WEBVTT - I Have No Patience for Jam Hands (S2 E5, "Nick & Nora/Sid & Nancy")

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<v Speaker 1>I Am all In. Oh, I Am all in with

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<v Speaker 1>Scott Patterson and I Heart Radio podcast. Okay, here everybody,

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<v Speaker 1>It's Scott Patterson and this is the I Am All

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<v Speaker 1>In Podcast I Heart Radio, one of Leven Productions. Amy

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<v Speaker 1>smiling because I am doing I am doing my opening

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<v Speaker 1>bit and I said I wouldn't do it, but I

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<v Speaker 1>like doing it. It makes me feel good, it wakes

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<v Speaker 1>me up. I love it. You can. I'm also smiling

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<v Speaker 1>because this is like just the best episode. This episode.

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<v Speaker 1>But before, okay, before we get to the episode and

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<v Speaker 1>we are joined by Riley pellusis today, Hello Riley, how

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<v Speaker 1>are you? Um? And Hi? Hi? No, no, you can

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<v Speaker 1>say hello Hi you go way hi hii and Uh

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<v Speaker 1>and Amy Sugarman. And last night we we did our

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<v Speaker 1>first live virtual streaming podcast, Friends Giving. What a huge

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<v Speaker 1>success it was. We had a blast. There was a

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<v Speaker 1>couple of technical faux pause with Emily Corona, but it

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<v Speaker 1>turned out to be uh, you know, kind of the

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<v Speaker 1>gift that keeps on giving throughout the podcast, and we

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<v Speaker 1>had an incredible time with the greatest fans in the world.

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<v Speaker 1>We really appreciate it. Um and Uh the coolest dude

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<v Speaker 1>who Jackson Jackson like all of them, Like like Grant

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<v Speaker 1>was so cool, that Jackson was super cool, Sally was amazing,

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<v Speaker 1>Emily what it was amazing the guests that came on,

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<v Speaker 1>the fans that came on to ask questions, they had fun.

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<v Speaker 1>We love them and I'm so glad. And from what

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<v Speaker 1>my colleagues are telling me, the chat rooms were just

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<v Speaker 1>filled with activity and exciting. Yeah, great questions. That's the

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<v Speaker 1>thing that the fans have the most amazing thoughts and

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<v Speaker 1>questions out the show. Yeah, and guess what. I'm going

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<v Speaker 1>to spring a surprise on you today. And I think

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<v Speaker 1>you're gonna like it. I think you're gonna like it.

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<v Speaker 1>I think you're gonna love it. It's ten X with

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<v Speaker 1>the clown pillow and has been to this. It's it's

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<v Speaker 1>a bombshell. It's a bomb. You're gonna fall out of

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<v Speaker 1>your chair. Amy, You're gonna fall out of your chair

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<v Speaker 1>freaking out. When you send us the text, I got

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<v Speaker 1>like nervous. I was like, what could it be? No

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<v Speaker 1>reason to be nervous. Scott send us a text and

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<v Speaker 1>said like, I have something that's gonna blow y'all's mind.

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<v Speaker 1>And now I'm like, what is it? So here's some

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<v Speaker 1>good news, right. I was just informed that I don't

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<v Speaker 1>know what the timeframe is. Is it a couple of

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<v Speaker 1>weeks out or a couple of months out where people

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<v Speaker 1>will be able to download the Friends Giving podcast. They'll

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<v Speaker 1>be able to listen to it. I won't be able

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<v Speaker 1>to see it, but they'll be able to listen into

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<v Speaker 1>it right on Thanksgiving Day, Thanksgiving Day, that's happening. So

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<v Speaker 1>you can download our Friends Giving Virtual Event to listen

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<v Speaker 1>to it on Thanksgiving Day. It will be available on

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<v Speaker 1>the platforms for you to enjoy. So we wanted to

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<v Speaker 1>do that for you. Keep it special, keep it keep

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<v Speaker 1>it real, um, and we are going to discuss, uh,

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<v Speaker 1>we're going to discuss this episode. What a huge episode.

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<v Speaker 1>So here I have a question right out the gate.

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<v Speaker 1>So it's Milo's first appearance, which was amazing and we'll

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<v Speaker 1>talk about it. But he's in the credits. So is

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<v Speaker 1>that common? Like he's in the credits immediately in the

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<v Speaker 1>main credits. Yes. Really, So it was like if you

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<v Speaker 1>watch the episode before this one, no Milo in the credits,

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<v Speaker 1>and then this one he's there. So so that's the

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<v Speaker 1>deal his team made with Warner Brothers or the show said. Okay,

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<v Speaker 1>so you want him on the shows that we curring

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<v Speaker 1>or whatever. So I think it was a series regular,

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<v Speaker 1>wasn't He suddenly became a series regular. And I don't know,

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<v Speaker 1>I haven't seen the episodes, but I guess he's in

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<v Speaker 1>every episode after this or most of them. So yeah,

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<v Speaker 1>he's a series regularly. You know, he's got to be

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<v Speaker 1>in the main titles. And he was amazing right from

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<v Speaker 1>the start. What a handsome dude, Oh my god. And

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<v Speaker 1>they dressed him perfectly, like he right right, He looks

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<v Speaker 1>a little like how you dress. So there was a

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<v Speaker 1>little Luke and him, but then he just looks like

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<v Speaker 1>the coolest kid in town, the bad bad guy. There's

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<v Speaker 1>there's a lot of Luke and him, a lot my god,

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<v Speaker 1>and and what a what a what just a great

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<v Speaker 1>looking kid, right and and and it was so odd

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<v Speaker 1>to see because he you know, I you know, I know,

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<v Speaker 1>a smiling, happy uh Milo with a good, great disposition

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<v Speaker 1>and loving everybody and and talking everybody up. And then

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<v Speaker 1>you see this character and it's like that is so

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<v Speaker 1>far or from what Milo really is. And it was

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<v Speaker 1>stunning to see it. And it was very very entertaining

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<v Speaker 1>because it was like, Wow, he's convincing me. You know,

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<v Speaker 1>he's really really convincing me. He's a great acting job.

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<v Speaker 1>The scene where you push him in the water, it's

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<v Speaker 1>just you know, he talked about it before, but it's

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<v Speaker 1>just perfect. And that must have been so complicated because

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<v Speaker 1>it's a bull walk in talk and then it's just

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<v Speaker 1>boot just beautiful, just beautiful. And even he nails going

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<v Speaker 1>in the water, yes, And even when he comes up

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<v Speaker 1>and looks at me, his attitude change. He was like

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<v Speaker 1>he was actually befuddled and shocked and like he'd lost

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<v Speaker 1>some power, which you know, you would think would definitely

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<v Speaker 1>happen if somebody pushed you into a lake. Um, and

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<v Speaker 1>I'm saying, you know, I saw at that time said

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<v Speaker 1>point that was not responsible for Luke to do that,

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<v Speaker 1>because what if there was a rock in there or something,

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<v Speaker 1>or there's some kind of wire or rebar sticking up,

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<v Speaker 1>he could have landed on it and been injured or killed.

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<v Speaker 1>And I just thought that was terribly responsible. But it's

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<v Speaker 1>certainly good television, Oh my gosh. And you're right he

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<v Speaker 1>did nail it as he came up, because I really

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<v Speaker 1>watched for that that look, with the look, it's look

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<v Speaker 1>and the hands kind of right, and the body language

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<v Speaker 1>and the whole thing. I mean, that's that's what makes

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<v Speaker 1>him so good, right, the physicalization, the physicality of the character.

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<v Speaker 1>So it's just shoulders down, you know, right, little slump

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<v Speaker 1>forward and a little attitude and just you know that,

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<v Speaker 1>even just the way he carries the book. I mean,

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<v Speaker 1>we'll talk about all that too, just the book and

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<v Speaker 1>the reference at the end, and how he reads as

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<v Speaker 1>much as Rory does. I mean, there's so much to

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<v Speaker 1>break down. Listen to him in a tight shot. He's

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<v Speaker 1>I gotta get back in the gym. I mean, it's

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<v Speaker 1>like insanity kidding me, It's like you could eat breakfast

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<v Speaker 1>off his stomach, that kid, Are you kidding me? I

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<v Speaker 1>want to bet on you for again? Can I need one?

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<v Speaker 1>You four again and be ripped? Please? Well, all right,

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<v Speaker 1>we're gonna take a little break after that and we

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<v Speaker 1>will be back to discuss Jess Mariano. It's coming in

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<v Speaker 1>to stir up the pot. We'll be back after these words. Yeah,

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<v Speaker 1>all right, everybody, we're back and we are talking. What

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<v Speaker 1>is the title this thing Jess returns? Is that? Is that?

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<v Speaker 1>What he hasn't He hasn't gone any here. We have

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<v Speaker 1>never seen him. How can he return when he has

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<v Speaker 1>Nick and Nora sitting Nancy? Riley, do you want to

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<v Speaker 1>give us? I know it was sitting Nancy and Nick

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<v Speaker 1>and Nora. I knew all that infinite playlist. The whole

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<v Speaker 1>thing I knew. I knew it was the title. I

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<v Speaker 1>know where they're borrowing from. Anyway, So Riley, I guess

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<v Speaker 1>you're on with your synopsis and all. And also I

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<v Speaker 1>have to say, Scott, one of my favorite songs of

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<v Speaker 1>yours was the synopsis song synopsis. This is episode five,

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<v Speaker 1>Nick and Nora sit in Nancy Air Date oct One.

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<v Speaker 1>Loral lies well intentioned advice falls on deaf ears when

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<v Speaker 1>Luke reluctantly takes in his wild seventeen year old nephew,

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<v Speaker 1>Jess Well, while Rory finds herself attracted to the town's

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<v Speaker 1>newest resident. The synops Oh yeah, the SYNOPSI so did

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<v Speaker 1>we actually see that Rory's attracted to him? Yet? I

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<v Speaker 1>would say she's intrigued by jess Thoughts, how can you

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<v Speaker 1>not be? How could a young woman not be attracted

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<v Speaker 1>to that? Yeah, sculpture of a human. You know, Shakespeare

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<v Speaker 1>said God made men and he did not make them. Well,

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<v Speaker 1>I think Jess is the exception what you call it,

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<v Speaker 1>I'm brooding? Oh, absolutely absolutely. I mean he was a

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<v Speaker 1>young Marlon Brando right there. I mean that kid. Oh

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<v Speaker 1>my god, what do you remember about like cut from

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<v Speaker 1>Granite right what? What do you remember about meeting him?

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<v Speaker 1>Just that he was such a nice kid, you know

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<v Speaker 1>he was he was an unusually mature outgoing but not pushy.

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<v Speaker 1>You know. He was just sort of present and friendly

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<v Speaker 1>and and kind of you know, engaged and sort of

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<v Speaker 1>interested in who you were and you know, good listener,

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<v Speaker 1>and he just it was unusual in that in that

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<v Speaker 1>regard that he was so mature for his age. Um,

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<v Speaker 1>and I just kept saying, well that's this, you know,

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<v Speaker 1>every time I worked with him or talking to himself.

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<v Speaker 1>You know. My comment to Lauren was, boy, did he

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<v Speaker 1>have good parents? You know. And I'm not saying that

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<v Speaker 1>anybody was any less spectacular, just that in his case,

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<v Speaker 1>it was just like this full package coming at you, like,

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<v Speaker 1>you know, he he's like this incredible looking guy who's

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<v Speaker 1>really smart, really nice, really talented, mature beyond his years.

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<v Speaker 1>I mean, it was like he's going to be a

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<v Speaker 1>superstar and he's nothing like Jess Milow. So it's like

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<v Speaker 1>you really see how talented he is because he's just

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<v Speaker 1>nothing like that guy. Yeah, real focused performer, you know,

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<v Speaker 1>very focused and very you know on what he needs

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<v Speaker 1>to do and what he's trying to do, and and

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<v Speaker 1>it's just sort of his way of going about it too.

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<v Speaker 1>I mean, he wasn't pushy about it, and there was

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<v Speaker 1>sort of little suggestions he would make, little things that

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<v Speaker 1>he needed for me, and just the way he asked

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<v Speaker 1>it was just it was so polite, you know. He

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<v Speaker 1>was just a very polite, gentle spirit, you know, and

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<v Speaker 1>he got along with everyone right away, with Lauren and Alexis.

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<v Speaker 1>Oh god, yeah. I mean I don't want to you know,

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<v Speaker 1>I don't want to embarrass anybody or let the cat

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<v Speaker 1>out of the bag, but I think I'm gonna the

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<v Speaker 1>some of the some of the female members of the cast,

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<v Speaker 1>uh that were on the younger side. We're doing cartwheels

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<v Speaker 1>every time he came around, Okay, so vying for his attention.

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<v Speaker 1>It was actually funny to watch. Oh yeah, man, it

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<v Speaker 1>was just like hi. And they also you know, if

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<v Speaker 1>they were in a bad mood or something and there,

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<v Speaker 1>you know, because sometimes they get people get tired and

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<v Speaker 1>they're get in a bed, but Jess would come around.

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<v Speaker 1>They go, oh, hi, yeah, suddenly he's melting hearts. He's

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<v Speaker 1>just melting hearts all over the place. This is really

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<v Speaker 1>Jess coming. It's really about Luke too, because I would

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<v Speaker 1>say this is the biggest episode for Luke. Yeah, I

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<v Speaker 1>mean it really it really, you know, adds to mension

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<v Speaker 1>to Luke. He's got a sister we have met, we

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<v Speaker 1>really have We haven't met the sister, yes, And now

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<v Speaker 1>he's got a nephew and and oh there's a history here.

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<v Speaker 1>And we find out that his mother passed away when

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<v Speaker 1>when him his sister were kids, and you know, father

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<v Speaker 1>had to take on and then we just worked a

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<v Speaker 1>diner and work, work, work, that kind of thing. So

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<v Speaker 1>do you remember any kind of like a conscious sort

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<v Speaker 1>of conversation where they said, hey, we really want to

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<v Speaker 1>grow Luke now, because from the first episode you're in

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<v Speaker 1>what one maybe two scenes, and now the show is

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<v Speaker 1>really starting to revolve around Luke. Yeah. The rumors that

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<v Speaker 1>I wrote ten letters a day to the creators end

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<v Speaker 1>to Warner Brothers about this very subject are completely over blown.

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<v Speaker 1>There's rumors that whatever. So it's just sort of a

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<v Speaker 1>natural progression that they don't need my commentary. They don't.

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<v Speaker 1>They're not seek Scott. What do you think do you?

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<v Speaker 1>They don't come to my trailer and say, Scott, we

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<v Speaker 1>need to have a talk with you. We want to

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<v Speaker 1>know your opinion on where you think your characters should

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<v Speaker 1>go out. But did you notice suddenly you're getting a

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<v Speaker 1>script into like we have a lot more? I was happy.

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<v Speaker 1>It's like, yeah, I just I felt good because you're

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<v Speaker 1>becoming really a part of it. You know. It's like

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<v Speaker 1>you're now you're this integral part of it, and they're

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<v Speaker 1>building storylines around it, and they're you know, they're flushing

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<v Speaker 1>out the character, giving it more depth to mention. Um.

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<v Speaker 1>I just loved it. I love the challenge of it.

0:13:13.679 --> 0:13:15.800
<v Speaker 1>You know, it's like putting in the long hours and

0:13:15.840 --> 0:13:18.679
<v Speaker 1>also delivering the performance and you get to work with

0:13:18.760 --> 0:13:22.160
<v Speaker 1>some new energy, right, there's new energy there, there's there's

0:13:22.200 --> 0:13:24.920
<v Speaker 1>there's Milo to work with. So it was like, oh cool,

0:13:25.040 --> 0:13:27.840
<v Speaker 1>this is what seemed like the perfect time to really

0:13:28.280 --> 0:13:33.120
<v Speaker 1>bring him on because he stirs up everybody. It's not

0:13:33.240 --> 0:13:36.679
<v Speaker 1>just like gonna be a thing for Rory and Dean.

0:13:37.320 --> 0:13:40.000
<v Speaker 1>It's not just a thing for you. But he's stirring

0:13:40.040 --> 0:13:44.480
<v Speaker 1>it up with Loralae. It's like he's majorly stirring up

0:13:44.520 --> 0:13:47.280
<v Speaker 1>the town. Yeah, just when you thought it was safe

0:13:47.480 --> 0:13:50.240
<v Speaker 1>to go out at night and starts hollow. Now as

0:13:50.280 --> 0:13:54.400
<v Speaker 1>soon as Dean is domesticated, Right, we're not worried about

0:13:54.440 --> 0:13:58.400
<v Speaker 1>Dean anymore, are we. No, he's he's fully leashed at

0:13:58.440 --> 0:14:02.280
<v Speaker 1>this point and neutered and so so. But you've got

0:14:02.280 --> 0:14:04.560
<v Speaker 1>to drop in another one. You thought Dean was bad,

0:14:04.679 --> 0:14:09.320
<v Speaker 1>here here we go with a Milo. Did they tell

0:14:09.360 --> 0:14:13.200
<v Speaker 1>you sort of the trajectory, like did you do you

0:14:13.240 --> 0:14:17.080
<v Speaker 1>remember knowing like, hey, Milo is joining and he's gonna

0:14:17.160 --> 0:14:18.800
<v Speaker 1>be here for a while. This is going to be

0:14:18.880 --> 0:14:20.880
<v Speaker 1>major or is it sort of like you're kind of

0:14:20.960 --> 0:14:26.320
<v Speaker 1>learning every week as you go. Um. I do remember

0:14:26.400 --> 0:14:32.680
<v Speaker 1>having some conversations about the arc of his character, um,

0:14:32.840 --> 0:14:36.000
<v Speaker 1>but not not too much detail, not great detail, just

0:14:36.040 --> 0:14:38.480
<v Speaker 1>sort of sort of general notes about it, which is

0:14:38.520 --> 0:14:42.040
<v Speaker 1>all I really needed anyway. Um. And they were very

0:14:42.080 --> 0:14:44.200
<v Speaker 1>generous in that way to sort of, you know, give

0:14:44.240 --> 0:14:47.800
<v Speaker 1>me some guidance, like we're heading to this this this

0:14:47.800 --> 0:14:49.600
<v Speaker 1>this beacon and then the next one and then the

0:14:49.640 --> 0:14:53.400
<v Speaker 1>next one. But um, no details how we're getting there.

0:14:53.440 --> 0:14:55.440
<v Speaker 1>But you know, you have enough time to digest all

0:14:55.480 --> 0:14:57.080
<v Speaker 1>that and figure that out for yourself when you get

0:14:57.120 --> 0:14:59.960
<v Speaker 1>the script, you know, like ten minutes before you start shooting,

0:15:00.080 --> 0:15:03.640
<v Speaker 1>and do you think Luke okay? So we really see

0:15:03.720 --> 0:15:07.920
<v Speaker 1>Luke's loyalty to his family. It's like, it doesn't matter

0:15:07.920 --> 0:15:11.640
<v Speaker 1>if he wants to do this, this is what you do. Like,

0:15:11.680 --> 0:15:13.800
<v Speaker 1>what are your sort of thoughts on what we learned

0:15:13.800 --> 0:15:20.520
<v Speaker 1>from about Luke and loyalty and family. It was heartbreaking

0:15:20.560 --> 0:15:27.040
<v Speaker 1>for me just from my own personal experience with my family, um,

0:15:27.360 --> 0:15:30.880
<v Speaker 1>because that doesn't always apply unfortunately in reality, you do

0:15:30.960 --> 0:15:32.760
<v Speaker 1>the best you can and then all of a sudden,

0:15:32.840 --> 0:15:35.360
<v Speaker 1>you know, you know, things happen and you have to

0:15:35.400 --> 0:15:39.800
<v Speaker 1>walk away. But um, I think that as a an

0:15:39.920 --> 0:15:44.480
<v Speaker 1>ideal for a character arc, if it's a pillar of

0:15:44.480 --> 0:15:47.320
<v Speaker 1>a character, then it has to be you know, you

0:15:47.440 --> 0:15:50.000
<v Speaker 1>have to follow through on it. And that's just sort

0:15:50.040 --> 0:15:53.080
<v Speaker 1>of who Luke is. And there was nothing really Look,

0:15:53.160 --> 0:15:56.120
<v Speaker 1>there was nothing really too terrible that was going on

0:15:56.160 --> 0:16:00.160
<v Speaker 1>in Luke's life. His sister wasn't too terrible challenging. Us

0:16:00.360 --> 0:16:03.520
<v Speaker 1>isn't too terribly challenging. It's not like you know, a

0:16:03.520 --> 0:16:06.560
<v Speaker 1>lot of families face far worse than this. I mean,

0:16:07.440 --> 0:16:10.600
<v Speaker 1>I don't even need to go into it, but I

0:16:10.640 --> 0:16:15.680
<v Speaker 1>think for the w B and for family type of show,

0:16:15.920 --> 0:16:19.280
<v Speaker 1>I think that's about as intense as it's going to get. Right.

