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Speaker 1: I've never spoken to Ben Affleck in my life or

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Speaker 1: Matt Damon, so I don't know if I'm being shut out,

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Speaker 1: which is oh, by those assholes.

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Speaker 2: Okay, those massholes, those.

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Speaker 3: Holes welcome to off the cup, my anti anxiety antidote.

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Speaker 3: I hope you had a great holiday, some good family time,

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Speaker 3: some time off. Maybe you watched a bunch of holiday

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Speaker 3: movies or Hallmark movies. It's always fun.

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Speaker 4: I'm sure you have a favorite Christmas movie.

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Speaker 3: Maybe it's Miracle on thirty fourth Street, or It's a

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Speaker 3: Wonderful Life, or Home Alone or Die Hard. They're all fine,

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Speaker 3: but they're not the best Christmas movie.

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Speaker 1: I'll tell you what is.

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Speaker 3: I want to take you back first to nineteen ninety four.

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Speaker 3: I am fifteen years old, living in Andover, mass going

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Speaker 3: to Boston Bala every day after school. I have no

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Speaker 3: social life, and my dad says, let's go to the movies.

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Speaker 1: Now.

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Speaker 3: It's March, but there's a Christmas movie playing. It's called

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Speaker 3: The Ref Dad wants to see it. I don't know

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Speaker 3: anything about it, but I'm happy to go. When I

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Speaker 3: tell you, for ninety seven minutes, we were on the

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Speaker 3: floor of that theater laughing so hard.

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Speaker 4: I mean it was at that time, it was the funniest.

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Speaker 3: Thing I'd ever seen. I watch it every year. It is,

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Speaker 3: without question, my all time favorite Christmas movie. Guys, go

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Speaker 3: watch it if you haven't seen it the ref It

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Speaker 3: had an incredible cast that were almost like a little

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Speaker 3: bit before they've all became super famous. So it was

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Speaker 3: Kevin Spacey, Judy Davis, Christine Baranski, JK. Simmons, Bede Wong

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Speaker 3: and a guy named Dennis Leary. Now, because I grew

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Speaker 3: up in Massachusetts, I got I got Dennis Leary.

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Speaker 1: Okay, I didn't know him.

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Speaker 3: I wasn't familiar with his work at all because I

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Speaker 3: was just too young, But I got Dennis Leary. I

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Speaker 3: think I went to school with a lot of kids

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Speaker 3: who were Dennis Leary.

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Speaker 4: Okay, Dennis Leary's a masshole, and so am I.

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Speaker 3: And in that moment he became one of my favorite

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Speaker 3: comedians and actors. And I later I loved him in

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Speaker 3: the Thomas Crown Affairs, I loved him and Wag the Dog.

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Speaker 3: You know him from his stand up specials like No

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Speaker 3: Cure for Cancer from Rescue Me, from the Ice Age movies.

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Speaker 3: He's got a new Christmas movie. Oh what Fun with

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Speaker 3: Michelle Pfeiffer. It's out now on Amazon Prime. He is

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Speaker 3: an Emmy nominated actor, producer, writer Dennis Colin Leary.

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Speaker 4: Welcome to Off the Cup.

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Speaker 2: Okay, okay, A couple of corrections.

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Speaker 1: Go for it. One. I can't believe that you saw

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Speaker 1: the ref in the theater in theaters. Well, that's great,

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Speaker 1: and it still holds up. It's still. Oh, it's so good,

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Speaker 1: so funny, I mean, Christine Baranski.

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Speaker 3: Every kids, everyone's so perfect.

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Speaker 1: Oh my god. And it was directed by one of

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Speaker 1: my best friends and written by a guy who went

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Speaker 1: to Emerson College with Yes.

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Speaker 4: Yes, Ted Demi directed.

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Speaker 2: Yachmi directed it.

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Speaker 1: Who passed away unfortunately far too young. Ted and I

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Speaker 1: did several things together, including No Cure for Cancer, Yes,

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Speaker 1: and we did the movie Blow together. I produced that

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Speaker 1: he directs, but Richard Legravity's I went to Emerson with

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Speaker 1: Richard when he was an acting student, Yes, and then

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Speaker 1: decided to become a writer. Yes. And so when I

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Speaker 1: first got famous, a script came to me because Ted

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Speaker 1: and I were trying to find something to do, and

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Speaker 1: this script came and Ted said, hey, the writer. They

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Speaker 1: say that the writer who had already Richie had been

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Speaker 1: nominated for an oscar for the Fisher King with Robin

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Speaker 1: Williams Geor and I said, I went to college with

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Speaker 1: him Richie le Gravity's. And he's like, yeah, he's saying

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Speaker 1: that he knows you, and it was it was the

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Speaker 1: Richard le Gravity's. But you reminded me of something else

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Speaker 1: when you.

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Speaker 3: I'm waiting for a correction. What did I get wrong?

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Speaker 3: That's very unusual for me.

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Speaker 1: Oh, my name's not My middle name's not Colin. That's

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Speaker 1: a that's a common internet mistake.

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Speaker 4: Mistake.

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Speaker 1: You know. It's also because of Colin Quinn because we were,

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Speaker 1: yes such good friends. We were on remote control together.

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Speaker 1: We kind of started out together. So my middle name

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Speaker 1: is Michael Dennis. I don't know Collin's middle name, as

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Speaker 1: it might be Dennis. That's funny.

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Speaker 2: Mirane is Dennis Michael.

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Speaker 3: That's such a weird thing to be, like, have wrong

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Speaker 3: on the Internet.

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Speaker 1: I know people get different things wrong. Conan O'Brien, And

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Speaker 1: as Conan says, he claims that when he's doing well,

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Speaker 1: I say he's my first cousin, and when he's not

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Speaker 1: doing well, I say he's my fourth cousin. He's truth,

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Speaker 1: he's my fourth cousin.

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Speaker 3: Yes, but but it moves my degrees depending.

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Speaker 1: Yeah, it depends. I mean he's doing pretty good right now,

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Speaker 1: so I think he's my second cousin.

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Speaker 4: Okay, okay, Yeah. There are lines from that movie that

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Speaker 4: I repeat all the time.

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Speaker 1: Meets, I know, slipper socks, medium.

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Speaker 3: Christy Bradsky, slipper socks.

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Speaker 1: Maybe I'm crazy today Jesus birthday. You know what, This

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Speaker 1: family needs a mute. Yes, I say that all the time.

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Speaker 1: So many great lines.

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Speaker 4: Your husband ain't dead, lady, he's hiding.

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Speaker 1: That's oh my god. Classic.

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Speaker 3: But like every every scene is just delicious, deliciously funny,

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Speaker 3: and everyone reveals a little something in every scene.

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Speaker 1: It's so good. Well it was. Also it was incredibly

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Speaker 1: written by Richie. He's a great writer. The director, yeah.

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Speaker 2: Ted Demi's a very friendly actors director.

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Speaker 1: It was. We shot for the most part in chronological order,

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Speaker 1: not completely, but as once we were in the house,

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Speaker 1: it was all chronological. Oh interesting way so uh and

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Speaker 1: so Richie was there and we would improvise as we

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Speaker 1: were shooting one scene in during the lighting breaks, we

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Speaker 1: would improvise the next day's work. Oh.

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Speaker 2: Richard would would rewrite the scenes according to what we improvised.

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Speaker 1: So amazing. You have so many funny people. You have

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Speaker 1: Spacey who was very funny. Yeah, Judy Davis who was brilliant,

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Speaker 1: Oh my god. You know, Christine Baranski who's just forget

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Speaker 1: about it, forget about it, Dennis John's so these people,

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Speaker 1: you know, you throw, you throw the improv into the

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Speaker 1: middle of the room and let them play with it,

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Speaker 1: forget about it.

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Speaker 3: And they're all because, like I said, like they're all

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Speaker 3: about to you know. They were all very great, but they,

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Speaker 3: you know, weren't giant celebrities at the time, so they

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Speaker 3: were very like you could tell, yeah, very much in

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Speaker 3: their skin, no pretenses, like they were working.

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Speaker 2: And also yeah, everybody was went for it.

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Speaker 1: They went for it, and also they were Judy had

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Speaker 1: just been nominated for The Oscar, so that was oh yeah,

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Speaker 1: she had been nominated for the Oscar. I can't remember

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Speaker 1: the movie, so she was you know, Kevin Kevin was

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Speaker 1: unknown really he was, yeah, the theater actor.

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Speaker 2: Yeah, Christine was out of the theater.

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Speaker 1: So people didn't really help. Yeah.

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Speaker 2: JK.

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Speaker 1: Simmons, same thing, not as big, Yeah, yeah, long.

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Speaker 2: Same thing.

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Speaker 1: Everybody was a Broadway actor.

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Speaker 4: Yeah, so God is so talented a blast. I can't.

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Speaker 1: It looks like it was a blast.

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Speaker 2: Yeah, I mean we just laughed our asses off every day.

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Speaker 1: You know. Yeah. Yeah.

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Speaker 3: This was before Kevin Spacey did American Beauty, before seven,

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Speaker 3: before Usual Suspects for La Confidential.

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Speaker 1: And all of that came like the next year. Yeah, wild.

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Speaker 3: And now I want to talk about your life and

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Speaker 3: your career. But first, can we just talk about Boston?

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Speaker 1: Oh yeah, of course.

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Speaker 3: My accent may come out here, all right, comes, it's already,

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Speaker 3: it's happening, yeah.

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Speaker 1: Right, especially when my family's around.

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Speaker 3: Yeah it is, Yeah, it is, Okay, there it is,

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Speaker 3: Yeah it is. I had chickless on and he brought

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Speaker 3: my accent out as well.

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Speaker 1: Chick was talking about what's he pushing? Is he in something? Yeah?

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Speaker 3: Yeah, well yeah, we talked about I think it was

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Speaker 3: the pro Yeah okay, yeah, but I mean we talked

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Speaker 3: because he's from andover, he's from where I'm from.

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Speaker 1: He's a good actor and a great guy.

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Speaker 2: Yeah I've never been I've never met him.

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Speaker 3: Oh oh, he's great. I know you don't live there anymore,

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Speaker 3: but let me just for our audience. You're a very

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Speaker 3: important Boston fixture. You go to Emerson College, you establish

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Speaker 3: the Emerson Comedy Workshop, a troupe that still performs today.

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Speaker 4: Legacy.

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Speaker 3: Legacy, you really help put Boston's comedy underground in the

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Speaker 3: eighties on the map.

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Speaker 1: Legacy.

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Speaker 3: In nineteen ninety five, you're asked by the Bruins legend

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Speaker 3: Kim Neely to organize a comedy benefit show for his

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Speaker 3: cancer charity. This becomes Comics Come Home, which you've hosted

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Speaker 3: ever since.

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Speaker 1: Legacy.

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Speaker 3: You narrate the official two thousand and four World Series

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Speaker 3: film when the Socks finally win the championship.

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Speaker 1: Right, Socks by the Way, career highlight, I have no doubt.

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Speaker 3: Yeah, Legacy, you established the Leary Firefighters Foundation, which helps

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Speaker 3: firefighters in Worcester and Boston and New York as well.

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Speaker 1: Legacy.

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Speaker 3: Yeah, you're Boston Royalty.

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Speaker 1: I am. Yeah, I'm legend. Not arguing now, I'm not arguing.

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Speaker 1: You're going to have to call my family, yeah and

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Speaker 1: tell them this. Well, it's a fact I will.

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Speaker 3: The only thing you haven't done yet. Yeah, do you

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Speaker 3: know what I'm going to say? No, a dunkin commercial?

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Speaker 1: You know what?

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Speaker 2: Here's Here's I don't know right, but here's what I think.

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Speaker 1: It's crazy I've never spoken to Ben Affleck in my

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Speaker 1: life or Matt Damon. Oh I was gonna ask. Okay,

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Speaker 1: and and by the way, so I don't know if

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Speaker 1: I'm being shut out, which.

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Speaker 3: Is by those assholes, okay, uh, those massholes, those assholes,

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Speaker 3: or if.

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Speaker 1: They're just you know, they're so big, they're just like

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Speaker 1: Dennis who is that the guy who's named Colin, Colin Leary.

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Speaker 1: We don't need Dennis.

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Speaker 2: Colin, you know, if there's a beef there or not.

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Speaker 4: But that's fascinating, that's fascinating.

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Speaker 1: But they don't need anybody else that you know, they

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Speaker 1: get whoever they want. They have Belichick in one.

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Speaker 3: Of their convers what if we want you, Well, yeah,

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Speaker 3: but the people want you.

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Speaker 2: I don't think they need me. Okay, I work on it.

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Speaker 1: I know a guy. I'm gonna work on it. Do

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Speaker 1: you know a guy I just have they been on

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Speaker 1: the podcast. No, they're big shots.

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Speaker 4: They have to be way too big for this podcast.

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Speaker 1: Big shots. Yeah. Yeah, they're from Cambridge, they're too big.

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Speaker 1: He's from NDOVA. They're from Cambridge. They look down on Andova. Yeah.

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Speaker 3: Oh yeah, you know, I've you know, barstool barstool sports. Yeah,

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Speaker 3: I've had this thought. I wonder if others have too.

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Speaker 3: I look at Barstool, and I know those guys. I

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Speaker 3: like those guys a lot. I feel like you were

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Speaker 3: probably a very big influence on Barstool indirectly.

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Speaker 4: I feel like your humor comes.

