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Speaker 1: Look man, oh I see you? Why why? Oh? And

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Speaker 1: look over there? How is that nature? Yeah? Goodness? Let

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Speaker 1: ding dong lost culture calling? My girl's got a white strip.

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Speaker 1: Then you have to you have to help me. Remind

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Speaker 1: me at thirty minutes because take my wife strips out

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Speaker 1: from now thirty minutes from now. From that I put

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Speaker 1: them on like two minutes before. Okay, Can I be

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Speaker 1: honest with you, We're no, no, no no, we're gagging.

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Speaker 1: I still have not gotten enough listens in so I

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Speaker 1: form my opinion, which is that I'm obsessed and this

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Speaker 1: is such an exciting new direction. But I am like,

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Speaker 1: I need to like listen to it maybe five more

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Speaker 1: times before I'm like, yes, I'm ready to be off book.

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Speaker 1: Now you know what I mean. I need to be

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Speaker 1: off book. I think this is well clear me the

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Speaker 1: song of the summer period period and around the fourth

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Speaker 1: or fifth list, and you really understand what we're dealing

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Speaker 1: with here? What is it? What is it? What is

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Speaker 1: it that we're dealing with. We're dealing with the sea change,

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Speaker 1: We're dealing with Beyonce renaissance. We're dealing with sweat on

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Speaker 1: Me Daddy, We're dealing with this coming on both in

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Speaker 1: the club and outside on the block, party, on the field,

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Speaker 1: wherever we are, at the barbecue. We're dealing with this

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Speaker 1: coming on at graduations, weddings, at funerals. Children will be children.

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Speaker 1: So this is a moment in culture. Oh my god,

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Speaker 1: and I'm saying it no, I agree. And the way

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Speaker 1: that she gave us the like club house spiritual successor

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Speaker 1: to Dolly Partons, that's history. So much is going on here,

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Speaker 1: break it down. So much is going on. Well, I

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Speaker 1: can for a nine five spiritual successor to come out

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Speaker 1: in the yeo. I mean, times have changed and we've

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Speaker 1: needed this. Can you believe there hasn't been a song

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Speaker 1: that's about how like, Wow, it's hard out there, Like

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Speaker 1: they worked me so damn hard. They worked me so

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Speaker 1: damn hard. Capitalism is labor is in a crisis right now.

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Speaker 1: She said, the labor workers need a song, the queers

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Speaker 1: need a song, America needs a song. The summer needs

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Speaker 1: a song, and to drop it on the solstice? Which

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Speaker 1: which what? Which you're saying? Which? Which? Which I'm saying?

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Speaker 1: Which the woman? Which is a noun? Have you have

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Speaker 1: we discussed this yet? I bet not, because the rumor

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Speaker 1: is she was originally going to release three albums at

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Speaker 1: the same time. Act one, which was gonna be well, okay,

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Speaker 1: I don't have the numerical assignments here, but it was

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Speaker 1: going to be a house in a dance album in

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Speaker 1: one of country album and the other, and then the

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Speaker 1: third album was R and B. I say, ain't on

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Speaker 1: me soon on me another Giants. Well, I think what

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Speaker 1: we're getting is that's the act one, Act two, Act three.

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Speaker 1: I think it'll be three acts, just like the best movies,

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Speaker 1: just like all the best movies. Actually real culture number six,

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Speaker 1: three acts, just like best movies. And I think we're

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Speaker 1: just gonna get it like perfectly distributed it maybe throughout

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Speaker 1: a year. Are we thinking summer solstice? Winter Solstice? Really

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Speaker 1: hard to say solstice with Crests strip and shout out

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Speaker 1: to Crest Wide Strips shout out. I mean, have you

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Speaker 1: gotten any sort of like deal from them or shipment

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Speaker 1: or you know what's funny, I wasn't even thinking about

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Speaker 1: that and so you just said that. But wow, the

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Speaker 1: way it quest Fight Strips, Crest Wise Strips have really

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Speaker 1: done great things for me. It's just such a funny

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Speaker 1: specific like you're you're, you're, you're not only you're not

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Speaker 1: just name dropping a brand. You're like, you're getting into

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Speaker 1: the vertical. You're getting into the actual product itself, the item. Well,

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Speaker 1: first of all, let's just say it it works. Okay.

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Speaker 1: It's like when when Jennifer Hudson said, wait watchers, because

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Speaker 1: it works. I could say the same for Crest White strips, genuinely.

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Speaker 1: And that's why when we were on set shooting Fire

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Speaker 1: Island and I will say, improvised line, can anyone trade

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Speaker 1: a Crest White strip for a prep pill? And the

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Speaker 1: reason I said that is because we in the gay

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Speaker 1: community know how valuable a prep pill is and that

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Speaker 1: you also don't need to take one every day. Well,

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Speaker 1: remember because do you remember I was just talking about

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Speaker 1: this earlier. Do you remember when I when I did

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Speaker 1: that line and Margaret turned to me and she was like,

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Speaker 1: I love that. I think that. I think that should

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Speaker 1: be the one. I was like, and then we were

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Speaker 1: talking and I was like, you know sometimes I skip

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Speaker 1: a day, and her eyes went wide and she just goes, honey,

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Speaker 1: don't skip. How do you don't You can you can?

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Speaker 1: I've talked to you. You can't. Doctors and pharmacists to

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Speaker 1: say if you take it. If you're off a couple

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Speaker 1: of days week, it's totally fine. Just don't make a

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Speaker 1: habit of make a habit of it. Don't make a

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Speaker 1: habit of skipping. Try to be as diligent as possible. Honey,

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Speaker 1: don't skip. I can't even honey, don't skip. It was

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Speaker 1: just so Margaret and her like like ferocious Margaret delivery.

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Speaker 1: But for her to like be giddy at a joke

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Speaker 1: that you've written on the spot the miracle of my life.

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Speaker 1: I mean, look whatever, I'm just saying. We we we've

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Speaker 1: talked so much about the film, and I guess we

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Speaker 1: should say this is our first culture catch up in

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Speaker 1: a really long time, in months, and I'm really happy

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Speaker 1: that Beyonce has come in and said I'm the culture

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Speaker 1: now because sort of with that without saying too much,

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Speaker 1: like we've sort of been out there with this movie

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Speaker 1: sort of being like, hey, like check out our culture,

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Speaker 1: and I haven't been watching any culture. I haven't been

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Speaker 1: seeing a damn thing. I've been We've been so busy bow.

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Speaker 1: I guess if Couswives counts as culture, a lot of

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Speaker 1: the readers won't. So it hasn't really been giving like

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Speaker 1: I needed to give I get what you're saying. We'll remember,

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Speaker 1: we got a lot of hype that the Beverly Hills

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Speaker 1: premiere was going to be one of the best premieres ever,

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Speaker 1: and it was good. I just don't think it was

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Speaker 1: like exciting because it was mostly just sad and troubling

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Speaker 1: to watch someone's house get broken into, you know. Yeah,

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Speaker 1: I mean I think did it give like peak housewives,

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Speaker 1: like they're ship going on in the life of a housewife,

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Speaker 1: like we are with her like, but after that, I mean,

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Speaker 1: what we're dealing with is I hate when Beverly Hills

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Speaker 1: is like this, where the conflict is what is the conflict?

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Speaker 1: Like this thing of Crystal being like Sutton said something

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Speaker 1: dark and then not saying what it was. It's like, okay,

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Speaker 1: well then now we're all watching this as entertainment, and

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Speaker 1: the entertainment we're supposed to be consuming is circling the

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Speaker 1: fact that there is no content because you won't say

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Speaker 1: what it is, that there's no context, and then it's

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Speaker 1: just I don't know what's going It's really hard to

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Speaker 1: keep track of. Is it's like Sun said something dark

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Speaker 1: and then it turns into well, Kristen lost fourteen friends

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Speaker 1: because of something she did. It's like, okay, well what

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Speaker 1: neither side or no party is being specific. I will

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Speaker 1: say it is iconic and so funny to me that

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Speaker 1: they keep saying the words fourteen friends because this is

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Speaker 1: this is a thing in girl culture and let's talk

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Speaker 1: about this numbers and people. Clicky girl culture is knowing

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Speaker 1: exactly how many people are in your friend group. Oh,

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Speaker 1: let's say that. It's like we have fourteen girlfriends, not fifteen,

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Speaker 1: not thirteen, fourteen, fourteen and girlfriends. No, it's clicky mean

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Speaker 1: girl culture of all ages, girls of all ages, women

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Speaker 1: of all ages, dames, And it's a red flag. It's

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Speaker 1: a red flag because you know what, I like Crystal

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Speaker 1: Kung Minkoff. But I do get the sense that she

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Speaker 1: is high schoolish. I mean, I know that girl from

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Speaker 1: like my Sunday Chinese school, you know. And anyway, okay,

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Speaker 1: I think that's Housewives give it. That's all I mean, literally,

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Speaker 1: bo on the on this the week of Beyonce releasing

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Speaker 1: break my song on the Solstice, That's actually all we

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Speaker 1: can say about the Housewives. That's all we can say

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Speaker 1: about the Housewives. What do you think of the fact

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Speaker 1: that Beyonce in her storied career has chosen now to

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Speaker 1: call an album renaissance. It's iconic behavior. Renaissance is a renaissance?

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Speaker 1: Is what is the definition of renaissance? It's this is

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Speaker 1: something we should really talk about on Is it actually

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Speaker 1: it's re birth? That was that was sort of iconic

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Speaker 1: us naissance birth? Oh, that's interesting to know. Did you

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Speaker 1: confirm that for yourself on Google? Just do well here,

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Speaker 1: I am sort of looking at it on Google. Well,

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Speaker 1: it says the Renaissance is a period European stark in

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Speaker 1: the transition from Middle Agist mardenity and covering the fifteen

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Speaker 1: and sixteen centuries. And in terms of the actual word itself,

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Speaker 1: I guess I'd have to look on the disambiguation for

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Speaker 1: that one. Sure, sometimes the disambiguation has the meat culture,

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Speaker 1: that's what that's whatever is that girls girl sometimes tis

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Speaker 1: the meat and I found that to be true many times.

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Speaker 1: Here's the thing. I'm not even going to look this

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Speaker 1: up because I'm not going to talk to you a

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Speaker 1: native French speaker, not native, but thinking, well, you know

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Speaker 1: what I'm saying. I know what you're saying. Quebec, Montreal,

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Speaker 1: Quebec is not native. It's so the same same root

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Speaker 1: word as naissance. Yes, I was not born in a

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Speaker 1: French speaking place, and so my native tongue, I would say,

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Speaker 1: is Mandarin Chinese because it was the first language I spoke.

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Speaker 1: There you go, even though it is the language I

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Speaker 1: am at least proficient in. Now. Isn't that so tragic? Oh?

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Speaker 1: I see you just carrying on with your parents speaking.

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Speaker 1: I'm having more trouble carrying on with my parents. Um.

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Speaker 1: It's just wow, that's that's it's giving immigrant experience in

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Speaker 1: a nutshell. Um, you know, losing her mother tongue anyway,

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Speaker 1: speaking of a renaissance more like. Okay, So I think

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Speaker 1: the influences are far reaching. I think, of course Crystal Waters.

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Speaker 1: Robin asked. But I'm saying, Um, I don't mean the influences.

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Speaker 1: I think, um, one of the influences are like from

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Speaker 1: the British folks bread. Yes, it does seem like there

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Speaker 1: will be a lot of difference. She will evoke all

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Speaker 1: kinds of music and that's exciting to me. I mean extremely,

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Speaker 1: and she always really has. But then I think, you know,

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Speaker 1: I think that she had something so specific she needed

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Speaker 1: to get off her chest with lemonade that I felt

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Speaker 1: like we were really living in an emotion in a

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Speaker 1: specific musical world throughout that entire and she also, you know,

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Speaker 1: she's always sort of dipped into other johns, I mean,

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Speaker 1: Daddy Lessons. Obviously that's a flat out country song, Uh,

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Speaker 1: don't Hurt Yourself as like a rock song. She's got

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Speaker 1: it all in her And it's kind of odd that

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Speaker 1: because you think, like, oh, what's she gonna do. We've

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Speaker 1: seen her do everything, and then it's like circling in

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Speaker 1: on this house idea and not only does it feel

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Speaker 1: exactly right for her, but it also feels like something

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Speaker 1: that she can be at the forefront of in terms

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Speaker 1: of bringing it back. And yet, you know, we've all

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Speaker 1: been feeling like it's a moment for house music again,

195
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Speaker 1: and now she's saying it is period. That is period.

