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Speaker 1: How big does chubbies get to chubb think uh X.

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Speaker 2: I think it's It's okay.

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Speaker 1: There's a difference between chubbies and fatties, not getting left

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Speaker 1: out right.

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Speaker 3: Between that mark you should make fatties. Yeah, that's it,

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Speaker 3: Fatty of the line, Yeah, absolutely.

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Speaker 1: Fat joint on.

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Speaker 4: You're small as a double X.

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Speaker 1: Yeah that's it, Yeah, the smallest.

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Speaker 3: Yeah, baby, you're welcome. We'll take what's riding with that.

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Speaker 4: Boys and girls, we are now back on the bus,

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Speaker 4: which means one thing and one thing only are presenting

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Speaker 4: sponsor of Chevrolet has get Chevy has given us another

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Speaker 4: opportunity to shout them out because they have joined Barceola

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Speaker 4: and bus with the boys. My gods, I can't out horrible,

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Speaker 4: but strong is most advanced Silverado ever is now out

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Speaker 4: there and is ready for you to go and buy.

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Speaker 4: We love you, we appreciate you. Those tier ones helping

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Speaker 4: the tier twos and string along those tier threes. Get

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Speaker 4: to a dealership, talk to them, tell them the boy

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Speaker 4: sents you, and we will give you whatever you want. Dude,

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Speaker 4: We'll give you the moon you want the moon, Janis,

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Speaker 4: we'll give you the moon.

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Speaker 3: You want me to take?

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Speaker 4: A last one and pull it up, throw in the

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Speaker 4: air and pull it down for you.

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Speaker 3: I'll do my best to do that.

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Speaker 4: Chevrolet Advanced, Durable, dependable. You can do so many things

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Speaker 4: with it, dude, so many things. Well, what can you

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Speaker 4: do with the Silverado?

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Speaker 5: You can tailgate, you can haul that new big screen TV,

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Speaker 5: that new boat that you want to show your friends

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Speaker 5: off with. Yeah, totally off roading moving day. Maybe you

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Speaker 5: don't want to do moving day. Maybe you want maybe your.

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Speaker 3: Friend needs to do moving Then you just want to

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Speaker 3: throw the keys.

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Speaker 5: Chevy has got your back, specifically that new sexy Chevy Silverado.

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Speaker 5: Go to a dealership close by, tell him the boy

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Speaker 5: set you, especially in this greater Nashville location, beautiful city,

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Speaker 5: Chevy Sovado dealership.

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Speaker 3: The boy sent you. Take a video show us.

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Speaker 5: We might give you something. But now to the episode

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Speaker 5: jelly Roll. He was phenomenal.

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Speaker 3: Busting with the boys.

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Speaker 4: Oh hey, strong lead up and then it's over and

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Speaker 4: you got to watch first the show. We're not give

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Speaker 4: you anything else.

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Speaker 3: A sponsor for.

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Speaker 1: Them, Yeah yeah, yeah, well I'm not officially sponsored.

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Speaker 5: DJ just sends me boxes of it. Oh, DJ, we're

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Speaker 5: on the basis.

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Speaker 4: That's the first basis, Really say you've met him.

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Speaker 3: He's been around like you know what, I haven't met him.

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Speaker 1: We've just talked a lot. So you know, he went

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Speaker 1: to uh he went to school here when like his

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Speaker 1: earlier teenage and he found the music and was like

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Speaker 1: he hit me up with a message one day and

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Speaker 1: was just like, look, man, he did voice messages a lot,

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Speaker 1: and he was just like, look, man, I understand. Like

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Speaker 1: a lot of people, this was like real early, like sixteen,

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Speaker 1: like two.

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Speaker 6: Thousand and six, team, I hadn't done nothing substantial, but

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Speaker 6: he was just like, look, man, I understand your breed

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Speaker 6: of guy from Nashville because I lived there.

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Speaker 1: He was like, just keep taking at it.

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Speaker 6: People won't get it at first, but when it translates,

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Speaker 6: he's gonna go really and dude like rocked with me

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Speaker 6: ever since.

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Speaker 1: Man, Like that's very cool.

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Speaker 6: Dude, He's probably the coolest relationship I've ever had with

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Speaker 6: like a celebrity.

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Speaker 5: Yeah.

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Speaker 4: I mean he's like he's a celebrity of celebrity.

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Speaker 6: Though right, like he gains fucking nothing, yeah from taking

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Speaker 6: the time to message me and send me bottles of fucking.

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Speaker 4: He Yeah, he didn't really have to fuck with anybody.

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Speaker 4: You know what, I'm saying, like, he kind of he's

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Speaker 4: unfuckable with right. If a pole comes out.

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Speaker 3: He's unfuck with theble.

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Speaker 4: Yeah, forty six percent of poles come out and they say, yeah,

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Speaker 4: we'll embrace him as our next president. We had two issues.

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Speaker 4: We had one not issue. The rock's that popular and

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Speaker 4: this dude doesn't have a platform. He didn't know what

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Speaker 4: the fuck he's talking about. He might he might say no,

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Speaker 4: no one could have babies anymore. Everyone's like, all right,

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Speaker 4: forty six percent already say yeah, So that's why he's

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Speaker 4: get fur more.

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Speaker 3: I'm that crazy. Yeah, people, and.

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Speaker 1: We just got a new president. We know it wasn't

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Speaker 1: like close to election time. They started campaign three months. Yeah,

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Speaker 1: but what about the next gal? Yeah, get Dwayne Johnson.

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Speaker 4: Ready, dude, that ship is I mean this the whole

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Speaker 4: political thing has gotten a little. It's gotten fucking wild.

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Speaker 4: But even when Trump was an.

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Speaker 3: Office, yeah, it does.

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Speaker 1: It was the worst year.

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Speaker 3: I can't imagine the smell of that dick.

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Speaker 6: Yeah, swamp nuts, right, Yeah, that's what I tell people.

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Speaker 6: Have a swampy fucking dick. Man, it's gotta be man.

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Speaker 3: No plug.

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Speaker 4: I like the plug. Also, actually that the times rolling

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Speaker 4: so I'm assuming that we're rolling, and that means that

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Speaker 4: you are now and busting with the boys. We're a

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Speaker 4: jelly roll and we are presented by Chevrolette.

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Speaker 5: Chevy Chevy were going to tell you they were trying

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Speaker 5: to get away from the name Chevrolette.

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Speaker 4: Well, we'll guess cut that then, but we are on

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Speaker 4: here briefly. I mean, I'm sure the first minute and

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Speaker 4: twelve seconds he talked about shucking Shrek dick and then

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Speaker 4: he says conversation right, yeah, you've the last five minutes

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Speaker 4: you brought up sucking dick.

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Speaker 3: Somebody a cocksucker and stuck on it.

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Speaker 4: Well said do you suck either way?

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Speaker 1: Because you were like, who's the cocksucker? Almost as if

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Speaker 1: like guilty.

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Speaker 4: Was in my mouth at the time.

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Speaker 3: Are you so?

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Speaker 4: What's what the old fixation is that like a thing

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Speaker 4: you've always been into, is dick sucking or no?

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Speaker 1: No? I mean I love having my dick suck, right,

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Speaker 1: It's way less, way less exerting for a big fellow

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Speaker 1: than actually fucking a real right you starfish. But yeah,

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Speaker 1: being a big dude.

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Speaker 6: You know, if I had to pick between getting the

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Speaker 6: head or fucking, it just depends on whether or not

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Speaker 6: I get de lay still either way, right, yeah, yeah,

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Speaker 6: but if I got to like physically mount the horse,

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Speaker 6: get my dick suck exactly, it's a lot of movement.

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Speaker 4: I mean for me, even Will calls me sometimes, yeah,

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Speaker 4: I had sex, so there's a how to go.

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Speaker 3: I'm just exhausted, man. She just she never says stop.

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Speaker 4: It really is for I feel like when you're like

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Speaker 4: fifteen sixteen, whenever you start losing your virginity.

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Speaker 3: For me, I was at the lucky age of fourteen,

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Speaker 3: had no idea what I was doing.

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Speaker 4: I'm sure was awful for her. Oh I wish it

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Speaker 4: was somebody's mom. I had a really friend with a

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Speaker 4: really hot mom. I'll dive into that later. But you

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Speaker 4: start getting too that it's like how high can you

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Speaker 4: get those numbers up?

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Speaker 5: Right?

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Speaker 4: If you're like the guy like you've had sex to

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Speaker 4: how can you get the numbers up? You're trying positions,

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Speaker 4: you're reading books on Comma, You're trying to figure out like, oh.

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Speaker 1: For sure, you're on that die.

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Speaker 3: You're on the doll up Internet.

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Speaker 4: Yeah, you're on the doll up internet looking up weird shit,

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Speaker 4: giving computers aids back then, that type of shit and

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Speaker 4: then you fucking I mean, then you get yourself a snorkel,

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Speaker 4: you turkey sandwich. You go down on somebody for forty

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Speaker 4: five minutes, like you start to figure out what it's

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Speaker 4: like to be a lover.

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Speaker 1: Yeah, no, absolutely.

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Speaker 4: Meanwhile, you have no idea what the hell you're doing now?

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Speaker 4: You fast forward. I'm twenty nine, turning thirty soon Whills

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Speaker 4: in his thirties, mid thirties. I'm not sure how old

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Speaker 4: you are.

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Speaker 1: I'm closed to split the difference.

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Speaker 4: Just split the difference. Split the difference depends on the

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Speaker 4: pap You kind of look, you're doing this sway. This

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Speaker 4: is dance, and it used to be the dance of love.

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Speaker 4: But now it's like, how are we going to get

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Speaker 4: this done? And how fast can we get this done?

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Speaker 6: And both be not hate each other about how this ends?

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Speaker 6: You know what I'm saying. But is possible? Yes, I

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Speaker 6: feel they didn't get to sleep. Yeah, because you got

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Speaker 6: to get your eight hours as.

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Speaker 4: Soon as you're done. That's what they said about. Some

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Speaker 4: guy had a bit on Lewis c K when they

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Speaker 4: did the jerk off thing in front of women, and

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Speaker 4: the comedian said, like the most the least like violent,

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Speaker 4: seeming person as a person after they've masturbated, Like after

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Speaker 4: you're done, you're kind of it's on you and you're

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Speaker 4: just slumped over, kind of sat.

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Speaker 3: You look, you're just like that chap.

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Speaker 2: Ever He's like, yeah, just now you're just kind of

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Speaker 2: It's awesome about I've always wanted to be on this podcast.

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Speaker 6: You could have never predicted the first five minutes would

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Speaker 6: be so pornographic. Oh you couldn't have predicted that, Gona,

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Speaker 6: But Jesus Christ, I thought we'd wait till like the

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Speaker 6: forty just completely. I thought we passed the tere manna around.

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Speaker 6: Or looks like y'all got a Jack sponsor too, because

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Speaker 6: it's all you got. Y'all got the real sponsors, dude,

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Speaker 6: But y'all didn't go for the little shit digit. Hey,

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Speaker 6: you wasn't like such an such CBD. You were like,

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Speaker 6: we'll take Chevrolet and Jack Dad.

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Speaker 3: Yeah, I wish.

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Speaker 4: I wish it was that easy.

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Speaker 3: People just throwing sponsors like, get out of here with

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Speaker 3: that bullshit.

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Speaker 4: We want the top dogs. They little cat mouse, but

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Speaker 4: we got their ass.

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Speaker 3: Dudeevy join None.

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Speaker 4: This is the second podcast being presented by Chevy.

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Speaker 1: Dude. Congrats a cool world.

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Speaker 3: Yeah, shut up like the post.

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Speaker 1: I was like, there's no way that's real.

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Speaker 4: And that's funny that the same thing.

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Speaker 3: Yeah, it's got to feel you've got the pillar like

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Speaker 3: the pillar.

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Speaker 4: Yeah, that's not how you say it, but that's exactly

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Speaker 4: what it is.

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Speaker 1: The pillar kill lit and you get on me on.

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Speaker 3: This mother?

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Speaker 4: Will you rest the head?

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Speaker 3: You know what I'm saying, motherfuckers?

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Speaker 4: And this guy's.

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Speaker 3: Your sponsor, Chevrolet.

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Speaker 1: I get mad for sam pillar.

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Speaker 4: The pillar. I mean, yes, both are very fucked up,

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Speaker 4: but a pillar where you thinking that up from? That's

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Speaker 4: not Nashville. That's that's a roalism.

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Speaker 1: It's like wonder.

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Speaker 4: No, we're not gonna do this list. You're all jumping

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Speaker 4: into ship that you're going to start to establish winder

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Speaker 4: pillar knife, what's next?

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Speaker 3: You know what I'm saying.

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Speaker 4: So it's pillow and that's a window. And we have

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Speaker 4: we have sponsors, but we can't afford a c What.

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Speaker 3: Do you call? What do you how do you say?

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Speaker 3: How do you say wash washer? Was you say warsher? Huh?

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Speaker 5: Yeah, that's it kind of some people in Missouri said

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Speaker 5: that to Warsher. I can get like, look, we're not

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Speaker 5: We're not that far south. Yeah, you start getting that

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Speaker 5: Cajun stuff, but even pillar is not Cajun.

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Speaker 3: I don't know. Yeah, I like the way you say it.

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Speaker 3: He's the first person that ever blatantly hate it.

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Speaker 4: Yeah, when you when you have a chain like this.

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Speaker 3: I don't know if you've heard, but Derek ran for

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Speaker 3: two thousand.

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Speaker 4: Oh sorry, Derek ran for two thousand, and I helped

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Speaker 4: the minimum amount to get credit on the score, so

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Speaker 4: you can.

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Speaker 6: Kind of do what we're post about. It's funny, but

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Speaker 6: the change is not get what gives you the right

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Speaker 6: to do whatever you want.

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Speaker 3: It's the outfit.

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Speaker 4: I appreciate that man.

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Speaker 1: Yeah, I did it for sure. Any man that showed

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Speaker 1: up like that is confident as a mother.

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Speaker 4: Thank you. I yes, it's weird too because my penis

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Speaker 4: is so small, but like I am very confident.

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Speaker 1: Dick doesn't determine confidence.

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Speaker 6: I appreciate that, and I appreciate my turtle hair that

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Speaker 6: hasn't poked.

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Speaker 3: It's just like a button, doesn't it. Yeah, Yeah, for

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Speaker 3: sure it's bad.

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Speaker 6: If I squeezed too tight, it wouldn't even look like

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Speaker 6: a button that it just completely goes.

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Speaker 4: Yeah, we can go on all day about how small

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Speaker 4: our penises is, but I feel we're still circling back

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Speaker 4: in the room and said, what are you listening to

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Speaker 4: in the thirteen year olds and now getting in trouble?

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Speaker 4: Oh hey, by not for long Chevrolett. Yeah, Chubby's dude,

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Speaker 4: we're not sponsored by Chubbies. No free shadouts. But they

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Speaker 4: sent this and it was kind of fire. He kind

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Speaker 4: of had to wear it all right.

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Speaker 5: When you put it on, you you're into it the

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Speaker 5: minute I put it, like, this is the look.

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Speaker 4: There, and then I shaved my entire face. I had

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Speaker 4: the worst jaw one this side of the Mississippi. But

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Speaker 4: I thought, with a mustache, I'll just look this five

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Speaker 4: rock for a little bit.

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Speaker 1: Dude. I think it's working for you.

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Speaker 4: I appreciate that.

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Speaker 1: For what my opinion matters. I think I think it's

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Speaker 1: rock right now.

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Speaker 4: It's the it's important.

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Speaker 3: I mean, there's what seven people in here.

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Speaker 4: It's top seven most important opinions right now.

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Speaker 6: I agree, Yeah, for sure. I think they comment. If

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Speaker 6: you really funk with the outfit, leave a comment. Let

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Speaker 6: us know what you think about Chubbies.

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Speaker 4: I appreciate that.

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Speaker 3: Let us know what you think about.

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Speaker 1: How big does Chubbies get to.

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Speaker 3: X?

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Speaker 2: I think there's a difference between chubbies and not gett

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Speaker 2: left out right between.

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Speaker 3: That mark you should make fatties. Yeah, that's it the line.

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Speaker 4: Yeah, absolutely, you're small as a double X.

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Speaker 1: Yeah that's it. Yeah, the smallest.

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Speaker 3: Yeah, baby, you're welcome. We'll take with that.

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Speaker 5: This episode of Busting with the Boys with Jelly Roll

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Speaker 3: It installs in seconds.

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Speaker 1: It literally will move air.

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Speaker 1: Now, can we get back to this fire episode with us?

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Speaker 4: Absolutely, let's do it baby. The uh Well, speaking of

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Speaker 4: chubbies and fatties, I've seen recently obviously I'm a follower

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Speaker 4: on the Instagram. You have been working out, dieting and

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Speaker 4: doing all that.

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Speaker 6: What brought that off quite a few pounds, But you

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Speaker 6: wouldn't believe it, But I've lost a little weight real good.

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Speaker 6: So I don't want to get deep because I like

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Speaker 6: to joke like we've been joking, we can go back

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Speaker 6: and forth. Yeah, it was like, you know, I battled

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Speaker 6: with depression naturally, like it's something I've dealt with my

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Speaker 6: whole life, and not touring for a year really fucked

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Speaker 6: with me. It was like more than I thought it would.

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Speaker 6: Like when they took touring away because of COVID, I

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Speaker 6: was like, dude, I was already fat, but I mean

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Speaker 6: I just blimped up.

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Speaker 3: Dude.

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Speaker 6: I just I mean, I just I didn't like, I

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Speaker 6: didn't realize how much a part of my genetical code

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Speaker 6: it was due I gained like one hundred something down. Wow, Really,

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Speaker 6: you know how hard you got to work to gain

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Speaker 6: that much weight in a fucking year. That's I mean,

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Speaker 6: like I had to like vigorously, Like I mean, I

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Speaker 6: almost had to like set a goal of seven thousand

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Speaker 6: calories a fucking day to do it.

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Speaker 3: It was rough, right. I don't know how it happened.

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Speaker 6: I was just I kind of lived in the now

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Speaker 6: the first four or five months. I was like, oh,

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Speaker 6: we'll be on tour in October whatever, and it just

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Speaker 6: never came back around. So the beginning of this year,

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Speaker 6: I was like, man, I just fucking you know, I

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Speaker 6: don't want, Like I tell people all the time, like

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Speaker 6: I pick on myself, I pick on other fat people

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Speaker 6: because like fucking whatever.

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Speaker 1: Right, But it's low hanging fruit. Right.

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Speaker 6: If you ever see a dude that's like dealing with

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Speaker 6: real obesity, that's like somebody dealing with a real addiction.

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Speaker 6: That's like somebody dealing with like a real like they're

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Speaker 6: dealing with something like this is not like just quit

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Speaker 6: eating fatty. It's like, yeah, well, tell your mama quit

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Speaker 6: fucking sucking dick, or tell your cousin quit shooting hair

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Speaker 6: onin Like it's not that fucking easy. Tell your alcoholic

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Speaker 6: dad just stopped today, you know what I mean, Like

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00:15:01,360 --> 00:15:02,720
Speaker 6: to tell him just to put the bottle down. He've

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Speaker 6: been drinking thirty something years. I'll just drop it to

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Speaker 6: day wanting. So it's like when you see that there's

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Speaker 6: something deeper rooted there, and I was like, man, I

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Speaker 6: need to I call it my last mountain. I overcame poverty.

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Speaker 6: I came out of the city when I started making music,

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Speaker 6: Taylor and will let me tell y'all, some boss nobody

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Speaker 6: said I had a chance. I mean, they bet the

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Speaker 6: farm against me.

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Speaker 3: I was too big now hold on real quick. Yeah,

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Speaker 3: why did they say that you had no chance?

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Speaker 4: There's lots of people that look all different ways now

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Speaker 4: that have been now.

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Speaker 6: I want you to think about, do you remember there

370
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Speaker 6: was a time in professional wrestling where everybody was yoked

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00:15:35,160 --> 00:15:37,760
Speaker 6: and had a six pack. I don't know what for this,

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00:15:37,840 --> 00:15:40,760
Speaker 6: Ara and I was like nineties wrestling. Anybody else remember

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Speaker 6: this era? Like you had to look like you know,

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Speaker 6: it was before like the Stone Colds was yoked. But

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Speaker 6: I mean there was a moment where you had to

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Speaker 6: be a whole COVID looking guy or some sort of

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Speaker 6: a gargantum of a man, you know what I mean,

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Speaker 6: Like there was a moment there, Like there was a

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Speaker 6: moment in music before the Internet where before all the

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Speaker 6: littles and weird rappers with face tattoos and all all

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Speaker 6: that ship I was before all that still that you know,

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Speaker 6: there was like, well, we can't sell it to women.

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Speaker 6: Back then it was late night TV, and we can't

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Speaker 6: put you on TV. You're too big, Your voice isn't

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00:16:11,200 --> 00:16:13,360
Speaker 6: cool enough. You need you need a signature tone to

386
00:16:13,400 --> 00:16:16,080
Speaker 6: your voice. Your voice isn't it just won't work. The

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00:16:16,200 --> 00:16:17,680
Speaker 6: voice doesn't match the look.

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Speaker 1: The look doesn't you don't dress rock and roll enough,

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Speaker 1: you don't dress rap enough.

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Speaker 6: I was too rock and roll for rap. I was

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00:16:24,040 --> 00:16:26,520
Speaker 6: too rap for rock and roll. There was just so

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Speaker 6: many things that they were like, it's just not you

393
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Speaker 6: just don't have a chance.

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Speaker 1: It's just you. You're just wasting your time.

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Speaker 4: Now, is there a specific day that you're thinking of what?

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Speaker 6: I mean, every label, why I never signed the one?

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Speaker 6: I got turned down by every label from here to

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Speaker 6: California and back.

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Speaker 1: I mean, every label in the United.

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Speaker 6: States has told me no at one point in time,

401
00:16:43,280 --> 00:16:45,480
Speaker 6: and in round of applause, I got every label sitting

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Speaker 6: on the desk right.

403
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Speaker 5: Now, let's fucking go boys.

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Speaker 1: Every one of those labels. My lawyers got like eight

405
00:16:52,520 --> 00:16:54,160
Speaker 1: offers right now sitting on the desk.

406
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Speaker 3: I'm like, fuck all of you.

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00:16:55,960 --> 00:16:58,640
Speaker 6: But it's like I was in a place where I overkept,

408
00:16:58,680 --> 00:17:00,920
Speaker 6: but I overcame that mountain, like I figured that out.

409
00:17:01,000 --> 00:17:02,480
Speaker 6: I knew I had a cool voice. I just knew

410
00:17:02,480 --> 00:17:05,520
Speaker 6: the right people had to hear the song content. Dude,

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Speaker 6: I make music for like like y'all are like the

412
00:17:08,040 --> 00:17:11,520
Speaker 6: working NFL guys. I make music for those people. Don't

413
00:17:11,560 --> 00:17:14,679
Speaker 6: make music for it, motherfuckers. Aren't singing about what I

414
00:17:14,720 --> 00:17:16,560
Speaker 6: sing about. You know what I'm saying, This is a

415
00:17:16,640 --> 00:17:18,520
Speaker 6: totally absurd thing to be singing.

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00:17:18,680 --> 00:17:20,000
Speaker 3: Now, give me an example of us.

417
00:17:20,119 --> 00:17:23,120
Speaker 6: Things like that you came in lost call, Yeah, like

418
00:17:23,600 --> 00:17:27,119
Speaker 6: think about like besides the really somber sad songs like

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Speaker 6: Adele Hello, which was still about a lost partner.

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00:17:29,760 --> 00:17:33,439
Speaker 4: Yes, right, most of those songs involved heartbreak or country

421
00:17:33,520 --> 00:17:34,120
Speaker 4: the dog died.

422
00:17:34,720 --> 00:17:38,320
Speaker 6: But it's never like Yo, I'm battling my demons, Like

423
00:17:38,359 --> 00:17:40,520
Speaker 6: that's the shit I'm talking about I'm making music for.

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Speaker 1: I joked with the label dude.

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Speaker 6: He took me out to eat it Cane Prime, and

426
00:17:44,119 --> 00:17:45,320
Speaker 6: he was like, I can't believe the people in this

427
00:17:45,359 --> 00:17:46,440
Speaker 6: restaurant don't know who you are.

428
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Speaker 1: I was like, I.

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Speaker 6: Promise you every cook does. Before we left, every fucking

430
00:17:50,960 --> 00:17:52,399
Speaker 6: dude in that bad kitchen came out and took a

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00:17:52,400 --> 00:17:52,760
Speaker 6: piture with.

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Speaker 1: Really yes valet, dude, Jelly row, we parked your truck

433
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Speaker 1: up front.

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Speaker 3: You know what I'm saying.

435
00:17:57,280 --> 00:17:58,960
Speaker 6: I was like, I didn't expect the motherfucker buying the

436
00:17:59,000 --> 00:18:02,040
Speaker 6: steak of cane Prime me, but I expected the motherfucker

437
00:18:02,080 --> 00:18:04,119
Speaker 6: working it came prime to know me for sure, because

438
00:18:04,119 --> 00:18:06,560
Speaker 6: that's who I'm fucking with. That's my guy, you know

439
00:18:06,600 --> 00:18:09,359
Speaker 6: what I'm saying. But back then, people wasn't making music

440
00:18:09,359 --> 00:18:11,080
Speaker 6: for these dudes. You know what I'm saying. It wasn't

441
00:18:11,119 --> 00:18:14,240
Speaker 6: nobody writing music for a group of people that don't

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00:18:14,240 --> 00:18:15,600
Speaker 6: have people writing music for them.

443
00:18:15,680 --> 00:18:18,000
Speaker 1: It was like a rare thing back then. And it's

444
00:18:18,080 --> 00:18:21,479
Speaker 1: I mean, it's became more acceptable because of the Internet,

445
00:18:21,520 --> 00:18:23,800
Speaker 1: because now you just fucking run into everybody, right.

446
00:18:23,720 --> 00:18:28,240
Speaker 6: Yeah, yeah, it's a subway in fucking New York. It

447
00:18:28,320 --> 00:18:30,400
Speaker 6: is what the Internet is. You're running everybody now, Yeah,

448
00:18:30,400 --> 00:18:33,199
Speaker 6: But back then that wasn't the case. I overcame that.

449
00:18:33,240 --> 00:18:35,359
Speaker 6: I overcame coming out of the situation I was in,

450
00:18:35,600 --> 00:18:37,960
Speaker 6: overcame real drug addiction. We all are dealing with a

451
00:18:38,040 --> 00:18:39,600
Speaker 6: dude that will have a shot at the quila with you.

452
00:18:39,800 --> 00:18:39,919
Speaker 3: Now.

453
00:18:40,000 --> 00:18:42,119
Speaker 6: Now, there was a dude that would have showed up

454
00:18:42,119 --> 00:18:43,960
Speaker 6: here on a four day bendor sipping codeine.

455
00:18:43,960 --> 00:18:46,040
Speaker 1: It's slorting cocaine right off your table.

456
00:18:46,160 --> 00:18:47,679
Speaker 3: Talk about this on the podcast.

457
00:18:47,800 --> 00:18:50,320
Speaker 1: You know, I came over overcame all that. Now I

458
00:18:50,359 --> 00:18:51,800
Speaker 1: just got to get this fat up off of me.

459
00:18:52,080 --> 00:18:53,880
Speaker 1: It's my last mountain, baby, you know what I'm saying.

460
00:18:53,880 --> 00:18:54,600
Speaker 1: I'm gonna get it off.

461
00:18:54,640 --> 00:18:56,280
Speaker 3: I lost it before and gained it back, and then

462
00:18:56,480 --> 00:18:58,320
Speaker 3: you know, I played yo yo with the Dyet.

463
00:18:58,040 --> 00:19:01,240
Speaker 4: Ships and Jonah Hill, the Jonahill Diet, Jodah Hale waste.

464
00:19:01,520 --> 00:19:04,679
Speaker 4: You're changing sizes every fiftyeen minutes. No, I don't with

465
00:19:04,760 --> 00:19:06,840
Speaker 4: Oprah winfree to go back to the nineties for you. Yeah,

466
00:19:06,840 --> 00:19:08,000
Speaker 4: that's it.

467
00:19:07,240 --> 00:19:07,320
Speaker 1: Ye.

468
00:19:09,440 --> 00:19:11,440
Speaker 3: Yeah.

469
00:19:11,520 --> 00:19:13,480
Speaker 4: So these other rappers that are kind of talking about

470
00:19:13,480 --> 00:19:16,399
Speaker 4: all that, now, I'm let's just put a line in

471
00:19:16,400 --> 00:19:17,040
Speaker 4: the sand right now.

472
00:19:17,080 --> 00:19:18,080
Speaker 3: I'm I don't know.

473
00:19:18,119 --> 00:19:21,040
Speaker 4: Much about rappists or what rappers do, right, Like, I.

474
00:19:21,040 --> 00:19:21,720
Speaker 3: Listened to the music.

475
00:19:21,760 --> 00:19:24,240
Speaker 4: I've obviously heard the Baby Masterpiece and all those things.

476
00:19:24,480 --> 00:19:27,680
Speaker 4: But if you're talking about like these other rappers, I'm

477
00:19:27,720 --> 00:19:31,760
Speaker 4: seeing like thousands of these I don't want to say

478
00:19:31,800 --> 00:19:33,640
Speaker 4: little guys like these little I don't want to say kids,

479
00:19:33,640 --> 00:19:37,480
Speaker 4: but these little guys who are tiny dudes, face tattoos,

480
00:19:37,640 --> 00:19:39,879
Speaker 4: you got the Takashi six nine guys, like they're all

481
00:19:39,920 --> 00:19:41,320
Speaker 4: rapping about the same thing. And I feel like the

482
00:19:41,840 --> 00:19:46,760
Speaker 4: toad for rapping is hose money, sell drugs, murder people. Yeah,

483
00:19:46,800 --> 00:19:49,119
Speaker 4: for sure, And then that's kind of like the melting

484
00:19:49,119 --> 00:19:52,080
Speaker 4: pot of the big main things, right, Obviously they go

485
00:19:52,119 --> 00:19:57,240
Speaker 4: in different areas, and so what changed between then and

486
00:19:57,280 --> 00:20:00,159
Speaker 4: now we're these other people that face tattoos also, So

487
00:20:00,760 --> 00:20:02,320
Speaker 4: that Will allowed.

488
00:20:02,040 --> 00:20:04,199
Speaker 3: You to kind of be opened up by labels or

489
00:20:04,280 --> 00:20:04,680
Speaker 3: was it you.

490
00:20:04,760 --> 00:20:05,960
Speaker 4: Persevering through the walls?

491
00:20:06,040 --> 00:20:08,840
Speaker 6: It was persevering. It was just putting out content. Yeah,

492
00:20:08,880 --> 00:20:11,480
Speaker 6: it was like just like constant content. That's why I'm

493
00:20:11,480 --> 00:20:14,000
Speaker 6: a fan of y'all show, right, Like I watched y'all

494
00:20:14,000 --> 00:20:16,879
Speaker 6: build this thing from something small and can do. Like, dude,

495
00:20:17,160 --> 00:20:20,199
Speaker 6: we joke about it. You got a Chevrolet sponsorship. This

496
00:20:20,320 --> 00:20:23,679
Speaker 6: is fucking huge, right, It's like when you started this

497
00:20:23,840 --> 00:20:26,120
Speaker 6: or when y'all started this. There's a lot of people

498
00:20:26,200 --> 00:20:29,159
Speaker 6: right now rooting for y'all on the internet who feel

499
00:20:29,200 --> 00:20:33,760
Speaker 6: like y'all's sponsorship is their sponsorship. They're that invested in there.

500
00:20:33,800 --> 00:20:36,879
Speaker 6: So like our dude did it, Our fucking guy did it.

501
00:20:37,160 --> 00:20:38,840
Speaker 6: Me and Will was having to talk about how the

502
00:20:38,920 --> 00:20:42,159
Speaker 6: NFL and the podcast balance each other and how, you know,

503
00:20:42,240 --> 00:20:43,959
Speaker 6: what's important to him and I don't want to get

504
00:20:43,960 --> 00:20:45,640
Speaker 6: deep into that unless he does. But we talked about

505
00:20:45,640 --> 00:20:47,359
Speaker 6: this where you came on the bus and it was

506
00:20:47,400 --> 00:20:49,720
Speaker 6: like there's a moment where people are following what's gonna

507
00:20:49,720 --> 00:20:50,400
Speaker 6: happen with Will?

508
00:20:51,119 --> 00:20:54,040
Speaker 3: Right? They want to know, like who you're playing.

509
00:20:55,320 --> 00:20:58,600
Speaker 6: But it just gets bigger, right because people become invested

510
00:20:58,640 --> 00:21:00,480
Speaker 6: in that, you know what I'm saying. And I just

511
00:21:00,480 --> 00:21:01,639
Speaker 6: did it the same way. I just put out a

512
00:21:01,680 --> 00:21:04,560
Speaker 6: lot of music, Taylor, and just continued to build. I

513
00:21:04,560 --> 00:21:07,320
Speaker 6: didn't mind one thing. I didn't care about most people

514
00:21:07,359 --> 00:21:08,440
Speaker 6: do it. I didn't care to break.

515
00:21:09,560 --> 00:21:10,680
Speaker 3: What does that mean? What does that mean?

516
00:21:10,800 --> 00:21:12,359
Speaker 1: I didn't care to flop. I didn't care if I

517
00:21:12,400 --> 00:21:13,640
Speaker 1: put something out to ship the band.

518
00:21:13,760 --> 00:21:15,359
Speaker 5: Right, So you're saying, if you put something out there

519
00:21:15,400 --> 00:21:17,520
Speaker 5: and people are just shitting on it, it's just how

520
00:21:17,520 --> 00:21:18,080
Speaker 5: many you know what?

521
00:21:18,160 --> 00:21:20,080
Speaker 4: That fucking sucks? But down onto the next one.

522
00:21:20,119 --> 00:21:22,000
Speaker 6: How episodes of just did y'all put out? That you

523
00:21:22,040 --> 00:21:24,080
Speaker 6: feel like nobody gave the fuck you were doing it?

524
00:21:24,880 --> 00:21:26,719
Speaker 4: I'd say it was still waking to figure out if

525
00:21:26,720 --> 00:21:31,479
Speaker 4: somebody actually cares truly, I just think that out.

