Let's try to give someone else a chance.

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Speaker 1: Like, it's not.

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Speaker 6: It's not.

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Speaker 1: Literally, it's not. It's not, it's not. But what I'm

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Speaker 1: saying is, at some point you have to start looking

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Speaker 1: at the process. You have to start looking at the

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Speaker 1: people in the room. You have to start sure further,

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Speaker 1: like looking further into this thing, because again, when you're

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Speaker 1: as dominant as Taylor is, has has the huge artist

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Speaker 1: that she does, that that you know, has the touring

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Speaker 1: resume that she does, incredible artists, and she deserves her accolades,

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Speaker 1: and she deserves to be praised the way she is

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Speaker 1: because she is a very, very talented artist. I don't

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Speaker 1: want to take that from her. But when you continuously

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Speaker 1: give someone Album of the Year and they got it

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Speaker 1: four times and no other artist, and we do know

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Speaker 1: there are greater artists and tailor swip that have come

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Speaker 1: across this music industry, you got to start looking at

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Speaker 1: shit just a little differently, like, all right, what's exactly

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Speaker 1: going on here? Like why is this particular artist being

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Speaker 1: pushed and being placed in this position when we know

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Speaker 1: throughout history, no other artist that not so arguably was

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Speaker 1: greater than Taylor didn't accomplish what she did.

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Speaker 2: Okay, Well, I can see because I'm tenfoil a hat

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Speaker 2: man that there may be an agenda at the beginning

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Speaker 2: of Taylor's career and some of the opportunities she got

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Speaker 2: and what they were trying to push. I will never

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Speaker 2: argue there, but that would just make the grammiest part

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Speaker 2: of a way larger scheme around Taylor Swift. I can't

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Speaker 2: see a world where they don't give it to the

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Speaker 2: most dominant person, because we've seen them do that time

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Speaker 2: and time again, where it's actually been real snubs that

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Speaker 2: they can't explain. Down to Maclamore beating nothing was the

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Speaker 2: same Magna carta good kind of mad city and eases

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Speaker 2: all of those like, to me, that's just that crazy,

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Speaker 2: that's a that's a straight up like, yo, who the

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Speaker 2: fuck was in that room moment? Now. Taylor, on the

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Speaker 2: other end, I don't feel that way because she's been

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Speaker 2: dominated every single category. I know, mass dominant that year,

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Speaker 2: but come on, this is like, what do you do

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Speaker 2: with this? This is Taylor's this is the Patriots and

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Speaker 2: Brady like, yeah, it's annoying that they're in the Super

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Speaker 2: Bowl ten times, but what are you gonna say?

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Speaker 1: He wins and I get it.

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Speaker 2: They stole some signs. I'm sure Taylor has had some

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Speaker 2: opportunities that they pushed for a certain agenda, but she

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Speaker 2: continues to fucking win super Bowl.

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Speaker 1: And again, I'm gonna keep saying it, not saying Taylor

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Speaker 1: isn't deserving. I'm not saying she isn't an incredible artist.

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Speaker 1: She absolutely is. I'm just saying that when you start

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Speaker 1: to see certain things happening to some artists and it

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Speaker 1: never happened to other artists that are greater than I

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Speaker 1: think there's a conversation.

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Speaker 3: To me.

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Speaker 2: I think the climate has a lot to do with

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Speaker 2: it and who you're going against. We've seen it with Drake,

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Speaker 2: You've seen it with nas, We've seen it with Leo.

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Speaker 2: In the movie business, like.

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Speaker 3: Yeah, sometimes Revenant isn't Leo's best film, but he needed

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Speaker 3: that was the that was the best moment for him

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Speaker 3: to get the Oscar that he was long overdue because

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Speaker 3: in years past there were other movies that would go

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Speaker 3: against him that at that time made more sense to

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Speaker 3: give it to than to Leo.

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Speaker 1: And even though we're.

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Speaker 2: Seeing drastically better than everyone in that category and has

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Speaker 2: his filmography is drastically better than everyone's going up against

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Speaker 2: that year that movie was just better than what Leo did.

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Speaker 3: Like every other movie that Leo's probably up against was like,

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Speaker 3: uh fucking there was that Avatar. It was like slave

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Speaker 3: movie and it's like, well he can't when the you

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Speaker 3: can't give it to Leo if like this was the

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Speaker 3: movie that made everyone cry across the world. So it's like,

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Speaker 3: all right, sorry, Leo, maybe next time. And then he

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Speaker 3: finally got Revenan's not his best film.

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Speaker 1: So so let me just ask you a direct question.

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Speaker 1: You don't think that it's absolutely insane that Beyonce isn't

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Speaker 1: never one Album of the.

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Speaker 3: Year I make I know no, because if you look

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Speaker 3: at it, I'm sure there's a reason why they didn't

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Speaker 3: give it to her every year.

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Speaker 1: On paper, that sounds I never said every year. I'm saying,

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Speaker 1: do you not think it's observed that Beyonce has never

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Speaker 1: won Album of the Year.

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Speaker 3: I think the year she should have won and I'm

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Speaker 3: not But again, because again we're talking, it's all subjective.

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Speaker 3: I don't listen to Beck's music, but that year that

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Speaker 3: back one, what was it, twenty sixteen, I believe when

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Speaker 3: Beyonce's Lemonade lost to Beck, that's the year that I

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Speaker 3: would have that. I was like, okay, this is that's

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Speaker 3: a snub That's the toughest one for me to look

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Speaker 3: at it, like Beyonce should have won that.

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Speaker 1: Okay, So that's this is this is all I'm just

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Speaker 1: asking you direct question. So you agree that she has

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Speaker 1: been snubborn year, so she at least you, in your

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Speaker 1: humble opinion, she at least deserves one.

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Speaker 3: A lot of but that's not exclusive to Beyonce. A

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Speaker 3: lot of I'm great artists at snubbs.

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Speaker 1: They would not saying it's exclusive to Beyonce. I'm saying

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Speaker 1: you at least agree that Beyonce should have at least

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Speaker 1: one one sure album of the Year. Yeah, that's all

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Speaker 1: I'm saying. Taylor Swift has four, Beyonce doesn't have none,

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Speaker 1: and you agree that she should have at least one.

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Speaker 3: But that doesn't take away anything that Taylor.

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Speaker 1: I'm not trying to stay with me. I'm not trying

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Speaker 1: to take anything away from Taylor Swif. I'm saying that

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Speaker 1: there is a conversation that needs to be had about

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Speaker 1: this process, about these people that are in this voting

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Speaker 1: on this voting committee behind these Grammy doors, because something

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Speaker 1: is obviously going on That's all I'm saying.

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Speaker 7: And I just do want to make note that there

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Speaker 7: were anonymous people who vote for the Grammys. Several of

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Speaker 7: them admitted that Beyonce wins so often that they voted

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Speaker 7: elsewhere the last time she was up for Album of

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Speaker 7: the Year.

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Speaker 5: Okay, so now we have that.

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Speaker 1: That's called voters fatigue. It's the reason why Michael Jordan

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Speaker 1: didn't win MVP every year he was in NBA. It's

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Speaker 1: the reason why Jokic didn't win his third MVP in

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Speaker 1: a row. You understand up said, So we know that

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Speaker 1: this thing happens, but why has it not happened with

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Speaker 1: Taylor Swip exactly? This is all I'm asking and I'm

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Speaker 1: not and again and again and again, I'm not saying

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Speaker 1: Taylor Swift is not a deserving artist. Taylor Swift is incredible.

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Speaker 1: I'm a swiftye. I'm on record saying that I think

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Speaker 1: she's incredible. Condescending sketch but yeah, but I mean, I

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Speaker 1: wouldn't said it if I didn't kind of like yeah,

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Speaker 1: but I kind of I kind of like, I think

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Speaker 1: Taylor's go. I think she's I think she's amazing. If

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Speaker 1: I had the opportunity to go to Taylors concert. I

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Speaker 1: would go. But that's all I'm saying. It's just it

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Speaker 1: just gets to a point where it's like, Okay, do

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Speaker 1: I feel like Scissa should have won absolutely all the

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Speaker 1: records that she broke with so SOS, The numbers that

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Speaker 1: she put up, just the replay value of the album alone.

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Speaker 2: Flat out better album in my opinion.

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Speaker 1: In my humble opinion, I just feel like so SOS

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Speaker 1: was a better album to me. And again, music is subjective.

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Speaker 1: Who you like all of that is your opinion is subjective.

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Speaker 1: I just feel like Sissa had an incredible year and

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Speaker 1: a half with this album. The numbers, the songs, the

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Speaker 1: it just felt like the Grammys were gonna get this

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Speaker 1: right and say, you know what, maybe have voters fatigue.

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Speaker 1: Taylor has three Let's go a different angle to ship.

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Speaker 1: Let's give it to says An SOS. Incredible, incredible year,

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Speaker 1: and again they gave it to Taylor.

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Speaker 5: Well, Taylor, I hatible members. Taylor also had the numbers

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Speaker 5: in the records.

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Speaker 1: She could always have the numbers. He has an incredible family.

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Speaker 1: She's gonna always have the numbers. But again, I'm just

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Speaker 1: talking about, like you said, where's the voters fatigue when

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Speaker 1: it comes to her exactly.

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Speaker 5: That's my point as well.

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Speaker 3: That's all I'm saying, you think, because knowing because then

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Speaker 3: we know the politics of the Grammys. It's like, okay,

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Speaker 3: if two one award obviously outweighs the other, but if

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Speaker 3: two kind of echo each other, we can give the

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Speaker 3: person the nod in this category, but hand the real

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Speaker 3: one to the person that we know optically would look

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Speaker 3: bigger for the Grammy. So what I'm saying in this

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Speaker 3: case says it one. Oh well, yeah, she won uh

436
00:20:49,480 --> 00:20:55,160
Speaker 3: Contemporary Urban Contemporary Album. So in the scope of this Grammys,

437
00:20:55,320 --> 00:20:57,679
Speaker 3: I'm imagining the committee was like, Okay, here's her.

438
00:20:57,880 --> 00:21:00,000
Speaker 2: See but see, Julian, that's that's that's like.

439
00:21:00,320 --> 00:21:03,080
Speaker 3: I'm just that's the politics behind it. That's the doggie treat.

440
00:21:03,480 --> 00:21:05,800
Speaker 1: That's the okay here, pat on the back, here, good boy,

441
00:21:06,320 --> 00:21:08,320
Speaker 1: you know, take your treat and go. But you're not

442
00:21:08,359 --> 00:21:10,639
Speaker 1: going to give this person Album of the Year. But

443
00:21:11,119 --> 00:21:12,800
Speaker 1: I gave you Urban Contemporary.

444
00:21:13,680 --> 00:21:18,560
Speaker 2: And by the way, that is super insulting because so

445
00:21:18,840 --> 00:21:21,920
Speaker 2: S is not an urban contemporary album at all.

446
00:21:22,240 --> 00:21:22,600
Speaker 1: It's not.

447
00:21:23,119 --> 00:21:30,359
Speaker 2: It leans pop on the second half absolutely absolutely, And

448
00:21:30,080 --> 00:21:31,720
Speaker 2: I and I and I can only sit here and

449
00:21:31,800 --> 00:21:35,040
Speaker 2: think that they purposely gave it that feel on the

450
00:21:35,040 --> 00:21:37,560
Speaker 2: second end of the album to say, you know what,

451
00:21:37,920 --> 00:21:40,359
Speaker 2: let's put this energy on the album just so the

452
00:21:40,400 --> 00:21:42,520
Speaker 2: Grammy won't have this to say.

453
00:21:42,320 --> 00:21:45,120
Speaker 1: That, oh it was too urban, it was too contemporary,

454
00:21:45,119 --> 00:21:47,000
Speaker 1: it was too you know what I mean, Like they

455
00:21:47,080 --> 00:21:48,000
Speaker 1: even Snooze.

456
00:21:48,560 --> 00:21:50,520
Speaker 2: If Snooze was from a white woman, it would be

457
00:21:51,400 --> 00:21:54,080
Speaker 2: not under an R and B song, it would be

458
00:21:54,080 --> 00:21:57,200
Speaker 2: about like SOS is very much a pop album. Of

459
00:21:57,240 --> 00:21:59,680
Speaker 2: course it's R and B. But to just throw urban

460
00:21:59,680 --> 00:22:04,959
Speaker 2: concentred because is black is it's it's offensive right in

461
00:22:05,080 --> 00:22:05,720
Speaker 2: everyone's face.

462
00:22:05,760 --> 00:22:07,680
Speaker 1: And we know exactly and we know what it is.

463
00:22:07,800 --> 00:22:09,880
Speaker 1: And I just think that it's okay, and I think

464
00:22:09,880 --> 00:22:12,119
Speaker 1: that it's time for us to have that conversation.

465
00:22:12,560 --> 00:22:14,080
Speaker 2: We understand, we know what's going on.

466
00:22:14,119 --> 00:22:15,880
Speaker 1: But it's like, hey, and which again, which is why

467
00:22:15,960 --> 00:22:19,159
Speaker 1: Jay's speech was so point, was so was so spot on,

468
00:22:19,600 --> 00:22:23,120
Speaker 1: because it's like, listen, we're not saying other people aren't deserving.

469
00:22:23,240 --> 00:22:25,800
Speaker 1: We're just asking you to get it right. That's all.

470
00:22:26,200 --> 00:22:30,440
Speaker 1: Just get it right. Somebody can't have more Grammys than

471
00:22:30,520 --> 00:22:33,320
Speaker 1: anyone ever in the history of the Grammys, but don't

472
00:22:33,320 --> 00:22:37,600
Speaker 1: have an album that feels like it's purposely done, that

473
00:22:37,600 --> 00:22:40,440
Speaker 1: feels like that's not an accident, that's not a coincidence,

474
00:22:41,200 --> 00:22:46,080
Speaker 1: that is by design, that is by choice. So there's

475
00:22:46,080 --> 00:22:48,080
Speaker 1: there's there's a problem here. And you know, I mean,

476
00:22:48,400 --> 00:22:50,359
Speaker 1: this is the biggest night of music, this is the

477
00:22:50,359 --> 00:22:53,840
Speaker 1: biggest night of entertainment, you know. Whether we want to

478
00:22:53,840 --> 00:22:55,639
Speaker 1: support it or not, that's just what it is in

479
00:22:56,119 --> 00:23:00,440
Speaker 1: the culture now. But to Rory's point of what more

480
00:23:00,480 --> 00:23:02,240
Speaker 1: do we want from the Grammys and what do we want?

481
00:23:03,560 --> 00:23:06,760
Speaker 1: I just think that we want them to stop acting

482
00:23:06,800 --> 00:23:09,639
Speaker 1: like we don't see what's happening, stop acting like we

483
00:23:09,720 --> 00:23:13,919
Speaker 1: don't get what's happening, and just start to make changes,

484
00:23:13,960 --> 00:23:17,160
Speaker 1: which I think they've made some progress in killing Mike

485
00:23:17,240 --> 00:23:20,280
Speaker 1: one to three, you know, so I think that they've

486
00:23:20,320 --> 00:23:24,960
Speaker 1: made some changes. But let's let's continue to step towards

487
00:23:25,119 --> 00:23:27,719
Speaker 1: making changes and getting it right. I think that's what

488
00:23:27,760 --> 00:23:28,040
Speaker 1: we want.

489
00:23:28,119 --> 00:23:29,360
Speaker 5: I'm not gonna lie.

490
00:23:29,480 --> 00:23:32,200
Speaker 7: I think they got it right this year and everything,

491
00:23:32,240 --> 00:23:34,760
Speaker 7: but Album of the Year, I'm not gonna lie. I

492
00:23:34,800 --> 00:23:36,840
Speaker 7: think I was watching it like, oh, that's why I

493
00:23:36,840 --> 00:23:38,480
Speaker 7: would have voted for. That's why I would have voted for.

494
00:23:38,560 --> 00:23:41,679
Speaker 7: I think they got right, except well except for what

495
00:23:42,119 --> 00:23:44,199
Speaker 7: they usually get it wrong in every category, So for

496
00:23:44,240 --> 00:23:45,400
Speaker 7: them to get it, they would.

497
00:23:45,240 --> 00:23:48,320
Speaker 1: Have given Sissa Album of the Year top to bottom.

498
00:23:48,400 --> 00:23:50,760
Speaker 1: This may have been one of the one hundred. I

499
00:23:50,800 --> 00:23:53,760
Speaker 1: would have no issues with any of the Grammys last night.

500
00:23:54,920 --> 00:23:57,879
Speaker 2: I think what would help would be if the committee

501
00:23:59,000 --> 00:24:03,439
Speaker 2: one showed their faces and two explained the criteria for everything. So,

502
00:24:03,760 --> 00:24:06,840
Speaker 2: for example, we're talking about Taylor Swift versus A. If

503
00:24:06,840 --> 00:24:10,440
Speaker 2: you're going by sheer impacted numbers, Taylor Swift obviously wins.

504
00:24:11,200 --> 00:24:15,040
Speaker 2: I agree that Killer Mike should win Best Rap Album,

505
00:24:15,119 --> 00:24:17,040
Speaker 2: but if you're going off the standards that we used

506
00:24:17,119 --> 00:24:20,840
Speaker 2: for Album of the Year with Taylor and Sizza, it's

507
00:24:20,960 --> 00:24:25,200
Speaker 2: not reflecting in the rap category. Yeah, that's where they're

508
00:24:25,240 --> 00:24:27,800
Speaker 2: just I think that's the real issue. They're all over

509
00:24:27,840 --> 00:24:30,679
Speaker 2: the place with how they judge things. If there was

510
00:24:30,720 --> 00:24:34,199
Speaker 2: a set criteria of why people are voting for what

511
00:24:34,240 --> 00:24:38,120
Speaker 2: they're voting for, then I think you wouldn't get Jay

512
00:24:38,200 --> 00:24:40,000
Speaker 2: Z standing on stage saying like, hey, we want you

513
00:24:40,119 --> 00:24:41,719
Speaker 2: to get it right, because flat out this is how

514
00:24:41,760 --> 00:24:44,280
Speaker 2: we judge it. Can't argue that all right, Taylor Taylor

515
00:24:44,359 --> 00:24:47,920
Speaker 2: sold the most most impact she's gonna get the most

516
00:24:48,000 --> 00:24:51,679
Speaker 2: views for advertising. More people are going to watch this Taylor.

517
00:24:52,480 --> 00:24:53,920
Speaker 2: Then everyone would be like, well, that's fucked up, But

518
00:24:53,960 --> 00:24:56,000
Speaker 2: I get it. Send y'all a flat out saying this

519
00:24:56,040 --> 00:24:58,800
Speaker 2: is what we're doing, but do that across the board.

520
00:24:58,920 --> 00:25:02,080
Speaker 2: I'm happy, Michael. I think it was the best rap

521
00:25:02,080 --> 00:25:07,639
Speaker 2: album for sure. But if I'm Travis Scott, I'm upset. Yeah,

522
00:25:07,800 --> 00:25:10,840
Speaker 2: he's four point two billion streams in an hour or

523
00:25:10,880 --> 00:25:15,000
Speaker 2: some shit like selling out Arenas, I'd be pissed too.

524
00:25:15,119 --> 00:25:15,399
Speaker 1: Yeah.

525
00:25:15,480 --> 00:25:17,480
Speaker 2: Yeah, if we're doing that with Taylor, why can't we

526
00:25:17,520 --> 00:25:18,200
Speaker 2: do it with Travis?

527
00:25:18,760 --> 00:25:19,000
Speaker 1: Yeah?

528
00:25:19,400 --> 00:25:21,479
Speaker 7: Is it the best or is it the biggest? Because like,

529
00:25:21,800 --> 00:25:24,000
Speaker 7: for example, they have the record. I was just talking

530
00:25:24,040 --> 00:25:27,000
Speaker 7: to Julian about Record of the Year versus Song of

531
00:25:27,040 --> 00:25:29,280
Speaker 7: the Year when we were watching the Grammys on Discord.

532
00:25:30,000 --> 00:25:33,560
Speaker 7: On Discord, when Miley Cyrus won Record of the Year

533
00:25:33,600 --> 00:25:35,560
Speaker 7: for Flowers, I was like, oh, that's not fair. I

534
00:25:35,560 --> 00:25:38,399
Speaker 7: believe it should go to Billy Eilish for What Was

535
00:25:38,440 --> 00:25:40,520
Speaker 7: I Made For? Because it's the better song. But when

536
00:25:40,560 --> 00:25:42,680
Speaker 7: they break it down, they're like, no, Record of the

537
00:25:42,760 --> 00:25:46,040
Speaker 7: Year is the song you couldn't escape. That is mainly

538
00:25:46,080 --> 00:25:47,000
Speaker 7: for the artists like.

539
00:25:47,000 --> 00:25:48,679
Speaker 1: Your Molly Cyrus record you couldn't.

540
00:25:48,600 --> 00:25:50,800
Speaker 7: Yeah, you couldn't get Away for It record. But Song

541
00:25:50,880 --> 00:25:54,120
Speaker 7: of the Year is more of a songwriter's award. It's

542
00:25:54,160 --> 00:25:57,040
Speaker 7: about the actual meat and potatoes of the song, what

543
00:25:57,160 --> 00:25:59,439
Speaker 7: is the song about. It's more of a storytelling award.

544
00:25:59,440 --> 00:26:02,200
Speaker 7: So then I'm like, Okay, well, Billy Eilish definitely should

545
00:26:02,200 --> 00:26:03,840
Speaker 7: have won Song of the Year, which she did, and

546
00:26:03,920 --> 00:26:07,560
Speaker 7: Miley deserved records. So there's a clear cut difference in that.

547
00:26:07,720 --> 00:26:10,000
Speaker 7: I just wish, like you said, Guy said the criteria

548
00:26:10,040 --> 00:26:10,800
Speaker 7: for the other ones.

549
00:26:10,640 --> 00:26:15,080
Speaker 2: And I guess, like, is it even more offensive that

550
00:26:15,840 --> 00:26:18,760
Speaker 2: they try to like make up for it in other categories?

551
00:26:18,920 --> 00:26:20,159
Speaker 3: That's what that's what it's like.

552
00:26:21,080 --> 00:26:23,080
Speaker 2: But then I think that's more offensive because now you're

553
00:26:23,119 --> 00:26:27,719
Speaker 2: discrediting what Travis has built in the last ten years

554
00:26:27,840 --> 00:26:30,800
Speaker 2: as a phenom in the rap world. Now we're discrediting

555
00:26:30,840 --> 00:26:34,879
Speaker 2: what he's done in the urban spaced so we can

556
00:26:34,920 --> 00:26:36,840
Speaker 2: be like, oh, we got the killer Mike underground shit,

557
00:26:36,880 --> 00:26:39,879
Speaker 2: so we feel better. Yeah, Like that's kind of I

558
00:26:39,920 --> 00:26:42,840
Speaker 2: think an offensive route as well, yes, because now you're

559
00:26:42,880 --> 00:26:46,680
Speaker 2: discrediting black artists that are pop stars in their own

560
00:26:46,720 --> 00:26:48,840
Speaker 2: fucking right. Even if they don't make pop music. I mean,

561
00:26:50,520 --> 00:26:53,760
Speaker 2: because Travis has Broken Records, has done phenomenal things push

562
00:26:53,800 --> 00:26:57,480
Speaker 2: the genre forward, we're gonna discredit that only in the

563
00:26:57,560 --> 00:26:58,280
Speaker 2: rap category.

564
00:26:58,480 --> 00:27:00,960
Speaker 1: I agree with you with Travis. I didn't like that

565
00:27:01,000 --> 00:27:01,600
Speaker 1: album as much.

566
00:27:01,640 --> 00:27:04,119
Speaker 2: Same I think Killer Mike should have won. Moving the

567
00:27:04,160 --> 00:27:05,520
Speaker 2: goal post in different.

568
00:27:05,280 --> 00:27:10,080
Speaker 1: Yeah, if you're asking me her Loss was the best.

569
00:27:09,880 --> 00:27:15,480
Speaker 2: Rap album in that category, I agree, Killer Mike's album

570
00:27:15,560 --> 00:27:15,960
Speaker 2: was dope.

571
00:27:16,200 --> 00:27:18,000
Speaker 1: But if we're talking again, if we're going to just

572
00:27:18,080 --> 00:27:19,959
Speaker 1: kind of sort of lean toward how they give it

573
00:27:19,960 --> 00:27:23,760
Speaker 1: to Taylor, you're talking about touring impact, you know, tickets

574
00:27:23,760 --> 00:27:26,760
Speaker 1: sold and all of these other things. I mean, the

575
00:27:27,240 --> 00:27:30,840
Speaker 1: Drake twenty one Savage tour was incredible, The album was incredible.

576
00:27:31,119 --> 00:27:33,080
Speaker 1: This is Drake, one of the biggest artists in the world,

577
00:27:33,200 --> 00:27:35,720
Speaker 1: Like you know what I mean. So again, like Rory says,

578
00:27:36,280 --> 00:27:38,680
Speaker 1: we can't move the goal post and make it convenient

579
00:27:38,840 --> 00:27:41,280
Speaker 1: for the committee when they wanted to be as far

580
00:27:41,320 --> 00:27:43,720
Speaker 1: as how they vote. And I think that's all people

581
00:27:43,720 --> 00:27:46,440
Speaker 1: were trying to say. When we went a discord talking

582
00:27:46,480 --> 00:27:50,840
Speaker 1: about it. You know, Julian said, what did Julian say, Oh,

583
00:27:50,960 --> 00:27:53,520
Speaker 1: she moved the needle on the economy some shit like that,

584
00:27:53,960 --> 00:27:57,320
Speaker 1: And I was just like, okay, but for who, Yes,

585
00:27:57,720 --> 00:28:02,520
Speaker 1: towards generated billions, like great, but moved the needle for who?

586
00:28:02,840 --> 00:28:04,800
Speaker 1: The parking lot attendant didn't get a raise at any

587
00:28:04,800 --> 00:28:07,399
Speaker 1: of those venues. The concession stand lady didn't get to

588
00:28:07,480 --> 00:28:10,040
Speaker 1: raise any of those venues. So it's like, yeah, okay,

589
00:28:10,119 --> 00:28:12,520
Speaker 1: so she generated a billion, she has to pay taxes,

590
00:28:12,800 --> 00:28:14,959
Speaker 1: pretty sure. Account is pretty good.

591
00:28:15,320 --> 00:28:18,080
Speaker 2: So yeah she did, But I mean, maybe how much

592
00:28:18,119 --> 00:28:20,040
Speaker 2: money she made helped the debt.

593
00:28:20,080 --> 00:28:22,080
Speaker 1: We she boost local economy to.

594
00:28:22,040 --> 00:28:25,720
Speaker 2: Then go to our inflation problem, even if she moved

595
00:28:25,720 --> 00:28:26,119
Speaker 2: a little bit.

596
00:28:26,119 --> 00:28:29,879
Speaker 3: I'm happy hotels, I mean there's a lot, but so

597
00:28:30,720 --> 00:28:32,200
Speaker 3: did so did her loss.

598
00:28:32,240 --> 00:28:33,240
Speaker 1: So when Drake and tiny one on.

599
00:28:33,320 --> 00:28:36,000
Speaker 3: So you think that to this scale obviously all yeah,

600
00:28:36,480 --> 00:28:37,159
Speaker 3: of course.

601
00:28:36,960 --> 00:28:38,080
Speaker 1: Not the scale of tailor.

602
00:28:38,440 --> 00:28:41,720
Speaker 2: Each tailor fan spent thirteen hundred dollars average on average

603
00:28:41,720 --> 00:28:45,080
Speaker 2: to go see her, which is crazy. That's that's insane.

604
00:28:45,160 --> 00:28:47,880
Speaker 3: There were people statiticians that went so far as to

605
00:28:47,920 --> 00:28:50,280
Speaker 3: looking into hotels the weekend before.

606
00:28:50,560 --> 00:28:53,200
Speaker 1: But that happens. But that happens with any when Beyonce

607
00:28:53,360 --> 00:28:53,920
Speaker 1: comes to town.

608
00:28:54,000 --> 00:28:56,400
Speaker 3: When the increase the amount of money that was brought in.

609
00:28:56,440 --> 00:28:59,320
Speaker 3: I mean, they did the data says in total it

610
00:28:59,440 --> 00:29:02,280
Speaker 3: was a five billion dollars surplus to the economy based

611
00:29:02,320 --> 00:29:04,000
Speaker 3: on totaling all the cities that you want to like.

612
00:29:04,320 --> 00:29:09,480
Speaker 1: Ooh, that's that's I get that. But that's not enough

613
00:29:09,600 --> 00:29:11,360
Speaker 1: for me to be like, oh, that's the album of

614
00:29:11,400 --> 00:29:11,720
Speaker 1: the year.

615
00:29:12,000 --> 00:29:15,040
Speaker 3: Sure, No, I bet because again because again that has

616
00:29:15,120 --> 00:29:17,160
Speaker 3: nothing to do with the music all right, So again

617
00:29:17,240 --> 00:29:20,080
Speaker 3: because if that was the case, then Michael Jackson should

618
00:29:20,080 --> 00:29:21,120
Speaker 3: have how many albums of the year.

619
00:29:21,960 --> 00:29:24,920
Speaker 1: That's all I'm saying. Like, So we can't. We can't

620
00:29:25,040 --> 00:29:27,720
Speaker 1: bend and lean to kind of like, you know, make

621
00:29:27,840 --> 00:29:31,240
Speaker 1: it justifiable. It has to be a clear, concise, like

622
00:29:31,680 --> 00:29:32,920
Speaker 1: you know, this is what it is album.

623
00:29:33,560 --> 00:29:35,840
Speaker 2: You're not doing all that without people wanting to go

624
00:29:35,960 --> 00:29:37,680
Speaker 2: hear that album. No.

625
00:29:37,840 --> 00:29:40,400
Speaker 1: I mean, when you have a roor you know, you

626
00:29:40,520 --> 00:29:42,480
Speaker 1: know better than most, when you have a built in

627
00:29:42,600 --> 00:29:45,080
Speaker 1: fan base like Taylor Swift hats, your album can be

628
00:29:45,200 --> 00:29:48,480
Speaker 1: absolutely terrible and people are still gonna come out and

629
00:29:48,520 --> 00:29:48,840
Speaker 1: see you.

630
00:29:48,920 --> 00:29:50,680
Speaker 3: Live just.

631
00:29:52,320 --> 00:29:54,680
Speaker 2: Amongst a cult fan base of this, not being like

632
00:29:55,600 --> 00:29:57,560
Speaker 2: I'm a member of them. I'm pretty sure I remember

633
00:29:57,600 --> 00:30:00,240
Speaker 2: when there's been I'm pretty sure amongst the Swifties. This

634
00:30:00,400 --> 00:30:01,880
Speaker 2: album is not her greatest one ever.

635
00:30:02,280 --> 00:30:04,120
Speaker 7: Actually, they think it is one of her one of

636
00:30:04,160 --> 00:30:06,800
Speaker 7: her good ones. But she has lost before, so like

637
00:30:07,120 --> 00:30:08,760
Speaker 7: she's lost Album of the Year before.

638
00:30:08,960 --> 00:30:11,400
Speaker 1: Oh I would hope, so yeah, like no like, but

639
00:30:11,480 --> 00:30:13,680
Speaker 1: she's also she's also one more than anybody ever in

640
00:30:13,720 --> 00:30:15,840
Speaker 1: Grammy history. Let's say that in the same breath.

641
00:30:16,040 --> 00:30:18,040
Speaker 7: And I do want to correct that. Sorry, Julian made

642
00:30:18,080 --> 00:30:20,600
Speaker 7: a point earlier. This is a one best progressive R

643
00:30:20,640 --> 00:30:21,240
Speaker 7: and B album.

644
00:30:21,360 --> 00:30:22,280
Speaker 3: Yeah, it was not urban.

645
00:30:22,360 --> 00:30:24,920
Speaker 2: It was progressive, but they changed like I was reading it.

646
00:30:25,000 --> 00:30:28,200
Speaker 2: Julian's right and wrong. So Best Progressive R and B

647
00:30:28,280 --> 00:30:32,680
Speaker 2: Album is also titled Best Urban Contemporary Album. This category

648
00:30:32,840 --> 00:30:36,600
Speaker 2: was one of the category they're trying to they're trying.

649
00:30:36,440 --> 00:30:37,520
Speaker 1: To remove the urban word.

650
00:30:37,680 --> 00:30:40,080
Speaker 2: In June twenty twenty, the Recording Academy announced No Longer

651
00:30:40,080 --> 00:30:44,680
Speaker 2: than Master, announce renaming and redefining primary category. It's new

652
00:30:44,760 --> 00:30:49,960
Speaker 2: name where the Slaves was best. Yeah they were urban people.

653
00:30:50,080 --> 00:30:52,800
Speaker 1: Yeah, old us, just old us. We're progressive now.

654
00:30:54,560 --> 00:30:57,479
Speaker 2: Slaves urban is the most contradictory they were. They were

655
00:30:57,520 --> 00:30:58,680
Speaker 2: not in an urban space.

656
00:30:58,760 --> 00:31:01,200
Speaker 1: Yeah, I just you know, listen, man, and you know

657
00:31:01,320 --> 00:31:02,480
Speaker 1: not that we don't want to. I want to stay

658
00:31:02,480 --> 00:31:04,800
Speaker 1: on this too much longer. But you know, I just again,

659
00:31:05,040 --> 00:31:08,880
Speaker 1: I just I just would like to see the steps

660
00:31:08,920 --> 00:31:10,640
Speaker 1: in the right direction. And again, I think last night,

661
00:31:10,720 --> 00:31:12,719
Speaker 1: for the most part, they like Damarra said, they did

662
00:31:12,880 --> 00:31:16,080
Speaker 1: get most of it right. You know, the people that

663
00:31:16,080 --> 00:31:19,520
Speaker 1: I think deserved it got the awards. I just was

664
00:31:19,760 --> 00:31:22,480
Speaker 1: really looking forward to Sisson winning the album with shout

665
00:31:22,480 --> 00:31:25,400
Speaker 1: out to Victoria Money. I can't we can't shout out

666
00:31:25,440 --> 00:31:29,040
Speaker 1: to Victoria Monet. I was so happy. Does she want

667
00:31:29,200 --> 00:31:29,959
Speaker 1: she won a Grammy?

668
00:31:30,120 --> 00:31:30,720
Speaker 5: She won three?

669
00:31:31,040 --> 00:31:35,640
Speaker 1: Yeah, three Grammys? Uh so deserving a great year for her,

670
00:31:35,720 --> 00:31:36,640
Speaker 1: great year for her team.

671
00:31:37,160 --> 00:31:41,720
Speaker 2: Shout d Mile as well. Yeah yeah, Yanni to Yanni

672
00:31:41,800 --> 00:31:44,360
Speaker 2: is Grammy Award winning Now I love that for him. Yeah,

673
00:31:45,520 --> 00:31:49,440
Speaker 2: I just I mean that record was like undeniable. I

674
00:31:49,480 --> 00:31:52,960
Speaker 2: hadn't heard an undeniable record like that in a long time. Yea, yeah,

675
00:31:53,200 --> 00:31:55,160
Speaker 2: like that. The day that video dropped, even if you

676
00:31:55,240 --> 00:31:59,320
Speaker 2: saw like the ten second snippet that they were, you know, promoting,

677
00:31:59,680 --> 00:32:02,239
Speaker 2: it was like, oh, this is refreshing to have an

678
00:32:02,360 --> 00:32:04,880
Speaker 2: undeniable record. Within the first ten seconds that I hear, Yeah, like,

679
00:32:04,960 --> 00:32:08,000
Speaker 2: this isn't going anywhere. So I'm really happy she was recognized.

680
00:32:08,000 --> 00:32:10,120
Speaker 1: That record feels like she can have a Pepsi commercial

681
00:32:10,320 --> 00:32:12,120
Speaker 1: during the Super Bowl. Oh for sure, Yeah, hell yeah,

682
00:32:12,360 --> 00:32:14,680
Speaker 1: it feels like a Pepsi Super super Bowl. Commercially, so

683
00:32:14,800 --> 00:32:15,200
Speaker 1: she won.