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Speaker 1: I think like the why the greater world has not

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Speaker 1: keyed into house music being back yet, and she is

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Speaker 1: the person to bring it back for everybody. You know

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Speaker 1: what I'm saying, Well, Beyonce is monoculture. Beyonce is one

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Speaker 1: of the last pieces of the monoculture. Like, moms are

201
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Speaker 1: going to hear about this song and they would not,

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Speaker 1: and they would not. I think that big freed to

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Speaker 1: I mean, what a what a moment that that she's

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Speaker 1: she's a She's truly reached the highest heights. She she

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Speaker 1: did back and Lemonade, of course, but this is like

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Speaker 1: this is she's very involved in the whole thing. I mean,

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Speaker 1: release your Wiggles is in the biggest song of the year.

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Speaker 1: It's crazy. We never thought, we never thought released the

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Speaker 1: released her Wiggles was going to be out. I was

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Speaker 1: gonna hear that outside of like Brooklyn Bowl when I

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Speaker 1: saw remember that, what was did you did you go

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Speaker 1: to that concert? I was there with you? Oh my god,

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Speaker 1: that was that was so unbelievable funny. I mean just

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Speaker 1: also like like when she has released your trade Beyonce said,

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Speaker 1: Queens in the front, Doms in the back said, I

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Speaker 1: still have to give a close read to the lyrics.

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Speaker 1: That that's how behind I am. What drugs do you

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Speaker 1: think Beyonce has done? Okay, I said that I thought

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Speaker 1: she did ketamine, and the group chat tore me apart.

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Speaker 1: They said, there's no way Beyonce is doing horse pills.

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Speaker 1: I was like, I think there's a deep and girl

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Speaker 1: not doing horse pills. She shot up. She showed up

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Speaker 1: on the horse and the promo materials. That was a

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Speaker 1: note that was not too ketamine. She I bet you.

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Speaker 1: Beyonce tried a little paste of iver mecton back in

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Speaker 1: the fall. Baby, she was like, I feel connected to horses.

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Speaker 1: Let me let me see what this is like. She said,

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Speaker 1: let me see what this is like. She wrote it

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Speaker 1: on that horse into the disco and she said, me

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Speaker 1: and this horse, you know what we both desire. Kay,

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Speaker 1: that little white bag with a K on it. I

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Speaker 1: think Beyonce has done ka. I think Beyonce has done coke.

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Speaker 1: I think she and Jay did coke and didn't like it.

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Speaker 1: They've definitely done trooms. They've definitely done I think they

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Speaker 1: may have not done LSD, but they definitely done something natural.

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Speaker 1: I think they've Yes, I think they did LSD and Beyonce,

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Speaker 1: around our three or hour four of the trip, sat

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Speaker 1: up straight and said, I'm doing a visual album. This

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Speaker 1: is like I think it was yeah way back. I

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Speaker 1: think they obviously smoked reefer mm hmm. They love their booze.

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Speaker 1: She loves with it was Beyonce who loves whales. What's whales? Oh?

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Speaker 1: You mean when Destiny's Child got stoned. That famous interview

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Speaker 1: where they were stoned. But you know what they say

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Speaker 1: they weren't high. That's a full lie. They were. Absolutely

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Speaker 1: they were. They were on another planet. I know what

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Speaker 1: my favorite animal would be a whale. It's so pure,

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Speaker 1: it's so beautiful. And then Michelle, I want to be

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Speaker 1: cheetah and the other girls are like, oh yeah, you

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Speaker 1: are a cheetah and she's like because proud, and I

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Speaker 1: was like, these are girls are you have to do?

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Speaker 1: And this is this is not going to be like

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Speaker 1: the digital black face. Matt has to do all three

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Speaker 1: girls in the in a video. Now, we'll take this out.

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Speaker 1: I don't take it out. I'm not gonna. I'm not gonna.

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Speaker 1: I'm not I'm not going to do it. But if

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Speaker 1: any white gay boy could, it's Matt Rogers. Well, coming

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Speaker 1: from you of the queer POC, we sad it. We can't.

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Speaker 1: We can't. I I took an end of bole layer

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Speaker 1: you did. Oh that's okay. You're on vacation. I'm on vacation.

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Speaker 1: I have not been desponding to the GCS, unfortunately, have not.

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Speaker 1: And also it's been such a moment of culture. I mean,

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Speaker 1: so have you been at least experiencing this song? Out

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Speaker 1: there clearly, not a couple of times. This is what

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Speaker 1: I'm saying. I'm I don't think I've listened more than

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Speaker 1: four times, which feels insane to me. I can't believe

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Speaker 1: in starting off the new era this way. You know me,

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Speaker 1: I've I've been on the front lines every single other era.

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Speaker 1: That's not true. What do you mean? Can I tell

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Speaker 1: you one one era you were not on the front line?

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Speaker 1: Spot are you're talking about? Was Beyonce? Yes, okay, I

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Speaker 1: think I'm talking about in general because I was. I

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Speaker 1: was the person on this podcast that showed you driver's license.

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Speaker 1: Oh yeah, no, I'm It's impossible to be on the

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Speaker 1: front lines of all the dolls and all the eras.

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Speaker 1: It's impossible. It's actually real culture number thirteen. It's impossible

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Speaker 1: on the front lines of all the eras. Now we're

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Speaker 1: simply humans. I I feel like I've always been there

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Speaker 1: for the lead single, and this time I don't know,

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Speaker 1: I've I've been so whatever. I like. We we traveled

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Speaker 1: yesterday and we were just sitting around having deep conversations

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Speaker 1: like we have not had time. We have not we

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Speaker 1: really have? You mean? I mean yea? I well, God,

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Speaker 1: the travel nightmare up yesterday. I traveled on Monday, Monday June,

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Speaker 1: and it was a night mayor travel day, a delta.

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Speaker 1: But I eventually did get back here to Los Angeles

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Speaker 1: and here for a couple of days, and I was

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Speaker 1: sort of nervous because I was like, if I'm in

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Speaker 1: the air when this song comes out, oh no, no no,

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Speaker 1: because you know, the WiFi wasn't working boo oh, of

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Speaker 1: course not and why was I'm just I'm just checking

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Speaker 1: my phone because I thought, oh, I gotta be real.

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Speaker 1: If I be real happens in the sky, I'm gonna

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Speaker 1: lose it. That really would not have been good. That

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Speaker 1: really would not have been good if you were be

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Speaker 1: real last night real that's not on the planet, in

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Speaker 1: the in the current states that I was. And then again,

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Speaker 1: I don't think why people wanted to see me be

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Speaker 1: real at that moment. Okay, that's not at my finest

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Speaker 1: of the plane. Hold it right there. It's counterproductive. I know,

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Speaker 1: I know, I know, I want to see this is

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Speaker 1: the thing. I know, like people will not want to

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Speaker 1: be real when they are in a distressed state. But yeah,

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Speaker 1: but once in your life, once and once this year,

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Speaker 1: I want to see be real that you took during

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Speaker 1: the real when you didn't want to necessarily take the

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Speaker 1: photo take to be real? Is everything? Okay, we just

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Speaker 1: got in my text from we Oh what did it say?

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Speaker 1: It's about the show? And wait, can we say but first,

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Speaker 1: let me take out these strips Okay, okay, yeah, yeah,

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Speaker 1: well no you had I think you had like five minutes,

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Speaker 1: but I but I put them on like five minutes

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Speaker 1: before they're out. Listen to all the readers and publicists

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Speaker 1: that came to our last Culture Racist Culture Awards show,

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Speaker 1: Thank you for contributing to one of the best nights

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Speaker 1: of our life. Yeah, that was so much fun. It was.

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Speaker 1: I can't believe how much fun I had. I didn't

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Speaker 1: really think. I don't think I knew what to expect.

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Speaker 1: I just knew it was gonna be I was like,

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Speaker 1: this is gonna be stupid, this is gonna be fun, period,

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Speaker 1: and it doesn't have to be anything more than that.

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Speaker 1: But it was just this reciprocal joy that I think

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Speaker 1: really hit me like a ton of bricks. I'm still

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Speaker 1: not over it. I cried in therapy the next day

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Speaker 1: about about everybody who listens and everybody who came to

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Speaker 1: the show and about Matt. I cried about the friendship.

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Speaker 1: I cried on stage. I know, I know, and you

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Speaker 1: know me, I'm not. It takes me a little bit.

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Speaker 1: I hold. It's not withholding. I don't find it to

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Speaker 1: be a flaw. You're a slow process. I just think

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Speaker 1: it hits me to on its own time. And it

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Speaker 1: was so it's so funny that difference between us, because yes,

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Speaker 1: you are very like sort of like stoic, and you

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Speaker 1: you were, you were really receiving and then to hear

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Speaker 1: that you had their emotional realization later. Meanwhile, throughout Press

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Speaker 1: on Fire Island, like one or two days into press,

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Speaker 1: I'm crying and all the interviews. I broke down like

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Speaker 1: several times in interviews and they were like okay, and

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Speaker 1: I was just like, I'm sorry, just emotional. Cried. At

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Speaker 1: the end of the show, I am so I've been

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Speaker 1: really emotional for like weeks, and like I just feel

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Speaker 1: like so grateful to everybody and like how much love

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Speaker 1: like we felt, because really that's what it was. It

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Speaker 1: was like a love fest and we got to do

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Speaker 1: all this dumb ship and every single dumb thing we

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Speaker 1: put into that show was met with so much love

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Speaker 1: and and everyone just got it, and we feel like,

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Speaker 1: how lucky are we that we get to share language

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Speaker 1: with all of you that like listen to the show.

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Speaker 1: And I have been loving this for such a long time,

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Speaker 1: and it's so at your time is the most valuable thing.

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Speaker 1: So I feel like this is why it's so special

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Speaker 1: when people listen to any podcast is because it is

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Speaker 1: inviting whoever makes that podcast into your life for like

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Speaker 1: an extended amount of time. Um, And it just I

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Speaker 1: don't know, it was really really nice. It was this

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Speaker 1: again reciprocal thing, like it was given to us, we

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Speaker 1: try to give it to you in all these stupid ways. UM.

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Speaker 1: A lot of people are asking like, are we going

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Speaker 1: to stream it? Are we going to do something with it?

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Speaker 1: We did film it. We don't know what we're doing

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Speaker 1: with it yet. Um. It really was not prepared to

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Speaker 1: be a live episode of the podcast. It was sort

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Speaker 1: of a thing that we were doing with Lincoln Center.

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Speaker 1: I hope you guys understand that. Um, but we want

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Speaker 1: to do something with it, and we did shoot it

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Speaker 1: and shout the funk out to our unbelievable producer. Her

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Speaker 1: name is Lauren Mandel, remember the name. She's gonna run

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Speaker 1: this whole world in about two seconds. Who took bowen

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Speaker 1: and eyes like impulses and ideas about this and just

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Speaker 1: like our text about things that could possibly happen, and

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Speaker 1: like us filling in the Google doc that she made

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Speaker 1: like and just made it all happen and run so seamlessly.

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Speaker 1: Can you imagine? We were saying, can you imagine if

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Speaker 1: we tried to do that ourselves? It would have been

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Speaker 1: a wreck. It would have been a wreck. No. They

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Speaker 1: literally we're like, okay, you guys can like just let

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Speaker 1: us Like they were like, you guys sent us the

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Speaker 1: run of show and like let us know what you're thinking.

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Speaker 1: And I immediately was like, Matt, we have to hire someone,

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Speaker 1: to hire some we cannot do this and I know

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Speaker 1: just the person um and God, Lauren is a worker

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Speaker 1: of miracles. I will. I've never been unimpressed by her.

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Speaker 1: I've known her for a while now. She is one

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Speaker 1: of just one of the most capable, smartest, most effective people.

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Speaker 1: And really I was, I like, I had to run

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Speaker 1: into this production meeting when she was running it before

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Speaker 1: the show started, and the way she talks to everybody

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Speaker 1: is like so respectful, and I'm like, God, how it

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Speaker 1: can be done this way, someone who like just understands

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Speaker 1: everyone's needs and what the whole project itself needs. Yeah,

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Speaker 1: I I can't believe it. And also talk about like

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Speaker 1: you know, you as someone who's like doing the show

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Speaker 1: and like the face of the show, like all you

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Speaker 1: want is for that to feel like that's the vibe

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Speaker 1: and the energy going into the show, and like it

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Speaker 1: really sucks when, like you hear about like other things

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Speaker 1: production shows out there where there's bad energy, because it

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Speaker 1: does doesn't need to be like that, you know. And

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Speaker 1: and it's so it was so rewarding to be a

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Speaker 1: part of something that was so fun and received well

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Speaker 1: but also felt good and positive in the lead up.