526
00:21:31,560 --> 00:21:33,040
Speaker 5: I mean there were a few in the in like

527
00:21:33,080 --> 00:21:35,040
Speaker 5: the first season, where you're like, you know, you don't

528
00:21:35,040 --> 00:21:37,240
Speaker 5: know if anybody cares. And then after you get past

529
00:21:37,240 --> 00:21:39,120
Speaker 5: the surge of like, all right, a couple football guys

530
00:21:39,119 --> 00:21:42,560
Speaker 5: are doing a podcast that's awesome. It's like you're you

531
00:21:42,640 --> 00:21:45,880
Speaker 5: knew you were gonna have some initial viewership, but how

532
00:21:45,920 --> 00:21:47,960
Speaker 5: could you retain them? Or it was probably gonna drop

533
00:21:48,040 --> 00:21:49,320
Speaker 5: off like a lot of stuff that was like, oh,

534
00:21:49,359 --> 00:21:50,359
Speaker 5: I see what these guys are about.

535
00:21:50,440 --> 00:21:51,919
Speaker 3: Uh, just regular O James.

536
00:21:52,080 --> 00:21:53,960
Speaker 4: Because like I said, at the subway in New York

537
00:21:54,119 --> 00:21:56,400
Speaker 4: and the internet, what's new all the time? There's things

538
00:21:56,440 --> 00:21:59,040
Speaker 4: are It's a revolving door of fame. In the fifteen minutes,

539
00:21:59,040 --> 00:22:01,040
Speaker 4: you get yeah, was it going to be oh a

540
00:22:01,119 --> 00:22:03,600
Speaker 4: football player started a podcast that's cool, Now it's over

541
00:22:04,119 --> 00:22:05,800
Speaker 4: or is it going to be able to become a

542
00:22:05,840 --> 00:22:08,199
Speaker 4: little more longevity, which we found out that we do

543
00:22:08,320 --> 00:22:11,000
Speaker 4: have a great base of fans. Nashville is a place

544
00:22:11,040 --> 00:22:14,040
Speaker 4: that you never know, Like I mean, I would never

545
00:22:14,400 --> 00:22:16,560
Speaker 4: think in my head living in Ohio or living somewhere

546
00:22:16,600 --> 00:22:18,520
Speaker 4: that like Nashville is a great place to start some

547
00:22:18,520 --> 00:22:20,720
Speaker 4: thinking and have amazing support. But it really is. Oh yeah,

548
00:22:20,760 --> 00:22:23,840
Speaker 4: people here really care about the things that people invest

549
00:22:23,880 --> 00:22:26,639
Speaker 4: time into. Will I invest in time into this the

550
00:22:26,680 --> 00:22:29,880
Speaker 4: franchise and the fan base here and it's paid off

551
00:22:29,880 --> 00:22:31,840
Speaker 4: with this and it's slowly growing.

552
00:22:31,720 --> 00:22:33,800
Speaker 6: Right and it continues to grow continues to grow, and

553
00:22:33,840 --> 00:22:35,359
Speaker 6: there's a moment where you do it and feel like

554
00:22:35,359 --> 00:22:37,240
Speaker 6: it's dead fears, but you just keep pushing because you

555
00:22:37,240 --> 00:22:39,280
Speaker 6: know what to grow, or you latch onto the few

556
00:22:39,280 --> 00:22:41,600
Speaker 6: people to fuck with it. And that's what I did.

557
00:22:41,800 --> 00:22:44,240
Speaker 6: I like, I could not care that it was flopping.

558
00:22:44,640 --> 00:22:46,760
Speaker 4: Now now, is that something you were born with or

559
00:22:46,800 --> 00:22:48,280
Speaker 4: is that something you had to obtain? Because a lot

560
00:22:48,359 --> 00:22:51,440
Speaker 4: of people when they see things on the internet, it's tough.

561
00:22:51,480 --> 00:22:53,040
Speaker 4: You can see ten nice things about you, but then

562
00:22:53,040 --> 00:22:54,720
Speaker 4: you see one that's negative and a lot of times

563
00:22:54,720 --> 00:22:56,639
Speaker 4: that I'll put somebody in the tank. Oh for someone

564
00:22:56,680 --> 00:22:59,960
Speaker 4: listening to you right now, how do you compartmentalize those

565
00:23:00,240 --> 00:23:01,600
Speaker 4: and figure out? Okay, I miss to stay on my

566
00:23:01,600 --> 00:23:03,280
Speaker 4: path and I'm on because I think a lot of

567
00:23:03,359 --> 00:23:06,400
Speaker 4: times with the younger people, younger adults, us, we look

568
00:23:06,440 --> 00:23:07,480
Speaker 4: at we want to be successful.

569
00:23:07,520 --> 00:23:07,600
Speaker 3: Right.

570
00:23:07,640 --> 00:23:09,560
Speaker 4: Everyone gets to see Instagram, you get to see you

571
00:23:09,640 --> 00:23:11,640
Speaker 4: to go on an export page and see what Sylvester

572
00:23:11,640 --> 00:23:13,439
Speaker 4: stalonans one hundred and ten million dollar house and this

573
00:23:13,480 --> 00:23:16,440
Speaker 4: guy's jet and that, and everyone sees the success, but

574
00:23:16,480 --> 00:23:19,600
Speaker 4: no one sees the trials and tribulations. And it's almost

575
00:23:19,640 --> 00:23:22,320
Speaker 4: comical to people when you start something new, how bad

576
00:23:22,359 --> 00:23:24,000
Speaker 4: you are at first. It's like acting or doing stand

577
00:23:24,080 --> 00:23:26,680
Speaker 4: up comedy or anything. When you start to do those things,

578
00:23:27,359 --> 00:23:30,440
Speaker 4: it because you're probably shitty at first, right, and it's like, oh,

579
00:23:30,440 --> 00:23:33,080
Speaker 4: this fucking guy is trash. And then eventually you get

580
00:23:33,080 --> 00:23:36,000
Speaker 4: a dang cook, You get a Joe Rogan, a Crysta Leia,

581
00:23:36,080 --> 00:23:37,960
Speaker 4: those types of guys that can get on stage and

582
00:23:37,960 --> 00:23:40,480
Speaker 4: make people laugh. But it's fighting through that.

583
00:23:40,960 --> 00:23:41,520
Speaker 3: How did you?

584
00:23:41,640 --> 00:23:43,560
Speaker 4: How were you able to do that while you're battling addiction,

585
00:23:44,080 --> 00:23:47,000
Speaker 4: while you're battling weight loss, weight gain, all that stuff,

586
00:23:47,119 --> 00:23:49,240
Speaker 4: you know, having a kid at a younger.

587
00:23:49,040 --> 00:23:49,680
Speaker 3: How old is your kid?

588
00:23:49,880 --> 00:23:52,560
Speaker 1: My daughter's almost thirteen, was almost thirteen years old.

589
00:23:52,800 --> 00:23:55,440
Speaker 4: Having a kid, I was young, yeah, at a young age.

590
00:23:55,440 --> 00:23:58,000
Speaker 6: More when I was incarcerated, So yeah, it was even

591
00:23:58,080 --> 00:23:59,560
Speaker 6: more like harder on me.

592
00:23:59,840 --> 00:24:01,600
Speaker 4: I don't want to make sure and bookmark that because

593
00:24:01,600 --> 00:24:02,840
Speaker 4: I definitely want to hit that as well.

594
00:24:02,840 --> 00:24:06,959
Speaker 6: But for me, man, it was just like I didn't

595
00:24:07,760 --> 00:24:10,240
Speaker 6: I joke about it, because it's real. I just had

596
00:24:10,320 --> 00:24:12,520
Speaker 6: like blind faith, like you ever just felt like you

597
00:24:12,560 --> 00:24:15,439
Speaker 6: were supposed to do something no matter what was like,

598
00:24:15,480 --> 00:24:17,240
Speaker 6: I just felt like I was supposed to be a

599
00:24:17,320 --> 00:24:20,320
Speaker 6: voice for the voiceless. I believe that I didn't care

600
00:24:20,359 --> 00:24:22,520
Speaker 6: how much it flopped. I didn't care what people told

601
00:24:22,560 --> 00:24:26,040
Speaker 6: me the in and out, Like I just always for you,

602
00:24:26,119 --> 00:24:29,920
Speaker 6: it was probably football. All roads came back to football, right,

603
00:24:30,840 --> 00:24:32,840
Speaker 6: no matter what was happening in life, you had this

604
00:24:32,880 --> 00:24:34,400
Speaker 6: thing that was your fucking thing.

605
00:24:34,480 --> 00:24:35,040
Speaker 1: You know what I mean?

606
00:24:35,560 --> 00:24:38,399
Speaker 6: Music was my thing. I just couldn't accept no for

607
00:24:38,440 --> 00:24:40,800
Speaker 6: an answer. I was just like, as long as I

608
00:24:40,920 --> 00:24:43,240
Speaker 6: can keep putting out music, it's got to connect.

609
00:24:43,280 --> 00:24:44,399
Speaker 1: I just really believed it.

610
00:24:44,480 --> 00:24:46,359
Speaker 6: I never I never had a lot of moments I

611
00:24:46,400 --> 00:24:48,919
Speaker 6: wanted to quick just how to pure depression or just

612
00:24:48,960 --> 00:24:51,280
Speaker 6: like fuck it just maybe it's not. But I just, dude,

613
00:24:51,320 --> 00:24:54,639
Speaker 6: I just I couldn't imagine not having this thing in

614
00:24:54,680 --> 00:24:55,199
Speaker 6: my life.

615
00:24:55,359 --> 00:24:57,520
Speaker 4: And when you see people shitting on that thing that

616
00:24:57,560 --> 00:25:00,840
Speaker 4: you have, because for me, it's when I see things

617
00:25:00,840 --> 00:25:03,320
Speaker 4: on Twitter, let's say, and I've got I've grown out

618
00:25:03,359 --> 00:25:05,320
Speaker 4: of this quite a bit. But if I see someone say, hey,

619
00:25:05,440 --> 00:25:06,760
Speaker 4: you know, you're a piece of shit person, You're a

620
00:25:06,800 --> 00:25:09,480
Speaker 4: bad father, and you're a bad husband to me, rolls

621
00:25:09,520 --> 00:25:11,199
Speaker 4: off the back. No, I'm not. And you don't know

622
00:25:11,280 --> 00:25:12,760
Speaker 4: me well enough to know whether that's true or not.

623
00:25:13,240 --> 00:25:15,320
Speaker 4: But you see me every Sunday playing football, So I

624
00:25:15,320 --> 00:25:16,720
Speaker 4: you see, I'm a dogshit football player.

625
00:25:16,800 --> 00:25:17,360
Speaker 3: Like, oh, is that.

626
00:25:17,320 --> 00:25:19,960
Speaker 4: Grounds to stand on? These people hear your music and

627
00:25:20,000 --> 00:25:22,560
Speaker 4: so they say your music's dogshit? How do you get

628
00:25:22,560 --> 00:25:24,280
Speaker 4: past that content?

629
00:25:24,440 --> 00:25:25,320
Speaker 1: So here's my thought.

630
00:25:25,400 --> 00:25:28,800
Speaker 6: Right, if you don't like my music, you are either

631
00:25:28,920 --> 00:25:30,479
Speaker 6: just a fucking that's just hating.

632
00:25:30,560 --> 00:25:31,760
Speaker 1: Is in your genetics, right.

633
00:25:32,880 --> 00:25:35,119
Speaker 6: Two it's maybe not your cup of tea, but you

634
00:25:35,240 --> 00:25:38,360
Speaker 6: got to acknowledge the talent, Like I'm cool with you saying, hey, man,

635
00:25:38,960 --> 00:25:40,359
Speaker 6: I get it, but I don't get it. It's not

636
00:25:40,400 --> 00:25:43,120
Speaker 6: my thing, you know. Like you know, I don't expect

637
00:25:43,480 --> 00:25:46,000
Speaker 6: a fucking Kenny G fan to just be like you're

638
00:25:46,000 --> 00:25:47,919
Speaker 6: fucking great, you know, I expect them to be like,

639
00:25:48,040 --> 00:25:49,760
Speaker 6: I don't get it, you know. But it's like you

640
00:25:49,800 --> 00:25:52,760
Speaker 6: acknowledge the talent's there. Three, if you don't like my music,

641
00:25:52,840 --> 00:25:56,960
Speaker 6: some fat dude fucked your wife period. Somewhere down the line,

642
00:25:57,000 --> 00:25:59,840
Speaker 6: some fat, chubby motherfucker came in and swooped your bitch up,

643
00:25:59,840 --> 00:26:02,399
Speaker 6: and you are just a hating motherfucker because of that.

644
00:26:02,520 --> 00:26:03,800
Speaker 3: You just grudge every dude.

645
00:26:03,840 --> 00:26:06,760
Speaker 6: That's bye guy, you know, it's like I just know

646
00:26:06,880 --> 00:26:10,840
Speaker 6: that about because like I know now, there was a

647
00:26:10,960 --> 00:26:13,960
Speaker 6: stage where the shit was horrible. Like, man, I'm really

648
00:26:15,000 --> 00:26:17,880
Speaker 6: I believe what I do is good music. I believe

649
00:26:17,920 --> 00:26:19,560
Speaker 6: it's not for everybody. I tell people I might not

650
00:26:19,600 --> 00:26:21,720
Speaker 6: be your cup of tea. I'm a strong shot at tequila.

651
00:26:22,359 --> 00:26:25,440
Speaker 6: That's okay. Maybe you're not a shot at tequila. Guy,

652
00:26:25,880 --> 00:26:28,280
Speaker 6: you should go get you a machiato. I get that,

653
00:26:28,440 --> 00:26:30,840
Speaker 6: But don't hate on me because I'm not a machiato. Motherfucker.

654
00:26:30,840 --> 00:26:33,160
Speaker 6: You know what you're getting too. I've been a piece

655
00:26:33,200 --> 00:26:35,440
Speaker 6: of shit my whole life. I don't care.

656
00:26:36,040 --> 00:26:37,440
Speaker 1: I grew up I wouldn't you know why.

657
00:26:37,440 --> 00:26:38,399
Speaker 3: My nickname is Jelly Row.

658
00:26:38,800 --> 00:26:41,240
Speaker 1: I was fat as a kid. My mama called me

659
00:26:41,320 --> 00:26:44,199
Speaker 1: jelly Row. She calls me Jelly to this day. I

660
00:26:44,280 --> 00:26:47,200
Speaker 1: walk into my mama's trailer. Hey, Jelly, you feel me?

661
00:26:47,240 --> 00:26:48,760
Speaker 1: And I say trailer because I bought her a house

662
00:26:48,840 --> 00:26:50,879
Speaker 1: or she moved out of it, because you want the trailer,

663
00:26:50,920 --> 00:26:52,440
Speaker 1: So I got her what she wanted. That you can

664
00:26:52,480 --> 00:26:54,600
Speaker 1: take the pig out the mud, but not the mud

665
00:26:54,600 --> 00:26:56,840
Speaker 1: out of the pig. You feel me If I walk

666
00:26:56,840 --> 00:26:59,399
Speaker 1: in my mama's trailer is that my jelly? She's just excited.

667
00:26:59,520 --> 00:27:01,680
Speaker 1: I've always I'm in a fucking fat kid. So it's

668
00:27:01,720 --> 00:27:04,240
Speaker 1: like I don't that shit. Don't bother me, you know.

669
00:27:04,280 --> 00:27:06,280
Speaker 1: It's like I dealt with all that before. It's like

670
00:27:06,359 --> 00:27:09,199
Speaker 1: everything that was gonna hurt me in life has already happened.

671
00:27:10,080 --> 00:27:10,800
Speaker 3: You can't hurt me.

672
00:27:11,000 --> 00:27:12,439
Speaker 1: It's already happened. I went through it all.

673
00:27:12,480 --> 00:27:15,560
Speaker 6: I've been to prison, I had an overdose, I almost died.

674
00:27:15,600 --> 00:27:18,040
Speaker 6: I've been shot, I've been stabbed. You think you calling

675
00:27:18,080 --> 00:27:19,359
Speaker 6: me a name on the internet hurts me?

676
00:27:19,400 --> 00:27:21,800
Speaker 3: Man, Fuck you and your mama. How about that?

677
00:27:22,359 --> 00:27:23,920
Speaker 6: How about if you see me at the gas station

678
00:27:24,000 --> 00:27:25,600
Speaker 6: to say that to me, I slapped the ship out

679
00:27:25,640 --> 00:27:26,119
Speaker 6: of you.

680
00:27:26,119 --> 00:27:26,800
Speaker 3: You know what I'm saying.

681
00:27:27,119 --> 00:27:29,760
Speaker 6: As certain as I stand here do I will slap

682
00:27:29,840 --> 00:27:31,240
Speaker 6: the motherfuck out of one of them guys.

683
00:27:31,240 --> 00:27:32,960
Speaker 3: And I know that in my I know who I am.

684
00:27:33,520 --> 00:27:34,480
Speaker 1: They don't know who they are.

685
00:27:34,800 --> 00:27:37,720
Speaker 6: That's why his picture is like a fucking Pokemon on

686
00:27:37,840 --> 00:27:39,400
Speaker 6: fucking it on fucking tik talking.

687
00:27:39,440 --> 00:27:41,160
Speaker 1: He's talking shit about me. You know what I'm saying,

688
00:27:41,160 --> 00:27:42,680
Speaker 1: Like I was slapped the fuck out of you dog

689
00:27:43,080 --> 00:27:45,440
Speaker 1: in front of your mama, and then it keeps hurting

690
00:27:45,440 --> 00:27:46,840
Speaker 1: the mouth, That's what I'll do.

691
00:27:47,000 --> 00:27:51,080
Speaker 5: You're big, like mama joke assault, You're big going after

692
00:27:51,119 --> 00:27:51,800
Speaker 5: the mama.

693
00:27:52,920 --> 00:27:53,600
Speaker 3: That's an old jail.

694
00:27:54,960 --> 00:27:56,520
Speaker 6: Don't act like you want to fight. How about fuck

695
00:27:56,520 --> 00:27:58,560
Speaker 6: your mom? You really want to fight? That don't make

696
00:27:58,600 --> 00:28:00,320
Speaker 6: you want to fight. You don't want to fight? Yeah,

697
00:28:00,320 --> 00:28:02,119
Speaker 6: that was always my joke. It's like, well, you know what,

698
00:28:02,160 --> 00:28:04,720
Speaker 6: how about your mama sucks dick and it's mine and

699
00:28:04,800 --> 00:28:06,879
Speaker 6: it's nasty dick and I've got her bees.

700
00:28:07,040 --> 00:28:12,280
Speaker 3: Oh I want to fight now? Yeah, so you don't

701
00:28:12,280 --> 00:28:12,639
Speaker 3: want to fight.

702
00:28:12,720 --> 00:28:15,280
Speaker 6: You was just talking because if I say something about

703
00:28:15,280 --> 00:28:16,720
Speaker 6: your mom and you don't hit me in the mouth.

704
00:28:16,560 --> 00:28:19,840
Speaker 7: You didn't want to fight first for sure. Okay, somebody

705
00:28:19,840 --> 00:28:21,320
Speaker 7: says some about your mom, you're no.

706
00:28:21,400 --> 00:28:22,040
Speaker 3: See that's what I was.

707
00:28:22,200 --> 00:28:24,520
Speaker 4: I wasn't going to disagree with you. I wasn't gonna

708
00:28:24,520 --> 00:28:26,040
Speaker 4: do I was gonna let that one ride and let

709
00:28:26,080 --> 00:28:31,240
Speaker 4: it fly. I haven't really talked like I haven't. I

710
00:28:31,240 --> 00:28:32,399
Speaker 4: don't really talk to my mom like that.

711
00:28:32,520 --> 00:28:33,000
Speaker 3: You know what I'm saying.

712
00:28:33,000 --> 00:28:34,199
Speaker 4: I know it doesn't have to be deeper. Now, we

713
00:28:34,200 --> 00:28:37,800
Speaker 4: don't have a relationship that you wish you had. But no,

714
00:28:37,840 --> 00:28:39,560
Speaker 4: someone says, your mom sucks. I like, well, you probably

715
00:28:39,600 --> 00:28:40,680
Speaker 4: don't know. Are she sucks?

716
00:28:40,680 --> 00:28:40,880
Speaker 1: Dick?

717
00:28:41,440 --> 00:28:43,560
Speaker 3: Yeah she has, you know, I know for.

718
00:28:43,520 --> 00:28:46,040
Speaker 4: A fact she has a picture one time when I

719
00:28:46,080 --> 00:28:49,840
Speaker 4: was in her Uh. Yeah, that's tough. That's a tough.

720
00:28:49,880 --> 00:28:52,320
Speaker 3: Do you want to hear that story? Yes? You can't

721
00:28:52,360 --> 00:28:54,560
Speaker 3: start that story now, I know, but I do.

722
00:28:55,080 --> 00:28:56,920
Speaker 4: I want to hear more about you and fight out

723
00:28:56,920 --> 00:28:58,960
Speaker 4: amount of time talk about your mom. So when I

724
00:28:59,000 --> 00:29:01,240
Speaker 4: was thirteen years old, my great mother gave me a

725
00:29:01,280 --> 00:29:04,440
Speaker 4: gun as a thirty eight special black with a brown handle.

726
00:29:04,760 --> 00:29:06,480
Speaker 4: My mom goes, well, you're thirteen, you can't have a

727
00:29:06,480 --> 00:29:06,880
Speaker 4: gun like that.

728
00:29:06,920 --> 00:29:08,600
Speaker 1: I relate to that kind of white treasury.

729
00:29:08,920 --> 00:29:12,000
Speaker 4: Yeah ye along real well though, because we came up

730
00:29:12,040 --> 00:29:15,400
Speaker 4: quite a bit, both of us. So I go back,

731
00:29:15,600 --> 00:29:17,040
Speaker 4: go back to my mom's house and I hay check

732
00:29:17,080 --> 00:29:18,520
Speaker 4: this out and she's like, okay, give me that. You

733
00:29:18,560 --> 00:29:21,160
Speaker 4: can't have that. What are you fucking doing? So she

734
00:29:21,280 --> 00:29:24,480
Speaker 4: puts it up and god damn, I can see the

735
00:29:24,560 --> 00:29:28,560
Speaker 4: dick now. So one day she.

736
00:29:28,600 --> 00:29:37,560
Speaker 2: Goes out that.

737
00:29:42,640 --> 00:29:43,640
Speaker 3: He did it real slowly.

738
00:29:45,880 --> 00:29:49,479
Speaker 4: It shocked me. I felt, I felt the universe ground

739
00:29:49,520 --> 00:29:53,120
Speaker 4: me back. So my uh my mom, we we grew up.

740
00:29:53,120 --> 00:29:54,959
Speaker 4: I grew up in a ranch and my mom's working

741
00:29:55,160 --> 00:29:57,840
Speaker 4: the ranch or whatever. It's like a place for horses,

742
00:29:57,880 --> 00:29:58,400
Speaker 4: not really ranch.

743
00:29:58,800 --> 00:30:01,040
Speaker 3: And uh, I'm like, I'm go find that gun. It's

744
00:30:01,120 --> 00:30:02,320
Speaker 3: my gun. It was a gift.

745
00:30:02,760 --> 00:30:04,479
Speaker 4: It's like wedding raptors. Depending on what the gift. I'm

746
00:30:04,480 --> 00:30:06,440
Speaker 4: gonna be taking it with me. But it's ton So

747
00:30:06,520 --> 00:30:08,760
Speaker 4: I go, I'm I'm going through everything, right, I'm going

748
00:30:08,800 --> 00:30:12,200
Speaker 4: through drawers, looking, feeling everything. I get to a nightstand,

749
00:30:12,240 --> 00:30:12,920
Speaker 4: I open that up.

750
00:30:12,960 --> 00:30:13,440
Speaker 3: I grab it.

751
00:30:13,440 --> 00:30:15,120
Speaker 4: It's like glass with a bunch of things on it.

752
00:30:15,120 --> 00:30:17,600
Speaker 4: It's like shape like this. I like a dill dough.

753
00:30:17,640 --> 00:30:19,520
Speaker 4: But I was thirteen. I didn't know that it was

754
00:30:19,560 --> 00:30:22,120
Speaker 4: a dil dough. Put the thing in my hand, put

755
00:30:22,160 --> 00:30:23,920
Speaker 4: it back in the bag, put it back. I didn't

756
00:30:23,920 --> 00:30:25,920
Speaker 4: even clean it to feel terrible to this day actually.

757
00:30:26,480 --> 00:30:27,960
Speaker 4: And then I go through these drawers and you kind

758
00:30:27,960 --> 00:30:29,920
Speaker 4: of start feeling around and you can you didn't feel

759
00:30:30,640 --> 00:30:32,520
Speaker 4: like a like a playing card or whatever, kind of

760
00:30:32,520 --> 00:30:35,800
Speaker 4: brushing up against the dresser. Yeah, and you can't what

761
00:30:35,880 --> 00:30:38,720
Speaker 4: is that? And you kind of grab it and it's

762
00:30:39,880 --> 00:30:42,400
Speaker 4: it was a polaroid and I tripped it my what

763
00:30:42,600 --> 00:30:46,479
Speaker 4: is and it just immediately infused into my brain. It

764
00:30:46,560 --> 00:30:51,960
Speaker 4: was uh it was. It was outside okay, Uh, it

765
00:30:52,000 --> 00:30:57,240
Speaker 4: was a My mom was wearing a floral type of

766
00:30:58,400 --> 00:31:01,920
Speaker 4: top like this, this meant in your mind, this penis.

767
00:31:01,960 --> 00:31:03,800
Speaker 3: It went up and a little bit to the right.

768
00:31:03,920 --> 00:31:04,120
Speaker 1: Oh.

769
00:31:06,360 --> 00:31:08,160
Speaker 4: It was big and it was handsome, you know what

770
00:31:08,160 --> 00:31:10,200
Speaker 4: I'm saying. It wasn't like a grimy one where you go, well,

771
00:31:10,280 --> 00:31:12,240
Speaker 4: come on, it's kind of gross. It was like, that's

772
00:31:12,280 --> 00:31:15,320
Speaker 4: a good looking dict, you know. And she this is this,

773
00:31:15,560 --> 00:31:17,160
Speaker 4: this is the penis, this was her.

774
00:31:17,800 --> 00:31:18,400
Speaker 3: This is her.

775
00:31:20,400 --> 00:31:22,880
Speaker 4: Like that the tongue was touching the tip of the penis.

776
00:31:23,000 --> 00:31:26,080
Speaker 3: Dude, it fucking it was. I went quiet.

777
00:31:26,320 --> 00:31:28,000
Speaker 4: I wentn't mute for the first time in my life.

778
00:31:28,240 --> 00:31:30,720
Speaker 4: A week goes by, my mom's like, hey, why aren't

779
00:31:30,760 --> 00:31:33,600
Speaker 4: you talking very much? I'm fine walking to the other room.

780
00:31:34,080 --> 00:31:36,760
Speaker 4: And then one day she's like that it's enough, like

781
00:31:36,800 --> 00:31:37,440
Speaker 4: what's going on?

782
00:31:37,520 --> 00:31:38,640
Speaker 3: And I'm like, I don't want to talk about it,

783
00:31:39,000 --> 00:31:41,080
Speaker 3: just let me alone, and she's like cornering me, like

784
00:31:41,120 --> 00:31:41,920
Speaker 3: now we're doing the drug.

785
00:31:41,920 --> 00:31:43,280
Speaker 4: I'm trying to get around her and she wanted me

786
00:31:43,280 --> 00:31:45,200
Speaker 4: to get around her, and she's like, yo, would you

787
00:31:45,200 --> 00:31:46,520
Speaker 4: just tell me what the problem is. And I said,

788
00:31:46,520 --> 00:31:47,520
Speaker 4: you want to know what the problem is, and we

789
00:31:47,560 --> 00:31:49,400
Speaker 4: power walked to her room. I take out the picture

790
00:31:49,400 --> 00:31:50,840
Speaker 4: and I showed her. I said, this is the problem,

791
00:31:51,200 --> 00:31:53,160
Speaker 4: and she fucking lost it. And the worst part about

792
00:31:53,200 --> 00:31:55,720
Speaker 4: the whole story was she was wearing the same fucking shirt.

793
00:31:55,800 --> 00:31:59,720
Speaker 4: Then she wasn't the goddamn picture and that is the problem.

794
00:32:00,080 --> 00:32:00,480
Speaker 5: And that is that.

795
00:32:01,320 --> 00:32:04,440
Speaker 4: And literally I was telling I told this story to

796
00:32:04,480 --> 00:32:07,400
Speaker 4: some of my teammates a few years ago and this

797
00:32:07,600 --> 00:32:08,960
Speaker 4: and then my mom came to.

798
00:32:09,040 --> 00:32:11,360
Speaker 3: A charity event. It was when Houston had the floods,

799
00:32:11,360 --> 00:32:11,600
Speaker 3: and so.

800
00:32:11,600 --> 00:32:13,600
Speaker 4: My wife put a charity event on and my mom

801
00:32:13,680 --> 00:32:15,680
Speaker 4: came to the charity event and I go, Mom, you're

802
00:32:15,720 --> 00:32:17,479
Speaker 4: not gonna believe the story I'm telling the boys right now.

803
00:32:17,520 --> 00:32:19,840
Speaker 4: And she has not the dick story again, Taylor, but

804
00:32:20,000 --> 00:32:22,520
Speaker 4: she knows, she knows the fucking thing that I talk about.

805
00:32:22,520 --> 00:32:25,640
Speaker 1: And so first time I'm saying it on the podcast

806
00:32:25,920 --> 00:32:28,400
Speaker 1: the first time, the first time I've ever heard that story.

807
00:32:28,560 --> 00:32:30,680
Speaker 4: No, it was tough. I'm sweating profusely.

808
00:32:31,640 --> 00:32:33,360
Speaker 3: Sorry, we can take this moment and go to an end.

809
00:32:35,000 --> 00:32:37,760
Speaker 5: Today's episode is also brought to you by the team

810
00:32:37,760 --> 00:32:40,440
Speaker 5: that manned the fuck up. These guys have struck gold

811
00:32:40,480 --> 00:32:42,440
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812
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813
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814
00:32:48,200 --> 00:32:50,080
Speaker 6: manlier man like mine.

815
00:32:50,360 --> 00:32:53,480
Speaker 4: Jelly, do you think women like men with beards?

816
00:32:53,600 --> 00:32:55,840
Speaker 1: Absolutely, dude. Let me tell you, if.

817
00:32:55,800 --> 00:32:58,520
Speaker 6: You're tired of dealing with a patchy bitch beard, it

818
00:32:58,600 --> 00:33:00,600
Speaker 6: is time to man walk up.

819
00:33:01,160 --> 00:33:03,800
Speaker 5: What does man the fuck up Beard do? It enhances

820
00:33:03,840 --> 00:33:06,440
Speaker 5: your beard. It helps you grow a thicker, fuller, more

821
00:33:06,520 --> 00:33:08,840
Speaker 5: luscious beard that the women will love, and it gets

822
00:33:08,880 --> 00:33:11,800
Speaker 5: rid of those patchy bitch beards. It's all natural and

823
00:33:11,840 --> 00:33:15,600
Speaker 5: specifically formulated to help you grow your facial hair stronger, faster,

824
00:33:15,760 --> 00:33:18,920
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825
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826
00:33:23,080 --> 00:33:26,840
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827
00:33:26,880 --> 00:33:29,160
Speaker 5: to the episode with our boy Jelly role not just

828
00:33:29,200 --> 00:33:30,120
Speaker 5: your boy, Jaelly, roll you.

829
00:33:30,120 --> 00:33:33,280
Speaker 6: Boy with this fucking lion king mae right here, because

830
00:33:33,280 --> 00:33:34,640
Speaker 6: I use that man the fuck up.

831
00:33:34,680 --> 00:33:37,240
Speaker 3: Look at that fucking beard, baby.

832
00:33:39,400 --> 00:33:43,800
Speaker 4: And see it now now. So that was that, But

833
00:33:43,880 --> 00:33:45,320
Speaker 4: let's get back to what we were what we were

834
00:33:45,320 --> 00:33:47,440
Speaker 4: talking about with you, Oh the fight your mom thing.

835
00:33:47,680 --> 00:33:49,400
Speaker 3: Yeah, in jail, Well there was more.

836
00:33:49,440 --> 00:33:50,959
Speaker 4: I'm all right, I'm good, thank you.

837
00:33:51,200 --> 00:33:55,000
Speaker 5: It was we were talking about the whole fear, thinking

838
00:33:55,000 --> 00:33:57,640
Speaker 5: about having confidence about everybody, kind of shitting on your

839
00:33:57,680 --> 00:33:59,840
Speaker 5: stuff and learning how to do that.

840
00:34:00,080 --> 00:34:01,120
Speaker 3: Yeah, and it sounds like you don't.

841
00:34:01,160 --> 00:34:03,480
Speaker 4: It doesn't matter anymore, and it's it's a huge win

842
00:34:03,520 --> 00:34:05,440
Speaker 4: because every label that told you fuck yourself is now

843
00:34:05,440 --> 00:34:06,160
Speaker 4: sitting on your desk.

844
00:34:06,240 --> 00:34:07,520
Speaker 1: Listen, man, it's all it worked out.

845
00:34:07,760 --> 00:34:09,239
Speaker 4: Now, how does that process work? Talk to me like

846
00:34:09,280 --> 00:34:10,560
Speaker 4: I'm five, and tell me how.

847
00:34:10,600 --> 00:34:11,560
Speaker 3: How do you get a label?

848
00:34:11,680 --> 00:34:13,920
Speaker 4: You kind of yeah, why why would it be all

849
00:34:14,000 --> 00:34:14,200
Speaker 4: of you?

850
00:34:14,440 --> 00:34:16,120
Speaker 3: When you have every label? Now now you get to

851
00:34:16,200 --> 00:34:16,600
Speaker 3: kind of pick.

852
00:34:20,960 --> 00:34:25,200
Speaker 6: So here's how this works, right, Labels come in and

853
00:34:25,239 --> 00:34:28,160
Speaker 6: finance the records. And if y'all ever talked about this

854
00:34:28,200 --> 00:34:33,120
Speaker 6: with a musician, the music I watched Ernest.

855
00:34:33,239 --> 00:34:36,040
Speaker 4: Ernest has dabbled with it a little bit, but this is.

856
00:34:36,000 --> 00:34:37,200
Speaker 3: The most organized we've been.

857
00:34:37,239 --> 00:34:38,319
Speaker 4: Yeah, the way the way you are.

858
00:34:38,360 --> 00:34:40,440
Speaker 3: So you said, finance, dabble in and out and get out.

859
00:34:40,480 --> 00:34:41,719
Speaker 3: We're we're keeping this thing.

860
00:34:41,760 --> 00:34:45,279
Speaker 4: Besides my picture, this is a street word.

861
00:34:45,360 --> 00:34:45,720
Speaker 3: Finance.

862
00:34:45,800 --> 00:34:49,840
Speaker 4: Hit me yeah, so continue, right, So it's a label

863
00:34:49,880 --> 00:34:50,760
Speaker 4: finances the record.