684
00:32:15,400 --> 00:32:20,480
Speaker 7: She won Best Engineered Album Non Classical. She won Best

685
00:32:20,560 --> 00:32:24,640
Speaker 7: New Artist, and she also won Best R and B Album.

686
00:32:24,440 --> 00:32:26,880
Speaker 1: Which is disrespectful because Victoria Money is not a new artist.

687
00:32:27,080 --> 00:32:29,040
Speaker 5: No, but they counted for your breakout year.

688
00:32:29,240 --> 00:32:31,480
Speaker 1: I'll get it. But Victoria's been doing her thing for

689
00:32:31,520 --> 00:32:31,800
Speaker 1: a while.

690
00:32:31,960 --> 00:32:34,280
Speaker 2: She has. I mean, I feel like Jelly Roll was snubbed.

691
00:32:34,320 --> 00:32:37,160
Speaker 2: But you know, Slatory White Boy.

692
00:32:37,920 --> 00:32:40,320
Speaker 1: We saw one shot of Ice Spice during the Grammys.

693
00:32:40,600 --> 00:32:43,280
Speaker 2: I'm gonna be quiet, Rory said, Rory hit me. Oh

694
00:32:43,320 --> 00:32:43,640
Speaker 2: my god.

695
00:32:43,800 --> 00:32:47,120
Speaker 7: Rory sent me a video of Ice Spice right trying

696
00:32:47,160 --> 00:32:49,400
Speaker 7: to hug Beyonce, and he's like, I told you the

697
00:32:49,480 --> 00:32:51,960
Speaker 7: clock was on. I'm like, Beyonce is just tired of

698
00:32:52,040 --> 00:32:55,360
Speaker 7: hugging people. She's been hugging people off someone immediately.

699
00:32:55,760 --> 00:32:58,320
Speaker 3: There's another video that shows her hugging Ice by I'm

700
00:32:58,360 --> 00:32:59,480
Speaker 3: sure she's taking a photo with her.

701
00:32:59,520 --> 00:33:02,480
Speaker 5: I was being addictor the Blue was more excited to

702
00:33:02,520 --> 00:33:04,120
Speaker 5: see I spice and I hang on.

703
00:33:04,240 --> 00:33:07,120
Speaker 1: Lie man back to tailor man, Jesus Christ, I ain't

704
00:33:07,120 --> 00:33:08,520
Speaker 1: gonna lie. I don't like the way she just had

705
00:33:08,560 --> 00:33:11,280
Speaker 1: Celen Deon standing there, didn't speak to her, didn't say hello?

706
00:33:13,720 --> 00:33:15,560
Speaker 1: Are you kidding me? Like, do you know who that

707
00:33:15,760 --> 00:33:18,240
Speaker 1: is standing right there? Yeah, that's one of the greatest

708
00:33:18,480 --> 00:33:21,040
Speaker 1: voices we've ever been blessed to be on the planet with.

709
00:33:21,920 --> 00:33:23,560
Speaker 1: And like you got her standing there, like she was

710
00:33:23,680 --> 00:33:25,480
Speaker 1: just working at the Grammys, like, and she's.

711
00:33:25,280 --> 00:33:27,320
Speaker 7: Also been sick for a while. That was our first

712
00:33:27,360 --> 00:33:30,440
Speaker 7: time seeing her without a wheelchair, without a cane. She's

713
00:33:30,480 --> 00:33:31,240
Speaker 7: been sick for a while.

714
00:33:31,320 --> 00:33:33,520
Speaker 1: She didn't even say didn't didn't say hello to her,

715
00:33:33,560 --> 00:33:36,760
Speaker 1: didn't hug her. Her pr team they got that photo

716
00:33:36,800 --> 00:33:38,440
Speaker 1: appter and put that on the internet. Though, make sure

717
00:33:38,480 --> 00:33:40,200
Speaker 1: that people, you know what I mean, understand Like, no,

718
00:33:40,320 --> 00:33:42,720
Speaker 1: she she spoke to her, and she you know, but

719
00:33:42,880 --> 00:33:45,040
Speaker 1: that was a little like, Yo, that's that's miss Celine

720
00:33:45,080 --> 00:33:47,920
Speaker 1: Dion standing right there. You don't, that's you don't do that.

721
00:33:48,120 --> 00:33:49,400
Speaker 1: You don't you don't have her standing.

722
00:33:49,560 --> 00:33:49,880
Speaker 3: I get it.

723
00:33:49,920 --> 00:33:51,520
Speaker 1: You're excited, say hello to your team, know that.

724
00:33:51,640 --> 00:33:52,040
Speaker 2: Surprised?

725
00:33:52,240 --> 00:33:54,840
Speaker 1: Yeah, no, never, she's never went album the year before.

726
00:33:54,840 --> 00:33:55,600
Speaker 1: It was such a surprise.

727
00:33:55,840 --> 00:33:59,520
Speaker 5: She dragged Lona do so Lonna del Ray was nominated

728
00:33:59,600 --> 00:34:00,920
Speaker 5: in that category with her.

729
00:34:01,320 --> 00:34:01,920
Speaker 1: That was weird.

730
00:34:02,200 --> 00:34:04,720
Speaker 7: She Ilana was sitting next to her. You know they're cool.

731
00:34:04,880 --> 00:34:09,480
Speaker 7: They they Lana was on Taylor's album. She dragged Lana

732
00:34:09,640 --> 00:34:11,360
Speaker 7: up to the stage, and Lana's like, no, no, no

733
00:34:11,480 --> 00:34:14,399
Speaker 7: mind you Lana just lost, like her album lost. She's

734
00:34:14,480 --> 00:34:16,920
Speaker 7: like dragged her up to stage and like Lana's like

735
00:34:16,960 --> 00:34:18,400
Speaker 7: standing behind her all awkwardly.

736
00:34:18,960 --> 00:34:19,480
Speaker 3: That was just so.

737
00:34:19,640 --> 00:34:22,360
Speaker 2: I didn't even notice that she gives me out on

738
00:34:22,400 --> 00:34:22,760
Speaker 2: the stage.

739
00:34:22,800 --> 00:34:25,280
Speaker 7: I was cringing the entire time. Lana is like actively

740
00:34:25,360 --> 00:34:28,279
Speaker 7: like pulling away from her, and she dragged. Look, she

741
00:34:28,560 --> 00:34:30,520
Speaker 7: dragged Alta up on stage with her. Alana did not

742
00:34:30,600 --> 00:34:30,800
Speaker 7: want it.

743
00:34:30,800 --> 00:34:31,759
Speaker 1: And then Alana just stood in the.

744
00:34:31,840 --> 00:34:34,800
Speaker 7: Back while you celebrate the album. That view out my

745
00:34:34,920 --> 00:34:38,520
Speaker 7: album and we all due respect. Lana del Rey kind

746
00:34:38,560 --> 00:34:41,719
Speaker 7: of like birthed this like the new pop white girl

747
00:34:41,800 --> 00:34:44,279
Speaker 7: indie music, and she doesn't get her things for it,

748
00:34:44,360 --> 00:34:47,239
Speaker 7: and she hasn't been able to because Taylor's success has

749
00:34:47,360 --> 00:34:49,759
Speaker 7: been stomping on her for like the past ten years.

750
00:34:50,200 --> 00:34:55,120
Speaker 2: So yeah, I did not realize she that's fucked up.

751
00:34:55,400 --> 00:34:55,640
Speaker 3: Yeah.

752
00:34:56,320 --> 00:34:58,080
Speaker 2: Yeah, I just again and then I'm gonna be a

753
00:34:58,160 --> 00:34:59,760
Speaker 2: dick as I just pulled my hand back.

754
00:34:59,800 --> 00:35:02,160
Speaker 1: Like yeah, because you don't want it to look too awkward. Yeah.

755
00:35:02,960 --> 00:35:05,440
Speaker 2: So the point is Kanye was right once again. No,

756
00:35:05,560 --> 00:35:06,600
Speaker 2: Kanye is the reason why we have.

757
00:35:06,760 --> 00:35:08,520
Speaker 7: Kanye's the reason why we're going through this shit because

758
00:35:08,680 --> 00:35:11,480
Speaker 7: when he did that, he made her a victim, and

759
00:35:11,600 --> 00:35:13,080
Speaker 7: he made her America's sweetheart.

760
00:35:13,120 --> 00:35:14,239
Speaker 5: He made her a victim when he she.

761
00:35:14,440 --> 00:35:15,840
Speaker 2: Was gonna be America's sweetheart.

762
00:35:16,120 --> 00:35:16,680
Speaker 5: I don't think so.

763
00:35:16,840 --> 00:35:19,160
Speaker 7: I think he actually made even if she was gonna

764
00:35:19,200 --> 00:35:21,359
Speaker 7: be big. I think he made it just the little worse.

765
00:35:21,680 --> 00:35:24,120
Speaker 7: He gave people someone to root for. He made her

766
00:35:24,160 --> 00:35:24,800
Speaker 7: an underdog.

767
00:35:25,080 --> 00:35:26,279
Speaker 5: And this is what we have.

768
00:35:26,480 --> 00:35:28,719
Speaker 2: She was already at that VMA. It's already singing about

769
00:35:29,400 --> 00:35:31,839
Speaker 2: how mad she was at the cheerleaders, and she wears

770
00:35:31,880 --> 00:35:34,680
Speaker 2: T shirts like she was already hard.

771
00:35:34,920 --> 00:35:37,360
Speaker 5: Yeah. I mean, I still believe it should have won

772
00:35:37,400 --> 00:35:38,759
Speaker 5: over Beyonce's, but I know.

773
00:35:39,840 --> 00:35:42,040
Speaker 2: That one of the most psychonic videos of all time.

774
00:35:42,560 --> 00:35:43,240
Speaker 2: I'm with Kanye.

775
00:35:43,440 --> 00:35:45,080
Speaker 1: I see why you thought that she should have won

776
00:35:45,160 --> 00:35:47,959
Speaker 1: over Single Ladies the video at the at the time

777
00:35:48,480 --> 00:35:50,560
Speaker 1: they ran up a white wall at the time.

778
00:35:51,080 --> 00:35:54,279
Speaker 7: Yes, now as I look back, Beyonce's video has had

779
00:35:54,360 --> 00:35:57,680
Speaker 7: a longer lasting impact. But at the time, as a

780
00:35:57,760 --> 00:36:00,680
Speaker 7: fan of both songs and both videos, that Taylor video

781
00:36:00,840 --> 00:36:01,680
Speaker 7: was everywhere.

782
00:36:01,800 --> 00:36:02,560
Speaker 5: It was huge.

783
00:36:02,719 --> 00:36:04,319
Speaker 2: The single Ladies Dance was like.

784
00:36:04,640 --> 00:36:07,520
Speaker 7: Yes, it was, but Taylor's video was also really big too.

785
00:36:07,760 --> 00:36:10,280
Speaker 7: I'm just as as a girl who was a teenager

786
00:36:10,320 --> 00:36:13,960
Speaker 7: at the time. I'm telling you well, wratched to.

787
00:36:14,080 --> 00:36:18,480
Speaker 1: All the Grammy winners, of Grammy nominees, producers, songwriters, everybody

788
00:36:18,560 --> 00:36:19,200
Speaker 1: that was honored.

789
00:36:19,440 --> 00:36:21,000
Speaker 2: Shout out to Jay for one of the Doctor dre

790
00:36:21,120 --> 00:36:23,480
Speaker 2: Global impact, That's what it was, Global impact, right. Do

791
00:36:23,520 --> 00:36:27,719
Speaker 2: you think there was some contradictory statements in his speech? Yes,

792
00:36:28,040 --> 00:36:30,839
Speaker 2: I liked his speech a lot, but which one which

793
00:36:30,840 --> 00:36:39,759
Speaker 2: we understand Telling artists that they will be snubbed but

794
00:36:40,000 --> 00:36:41,719
Speaker 2: to still continue to show up.

795
00:36:43,600 --> 00:36:47,600
Speaker 1: Yeah, show up to the Grammys, or show up as

796
00:36:47,640 --> 00:36:49,800
Speaker 1: far as like keep putting your best work.

797
00:36:49,680 --> 00:36:52,000
Speaker 2: For it was a little unclear, and I can understand

798
00:36:52,080 --> 00:36:55,279
Speaker 2: why people interpret it as hey, they're not going to

799
00:36:55,320 --> 00:36:57,000
Speaker 2: get it right, or please try to get it right.

800
00:36:57,120 --> 00:36:59,680
Speaker 2: We're begging you to get it right, but we know

801
00:36:59,800 --> 00:37:02,240
Speaker 2: you're going to get it wrong, but black artists please

802
00:37:02,320 --> 00:37:05,160
Speaker 2: continue to show up here. I'm not saying that's what

803
00:37:05,320 --> 00:37:08,000
Speaker 2: Jay said, but I fully understand people interpreting it that way.

804
00:37:08,560 --> 00:37:11,239
Speaker 1: Okay, so let's play both sides of it. If he

805
00:37:11,400 --> 00:37:14,600
Speaker 1: was saying, please continue to show up to the gram

806
00:37:14,719 --> 00:37:17,920
Speaker 1: you's to the actual show, I can understand that as well.

807
00:37:19,560 --> 00:37:23,239
Speaker 1: When you are deserving of something, sometimes it is good

808
00:37:23,320 --> 00:37:25,399
Speaker 1: to show up to the show and sit there, yeah,

809
00:37:25,600 --> 00:37:28,000
Speaker 1: and watch them snub you and have to look you

810
00:37:28,080 --> 00:37:31,120
Speaker 1: in your face and have the camera paying to you, yeah,

811
00:37:31,200 --> 00:37:32,320
Speaker 1: and have you on the screen.

812
00:37:32,680 --> 00:37:35,120
Speaker 2: It's I think Macklamore posted the text messages.

813
00:37:34,840 --> 00:37:37,560
Speaker 1: Right, because then you get situations like people sitting down

814
00:37:37,719 --> 00:37:41,000
Speaker 1: on podcasts talking about it and expressing the fact that

815
00:37:41,160 --> 00:37:44,560
Speaker 1: that person was snubbed or that person they got that

816
00:37:44,680 --> 00:37:47,280
Speaker 1: category wrong. So I think it is important to continue

817
00:37:47,280 --> 00:37:50,000
Speaker 1: to show up. You want to, even if you feel slighted.

818
00:37:50,600 --> 00:37:54,360
Speaker 1: I think that again, and it seems like it's always

819
00:37:54,400 --> 00:37:56,960
Speaker 1: with black people. We have to always have a certain

820
00:37:57,400 --> 00:38:00,560
Speaker 1: amount of grace and class, and you know, we just

821
00:38:00,640 --> 00:38:03,279
Speaker 1: have to show up and still look good even though

822
00:38:03,320 --> 00:38:06,400
Speaker 1: we're being disrespected and not being you know, appreciated as

823
00:38:06,480 --> 00:38:08,719
Speaker 1: much as we should be. That's just a part of

824
00:38:08,760 --> 00:38:11,600
Speaker 1: who we are at this point. So I think that

825
00:38:11,800 --> 00:38:14,960
Speaker 1: that is important. And as far as showing up, it's

826
00:38:15,000 --> 00:38:17,480
Speaker 1: putting your best foot forward and putting your best workout

827
00:38:17,560 --> 00:38:20,080
Speaker 1: and being the greatest artist that you can be. I

828
00:38:20,160 --> 00:38:23,080
Speaker 1: think you should always do that no matter who awards you.

829
00:38:23,120 --> 00:38:25,320
Speaker 1: It doesn't award you. I think that that's just something

830
00:38:25,360 --> 00:38:27,600
Speaker 1: that you continue to do because you love what you're doing.

831
00:38:27,680 --> 00:38:31,320
Speaker 1: You're passionate about what you're doing, and being great is

832
00:38:31,360 --> 00:38:33,120
Speaker 1: something that a lot of people was put here to do.

833
00:38:33,320 --> 00:38:35,720
Speaker 1: So on both sides of it, I understand.

834
00:38:35,320 --> 00:38:38,120
Speaker 2: It, and I mean, for the most part in life

835
00:38:38,320 --> 00:38:41,400
Speaker 2: in general, I tend to be in the gray area

836
00:38:41,640 --> 00:38:43,120
Speaker 2: of a lot of things. I don't think everything is

837
00:38:43,200 --> 00:38:46,680
Speaker 2: so cut and dry. I think you can have problems

838
00:38:46,719 --> 00:38:49,440
Speaker 2: with the system but still participate in it in an

839
00:38:49,480 --> 00:38:51,840
Speaker 2: attempt to change it by participating in it. So I

840
00:38:51,920 --> 00:38:54,080
Speaker 2: fully think artists should continue to go to the Grammys,

841
00:38:54,120 --> 00:38:57,480
Speaker 2: even though they do snub a lot of artists. But

842
00:38:57,719 --> 00:39:01,359
Speaker 2: I fully understand the people that say pick a side,

843
00:39:02,320 --> 00:39:06,720
Speaker 2: boycott the shit, or shut up like, don't accept an award,

844
00:39:06,760 --> 00:39:08,560
Speaker 2: even though I think it's great that doctor Dre is

845
00:39:08,560 --> 00:39:11,640
Speaker 2: an award named after him, and it's you know, something

846
00:39:11,680 --> 00:39:13,799
Speaker 2: that they're adding in and JAYZ got the first one, right,

847
00:39:14,480 --> 00:39:17,160
Speaker 2: or is what this Doctor Dre Award?

848
00:39:17,280 --> 00:39:17,480
Speaker 5: Yeah?

849
00:39:17,480 --> 00:39:17,920
Speaker 3: I think so.

850
00:39:18,560 --> 00:39:20,600
Speaker 2: Yeah, I believe dra got it last year and naming

851
00:39:20,640 --> 00:39:23,759
Speaker 2: the award and jay is the second slash first real winner.

852
00:39:23,960 --> 00:39:24,160
Speaker 1: Yeah.

853
00:39:24,480 --> 00:39:27,879
Speaker 2: I understand the people that are saying, if you're gonna

854
00:39:27,920 --> 00:39:30,319
Speaker 2: make a comment about that, then go all the way

855
00:39:30,360 --> 00:39:32,960
Speaker 2: with it, say fuck the Grammys. Don't accept an award

856
00:39:33,000 --> 00:39:35,319
Speaker 2: from them and no one show up to really show

857
00:39:35,719 --> 00:39:38,440
Speaker 2: the difference in the impact. If Siss is not performing,

858
00:39:38,520 --> 00:39:41,239
Speaker 2: if you don't have everyone in these categories, if Drake

859
00:39:41,280 --> 00:39:43,640
Speaker 2: doesn't show up, if Travis doesn't show up, if people

860
00:39:43,680 --> 00:39:46,000
Speaker 2: that really move the needle in the world don't show up,

861
00:39:46,480 --> 00:39:49,480
Speaker 2: Grammy's is forced to have to recognize certain things. I

862
00:39:49,560 --> 00:39:53,239
Speaker 2: get when people say that. So I understood some of

863
00:39:53,320 --> 00:39:55,919
Speaker 2: the backlash Jay got in that speech. Again, I'm someone

864
00:39:55,920 --> 00:39:57,560
Speaker 2: who lives in the gray area. I think it's great

865
00:39:57,600 --> 00:39:59,880
Speaker 2: that Doctor Dre has this award so Drake can p

866
00:40:00,120 --> 00:40:02,719
Speaker 2: the people that he thinks should be honored. I think

867
00:40:02,719 --> 00:40:04,960
Speaker 2: it's great that they did their version of a verse swap.

868
00:40:06,360 --> 00:40:08,360
Speaker 2: Jay Z's halftime show gave to Dre and then he

869
00:40:08,560 --> 00:40:10,759
Speaker 2: you know, Verse swapped him for the Icon Award. So

870
00:40:13,000 --> 00:40:15,279
Speaker 2: there was a funny theory on discord. I won't say

871
00:40:15,320 --> 00:40:20,360
Speaker 2: who said it, but she made a good point and

872
00:40:20,480 --> 00:40:22,440
Speaker 2: it did make sense why it seemed like Jay was

873
00:40:22,480 --> 00:40:26,759
Speaker 2: freestyling a bit during his speech that was supposed to

874
00:40:26,800 --> 00:40:29,680
Speaker 2: go to Puff and they had to change it.

875
00:40:32,080 --> 00:40:33,920
Speaker 1: No why, I don't think so.

876
00:40:35,640 --> 00:40:38,560
Speaker 2: He was nominated. As far as music goes, he would

877
00:40:38,560 --> 00:40:41,000
Speaker 2: deserve it. I think it would be a huge moment.

878
00:40:40,840 --> 00:40:41,760
Speaker 1: For global impact.

879
00:40:41,880 --> 00:40:44,000
Speaker 2: Yes, I think it'd be a huge moment for doctor

880
00:40:44,040 --> 00:40:46,600
Speaker 2: Dre to give Puff that award. I think the two

881
00:40:46,640 --> 00:40:49,040
Speaker 2: of them on stage would be great. I think there's

882
00:40:49,080 --> 00:40:51,440
Speaker 2: a lot of symbolism of where hip hop is right now.

883
00:40:51,600 --> 00:40:55,240
Speaker 2: That would be great for them. You know, Puff getting

884
00:40:55,280 --> 00:40:56,880
Speaker 2: nominated for r and bel in the Ear and a

885
00:40:56,880 --> 00:40:59,120
Speaker 2: few other things would have been all over that red

886
00:40:59,160 --> 00:41:02,040
Speaker 2: carpet would have been hosting the whole weekend. It would

887
00:41:02,040 --> 00:41:05,279
Speaker 2: have been Puff's Grammy we know, ye, he would have

888
00:41:05,320 --> 00:41:08,080
Speaker 2: had all his kids. It would have been the Puff

889
00:41:08,160 --> 00:41:11,000
Speaker 2: Daddy Grammy Awards. But know that because that's who Puff is.

890
00:41:11,040 --> 00:41:12,880
Speaker 1: The Only reason why I can't go with that is

891
00:41:12,920 --> 00:41:15,239
Speaker 1: because it's not like Jay just found out last night

892
00:41:15,280 --> 00:41:16,200
Speaker 1: that he was getting this award.

893
00:41:16,360 --> 00:41:18,680
Speaker 2: I no, no, of course, I know. He wasn't like

894
00:41:18,960 --> 00:41:19,960
Speaker 2: at home and they called him.

895
00:41:20,000 --> 00:41:22,320
Speaker 1: He knew three men that he was getting this award.

896
00:41:22,239 --> 00:41:25,480
Speaker 2: And I'm saying they didn't really promote it. Now, I

897
00:41:25,560 --> 00:41:28,040
Speaker 2: think there was a bigger plan where puff would have

898
00:41:28,040 --> 00:41:30,719
Speaker 2: been promoted as we know. Shit, I didn't know Jane

899
00:41:30,719 --> 00:41:33,680
Speaker 2: Beyonce were going until Trevor Noah said, and you said

900
00:41:33,760 --> 00:41:35,200
Speaker 2: Jamee Beyonce is like, oh great.

901
00:41:35,600 --> 00:41:38,360
Speaker 3: You could even tell based on the crowd's reaction in

902
00:41:38,400 --> 00:41:40,600
Speaker 3: that opening monologue that when he said that, they thought

903
00:41:40,640 --> 00:41:42,640
Speaker 3: he was joking. So people were sure if they should

904
00:41:42,680 --> 00:41:45,320
Speaker 3: celebrate or be like or laugh. It was like was

905
00:41:45,400 --> 00:41:46,960
Speaker 3: it a clapping moment or was it like a huh?

906
00:41:47,160 --> 00:41:49,960
Speaker 1: It's like very awkward someone when Trevor announced JA, yeah.

907
00:41:49,880 --> 00:41:50,480
Speaker 3: Yeah he was going.

908
00:41:50,520 --> 00:41:51,800
Speaker 8: He was like walking through the crowd, be like in

909
00:41:51,880 --> 00:41:53,719
Speaker 8: so and So's here and like look over there and

910
00:41:53,800 --> 00:41:56,400
Speaker 8: still and look over there in coming later jay Z

911
00:41:56,480 --> 00:41:58,880
Speaker 8: and Beyonce and like because they weren't there yet, but

912
00:41:59,040 --> 00:42:01,279
Speaker 8: he said that, and were like is he serious or

913
00:42:01,400 --> 00:42:01,799
Speaker 8: is this like.

914
00:42:01,840 --> 00:42:04,200
Speaker 5: Any He said he was like no, seriously, and it

915
00:42:04,360 --> 00:42:06,640
Speaker 5: was like, yeah, yeah.

916
00:42:06,600 --> 00:42:08,000
Speaker 1: And I did want to correct because I don't want

917
00:42:08,000 --> 00:42:08,359
Speaker 1: to get killed.

918
00:42:08,360 --> 00:42:12,719
Speaker 3: I misspoke. Earlier, Beck beat Beyonce's self titled album. In

919
00:42:12,800 --> 00:42:15,960
Speaker 3: twenty seventeen, Lemonade lost to Dalla's twenty five.

920
00:42:16,200 --> 00:42:17,799
Speaker 2: Which I think was a snub as well.

921
00:42:18,239 --> 00:42:20,600
Speaker 5: Adele thinks it was a snub. She said that, I mean, but.

922
00:42:20,680 --> 00:42:22,759
Speaker 2: She's such a Beyonce fan, was such a nice person.

923
00:42:23,280 --> 00:42:25,600
Speaker 2: Any category she wins over Beyonce, warranted or not, she's

924
00:42:25,600 --> 00:42:28,200
Speaker 2: gonna say that she'd go to Beyonce. Yeah, but twenty

925
00:42:28,280 --> 00:42:30,920
Speaker 2: five is my least favorite Adel album, and Lemonade to

926
00:42:30,960 --> 00:42:31,560
Speaker 2: me as a classic.

927
00:42:32,440 --> 00:42:34,239
Speaker 7: I think that was a snub and that yeah, that

928
00:42:34,360 --> 00:42:36,759
Speaker 7: back one was a snub because Beyonce. That was the

929
00:42:36,840 --> 00:42:38,920
Speaker 7: day she changed the way the albums were released.

930
00:42:39,120 --> 00:42:40,359
Speaker 1: That was the one with no problem.

931
00:42:40,600 --> 00:42:40,799
Speaker 2: Yeah.

932
00:42:40,800 --> 00:42:43,520
Speaker 5: That was the surprise drop with a full full videos

933
00:42:43,520 --> 00:42:44,000
Speaker 5: for every single.

934
00:42:44,080 --> 00:42:46,560
Speaker 2: Should have won every single award that was available at

935
00:42:46,560 --> 00:42:49,640
Speaker 2: the Grammy layer. Yeah, but I mean thanks to Ed Sharon,

936
00:42:49,680 --> 00:42:52,279
Speaker 2: we get to see Meryl Street Moore I never saw

937
00:42:52,320 --> 00:42:54,840
Speaker 2: at the Grammy, said Losshire, why are you thinking Ed

938
00:42:54,920 --> 00:42:58,000
Speaker 2: Shearon for that? I found out that he's dating her

939
00:42:58,080 --> 00:42:59,080
Speaker 2: daughter in real time.

940
00:42:59,120 --> 00:43:01,560
Speaker 1: Well, bajo see ed sharing is Daton Meryl Street. I

941
00:43:01,600 --> 00:43:03,759
Speaker 1: was about to like, all right, hold on, is it

942
00:43:03,840 --> 00:43:08,000
Speaker 1: that far fetched? Yes, that's very far fetched. ED sharing dating.

943
00:43:07,960 --> 00:43:10,000
Speaker 2: Isn't shared, like dating a twenty two year old right now,

944
00:43:10,040 --> 00:43:11,719
Speaker 2: and that shared dating Ambrose X.

945
00:43:11,800 --> 00:43:14,120
Speaker 1: And that's sick. Yeah, there's something wrong there.

946
00:43:14,920 --> 00:43:18,640
Speaker 2: You could put edge Sharon Meryl Street shared Ambrose's ex

947
00:43:18,719 --> 00:43:21,640
Speaker 2: and then Drea her Son and her new boyfriend all

948
00:43:21,680 --> 00:43:22,239
Speaker 2: at one table.

949
00:43:22,560 --> 00:43:23,279
Speaker 5: Why is that sick?

950
00:43:23,680 --> 00:43:25,600
Speaker 1: Well, it's the forty year age gap table.

951
00:43:25,920 --> 00:43:29,680
Speaker 2: Well, I mean, but they're well because I mean, people

952
00:43:29,760 --> 00:43:33,000
Speaker 2: close to Shared are saying that he's basically he's using

953
00:43:33,040 --> 00:43:33,640
Speaker 2: her for her money.

954
00:43:33,680 --> 00:43:36,319
Speaker 1: He's like milking her for money. People close to.

955
00:43:36,320 --> 00:43:39,120
Speaker 5: Her saying that, well, she might be, Oh, you don't

956
00:43:39,120 --> 00:43:41,080
Speaker 5: think that Share might like know that I feel like.

957
00:43:41,480 --> 00:43:42,800
Speaker 1: But I think that I think that when you're like

958
00:43:42,920 --> 00:43:45,439
Speaker 1: seventy years old and like you're just you just want

959
00:43:45,520 --> 00:43:49,480
Speaker 1: some companionship, like you'll become a sugar mama and just

960
00:43:49,560 --> 00:43:51,640
Speaker 1: let somebody drain your bank account, especially when you have

961
00:43:51,640 --> 00:43:54,040
Speaker 1: a bank account like Share does. And I think that

962
00:43:54,239 --> 00:43:57,319
Speaker 1: it's the friends around your responsibility and family around responsibility

963
00:43:57,360 --> 00:44:01,120
Speaker 1: to say hey, he's using my mom, cousin, sister, whatever,

964
00:44:01,200 --> 00:44:04,719
Speaker 1: for money. We don't like this relationship at all.

965
00:44:04,880 --> 00:44:07,160
Speaker 7: But I mean I get what I get from the heart,

966
00:44:07,239 --> 00:44:10,840
Speaker 7: like what you're saying completely. But if she is enjoying

967
00:44:11,520 --> 00:44:14,440
Speaker 7: what's going on, and like you know, she's happy, why

968
00:44:14,480 --> 00:44:16,520
Speaker 7: does it matter he's straight in her bank account.

969
00:44:16,440 --> 00:44:18,799
Speaker 1: Because he's using her for her money. It matters if

970
00:44:18,840 --> 00:44:20,279
Speaker 1: somebody's using you for your money.

971
00:44:20,360 --> 00:44:22,120
Speaker 5: But you don't think that she knows that.

972
00:44:22,360 --> 00:44:24,480
Speaker 3: Yeah, but it's like that's the basis of the relationship

973
00:44:24,560 --> 00:44:26,400
Speaker 3: and she agrees to that because she's the one with

974
00:44:26,480 --> 00:44:28,040
Speaker 3: the money. Then she's like, yeah, this works for me.

975
00:44:28,280 --> 00:44:30,600
Speaker 2: Yeah, that's what's been Nicole definitely married for love.

976
00:44:30,840 --> 00:44:33,520
Speaker 7: That's why I'm like it doesn't like I get what

977
00:44:33,600 --> 00:44:35,880
Speaker 7: you're saying, but I think, like I think kids and

978
00:44:35,920 --> 00:44:37,759
Speaker 7: stuff like the mom he's using for money. Yeah, but

979
00:44:37,800 --> 00:44:40,680
Speaker 7: I'm having a blast. Man is touching me in all

980
00:44:40,719 --> 00:44:42,800
Speaker 7: the right places and making me smile. You want to

981
00:44:42,880 --> 00:44:44,520
Speaker 7: use me for my money too? You just mad that

982
00:44:44,600 --> 00:44:45,120
Speaker 7: he's doing it.

983
00:44:45,239 --> 00:44:48,279
Speaker 1: No, no, no, that's not how that goes. I'm your son,

984
00:44:48,480 --> 00:44:53,000
Speaker 1: I care about you wholeheartedly. This dude is using you

985
00:44:53,120 --> 00:44:56,319
Speaker 1: for your money. He doesn't love you. He's just using

986
00:44:56,400 --> 00:44:59,120
Speaker 1: you and your name for fame, cloud and money.

987
00:44:59,320 --> 00:45:02,400
Speaker 2: But what if she's using him for a twenty one

988
00:45:02,480 --> 00:45:03,640
Speaker 2: year old dick and a good.

989
00:45:03,520 --> 00:45:06,480
Speaker 1: Times as your son. I still have a problem with.

990
00:45:06,920 --> 00:45:09,520
Speaker 2: I'm not saying you shouldn't. But she's an adult.

991
00:45:09,600 --> 00:45:12,279
Speaker 1: It doesn't change. Yeah, she's an adult. But it's like

992
00:45:12,520 --> 00:45:15,680
Speaker 1: somebody is using. Anytime you're being used, if i'm your

993
00:45:15,719 --> 00:45:17,839
Speaker 1: family member or your friend, I am going to tell

994
00:45:17,880 --> 00:45:21,760
Speaker 1: you this person is usually whether it's Share, whether it's Demarrius,

995
00:45:21,800 --> 00:45:24,440
Speaker 1: whether it's Rory. If somebody is using you and I

996
00:45:24,600 --> 00:45:26,440
Speaker 1: see it, I'm going to tell him, like yo, this

997
00:45:26,600 --> 00:45:29,160
Speaker 1: person is using you. They don't care about it.

998
00:45:29,160 --> 00:45:31,239
Speaker 2: And if my mom is aware of that and saying

999
00:45:31,360 --> 00:45:34,160
Speaker 2: I'm using him as well, it's a different conversation.

1000
00:45:34,280 --> 00:45:35,160
Speaker 1: Yeah, no it's not.

1001
00:45:35,760 --> 00:45:37,319
Speaker 2: It's her money in her life.

1002
00:45:37,800 --> 00:45:39,120
Speaker 1: It's still not a different conversation.

1003
00:45:39,320 --> 00:45:40,800
Speaker 2: I want to fuck this guy and have fun and

1004
00:45:40,840 --> 00:45:41,800
Speaker 2: it's yeah, but I lost me.

1005
00:45:41,880 --> 00:45:43,960
Speaker 1: But I still don't want somebody using my mother. I

1006
00:45:44,000 --> 00:45:45,799
Speaker 1: don't give a fuck. If she's it's not using.

1007
00:45:45,840 --> 00:45:48,560
Speaker 2: If it's a mutual agreement, it's still using.

1008
00:45:48,600 --> 00:45:49,680
Speaker 1: What are you talking about.

1009
00:45:49,560 --> 00:45:52,080
Speaker 7: If it's a mutual agree well, If that's the case,

1010
00:45:52,120 --> 00:45:55,040
Speaker 7: then one can make an argument that all relationships people

1011
00:45:55,080 --> 00:45:57,759
Speaker 7: are being used in. We're all using each other in relationships,

1012
00:45:57,960 --> 00:46:02,480
Speaker 7: whether it's mentally, emotionally, financially, we're all trying to get

1013
00:46:02,600 --> 00:46:05,960
Speaker 7: something out of somebody, reassurance, whether it's love.

1014
00:46:06,640 --> 00:46:10,360
Speaker 1: But if somebody's just using you for your money, anybody

1015
00:46:10,440 --> 00:46:12,840
Speaker 1: that loves you, that cares about you should tell you, like, yo,

1016
00:46:12,960 --> 00:46:16,879
Speaker 1: this person is only with you because they're taking your money.

1017
00:46:16,920 --> 00:46:19,800
Speaker 2: Okay, what if rolls are reversed, they can't speak, and

1018
00:46:19,960 --> 00:46:23,960
Speaker 2: your dad is seventy five and finds him a nice

1019
00:46:24,080 --> 00:46:27,799
Speaker 2: yoga teacher that is straight up saying like, all right,

1020
00:46:27,880 --> 00:46:30,919
Speaker 2: it's cost this much to maintain my lifestyle. My dad

1021
00:46:31,640 --> 00:46:34,400
Speaker 2: is aware of that and just wants to pay this

1022
00:46:34,560 --> 00:46:37,959
Speaker 2: woman what she's old and fuck her to his grave,

1023
00:46:38,360 --> 00:46:40,600
Speaker 2: Like that's he knows that he knows this woman doesn't

1024
00:46:40,640 --> 00:46:41,000
Speaker 2: love him.

