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Speaker 1: I am all in. Oh, let's just I am all

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Speaker 1: in with Scott Patterson and I heart radio podcast. Everybody,

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Speaker 1: Scott Patterson, I Am all in Podcast? They shoot Gilmore's

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Speaker 1: Don't Say Season three, Episode seven. Jesus, what can I

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Speaker 1: say about this? Air date November twelve, two thousand and two. Danielle,

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Speaker 1: I guess take us um well, let me introduce the

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Speaker 1: ball Club Tara s Hello, Amy Sugarman, Daniel Romo, thanks

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Speaker 1: for joining everybody. Yes, explain why I look crazy? Why

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Speaker 1: you look what crazy? Internet? Yeah, I'm in my bed

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Speaker 1: because I'm in Lake Tahoe and there's an animal living

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Speaker 1: in my house upstairs. There's animals living in your house upstairs?

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Speaker 1: What kind of animal? So I can't go upstairs where

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Speaker 1: this would look normal, so I had to. I'm crisscross

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Speaker 1: Apple sauce in the bed because it was the only

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Speaker 1: place I could get the computer and the microphone. So

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Speaker 1: this is not the first time there's been an animal

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Speaker 1: living in the room upstairs, the second time because one

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Speaker 1: time I was in Tahoe went to bed. I was

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Speaker 1: so happy to be here and realized I slept all

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Speaker 1: night with a dead squirrel in the bed with so

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Speaker 1: the squirrel. A new squirrel is back. I'm living upstairs,

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Speaker 1: So I apologize in advance. So when so when somebody

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Speaker 1: advised you to buy home where you could be closer

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Speaker 1: to nature, how do you feel about that advice? Now,

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Speaker 1: it's so you're not saying you're actually crazy. You know,

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Speaker 1: bats in the belfry. It's not like another metaphor for

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Speaker 1: bats in the bell for you actually do have owls

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Speaker 1: in your attic. Yesh got you have a squirrel in

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Speaker 1: the loft up there, and we've had bears in the house.

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Speaker 1: So it's like you've had bears in your house. Sleep

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Speaker 1: all night because I could hear the thing. I could

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Speaker 1: hear the animal, and I was like panicking. So anyway,

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Speaker 1: enough about that. I apologize in advance because this is

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Speaker 1: like the most important episode of all times. So I

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Speaker 1: will zip it. Danielle take us away after that? I mean,

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Speaker 1: how are we going to top that? I'll take it

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Speaker 1: away with the synopsis determined to When the annual Stars

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Speaker 1: Hollow twenty four our dance marathon, Lower Life forces Rory

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Speaker 1: to be her partner. Well, everyone in town dances around them.

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Speaker 1: Rory and Jess can't seem to stop arguing with each other,

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Speaker 1: a fact that is not lost on Dean Dundone. Lane

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Speaker 1: and Bears are both surprised when the boys they like

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Speaker 1: dropped by to see you. Okay. First of all, Kenny

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Speaker 1: Ortega directed to Sammy Sherman Palladino wrote this episode, I

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Speaker 1: gotta tell you something, This may have been the best

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Speaker 1: hour of television I have ever seen ever in my

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Speaker 1: entire You know, I'm still relatively young, and I know

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Speaker 1: there's a lot more living to do and a lot

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Speaker 1: more TV to say, but it was it was like

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Speaker 1: a movie. Well it was just when you think that

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Speaker 1: one set piece was funnier or slicker or cooler than

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Speaker 1: the next, then something else happens it's even better. I mean,

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Speaker 1: it was just literally the best episode of Gilmore that

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Speaker 1: I've seen, and I don't think there are any shows

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Speaker 1: that can top what Gilmore does. When it's firing on

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Speaker 1: all cylinders. This thing was firing not only on all cylinders.

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Speaker 1: They had to have cylinder people come in and install

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Speaker 1: new cylinders. The old the old garage was filled with

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Speaker 1: let's put some new ones in just to keep up

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Speaker 1: with the pace. I mean, it was fantastic. Doesn't know

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Speaker 1: Kenny Ortega did high school music, which you can tell yes, yes,

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Speaker 1: you can really wear you put the camera. How it

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Speaker 1: was choreographed, it was brilliant, absolutely brilliant. And he's a

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Speaker 1: big you know, he's a big dance guy, big choreographer

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Speaker 1: Kenny as well as a brilliant director, and it was just,

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Speaker 1: you know, all of these elements coming together. I gotta say,

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Speaker 1: right off the bat, you know, I know we're not

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Speaker 1: there yet, but my favorite line that made me just

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Speaker 1: blurt out laughing out loud, got topped and I want

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Speaker 1: to save everything, but it kept getting topped and topped

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Speaker 1: and topped, and I thought, you know, I thought it

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Speaker 1: was the best. I'm Paris had some great best lines.

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Speaker 1: And then David Galci comes in does that smooth cool

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Speaker 1: scene which was beyond genius, right, was beyond genius. Was

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Speaker 1: how good was that? I mean, he just he was

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Speaker 1: He's that guy, He's that guy that in high school

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Speaker 1: that's just so smart and cool, just works your parents

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Speaker 1: and just gets him to fall in love. Well he

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Speaker 1: gets what he wants. I mean, it was just so great.

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Speaker 1: I feel there's so much of Adam Brody in that,

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Speaker 1: bringing so much brilliance to that character because it's him,

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Speaker 1: that's him. Yeah, I can see him have having done

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Speaker 1: that in his youth, which probably wasn't you know, too

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Speaker 1: far prior to uh him filming that actual episode. But

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Speaker 1: he's such a highlight to Gilmore Girls, and I'm convinced

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Speaker 1: he would have become like forever on the show if

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Speaker 1: the if the O C hadn't come along, he wasn't

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Speaker 1: gonna stick around. Yeah he was, no, I remember him

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Speaker 1: on set. It's like, all of these guys are there.

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Speaker 1: They're too smart, their agents are too smart too, sort

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Speaker 1: of keeping them pinned down to that show for longer

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Speaker 1: than a year or two because they knew that that

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Speaker 1: was a great launch pad for them, you know. And

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Speaker 1: they're young guys and they wanted all and they all

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Speaker 1: have you know, they all had a shot to do it,

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Speaker 1: and they all did it right. They all launched into

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Speaker 1: the stratosphere pretty much. Um, yes, and it really is right.

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Speaker 1: But what a funny like like the Shane's line, who

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Speaker 1: you Bobby Brady get a life? Brilliant just brilliant stuff,

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Speaker 1: brilliant stuff. I'm over the moon about this. I mean literally,

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Speaker 1: this was a perfect episode for me, just perfect. This

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Speaker 1: is my favorite episodes since Brace Bridge Dinner. That was

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Speaker 1: the last one that had me like this. I'm like,

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Speaker 1: oh God, it's so good for us, don't don't you

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Speaker 1: think this is one of the most iconic episodes of

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Speaker 1: the whole series. Yeah, I think it's like in the

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Speaker 1: top three most memorable Gilmore Girls episode. Yeah, right, because

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Speaker 1: you've seen the whole thing. You've seen it multiple times, right, yeah, yeah,

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Speaker 1: So my number one hasn't come up yet, but when

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Speaker 1: we get there, all you know, so far this this

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Speaker 1: is my number one. So far, I'll never I know

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Speaker 1: we're jumping to the end, but I'll it's forever. I

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Speaker 1: remember the line and I won't get it exactly right.

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Speaker 1: But when Jess says I gotta go do something right, yeah,

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Speaker 1: because I wrote that and he resonated the first time

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Speaker 1: I saw it. And I've seen this episode five times probably,

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Speaker 1: and you're like, oh my god, because you know exactly

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Speaker 1: what he's going to do, and don't I wrote it

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Speaker 1: down and I said, what is he going to do?

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Speaker 1: Is going to go up Shane? He was going to

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Speaker 1: go dump Shane. He's going to break up with Oh

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Speaker 1: I got that far, Like, I was like, oh, he's

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Speaker 1: going going to do that, But I obviously don't know

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Speaker 1: what happens, so I'm like, is it just that or

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Speaker 1: is he doing something else? Giving her he's he's going

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Speaker 1: to come back with a rickshaw. I made this for you.

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Speaker 1: He waits until she says he was right, and then

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Speaker 1: just kind of, you know, hems and haws for a second,

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Speaker 1: and then he says no, he was right, and he's like,

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Speaker 1: are you over? Like are you over? And she's like

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Speaker 1: we're yes. And then he's like, I gotta go do

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Speaker 1: something because he's not an ass. He's going to go

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Speaker 1: break up with Shane so that he can do this

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Speaker 1: right with Rory. And I made that confirmation from her too,

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Speaker 1: like in her words, like yes, it's done right. Yeah.

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Speaker 1: I was so proud of Dean. I was so proud

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Speaker 1: of Dean. I stood up and when you go girl,

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Speaker 1: I mean you go boy, you go boy. I had

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Speaker 1: the same thought as used gout. I was like, finally, Dean,

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Speaker 1: I'm so happy you did that. Like and I didn't

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Speaker 1: care that I was in front of the whole the

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Speaker 1: whole dance marathon. I'm like, you know what, yeah, you

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Speaker 1: you go, you do it? Yeah, just end it. Just

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Speaker 1: walk away because it was so awkward. When they were

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Speaker 1: getting the sandwiches and then so it was like, how

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Speaker 1: are you dealing with this? How Dean was getting irritated,

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Speaker 1: but it was like, oh my gosh, this is getting

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Speaker 1: bad now. He really like sitting in the front row

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Speaker 1: watching wall. Shane's like so not interested, but he's like

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Speaker 1: sitting up right just watching their every move. Right, So

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Speaker 1: here's the question. Why isn't Dean dancing with Rory? Was

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Speaker 1: he just qualified because they didn't register and they didn't

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Speaker 1: They couldn't. They wanted to dance. They wanted just to watch.

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Speaker 1: They wanted to watch Laurel. I was so desperate to dance.

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Speaker 1: Laurel is one that wanted to partner. Was Rory needing

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Speaker 1: a partner and they never wanted to dance. Having this

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Speaker 1: weird it was like Laura Line having this weird fixation

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Speaker 1: with a big trophy, like her competitive nature coming out. Okay,

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Speaker 1: you guys, before we get off the rails, we've got

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Speaker 1: to go back to the beginning of the episode. So, Scott,

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Speaker 1: did you notice at the beginning of the episode it

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Speaker 1: started like no other episode ever, with the voiceover essentially

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Speaker 1: the two of you while the camera panned the town. Yes,

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Speaker 1: still Halloween. Yes, can't get away from Halloween. Hey man,

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Speaker 1: you gotta milk it right. That was so that was

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Speaker 1: such a new opening and I loved it, but it

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Speaker 1: threw you for a minute because you're like, wait, I

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Speaker 1: hear them, but I don't see that. The voices, the

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Speaker 1: most two most important voices in the whole show, going

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Speaker 1: back and forth to establish to establish a tableau. Yeah, yeah,

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Speaker 1: I thought the Actually that opening scene was at little

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Speaker 1: clunky for me. I would have Um, I don't know.

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Speaker 1: I wanted it to be better. I wanted the timing

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Speaker 1: to be better. I wanted it to be funnier. I

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Speaker 1: wanted there was just something about it for me that

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Speaker 1: was a little off. But as soon as you get

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Speaker 1: past the intro and the great Carol King song, and

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Speaker 1: then it's just aft of the races. I mean, it

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Speaker 1: was just like NonStop. Um yeah you know that. It's look,

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Speaker 1: why not take advantage of that beautiful set in the

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Speaker 1: beautiful town and all the beautiful decorations. Yea sweeping shot

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Speaker 1: show it. He must be he's a brilliant director, because

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Speaker 1: that isn't so challenging what he did. That is everyone

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Speaker 1: in their right places. I mean, I think there were

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Speaker 1: cars going and all kinds of things, cameras just sweeping

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Speaker 1: through the town. That was such a good crew. I

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Speaker 1: mean from top to bottom. All the communication was just

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Speaker 1: you know, spot on, and that's what it takes, and

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Speaker 1: your rehearsal rehearse to rehearse, and then all of a

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Speaker 1: sudden you get that kind of brilliance, that kind of perfection. Um. Yeah,

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Speaker 1: so great crew. Menu at Luke's. Did anyone notice to

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Speaker 1: me that menu look new? But I could be crazy.

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Speaker 1: I don't know. I do have one thing I have

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Speaker 1: to bring up, though, You guys, you have to go

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Speaker 1: back and rewatch this. It was so bad. Do you

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Speaker 1: know what I'm gonna talk. I'm gonna already watch this

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Speaker 1: episode again and again. I had to watch it this

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Speaker 1: morning because I got in late and I couldn't see

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Speaker 1: it last night, and I was just like, damn, I

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Speaker 1: could have seen it a second time this morning. Yeah,

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Speaker 1: but there is something in the opening scene, especially considering

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Speaker 1: that now I am a background actor connoisseur. I've noticed

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Speaker 1: it two and we will get to that. Okay, So

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Speaker 1: you want me to hold on it, don't you don't?

