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Speaker 1: I leave in a you wanna way back home?

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Speaker 2: Either way we want to be there, doesn't matter how

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Speaker 2: much baggage you claim and give us time and a

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Speaker 2: turmanol and gay.

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Speaker 3: We want to send you off inside. Do you wanna

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Speaker 3: welcome you back home? Tell us all about every scared her?

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Speaker 3: Was it fine?

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Speaker 2: Now?

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Speaker 3: Porn? Do you need to ride?

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Speaker 4: Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 4: Do you need to ride? Do your need ride?

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Speaker 5: Ride with Karen and Chris when.

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Speaker 4: Welcome? Do you need a ride? This is Chris Fairbanks.

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Speaker 3: And this is Karen Kilgariff.

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Speaker 4: I'm some I go by Christopher James Fairbanks, but Chris

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Speaker 4: Fairbanks professionally, because there's another Christopher Fairbanks in town, and

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Speaker 4: a Christopher Fairbank in England. Singular yeah one, that's actually

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Speaker 4: what my name used to be. I guess I don't

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Speaker 4: know when Americans added the ass.

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Speaker 3: Ellis Island, that's where a lot of those mistakes happened.

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Speaker 4: Yeah, a lot of asses were just thrown around Willy

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Speaker 4: Nilly up there, or they used to be called Willy Nilly's.

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Speaker 3: Uh you know why what a lot of snakes worked

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Speaker 3: at Ellis Island.

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Speaker 4: Snakes with lisps.

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Speaker 3: Lisps, and uh, they would have collars around their neck

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Speaker 3: and a high that's in a little hat.

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Speaker 4: I love the idea of a worm when it's raining.

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Speaker 4: He's like, well, it's a perfect day for a while,

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Speaker 4: and he's got a little tie and a little hat.

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Speaker 3: A formal worm.

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Speaker 4: Yeah, yeah, in a briefcase. I don't know how he

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Speaker 4: carries it, but I just don't have always thought because

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Speaker 4: worms go out when it rains. They love it, and

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Speaker 4: they they almost never go out otherwise.

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Speaker 1: They are very they're fiercely private people.

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Speaker 4: Yeah, it's hard to crack a worm.

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Speaker 1: But here's how you crack them.

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Speaker 3: Did you hear that?

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Speaker 4: Yeah, that was weird because that was a bodily that

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Speaker 4: you had no control over.

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Speaker 3: That that was I guess that was my water going

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Speaker 3: down a second time as I carry took the gulp

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Speaker 3: of it before we started dual tracheas you.

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Speaker 1: Know what I did today at work?

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Speaker 3: Are the bathrooms at work are right next to the

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Speaker 3: the women's bathrooms are right next to the writing room.

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Speaker 3: And after I finished what I wanted to do in

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Speaker 3: the bathroom, I wash my hands. People want details, okay,

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Speaker 3: sat down, then pulled my pants down, laughed. Oh, that

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Speaker 3: mistake again. Right as I was about to leave, I

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Speaker 3: was like throwing the paper towel away, and I felt

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Speaker 3: because I just sit there and drink coffee and dit

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Speaker 3: coke all day in that room, I ripped a huge

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Speaker 3: belch like I was like, oh, I have to burp,

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Speaker 3: and I'm by myself, so I was like raw. It

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Speaker 3: was like fuck. It was the MGM level lion belt.

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Speaker 3: And then I walked back into the room and sat

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Speaker 3: down and it was so quiet. I was like, Oh,

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Speaker 3: there's absolutely no way every didn't everyone didn't hear me

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Speaker 3: just do that?

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Speaker 4: Oh? And then but no, we don't. They were ashamed.

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Speaker 4: They had shame in their eyes.

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Speaker 3: For I mean, I don't know if they would either.

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Speaker 3: We don't all know each other that well. So like

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Speaker 3: I feel like it was you and I, you'd be like,

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Speaker 3: can't we start to do that?

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Speaker 4: That was a hell of a.

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Speaker 1: Burp or something.

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Speaker 4: We'd high five, you know us.

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Speaker 3: I mean I would run down the line of chairs.

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Speaker 3: But it was that kind of thing where it's like

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Speaker 3: starting a new school that vibe and still coming in

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Speaker 3: and sitting down to a quiet room and then being like, oh,

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Speaker 3: that was top volume.

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Speaker 4: Did you want to just say, are you guys being

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Speaker 4: quiet because of my burp? Yes, that light in the mood.

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Speaker 3: I wanted to make a joke about it. I wanted

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Speaker 3: to look at the guy across from me and go, hey,

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Speaker 3: did you hear that? Purport just did? And then I said, nope,

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Speaker 3: I just have to sit with this discomfort.

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Speaker 4: Well, what what just happened? Sounded like a burp but muffled,

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Speaker 4: like it was happening inside your body, Like there was

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Speaker 4: another you inside you that was like burp and saw

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Speaker 4: the opportunity while your mouth was open. But it came

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Speaker 4: from deep down.

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Speaker 3: There is another me inside me. She's very shy. She

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Speaker 3: reads and gets her stuff done on time, and I

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Speaker 3: never let her out. That was just a little cry

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Speaker 3: for help of her, going please.

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Speaker 4: You gotta get her out of there, because if I

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Speaker 4: learned anything from inner space, if she ends up in

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Speaker 4: your heart.

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Speaker 3: She'll kill me.

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Speaker 4: Well you'll kill her.

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Speaker 3: Oh is that right?

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Speaker 4: Yeah?

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Speaker 3: Oh she can't live.

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Speaker 4: Yeah, she can't go past the valve.

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Speaker 3: There can only be one there was.

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Speaker 4: Yeah, I think there was some sort of urgency. What

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Speaker 4: a ridiculous eighties movie premise. They shrunk down a little

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Speaker 4: man in a little vehicle and he was going through

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Speaker 4: the ship Martin Short's.

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Speaker 3: Bloodstream, that's right, and making him have all kinds of

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Speaker 3: weird physical reactions.

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Speaker 4: Yeah, for some reason, it would make him the reaction

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Speaker 4: was shooting a vacuum at at his mouth. That was

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Speaker 4: what they did for the effects. Is they would shoot

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Speaker 4: a vacuum and Martin Short's mouth and his lips would

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Speaker 4: get all huge. It's like they're just shooting a vacuum

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Speaker 4: out of the vacuum was off screen.

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Speaker 3: Yes, yeah, like the g force yeah thing.

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Speaker 4: Yes, but it would just happen while he was at

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Speaker 4: dinner impersonating someone else, and then they're like, oh, he's

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Speaker 4: losing it. Why's he got vacuum mouth?

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Speaker 3: There was a serious missus doubtfire feel to that movie

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Speaker 3: where he was trying to pretend he was someone he wasn't. Yeah,

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Speaker 3: but he also had Dennis Quaid inside of him.

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Speaker 4: Yeah, getting him, giving him almost confidence that at times

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Speaker 4: was like a superpower. But then for a while, after

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Speaker 4: he kissed Meg Ryan memory made time with Dennis Quaid's girl.

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Speaker 4: That's right, that's right, through this saliva ended up in her. Oh.

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Speaker 4: But even though the Quaid wasn't in him anymore, he

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Speaker 4: was still kicking ass, beating people up and stuff. And

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Speaker 4: then when it re entered, sorry I left you for

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Speaker 4: a while, He's like, I was doing all that on

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Speaker 4: my own, made him a better person.

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Speaker 3: That's when his confidence grew and he realized he had

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Speaker 3: it inside him all along. Yeah, and then remember when

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Speaker 3: it ended with that huge.

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Speaker 4: Burp the best right end the movie.

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Speaker 3: I remember seeing in her space in the theater, laughing

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Speaker 3: like crazy. And I was at that age where Meg

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Speaker 3: Ryan was like our homecoming queen. She was in every

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Speaker 3: movie and she was the most beautiful woman in the

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Speaker 3: world and loved her everyone. She was like your best friend.

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Speaker 3: She was what everyone wanted to look like. She had

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Speaker 3: a sweater. I wanted to buy it when the movie

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Speaker 3: was over.

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Speaker 4: We all wanted to have what she's having. We just

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Speaker 4: did she she had it, and then she had some

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Speaker 4: I mean the room. I hate to gossip about Hollywood,

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Speaker 4: but she had some some some surgery mishaps on her face.

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Speaker 3: Hey, look everyone in her class of women from Hollywood. Like,

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Speaker 3: there's a couple upcoming TV shows we watched trailers for.

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Speaker 3: First of all, you can't fight time, can't not age. Secondly,

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Speaker 3: if you get fillers around your mouth, it's gonna fuck

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Speaker 3: your face up when when inevitably everything you don't get

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Speaker 3: filled falls into crevis around it.

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Speaker 4: Yeah, then you have these weird solid lip inserts, yes,

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Speaker 4: that are just dangling on their own accord.

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Speaker 3: And you look like someone beat you in the face

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Speaker 3: with a shovel and you got out of the hospital

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Speaker 3: four days prior and put on some lip gloss.

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Speaker 4: That's happened a few times. We're out of fear and

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Speaker 4: getting scared about getting older. A few actresses I can

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Speaker 4: think of did have work done, maybe back before they

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Speaker 4: were good at it, and then ended their careers. That's right,

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Speaker 4: Jennifer Gray. Some other people, Jennifer Gray.

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Speaker 3: I feel like her work was good, but it changed.

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Speaker 3: She made the mistake. No one wanted to see her

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Speaker 3: with a plain old nose. Her great feature was she

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Speaker 3: was a girl who was gorgeous and had that nose right.

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Speaker 3: And she basically said to America, Hey, everybody that looks

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Speaker 3: like me, that was stoked when you saw me in

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Speaker 3: dirty dancing, the fuck yourself.

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Speaker 4: Did you know my mom got a nose job? No?

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Speaker 4: In Missoula, Montana. No, in the early nineties, not the

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Speaker 4: best market for nosework. And also it was the same

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Speaker 4: thing with my mom. Very pretty, but she didn't like

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Speaker 4: her Barbara streisand nose, she called it.

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Speaker 3: She thought it was too big.

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Speaker 4: She didn't like there was like a bomb on it.

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Speaker 4: So some guy took it. I remember her recovering for

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Speaker 4: well over a year. She just had black eyes and

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Speaker 4: light It was like a year. He really didn't do

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Speaker 4: an efficient job.

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Speaker 3: That's not good.

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Speaker 4: No, And then afterwards it pretty much looked the same

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Speaker 4: to everyone and no one noticed it. She's like, good,

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Speaker 4: I didn't want anyone. I'm like, yes, of course you did.

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Speaker 4: Why would you? You don't want anyone to notice, but

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Speaker 4: you want it to be different.

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Speaker 3: How was she in her forties? She was, yeah, it

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Speaker 3: is okay when.