864
00:34:50,840 --> 00:34:53,280
Speaker 6: Yeah, the label finance is the record, right, and because

865
00:34:53,320 --> 00:34:59,000
Speaker 6: of that they own the record. Well not, there's a

866
00:34:59,040 --> 00:35:01,600
Speaker 6: deal involved with so like let's say that, it'd be

867
00:35:01,640 --> 00:35:03,200
Speaker 6: like you say, let's say we're gonna do a Busting

868
00:35:03,200 --> 00:35:05,120
Speaker 6: with the Boys album. I'm like, oh, let me sign y'all,

869
00:35:05,120 --> 00:35:08,120
Speaker 6: we'll do it under my shit, right, and I'm like, Okay,

870
00:35:08,160 --> 00:35:10,440
Speaker 6: check this out. Here's the deal, y'all. I'll finance the record,

871
00:35:10,400 --> 00:35:11,880
Speaker 6: and I'll give you an advance if you need it,

872
00:35:11,960 --> 00:35:13,800
Speaker 6: like if you need a draw or I'll give you

873
00:35:13,800 --> 00:35:17,000
Speaker 6: an Rascal advanced, go cut your own record. Right, So

874
00:35:17,000 --> 00:35:18,600
Speaker 6: I'll be like, Yo, here's a half a million dollars,

875
00:35:18,640 --> 00:35:23,120
Speaker 6: go cut your record. But we're gonna do a and

876
00:35:23,160 --> 00:35:25,239
Speaker 6: we'll promote it, market it. On the label side, we'll

877
00:35:25,239 --> 00:35:26,960
Speaker 6: do everything for y'all. Y'all do is turning the record,

878
00:35:27,000 --> 00:35:29,200
Speaker 6: we'll pay for the videos, we'll pay for everything. But

879
00:35:29,320 --> 00:35:32,319
Speaker 6: on the side of it, we're gonna do a This

880
00:35:32,360 --> 00:35:34,640
Speaker 6: is a generous deal. Now, we're gonna do an eighty

881
00:35:34,840 --> 00:35:39,640
Speaker 6: twenty seventy thirty, Me get seventy, y'all get thirty, okay

882
00:35:39,719 --> 00:35:42,960
Speaker 6: for me? Financing the record, and we're gonna do but

883
00:35:43,040 --> 00:35:45,840
Speaker 6: we're gonna recoup the million dollars or half a million

884
00:35:45,880 --> 00:35:47,799
Speaker 6: dollars at the rate of the deal. Let'say a million,

885
00:35:47,800 --> 00:35:50,759
Speaker 6: because it's easy, man, And at the rate of the deal.

886
00:35:50,800 --> 00:35:53,120
Speaker 6: This is where they fuck you, young artists. Please listen,

887
00:35:53,160 --> 00:35:56,000
Speaker 6: I am giving away game. I could charge for this.

888
00:35:56,000 --> 00:35:57,719
Speaker 6: This is where they fuck you. They charge at the

889
00:35:57,800 --> 00:36:01,600
Speaker 6: rate of the deal. So that means every dollar that's made,

890
00:36:01,800 --> 00:36:04,800
Speaker 6: I'm gonna take my seventy cents out of it, and

891
00:36:04,840 --> 00:36:07,520
Speaker 6: then I'm gonna apply your thirty cents towards the million

892
00:36:07,560 --> 00:36:08,319
Speaker 6: dollars you owe me.

893
00:36:08,640 --> 00:36:09,560
Speaker 1: Right, and see what I'm saying.

894
00:36:09,719 --> 00:36:10,840
Speaker 3: That's paid off the second.

895
00:36:10,640 --> 00:36:12,400
Speaker 6: And then once that's paid off, you start getting your

896
00:36:12,400 --> 00:36:15,920
Speaker 6: thirty cents. Now, think about that for a second. As

897
00:36:15,960 --> 00:36:18,880
Speaker 6: far as just us has grown, men a lackeuple bank

898
00:36:18,920 --> 00:36:21,759
Speaker 6: loan or like a homy loan, right, Like just your

899
00:36:21,760 --> 00:36:23,759
Speaker 6: homie gives you one hundred thousand dollars and go, I

900
00:36:23,800 --> 00:36:25,279
Speaker 6: don't know, fuck give me give me a one hundred

901
00:36:25,320 --> 00:36:26,720
Speaker 6: and twenty back if you can do it in three months.

902
00:36:26,800 --> 00:36:28,080
Speaker 3: Yeah, we're talking.

903
00:36:27,880 --> 00:36:33,680
Speaker 6: About somebody making seven hundred thousand dollars and they're million

904
00:36:33,760 --> 00:36:37,720
Speaker 6: dollars back before you participate in any of the money.

905
00:36:38,360 --> 00:36:41,440
Speaker 5: So so if if the whole project costs it a million,

906
00:36:42,040 --> 00:36:44,319
Speaker 5: like you, they take out their seven hundred thousand, then

907
00:36:44,360 --> 00:36:47,000
Speaker 5: your three hundred thousand starts to pay for the rest

908
00:36:47,040 --> 00:36:47,759
Speaker 5: of the expenses.

909
00:36:48,160 --> 00:36:51,320
Speaker 3: And then whenever it gets you your say, whenever you get.

910
00:36:51,200 --> 00:36:53,800
Speaker 6: The eight million dollars, yeah, right, whenever you're thirty percent

911
00:36:53,840 --> 00:36:54,880
Speaker 6: pays the million off.

912
00:36:55,280 --> 00:36:56,800
Speaker 1: Then we go into a seventy thirty.

913
00:36:56,960 --> 00:36:59,719
Speaker 6: But where the labels fuck you is it's an unlimited

914
00:36:59,719 --> 00:37:02,360
Speaker 6: line of credit when you're doing well. So young artists

915
00:37:02,400 --> 00:37:06,200
Speaker 6: don't realize what's happening, right, so they're just like, hey, man,

916
00:37:06,239 --> 00:37:08,560
Speaker 6: I want to shoot a video and have a helicopter

917
00:37:08,640 --> 00:37:10,520
Speaker 6: and jump out of it like James Bond and blow

918
00:37:10,560 --> 00:37:12,359
Speaker 6: a car up. They was like, no problem, only costs

919
00:37:12,400 --> 00:37:14,839
Speaker 6: quarter million dollars. Here's two hundred and fifty thousand more.

920
00:37:15,719 --> 00:37:17,879
Speaker 1: Then these artists started get in a situation where they're

921
00:37:17,920 --> 00:37:21,600
Speaker 1: never getting royalties on their records. Now the label owns

922
00:37:21,640 --> 00:37:24,239
Speaker 1: the masters of the record. Now the masters is the

923
00:37:24,320 --> 00:37:26,760
Speaker 1: right to sink something to put it on a TV show.

924
00:37:27,239 --> 00:37:29,160
Speaker 6: The masters is the right to where it lives and

925
00:37:29,200 --> 00:37:31,560
Speaker 6: doesn't live to break it down in a beat format

926
00:37:31,600 --> 00:37:34,319
Speaker 6: to whatever they want to do with the master recording. Right,

927
00:37:35,360 --> 00:37:38,200
Speaker 6: artist doesn't own the master, he's only participating in the

928
00:37:38,280 --> 00:37:40,759
Speaker 6: royalties of the album. When I say seventy thirty, that's

929
00:37:40,760 --> 00:37:42,959
Speaker 6: a strong deal. It's a lot of artists on music

930
00:37:42,960 --> 00:37:44,440
Speaker 6: world right now with ninety five.

931
00:37:44,320 --> 00:37:50,440
Speaker 4: Fives fives You don't make nothing? How do you? How

932
00:37:50,440 --> 00:37:51,000
Speaker 4: do you make money?

933
00:37:51,080 --> 00:37:51,719
Speaker 3: Then and and.

934
00:37:51,680 --> 00:37:56,480
Speaker 6: Then to Morgant this new thing called a three sixty deal,

935
00:37:56,520 --> 00:38:00,239
Speaker 6: which is called ancillary participation, which means now, not only

936
00:38:00,239 --> 00:38:03,279
Speaker 6: do I want ninety five percent of what you're streaming does?

937
00:38:03,560 --> 00:38:06,520
Speaker 6: I want fifteen percent of what your touring does gross.

938
00:38:06,880 --> 00:38:09,840
Speaker 6: I want fifteen percent of what your merch does gross.

939
00:38:10,160 --> 00:38:13,600
Speaker 6: I want fifteen percent of your appearance fee gross. I

940
00:38:13,640 --> 00:38:17,680
Speaker 6: want fifteen percent of everything you do gross. So okay,

941
00:38:18,719 --> 00:38:21,360
Speaker 6: and the nights on your name, Taylor, that's deeper.

942
00:38:21,680 --> 00:38:22,760
Speaker 3: Imagine now, not only.

943
00:38:22,600 --> 00:38:28,719
Speaker 1: Do I own this, so so if I wanted to

944
00:38:28,719 --> 00:38:31,319
Speaker 1: go open a jelly roll bar, I would have to

945
00:38:31,440 --> 00:38:37,839
Speaker 1: ask their permission to put or more depending on what

946
00:38:37,880 --> 00:38:39,480
Speaker 1: the deal was with the name, because the name could

947
00:38:39,480 --> 00:38:40,120
Speaker 1: be a different thing.

948
00:38:40,239 --> 00:38:42,480
Speaker 4: So not unlike the Jason ol Dean bar down to the

949
00:38:42,560 --> 00:38:45,320
Speaker 4: Flida Georgia line bar down there. I don't know their deals,

950
00:38:45,600 --> 00:38:47,719
Speaker 4: but based on one of the things you might be

951
00:38:47,760 --> 00:38:49,719
Speaker 4: saying is that could be owned by the record label.

952
00:38:49,760 --> 00:38:52,759
Speaker 6: Actually, what's really happening is they took a licensing deal,

953
00:38:53,080 --> 00:38:55,080
Speaker 6: so they have nothing to do with these bars. Dirk's

954
00:38:55,120 --> 00:38:56,879
Speaker 6: is the only one I know who's pretty hands on,

955
00:38:57,920 --> 00:39:01,200
Speaker 6: and the licensing deal could be fifteen percent of the

956
00:39:01,239 --> 00:39:02,320
Speaker 6: world to the net.

957
00:39:02,200 --> 00:39:04,080
Speaker 1: The net world, the Net, the net of the year.

958
00:39:04,320 --> 00:39:06,920
Speaker 4: Now when you when you say dersh is pretty hands on,

959
00:39:06,960 --> 00:39:08,920
Speaker 4: hes on one that you know that's hand What does

960
00:39:08,920 --> 00:39:09,480
Speaker 4: that mean.

961
00:39:10,360 --> 00:39:12,840
Speaker 1: In his bar? He actually has equity stocking?

962
00:39:12,960 --> 00:39:13,840
Speaker 4: Okay, gotcha?

963
00:39:13,920 --> 00:39:18,279
Speaker 1: Where the other guys? Jason Dean's bar could be Ernest Bar.

964
00:39:18,640 --> 00:39:21,520
Speaker 6: In five years, when it's licensing fees up, Ernest will

965
00:39:21,560 --> 00:39:24,080
Speaker 6: probably be the biggest artist in Nashville. I hope that's

966
00:39:24,120 --> 00:39:28,040
Speaker 6: our boy. So let's say Ernest boys. Yeah, he's one

967
00:39:28,080 --> 00:39:29,880
Speaker 6: of the boys. So let's say Ernest is the biggest

968
00:39:29,920 --> 00:39:31,439
Speaker 6: artist in town. And they go, Okay, it's no longer

969
00:39:31,520 --> 00:39:34,200
Speaker 6: Jason al Dean Bar, It's Ernest Bar. You know, I'd

970
00:39:34,239 --> 00:39:36,400
Speaker 6: love to see a day where music ROAs is Ernest

971
00:39:36,400 --> 00:39:38,680
Speaker 6: and Harty's. You know what I'm saying. Does that make sense?

972
00:39:38,960 --> 00:39:42,160
Speaker 6: Where the Broadway is the new guys, right?

973
00:39:42,280 --> 00:39:42,480
Speaker 1: You know?

974
00:39:43,200 --> 00:39:45,319
Speaker 6: So it's like and then they come to them and say, man,

975
00:39:45,360 --> 00:39:47,480
Speaker 6: we'll give you, you know, for your name's sake, We'll give

976
00:39:47,520 --> 00:39:49,879
Speaker 6: fifteen percent of the net of what this thing does,

977
00:39:50,600 --> 00:39:53,279
Speaker 6: depending on the label deal the jelly roll bar. Now

978
00:39:53,480 --> 00:39:55,600
Speaker 6: at fifteen percent of the net of that. Let's say

979
00:39:55,600 --> 00:39:57,719
Speaker 6: that bar makes my net is three million, four million

980
00:39:57,719 --> 00:40:00,560
Speaker 6: dollars a year. The label comes in if they own

981
00:40:00,680 --> 00:40:02,799
Speaker 6: my name. Like I know one artist in town I

982
00:40:02,800 --> 00:40:04,440
Speaker 6: cannot say his name. We'll talk about it when the

983
00:40:04,480 --> 00:40:08,640
Speaker 6: camera's off that literally gave up his whole name.

984
00:40:09,040 --> 00:40:10,680
Speaker 1: That label could just come right in and take them

985
00:40:10,719 --> 00:40:11,360
Speaker 1: three million.

986
00:40:11,160 --> 00:40:12,440
Speaker 4: Dollars just like that.

987
00:40:12,880 --> 00:40:17,799
Speaker 6: Like that, that's tough own his own name. That's hard

988
00:40:17,800 --> 00:40:20,200
Speaker 6: to hear, and it's his government name. It's not like

989
00:40:20,280 --> 00:40:22,520
Speaker 6: jelly rolls a moniker, right, you know? Like I mean,

990
00:40:22,600 --> 00:40:26,120
Speaker 6: imagine like Taylor Lawan will Compton, like I own the

991
00:40:26,239 --> 00:40:29,919
Speaker 6: name will and William Compton. That's the name I own.

992
00:40:30,320 --> 00:40:32,680
Speaker 6: Anytime you put Will Compton on something and try to

993
00:40:32,719 --> 00:40:34,560
Speaker 6: sell it, I'm I can I'm allowed to step in

994
00:40:35,160 --> 00:40:36,319
Speaker 6: and flex and go hold on.

995
00:40:36,360 --> 00:40:37,960
Speaker 1: Now you know I own the name will Compton.

996
00:40:40,960 --> 00:40:42,080
Speaker 4: Do what my.

997
00:40:42,120 --> 00:40:44,720
Speaker 6: Mama calls me with. This is the name my mother

998
00:40:44,800 --> 00:40:47,160
Speaker 6: gave me. My father I was named Will like.

999
00:40:47,719 --> 00:40:50,640
Speaker 4: He get that individual he or she give a way

1000
00:40:50,719 --> 00:40:51,719
Speaker 4: that opportunity.

1001
00:40:51,760 --> 00:40:55,719
Speaker 3: Now do you feel how are these things not? Sorry?

1002
00:40:55,719 --> 00:40:56,920
Speaker 4: I want to get this off because I want to

1003
00:40:56,960 --> 00:40:59,879
Speaker 4: make sure I ask it. How are artists not getting

1004
00:41:00,000 --> 00:41:03,080
Speaker 4: together and saying well, this is obviously unfair? And how

1005
00:41:03,440 --> 00:41:05,160
Speaker 4: is there an artist union? Is there a way that

1006
00:41:05,239 --> 00:41:08,919
Speaker 4: you guys can start unionizing and negotiating not just one

1007
00:41:08,960 --> 00:41:11,880
Speaker 4: genre like rap, but all genres to say, this is

1008
00:41:11,880 --> 00:41:14,000
Speaker 4: how we're gonna work labels from now on. It's a

1009
00:41:14,000 --> 00:41:16,440
Speaker 4: fifty to fifty or a fifty one to forty nine label,

1010
00:41:16,760 --> 00:41:18,520
Speaker 4: and it's gonna be X y and Z and kind

1011
00:41:18,560 --> 00:41:20,160
Speaker 4: of put more in a fine print, kind of like

1012
00:41:20,160 --> 00:41:20,960
Speaker 4: our CBA is.

1013
00:41:21,200 --> 00:41:23,680
Speaker 6: Right, So, what they're gonna end up doing is labels

1014
00:41:23,719 --> 00:41:25,400
Speaker 6: will turn into distributors in the future.

1015
00:41:25,400 --> 00:41:27,320
Speaker 1: It's already happening, right.

1016
00:41:27,280 --> 00:41:30,399
Speaker 4: Like labels are distributors like Spotify, like Apple Music.

1017
00:41:30,480 --> 00:41:32,319
Speaker 6: Yeah, but what they do is they like be like

1018
00:41:32,360 --> 00:41:35,799
Speaker 6: a big loud yeah exactly exactly. So it turns into

1019
00:41:35,960 --> 00:41:38,960
Speaker 6: what well, they're they're doing more distribution than they used to.

1020
00:41:39,160 --> 00:41:41,600
Speaker 3: So like where universally used to be record deal or no.

1021
00:41:41,680 --> 00:41:44,319
Speaker 6: Deal, the deals I have on my table from these

1022
00:41:44,360 --> 00:41:47,200
Speaker 6: labels are distribution deals. And this is probably my manager

1023
00:41:47,239 --> 00:41:49,360
Speaker 6: can be like, I fucking hate you work on this podcast.

1024
00:41:49,400 --> 00:41:52,160
Speaker 6: Just start telling all the business. But it's like he's

1025
00:41:52,800 --> 00:41:56,000
Speaker 6: by the way, yeah you're a huge fan, shouts boy, Yeah, yeah,

1026
00:41:56,560 --> 00:41:59,080
Speaker 6: what's up, Caleb. But they'll be like, yo, check this out.

1027
00:41:59,120 --> 00:42:02,719
Speaker 6: They'll be like, hey man, we'll distribute your record to

1028
00:42:02,760 --> 00:42:05,960
Speaker 6: all the DSP's digital service providers Spotify, album Music, CEA,

1029
00:42:06,040 --> 00:42:08,839
Speaker 6: We'll work the record, we'll use our relationship and our

1030
00:42:08,880 --> 00:42:12,960
Speaker 6: in house offices stuff for I can't legally say the percentage,

1031
00:42:13,760 --> 00:42:15,200
Speaker 6: but let's pretend it's like.

1032
00:42:17,080 --> 00:42:17,680
Speaker 1: Ninety ten.

1033
00:42:18,000 --> 00:42:21,680
Speaker 6: Yeah we're pretending though, right right, you see what I'm saying,

1034
00:42:21,719 --> 00:42:24,160
Speaker 6: So let's just say like it's just something that cool,

1035
00:42:24,440 --> 00:42:25,879
Speaker 6: that unheard of ninety my.

1036
00:42:25,880 --> 00:42:28,839
Speaker 1: Way ten their way. That's what the deals I'm getting now.

1037
00:42:28,960 --> 00:42:32,000
Speaker 6: Hypothetically, if they're for percentage like that were to exist

1038
00:42:32,520 --> 00:42:34,680
Speaker 6: purther non disclosure, I'm not allowed to say, but it's

1039
00:42:34,680 --> 00:42:36,880
Speaker 6: something of that nature, you know what I mean where

1040
00:42:37,120 --> 00:42:39,520
Speaker 6: I was willing to take an eighty five fifteen them

1041
00:42:39,560 --> 00:42:40,320
Speaker 6: getting eighty.

1042
00:42:40,120 --> 00:42:42,160
Speaker 3: Five six years ago when I was dead broke and

1043
00:42:42,239 --> 00:42:42,879
Speaker 3: just needed help.

1044
00:42:43,480 --> 00:42:47,560
Speaker 1: And that's where they catch these artists and fuck them.

1045
00:42:46,080 --> 00:42:50,239
Speaker 6: They see the talent and go, this kid's gonna work.

1046
00:42:51,080 --> 00:42:53,440
Speaker 6: Let's invest in them. Now, let's sign the deal. Now,

1047
00:42:53,520 --> 00:42:55,400
Speaker 6: let's put them in the huckle buck. You know what

1048
00:42:55,440 --> 00:42:57,640
Speaker 6: I'm saying, let's time up for four or five sixty

1049
00:42:57,640 --> 00:42:59,839
Speaker 6: seven albums something crazy and fucking.

1050
00:43:01,440 --> 00:43:04,640
Speaker 4: So the distribution. If it's changing the distribution, how are

1051
00:43:04,640 --> 00:43:06,680
Speaker 4: the labels going to go now monetize that and make

1052
00:43:06,719 --> 00:43:08,200
Speaker 4: sure that they get their same things.

1053
00:43:08,520 --> 00:43:12,120
Speaker 1: Well, they'll obviously have to start making less money, right,

1054
00:43:12,440 --> 00:43:13,879
Speaker 1: and the artists will be in charge.

1055
00:43:13,960 --> 00:43:16,840
Speaker 6: It's gonna happen. We're the beginning of it. I'm not

1056
00:43:17,000 --> 00:43:20,080
Speaker 6: saying this in an arrogant way. I say this in like,

1057
00:43:20,080 --> 00:43:22,560
Speaker 6: like in the bottom of my heart way. I think

1058
00:43:22,600 --> 00:43:24,640
Speaker 6: the deal that I'm gonna end up signing, that we'll

1059
00:43:24,680 --> 00:43:26,319
Speaker 6: talk about as soon as y'all, as soon as I

1060
00:43:26,320 --> 00:43:31,160
Speaker 6: see that not running will be something that I believe

1061
00:43:31,200 --> 00:43:34,279
Speaker 6: will go down in history of Nashville, like it'll be

1062
00:43:34,320 --> 00:43:37,840
Speaker 6: a turning point for artists where artists will start going

1063
00:43:37,880 --> 00:43:40,800
Speaker 6: into labels and saying, hey, man, I want the Jelly

1064
00:43:40,840 --> 00:43:41,279
Speaker 6: Roll deal.

1065
00:43:41,920 --> 00:43:44,000
Speaker 1: If you can do it, get that Jelly do it

1066
00:43:44,040 --> 00:43:46,080
Speaker 1: for me. Way, I really believe.

1067
00:43:45,760 --> 00:43:48,160
Speaker 3: That it's the same thing they do in the NFL. Now.

1068
00:43:48,200 --> 00:43:50,720
Speaker 4: For a players to start getting more and more money,

1069
00:43:50,880 --> 00:43:53,600
Speaker 4: they need the next guy up to have the biggest

1070
00:43:53,640 --> 00:43:56,560
Speaker 4: contract in NFL history. You get those guys doing it,

1071
00:43:56,920 --> 00:43:58,120
Speaker 4: and then that's.

1072
00:43:57,960 --> 00:43:58,640
Speaker 3: How money gets.

1073
00:43:58,680 --> 00:44:00,360
Speaker 1: There's always a bigger com Yeah.

1074
00:44:00,200 --> 00:44:02,399
Speaker 4: There's always a bigger contract. When I signed my deal

1075
00:44:03,000 --> 00:44:05,319
Speaker 4: four years ago, I was number one. Now I'm not

1076
00:44:05,360 --> 00:44:07,239
Speaker 4: even close to the top. It might be I might

1077
00:44:07,280 --> 00:44:09,200
Speaker 4: not even talk ten more. I have no idea, But

1078
00:44:09,239 --> 00:44:11,279
Speaker 4: that's how you keep the money rolling. That's how you

1079
00:44:11,320 --> 00:44:13,960
Speaker 4: as a group collectively keep the ball rolling in your

1080
00:44:13,960 --> 00:44:15,719
Speaker 4: direction that you want for people to walk in and say,

1081
00:44:15,760 --> 00:44:16,839
Speaker 4: I want the jelly Roll deal.

1082
00:44:17,000 --> 00:44:20,640
Speaker 6: Yeah, it seems like there was a moment came in

1083
00:44:20,719 --> 00:44:23,480
Speaker 6: and said and it'd be shortly like you're but there

1084
00:44:23,520 --> 00:44:25,200
Speaker 6: was a moment where people came in and say, man,

1085
00:44:25,560 --> 00:44:28,000
Speaker 6: especially linemen, they were like, oh man, I want that

1086
00:44:28,040 --> 00:44:30,839
Speaker 6: fucking Taylor Lewan deal, right, Like y'all see what Tay

1087
00:44:31,160 --> 00:44:34,080
Speaker 6: like motherfucker's gossip. You see what just happened with Taylor

1088
00:44:34,160 --> 00:44:36,120
Speaker 6: and the issue, Like, Yo, that shit's out there, you

1089
00:44:36,200 --> 00:44:36,800
Speaker 6: know what I'm saying.

1090
00:44:36,880 --> 00:44:39,600
Speaker 4: The thing with NFL money is that when people say

1091
00:44:39,640 --> 00:44:41,600
Speaker 4: five year blah blah blah blah. If someone signed a

1092
00:44:41,640 --> 00:44:43,560
Speaker 4: five year one hundred and twenty million dollars deal, everyone

1093
00:44:43,600 --> 00:44:46,000
Speaker 4: see one hundred and twenty million dollars. The most important

1094
00:44:46,040 --> 00:44:48,160
Speaker 4: thing is not your apy which is average per year.

1095
00:44:48,520 --> 00:44:51,200
Speaker 4: Most important thing is guaranteed at signing and then your

1096
00:44:51,200 --> 00:44:53,960
Speaker 4: first three years money, right, So that is the most important,

1097
00:44:54,080 --> 00:44:55,680
Speaker 4: the most important thing, Like, you don't have to be

1098
00:44:55,719 --> 00:44:58,279
Speaker 4: the highest paid dude, but if your structure is good,

1099
00:44:58,520 --> 00:45:00,480
Speaker 4: that's how your bulletproof to make your money. Dudes just

1100
00:45:00,560 --> 00:45:02,800
Speaker 4: want to have the highest paid contract.

1101
00:45:02,640 --> 00:45:03,319
Speaker 3: So they want that.

1102
00:45:04,560 --> 00:45:06,080
Speaker 4: So they say they have the highest deal, get the

1103
00:45:06,080 --> 00:45:09,360
Speaker 4: cool poster, you know, maybe have a milk commercial or

1104
00:45:09,360 --> 00:45:11,799
Speaker 4: added a magazine, and then two years from now you're

1105
00:45:11,800 --> 00:45:13,600
Speaker 4: getting cut. But they're back in those years of the

1106
00:45:13,680 --> 00:45:16,640
Speaker 4: highest yeah, and so those the years you're either renegotiating,

1107
00:45:16,719 --> 00:45:20,480
Speaker 4: have a smaller contract, or you're cut. Right, So it's

1108
00:45:20,520 --> 00:45:23,719
Speaker 4: a it's a it's a finicky world. The talent versus and.

1109
00:45:24,480 --> 00:45:26,919
Speaker 6: Even though it is, yeah, it's arts versus commerce man,

1110
00:45:27,239 --> 00:45:32,080
Speaker 6: and I am dead set against artists being exploited.

1111
00:45:32,560 --> 00:45:34,280
Speaker 1: It's something that bothers me and my soul.

1112
00:45:34,400 --> 00:45:35,560
Speaker 3: Man, Like, I.

1113
00:45:35,520 --> 00:45:37,560
Speaker 6: Hate to see an artist when they when when somebody

1114
00:45:37,600 --> 00:45:40,279
Speaker 6: like you know, it's got to be like that with y'all, right,

1115
00:45:40,360 --> 00:45:42,480
Speaker 6: Like when a motherfucker who's never thrown a football in

1116
00:45:42,480 --> 00:45:44,320
Speaker 6: his goddamn life tries to come in and tell you

1117
00:45:44,400 --> 00:45:47,400
Speaker 6: what you're worth, and you're like, hold on, no, You've

1118
00:45:47,560 --> 00:45:49,960
Speaker 6: never fucking once in your life came out here on

1119
00:45:50,000 --> 00:45:53,200
Speaker 6: a Sunday. You've never once had the fucking Alabama shakes

1120
00:45:53,239 --> 00:45:55,319
Speaker 6: I get out here. You've never once dealt with the

1121
00:45:55,360 --> 00:45:57,319
Speaker 6: intensity I deal without here, and you're telling me, what

1122
00:45:57,360 --> 00:45:59,040
Speaker 6: the fuck I'm gonna want to put your value with

1123
00:45:59,040 --> 00:46:01,480
Speaker 6: the motherfucking harbor to know something about money. You can

1124
00:46:01,600 --> 00:46:05,120
Speaker 6: suck my dick, soft dog. This is fucking what I do.

1125
00:46:04,880 --> 00:46:07,480
Speaker 1: But you know what I'm saying. It's like when.

1126
00:46:07,360 --> 00:46:09,719
Speaker 6: People tell me, like, come in and you tell me,

1127
00:46:09,760 --> 00:46:11,759
Speaker 6: hey man, this is this is how this would work.

1128
00:46:11,800 --> 00:46:11,880
Speaker 5: Man.

1129
00:46:11,920 --> 00:46:14,520
Speaker 6: Have you ever played a guitar? Have you wrote a

1130
00:46:14,640 --> 00:46:18,800
Speaker 6: thousand songs and nine hundred of them motherfucker's been horrible.

1131
00:46:19,440 --> 00:46:21,880
Speaker 6: Don't talk to me. I got a hard drive, I

1132
00:46:21,920 --> 00:46:24,439
Speaker 6: got a graveyard of songs I'd never played for y'all.

1133
00:46:24,480 --> 00:46:25,440
Speaker 3: Right, now we're homies.

1134
00:46:25,480 --> 00:46:28,080
Speaker 1: I feel like already we've talked about motherfucking dick and

1135
00:46:28,080 --> 00:46:30,240
Speaker 1: everything we've.

1136
00:46:29,600 --> 00:46:32,520
Speaker 4: Gotten the bring it up right away till I feel

1137
00:46:32,520 --> 00:46:35,200
Speaker 4: like that's something you lead with super close or not.

1138
00:46:35,680 --> 00:46:37,719
Speaker 1: I feel like you couldn't get No, I wouldn't tell

1139
00:46:37,719 --> 00:46:39,160
Speaker 1: you a story if my mama sucking dick.

1140
00:46:39,440 --> 00:46:40,640
Speaker 3: If I wouldn't go with.

1141
00:46:40,480 --> 00:46:44,080
Speaker 5: You, we're back right.

1142
00:46:47,719 --> 00:46:50,560
Speaker 6: It's like, dude, I just you know, it's like I wouldn't.

1143
00:46:50,880 --> 00:46:53,600
Speaker 6: I just I just couldn't imagine a world where the

1144
00:46:53,760 --> 00:46:56,800
Speaker 6: artists don't have control. It's time for the artists to

1145
00:46:56,800 --> 00:46:58,000
Speaker 6: take control in our business.

1146
00:46:58,040 --> 00:47:00,520
Speaker 3: Yeah, I mean, I don't want to see a art explain.

1147
00:47:00,560 --> 00:47:02,400
Speaker 5: You need some of those pioneers too, that are like

1148
00:47:02,520 --> 00:47:04,560
Speaker 5: that kind of disclose some of that as well, because

1149
00:47:04,600 --> 00:47:06,400
Speaker 5: a lot of times guys just don't know what everybody

1150
00:47:06,400 --> 00:47:08,680
Speaker 5: else is doing. Like going in the NFL, you kind

1151
00:47:08,680 --> 00:47:10,840
Speaker 5: of know what structure're going to get into. There's minimums,

1152
00:47:10,920 --> 00:47:13,520
Speaker 5: or's this and that. There's not that kid, there's not

1153
00:47:13,560 --> 00:47:15,400
Speaker 5: that kid. Kind of playing in the field and scouts

1154
00:47:15,480 --> 00:47:16,799
Speaker 5: just go by and see them be like, oh, let's

1155
00:47:16,800 --> 00:47:19,160
Speaker 5: take advantage of him and get ninety percent of It's

1156
00:47:19,160 --> 00:47:22,920
Speaker 5: pretty much like IP intellectual property, right, similar with like podcasting,

1157
00:47:22,960 --> 00:47:26,200
Speaker 5: there's like people brands who own an IP and then

1158
00:47:26,239 --> 00:47:28,840
Speaker 5: also talent who owns their IP to where it seems

1159
00:47:28,920 --> 00:47:31,120
Speaker 5: like in the distribution world it's more of like that

1160
00:47:31,200 --> 00:47:34,879
Speaker 5: split revenue deal, like, hey, you still own jelly roll

1161
00:47:35,160 --> 00:47:37,560
Speaker 5: and your intellectual property of it all, but now you

1162
00:47:37,600 --> 00:47:39,239
Speaker 5: will work with a label that will kind of give

1163
00:47:39,239 --> 00:47:41,160
Speaker 5: you an audience or give you more of an audience

1164
00:47:41,480 --> 00:47:43,840
Speaker 5: and throw money in the right buckets, right, is that

1165
00:47:43,960 --> 00:47:44,560
Speaker 5: kind of what it is?

1166
00:47:44,640 --> 00:47:44,839
Speaker 1: Yeah.

1167
00:47:45,000 --> 00:47:48,319
Speaker 6: Their thing is they are willing to offer what you

1168
00:47:48,400 --> 00:47:51,200
Speaker 6: can't get because there are some things that are hidden

1169
00:47:51,280 --> 00:47:54,879
Speaker 6: behind relationships that an artist can't have, right, that are

1170
00:47:54,920 --> 00:48:01,319
Speaker 6: just years of like like Spotify. So go normally watch

1171
00:48:01,320 --> 00:48:04,080
Speaker 6: what I say, but I gotta I'm walking like use

1172
00:48:04,080 --> 00:48:06,600
Speaker 6: your example by as close to being the new radio,

1173
00:48:07,120 --> 00:48:09,880
Speaker 6: and there's gonna come a moment where your relationship with

1174
00:48:09,920 --> 00:48:13,000
Speaker 6: the radio will determine where your artist gets placed on

1175
00:48:13,040 --> 00:48:17,920
Speaker 6: the radio. Sure, right, So I am fearful that the

1176
00:48:18,040 --> 00:48:21,399
Speaker 6: artists are going to struggle with that, like these big playlists,

1177
00:48:22,280 --> 00:48:24,359
Speaker 6: you know, because it starts to like radio is become

1178
00:48:24,400 --> 00:48:27,600
Speaker 6: a Nolan fort. Right, Country radio exists because it's still

1179
00:48:27,600 --> 00:48:31,319
Speaker 6: a button pushing industry, but it's becoming less and less right,

1180
00:48:31,480 --> 00:48:34,800
Speaker 6: Like we're finding artists on our phones. Now you're finding

1181
00:48:34,960 --> 00:48:37,440
Speaker 6: artists through friends, through Instagram.