0:16:19.320 --> 0:16:22.800
<v Speaker 1>It's going to reflect reality, but it's just it's the

0:16:22.880 --> 0:16:25.560
<v Speaker 1>kind of a reality that's not so dark and dangerous,

0:16:25.600 --> 0:16:28.320
<v Speaker 1>you know what I'm saying, because because it can't be right,

0:16:28.360 --> 0:16:31.400
<v Speaker 1>it can't be for that show. So she's not that bad.

0:16:31.520 --> 0:16:35.240
<v Speaker 1>He's just not Rory right, He's right, I mean, who

0:16:35.400 --> 0:16:40.000
<v Speaker 1>is who is? So? So it's like, but you know,

0:16:40.080 --> 0:16:42.920
<v Speaker 1>you have to give and I think I think they

0:16:42.960 --> 0:16:48.040
<v Speaker 1>also realized that the executives also realized that Rory, um,

0:16:48.080 --> 0:16:50.920
<v Speaker 1>you know, it's like she's got her own set of

0:16:50.960 --> 0:16:53.440
<v Speaker 1>fans and Laura Lauren has her own set of fans

0:16:53.440 --> 0:16:55.640
<v Speaker 1>and there, you know, they do mesh and they do

0:16:55.840 --> 0:16:58.360
<v Speaker 1>they do share the fan basis. But you know, I

0:16:58.400 --> 0:17:00.960
<v Speaker 1>think Alexis was breaking out on her own, has her

0:17:01.000 --> 0:17:04.800
<v Speaker 1>own sort of category of star, right, so in her

0:17:04.800 --> 0:17:07.600
<v Speaker 1>own right, she had her own claim to start them

0:17:07.640 --> 0:17:10.280
<v Speaker 1>at that point, and her you know, she was bringing

0:17:10.320 --> 0:17:14.960
<v Speaker 1>these unexpectedly high level skills to bear on that character.

0:17:15.280 --> 0:17:19.119
<v Speaker 1>Um um. So I think they you know, they thought

0:17:19.160 --> 0:17:21.160
<v Speaker 1>they could, they could work with her, and like, let's

0:17:21.200 --> 0:17:24.800
<v Speaker 1>give her a jest, Let's give her a Paris, she continued,

0:17:25.440 --> 0:17:29.159
<v Speaker 1>a whole Paris and to to for lack of a

0:17:29.200 --> 0:17:31.160
<v Speaker 1>better term, But I'm just I'm getting so turned off

0:17:31.200 --> 0:17:37.879
<v Speaker 1>with Paris. I can't even stand. And I'm some but

0:17:37.880 --> 0:17:40.760
<v Speaker 1>but it's so manipulative. Not to jump around so much,

0:17:40.800 --> 0:17:44.080
<v Speaker 1>but it's so manipulative. I find myself rooting for Rory

0:17:44.200 --> 0:17:46.520
<v Speaker 1>so much and so proud of how she's handling the

0:17:46.600 --> 0:17:50.439
<v Speaker 1>situation with Paris. About the whole, it's like flush, the

0:17:50.440 --> 0:17:54.159
<v Speaker 1>Paris character doesn't matter. You are just subordinate to making

0:17:54.280 --> 0:17:56.520
<v Speaker 1>us like Rory more and more and more and more.

0:17:56.600 --> 0:18:00.760
<v Speaker 1>So so it's really interesting device. But uh, you know,

0:18:00.840 --> 0:18:03.760
<v Speaker 1>back to Jes, Yeah, I think that's just who Luke is, right,

0:18:03.920 --> 0:18:06.119
<v Speaker 1>He's family. I'm gonna we're gonna take care of family.

0:18:06.160 --> 0:18:09.600
<v Speaker 1>That's just kind of what you do, um, which explains

0:18:09.640 --> 0:18:13.920
<v Speaker 1>everything about Luke. Yes, yes, I agree, he doesn't even hesitate.

0:18:14.480 --> 0:18:16.239
<v Speaker 1>If you were to say one thing about like what

0:18:16.440 --> 0:18:19.680
<v Speaker 1>one line in the series so far maybe overall defines

0:18:19.720 --> 0:18:22.840
<v Speaker 1>who Luke is. That's it. When he says to Laura,

0:18:22.920 --> 0:18:25.000
<v Speaker 1>I not even look alone, just you know, pumping up

0:18:25.000 --> 0:18:26.800
<v Speaker 1>his mattress like this is what you do. I'm gonna

0:18:26.800 --> 0:18:30.200
<v Speaker 1>inciveunce my life. Listen that he's family. You take care

0:18:30.200 --> 0:18:34.919
<v Speaker 1>of family. That's what you do. Boom, blanket statement, no

0:18:35.040 --> 0:18:37.359
<v Speaker 1>discussion about it. I think it's interesting you say that

0:18:37.359 --> 0:18:42.040
<v Speaker 1>because to me brings me back to when Luke immediately

0:18:42.160 --> 0:18:44.400
<v Speaker 1>jumps in and it's going to help Laurel I when

0:18:44.520 --> 0:18:47.960
<v Speaker 1>Richard was in the hospital. You drop everything like he

0:18:48.119 --> 0:18:51.119
<v Speaker 1>is the most loyal person. Maybe she's a bit of

0:18:51.119 --> 0:18:53.960
<v Speaker 1>a mother figure to him because she stands up to

0:18:54.040 --> 0:18:55.720
<v Speaker 1>him and she tells him, he gives him what for,

0:18:56.400 --> 0:18:59.679
<v Speaker 1>and she's one of the few that can do this.

0:19:00.160 --> 0:19:01.800
<v Speaker 1>And I think Rachel did it to an extent. But

0:19:01.840 --> 0:19:05.320
<v Speaker 1>she did it and she left and she kept leaving,

0:19:05.800 --> 0:19:10.399
<v Speaker 1>So there's no trust there. But with Lauren, with Laura Lai, Um,

0:19:10.600 --> 0:19:14.800
<v Speaker 1>she's not going anywhere. She's there there, they're embedded in

0:19:14.880 --> 0:19:18.399
<v Speaker 1>that town. Yeah. I think you make a great point there. Yeah,

0:19:18.480 --> 0:19:21.399
<v Speaker 1>so yeah, there might be. And that's why I think too,

0:19:21.520 --> 0:19:25.560
<v Speaker 1>essentially that Rory is going to be attracted to Jess

0:19:25.600 --> 0:19:30.320
<v Speaker 1>because she's still her mother's daughter. So even though she's

0:19:31.680 --> 0:19:35.080
<v Speaker 1>doing all the right things. She's still going to have

0:19:35.320 --> 0:19:39.720
<v Speaker 1>that attracted to the bad boy thing. But the thing

0:19:39.840 --> 0:19:42.320
<v Speaker 1>is is, even though she was getting into it with

0:19:42.440 --> 0:19:45.480
<v Speaker 1>the you know, the inevitable sort of beginning to fall

0:19:45.640 --> 0:19:48.960
<v Speaker 1>for Jess and Jess inevitably falling for her. You could

0:19:49.000 --> 0:19:51.919
<v Speaker 1>see it in that final scene when it's like, uh,

0:19:52.440 --> 0:19:54.800
<v Speaker 1>you know when he said he made notes on Alan

0:19:54.800 --> 0:19:58.159
<v Speaker 1>Ginsbury's Howell and I've only read it forty times and

0:19:58.160 --> 0:20:03.880
<v Speaker 1>then uh and then the um the Dickens reference um,

0:20:03.920 --> 0:20:06.640
<v Speaker 1>and he knew it and she was pleased. I trust her.

0:20:06.800 --> 0:20:10.600
<v Speaker 1>I trust her now not to screw up her life

0:20:11.600 --> 0:20:17.399
<v Speaker 1>because this is this is a pattern with super intelligent

0:20:17.840 --> 0:20:23.560
<v Speaker 1>uh people, right girls uh that you know, their lives

0:20:23.600 --> 0:20:25.879
<v Speaker 1>get blown up because they don't have the character, the

0:20:25.880 --> 0:20:29.240
<v Speaker 1>backing of the support from family, right when they're about

0:20:29.280 --> 0:20:32.760
<v Speaker 1>to go to college and their senior year just blows

0:20:32.880 --> 0:20:36.119
<v Speaker 1>up into partying and it blows up into boys and

0:20:36.160 --> 0:20:39.160
<v Speaker 1>it's just like and then suddenly they don't really want

0:20:39.160 --> 0:20:41.159
<v Speaker 1>to go to Harvard anymore, and it's like, you know,

0:20:41.240 --> 0:20:43.439
<v Speaker 1>I'll go I'll go over here, and I don't care.

0:20:43.560 --> 0:20:46.040
<v Speaker 1>They don't even bother going to college. I trusted her,

0:20:46.160 --> 0:20:50.560
<v Speaker 1>not I didn't feel so I felt more encouraged about

0:20:50.560 --> 0:20:52.919
<v Speaker 1>a potential romance between the two and the excitement of

0:20:52.960 --> 0:20:54.639
<v Speaker 1>that and how that was going to play out. Then

0:20:54.680 --> 0:21:00.280
<v Speaker 1>I was about him derailing her. M I agree with that. Yeah, yeah, yeah,

0:21:00.320 --> 0:21:03.280
<v Speaker 1>I didn't feel any possibility of that happening, because if

0:21:03.280 --> 0:21:07.479
<v Speaker 1>she can handle herself so beautifully, with such maturity and

0:21:07.560 --> 0:21:12.399
<v Speaker 1>calm and cool up against Paris, then no guy is

0:21:12.440 --> 0:21:15.120
<v Speaker 1>gonna be smart enough. You're not gonna find a guy

0:21:15.160 --> 0:21:18.800
<v Speaker 1>that's smarter than than Paris and more diabolical. Nothing will

0:21:18.800 --> 0:21:21.919
<v Speaker 1>derail her. Nothing's going to derail So I I really

0:21:22.000 --> 0:21:24.879
<v Speaker 1>trust her character. I trust Rory to stay on the

0:21:24.920 --> 0:21:27.160
<v Speaker 1>straight now, to stay studying. Nothing's gonna throw her off.

0:21:27.400 --> 0:21:32.000
<v Speaker 1>In fact, she's already manipulating him. She's already testing him

0:21:32.000 --> 0:21:34.560
<v Speaker 1>and saying, you know, are you literate? Do you read

0:21:34.600 --> 0:21:37.200
<v Speaker 1>these things? And like okay, right, And when he's like

0:21:37.359 --> 0:21:39.720
<v Speaker 1>let's sneak out, and she's like number one, there's no

0:21:39.800 --> 0:21:43.480
<v Speaker 1>word to sneak to and number two, no, I want

0:21:43.520 --> 0:21:46.040
<v Speaker 1>to eat, Like there, this is gonna be delicious. Like

0:21:46.440 --> 0:21:50.080
<v Speaker 1>she's so like above him, like why would I do that? Right? Yeah,

0:21:50.119 --> 0:21:52.320
<v Speaker 1>you're a hot dude, but I ain't. I ain't passing

0:21:52.400 --> 0:21:54.280
<v Speaker 1>up a hot meal when I'm hungry. Guy. I mean,

0:21:54.320 --> 0:21:57.560
<v Speaker 1>you know, you kind of matter, but not right now. Right,

0:21:59.520 --> 0:22:02.840
<v Speaker 1>she's her own person. She's grown, you know, she's growing

0:22:02.880 --> 0:22:06.959
<v Speaker 1>into the spectacular woman to be and it's just this strong,

0:22:07.040 --> 0:22:10.480
<v Speaker 1>empowered one but still hell bent for leather because who

0:22:10.520 --> 0:22:13.240
<v Speaker 1>mommy isn't who daddy is, right, So there, so there's

0:22:13.240 --> 0:22:18.040
<v Speaker 1>that opening, right, she would be attracted to him, but

0:22:18.160 --> 0:22:21.080
<v Speaker 1>it's not going to cause her problems. It'll cause her

0:22:21.160 --> 0:22:24.440
<v Speaker 1>some heartache maybe, but it's necessary. It's not going to

0:22:24.560 --> 0:22:27.920
<v Speaker 1>go to jail. Although I do think they get into

0:22:27.920 --> 0:22:29.960
<v Speaker 1>some trouble, but we'll talk about and I think that's

0:22:30.040 --> 0:22:33.040
<v Speaker 1>really important for that character. I think it's really important

0:22:33.040 --> 0:22:36.399
<v Speaker 1>for the series. We do not want to mistrust Roy

0:22:36.520 --> 0:22:39.960
<v Speaker 1>or think that she is such a oh I don't

0:22:39.960 --> 0:22:42.439
<v Speaker 1>know what's the word troll up or something that she's

0:22:42.480 --> 0:22:44.800
<v Speaker 1>she's going to go off and ruin her life. We

0:22:44.880 --> 0:22:47.840
<v Speaker 1>can't have that, you know. That's that's like, that's a

0:22:47.920 --> 0:22:52.600
<v Speaker 1>Madeline Louise type of storyline, right, right, She's not ditching

0:22:52.600 --> 0:22:58.679
<v Speaker 1>the Bengals concerts. Some college party. Jess is what we

0:22:58.760 --> 0:23:01.520
<v Speaker 1>needed though, Like even if we didn't realize we needed it.

0:23:01.760 --> 0:23:05.199
<v Speaker 1>Like somebody smarter than us writing the show knew that

0:23:05.320 --> 0:23:08.719
<v Speaker 1>Jess is exactly what this show needs. Yeah, the injection

0:23:08.760 --> 0:23:12.800
<v Speaker 1>of that kind of energy, um and that sort of

0:23:12.960 --> 0:23:17.520
<v Speaker 1>classical beauty that he represents. I mean, he just represents

0:23:17.640 --> 0:23:21.960
<v Speaker 1>like I mean, you know, it's like Michelangelo's David shows

0:23:22.040 --> 0:23:26.760
<v Speaker 1>up in a and a pair of blue jeans and

0:23:28.240 --> 0:23:31.720
<v Speaker 1>he's completely different. And I thought, in terms of the

0:23:31.840 --> 0:23:37.320
<v Speaker 1>acting he had, he displayed an appropriate amount of you know,

0:23:37.480 --> 0:23:42.800
<v Speaker 1>sort of internal confusion and internal angst and um where

0:23:42.840 --> 0:23:44.960
<v Speaker 1>he was that he was that guy that thought he

0:23:45.040 --> 0:23:47.240
<v Speaker 1>knew everything, yet he knew he didn't, and he was

0:23:47.280 --> 0:23:52.200
<v Speaker 1>angry about it and he just he just couldn't. He

0:23:52.359 --> 0:23:56.000
<v Speaker 1>had no patience for conformity or society or he doesn't

0:23:56.080 --> 0:23:59.880
<v Speaker 1>want to be a jerk. Right. It made me made

0:24:00.040 --> 0:24:03.080
<v Speaker 1>you want to find out what happened to him and

0:24:03.119 --> 0:24:05.960
<v Speaker 1>help him out, and it really made me gravitate toward him.

0:24:05.960 --> 0:24:09.040
<v Speaker 1>So that's the subtlety in his performance that is so brilliant.

0:24:09.240 --> 0:24:12.679
<v Speaker 1>It draws you in. You know, he doesn't overdo it,

0:24:13.320 --> 0:24:21.040
<v Speaker 1>He just gives you a taste. So when Luke comes

0:24:21.080 --> 0:24:23.600
<v Speaker 1>in with all the like, here's the stuff to help

0:24:23.680 --> 0:24:26.399
<v Speaker 1>you quit smoking. And here's a picture of black lungs

0:24:26.400 --> 0:24:29.600
<v Speaker 1>and here's that. I almost thought he was gonna go okay, uncle,

0:24:29.960 --> 0:24:33.679
<v Speaker 1>but instead this looks out. You're like, at any moment,

0:24:33.840 --> 0:24:38.560
<v Speaker 1>he's going to figure this out and be the good guy.

0:24:38.640 --> 0:24:41.760
<v Speaker 1>But that's a process. We know that's gonna take time

0:24:41.760 --> 0:24:45.360
<v Speaker 1>and it's gonna work. But that is exactly what Jess needs.

0:24:45.400 --> 0:24:48.960
<v Speaker 1>He needs a father figure. He needs somebody to be

0:24:49.040 --> 0:24:51.240
<v Speaker 1>tough with him. Tough love is what he needs. That's

0:24:51.280 --> 0:24:54.639
<v Speaker 1>what he's gonna get. And that's all really Luke knows anyway,

0:24:55.600 --> 0:24:58.720
<v Speaker 1>And I think that unjust probably realizes that at some

0:24:58.800 --> 0:25:02.640
<v Speaker 1>point like this, I is a one trick pony here,

0:25:02.840 --> 0:25:05.399
<v Speaker 1>and he's not gonna do it any other way. So

0:25:05.480 --> 0:25:07.800
<v Speaker 1>I'd better conform because this is a brick wall and

0:25:07.880 --> 0:25:11.920
<v Speaker 1>he ain't changing, right, that can affect some change in

0:25:11.960 --> 0:25:14.320
<v Speaker 1>another person. I mean, just by this yer example of

0:25:14.400 --> 0:25:17.400
<v Speaker 1>Luke's life, he gets up early, knows to grindstone. He's

0:25:17.400 --> 0:25:20.760
<v Speaker 1>a great friend. He has aspirations, but it doesn't take

0:25:20.760 --> 0:25:22.600
<v Speaker 1>precedence over his life and what he needs to do

0:25:22.720 --> 0:25:25.760
<v Speaker 1>to pay his bills and you know, provide coffee, donuts

0:25:25.760 --> 0:25:29.280
<v Speaker 1>and food for the citizens of Stars Day. Yeah, that's

0:25:29.280 --> 0:25:31.880
<v Speaker 1>his job, right, It's like he's part of the heartbeat

0:25:31.880 --> 0:25:35.199
<v Speaker 1>of that town, right, so he's he's got a responsibility

0:25:35.320 --> 0:25:39.680
<v Speaker 1>and that rubs off on Jess. Eventually, I hope, right,

0:25:39.840 --> 0:25:44.520
<v Speaker 1>and he'll see he'll see what it is too. I

0:25:44.560 --> 0:25:48.440
<v Speaker 1>don't know, be a man like grow up and accept responsibility.

0:25:48.760 --> 0:25:51.240
<v Speaker 1>It is an epic fight that Luke and lorel I

0:25:51.400 --> 0:25:53.720
<v Speaker 1>have and then lower La doesn't want to go in

0:25:53.720 --> 0:25:57.080
<v Speaker 1>the diner, and then it comes full circle because then

0:25:57.280 --> 0:25:59.480
<v Speaker 1>come back to the house and admit, like, you were right.

0:26:00.359 --> 0:26:03.040
<v Speaker 1>But I never worried that this was they weren't going

0:26:03.119 --> 0:26:07.600
<v Speaker 1>to make up. I didn't like Luke in that moment.

0:26:07.760 --> 0:26:13.040
<v Speaker 1>I just I don't know really. I mean, it's like

0:26:13.080 --> 0:26:15.320
<v Speaker 1>I was almost like, how dare you talk to her

0:26:15.800 --> 0:26:19.000
<v Speaker 1>that way in her kitchen when she's just I know

0:26:19.119 --> 0:26:22.040
<v Speaker 1>he didn't see what she was doing. I know he

0:26:22.080 --> 0:26:24.720
<v Speaker 1>didn't have the knowledge that Jess took a beer and

0:26:25.119 --> 0:26:27.359
<v Speaker 1>I was about to drink. It was disrespectful to Laurela

0:26:27.440 --> 0:26:31.320
<v Speaker 1>in her own house, and she was overstepping a little bit.

0:26:31.520 --> 0:26:34.640
<v Speaker 1>I will say, because you think so. See that's the debate, right,

0:26:34.960 --> 0:26:39.880
<v Speaker 1>justify did it for the right reason? Tirade. But yeah, yeah,

0:26:39.880 --> 0:26:42.560
<v Speaker 1>I felt he was justified. They both were a little

0:26:42.600 --> 0:26:45.160
<v Speaker 1>over the top because they both could have calmed down

0:26:45.240 --> 0:26:48.920
<v Speaker 1>and had it helped each other. But she's getting pissed

0:26:49.080 --> 0:26:52.160
<v Speaker 1>and she also knows she's right, which ultimately she sort

0:26:52.200 --> 0:26:54.560
<v Speaker 1>of is. But like you have to be sensitive to

0:26:54.640 --> 0:26:58.800
<v Speaker 1>people like this kid just came into town. You're the uncle.

0:26:59.320 --> 0:27:01.600
<v Speaker 1>You're trying to deal with this situation. You're doing the

0:27:01.640 --> 0:27:03.440
<v Speaker 1>best you can, You're trying to do the right thing.

