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Speaker 1: This Valentine's Day. You know just what to get that

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Speaker 1: See website for details. After thirty years, it's time to

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Speaker 1: return to the halls of West Beverly High and hang

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Speaker 1: out at the peach pit. On the podcast nine O

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Speaker 1: two one o MG, visit Jenny Garth and Tory Spelling

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Speaker 1: for a rewatch of the hit series Beverly Hills nine

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Speaker 1: O two one oh. From the very beginning, we get

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Speaker 1: to tell the fans all of the behind the scenes

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Speaker 1: stories to actually happen, so they know what happened on

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Speaker 1: camera obviously, but we can tell them all the good

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Speaker 1: stuff that happened off camera. Listen to nine O two

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Speaker 1: one O MG on the I Heart Radio app, Apple Podcasts,

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Speaker 1: or wherever you get your podcasts. Hey lead the listeners

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Speaker 1: take here. Last season on leathal Lit, you might remember

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Speaker 1: I came to Hollow Falls on a mission clearing my

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Speaker 1: aunt Best's name and making sure justice was finally served.

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Speaker 1: But I hadn't counted on a rash of new murders

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Speaker 1: tearing apart the town. My mission put myself and my

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Speaker 1: friends in danger, though it wasn't all bad. I'm going

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Speaker 1: to be real. If you tig I like you, But

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Speaker 1: now all signs point to a new serial killer in

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Speaker 1: Hollow Falls. If this game is just starting, you better

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Speaker 1: believe I'm gonna win. I'm tig Torres, and this is

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Speaker 1: Lethal Lit. Catch up on season one of the hit

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Speaker 1: murder mystery podcast Lethal Lit, a tig Torre's mystery out now,

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Speaker 1: and then tune in for all new thrills in season two,

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Speaker 1: dropping weekly starting February nine. Subscribe now to never miss

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Speaker 1: an episode. Listen to Leave the Lit on the I

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Speaker 1: Heart Radio app, Apple Podcasts, or wherever you get your podcasts.

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Speaker 1: Welcome to Record Store Society, a production of I Heart Radio.

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Speaker 1: It seems extreme as a kid, but I also got

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Speaker 1: to see a lot of very odd music videos because

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Speaker 1: in particularly would lean towards things that um weren't possibly

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Speaker 1: normally played on MTV, v H one, munch music, et cetera.

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Speaker 1: They were exclusively played in this on demand realm because

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Speaker 1: people couldn't find it anywhere else, and so so it

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Speaker 1: was all very niche, all all that stuff. Oh hey, hi,

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Speaker 1: welcome to our record store. I'm Seth and this is

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Speaker 1: where Terror would normally be, but she's outsick today, so

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Speaker 1: you know, just me today. But feel free to look

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Speaker 1: around and I'll get off this phone call in a second,

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Speaker 1: and uh, just give me a shot if you need anything,

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Speaker 1: all right, thanks. So anyway, anyway, the box was like

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Speaker 1: this very strange music channel that was on my local television.

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Speaker 1: So I'm not sure if it's an experience that everyone

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Speaker 1: holds or just something that I have in my own memory.

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Speaker 1: It was it was an odd thing, but I presume

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Speaker 1: other people have this same memory. And oh heyy look

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Speaker 1: it's Robert and Joe. Hello Robert, Hello Joe. Hey, how

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Speaker 1: you doing do so well? I'm here. Let me have

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Speaker 1: this phone call real quick. Um, Robert and Joe came in. Uh,

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Speaker 1: Rob Lamb, Joe McCormick. I work with them. I'm a

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Speaker 1: producer on their UM on their their very popular podcast,

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Speaker 1: stuff to Blow your mind. Um that that that's that's

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Speaker 1: my side hustle, and I'm not here working at this

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Speaker 1: record store. But but anyway, I'm hanging up on you.

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Speaker 1: Thank you, for calling. Uh so long. Goodbye, Seth. I'm sorry,

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Speaker 1: I'm not here to chat. I need to buy a

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Speaker 1: copy of the original motion picture soundtrack to Batman Forever.

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Speaker 1: I'm trying to rack my brain. What was on Batman Forever?

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Speaker 1: That was that the Smashing Pumpkins YouTube? Um had YouTube

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Speaker 1: had a seal Kiss seal track Pumpkins on Batman and Robin.

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Speaker 1: Perhaps I think you're right about that, Yes, yes, but

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Speaker 1: but yeah, Batman Forever had a surprisingly good soundtrack. It

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Speaker 1: had flaming lips and a bunch of weird stuff you

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Speaker 1: wouldn't expect. You're right, it was um um playing in

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Speaker 1: that scene where the Riddler is putting his machinery together. Yeah, no, though,

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Speaker 1: that's ah, that's a fine soundtrack. And you know, kiss me,

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Speaker 1: through me, kill me, kiss me, throw me, kiss me,

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Speaker 1: kill me through whatever order that is, I will not remember.

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Speaker 1: But um uh no. But but speaking of soundtracks, you're

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Speaker 1: actually here on a good day, um uh despite the

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Speaker 1: fact that Terror is not here. I had prepared around

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Speaker 1: of our high fidelity game where I was gonna do

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Speaker 1: top five music videos. Now, the both of you, Robert

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Speaker 1: and Joe, we were just talking about this on your podcast.

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Speaker 1: Um gosh, I guess that was earlier today. What a

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Speaker 1: wild day. But would you like to uh no longer

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Speaker 1: talking about bizarre music videos like we did on your show,

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Speaker 1: stuff to blow your mind. But today we're gonna talk

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Speaker 1: about top five music videos period. Are you guys up

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Speaker 1: for that? Yeah? No, fair warning, there will be a

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Speaker 1: fair amount of crossover because it's when you talk of

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Speaker 1: at least when I think about good music videos, they

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Speaker 1: often end up being at least a little bit bizarre. Yeah,

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Speaker 1: fair enough. I have to admit that I cannot do

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Speaker 1: the thing where I say, like all time top five anything.

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Speaker 1: I used to be good at that when I was

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Speaker 1: in like high school and early college. Something changed in

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Speaker 1: my brain, and so I'm sorry to do this. I

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Speaker 1: have to give the disclaimer that, like, I cannot pretend

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Speaker 1: I'm listing my top five of anything at any time.

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Speaker 1: These are just like five music videos I was able

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Speaker 1: to think of when I was getting ready to come

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Speaker 1: here that I really like. So that's the best I

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Speaker 1: can do. I hope it's acceptable, Seth. And also I

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Speaker 1: hope you I hope you take used laser discs because

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Speaker 1: I have some here. I do you know why I

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Speaker 1: take use laser discs. Yeahs as both of you know,

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Speaker 1: I I manufacture records, you know, like that's that's part

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Speaker 1: of like my my thing that I do, like in

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Speaker 1: my life. If you get yourself a record lathe and

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Speaker 1: a diamond tipped stylists for your record lathe, you can

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Speaker 1: cut records into the undersides of laser discs and it's

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Speaker 1: tons of fun. Wow. Yeah, I've never heard of that.

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Speaker 1: I had no idea that was a thing. No, if

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Speaker 1: you can google this, my friend Mike Dixon just recently

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Speaker 1: did this for a band and it's, um it's a

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Speaker 1: good way for um up cycling dead media that no one,

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Speaker 1: you know, no one wants most laser discs, but you

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Speaker 1: can turn them into playable records if you just uh

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Speaker 1: you know, emboss the grooves. Actually, I guess you're cutting

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Speaker 1: the grooves into the underside of the plastic and it's

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Speaker 1: a reduced, re used, recycle. You know. That's amazing. Well,

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Speaker 1: now I know if I was in a band, I

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Speaker 1: would want to have my records only made on used

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Speaker 1: copies of Demolition Man on laser disc It's it's it's

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Speaker 1: a good way to do it a fun thing too

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Speaker 1: that you can do is you can um have a

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Speaker 1: CD right and because c ds encode their data from

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Speaker 1: the middle of the disc to the outside, if you

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Speaker 1: turn it over, a records play from the outside to

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Speaker 1: the inside, so you can fill up the data on

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Speaker 1: the inside and start cutting grooves on the outside of

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Speaker 1: the CD, and then it's it's it can do double purpose.

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Speaker 1: I can still function as a digital copy of your music,

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Speaker 1: but on the underside of the c D you can

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Speaker 1: turn it into a record and and and cut it

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Speaker 1: right there. And let's still it'll still play as long

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Speaker 1: as they don't overlap, because then you ruin both. I

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Speaker 1: think the main thing about laser disc for me, like

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Speaker 1: I never had one. I think I think I watched

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Speaker 1: a laser disc once. But uh, since it was so

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Speaker 1: much more popular in Japan, there were a lot of

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Speaker 1: films that you would get bootlegs of back in the

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Speaker 1: day on like VHS, and it would come to you

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Speaker 1: via Japanese laser disc of whatever ever film you were

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Speaker 1: trying to get. Yeah, I've heard that, Like in particular,

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Speaker 1: I've heard how the the most original version of Star

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Speaker 1: Wars that you can get is usually from the imported

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Speaker 1: UH laser disc copy, because that is you know something

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Speaker 1: that a collector had somewhere, but in the American market,

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Speaker 1: we've spent too much time remaking and redoing and polishing

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Speaker 1: and upgrading and special editionizing. Oh yeah, that makes sense.

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Speaker 1: But anyway, let's get into our top fives, and Joe,

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Speaker 1: don't worry. These are subjective as hell like. Whatever your

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Speaker 1: first thought is, that's usually your best thought, because if

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Speaker 1: it's standing out in your mind, it's probably pretty favorite

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Speaker 1: to you. So subjective as hell is perfectly okay, okay, wicked. Well,

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Speaker 1: I hope you enjoy my stupid answers. I look forward

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Speaker 1: to them. Uh My number five. The year was two thousand.

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Speaker 1: The song is Bombs over Bagdad by Outcast, directed by

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Speaker 1: Dave Myers. Uh well, I think one of the things

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Speaker 1: I like best about this music video is that it

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Speaker 1: is frantic as hell like the Yeah, the frantic pace

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Speaker 1: of the video and the frantic pace of the song

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Speaker 1: are perfectly matched, and and the visuals tie into the

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Speaker 1: music just in like a hand in glove situation. For me,

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Speaker 1: are both of you familiar with this video? I am.

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Speaker 1: I love this one. I remember the thing that really

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Speaker 1: excited my memory about it is I think it starts

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Speaker 1: off with um with Andrea three thousand running over a

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Speaker 1: field of purple grass being chased by children and remembering

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Speaker 1: that right yeah, yea, yeah, that's how it starts. Yeah, yeah,

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Speaker 1: why purple grass and purple trees to right. Yeah. I

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Speaker 1: think pretty much all the colors were slightly subverted, Like

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Speaker 1: the colors of the streets were slightly off, the color

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Speaker 1: of the sky was slightly off. Everything was just not

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Speaker 1: quite what it should be. And and um, I think

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Speaker 1: part of this was that so when um, when Big

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Speaker 1: Boy and andre three thousand were making this song, their

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Speaker 1: big goal was like, we want to subvert the expectations

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Speaker 1: of what it like the typical hip hop formula is,

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Speaker 1: you know, like they made it much faster, like instead

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Speaker 1: of like the standard hundter and twenty beats per minute,

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Speaker 1: I think the song is like a hundred and fifty

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Speaker 1: five something like that, So like it's just faster period.

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Speaker 1: But then in addition to that, you know, um, there

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Speaker 1: there's a bunch of like these like coral like gospel

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Speaker 1: things coming in, which is unconventional. There's like these like

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Speaker 1: Hendrix in Hendrix Jimmy Hendrix, so I guess Hendrix and yeah,

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Speaker 1: and Drixian guitars, you know, just kind of like shredding

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Speaker 1: all throughout it. Um, it's there's like some classical stuff

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Speaker 1: in there. It's it's, it's, it's. It's an odd mix

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Speaker 1: of influences. And I think because they were subverting expectations

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Speaker 1: with the song, I think the the Dave Meyers guy,

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Speaker 1: the guy that directed it, I think he wanted to

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Speaker 1: subvert the established expectations for hip hop music videos because

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Speaker 1: a lot of the elements are still in there. There's

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Speaker 1: still performance elements, there's still you know the at the time,

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Speaker 1: what was very traditional was like you know, girls on

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Speaker 1: like a strip pole or something. There was also um,

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Speaker 1: fancy cars. But in every time that those traditional elements appear,

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Speaker 1: they're slightly stranger. So like, for example, um, the colors,

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Speaker 1: like you mentioned, um, the uses of the things, like

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Speaker 1: I believe the women are like wearing the odd masks,

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Speaker 1: kind of like a what's it called? What's that video?

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Speaker 1: We were just talking about it back on stuff to

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Speaker 1: blow your mind? Um, what come to Daddy? Come to Daddy,

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Speaker 1: kind of like come to Daddy strippers, you know, And

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Speaker 1: I guess it's kind of like window liquor that other affect.

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Speaker 1: Twin video where it's like you see an attractive woman

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Speaker 1: scantily clad and it's pretty much I don't want to

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Speaker 1: I hate to say it's standard for a music video,

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Speaker 1: but unfortunately the time it kind of was the objectification

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Speaker 1: of women. But they're subverting the beautiful woman trope by

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Speaker 1: putting them in a strange, perhaps unattractive mask. And then

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Speaker 1: he's kind of, you know, sometimes as h as the

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Speaker 1: guy from A X twin, which is very strange. Weren't

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Speaker 1: they also, like in the latter part of the video,

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Speaker 1: I'm trying to remember this. Don't they end up in

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Speaker 1: like inside a giant windowless bus or something. There's definitely

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Speaker 1: a bus at some point for sure. Again, I can't

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Speaker 1: I can confirm I've been I say, I've never seen

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Speaker 1: this video before somehow, I mean, I'm very familiar with

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Speaker 1: the song, but I just wasn't watching music videos at

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Speaker 1: this time, I guess. And um so this is my

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Speaker 1: first time going through it. And yes, they do appear

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Speaker 1: to be and something that is either like Willy Wonka's

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Speaker 1: um uh tractor trailer rig or some sort of like

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Speaker 1: psychedelic time tunnel and yeah, it's but I I love

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Speaker 1: everything about this video in particular how closely it matches

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Speaker 1: the energy of the song, and the song is just

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Speaker 1: one of my favorites, so so it goes hand in hand.

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Speaker 1: And I think Dave Myers did an excellent job of

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Speaker 1: matching the energy of Outcast but giving it kind of

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Speaker 1: like this odd psychedelic edge as well. It's um, it's

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Speaker 1: nothing but fun, really solid pick I agree, thank you?

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Speaker 1: Uh my number four years. The song is Ashes to

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Speaker 1: Ashes and it's by David Bowie, directed by David Mallett

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Speaker 1: and David Bowie. That's true, Thank god, thank you? Do

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Speaker 1: you guys mark with this one? I don't know if

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Speaker 1: I do so. I was thinking about David Bowie videos

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Speaker 1: before we came in here, and I really do like

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Speaker 1: some of the ones I've seen. I don't think I

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Speaker 1: know this one, but most of the ones I could

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Speaker 1: think of are just very straightforward like singing performance type videos,

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Speaker 1: the old more you know, promotional video style, where like

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Speaker 1: modern Love is great but nothing weird happens, and it

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Speaker 1: is just David Bowie singing the song into a microphone

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Speaker 1: and it's great. Yeah. Little Drummer Boy is just you know, yeah,

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Speaker 1: I love that one. Um, but I know you're absolutely right,

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Speaker 1: And I think a reason for that is that, A

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Speaker 1: I think David Bowie was definitely making videos before MTV

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Speaker 1: even existed. And B I think he actually established a

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Speaker 1: lot of the tropes that became standard for music videos,

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Speaker 1: and in fact, I think he did a lot of

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Speaker 1: them in this music video. So um, this was at

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Speaker 1: the time the most expensive music video ever made, costing

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Speaker 1: two d and fifty thousand pounds, so I mean in money,

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Speaker 1: that's that's a lot of money. And and they added

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Speaker 1: this like complexity and the high production values and like

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Speaker 1: I guess, a sense of mystery and strangeness to it.

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Speaker 1: And so because of that it was very well beloved,

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Speaker 1: very um, very much a favorite amongst people. But I

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Speaker 1: think more than that actually established what was to come

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Speaker 1: in music videos, this idea that it could basically just

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Speaker 1: be a little art film, you know, because I think

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Speaker 1: most people will will accept the fact that like a strange,

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Speaker 1: unpredictable art film can be a music video these days,

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Speaker 1: and I think David Bowie is one of the folks

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Speaker 1: who established that. Yeah, I had never seen this one

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Speaker 1: before that. I think I've seen some of the images

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Speaker 1: like Bowie and the clown, uh get up the mine

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Speaker 1: kind of cost him. Um, but I don't think i'd

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Speaker 1: watched any of any of this video per se. And yeah,

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Speaker 1: it's got a lot of cool imagery in it. I

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Speaker 1: like the exploding kitchen, electric chair, I like the clown

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Speaker 1: and the bulldozer, and then the one where he has

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Speaker 1: tubes on him like he's been incorporated into an organic spaceship. Yeah,

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Speaker 1: if I remember correctly, And um, I'm sure you know

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Speaker 1: there are many interpretations of this that when he's like

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Speaker 1: in the spaceship all tied up to all the tubes,

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Speaker 1: that's supposed to be major Tom. It's supposed to be

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Speaker 1: like a continuation of his character from Space Oddity, and

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Speaker 1: like how how he's changed over the years. Now, Bowie

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Speaker 1: actually had a video. Again, this is before there was

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Speaker 1: anything called a music video, but he did have some

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Speaker 1: kind of video for Space Oddity, didn't This would have

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Speaker 1: been in the late sixties, Yeah, yeah, yeah, I think

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Speaker 1: it would have been early seventies technically. But the only

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Speaker 1: way I remember David Bowie's timeline in my head is because, um,

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Speaker 1: he you know, his real name is David Jones, but

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Speaker 1: by the time he started getting popular, he had to

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Speaker 1: change his name because Davy Jones of the Monkeys had

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Speaker 1: already established himself. So whatever I think about David Bowie's beginnings,

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Speaker 1: I have to think about Davy Jones first and go Okay,

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Speaker 1: Davy Jones is established as the Monkeys. David Bowie comes

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Speaker 1: immediately after, you know. And it was additionally humiliating because

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Speaker 1: he had been rejected when he auditioned for the Monkeys.

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Speaker 1: I know you're being facetious, but I'd like to see that.

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Speaker 1: I would very much like to see that audition. All right.

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Speaker 1: My number three, uh the year is the song is

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Speaker 1: sugar Water and it's by Cheebo Matto, directed by Michelle Gondry. Alright,

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Speaker 1: to remind myself because I know I've seen most, if

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Speaker 1: not all, of his videos, but he was the one.

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Speaker 1: Uh So we we talked actually on stuff to blow

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Speaker 1: your mind about how great Michelle Gondry is. I mean,

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Speaker 1: I actually had to establish little rules for myself so

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Speaker 1: I didn't get um to one dimensional Like if I

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Speaker 1: wanted to, I think I could do top five Michelle

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Speaker 1: Gondry videos because they're all so creative and so interesting,

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Speaker 1: like even when it's for a song. I don't particularly

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Speaker 1: like Michelle Gondry can make some amazing video work out

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Speaker 1: of it. So yeah, I could have done Top five

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Speaker 1: York videos directed by Michelle Gondry if I wanted to,

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Speaker 1: but just to make it slightly more interesting, I only

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Speaker 1: let myself use each director once on here, and I

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Speaker 1: believe Sugar Water is my favorite Michelle Gondry video. Um.

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Speaker 1: Uh so, so you guys have seen this one before, right?