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Speaker 4: That in a belly button ring? Yeah yeah, sorry, started

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Speaker 4: running no stuff, naval ring, naval ring stuff, half marathons.

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Speaker 4: I thought it was cool. I remember thinking it was cool. Well,

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Speaker 4: it's like, wow, she's gonna grow I'm gonna grow up,

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Speaker 4: and she's gonna let me have tattoos. I thought.

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Speaker 3: I mean, it's it's her way of saying I'm still

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Speaker 3: in the game, which I respect.

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Speaker 4: Oh, she was in the game bold, But if we're

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Speaker 4: talking about her, fucking men.

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Speaker 1: Yeah, the game.

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Speaker 4: That's why did I walk in on this again? If

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Speaker 4: I didn't ruin the mood, I came to get some homework. Nice,

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Speaker 4: I live here too, Nice penis guy that lived in

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Speaker 4: There's a guy that lived in his van. He had

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Speaker 4: one ear day only I think his name was.

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Speaker 3: What happened to the other ear?

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Speaker 4: I don't know. The other year stayed the same? Oh sorry,

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Speaker 4: the missing one for whatever, he lost his ear. What

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Speaker 4: happened to the other year It stayed on his head?

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Speaker 3: Of course, don't worry about that.

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Speaker 4: Let's talk more about the missing one sits down taste.

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Speaker 4: I don't know how he lost it. I assume in

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Speaker 4: some sort of a Butte Montana brawl. But I kind

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Speaker 4: of in retrospect. I liked the guy had all these

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Speaker 4: rock shirts and a van with a mural on the side.

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Speaker 4: Oh yeah, and he bought me some bugle boys once

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Speaker 4: he was nice.

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Speaker 3: Uh google boys are popular pant Oh yeah, I was

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Speaker 3: thinking of bugles.

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Speaker 4: He bought me a bag of bugles once.

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Speaker 3: I loved it.

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Speaker 4: I ate him in his van. He was a good

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Speaker 4: could have been a new stepdad.

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Speaker 3: What was that was Dale? Her boyfriend for a little while?

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Speaker 4: Yeah? Yeah, off and on that he'd drive him from

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Speaker 4: Butte Oh, and my friends had come over and look

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Speaker 4: at Dale, and then they'd mock him after Dale was gone,

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Speaker 4: and I was like, shut up, guys, can't help what

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Speaker 4: happened to it.

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Speaker 3: They'd mocked the ear.

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Speaker 4: Oh, there's a few things. His hair was something to marvel,

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Speaker 4: a little bit of a spiky flat top on top

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Speaker 4: and there a bit of a mullet and back.

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Speaker 3: You know what.

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Speaker 4: He was a partying man.

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Speaker 3: His name was Dale. That's the only haircut he could have.

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Speaker 5: Dale.

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Speaker 1: That's required for Dale's.

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Speaker 4: Oh, Dale, if you're listening out there, Dale, I ain't

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Speaker 4: mad at you. You're a good man day good man.

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Speaker 4: You turn your life around with AA.

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Speaker 3: If you're listening Dale. Oh that's right, you have one

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Speaker 3: good air.

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Speaker 4: Yeahs terrible.

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Speaker 1: That was awful. I'm talking to a real person.

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Speaker 4: Maybe or yeah maybe not. Yeah, you're always just half

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Speaker 4: listening Dale. Oh, come on.

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Speaker 3: My mom when she was in her late forties, early fifties,

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Speaker 3: I'm pretty sure I told you this already got permanent lipliner.

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Speaker 3: Did I tell you this story?

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Speaker 4: Wow? So she got that's I've never heard. That's like

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Speaker 4: a new thing.

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Speaker 3: Yeah it was. It was on your lips exactly. And

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Speaker 3: so I think this is the thing is I think

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Speaker 3: we're talking about. They were just going through midlife crises,

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Speaker 3: and it's that thing of like I'm no longer attractive

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Speaker 3: and I don't know what to do about it, or

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Speaker 3: I still want to be. My mom's move was so strange, though,

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Speaker 3: because she was so I mean, she was happily married,

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Speaker 3: and she was very much like a you know, I

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Speaker 3: don't know, my hand's on my hip right now. She's

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Speaker 3: like one of those kind of women.

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Speaker 4: Missus Garrett. I don't know, you just I don't know.

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Speaker 3: She was empowered, she was very you know, self possessed,

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Speaker 3: self actualized. So she came home one day with a

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Speaker 3: hot pink line around her lips, and we don't went

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Speaker 3: hot pink, she went, well, I think that was so.

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Speaker 3: I think what happened is her hairdresser convinced her to

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Speaker 3: do it, and maybe her hairdresser got her license to

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Speaker 3: do it, right, and so.

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Speaker 4: I need to practice on some human lips, that's right.

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Speaker 3: And it was like, well, what color lipstick? Do you

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Speaker 3: normally wear? A rust color? Okay, then let me get

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Speaker 3: my hot pink. Oh no tattoo line. So it it.

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Speaker 3: None of it made sense, and I think maybe.

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Speaker 4: You have to cover it with real lipstick the rest

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Speaker 4: of our life.

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Speaker 3: Yeah, but it ended up fading like within a year.

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Speaker 3: Oh really, But the weirdest part was this, and maybe

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Speaker 3: this was the beginning. Now we were still early, we

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Speaker 3: were not nowhere near the alzheimmer's days. But when my

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Speaker 3: sister and I confronted her on it, which of course

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Speaker 3: we did because we were we are very cruel hearted people, sure,

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Speaker 3: and we can't let one thing go by. Yes, when

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Speaker 3: we in tandem attacked her with what the fuck is

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Speaker 3: on your mouth? She denied it outright that she had

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Speaker 3: done anything, which it would be like if I turned

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Speaker 3: around right now, took a sharpie, went like this about

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Speaker 3: it with shape?

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Speaker 4: Why did you put sharpie all over your face?

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Speaker 3: What are you talking about? I would never put sharpie.

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Speaker 4: I kind of. I watched you do it. You picked

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Speaker 4: up a marker.

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Speaker 1: I didn't do it.

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Speaker 4: Huh yeah.

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Speaker 3: Oh, but but i'm your mom. I'm your mom, and

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Speaker 3: I'm supposed to be totally sane. It was very unnerving.

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Speaker 4: Let's redo the skit and I'll call your mom instead

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Speaker 4: of character. Okay, good, good, good, Wow. Well it saves time.

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Speaker 3: Oh, we're not gonna disc it.

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Speaker 1: Oh, I was turning away to mother.

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Speaker 4: Yes, wow, How did you know that's how my mother sounded?

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Speaker 3: Yeah, I've done some research. Why yes, yes, she's the

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00:15:32,720 --> 00:15:38,520
Speaker 3: bank the bank manager and from I Love Lucy, missus Ricardo.

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Speaker 4: It sounded like a dead Night mom.

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Speaker 3: Mm hmm. Always a big fan of dead Night.

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Speaker 4: Anyway, why'd you put marker on your mouth?

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Speaker 3: Mom? Didn't do it?

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Speaker 4: Still doing the skit.

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Speaker 1: We go in and we go out. How they do

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Speaker 1: it these days?

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Speaker 3: It's called Harold.

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Speaker 4: It's from the school of Sharna Halpern, made popular by

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00:16:00,080 --> 00:16:03,200
Speaker 4: ow Close book You Can Get out there called the

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Speaker 4: Truth in Comedy because people don't just say it's funny

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Speaker 4: because it's true. For now a reason. It's because it's true.

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Speaker 3: It's because it's in this book.

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Speaker 4: That phrase is true and the reasoning behind it is true.

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Speaker 4: In comedy, that is true is funny. I don't have

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Speaker 4: I noticed that. Working with April this past week, she

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Speaker 4: tells a lot of real stories, and the audience was

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Speaker 4: kind of in that, Oh, we've gotten to know this person,

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Speaker 4: and then when I do stand up, you don't get

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Speaker 4: anywhere near knowing who I am. At all, and it's

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Speaker 4: kind of was I was confronted by it. I'm like,

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Speaker 4: I think that I probably could talk about myself at

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Speaker 4: some point, let people in.

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Speaker 3: But what if it's not your style?

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Speaker 4: Yeah? What if it's my Yeah, I've got this style

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Speaker 4: and sometimes I wish I could change it up. But

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Speaker 4: you can't be like, you know, I'm missing part of

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Speaker 4: my penis. I walked in and a dog met, you know,

331
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Speaker 4: while they've made up things and then all of a sudden,

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Speaker 4: here's a story about me and Denver.

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Speaker 1: Once right, people would be like pick a lane.

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Speaker 4: I try. I know, I do make an announcement sometimes

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Speaker 4: where I'm like, this is a real story. No part

336
00:17:15,080 --> 00:17:17,240
Speaker 4: of it is made up. Everything I've set up till

337
00:17:17,280 --> 00:17:21,679
Speaker 4: now is made up silly lies, and it seems to work. Okay,

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00:17:21,720 --> 00:17:22,760
Speaker 4: so I'm doing fine.

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Speaker 3: Listen. What I think we're talking about right now is

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Speaker 3: the anxiety that you feel when you are watching the

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Speaker 3: person that goes before you do good, and then you're like,

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Speaker 3: what if I don't do this?

343
00:17:33,040 --> 00:17:33,280
Speaker 4: Well?

344
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Speaker 3: What are all the things I'm doing wrong? Based on

345
00:17:36,680 --> 00:17:38,000
Speaker 3: what I'm looking at right now?

346
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Speaker 4: That's what I'm thinking when while I'm doing stand up

347
00:17:41,359 --> 00:17:44,199
Speaker 4: during what if I don't do well. I don't know

348
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Speaker 4: right now at.

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Speaker 3: The end of this, and then that's when I forget

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Speaker 3: the end of the joke.

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Speaker 4: Yeah, yeah, I do that to my sy It's such

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Speaker 4: a head game, or I can make it one. Yes,

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Speaker 4: I wonder how it would feel right now mid set

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Speaker 4: if I couldn't remember one of my jokes and there

355
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Speaker 4: was a long oh there it's happening. It just happened,

356
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Speaker 4: and turns out doesn't feel good, thanks brain.

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Speaker 3: And then suddenly you see that one guy with his

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Speaker 3: arms crossed, and that's all you can see.

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00:18:12,080 --> 00:18:14,520
Speaker 4: That's all I just look. I look in the audience,

360
00:18:14,520 --> 00:18:16,520
Speaker 4: and I look for all the crossed arms, and I

361
00:18:16,640 --> 00:18:19,119
Speaker 4: focus on those people, ignoring all the people having in

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Speaker 4: good time.

