1 00:00:00,360 --> 00:00:04,320 Speaker 1: Big Bang and DJ Scream bring you Big fats hot 2 00:00:04,320 --> 00:00:07,480 Speaker 1: this podcast in the streets. Visit the new website today 3 00:00:07,760 --> 00:00:11,399 Speaker 1: www dot Big Facts pod dot com live for first 4 00:00:11,400 --> 00:00:13,880 Speaker 1: class sounds. You know who it is. DJ Scream, Big Bang, 5 00:00:13,920 --> 00:00:16,640 Speaker 1: Baby Ja this time for Big Facts with special guests 6 00:00:16,640 --> 00:00:19,800 Speaker 1: today none other than Demanti. Demanti is serial Sun. You'll 7 00:00:19,800 --> 00:00:24,360 Speaker 1: clapping up for the money. Welcome to Big Facts, my brother. 8 00:00:24,440 --> 00:00:29,760 Speaker 1: How how you doing today? Doing phenomenal? What's what's been 9 00:00:29,800 --> 00:00:32,040 Speaker 1: going on in the world in the life of the money? 10 00:00:32,200 --> 00:00:35,199 Speaker 1: Warmas up warma' up man. For a couple of years, 11 00:00:35,240 --> 00:00:38,640 Speaker 1: I've been sitting on his music, um, just adding stuff, 12 00:00:39,080 --> 00:00:42,240 Speaker 1: just perfecting me to my liking, and recently I just 13 00:00:42,360 --> 00:00:44,320 Speaker 1: put it out and just put it out into the world. 14 00:00:44,440 --> 00:00:48,000 Speaker 1: And yeah, that's what it is. It's called Skydive, my 15 00:00:48,159 --> 00:00:52,600 Speaker 1: album leaving Tracks and you did. Um you got a 16 00:00:52,640 --> 00:00:55,279 Speaker 1: collaboration on there with one of the guys from Earth Gang, right, 17 00:00:55,760 --> 00:00:58,560 Speaker 1: you're talking about Old Lou that song song we got 18 00:00:58,680 --> 00:01:03,279 Speaker 1: called Problems, But no, that's not on there. It's out, 19 00:01:03,320 --> 00:01:05,560 Speaker 1: but it's not on there. Okay, okay, So what's on 20 00:01:05,680 --> 00:01:10,120 Speaker 1: this one? Um? I got the smoke on their rap 21 00:01:10,280 --> 00:01:15,119 Speaker 1: City Anthony Hamilton's came through slid On, Anthony came through 22 00:01:17,000 --> 00:01:21,200 Speaker 1: um Nacy c from South Africa. Some nice, some some 23 00:01:21,319 --> 00:01:25,400 Speaker 1: dope artists. Man, um, that's why. That's where I've been 24 00:01:25,400 --> 00:01:27,520 Speaker 1: sitting on this alone, man, trying to perfect it and 25 00:01:27,600 --> 00:01:30,360 Speaker 1: get different people on and get different instruments and just 26 00:01:31,520 --> 00:01:33,840 Speaker 1: tell the story how I wanted to tell it so 27 00:01:34,480 --> 00:01:38,240 Speaker 1: well made your stopping. It was all around me. I 28 00:01:38,400 --> 00:01:42,039 Speaker 1: grew up around music, so I was doing other stuff. 29 00:01:42,319 --> 00:01:45,960 Speaker 1: But eventually I felt like I was gonna say, I 30 00:01:46,040 --> 00:01:47,800 Speaker 1: want to try, you know, I want to do it. 31 00:01:48,680 --> 00:01:50,960 Speaker 1: But what made me really start to take it serious 32 00:01:51,160 --> 00:01:55,000 Speaker 1: and really like really study the music and study the game. 33 00:01:55,200 --> 00:01:58,480 Speaker 1: I was like sixteen or seventeen years old, and I 34 00:01:58,600 --> 00:02:01,440 Speaker 1: just wanted to really talk about something that I really felt, 35 00:02:01,720 --> 00:02:04,400 Speaker 1: you know, something I wanted to instead of just being 36 00:02:04,440 --> 00:02:07,120 Speaker 1: a rapper and talking about exactly what I heard on 37 00:02:07,280 --> 00:02:09,679 Speaker 1: radio and what I've seen on TV. I wanted to 38 00:02:10,080 --> 00:02:12,919 Speaker 1: find myself. I felt like that was very important around 39 00:02:12,960 --> 00:02:16,160 Speaker 1: like sixteen or seventeen. So I would say, there, so 40 00:02:16,280 --> 00:02:19,320 Speaker 1: what's the pros? So so obviously we know your father's tip, 41 00:02:19,440 --> 00:02:21,480 Speaker 1: you know what I'm saying, What what's the pros? And 42 00:02:21,680 --> 00:02:24,720 Speaker 1: cons of you know, trying to do music and your 43 00:02:24,760 --> 00:02:26,800 Speaker 1: father being toil, Like do you see that maybe sometimes 44 00:02:26,880 --> 00:02:29,400 Speaker 1: people might be maybe rocking with you to try to 45 00:02:29,440 --> 00:02:31,720 Speaker 1: get next to him or what's some of the pros 46 00:02:31,760 --> 00:02:33,840 Speaker 1: and cons I guess of being an artist and being 47 00:02:33,880 --> 00:02:36,000 Speaker 1: tips sun. Yeah, it could be, it could be that. 48 00:02:36,680 --> 00:02:40,400 Speaker 1: It's been that, it's been. Um, a lot of people 49 00:02:40,480 --> 00:02:43,600 Speaker 1: think that it's easier. I do agree that it is 50 00:02:43,720 --> 00:02:46,440 Speaker 1: about anybody could be an artist, anybody could be a superstar. 51 00:02:46,520 --> 00:02:50,160 Speaker 1: I believe anybody would be a superstar. It's just about 52 00:02:50,919 --> 00:02:53,519 Speaker 1: who knows you, who you know, and how they know you, 53 00:02:54,760 --> 00:02:58,920 Speaker 1: um what you mean, Like, if you know the right 54 00:02:59,040 --> 00:03:01,239 Speaker 1: people in the music and street, of course it's not 55 00:03:01,320 --> 00:03:03,320 Speaker 1: gonna be as hard as if you don't know these people. 56 00:03:03,720 --> 00:03:06,639 Speaker 1: Like you got a relationship with someone an Apple or 57 00:03:06,760 --> 00:03:10,320 Speaker 1: someone that Spotify, someone a title. That's all you really need. 58 00:03:10,440 --> 00:03:13,160 Speaker 1: You need the people that being the meetings to say 59 00:03:13,280 --> 00:03:15,000 Speaker 1: we need to push this kid, we need to push 60 00:03:15,040 --> 00:03:17,359 Speaker 1: this person. If you know those people, then it's gonna 61 00:03:17,400 --> 00:03:21,000 Speaker 1: be a lot easier. But so so that was that 62 00:03:21,200 --> 00:03:24,239 Speaker 1: was That was the easy part. The hard part. I 63 00:03:24,280 --> 00:03:25,919 Speaker 1: really I feel like I made it hard on myself 64 00:03:25,960 --> 00:03:29,640 Speaker 1: because I really made it important to try to find 65 00:03:29,720 --> 00:03:32,480 Speaker 1: myself because I knew I wanted to have a career 66 00:03:32,600 --> 00:03:34,720 Speaker 1: and I wanted I want to last forever. You know 67 00:03:34,800 --> 00:03:37,040 Speaker 1: a lot of people in and out. So I made 68 00:03:37,080 --> 00:03:39,240 Speaker 1: it I made it on. I made it a go 69 00:03:39,440 --> 00:03:43,200 Speaker 1: to like really find myself and find my sound exactly. 70 00:03:43,880 --> 00:03:46,120 Speaker 1: So I feel like that was the hardest part. It's 71 00:03:46,160 --> 00:03:48,720 Speaker 1: hard to find yourself when it's all this going on, 72 00:03:49,440 --> 00:03:52,040 Speaker 1: when it's um, somebody on the left, you somebody on 73 00:03:52,040 --> 00:03:53,800 Speaker 1: the right, are you telling you you know what you 74 00:03:53,920 --> 00:03:56,520 Speaker 1: are how you should be because because of how you 75 00:03:56,720 --> 00:03:58,160 Speaker 1: was brought up or you know what I mean. So 76 00:03:58,760 --> 00:04:01,720 Speaker 1: I feel like that was the hardest. So look, so 77 00:04:01,880 --> 00:04:05,840 Speaker 1: speaking of finding yourself and like being in your own lane, 78 00:04:06,400 --> 00:04:08,680 Speaker 1: when we like in the previous interview that we did 79 00:04:08,720 --> 00:04:11,560 Speaker 1: with your dad, he was speaking on a situation where 80 00:04:12,200 --> 00:04:15,360 Speaker 1: you were offered like a chance to renew your contract 81 00:04:15,440 --> 00:04:19,440 Speaker 1: with the family Hustle, and you turned down, like eight 82 00:04:19,600 --> 00:04:23,720 Speaker 1: rex because you just wanted to make sure that you 83 00:04:23,960 --> 00:04:26,920 Speaker 1: became your own individual person. So I want to know 84 00:04:27,640 --> 00:04:31,640 Speaker 1: what motivated you to just completely safe fun the money 85 00:04:31,960 --> 00:04:34,640 Speaker 1: and let me focus on myself, because if it was me, 86 00:04:34,800 --> 00:04:36,360 Speaker 1: I would have stood on and you know what I 87 00:04:36,480 --> 00:04:38,200 Speaker 1: was standing on and ship, but I wouldn't would have 88 00:04:38,240 --> 00:04:44,400 Speaker 1: got that money. Like, yeah, man, um, you know how 89 00:04:44,480 --> 00:04:47,200 Speaker 1: you just you just feel something. You just feel like 90 00:04:47,400 --> 00:04:50,480 Speaker 1: it's not not it or it's time to do something. 91 00:04:50,520 --> 00:04:53,960 Speaker 1: That just that feeling. You can't really explain it. But 92 00:04:54,480 --> 00:04:57,640 Speaker 1: I just knew that I knew it was more. I 93 00:04:57,720 --> 00:04:59,800 Speaker 1: knew it was more out there, and I knew that 94 00:04:59,839 --> 00:05:03,080 Speaker 1: I I was looking for something that wasn't that right there. 95 00:05:03,200 --> 00:05:06,360 Speaker 1: It wasn't it was so your bigger picture was to 96 00:05:06,839 --> 00:05:09,240 Speaker 1: find myself. I knew when I find myself, find my 97 00:05:09,320 --> 00:05:12,080 Speaker 1: own sound and like focus on myself, it would be more. 98 00:05:12,480 --> 00:05:14,600 Speaker 1: It would be it would be more on the back end. Yeah, yeah, 99 00:05:15,960 --> 00:05:20,400 Speaker 1: just like benefits exactly in the long run. Exactly. This 100 00:05:20,520 --> 00:05:22,640 Speaker 1: is a check that's gonna come to me one time, 101 00:05:22,720 --> 00:05:24,880 Speaker 1: and this is just that's it. That's all it is. 102 00:05:25,560 --> 00:05:28,440 Speaker 1: I'm talking about stuff that's gonna keep coming in, you know, 103 00:05:28,560 --> 00:05:31,480 Speaker 1: whether I'm working or whether I'm in the house chilling, right, 104 00:05:32,600 --> 00:05:34,360 Speaker 1: That's how I think about it. How did it feel 105 00:05:34,400 --> 00:05:37,600 Speaker 1: when jacole Ja Cole tamped in one of the projects, 106 00:05:37,680 --> 00:05:40,200 Speaker 1: he called it a classic, right he did? Yeah? How 107 00:05:40,240 --> 00:05:41,800 Speaker 1: did that? How so how did that feel? I know 108 00:05:41,880 --> 00:05:46,640 Speaker 1: your phone? Yeah, we close. We call each other, not close, 109 00:05:46,720 --> 00:05:49,840 Speaker 1: like I mean, that's close. Can't can't any nigger just 110 00:05:49,920 --> 00:05:53,400 Speaker 1: get Jakeole on the phone. That's a big deal, right, Yeah, 111 00:05:53,720 --> 00:05:56,000 Speaker 1: he was. He was out here in Atlanta, I think 112 00:05:56,040 --> 00:05:57,960 Speaker 1: a week ago. He had a show out here. Yeah. 113 00:05:58,120 --> 00:06:00,240 Speaker 1: He called me, said, Man, I'm in atlant I ain't 114 00:06:00,240 --> 00:06:02,680 Speaker 1: gotta show. I'm like, man, I know everybody's talking about 115 00:06:03,560 --> 00:06:06,000 Speaker 1: everybody's talking about your showing that. Yeah, I know you're 116 00:06:06,040 --> 00:06:09,640 Speaker 1: gonna be out here. He's like, yeah, man, I lost 117 00:06:09,680 --> 00:06:11,680 Speaker 1: my my my Xbox. Man. I want to know if 118 00:06:11,720 --> 00:06:13,800 Speaker 1: you still. That's how we really got close because I 119 00:06:13,920 --> 00:06:16,760 Speaker 1: was selling PlayStations and I had told him I was 120 00:06:16,760 --> 00:06:20,600 Speaker 1: selling these PlayStations and he I got them a PlayStation, 121 00:06:20,720 --> 00:06:22,680 Speaker 1: sent all the way to North Carolina where he was 122 00:06:22,760 --> 00:06:25,800 Speaker 1: at or something like that. So he called me talking 123 00:06:25,800 --> 00:06:29,839 Speaker 1: about the Xbox. So that's that's really that's our relationship 124 00:06:29,960 --> 00:06:34,239 Speaker 1: right now. Just when when he loses the Xbox station, 125 00:06:35,839 --> 00:06:38,520 Speaker 1: get him a PlayStation. But he gave me some beats 126 00:06:38,839 --> 00:06:40,520 Speaker 1: last time. He was like, you know, just let me 127 00:06:40,560 --> 00:06:43,040 Speaker 1: know how much. And I was like, don't weary about it, man, 128 00:06:43,120 --> 00:06:45,920 Speaker 1: just send me some beats, you know, and we're good. Yeah, 129 00:06:46,360 --> 00:06:49,520 Speaker 1: so that's our right, well made you not want to 130 00:06:49,560 --> 00:06:51,880 Speaker 1: tell the typical route like rap about what's going on, 131 00:06:52,520 --> 00:06:54,960 Speaker 1: you know, the ops and all this ship like the 132 00:06:55,000 --> 00:06:57,560 Speaker 1: other you the run. I just don't feel like that's 133 00:06:57,600 --> 00:07:00,440 Speaker 1: my life, that's not that's not me. And I feel 134 00:07:00,520 --> 00:07:03,160 Speaker 1: like people they'll see they see straight through that, and 135 00:07:03,240 --> 00:07:05,840 Speaker 1: if not right now, then eventually they'll see straight through that. 136 00:07:06,279 --> 00:07:08,760 