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Speaker 3: Through there, the Boston bravado of the sports like I

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Speaker 3: hear you and Dave portnoy.

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Speaker 1: Do you ever think about that?

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Speaker 2: No, I don't, because, uh, I guess I'm too.

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Speaker 1: I'm so involved in sports that when I watch Dave

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Speaker 1: port and I do a rant about I'm not a

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Speaker 1: betting man, so I find funny when he's complaining about

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Speaker 1: betting or anybody. But I think I'm so often in

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Speaker 1: my own rant about something that happened in Boston sports

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Speaker 1: or sports in general. Yeah, I identify with those guys

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Speaker 1: emotionally in the present moment.

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Speaker 2: I'm not looking at the roots.

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Speaker 3: You know, I understand, I understand, But yeah, there's a

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Speaker 3: there's a real, I.

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Speaker 1: Don't know, common voice. Yeah, I still live and die,

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Speaker 1: you know, I just I hate this is just I mean,

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Speaker 1: it's not a confession. My son knows this about me,

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Speaker 1: and all my friend my guy friends now and my

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Speaker 1: sister in law who's a huge sports fan, Boston sports fan.

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Speaker 1: Like I spent this morning before I got on the

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Speaker 1: thing with you, I had to go upstairs and turn

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Speaker 1: on Nesson and check in. Nesson is the New England

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Speaker 1: Sports Network, and I watched a live report from the

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Speaker 1: owner's meetings. Alex Cora was being interviewed by the guys

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Speaker 1: from Nesson about what trades we might be making now

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Speaker 1: that Pete Alonzo has gone to the Orioles. Yeah, we're

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Speaker 1: going to do at first base and really spend fifteen

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Speaker 1: minutes doing that, you know. I host and narrate and

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Speaker 1: produce the behind the b document series for the Bruins. Yeah.

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Speaker 1: So I wake up the game last night and I

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Speaker 1: got up this morning, I watched highlights. I do that

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Speaker 1: several times a week. Sounds pretty great, I know.

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Speaker 2: And I'm like looking at the Patriots weekend.

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Speaker 1: Yeah. Yeah.

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Speaker 4: So you live in New York now, Yeah?

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Speaker 2: Yeah, I have for years.

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Speaker 3: Yeah, the Boston New York rivalry And I'm not talking baseball,

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Speaker 3: but like, what do you make of the Boston New

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Speaker 3: York rivalry? There isn't a rivalry, right, Like it's one sided, right,

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Speaker 3: It's like Boston's inferiority Complex.

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Speaker 1: Okay, So when I was growing up, my parents are

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Speaker 1: from Ireland. My parents are from the same village, Killarney,

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Speaker 1: right or Killanney. Anyways, when they came to America, my

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Speaker 1: dad had one brother that came with him. My mom

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Speaker 1: had two sisters and a brother that came with her.

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Speaker 1: The brother, my uncle, Timo, stayed in New York in

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Speaker 1: Jackson Heights, and eventually he became the owner of a bar,

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Speaker 1: which was passed down to his son's. So when I

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Speaker 1: was a kid, like my dad came to America first

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Speaker 1: before my mom. He was in New York, and then

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Speaker 1: my mom came and she said we're not staying here, okay,

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Speaker 1: because she hated New York. So that's why they ended

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Speaker 1: up in Massachusetts. Okay. My dad loved New York. I

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Speaker 1: can still remember the first time I saw New York

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Speaker 1: when I was like five. Yeah, like just in the car,

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Speaker 1: like coming up over a stretch of the highway and

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Speaker 1: seeing Manhattan. Yeah, and I was like, what is this place?

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Speaker 1: It's impressive? Yeah yeah, my dad all my dad was like, listen,

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Speaker 1: there's no Boston New York rivalry. They have more money,

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Speaker 1: they have more stuff. Yeah, yeah, that's the.

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Speaker 3: Place yeah, it's not the same view coming down ninety

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Speaker 3: three and looking at the hancocked tower, right, it's not.

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Speaker 1: But we never will be. Why I never understood why

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Speaker 1: we were competing with New York. I was like, it's

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Speaker 1: so silly.

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Speaker 3: But we do have this like inferiority complex where we're

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Speaker 3: like constantly comparing ourselves to New York, which does us

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Speaker 3: no good.

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Speaker 1: By the way, why are we still doing it? After

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Speaker 1: two thousand and four? That was over over dead, dead dead.

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Speaker 1: I bring up two thousand and four. It must be

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Speaker 1: once a week. In once a week in New York,

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Speaker 1: somebody will say, hey, you're a Red Sox fan, right,

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Speaker 1: and I'm like, oh, yeah, two thousand and four, and

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Speaker 1: they take it very angry, you know. I bring it

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Speaker 1: up all the time. Yeah, in the last twenty years

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Speaker 1: of our sports franchises. It's like it drives them nuts

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Speaker 1: when you bring it up.

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Speaker 4: Yes, so get it.

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Speaker 1: There's no rivalry and we have it over them right

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Speaker 1: now right now in sports. Yeah.

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Speaker 3: Six, let's move on to other business. Let's get to

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Speaker 3: know you better. I always like to ask what were

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Speaker 3: you like as a kid?

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Speaker 1: This? Okay, just like this, yep, except I was in

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Speaker 1: the back of the room, making everybody in the back

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Speaker 1: two rows laugh and driving the nuns crazy.

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Speaker 4: I was gonna say, I assume you went to Catholic

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Speaker 4: school like me.

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Speaker 1: I went to the same Catholic school, Saint Peter's twelve years. Oh,

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Speaker 1: Saint Peter's Marion. No, Saint Peter's Marion was the suburban

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Speaker 1: nice version. Oh okay, in the downtown, the city, Saint Peter's. Yeah,

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Speaker 1: the original Saint Peter's. We all went to the school.

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Speaker 1: It was all the neighborhood kids. We all went to

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Speaker 1: the school for twelve years. All of your older brothers

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Speaker 1: and sisters went before you. So then the first day

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Speaker 1: you walked into the next year's classes, the nuns were like, ah,

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Speaker 1: another Leary.

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Speaker 4: Another Dennis Colin Leary in my class.

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Speaker 2: It's another schibone. Okay, you know.

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Speaker 4: So so you know you're funny pretty early.

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Speaker 1: Oh no, I knew.

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Speaker 2: That's all I had going for me. Yeah.

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Speaker 1: My family, my parents were both funny. Okay, my family

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Speaker 1: was very funny. My aunts were all funny people. People

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Speaker 1: were sarcastic and really funny. In my all the adults

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Speaker 1: were really funny, and the ones that weren't just got merciless.

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Speaker 1: So we knew we were funny. And I knew my

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Speaker 1: brother and I always shared a room, and my brother's funny,

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Speaker 1: but he's kind of a quiet guy, okay, So and

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Speaker 1: I knew I could get him because I could never

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Speaker 1: win a fight against my brother. He's way bigger than me.

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Speaker 1: I would just I was I was quicker. He might

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Speaker 1: win the fight, but as soon as the fight was over,

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Speaker 1: I'd say something really funny and he couldn't because he

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Speaker 1: was kind of round. Yeah, it's really fast, so I

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Speaker 1: was just take off.

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Speaker 2: He could never catch me.

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Speaker 1: Anyways, I knew early on in my class there was

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Speaker 1: a couple other kids that were also funny, and we

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Speaker 1: were like, oh, this is our thing, like being funny, right,

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Speaker 1: Like we're not smart, you know, we're not the greatest

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Speaker 1: athletes with it, but it's funny. And then once you

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Speaker 1: find out that girls think that's cool, yeah, and you're like,

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Speaker 1: fuck nuns, it's war. So it was war.

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Speaker 2: So our job.

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Speaker 1: Basically we wanted to drive them crazy and we did

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Speaker 1: and you did. We did.

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Speaker 3: When do you decide you want to be funny for

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Speaker 3: a living?

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Speaker 1: I know this is a common story, but there was

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Speaker 1: an old math nun. I don't remember her name. Yep.

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Speaker 4: I was old, ye, but there were some really young nuns.

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Speaker 1: We actually had a peggy lipped in really hot attraction.

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Speaker 1: I've never had young nuns. Yeah, we had a couple

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Speaker 1: of those. Oh god, sister Sharon, she was so hot. Anyways,

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Speaker 1: I started smoking when I was like twelve or thirteen.

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Speaker 2: Anyways, this old nun in math.

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Speaker 1: If you got in in the first beginning of the class,

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Speaker 1: if you raised your hand and said, oh, sister, I

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Speaker 1: have to go to the bathroom, she'd let you go

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Speaker 1: and then you could skip the rest of the class.

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Speaker 1: She would forget that you love it, yep. So you

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Speaker 1: would try to be only a couple guys could do it,

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Speaker 1: and she would go like, no, there's too many people

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Speaker 1: going to the bathroom. So I would always go, hey, sister,

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Speaker 1: and go and smoke. Uh huh. So I was smoking

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Speaker 1: and coming back from smoking, and this none sister Rosemary Sullivant.

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Speaker 1: I was like sort of sneaking around because you have

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Speaker 1: to walk around the hallways, yeah, you know, and waste

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Speaker 1: an hour. Yeah, and I heard this nun go Hey, Larry,

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Speaker 1: and it's sister Rosemary Sullivant, who's like the theater nun.

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Speaker 1: He's in charge of the musicals. Yeah. And I was like, oh, hi, sister,

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Speaker 1: and she was like, hey, listen, I need some kids

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Speaker 1: for the musical. I need some boys to lift the

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Speaker 1: girls up in the dance numbers. So why don't you

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Speaker 1: come to the auditions after school today? And I was like,

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Speaker 1: I know, I can't do that, sister. I can't do

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Speaker 1: it because I you know, I got a job and

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Speaker 1: I'm you know, I'm trying out for the hockey team.

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Speaker 1: She's like, got to go buy some more smokes. Yeah.

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Speaker 1: He was like be there.

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Speaker 2: Okay, wow, you know you're skipping class right now?

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Speaker 1: Oh are you smoking?

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Speaker 2: But and I was like, ah, fuck.

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Speaker 1: So caught. I go to the thing after school. It's

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Speaker 1: literally all the hottest girls from high school, the seniors,

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Speaker 1: the juniors, the freshman, and like every hot girl is

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Speaker 1: in this rehearsal space. Yeah.

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Speaker 2: And she's like, pick her up by underneath the bosom, yeah,

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Speaker 2: the rump.

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Speaker 1: Yeah up.

390
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Speaker 2: So I picked this girl up and she's like, great,

391
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Speaker 2: can you sing? And I was like I don't know.

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Speaker 1: And there's a piano player and she makes me go over.

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Speaker 1: I can't even remember what song it was. And he goes,

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Speaker 1: all right, you're in the musical. You're gonna have to

395
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Speaker 1: learn all that, so you're going to get the last

396
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Speaker 1: hour of classes off every day to rehearse. And I

397
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Speaker 1: was like, oh, good deal, jackpot. Meanwhile, I go home

398
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Speaker 1: and tell my brother. I go, hey, blah blah blah,

399
00:19:30,600 --> 00:19:32,399
Speaker 1: it's all the hottest girls. And he's like, who is

400
00:19:32,400 --> 00:19:34,640
Speaker 1: you talking about. I'm like, you go into this thing,

401
00:19:34,840 --> 00:19:38,080
Speaker 1: this rehearsal space. It's all the hot girls. When you

402
00:19:38,119 --> 00:19:40,840
Speaker 1: pick them up and she's telling you to handle them.

403
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Speaker 1: The next day, my brother and his friends come to

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Speaker 1: the rehearsal and she's like, oh, this is good. We

405
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Speaker 1: got some more boys. Even if they couldn't sing, they

406
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Speaker 1: would be in the So that was my entree to

407
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Speaker 1: show business. Because once I did that play, which was

408
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Speaker 1: Bye by Birdie, Oh Yeah, I was like I'm so

409
00:20:01,040 --> 00:20:04,720
Speaker 1: in on this. Yeah. And so because I could sing,

410
00:20:05,320 --> 00:20:08,320
Speaker 1: I got a big part. And the first time I

411
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Speaker 1: got a laugh when I went on stage, I was like,

412
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Speaker 1: this is.

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Speaker 2: Why would I not do this?

414
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Speaker 1: Hocked yeah girls people are like I'm getting applause for

415
00:20:18,680 --> 00:20:23,120
Speaker 1: being yeah instead of you know, to take that yeah.

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Speaker 4: And you go to Emerson, which is a great drama.

417
00:20:25,760 --> 00:20:29,639
Speaker 1: Program Emerson because she my parents didn't have any money,

418
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Speaker 1: my grades weren't great.

419
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Speaker 2: And she's sister.

420
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Speaker 1: Rosemary Sullivan said, listen, I take theater courses that the

421
00:20:37,240 --> 00:20:41,320
Speaker 1: parish pays for at Emerson College in Boston, and they

422
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Speaker 1: have an audition process for financial aid where you just

423
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Speaker 1: audition and SATs aren't taken into account. You audition, and

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Speaker 1: if you're good enough, you get into the theater program

425
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Speaker 1: and you get a full scholarship.

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Speaker 2: That's how I got the audition. That's how I got

427
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Speaker 2: the scholarship to go to college.

428
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Speaker 1: Wow, she stayed friends with me. Yeah, so she died,

429
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Speaker 1: which was like, well into my career. Oh wow, No,

430
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Speaker 1: she really changed my life.