1025
00:46:41,120 --> 00:46:44,560
Speaker 1: So Anna, Nicole Smith and your husband, that was a problem.

1026
00:46:44,880 --> 00:46:46,920
Speaker 2: Listen, I sided on the Lewisy k bit of when

1027
00:46:46,920 --> 00:46:49,120
Speaker 2: I'm fifty years old, give me a forty year old.

1028
00:46:49,120 --> 00:46:50,719
Speaker 2: When I'm sixty years old, let me date a fifty

1029
00:46:50,760 --> 00:46:53,279
Speaker 2: year old when I'm seventy years old, give me a

1030
00:46:53,320 --> 00:46:55,400
Speaker 2: twenty year old blow me to the grave.

1031
00:46:55,200 --> 00:46:55,879
Speaker 3: And keep the change.

1032
00:46:56,400 --> 00:46:57,120
Speaker 1: That's disgusting.

1033
00:46:58,080 --> 00:46:59,680
Speaker 2: Why so that's how some people want to go out.

1034
00:47:00,000 --> 00:47:01,600
Speaker 1: That's still discussing. You can want to go out like that,

1035
00:47:01,640 --> 00:47:03,759
Speaker 1: but it's still I think it's disgusting. Yeah, that's all

1036
00:47:03,800 --> 00:47:04,239
Speaker 1: I'm saying.

1037
00:47:04,320 --> 00:47:06,759
Speaker 2: But if my pops wanted to use his money at

1038
00:47:06,760 --> 00:47:09,480
Speaker 2: the end of his life to fuck this yoga instructor

1039
00:47:09,520 --> 00:47:10,960
Speaker 2: and she just wants some money out of it, and

1040
00:47:11,080 --> 00:47:13,160
Speaker 2: it makes him happy, and they both know the arrangement,

1041
00:47:13,760 --> 00:47:14,440
Speaker 2: what do I have to say?

1042
00:47:14,480 --> 00:47:16,680
Speaker 7: As long as it as long as my parent is

1043
00:47:17,120 --> 00:47:20,680
Speaker 7: happy and they're not in danger, especially when they're at

1044
00:47:20,680 --> 00:47:22,239
Speaker 7: the end of their life, like they're not looking to

1045
00:47:22,239 --> 00:47:25,160
Speaker 7: build a family, they're not looking for anything of substance

1046
00:47:25,200 --> 00:47:25,840
Speaker 7: out of this person.

1047
00:47:26,480 --> 00:47:27,080
Speaker 5: Be happy.

1048
00:47:27,400 --> 00:47:29,399
Speaker 7: Life is so like once you get to that point

1049
00:47:29,400 --> 00:47:31,680
Speaker 7: and you could die within the next five years. No,

1050
00:47:32,080 --> 00:47:34,200
Speaker 7: get your fucking back, blown out, bro, do what you

1051
00:47:34,280 --> 00:47:34,560
Speaker 7: gotta do.

1052
00:47:34,680 --> 00:47:37,959
Speaker 2: I think it's fiscally more responsible than anything Aiden Ross

1053
00:47:37,960 --> 00:47:39,000
Speaker 2: has done in the past two weeks.

1054
00:47:40,480 --> 00:47:42,400
Speaker 1: I don't know nothing about Aiden me either, Can you

1055
00:47:42,400 --> 00:47:44,719
Speaker 1: guys explain it? All I know is cost not is

1056
00:47:44,760 --> 00:47:46,320
Speaker 1: the greatest dream of ever shout out to the Bronx.

1057
00:47:47,360 --> 00:47:49,640
Speaker 2: I don't disagree. Yeah, I would say cos price that

1058
00:47:49,800 --> 00:47:50,920
Speaker 2: guy shout out.

1059
00:47:51,920 --> 00:47:56,080
Speaker 3: Yeah. Aiden took a couple l's this week. First with

1060
00:47:56,160 --> 00:47:57,719
Speaker 3: twenty one Savage, she had them come on and do

1061
00:47:57,800 --> 00:48:02,360
Speaker 3: his stream, and twenty one broad marked cards and they

1062
00:48:02,400 --> 00:48:05,600
Speaker 3: were playing a game and he tried to hustle him

1063
00:48:05,640 --> 00:48:08,239
Speaker 3: on camera for two hund and fifty thousand dollars and

1064
00:48:08,320 --> 00:48:11,440
Speaker 3: Aden caught him during the live stream, and it was

1065
00:48:11,520 --> 00:48:15,400
Speaker 3: a very awkward exchange, and then you know, twenty one

1066
00:48:15,600 --> 00:48:17,719
Speaker 3: left and then immediately posted something on a store like

1067
00:48:17,800 --> 00:48:19,799
Speaker 3: fuck Aden, you know, welcome into Atlanta, Da da DA.

1068
00:48:20,280 --> 00:48:24,120
Speaker 3: And then clearly, I'm assuming simultaneously he was seeing on

1069
00:48:24,200 --> 00:48:27,560
Speaker 3: Twitter that everything he did was caught on camera, and

1070
00:48:27,680 --> 00:48:30,759
Speaker 3: then he deleted that post on his story, and then

1071
00:48:30,800 --> 00:48:34,080
Speaker 3: it was slowly walking back his feelings towards Aiden, and

1072
00:48:34,239 --> 00:48:36,080
Speaker 3: then they were like, okay, well let's play two K

1073
00:48:36,280 --> 00:48:37,799
Speaker 3: because if you beat me in two K then we'll

1074
00:48:37,800 --> 00:48:40,600
Speaker 3: still honor the bet. And then twenty one lost the

1075
00:48:40,680 --> 00:48:43,480
Speaker 3: game of two K, so it was bad. And then

1076
00:48:43,520 --> 00:48:44,920
Speaker 3: he now he's trying to make a roll out out

1077
00:48:44,920 --> 00:48:47,160
Speaker 3: of it and selling playing cards and selling dice and

1078
00:48:47,200 --> 00:48:48,000
Speaker 3: all this shit.

1079
00:48:48,239 --> 00:48:49,880
Speaker 1: But he got caught. He was trying to hustle him.

1080
00:48:50,400 --> 00:48:53,759
Speaker 1: So okay, So it sounds like twenty one Savage being

1081
00:48:53,840 --> 00:48:57,480
Speaker 1: from a certain demographic, certain area in Atlanta, London, a

1082
00:48:58,600 --> 00:49:04,240
Speaker 1: certain area in London, just found this uh streamer who's

1083
00:49:04,280 --> 00:49:08,800
Speaker 1: a suburban kid and he's like, yo, fucking I'm gonna

1084
00:49:08,800 --> 00:49:12,040
Speaker 1: take his money. Sounds like he just wanted to punk

1085
00:49:12,120 --> 00:49:13,719
Speaker 1: a streamer, like you give me your money.

1086
00:49:14,640 --> 00:49:19,600
Speaker 2: So like, has there always been honor in underground gambling?

1087
00:49:20,080 --> 00:49:21,200
Speaker 1: No, this isn't.

1088
00:49:21,680 --> 00:49:25,000
Speaker 2: Yes, fucked up and welcome to the gambling. Yeah, I

1089
00:49:25,080 --> 00:49:25,320
Speaker 2: get it.

1090
00:49:25,360 --> 00:49:27,400
Speaker 1: You guys do legal parlays on your phone. But like

1091
00:49:27,760 --> 00:49:31,799
Speaker 1: before that gambling, before before FanDuel and prospects and all

1092
00:49:31,800 --> 00:49:33,160
Speaker 1: those other points for being shaved.

1093
00:49:33,200 --> 00:49:36,280
Speaker 2: Yeah, absolutely absolutely, this is why you don't gamble.

1094
00:49:36,840 --> 00:49:39,000
Speaker 1: I think this is you get fucked over, Aiden Ross

1095
00:49:39,160 --> 00:49:40,520
Speaker 1: And I mean I think this is just twenty one

1096
00:49:40,600 --> 00:49:42,480
Speaker 1: Savage just like yo, listen, man, I don't care about

1097
00:49:42,520 --> 00:49:45,000
Speaker 1: these streamers, Like these little kids are rich. They just

1098
00:49:45,000 --> 00:49:47,239
Speaker 1: sit in their basement all day on the camera. I'm

1099
00:49:47,280 --> 00:49:49,120
Speaker 1: gonna come ahead and hustle him, try to get some

1100
00:49:49,160 --> 00:49:50,920
Speaker 1: money out of this. He's hustling. This is what they did.

1101
00:49:51,000 --> 00:49:52,600
Speaker 3: But it was just funny seeing someone get caught in

1102
00:49:52,760 --> 00:49:55,440
Speaker 3: real time and then when they you know, look.

1103
00:49:55,280 --> 00:49:58,200
Speaker 1: How you're looking at the decker car. He's like, oh shit, yeah.

1104
00:49:58,760 --> 00:50:00,520
Speaker 2: Try to do that in Washington Square. You can see

1105
00:50:00,840 --> 00:50:02,319
Speaker 2: there's a moment are you allowed to touch those?

1106
00:50:02,520 --> 00:50:04,960
Speaker 3: A moment where Savage takes out a clean deck and

1107
00:50:05,040 --> 00:50:07,160
Speaker 3: then opens it, rips the package off, and then turns

1108
00:50:07,239 --> 00:50:10,120
Speaker 3: to his man off camera, and you can see the

1109
00:50:10,200 --> 00:50:12,320
Speaker 3: exchange of him giving him the deck of cards with

1110
00:50:12,360 --> 00:50:14,520
Speaker 3: the marks on it. So then he's acting like that's

1111
00:50:14,560 --> 00:50:16,839
Speaker 3: the new deck, and then this is the call out,

1112
00:50:16,840 --> 00:50:18,879
Speaker 3: and then twenty one one he knows aiden caught him.

1113
00:50:19,280 --> 00:50:21,080
Speaker 3: I think at one point twenty one goes, what do

1114
00:50:21,120 --> 00:50:21,880
Speaker 3: you want to do about it?

1115
00:50:22,640 --> 00:50:23,400
Speaker 1: You're like, what you're gonna do?

1116
00:50:23,520 --> 00:50:23,640
Speaker 9: Fight?

1117
00:50:23,680 --> 00:50:25,400
Speaker 1: He's like, shit, what should we do?

1118
00:50:25,719 --> 00:50:27,799
Speaker 5: When I saw this, I thought it was staged. I'm like, oh,

1119
00:50:27,920 --> 00:50:30,120
Speaker 5: this is like it gives stage to me.

1120
00:50:30,320 --> 00:50:32,960
Speaker 2: I lean on that side. Twenty one we know is

1121
00:50:33,120 --> 00:50:36,480
Speaker 2: a very smart guy. He he knows the camera saw

1122
00:50:36,560 --> 00:50:40,480
Speaker 2: him and his man's exchange that card like this. I

1123
00:50:40,520 --> 00:50:43,480
Speaker 2: don't want to say it was like fake and one

1124
00:50:43,520 --> 00:50:46,520
Speaker 2: of those sketch type things. I don't think Aiden knew,

1125
00:50:46,560 --> 00:50:48,560
Speaker 2: but I think twenty one was well aware that the

1126
00:50:48,600 --> 00:50:50,480
Speaker 2: whole world could see that he was scamming him, and

1127
00:50:50,520 --> 00:50:52,000
Speaker 2: that was the joke, and that's the fun in the

1128
00:50:52,120 --> 00:50:52,520
Speaker 2: entire thing.

1129
00:50:52,680 --> 00:50:52,879
Speaker 1: Yeah.

1130
00:50:52,920 --> 00:50:54,440
Speaker 2: I don't think he didn't give him to it. Did

1131
00:50:54,480 --> 00:50:55,839
Speaker 2: he give him to fifty ground on the spot?

1132
00:50:56,520 --> 00:50:58,800
Speaker 3: Well, the bet that they ended up honoring was a

1133
00:50:58,880 --> 00:51:02,040
Speaker 3: game of two K which one, So if that's the case,

1134
00:51:02,040 --> 00:51:03,040
Speaker 3: then Aiden would be up.

1135
00:51:03,880 --> 00:51:05,239
Speaker 2: Yeah, and I saw I think he put out the

1136
00:51:05,400 --> 00:51:08,200
Speaker 2: twenty one sent him two hundred fifty K. Yeah, so

1137
00:51:08,280 --> 00:51:12,840
Speaker 2: what's the problem. He's just been making some interesting fiscal

1138
00:51:12,920 --> 00:51:15,279
Speaker 2: choices over the past feudal last night, which I think

1139
00:51:15,320 --> 00:51:16,200
Speaker 2: are all tied together.

1140
00:51:16,520 --> 00:51:17,640
Speaker 1: Yeah yeah.

1141
00:51:17,880 --> 00:51:21,120
Speaker 2: Playboy Carti, which is Julian's favorite artist. I can't along

1142
00:51:21,160 --> 00:51:28,360
Speaker 2: with the keeping this is fake right Those that don't know,

1143
00:51:30,080 --> 00:51:33,880
Speaker 2: Aiden flew halfway across the country to go meet up

1144
00:51:34,120 --> 00:51:37,800
Speaker 2: with Playboy Carti give him a two million dollar deposit

1145
00:51:38,040 --> 00:51:41,000
Speaker 2: to come on his stream. Playboy Cardi sat in the

1146
00:51:41,120 --> 00:51:44,440
Speaker 2: dark for six to nine minutes, said high.

1147
00:51:44,520 --> 00:51:48,120
Speaker 1: And then left with his two million dollars. Well that

1148
00:51:48,239 --> 00:51:49,520
Speaker 1: was the deposit. That was the first half he was

1149
00:51:49,520 --> 00:51:50,279
Speaker 1: supposed to get four.

1150
00:51:50,480 --> 00:51:54,480
Speaker 2: Yeah, and then Aiden stood ten tos after you know,

1151
00:51:54,600 --> 00:51:57,759
Speaker 2: the twenty one Savage incident. He said, nah, said nah,

1152
00:51:57,800 --> 00:51:58,880
Speaker 2: I'm not giving you that other two.

1153
00:51:59,040 --> 00:52:01,919
Speaker 1: So wait, he was paying Playboy Cardi four million dollars

1154
00:52:02,600 --> 00:52:04,120
Speaker 1: just to show up to his live stream.

1155
00:52:04,640 --> 00:52:07,120
Speaker 3: They haven't They were cool in years past, and this

1156
00:52:07,280 --> 00:52:09,000
Speaker 3: was supposed to be like a big moment in reunion.

1157
00:52:09,239 --> 00:52:11,640
Speaker 3: So after the Grammys, Cardi met him in the room.

1158
00:52:11,800 --> 00:52:15,360
Speaker 3: The lights were out and it was a very awkward silence.

1159
00:52:15,520 --> 00:52:17,200
Speaker 3: It was like eight and at one point, how was

1160
00:52:17,200 --> 00:52:19,400
Speaker 3: the Grammys? And then there was just no response.

1161
00:52:19,480 --> 00:52:20,080
Speaker 1: I don't believe this.

1162
00:52:20,320 --> 00:52:21,960
Speaker 2: I don't either, but I feel like that's how Playboy

1163
00:52:22,040 --> 00:52:22,799
Speaker 2: Carti lose his life.

1164
00:52:22,840 --> 00:52:24,439
Speaker 1: I don't, I don't. I don't believe that Aiden Ross

1165
00:52:24,520 --> 00:52:26,279
Speaker 1: was paying him two million or four million dollars to

1166
00:52:26,280 --> 00:52:27,920
Speaker 1: get on live Neither do nor do I think, like,

1167
00:52:28,000 --> 00:52:30,040
Speaker 1: we gotta we gotta stop with these numbers. We gotta

1168
00:52:30,080 --> 00:52:32,160
Speaker 1: we gotta stop this. Like I get it, these kids

1169
00:52:32,360 --> 00:52:35,120
Speaker 1: are streaming well, getting crazy streams and all this other shit.

1170
00:52:35,440 --> 00:52:38,839
Speaker 1: We gotta stop. You're not giving somebody full million, four

1171
00:52:38,880 --> 00:52:41,400
Speaker 1: million dollars to just show up on a cam and

1172
00:52:41,520 --> 00:52:44,640
Speaker 1: stream with you. That's not happening, like, let's cut the ship.

1173
00:52:45,400 --> 00:52:47,080
Speaker 1: I love that these young dudes is get money and

1174
00:52:47,120 --> 00:52:49,360
Speaker 1: they doing that, got their platforms and they doing anything.

1175
00:52:49,680 --> 00:52:51,360
Speaker 1: But you're not gonna just throw these numbers at me

1176
00:52:51,440 --> 00:52:53,240
Speaker 1: and think that. I'm just like, oh yeah, not as valid,

1177
00:52:53,400 --> 00:52:55,600
Speaker 1: stop the ship. You're not just throwing two million dollars

1178
00:52:55,600 --> 00:52:57,560
Speaker 1: as somebody because they're sitting on love with you. I

1179
00:52:57,560 --> 00:53:00,320
Speaker 1: don't believe that. I don't either, not at all, not

1180
00:53:00,440 --> 00:53:02,600
Speaker 1: for a second. You guys are pocket watching. I'm not

1181
00:53:02,719 --> 00:53:04,920
Speaker 1: pocket watching. I'm not saying how much Aiden Ross has

1182
00:53:05,000 --> 00:53:07,160
Speaker 1: or doesn't have. I'm just saying I don't think that

1183
00:53:07,239 --> 00:53:10,320
Speaker 1: he's paying anybody. I don't think nobody's paying anybody to

1184
00:53:10,400 --> 00:53:13,680
Speaker 1: sit on a live stream. Four million dollars, No for what?

1185
00:53:14,880 --> 00:53:14,920
Speaker 2: What?

1186
00:53:15,680 --> 00:53:16,400
Speaker 1: What's the point of it.

1187
00:53:17,400 --> 00:53:19,160
Speaker 2: And as as much as I'm making talk, as much

1188
00:53:19,160 --> 00:53:22,000
Speaker 2: as I'm making jokes about Aiden Ross, there's no way

1189
00:53:22,120 --> 00:53:24,000
Speaker 2: that if he's given up two million dollars, which I'm

1190
00:53:24,360 --> 00:53:30,719
Speaker 2: sure he has without a real contract, he is an

1191
00:53:30,719 --> 00:53:32,920
Speaker 2: intelligent guy. Like we're just making jokes now. That's why

1192
00:53:33,000 --> 00:53:35,759
Speaker 2: this is absolute bullshit to me. I think it's something

1193
00:53:35,800 --> 00:53:39,040
Speaker 2: they we're in on together and thought it'd be hilarious

1194
00:53:39,080 --> 00:53:40,759
Speaker 2: and this would make more of a moment. Let's throw

1195
00:53:40,800 --> 00:53:43,120
Speaker 2: some numbers around, just show up in the dark and

1196
00:53:43,200 --> 00:53:46,000
Speaker 2: then leave. That'll be the moment. You know, Cardi doesn't

1197
00:53:46,000 --> 00:53:48,239
Speaker 2: want to talk anyways. This is his perfect way to

1198
00:53:48,600 --> 00:53:51,319
Speaker 2: stay in media headlines and not have to say shit. Yeah,

1199
00:53:51,560 --> 00:53:53,680
Speaker 2: And I really think he lives his life in the dark,

1200
00:53:54,320 --> 00:53:56,680
Speaker 2: like you know certain buildings where the lights go on

1201
00:53:56,760 --> 00:53:58,920
Speaker 2: when you start, like walking down the hallway, go off.

1202
00:53:59,040 --> 00:54:00,719
Speaker 2: I think his go off. I think he were like

1203
00:54:00,800 --> 00:54:02,400
Speaker 2: any room he comes, if he walked in here, all

1204
00:54:02,400 --> 00:54:02,879
Speaker 2: the lights all.

1205
00:54:02,960 --> 00:54:06,000
Speaker 1: He's nocturnal. I didn't realize he was that like big

1206
00:54:06,080 --> 00:54:08,920
Speaker 1: amongst like the young cats, like the young kids. That's

1207
00:54:09,480 --> 00:54:10,920
Speaker 1: like a lot of young kids. I asked us like

1208
00:54:11,080 --> 00:54:13,440
Speaker 1: sixteen seventeen, I'm like, yo, who's your favorite rapp? And

1209
00:54:13,440 --> 00:54:16,480
Speaker 1: they like Playboy card and I'm like Playboy Cardi.

1210
00:54:16,680 --> 00:54:18,640
Speaker 2: The way, you know, we used to have the combo

1211
00:54:18,680 --> 00:54:20,560
Speaker 2: of like who would be the fourth after Kendrick, Cole

1212
00:54:20,640 --> 00:54:23,560
Speaker 2: and Drake and we're thrown in Travis in there, we're

1213
00:54:23,560 --> 00:54:24,440
Speaker 2: thrown in futures in.

1214
00:54:25,920 --> 00:54:27,520
Speaker 1: Playboy Cardi would probably be that name.

1215
00:54:29,080 --> 00:54:29,960
Speaker 2: I just he's that big.

1216
00:54:30,239 --> 00:54:31,879
Speaker 1: I just feel so out of touch because I don't

1217
00:54:31,960 --> 00:54:35,200
Speaker 1: know any Playboy Cardi music. I couldn't tell you any

1218
00:54:35,280 --> 00:54:37,120
Speaker 1: of his records like at all.

1219
00:54:37,640 --> 00:54:39,240
Speaker 2: You might play something, I'm like, oh, okay.

1220
00:54:39,120 --> 00:54:40,680
Speaker 1: I know that record. I didn't know that was Playboy

1221
00:54:40,719 --> 00:54:43,320
Speaker 1: Cardi though, Like, but I don't. I'm just out of

1222
00:54:43,400 --> 00:54:47,080
Speaker 1: the loop when it comes to uh, his catalog, I

1223
00:54:47,200 --> 00:54:49,560
Speaker 1: really just don't know. And I again, man, I just

1224
00:54:49,600 --> 00:54:51,520
Speaker 1: feel like a lot of these things too, man, Like

1225
00:54:52,520 --> 00:54:54,480
Speaker 1: how does he tour? How does he howore his shows?

1226
00:54:54,520 --> 00:54:55,280
Speaker 5: Like is it crazy?

1227
00:54:55,480 --> 00:54:55,920
Speaker 1: Insane?

1228
00:54:56,360 --> 00:54:58,320
Speaker 5: Crazy like Colt Following crazy?

1229
00:54:58,440 --> 00:54:59,840
Speaker 1: Yeah, crazier than Travis's.

1230
00:55:00,360 --> 00:55:05,200
Speaker 2: Yes, Playboy Cardi shows are crazy than Travis's shows. Really,

1231
00:55:05,440 --> 00:55:10,080
Speaker 2: this guy, he's like not production wise, but how the

1232
00:55:10,160 --> 00:55:11,040
Speaker 2: crowd is operating.

1233
00:55:11,800 --> 00:55:15,400
Speaker 3: Yeah, He's like Travis is the more commercial version of

1234
00:55:15,480 --> 00:55:19,440
Speaker 3: what Carr Carti is, like the underground King. That's not underground,

1235
00:55:19,440 --> 00:55:23,319
Speaker 3: but is it because he's more uh demonic, He's just.

1236
00:55:23,360 --> 00:55:25,160
Speaker 2: More dark and like look what he's wearing, Like he

1237
00:55:25,200 --> 00:55:26,240
Speaker 2: looks like fucking Batman.

1238
00:55:26,800 --> 00:55:28,120
Speaker 1: So he has this machine period.

1239
00:55:28,120 --> 00:55:32,840
Speaker 2: It's more resistant culture, like kids attached to it because

1240
00:55:32,920 --> 00:55:34,560
Speaker 2: they like their parents. It'll piss their parents.

1241
00:55:34,600 --> 00:55:36,320
Speaker 1: He doesn't he doesn't do social media.

1242
00:55:36,120 --> 00:55:41,200
Speaker 3: Much public facing asshole, Like he's got this whole vampire

1243
00:55:41,480 --> 00:55:43,400
Speaker 3: thing that they're running blood a static thing.

1244
00:55:43,480 --> 00:55:47,839
Speaker 1: It's it's smart, like the marketing. This does not hip hop.

1245
00:55:47,920 --> 00:55:50,719
Speaker 2: He's one of I wouldn't consider Playboy CARDI so.

1246
00:55:50,760 --> 00:55:51,120
Speaker 9: What is he?

1247
00:55:51,320 --> 00:55:55,400
Speaker 3: He's more Maryland Moreland, Maryland Manson inspired in terms of

1248
00:55:55,560 --> 00:55:57,479
Speaker 3: like I would even say down, but he didn't start

1249
00:55:57,520 --> 00:55:57,960
Speaker 3: out that way.

1250
00:55:58,640 --> 00:56:01,800
Speaker 2: It's like a more demonic teas to some degree. But

1251
00:56:01,880 --> 00:56:04,479
Speaker 2: he's also like rage music. He's also because I feel

1252
00:56:04,480 --> 00:56:06,279
Speaker 2: like when I first saw a playwork Card, he wasn't

1253
00:56:06,400 --> 00:56:11,160
Speaker 2: that and now did it? He was more like asap Yeah,

1254
00:56:11,280 --> 00:56:11,960
Speaker 2: so how did so?

1255
00:56:12,360 --> 00:56:13,239
Speaker 1: How did it go? This?

1256
00:56:14,160 --> 00:56:16,400
Speaker 2: At least he got a good cult from when he

1257
00:56:16,520 --> 00:56:18,760
Speaker 2: was doing more of the ASAP vibe or ASAP inspired

1258
00:56:19,840 --> 00:56:26,040
Speaker 2: and yeah, his music grew. He's similar to a Tyler

1259
00:56:26,160 --> 00:56:31,960
Speaker 2: before everyone caught on to Tyler, okay, like before Igor Tyler,

1260
00:56:31,960 --> 00:56:34,799
Speaker 2: where it was like all right, we know of him

1261
00:56:34,800 --> 00:56:37,640
Speaker 2: and we know his antics, but if you don't pay attention,

1262
00:56:37,680 --> 00:56:42,280
Speaker 2: you don't see how his music has really changed and mature,

1263
00:56:42,320 --> 00:56:43,480
Speaker 2: Like I don't wan to say mature is probably not

1264
00:56:43,520 --> 00:56:46,439
Speaker 2: the right word, but how he's developed as an actual artist. Okay,

1265
00:56:46,560 --> 00:56:48,600
Speaker 2: you remember Odd Future and if you weren't paying attention,

1266
00:56:48,680 --> 00:56:51,560
Speaker 2: even though millions were, I don't think people realized that

1267
00:56:51,960 --> 00:56:53,920
Speaker 2: Tyler was the musician, who he really was, and how

1268
00:56:53,960 --> 00:56:57,160
Speaker 2: he developed his sound and changed from the eighteen year

1269
00:56:57,200 --> 00:57:01,080
Speaker 2: old kid that was saying fuck school, kill people, murder, suicide.

1270
00:57:03,680 --> 00:57:06,120
Speaker 2: Playboy cart is kind of like that in the terms

1271
00:57:06,160 --> 00:57:07,880
Speaker 2: of if you weren't paying attention, you didn't see how

1272
00:57:07,920 --> 00:57:10,800
Speaker 2: he shifted his whole sound. He's in a whole different

1273
00:57:10,800 --> 00:57:13,520
Speaker 2: category now. He's not what we thought he was. Yeah,

1274
00:57:13,600 --> 00:57:15,279
Speaker 2: his ship is demonic as fuck, don't get me wrong,

1275
00:57:15,600 --> 00:57:20,080
Speaker 2: But I mean when Kanye was doing those Donda shows,

1276
00:57:20,080 --> 00:57:23,920
Speaker 2: the one I went to in Atlanta, out of everyone

1277
00:57:24,000 --> 00:57:26,920
Speaker 2: he brought out when Playboy Carti came out, it was

1278
00:57:27,560 --> 00:57:30,560
Speaker 2: the entire arena erupted and he had a false You

1279
00:57:30,560 --> 00:57:32,520
Speaker 2: couldn't even see that it was him. Yeah, it was

1280
00:57:32,640 --> 00:57:34,320
Speaker 2: just the sound of like one ad lib and the

1281
00:57:34,400 --> 00:57:37,920
Speaker 2: whole this is Kanye West show. Whole fucking arena lost it.

1282
00:57:38,080 --> 00:57:39,880
Speaker 3: He's done shows where he doesn't even wrap, He'll just

1283
00:57:40,440 --> 00:57:43,640
Speaker 3: dad lib or just like sit on stage. It's like

1284
00:57:43,720 --> 00:57:44,840
Speaker 3: experimental with him.

1285
00:57:46,520 --> 00:57:50,400
Speaker 2: He's selling a lifestyle and a brand now you can.

1286
00:57:50,880 --> 00:57:53,760
Speaker 2: I don't player for now, but he's doing like you're

1287
00:57:53,800 --> 00:57:56,439
Speaker 2: part of You're part of something if you're part of Carti's.

1288
00:57:56,640 --> 00:58:01,760
Speaker 1: Yeah, yo, listen, you know. I mean if the kids

1289
00:58:01,800 --> 00:58:04,560
Speaker 1: love it, cool man. I just you know, I'm just

1290
00:58:05,960 --> 00:58:09,600
Speaker 1: I can't. I can't. I just don't. I don't get it.

1291
00:58:09,960 --> 00:58:12,720
Speaker 3: It's also not for you. It's for you. It's not

1292
00:58:12,800 --> 00:58:14,760
Speaker 3: even really for me because it's not music.

1293
00:58:14,840 --> 00:58:15,960
Speaker 1: It's not it's not for you.

1294
00:58:17,080 --> 00:58:21,000
Speaker 2: Yeah, to me, it's it's it's kind of what Travis

1295
00:58:21,120 --> 00:58:24,760
Speaker 2: Uzzi and everyone that kind of started out as resistance

1296
00:58:25,360 --> 00:58:29,000
Speaker 2: to the mainstream Playboy card is really who they think

1297
00:58:29,040 --> 00:58:33,480
Speaker 2: they are. He's really that and has a massive following.

1298
00:58:33,880 --> 00:58:35,400
Speaker 2: And I do quickly want to hate on Travis, and

1299
00:58:35,400 --> 00:58:37,640
Speaker 2: I hate doing that because I support him and all

1300
00:58:37,680 --> 00:58:40,680
Speaker 2: of his friends. Is he really wearing shoulder pads on

1301
00:58:40,720 --> 00:58:45,080
Speaker 2: his tour right now, Travis? Yeah, yeah, that's part of

1302
00:58:45,120 --> 00:58:48,120
Speaker 2: his Yeah that's the problem. I could be completely wrong,

1303
00:58:48,280 --> 00:58:50,720
Speaker 2: But is that not Was he doing it before Teso,

1304
00:58:50,840 --> 00:58:52,000
Speaker 2: because that's Tiso's whole thing.

1305
00:58:52,160 --> 00:58:53,840
Speaker 1: Now, I think he was doing that. I think Travis

1306
00:58:53,920 --> 00:58:54,800
Speaker 1: has been doing that for a while.

1307
00:58:55,080 --> 00:58:58,080
Speaker 2: Okay, then I apologize if that's the case. But Tezo

1308
00:58:58,120 --> 00:59:02,760
Speaker 2: has been running around with high school football shoulder pads

1309
00:59:02,800 --> 00:59:04,720
Speaker 2: on for the last year. Hasn't taken him off once.

1310
00:59:04,760 --> 00:59:07,800
Speaker 2: I know they stink. I played football. They smell after

1311
00:59:07,840 --> 00:59:09,920
Speaker 2: two days, They're gonna stink for the rest of your life. Yeah,

1312
00:59:10,200 --> 00:59:12,320
Speaker 2: he's been walking around smelling like a locker room for

1313
00:59:12,360 --> 00:59:15,200
Speaker 2: a year promoting an incredible album every red carpet, and

1314
00:59:15,360 --> 00:59:17,400
Speaker 2: Travis has the nerve to get up there with the

1315
00:59:17,480 --> 00:59:20,400
Speaker 2: same shoulder pads. His are just like d one College Edition. No,

1316
00:59:20,480 --> 00:59:22,120
Speaker 2: Travis has been doing He's been wearing that for a while.

1317
00:59:22,560 --> 00:59:24,320
Speaker 2: That's been part of his his look for a while

1318
00:59:24,360 --> 00:59:28,520
Speaker 2: when he's performing. I don't know, man, he's someone that's

1319
00:59:28,560 --> 00:59:31,640
Speaker 2: younger than us. Go in the comments now, I don't

1320
00:59:31,640 --> 00:59:32,000
Speaker 2: get now.

1321
00:59:32,240 --> 00:59:33,960
Speaker 1: I don't know if Travis may have caught win the

1322
00:59:34,040 --> 00:59:35,520
Speaker 1: TEASO before I did and saw his.

1323
00:59:35,760 --> 00:59:39,280
Speaker 2: Well, Travis has been a support of was on Utopia right, Yeah,

1324
00:59:39,720 --> 00:59:41,120
Speaker 2: ain't been a supporter of tso.

1325
00:59:41,680 --> 00:59:43,560
Speaker 1: Might be right he made it if he showed up

1326
00:59:43,560 --> 00:59:45,200
Speaker 1: at the studio with the pads on, I don't know.

1327
00:59:45,600 --> 00:59:47,520
Speaker 1: That was a while ago. So if he showed him

1328
00:59:47,600 --> 00:59:49,520
Speaker 1: with kind of like Jack style and took that and

1329
00:59:49,600 --> 00:59:51,200
Speaker 1: made it his own that. I can't speak to it,

1330
00:59:51,320 --> 00:59:54,280
Speaker 1: but I know Travis has been wearing the shoulder pads

1331
00:59:54,280 --> 00:59:55,920
Speaker 1: for a while. Do you think they wear those outside

1332
00:59:55,920 --> 00:59:59,560
Speaker 1: of performing like casual pads? No, I've seen Travis out

1333
00:59:59,600 --> 00:59:59,880
Speaker 1: he's not.

1334
01:00:00,160 --> 01:00:04,480
Speaker 3: No, I think he's heels about that life. Actually he's outside.

1335
01:00:04,560 --> 01:00:05,400
Speaker 3: He puts the pads on.

1336
01:00:05,480 --> 01:00:07,440
Speaker 2: I think he probably just to go to Target in

1337
01:00:07,520 --> 01:00:09,720
Speaker 2: his two seater car has those on. I think he

1338
01:00:09,840 --> 01:00:10,400
Speaker 2: drives like this.

1339
01:00:10,560 --> 01:00:12,400
Speaker 1: You would you drive with them on? Or would you

1340
01:00:12,440 --> 01:00:14,760
Speaker 1: take them all? Like how you got to commit his

1341
01:00:14,880 --> 01:00:17,360
Speaker 1: TEASO touchdown? It's a touchdown.

1342
01:00:18,000 --> 01:00:20,320
Speaker 5: Oh my god. I'd never even fucking connected that.

1343
01:00:20,800 --> 01:00:22,200
Speaker 1: He just broke the mold for you. Huh.

1344
01:00:22,840 --> 01:00:24,280
Speaker 5: I never connected that.

1345
01:00:25,760 --> 01:00:26,920
Speaker 1: The light bulb just went off.

1346
01:00:30,720 --> 01:00:32,160
Speaker 2: It was like at the end of Pimp a Butterfly

1347
01:00:32,200 --> 01:00:34,080
Speaker 2: when you realize Kendrick was interviewing Tupac.

1348
01:00:37,200 --> 01:00:40,440
Speaker 1: The marriage is so stunned. Like, Yo, touchdown shoulder pads. Yo,

1349
01:00:41,240 --> 01:00:43,520
Speaker 1: It's really art when you think about it. Oh, this

1350
01:00:43,520 --> 01:00:47,320
Speaker 1: ship is stupid, it's just dope. I don't just call

1351
01:00:47,360 --> 01:00:50,320
Speaker 1: it what it is. What you want to stay on performances.