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Speaker 1: We weren't stressed out like and god knows like we

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Speaker 1: had been busy before that, so we really like we

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Speaker 1: needed help. So that's true collaboration and that rocked. What

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Speaker 1: was your favorite part? I think my favorite part was

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Speaker 1: singing Driver's License with Josh and Aaron. Yeah. I'll never

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Speaker 1: forget that. I'll never forget that. I'll never forget the

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Speaker 1: way Cola school. It made me laugh during not during that,

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Speaker 1: we'll both during their acceptance speech, and I can't wait

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Speaker 1: to I don't think anyone on Instagram took this video.

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Speaker 1: But when they presented for the Tina Turner Legend Award,

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Speaker 1: we mostly gave everybody, um really quick presenter copy that

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Speaker 1: we wrote, and then everybody sort of embellished onto it,

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Speaker 1: made it their own in the best way, truly, every

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Speaker 1: no flops, everyone no, everyone crushed and um but cold schooler.

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Speaker 1: Really all we gave cold school because it was the

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Speaker 1: last it was the last category we got to. In

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Speaker 1: terms of writing the copy, all we wrote was Matt,

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Speaker 1: I wrote this is a place for legends. Okay, I

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Speaker 1: know you wrote that, Matt for legends, okay. And here

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Speaker 1: are the nominees for the Tina Turner Legend Award. We

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00:23:59,440 --> 00:24:00,720
Speaker 1: just gave that to Hole. We were like, we don't

423
00:24:00,720 --> 00:24:03,600
Speaker 1: know what to do with this. Make it whatever you want.

424
00:24:03,640 --> 00:24:08,560
Speaker 1: And then they wrote the funniest most funniest person in

425
00:24:08,600 --> 00:24:13,320
Speaker 1: America performance of an Awards Show presentation ever. It was

426
00:24:13,520 --> 00:24:17,679
Speaker 1: like Cole was giving, like Alice Ripley the entire night,

427
00:24:19,200 --> 00:24:24,880
Speaker 1: like giving, giving, giving feverish Awards attendee, like just it's

428
00:24:24,960 --> 00:24:28,880
Speaker 1: the award, It's awards night. It's such a fun character though,

429
00:24:29,000 --> 00:24:31,200
Speaker 1: and like we don't really I think we as like

430
00:24:31,680 --> 00:24:34,440
Speaker 1: comedians who are stupid and love awards show culture, like,

431
00:24:34,560 --> 00:24:37,800
Speaker 1: we don't get to perform that that often, and Cole

432
00:24:38,080 --> 00:24:41,639
Speaker 1: and we and Cole took that assignment and ran with

433
00:24:41,840 --> 00:24:46,119
Speaker 1: it and did the best version of it. Also, Patti

434
00:24:46,200 --> 00:24:49,359
Speaker 1: Harrison was miss Cultural and the event was with her

435
00:24:49,440 --> 00:24:52,120
Speaker 1: with that war was really heavy and every single time

436
00:24:52,160 --> 00:24:54,040
Speaker 1: she came at it just looked heavier and she was

437
00:24:54,240 --> 00:24:57,800
Speaker 1: really she looked so much pain. And it was also

438
00:24:57,960 --> 00:25:01,880
Speaker 1: that it was a star. What a star are Patty Harris? Then? Honestly,

439
00:25:02,040 --> 00:25:05,879
Speaker 1: and then we have we we have to mention that

440
00:25:06,119 --> 00:25:09,840
Speaker 1: Taylor Swift sent in videos to our show, sent in

441
00:25:09,920 --> 00:25:15,280
Speaker 1: an original, an original comedy bit. She was like, okay, um,

442
00:25:15,480 --> 00:25:17,960
Speaker 1: I guess I'll pull a glass of wine out of

443
00:25:18,000 --> 00:25:23,040
Speaker 1: a baking tray and like, we just said, just record

444
00:25:23,080 --> 00:25:25,639
Speaker 1: an acceptance speech. And then she sent it back and

445
00:25:25,680 --> 00:25:27,520
Speaker 1: then you were with I texted her, we got the videos.

446
00:25:27,560 --> 00:25:29,480
Speaker 1: We were screaming, and then I was like, Taylor, you

447
00:25:29,600 --> 00:25:32,119
Speaker 1: nailed it. And then she goes she was like, I

448
00:25:32,160 --> 00:25:34,240
Speaker 1: wasn't sure about the tone, so this is good to hear.

449
00:25:34,280 --> 00:25:38,200
Speaker 1: And I was like, she started, she's she's she's an artist.

450
00:25:38,359 --> 00:25:42,560
Speaker 1: She she's asking about tone and he knows. And not

451
00:25:42,840 --> 00:25:45,639
Speaker 1: only did our a live audience love it, but it

452
00:25:45,760 --> 00:25:49,000
Speaker 1: went viral on Twitter amongst the Swifties. And let's have

453
00:25:49,119 --> 00:25:53,960
Speaker 1: this conversation. Do we believe that there is an easter

454
00:25:54,160 --> 00:25:59,960
Speaker 1: egg for Taylor's version that was in the acceptance speeches

455
00:26:00,000 --> 00:26:03,240
Speaker 1: at the last Cultures Cultural Awards And take that sentence

456
00:26:03,280 --> 00:26:07,560
Speaker 1: in for a second. So fucking funny. So I was

457
00:26:07,720 --> 00:26:10,239
Speaker 1: with you. We watched the videos for the first time

458
00:26:10,280 --> 00:26:13,960
Speaker 1: on my computer, right and you walked away. I was

459
00:26:14,000 --> 00:26:16,680
Speaker 1: in shock. We needed to just we were in shock.

460
00:26:17,400 --> 00:26:19,440
Speaker 1: But I watched it again, that first one for the

461
00:26:19,480 --> 00:26:23,280
Speaker 1: Taylor Swift Award where she passes by the alleged big

462
00:26:23,359 --> 00:26:28,160
Speaker 1: easter egg of a little chalkboard that says secret Sessions Nashville.

463
00:26:31,200 --> 00:26:35,480
Speaker 1: I paused the video. You thought you knew to pause. Wow,

464
00:26:35,640 --> 00:26:40,199
Speaker 1: you're really looking for you don't remember this? You were

465
00:26:40,600 --> 00:26:42,160
Speaker 1: you were after the sid I was like, wait a minute,

466
00:26:42,440 --> 00:26:45,360
Speaker 1: Like I saw it before anyone else. I said, wait

467
00:26:45,359 --> 00:26:48,800
Speaker 1: a minute. I stopped it. What's that? And I was

468
00:26:48,880 --> 00:26:50,200
Speaker 1: it was truly out of a movie. I was like

469
00:26:50,359 --> 00:26:55,480
Speaker 1: enhanced picture and then I mean it said what it's said?

470
00:26:56,200 --> 00:26:58,359
Speaker 1: And I was like, what does this mean? And I

471
00:26:58,440 --> 00:27:00,440
Speaker 1: was like, did she just leave that up there the

472
00:27:00,480 --> 00:27:04,600
Speaker 1: whole time? Since I don't, I don't think anything is

473
00:27:04,640 --> 00:27:08,480
Speaker 1: an accident. No, as she the chalk looks too clean,

474
00:27:09,680 --> 00:27:14,240
Speaker 1: it looks like it was freshly written. I was like,

475
00:27:14,440 --> 00:27:18,639
Speaker 1: this is something. And the house was not necessarily giving Nashville.

476
00:27:19,200 --> 00:27:24,600
Speaker 1: The house was giving Los Angeles Hampton's. The lighting was

477
00:27:24,680 --> 00:27:29,480
Speaker 1: not Southern. You know there's there's southern lighting. It was

478
00:27:29,560 --> 00:27:32,600
Speaker 1: not giving rustic. I don't think we would have received

479
00:27:32,720 --> 00:27:34,680
Speaker 1: a video like this during the Red Arrow. Let's just

480
00:27:34,760 --> 00:27:37,400
Speaker 1: say that. Okay, So there's a few things that people

481
00:27:37,440 --> 00:27:41,520
Speaker 1: are zoning in. One the color of her vest, giving

482
00:27:41,520 --> 00:27:44,359
Speaker 1: the vehicle, giving out of the woods, giving giving that

483
00:27:44,560 --> 00:27:47,879
Speaker 1: that that wildest dreams. TikTok. This is when you're supposed

484
00:27:47,880 --> 00:27:51,080
Speaker 1: to do your whiteships. By the way, okay, you already

485
00:27:51,080 --> 00:27:58,880
Speaker 1: took thank you. Also, the length of her hair, it's

486
00:27:58,920 --> 00:28:02,680
Speaker 1: giving the bob. Had she and yes, had she taken

487
00:28:02,760 --> 00:28:05,399
Speaker 1: her hair out, it would have been about because she

488
00:28:05,520 --> 00:28:10,760
Speaker 1: was giving bangs, right mm hmmm. I don't think there

489
00:28:10,760 --> 00:28:13,200
Speaker 1: were as many Easter eggs in the second video that,

490
00:28:13,320 --> 00:28:16,960
Speaker 1: which is what is what is interesting to me that

491
00:28:17,040 --> 00:28:20,720
Speaker 1: she kept that one pretty sparse. Well, then some people

492
00:28:20,800 --> 00:28:23,600
Speaker 1: online are actually going too far, which is that, Well,

493
00:28:23,960 --> 00:28:26,720
Speaker 1: you noticed that she accepted the awards for Baking Cookies

494
00:28:26,800 --> 00:28:30,160
Speaker 1: and the Wildest Dreams Enchanted mash up from the tour,

495
00:28:30,200 --> 00:28:34,000
Speaker 1: and I have to something. We chose that, We chose those,

496
00:28:34,080 --> 00:28:38,320
Speaker 1: so so that is those were the winners that we picked,

497
00:28:38,840 --> 00:28:40,760
Speaker 1: and we should say we picked all the winners for

498
00:28:40,800 --> 00:28:43,880
Speaker 1: the Cultural awards. So that was not her being like, yes,

499
00:28:43,920 --> 00:28:46,800
Speaker 1: I'll accept the award for this and this. We chose

500
00:28:46,880 --> 00:28:50,040
Speaker 1: those because those were we felt the winners of the

501
00:28:50,120 --> 00:28:54,080
Speaker 1: Best Taylor Swift and Best Taylor Swift Awards, respectively, So

502
00:28:54,240 --> 00:28:58,040
Speaker 1: that was not her. That was not an easter confirmed confirmed, confirmed,

503
00:28:58,280 --> 00:29:02,400
Speaker 1: although I do think releasing albums in November is very Taylor.

504
00:29:03,040 --> 00:29:06,360
Speaker 1: Although we it should have been releasing albums in October

505
00:29:06,600 --> 00:29:10,120
Speaker 1: or November. Should it have been, because all the way

506
00:29:10,320 --> 00:29:13,960
Speaker 1: from debut all the way up to I want to say,

507
00:29:14,840 --> 00:29:18,200
Speaker 1: it was all October releases. Reputation was the first November release,

508
00:29:19,160 --> 00:29:23,880
Speaker 1: then the one after that was um read. I thought

509
00:29:23,960 --> 00:29:27,440
Speaker 1: November was like her thin it's October, it's end of October.

510
00:29:27,720 --> 00:29:31,600
Speaker 1: Well that actually the nominee was releasing albums in the fall.

511
00:29:33,440 --> 00:29:36,560
Speaker 1: And the changes. There was some error in translation where

512
00:29:36,600 --> 00:29:40,720
Speaker 1: it became releasing albums in November. Wait, I'm scared what.

513
00:29:42,000 --> 00:29:44,640
Speaker 1: We don't know how it happened. We don't miss translate ourselves.

514
00:29:44,800 --> 00:29:47,680
Speaker 1: We do not. I don't know what happened. Maybe it

515
00:29:47,760 --> 00:29:55,280
Speaker 1: was our flop producer Lauren Mandel. I just think that

516
00:29:56,720 --> 00:29:58,000
Speaker 1: it was obvious to me that it was going to

517
00:29:58,040 --> 00:30:01,280
Speaker 1: be and she's been really thing while the streams in

518
00:30:01,440 --> 00:30:05,800
Speaker 1: this love. I feel it's pretty obvious and I think that,

519
00:30:06,200 --> 00:30:08,640
Speaker 1: but I guess here's my question to you. Do you

520
00:30:08,880 --> 00:30:11,280
Speaker 1: think that any part of what she did in that

521
00:30:11,480 --> 00:30:15,600
Speaker 1: video was intentional? And of course it was intentional she

522
00:30:15,640 --> 00:30:18,200
Speaker 1: put them together, But in terms of releasing an Easter Egg,

523
00:30:18,440 --> 00:30:20,920
Speaker 1: do you think we have an Easter Egg in our videos?