0:27:03.560 --> 0:27:08.159
<v Speaker 1>So I understood both perspectives. I don't know, I just

0:27:08.240 --> 0:27:13.040
<v Speaker 1>think Laurela was completely justified going out into the porch,

0:27:13.119 --> 0:27:17.040
<v Speaker 1>into the back there, taking the beer away. She was

0:27:17.119 --> 0:27:20.040
<v Speaker 1>still being nice to him, she was still just trying

0:27:20.040 --> 0:27:23.200
<v Speaker 1>to talk to him right, and he was being nasty,

0:27:24.440 --> 0:27:28.760
<v Speaker 1>unnecessarily nasty to her and dismissive, been disrespectful, and that's

0:27:28.760 --> 0:27:32.119
<v Speaker 1>her daughter, And there ain't no way that that guy

0:27:32.520 --> 0:27:35.080
<v Speaker 1>is not going to get red Riot Act from that

0:27:35.160 --> 0:27:39.199
<v Speaker 1>woman protecting her daughter. She was come hud justified. She

0:27:39.280 --> 0:27:43.040
<v Speaker 1>was even justified kicking him out, like get out of

0:27:43.080 --> 0:27:45.320
<v Speaker 1>my house, because that's what I would have done if

0:27:45.320 --> 0:27:47.160
<v Speaker 1>somebody talked to me that way in my own house.

0:27:47.200 --> 0:27:52.919
<v Speaker 1>And I have done that. Actually, I have dismissed people before,

0:27:53.480 --> 0:27:56.120
<v Speaker 1>and and but she had every right to do it,

0:27:56.640 --> 0:27:59.399
<v Speaker 1>and I'm surprised she didn't do it, because all she

0:27:59.440 --> 0:28:01.920
<v Speaker 1>did was said, okay, you know, she took the beer

0:28:01.920 --> 0:28:04.480
<v Speaker 1>and she goes fine, and then she left. She said

0:28:04.520 --> 0:28:07.920
<v Speaker 1>something definitive and left. I can't recall what she said,

0:28:07.920 --> 0:28:10.520
<v Speaker 1>but it was it was. It was clearly drawing a line,

0:28:10.960 --> 0:28:13.680
<v Speaker 1>and he knew he was still welcome to come back

0:28:13.720 --> 0:28:18.320
<v Speaker 1>in and join the festivities even after that. And so

0:28:18.600 --> 0:28:21.800
<v Speaker 1>she's her blood is up. And then and Luke comes

0:28:21.800 --> 0:28:24.600
<v Speaker 1>in the room, completely ignorant of what's going down, doesn't

0:28:24.640 --> 0:28:27.440
<v Speaker 1>even bother to ask her what happened, doesn't even bother

0:28:27.560 --> 0:28:31.040
<v Speaker 1>to give her a chance to explaining, explaining, not that

0:28:31.080 --> 0:28:32.760
<v Speaker 1>he has owed and exploit well, he kind of is

0:28:32.760 --> 0:28:37.640
<v Speaker 1>owed an explanation, um, and she's offering one as a friend, right,

0:28:38.040 --> 0:28:40.719
<v Speaker 1>trying to explain to what happened, and he doesn't get it,

0:28:40.760 --> 0:28:43.600
<v Speaker 1>and he so he starts getting very territorial over Jessin,

0:28:44.280 --> 0:28:48.160
<v Speaker 1>and his manhood threatened. And I just thought it was unnecessary.

0:28:48.400 --> 0:28:51.360
<v Speaker 1>It made sense to me, though, I I his reaction

0:28:51.560 --> 0:28:55.120
<v Speaker 1>was not so out of line. It was like he's

0:28:55.160 --> 0:28:56.880
<v Speaker 1>trying to defend this kid. He's trying to do the

0:28:56.960 --> 0:28:58.840
<v Speaker 1>right thing. It was a little bit of a low

0:28:58.880 --> 0:29:01.400
<v Speaker 1>blow when you mentioned that she got pregnant sixteen. That

0:29:01.480 --> 0:29:07.160
<v Speaker 1>was I think so too. I was shocked that he

0:29:07.200 --> 0:29:09.920
<v Speaker 1>went that low. I did not like that. That was rough.

0:29:10.440 --> 0:29:14.480
<v Speaker 1>But ultimately he does come back around and admits she's right.

0:29:15.000 --> 0:29:17.600
<v Speaker 1>But Luke's also trying to figure this out and is

0:29:17.600 --> 0:29:23.200
<v Speaker 1>getting emotional, which he hates. He gets in it's yeah,

0:29:23.320 --> 0:29:27.680
<v Speaker 1>so he's like, and then we get to the jam

0:29:27.760 --> 0:29:33.720
<v Speaker 1>Hands scene and it's just you know, he's I forgot

0:29:33.760 --> 0:29:36.800
<v Speaker 1>I remember jam Hands, but I forgot that it was

0:29:36.840 --> 0:29:40.040
<v Speaker 1>in this episode. I mean, jam Hands is such a

0:29:40.120 --> 0:29:43.360
<v Speaker 1>classic Gilmore. I think that's that's one of the Luke

0:29:43.480 --> 0:29:47.040
<v Speaker 1>classic rants. Right, was that that wasn't the first rant,

0:29:47.120 --> 0:29:49.840
<v Speaker 1>but that might be the first classic. No patients for

0:29:49.960 --> 0:29:53.720
<v Speaker 1>jam Hands. And it's like it just was building. I

0:29:53.760 --> 0:29:57.000
<v Speaker 1>think that's what had to happen, is like it's just building, building, building,

0:29:57.040 --> 0:29:59.480
<v Speaker 1>and she's trying to tell him like you're in a

0:29:59.520 --> 0:30:02.920
<v Speaker 1>world of her, bro this is gonna be rough. No no, no, no, no, no,

0:30:03.000 --> 0:30:07.400
<v Speaker 1>Bill Bill Bilbil. I just didn't like how he wanted

0:30:07.400 --> 0:30:10.000
<v Speaker 1>her in the kitchen. I did not like that, but

0:30:10.320 --> 0:30:12.520
<v Speaker 1>I want to reach into the screen and smack him, like,

0:30:12.720 --> 0:30:15.760
<v Speaker 1>don't talk to her that way. I didn't mind it,

0:30:15.800 --> 0:30:20.680
<v Speaker 1>because again, it's so real. People get mad and people

0:30:20.800 --> 0:30:25.240
<v Speaker 1>act crazy when even when it's not justified because they're

0:30:25.280 --> 0:30:31.760
<v Speaker 1>dealing with something else. It did two things. Okay, it

0:30:31.880 --> 0:30:35.800
<v Speaker 1>delayed the inevitable of them getting together. That bought two seasons.

0:30:37.400 --> 0:30:39.600
<v Speaker 1>Another thing it did it has showed the audience that

0:30:39.680 --> 0:30:44.360
<v Speaker 1>she is too good for him. Right, the audience was

0:30:44.400 --> 0:30:46.480
<v Speaker 1>thinking it's the other way around, he's too good for her,

0:30:46.960 --> 0:30:49.680
<v Speaker 1>but in that moment, she was too good for him.

0:30:49.680 --> 0:30:52.280
<v Speaker 1>Look at it. That's when it showed I see what

0:30:52.320 --> 0:30:55.200
<v Speaker 1>you're saying, but I also see it as we're just

0:30:55.280 --> 0:30:59.400
<v Speaker 1>seeing that Luke is humid. They're both just real people

0:31:00.440 --> 0:31:03.600
<v Speaker 1>trying to help each other, trying to do their best.

0:31:03.800 --> 0:31:07.320
<v Speaker 1>And look, she was ultimately right, but it was almost

0:31:07.360 --> 0:31:10.400
<v Speaker 1>a little too soon for her to point that out. Right,

0:31:11.640 --> 0:31:15.160
<v Speaker 1>it is your nephew, it is your problem. You're trying

0:31:15.160 --> 0:31:19.200
<v Speaker 1>to help. You love this kid. But why wouldn't he

0:31:19.240 --> 0:31:22.080
<v Speaker 1>want to help from her? He loves her? Why that

0:31:22.240 --> 0:31:25.200
<v Speaker 1>wasn't ready? He wasn't ready. I get I get he's like,

0:31:25.560 --> 0:31:29.320
<v Speaker 1>you know, he's a full blown adult. He's he's he's

0:31:30.120 --> 0:31:34.240
<v Speaker 1>you know, full blown adults respect each other's boundaries. That's

0:31:34.280 --> 0:31:37.640
<v Speaker 1>definitely a boundary. But he's in the house behaving a

0:31:37.680 --> 0:31:41.480
<v Speaker 1>certain way and being disrespectful to him, and he needs

0:31:42.480 --> 0:31:45.120
<v Speaker 1>I get. I get that he felt like she was

0:31:45.160 --> 0:31:47.480
<v Speaker 1>crossing into the boundary. But it was like the reactions

0:31:47.520 --> 0:31:49.480
<v Speaker 1>just like, would you just shut up and listen to her?

0:31:50.160 --> 0:31:52.960
<v Speaker 1>Just listen to what she's saying to you, guys, wasn't

0:31:53.000 --> 0:31:55.120
<v Speaker 1>ready to hear the truth and he and look, he

0:31:55.200 --> 0:32:01.800
<v Speaker 1>comes around in one more day. And now because of that,

0:32:02.720 --> 0:32:06.560
<v Speaker 1>I think it took them to a closer level, because

0:32:06.600 --> 0:32:10.400
<v Speaker 1>she forgives him immediately, like when Luke comes in and says,

0:32:10.520 --> 0:32:13.360
<v Speaker 1>I was wrong, you were right. It's not like she's

0:32:13.400 --> 0:32:16.920
<v Speaker 1>like holding a grudge. It's just immediately like, yeah, here

0:32:16.960 --> 0:32:22.880
<v Speaker 1>I am, let's let me hear it. Yeah, I'm splitting hairs. No,

0:32:23.040 --> 0:32:24.920
<v Speaker 1>it's it's interesting, Well, let's talk about how much you

0:32:25.040 --> 0:32:33.960
<v Speaker 1>do dislike Paris right now. I don't know. I find

0:32:34.000 --> 0:32:37.720
<v Speaker 1>her falling in. I almost find her character devolving into

0:32:38.040 --> 0:32:43.360
<v Speaker 1>the category of cartoonish because it's just so over the

0:32:43.440 --> 0:32:49.920
<v Speaker 1>top absurd evil mustache twirling. I'm gonna get you, you you know.

0:32:50.000 --> 0:32:54.360
<v Speaker 1>It's it's like, you really gonna make me eat this

0:32:54.560 --> 0:33:00.280
<v Speaker 1>right now. It's like, but I'm in come on, I

0:33:00.280 --> 0:33:04.400
<v Speaker 1>don't mind it because it's so real everywhere else, do

0:33:04.440 --> 0:33:06.680
<v Speaker 1>you know what I mean, Like all the other scenes

0:33:06.720 --> 0:33:10.200
<v Speaker 1>that so like they have this thing and she's lying

0:33:10.240 --> 0:33:13.080
<v Speaker 1>about the time the class starts, in the signing and

0:33:13.160 --> 0:33:15.840
<v Speaker 1>the parking lot job, and then she shows up an

0:33:15.880 --> 0:33:19.160
<v Speaker 1>hour early and in their ready and it's all just

0:33:19.360 --> 0:33:22.760
<v Speaker 1>do me a favor. Okay, since since do me a favor,

0:33:23.480 --> 0:33:27.840
<v Speaker 1>take me back to how it went off the rails again.

0:33:27.880 --> 0:33:30.720
<v Speaker 1>I thought these two were they were, but then remember

0:33:30.840 --> 0:33:36.800
<v Speaker 1>Tristan asked out Rory, and even though Rory never said yes,

0:33:36.000 --> 0:33:40.600
<v Speaker 1>that the die was cast there, we're still even though

0:33:40.720 --> 0:33:45.200
<v Speaker 1>Rory's like, dude, I didn't say yes. I wasn't gonna

0:33:45.320 --> 0:33:49.040
<v Speaker 1>go to the PJ. Harvey concert. I just don't know

0:33:49.080 --> 0:33:53.280
<v Speaker 1>how anybody is that unforgiving or that crazy because she

0:33:53.680 --> 0:33:59.440
<v Speaker 1>because she knows that Rory is ultimately the competition. Rory

0:33:59.600 --> 0:34:02.400
<v Speaker 1>is the only one that can knock Paris offer the

0:34:02.440 --> 0:34:08.719
<v Speaker 1>smartest Rory. Rory is irresistible. She is not a threatening presence.

0:34:08.760 --> 0:34:11.520
<v Speaker 1>She is not a threatening person. She's a sweet person

0:34:11.880 --> 0:34:16.200
<v Speaker 1>who wants to make friends with everybody. The parking lot

0:34:16.480 --> 0:34:22.440
<v Speaker 1>was one thing. The max assignment was brutal, Like making

0:34:22.480 --> 0:34:27.560
<v Speaker 1>this kid interview the guy that the mom just called

0:34:27.600 --> 0:34:31.360
<v Speaker 1>it off with. That was the smart move because it

0:34:31.440 --> 0:34:35.600
<v Speaker 1>actually it just kept everything she did, kept making Rory

0:34:35.680 --> 0:34:40.080
<v Speaker 1>look like she was more mature, more special. I mean,

0:34:40.120 --> 0:34:44.440
<v Speaker 1>it was just it's that I'm shocked that the character

0:34:44.560 --> 0:34:49.600
<v Speaker 1>of Paris, who had some dimensionality and some depth and

0:34:50.640 --> 0:34:54.480
<v Speaker 1>has now become completely one dimensional. And I'm I'm sorry

0:34:54.520 --> 0:34:58.640
<v Speaker 1>to see it. That's that's what I am. Um. I'm

0:34:58.719 --> 0:35:00.879
<v Speaker 1>kind of in mourning over that, because I do like

0:35:01.000 --> 0:35:03.920
<v Speaker 1>the character. I do love the character of Paris, and

0:35:03.920 --> 0:35:08.040
<v Speaker 1>I think she's hysterically funny, and Liza Wheel is a

0:35:08.120 --> 0:35:11.600
<v Speaker 1>very gifted actress. But what she's given, I think, really

0:35:11.640 --> 0:35:14.440
<v Speaker 1>is lacking. I mean, it's one thing to really want

0:35:14.480 --> 0:35:17.120
<v Speaker 1>to build up Rory and get everybody on Rory side,

0:35:17.160 --> 0:35:19.800
<v Speaker 1>but it's another thing to sacrifice the character of Paris.

0:35:19.800 --> 0:35:24.279
<v Speaker 1>And this way, I mean, she's not uh, I mean,

0:35:24.320 --> 0:35:26.880
<v Speaker 1>she's beyond rehab at this point. You know, It's like,

0:35:26.920 --> 0:35:31.200
<v Speaker 1>how low can she demonstrate that she is able to

0:35:31.239 --> 0:35:35.560
<v Speaker 1>go to destroy another person before we just dismiss her

0:35:35.600 --> 0:35:37.920
<v Speaker 1>as a character, and she's like she's turning into a cartoon.

0:35:37.920 --> 0:35:40.080
<v Speaker 1>And I don't like it. I think it. I think

0:35:40.080 --> 0:35:43.759
<v Speaker 1>it's imbalanced in the series. I think her character isn't

0:35:43.760 --> 0:35:45.640
<v Speaker 1>good enough to be in the series anymore, and I

0:35:45.640 --> 0:35:49.279
<v Speaker 1>want to see another character emerge that takes her out.

0:35:49.480 --> 0:35:52.680
<v Speaker 1>She's now ripe to be taken out of the series

0:35:53.520 --> 0:35:56.840
<v Speaker 1>because I don't know if she's wanted or necessary anymore.

0:35:56.840 --> 0:36:00.400
<v Speaker 1>It's like it's becoming kind of a joke. So again,

0:36:00.440 --> 0:36:05.759
<v Speaker 1>I have the problem of knowing what happens. So don't

0:36:05.800 --> 0:36:08.400
<v Speaker 1>tell me. I won't. I think, yeah, it'll be interesting

0:36:08.480 --> 0:36:13.520
<v Speaker 1>to see how you your opinion of her evolves as

0:36:13.600 --> 0:36:16.640
<v Speaker 1>she continues, because she's not leaving. I'm not gonna, you know,

0:36:16.719 --> 0:36:20.319
<v Speaker 1>there's no right, So I think it'll be interesting if

0:36:20.320 --> 0:36:22.480
<v Speaker 1>you start to like her more. Yeah, I don't care

0:36:22.480 --> 0:36:24.720
<v Speaker 1>how many of these little sort of puppy dog moments

0:36:24.760 --> 0:36:30.160
<v Speaker 1>she has, like really really and then she softens and

0:36:31.120 --> 0:36:34.719
<v Speaker 1>but now she's faking it. She did that to Rory,

0:36:34.880 --> 0:36:37.759
<v Speaker 1>deceiving her about the assign But what I think what

0:36:37.880 --> 0:36:41.560
<v Speaker 1>she looks, she's pure evil. She doesn't get is it

0:36:41.560 --> 0:36:44.680
<v Speaker 1>always backfires on her because think about it, she assigns

0:36:44.719 --> 0:36:49.480
<v Speaker 1>the parking lot story, and then the teacher talks about

0:36:49.520 --> 0:36:52.759
<v Speaker 1>how amazing the parking lot story is. So it's like

0:36:53.120 --> 0:36:56.080
<v Speaker 1>it is cartoonish in the sense that everything she tries

0:36:56.680 --> 0:36:59.919
<v Speaker 1>well foiled again do you know what I mean, Ay,

0:37:00.040 --> 0:37:02.319
<v Speaker 1>you were saying tip for tat, I felt like the

0:37:02.320 --> 0:37:04.120
<v Speaker 1>parking lot of time. I was like, oh, and then

0:37:04.200 --> 0:37:06.000
<v Speaker 1>she did it well and I was like, oh, and

0:37:06.000 --> 0:37:10.400
<v Speaker 1>then Paris comes back with the interview and I was like, oh,

0:37:10.520 --> 0:37:13.719
<v Speaker 1>Riley make a great point, like oh she got you.

0:37:13.800 --> 0:37:15.360
<v Speaker 1>Oh no, she got you, Oh she got you. She

0:37:15.560 --> 0:37:19.080
<v Speaker 1>So I think, especially as you think about it, for

0:37:19.320 --> 0:37:22.520
<v Speaker 1>young women watching this show, or like a lot of

0:37:22.520 --> 0:37:26.600
<v Speaker 1>people watch this as tweens and teens, the whole thing

0:37:26.719 --> 0:37:29.319
<v Speaker 1>is kind of amusing. You know, maybe they see it

0:37:29.360 --> 0:37:33.120
<v Speaker 1>in a different way, but I mean, clearly, at this

0:37:33.200 --> 0:37:36.839
<v Speaker 1>point in Paris is outmatched. Even though she has all

0:37:36.880 --> 0:37:41.160
<v Speaker 1>the power at the Franklin, she is outmatched. She is

0:37:41.239 --> 0:37:45.399
<v Speaker 1>dealing with somebody who is smarter, who is far more

0:37:45.400 --> 0:37:49.160
<v Speaker 1>emotionally mature, and who you know, kind of hangs out

0:37:49.200 --> 0:37:53.280
<v Speaker 1>with with Mahatma Gandhi text and knows how to center

0:37:53.360 --> 0:38:00.000
<v Speaker 1>herself and breathe and not react. And and Tristan, for example,

0:38:00.920 --> 0:38:04.680
<v Speaker 1>has the crush on Rory. It's like everything Pairs wants,

0:38:04.760 --> 0:38:07.600
<v Speaker 1>Rory keeps getting and every time she tries to foil

0:38:07.680 --> 0:38:10.400
<v Speaker 1>her it failed. So it's like, right, she should just

0:38:10.480 --> 0:38:13.440
<v Speaker 1>become a nice person. But I don't know when a

0:38:13.520 --> 0:38:18.600
<v Speaker 1>character becomes so predictable, it just becomes boring. Um, just

0:38:18.640 --> 0:38:23.359
<v Speaker 1>stay tuned. But because it will. Do you think we're

0:38:23.360 --> 0:38:25.680
<v Speaker 1>gonna get some emails about this? I don't think so.

0:38:27.960 --> 0:38:30.800
<v Speaker 1>I have more interested I do think people have opinions

0:38:30.800 --> 0:38:34.399
<v Speaker 1>about Pairs, but I'm more interested about the fight. If

0:38:34.440 --> 0:38:39.000
<v Speaker 1>people think Luke went too far as you do, or

0:38:39.040 --> 0:38:42.319
<v Speaker 1>if they think it was justified. I'm very curious about

0:38:42.400 --> 0:38:45.319
<v Speaker 1>how people will feel about I did not like him

0:38:45.400 --> 0:38:51.560
<v Speaker 1>getting territorial to that degree in that moment, but I

0:38:51.600 --> 0:38:54.319
<v Speaker 1>guess that just shows the imperfection of people in the

0:38:54.320 --> 0:38:59.800
<v Speaker 1>imperfection of characters and motions are un high in these situations.