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Speaker 3: You know, I just realized all of them. No, there's

364
00:18:22,560 --> 00:18:23,720
Speaker 3: I'm sure there's plenty.

365
00:18:23,440 --> 00:18:25,399
Speaker 4: Of it's a good fraction of people enjoying me.

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Speaker 1: I'm sort of a large fraction.

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00:18:27,800 --> 00:18:29,640
Speaker 3: But it's hard to see those people when you've got

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Speaker 3: the army, the arms crossers. They take up so much

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Speaker 3: emotional space.

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Speaker 4: I don't know why I need that crossed arm guy

371
00:18:36,880 --> 00:18:40,520
Speaker 4: with no sleeves in the hat that references farting to

372
00:18:40,800 --> 00:18:43,159
Speaker 4: be on my side. I don't know why I need that.

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Speaker 4: I hate Dale. No, not you, Dale, No, it's sorry Dale.

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Speaker 3: And again, Dale, I'm sorry about the very cheap joke

375
00:18:50,720 --> 00:18:53,600
Speaker 3: I mean about your missing hair. Yeah, I'm no better

376
00:18:53,680 --> 00:18:57,160
Speaker 3: than any of Chris's childhood friends. I'm sorry.

377
00:18:58,040 --> 00:19:00,480
Speaker 4: Uh. They would go is so and so over and

378
00:19:00,480 --> 00:19:04,320
Speaker 4: they would just cut their hand over an ear to

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Speaker 4: signify that it's a missing ear. Ah.

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00:19:08,760 --> 00:19:11,399
Speaker 3: Friends, Can I tell you my favorite tweet that's based

381
00:19:11,440 --> 00:19:14,320
Speaker 3: on or based in what we have been talking about,

382
00:19:14,400 --> 00:19:17,800
Speaker 3: which is I said I thought my set was going

383
00:19:17,840 --> 00:19:21,199
Speaker 3: well and then I saw the blonde guy. Does that

384
00:19:21,240 --> 00:19:21,680
Speaker 3: make sense?

385
00:19:21,760 --> 00:19:22,000
Speaker 5: Wait?

386
00:19:22,320 --> 00:19:25,840
Speaker 4: Yeah, wait say it again. I feel like I was

387
00:19:25,960 --> 00:19:26,920
Speaker 4: using my day earlier.

388
00:19:27,119 --> 00:19:30,280
Speaker 3: Oh, I thought my set was going well until I

389
00:19:30,320 --> 00:19:34,480
Speaker 3: saw the blonde guy. It's always a fucking blonde guy

390
00:19:34,680 --> 00:19:37,879
Speaker 3: that I see that hates me. Oh, it's always and Aaron.

391
00:19:37,920 --> 00:19:40,600
Speaker 3: I'm sorry, but it's always a blonde guy.

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00:19:40,760 --> 00:19:43,760
Speaker 4: Yeah. With me, it's like usually an older women that

393
00:19:43,840 --> 00:19:46,200
Speaker 4: go out together for you know.

394
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Speaker 1: Then they have some wine and they get mouthy.

395
00:19:48,640 --> 00:19:51,000
Speaker 4: Yeah yeah, and they do not like I'm no son

396
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Speaker 4: of theirs.

397
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Speaker 3: There's kind of nothing I hate more as an active

398
00:19:56,359 --> 00:19:59,800
Speaker 3: intersectional feminist. Wait I'm not sure if intersection is good

399
00:19:59,880 --> 00:20:03,199
Speaker 3: or I've just heard it online a lot. I'm a

400
00:20:03,320 --> 00:20:08,480
Speaker 3: very active, proactive feminist, but god damn, you get four

401
00:20:08,520 --> 00:20:12,080
Speaker 3: women in like Morona sweaters who have had too much

402
00:20:12,160 --> 00:20:14,040
Speaker 3: wine and think they need to be talking during the

403
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Speaker 3: comedy show.

404
00:20:14,920 --> 00:20:16,520
Speaker 1: I've never hated women more.

405
00:20:16,440 --> 00:20:19,560
Speaker 4: I know. And it's such a hard call because they

406
00:20:20,400 --> 00:20:22,280
Speaker 4: sometimes they're trying to have fun. You have to make

407
00:20:22,359 --> 00:20:24,920
Speaker 4: sure first that they're not trying to have fun. Yeah,

408
00:20:24,920 --> 00:20:27,840
Speaker 4: and they're being mean spirited because when they have a

409
00:20:27,840 --> 00:20:31,560
Speaker 4: lot of wine and they're talking and going, oh, they're

410
00:20:31,640 --> 00:20:33,680
Speaker 4: talking to a lot. That happens a lot where they're

411
00:20:33,720 --> 00:20:36,160
Speaker 4: just talking to you like it's conversation. They're having fun

412
00:20:36,640 --> 00:20:37,720
Speaker 4: and they think it's part of it.

413
00:20:37,760 --> 00:20:40,280
Speaker 3: They like it. Yeah, they're having fun. It's not the

414
00:20:41,000 --> 00:20:43,120
Speaker 3: ones that I can't stand. The ones that I was picturing.

415
00:20:43,200 --> 00:20:45,320
Speaker 3: I actually enjoy. Here's the thing. If you get someone

416
00:20:45,320 --> 00:20:46,879
Speaker 3: with a nice as my dad likes to say, a

417
00:20:46,920 --> 00:20:51,280
Speaker 3: nice heat on, that can be the best because they

418
00:20:51,560 --> 00:20:53,679
Speaker 3: it's like playing with a kitten. They have no idea

419
00:20:53,880 --> 00:20:56,560
Speaker 3: what's happening, and they're setting you up perfectly and you

420
00:20:56,640 --> 00:20:58,840
Speaker 3: just kind of roll with what they do. And comedy

421
00:20:58,920 --> 00:21:05,440
Speaker 3: will happened if you've got like a mouthy like all

422
00:21:05,680 --> 00:21:10,080
Speaker 3: wine confidence, mouthy, broad purple teeth, who's coming at you

423
00:21:10,320 --> 00:21:11,560
Speaker 3: and telling you how it.

424
00:21:11,440 --> 00:21:15,159
Speaker 4: Is happened in San Francisco. Oh that is friend of

425
00:21:15,200 --> 00:21:18,960
Speaker 4: the owner or something. She's somehow friends with someone.

426
00:21:18,800 --> 00:21:20,800
Speaker 3: Who's an expert the club. She's an expert.

427
00:21:20,880 --> 00:21:23,440
Speaker 4: I was like, God, you're troublesome. And then she hung

428
00:21:23,480 --> 00:21:26,000
Speaker 4: out after the show because she knew everyone. It's like,

429
00:21:26,119 --> 00:21:29,480
Speaker 4: oh good, yeah, good, you didn't you're someone that got

430
00:21:29,480 --> 00:21:30,280
Speaker 4: in for free.

431
00:21:30,800 --> 00:21:35,480
Speaker 3: Uh so, and that you think this is about you,

432
00:21:35,480 --> 00:21:38,760
Speaker 3: You think this evening should be centered around you, the

433
00:21:38,800 --> 00:21:43,119
Speaker 3: person who's earned nothing the club sacrifice nothing.

434
00:21:43,240 --> 00:21:46,640
Speaker 4: The club in Bloomington didn't allow bachelorette parties.

435
00:21:46,800 --> 00:21:49,000
Speaker 3: Nice, Yeah, that's genius.

436
00:21:49,080 --> 00:21:52,840
Speaker 4: He said, no, no, no group parties. That's something like

437
00:21:52,920 --> 00:21:55,359
Speaker 4: at Capsity in Austin. They would. They were like, well,

438
00:21:55,680 --> 00:21:59,720
Speaker 4: we're doing great tonight. We got three different bachelorette parties. Oh,

439
00:22:00,080 --> 00:22:02,119
Speaker 4: it's packed in there. It's gonna be great.

440
00:22:02,280 --> 00:22:03,320
Speaker 3: It's three at one time.

441
00:22:03,640 --> 00:22:06,160
Speaker 4: They're just counting human like, yeah, they don't give a shit.

442
00:22:06,320 --> 00:22:08,919
Speaker 4: It's just filling a void. Although I did ever tell

443
00:22:08,960 --> 00:22:10,720
Speaker 4: you this, you have a dueling bachelorette.

444
00:22:10,760 --> 00:22:13,840
Speaker 3: No, that's a nightmare. Then you're just like a weird

445
00:22:14,600 --> 00:22:16,119
Speaker 3: I mean, then you then you might as well be

446
00:22:16,200 --> 00:22:20,920
Speaker 3: like like a comedian at a sitcom taping. Just throw

447
00:22:21,000 --> 00:22:21,720
Speaker 3: candy at them.

448
00:22:21,920 --> 00:22:25,040
Speaker 4: Oh they wanted to take off your shirt. Yeah, they

449
00:22:25,040 --> 00:22:29,400
Speaker 4: don't say that anymore. Oh that's okay, that's from one.

450
00:22:29,720 --> 00:22:32,200
Speaker 3: That's an old huckle. Yeah, yeah, that's not for modern

451
00:22:32,240 --> 00:22:32,560
Speaker 3: Chris Well.

452
00:22:32,600 --> 00:22:35,760
Speaker 4: I used to look great with my shirt off. Really, No, no,

453
00:22:36,359 --> 00:22:38,920
Speaker 4: it's always been the same. I always had the exact

454
00:22:38,960 --> 00:22:41,720
Speaker 4: same tour. So saw some little kid pictures of me

455
00:22:41,760 --> 00:22:43,840
Speaker 4: and I sitting down, I'm like, I have the exact

456
00:22:43,960 --> 00:22:47,280
Speaker 4: same body. Nothing got worse, nothing got better.

457
00:22:47,560 --> 00:22:48,200
Speaker 3: That's lucky.

458
00:22:48,359 --> 00:22:49,560
Speaker 4: Some hairs sprouted up.

459
00:22:49,720 --> 00:22:51,600
Speaker 1: Yeah, I guess you've got a couple here and there.

460
00:22:51,840 --> 00:22:52,159
Speaker 4: Yeah.

461
00:22:52,240 --> 00:22:53,240
Speaker 3: The hip isn't the same.

462
00:22:53,560 --> 00:22:56,480
Speaker 4: No, no, no, oh, I wish I had my kid hip.