Speaker 1: And I'm gonna live forever. So that's what I'm saying, 137 00:07:08,800 --> 00:07:12,400 Speaker 1: even when I'm gone, my story, my music, my art 138 00:07:12,480 --> 00:07:14,520 Speaker 1: gonna live on them forever. And I just feel like 139 00:07:14,600 --> 00:07:17,320 Speaker 1: that wasn't me. Um, hopefully a lot of these people 140 00:07:17,400 --> 00:07:19,760 Speaker 1: that's that's talking about that that's really them, and you know, 141 00:07:20,000 --> 00:07:22,360 Speaker 1: that's that's their art and a lot of people can 142 00:07:22,440 --> 00:07:25,440 Speaker 1: relate and some people cannot. And I just choose not 143 00:07:25,560 --> 00:07:27,760 Speaker 1: to talk about what's not really me. You know, I 144 00:07:27,800 --> 00:07:30,080 Speaker 1: don't really have want to be a pride, right, I 145 00:07:30,160 --> 00:07:32,080 Speaker 1: don't have no I don't have no ops. I'm not 146 00:07:32,160 --> 00:07:34,880 Speaker 1: beefing with anybody. You know, that's not gonna last. That's 147 00:07:34,920 --> 00:07:38,480 Speaker 1: not gonna last. No one's gonna Yeah, I don't. I 148 00:07:38,520 --> 00:07:43,320 Speaker 1: don't even like getting mad that's embarrassing. Getting mad is embarrassing. Yeah, 149 00:07:46,720 --> 00:07:49,720 Speaker 1: I'm a well I would I allow someone to make 150 00:07:49,880 --> 00:07:52,800 Speaker 1: me get mad. To be clear, you've been angry. I've 151 00:07:52,840 --> 00:07:56,280 Speaker 1: been angry. But every time I look back at I'm like, wow, 152 00:07:56,360 --> 00:08:04,320 Speaker 1: that's really embarrassing. I just got mad. So yeah, you know, 153 00:08:05,040 --> 00:08:08,080 Speaker 1: but that's all it is. Man, About What about why 154 00:08:08,080 --> 00:08:09,960 Speaker 1: you didn't come out talking about the jeer and the 155 00:08:10,080 --> 00:08:12,160 Speaker 1: cause and ship that could have been your life. That's 156 00:08:12,400 --> 00:08:14,560 Speaker 1: been my life because I at I told you at 157 00:08:14,600 --> 00:08:17,040 Speaker 1: that when I first started doing music, all I've seen 158 00:08:17,240 --> 00:08:19,720 Speaker 1: was what was on TV. Well, and I heard what 159 00:08:19,800 --> 00:08:21,400 Speaker 1: was on the radio, and everybody had the jury. I 160 00:08:21,760 --> 00:08:25,680 Speaker 1: wanted the jury. I wanted to change and the watching 161 00:08:25,760 --> 00:08:29,000 Speaker 1: and stuff like that. But man, I just realized that 162 00:08:29,120 --> 00:08:31,560 Speaker 1: it was it would just be a psychle. I realized 163 00:08:31,600 --> 00:08:34,360 Speaker 1: that after I got this, I want something else. After 164 00:08:34,440 --> 00:08:37,199 Speaker 1: I got this, I wanted like this now. And I 165 00:08:37,320 --> 00:08:40,400 Speaker 1: just I'm just all about laughing forever. I'm all about 166 00:08:40,679 --> 00:08:44,439 Speaker 1: um consistency, constantly going on the upward motion, and I 167 00:08:44,559 --> 00:08:48,160 Speaker 1: feel like that would eventually it's a roof. I mean, 168 00:08:48,200 --> 00:08:50,520 Speaker 1: it's a ceiling on that, and I just don't like that, 169 00:08:50,760 --> 00:08:52,800 Speaker 1: you know. I want to do something that would literally 170 00:08:52,920 --> 00:08:59,400 Speaker 1: last forever, right, I just I'd like to find my advantages. Man, 171 00:08:59,480 --> 00:09:03,199 Speaker 1: My advantage was that everyone else blew up before me, 172 00:09:03,240 --> 00:09:05,040 Speaker 1: and I got to watch them and I got to 173 00:09:05,080 --> 00:09:09,319 Speaker 1: study them. So that's my advantage. So why everyone's been, 174 00:09:10,400 --> 00:09:12,800 Speaker 1: you know, doing what they're doing. I've had the luxury 175 00:09:12,880 --> 00:09:15,199 Speaker 1: to sit back and watch and learn from them. So 176 00:09:15,320 --> 00:09:16,920 Speaker 1: like you want to, you want to kind of try 177 00:09:16,960 --> 00:09:20,880 Speaker 1: to shy away from your obvious internal advantages and kind 178 00:09:20,920 --> 00:09:23,480 Speaker 1: of like you know, do your own thing with the 179 00:09:23,559 --> 00:09:25,440 Speaker 1: knowledge that you have from the people that you're able 180 00:09:25,480 --> 00:09:31,439 Speaker 1: to see. So how in the internal what's what's the 181 00:09:31,520 --> 00:09:35,480 Speaker 1: discussion like in the house where everybody pretty much does music, Like, 182 00:09:35,960 --> 00:09:38,839 Speaker 1: are y'all openly honest with each other about the music 183 00:09:39,040 --> 00:09:41,040 Speaker 1: or is it kind of like you just try to say, 184 00:09:41,080 --> 00:09:44,040 Speaker 1: for instance, like say you don't love someone else's music 185 00:09:44,120 --> 00:09:47,360 Speaker 1: in your household of viceversity you have open conversations about that. 186 00:09:47,600 --> 00:09:49,800 Speaker 1: Or is it like the tip and say like, hey Dad, 187 00:09:49,840 --> 00:09:52,000 Speaker 1: this song is trash. I don't like that. I never 188 00:09:52,080 --> 00:09:54,720 Speaker 1: had to tell him that, Um, he don't. You don't 189 00:09:54,720 --> 00:09:58,480 Speaker 1: really make nothing trash? You know, No, I don't. Nobody 190 00:09:58,520 --> 00:10:01,360 Speaker 1: really it's hard to make something trash, man, you gotta 191 00:10:01,400 --> 00:10:04,400 Speaker 1: really be I think trash is not real. That's the 192 00:10:04,440 --> 00:10:07,760 Speaker 1: only thing that's that's not real. But we're saying something 193 00:10:07,800 --> 00:10:11,480 Speaker 1: that's not real, dude. But there's obviously tip albums and 194 00:10:11,720 --> 00:10:14,559 Speaker 1: songs even in your whole household, that you like more 195 00:10:14,600 --> 00:10:16,480 Speaker 1: than the other ones. So you might like a previous 196 00:10:16,559 --> 00:10:19,079 Speaker 1: project more than you like the current one, and it 197 00:10:19,200 --> 00:10:20,760 Speaker 1: might be the same for them to you. So what's 198 00:10:20,760 --> 00:10:23,319 Speaker 1: the what are those conversations? Like we we got a 199 00:10:23,400 --> 00:10:27,040 Speaker 1: family group chat and we just be sending if it 200 00:10:27,120 --> 00:10:30,480 Speaker 1: be Pops will be sending old um we type old 201 00:10:30,600 --> 00:10:32,480 Speaker 1: lyrics in then and be like they ain't pop win. 202 00:10:32,520 --> 00:10:35,920 Speaker 1: You know you said, I can't think I'm talking my 203 00:10:36,040 --> 00:10:38,120 Speaker 1: head with It'd be like a little funny lyric. You 204 00:10:38,160 --> 00:10:40,160 Speaker 1: know how he used to always be just talking in 205 00:10:40,240 --> 00:10:44,280 Speaker 1: the intros and outros, becusing and be like just going 206 00:10:44,360 --> 00:10:47,800 Speaker 1: in on. Somebody used to be like, damn, man, we 207 00:10:48,040 --> 00:10:51,040 Speaker 1: know who are you talking to? I would joke like that, 208 00:10:51,200 --> 00:10:55,240 Speaker 1: but man, it's so many it's um, it's really it's 209 00:10:55,280 --> 00:10:56,839 Speaker 1: really a blessing to ask so many people in the 210 00:10:56,920 --> 00:11:00,120 Speaker 1: house as creative in the music. You know what I mean? Oh, 211 00:11:00,640 --> 00:11:04,120 Speaker 1: my brother. He does beats, he made, he produces. He 212 00:11:04,280 --> 00:11:07,079 Speaker 1: produced on the track that me and Pops got on 213 00:11:07,800 --> 00:11:11,680 Speaker 1: that's called Family. Yeah, Messiah, he produced that. But it'd 214 00:11:11,720 --> 00:11:13,880 Speaker 1: beat me. It'd beat me and him like talking about 215 00:11:14,000 --> 00:11:16,560 Speaker 1: music a lot of times because he played. He played 216 00:11:16,559 --> 00:11:18,520 Speaker 1: a guitar, he played the keys, he played the synth, 217 00:11:18,679 --> 00:11:20,880 Speaker 1: and he learned how to play the drums, and a 218 00:11:21,000 --> 00:11:23,640 Speaker 1: lot of times he'd be making these beats and I'd 219 00:11:23,679 --> 00:11:25,719 Speaker 1: be like, man, he'd beat long, man, he'd beat be 220 00:11:25,880 --> 00:11:28,400 Speaker 1: nine ten minutes. Man. I'm like, man, you gotta cut 221 00:11:28,440 --> 00:11:30,360 Speaker 1: it up a little bit, and he's telling me, no, Man, 222 00:11:30,440 --> 00:11:32,679 Speaker 1: he just gotta. So we'll go back and forth like that. 223 00:11:33,280 --> 00:11:36,000 Speaker 1: But it's just different perspectives and no one's right and 224 00:11:36,040 --> 00:11:39,439 Speaker 1: no one's wrong. It could work either exactly, and so 225 00:11:39,640 --> 00:11:42,520 Speaker 1: that's that's all. It is, just saying European and then 226 00:11:42,640 --> 00:11:45,120 Speaker 1: we're just bouncing off ideas and we just grow from there. 227 00:11:53,920 --> 00:11:55,840 Speaker 1: So you being you and being a part of that family, 228 00:11:55,880 --> 00:11:58,240 Speaker 1: how does that affect ship? Like just normal ship, like 229 00:11:58,360 --> 00:12:01,520 Speaker 1: just dating, like just mean women and ship like is 230 00:12:01,559 --> 00:12:04,240 Speaker 1: it with the family would just be just kind of 231 00:12:04,440 --> 00:12:07,559 Speaker 1: being already star like you were kind of born in 232 00:12:07,640 --> 00:12:09,680 Speaker 1: the startom. You was on TV at a very young age, 233 00:12:09,720 --> 00:12:13,400 Speaker 1: and everything you get, you get more access, you get 234 00:12:13,480 --> 00:12:16,720 Speaker 1: more access to stuff, just like just like social media, 235 00:12:17,120 --> 00:12:20,520 Speaker 1: like how social media is with with little kids. That's 236 00:12:20,600 --> 00:12:24,520 Speaker 1: like fame, I would say to a kid. So I'm saying, 237 00:12:24,520 --> 00:12:27,160 Speaker 1: if you meet a female or you like more so 238 00:12:27,440 --> 00:12:30,280 Speaker 1: questioning their attentions because of who you are, of course 239 00:12:30,880 --> 00:12:35,000 Speaker 1: of course questioning their intentions, uh, etcetera, etcetera. It's just 240 00:12:35,559 --> 00:12:37,679 Speaker 1: I feel like that's condon sense because when you when 241 00:12:37,720 --> 00:12:40,760 Speaker 1: you got when you have more to lose than others, 242 00:12:40,960 --> 00:12:43,959 Speaker 1: you're always questioning, you know, are you trying to why? 243 00:12:44,320 --> 00:12:47,360 Speaker 1: Really it's it's hard to see clearly when it's a 244 00:12:47,480 --> 00:12:50,280 Speaker 1: bunch of stuff in your face, a bunch of light selling, 245 00:12:50,280 --> 00:12:52,959 Speaker 1: you can't really see clearly. So like as far as 246 00:12:53,120 --> 00:12:56,880 Speaker 1: like the type of women and females and stuff that 247 00:12:56,960 --> 00:13:01,520 Speaker 1: you like, being that you aren't the typical young nigga 248 00:13:01,679 --> 00:13:04,040 Speaker 1: and you don't have ops and you're not into the 249 00:13:04,120 --> 00:13:06,040 Speaker 1: jewelry and you know what I'm saying, all that kind 250 00:13:06,080 --> 00:13:10,360 Speaker 1: of ship, what kind of what kind of female do 251 00:13:10,640 --> 00:13:15,800 Speaker 1: you pursue? Because most females in your edge range, like 252 00:13:15,960 --> 00:13:17,959 Speaker 1: the ops, the niggas, with ops and the niggas with 253 00:13:18,040 --> 00:13:20,160 Speaker 1: jewelry and the niggas with the extra ship and all 254 00:13:20,200 --> 00:13:23,400 Speaker 1: of that. So what do you like and how is it? 255 00:13:23,559 --> 00:13:26,320 Speaker 1: How does it differ from the norm? Basically said, females 256 00:13:26,400 --> 00:13:32,439 Speaker 1: like Ops, females like females like the young niggas you 257 00:13:32,520 --> 00:13:37,520 Speaker 1: know like and that's not females. I feel you, I 258 00:13:37,640 --> 00:13:40,719 Speaker 1: feel like I get it what I feel like. That 259 00:13:40,880 --> 00:13:44,280 Speaker 1: just shows how much you how much you've seen, and 260 00:13:44,360 --> 00:13:47,200 Speaker 1: how much you know, how limited you are exactly. Yeah, 261 00:13:47,240 --> 00:13:52,000 Speaker 1: and that's not necessarily their fault, you know. It's like 262 00:13:52,080 --> 00:13:56,040 Speaker 1: I said, I've been blessed to have um my parents 263 00:13:56,160 --> 00:13:58,880 Speaker 1: behind me that's were successful and allowed us to see 264 00:13:58,920 --> 00:14:02,319 Speaker 1: a lot more than other people. So I see that 265 00:14:02,640 --> 00:14:06,199 Speaker 1: there's so much more than you mean, what's shown on 266 00:14:06,280 --> 00:14:10,040 Speaker 1: the internet or what's what's hot right now. And I 267 00:14:10,120 --> 00:14:12,839 Speaker 1: don't know. I they could, they could like what they like, 268 00:14:13,000 --> 00:14:15,360 Speaker 1: but I'm not gonna change my way to act different 269 00:14:15,440 --> 00:14:17,760 Speaker 1: because I like something. I don't like that. I like 270 00:14:17,880 --> 00:14:22,160 Speaker 1: a girl that got something going on. That's cool, calm um, 271 00:14:22,800 --> 00:14:24,840 Speaker 1: but still that's like a boss that's like not no 272 00:14:25,000 --> 00:14:28,720 Speaker 1: push over. Yeah, that's not going for anything, right, Um, 273 00:14:30,280 --> 00:14:32,440 Speaker 1: people be in the in the mix a little too much. 274 00:14:32,520 --> 00:14:37,680 Speaker 1: I feel, yeah, what's your mix? Man? Like, if you're 275 00:14:37,680 --> 00:14:39,960 Speaker 1: in the city just hanging out, working around, what's your mix? Like? 276 00:14:41,040 --> 00:14:44,440 Speaker 1: I literally be in the studio too much time. I 277 00:14:44,440 --> 00:14:47,080 Speaker 1: don't record. I don't record a lot, but I just 278 00:14:47,240 --> 00:14:50,320 Speaker 1: love just being in the studio just in case I 279 00:14:50,480 --> 00:14:52,720 Speaker 1: might want to record, or it's just like a hangout. 