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Speaker 1: I don't think I have, But I don't remember this

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Speaker 1: one much, and probably because the main gimmick going on here,

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Speaker 1: um is that it is filmed in duo vision, or

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Speaker 1: at least that's what they called it back in with

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Speaker 1: the film Wicked Wicked, which had a similar gimmick where

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Speaker 1: you have something going on in one half of the

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Speaker 1: screen and something going on the other half of the

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Speaker 1: screen and eventually they converge. Only in this one it's

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Speaker 1: not a victim and a serial killer. And it's also, um,

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Speaker 1: it's all one shot, which is always like a fun

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Speaker 1: trick that any director can do, and part of it

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Speaker 1: is backwards and that's to me, I think the most

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Speaker 1: interesting part is that, so in the duo vision that

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Speaker 1: you speak of, you're seeing both scenes happening at the

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Speaker 1: same time. One is playing forward, one is playing backwards,

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Speaker 1: and in the middle they do meet. They they they

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Speaker 1: they kind of pass each other and then they continue

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Speaker 1: and then then you see kind of the explanation of

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Speaker 1: why the things happened in once half of the screen

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Speaker 1: while the other half continues. And um, it's just fun.

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Speaker 1: It's a lot, a lot of fun. Um. I I

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Speaker 1: guess the simplicity, with the creativity and the execution with

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Speaker 1: just like the interests that I get when I watch it,

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Speaker 1: because there's so much too absorb when you're watching two

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Speaker 1: single shot videos happening simultaneously, one in reverse, one playing straightforward,

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Speaker 1: pass each other and meet in the middle, and like,

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Speaker 1: it's it's a palindrome. It's it's a video palindrome. And um,

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Speaker 1: Michelle Gander is just so creative and so smart and

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Speaker 1: he doesn't need a huge budget. He just has ideas.

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Speaker 1: And I also read that, um, they only had to

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Speaker 1: do this ten times to get it right, which is

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Speaker 1: actually pretty impressive to me because it's a lot of

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Speaker 1: complex stuff. There's points where they're like writing things on windows,

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Speaker 1: but it's only half a sentence in the other set,

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Speaker 1: half like ends up on the other window in the

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Speaker 1: other video. At the other time and like pouring sugar

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Speaker 1: over your head while the other woman is like taking

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Speaker 1: a shower. So there's like that kind of like echo

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Speaker 1: of reality. Anyway, I love this video. If I could

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Speaker 1: only include one, uh Michelle Gandry video that this is

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Speaker 1: my favorite. This is my favorite of them. Now you

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Speaker 1: mentioned the idea of they only had to do it

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Speaker 1: ten times, and that makes me think about something. I

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Speaker 1: bet if you could get good production information, you can

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Speaker 1: make a ranked list of music videos by how many

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Speaker 1: takes it required of the same thing. Because I remember

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Speaker 1: this being like one of the facts that would come

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Speaker 1: on like pop up video about that Spice Girls music video.

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Speaker 1: You know that if you want to be my lover.

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Speaker 1: One of the among all of the many weird and

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Speaker 1: pervy little comments that would come in the pop up

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Speaker 1: bubbles on the screen, one was about how many takes

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Speaker 1: it required, because it was like it was at least

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Speaker 1: supposed to look like a one shot thing. Right. Well,

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Speaker 1: I guess it's inevitable to his music videos because you

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Speaker 1: often see this convergence of of a of a very

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Speaker 1: serious either up and coming or established director and then

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Speaker 1: some sort of hot act that probably has like next

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Speaker 1: to no acting experience, and so that's just a recipe

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Speaker 1: for days and days of takes. Fully agree, And um,

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Speaker 1: I think it also kind of contributed too for some

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Speaker 1: reason when we started pretending that musicians were actors in

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Speaker 1: actual films. I'm sure there's some sort of overlap there because, um,

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Speaker 1: you know what, but in the olden days, like I'm

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Speaker 1: talking about, like you know, like the Buzby Berkeley, you know,

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Speaker 1: like fred Astaire era, they were putting musicians in movies too.

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Speaker 1: So maybe I'm way off about that. Maybe people just

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Speaker 1: love musicians. Yeah, some of them take to it really well.

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Speaker 1: Uh some clearly just don't have the spark, but uh,

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Speaker 1: some like Frank Sinatra, I do not like his music,

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Speaker 1: but he I think he's like better in movies than

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Speaker 1: he is as a singer. To me, Yeah, yeah, I

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Speaker 1: guess that something like like um, the original Oceans eleven

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Speaker 1: for example, he is a fun actor. Actually, same thing.

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Speaker 1: I can say the same thing about um Dean Martin,

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Speaker 1: and I can actually say the same thing about Bing

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Speaker 1: Crosby as well. I gotta think against either of their music,

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Speaker 1: but I think I enjoyed them as actors far more

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Speaker 1: often than I sit down and listen to their music.

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Speaker 1: So huh yeah, there's something about that, and some others

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Speaker 1: make the transition pretty well, like, uh, you know, Debbie

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Speaker 1: Harry is a good actress. I agree. What what was

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Speaker 1: the anthology film that she was in which she plays

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Speaker 1: like the witch They're just gonna eat the children? Oh,

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Speaker 1: I don't know, Wait was that in? That? Wasn't the

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Speaker 1: Tales from the Dark Side movie? Was it? And end?

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Speaker 1: The I think that was the the anthology structure for it?

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Speaker 1: That was the bookend is that the kids are telling

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Speaker 1: the stories in order to prevent the witch from eating them. Yeah,

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00:21:50,119 --> 00:21:52,320
Speaker 1: it's like sort of like a Shaherazade kind of situation.

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Speaker 1: Yeah and uh yeah yeah anyway, No, I agree, Debbie

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Speaker 1: Harry is a good actor. Wait, so, Seth, this brings

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Speaker 1: up suestion that you probably have a better answer for.

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Speaker 1: I was thinking about this last night. Uh, what are

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Speaker 1: music videos for? Like, like in the music industry do

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Speaker 1: they exist? Because there there are. They primarily thought of

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Speaker 1: as a kind of promotional media, like a commercial for

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Speaker 1: the music itself to get people to go buy the

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Speaker 1: album or I guess now stream the album, or is

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Speaker 1: there there's some other reasoning behind why they were created?

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Speaker 1: I mean, I know, from an artistic point of view,

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Speaker 1: it seems like they're often a sort of playground for

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Speaker 1: up and coming film directors to experiment with new techniques,

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Speaker 1: it seems like. But from a money angle, like is

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Speaker 1: it just a commercial for music? I think that's definitely

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Speaker 1: what it became. But if you go further back in time,

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Speaker 1: pre MTV, the actual reason I think why it began,

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Speaker 1: why the music video really began, was that if you

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Speaker 1: had a band and you wanted to book them on

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Speaker 1: whatever the Tonight show or you know and wait, Ed McMahon,

425
00:23:01,160 --> 00:23:04,320
Speaker 1: no, no no, no, who's the other Ed guy? Um? Ed? Ed,

426
00:23:05,040 --> 00:23:08,879
Speaker 1: Ed Begley Sullivan, Thank you, Ed Sullivan last, thinking of

427
00:23:09,800 --> 00:23:11,639
Speaker 1: if you were trying to put you guys never watch

428
00:23:11,920 --> 00:23:14,879
Speaker 1: TV with your grandparents. Come on, no, I I know

429
00:23:14,960 --> 00:23:17,760
Speaker 1: that name from from a track on one of Rocky

430
00:23:17,920 --> 00:23:21,600
Speaker 1: Ericson's albums where he's taking uh. He's at a radio

431
00:23:21,680 --> 00:23:25,919
Speaker 1: station in Austin getting call ins, and some caller asks

432
00:23:26,000 --> 00:23:27,760
Speaker 1: him it says like, Rocky, I want to talk to

433
00:23:27,800 --> 00:23:30,480
Speaker 1: you about your depravity, and he responds, you want me

434
00:23:30,520 --> 00:23:32,600
Speaker 1: to shoot you? And Ed Sullivan at the same time,

435
00:23:35,680 --> 00:23:39,280
Speaker 1: but but but picture and Ed Sullivan performance Okay, if

436
00:23:39,320 --> 00:23:41,920
Speaker 1: you were a band that was either in a completely

437
00:23:41,920 --> 00:23:45,919
Speaker 1: different country, or perhaps on tour, or perhaps just uninterested,

438
00:23:46,320 --> 00:23:48,760
Speaker 1: you would shoot a music video that you would send

439
00:23:48,920 --> 00:23:51,440
Speaker 1: to Ed Sullivan and that would be played in your

440
00:23:51,560 --> 00:23:54,520
Speaker 1: stead of a live performance. And so, for example, the

441
00:23:54,520 --> 00:23:56,760
Speaker 1: Beatles in particular did this a number of times. If

442
00:23:56,800 --> 00:23:59,720
Speaker 1: you think about all of the really old Beatles music videos,

443
00:23:59,720 --> 00:24:03,720
Speaker 1: the ones obviously predated MTV, those were created as a

444
00:24:03,800 --> 00:24:07,040
Speaker 1: substitute for the band playing live on the show. They

445
00:24:07,040 --> 00:24:10,240
Speaker 1: would just show that video in their stead. So so

446
00:24:10,240 --> 00:24:12,199
Speaker 1: so I definitely think that's how it started, was like

447
00:24:12,280 --> 00:24:14,880
Speaker 1: kind of like a placeholder for your live band during

448
00:24:14,920 --> 00:24:17,760
Speaker 1: a late night talk show. But I think ultimately it

449
00:24:17,840 --> 00:24:21,240
Speaker 1: became a television commercial. That's what I think it ultimately became.

450
00:24:21,320 --> 00:24:23,479
Speaker 1: And as long as they were investing that kind of

451
00:24:23,520 --> 00:24:26,639
Speaker 1: time and resources, et cetera, you might as well make

452
00:24:26,680 --> 00:24:28,800
Speaker 1: it good. You might as well make it fun and creative,

453
00:24:28,920 --> 00:24:32,080
Speaker 1: and hopefully that will bring even more attention to your product,

454
00:24:32,320 --> 00:24:35,400
Speaker 1: which is selling. You know, this little piece of wax

455
00:24:37,560 --> 00:24:42,480
Speaker 1: but number two two thousand nineteen anima by Tom York,

456
00:24:42,880 --> 00:24:56,639
Speaker 1: directed by Paul Thomas Anderson. We mentioned this one briefly

457
00:24:56,640 --> 00:24:58,640
Speaker 1: when we were talking on stuff to blow your mind.

458
00:24:59,160 --> 00:25:02,600
Speaker 1: It's so good it and it's actually three songs, uh,

459
00:25:02,640 --> 00:25:06,800
Speaker 1: it's It's not the News, Traffic and don Corus and

460
00:25:06,840 --> 00:25:09,560
Speaker 1: these are the three songs from the album Anema. So

461
00:25:09,640 --> 00:25:11,720
Speaker 1: they just call the whole short film Anema. It's a

462
00:25:11,720 --> 00:25:15,679
Speaker 1: fifteen minute short film and I really really love it. It

463
00:25:15,600 --> 00:25:17,640
Speaker 1: It went direct to Netflix, which I guess is how

464
00:25:17,680 --> 00:25:22,880
Speaker 1: they got such amazing funding and visuals out of this um.

465
00:25:22,920 --> 00:25:26,399
Speaker 1: It was actually choreographed by Dabian jal A, who also

466
00:25:26,480 --> 00:25:30,240
Speaker 1: did all the choreography for Suspiria, so it's got that

467
00:25:30,320 --> 00:25:33,119
Speaker 1: same vibe. Did you guys see that new Suspiria, the

468
00:25:33,160 --> 00:25:36,200
Speaker 1: one that the thing for I I loved it. I

469
00:25:36,520 --> 00:25:39,760
Speaker 1: love both Suspirias definitely. I I want one of the

470
00:25:39,760 --> 00:25:42,520
Speaker 1: things I really love about the New Suspiria, because yeah,

471
00:25:42,520 --> 00:25:44,359
Speaker 1: I agree the old one is very good. But one

472
00:25:44,359 --> 00:25:45,879
Speaker 1: thing I love about the new one is they actually

473
00:25:45,920 --> 00:25:49,800
Speaker 1: included like dancing for this ballet company that the original

474
00:25:49,840 --> 00:25:53,119
Speaker 1: had like no dancing whatsoever, which was an odd choice,

475
00:25:53,160 --> 00:25:56,000
Speaker 1: but it worked. It worked that the new one, just

476
00:25:56,080 --> 00:25:59,760
Speaker 1: the choreography alone is absolutely stunning, Like if if they're

477
00:25:59,840 --> 00:26:02,440
Speaker 1: just those segments were pulled out and shown it would

478
00:26:02,440 --> 00:26:07,119
Speaker 1: be an interesting film, but um uh yeah, same choreographer

479
00:26:07,600 --> 00:26:10,080
Speaker 1: and um it basically turned this into like a surreal

480
00:26:10,200 --> 00:26:14,879
Speaker 1: Buster Keaton short with Tom York like playing like that confused, befuddled, silent,

481
00:26:15,040 --> 00:26:17,720
Speaker 1: you know hero, just kind of wandering through all these

482
00:26:17,720 --> 00:26:21,760
Speaker 1: strange images and scenes and it's it's wonderful. Um. If

483
00:26:21,800 --> 00:26:24,119
Speaker 1: anyone out there has a Netflix account and hasn't watched

484
00:26:24,119 --> 00:26:27,320
Speaker 1: an Ema, I can't recommend it high enough. Name's got

485
00:26:27,320 --> 00:26:31,120
Speaker 1: to be confusing for a tool head like rob here right, Yeah,

486
00:26:31,280 --> 00:26:33,320
Speaker 1: there's no what's the name of that letter with the

487
00:26:33,359 --> 00:26:35,879
Speaker 1: A and the ear smushed together? Oh? I don't know

488
00:26:35,920 --> 00:26:37,800
Speaker 1: the word for it neither, but that letter, the A

489
00:26:38,320 --> 00:26:42,680
Speaker 1: smashed together letter, None of those just straight A. N

490
00:26:42,720 --> 00:26:45,919
Speaker 1: I am A you know, just anima. It might be

491
00:26:45,960 --> 00:26:48,800
Speaker 1: anima anyway. Okay, yeah, I know, I gotta admit I

492
00:26:48,840 --> 00:26:51,240
Speaker 1: don't know this one. Wait is this Tom York solo

493
00:26:51,359 --> 00:26:54,320
Speaker 1: or radiohead Tom York's solo? Yes, okay, it's this is

494
00:26:54,400 --> 00:26:57,680
Speaker 1: very new. This came out two nineteen. It's very very good. Yeah.

495
00:26:57,720 --> 00:26:59,520
Speaker 1: I have to say I haven't seen this and I

496
00:26:59,560 --> 00:27:01,640
Speaker 1: haven't listened to it. I think i've listened to all

497
00:27:01,680 --> 00:27:04,560
Speaker 1: of Tom Yorks so they're solo material, and UM love

498
00:27:04,560 --> 00:27:06,920
Speaker 1: it quite a bit. In fact, I would say of

499
00:27:07,240 --> 00:27:09,800
Speaker 1: the more recent releases, I'm more of a Tom York

500
00:27:09,840 --> 00:27:13,000
Speaker 1: fan than a Radiohead fan. Yeah, I mean, the great

501
00:27:13,040 --> 00:27:15,520
Speaker 1: thing about Tom York solo is he doesn't have to

502
00:27:15,600 --> 00:27:19,080
Speaker 1: feel bad about not including the other instruments, like like

503
00:27:19,119 --> 00:27:21,119
Speaker 1: when he's when he's making a Radiohead album, he has

504
00:27:21,160 --> 00:27:24,960
Speaker 1: to be like, oh, and is gonna be over there

505
00:27:25,000 --> 00:27:26,880
Speaker 1: looking sad if I don't give up a guitar part,

506
00:27:27,040 --> 00:27:29,159
Speaker 1: so all right that you come in with a guitar

507
00:27:29,240 --> 00:27:32,479
Speaker 1: solo Like when he's making solo music, he can just

508
00:27:32,520 --> 00:27:37,640
Speaker 1: focus on, Hey, you know I'm here. It's more electronic

509
00:27:38,000 --> 00:27:40,120
Speaker 1: when it's just Tom York, because I think my favorite

510
00:27:40,200 --> 00:27:42,479
Speaker 1: Radiohead songs are the ones that have more of an

511
00:27:42,200 --> 00:27:44,359
Speaker 1: all electronic air to them. Oh yeah like that. The

512
00:27:44,440 --> 00:27:47,720
Speaker 1: whole Kid Amnesiac era is just such a treat for

513
00:27:47,840 --> 00:27:51,119
Speaker 1: Radiohead fans. I love it, but um, yes, for everyone

514
00:27:51,160 --> 00:27:52,880
Speaker 1: in the record store listening to us, and for both

515
00:27:52,920 --> 00:27:55,800
Speaker 1: of you, I highly recommend. I'm gonna call it anima

516
00:27:56,240 --> 00:27:59,080
Speaker 1: whatever it is. The Tom York Paul Thomas Anderson short

517
00:27:59,119 --> 00:28:02,080
Speaker 1: film I mean, it's Paul Thomas Anderson. He's to me

518
00:28:02,160 --> 00:28:05,320
Speaker 1: at least one of our best living directors. So I

519
00:28:05,400 --> 00:28:08,760
Speaker 1: can't recommend high enough. But there's one I recommend more.

520
00:28:08,920 --> 00:28:12,560
Speaker 1: It's my number one. The year's two thousand two. The

521
00:28:12,600 --> 00:28:15,960
Speaker 1: song is Lost, caused by Beck, and it's directed by

522
00:28:16,000 --> 00:28:19,240
Speaker 1: the Hammer and Tongs Collective, which is Garth Jennings and

523
00:28:19,359 --> 00:28:33,320
Speaker 1: Nick Oldsmith. I also don't know this one. I'm playing

524
00:28:33,320 --> 00:28:35,840
Speaker 1: it now though I'm looking at it nice um. This

525
00:28:35,880 --> 00:28:40,800
Speaker 1: one basically it's uh, there's a giant effigy of Beck, enormous,

526
00:28:41,200 --> 00:28:45,680
Speaker 1: and it's falling slowly from the sky and in tune

527
00:28:45,720 --> 00:28:49,160
Speaker 1: with the music. While it's playing in slow motion, little

528
00:28:49,200 --> 00:28:54,400
Speaker 1: explosions and fireworks and puppetry and just transformations are happening,

529
00:28:54,840 --> 00:28:57,320
Speaker 1: and just to watch it is is a treat. And

530
00:28:57,360 --> 00:28:59,560
Speaker 1: because of its style and it's kind of like low

531
00:28:59,640 --> 00:29:03,000
Speaker 1: fine this and it's kind of creativity. I thought this

532
00:29:03,040 --> 00:29:05,240
Speaker 1: was a Michelle Gondry video for the longest time, just

533
00:29:05,240 --> 00:29:07,600
Speaker 1: because it kind of fits within his wheelhouse of the

534
00:29:07,680 --> 00:29:10,040
Speaker 1: kind of thing he would do. But then years later

535
00:29:10,080 --> 00:29:13,080
Speaker 1: I realized it was a Hammer and Tongs. Um he

536
00:29:13,200 --> 00:29:15,120
Speaker 1: might do a Beck video, didn't Oh, yes he did.

537
00:29:15,160 --> 00:29:17,640
Speaker 1: He did a couple. Um, I think a deadweight the one.

538
00:29:17,960 --> 00:29:19,800
Speaker 1: Uh yeah yeah, but I think and I think he

539
00:29:19,840 --> 00:29:22,680
Speaker 1: did cell phones dead as well. Anyway, um, hammer and Tongs.

540
00:29:22,680 --> 00:29:25,400
Speaker 1: You might know the best They made the Hitchhiker's Guide,

541
00:29:25,400 --> 00:29:30,240
Speaker 1: did the Galaxy movie, the Newer one. Okay, that's their thing,

542
00:29:30,360 --> 00:29:34,240
Speaker 1: and they have a rich history of incredible music videos.