524
00:30:21,200 --> 00:30:23,520
Speaker 1: I think the Easter egg the only one that is

525
00:30:25,320 --> 00:30:29,800
Speaker 1: likely in Easter is the chalkboard. Okay, not that's not

526
00:30:29,920 --> 00:30:33,840
Speaker 1: the hair length. No, it's just the chalkboard, just because

527
00:30:33,880 --> 00:30:36,760
Speaker 1: it looks recently written and not like it was eight

528
00:30:36,840 --> 00:30:42,440
Speaker 1: years old, because the album wildly years whoa, whoa, whoa, whoa.

529
00:30:42,480 --> 00:30:45,000
Speaker 1: We'll let me sit with that for a second. Hold on,

530
00:30:45,880 --> 00:30:48,520
Speaker 1: that's an eight year old album. Yeah, I guess it

531
00:30:48,680 --> 00:30:54,120
Speaker 1: is holy show. I uh, I think that is the

532
00:30:54,200 --> 00:30:59,240
Speaker 1: only intentional thing. Um, But I just think it's really

533
00:30:59,280 --> 00:31:02,080
Speaker 1: funny that well, first of all, our mentions are fucking

534
00:31:02,240 --> 00:31:07,640
Speaker 1: chaos right now because Pop anytime Pop Crave tags us laugh,

535
00:31:08,320 --> 00:31:13,200
Speaker 1: the replies are fucking unhinged and this actually is terrifying.

536
00:31:13,280 --> 00:31:17,200
Speaker 1: And the swifties are always, always, always going strong. But

537
00:31:17,360 --> 00:31:25,920
Speaker 1: some of these other standoms are kukuba bananas. I mean, uh,

538
00:31:28,040 --> 00:31:32,920
Speaker 1: to be involved in swifty culture in this way, it's aspirational,

539
00:31:33,280 --> 00:31:36,080
Speaker 1: it's aspirational, it's thrilling, and it's also opened my eyes

540
00:31:36,160 --> 00:31:41,280
Speaker 1: up to the underbelly. I mean definitely the world, definitely

541
00:31:41,320 --> 00:31:44,920
Speaker 1: the world. But I have to say, like the decisiveness

542
00:31:45,000 --> 00:31:48,560
Speaker 1: which they were tweeting with which they were tweeting cookies,

543
00:31:48,600 --> 00:31:50,720
Speaker 1: she make cookies at this time at the listening party

544
00:31:50,880 --> 00:31:58,880
Speaker 1: while the streams coming. I yeah, I mean like it's

545
00:31:59,040 --> 00:32:04,200
Speaker 1: it's it's really really interesting to me. So do you

546
00:32:04,400 --> 00:32:09,040
Speaker 1: think that Beyonce saw that Taylor announced stuff of the

547
00:32:09,120 --> 00:32:11,640
Speaker 1: Cultural Awards and so she said we have to move

548
00:32:11,760 --> 00:32:17,040
Speaker 1: up my Yeah, she got jealous at the coture. We

549
00:32:17,560 --> 00:32:21,720
Speaker 1: readers and policists have to understand. We were sitting on

550
00:32:21,880 --> 00:32:25,080
Speaker 1: the deck in Provincetown, like putting the show together, and

551
00:32:25,160 --> 00:32:27,640
Speaker 1: we were like, did we get the video from Lisa Coudro?

552
00:32:27,800 --> 00:32:29,800
Speaker 1: We did, okay? And what are we at with Taylor?

553
00:32:30,320 --> 00:32:33,560
Speaker 1: Taylor She's She's coming here? And we received Canda Stiller

554
00:32:33,600 --> 00:32:36,480
Speaker 1: Baskett's video. Yet did we we have She's It's coming?

555
00:32:37,480 --> 00:32:39,560
Speaker 1: We was in hours great and so in terms of

556
00:32:39,600 --> 00:32:43,240
Speaker 1: the show order, we were putting together this real ass

557
00:32:43,280 --> 00:32:50,840
Speaker 1: Awards show. It was so funny it was and an

558
00:32:50,880 --> 00:32:53,560
Speaker 1: experience I will never forget. And we performed Cool for

559
00:32:53,600 --> 00:32:58,040
Speaker 1: the Summer, which was a thrill which no, no, no, no, no,

560
00:32:58,200 --> 00:33:00,240
Speaker 1: it wasn't new it was me I came into Really

561
00:33:01,320 --> 00:33:07,320
Speaker 1: it wasn't that at one point did And that's my

562
00:33:07,400 --> 00:33:10,320
Speaker 1: fault because I kept wanting to change it. Oh, let's

563
00:33:10,440 --> 00:33:17,120
Speaker 1: let's shout out our wonderful musical David David dabbin Legend Arrangement.

564
00:33:17,240 --> 00:33:20,720
Speaker 1: Legend was working on almost all of the Jimmy Awards

565
00:33:21,000 --> 00:33:26,880
Speaker 1: until very recently and has arranged so many wonderful shows Beetlejuice,

566
00:33:26,920 --> 00:33:31,560
Speaker 1: Funny Girl, so many wonderful shows. Um. He was so

567
00:33:31,760 --> 00:33:34,400
Speaker 1: fantastic to work with and nailed it and a great

568
00:33:34,560 --> 00:33:38,840
Speaker 1: feel like like a show, like a truly great energy,

569
00:33:39,160 --> 00:33:40,560
Speaker 1: you know what I mean, just like and that's the

570
00:33:40,640 --> 00:33:42,960
Speaker 1: thing too, is it's like when you're making changes like

571
00:33:43,040 --> 00:33:44,800
Speaker 1: to something like that. Like for me, it's like if

572
00:33:44,840 --> 00:33:46,320
Speaker 1: I was never told like, oh, we need to change

573
00:33:46,360 --> 00:33:50,240
Speaker 1: the key, I feel like I'd have a fucking but

574
00:33:50,400 --> 00:33:52,400
Speaker 1: like he he was just like yep. And that's that's

575
00:33:52,440 --> 00:33:55,880
Speaker 1: when you realize, like people that are true musical geniuses

576
00:33:56,440 --> 00:33:58,360
Speaker 1: like they to me are like the first of all

577
00:33:58,480 --> 00:34:01,600
Speaker 1: hottest people. I get so turned on when someone is

578
00:34:01,640 --> 00:34:04,400
Speaker 1: like a crazy good music brain works like that. Yeah,

579
00:34:04,680 --> 00:34:07,840
Speaker 1: It's just there's something about that that I cannot like.

580
00:34:07,920 --> 00:34:10,000
Speaker 1: It's like cott engineer dug, you know what I mean.

581
00:34:10,080 --> 00:34:12,960
Speaker 1: It's just like it's magic, part of the horny nous

582
00:34:13,040 --> 00:34:16,560
Speaker 1: around him. It is that is would you say that

583
00:34:16,800 --> 00:34:19,480
Speaker 1: music is like casting a spell? Playing music is like

584
00:34:19,560 --> 00:34:21,680
Speaker 1: casting a spell, And when you tell a musical director

585
00:34:21,760 --> 00:34:24,279
Speaker 1: you need to change the key, they go okay, and

586
00:34:24,440 --> 00:34:27,759
Speaker 1: then immediately magic flows out of there, like they can

587
00:34:27,840 --> 00:34:31,920
Speaker 1: cast a spell on manned Honey. You might as well say, Alahamura,

588
00:34:32,040 --> 00:34:35,600
Speaker 1: because I'm on the Lahamura girl. Girl. You might as

589
00:34:35,640 --> 00:34:39,120
Speaker 1: well say because I'm illuminated, girl. You might as well

590
00:34:39,200 --> 00:34:42,640
Speaker 1: say expelling armist because I'm disarmed. Mama. You might as

591
00:34:42,680 --> 00:34:44,920
Speaker 1: well say I bought a cadavra because my ass is

592
00:34:45,000 --> 00:34:49,319
Speaker 1: fucking dead for you, honey, you might as well say crucio, bitch,

593
00:34:49,680 --> 00:34:53,239
Speaker 1: because I am on my knees. On my knees, you

594
00:34:53,320 --> 00:34:56,840
Speaker 1: might as well say imperio, bitch, because I am traumatized.

595
00:34:56,960 --> 00:35:01,080
Speaker 1: I would do whatever you tell me to do. Okay, Okay,

596
00:35:02,080 --> 00:35:05,040
Speaker 1: you might as well say set them CenTra because my

597
00:35:05,120 --> 00:35:12,520
Speaker 1: snake is out, Mama. You might as well say no

598
00:35:14,040 --> 00:35:18,680
Speaker 1: expected patron um because I just released I just released

599
00:35:18,840 --> 00:35:23,439
Speaker 1: a white cloud into the sky. I came buckets, Mama.

600
00:35:23,520 --> 00:35:29,600
Speaker 1: My essence is all over the place. Harry Potter is good.

601
00:35:29,719 --> 00:35:36,759
Speaker 1: It sucks. No, it's actually not good. Well, she's not

602
00:35:36,880 --> 00:35:40,359
Speaker 1: only did she ruin her legacy like in her personal way,

603
00:35:40,480 --> 00:35:44,120
Speaker 1: but she like ruined the cannon of the story with

604
00:35:44,239 --> 00:35:46,920
Speaker 1: all her all her fucking flop movies. I have to

605
00:35:46,960 --> 00:35:50,000
Speaker 1: say on this her movie, I'm saying her movies, I'm saying,

606
00:35:50,040 --> 00:35:53,279
Speaker 1: like the fantastic some of the worst films of all

607
00:35:53,360 --> 00:35:57,080
Speaker 1: time ever made. But on this the week Beyonce has

608
00:35:57,160 --> 00:35:59,959
Speaker 1: released Break My Soul on the on the soul Stice

609
00:36:00,400 --> 00:36:02,879
Speaker 1: and Taylor Swift has appeared on the last Culture Soos

610
00:36:02,880 --> 00:36:06,440
Speaker 1: Cultural Awards and potentially released Easter eggs. We cannot talk

611
00:36:06,480 --> 00:36:09,440
Speaker 1: about ja k rolling. I mean we we must we

612
00:36:09,640 --> 00:36:12,239
Speaker 1: must not, we must not. Okay, well I feel it.

613
00:36:12,320 --> 00:36:17,880
Speaker 1: I feel like between Beyonce and Taylor, Um, what do

614
00:36:18,000 --> 00:36:20,720
Speaker 1: you have to say about? Can we just say general

615
00:36:20,800 --> 00:36:23,360
Speaker 1: gag on news? We what go? The fact that Beyonce

616
00:36:23,520 --> 00:36:25,319
Speaker 1: and Taylor are sort of in the culture right now,

617
00:36:26,440 --> 00:36:30,759
Speaker 1: it's giving, it's giving Obama era, it's giving two thousand ten.

618
00:36:31,640 --> 00:36:33,920
Speaker 1: We don't even know that there can be cares in

619
00:36:34,000 --> 00:36:40,719
Speaker 1: the world. Boots girl, I miss optimism, don't you? Don't

620
00:36:40,760 --> 00:36:42,880
Speaker 1: you miss optimism? And isn't it so sad how we

621
00:36:42,920 --> 00:36:46,600
Speaker 1: can never feel that way ever again about anything? Wow?

622
00:36:46,719 --> 00:36:48,279
Speaker 1: Like we as a we, as a society and a

623
00:36:48,360 --> 00:36:51,200
Speaker 1: culture and as a generation in all the generations below us,

624
00:36:51,360 --> 00:36:56,520
Speaker 1: Like no one can feel optimistic about things ever again. Ever.

625
00:36:57,360 --> 00:37:00,359
Speaker 1: I'm so stoned and I'm so sorry. Are you released? Okay?

626
00:37:00,400 --> 00:37:02,520
Speaker 1: So yeah, I cannot be stone because I have to

627
00:37:02,560 --> 00:37:05,320
Speaker 1: do an audition after this, but I would be with you,

628
00:37:05,440 --> 00:37:09,000
Speaker 1: my sister, and I feel sad that I'm the stone

629
00:37:09,239 --> 00:37:11,719
Speaker 1: are they are the dolls that you're with sort of

630
00:37:11,800 --> 00:37:17,520
Speaker 1: downstairs stoned. They're downstairs, they're not stoned, they're sort of swimming,

631
00:37:17,680 --> 00:37:23,080
Speaker 1: drinking probiotic sodas. Really, Oh my god, it's it's giving healthy, healthy,

632
00:37:24,040 --> 00:37:27,919
Speaker 1: it's giving choose your own adventure, which which I love.

633
00:37:28,120 --> 00:37:31,319
Speaker 1: Oh my god. Okay, So the next time you hear

634
00:37:31,400 --> 00:37:33,680
Speaker 1: Bone and I together is going to be when we

635
00:37:33,840 --> 00:37:36,040
Speaker 1: do our follow up to an Honest Conversation. That's going

636
00:37:36,080 --> 00:37:39,160
Speaker 1: to be called an Honest Conversation Part two, and it

637
00:37:39,200 --> 00:37:42,160
Speaker 1: will be live from Fire Island, where Bone and I

638
00:37:42,239 --> 00:37:45,080
Speaker 1: are going. I think we've said it so many times.