280 00:14:52,800 --> 00:14:57,120 Speaker 1: It's just that's our that's just our grandma him not 281 00:14:57,280 --> 00:15:03,640 Speaker 1: at the clubs and not really see what I'm going 282 00:15:03,680 --> 00:15:11,560 Speaker 1: like maybe kind of voted on Monday, he voted, yeos 283 00:15:11,640 --> 00:15:14,920 Speaker 1: is nice. Yeah, that's what you've been to the Blue Flame. 284 00:15:15,600 --> 00:15:19,920 Speaker 1: I believe, so I believe different places, but it's like, 285 00:15:20,080 --> 00:15:22,440 Speaker 1: I don't I like stuff that makes sense. You know 286 00:15:22,600 --> 00:15:26,480 Speaker 1: why we're here? What are we doing? I wish especially, 287 00:15:26,560 --> 00:15:28,920 Speaker 1: but I might just I might just be young and 288 00:15:29,080 --> 00:15:36,000 Speaker 1: just ignorant right now about it? Year a year, it right, 289 00:15:37,360 --> 00:15:41,560 Speaker 1: every day for no reason? Just here. Yeah, yeah, I 290 00:15:41,640 --> 00:15:43,360 Speaker 1: like it. So do you do you think your club 291 00:15:43,520 --> 00:15:45,280 Speaker 1: your music? You don't even have to worry about your 292 00:15:45,320 --> 00:15:48,800 Speaker 1: she getting played in the club to be in the club. 293 00:15:49,080 --> 00:15:51,240 Speaker 1: But I'm not gonna force it. I feel like that 294 00:15:51,320 --> 00:15:53,920 Speaker 1: to come naturally. I will get to a point where 295 00:15:54,080 --> 00:15:56,000 Speaker 1: I probably would like to go to a club. I'm 296 00:15:56,040 --> 00:15:59,160 Speaker 1: not even twenty one yet, so I'm twenty so a 297 00:15:59,240 --> 00:16:00,880 Speaker 1: lot of times they not even posed to let me 298 00:16:00,960 --> 00:16:02,840 Speaker 1: in the club. So I'm in the club. You know, 299 00:16:02,880 --> 00:16:07,600 Speaker 1: I'm supposed to be low key for them. But you 300 00:16:07,640 --> 00:16:08,840 Speaker 1: know what I mean, It's gonna be a point of 301 00:16:08,880 --> 00:16:11,480 Speaker 1: time where I might want to go to the club 302 00:16:12,160 --> 00:16:15,200 Speaker 1: a lot more and that music will naturally come. But 303 00:16:15,320 --> 00:16:17,960 Speaker 1: I'm young, man, I'm figuring it out. I'm still living. 304 00:16:18,000 --> 00:16:21,000 Speaker 1: I'm not forcing anything at all. What's your crowd like 305 00:16:21,080 --> 00:16:23,200 Speaker 1: when you have shows and ship? Man? I don't even 306 00:16:23,280 --> 00:16:26,040 Speaker 1: fully know right now because I haven't done my own 307 00:16:26,240 --> 00:16:30,720 Speaker 1: tour yet. I've been on tour with other artists opening up. 308 00:16:31,120 --> 00:16:34,240 Speaker 1: I feel like it's time now. Since I dropped this project, 309 00:16:34,400 --> 00:16:37,080 Speaker 1: a lot of people paying more attention. I feel like 310 00:16:37,120 --> 00:16:39,080 Speaker 1: it's time now. But I don't really know, but I 311 00:16:39,160 --> 00:16:41,960 Speaker 1: will figure it out. So what's the ship that the 312 00:16:42,040 --> 00:16:44,120 Speaker 1: world of the audience of people just might not know 313 00:16:44,240 --> 00:16:47,000 Speaker 1: about the money? So some something, just maybe some right 314 00:16:47,080 --> 00:16:50,240 Speaker 1: field ship. You know you play video games, we know 315 00:16:50,320 --> 00:16:52,000 Speaker 1: you kind of hang out at the studio and all 316 00:16:52,040 --> 00:16:53,480 Speaker 1: that type of ship, And what's what the fool do 317 00:16:53,560 --> 00:16:55,200 Speaker 1: you like to eat? I like to eat a lot 318 00:16:55,280 --> 00:16:59,320 Speaker 1: of healthy stuff. You know, I don't really like that word. 319 00:16:59,560 --> 00:17:04,000 Speaker 1: I just are you like vegetable? Yeah? I love vegetables. 320 00:17:04,840 --> 00:17:09,480 Speaker 1: If someone could make vegetables very good in a dish, 321 00:17:10,119 --> 00:17:13,880 Speaker 1: and that's that's art right there. It's easy. It's easy 322 00:17:13,920 --> 00:17:16,040 Speaker 1: to season some chicken and put a lot of sauce 323 00:17:16,160 --> 00:17:18,200 Speaker 1: and put it like I mean, easy to make unhealthy 324 00:17:18,240 --> 00:17:21,600 Speaker 1: stuff taste good. If you could make some just plain 325 00:17:21,800 --> 00:17:24,520 Speaker 1: vegetables taste good, I feel like that's all art. That's 326 00:17:24,520 --> 00:17:27,879 Speaker 1: the talent right there. But I love vegetables, man, I like, 327 00:17:28,520 --> 00:17:31,040 Speaker 1: do you eat like fish? I would? I just started 328 00:17:31,080 --> 00:17:33,960 Speaker 1: eating salmon, but I was vegan. But I just don't 329 00:17:34,000 --> 00:17:36,960 Speaker 1: like that word. But I just eat healthy. I just 330 00:17:37,080 --> 00:17:40,320 Speaker 1: eat what makes me feel good. Why don't you like 331 00:17:40,400 --> 00:17:43,399 Speaker 1: the word vegan? Because you can still be vegan and 332 00:17:43,560 --> 00:17:47,280 Speaker 1: still be right right eating all the bread and started this. 333 00:17:47,720 --> 00:17:49,879 Speaker 1: I mean, so from this day forward, we're just going 334 00:17:49,920 --> 00:17:58,600 Speaker 1: to use pro vegetable, vegetable, plant based healthy plant Bassey. Yeah, 335 00:17:58,800 --> 00:18:02,280 Speaker 1: but that's I don't like like water. Okay, So now 336 00:18:02,320 --> 00:18:04,080 Speaker 1: that we have the food out the way, I always 337 00:18:04,119 --> 00:18:05,960 Speaker 1: ask people this, like whenever they come on the show 338 00:18:06,040 --> 00:18:09,120 Speaker 1: about like their bucket list, things that they've never done, 339 00:18:09,160 --> 00:18:11,320 Speaker 1: that they want to do before they check out, and 340 00:18:11,760 --> 00:18:13,159 Speaker 1: you know what I'm saying, all that kind of stuff. 341 00:18:13,200 --> 00:18:16,760 Speaker 1: So what's on the money's bucket list? It can be 342 00:18:16,840 --> 00:18:18,680 Speaker 1: a place that you want to go, an activity that 343 00:18:18,800 --> 00:18:20,880 Speaker 1: you want to do, something that you want to see 344 00:18:20,960 --> 00:18:24,200 Speaker 1: that you've never seen, like anything like that. I would 345 00:18:24,240 --> 00:18:27,879 Speaker 1: actually I love I would love to just employ a 346 00:18:28,000 --> 00:18:30,320 Speaker 1: lot of people. I would love to employ a lot 347 00:18:30,400 --> 00:18:33,080 Speaker 1: of people and have a business that could just run, 348 00:18:33,480 --> 00:18:34,840 Speaker 1: you know what I mean, whether I'm there or whether 349 00:18:34,880 --> 00:18:36,800 Speaker 1: I'm not, have a business that could just run and 350 00:18:36,960 --> 00:18:41,520 Speaker 1: just employ people for just generations. That's what I want 351 00:18:41,560 --> 00:18:48,240 Speaker 1: to do. That before that, that's what I want to do. Yeah, 352 00:18:48,520 --> 00:18:52,760 Speaker 1: I want to. I like I like um property, so 353 00:18:53,160 --> 00:18:59,040 Speaker 1: I want to neighborhood or apartment complex, apartment anywhere that 354 00:18:59,160 --> 00:19:01,000 Speaker 1: makes sense at the time. So it would it be 355 00:19:01,040 --> 00:19:03,840 Speaker 1: like in the states, out of the country overseas. Really 356 00:19:03,840 --> 00:19:05,639 Speaker 1: I want to I want to do a lot of stuff. 357 00:19:05,760 --> 00:19:11,560 Speaker 1: It could be like here, I wanted to everywhere how 358 00:19:11,680 --> 00:19:14,200 Speaker 1: you stay through the city to be going on with 359 00:19:14,320 --> 00:19:17,240 Speaker 1: your feminine tableauds and ship um we kind of know 360 00:19:17,400 --> 00:19:20,640 Speaker 1: who we are, so we know that. It's like looking 361 00:19:20,680 --> 00:19:23,760 Speaker 1: at people speaking from the outside looking in, so it's 362 00:19:23,800 --> 00:19:27,560 Speaker 1: like you kind of already understand that they don't know. 363 00:19:27,960 --> 00:19:30,040 Speaker 1: So it's not that hard. Once you understand that they 364 00:19:30,080 --> 00:19:32,600 Speaker 1: don't know, you start to look at them a little 365 00:19:32,600 --> 00:19:37,080 Speaker 1: bit differently, So it's not that hard. You just I know, 366 00:19:37,520 --> 00:19:40,160 Speaker 1: I got the inside scoop. I know this person personally, 367 00:19:40,640 --> 00:19:43,359 Speaker 1: you know, and I know this person personally. You guys 368 00:19:43,400 --> 00:19:50,280 Speaker 1: are just talking, So that's how it is. What about travels? 369 00:19:50,320 --> 00:19:53,399 Speaker 1: Having have have you traveled everywhere you want to go? 370 00:19:53,680 --> 00:19:56,320 Speaker 1: Not everywhere? But have you this is still some places 371 00:19:56,359 --> 00:19:59,120 Speaker 1: you want to go? Nah? I mean, well you know what. Yeah, 372 00:19:59,160 --> 00:20:01,280 Speaker 1: I would love to go to Egypt. I would love 373 00:20:01,320 --> 00:20:03,480 Speaker 1: to go to Egypt or something like that. I like 374 00:20:03,640 --> 00:20:06,639 Speaker 1: to see I'd like to see a lot of stuff 375 00:20:07,200 --> 00:20:10,680 Speaker 1: our ancestors made. I would like to see that. But man, 376 00:20:10,760 --> 00:20:12,920 Speaker 1: you know, I have been so many places, and really 377 00:20:13,359 --> 00:20:17,280 Speaker 1: I don't even remember. I don't even remember because a 378 00:20:17,320 --> 00:20:18,920 Speaker 1: lot of times I go to these places, I don't 379 00:20:18,920 --> 00:20:21,960 Speaker 1: really get to experience them. He's just there either. I 380 00:20:22,119 --> 00:20:24,680 Speaker 1: was too young, but I have fun, but I don't 381 00:20:24,720 --> 00:20:27,320 Speaker 1: even remember where I was at or I was just 382 00:20:27,480 --> 00:20:31,600 Speaker 1: working and I don't even we'll see the win. So 383 00:20:33,080 --> 00:20:35,520 Speaker 1: I haven't really experienced a lot of places, but I 384 00:20:35,640 --> 00:20:38,679 Speaker 1: definitely want to go to Egypt or something like that. Africa. 385 00:20:38,720 --> 00:20:42,600 Speaker 1: I haven't been in Africa yet. So growing up as 386 00:20:43,040 --> 00:20:48,000 Speaker 1: one of the older brothers having like younger sisters, did 387 00:20:48,040 --> 00:20:51,000 Speaker 1: you have any situations where like you had to jump 388 00:20:51,080 --> 00:20:56,080 Speaker 1: in and like protect your sisters from dudes or anything. Yeah, 389 00:20:57,680 --> 00:21:03,000 Speaker 1: let me see, man, it's crazy story, crazy story. This 390 00:21:03,040 --> 00:21:07,520 Speaker 1: is just okay. So I think somebody told you before, 391 00:21:07,600 --> 00:21:10,639 Speaker 1: but boom. So we had the house. We had the 392 00:21:10,760 --> 00:21:14,400 Speaker 1: house at the lake House. Um, this is the house 393 00:21:14,480 --> 00:21:17,600 Speaker 1: that's on TV that showed I mean on TV. So 394 00:21:18,600 --> 00:21:21,720 Speaker 1: we're there. I'm sleep. I was sleeping late too, it 395 00:21:21,800 --> 00:21:24,720 Speaker 1: probably like twelve one pm or something like that, two 396 00:21:24,800 --> 00:21:27,680 Speaker 1: pm maybe, and then somebody do I think the JA 397 00:21:27,760 --> 00:21:30,280 Speaker 1: woke me up, said the money, the money. Some dudes 398 00:21:30,359 --> 00:21:32,159 Speaker 1: outside and he tried to get in and pops his 399 00:21:32,200 --> 00:21:36,960 Speaker 1: beating them up. I said, whoa, but I'm still have sleep. 