543
00:29:34,520 --> 00:29:36,680
Speaker 1: Another big one they did was at least big for me,

544
00:29:37,160 --> 00:29:39,840
Speaker 1: was Coffee and TV. That Blur music video. There's a

545
00:29:39,880 --> 00:29:42,320
Speaker 1: little milk carton dancing around. There's a lot of good ones.

546
00:29:43,000 --> 00:29:45,720
Speaker 1: But anyway, so the video is this giant effigy of

547
00:29:45,760 --> 00:29:49,400
Speaker 1: Beck slowly falling from this guy, exploding and transforming in

548
00:29:49,480 --> 00:29:52,640
Speaker 1: time with the music. And to me, the most impressive

549
00:29:52,720 --> 00:29:54,920
Speaker 1: part about this I I have the DVD that has

550
00:29:54,960 --> 00:29:57,520
Speaker 1: all their music videos and hasn't making up stuff. They

551
00:29:57,560 --> 00:30:01,480
Speaker 1: actually did this. They actually built to this giant effigy

552
00:30:01,520 --> 00:30:04,600
Speaker 1: of Beck, lifted up on a crane, dropped it from

553
00:30:04,640 --> 00:30:07,600
Speaker 1: the sky while it was exploding, and filmed it and

554
00:30:07,600 --> 00:30:10,600
Speaker 1: then played it back in slow motion. Now for for

555
00:30:10,640 --> 00:30:12,440
Speaker 1: it to be this good, because if you watch it,

556
00:30:12,520 --> 00:30:14,880
Speaker 1: everything is happening at just the right time, at just

557
00:30:14,920 --> 00:30:17,840
Speaker 1: the right moment and all that. Hey, I'm sure they

558
00:30:18,040 --> 00:30:20,520
Speaker 1: did this multiple times and picked the right moments for

559
00:30:20,640 --> 00:30:23,840
Speaker 1: editing back and forth. But b I'm sure there was

560
00:30:23,880 --> 00:30:28,000
Speaker 1: some overlays and stuff like that. But but however they

561
00:30:28,040 --> 00:30:31,200
Speaker 1: did it. I saw them dropping that giant back, so

562
00:30:31,760 --> 00:30:34,200
Speaker 1: they did it for real in real life. And it's

563
00:30:34,200 --> 00:30:36,920
Speaker 1: just a very impressive thing to look at. And um,

564
00:30:37,000 --> 00:30:40,040
Speaker 1: that's my number one. I highly recommend it, and that

565
00:30:40,080 --> 00:30:43,360
Speaker 1: concludes my list. Everybody, it has a kind of NASA

566
00:30:44,000 --> 00:30:47,880
Speaker 1: launch or NASA landing quality to it, like this is

567
00:30:47,960 --> 00:30:51,040
Speaker 1: it's not just a like a wicker man flaming to

568
00:30:51,080 --> 00:30:53,960
Speaker 1: the ground. It has all these things popping out of it,

569
00:30:54,040 --> 00:30:56,240
Speaker 1: like like elements that seem like they need to be

570
00:30:56,280 --> 00:30:59,160
Speaker 1: deployed at a certain time in order for you know,

571
00:30:59,240 --> 00:31:07,520
Speaker 1: maximum to be achieved. Yeah, I agree. Yeah, ladies and gentlemen,

572
00:31:07,640 --> 00:31:12,680
Speaker 1: we have back. Um but yeah, yeah, that that concludes

573
00:31:12,720 --> 00:31:15,520
Speaker 1: my list, and let's let's move on to the next one.

574
00:31:15,640 --> 00:31:19,280
Speaker 1: I'm going to uh put my records away, Robert, you're

575
00:31:19,320 --> 00:31:22,120
Speaker 1: going next, So you go around the store, gather up

576
00:31:22,160 --> 00:31:24,400
Speaker 1: your records. We'll take a nice little coffee break. We'll

577
00:31:24,400 --> 00:31:34,360
Speaker 1: come back continue our captain. This Valentine's Day. You know

578
00:31:34,440 --> 00:31:36,360
Speaker 1: just what to get that special someone because you know

579
00:31:36,400 --> 00:31:38,720
Speaker 1: what makes them tick. Their favorite bouquet of roses in

580
00:31:38,760 --> 00:31:42,640
Speaker 1: a box of chopp roses in a scented a teddy

581
00:31:42,720 --> 00:31:47,080
Speaker 1: Bear roses, and a teddy Bear. Yeah, a teddy Bear.

582
00:31:47,480 --> 00:31:49,400
Speaker 1: So head on over to pro flowers dot com to

583
00:31:49,400 --> 00:31:51,880
Speaker 1: get fresh this Valentine's Day and get fifteen percent off

584
00:31:51,920 --> 00:31:54,520
Speaker 1: gifts for your special someone with promo code Crush fifteen.

585
00:31:54,600 --> 00:31:57,239
Speaker 1: That's Crush fifteen and pro flowers dot com for off

586
00:31:57,240 --> 00:31:59,920
Speaker 1: through February fourt on Flowers gifts and more for val

587
00:32:00,000 --> 00:32:03,680
Speaker 1: Wyn's Day. See website for details. Do you love movies

588
00:32:03,840 --> 00:32:06,080
Speaker 1: or maybe just the need us some recommendations on what

589
00:32:06,160 --> 00:32:08,120
Speaker 1: new movies to watch next time you sit down in

590
00:32:08,120 --> 00:32:11,840
Speaker 1: front of the TV. Well, I have the podcast for you. Hey,

591
00:32:11,880 --> 00:32:14,760
Speaker 1: this is Mike d from Movie Mix Movie Podcast, your

592
00:32:14,880 --> 00:32:17,400
Speaker 1: go to source for all things movies and no matter

593
00:32:17,480 --> 00:32:20,760
Speaker 1: the genre what you're into, whether it be comedies, romance,

594
00:32:20,800 --> 00:32:24,560
Speaker 1: actions sized by horror, superhero movies, I cover it all.

595
00:32:24,960 --> 00:32:27,960
Speaker 1: I'm no critic, I'm just a guy who loves movies.

596
00:32:28,160 --> 00:32:31,600
Speaker 1: Each episode explores a different movie topic, plus spoiler free

597
00:32:31,640 --> 00:32:35,080
Speaker 1: reviews on the latest new movies in theaters and on streaming,

598
00:32:35,320 --> 00:32:37,760
Speaker 1: and yes, they're always spoiler free, so you don't have

599
00:32:37,840 --> 00:32:40,800
Speaker 1: to worry about anything getting ruined for you. Plus interviews

600
00:32:40,800 --> 00:32:43,840
Speaker 1: with actors, directors, and writers covering the behind the scenes

601
00:32:43,880 --> 00:32:46,280
Speaker 1: of your favorite movies. I also keep you in the

602
00:32:46,320 --> 00:32:49,040
Speaker 1: note with all the latest movie news and movie trailers.

603
00:32:49,440 --> 00:32:52,600
Speaker 1: Listen to new episodes of Movie Mix Movie Podcast every

604
00:32:52,640 --> 00:32:55,720
Speaker 1: Monday on the Nashville Podcast Network, Available on the I

605
00:32:55,840 --> 00:33:02,760
Speaker 1: Heart Radio app, Apple podcast, or wherever you listen to podcasts. Hi.

606
00:33:03,120 --> 00:33:07,520
Speaker 1: I'm Glory Adam, host of Well Read Black Girl. Each week,

607
00:33:07,560 --> 00:33:10,520
Speaker 1: I sit in close conversation with one of my favorite

608
00:33:10,560 --> 00:33:14,160
Speaker 1: authors of color and share stories about how they found

609
00:33:14,200 --> 00:33:18,440
Speaker 1: their voice, hone their craft, and navigated the publishing world,

610
00:33:18,520 --> 00:33:22,360
Speaker 1: and composed some of the most beautiful and meaningful words

611
00:33:22,400 --> 00:33:26,880
Speaker 1: I've ever read. We journey together through the cultural moment

612
00:33:27,240 --> 00:33:31,760
Speaker 1: where art, culture and literature collide and pay homage to

613
00:33:31,840 --> 00:33:35,560
Speaker 1: the women whose books we grew up reading. And of

614
00:33:35,600 --> 00:33:38,280
Speaker 1: course I check in with members of the Well Read

615
00:33:38,280 --> 00:33:41,760
Speaker 1: Black Girl book Club. It's a literary kickback you never

616
00:33:41,880 --> 00:33:45,560
Speaker 1: knew you needed, and you're all invited to join the club.

617
00:33:46,200 --> 00:33:48,960
Speaker 1: So tell your friends to tell their friends, so we

618
00:33:49,080 --> 00:33:53,560
Speaker 1: can be friends who love books. Listen to well Read

619
00:33:53,560 --> 00:33:57,240
Speaker 1: Black Girl on the I Heart Radio app, Apple podcasts,

620
00:33:57,480 --> 00:34:12,640
Speaker 1: or wherever you get your podcasts. Okay, we are back. Um.

621
00:34:12,680 --> 00:34:14,959
Speaker 1: I've done my top five music videos of all time,

622
00:34:15,800 --> 00:34:19,360
Speaker 1: very subjective lists. My my other two guests here joining

623
00:34:19,440 --> 00:34:21,640
Speaker 1: us today. We got Robert Lamb and Joe McCormick the

624
00:34:21,640 --> 00:34:25,240
Speaker 1: Stuff to Blow Your Mind podcast, Robert your top five

625
00:34:25,360 --> 00:34:29,600
Speaker 1: kick it off? All right? Well, I made two rules

626
00:34:29,600 --> 00:34:32,480
Speaker 1: for myself on this One no tool videos because I

627
00:34:32,480 --> 00:34:35,319
Speaker 1: already mentioned one on the other episode we did, and

628
00:34:35,680 --> 00:34:38,360
Speaker 1: I just kind of ultimately put those in their own category.

629
00:34:38,400 --> 00:34:40,080
Speaker 1: You know, I follow you. I felt the same way

630
00:34:40,120 --> 00:34:42,600
Speaker 1: about York. I feel like I could easily make just

631
00:34:42,640 --> 00:34:44,719
Speaker 1: top five videos of just York because all of her

632
00:34:44,800 --> 00:34:47,000
Speaker 1: videos are so beautiful and I'm a little said, we're

633
00:34:47,000 --> 00:34:48,920
Speaker 1: not gonna talk about skism, but what can we do?

634
00:34:49,400 --> 00:34:53,400
Speaker 1: You know? Uh? The other rule I made for myself

635
00:34:53,440 --> 00:34:55,800
Speaker 1: on this list is not to do any more or

636
00:34:55,880 --> 00:34:59,200
Speaker 1: less straight up performance videos, concert videos or things that

637
00:34:59,239 --> 00:35:01,759
Speaker 1: are close to him, even though I really love some

638
00:35:01,800 --> 00:35:03,279
Speaker 1: of those that because a lot of times they do

639
00:35:03,360 --> 00:35:06,960
Speaker 1: capture like the raw performance element, like, for instance, one

640
00:35:06,960 --> 00:35:09,120
Speaker 1: that I do really like, and I think Joe might

641
00:35:09,120 --> 00:35:11,399
Speaker 1: have made a joke about it. In the previous one

642
00:35:11,840 --> 00:35:14,280
Speaker 1: is the the early Nine inch Nails video for Pretty

643
00:35:14,280 --> 00:35:17,560
Speaker 1: Hate Machine, which is not an expensive video or not

644
00:35:17,640 --> 00:35:20,399
Speaker 1: expensive looking. I don't know how much it costs um

645
00:35:20,440 --> 00:35:22,920
Speaker 1: and it has some you know, wonderful, kind of amusing

646
00:35:23,000 --> 00:35:25,239
Speaker 1: cheap effects in it, but it has like a raw

647
00:35:25,360 --> 00:35:29,600
Speaker 1: emotional quality that I do like. Yeah, Nine inch Nails don't, don't.

648
00:35:29,640 --> 00:35:31,560
Speaker 1: They also have a pretty cool video that's just a

649
00:35:31,600 --> 00:35:34,920
Speaker 1: performance video for what's it called March of the Pigs,

650
00:35:34,920 --> 00:35:38,040
Speaker 1: the one rethrows the microphone stand on the ground. Yeah,

651
00:35:38,800 --> 00:35:40,920
Speaker 1: in that vein when it when it comes to videos

652
00:35:40,920 --> 00:35:44,080
Speaker 1: that are just the band performing, for me, it's kind

653
00:35:44,080 --> 00:35:47,680
Speaker 1: of hard to be Prince's video where it looks like

654
00:35:47,719 --> 00:35:50,719
Speaker 1: an orgy is about to break out on the stage,

655
00:35:51,000 --> 00:35:53,400
Speaker 1: But that's just Prince every day, like they just happened

656
00:35:53,440 --> 00:35:57,600
Speaker 1: to capture his real life. So here we go. This

657
00:35:57,680 --> 00:36:00,640
Speaker 1: is my number five. I went with one. It's actually

658
00:36:01,280 --> 00:36:04,800
Speaker 1: heartbreaking lee impossible to find right now, so I can't

659
00:36:04,840 --> 00:36:07,279
Speaker 1: even send you guys after the link. I think Joe

660
00:36:07,320 --> 00:36:08,880
Speaker 1: might have seen this one. I think I sent this

661
00:36:08,920 --> 00:36:10,880
Speaker 1: one to him a while back. But he might not

662
00:36:10,960 --> 00:36:13,480
Speaker 1: have looked at or maybe you forgot it. But the

663
00:36:13,520 --> 00:36:17,080
Speaker 1: track is called Timber Chainsaw Massacre. It's from two thousand

664
00:36:17,160 --> 00:36:31,120
Speaker 1: six and it's by Heckstatic and the director I believe

665
00:36:31,200 --> 00:36:35,040
Speaker 1: is Stuart Warren Hill of Hecstatic, and it is the

666
00:36:35,040 --> 00:36:39,840
Speaker 1: the Hecstatic song Timber, which is readily available, except it

667
00:36:39,920 --> 00:36:44,400
Speaker 1: is recreated using sound effects from the Texas Chainsaw Massacre,

668
00:36:45,120 --> 00:36:48,840
Speaker 1: The Shining and perhaps one other movie I'm I'm blanking,

669
00:36:49,080 --> 00:36:52,480
Speaker 1: but mainly Texas Chainsaw Massacre and The Shining. So the

670
00:36:52,600 --> 00:36:54,800
Speaker 1: video then the video version, which I believe was created

671
00:36:54,800 --> 00:36:57,440
Speaker 1: for a two thousand six Halloween show like an audio

672
00:36:57,560 --> 00:37:02,120
Speaker 1: visual DJ set um it. It has clips from the film,

673
00:37:02,200 --> 00:37:05,000
Speaker 1: so it's a lot of these uh like chainsaw sounds

674
00:37:05,040 --> 00:37:07,759
Speaker 1: and then there's Jack Nicholson breaking through the door and

675
00:37:07,800 --> 00:37:11,399
Speaker 1: so the drumbeats are are are impounding through the door

676
00:37:11,440 --> 00:37:14,439
Speaker 1: with the hammer and then yeah, it's just it's it's

677
00:37:14,520 --> 00:37:18,880
Speaker 1: a very creative piece that Sadly the video was removed

678
00:37:18,920 --> 00:37:21,719
Speaker 1: on YouTube and I don't think they've uploaded it anywhere else,

679
00:37:21,719 --> 00:37:23,600
Speaker 1: so I don't know where I can tell anyone to

680
00:37:23,640 --> 00:37:26,200
Speaker 1: find it. Was this like a copyright claim situation. Oh,

681
00:37:26,239 --> 00:37:28,440
Speaker 1: I'm sure it was. Yeah, like probably just an auto

682
00:37:28,480 --> 00:37:30,960
Speaker 1: claim where it's like, well there's there's TCM in there,

683
00:37:31,000 --> 00:37:34,400
Speaker 1: they're shining in there, got to get it off. That's like. Um.

684
00:37:34,520 --> 00:37:37,319
Speaker 1: One of my favorite videos, which is not official by

685
00:37:37,320 --> 00:37:40,040
Speaker 1: any means, is if you take the Animal Collective song

686
00:37:40,120 --> 00:37:45,160
Speaker 1: water Curses through complete happenstance, it happens to match perfectly

687
00:37:45,640 --> 00:37:50,040
Speaker 1: every change, every movement, every dance move with Beyonce's single

688
00:37:50,120 --> 00:37:53,520
Speaker 1: Ladies just happens to just perfectly match up. So if

689
00:37:53,600 --> 00:37:55,799
Speaker 1: if you just overlay them, it's the most beautiful music

690
00:37:55,920 --> 00:38:00,000
Speaker 1: video you've ever seen. However, obviously, Beyonce's people have taken

691
00:38:00,000 --> 00:38:03,359
Speaker 1: down that video every single time, so you can't really

692
00:38:03,360 --> 00:38:05,480
Speaker 1: watch it. Just kind of like make it yourself or

693
00:38:05,840 --> 00:38:08,880
Speaker 1: hope you find it in a window before Team Beyonce

694
00:38:09,160 --> 00:38:12,400
Speaker 1: removes it from the Internet. But uh, but it sounds amazing.

695
00:38:12,600 --> 00:38:14,440
Speaker 1: You're you're saying, there's no real way to track this

696
00:38:14,520 --> 00:38:16,759
Speaker 1: down currently, not not right now, because I guess it. It

697
00:38:16,640 --> 00:38:19,560
Speaker 1: It kind of exists in that area of like everything

698
00:38:19,680 --> 00:38:22,359
Speaker 1: is terrible, you know, where they're they're creating what I

699
00:38:22,360 --> 00:38:26,319
Speaker 1: think is his legitimate art using these these elements of

700
00:38:26,320 --> 00:38:29,560
Speaker 1: other works, but um, you know it's going to fall

701
00:38:29,640 --> 00:38:33,239
Speaker 1: under the crosshairs of the of the copyright killbots that

702
00:38:33,280 --> 00:38:37,160
Speaker 1: are roaming the YouTube's. Wow. No, I'm very curious. I'm

703
00:38:37,160 --> 00:38:39,319
Speaker 1: gonna go check this out, or maybe I can find

704
00:38:39,320 --> 00:38:41,480
Speaker 1: like a Russian YouTube link or something. That's usually where

705
00:38:41,480 --> 00:38:46,680
Speaker 1: I find the uh, the most copy copyright infringed videos

706
00:38:46,760 --> 00:38:50,160
Speaker 1: is somewhere on Russian YouTube. I did not check Russian

707
00:38:50,200 --> 00:38:51,719
Speaker 1: YouTube for this one, so maybe they got it. I

708
00:38:51,719 --> 00:38:54,839
Speaker 1: try not to. It's it seems dangerous. It seems like

709
00:38:55,320 --> 00:38:57,799
Speaker 1: walking along a beach full of like syringes. It's like,

710
00:38:57,840 --> 00:39:00,319
Speaker 1: you know what, it's a beautiful beach, but don't know.

711
00:39:01,520 --> 00:39:04,879
Speaker 1: All right, here's my number four. This is the two

712
00:39:04,920 --> 00:39:12,720
Speaker 1: thousand song Sabrina by Einsters into New Boton. This would

713
00:39:12,760 --> 00:39:20,080
Speaker 1: be I wish this would be all this. This is

714
00:39:20,120 --> 00:39:23,080
Speaker 1: a wonderful video that is not listed on IMDb, so

715
00:39:23,120 --> 00:39:25,520
Speaker 1: I had to look it up. But it's directed by

716
00:39:25,640 --> 00:39:28,879
Speaker 1: John Hilcote of the Road and the Proposition. I think

717
00:39:28,880 --> 00:39:32,520
Speaker 1: he did an episode of Black Mirror and it is um.

718
00:39:32,920 --> 00:39:37,960
Speaker 1: I believe books Bargold of of Einsters into New Baton

719
00:39:38,120 --> 00:39:41,440
Speaker 1: is in it very briefly, but most of the video.