0:38:59.800 --> 0:39:02.920
<v Speaker 1>And how would you know, Laurel, I react in a

0:39:02.960 --> 0:39:05.280
<v Speaker 1>similar situation with Rory, But Rory is not a script.

0:39:05.280 --> 0:39:07.759
<v Speaker 1>You'd never do anything like that. We're dealing with. You're

0:39:07.800 --> 0:39:10.799
<v Speaker 1>dealing with a young boy who's confused and angry and

0:39:10.920 --> 0:39:16.080
<v Speaker 1>hurt um who just is just kind of dumping on everybody,

0:39:16.080 --> 0:39:18.360
<v Speaker 1>grabs a beer and goes outside. I mean it's like, really,

0:39:18.880 --> 0:39:21.719
<v Speaker 1>it's like Luke's gift to my family. Oh thanks Luke,

0:39:23.000 --> 0:39:26.080
<v Speaker 1>thanks for bringing him over. But he has to and

0:39:26.160 --> 0:39:29.000
<v Speaker 1>she invited them. I see what you're saying, and you're

0:39:29.040 --> 0:39:32.960
<v Speaker 1>being very like, she's got to protect your daughter. I'm

0:39:32.960 --> 0:39:35.320
<v Speaker 1>blowing him like if I'm Laurel, I I'm not letting

0:39:35.360 --> 0:39:39.560
<v Speaker 1>that kid near my daughter. She's going to have a

0:39:39.560 --> 0:39:41.279
<v Speaker 1>lot of say in that. I think I would say

0:39:41.280 --> 0:39:44.680
<v Speaker 1>to Luke, you know, and retort to his in response

0:39:44.719 --> 0:39:47.960
<v Speaker 1>to his well you were sixteen. You said, listen, pal,

0:39:48.080 --> 0:39:50.120
<v Speaker 1>you're the one that brought this psycho into my house.

0:39:50.840 --> 0:39:54.000
<v Speaker 1>So not only do you get out, take him with

0:39:54.040 --> 0:39:55.680
<v Speaker 1>you and don't come back. I mean, it was it

0:39:55.760 --> 0:39:59.200
<v Speaker 1>was getting to that level, yes, But here's the whole

0:39:59.200 --> 0:40:04.640
<v Speaker 1>point of that. Now you two are in cahoots and

0:40:04.680 --> 0:40:09.160
<v Speaker 1>agreeing and trying to save Jess, which is going to

0:40:09.320 --> 0:40:12.000
<v Speaker 1>make the both of you more stressed out. As Rory

0:40:12.080 --> 0:40:17.040
<v Speaker 1>and Jeff develop this friendship relationship, we're just setting it

0:40:17.080 --> 0:40:19.600
<v Speaker 1>all up perfectly. What He's got enough stress in her life?

0:40:19.680 --> 0:40:22.680
<v Speaker 1>What does she need to join forces with Lord Luke

0:40:23.640 --> 0:40:27.680
<v Speaker 1>to save this kid? Why? What? How much energy and

0:40:27.760 --> 0:40:30.080
<v Speaker 1>free time does she have in her life? She's at

0:40:30.120 --> 0:40:34.080
<v Speaker 1>the independence end right, working her tail off, She's dealing

0:40:34.080 --> 0:40:36.160
<v Speaker 1>with all this other stuff, being a great friend everybody.

0:40:36.520 --> 0:40:40.440
<v Speaker 1>And now listen to me defending this woman. I'm telling

0:40:40.440 --> 0:40:44.000
<v Speaker 1>you you better be ready again, because but she's got

0:40:44.000 --> 0:40:46.360
<v Speaker 1>her she's got to keep her daughter on the straight. Now,

0:40:46.400 --> 0:40:50.360
<v Speaker 1>she's going through all this garbage with the cartoon Paris

0:40:50.400 --> 0:40:53.000
<v Speaker 1>now and you know, trying to draw her into a

0:40:53.080 --> 0:40:56.840
<v Speaker 1>comic strip. I'm not gonna have control over it because Jess,

0:40:56.840 --> 0:41:01.040
<v Speaker 1>we already see it. We already see now this Rory

0:41:01.239 --> 0:41:04.880
<v Speaker 1>is intrigued by Jess. Maybe this is just normal stuff

0:41:04.880 --> 0:41:06.520
<v Speaker 1>that all parents deal with, and this is just a

0:41:06.600 --> 0:41:09.200
<v Speaker 1>situation that all parents deal with. Yeah, and Jess is

0:41:09.239 --> 0:41:12.440
<v Speaker 1>just an extreme. But here's my unanswered question. Didn't Jess

0:41:12.480 --> 0:41:17.280
<v Speaker 1>steal the bridge money? Of course he did, I'm clear

0:41:17.320 --> 0:41:20.120
<v Speaker 1>on that. I think you know what I have to disqualify.

0:41:20.200 --> 0:41:24.640
<v Speaker 1>I have to um recuse myself from this because I

0:41:24.680 --> 0:41:27.279
<v Speaker 1>think I know the answer to this. He does did

0:41:27.280 --> 0:41:30.040
<v Speaker 1>steal the gnome obviously, Beyah, I don't think he steals this.

0:41:30.320 --> 0:41:32.200
<v Speaker 1>I don't think he did either. Yeah, I think it

0:41:32.239 --> 0:41:35.759
<v Speaker 1>comes out that he didn't. I agree with that kind

0:41:35.760 --> 0:41:37.920
<v Speaker 1>of thing. He would steal because he would steal a gnome.

0:41:38.000 --> 0:41:41.560
<v Speaker 1>He wouldn't steal money. But what's why steal a gnome?

0:41:41.920 --> 0:41:45.319
<v Speaker 1>Because he saw it on Babette's lawn? And what the

0:41:45.360 --> 0:41:51.120
<v Speaker 1>hell is that clowney gnome? We have a surprise guest

0:41:51.160 --> 0:41:54.000
<v Speaker 1>for you in the waiting room. Oh, it's a surprise guest.

0:41:54.680 --> 0:41:58.080
<v Speaker 1>Surprise ish, Yeah, okay, is he ready or we are?

0:41:58.680 --> 0:41:59.959
<v Speaker 1>Do you want me to tell you a little about

0:42:00.040 --> 0:42:08.680
<v Speaker 1>him dating for people with equal eyes? When the boy

0:42:08.719 --> 0:42:11.640
<v Speaker 1>Scouts at the very beginning of the episode, I guess

0:42:11.640 --> 0:42:14.399
<v Speaker 1>there are boy scouts cub scouts there with Taylor come

0:42:14.400 --> 0:42:17.439
<v Speaker 1>into the diner and they have the scene with you.

0:42:18.000 --> 0:42:24.319
<v Speaker 1>One of those scouts is Kendall Schmidt, who later went

0:42:24.400 --> 0:42:28.960
<v Speaker 1>on to become huge in Big Time Rush, like huge

0:42:29.239 --> 0:42:33.080
<v Speaker 1>on Nickelodeon's Big Time Rush, Like touring the country playing

0:42:33.160 --> 0:42:35.880
<v Speaker 1>music with three other guys. Well, when he was like

0:42:35.920 --> 0:42:38.200
<v Speaker 1>a little little kid, a little tiny guy, and there

0:42:38.239 --> 0:42:41.480
<v Speaker 1>he was a little kid with Big Time Rush. How old.

0:42:41.560 --> 0:42:44.600
<v Speaker 1>Was he a big time rush? Probably in his teens,

0:42:45.239 --> 0:42:49.080
<v Speaker 1>early twenties maybe, But here are teenagers. He's touring the

0:42:49.120 --> 0:42:51.440
<v Speaker 1>world with this. Is it a rock band? Is it

0:42:51.480 --> 0:42:55.479
<v Speaker 1>a boy band? Yeah, it's a boy band. Yeah, he'll

0:42:55.480 --> 0:42:57.480
<v Speaker 1>tell you all about it. He'll tell you that. But yeah,

0:42:57.520 --> 0:43:00.080
<v Speaker 1>he's just a little guy. And there he was, so

0:43:00.120 --> 0:43:03.640
<v Speaker 1>we spotted it. And here he is for you, is

0:43:04.120 --> 0:43:08.239
<v Speaker 1>right here this guy, this little guy who became a

0:43:08.320 --> 0:43:12.480
<v Speaker 1>huge international star. Wait a minute, are you saying? Look

0:43:12.480 --> 0:43:14.439
<v Speaker 1>at the picture you're sending me a picture of this guy.

0:43:14.480 --> 0:43:19.040
<v Speaker 1>He's another handsome dude. All right, we're gonna take a

0:43:19.120 --> 0:43:22.640
<v Speaker 1>quick break and we'll be back with Kendall Schmidt, who

0:43:22.719 --> 0:43:30.000
<v Speaker 1>I can't wait to meet and talk to ye. All right, everybody,

0:43:30.000 --> 0:43:34.040
<v Speaker 1>we're back and we have a very special guest. There

0:43:34.160 --> 0:43:39.279
<v Speaker 1>are springing on me this this very handsome dude. He's

0:43:39.320 --> 0:43:41.239
<v Speaker 1>a dude. He looks like a dude. He looks like

0:43:41.280 --> 0:43:44.400
<v Speaker 1>a salty dude. And Kendall Schmidt, and there he is.

0:43:44.680 --> 0:43:47.480
<v Speaker 1>There's the guy. There he is. Dude, Where did I

0:43:47.600 --> 0:43:52.600
<v Speaker 1>come in the Kansas? All right, how are you doing?

0:43:52.680 --> 0:43:55.520
<v Speaker 1>Nice to meet you, Kendall. Good to meet you, or

0:43:55.640 --> 0:44:00.440
<v Speaker 1>meet you meet you after all those years. It a

0:44:00.560 --> 0:44:04.520
<v Speaker 1>lot's changed, all that growling up. You're done, right, Look

0:44:04.560 --> 0:44:08.160
<v Speaker 1>I have facial hair now too, which is Look that

0:44:08.280 --> 0:44:10.520
<v Speaker 1>time has flown by. Oh my god, are you still

0:44:10.520 --> 0:44:15.560
<v Speaker 1>in your twenties? No? Actually one? Oh man, yeah, I'm

0:44:15.880 --> 0:44:19.680
<v Speaker 1>over the hill. Wow. And you and so you were

0:44:19.840 --> 0:44:21.520
<v Speaker 1>you were the first kid. You were the tall kid

0:44:22.120 --> 0:44:24.759
<v Speaker 1>in the boy Scout thing and you were the first

0:44:24.840 --> 0:44:29.440
<v Speaker 1>kids kid number one, I think that was. I have

0:44:29.600 --> 0:44:31.920
<v Speaker 1>notes here, Season two, episode five, right, and you were

0:44:31.920 --> 0:44:37.319
<v Speaker 1>like eleven ten? Well I probably would have been ten

0:44:37.400 --> 0:44:42.000
<v Speaker 1>or eleven. Yeah, what wow? This is this is trip

0:44:42.080 --> 0:44:45.880
<v Speaker 1>all right. So so I have some notes here myself,

0:44:45.880 --> 0:44:47.760
<v Speaker 1>and I want to ask you some questions, okay, because

0:44:47.760 --> 0:44:49.799
<v Speaker 1>the fans really want to know this stuff. So you

0:44:49.840 --> 0:44:53.239
<v Speaker 1>began your acting career at the age of five. How

0:44:53.280 --> 0:44:58.760
<v Speaker 1>did you get into acting? Well, you know, um, people

0:44:58.800 --> 0:45:00.680
<v Speaker 1>talk about that that they were thing into their career.

0:45:00.719 --> 0:45:02.160
<v Speaker 1>I mean, it's just the way of saying it. But

0:45:02.239 --> 0:45:03.920
<v Speaker 1>I mean I was a kid, so I was really

0:45:03.920 --> 0:45:07.680
<v Speaker 1>just having fun. It seemed like a cool way to

0:45:07.719 --> 0:45:11.240
<v Speaker 1>have a good time. My oldest my two older brothers

0:45:12.120 --> 0:45:15.359
<v Speaker 1>got into acting. Believe it or not. In Wichita. Um,

0:45:15.719 --> 0:45:20.399
<v Speaker 1>there was a healthy print market in Wichita. So there's

0:45:20.440 --> 0:45:22.640
<v Speaker 1>a lot of photos actually still at CBS. You know

0:45:22.680 --> 0:45:24.279
<v Speaker 1>when you buy a picture frame and there's like the

0:45:24.320 --> 0:45:27.360
<v Speaker 1>stock picture in the picture frame. Some of those photos

0:45:28.600 --> 0:45:32.360
<v Speaker 1>me my brothers. So, uh, we did that in Wichita,

0:45:32.560 --> 0:45:34.879
<v Speaker 1>and then, uh, you know it's like the progression from

0:45:34.920 --> 0:45:38.759
<v Speaker 1>that was which take to New York. And then they said,

0:45:38.760 --> 0:45:40.600
<v Speaker 1>if you really want to take this seriously, you guys

0:45:40.640 --> 0:45:43.000
<v Speaker 1>have go out to l A. So then my mom

0:45:43.040 --> 0:45:46.440
<v Speaker 1>and my two brothers and I and Dad was paying

0:45:46.480 --> 0:45:48.799
<v Speaker 1>the bills the whole time. So I got to give

0:45:48.880 --> 0:45:50.319
<v Speaker 1>him so much credit for that. We went out to

0:45:50.440 --> 0:45:54.960
<v Speaker 1>l A and pursued the dream. And then now I'm

0:45:55.000 --> 0:45:56.799
<v Speaker 1>the only one left in l A actually, so I

0:45:56.840 --> 0:46:00.000
<v Speaker 1>still lived there and everyone else has moved on. And uh,

0:46:00.239 --> 0:46:03.000
<v Speaker 1>it's been what a crazy ride, and between when I

0:46:03.040 --> 0:46:08.280
<v Speaker 1>met you and now quite the ride. Wow. So your brothers,

0:46:08.480 --> 0:46:11.280
<v Speaker 1>your brothers moved out and they go back to Kansas,

0:46:11.280 --> 0:46:13.480
<v Speaker 1>so they spread out a little bit. So no, my

0:46:13.480 --> 0:46:16.080
<v Speaker 1>my oldest, my oldest brother, when he was like seventeen,

0:46:16.120 --> 0:46:18.920
<v Speaker 1>decided to go to college. Um, and then he ended

0:46:19.000 --> 0:46:22.400
<v Speaker 1>up becoming a lawyer, which is pretty great. Um. And

0:46:22.440 --> 0:46:25.680
<v Speaker 1>then my middle brother and I Kevin. We stayed out

0:46:25.719 --> 0:46:26.839
<v Speaker 1>in l A for a little bit longer. We did

0:46:26.840 --> 0:46:29.000
<v Speaker 1>some more stuff, and then he actually is working for

0:46:29.080 --> 0:46:33.839
<v Speaker 1>Calvert County in Maryland, which is where I am right now. Um,

0:46:34.200 --> 0:46:36.799
<v Speaker 1>and uh, he's loving it. So I came to have

0:46:36.880 --> 0:46:39.160
<v Speaker 1>like an early Thanksgiving because we have rehearsals for Big

0:46:39.160 --> 0:46:41.080
<v Speaker 1>Time Rush coming up, and I just didn't want to

0:46:41.120 --> 0:46:43.200
<v Speaker 1>try to squeeze in a little family visit in between.

0:46:43.280 --> 0:46:48.040
<v Speaker 1>So here I am. So you're still doing Big Time Rush. Yeah,

0:46:48.080 --> 0:46:51.120
<v Speaker 1>So we took a let's see, we were active from

0:46:51.520 --> 0:46:54.880
<v Speaker 1>two thousand nine to two thousand fourteen. End of two

0:46:54.880 --> 0:46:58.360
<v Speaker 1>thousand thirteen. Um. And then I've continued doing stuff with

0:46:58.400 --> 0:47:01.239
<v Speaker 1>my band, have fron Drive and work solo music. Um.

0:47:01.480 --> 0:47:04.200
<v Speaker 1>And we recently decided to get the band back together. Actually,

0:47:04.280 --> 0:47:06.200
<v Speaker 1>right at the beginning of the pandemic, we were talking

0:47:06.280 --> 0:47:10.560
<v Speaker 1>about this and then everything hit and we were like, Okay,

0:47:10.600 --> 0:47:12.839
<v Speaker 1>I guess we'll have to take a minute and figure

0:47:12.840 --> 0:47:14.799
<v Speaker 1>out how we're going to do this. But yeah, we're

0:47:14.840 --> 0:47:17.440
<v Speaker 1>we have our first shows coming up. Actually, Oh that's exciting,

0:47:18.640 --> 0:47:21.040
<v Speaker 1>it's really exciting. All right, Well, we'll get to that.

0:47:21.080 --> 0:47:22.880
<v Speaker 1>We're gonna get to the band stuff because I'm a

0:47:22.920 --> 0:47:25.480
<v Speaker 1>band guy too and write songs. I'm all about that.

0:47:25.560 --> 0:47:27.800
<v Speaker 1>I mean, I could talk about I could have another

0:47:27.840 --> 0:47:31.440
<v Speaker 1>podcast actually have set lists here, potential set lists that

0:47:31.600 --> 0:47:34.480
<v Speaker 1>we were just having a phone call about that in front.

0:47:34.520 --> 0:47:37.680
<v Speaker 1>I do that too. This is the set lit the

0:47:37.760 --> 0:47:43.840
<v Speaker 1>set list structure and alchemy is an ongoing challenge. It really,

0:47:42.760 --> 0:47:47.920
<v Speaker 1>really really I love it though. I love figuring it out. Um.

0:47:48.280 --> 0:47:50.000
<v Speaker 1>But anyway, we'll we'll get to all that stuff. But

0:47:50.520 --> 0:47:53.759
<v Speaker 1>let's let's do the Gilmore thing. How do you get

0:47:53.760 --> 0:47:57.879
<v Speaker 1>the part? Do you remember the process? I mean, you know,

0:47:58.120 --> 0:48:00.880
<v Speaker 1>at that time, it was like, um, I was having

0:48:01.320 --> 0:48:06.840
<v Speaker 1>four or five auditions a day, and it was interesting.

0:48:06.880 --> 0:48:11.759
<v Speaker 1>I think if I remember correctly, that was after I mean,

0:48:11.960 --> 0:48:14.400
<v Speaker 1>long story short, it was an audition, um, And I

0:48:14.400 --> 0:48:16.840
<v Speaker 1>remember I used to I used to love going to

0:48:16.880 --> 0:48:19.920
<v Speaker 1>auditions at w B because I lived really nearby on

0:48:19.960 --> 0:48:23.240
<v Speaker 1>Heron Drive, which is right by Vaughan's on Past Avenue.

0:48:23.239 --> 0:48:25.719
<v Speaker 1>I'm sure you know where that is, and so I

0:48:25.800 --> 0:48:27.240
<v Speaker 1>used to love it. I used to ride my scooter

0:48:27.320 --> 0:48:29.080
<v Speaker 1>to w B to go to auditions with. My mom

0:48:29.200 --> 0:48:30.880
<v Speaker 1>had a scooter as well, so we would ride the

0:48:30.920 --> 0:48:32.920
<v Speaker 1>razors together and go to go to these auditions that

0:48:33.000 --> 0:48:36.680
<v Speaker 1>they were nearby, UM, and booked it and then ended

0:48:36.760 --> 0:48:41.279
<v Speaker 1>up with you guys on set just like that. Nice. UM.

0:48:41.320 --> 0:48:43.400
<v Speaker 1>So what do you remember about that first day on set?

0:48:45.239 --> 0:48:48.040
<v Speaker 1>You know, I was thinking about this. Actually I had

0:48:48.080 --> 0:48:51.600
<v Speaker 1>worked on other things before and and then after, but

0:48:51.840 --> 0:48:56.640
<v Speaker 1>it reminded me thinking back on it. I remember seeing

0:48:56.640 --> 0:48:58.799
<v Speaker 1>how like you guys were very well oiled machine. I'm

0:48:58.840 --> 0:49:00.759
<v Speaker 1>sure you might have a different and he might be like, well,

0:49:00.760 --> 0:49:03.200
<v Speaker 1>it was actually chaotic. M to me, it was a

0:49:03.200 --> 0:49:07.520
<v Speaker 1>well oiled machine. And then fast forward to when I

0:49:07.560 --> 0:49:10.479
<v Speaker 1>was on my own show, and I just remembered how

0:49:11.040 --> 0:49:13.840
<v Speaker 1>nice you guys were to everybody, because it's different, you know,

0:49:13.840 --> 0:49:16.720
<v Speaker 1>when you're coming on as a guest or just as

0:49:16.800 --> 0:49:19.200
<v Speaker 1>a bit part on a show and you're working with

0:49:19.239 --> 0:49:21.600
<v Speaker 1>everyone who has been together for years and they've been

0:49:21.640 --> 0:49:23.640
<v Speaker 1>you know, they've got the Stanley. You kind of feel like,

0:49:23.680 --> 0:49:26.160
<v Speaker 1>oh am, I coming in on the Stanley Dynamic whatever.