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Speaker 1: Don't you usurp me? Do it? You got it. Don't

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Speaker 1: do it, sir, You've got what is it? What is it?

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Speaker 1: It might be something, yeah, it might be something different. Okay,

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Speaker 1: So there is a red haired woman. Do you know

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Speaker 1: who I'm talking about? Yes, that was explained that to me. No,

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Speaker 1: you go ahead, No, it's your you go ahead, you

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Speaker 1: got you have to explain. Maybe there was a reason

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Speaker 1: they told her because they maybe they didn't think they

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Speaker 1: were going to use that show. I mean, she stirred

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Speaker 1: and stirred and stirred for for so long that it

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Speaker 1: was awkward, like it was like something's wrong, and I

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Speaker 1: keep my eyes are going to her as opposed to

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Speaker 1: you and Taylor. It was like, take a bite, girl,

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Speaker 1: what's going on? Yeah? Actually, did Taylor say f you

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Speaker 1: to me? What did you say? Fump you? What did

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Speaker 1: he say? Did he say that? Seriously? Walked in and

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Speaker 1: I said, he goes, no, not you know I want

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Speaker 1: and then he goes, oh, look, pump you or something

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Speaker 1: like he did he did and my own diner. We

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Speaker 1: all need to rewatch. But for the Instagram, please please,

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Speaker 1: we need to freeze frame on this woman. It was Yeah,

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Speaker 1: that was one of my It's gonna be in my

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Speaker 1: my notes. It's in my list of things. There's a

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Speaker 1: couple of other things. You know, we'll get into it.

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Speaker 1: You know, he couldn't keep Jesse's collar up and then

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Speaker 1: down and then up and down and up and down

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Speaker 1: and up and down. And I will say, I'm proud

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Speaker 1: that Dean ate the pizza. I noticed that he actually

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Speaker 1: took a bite and the pizza and ate it. And

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Speaker 1: he swallowed just before his line. It was perfect, right,

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Speaker 1: I committed. It's like he actually ate it. All right, Well, okay,

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Speaker 1: so we go. Then I'm it's still debatable if we

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Speaker 1: go in order and we jump around, so we're just

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Speaker 1: gonna like do what we want. But they go to

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Speaker 1: Friday Night dinner, which I thought was hilarious about the chicken,

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Speaker 1: and then Lorela once made the peace talk and Emily's like,

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Speaker 1: what's going on? And all she wants is this partner,

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Speaker 1: and then the whole drama was Stanley and families Yeah,

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Speaker 1: and Emily turning into Luke saying, no cell phones at

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Speaker 1: my dinner, Like Luke says, no, you know, same deal,

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Speaker 1: same deal. You can tell that cell phones are getting

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Speaker 1: more and more custom everyone has one, getting more and

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Speaker 1: and and everybody aware of how annoying they are. And

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Speaker 1: so we go from Friday night dinner to Chilton, which

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Speaker 1: immediately I was like, why are they making out? Did

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Speaker 1: you guys notice that? Yeah? Yeah, and she says time time.

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Speaker 1: This is a very good episode for Paris. I have

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Speaker 1: to give it to her. It was very very she

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Speaker 1: was very funny. It's very very good. And how adorable

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Speaker 1: is Jamie? Right? Yeah? But you know it was when

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Speaker 1: he wouldn't let go over hand, he said, it was

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Speaker 1: almost like he was lording over her about what a

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Speaker 1: prize he was, and that he's decided because he couldn't

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Speaker 1: get his mind off her, that he's now available to her.

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Speaker 1: It's like, I just thought, dude, get over yourself. It

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Speaker 1: was arrogant. I thought there was. There was one part

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Speaker 1: where I went, WHOA, someone's in love with themselves. See

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Speaker 1: that to me? What I So, I've decided to grace

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Speaker 1: you with my presence here, and yes, I like you.

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Speaker 1: Now It's like, dude, what do you? What? What for me?

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Speaker 1: That's what makes him so charming, Like he really crushes

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Speaker 1: on her and she's so sort of insecure about it

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Speaker 1: that it's almost his like over sort of. I was

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Speaker 1: gonna say, I think she needs that because it's Paris,

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Speaker 1: Like she needs that, like to know how much he

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Speaker 1: actually wants to be with her. Yeah, for the most part,

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Speaker 1: I I felt that way too, But there was one

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Speaker 1: line that he said that sort of made me go,

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Speaker 1: you know, yeah, I mean he's cocky, but he goes

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Speaker 1: to Princeton and he's a college boy, like he kind

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Speaker 1: of has the right and he's a kind of bay delicious,

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Speaker 1: such a such a young looking fella. He's a young

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Speaker 1: looking I just love when he's like holding her hand

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Speaker 1: and says, do you need your hand and she's all,

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Speaker 1: I've got another, and then he walks away and she goes,

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Speaker 1: he he has my books, go get them, Paris, go

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Speaker 1: get I just love that Rory's rooting her onto like

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Speaker 1: she's like standing there. Just a part of it. I

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Speaker 1: just love. Also, she's so Paris. She's like a good move.

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Speaker 1: You saved us both from a lot of distractions. Back

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Speaker 1: and forth is so cute. And then she's so happy

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Speaker 1: when we come back and see her in chemistry class

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Speaker 1: and she's late for class and then she's so smitten

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Speaker 1: she slept. Was that a great pause by her teacher?

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Speaker 1: She paused a little bit and you're kidding. I'm actually

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Speaker 1: really happy. I needed to see this side of Paris

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Speaker 1: where she's just kind of a little goofy and and

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Speaker 1: lovey Debbie. I mean, she's not love you Deviie, but

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Speaker 1: you know she's like she's this guy. You know, she

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Speaker 1: was a Yeah, it was nice to see her a

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Speaker 1: little softer. Um and Madeline Louise are hysterical when they

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Speaker 1: realized that they had the free weekend. They go, what

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Speaker 1: what did you say available? Okay, they start working the room,

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Speaker 1: coming to each boy in the room, and then the

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Speaker 1: one was like I couldn't do it, and they're like,

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Speaker 1: She's like, I got two over here. We kind of

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Speaker 1: jumped around a little b which is fine. But there's

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Speaker 1: also the scene where Lane is hanging up on Dave

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Speaker 1: like they're all like to Dean, like, you don't get it.

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Speaker 1: You're a boy. Did you used to listening for girls

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Speaker 1: in the background? I know, I think I think we

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Speaker 1: all did that up on people. Well, you know, I

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Speaker 1: would went in school or junior high or high school. Yeah,

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Speaker 1: i'd call girls and hang up if I if I

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Speaker 1: was crushing on them, and I didn't, you know, I

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Speaker 1: didn't have the nerve to say hey, you know me

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Speaker 1: and lunch room when you know this, you know kind

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Speaker 1: of thing, you know, you do that kind of crazy stuff.

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Speaker 1: And there wasn't color I d so they wouldn't have no. Yeah,

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Speaker 1: I definitely used to do that. What was it? Start,

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Speaker 1: Start sixty next nine, Star six nine, call the number

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Speaker 1: and then as soon as it's like hello, hang up

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Speaker 1: and then just giggles for like two minutes straight, Star

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Speaker 1: six seven or something, then your numbers blocked. Yeah, whatever

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Speaker 1: the blocking one was, I remember I did that. A

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Speaker 1: Star six nine is the one that like, if someone

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Speaker 1: calls you, you call them right back. Let me tell

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Speaker 1: you something. I grew up in the era of the

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Speaker 1: rotary phone, okay, and then the push button phone was

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Speaker 1: the new technology and there was no such thing as

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Speaker 1: a Star sixty nine okay, So we were like we

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Speaker 1: could not be surveiled or tracked or nobody we were doing.

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Speaker 1: We were get away with murder. Uh one, wasn't it

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Speaker 1: just last week we were talking about teping. Yeah, keeping

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Speaker 1: a crank call. That was a wonderful time. Hey you

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Speaker 1: got sir Walter Rawle and a can you but a

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Speaker 1: little out refrigerator? I'm gonna catch it like those were

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Speaker 1: the old timey cranks. Wait, I will give a special

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Speaker 1: shout out though to Lane's orange sweater with the elephant

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Speaker 1: on it. Oh yeah, I loved it all right. So

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00:19:21,200 --> 00:19:25,320
Speaker 1: then Lor like convinces Rory to be your partner, and

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Speaker 1: we learn a little bit of the background about the

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Speaker 1: marathon that you know they wanted to watch it, and

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Speaker 1: that Andrew always gets in a fight, which I kind

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Speaker 1: of love that Andrew gets a shout out. He's such

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00:19:33,720 --> 00:19:38,000
Speaker 1: a like small character but yet big enough that we

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00:19:38,119 --> 00:19:41,200
Speaker 1: know who he is. But look at the dialoge, look

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00:19:41,200 --> 00:19:44,360
Speaker 1: at the dialogue he's given. You went out with Liam Neeson,

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Speaker 1: and now you decide to tell me this now here,

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Speaker 1: in this moment. You didn't need to tell him. I

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00:19:50,359 --> 00:19:52,840
Speaker 1: didn't want to know that. You know, I don't like

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Speaker 1: Liam Neeson. Kirk wins and they planned that right, and

347
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Speaker 1: they planted that Seed and Maury after one song. Alright,

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00:20:03,960 --> 00:20:10,040
Speaker 1: we're done. How amazing? Were they so good us? They

349
00:20:10,080 --> 00:20:13,600
Speaker 1: just wanted to be involved, like support that. Now we're out,

350
00:20:15,400 --> 00:20:18,159
Speaker 1: Like the episode totally moved. So we go straight from

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Speaker 1: chemistry class to Rory and lor l in there like

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Speaker 1: amazing outfits, costumes, outfits, whatever, you want to call everyone

353
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Speaker 1: the costume person. I know you always say the Scott

354
00:20:29,960 --> 00:20:35,040
Speaker 1: deserved an Emmy for this episode. For sure. Absolutely, Brenda

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Speaker 1: Maiden hit it out of the park with us. I mean,

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Speaker 1: this was it really really vibe. It's so early in

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Speaker 1: the morning and you're like, oh my god, this thing's going.

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Speaker 1: Why didn't Luke have coffee ready that early? A great question?

359
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Speaker 1: What was that? I don't know. That's a tough one

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00:20:57,400 --> 00:21:04,000
Speaker 1: bitter build a swallow drama of the four and four,

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Speaker 1: which that was a little bit sort of like ridiculous. No,

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Speaker 1: I I totally agree with him. I totally agree with him.

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Speaker 1: Don't meddle in my personal life, don't meddle in my marriage.

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Speaker 1: She was meddling. She was meddling. I don't care. No

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Speaker 1: Szuki asked up, I don't care, Suki y she Suki

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Speaker 1: was out of line to ask Laurel lie about four

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Speaker 1: and four. It's like she prefers being having drinks, so

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Speaker 1: having babies. What the family value is that chat? I

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00:21:33,600 --> 00:21:37,159
Speaker 1: think Suki shouldn't have gone back and told agree with

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Speaker 1: Utara but like yeah, Jackson, but like the girls like

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Speaker 1: to talk and it should have stayed between the two

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Speaker 1: of them. Yeah, but she actually took it. But she did.

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Speaker 1: She took the advice and she went back to Jackson says, well,

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Speaker 1: laurel I said I should only have one so I

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Speaker 1: can have a couple of drinks. I mean, it's like

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Speaker 1: what But she even admits the way she said it

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Speaker 1: was not how Laurel I said it. Like Suki completely

378
00:22:00,720 --> 00:22:04,080
Speaker 1: changed it. And that's why Jackson kind of went off

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Speaker 1: the rails because it was it did seem meddling the

380
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Speaker 1: way Suki made it sound. But Lorea is just like dude,

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Speaker 1: four and four first of all, four and four is crazy. Yeah,

382
00:22:16,680 --> 00:22:23,840
Speaker 1: four and four is waiting, four is hard. Was like

383
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Speaker 1: maybe none wed some great lines in this, by the way,

384
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Speaker 1: and we get the sweetest scene ever between Luke and

385
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Speaker 1: Loreli because of it. Oh my god, melting the right

386
00:22:35,000 --> 00:22:39,200
Speaker 1: person and they're just gazing. But they have that scene frequently.

387
00:22:39,320 --> 00:22:41,600
Speaker 1: That's that's not the first time they've had that scene.

388
00:22:42,240 --> 00:22:45,439
Speaker 1: That seems to be the classic Luke and Laurelai t scene.