431
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Speaker 4: So what at that time? What's on your vision board?

432
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Speaker 3: Like pretending we had vision boards then, Like what were

433
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Speaker 3: you thinking? Like I want to be in movies, I

434
00:21:16,600 --> 00:21:18,080
Speaker 3: want to be a stand up What did you think

435
00:21:18,119 --> 00:21:18,760
Speaker 3: you were going to do?

436
00:21:19,040 --> 00:21:22,720
Speaker 2: So my vision board was cigarettes?

437
00:21:23,040 --> 00:21:26,199
Speaker 4: Yeah, girls, hall and girls got it.

438
00:21:26,320 --> 00:21:27,520
Speaker 2: Yeah that's pretty much.

439
00:21:27,640 --> 00:21:30,919
Speaker 1: And sports yep ye, so yep, this is how bad

440
00:21:30,960 --> 00:21:36,840
Speaker 1: of a student that was. I honestly thought like, well,

441
00:21:36,840 --> 00:21:39,040
Speaker 1: maybe I'll make it as a hockey player. Very quickly

442
00:21:39,119 --> 00:21:41,080
Speaker 1: because there were a lot of kids, really good hockey

443
00:21:41,080 --> 00:21:43,040
Speaker 1: players I was from. Yeah.

444
00:21:44,840 --> 00:21:47,240
Speaker 2: By the time you're thirteen, they're scouting kids.

445
00:21:47,480 --> 00:21:50,760
Speaker 1: Yeah right right, and you realize, oh, no, I can't,

446
00:21:50,760 --> 00:21:53,240
Speaker 1: Like I'm not even good enough to make the varsity

447
00:21:53,320 --> 00:21:54,080
Speaker 1: high school team.

448
00:21:54,280 --> 00:21:56,760
Speaker 2: Yeah, these that's forget that dream.

449
00:21:57,000 --> 00:21:59,320
Speaker 1: And then I was like for a while, I was like,

450
00:21:59,359 --> 00:22:00,760
Speaker 1: I don't know one of them to do because I'm

451
00:22:00,800 --> 00:22:02,240
Speaker 1: an idiot and I'm the only thing I'm good at

452
00:22:02,359 --> 00:22:06,480
Speaker 1: is being funny. Yeah. Yeah, so that's why that nun

453
00:22:07,240 --> 00:22:09,399
Speaker 1: that really that really saved me, because I had no

454
00:22:09,480 --> 00:22:10,199
Speaker 1: I didn't know what I was.

455
00:22:10,200 --> 00:22:14,840
Speaker 3: Going to do, you know, and you get into I know,

456
00:22:14,880 --> 00:22:17,119
Speaker 3: you stay on, you teach, you teach a comedy class.

457
00:22:17,200 --> 00:22:20,000
Speaker 2: Yeah, yes, after I graduated.

458
00:22:19,760 --> 00:22:21,200
Speaker 4: And then what do you do from there? You're you're

459
00:22:21,240 --> 00:22:23,000
Speaker 4: doing stand up in Boston, Yes.

460
00:22:22,840 --> 00:22:24,639
Speaker 1: I did. One of the guys I was in a

461
00:22:25,280 --> 00:22:27,919
Speaker 1: theater group at Emerson, that comedy workshop, and one of

462
00:22:27,960 --> 00:22:32,240
Speaker 1: the original members of the group was Mario Canton. Okay,

463
00:22:32,280 --> 00:22:38,680
Speaker 1: so Mario, un believably talented guy. My girlfriend as we graduated,

464
00:22:38,800 --> 00:22:41,320
Speaker 1: was in the group, Lauren Dombrowski. She was an actress

465
00:22:41,320 --> 00:22:45,600
Speaker 1: and a writer, and they had a comedy team. They

466
00:22:45,640 --> 00:22:48,360
Speaker 1: were going to try stand up and we were all

467
00:22:48,400 --> 00:22:51,320
Speaker 1: working regular jobs, you know, like you know, Lauren was

468
00:22:51,359 --> 00:22:55,520
Speaker 1: a waitress and one of her bus girls was Paula Poundstone.

469
00:22:56,359 --> 00:23:01,040
Speaker 1: Came up to her and said, hey, you know Stephen Wright,

470
00:23:01,119 --> 00:23:02,960
Speaker 1: this guy that went to school with you guys, who

471
00:23:02,960 --> 00:23:05,439
Speaker 1: was the most like He was a writer. He was

472
00:23:05,520 --> 00:23:09,000
Speaker 1: literally the most shy human being you've ever met. And

473
00:23:09,080 --> 00:23:11,720
Speaker 1: she said, he's performing in this talent show at this

474
00:23:11,800 --> 00:23:15,560
Speaker 1: Chinese restaurant in Cambridge. So Mario and Lauren went to

475
00:23:15,600 --> 00:23:18,280
Speaker 1: the show and Steve Wright gets up at this talent

476
00:23:18,320 --> 00:23:21,600
Speaker 1: show and does like there's singers and magicians when he

477
00:23:21,600 --> 00:23:23,959
Speaker 1: gets up and does stand up and kills and they

478
00:23:24,000 --> 00:23:26,280
Speaker 1: were like and so they came and told me, and

479
00:23:26,320 --> 00:23:28,320
Speaker 1: I was like, I lived around the corner from him.

480
00:23:28,359 --> 00:23:30,119
Speaker 1: So I went to his apartment. I was like, what

481
00:23:30,960 --> 00:23:33,960
Speaker 1: is this? And he's like, I know, weird, right, He goes,

482
00:23:34,040 --> 00:23:36,520
Speaker 1: I don't face the audience. I faced the back wall.

483
00:23:36,840 --> 00:23:39,480
Speaker 1: That's like part of my thing, Okay, I was like what?

484
00:23:40,359 --> 00:23:44,280
Speaker 1: So anyways, I went to see him and quite frankly,

485
00:23:44,320 --> 00:23:47,000
Speaker 1: I mean his act was so original and he he

486
00:23:47,200 --> 00:23:50,480
Speaker 1: slaughtered and I was like, you know what I mean,

487
00:23:51,160 --> 00:23:54,080
Speaker 1: this is crazy. But the guy who was hosting the

488
00:23:54,119 --> 00:23:57,479
Speaker 1: show was a guy named Lenny Clark, and he was

489
00:23:58,119 --> 00:24:02,840
Speaker 1: just doing regular like stand up and he was I thought, well,

490
00:24:02,920 --> 00:24:04,520
Speaker 1: I can't do what Steve does, but I could do

491
00:24:04,560 --> 00:24:08,680
Speaker 1: it what Lenny's doing. And then Mario and Lauren got

492
00:24:08,760 --> 00:24:11,320
Speaker 1: up like a couple of weeks later, and they did

493
00:24:11,560 --> 00:24:14,480
Speaker 1: stand up for like five minutes. I was like, Okay,

494
00:24:14,520 --> 00:24:16,600
Speaker 1: I gotta try this, and that's how I started stand up.

495
00:24:16,760 --> 00:24:18,520
Speaker 4: Yeah, and are you working?

496
00:24:18,560 --> 00:24:21,320
Speaker 1: Are you working? Pretty Blue? Oh? Yeah? No? Right? For

497
00:24:21,680 --> 00:24:25,119
Speaker 1: my favorite my favorite stand ups were George Crawl and

498
00:24:25,200 --> 00:24:28,880
Speaker 1: Richard Pryor was my favorite. Okay. I saw an interview

499
00:24:28,880 --> 00:24:33,600
Speaker 1: with Richard Pryor at the time where he said, I

500
00:24:33,640 --> 00:24:36,160
Speaker 1: spent my entire life trying to get to this point,

501
00:24:36,200 --> 00:24:39,520
Speaker 1: which was I wanted to be the guy I was

502
00:24:39,560 --> 00:24:42,080
Speaker 1: in the living room with my friends, was the guy

503
00:24:42,200 --> 00:24:44,680
Speaker 1: I wanted to be on stage? Yeah. There was no

504
00:24:44,760 --> 00:24:49,040
Speaker 1: difference that I wasn't lying about anything. I was just yeah.

505
00:24:49,080 --> 00:24:51,600
Speaker 1: And so I was like, that's what I need to get.

506
00:24:51,680 --> 00:24:53,720
Speaker 1: I need to learn how to just come out and say,

507
00:24:54,200 --> 00:24:56,120
Speaker 1: you know what I do. If I was hanging out

508
00:24:56,119 --> 00:24:59,439
Speaker 1: with my friends, so That's that's how I ended up

509
00:24:59,440 --> 00:25:00,439
Speaker 1: doing up.

510
00:25:00,920 --> 00:25:02,280
Speaker 4: So when you get things like.

511
00:25:03,880 --> 00:25:06,640
Speaker 3: The Sandlot or like two If by Sea or even

512
00:25:06,680 --> 00:25:10,040
Speaker 3: Thomas Crown, like and you'd been working pretty blue in

513
00:25:10,160 --> 00:25:12,600
Speaker 3: stand up, do you feel like I've got to become

514
00:25:12,640 --> 00:25:13,800
Speaker 3: a different thing now.

515
00:25:15,280 --> 00:25:20,200
Speaker 1: No, because I knew I could act based on that's

516
00:25:20,359 --> 00:25:23,800
Speaker 1: coming out of the theater basic yeah, right, Yeah, And

517
00:25:25,480 --> 00:25:31,560
Speaker 1: I was also I was lucky enough that in my

518
00:25:31,720 --> 00:25:33,879
Speaker 1: twenties I'd seen a couple of things happen. A couple

519
00:25:33,880 --> 00:25:38,680
Speaker 1: of people I knew became famous, Steve Wright, Paula Poundstone yep,

520
00:25:39,240 --> 00:25:41,879
Speaker 1: and bobcat Glthwaite. They were all from the Boston comedy

521
00:25:41,920 --> 00:25:46,000
Speaker 1: scene and from my class. Yeah, so I saw that,

522
00:25:46,480 --> 00:25:50,760
Speaker 1: and I saw that very quickly they could get pigeonholed

523
00:25:51,119 --> 00:25:56,480
Speaker 1: better for good and bad room right, right. And also

524
00:25:56,760 --> 00:26:00,640
Speaker 1: I saw what they each were doing with their right

525
00:26:00,960 --> 00:26:03,919
Speaker 1: So that was interesting to watch. And I had a

526
00:26:03,960 --> 00:26:07,439
Speaker 1: couple of friends who guys I went to school with,

527
00:26:07,680 --> 00:26:10,560
Speaker 1: who were drafted to play in the National Hockey League,

528
00:26:10,640 --> 00:26:14,400
Speaker 1: who were some of the greatest athletes I knew, right,

529
00:26:14,760 --> 00:26:18,160
Speaker 1: and their careers were over in two years, sometimes because

530
00:26:18,160 --> 00:26:20,160
Speaker 1: of injury and sometimes just because they weren't good enough

531
00:26:20,160 --> 00:26:22,200
Speaker 1: when they got to the and I was like, oh man,

532
00:26:22,320 --> 00:26:25,280
Speaker 1: this is you have to be smart. You have to

533
00:26:25,280 --> 00:26:28,240
Speaker 1: be as on top of it as you can be.

534
00:26:29,000 --> 00:26:32,200
Speaker 1: So I was very lucky that I got famous later

535
00:26:33,440 --> 00:26:36,199
Speaker 1: because I you could handle it. I could handle it.

536
00:26:36,240 --> 00:26:39,040
Speaker 1: I you know, I didn't need a lot of money.

537
00:26:39,080 --> 00:26:43,440
Speaker 1: I didn't have credit cards, I didn't have high rent,

538
00:26:44,880 --> 00:26:46,240
Speaker 1: and I got famous.

539
00:26:46,359 --> 00:26:47,920
Speaker 2: I knew I wanted to go back to the theater.

540
00:26:48,160 --> 00:26:49,320
Speaker 2: That was the thing with stand up.

541
00:26:49,320 --> 00:26:53,119
Speaker 1: I knew I loved doing stand up, but I wanted

542
00:26:53,119 --> 00:26:55,200
Speaker 1: to stop doing it in clubs and I wanted to

543
00:26:55,200 --> 00:26:59,280
Speaker 1: write a one man show to go back to the theater. Yeah,

544
00:26:59,320 --> 00:27:02,000
Speaker 1: it all just worked worked out, kind of perfect timing.

545
00:27:02,080 --> 00:27:02,320
Speaker 1: You know.

546
00:27:03,040 --> 00:27:05,639
Speaker 4: Talk about h Thomas Crown affair.

547
00:27:06,800 --> 00:27:10,320
Speaker 2: Oh man, that was That was such a great experience.

548
00:27:10,600 --> 00:27:12,120
Speaker 4: It's an incredible movie.

549
00:27:12,320 --> 00:27:13,240
Speaker 2: It's a great movie.

550
00:27:13,400 --> 00:27:15,880
Speaker 1: It's a great movie. And your part could be.

551
00:27:17,560 --> 00:27:22,879
Speaker 3: Your part could be less noticeable with a different actor,

552
00:27:23,240 --> 00:27:26,520
Speaker 3: with a lesser actor, but it's so full of personality

553
00:27:26,640 --> 00:27:29,320
Speaker 3: because of who you are and what you.

554
00:27:29,200 --> 00:27:30,080
Speaker 1: Bring to that role.

555
00:27:30,680 --> 00:27:33,960
Speaker 4: It's a standout role that could otherwise not be right.