1352
01:00:50,400 --> 01:00:52,960
Speaker 3: You gotta see this clip going around with Drake his

1353
01:00:53,120 --> 01:00:56,480
Speaker 3: words about how he no longer performs work anymore.

1354
01:00:57,560 --> 01:00:59,520
Speaker 2: I want to start with a compliment first. In the

1355
01:00:59,680 --> 01:01:02,160
Speaker 2: Drake versus Jay Z battle, I think Drake's grammy speech

1356
01:01:02,520 --> 01:01:04,760
Speaker 2: was drastically better than Jay's and summed up with Jay

1357
01:01:04,840 --> 01:01:08,280
Speaker 2: was trying to say now to the hate, all right,

1358
01:01:09,800 --> 01:01:10,600
Speaker 2: what okay?

1359
01:01:10,680 --> 01:01:12,400
Speaker 1: He reached like they they.

1360
01:01:12,480 --> 01:01:12,960
Speaker 2: Had the same.

1361
01:01:15,080 --> 01:01:17,880
Speaker 1: Jay bit Drake, hmm, okay.

1362
01:01:19,080 --> 01:01:22,520
Speaker 2: So Drake started his what fifteenth leg of this It's

1363
01:01:22,520 --> 01:01:25,919
Speaker 2: all a blurretor with j Cole set looks looks great.

1364
01:01:25,960 --> 01:01:30,960
Speaker 2: They started in Tampa, naturally, h two nights in Tampa. Yeah,

1365
01:01:31,600 --> 01:01:35,760
Speaker 2: sick to where mar was conceived. Set list came out.

1366
01:01:35,840 --> 01:01:39,640
Speaker 2: Work was on there because why not? One of his

1367
01:01:39,760 --> 01:01:42,960
Speaker 2: number one in arena show, the number one record as Rihanna,

1368
01:01:43,000 --> 01:01:46,320
Speaker 2: It's great. Drake added a song to his set list

1369
01:01:46,560 --> 01:01:49,160
Speaker 2: to tell the people that he no longer performs this song.

1370
01:01:49,280 --> 01:01:51,960
Speaker 1: While it was performing, No, he said, I don't sing

1371
01:01:52,040 --> 01:01:54,680
Speaker 1: the song anymore. You can sing it for me. See

1372
01:01:54,840 --> 01:01:57,320
Speaker 1: I like that. It's kind of like you. I know

1373
01:01:57,440 --> 01:01:59,640
Speaker 1: y'all want to hear it. Everylady likes to record, but

1374
01:01:59,760 --> 01:02:02,400
Speaker 1: I'm not. I don't perform in this record anymore. Let's

1375
01:02:02,440 --> 01:02:02,640
Speaker 1: hear it.

1376
01:02:06,120 --> 01:02:06,640
Speaker 10: I don't see.

1377
01:02:10,960 --> 01:02:11,960
Speaker 1: I don't anything wrong with that.

1378
01:02:13,120 --> 01:02:15,760
Speaker 3: Of course, you don't had a live show playing the

1379
01:02:15,840 --> 01:02:16,440
Speaker 3: record race.

1380
01:02:16,840 --> 01:02:19,640
Speaker 2: We just I came here to watch you sing your songs. Drake.

1381
01:02:20,040 --> 01:02:21,680
Speaker 3: Okay, first of all, we don't have these performers on

1382
01:02:21,760 --> 01:02:24,520
Speaker 3: singing ship anymore, but Drake does. We just said before

1383
01:02:24,560 --> 01:02:28,640
Speaker 3: we recorded this is it was what Drake's second number one,

1384
01:02:29,480 --> 01:02:31,160
Speaker 3: so it's one of his most popular songs.

1385
01:02:31,240 --> 01:02:32,400
Speaker 1: People probably want to hear it.

1386
01:02:32,960 --> 01:02:34,800
Speaker 3: Then sametimes, if you don't want to sing it, you

1387
01:02:34,880 --> 01:02:37,520
Speaker 3: can still give the fans that experience he took.

1388
01:02:37,640 --> 01:02:41,680
Speaker 1: After he said that he took this little the cut

1389
01:02:41,720 --> 01:02:43,439
Speaker 1: the ship? Why cut the ship?

1390
01:02:43,880 --> 01:02:46,320
Speaker 3: He's like, hey, look I don't want to I don't

1391
01:02:46,320 --> 01:02:47,760
Speaker 3: want to talk about this or I don't want to

1392
01:02:47,800 --> 01:02:50,080
Speaker 3: perform this, but hey, here's this song that I know

1393
01:02:50,240 --> 01:02:52,320
Speaker 3: you like, so I'll play it anyway so you guys.

1394
01:02:52,480 --> 01:02:53,880
Speaker 1: Don't fall and tell me someone to make more.

1395
01:02:53,960 --> 01:02:56,320
Speaker 2: And this was during my Car on the Way home.

1396
01:02:56,200 --> 01:02:57,960
Speaker 3: Stop because you know that you know his set. This

1397
01:02:58,080 --> 01:03:00,240
Speaker 3: was during the DJ part of his set where it's

1398
01:03:00,320 --> 01:03:02,400
Speaker 3: when there's the that he does that club run thing.

1399
01:03:02,640 --> 01:03:05,600
Speaker 1: So he doesn't sing every record but to make it,

1400
01:03:05,840 --> 01:03:07,560
Speaker 1: but to make it a make it a statement, make

1401
01:03:07,600 --> 01:03:10,400
Speaker 1: it a point to say, I don't sing this song anymore,

1402
01:03:10,640 --> 01:03:11,760
Speaker 1: but you can sing it for me.

1403
01:03:11,840 --> 01:03:13,560
Speaker 3: Well, okay, now that's a different conversation.

1404
01:03:13,680 --> 01:03:15,560
Speaker 1: No, it's the same conversation we've been having since we

1405
01:03:15,640 --> 01:03:18,120
Speaker 1: introduced this topic. No, why is he saying that? Why

1406
01:03:18,160 --> 01:03:19,360
Speaker 1: did he make it a point to say that?

1407
01:03:19,680 --> 01:03:22,760
Speaker 3: Well, because if his current stance with Rihanna, they're not

1408
01:03:22,880 --> 01:03:23,600
Speaker 3: on good terms.

1409
01:03:24,560 --> 01:03:26,840
Speaker 1: That's all we're trying to say. Julia and I still

1410
01:03:26,840 --> 01:03:28,760
Speaker 1: think it's nice that he gave the fans the experience.

1411
01:03:28,960 --> 01:03:30,480
Speaker 1: It's kind of like you can I'll let you can

1412
01:03:30,520 --> 01:03:32,720
Speaker 1: hear the song, but I'm not singing it like y'all

1413
01:03:32,720 --> 01:03:33,920
Speaker 1: could sing it, though ya can rock out.

1414
01:03:34,000 --> 01:03:35,040
Speaker 2: Take it out of the set list.

1415
01:03:35,480 --> 01:03:37,000
Speaker 1: I agree, you shouldn't be in a setlist.

1416
01:03:37,120 --> 01:03:39,080
Speaker 2: This is one of the because I can guarantee you

1417
01:03:39,160 --> 01:03:40,400
Speaker 2: nobody at that show would have been like, yo, he

1418
01:03:40,440 --> 01:03:41,120
Speaker 2: didn't do work.

1419
01:03:42,000 --> 01:03:44,280
Speaker 1: Nobody would have walked out of there saying that, Yeah.

1420
01:03:44,320 --> 01:03:46,960
Speaker 2: I wouldn't even thought about it, because once it comes on,

1421
01:03:47,080 --> 01:03:48,760
Speaker 2: I'm be like, oh great, I love this exactly, So

1422
01:03:48,840 --> 01:03:50,200
Speaker 2: you didn't. You didn't even need to play this.

1423
01:03:50,920 --> 01:03:53,320
Speaker 1: This doesn't even if you feel like that about it,

1424
01:03:53,840 --> 01:03:56,600
Speaker 1: then then then then Future shouldn't even have it in

1425
01:03:56,640 --> 01:03:57,160
Speaker 1: his serado.

1426
01:03:57,680 --> 01:04:00,600
Speaker 2: Yeah, don't and don't tell me from your high pigeon

1427
01:04:00,640 --> 01:04:02,000
Speaker 2: coop that you're not about to sing a song that

1428
01:04:02,040 --> 01:04:02,560
Speaker 2: I paid to hear.

1429
01:04:02,800 --> 01:04:04,320
Speaker 5: Y'are gonna call it like it is or not?

1430
01:04:04,920 --> 01:04:07,160
Speaker 1: Yeah? Yeah, since you know the real reason.

1431
01:04:07,320 --> 01:04:08,800
Speaker 2: Is that, Oh, I was gonna say, I want to.

1432
01:04:08,960 --> 01:04:11,800
Speaker 2: I don't know the real reason. This is the gossip,

1433
01:04:12,200 --> 01:04:13,960
Speaker 2: one of the few gossip things I really want to know.

1434
01:04:15,600 --> 01:04:17,959
Speaker 2: I know Drake and Rihanna obviously broke up. They've both

1435
01:04:18,080 --> 01:04:21,520
Speaker 2: publicly spoken about it. Drake's talked about it in songs

1436
01:04:22,240 --> 01:04:27,160
Speaker 2: the one Adiot took on this last album, and how

1437
01:04:27,280 --> 01:04:30,240
Speaker 2: far Drake took it one. I think Asava is gonna

1438
01:04:30,240 --> 01:04:34,680
Speaker 2: see him at some point. I really believe that I

1439
01:04:34,760 --> 01:04:38,640
Speaker 2: don't want violence, but I just can't see that not happening.

1440
01:04:40,120 --> 01:04:41,680
Speaker 2: And then for him to do this at his show,

1441
01:04:41,960 --> 01:04:46,560
Speaker 2: What the fuck happened behind the scenes? Yeah, something like

1442
01:04:47,000 --> 01:04:51,040
Speaker 2: maybe I'm giving Drake too much bail here because I

1443
01:04:51,080 --> 01:04:53,400
Speaker 2: know everyone calls him his light skin, petty. He's always

1444
01:04:53,400 --> 01:04:55,600
Speaker 2: in his feelings. He has taken it to a place

1445
01:04:57,120 --> 01:04:59,920
Speaker 2: point of no return. This ship, he has said something.

1446
01:05:00,040 --> 01:05:03,840
Speaker 2: He's not doing that unless something Rihanna did or said

1447
01:05:04,040 --> 01:05:07,160
Speaker 2: something behind sing something happened. This is a different level

1448
01:05:07,200 --> 01:05:07,600
Speaker 2: of petty.

1449
01:05:07,840 --> 01:05:11,280
Speaker 1: Yeah, something happened, something, something definitely happened, something was said,

1450
01:05:11,480 --> 01:05:15,240
Speaker 1: something was done. Because now it's like it's a sticking point,

1451
01:05:15,320 --> 01:05:21,160
Speaker 1: like you're making it an issue to let people know, like, yeah, nah,

1452
01:05:21,160 --> 01:05:23,800
Speaker 1: I don't fuck I don't even perform the songs that

1453
01:05:23,840 --> 01:05:26,439
Speaker 1: we have no more, Like that's how far I'm trying

1454
01:05:26,480 --> 01:05:28,960
Speaker 1: to move away, and like I don't And it's like,

1455
01:05:29,400 --> 01:05:32,160
Speaker 1: but why, Like what the fuck happened?

1456
01:05:32,440 --> 01:05:32,600
Speaker 2: Why?

1457
01:05:32,720 --> 01:05:35,000
Speaker 5: And why does it even have to like even if.

1458
01:05:37,680 --> 01:05:40,520
Speaker 2: I'm just we're keeping a buck. We don't know the reason.

1459
01:05:40,640 --> 01:05:41,080
Speaker 2: We want to know.

1460
01:05:41,160 --> 01:05:42,800
Speaker 7: It has to be something, right, of course we don't.

1461
01:05:42,840 --> 01:05:44,720
Speaker 7: Of course we don't really know the reason. But like,

1462
01:05:44,840 --> 01:05:47,360
Speaker 7: there's no reason that really warrants this. You did this

1463
01:05:47,520 --> 01:05:51,040
Speaker 7: because you're corny, not because of anything that she did,

1464
01:05:51,080 --> 01:05:53,040
Speaker 7: whether she did something or didn't do anything. This is

1465
01:05:53,160 --> 01:05:55,440
Speaker 7: corny and it's fucking unnecessary. And you knew that it

1466
01:05:55,560 --> 01:05:57,320
Speaker 7: was going to become a moment. You know, they hang

1467
01:05:57,400 --> 01:05:59,360
Speaker 7: on to every single word you say at every show,

1468
01:05:59,520 --> 01:06:02,480
Speaker 7: so necessary. You didn't knowing what it will become. So

1469
01:06:02,640 --> 01:06:04,680
Speaker 7: that meant lets me know that maybe she didn't really

1470
01:06:04,760 --> 01:06:08,640
Speaker 7: do anything. So maybe he just hurt or embarrassed she

1471
01:06:08,760 --> 01:06:11,440
Speaker 7: had them kids, she don't want him. Maybe it's ego

1472
01:06:11,840 --> 01:06:15,000
Speaker 7: who knows he had he had a kid first though, Yeah,

1473
01:06:15,080 --> 01:06:19,120
Speaker 7: but come on, yeah, but I'm just saying versus women. Yeah,

1474
01:06:19,160 --> 01:06:21,120
Speaker 7: but like if you have, he could have fifty of them.

1475
01:06:21,160 --> 01:06:22,120
Speaker 7: You got a kiddus, you.

1476
01:06:22,160 --> 01:06:24,240
Speaker 1: Know, Yeah, But I mean I think I don't know.

1477
01:06:24,440 --> 01:06:27,720
Speaker 1: It's it's definitely something that we don't know. Obviously, some

1478
01:06:27,800 --> 01:06:32,280
Speaker 1: personal shit that happened, that was said, and you know,

1479
01:06:32,360 --> 01:06:33,960
Speaker 1: I just it's now it's like it's part of the

1480
01:06:34,040 --> 01:06:36,880
Speaker 1: set now to where it's like, yo, now I don't

1481
01:06:36,880 --> 01:06:41,160
Speaker 1: do them records like damn, like that was a that

1482
01:06:41,320 --> 01:06:43,000
Speaker 1: was a bop though that was a jam right there.

1483
01:06:43,000 --> 01:06:46,160
Speaker 1: You ain't gonna do that, but okay, fuck it. But again,

1484
01:06:46,240 --> 01:06:49,120
Speaker 1: I you know, that's personally private ship. I'm sure at

1485
01:06:49,160 --> 01:06:51,360
Speaker 1: some point though, we will see like it's gonna come

1486
01:06:51,400 --> 01:06:53,720
Speaker 1: to a head though, like something is gonna because once

1487
01:06:53,880 --> 01:06:57,920
Speaker 1: Rihanna decides to snap back and you know, you know,

1488
01:06:58,040 --> 01:07:00,919
Speaker 1: she gonna go all the way. That's that that Caribbean blood,

1489
01:07:01,000 --> 01:07:03,600
Speaker 1: she gonna go all the way like she gonna as

1490
01:07:03,680 --> 01:07:04,960
Speaker 1: some ship. We're gonna be like, damn, I don't think

1491
01:07:05,000 --> 01:07:06,400
Speaker 1: we needed to know all that, but I.

1492
01:07:06,400 --> 01:07:09,840
Speaker 5: Don't I don't see her doing that now, ship ship,

1493
01:07:10,120 --> 01:07:11,479
Speaker 5: I don't see her doing shit.

1494
01:07:11,920 --> 01:07:15,760
Speaker 2: But even on the deluxe of For All the Dogs

1495
01:07:16,000 --> 01:07:21,000
Speaker 2: the Red Button record, he addresses the whole ship should

1496
01:07:21,080 --> 01:07:23,200
Speaker 2: hit you first, persist you know about the ship I've taken?

1497
01:07:23,200 --> 01:07:26,160
Speaker 2: If you go through that whole scheme, It is referring

1498
01:07:26,240 --> 01:07:29,600
Speaker 2: to that verse that he went all the way with

1499
01:07:29,680 --> 01:07:33,440
Speaker 2: it on Rihanna and Asap and that entire thing. So

1500
01:07:33,520 --> 01:07:35,760
Speaker 2: when he says in the deluxe should have hit you first,

1501
01:07:35,800 --> 01:07:39,320
Speaker 2: persists you know about the ship I've taken, I feel

1502
01:07:39,360 --> 01:07:41,360
Speaker 2: like Drake has probably been quiet about some wild ship

1503
01:07:41,400 --> 01:07:43,919
Speaker 2: that we don't know about. Possibly there's definitely some pap

1504
01:07:44,000 --> 01:07:44,840
Speaker 2: don't give them too much mail.

1505
01:07:45,080 --> 01:07:47,040
Speaker 1: No, No, there's definitely some personal ship and you know,

1506
01:07:47,080 --> 01:07:49,160
Speaker 1: the ship that I really don't care too much to

1507
01:07:49,200 --> 01:07:52,120
Speaker 1: talk about. But I do think we're gonna see go

1508
01:07:52,280 --> 01:07:53,040
Speaker 1: to another level.

1509
01:07:53,240 --> 01:07:56,400
Speaker 2: What could Rihanna do to have y'all listened to that

1510
01:07:56,480 --> 01:07:56,960
Speaker 2: song lately?

1511
01:07:57,840 --> 01:07:58,520
Speaker 1: Which one work?

1512
01:07:59,040 --> 01:08:01,600
Speaker 2: No, whatever the name of the song is, this that

1513
01:08:01,680 --> 01:08:04,400
Speaker 2: he went crazy on Rihanna Red Button. No, No, it's

1514
01:08:04,440 --> 01:08:07,080
Speaker 2: on for All the Dogs the original I forgot the

1515
01:08:07,160 --> 01:08:08,400
Speaker 2: name of because I don't really listen to like that.

1516
01:08:08,480 --> 01:08:11,120
Speaker 1: I'm terrible with titles. Anyway, he went nuts.

1517
01:08:11,880 --> 01:08:13,360
Speaker 2: I mean, what could Rihanna have done?

1518
01:08:13,600 --> 01:08:15,840
Speaker 1: We don't know. We don't know. That's all I'm saying

1519
01:08:15,880 --> 01:08:19,400
Speaker 1: is we don't know. Let's not even start speculating. We

1520
01:08:19,560 --> 01:08:22,720
Speaker 1: don't know. And I think that, like I said, if

1521
01:08:22,840 --> 01:08:26,000
Speaker 1: Rihanna decides to ever respond, I think that it's gonna

1522
01:08:26,000 --> 01:08:28,160
Speaker 1: be crystal clear about what happened or what's going on,

1523
01:08:28,240 --> 01:08:30,240
Speaker 1: because I don't think that she's gonna she ain't gonna

1524
01:08:30,240 --> 01:08:32,880
Speaker 1: give us no metaphors and similes, like she gonna give

1525
01:08:32,960 --> 01:08:34,960
Speaker 1: us a cute little harmony and then she gonna add

1526
01:08:35,040 --> 01:08:38,200
Speaker 1: lib exactly you might rap. Yeah, yeah, she gonna give

1527
01:08:38,240 --> 01:08:41,959
Speaker 1: it to us like straight up. Like so he responded

1528
01:08:42,000 --> 01:08:43,760
Speaker 1: to her on Fear of Heights and Virginia Beach.

1529
01:08:44,280 --> 01:08:45,559
Speaker 2: Fear of heights is what I'm talking about.

1530
01:08:46,479 --> 01:08:48,080
Speaker 5: Wasn't needed me about him?

1531
01:08:49,800 --> 01:08:55,040
Speaker 2: Maybe I needed me. I didn't like catch any specific snubs,

1532
01:08:55,120 --> 01:08:59,040
Speaker 2: but maybe they could have speculated there. Oh I know,

1533
01:08:59,200 --> 01:09:02,520
Speaker 2: is I mean Rocky is innocent.

1534
01:09:03,479 --> 01:09:04,400
Speaker 1: Until proven guilty.

1535
01:09:05,040 --> 01:09:09,439
Speaker 2: He's innocent. But I don't know if I talk about

1536
01:09:09,600 --> 01:09:12,840
Speaker 2: somebody's wife and baby mother that way, if they're on

1537
01:09:13,000 --> 01:09:14,560
Speaker 2: trial for shooting their man's.

1538
01:09:16,479 --> 01:09:21,000
Speaker 1: Like, that's probably another person wanna play with. But this

1539
01:09:21,160 --> 01:09:24,200
Speaker 1: is Drake like man, like, I mean, that's that, don't

1540
01:09:24,280 --> 01:09:26,040
Speaker 1: that's not saying nothing? Like what is that gonna say?

1541
01:09:26,080 --> 01:09:28,920
Speaker 1: Like you can't get close to Drake. You act like

1542
01:09:29,000 --> 01:09:30,519
Speaker 1: Drake is a nigga that be out here riding the

1543
01:09:30,920 --> 01:09:33,400
Speaker 1: A train and like you ain't getting closed Drake.

1544
01:09:33,479 --> 01:09:36,880
Speaker 2: Okay, President, I agree with you, but you also have

1545
01:09:36,960 --> 01:09:41,280
Speaker 2: to think of asap Rocky being the celebrity that he

1546
01:09:41,520 --> 01:09:45,720
Speaker 2: is to be accused of and be on camera in

1547
01:09:46,160 --> 01:09:48,479
Speaker 2: a regular l a street with a gun shooting his mass,

1548
01:09:48,680 --> 01:09:50,920
Speaker 2: like that person might might be ready to crash out

1549
01:09:50,960 --> 01:09:53,559
Speaker 2: no matter what security is there. Yeah, but you're gonna

1550
01:09:53,600 --> 01:09:56,519
Speaker 2: crash crash like that that guy is.

1551
01:09:57,560 --> 01:10:00,519
Speaker 1: I get it. And you shout out to Rocky because yeah,

1552
01:10:00,520 --> 01:10:01,880
Speaker 1: you told my wife and all of that, Like, I

1553
01:10:01,960 --> 01:10:03,720
Speaker 1: get it. You're supposed to crash out a wife, But

1554
01:10:04,840 --> 01:10:05,599
Speaker 1: like it's.

1555
01:10:05,600 --> 01:10:07,280
Speaker 2: Tough to get to Drake. You want to crash out,

1556
01:10:07,360 --> 01:10:10,559
Speaker 2: you could find a way. Yeah, but me, I couldn't

1557
01:10:10,560 --> 01:10:12,000
Speaker 2: crash out and get drid. I would get stopp by

1558
01:10:12,120 --> 01:10:13,080
Speaker 2: fifteen people before that.

1559
01:10:13,200 --> 01:10:16,080
Speaker 1: Yeah, but you crashing out against a guy that moves

1560
01:10:16,120 --> 01:10:19,439
Speaker 1: like the president is just not a smart crash out. Well,

1561
01:10:19,680 --> 01:10:21,040
Speaker 1: nothing about crashing out as smart.

1562
01:10:21,439 --> 01:10:22,960
Speaker 2: That's the one of the times you could crash out

1563
01:10:22,960 --> 01:10:24,479
Speaker 2: and me it's a successful crash.

1564
01:10:25,600 --> 01:10:28,439
Speaker 1: No, that's just a successful crime. What's the successful crash

1565
01:10:28,840 --> 01:10:31,080
Speaker 1: crash out? Like if I if I say, you know what,

1566
01:10:31,920 --> 01:10:33,679
Speaker 1: I'm about to end this ship. I'm about to see

1567
01:10:33,680 --> 01:10:35,280
Speaker 1: a dude I got befo, I'm about to I'm about

1568
01:10:35,320 --> 01:10:40,160
Speaker 1: to pop at him. Right, successfully means I bust at him,

1569
01:10:40,320 --> 01:10:42,360
Speaker 1: didn't get caught, didn't get caught, got away from it.

1570
01:10:43,520 --> 01:10:47,400
Speaker 1: You throw at drake, Bro, you're not leaving that scene, bro, Yeah,

1571
01:10:47,439 --> 01:10:49,360
Speaker 1: that's that's like a that's a now you're that's a

1572
01:10:49,400 --> 01:10:50,160
Speaker 1: suicide mission.

1573
01:10:50,200 --> 01:10:52,840
Speaker 2: That's the point of crashing out. That's fully crashing out. Yeah,

1574
01:10:53,040 --> 01:10:55,280
Speaker 2: but that's the Japanese tried to teach us. Yeah, yeah,

1575
01:10:55,320 --> 01:10:57,080
Speaker 2: but that's that's like, that's just not smart.

1576
01:10:57,360 --> 01:10:59,479
Speaker 5: I don't I feel like they're so old now. It's

1577
01:10:59,560 --> 01:11:01,280
Speaker 5: like crash She's fucking stupid.

1578
01:11:02,680 --> 01:11:05,639
Speaker 9: Crashing out when you crash out some times compared crashing

1579
01:11:05,680 --> 01:11:11,479
Speaker 9: out just yeah, crash that's the definition of a crash out.

1580
01:11:12,400 --> 01:11:13,479
Speaker 9: And now you're at war with us.

1581
01:11:14,000 --> 01:11:16,040
Speaker 1: I mean nine eleven with Ben Affleck crash out.

1582
01:11:16,640 --> 01:11:19,280
Speaker 2: It was inside Jobs, the wildest crash out of all time,

1583
01:11:20,080 --> 01:11:23,000
Speaker 2: the wildest crash out of all time, Pearl Harbor with

1584
01:11:23,080 --> 01:11:23,599
Speaker 2: private crazy.

1585
01:11:23,800 --> 01:11:26,839
Speaker 1: That's a lot of crashes. I ain't gonna lot Solange

1586
01:11:26,880 --> 01:11:30,680
Speaker 1: the elevator. That crash out was crazy, but hard dropped on.

1587
01:11:32,600 --> 01:11:35,720
Speaker 2: Solange was in there crashing out on Jay Z at

1588
01:11:35,760 --> 01:11:39,200
Speaker 2: the standard crazy to y'all, she was in the elevator

1589
01:11:39,240 --> 01:11:39,960
Speaker 2: going crazy.

1590
01:11:41,360 --> 01:11:44,519
Speaker 1: I wasn't there, like and I still I think Jay

1591
01:11:44,600 --> 01:11:47,200
Speaker 1: handled that the best he could have ever handled that, Like.

1592
01:11:47,680 --> 01:11:50,519
Speaker 2: Because he handled it because we don't give him enough, Yo,

1593
01:11:50,880 --> 01:11:52,479
Speaker 2: we don't get it. He was on camera.

1594
01:11:52,680 --> 01:11:55,080
Speaker 1: We don't give Jay enough credit for how he handled that.

1595
01:11:55,520 --> 01:11:59,320
Speaker 1: That niggas from Marshie Project show he's so cracked rock.

1596
01:12:00,880 --> 01:12:03,080
Speaker 1: He shot his brother like you're talking about to crash

1597
01:12:03,160 --> 01:12:06,400
Speaker 1: it out, Like you understand what I'm saying, Like that

1598
01:12:06,479 --> 01:12:08,920
Speaker 1: shit could have went another way, like but could it?

1599
01:12:09,040 --> 01:12:09,240
Speaker 5: Really?

1600
01:12:09,800 --> 01:12:13,759
Speaker 2: He stabbed on because it's after because it's Jay.

1601
01:12:13,680 --> 01:12:15,160
Speaker 5: It's his sister. That's his sister.

1602
01:12:15,280 --> 01:12:17,000
Speaker 1: Listen, you know what I'm saying, This is what I'm saying.

1603
01:12:17,000 --> 01:12:20,600
Speaker 1: But because it's Jay, that's his sister in law, you know,

1604
01:12:20,720 --> 01:12:23,320
Speaker 1: he had to where withal to understand I cannot go

1605
01:12:23,479 --> 01:12:25,080
Speaker 1: but so far in this elevator, I can't put my

1606
01:12:25,160 --> 01:12:27,719
Speaker 1: hands on her like that. Definitely that's off the table.

1607
01:12:28,280 --> 01:12:29,840
Speaker 1: I know some dudes that I asked him about it,

1608
01:12:29,880 --> 01:12:34,400
Speaker 1: They're like, shit, yeah, I'm talking about unanimously. Dudes, be like, yo,

1609
01:12:34,439 --> 01:12:35,840
Speaker 1: I would have slapped the ship out of short. And

1610
01:12:35,880 --> 01:12:38,960
Speaker 1: I'm like, even if that was like your jay Z

1611
01:12:39,240 --> 01:12:41,120
Speaker 1: like with all you have to lose it, like yeah, fuck,

1612
01:12:41,160 --> 01:12:43,720
Speaker 1: she was hitting me, she's kicking me up. I'm like, bro,

1613
01:12:43,880 --> 01:12:45,680
Speaker 1: you can't do that, Like you know, you would have

1614
01:12:45,760 --> 01:12:46,400
Speaker 1: lost everything.

1615
01:12:46,520 --> 01:12:49,120
Speaker 2: That would never hit a woman, but saw that scenario

1616
01:12:49,160 --> 01:12:50,679
Speaker 2: and was like, I mean you gotta protect yourself.

1617
01:12:51,280 --> 01:12:52,040
Speaker 1: Yeah that nah.

1618
01:12:52,360 --> 01:12:55,000
Speaker 7: Now, every like the guys that I talked to about that,

1619
01:12:56,040 --> 01:12:59,280
Speaker 7: they all said, like, that's his it's your sister. She

1620
01:12:59,400 --> 01:13:03,760
Speaker 7: was going, yeah, it's your sister. And he knew that

1621
01:13:03,880 --> 01:13:06,919
Speaker 7: she was well allegedly he knew that she was justified.

1622
01:13:07,400 --> 01:13:08,720
Speaker 1: So what you're gonna do?

1623
01:13:08,760 --> 01:13:10,519
Speaker 5: You're gonna beat up your sister in law while your

1624
01:13:10,520 --> 01:13:11,280
Speaker 5: wife is standing right now.

1625
01:13:11,320 --> 01:13:13,640
Speaker 2: Whether he's or I'm not, I'm not saying how he

1626
01:13:13,720 --> 01:13:15,640
Speaker 2: handled that with perfecting her.

1627
01:13:15,800 --> 01:13:17,439
Speaker 5: He was good, but he was he was just standing

1628
01:13:17,439 --> 01:13:18,200
Speaker 5: there getting beat up.

1629
01:13:18,360 --> 01:13:20,280
Speaker 1: Yeah, but I'm just saying, I know it's listen. I'm

1630
01:13:20,320 --> 01:13:24,479
Speaker 1: from a town, I'm from a city, rich, from a

1631
01:13:24,560 --> 01:13:28,559
Speaker 1: block where yo, niggas have swung on girls for less.

1632
01:13:28,800 --> 01:13:32,400
Speaker 2: Stupid, stupid, stupid, stupid them. I would have handled the

1633
01:13:32,600 --> 01:13:33,320
Speaker 2: same way j did.

1634
01:13:33,479 --> 01:13:35,160
Speaker 1: Yeah, I would have grabbed her arms and try to

1635
01:13:35,320 --> 01:13:36,720
Speaker 1: restrain her and like you know what I mean, like

1636
01:13:38,040 --> 01:13:40,120
Speaker 1: like I would definitely, I'm not. I wouldn't. I wouldn't

1637
01:13:40,120 --> 01:13:40,759
Speaker 1: put my hands.

1638
01:13:40,560 --> 01:13:42,599
Speaker 3: On that's a long elevator D because that happened as

1639
01:13:42,640 --> 01:13:43,800
Speaker 3: soon as they got on, and they were on the

1640
01:13:43,920 --> 01:13:44,760
Speaker 3: eighteenth floor.

1641
01:13:46,280 --> 01:13:51,400
Speaker 2: For eighteenth floor. If I know Julius the security guard there,

1642
01:13:52,160 --> 01:13:55,880
Speaker 2: I might I might just do this here, or or

1643
01:13:55,960 --> 01:13:58,599
Speaker 2: I yelled corners just to make it seem like a game.

1644
01:13:58,720 --> 01:14:00,400
Speaker 1: No, no, no, she can't do that. And it was

1645
01:14:00,439 --> 01:14:02,880
Speaker 1: so smooth because had this video not come out, we

1646
01:14:02,920 --> 01:14:04,679
Speaker 1: would have never known it happened, or based off the pictures.

1647
01:14:04,680 --> 01:14:05,599
Speaker 1: When they got off the elevator.

1648
01:14:05,800 --> 01:14:06,519
Speaker 2: We would have never known.

1649
01:14:06,560 --> 01:14:08,280
Speaker 1: None of this should happened. That's what I'm saying. Like

1650
01:14:08,320 --> 01:14:11,200
Speaker 1: he Jay handled himself to you know, be popped out

1651
01:14:11,240 --> 01:14:11,880
Speaker 1: in the white suit.

1652
01:14:12,080 --> 01:14:13,360
Speaker 2: Sucks yo, you.

1653
01:14:13,640 --> 01:14:14,200
Speaker 5: That's how you know.

1654
01:14:14,479 --> 01:14:17,040
Speaker 7: Whatever Jay did, he was wrong because Beyonce stuff just

1655
01:14:17,120 --> 01:14:19,960
Speaker 7: like this. They let them tust so she ain't do

1656
01:14:20,000 --> 01:14:23,120
Speaker 7: ship is instead to stop she was chilling.

1657
01:14:24,840 --> 01:14:27,960
Speaker 2: Yeah, that's that's that's bad though, and then she tried

1658
01:14:27,960 --> 01:14:30,760
Speaker 2: to This was I think the one time Beyonce tried

1659
01:14:30,800 --> 01:14:32,559
Speaker 2: to clean something up. We all just gave her the side.

1660
01:14:32,560 --> 01:14:34,559
Speaker 5: Of course. Sometimes shit go down with it's a billion

1661
01:14:34,600 --> 01:14:35,639
Speaker 5: dollars on an elevator.

1662
01:14:36,880 --> 01:14:40,280
Speaker 2: It's a good bar, great bar, but nah, great, it's

1663
01:14:40,280 --> 01:14:42,400
Speaker 2: a great bar because it's nah, it's fact.

1664
01:14:42,479 --> 01:14:45,320
Speaker 1: Sometimes it happens. It's you know, it's his family. This

1665
01:14:45,479 --> 01:14:48,360
Speaker 1: is this is my sister, this is my husband. You know,

1666
01:14:48,520 --> 01:14:50,679
Speaker 1: my sister was mad about some ship. She holding me down.

1667
01:14:51,520 --> 01:14:55,200
Speaker 1: My husband handled herself with as much glass and grace

1668
01:14:55,200 --> 01:14:59,280
Speaker 1: as he could in this situation. And now we got

1669
01:14:59,320 --> 01:15:02,519
Speaker 1: off the elevator. He still was head hell high classy.

1670
01:15:02,920 --> 01:15:03,760
Speaker 1: Nobody even knew.

1671
01:15:04,080 --> 01:15:05,479
Speaker 7: I wonder if the fight kept it up in that

1672
01:15:05,560 --> 01:15:07,360
Speaker 7: in the once they got an Alamo, Like, I wonder

1673
01:15:07,360 --> 01:15:08,160
Speaker 7: if she doubled back.

1674
01:15:08,320 --> 01:15:09,720
Speaker 2: Nah, they probably got a different cars.

1675
01:15:09,760 --> 01:15:10,519
Speaker 1: It was in different cars.

1676
01:15:11,040 --> 01:15:12,920
Speaker 2: Yeah, Julius is like a Navy seal. There's no way.

1677
01:15:12,960 --> 01:15:15,519
Speaker 2: He probably just snapped in a car existed. Yeah, he's

1678
01:15:15,520 --> 01:15:20,160
Speaker 2: going in this one. Yeah, same city, same night. You know,

1679
01:15:20,400 --> 01:15:21,960
Speaker 2: shit is going to go down when there's a billion

1680
01:15:21,960 --> 01:15:25,320
Speaker 2: dollars in an elevator versus I wasn't hiding my kid

1681
01:15:25,400 --> 01:15:27,240
Speaker 2: from the world. That was hiding the world from my kid.

1682
01:15:27,840 --> 01:15:31,200
Speaker 1: Billy A Billy A Billy easy.