389
00:22:46,560 --> 00:22:50,360
Speaker 1: They do that in in in other episodes, and I

390
00:22:50,400 --> 00:22:53,600
Speaker 1: remember doing that scene like it was almost every episode

391
00:22:53,640 --> 00:22:55,280
Speaker 1: I did a scene like that. We're sort of like

392
00:22:55,320 --> 00:22:59,159
Speaker 1: batting our eyes in everyone who wants a kid? You

393
00:22:59,200 --> 00:23:02,960
Speaker 1: know he's not kid. Yes, he wants a kid. She

394
00:23:03,200 --> 00:23:06,040
Speaker 1: she warmed to the idea. Come on, that's a that's

395
00:23:06,080 --> 00:23:08,479
Speaker 1: a serious conversation to have with a buddy, you know,

396
00:23:10,359 --> 00:23:13,639
Speaker 1: fixing my shoe there, buddy? What do I look like

397
00:23:14,359 --> 00:23:17,480
Speaker 1: my cobbler? To you? I look like a funny line.

398
00:23:17,720 --> 00:23:21,000
Speaker 1: But they're they're so together with it being together, It's

399
00:23:21,040 --> 00:23:25,040
Speaker 1: like they really are. It shows how firmly entrenched she

400
00:23:25,280 --> 00:23:28,920
Speaker 1: is in that town and she ain't leaving. She's happy there.

401
00:23:28,960 --> 00:23:32,400
Speaker 1: She's settled. That's it, And that's the guy. That's her guy.

402
00:23:32,480 --> 00:23:35,320
Speaker 1: She's not going anywhere. They're not going anywhere. Even if

403
00:23:35,359 --> 00:23:39,280
Speaker 1: Frey goes off to fame and fortune. Uh you know,

404
00:23:39,320 --> 00:23:42,200
Speaker 1: in her professional life, she's coming back to stars hullo.

405
00:23:42,320 --> 00:23:44,320
Speaker 1: She may raise a family there, who the heck knows,

406
00:23:44,400 --> 00:23:47,560
Speaker 1: But it just feels like she's firmly entrenched and that's

407
00:23:47,560 --> 00:23:52,280
Speaker 1: her choice. That's her guy. Yeah. I mean, we've also

408
00:23:52,320 --> 00:23:55,480
Speaker 1: going from deviled eggs to eggless eggs sandwiches, and I

409
00:23:55,520 --> 00:23:59,679
Speaker 1: thought was like that. It's just there's so much happening

410
00:23:59,720 --> 00:24:02,400
Speaker 1: in this episode, and each thing it just keep coming

411
00:24:02,400 --> 00:24:06,119
Speaker 1: at you perfect because without the eggless egg sandwiches and

412
00:24:06,160 --> 00:24:09,200
Speaker 1: the scooping. We wouldn't have Dave Regowski coming in doing

413
00:24:09,200 --> 00:24:12,439
Speaker 1: so much bit about the sam It's all like genius

414
00:24:13,600 --> 00:24:16,320
Speaker 1: there was to eat. One part that I really questioned

415
00:24:16,359 --> 00:24:19,760
Speaker 1: in this episode though, is when Mrs kim asked who

416
00:24:19,840 --> 00:24:26,080
Speaker 1: Jess is? Does she not know him yet? Why would she?

417
00:24:26,400 --> 00:24:27,840
Speaker 1: How would she know? I mean, I guess it's a

418
00:24:27,840 --> 00:24:31,160
Speaker 1: small town, but she must have heard something, right, She's

419
00:24:31,200 --> 00:24:33,200
Speaker 1: got her ear to the ground all the time, right,

420
00:24:33,240 --> 00:24:36,000
Speaker 1: doesn't she? She's like, who are you? And I'm like,

421
00:24:36,040 --> 00:24:38,520
Speaker 1: wait a minute, Like I had to like go back.

422
00:24:38,520 --> 00:24:40,320
Speaker 1: I'm like, how long has Jess been in this town?

423
00:24:40,400 --> 00:24:42,440
Speaker 1: Like it just took me a second to be like, right,

424
00:24:42,480 --> 00:24:44,200
Speaker 1: how would she not know that that was the guy

425
00:24:44,240 --> 00:24:47,200
Speaker 1: who crashed the car and Rory broke her arm? Or

426
00:24:47,240 --> 00:24:51,040
Speaker 1: maybe she never saw and the chalk outline in front

427
00:24:51,040 --> 00:24:53,920
Speaker 1: of doxies us to Lane School. You think there's somebody

428
00:24:53,920 --> 00:24:56,320
Speaker 1: that goes to Lane School that Mrs kimball. Maybe she

429
00:24:56,359 --> 00:24:58,800
Speaker 1: didn't see it. You know, she's a either church or

430
00:24:58,840 --> 00:25:01,720
Speaker 1: Bible study or at you stores, at her home. You know,

431
00:25:01,760 --> 00:25:05,159
Speaker 1: where's she going? But maybe she's heard of him but

432
00:25:05,240 --> 00:25:14,680
Speaker 1: has never put a phase, So maybe that's our Maybe

433
00:25:15,320 --> 00:25:21,320
Speaker 1: Scott remember if what during all this dancing is that

434
00:25:21,400 --> 00:25:26,080
Speaker 1: music live? No? No, that was that was the actual

435
00:25:26,160 --> 00:25:30,520
Speaker 1: Glenn Miller recording. But they're still dancing to silence? Or

436
00:25:30,520 --> 00:25:34,480
Speaker 1: do they get to dance to music? I think, well

437
00:25:34,520 --> 00:25:39,280
Speaker 1: not during dialogue. If there's dialogue, then there's dialogue the

438
00:25:39,320 --> 00:25:42,000
Speaker 1: whole time. Then there's no music in the background. How

439
00:25:42,000 --> 00:25:44,000
Speaker 1: do they do that? But you can't do it because

440
00:25:44,000 --> 00:25:46,040
Speaker 1: the microphone is going to pick up the music as

441
00:25:46,080 --> 00:25:52,879
Speaker 1: well's background acting. How could you dance and talk and

442
00:25:52,920 --> 00:25:55,439
Speaker 1: there's no music, And like, I don't even know how

443
00:25:55,480 --> 00:25:57,560
Speaker 1: you would do that. You just get you know, you

444
00:25:57,640 --> 00:26:00,280
Speaker 1: get the rhythm and they you know, they probably play

445
00:26:00,359 --> 00:26:02,840
Speaker 1: the song for everybody to kind of get the rhythm

446
00:26:02,880 --> 00:26:06,280
Speaker 1: to it and then they'll just keep going. I don't

447
00:26:06,320 --> 00:26:08,879
Speaker 1: think it's that hard, you know. They maybe some of

448
00:26:08,880 --> 00:26:13,600
Speaker 1: them had earphones in or earpieces, who knows, But no,

449
00:26:13,760 --> 00:26:16,639
Speaker 1: you can't play the live music while the while the

450
00:26:16,680 --> 00:26:19,359
Speaker 1: dialogue is being weak. So if there's no dialogue, then

451
00:26:19,400 --> 00:26:21,719
Speaker 1: the music could go. Like I keep thinking about thirteen

452
00:26:21,760 --> 00:26:23,800
Speaker 1: going on thirty when they're doing the Michael Jackson dance.

453
00:26:23,920 --> 00:26:29,600
Speaker 1: How could they do that with Danielle immediately knew it.

454
00:26:29,880 --> 00:26:33,280
Speaker 1: What could they do the dance without the music? The

455
00:26:33,680 --> 00:26:37,080
Speaker 1: background people knew the song that that that that that

456
00:26:37,080 --> 00:26:41,639
Speaker 1: that and and and and and and they probably like

457
00:26:41,920 --> 00:26:45,000
Speaker 1: practice with the music and then once you start rolling,

458
00:26:45,040 --> 00:26:50,399
Speaker 1: there's no music, but you got the but there no,

459
00:26:50,520 --> 00:26:53,600
Speaker 1: there's no way. It's silent when when the when the

460
00:26:53,640 --> 00:26:58,119
Speaker 1: actors are talking, when they're doing dialogue all seriousness. Do

461
00:26:58,160 --> 00:26:59,960
Speaker 1: you guys think you could do a dance marathon for

462
00:27:00,040 --> 00:27:04,200
Speaker 1: twenty four hours? No way, wouldn't be interested. I mean

463
00:27:04,240 --> 00:27:06,520
Speaker 1: for charity, I do it, sure, but I may be

464
00:27:06,640 --> 00:27:10,720
Speaker 1: interested if I had the right partner. And I think,

465
00:27:10,760 --> 00:27:12,760
Speaker 1: like how many breaks did they get? Because they showed

466
00:27:12,760 --> 00:27:15,120
Speaker 1: one break, So I just I'm curious, like what were

467
00:27:15,160 --> 00:27:17,560
Speaker 1: the rules. Didn't they get like a break an hour

468
00:27:17,720 --> 00:27:24,080
Speaker 1: or break? Every had that yellow card break, but they

469
00:27:24,119 --> 00:27:26,000
Speaker 1: also had like a break and that's when they wanted

470
00:27:26,000 --> 00:27:28,960
Speaker 1: to get Yeah, right, I thought it was like every hour,

471
00:27:29,000 --> 00:27:31,680
Speaker 1: but maybe it's every couple of hours. I don't know.

472
00:27:31,880 --> 00:27:33,560
Speaker 1: And this is the best. This is the best scene

473
00:27:33,560 --> 00:27:36,800
Speaker 1: for Taylor, best show for Taylor I've ever seen. How

474
00:27:36,840 --> 00:27:40,679
Speaker 1: great was he? And let this and it's show time.

475
00:27:41,440 --> 00:27:46,200
Speaker 1: He was so in his element. He had so much fun.

476
00:27:46,800 --> 00:27:49,800
Speaker 1: Oh my god, was he was? He a delight he was.

477
00:27:50,040 --> 00:27:52,160
Speaker 1: I wish I lived in Stars Hollow because I think

478
00:27:52,200 --> 00:27:54,560
Speaker 1: I would love to be in that. I would I

479
00:27:54,560 --> 00:27:58,040
Speaker 1: would sign up for that marathon. Like squirrels situation is

480
00:27:58,080 --> 00:28:03,960
Speaker 1: like so Stars Holliday, I'm trying so hard to be focused,

481
00:28:03,960 --> 00:28:06,600
Speaker 1: but like every five seconds, I'm hearing something and I'm

482
00:28:06,600 --> 00:28:08,640
Speaker 1: like afraid it's going to come out of the closet

483
00:28:08,800 --> 00:28:12,160
Speaker 1: because like if it gets upstairs, it gets up there somehow.

484
00:28:12,320 --> 00:28:16,200
Speaker 1: Have you called pest control? Have you called the animal control?

485
00:28:16,359 --> 00:28:21,280
Speaker 1: I mean you you can't squirrel We all know that.

486
00:28:21,280 --> 00:28:24,240
Speaker 1: That's obvious. I heard it. So I can't even show

487
00:28:24,280 --> 00:28:27,359
Speaker 1: you guys. But like this is my bed right, there's

488
00:28:27,400 --> 00:28:30,880
Speaker 1: the wall. I heard it going up the wall right,

489
00:28:30,920 --> 00:28:32,360
Speaker 1: like I can touch the wall, and I heard going

490
00:28:32,440 --> 00:28:34,160
Speaker 1: up the wall. I mean this was me all night.

491
00:28:34,840 --> 00:28:42,080
Speaker 1: So so it's inside the walls. The squirrels inside the walls. Well,

492
00:28:42,120 --> 00:28:45,400
Speaker 1: you have to call a pest control. So in a

493
00:28:45,440 --> 00:28:49,920
Speaker 1: different house in Tahoe, we had squirrels I don't even

494
00:28:49,960 --> 00:28:51,480
Speaker 1: know how they did it, that would go and get

495
00:28:51,680 --> 00:28:54,320
Speaker 1: entire rolls of toilet paper. They would come into the house,

496
00:28:55,040 --> 00:28:58,239
Speaker 1: Get entire rolls of toilet paper, take them up, and

497
00:28:58,240 --> 00:29:02,600
Speaker 1: we're building nests like squirrels are Squirrels are like I

498
00:29:02,680 --> 00:29:06,400
Speaker 1: just had a great I just had a great idea. Hey,

499
00:29:06,560 --> 00:29:09,360
Speaker 1: get the squirrel. Capture the squirrel. We'll have him on

500
00:29:09,400 --> 00:29:11,640
Speaker 1: his guest. We'll do an episode with the squirrel. What's

501
00:29:11,680 --> 00:29:16,160
Speaker 1: it like living with Amy? What's the deal? What are

502
00:29:16,240 --> 00:29:20,040
Speaker 1: her nocturnal habits? Do you think we're kind of like

503
00:29:20,040 --> 00:29:26,760
Speaker 1: a Gilmore Girls episode? Ever? Like this podcast too much technology?

504
00:29:26,920 --> 00:29:31,800
Speaker 1: You're blowing You're blowing my mind right now. I don't know. Wow. Okay,

505
00:29:31,880 --> 00:29:36,760
Speaker 1: back to the dance Marathon and other eyes persons on

506
00:29:36,760 --> 00:29:43,280
Speaker 1: the Classic and he walked through like like they walked

507
00:29:43,280 --> 00:29:45,880
Speaker 1: through like they were such a badasses, just right through

508
00:29:45,920 --> 00:29:50,840
Speaker 1: the middle. God, that was unauthorized persons on the dance.