1182
00:48:36,960 --> 00:48:38,880
Speaker 4: Tik talk, Instagram, all that stuff. But what do you

1183
00:48:38,920 --> 00:48:40,960
Speaker 4: mean by a button pushing industry? What is that When

1184
00:48:41,000 --> 00:48:42,960
Speaker 4: you say country music is a button pushing industry, I

1185
00:48:43,120 --> 00:48:43,799
Speaker 4: understand that.

1186
00:48:43,719 --> 00:48:46,480
Speaker 1: This is crazy, Taylor. They can go literally find a

1187
00:48:46,520 --> 00:48:47,760
Speaker 1: guy right now on Broadway.

1188
00:48:47,880 --> 00:48:49,960
Speaker 3: Yeah, pick him up, bring him in the office, and

1189
00:48:50,040 --> 00:48:50,680
Speaker 3: say you're the dude.

1190
00:48:50,719 --> 00:48:53,960
Speaker 6: Now you're the dude. Man, we're gonna put you. We're

1191
00:48:53,960 --> 00:48:56,279
Speaker 6: gonna do the best songwriters. We're gonna get you the

1192
00:48:56,280 --> 00:48:59,120
Speaker 6: best song. We're gonna go to country radio and spend

1193
00:48:59,160 --> 00:49:01,560
Speaker 6: millions of dollars and you're gonna have the number one

1194
00:49:01,600 --> 00:49:03,600
Speaker 6: song in the country on country radio in the next

1195
00:49:03,640 --> 00:49:04,320
Speaker 6: twelve months.

1196
00:49:05,480 --> 00:49:08,040
Speaker 4: So they get to pick and choose. But couldn't any

1197
00:49:08,080 --> 00:49:08,840
Speaker 4: industry do that?

1198
00:49:09,440 --> 00:49:12,840
Speaker 6: Well, it's turning less into rap. See, rap was different,

1199
00:49:13,520 --> 00:49:17,600
Speaker 6: right because rap was found in the streets. Initially you

1200
00:49:17,640 --> 00:49:20,680
Speaker 6: would find good rap songs in the club and then

1201
00:49:20,680 --> 00:49:23,600
Speaker 6: it would translate to radio. So like when a song

1202
00:49:23,640 --> 00:49:25,719
Speaker 6: got big on rap radio, we'd already heard it in

1203
00:49:25,719 --> 00:49:26,799
Speaker 6: the club six months ago.

1204
00:49:27,280 --> 00:49:29,439
Speaker 3: Radio was late. You see what I'm saying.

1205
00:49:29,920 --> 00:49:34,560
Speaker 6: Where country music is like a traditional country audience, here's

1206
00:49:34,600 --> 00:49:36,400
Speaker 6: this new song for the first time on the radio,

1207
00:49:37,000 --> 00:49:40,160
Speaker 6: not somewhere else. Now, rap has now went to streaming

1208
00:49:40,320 --> 00:49:43,720
Speaker 6: and artists direct, so you find the artist, you find

1209
00:49:43,719 --> 00:49:46,520
Speaker 6: the song, and then you grow with the song. So

1210
00:49:46,719 --> 00:49:48,800
Speaker 6: now of the songs like the babies, like the biggest

1211
00:49:48,840 --> 00:49:51,400
Speaker 6: rapper in the world, but you remember when he dropped

1212
00:49:51,400 --> 00:49:53,200
Speaker 6: his first song and you were riding with them through

1213
00:49:53,200 --> 00:49:55,160
Speaker 6: that where country music's not so much that way.

1214
00:49:55,239 --> 00:49:57,120
Speaker 4: These guys come out of nowhere, come out and do

1215
00:49:57,320 --> 00:49:59,000
Speaker 4: lack of a better term, it's more corporate in the

1216
00:49:59,120 --> 00:50:00,440
Speaker 4: exact country corporate.

1217
00:50:01,239 --> 00:50:03,080
Speaker 5: So it's like if I had a shitload of money

1218
00:50:03,120 --> 00:50:06,080
Speaker 5: and I was in the country world or a big

1219
00:50:06,160 --> 00:50:07,200
Speaker 5: label whatever it.

1220
00:50:07,080 --> 00:50:09,279
Speaker 3: Is, and I wanted to be like, all right, this

1221
00:50:09,360 --> 00:50:10,680
Speaker 3: is the this.

1222
00:50:10,600 --> 00:50:13,280
Speaker 5: Is the write ups of songs.

1223
00:50:13,280 --> 00:50:14,600
Speaker 3: Like you said, you're a writer, So if I want

1224
00:50:14,640 --> 00:50:15,720
Speaker 3: to what do you call it? Catalog?

1225
00:50:16,120 --> 00:50:17,799
Speaker 5: Right? So if it's like I'm gonna go buy Jelly

1226
00:50:17,840 --> 00:50:19,799
Speaker 5: Rose catalog, and then I'm gonna find somebody that we

1227
00:50:19,840 --> 00:50:22,400
Speaker 5: can kind of control their intellectual property.

1228
00:50:22,440 --> 00:50:23,640
Speaker 3: That would be the way to do it. Is like

1229
00:50:23,920 --> 00:50:24,319
Speaker 3: buy that.

1230
00:50:24,440 --> 00:50:26,440
Speaker 5: Okay, I had to spend X million dollars to buy that.

1231
00:50:26,719 --> 00:50:28,479
Speaker 5: Cost her a lot of money. But let's go find

1232
00:50:28,480 --> 00:50:30,839
Speaker 5: this person that doesn't know who they are yet, put

1233
00:50:30,880 --> 00:50:32,560
Speaker 5: them behind that song, and then we kind of control that.

1234
00:50:32,600 --> 00:50:35,399
Speaker 3: We're kind of betting on making money off buying your.

1235
00:50:35,360 --> 00:50:38,400
Speaker 6: Absolutely or a publisher, so you'll have a publisher who

1236
00:50:38,400 --> 00:50:42,359
Speaker 6: will sound a writer like I love you, Ernest. I'm

1237
00:50:42,360 --> 00:50:43,799
Speaker 6: sorry I have to reference you because you're our boy

1238
00:50:43,840 --> 00:50:46,479
Speaker 6: and easiest want of reference. Could we all know? Arnest

1239
00:50:47,360 --> 00:50:51,160
Speaker 6: is arguably I would argue with somebody right now that

1240
00:50:51,239 --> 00:50:51,920
Speaker 6: he's the best.

1241
00:50:51,760 --> 00:50:52,720
Speaker 1: Songwriter in Nashville.

1242
00:50:53,000 --> 00:50:54,759
Speaker 3: He's on that list that are like top three.

1243
00:50:54,960 --> 00:50:57,560
Speaker 6: I'm just saying, right, I'm just I would argue with

1244
00:50:57,680 --> 00:50:59,960
Speaker 6: anybody that Ernest is the best songwriter in Nashville. Write

1245
00:51:00,080 --> 00:51:02,839
Speaker 6: now and say Ernest writes a bunch of songs, right,

1246
00:51:02,920 --> 00:51:05,000
Speaker 6: he turns them into his publisher because that's part of

1247
00:51:05,040 --> 00:51:06,719
Speaker 6: their deal, and Ernest gets a piece of whatever the

1248
00:51:06,719 --> 00:51:09,920
Speaker 6: publisher plugs, right, a pretty good piece from my understanding

1249
00:51:10,440 --> 00:51:13,160
Speaker 6: or from what I hear, only I would assumptually know,

1250
00:51:13,200 --> 00:51:14,800
Speaker 6: because I'm sure he's not allowed to say, but I

1251
00:51:14,880 --> 00:51:15,719
Speaker 6: heard he got a good deal.

1252
00:51:15,880 --> 00:51:17,560
Speaker 3: Yeah, speculations.

1253
00:51:17,600 --> 00:51:20,239
Speaker 1: So it's like where y'all, that's where our business is

1254
00:51:20,280 --> 00:51:22,440
Speaker 1: different than your business. They hide us behind.

1255
00:51:22,520 --> 00:51:24,839
Speaker 3: NDA's where you sign a big deal.

1256
00:51:25,239 --> 00:51:26,520
Speaker 1: Man, that's just on the ESPN.

1257
00:51:26,600 --> 00:51:30,840
Speaker 4: That's everywhere you know.

1258
00:51:30,320 --> 00:51:32,160
Speaker 6: Where we sign a deal, and it comes with a

1259
00:51:32,200 --> 00:51:33,759
Speaker 6: sheet of paper that says you can never speak of

1260
00:51:33,800 --> 00:51:34,160
Speaker 6: this deal.

1261
00:51:34,840 --> 00:51:36,160
Speaker 1: But let's say he got a good deal.

1262
00:51:36,160 --> 00:51:38,520
Speaker 4: Okay, that makes that makes a lot more sense because

1263
00:51:38,840 --> 00:51:40,160
Speaker 4: then people won't be able to go say, I want

1264
00:51:40,160 --> 00:51:40,919
Speaker 4: the Jelly Rold deal.

1265
00:51:41,000 --> 00:51:42,480
Speaker 3: True, you can't go look at the structure.

1266
00:51:42,560 --> 00:51:44,439
Speaker 5: Always anytime we have an artist on too, we're always

1267
00:51:44,480 --> 00:51:46,080
Speaker 5: kind of curious of some of these deeps, some of

1268
00:51:46,120 --> 00:51:48,239
Speaker 5: them getting in the weeds of it, and it's just

1269
00:51:48,280 --> 00:51:51,080
Speaker 5: like you can never really get to man.

1270
00:51:51,120 --> 00:51:52,520
Speaker 6: A lot of them couldn't get in the weeds which

1271
00:51:52,560 --> 00:51:55,920
Speaker 6: bubble about their business. They signed a deal, they have behind,

1272
00:51:56,360 --> 00:51:57,440
Speaker 6: don't know what the is going on.

1273
00:51:57,960 --> 00:52:00,000
Speaker 3: Sometimes not about being smart about having the right people around.

1274
00:52:00,400 --> 00:52:02,600
Speaker 6: They can teach you this, Yeah, for sure, you know, dude,

1275
00:52:02,640 --> 00:52:05,359
Speaker 6: it's a did y'all ever watch this old trailer park

1276
00:52:05,440 --> 00:52:06,600
Speaker 6: show called Myrtle Manor?

1277
00:52:07,000 --> 00:52:07,200
Speaker 4: No?

1278
00:52:08,960 --> 00:52:10,560
Speaker 1: It was great. So I met with the dude who

1279
00:52:10,600 --> 00:52:12,399
Speaker 1: owned the IP for Myrtle manor right are.

1280
00:52:12,360 --> 00:52:15,720
Speaker 3: You pulling this time?

1281
00:52:16,239 --> 00:52:19,440
Speaker 6: Yeah, welcome to Myrtle Manor. So this old man owns

1282
00:52:19,480 --> 00:52:21,160
Speaker 6: this TV show. Oh look, he's got all kinds of

1283
00:52:21,160 --> 00:52:23,040
Speaker 6: gossip and ship people went to jails and soon this

1284
00:52:23,120 --> 00:52:25,840
Speaker 6: is good. So this was the show, right, And I

1285
00:52:25,880 --> 00:52:28,520
Speaker 6: did their theme song for like season two, just like

1286
00:52:28,600 --> 00:52:32,879
Speaker 6: click on any of that ship. So anywaysh they would

1287
00:52:32,880 --> 00:52:35,400
Speaker 6: have this moment where I did the show and I

1288
00:52:35,480 --> 00:52:37,160
Speaker 6: met with the owner of this show and he went

1289
00:52:37,239 --> 00:52:40,799
Speaker 6: behind the television station. I loved delistory and I've never

1290
00:52:40,800 --> 00:52:45,600
Speaker 6: told the publicly though, and he like trademarked the IP

1291
00:52:45,800 --> 00:52:48,960
Speaker 6: for the show behind the TV people's back because he

1292
00:52:49,040 --> 00:52:51,680
Speaker 6: owned a trailer park called Myrtle manor you see what

1293
00:52:51,680 --> 00:52:54,239
Speaker 6: I'm saying. And then when the TV show came to

1294
00:52:54,280 --> 00:52:56,680
Speaker 6: him about it, he owned all the intellectual property for

1295
00:52:56,719 --> 00:52:58,319
Speaker 6: the Myrtle Manner ship. So I only needed to get

1296
00:52:58,320 --> 00:53:00,360
Speaker 6: in a few seasons because of that, because he like

1297
00:53:00,480 --> 00:53:01,800
Speaker 6: completely took over.

1298
00:53:01,760 --> 00:53:03,480
Speaker 4: So did they put a spin show on there that

1299
00:53:03,560 --> 00:53:05,560
Speaker 4: wasn't the same that they wasn't called Myrtle That Manor,

1300
00:53:05,600 --> 00:53:06,640
Speaker 4: but was no.

1301
00:53:06,680 --> 00:53:08,759
Speaker 6: They gave a show called Welcome to Myrtle Manor. But

1302
00:53:08,840 --> 00:53:11,680
Speaker 6: what he did was he bought he owned the trailer park.

1303
00:53:11,719 --> 00:53:14,440
Speaker 6: The trailer park was called Myrtle Manor, right. Yeah, So

1304
00:53:14,480 --> 00:53:16,520
Speaker 6: when he knew the TV people was coming, while they

1305
00:53:16,520 --> 00:53:19,479
Speaker 6: were still negotiating the deal, he goes and trade parks.

1306
00:53:19,640 --> 00:53:22,879
Speaker 6: Myrtle Manor trademarks the logo because it's his trailer park.

1307
00:53:22,880 --> 00:53:24,319
Speaker 6: He's like, I'm not gonna let y'all do the artist

1308
00:53:24,400 --> 00:53:25,759
Speaker 6: thing right and come in and fuck me.

1309
00:53:25,960 --> 00:53:27,560
Speaker 4: So this guy who owns a trailer park is an

1310
00:53:27,560 --> 00:53:29,480
Speaker 4: absolute good for him.

1311
00:53:29,880 --> 00:53:32,080
Speaker 6: But I referenced him to tell you the story he

1312
00:53:32,280 --> 00:53:35,200
Speaker 6: changed my life. One night we got drunk together and

1313
00:53:35,239 --> 00:53:38,000
Speaker 6: he said, I never made it out of high school

1314
00:53:38,160 --> 00:53:41,920
Speaker 6: and this dude owned half a fucking Myrtle beach. I said, well,

1315
00:53:42,480 --> 00:53:44,080
Speaker 6: that's crazy, he said, let me tell you a story.

1316
00:53:44,120 --> 00:53:44,239
Speaker 5: Man.

1317
00:53:44,280 --> 00:53:46,320
Speaker 6: I hired a young kid that came out of Yale

1318
00:53:46,960 --> 00:53:48,239
Speaker 6: to run my business for me.

1319
00:53:48,760 --> 00:53:49,080
Speaker 3: He said.

1320
00:53:49,160 --> 00:53:51,719
Speaker 1: One day, some other guys were in the office talking

1321
00:53:51,760 --> 00:53:53,879
Speaker 1: about where they went to college. The young kid looked

1322
00:53:53,880 --> 00:53:55,399
Speaker 1: at me and said, where'd you go to college? He said,

1323
00:53:55,440 --> 00:53:57,440
Speaker 1: I told him I didn't go to college. So the

1324
00:53:57,520 --> 00:54:00,480
Speaker 1: kid said, you didn't go to college. He said no,

1325
00:54:00,560 --> 00:54:02,640
Speaker 1: he said at all. He said, I didn't go to

1326
00:54:02,760 --> 00:54:05,560
Speaker 1: high school. The guy said, how do you run this business?

1327
00:54:05,600 --> 00:54:07,200
Speaker 1: He said because I was smart enough to hire a

1328
00:54:07,200 --> 00:54:07,840
Speaker 1: motherfucker that.

1329
00:54:07,840 --> 00:54:10,879
Speaker 6: Went to Yale. Yeah, you know, and that stuck with

1330
00:54:10,920 --> 00:54:14,839
Speaker 6: me that day. I'll never forget that conversation with that dude.

1331
00:54:14,840 --> 00:54:17,720
Speaker 6: This old man was sitting there shooting fucking pappy, fucking

1332
00:54:17,760 --> 00:54:20,040
Speaker 6: getting wasted with me in the middle of this trailer park,

1333
00:54:20,960 --> 00:54:23,480
Speaker 6: fucking multi millionaire just gaming me.

1334
00:54:24,080 --> 00:54:26,319
Speaker 3: I was soaking it up like a that sponge. I

1335
00:54:26,440 --> 00:54:27,080
Speaker 3: was like, give it.

1336
00:54:27,040 --> 00:54:29,600
Speaker 1: To me, Papa, I want it all because I was.

1337
00:54:29,520 --> 00:54:31,640
Speaker 6: Like super early in my career and trying to figure

1338
00:54:31,640 --> 00:54:33,640
Speaker 6: out what I was going to do. Yeah, and I

1339
00:54:33,760 --> 00:54:36,200
Speaker 6: just stood by everything he told me, that the importance

1340
00:54:36,239 --> 00:54:38,879
Speaker 6: of owning your IP, the importance of owning your name,

1341
00:54:38,920 --> 00:54:40,200
Speaker 6: the importance of ownership.

1342
00:54:40,239 --> 00:54:40,839
Speaker 1: Don't sell it.

1343
00:54:40,760 --> 00:54:42,279
Speaker 6: Out, jelly, because I was like, I was thinking about

1344
00:54:42,320 --> 00:54:43,920
Speaker 6: taking a bad production deal back then.

1345
00:54:44,160 --> 00:54:45,319
Speaker 4: You just trying to get your name out there.

1346
00:54:45,320 --> 00:54:47,040
Speaker 6: That just anything to get my name out there, Dude,

1347
00:54:47,040 --> 00:54:48,719
Speaker 6: I was willing to, you know, like like I was

1348
00:54:48,760 --> 00:54:51,760
Speaker 6: just so desperate to not be I was so desperate

1349
00:54:51,800 --> 00:54:53,160
Speaker 6: not to sell drugs anymore.

1350
00:54:53,440 --> 00:54:55,640
Speaker 1: I was like, whatever it takes not to risk.

1351
00:54:55,480 --> 00:54:56,560
Speaker 4: Tas freeze and stuff.

1352
00:54:56,600 --> 00:54:58,319
Speaker 6: I didn't want to, dude, I wanted to be in

1353
00:54:58,360 --> 00:55:01,600
Speaker 6: my daughter's life because it's text Me and Don was

1354
00:55:01,640 --> 00:55:03,239
Speaker 6: talking about this on the way in my camera. Guy,

1355
00:55:03,440 --> 00:55:06,160
Speaker 6: I said, I got so I got arrested. I don't

1356
00:55:06,160 --> 00:55:07,360
Speaker 6: know if I could say this or I couldn't. If

1357
00:55:07,360 --> 00:55:10,640
Speaker 6: you can't, but right down the street from here, when

1358
00:55:10,680 --> 00:55:13,359
Speaker 6: that neighborhood used to be before they you know, made

1359
00:55:13,400 --> 00:55:14,680
Speaker 6: it nice gentrification.

1360
00:55:14,880 --> 00:55:15,920
Speaker 1: Yes, yeah, that's what the word.

1361
00:55:16,000 --> 00:55:19,080
Speaker 6: Yeah, before they gentrified the neighborhood over here, Yes, and almost.

1362
00:55:19,400 --> 00:55:23,719
Speaker 6: But yeah, I fucking got caught with a half ounce

1363
00:55:23,760 --> 00:55:25,160
Speaker 6: of crack over here. Was the last time I went

1364
00:55:25,200 --> 00:55:27,720
Speaker 6: to prison, and I sat in prison for almost two years.

1365
00:55:27,719 --> 00:55:30,720
Speaker 6: That was the year my daughter was born. The baby

1366
00:55:30,760 --> 00:55:33,719
Speaker 6: mother was like seven eight months pregnant then. Really yeah,

1367
00:55:33,760 --> 00:55:36,120
Speaker 6: So whenever I came home, I was like, man, I

1368
00:55:36,160 --> 00:55:37,919
Speaker 6: just want to do whatever it takes not to go

1369
00:55:38,239 --> 00:55:39,880
Speaker 6: back back. I had a reason not to go to

1370
00:55:39,960 --> 00:55:42,319
Speaker 6: jail for the first time of my life. Yeah, and

1371
00:55:42,360 --> 00:55:44,560
Speaker 6: that was a turning point. How many times before then

1372
00:55:44,600 --> 00:55:45,520
Speaker 6: were you in prison?

1373
00:55:45,880 --> 00:55:47,400
Speaker 3: I don't know. I probably did seven out of a

1374
00:55:47,440 --> 00:55:50,960
Speaker 3: ten year stretch. That's tough, man, that's fucking tough.

1375
00:55:51,239 --> 00:55:53,800
Speaker 4: How you hear it? Like I went to a holding

1376
00:55:53,840 --> 00:55:55,200
Speaker 4: cell one time for breaking probation.

1377
00:55:55,480 --> 00:55:56,600
Speaker 3: Hardcore, I know, but.

1378
00:55:57,160 --> 00:56:01,759
Speaker 4: There were you're on probation, yeah, white story twice A Yeah,

1379
00:56:01,760 --> 00:56:03,720
Speaker 4: I slapped the kid and stole his iPad iPod.

1380
00:56:04,239 --> 00:56:06,759
Speaker 1: But he wasn't talking about your mama. No, he did it.

1381
00:56:08,400 --> 00:56:09,960
Speaker 4: The way I brote probation to some kids, says some

1382
00:56:10,040 --> 00:56:12,560
Speaker 4: of my mom That's what I did. But that was

1383
00:56:12,560 --> 00:56:17,200
Speaker 4: before the Dick pic. When those those seven to ten years,

1384
00:56:17,239 --> 00:56:19,480
Speaker 4: when you're when you're in prison, you hear all like

1385
00:56:19,560 --> 00:56:23,399
Speaker 4: obviously you watch documentaries and you see this guy goes

1386
00:56:23,400 --> 00:56:26,319
Speaker 4: to jail and he's just you know, unsuspecting, white dude whatever.

1387
00:56:26,360 --> 00:56:27,800
Speaker 4: And then he's like, you gotta be with a crew.

1388
00:56:28,239 --> 00:56:30,040
Speaker 4: You got to be with the white supremacist cats. You

1389
00:56:30,040 --> 00:56:31,640
Speaker 4: can't be with the black guys, can't be all this

1390
00:56:31,680 --> 00:56:33,880
Speaker 4: different stuff. Is the ship really run like that in

1391
00:56:33,920 --> 00:56:35,080
Speaker 4: there in some prisons?

1392
00:56:35,200 --> 00:56:37,840
Speaker 6: Yeah, for sure. He'll tell us a good prison story.

1393
00:56:37,920 --> 00:56:40,320
Speaker 6: Oh no, dude, there's let me tell you a story.

1394
00:56:40,360 --> 00:56:43,120
Speaker 6: Anybody who says they have a good prison story did

1395
00:56:43,120 --> 00:56:47,799
Speaker 6: not learn from prison. Tell people all the time. This

1396
00:56:47,880 --> 00:56:50,359
Speaker 6: isn't like judging malls. Oh this one was way better

1397
00:56:50,440 --> 00:56:52,480
Speaker 6: than this one. They all fucking sucked.

1398
00:56:52,719 --> 00:56:53,560
Speaker 3: I never been to one.

1399
00:56:53,600 --> 00:56:55,560
Speaker 1: I thought it was you know what I'm saying.

1400
00:56:55,840 --> 00:56:57,560
Speaker 6: I mean, I could tell some funny stories, but I

1401
00:56:57,640 --> 00:56:59,400
Speaker 6: choose not to because in hindsight, none of that.

1402
00:56:59,400 --> 00:57:00,120
Speaker 1: Ship was funny.

1403
00:57:00,480 --> 00:57:04,239
Speaker 6: But uh it was, it was. Yeah, it diversifies sometimes.

1404
00:57:04,560 --> 00:57:06,600
Speaker 6: I was in a state prison. I didn't go federal,

1405
00:57:07,680 --> 00:57:09,880
Speaker 6: so it's a little easier for me because I'm from Nashville.

1406
00:57:09,880 --> 00:57:11,680
Speaker 1: I was born and raised here. Hence why I'm a

1407
00:57:11,680 --> 00:57:12,680
Speaker 1: busting with the Boys fan.

1408
00:57:12,800 --> 00:57:17,720
Speaker 6: A fucking Tighten advocate may respect that, yeah for sure.

1409
00:57:17,880 --> 00:57:21,840
Speaker 6: Like side note, thank you for what you've done for

1410
00:57:21,840 --> 00:57:24,560
Speaker 6: the city. We really appreciated having you, man, it's awesome.

1411
00:57:24,640 --> 00:57:26,560
Speaker 3: You know, well that means a lot, man, I appreciate that.

1412
00:57:26,720 --> 00:57:29,320
Speaker 6: My prayer as a Titan fan frankly for both of

1413
00:57:29,360 --> 00:57:31,680
Speaker 6: you not to put Will on the no comments spot again.

1414
00:57:31,760 --> 00:57:34,439
Speaker 6: But uh is that when y'all are both done, y'all

1415
00:57:34,440 --> 00:57:37,000
Speaker 6: hang up the Jersey here. That means a lot to

1416
00:57:37,040 --> 00:57:38,200
Speaker 6: the city, you know what I'm saying.

1417
00:57:38,200 --> 00:57:40,160
Speaker 3: But it's laying up the Jersey War in the bus

1418
00:57:40,480 --> 00:57:41,800
Speaker 3: yeah fu yeah, wherever.

1419
00:57:41,520 --> 00:57:45,840
Speaker 4: You want to hang out stadium. I don't know if

1420
00:57:45,840 --> 00:57:48,040
Speaker 4: I can do that.

1421
00:57:49,320 --> 00:57:53,720
Speaker 5: Yeah, George, you know, somebody wants my name.

1422
00:57:54,320 --> 00:57:55,480
Speaker 3: It's a tighten Jersey.

1423
00:57:55,560 --> 00:57:55,800
Speaker 4: Yeah.

1424
00:57:55,920 --> 00:57:58,080
Speaker 3: Yeah. So I was a local kid, so it's like

1425
00:57:58,120 --> 00:57:59,160
Speaker 3: I didn't deal with it as much.

1426
00:57:59,680 --> 00:57:59,880
Speaker 1: You know.

1427
00:58:00,000 --> 00:58:03,760
Speaker 6: It was more like really culturally melted, you know. So

1428
00:58:03,800 --> 00:58:05,400
Speaker 6: I didn't have a problem in there. It was pretty cool,

1429
00:58:05,480 --> 00:58:06,680
Speaker 6: so I didn't have to deal with that shit.

1430
00:58:06,760 --> 00:58:07,640
Speaker 1: But in federal prison.

1431
00:58:08,000 --> 00:58:10,040
Speaker 6: One of my best friends went to federal prison struggle,

1432
00:58:10,160 --> 00:58:11,920
Speaker 6: and uh, you know, it was real bad there. They

1433
00:58:11,920 --> 00:58:13,919
Speaker 6: played the race card in the state card. Tough there,

1434
00:58:14,320 --> 00:58:16,320
Speaker 6: but in state prison, yeah, I mean, you definitely got

1435
00:58:16,360 --> 00:58:18,400
Speaker 6: some of that going. But when you're you know, dude,

1436
00:58:18,840 --> 00:58:20,600
Speaker 6: I could ride the fence man, I could sing rock

1437
00:58:20,600 --> 00:58:22,280
Speaker 6: and roll music, play a little guitar, and I could

1438
00:58:22,320 --> 00:58:25,960
Speaker 6: rap like a motherfucker yeah weed. So I was pretty prove.

1439
00:58:26,000 --> 00:58:27,280
Speaker 6: Everybody pretty much liked me in there.

1440
00:58:27,400 --> 00:58:27,840
Speaker 3: Good deal.

1441
00:58:27,960 --> 00:58:29,280
Speaker 4: Well, I'm glad it worked out for you in prison.

1442
00:58:29,320 --> 00:58:30,120
Speaker 4: I'm glad you're out of now.

1443
00:58:30,200 --> 00:58:30,400
Speaker 1: Yeah.

1444
00:58:30,440 --> 00:58:33,120
Speaker 6: Yeah, it's way cooler working out out here, no question.

1445
00:58:33,480 --> 00:58:35,040
Speaker 6: But I came home and just wanted to figure it

1446
00:58:35,080 --> 00:58:35,840
Speaker 6: out for the kid.

1447
00:58:36,160 --> 00:58:36,320
Speaker 3: You know.

1448
00:58:36,360 --> 00:58:38,240
Speaker 1: I was just determined to figure it out for my daughter.

1449
00:58:40,280 --> 00:58:42,560
Speaker 5: This episode of Bustle with the Boys is also brought

1450
00:58:42,600 --> 00:58:46,560
Speaker 5: to you by One Championship, the biggest martial arts organization

1451
00:58:46,720 --> 00:58:50,000
Speaker 5: in the world, is on TNT every Wednesday night in April.

1452
00:58:50,360 --> 00:58:54,080
Speaker 5: Don't miss another Stack Fight Card one on TNT two

1453
00:58:54,480 --> 00:58:57,600
Speaker 5: this Wednesday at ten pm Eastern and Pacific time, right

1454
00:58:57,640 --> 00:59:02,000
Speaker 5: after ae W Dynamite on TNT The Best Fights Live

1455
00:59:02,080 --> 00:59:05,280
Speaker 5: on Wednesday nights. Timothy nes u Can, the Russian killer

1456
00:59:05,280 --> 00:59:07,840
Speaker 5: who knocked out Eddie Alvarez in less than one minute,

1457
00:59:08,000 --> 00:59:10,200
Speaker 5: finally gets his shot at gold when he faces the

1458
00:59:10,240 --> 00:59:14,760
Speaker 5: Golden Boy of One Championship one lightweight world champion, Christian Lee.

1459
00:59:14,880 --> 00:59:17,800
Speaker 5: It's a clash of knockout artists, with Lee holding the

1460
00:59:17,840 --> 00:59:21,320
Speaker 5: record for most finishes in one and nes you Can

1461
00:59:21,760 --> 00:59:25,880
Speaker 5: having the fastest fastest knockout in one history. This one

1462
00:59:25,960 --> 00:59:28,280
Speaker 5: is going to be fireworks, and.

1463
00:59:28,240 --> 00:59:29,600
Speaker 1: Let's not forget that the one.

1464
00:59:29,800 --> 00:59:34,440
Speaker 6: Adam Waight kickboxing World Champion Janet Todd continues her quest

1465
00:59:34,480 --> 00:59:37,240
Speaker 6: for Gold and a second sport where she takes on

1466
00:59:37,320 --> 00:59:41,760
Speaker 6: number four ranked and line Hogstad and Mui Ta. The

1467
00:59:41,840 --> 00:59:44,600
Speaker 6: American looks to prove that she is the most dangerous

1468
00:59:44,600 --> 00:59:47,560
Speaker 6: female striker in the world by dominating all of the one.

1469
00:59:47,600 --> 00:59:51,160
Speaker 5: Super Series one on TNT two airs this Wednesday night,

1470
00:59:51,240 --> 00:59:55,160
Speaker 5: right after AEW Dynamite at ten pm Eastern. Catch the

1471
00:59:55,200 --> 00:59:59,040
Speaker 5: prelims starting at eight thirty Eastern five thirty pm Pacific

1472
00:59:59,120 --> 01:00:00,800
Speaker 5: time on Bleacher Report.

1473
01:00:01,000 --> 01:00:03,720
Speaker 3: The Best Fights live on Wednesday nights until they.

1474
01:00:03,640 --> 01:00:06,200
Speaker 6: Come on Baby watch this episode feature of My fat

1475
01:00:06,280 --> 01:00:08,520
Speaker 6: Self Jelly Roll go back to busting with the boys.

1476
01:00:11,560 --> 01:00:13,000
Speaker 4: What was that moment like with the first time you

1477
01:00:13,040 --> 01:00:15,600
Speaker 4: saw your daughter. I mean she was to.

1478
01:00:16,520 --> 01:00:19,680
Speaker 1: Her second birthday. Uh, that's when I really actually met her.

1479
01:00:19,880 --> 01:00:23,720
Speaker 6: Yeah, you know, it was emotional, but it was like

1480
01:00:23,760 --> 01:00:26,320
Speaker 6: a happy emotion. You know, I'm so glad to be

1481
01:00:26,360 --> 01:00:27,800
Speaker 6: in her life at that point, and me and her

1482
01:00:27,840 --> 01:00:30,000
Speaker 6: mother had kind of fought through custody at that point

1483
01:00:30,440 --> 01:00:31,840
Speaker 6: or me even being able to see her because you

1484
01:00:31,840 --> 01:00:33,520
Speaker 6: know what I mean, I didn't have the best Uh

1485
01:00:33,680 --> 01:00:35,360
Speaker 6: you know, I'm a reform I was. I wasn't a

1486
01:00:35,360 --> 01:00:38,720
Speaker 6: good human pre my daughter in general, so I could

1487
01:00:38,800 --> 01:00:41,560
Speaker 6: understand her resentment towards me, and.

1488
01:00:41,520 --> 01:00:42,360
Speaker 1: Uh, you know it was funny.

1489
01:00:42,360 --> 01:00:45,120
Speaker 6: I met her on her second birthday, and somewhere around

1490
01:00:45,160 --> 01:00:47,640
Speaker 6: her seventh birthday, I got full custody of her, so

1491
01:00:47,840 --> 01:00:49,160
Speaker 6: me and my wife have full custody.

1492
01:00:49,160 --> 01:00:50,880
Speaker 3: Ever, now she's at the house waiting for me to

1493
01:00:50,880 --> 01:00:51,400
Speaker 3: get home.

1494
01:00:51,800 --> 01:00:53,600
Speaker 6: So be pissed off when I show up without the

1495
01:00:53,680 --> 01:00:58,480
Speaker 6: sign of lawan Jersey Well refreshed about that, because yeah,

1496
01:00:58,600 --> 01:00:59,520
Speaker 6: she's literally was.

1497
01:00:59,520 --> 01:01:00,560
Speaker 3: Like, Yo, don't forget that.

1498
01:01:00,680 --> 01:01:00,880
Speaker 1: Yeah.

1499
01:01:01,400 --> 01:01:04,200
Speaker 3: I was like, no, We'll make for sure, Like make

1500
01:01:04,240 --> 01:01:05,280
Speaker 3: sure you grab a bottle.

1501
01:01:06,880 --> 01:01:09,000
Speaker 1: This might be long. I want to make sure I'm tipsy.

1502
01:01:09,280 --> 01:01:11,640
Speaker 5: When you were talking about how bad you were before

1503
01:01:11,840 --> 01:01:14,480
Speaker 5: your daughter, was it pretty much just your daughter to

1504
01:01:14,520 --> 01:01:16,600
Speaker 5: that change your home mindset when you went into prison.

1505
01:01:16,680 --> 01:01:19,080
Speaker 1: Yeah, man, or like what what what kind.