720
00:39:42,280 --> 00:39:46,759
Speaker 1: It takes place in this bleak um like restroom and

721
00:39:46,840 --> 00:39:50,520
Speaker 1: there's a minotaur having kind of an emotional breakdown in

722
00:39:50,560 --> 00:39:54,440
Speaker 1: front of a mirror. That's the entire video, I do

723
00:39:54,480 --> 00:39:57,360
Speaker 1: I remember. It's kind of like, um, it's kind of

724
00:39:57,480 --> 00:40:02,160
Speaker 1: pig like minotaur. Yeah. Is it putting on makeup at

725
00:40:02,160 --> 00:40:05,320
Speaker 1: some point or at one point? Yeah? Okay, wow, Yeah,

726
00:40:05,360 --> 00:40:07,680
Speaker 1: this is a good one. Yeah, because there's stuff in

727
00:40:07,680 --> 00:40:10,520
Speaker 1: the lyrics. It's actually an English language song, and there's

728
00:40:10,520 --> 00:40:12,800
Speaker 1: stuff about red and the color red, and so it

729
00:40:12,880 --> 00:40:15,720
Speaker 1: kind of fits symptomatically that it the minuteur is putting

730
00:40:15,719 --> 00:40:18,840
Speaker 1: on this makeup, but then you know, breaking down and weeping.

731
00:40:19,760 --> 00:40:22,799
Speaker 1: So it's it's somehow like a perfect video for this song.

732
00:40:23,560 --> 00:40:27,680
Speaker 1: Is it mostly um puppetry and like mask work or what? What?

733
00:40:27,680 --> 00:40:30,960
Speaker 1: What is the minutar made of practical makeup effects? I

734
00:40:31,000 --> 00:40:33,440
Speaker 1: believe there may or there may be some puppetry involved

735
00:40:33,440 --> 00:40:35,960
Speaker 1: in the actual production, but I'm not even sure like

736
00:40:36,000 --> 00:40:38,359
Speaker 1: what effects house was responsible for this. I had to

737
00:40:38,400 --> 00:40:42,239
Speaker 1: really search around to find the director of credit on

738
00:40:42,239 --> 00:40:45,880
Speaker 1: this because again it's not listed on IMDb. Wow. Wow, nice,

739
00:40:46,400 --> 00:40:48,120
Speaker 1: I'm gonna look this up. So far, you are too

740
00:40:48,160 --> 00:40:50,399
Speaker 1: for two with music videos I've never seen that I'm

741
00:40:50,480 --> 00:40:52,920
Speaker 1: definitely gonna go check out. Well, number three should be

742
00:40:53,280 --> 00:40:57,080
Speaker 1: one that I think everyone's seen. So here's my number three.

743
00:40:57,320 --> 00:41:02,840
Speaker 1: It is video or the track Bedtime Story by Madonna.

744
00:41:04,000 --> 00:41:15,520
Speaker 1: How can I explain how? Which is also I believe

745
00:41:15,520 --> 00:41:17,520
Speaker 1: it's Byork was one of the writers on this song,

746
00:41:17,560 --> 00:41:21,000
Speaker 1: if not the main writer. And the director was Mark Romanek,

747
00:41:21,880 --> 00:41:24,160
Speaker 1: who did a lot of cool videos. Oh weird, So

748
00:41:24,280 --> 00:41:27,359
Speaker 1: I know some Madonna videos but not this one. Uh.

749
00:41:27,560 --> 00:41:29,320
Speaker 1: The main one that comes to mind is the video

750
00:41:29,400 --> 00:41:33,759
Speaker 1: for uh, like a Prayer, which is like this was

751
00:41:33,800 --> 00:41:36,879
Speaker 1: that the one that the Vatican was mad about? Yeah? Yeah, yeah,

752
00:41:36,920 --> 00:41:38,560
Speaker 1: yeah they tried to ban it, right, or like the

753
00:41:38,600 --> 00:41:41,799
Speaker 1: Catholic League or someone involved in the Catholic Church was

754
00:41:41,960 --> 00:41:48,239
Speaker 1: very very upset about the sacrilegiousness that they felt. Okay, Well,

755
00:41:48,239 --> 00:41:52,319
Speaker 1: which Bedtime Stories? You said? Bedtime Story definitely worth looking up.

756
00:41:52,360 --> 00:41:56,319
Speaker 1: It's on the official Madonna YouTube page, and it's a

757
00:41:56,400 --> 00:42:00,840
Speaker 1: big budget affair and it's about dreams. Like it begins

758
00:42:00,960 --> 00:42:03,719
Speaker 1: with her in this kind of like dream chamber and

759
00:42:03,719 --> 00:42:06,319
Speaker 1: then it like it sets to lucid dreaming and then

760
00:42:06,440 --> 00:42:10,239
Speaker 1: we go inside this just ever changing dream world. It's

761
00:42:10,320 --> 00:42:16,840
Speaker 1: full of just beautiful strange imagery like floating cubes, um

762
00:42:16,960 --> 00:42:22,799
Speaker 1: Sufi dancers, uh, fallen angels, there are people floating. It

763
00:42:22,880 --> 00:42:25,799
Speaker 1: has a just a wonderful, just fantastic vibe for it.

764
00:42:25,840 --> 00:42:27,880
Speaker 1: And and I there are other Bana videos that I

765
00:42:28,320 --> 00:42:30,560
Speaker 1: really admire as well, but this one is a real,

766
00:42:31,080 --> 00:42:35,479
Speaker 1: real visual odyssey. Every night I dream of cubes. Yeah,

767
00:42:35,520 --> 00:42:38,840
Speaker 1: they're cubes. Oh there's one segment where that is especially

768
00:42:38,880 --> 00:42:43,439
Speaker 1: evocative too, because it's like she's in this um, She's

769
00:42:43,480 --> 00:42:47,640
Speaker 1: in some sort of a pool and there are these

770
00:42:47,719 --> 00:42:50,360
Speaker 1: like monster heads, like one looks kind of like a

771
00:42:50,400 --> 00:42:52,279
Speaker 1: big bird skull and the others are I don't know,

772
00:42:52,360 --> 00:42:55,200
Speaker 1: dinosaurs or something, and they have enormous glass eyes and

773
00:42:55,280 --> 00:42:59,120
Speaker 1: they are in the pool with her, and it's just strange.

774
00:42:59,520 --> 00:43:03,040
Speaker 1: I love it. Like there's just every few seconds there's

775
00:43:03,080 --> 00:43:07,080
Speaker 1: something new and perplexing. There's you know, at one point

776
00:43:07,160 --> 00:43:09,279
Speaker 1: there two of her and they have mirror faces. There's

777
00:43:09,280 --> 00:43:13,760
Speaker 1: another section where her eyes are replaced by by mouths

778
00:43:13,880 --> 00:43:16,480
Speaker 1: and like one sect and they were like children watching

779
00:43:16,480 --> 00:43:19,680
Speaker 1: her as she floats down a hallway. It's just a

780
00:43:19,719 --> 00:43:23,960
Speaker 1: beautiful music video. This is another one UM we've mentioned before.

781
00:43:24,440 --> 00:43:28,600
Speaker 1: Um uh, the director's label DVD sets. This is one

782
00:43:28,600 --> 00:43:31,000
Speaker 1: that I'm very familiar with because Marc Romanic also had

783
00:43:31,000 --> 00:43:34,319
Speaker 1: a DVD in that collection. And um yeah, it just

784
00:43:34,360 --> 00:43:36,920
Speaker 1: feels mythical. It feels like there's some sort of like

785
00:43:37,680 --> 00:43:41,680
Speaker 1: ancient tome telling of these stories that you you've never heard,

786
00:43:41,920 --> 00:43:44,520
Speaker 1: but you're seeing like almost like the cliffs Notes versions

787
00:43:44,560 --> 00:43:47,080
Speaker 1: of them. It just feels like there's a there's a

788
00:43:47,200 --> 00:43:51,799
Speaker 1: very deep lore that you aren't quite up to date. One. Yeah,

789
00:43:51,880 --> 00:43:55,120
Speaker 1: the does does she kind of look like um Medusa

790
00:43:55,200 --> 00:43:57,200
Speaker 1: in some parts of this, Like her hair is done

791
00:43:57,200 --> 00:43:59,799
Speaker 1: in a kind of snake pattern, a bit like in

792
00:43:59,840 --> 00:44:01,720
Speaker 1: the scene where she's in the pool with the monster

793
00:44:01,800 --> 00:44:06,400
Speaker 1: head shere, her hair is very big. You know. She

794
00:44:06,520 --> 00:44:09,120
Speaker 1: has like multiple looks and costume changes in this one.

795
00:44:09,400 --> 00:44:11,680
Speaker 1: And there's one part where you see like a lady's

796
00:44:11,719 --> 00:44:14,879
Speaker 1: back and she has scars along her shoulder blades, where

797
00:44:15,280 --> 00:44:17,480
Speaker 1: I guess one is to assume that wings have been

798
00:44:17,800 --> 00:44:21,880
Speaker 1: uh surgically removed. Yeah, good pick. I think a lot

799
00:44:21,920 --> 00:44:24,080
Speaker 1: of I think a lot of people will will definitely

800
00:44:24,160 --> 00:44:27,640
Speaker 1: remember this one. I mean, like especially back in the

801
00:44:27,680 --> 00:44:30,799
Speaker 1: old days of music television. You know, um you know

802
00:44:31,200 --> 00:44:34,239
Speaker 1: from the peak of of of MTV. Kind of the

803
00:44:34,280 --> 00:44:36,439
Speaker 1: best part about it to me was that you had

804
00:44:36,480 --> 00:44:39,000
Speaker 1: no control over it, Like these videos just happened, Like

805
00:44:39,239 --> 00:44:41,239
Speaker 1: like I want to watch some music videos. You sat

806
00:44:41,239 --> 00:44:44,080
Speaker 1: down and watched your block of music videos, and maybe

807
00:44:44,400 --> 00:44:46,960
Speaker 1: two out of ten were ones that you actively wanted

808
00:44:47,000 --> 00:44:49,320
Speaker 1: to see, and the rest were just whatever was happening

809
00:44:49,360 --> 00:44:51,320
Speaker 1: at the time, which I actually thought was a pretty

810
00:44:51,360 --> 00:44:53,840
Speaker 1: positive thing ultimately, because you were forced to kind of

811
00:44:53,880 --> 00:44:58,040
Speaker 1: consume all of these other genres, all these other styles

812
00:44:58,040 --> 00:45:00,680
Speaker 1: of music that ultimately I think just kind of like

813
00:45:00,719 --> 00:45:04,040
Speaker 1: broadened all of our you know, uh knowledge, as well

814
00:45:04,040 --> 00:45:07,120
Speaker 1: as our appreciation for all all kinds of other groups

815
00:45:07,120 --> 00:45:09,120
Speaker 1: and styles of music. It was. I think it was

816
00:45:09,120 --> 00:45:11,839
Speaker 1: a wonderful thing. Now that you pick everything on your own,

817
00:45:11,960 --> 00:45:13,520
Speaker 1: I think there's a lot of benefits to that, But

818
00:45:13,640 --> 00:45:17,200
Speaker 1: unfortunately you do miss out on being force fed, you know,

819
00:45:17,320 --> 00:45:22,720
Speaker 1: Tan gentle art. Yeah. I may be remembering this wrong,

820
00:45:22,800 --> 00:45:26,120
Speaker 1: but I think there's an essay or a letter where T.

821
00:45:26,400 --> 00:45:30,280
Speaker 1: S Elliott writes about how it's important to have lots

822
00:45:30,320 --> 00:45:35,759
Speaker 1: of mediocre poets to read because because without having a

823
00:45:35,760 --> 00:45:38,520
Speaker 1: bunch of sort of middle tier poets, you wouldn't really

824
00:45:38,520 --> 00:45:42,480
Speaker 1: appreciate what great poetry was. That's a fair point. I

825
00:45:42,600 --> 00:45:45,560
Speaker 1: don't disagree. I don't disagree with that at all. Huh yeah,

826
00:45:45,800 --> 00:45:47,400
Speaker 1: I mean it's also kind of vain because he's like,

827
00:45:47,840 --> 00:45:50,600
Speaker 1: I'd like to really experience the high level that I'm

828
00:45:50,600 --> 00:45:53,360
Speaker 1: performing at, you need to go read those other people

829
00:45:53,440 --> 00:45:56,640
Speaker 1: as well. Then then come back and you'll see truly

830
00:45:56,640 --> 00:45:59,200
Speaker 1: how great. Yeah, I think that statement comes better if

831
00:45:59,200 --> 00:46:01,879
Speaker 1: it's not coming a great poet. It's just some guy

832
00:46:02,000 --> 00:46:06,359
Speaker 1: saying that it's a little less vain. Well, who knows.

833
00:46:06,360 --> 00:46:08,080
Speaker 1: That may have been while he was working on that

834
00:46:08,120 --> 00:46:14,160
Speaker 1: book about cats, right, Yes, very cool to Yes, all right,

835
00:46:14,200 --> 00:46:18,160
Speaker 1: here's my number two. It's video for Wild Boys by

836
00:46:18,239 --> 00:46:31,879
Speaker 1: Duran Duran, directed by Russell McKay. This is the one

837
00:46:31,920 --> 00:46:33,839
Speaker 1: that we we we already talked about this one, but

838
00:46:33,920 --> 00:46:36,040
Speaker 1: I just I couldn't do a list without including it

839
00:46:36,120 --> 00:46:38,760
Speaker 1: because it is just one of my all time favorites.

840
00:46:38,920 --> 00:46:42,600
Speaker 1: Amazing pick yeah, yeah, it's um. We we we talked about

841
00:46:42,600 --> 00:46:44,680
Speaker 1: this a lot. If anyone here in the record store

842
00:46:44,960 --> 00:46:47,640
Speaker 1: didn't hear it, listen to Stuff to Blow your Minds

843
00:46:47,680 --> 00:46:51,319
Speaker 1: Friday episode during Weird House Cinema and um We talked

844
00:46:51,320 --> 00:46:52,920
Speaker 1: a lot about this music video. We go, we go

845
00:46:53,040 --> 00:46:57,759
Speaker 1: deep into depth about who made it, why they made it.

846
00:46:57,760 --> 00:47:01,640
Speaker 1: It's it's it's scar on like the land Escape of

847
00:47:01,640 --> 00:47:04,240
Speaker 1: of music videos and the MTV air at the time.

848
00:47:04,760 --> 00:47:06,960
Speaker 1: But a big thing I remember is that when I

849
00:47:07,000 --> 00:47:10,400
Speaker 1: pictured Duran Duran, I think about like Rio, I picture

850
00:47:10,440 --> 00:47:13,839
Speaker 1: like Pastel dudes with like big you know, hair, sprayed hair,

851
00:47:14,000 --> 00:47:16,839
Speaker 1: just kind of like riding around on catamarans being like,

852
00:47:16,960 --> 00:47:20,840
Speaker 1: you know, fancy pop boys. That's what I picture. But

853
00:47:21,000 --> 00:47:24,560
Speaker 1: this really does, I guess, paint a fuller picture. It

854
00:47:24,840 --> 00:47:29,360
Speaker 1: shows like a larger segment of what Duran Duran truly is,

855
00:47:29,680 --> 00:47:33,719
Speaker 1: and like it helps them be not just a one dimensional,

856
00:47:33,920 --> 00:47:37,040
Speaker 1: you know, pop group. Though interestingly enough, Russell McKay also

857
00:47:37,120 --> 00:47:42,080
Speaker 1: directed the video for Rio. Wow, he's got he's got

858
00:47:42,080 --> 00:47:44,120
Speaker 1: some depth. I was gonna say this one is more

859
00:47:44,200 --> 00:47:47,520
Speaker 1: like his name is Morton Joe and he dances in

860
00:47:47,520 --> 00:47:51,279
Speaker 1: the sand. Where else Well, I guess I Morton Joe

861
00:47:51,280 --> 00:47:53,520
Speaker 1: could dance in the water if he wanted to, but

862
00:47:53,920 --> 00:47:56,279
Speaker 1: he's he's still living that sand life. I don't know.

863
00:47:56,280 --> 00:47:58,120
Speaker 1: I guess actually Wild Boys, it would be more like

864
00:47:58,719 --> 00:48:01,680
Speaker 1: his name is Lord Humonga, because, as I said in

865
00:48:01,719 --> 00:48:04,480
Speaker 1: the Stuff Blow Your Mind episode on this, it seems

866
00:48:04,800 --> 00:48:09,600
Speaker 1: very very Road Warrior influence to me in that the

867
00:48:09,640 --> 00:48:12,040
Speaker 1: members of the band are dressed up like Mad Max.

868
00:48:12,080 --> 00:48:15,200
Speaker 1: They've got the leather jacket, they've got the weird gloves situation.

869
00:48:16,520 --> 00:48:20,520
Speaker 1: They're even in a strange way. You know how later

870
00:48:20,640 --> 00:48:23,160
Speaker 1: on in his career, Mel Gibson would seem to have

871
00:48:23,280 --> 00:48:26,839
Speaker 1: this thing about being tortured in his movies, a weird

872
00:48:26,920 --> 00:48:29,799
Speaker 1: kind of sado massochistic thing that's even there, even though

873
00:48:29,840 --> 00:48:31,480
Speaker 1: I don't think that was a major part of his

874
00:48:31,600 --> 00:48:33,799
Speaker 1: movies at the time, or at least was you know,

875
00:48:33,920 --> 00:48:37,000
Speaker 1: thought of as characteristic of his movies. But they've got

876
00:48:37,040 --> 00:48:40,680
Speaker 1: the Duran Duran guys on, like the torture windmill and

877
00:48:40,719 --> 00:48:43,959
Speaker 1: crucified to the top of the car. I mean, it's, uh,

878
00:48:43,960 --> 00:48:47,920
Speaker 1: it's perfect Mad Max energy. There's this amazing artist. Um.

879
00:48:47,920 --> 00:48:49,640
Speaker 1: I'm actually gonna google him to make sure I get

880
00:48:49,680 --> 00:48:52,799
Speaker 1: his name right. Um. He has a very interesting name.

881
00:48:52,880 --> 00:48:55,440
Speaker 1: Let's see here. Yes, yes, I just pulled it up.

882
00:48:55,800 --> 00:48:58,840
Speaker 1: His name was Chris Burden, and um, he was an

883
00:48:58,880 --> 00:49:01,520
Speaker 1: amazing dude. Um, especially in art school. We would talk

884
00:49:01,560 --> 00:49:04,080
Speaker 1: about him in art history class. Because he did this

885
00:49:04,400 --> 00:49:07,640
Speaker 1: art project called Shoot where his thing was he got

886
00:49:07,680 --> 00:49:10,080
Speaker 1: shot in the art gallery. Someone took a gun and

887
00:49:10,239 --> 00:49:13,759
Speaker 1: intentionally and shot him and that was his art performance.

888
00:49:14,120 --> 00:49:16,480
Speaker 1: And it was really shot him, really shot him with

889
00:49:16,520 --> 00:49:18,680
Speaker 1: a real gun. And I believe they, you know, they

890
00:49:18,719 --> 00:49:21,319
Speaker 1: tried to not hurt him as much as possible. That

891
00:49:21,360 --> 00:49:23,520
Speaker 1: they hit him like like you know, in the arm

892
00:49:23,600 --> 00:49:26,359
Speaker 1: or something like that. But that was his performance. And

893
00:49:26,920 --> 00:49:29,719
Speaker 1: when you talk about like, you know, extreme movements in art,

894
00:49:30,080 --> 00:49:32,920
Speaker 1: that that he he always seems to be the like

895
00:49:32,920 --> 00:49:35,520
Speaker 1: like the furthest end of the spectrum of like, yeah,

896
00:49:35,520 --> 00:49:39,760
Speaker 1: this dude shot himself as art, you know, in a gallery.