556
00:27:34,000 --> 00:27:40,000
Speaker 1: But that's the director. Because the director was John mcteern you. Yeah,

557
00:27:40,080 --> 00:27:45,160
Speaker 1: John mcteernan did die Hard, right, so he he made

558
00:27:45,160 --> 00:27:47,760
Speaker 1: that movie. He he what he did in die Hard

559
00:27:47,960 --> 00:27:50,359
Speaker 1: was he created an amazing action movie.

560
00:27:50,440 --> 00:27:51,960
Speaker 2: Right, he's a very talented director.

561
00:27:52,040 --> 00:27:55,320
Speaker 1: But what he really did was he took u that

562
00:27:55,520 --> 00:28:01,119
Speaker 1: role and he fashioned it into something that it wasn't

563
00:28:01,200 --> 00:28:05,320
Speaker 1: in the supposedly in the original draft. And he saw

564
00:28:05,680 --> 00:28:08,639
Speaker 1: in Bruce Willis, who was just a TV actor at

565
00:28:08,640 --> 00:28:12,400
Speaker 1: the time. Yes, when he met Bruce Willis in real life,

566
00:28:12,440 --> 00:28:15,760
Speaker 1: he saw how to make how to turn the character

567
00:28:15,880 --> 00:28:18,280
Speaker 1: into something that Bruce could make come alive.

568
00:28:18,640 --> 00:28:21,359
Speaker 4: Yeah, with some comedy and yes, exactly.

569
00:28:21,440 --> 00:28:25,760
Speaker 1: Yeah. So when he approached me about it, I loved

570
00:28:25,920 --> 00:28:30,000
Speaker 1: Thomas Crown affair. I love Steve McQueen original. Yeah, it's great.

571
00:28:30,400 --> 00:28:32,159
Speaker 2: Yeah, And this is I've said this before. It's not

572
00:28:32,200 --> 00:28:32,880
Speaker 2: cutting him down.

573
00:28:33,000 --> 00:28:35,399
Speaker 1: The one time I thought Steve McQueen because he always

574
00:28:35,400 --> 00:28:39,200
Speaker 1: played working class people, right, and he was really that

575
00:28:39,320 --> 00:28:42,640
Speaker 1: was in his DNA. Yeah right, the one time he

576
00:28:42,680 --> 00:28:44,200
Speaker 1: was out of his element, but he was still great

577
00:28:44,200 --> 00:28:46,760
Speaker 1: because he was a great fucking film actor. God, what

578
00:28:46,840 --> 00:28:51,320
Speaker 1: a great camera actor he was. Thomas Trone, he plays

579
00:28:51,320 --> 00:28:55,360
Speaker 1: a rich guy, right, Yes, So I still love the movie,

580
00:28:55,400 --> 00:28:57,400
Speaker 1: but it's when you look back on it, it's not

581
00:28:57,520 --> 00:29:00,480
Speaker 1: right in his wheelhouse, which is great because he was. Yeah.

582
00:29:01,040 --> 00:29:02,560
Speaker 1: So when I heard they were going to remake it,

583
00:29:02,560 --> 00:29:05,320
Speaker 1: I was like, this is interesting and that was nothing original?

584
00:29:05,320 --> 00:29:05,800
Speaker 1: Am I wrong?

585
00:29:05,840 --> 00:29:06,720
Speaker 4: Was it set in Boston?

586
00:29:07,320 --> 00:29:08,200
Speaker 2: It was set in Boston?

587
00:29:08,280 --> 00:29:10,920
Speaker 1: Yes, yeah, I remember that. He done away. He played

588
00:29:10,960 --> 00:29:14,680
Speaker 1: the girl, right. So when I met mc tiernan and

589
00:29:14,680 --> 00:29:16,880
Speaker 1: he was like, listen, this is how I see this guy,

590
00:29:18,200 --> 00:29:20,840
Speaker 1: and I see I need you to bring this and

591
00:29:20,880 --> 00:29:23,840
Speaker 1: I'm gonna I'm gonna, I'm gonna increase the size of

592
00:29:23,880 --> 00:29:26,560
Speaker 1: the role because I think the relationship between you and

593
00:29:26,560 --> 00:29:32,160
Speaker 1: Renee is going to be really interesting. And I was like, okay, So, uh,

594
00:29:32,360 --> 00:29:36,800
Speaker 1: he was a He was a very what's the right word.

595
00:29:36,880 --> 00:29:39,760
Speaker 1: You know, he knew what he wanted, He knew he

596
00:29:39,840 --> 00:29:42,719
Speaker 1: knew how to how to make it look amazing, right, Yeah,

597
00:29:43,280 --> 00:29:45,480
Speaker 1: and he spent a lot of time on that with

598
00:29:45,640 --> 00:29:47,720
Speaker 1: his DP and everything. But he also when we were

599
00:29:47,720 --> 00:29:50,280
Speaker 1: in these and this is a big budget movie, yeah,

600
00:29:50,480 --> 00:29:53,800
Speaker 1: heist movie, he spent so much time in these little

601
00:29:53,840 --> 00:29:56,120
Speaker 1: tiny acting scenes. Everything was about the acting to him,

602
00:29:56,600 --> 00:29:59,640
Speaker 1: even though it was a heist movie. Yeah, only talking

603
00:29:59,720 --> 00:30:03,560
Speaker 1: letting this improvised play. He was constantly coming in and

604
00:30:03,600 --> 00:30:07,440
Speaker 1: reassuring everybody or saying like, I really like this. He

605
00:30:07,560 --> 00:30:10,680
Speaker 1: was just a really great director. And you can see

606
00:30:10,680 --> 00:30:11,280
Speaker 1: it on screen.

607
00:30:11,880 --> 00:30:16,040
Speaker 3: Yes, yeah, it's not just a heist movie. It's really good,

608
00:30:16,280 --> 00:30:21,320
Speaker 3: complex and fun and romantic. Oh yeah, it's so great.

609
00:30:21,480 --> 00:30:23,960
Speaker 3: It's a great it's a great film. I love watching it,

610
00:30:24,960 --> 00:30:25,760
Speaker 3: and I'll just.

611
00:30:25,800 --> 00:30:28,000
Speaker 1: Great story about that movie. Tell me it's a great

612
00:30:28,000 --> 00:30:31,400
Speaker 1: time making it. I love it. My son was seven

613
00:30:31,480 --> 00:30:35,800
Speaker 1: at the time. Okay, yeah, he was seven, and he

614
00:30:36,760 --> 00:30:41,000
Speaker 1: You probably don't remember this, but GoldenEye the video game

615
00:30:41,080 --> 00:30:43,440
Speaker 1: had just come out, and it was the video game

616
00:30:43,480 --> 00:30:48,160
Speaker 1: of all video games. Okay, the first first person shooter game. Okay,

617
00:30:48,320 --> 00:30:52,000
Speaker 1: well you're you know, James Bond, and you're traveling around.

618
00:30:52,200 --> 00:30:55,280
Speaker 1: So every boy and on the planet Earth was playing

619
00:30:55,320 --> 00:30:58,120
Speaker 1: that game. So Jack says to me, hey, daddy, is

620
00:30:58,160 --> 00:30:59,920
Speaker 1: it true that you're making a movie with double SEV?

621
00:31:00,080 --> 00:31:02,720
Speaker 1: And I go, right, he's not Double O seven. His

622
00:31:02,800 --> 00:31:05,680
Speaker 1: name is Pierce is Prince Brosnan. Ye, he's a he's

623
00:31:05,680 --> 00:31:09,040
Speaker 1: an actor. He does many different roles. So of course,

624
00:31:09,120 --> 00:31:11,160
Speaker 1: like weeks later, that comes the moment when the kids

625
00:31:11,160 --> 00:31:14,120
Speaker 1: come to visit the set, and I specifically tell Jack,

626
00:31:14,160 --> 00:31:16,960
Speaker 1: I'm like, listen, he's not double O seven. His name

627
00:31:17,080 --> 00:31:19,080
Speaker 1: is Pierce Brosnan. You call him mister Brosnan.

628
00:31:19,240 --> 00:31:19,440
Speaker 4: Yeah.

629
00:31:19,600 --> 00:31:21,920
Speaker 1: Yeah. Get to the set and I go, Pierce, this

630
00:31:21,960 --> 00:31:25,880
Speaker 1: is my son Jack, and Jack, this is mister Brosnan.

631
00:31:25,960 --> 00:31:30,560
Speaker 1: And he goes, hey, James Bond, how you doing? Do

632
00:31:30,640 --> 00:31:33,480
Speaker 1: you know how to get to level fourteen? And he goes, oh,

633
00:31:34,000 --> 00:31:37,120
Speaker 1: you know what, Jack, I don't even my kids asked

634
00:31:37,160 --> 00:31:37,720
Speaker 1: me this question.

635
00:31:37,920 --> 00:31:40,120
Speaker 2: I don't play that game. I know I'm in, but

636
00:31:40,200 --> 00:31:41,040
Speaker 2: I don't play that game.

637
00:31:41,080 --> 00:31:43,040
Speaker 1: Oh my god. Like ten minutes would go by and

638
00:31:43,080 --> 00:31:45,840
Speaker 1: I hear Jack go, hey, Jas Bond in level eight

639
00:31:46,280 --> 00:31:48,920
Speaker 1: when when you're in the snow and you're in the

640
00:31:49,000 --> 00:31:52,520
Speaker 1: snow and he's like, Jack, I don't know level eight.

641
00:31:52,720 --> 00:31:56,760
Speaker 1: He's like okay, And then like ten minutes later going listen,

642
00:31:57,000 --> 00:31:59,560
Speaker 1: when you're when you're facing the Russians on level five,

643
00:32:01,000 --> 00:32:04,960
Speaker 1: James Bond, what we do? So he called them James

644
00:32:04,960 --> 00:32:08,479
Speaker 1: Bond and that was awesome, and he was he had

645
00:32:08,560 --> 00:32:11,080
Speaker 1: such a good sense of humor about it. Oh that's great.

646
00:32:11,440 --> 00:32:15,040
Speaker 1: I have a Jack too. Great. That's a great name.

647
00:32:15,120 --> 00:32:16,120
Speaker 1: It's a great, name.

648
00:32:17,560 --> 00:32:20,440
Speaker 4: Your kids, he's he just turned eleven.

649
00:32:20,960 --> 00:32:25,480
Speaker 1: Oh wow, yeah, yeah your kids are young. Yeah, yeah,

650
00:32:25,640 --> 00:32:31,600
Speaker 1: my kids are about to get married. I know. My

651
00:32:31,720 --> 00:32:35,120
Speaker 1: son is my boss on he runs my television company

652
00:32:35,160 --> 00:32:37,880
Speaker 1: and my production company. Great, I know, you guys get

653
00:32:37,880 --> 00:32:38,640
Speaker 1: to see each other.

654
00:32:38,880 --> 00:32:40,360
Speaker 2: And he gets to tell me what to do.

655
00:32:52,160 --> 00:32:54,760
Speaker 3: We like to talk about career arcs and pivot points

656
00:32:54,800 --> 00:32:57,000
Speaker 3: a lot on the show, and especially moments where our

657
00:32:57,040 --> 00:33:00,720
Speaker 3: careers are at some kind of a crossroad, and like

658
00:33:00,760 --> 00:33:03,120
Speaker 3: what do we learn in those moments? What's a moment

659
00:33:03,160 --> 00:33:06,000
Speaker 3: of your career that was hard that like hit you hard,

660
00:33:06,160 --> 00:33:08,560
Speaker 3: maybe a job you don't get or a project you

661
00:33:08,600 --> 00:33:10,480
Speaker 3: can't get off the ground or something, and like, what

662
00:33:10,520 --> 00:33:11,520
Speaker 3: do you do in that moment?

663
00:33:12,320 --> 00:33:13,600
Speaker 2: Well, I could tell you exactly.

664
00:33:13,600 --> 00:33:16,760
Speaker 1: I can tell you the crux from me and my wife.

665
00:33:17,600 --> 00:33:20,200
Speaker 1: So I never had any money and she knew that,

666
00:33:20,560 --> 00:33:22,959
Speaker 1: and she didn't have any money, and you know, we

667
00:33:23,960 --> 00:33:26,720
Speaker 1: reached a point when when I, as I was saying earlier,

668
00:33:26,720 --> 00:33:28,600
Speaker 1: when I knew I wanted to do a one I

669
00:33:28,600 --> 00:33:32,280
Speaker 1: wanted to get out of the clubs and actually finish

670
00:33:32,360 --> 00:33:35,640
Speaker 1: writing this one man show. Because when I was at Emerson,

671
00:33:36,440 --> 00:33:41,000
Speaker 1: one of the alumni was Spaulding Gray Oh, my senior

672
00:33:41,120 --> 00:33:43,760
Speaker 1: year and did a one man I didn't know what

673
00:33:43,800 --> 00:33:45,720
Speaker 1: it was. He did like a one man performance in

674
00:33:45,760 --> 00:33:48,240
Speaker 1: the theater there. Yeah, and he did a Q and

675
00:33:48,320 --> 00:33:49,920
Speaker 1: A afterwards. I didn't know what it was because there

676
00:33:50,000 --> 00:33:53,040
Speaker 1: was no fourth wall, so he was talking it us.