639
00:37:45,280 --> 00:37:48,120
Speaker 1: We're gonna be there the first week of July and

640
00:37:48,280 --> 00:37:50,279
Speaker 1: we will do our next culture catch up from there.

641
00:37:50,840 --> 00:37:52,720
Speaker 1: And I'm looking forward to going back to the Pintes.

642
00:37:52,800 --> 00:37:54,799
Speaker 1: I want my brain to break in half. I'm looking

643
00:37:54,840 --> 00:38:00,920
Speaker 1: forward to a h e a u X summa homa.

644
00:38:01,680 --> 00:38:06,520
Speaker 1: What does what does being a hope mean to you? Oh?

645
00:38:06,719 --> 00:38:08,560
Speaker 1: Oh it is okay. I thought you were just like

646
00:38:09,120 --> 00:38:11,879
Speaker 1: I want my brain to be cracked like an egg

647
00:38:12,239 --> 00:38:16,359
Speaker 1: like all that for sure, but you also be dicked down.

648
00:38:16,600 --> 00:38:20,319
Speaker 1: I'm looking forward to meeting Big Bro Park two. Oh

649
00:38:20,400 --> 00:38:24,120
Speaker 1: my god, I'm so excited. For you be excited for yourself. Bitch,

650
00:38:24,800 --> 00:38:27,200
Speaker 1: What do you mean someone's going to break your soul

651
00:38:27,320 --> 00:38:31,320
Speaker 1: like a whole. I don't know. It really hasn't happened.

652
00:38:31,560 --> 00:38:34,120
Speaker 1: It's so crazy. How long it's been. What are you

653
00:38:34,280 --> 00:38:39,040
Speaker 1: talking about? You do that had since I've had anal sex. No? Literally,

654
00:38:39,360 --> 00:38:42,040
Speaker 1: this this is what we're talking about. What's the problem? Um?

655
00:38:42,120 --> 00:38:45,239
Speaker 1: It just never leads up to that either, Like, it's

656
00:38:45,280 --> 00:38:47,560
Speaker 1: just it's just not in the cards, as they say.

657
00:38:48,160 --> 00:38:53,880
Speaker 1: Do you feel that I'm ready, You're ready, I'm ready.

658
00:38:53,960 --> 00:38:58,440
Speaker 1: It's just that I'm like, Oh, it's I'm tired. I

659
00:38:58,520 --> 00:39:00,960
Speaker 1: don't want to. I don't I don't want to do it.

660
00:39:01,440 --> 00:39:03,200
Speaker 1: Maybe that's it. It's just it's just that I've been

661
00:39:03,200 --> 00:39:06,600
Speaker 1: busy and tired. M hmm. But that but that there's

662
00:39:06,640 --> 00:39:08,399
Speaker 1: but there's nothing fun about what we need to get

663
00:39:08,440 --> 00:39:12,200
Speaker 1: you on something Fire Island. Oh my god, I can't wait.

664
00:39:13,600 --> 00:39:16,879
Speaker 1: We're jumping into saying that we're we're open to all

665
00:39:16,920 --> 00:39:20,919
Speaker 1: sorts of experiences on the Fine Island Pines us sort

666
00:39:20,920 --> 00:39:23,920
Speaker 1: of the mascots of the island. Well, it's like it's

667
00:39:23,960 --> 00:39:26,360
Speaker 1: giving Donald Duck and Mickey and you know you're giving

668
00:39:26,480 --> 00:39:30,080
Speaker 1: Donald no Joel Kim is Mickey You, You and I

669
00:39:30,120 --> 00:39:35,040
Speaker 1: are Donald Goofy. I'm Donald and if it stuck, but

670
00:39:35,120 --> 00:39:36,840
Speaker 1: I guess some people do like it doesn't stuck to

671
00:39:36,880 --> 00:39:40,759
Speaker 1: be Goofy. Oh no, in Kingdom Hearts, Goofy is so important.

672
00:39:41,440 --> 00:39:45,799
Speaker 1: Goofy's your tank, Donald Donald, Donald's your spelled caster, which

673
00:39:45,840 --> 00:39:47,560
Speaker 1: feels like me, you know, it feels like very like.

674
00:39:48,680 --> 00:39:51,799
Speaker 1: I love actually that that's you, because you're the more

675
00:39:51,920 --> 00:39:56,520
Speaker 1: musical one. Is that true? Maybe I'm maybe I'm the tank.

676
00:39:56,560 --> 00:39:59,520
Speaker 1: I'm stoic, I'm the tank. I'm Goofy. I don't think

677
00:39:59,560 --> 00:40:03,080
Speaker 1: you give UFI not like me. I'm sort of lanky

678
00:40:03,320 --> 00:40:08,120
Speaker 1: and esk. Why are we talking about because because I

679
00:40:08,160 --> 00:40:09,719
Speaker 1: said we were going to be the mascots of Fine

680
00:40:09,760 --> 00:40:13,640
Speaker 1: Island Pines. Oh, you can choose a different mascot. I guess,

681
00:40:13,680 --> 00:40:19,080
Speaker 1: so okay, Mario Luigi, there you go. I'm giving Maria,

682
00:40:19,160 --> 00:40:21,560
Speaker 1: you're giving Luigi. Well, what does that make Joe Kim

683
00:40:21,680 --> 00:40:28,759
Speaker 1: certainly not Princess Peach waro bitch bye, bitch. You gotta

684
00:40:28,800 --> 00:40:31,000
Speaker 1: be listening. Well, it's a big week for Joe Kim,

685
00:40:31,520 --> 00:40:35,160
Speaker 1: his stand up specials coming out of Psycho sexual Flix

686
00:40:35,320 --> 00:40:38,200
Speaker 1: dot Com and you can watch Loot on Apple TV

687
00:40:38,360 --> 00:40:41,440
Speaker 1: Plus starting Maya Rudolph. I've seen the first three episodes.

688
00:40:41,640 --> 00:40:45,319
Speaker 1: Very funny show, very good show. Maya is delivering. Oh

689
00:40:45,480 --> 00:40:47,960
Speaker 1: my god, that's all you're lying down. I mean, that's

690
00:40:48,000 --> 00:40:50,560
Speaker 1: really all your one wh You say the name Maya Rudolph,

691
00:40:50,640 --> 00:40:53,680
Speaker 1: you go, oh, is she the post me? Because all

692
00:40:53,760 --> 00:40:56,319
Speaker 1: I want for her is to deliver and she does

693
00:40:56,440 --> 00:40:59,160
Speaker 1: on time, which we also love about Postmates when they're

694
00:40:59,200 --> 00:41:02,080
Speaker 1: on time. You know what. I've not had good experiences

695
00:41:02,120 --> 00:41:04,560
Speaker 1: post with Postmates actually, and I will say that publicly,

696
00:41:04,680 --> 00:41:07,160
Speaker 1: and I will not drag, but I will say tis tisk,

697
00:41:07,239 --> 00:41:10,040
Speaker 1: I'm wagging my finger? Are you The customer service? The

698
00:41:10,080 --> 00:41:12,080
Speaker 1: customer service has not been great. And the and the

699
00:41:12,120 --> 00:41:15,520
Speaker 1: Pride campaign was was a big no no and I

700
00:41:15,840 --> 00:41:18,640
Speaker 1: and I found out that I don't want to say it.

701
00:41:18,880 --> 00:41:20,719
Speaker 1: Olivia told me that I got the offer for their

702
00:41:20,719 --> 00:41:23,400
Speaker 1: bottom friendly Foods campaign and she was like, no, he

703
00:41:23,480 --> 00:41:26,239
Speaker 1: will not be doing that. No, no, no, no no no,

704
00:41:26,480 --> 00:41:30,680
Speaker 1: there's some there's some industry inside um for you. But

705
00:41:31,000 --> 00:41:34,000
Speaker 1: I don't know. I don't know about like bottom foods,

706
00:41:34,440 --> 00:41:37,200
Speaker 1: you know what I mean? I just I just of

707
00:41:37,320 --> 00:41:40,279
Speaker 1: course I get it. This is what I'm saying to

708
00:41:40,440 --> 00:41:45,320
Speaker 1: all bottoms. Eat whatever the funk you want, okay, and

709
00:41:45,480 --> 00:41:48,839
Speaker 1: don't like eat eat stuff because it'll keep your reptum clean.

710
00:41:49,000 --> 00:41:53,080
Speaker 1: Eat eat the burrito before you go get fucked. Fine,

711
00:41:53,640 --> 00:41:57,200
Speaker 1: men on sex dirt, And this is what I'm gonna

712
00:41:57,200 --> 00:41:58,600
Speaker 1: say on lost culture. So this is how you know

713
00:41:58,640 --> 00:42:02,480
Speaker 1: the podcast has not changed. The dirtiest bottoms I've ever

714
00:42:02,640 --> 00:42:08,200
Speaker 1: been with have also been the quote unquote hottest people. Okay,

715
00:42:08,280 --> 00:42:11,680
Speaker 1: so they don't care, So why should you care. I'm

716
00:42:11,719 --> 00:42:16,520
Speaker 1: talking to all my bottoms out there. These these men,

717
00:42:16,920 --> 00:42:20,400
Speaker 1: they don't care. I've I've seen, I've looked at alive

718
00:42:20,800 --> 00:42:24,960
Speaker 1: from both sides now and the people that you think,

719
00:42:25,080 --> 00:42:28,080
Speaker 1: oh that person has sex a lot, they don't care

720
00:42:28,120 --> 00:42:30,920
Speaker 1: about cleaning their bottole. They don't care about eating, right,

721
00:42:31,000 --> 00:42:35,359
Speaker 1: it's poop down. It's poop down, okay, and they don't

722
00:42:35,360 --> 00:42:39,640
Speaker 1: even give a fuck. There you go. And how many

723
00:42:39,680 --> 00:42:41,439
Speaker 1: times have you shot on dick in your life? Let's

724
00:42:41,560 --> 00:42:45,839
Speaker 1: go there, um, maybe just twice? I think for me twice? Yeah,

725
00:42:46,640 --> 00:42:49,080
Speaker 1: too many? But I actually no, I'm not gonna I'm

726
00:42:49,120 --> 00:42:51,680
Speaker 1: not gonna really attach shame onto this for myself or

727
00:42:51,719 --> 00:42:58,080
Speaker 1: anybody let's start the revolution. Okay, I'm saying we need

728
00:42:58,120 --> 00:43:00,279
Speaker 1: to be open about it. Like I've shipped on one

729
00:43:00,360 --> 00:43:02,600
Speaker 1: dick and then it was a guy that I just

730
00:43:02,680 --> 00:43:05,360
Speaker 1: hooked up with once and then I can't. I just

731
00:43:05,400 --> 00:43:07,120
Speaker 1: saw it afterwards and I was like, oh, that's a shame.

732
00:43:07,160 --> 00:43:09,000
Speaker 1: But he didn't say anything. It was very cool about it.

733
00:43:09,200 --> 00:43:11,200
Speaker 1: And then I should on one dick with a boyfriend

734
00:43:11,760 --> 00:43:13,880
Speaker 1: and he was like, oops, look what you did? And

735
00:43:13,960 --> 00:43:16,280
Speaker 1: I was like, oh shoot, and then it was fine.

736
00:43:16,600 --> 00:43:18,840
Speaker 1: So now you reveal your stories. But can one of

737
00:43:18,880 --> 00:43:22,000
Speaker 1: the swifties take look what you made me do and

738
00:43:22,120 --> 00:43:25,640
Speaker 1: cut it onto ops, look what you did? Oops, look

739
00:43:25,680 --> 00:43:29,000
Speaker 1: what you did? Look that's my that's my response song

740
00:43:29,120 --> 00:43:31,279
Speaker 1: to Taylor's Look what you made me do? Oops, Look

741
00:43:31,320 --> 00:43:35,320
Speaker 1: what you did? Look what you did? Look what you

742
00:43:35,440 --> 00:43:37,600
Speaker 1: made me do? And the response is oops, look what

743
00:43:37,680 --> 00:43:47,480
Speaker 1: you did? But you did did? Look what you did? Okay?

744
00:43:47,560 --> 00:43:51,120
Speaker 1: Can I actually reveal something? Yeah, you didn't say your

745
00:43:51,160 --> 00:43:52,960
Speaker 1: times you should on dicks? And I said the two

746
00:43:53,040 --> 00:43:56,760
Speaker 1: times okay, one was one of the like the second

747
00:43:56,800 --> 00:44:01,000
Speaker 1: time I ever had it was the first the first time,

748
00:44:02,480 --> 00:44:06,879
Speaker 1: Oh wait, I remember when this happened, and then about

749
00:44:06,920 --> 00:44:08,400
Speaker 1: it up this was this was high school? Yes, yes,

750
00:44:08,480 --> 00:44:10,640
Speaker 1: yes I was. And then the second this was high school.