897
00:49:39,960 --> 00:49:42,560
Speaker 1: And um, another piece he did, which gets talked talked

898
00:49:42,560 --> 00:49:45,440
Speaker 1: about less because it's less impressive than getting yourself shot

899
00:49:46,000 --> 00:49:48,320
Speaker 1: is Chris Burden did this thing where he had himself

900
00:49:48,320 --> 00:49:54,080
Speaker 1: crucified to a Volkswagen bug and literally crucified hands nails

901
00:49:54,120 --> 00:49:58,600
Speaker 1: on onto a Volkswagen. And um, so you're saying it's

902
00:49:59,160 --> 00:50:03,200
Speaker 1: the idea from the Boys video. Maybe it sounds like

903
00:50:03,200 --> 00:50:06,000
Speaker 1: they got that idea from the uh the nine inch

904
00:50:06,080 --> 00:50:09,520
Speaker 1: Nails video for Happiness and Slavery. Well, I'll say Chris

905
00:50:09,520 --> 00:50:12,080
Speaker 1: Burden was doing his art in the nineteen seventies. Mostly

906
00:50:12,440 --> 00:50:16,560
Speaker 1: they have both gotten their ideas from him. But but anyway,

907
00:50:16,560 --> 00:50:19,120
Speaker 1: whenever whenever we've talked about the being crucified to a

908
00:50:19,200 --> 00:50:22,120
Speaker 1: vehicle thing, I always think about Chris Burden and um,

909
00:50:22,160 --> 00:50:24,960
Speaker 1: and then that leads me to shoot his odd performance

910
00:50:25,000 --> 00:50:28,960
Speaker 1: of getting shot. But yeah, Wild Boys is such a

911
00:50:28,960 --> 00:50:31,719
Speaker 1: great video. I love how it's just they're just being bad.

912
00:50:31,760 --> 00:50:34,719
Speaker 1: They're being really wild boys. They're throwing the desks over.

913
00:50:35,320 --> 00:50:37,120
Speaker 1: They remember that part of the beginning. It was like

914
00:50:37,160 --> 00:50:39,680
Speaker 1: an airplane hangar full of school desks and they just

915
00:50:39,680 --> 00:50:41,759
Speaker 1: start knocking them over. It's like, this is what I

916
00:50:41,760 --> 00:50:46,839
Speaker 1: think about school. Tell with your school. Yeah, it's so good,

917
00:50:47,840 --> 00:50:49,960
Speaker 1: all right, I'll go ahead and bust out my number one.

918
00:50:50,520 --> 00:50:53,120
Speaker 1: This is just this is a just for me video perfection,

919
00:50:53,160 --> 00:50:54,920
Speaker 1: Like I didn't even have to think twice about what

920
00:50:55,000 --> 00:50:59,440
Speaker 1: my favorite is. And it is from is directed by

921
00:50:59,520 --> 00:51:02,279
Speaker 1: Neil rug who I think primary is like a you know,

922
00:51:02,440 --> 00:51:05,760
Speaker 1: a photographer, I think. But it is the music video

923
00:51:05,880 --> 00:51:19,239
Speaker 1: for Reach for the Dead by Boards of Canada, and

924
00:51:19,440 --> 00:51:21,960
Speaker 1: it is, Uh, it's just beautiful. It's just just perfect.

925
00:51:22,360 --> 00:51:24,360
Speaker 1: I love Boards of Canada. But I don't think I

926
00:51:24,400 --> 00:51:27,440
Speaker 1: realized they had any music videos. Yeah, a lot of

927
00:51:27,480 --> 00:51:30,160
Speaker 1: their music videos prior to this, or at least some

928
00:51:30,160 --> 00:51:33,719
Speaker 1: of the ones I'm familiar with, utilized pre existing footage.

929
00:51:33,760 --> 00:51:36,319
Speaker 1: Like there's there's one where the official music video is

930
00:51:36,360 --> 00:51:38,560
Speaker 1: the what is it? One? Got fat? The one about

931
00:51:38,600 --> 00:51:41,800
Speaker 1: the monkeys and bicycle safety, I just set to music.

932
00:51:41,920 --> 00:51:44,680
Speaker 1: Another one is of like a really impressive high altitude

933
00:51:44,719 --> 00:51:47,880
Speaker 1: parachute jump. But this one was an original footage shot

934
00:51:48,160 --> 00:51:52,000
Speaker 1: like in the California desert, and it just capture There

935
00:51:51,920 --> 00:51:54,520
Speaker 1: are no humans in it at all, it just captures.

936
00:51:54,719 --> 00:51:57,319
Speaker 1: Most of it is just capturing these empty spaces in

937
00:51:57,400 --> 00:52:00,799
Speaker 1: this this beautiful waste land. And then towards the end

938
00:52:00,960 --> 00:52:04,319
Speaker 1: of the music video, you take to the sky and

939
00:52:04,360 --> 00:52:10,399
Speaker 1: there's this just elegant like double sunset, double horizon situation

940
00:52:10,800 --> 00:52:14,680
Speaker 1: that then becomes kind of like the very reminiscent clearly

941
00:52:14,719 --> 00:52:18,200
Speaker 1: inspired by the like the the Stargate scene in two

942
00:52:18,239 --> 00:52:22,480
Speaker 1: thousand and one of Space Odyssey, and you travel towards

943
00:52:22,560 --> 00:52:27,880
Speaker 1: the sun through this this rectangle and then there's a

944
00:52:28,000 --> 00:52:31,480
Speaker 1: dawning of three sons in the sky and it's it's

945
00:52:31,520 --> 00:52:34,040
Speaker 1: just just beautiful. I've I've watched this one multiple times.

946
00:52:34,080 --> 00:52:35,880
Speaker 1: I distinctly remember when I got to see it for

947
00:52:35,880 --> 00:52:40,080
Speaker 1: the first time, and I've been anticipating it, and it's

948
00:52:40,120 --> 00:52:43,000
Speaker 1: just it's just beautiful. It's easily my favorite music video

949
00:52:43,000 --> 00:52:44,920
Speaker 1: of all time. I feel like you would really like

950
00:52:45,000 --> 00:52:48,360
Speaker 1: a re cut of the the original Star Wars movie

951
00:52:48,440 --> 00:52:51,240
Speaker 1: where Luke goes out and he sees the two Suns rising,

952
00:52:51,239 --> 00:52:54,320
Speaker 1: and instead of Luke's theme from the John Williams score,

953
00:52:54,480 --> 00:52:57,920
Speaker 1: it's it's that Boards of Canada song. Yeah, yeah, that

954
00:52:57,920 --> 00:52:59,680
Speaker 1: would be That would be good. It was at a

955
00:52:59,680 --> 00:53:02,480
Speaker 1: different tone. It wouldn't be quite as like Forlorn. It

956
00:53:02,520 --> 00:53:06,160
Speaker 1: would be more like adventurous. You know, what's the what's

957
00:53:06,200 --> 00:53:09,840
Speaker 1: the Boards of Canada video with the skydiving? Um, I

958
00:53:09,920 --> 00:53:12,480
Speaker 1: believe it's Dave and Cowboy, isn't it. Let me check.

959
00:53:12,840 --> 00:53:16,560
Speaker 1: I don't remember offhand. Um, yes it is Dave and Cowboy.

960
00:53:16,680 --> 00:53:18,880
Speaker 1: And that's that's a beautiful one too. It's great track,

961
00:53:19,440 --> 00:53:24,040
Speaker 1: just tremendous real world footage. So I highly recommend that

962
00:53:24,040 --> 00:53:27,080
Speaker 1: one as well. Man great stuff. Um. We we have

963
00:53:27,160 --> 00:53:30,160
Speaker 1: a really wonderful community of people who shopping this record

964
00:53:30,200 --> 00:53:33,200
Speaker 1: store on our discord. If you go to Record store

965
00:53:33,200 --> 00:53:36,719
Speaker 1: Society dot com, you can join up and um, we

966
00:53:37,120 --> 00:53:40,200
Speaker 1: uh always talk about the lists whenever we do them,

967
00:53:40,400 --> 00:53:42,440
Speaker 1: and I can't wait. I'm gonna post all these videos

968
00:53:42,440 --> 00:53:45,080
Speaker 1: on there because yeah, I'm gonna say at least three

969
00:53:45,120 --> 00:53:47,080
Speaker 1: of these that you just said, Robert, I've never seen

970
00:53:47,480 --> 00:53:50,120
Speaker 1: And that's that's fun. That's my favorite reason to do

971
00:53:50,160 --> 00:53:52,879
Speaker 1: all these lists is if you have anyone lists their

972
00:53:52,880 --> 00:53:55,319
Speaker 1: favorites of something, inevitably there will be something you've never

973
00:53:55,360 --> 00:53:58,520
Speaker 1: heard of and it's someone's favorite, So you know, it's good.

974
00:53:58,600 --> 00:54:00,319
Speaker 1: You don't even like, you know, separate the eat from

975
00:54:00,320 --> 00:54:04,080
Speaker 1: the chaff. It's it's great, you know. And uh and

976
00:54:04,520 --> 00:54:08,040
Speaker 1: saying that we got one more person to go. Uh see, Joe,

977
00:54:08,120 --> 00:54:10,400
Speaker 1: let's take a little another little coffee break. You go

978
00:54:10,480 --> 00:54:13,839
Speaker 1: through the record store, gather up your five choices, and uh,

979
00:54:14,040 --> 00:54:23,799
Speaker 1: we'll resume in just a second. This Valentine's Day, you

980
00:54:23,840 --> 00:54:26,080
Speaker 1: know just what to get that special someone because you

981
00:54:26,120 --> 00:54:28,279
Speaker 1: know just what makes them tick. So head on over

982
00:54:28,280 --> 00:54:30,480
Speaker 1: to pro flowers dot com to get fresh this Valentine's

983
00:54:30,560 --> 00:54:33,440
Speaker 1: Day and get off through February fourteenth on gifts for

984
00:54:33,520 --> 00:54:36,840
Speaker 1: your special someone with promo code crush fifteen. See website

985
00:54:36,840 --> 00:54:40,200
Speaker 1: for details. Hey, it's Chuck, Wicks from Love Country Talk

986
00:54:40,239 --> 00:54:43,160
Speaker 1: to Chuck, where we bring you what's really happening in

987
00:54:43,200 --> 00:54:45,520
Speaker 1: the country music family. We also if you love country.

988
00:54:45,520 --> 00:54:47,600
Speaker 1: Here's the deal. If you love country music, you can

989
00:54:47,640 --> 00:54:50,040
Speaker 1: be on the podcast. So if you're a fan country music, well,

990
00:54:50,080 --> 00:54:51,640
Speaker 1: you can call in anytime, like, oh, I want to

991
00:54:51,680 --> 00:54:56,640
Speaker 1: talk about this. Haul Cogan called in season one. He's like, Chuckster,

992
00:54:57,440 --> 00:55:01,080
Speaker 1: I love your podcast. I mean Jason Ald, Jimmy, Alan,

993
00:55:01,120 --> 00:55:04,640
Speaker 1: Carle Pierce, Laurena, Lena. So many huge stars have been

994
00:55:04,640 --> 00:55:07,319
Speaker 1: on Love Country Talk to Chuck. Season two is gonna

995
00:55:07,320 --> 00:55:09,840
Speaker 1: get even better. I'm gonna have the same big, giant,

996
00:55:09,920 --> 00:55:13,279
Speaker 1: huge stars, but I think it's time bring some people

997
00:55:13,280 --> 00:55:16,520
Speaker 1: in the studio right off the street. You love country music, fun,

998
00:55:16,640 --> 00:55:19,200
Speaker 1: come talk to Chuck. That's how cool we are. I'm

999
00:55:19,200 --> 00:55:20,759
Speaker 1: just saying it. I'm saying it out loud. Listen to

1000
00:55:20,800 --> 00:55:23,640
Speaker 1: new episodes of Love Country Talk to Chuck every Monday

1001
00:55:23,640 --> 00:55:26,719
Speaker 1: and Thursday on the Nashville Podcast Network, available on the

1002
00:55:26,760 --> 00:55:29,520
Speaker 1: I Heart Radio app, Apple podcast, or wherever you listen

1003
00:55:29,520 --> 00:55:35,279
Speaker 1: to podcasts. Conquer your New Year's resolution to be more

1004
00:55:35,320 --> 00:55:39,120
Speaker 1: productive with the Before Breakfast podcast. In each bite sized

1005
00:55:39,160 --> 00:55:43,600
Speaker 1: daily episode, time management and productivity expert Laura vander Camp

1006
00:55:43,719 --> 00:55:45,760
Speaker 1: teaches you how to make the most of your time,

1007
00:55:45,960 --> 00:55:48,920
Speaker 1: both at work and at home. These are the practical

1008
00:55:48,960 --> 00:55:51,959
Speaker 1: suggestions you need to get more done with your day.

1009
00:55:52,160 --> 00:55:54,600
Speaker 1: Just as lifting weights keeps our body as strong as

1010
00:55:54,640 --> 00:55:57,840
Speaker 1: we age, learning new skills is the mental equivalent of

1011
00:55:57,920 --> 00:56:14,360
Speaker 1: pumping iron. Listen to before Breakfast wherever you get your podcasts. Okay,

1012
00:56:14,360 --> 00:56:17,160
Speaker 1: we are back. We got one list left to go,

1013
00:56:17,600 --> 00:56:20,799
Speaker 1: and that is Joe McCormick. Uh. Let's see here, Joe.

1014
00:56:20,880 --> 00:56:22,920
Speaker 1: Now you've already pre warned us that this is a

1015
00:56:23,040 --> 00:56:26,400
Speaker 1: very subjective list for you. Any other pre warnings you

1016
00:56:26,400 --> 00:56:29,279
Speaker 1: should give us, Yeah, I'll just be mealy mouthed every

1017
00:56:29,280 --> 00:56:32,000
Speaker 1: which way. In fact, not only can I not stand

1018
00:56:32,000 --> 00:56:33,840
Speaker 1: by the fact that these are not my all times,

1019
00:56:33,880 --> 00:56:36,080
Speaker 1: I also forgot to put them in an order, so

1020
00:56:36,200 --> 00:56:38,160
Speaker 1: I'm gonna have to make up the numbering on the

1021
00:56:38,160 --> 00:56:42,239
Speaker 1: fly here. That's fine, But but these are videos that

1022
00:56:42,280 --> 00:56:44,680
Speaker 1: I very much love, and I think I want to

1023
00:56:44,719 --> 00:56:47,400
Speaker 1: start by saying that I'm going to go in the

1024
00:56:47,440 --> 00:56:50,759
Speaker 1: opposite direction as we went in um Our Stuff to

1025
00:56:50,760 --> 00:56:53,200
Speaker 1: Plow your Mind episode on Weird music Videos, where we

1026
00:56:53,280 --> 00:56:55,680
Speaker 1: focused on the truly bizarre were we in that one?

1027
00:56:55,719 --> 00:57:00,400
Speaker 1: We talked about Herbie Hancock's Rocket, which is a tastic

1028
00:57:00,480 --> 00:57:03,440
Speaker 1: music video, but of course it's just like throbbing mannequin

1029
00:57:03,480 --> 00:57:07,799
Speaker 1: insanity and uh. And we talked about the the Mick

1030
00:57:07,920 --> 00:57:11,320
Speaker 1: Jagger music video for hard Woman, which is an absolute

1031
00:57:11,440 --> 00:57:15,319
Speaker 1: train wreck of the most bizarre kind. But here I

1032
00:57:15,320 --> 00:57:19,960
Speaker 1: want to go into just extremely earnest emotional dancing that

1033
00:57:20,200 --> 00:57:23,800
Speaker 1: is beautiful. So my first pick is the video for

1034
00:57:23,960 --> 00:57:37,840
Speaker 1: Kate Bush running Up that Hill. I think the music

1035
00:57:37,960 --> 00:57:41,320
Speaker 1: video for Wuthering Heights is probably better known, and I've

1036
00:57:41,320 --> 00:57:43,920
Speaker 1: seen things where people recreate that video and that one

1037
00:57:44,040 --> 00:57:46,080
Speaker 1: she's famously well. Actually, I think there are two different

1038
00:57:46,160 --> 00:57:49,200
Speaker 1: versions of the Wuthering Heights video. One she's in a

1039
00:57:49,280 --> 00:57:52,040
Speaker 1: red dress and just dancing among the trees and the

1040
00:57:52,080 --> 00:57:53,880
Speaker 1: forest while she's singing. I guess she's out on the

1041
00:57:53,920 --> 00:57:57,800
Speaker 1: moor right um. But this one is such a weirdly

1042
00:57:57,960 --> 00:58:03,720
Speaker 1: earnest artifact. It's just really powerfully earnest song. It's the

1043
00:58:03,760 --> 00:58:08,240
Speaker 1: sound of sincerely yearning for something impossible, and the video

1044
00:58:08,400 --> 00:58:14,160
Speaker 1: is exactly like that, this incredibly powerful emotional ballet performance

1045
00:58:14,200 --> 00:58:17,040
Speaker 1: with Kate Bush and this male dancer. A lot of

1046
00:58:17,080 --> 00:58:20,360
Speaker 1: reaching gestures. I don't know if you guys have seen

1047
00:58:20,400 --> 00:58:23,320
Speaker 1: this one, but I think it's really truly beautiful. This

1048
00:58:23,400 --> 00:58:25,960
Speaker 1: is the one with she's wearing rad right. No, No,

1049
00:58:26,080 --> 00:58:28,840
Speaker 1: that's the Weathering Heights video. Okay, that's the one where

1050
00:58:28,880 --> 00:58:31,840
Speaker 1: people dress up like it and uh and reenacted. Yeah,

1051
00:58:32,040 --> 00:58:34,000
Speaker 1: I have a friend who did that. I think. I

1052
00:58:34,080 --> 00:58:36,400
Speaker 1: was actually in a park in London one time and

1053
00:58:36,440 --> 00:58:38,640
Speaker 1: we saw tons of people in red dresses and we

1054
00:58:38,640 --> 00:58:41,480
Speaker 1: were like, what's going on? They were recreating the Weathering

1055
00:58:41,520 --> 00:58:45,400
Speaker 1: Heights video. That's fun. I have seen this video and

1056
00:58:45,600 --> 00:58:48,320
Speaker 1: m One thing I love about Kate Bush basically just

1057
00:58:48,440 --> 00:58:50,400
Speaker 1: artistically in general when it comes to her music and

1058
00:58:50,400 --> 00:58:53,720
Speaker 1: her music videos and everything she does is she's incredibly

1059
00:58:53,720 --> 00:58:57,720
Speaker 1: gimmick free, Like all she is is just quality and

1060
00:58:57,720 --> 00:58:59,960
Speaker 1: and it's um it's a nice reminder for me per

1061
00:59:00,000 --> 00:59:02,960
Speaker 1: personally because um, I really do like things that are

1062
00:59:02,960 --> 00:59:05,920
Speaker 1: progressive and trying new things and experimental. And one thing

1063
00:59:05,920 --> 00:59:09,080
Speaker 1: I've said many many times is I'll take creativity over

1064
00:59:09,160 --> 00:59:12,040
Speaker 1: talent any day of the week. Like I just really

1065
00:59:12,080 --> 00:59:15,200
Speaker 1: in general love it when people just do interesting things

1066
00:59:15,240 --> 00:59:18,360
Speaker 1: like that's more interesting to me than anything. But everyone's

1067
00:59:18,360 --> 00:59:20,520
Speaker 1: in other people like Kate Bush should come up. You're like, oh,

1068
00:59:20,560 --> 00:59:22,760
Speaker 1: never mind. If you write a good song and you're

1069
00:59:22,800 --> 00:59:25,920
Speaker 1: really good at performing it, that's all that matters. Like

1070
00:59:26,080 --> 00:59:29,840
Speaker 1: talent wins period, Like that's that's the real key. And

1071
00:59:29,840 --> 00:59:31,880
Speaker 1: and that's to me is like the magic trick of

1072
00:59:32,320 --> 00:59:36,560
Speaker 1: music in general is that, um, you can explain why

1073
00:59:36,640 --> 00:59:39,640
Speaker 1: certain artists are great, like by just using like a spreadsheet.