1506
01:01:18,960 --> 01:01:20,920
Speaker 4: Of reflections were you like having with yourself?

1507
01:01:20,960 --> 01:01:22,280
Speaker 5: I was having to say, if you're a bad dude

1508
01:01:22,320 --> 01:01:24,240
Speaker 5: for a long time, it's like, you know, what's that

1509
01:01:24,280 --> 01:01:25,760
Speaker 5: conversation like for you in prison?

1510
01:01:26,880 --> 01:01:29,160
Speaker 6: It's just knowing that you have to do something different,

1511
01:01:29,280 --> 01:01:31,280
Speaker 6: you know, even in prison. I wasn't sure I wanted

1512
01:01:31,280 --> 01:01:34,920
Speaker 6: to change in jail, at least until they knocked on

1513
01:01:34,960 --> 01:01:37,520
Speaker 6: the door the year she was born, on her birthday,

1514
01:01:37,680 --> 01:01:39,600
Speaker 6: and the guard told me it was her birthday, that

1515
01:01:39,680 --> 01:01:42,440
Speaker 6: she was born. You know, your daughter was born. He

1516
01:01:42,520 --> 01:01:45,439
Speaker 6: had no other information at all. You didn't know her name.

1517
01:01:46,160 --> 01:01:47,400
Speaker 6: When I think about it, I don't even know if

1518
01:01:47,400 --> 01:01:49,400
Speaker 6: he said it was a boy or girl. I think

1519
01:01:49,400 --> 01:01:51,040
Speaker 6: he was just like, yo, you're your kids here. You

1520
01:01:51,080 --> 01:01:52,720
Speaker 6: got a kid bore in this warning. I was like, well,

1521
01:01:53,240 --> 01:01:55,000
Speaker 6: tell me more and I'll never forget. The guard looked

1522
01:01:55,000 --> 01:01:56,680
Speaker 6: at me through the through the little crack in the window.

1523
01:01:56,680 --> 01:01:58,720
Speaker 6: You know, you got the little little slit. Yeah, I said,

1524
01:01:58,720 --> 01:01:59,360
Speaker 6: I don't fuck it.

1525
01:01:59,320 --> 01:02:02,720
Speaker 1: Know, man, just walking one really his he was wasn't

1526
01:02:02,760 --> 01:02:05,040
Speaker 1: his problem. He's just there getting you know, fucking twelve

1527
01:02:05,040 --> 01:02:07,560
Speaker 1: hours an hour. Sure, but you know, think about that

1528
01:02:07,600 --> 01:02:10,160
Speaker 1: for a minute, like, man, she gets news of my

1529
01:02:10,200 --> 01:02:12,040
Speaker 1: whole life right here, and I have zero information.

1530
01:02:12,080 --> 01:02:12,960
Speaker 4: This is when she was born.

1531
01:02:13,080 --> 01:02:14,840
Speaker 1: This is the he was actually born.

1532
01:02:15,000 --> 01:02:18,240
Speaker 6: She was actually born, actual Like you know, because somebody

1533
01:02:18,280 --> 01:02:21,120
Speaker 6: calls to jail, like somebody dies in your family or something,

1534
01:02:21,160 --> 01:02:24,920
Speaker 6: you know, they bring only really bad news and some

1535
01:02:25,000 --> 01:02:28,960
Speaker 6: good news, like a kid born on bad news. It's

1536
01:02:28,960 --> 01:02:32,280
Speaker 6: about where it stops. Your grandma dies they'll come tell you.

1537
01:02:32,280 --> 01:02:32,880
Speaker 6: You know what I'm saying.

1538
01:02:32,920 --> 01:02:34,760
Speaker 4: God, that's gonna be hard when you're dealing with depression

1539
01:02:34,840 --> 01:02:37,400
Speaker 4: and you're in prison and someone tells you if someone died, Yeah,

1540
01:02:37,440 --> 01:02:38,160
Speaker 4: that's gonna be fun.

1541
01:02:38,440 --> 01:02:40,280
Speaker 6: You can't call, or you're in a situation where you

1542
01:02:40,320 --> 01:02:41,920
Speaker 6: can't get a hold to nobody, you can't get a

1543
01:02:41,920 --> 01:02:43,000
Speaker 6: pass to go to the funeral.

1544
01:02:43,080 --> 01:02:44,320
Speaker 1: My grandmother dad, when I was in.

1545
01:02:44,320 --> 01:02:45,520
Speaker 3: Jail, really never forget.

1546
01:02:47,040 --> 01:02:49,600
Speaker 6: We were close, but me and my father, my father

1547
01:02:49,680 --> 01:02:51,200
Speaker 6: and her were closed and it just hurt me for

1548
01:02:51,280 --> 01:02:53,680
Speaker 6: my dad. Your father, Yeah, he passed away two years ago.

1549
01:02:53,880 --> 01:02:55,360
Speaker 3: I started to hear that. Yeah, for sure. I tell

1550
01:02:55,400 --> 01:02:56,480
Speaker 3: you how much of a legend he was.

1551
01:02:56,520 --> 01:02:56,720
Speaker 1: Though.

1552
01:02:57,080 --> 01:03:00,240
Speaker 6: The tin roof on Demumbrian has got a plaqueform where

1553
01:03:00,240 --> 01:03:03,680
Speaker 6: he sat at the bar. Really, that's right, you know

1554
01:03:03,720 --> 01:03:05,200
Speaker 6: what I'm saying, Because where he sat at that bar

1555
01:03:05,320 --> 01:03:07,600
Speaker 6: like five days a week. Yeah, absolutely, dude, they have

1556
01:03:07,640 --> 01:03:09,920
Speaker 6: a plaque right there, Buddy d Ford just sitting.

1557
01:03:09,640 --> 01:03:12,000
Speaker 3: On the bar right there at the street that's name

1558
01:03:12,040 --> 01:03:12,640
Speaker 3: to the Ford.

1559
01:03:12,720 --> 01:03:12,919
Speaker 1: Yeah.

1560
01:03:12,960 --> 01:03:15,720
Speaker 3: D four like that. Yeah, I like that.

1561
01:03:16,200 --> 01:03:18,400
Speaker 4: I did some some pretty shitty things in that bar.

1562
01:03:18,600 --> 01:03:19,160
Speaker 4: That's a good.

1563
01:03:19,000 --> 01:03:20,920
Speaker 3: Place me too, man, I love a good place. Yeah,

1564
01:03:20,920 --> 01:03:23,840
Speaker 3: it's fun time. I love the plastic like you've been there, Will, Yeah,

1565
01:03:24,240 --> 01:03:24,880
Speaker 3: been a few times.

1566
01:03:24,880 --> 01:03:26,280
Speaker 6: I tried to talk Will to going out to get

1567
01:03:26,320 --> 01:03:29,280
Speaker 6: drunk with me one night, y'all, and he politely stiffed me.

1568
01:03:29,640 --> 01:03:34,600
Speaker 6: He was like, defense, I was glossy drunk when I

1569
01:03:34,640 --> 01:03:37,200
Speaker 6: asked him to go. We were at like a comedy club,

1570
01:03:37,200 --> 01:03:39,120
Speaker 6: and I was like, you should go out and have

1571
01:03:39,160 --> 01:03:41,320
Speaker 6: a drink with me, and he was like, ye'all hit

1572
01:03:41,360 --> 01:03:41,840
Speaker 6: you right up.

1573
01:03:42,040 --> 01:03:44,120
Speaker 3: And I was like, I don't think he's gonna hit me.

1574
01:03:45,960 --> 01:03:47,640
Speaker 3: What did you think about it? Yeah?

1575
01:03:48,000 --> 01:03:48,280
Speaker 5: About it?

1576
01:03:48,320 --> 01:03:49,320
Speaker 3: Later hits you up.

1577
01:03:49,480 --> 01:03:51,240
Speaker 1: Was like, I'm not gonna get you.

1578
01:03:51,320 --> 01:03:53,000
Speaker 5: That hit you.

1579
01:03:53,160 --> 01:03:54,000
Speaker 3: I'm gonna get out of here.

1580
01:03:54,000 --> 01:03:56,560
Speaker 1: But because we're probably looking to the left of him

1581
01:03:56,800 --> 01:04:03,320
Speaker 1: thinking I was staring, I mean me and show, Yeah.

1582
01:04:02,320 --> 01:04:03,320
Speaker 3: Shop off up here.

1583
01:04:03,440 --> 01:04:05,040
Speaker 1: And I was like, so, you know, me and shop

1584
01:04:05,120 --> 01:04:07,640
Speaker 1: and started drinking that day and like breakfast.

1585
01:04:08,160 --> 01:04:10,000
Speaker 3: Yeah. But the difference, you guys had to get together too.

1586
01:04:10,160 --> 01:04:11,560
Speaker 6: We had to get together and did this King of

1587
01:04:11,600 --> 01:04:13,960
Speaker 6: the sting, and uh, the difference was shap you know,

1588
01:04:14,080 --> 01:04:16,760
Speaker 6: went on about his day. I just kept drinking. I

1589
01:04:16,840 --> 01:04:19,160
Speaker 6: just went downtown. I started bar hopping, after I dropped

1590
01:04:19,200 --> 01:04:21,200
Speaker 6: him off here like twelve thirty or one or whatever

1591
01:04:21,200 --> 01:04:23,120
Speaker 6: it was. And by the time I showed up to

1592
01:04:23,160 --> 01:04:23,920
Speaker 6: his show, I was I was.

1593
01:04:23,920 --> 01:04:25,320
Speaker 1: Pretty pretty pretty crashed.

1594
01:04:25,400 --> 01:04:29,600
Speaker 3: It was really, I gotta go to a dude, so

1595
01:04:29,680 --> 01:04:30,160
Speaker 3: you know.

1596
01:04:30,360 --> 01:04:34,840
Speaker 1: Yo, I'm there this weekend. To him, I'm doing you know, I'm.

1597
01:04:34,520 --> 01:04:36,280
Speaker 4: Gonna be out of town this weekend, but I will.

1598
01:04:36,720 --> 01:04:38,040
Speaker 3: I'll hit you up. Okay, cool?

1599
01:04:38,040 --> 01:04:41,440
Speaker 1: Next, Yeah I do it. Yeah, yeah, yeah, and I'm

1600
01:04:41,480 --> 01:04:42,200
Speaker 1: sober this time.

1601
01:04:42,360 --> 01:04:43,840
Speaker 3: Yes, what are you doing at anies?

1602
01:04:44,040 --> 01:04:47,040
Speaker 1: So Josh Wolf does Josh Wolf and Friends once a month.

1603
01:04:47,160 --> 01:04:48,760
Speaker 4: We gotta get Josh on this thing.

1604
01:04:48,600 --> 01:04:50,400
Speaker 1: Bro, whenever, Dude, I'll call him right now.

1605
01:04:50,640 --> 01:04:50,840
Speaker 3: Yeah.

1606
01:04:50,920 --> 01:04:54,320
Speaker 6: So Brandon was saying, Josh Schul said he wants to

1607
01:04:54,320 --> 01:04:56,640
Speaker 6: come on when he's backing to dude, Yes, yo, is

1608
01:04:56,680 --> 01:04:59,280
Speaker 6: this thing. I appreciate that too. By the way, that's

1609
01:05:00,480 --> 01:05:02,640
Speaker 6: we detected. Oh about doing busts with boys Like I'm

1610
01:05:02,680 --> 01:05:05,400
Speaker 6: down in Miami shooting shooting his music video with Andrew Shuls.

1611
01:05:05,400 --> 01:05:07,520
Speaker 5: I was like, oh, you're in the shoals and he's like, yeah,

1612
01:05:07,520 --> 01:05:08,680
Speaker 5: I'll see if he wants to come on the bus.

1613
01:05:08,760 --> 01:05:11,960
Speaker 7: It was like, hey, thanks, cool, I appreciate that. Yeah,

1614
01:05:12,080 --> 01:05:13,520
Speaker 7: that's awesome, you do. We want to come on the

1615
01:05:13,520 --> 01:05:16,000
Speaker 7: bus with me today. We got drunk on the golf

1616
01:05:16,040 --> 01:05:17,320
Speaker 7: course last week. I don't know watch to say that

1617
01:05:17,320 --> 01:05:18,400
Speaker 7: about him. I got drunk.

1618
01:05:19,400 --> 01:05:21,520
Speaker 4: Was H's just soliditary?

1619
01:05:22,040 --> 01:05:24,120
Speaker 3: Yeah, no one suspected.

1620
01:05:23,960 --> 01:05:28,680
Speaker 6: Remember if he drunk or not. I fucking trashed. But uh,

1621
01:05:28,800 --> 01:05:29,720
Speaker 6: Michael Ruis.

1622
01:05:29,840 --> 01:05:31,120
Speaker 4: Oh yeah, wants to come on.

1623
01:05:31,240 --> 01:05:34,400
Speaker 3: Yeah, he was coming, he was tackle, he was Yeah.

1624
01:05:34,560 --> 01:05:35,960
Speaker 3: It was very mean to me my rookie year.

1625
01:05:35,960 --> 01:05:39,160
Speaker 4: But I've forgiven him really well, I mean they essentially

1626
01:05:39,240 --> 01:05:40,840
Speaker 4: drafted me to take a spot.

1627
01:05:40,600 --> 01:05:43,480
Speaker 1: Yeah, because he was leaving the next year. Well, and the.

1628
01:05:43,440 --> 01:05:45,000
Speaker 4: Way I've heard it, and I love for him to

1629
01:05:45,000 --> 01:05:46,480
Speaker 4: come on the bus and actually talk about my rookie

1630
01:05:46,520 --> 01:05:48,120
Speaker 4: year because I know there's a lot of people who

1631
01:05:48,160 --> 01:05:49,800
Speaker 4: I was my rookie year and second year is a

1632
01:05:49,840 --> 01:05:50,600
Speaker 4: totally different person.

1633
01:05:50,600 --> 01:05:52,200
Speaker 3: Now. Obviously Will Shart a bunch of stories.

1634
01:05:53,880 --> 01:05:57,440
Speaker 4: But Michael, like I heard from another player that he

1635
01:05:57,520 --> 01:05:59,440
Speaker 4: was literally talking the day of the draft, is like

1636
01:05:59,520 --> 01:06:01,360
Speaker 4: He's like, basically, today I'm gonna find out if'm I

1637
01:06:01,440 --> 01:06:04,480
Speaker 4: get extension after this or I'm retiring next year. Oh shit,

1638
01:06:04,560 --> 01:06:06,360
Speaker 4: that would be a nice little story to here. Yeah,

1639
01:06:06,440 --> 01:06:09,960
Speaker 4: and so then obviously they drafted me, which is I

1640
01:06:09,960 --> 01:06:12,040
Speaker 4: remember coming on a visit to Nashville and thinking, why

1641
01:06:12,080 --> 01:06:14,560
Speaker 4: the fuck am I here, Like, no, there's no way

1642
01:06:14,560 --> 01:06:16,480
Speaker 4: they're going to draft me. They just got Michael or

1643
01:06:16,640 --> 01:06:19,640
Speaker 4: in a free agency that turned out well. And then

1644
01:06:19,760 --> 01:06:22,960
Speaker 4: Michael Ruse, who's been like been there for this, was

1645
01:06:22,960 --> 01:06:26,000
Speaker 4: just going into his tenth year Eastern Washington cat like

1646
01:06:26,520 --> 01:06:29,440
Speaker 4: had an amazing career with the Titans. So but Michael's

1647
01:06:29,440 --> 01:06:31,360
Speaker 4: a good dude. He and I have talked a lot

1648
01:06:31,360 --> 01:06:33,880
Speaker 4: about it since then. I always tell a story about

1649
01:06:34,200 --> 01:06:36,720
Speaker 4: when I first got drafted. I DMed him on Twitter

1650
01:06:36,720 --> 01:06:38,640
Speaker 4: and was like, hey, man, I love to like get

1651
01:06:38,640 --> 01:06:38,880
Speaker 4: with you.

1652
01:06:38,960 --> 01:06:39,680
Speaker 3: Learn the playbook.

1653
01:06:39,720 --> 01:06:42,080
Speaker 4: You know, I can sit down. That thing still has

1654
01:06:42,120 --> 01:06:44,240
Speaker 4: been on read for a while, Like I have not

1655
01:06:44,360 --> 01:06:44,800
Speaker 4: been able.

1656
01:06:44,840 --> 01:06:47,040
Speaker 3: He has not said anything back to this day.

1657
01:06:47,160 --> 01:06:49,600
Speaker 4: But he's a good dude, man, and we've like, obviously,

1658
01:06:49,920 --> 01:06:51,880
Speaker 4: I can't imagine the day they draft somebody to replace

1659
01:06:51,920 --> 01:06:54,000
Speaker 4: me and how I'm gonna feel or handle that situation,

1660
01:06:54,120 --> 01:06:55,640
Speaker 4: you know, So I.

1661
01:06:55,600 --> 01:06:57,919
Speaker 6: Forgot what me and Will were going back and forth

1662
01:06:57,920 --> 01:06:59,400
Speaker 6: about that day. But he hit me and I was

1663
01:06:59,440 --> 01:07:02,040
Speaker 6: like yo, And I told Michael Ruse I was like, yo, ironically,

1664
01:07:02,040 --> 01:07:03,840
Speaker 6: I'm out here with like Michael Rose.

1665
01:07:03,960 --> 01:07:04,280
Speaker 3: Yeah.

1666
01:07:04,680 --> 01:07:05,760
Speaker 6: I was like yeah, but I'm gonna go out there

1667
01:07:05,800 --> 01:07:07,440
Speaker 6: with a Will And Taylor was like, bring me. I'm

1668
01:07:07,440 --> 01:07:10,680
Speaker 6: gonna come with you, gonna bring it.

1669
01:07:10,760 --> 01:07:14,280
Speaker 5: But he said yeah, Man, wasn't enough, Taylor, Yeah, man,

1670
01:07:14,320 --> 01:07:17,400
Speaker 5: I'll hit you stand out there.

1671
01:07:19,040 --> 01:07:20,880
Speaker 4: Look get you on next he was.

1672
01:07:20,920 --> 01:07:22,400
Speaker 1: He was serious though. Man, he's a good guy. Man,

1673
01:07:22,400 --> 01:07:23,560
Speaker 1: he's good. He's the hell of a golfer.

1674
01:07:23,680 --> 01:07:24,440
Speaker 4: Day is he really?

1675
01:07:24,600 --> 01:07:25,320
Speaker 1: Yeah? Yeah for sure.

1676
01:07:25,360 --> 01:07:28,440
Speaker 6: Speaking of which, I had formerly challenged Will Compton to

1677
01:07:28,480 --> 01:07:30,880
Speaker 6: a golf competition. I don't know if you've heard this ship.

1678
01:07:31,360 --> 01:07:33,400
Speaker 6: This is big news, by the way, breaking news, y'all.

1679
01:07:33,440 --> 01:07:35,840
Speaker 6: Me and Will Compton are gonna have a head on.

1680
01:07:36,360 --> 01:07:38,320
Speaker 6: We're gonna pick a country club with his choice.

1681
01:07:38,440 --> 01:07:39,720
Speaker 1: Oh wow, I'm gonna go there.

1682
01:07:44,440 --> 01:07:45,400
Speaker 4: Part three.

1683
01:07:46,520 --> 01:07:49,160
Speaker 6: And this is gonna be the first time I get

1684
01:07:49,200 --> 01:07:52,520
Speaker 6: the spank a professional athlete and an athletic.

1685
01:07:52,200 --> 01:07:54,720
Speaker 1: Competition or you're a beast like that? No, I suck,

1686
01:07:54,800 --> 01:07:55,240
Speaker 1: but I just.

1687
01:07:55,160 --> 01:07:56,800
Speaker 4: Think I'm better than you.

1688
01:07:57,360 --> 01:07:59,520
Speaker 6: He would get on this weekend with the boys, I

1689
01:07:59,560 --> 01:08:01,480
Speaker 6: know it's see that's when he that's when he hit me.

1690
01:08:02,000 --> 01:08:05,560
Speaker 6: I started my Taylor Lawan troll the like, hey, we

1691
01:08:05,600 --> 01:08:07,480
Speaker 6: should do this and gamble on and blog it.

1692
01:08:08,200 --> 01:08:09,160
Speaker 4: I'm down with that, dude.

1693
01:08:09,160 --> 01:08:12,440
Speaker 3: I'll go all right the car and watch yeah the

1694
01:08:12,440 --> 01:08:12,800
Speaker 3: whole time.

1695
01:08:12,840 --> 01:08:13,640
Speaker 4: Oh yeah, I didn't know.

1696
01:08:13,720 --> 01:08:14,480
Speaker 3: Do you golf at all?

1697
01:08:14,600 --> 01:08:16,400
Speaker 4: No golf people that have made it. I can't be

1698
01:08:16,439 --> 01:08:19,120
Speaker 4: golfing yet. I'm only twenty nine. Yeah, I had so

1699
01:08:19,200 --> 01:08:21,400
Speaker 4: much more life than what's what's making it? What's the

1700
01:08:21,400 --> 01:08:22,200
Speaker 4: definition of made it?

1701
01:08:22,240 --> 01:08:22,560
Speaker 3: I don't know.

1702
01:08:22,600 --> 01:08:24,599
Speaker 4: I'll let you know when I've done it. We got

1703
01:08:24,600 --> 01:08:26,600
Speaker 4: a lot of things to do still, golf is a

1704
01:08:27,320 --> 01:08:29,080
Speaker 4: I mean, I don't know. I have two kids, two

1705
01:08:29,120 --> 01:08:31,880
Speaker 4: young kids right now. I can't find time to do it.

1706
01:08:32,320 --> 01:08:34,439
Speaker 4: So much stuff and I'm late to everything too. I

1707
01:08:34,439 --> 01:08:37,280
Speaker 4: would never make it. Two times. Today's a perfect example.

1708
01:08:37,320 --> 01:08:40,360
Speaker 1: I was told this motherfucker told me to hear it

1709
01:08:40,400 --> 01:08:41,240
Speaker 1: too well.

1710
01:08:41,280 --> 01:08:41,920
Speaker 6: They remember that.

1711
01:08:42,479 --> 01:08:43,679
Speaker 4: They were like, hey, yeah.

1712
01:08:43,920 --> 01:08:45,680
Speaker 5: It's crazy, I said, I sent them. I must have

1713
01:08:45,680 --> 01:08:47,400
Speaker 5: been right after you two. I'm my hey reminder two

1714
01:08:47,520 --> 01:08:50,360
Speaker 5: thirty jelly roll. Yeah, I guess I told him to

1715
01:08:51,040 --> 01:08:53,599
Speaker 5: what he takes on time?

1716
01:08:53,840 --> 01:08:56,600
Speaker 4: Fucking Ready, You're like, man, I'm glad you're such a

1717
01:08:56,600 --> 01:08:58,680
Speaker 4: fan of the podcast. Man that's very cool. It's very

1718
01:08:58,680 --> 01:09:00,439
Speaker 4: cool you keep to your roots. I mean, we're obviously

1719
01:09:00,439 --> 01:09:02,719
Speaker 4: not both from Nashville, but being Nashville based podcast.

1720
01:09:02,840 --> 01:09:05,599
Speaker 1: It's been awesome, very right you. I'll just represent everything

1721
01:09:05,640 --> 01:09:06,599
Speaker 1: that is Nashville too.

1722
01:09:06,760 --> 01:09:07,680
Speaker 3: That's very cool of you to say.

1723
01:09:07,720 --> 01:09:10,400
Speaker 6: It's been like fucking dope. Man, you've been like a

1724
01:09:10,439 --> 01:09:12,639
Speaker 6: franchise player. I feel like at this point like you're

1725
01:09:12,640 --> 01:09:13,080
Speaker 6: our guy.

1726
01:09:13,439 --> 01:09:15,560
Speaker 4: Well, I'm it's I hope to stay here for a

1727
01:09:15,600 --> 01:09:18,400
Speaker 4: little bit longer. Man, it's been awesome. You always when

1728
01:09:18,400 --> 01:09:19,800
Speaker 4: you think about going to the NFL, you always stay

1729
01:09:19,960 --> 01:09:20,679
Speaker 4: stay with the same team.

1730
01:09:20,760 --> 01:09:21,920
Speaker 6: Let me let me can I ask all a couple

1731
01:09:21,960 --> 01:09:24,840
Speaker 6: of questions. You drilled me pretty hard, Sure, because I

1732
01:09:24,920 --> 01:09:27,920
Speaker 6: just want to know some stuff. How does that feel like?

1733
01:09:28,000 --> 01:09:30,240
Speaker 6: Do you know you're getting traded? Or the story is

1734
01:09:30,280 --> 01:09:32,479
Speaker 6: true that sometimes people find out on ESPN.

1735
01:09:32,800 --> 01:09:34,240
Speaker 3: Oh, that's true. That's very true.

1736
01:09:34,280 --> 01:09:36,760
Speaker 6: People do you Guys don't find out until they a

1737
01:09:36,840 --> 01:09:39,120
Speaker 6: lack of a relationship or I.

1738
01:09:39,040 --> 01:09:41,559
Speaker 4: Think it's just the way things are handled. Sometimes when

1739
01:09:42,280 --> 01:09:46,120
Speaker 4: an office upstairs there's fifteen twenty people, a revolving door

1740
01:09:46,160 --> 01:09:47,880
Speaker 4: of information, and a lot of those guys have a

1741
01:09:47,960 --> 01:09:50,120
Speaker 4: chefter number have a rapid poor number. Yea, and I

1742
01:09:50,120 --> 01:09:54,920
Speaker 4: think it's like, hey, we're trading jelly roll to the Bengals. Wow, tough,

1743
01:09:55,280 --> 01:09:58,160
Speaker 4: and so change the information. Some guy might have a

1744
01:09:58,160 --> 01:10:01,360
Speaker 4: tweet real quick saying or a text to a chefter saying,

1745
01:10:01,400 --> 01:10:02,439
Speaker 4: we're trading something.

1746
01:10:02,280 --> 01:10:04,679
Speaker 3: So right, so I can give out the information. Hey,

1747
01:10:04,720 --> 01:10:05,880
Speaker 3: run that through the wire today.

1748
01:10:05,960 --> 01:10:08,360
Speaker 5: This that the other some my text on the side,

1749
01:10:08,439 --> 01:10:11,280
Speaker 5: text chefter, hey we're trading jelly roll to the Bengals.

1750
01:10:12,720 --> 01:10:14,640
Speaker 5: Putting it on ESPN or NFL network because then they

1751
01:10:14,680 --> 01:10:15,360
Speaker 5: need to be first.

1752
01:10:15,439 --> 01:10:17,000
Speaker 1: Because it came up about you today.

1753
01:10:17,080 --> 01:10:17,240
Speaker 4: Right.

1754
01:10:17,320 --> 01:10:20,160
Speaker 6: My boy was like, yo, man, you gotta ask Will

1755
01:10:20,200 --> 01:10:21,880
Speaker 6: what he's gonna do. I was like, I just watched

1756
01:10:21,880 --> 01:10:23,479
Speaker 6: the art one. He's gonna say no comment?

1757
01:10:23,640 --> 01:10:23,880
Speaker 3: Yeah.

1758
01:10:24,080 --> 01:10:25,320
Speaker 1: I was like, but I want accept that.

1759
01:10:26,320 --> 01:10:27,080
Speaker 4: What are you gonna do with this?

1760
01:10:27,360 --> 01:10:28,200
Speaker 3: Do you want to play football?

1761
01:10:28,400 --> 01:10:28,559
Speaker 1: Oh?

1762
01:10:28,600 --> 01:10:31,639
Speaker 3: Yeah, yeah yeah, no I'm not retired. Are you playing

1763
01:10:31,640 --> 01:10:34,799
Speaker 3: the years? Hey? I mean.

1764
01:10:37,240 --> 01:10:39,320
Speaker 4: Here's the here's the navigating waters Will has to do.

1765
01:10:39,360 --> 01:10:41,800
Speaker 4: It's the officer. The Titans had not offered him. And

1766
01:10:41,800 --> 01:10:43,639
Speaker 4: if Will said yeah, I want to be in Tennessee,

1767
01:10:43,840 --> 01:10:45,559
Speaker 4: then there's thirty one other teams that are deterred from

1768
01:10:45,560 --> 01:10:47,080
Speaker 4: sending him a contract as well, because they know he

1769
01:10:47,080 --> 01:10:48,120
Speaker 4: wants to be in Tennessee, so.

1770
01:10:48,080 --> 01:10:53,200
Speaker 6: He loses negotiating power, just lose leverage talking about right,

1771
01:10:53,240 --> 01:10:54,960
Speaker 6: So it's like, but you can't say it.

1772
01:10:55,120 --> 01:10:56,920
Speaker 5: Yeah, yeah, I mean, of course I want to play

1773
01:10:56,920 --> 01:10:59,120
Speaker 5: for the Times. I love playing here, but I would

1774
01:10:59,160 --> 01:11:01,479
Speaker 5: also play for other t as well. I just hope

1775
01:11:01,479 --> 01:11:04,920
Speaker 5: it's like, you know, it works out the best situation.

1776
01:11:05,000 --> 01:11:06,400
Speaker 1: The way he brought it up was because you know,

1777
01:11:06,439 --> 01:11:09,280
Speaker 1: obviously dud like invested interests as a Nashville.

1778
01:11:08,960 --> 01:11:11,720
Speaker 6: Kid, like we want you to stay right, like the

1779
01:11:11,760 --> 01:11:14,439
Speaker 6: spirit of the team, like just everything that what y'all

1780
01:11:14,479 --> 01:11:16,360
Speaker 6: are building here, you know, which I don't think he'd

1781
01:11:16,400 --> 01:11:19,200
Speaker 6: break the band up, but that's like my fear with

1782
01:11:19,320 --> 01:11:22,599
Speaker 6: y'all too in general, like, especially with this particular platform,

1783
01:11:22,720 --> 01:11:23,920
Speaker 6: is like, never break up the band.

1784
01:11:24,000 --> 01:11:25,960
Speaker 3: Dude, y'all get the coolest thing in the world going on.

1785
01:11:26,120 --> 01:11:28,519
Speaker 4: Well we both have, yeah, but we both live here.

1786
01:11:28,520 --> 01:11:31,599
Speaker 4: And Will has been stated he's a very great glue guy.

1787
01:11:31,840 --> 01:11:34,240
Speaker 4: And I think whether Will is with the Titans with

1788
01:11:34,280 --> 01:11:36,439
Speaker 4: somebody else this year, that team's gonna be lucky to

1789
01:11:36,439 --> 01:11:38,000
Speaker 4: have a glue guy, the guy that can go in,

1790
01:11:38,280 --> 01:11:40,160
Speaker 4: get in a playbook in two days, know the playbook

1791
01:11:40,200 --> 01:11:41,519
Speaker 4: and make calls, get guys, everybody in.

1792
01:11:41,520 --> 01:11:43,040
Speaker 3: The right place, smart cab.

1793
01:11:43,160 --> 01:11:44,920
Speaker 6: But the reason it came up to he's like, man,

1794
01:11:45,200 --> 01:11:47,880
Speaker 6: you know it's my boy.

1795
01:11:48,560 --> 01:11:50,479
Speaker 1: But he was like, yo, man, at least find out

1796
01:11:50,520 --> 01:11:51,280
Speaker 1: off the camera.

1797
01:11:51,720 --> 01:11:52,559
Speaker 3: Will's gonna split.

1798
01:11:53,000 --> 01:11:54,360
Speaker 6: And I was like, I don't know, man, the way

1799
01:11:54,360 --> 01:11:56,400
Speaker 6: I see this shit on ESPN, he probably won't know

1800
01:11:56,439 --> 01:11:56,760
Speaker 6: it neither.

1801
01:11:56,960 --> 01:11:58,800
Speaker 3: I don't think he's gonna shoot me. It's like just

1802
01:11:58,840 --> 01:12:00,840
Speaker 3: letting you know. It's interesting.

1803
01:12:01,360 --> 01:12:03,439
Speaker 1: Yeah, yeah, I don't think you know. I was like,

1804
01:12:03,479 --> 01:12:05,280
Speaker 1: you never know that she could just be on ESPN.

1805
01:12:05,800 --> 01:12:08,240
Speaker 4: It's interesting you say that. And I'm speaking for Will

1806
01:12:08,280 --> 01:12:10,080
Speaker 4: because I can more speak. I can speak more freely

1807
01:12:10,120 --> 01:12:12,600
Speaker 4: about the situation than he can because then it's a speculation.

1808
01:12:13,160 --> 01:12:16,200
Speaker 4: But like you never, like, no one knows. So when

1809
01:12:16,200 --> 01:12:19,360
Speaker 4: a guy doesn't really sign with the team, it's never oh,

1810
01:12:19,400 --> 01:12:22,240
Speaker 4: that motherfucker doesn't like this team. Fuck him. It's like, well,

1811
01:12:22,640 --> 01:12:24,720
Speaker 4: that's how things worked out. It's the business of the thing.

1812
01:12:24,720 --> 01:12:28,400
Speaker 4: And they sometimes teams even released when there's contract negotiations,

1813
01:12:28,439 --> 01:12:30,880
Speaker 4: like we've offered Will Compton to be the third highest

1814
01:12:30,920 --> 01:12:33,479
Speaker 4: paid linebacker in the NFL and he hasn't signed that.

1815
01:12:33,560 --> 01:12:36,679
Speaker 4: What's that about? That's a negotiation tactic by a team

1816
01:12:37,120 --> 01:12:39,599
Speaker 4: reaching out put in the public eye. So then fans

1817
01:12:39,600 --> 01:12:41,840
Speaker 4: put pressure on the player to say, well, hey, why

1818
01:12:41,840 --> 01:12:42,880
Speaker 4: don't you sign it? You don't want to be here,

1819
01:12:42,920 --> 01:12:44,320
Speaker 4: you don't want to be the tight ends. What's the deal?

1820
01:12:44,800 --> 01:12:46,519
Speaker 4: And so it's it's a revolving door and you gotta

1821
01:12:46,560 --> 01:12:47,800
Speaker 4: keep to keep it close to the vest.

1822
01:12:48,240 --> 01:12:49,639
Speaker 3: Well, what's crazy up is.

1823
01:12:49,920 --> 01:12:54,439
Speaker 4: Ninety ten them and that is fuck.

1824
01:12:55,400 --> 01:12:58,080
Speaker 6: I guess it's different because ours is so you know,

1825
01:12:58,280 --> 01:13:00,840
Speaker 6: fucking cards to chest, Yeah, and.

1826
01:13:00,760 --> 01:13:02,880
Speaker 3: Yours seems a little more not wild wild West.

1827
01:13:02,920 --> 01:13:05,400
Speaker 5: But it's like no one knows of the chess game

1828
01:13:05,439 --> 01:13:07,320
Speaker 5: that goes on, whereas with again, with the NFL, you

1829
01:13:07,400 --> 01:13:09,519
Speaker 5: kind of understand certain figures that are gonna happen.