677
00:33:53,280 --> 00:33:57,239
Speaker 1: He was interesting. Yeah, it was really funny. Yeah, so

678
00:33:57,320 --> 00:34:01,720
Speaker 1: I was like, ah, this is interesting. Right. So we're broke.

679
00:34:02,560 --> 00:34:07,520
Speaker 1: My wife is six months pregnant and we have no

680
00:34:07,600 --> 00:34:10,720
Speaker 1: credit cards, nothing, not that we cared at that point. Yeah,

681
00:34:10,760 --> 00:34:14,560
Speaker 1: And I book the first big break television break I got,

682
00:34:14,560 --> 00:34:17,520
Speaker 1: which is to go to London for a weekend to

683
00:34:17,640 --> 00:34:23,120
Speaker 1: shoot a television show there called London Underground with like

684
00:34:23,200 --> 00:34:27,480
Speaker 1: three other comedians yes, all British, and a musical guest.

685
00:34:27,680 --> 00:34:29,560
Speaker 1: So we're going to go there for like four days.

686
00:34:29,560 --> 00:34:31,279
Speaker 1: Her doctor said it was okay for her to fly,

687
00:34:32,480 --> 00:34:33,680
Speaker 1: and we fly over there.

688
00:34:33,719 --> 00:34:34,359
Speaker 2: I do the show.

689
00:34:35,040 --> 00:34:38,399
Speaker 1: My set went great, like literally went through the roof

690
00:34:39,120 --> 00:34:43,600
Speaker 1: and her water broke and so we couldn't leave. And

691
00:34:43,640 --> 00:34:48,359
Speaker 1: then my son was born premature, free months premature, and

692
00:34:49,160 --> 00:34:53,280
Speaker 1: the guys I did the show with said, I said, listen,

693
00:34:53,680 --> 00:34:55,520
Speaker 1: I'm going to be The doctor said, we can't leave

694
00:34:55,560 --> 00:34:59,600
Speaker 1: so I'm stuck here. So these three guys, Eddie Izzard,

695
00:35:00,360 --> 00:35:03,200
Speaker 1: this guy named Dave Bidil, and another guy named Frank Skinner.

696
00:35:03,680 --> 00:35:05,439
Speaker 1: Dave Bidil and Frank Skinner are two of the most

697
00:35:05,440 --> 00:35:10,319
Speaker 1: famous comedians. Yes, and Eddie they're not famous yet. They're

698
00:35:10,360 --> 00:35:14,880
Speaker 1: like me, you're wow. Yeah, So those guys get me

699
00:35:14,920 --> 00:35:17,440
Speaker 1: some work, and they also tell me they said listen.

700
00:35:17,480 --> 00:35:21,560
Speaker 1: I think it was Dave who first said, listen, we're

701
00:35:21,600 --> 00:35:25,000
Speaker 1: all thinking of going to Edinburgh this summer to the festival.

702
00:35:25,440 --> 00:35:28,400
Speaker 1: So we're going to be working like some clubs in

703
00:35:28,440 --> 00:35:30,440
Speaker 1: the city to get money, but we're going to be

704
00:35:30,480 --> 00:35:34,480
Speaker 1: working in these art centers out in the suburbs to

705
00:35:34,480 --> 00:35:38,000
Speaker 1: develop our shows. So maybe you should think about doing that.

706
00:35:38,040 --> 00:35:40,399
Speaker 1: And of course I'd been talking about finalizing the One

707
00:35:40,400 --> 00:35:43,240
Speaker 1: Man Chob, so I had no choice.

708
00:35:43,360 --> 00:35:47,240
Speaker 2: That was with no money. My son is born.

709
00:35:47,760 --> 00:35:51,319
Speaker 1: It was really scary because it was life and death

710
00:35:51,360 --> 00:35:54,880
Speaker 1: there for a while. And then I was I would

711
00:35:54,920 --> 00:35:57,600
Speaker 1: just go off and like Tuesdays and Thursdays, I would

712
00:35:57,640 --> 00:36:01,520
Speaker 1: perform at these art centers and and do what what

713
00:36:01,680 --> 00:36:06,600
Speaker 1: was no cure for cancer for like two months, just

714
00:36:06,719 --> 00:36:11,440
Speaker 1: scraping by financially. Thank god, their health system was set

715
00:36:11,520 --> 00:36:13,520
Speaker 1: up so that if you're from another country, but you

716
00:36:13,560 --> 00:36:16,799
Speaker 1: walk into an emergency room, you don't have to pay

717
00:36:16,800 --> 00:36:20,200
Speaker 1: any of the medical bills. Wow. Literally every my son

718
00:36:20,320 --> 00:36:23,239
Speaker 1: was in the hospital, hooked up the machines, you know,

719
00:36:23,360 --> 00:36:25,520
Speaker 1: for a couple of months, and none of it. We

720
00:36:25,560 --> 00:36:28,160
Speaker 1: didn't have to pay for that, now, because otherwise I

721
00:36:28,160 --> 00:36:31,120
Speaker 1: don't know what we would have done. Yeah. Yeah, And

722
00:36:31,200 --> 00:36:34,040
Speaker 1: I went to Edinburgh and I did No Cure for

723
00:36:34,120 --> 00:36:36,279
Speaker 1: cancer and I went through the roof, and then my

724
00:36:36,360 --> 00:36:37,040
Speaker 1: career took off.

725
00:36:37,239 --> 00:36:40,279
Speaker 2: I brought it out work, did it off Broadway, came

726
00:36:40,320 --> 00:36:40,799
Speaker 2: a huge hit.

727
00:36:41,480 --> 00:36:44,040
Speaker 1: So that was like I look back on that, I'm like,

728
00:36:44,480 --> 00:36:47,120
Speaker 1: because I remember asking in like, what do you think? Yeah,

729
00:36:47,239 --> 00:36:49,520
Speaker 1: it's like we didn't have a choice. Yeah, you know,

730
00:36:50,680 --> 00:36:55,120
Speaker 1: you had to roll with it. Yeah, Okay.

731
00:36:55,160 --> 00:36:58,560
Speaker 3: I read that you were offered the part of Dignam

732
00:37:00,000 --> 00:37:01,640
Speaker 3: which went to Mark Wahlberg and The Departed.

733
00:37:03,320 --> 00:37:07,440
Speaker 1: Not really true, as I tell me, tell me, I

734
00:37:07,480 --> 00:37:08,800
Speaker 1: don't think that's what happened.

735
00:37:09,239 --> 00:37:11,560
Speaker 2: This is what happened. Tell me what year.

736
00:37:11,440 --> 00:37:14,279
Speaker 1: Was that now that because The Departed that was two

737
00:37:14,280 --> 00:37:18,279
Speaker 1: thousand and eight, seven six, something like that, something like that.

738
00:37:18,360 --> 00:37:19,799
Speaker 4: I read you had to turn it down. For a

739
00:37:19,840 --> 00:37:20,880
Speaker 4: Rescue Me scheduling.

740
00:37:21,600 --> 00:37:24,960
Speaker 1: So at that time I was doing Rescue Me, which

741
00:37:24,960 --> 00:37:28,800
Speaker 1: I was also writing. Okay, there were six two thousand

742
00:37:28,800 --> 00:37:31,319
Speaker 1: and six. There's only three writers on that show. One

743
00:37:31,360 --> 00:37:35,080
Speaker 1: was Peter Tolan, who was the co creator with me.

744
00:37:35,400 --> 00:37:38,400
Speaker 1: Peter was the guy who did Larry Sanders with Gary

745
00:37:38,440 --> 00:37:42,080
Speaker 1: Schandling amazing, and Peter was also the director of most

746
00:37:42,160 --> 00:37:44,200
Speaker 1: of our big episodes on Rescue Me.

747
00:37:44,440 --> 00:37:45,480
Speaker 2: And then we had one other.

748
00:37:45,360 --> 00:37:50,080
Speaker 1: Guy, Evan Riley, who we got from The Sopranos. It's

749
00:37:50,080 --> 00:37:53,960
Speaker 1: a three man writing crew and we shot. You know,

750
00:37:54,000 --> 00:37:56,360
Speaker 1: it was an hour long show with tons of fire

751
00:37:56,480 --> 00:38:01,120
Speaker 1: and yeah, lots of improv and yeah. Our schedule was crazy.

752
00:38:01,120 --> 00:38:04,880
Speaker 1: We would shoot for six months and during the off

753
00:38:04,960 --> 00:38:10,120
Speaker 1: season we would write. Anyways, I was shooting when Scorsese

754
00:38:10,320 --> 00:38:12,880
Speaker 1: called and said, you know, I have this part. I

755
00:38:12,920 --> 00:38:16,319
Speaker 1: think it was the Alec Baldwin part. Oh, And I

756
00:38:16,360 --> 00:38:18,440
Speaker 1: was like, God, damn, I'd love to because we have

757
00:38:18,520 --> 00:38:20,360
Speaker 1: been talking about doing something for years. And I was like,

758
00:38:20,920 --> 00:38:25,239
Speaker 1: I'm literally in every scene every day, yeah, five days

759
00:38:25,280 --> 00:38:27,680
Speaker 1: a week. And He's like, okay, I'm going to be shooting.

760
00:38:28,960 --> 00:38:31,200
Speaker 1: I can rearrange the schedule, I can shoot you on

761
00:38:31,239 --> 00:38:34,280
Speaker 1: the weekends. And I was like, ah, but that's gonna

762
00:38:35,480 --> 00:38:38,960
Speaker 1: be so unfair to somebody, either you because I'm going

763
00:38:39,000 --> 00:38:40,520
Speaker 1: to be exhausted and not be able to give my

764
00:38:40,560 --> 00:38:44,839
Speaker 1: best performance, yeah, or my rescue me yeah, because I'm

765
00:38:44,840 --> 00:38:47,959
Speaker 1: going to be exhausted from Monday. Right. So I thought

766
00:38:48,000 --> 00:38:49,600
Speaker 1: really hard about it, and I was like, you know what,

767
00:38:50,880 --> 00:38:53,040
Speaker 1: I can't do it. And of course at that time,

768
00:38:53,880 --> 00:38:56,399
Speaker 1: you know, I think I made the right decision. And

769
00:38:56,640 --> 00:39:00,719
Speaker 1: like most movies, I turned down and I saw the movie,

770
00:39:00,760 --> 00:39:03,680
Speaker 1: I'm like, the guy always does a better job than

771
00:39:03,719 --> 00:39:04,200
Speaker 1: I would have.

772
00:39:04,120 --> 00:39:05,080
Speaker 2: Done, you know what I mean.

773
00:39:05,280 --> 00:39:08,320
Speaker 1: So now Baldwin is a great actor.

774
00:39:08,440 --> 00:39:10,640
Speaker 3: And he is great, and he was great in that

775
00:39:11,560 --> 00:39:13,480
Speaker 3: he doesn't have your accent, No.

776
00:39:13,480 --> 00:39:16,040
Speaker 2: He doesn't, but man presence.

777
00:39:17,040 --> 00:39:22,400
Speaker 1: I never spend time feeling looking back, looking back at

778
00:39:22,480 --> 00:39:26,600
Speaker 1: h I was so engaged in giving everything to rescue

779
00:39:26,600 --> 00:39:29,120
Speaker 1: me that I needed those weekends off. I needed those

780
00:39:29,160 --> 00:39:30,040
Speaker 1: to repeat.

781
00:39:30,520 --> 00:39:33,719
Speaker 3: Well, and it's your show, And yeah, I mean, but

782
00:39:33,840 --> 00:39:38,120
Speaker 3: you mentioned you've not met Ben or Matt. No, never,

783
00:39:38,680 --> 00:39:40,800
Speaker 3: so you weren't like I always imagined, you were probably

784
00:39:40,840 --> 00:39:43,600
Speaker 3: auditioning against like Matt and Ben and Mark a lot,

785
00:39:43,640 --> 00:39:44,040
Speaker 3: but no, no.

786
00:39:44,480 --> 00:39:45,720
Speaker 2: They were they're way younger.

787
00:39:46,160 --> 00:39:51,520
Speaker 1: You know, those guys are behind us. So when they hit,

788
00:39:53,400 --> 00:39:55,680
Speaker 1: I think they hit in ninety seven. You know, I'd

789
00:39:55,680 --> 00:39:59,480
Speaker 1: already been famous for like five years ago. Yeah right, yeah, so.

790
00:39:59,440 --> 00:40:00,879
Speaker 2: They were a little but younger by the way.

791
00:40:00,960 --> 00:40:05,400
Speaker 1: Listen, and I've always said this, well, you know, but

792
00:40:05,480 --> 00:40:09,200
Speaker 1: those guys don't need to worry about anything because you're

793
00:40:09,239 --> 00:40:11,879
Speaker 1: not going to get a better action movie star than

794
00:40:12,120 --> 00:40:15,319
Speaker 1: Jason Bourne, right number one number. On top of that,

795
00:40:15,360 --> 00:40:20,799
Speaker 1: Matt Damon's funny, yep. And Bevan Affleck is not just

796
00:40:21,000 --> 00:40:23,360
Speaker 1: a great actor, but he's a great director. So I'm yes,

797
00:40:23,600 --> 00:40:29,160
Speaker 1: you know those guys there's no there's no wiggle room there. Yeah, yeah, yeah.

798
00:40:29,280 --> 00:40:32,120
Speaker 3: I wanted to ask, did you ever did you see

799
00:40:32,280 --> 00:40:34,680
Speaker 3: the indie film it ends with Us?