509
00:29:51,480 --> 00:29:55,000
Speaker 1: Kirk's girl does that crazy cart wheel flip and then

510
00:29:55,920 --> 00:30:01,400
Speaker 1: let me flip you let me. I have one beef

511
00:30:01,480 --> 00:30:06,040
Speaker 1: with Lorlie at the dance marathon. You do not buy

512
00:30:06,480 --> 00:30:10,719
Speaker 1: new shoes? Yes to dance in for twenty four hours.

513
00:30:10,800 --> 00:30:14,520
Speaker 1: They were vintage born in, but only a few times

514
00:30:14,520 --> 00:30:18,080
Speaker 1: she said I no no chance in. How so why

515
00:30:18,120 --> 00:30:21,040
Speaker 1: would you dance in heels. That's not required. What about

516
00:30:21,040 --> 00:30:23,640
Speaker 1: the flats and come fee Like at that time they

517
00:30:23,680 --> 00:30:37,960
Speaker 1: had sketchers. Is sketchers for women? Why right? Why would

518
00:30:38,000 --> 00:30:42,160
Speaker 1: you not dance in sketchers? Like who's yeah, hours so

519
00:30:42,240 --> 00:30:46,120
Speaker 1: crazy or barefoot? You know, it's better than shoes. Oh

520
00:30:46,120 --> 00:30:48,479
Speaker 1: my god. You guys during the time when they had

521
00:30:48,520 --> 00:30:51,680
Speaker 1: to do the run around and like gloralized Mattock Curtneys,

522
00:30:51,840 --> 00:30:55,560
Speaker 1: I'm drafting you like it was like it was a

523
00:30:55,600 --> 00:30:59,920
Speaker 1: horse race. Yea, yeah, you know I did. Look I did.

524
00:31:00,200 --> 00:31:03,600
Speaker 1: I did a mini marathon for charity down in Malibu.

525
00:31:03,840 --> 00:31:05,720
Speaker 1: I don't know, fifteen years ago when I was drafting

526
00:31:05,720 --> 00:31:07,480
Speaker 1: the bike ride part of it, which is a couple

527
00:31:07,480 --> 00:31:11,320
Speaker 1: of whiles. The entire time I was drafting behind David Cover.

528
00:31:13,560 --> 00:31:15,400
Speaker 1: I did, and then I passed him at the very

529
00:31:15,440 --> 00:31:17,080
Speaker 1: last and he got all piste off at me. He's like,

530
00:31:17,080 --> 00:31:18,920
Speaker 1: what are you doing? You were drafting. I said, well,

531
00:31:18,960 --> 00:31:22,560
Speaker 1: that's what. So that's the responsibility of a leaders to

532
00:31:22,600 --> 00:31:25,200
Speaker 1: know somebody's going to draft. A drafting is legal, right,

533
00:31:25,240 --> 00:31:27,640
Speaker 1: You're allowed to draft. I don't think you are. Oh

534
00:31:27,680 --> 00:31:30,200
Speaker 1: it's considered like rude. I think it is. Yeah, I

535
00:31:30,280 --> 00:31:33,920
Speaker 1: think it's I think I had. I think I violated

536
00:31:33,960 --> 00:31:37,040
Speaker 1: some kind of drafting CODEY got a little pissy. I

537
00:31:37,160 --> 00:31:39,920
Speaker 1: know I was just kidding. He didn't you know that.

538
00:31:40,000 --> 00:31:42,280
Speaker 1: I have like massive love for David Dukeovany and I've

539
00:31:42,280 --> 00:31:45,400
Speaker 1: met him and I get like, I can't control myself.

540
00:31:46,760 --> 00:31:48,840
Speaker 1: We used to did one other person that does this,

541
00:31:49,720 --> 00:31:55,440
Speaker 1: who does so shocked Sean White for whatever reason, gets

542
00:31:55,480 --> 00:31:59,680
Speaker 1: amy and a tizzy. I met him, you know, I

543
00:31:59,800 --> 00:32:02,080
Speaker 1: met him at my old gym and I took a picture.

544
00:32:04,080 --> 00:32:06,680
Speaker 1: Du Coveny's in my top five. Shaan White's in my

545
00:32:06,720 --> 00:32:09,240
Speaker 1: top five. And we were with Shawn White like a

546
00:32:09,320 --> 00:32:12,520
Speaker 1: month ago. I couldn't even I can't talk to him.

547
00:32:12,520 --> 00:32:14,520
Speaker 1: I just run away. He's a great guy. He was

548
00:32:14,560 --> 00:32:20,280
Speaker 1: really friendly. He's so nice. He is nicest, sweetest, coolest

549
00:32:21,080 --> 00:32:24,400
Speaker 1: guy around. But I just get like, because I just

550
00:32:24,440 --> 00:32:28,120
Speaker 1: secretly love him. But I can chat with Ducovany, I'm

551
00:32:28,160 --> 00:32:32,400
Speaker 1: more normal about my love. Reminds me of we used

552
00:32:32,440 --> 00:32:34,040
Speaker 1: to do this. This is such a sidebar, but we

553
00:32:34,120 --> 00:32:37,239
Speaker 1: used to do this thing called the text files, So

554
00:32:37,280 --> 00:32:39,680
Speaker 1: you know the X files. We do this thing called

555
00:32:39,680 --> 00:32:42,960
Speaker 1: the text files, and we would make David Ducovney read

556
00:32:43,520 --> 00:32:47,000
Speaker 1: texts on someone's phone and give like advice for how

557
00:32:47,040 --> 00:32:52,480
Speaker 1: bad they weren't text anyway back to the Gilmore Girls.

558
00:32:52,960 --> 00:32:57,720
Speaker 1: That sounds like a monster hit concept right there. Wait,

559
00:32:57,840 --> 00:32:59,720
Speaker 1: so do we feel bad for Shane or do we

560
00:32:59,760 --> 00:33:04,880
Speaker 1: just don't care um a little? But I think she's

561
00:33:04,920 --> 00:33:08,600
Speaker 1: one of the great supporting characters of all time. I

562
00:33:08,640 --> 00:33:12,480
Speaker 1: mean she handled Look, she handled little tiny bits of

563
00:33:12,560 --> 00:33:17,200
Speaker 1: dialogue like a like, oh man, that the way she

564
00:33:17,320 --> 00:33:21,000
Speaker 1: turned that line on, It's like, who you, Bobby Brady,

565
00:33:21,360 --> 00:33:23,840
Speaker 1: get a life? She laughs at her and then just

566
00:33:24,000 --> 00:33:28,240
Speaker 1: says something. She goes whatever it was. She was perfect.

567
00:33:28,320 --> 00:33:32,360
Speaker 1: She was perfect. I agree, what about the I'm bored?

568
00:33:32,560 --> 00:33:36,000
Speaker 1: And then and then Jess goes okay, and then you

569
00:33:36,080 --> 00:33:43,560
Speaker 1: start making out line that was almost like a throwaway

570
00:33:43,600 --> 00:33:45,280
Speaker 1: line that I think is one of the best in

571
00:33:45,320 --> 00:33:47,960
Speaker 1: the whole episodes. So Suki and Jackson are having their

572
00:33:48,040 --> 00:33:51,880
Speaker 1: like crazy fight, right and lor Leon Luke are there

573
00:33:52,320 --> 00:33:55,080
Speaker 1: and they walk away and you go, they're gonna make

574
00:33:55,120 --> 00:33:59,400
Speaker 1: great parents, right, very lukey line. So many great lines.

575
00:33:59,560 --> 00:34:01,560
Speaker 1: Like the whole time, I was like, wow, he's like

576
00:34:01,640 --> 00:34:04,480
Speaker 1: just on one at this. I don't I don't know

577
00:34:04,600 --> 00:34:06,640
Speaker 1: that he I don't know if Luke Luke did have

578
00:34:06,680 --> 00:34:08,000
Speaker 1: some great lines in this. I don't know if he

579
00:34:08,040 --> 00:34:11,480
Speaker 1: achieved you know, upper tier status for this episode for

580
00:34:11,560 --> 00:34:15,839
Speaker 1: great lines. No, but he gave that comedic relief. Well

581
00:34:15,880 --> 00:34:18,240
Speaker 1: a lot of people did. No, I but I agree,

582
00:34:18,280 --> 00:34:21,040
Speaker 1: I agree, but a lot of people did. Um. Back

583
00:34:21,040 --> 00:34:24,080
Speaker 1: to Shane, I think that actress, I think that could

584
00:34:24,080 --> 00:34:27,480
Speaker 1: have been that character. That character she's playing should have

585
00:34:27,520 --> 00:34:30,600
Speaker 1: been in another series. What a great character. And she's

586
00:34:30,680 --> 00:34:34,640
Speaker 1: she's so good in it. Isn't she isn't just an impression.

587
00:34:34,719 --> 00:34:39,239
Speaker 1: She does lines, she really does say much like she

588
00:34:39,280 --> 00:34:43,960
Speaker 1: doesn't have that many lines, but just she's a presences.

589
00:34:44,600 --> 00:34:49,200
Speaker 1: She's really she really is terrific. Um gosh, I hope

590
00:34:49,239 --> 00:34:52,520
Speaker 1: she gets a break something because man, there's see that's

591
00:34:52,560 --> 00:34:55,279
Speaker 1: the thing. There are there are so many people out

592
00:34:55,280 --> 00:34:57,839
Speaker 1: there that are so talented and they're just not enough

593
00:34:57,880 --> 00:35:01,680
Speaker 1: spots for them. You know. It's like there's so many

594
00:35:01,719 --> 00:35:04,120
Speaker 1: people competing for one little role that pops up, and

595
00:35:05,960 --> 00:35:08,919
Speaker 1: it's frustrating. But she's she was great and thank god

596
00:35:08,960 --> 00:35:13,919
Speaker 1: we we we all got to see her work. Um. Anyway,

597
00:35:14,239 --> 00:35:16,279
Speaker 1: so now we're down to six couples. So we're down

598
00:35:16,280 --> 00:35:21,040
Speaker 1: to six couples. The shoe incidents happening, it's just drama.

599
00:35:21,560 --> 00:35:23,759
Speaker 1: Somebody fell and who I can't remember who says that

600
00:35:23,800 --> 00:35:32,120
Speaker 1: when someone goes that one's gone or yea, and they

601
00:35:32,120 --> 00:35:35,000
Speaker 1: were the way they were collapsing dead on the floor

602
00:35:35,760 --> 00:35:39,000
Speaker 1: really funny. So then you're fixing the shoe and we

603
00:35:39,040 --> 00:35:46,520
Speaker 1: have the sweet, sweet conversation, like I mean, if all

604
00:35:46,640 --> 00:35:48,759
Speaker 1: the things happening in this episode, and then we get

605
00:35:48,800 --> 00:35:54,640
Speaker 1: that like major sort of connection between the two of them.

606
00:35:54,800 --> 00:35:59,439
Speaker 1: Yet gotta remind the audience, Uh, you know about that?

607
00:35:59,719 --> 00:36:02,400
Speaker 1: Do we heat checked there? You know, because you know

608
00:36:02,480 --> 00:36:03,759
Speaker 1: you don't want to. You don't want it to be

609
00:36:03,800 --> 00:36:08,920
Speaker 1: buddies for too long. You don't want it to thaw out, right,

610
00:36:09,280 --> 00:36:12,520
Speaker 1: I mean you do you do want it to thaw out? Sorry, yeah, yeah,

611
00:36:12,520 --> 00:36:17,440
Speaker 1: but yeah you do. You're right that. It's like, I

612
00:36:17,440 --> 00:36:19,760
Speaker 1: don't know how to explain it. There's it's so important

613
00:36:19,800 --> 00:36:23,520
Speaker 1: that we're constantly reminded. Well, it's it's like about these two.

614
00:36:23,600 --> 00:36:26,160
Speaker 1: You know, the Rory HF storyline is taken over the series.