751
00:44:11,000 --> 00:44:14,560
Speaker 1: The second time was no, was like, uh college, No,

752
00:44:14,680 --> 00:44:17,280
Speaker 1: it wasn't college. I was like twenty two or something,

753
00:44:18,200 --> 00:44:20,719
Speaker 1: right out of college. Okay, so it's been a long

754
00:44:20,800 --> 00:44:22,520
Speaker 1: time for you. You've sort of like figured out the

755
00:44:22,560 --> 00:44:25,160
Speaker 1: fiber of it all. But I need to Okay, I

756
00:44:25,280 --> 00:44:28,880
Speaker 1: need to actually admit to something, which is that. Ever

757
00:44:28,960 --> 00:44:32,080
Speaker 1: since last week's Jeremy Viler episode, will we open up

758
00:44:32,080 --> 00:44:36,160
Speaker 1: the episode talking about infatuation, I'm like, well, what happened

759
00:44:36,200 --> 00:44:39,400
Speaker 1: for me? I'm like, that's all I want this summer

760
00:44:39,520 --> 00:44:43,759
Speaker 1: is to feel infatuated. And I don't know, I don't

761
00:44:43,840 --> 00:44:47,359
Speaker 1: know if that happens too often in light I feel

762
00:44:47,400 --> 00:44:51,279
Speaker 1: like this is this is where it gets weird. Like

763
00:44:51,560 --> 00:44:54,279
Speaker 1: I feel like in my heart, I am like a

764
00:44:54,360 --> 00:44:57,560
Speaker 1: Howey that really wants that and identifies and here's your sister.

765
00:44:58,440 --> 00:45:01,360
Speaker 1: But then you you haven't experien arians that. That feels

766
00:45:01,360 --> 00:45:04,560
Speaker 1: a little heartbreaking, and you become a Noah straight up

767
00:45:04,800 --> 00:45:08,359
Speaker 1: Like now I'm right now, I'm on my it's giving

768
00:45:08,600 --> 00:45:12,440
Speaker 1: Noah tease. I'm like, no, I don't want to feel

769
00:45:13,640 --> 00:45:19,640
Speaker 1: I think this sequel has to be Um, the ax

770
00:45:20,080 --> 00:45:24,560
Speaker 1: the person who broke Noah's heart shows up. Well, so

771
00:45:24,719 --> 00:45:27,200
Speaker 1: we were fully fully in Provincetown. And by the way,

772
00:45:27,200 --> 00:45:29,000
Speaker 1: we had the best time. And if he was like

773
00:45:30,520 --> 00:45:33,879
Speaker 1: thanks for coming up and saying hello, we didn't even

774
00:45:33,880 --> 00:45:35,359
Speaker 1: talk about this. We had the best time. We met

775
00:45:35,440 --> 00:45:40,560
Speaker 1: John Waters. We need a whole episode for that. He

776
00:45:40,640 --> 00:45:43,040
Speaker 1: needs to come on the podcast. I mean that would

777
00:45:43,040 --> 00:45:44,919
Speaker 1: be an epic moment in time. I think he would

778
00:45:44,920 --> 00:45:50,200
Speaker 1: do it too. He's like very he's so chatty, lovely, chatty,

779
00:45:50,640 --> 00:45:55,080
Speaker 1: wants to talk about he's doing like approachable legend better

780
00:45:55,160 --> 00:45:58,759
Speaker 1: than anybody, like I always Yeah, for all the times

781
00:45:58,840 --> 00:46:01,719
Speaker 1: I complain about like saying the same thing over and

782
00:46:01,760 --> 00:46:03,799
Speaker 1: over again, we're being asked the same questions. I'm like, oh,

783
00:46:03,920 --> 00:46:08,960
Speaker 1: he's been asked the same questions for fifty years. Came

784
00:46:08,960 --> 00:46:12,360
Speaker 1: out so graceful about it anyway, Um, he was so lovely.

785
00:46:12,560 --> 00:46:14,759
Speaker 1: We got to meet so many wonderful people in p Town,

786
00:46:15,280 --> 00:46:19,040
Speaker 1: including Jenny Slate. Jenny Slate so fun. She's coming on

787
00:46:19,120 --> 00:46:21,400
Speaker 1: the pod soon, yes, And everyone's gotta check out Marcel

788
00:46:21,480 --> 00:46:23,719
Speaker 1: the Shell with shoes on. When it comes, when when

789
00:46:23,760 --> 00:46:28,120
Speaker 1: you when you can? And um, also I was gagged

790
00:46:28,160 --> 00:46:31,240
Speaker 1: because we were at this dinner and the character actress

791
00:46:31,360 --> 00:46:34,080
Speaker 1: Dale Dickie was there, who I'm obsessed with. She's from

792
00:46:34,120 --> 00:46:36,560
Speaker 1: like Winter's Bone. She had did an iconic episode of

793
00:46:36,640 --> 00:46:39,200
Speaker 1: Breaking Bad, and she was floating around and I got

794
00:46:39,280 --> 00:46:41,839
Speaker 1: to say to Dale Dickie, oh my god, you're a star,

795
00:46:42,040 --> 00:46:44,840
Speaker 1: and she got to say to me bow and Yang

796
00:46:49,320 --> 00:46:51,399
Speaker 1: because I was, of course sitting next to the icon

797
00:46:51,480 --> 00:46:54,800
Speaker 1: bo and Yang. And we should also say that was iconic.

798
00:46:54,880 --> 00:46:56,920
Speaker 1: And also the second iconic thing was at the Culture

799
00:46:56,920 --> 00:47:00,280
Speaker 1: Awards when Candice Stillard Bassett herself sent in her captain

800
00:47:00,320 --> 00:47:03,160
Speaker 1: speech for Record of the Year and said, of course,

801
00:47:03,239 --> 00:47:05,719
Speaker 1: I just want to say thanks to Bowen and check

802
00:47:05,880 --> 00:47:09,640
Speaker 1: Hiline Change. Highline Change looks fully down to check her notes. Matt,

803
00:47:10,760 --> 00:47:13,440
Speaker 1: thank you guys so much for your unique brand of humor.

804
00:47:13,640 --> 00:47:16,880
Speaker 1: I'm we screamed till that, and the whole audience was

805
00:47:16,960 --> 00:47:20,120
Speaker 1: screaming at Candice Stillard Bessett, needing to check her and

806
00:47:20,160 --> 00:47:24,160
Speaker 1: not know who the funk I was. Thank God. I

807
00:47:24,360 --> 00:47:28,160
Speaker 1: love being Kelly Rowland. I do. Can I just say, though,

808
00:47:28,960 --> 00:47:31,640
Speaker 1: what the amount of times? And I hate that this

809
00:47:31,840 --> 00:47:35,200
Speaker 1: is like, oh my, this is how I know. But

810
00:47:35,400 --> 00:47:39,200
Speaker 1: like so many interactions in the last couple of weeks

811
00:47:39,239 --> 00:47:40,839
Speaker 1: with people where Matt and I have done stuff together

812
00:47:40,880 --> 00:47:43,960
Speaker 1: and gone places together, of people just going up to him.

813
00:47:44,160 --> 00:47:48,839
Speaker 1: I am invisible fully and they just know and it's wonderful,

814
00:47:49,239 --> 00:47:51,120
Speaker 1: and then they tell him at what an amazing job

815
00:47:51,239 --> 00:47:53,359
Speaker 1: he's doing on I Love That for You, which, by

816
00:47:53,400 --> 00:47:56,279
Speaker 1: the way, just celebrated its season finale. I loved it

817
00:47:56,920 --> 00:48:02,520
Speaker 1: so much finale. I there was a crowd. The last

818
00:48:02,640 --> 00:48:05,880
Speaker 1: moment is so fucking good and funny, and I was

819
00:48:05,960 --> 00:48:08,920
Speaker 1: so refreshing and I haven't seen that and so long

820
00:48:09,000 --> 00:48:12,520
Speaker 1: on a comedy television show. People should have been well,

821
00:48:12,560 --> 00:48:14,279
Speaker 1: I'll say this. I just went across the street to

822
00:48:14,320 --> 00:48:16,399
Speaker 1: the Clark Street Dinner where, by the way, I ran

823
00:48:16,440 --> 00:48:22,160
Speaker 1: into Steph herself. I screamed, But when she looked so

824
00:48:22,320 --> 00:48:25,080
Speaker 1: gorge She's in this like yellow jump Steph sho has

825
00:48:25,080 --> 00:48:28,120
Speaker 1: always loved to jump. She tasted me on the shoulder

826
00:48:28,160 --> 00:48:30,200
Speaker 1: and she goes, hey, I heard that you didn't think

827
00:48:30,200 --> 00:48:32,520
Speaker 1: I respond to your text, And I literally screamed. I

828
00:48:32,600 --> 00:48:34,640
Speaker 1: was like, I was like, I screamed, and we had

829
00:48:34,680 --> 00:48:36,920
Speaker 1: the longest hug and we had such a nice conversation.

830
00:48:37,200 --> 00:48:39,319
Speaker 1: Oh my God, she's gonna come on the pod say

831
00:48:40,080 --> 00:48:43,200
Speaker 1: she's got us, but I fucking love her. And I

832
00:48:43,360 --> 00:48:45,560
Speaker 1: was there and I swear to god, I hadn't been

833
00:48:45,600 --> 00:48:47,239
Speaker 1: in that dinner and that's like my dinner I go

834
00:48:47,360 --> 00:48:49,280
Speaker 1: all the time. I hadn't been there, probably in about

835
00:48:49,280 --> 00:48:51,960
Speaker 1: six weeks or something, because like we've been out doing

836
00:48:52,000 --> 00:48:55,799
Speaker 1: the thing. I felt like sucking Zenda herself. The whole

837
00:48:55,880 --> 00:48:58,160
Speaker 1: staff was like, are you on that show? I was

838
00:48:58,239 --> 00:49:03,880
Speaker 1: like yeah, And it was giving Sandea in Boston. I

839
00:49:03,960 --> 00:49:05,600
Speaker 1: was like, am I saying da in Boston right now?

840
00:49:05,680 --> 00:49:08,560
Speaker 1: Because everyone knows my name? Like it was giving. People

841
00:49:08,680 --> 00:49:12,319
Speaker 1: have been finding the show and that's really exciting because

842
00:49:12,320 --> 00:49:13,960
Speaker 1: I do think it's really good. Like when you watch

843
00:49:14,040 --> 00:49:17,080
Speaker 1: it as an eight episode piece, it's a very binge able.

844
00:49:17,160 --> 00:49:19,600
Speaker 1: So if you don't have showtime yet, get it, do

845
00:49:19,760 --> 00:49:22,440
Speaker 1: the trial, watch all of it, and then you know

846
00:49:22,600 --> 00:49:24,239
Speaker 1: you should keep it because there's lots of good stuff

847
00:49:24,280 --> 00:49:27,800
Speaker 1: on Showtime, but just saying it's now binge able, so

848
00:49:27,960 --> 00:49:30,040
Speaker 1: you can get it if you haven't seen it already,

849
00:49:30,040 --> 00:49:31,399
Speaker 1: and you can watch all of it and it really

850
00:49:31,520 --> 00:49:36,680
Speaker 1: is good. It's so wonderful. These performances, including Matt are

851
00:49:36,880 --> 00:49:40,919
Speaker 1: so fantastic. Well, and let me just say the Emmy

852
00:49:40,960 --> 00:49:43,439
Speaker 1: voting is happening right now, and I just want to say,

853
00:49:44,280 --> 00:49:48,920
Speaker 1: Jennifer Lewis for your consideration, because that is a career

854
00:49:49,520 --> 00:49:52,600
Speaker 1: of decades and she is giving everything. And if you

855
00:49:52,800 --> 00:49:55,800
Speaker 1: are an Emmy voter or no, an Emmy voter, you

856
00:49:55,880 --> 00:49:58,920
Speaker 1: should be talking about Jennifer Lewis for the nomination. And

857
00:49:59,080 --> 00:50:02,480
Speaker 1: everyone on the show, like Vanessa and Molly, they're so amazing.