800
00:40:35,239 --> 00:40:37,960
Speaker 1: Yes? Yes, Why?

801
00:40:38,600 --> 00:40:41,200
Speaker 3: Well it grinds my gears because it's set in Boston

802
00:40:41,280 --> 00:40:43,880
Speaker 3: but filmed in New Jersey, as if we won't know

803
00:40:45,000 --> 00:40:48,359
Speaker 3: that it's not filmed in there's not a dunk in it,

804
00:40:48,640 --> 00:40:51,040
Speaker 3: there's not a Red Sox cap in it, there's not

805
00:40:51,120 --> 00:40:52,719
Speaker 3: an accent in it, I know.

806
00:40:52,800 --> 00:40:55,200
Speaker 1: And when they're shooting movies all over Massachusetts. So I

807
00:40:55,200 --> 00:40:57,800
Speaker 1: don't know why, I don't know why. I don't know why.

808
00:40:58,239 --> 00:40:58,840
Speaker 1: I don't know what.

809
00:40:59,000 --> 00:41:01,560
Speaker 3: The beauty of adding a film in Boston is all

810
00:41:01,800 --> 00:41:04,240
Speaker 3: all the things I just said, the Dunks, the Red Sox,

811
00:41:04,640 --> 00:41:07,840
Speaker 3: all of the stuff that that makes Boston Boston to

812
00:41:07,960 --> 00:41:08,720
Speaker 3: set it there.

813
00:41:08,560 --> 00:41:10,000
Speaker 4: And then have none of that in it.

814
00:41:10,440 --> 00:41:12,840
Speaker 1: I love shooting in Boston, by the way, but it's

815
00:41:12,880 --> 00:41:15,080
Speaker 1: and and they're you know, they're they're setting up movies

816
00:41:15,120 --> 00:41:16,799
Speaker 1: through is there's one in Quincy? Now, isn't there a

817
00:41:16,840 --> 00:41:17,840
Speaker 1: movies through you on Quincy?

818
00:41:17,920 --> 00:41:19,399
Speaker 2: They're shooting everything there.

819
00:41:19,440 --> 00:41:23,480
Speaker 1: So I don't know why they didn't. What really bothers me? Yeah? Uh.

820
00:41:23,640 --> 00:41:25,239
Speaker 3: We also talk a lot on the show about the

821
00:41:25,320 --> 00:41:28,040
Speaker 3: challenges of raising kids in an age of social media.

822
00:41:28,480 --> 00:41:31,080
Speaker 1: Your kids are grown, My kids are grown. Yeah, so

823
00:41:31,120 --> 00:41:31,720
Speaker 1: you didn't really.

824
00:41:31,600 --> 00:41:33,520
Speaker 4: Have to deal with this as a dad.

825
00:41:33,640 --> 00:41:36,680
Speaker 1: It didn't really because they were by the time, they

826
00:41:36,680 --> 00:41:39,520
Speaker 1: were in college by the time all that came too

827
00:41:39,560 --> 00:41:43,759
Speaker 1: go off and it is listen as a comedian, I know,

828
00:41:43,880 --> 00:41:47,400
Speaker 1: and this is this is comedians really go nuts about this.

829
00:41:47,520 --> 00:41:49,520
Speaker 1: I don't because I'm not. I don't live in the

830
00:41:49,520 --> 00:41:52,640
Speaker 1: comedy world as a way of making a living anymore, right,

831
00:41:52,920 --> 00:41:55,360
Speaker 1: I mean, I do notice it just because it pops

832
00:41:55,400 --> 00:41:58,839
Speaker 1: up on your phone. Like, there's so many comedians who

833
00:41:58,880 --> 00:42:02,319
Speaker 1: are out there, like literally people just doing crowd work. Yes,

834
00:42:02,480 --> 00:42:05,960
Speaker 1: ma cereal, they're just going out and doing talking to

835
00:42:06,000 --> 00:42:09,960
Speaker 1: the audience, yeah, and then putting the clips on Instagram

836
00:42:10,080 --> 00:42:13,400
Speaker 1: and TikTok, right, and and claiming a career, which is

837
00:42:13,560 --> 00:42:17,719
Speaker 1: just I mean, people are doing Netflix specials that are

838
00:42:17,920 --> 00:42:22,320
Speaker 1: just crowd work, which to me is insane. It is insane.

839
00:42:22,360 --> 00:42:25,959
Speaker 3: I mean, I appreciate the skill of that, but that's

840
00:42:26,080 --> 00:42:27,319
Speaker 3: not what I'm going for.

841
00:42:27,760 --> 00:42:30,640
Speaker 1: It's not why I'm doing it. I'm listening on stage,

842
00:42:30,800 --> 00:42:32,360
Speaker 1: and you want to talk to me, You're going to

843
00:42:32,440 --> 00:42:33,320
Speaker 1: find out very quickly.

844
00:42:33,520 --> 00:42:34,919
Speaker 2: You're not going to talk to me for very long.

845
00:42:35,920 --> 00:42:36,200
Speaker 1: I'm not.

846
00:42:36,239 --> 00:42:37,759
Speaker 2: I don't want to talk to you from my whole

847
00:42:37,800 --> 00:42:40,680
Speaker 2: set I have, I have. I want to say some stuff.

848
00:42:40,920 --> 00:42:43,759
Speaker 1: And I don't want to be in your show exactly.

849
00:42:43,880 --> 00:42:46,799
Speaker 2: You don't want to be an show. You don't want

850
00:42:46,800 --> 00:42:47,520
Speaker 2: to be a n show.

851
00:42:58,880 --> 00:43:01,359
Speaker 1: All right. I want to do a light round? Oh

852
00:43:01,520 --> 00:43:01,840
Speaker 1: what's this?

853
00:43:02,200 --> 00:43:04,000
Speaker 4: It's a very Boston based lightning round.

854
00:43:04,320 --> 00:43:11,480
Speaker 3: Okay, favorite place to eat in Boston.

855
00:43:12,000 --> 00:43:14,120
Speaker 1: Oh God, I'm going to get in so much trouble.

856
00:43:14,239 --> 00:43:14,680
Speaker 1: Go for it.

857
00:43:14,719 --> 00:43:16,279
Speaker 2: I don't think I can say it. I don't think

858
00:43:16,280 --> 00:43:16,799
Speaker 2: I can say it.

859
00:43:16,920 --> 00:43:19,200
Speaker 1: You can't say it because because.

860
00:43:18,960 --> 00:43:20,640
Speaker 2: I'm going to get in trouble with so many other

861
00:43:20,680 --> 00:43:22,160
Speaker 2: people for the.

862
00:43:22,080 --> 00:43:25,040
Speaker 3: Ones you're not going to say. Yeah, we'll say a couple,

863
00:43:25,560 --> 00:43:26,080
Speaker 3: say a few.

864
00:43:27,920 --> 00:43:29,080
Speaker 1: I'm going to come back to that one.

865
00:43:29,160 --> 00:43:32,480
Speaker 3: Okay, Come, we'll circle back. What was one of your

866
00:43:32,520 --> 00:43:34,200
Speaker 3: favorite places to drink in Boston?

867
00:43:34,640 --> 00:43:42,760
Speaker 1: Oh? God, too many really to to remember. Yeah, yeah,

868
00:43:42,800 --> 00:43:44,759
Speaker 1: you know, I lived for a while. There was a

869
00:43:44,760 --> 00:43:46,560
Speaker 1: place called I don't know if it's still there. There

870
00:43:46,600 --> 00:43:49,040
Speaker 1: was a place that was called for for decades. I

871
00:43:49,040 --> 00:43:52,920
Speaker 1: think the Poorhouse pou Yes on Boilson Street. Yes, I

872
00:43:53,040 --> 00:43:55,719
Speaker 1: lived in that building. Oh, back in the day when

873
00:43:55,719 --> 00:43:57,320
Speaker 1: it was only two undred and fifty dollars for a

874
00:43:57,320 --> 00:43:59,960
Speaker 1: two bedroom. I lived on the top floor of that building.

875
00:44:00,280 --> 00:44:04,319
Speaker 1: And the bar was called the Honey Lounge, and it

876
00:44:04,400 --> 00:44:08,839
Speaker 1: was owned by this Italian couple, and they also owned

877
00:44:08,840 --> 00:44:11,640
Speaker 1: the building. And it was a perfect setup because it

878
00:44:11,719 --> 00:44:14,160
Speaker 1: was actually a great bar, and they were Italian and

879
00:44:14,239 --> 00:44:19,959
Speaker 1: had great food. But the owner, the husband, had a narcolepsy,

880
00:44:20,000 --> 00:44:22,520
Speaker 1: so he would fall asleep like several times a day

881
00:44:22,560 --> 00:44:25,320
Speaker 1: for a long period of time, so if you forgot

882
00:44:25,320 --> 00:44:26,880
Speaker 1: to pay the rent or you were late and you

883
00:44:26,920 --> 00:44:30,720
Speaker 1: went in to eat lunch there, he'd come over and go, hey, listen,

884
00:44:31,239 --> 00:44:33,000
Speaker 1: why haven't you guys paid you? And if you left

885
00:44:33,040 --> 00:44:36,160
Speaker 1: him talk long enough, he'd fall asleep at the table

886
00:44:36,360 --> 00:44:38,960
Speaker 1: and then he'd forget that. He asked you, amazing, you

887
00:44:39,080 --> 00:44:41,520
Speaker 1: just pay your bill, and like, I wish I could

888
00:44:41,560 --> 00:44:44,440
Speaker 1: remember his name that oh that's great. But anyways, it

889
00:44:44,440 --> 00:44:46,560
Speaker 1: was a great place to live. And I'll tell you

890
00:44:46,560 --> 00:44:49,200
Speaker 1: a highlight, which was a great place to drink. It

891
00:44:49,280 --> 00:44:53,600
Speaker 1: was really well cheap. You know. At that time when

892
00:44:53,640 --> 00:44:57,080
Speaker 1: the Pope came to visit America, I was living there.

893
00:44:57,120 --> 00:45:00,640
Speaker 1: So that was like seventy eight, maybe it was seventy

894
00:45:00,760 --> 00:45:02,960
Speaker 1: nine or something. And so we went up on the

895
00:45:03,040 --> 00:45:05,920
Speaker 1: roof right across from the from the Prnancial and the

896
00:45:06,040 --> 00:45:10,319
Speaker 1: Hinds Convention Center. Yeah, and we gave the finger to

897
00:45:10,360 --> 00:45:13,520
Speaker 1: the Pope. He didn't see because he wasn't looking at

898
00:45:13,760 --> 00:45:17,560
Speaker 1: but yeah, everybody we were like, hey, this is John

899
00:45:17,600 --> 00:45:21,960
Speaker 1: Paul second I think it was, yeah, John Paul George. Yeah, yeah, yeah.

900
00:45:22,160 --> 00:45:23,640
Speaker 3: I used to go to the poorhouse, you know, where

901
00:45:23,640 --> 00:45:27,840
Speaker 3: I would go in high school if you wanted to

902
00:45:27,880 --> 00:45:29,360
Speaker 3: go into Boston to drink.

903
00:45:29,560 --> 00:45:31,920
Speaker 4: The only place they wouldn't card you was the North End.

904
00:45:32,400 --> 00:45:34,720
Speaker 3: Yes, so you drink in the North you to order wine,

905
00:45:35,760 --> 00:45:39,359
Speaker 3: not some stupid like mixed drink, and you could drink

906
00:45:39,360 --> 00:45:41,880
Speaker 3: wine all day at like Cafe Victoria.

907
00:45:42,440 --> 00:45:43,640
Speaker 1: That's true. That's true.

908
00:45:43,719 --> 00:45:44,919
Speaker 4: So that's that was our hack.

909
00:45:46,040 --> 00:45:49,279
Speaker 3: Okay, who we sort of got it this who turned

910
00:45:49,280 --> 00:45:51,560
Speaker 3: in the worst and best performances of actors who were

911
00:45:51,560 --> 00:45:54,680
Speaker 3: pretending to be from Boston but aren't.

912
00:45:55,480 --> 00:45:56,759
Speaker 2: That's really interesting.

913
00:45:57,120 --> 00:45:59,959
Speaker 1: I'll tell you what a lot of people don't remember

914
00:46:00,040 --> 00:46:02,719
Speaker 1: this movie. There was a great movie, gangster movie that

915
00:46:02,800 --> 00:46:06,000
Speaker 1: was made in the seventies when I was in college actually,

916
00:46:06,320 --> 00:46:09,080
Speaker 1: or just before college, called The Friends of Eddie Coyle.

917
00:46:09,120 --> 00:46:09,880
Speaker 2: Have you ever heard of that?

918
00:46:10,000 --> 00:46:12,319
Speaker 1: Now? Okay, it's a movie. It's a big movie at

919
00:46:12,360 --> 00:46:15,480
Speaker 1: the time, called The Friends of Eddie Coyle starring Robert Mitcham.

920
00:46:15,640 --> 00:46:20,440
Speaker 2: Okay, with Peter Boyle at the height of Peter Boyle.

921
00:46:20,920 --> 00:46:23,560
Speaker 1: Okay, Taxi driver, yeah.

922
00:46:23,520 --> 00:46:25,919
Speaker 2: He was probably seventy four. Taxi driver was seventy five.

923
00:46:27,120 --> 00:46:31,719
Speaker 1: It was based on a book and Robert Mitcham the

924
00:46:31,880 --> 00:46:34,239
Speaker 1: It's the greatest performance Robert Mitcham ever gave.