615
00:36:26,680 --> 00:36:30,799
Speaker 1: It's it's it's pretty much you know what, probably that

616
00:36:30,920 --> 00:36:33,160
Speaker 1: demo at that time wanted to see, which is why

617
00:36:33,200 --> 00:36:36,120
Speaker 1: they were pushing it. You know, the looking Laurel. I think, great,

618
00:36:36,200 --> 00:36:38,359
Speaker 1: that's that's all fine. You know that's gonna be there,

619
00:36:38,360 --> 00:36:41,440
Speaker 1: that's going to be long term. Uh So, I think

620
00:36:41,480 --> 00:36:44,080
Speaker 1: they just didn't know how long they were going to

621
00:36:44,160 --> 00:36:46,640
Speaker 1: have Jess because of you know, a how he looks,

622
00:36:46,640 --> 00:36:48,759
Speaker 1: how he asks, how he is. He was going to

623
00:36:48,840 --> 00:36:51,400
Speaker 1: go on to bigger and better things, and the studio

624
00:36:51,520 --> 00:36:54,960
Speaker 1: knew that. Warner Brothers knew that, except they also they

625
00:36:54,960 --> 00:36:57,759
Speaker 1: probably they probably offered him a seven year deal. They

626
00:36:57,760 --> 00:37:00,480
Speaker 1: had that spinoff pilot, so they obviously we're in the

627
00:37:00,560 --> 00:37:09,479
Speaker 1: myvent Amelia business, no question, right right right, and there

628
00:37:09,520 --> 00:37:12,719
Speaker 1: you go, there you go, there you go. Um, we'll

629
00:37:12,719 --> 00:37:16,719
Speaker 1: get so. So they probably they just wanted to maximize

630
00:37:16,800 --> 00:37:19,279
Speaker 1: him and that character while they had him, and I

631
00:37:19,320 --> 00:37:20,960
Speaker 1: think they did a great job. They did a really

632
00:37:21,000 --> 00:37:25,000
Speaker 1: great always have the consistency of Luke and Lorelei always

633
00:37:25,280 --> 00:37:29,839
Speaker 1: from moment one, always there's no rush with that. That's

634
00:37:29,920 --> 00:37:33,319
Speaker 1: just hey, and thank thank God for it because it

635
00:37:33,400 --> 00:37:36,160
Speaker 1: gave me, that gave the character longevity and me a job.

636
00:37:37,440 --> 00:37:39,520
Speaker 1: I saw a TikTok this weekend and it's like on

637
00:37:39,600 --> 00:37:41,520
Speaker 1: my for you page, so that means it's just coming

638
00:37:41,600 --> 00:37:44,360
Speaker 1: up obviously my for you page knows I like Gilmore Girls,

639
00:37:44,360 --> 00:37:47,719
Speaker 1: but and it had Luke and Lorelie. I mean, it's

640
00:37:48,080 --> 00:37:52,080
Speaker 1: twenty years later and it shows them and just says endgame.

641
00:37:52,440 --> 00:37:55,759
Speaker 1: And it's just like Luke and LORELEI are still in

642
00:37:55,840 --> 00:38:00,720
Speaker 1: the pop culture everything well always will be. And know, uh,

643
00:38:00,920 --> 00:38:06,480
Speaker 1: my assistant sent me an article, um this Weekend Entertainment

644
00:38:06,480 --> 00:38:09,360
Speaker 1: Weekly and it or maybe it was from two thousand

645
00:38:09,360 --> 00:38:10,879
Speaker 1: and four and she just found it and she sent

646
00:38:10,920 --> 00:38:12,239
Speaker 1: it to me and she goes, were you aware of this?

647
00:38:12,920 --> 00:38:15,840
Speaker 1: And they were interviews when they were according Norman Mailer

648
00:38:15,960 --> 00:38:17,919
Speaker 1: to come on the show, and how they were going

649
00:38:17,960 --> 00:38:20,239
Speaker 1: back and forth with him and Amy and how he

650
00:38:20,280 --> 00:38:22,840
Speaker 1: was going to appear. And Norman Mailer's son, who was

651
00:38:22,880 --> 00:38:26,759
Speaker 1: an actor, theater stage actor, um of some note on

652
00:38:26,800 --> 00:38:29,879
Speaker 1: these coast. I was trying to convince his dad, Hey,

653
00:38:29,960 --> 00:38:31,520
Speaker 1: you should do the show. That offered you the show.

654
00:38:31,560 --> 00:38:33,239
Speaker 1: You should do the show. So Amy sent him an

655
00:38:33,239 --> 00:38:35,640
Speaker 1: outline of the episode what the show is all about.

656
00:38:35,800 --> 00:38:38,000
Speaker 1: Norman Mailer got back to him and this is in

657
00:38:38,080 --> 00:38:40,440
Speaker 1: the e W article. I've never seen this before. I

658
00:38:40,520 --> 00:38:42,400
Speaker 1: never heard about it. There was never a headline about

659
00:38:42,440 --> 00:38:44,880
Speaker 1: it except in this one. E W thing and it

660
00:38:44,920 --> 00:38:47,319
Speaker 1: wasn't really Luke and Laurel I thing. And he said, yeah,

661
00:38:47,360 --> 00:38:50,080
Speaker 1: I like this. I like the tone of this. I

662
00:38:50,280 --> 00:38:53,200
Speaker 1: I like the Luke and Laurel I bit. So yeah,

663
00:38:53,239 --> 00:38:58,280
Speaker 1: I think I'll do this Norman Mailer approval by Norman Mailer,

664
00:38:58,400 --> 00:39:00,879
Speaker 1: that storyline. So yeah, I mean, look at the world.

665
00:39:00,880 --> 00:39:02,880
Speaker 1: I are always named in the top like I don't know,

666
00:39:02,960 --> 00:39:06,480
Speaker 1: let's say, twenty iconic TV couples of all time. It's like,

667
00:39:07,040 --> 00:39:14,440
Speaker 1: what is that? Like? It's kind of cool. It's like

668
00:39:14,480 --> 00:39:18,239
Speaker 1: it's like what me, you know, come on, I got

669
00:39:18,320 --> 00:39:21,640
Speaker 1: lucky to be in the same list as Ross and Rachel.

670
00:39:21,719 --> 00:39:23,440
Speaker 1: It's kind of like yeah, but I mean even go

671
00:39:23,520 --> 00:39:26,000
Speaker 1: back further, like when I was growing up, what it's like,

672
00:39:26,400 --> 00:39:29,920
Speaker 1: you know is Don Adams and Barbara Feldon of get

673
00:39:30,000 --> 00:39:37,040
Speaker 1: Smart an iconic TV couple. Because to me, if he

674
00:39:37,120 --> 00:39:40,759
Speaker 1: said Lucy and DESI maybe right, Okay, so Lucy, but

675
00:39:40,800 --> 00:39:43,680
Speaker 1: I I had a monster crush when I was a

676
00:39:43,719 --> 00:39:46,719
Speaker 1: kid on Barbara Feldon. I could not get enough of

677
00:39:46,760 --> 00:39:51,640
Speaker 1: Barbara Feldon. I'm telling you, she just was everything to me. Um. Yes,

678
00:39:51,719 --> 00:39:57,200
Speaker 1: So if we're in that same conversation with Lucy and Desira.

679
00:39:57,719 --> 00:40:06,080
Speaker 1: It's yeah, it's it's wild. It's just crazy. Yeah. So okay,

680
00:40:06,120 --> 00:40:08,200
Speaker 1: So so now we come back and we've talked about it,

681
00:40:08,239 --> 00:40:11,120
Speaker 1: but we're at the scene where Adam Brody comes in.

682
00:40:12,600 --> 00:40:16,160
Speaker 1: Oh my god, that's such a great scene, and the

683
00:40:16,280 --> 00:40:19,719
Speaker 1: interaction between Dave and Mrs Kim and Lane, and then

684
00:40:19,719 --> 00:40:25,840
Speaker 1: at the end she's like he seemed hungry, hungry, so

685
00:40:25,920 --> 00:40:28,520
Speaker 1: many double anton's in there. It just made me so

686
00:40:28,600 --> 00:40:33,040
Speaker 1: happy for Lane and I love how like this episode was.

687
00:40:33,200 --> 00:40:37,520
Speaker 1: Paris and Lane finally were like getting the attention from

688
00:40:37,560 --> 00:40:40,560
Speaker 1: these boys to crush on. And then Rory's situation is

689
00:40:40,600 --> 00:40:43,520
Speaker 1: like the complete opposite. But you see her friends like

690
00:40:43,640 --> 00:40:45,439
Speaker 1: happy for a moment, and I think you don't see

691
00:40:45,480 --> 00:40:47,960
Speaker 1: that in the series. Well, up until this point, we

692
00:40:48,000 --> 00:40:51,160
Speaker 1: don't see like it's all about Rory. But now you're like, okay,

693
00:40:51,200 --> 00:40:54,040
Speaker 1: like Lane's doing well, Paris is doing well, and then

694
00:40:54,640 --> 00:40:56,960
Speaker 1: and you have Rory. Yeah, but Rory, I think it's

695
00:40:57,000 --> 00:40:59,920
Speaker 1: in the same league with with those other two. She

696
00:41:00,040 --> 00:41:04,600
Speaker 1: it's just causing a little pain to get there, but

697
00:41:04,680 --> 00:41:07,280
Speaker 1: she's but she's getting what she wants and Jesse's getting

698
00:41:07,280 --> 00:41:09,200
Speaker 1: what I mean. It's kind of a happy moment for

699
00:41:09,239 --> 00:41:11,000
Speaker 1: both of them. They just want to They just need

700
00:41:11,000 --> 00:41:13,080
Speaker 1: to wallow a little bit, They need to suffer a

701
00:41:13,080 --> 00:41:16,239
Speaker 1: little bit. My notes say, this is normally like the

702
00:41:16,360 --> 00:41:20,640
Speaker 1: whole episode with the tension, if tension is the right word,

703
00:41:20,920 --> 00:41:24,480
Speaker 1: between Rory and Dean and Shane and Jess, and really

704
00:41:24,520 --> 00:41:28,000
Speaker 1: it's Rory and Jess, but Dean is just getting the

705
00:41:28,040 --> 00:41:31,600
Speaker 1: shrapnel of it. And it's just normally like I don't

706
00:41:31,600 --> 00:41:34,120
Speaker 1: know how to explain it, like like Danielle said, the

707
00:41:34,280 --> 00:41:38,160
Speaker 1: arm around and then them arguing and it's and then

708
00:41:38,280 --> 00:41:41,799
Speaker 1: Dean's just finally like we're done. I would have been

709
00:41:41,840 --> 00:41:44,720
Speaker 1: really upset if Dean didn't break up with Rory after

710
00:41:45,280 --> 00:41:48,480
Speaker 1: this episode, like it had to, it had to be done.

711
00:41:49,640 --> 00:41:52,200
Speaker 1: Do you think that Jess felt bad once at all?

712
00:41:52,239 --> 00:41:57,839
Speaker 1: Like blew up, He's getting what he's wanted so bad

713
00:41:57,960 --> 00:42:00,239
Speaker 1: the way that it happened, Like I don't like me,

714
00:42:00,480 --> 00:42:03,399
Speaker 1: Like I think like Dean had to break up with her,

715
00:42:03,680 --> 00:42:05,680
Speaker 1: that needed to end. But like do you think Jess

716
00:42:05,680 --> 00:42:08,480
Speaker 1: really thought that it would happen that way? No, but

717
00:42:08,560 --> 00:42:11,560
Speaker 1: I think he was If he doesn't feel bad, then

718
00:42:11,560 --> 00:42:14,560
Speaker 1: he's a monster, then he's a sociopass. But he does

719
00:42:14,640 --> 00:42:18,680
Speaker 1: feel he does feel bad. No, I know, no, but

720
00:42:18,760 --> 00:42:22,080
Speaker 1: she's she's saying, do you think Jess felt bad and

721
00:42:22,239 --> 00:42:24,920
Speaker 1: like at all? So yes, he did. He was. He

722
00:42:24,960 --> 00:42:27,399
Speaker 1: was surprised that it happened so quickly, and I think

723
00:42:27,440 --> 00:42:29,880
Speaker 1: he had a plan and he was. That's how he

724
00:42:29,960 --> 00:42:33,240
Speaker 1: was pursuing her. He wasn't just some you know, innocent

725
00:42:33,360 --> 00:42:36,960
Speaker 1: in the backgrounds, you know, claiming innocence. He was pushing

726
00:42:36,960 --> 00:42:39,279
Speaker 1: the narrow he was pushing that narrative. He wanted her,

727
00:42:39,360 --> 00:42:44,680
Speaker 1: That's how he was doing. But once he got the result,

728
00:42:44,960 --> 00:42:47,120
Speaker 1: he saw that the pain it caused her and the

729
00:42:47,160 --> 00:42:51,359
Speaker 1: pain it caused and he probably felt bad because because

730
00:42:51,480 --> 00:42:55,719
Speaker 1: Jared had something really great and Jared decided to walk

731
00:42:55,760 --> 00:42:58,080
Speaker 1: away from it, which show Jess, wow, that's kind of

732
00:42:58,120 --> 00:43:01,400
Speaker 1: like what a man does. So who was the bigger

733
00:43:01,440 --> 00:43:04,040
Speaker 1: person there? And it was really Jared. That's looking better

734
00:43:04,080 --> 00:43:08,480
Speaker 1: than both of them. Your Dean really really took it

735
00:43:08,640 --> 00:43:11,200
Speaker 1: this episode. Like, I gotta give it to him, his

736
00:43:11,280 --> 00:43:13,919
Speaker 1: whole thing. I'm not her boyfriend anymore. You've been into

737
00:43:14,000 --> 00:43:16,480
Speaker 1: him since he got into town. Everyone can see it.