0:49:26.719 --> 0:49:28.879
<v Speaker 1>But you guys were so sweet to everybody. And then

0:49:29.239 --> 0:49:30.959
<v Speaker 1>I remembered that when I was on my own show,

0:49:31.040 --> 0:49:33.560
<v Speaker 1>I had guest stars coming on the show, and I

0:49:33.560 --> 0:49:36.839
<v Speaker 1>I felt like returning to the kindness, you know, so

0:49:36.880 --> 0:49:39.560
<v Speaker 1>We've actually had a big impact on me. Yeah. We

0:49:39.560 --> 0:49:41.879
<v Speaker 1>we want to make everybody feel comfortable. We know how

0:49:41.880 --> 0:49:46.839
<v Speaker 1>accimidated some people, even even veterans, like Broadway veterans coming

0:49:46.880 --> 0:49:49.960
<v Speaker 1>on when they realized the pace of the dialogue. They

0:49:49.960 --> 0:49:52.759
<v Speaker 1>don't realize that sometimes when they come on set and

0:49:52.760 --> 0:49:55.640
<v Speaker 1>then the director yelled action, and then after a first

0:49:55.640 --> 0:49:57.840
<v Speaker 1>couple of takes, the director goes, you know, you're you

0:49:57.880 --> 0:50:00.040
<v Speaker 1>need to speed it up. In the actors like, I

0:50:00.120 --> 0:50:02.279
<v Speaker 1>remember that I'm doing as fast as I can. What

0:50:02.320 --> 0:50:03.840
<v Speaker 1>are you talking about? Speed up? Well, what's got to

0:50:03.880 --> 0:50:07.960
<v Speaker 1>be a lot faster, And then they'd start to sweat. So,

0:50:08.880 --> 0:50:12.480
<v Speaker 1>you know, we wanted to provide the the most nurturing

0:50:12.880 --> 0:50:15.560
<v Speaker 1>and welcoming set we possibly could because we knew the

0:50:15.600 --> 0:50:18.040
<v Speaker 1>challenges that everybody would face that was coming in that

0:50:18.160 --> 0:50:21.200
<v Speaker 1>wasn't used to that pace. And and by the way,

0:50:21.320 --> 0:50:25.560
<v Speaker 1>I have had auditions for stuff since then, and they

0:50:25.680 --> 0:50:28.160
<v Speaker 1>used the pace of Gilmore Girls as an example. Yep,

0:50:28.440 --> 0:50:32.040
<v Speaker 1>always yeah, similar Gilmore Girls pace. And I'm like, okay,

0:50:32.120 --> 0:50:34.360
<v Speaker 1>all right, you know not a problem have done that?

0:50:35.600 --> 0:50:40.600
<v Speaker 1>Said that Dragon, Um, how many times did you have

0:50:40.680 --> 0:50:45.680
<v Speaker 1>to film that diner scene with Taylor? How many takes.

0:50:45.719 --> 0:50:49.239
<v Speaker 1>Did you do find a guess? I mean it wasn't

0:50:49.280 --> 0:50:53.280
<v Speaker 1>all that many. I don't remember what the camera setup

0:50:53.360 --> 0:50:55.839
<v Speaker 1>was like. Was it just single cam? Did you guys

0:50:55.880 --> 0:50:59.640
<v Speaker 1>have to getting coverage on stuff? Um? No, I think

0:50:59.680 --> 0:51:02.719
<v Speaker 1>we kept it pretty wide on you guys. Yeah, I

0:51:02.760 --> 0:51:04.360
<v Speaker 1>mean you just we just sort of you come in,

0:51:04.440 --> 0:51:06.200
<v Speaker 1>we kind of falling. I think it was a steady

0:51:06.239 --> 0:51:10.080
<v Speaker 1>cam shot. I think Steve was on the steadicam uh

0:51:10.120 --> 0:51:12.719
<v Speaker 1>and he just sort of, you know, settled on you

0:51:12.760 --> 0:51:15.799
<v Speaker 1>guys when you landed and did that's the dialogue with

0:51:15.840 --> 0:51:18.560
<v Speaker 1>the Taylor and Laurel. Well, you might be able to

0:51:18.560 --> 0:51:20.239
<v Speaker 1>tell me better. I mean, I feel like we didn't

0:51:20.239 --> 0:51:22.360
<v Speaker 1>do that many takes because of the case of the

0:51:22.400 --> 0:51:24.960
<v Speaker 1>show in general. You know, I don't think they allocated

0:51:25.000 --> 0:51:27.399
<v Speaker 1>a lot of time for stuff like that. It's like, yeah,

0:51:27.560 --> 0:51:29.680
<v Speaker 1>you guys kind of nailed it anyway. So it was

0:51:29.719 --> 0:51:32.200
<v Speaker 1>like there was so much to do that day. So

0:51:32.280 --> 0:51:35.279
<v Speaker 1>do you remember hanging out with any of the other

0:51:35.320 --> 0:51:36.839
<v Speaker 1>boy scouts that day? I mean, you were a little

0:51:36.880 --> 0:51:38.799
<v Speaker 1>older than what they were. What would you guys hung

0:51:38.800 --> 0:51:42.400
<v Speaker 1>out and play around? It's funny, I don't have there's

0:51:42.440 --> 0:51:45.360
<v Speaker 1>like specific memories from when you're like under a certain age,

0:51:46.080 --> 0:51:49.399
<v Speaker 1>you know, it's like under under. I used to think

0:51:49.400 --> 0:51:51.560
<v Speaker 1>this was funny when I would ask my grandparents about, oh,

0:51:51.600 --> 0:51:53.759
<v Speaker 1>do you remember what was your high school graduation like

0:51:53.840 --> 0:51:56.560
<v Speaker 1>or whatever? My grandma would be like, I remember, you know,

0:51:57.160 --> 0:51:58.800
<v Speaker 1>And I used to think that was crazy because it

0:51:58.880 --> 0:52:00.839
<v Speaker 1>to me it was like, well, that's such a significant moment.

0:52:00.880 --> 0:52:05.120
<v Speaker 1>But I mean, there's only so much you can remember.

0:52:05.239 --> 0:52:07.719
<v Speaker 1>And I just the thing that really stuck with me,

0:52:08.239 --> 0:52:10.680
<v Speaker 1>like I mentioned before, was how how nice everybody was

0:52:10.800 --> 0:52:12.680
<v Speaker 1>at the pace of it was something that really stuck

0:52:12.680 --> 0:52:16.759
<v Speaker 1>with me. Um. And also the professionalism you guys had

0:52:16.920 --> 0:52:21.399
<v Speaker 1>something that I took with me and and I don't

0:52:21.400 --> 0:52:23.120
<v Speaker 1>think I've actually ever talked to any of the other

0:52:23.160 --> 0:52:31.000
<v Speaker 1>boy scouts again. Unfortunately, Well they're lost, right, I don't know.

0:52:31.640 --> 0:52:34.399
<v Speaker 1>I'm sure, you know what, there's probably a doctor, there's

0:52:34.400 --> 0:52:39.120
<v Speaker 1>probably a lawyer in there somewhere, so I'm sure they're

0:52:39.160 --> 0:52:42.960
<v Speaker 1>doing they're great. Alright, right, Um, so you did you

0:52:43.000 --> 0:52:46.480
<v Speaker 1>returned in season three? How did did you just get

0:52:46.520 --> 0:52:48.640
<v Speaker 1>an offer to come back? I mean I think I

0:52:48.680 --> 0:52:51.040
<v Speaker 1>did at that point. Yeah, that was just like, oh, well,

0:52:51.040 --> 0:52:52.960
<v Speaker 1>hey he was here before he did all right, Um,

0:52:53.480 --> 0:52:58.400
<v Speaker 1>application anxiety alright, Season three, episode three, right, and we

0:52:58.480 --> 0:53:01.640
<v Speaker 1>chatted at the chatted about it at the bar. Okay,

0:53:02.000 --> 0:53:05.319
<v Speaker 1>and you and I, Yeah we did. We had we

0:53:05.360 --> 0:53:07.839
<v Speaker 1>had a scene together. I think we did pretty sure.

0:53:08.719 --> 0:53:10.400
<v Speaker 1>All right, Well we'll get to that. I mean, I

0:53:10.480 --> 0:53:13.759
<v Speaker 1>might be mixing up episodes as well, though. Um, you

0:53:13.800 --> 0:53:16.360
<v Speaker 1>know what, I had an impression to you that was

0:53:16.640 --> 0:53:19.560
<v Speaker 1>I was thinking about this. I was wondering if you

0:53:19.600 --> 0:53:24.120
<v Speaker 1>were playing a character or not, because you kind of

0:53:24.280 --> 0:53:26.719
<v Speaker 1>just kind of seemed like this was you a little bit,

0:53:27.200 --> 0:53:29.359
<v Speaker 1>you know, you know, and I didn't know you as

0:53:29.360 --> 0:53:31.480
<v Speaker 1>a person, so I wouldn't know what you're off, you know,

0:53:31.680 --> 0:53:35.640
<v Speaker 1>off stage personality. But I always remember actually that part

0:53:35.680 --> 0:53:37.560
<v Speaker 1>in general, for you know, it was seemed like it

0:53:37.600 --> 0:53:39.200
<v Speaker 1>was a fun role to play because it was it

0:53:39.320 --> 0:53:42.680
<v Speaker 1>was a real guy, you know, a real guy I'm

0:53:42.680 --> 0:53:45.160
<v Speaker 1>like so many other characters. It seemed like it was

0:53:45.200 --> 0:53:47.080
<v Speaker 1>so much fun. And the wardrobe must have been great.

0:53:47.120 --> 0:53:49.880
<v Speaker 1>In fact, you got to wear a ball happened, didn't

0:53:49.880 --> 0:53:52.040
<v Speaker 1>have to spend any time in hair and makeup at all.

0:53:52.640 --> 0:53:54.840
<v Speaker 1>Uh no, no, no, that was yeah. I was in

0:53:55.000 --> 0:53:57.680
<v Speaker 1>character of the whole time I was there. I never

0:53:57.719 --> 0:54:03.480
<v Speaker 1>I never broke character except at lunch. So I'm nothing.

0:54:03.520 --> 0:54:05.719
<v Speaker 1>I'm not I'm not really like that guy. So if

0:54:05.719 --> 0:54:07.359
<v Speaker 1>we were talking on set and stuff, you were kind

0:54:07.360 --> 0:54:09.680
<v Speaker 1>of still holding onto the character to keep to keep

0:54:09.680 --> 0:54:16.319
<v Speaker 1>it going because wow, interesting. Yeah, you know, that's just

0:54:16.440 --> 0:54:19.839
<v Speaker 1>kind of how I work. And and I just he

0:54:19.920 --> 0:54:22.840
<v Speaker 1>was so difficult to play. He was so tough to

0:54:22.960 --> 0:54:26.520
<v Speaker 1>stay in character. Um that I just, you know, it

0:54:26.600 --> 0:54:29.319
<v Speaker 1>was the only choice I had. Well, what would you

0:54:29.320 --> 0:54:31.640
<v Speaker 1>describe because his character is difficult in the way that

0:54:31.719 --> 0:54:35.879
<v Speaker 1>he he's very tight, and he's very you know, he's

0:54:35.880 --> 0:54:39.600
<v Speaker 1>just he's repressing, repressing so many of emotions and it

0:54:39.640 --> 0:54:41.640
<v Speaker 1>all comes out as anxiety and a little bit of

0:54:41.680 --> 0:54:45.120
<v Speaker 1>anger and edginess and impatience and all that. It's just

0:54:45.360 --> 0:54:49.640
<v Speaker 1>it's tough to play. It's tough for me to play that. Yeah.

0:54:50.120 --> 0:54:52.480
<v Speaker 1>And I when I auditioned for it, it was just

0:54:52.600 --> 0:54:55.200
<v Speaker 1>it was just sort of easy and breezy, you know,

0:54:55.920 --> 0:54:59.600
<v Speaker 1>you know, but um, I don't know. I guess I

0:55:00.040 --> 0:55:02.080
<v Speaker 1>fell in and out of it very easily during the audition.

0:55:02.120 --> 0:55:03.719
<v Speaker 1>Because I went to another audition I had to be

0:55:03.800 --> 0:55:08.160
<v Speaker 1>complete opposite right after that. Um yeah, yeah, I know.

0:55:08.280 --> 0:55:10.440
<v Speaker 1>That was that was that was definitely. And well, I

0:55:10.480 --> 0:55:15.040
<v Speaker 1>had a similar but dissimilar experience with with Big Time

0:55:15.120 --> 0:55:19.120
<v Speaker 1>Rush because that show, Uh, I don't. I don't think

0:55:19.160 --> 0:55:21.520
<v Speaker 1>it was any specific decision. It just kind of happened

0:55:21.520 --> 0:55:24.840
<v Speaker 1>where they used our same first names as the characters.

0:55:26.239 --> 0:55:27.759
<v Speaker 1>And so I've been dealing with that a lot, where

0:55:27.840 --> 0:55:31.840
<v Speaker 1>at least it's convenient when people go, hey, Kendall, I'm like, well, yeah, um,

0:55:31.840 --> 0:55:35.640
<v Speaker 1>sure that's me. Um. But we were and you you

0:55:35.680 --> 0:55:37.480
<v Speaker 1>can so many people have asked you this. We were

0:55:37.520 --> 0:55:40.680
<v Speaker 1>still playing characters as much as it seems like in

0:55:40.800 --> 0:55:43.000
<v Speaker 1>the first names are similar to our first names are

0:55:43.000 --> 0:55:45.359
<v Speaker 1>the same. I was like, well, I mean yeah, I'm

0:55:45.360 --> 0:55:49.279
<v Speaker 1>not as an extreme of an animated guy as as

0:55:49.320 --> 0:55:52.680
<v Speaker 1>that character was. But the good news is is when

0:55:52.680 --> 0:55:54.720
<v Speaker 1>people call me by my character name, they're really actually

0:55:54.800 --> 0:55:57.040
<v Speaker 1>just called me by my name. So it's kind of

0:55:57.120 --> 0:55:59.359
<v Speaker 1>nice in that way. You know What's interesting? I did

0:55:59.440 --> 0:56:02.319
<v Speaker 1>I didn't e P about four years ago, and one

0:56:02.360 --> 0:56:06.040
<v Speaker 1>of the songs uh kind of went viral on the

0:56:06.080 --> 0:56:09.440
<v Speaker 1>indie rock charts, right. So, but the way the producer

0:56:10.000 --> 0:56:12.880
<v Speaker 1>mixed it and produced a song and made my voice

0:56:12.920 --> 0:56:17.279
<v Speaker 1>sound I heard, I saw a character. It was the

0:56:17.320 --> 0:56:19.719
<v Speaker 1>only the only so and it was like that was

0:56:19.800 --> 0:56:23.719
<v Speaker 1>not me, it was somebody else. And it pleased me

0:56:23.920 --> 0:56:27.640
<v Speaker 1>so much because it was like, oh, I can fall

0:56:27.719 --> 0:56:31.680
<v Speaker 1>into that character because that character can sing that song

0:56:32.000 --> 0:56:35.360
<v Speaker 1>and it's not me singing that song. It also made

0:56:35.360 --> 0:56:38.200
<v Speaker 1>me realize that, man, was I really late to the

0:56:38.239 --> 0:56:43.359
<v Speaker 1>party and maybe this wasn't gonna work out because that's

0:56:43.360 --> 0:56:48.719
<v Speaker 1>a much younger character, you know. Um um, but it's interesting.

0:56:49.200 --> 0:56:52.360
<v Speaker 1>It's interesting how you approach you know, a song, a

0:56:52.920 --> 0:56:54.960
<v Speaker 1>you know, an acting piece. It's all kind of the same.

0:56:55.880 --> 0:56:58.600
<v Speaker 1>You know, if you can get into a character, you know,

0:56:58.800 --> 0:57:01.520
<v Speaker 1>then it becomes like you know how Bowie used to

0:57:01.560 --> 0:57:04.200
<v Speaker 1>do it, I mean, changing characters. You know, it's like

0:57:04.239 --> 0:57:08.520
<v Speaker 1>this sort of one man show, ongoing one man show anyway. Um,

0:57:08.760 --> 0:57:13.560
<v Speaker 1>very interesting. So so what was your first appearance like, uh,

0:57:14.400 --> 0:57:17.200
<v Speaker 1>compared to the second time you were on Gilmore Girls,

0:57:17.200 --> 0:57:22.040
<v Speaker 1>obviously you were probably a little less nervous. Yeah, oh man,

0:57:22.080 --> 0:57:24.240
<v Speaker 1>I was just a lot less nervous as a kid. Anyway,

0:57:26.080 --> 0:57:29.640
<v Speaker 1>It's amazing how I actually remember there was that there

0:57:29.680 --> 0:57:34.560
<v Speaker 1>was a weird, awkward moment of being a team where

0:57:35.200 --> 0:57:38.880
<v Speaker 1>suddenly I was way more self aware and going to

0:57:38.960 --> 0:57:43.080
<v Speaker 1>auditions was an absolute nightmare, you know. Uh. In fact,

0:57:43.080 --> 0:57:45.479
<v Speaker 1>it was a miracle that I booked Big time Rush

0:57:45.560 --> 0:57:49.280
<v Speaker 1>because I was still in that zone. Um. Back then,

0:57:51.120 --> 0:57:54.360
<v Speaker 1>I it's just a kid, you know, having fun. I

0:57:54.360 --> 0:57:56.560
<v Speaker 1>mean it really wasn't. I remember that you had to

0:57:56.600 --> 0:57:59.760
<v Speaker 1>do your three hours of school, um, which I always

0:57:59.800 --> 0:58:03.440
<v Speaker 1>kind enjoyed actually because there was a time limit and

0:58:03.440 --> 0:58:07.080
<v Speaker 1>we didn't have to do it all day. Um. And

0:58:07.080 --> 0:58:09.600
<v Speaker 1>and uh, you know it's one of those getting the

0:58:09.600 --> 0:58:12.640
<v Speaker 1>words you got. It's very fast paced. So I just

0:58:12.680 --> 0:58:15.640
<v Speaker 1>remember being like, okay, hey, you're up. You know, here

0:58:15.680 --> 0:58:19.280
<v Speaker 1>we go block the scene a little bit, run it. Um.

0:58:19.280 --> 0:58:23.160
<v Speaker 1>It was very it was very uh totally new experience

0:58:23.200 --> 0:58:24.600
<v Speaker 1>for me because up to that point I had done

0:58:24.640 --> 0:58:27.480
<v Speaker 1>other things, but that was the first like whoa, this

0:58:27.560 --> 0:58:30.240
<v Speaker 1>is a this is a show. You know, these guys

0:58:30.280 --> 0:58:32.880
<v Speaker 1>have have episodes to complete and everything, and I didn't

0:58:33.600 --> 0:58:36.880
<v Speaker 1>you know, realize how that was until being on my

0:58:36.920 --> 0:58:40.720
<v Speaker 1>own show. You know. So so so here's yeah, so

0:58:40.840 --> 0:58:43.920
<v Speaker 1>here here's something I'm really interested. So you know you

0:58:44.040 --> 0:58:47.160
<v Speaker 1>have been on you know, the E R S, the Frasier's,

0:58:47.200 --> 0:58:49.280
<v Speaker 1>the c S, I MI Miami is to fill the Future,

0:58:49.280 --> 0:58:52.479
<v Speaker 1>all that kind of stuff. What do you like more?

0:58:52.560 --> 0:58:55.320
<v Speaker 1>Do you like the singing more or do you like

0:58:55.440 --> 0:58:59.640
<v Speaker 1>the acting more? Well, I like the singing more because

0:58:59.640 --> 0:59:04.040
<v Speaker 1>I don't have to audition for it. You know. Um,

0:59:05.360 --> 0:59:08.280
<v Speaker 1>if if if people were calling me like, hey, dude,

0:59:08.280 --> 0:59:10.000
<v Speaker 1>we got this great script, you know, it would be

0:59:10.000 --> 0:59:13.080
<v Speaker 1>a different I'd be like, yeah, let's go right. But

0:59:13.120 --> 0:59:16.000
<v Speaker 1>you know, the business, the business was hard and it's

0:59:16.040 --> 0:59:19.120
<v Speaker 1>still hard. So being a singer and now at least

0:59:19.200 --> 0:59:23.160
<v Speaker 1>having a sort of a group of people that have

0:59:23.280 --> 0:59:25.320
<v Speaker 1>already you know, come on board from being a big

0:59:25.320 --> 0:59:26.800
<v Speaker 1>time Russian all that stuff that makes it a lot

0:59:26.800 --> 0:59:28.720
<v Speaker 1>easier just to be a singer. And you put out

0:59:28.760 --> 0:59:31.800
<v Speaker 1>a song, you get a reaction. Uh you know, people say,

0:59:31.800 --> 0:59:33.640
<v Speaker 1>oh I love it down you know, they downloaded, they

0:59:33.680 --> 0:59:35.920
<v Speaker 1>let's stream it. And then you go on tour and

0:59:35.920 --> 0:59:39.720
<v Speaker 1>you play you get the immediate reaction. So, um, I

0:59:39.760 --> 0:59:41.840
<v Speaker 1>think just for that reason, I like doing music more.