925
00:46:34,320 --> 00:46:38,320
Speaker 4: He better than kpe Fierr, way better than Katee fier Okay, he's.

926
00:46:38,120 --> 00:46:41,719
Speaker 1: Got a Boston accent and a perfect Boston accent all

927
00:46:41,760 --> 00:46:42,800
Speaker 1: the way through the movie.

928
00:46:43,080 --> 00:46:44,640
Speaker 2: It's an amazing performance.

929
00:46:44,840 --> 00:46:49,759
Speaker 1: Look I'm getting old. I spent most of my life

930
00:46:49,800 --> 00:46:52,560
Speaker 1: hanging around Cremy Joyce with a bunch of punks, drinking

931
00:46:52,560 --> 00:46:54,719
Speaker 1: the beer, eating the hash and the hot thugs, and

932
00:46:54,800 --> 00:46:57,320
Speaker 1: watching the other people go off to Florida. When I'm

933
00:46:57,520 --> 00:46:59,280
Speaker 1: sweating out, I'm going to pay the plumber.

934
00:47:00,280 --> 00:47:02,160
Speaker 3: I've done time when I stood up, but I can't

935
00:47:02,160 --> 00:47:03,400
Speaker 3: take no more chances.

936
00:47:04,800 --> 00:47:08,600
Speaker 1: Next time it's gonna be me going to Florida. I

937
00:47:08,680 --> 00:47:11,759
Speaker 1: always remember that movie just because, oh it's such a

938
00:47:11,800 --> 00:47:17,200
Speaker 1: great movie, but also so dead on a Boston gangster

939
00:47:17,320 --> 00:47:20,319
Speaker 1: in that movie, and he's just he's playing it like

940
00:47:20,719 --> 00:47:22,920
Speaker 1: you have to see the movie. There's a famous scene

941
00:47:23,120 --> 00:47:27,920
Speaker 1: at a Bruins game that involves involves him in Peter Boyle.

942
00:47:28,719 --> 00:47:31,840
Speaker 1: It's very tense, but it's actually shot at a Bruins

943
00:47:31,840 --> 00:47:33,800
Speaker 1: game when Bobby or was still playing for the Bruin

944
00:47:34,960 --> 00:47:37,880
Speaker 1: and Mitchen's watching. He's getting drunk and he's like Bobby

945
00:47:38,040 --> 00:47:42,439
Speaker 1: or numb before Bobby Or before Oh.

946
00:47:42,400 --> 00:47:45,280
Speaker 2: My god, scary scene. It's really crazy.

947
00:47:45,360 --> 00:47:45,560
Speaker 1: Wow.

948
00:47:45,600 --> 00:47:49,240
Speaker 4: Okay, I'm gonna watch that. Yeah, what's your dunk order?

949
00:47:50,480 --> 00:47:55,560
Speaker 1: Oh, I listen, I am a hardcore My wife is

950
00:47:55,600 --> 00:47:57,960
Speaker 1: the same way coffee person, so I have to have

951
00:47:58,920 --> 00:48:02,719
Speaker 1: I have to have a very coffee double shot, two

952
00:48:02,760 --> 00:48:06,000
Speaker 1: double shots of espresso. Okay, Yeah, I'm a lot of

953
00:48:06,520 --> 00:48:11,640
Speaker 1: looking to really wake up quick. You're looking to fuck

954
00:48:11,719 --> 00:48:14,799
Speaker 1: some shit up. Okay, really, I am wide awake as

955
00:48:14,840 --> 00:48:18,120
Speaker 1: I my coffee. And that's that's just the first one

956
00:48:18,120 --> 00:48:19,520
Speaker 1: of the day. You know.

957
00:48:19,920 --> 00:48:22,400
Speaker 4: Okay, what's the best movie? You might have already just

958
00:48:22,440 --> 00:48:25,320
Speaker 4: said it. What's the best movie set in or about Boston?

959
00:48:25,960 --> 00:48:32,480
Speaker 1: Wow? Man, wow, Wow, that's a tough Listen, there's again

960
00:48:33,000 --> 00:48:36,319
Speaker 1: gonna I'm gonna be the old guy here. But The

961
00:48:36,320 --> 00:48:39,080
Speaker 1: Friends of Eddie Coyle is a great movie from that

962
00:48:39,200 --> 00:48:43,120
Speaker 1: same time period. The Brinks Job, which people forget Brink's

963
00:48:43,200 --> 00:48:48,080
Speaker 1: Job with Peter falk Oh like Peter Boyle also seventy

964
00:48:48,120 --> 00:48:52,160
Speaker 1: eight about the Brinx heist, which happened in the North End.

965
00:48:52,440 --> 00:48:54,960
Speaker 1: So it's a great movie because it's it's based on

966
00:48:55,000 --> 00:48:58,800
Speaker 1: the actual events. Yeah, Italian guys and a few Irish

967
00:48:58,800 --> 00:49:01,080
Speaker 1: guys love it. You guys from the North decide to

968
00:49:01,239 --> 00:49:05,279
Speaker 1: rob the Brinks Truck Armory, which is in the North End.

969
00:49:06,280 --> 00:49:08,399
Speaker 1: So they all live in the North End, they all

970
00:49:08,440 --> 00:49:11,040
Speaker 1: work in the North End, and they planned this heist

971
00:49:11,080 --> 00:49:14,080
Speaker 1: and they and they pulled it off. They pull it,

972
00:49:14,120 --> 00:49:16,480
Speaker 1: they pulled the hes off. But of course, like idiots,

973
00:49:17,400 --> 00:49:20,040
Speaker 1: they did the thing that d Niro says not to

974
00:49:20,120 --> 00:49:24,719
Speaker 1: do in Goodfellas, nobody buys anything for at least six

975
00:49:24,760 --> 00:49:28,200
Speaker 1: months after the heist. Yeah, right, And there's like ten

976
00:49:28,280 --> 00:49:30,879
Speaker 1: guys in the heist and Peter Fox like nobody buy

977
00:49:30,880 --> 00:49:34,560
Speaker 1: anything because he's the boss, and some idiots go out.

978
00:49:35,000 --> 00:49:37,640
Speaker 1: But it's it's a great movie. It's a fantastic it's

979
00:49:37,719 --> 00:49:38,280
Speaker 1: very funny.

980
00:49:38,400 --> 00:49:39,759
Speaker 4: Okay, I got to see that one too.

981
00:49:40,000 --> 00:49:42,800
Speaker 1: That's good. I think, uh, I think a lot of

982
00:49:42,840 --> 00:49:45,799
Speaker 1: people would say good Will Hunting, Sure. I mean, there's

983
00:49:45,840 --> 00:49:50,400
Speaker 1: just so many or The Departed or The Town. The

984
00:49:50,440 --> 00:49:53,040
Speaker 1: Town is a good movie. Oh god, there's so many.

985
00:49:53,120 --> 00:49:56,520
Speaker 3: Really, Thomas Crown Affair, we mentioned Affairs good.

986
00:49:56,560 --> 00:50:00,279
Speaker 1: I did a gangster movie called monument Ave with Ted Demi. Yeah,

987
00:50:00,280 --> 00:50:03,239
Speaker 1: that's right in ninety eight, which is again I'm not

988
00:50:03,239 --> 00:50:05,320
Speaker 1: going to blow my own horn, but it got good reviews,

989
00:50:06,120 --> 00:50:06,640
Speaker 1: great cast.

990
00:50:06,680 --> 00:50:08,120
Speaker 2: It's me and Martin sheen Billy.

991
00:50:08,960 --> 00:50:12,520
Speaker 1: It's based on Charlestown Code of Silence from the eighties.

992
00:50:13,080 --> 00:50:16,400
Speaker 1: That's a good one. You know.

993
00:50:16,440 --> 00:50:19,560
Speaker 3: There's two events I never I never understood why there

994
00:50:19,560 --> 00:50:24,440
Speaker 3: weren't movies made about the Boston molasses flood. Yes, incredible,

995
00:50:24,800 --> 00:50:26,640
Speaker 3: and the Isabelle Stoir Gardner heist.

996
00:50:26,880 --> 00:50:31,640
Speaker 1: I know that's I made for movies. It's also like

997
00:50:32,200 --> 00:50:35,920
Speaker 1: it's the perfect setup. Yes, but I think the problem

998
00:50:35,920 --> 00:50:38,319
Speaker 1: with the Gardener has is that the real there's still

999
00:50:38,360 --> 00:50:40,320
Speaker 1: so many questions about what happened.

1000
00:50:40,440 --> 00:50:43,799
Speaker 3: Yes, right, you don't have to invent, yes, an ending

1001
00:50:44,000 --> 00:50:45,399
Speaker 3: or a story there.

1002
00:50:45,480 --> 00:50:47,840
Speaker 1: Yeah, that's true. It might be better suited to the

1003
00:50:48,280 --> 00:50:50,480
Speaker 1: which they did. They did a documentary series about it

1004
00:50:50,480 --> 00:50:52,320
Speaker 1: for New Yes, yes, I watched.

1005
00:50:53,080 --> 00:50:54,480
Speaker 2: But that is that's a good question.

1006
00:50:54,719 --> 00:50:55,959
Speaker 1: Yeah.

1007
00:50:56,120 --> 00:51:00,640
Speaker 3: Did I read that you're also a Green Bay Packer fan? Yeah, okay,

1008
00:51:00,640 --> 00:51:04,000
Speaker 3: so am I Yeah, which is weird. And I remember

1009
00:51:04,120 --> 00:51:06,880
Speaker 3: in nineteen I could explain why. No, I can explain

1010
00:51:06,880 --> 00:51:08,520
Speaker 3: mine too. It's very different from yours, I'm sure. But

1011
00:51:08,640 --> 00:51:11,760
Speaker 3: I'm in nineteen ninety six when the Packers are playing

1012
00:51:11,800 --> 00:51:15,400
Speaker 3: the Patriots. I'm the only person I know, throwing a

1013
00:51:15,440 --> 00:51:17,719
Speaker 3: Super Bowl party for the Packers.

1014
00:51:19,239 --> 00:51:19,880
Speaker 1: Why did that?

1015
00:51:20,920 --> 00:51:22,000
Speaker 4: I know because of Brett Farv.

1016
00:51:22,040 --> 00:51:22,359
Speaker 1: That's why.

1017
00:51:22,360 --> 00:51:24,160
Speaker 3: Because I was a teenage girl and they had Brett Farv.

1018
00:51:24,280 --> 00:51:25,920
Speaker 3: Why did you like the Packers.

1019
00:51:26,200 --> 00:51:27,760
Speaker 2: Who ended up being kind of a pervert.

1020
00:51:31,120 --> 00:51:33,719
Speaker 1: Because when I was a kid, my brother and I

1021
00:51:33,760 --> 00:51:37,680
Speaker 1: always shared a room. First in the apartment, we lived

1022
00:51:37,680 --> 00:51:39,279
Speaker 1: in a two and a half decker. My brother I

1023
00:51:39,320 --> 00:51:42,640
Speaker 1: lived in the attic. Okay, great, and then we lived

1024
00:51:43,360 --> 00:51:45,919
Speaker 1: my parents moved when we were teenagers, and we lived

1025
00:51:45,960 --> 00:51:49,200
Speaker 1: in the basement, which was also great because you could

1026
00:51:49,280 --> 00:51:51,520
Speaker 1: really you could go out in the alley and smoke

1027
00:51:51,600 --> 00:51:53,799
Speaker 1: and yeah, get away with stuff. It was extra great

1028
00:51:53,840 --> 00:51:56,480
Speaker 1: actually because my mother thought that she didn't know what

1029
00:51:56,560 --> 00:52:02,600
Speaker 1: marijuana the smoke smoke like, she thought it was cigarettes. Nice. Anyways,

1030
00:52:02,760 --> 00:52:06,320
Speaker 1: what happened was when we were kids, the Patriots sucked. Yeah,

1031
00:52:06,520 --> 00:52:09,960
Speaker 1: they really sucked. Yeah. So, and the two great teams

1032
00:52:10,000 --> 00:52:12,360
Speaker 1: at that time were the Colts and the Packers. Yeah.

1033
00:52:12,400 --> 00:52:16,200
Speaker 1: So after the Joe name of Super Bowl, my brother said,

1034
00:52:16,239 --> 00:52:20,200
Speaker 1: all right, so a special rule like we each get

1035
00:52:20,200 --> 00:52:23,120
Speaker 1: to pick when the league comes together, right, we each

1036
00:52:23,160 --> 00:52:27,399
Speaker 1: get to pick a national football conference team that's good

1037
00:52:27,680 --> 00:52:30,480
Speaker 1: and then the Patriots will be our American Conference team.

1038
00:52:30,680 --> 00:52:32,320
Speaker 2: So I chose the.

1039
00:52:32,560 --> 00:52:35,479
Speaker 1: Packers that he chose the Colts, who ended up going

1040
00:52:35,480 --> 00:52:38,680
Speaker 1: into the other conference eventually. But oh yeah, I'm really

1041
00:52:38,719 --> 00:52:39,880
Speaker 1: more of a Patriots fan.

1042
00:52:40,000 --> 00:52:42,040
Speaker 2: But yeah, my son is a Packers fan.

1043
00:52:42,160 --> 00:52:43,520
Speaker 1: That's so funny because of it.