400 00:21:37,760 --> 00:21:41,960 Speaker 1: So I'm like, I'm just trying to I'm moving, I'm 401 00:21:41,960 --> 00:21:45,000 Speaker 1: not even under I'm I'm I don't want to. I mean, 402 00:21:45,200 --> 00:21:47,640 Speaker 1: rushed too soon because sometimes I don't know if you're 403 00:21:47,680 --> 00:21:50,119 Speaker 1: tripping or just a prank or like stuff like this, 404 00:21:50,200 --> 00:21:54,879 Speaker 1: because they hould be praying people and stuff. But you know, 405 00:21:54,920 --> 00:21:58,320 Speaker 1: I get myself together, I get downstairs, it's all over it. 406 00:21:58,680 --> 00:22:00,560 Speaker 1: And then not everybody just talking about it. I'm like, 407 00:22:00,640 --> 00:22:04,000 Speaker 1: what happened? It turns out some dude came and jumped 408 00:22:04,040 --> 00:22:06,560 Speaker 1: over the gate and was throwing like little pebbles or 409 00:22:06,640 --> 00:22:09,760 Speaker 1: stumm at the window. And then Daja da over the 410 00:22:09,800 --> 00:22:12,760 Speaker 1: window and was like, what are you doing? And he 411 00:22:13,000 --> 00:22:16,159 Speaker 1: was chripped out and he was He threw his wallet. 412 00:22:16,320 --> 00:22:19,000 Speaker 1: He threw his wallet up through the window for some reason. 413 00:22:19,160 --> 00:22:21,200 Speaker 1: He got an I d in there and stuff. But 414 00:22:21,920 --> 00:22:24,879 Speaker 1: she went and told She went and told Pops. And 415 00:22:25,040 --> 00:22:32,360 Speaker 1: then he woke up with his slippers on man. It's 416 00:22:32,800 --> 00:22:36,880 Speaker 1: it's it's some videos somewhere this man kicking this man 417 00:22:37,000 --> 00:22:43,600 Speaker 1: with these slippers on the ground. It was crazy, he said. Anyway, 418 00:22:44,320 --> 00:22:46,200 Speaker 1: he told him jump back over the gate. New crazy. 419 00:22:46,240 --> 00:22:47,800 Speaker 1: And then I missed it all because I would sleep 420 00:22:48,359 --> 00:22:52,600 Speaker 1: just like um on Friday? Was it? What? What Friday? 421 00:22:52,760 --> 00:22:56,919 Speaker 1: Was it? When Santa came in and tried to rob neay. 422 00:22:57,720 --> 00:23:02,920 Speaker 1: Next I might get with sleep? How I feel. But 423 00:23:03,000 --> 00:23:07,720 Speaker 1: now that's that's a funny story. So speaking of like, 424 00:23:08,160 --> 00:23:10,400 Speaker 1: you know, situations also that you had, like with your 425 00:23:10,400 --> 00:23:13,600 Speaker 1: pops and stuff. How did it feel when you guys 426 00:23:14,359 --> 00:23:17,680 Speaker 1: hit the stage together at the Afro Punk Festival. That 427 00:23:17,840 --> 00:23:20,480 Speaker 1: was a moment. That was a moment um. That was 428 00:23:20,520 --> 00:23:22,680 Speaker 1: the first time we did that here in Atlanta too, 429 00:23:22,800 --> 00:23:25,600 Speaker 1: So that was a crazy and it was his birthday. Yeah, 430 00:23:25,760 --> 00:23:27,399 Speaker 1: the whole thing was I was supposed to come out 431 00:23:27,440 --> 00:23:30,280 Speaker 1: and surprise him on his birthday, but we ended up 432 00:23:30,320 --> 00:23:32,760 Speaker 1: pulling up at the same time. We got we got 433 00:23:32,960 --> 00:23:34,680 Speaker 1: the car and we were just looking at each other. 434 00:23:35,119 --> 00:23:37,600 Speaker 1: He was like, what you're doing here? I was like, man, 435 00:23:37,960 --> 00:23:40,680 Speaker 1: so he kind of it wasn't surprise like that no more, 436 00:23:41,200 --> 00:23:44,200 Speaker 1: but it was still special exactly. It was still a moment. 437 00:23:44,240 --> 00:23:48,760 Speaker 1: I didn't know it was gonna do all that. I 438 00:23:48,920 --> 00:23:52,359 Speaker 1: just liked doing music. Yeah, so that was great. That 439 00:23:52,440 --> 00:23:56,200 Speaker 1: was a blessing. Who some of your favorite rappers? What's 440 00:23:56,240 --> 00:24:01,119 Speaker 1: on your sound track? Favorite rappers? Definitely like jay Z, 441 00:24:01,840 --> 00:24:06,720 Speaker 1: I like a lot of people like jay Z, Kendrick Cole, Um, Outcast, 442 00:24:07,520 --> 00:24:10,200 Speaker 1: you g K. I like a lot of people, And 443 00:24:10,480 --> 00:24:14,640 Speaker 1: I was like young thug Um, what's the most ratchet 444 00:24:14,680 --> 00:24:20,440 Speaker 1: should you listen to? I like future wratched, like future, 445 00:24:22,520 --> 00:24:27,000 Speaker 1: I like some future. Man, Dang, it's a lot of 446 00:24:27,000 --> 00:24:31,679 Speaker 1: it's gonna gonna just drop something crazy with too easy. 447 00:24:31,760 --> 00:24:36,160 Speaker 1: That's that's crazy. Yeah, I listened. I go and put 448 00:24:36,280 --> 00:24:38,800 Speaker 1: my phone on the playlist and I just listened to 449 00:24:38,920 --> 00:24:42,000 Speaker 1: like Whatever's hot, Whatever's new, and that's jumped be hot. 450 00:24:44,480 --> 00:24:46,080 Speaker 1: Sometimes I don't know who it is, but I like 451 00:24:46,359 --> 00:24:49,560 Speaker 1: that music. Right. What do you think about the whole 452 00:24:49,600 --> 00:24:52,439 Speaker 1: TikTok ship, Like that whole world of people TikTok. There 453 00:24:52,560 --> 00:24:55,560 Speaker 1: be people on TikTok on TikTok. That's biggest fucking I've 454 00:24:55,600 --> 00:24:59,359 Speaker 1: never heard of crazy. It's like another world. Man, Um, 455 00:25:00,119 --> 00:25:02,080 Speaker 1: what do I feel about it? I feel like it's 456 00:25:02,720 --> 00:25:05,320 Speaker 1: even more of a reason why my opinion doesn't matter. 457 00:25:05,680 --> 00:25:08,480 Speaker 1: So people be asking me, you know, do you like 458 00:25:08,640 --> 00:25:11,960 Speaker 1: this song? Do you? It don't matter, It don't matter. 459 00:25:12,440 --> 00:25:15,160 Speaker 1: I don't don't look for me. I mean, don't think 460 00:25:15,280 --> 00:25:17,240 Speaker 1: because if I like it, it's gonna do this, or 461 00:25:17,240 --> 00:25:18,760 Speaker 1: if I don't like it, it's not gonna do it. 462 00:25:19,560 --> 00:25:22,159 Speaker 1: I feel like it don't matter, man, Just put your 463 00:25:22,320 --> 00:25:25,840 Speaker 1: music out. Put the music out. Stop asking one person. 464 00:25:25,960 --> 00:25:27,720 Speaker 1: Do they like it? I get it because you want 465 00:25:27,960 --> 00:25:31,120 Speaker 1: people to think you're dope, But it don't matter. These 466 00:25:31,240 --> 00:25:33,240 Speaker 1: days don't matter. But do you think the success of 467 00:25:33,320 --> 00:25:36,640 Speaker 1: an artist is a collective of people's positive opinions? Because 468 00:25:36,640 --> 00:25:38,600 Speaker 1: somebody gotta like this ship for you to make it. 469 00:25:38,760 --> 00:25:41,239 Speaker 1: It literally don't matter. Everybody could you could blow up 470 00:25:41,280 --> 00:25:45,160 Speaker 1: because no one likes your music. You could literally blown 471 00:25:47,200 --> 00:25:50,399 Speaker 1: it don't matter, It don't matter. So you'll be popular, 472 00:25:50,480 --> 00:25:52,680 Speaker 1: they might not. I feel just say, yeah, you'll be 473 00:25:52,800 --> 00:25:57,480 Speaker 1: the most unpopular and popular person that's considered notorious. And 474 00:25:57,560 --> 00:26:03,399 Speaker 1: that's still numbers and streams and tracks. Uh so it 475 00:26:03,480 --> 00:26:06,359 Speaker 1: don't matter. Man, I feel like even more reason why 476 00:26:06,440 --> 00:26:08,639 Speaker 1: my opinion doesn't matter. So make music if you If 477 00:26:08,680 --> 00:26:11,280 Speaker 1: you feel as if your musical opinion doesn't matter, does 478 00:26:11,359 --> 00:26:14,120 Speaker 1: that also mean that you don't seek opinion for your music. 479 00:26:14,400 --> 00:26:18,800 Speaker 1: I love to hear people's feedback, but I understand that 480 00:26:19,040 --> 00:26:23,240 Speaker 1: that's not everything. That's not everything I put important. People 481 00:26:23,320 --> 00:26:25,639 Speaker 1: have told me things like, well, you should change this, 482 00:26:25,720 --> 00:26:28,840 Speaker 1: and I didn't and I still had a good outcome. 483 00:26:29,600 --> 00:26:32,600 Speaker 1: So what I'm saying, like, it's just a lot of 484 00:26:32,960 --> 00:26:35,360 Speaker 1: it just don't matter. Man, You just continue to make 485 00:26:35,560 --> 00:26:39,240 Speaker 1: what you feel is you and just figure out how 486 00:26:39,320 --> 00:26:43,119 Speaker 1: to package it to the world. That's really interesting. What 487 00:26:43,280 --> 00:26:45,880 Speaker 1: what what you think about the phrase I value your 488 00:26:45,920 --> 00:26:49,200 Speaker 1: opinion is what somebody says I value your opinion. That's me. 489 00:26:49,640 --> 00:26:53,560 Speaker 1: I value your opinion, you know, but don't matter. But 490 00:26:53,680 --> 00:26:55,719 Speaker 1: it don't matter as much as you think it right, 491 00:26:56,880 --> 00:26:59,080 Speaker 1: as much as it used to. It don't matter. But 492 00:26:59,240 --> 00:27:01,280 Speaker 1: that's that's that's what it is right there, man. Just 493 00:27:01,560 --> 00:27:07,239 Speaker 1: just the world is changing, evolving so fast. Yeah, all right, 494 00:27:07,600 --> 00:27:10,000 Speaker 1: that's what's up. We learned some ship from the money, 495 00:27:10,040 --> 00:27:16,359 Speaker 1: learned a lot of ship, a lot of ship. At 496 00:27:16,400 --> 00:27:19,200 Speaker 1: the end of the day, when you get through, don't 497 00:27:23,720 --> 00:27:27,280 Speaker 1: contact contact contact Now. I've been watching you, bro, You've 498 00:27:27,320 --> 00:27:30,640 Speaker 1: been on your ship by yourself too, and you're gonna 499 00:27:30,640 --> 00:27:32,800 Speaker 1: be running behind until you be on your own ship. 500 00:27:32,840 --> 00:27:36,000 Speaker 1: I'll be seeing you by yourself everywhere. Appreciate it. Keeping 501 00:27:36,720 --> 00:27:38,879 Speaker 1: let everybody know about your your music, your projects, and 502 00:27:38,960 --> 00:27:42,200 Speaker 1: everything you've got going on. Yes, my looking at one 503 00:27:42,240 --> 00:27:46,119 Speaker 1: of this one. Now. I got an album out called 504 00:27:46,160 --> 00:27:49,560 Speaker 1: sky Dive. Um it's eleven tracks, not too long, so 505 00:27:49,760 --> 00:27:52,200 Speaker 1: just check it out. UM. I got a couple of 506 00:27:52,280 --> 00:27:55,800 Speaker 1: videos out heating crystals. I know it's real meat featuring 507 00:27:55,880 --> 00:27:58,560 Speaker 1: the smoke and talk about it. Check that out if 508 00:27:58,560 --> 00:28:02,160 Speaker 1: you want my sky dive out right now. Don't get 509 00:28:02,240 --> 00:28:04,040 Speaker 1: the merch before you listen to the album. You listen 510 00:28:04,040 --> 00:28:07,359 Speaker 1: to the album, you might buy more merch. So listen 511 00:28:07,359 --> 00:28:09,960 Speaker 1: to the album and then check out my website. You 512 00:28:10,119 --> 00:28:12,159 Speaker 1: follow me on Instagram at the money. Everything else is 513 00:28:12,240 --> 00:28:15,160 Speaker 1: the money. What's the website the money Harris dot com. 514 00:28:15,240 --> 00:28:18,399 Speaker 1: But that's on my Instagram. You could just click that 515 00:28:18,560 --> 00:28:22,320 Speaker 1: link the money d O M A and and that's it. Man, 516 00:28:23,000 --> 00:28:27,119 Speaker 1: Thank you all about the money. Well merchant though, bro Man, 517 00:28:27,200 --> 00:28:33,440 Speaker 1: he's a simple man. He's we will say no, it's 518 00:28:33,440 --> 00:28:46,479 Speaker 1: not available, it's not wells album. Now we're gonna write everything. 519 00:28:49,040 --> 00:28:53,240 Speaker 1: Point if you if you can tell yo, y'all see 520 00:28:53,280 --> 00:28:58,240 Speaker 1: to yourself something what you would what you tell yourself? Man, 521 00:28:58,320 --> 00:29:03,200 Speaker 1: that's a great question, man, sixteen year old Sol. Keep 522 00:29:03,320 --> 00:29:06,280 Speaker 1: heading in the direction you're I feel like if we 523 00:29:06,520 --> 00:29:09,680 Speaker 1: know we're headed in the right direction, we'll do exactly 524 00:29:09,760 --> 00:29:13,880 Speaker 1: what we're doing a lot better. So just confirmation. I 525 00:29:14,040 --> 00:29:17,040 Speaker 1: just just telling myself you're headed in the right direction. 526 00:29:17,240 --> 00:29:21,080 Speaker 1: That's probably all I needed to hear. Um and that's 527 00:29:21,080 --> 00:29:23,240 Speaker 1: pretty much it. Keeping yourself and you're headed in the 528 00:29:23,360 --> 00:29:27,480 Speaker 1: right direction. Salute to demanding, salutle to DEMONI pulling up 529 00:29:27,520 --> 00:29:30,560 Speaker 1: the Big Factors Triple w dot Big Facts pot dot com. 530 00:29:30,720 --> 00:29:34,800 Speaker 1: So salute the truth, the whole truth, and nothing but 531 00:29:35,000 --> 00:29:37,400 Speaker 1: the truth lit for first class sounds. You know who 532 00:29:37,400 --> 00:29:40,400 Speaker 1: it is, DJ Screen Big Bankers Here, Baby Ja special 533 00:29:40,520 --> 00:29:45,960 Speaker 1: guests on Big Facts Today is k caps here. Welcome 534 00:29:46,000 --> 00:29:48,000 Speaker 1: to Big Facts. How have you been my brother man, 535 00:29:48,000 --> 00:29:50,120 Speaker 1: I'm blessed man working. You know how that goes? Everything? 