1830
01:13:09,560 --> 01:13:10,840
Speaker 3: At least it's not like again, no.

1831
01:13:10,760 --> 01:13:12,800
Speaker 5: One's just gonna come and fuck you and you don't

1832
01:13:12,840 --> 01:13:13,880
Speaker 5: know about it.

1833
01:13:13,880 --> 01:13:16,320
Speaker 3: It's like they just have that access to tweets off

1834
01:13:16,320 --> 01:13:16,559
Speaker 3: out there.

1835
01:13:16,720 --> 01:13:17,840
Speaker 5: Like when I was on the Raiders and I was

1836
01:13:17,880 --> 01:13:22,400
Speaker 5: signing with the Raiders, I was up there, not necessarily negotiating,

1837
01:13:22,439 --> 01:13:25,040
Speaker 5: but they had offered me a contract. I look over

1838
01:13:25,080 --> 01:13:26,880
Speaker 5: the contract to get on the phone my agent. I'm like, hey,

1839
01:13:26,920 --> 01:13:29,680
Speaker 5: they got this, explain this injury waiver to me. And

1840
01:13:29,680 --> 01:13:32,040
Speaker 5: he's like, so, essentially, if you injure anything on your

1841
01:13:32,240 --> 01:13:36,120
Speaker 5: your your right leg, your right limb, they can cut

1842
01:13:36,160 --> 01:13:38,720
Speaker 5: you and not have to rehab you, not have to

1843
01:13:38,720 --> 01:13:40,479
Speaker 5: pay you, none of that. So I wouldn't get the

1844
01:13:40,479 --> 01:13:42,160
Speaker 5: split of my contract. I wouldn't get none of that.

1845
01:13:42,640 --> 01:13:44,720
Speaker 5: So if I signed that, then I'm basically like, okay, yeah,

1846
01:13:44,720 --> 01:13:45,960
Speaker 5: if I get hurt, you guys could just send me

1847
01:13:46,000 --> 01:13:46,960
Speaker 5: home and then I'm just sitting at home.

1848
01:13:47,040 --> 01:13:48,919
Speaker 1: There's a lot of contract.

1849
01:13:48,920 --> 01:13:52,360
Speaker 3: I mean, it can be. It depends on the how

1850
01:13:52,400 --> 01:13:53,720
Speaker 3: the contract is.

1851
01:13:53,800 --> 01:13:56,360
Speaker 5: Yeah, nothing that will necessarily like trick you too much

1852
01:13:56,400 --> 01:13:58,120
Speaker 5: because you have an agent. Like again, the game's a

1853
01:13:58,160 --> 01:13:59,000
Speaker 5: little more understood.

1854
01:13:59,040 --> 01:14:00,000
Speaker 1: Agent would be little.

1855
01:14:00,640 --> 01:14:02,680
Speaker 4: Yeah, he just kind of advised negotiates.

1856
01:14:03,000 --> 01:14:06,360
Speaker 5: Yeah, he'd you know this is you know, YadA, YadA YadA.

1857
01:14:06,400 --> 01:14:07,599
Speaker 3: That's essentially what it means.

1858
01:14:07,720 --> 01:14:10,280
Speaker 5: And so I basically said, they're like, I look at it,

1859
01:14:10,320 --> 01:14:11,080
Speaker 5: that's not worth it to me.

1860
01:14:11,160 --> 01:14:13,120
Speaker 6: I don't care to Are you allowed to say what

1861
01:14:13,200 --> 01:14:15,799
Speaker 6: the percentage this guy gets up.

1862
01:14:15,640 --> 01:14:17,360
Speaker 3: To three percent? Up to three percent.

1863
01:14:17,439 --> 01:14:20,080
Speaker 5: Yeah, players can negotiate with their agent all the way

1864
01:14:20,120 --> 01:14:22,720
Speaker 5: up to three percent. They do have a standard, dude,

1865
01:14:22,720 --> 01:14:25,360
Speaker 5: that's slugging wells.

1866
01:14:25,200 --> 01:14:27,439
Speaker 1: That's changed a lot, just like a union, it's changed

1867
01:14:27,439 --> 01:14:27,680
Speaker 1: a lot.

1868
01:14:27,680 --> 01:14:30,080
Speaker 4: I know. It's kind of always been like when Will

1869
01:14:30,080 --> 01:14:32,320
Speaker 4: and I first in the NFL, it was three percent,

1870
01:14:33,000 --> 01:14:35,080
Speaker 4: and then in twos and eleven, when they redid the

1871
01:14:35,120 --> 01:14:40,679
Speaker 4: collective Bargaining agreement, first round picks became like slotted now,

1872
01:14:40,720 --> 01:14:43,160
Speaker 4: so it's like every person gets the same amount and

1873
01:14:43,240 --> 01:14:46,599
Speaker 4: these specific things every year goes up five percent. So

1874
01:14:47,200 --> 01:14:49,800
Speaker 4: agents took that and we're like, hey, if you sign

1875
01:14:49,840 --> 01:14:51,200
Speaker 4: with us, you can do We'll give you two percent

1876
01:14:51,200 --> 01:14:53,479
Speaker 4: for the first contract, or we'll give you one percent.

1877
01:14:53,520 --> 01:14:56,400
Speaker 4: And I think, uh, other agencies are doing that now.

1878
01:14:56,400 --> 01:14:58,240
Speaker 4: But when we signed, it was three percent, and that's

1879
01:14:58,240 --> 01:14:58,640
Speaker 4: what it is.

1880
01:14:58,640 --> 01:14:59,920
Speaker 3: You get. That's the house going.

1881
01:14:59,880 --> 01:15:01,760
Speaker 6: To Can I ask you all another question, so check

1882
01:15:01,840 --> 01:15:06,400
Speaker 6: us out? How many athletes do you think like in

1883
01:15:06,479 --> 01:15:09,479
Speaker 6: my business? I can say ninety five percent of artists

1884
01:15:09,880 --> 01:15:13,080
Speaker 6: are really clueless of what's going on in their business.

1885
01:15:13,479 --> 01:15:15,200
Speaker 1: How many athletes do you think like that?

1886
01:15:16,120 --> 01:15:17,360
Speaker 3: You what do you mean by business?

1887
01:15:18,600 --> 01:15:19,400
Speaker 1: The logistics?

1888
01:15:19,439 --> 01:15:21,120
Speaker 6: Like if you sat down with one of these guys, like,

1889
01:15:21,160 --> 01:15:23,640
Speaker 6: it's obvious both of y'all know your deals, you know

1890
01:15:23,720 --> 01:15:26,160
Speaker 6: your leverage, you know your bargaining power, you know where.

1891
01:15:26,000 --> 01:15:26,920
Speaker 3: You sit, you get that.

1892
01:15:27,200 --> 01:15:28,920
Speaker 6: How many of these guys could sit on this bus

1893
01:15:28,960 --> 01:15:30,360
Speaker 6: and would literally look at me and be like, man,

1894
01:15:30,360 --> 01:15:31,200
Speaker 6: I don't fucking know.

1895
01:15:31,600 --> 01:15:34,160
Speaker 4: It's tough. It's tough to put a specific number on

1896
01:15:34,200 --> 01:15:37,920
Speaker 4: it because contracts in a lot of ways, besides splits,

1897
01:15:37,920 --> 01:15:41,200
Speaker 4: besides workout bonuses all that, Like, there's little things like that.

1898
01:15:41,640 --> 01:15:43,360
Speaker 4: It's pretty cut and dry, like you know what your

1899
01:15:43,960 --> 01:15:47,160
Speaker 4: you're signing, and then every year after that's that guarantee.

1900
01:15:47,240 --> 01:15:49,840
Speaker 4: Is like, I'm on three one year deals right now

1901
01:15:49,840 --> 01:15:52,800
Speaker 4: from here on out, my contract's not guaranteed this year

1902
01:15:53,120 --> 01:15:55,280
Speaker 4: and each year from now on until my contract is

1903
01:15:55,320 --> 01:15:57,080
Speaker 4: up is not guaranteed. So the team could cut me

1904
01:15:57,400 --> 01:16:00,240
Speaker 4: and not owe me any money. I know that, and

1905
01:16:00,280 --> 01:16:02,559
Speaker 4: I would say a lot of guys probably know how

1906
01:16:02,600 --> 01:16:06,760
Speaker 4: that works. What I don't think guys know is when

1907
01:16:06,800 --> 01:16:08,639
Speaker 4: they see a big number at the end of their contract,

1908
01:16:08,920 --> 01:16:11,200
Speaker 4: they think, I'm excited to get that twenty million dollars.

1909
01:16:11,240 --> 01:16:13,080
Speaker 4: Would say, I'm excited to get that twenty million dollars

1910
01:16:13,080 --> 01:16:14,000
Speaker 4: in twenty twenty five.

1911
01:16:14,760 --> 01:16:16,599
Speaker 3: But the issue is is you may.

1912
01:16:16,520 --> 01:16:21,080
Speaker 4: Ten here, twelve here, thirteen here, and then seventeen, eighteen

1913
01:16:21,120 --> 01:16:23,759
Speaker 4: and twenty, well that's seventy eighteen and twenty aren't guaranteed,

1914
01:16:23,800 --> 01:16:25,760
Speaker 4: and these three small ones are you're not going to

1915
01:16:25,840 --> 01:16:28,680
Speaker 4: get to that. That's going to get renegotiated. And so

1916
01:16:28,720 --> 01:16:32,879
Speaker 4: it's kind of knowing having a good agent is very important.

1917
01:16:33,360 --> 01:16:36,160
Speaker 4: Guys that negotiate their own contracts, I couldn't do it,

1918
01:16:36,680 --> 01:16:39,080
Speaker 4: and I don't know how they do it. I mean,

1919
01:16:39,520 --> 01:16:41,639
Speaker 4: there's the Russell O Kung who did half his contract

1920
01:16:41,640 --> 01:16:45,240
Speaker 4: in bitcoin, which is obviously now hindsight SWaCH a pretty

1921
01:16:45,280 --> 01:16:45,960
Speaker 4: genius deal.

1922
01:16:46,880 --> 01:16:47,360
Speaker 3: And then.

1923
01:16:48,800 --> 01:16:52,800
Speaker 4: Who's Richard Sherman heated his own deal too. But you know,

1924
01:16:52,840 --> 01:16:54,280
Speaker 4: for me, I don't know how to look at language.

1925
01:16:54,320 --> 01:16:54,880
Speaker 3: I'm not a lawyer.

1926
01:16:54,880 --> 01:16:56,160
Speaker 4: I don't know how to go and sit there and

1927
01:16:56,160 --> 01:16:57,840
Speaker 4: do that. And so you really rely on those people

1928
01:16:57,880 --> 01:16:59,479
Speaker 4: to kind of negotiate that contract.

1929
01:17:00,240 --> 01:17:02,120
Speaker 5: Like the financial literacy when you do have the money.

1930
01:17:02,120 --> 01:17:05,400
Speaker 5: A lot of guys don't have that. Like the documentary

1931
01:17:05,520 --> 01:17:08,160
Speaker 5: thirty for thirty broke isn't just a made up documentary

1932
01:17:08,200 --> 01:17:10,160
Speaker 5: that seventy percent of guys go broke within three to

1933
01:17:10,240 --> 01:17:13,599
Speaker 5: five years. It's like that financial education, of financial literacy

1934
01:17:13,600 --> 01:17:16,040
Speaker 5: you have once you start getting that money coming in,

1935
01:17:16,240 --> 01:17:18,080
Speaker 5: because you know, when you're when you all of a

1936
01:17:18,120 --> 01:17:20,599
Speaker 5: sudden just make a bunch of money, guys don't necessarily

1937
01:17:20,640 --> 01:17:23,120
Speaker 5: know how to act. And that's that's just everybody in general.

1938
01:17:23,160 --> 01:17:26,080
Speaker 5: You just don't know what to do. You can, but

1939
01:17:26,400 --> 01:17:29,240
Speaker 5: you know there's there's snakes out there. You gotta vet them,

1940
01:17:29,280 --> 01:17:31,200
Speaker 5: like you know, you kind of just don't know. I

1941
01:17:31,200 --> 01:17:33,240
Speaker 5: can't speak for everybody, but I do know, Like that's

1942
01:17:33,640 --> 01:17:36,120
Speaker 5: that's more of the thing. Is like when you get

1943
01:17:36,160 --> 01:17:38,559
Speaker 5: offered to go to some of these financial literacy programs

1944
01:17:38,560 --> 01:17:41,120
Speaker 5: and getting educated on money and budgeting and this and that,

1945
01:17:41,479 --> 01:17:43,320
Speaker 5: guys do need to soak that in because it's not

1946
01:17:43,840 --> 01:17:46,320
Speaker 5: like it's fact that it's seventy to eighty percent of

1947
01:17:46,320 --> 01:17:48,360
Speaker 5: guys go broke within three to five years, you know

1948
01:17:48,400 --> 01:17:50,080
Speaker 5: what I mean, Like when we're all standing in the

1949
01:17:50,120 --> 01:17:52,400
Speaker 5: locker room, Hey, fellas, like I get we all don't

1950
01:17:52,400 --> 01:17:56,120
Speaker 5: think it's gonna be us, but statistically speaking, seven out

1951
01:17:56,160 --> 01:17:57,559
Speaker 5: of ten of us are gonna be that way.

1952
01:17:57,720 --> 01:18:00,200
Speaker 6: Yeah, So right before you walk on a busk me

1953
01:18:00,240 --> 01:18:02,720
Speaker 6: and will were having a conversation how artists have this

1954
01:18:02,800 --> 01:18:06,840
Speaker 6: thing where they'll be like amphitheater acts not treat their

1955
01:18:06,880 --> 01:18:09,599
Speaker 6: money good, and then later in life you'll go see

1956
01:18:09,640 --> 01:18:11,920
Speaker 6: them at like the excid in Like when you see

1957
01:18:11,920 --> 01:18:14,559
Speaker 6: these legacy acts planning for four hundred people at the accident,

1958
01:18:15,080 --> 01:18:16,639
Speaker 6: You're like, man, you would have been at the bridge

1959
01:18:16,640 --> 01:18:19,800
Speaker 6: Stone eighteen years ago, fifteen years ago. You know that

1960
01:18:19,960 --> 01:18:23,320
Speaker 6: was because of financial literacy, right, Like they never understood

1961
01:18:23,760 --> 01:18:25,360
Speaker 6: how to take care of their money when they were

1962
01:18:25,400 --> 01:18:27,160
Speaker 6: getting it and winning. Because I told them, our business

1963
01:18:27,160 --> 01:18:29,920
Speaker 6: is like yours. It's a mountain. You're climbing up it,

1964
01:18:30,160 --> 01:18:32,240
Speaker 6: you're sitting on top for a very short part of time,

1965
01:18:32,320 --> 01:18:34,400
Speaker 6: and you're coming down that motherfucker. Yeah, you know, And

1966
01:18:34,439 --> 01:18:36,640
Speaker 6: it's what you do with your money in the intermediate

1967
01:18:36,960 --> 01:18:39,479
Speaker 6: and also knowing when to hop off the horse. Like

1968
01:18:39,680 --> 01:18:42,840
Speaker 6: I plan I can't believe saying this publicly. I plan

1969
01:18:42,960 --> 01:18:47,360
Speaker 6: on selling my catalog when I think I'm right. But

1970
01:18:48,800 --> 01:18:50,320
Speaker 6: you feel like, yeah, well you.

1971
01:18:51,040 --> 01:18:53,719
Speaker 4: Feel that stock is it's building a business and selling

1972
01:18:53,720 --> 01:18:57,240
Speaker 4: a business. What's your exit strategy when you're at the top,

1973
01:18:57,320 --> 01:18:59,080
Speaker 4: because if you miss it by a year, you couldn't

1974
01:18:59,080 --> 01:19:02,160
Speaker 4: miss out on millions of dollars, potentially for millions.

1975
01:19:01,920 --> 01:19:04,479
Speaker 1: Dollars, and the problem is too you can go too soon.

1976
01:19:05,600 --> 01:19:08,759
Speaker 6: I've seen some artists sell a catalog and then write

1977
01:19:09,600 --> 01:19:11,880
Speaker 6: the biggest number one in the country the following year

1978
01:19:12,240 --> 01:19:14,919
Speaker 6: and go, Man, you got seventeen million dollars for that catalog,

1979
01:19:14,920 --> 01:19:16,320
Speaker 6: And if you'd have waited till this year, you could

1980
01:19:16,320 --> 01:19:17,960
Speaker 6: have got forty seven million dollars.

1981
01:19:17,960 --> 01:19:19,200
Speaker 3: And that for one song.

1982
01:19:19,720 --> 01:19:22,320
Speaker 6: If that one song becomes the biggest song on the planet,

1983
01:19:22,680 --> 01:19:24,599
Speaker 6: like Happy You're with justin Timberlake cause.

1984
01:19:26,080 --> 01:19:28,720
Speaker 1: You feel or whoever song that was, Yeah, that song

1985
01:19:28,760 --> 01:19:32,080
Speaker 1: for real. Sorry I suck, but it's like that song.

1986
01:19:32,720 --> 01:19:34,160
Speaker 1: But at that moment, Oh, it could.

1987
01:19:34,000 --> 01:19:36,960
Speaker 6: Change somebody's catalog twenty million dollars that year. Yeah, you know,

1988
01:19:37,200 --> 01:19:39,680
Speaker 6: literally mean we're talking about something that could change. You know,

1989
01:19:39,720 --> 01:19:40,640
Speaker 6: it depends on how much of it.

1990
01:19:40,680 --> 01:19:43,519
Speaker 1: They owned again, right, yeah, they just owned the publishing.

1991
01:19:43,560 --> 01:19:44,760
Speaker 3: It could change a couple of men. What do you

1992
01:19:44,760 --> 01:19:48,800
Speaker 3: want to your catalog if you masters its publishing?

1993
01:19:49,000 --> 01:19:51,040
Speaker 1: Yeah, baby, yeah, yeah baby.

1994
01:19:51,280 --> 01:19:51,719
Speaker 3: Everything.

1995
01:19:51,720 --> 01:19:55,240
Speaker 6: I own everything that's never lett nobody into anything, even

1996
01:19:55,280 --> 01:19:56,360
Speaker 6: my distributors I do.

1997
01:19:56,520 --> 01:19:59,519
Speaker 3: I do really short deals with and uh, when like

1998
01:20:00,160 --> 01:20:01,160
Speaker 3: to earn us about writing.

1999
01:20:01,280 --> 01:20:02,759
Speaker 4: You sit in the room with a bunch of guys,

2000
01:20:02,760 --> 01:20:04,600
Speaker 4: and guys kind of throw all you put some music on,

2001
01:20:04,720 --> 01:20:07,200
Speaker 4: you throw lines for each other and collectively make a song.

2002
01:20:07,680 --> 01:20:08,519
Speaker 4: How does that look for you?

2003
01:20:08,640 --> 01:20:10,880
Speaker 3: Is your catalog? You and your songs and what you've made.

2004
01:20:11,000 --> 01:20:13,720
Speaker 1: I've wrote on every song I've sun. Yeah, I've never

2005
01:20:13,840 --> 01:20:14,679
Speaker 1: not been in the room.

2006
01:20:14,760 --> 01:20:17,120
Speaker 6: And that's I take pride in that, Taylor, Yeah, I

2007
01:20:17,200 --> 01:20:19,200
Speaker 6: take pride in that bub But you know why because

2008
01:20:19,200 --> 01:20:21,080
Speaker 6: it's a lot of artists that I've seen get on

2009
01:20:21,120 --> 01:20:23,080
Speaker 6: your bus. I'm gonna do picking with the boys, hopefully today,

2010
01:20:23,080 --> 01:20:26,080
Speaker 6: if they're ready, I'm ready. But I've seen a lot

2011
01:20:26,120 --> 01:20:28,080
Speaker 6: of dudes get on this bus and sing a song

2012
01:20:28,200 --> 01:20:30,519
Speaker 6: they didn't write, they weren't even in the room for

2013
01:20:30,600 --> 01:20:34,000
Speaker 6: It'd be like you memorizing your favorite George Strait song

2014
01:20:34,360 --> 01:20:36,920
Speaker 6: and then going and singing that motherfucker. And to me,

2015
01:20:37,040 --> 01:20:40,960
Speaker 6: that's so disingenuine, right, like there's no spirit.

2016
01:20:40,640 --> 01:20:42,800
Speaker 4: Behind, especially if it's a song like save Me where

2017
01:20:42,800 --> 01:20:47,519
Speaker 4: you're talking about battles depression and who you are that then.

2018
01:20:46,800 --> 01:20:49,800
Speaker 6: Like people like I would be if my favorite if

2019
01:20:49,840 --> 01:20:53,599
Speaker 6: I found out Tupac didn't write dear Mama, Like how

2020
01:20:53,680 --> 01:20:57,200
Speaker 6: much that would hurt me? Like I believe that song,

2021
01:20:57,320 --> 01:20:59,800
Speaker 6: like I feel it. I want to go sing it

2022
01:20:59,800 --> 01:21:02,599
Speaker 6: to Mama. Yeah, you know what I'm saying, Like I

2023
01:21:02,640 --> 01:21:04,519
Speaker 6: feel that, And to find out he didn't write it,

2024
01:21:04,600 --> 01:21:07,120
Speaker 6: like I couldn't even believe in the conviction he tried

2025
01:21:07,160 --> 01:21:09,639
Speaker 6: to sing it with. You know, it would hurt my spirit,

2026
01:21:10,080 --> 01:21:12,679
Speaker 6: you know, like so many of these artists don't even

2027
01:21:12,680 --> 01:21:15,360
Speaker 6: write the songs they're singing. But I'll also tell you this,

2028
01:21:15,439 --> 01:21:18,320
Speaker 6: that's the difference between an artist who gets a real

2029
01:21:18,400 --> 01:21:20,400
Speaker 6: fan base and an artist who gets a flash in

2030
01:21:20,439 --> 01:21:21,360
Speaker 6: the pan fan base.

2031
01:21:21,560 --> 01:21:23,080
Speaker 3: That's the one where you get to the top and

2032
01:21:23,120 --> 01:21:24,360
Speaker 3: then straight down afterwards.

2033
01:21:25,520 --> 01:21:27,400
Speaker 1: How many times have you known a song but not

2034
01:21:27,479 --> 01:21:28,880
Speaker 1: the artist A lot?

2035
01:21:29,439 --> 01:21:32,200
Speaker 3: Right, Okay? And then you for the artist disappeared.

2036
01:21:32,200 --> 01:21:34,080
Speaker 6: You didn't know because you liked the song, right, but

2037
01:21:34,240 --> 01:21:37,439
Speaker 6: you never knew you never got into the dude's music, right.

2038
01:21:37,520 --> 01:21:39,400
Speaker 6: And then you think about artists like we talked about

2039
01:21:39,439 --> 01:21:44,479
Speaker 6: those legacy acts, kid Rock, Fleetwood Mac the quickest too

2040
01:21:44,520 --> 01:21:46,800
Speaker 6: to think of guns and rows their list of them, right,

2041
01:21:46,840 --> 01:21:51,240
Speaker 6: But kid Rock always reference because if you got into

2042
01:21:51,320 --> 01:21:53,680
Speaker 6: kid rock, ninety percent of the people that got into

2043
01:21:53,720 --> 01:21:54,440
Speaker 6: his music.

2044
01:21:54,360 --> 01:21:57,160
Speaker 1: Really got into the wormhole of kid rock. You can.

2045
01:21:58,960 --> 01:22:03,760
Speaker 6: First what crazy when the journey of it? Dude, I

2046
01:22:03,800 --> 01:22:07,760
Speaker 6: could sing I've been sitting here just wasting time, drag

2047
01:22:07,960 --> 01:22:12,640
Speaker 6: and slugging, trying to ease my mind right now, and

2048
01:22:12,640 --> 01:22:15,160
Speaker 6: the song came out of ninety six. I can sing

2049
01:22:15,160 --> 01:22:17,200
Speaker 6: it word for word, you know what I'm saying.

2050
01:22:17,240 --> 01:22:19,519
Speaker 1: Like, I could literally sing I've been sitting here trying

2051
01:22:19,520 --> 01:22:20,320
Speaker 1: to find myself.

2052
01:22:20,400 --> 01:22:21,200
Speaker 3: That's a thing.

2053
01:22:21,400 --> 01:22:24,120
Speaker 6: Take some time myself, I need to rewind myself. I

2054
01:22:24,120 --> 01:22:26,320
Speaker 6: could sing that song word for word.

2055
01:22:26,120 --> 01:22:28,479
Speaker 3: That came out in the nineties. I went down the

2056
01:22:28,680 --> 01:22:30,120
Speaker 3: I'm a kid rock fan. You know.

2057
01:22:30,160 --> 01:22:31,559
Speaker 1: I can name cold and Empty.

2058
01:22:31,920 --> 01:22:34,439
Speaker 6: I can name songs of his that never made radio

2059
01:22:34,600 --> 01:22:37,080
Speaker 6: that were just huge songs that, in fact, in my life,

2060
01:22:37,280 --> 01:22:39,280
Speaker 6: none of the Devil without a Cars record made radio,

2061
01:22:39,640 --> 01:22:42,479
Speaker 6: right and we know it, you know that built a

2062
01:22:42,520 --> 01:22:43,960
Speaker 6: cult following, you know.

2063
01:22:43,960 --> 01:22:45,960
Speaker 4: To this day, and didn't.

2064
01:22:48,120 --> 01:22:50,519
Speaker 3: Somebody I'm on now too, is n F. He's kind

2065
01:22:50,520 --> 01:22:51,360
Speaker 3: of like the kid is.

2066
01:22:51,320 --> 01:22:54,320
Speaker 1: Cold, yo. I don't have the plug on him, I'll

2067
01:22:54,360 --> 01:22:57,920
Speaker 1: admit it, but he is local. He is also looking

2068
01:22:57,960 --> 01:22:58,160
Speaker 1: at me.

2069
01:22:58,880 --> 01:23:02,519
Speaker 5: Bro should look what he's able to like reach deep

2070
01:23:02,600 --> 01:23:05,120
Speaker 5: down in that just depressive state and continue to talking

2071
01:23:05,120 --> 01:23:06,240
Speaker 5: about especially.

2072
01:23:05,880 --> 01:23:06,760
Speaker 3: When you're successful.

2073
01:23:06,800 --> 01:23:10,240
Speaker 4: Now, especially when you're said, when you were talking about

2074
01:23:10,280 --> 01:23:11,400
Speaker 4: what you sing about, the first.

2075
01:23:11,280 --> 01:23:13,200
Speaker 3: Person that came to mind was n F. Yeah.

2076
01:23:13,280 --> 01:23:15,280
Speaker 5: Yeah, you can like listen to his album and like

2077
01:23:15,640 --> 01:23:18,320
Speaker 5: feel what he's going through, and you create those bases,

2078
01:23:18,360 --> 01:23:22,280
Speaker 5: those loyal those loyal audiences that like understand what you're

2079
01:23:22,320 --> 01:23:23,120
Speaker 5: trying to write about.

2080
01:23:23,240 --> 01:23:25,679
Speaker 6: And in y'all's world, it's the busting with the boys. Guys,

2081
01:23:25,720 --> 01:23:28,040
Speaker 6: it's the guys in the comment on this video right now,

2082
01:23:28,439 --> 01:23:31,599
Speaker 6: the ones who the tier one on Tier one baby,

2083
01:23:32,080 --> 01:23:36,519
Speaker 6: those dudes that like are writing with you, NF. Jelly Rolls,

2084
01:23:36,680 --> 01:23:39,000
Speaker 6: Artists like that get to create that COT's a lot

2085
01:23:39,040 --> 01:23:41,599
Speaker 6: of Texas. I think he'lling up with the number one

2086
01:23:41,600 --> 01:23:44,280
Speaker 6: song on country radio. But if he don't, that dude

2087
01:23:44,320 --> 01:23:48,120
Speaker 6: is selling out baseball stadiums in Texas. Really, Yes, you

2088
01:23:48,120 --> 01:23:48,719
Speaker 6: know what I'm saying.

2089
01:23:48,760 --> 01:23:51,040
Speaker 3: I think I lost my fucking mind.

2090
01:23:51,720 --> 01:23:55,920
Speaker 6: That dude is crazy Texas country as a motherfucker. Cody

2091
01:23:56,000 --> 01:23:58,240
Speaker 6: Johnson was a great example of that. Somebody who built

2092
01:23:58,280 --> 01:24:00,479
Speaker 6: a core following he goes sell to read us. Now

2093
01:24:00,800 --> 01:24:04,479
Speaker 6: he sells out the fucking Houston Rodeo eighty thousand people.

2094
01:24:04,520 --> 01:24:08,960
Speaker 4: I think, Yes, that's the biggest one, eighty.

2095
01:24:08,840 --> 01:24:11,840
Speaker 6: Thousand people, dude, And that dude's just now starting to

2096
01:24:11,840 --> 01:24:14,840
Speaker 6: break country radio and that one, you know what's cool though,

2097
01:24:14,880 --> 01:24:18,920
Speaker 6: he owns his motherfucking music for him. Listen, man, that dude,

2098
01:24:18,960 --> 01:24:21,400
Speaker 6: I think I'm doing okay, man, that dude's gonna buy

2099
01:24:21,439 --> 01:24:22,280
Speaker 6: an island one day.

2100
01:24:22,680 --> 01:24:23,160
Speaker 4: For sure.

2101
01:24:23,760 --> 01:24:26,320
Speaker 5: I didn't really know about this whole world of like

2102
01:24:26,479 --> 01:24:28,400
Speaker 5: I mean, I knew about it, but then you got

2103
01:24:28,400 --> 01:24:30,640
Speaker 5: like pioneers who are trying to like recreate it. And

2104
01:24:30,720 --> 01:24:34,040
Speaker 5: I've been following, uh, Mike, Mike stud and he's some

2105
01:24:34,120 --> 01:24:36,439
Speaker 5: of that season very much. This podcast is fire?

2106
01:24:36,640 --> 01:24:40,000
Speaker 3: Which one is that? Yeah? You never know that one

2107
01:24:40,040 --> 01:24:40,960
Speaker 3: is fired? Yeah.

2108
01:24:41,040 --> 01:24:43,200
Speaker 5: The dude who's that lineman that was with Mike Tyson

2109
01:24:43,280 --> 01:24:46,000
Speaker 5: doing that podcast Hop Box, Hop Box and he left

2110
01:24:46,040 --> 01:24:47,919
Speaker 5: and and he came on Mike Studs.

2111
01:24:47,960 --> 01:24:48,920
Speaker 3: But what's his name?

2112
01:24:50,200 --> 01:24:50,400
Speaker 1: Yeah?

2113
01:24:50,479 --> 01:24:53,439
Speaker 3: Yeah, yeah, that's a that's a very insightful podcast.

2114
01:24:53,439 --> 01:24:53,600
Speaker 8: You know.

2115
01:24:53,640 --> 01:24:55,960
Speaker 6: I love his music, so like when he was doing

2116
01:24:55,960 --> 01:24:57,600
Speaker 6: the Music Ship, you know, so when they called me

2117
01:24:57,640 --> 01:24:59,400
Speaker 6: to do the King and the Sting record, Oh yo,

2118
01:25:00,720 --> 01:25:02,080
Speaker 6: this is a big shout out y'all.

2119
01:25:02,240 --> 01:25:04,760
Speaker 3: Me and Andrew Shoals this coming out Wednesday for real, y'all.

2120
01:25:04,960 --> 01:25:09,360
Speaker 6: This Wednesday, Tomorrow, Tomorrow, Thursday, whatever it is in April.

2121
01:25:09,479 --> 01:25:11,479
Speaker 6: I don't keep up with it like that. But whatever

2122
01:25:11,520 --> 01:25:14,439
Speaker 6: the day. Yeah, I'm mad at that. Fuck it's always Friday.

2123
01:25:14,800 --> 01:25:17,400
Speaker 6: But whatever Tomorrow and Thursday is in April. After the day,

2124
01:25:17,439 --> 01:25:20,240
Speaker 6: y'all are watching this jelly rolling Andrew Shols are dropping

2125
01:25:20,240 --> 01:25:20,639
Speaker 6: a record.

2126
01:25:21,080 --> 01:25:23,639
Speaker 4: Tom listen, man Tanner, You're gonna let it song.

2127
01:25:23,560 --> 01:25:25,160
Speaker 3: Dad, will? Have I not sent it to you?

2128
01:25:25,200 --> 01:25:26,800
Speaker 6: I said to you, didn't I No, I didn't send

2129
01:25:26,800 --> 01:25:28,360
Speaker 6: it you when I was down there. No, dude, I'm

2130
01:25:28,360 --> 01:25:30,320
Speaker 6: gonna start sending you music. You send me something back.

2131
01:25:31,120 --> 01:25:32,800
Speaker 6: Can you send me something else before you sent that?

2132
01:25:32,960 --> 01:25:34,200
Speaker 1: Can I start plugging with music?

2133
01:25:34,360 --> 01:25:37,280
Speaker 3: Yeah? Absolutely, some other some sometimes.

2134
01:25:37,080 --> 01:25:38,599
Speaker 6: And I'm gonna start. I'm gonna start bothering. He sent

2135
01:25:38,680 --> 01:25:40,519
Speaker 6: me one the other day. That's so crazy, dog the

2136
01:25:40,520 --> 01:25:44,280
Speaker 6: Flower record so crazy. But anyways, me and Shols are

2137
01:25:44,280 --> 01:25:47,320
Speaker 6: doing a song called Opener Up. And it is our

2138
01:25:47,360 --> 01:25:50,360
Speaker 6: assessment of the American need to open her up right now.

2139
01:25:50,840 --> 01:25:53,120
Speaker 6: And it is a country song that I got old

2140
01:25:53,200 --> 01:25:53,960
Speaker 6: New York ass.

2141
01:25:54,000 --> 01:25:55,440
Speaker 3: Andrew Shouls singing.

2142
01:25:55,400 --> 01:25:58,840
Speaker 6: And I'm rapping on it, and it is a absolute

2143
01:25:58,960 --> 01:26:00,920
Speaker 6: slapper before where y'all sneak out of here.

2144
01:26:00,960 --> 01:26:03,960
Speaker 5: You gotta let me play for yeah, absolutely due trying

2145
01:26:03,960 --> 01:26:06,200
Speaker 5: to play it on you can't have him.

2146
01:26:06,800 --> 01:26:07,719
Speaker 1: I'll play that motherfucker.