0:59:41.880 --> 0:59:45.960
<v Speaker 1>But it's only because acting is tough. You know, it's

0:59:45.960 --> 0:59:47.800
<v Speaker 1>a lot it's a lot more difficult, even just to

0:59:47.840 --> 0:59:51.439
<v Speaker 1>get to the part where you're on the camera, you know, right, Yeah,

0:59:51.480 --> 0:59:54.080
<v Speaker 1>I couldn't agree with you more. Anyway, let's get into

0:59:54.120 --> 0:59:58.560
<v Speaker 1>your now, we can get into your your big Time Rush, right,

0:59:59.320 --> 1:00:01.480
<v Speaker 1>we can get into this stuff. So you so you

1:00:01.640 --> 1:00:05.840
<v Speaker 1>start from two thousand thirteen Big Time Rush. What was

1:00:05.840 --> 1:00:09.080
<v Speaker 1>it like? You know, put put us, put us there,

1:00:09.160 --> 1:00:11.800
<v Speaker 1>put us in. Tell us what it was like to

1:00:11.880 --> 1:00:16.680
<v Speaker 1>be a part of Nickelodeon during that time. Uh So

1:00:18.320 --> 1:00:23.040
<v Speaker 1>at that time, I feel like Nickelodeon was like in

1:00:23.040 --> 1:00:29.680
<v Speaker 1>a Heyday. And for me, um, growing up, I loved Nickelodeon.

1:00:29.760 --> 1:00:33.120
<v Speaker 1>Like I used to watch Global Guts, I used to

1:00:33.120 --> 1:00:36.040
<v Speaker 1>watch Regular Guts. I used to watch Double Dare Double

1:00:36.080 --> 1:00:39.520
<v Speaker 1>Dare two thousand, all those great game shows that Nickelodeon had,

1:00:39.560 --> 1:00:41.480
<v Speaker 1>which I was just such a big fan of those shows,

1:00:41.600 --> 1:00:44.400
<v Speaker 1>and then of course all that all of the actual

1:00:44.520 --> 1:00:48.960
<v Speaker 1>TV shows that they had. So when I got to book,

1:00:49.080 --> 1:00:51.040
<v Speaker 1>when I booked the show, which we don't have to

1:00:51.040 --> 1:00:53.600
<v Speaker 1>go into the whole audition process, but it was difficult

1:00:53.720 --> 1:00:57.160
<v Speaker 1>and and involved like a boy band boot camp to

1:00:57.240 --> 1:01:01.480
<v Speaker 1>see who could be to boy band and also act

1:01:01.520 --> 1:01:04.240
<v Speaker 1>on television show. But um, when I got I just

1:01:04.280 --> 1:01:06.640
<v Speaker 1>felt like it was the coolest thing ever because it

1:01:06.680 --> 1:01:09.240
<v Speaker 1>was like, wow, Um, I can't believe I'm on this

1:01:09.280 --> 1:01:11.960
<v Speaker 1>network that I used to like obsess over. And I

1:01:11.960 --> 1:01:13.760
<v Speaker 1>always wanted to win a Kid's Choice Award. We ended

1:01:13.840 --> 1:01:17.040
<v Speaker 1>up winning many of them, and um, it just was

1:01:17.080 --> 1:01:21.760
<v Speaker 1>like so much fun. But also I'll never forget the

1:01:21.880 --> 1:01:25.040
<v Speaker 1>night before the network the final audition, because we had

1:01:25.080 --> 1:01:27.440
<v Speaker 1>had a couple of things before that, not even callbacks,

1:01:27.480 --> 1:01:29.040
<v Speaker 1>but that sort of boy band boot camp thing had

1:01:29.040 --> 1:01:31.200
<v Speaker 1>already happened. And I remember I've being at my brother's

1:01:31.200 --> 1:01:34.680
<v Speaker 1>place and I started crying and he was like, what's

1:01:34.680 --> 1:01:36.840
<v Speaker 1>going on? And I was like, Um, I don't know.

1:01:36.960 --> 1:01:40.440
<v Speaker 1>I guess I'm just scared, you know. I was like,

1:01:40.480 --> 1:01:43.320
<v Speaker 1>I feel like this either could be nothing, you know,

1:01:43.360 --> 1:01:45.520
<v Speaker 1>it could be like a one off season and that's it.

1:01:45.520 --> 1:01:48.040
<v Speaker 1>It could totally fail, or it could be like the

1:01:48.040 --> 1:01:49.840
<v Speaker 1>next however many years of my life. And so I

1:01:49.920 --> 1:01:51.920
<v Speaker 1>was kind of like I didn't even know that I

1:01:51.960 --> 1:01:55.600
<v Speaker 1>was ready for that responsibility. So man, it was a

1:01:55.600 --> 1:01:59.600
<v Speaker 1>big learning experience and and it wasn't just to show

1:01:59.640 --> 1:02:02.560
<v Speaker 1>the fact that it broke into performing live and you know,

1:02:02.640 --> 1:02:06.760
<v Speaker 1>doing tours and everything. It really became our whole life.

1:02:07.040 --> 1:02:10.760
<v Speaker 1>It was every day for five years at least. So

1:02:11.120 --> 1:02:14.680
<v Speaker 1>what it was it was wild. How big did it? Again?

1:02:14.720 --> 1:02:18.200
<v Speaker 1>I mean what kind of how big were the audiences. Um,

1:02:18.240 --> 1:02:20.520
<v Speaker 1>So as far as the TV show goes, we know,

1:02:20.560 --> 1:02:23.080
<v Speaker 1>I mean, I'm talking about the tour tour. Well, it

1:02:23.160 --> 1:02:26.040
<v Speaker 1>started at it started at the first show we ever

1:02:26.080 --> 1:02:29.360
<v Speaker 1>did was a random radio show in Henderson, Nevada that

1:02:29.440 --> 1:02:32.000
<v Speaker 1>was a small little thing, and then quickly evolved to

1:02:32.400 --> 1:02:35.160
<v Speaker 1>selling out theaters. And then the next tour we sold

1:02:35.160 --> 1:02:38.840
<v Speaker 1>out amphitheaters. Okay, so you went from like a couple

1:02:38.840 --> 1:02:43.640
<v Speaker 1>of thousand, couple of thousand to five thousand every night,

1:02:44.000 --> 1:02:47.880
<v Speaker 1>so you were doing arenas, arena well amphitheater sized arenas

1:02:47.920 --> 1:02:50.760
<v Speaker 1>and arenas. So the tour, depending on what the venue

1:02:50.760 --> 1:02:52.480
<v Speaker 1>was and where the location was, we would either do

1:02:53.000 --> 1:02:55.720
<v Speaker 1>a giant amphitheater that could hold seventeen thousand, or we

1:02:55.720 --> 1:02:57.920
<v Speaker 1>would do an arena that would hold thirteen thousand or

1:02:57.920 --> 1:03:02.040
<v Speaker 1>something like that. And we played bigger shows for like

1:03:02.080 --> 1:03:05.040
<v Speaker 1>one off things like we opened for Justin Bieber. One

1:03:05.080 --> 1:03:08.320
<v Speaker 1>of our first shows was opening for Justin Bieber in Mexico,

1:03:08.360 --> 1:03:13.640
<v Speaker 1>and I think that was six six or seventy thousand people. Um,

1:03:13.680 --> 1:03:15.960
<v Speaker 1>and uh, we played at the Houston Rodeo, which is

1:03:16.000 --> 1:03:18.640
<v Speaker 1>actually a really great show to play. That's like almost

1:03:18.680 --> 1:03:21.000
<v Speaker 1>a hundred thousand people as many of the stadium holds,

1:03:21.920 --> 1:03:25.440
<v Speaker 1>so I mean, yeah, it was. It was wild. Our

1:03:25.440 --> 1:03:27.840
<v Speaker 1>Amphitheater tour was probably my favorite one because it was

1:03:27.920 --> 1:03:31.760
<v Speaker 1>every night it was like thousand people sold out all

1:03:31.800 --> 1:03:33.440
<v Speaker 1>the way to the back, you know amphitheaters. They just

1:03:33.440 --> 1:03:34.960
<v Speaker 1>looked so cool with the lawn in the back and

1:03:35.000 --> 1:03:38.720
<v Speaker 1>everyone camped out. It's just like an endless sea of people. Um, yeah,

1:03:38.760 --> 1:03:40.880
<v Speaker 1>I mean it was. We we played huge sold out

1:03:41.000 --> 1:03:44.880
<v Speaker 1>Jones Beach twice on one of our tours, and and yeah,

1:03:44.960 --> 1:03:48.680
<v Speaker 1>it was. It was wild. And so that lasted for

1:03:48.720 --> 1:03:52.480
<v Speaker 1>how long I want to say we did three or

1:03:52.520 --> 1:03:54.880
<v Speaker 1>four full tours because we we could only do them

1:03:54.880 --> 1:03:58.560
<v Speaker 1>in between the seasons. UM. And that's what was kind

1:03:58.560 --> 1:04:00.840
<v Speaker 1>of crazy about it was we would we filmed Monday

1:04:00.840 --> 1:04:03.800
<v Speaker 1>through Friday, UM, and then on the weekend we would

1:04:03.840 --> 1:04:06.560
<v Speaker 1>either do dance rehearsal if there was something on the

1:04:06.600 --> 1:04:11.760
<v Speaker 1>next episode, or we would do recording for uh the

1:04:12.040 --> 1:04:14.960
<v Speaker 1>songs that we used in the show. So seven days

1:04:14.960 --> 1:04:16.840
<v Speaker 1>a week, and then as soon as that was done,

1:04:17.680 --> 1:04:20.360
<v Speaker 1>we would rehearse for tour, go on tour, come back,

1:04:20.560 --> 1:04:23.000
<v Speaker 1>have like maybe a week off, and then get back

1:04:23.000 --> 1:04:26.640
<v Speaker 1>into the show again. And it was a really wild adventure,

1:04:27.960 --> 1:04:29.960
<v Speaker 1>very busy. Yeah, I mean we used to. We used

1:04:30.000 --> 1:04:32.040
<v Speaker 1>to joke about it, like people would say, so, what

1:04:32.040 --> 1:04:33.440
<v Speaker 1>do you guys do? Like in an interview, they'd say,

1:04:33.440 --> 1:04:36.120
<v Speaker 1>what are you guys doing a day off? Would be like, uh,

1:04:37.840 --> 1:04:41.520
<v Speaker 1>what is that word? You know? How do you say that?

1:04:41.720 --> 1:04:46.040
<v Speaker 1>You know? Um, But obviously, you know, looking back and

1:04:46.040 --> 1:04:47.280
<v Speaker 1>when you're in the heat of the moment, I don't

1:04:47.320 --> 1:04:48.800
<v Speaker 1>know if you felt this on your show, because you

1:04:48.800 --> 1:04:50.600
<v Speaker 1>guys did so many seasons and stuff, but you know,

1:04:50.600 --> 1:04:53.520
<v Speaker 1>there's times we were like, this is hard, you know. Uh,

1:04:53.560 --> 1:04:55.440
<v Speaker 1>And then if you look back on it from you know,

1:04:55.600 --> 1:04:59.080
<v Speaker 1>thirty feet you go, well, it's really fun. You know.

1:04:59.200 --> 1:05:02.800
<v Speaker 1>Obviously the whole it was fun, but they're even fun

1:05:02.880 --> 1:05:06.439
<v Speaker 1>things have their fair share of challenges. You know. Were

1:05:06.480 --> 1:05:10.120
<v Speaker 1>you were you guys riding around on private chats we

1:05:10.160 --> 1:05:12.240
<v Speaker 1>did a couple of times. A couple of times we

1:05:12.400 --> 1:05:14.760
<v Speaker 1>that wasn't our main mode of transportation, but we went.

1:05:14.840 --> 1:05:16.400
<v Speaker 1>We were on tour of uses most of the time.

1:05:16.440 --> 1:05:21.280
<v Speaker 1>And actually for one birthday, my twenty one birthday. This

1:05:21.320 --> 1:05:25.760
<v Speaker 1>is a fun story. Um, we played we did Worldwide

1:05:25.800 --> 1:05:29.000
<v Speaker 1>Day of Play, which was a Nickelodeon event. Uh, getting

1:05:29.040 --> 1:05:32.160
<v Speaker 1>kids to move like getting kids to be outside and

1:05:32.200 --> 1:05:35.160
<v Speaker 1>move around. We played that show and then we were

1:05:35.240 --> 1:05:37.760
<v Speaker 1>having uh like after the show, we were at the

1:05:37.800 --> 1:05:40.320
<v Speaker 1>hotel and all of the Nick executives were there. We

1:05:40.360 --> 1:05:42.680
<v Speaker 1>all became very friendly with the Knick executives because they

1:05:42.720 --> 1:05:44.520
<v Speaker 1>were very much involved in our show. I think it

1:05:44.560 --> 1:05:46.600
<v Speaker 1>was kind of like a pet project for them. And

1:05:47.640 --> 1:05:51.120
<v Speaker 1>uh Seema who was the president nickelode at the time,

1:05:51.120 --> 1:05:53.600
<v Speaker 1>and Paula who was vice president. We're talking and I

1:05:53.680 --> 1:05:55.960
<v Speaker 1>was like, yeah, you know my birthday, we're gonna go

1:05:55.960 --> 1:05:58.760
<v Speaker 1>to Vegas, I think you know, and they were like, wow,

1:05:58.840 --> 1:06:00.520
<v Speaker 1>like you guys should come there, Like, no, you don't

1:06:00.560 --> 1:06:05.600
<v Speaker 1>want us at your birthday? And oh, you're probably right. Um,

1:06:05.640 --> 1:06:07.840
<v Speaker 1>and then Semas said, well, you know that might be

1:06:07.840 --> 1:06:10.240
<v Speaker 1>a good time to uh if you like, we could

1:06:10.440 --> 1:06:13.880
<v Speaker 1>you could use the Viacom jet and go to Vegas

1:06:13.920 --> 1:06:17.960
<v Speaker 1>on your birthday. I was like, okay, sure, you know,

1:06:18.240 --> 1:06:21.320
<v Speaker 1>and then we ended up doing um the national anthem

1:06:21.960 --> 1:06:23.640
<v Speaker 1>because my birthday is on the second. We ended up

1:06:23.640 --> 1:06:27.760
<v Speaker 1>doing the national anthem at the Thanksgiving Day game UM

1:06:27.800 --> 1:06:32.160
<v Speaker 1>in Dallas, and sure enough at the Dallas Airport, this

1:06:32.320 --> 1:06:35.439
<v Speaker 1>Viacom's private jet and after the show, we took all

1:06:35.480 --> 1:06:37.200
<v Speaker 1>of our crew, we all loaded up, we all flew

1:06:37.200 --> 1:06:39.240
<v Speaker 1>to Vegas. They kept the jet there for three days

1:06:39.280 --> 1:06:41.920
<v Speaker 1>while we had the Veggas festivities, and then put us

1:06:41.960 --> 1:06:45.480
<v Speaker 1>back to l A. Man, Now, I know how much

1:06:45.560 --> 1:06:49.160
<v Speaker 1>that costs, you know, I can thus. Yeah, I can't

1:06:49.160 --> 1:06:51.000
<v Speaker 1>even believe they did that. I mean, what would it.

1:06:51.120 --> 1:06:53.560
<v Speaker 1>Well know, for all of you, it's like, that's like,

1:06:53.720 --> 1:06:56.640
<v Speaker 1>you know, it's tens of thousands, that's like, and to

1:06:56.720 --> 1:06:58.840
<v Speaker 1>hold the plane in Vegas for that many days. But

1:06:59.400 --> 1:07:02.920
<v Speaker 1>you know, well that was one of three VI comjects,

1:07:02.920 --> 1:07:04.520
<v Speaker 1>So I think they were like, well that this one's

1:07:04.520 --> 1:07:07.600
<v Speaker 1>parked over, you know, let's just use that one. That'll

1:07:07.640 --> 1:07:11.440
<v Speaker 1>be fine. Oh man, listen, buddy, I could talk to

1:07:11.480 --> 1:07:15.000
<v Speaker 1>you all day. We don't even feel we haven't even

1:07:15.040 --> 1:07:17.360
<v Speaker 1>scratched the surface of what I want to talk to

1:07:17.400 --> 1:07:24.080
<v Speaker 1>you about. But um, you know there is I want

1:07:24.080 --> 1:07:25.840
<v Speaker 1>to I do want to mention this though before we

1:07:26.280 --> 1:07:30.400
<v Speaker 1>before we say goodbye. Um, there is going to be

1:07:30.720 --> 1:07:36.800
<v Speaker 1>a reunion performance of Big Time Rush Your Band, which

1:07:37.080 --> 1:07:41.600
<v Speaker 1>include the Chicago the Chicago Theater in Illinois on December,

1:07:41.680 --> 1:07:46.600
<v Speaker 1>followed by December eighteenth show at the Hammerstein Ballroom in

1:07:46.760 --> 1:07:52.520
<v Speaker 1>New York, legendary Hammerstein Ballroom. That's exciting for you guys.

1:07:52.520 --> 1:07:54.320
<v Speaker 1>So that's what you're that's what you're boning up for,

1:07:54.480 --> 1:07:57.440
<v Speaker 1>right these two gigs. This is why I'm here visiting

1:07:57.480 --> 1:08:00.600
<v Speaker 1>family now because it's gonna be three weeks of rehearsals

1:08:00.600 --> 1:08:03.760
<v Speaker 1>coming up. And you know, there's just a lot more

1:08:03.760 --> 1:08:07.120
<v Speaker 1>in the pipeline for big time rush um. And to

1:08:07.240 --> 1:08:10.960
<v Speaker 1>take a song title of one of ours, we're just

1:08:11.000 --> 1:08:16.439
<v Speaker 1>getting started. That's spirit that just came to me right

1:08:16.479 --> 1:08:19.479
<v Speaker 1>off the top of my head. That's that's the magic.

1:08:19.520 --> 1:08:21.439
<v Speaker 1>You never know what is going to happen, but in

1:08:21.560 --> 1:08:25.160
<v Speaker 1>your case, probably a lot. Right, So listen, you guys

1:08:25.240 --> 1:08:28.759
<v Speaker 1>gonna play l A. Let me know, let let us know, okay,

1:08:28.760 --> 1:08:31.000
<v Speaker 1>and we'll call you if we're paying at the show.

1:08:31.160 --> 1:08:32.600
<v Speaker 1>Oh man, I want to be there. I want to

1:08:32.640 --> 1:08:34.200
<v Speaker 1>see you guys. I want to support you. Man. I

1:08:35.280 --> 1:08:39.840
<v Speaker 1>just I love musicians, like just songwriters and musicians just

1:08:39.880 --> 1:08:41.880
<v Speaker 1>they're my favorite people. And you know what, we should

1:08:41.920 --> 1:08:43.880
<v Speaker 1>hang out sometime, man, when this is all over with,

1:08:43.920 --> 1:08:46.920
<v Speaker 1>we should get an apartment together. Let's do it. Let's

1:08:46.920 --> 1:08:50.360
<v Speaker 1>do it. I'm just spitballing here, but I will say

1:08:50.520 --> 1:08:53.320
<v Speaker 1>that my wife will be very happy. By the way,

1:08:53.520 --> 1:08:55.680
<v Speaker 1>I was a kid, I found you to be the

1:08:55.760 --> 1:08:57.479
<v Speaker 1>kind I was like, I think I want to hang

1:08:57.479 --> 1:09:01.519
<v Speaker 1>out with that guy. It seems cool and it still

1:09:01.600 --> 1:09:04.479
<v Speaker 1>rings true to this day. I can have my moments.

1:09:04.520 --> 1:09:10.320
<v Speaker 1>Thank you. I appreciate that. Later twenty years later. All right, man,

1:09:10.880 --> 1:09:12.920
<v Speaker 1>what a pleasure meeting you and talking to you. I

1:09:13.439 --> 1:09:15.559
<v Speaker 1>hope you can come back. We can do this again.