536 00:29:50,240 --> 00:29:53,640 Speaker 1: Good with you? Good? You got this perfect way of 537 00:29:53,760 --> 00:29:57,240 Speaker 1: kind of like being out there but being out the way, 538 00:29:57,440 --> 00:30:00,680 Speaker 1: you know what I'm saying, Like making noise but being 539 00:30:00,800 --> 00:30:02,480 Speaker 1: quiet as fun Like how do you how did you 540 00:30:02,600 --> 00:30:04,920 Speaker 1: master that? Or what is the heart of the signs behind? When? 541 00:30:05,000 --> 00:30:06,760 Speaker 1: When the time drop the album? You know I'm saying, 542 00:30:06,840 --> 00:30:08,840 Speaker 1: drop the album, Go toy duck all gets some money, 543 00:30:09,240 --> 00:30:10,560 Speaker 1: you know what I'm saying. I'll be trying to learn 544 00:30:10,600 --> 00:30:11,960 Speaker 1: from ship in the all season. I want to be 545 00:30:11,960 --> 00:30:13,480 Speaker 1: in the all seat and your boyshit, I'm trying to 546 00:30:13,560 --> 00:30:15,720 Speaker 1: learn it gets more money, you know what I'm saying. 547 00:30:15,760 --> 00:30:18,240 Speaker 1: So that my little she has been working for me. 548 00:30:18,440 --> 00:30:19,880 Speaker 1: You know what I'm saying. At first it was a problem, 549 00:30:20,080 --> 00:30:21,800 Speaker 1: you know, something like why you ain't out here doing? 550 00:30:21,880 --> 00:30:24,280 Speaker 1: But now it's my it's my niche now, so ship, 551 00:30:24,600 --> 00:30:27,280 Speaker 1: you don't keep doing you feel you feel like making 552 00:30:27,400 --> 00:30:30,320 Speaker 1: hits or putting out what we'll call them hits. You 553 00:30:30,360 --> 00:30:31,880 Speaker 1: feel like making hiss for you. It's kind of like 554 00:30:32,040 --> 00:30:33,800 Speaker 1: I don't say too easy, but it's just kind of 555 00:30:34,320 --> 00:30:39,200 Speaker 1: it's easy. You get it. Good drink good good weed, 556 00:30:39,280 --> 00:30:42,440 Speaker 1: you know, saying some vibes and studio just speaking from 557 00:30:42,480 --> 00:30:44,320 Speaker 1: the heart for real, you know what I'm saying. They're 558 00:30:44,320 --> 00:30:46,840 Speaker 1: going in there just telling your truth. Got the cabinet. 559 00:30:46,840 --> 00:30:48,920 Speaker 1: If you're going there and really just say how you feeling, 560 00:30:48,920 --> 00:30:53,000 Speaker 1: ship come out natural, that's that's that's simple. And I 561 00:30:53,080 --> 00:30:55,040 Speaker 1: feel like from day one and being in the studio 562 00:30:55,120 --> 00:30:57,240 Speaker 1: with you, man, it's something you just just you just 563 00:30:57,320 --> 00:30:59,080 Speaker 1: have fun with him. You ain't thinking like I'm gonna 564 00:30:59,120 --> 00:31:03,200 Speaker 1: go I gotta it's pressure for me like that I'm 565 00:31:03,200 --> 00:31:06,080 Speaker 1: over thinking a record. I'm not recording that. You know 566 00:31:06,080 --> 00:31:07,640 Speaker 1: what I'm saying. If I feel like I'm doing too much, 567 00:31:08,040 --> 00:31:11,800 Speaker 1: they'd be all and go chill. You know. So where 568 00:31:11,920 --> 00:31:15,080 Speaker 1: is so? Where are you from? Originally Milwaukee. For real, 569 00:31:15,680 --> 00:31:17,680 Speaker 1: what did you think about the bucks? Shout out to him. 570 00:31:19,080 --> 00:31:21,320 Speaker 1: Shout out to him. I'm a walking fan. Be on, 571 00:31:21,400 --> 00:31:24,480 Speaker 1: my boy, I've been here my whole life. But they 572 00:31:24,520 --> 00:31:25,880 Speaker 1: were like, why are you from walking? I'm like, come, 573 00:31:25,920 --> 00:31:28,640 Speaker 1: old man, gonna put me in the middle like that. Yeah, yeah, 574 00:31:29,080 --> 00:31:30,680 Speaker 1: in the middle like that. But now, shout out to him. 575 00:31:30,720 --> 00:31:32,240 Speaker 1: I got a lot of family out there, man, so 576 00:31:32,440 --> 00:31:34,080 Speaker 1: he saw. Look when did you When did you get 577 00:31:34,120 --> 00:31:41,320 Speaker 1: to the city one. They don't understand that. They're not 578 00:31:41,400 --> 00:31:44,400 Speaker 1: hearing that. They're not hearing that. Boring and raised is 579 00:31:44,440 --> 00:31:49,280 Speaker 1: a different thing. Yeah, where you use that? That's what 580 00:31:49,440 --> 00:31:52,800 Speaker 1: you is basically show you know what I said, They 581 00:31:52,800 --> 00:31:56,360 Speaker 1: ain't hearing that. Ship in my comments, my dam's going crazy. 582 00:32:04,240 --> 00:32:05,840 Speaker 1: Tell us a little bit about the north Side too. 583 00:32:05,880 --> 00:32:07,200 Speaker 1: I feel like a lot of people don't talk about 584 00:32:07,200 --> 00:32:09,320 Speaker 1: the north Side from your area of the north Side 585 00:32:09,400 --> 00:32:13,360 Speaker 1: comes k Camp. I'm not mistaken, Mike Will. There's some 586 00:32:13,760 --> 00:32:16,880 Speaker 1: other towning out there. Boy. You know what I'm saying. Ship, 587 00:32:17,000 --> 00:32:22,520 Speaker 1: You was out there? Yeah, you know red train train Vegas. 588 00:32:23,520 --> 00:32:25,120 Speaker 1: You know what I'm saying. We we that's how that's 589 00:32:25,200 --> 00:32:26,840 Speaker 1: that's what we started screen. You know, what I'm saying, 590 00:32:26,880 --> 00:32:29,520 Speaker 1: that's when she is seventeen eighteen in the club six 591 00:32:29,560 --> 00:32:31,440 Speaker 1: seven days a week. You know what I'm saying. That 592 00:32:31,560 --> 00:32:34,680 Speaker 1: Vegas Nights was like the Cobb County Central Station. Yeah me, so, 593 00:32:34,800 --> 00:32:36,320 Speaker 1: you know what I'm saying. We was like every day 594 00:32:37,120 --> 00:32:40,000 Speaker 1: figure west side, east side, south side, trying to get 595 00:32:40,040 --> 00:32:42,120 Speaker 1: records broke, and we had open Mike A. Marriott. You 596 00:32:42,200 --> 00:32:43,959 Speaker 1: know what I'm saying, every Monday walking has come through 597 00:32:44,000 --> 00:32:47,440 Speaker 1: that and it was going on everybody in the air, 598 00:32:47,840 --> 00:32:50,280 Speaker 1: you know what I'm saying. You know what it was 599 00:32:50,320 --> 00:32:54,920 Speaker 1: the most like a family. Yeah. Yeah. We had music 600 00:32:55,000 --> 00:32:57,680 Speaker 1: from the beginning and ship the ship really in the 601 00:32:57,720 --> 00:33:00,480 Speaker 1: family that I was in, the bloodline aunt that everybody 602 00:33:00,520 --> 00:33:02,600 Speaker 1: was in some type of band, play some type of instrument. 603 00:33:02,880 --> 00:33:04,960 Speaker 1: You know what I'm saying. It's just really just felling 604 00:33:05,000 --> 00:33:07,160 Speaker 1: my lep. I was hooping her, you know, and that 605 00:33:07,240 --> 00:33:10,400 Speaker 1: ship and when God come kept trying it. It was 606 00:33:10,440 --> 00:33:12,120 Speaker 1: really when I broke my ankle my truck. Yea, I 607 00:33:12,120 --> 00:33:13,920 Speaker 1: got cut, you know what I'm saying. The first time 608 00:33:13,960 --> 00:33:15,480 Speaker 1: I ever got there at this point, like you know what, 609 00:33:15,680 --> 00:33:17,600 Speaker 1: you know when you just that first moment your heartbroken, 610 00:33:18,120 --> 00:33:19,680 Speaker 1: you know what I'm saying, Coach looked at me like 611 00:33:19,960 --> 00:33:23,840 Speaker 1: it was over with, went to the music. Ain't stopped saying, Okay, 612 00:33:23,880 --> 00:33:26,000 Speaker 1: what what What moment in your career when you felt 613 00:33:26,040 --> 00:33:28,280 Speaker 1: like or in your life when you felt like, oh no, 614 00:33:28,360 --> 00:33:32,280 Speaker 1: I got this ship, when I started this ship. When 615 00:33:32,280 --> 00:33:34,640 Speaker 1: I started ship, one thing about me, bro, and I 616 00:33:34,680 --> 00:33:36,520 Speaker 1: got my mind locked on some ship. Ain't know in 617 00:33:36,640 --> 00:33:38,080 Speaker 1: into it. You know what I'm saying, I'm gonna start 618 00:33:38,160 --> 00:33:39,960 Speaker 1: till I get that ship. Prime example, nigga start I 619 00:33:40,000 --> 00:33:41,840 Speaker 1: were done. I had mind locked on this ship. You 620 00:33:41,880 --> 00:33:43,560 Speaker 1: know what I'm saying. I was locked the fuck in 621 00:33:43,760 --> 00:33:46,440 Speaker 1: like I had approved, sounding like oh they thought it 622 00:33:46,440 --> 00:33:47,680 Speaker 1: was over with, but they didn't know what the hell 623 00:33:47,720 --> 00:33:49,640 Speaker 1: I had going on in the background. So I knew 624 00:33:49,640 --> 00:33:51,280 Speaker 1: this ship was still a strong I knew the foundation 625 00:33:51,320 --> 00:33:52,960 Speaker 1: that the fans are still that. I was still torn, 626 00:33:53,320 --> 00:33:55,760 Speaker 1: still had that still had the base. As long as 627 00:33:55,800 --> 00:33:57,680 Speaker 1: you got the base, you know what I'm saying. You 628 00:33:57,720 --> 00:33:59,200 Speaker 1: ain't gotta be on the main tree. You ain't gotta 629 00:33:59,200 --> 00:34:00,960 Speaker 1: be in the spot like you got the base. You know, toy, 630 00:34:01,000 --> 00:34:03,040 Speaker 1: you got them to your ship. You straight. You know 631 00:34:03,080 --> 00:34:05,360 Speaker 1: what I'm saying, it's them, Yeah, it's two different words. 632 00:34:05,440 --> 00:34:06,720 Speaker 1: But you know what I'm saying, I played, I played 633 00:34:06,720 --> 00:34:08,560 Speaker 1: both worlds real. Well, now you know what I'm saying, 634 00:34:08,560 --> 00:34:11,000 Speaker 1: an I ain't trying to be you know what I'm saying, 635 00:34:11,120 --> 00:34:12,600 Speaker 1: Like my goal is to be the biggest you know 636 00:34:12,640 --> 00:34:15,120 Speaker 1: I'm saying biggest exact, biggest artist that sis still that's 637 00:34:15,120 --> 00:34:18,759 Speaker 1: still it's still a goal. It's still impossible. I ain't 638 00:34:18,800 --> 00:34:21,200 Speaker 1: chasing ain't chasing me with everybody chasing right at that point, 639 00:34:21,200 --> 00:34:23,080 Speaker 1: I made my mind up, like I'm not chasing that ship. 640 00:34:23,360 --> 00:34:24,640 Speaker 1: You know what I'm saying, show me with the money 641 00:34:24,680 --> 00:34:26,279 Speaker 1: that y'all can have to show me with the money. 642 00:34:26,320 --> 00:34:29,799 Speaker 1: At another thing you're hard on though, like you don't 643 00:34:29,800 --> 00:34:32,080 Speaker 1: wrote a lot of records and niggers, right do you 644 00:34:32,080 --> 00:34:33,920 Speaker 1: speak about them or you can't speak about them? Or 645 00:34:34,520 --> 00:34:35,960 Speaker 1: I don't even write the nigs no more? For real? 646 00:34:36,280 --> 00:34:40,520 Speaker 1: Okay you stop? Yeah, that that writing game. First of all, 647 00:34:40,640 --> 00:34:43,120 Speaker 1: you know what I'm saying. I'll post ahead that Beyonce 648 00:34:43,280 --> 00:34:45,279 Speaker 1: Sava first, you know what I'm saying. But what you mean, 649 00:34:45,760 --> 00:34:48,359 Speaker 1: I wrote one for that, well that for this ship 650 00:34:48,400 --> 00:34:51,440 Speaker 1: with you wrote you wrote the verse that Beyonce was 651 00:34:51,480 --> 00:34:53,640 Speaker 1: supposed to not the one that he cut. I wrote 652 00:34:53,680 --> 00:34:55,279 Speaker 1: one for her to come, wrote one for her to cut, 653 00:34:56,480 --> 00:34:58,440 Speaker 1: end cutting another one right and that type of ship. 654 00:34:58,480 --> 00:35:04,640 Speaker 1: I ain't got time for going through that ship. Now 655 00:35:04,719 --> 00:35:08,080 Speaker 1: I'm gonna cool. Yes, I'm just directly in the studio 656 00:35:08,120 --> 00:35:09,439 Speaker 1: and they know they cut. You know what I'm saying, 657 00:35:09,520 --> 00:35:12,680 Speaker 1: But we'll pay better. What between what I'm saying, like 658 00:35:12,800 --> 00:35:16,400 Speaker 1: the royalties for if you write a big record for Beyonce, 659 00:35:16,760 --> 00:35:19,040 Speaker 1: Rihana or whatever the case is is that do you 660 00:35:19,080 --> 00:35:21,839 Speaker 1: feel like that's more profitable than just the artist landed 661 00:35:21,880 --> 00:35:23,120 Speaker 1: a bit one like that? So I don't know yet. 662 00:35:23,320 --> 00:35:25,600 Speaker 1: When I do, I let you know. Okay, that's a 663 00:35:25,640 --> 00:35:31,160 Speaker 1: great answer. He has media training. That's a great answer. 664 00:35:31,200 --> 00:35:33,239 Speaker 1: That's a great answer. So once you be on on 665 00:35:33,400 --> 00:35:36,239 Speaker 1: just just your personal okay, camp town like because we 666 00:35:36,360 --> 00:35:38,239 Speaker 1: never see you in the bullshit. We never see you 667 00:35:38,320 --> 00:35:40,439 Speaker 1: in the balls, we never see you on the shade rule, 668 00:35:40,520 --> 00:35:45,880 Speaker 1: we never see like you want to get you can 669 00:35:45,920 --> 00:35:49,920 Speaker 1: get on that right now. That's happening, you know what 670 00:35:49,960 --> 00:35:54,440 Speaker 1: I'm saying, to be trying to get now ship be 671 00:35:54,480 --> 00:35:55,759 Speaker 1: I'll be popping my ship. You know what I'm saying. 