1074
00:59:40,080 --> 00:59:42,760
Speaker 1: Kate Bush is just talented. You can't. You can't explain that,

1075
00:59:42,800 --> 00:59:46,160
Speaker 1: it just is. So Yeah, there are a lot of

1076
00:59:46,200 --> 00:59:49,200
Speaker 1: things in creativity where you can make like rules for success.

1077
00:59:49,520 --> 00:59:51,480
Speaker 1: I used to say this about you know, like writing

1078
00:59:51,480 --> 00:59:53,840
Speaker 1: fiction or something. You know that you shouldn't have a

1079
00:59:53,920 --> 00:59:56,640
Speaker 1: character do this, or you shouldn't write a sentence like that.

1080
00:59:57,000 --> 00:59:59,960
Speaker 1: But every kind of rule like that about art and entertainment,

1081
01:00:00,480 --> 01:00:03,480
Speaker 1: it always comes with the caveat, which is unless it's

1082
01:00:03,520 --> 01:00:07,000
Speaker 1: really good. You're just like, don't do this unless it's

1083
01:00:07,040 --> 01:00:10,080
Speaker 1: just really good anyway. Yeah, Yeah, I had a creative

1084
01:00:10,080 --> 01:00:13,840
Speaker 1: write writing a professor who who's talked about that, where

1085
01:00:13,920 --> 01:00:16,440
Speaker 1: like people told him he can't do a civil war

1086
01:00:16,520 --> 01:00:19,840
Speaker 1: novel about identical twins where one fights for the North

1087
01:00:19,840 --> 01:00:22,720
Speaker 1: and one fights for the South. So that's exactly what

1088
01:00:22,760 --> 01:00:25,720
Speaker 1: he wrote. He wrote a novel. I mean it would

1089
01:00:25,760 --> 01:00:29,080
Speaker 1: work if it was great. Yeah, that that comes up.

1090
01:00:30,160 --> 01:00:34,040
Speaker 1: Thomas Lennon and Ben Grants from the States and Red

1091
01:00:34,080 --> 01:00:37,240
Speaker 1: nine one one. Uh, they wrote a book about how

1092
01:00:37,280 --> 01:00:39,160
Speaker 1: to write screenplays because obviously they've had a lot of

1093
01:00:39,160 --> 01:00:43,360
Speaker 1: success writing just like mainstream screenplays, things like um oh,

1094
01:00:43,440 --> 01:00:45,520
Speaker 1: A Night of the Museum things like that, where they've

1095
01:00:45,560 --> 01:00:48,080
Speaker 1: just made tons of money and you wouldn't expect that

1096
01:00:48,120 --> 01:00:49,720
Speaker 1: they were the ones that wrote it because they have

1097
01:00:49,760 --> 01:00:54,680
Speaker 1: such an irreverent, absurdist style of humor, you know. But um,

1098
01:00:54,720 --> 01:00:57,160
Speaker 1: in this book, they were perpetually talking about how to

1099
01:00:57,240 --> 01:01:00,840
Speaker 1: write a big mainstream blockbusters. They say things like, hey,

1100
01:01:00,880 --> 01:01:03,600
Speaker 1: on this page, this is where the conflict happens. On

1101
01:01:03,640 --> 01:01:05,960
Speaker 1: this page. All your characters need to be established on

1102
01:01:06,120 --> 01:01:09,320
Speaker 1: this page. Obviously I'm talking about the screenplay. On this page,

1103
01:01:09,400 --> 01:01:11,360
Speaker 1: this is where your third act starts. And then they

1104
01:01:11,360 --> 01:01:13,880
Speaker 1: always covey at it with unless you're making art, then

1105
01:01:13,920 --> 01:01:18,440
Speaker 1: it doesn't matter. Like if you're making art, then it

1106
01:01:18,520 --> 01:01:20,160
Speaker 1: has no rules, so you don't need to read a

1107
01:01:20,160 --> 01:01:23,439
Speaker 1: book to do that. This is how to make a mainstream,

1108
01:01:23,600 --> 01:01:26,880
Speaker 1: big budget popular film. You know, they're talking about a

1109
01:01:26,920 --> 01:01:30,560
Speaker 1: surgical procedure to remove a certain amount of money from

1110
01:01:30,600 --> 01:01:35,120
Speaker 1: the public, how to sell x number of popcorn. Well, so,

1111
01:01:35,920 --> 01:01:39,040
Speaker 1: thinking about this Kate Bush video raises a question for me,

1112
01:01:39,400 --> 01:01:42,680
Speaker 1: which is, Um, when you're talking about really liking a

1113
01:01:42,800 --> 01:01:46,280
Speaker 1: music video, how much are you supposed to try to

1114
01:01:46,440 --> 01:01:49,480
Speaker 1: separate your enjoyment of the video from your enjoyment of

1115
01:01:49,480 --> 01:01:52,480
Speaker 1: the song itself? You know, like, like how much does

1116
01:01:52,560 --> 01:01:55,640
Speaker 1: this just because Running Up the Hill for me is

1117
01:01:55,680 --> 01:01:57,520
Speaker 1: just like, you know, one of the best tracks ever

1118
01:01:57,600 --> 01:02:03,240
Speaker 1: as this amazing be the underlying synth part, the vocals,

1119
01:02:03,320 --> 01:02:06,960
Speaker 1: I mean, it's it's like a perfect song to me. Um.

1120
01:02:07,280 --> 01:02:10,800
Speaker 1: And so of course, I mean I have to imagine,

1121
01:02:10,840 --> 01:02:13,280
Speaker 1: like whatever was happening on the screen, as long as

1122
01:02:13,280 --> 01:02:16,000
Speaker 1: it wasn't something bad, I would be enjoying the experience

1123
01:02:16,040 --> 01:02:18,920
Speaker 1: of watching it. I think that this video is a

1124
01:02:19,040 --> 01:02:21,240
Speaker 1: is a great video, even though it's very straightforward. It's

1125
01:02:21,320 --> 01:02:25,520
Speaker 1: very simple. It's just like dancing mostly. Um. But yeah,

1126
01:02:25,800 --> 01:02:27,240
Speaker 1: do you know what I mean? Like, can can you

1127
01:02:27,280 --> 01:02:30,880
Speaker 1: take the your appreciation of the song itself out of

1128
01:02:30,920 --> 01:02:34,440
Speaker 1: your understanding of what's happening in the video? Yeah? And

1129
01:02:34,680 --> 01:02:36,920
Speaker 1: I'm sure they have to factor that in, like whoever's

1130
01:02:36,960 --> 01:02:39,840
Speaker 1: directing the video has to think to themselves, am I

1131
01:02:39,880 --> 01:02:42,320
Speaker 1: trying to match the song? Am I trying not to

1132
01:02:42,400 --> 01:02:45,000
Speaker 1: distract from this song? Or am I trying to like

1133
01:02:45,040 --> 01:02:47,439
Speaker 1: almost disguise the song? Like the song is not that good?

1134
01:02:47,680 --> 01:02:50,600
Speaker 1: So I'm going to actually make a really good music

1135
01:02:50,680 --> 01:02:53,600
Speaker 1: video to draw your attention in and perhaps you don't

1136
01:02:53,600 --> 01:02:55,600
Speaker 1: have to even worry about the song. So yeah, I'm

1137
01:02:55,640 --> 01:02:57,760
Speaker 1: sure it's a case by case basis. I would presume.

1138
01:02:58,320 --> 01:03:00,800
Speaker 1: I think a better way to explore or that question,

1139
01:03:01,320 --> 01:03:03,320
Speaker 1: which we obviously don't have time to do here, it

1140
01:03:03,320 --> 01:03:07,600
Speaker 1: would be to look at examples of the best songs

1141
01:03:07,680 --> 01:03:10,400
Speaker 1: that have the worst music videos to accompany them, you know.

1142
01:03:11,040 --> 01:03:12,760
Speaker 1: I think that could be a different list for a

1143
01:03:12,800 --> 01:03:15,080
Speaker 1: different day. But yeah, yeah, that's it's an interesting thought

1144
01:03:15,080 --> 01:03:17,800
Speaker 1: for sure. Okay, Well, for my next pick, I guess

1145
01:03:17,880 --> 01:03:19,840
Speaker 1: this is going to be my number four. I'm going

1146
01:03:19,920 --> 01:03:22,360
Speaker 1: to come back to a subject we have already talked about.

1147
01:03:22,600 --> 01:03:25,200
Speaker 1: I'm sorry this is going to overlap somewhat with you, Seth,

1148
01:03:25,320 --> 01:03:27,600
Speaker 1: but I had to pick a Michelle Gondry B York

1149
01:03:27,720 --> 01:03:31,560
Speaker 1: video of course. Uh for me, this was the video

1150
01:03:31,720 --> 01:03:34,600
Speaker 1: for the B York song hyper Ballad, which I think

1151
01:03:34,640 --> 01:03:47,480
Speaker 1: is off her album post Go to Well. Um, it

1152
01:03:47,640 --> 01:03:50,680
Speaker 1: is hard to describe exactly what's going on in this video,

1153
01:03:50,760 --> 01:03:54,640
Speaker 1: but I will try. York the artist is. It looks

1154
01:03:54,640 --> 01:03:58,480
Speaker 1: like she's lying asleep, eyes closed on some kind of

1155
01:03:58,480 --> 01:04:02,200
Speaker 1: forest floor. They were like leaves and pine straw and moss.

1156
01:04:03,080 --> 01:04:06,160
Speaker 1: But it's also as if that forest floor is the

1157
01:04:06,200 --> 01:04:10,080
Speaker 1: base of a kind of rotating coffin with a glass lid,

1158
01:04:11,320 --> 01:04:15,600
Speaker 1: And so the glass lid over her sleeping body becomes

1159
01:04:15,600 --> 01:04:19,840
Speaker 1: a sort of screen on which is projected a recording

1160
01:04:20,080 --> 01:04:24,920
Speaker 1: of York Awake singing, and that overlays her sleeping face.

1161
01:04:25,560 --> 01:04:30,720
Speaker 1: And then sometimes there's another layer of transparency or reflection,

1162
01:04:31,200 --> 01:04:33,880
Speaker 1: where in the glass over her sleeping face you can

1163
01:04:33,920 --> 01:04:37,240
Speaker 1: see machinery like circuit boards with blinking l ed s

1164
01:04:37,960 --> 01:04:40,400
Speaker 1: that appear to be on the other side of the glass.

1165
01:04:40,520 --> 01:04:43,600
Speaker 1: And so it's this very weird effect where you're confused

1166
01:04:43,640 --> 01:04:46,560
Speaker 1: about like how many layers of things you're looking through

1167
01:04:46,680 --> 01:04:50,720
Speaker 1: and where the transparency is and what's being reflected versus

1168
01:04:50,720 --> 01:04:53,680
Speaker 1: what you're seeing through the glass, which is a wonderful

1169
01:04:53,720 --> 01:04:57,800
Speaker 1: effect to create in a music video. Um, and I

1170
01:04:57,840 --> 01:04:59,640
Speaker 1: think you're wrong, though, Joe. I think this is not

1171
01:04:59,760 --> 01:05:01,800
Speaker 1: in a fact, I think this is what it's like

1172
01:05:01,920 --> 01:05:05,440
Speaker 1: to look at Bjork in real life, without effects added

1173
01:05:05,880 --> 01:05:10,800
Speaker 1: to remove her natural essence. I mean, yeah, it really

1174
01:05:10,800 --> 01:05:12,560
Speaker 1: does feel that way. And also I would say maybe

1175
01:05:12,600 --> 01:05:14,440
Speaker 1: it's not an effect. When we see York as a

1176
01:05:14,520 --> 01:05:17,400
Speaker 1: sixteen bit video game character, she's like a sprite like

1177
01:05:17,480 --> 01:05:22,120
Speaker 1: Sonic the Hedgehog, running around between antenna towers. And I

1178
01:05:22,160 --> 01:05:25,160
Speaker 1: love the little animation. I mean I wonder how they

1179
01:05:25,200 --> 01:05:27,680
Speaker 1: animated that, Like, did they actually create her as a

1180
01:05:27,760 --> 01:05:31,040
Speaker 1: video game character with a running animation? That's what it

1181
01:05:31,080 --> 01:05:34,120
Speaker 1: looks like, because that image always sticks in my mind

1182
01:05:34,120 --> 01:05:36,080
Speaker 1: because well, and she's like always like she's like running

1183
01:05:36,080 --> 01:05:41,000
Speaker 1: along to the beat too, like the little jog because

1184
01:05:41,160 --> 01:05:43,040
Speaker 1: that moment always sticks out in my mind from this

1185
01:05:43,120 --> 01:05:47,560
Speaker 1: music video. I always misremember this video as being for

1186
01:05:47,600 --> 01:05:51,240
Speaker 1: her song Joka j O g A because that one too,

1187
01:05:51,240 --> 01:05:54,000
Speaker 1: because but because I associate it with jogging, because that

1188
01:05:54,040 --> 01:05:57,880
Speaker 1: little sprite jogging in the music video, which makes no sense.

1189
01:05:58,040 --> 01:06:00,000
Speaker 1: But but but I fully agree. This is what my

1190
01:06:00,080 --> 01:06:03,200
Speaker 1: favorite Buyork videos. Also, it's so good. The joke of

1191
01:06:03,320 --> 01:06:05,680
Speaker 1: video is the one I think that's also Michelle Gandry

1192
01:06:05,680 --> 01:06:08,240
Speaker 1: where it's like the map that's like changing and moving

1193
01:06:08,280 --> 01:06:11,600
Speaker 1: around or is that one Bachelorette. Oh, no, you're right,

1194
01:06:11,600 --> 01:06:13,560
Speaker 1: you know it's it's yeah, it's it's a three D

1195
01:06:13,680 --> 01:06:16,720
Speaker 1: renderings of like the world, and it's like shifting and

1196
01:06:16,760 --> 01:06:19,400
Speaker 1: breaking and cracking and fall Yeah, yeah, yeah, yeah, that's

1197
01:06:19,400 --> 01:06:22,080
Speaker 1: the one. Bachelorette's the one where she's putting on a

1198
01:06:22,160 --> 01:06:24,840
Speaker 1: play and then the play in a play puts on

1199
01:06:24,880 --> 01:06:27,240
Speaker 1: a play, and then the play within the play puts

1200
01:06:27,240 --> 01:06:29,760
Speaker 1: on a play and it's all based on like York's

1201
01:06:29,800 --> 01:06:32,360
Speaker 1: book and like anyway, that one's that's wonderful too. We

1202
01:06:32,360 --> 01:06:34,920
Speaker 1: could go all day with York. Michelle Gandry. Yeah, this

1203
01:06:35,000 --> 01:06:37,600
Speaker 1: video is not as elaborate as some of the other

1204
01:06:37,720 --> 01:06:40,560
Speaker 1: bu York videos. It's more elegant and simple, but I

1205
01:06:40,640 --> 01:06:43,560
Speaker 1: like it for that, and I like how the visual

1206
01:06:43,680 --> 01:06:47,560
Speaker 1: themes of the video really echo the auditory themes or

1207
01:06:47,560 --> 01:06:51,600
Speaker 1: I guess the music genre themes, because we see at

1208
01:06:51,600 --> 01:06:54,080
Speaker 1: the same time she looks like she's lying on some

1209
01:06:54,160 --> 01:06:56,600
Speaker 1: kind of forest floor or something, but we also see

1210
01:06:56,640 --> 01:06:58,760
Speaker 1: all this electronic imagery, you know, the l e ed

1211
01:06:58,920 --> 01:07:01,280
Speaker 1: s and stuff, and it seems to fit with the song,

1212
01:07:01,400 --> 01:07:05,360
Speaker 1: which sounds to me like a kind of electronic folk. Yeah.

1213
01:07:05,400 --> 01:07:07,280
Speaker 1: But also there's a part I wanted to point out

1214
01:07:07,320 --> 01:07:11,080
Speaker 1: in this video that that always gets me where York's

1215
01:07:11,120 --> 01:07:13,160
Speaker 1: eyes are closed of course for most of the video

1216
01:07:13,200 --> 01:07:15,960
Speaker 1: because she is supposed to be sleeping, I think, but

1217
01:07:16,040 --> 01:07:19,120
Speaker 1: there's a part where she starts to suddenly blink them

1218
01:07:19,160 --> 01:07:22,560
Speaker 1: open along with the rhythm, and in watching it you

1219
01:07:22,680 --> 01:07:25,720
Speaker 1: discover that it is a really creepy feeling to have

1220
01:07:25,840 --> 01:07:29,040
Speaker 1: been staring at somebody's face for several minutes and then

1221
01:07:29,040 --> 01:07:31,080
Speaker 1: they suddenly opened their eyes. You know. It's like in

1222
01:07:31,160 --> 01:07:34,080
Speaker 1: rear window when the guy is suddenly looking back at you.

1223
01:07:34,920 --> 01:07:37,919
Speaker 1: Yeah yeah yeah, Or you're you know, you're writing along

1224
01:07:37,920 --> 01:07:40,160
Speaker 1: on a train and you're just happened to glance up

1225
01:07:40,160 --> 01:07:41,880
Speaker 1: at the person across from you, like reading their book,

1226
01:07:42,160 --> 01:07:44,240
Speaker 1: and then they raise their eyes and look you dead

1227
01:07:44,240 --> 01:07:46,280
Speaker 1: in the eyes, and you're like, sorry, I haven't been

1228
01:07:46,320 --> 01:07:50,439
Speaker 1: staring at you. I'm I'm, I'm, I'm. It's an odd situation. Yeah,

1229
01:07:50,440 --> 01:07:52,520
Speaker 1: oh yeah, what's going on over here? That the whole

1230
01:07:52,560 --> 01:07:56,000
Speaker 1: looking around game? Uh? And and plus uh, one more

1231
01:07:56,000 --> 01:07:58,200
Speaker 1: thing before we move onto your next one. Um, I

1232
01:07:58,240 --> 01:08:01,640
Speaker 1: have to mention probably my favorite Michelle Gondry video if

1233
01:08:01,720 --> 01:08:03,919
Speaker 1: if it's not hyper ballot, because yper Ballot is very good,

1234
01:08:04,200 --> 01:08:07,280
Speaker 1: it's for a Declare independence because I ever seen that one. Oh,

1235
01:08:07,320 --> 01:08:10,280
Speaker 1: I'm not sure. Highly recommend it. It's um it's from

1236
01:08:10,360 --> 01:08:13,640
Speaker 1: her Volta album and just Michelle Gondry and York are

1237
01:08:13,680 --> 01:08:16,120
Speaker 1: a match made in heaven. They make some of the

1238
01:08:16,160 --> 01:08:19,200
Speaker 1: best art period. But wait, wait, wait, wait, is that

1239
01:08:19,320 --> 01:08:22,120
Speaker 1: the one where she's driving a war rig. She's a

1240
01:08:22,400 --> 01:08:26,439
Speaker 1: giant vehicle. That one that that's that's the boo doo

1241
01:08:26,439 --> 01:08:29,520
Speaker 1: doo doo doo doo doo doo doo doo doo doo doo. Yeah.

1242
01:08:29,760 --> 01:08:32,200
Speaker 1: I think it has a mouth with like teeth moving

1243
01:08:32,240 --> 01:08:37,640
Speaker 1: independently no matter what, teeth are not supposed to move independently,

1244
01:08:37,800 --> 01:08:41,800
Speaker 1: and that's really disturbing. Yeah, Declare Independence has like bizarre

1245
01:08:42,040 --> 01:08:46,760
Speaker 1: string puppet bloom. Yeah, it's a very elaborate setup for

1246
01:08:46,840 --> 01:08:50,360
Speaker 1: a very simple execution. It's it's it's it's it's nice.

1247
01:08:50,360 --> 01:08:53,960
Speaker 1: It's a fun one anyway anyway, But but but but Joe, uh,

1248
01:08:54,640 --> 01:08:56,799
Speaker 1: what was that was your number four? I guess so,

1249
01:08:56,800 --> 01:08:59,840
Speaker 1: so how about number three for US? Okay, for number three.