463
00:22:56,600 --> 00:23:01,920
Speaker 3: Oh, all small in the socket. I actually have to

464
00:23:01,960 --> 00:23:06,600
Speaker 3: say though, One night I was lucky enough at the

465
00:23:06,720 --> 00:23:10,479
Speaker 3: Washington DC improv I was middling for Margaret Show, and

466
00:23:10,520 --> 00:23:13,600
Speaker 3: Mike Birbiglia was actually our opener that was from like

467
00:23:13,640 --> 00:23:17,600
Speaker 3: a hometown, which was crazy. He reminded me of years later,

468
00:23:17,600 --> 00:23:20,600
Speaker 3: and I was like, that was you so weird? But

469
00:23:21,760 --> 00:23:26,320
Speaker 3: there was a bachelorette party that was right down in front,

470
00:23:26,600 --> 00:23:29,119
Speaker 3: but I had the hotel room next to them, so

471
00:23:29,200 --> 00:23:31,919
Speaker 3: I listened to them in my hotel room from like

472
00:23:32,080 --> 00:23:33,000
Speaker 3: four o'clock on.

473
00:23:33,880 --> 00:23:35,200
Speaker 1: I heard everything they said.

474
00:23:35,240 --> 00:23:38,000
Speaker 3: They were out in the hallway, drinking, yelling at one

475
00:23:38,000 --> 00:23:40,560
Speaker 3: of their moms, doing all this stuff. So I just

476
00:23:40,680 --> 00:23:42,440
Speaker 3: when I got on stage like they were of course

477
00:23:42,480 --> 00:23:44,480
Speaker 3: a handful, And then when I got on stage, I

478
00:23:44,560 --> 00:23:47,879
Speaker 3: just started telling them about themselves and they were freaking out,

479
00:23:48,000 --> 00:23:51,200
Speaker 3: and I like, weirdly, like fake psychic style shut them

480
00:23:51,200 --> 00:23:54,160
Speaker 3: down and the lie because you're the girls from room

481
00:23:54,200 --> 00:23:57,760
Speaker 3: four sixty three, and they were like and like went

482
00:23:57,920 --> 00:23:58,879
Speaker 3: crazy and you.

483
00:23:59,000 --> 00:24:02,200
Speaker 4: Wish you brought the hour dress, but it's okay because

484
00:24:02,200 --> 00:24:05,680
Speaker 4: you borrowed gladyses. Didn't you actually know that?

485
00:24:07,880 --> 00:24:09,800
Speaker 1: And I somehow got a hold of them.

486
00:24:10,000 --> 00:24:12,840
Speaker 4: That sounds great. I wish I could eavesdrop on audiences

487
00:24:12,880 --> 00:24:15,560
Speaker 4: before I performed for them, I know, right, that's kind

488
00:24:15,560 --> 00:24:20,399
Speaker 4: of what what's his name? Did John? Oh it doesn't.

489
00:24:20,480 --> 00:24:21,920
Speaker 4: He was like a clairvoont He had a show.

490
00:24:21,960 --> 00:24:24,200
Speaker 3: Oh, yes, yes, John, that's right.

491
00:24:24,240 --> 00:24:28,680
Speaker 4: Yes, not the politician. I'm sensing someone in here as

492
00:24:28,680 --> 00:24:32,119
Speaker 4: a dad. I'm seeing a j name of John, a dad.

493
00:24:32,200 --> 00:24:34,080
Speaker 4: There's the word dad and the word John.

494
00:24:34,359 --> 00:24:37,200
Speaker 3: I have a dad named John. It's actually Jim.

495
00:24:37,320 --> 00:24:40,320
Speaker 4: But okay, your handwriting was weird on the form that

496
00:24:40,359 --> 00:24:41,680
Speaker 4: you filled out before.

497
00:24:41,440 --> 00:24:47,600
Speaker 3: The wass your whoops. I actually saw a show when

498
00:24:47,640 --> 00:24:50,840
Speaker 3: I was in Chicago for my terrible short stint in

499
00:24:50,920 --> 00:24:55,040
Speaker 3: Chicago five years ago. We went to the Second City

500
00:24:55,520 --> 00:24:57,600
Speaker 3: one night at their like main stage.

501
00:24:57,280 --> 00:25:01,880
Speaker 4: Show, Dell Close Sharon Hallipurt's stage. They were the second sitting.

502
00:25:01,800 --> 00:25:04,080
Speaker 3: But they were It was a great show with a

503
00:25:04,119 --> 00:25:07,240
Speaker 3: great cast. It was amazing. I mean, those people earn

504
00:25:07,280 --> 00:25:10,479
Speaker 3: their spots and the room is huge. I think it's

505
00:25:10,520 --> 00:25:13,320
Speaker 3: like five hundred people. I mean it's crazy. Okay, So

506
00:25:14,080 --> 00:25:17,560
Speaker 3: this guy comes out and he's doing I can't remember

507
00:25:17,600 --> 00:25:20,960
Speaker 3: if he was like a TSA security guard. Uh. He

508
00:25:21,040 --> 00:25:23,000
Speaker 3: was dressed up as like something and I can't remember

509
00:25:23,000 --> 00:25:27,040
Speaker 3: specifically what it was. But he went out into the

510
00:25:27,119 --> 00:25:31,520
Speaker 3: crowd and he started telling everybody about themselves, and so

511
00:25:31,560 --> 00:25:34,240
Speaker 3: he was like, it was one of my favorite things

512
00:25:34,240 --> 00:25:37,480
Speaker 3: I've ever seen. So he was just like, so you

513
00:25:38,080 --> 00:25:40,520
Speaker 3: totally like Rick and this girl just screams at the

514
00:25:40,520 --> 00:25:42,600
Speaker 3: top of her lungs. He goes, he goes, I don't

515
00:25:42,640 --> 00:25:44,240
Speaker 3: think you should like Rick. I think he should totally

516
00:25:44,280 --> 00:25:46,359
Speaker 3: break up with him. And he does this whole thing,

517
00:25:46,359 --> 00:25:48,119
Speaker 3: and then he looks over and he's like, oh, and

518
00:25:48,200 --> 00:25:51,400
Speaker 3: you with the and then the person He's like doing

519
00:25:51,440 --> 00:25:54,000
Speaker 3: this whole interview whatever. And then at the end, so

520
00:25:54,040 --> 00:25:55,920
Speaker 3: he does that to like five people in the most

521
00:25:56,000 --> 00:25:59,000
Speaker 3: hilarious way, and then he ends it with this speech

522
00:25:59,160 --> 00:26:02,680
Speaker 3: about how all the people are worried about their their

523
00:26:02,880 --> 00:26:06,840
Speaker 3: online privacy. When they in public, they say more about

524
00:26:06,840 --> 00:26:10,879
Speaker 3: themselves that if anybody's listening, they could get anything that

525
00:26:10,920 --> 00:26:13,280
Speaker 3: they needed from them. And this what happened was this

526
00:26:13,320 --> 00:26:16,199
Speaker 3: guy sits in the audience before the show starts and

527
00:26:16,280 --> 00:26:20,840
Speaker 3: eavesdrops on tables of people talking loudly, remembers what they

528
00:26:20,880 --> 00:26:23,160
Speaker 3: talk about, and then just like throws it in their

529
00:26:23,200 --> 00:26:23,960
Speaker 3: face during the.

530
00:26:23,920 --> 00:26:25,080
Speaker 4: Show and then admits it.

531
00:26:25,600 --> 00:26:30,080
Speaker 3: Yes, tells them basically saying, don't be worried about cyber attacks,

532
00:26:30,119 --> 00:26:32,920
Speaker 3: don't be worried about internet security and your privacy. Keep

533
00:26:32,960 --> 00:26:35,640
Speaker 3: your mouth shut. How do I know I know where

534
00:26:35,720 --> 00:26:38,640
Speaker 3: you live? Like he does. It was one of the

535
00:26:38,640 --> 00:26:40,119
Speaker 3: most brilliant.

536
00:26:39,640 --> 00:26:40,560
Speaker 1: Things I've ever seen.

537
00:26:40,680 --> 00:26:41,000
Speaker 4: Wow.

538
00:26:41,160 --> 00:26:43,040
Speaker 1: Yeah, it was really really funny.

539
00:26:42,840 --> 00:26:45,160
Speaker 4: And he was just a standard He was an area

540
00:26:45,440 --> 00:26:46,640
Speaker 4: improv improv guy.

541
00:26:46,760 --> 00:26:49,560
Speaker 3: But like sketch, you know, that's the those main stage shows.

542
00:26:49,640 --> 00:26:51,040
Speaker 3: This was an all sketch show.

543
00:26:51,320 --> 00:26:51,600
Speaker 5: Wow.

544
00:26:51,880 --> 00:26:53,280
Speaker 1: It was really awesome.

545
00:26:54,320 --> 00:26:57,159
Speaker 4: That is I mean, I want to do that sounds

546
00:26:57,200 --> 00:26:58,679
Speaker 4: fun yeah right yeah.

547
00:26:58,720 --> 00:27:02,200
Speaker 3: Well, and also because when people are in like that setting,

548
00:27:02,480 --> 00:27:03,920
Speaker 3: they talk so loud.

549
00:27:03,960 --> 00:27:07,359
Speaker 1: It drives me crazy. But they talk so loud, and

550
00:27:07,400 --> 00:27:08,000
Speaker 1: they'll say.

551
00:27:07,880 --> 00:27:09,840
Speaker 4: I think if you start talking, they're like, I was

552
00:27:09,920 --> 00:27:12,560
Speaker 4: just talking about that. Oh you were that guy sitting

553
00:27:12,640 --> 00:27:14,320
Speaker 4: I guess no one pays attention.

554
00:27:14,119 --> 00:27:15,480
Speaker 1: No they don't.

555
00:27:15,640 --> 00:27:20,080
Speaker 4: Well that's amazing. Yeah, speaking of him, I started in

556
00:27:20,280 --> 00:27:24,240
Speaker 4: short form improv your freeze tag. You're let's get a

557
00:27:24,359 --> 00:27:29,840
Speaker 4: occupation and a location, you know, Montana meteorologist, playboy mansion.

558
00:27:30,040 --> 00:27:32,680
Speaker 3: What and you can't combine those two?

559
00:27:33,160 --> 00:27:36,480
Speaker 4: What would happen? One time? I got a gay Irish

560
00:27:36,520 --> 00:27:37,160
Speaker 4: weather man.

561
00:27:38,119 --> 00:27:38,719
Speaker 3: What happened?

562
00:27:38,760 --> 00:27:40,600
Speaker 4: Give us nailed it and nailed it?

563
00:27:40,640 --> 00:27:41,480
Speaker 3: Give us a slice?

564
00:27:42,200 --> 00:27:47,639
Speaker 4: Oh no, here, I have some yellow clouds. I don't know.

565
00:27:47,880 --> 00:27:54,320
Speaker 4: I just did something like that, ha ha okay, but

566
00:27:54,440 --> 00:27:56,160
Speaker 4: someone yelled at so I had to do it. It's

567
00:27:56,160 --> 00:27:58,520
Speaker 4: like I don't want to, you know, I think I

568
00:27:59,240 --> 00:28:03,280
Speaker 4: know who yelled at Colin Malloy. He's the lead singer

569
00:28:03,320 --> 00:28:07,680
Speaker 4: of the December Well Well well yoused to live in town.