672 00:35:55,760 --> 00:35:58,200 Speaker 1: They just gotta catch it. You know what, I'm saying, yeah, 673 00:35:58,200 --> 00:35:59,560 Speaker 1: I think it was an incident that happened a couple 674 00:35:59,600 --> 00:36:02,040 Speaker 1: of years back that between I think my management and 675 00:36:02,440 --> 00:36:04,359 Speaker 1: one of them the blows, and it kind of got mixed. 676 00:36:04,440 --> 00:36:06,279 Speaker 1: Some think they really sucked me like that. But I 677 00:36:06,360 --> 00:36:09,080 Speaker 1: could be wrong. I could be wrong. There was years ago. 678 00:36:09,239 --> 00:36:11,440 Speaker 1: But in my free time, man, I'm in the studio. Man, 679 00:36:11,719 --> 00:36:14,480 Speaker 1: I'm in a lab doing shows. I'm at the crib. 680 00:36:14,640 --> 00:36:17,040 Speaker 1: I'm chilling. I'm chilling my bit. I'm getting rubbed on, 681 00:36:17,560 --> 00:36:19,400 Speaker 1: taking trips. You know what I'm saying. I'm doing the 682 00:36:19,400 --> 00:36:22,759 Speaker 1: ship that I need to do. Yeah, Like if I 683 00:36:22,800 --> 00:36:27,120 Speaker 1: ain't working, I'm vibing with my lady, your boy like 684 00:36:27,520 --> 00:36:30,239 Speaker 1: other bit, like having a female a bitch coming up, 685 00:36:30,239 --> 00:36:32,840 Speaker 1: and you can't avoid it. They're around. But I'm faithful. 686 00:36:33,719 --> 00:36:38,759 Speaker 1: You can't avoid it, he said. How I avoid? Can't 687 00:36:38,760 --> 00:36:40,960 Speaker 1: avoid it? Sound like a big party. I guess I 688 00:36:41,080 --> 00:36:45,560 Speaker 1: just just avoid, not like other bit. How do I 689 00:36:45,640 --> 00:36:48,359 Speaker 1: avoid not fucking with him, not cheating on your girl? 690 00:36:48,440 --> 00:36:50,640 Speaker 1: How you avoid that? Being that I'm saying, I'm faith 691 00:36:50,640 --> 00:36:52,480 Speaker 1: I don't cheating my girl, but they always around. You know, 692 00:36:52,800 --> 00:36:56,799 Speaker 1: I kicked that. Okay, So you're happening. You know I'm 693 00:36:56,800 --> 00:37:03,640 Speaker 1: not sucking old because how do you avoid not cheating? 694 00:37:03,960 --> 00:37:06,520 Speaker 1: You meant to say, how do you not cheat? And 695 00:37:06,600 --> 00:37:12,080 Speaker 1: you should have left to just the avoid party? He 696 00:37:12,520 --> 00:37:15,080 Speaker 1: fai this ant anybody to get me? No blender. Hey, 697 00:37:15,160 --> 00:37:19,400 Speaker 1: we're good because I ain't understand else. Yeah, you understand 698 00:37:19,440 --> 00:37:26,480 Speaker 1: the question. Now he ain't cheating cheating games. So now 699 00:37:26,560 --> 00:37:32,879 Speaker 1: we got three k camp screaming said dump out. Yeah 700 00:37:32,920 --> 00:37:44,080 Speaker 1: you don't yeh cheat spell it. We don't cheat. But 701 00:37:44,200 --> 00:37:46,279 Speaker 1: what you think? You think? That's a major part of 702 00:37:46,360 --> 00:37:48,480 Speaker 1: a nigga, being a to be successful, to have But 703 00:37:48,600 --> 00:37:50,719 Speaker 1: like a girl of the show, I had to learn that, 704 00:37:50,840 --> 00:37:52,520 Speaker 1: you know what I'm saying. Majority of my career, I 705 00:37:52,680 --> 00:37:54,719 Speaker 1: was just on the bullshit, all running around, you know what, 706 00:37:54,800 --> 00:37:57,560 Speaker 1: saying every things, you know what, every night and you 707 00:37:57,560 --> 00:37:58,719 Speaker 1: know what I'm saying, you can, you can, you can 708 00:37:59,000 --> 00:38:01,120 Speaker 1: gain success. But I figured out, you know what I'm saying, 709 00:38:01,160 --> 00:38:03,120 Speaker 1: just happened one in your corner, so much more ship 710 00:38:03,160 --> 00:38:05,520 Speaker 1: you can get done. You know what I'm saying. Yeah, stability, 711 00:38:05,600 --> 00:38:07,279 Speaker 1: cutting out in distractions. You know what I'm saying. Your 712 00:38:07,280 --> 00:38:09,000 Speaker 1: girl gonna help you out and make sure you on point. 713 00:38:09,000 --> 00:38:10,840 Speaker 1: You know what I'm saying, So that ship at that 714 00:38:10,920 --> 00:38:12,600 Speaker 1: point right now, that ship working for me. You know 715 00:38:12,640 --> 00:38:15,439 Speaker 1: what I'm saying, I ain't complained. You think it's either 716 00:38:15,680 --> 00:38:18,320 Speaker 1: easier or harder for nig to find love after you 717 00:38:18,360 --> 00:38:22,120 Speaker 1: don't find fame, harder, harder. It's definitely definitely the hardest 718 00:38:22,160 --> 00:38:23,239 Speaker 1: thing because you don't know. You know what I'm saying, 719 00:38:23,280 --> 00:38:25,359 Speaker 1: You don't know motives, you don't Greg can be around 720 00:38:25,440 --> 00:38:27,440 Speaker 1: it for like two years, just just faking the ship 721 00:38:28,000 --> 00:38:29,600 Speaker 1: just to get ripe up, just to get printed. And 722 00:38:29,640 --> 00:38:32,640 Speaker 1: then you know what I'm saying, for kids, you know 723 00:38:32,920 --> 00:38:35,120 Speaker 1: what I'm saying, You're stuck. So you never know. I was. 724 00:38:35,239 --> 00:38:37,960 Speaker 1: I was with my my my five years. What I'm saying, 725 00:38:38,680 --> 00:38:40,520 Speaker 1: I ain't ship. I ain't say she she she did 726 00:38:40,640 --> 00:38:42,719 Speaker 1: me dirty, but I mean together, that's waste. You know 727 00:38:42,760 --> 00:38:45,200 Speaker 1: what I'm saying, Like all this should be because your 728 00:38:46,239 --> 00:38:48,440 Speaker 1: they're probably the mutual thing, you know what saying. A 729 00:38:48,440 --> 00:38:50,960 Speaker 1: lot of ship happened in the background. There's like it 730 00:38:51,040 --> 00:38:52,759 Speaker 1: was ain't no bad blood, it wasn't a bad turn. 731 00:38:52,920 --> 00:38:54,520 Speaker 1: Like you know what I'm saying, that we ain't abody 732 00:38:54,520 --> 00:38:56,600 Speaker 1: to keep doing it back and forth. I actually had 733 00:38:56,680 --> 00:38:58,480 Speaker 1: a real lad top my step mom. She was talking 734 00:38:58,480 --> 00:39:00,560 Speaker 1: about my real dad and it was had a twelve 735 00:39:00,640 --> 00:39:02,200 Speaker 1: year story and I was like, no, they ain't ain't 736 00:39:02,239 --> 00:39:04,279 Speaker 1: doing that, so I ain't. You know what I'm saying 737 00:39:04,800 --> 00:39:07,680 Speaker 1: Like that straight big question for Big fast Man. How 738 00:39:07,680 --> 00:39:11,040 Speaker 1: does mama comp She good? Mama. She got a new 739 00:39:11,080 --> 00:39:14,320 Speaker 1: spider over the Acup Creek. Okay, Um, you know what 740 00:39:14,320 --> 00:39:16,600 Speaker 1: I'm saying. She's doing camps giving still she she's doing 741 00:39:16,680 --> 00:39:18,680 Speaker 1: like now prof you know she she'd be all for 742 00:39:18,760 --> 00:39:21,600 Speaker 1: the community and ship. You know, she good. I know 743 00:39:21,719 --> 00:39:23,000 Speaker 1: she taught you a lot of ship, you know what 744 00:39:23,000 --> 00:39:24,759 Speaker 1: I'm saying in your life. But what's what's one of 745 00:39:24,800 --> 00:39:26,800 Speaker 1: the things you feel like Mama Camp taught you that 746 00:39:27,440 --> 00:39:30,520 Speaker 1: was real good for you? As k Camp. Uh, she 747 00:39:30,680 --> 00:39:33,480 Speaker 1: was on my ask by that that business early and 748 00:39:33,560 --> 00:39:36,239 Speaker 1: I wasn't listening. You know what I'm saying. Obviously it 749 00:39:36,280 --> 00:39:38,359 Speaker 1: beat me in the ad, but you know what I'm saying, 750 00:39:38,440 --> 00:39:41,480 Speaker 1: everything she taught me, I started to, uh you know, 751 00:39:41,880 --> 00:39:45,239 Speaker 1: contribute that to my career, my personal and all that 752 00:39:45,280 --> 00:39:47,880 Speaker 1: ship started to the started they started, uh started to 753 00:39:47,880 --> 00:39:49,960 Speaker 1: work out for the better. You know what I'm saying. 754 00:39:50,000 --> 00:39:51,840 Speaker 1: But she was on my ad by them contracts. You 755 00:39:51,880 --> 00:39:53,920 Speaker 1: know what I'm saying, looking at them percentages, making sure 756 00:39:53,920 --> 00:39:55,480 Speaker 1: you know what I'm saying. You're putting everybody your pocket 757 00:39:55,520 --> 00:39:57,440 Speaker 1: is taking your money. Ain't doing ship. You know what 758 00:39:57,440 --> 00:39:58,960 Speaker 1: I'm saying. That game a lot of niggas hired a 759 00:39:59,040 --> 00:40:01,560 Speaker 1: lot of motherfucking they. I'm saying, your money gone. Your 760 00:40:01,600 --> 00:40:04,360 Speaker 1: only contract was with the Scope. You're still in the Scope. 761 00:40:04,719 --> 00:40:07,080 Speaker 1: I got one more album of my drug, got one 762 00:40:07,120 --> 00:40:11,000 Speaker 1: more fully and you sound like you're looking forward to Yeah, 763 00:40:11,040 --> 00:40:12,440 Speaker 1: I do all the distro. You know, we got our 764 00:40:12,480 --> 00:40:14,520 Speaker 1: own distribution, we got we got a lot of ship going. 765 00:40:14,560 --> 00:40:17,920 Speaker 1: I can't wait. Okay, you feeling me? I can't wait. 766 00:40:18,200 --> 00:40:20,040 Speaker 1: That's what it is. Who the people you ain't got 767 00:40:20,120 --> 00:40:21,520 Speaker 1: a chance to lock in with yet that you want 768 00:40:21,560 --> 00:40:24,359 Speaker 1: to lock in with? Just doing records and ship. It's 769 00:40:24,400 --> 00:40:26,200 Speaker 1: a lot of niggers, man. I think me and Thug 770 00:40:26,280 --> 00:40:29,880 Speaker 1: go crazy. Wait on me and Thug Future too. He 771 00:40:29,920 --> 00:40:33,360 Speaker 1: posted on the album, uh that was dropping playing future, 772 00:40:33,480 --> 00:40:36,080 Speaker 1: never the right future. I never did one unless it 773 00:40:36,160 --> 00:40:37,720 Speaker 1: was something my thuck. You know what I'm saying. Nigga 774 00:40:37,719 --> 00:40:42,080 Speaker 1: sent the verse and they be yeah, yeah, you know what, 775 00:40:42,560 --> 00:40:46,239 Speaker 1: Future don't get no right? Who else I say what, Drake, 776 00:40:47,920 --> 00:40:50,520 Speaker 1: you know what I'm saying. Yeah, you know, yeah, I 777 00:40:50,600 --> 00:40:53,960 Speaker 1: fought with niggas. He's gotta fold me. I'd be theniggest thing. 778 00:40:53,960 --> 00:40:55,600 Speaker 1: I don't forget. They gotta be able to find you. 779 00:40:55,680 --> 00:41:00,359 Speaker 1: That's what we're saying that you count Hey, it would 780 00:41:00,360 --> 00:41:02,480 Speaker 1: be busy. They be in their own word. I ain't 781 00:41:02,480 --> 00:41:04,080 Speaker 1: typing the gonna godamn trying to come to your mix 782 00:41:04,120 --> 00:41:06,000 Speaker 1: and it be all in your ship because I don't 783 00:41:06,000 --> 00:41:09,359 Speaker 1: like niggas mixing. Yeah, there've never been no right. I'll 784 00:41:09,360 --> 00:41:10,800 Speaker 1: just stay in my lane and wants it wants to 785 00:41:10,840 --> 00:41:12,520 Speaker 1: pass me. You know what I'm saying. Once it's time, 786 00:41:13,000 --> 00:41:14,759 Speaker 1: it's time. I was in l a playing man with 787 00:41:14,960 --> 00:41:20,440 Speaker 1: up like five months ago. Just put tall, put it 788 00:41:20,480 --> 00:41:24,600 Speaker 1: out there. Niggas be like, oh get it. We played man. 789 00:41:24,880 --> 00:41:29,560 Speaker 1: It's cool. What your son? I'm tours. I'm an introvert bro. 790 00:41:30,360 --> 00:41:32,439 Speaker 1: I said I'd betta be cooler that they'd be deep 791 00:41:32,480 --> 00:41:37,360 Speaker 1: on each side, show on that ship. But I'm a 792 00:41:37,440 --> 00:41:41,279 Speaker 1: toy bro. I'll be chilling. I get ship done. What's 793 00:41:41,280 --> 00:41:43,120 Speaker 1: some other bucket list ship for k Kemp that you 794 00:41:43,160 --> 00:41:45,680 Speaker 1: want to do you've never done before? What you want 795 00:41:45,680 --> 00:41:48,480 Speaker 1: to do? Before you die or before you you know, 796 00:41:49,200 --> 00:41:56,080 Speaker 1: in this life it's a better one. Man. I don't know, man, 797 00:41:56,080 --> 00:41:57,319 Speaker 1: I want to do a lot of ship. Ain't gonna 798 00:41:57,480 --> 00:41:59,560 Speaker 1: to travel the world, you know what saying? Number one album? 799 00:41:59,680 --> 00:42:01,759 Speaker 1: Any taking the place you want to go? She I 800 00:42:01,800 --> 00:42:04,680 Speaker 1: ain't hit Brazil, I ain't hit Uh what's the spot? 801 00:42:04,800 --> 00:42:06,600 Speaker 1: And uh in the UK where they got that big 802 00:42:06,600 --> 00:42:08,880 Speaker 1: gass theer to that where they be performing that? Anybody 803 00:42:08,880 --> 00:42:11,640 Speaker 1: know a time? Now? I gotta look it up again. 