738
00:43:16,640 --> 00:43:21,680
Speaker 1: Rory be together. They hold on the next line, though

739
00:43:21,760 --> 00:43:26,040
Speaker 1: nothing is standing in your way anymore because I'm out. Like, yes,

740
00:43:26,280 --> 00:43:28,319
Speaker 1: I was just thinking the same thing, I'm out the

741
00:43:28,320 --> 00:43:30,719
Speaker 1: way he said I'm out. But now the product you

742
00:43:30,760 --> 00:43:32,520
Speaker 1: were right, you said at the beginning of the episode,

743
00:43:32,520 --> 00:43:35,399
Speaker 1: You're proud of Dean, and it's like, Danielle, you said

744
00:43:35,400 --> 00:43:38,759
Speaker 1: it too. It's like it's true, like he did ultimately

745
00:43:39,960 --> 00:43:43,120
Speaker 1: stand up for himself. Yeah. Yeah, And I feel like

746
00:43:43,400 --> 00:43:46,200
Speaker 1: the last few episodes, I've just been like, God, Dean

747
00:43:46,560 --> 00:43:49,239
Speaker 1: like and and Rory like Rory, just like, why are

748
00:43:49,239 --> 00:43:51,040
Speaker 1: you doing this to Dean? And Dean, why are you

749
00:43:51,239 --> 00:43:53,279
Speaker 1: sticking up with it? And it kind of gave me

750
00:43:53,360 --> 00:43:57,120
Speaker 1: really good closure in this episode, like Dean knew all along,

751
00:43:57,239 --> 00:43:59,799
Speaker 1: but he was trying, kept trying, kept trying, and then

752
00:43:59,800 --> 00:44:03,239
Speaker 1: he it's just finally like I'm out, and it just

753
00:44:03,280 --> 00:44:06,439
Speaker 1: made everything makes sense to me. You know, like all

754
00:44:06,480 --> 00:44:09,239
Speaker 1: the last few episodes, we see how patient he was,

755
00:44:09,440 --> 00:44:12,400
Speaker 1: We see how steadfast he was even in the face

756
00:44:12,440 --> 00:44:15,840
Speaker 1: of all of that, giving her the benefit of the

757
00:44:15,880 --> 00:44:20,080
Speaker 1: doubt every single time, in the face of of of

758
00:44:20,480 --> 00:44:24,040
Speaker 1: evidence that it was obviously not him, that you know,

759
00:44:24,080 --> 00:44:27,360
Speaker 1: he was not the object of her desire. And I

760
00:44:27,400 --> 00:44:32,160
Speaker 1: think now we're in a situation with with Jess and Rory,

761
00:44:32,280 --> 00:44:35,799
Speaker 1: we're here, these two kids are stuck together, and it's

762
00:44:36,680 --> 00:44:40,560
Speaker 1: I just know it's not gonna last because I don't

763
00:44:40,600 --> 00:44:45,160
Speaker 1: know if if Jess can survive something that requires the

764
00:44:45,320 --> 00:44:50,120
Speaker 1: kind of transparency that Dean was demanding of her and

765
00:44:50,120 --> 00:44:52,960
Speaker 1: what In other words, I don't think Jess is capable

766
00:44:53,000 --> 00:44:57,919
Speaker 1: of having a really mutually transparent and beneficial and open

767
00:44:57,960 --> 00:45:01,200
Speaker 1: communication type of a relationship. He can't have an adult

768
00:45:01,239 --> 00:45:05,160
Speaker 1: relationship he wants, He likes that drama. So how is

769
00:45:05,160 --> 00:45:07,279
Speaker 1: he going to function with her? How she? I mean,

770
00:45:08,040 --> 00:45:11,200
Speaker 1: first of all, now she's got guilt and baggage because

771
00:45:11,840 --> 00:45:16,240
Speaker 1: she did a good dude wrong okay, and got dumped.

772
00:45:16,280 --> 00:45:18,520
Speaker 1: So she's gonna have to suffer that humiliation so that

773
00:45:18,600 --> 00:45:21,839
Speaker 1: she might have to delay a relationship with Jess because

774
00:45:21,840 --> 00:45:23,160
Speaker 1: you don't want to, you know, get out of the

775
00:45:23,200 --> 00:45:25,480
Speaker 1: frying pan and get it jump into the fire, right

776
00:45:25,600 --> 00:45:28,800
Speaker 1: or or jumping from the fire into the frying pan, right.

777
00:45:29,160 --> 00:45:32,760
Speaker 1: And that's basically what this is. This relationship has no chance,

778
00:45:33,400 --> 00:45:37,080
Speaker 1: no chance of being successful. Um in the short term,

779
00:45:37,360 --> 00:45:40,640
Speaker 1: just has no chance because of how the guilt they

780
00:45:40,680 --> 00:45:42,600
Speaker 1: both now must feel. And they're gonna have to work

781
00:45:42,640 --> 00:45:45,040
Speaker 1: it out, so they're not gonna be able to express

782
00:45:45,280 --> 00:45:48,560
Speaker 1: any real purity of feeling or thought. It's just gonna

783
00:45:48,560 --> 00:45:51,239
Speaker 1: be fraught with Dean. Dean Dean breakup, breakup. We're less

784
00:45:51,280 --> 00:45:52,840
Speaker 1: than or less than, so the guilt is going to

785
00:45:52,920 --> 00:45:55,480
Speaker 1: get him. I think. I don't know, but I just

786
00:45:55,719 --> 00:45:57,960
Speaker 1: kind of have a feeling. So they're kind of doomed.

787
00:45:58,320 --> 00:46:02,480
Speaker 1: They're doomed lovers, right, they take on tragic proportion. I

788
00:46:02,600 --> 00:46:06,839
Speaker 1: just agree obviously, just love them talk, Just let them

789
00:46:06,880 --> 00:46:09,440
Speaker 1: talk because we can't really I don't know what happens,

790
00:46:09,480 --> 00:46:12,400
Speaker 1: but I have I have some hope for Jess. I

791
00:46:12,440 --> 00:46:15,680
Speaker 1: think he's a good person and I feel like he's

792
00:46:15,680 --> 00:46:17,400
Speaker 1: going to do everything he can to make this work.

793
00:46:17,920 --> 00:46:21,879
Speaker 1: M I will say that I think Dean is the

794
00:46:21,920 --> 00:46:25,359
Speaker 1: most perfect first boyfriend a girl could ever have. Though

795
00:46:25,520 --> 00:46:29,360
Speaker 1: like he that's like boyfriend goals, especially like a first boyfriend.

796
00:46:30,080 --> 00:46:32,239
Speaker 1: For sure. I like you, and the fact that the

797
00:46:32,320 --> 00:46:35,040
Speaker 1: guy is actually openly telling you how much he loves

798
00:46:35,080 --> 00:46:39,280
Speaker 1: you is even one. It's also super important. We glossed

799
00:46:39,320 --> 00:46:41,480
Speaker 1: over it a little bit. But he talks about how

800
00:46:41,719 --> 00:46:44,080
Speaker 1: when they're doing the crank calling, and she says, I

801
00:46:44,120 --> 00:46:46,920
Speaker 1: crank called you. Yeah, you just tell me, you know,

802
00:46:47,040 --> 00:46:49,759
Speaker 1: why don't you say something? Well, I liked you, and

803
00:46:49,760 --> 00:46:52,880
Speaker 1: he's like, well, I liked you, and he went along

804
00:46:52,920 --> 00:46:55,560
Speaker 1: with like everything Laura Lee and Rory did, like he

805
00:46:55,640 --> 00:46:57,799
Speaker 1: was always game for everything. And I think we're going

806
00:46:57,840 --> 00:47:00,520
Speaker 1: to see that shift because like just don't really care

807
00:47:00,560 --> 00:47:03,279
Speaker 1: about like the town, you know, so you know it's

808
00:47:03,360 --> 00:47:07,920
Speaker 1: very different. Yeah, yeah, Like Dean definitely appeased like whatever

809
00:47:08,160 --> 00:47:11,200
Speaker 1: Laurel and Rory's wishes were. And now Jess is kind

810
00:47:11,200 --> 00:47:16,480
Speaker 1: of more like a rebel right and the town loves Dean,

811
00:47:16,960 --> 00:47:20,719
Speaker 1: and we know the town doesn't love Jess, but they

812
00:47:20,800 --> 00:47:23,239
Speaker 1: do love Rory. So it's going to be interesting to

813
00:47:23,280 --> 00:47:27,279
Speaker 1: see how that all goes. Well, you gotta have that

814
00:47:27,400 --> 00:47:34,520
Speaker 1: character to see, you know, potentially derail Rory from her path, right,

815
00:47:34,600 --> 00:47:38,840
Speaker 1: So that tension is important and really really really important

816
00:47:38,880 --> 00:47:41,440
Speaker 1: because we don't know what, you know, decision she's gonna make,

817
00:47:41,440 --> 00:47:44,759
Speaker 1: because she's gonna shine Harvard on what's she gonna do?

818
00:47:44,880 --> 00:47:46,520
Speaker 1: You know, she's going to drop out? What is she

819
00:47:46,600 --> 00:47:48,960
Speaker 1: gonna Is she gonna do what Laurela? I think what

820
00:47:49,040 --> 00:47:52,080
Speaker 1: they're trying to get people to think is, oh god,

821
00:47:52,320 --> 00:47:54,640
Speaker 1: she's going to get pregnant just like her mother did,

822
00:47:55,040 --> 00:47:57,160
Speaker 1: and it's going to derail her entire life. And then

823
00:47:57,160 --> 00:48:01,000
Speaker 1: we're gonna get to see Emily and Richard react and

824
00:48:01,080 --> 00:48:03,719
Speaker 1: Luke react to that, and Laurel I react to that. Right,

825
00:48:03,800 --> 00:48:07,719
Speaker 1: So I think that's where it was kind of headed. Um.

826
00:48:07,760 --> 00:48:09,440
Speaker 1: It would have been interesting to see if that had

827
00:48:09,440 --> 00:48:14,520
Speaker 1: played out, right, boy, wow, maybe maybe they were thinking

828
00:48:14,560 --> 00:48:17,200
Speaker 1: that when they offer jes a seven year deal or

829
00:48:17,360 --> 00:48:20,040
Speaker 1: Milo a seven year deal, like, hey, guess what these

830
00:48:20,040 --> 00:48:22,520
Speaker 1: are our plans. You're you're gonna get it pregnant and

831
00:48:22,560 --> 00:48:24,719
Speaker 1: this is going to turn into a whole thing. And

832
00:48:24,760 --> 00:48:28,400
Speaker 1: they just said there, I'm gonna take a wild guess.

833
00:48:28,520 --> 00:48:32,120
Speaker 1: But our rapid fires always ask who's the daddy? Assuming

834
00:48:32,160 --> 00:48:36,640
Speaker 1: that happens. Well, well, it's like a load of question,

835
00:48:39,840 --> 00:48:43,960
Speaker 1: you mean, with with with Jess and Rory. Well, so

836
00:48:44,120 --> 00:48:48,279
Speaker 1: Danielle has no idea. Why we ask who's the daddy? Oh,

837
00:48:48,400 --> 00:48:54,160
Speaker 1: you don't know. I'm assuming somebody gets pregnant. We don't

838
00:48:54,160 --> 00:48:57,000
Speaker 1: know who the daddy is. Well, can I say when?

839
00:48:57,400 --> 00:49:00,680
Speaker 1: Can I say? Well, I can't say anything to Danielle,

840
00:49:01,280 --> 00:49:04,239
Speaker 1: don't I don't think so? All right, I'll dummy up

841
00:49:04,280 --> 00:49:07,360
Speaker 1: over here. Yeah, let her, let it, let her wonder.

842
00:49:07,719 --> 00:49:10,440
Speaker 1: We get there. We'll get there in a long time.

843
00:49:10,680 --> 00:49:17,759
Speaker 1: Long road, guys, it's a long road. You know. What

844
00:49:17,800 --> 00:49:19,800
Speaker 1: I did want to talk about those is how iconic

845
00:49:19,920 --> 00:49:23,319
Speaker 1: for Jess and Rory the bridge is because they're right

846
00:49:23,440 --> 00:49:26,080
Speaker 1: back in the same spot from a tisket a tasket

847
00:49:26,360 --> 00:49:30,399
Speaker 1: where we first sort of like we knew she liked

848
00:49:30,440 --> 00:49:32,960
Speaker 1: him before a tisket a tasket and that he liked her,

849
00:49:33,000 --> 00:49:35,239
Speaker 1: but that was the first real moment where they were

850
00:49:35,360 --> 00:49:41,560
Speaker 1: really connected. It's a bridge over troubled waters, isn't it. Yeah,

851
00:49:41,960 --> 00:49:45,040
Speaker 1: And it's the same bridge you push that kid into

852
00:49:45,160 --> 00:49:48,000
Speaker 1: the same Jeff, Jess got thrown off that bridge. Do

853
00:49:48,080 --> 00:49:49,880
Speaker 1: you know when you do the Warner Brothers tour in

854
00:49:49,960 --> 00:49:52,279
Speaker 1: Burbank and they passed by that, they're like, and that's

855
00:49:52,320 --> 00:49:57,960
Speaker 1: the bridge that Luke through Jesse, Like it's literally yeah,

856
00:49:58,000 --> 00:50:00,200
Speaker 1: they're like if you watched Gilmore Girls, you know that.