858
00:50:02,520 --> 00:50:06,799
Speaker 1: But I just feel like it's Jennifer's time to get

859
00:50:06,880 --> 00:50:11,400
Speaker 1: like a major, like, you know, a nomination, like and

860
00:50:11,840 --> 00:50:14,840
Speaker 1: like I sometimes think, and I'm hesitant to say this,

861
00:50:15,360 --> 00:50:18,160
Speaker 1: but I sometimes think, like I just like Jennifer's name

862
00:50:18,239 --> 00:50:21,680
Speaker 1: is getting lost and it cannot be because she is

863
00:50:21,719 --> 00:50:25,680
Speaker 1: giving such an incredible performance and obviously, like you know,

864
00:50:26,239 --> 00:50:28,520
Speaker 1: so if I have two wishes for nomination, warning it's

865
00:50:28,920 --> 00:50:32,000
Speaker 1: Jennifer Lewis supporting actress and of course boyan supporting actor,

866
00:50:32,520 --> 00:50:35,040
Speaker 1: and I we need to compete with Mike. It will

867
00:50:35,120 --> 00:50:37,680
Speaker 1: never ever happen. It literally, there's like a point zero

868
00:50:37,800 --> 00:50:40,279
Speaker 1: zero zero two percent chance of it's happening. I'm just

869
00:50:40,400 --> 00:50:42,280
Speaker 1: happy to be on a show where I think Jennifer

870
00:50:42,640 --> 00:50:44,880
Speaker 1: really deserves it and I'm I'm her scene partner and

871
00:50:45,000 --> 00:50:47,480
Speaker 1: much of it. So but anyway, I just had to

872
00:50:47,520 --> 00:50:50,560
Speaker 1: say that because I don't see people talking about it

873
00:50:50,640 --> 00:50:52,799
Speaker 1: and I'm like so proud of Jennifer in the show.

874
00:50:52,880 --> 00:50:55,320
Speaker 1: So I just want to say that everyone start the

875
00:50:55,440 --> 00:50:59,840
Speaker 1: chatter online. I just want right now, tweet something, tweets

876
00:50:59,880 --> 00:51:02,880
Speaker 1: some thing, hashtag f y c Emmy's there we go,

877
00:51:03,800 --> 00:51:06,400
Speaker 1: and that's that's that's how you really be a publicist. Okay,

878
00:51:07,160 --> 00:51:10,239
Speaker 1: And also, like, fucking Molly is unbelievable, Molly. I was

879
00:51:10,320 --> 00:51:13,600
Speaker 1: I was watching the last episodes of My Parents again, Molly.

880
00:51:13,719 --> 00:51:16,840
Speaker 1: What Molly does like in those last two episodes, like

881
00:51:17,040 --> 00:51:20,359
Speaker 1: oh my God and the big reveal of the big

882
00:51:20,440 --> 00:51:22,840
Speaker 1: reveal was truly something I have not been able to

883
00:51:22,880 --> 00:51:25,440
Speaker 1: stop thinking about. And I won't spoil anything, but in

884
00:51:25,600 --> 00:51:29,160
Speaker 1: the in the control room, Yes, good episode. She's so

885
00:51:29,320 --> 00:51:32,879
Speaker 1: good and Vanessa is just like Vanessa. That show comes

886
00:51:33,000 --> 00:51:35,680
Speaker 1: from her, like it is so her essence. It is

887
00:51:35,960 --> 00:51:38,080
Speaker 1: as sweet as she is, as funny she is, as

888
00:51:38,160 --> 00:51:39,920
Speaker 1: kind as she is, as singular as she is. Like

889
00:51:40,040 --> 00:51:43,640
Speaker 1: I can't say enough. So I love love my colleagues,

890
00:51:44,280 --> 00:51:48,520
Speaker 1: love my colleagues so much and it's just a wonderful chop.

891
00:51:48,600 --> 00:51:53,279
Speaker 1: Congrats on finishing that second mom, and we are all

892
00:51:53,920 --> 00:51:56,520
Speaker 1: proud of I just wanted to say that it was

893
00:51:57,400 --> 00:52:01,440
Speaker 1: really really nice to see Matt just being recognized or

894
00:52:01,520 --> 00:52:04,000
Speaker 1: something that he does so well. Anyway, and of course

895
00:52:04,080 --> 00:52:06,400
Speaker 1: the joy of my life over the past weeks and

896
00:52:06,480 --> 00:52:12,120
Speaker 1: weeks has been you know, just everyone like deserving is

897
00:52:12,160 --> 00:52:14,920
Speaker 1: not the word, Like you did such an amazing job

898
00:52:15,000 --> 00:52:17,280
Speaker 1: in that film, and like I'm so happy that everyone

899
00:52:17,400 --> 00:52:19,640
Speaker 1: can see it now, see how what a well rounded

900
00:52:19,680 --> 00:52:22,680
Speaker 1: actor you are. You are my favorite performer. All you

901
00:52:22,840 --> 00:52:26,440
Speaker 1: need to stop, No, I won't because you are. It's

902
00:52:26,480 --> 00:52:30,520
Speaker 1: like so cool, like to see like everyone realized, like

903
00:52:30,760 --> 00:52:34,520
Speaker 1: what a force you are. And then I'll be like Hollywood,

904
00:52:34,600 --> 00:52:37,919
Speaker 1: and it's true, I'm so proud of you. You You're

905
00:52:38,000 --> 00:52:45,680
Speaker 1: you're flopping. I'm not flopping. I am not stopping. Publicists,

906
00:52:45,719 --> 00:52:51,359
Speaker 1: You're now officially fully full time readers again until next time,

907
00:52:52,120 --> 00:52:55,719
Speaker 1: until next time. There, I think I don't give away

908
00:52:55,719 --> 00:52:59,160
Speaker 1: too much, Okay, So yes, again, really really disappointed that

909
00:52:59,239 --> 00:53:03,359
Speaker 1: we cannot bring what happened at the Culture Awards out

910
00:53:03,400 --> 00:53:06,239
Speaker 1: to a wider audience. We just don't know, just don't

911
00:53:06,239 --> 00:53:09,239
Speaker 1: know yet there's and which you know hopefully that keeps

912
00:53:09,280 --> 00:53:10,600
Speaker 1: you into like what we want to do with it,

913
00:53:11,160 --> 00:53:15,719
Speaker 1: you know, like we um, we can't legally feature we

914
00:53:15,800 --> 00:53:18,600
Speaker 1: can't legally put it out for whatever reason, for multiple

915
00:53:18,680 --> 00:53:21,080
Speaker 1: reasons actually, But that is the one thing that really

916
00:53:21,239 --> 00:53:23,600
Speaker 1: is the disappointing part in all of this. It's the

917
00:53:23,680 --> 00:53:26,239
Speaker 1: only thing that like, I'm a little like sad about um.

918
00:53:26,880 --> 00:53:29,600
Speaker 1: But it only means that we will do this again

919
00:53:30,080 --> 00:53:32,600
Speaker 1: in some other form in the future. That's the silver

920
00:53:32,719 --> 00:53:34,800
Speaker 1: lining is that we discovered in doing this that it

921
00:53:34,920 --> 00:53:36,520
Speaker 1: is going to we wanted to be a part of,

922
00:53:36,880 --> 00:53:39,840
Speaker 1: like the last coach and I believe that winning, winning

923
00:53:39,920 --> 00:53:42,680
Speaker 1: the culture is gonna be and that you got like

924
00:53:42,840 --> 00:53:45,080
Speaker 1: there's the Emmy, the Grammy, the Oscar of the Tony

925
00:53:45,160 --> 00:53:49,560
Speaker 1: and the culture and culture is a beautiful yeah, oh

926
00:53:49,680 --> 00:53:54,200
Speaker 1: my god, it's a beautiful shape prism. Yeah, it's brutalist.

927
00:53:55,320 --> 00:53:58,880
Speaker 1: It's brutalist. Um. I we quickly want to say, oh,

928
00:53:58,960 --> 00:54:00,560
Speaker 1: thank you to the Lincoln Center for helping us make

929
00:54:00,600 --> 00:54:03,839
Speaker 1: that show free. That was the reason why. I think

930
00:54:03,880 --> 00:54:05,680
Speaker 1: that was the reason why the energy was so nice.

931
00:54:06,120 --> 00:54:10,000
Speaker 1: And thank you God for the weather. The weather, Thank

932
00:54:10,040 --> 00:54:12,239
Speaker 1: you God. Might have to be a Christian again. For that,

933
00:54:12,400 --> 00:54:15,279
Speaker 1: one might have to sign up for Christianity again, sign

934
00:54:15,360 --> 00:54:20,000
Speaker 1: up for the newsletter, sign up for the fucking subs. Jack,

935
00:54:20,160 --> 00:54:22,920
Speaker 1: there's some drama and Christianity right now. Pope Francis might resign.

936
00:54:23,840 --> 00:54:28,520
Speaker 1: That's drama, that it's a sli a dramatic and a

937
00:54:28,640 --> 00:54:31,759
Speaker 1: dramatic way. I just think it was so important that

938
00:54:31,840 --> 00:54:33,680
Speaker 1: it was a free show, and I was so great

939
00:54:34,200 --> 00:54:46,759
Speaker 1: only to free shows from now on it I know, UM,

940
00:54:46,800 --> 00:54:48,160
Speaker 1: do be too. I don't think so, honey, I think

941
00:54:48,200 --> 00:54:50,080
Speaker 1: we should do. I don't think so, honey. Um. This

942
00:54:50,239 --> 00:54:52,680
Speaker 1: is our sixty second segment. By the way, congratulations to

943
00:54:52,800 --> 00:54:54,399
Speaker 1: our best I don't think so, honey, of all time

944
00:54:54,440 --> 00:54:59,600
Speaker 1: winner Aaron Jackson for going to church on Wednesdays and Sunday's. Um,

945
00:55:00,160 --> 00:55:02,120
Speaker 1: we did a live performance of it altogether as a

946
00:55:02,160 --> 00:55:04,080
Speaker 1: three thousand person crowd. That was one of the great

947
00:55:04,120 --> 00:55:06,759
Speaker 1: moments of my life. Scared him and some of you,

948
00:55:07,040 --> 00:55:10,520
Speaker 1: some of you described that as cultish behavior, which yeah

949
00:55:10,640 --> 00:55:12,480
Speaker 1: for us to say, we but we. By the way,

950
00:55:12,520 --> 00:55:15,759
Speaker 1: we will be posting all the winners. We will post there.

951
00:55:15,800 --> 00:55:17,400
Speaker 1: There are so many slides and all the winners and

952
00:55:17,480 --> 00:55:19,680
Speaker 1: they will get posted, so stay tuned for that, but

953
00:55:19,840 --> 00:55:21,840
Speaker 1: for now, here is um some I don't think so

954
00:55:21,880 --> 00:55:25,080
Speaker 1: Honey's from us fresh fresh, Okay, do you have something

955
00:55:25,320 --> 00:55:27,920
Speaker 1: I do? Okay, this is Matt Rodgers. I don't think

956
00:55:27,960 --> 00:55:29,880
Speaker 1: so honey. As time starts now, I don't think so

957
00:55:30,000 --> 00:55:32,000
Speaker 1: honey people thinking it's a compliment when they say that

958
00:55:32,080 --> 00:55:35,080
Speaker 1: they were turned on by my sex scene and vire Island. Um,

959
00:55:35,200 --> 00:55:36,800
Speaker 1: here's the thing. The sex scene that I do in

960
00:55:36,960 --> 00:55:40,239
Speaker 1: Vire Island is a U is a sort of an

961
00:55:40,239 --> 00:55:43,719
Speaker 1: assault and um, my character is very very very fucked

962
00:55:43,760 --> 00:55:46,880
Speaker 1: up on and it is was unable to consent. So

963
00:55:47,440 --> 00:55:49,640
Speaker 1: do I think, so honey, that I understand what you're saying?

964
00:55:49,680 --> 00:55:51,680
Speaker 1: And I guess I I can take it as a compliment.

965
00:55:51,760 --> 00:55:55,800
Speaker 1: You think the scene is um features an aesthetic that

966
00:55:55,840 --> 00:55:58,560
Speaker 1: you appreciate. That's great, But I think we're missing the

967
00:55:59,000 --> 00:56:02,239
Speaker 1: point if are saying that it made you horny or

968
00:56:02,360 --> 00:56:05,040
Speaker 1: that you wanted to participate in it because my character

969
00:56:05,160 --> 00:56:07,719
Speaker 1: was being assaulted um, or at the very least, you

970
00:56:07,760 --> 00:56:09,800
Speaker 1: shouldn't want to have sex with someone that looks like that,

971
00:56:09,920 --> 00:56:13,000
Speaker 1: and is um experiencing sex in that way? So I

972
00:56:13,160 --> 00:56:15,400
Speaker 1: think that well, I do think so honey that I

973
00:56:15,440 --> 00:56:17,839
Speaker 1: appreciate the sentiment of what you're saying. I don't think so, honey,

974
00:56:17,920 --> 00:56:19,719
Speaker 1: that we're going about this the right way. It makes

975
00:56:19,760 --> 00:56:22,440
Speaker 1: me feel a little awkward when you say that this

976
00:56:22,600 --> 00:56:26,160
Speaker 1: is something that you like got turned on by. I

977
00:56:26,320 --> 00:56:28,880
Speaker 1: don't think so, honey, that this is the vibe. I

978
00:56:28,920 --> 00:56:33,399
Speaker 1: don't that's one minute. Yeah, I'm gonna agree with that one.