1683
01:15:31,920 --> 01:15:34,639
Speaker 2: I think it's a better bar. Absolutely, it's a real bar.

1684
01:15:35,800 --> 01:15:37,960
Speaker 2: You don't think Drake was hiding up his son from

1685
01:15:37,960 --> 01:15:38,280
Speaker 2: the world.

1686
01:15:38,479 --> 01:15:42,400
Speaker 1: I'm not, okay, cool, but I'm just saying, like, these

1687
01:15:42,439 --> 01:15:46,559
Speaker 1: are two of the biggest stars ever, both worth over

1688
01:15:46,640 --> 01:15:49,040
Speaker 1: a billion dollars like Nigga.

1689
01:15:49,080 --> 01:15:49,840
Speaker 2: That's that's it.

1690
01:15:50,080 --> 01:15:50,800
Speaker 1: That's a bar.

1691
01:15:51,439 --> 01:15:54,040
Speaker 7: Also, he wasn't hiding the world from his son because

1692
01:15:54,080 --> 01:15:55,240
Speaker 7: his son has a music video.

1693
01:15:55,320 --> 01:15:56,519
Speaker 3: I can go and google it right now.

1694
01:15:56,720 --> 01:15:59,360
Speaker 1: Well after well, I mean yeah, during the time, it

1695
01:15:59,479 --> 01:16:01,200
Speaker 1: was yeah, no, cap.

1696
01:16:01,080 --> 01:16:02,080
Speaker 5: It was cap during the time.

1697
01:16:02,320 --> 01:16:02,360
Speaker 3: No.

1698
01:16:02,880 --> 01:16:07,080
Speaker 2: In retrospect, at the time, it did not work. After Drake,

1699
01:16:07,160 --> 01:16:08,920
Speaker 2: you were hiding a child's and then we got that

1700
01:16:09,120 --> 01:16:11,400
Speaker 2: like a few months later, it was like, all right, man,

1701
01:16:12,280 --> 01:16:14,000
Speaker 2: in retrospect, I thought it was a pretty good response.

1702
01:16:15,640 --> 01:16:17,479
Speaker 1: Yeah, I mean I didn't. I didn't see that. That's

1703
01:16:17,479 --> 01:16:19,599
Speaker 1: why in that whole thing, I didn't understand that bar anyway,

1704
01:16:19,600 --> 01:16:22,080
Speaker 1: because I was just like, does he have to tell

1705
01:16:22,400 --> 01:16:23,120
Speaker 1: us he has a kid?

1706
01:16:23,200 --> 01:16:25,000
Speaker 2: You didn't see that. You didn't see the scheme. He

1707
01:16:25,160 --> 01:16:28,559
Speaker 2: was talking about all the miserable people on the internet

1708
01:16:28,800 --> 01:16:31,800
Speaker 2: and all the women's course, and he was suggesting, guys,

1709
01:16:31,920 --> 01:16:33,760
Speaker 2: this is why I was hiding my kid from the

1710
01:16:33,840 --> 01:16:36,240
Speaker 2: explore page. If you get it, I get it.

1711
01:16:36,360 --> 01:16:36,800
Speaker 3: I got that.

1712
01:16:36,960 --> 01:16:39,040
Speaker 1: I understand that, But even in the moment you lived it,

1713
01:16:39,120 --> 01:16:41,680
Speaker 1: I didn't understand why. People was like, oh, yeah, like

1714
01:16:41,760 --> 01:16:43,960
Speaker 1: why are you hiding your kid? I'm like, do you

1715
01:16:44,120 --> 01:16:47,599
Speaker 1: think that he somebody has to take I know, regular

1716
01:16:47,680 --> 01:16:50,639
Speaker 1: people that don't post their kids on the internet. You've

1717
01:16:50,720 --> 01:16:51,639
Speaker 1: never seen their children.

1718
01:16:51,760 --> 01:16:53,720
Speaker 2: I'm telling you now, I was straight up hiding a

1719
01:16:53,840 --> 01:16:57,719
Speaker 2: child and not hiding her from the actual world. Amara

1720
01:16:57,840 --> 01:16:59,599
Speaker 2: was out all the time. I didn't hide her from

1721
01:16:59,600 --> 01:17:02,519
Speaker 2: the world, no social media world. Yeah, but I was

1722
01:17:02,600 --> 01:17:05,000
Speaker 2: hiding her. Yeah, I get it, but that's not the

1723
01:17:05,040 --> 01:17:08,080
Speaker 2: world though, honest that people you know, this this world

1724
01:17:08,160 --> 01:17:11,120
Speaker 2: is sick. Man. Hiding a child is kind of stressful,

1725
01:17:12,560 --> 01:17:17,960
Speaker 2: is it. M Everyone in what I thought was the

1726
01:17:18,040 --> 01:17:21,720
Speaker 2: inner circle knew, but then like you have to tell

1727
01:17:21,840 --> 01:17:24,880
Speaker 2: other people that other people don't know, and then like

1728
01:17:24,960 --> 01:17:27,280
Speaker 2: when you reveal it, people get mad at you that

1729
01:17:27,360 --> 01:17:29,040
Speaker 2: you didn't tell them, and it's like we haven't spoken

1730
01:17:29,760 --> 01:17:31,880
Speaker 2: in a year, why would I then text you?

1731
01:17:32,400 --> 01:17:33,760
Speaker 5: They get mad at the people who didn't know.

1732
01:17:35,280 --> 01:17:39,400
Speaker 2: Yeah, but everyone knew. That wasn't the world, yeah, but

1733
01:17:39,560 --> 01:17:40,280
Speaker 2: your world the people.

1734
01:17:40,320 --> 01:17:41,519
Speaker 1: Yeah, your world. Everyone knew.

1735
01:17:43,000 --> 01:17:45,200
Speaker 2: But that's that's what I always tell you. Though some

1736
01:17:45,280 --> 01:17:46,800
Speaker 2: people thought they were part of my world.

1737
01:17:46,920 --> 01:17:49,439
Speaker 1: Yeah no, and you're not. You're not and that's and

1738
01:17:49,520 --> 01:17:52,080
Speaker 1: that's fine. But like now it's again like I always say,

1739
01:17:52,120 --> 01:17:54,719
Speaker 1: it's you looked at as moving weird or moving funny

1740
01:17:54,760 --> 01:17:57,360
Speaker 1: when you're private. Yeah, like when you when you keep

1741
01:17:57,400 --> 01:17:59,559
Speaker 1: certain things private, it's like, oh you act and funny.

1742
01:17:59,560 --> 01:18:03,000
Speaker 1: It's like, oh, I'm just not sharing that with everybody,

1743
01:18:03,120 --> 01:18:05,800
Speaker 1: Like that's not for everybody to have, Like, and it's

1744
01:18:05,840 --> 01:18:07,679
Speaker 1: okay to have certain things that you keep to yourself.

1745
01:18:07,720 --> 01:18:09,000
Speaker 1: I don't see anything wrong with that.

1746
01:18:09,160 --> 01:18:12,680
Speaker 2: Like outside of like associates being upset. I did never

1747
01:18:12,720 --> 01:18:15,800
Speaker 2: talk about like when I would just go out with

1748
01:18:15,920 --> 01:18:20,759
Speaker 2: Amara and you know, we run into listeners, fans, whatever

1749
01:18:20,880 --> 01:18:26,000
Speaker 2: when we go out, just target listeners, adding it up

1750
01:18:26,040 --> 01:18:29,680
Speaker 2: in their head before I like told the internet was

1751
01:18:30,479 --> 01:18:33,320
Speaker 2: one of my favorite hobbies anytime I went in brand

1752
01:18:33,400 --> 01:18:36,519
Speaker 2: Aaron's because she looks identical to me. She's red hair

1753
01:18:36,720 --> 01:18:39,559
Speaker 2: and our faces are the same, and yo, man love

1754
01:18:39,600 --> 01:18:41,960
Speaker 2: the pod funkulse you you know, small talk and then

1755
01:18:42,080 --> 01:18:43,960
Speaker 2: just like looking down at me pushing a stroller of

1756
01:18:44,360 --> 01:18:48,680
Speaker 2: a little a little identical version of myself. And then

1757
01:18:49,120 --> 01:18:51,080
Speaker 2: they would always have like the respect not to ask,

1758
01:18:51,120 --> 01:18:52,320
Speaker 2: but I could see it in their face that they

1759
01:18:52,360 --> 01:18:53,280
Speaker 2: were adding some things up.

1760
01:18:54,080 --> 01:18:54,680
Speaker 1: I'm not gonna lie.

1761
01:18:54,720 --> 01:18:57,120
Speaker 3: I hated that phase because they were like we would

1762
01:18:57,160 --> 01:19:00,800
Speaker 3: go to concerts together and people would see like you,

1763
01:19:01,439 --> 01:19:03,200
Speaker 3: then they look they'd like look at us and then

1764
01:19:03,320 --> 01:19:06,439
Speaker 3: see the stroller and then it's like there was like

1765
01:19:06,600 --> 01:19:08,960
Speaker 3: this every I was like just say it, like just

1766
01:19:09,080 --> 01:19:10,759
Speaker 3: and then there was like, oh, can we get a photo?

1767
01:19:11,439 --> 01:19:13,120
Speaker 3: And then I didn't know how public you want to be,

1768
01:19:13,240 --> 01:19:14,479
Speaker 3: so it was like do we stand in front of

1769
01:19:14,520 --> 01:19:16,080
Speaker 3: the stroller? It was just like a lot of like

1770
01:19:16,320 --> 01:19:18,040
Speaker 3: I don't know how to act in public.

1771
01:19:18,479 --> 01:19:20,320
Speaker 2: Well, Julian, I had to wait to use her for

1772
01:19:20,439 --> 01:19:20,920
Speaker 2: my album.

1773
01:19:21,160 --> 01:19:24,040
Speaker 3: Well that has sales, the album's most important. So I

1774
01:19:24,160 --> 01:19:26,040
Speaker 3: was like, let's put Amara in the green room.

1775
01:19:27,080 --> 01:19:28,680
Speaker 2: I just you know what it was herself. It was

1776
01:19:28,920 --> 01:19:30,960
Speaker 2: till the album comes up, until she doesn't eat until

1777
01:19:30,960 --> 01:19:31,240
Speaker 2: the album.

1778
01:19:32,160 --> 01:19:34,599
Speaker 1: There was a time where I didn't understand what Rory

1779
01:19:34,720 --> 01:19:36,880
Speaker 1: was doing though. He was like very confusing to even me,

1780
01:19:36,960 --> 01:19:39,200
Speaker 1: and that, yeah, like when we had a show, like

1781
01:19:39,320 --> 01:19:41,720
Speaker 1: he brought Amara out on stage and then said I

1782
01:19:41,760 --> 01:19:43,760
Speaker 1: would appreciate it if y'all didn't take the pictures and

1783
01:19:43,760 --> 01:19:46,400
Speaker 1: post on it. In that I'm like, Rory, that doesn't

1784
01:19:46,439 --> 01:19:48,720
Speaker 1: make sense to bring somebody on a stage in a

1785
01:19:48,840 --> 01:19:51,160
Speaker 1: room full of people and say, yo, don't take a

1786
01:19:51,240 --> 01:19:53,559
Speaker 1: picture and don't let's ask him. Way too much of people.

1787
01:19:53,400 --> 01:19:55,719
Speaker 2: Look at the verbiage of what I said, I'd appreciate

1788
01:19:55,760 --> 01:19:58,720
Speaker 2: if you guys didn't. I knew me bringing Amara on

1789
01:19:58,800 --> 01:20:01,280
Speaker 2: that stage, someone was probably gonna take a photo and

1790
01:20:01,320 --> 01:20:03,320
Speaker 2: I was fine with that. But I can say I'd

1791
01:20:03,320 --> 01:20:05,479
Speaker 2: appreciate if you guys don't. If they do, I don't care.

1792
01:20:06,200 --> 01:20:08,200
Speaker 7: But none came out did any come out. No, No,

1793
01:20:08,400 --> 01:20:10,280
Speaker 7: I said you guys as fans really love you guys.

1794
01:20:10,320 --> 01:20:13,120
Speaker 2: I had and then I had Amara on discord video

1795
01:20:13,200 --> 01:20:17,680
Speaker 2: yesterday like, yeah, it's just for huge public consumption that

1796
01:20:17,720 --> 01:20:18,960
Speaker 2: I just don't put it like she doesn't sit on

1797
01:20:19,000 --> 01:20:19,919
Speaker 2: my lap for the podcast.

1798
01:20:20,160 --> 01:20:23,200
Speaker 1: No, I understand that part. I'm just I'm just saying

1799
01:20:23,320 --> 01:20:25,840
Speaker 1: the bringing the kid on stage and then asking of

1800
01:20:25,920 --> 01:20:28,680
Speaker 1: people not to do something something that I wouldn't do,

1801
01:20:28,720 --> 01:20:31,000
Speaker 1: because I just don't think people are that willing to

1802
01:20:31,120 --> 01:20:33,240
Speaker 1: not do well. I mean, you are correct, That's all

1803
01:20:33,320 --> 01:20:35,240
Speaker 1: I'm saying, like I would just like to avoid this. No,

1804
01:20:35,360 --> 01:20:36,680
Speaker 1: I'm not doing that, that's all.

1805
01:20:37,479 --> 01:20:39,320
Speaker 2: And then even then, like what one person snaps a

1806
01:20:39,360 --> 01:20:39,760
Speaker 2: photo and.

1807
01:20:41,120 --> 01:20:42,840
Speaker 1: No big deal to sell it to TMZ.

1808
01:20:43,080 --> 01:20:44,799
Speaker 2: Yeah, like we're not that famous.

1809
01:20:45,320 --> 01:20:45,519
Speaker 1: Yeah.

1810
01:20:45,600 --> 01:20:45,640
Speaker 3: No.

1811
01:20:47,280 --> 01:20:50,160
Speaker 1: Circling back to something that DJ Clue tweeted, was it

1812
01:20:50,240 --> 01:20:53,760
Speaker 1: last week? Julian, Yes, so he tweeted, he asked a question.

1813
01:20:53,840 --> 01:20:56,320
Speaker 1: He pulled a question. Do we have a hip hop

1814
01:20:57,400 --> 01:20:59,120
Speaker 1: classic since twenty twenty and.

1815
01:20:59,200 --> 01:21:01,040
Speaker 5: You came in talked about it, But you came in

1816
01:21:01,120 --> 01:21:02,240
Speaker 5: today and just.

1817
01:21:02,560 --> 01:21:04,920
Speaker 1: Just listening to music and things like that over the weekend,

1818
01:21:06,080 --> 01:21:09,280
Speaker 1: and I think I may have found the hip hop

1819
01:21:09,479 --> 01:21:15,920
Speaker 1: classic since twenty twenty that maybe people haven't noticed yet.

1820
01:21:16,720 --> 01:21:19,040
Speaker 5: We're on the edge of our seats, Taylor, I think

1821
01:21:19,160 --> 01:21:20,400
Speaker 5: that slacks.

1822
01:21:20,880 --> 01:21:25,200
Speaker 1: First Person Shooter as a classic Drake and JCole.

1823
01:21:25,360 --> 01:21:26,960
Speaker 3: I think that's reccency bias.

1824
01:21:27,400 --> 01:21:31,360
Speaker 1: Recentcy bias. The song is not that recent out.

1825
01:21:31,479 --> 01:21:32,880
Speaker 2: Very recent, extremely recent.

1826
01:21:33,400 --> 01:21:34,439
Speaker 1: When did that album come out?

1827
01:21:34,840 --> 01:21:35,040
Speaker 3: First?

1828
01:21:35,120 --> 01:21:36,240
Speaker 1: Was the Shooting Mode came out?

1829
01:21:36,439 --> 01:21:38,280
Speaker 3: Like what three months ago? Yeah?

1830
01:21:38,600 --> 01:21:45,919
Speaker 1: We were yeah, October and that's October.

1831
01:21:48,240 --> 01:21:52,560
Speaker 2: Well, all right, that's not really what Clue was getting at, Like,

1832
01:21:52,800 --> 01:21:54,839
Speaker 2: do I think that has potential to be a classic

1833
01:21:55,160 --> 01:21:58,439
Speaker 2: hip hop song? For sure? But Clue was talking about

1834
01:21:58,479 --> 01:22:01,280
Speaker 2: something like along the lines of All about the Benjamin's

1835
01:22:01,360 --> 01:22:05,280
Speaker 2: Dreams and Nightmares, something that plays everywhere no matter what

1836
01:22:05,479 --> 01:22:05,880
Speaker 2: year it is.

1837
01:22:05,960 --> 01:22:07,000
Speaker 1: I think this is that record.

1838
01:22:07,439 --> 01:22:09,320
Speaker 2: I think I haven't even heard it once in since

1839
01:22:09,360 --> 01:22:10,840
Speaker 2: it came out in like a party.

1840
01:22:12,120 --> 01:22:13,639
Speaker 1: You said you haven't heard it in a party.

1841
01:22:14,160 --> 01:22:15,439
Speaker 5: It's not really a party record.

1842
01:22:16,280 --> 01:22:18,960
Speaker 2: What it's a it's a potential to be a classic

1843
01:22:19,120 --> 01:22:22,800
Speaker 2: hip hop song. But you would put this like the

1844
01:22:22,880 --> 01:22:25,320
Speaker 2: way they put All about the Benjamins in every DJ set.

1845
01:22:25,720 --> 01:22:28,040
Speaker 2: No matter what you think, First Person Shooter in twenty

1846
01:22:28,120 --> 01:22:30,680
Speaker 2: years is going to be like in a set from

1847
01:22:30,720 --> 01:22:31,040
Speaker 2: this era.

1848
01:22:31,479 --> 01:22:34,840
Speaker 1: Absolutely, Okay, so long's only like three months old by

1849
01:22:34,840 --> 01:22:35,240
Speaker 1: the way.

1850
01:22:36,960 --> 01:22:40,040
Speaker 2: I'm with potentially be a classic quality song. But I

1851
01:22:40,080 --> 01:22:41,080
Speaker 2: don't know if I agree with you.

1852
01:22:41,240 --> 01:22:42,720
Speaker 1: I think this is I think this is a I

1853
01:22:42,760 --> 01:22:45,559
Speaker 1: think this is a great performance record. I think it's

1854
01:22:45,600 --> 01:22:48,759
Speaker 1: a great party record. It is different images, it's about

1855
01:22:48,800 --> 01:22:51,840
Speaker 1: two three different types of energy on the record, great

1856
01:22:51,960 --> 01:22:55,120
Speaker 1: rapping on the record. It has a lot of call

1857
01:22:55,200 --> 01:22:57,640
Speaker 1: and response moments on the record. I think that this

1858
01:22:57,800 --> 01:23:00,479
Speaker 1: is this is to me, this is a classic hip

1859
01:23:00,479 --> 01:23:04,240
Speaker 1: hop record. And I know it came out October five

1860
01:23:04,320 --> 01:23:08,000
Speaker 1: months whatever, like it's so it's it's it's it's not

1861
01:23:08,120 --> 01:23:10,200
Speaker 1: a year yet. But I think this is a record

1862
01:23:10,240 --> 01:23:14,439
Speaker 1: that people and in ten years. I think you played

1863
01:23:14,479 --> 01:23:16,240
Speaker 1: this record, you get the same response.

1864
01:23:17,600 --> 01:23:18,040
Speaker 9: That lead.

1865
01:23:18,400 --> 01:23:18,879
Speaker 1: Absolutely.

1866
01:23:20,720 --> 01:23:23,240
Speaker 2: I just think what Clue is talking about is has

1867
01:23:23,280 --> 01:23:27,240
Speaker 2: to be a either at kickback, your car, strip club,

1868
01:23:27,640 --> 01:23:31,400
Speaker 2: real club, just plays shows, just plays everywhere. I haven't

1869
01:23:31,400 --> 01:23:31,840
Speaker 2: been in the strip.

1870
01:23:32,240 --> 01:23:34,000
Speaker 1: In the car, they're gonna shake ass to this in

1871
01:23:34,040 --> 01:23:34,679
Speaker 1: the strip club.

1872
01:23:34,800 --> 01:23:37,639
Speaker 2: Really, they're gonna play this at absolutely Okay, I haven't

1873
01:23:37,640 --> 01:23:38,280
Speaker 2: been in strip clubs.

1874
01:23:38,640 --> 01:23:41,799
Speaker 1: Yeah, I was gonna say, especially when the beat changes

1875
01:23:41,840 --> 01:23:47,360
Speaker 1: on Drakes verse, we can go about one just goes

1876
01:23:47,400 --> 01:23:48,880
Speaker 1: off in the strip club. Now, I haven't been to

1877
01:23:48,960 --> 01:23:51,320
Speaker 1: the strip club to see it, but that energy in

1878
01:23:51,439 --> 01:23:54,840
Speaker 1: the beat change with Drake's verse come in, that's that

1879
01:23:55,040 --> 01:23:59,880
Speaker 1: baseline that that's absolutely strip club ship. Definitely.

1880
01:24:01,360 --> 01:24:04,080
Speaker 2: I'm not I mean, I'm not against the opinion.

1881
01:24:04,880 --> 01:24:06,320
Speaker 1: I think so see. I think this is it.

1882
01:24:07,160 --> 01:24:08,559
Speaker 2: We're gonna go in ten years from now, we can

1883
01:24:08,600 --> 01:24:10,479
Speaker 2: circle back to this and play it and listen. But

1884
01:24:10,600 --> 01:24:12,280
Speaker 2: I think, do you think the younger generation when it's

1885
01:24:12,320 --> 01:24:15,760
Speaker 2: their time to party the way I was? I don't know.

1886
01:24:15,920 --> 01:24:18,320
Speaker 2: I think anybody seven when All About the Benjamins came out,

1887
01:24:18,360 --> 01:24:20,400
Speaker 2: I think anybody's twenty two, we were listening to it

1888
01:24:20,479 --> 01:24:21,000
Speaker 2: at the party.

1889
01:24:21,120 --> 01:24:23,559
Speaker 1: I think anybody that's twenty one now, twenty two years

1890
01:24:23,560 --> 01:24:25,720
Speaker 1: old now when they're thirty two and this record comes on,

1891
01:24:25,760 --> 01:24:26,920
Speaker 1: they're gonna have the same Oh.

1892
01:24:27,120 --> 01:24:29,000
Speaker 2: I agree there. I'm talking about the kids that are

1893
01:24:29,080 --> 01:24:31,599
Speaker 2: kids that are ten years old now when it's their

1894
01:24:31,680 --> 01:24:33,640
Speaker 2: time to party, they're not going to Will this be

1895
01:24:33,720 --> 01:24:36,120
Speaker 2: played the same way it was with me when I

1896
01:24:36,320 --> 01:24:38,360
Speaker 2: was ten years old when All About the Benjamins came

1897
01:24:38,360 --> 01:24:38,600
Speaker 2: out of.

1898
01:24:38,960 --> 01:24:41,880
Speaker 3: Or like International Player's anthem. It's like I was a

1899
01:24:42,040 --> 01:24:44,560
Speaker 3: child and that I didn't know and then now like

1900
01:24:44,680 --> 01:24:47,519
Speaker 3: that's all every party I go to that song always

1901
01:24:47,560 --> 01:24:47,920
Speaker 3: goes up.

1902
01:24:48,439 --> 01:24:51,080
Speaker 1: I think First Person Shooter is that. I think it

1903
01:24:51,120 --> 01:24:55,240
Speaker 1: has that same energy for sure. Now again it's fairly new,

1904
01:24:55,680 --> 01:24:57,400
Speaker 1: only a few months old, so people may not feel

1905
01:24:57,439 --> 01:24:59,760
Speaker 1: that yet, but in listening, because when it came on

1906
01:25:00,080 --> 01:25:02,080
Speaker 1: got that, I was like, this record is really good.

1907
01:25:02,680 --> 01:25:05,200
Speaker 1: This is a really good record, and it has all

1908
01:25:05,280 --> 01:25:08,320
Speaker 1: the elements to me of what It doesn't sound like

1909
01:25:08,360 --> 01:25:11,960
Speaker 1: a dated beat. The music doesn't sound dated. It's like

1910
01:25:12,200 --> 01:25:15,080
Speaker 1: that drum that bassed three months old. You know what

1911
01:25:15,160 --> 01:25:18,960
Speaker 1: I'm saying. It doesn't sound like it came out, you know,

1912
01:25:19,320 --> 01:25:20,840
Speaker 1: a year or two three. For you, it as it

1913
01:25:20,880 --> 01:25:22,360
Speaker 1: came out, sounding came out yesterday. It sound like you

1914
01:25:22,360 --> 01:25:24,000
Speaker 1: can play that at any time and it will sound

1915
01:25:24,040 --> 01:25:24,280
Speaker 1: that good.

1916
01:25:24,360 --> 01:25:26,360
Speaker 7: I know you're gonna call me crazy and kill me.

1917
01:25:26,479 --> 01:25:28,479
Speaker 7: I think Rich Baby Daddy will last longer than the

1918
01:25:28,479 --> 01:25:29,200
Speaker 7: First Person Shooter.

1919
01:25:30,520 --> 01:25:33,519
Speaker 2: If we're talking about it already, Huh, it hasn't already

1920
01:25:33,640 --> 01:25:34,160
Speaker 2: what you mean.

1921
01:25:34,080 --> 01:25:34,759
Speaker 5: It hasn't already?

1922
01:25:35,320 --> 01:25:38,559
Speaker 7: It definitely I hear Rich baby daddy way more than

1923
01:25:38,600 --> 01:25:40,479
Speaker 7: I hear first person shooter. When I'm outside, you hear

1924
01:25:40,520 --> 01:25:41,200
Speaker 7: first person shooter.

1925
01:25:41,280 --> 01:25:41,839
Speaker 5: Are you outside?

1926
01:25:42,160 --> 01:25:42,840
Speaker 2: I don't hear either.

1927
01:25:43,200 --> 01:25:46,040
Speaker 5: Oh you don't go outside. I hear rich maybe Daddy.

1928
01:25:46,040 --> 01:25:47,160
Speaker 5: I don't hear first person shooter.

1929
01:25:48,840 --> 01:25:49,519
Speaker 1: I have to agree.

1930
01:25:49,560 --> 01:25:51,000
Speaker 3: I think I hear rich trivy dad anymore.

1931
01:25:52,040 --> 01:25:54,720
Speaker 2: Okay, I don't hear I like Rich pe Daddy play.

1932
01:25:54,760 --> 01:25:56,720
Speaker 5: I hear people play like like, for example, before in

1933
01:25:56,800 --> 01:25:58,000
Speaker 5: a car, what's real here?

1934
01:25:58,400 --> 01:26:02,840
Speaker 1: How does that go? And that ass over what's for drake? Oh,

1935
01:26:02,920 --> 01:26:05,719
Speaker 1: that's because that's a that's a a flip on the old.

1936
01:26:05,600 --> 01:26:08,439
Speaker 2: Record, hands on earth like everything.

1937
01:26:08,840 --> 01:26:10,639
Speaker 1: But no, that first person shoot is not a flip

1938
01:26:10,680 --> 01:26:13,519
Speaker 1: on the old record. That's true, exactly.

1939
01:26:14,920 --> 01:26:17,599
Speaker 2: Blue said, hip hop, But water, I think outlast everything

1940
01:26:17,600 --> 01:26:18,240
Speaker 2: we're talking about.

1941
01:26:18,479 --> 01:26:20,479
Speaker 5: Tyler, Yeah, yeah, but I think that's the fat. I

1942
01:26:20,520 --> 01:26:21,599
Speaker 5: think water is gonna go away.

1943
01:26:21,800 --> 01:26:26,160
Speaker 2: Really, I'm maybe I'm I think that's a song that's

1944
01:26:26,160 --> 01:26:27,040
Speaker 2: gonna be around forever.

1945
01:26:27,160 --> 01:26:28,840
Speaker 1: I hate I'm not that that. I hate the record.

1946
01:26:28,880 --> 01:26:30,560
Speaker 1: I just cannot listen to that record. They play that

1947
01:26:30,640 --> 01:26:37,080
Speaker 1: ship anytime. I'm becapable. They play that song every fucking where,

1948
01:26:38,520 --> 01:26:42,000
Speaker 1: everywhere you go to aloe to get some fucking yoga's sweatsuits,

1949
01:26:42,000 --> 01:26:46,080
Speaker 1: and you go to fucking anywhere you go, water comes up,

1950
01:26:46,240 --> 01:26:50,320
Speaker 1: make me sweat. I'm like, god, damn you ever get

1951
01:26:50,400 --> 01:26:53,400
Speaker 1: in the car, that song is playing, Get out the car,

1952
01:26:53,680 --> 01:26:56,000
Speaker 1: that song is playing, Get back in the cars, coming

1953
01:26:56,080 --> 01:26:58,040
Speaker 1: right back on. I'm like, yo, dog, I get it.

1954
01:26:58,240 --> 01:27:01,720
Speaker 1: Good song, Happy for Tylish. Her only award ever in

1955
01:27:01,760 --> 01:27:05,120
Speaker 1: her life is a fucking Grammy for that record. Great record,

1956
01:27:05,600 --> 01:27:08,519
Speaker 1: great song, Happy for Tala. But it's just such thing

1957
01:27:08,640 --> 01:27:11,439
Speaker 1: as yo. I'm I cannot hate that long.

1958
01:27:11,520 --> 01:27:11,800
Speaker 5: That's home.

1959
01:27:11,960 --> 01:27:15,320
Speaker 7: That happens about my mamoto. My sister feels like that

1960
01:27:15,400 --> 01:27:16,960
Speaker 7: about really she cannot.

1961
01:27:17,200 --> 01:27:20,320
Speaker 2: It is everywhere, but not the way water is like water.

1962
01:27:20,479 --> 01:27:23,759
Speaker 2: This is this happens with records. It's inevitable. I'm glad

1963
01:27:23,880 --> 01:27:26,479
Speaker 2: it's a record like water. Yeah, because that happens with

1964
01:27:26,640 --> 01:27:27,519
Speaker 2: records that I'm like.

1965
01:27:27,600 --> 01:27:28,840
Speaker 1: Suck, what the fuck?

1966
01:27:29,080 --> 01:27:31,439
Speaker 2: This is a beautiful, soulful song.

1967
01:27:32,360 --> 01:27:36,000
Speaker 1: Yeah, that happens with records like moves like Jagger. Oh

1968
01:27:37,720 --> 01:27:40,519
Speaker 1: I hear that song moves like Jagged.

1969
01:27:40,600 --> 01:27:43,240
Speaker 5: I got them moves the moves.

1970
01:27:43,800 --> 01:27:47,040
Speaker 1: Yea, what was that Maroon five?

1971
01:27:49,400 --> 01:27:49,599
Speaker 6: Yeah?

1972
01:27:50,240 --> 01:27:52,280
Speaker 2: You know what started out as and this is why

1973
01:27:52,320 --> 01:27:56,360
Speaker 2: I know I like Water. When Justin Bieber said he

1974
01:27:56,479 --> 01:27:59,680
Speaker 2: got his peaches out in Georgia. Loved it the first time.

1975
01:28:00,240 --> 01:28:04,320
Speaker 2: That song drives me fucking nuts. Now yeah, everywhere I

1976
01:28:04,439 --> 01:28:05,960
Speaker 2: have it's a fire record. But it's one of those

1977
01:28:06,000 --> 01:28:06,559
Speaker 2: great record.

1978
01:28:06,600 --> 01:28:10,320
Speaker 1: But I don't hear I have heard that record nowhere

1979
01:28:10,560 --> 01:28:11,479
Speaker 1: as much as I hear Water.

1980
01:28:11,560 --> 01:28:15,000
Speaker 3: You guys, Water, Judge.

1981
01:28:15,720 --> 01:28:20,160
Speaker 1: Water is on every fourteen minutes on the radio. Every

1982
01:28:20,280 --> 01:28:23,200
Speaker 1: fourteen minutes Water is playing. That ship is like I

1983
01:28:23,360 --> 01:28:25,360
Speaker 1: get it, Grace, but come on, man, you know what

1984
01:28:25,520 --> 01:28:27,920
Speaker 1: was like that when it came out? Remember I like

1985
01:28:28,000 --> 01:28:31,320
Speaker 1: it by Cardi being Bad Bunny Go a great song,

1986
01:28:31,400 --> 01:28:34,439
Speaker 1: but they he couldn't escape that ship for like a year.

1987
01:28:35,280 --> 01:28:39,759
Speaker 1: Speaking in another on old record you see a big records.

1988
01:28:39,800 --> 01:28:42,880
Speaker 3: He did a cover of is at a recent first

1989
01:28:42,920 --> 01:28:45,200
Speaker 3: performance and I believe a couple of years. But he uh,

1990
01:28:47,439 --> 01:28:49,040
Speaker 3: he stepped into Black History Month.

1991
01:28:51,840 --> 01:28:54,680
Speaker 1: Why he didn't play his h his new edition of Nigga.

1992
01:28:54,439 --> 01:28:55,439
Speaker 3: One Less Lonely Nigga.

1993
01:28:57,479 --> 01:28:59,880
Speaker 1: Come on yo, see Beams like this is what I'm

1994
01:29:00,280 --> 01:29:02,800
Speaker 1: with you, man, Beeves, don't do this, don't We don't

1995
01:29:02,800 --> 01:29:05,080
Speaker 1: want to hear snooze. I want to hear your acoustic

1996
01:29:05,240 --> 01:29:08,320
Speaker 1: version of one Less Lonely Nigga during Black History, Like,

1997
01:29:08,320 --> 01:29:10,080
Speaker 1: if you're gonna give it to us, give it to us,

1998
01:29:10,320 --> 01:29:11,240
Speaker 1: don't give me this shit.

1999
01:29:11,800 --> 01:29:15,640
Speaker 2: And all right, I'm not shooting him any bail for that.

2000
01:29:16,080 --> 01:29:18,600
Speaker 2: But how come we don't ever ask who was that

2001
01:29:18,760 --> 01:29:21,280
Speaker 2: lady holding the camera and laughing in the background. Does

2002
01:29:21,360 --> 01:29:22,599
Speaker 2: she still work in the music industry?

2003
01:29:23,760 --> 01:29:24,200
Speaker 8: Who was it?

2004
01:29:24,439 --> 01:29:26,639
Speaker 1: You know, who was the same person that voted for Taylor?

2005
01:29:27,320 --> 01:29:27,639
Speaker 3: Stop?

2006
01:29:28,640 --> 01:29:28,960
Speaker 1: You know what?

2007
01:29:31,720 --> 01:29:33,800
Speaker 2: That's what I'm saying. In the same room.

2008
01:29:34,200 --> 01:29:37,320
Speaker 1: These people are in our fucking faces. They're in these rooms,

2009
01:29:37,360 --> 01:29:40,360
Speaker 1: but hide behind these fucking panels, and we don't want

2010
01:29:40,360 --> 01:29:41,160
Speaker 1: to ask these questions.

2011
01:29:41,200 --> 01:29:43,280
Speaker 2: Who are these fucking people? We need to see these faces.

2012
01:29:43,840 --> 01:29:45,600
Speaker 5: MA, I don't like that you keep saying that's a

2013
01:29:45,600 --> 01:29:46,400
Speaker 5: flip on an old record.

2014
01:29:46,400 --> 01:29:47,800
Speaker 7: That's a flip on an old record, Like all the

2015
01:29:47,960 --> 01:29:50,599
Speaker 7: old classic hip hop records aren't flips on old records.

2016
01:29:50,720 --> 01:29:53,160
Speaker 5: Hip Hop is literally made out of being a flip

2017
01:29:53,240 --> 01:29:53,720
Speaker 5: on old record.

2018
01:29:53,760 --> 01:29:55,799
Speaker 1: You're telling me I was dead when hip hop started.

2019
01:29:56,880 --> 01:29:58,720
Speaker 1: You can't tell me that. I know that, But that's

2020
01:29:58,760 --> 01:30:00,840
Speaker 1: why you fall in love with new songs like that,

2021
01:30:00,960 --> 01:30:03,639
Speaker 1: because you know that melody. You know that it's familiar.