857
00:50:00,320 --> 00:50:02,759
Speaker 1: And everyone's like, oh my god, sometime soon we do

858
00:50:02,840 --> 00:50:05,080
Speaker 1: all have to go on that tour. Yeah, we're going

859
00:50:05,160 --> 00:50:07,279
Speaker 1: to do a podcast from that tour, right, Yeah, yeah,

860
00:50:07,280 --> 00:50:10,080
Speaker 1: we gotta do it. Do it before I go away,

861
00:50:10,760 --> 00:50:13,560
Speaker 1: I know, But when do you leave? I don't know

862
00:50:13,600 --> 00:50:16,520
Speaker 1: a couple of weeks. Yeah, that's not gonna it's not

863
00:50:16,600 --> 00:50:24,040
Speaker 1: gonna happen. No, No, we'll get in. I think we'll

864
00:50:24,040 --> 00:50:27,440
Speaker 1: be able to get it in. Look, we just called James.

865
00:50:27,440 --> 00:50:29,160
Speaker 1: He makes it happen in a twenty four hours. The

866
00:50:29,200 --> 00:50:33,640
Speaker 1: guy's amazing. You know what is Uh, you're up in Tohoe,

867
00:50:33,680 --> 00:50:37,160
Speaker 1: deal with squirrels. Look at she can't do got squirrels living.

868
00:50:38,680 --> 00:50:40,759
Speaker 1: So you know what I think about Gilmore Girls. That

869
00:50:40,880 --> 00:50:46,439
Speaker 1: is consistent almost every episode that the um what would

870
00:50:46,440 --> 00:50:49,520
Speaker 1: you call it? The I always say, like the crescendo,

871
00:50:49,760 --> 00:50:53,720
Speaker 1: the the biggest moment of the episode, which I would

872
00:50:53,719 --> 00:50:58,160
Speaker 1: consider sort of the fight and then the scene between

873
00:50:58,800 --> 00:51:02,160
Speaker 1: Jess and Rory and he, you know, she says we're

874
00:51:02,239 --> 00:51:04,120
Speaker 1: over and he says, I gotta go do something. You

875
00:51:04,160 --> 00:51:07,439
Speaker 1: always would think the episode would end like it does

876
00:51:07,480 --> 00:51:09,520
Speaker 1: like on other shows where you get to that sort

877
00:51:09,560 --> 00:51:12,799
Speaker 1: of moment, Gilmore Girls always comes back with just like

878
00:51:12,960 --> 00:51:16,760
Speaker 1: a little bit more where we see Kerk running around,

879
00:51:17,000 --> 00:51:21,200
Speaker 1: you know, he's running the Rocky themes going and Rory

880
00:51:21,320 --> 00:51:23,719
Speaker 1: comes in crying to Laura like like there's always like

881
00:51:24,160 --> 00:51:26,480
Speaker 1: it gives us just a little bit more than you

882
00:51:26,560 --> 00:51:28,120
Speaker 1: expect and I think that's one of the things that

883
00:51:28,160 --> 00:51:31,560
Speaker 1: I love. And you're like, like, the best kind of

884
00:51:31,640 --> 00:51:35,839
Speaker 1: laughter is the kind when you're feeling, you know something right,

885
00:51:35,840 --> 00:51:38,920
Speaker 1: you're feeling vulnerable, like laughing and crying at the same time,

886
00:51:38,960 --> 00:51:41,360
Speaker 1: and saying that episode made me cry. It made me

887
00:51:41,440 --> 00:51:44,960
Speaker 1: laugh more than anything. Um, but that final image of

888
00:51:45,080 --> 00:51:51,240
Speaker 1: Kirk but the Rocky so good? Did you see Kirk

889
00:51:51,280 --> 00:51:53,880
Speaker 1: get down on his back and like like he was

890
00:51:53,920 --> 00:51:55,759
Speaker 1: so happy that he got down like a dog and

891
00:51:55,800 --> 00:51:59,600
Speaker 1: started scratching his own back on the floor. Oh god,

892
00:51:59,640 --> 00:52:03,520
Speaker 1: that was I'm know, so good? Oh my god. I

893
00:52:03,600 --> 00:52:05,279
Speaker 1: used to have a teammate when I played Pro Bowl

894
00:52:05,320 --> 00:52:09,040
Speaker 1: who listened to the Rocky theme song every time, like

895
00:52:09,080 --> 00:52:12,919
Speaker 1: on repeat before he would pitch my god, I could

896
00:52:12,920 --> 00:52:16,239
Speaker 1: see it. He was like our Kirk. He was like,

897
00:52:20,280 --> 00:52:24,000
Speaker 1: oh my god, I was gonna say, I understand why

898
00:52:24,160 --> 00:52:27,520
Speaker 1: when people watch it on Netflix they roll right into

899
00:52:27,560 --> 00:52:31,360
Speaker 1: the next one because of the way the show is done.

900
00:52:32,160 --> 00:52:35,279
Speaker 1: You're you're like an addict where you're like, I just

901
00:52:35,360 --> 00:52:38,120
Speaker 1: want more, you know, so hard for me to stop

902
00:52:38,160 --> 00:52:40,560
Speaker 1: every week and I've watched this series like five times

903
00:52:40,560 --> 00:52:42,239
Speaker 1: every week. I like, but one what happens if I

904
00:52:42,280 --> 00:52:44,600
Speaker 1: jump ahead, like what happened I had that happened last

905
00:52:44,680 --> 00:52:47,239
Speaker 1: night because you immediate, or like I need to know

906
00:52:47,280 --> 00:52:48,920
Speaker 1: what's next, you know what? You know what? You know,

907
00:52:48,960 --> 00:52:52,839
Speaker 1: what I found myself doing on this episode is stopping it,

908
00:52:53,000 --> 00:52:56,040
Speaker 1: going back and listening to the jokes again. So I

909
00:52:56,040 --> 00:52:58,040
Speaker 1: wanted to get them again and again and again. Did

910
00:52:58,040 --> 00:52:59,880
Speaker 1: I hear that right? Because it sounded really funny the

911
00:53:00,360 --> 00:53:02,239
Speaker 1: way they do the lines. It's like half the best

912
00:53:02,239 --> 00:53:06,040
Speaker 1: lines are almost throwaway lines. Wait what, I watched the

913
00:53:06,280 --> 00:53:09,560
Speaker 1: Jess and Rory scene at least three times, like it finished,

914
00:53:10,040 --> 00:53:12,880
Speaker 1: Rewe finished, Rewe, Like I had to see that so

915
00:53:12,920 --> 00:53:16,440
Speaker 1: many times. You know. This episode was also really I

916
00:53:16,440 --> 00:53:21,520
Speaker 1: think the foundation from mysel right or Mazel, because it's

917
00:53:21,600 --> 00:53:23,560
Speaker 1: so that period and well, I mean, I don't know

918
00:53:23,600 --> 00:53:26,160
Speaker 1: if it's dead on the period, but god, she does

919
00:53:26,239 --> 00:53:30,040
Speaker 1: that period. It really does. Because that's what I think.

920
00:53:30,440 --> 00:53:32,719
Speaker 1: There's some truth to what you're saying, yeah, because it's

921
00:53:32,760 --> 00:53:35,360
Speaker 1: like all the jokey jokes. You know, her dad was

922
00:53:35,400 --> 00:53:37,040
Speaker 1: the stand up comedian. She grew up with all these

923
00:53:37,040 --> 00:53:39,680
Speaker 1: brilliant comedians in her house. He was friends with one

924
00:53:39,719 --> 00:53:42,680
Speaker 1: of the great comedians. And this period so it's just

925
00:53:42,719 --> 00:53:46,960
Speaker 1: sort of reimagining her childhood somehow. I don't know if

926
00:53:46,960 --> 00:53:50,600
Speaker 1: we've ever mentioned bun Heads. Oh, I love that. Bun

927
00:53:50,640 --> 00:53:55,080
Speaker 1: Heads was an amazing show, such a bummer. So basically

928
00:53:55,120 --> 00:53:57,719
Speaker 1: there was Gilmore Girls and then Amy Sherman. Palladino did

929
00:53:57,719 --> 00:54:00,920
Speaker 1: bun Heads before she did Mrs mays All, and she

930
00:54:01,320 --> 00:54:06,200
Speaker 1: used a ton of people. She uses Emily Yeah, I

931
00:54:06,200 --> 00:54:09,239
Speaker 1: can't remember. Yeah, yeah, but what is Emily's real name?

932
00:54:09,239 --> 00:54:11,600
Speaker 1: Why is that out of my head? Kelly Bishop? You

933
00:54:11,719 --> 00:54:15,280
Speaker 1: Kelly Bishop was like the lead basically with Sutton Foster.

934
00:54:16,360 --> 00:54:21,120
Speaker 1: It's so good and I don't know why it didn't work,

935
00:54:21,600 --> 00:54:26,000
Speaker 1: like I think it was one season. Maybe there was. Yeah, No, sorry,

936
00:54:26,000 --> 00:54:28,640
Speaker 1: you're right, it was one season. It was so good.

937
00:54:28,680 --> 00:54:31,720
Speaker 1: Some things just don't work, you know. Yeah, I would

938
00:54:31,760 --> 00:54:34,000
Speaker 1: love to. I mean, one of the things I always

939
00:54:34,040 --> 00:54:35,600
Speaker 1: say is when we finished Gilmore Girls, we need to

940
00:54:35,640 --> 00:54:38,120
Speaker 1: go right into bun Heads and do this with butt

941
00:54:38,160 --> 00:54:41,040
Speaker 1: Meds because it was it was such a missed you

942
00:54:41,080 --> 00:54:42,360
Speaker 1: know what it is? You know what I think it

943
00:54:42,480 --> 00:54:47,799
Speaker 1: is a lot of the times is um if if

944
00:54:47,840 --> 00:54:50,000
Speaker 1: they don't put the money behind the marketing and the

945
00:54:50,080 --> 00:54:53,000
Speaker 1: push for a particular show, I mean, they can make

946
00:54:53,040 --> 00:54:55,680
Speaker 1: anything look great if they just put the money into

947
00:54:55,719 --> 00:54:59,160
Speaker 1: it and and the time and and the really talented

948
00:54:59,160 --> 00:55:02,560
Speaker 1: people at the studio behind it. So here the assets here,

949
00:55:02,560 --> 00:55:05,919
Speaker 1: the people go, push push push push. There's so many

950
00:55:05,960 --> 00:55:07,759
Speaker 1: things they could have done to promote that show that

951
00:55:07,840 --> 00:55:09,560
Speaker 1: I'm sure they didn't. They didn't get the money, they

952
00:55:09,560 --> 00:55:12,920
Speaker 1: didn't get the consideration. It was a It was on

953
00:55:13,000 --> 00:55:15,919
Speaker 1: ABC Family before ABC Family was like free Form which

954
00:55:15,920 --> 00:55:17,480
Speaker 1: it is now. It was called ABC Family, And I

955
00:55:17,480 --> 00:55:19,640
Speaker 1: think it was like I just caught lost in the

956
00:55:19,680 --> 00:55:22,200
Speaker 1: shuffle at think time when that Secret Life of the

957
00:55:22,200 --> 00:55:25,240
Speaker 1: American it was Secret Life and then pretty Little Liars

958
00:55:25,239 --> 00:55:27,160
Speaker 1: were like at its peak, So I think it just

959
00:55:27,239 --> 00:55:29,560
Speaker 1: kind of was forgotten about in the midst of all

960
00:55:29,640 --> 00:55:31,720
Speaker 1: Who's Who's Who's in the Secret Life of the American

961
00:55:31,760 --> 00:55:35,120
Speaker 1: teenager Shaleene Woodley. You know, I was offered I was

962
00:55:35,160 --> 00:55:45,399
Speaker 1: offered that show. Uh what we who remember? Yeah? Wasn't Yeah,

963
00:55:45,400 --> 00:55:47,680
Speaker 1: I was about to say, Molly ring who the dad?