1:09:15.760 --> 1:09:18.040
<v Speaker 1>Really get into the music side of things and really

1:09:18.080 --> 1:09:21.960
<v Speaker 1>dig in um because that's what fascinates me about this

1:09:22.000 --> 1:09:27.200
<v Speaker 1>whole thing. Anyway, Vable, let's chat. You are the man

1:09:28.479 --> 1:09:32.360
<v Speaker 1>and becoming legend. I love this um. All right, buddy,

1:09:32.400 --> 1:09:35.360
<v Speaker 1>thanks so much for coming on. Really enjoyed it. And

1:09:35.800 --> 1:09:38.920
<v Speaker 1>good luck with the shows and uh and just and

1:09:39.000 --> 1:09:41.800
<v Speaker 1>just go slight man, you know you can't. It's gonna

1:09:41.800 --> 1:09:45.280
<v Speaker 1>be fun, all right, buddy, peace out, man, looks love

1:09:46.080 --> 1:09:50.160
<v Speaker 1>good bye. That was so awesome. He is the coolest. Yeah,

1:09:50.160 --> 1:09:53.880
<v Speaker 1>he's a cool guy. Right. They're huge too. They got huge,

1:09:54.000 --> 1:09:57.320
<v Speaker 1>Like we did shows with them and it was kids

1:09:57.320 --> 1:10:00.120
<v Speaker 1>went crazy for that, Like, wait a meet. I have

1:10:00.160 --> 1:10:03.160
<v Speaker 1>an idea. We'll do a TV show. We'll like create

1:10:03.200 --> 1:10:05.479
<v Speaker 1>a boy bend and then they'll go to Oh that's

1:10:05.520 --> 1:10:10.600
<v Speaker 1>a good promotional tool. Nickelodeon's a bunch of geniuses, so

1:10:10.840 --> 1:10:16.680
<v Speaker 1>like you, we'll sell merch right, send, We'll sell t

1:10:16.800 --> 1:10:22.000
<v Speaker 1>shirts at these kids face on it right, oh, NASA

1:10:22.600 --> 1:10:28.360
<v Speaker 1>or television production. I mean it's not rocket science right now.

1:10:28.640 --> 1:10:32.800
<v Speaker 1>All those guys, they are the sweetest like his personality is.

1:10:32.920 --> 1:10:37.000
<v Speaker 1>He's so nice like and genuinely so grateful for being

1:10:37.000 --> 1:10:42.280
<v Speaker 1>on Gilmour Girls, Midwestern kid kancers. Boy right, we should

1:10:42.280 --> 1:10:43.960
<v Speaker 1>we take a break, and then should you drop your

1:10:44.040 --> 1:10:48.320
<v Speaker 1>knowledge on us? Whose knowledge yours? Your big knowledge, your

1:10:48.360 --> 1:10:51.800
<v Speaker 1>big secret, and you're big about gnomes. I don't know anythings.

1:10:51.880 --> 1:10:54.920
<v Speaker 1>What do I look like? A normalogist? Not the thing

1:10:55.000 --> 1:11:02.760
<v Speaker 1>you've been telling us about for days? Ah Uh. I

1:11:02.760 --> 1:11:04.439
<v Speaker 1>don't know if it's time to drop it, but I'm

1:11:04.439 --> 1:11:06.519
<v Speaker 1>gonna drop it anyway. I think Riley, you might be

1:11:06.560 --> 1:11:12.160
<v Speaker 1>ready right now. You prepped break first with a lot

1:11:12.200 --> 1:11:16.200
<v Speaker 1>of people. Don't worry about it. We're dropping bombs over

1:11:17.240 --> 1:11:23.200
<v Speaker 1>I mean some rory somehow. Riley knows about it. Sweet okay,

1:11:23.880 --> 1:11:27.599
<v Speaker 1>and ready to take the breaks. Everybody get rid. Listen,

1:11:27.880 --> 1:11:29.880
<v Speaker 1>I think we better. We made a mess of the place.

1:11:30.000 --> 1:11:32.000
<v Speaker 1>Let's just bring some mops in and mop it up

1:11:32.040 --> 1:11:39.519
<v Speaker 1>and we'll come back after these breaks. Yeah, alright, everybody,

1:11:39.520 --> 1:11:44.479
<v Speaker 1>we're back. And I am in uh cahoots with Eastern

1:11:44.560 --> 1:11:47.559
<v Speaker 1>our tech guy. But he was called off on assignment today.

1:11:47.560 --> 1:11:50.439
<v Speaker 1>He's got some huge, top secret assignment. I don't know.

1:11:50.720 --> 1:11:52.840
<v Speaker 1>He was sworn a secrets. He couldn't tell me what

1:11:52.840 --> 1:11:54.519
<v Speaker 1>it is. We're very disappointed we don't have him on

1:11:54.520 --> 1:12:00.479
<v Speaker 1>this show today. But uh, he has tasked Riley, who

1:12:00.520 --> 1:12:06.280
<v Speaker 1>has been properly headed by all the appropriate agencies and

1:12:05.000 --> 1:12:10.360
<v Speaker 1>u and tested and she is now controlling the video here.

1:12:10.439 --> 1:12:13.679
<v Speaker 1>So Riley, why don't you queue up that first picture

1:12:13.680 --> 1:12:18.840
<v Speaker 1>because there's this quite a bombshell. Now, Amy, nothing about this.

1:12:18.920 --> 1:12:22.160
<v Speaker 1>I'm going to tell the truth. I have no idea.

1:12:22.280 --> 1:12:24.680
<v Speaker 1>I know we took great pains to keep this from you,

1:12:24.960 --> 1:12:27.519
<v Speaker 1>and trust me, you have eyes and ears everywhere. And

1:12:27.600 --> 1:12:31.559
<v Speaker 1>that was no task this. I think this is the

1:12:31.600 --> 1:12:35.640
<v Speaker 1>future episode and it's like maybe season three or all right,

1:12:36.120 --> 1:12:40.760
<v Speaker 1>So do you notice anything unusual about this photograph? Amy?

1:12:40.880 --> 1:12:43.719
<v Speaker 1>So I'm looking at a photo of the diner and

1:12:45.040 --> 1:12:49.680
<v Speaker 1>lor Lyon Rory at the counter and you and you're

1:12:49.720 --> 1:12:52.160
<v Speaker 1>you know, you're the one that sort of sprung this

1:12:52.200 --> 1:12:55.120
<v Speaker 1>clown pillow thing on the world. Many fans beat you

1:12:55.160 --> 1:12:58.400
<v Speaker 1>to the punch, but you were stute enough to to

1:12:58.640 --> 1:13:02.200
<v Speaker 1>follow up on the clown the blue mug, and I

1:13:02.240 --> 1:13:06.679
<v Speaker 1>see the thing of muffins, and I see some people

1:13:06.720 --> 1:13:12.200
<v Speaker 1>in the background eating. Yeah, yeah, that's that's that's not okay.

1:13:12.280 --> 1:13:15.040
<v Speaker 1>I see where it says food in the window. I

1:13:15.080 --> 1:13:20.120
<v Speaker 1>see the curtains, I see the new shelves, I see

1:13:20.120 --> 1:13:22.599
<v Speaker 1>the catch up thing. I give you a hundred dollar

1:13:22.640 --> 1:13:25.040
<v Speaker 1>if you get it. Well, just give me a second,

1:13:25.160 --> 1:13:27.040
<v Speaker 1>give me a second. We're giving you plenty of it.

1:13:27.120 --> 1:13:31.880
<v Speaker 1>We're giving okay. I see the burgers and the fruit.

1:13:33.000 --> 1:13:41.040
<v Speaker 1>The blue mug should just tell you hold. I see

1:13:41.040 --> 1:13:43.479
<v Speaker 1>the grandpa in the background, and then there's a good grandma,

1:13:43.520 --> 1:13:51.800
<v Speaker 1>and then there's a couple. I need a hint, am

1:13:51.800 --> 1:13:53.680
<v Speaker 1>I should I be looking up towards the counter or

1:13:53.720 --> 1:13:57.240
<v Speaker 1>more in the back. I'm not telling you. Oh my god, guys,

1:13:57.320 --> 1:14:01.640
<v Speaker 1>this is so stressful that should you reveal it or

1:14:01.640 --> 1:14:04.599
<v Speaker 1>should we put this on social and see if anyone else,

1:14:04.680 --> 1:14:07.240
<v Speaker 1>or should we just reveal it. I think we just

1:14:07.280 --> 1:14:11.000
<v Speaker 1>reveal it, because you know, these Gilmore fans already know

1:14:11.160 --> 1:14:14.120
<v Speaker 1>this this is kind of a thing. Does it have

1:14:14.160 --> 1:14:16.880
<v Speaker 1>to do the catchup bottles? I'm not telling you. I'm

1:14:16.880 --> 1:14:20.519
<v Speaker 1>not giving any clues. I feel Riley and I are

1:14:20.560 --> 1:14:22.479
<v Speaker 1>being very generous with you, but even sure right, I

1:14:22.479 --> 1:14:25.840
<v Speaker 1>can see Riley's face like she fully knows. What's this

1:14:25.880 --> 1:14:28.000
<v Speaker 1>thing in the back? Here? See that chair? And there's

1:14:28.040 --> 1:14:31.639
<v Speaker 1>like a weird black thing in the window. What is that?

1:14:32.280 --> 1:14:38.599
<v Speaker 1>Is that it? What is that? What is that? Should

1:14:38.640 --> 1:14:40.800
<v Speaker 1>we do a warmer or colder? Yeah? Yeah, yeah? Can

1:14:40.800 --> 1:14:43.200
<v Speaker 1>you do that? Do is it near the muffins? I'll

1:14:43.280 --> 1:14:45.719
<v Speaker 1>leave just scoff. He wants to do a warmer colder

1:14:45.840 --> 1:14:49.840
<v Speaker 1>because I know this is warmer it happen? Does that

1:14:49.840 --> 1:14:53.920
<v Speaker 1>have to do with the muffins? Warmer? It's in the

1:14:53.960 --> 1:14:56.120
<v Speaker 1>m What is that weird creepy thing in the muffin?

1:14:56.320 --> 1:14:58.800
<v Speaker 1>Is it like a there's like a weird muffin that

1:14:58.840 --> 1:15:03.160
<v Speaker 1>looks like an alien muff All right, Riley, let's uh,

1:15:03.439 --> 1:15:05.680
<v Speaker 1>let's show her the picture. Oh my god, am I

1:15:05.800 --> 1:15:08.000
<v Speaker 1>am I close with the alien muffin? Let's show the

1:15:08.080 --> 1:15:13.000
<v Speaker 1>close up. Guys. This is crazy. I'm so stressed. I

1:15:13.040 --> 1:15:16.200
<v Speaker 1>don't know what it is. Yes, so I was right,

1:15:16.200 --> 1:15:21.320
<v Speaker 1>there's alien muffin. That's Scooby Doo. So is there always

1:15:21.320 --> 1:15:24.559
<v Speaker 1>an alien muffin in the muffin? What would you call that?

1:15:24.760 --> 1:15:29.559
<v Speaker 1>Canister muffin? It's like an take plate, but it has

1:15:29.640 --> 1:15:34.320
<v Speaker 1>muffins are why is that one muffin? So whack? It

1:15:34.360 --> 1:15:38.000
<v Speaker 1>looks like a snail muffin or bunny muffin and alien muffing.

1:15:39.640 --> 1:15:44.479
<v Speaker 1>That's Scooby Doo. That's a plastic figurine of Scooby Doo. Yes,

1:15:44.760 --> 1:15:47.120
<v Speaker 1>that's what I'm saying. It looks like a bunny that's

1:15:47.120 --> 1:15:51.160
<v Speaker 1>Scooby Doo. That's Scooby Doo. So is that in many episodes?

1:15:51.680 --> 1:15:55.360
<v Speaker 1>I believe that it is God. I believe that the

1:15:56.479 --> 1:15:59.759
<v Speaker 1>prop guys had fun. They sure did, and I sort

1:15:59.760 --> 1:16:02.240
<v Speaker 1>of on it. It took me an hour. Sorry everybody,

1:16:03.920 --> 1:16:08.320
<v Speaker 1>thrilling for everyone listening. We but you did pretty good.

1:16:08.600 --> 1:16:12.000
<v Speaker 1>We're gonna spot the Scooby Doo. We're gonna spot Yes,

1:16:12.040 --> 1:16:15.960
<v Speaker 1>now it's about the Scooby Doo in the dinner. It

1:16:15.960 --> 1:16:24.360
<v Speaker 1>looks like something from Men in Black to me, Riley, Yes, okay,

1:16:27.479 --> 1:16:31.760
<v Speaker 1>pop culture? Is it time? Oh? Were ready for pop culture? Yeah?

1:16:32.280 --> 1:16:36.240
<v Speaker 1>Oh my goodness, so we're not. We have to discuss

1:16:36.280 --> 1:16:38.240
<v Speaker 1>the episode more. For God's sake, there's so much more,

1:16:39.120 --> 1:16:41.160
<v Speaker 1>but we're running late. We might have to do a

1:16:41.160 --> 1:16:46.920
<v Speaker 1>two parter because we were already late. What didn't we cover, Well,

1:16:46.960 --> 1:16:50.800
<v Speaker 1>we didn't talk about Lane and she is looking for

1:16:50.800 --> 1:16:53.320
<v Speaker 1>her record collection, but maybe we'll cover that in pop culture.

1:16:53.960 --> 1:16:56.720
<v Speaker 1>I think we could have talked about Max more and

1:16:56.840 --> 1:17:00.960
<v Speaker 1>that's you know. Otherwise, I think we're we're getting there

1:17:01.880 --> 1:17:05.799
<v Speaker 1>right Amy. That was a perfect cueue for pop culture

1:17:05.800 --> 1:17:08.680
<v Speaker 1>because we're gonna go right in and Lane has a

1:17:08.720 --> 1:17:11.080
<v Speaker 1>list for Rory to pick up at the record store

1:17:11.120 --> 1:17:14.120
<v Speaker 1>for her. Lane says, okay. Charles Mingus, the Black sat

1:17:14.120 --> 1:17:16.679
<v Speaker 1>in the center, Lady the Sonics. Here are the Sonics,

1:17:16.840 --> 1:17:18.840
<v Speaker 1>m C five kick out of the out of the

1:17:18.920 --> 1:17:23.479
<v Speaker 1>James Fairport Convention, Lesion, leave BIG's Odessa. So we're gonna

1:17:23.479 --> 1:17:27.280
<v Speaker 1>go through this. Charles mingus most famous song is Goodbye

1:17:27.320 --> 1:17:30.559
<v Speaker 1>pork Pie Hat. The sonics top hit is the which

1:17:30.680 --> 1:17:33.799
<v Speaker 1>which was released in November nineteen sixty four and considered

1:17:33.800 --> 1:17:36.840
<v Speaker 1>a stepping stone in their career. M C five's they

1:17:36.880 --> 1:17:39.840
<v Speaker 1>were mentioned in two thousand and one this episode, but

1:17:40.000 --> 1:17:42.680
<v Speaker 1>their biggest hit song is Looking at You, which was

1:17:42.720 --> 1:17:45.400
<v Speaker 1>originally created nineteen sixty eight and released in two thousand

1:17:45.439 --> 1:17:48.960
<v Speaker 1>eleven on their most well known album. Back in the USA,

1:17:49.200 --> 1:17:51.800
<v Speaker 1>Fairport Convention is known for their song where the Time Goes,

1:17:51.880 --> 1:17:55.080
<v Speaker 1>released in nineteen sixty nine, and finally, the BIG's biggest

1:17:55.160 --> 1:17:58.439
<v Speaker 1>hit is dan Altt, released in nineteen seven. I had

1:17:58.479 --> 1:18:05.519
<v Speaker 1>heard of none of those bands than the Detroit While

1:18:05.560 --> 1:18:08.679
<v Speaker 1>you look that up, Riley, because I think Patti Smith

1:18:08.760 --> 1:18:12.639
<v Speaker 1>married the guitar player Fred's Sonics Fred Sonics Smith from

1:18:12.720 --> 1:18:15.559
<v Speaker 1>MC five. My love of the BGS is strong and

1:18:15.600 --> 1:18:19.120
<v Speaker 1>I enjoy that. Lane added that into her repertoire because

1:18:19.200 --> 1:18:23.240
<v Speaker 1>everyone should have the b GS, and it kind of

1:18:23.280 --> 1:18:25.479
<v Speaker 1>breaks my heart the only Berry is still around, but

1:18:25.720 --> 1:18:31.639
<v Speaker 1>I do love the Begs. Lincoln Park, Michigan, MC five,

1:18:31.640 --> 1:18:36.599
<v Speaker 1>Lincoln Partment. Yeah, so that's yeah, That's that's yeah. Next,

1:18:36.640 --> 1:18:39.320
<v Speaker 1>Lorelai invites Jess and Luke to dinner. Lorea Li says,

1:18:39.479 --> 1:18:42.120
<v Speaker 1>Suki will cook, Roy will be there, It'll be hey,

1:18:42.160 --> 1:18:44.559
<v Speaker 1>welcome to stars Hollow and see everyone here who's not

1:18:44.640 --> 1:18:49.000
<v Speaker 1>straight out of the Flinny film kind of evening. Frederico

1:18:49.120 --> 1:18:52.240
<v Speaker 1>Fellini was an Italian film director and screenwriter known for

1:18:52.360 --> 1:18:56.200
<v Speaker 1>his distinctive style, which blends fantasy and baroque images with earthiness.

1:18:56.600 --> 1:18:59.800
<v Speaker 1>Some of Linny's films included Ginger and Fred Juliette of

1:18:59.840 --> 1:19:03.400
<v Speaker 1>the Spirits in Casanova. His love for theater started an

1:19:03.479 --> 1:19:05.600
<v Speaker 1>early age, prompting him to run away and join the

1:19:05.640 --> 1:19:08.479
<v Speaker 1>circus when he was only twelve years old. You know,

1:19:08.600 --> 1:19:13.800
<v Speaker 1>I think it's unfortunate that Fellini's name is synonymous with

1:19:14.840 --> 1:19:19.840
<v Speaker 1>conversations that people have trying to describe weirdos that they

1:19:19.880 --> 1:19:24.800
<v Speaker 1>have encountered in their lives, and they lacked the facility

1:19:24.840 --> 1:19:30.080
<v Speaker 1>to describe the weirdo um using their own words, so

1:19:30.160 --> 1:19:33.439
<v Speaker 1>they say something along the lines of like it's like

1:19:33.560 --> 1:19:36.080
<v Speaker 1>something out of there. There's something out of there, like

1:19:36.160 --> 1:19:40.080
<v Speaker 1>something out of a Fellini film, right right. That's that's

1:19:40.160 --> 1:19:44.600
<v Speaker 1>the remembrance he gets most of the time, and he

1:19:44.760 --> 1:19:48.679
<v Speaker 1>changed cinema forever. This next one Jesse's Rory's collection of books,

1:19:48.680 --> 1:19:51.760
<v Speaker 1>and Jesse says, wow, aren't we hooked on phonics? I

1:19:51.880 --> 1:19:54.960
<v Speaker 1>hooked on Phonics is a commercial brand of educational materials

1:19:54.960 --> 1:19:59.559
<v Speaker 1>originally designed for reading education through phonetics, and add said

1:19:59.600 --> 1:20:03.799
<v Speaker 1>after learning only one eighteen minute music gold cassette, students

1:20:03.800 --> 1:20:07.680
<v Speaker 1>can read a one page book money back guaranteed. It's

1:20:07.720 --> 1:20:10.880
<v Speaker 1>famous phone number one A hundred A B C D

1:20:10.960 --> 1:20:14.599
<v Speaker 1>E F G is now owned by a law firm.

1:20:14.680 --> 1:20:19.840
<v Speaker 1>That's wild. I was definitely hooked on phonics. I was

1:20:21.200 --> 1:20:24.679
<v Speaker 1>apparently didn't help for this as part of my career.

1:20:24.840 --> 1:20:30.599
<v Speaker 1>But jessin Marlee are fighting on the porch. Jess says,

1:20:30.720 --> 1:20:32.840
<v Speaker 1>you don't know anything about me or my life, or

1:20:32.880 --> 1:20:35.559
<v Speaker 1>my mom or Luke, So why don't you Dr Laura

1:20:35.640 --> 1:20:39.800
<v Speaker 1>somewhere else? Laura's Lessing Juror, better known as Dr Laura,

1:20:39.880 --> 1:20:43.320
<v Speaker 1>is an American talk radio show host and Dr Laura

1:20:43.360 --> 1:20:46.920
<v Speaker 1>holds multiple trophies from sailboat racing and a black belt

1:20:46.960 --> 1:20:50.120
<v Speaker 1>in martial arts. Dr Laura is in the National Radio

1:20:50.160 --> 1:20:52.960
<v Speaker 1>Hall of Fame and she is still on the radio

1:20:53.080 --> 1:20:55.760
<v Speaker 1>to this day at the age of seventy, and she's

1:20:55.760 --> 1:20:59.200
<v Speaker 1>known for her tough love. Dr Laura always signs off

1:20:59.200 --> 1:21:02.000
<v Speaker 1>her show with now go do the right thing. Sometimes

1:21:02.040 --> 1:21:05.479
<v Speaker 1>I find myself getting sucked into Dr Laura. Really, if

1:21:05.520 --> 1:21:07.719
<v Speaker 1>you stumble upon it, yeah, didn't you say you? Riley?