804 00:42:12,000 --> 00:42:13,120 Speaker 1: I want to see. I want to see what they 805 00:42:13,160 --> 00:42:15,960 Speaker 1: feel like. I was got the highest funk one day 806 00:42:16,040 --> 00:42:19,000 Speaker 1: just doing something research on the Greeks and ship. It's 807 00:42:19,040 --> 00:42:20,560 Speaker 1: it's the Greek thing. What's that? Man? Y'all know that 808 00:42:20,600 --> 00:42:25,040 Speaker 1: ship called there? Yeah, I'm gonna go see what they 809 00:42:25,040 --> 00:42:27,560 Speaker 1: should like? Just other ship. Man, I've been on some 810 00:42:27,640 --> 00:42:29,239 Speaker 1: I've been on some different ship lately. Bro, I've been 811 00:42:29,239 --> 00:42:32,320 Speaker 1: trying to be present it really like see what the 812 00:42:32,360 --> 00:42:34,000 Speaker 1: fun you know? I'm saying. I just started making beats 813 00:42:34,000 --> 00:42:37,719 Speaker 1: two days ago, going crazy, n PC, you need some 814 00:42:37,800 --> 00:42:44,759 Speaker 1: beats me the pat the type of ship my girl 815 00:42:44,840 --> 00:42:46,360 Speaker 1: got me on all the type of ship taking walks 816 00:42:46,400 --> 00:42:51,319 Speaker 1: and ship taking walks. No, no, no, no, my wife, yes, 817 00:42:51,600 --> 00:42:52,960 Speaker 1: and me to tape. But she got me on. You 818 00:42:53,000 --> 00:42:54,880 Speaker 1: know what I'm saying, Like girl in your life, she 819 00:42:54,920 --> 00:42:57,160 Speaker 1: put you on a whole bunch of other ships. Reading. 820 00:42:57,160 --> 00:42:59,920 Speaker 1: I'm reading books, not never read. I graduated with how 821 00:43:00,040 --> 00:43:03,080 Speaker 1: h smoking a ji vibe? You know what I'm saying, 822 00:43:03,160 --> 00:43:04,640 Speaker 1: just talking about life. You know what I'm saying. I 823 00:43:04,719 --> 00:43:07,879 Speaker 1: graduated with a one point eight one point that point? 824 00:43:07,920 --> 00:43:10,120 Speaker 1: How you graduate? No, you can't graduate with one. I 825 00:43:10,120 --> 00:43:13,960 Speaker 1: wanna know how to graduate? How you graduate? Let me 826 00:43:14,040 --> 00:43:15,920 Speaker 1: tell you. The smarter girl that was in our class 827 00:43:16,080 --> 00:43:17,719 Speaker 1: was sitting right next to me during we're taking the 828 00:43:17,760 --> 00:43:21,520 Speaker 1: graduation test. Every time she bubbled the answer bobber, every 829 00:43:21,600 --> 00:43:27,439 Speaker 1: time she said, at least you made that. At least 830 00:43:27,480 --> 00:43:30,919 Speaker 1: I made it. Yeah, the biggest out skies and limit. 831 00:43:30,960 --> 00:43:32,520 Speaker 1: You know so, I got real sound. You know what 832 00:43:32,520 --> 00:43:34,319 Speaker 1: I'm saying. It's soon to be the biggest independent label. 833 00:43:34,440 --> 00:43:35,919 Speaker 1: You know what I'm saying. The game. I got true 834 00:43:35,960 --> 00:43:37,640 Speaker 1: Story g and here I got trapping in London, and 835 00:43:37,719 --> 00:43:39,960 Speaker 1: here I got Jay Rodding. Here Trapped in London was 836 00:43:39,960 --> 00:43:42,719 Speaker 1: on slim language. Uh Jay Rod going crate true story 837 00:43:42,880 --> 00:43:46,279 Speaker 1: bucket head shortly gonna drop Bobby critical a little bird. 838 00:43:46,400 --> 00:43:48,120 Speaker 1: You know say, I'm on my exact I'm on my 839 00:43:48,440 --> 00:43:50,400 Speaker 1: all theist ship. I'm just trying to take it to 840 00:43:50,480 --> 00:43:52,800 Speaker 1: the moon. Bro, I honestly thought about doing the Boobs 841 00:43:53,239 --> 00:43:56,520 Speaker 1: reality doing. I don't get one of your movies. She 842 00:43:56,840 --> 00:43:58,600 Speaker 1: ain't that, no boy, I'll be the love the League. 843 00:43:58,640 --> 00:44:03,319 Speaker 1: Booes called you look like look little extra. I come 844 00:44:03,360 --> 00:44:05,399 Speaker 1: in a little extra. You look like you be on TV? 845 00:44:06,440 --> 00:44:08,040 Speaker 1: What about it? You do? What you ever do? A 846 00:44:08,080 --> 00:44:10,520 Speaker 1: reality show with your girl taking walks and ship? Now, 847 00:44:10,520 --> 00:44:14,279 Speaker 1: I ain't taking walks, you know, like I ain't taking 848 00:44:14,280 --> 00:44:19,040 Speaker 1: no walks on the TV that I denied that though 849 00:44:19,080 --> 00:44:20,880 Speaker 1: they caught me. I'm saying, why wouldn't you do that? 850 00:44:20,960 --> 00:44:23,120 Speaker 1: Though I do other ship? Ain't good to be on 851 00:44:23,239 --> 00:44:25,520 Speaker 1: just TV walking in the park and ship? Why not 852 00:44:25,680 --> 00:44:27,640 Speaker 1: don't you do this ship for real? Though? If they 853 00:44:27,760 --> 00:44:33,040 Speaker 1: kiss you? I'm saying, like, you know, you know what 854 00:44:33,040 --> 00:44:35,680 Speaker 1: I'm saying, Like you don't walk every day? I'm saying, 855 00:44:35,719 --> 00:44:37,600 Speaker 1: what you're going there and be you? Yeah? Yeah, for sure? 856 00:44:37,760 --> 00:44:39,960 Speaker 1: You gotta be what else I gonna be? You know? 857 00:44:40,000 --> 00:44:41,960 Speaker 1: They said they've been making up narratives and ship for that. 858 00:44:42,040 --> 00:44:43,440 Speaker 1: Now I don't like doing that ship. You know what 859 00:44:43,480 --> 00:44:45,799 Speaker 1: I'm saying, but I don't like you think you could 860 00:44:45,800 --> 00:44:50,320 Speaker 1: got them religious? Okay? I turned TV you like and 861 00:44:50,400 --> 00:44:53,160 Speaker 1: seeing this. We got to see this though we never 862 00:44:53,239 --> 00:44:58,240 Speaker 1: see this. Kah. That's what I'm saying. To be sold. 863 00:44:58,440 --> 00:45:00,560 Speaker 1: You think you could do that? Yeah, I feel what 864 00:45:00,600 --> 00:45:02,319 Speaker 1: he's saying. For the check, we're gonna turn it up, 865 00:45:02,360 --> 00:45:04,840 Speaker 1: but we're not gonna do the bullshit like we always saying, 866 00:45:04,880 --> 00:45:08,680 Speaker 1: like your real life, no bullshit. Your bullshit is scripted bullshit. 867 00:45:08,719 --> 00:45:11,040 Speaker 1: They're gonna make you do that. We're not doing that 868 00:45:11,480 --> 00:45:13,759 Speaker 1: on no reality. So what I'm saying is all right, 869 00:45:13,760 --> 00:45:15,120 Speaker 1: if they come to you right in the okay, straight 870 00:45:15,640 --> 00:45:18,080 Speaker 1: sure about your real life be stripped and then without 871 00:45:18,280 --> 00:45:24,520 Speaker 1: going through camera filing, did you do that? Yeah? Cancel? Yeah, canceling. 872 00:45:29,360 --> 00:45:33,279 Speaker 1: I probably I probably could because the nigga already say 873 00:45:33,320 --> 00:45:35,440 Speaker 1: what they'd be thinking. That's the only thing about the 874 00:45:35,560 --> 00:45:38,000 Speaker 1: only scary part about that ship is you're saying some 875 00:45:38,120 --> 00:45:40,840 Speaker 1: ship you didn't really want to say and cancel. You 876 00:45:40,920 --> 00:45:43,640 Speaker 1: know what I'm saying, canceled. What do you think about 877 00:45:43,640 --> 00:45:46,680 Speaker 1: the council ship? Bush? What you mean? Some buysh it 878 00:45:47,080 --> 00:45:48,520 Speaker 1: ain't able to say that, like you said, and say 879 00:45:48,520 --> 00:45:53,080 Speaker 1: the wrong thing ain't about to be the one you 880 00:45:53,160 --> 00:45:57,040 Speaker 1: got me with, My boy he straight because like artists 881 00:45:57,040 --> 00:46:00,799 Speaker 1: and athletes, artists and athletes gotta be my money damn 882 00:46:00,840 --> 00:46:03,239 Speaker 1: near perfect. That you're saying, I don't like that ship. 883 00:46:04,080 --> 00:46:05,600 Speaker 1: I don't like. I don't like how the game bill 884 00:46:05,640 --> 00:46:08,319 Speaker 1: I don't. That's the main reason why I stay right. 885 00:46:09,560 --> 00:46:12,239 Speaker 1: Put that tweet out. That's why I'm like Beyonce. That's 886 00:46:12,239 --> 00:46:17,600 Speaker 1: why I see Beyonce. Don't say Charlomagne Beyonce. Don't say 887 00:46:18,600 --> 00:46:22,279 Speaker 1: get it. You know what I'm saying. But it is 888 00:46:22,320 --> 00:46:26,279 Speaker 1: our job. Yeah this yeah, in this platform. But you 889 00:46:26,320 --> 00:46:28,560 Speaker 1: could be an artist and don't say ship like Beyonce 890 00:46:28,840 --> 00:46:31,920 Speaker 1: and Kendrick and some of some of the artists. You 891 00:46:32,000 --> 00:46:33,799 Speaker 1: do have to get to that level, right. You can't 892 00:46:33,840 --> 00:46:37,680 Speaker 1: just start not saying ship. Yeah, you gotta get to that, no, man, 893 00:46:37,719 --> 00:46:39,279 Speaker 1: because a lot of that ship I'd be want to say, 894 00:46:42,160 --> 00:46:44,040 Speaker 1: how do you want to stay? The wrong ship? Too? Though? 895 00:46:45,320 --> 00:46:51,279 Speaker 1: Yeah turned into a blog somebody I didn't posted. You 896 00:46:51,360 --> 00:46:56,880 Speaker 1: know what I'm said, You can't take this ship serious, broa, 897 00:46:57,360 --> 00:47:00,319 Speaker 1: we're taking serious. You're gonna get caught up in your feeling. Yeah, 898 00:47:00,600 --> 00:47:02,040 Speaker 1: you know what I'm saying, you're gonna taking this ship 899 00:47:02,160 --> 00:47:04,360 Speaker 1: like serious, like this ship is something to play with me. 900 00:47:04,520 --> 00:47:07,799 Speaker 1: But finding ship smoke me, swed and laugh all day. 901 00:47:08,320 --> 00:47:10,640 Speaker 1: I take it serious. And then when you start taking 902 00:47:10,680 --> 00:47:14,279 Speaker 1: ships here, you're gonna take it too fun. You know 903 00:47:14,320 --> 00:47:19,719 Speaker 1: what I'm saying. You can't even ship is a joke, right, 904 00:47:22,320 --> 00:47:25,000 Speaker 1: everybody erasing niggas comment and ship they say some bullshit. 905 00:47:25,480 --> 00:47:28,520 Speaker 1: Now I just like it like that. You're right, bro, right, 906 00:47:32,000 --> 00:47:35,440 Speaker 1: you're right king not going on, man, I think you 907 00:47:35,480 --> 00:47:38,600 Speaker 1: don't have nothing going on? Ship ship just great? How 908 00:47:38,680 --> 00:47:42,480 Speaker 1: they really made though? No man, the new Hey, y'allo 909 00:47:42,560 --> 00:47:46,520 Speaker 1: with this ship, because you've seen this ship from y'all. 910 00:47:48,719 --> 00:47:50,880 Speaker 1: How this ship work now? Just social media? Hi everything. 911 00:47:51,160 --> 00:47:54,280 Speaker 1: I respect hustlers. I don't care digital street HU respect 912 00:47:54,480 --> 00:47:58,960 Speaker 1: hustles the game. But it's confusing. It's fun because I'll 913 00:47:58,960 --> 00:48:03,719 Speaker 1: be trying to understand the seriously that what's the goal? Yeah, 914 00:48:06,080 --> 00:48:07,480 Speaker 1: I think the first time I met you and we 915 00:48:07,560 --> 00:48:10,320 Speaker 1: were talking, we're talking about getting some money. Yeah, that 916 00:48:10,440 --> 00:48:12,680 Speaker 1: was the goal, and it's plenty of ways to get 917 00:48:12,800 --> 00:48:19,080 Speaker 1: Now that you think something wrong with cloud chasing, absolutely, 918 00:48:19,680 --> 00:48:23,719 Speaker 1: what's wrong with it? It's some bullshit like what type 919 00:48:23,760 --> 00:48:27,400 Speaker 1: of some they're some good cloud because you got some 920 00:48:27,520 --> 00:48:34,240 Speaker 1: niggas who really be doing good cloud chasing good like niggas. 921 00:48:34,600 --> 00:48:38,919 Speaker 1: Yeah like that saying like YouTuber nigga not Yeah, Yeah, 922 00:48:38,960 --> 00:48:40,840 Speaker 1: that's what I'm saying, Like you're doing what you supposed 923 00:48:40,880 --> 00:48:43,240 Speaker 1: to do. Ain't if you're that type of nigga. Exactly, 924 00:48:44,400 --> 00:48:49,720 Speaker 1: cloud chasing and trolling. I'm thinking about trolling this complete 925 00:48:51,600 --> 00:48:55,520 Speaker 1: it's the same thing, is cloud chasing though you're the 926 00:48:55,560 --> 00:48:58,759 Speaker 1: same is clouds in the same family. Exactly My point 927 00:48:59,040 --> 00:49:03,520 Speaker 1: you get paid paid just you just do ship like 928 00:49:03,600 --> 00:49:06,000 Speaker 1: how Needles got them. You get tired off sucking date that. 929 00:49:06,040 --> 00:49:08,480 Speaker 1: I don't mean you're supposed to do it. Big facts, 930 00:49:10,120 --> 00:49:16,120 Speaker 1: big fact is the money the end result for all? Right? 