964
00:55:48,120 --> 00:55:52,000
Speaker 1: The dad was kind of like was nobody. We were

965
00:55:52,000 --> 00:55:54,399
Speaker 1: in talks with them for a while. I can see

966
00:55:54,400 --> 00:55:57,960
Speaker 1: you on that show. I turned it down. We couldn't

967
00:55:57,960 --> 00:55:59,839
Speaker 1: we couldn't make a deal. I wanted to do it,

968
00:56:00,320 --> 00:56:02,440
Speaker 1: but I couldn't make a deal. Oh I could have

969
00:56:02,480 --> 00:56:09,840
Speaker 1: seen that what a preferred unbun heads? Just what was

970
00:56:09,840 --> 00:56:12,520
Speaker 1: everybody's favorite lines? I've given so many that I've already

971
00:56:12,560 --> 00:56:16,319
Speaker 1: said it's you know, Paris had some great lines. She

972
00:56:16,360 --> 00:56:19,800
Speaker 1: had the one where She's said though she was mocking

973
00:56:19,920 --> 00:56:23,920
Speaker 1: Louise and Madeleine about yeah, my head's gonna float right

974
00:56:23,960 --> 00:56:25,839
Speaker 1: off at the top of my head, you know. But

975
00:56:25,840 --> 00:56:28,520
Speaker 1: but I think the line what the Shane line, who

976
00:56:28,560 --> 00:56:30,799
Speaker 1: are you Bobby Brady? Get a life? I'm sorry that

977
00:56:30,960 --> 00:56:33,280
Speaker 1: just do I look like a cobbler was a pretty

978
00:56:33,400 --> 00:56:37,359
Speaker 1: solid one. My favorite was when Laurel I says to Luke,

979
00:56:37,440 --> 00:56:39,600
Speaker 1: have you seen Suki or Jackson? And Luke says no,

980
00:56:39,719 --> 00:56:42,040
Speaker 1: but have you tried the insane asylum where everyone in

981
00:56:42,040 --> 00:56:46,359
Speaker 1: this room is supposed to be? Luke had the best

982
00:56:46,360 --> 00:56:50,360
Speaker 1: lines in the whole thing. He did not. He did

983
00:56:50,239 --> 00:56:52,080
Speaker 1: have the best lines. I mean, he had some good lines,

984
00:56:52,120 --> 00:56:54,319
Speaker 1: but I think people had better lines. And I love

985
00:56:54,440 --> 00:56:58,120
Speaker 1: I love the Michael, I love the Mica Winners, the

986
00:56:58,120 --> 00:57:01,759
Speaker 1: the tailor Dozy Magid sdn't drunk lines because he had

987
00:57:01,760 --> 00:57:03,880
Speaker 1: too much punch and he was all drunky and sleepy,

988
00:57:04,440 --> 00:57:07,480
Speaker 1: and he says, pull it going on. It was here,

989
00:57:07,760 --> 00:57:11,719
Speaker 1: you know, I just love that guy. One more thing.

990
00:57:12,320 --> 00:57:17,680
Speaker 1: Um for those that are the clown pillow trackers, I

991
00:57:17,760 --> 00:57:20,040
Speaker 1: was way too fixated on that woman's stirring. All right,

992
00:57:20,160 --> 00:57:23,240
Speaker 1: hang on, I have my notes that I need to share.

993
00:57:24,360 --> 00:57:25,760
Speaker 1: You guys all have to go back and watch that

994
00:57:25,800 --> 00:57:29,760
Speaker 1: woman stir and start pleasing. Okay, here we go, ready

995
00:57:31,400 --> 00:57:33,840
Speaker 1: called open number one. We've got five things to go

996
00:57:33,920 --> 00:57:36,000
Speaker 1: through here. Just here we go. Pay attention with you

997
00:57:37,280 --> 00:57:40,280
Speaker 1: since we've been talking about the background actors. Uh watched

998
00:57:40,280 --> 00:57:42,600
Speaker 1: the red haired woman in the gray coat. She sits

999
00:57:42,960 --> 00:57:45,360
Speaker 1: there stirring, stirring, stirring through the whole scene and never

1000
00:57:45,400 --> 00:57:50,800
Speaker 1: takes a bite. It was really bad. Okay. Clown pillow

1001
00:57:50,840 --> 00:57:56,000
Speaker 1: appearance ready top half of the clown pillow at a

1002
00:57:56,040 --> 00:58:01,640
Speaker 1: minute marker nine and it's in forty seven seconds. Number

1003
00:58:01,640 --> 00:58:05,480
Speaker 1: three inconsistenty Luke inconsistency uson for me to say, Luke

1004
00:58:05,520 --> 00:58:08,240
Speaker 1: and Laurel I are sitting on the bleachers just steps

1005
00:58:08,280 --> 00:58:11,120
Speaker 1: from the dance floor while he is fixing her shoes.

1006
00:58:11,160 --> 00:58:15,520
Speaker 1: So why don't they see Dean Rory confrontation and break up.

1007
00:58:17,960 --> 00:58:23,280
Speaker 1: Oh right, Um, okay, she went somewhere. Yes, she went

1008
00:58:23,320 --> 00:58:27,240
Speaker 1: somewhere after Luke fixed her shoe. Yeah, I don't remember where,

1009
00:58:27,280 --> 00:58:30,680
Speaker 1: but she runs out and that's why because remember she

1010
00:58:30,720 --> 00:58:33,560
Speaker 1: says she had to go somewhere, and that's why Dean

1011
00:58:33,640 --> 00:58:35,280
Speaker 1: had to take over. So she has to get the

1012
00:58:35,320 --> 00:58:38,280
Speaker 1: shoe fixed and then she was gonna go. Fine, No,

1013
00:58:38,480 --> 00:58:43,640
Speaker 1: where does she go? It is inconsistent though. I don't

1014
00:58:43,640 --> 00:58:45,000
Speaker 1: know if she was sitting right there, but she I

1015
00:58:45,000 --> 00:58:47,439
Speaker 1: don't think she was in. No, she had gone out.

1016
00:58:47,480 --> 00:58:51,640
Speaker 1: That's why when she comes back, she's like, what happened? Yeah, okay,

1017
00:58:51,680 --> 00:58:54,640
Speaker 1: here we go. Number four. At the forty one minute

1018
00:58:54,640 --> 00:58:58,640
Speaker 1: fifty eight second mark, after Kirk has declared the winner,

1019
00:58:58,680 --> 00:59:01,640
Speaker 1: when laurel I runs onto the dance floor and asked

1020
00:59:01,640 --> 00:59:04,640
Speaker 1: Miss Patty where Rory is, you can see Rory already

1021
00:59:04,720 --> 00:59:08,280
Speaker 1: walking up behind Laureli to the left of the referees,

1022
00:59:08,360 --> 00:59:10,920
Speaker 1: even though Miss Patty says she doesn't know where she is.

1023
00:59:11,960 --> 00:59:15,920
Speaker 1: When they cut back to laurel I, Rory is gone. Uh.

1024
00:59:16,080 --> 00:59:19,880
Speaker 1: Then reappears on the right side of the referees as

1025
00:59:20,000 --> 00:59:22,080
Speaker 1: laurel I walks up to her. So, wait, we didn't

1026
00:59:22,080 --> 00:59:28,920
Speaker 1: we should have mentioned roller skating referee. Yes, yes, so

1027
00:59:29,040 --> 00:59:32,200
Speaker 1: that's number four. Number five music. The band at the

1028
00:59:32,280 --> 00:59:36,280
Speaker 1: dance marathon was an actual swing band called the Swinging

1029
00:59:36,600 --> 00:59:41,160
Speaker 1: Swinging Deacons. The music played during the marathon includes sing

1030
00:59:41,200 --> 00:59:45,040
Speaker 1: Sing Sing by Benny Goodman and the Glenn Miller standbys

1031
00:59:45,080 --> 00:59:51,080
Speaker 1: in the mood and a string of pearls. Like it

1032
00:59:51,160 --> 00:59:53,520
Speaker 1: wasn't the medic tent, but it was the same area

1033
00:59:53,640 --> 00:59:58,480
Speaker 1: with the sandwiches, and like trumpet player was like laying down,

1034
01:00:00,960 --> 01:00:04,760
Speaker 1: Good God, what'd you say? What do you say? What's

1035
01:00:04,760 --> 01:00:07,280
Speaker 1: you say? The trumpet player was like laying down and

1036
01:00:07,320 --> 01:00:08,960
Speaker 1: he had like the trumpet on his chest and his

1037
01:00:09,040 --> 01:00:15,200
Speaker 1: hands out in the air. I miss that, you know.

1038
01:00:15,560 --> 01:00:18,240
Speaker 1: Let's give Paris her do here. She had a great,

1039
01:00:18,920 --> 01:00:23,440
Speaker 1: great line, uh when when she said, in Paris is

1040
01:00:23,480 --> 01:00:30,360
Speaker 1: to a Medaline, Madeline, or call you Spriccoli, And Madeline says,

1041
01:00:30,360 --> 01:00:34,560
Speaker 1: if you have to, And then assuming we're going to

1042
01:00:34,600 --> 01:00:37,439
Speaker 1: talk about that, Suki says the Laurel I. Suki says,

1043
01:00:37,480 --> 01:00:39,640
Speaker 1: I have a problem. Laurel I says, it's five thirty

1044
01:00:39,640 --> 01:00:44,080
Speaker 1: in the morning. How can you already have a problem? Yeah,

1045
01:00:45,760 --> 01:00:49,840
Speaker 1: And she says, Suki says, because I'm a multitasker. Um,

1046
01:00:49,880 --> 01:00:53,600
Speaker 1: just you know, I would say fifty of these lines

1047
01:00:53,600 --> 01:00:56,120
Speaker 1: were jokes, and they were all fantastic the whole thing.

1048
01:00:56,480 --> 01:00:58,240
Speaker 1: I'm sitting here trying to eat my breakfast and I'm

1049
01:00:58,280 --> 01:01:00,160
Speaker 1: choking on the thing because I'm laughing so hard. Know

1050
01:01:00,240 --> 01:01:02,800
Speaker 1: the episode and it's it's iconic, it's it is one

1051
01:01:02,800 --> 01:01:05,280
Speaker 1: of the best episodes of the whole man. I'll tell

1052
01:01:05,280 --> 01:01:07,760
Speaker 1: you if if you're ever feeling blue, ladies and gentlemen,

1053
01:01:07,840 --> 01:01:10,479
Speaker 1: go watch Go watch this episode because you're gonna feel

1054
01:01:10,480 --> 01:01:13,520
Speaker 1: great after. You're gonna you're gonna you're gonna it's really

1055
01:01:13,520 --> 01:01:15,920
Speaker 1: gonna lighten everything up. You're gonna be so happy you

1056
01:01:15,920 --> 01:01:20,960
Speaker 1: sold this episode. Um, the antidote for you know, downer

1057
01:01:21,040 --> 01:01:23,080
Speaker 1: Mondays or whatever it is, you know, or a rainy

1058
01:01:23,160 --> 01:01:26,600
Speaker 1: day watch they shoot Gilmourris, don't they? All right? So

1059
01:01:27,320 --> 01:01:30,040
Speaker 1: how are we doing? Uh? Wait? Why is the episode

1060
01:01:30,040 --> 01:01:34,280
Speaker 1: called that? Because it's based on a film They short horses,

1061
01:01:34,320 --> 01:01:37,720
Speaker 1: don't they? It was an older film where it was

1062
01:01:37,800 --> 01:01:41,800
Speaker 1: based on a dance marathon. Oh okay, thank you anyway,

1063
01:01:41,880 --> 01:01:45,720
Speaker 1: next episode is Let the Games Begin, Episode eight, season three,

1064
01:01:46,600 --> 01:01:51,000
Speaker 1: Thanks everybody, Thanks to yell Amy Sugarman Tara. Great episode,

1065
01:01:51,040 --> 01:01:55,439
Speaker 1: best episode in my opinion of the entire uh three

1066
01:01:55,480 --> 01:01:57,919
Speaker 1: seasons so far. I don't know how you're gonna top

1067
01:01:57,960 --> 01:02:01,000
Speaker 1: this one, but this was my ultimate eisode. Um, we'll

1068
01:02:01,040 --> 01:02:02,520
Speaker 1: just have to let the games begin. We'll just have

1069
01:02:02,600 --> 01:02:05,520
Speaker 1: to let the games beginning next episode. Thanks everybody, best

1070
01:02:05,520 --> 01:02:07,520
Speaker 1: fans on the planet. Love you guys. Thank you for

1071
01:02:07,560 --> 01:02:18,680
Speaker 1: your comments, keep them coming, and that's it. Stay safe everyone, honestly,

1072
01:02:19,480 --> 01:02:43,680
Speaker 1: ga Hey everybody, and don't forget follow us on Instagram

1073
01:02:43,720 --> 01:02:47,520
Speaker 1: at I Am all In podcast and email us at

1074
01:02:47,640 --> 01:02:52,080
Speaker 1: Gilmore at I heart radio dot com. Oh you Gilmore fans.

1075
01:02:52,120 --> 01:02:53,840
Speaker 1: If you're looking for the best cup of coffee in

1076
01:02:53,840 --> 01:02:57,280
Speaker 1: the world, go to my website for my company, scott

1077
01:02:57,280 --> 01:02:59,800
Speaker 1: ep dot com s CEO T T y P dot

1078
01:03:00,000 --> 01:03:11,360
Speaker 1: I'm Scottie P dot com. Grade one especially coffee. Yeah

1079
01:03:13,280 --> 01:03:13,320
Speaker 1: h