1250
01:09:00,000 --> 01:09:04,040
Speaker 1: I'm gonna go very mainstream, very not weird, but something

1251
01:09:04,080 --> 01:09:08,880
Speaker 1: that is just undeniably infectiously happy. Uh. This is the

1252
01:09:08,960 --> 01:09:22,480
Speaker 1: music video for Whitney Houston I Want to Dance with Somebody,

1253
01:09:24,000 --> 01:09:26,840
Speaker 1: directed by Brian Grant. I think it was choreographed by

1254
01:09:26,960 --> 01:09:32,799
Speaker 1: Arlene Phillips. And I cannot watch this without just beaming

1255
01:09:32,960 --> 01:09:35,400
Speaker 1: from ear to ear. It is maybe the most joyful

1256
01:09:35,479 --> 01:09:38,840
Speaker 1: thing I've ever seen committed to film. Yeah, if Tara

1257
01:09:38,920 --> 01:09:41,960
Speaker 1: were here today, she would be on this. She is

1258
01:09:42,000 --> 01:09:44,679
Speaker 1: a big Whitney fan, and especially this era of Whitney,

1259
01:09:44,840 --> 01:09:49,640
Speaker 1: so uh but you're right, Uh, Whitney was like unparalleled

1260
01:09:49,640 --> 01:09:53,800
Speaker 1: when it came to talent and execution, upset talent. She

1261
01:09:53,800 --> 01:09:57,439
Speaker 1: she was a beast, you know. Yeah, uh you know.

1262
01:09:57,479 --> 01:09:59,679
Speaker 1: We did an episode of Stuff to Pull Your Mind

1263
01:09:59,680 --> 01:10:02,280
Speaker 1: not too long ago about Halo imagery, and I kept

1264
01:10:02,320 --> 01:10:05,400
Speaker 1: thinking about that while I was watching this, because I

1265
01:10:05,720 --> 01:10:08,080
Speaker 1: couldn't help but notice that in one of the main

1266
01:10:08,200 --> 01:10:12,479
Speaker 1: recurring motifs in this video, Whitney Houston is lit from behind,

1267
01:10:12,600 --> 01:10:15,400
Speaker 1: so she's literally glowing like the outer layers of her

1268
01:10:15,439 --> 01:10:19,040
Speaker 1: hair a glowing with the light this intense, almost you know,

1269
01:10:19,200 --> 01:10:22,439
Speaker 1: sun bright light from behind her and I don't know,

1270
01:10:22,479 --> 01:10:24,240
Speaker 1: there's just so much that's great about it. It's got

1271
01:10:24,240 --> 01:10:26,439
Speaker 1: a Wizard of Oz type theme where it starts in

1272
01:10:26,520 --> 01:10:28,880
Speaker 1: black and white and she's just coming off stage from

1273
01:10:28,920 --> 01:10:32,040
Speaker 1: some kind of performance, and then as we go into

1274
01:10:32,080 --> 01:10:34,679
Speaker 1: her mind's eye and you know, seeing what she would

1275
01:10:34,680 --> 01:10:36,479
Speaker 1: really like to be doing right now, which is apparently

1276
01:10:36,600 --> 01:10:39,000
Speaker 1: dancing with somebody who loves her, we go into full

1277
01:10:39,040 --> 01:10:43,880
Speaker 1: color and this like super bright colors. Um. The video

1278
01:10:44,000 --> 01:10:46,559
Speaker 1: is very silly, like a lot of it is her

1279
01:10:47,439 --> 01:10:51,680
Speaker 1: watching men dance in various ways around her, like and

1280
01:10:51,760 --> 01:10:54,439
Speaker 1: sort of judging them on whether or not they're dancing well.

1281
01:10:55,560 --> 01:10:59,000
Speaker 1: But it's it's just so good, perfectly eighties two actually

1282
01:10:59,040 --> 01:11:00,840
Speaker 1: is it? Yeah, that's that's still in the eighties. That

1283
01:11:00,840 --> 01:11:02,920
Speaker 1: hasn't crossed end of the nineties yet, has it. No,

1284
01:11:03,000 --> 01:11:04,680
Speaker 1: this is e D I think it's eight seven. I

1285
01:11:04,680 --> 01:11:08,320
Speaker 1: would guess. Yeah, there's that nice transition period around like

1286
01:11:09,520 --> 01:11:12,240
Speaker 1: where like the eighties were still real strong even in

1287
01:11:12,320 --> 01:11:15,360
Speaker 1: the nineties. Right, Yeah, Now, this is a good good

1288
01:11:15,439 --> 01:11:19,960
Speaker 1: music video, good song, good music video. Nothing nothing nothing

1289
01:11:19,960 --> 01:11:23,240
Speaker 1: bad about this I can say. I guess there's nothing

1290
01:11:23,320 --> 01:11:25,640
Speaker 1: weird to talk about with it, really, except it's just

1291
01:11:25,840 --> 01:11:28,920
Speaker 1: it's just pop music at its absolute best. Yeah. I

1292
01:11:28,960 --> 01:11:32,000
Speaker 1: like the color scheme. It's very colorful. Okay, now I've

1293
01:11:32,000 --> 01:11:33,840
Speaker 1: got a weird one. If you're ready for my number two,

1294
01:11:34,240 --> 01:11:36,840
Speaker 1: go for it. Okay. This is going to be the

1295
01:11:36,960 --> 01:11:52,080
Speaker 1: video for weird Al Dare to Be Stupid. Not only

1296
01:11:52,200 --> 01:11:55,160
Speaker 1: a great parody of new wave music and of Devo.

1297
01:11:55,840 --> 01:11:58,360
Speaker 1: Not just a parody of Devo. This is the best

1298
01:11:58,479 --> 01:12:01,639
Speaker 1: Devo song. Let's say, I'm not sure I've seen this one,

1299
01:12:01,680 --> 01:12:04,280
Speaker 1: so I'm pulling it up. Yeah, yep, there they are

1300
01:12:04,320 --> 01:12:07,000
Speaker 1: in Devo gear. The song itself is one of my

1301
01:12:07,040 --> 01:12:12,280
Speaker 1: favorite weird Al songs. It has gloriously strange and funny lyrics. Uh.

1302
01:12:12,600 --> 01:12:15,200
Speaker 1: The opening line is put down your chainsaws and listen

1303
01:12:15,240 --> 01:12:17,320
Speaker 1: to me. It's time for you to join in the fight.

1304
01:12:17,920 --> 01:12:20,600
Speaker 1: It's time to let your babies grow up to be cowboys.

1305
01:12:20,680 --> 01:12:23,840
Speaker 1: It's time to let the bedbugs bite. And I love

1306
01:12:23,920 --> 01:12:27,599
Speaker 1: that the visuals in this video are extremely literal. So

1307
01:12:27,640 --> 01:12:29,920
Speaker 1: when he says put down your chainsaw and listen to me,

1308
01:12:29,960 --> 01:12:32,599
Speaker 1: it's a man watching TV and he puts down his chainsaw.

1309
01:12:33,320 --> 01:12:35,599
Speaker 1: And then when it's it's time to let your babies

1310
01:12:35,600 --> 01:12:38,680
Speaker 1: grow up to be cowboys. You see these adult men

1311
01:12:38,880 --> 01:12:43,280
Speaker 1: were wearing child's cowboy costumes and uh, then you know

1312
01:12:43,360 --> 01:12:45,559
Speaker 1: it's time to let the bedbugs by. You get plastic

1313
01:12:45,560 --> 01:12:47,599
Speaker 1: bugs in a bed and it goes on like that.

1314
01:12:48,240 --> 01:12:50,639
Speaker 1: There's a great part in the video where they they

1315
01:12:50,880 --> 01:12:53,759
Speaker 1: do a rhythmic timing of sticking some ice cream cones

1316
01:12:53,800 --> 01:12:57,559
Speaker 1: to their heads. Uh, it's just a home run. Now.

1317
01:12:57,680 --> 01:13:00,880
Speaker 1: Is the song itself a parody track? Like, I'm watching

1318
01:13:00,880 --> 01:13:02,720
Speaker 1: the video now, but I have the munic it's one

1319
01:13:02,760 --> 01:13:05,240
Speaker 1: of these. Yes, it's one of those where it's not

1320
01:13:05,280 --> 01:13:08,000
Speaker 1: a parody of a specific song, but a parody of

1321
01:13:08,040 --> 01:13:11,920
Speaker 1: the style of a band, And so there's no one song,

1322
01:13:12,080 --> 01:13:14,639
Speaker 1: but it is a parody of the style of new

1323
01:13:14,680 --> 01:13:18,640
Speaker 1: wave music and Devo in particular, and it's such a

1324
01:13:18,680 --> 01:13:21,360
Speaker 1: good parody that it could be a Devo song and

1325
01:13:21,360 --> 01:13:24,280
Speaker 1: would be one of their best tracks, genuinely. There's there's

1326
01:13:24,280 --> 01:13:26,040
Speaker 1: a scene in where there are a couple of grotesque

1327
01:13:26,080 --> 01:13:29,639
Speaker 1: characters watching a television. Uh, it's just like a flash.

1328
01:13:29,880 --> 01:13:32,920
Speaker 1: I think there's like just a lot of stuff in this. Yeah. Yeah,

1329
01:13:33,040 --> 01:13:35,639
Speaker 1: it's it's a guy in the jam packs, for sure.

1330
01:13:35,800 --> 01:13:39,400
Speaker 1: It's a guy in a shag room doing uh failed

1331
01:13:40,160 --> 01:13:43,600
Speaker 1: headstand stuff. It's it looks pretty cool. Yeah, whatever I

1332
01:13:43,600 --> 01:13:47,160
Speaker 1: think about Divo. Um. I've watched a lot of Futurama

1333
01:13:47,160 --> 01:13:49,960
Speaker 1: in my life because Futurama for the longest time was

1334
01:13:50,000 --> 01:13:52,400
Speaker 1: my default taking a nap show. So if I ever

1335
01:13:52,439 --> 01:13:55,719
Speaker 1: wanted a nap, Futurama was just familiar enough but also

1336
01:13:55,840 --> 01:13:58,280
Speaker 1: just interesting enough for me to take a nap to it.

1337
01:13:58,400 --> 01:14:01,080
Speaker 1: So anyway, I've watched All the Future many times on

1338
01:14:01,120 --> 01:14:04,680
Speaker 1: a loop, and one of my favorite jokes from Futurama was, um,

1339
01:14:05,120 --> 01:14:07,479
Speaker 1: Divo in the Future has become a part of the

1340
01:14:07,560 --> 01:14:11,160
Speaker 1: mutant world on living underneath the New New York and

1341
01:14:11,200 --> 01:14:13,920
Speaker 1: the sewers. They're about to play a show and and

1342
01:14:13,960 --> 01:14:15,479
Speaker 1: they're like, all right here, here we go. We're gonna

1343
01:14:15,479 --> 01:14:16,600
Speaker 1: play a show for you guys. And some of the

1344
01:14:16,640 --> 01:14:20,280
Speaker 1: audience goes play whipp It and they go no play.

1345
01:14:20,320 --> 01:14:23,240
Speaker 1: The other one is they go into It's a beautiful world.

1346
01:14:25,680 --> 01:14:28,439
Speaker 1: I love the fact that in the future and the

1347
01:14:28,520 --> 01:14:32,160
Speaker 1: year three thousand whatever, Diva only have two songs, now

1348
01:14:32,160 --> 01:14:36,360
Speaker 1: whip It and the other one, well, no, they should

1349
01:14:36,360 --> 01:14:38,519
Speaker 1: play dare to be Stupid. That would be the cherry

1350
01:14:38,560 --> 01:14:42,360
Speaker 1: on top. That would be good uh, yeah, no, great choice.

1351
01:14:42,400 --> 01:14:45,280
Speaker 1: That did you say that was your number two? Yes? Okay.

1352
01:14:45,640 --> 01:14:48,479
Speaker 1: So unfortunately with this last pick, I have to cheat,

1353
01:14:48,560 --> 01:14:50,920
Speaker 1: but I have to cheat in order to be true

1354
01:14:50,920 --> 01:14:54,759
Speaker 1: to myself because this last pick is not a music video.

1355
01:14:55,200 --> 01:14:58,480
Speaker 1: But if I am going to attempt real all time favorites,

1356
01:14:58,720 --> 01:15:02,960
Speaker 1: this is probably my favorite video recording of music ever,

1357
01:15:04,040 --> 01:15:07,759
Speaker 1: and that is the Talking Heads the version of Born

1358
01:15:07,880 --> 01:15:12,559
Speaker 1: Under Punches from their Live in Rome concert film from

1359
01:15:12,640 --> 01:15:26,559
Speaker 1: nineteen eighty. Now, I think a lot more people probably

1360
01:15:26,560 --> 01:15:29,519
Speaker 1: know stop making sense, which is I think undoubtedly a

1361
01:15:29,560 --> 01:15:31,760
Speaker 1: better movie than Live in Rome. Live in Rome is

1362
01:15:31,800 --> 01:15:35,679
Speaker 1: just sort of a concert film recording, but the version

1363
01:15:35,800 --> 01:15:40,400
Speaker 1: of Born Under Punches from Live in Rome is just

1364
01:15:40,600 --> 01:15:44,760
Speaker 1: flames under the skin. It is riveting. I cannot think

1365
01:15:44,800 --> 01:15:47,719
Speaker 1: of any other recording of of a of a song

1366
01:15:47,840 --> 01:15:50,599
Speaker 1: that is as powerful to me as this is. And

1367
01:15:50,720 --> 01:15:53,160
Speaker 1: every time I watch it, I noticed different things. Of course,

1368
01:15:53,320 --> 01:15:55,120
Speaker 1: you know the performance of the song itself. You can

1369
01:15:55,160 --> 01:15:57,639
Speaker 1: just listen to the audio and it's it's that kind

1370
01:15:57,640 --> 01:16:00,960
Speaker 1: of like power from on high. But every time I

1371
01:16:01,000 --> 01:16:03,880
Speaker 1: look at it, I noticed interesting different little things going

1372
01:16:03,920 --> 01:16:08,840
Speaker 1: on on stage. David Burns like sweaty hair and his

1373
01:16:08,960 --> 01:16:11,720
Speaker 1: kind of like sunken eyes in this or or so

1374
01:16:11,880 --> 01:16:15,040
Speaker 1: hypnotic to look at. I always get fixated on Tina

1375
01:16:15,120 --> 01:16:19,840
Speaker 1: Weymouth's flexed bicep while she's playing the bassline. I keep

1376
01:16:19,920 --> 01:16:24,559
Speaker 1: noticing how I'm like, wow, that is a crazy looking bicep. Well,

1377
01:16:24,600 --> 01:16:27,360
Speaker 1: I don't know the song, so I'm watching it. I'm mute,

1378
01:16:27,520 --> 01:16:29,920
Speaker 1: and um, yeah, I'm not getting much out of it.

1379
01:16:31,760 --> 01:16:35,120
Speaker 1: So I think I think hearing it is is necessary. Yeah,

1380
01:16:35,400 --> 01:16:39,880
Speaker 1: it is the Talking Heads, and probably David Byrne in particular. Um,

1381
01:16:39,960 --> 01:16:46,360
Speaker 1: he's confoundingly charismatic. Like when you watch him perform, he's

1382
01:16:46,360 --> 01:16:48,720
Speaker 1: like a magnet for your eyeballs. It's really difficult to

1383
01:16:48,720 --> 01:16:51,519
Speaker 1: look away. And and um, I can't fully explain that again,

1384
01:16:51,560 --> 01:16:53,120
Speaker 1: just kind of like we're talking about with Kate Bush,

1385
01:16:53,120 --> 01:16:55,519
Speaker 1: where it's just like no, just quality like David David

1386
01:16:55,520 --> 01:16:57,360
Speaker 1: Byrne is just you know, but I think it is

1387
01:16:57,360 --> 01:17:00,240
Speaker 1: more than quality, because he does have a theatric kind

1388
01:17:00,240 --> 01:17:04,200
Speaker 1: of element to him. He does, I presume, intentionally make

1389
01:17:04,320 --> 01:17:08,080
Speaker 1: gestures that feel grand and a bit kind of Um,

1390
01:17:08,760 --> 01:17:11,040
Speaker 1: I I guess I'll say they're mysterious. He makes like

1391
01:17:11,120 --> 01:17:15,400
Speaker 1: mysterious gestures that feel kind of otherworldly, and I presume

1392
01:17:15,479 --> 01:17:20,360
Speaker 1: he does that on purpose, right, Yeah, this performance is

1393
01:17:20,439 --> 01:17:23,960
Speaker 1: born under punches, is it has exactly that mysterious quality,

1394
01:17:24,040 --> 01:17:26,720
Speaker 1: you know, these little cryptic phrases like it's hard to

1395
01:17:26,720 --> 01:17:29,160
Speaker 1: say what this song is about. But when he keeps

1396
01:17:29,160 --> 01:17:32,759
Speaker 1: saying I'm a tumbler there there's something, uh, something really

1397
01:17:32,760 --> 01:17:35,719
Speaker 1: powerful and strange being suggested there. I have no idea

1398
01:17:35,800 --> 01:17:39,320
Speaker 1: what it is. Well, I think I'm assuming he's literally

1399
01:17:39,640 --> 01:17:43,320
Speaker 1: when he was born, people began punching him, right, added

1400
01:17:43,320 --> 01:17:45,280
Speaker 1: the womb. Um, I don't know what kind of a

1401
01:17:46,840 --> 01:17:50,559
Speaker 1: doula it's present for that. But we were doing, um,

1402
01:17:50,800 --> 01:17:53,960
Speaker 1: top five best concerts you've ever seen, actually, I believe

1403
01:17:54,040 --> 01:17:57,400
Speaker 1: just last week and um, yeah this was my My

1404
01:17:57,479 --> 01:18:00,280
Speaker 1: number five was seeing David Byrne when he play at

1405
01:18:00,320 --> 01:18:02,920
Speaker 1: the Fox here not too long ago, and um it

1406
01:18:02,960 --> 01:18:05,639
Speaker 1: was when he was doing his American Utopia tour before

1407
01:18:05,680 --> 01:18:09,160
Speaker 1: it went to Broadway. Oh he is. He's just charismatic

1408
01:18:09,200 --> 01:18:11,400
Speaker 1: as hell. He's just I don't know, he's so charming

1409
01:18:11,400 --> 01:18:14,360
Speaker 1: and likable but also really talented, and he just makes

1410
01:18:14,400 --> 01:18:17,600
Speaker 1: such interesting choices when he does things. He's he's a

1411
01:18:17,600 --> 01:18:20,280
Speaker 1: great dude. You know, well, if if I were to

1412
01:18:20,360 --> 01:18:23,519
Speaker 1: pick actual music videos, I mean, they do actually have

1413
01:18:23,640 --> 01:18:26,479
Speaker 1: some good music videos. The video for Once in a

1414
01:18:26,520 --> 01:18:30,479
Speaker 1: Lifetime also has extremely weird, funny and great dancing in it,

1415
01:18:30,800 --> 01:18:33,479
Speaker 1: where David Byrne at one point I think he likes

1416
01:18:33,520 --> 01:18:37,400
Speaker 1: sort of dances with his face down on the ground

1417
01:18:37,479 --> 01:18:39,439
Speaker 1: but his butt up in the air and he's doing

1418
01:18:39,479 --> 01:18:42,960
Speaker 1: some kind of weird wiggle. Now he's He's a fascinating dude.