931 00:49:18,080 --> 00:49:23,560 Speaker 1: Like is that the ultimate motivation? Like what are we 932 00:49:23,680 --> 00:49:30,000 Speaker 1: saying right now? Like you No, he's trying to get 933 00:49:30,040 --> 00:49:33,640 Speaker 1: me canceled off by saying that twice of what show? 934 00:49:34,680 --> 00:49:40,200 Speaker 1: You can never because of this show? How her you 935 00:49:40,320 --> 00:49:46,960 Speaker 1: can never be of nothing? What council means? That came 936 00:49:47,000 --> 00:50:04,600 Speaker 1: into her black think it wrote me all the worst 937 00:50:05,960 --> 00:50:12,360 Speaker 1: brand niggas used to roll the world. Yeah, said short 938 00:50:12,800 --> 00:50:31,200 Speaker 1: stop bro stop love short right now lighting nigger we 939 00:50:31,320 --> 00:50:34,120 Speaker 1: just had out here. You're talking about he got mostly 940 00:50:34,320 --> 00:50:52,600 Speaker 1: the video Snapchap, Snap Chap. I like I heard body 941 00:50:52,880 --> 00:50:58,719 Speaker 1: art Bron toy sort that's that gym and I shap't bro. 942 00:50:58,800 --> 00:51:02,279 Speaker 1: I'm telling you that that should be fun up like 943 00:51:02,480 --> 00:51:05,040 Speaker 1: for real, man, that's funny, shouts out the I'll be 944 00:51:05,120 --> 00:51:08,680 Speaker 1: showing Bobby Brown. Y'all. Welcome to Big Fast Separate. Ye. 945 00:51:09,960 --> 00:51:13,880 Speaker 1: I want to do what we're doing. Hey man, we 946 00:51:14,080 --> 00:51:17,799 Speaker 1: just here. Man, we're living life. Kill was having man 947 00:51:18,040 --> 00:51:19,880 Speaker 1: you've seen like when they got to hit on man 948 00:51:20,080 --> 00:51:22,160 Speaker 1: on your ship. I follow you on the ground ship. Yeah, 949 00:51:22,320 --> 00:51:25,719 Speaker 1: I'll be with you. How you how you just stay 950 00:51:26,280 --> 00:51:31,919 Speaker 1: like away from the bullshit ship? I don't know. Danny 951 00:51:31,960 --> 00:51:35,080 Speaker 1: Studio was my game and my and my inner circle niggas. 952 00:51:35,360 --> 00:51:38,439 Speaker 1: Who I know, Whitney, Did you open your own studio too? Yeah? 953 00:51:38,640 --> 00:51:44,000 Speaker 1: You got your own studio? Any of them square feet, 954 00:51:44,000 --> 00:51:47,800 Speaker 1: you know saying to studio podcasts on basketball Court, Production space, 955 00:51:48,120 --> 00:51:51,200 Speaker 1: two officers, strip Club. I thought it was gonna be 956 00:51:51,320 --> 00:51:55,360 Speaker 1: like some ship like club camp or something. How you 957 00:51:55,400 --> 00:51:57,759 Speaker 1: remain faithful with the strip club in your studio? But 958 00:51:57,920 --> 00:52:02,719 Speaker 1: my girl comes, she like that ship too, Okay, play together. 959 00:52:02,840 --> 00:52:04,759 Speaker 1: We stayed together. You know what I'm saying, throwing money 960 00:52:04,800 --> 00:52:07,440 Speaker 1: for a time. I been like, yeah you like that? 961 00:52:07,640 --> 00:52:14,040 Speaker 1: She cool? That's what I suped. It's rare show. So 962 00:52:14,120 --> 00:52:16,000 Speaker 1: what's about to drip? Like what you got coming up? 963 00:52:16,080 --> 00:52:17,920 Speaker 1: What you want to tell the people in closing? You 964 00:52:18,000 --> 00:52:20,239 Speaker 1: know we how to follow you all that kind of 965 00:52:20,239 --> 00:52:22,480 Speaker 1: old ship man? Yeah, follow me? You know what I'm 966 00:52:22,480 --> 00:52:27,120 Speaker 1: saying all that? You know Instagram that boyship uh flo 967 00:52:27,280 --> 00:52:29,040 Speaker 1: you know what saying? Out and float about to drop 968 00:52:29,120 --> 00:52:33,600 Speaker 1: eight thirteen thirteen got some nice features on there. Um, 969 00:52:33,880 --> 00:52:39,839 Speaker 1: can't you tell us who they are? Uh? I dropped 970 00:52:39,840 --> 00:52:44,480 Speaker 1: track this anyway Tray on their mosque on there. I 971 00:52:44,520 --> 00:52:49,000 Speaker 1: got an artist from uk Kareem Taylor there. Uh, Nudy 972 00:52:49,040 --> 00:52:50,360 Speaker 1: is supposed to be on there. That trip and we 973 00:52:50,640 --> 00:52:53,880 Speaker 1: we're gonna get another one end though. Um that's it. 974 00:52:54,080 --> 00:52:56,319 Speaker 1: You know. I like to rock by myself. Might shoe 975 00:52:56,360 --> 00:52:57,840 Speaker 1: on Friday. I might, sure, I might knock all them 976 00:52:57,880 --> 00:53:01,000 Speaker 1: bitches out. I'll be working, honey, working, talking about the 977 00:53:01,040 --> 00:53:04,120 Speaker 1: Guts record. Yeah, two story g damn tripping g on 978 00:53:04,200 --> 00:53:08,319 Speaker 1: the two story g on there the guts Uh now 979 00:53:08,480 --> 00:53:10,879 Speaker 1: we recorded guts Um I recorded guts in my old 980 00:53:10,960 --> 00:53:14,000 Speaker 1: condo in the kitchen. So that record probably like see 981 00:53:14,080 --> 00:53:15,839 Speaker 1: seven months old. But you know what I'm saying, it's 982 00:53:15,880 --> 00:53:17,359 Speaker 1: been itching to come out. You know what I'm saying. 983 00:53:17,360 --> 00:53:18,680 Speaker 1: You know, when you're rolling out an album, you gotta 984 00:53:18,680 --> 00:53:21,080 Speaker 1: throw them, throw them vibes out. And that was one 985 00:53:21,120 --> 00:53:23,400 Speaker 1: that caught. That was one of the ones that management 986 00:53:23,400 --> 00:53:25,359 Speaker 1: and all the people around like, hey, that's the one 987 00:53:25,680 --> 00:53:27,160 Speaker 1: with my guys, you know what I'm saying around me 988 00:53:27,200 --> 00:53:29,200 Speaker 1: fucking with the record. That's when I know, like, let 989 00:53:29,239 --> 00:53:31,160 Speaker 1: me get that bit chop, like, that's the one. That's 990 00:53:31,160 --> 00:53:32,480 Speaker 1: the one. You know what I'm saying, And it's for 991 00:53:32,520 --> 00:53:34,399 Speaker 1: the streets. You know this this album, you know, kids five, 992 00:53:34,400 --> 00:53:36,360 Speaker 1: I was straight for the female R and B. You 993 00:53:36,400 --> 00:53:38,480 Speaker 1: know what I'm saying this album going back. You know 994 00:53:38,600 --> 00:53:40,480 Speaker 1: I came out when I came out as a club. 995 00:53:41,680 --> 00:53:42,880 Speaker 1: You know what I'm saying, Like I was, I was 996 00:53:42,920 --> 00:53:45,120 Speaker 1: a club. All that you fled, meself, I wanted to 997 00:53:45,160 --> 00:53:46,799 Speaker 1: go back to the club. I don't want to put 998 00:53:46,840 --> 00:53:48,200 Speaker 1: me in that R and B category. You know, I'll 999 00:53:48,200 --> 00:53:50,400 Speaker 1: be chilling when you get putting that R and B category. 1000 00:53:50,600 --> 00:53:52,920 Speaker 1: That ship too too damn quiet and too humble that 1001 00:53:53,480 --> 00:53:56,160 Speaker 1: I don't agree with you. I agree with you that 1002 00:53:56,640 --> 00:53:59,360 Speaker 1: your name fe filed. What's on your mind? And you 1003 00:53:59,480 --> 00:54:03,160 Speaker 1: got down? What are they? They had recordable record, still 1004 00:54:03,200 --> 00:54:04,759 Speaker 1: have to be able to give them cut them off 1005 00:54:04,840 --> 00:54:06,640 Speaker 1: in money, baby. Yeah, but when you when you're in 1006 00:54:06,680 --> 00:54:08,960 Speaker 1: the R and B ship, it's too quiet. I'm not 1007 00:54:09,000 --> 00:54:11,000 Speaker 1: an RMB nigg. I may R B ship, but I'm 1008 00:54:11,000 --> 00:54:13,600 Speaker 1: not an R beat nigger. Nigger. What I'm saying, what 1009 00:54:13,719 --> 00:54:15,920 Speaker 1: I was like, what's the quiet? What you say? What's 1010 00:54:15,920 --> 00:54:17,920 Speaker 1: too quiet? What you are? Nigg and drop projects and 1011 00:54:18,000 --> 00:54:20,360 Speaker 1: j B. You know what I'm saying, cuddled up to 1012 00:54:20,440 --> 00:54:22,920 Speaker 1: the corner and yeah, I want to drop and go 1013 00:54:23,000 --> 00:54:25,359 Speaker 1: to the club, go to the little You know, I'm 1014 00:54:25,400 --> 00:54:26,920 Speaker 1: not typing it. You know what I'm saying. So if 1015 00:54:26,960 --> 00:54:28,600 Speaker 1: you be getting confused and me thinking I'll just be 1016 00:54:28,640 --> 00:54:30,200 Speaker 1: on some R and B sh I just make that ships. 1017 00:54:30,280 --> 00:54:32,080 Speaker 1: I know it. I can do it in the sale 1018 00:54:32,280 --> 00:54:34,480 Speaker 1: you get profitable. I'm not an R and BAT nigger. 1019 00:54:34,520 --> 00:54:36,319 Speaker 1: You get what I'm saying. I ain't gonna stop making. 1020 00:54:36,680 --> 00:54:39,120 Speaker 1: I got some flame on that may come on. I 1021 00:54:39,160 --> 00:54:43,240 Speaker 1: got that ship loaded. But yeah, man, float down thirteen 1022 00:54:43,640 --> 00:54:46,040 Speaker 1: um what does float stand for? That's me you know 1023 00:54:46,160 --> 00:54:48,359 Speaker 1: saying I float on there thing, I float over. It's 1024 00:54:48,360 --> 00:54:51,239 Speaker 1: not like an acronym. No, okay, you know what I'm saying. 1025 00:54:51,239 --> 00:54:52,800 Speaker 1: You know, like when when when Little White went to 1026 00:54:52,840 --> 00:54:54,880 Speaker 1: wheezy tune. You know what I'm saying, I can't want 1027 00:54:54,920 --> 00:54:57,200 Speaker 1: to float, so you changed your naming the float Now, 1028 00:54:57,400 --> 00:54:59,680 Speaker 1: yeah it's me float is me? Nice to meet your 1029 00:54:59,680 --> 00:55:03,560 Speaker 1: my ni. What I'm saying you flow? You know what 1030 00:55:03,880 --> 00:55:06,239 Speaker 1: flow eight thirteen I said, It's been three times, but 1031 00:55:06,520 --> 00:55:12,640 Speaker 1: uh yeah, yeah. But now we've got a lot of 1032 00:55:12,680 --> 00:55:15,080 Speaker 1: ship in the works. Man, we're about to go radio again. 1033 00:55:15,080 --> 00:55:16,680 Speaker 1: I'm about to go on tour about announce this tour. 1034 00:55:17,200 --> 00:55:18,520 Speaker 1: It's a lot of ship going on, you know. So 1035 00:55:18,600 --> 00:55:21,000 Speaker 1: I got the trucking business, I got the merch businesses 1036 00:55:21,040 --> 00:55:22,640 Speaker 1: in my ship right now. You know what I'm saying. We' 1037 00:55:22,640 --> 00:55:28,279 Speaker 1: about to draw to flow. Ya, I got y'all. We've 1038 00:55:28,320 --> 00:55:32,359 Speaker 1: been running out of ship for sover so I got 1039 00:55:32,400 --> 00:55:33,360 Speaker 1: a lot of ship in the works. You know what 1040 00:55:33,360 --> 00:55:35,680 Speaker 1: I'm saying. To let the label red sound you know 1041 00:55:35,680 --> 00:55:37,480 Speaker 1: what I'm saying. We were trying to take that bit 1042 00:55:37,560 --> 00:55:38,840 Speaker 1: to the morning. Like I said, it's a lot of 1043 00:55:38,840 --> 00:55:40,439 Speaker 1: it's a lot of just I'm on my zick ship 1044 00:55:40,520 --> 00:55:42,320 Speaker 1: and my hardest ship. I'll be on a lot of 1045 00:55:42,400 --> 00:55:44,239 Speaker 1: buses ship behind the scenes you don't know about you 1046 00:55:44,280 --> 00:55:46,239 Speaker 1: know what, Really, are you looking for new talent for 1047 00:55:46,360 --> 00:55:49,320 Speaker 1: your label? I'm always looking for new talent. But you 1048 00:55:49,360 --> 00:55:50,520 Speaker 1: know what I'm saying. With the group of guys I 1049 00:55:50,560 --> 00:55:52,759 Speaker 1: got right now, we we go saying we need to 1050 00:55:52,760 --> 00:55:54,080 Speaker 1: go a head and just groom that and take that, 1051 00:55:54,320 --> 00:55:56,680 Speaker 1: you know, saying take that up, and then we venture 1052 00:55:56,680 --> 00:55:58,840 Speaker 1: off and trying to find some more flavor. But they 1053 00:55:58,920 --> 00:56:02,200 Speaker 1: got to be better than me. Cool. You gotta work 1054 00:56:02,200 --> 00:56:04,399 Speaker 1: harder than me, work harder. Okay, you know what I'm saying. 1055 00:56:04,520 --> 00:56:06,399 Speaker 1: You need to work hard. Yeah, you know what I'm saying. 1056 00:56:06,400 --> 00:56:08,200 Speaker 1: If you ain't working hard in me, if you ain't, no, 1057 00:56:08,400 --> 00:56:11,239 Speaker 1: I ain't working with you. You can be talented as fun, 1058 00:56:11,360 --> 00:56:13,000 Speaker 1: but if you're doing it, if you lazers, you don't 1059 00:56:13,000 --> 00:56:15,640 Speaker 1: add up. Yeah, you know what I'm saying. You gotta 1060 00:56:15,680 --> 00:56:19,359 Speaker 1: be in that bitch. That's what's up most definitely, that's 1061 00:56:19,400 --> 00:56:29,040 Speaker 1: what's up. We appreciate you. K Camp Triple W dot, 1062 00:56:29,120 --> 00:56:32,800 Speaker 1: Big Facts pod dot Com, State Tune Salute. You're listening 1063 00:56:32,840 --> 00:56:37,200 Speaker 1: to Big Facts with Big Bank and DJ Scream Fellow 1064 00:56:37,239 --> 00:56:40,760 Speaker 1: Big Facts on social media at Big Facts five five, 1065 00:56:42,040 --> 00:56:45,920 Speaker 1: Big Bank and DJ scream bring you big fat hey man, 1066 00:56:45,960 --> 00:56:51,120 Speaker 1: it'side with up that merch. Yes, yeah, that's right. Www 1067 00:56:51,320 --> 00:56:54,319 Speaker 1: Dot Big facts pot dot com. What's the real one? 1068 00:56:54,400 --> 00:56:56,319 Speaker 1: One time y'all, get y'all some of this merch mat 1069 00:56:56,600 --> 00:57:00,200 Speaker 1: facts pot dot com. Get that merch right now, out 1070 00:57:00,239 --> 00:57:02,719 Speaker 1: with a Stoway up. Make fact mer going down at 1071 00:57:02,760 --> 00:57:06,680 Speaker 1: the new website today www Dot Big fact spot dot com. 1072 00:57:07,080 --> 00:57:07,520 Speaker 1: Is it now