1044
00:52:43,640 --> 00:52:48,560
Speaker 3: Yeah yeah, okay, I read you at an outdoor hockey

1045
00:52:48,640 --> 00:52:51,160
Speaker 3: rink at your house in Connecticut in Roxbury.

1046
00:52:51,239 --> 00:52:53,080
Speaker 1: Yep, yep. What's the bigger flex?

1047
00:52:53,120 --> 00:52:55,760
Speaker 3: An outdoor hockey rink or an indoor basketball court?

1048
00:52:57,200 --> 00:52:57,439
Speaker 1: Oh?

1049
00:52:57,520 --> 00:53:01,080
Speaker 2: God, probably the indoor basketball court, right is. The outdoor

1050
00:53:01,160 --> 00:53:02,279
Speaker 2: rink is a lot of work.

1051
00:53:02,520 --> 00:53:03,120
Speaker 1: You gotta make it.

1052
00:53:03,280 --> 00:53:05,520
Speaker 3: I think that's why it's the better flex, because it's

1053
00:53:05,520 --> 00:53:06,520
Speaker 3: so much work to do.

1054
00:53:07,000 --> 00:53:09,680
Speaker 1: Yeah, I mean, I love hockey, so it was great.

1055
00:53:10,480 --> 00:53:12,200
Speaker 1: It was really great when the kids were growing up

1056
00:53:12,320 --> 00:53:15,160
Speaker 1: because their teams there are school teams there. High school

1057
00:53:15,160 --> 00:53:19,000
Speaker 1: teams would come and practice there. My husband's very jealous.

1058
00:53:19,280 --> 00:53:21,279
Speaker 4: We have the stream is to have an outdoor rink.

1059
00:53:21,360 --> 00:53:22,960
Speaker 1: Yeah, we had it. We loved it. We had a

1060
00:53:22,960 --> 00:53:26,520
Speaker 1: great time. And when I moved closer to the city

1061
00:53:27,200 --> 00:53:28,840
Speaker 1: once the kids grew up and they didn't want to

1062
00:53:28,840 --> 00:53:31,200
Speaker 1: come visit us anymore, I have a friend who's nine

1063
00:53:31,239 --> 00:53:34,400
Speaker 1: minutes from this house, who has an outdoor rink, and

1064
00:53:34,440 --> 00:53:37,239
Speaker 1: I don't have to make the ice. Amazing. That's like

1065
00:53:37,280 --> 00:53:38,919
Speaker 1: having a friend with a boat. It's better than having

1066
00:53:38,920 --> 00:53:39,239
Speaker 1: a boat.

1067
00:53:39,920 --> 00:53:41,120
Speaker 2: Exactly, exactly.

1068
00:53:41,280 --> 00:53:44,600
Speaker 1: Want me to bring some bucks? Did I bring some

1069
00:53:44,680 --> 00:53:48,120
Speaker 1: pocks and some beers? Okay, I'll be right over, I'll

1070
00:53:48,160 --> 00:53:50,920
Speaker 1: be there. Yeah, Okay. What's the greatest Christmas movie of

1071
00:53:50,920 --> 00:53:54,799
Speaker 1: all time? Oh? God, the greatest Christmas movie at all.

1072
00:53:55,200 --> 00:53:57,400
Speaker 1: I am so skewed on Christmas movies. I'm not a

1073
00:53:57,440 --> 00:54:01,160
Speaker 1: big I like to laugh. Why it's the RAF? Yes,

1074
00:54:01,400 --> 00:54:03,799
Speaker 1: so do you like the RAF? I think the refs great.

1075
00:54:04,000 --> 00:54:06,480
Speaker 1: I like ELF. I think Elf is hilarious. It's great.

1076
00:54:06,719 --> 00:54:11,520
Speaker 2: Will Ferrell makes me die laughing so funny. I could listen.

1077
00:54:11,520 --> 00:54:12,560
Speaker 2: I've seen step Brothers.

1078
00:54:12,600 --> 00:54:15,120
Speaker 1: I don't even know how many times I've seen Anchorman,

1079
00:54:15,239 --> 00:54:21,239
Speaker 1: I mean Elf. I like I like the Christmas the

1080
00:54:21,320 --> 00:54:25,879
Speaker 1: National Lampoon, Christmas Vacation. Ye great, I like I.

1081
00:54:25,800 --> 00:54:27,360
Speaker 4: Like the funny ones too. I don't really like the

1082
00:54:27,400 --> 00:54:28,240
Speaker 4: sentimental ones.

1083
00:54:28,640 --> 00:54:32,480
Speaker 1: No, so those are good. Those are good.

1084
00:54:33,440 --> 00:54:36,640
Speaker 3: Okay, we're coming back. We're coming back to the favorite

1085
00:54:36,640 --> 00:54:37,680
Speaker 3: places to eat in Boston.

1086
00:54:39,000 --> 00:54:42,520
Speaker 1: Okay, all right, So this is what I'm gonna do.

1087
00:54:42,520 --> 00:54:45,839
Speaker 1: I'm just gonna say it. So my my favorite places,

1088
00:54:46,000 --> 00:54:49,760
Speaker 1: this place Nebo, which is run by the Plata sisters,

1089
00:54:49,760 --> 00:54:51,839
Speaker 1: who are their brother is a good friend of mine.

1090
00:54:51,880 --> 00:54:55,840
Speaker 1: But I'm just saying this. It's based on their the

1091
00:54:55,960 --> 00:54:58,560
Speaker 1: recipes their mother used to make and their grandmother when

1092
00:54:58,560 --> 00:55:02,920
Speaker 1: they're it is fas amazing Italian food is it's in Boston, Boston,

1093
00:55:03,080 --> 00:55:08,399
Speaker 1: or it's in Boston. Okay, it's great going. But there's

1094
00:55:08,400 --> 00:55:10,839
Speaker 1: so many great places, so many, that's the other thing.

1095
00:55:10,840 --> 00:55:13,920
Speaker 1: It's just so many there. They are great. There is

1096
00:55:14,239 --> 00:55:19,000
Speaker 1: truly great Italian food. Okay, but it's insane. Now, boys,

1097
00:55:19,280 --> 00:55:20,239
Speaker 1: the food seems so good.

1098
00:55:20,280 --> 00:55:24,279
Speaker 3: Now great, Okay, this is the last question we ask

1099
00:55:24,320 --> 00:55:26,799
Speaker 3: it at the end of every pod. I fear you're

1100
00:55:26,800 --> 00:55:29,040
Speaker 3: going to give the wrong answer. But that's okay. When

1101
00:55:29,160 --> 00:55:30,440
Speaker 3: is it iced coffee season?

1102
00:55:31,400 --> 00:55:33,719
Speaker 2: Oh that is that you're asking the wrong.

1103
00:55:33,520 --> 00:55:35,880
Speaker 4: Guy, because you're it's never for you, it's.

1104
00:55:35,719 --> 00:55:38,920
Speaker 1: Always for me. So that's the right answer. Oh is

1105
00:55:38,960 --> 00:55:42,920
Speaker 1: it okay? Because I drink I drink hot coffee too,

1106
00:55:42,920 --> 00:55:46,040
Speaker 1: but I drink ice coffee all the time around.

1107
00:55:46,680 --> 00:55:48,399
Speaker 2: Basically, what I do is this in the morning.

1108
00:55:48,480 --> 00:55:51,520
Speaker 1: It's the hot right, yep, yep, and that except in

1109
00:55:51,560 --> 00:55:53,399
Speaker 1: the summer sometimes the first thing in the morning I'll

1110
00:55:53,440 --> 00:55:55,480
Speaker 1: go ice, but I always have the hot cup in

1111
00:55:55,520 --> 00:55:55,920
Speaker 1: the morning.

1112
00:55:55,960 --> 00:55:57,960
Speaker 2: And then once I'm through with that, I'm.

1113
00:55:57,840 --> 00:56:01,840
Speaker 1: Going to a big iced with double double shots of

1114
00:56:01,960 --> 00:56:05,959
Speaker 1: espresso like after that, and then another one probably around three.

1115
00:56:06,560 --> 00:56:08,000
Speaker 1: Love it. Yeah, So, I mean I.

1116
00:56:08,040 --> 00:56:10,680
Speaker 3: Thought when you were going down the espresso train, you

1117
00:56:10,719 --> 00:56:12,640
Speaker 3: were gonna say never, I only drink coco.

1118
00:56:13,080 --> 00:56:13,759
Speaker 1: I just that's the.

1119
00:56:13,760 --> 00:56:15,279
Speaker 2: Correct answer about it.

1120
00:56:15,400 --> 00:56:18,120
Speaker 1: And I have to cut myself off at like two, yeah,

1121
00:56:18,239 --> 00:56:21,759
Speaker 1: a little bit of bet so at one thirty because

1122
00:56:21,800 --> 00:56:23,319
Speaker 1: I had I had to talk to you and I

1123
00:56:23,360 --> 00:56:24,839
Speaker 1: had some other stuff I had to do. I was like,

1124
00:56:25,280 --> 00:56:27,759
Speaker 1: it's time for me to cause I love doing this.

1125
00:56:28,000 --> 00:56:32,320
Speaker 1: I do a double shot cold boom to it like whisky.

1126
00:56:34,000 --> 00:56:34,960
Speaker 2: That makes my whole thing.

1127
00:56:35,360 --> 00:56:39,880
Speaker 1: Nah. Yeah, that's my favorite shot of the day. It

1128
00:56:39,960 --> 00:56:43,160
Speaker 1: is the cold you know, the ice cold double shot

1129
00:56:43,360 --> 00:56:44,479
Speaker 1: man right to the heart.

1130
00:56:45,760 --> 00:56:49,840
Speaker 3: You know, it's really amazing when people you love someone

1131
00:56:50,480 --> 00:56:52,560
Speaker 3: from Afar and then you get.

1132
00:56:52,440 --> 00:56:55,239
Speaker 4: To talk to them and they're even better than you think.

1133
00:56:55,360 --> 00:56:59,239
Speaker 1: That's that's an unre because we're both from we're both massholes.

1134
00:56:59,320 --> 00:57:02,640
Speaker 1: We're massholes show. But I should make sure that we

1135
00:57:02,640 --> 00:57:06,440
Speaker 1: we I'm waving my backscratcher by the way, see that

1136
00:57:06,760 --> 00:57:10,960
Speaker 1: whole time, scratch that wake something out to you, see, Yeah,

1137
00:57:11,000 --> 00:57:14,879
Speaker 1: what do you want to do? What?

1138
00:57:14,880 --> 00:57:15,759
Speaker 2: What was I going to say?

1139
00:57:15,800 --> 00:57:20,560
Speaker 1: Oh? Make sure we're mentioning going What Fun? Oh?

1140
00:57:20,720 --> 00:57:21,200
Speaker 4: Going Dutch?

1141
00:57:21,320 --> 00:57:25,120
Speaker 1: Yeah? Okay? Good? Fox and Hulu starting in January. Yes,

1142
00:57:25,440 --> 00:57:30,080
Speaker 1: the comedy series I'm Doing Good season two, Oh What Fun,

1143
00:57:30,480 --> 00:57:33,680
Speaker 1: which is still playing on Prime Video.

1144
00:57:33,920 --> 00:57:38,000
Speaker 3: Okay, hey, this was a blast, so fun, like truly

1145
00:57:38,240 --> 00:57:39,440
Speaker 3: adore again.

1146
00:57:39,520 --> 00:57:40,560
Speaker 2: You can't wait to come on again.

1147
00:57:41,120 --> 00:57:42,160
Speaker 1: You'll have to, You'll have to.

1148
00:57:42,360 --> 00:57:44,080
Speaker 4: There's so much more Boston to talk about.

1149
00:57:44,200 --> 00:57:46,880
Speaker 1: You. No, that was a blast. Good, Well, thank you.

1150
00:57:49,120 --> 00:57:50,520
Speaker 1: Next week. On Off the Cop I.

1151
00:57:50,440 --> 00:57:54,440
Speaker 3: Talked to Jersey Shores Nicole Snooky Fuzzy.

1152
00:57:54,320 --> 00:57:56,200
Speaker 1: Like, I get it. I'm like a party girl on

1153
00:57:56,240 --> 00:57:58,560
Speaker 1: you know, a party show, but like, I don't want

1154
00:57:58,560 --> 00:57:59,520
Speaker 1: to be known for just that.

1155
00:58:01,560 --> 00:58:03,960
Speaker 3: Off the Cup is a production of iHeart Podcasts as

1156
00:58:04,000 --> 00:58:06,439
Speaker 3: part of the Reason Choice Network. If you want more,

1157
00:58:06,560 --> 00:58:10,200
Speaker 3: check out the other Reason Choice podcasts Spolitics with Jamel

1158
00:58:10,280 --> 00:58:11,800
Speaker 3: Hill and Native Land pod.

1159
00:58:12,240 --> 00:58:12,760
Speaker 1: For Off the.

1160
00:58:12,680 --> 00:58:15,240
Speaker 3: Cup, I am your host, se Cup editing and sound

1161
00:58:15,240 --> 00:58:19,200
Speaker 3: design by Derek Clements. Our executive producers are me Si Cup,

1162
00:58:19,440 --> 00:58:23,080
Speaker 3: Lauren Hanson, and Lindsay Hoffman. Rate and review wherever you

1163
00:58:23,120 --> 00:58:33,520
Speaker 3: get your podcasts, Follow or subscribe for new episodes every Wednesday,