2022
01:30:04,080 --> 01:30:06,120
Speaker 1: I get it, but it's like, come on, man, like,

2023
01:30:06,200 --> 01:30:07,200
Speaker 1: let's get some originality.

2024
01:30:07,200 --> 01:30:09,360
Speaker 2: I'm not saying that the Bad Boy era didn't have

2025
01:30:09,600 --> 01:30:13,320
Speaker 2: like egregious flips where it was legitimately just the same

2026
01:30:13,600 --> 01:30:15,360
Speaker 2: song that Mace was rapping over. I'm not saying that

2027
01:30:15,439 --> 01:30:20,439
Speaker 2: didn't exist, but the level in the playing field versus

2028
01:30:20,520 --> 01:30:23,320
Speaker 2: then and now every song is not even a flip.

2029
01:30:23,640 --> 01:30:27,639
Speaker 2: They're just legitimately doing the song over. Yeah, It's it's crazy.

2030
01:30:28,200 --> 01:30:30,080
Speaker 1: I just and I get it. Hip hop comes from

2031
01:30:30,120 --> 01:30:33,080
Speaker 1: that sam. You can just be a little more creative

2032
01:30:33,120 --> 01:30:34,760
Speaker 1: with your SAM. I just don't like it when it's

2033
01:30:34,800 --> 01:30:36,800
Speaker 1: done in R and B too much. I don't like that.

2034
01:30:37,320 --> 01:30:38,640
Speaker 2: I'm just like, come on, I'm with you.

2035
01:30:38,880 --> 01:30:41,360
Speaker 1: Like a rap hip hop, I understand it because that's

2036
01:30:41,360 --> 01:30:44,080
Speaker 1: where it derives from. But like R and B, like,

2037
01:30:44,920 --> 01:30:47,240
Speaker 1: come on, like, let's let's be a little more creative

2038
01:30:47,280 --> 01:30:47,640
Speaker 1: in R and B.

2039
01:30:47,760 --> 01:30:49,800
Speaker 2: And the way that they're the rate they're going now,

2040
01:30:51,080 --> 01:30:52,840
Speaker 2: Water will probably be sampled next year.

2041
01:30:53,040 --> 01:30:57,160
Speaker 1: Oh yeah, for sure. Oh Aga for sure a gay

2042
01:30:57,800 --> 01:30:59,840
Speaker 1: and it'll be a Cardi b SA bad money on

2043
01:30:59,880 --> 01:31:02,960
Speaker 1: it feature bad Buddy Agua.

2044
01:31:04,800 --> 01:31:06,960
Speaker 2: I want thieves to put that on streaming. One Less

2045
01:31:07,000 --> 01:31:12,519
Speaker 2: Lonely Nigga? No, thet want to hear one Less Lonely Nigga?

2046
01:31:12,560 --> 01:31:12,800
Speaker 1: Fuck it.

2047
01:31:13,600 --> 01:31:15,560
Speaker 2: I hate when he was key you know he was?

2048
01:31:15,840 --> 01:31:19,000
Speaker 1: Was he in key? Perfect pitch? But I'm just saying, yeah,

2049
01:31:19,000 --> 01:31:21,000
Speaker 1: I hate when people act like we don't remember those

2050
01:31:21,080 --> 01:31:22,400
Speaker 1: you know what I mean. It's like, yo, fam, don't

2051
01:31:22,400 --> 01:31:25,240
Speaker 1: get up here and give us acoustic snooze. Nah, give

2052
01:31:25,320 --> 01:31:26,400
Speaker 1: us one less Lonely nigga.

2053
01:31:26,400 --> 01:31:27,040
Speaker 3: That's what we're in for.

2054
01:31:28,080 --> 01:31:30,760
Speaker 1: Don't run from it, like yo, listen. I know I

2055
01:31:30,800 --> 01:31:32,920
Speaker 1: shouldn't have never made this record, but they said there's

2056
01:31:32,920 --> 01:31:37,439
Speaker 1: no racism in Canada. Ship. That's the first movie he

2057
01:31:37,600 --> 01:31:41,040
Speaker 1: was che'sing with about singing it. He was just cheesting

2058
01:31:41,080 --> 01:31:43,760
Speaker 1: because that lady holding the camera laughing taught him that song.

2059
01:31:43,800 --> 01:31:46,360
Speaker 2: I want to know that woman. Who is she still

2060
01:31:46,400 --> 01:31:46,840
Speaker 2: on the team?

2061
01:31:47,280 --> 01:31:47,840
Speaker 1: Oh for sure?

2062
01:31:48,400 --> 01:31:53,320
Speaker 2: Look at his scooter. Wasn't even in the green rooms

2063
01:31:53,439 --> 01:31:55,519
Speaker 2: for a second. Well, we get flatted. This is how

2064
01:31:55,560 --> 01:31:58,240
Speaker 2: crazy the music industrys. We might get flagged on YouTube

2065
01:31:58,240 --> 01:32:01,439
Speaker 2: if we play this. That's I'm sure he.

2066
01:32:01,479 --> 01:32:03,519
Speaker 3: Copied with this. The proof across the t m Z

2067
01:32:03,680 --> 01:32:06,880
Speaker 3: is hilarious proof that he said it. He was very

2068
01:32:06,920 --> 01:32:13,759
Speaker 3: happy about like one less, one less.

2069
01:32:15,920 --> 01:32:26,439
Speaker 10: You, She's so fucking bad, perform this with a little

2070
01:32:26,479 --> 01:32:28,320
Speaker 10: twist like don't give me them?

2071
01:32:28,320 --> 01:32:30,160
Speaker 3: Could do that? A racist rant that he went on

2072
01:32:30,240 --> 01:32:31,080
Speaker 3: and beaber sing the.

2073
01:32:31,080 --> 01:32:32,840
Speaker 1: Hook for the record. Oh man, that too would be

2074
01:32:32,880 --> 01:32:36,479
Speaker 1: crazy my power. Oh that would change the conor. Yeah, yeah,

2075
01:32:36,520 --> 01:32:39,920
Speaker 1: that would really push it. At that tour, Bee going

2076
01:32:39,960 --> 01:32:42,600
Speaker 1: on his one Less Lonely Nigga tour and oh my.

2077
01:32:42,760 --> 01:32:47,000
Speaker 3: God, the original version of white Yeah, there's not enough

2078
01:32:47,080 --> 01:32:47,719
Speaker 3: white robes.

2079
01:32:47,840 --> 01:32:51,080
Speaker 1: Oh my god, you talking about selling out soccer stadium.

2080
01:32:51,280 --> 01:32:55,920
Speaker 1: Jesus Christ Beebes. Something else happened at the Grammy didn't

2081
01:32:55,920 --> 01:32:59,479
Speaker 1: Oh Michael h killing Mike. He got arrested. We did

2082
01:32:59,560 --> 01:33:02,360
Speaker 1: talk about. They said he got arrested because he stole

2083
01:33:02,439 --> 01:33:03,600
Speaker 1: three Grammys.

2084
01:33:03,320 --> 01:33:05,240
Speaker 3: That he was stop.

2085
01:33:05,760 --> 01:33:05,920
Speaker 5: You know.

2086
01:33:06,080 --> 01:33:10,760
Speaker 2: I appreciated Travis's whatever his crew is called the Utopias.

2087
01:33:10,840 --> 01:33:13,920
Speaker 2: I don't know. I don't know, the Caci, the Cacti.

2088
01:33:14,320 --> 01:33:15,960
Speaker 2: I thought that was pretty funny not doing that.

2089
01:33:16,040 --> 01:33:18,280
Speaker 1: That's not the name of Travis Scott. What are what

2090
01:33:18,400 --> 01:33:19,599
Speaker 1: are Travis Scott fans called?

2091
01:33:19,720 --> 01:33:22,880
Speaker 5: I really thought the ragers, they're the ragers. No, that's Ouzzi.

2092
01:33:23,040 --> 01:33:23,840
Speaker 1: The ragers.

2093
01:33:25,320 --> 01:33:27,320
Speaker 2: Oh they're dead because they got trampled up the show.

2094
01:33:27,360 --> 01:33:32,200
Speaker 5: Remember, yeah, we're off the fucking rails here.

2095
01:33:32,760 --> 01:33:37,479
Speaker 1: Yeah. What are they called though deceased? The six feet

2096
01:33:38,080 --> 01:33:45,679
Speaker 1: as Madden, six feet asthmatic claustrophobics. Yeah they are the ragers,

2097
01:33:46,200 --> 01:33:46,439
Speaker 1: is right?

2098
01:33:46,600 --> 01:33:46,800
Speaker 5: Really?

2099
01:33:46,960 --> 01:33:48,519
Speaker 1: No, he gotta get he gotta get a new name

2100
01:33:48,560 --> 01:33:49,920
Speaker 1: for them, rages at.

2101
01:33:49,760 --> 01:33:50,519
Speaker 3: Rages, whack.

2102
01:33:50,840 --> 01:33:52,559
Speaker 1: It's not whack ragers.

2103
01:33:52,800 --> 01:33:54,800
Speaker 3: It doesn't even apply to it. It's like it's not

2104
01:33:55,200 --> 01:33:57,439
Speaker 3: unique to him, it's not.

2105
01:33:57,720 --> 01:33:59,920
Speaker 5: I mean, maybe is it unique?

2106
01:34:00,520 --> 01:34:02,600
Speaker 1: They have a mosh pit at his shoulders, but come on, like.

2107
01:34:03,160 --> 01:34:06,280
Speaker 2: And isn't that Uzzi's thing? Doesn't rage like his ship?

2108
01:34:06,840 --> 01:34:07,000
Speaker 9: Nah?

2109
01:34:07,040 --> 01:34:08,920
Speaker 5: They I feel like they rage way more at the

2110
01:34:09,439 --> 01:34:10,040
Speaker 5: at the Travis.

2111
01:34:10,280 --> 01:34:11,280
Speaker 1: No fucking way.

2112
01:34:11,560 --> 01:34:15,599
Speaker 7: Kids raging, Yes, no way, sat up there and watch

2113
01:34:15,680 --> 01:34:19,760
Speaker 7: them sucking for when he played Fiend in Times in

2114
01:34:19,840 --> 01:34:20,840
Speaker 7: a Row that was one.

2115
01:34:21,240 --> 01:34:26,720
Speaker 2: Even do like Arenas though Uzzi by himself, I'm not

2116
01:34:26,760 --> 01:34:27,280
Speaker 2: getting into this.

2117
01:34:28,120 --> 01:34:30,200
Speaker 1: So you do like a t five two nights in

2118
01:34:30,200 --> 01:34:30,960
Speaker 1: a row kind of thing.

2119
01:34:31,840 --> 01:34:34,400
Speaker 2: Little Uzzi doesn't doesn't. He doesn't do Arenas. I wouldn't

2120
01:34:34,400 --> 01:34:38,920
Speaker 2: think so really by himself. Maybe in Philly, I can

2121
01:34:38,960 --> 01:34:41,240
Speaker 2: see it or like certain he's from there, you know

2122
01:34:41,280 --> 01:34:43,120
Speaker 2: what I'm saying. Certain, like Dirk did an arena.

2123
01:34:42,880 --> 01:34:47,640
Speaker 7: And he doesn't dedicated like fan base, like the Totality

2124
01:34:47,760 --> 01:34:51,759
Speaker 7: fan base like Travis does Travis. They will buy anything

2125
01:34:51,840 --> 01:34:54,040
Speaker 7: he markets to them, Like I don't think Uzzi has

2126
01:34:54,160 --> 01:34:56,400
Speaker 7: really Yeah, being a Travis Scott fan is a lifestyle.

2127
01:34:56,640 --> 01:35:01,600
Speaker 3: But major uh slotted fat Yeah he was if not

2128
01:35:01,720 --> 01:35:03,200
Speaker 3: a headliner's second billing.

2129
01:35:04,880 --> 01:35:07,840
Speaker 1: That's so interesting that he does not He doesn't do arenas.

2130
01:35:08,880 --> 01:35:09,479
Speaker 2: Is it? Wow?

2131
01:35:09,800 --> 01:35:11,160
Speaker 3: Yeah, I'm like little Oozy.

2132
01:35:11,560 --> 01:35:14,000
Speaker 1: I wouldn't I thought Little Oozi was doing arenas. I wouldn't.

2133
01:35:14,000 --> 01:35:15,519
Speaker 1: I'm not checking for it. I'm not going to the show,

2134
01:35:15,600 --> 01:35:18,160
Speaker 1: but I would think that little Oozy is doing arenas. Absolutely.

2135
01:35:18,200 --> 01:35:18,479
Speaker 5: It's hard.

2136
01:35:18,760 --> 01:35:21,560
Speaker 7: It's hard for people to buy tickets. I mean, like

2137
01:35:21,880 --> 01:35:24,040
Speaker 7: do shows now. People are not buying tickets to show.

2138
01:35:24,320 --> 01:35:26,120
Speaker 2: Oh it just it just reminded me because.

2139
01:35:25,880 --> 01:35:27,679
Speaker 1: She's buying tickets to show. It was just not certain

2140
01:35:27,720 --> 01:35:28,320
Speaker 1: Nigga shows.

2141
01:35:28,600 --> 01:35:30,720
Speaker 2: What happened with with Nikki and Killer Mike?

2142
01:35:31,479 --> 01:35:35,040
Speaker 7: Oh so nothing. Killer Mike won the award. But whoever

2143
01:35:35,439 --> 01:35:39,640
Speaker 7: is on the Grammys Social Team is a genius. They

2144
01:35:39,720 --> 01:35:43,559
Speaker 7: tweeted out that Barbie World one rap song of the Year.

2145
01:35:43,640 --> 01:35:46,160
Speaker 7: Oh yeah, instead that was not I don't give a

2146
01:35:46,160 --> 01:35:48,800
Speaker 7: fuck with nobody say that wasn't on accident. They said

2147
01:35:48,840 --> 01:35:51,559
Speaker 7: the envelope said killer Mike. They said they announced Killer

2148
01:35:51,600 --> 01:35:54,320
Speaker 7: Mike at the pre Grammy show. Like everything said killer

2149
01:35:54,400 --> 01:35:58,800
Speaker 7: Mike except for Twitter, Twitter, the recording at Recording a

2150
01:35:58,880 --> 01:36:02,400
Speaker 7: cad said no, Nikki Barbie Royl won this and then

2151
01:36:02,439 --> 01:36:02,880
Speaker 7: deleted it.

2152
01:36:03,040 --> 01:36:05,719
Speaker 2: I cannot believe Nikki didn't hop on I g Live

2153
01:36:06,120 --> 01:36:08,200
Speaker 2: within seconds of that happening.

2154
01:36:08,640 --> 01:36:11,200
Speaker 7: I think she would have if it wasn't Killer Mike

2155
01:36:11,280 --> 01:36:15,639
Speaker 7: that one and it was one of her competitors. That's

2156
01:36:15,720 --> 01:36:18,479
Speaker 7: if it was like doing that for Killer Mike is

2157
01:36:18,560 --> 01:36:20,880
Speaker 7: just like girl like Drake want lost too, so like

2158
01:36:20,960 --> 01:36:21,960
Speaker 7: what are you gonna.

2159
01:36:23,680 --> 01:36:23,840
Speaker 9: You know?

2160
01:36:25,240 --> 01:36:28,040
Speaker 2: I mean, Kai had her back. Kay had no idea

2161
01:36:28,040 --> 01:36:31,240
Speaker 2: who the fuck killer Mike was, even though he lives

2162
01:36:31,280 --> 01:36:32,160
Speaker 2: in his city.

2163
01:36:33,320 --> 01:36:35,200
Speaker 1: I mean, I don't expect k should not to know

2164
01:36:35,240 --> 01:36:37,240
Speaker 1: who killer Mike is, neither of mine. I don't you

2165
01:36:37,280 --> 01:36:37,599
Speaker 1: know what I mean.

2166
01:36:37,720 --> 01:36:39,360
Speaker 2: I didn't have the hip hop outrage the way.

2167
01:36:40,840 --> 01:36:43,519
Speaker 1: Something Yeah, certain artists. I don't expect like these younger

2168
01:36:43,600 --> 01:36:47,320
Speaker 1: cats to know who they are, But I would, I would,

2169
01:36:47,439 --> 01:36:50,120
Speaker 1: I would. I would actually love to see uh Kai

2170
01:36:50,960 --> 01:36:52,000
Speaker 1: do a stream with Killer Mike.

2171
01:36:52,479 --> 01:36:53,000
Speaker 3: That'd be cool.

2172
01:36:53,120 --> 01:36:55,640
Speaker 1: I think that'll be super cool. That it's okay when

2173
01:36:55,760 --> 01:36:58,240
Speaker 1: when when we got to get past this thing of

2174
01:36:58,320 --> 01:37:00,559
Speaker 1: when people don't know who certain people are is looked

2175
01:37:00,600 --> 01:37:02,479
Speaker 1: at us like yo, that's yo, what the fuck you

2176
01:37:02,760 --> 01:37:05,640
Speaker 1: how you don't know? Instead say oh you don't know

2177
01:37:05,680 --> 01:37:08,840
Speaker 1: who he is? Invite him on your stream, sit down

2178
01:37:08,880 --> 01:37:10,720
Speaker 1: the kicker with him, get to know who Killer Mike is.

2179
01:37:11,120 --> 01:37:14,000
Speaker 1: Get to know exactly the type of person. Uh, how

2180
01:37:14,120 --> 01:37:17,439
Speaker 1: intelligent this this this artist is, how important this artist

2181
01:37:17,600 --> 01:37:20,160
Speaker 1: is and why this artist won three Grammys? Like, I

2182
01:37:20,240 --> 01:37:21,800
Speaker 1: think that's the the way to go.

2183
01:37:22,000 --> 01:37:24,759
Speaker 2: So yeah, Kai Kye, get Killing Mike on the stream,

2184
01:37:24,800 --> 01:37:27,439
Speaker 2: man and have some fun and bring some police there

2185
01:37:27,479 --> 01:37:29,120
Speaker 2: to lot killing Mike up in your basement? Like how

2186
01:37:29,160 --> 01:37:31,040
Speaker 2: old was Kai in two thousand and three when Never

2187
01:37:31,160 --> 01:37:34,040
Speaker 2: Scared came out three?

2188
01:37:35,280 --> 01:37:37,040
Speaker 1: Probably there's a lot. Yeah, That's what I'm saying. So

2189
01:37:37,560 --> 01:37:41,160
Speaker 1: instead of you know, like how you know Killer Mike

2190
01:37:41,200 --> 01:37:42,920
Speaker 1: fans being mad at Kyle and I know who Killer

2191
01:37:42,960 --> 01:37:45,840
Speaker 1: Mike is, have a have a have him on for

2192
01:37:45,920 --> 01:37:48,599
Speaker 1: a stream, have him on as a guest, and that's

2193
01:37:48,640 --> 01:37:50,640
Speaker 1: how you squash all of that and get to know

2194
01:37:50,800 --> 01:37:51,320
Speaker 1: Killer Mike is.

2195
01:37:51,439 --> 01:37:52,439
Speaker 5: Yeah, but why would you do that?

2196
01:37:52,520 --> 01:37:53,519
Speaker 3: How would that benefit him?

2197
01:37:54,200 --> 01:37:54,760
Speaker 1: Benefit who?

2198
01:37:55,640 --> 01:37:59,200
Speaker 7: Kai's streaming is a job? How would him having Killer

2199
01:37:59,240 --> 01:38:00,400
Speaker 7: Mike been a fit him?

2200
01:38:00,400 --> 01:38:01,000
Speaker 5: In his audience?

2201
01:38:01,439 --> 01:38:03,280
Speaker 1: He's a he's a three He's a he's a three

2202
01:38:03,360 --> 01:38:07,639
Speaker 1: time Grammy winner, rapper from Atlanta, very intelligent on social issues,

2203
01:38:08,000 --> 01:38:09,720
Speaker 1: very intelligent on a lot of issues that's going on

2204
01:38:09,840 --> 01:38:12,120
Speaker 1: in our culture, in our communities, and being cons not

2205
01:38:12,240 --> 01:38:14,960
Speaker 1: being a young person that's living in the city that

2206
01:38:15,120 --> 01:38:17,479
Speaker 1: Killer Mike is from. I think that it would be

2207
01:38:17,640 --> 01:38:20,880
Speaker 1: beneficial for cos and not to at least know he

2208
01:38:20,920 --> 01:38:22,040
Speaker 1: doesn't have to be a fan of his music.

2209
01:38:22,120 --> 01:38:24,120
Speaker 7: I didn't say how to at least know who. I

2210
01:38:24,120 --> 01:38:26,599
Speaker 7: didn't say how we be beneficial to Kai? How would

2211
01:38:26,600 --> 01:38:29,519
Speaker 7: it be beneficial to Kai's platform? In Kai's job?

2212
01:38:30,040 --> 01:38:33,959
Speaker 1: That's what because the people adding his brands and introducing

2213
01:38:34,040 --> 01:38:37,720
Speaker 1: his audience, introducing his audience to artists and people that

2214
01:38:38,040 --> 01:38:41,000
Speaker 1: they may not know in the city, a big figure

2215
01:38:41,040 --> 01:38:43,800
Speaker 1: in the city that lives in like it will be

2216
01:38:43,960 --> 01:38:46,160
Speaker 1: very very beneficial to Kai and his platform to have

2217
01:38:46,280 --> 01:38:47,840
Speaker 1: Killing Mike on Oh, absolutely, Well.

2218
01:38:47,760 --> 01:38:51,000
Speaker 7: Kay, I'm not arguing with you, just saying Kai's platform,

2219
01:38:51,360 --> 01:38:54,160
Speaker 7: the guest he brings on is to draw streams to

2220
01:38:54,360 --> 01:38:58,679
Speaker 7: his platform. We know who his audience is. His audience's kids.

2221
01:38:59,320 --> 01:39:02,120
Speaker 7: Killer Mike is not. He doesn't make music for their demographics.

2222
01:39:02,160 --> 01:39:04,080
Speaker 7: So yes, for us it will be cool. But if

2223
01:39:04,160 --> 01:39:07,080
Speaker 7: Killer Mike went on a Kai sin Nott stream, most

2224
01:39:07,200 --> 01:39:09,479
Speaker 7: Killer Mike fans wouldn't go see it, And then Kay

2225
01:39:09,560 --> 01:39:12,240
Speaker 7: Sanat fans are not. Really He's not really gonna garner

2226
01:39:12,360 --> 01:39:15,280
Speaker 7: any new fans from that. So that's why I said,

2227
01:39:15,320 --> 01:39:16,760
Speaker 7: why would it beneficial.

2228
01:39:16,320 --> 01:39:17,040
Speaker 1: For his platform?

2229
01:39:17,160 --> 01:39:17,479
Speaker 5: He might?

2230
01:39:18,040 --> 01:39:21,240
Speaker 3: Kay also said is streaming his audience or not kids?

2231
01:39:21,400 --> 01:39:22,679
Speaker 3: Remember that that was pretty recent.

2232
01:39:23,400 --> 01:39:26,800
Speaker 2: He says, be your definition of kids. But yeah, and

2233
01:39:26,960 --> 01:39:29,400
Speaker 2: also I think a lot of the kids that watch

2234
01:39:29,520 --> 01:39:33,400
Speaker 2: Kai and look up to him want to be like him.

2235
01:39:33,560 --> 01:39:35,960
Speaker 2: As far as streaming in the business that he does,

2236
01:39:36,600 --> 01:39:40,680
Speaker 2: Killer Mike is an incredibly intelligent businessman. I think it

2237
01:39:40,680 --> 01:39:42,920
Speaker 2: would be an incredible conversation for the two of them

2238
01:39:43,000 --> 01:39:47,000
Speaker 2: to talk about business. And I think his fans, most

2239
01:39:47,040 --> 01:39:49,479
Speaker 2: of his fans want to be him. They want to stream,

2240
01:39:49,520 --> 01:39:51,960
Speaker 2: They try to do YouTube channels like him. To have

2241
01:39:52,080 --> 01:39:54,960
Speaker 2: Killer Mike on there, just on a business aspect, would

2242
01:39:55,000 --> 01:39:57,360
Speaker 2: be an incredible conversation I think for his audience.

2243
01:39:57,479 --> 01:40:00,400
Speaker 1: Yeah, and not only just for the audience, just for

2244
01:40:00,520 --> 01:40:05,440
Speaker 1: the optics and aesthetics of the young streamers, the older rappers,

2245
01:40:06,040 --> 01:40:09,000
Speaker 1: uh three time Grammy winner. It just gives it a

2246
01:40:09,120 --> 01:40:12,160
Speaker 1: different you know. Now, it's like, oh, Kai is sitting

2247
01:40:12,200 --> 01:40:15,320
Speaker 1: down with people that he does he doesn't know. He's

2248
01:40:15,320 --> 01:40:17,120
Speaker 1: getting to learn about these people, and he's bringing these

2249
01:40:17,120 --> 01:40:19,600
Speaker 1: people into his world, where Killer Mike may not know

2250
01:40:19,840 --> 01:40:22,640
Speaker 1: much about that streaming world. He's very intelligent, so he

2251
01:40:23,360 --> 01:40:26,439
Speaker 1: pretty much might know. But I think that that's just

2252
01:40:26,479 --> 01:40:30,080
Speaker 1: a dope look like the young streamer the old MC

2253
01:40:30,160 --> 01:40:32,880
Speaker 1: who just won three Grammys, being from the same city

2254
01:40:32,880 --> 01:40:35,080
Speaker 1: that Kyson out that lives in. I just think that,

2255
01:40:35,200 --> 01:40:37,719
Speaker 1: you know, he gets caught. Ky gets information on Atlanta

2256
01:40:37,760 --> 01:40:40,320
Speaker 1: that he doesn't know about, on why Atlanta is considered

2257
01:40:40,360 --> 01:40:42,080
Speaker 1: the black Hollywood and things like that. I think that

2258
01:40:42,560 --> 01:40:44,360
Speaker 1: is just a good look for Kayle as well as

2259
01:40:44,439 --> 01:40:47,120
Speaker 1: Killer Mike because now it lets it kind of takes

2260
01:40:47,120 --> 01:40:49,599
Speaker 1: away that stink of the older generation doesn't really fuck

2261
01:40:49,600 --> 01:40:51,840
Speaker 1: with the younger general. It's a nice cross pollination. I

2262
01:40:51,880 --> 01:40:53,719
Speaker 1: think it would be a mutually official.

2263
01:40:54,479 --> 01:40:56,880
Speaker 2: I think Killer Mike's album was a perfect representation of

2264
01:40:56,920 --> 01:40:59,519
Speaker 2: that if you look at the features, like there's young

2265
01:40:59,560 --> 01:41:02,680
Speaker 2: people on the Atlanta is on there and on top

2266
01:41:02,720 --> 01:41:07,000
Speaker 2: of that, outside of DJ Envy putting him on camera

2267
01:41:07,080 --> 01:41:10,080
Speaker 2: with that guy, Killing Mike is very vocal about black

2268
01:41:10,120 --> 01:41:13,439
Speaker 2: ownership and real estate and you know, owning homes within

2269
01:41:13,600 --> 01:41:17,120
Speaker 2: the Georgia community. Where do you stream from your home?

2270
01:41:17,920 --> 01:41:21,280
Speaker 2: It's a very important conversation to people that want to

2271
01:41:21,320 --> 01:41:26,840
Speaker 2: stream eventually that that's your office. Yeah, like the dome

2272
01:41:26,920 --> 01:41:28,320
Speaker 2: is the most important part to a streamer.

2273
01:41:28,439 --> 01:41:29,160
Speaker 1: Yeah, I think that would be.

2274
01:41:29,240 --> 01:41:32,479
Speaker 2: You should learn about real estate. But anyways, do we

2275
01:41:32,520 --> 01:41:33,120
Speaker 2: have voicemails?

2276
01:41:33,479 --> 01:41:34,280
Speaker 1: You've got mail?

2277
01:41:34,400 --> 01:41:34,600
Speaker 5: We do.

2278
01:41:34,960 --> 01:41:38,320
Speaker 3: I figured we we sidestepped away from our usual relationship advice,

2279
01:41:38,320 --> 01:41:40,679
Speaker 3: so I figured we'd get back into it with one today.

2280
01:41:41,160 --> 01:41:42,080
Speaker 3: So there you go.

2281
01:41:44,840 --> 01:41:49,920
Speaker 6: Yo, Rory Mau DeMars, Julian Yomi, thank you for having

2282
01:41:49,920 --> 01:41:51,680
Speaker 6: me on the show. This is Chris from the Bay

2283
01:41:51,760 --> 01:41:53,639
Speaker 6: Area represent from the five one oh and the four

2284
01:41:53,680 --> 01:41:54,120
Speaker 6: one five.

2285
01:41:54,800 --> 01:41:54,960
Speaker 1: Uh.

2286
01:41:56,120 --> 01:41:59,160
Speaker 6: I just have a question, quick question, if y'all will

2287
01:41:59,520 --> 01:42:03,439
Speaker 6: be so free to answer it. I've been dating a

2288
01:42:03,520 --> 01:42:06,880
Speaker 6: girl since the start of last year. Started twenty twenty three.

2289
01:42:07,880 --> 01:42:13,920
Speaker 6: We got together at the start of this year, and

2290
01:42:14,560 --> 01:42:19,479
Speaker 6: she's perfect. She's thirty three, I'm thirty, about to be

2291
01:42:19,600 --> 01:42:23,439
Speaker 6: thirty one, she's about to be thirty four. She's I

2292
01:42:23,600 --> 01:42:28,560
Speaker 6: love everything about this girl except for one thing. She

2293
01:42:28,800 --> 01:42:35,120
Speaker 6: has made comments that she is not exactly She doesn't

2294
01:42:35,160 --> 01:42:38,280
Speaker 6: know if she wants to have kids, right, but all

2295
01:42:38,320 --> 01:42:40,040
Speaker 6: her friends have kids and she wants to be on

2296
01:42:40,200 --> 01:42:45,040
Speaker 6: some best aunt ever. Shit me, personally, I want to

2297
01:42:45,080 --> 01:42:49,400
Speaker 6: have kids, like I love the idea of being a father.

2298
01:42:49,600 --> 01:42:52,120
Speaker 6: I love the idea of raising someone to be the

2299
01:42:52,200 --> 01:42:56,320
Speaker 6: best that they can be. So I'm having this internal

2300
01:42:56,360 --> 01:43:01,360
Speaker 6: conflict of how do I approach her about yo less

2301
01:43:02,400 --> 01:43:04,599
Speaker 6: less maybe get on the same page about kids?

2302
01:43:05,760 --> 01:43:06,360
Speaker 1: How do I do that?

2303
01:43:07,240 --> 01:43:10,920
Speaker 6: Come on, guys, can y'all give me some advice? Thank you,

2304
01:43:11,080 --> 01:43:11,840
Speaker 6: and I appreciate you.

2305
01:43:12,800 --> 01:43:19,320
Speaker 1: Yo, listen, man, just shoot it up, all right? Still

2306
01:43:19,320 --> 01:43:22,000
Speaker 1: talking about Atlanta? Yeah, man, just shoot up the club man.

2307
01:43:22,280 --> 01:43:24,320
Speaker 1: Just a lot of you know how many women I've

2308
01:43:24,360 --> 01:43:26,360
Speaker 1: heard saying I don't want kids, and as soon as

2309
01:43:26,400 --> 01:43:29,719
Speaker 1: they have one, it's like they just don't even remember

2310
01:43:29,760 --> 01:43:31,000
Speaker 1: who they were before having a kid.

2311
01:43:32,080 --> 01:43:33,960
Speaker 2: Like I can't believe, don't want kids.

2312
01:43:34,760 --> 01:43:36,679
Speaker 1: No, that's no, it's not. You made it sound.

2313
01:43:37,520 --> 01:43:40,040
Speaker 2: Get a woman pregnant that doesn't want to get pregnant, Yeah,

2314
01:43:40,200 --> 01:43:41,080
Speaker 2: it's crazy.

2315
01:43:41,560 --> 01:43:44,599
Speaker 3: It's your lady'll but it's her body.

2316
01:43:45,920 --> 01:43:50,760
Speaker 1: Yeah, but I mean I'm not and she ends up

2317
01:43:50,760 --> 01:43:52,320
Speaker 1: being a shitty mother and you're mad at her when

2318
01:43:52,360 --> 01:43:53,439
Speaker 1: she tried to tell you I didn't want to be

2319
01:43:53,479 --> 01:43:57,519
Speaker 1: a fucking mother. I think that most people that say

2320
01:43:57,520 --> 01:43:59,439
Speaker 1: they don't want to have kids, he's not a lot

2321
01:43:59,479 --> 01:44:01,400
Speaker 1: of people say that until they actually have a kid.

2322
01:44:01,600 --> 01:44:02,960
Speaker 1: I know a bunch of people that was like, nah,

2323
01:44:02,960 --> 01:44:04,400
Speaker 1: I'm not having no kids. I'm not, And now that

2324
01:44:04,479 --> 01:44:07,200
Speaker 1: they have kids, they fucking love it. They want to

2325
01:44:07,240 --> 01:44:09,320
Speaker 1: have another one, like they want to They have three now,

2326
01:44:09,840 --> 01:44:11,599
Speaker 1: and at one point it was like I'm not having none.

2327
01:44:13,640 --> 01:44:15,360
Speaker 1: It happens a lot of people feel like they don't

2328
01:44:15,400 --> 01:44:18,639
Speaker 1: want kids until they have a kid, and then it's

2329
01:44:18,680 --> 01:44:21,160
Speaker 1: like oh shit, like this is amazing, this is beautiful.

2330
01:44:21,240 --> 01:44:23,840
Speaker 1: Like it happens a lot of people for that way.

2331
01:44:23,880 --> 01:44:25,840
Speaker 1: I just think that that's probably where his girlfriend is at,

2332
01:44:25,920 --> 01:44:28,920
Speaker 1: Like she's feeling like I don't want no kids. You

2333
01:44:29,040 --> 01:44:31,760
Speaker 1: say that, now, okay, cool, but then we have a kid,

2334
01:44:31,800 --> 01:44:34,280
Speaker 1: we have a family, start a family, and then you're like, Yo,

2335
01:44:34,360 --> 01:44:36,759
Speaker 1: this is incredible, Like I love this part of my life.

2336
01:44:37,320 --> 01:44:39,160
Speaker 2: All right, So break down this whole process. So he

2337
01:44:39,320 --> 01:44:43,040
Speaker 2: nuts inside of her, she becomes got pregnant, she pee's

2338
01:44:43,080 --> 01:44:45,840
Speaker 2: on the stick. Yeah, after she's already said I did

2339
01:44:45,920 --> 01:44:47,680
Speaker 2: not want a kid. Yep. I don't think when she

2340
01:44:47,800 --> 01:44:52,360
Speaker 2: sees the two lines that's going to change her perspective.

2341
01:44:52,840 --> 01:44:56,559
Speaker 2: So walk me through the nine months of this pregnancy

2342
01:44:56,600 --> 01:44:58,519
Speaker 2: of a woman that said she did not want to

2343
01:44:58,600 --> 01:45:02,720
Speaker 2: have a kid. How are you gonna duck the If

2344
01:45:02,760 --> 01:45:04,400
Speaker 2: she really doesn't want to, she have an abortion.

2345
01:45:05,920 --> 01:45:07,599
Speaker 1: See, you really put her in a nice position.

2346
01:45:07,720 --> 01:45:10,040
Speaker 2: So let's let's get her pregnant just to see no

2347
01:45:10,240 --> 01:45:11,360
Speaker 2: but no again.

2348
01:45:11,680 --> 01:45:13,160
Speaker 1: Is the radiator and some handcuffs.

2349
01:45:13,200 --> 01:45:15,680
Speaker 2: People say, Okay, what if they live in Texas? We

2350
01:45:15,800 --> 01:45:17,439
Speaker 2: need more information? Is she on birth control?

2351
01:45:18,600 --> 01:45:20,639
Speaker 1: Well no, if she got pregnant, I'm just saying, That's

2352
01:45:20,640 --> 01:45:22,000
Speaker 1: what I'm saying. Is she we don't know?

2353
01:45:22,200 --> 01:45:22,600
Speaker 2: If she is?