570
00:28:07,960 --> 00:28:09,760
Speaker 4: You know. I do a little name dropping here and there.

571
00:28:09,800 --> 00:28:11,480
Speaker 4: You know I do that on the podcast.

572
00:28:11,520 --> 00:28:12,280
Speaker 1: Do you like to do that?

573
00:28:13,000 --> 00:28:14,879
Speaker 3: Because you do? You say you don't want to do

574
00:28:14,960 --> 00:28:17,320
Speaker 3: Hollywood gossip, but we always end up doing it.

575
00:28:17,400 --> 00:28:20,480
Speaker 4: I name drop at the drop of a hat. I

576
00:28:20,560 --> 00:28:22,520
Speaker 4: drop a name. I mean, if I drop a hat,

577
00:28:22,600 --> 00:28:24,720
Speaker 4: I put a name in the hat like you're gonna

578
00:28:24,720 --> 00:28:26,320
Speaker 4: pick it out, and then I drop the hat. You

579
00:28:26,359 --> 00:28:29,320
Speaker 4: just throw that thing on the floor, pull the name out.

580
00:28:30,000 --> 00:28:32,800
Speaker 4: But the woman that started the improv group, she's a

581
00:28:32,800 --> 00:28:34,600
Speaker 4: woman now. Back then, I guess we could call her

582
00:28:34,600 --> 00:28:37,399
Speaker 4: a girl. I was a boy. But we started this

583
00:28:37,480 --> 00:28:41,480
Speaker 4: improv group in Missoula. Yeah, in different bars. We would

584
00:28:41,480 --> 00:28:44,800
Speaker 4: do shows every week and made money. I made a

585
00:28:44,800 --> 00:28:45,560
Speaker 4: living doing it.

586
00:28:46,040 --> 00:28:46,760
Speaker 3: That's amazing.

587
00:28:47,680 --> 00:28:51,200
Speaker 4: It's more consistent than now, I bet. But she lives

588
00:28:51,240 --> 00:28:55,640
Speaker 4: in Cape Town, South Africa now and teaches improv and

589
00:28:55,640 --> 00:28:58,400
Speaker 4: they're doing an improv festival and she asked me to go.

590
00:29:00,160 --> 00:29:03,520
Speaker 4: But I but to South Africa, would my flight get covered,

591
00:29:03,840 --> 00:29:05,600
Speaker 4: but they can't cover the flight, so I don't know

592
00:29:05,680 --> 00:29:07,360
Speaker 4: by it. It would be interesting to go.

593
00:29:07,560 --> 00:29:09,600
Speaker 3: It would cost you like three grand or something, wouldn't it.

594
00:29:09,640 --> 00:29:11,160
Speaker 4: I looked today it was about a thousand.

595
00:29:11,760 --> 00:29:12,840
Speaker 3: That's too much money.

596
00:29:13,200 --> 00:29:15,640
Speaker 4: Yeah, I don't know if I can afford to do that.

597
00:29:16,480 --> 00:29:18,920
Speaker 4: And I told her I don't really do improv anymore.

598
00:29:19,640 --> 00:29:22,360
Speaker 3: And that's where Chappy is, So you don't want to

599
00:29:22,360 --> 00:29:22,920
Speaker 3: get involved in.

600
00:29:22,960 --> 00:29:26,120
Speaker 4: I don't know what are they called dust du that

601
00:29:26,520 --> 00:29:29,200
Speaker 4: they that Chappy movie? I had okay hopes for it.

602
00:29:29,280 --> 00:29:30,800
Speaker 4: I like the other thing they made me.

603
00:29:30,760 --> 00:29:31,840
Speaker 3: Too, with nine.

604
00:29:31,920 --> 00:29:32,560
Speaker 4: Yeah, it was great.

605
00:29:32,600 --> 00:29:33,240
Speaker 3: That's amazing.

606
00:29:33,480 --> 00:29:37,040
Speaker 4: These guys. They made this underbudget movie because they're they're

607
00:29:37,760 --> 00:29:39,880
Speaker 4: they're both like special effects wizards.

608
00:29:40,000 --> 00:29:40,240
Speaker 3: Yeah.

609
00:29:40,600 --> 00:29:42,600
Speaker 4: And then they acted in it and they just made

610
00:29:42,600 --> 00:29:44,880
Speaker 4: it themselves, I guess in front of a green screen.

611
00:29:45,560 --> 00:29:48,200
Speaker 4: But that second movie Chappy with that, who's that group?

612
00:29:48,240 --> 00:29:54,920
Speaker 4: They look like skinhead Diant award diant word no no

613
00:29:55,280 --> 00:29:56,000
Speaker 4: to their acting.

614
00:29:56,320 --> 00:29:59,800
Speaker 3: Do you know that they I didn't see Chappie, but

615
00:29:59,880 --> 00:30:01,680
Speaker 3: I like to reference it because you know, it's a

616
00:30:01,680 --> 00:30:02,160
Speaker 3: funny word.

617
00:30:02,200 --> 00:30:05,640
Speaker 4: It was difficult to watch rough stuff times, yes, just

618
00:30:05,680 --> 00:30:08,840
Speaker 4: the comedy of it. And they're act and Diane Forward.

619
00:30:09,160 --> 00:30:12,480
Speaker 3: Yeah, Diane Ward was on Letterman one night, an episode

620
00:30:12,520 --> 00:30:15,240
Speaker 3: I was watching and when they were done singing their

621
00:30:15,680 --> 00:30:19,960
Speaker 3: very heavy like edium kind of like scary, weird techno song. Yeah,

622
00:30:20,000 --> 00:30:21,080
Speaker 3: the audience.

623
00:30:20,720 --> 00:30:23,000
Speaker 1: Burst out laughing, oh wow, like.

624
00:30:23,000 --> 00:30:26,520
Speaker 3: Because it was likely like you oh, like the chorus

625
00:30:26,560 --> 00:30:30,080
Speaker 3: was her talking like a tiny elf. And when when

626
00:30:30,080 --> 00:30:34,600
Speaker 3: it finally was like, the audience.

627
00:30:34,240 --> 00:30:37,000
Speaker 4: Was like, and what did they do?

628
00:30:37,600 --> 00:30:39,280
Speaker 3: They just they just kind of stood there and then

629
00:30:39,280 --> 00:30:41,440
Speaker 3: there was like, you know, this mattery of applause.

630
00:30:41,680 --> 00:30:43,480
Speaker 1: It was it made me laugh so hard.

631
00:30:43,800 --> 00:30:47,800
Speaker 4: Wow. I yeah, I don't get that. I think I

632
00:30:47,840 --> 00:30:50,600
Speaker 4: saw a video and I thought that maybe they were

633
00:30:50,800 --> 00:30:59,800
Speaker 4: just doing characters or unknown poor trashy folks, and I'm like, well,

634
00:30:59,800 --> 00:31:03,480
Speaker 4: I can I like them, yes, on YouTube or something.

635
00:31:03,520 --> 00:31:06,320
Speaker 4: But the fact that they became celebrities.

636
00:31:06,440 --> 00:31:07,480
Speaker 1: I mean I didn't.

637
00:31:08,160 --> 00:31:10,680
Speaker 3: I think Hollywood always, if you are a woman who's

638
00:31:10,720 --> 00:31:13,440
Speaker 3: like five feet tall and looks like you could right

639
00:31:13,520 --> 00:31:18,280
Speaker 3: now without any special effects makeup, play an elf, Hollywood

640
00:31:18,360 --> 00:31:20,800
Speaker 3: is going to rally around you in every way they

641
00:31:20,840 --> 00:31:21,440
Speaker 3: possibly can.

642
00:31:21,600 --> 00:31:23,720
Speaker 4: We're looking for a dark crystal type.

643
00:31:23,600 --> 00:31:26,560
Speaker 1: Yeah, always with that's willing to.

644
00:31:26,520 --> 00:31:30,840
Speaker 4: Do nude just kind of a short naked labyrinth.

645
00:31:30,320 --> 00:31:35,400
Speaker 3: Girl with no irises or pupils separate. Like maybe just

646
00:31:35,480 --> 00:31:36,880
Speaker 3: one big color would be great.

647
00:31:37,040 --> 00:31:41,160
Speaker 4: Yeah, just black corneas and short bangs, and kind of

648
00:31:41,200 --> 00:31:43,120
Speaker 4: like a female David Bowie.

649
00:31:43,320 --> 00:31:47,040
Speaker 3: Yeah, kind of like flared nostrils, permanently flared nostrils would

650
00:31:47,040 --> 00:31:47,360
Speaker 3: be good.

651
00:31:48,360 --> 00:31:50,840
Speaker 1: And of course big rabbit teeth.

652
00:31:51,120 --> 00:31:54,280
Speaker 4: Oh god, gotta have those nice carrot trumpers.

653
00:31:55,480 --> 00:31:58,640
Speaker 3: The two long front ones. I think that's really that's

654
00:31:58,800 --> 00:32:01,520
Speaker 3: really where I all down in the beauty department is

655
00:32:01,520 --> 00:32:04,960
Speaker 3: I have these very shortened Irish teeth, and if these

656
00:32:05,000 --> 00:32:07,840
Speaker 3: two front ones are just like just a half an

657
00:32:07,880 --> 00:32:08,720
Speaker 3: inch longer.

658
00:32:08,880 --> 00:32:11,920
Speaker 4: Do people want long front too front teeth?

659
00:32:12,040 --> 00:32:12,360
Speaker 3: Yeah?

660
00:32:12,400 --> 00:32:15,520
Speaker 4: What is long in the tooth? Me in that phrase old? Yes,

661
00:32:15,560 --> 00:32:16,920
Speaker 4: but what is it there?

662
00:32:16,920 --> 00:32:19,560
Speaker 3: It's got to be a reason, because your teeth grow

663
00:32:19,720 --> 00:32:22,600
Speaker 3: as you grow old. It's like your teeth are growing

664
00:32:22,640 --> 00:32:24,560
Speaker 3: out of your head. So it's like saying you your

665
00:32:24,640 --> 00:32:26,760
Speaker 3: teeth have come out as far as they possibly can.

666
00:32:26,920 --> 00:32:29,760
Speaker 4: My teeth continue to grow like my ears.

667
00:32:29,600 --> 00:32:32,320
Speaker 3: Well no, no, I mean they're like so your baby

668
00:32:32,360 --> 00:32:35,080
Speaker 3: teeth when they go there's a tooth waiting up there

669
00:32:35,120 --> 00:32:38,320
Speaker 3: and it slowly comes out and it's like as if

670
00:32:38,520 --> 00:32:41,080
Speaker 3: and maybe this was like old wives tail style. Sure,

671
00:32:41,240 --> 00:32:44,040
Speaker 3: as if there's a whole bunch of tooth and it

672
00:32:44,200 --> 00:32:46,320
Speaker 3: just comes out like that. It maybe was the thought

673
00:32:46,360 --> 00:32:46,880
Speaker 3: behind it.