1419
01:18:43,040 --> 01:18:46,800
Speaker 1: I can't begin to dissect what makes David Byrne work,

1420
01:18:46,920 --> 01:18:50,960
Speaker 1: but it definitely works well. You guys should absolutely check

1421
01:18:50,960 --> 01:18:53,439
Speaker 1: out Born Under Punches from Live in Rome. You can

1422
01:18:53,560 --> 01:18:56,439
Speaker 1: see a recording of this. There's always a recording of

1423
01:18:56,439 --> 01:18:59,000
Speaker 1: it on YouTube every time I've checked, so so look

1424
01:18:59,080 --> 01:19:03,120
Speaker 1: that up. It is it is the God power. Wow, man,

1425
01:19:03,160 --> 01:19:05,600
Speaker 1: I I love this and great lists from both of

1426
01:19:05,640 --> 01:19:08,479
Speaker 1: you because, uh, you know, I think from a greedy

1427
01:19:08,600 --> 01:19:11,360
Speaker 1: sense one of the things I want from the lists

1428
01:19:11,400 --> 01:19:14,080
Speaker 1: every time is just recommendations, you know, or is this

1429
01:19:14,200 --> 01:19:16,360
Speaker 1: like I want you to tell me your favorite things

1430
01:19:16,720 --> 01:19:19,160
Speaker 1: so they're mine now, you know you think that literal

1431
01:19:19,200 --> 01:19:20,920
Speaker 1: way of like now I get to go listen to

1432
01:19:20,920 --> 01:19:23,080
Speaker 1: this music. Now I get to go watch these music videos.

1433
01:19:23,240 --> 01:19:25,840
Speaker 1: So both of you supplied me with some really cool stuff,

1434
01:19:25,880 --> 01:19:29,200
Speaker 1: so I'm really grateful for that. And um yeah, Like

1435
01:19:29,200 --> 01:19:31,760
Speaker 1: like I mentioned before, everyone here in this record store

1436
01:19:31,840 --> 01:19:36,400
Speaker 1: who has uh listened to this conversation, check out not

1437
01:19:36,520 --> 01:19:39,559
Speaker 1: only the most recent episode of Stuff to Blow Your Mind,

1438
01:19:39,720 --> 01:19:41,960
Speaker 1: because in it it's basically the first half of this

1439
01:19:42,040 --> 01:19:44,960
Speaker 1: conversation before I came into work today at the record store,

1440
01:19:45,400 --> 01:19:48,000
Speaker 1: but um, in general, just all your shows. Is there

1441
01:19:48,040 --> 01:19:49,840
Speaker 1: anything particularly you guys want to say about Stuff to

1442
01:19:49,880 --> 01:19:52,760
Speaker 1: Blow Your Mind? And I don't know how great it is.

1443
01:19:52,800 --> 01:19:55,479
Speaker 1: It's been around for like a decade now, Yeah, let's

1444
01:19:55,479 --> 01:19:59,000
Speaker 1: talk about how great our show is. Uh, Stuff to

1445
01:19:59,000 --> 01:20:02,120
Speaker 1: Blow Your Mind is. Um. We we've really expanded in

1446
01:20:02,160 --> 01:20:05,320
Speaker 1: the past few months. Traditionally, we are a I would

1447
01:20:05,320 --> 01:20:08,200
Speaker 1: say an interdisciplinary science show. You know, the the core

1448
01:20:08,240 --> 01:20:09,920
Speaker 1: theme of the show is science. We try to bring

1449
01:20:09,960 --> 01:20:12,639
Speaker 1: most topics back to science in one way or another,

1450
01:20:12,680 --> 01:20:15,599
Speaker 1: but we interface science with lots of different subject matter

1451
01:20:15,680 --> 01:20:20,040
Speaker 1: like literature and mythology and history and stuff like that. Uh.

1452
01:20:20,080 --> 01:20:22,599
Speaker 1: In the past few months, we've added new episodes where

1453
01:20:22,640 --> 01:20:25,760
Speaker 1: we've gone to basically a daily publication schedule, so we

1454
01:20:25,840 --> 01:20:29,439
Speaker 1: do listener mail on Mondays. We do core science and

1455
01:20:29,439 --> 01:20:32,680
Speaker 1: culture episodes like we've always been doing on Tuesdays and Thursdays.

1456
01:20:33,160 --> 01:20:36,040
Speaker 1: Most Wednesdays, we do a short form episode that we've

1457
01:20:36,080 --> 01:20:39,960
Speaker 1: been calling The Artifact that's just about basically anything we want,

1458
01:20:40,000 --> 01:20:42,519
Speaker 1: but it's a more focused, you know, sub ten minute

1459
01:20:42,560 --> 01:20:45,559
Speaker 1: kind of thing. And then on Friday's we do something

1460
01:20:45,600 --> 01:20:48,880
Speaker 1: called Weird House Cinema, which is where we we look

1461
01:20:48,920 --> 01:20:55,080
Speaker 1: at strange, offbeat, obscure, often trashy, sometimes be movies that

1462
01:20:55,400 --> 01:20:57,519
Speaker 1: that have something in them that to to love and

1463
01:20:57,560 --> 01:20:59,720
Speaker 1: to talk about. And then on Saturdays we do uh

1464
01:20:59,760 --> 01:21:02,240
Speaker 1: we do a vault episode, which is like a rerun

1465
01:21:02,400 --> 01:21:05,479
Speaker 1: rob did I leave anything out? Now? On the seventh

1466
01:21:05,520 --> 01:21:08,760
Speaker 1: day we were at that. That's pretty much it. Oh yeah,

1467
01:21:08,760 --> 01:21:11,760
Speaker 1: that's the current the current shape of the stuff to

1468
01:21:11,760 --> 01:21:14,200
Speaker 1: blow your mind podcast feet and it's it's tons of fun,

1469
01:21:14,360 --> 01:21:17,439
Speaker 1: you know, um that. Yeah, producing podcasts is my side

1470
01:21:17,479 --> 01:21:19,519
Speaker 1: hustle when I'm not working here in this record store,

1471
01:21:19,920 --> 01:21:21,800
Speaker 1: and um no, it's tons of fun. Been working with

1472
01:21:21,800 --> 01:21:23,840
Speaker 1: you guys for uh, probably a couple of years now

1473
01:21:23,840 --> 01:21:26,320
Speaker 1: at this point. I haven't done the math, but long time,

1474
01:21:26,400 --> 01:21:29,040
Speaker 1: and it's been great. What what what a great wonderful show?

1475
01:21:29,479 --> 01:21:32,080
Speaker 1: And thank you to both of you for coming into

1476
01:21:32,080 --> 01:21:35,680
Speaker 1: our record store today and sharing your picks. And the

1477
01:21:35,720 --> 01:21:37,840
Speaker 1: one last thing we do before we close up the

1478
01:21:37,880 --> 01:21:41,240
Speaker 1: shop is we restock the employee recommendation shelf. Now, since

1479
01:21:41,360 --> 01:21:43,320
Speaker 1: Tera is not here, I'm gonna rely on you guys

1480
01:21:43,360 --> 01:21:46,840
Speaker 1: to help out with that. But here's my pick. Uh.

1481
01:21:46,840 --> 01:21:51,240
Speaker 1: This album came out. It's called Shades and it's by

1482
01:21:51,280 --> 01:22:05,400
Speaker 1: Good Sad, Happy Bad. So this album, um, it's it's

1483
01:22:05,479 --> 01:22:07,840
Speaker 1: kind of a strange lineage, but I'll spell it out

1484
01:22:07,840 --> 01:22:10,920
Speaker 1: real quick in case anyone recognized as part of it. So,

1485
01:22:11,080 --> 01:22:13,920
Speaker 1: Mika Levi back in the day used to have a

1486
01:22:13,920 --> 01:22:17,080
Speaker 1: band called Mika Chu in the Shapes. At a certain point,

1487
01:22:17,320 --> 01:22:19,559
Speaker 1: she stopped calling herself Mika Chu and just started calling

1488
01:22:19,560 --> 01:22:22,240
Speaker 1: herself by her real name, Mika Levi. And so her

1489
01:22:22,280 --> 01:22:23,920
Speaker 1: band Mika Chu in the Shapes. I don't know if

1490
01:22:23,920 --> 01:22:25,640
Speaker 1: he's related or not, but they changed the name of

1491
01:22:25,640 --> 01:22:29,040
Speaker 1: that band into Good Sad, Happy Bad. And then for

1492
01:22:29,080 --> 01:22:31,280
Speaker 1: some reason, Mika Levi decided she wasn't going to be

1493
01:22:31,280 --> 01:22:33,559
Speaker 1: the lead singer of that band anymore. So, so then

1494
01:22:33,600 --> 01:22:38,320
Speaker 1: that fell to the keyboardist rays A Cohn. And so anyway,

1495
01:22:38,360 --> 01:22:41,240
Speaker 1: it's it's kind of a brand new band now despite

1496
01:22:41,240 --> 01:22:42,800
Speaker 1: the fact that they've already been around and this is

1497
01:22:42,840 --> 01:22:45,200
Speaker 1: like their fourth or fifth album, but just by by

1498
01:22:45,320 --> 01:22:48,679
Speaker 1: little tweaks by Hey, you're not singing anymore, you're singing,

1499
01:22:48,920 --> 01:22:50,760
Speaker 1: and no, we're not that band name anymore now we're

1500
01:22:50,800 --> 01:22:53,240
Speaker 1: this band. So it's it's the exact same band that's

1501
01:22:53,280 --> 01:22:55,479
Speaker 1: been around since like I don't know, the early two thousands,

1502
01:22:55,800 --> 01:22:58,360
Speaker 1: but now it's also brand new, so it's it's just

1503
01:22:58,439 --> 01:23:02,439
Speaker 1: a fun, odd situation that happened. But anyway, ultimately it's

1504
01:23:02,479 --> 01:23:04,720
Speaker 1: really good. So that's that's the main reason to listen

1505
01:23:04,760 --> 01:23:07,559
Speaker 1: to it. I'll say it again. The album title is Shades,

1506
01:23:07,840 --> 01:23:11,639
Speaker 1: came out last year and it's by Good Sad, Happy Bad.

1507
01:23:12,479 --> 01:23:14,600
Speaker 1: Uh Roberts, what do you want to throw up on

1508
01:23:14,600 --> 01:23:17,320
Speaker 1: this wall? Anything He's related? Oh well, I would say,

1509
01:23:17,640 --> 01:23:20,320
Speaker 1: just like a new release that I'm listening to right now.

1510
01:23:20,560 --> 01:23:22,160
Speaker 1: I've only listened to it a couple of times, but

1511
01:23:22,200 --> 01:23:25,120
Speaker 1: it's it's still in rotation is the new release from

1512
01:23:25,240 --> 01:23:29,400
Speaker 1: DJ Muggs of Cypress Hill and Civil Assassin's Fame, released

1513
01:23:29,439 --> 01:23:32,400
Speaker 1: under the moniker DJ Muggs the Black Goat, and it

1514
01:23:32,560 --> 01:23:35,120
Speaker 1: is titled I believe I am saying this right. H

1515
01:23:35,280 --> 01:23:48,559
Speaker 1: D s alsadendum. I have not finished, and it is

1516
01:23:49,400 --> 01:23:54,680
Speaker 1: essentially a dark, instrumental hip hop album with occasional like

1517
01:23:54,760 --> 01:23:59,320
Speaker 1: old horror film samples thrown in. Uh, So I still

1518
01:23:59,479 --> 01:24:02,200
Speaker 1: if full of it's if it's like a body of water.

1519
01:24:02,360 --> 01:24:05,000
Speaker 1: I haven't really plunged the depths of it yet, but

1520
01:24:05,000 --> 01:24:07,000
Speaker 1: I've headed on in the background while I've been working,

1521
01:24:07,040 --> 01:24:08,439
Speaker 1: and it's a lot of fun and it's out on

1522
01:24:08,680 --> 01:24:12,280
Speaker 1: what is it sacred bones bones plural? I believe, but

1523
01:24:13,960 --> 01:24:19,000
Speaker 1: label um question uh because there are references, of course

1524
01:24:19,000 --> 01:24:21,200
Speaker 1: to the Black Goats in the title, and you said

1525
01:24:21,200 --> 01:24:24,000
Speaker 1: there are clips. Is there anything from Black Philip from

1526
01:24:24,000 --> 01:24:28,320
Speaker 1: the Vivage inside the inside the album anywhere, anything about

1527
01:24:28,320 --> 01:24:31,280
Speaker 1: living Deliciously? I don't think so because they're like I said,

1528
01:24:31,320 --> 01:24:34,200
Speaker 1: there's no lyrics. It's just some some samples here and there,

1529
01:24:34,200 --> 01:24:37,479
Speaker 1: and I think they're all samples from older, maybe more

1530
01:24:37,520 --> 01:24:41,080
Speaker 1: obscure horror films like Hammer. I wasn't able to really Yeah,

1531
01:24:41,080 --> 01:24:43,640
Speaker 1: like Hammer stuff, you might be able to pinpoint some

1532
01:24:43,720 --> 01:24:45,760
Speaker 1: of it, Seth, since you're you're more versed in the

1533
01:24:45,760 --> 01:24:49,160
Speaker 1: Hammer than me. But uh, I think he did a

1534
01:24:49,160 --> 01:24:52,040
Speaker 1: good job of picking things that that didn't instantly stand

1535
01:24:52,040 --> 01:24:54,320
Speaker 1: out as being even like oh, that's Vincent Price, or

1536
01:24:54,360 --> 01:24:57,920
Speaker 1: that's uh Peter Cushing or what have you? Fun great stuff. Yeah,

1537
01:24:58,000 --> 01:25:00,200
Speaker 1: I'll definitely check that out. How about you, Joe, what

1538
01:25:00,240 --> 01:25:02,360
Speaker 1: do you want to put on the shelf? Oh? I'm sorry.

1539
01:25:02,400 --> 01:25:03,960
Speaker 1: I was not prepared for this. I was so I

1540
01:25:04,000 --> 01:25:05,760
Speaker 1: was trying to think, what have I been listening to

1541
01:25:05,880 --> 01:25:08,760
Speaker 1: that's new in the past couple of years, and too

1542
01:25:09,000 --> 01:25:12,320
Speaker 1: literally anything? Okay, well, already I landed on something that

1543
01:25:12,400 --> 01:25:15,280
Speaker 1: was new. This came out in and this was great. Uh.

1544
01:25:15,439 --> 01:25:19,200
Speaker 1: It was a sort of release of home recordings by

1545
01:25:19,280 --> 01:25:22,200
Speaker 1: Gillian Welch and David Rawlings called all the Good Times

1546
01:25:22,200 --> 01:25:24,519
Speaker 1: Are Passed and Gone? Have you guys heard this? No?

1547
01:25:24,520 --> 01:25:28,840
Speaker 1: No, no no, I I do love Gillian Welch, though we

1548
01:25:29,040 --> 01:25:39,479
Speaker 1: got Yeah. So it's it is a record. It's a

1549
01:25:39,479 --> 01:25:44,160
Speaker 1: bunch of their home recordings, mostly or maybe entirely of covers.

1550
01:25:44,800 --> 01:25:47,679
Speaker 1: So there's a really good John Prine cover on there,

1551
01:25:47,720 --> 01:25:51,080
Speaker 1: which was especially poignant this past year because John Prine

1552
01:25:51,120 --> 01:25:55,200
Speaker 1: passed away. There's also a really good cover of Abandoned

1553
01:25:55,280 --> 01:25:58,160
Speaker 1: Love by Bob Dylan, which I think is better than

1554
01:25:58,240 --> 01:26:01,479
Speaker 1: Dylan's version and and uh a bunch of you know,

1555
01:26:01,920 --> 01:26:05,360
Speaker 1: folk and Americana covers of that kind of I thought

1556
01:26:05,400 --> 01:26:09,040
Speaker 1: it was really good, nice, absolutely love it. That'll set

1557
01:26:09,120 --> 01:26:12,440
Speaker 1: up all of our customers to come across some new recommendations,

1558
01:26:12,479 --> 01:26:15,000
Speaker 1: find some new music in their life. But for now,

1559
01:26:15,240 --> 01:26:17,680
Speaker 1: we definitely need to close the store. We are up

1560
01:26:17,680 --> 01:26:20,320
Speaker 1: too late. Thanks for coming in today, all you customers.

1561
01:26:20,840 --> 01:26:24,599
Speaker 1: Special thanks to both Rob and Joe for coming down

1562
01:26:24,640 --> 01:26:27,479
Speaker 1: from the Stuff to Blow Your Mind podcast. We really

1563
01:26:27,479 --> 01:26:32,000
Speaker 1: appreciate it. And uh, that's it everyone. We're officially closed,

1564
01:26:32,120 --> 01:26:46,000
Speaker 1: so happy trails until we meet again. Record Store Society

1565
01:26:46,080 --> 01:26:49,280
Speaker 1: is hosted by Tara Davies and Seth Nicholas Johnson. If

1566
01:26:49,280 --> 01:26:51,360
Speaker 1: you'd like to contact the show, you can send an

1567
01:26:51,360 --> 01:26:56,280
Speaker 1: email to Record Store Society at I heart media dot com,

1568
01:26:56,439 --> 01:26:58,479
Speaker 1: or you can find us on all your favorite social

1569
01:26:58,520 --> 01:27:05,320
Speaker 1: media sides with the handle at record Store Society. Record

1570
01:27:05,360 --> 01:27:08,000
Speaker 1: Store Society is production of I Heart Radio. For more

1571
01:27:08,000 --> 01:27:10,320
Speaker 1: podcasts in my Heart Radio, was th Heart Radio, app,

1572
01:27:10,479 --> 01:27:13,040
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.

1573
01:27:13,840 --> 01:27:16,040
Speaker 1: This Valentine's Day, you know just what to get that

1574
01:27:16,080 --> 01:27:18,599
Speaker 1: special someone, because you know just what makes them tick.

1575
01:27:18,720 --> 01:27:20,560
Speaker 1: So head on over to pro flowers dot com to

1576
01:27:20,600 --> 01:27:23,639
Speaker 1: get fresh this Valentine's Day and get off through February

1577
01:27:24,320 --> 01:27:27,280
Speaker 1: gifts for your special someone with promo code Crush fifteen.

1578
01:27:27,360 --> 01:27:30,599
Speaker 1: See website for details. Hey, it's Amy Brown from Four

1579
01:27:30,640 --> 01:27:33,160
Speaker 1: Things with Amy Brown on the Nashville Podcast Network, a

1580
01:27:33,240 --> 01:27:35,880
Speaker 1: podcast where in each episode you're gonna get at least

1581
01:27:35,880 --> 01:27:39,240
Speaker 1: four things that will hopefully contribute to your life in

1582
01:27:39,280 --> 01:27:43,760
Speaker 1: a positive way. Guests come on like celebrities or therapists,

1583
01:27:43,880 --> 01:27:46,120
Speaker 1: were doctors, or maybe even just my friends, and everyone

1584
01:27:46,160 --> 01:27:49,479
Speaker 1: shares stories that may inspire, motivate, or sometimes just give

1585
01:27:49,520 --> 01:27:51,960
Speaker 1: you a much needed laugh. We cover topics that range

1586
01:27:51,960 --> 01:27:55,040
Speaker 1: from therapy to gratitude. Listen to Four Things with Amy

1587
01:27:55,080 --> 01:27:57,720
Speaker 1: Brown on the I Heart Radio app, Apple Podcast, or

1588
01:27:57,720 --> 01:28:02,479
Speaker 1: wherever you listen to podcasts. Hi, everybody, I'm Rachel Banetta

1589
01:28:02,520 --> 01:28:06,280
Speaker 1: and I have my very own podcast called Bench with Banetta.

1590
01:28:06,560 --> 01:28:09,360
Speaker 1: You kidding me? I'm just here so I won't get fine.

1591
01:28:09,640 --> 01:28:11,639
Speaker 1: Every week, I'm gonna be talking about all the things

1592
01:28:11,720 --> 01:28:14,800
Speaker 1: I find fascinating about the NFL, and I'm doing something

1593
01:28:14,840 --> 01:28:18,560
Speaker 1: that has never been done before. I'm opening my d

1594
01:28:18,800 --> 01:28:25,960
Speaker 1: m s. D MS now open. Listen every Tuesday and

1595
01:28:26,040 --> 01:28:29,160
Speaker 1: join me on the bench. Subscribe now and listen to

1596
01:28:29,240 --> 01:28:31,960
Speaker 1: the Bench with Banetta podcast on the I Heart Radio app,

1597
01:28:32,040 --> 01:28:35,000
Speaker 1: on Apple Podcasts, or wherever you get your podcasts.