1:21:07.760 --> 1:21:09.600
<v Speaker 1>When Ryan and I were talking her mom listens to

1:21:09.720 --> 1:21:12.920
<v Speaker 1>Doctor Laura and fun fact, I called Dr Laura for

1:21:12.960 --> 1:21:16.839
<v Speaker 1>advice when I was ten or eleven? Could she answer?

1:21:17.479 --> 1:21:19.800
<v Speaker 1>She definitely had tough love. I think I cried more

1:21:19.880 --> 1:21:23.679
<v Speaker 1>from her advice than you got on with doctor. I did. Yeah.

1:21:23.720 --> 1:21:25.200
<v Speaker 1>I called her because I was like having a fight

1:21:25.240 --> 1:21:27.160
<v Speaker 1>with my friend at the time and I wanted some advice.

1:21:29.320 --> 1:21:32.400
<v Speaker 1>Do you have a tape of it? I don't think so, no,

1:21:32.680 --> 1:21:40.800
<v Speaker 1>but we need to find that. Oh my god, what

1:21:41.000 --> 1:21:42.640
<v Speaker 1>ten year olds like? You know what I'm gonna do?

1:21:42.720 --> 1:21:46.800
<v Speaker 1>We call Dr Laura. You you're the weirdest kid I was.

1:21:46.880 --> 1:21:49.560
<v Speaker 1>I was definitely young. Yeah, I mean I told you

1:21:49.640 --> 1:21:52.679
<v Speaker 1>my mom's fantsay. She's like, why don't you call Dr Laura.

1:21:53.439 --> 1:21:54.920
<v Speaker 1>She didn't want to give me advice, she just wanted

1:21:54.920 --> 1:22:02.479
<v Speaker 1>to Laura's talk to me. Anyways. He's right there, She's like,

1:22:03.280 --> 1:22:07.880
<v Speaker 1>She's like, just called Dr Laura. Rory is uncomfortable as

1:22:07.920 --> 1:22:12.680
<v Speaker 1>she is about to Rory is uncomfortable as she is

1:22:12.680 --> 1:22:15.840
<v Speaker 1>about to interview Max. Rory says, sit, sure, that's good.

1:22:16.000 --> 1:22:19.120
<v Speaker 1>Barbara Walter sits or walks sometimes if the person she's

1:22:19.160 --> 1:22:20.760
<v Speaker 1>talking to has a horse or a ranch or a

1:22:20.760 --> 1:22:24.840
<v Speaker 1>big backyard sometimes, but usually she just sits. Barbara Jill

1:22:24.920 --> 1:22:30.120
<v Speaker 1>Walters is American broadcast call doctor Laura keep going. I

1:22:30.160 --> 1:22:33.599
<v Speaker 1>love Barbara Walters. I'm sorry. Barbara Jill Walters an American

1:22:33.640 --> 1:22:37.880
<v Speaker 1>retired broadcast journalist, author, and television personality. She only wears

1:22:37.960 --> 1:22:40.559
<v Speaker 1>one contact lens. While working with the other lens, she

1:22:40.600 --> 1:22:43.080
<v Speaker 1>can read the teleprompter, but with two she would not

1:22:43.120 --> 1:22:45.600
<v Speaker 1>be able to read her notes. Barbara is in the

1:22:45.600 --> 1:22:47.880
<v Speaker 1>Television Hall of Fame and actually has a star on

1:22:47.920 --> 1:22:51.880
<v Speaker 1>the Hollywood Walk of Fame. Barbara is the mastermind behind

1:22:51.920 --> 1:22:55.120
<v Speaker 1>the talk show The View. She put her together the

1:22:55.160 --> 1:22:59.120
<v Speaker 1>initial panel of women, serving on it herself from until

1:22:59.120 --> 1:23:02.160
<v Speaker 1>she retired into that and fourteen. She's alive today and

1:23:02.360 --> 1:23:04.880
<v Speaker 1>ninety two years old, and two of her most famous

1:23:04.920 --> 1:23:07.760
<v Speaker 1>interviews are Patrick Swayze when he revealed he had pancreatic

1:23:07.840 --> 1:23:10.760
<v Speaker 1>cancer and Obrah which she said was one of her

1:23:10.800 --> 1:23:14.679
<v Speaker 1>most emotional interviews. And finally, Barbara had a pre Oscar

1:23:14.760 --> 1:23:18.439
<v Speaker 1>special for twenty nine years. He still I used to

1:23:18.439 --> 1:23:22.160
<v Speaker 1>watch all those love it. Laura Lae is upset after

1:23:22.160 --> 1:23:25.720
<v Speaker 1>talking with Jess on the porch. Laura Lee says, Luke says,

1:23:25.720 --> 1:23:28.320
<v Speaker 1>where as Jess Morrell says, outside working on his breakfast

1:23:28.360 --> 1:23:31.960
<v Speaker 1>club audition, He's getting good. It's so true, he is

1:23:32.000 --> 1:23:34.759
<v Speaker 1>a bit Judd Nelson E. What was Jed Nelson's character,

1:23:35.640 --> 1:23:40.840
<v Speaker 1>John Bender? Yes, this is the reference to John Bender

1:23:40.880 --> 1:23:44.519
<v Speaker 1>on The Breakfast Club American Team Coming of age comedy

1:23:44.560 --> 1:23:48.000
<v Speaker 1>drama film. Judd Nelson's clothes in the movie are the

1:23:48.040 --> 1:23:50.960
<v Speaker 1>outfit he auditioned in for the role of John Bender

1:23:51.720 --> 1:23:56.839
<v Speaker 1>and the Dan drift. At that Allison Ali, sheety um

1:23:56.920 --> 1:23:59.960
<v Speaker 1>shakes into her pencil drawings for snow was achieved by

1:24:00.000 --> 1:24:04.280
<v Speaker 1>sprinkling parmesan cheese in her head and it's not actually

1:24:04.320 --> 1:24:07.320
<v Speaker 1>her Dran Dandre. Of which people we should all remember

1:24:07.360 --> 1:24:11.080
<v Speaker 1>that Judd Nelson's character does sort of make out with

1:24:11.360 --> 1:24:16.120
<v Speaker 1>Molly Ringwald's character, which would be the Rory a good girl.

1:24:17.439 --> 1:24:20.880
<v Speaker 1>That's a great connection. You can't I can't see Rory

1:24:21.000 --> 1:24:25.160
<v Speaker 1>and Ever ending up in detention. No, why did Molly

1:24:25.280 --> 1:24:29.360
<v Speaker 1>Ringwald end up in detention? Don't know. I don't remember.

1:24:29.520 --> 1:24:33.840
<v Speaker 1>She couldn't have been that good a girl. M Laura

1:24:33.880 --> 1:24:36.360
<v Speaker 1>la is telling Luke he should think about what he's

1:24:36.400 --> 1:24:39.720
<v Speaker 1>doing before taking just in. Loralai says, yes, I respect that,

1:24:39.880 --> 1:24:42.880
<v Speaker 1>but what if he turns out to be freddo Frederico

1:24:43.479 --> 1:24:48.080
<v Speaker 1>core Leon is a fictional character in Mario Puzzo's nine

1:24:48.080 --> 1:24:52.000
<v Speaker 1>novel The Godfather. Freddo is played by John Cazale in

1:24:52.000 --> 1:24:54.639
<v Speaker 1>the nineteen seventy two classic film, and the early buzz

1:24:54.640 --> 1:24:57.240
<v Speaker 1>on this movie was so positive the sequel was planned

1:24:57.240 --> 1:25:00.920
<v Speaker 1>before the first film was even finished filming. The cast

1:25:00.960 --> 1:25:04.599
<v Speaker 1>had rehearsal sessions that simply consisted of the main cast

1:25:04.640 --> 1:25:07.680
<v Speaker 1>sitting down in character for a family meal. And the

1:25:07.720 --> 1:25:12.439
<v Speaker 1>horsehead in the movie, which is very famous, wasn't a prop.

1:25:12.600 --> 1:25:17.040
<v Speaker 1>It was actually a real horsehead. Claire Molly Ringwald ended

1:25:17.080 --> 1:25:19.719
<v Speaker 1>up in detention because she cut class to go shopping,

1:25:20.000 --> 1:25:26.479
<v Speaker 1>So you're right, Rory would not do that, but sorry.

1:25:27.760 --> 1:25:30.439
<v Speaker 1>The morning after the fight, Rory and Laurel stand outside

1:25:30.439 --> 1:25:33.080
<v Speaker 1>of Luke's diner and Laura Lee says, Rory, this was

1:25:33.120 --> 1:25:35.800
<v Speaker 1>a bad one. Okay, this was not Nick and Nora.

1:25:36.240 --> 1:25:38.760
<v Speaker 1>This was Sid and Nancy and I'm not going in there,

1:25:38.880 --> 1:25:41.920
<v Speaker 1>which is also the name of the episode. So Nick

1:25:41.960 --> 1:25:44.840
<v Speaker 1>and Nora Charles are fictional characters. In the novel The

1:25:44.840 --> 1:25:47.559
<v Speaker 1>Thin Man, Nick is played by William Powell and Nora

1:25:47.680 --> 1:25:50.400
<v Speaker 1>by Myrna Lloyd Skippy, who played asked to the dog

1:25:50.600 --> 1:25:54.080
<v Speaker 1>bit Myrna Lloyd during filming in real life and going

1:25:54.080 --> 1:25:56.240
<v Speaker 1>over to Sid and Nancy also known as Sid and

1:25:56.320 --> 1:26:01.439
<v Speaker 1>Nancy Love Kills is six British film starring Gary Oldman

1:26:01.479 --> 1:26:04.559
<v Speaker 1>and Chloe Webb. According to Gary Oldman, he disliked the

1:26:04.600 --> 1:26:07.599
<v Speaker 1>script and dislike punk music, but he accepted the role

1:26:07.640 --> 1:26:10.000
<v Speaker 1>because of the salary, and so this is a reference.

1:26:10.080 --> 1:26:13.360
<v Speaker 1>Nick and Nora were very loving and pleasant together. Their

1:26:13.360 --> 1:26:15.960
<v Speaker 1>fights were more like conversations where Sid and Nancy would

1:26:16.000 --> 1:26:19.320
<v Speaker 1>curse and scream at each other. Laura Lee is asking

1:26:19.360 --> 1:26:22.360
<v Speaker 1>about Jess and what he's like. Loraa La says, well,

1:26:22.360 --> 1:26:23.800
<v Speaker 1>you might want to find out. Ask a couple of

1:26:23.840 --> 1:26:26.559
<v Speaker 1>subtle questions. You know, has he seen the Shawshank Redemption?

1:26:26.840 --> 1:26:32.719
<v Speaker 1>The setting seemed homey to him. The Johank Redemption American

1:26:32.800 --> 1:26:36.120
<v Speaker 1>drama film starring Tim Robbins and Morgan Freeman. Stephen King

1:26:36.200 --> 1:26:38.920
<v Speaker 1>never cashed his royalty check for five thousand dollars for

1:26:39.080 --> 1:26:41.960
<v Speaker 1>rights to the film. Several years after the movie came out,

1:26:42.120 --> 1:26:44.200
<v Speaker 1>King got the check framed and mailed it back to

1:26:44.280 --> 1:26:46.800
<v Speaker 1>the director with a note inscribed, in case you ever

1:26:46.840 --> 1:26:50.479
<v Speaker 1>need bail money, love Steve Uh. To prepare for the role,

1:26:50.600 --> 1:26:54.040
<v Speaker 1>Tim Robbins actually spent time in solitary confinement. He asked

1:26:54.080 --> 1:26:56.960
<v Speaker 1>to be locked in solitary for a while to get

1:26:57.000 --> 1:27:00.160
<v Speaker 1>the feel for it. That would be terrifying Morgan, Him

1:27:00.160 --> 1:27:05.840
<v Speaker 1>and Tim Robbins reunited in Zwa to Najo on Mexico's

1:27:05.880 --> 1:27:10.200
<v Speaker 1>West coast. Finally we have Rory asked what Luke's nephew

1:27:10.240 --> 1:27:12.880
<v Speaker 1>Jess is like, and loral I says, well, he's not

1:27:12.920 --> 1:27:14.840
<v Speaker 1>going to be subbing for the new Dodo on the

1:27:14.880 --> 1:27:17.880
<v Speaker 1>Regions show anytime soon. Let's put it like that. So,

1:27:18.000 --> 1:27:20.360
<v Speaker 1>Regis Philbin spent twenty eight years on the show from

1:27:21.200 --> 1:27:24.439
<v Speaker 1>three to two thousand and eleven. Even though re Just

1:27:24.520 --> 1:27:26.840
<v Speaker 1>became one of the most successful people in the history

1:27:26.840 --> 1:27:29.439
<v Speaker 1>of TV, it didn't start out that way. His first

1:27:29.520 --> 1:27:33.000
<v Speaker 1>national talk show lasted only about four months before cancelation.

1:27:33.560 --> 1:27:37.400
<v Speaker 1>Regis also appeared in a numerous UH movies and television

1:27:37.400 --> 1:27:40.200
<v Speaker 1>shows as himself, such as MS Congeniality, Cheaper by the Dozen,

1:27:40.240 --> 1:27:42.800
<v Speaker 1>Thirty Rocks Signed Filled, and Spin City. Sadly, re Just

1:27:42.920 --> 1:27:46.320
<v Speaker 1>passed away in eight years old, and his co host

1:27:46.400 --> 1:27:51.800
<v Speaker 1>over the years include Sarah Purcell, Cindy Garrett Garvey and Abernathy,

1:27:51.880 --> 1:27:55.800
<v Speaker 1>Cathy Lee and Kelly Rippa and that's it for your

1:27:55.840 --> 1:27:59.640
<v Speaker 1>pop culture is like one of the best movies of

1:27:59.680 --> 1:28:04.840
<v Speaker 1>all time. It really It's okay. I have two favorite lines.

1:28:05.840 --> 1:28:08.479
<v Speaker 1>We already know. My first one, I have no patience

1:28:08.479 --> 1:28:12.559
<v Speaker 1>for jam hands. I love this one. I am in

1:28:12.640 --> 1:28:15.000
<v Speaker 1>so far over my head, I can't see my hat.

1:28:16.600 --> 1:28:20.439
<v Speaker 1>Keep taking my lines. Sorry, I messed it up. Let

1:28:20.439 --> 1:28:22.519
<v Speaker 1>me read it better. I have been so far from

1:28:22.520 --> 1:28:25.000
<v Speaker 1>my head I can't see my own hat. And then

1:28:25.080 --> 1:28:30.519
<v Speaker 1>she says, just try turning it around. So when the

1:28:30.880 --> 1:28:33.960
<v Speaker 1>great line for you was her saying try turning it around, Well, yes,

1:28:34.560 --> 1:28:37.840
<v Speaker 1>it's the boat. It's you saying I'm in so far

1:28:37.920 --> 1:28:40.240
<v Speaker 1>o from my head, I can't see my own hat. Yeah,

1:28:40.360 --> 1:28:43.320
<v Speaker 1>that's the great line. No, but then it's for lie

1:28:43.320 --> 1:28:46.040
<v Speaker 1>being so subtle. Try turning it around because you wear

1:28:46.080 --> 1:28:49.040
<v Speaker 1>your hat back or I laughed out loud on that line.

1:28:49.680 --> 1:28:56.040
<v Speaker 1>I made myself laugh. I laughed so hard. But jam hands,

1:28:56.040 --> 1:29:00.920
<v Speaker 1>oh my god, jam hands. Mine was from Luke. He's

1:29:00.920 --> 1:29:03.200
<v Speaker 1>talking with Loria Lyon. He says, way around what this

1:29:03.280 --> 1:29:05.479
<v Speaker 1>is stars hollow, You take three left turns and you're

1:29:05.520 --> 1:29:10.840
<v Speaker 1>back to the center of town. It was quite an

1:29:10.840 --> 1:29:14.839
<v Speaker 1>episode for all Luke, wasn't it. Really was. Okay, I'm

1:29:14.880 --> 1:29:18.240
<v Speaker 1>gonna I'm gonna be three out of three and he's

1:29:18.280 --> 1:29:25.120
<v Speaker 1>going on to Hollywood. He's got my golden tacket town. Um,

1:29:25.160 --> 1:29:34.519
<v Speaker 1>it's a note for me, dog, give your line. I'm

1:29:34.520 --> 1:29:50.400
<v Speaker 1>sorry anyway. Um, Yeah, I'm gonna. I'm gonna. Look, I

1:29:50.800 --> 1:29:53.400
<v Speaker 1>don't pat myself on the back, but I'm gonna do it.

1:29:53.439 --> 1:29:58.160
<v Speaker 1>Now with the hatline, what do you say? I don't

1:29:58.160 --> 1:30:00.280
<v Speaker 1>even know what it is so far over my head,

1:30:00.320 --> 1:30:03.240
<v Speaker 1>I can't see my own hat. What do you say?

1:30:03.280 --> 1:30:05.200
<v Speaker 1>I'm in so far over my head, I can't even

1:30:05.240 --> 1:30:07.720
<v Speaker 1>see my own hat. Yeah, and she's trying to turn

1:30:07.760 --> 1:30:13.400
<v Speaker 1>it around. Ye, that's I'm not now, that doesn't jam hands.

1:30:14.080 --> 1:30:17.240
<v Speaker 1>I have no patience for jam hands. It's all right,

1:30:17.320 --> 1:30:19.040
<v Speaker 1>it's a cute thing. Whatever. I didn't think it was

1:30:19.080 --> 1:30:21.519
<v Speaker 1>hysterically funny. It was fine. It's a good rant. But

1:30:22.400 --> 1:30:26.040
<v Speaker 1>now the hat thing was was funny. Maybe great episode

1:30:26.360 --> 1:30:31.519
<v Speaker 1>props to you, because great episode from Luke. Yeah he's mad.

1:30:32.080 --> 1:30:34.760
<v Speaker 1>I mean this is his, This was his episode, and

1:30:35.680 --> 1:30:39.040
<v Speaker 1>God bless my low so happy to have them. Yeah,

1:30:39.080 --> 1:30:42.680
<v Speaker 1>this is gonna be interesting. I mean, it really is

1:30:42.720 --> 1:30:46.360
<v Speaker 1>gonna be interesting. How the season premiere weirdly to me,

1:30:46.920 --> 1:30:50.040
<v Speaker 1>even though it's not, it felt that big and good

1:30:50.080 --> 1:30:52.080
<v Speaker 1>and like this was this It almost feels like he

1:30:52.120 --> 1:30:55.000
<v Speaker 1>should have been involved in the from the beginning. Yeah,

1:30:55.280 --> 1:30:58.559
<v Speaker 1>in some way, shape or form, but he was in

1:30:58.600 --> 1:31:04.080
<v Speaker 1>the form of Dean correct, even though I'm still team Logan. Sorry,

1:31:04.479 --> 1:31:10.439
<v Speaker 1>And I think the the you know, the mythological multiheaded

1:31:10.720 --> 1:31:15.880
<v Speaker 1>dragon that is the the character that's going to try

1:31:15.960 --> 1:31:19.280
<v Speaker 1>to keep Rory out of Harvard is represents men all

1:31:19.280 --> 1:31:23.160
<v Speaker 1>of these fellows. Right, what is that character called in

1:31:23.240 --> 1:31:26.559
<v Speaker 1>Greek mythology? We're gonna have to call Kevin O'Leary to

1:31:26.560 --> 1:31:30.280
<v Speaker 1>find out. I don't know. I did read the Iliad

1:31:30.400 --> 1:31:33.280
<v Speaker 1>and the odds, how did I? But what's this? What's this?

1:31:33.439 --> 1:31:35.880
<v Speaker 1>Five headed dragon? Six headed dragon? What is that? What

1:31:35.960 --> 1:31:40.240
<v Speaker 1>the heck is that? Riley? And also what's next week's episode?

1:31:41.400 --> 1:31:46.040
<v Speaker 1>Next week's episode is episode six presenting Lore Like everybody,

1:31:46.840 --> 1:31:50.320
<v Speaker 1>thanks for the downloads and all the emails, keeping comming

1:31:50.360 --> 1:31:53.320
<v Speaker 1>to the best fans on the planet, and we will

1:31:53.400 --> 1:32:26.200
<v Speaker 1>see you next time. Stay safe everyonet hey, everybody, and

1:32:26.240 --> 1:32:29.720
<v Speaker 1>don't forget follow us on Instagram at I Am all

1:32:29.880 --> 1:32:34.000
<v Speaker 1>In podcast and email us at Gilmore at I Heart

1:32:34.160 --> 1:32:37.080
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<v Speaker 1>S C O T T y P dot com, scott

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