674
00:32:46,880 --> 00:32:49,240
Speaker 4: It's kind of a horrifying thought that I don't enjoy.

675
00:32:49,600 --> 00:32:50,560
Speaker 1: Want to hear another one.

676
00:32:50,720 --> 00:32:55,440
Speaker 3: Yeah, babies, oh God, have all these teeth stacked up

677
00:32:56,440 --> 00:33:00,280
Speaker 3: behind like almost like a plate. And that that's why

678
00:33:00,320 --> 00:33:05,520
Speaker 3: it's very hard actually, I mean, obviously babies are very.

679
00:33:05,000 --> 00:33:07,800
Speaker 4: Fragile, multiple teeth like a shark.

680
00:33:08,440 --> 00:33:11,200
Speaker 3: Yes, so their baby teeth come out and then your

681
00:33:11,240 --> 00:33:14,960
Speaker 3: little teeth and whatever. But they have like these. You

682
00:33:15,000 --> 00:33:16,480
Speaker 3: have to see a picture of it. Someone showed me.

683
00:33:16,560 --> 00:33:19,320
Speaker 3: It's not like ten or whatever. But it's like their

684
00:33:19,400 --> 00:33:22,360
Speaker 3: teeth are stacked up in their face so that if

685
00:33:22,360 --> 00:33:25,200
Speaker 3: anything hits them in the face, it won't hurt them,

686
00:33:25,760 --> 00:33:29,240
Speaker 3: like it won't get to the brain. Wow, isn't that crazy?

687
00:33:29,480 --> 00:33:31,960
Speaker 4: So does that mean these other like if their baby

688
00:33:32,000 --> 00:33:34,880
Speaker 4: tooth falls out, there is there a second baby tooth? Sometimes?

689
00:33:35,000 --> 00:33:36,240
Speaker 4: Is that a thing that's happened.

690
00:33:36,280 --> 00:33:37,760
Speaker 1: I don't think so.

691
00:33:37,960 --> 00:33:39,840
Speaker 3: I someone you have to see the picture of it,

692
00:33:39,880 --> 00:33:42,240
Speaker 3: because maybe they stack in a way where like these

693
00:33:42,240 --> 00:33:44,120
Speaker 3: ones are up here, but then they go back there.

694
00:33:44,400 --> 00:33:45,640
Speaker 3: I'm not sure.

695
00:33:45,520 --> 00:33:46,760
Speaker 4: They just turn to your skull.

696
00:33:48,560 --> 00:33:50,000
Speaker 1: It's I might be lying.

697
00:33:50,280 --> 00:33:53,400
Speaker 4: No, I think I think you're right. I think I've

698
00:33:53,440 --> 00:33:58,160
Speaker 4: seen in like a in a health illustration, multiple stacked

699
00:33:58,240 --> 00:33:59,920
Speaker 4: up teeth, and then I close the book and look

700
00:34:00,080 --> 00:34:03,360
Speaker 4: away because that class because it makes me horrified.

701
00:34:03,520 --> 00:34:10,080
Speaker 3: Yes, wait, let me see uh.

702
00:34:08,000 --> 00:34:12,360
Speaker 4: Baby teeth, baby teeth stacking stocking.

703
00:34:12,480 --> 00:34:14,920
Speaker 1: No, this is gonna bring me to a terrifying itsyage.

704
00:34:15,000 --> 00:34:17,439
Speaker 4: You're gonna go it's just gonna be a scene from

705
00:34:18,400 --> 00:34:20,719
Speaker 4: uh human centipede.

706
00:34:20,840 --> 00:34:21,800
Speaker 3: Stacked in face.

707
00:34:24,120 --> 00:34:27,000
Speaker 4: Oh no, you're gonna the worst thing ever is gonna

708
00:34:27,000 --> 00:34:31,680
Speaker 4: pop up. Baby baby fell off a bike. You're gonna

709
00:34:31,680 --> 00:34:32,960
Speaker 4: see a horrible image.

710
00:34:33,040 --> 00:34:35,080
Speaker 3: It's gonna be like a tooth coming out the side

711
00:34:35,080 --> 00:34:35,440
Speaker 3: of a chain.

712
00:34:36,000 --> 00:34:37,879
Speaker 4: If you if that's what you pull up, don't show

713
00:34:37,920 --> 00:34:39,279
Speaker 4: it to me. I'll do show it to me.

714
00:34:40,800 --> 00:34:42,680
Speaker 3: Oh it's I don't know any wi fi.

715
00:34:43,480 --> 00:34:47,360
Speaker 4: I feel like that's happened before. I think that there's

716
00:34:47,440 --> 00:34:51,399
Speaker 4: been in stories about a baby losing a baby tooth

717
00:34:51,480 --> 00:34:54,040
Speaker 4: and getting a second baby tooth, not the permanent one,

718
00:34:54,120 --> 00:34:56,840
Speaker 4: but just another baby tooth. Yeah, if it's early.

719
00:34:56,680 --> 00:35:01,359
Speaker 3: Enough, I guess overall, the idea is that babies are

720
00:35:02,360 --> 00:35:08,040
Speaker 3: engineered to be self protected basically, so they have like, uh,

721
00:35:08,200 --> 00:35:12,000
Speaker 3: you know, oh there's all things comedy. What am I

722
00:35:12,040 --> 00:35:12,480
Speaker 3: doing this for?

723
00:35:13,160 --> 00:35:14,360
Speaker 1: He gives a fuck.

724
00:35:15,920 --> 00:35:20,640
Speaker 4: Somebody looking up at home? Well, then that's what's that

725
00:35:20,719 --> 00:35:22,640
Speaker 4: soft spot on the head that can't be for their

726
00:35:22,680 --> 00:35:25,040
Speaker 4: own good? Well vulnerable.

727
00:35:25,760 --> 00:35:27,879
Speaker 3: Maybe it is for their own good because if their

728
00:35:28,080 --> 00:35:30,400
Speaker 3: head gets hit and the brain swells, there's a place

729
00:35:30,440 --> 00:35:31,160
Speaker 3: for it to go.

730
00:35:31,160 --> 00:35:34,399
Speaker 4: Oh wow, right back down and then eventually I think

731
00:35:34,440 --> 00:35:37,759
Speaker 4: that's called a palette or something that seals up.

732
00:35:39,080 --> 00:35:39,560
Speaker 3: Maybe.

733
00:35:39,760 --> 00:35:41,760
Speaker 4: Oh, it's amazing this baby business.

734
00:35:42,080 --> 00:35:45,920
Speaker 3: I held a baby at work the other day, make

735
00:35:45,960 --> 00:35:47,880
Speaker 3: you feel I don't.

736
00:35:47,680 --> 00:35:49,360
Speaker 1: Want It's not like sad.

737
00:35:49,960 --> 00:35:53,080
Speaker 4: I just really babies are pretty cool.

738
00:35:53,239 --> 00:35:53,919
Speaker 1: They're pretty cool.

739
00:35:53,960 --> 00:35:58,080
Speaker 3: And my boss's baby is she's a second girl, So

740
00:35:58,120 --> 00:36:00,439
Speaker 3: she's the chillest baby of all time because all she's

741
00:36:00,480 --> 00:36:02,640
Speaker 3: doing is trying to see where her sister is and

742
00:36:02,640 --> 00:36:03,320
Speaker 3: what's going.

743
00:36:03,120 --> 00:36:04,720
Speaker 4: On with chill mellow babies.

744
00:36:04,840 --> 00:36:06,839
Speaker 3: Yeah, and she's just having a good time. And when

745
00:36:06,840 --> 00:36:08,439
Speaker 3: you look at her, her eyes go kind of wide

746
00:36:08,480 --> 00:36:10,799
Speaker 3: and she'll like wave at you. It's very cute, but

747
00:36:10,880 --> 00:36:14,160
Speaker 3: she you know, Stephanie Askehita.

748
00:36:14,280 --> 00:36:15,840
Speaker 4: Sure, of course it's her baby.

749
00:36:16,200 --> 00:36:17,600
Speaker 3: She is married to my boss.

750
00:36:17,920 --> 00:36:20,000
Speaker 4: Oh I've slept on their couch.

751
00:36:20,520 --> 00:36:23,000
Speaker 1: Yeah yeah, yeah, Goldie, he's the best.

752
00:36:23,080 --> 00:36:23,600
Speaker 4: Yeah yeah.

753
00:36:23,680 --> 00:36:25,880
Speaker 3: So this is their baby, this is their second daughter,

754
00:36:26,480 --> 00:36:28,759
Speaker 3: and she is like you put her right there, and

755
00:36:28,800 --> 00:36:31,279
Speaker 3: it's like it makes me feel like I've had nine

756
00:36:31,320 --> 00:36:33,120
Speaker 3: babies of my own. Like she's one of those kind

757
00:36:33,120 --> 00:36:36,840
Speaker 3: of babies doing she's doing her part because normally babies

758
00:36:36,880 --> 00:36:38,880
Speaker 3: earl weird and make me feel like I don't know

759
00:36:38,920 --> 00:36:39,399
Speaker 3: what I'm doing.

760
00:36:39,480 --> 00:36:39,840
Speaker 4: Wear me.

761
00:36:41,520 --> 00:36:44,240
Speaker 1: Babies and they love the rain.

762
00:36:44,600 --> 00:36:48,000
Speaker 4: I know, and it's you know, a lot of times

763
00:36:48,080 --> 00:36:50,120
Speaker 4: you don't want a baby on an airplane, But when

764
00:36:50,120 --> 00:36:53,200
Speaker 4: a baby just grabs your finger, I'm like, their whole

765
00:36:53,239 --> 00:36:55,600
Speaker 4: hand goes around your finger. That's pretty cool. I'd like

766
00:36:55,600 --> 00:36:57,280
Speaker 4: a baby just for a little while.

767
00:36:57,560 --> 00:36:57,799
Speaker 3: Yeah.

768
00:36:57,920 --> 00:36:59,960
Speaker 4: Can I just have them for a few after a baby,

769
00:37:00,640 --> 00:37:03,440
Speaker 4: that's what it's called. I thought I was making up

770
00:37:03,480 --> 00:37:08,080
Speaker 4: a job. Can I just watch it just for an afternoon?

771
00:37:08,080 --> 00:37:09,480
Speaker 4: And I just want to hang out with a baby.