2354
01:45:22,680 --> 01:45:24,719
Speaker 1: Then't she really doesn't. She's not trying to be pregnant

2355
01:45:24,760 --> 01:45:28,800
Speaker 1: at all. But if she's not, women monitor her period. Yeah,

2356
01:45:28,800 --> 01:45:29,760
Speaker 1: that's different.

2357
01:45:31,080 --> 01:45:34,680
Speaker 3: Or control being pregnant and not the women opt to

2358
01:45:34,760 --> 01:45:35,920
Speaker 3: not beyond birth controls.

2359
01:45:36,320 --> 01:45:38,760
Speaker 7: Control is awful for you, and so many people have

2360
01:45:38,880 --> 01:45:41,000
Speaker 7: gotten all types of blood clots and ship for it

2361
01:45:41,040 --> 01:45:44,040
Speaker 7: because it's absolutely terrible, terrible for you. Causes weight gain,

2362
01:45:44,360 --> 01:45:47,760
Speaker 7: makes your hormones fluctuate, gives you suicidal ideation. So yeah,

2363
01:45:48,080 --> 01:45:50,439
Speaker 7: sometimes you don't want to have a baby, but sometimes

2364
01:45:50,479 --> 01:45:51,880
Speaker 7: you want to kill yourself just a little less. So

2365
01:45:51,960 --> 01:45:54,000
Speaker 7: you might not do birth control. You might just monitor

2366
01:45:54,400 --> 01:45:55,280
Speaker 7: when you're opulating.

2367
01:45:55,479 --> 01:45:59,080
Speaker 1: Yeah, either that's still birth control to some to some degree,

2368
01:45:59,400 --> 01:46:03,400
Speaker 1: monitoring in your ovulator. That's controlling your birth charge for sure.

2369
01:46:03,640 --> 01:46:05,800
Speaker 2: But I think after she sees the two lines, she's

2370
01:46:05,840 --> 01:46:09,960
Speaker 2: gonna have some revelation. And he's like, I can't wait

2371
01:46:10,040 --> 01:46:10,519
Speaker 2: to have the skip.

2372
01:46:11,520 --> 01:46:14,400
Speaker 1: I've seen it happen. I've seen it happen with a

2373
01:46:14,439 --> 01:46:16,240
Speaker 1: lot of girls. I know they was swopping down, I'm

2374
01:46:16,280 --> 01:46:18,519
Speaker 1: not having kids. I'm not having kids. As soon as

2375
01:46:18,560 --> 01:46:22,280
Speaker 1: they got pregnant, was ecstatic, was happy, was excited, loved

2376
01:46:22,320 --> 01:46:23,160
Speaker 1: that they have a family.

2377
01:46:23,240 --> 01:46:26,760
Speaker 7: Now it happens, it does happen, moll, No, I'm not.

2378
01:46:27,080 --> 01:46:29,120
Speaker 7: I am in before I'm telling you that that does

2379
01:46:29,160 --> 01:46:29,519
Speaker 7: not happen.

2380
01:46:29,600 --> 01:46:32,120
Speaker 5: But he should not. He should actually listen to the

2381
01:46:32,160 --> 01:46:35,160
Speaker 5: person that he's dating and go off of what she's saying.

2382
01:46:35,240 --> 01:46:38,559
Speaker 1: Oh, women don't know nothing. I don't know what y'all want.

2383
01:46:38,640 --> 01:46:41,640
Speaker 1: That's air tight logic. Yeah, she's also thirty fourst I

2384
01:46:42,160 --> 01:46:44,400
Speaker 1: just posted that, tweeted the girl that said the three

2385
01:46:44,479 --> 01:46:46,160
Speaker 1: years ago she was like, yo, men that could cook

2386
01:46:46,360 --> 01:46:49,040
Speaker 1: deserve sloppy head like at the drop of a dominated.

2387
01:46:49,040 --> 01:46:51,439
Speaker 1: Four years later, tweeted men that can cook us sassy.

2388
01:46:51,560 --> 01:46:54,920
Speaker 1: I saw that. It's a very funny women. They you

2389
01:46:55,120 --> 01:46:57,280
Speaker 1: just don't. It's like, all right, man, this is your partner,

2390
01:46:57,360 --> 01:46:58,720
Speaker 1: this is who you're gonna be with, this is who

2391
01:46:58,760 --> 01:47:01,920
Speaker 1: you love. Thirty four that's what she said. Almost said.

2392
01:47:02,560 --> 01:47:04,560
Speaker 2: Okay, if she was twenty two and was like I

2393
01:47:04,640 --> 01:47:07,160
Speaker 2: don't want kids, I could see a world where eventually

2394
01:47:07,280 --> 01:47:09,600
Speaker 2: she may want kids. I think at thirty four, you

2395
01:47:09,680 --> 01:47:12,560
Speaker 2: know you have a pretty good grasp on whether you

2396
01:47:12,600 --> 01:47:13,240
Speaker 2: want to have kids or not.

2397
01:47:15,520 --> 01:47:17,479
Speaker 1: Yes and no, because I know girls that had kids

2398
01:47:17,520 --> 01:47:18,479
Speaker 1: after they were thirty four.

2399
01:47:18,880 --> 01:47:20,280
Speaker 2: Did they have a kid before? No?

2400
01:47:21,080 --> 01:47:24,000
Speaker 7: Moll Yeah, you ever considered that some people have kids

2401
01:47:24,240 --> 01:47:25,920
Speaker 7: and they say they didn't want them, and then they

2402
01:47:25,960 --> 01:47:27,719
Speaker 7: have kids and you're like, oh, they're so happy because

2403
01:47:27,760 --> 01:47:30,400
Speaker 7: they're like making the best out of their situation. It's

2404
01:47:30,479 --> 01:47:31,960
Speaker 7: kind of like, fy, that's what we're all on this

2405
01:47:32,040 --> 01:47:33,639
Speaker 7: earth for, to make the best of up. Yeah, okay,

2406
01:47:33,680 --> 01:47:35,240
Speaker 7: but that doesn't mean that that's what they want. Is

2407
01:47:35,280 --> 01:47:37,479
Speaker 7: that it's what happened, and they're making the best out

2408
01:47:37,479 --> 01:47:39,559
Speaker 7: of the situation. They're choosing not to spend the rest

2409
01:47:39,600 --> 01:47:41,400
Speaker 7: of their life raising their kid. Upset that they have

2410
01:47:41,479 --> 01:47:44,599
Speaker 7: a kid, because I, as a woman, know so many

2411
01:47:44,640 --> 01:47:47,000
Speaker 7: women who go out into the world and they post

2412
01:47:47,000 --> 01:47:49,320
Speaker 7: their kids and they look so happy to be moms,

2413
01:47:49,720 --> 01:47:52,200
Speaker 7: But when they get on that phone at night with me,

2414
01:47:52,280 --> 01:47:53,920
Speaker 7: they're crying in like, why the fuck did I do this?

2415
01:47:54,040 --> 01:47:55,720
Speaker 7: I didn't want to do this. I hate being a

2416
01:47:55,840 --> 01:47:57,800
Speaker 7: fucking mother. But they're making the best out of a

2417
01:47:57,840 --> 01:48:00,400
Speaker 7: situation that happens way too often.

2418
01:48:00,520 --> 01:48:04,000
Speaker 1: Yeah, I just uh, yeah, it happens. But I think

2419
01:48:04,040 --> 01:48:04,840
Speaker 1: it goes both ways.

2420
01:48:04,880 --> 01:48:05,040
Speaker 3: Though.

2421
01:48:05,800 --> 01:48:09,200
Speaker 1: There's definitely women that absolutely don't want kids and don't

2422
01:48:09,280 --> 01:48:11,639
Speaker 1: end up don't ever having kids. I know that too,

2423
01:48:12,320 --> 01:48:14,760
Speaker 1: But also no women that at one point was saying, hell, no,

2424
01:48:14,840 --> 01:48:15,760
Speaker 1: I'm not having no kids.

2425
01:48:16,040 --> 01:48:19,040
Speaker 7: Fuck no, Like so at thirty if he's saying at

2426
01:48:19,040 --> 01:48:21,040
Speaker 7: thirty three, going on thirty four, she's adamant that she

2427
01:48:21,160 --> 01:48:23,960
Speaker 7: doesn't want kids. What he's looking for, you, guys, to

2428
01:48:24,000 --> 01:48:26,760
Speaker 7: give him advice, real advice. Please do not shoot that

2429
01:48:26,840 --> 01:48:32,479
Speaker 7: girl's body up without her permission. What is you, guys

2430
01:48:32,560 --> 01:48:33,320
Speaker 7: advice to him?

2431
01:48:33,479 --> 01:48:35,920
Speaker 2: I think if you want to be very serious with

2432
01:48:36,040 --> 01:48:38,080
Speaker 2: somebody and see the rest of your life with them,

2433
01:48:39,840 --> 01:48:44,040
Speaker 2: your opinion on children needs to align. Even if that's

2434
01:48:44,120 --> 01:48:47,439
Speaker 2: your twin flame soul made all that shit, I understand.

2435
01:48:47,560 --> 01:48:51,200
Speaker 2: But if kids is part of your planning what you

2436
01:48:51,240 --> 01:48:53,040
Speaker 2: want to see with your life, you want to experience

2437
01:48:53,080 --> 01:48:57,960
Speaker 2: having children, you can't be with someone that doesn't. Now

2438
01:48:57,960 --> 01:49:00,919
Speaker 2: if she was unable to have kids, that different conversation.

2439
01:49:01,320 --> 01:49:03,120
Speaker 2: But if she's healthy enough to have kids and she

2440
01:49:03,240 --> 01:49:06,679
Speaker 2: does not want to and you want to, I don't

2441
01:49:06,720 --> 01:49:09,160
Speaker 2: really see. I don't care. If you're the closest relationship ever,

2442
01:49:09,280 --> 01:49:10,880
Speaker 2: that's it can't really work out.

2443
01:49:11,240 --> 01:49:13,360
Speaker 1: If if you want to have kids and your girl

2444
01:49:13,800 --> 01:49:15,360
Speaker 1: is not able to have kids, do you stay with her?

2445
01:49:16,640 --> 01:49:16,760
Speaker 8: Uh?

2446
01:49:18,280 --> 01:49:18,360
Speaker 2: Her?

2447
01:49:18,479 --> 01:49:20,280
Speaker 3: No, Because if I'm at that point where I really

2448
01:49:20,360 --> 01:49:23,280
Speaker 3: want to be a father, then that would be just

2449
01:49:23,400 --> 01:49:26,240
Speaker 3: the looming thing over the course of our entire existence.

2450
01:49:26,360 --> 01:49:28,960
Speaker 1: Would I'm too selfish.

2451
01:49:29,439 --> 01:49:32,800
Speaker 2: Well, I don't think she would want to know.

2452
01:49:32,840 --> 01:49:33,960
Speaker 5: We're talking about if she couldn't have.

2453
01:49:34,200 --> 01:49:36,360
Speaker 3: Oh she couldn't, she couldn't. Oh, if she couldn't have

2454
01:49:36,520 --> 01:49:38,599
Speaker 3: That's that's a different that's a different conversation.

2455
01:49:38,640 --> 01:49:39,880
Speaker 1: That's the conversation I'm having.

2456
01:49:40,320 --> 01:49:42,360
Speaker 3: No, I didn't know you were talking like medically unable

2457
01:49:42,400 --> 01:49:44,360
Speaker 3: to have children. I thought you meant she just didn't

2458
01:49:44,400 --> 01:49:48,200
Speaker 3: want to. If it's someone I loved, and we tried

2459
01:49:48,280 --> 01:49:51,120
Speaker 3: every single route, like, I would spend a lot. It's

2460
01:49:51,320 --> 01:49:53,360
Speaker 3: fucking so expensive to go through that, but I would

2461
01:49:53,439 --> 01:49:56,639
Speaker 3: do it. And if all the options were exhausted, then

2462
01:49:56,960 --> 01:49:59,439
Speaker 3: I would look into an adoption process because if that's

2463
01:49:59,479 --> 01:50:01,040
Speaker 3: the person I really want to be with, we tried

2464
01:50:01,080 --> 01:50:02,920
Speaker 3: our best, so be it.

2465
01:50:03,040 --> 01:50:03,760
Speaker 1: This is where we're at.

2466
01:50:04,280 --> 01:50:06,479
Speaker 3: MM, we're all just not and some other girl and

2467
01:50:06,560 --> 01:50:08,559
Speaker 3: then raise that kid and then we can just get.

2468
01:50:09,320 --> 01:50:11,400
Speaker 2: Dam But Julian, that's what I was one big happy family.

2469
01:50:11,800 --> 01:50:14,600
Speaker 1: Be a man, Julia, Which one of your friends is

2470
01:50:14,680 --> 01:50:15,200
Speaker 1: your favorite?

2471
01:50:15,200 --> 01:50:15,760
Speaker 3: Give me that one?

2472
01:50:15,880 --> 01:50:19,880
Speaker 1: Yeah, exactly, I plan to adopt.

2473
01:50:21,120 --> 01:50:21,160
Speaker 9: You.

2474
01:50:21,280 --> 01:50:22,519
Speaker 1: What I want to have another kid.

2475
01:50:22,720 --> 01:50:24,840
Speaker 2: I won't have another kid and adopt.

2476
01:50:26,320 --> 01:50:27,840
Speaker 1: Brady. Do you really want a black baby?

2477
01:50:29,040 --> 01:50:30,640
Speaker 2: Are you adopt, I would get an Asian one.

2478
01:50:30,760 --> 01:50:32,639
Speaker 1: Are you gonna adopt a black baby?

2479
01:50:33,000 --> 01:50:34,240
Speaker 2: I haven't thought that far.

2480
01:50:34,280 --> 01:50:35,960
Speaker 3: In the process, they're cheaper.

2481
01:50:36,640 --> 01:50:39,040
Speaker 2: He was adopted. I grew up around a lot of

2482
01:50:39,080 --> 01:50:41,640
Speaker 2: adopted kids because that were in foster care. Like, I

2483
01:50:41,720 --> 01:50:44,920
Speaker 2: appreciate that system and want to contribute where I can.

2484
01:50:45,920 --> 01:50:46,599
Speaker 2: I want to adopt.

2485
01:50:46,800 --> 01:50:49,120
Speaker 3: So I told him that it was really cool, So

2486
01:50:49,200 --> 01:50:52,840
Speaker 3: you would want another uh full blood with Themara, Like

2487
01:50:53,280 --> 01:50:53,799
Speaker 3: a full.

2488
01:50:53,800 --> 01:50:55,720
Speaker 11: Full blood is a real like a real kid, like

2489
01:50:55,800 --> 01:51:01,200
Speaker 11: a like a day walker. Yeah, you want a day walker.

2490
01:51:03,360 --> 01:51:05,720
Speaker 11: You're doing the lord's work. You're bringing gingers back and

2491
01:51:05,880 --> 01:51:08,200
Speaker 11: adopting children. That is said, Wow, that's great.

2492
01:51:08,680 --> 01:51:10,920
Speaker 1: You're a philanthropist. Is you're a full on rapist.

2493
01:51:13,479 --> 01:51:14,679
Speaker 2: You're a full on rapist.

2494
01:51:18,240 --> 01:51:21,080
Speaker 1: That's so inappropriate, right, Oh my god.

2495
01:51:21,479 --> 01:51:25,960
Speaker 3: J Cole's first wrapping me fact serious, wait full the philanthropist,

2496
01:51:26,040 --> 01:51:27,920
Speaker 3: you're right? Therapist was his parraper.

2497
01:51:28,000 --> 01:51:30,320
Speaker 1: Yeah, I'm so, I'm so glad.

2498
01:51:30,360 --> 01:51:33,400
Speaker 2: He was, like, you know what, Jay Cole fun J

2499
01:51:33,520 --> 01:51:35,040
Speaker 2: Cole fact for all you J cole fans out there.

2500
01:51:35,080 --> 01:51:38,080
Speaker 2: When he was at Saint John's, his rap name was Therapist.

2501
01:51:38,520 --> 01:51:41,760
Speaker 2: My cousin and former business partner went to college with him.

2502
01:51:42,000 --> 01:51:43,600
Speaker 2: They all looked at him when they were trying to

2503
01:51:43,640 --> 01:51:46,240
Speaker 2: find a logo, and Aristotle was like, bro, that says

2504
01:51:46,320 --> 01:51:51,679
Speaker 2: the rapist. Ye you need Jermaine, you need to change

2505
01:51:51,720 --> 01:51:52,439
Speaker 2: your what's your real name?

2506
01:51:52,479 --> 01:51:53,120
Speaker 1: What's your name?

2507
01:51:53,200 --> 01:51:55,960
Speaker 2: Let's go with that, go with j Cole. It was

2508
01:51:56,000 --> 01:51:58,160
Speaker 2: looking at logos like it just says the rapist. Yeah,

2509
01:51:58,360 --> 01:52:01,120
Speaker 2: no matter how you write it, matter how you write it,

2510
01:52:02,600 --> 01:52:03,600
Speaker 2: I don't care how you spell it.

2511
01:52:04,800 --> 01:52:06,280
Speaker 1: What would you do? What would you tell him?

2512
01:52:06,600 --> 01:52:06,720
Speaker 9: Oh?

2513
01:52:06,760 --> 01:52:08,960
Speaker 7: I would tell him to Yeah, find somebody that wants

2514
01:52:08,960 --> 01:52:09,840
Speaker 7: to have kids, baby marries.

2515
01:52:09,880 --> 01:52:10,439
Speaker 1: Do you want kids?

2516
01:52:10,640 --> 01:52:10,800
Speaker 3: Yes?

2517
01:52:11,040 --> 01:52:12,640
Speaker 5: I want. I want nothing more than to be a

2518
01:52:12,720 --> 01:52:14,800
Speaker 5: mother and a wife. That's my life goal.

2519
01:52:15,640 --> 01:52:17,040
Speaker 7: Your life goes to be a mother and a wife,

2520
01:52:17,240 --> 01:52:19,920
Speaker 7: to have a family to raise, like a happy, healthy

2521
01:52:20,280 --> 01:52:23,200
Speaker 7: family with like other extensions. And I want family businesses

2522
01:52:23,280 --> 01:52:24,640
Speaker 7: and all of that, but I want my family to

2523
01:52:24,680 --> 01:52:25,480
Speaker 7: be a core.

2524
01:52:26,840 --> 01:52:28,160
Speaker 5: I was raised on family values.

2525
01:52:28,280 --> 01:52:31,040
Speaker 2: So yeah, what if I adopted a white ginger.

2526
01:52:32,160 --> 01:52:33,800
Speaker 1: That's how obsessive. Then I would be like, all right,

2527
01:52:33,800 --> 01:52:36,200
Speaker 1: there's something wrong with you. There's something really wrong.

2528
01:52:36,240 --> 01:52:37,479
Speaker 5: Well, I mean nobody else is going to do it,

2529
01:52:37,560 --> 01:52:38,880
Speaker 5: So that's the kid.

2530
01:52:38,880 --> 01:52:39,680
Speaker 3: You could sacrifice.

2531
01:52:39,880 --> 01:52:48,200
Speaker 2: Yeah, we'll be back afterward from all sponsors. We have

2532
01:52:48,320 --> 01:52:50,280
Speaker 2: those sponsors, you do know, I'm nervous about those the

2533
01:52:51,320 --> 01:52:53,760
Speaker 2: adoption interview, Like I feel like I would fail that,

2534
01:52:54,600 --> 01:52:56,400
Speaker 2: I feel like I tried to make an appropriate joke,

2535
01:52:56,600 --> 01:52:59,800
Speaker 2: or I would be nervous. I would just not look

2536
01:52:59,880 --> 01:53:03,519
Speaker 2: like a fit do that entire thing. Yeah, yeah, I'd

2537
01:53:03,560 --> 01:53:05,680
Speaker 2: offer them alcohol and you want something to drink or

2538
01:53:05,720 --> 01:53:07,280
Speaker 2: here from interview?

2539
01:53:07,479 --> 01:53:09,639
Speaker 1: Yeah, I'm going to the legal store. You need anything?

2540
01:53:11,439 --> 01:53:12,799
Speaker 5: You think you passed the home inspection?

2541
01:53:15,040 --> 01:53:17,200
Speaker 2: Yeah, I'm a very clean person. It's I mean, there's

2542
01:53:17,240 --> 01:53:19,960
Speaker 2: guns in there, but do you think the gut what

2543
01:53:20,160 --> 01:53:23,479
Speaker 2: would stop it? Whatever happened to that paper towels and guns.

2544
01:53:23,280 --> 01:53:24,080
Speaker 1: In your bathroom?

2545
01:53:24,680 --> 01:53:27,960
Speaker 2: Oh it's still geez long story?

2546
01:53:28,040 --> 01:53:32,760
Speaker 1: Yeah ship? Yeah, like at a leaky.

2547
01:53:31,840 --> 01:53:35,519
Speaker 2: Yeah yeah, that homeowner ship sometimes is really fucking annoying

2548
01:53:35,840 --> 01:53:39,200
Speaker 2: with insurance. But should I put a Should I put

2549
01:53:39,200 --> 01:53:41,600
Speaker 2: Amara in the fresh Air program? Even though she's like

2550
01:53:42,280 --> 01:53:44,559
Speaker 2: well off? Why is jail?

2551
01:53:44,640 --> 01:53:46,000
Speaker 5: You know you have a well off kid?

2552
01:53:47,760 --> 01:53:48,160
Speaker 6: So were you?

2553
01:53:51,240 --> 01:53:53,439
Speaker 1: She doesn't call me you were a well off kid too.

2554
01:53:53,720 --> 01:53:55,720
Speaker 5: I'm not a well off kid, he I said. He

2555
01:53:55,880 --> 01:53:56,840
Speaker 5: has always an adult.

2556
01:53:57,680 --> 01:54:00,760
Speaker 3: Know I'm saying you were No, I wasn't. You were

2557
01:54:00,840 --> 01:54:02,320
Speaker 3: well off kid, baby, Oh no I was not.

2558
01:54:03,040 --> 01:54:04,200
Speaker 5: We were poor, poor buddies.

2559
01:54:04,400 --> 01:54:07,120
Speaker 1: I'm not poor. It was you know, lower middle class whatever.

2560
01:54:07,880 --> 01:54:09,200
Speaker 1: Well that's lower middle class.

2561
01:54:09,400 --> 01:54:10,360
Speaker 3: That was well off.

2562
01:54:10,560 --> 01:54:13,120
Speaker 1: It's not well off. That's not well off, lower middle class.

2563
01:54:13,600 --> 01:54:16,960
Speaker 3: We did fine, it felt fine. My parents worked, Yeah,

2564
01:54:17,000 --> 01:54:21,160
Speaker 3: my parents worked. I went to public schools. I went

2565
01:54:21,200 --> 01:54:22,559
Speaker 3: to a very good private school. I have a lot

2566
01:54:22,600 --> 01:54:22,880
Speaker 3: of debt.

2567
01:54:23,000 --> 01:54:24,880
Speaker 1: Like there's no there was no like a hand out.

2568
01:54:24,960 --> 01:54:27,040
Speaker 1: It was like definitely not well, you'll get through, but

2569
01:54:27,400 --> 01:54:30,200
Speaker 1: good luck, it's going to be food on the table tonight.

2570
01:54:30,240 --> 01:54:32,600
Speaker 1: But yeah, I'm not. We never worried about that stuff. Yeah,

2571
01:54:33,000 --> 01:54:33,400
Speaker 1: I get it.

2572
01:54:35,080 --> 01:54:38,000
Speaker 2: I had food, clothes, didn't miss basketball camp, So I

2573
01:54:38,080 --> 01:54:38,680
Speaker 2: think I was all right.

2574
01:54:38,800 --> 01:54:42,080
Speaker 1: Same. Oh my god, cap I always say I can

2575
01:54:42,160 --> 01:54:44,640
Speaker 1: never say I got it out the mud. Yeah I

2576
01:54:44,720 --> 01:54:47,040
Speaker 1: can't say that. No, No, I didn't get out the mud.

2577
01:54:47,360 --> 01:54:51,920
Speaker 2: Got it out the fridge, got it out to the fridge,

2578
01:54:52,120 --> 01:54:55,960
Speaker 2: got it out the fridge. Mom kept the fridge stock

2579
01:54:56,080 --> 01:54:58,600
Speaker 2: like I got it up the fridge the fact.

2580
01:54:58,760 --> 01:55:01,840
Speaker 1: So we only did mischievous it, like like you know,

2581
01:55:02,000 --> 01:55:05,520
Speaker 1: Rob the Asian food delivery guy because we were just bored.

2582
01:55:05,680 --> 01:55:08,760
Speaker 1: It wasn't starving. I had food upstairs on the stove.

2583
01:55:08,960 --> 01:55:11,160
Speaker 1: Promise you rob the Chinese guy with a full stomach.

2584
01:55:12,080 --> 01:55:13,720
Speaker 1: I was burping when he pulled up, Like yo, what

2585
01:55:14,160 --> 01:55:14,720
Speaker 1: how many ways?

2586
01:55:15,240 --> 01:55:16,600
Speaker 3: Like ship?

2587
01:55:16,640 --> 01:55:21,040
Speaker 1: I already like, I'm like, we didn't we We just

2588
01:55:21,080 --> 01:55:22,520
Speaker 1: did sh it because we were boring. That was it.

2589
01:55:22,600 --> 01:55:24,640
Speaker 2: Depending on the weather. Sometimes it was money.

2590
01:55:24,560 --> 01:55:27,040
Speaker 1: Yeah, sometimes, but I didn't get nothing out of the mud.

2591
01:55:27,160 --> 01:55:29,080
Speaker 1: I went upstairs and I had rain boots on.

2592
01:55:29,200 --> 01:55:30,760
Speaker 2: So what can you actually get out of the mother

2593
01:55:31,720 --> 01:55:32,400
Speaker 2: wing worms?

2594
01:55:33,880 --> 01:55:35,320
Speaker 5: You guys have had ring worm before? Hell?

2595
01:55:35,440 --> 01:55:39,120
Speaker 1: No, all the dirty I never had. I never had one.

2596
01:55:39,120 --> 01:55:42,200
Speaker 2: What's the kissing disease? I never had mono either. That's

2597
01:55:42,200 --> 01:55:43,080
Speaker 2: because I didn't get pussy.

2598
01:55:43,240 --> 01:55:44,840
Speaker 1: That's dirty, Ship, that's just dirty.

2599
01:55:44,920 --> 01:55:46,480
Speaker 5: I got mid off from one of my homegirls.

2600
01:55:46,720 --> 01:55:47,760
Speaker 1: Dirty look.

2601
01:55:48,480 --> 01:55:51,000
Speaker 5: No, not even drinking after her, I swear to got drinking.

2602
01:55:51,160 --> 01:55:51,960
Speaker 5: All I did was drinking.

2603
01:55:51,960 --> 01:55:53,920
Speaker 1: I was never a fan of that. Not drinking that

2604
01:55:54,000 --> 01:55:57,640
Speaker 1: on a pan of mono. Oh no, drinking after never.

2605
01:55:57,600 --> 01:55:57,960
Speaker 9: Fan of that.

2606
01:55:58,120 --> 01:56:01,120
Speaker 5: Mall do not people? I asked, modest, will give me?

2607
01:56:01,160 --> 01:56:02,400
Speaker 1: I give you your own ship.

2608
01:56:02,560 --> 01:56:02,840
Speaker 3: I'm not.

2609
01:56:03,120 --> 01:56:05,080
Speaker 1: I just that was never my drip. I'm not with

2610
01:56:05,280 --> 01:56:05,600
Speaker 1: that ship.

2611
01:56:05,720 --> 01:56:08,280
Speaker 2: My friend in high school got crabs from a toilet

2612
01:56:08,360 --> 01:56:09,240
Speaker 2: at icon Stadium.

2613
01:56:09,320 --> 01:56:10,280
Speaker 1: Yeah that's what he told you.

2614
01:56:10,720 --> 01:56:12,560
Speaker 2: No, he was a virgin. He really got crabs from

2615
01:56:12,920 --> 01:56:16,040
Speaker 2: the toilet at icon Stadium on dirty Island.

2616
01:56:16,240 --> 01:56:19,640
Speaker 1: Dirty? Why are you brand new, brand new? Why is

2617
01:56:19,680 --> 01:56:23,440
Speaker 1: it on the public toilet? I agree that dirty ship.

2618
01:56:23,600 --> 01:56:25,400
Speaker 1: All of the ship, y'all saying, come to motherfuckers just

2619
01:56:25,480 --> 01:56:33,320
Speaker 1: being dirty. MANO you to Harlem, stinking Lincoln home with

2620
01:56:33,400 --> 01:56:34,120
Speaker 1: a dirty nigga.

2621
01:56:34,720 --> 01:56:37,320
Speaker 7: I didn't start like coming into contact with really dirty

2622
01:56:37,320 --> 01:56:39,840
Speaker 7: ship until I went to college. College dorm rooms and

2623
01:56:40,280 --> 01:56:44,040
Speaker 7: bath fucking gross's. I got Ringworld from was college.

2624
01:56:44,120 --> 01:56:45,280
Speaker 1: My high school was pretty filthy.

2625
01:56:45,800 --> 01:56:48,280
Speaker 2: College college is fucking They had the match in the

2626
01:56:48,320 --> 01:56:50,800
Speaker 2: gym high school. There was a ring worm like outbreak.

2627
01:56:50,960 --> 01:56:51,320
Speaker 3: Thank god.

2628
01:56:51,360 --> 01:56:55,240
Speaker 2: I never got dirty motherfucker's on. Washed the ass, wash

2629
01:56:55,320 --> 01:56:57,120
Speaker 2: your hands, wash what you use.

2630
01:56:57,440 --> 01:56:58,440
Speaker 1: Guys ever get pink eye?

2631
01:56:58,920 --> 01:57:01,800
Speaker 2: Never was one of the chosen ones.

2632
01:57:02,000 --> 01:57:02,360
Speaker 1: Never had.

2633
01:57:02,440 --> 01:57:04,080
Speaker 2: I've ate a lot of ass too. I'm shocked and

2634
01:57:04,120 --> 01:57:04,560
Speaker 2: never happened.

2635
01:57:04,600 --> 01:57:07,440
Speaker 3: I thought I had pink eye, but mine currently has

2636
01:57:07,520 --> 01:57:10,520
Speaker 3: pink eye currently, And I said, I was like, get

2637
01:57:10,560 --> 01:57:14,040
Speaker 3: your eye out of her asshole and still.

2638
01:57:14,800 --> 01:57:18,160
Speaker 2: I just wash your hands like white people don't wash

2639
01:57:18,200 --> 01:57:18,480
Speaker 2: their hands.

2640
01:57:18,480 --> 01:57:19,440
Speaker 1: But you're eating ass.

2641
01:57:21,280 --> 01:57:21,600
Speaker 3: Fellow.

2642
01:57:22,120 --> 01:57:23,960
Speaker 7: When I thought I had pink eye, but I really

2643
01:57:24,000 --> 01:57:25,960
Speaker 7: didn't have scratched my cordy or whatever, but I thought

2644
01:57:25,960 --> 01:57:27,280
Speaker 7: I had pink guy, so I didn't come to work

2645
01:57:27,280 --> 01:57:28,440
Speaker 7: and he was like that girl fart no.

2646
01:57:30,120 --> 01:57:34,640
Speaker 2: Tailor one nots atchickroop, Taylor, do we have any any

2647
01:57:34,680 --> 01:57:35,240
Speaker 2: more voicemail?

2648
01:57:36,120 --> 01:57:36,400
Speaker 9: That was it?

2649
01:57:36,600 --> 01:57:38,000
Speaker 2: First of all, it doesn't make you dirty iful get

2650
01:57:38,080 --> 01:57:40,720
Speaker 2: ringworm because you were in gym class and somebody someone

2651
01:57:40,760 --> 01:57:43,640
Speaker 2: else had it. That's how thing spread. Yeah, let's let's

2652
01:57:43,680 --> 01:57:46,440
Speaker 2: hold the h Let's hold the voicemails for later in

2653
01:57:46,480 --> 01:57:46,760
Speaker 2: the week.

2654
01:57:47,080 --> 01:57:48,080
Speaker 1: Okay, we'll do that.

2655
01:57:48,600 --> 01:57:50,920
Speaker 2: Prayers to Lisa Ann m what happened?

2656
01:57:51,080 --> 01:57:54,440
Speaker 1: Don't tell me Lisa and died? God no, oh my god.

2657
01:57:54,640 --> 01:57:57,400
Speaker 1: I was about to be fucking sick. Quite the opposite.

2658
01:57:57,880 --> 01:57:59,360
Speaker 5: His whole heart dropped off, Yo.

2659
01:57:59,720 --> 01:58:01,400
Speaker 2: You know that is to hear about Lisa and even

2660
01:58:01,480 --> 01:58:03,560
Speaker 2: thinking she prays to Lisa, like, what the fuck?

2661
01:58:03,600 --> 01:58:04,080
Speaker 1: What happened?

2662
01:58:04,520 --> 01:58:05,800
Speaker 2: She was dragged out of Radio City.

2663
01:58:06,560 --> 01:58:09,760
Speaker 1: Don't know what? Here is Matt Rice for cosplay.

2664
01:58:10,520 --> 01:58:16,680
Speaker 3: I wanted to see Matt right, yeah.

2665
01:58:17,920 --> 01:58:19,880
Speaker 7: Wait what she probably was trying to record in a

2666
01:58:19,920 --> 01:58:21,680
Speaker 7: place you're not able to record, and it was probably

2667
01:58:21,720 --> 01:58:22,520
Speaker 7: drunk and beligerent.

2668
01:58:22,600 --> 01:58:25,440
Speaker 1: And every cop a restner has jacked off to this

2669
01:58:25,520 --> 01:58:28,960
Speaker 1: lady before. That's Lisa Ann the legend you were gonna

2670
01:58:28,960 --> 01:58:30,440
Speaker 1: wrestle because she pulled her phone out.

2671
01:58:30,520 --> 01:58:31,840
Speaker 2: Yeah at Radio City. That's the thing.

2672
01:58:32,120 --> 01:58:33,800
Speaker 1: How do you think her and Matt Riife know each other?

2673
01:58:34,160 --> 01:58:35,760
Speaker 1: She said they're good. Oh, you know how the same

2674
01:58:35,800 --> 01:58:37,440
Speaker 1: way I know her. He's like twenty seven.

2675
01:58:37,880 --> 01:58:42,000
Speaker 3: Yeah, so so she's what she's probably like old legend.

2676
01:58:42,640 --> 01:58:45,440
Speaker 3: I'm saying, we work together. Okay, fine, in that case,

2677
01:58:45,480 --> 01:58:47,000
Speaker 3: if Matt Rife and her work together, what do you

2678
01:58:47,000 --> 01:58:47,680
Speaker 3: think they're working on?

2679
01:58:48,880 --> 01:58:51,720
Speaker 1: Uh, some contents? Twenty minutes?

2680
01:58:52,960 --> 01:58:56,520
Speaker 2: I would be if I were ah ten, maybe I

2681
01:58:56,560 --> 01:58:58,040
Speaker 2: would be like, yo, Lisa, we got to get this

2682
01:58:58,160 --> 01:58:59,520
Speaker 2: content going, you know content.

2683
01:58:59,680 --> 01:59:01,920
Speaker 3: She's fifty one, she looks great. She's fifty one, she

2684
01:59:02,000 --> 01:59:04,040
Speaker 3: looks amazing, she looks she looks great.

2685
01:59:05,440 --> 01:59:07,560
Speaker 1: Seventy two. Oh, she's from Easton.

2686
01:59:07,800 --> 01:59:11,880
Speaker 2: That's where my college is great and that's also where

2687
01:59:11,920 --> 01:59:13,000
Speaker 2: the Crayola factory is.

2688
01:59:13,200 --> 01:59:14,240
Speaker 5: Yes, I've been there. It's nice.

2689
01:59:14,240 --> 01:59:15,400
Speaker 3: I told her he should take amara.