2147
01:26:08,640 --> 01:26:11,760
Speaker 6: Yeah, yeah, yeah, for sure not taking yeah, yeah no,

2148
01:26:11,840 --> 01:26:13,360
Speaker 6: I'll play it on here the ill singers parks my

2149
01:26:13,479 --> 01:26:15,479
Speaker 6: guitar guys outside, you know. Yeah, No, the song is

2150
01:26:15,560 --> 01:26:18,840
Speaker 6: crazy good. That's wild, dude, that's the song is insane.

2151
01:26:18,880 --> 01:26:22,320
Speaker 6: It's so funny and it's so Andrew. It's a you said,

2152
01:26:22,400 --> 01:26:24,160
Speaker 6: King and the Sting album. No, no, no, I did

2153
01:26:24,160 --> 01:26:25,519
Speaker 6: on that album too, though. That's what made me think

2154
01:26:25,560 --> 01:26:30,559
Speaker 6: about Andrew. I should plug that record while i'm album. Yeah, wow,

2155
01:26:30,840 --> 01:26:33,120
Speaker 6: you didn't hear the King of the Sting album. There's

2156
01:26:33,160 --> 01:26:35,639
Speaker 6: a song with jelly Roll, Little Brows and Mike stud

2157
01:26:36,400 --> 01:26:39,200
Speaker 6: it's the Thick Boy Anthem. You'll love it. I'm telling

2158
01:26:39,240 --> 01:26:39,680
Speaker 6: you will be.

2159
01:26:42,360 --> 01:26:45,599
Speaker 3: The stomach and said you'll love that.

2160
01:26:46,360 --> 01:26:46,920
Speaker 4: I love that.

2161
01:26:47,520 --> 01:26:49,000
Speaker 3: Tell you something, you love that thing?

2162
01:26:49,600 --> 01:26:53,720
Speaker 4: Just man, you love it? Hey, you're all about that now.

2163
01:26:53,760 --> 01:26:56,280
Speaker 6: It's called Thick Boy Anthem is Jelly Roll, Little Brows,

2164
01:26:56,320 --> 01:26:59,280
Speaker 6: Mike Stood, and it is a fucking baiter, Dude, it

2165
01:26:59,400 --> 01:26:59,839
Speaker 6: is awesome.

2166
01:27:00,560 --> 01:27:06,040
Speaker 1: I did the rat King song for the rat King

2167
01:27:06,520 --> 01:27:07,559
Speaker 1: thought of that fucking idea.

2168
01:27:11,080 --> 01:27:13,120
Speaker 5: As we take a break on Bustle with the Boys,

2169
01:27:13,560 --> 01:27:16,360
Speaker 5: this episode is brought to you by the one the

2170
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2171
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2172
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2173
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Speaker 5: you do. Jelly, do you have any Georgia boots? Dude,

2174
01:27:28,280 --> 01:27:30,000
Speaker 5: I do, and they are so comfortable. Let me tell

2175
01:27:30,000 --> 01:27:32,080
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2176
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2177
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2178
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Speaker 5: puppies off. The boys love looking good and when we're working,

2179
01:27:43,439 --> 01:27:46,880
Speaker 5: whether Jelly's rapping, whether he's doing some stuff with the music,

2180
01:27:46,920 --> 01:27:49,799
Speaker 5: and we're doing some stuff with football, we like looking

2181
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2182
01:27:51,240 --> 01:27:53,599
Speaker 3: Georgia boots. Specifically, these boots hold.

2183
01:27:53,520 --> 01:27:57,040
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2184
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2185
01:27:58,520 --> 01:28:00,799
Speaker 1: Listen, man, these things are so comfortable.

2186
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Speaker 6: I don't know if it's the technology or what, but

2187
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Speaker 6: it's got a tech something of some sort of an

2188
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Speaker 6: athletic shoe packed into a great looking boot. It's a

2189
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Speaker 6: great looking boot. They're wildly comfortable at a price that

2190
01:28:10,640 --> 01:28:13,360
Speaker 6: anybody can afford. Every time I wear my boots, which

2191
01:28:13,360 --> 01:28:15,280
Speaker 6: I wor on stage a lot, believe it or not, are.

2192
01:28:15,160 --> 01:28:17,679
Speaker 3: People just yelling like you ain't get the boots? Man?

2193
01:28:17,800 --> 01:28:19,559
Speaker 1: I'm like dude, Georgia Boot Baby.

2194
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2195
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2196
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2197
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2198
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2199
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2200
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2201
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2203
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Speaker 5: M for twenty percent off. Back to this phenomenal episode

2204
01:28:48,800 --> 01:28:50,120
Speaker 5: with the boys and Jelly.

2205
01:28:49,880 --> 01:28:50,799
Speaker 3: Roll them.

2206
01:28:52,640 --> 01:28:57,120
Speaker 1: All right right, that's awesome, Yeah, I like that man.

2207
01:28:57,160 --> 01:29:00,479
Speaker 6: A song on there, they dropped the record of microphone,

2208
01:29:00,520 --> 01:29:02,599
Speaker 6: We dropped the rat King record on there, and that's

2209
01:29:02,600 --> 01:29:03,439
Speaker 6: just Shop Blake.

2210
01:29:03,520 --> 01:29:03,960
Speaker 1: It's shop.

2211
01:29:04,040 --> 01:29:06,640
Speaker 6: So he found that they did a white rapper competition

2212
01:29:07,280 --> 01:29:08,720
Speaker 6: and this kid, Little Brows won it.

2213
01:29:08,840 --> 01:29:09,479
Speaker 1: He's super dope.

2214
01:29:09,520 --> 01:29:11,080
Speaker 6: He's the one with the first person doing the hook,

2215
01:29:11,240 --> 01:29:13,519
Speaker 6: and uh, they just kind of built a whole record

2216
01:29:13,520 --> 01:29:14,920
Speaker 6: around him called the King in this thing.

2217
01:29:15,240 --> 01:29:17,679
Speaker 3: Damn dude, that's that's awesome.

2218
01:29:17,760 --> 01:29:20,840
Speaker 1: Yeah, no, Shop Shop and he's always on that man. Yeah, yeah, yeah,

2219
01:29:20,840 --> 01:29:22,840
Speaker 1: he hit me. I was like, dude, it's like the

2220
01:29:22,880 --> 01:29:23,479
Speaker 1: Showl song.

2221
01:29:23,520 --> 01:29:23,640
Speaker 3: Man.

2222
01:29:23,680 --> 01:29:26,559
Speaker 1: My music's so somber and serious in tone that I

2223
01:29:26,640 --> 01:29:27,080
Speaker 1: was looking for.

2224
01:29:27,200 --> 01:29:28,599
Speaker 6: That's why I wanted to get on here with y'all. Man,

2225
01:29:28,640 --> 01:29:29,800
Speaker 6: I want to fuck it. I want to spend the

2226
01:29:29,800 --> 01:29:32,120
Speaker 6: first ten minutes laughing and make a dickty good. I

2227
01:29:32,240 --> 01:29:35,479
Speaker 6: need that because people, like, I know, I deal, I

2228
01:29:35,520 --> 01:29:37,960
Speaker 6: help people with addictions. I know I help people depressing,

2229
01:29:38,479 --> 01:29:40,160
Speaker 6: but I also want to laugh, man. I want people

2230
01:29:40,200 --> 01:29:41,960
Speaker 6: to know that. You know, it's like the music. Sometimes

2231
01:29:41,960 --> 01:29:43,800
Speaker 6: you'd have this thing like I don't want people to

2232
01:29:43,800 --> 01:29:45,760
Speaker 6: expect me to walk around with my face.

2233
01:29:45,479 --> 01:29:45,960
Speaker 3: In the mud.

2234
01:29:46,720 --> 01:29:48,640
Speaker 4: Therapy for you too, to be able to laugh, I

2235
01:29:48,680 --> 01:29:48,960
Speaker 4: get it.

2236
01:29:49,080 --> 01:29:50,880
Speaker 6: Yeah, absolutely, yeah, It's like, man, let me come on

2237
01:29:50,960 --> 01:29:52,640
Speaker 6: here and fucking joke, and you don't have to be

2238
01:29:52,680 --> 01:29:53,360
Speaker 6: serious all the time.

2239
01:29:53,360 --> 01:29:54,800
Speaker 3: People are trying to be serious all the time or

2240
01:29:54,800 --> 01:29:55,479
Speaker 3: a joke all time.

2241
01:29:55,479 --> 01:29:57,240
Speaker 4: He can pick one once in a while. It's ok

2242
01:29:57,400 --> 01:29:58,479
Speaker 4: to jump jump ship once.

2243
01:29:58,520 --> 01:30:01,320
Speaker 6: It's cool to have a dualityde It's the circle of life, man.

2244
01:30:01,360 --> 01:30:03,599
Speaker 6: That's why I think The Grateful Dead said did so well.

2245
01:30:03,920 --> 01:30:05,519
Speaker 6: I tell people you're Grateful Dead.

2246
01:30:05,360 --> 01:30:05,880
Speaker 3: Fan by Chain.

2247
01:30:05,960 --> 01:30:07,639
Speaker 4: I'm not a Grateful Dead fan, but I know Gary

2248
01:30:07,640 --> 01:30:10,280
Speaker 4: who's missing here today is a huge one.

2249
01:30:10,360 --> 01:30:14,080
Speaker 1: Looks like with the Grateful Dead to no, No, there's

2250
01:30:14,120 --> 01:30:16,640
Speaker 1: ship though their merch right, so you'll understand this. Their

2251
01:30:16,760 --> 01:30:19,800
Speaker 1: ship was a skull and a teddy bear.

2252
01:30:19,960 --> 01:30:24,160
Speaker 6: Yeah, that was the duality of the Dead, right, That's

2253
01:30:24,200 --> 01:30:26,840
Speaker 6: the brand I wanted to create musically. I want to

2254
01:30:26,880 --> 01:30:29,880
Speaker 6: create something where you could party to it, to cry

2255
01:30:30,000 --> 01:30:31,840
Speaker 6: to it, you know what I'm saying. Like that was

2256
01:30:31,880 --> 01:30:33,760
Speaker 6: always my goal as an artist, you know what I mean,

2257
01:30:33,800 --> 01:30:36,040
Speaker 6: to be able to take it deep either way. So

2258
01:30:36,120 --> 01:30:39,400
Speaker 6: that's what I modeled my entire ship after how The

2259
01:30:39,439 --> 01:30:45,720
Speaker 6: Grateful Dead was so good about like guns and roses, right,

2260
01:30:45,800 --> 01:30:47,479
Speaker 6: you know what I'm saying, Like it shows the two

2261
01:30:47,479 --> 01:30:50,840
Speaker 6: different sides of you. Know, sweet child of mine and

2262
01:30:50,920 --> 01:30:53,000
Speaker 6: the fucking heavier ship, right, you know what I'm saying,

2263
01:30:53,000 --> 01:30:55,680
Speaker 6: the Paradise City ship. You know, it's like to me,

2264
01:30:55,760 --> 01:30:57,559
Speaker 6: that was just what it was about, sweet Chilt of

2265
01:30:57,560 --> 01:30:58,639
Speaker 6: Mounts Harrowsmith by.

2266
01:30:58,520 --> 01:31:01,800
Speaker 3: The way, but thank you you're a good man. I

2267
01:31:02,160 --> 01:31:04,600
Speaker 3: am thank you for out fit like that.

2268
01:31:04,600 --> 01:31:07,120
Speaker 6: I wouldn't expect any different, right, But it was like

2269
01:31:07,160 --> 01:31:09,240
Speaker 6: the duality of Paradise City and.

2270
01:31:09,200 --> 01:31:09,800
Speaker 1: The harder ship.

2271
01:31:09,800 --> 01:31:12,599
Speaker 6: You know, absolutely, to me, that's what music's about. That's

2272
01:31:12,640 --> 01:31:15,559
Speaker 6: what podcasting is about. Y'all make motherfuckers laugh and then

2273
01:31:15,560 --> 01:31:16,160
Speaker 6: you dig deep.

2274
01:31:16,400 --> 01:31:16,560
Speaker 1: You know.

2275
01:31:16,640 --> 01:31:18,240
Speaker 3: It's like, to me, that's the ship the works. Well,

2276
01:31:18,240 --> 01:31:20,120
Speaker 3: that's why we all love Joe Rose. You got Arthur

2277
01:31:20,160 --> 01:31:22,720
Speaker 3: Smithson on the bus one week. In the next week, jelly.

2278
01:31:22,479 --> 01:31:25,400
Speaker 1: Roll different, dude. I'm glad I didn't get no comment.

2279
01:31:25,880 --> 01:31:29,640
Speaker 4: Yeah, yeah, Arthur is all about them no comments right now.

2280
01:31:29,720 --> 01:31:32,160
Speaker 3: I know he's on a different wave.

2281
01:31:32,439 --> 01:31:34,080
Speaker 5: You feel like you had to find your voice after you,

2282
01:31:34,280 --> 01:31:35,880
Speaker 5: like as you were getting going in because when I

2283
01:31:35,920 --> 01:31:37,559
Speaker 5: was looking at some of the stuff, I didn't know

2284
01:31:37,600 --> 01:31:38,639
Speaker 5: you right to like.

2285
01:31:38,560 --> 01:31:41,920
Speaker 3: A little white yes, my boy, yeah, you know you.

2286
01:31:41,840 --> 01:31:46,439
Speaker 4: Remember a little white back in middle school and low task.

2287
01:31:46,800 --> 01:31:47,559
Speaker 3: That sounds like fun.

2288
01:31:48,520 --> 01:31:50,559
Speaker 5: That's you if you're a white kid and you were

2289
01:31:50,640 --> 01:31:52,080
Speaker 5: banging a little white back in the day.

2290
01:31:52,160 --> 01:31:52,960
Speaker 1: Dude for sure.

2291
01:31:53,760 --> 01:31:53,960
Speaker 3: Yeah.

2292
01:31:54,479 --> 01:31:57,599
Speaker 1: Yeah, it's like tell me you're in your thirties without

2293
01:31:57,600 --> 01:32:00,360
Speaker 1: telling me you're in your thirties, right right, right, right right,

2294
01:32:00,680 --> 01:32:02,479
Speaker 1: I can't believe. Yeah, that's my boy, man. He was.

2295
01:32:02,600 --> 01:32:04,880
Speaker 6: He was signed the three six Mafia. He was the

2296
01:32:04,880 --> 01:32:07,640
Speaker 6: first white guy that hypnotized minds. So I don't know

2297
01:32:07,640 --> 01:32:10,680
Speaker 6: if you're you feeling with three six. Sure, he's the

2298
01:32:10,680 --> 01:32:13,840
Speaker 6: one who signed them first. They signed him first. And

2299
01:32:13,880 --> 01:32:16,560
Speaker 6: this dude gave me my first real opportunity him with

2300
01:32:16,600 --> 01:32:19,040
Speaker 6: a guy named Haystack, and I love little White for

2301
01:32:19,080 --> 01:32:21,800
Speaker 6: this man. He took me on my first tour. You

2302
01:32:21,840 --> 01:32:24,600
Speaker 6: see the split album right there. Yeah, we did No

2303
01:32:24,640 --> 01:32:26,640
Speaker 6: Filter one, No Filter two, and we're working on No

2304
01:32:26,720 --> 01:32:27,280
Speaker 6: Filter three.

2305
01:32:27,960 --> 01:32:28,519
Speaker 3: Oh really?

2306
01:32:28,560 --> 01:32:29,479
Speaker 4: So he working all the time.

2307
01:32:29,800 --> 01:32:32,559
Speaker 1: Yeah, I put out forty four songs last year.

2308
01:32:33,160 --> 01:32:34,960
Speaker 3: It seems like you're always like featuring it like working

2309
01:32:34,960 --> 01:32:35,760
Speaker 3: with other artists too.

2310
01:32:35,840 --> 01:32:37,439
Speaker 1: Yeah. Man, I just love to I love people, man,

2311
01:32:37,439 --> 01:32:38,240
Speaker 1: I love to connect.

2312
01:32:38,680 --> 01:32:38,840
Speaker 3: Yeah.

2313
01:32:38,880 --> 01:32:40,240
Speaker 1: I just love to put the docks together. Man.

2314
01:32:40,240 --> 01:32:42,400
Speaker 6: I love shooting the ship with people. I just you know,

2315
01:32:42,439 --> 01:32:44,000
Speaker 6: I just love people, man, I just want to work.

2316
01:32:44,120 --> 01:32:47,479
Speaker 6: I just listen, man, God been so good to me, dude.

2317
01:32:47,760 --> 01:32:49,439
Speaker 6: I wasn't supposed to be sitting on the bus y'all.

2318
01:32:50,000 --> 01:32:51,679
Speaker 6: I was like, you know, there's a lot of people

2319
01:32:51,720 --> 01:32:53,200
Speaker 6: that sit on this bus that you're like, no, he

2320
01:32:53,200 --> 01:32:54,400
Speaker 6: ain't supposed to be on the bus.

2321
01:32:54,479 --> 01:32:54,719
Speaker 4: Yeah.

2322
01:32:54,760 --> 01:32:56,360
Speaker 1: And there's a group of people that are gonna comment like,

2323
01:32:56,400 --> 01:32:57,200
Speaker 1: that's my boy right there.

2324
01:32:57,240 --> 01:32:58,880
Speaker 6: He shouldn't be on the bus. He's speaking for us

2325
01:32:58,920 --> 01:33:00,720
Speaker 6: right now, you know what I'm saying. I was like,

2326
01:33:01,240 --> 01:33:02,760
Speaker 6: So for me, it's like, man, let's just work.

2327
01:33:03,120 --> 01:33:05,240
Speaker 4: It sounds it sounds like you've got it all figured out, man,

2328
01:33:05,400 --> 01:33:05,960
Speaker 4: it's not.

2329
01:33:06,120 --> 01:33:09,599
Speaker 3: I mean, it sounds like only you're.

2330
01:33:09,479 --> 01:33:14,880
Speaker 4: Doing it all.

2331
01:33:15,200 --> 01:33:16,800
Speaker 3: Sounds like you got to figure out, man.

2332
01:33:16,840 --> 01:33:19,280
Speaker 4: And having the fan base you do, someone that follows

2333
01:33:19,280 --> 01:33:21,200
Speaker 4: you as tyle as you say they do, is unbelievable.

2334
01:33:21,600 --> 01:33:23,360
Speaker 4: It's also that's more important than, like you said, a

2335
01:33:23,400 --> 01:33:24,000
Speaker 4: flash in the pan.

2336
01:33:24,160 --> 01:33:26,400
Speaker 1: Yeah, man, I tell people there's in the music, benns

2337
01:33:26,439 --> 01:33:26,799
Speaker 1: you got.

2338
01:33:26,680 --> 01:33:28,439
Speaker 6: A flash in the pan and a full blown fire.

2339
01:33:29,240 --> 01:33:31,840
Speaker 6: And I thank god that I've I feel like I

2340
01:33:31,880 --> 01:33:33,000
Speaker 6: am creating.

2341
01:33:33,479 --> 01:33:35,760
Speaker 4: A full blown fire It's never over, is it. It's

2342
01:33:35,800 --> 01:33:38,519
Speaker 4: all it's always it's always a work in progress to

2343
01:33:38,560 --> 01:33:42,200
Speaker 4: do things, whether it's self, work, football, rap music, anything,

2344
01:33:42,760 --> 01:33:44,759
Speaker 4: there's never a finish.

2345
01:33:44,160 --> 01:33:46,920
Speaker 6: I really believe that my best songs are in my

2346
01:33:47,160 --> 01:33:48,559
Speaker 6: windshield and not my rear view.

2347
01:33:49,080 --> 01:33:49,679
Speaker 4: That's awesome.

2348
01:33:49,720 --> 01:33:52,080
Speaker 6: And if I didn't believe that, y'all, will I quit?

2349
01:33:52,400 --> 01:33:55,960
Speaker 6: I stopped today? The cat right now, sell it for whatever.

2350
01:33:55,960 --> 01:33:59,120
Speaker 6: If I didn't really like in my me and my

2351
01:33:59,160 --> 01:34:00,240
Speaker 6: wife talk about this lot.

2352
01:34:00,280 --> 01:34:01,639
Speaker 1: Man, shout out my wife. She's my rock.

2353
01:34:01,680 --> 01:34:03,200
Speaker 6: She's helped me, She's changed my whole life. I was

2354
01:34:03,200 --> 01:34:04,880
Speaker 6: dead broke when I met her, and she helped me

2355
01:34:04,920 --> 01:34:07,000
Speaker 6: so much. But I tell her all the time. Man,

2356
01:34:07,040 --> 01:34:09,439
Speaker 6: I I wake up every day and I just if

2357
01:34:09,479 --> 01:34:11,600
Speaker 6: I didn't really believe that my best song wasn't in

2358
01:34:11,640 --> 01:34:13,519
Speaker 6: the in the in the in the windshield, not the

2359
01:34:13,520 --> 01:34:16,800
Speaker 6: rear view, I'd have to quit today. I don't want

2360
01:34:16,800 --> 01:34:18,639
Speaker 6: to be that guy singing saved me in twenty years

2361
01:34:18,680 --> 01:34:19,840
Speaker 6: and that's the only song you know me?

2362
01:34:20,280 --> 01:34:20,760
Speaker 1: You know what I mean.

2363
01:34:20,760 --> 01:34:22,439
Speaker 6: I don't want to be that guy. I mean, I'm

2364
01:34:22,479 --> 01:34:25,360
Speaker 6: blessed to be here anyways, but I've rerother ride out

2365
01:34:25,400 --> 01:34:25,840
Speaker 6: and play you.

2366
01:34:25,760 --> 01:34:29,200
Speaker 4: Don't want to be Sinatra singing my Way in Vegas,

2367
01:34:30,479 --> 01:34:31,439
Speaker 4: twenty years after he.

2368
01:34:31,439 --> 01:34:35,120
Speaker 6: Said, I would literally rather wait until y'all started your

2369
01:34:35,120 --> 01:34:37,240
Speaker 6: own podcast and I work quit music, and y'all give

2370
01:34:37,280 --> 01:34:39,920
Speaker 6: me a shout. Yeah, you know, maybe something bigger than

2371
01:34:39,920 --> 01:34:44,160
Speaker 6: a bus, because I'm a big fellow the trailer I

2372
01:34:44,240 --> 01:34:48,519
Speaker 6: like that, trailer park pemping might be. I'm charging right

2373
01:34:48,560 --> 01:34:49,280
Speaker 6: that right now, So when you.

2374
01:34:49,280 --> 01:34:51,559
Speaker 4: Come to my ass, all the fucking you'll be waiting

2375
01:34:51,560 --> 01:34:53,960
Speaker 4: for that chat you learned I did.

2376
01:34:54,120 --> 01:34:55,639
Speaker 3: We'd be charging the ninety five five.

2377
01:34:55,800 --> 01:35:02,160
Speaker 4: Yeah, when NFL teams you to people, but I would do.

2378
01:35:02,080 --> 01:35:04,840
Speaker 6: It, yeah yeah, sure, yeah, but changed all of our

2379
01:35:04,880 --> 01:35:07,320
Speaker 6: lives though, you know you think about yea, that's crazy.

2380
01:35:07,360 --> 01:35:10,080
Speaker 5: Hey, you you were bringing up your wife, and it

2381
01:35:10,160 --> 01:35:12,080
Speaker 5: made me think about when I was adding you earlier

2382
01:35:12,160 --> 01:35:15,360
Speaker 5: on Twitter and your latest tweet was just going after

2383
01:35:15,439 --> 01:35:18,200
Speaker 5: some helpless little soul for what did.

2384
01:35:18,120 --> 01:35:19,600
Speaker 3: He ask you that he trolls you?

2385
01:35:19,640 --> 01:35:21,240
Speaker 4: He said, how do you get a how do you

2386
01:35:21,240 --> 01:35:22,400
Speaker 4: get such a hot wife?

2387
01:35:22,800 --> 01:35:23,960
Speaker 3: And fuck what else?

2388
01:35:24,120 --> 01:35:25,639
Speaker 6: He had the nerve to say, how do you get

2389
01:35:25,680 --> 01:35:28,599
Speaker 6: such a hot wife? And I'm skinny and have no tattoos?

2390
01:35:28,760 --> 01:35:30,559
Speaker 5: Oh yeah, yeah, yeah, he was kind of like giving

2391
01:35:30,560 --> 01:35:34,439
Speaker 5: a backhanded company's yeah, yeah, yeah, and I'm still the

2392
01:35:34,439 --> 01:35:35,400
Speaker 5: one that's single, and.

2393
01:35:35,360 --> 01:35:37,559
Speaker 6: I just like, dude, it's too only too you talk

2394
01:35:37,600 --> 01:35:40,599
Speaker 6: about Okay, that's where I full disclosure. The two comments

2395
01:35:40,600 --> 01:35:43,799
Speaker 6: that bother me are never about me, right, It's always

2396
01:35:43,800 --> 01:35:45,160
Speaker 6: when they attack my wife.

2397
01:35:45,000 --> 01:35:47,160
Speaker 3: Or my daughter. And it's sad that we live in

2398
01:35:47,160 --> 01:35:49,240
Speaker 3: a world where even my daughter gets attacked. Yea, it's

2399
01:35:49,240 --> 01:35:49,960
Speaker 3: so fucked up.

2400
01:35:50,720 --> 01:35:52,720
Speaker 6: She's got her braces and she's getting her teeth fixed

2401
01:35:52,760 --> 01:35:54,559
Speaker 6: and people will like be like, what's wrong with your teeth?

2402
01:35:54,600 --> 01:35:57,519
Speaker 6: Like she's fucking twelve, you fucking bitch. You know what

2403
01:35:57,560 --> 01:36:00,720
Speaker 6: I'm saying, What are you talking about? My teeth were

2404
01:36:00,840 --> 01:36:03,160
Speaker 6: fucked at twelve? Saying you know what I'm saying. It's

2405
01:36:03,200 --> 01:36:05,040
Speaker 6: like the fuck out of here, you know what I mean.

2406
01:36:05,040 --> 01:36:08,360
Speaker 6: But it's like, yeah, this is yeah, he said, he said, Uh,

2407
01:36:08,439 --> 01:36:10,360
Speaker 6: how'd you get such a hot wife? I'm twenty six,

2408
01:36:10,439 --> 01:36:15,639
Speaker 6: have no tattoos, and I'm not big like you like dude, listen, man,

2409
01:36:15,680 --> 01:36:18,120
Speaker 6: no matter the waiter, shitty tattoos, I'm confident enough to

2410
01:36:18,160 --> 01:36:20,320
Speaker 6: show myself because once again this dude has like a

2411
01:36:20,360 --> 01:36:22,120
Speaker 6: fucking like picture of like.

2412
01:36:22,120 --> 01:36:23,240
Speaker 1: Yo Khan or some ship.

2413
01:36:23,439 --> 01:36:27,920
Speaker 6: Yeah, you know what I mean, mister, Most girls, I said,

2414
01:36:27,920 --> 01:36:30,599
Speaker 6: most girls don't give a fuck how you look. They

2415
01:36:30,640 --> 01:36:33,120
Speaker 6: care how you make them feel, which I stand by.

2416
01:36:33,439 --> 01:36:35,040
Speaker 6: You know what I mean absolutely, And I don't say

2417
01:36:35,040 --> 01:36:37,240
Speaker 6: hater shit on social media and crying because the fat

2418
01:36:37,320 --> 01:36:38,320
Speaker 6: dude gets the pussy.

2419
01:36:38,080 --> 01:36:41,960
Speaker 4: And he don't, you know, given some information at the end,

2420
01:36:42,000 --> 01:36:43,280
Speaker 4: give a little stick in the yea.

2421
01:36:45,360 --> 01:36:46,840
Speaker 3: Lady, but also the fucking yeah.

2422
01:36:46,920 --> 01:36:49,599
Speaker 6: Yeah, it's almost like dude. Just listen, man. They call

2423
01:36:49,680 --> 01:36:53,360
Speaker 6: my wife a gold digger. I was ass.

2424
01:36:53,000 --> 01:36:54,240
Speaker 3: Broke when I met her.

2425
01:36:54,800 --> 01:36:56,680
Speaker 6: Man, when I met that bitch, I was down on

2426
01:36:56,800 --> 01:36:59,240
Speaker 6: my luck. I'm telling y'all, dude, I didn't know you

2427
01:36:59,360 --> 01:37:02,360
Speaker 6: must had some dude. Dude, listen, man, I was just me.

2428
01:37:02,680 --> 01:37:09,720
Speaker 3: Put the boys on game. Now, I got one, just

2429
01:37:09,720 --> 01:37:11,880
Speaker 3: just puky thought, but you know, just enough to slide

2430
01:37:11,920 --> 01:37:12,720
Speaker 3: in there, you know it.

2431
01:37:12,720 --> 01:37:14,720
Speaker 1: Just enough to But she she thought I was an

2432
01:37:14,760 --> 01:37:16,080
Speaker 1: asshole because I was kind of stiff.

2433
01:37:16,120 --> 01:37:18,840
Speaker 6: I was also addicted to fucking coating. Of course I

2434
01:37:18,880 --> 01:37:21,439
Speaker 6: was an asshole. I answered question four minutes later. I

2435
01:37:21,479 --> 01:37:24,840
Speaker 6: looked like I'd be like hey, jelly, three minutes I'd

2436
01:37:24,840 --> 01:37:29,519
Speaker 6: be like suh but it's like she just seen potential

2437
01:37:29,560 --> 01:37:31,519
Speaker 6: man and she she she calls me, I was like

2438
01:37:31,520 --> 01:37:34,080
Speaker 6: her little fixer up project. Yeah, and she had money,

2439
01:37:34,160 --> 01:37:34,760
Speaker 6: she had a house.

2440
01:37:34,800 --> 01:37:34,960
Speaker 3: I was.

2441
01:37:35,120 --> 01:37:36,800
Speaker 1: I was count serving before she let me slide in

2442
01:37:36,840 --> 01:37:38,880
Speaker 1: the bedroom. You know. Yeah. I got one night in

2443
01:37:38,880 --> 01:37:40,400
Speaker 1: that bedroom, baby, and never got off.

2444
01:37:41,720 --> 01:37:46,559
Speaker 6: I wrote that the town town, I wrote that pony

2445
01:37:46,640 --> 01:37:49,280
Speaker 6: of the town. Ye how but yeah, no, it just worked. Man,

2446
01:37:49,439 --> 01:37:51,080
Speaker 6: that's what they call her gold. That makes me a

2447
01:37:51,120 --> 01:37:53,479
Speaker 6: little mad because it's just like it's just.

2448
01:37:53,400 --> 01:37:56,639
Speaker 5: That hater ship, low hanging fruit type ship.

2449
01:37:56,640 --> 01:37:58,840
Speaker 6: Its low hangers, Like, dude, come on, man, cause you

2450
01:37:58,880 --> 01:38:01,200
Speaker 6: think like and also I'm insulted, like you think a

2451
01:38:01,240 --> 01:38:04,519
Speaker 6: big dude like couldn't pull a girl that looks like that.

2452
01:38:04,760 --> 01:38:06,599
Speaker 6: Like listen, man, my wife would be the first one

2453
01:38:06,680 --> 01:38:09,000
Speaker 6: to tell you I didn't date ugly girls before her,

2454
01:38:09,720 --> 01:38:11,760
Speaker 6: you know, like, I've always been kind of a I

2455
01:38:11,840 --> 01:38:13,679
Speaker 6: wasn't like the smell. Have you ever heard my fat

2456
01:38:13,680 --> 01:38:16,639
Speaker 6: people rants on TikTok. I wasn't like the fat dude

2457
01:38:16,640 --> 01:38:18,880
Speaker 6: that like smelled his ear wax and wore a Batman

2458
01:38:18,960 --> 01:38:21,559
Speaker 6: shirt with his stomach showing. I wasn't the fat dude

2459
01:38:21,600 --> 01:38:24,080
Speaker 6: on the scooter in Walmart. I was a different breed,

2460
01:38:24,120 --> 01:38:26,280
Speaker 6: a fat person, you know what I'm saying, Like, yeah,

2461
01:38:26,520 --> 01:38:29,479
Speaker 6: I'm fat, but yeah, like I'll get day drunk and

2462
01:38:29,560 --> 01:38:31,639
Speaker 6: go golf with you. I can do everything but ride

2463
01:38:31,680 --> 01:38:34,760
Speaker 6: a roller coaster, you know what I'm saying. And I

2464
01:38:34,840 --> 01:38:37,040
Speaker 6: would really like to. They just haven't made one. I

2465
01:38:37,080 --> 01:38:37,840
Speaker 6: can squeeze it.

2466
01:38:37,960 --> 01:38:39,880
Speaker 3: Yeah, you know what I'm saying, But it's many. If

2467
01:38:39,880 --> 01:38:41,360
Speaker 3: you tried to go to a roast.

2468
01:38:41,800 --> 01:38:44,040
Speaker 6: I tried to get on the thing to get the

2469
01:38:44,080 --> 01:38:47,679
Speaker 6: ring of fire one time. Sure, and man I was smaller. Man,

2470
01:38:47,720 --> 01:38:50,519
Speaker 6: it just couldn't work. I felt like Bowser on Mario

2471
01:38:50,600 --> 01:38:52,519
Speaker 6: card Doc when that thing was coming down.

2472
01:38:52,560 --> 01:38:54,760
Speaker 3: I was all hunched over, my legs were stuck in.

2473
01:38:54,920 --> 01:38:56,840
Speaker 6: I mean, it was just they could have got it

2474
01:38:56,920 --> 01:38:59,400
Speaker 6: to click, but it would have been the most miserable

2475
01:38:59,439 --> 01:39:00,679
Speaker 6: five minutes of my life.

2476
01:39:00,760 --> 01:39:04,800
Speaker 3: That's a long ass roller coaster, I think. Yeah, I

2477
01:39:04,800 --> 01:39:06,519
Speaker 3: don't know, I feel that clicking.

2478
01:39:07,040 --> 01:39:07,840
Speaker 4: Yeah, you're in one.

2479
01:39:08,520 --> 01:39:10,960
Speaker 3: Understand you're going for a fight.

2480
01:39:11,000 --> 01:39:13,200
Speaker 1: I'd love to ride, boy, Yeah, but it's like pretty

2481
01:39:13,280 --> 01:39:15,040
Speaker 1: much everything else. You know, as a big dude, I

2482
01:39:15,080 --> 01:39:15,639
Speaker 1: can do, you.

2483
01:39:15,600 --> 01:39:18,720
Speaker 4: Know, roller coasters and commercial flights just suck.

2484
01:39:18,760 --> 01:39:20,960
Speaker 6: It's gotta be like first class. And even then it's

2485
01:39:20,960 --> 01:39:24,439
Speaker 6: a little pressure, you know what I see. I gotta

2486
01:39:24,479 --> 01:39:25,320
Speaker 6: kind of get in there with you.

2487
01:39:25,560 --> 01:39:27,160
Speaker 4: Sell that, you sell that catalog you be playing on

2488
01:39:27,160 --> 01:39:27,599
Speaker 4: a six.