772
00:37:09,520 --> 00:37:12,120
Speaker 4: I wish there's something for like ten dollars an hour. Yeah,

773
00:37:12,400 --> 00:37:15,400
Speaker 4: I know, I'm I'm just blurting things that don't exist

774
00:37:17,040 --> 00:37:18,759
Speaker 4: and I'd like to sit while doing it.

775
00:37:19,719 --> 00:37:21,360
Speaker 1: My thing is that I get bored.

776
00:37:22,520 --> 00:37:24,080
Speaker 3: I still want to do what I want to do,

777
00:37:24,440 --> 00:37:26,960
Speaker 3: so like there'll be like some really quality time like

778
00:37:26,960 --> 00:37:28,160
Speaker 3: this is how I used to hang out with my

779
00:37:28,239 --> 00:37:31,600
Speaker 3: niece Nora, where we'd be like playing a great game.

780
00:37:31,640 --> 00:37:34,239
Speaker 3: We play Sorry seven times in a row, and I'd

781
00:37:34,239 --> 00:37:36,000
Speaker 3: be like, I don't I need to look at my.

782
00:37:35,960 --> 00:37:37,800
Speaker 4: Phone and you just get up and leave the building.

783
00:37:39,360 --> 00:37:40,960
Speaker 3: I'm gonna go to Starbucks for a while.

784
00:37:41,239 --> 00:37:44,080
Speaker 4: You're cool on that blanket, right? You just do you want?

785
00:37:44,120 --> 00:37:46,160
Speaker 4: Do you need to be outside? You want dig and stuff?

786
00:37:46,200 --> 00:37:47,080
Speaker 1: What do you want to do?

787
00:37:48,000 --> 00:37:50,360
Speaker 3: Okay, get out there, buddy.

788
00:37:50,560 --> 00:37:54,440
Speaker 4: It's my dog. It's used once, but here's a bone.

789
00:37:56,640 --> 00:37:58,400
Speaker 3: There's still some marrow in there for you.

790
00:37:59,280 --> 00:38:05,520
Speaker 4: Get get at it. Baby. Yeah, I like. I like,

791
00:38:05,800 --> 00:38:08,480
Speaker 4: I'm more interested in having a baby than at this

792
00:38:08,520 --> 00:38:12,120
Speaker 4: point being a married person. Isn't that backwards? It is?

793
00:38:12,480 --> 00:38:14,040
Speaker 4: What if that's a sitcom?

794
00:38:14,120 --> 00:38:14,600
Speaker 5: What are you?

795
00:38:14,840 --> 00:38:19,320
Speaker 4: I adopt a baby as a single dad? Stock broker?

796
00:38:19,840 --> 00:38:21,680
Speaker 4: I don't there? What do you say You're going to

797
00:38:21,719 --> 00:38:24,399
Speaker 4: be the stock broke? It's like I'm pitching sure, I'm

798
00:38:24,440 --> 00:38:27,560
Speaker 4: a busy dad and I'm Okay, what if it's a

799
00:38:27,600 --> 00:38:33,319
Speaker 4: baby I see is being abused and I kidnapped. I

800
00:38:33,440 --> 00:38:37,160
Speaker 4: kidnapped to raise No, it's a comedy and the funny kid,

801
00:38:37,200 --> 00:38:38,120
Speaker 4: and I'm funny in it.

802
00:38:38,600 --> 00:38:40,840
Speaker 3: We can't have kidnapping, kidnap abuse.

803
00:38:41,480 --> 00:38:44,640
Speaker 4: It's I'm getting the kid away from the bad parent.

804
00:38:44,800 --> 00:38:47,560
Speaker 4: So everyone's on my side. Technically it's scheduled.

805
00:38:47,600 --> 00:38:49,520
Speaker 1: They don't even want to go to that sid eye bond.

806
00:38:49,680 --> 00:38:53,120
Speaker 4: I pay for his college. Then when he's when he's

807
00:38:53,200 --> 00:38:55,640
Speaker 4: twenty one, I bring him back to his original parents

808
00:38:55,680 --> 00:38:57,600
Speaker 4: and say, look at it, what a good job I did.

809
00:38:58,120 --> 00:39:01,279
Speaker 4: And he's wearing a suit and he's like, hello mother,

810
00:39:01,560 --> 00:39:03,880
Speaker 4: Hello father. I'm ready to be in your lives again.

811
00:39:04,280 --> 00:39:06,960
Speaker 4: Goodbye second Dad, and we shake hands. I'm gone.

812
00:39:07,000 --> 00:39:09,560
Speaker 3: And this series is called Goodbye Second Dad. Yes, because

813
00:39:09,560 --> 00:39:13,359
Speaker 3: it starts at that moment where you then have the life,

814
00:39:13,719 --> 00:39:14,759
Speaker 3: having already raised it.

815
00:39:14,960 --> 00:39:19,080
Speaker 4: That's where the show starts. Everything is in flashbacks. The

816
00:39:19,120 --> 00:39:23,640
Speaker 4: show starts with goodbye second Dad. What could that possibly mean? Well,

817
00:39:23,719 --> 00:39:28,160
Speaker 4: let me tell you. Blurred edges. We go back. I'm

818
00:39:28,200 --> 00:39:31,600
Speaker 4: on a bus, lady, child's getting slept in the face.

819
00:39:31,760 --> 00:39:35,440
Speaker 4: I'm like, this ain't here, baby, I got to do.

820
00:39:35,440 --> 00:39:38,240
Speaker 3: Something about this. Here's the thing. I like all of it,

821
00:39:38,280 --> 00:39:42,440
Speaker 3: except you don't strike me as a stockbroker. I feel

822
00:39:42,440 --> 00:39:45,239
Speaker 3: like those people are very intense type A. I'm an

823
00:39:45,360 --> 00:39:46,040
Speaker 3: art serious.

824
00:39:46,040 --> 00:39:47,160
Speaker 4: I'm a welder artist.

825
00:39:47,239 --> 00:39:49,000
Speaker 1: You're a welder that I like.

826
00:39:49,120 --> 00:39:51,800
Speaker 4: Ten thousand dollars a month apartment, but I'm a struggling

827
00:39:52,440 --> 00:39:55,800
Speaker 4: welder art welder artist, Yes, sculptor.

828
00:39:55,960 --> 00:39:58,200
Speaker 1: Great some of your arts in the apartment.

829
00:40:00,080 --> 00:40:02,560
Speaker 4: He's wearing overalls. The baby has a great time. Yes,

830
00:40:02,719 --> 00:40:04,520
Speaker 4: like you can do whatever you want. This guy lives

831
00:40:04,560 --> 00:40:05,080
Speaker 4: like a kid.

832
00:40:05,239 --> 00:40:06,719
Speaker 3: Who else is in this world? Do you have a

833
00:40:06,760 --> 00:40:08,000
Speaker 3: mailman that you're friends with.

834
00:40:08,960 --> 00:40:12,960
Speaker 4: There's a door guy, a door guy who sometimes baby sits.

835
00:40:14,040 --> 00:40:16,120
Speaker 3: But you kidnapped this baby to be with it. Why

836
00:40:16,480 --> 00:40:18,080
Speaker 3: why do you need a baby art show?

837
00:40:18,160 --> 00:40:20,920
Speaker 4: I have museum shows. I have things to do, dates

838
00:40:20,920 --> 00:40:21,440
Speaker 4: and dating.

839
00:40:21,560 --> 00:40:24,440
Speaker 1: Oh nighttime, yeah, night the doorman.

840
00:40:24,640 --> 00:40:28,000
Speaker 3: But the door man, so he gets off work and

841
00:40:28,040 --> 00:40:30,120
Speaker 3: then starts babysitting, has two jobs.

842
00:40:30,800 --> 00:40:31,799
Speaker 4: Yeah, but he loves it.

843
00:40:31,880 --> 00:40:34,239
Speaker 3: He likes the kid too, but you pay him.

844
00:40:34,280 --> 00:40:36,160
Speaker 4: The door guy ends up being its third dad.

845
00:40:36,960 --> 00:40:39,000
Speaker 3: The door guy takes the baby away from you because

846
00:40:39,040 --> 00:40:40,480
Speaker 3: you all you do is party.

847
00:40:40,760 --> 00:40:43,759
Speaker 4: Yeah, the door guys tries to find the original parents. Yeah,

848
00:40:43,800 --> 00:40:45,480
Speaker 4: and then he falls in love with the kid he

849
00:40:45,600 --> 00:40:46,560
Speaker 4: starts raising him.

850
00:40:46,680 --> 00:40:50,239
Speaker 3: Yes, Yeah, and it's this show is called Hello Third Dad,

851
00:40:50,520 --> 00:40:55,280
Speaker 3: My three Dads. We're gonna include the abusive first at.

852
00:40:55,239 --> 00:40:58,879
Speaker 4: Three Dads and a baby Tarnetree. It's already a thing,

853
00:40:59,160 --> 00:41:00,000
Speaker 4: all the baby.

854
00:41:00,040 --> 00:41:02,920
Speaker 3: The ideas are taking and bug.

855
00:41:06,600 --> 00:41:09,840
Speaker 1: Good listen. I was very surly at the beginning of

856
00:41:09,840 --> 00:41:10,480
Speaker 1: this podcast.

857
00:41:10,560 --> 00:41:13,200
Speaker 4: I'm sorry before it started. Well, I think that I

858
00:41:13,360 --> 00:41:14,080
Speaker 4: was being.

859
00:41:15,400 --> 00:41:17,480
Speaker 3: I felt guilty because we were supposed to have Matt

860
00:41:17,520 --> 00:41:19,359
Speaker 3: McCarthy on and I forgot to tell him what time

861
00:41:19,400 --> 00:41:22,080
Speaker 3: it was, and he's such a good guest, and I

862
00:41:22,080 --> 00:41:22,840
Speaker 3: felt terrible.

863
00:41:22,960 --> 00:41:24,200
Speaker 1: And it's okay.

864
00:41:24,360 --> 00:41:26,680
Speaker 3: I don't when I don't eat, I don't. The last

865
00:41:26,680 --> 00:41:29,760
Speaker 3: time I ate was twelve thirty. This is a really

866
00:41:29,760 --> 00:41:32,160
Speaker 3: long it's a wide window and I've realized it. All

867
00:41:32,320 --> 00:41:35,760
Speaker 3: my emotional problems start around around seven fifteen.

868
00:41:35,840 --> 00:41:38,880
Speaker 4: Karen, I'm the same way I've been. I get grumpy

869
00:41:38,880 --> 00:41:39,560
Speaker 4: when I don't eat.

870
00:41:39,880 --> 00:41:40,359
Speaker 3: It's not good.

871
00:41:40,400 --> 00:41:41,680
Speaker 4: It's been a thing in my life.

872
00:41:41,760 --> 00:41:42,600
Speaker 3: Yeah, mean mine too.