2690
01:59:16,000 --> 01:59:18,200
Speaker 1: Do you guys know what color the largest crane in

2691
01:59:18,240 --> 01:59:21,920
Speaker 1: the world is? Yep? What is it? Crack a white? Nope?

2692
01:59:23,120 --> 01:59:26,560
Speaker 3: What is it? Well, I guess Mustard. Why are you

2693
01:59:26,560 --> 01:59:30,400
Speaker 3: guys doing like the weird coloring popular red? Now it's blue.

2694
01:59:30,880 --> 01:59:34,840
Speaker 3: It's made of recycled old crans doing.

2695
01:59:34,880 --> 01:59:36,280
Speaker 1: I feel like I could have left this planet not

2696
01:59:36,400 --> 01:59:38,000
Speaker 1: knowing that. But it's cool.

2697
01:59:38,080 --> 01:59:41,720
Speaker 3: It's it's huge to be madless for not guessing you

2698
01:59:42,800 --> 01:59:47,200
Speaker 3: like the blue you're gassing like weird color because you set.

2699
01:59:47,040 --> 01:59:48,040
Speaker 2: It up as if it was going to be some

2700
01:59:48,120 --> 01:59:49,880
Speaker 2: crazy things. It's just a blue fucking crayon.

2701
01:59:50,200 --> 01:59:53,120
Speaker 1: Yeah, I think simple there it is. It's like the

2702
01:59:53,160 --> 01:59:54,520
Speaker 1: Web of Krans.

2703
01:59:55,040 --> 01:59:57,640
Speaker 7: If anybody is depressed right now, get a coloring book

2704
01:59:57,840 --> 02:00:00,160
Speaker 7: and some crayons and color it'll out.

2705
02:00:01,240 --> 02:00:02,960
Speaker 1: Are you depressed right now? Do you ever come?

2706
02:00:03,800 --> 02:00:04,800
Speaker 5: I'm in a really good place.

2707
02:00:04,840 --> 02:00:09,000
Speaker 2: I don't think birth control. Does that make you too soon?

2708
02:00:09,400 --> 02:00:11,440
Speaker 3: That's what you just told us a little bit too,

2709
02:00:11,520 --> 02:00:12,800
Speaker 3: so maybe that's okay?

2710
02:00:12,920 --> 02:00:13,320
Speaker 2: Fair enough?

2711
02:00:13,720 --> 02:00:15,800
Speaker 1: Anyways, all right, I'm just glad Lisa Ann is still

2712
02:00:15,840 --> 02:00:18,760
Speaker 1: alive and well, and you know I would have bail

2713
02:00:18,760 --> 02:00:21,480
Speaker 1: her out. I would definitely put something on the Sayd's books.

2714
02:00:21,520 --> 02:00:23,320
Speaker 1: As much as I would I would have followed the

2715
02:00:23,320 --> 02:00:25,680
Speaker 1: cop card. Yeah. I owe Lisa and I owe her

2716
02:00:26,400 --> 02:00:26,920
Speaker 1: at least.

2717
02:00:28,520 --> 02:00:29,480
Speaker 2: She need a character witness.

2718
02:00:29,600 --> 02:00:32,720
Speaker 1: Yeah, when is the trial? Character I will speak at

2719
02:00:32,760 --> 02:00:33,880
Speaker 1: her trial if she needs me to.

2720
02:00:34,040 --> 02:00:34,720
Speaker 2: That's a hard worker.

2721
02:00:34,760 --> 02:00:36,200
Speaker 1: You're are you kidding me? Lisa?

2722
02:00:36,680 --> 02:00:38,040
Speaker 2: Everything that she does?

2723
02:00:40,680 --> 02:00:41,600
Speaker 5: Is she in your top five?

2724
02:00:42,320 --> 02:00:42,600
Speaker 1: Lisa?

2725
02:00:43,000 --> 02:00:46,360
Speaker 3: Yeah, I don't expect you to watch white woman poorn

2726
02:00:46,440 --> 02:00:47,160
Speaker 3: so who me?

2727
02:00:48,200 --> 02:00:48,240
Speaker 9: No?

2728
02:00:49,800 --> 02:00:57,680
Speaker 1: Uh, she at least top five, top ten. She's in

2729
02:00:57,760 --> 02:00:59,120
Speaker 1: my top ten. I don't know if she's in my

2730
02:00:59,240 --> 02:01:04,120
Speaker 1: top five. She's in my top ten for sure. There's

2731
02:01:04,160 --> 02:01:05,720
Speaker 1: a new one that cracked my top five that might

2732
02:01:05,760 --> 02:01:08,760
Speaker 1: have got lisaying out of it. Savannah Bond. Oh, my God,

2733
02:01:08,880 --> 02:01:13,600
Speaker 1: Jesus Christ. Savana Bond, Jesus Christ. She's incredible.

2734
02:01:14,160 --> 02:01:14,640
Speaker 3: Pull her up.

2735
02:01:16,080 --> 02:01:19,680
Speaker 1: See she's incredible. You really you really like the milk mall?

2736
02:01:20,240 --> 02:01:23,800
Speaker 2: Oh those are the nastiest. You're a milk nasties one star.

2737
02:01:23,960 --> 02:01:27,360
Speaker 2: Oh God killed me a milk. She's fairly new, she's a.

2738
02:01:27,520 --> 02:01:30,760
Speaker 1: Couple of years in. She's on my top she's born

2739
02:01:30,800 --> 02:01:34,080
Speaker 1: in nineteen ninety. She's from Melbourne, Australia. Yeah, she's an

2740
02:01:34,120 --> 02:01:34,920
Speaker 1: ausse ory.

2741
02:01:34,960 --> 02:01:39,120
Speaker 5: Do you like redheaded porn, like redheaded women porn?

2742
02:01:39,920 --> 02:01:42,800
Speaker 2: No, I like a lot of red white porn, but

2743
02:01:42,920 --> 02:01:44,280
Speaker 2: not I don't know redhead.

2744
02:01:49,200 --> 02:01:50,640
Speaker 1: That's so fate. It's so deep.

2745
02:01:51,920 --> 02:01:52,600
Speaker 2: That's very deep.

2746
02:01:53,280 --> 02:01:56,000
Speaker 1: That's hilarious. Like black, we can't do that.

2747
02:01:56,880 --> 02:01:57,240
Speaker 3: I can't.

2748
02:01:57,240 --> 02:01:58,360
Speaker 1: I can't do it. Rory just did.

2749
02:01:59,520 --> 02:02:03,280
Speaker 2: But mine's very specific. Like white porn is fine. I

2750
02:02:04,000 --> 02:02:06,560
Speaker 2: like white porn, but specific to gingers is.

2751
02:02:06,600 --> 02:02:10,240
Speaker 1: Like, that's hilarious.

2752
02:02:10,920 --> 02:02:12,520
Speaker 2: It's like looking at a sibling.

2753
02:02:12,760 --> 02:02:14,760
Speaker 3: They say approximately two to six percent of the US

2754
02:02:14,840 --> 02:02:16,000
Speaker 3: population is red headed.

2755
02:02:17,560 --> 02:02:20,000
Speaker 2: That's a when you're talking about the US population, Two

2756
02:02:20,040 --> 02:02:21,760
Speaker 2: to six is a huge gap.

2757
02:02:23,400 --> 02:02:24,080
Speaker 1: Yeah, yeah it is.

2758
02:02:24,600 --> 02:02:27,120
Speaker 2: Yeah, I would say one.

2759
02:02:27,440 --> 02:02:30,920
Speaker 1: Six to eighteen million individuals. All right, well, I think

2760
02:02:30,960 --> 02:02:33,840
Speaker 1: we addressed and touched everything we wanted to do and

2761
02:02:34,400 --> 02:02:35,480
Speaker 1: everyone we wanted to touch.

2762
02:02:35,560 --> 02:02:38,600
Speaker 2: Today we can talk super Bowl predictions on Friday.

2763
02:02:39,520 --> 02:02:41,920
Speaker 1: Oh we know he's when the super Bowl prediction.

2764
02:02:43,240 --> 02:02:43,400
Speaker 3: Year.

2765
02:02:44,320 --> 02:02:48,080
Speaker 2: Yeah, swizzle, I can't wait till she goes fifty yard

2766
02:02:48,160 --> 02:02:50,000
Speaker 2: line after they win and endorses of Biden.

2767
02:02:52,440 --> 02:02:54,400
Speaker 5: Do you guys think that Usher will bring anybody out?

2768
02:02:54,720 --> 02:02:58,080
Speaker 1: Yeah? Nah, I don't think he's bringin He's taking that

2769
02:02:58,160 --> 02:03:01,400
Speaker 1: one to the face. Hey, yeah, taking it to the

2770
02:03:01,480 --> 02:03:02,640
Speaker 1: face meaning by itself?

2771
02:03:03,120 --> 02:03:03,240
Speaker 9: Was that?

2772
02:03:03,360 --> 02:03:03,760
Speaker 1: Ao?

2773
02:03:05,360 --> 02:03:05,640
Speaker 3: What if?

2774
02:03:05,760 --> 02:03:07,320
Speaker 2: What if Keiki Palmer is like front Row?

2775
02:03:07,960 --> 02:03:08,400
Speaker 1: I hope not.

2776
02:03:08,880 --> 02:03:10,720
Speaker 5: Oh, that would be great marketing.

2777
02:03:11,200 --> 02:03:16,040
Speaker 2: No, wouldn't Kiki Kiki not getting custody ever killing?

2778
02:03:16,160 --> 02:03:18,360
Speaker 1: Like who would that be great marketing for? He's already

2779
02:03:18,480 --> 02:03:22,760
Speaker 1: the and a halftime super Bowl show. He may bring

2780
02:03:22,840 --> 02:03:26,960
Speaker 1: out some guests who I could see him, John, I

2781
02:03:26,960 --> 02:03:29,520
Speaker 1: could see him doing some real Atlanta. Yeah, I was

2782
02:03:29,600 --> 02:03:31,800
Speaker 1: just saying I could see him doing some real Atlanta. Shit.

2783
02:03:32,960 --> 02:03:34,680
Speaker 1: I could see him bringing Atlanta to the super Bowl.

2784
02:03:34,760 --> 02:03:37,200
Speaker 1: See his skins campaign that came out while we were recording.

2785
02:03:38,760 --> 02:03:40,200
Speaker 2: No, I didn't see it while we were recording.

2786
02:03:40,400 --> 02:03:43,080
Speaker 1: No, I'm not looking at Usher with his underwee on

2787
02:03:43,080 --> 02:03:45,080
Speaker 1: while we're recording, Julian, Sorry, I was.

2788
02:03:46,880 --> 02:03:48,560
Speaker 3: Demarus was looking at it and I noticed that.

2789
02:03:48,720 --> 02:03:50,520
Speaker 5: I said, oh, look at Usher and you say, yeah,

2790
02:03:50,560 --> 02:03:51,840
Speaker 5: he looks great, like you saw her.

2791
02:03:51,880 --> 02:03:53,520
Speaker 1: Okay, he does look great. How much of this? How

2792
02:03:53,600 --> 02:03:54,600
Speaker 1: much of the skims underwear?

2793
02:03:55,960 --> 02:03:58,560
Speaker 3: Probably like they're probably like thirty five forty a pair.

2794
02:03:59,240 --> 02:04:01,840
Speaker 2: Forty one pair underwear you're gonna cop?

2795
02:04:02,360 --> 02:04:02,400
Speaker 3: No?

2796
02:04:04,080 --> 02:04:07,600
Speaker 2: Wait, one prices right now? That is forty dollars for

2797
02:04:07,720 --> 02:04:08,600
Speaker 2: one pair of underwear.

2798
02:04:08,640 --> 02:04:10,000
Speaker 7: Now I don't buy them. I'm just saying that's I

2799
02:04:10,040 --> 02:04:12,120
Speaker 7: would assume probably thirty to forty four.

2800
02:04:12,000 --> 02:04:12,800
Speaker 3: Two pack probably.

2801
02:04:13,240 --> 02:04:14,120
Speaker 1: Uh, I don't know.

2802
02:04:14,240 --> 02:04:15,200
Speaker 3: That seems expensive.

2803
02:04:15,880 --> 02:04:18,240
Speaker 1: I'm not paying forty dollars for one pair of underwear

2804
02:04:18,320 --> 02:04:18,880
Speaker 1: from skin.

2805
02:04:18,920 --> 02:04:21,160
Speaker 2: No fucking word. Well how much? Not one brand ever?

2806
02:04:21,280 --> 02:04:21,800
Speaker 1: Twenty four?

2807
02:04:22,160 --> 02:04:23,680
Speaker 2: Oh even that's a price to me.

2808
02:04:24,680 --> 02:04:26,560
Speaker 5: Well, how much do you guys? What underwear do you

2809
02:04:26,640 --> 02:04:27,040
Speaker 5: guys buy?

2810
02:04:27,600 --> 02:04:27,960
Speaker 1: Calvin?

2811
02:04:28,120 --> 02:04:29,760
Speaker 5: Why do you look a Crooks and Castles kind of.

2812
02:04:29,760 --> 02:04:34,360
Speaker 2: Guy, I've not heard.

2813
02:04:34,560 --> 02:04:37,120
Speaker 5: I'm not in castles, and I'm not gonna lie twelve

2814
02:04:37,240 --> 02:04:38,560
Speaker 5: years Maybe sounds crazy.

2815
02:04:38,640 --> 02:04:41,280
Speaker 1: Thought you thought Jay restrained itself well and elevated. Y'all

2816
02:04:41,320 --> 02:04:42,640
Speaker 1: don't even know what I was just about to say

2817
02:04:42,680 --> 02:04:44,360
Speaker 1: to the marriage. I was great to say some very

2818
02:04:44,400 --> 02:04:48,160
Speaker 1: disrespectful the marriage Like, y'all don't give me enough credit

2819
02:04:48,200 --> 02:04:50,160
Speaker 1: for the way I restrained myself sitting in his seat

2820
02:04:50,200 --> 02:04:51,840
Speaker 1: and on this, Michael, did you have a point though,

2821
02:04:52,600 --> 02:04:55,160
Speaker 1: I've never worn Crooks and castle anything in my life,

2822
02:04:55,480 --> 02:05:02,000
Speaker 1: never worn anything that's prettywhere anywhere. Calvin. I wear Calvin Kleins,

2823
02:05:02,120 --> 02:05:07,800
Speaker 1: I wear Figure, I wear polo I wear. Uh. I

2824
02:05:07,920 --> 02:05:10,480
Speaker 1: used to wear Ethica, but I don't like the I

2825
02:05:10,520 --> 02:05:13,160
Speaker 1: don't like polyas. I don't like that material. Yeah, I'm

2826
02:05:13,360 --> 02:05:15,880
Speaker 1: out and sometimes Yeah, I don't know anyone that wears

2827
02:05:15,960 --> 02:05:20,120
Speaker 1: this style of brief. My grandfather used to wear thows. Yeah,

2828
02:05:20,880 --> 02:05:22,720
Speaker 1: this just seems so uncomfortable, like.

2829
02:05:22,800 --> 02:05:24,600
Speaker 3: It's just what it actually looked like. They would probably

2830
02:05:24,680 --> 02:05:25,640
Speaker 3: be comfortable.

2831
02:05:25,400 --> 02:05:28,960
Speaker 1: They know, because right here these right up and on

2832
02:05:29,040 --> 02:05:31,080
Speaker 1: the back when it turned into like a throng. It's

2833
02:05:31,120 --> 02:05:33,800
Speaker 1: just why you got jeans on and you like outside

2834
02:05:33,800 --> 02:05:36,280
Speaker 1: with the homies listening to music, and you got it.

2835
02:05:36,320 --> 02:05:38,720
Speaker 1: They don't know you got your ship. Doesn't turn into

2836
02:05:38,760 --> 02:05:39,800
Speaker 1: thongs underneath your ship.

2837
02:05:39,840 --> 02:05:42,200
Speaker 3: You gotta doty these stings like I don't know about

2838
02:05:43,320 --> 02:05:45,320
Speaker 3: wipe you ass looks like a coal miner's eyebrow.

2839
02:05:45,520 --> 02:05:47,440
Speaker 1: Yeah, no, I don't know. I don't do those box

2840
02:05:47,520 --> 02:05:50,040
Speaker 1: of briefs are nothing for me. Same yeah, give me

2841
02:05:50,120 --> 02:05:51,880
Speaker 1: the long boxer, you give up?

2842
02:05:53,160 --> 02:05:54,400
Speaker 3: When did you give up our boxes?

2843
02:05:54,680 --> 02:05:54,840
Speaker 5: Oh?

2844
02:05:55,000 --> 02:05:59,760
Speaker 1: Man, I was maybe thirteen fourteen and I give them

2845
02:05:59,840 --> 02:06:00,480
Speaker 1: by orry.

2846
02:06:00,520 --> 02:06:01,480
Speaker 3: Did you ever wear boxes?

2847
02:06:01,640 --> 02:06:06,560
Speaker 2: Yeah? I think I gave up last year when I

2848
02:06:06,600 --> 02:06:07,200
Speaker 2: went to college.

2849
02:06:07,240 --> 02:06:09,640
Speaker 1: Maybe I wore boxes throughout high school.

2850
02:06:09,680 --> 02:06:10,640
Speaker 2: High school, I wore boxers.

2851
02:06:10,960 --> 02:06:14,560
Speaker 1: I gave up the moment the moment I found the

2852
02:06:14,640 --> 02:06:17,560
Speaker 1: box of briefs like and they were like consistently available

2853
02:06:17,560 --> 02:06:18,040
Speaker 1: in the stores.

2854
02:06:18,160 --> 02:06:20,040
Speaker 2: I never went back to boxes, but that was around

2855
02:06:20,080 --> 02:06:22,200
Speaker 2: the time like the end of high school for me,

2856
02:06:22,360 --> 02:06:23,960
Speaker 2: like when you could actually just go.

2857
02:06:24,200 --> 02:06:26,840
Speaker 1: Get no no, because when I was in high school,

2858
02:06:26,840 --> 02:06:28,600
Speaker 1: it was way before you sh was readily.

2859
02:06:29,080 --> 02:06:29,720
Speaker 2: Yeah, it was the name.

2860
02:06:29,840 --> 02:06:30,640
Speaker 1: My mom was crazy.

2861
02:06:31,240 --> 02:06:33,200
Speaker 2: I kind of want to try these skims out. Three

2862
02:06:33,320 --> 02:06:35,400
Speaker 2: pack for fifty two is not bad. Hey, Kim, send

2863
02:06:35,480 --> 02:06:37,240
Speaker 2: us a pack of well, send us a whole box

2864
02:06:37,320 --> 02:06:37,560
Speaker 2: of skin.

2865
02:06:37,640 --> 02:06:40,320
Speaker 1: I like these colors. Let me see what, let me

2866
02:06:40,320 --> 02:06:42,640
Speaker 1: see how comfortable they'll be covered, you know. But they're

2867
02:06:42,720 --> 02:06:45,520
Speaker 1: cotton though, right, I'm not wearing no polyester whatever that.

2868
02:06:45,640 --> 02:06:48,080
Speaker 3: It's probably a blend, say skims stretch, so I think

2869
02:06:48,240 --> 02:06:49,720
Speaker 3: it would probably be a yeah, blend.

2870
02:06:49,920 --> 02:06:53,000
Speaker 1: They should have it in the detail probably more. I

2871
02:06:53,080 --> 02:06:56,480
Speaker 1: can't win, no poly I can't do that. Ship you sweat.

2872
02:06:57,720 --> 02:07:01,480
Speaker 1: Polyester makes you sweat? Yeah, mud butt No, never, no mud,

2873
02:07:01,560 --> 02:07:02,800
Speaker 1: but you got.

2874
02:07:02,720 --> 02:07:03,160
Speaker 2: Out the mud.

2875
02:07:03,400 --> 02:07:06,080
Speaker 3: No, that's where you got it out, the mud, cut

2876
02:07:06,120 --> 02:07:07,400
Speaker 3: off strasshole.

2877
02:07:08,120 --> 02:07:08,320
Speaker 1: Never.

2878
02:07:09,080 --> 02:07:10,480
Speaker 5: The fuck is wrong with y'all.

2879
02:07:11,760 --> 02:07:14,920
Speaker 2: I saw someone tweet that the Kardashians keep Rob Kardashian

2880
02:07:15,000 --> 02:07:20,720
Speaker 2: fat so they can harvest him for BBLS. I saw

2881
02:07:20,760 --> 02:07:23,760
Speaker 2: that this morning. I laughed out, what's wrong with people?

2882
02:07:23,840 --> 02:07:23,960
Speaker 3: Man?

2883
02:07:24,040 --> 02:07:27,800
Speaker 1: That's Beverly Hills farming. But why though, Like, why Rob?

2884
02:07:27,960 --> 02:07:31,160
Speaker 1: Don't Rob don't be on the internet. Don't nobody sell

2885
02:07:31,280 --> 02:07:33,280
Speaker 1: socks ones? Yeah, like he's just chilling MI out of

2886
02:07:33,360 --> 02:07:37,080
Speaker 1: his business. And here y'all going the internet just saying disrespectful,

2887
02:07:37,160 --> 02:07:41,040
Speaker 1: crazy shit about Rob Kardashian, Like, just leave people alone? Man?

2888
02:07:42,160 --> 02:07:44,960
Speaker 1: Where is Rob in Calabasas? I guess I don't know?

2889
02:07:46,520 --> 02:07:46,880
Speaker 3: All right?

2890
02:07:48,560 --> 02:07:50,920
Speaker 1: Shout out to the New York Knicks. Shout out to

2891
02:07:51,120 --> 02:07:54,240
Speaker 1: h Jalen Brunson man. My vote for league giving p

2892
02:07:54,400 --> 02:07:58,240
Speaker 1: this year. Nickson in third place. They won a non

2893
02:07:58,280 --> 02:08:00,840
Speaker 1: game Winter Street lost to the Lakers Saturday game.

2894
02:08:02,000 --> 02:08:04,000
Speaker 2: But hey, is that photo of Jaylen Brunson and Lebron

2895
02:08:04,120 --> 02:08:07,000
Speaker 2: from Cool thousand and two.

2896
02:08:06,960 --> 02:08:08,880
Speaker 1: Or some shit Jalen Brunton I was there, it was

2897
02:08:09,240 --> 02:08:12,200
Speaker 1: they put up a clip about Jalen Brunches his career.

2898
02:08:12,920 --> 02:08:14,360
Speaker 1: It was some shit that Jayalen Rushes did that I

2899
02:08:14,400 --> 02:08:17,080
Speaker 1: forgot about. I forgot he won a national championship twice.

2900
02:08:17,440 --> 02:08:20,000
Speaker 1: Mm hmmm, I forgot he was a collegiate Player of

2901
02:08:20,000 --> 02:08:25,040
Speaker 1: the Year. I knew he was a second round draft pick. Uh.

2902
02:08:25,960 --> 02:08:28,240
Speaker 1: But I just think that you know his story, his path,

2903
02:08:28,360 --> 02:08:32,800
Speaker 1: his journey is something that a lot of people should celebrate.

2904
02:08:33,200 --> 02:08:34,600
Speaker 2: I realize he's only twenty seven.

2905
02:08:34,840 --> 02:08:37,280
Speaker 3: Him and Josh Hard are starting a podcast that'll be

2906
02:08:37,320 --> 02:08:40,240
Speaker 3: Dope Together, and Jalen also is entered into the Three

2907
02:08:40,280 --> 02:08:42,120
Speaker 3: Point Contest, so that'll be nice.

2908
02:08:43,000 --> 02:08:45,320
Speaker 1: I'm just I'm just happy that Jalen is because I

2909
02:08:45,360 --> 02:08:47,080
Speaker 1: remember when the Knicks first signed him, they gave Hie

2910
02:08:47,120 --> 02:08:49,280
Speaker 1: hundred million in the Knicks fans webst so they would

2911
02:08:49,280 --> 02:08:49,680
Speaker 1: paid him.

2912
02:08:49,720 --> 02:08:50,360
Speaker 2: I was one of them.

2913
02:08:50,560 --> 02:08:53,640
Speaker 1: Uh, y'all got him for it. Still, yeah, he's highly underpaid,

2914
02:08:53,680 --> 02:08:55,920
Speaker 1: but oh, they gonna double back when this contract is old,

2915
02:08:55,920 --> 02:08:58,600
Speaker 1: when they gonna cash him out. He can believe that, Oh,

2916
02:08:58,680 --> 02:08:59,280
Speaker 1: you can believe that.

2917
02:08:59,400 --> 02:09:01,120
Speaker 2: I was definitely of those Knicks fans like, are we

2918
02:09:01,360 --> 02:09:02,640
Speaker 2: seriously this is what we're paying?

2919
02:09:02,840 --> 02:09:03,040
Speaker 1: Yeah?

2920
02:09:03,440 --> 02:09:03,560
Speaker 2: Uh.

2921
02:09:03,800 --> 02:09:06,720
Speaker 1: And again I'll go back to when Julius told me

2922
02:09:06,800 --> 02:09:09,760
Speaker 1: that because I asked him. Even when they signed him,

2923
02:09:09,760 --> 02:09:11,960
Speaker 1: I'm like, yo, I liked him in Dallas. I thought

2924
02:09:11,960 --> 02:09:15,640
Speaker 1: he was good, but is he like that? And Julius said,

2925
02:09:15,800 --> 02:09:17,640
Speaker 1: he's the best point guard I've ever played with in

2926
02:09:17,680 --> 02:09:21,760
Speaker 1: my life, and that was surprising to hear that. But

2927
02:09:21,920 --> 02:09:25,360
Speaker 1: he's not wrong. He's definitely the best point guard Julius

2928
02:09:25,360 --> 02:09:29,480
Speaker 1: has ever played with. One of the best point guards

2929
02:09:29,480 --> 02:09:32,080
Speaker 1: in the NBA right now, if not the best point

2930
02:09:32,080 --> 02:09:34,600
Speaker 1: guard in NBA right now. It's gonna be hard for

2931
02:09:34,680 --> 02:09:36,879
Speaker 1: him to get mvpdo because I think with Shay Gillias

2932
02:09:37,040 --> 02:09:39,920
Speaker 1: is doing it. Okay, See, I think they're still in

2933
02:09:39,960 --> 02:09:42,960
Speaker 1: first place in the West, so it's gonna be hard

2934
02:09:43,000 --> 02:09:48,920
Speaker 1: for Jalen to get that MVP. Look, But for me personally, Uh,

2935
02:09:49,120 --> 02:09:50,960
Speaker 1: when you are able to come to the Garden, come

2936
02:09:51,000 --> 02:09:54,160
Speaker 1: to the Knicks, I don't think anybody had them being

2937
02:09:54,960 --> 02:10:00,640
Speaker 1: in third place in the East right now. Star selection

2938
02:10:00,760 --> 02:10:06,600
Speaker 1: this year, I just think that he's overachieved. Uh, the

2939
02:10:06,680 --> 02:10:10,840
Speaker 1: Knicks are looking like an Eastern Conference finals team. Just

2940
02:10:10,920 --> 02:10:13,000
Speaker 1: for me personally, Jalen Brunton is the league and.

2941
02:10:13,080 --> 02:10:15,480
Speaker 2: MEP this year for me personally, been real fun here

2942
02:10:15,520 --> 02:10:17,720
Speaker 2: in New York pot together.

2943
02:10:18,680 --> 02:10:22,200
Speaker 1: They were college teammates. I knew that, so they probably

2944
02:10:23,200 --> 02:10:25,240
Speaker 1: probably makes in college the.

2945
02:10:25,320 --> 02:10:29,200
Speaker 3: Nova Knicks Moniker has become awesome too. Yeah, Evincenzo as well.

2946
02:10:29,400 --> 02:10:31,600
Speaker 3: It's just it's a cool story. Yeah, you don't have

2947
02:10:31,680 --> 02:10:33,320
Speaker 3: to fuck with the Knicks. You just think this is cool.

2948
02:10:33,840 --> 02:10:35,760
Speaker 1: Yeah, it's a good time to be a Knicks fan.

2949
02:10:36,320 --> 02:10:38,400
Speaker 1: Shout out to the Knicks. Shout out to Julius get

2950
02:10:38,440 --> 02:10:41,680
Speaker 1: healthy soon. Dislocated his shoulder, but I think he'll be

2951
02:10:41,760 --> 02:10:45,720
Speaker 1: back either. Right after the All Star break he should

2952
02:10:45,720 --> 02:10:49,440
Speaker 1: be good to go. And looking forward to the second

2953
02:10:49,440 --> 02:10:52,040
Speaker 1: half of the season and the playoffs, man, see what

2954
02:10:52,080 --> 02:10:53,760
Speaker 1: the Knicks can do. Hopefully they can go all the

2955
02:10:53,800 --> 02:10:55,720
Speaker 1: way to the to the finals, but that'd be tough

2956
02:10:55,760 --> 02:11:00,400
Speaker 1: to get past Boston or Milwaukee. Milwaukee close.

2957
02:11:00,440 --> 02:11:02,720
Speaker 2: We were having a conversation off Mike a few days

2958
02:11:02,720 --> 02:11:06,120
Speaker 2: ago when I was looking at Super Bowl tickets of

2959
02:11:06,280 --> 02:11:09,840
Speaker 2: something that you would immediately regret. Yep, if the Knicks

2960
02:11:09,880 --> 02:11:12,160
Speaker 2: go to the Eastern Conference Finals, I'll pay.

2961
02:11:12,320 --> 02:11:12,800
Speaker 1: I'll pay for that.

2962
02:11:13,840 --> 02:11:16,440
Speaker 2: That's something I wouldn't have regret. I feel like I'm

2963
02:11:16,480 --> 02:11:18,120
Speaker 2: owed it to be. I don't think I should have

2964
02:11:18,200 --> 02:11:18,440
Speaker 2: to pay.

2965
02:11:18,800 --> 02:11:22,480
Speaker 1: But as a loyal fan, oh yeah, if the Knicks

2966
02:11:22,520 --> 02:11:24,080
Speaker 1: go to the Eastern Conference Finals, you got to go

2967
02:11:24,120 --> 02:11:27,280
Speaker 1: to that game one of the games. If it's in Boston,

2968
02:11:27,280 --> 02:11:30,080
Speaker 1: I would even go up to Boston to see it. Yeah,

2969
02:11:30,360 --> 02:11:31,760
Speaker 1: I mean we would be on the road, so the

2970
02:11:31,920 --> 02:11:33,200
Speaker 1: game three four would be here.

2971
02:11:33,920 --> 02:11:38,000
Speaker 2: Yeah, because I mean when I paid almost two grand

2972
02:11:38,080 --> 02:11:41,000
Speaker 2: to see Saint Peter's get their ass with by Kentucky,

2973
02:11:41,320 --> 02:11:43,840
Speaker 2: I had some buyers remorse on that drive home from Philly.

2974
02:11:44,040 --> 02:11:46,640
Speaker 1: Yes, there's no buyers. Were more leaving the Knicks Eastern

2975
02:11:46,640 --> 02:11:48,840
Speaker 1: Conference Finals game. You were there, You saw it win

2976
02:11:48,920 --> 02:11:50,920
Speaker 1: to lose. It was something that any garden is a

2977
02:11:50,960 --> 02:11:52,760
Speaker 1: good day. Yeah, you had. You had to see that,

2978
02:11:53,760 --> 02:11:54,880
Speaker 1: so you shout out to the Knicks.

2979
02:11:55,280 --> 02:11:56,840
Speaker 2: I was just leaving Philly, like, did I need to

2980
02:11:56,880 --> 02:11:57,520
Speaker 2: be courtside?

2981
02:11:57,680 --> 02:11:59,960
Speaker 1: No, definitely, did not need to be course oute of

2982
02:12:00,040 --> 02:12:02,800
Speaker 1: the Saint Peter. Yeah it was the Elite eight. Yeah,

2983
02:12:02,840 --> 02:12:06,480
Speaker 1: but you could have watched that got smacked. But college

2984
02:12:06,560 --> 02:12:07,400
Speaker 1: is different, though it is.

2985
02:12:07,560 --> 02:12:07,720
Speaker 9: It was.

2986
02:12:07,960 --> 02:12:08,680
Speaker 2: It was a rough game.

2987
02:12:08,760 --> 02:12:11,840
Speaker 1: It's literally winner go home, like every game is winning.

2988
02:12:11,920 --> 02:12:13,640
Speaker 1: So that's why college is a bit Well.

2989
02:12:13,800 --> 02:12:15,440
Speaker 2: The Sweet sixteen. I was not going to pay for that.

2990
02:12:15,560 --> 02:12:16,920
Speaker 2: I was like, all right, if they make it to

2991
02:12:17,000 --> 02:12:19,320
Speaker 2: the Elite eight, which would be crazy, you gotta go

2992
02:12:19,640 --> 02:12:20,880
Speaker 2: it's in Philly. I'll pay for that.

2993
02:12:21,040 --> 02:12:21,200
Speaker 1: Yeah.

2994
02:12:21,320 --> 02:12:23,680
Speaker 2: But on the way back, I was like it was

2995
02:12:23,720 --> 02:12:26,560
Speaker 2: a I could have watched that at home. Yeah, yeah,

2996
02:12:26,640 --> 02:12:29,120
Speaker 2: like I could have saved that. Two bands and then

2997
02:12:29,240 --> 02:12:32,680
Speaker 2: like all the Kentucky uh what do they call them?

2998
02:12:32,680 --> 02:12:34,520
Speaker 1: Like it was Western Carolina that beat that?

2999
02:12:34,640 --> 02:12:38,160
Speaker 2: Oh no, yeah, you're right, he was Kentucky. Was all

3000
02:12:38,200 --> 02:12:42,800
Speaker 2: the unc like boosters were sitting behind me, and you

3001
02:12:42,840 --> 02:12:44,720
Speaker 2: know I had all my Saint Peter's shit on, yeah,

3002
02:12:44,920 --> 02:12:46,760
Speaker 2: you know, with with my feet on the on the

3003
02:12:46,800 --> 02:12:51,560
Speaker 2: wood paws. They were really mean to me, oh, as

3004
02:12:51,560 --> 02:12:54,560
Speaker 2: they were supposed to be. But it wasn't a close

3005
02:12:54,600 --> 02:12:56,040
Speaker 2: game supposed to be welcoming was.

3006
02:12:56,080 --> 02:12:57,440
Speaker 1: Thirty eight nineteen a half?

3007
02:12:57,840 --> 02:12:59,760
Speaker 2: Yeah, like they didn't need to also be mean to me.

3008
02:13:01,320 --> 02:13:02,800
Speaker 1: No, was this the oh yeah, they played the CA

3009
02:13:03,120 --> 02:13:04,360
Speaker 1: they played in Carolina, Kentucky.

3010
02:13:04,760 --> 02:13:07,440
Speaker 2: Hey, they beat Kentucky and the Carolina was the one

3011
02:13:07,480 --> 02:13:09,800
Speaker 2: I went to. Oh okay, gotcha, yeah, okay, I I

3012
02:13:09,800 --> 02:13:12,240
Speaker 2: had them confused, got smoked, big smoked.

3013
02:13:13,000 --> 02:13:15,600
Speaker 1: All right, Well let's get out of here. The's been

3014
02:13:15,640 --> 02:13:20,120
Speaker 1: another another fun episode. March twenty third, we are in

3015
02:13:20,280 --> 02:13:22,840
Speaker 1: DC at the Howard Theater. Tickets on sale now Newborianmall

3016
02:13:22,880 --> 02:13:26,880
Speaker 1: dot com merch available. Subscribe to the Patreon, Subscribe to

3017
02:13:26,920 --> 02:13:34,360
Speaker 1: the YouTube channel. Follow us on TikTok, follow us on Instagram, Twitter, MySpace, friends, there,

3018
02:13:35,040 --> 02:13:37,760
Speaker 1: anywhere you can find New Roorian Mall, Black Planet. We'll

3019
02:13:37,800 --> 02:13:38,960
Speaker 1: be back in a couple of days to talk to you.

3020
02:13:39,000 --> 02:13:41,600
Speaker 1: I enjoy your week. Be safe, be blessed. I'm that nigga.

3021
02:13:41,640 --> 02:13:44,240
Speaker 1: He's just Ginger. Peace. No Worrian now