2489
01:39:27,880 --> 01:39:29,840
Speaker 3: Yeah, you know, you pick up all the plane you want.

2490
01:39:30,000 --> 01:39:31,360
Speaker 1: Yeah, for sure, as long. But I just gotta be

2491
01:39:31,400 --> 01:39:33,200
Speaker 1: careful not to go broken. How many years is it.

2492
01:39:35,000 --> 01:39:36,400
Speaker 3: Years? Three to five years?

2493
01:39:36,960 --> 01:39:39,400
Speaker 6: I gotta be careful not to take enough commercial flights

2494
01:39:39,400 --> 01:39:43,360
Speaker 6: that I go broke that fans. Listen, y'all, we're gonna

2495
01:39:43,360 --> 01:39:45,160
Speaker 6: we're gonna stop this thing one more time, which is

2496
01:39:45,160 --> 01:39:47,400
Speaker 6: probably the greatest podcast of Busting with the Boys history

2497
01:39:47,439 --> 01:39:51,160
Speaker 6: feature myself to tell y'all about our friends. Listen, y'all. Look,

2498
01:39:51,200 --> 01:39:53,800
Speaker 6: there's no one out there that's perfect. Even the best

2499
01:39:53,800 --> 01:39:56,000
Speaker 6: baseball players strike out when the bases are loaded. The

2500
01:39:56,040 --> 01:39:58,639
Speaker 6: best golfers sometimes three putting a tournament on the line.

2501
01:39:58,840 --> 01:40:01,040
Speaker 6: So if you feel like you're coming up short in

2502
01:40:01,120 --> 01:40:04,200
Speaker 6: the bedroom, no pun intended, that is perfectly okay. But

2503
01:40:04,280 --> 01:40:07,240
Speaker 6: if it's bothering you, there are options. What are these options?

2504
01:40:07,240 --> 01:40:09,679
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2522
01:41:04,400 --> 01:41:06,000
Speaker 6: what's a roller coaster like for you?

2523
01:41:06,000 --> 01:41:08,000
Speaker 3: You're not fat, but you're a mountain of a mountain,

2524
01:41:08,000 --> 01:41:10,240
Speaker 3: tall man. It's really about the decapitation. I'm worried about

2525
01:41:10,240 --> 01:41:11,439
Speaker 3: not the the weight.

2526
01:41:11,640 --> 01:41:13,360
Speaker 1: But like what about the ones with the cage, because

2527
01:41:13,360 --> 01:41:14,920
Speaker 1: that's what the ring of fire was. It had the

2528
01:41:14,960 --> 01:41:15,639
Speaker 1: cage over.

2529
01:41:15,520 --> 01:41:16,840
Speaker 4: The I had a cage over the top of you.

2530
01:41:17,080 --> 01:41:18,720
Speaker 3: I'm in it. Then that's the problem. I love roll

2531
01:41:18,880 --> 01:41:20,920
Speaker 3: cage over the top. It was like a cage, you know,

2532
01:41:20,960 --> 01:41:22,720
Speaker 3: the one you get in. It's like a cage. This

2533
01:41:22,760 --> 01:41:24,240
Speaker 3: sounds like a carnival. We'll pull it.

2534
01:41:24,200 --> 01:41:27,200
Speaker 6: Up because I can't ride roller coaster.

2535
01:41:27,240 --> 01:41:28,000
Speaker 1: I've never like been there.

2536
01:41:28,000 --> 01:41:30,360
Speaker 3: Six flags.

2537
01:41:33,720 --> 01:41:36,400
Speaker 1: Walk all my homies to the gate here see to

2538
01:41:36,439 --> 01:41:36,760
Speaker 1: get back.

2539
01:41:37,840 --> 01:41:38,760
Speaker 4: I tell you what you need to do.

2540
01:41:38,840 --> 01:41:42,160
Speaker 5: It needs to be the fattiest line and a theme

2541
01:41:42,240 --> 01:41:45,439
Speaker 5: park for fat people. Imagine going around that people. Can

2542
01:41:45,520 --> 01:41:47,160
Speaker 5: you imagine creating a theme park?

2543
01:41:47,240 --> 01:41:49,000
Speaker 6: Yeah, that's it. And that's the one I picked to

2544
01:41:49,040 --> 01:41:50,519
Speaker 6: get on. Now that I look at it, what a

2545
01:41:50,520 --> 01:41:51,200
Speaker 6: bad choice.

2546
01:41:51,520 --> 01:41:53,960
Speaker 3: I'm gonna imagine riding that for five minutes. That'd be

2547
01:41:55,800 --> 01:41:56,719
Speaker 3: after a minute half.

2548
01:41:56,680 --> 01:41:57,720
Speaker 4: Like, do we get the funk off this?

2549
01:41:59,640 --> 01:41:59,920
Speaker 1: I was.

2550
01:42:00,080 --> 01:42:02,639
Speaker 4: I was like forty five to two Mant's tops.

2551
01:42:03,680 --> 01:42:04,599
Speaker 1: Oh that's fucking wild.

2552
01:42:04,680 --> 01:42:06,120
Speaker 6: I was tripping ass of the night when it was

2553
01:42:06,120 --> 01:42:08,639
Speaker 6: at the Tennessee State Fair, and I was just tripping

2554
01:42:08,640 --> 01:42:09,840
Speaker 6: hard enough to be like I want to get on

2555
01:42:09,840 --> 01:42:10,320
Speaker 6: this thing.

2556
01:42:10,680 --> 01:42:12,400
Speaker 3: Yeah, I got that for me.

2557
01:42:13,080 --> 01:42:20,200
Speaker 4: The uh there's one at uh the one we just Hey,

2558
01:42:20,240 --> 01:42:23,160
Speaker 4: what's what's the one we went to? Uh in in

2559
01:42:23,280 --> 01:42:26,720
Speaker 4: Disney World, the Universal. No, it was a small one.

2560
01:42:26,760 --> 01:42:31,080
Speaker 4: It was like a space mountain, the Space Mountain. That motherfucker, dude,

2561
01:42:31,520 --> 01:42:33,960
Speaker 4: I saw I there those a few times. I would

2562
01:42:34,000 --> 01:42:36,120
Speaker 4: just I sallied this entire ride, waiting for it to

2563
01:42:36,120 --> 01:42:38,920
Speaker 4: be over. It was so it was the ceiling was

2564
01:42:38,920 --> 01:42:39,320
Speaker 4: so low.

2565
01:42:39,439 --> 01:42:40,720
Speaker 3: It was one of those indoors, I thought.

2566
01:42:40,840 --> 01:42:43,120
Speaker 4: And people have gotten to capitated before, people have fucking

2567
01:42:43,160 --> 01:42:46,639
Speaker 4: died on the space mountain or whatever. Yeah, so it

2568
01:42:46,680 --> 01:42:47,840
Speaker 4: was on space mountain.

2569
01:42:47,960 --> 01:42:48,760
Speaker 3: I think, look it up.

2570
01:42:49,000 --> 01:42:53,240
Speaker 4: I mean, I I'm all about being wrong, but yeah, yeah,

2571
01:42:53,280 --> 01:42:53,879
Speaker 4: you little.

2572
01:42:53,640 --> 01:42:54,479
Speaker 3: Die on that way.

2573
01:42:54,840 --> 01:42:57,639
Speaker 4: It's crazy. But yeah, roller coach, I'm all about that, dude.

2574
01:42:57,640 --> 01:42:58,200
Speaker 4: I'm all about this.

2575
01:42:58,280 --> 01:43:00,320
Speaker 3: The stomach going on feeling in.

2576
01:43:00,320 --> 01:43:02,439
Speaker 1: The list of things I miss as a fat person.

2577
01:43:02,479 --> 01:43:04,280
Speaker 6: Yeah, I'd love to do a roller because I don't

2578
01:43:04,280 --> 01:43:06,120
Speaker 6: have no fear of them, like I jump off cliffs

2579
01:43:06,120 --> 01:43:06,400
Speaker 6: and ship.

2580
01:43:06,479 --> 01:43:06,759
Speaker 3: Still.

2581
01:43:06,760 --> 01:43:08,439
Speaker 6: When we go to the lake, sure, because like when

2582
01:43:08,439 --> 01:43:09,880
Speaker 6: we're on tour we have a day off, we'll go

2583
01:43:09,920 --> 01:43:11,559
Speaker 6: find a lake somewhere and rin a boat and take

2584
01:43:11,600 --> 01:43:13,320
Speaker 6: the whole tour crew out and go find a cliff

2585
01:43:13,360 --> 01:43:14,120
Speaker 6: and jump off of.

2586
01:43:14,120 --> 01:43:16,160
Speaker 1: And I don't know, trip acid or shrooms or something,

2587
01:43:16,560 --> 01:43:17,280
Speaker 1: the usual stuff.

2588
01:43:17,360 --> 01:43:18,320
Speaker 3: Yeah, you know, casual.

2589
01:43:19,280 --> 01:43:20,160
Speaker 4: It's the fucking thing.

2590
01:43:20,840 --> 01:43:23,479
Speaker 1: So my fucking way, my hair is touching the top

2591
01:43:23,520 --> 01:43:23,760
Speaker 1: of that.

2592
01:43:25,920 --> 01:43:28,640
Speaker 4: Yeah, it is fucking Could you imagine taking it and

2593
01:43:28,680 --> 01:43:30,080
Speaker 4: then you're dark on acid?

2594
01:43:31,720 --> 01:43:32,559
Speaker 3: What a trip that?

2595
01:43:32,720 --> 01:43:36,120
Speaker 6: Or just even like a thousand milligrams vetibles that would

2596
01:43:36,160 --> 01:43:38,799
Speaker 6: be one thousand two zeros.

2597
01:43:41,439 --> 01:43:43,640
Speaker 4: You take two zeros.

2598
01:43:46,080 --> 01:43:49,240
Speaker 6: It's anything over five hundred milligram that I start to

2599
01:43:49,240 --> 01:43:49,759
Speaker 6: get weird.

2600
01:43:49,880 --> 01:43:51,439
Speaker 3: Bro, listen le.

2601
01:43:52,960 --> 01:43:56,680
Speaker 4: By yourself, however, Yeah, I've heard you take ten and

2602
01:43:56,720 --> 01:43:57,280
Speaker 4: get fucked.

2603
01:43:57,400 --> 01:43:59,479
Speaker 6: Yeah, I mean, dude, listen, sitting there, you get the

2604
01:43:59,520 --> 01:44:04,360
Speaker 6: Stephen high. I took a smooth hundred on the way

2605
01:44:04,880 --> 01:44:06,560
Speaker 6: and I feel pretty nice. I drank a couple of

2606
01:44:06,560 --> 01:44:08,439
Speaker 6: shots at Keelan started feeling like, all right, I'm on

2607
01:44:08,479 --> 01:44:10,400
Speaker 6: the fucking bus with the boys and your other boys

2608
01:44:10,439 --> 01:44:11,679
Speaker 6: in the drink.

2609
01:44:11,479 --> 01:44:15,800
Speaker 3: And y'alls athletic absence. There you go. I like that,

2610
01:44:16,400 --> 01:44:20,040
Speaker 3: you did it? What is it? What does it say?

2611
01:44:21,200 --> 01:44:24,280
Speaker 4: That's the Yeah, yeah, I'm sure.

2612
01:44:26,840 --> 01:44:28,000
Speaker 1: They just had a heart attack.

2613
01:44:28,120 --> 01:44:29,040
Speaker 3: But that that.

2614
01:44:28,960 --> 01:44:31,360
Speaker 4: Place is so much fun, dude. You get to go

2615
01:44:31,400 --> 01:44:35,080
Speaker 4: to Universal you can pay this fee and have like

2616
01:44:35,120 --> 01:44:39,000
Speaker 4: a like a chauffeur take you and the person that

2617
01:44:39,080 --> 01:44:41,519
Speaker 4: knows all about the rise and everything, and you basically tour.

2618
01:44:41,760 --> 01:44:43,799
Speaker 4: We had every single parking one day and wrote everybody

2619
01:44:43,880 --> 01:44:46,479
Speaker 4: we wanted to really had time for doubles too. Holy,

2620
01:44:46,880 --> 01:44:48,280
Speaker 4: that's how fast you go through stuff?

2621
01:44:48,360 --> 01:44:49,920
Speaker 1: Is you like faster than the fast track?

2622
01:44:50,600 --> 01:44:50,840
Speaker 4: Yeah?

2623
01:44:51,000 --> 01:44:52,800
Speaker 8: You take a van up to the back of the

2624
01:44:52,920 --> 01:44:55,360
Speaker 8: ride and then you go an elevator and you're in

2625
01:44:55,400 --> 01:44:58,960
Speaker 8: it and they stopped to people leo you just quick

2626
01:44:59,000 --> 01:45:01,120
Speaker 8: and then you fucking go right in front of him

2627
01:45:01,200 --> 01:45:02,760
Speaker 8: and you're like, hey, that's awesome, and then all of

2628
01:45:02,800 --> 01:45:04,639
Speaker 8: a sudden, you I like to write that again.

2629
01:45:04,960 --> 01:45:05,720
Speaker 3: I'll take you.

2630
01:45:05,720 --> 01:45:08,120
Speaker 5: Right back to have to do seven hours ten hours

2631
01:45:08,400 --> 01:45:10,400
Speaker 5: saying it's ten hours, but it really wasn't like if

2632
01:45:10,439 --> 01:45:11,920
Speaker 5: you had a group, if you had like a twenty

2633
01:45:11,960 --> 01:45:12,879
Speaker 5: five hundred bucks.

2634
01:45:13,200 --> 01:45:15,439
Speaker 4: Yeah, it's really not Sorry, it's up to ten people

2635
01:45:15,439 --> 01:45:19,320
Speaker 4: and it's for the day, so by ten and whatever

2636
01:45:19,320 --> 01:45:22,719
Speaker 4: the fuck that is right right right? Two fifty per person.

2637
01:45:22,840 --> 01:45:24,519
Speaker 3: Thank you, you get a little groove, dude. That's no,

2638
01:45:24,600 --> 01:45:25,680
Speaker 3: that's bro, that's not bad.

2639
01:45:26,040 --> 01:45:29,400
Speaker 4: We had every single ride in Disney World geez, every

2640
01:45:29,439 --> 01:45:31,160
Speaker 4: single as a crew.

2641
01:45:31,640 --> 01:45:34,479
Speaker 3: Taylor with the Taylor went to me with the Pro Bowl.

2642
01:45:34,880 --> 01:45:36,400
Speaker 4: That's fucking yeah. It was right.

2643
01:45:36,439 --> 01:45:38,360
Speaker 3: It was very It was very nice for him to

2644
01:45:38,360 --> 01:45:39,639
Speaker 3: do that. I went to the Pro Bowl. I took

2645
01:45:39,640 --> 01:45:40,160
Speaker 3: Taylor with me.

2646
01:45:40,280 --> 01:45:41,599
Speaker 4: Yeah, he was there.

2647
01:45:41,720 --> 01:45:42,240
Speaker 3: I was there.

2648
01:45:42,320 --> 01:45:44,240
Speaker 4: We were both there. Will said come with me, and

2649
01:45:44,280 --> 01:45:48,599
Speaker 4: so I went. That's how it works. It's fucking it's rad, dude.

2650
01:45:48,720 --> 01:45:50,600
Speaker 4: We we did twer of Terror six times.

2651
01:45:51,080 --> 01:45:53,840
Speaker 1: Now we're logging to make it an under the hood

2652
01:45:53,840 --> 01:45:55,040
Speaker 1: when I get skinny enough.

2653
01:45:55,160 --> 01:45:58,000
Speaker 4: He's a huge fan of the under the hoods, telling

2654
01:45:58,000 --> 01:45:58,320
Speaker 4: me that.

2655
01:45:58,200 --> 01:46:00,559
Speaker 6: Before I think, I think like I should do three

2656
01:46:00,560 --> 01:46:03,200
Speaker 6: of them a week. Yeah, I think you should incorporated

2657
01:46:03,240 --> 01:46:04,200
Speaker 6: in like regular life.

2658
01:46:04,600 --> 01:46:07,599
Speaker 3: I can't at your video team was like, fuck you, Patty,

2659
01:46:07,880 --> 01:46:09,280
Speaker 3: We're not doing no more of those.

2660
01:46:09,400 --> 01:46:11,040
Speaker 4: I can feel like Will just feeling, Hey, it's me,

2661
01:46:11,080 --> 01:46:15,719
Speaker 4: all right, it's Wednesday. Let me make it a shoutouts anyway,

2662
01:46:15,800 --> 01:46:18,320
Speaker 4: going to the bus now like you times the other

2663
01:46:18,360 --> 01:46:20,280
Speaker 4: day with the boys, right, you said what you've logged

2664
01:46:20,320 --> 01:46:21,160
Speaker 4: the other day with the boys?

2665
01:46:21,240 --> 01:46:21,679
Speaker 1: Right, y'all?

2666
01:46:21,680 --> 01:46:22,920
Speaker 3: Golfing and ship No.

2667
01:46:23,000 --> 01:46:25,200
Speaker 5: I just posted it on my story. We should have

2668
01:46:25,240 --> 01:46:27,280
Speaker 5: had it. Yeah, we should be doing that. Man, you're

2669
01:46:27,280 --> 01:46:28,160
Speaker 5: missing the mark.

2670
01:46:28,640 --> 01:46:33,599
Speaker 3: I know that ship would have been dope, definitely with it.

2671
01:46:33,760 --> 01:46:37,080
Speaker 6: Yeah, man, I think that ship is fucking great, so genuine,

2672
01:46:37,400 --> 01:46:40,080
Speaker 6: and it's like it's like the people like listen, man,

2673
01:46:40,120 --> 01:46:43,200
Speaker 6: it's personal, Like this is personal because y'all like are

2674
01:46:43,200 --> 01:46:46,000
Speaker 6: really open, but it's like that ship is totally different.

2675
01:46:46,200 --> 01:46:49,600
Speaker 6: When I seen you out there tinkering with the fucking generator,

2676
01:46:50,120 --> 01:46:51,200
Speaker 6: I almost pissed myself.

2677
01:46:51,320 --> 01:46:53,720
Speaker 4: He probably did that two times. They made Jack do it, yeah,

2678
01:46:53,720 --> 01:46:55,880
Speaker 4: but it was it was like jacking.

2679
01:46:56,160 --> 01:46:58,680
Speaker 6: But it was just funny, like Heroes is fucking these

2680
01:46:58,720 --> 01:47:03,080
Speaker 6: two professional athletes like.

2681
01:47:01,640 --> 01:47:03,320
Speaker 3: Like a ship and the hood. I wasn't. I watched

2682
01:47:04,200 --> 01:47:06,080
Speaker 3: you and I watched the same video laugh.

2683
01:47:06,000 --> 01:47:08,880
Speaker 6: And they're like trying to fucking start a generator. Yeah,

2684
01:47:08,960 --> 01:47:10,519
Speaker 6: And I'd been here by then, so I was like,

2685
01:47:10,520 --> 01:47:12,479
Speaker 6: I've been there before. They really do have a generator.

2686
01:47:15,479 --> 01:47:15,960
Speaker 1: It was funny.

2687
01:47:15,960 --> 01:47:18,080
Speaker 6: When I sat down earlier, they were like, I was like, yo, man,

2688
01:47:18,120 --> 01:47:20,040
Speaker 6: you think the seats big guy friendly? He was like,

2689
01:47:20,080 --> 01:47:22,000
Speaker 6: maybe not the bus, but the seat for sure.

2690
01:47:22,160 --> 01:47:22,400
Speaker 3: Yeah.

2691
01:47:22,439 --> 01:47:25,360
Speaker 4: He was like, this bus is once sneeze away from

2692
01:47:25,640 --> 01:47:27,640
Speaker 4: going Oh no, for sure, but we love it.

2693
01:47:27,920 --> 01:47:29,800
Speaker 3: We love it. Ud I just wish I brought you

2694
01:47:29,840 --> 01:47:32,000
Speaker 3: all a sticker. I brought you a record.

2695
01:47:32,200 --> 01:47:33,120
Speaker 1: You put the record up.

2696
01:47:33,200 --> 01:47:35,040
Speaker 4: Here's the best here's the best thing about not bringing

2697
01:47:35,040 --> 01:47:37,360
Speaker 4: something this time is we live in the same city. Yeah,

2698
01:47:37,400 --> 01:47:40,040
Speaker 4: you have Will's number, and if you'd like to ask nicely,

2699
01:47:40,080 --> 01:47:40,840
Speaker 4: you can have mine too.

2700
01:47:41,000 --> 01:47:46,640
Speaker 1: Oh yes, listen, thank you very welcome, police, sir. I

2701
01:47:46,680 --> 01:47:48,680
Speaker 1: love the dig down Dallas stickers, probably.

2702
01:47:48,640 --> 01:47:51,680
Speaker 5: Saying one of the pickens and then send us a

2703
01:47:51,680 --> 01:47:53,480
Speaker 5: bunch of stickers.

2704
01:47:54,000 --> 01:47:56,680
Speaker 3: Three more. Yeah, tag team in Tennessee's right back.

2705
01:47:56,760 --> 01:47:59,920
Speaker 6: Yeah, yeah, No, dude, that dude and figured it out.

2706
01:48:00,400 --> 01:48:04,519
Speaker 6: He released that record independently for him. Mah, we smile.

2707
01:48:04,720 --> 01:48:07,640
Speaker 1: Yeah, you have no clue. I know how implications of that.

2708
01:48:07,720 --> 01:48:11,280
Speaker 1: So I'm like that motherfucker go you motherfucker makes some money.

2709
01:48:11,520 --> 01:48:13,920
Speaker 6: Yes, baby, he deserved it instead of making somebody else

2710
01:48:13,920 --> 01:48:16,200
Speaker 6: in mind that don't need it. Let him get it, dude,

2711
01:48:16,240 --> 01:48:18,680
Speaker 6: see him sell out Marathon was like, dude, I just

2712
01:48:18,800 --> 01:48:22,560
Speaker 6: watched you sing that song at Live Oak on the Mumbren.

2713
01:48:22,240 --> 01:48:24,960
Speaker 1: Street for like seventy five people a month and a

2714
01:48:24,960 --> 01:48:27,479
Speaker 1: half ago, and it's kind of like that fast you're

2715
01:48:27,479 --> 01:48:32,120
Speaker 1: selling out Marathon dude, he was, do you know what

2716
01:48:32,160 --> 01:48:33,320
Speaker 1: I tell people? You know this?

2717
01:48:33,400 --> 01:48:33,639
Speaker 3: Then?

2718
01:48:33,760 --> 01:48:37,000
Speaker 6: That song was a big song in Nashville, like before

2719
01:48:37,040 --> 01:48:39,559
Speaker 6: they recorded and put it out, like the song was popping.

2720
01:48:40,080 --> 01:48:43,160
Speaker 6: People loved and they thought it was hilarious, like like

2721
01:48:43,240 --> 01:48:46,920
Speaker 6: they requested on Like it's like they played Dick down

2722
01:48:46,960 --> 01:48:49,160
Speaker 6: in Dallas and the song wasn't even out. That's how

2723
01:48:49,160 --> 01:48:50,439
Speaker 6: you know you've got a big record.

2724
01:48:51,120 --> 01:48:52,840
Speaker 3: That's killer, That's a great song.

2725
01:48:52,840 --> 01:48:54,479
Speaker 4: I remember doing the pot and the guy's being like,

2726
01:48:54,600 --> 01:48:57,640
Speaker 4: this song is number one right now and country music, and.

2727
01:48:57,640 --> 01:48:59,000
Speaker 3: We played it. I was like, that's the funniest shit

2728
01:48:59,040 --> 01:48:59,519
Speaker 3: I've ever heard.

2729
01:49:00,200 --> 01:49:01,000
Speaker 1: It was so good.

2730
01:49:01,080 --> 01:49:02,920
Speaker 4: I'm on the streets like that, you know what I'm saying,

2731
01:49:03,439 --> 01:49:06,360
Speaker 4: bumbering all the time. But I liked it when I

2732
01:49:06,360 --> 01:49:06,600
Speaker 4: heard it.

2733
01:49:06,800 --> 01:49:09,880
Speaker 1: Yeah, yeah, I just because where we record as right

2734
01:49:09,880 --> 01:49:11,599
Speaker 1: down the streets, so it's always where we go get

2735
01:49:11,600 --> 01:49:12,920
Speaker 1: our lunch hit.

2736
01:49:15,760 --> 01:49:16,839
Speaker 3: Are you still on clubhouse?

2737
01:49:17,400 --> 01:49:17,439
Speaker 4: No?

2738
01:49:17,760 --> 01:49:19,760
Speaker 3: A little bit, I'm on there. It's like it's kind

2739
01:49:19,760 --> 01:49:20,400
Speaker 3: of phased out.

2740
01:49:20,400 --> 01:49:21,040
Speaker 1: It was as quick.

2741
01:49:21,360 --> 01:49:22,839
Speaker 3: Yeah, I was thinking it probably face.

2742
01:49:22,680 --> 01:49:24,559
Speaker 1: While it was there. I definitely rode that pony as

2743
01:49:24,600 --> 01:49:25,320
Speaker 1: far as I could.

2744
01:49:26,080 --> 01:49:28,920
Speaker 5: I got on there that one times you yo, hey,

2745
01:49:29,040 --> 01:49:33,280
Speaker 5: talk about casual Tuesday. It was probably like ten at

2746
01:49:33,360 --> 01:49:37,280
Speaker 5: night and I'm in my bed and I, uh, somebody

2747
01:49:37,280 --> 01:49:39,720
Speaker 5: had invited me, like send me a clubhouse link. So

2748
01:49:39,720 --> 01:49:42,280
Speaker 5: I click on it. It talks about like making the profile,

2749
01:49:42,280 --> 01:49:44,599
Speaker 5: and I hit yes and stuff, and so I'm sitting

2750
01:49:44,640 --> 01:49:46,479
Speaker 5: on clubhouse. I'm like, let's see what this is about.

2751
01:49:46,960 --> 01:49:49,200
Speaker 5: So I get on clubhouse and I'm in this room.

2752
01:49:49,840 --> 01:49:54,240
Speaker 5: It says welcome well the clubhouse, and there's people in it.

2753
01:49:54,320 --> 01:49:57,640
Speaker 5: Jelly rolls one of them. He starts like, welcome me

2754
01:49:57,720 --> 01:50:01,760
Speaker 5: to clubhouse. And I'm just sitting there frozen, frozen. You're like,

2755
01:50:01,840 --> 01:50:04,120
Speaker 5: I don't want to take it like this, yeah, and

2756
01:50:04,200 --> 01:50:05,960
Speaker 5: I don't want to talk on this thing. But it

2757
01:50:06,040 --> 01:50:08,400
Speaker 5: was like for me to talk on oh, and that

2758
01:50:08,520 --> 01:50:10,240
Speaker 5: was when I first got introduced the clubhouse.

2759
01:50:11,560 --> 01:50:14,240
Speaker 3: Yeah, and Jelly hits me. Yeah, Jelly hits me.

2760
01:50:14,400 --> 01:50:16,160
Speaker 5: He's you know, you're supposed to talk on these things

2761
01:50:16,520 --> 01:50:19,479
Speaker 5: because it's him and these just different guys, like from

2762
01:50:19,520 --> 01:50:21,919
Speaker 5: different parts of the country just talking about me. Basically,

2763
01:50:22,360 --> 01:50:24,720
Speaker 5: I call you know, you do good at this, and hey,

2764
01:50:24,720 --> 01:50:27,040
Speaker 5: will you're gonna you know, you're gonna say something like

2765
01:50:27,080 --> 01:50:28,160
Speaker 5: we're just trying to say what's up?

2766
01:50:28,200 --> 01:50:29,320
Speaker 3: And I'm just.

2767
01:50:29,280 --> 01:50:31,559
Speaker 6: Sitting there like listening, and I was like, I'm gonna

2768
01:50:31,600 --> 01:50:33,880
Speaker 6: leave there, like seven strangers at no will.

2769
01:50:35,400 --> 01:50:40,840
Speaker 1: Talking is having is welcome to clubhouse? Boom hey, Just

2770
01:50:40,960 --> 01:50:42,120
Speaker 1: like what do you text him?

2771
01:50:42,160 --> 01:50:42,240
Speaker 3: Like?

2772
01:50:42,560 --> 01:50:43,519
Speaker 1: Do you know what you're doing?

2773
01:50:44,520 --> 01:50:46,280
Speaker 6: Like you know you're supposed to like talk on this

2774
01:50:47,240 --> 01:50:49,679
Speaker 6: is like you're coming out party, yeah, and we're supposed

2775
01:50:49,680 --> 01:50:51,160
Speaker 6: to explain to you how to use the app. You

2776
01:50:51,160 --> 01:50:53,840
Speaker 6: would crush on that app. I still get on. I

2777
01:50:53,880 --> 01:50:56,120
Speaker 6: met like the publishers company wind Up Hired and I

2778
01:50:56,120 --> 01:50:57,160
Speaker 6: met one of their people on there.

2779
01:50:57,800 --> 01:50:58,760
Speaker 1: I met a bunch of people.

2780
01:50:58,800 --> 01:51:01,080
Speaker 5: It seemed like that little part that those you know,

2781
01:51:01,120 --> 01:51:03,160
Speaker 5: those few weeks, like people were really hot on it,

2782
01:51:03,520 --> 01:51:05,120
Speaker 5: like you can get in some good like groups and

2783
01:51:05,160 --> 01:51:06,080
Speaker 5: just kind of listening.

2784
01:51:05,800 --> 01:51:08,760
Speaker 3: To they come down. They're finn to open her up.

2785
01:51:09,600 --> 01:51:12,040
Speaker 4: They're finn to open her up, baby, tameless baby.

2786
01:51:12,120 --> 01:51:12,320
Speaker 1: Yeah.

2787
01:51:13,560 --> 01:51:16,120
Speaker 6: So what's happening is people are getting away from the

2788
01:51:16,200 --> 01:51:17,920
Speaker 6: phones and they're ready to open her up again.

2789
01:51:19,360 --> 01:51:21,880
Speaker 1: Song the world is shifting Dog, We're gonna open her

2790
01:51:21,960 --> 01:51:23,479
Speaker 1: up baby. It's happening right now.

2791
01:51:23,560 --> 01:51:26,040
Speaker 6: We're opening her up and the people are getting away

2792
01:51:26,040 --> 01:51:27,160
Speaker 6: from all that stuff you know.

2793
01:51:27,320 --> 01:51:30,080
Speaker 3: Oh yeah, go check out the song. It's Wednesday. Go

2794
01:51:30,200 --> 01:51:30,760
Speaker 3: right after this.

2795
01:51:30,720 --> 01:51:35,240
Speaker 4: Episode where he releases Tomorroway, it releases tomorrow.

2796
01:51:35,320 --> 01:51:37,599
Speaker 3: But when we're got Wednesday, people are watching us in the.

2797
01:51:37,520 --> 01:51:40,160
Speaker 4: Premiere finish up.

2798
01:51:40,400 --> 01:51:43,600
Speaker 3: Go check out my man's song. Stories are busting with

2799
01:51:43,640 --> 01:51:44,800
Speaker 3: the boys. Story will post it.

2800
01:51:45,520 --> 01:51:50,000
Speaker 1: Jelly Roll Andrew Sholes open her up, baby, it is time.

2801
01:51:50,560 --> 01:51:57,719
Speaker 3: Hey hey, Jelly, appreciate you coming on. Boss. You guys

2802
01:51:57,920 --> 01:51:58,519
Speaker 3: know what to do.

2803
01:51:58,840 --> 01:52:01,360
Speaker 5: Subscribe if I started, leave the comments, drop all the

2804
01:52:01,400 --> 01:52:02,360
Speaker 5: fun little comments.

2805
01:52:02,720 --> 01:52:05,840
Speaker 3: Tie like father Lauwana asks you tie, do your tithing.

2806
01:52:05,920 --> 01:52:08,880
Speaker 5: Go to our merch store, Barstool Sports, find our brand,

2807
01:52:08,880 --> 01:52:10,960
Speaker 5: bustle with the boys, and buy up the merchant.

2808
01:52:10,640 --> 01:52:13,120
Speaker 1: Tithe Shout out to the whiskey jam Hat battle Way.

2809
01:52:13,280 --> 01:52:13,960
Speaker 3: Thank you very much.

2810
01:52:13,960 --> 01:52:16,800
Speaker 6: It's a solid before the boys had I've seen one

2811
01:52:16,840 --> 01:52:17,639
Speaker 6: but didn't want to steal.

2812
01:52:17,840 --> 01:52:20,599
Speaker 4: Yeah, absolutely, probably one of ours.

2813
01:52:20,720 --> 01:52:22,320
Speaker 3: Yeah, sweated.

2814
01:52:24,960 --> 01:52:25,320
Speaker 4: Lyrics.

2815
01:52:25,360 --> 01:52:28,720
Speaker 3: Now it's yours. Yes, because we read our comments. We

2816
01:52:28,760 --> 01:52:30,080
Speaker 3: had to cover something up back there.

2817
01:52:30,280 --> 01:52:33,040
Speaker 6: Yeah, so shout out, shout out, because that's the only

2818
01:52:33,040 --> 01:52:35,479
Speaker 6: thing y'all say that's not just chubby clothes is the

2819
01:52:35,520 --> 01:52:39,640
Speaker 6: slides and we can give us out y'all slides.

2820
01:52:39,320 --> 01:52:42,000
Speaker 1: Sold out, really do? They sold out like Aretha Franklin.

2821
01:52:42,240 --> 01:52:44,240
Speaker 4: You just we had a couple of things coming on

2822
01:52:44,240 --> 01:52:46,639
Speaker 4: the horizon that are going to be like this fit.

2823
01:52:49,240 --> 01:52:51,160
Speaker 3: You're gonna yeah.

2824
01:52:51,240 --> 01:52:53,240
Speaker 1: Yeah, and let's go in on Patty because Chub.

2825
01:52:53,280 --> 01:52:56,479
Speaker 3: Don't get me, don't worry about it.

2826
01:52:56,920 --> 01:52:57,080
Speaker 5: Yeah.

2827
01:52:57,960 --> 01:53:00,200
Speaker 6: On and off the field, man, this is pretty Get

2828
01:53:00,200 --> 01:53:02,240
Speaker 6: your brother great, we'll talk about yeah.

2829
01:53:02,280 --> 01:53:03,439
Speaker 4: Yeah, he's doing great though.

2830
01:53:03,520 --> 01:53:05,160
Speaker 1: Yeah, love you brother, thank you, Love you to bro.

2831
01:53:05,479 --> 01:53:05,559
Speaker 5: Bro.

2832
01:53:05,640 --> 01:53:07,559
Speaker 3: We just love love you to each other too.