979
00:56:33,640 --> 00:56:35,719
Speaker 1: It's like I've been getting a couple of d ms

980
00:56:35,719 --> 00:56:37,400
Speaker 1: when it's like, wow, I really want to I was like,

981
00:56:37,480 --> 00:56:39,000
Speaker 1: I want to do that to him, and I was like,

982
00:56:39,120 --> 00:56:43,040
Speaker 1: oh my god, is so dark. Did they understand what

983
00:56:43,320 --> 00:56:45,440
Speaker 1: was done to him? I think maybe? And then I

984
00:56:45,480 --> 00:56:48,120
Speaker 1: think maybe no, Maybe they didn't get it. Maybe they

985
00:56:48,239 --> 00:56:51,640
Speaker 1: like don't see they forget that there's a camera in

986
00:56:52,000 --> 00:56:55,640
Speaker 1: that space that was not where the person was not

987
00:56:55,680 --> 00:56:58,840
Speaker 1: consenting to being recorded, or I don't know. Yeah, I

988
00:56:58,880 --> 00:57:02,040
Speaker 1: don't think that was nest necessarily the vibe we were

989
00:57:02,080 --> 00:57:04,680
Speaker 1: going for of like hot and to turn you on.

990
00:57:04,960 --> 00:57:08,879
Speaker 1: But like, um, I appreciate um at least that's six

991
00:57:08,960 --> 00:57:10,680
Speaker 1: percent of what you're saying, but don't get in my

992
00:57:10,760 --> 00:57:16,040
Speaker 1: d ms with that. That's not yeah, um anything. And

993
00:57:16,560 --> 00:57:19,680
Speaker 1: I'm sad. I'm sad that this is the third Oh,

994
00:57:19,840 --> 00:57:21,600
Speaker 1: this is not that they're showing the road. I'm about

995
00:57:21,600 --> 00:57:24,800
Speaker 1: to I'm gonna do something related to the film as well. Okay,

996
00:57:24,920 --> 00:57:26,840
Speaker 1: it's the last It's the last thing that I need

997
00:57:26,920 --> 00:57:30,120
Speaker 1: to say before we like close the books forever. Well,

998
00:57:30,200 --> 00:57:32,600
Speaker 1: we Bowen and I are doing one more big old

999
00:57:32,680 --> 00:57:35,040
Speaker 1: TV appearance together and we're not going to talk about

1000
00:57:35,080 --> 00:57:36,800
Speaker 1: it because we don't want to drink it. But it's

1001
00:57:36,800 --> 00:57:40,919
Speaker 1: so ice to say it's a slay as to say

1002
00:57:41,720 --> 00:57:44,320
Speaker 1: I don't know a girl. Okay, this is how many

1003
00:57:44,400 --> 00:57:47,360
Speaker 1: things I don't think, so honey. Time starts now. I

1004
00:57:47,400 --> 00:57:50,840
Speaker 1: don't think so honey. People saying to us, I wanted

1005
00:57:50,880 --> 00:57:54,000
Speaker 1: to hate the movie, but I was charmed by the end.

1006
00:57:54,480 --> 00:57:57,080
Speaker 1: I don't know what you think that's trying to say.

1007
00:57:57,120 --> 00:57:59,680
Speaker 1: If you're trying to come off cool or contrarian or

1008
00:57:59,760 --> 00:58:04,160
Speaker 1: some one who um is not like other girls, it

1009
00:58:04,240 --> 00:58:06,360
Speaker 1: doesn't really matter to me that we want you over.

1010
00:58:07,120 --> 00:58:09,160
Speaker 1: I'm glad that you liked it, but I just think

1011
00:58:09,240 --> 00:58:14,320
Speaker 1: that little asterisk is so strange and I don't know

1012
00:58:14,400 --> 00:58:16,680
Speaker 1: what to do with that information. And to be honest,

1013
00:58:16,800 --> 00:58:19,000
Speaker 1: put off by that that you wanted to hate it

1014
00:58:19,080 --> 00:58:22,200
Speaker 1: that means that that's something you should examine. I'm I'm

1015
00:58:22,240 --> 00:58:24,320
Speaker 1: sure I've said those words about a film that I

1016
00:58:24,440 --> 00:58:26,600
Speaker 1: ended up liking. Did not say that to one of

1017
00:58:26,640 --> 00:58:29,400
Speaker 1: the people involved in the making of that film. So

1018
00:58:29,640 --> 00:58:31,840
Speaker 1: that's the thing that you must try to understand, is

1019
00:58:31,960 --> 00:58:34,600
Speaker 1: that you're talking to someone who had some stake in

1020
00:58:34,640 --> 00:58:37,840
Speaker 1: the project and you're telling them that, for whatever weird reason,

1021
00:58:37,960 --> 00:58:41,880
Speaker 1: you wanted to dislike it in your predisposition. And that's

1022
00:58:41,880 --> 00:58:44,680
Speaker 1: one minute. I just feel like people might not realize this,

1023
00:58:44,800 --> 00:58:46,960
Speaker 1: but it's giving self hate in a way that's like

1024
00:58:47,280 --> 00:58:50,760
Speaker 1: really jarring to be on the opposite side of Maybe

1025
00:58:51,880 --> 00:58:55,960
Speaker 1: it's not even self hate, it's just, um, you don't understand,

1026
00:58:56,040 --> 00:58:59,200
Speaker 1: like it's it's giving like inconsiderate, it's giving root. It's

1027
00:58:59,240 --> 00:59:01,640
Speaker 1: just I'm just saying it's rude. I'm just saying it,

1028
00:59:01,720 --> 00:59:04,000
Speaker 1: Like even when it's been like someone who's not a

1029
00:59:04,040 --> 00:59:08,560
Speaker 1: gay person, a queer person who comes up, Um, I'm

1030
00:59:08,680 --> 00:59:11,080
Speaker 1: just like, why did you say that? Why did you

1031
00:59:11,200 --> 00:59:13,840
Speaker 1: say that when you know when you know that I'm involved,

1032
00:59:14,920 --> 00:59:19,280
Speaker 1: I've only experienced this from other gay men, and it's

1033
00:59:19,280 --> 00:59:20,880
Speaker 1: sort of like, so I guess that's when I say

1034
00:59:20,960 --> 00:59:24,200
Speaker 1: like like it's like it's like, okay, so something that

1035
00:59:24,320 --> 00:59:26,440
Speaker 1: you know people worked hard on and like you know,

1036
00:59:26,520 --> 00:59:29,000
Speaker 1: put a lot of effort into, it's like you really

1037
00:59:29,240 --> 00:59:32,800
Speaker 1: wanted to hate it, like based on what I I

1038
00:59:32,960 --> 00:59:36,440
Speaker 1: guess it's maybe like I've heard someone say like, oh, well,

1039
00:59:36,520 --> 00:59:39,480
Speaker 1: because we've been burned in the past, or like the

1040
00:59:40,000 --> 00:59:42,720
Speaker 1: caliber has been so low over the years that it's

1041
00:59:42,880 --> 00:59:47,040
Speaker 1: it's made me distrustful of like a gay movie. That's

1042
00:59:47,120 --> 00:59:51,560
Speaker 1: different than wanting to hate it, though I want, oh sure, sure, sure,

1043
00:59:51,600 --> 00:59:53,960
Speaker 1: having live expectations is different than wanting to hate it.

1044
00:59:54,480 --> 00:59:57,520
Speaker 1: But even even then, even the live expectations think, which

1045
00:59:57,560 --> 01:00:01,080
Speaker 1: I understand better than wanting to hate it, the lower

1046
01:00:01,160 --> 01:00:05,440
Speaker 1: expectations thing is going well. Like the shitty quote unquote

1047
01:00:05,440 --> 01:00:08,360
Speaker 1: gay stuff that came out before like still had a purpose.

1048
01:00:08,360 --> 01:00:12,120
Speaker 1: It's still like was something I don't know, Like, well

1049
01:00:12,280 --> 01:00:14,680
Speaker 1: it doesn't it didn't have a delatarious effect on like

1050
01:00:15,640 --> 01:00:19,560
Speaker 1: what you could consume as a gay person, and hopefully

1051
01:00:19,600 --> 01:00:22,480
Speaker 1: this is just nice and additive to that. But then

1052
01:00:22,680 --> 01:00:25,800
Speaker 1: like I don't know, some of these people go, um,

1053
01:00:26,280 --> 01:00:28,440
Speaker 1: we've been burned in the past, but I'm like, okay,

1054
01:00:28,640 --> 01:00:31,200
Speaker 1: I don't know. It just it doesn't matter to me. Well, yeah,

1055
01:00:31,240 --> 01:00:33,520
Speaker 1: I guess my thing is just like it's a comfort

1056
01:00:33,640 --> 01:00:35,680
Speaker 1: level with letting. It's it's like you said, it's like

1057
01:00:35,880 --> 01:00:38,040
Speaker 1: just so you know, I'm cool, and I don't care

1058
01:00:38,120 --> 01:00:41,240
Speaker 1: that you're cool like I You're probably you're probably not

1059
01:00:41,480 --> 01:00:44,720
Speaker 1: in the same way that I'm not, Like nobody like stop.

1060
01:00:44,960 --> 01:00:47,080
Speaker 1: I just yeah, it's like it's like almost like letting,

1061
01:00:47,120 --> 01:00:49,440
Speaker 1: you know, like it's like a thing of like I

1062
01:00:49,560 --> 01:00:51,560
Speaker 1: wanted to hate it, like and I am someone who

1063
01:00:51,600 --> 01:00:54,360
Speaker 1: can come in and say, like my taste level was

1064
01:00:54,400 --> 01:00:57,000
Speaker 1: like superior, like and I of course I wouldn't want

1065
01:00:57,000 --> 01:00:58,960
Speaker 1: to stoop to liking something like this. It just it

1066
01:00:59,000 --> 01:01:01,480
Speaker 1: doesn't feel good in the moment receiving it. And it's

1067
01:01:01,520 --> 01:01:07,040
Speaker 1: just I've said I wanted to hate this thing about

1068
01:01:07,120 --> 01:01:09,720
Speaker 1: a million different things, probably very recently, but I didn't

1069
01:01:09,720 --> 01:01:13,720
Speaker 1: say that to the person involved. The person Yeah, yeah,

1070
01:01:13,800 --> 01:01:19,480
Speaker 1: that's weird. It's so fucking brainless to me. Yeah anyway,

1071
01:01:19,800 --> 01:01:23,120
Speaker 1: you know, but the fact is, um, it seems like

1072
01:01:23,440 --> 01:01:25,320
Speaker 1: most of you and even if you did hate it whatever,

1073
01:01:25,440 --> 01:01:27,280
Speaker 1: like hate it, you know what I mean, Like even

1074
01:01:27,360 --> 01:01:29,120
Speaker 1: Joe Kim is so like, yeah, if you hate it, fine,

1075
01:01:29,480 --> 01:01:33,960
Speaker 1: but it's the telling of that to us, just like Okay,

1076
01:01:35,040 --> 01:01:39,600
Speaker 1: nice to meet you, yeah yeah, yeah yeah. Anyways, Um,

1077
01:01:39,720 --> 01:01:42,280
Speaker 1: we gotta make this a short one today. Sorry, but

1078
01:01:42,480 --> 01:01:45,440
Speaker 1: um it's for a good reason. And we hope everyone's

1079
01:01:45,480 --> 01:01:50,320
Speaker 1: having a nice end to their Pride month and we're

1080
01:01:50,320 --> 01:01:52,240
Speaker 1: going to talk to you soon. We have some good

1081
01:01:52,280 --> 01:01:57,160
Speaker 1: episodes coming up if if everything goes as planned, and

1082
01:01:57,240 --> 01:01:59,920
Speaker 1: in the meantime, be spending that song that be all

1083
01:02:00,040 --> 01:02:02,360
Speaker 1: say a song and we do every end every episode

1084
01:02:02,400 --> 01:02:09,520
Speaker 1: with a song. I'm telling everybody, everybody, you won't break

1085
01:02:09,600 --> 01:02:15,000
Speaker 1: my soup. You will bring my girl. Listen to stick

1086
01:02:15,360 --> 01:02:18,400
Speaker 1: break my soul. Bye bye,