873
00:41:42,960 --> 00:41:46,000
Speaker 4: And now I got I mean not to talk shop,

874
00:41:46,120 --> 00:41:48,719
Speaker 4: but that's hip. I'm like, I find him short with

875
00:41:48,760 --> 00:41:50,719
Speaker 4: people because my dies your hip And.

876
00:41:51,640 --> 00:41:54,080
Speaker 3: Do you ever take like advilla or anything for that hip?

877
00:41:54,440 --> 00:41:58,680
Speaker 4: Yeah? Yeah, every day. Oh okay, yeah, but it's getting

878
00:41:58,680 --> 00:42:00,400
Speaker 4: to the point where advilt just one cut it.

879
00:42:00,719 --> 00:42:00,919
Speaker 3: Yeah.

880
00:42:00,920 --> 00:42:04,000
Speaker 4: So I don't want to become one of these people

881
00:42:04,000 --> 00:42:07,280
Speaker 4: that gets into rush limba drugs. That's a downward spiry.

882
00:42:09,200 --> 00:42:11,680
Speaker 3: I do want to become one of those people give

883
00:42:11,719 --> 00:42:13,719
Speaker 3: me pills that no one can tell what I'm doing.

884
00:42:14,280 --> 00:42:15,400
Speaker 1: Yeah, no, I'm off.

885
00:42:15,760 --> 00:42:19,120
Speaker 4: I'll get it fixed and then I'll be less grumpy.

886
00:42:19,440 --> 00:42:24,000
Speaker 3: Well yeah, I don't know what my solution is, but

887
00:42:24,440 --> 00:42:26,000
Speaker 3: when you get it fixed, you're going to get to

888
00:42:26,040 --> 00:42:28,480
Speaker 3: be on rush limbo pills. You're justified.

889
00:42:28,719 --> 00:42:31,120
Speaker 4: I had the limbo pill with an oxy cootone. I

890
00:42:31,160 --> 00:42:32,839
Speaker 4: had some of that when I got my tonsils out.

891
00:42:32,880 --> 00:42:35,200
Speaker 4: I did not like how they don't make you They

892
00:42:35,200 --> 00:42:38,080
Speaker 4: don't get rid of pain necessarily because they'll sit there

893
00:42:38,080 --> 00:42:40,000
Speaker 4: and I'm like, I'm still in pain. They make you

894
00:42:40,080 --> 00:42:42,120
Speaker 4: not care, which is a weird.

895
00:42:42,160 --> 00:42:43,960
Speaker 3: I don't like, very strange.

896
00:42:44,040 --> 00:42:47,000
Speaker 4: Yeah, it's kind of like drug drugs like heroin nursome.

897
00:42:47,040 --> 00:42:50,400
Speaker 4: I don't like the narcotic feel of it's not killing

898
00:42:50,400 --> 00:42:53,480
Speaker 4: the pain, it's making you be in a state of

899
00:42:53,520 --> 00:42:55,920
Speaker 4: mime where you don't really care about anything, and that

900
00:42:56,640 --> 00:43:00,080
Speaker 4: I don't like losing control that way. I remember taking

901
00:43:00,080 --> 00:43:01,920
Speaker 4: this stuff. It made me feel a little better, but

902
00:43:01,960 --> 00:43:05,959
Speaker 4: I was restless and almost panicked because I'm like, why

903
00:43:07,000 --> 00:43:09,960
Speaker 4: I don't I'm not in reality, I don't like it. Yeah,

904
00:43:10,000 --> 00:43:12,440
Speaker 4: but that's what booze does. And I think booze is

905
00:43:12,480 --> 00:43:13,120
Speaker 4: pretty sweet.

906
00:43:13,280 --> 00:43:17,360
Speaker 3: But booze slips you in nice and you care. You

907
00:43:17,680 --> 00:43:21,120
Speaker 3: maybe even care too much, but like when you're in booze,

908
00:43:21,160 --> 00:43:24,719
Speaker 3: you're still connected to your self and your feelings. Yeah, yeah,

909
00:43:24,760 --> 00:43:26,759
Speaker 3: because that might makes me think the first time I

910
00:43:26,800 --> 00:43:31,120
Speaker 3: took xanax, and I have you taken xanax, it's the

911
00:43:31,120 --> 00:43:33,719
Speaker 3: same thing, or all of a sudden I didn't care

912
00:43:33,760 --> 00:43:37,960
Speaker 3: about anything at all, and it was the fucking weirdest.

913
00:43:38,360 --> 00:43:42,680
Speaker 3: And I mean, I've lived my life as an absolute lunatic,

914
00:43:42,760 --> 00:43:46,440
Speaker 3: hysteric most of the time, who's just barely hanging on

915
00:43:46,840 --> 00:43:49,200
Speaker 3: to take a Sanix and have all that tape recorder

916
00:43:49,280 --> 00:43:52,000
Speaker 3: in my head shut off and just like stand on

917
00:43:52,040 --> 00:43:55,799
Speaker 3: a porch and stare. I remember part somewhere in my

918
00:43:55,880 --> 00:43:59,200
Speaker 3: brain something went, don't ever do this again.

919
00:43:59,280 --> 00:44:02,160
Speaker 1: Yeah, you will be under a bridge so quickly.

920
00:44:02,480 --> 00:44:04,680
Speaker 4: Yeah, I don't. Yeah, I don't like that. I think

921
00:44:04,760 --> 00:44:06,799
Speaker 4: it scares me. I don't like how it makes me

922
00:44:06,840 --> 00:44:07,200
Speaker 4: feel well.

923
00:44:07,200 --> 00:44:10,840
Speaker 3: And also we're supposed to have motions, like we're supposed

924
00:44:10,880 --> 00:44:14,000
Speaker 3: to have feelings. Yeah it's good. Yeah, it's good for you.

925
00:44:14,160 --> 00:44:17,439
Speaker 3: It's what human beings are like. Yep, I just when

926
00:44:17,480 --> 00:44:19,800
Speaker 3: my blucher gets low, I can't really bitchy.

927
00:44:20,640 --> 00:44:24,480
Speaker 4: That's how I'm the same way, man, I really am okay,

928
00:44:24,840 --> 00:44:27,360
Speaker 4: specifically with the hunger thing. Yes, I like I have

929
00:44:27,360 --> 00:44:29,640
Speaker 4: to eat that like That's how I always put My

930
00:44:29,680 --> 00:44:32,799
Speaker 4: dad said when I was a baby, I just want

931
00:44:32,840 --> 00:44:36,160
Speaker 4: I ate so much, and I would be I'd furiously

932
00:44:36,280 --> 00:44:38,120
Speaker 4: just grab it food and shove it in my mouth,

933
00:44:38,239 --> 00:44:40,799
Speaker 4: and then I was happy. That's always how I've been.

934
00:44:41,320 --> 00:44:42,680
Speaker 1: I think that's always, never.

935
00:44:42,560 --> 00:44:45,480
Speaker 4: Ever eating problem or anything. I think I as a kid,

936
00:44:45,480 --> 00:44:48,120
Speaker 4: I've always eaten like someone's gonna take it away at

937
00:44:48,120 --> 00:44:51,120
Speaker 4: any minute. I have my arm curled around the plate

938
00:44:51,200 --> 00:44:54,760
Speaker 4: and I'm hunched over and I mumble when my brow

939
00:44:54,880 --> 00:44:57,400
Speaker 4: is furrowed. It's very hard to eat the date on

940
00:44:57,480 --> 00:44:59,160
Speaker 4: a date. That's a bad idea to eat with me.

941
00:44:59,360 --> 00:45:01,960
Speaker 4: I just look like to get a angry cave man.

942
00:45:02,200 --> 00:45:05,560
Speaker 3: You don't become self conscious and like straighten up. And

943
00:45:06,080 --> 00:45:08,920
Speaker 3: I was just thinking about the first date that I

944
00:45:08,960 --> 00:45:14,120
Speaker 3: went on after my divorce was such a goddamn mistake.

945
00:45:14,280 --> 00:45:16,399
Speaker 4: Spaghetti I got.

946
00:45:16,440 --> 00:45:20,319
Speaker 3: I ordered two plates of spaghetti. Now, I was so

947
00:45:20,560 --> 00:45:24,759
Speaker 3: nervous and self conscious and I had no I was

948
00:45:24,800 --> 00:45:28,120
Speaker 3: not ready and anyway, but somebody asked me who I

949
00:45:28,120 --> 00:45:30,080
Speaker 3: really liked, and so I was like, I have to

950
00:45:30,080 --> 00:45:31,640
Speaker 3: do this, I have to start doing this again. It

951
00:45:31,680 --> 00:45:34,400
Speaker 3: was I was out of my mind. I was laughing

952
00:45:34,440 --> 00:45:36,919
Speaker 3: about it driving to work this morning. Yeah, because there's

953
00:45:36,920 --> 00:45:40,040
Speaker 3: a shirt. At the time, I'd grown out of it.

954
00:45:40,040 --> 00:45:42,520
Speaker 3: I'd gained so much weight that I'd grown out of it.

955
00:45:42,560 --> 00:45:44,200
Speaker 3: And I remember putting it on to go on this

956
00:45:44,280 --> 00:45:47,239
Speaker 3: date and just being like, this is a mistake, Like,

957
00:45:47,320 --> 00:45:49,200
Speaker 3: don't wear this shirt. Don't go on this date.

958
00:45:49,280 --> 00:45:53,080
Speaker 4: I was so that eating shirt. I haven't eating shirt.

959
00:45:54,000 --> 00:45:56,439
Speaker 3: No, I do too, but no, it was it had

960
00:45:56,480 --> 00:45:58,960
Speaker 3: been my cute shirt and I couldn't. It was. I

961
00:45:59,000 --> 00:46:00,680
Speaker 3: was in denial of the fact that it was no

962
00:46:00,800 --> 00:46:03,840
Speaker 3: longer my cue shirt. And it had horizontal stripes, which

963
00:46:03,920 --> 00:46:09,480
Speaker 3: was bad, Like that's that's for skinny girls. Yeah, so

964
00:46:09,880 --> 00:46:11,800
Speaker 3: I was on the state and it was like anything

965
00:46:11,840 --> 00:46:12,359
Speaker 3: this guy said.

966
00:46:12,360 --> 00:46:13,279
Speaker 1: I was like, I don't like that.

967
00:46:13,719 --> 00:46:18,120
Speaker 3: Every single thing was like my cute Like I thought

968
00:46:18,120 --> 00:46:20,880
Speaker 3: it was kind of interesting and cute was to just

969
00:46:21,040 --> 00:46:24,200
Speaker 3: negate and like kind of make a face and everything.

970
00:46:24,239 --> 00:46:26,160
Speaker 3: And I was just like thinking about that this morning,

971
00:46:26,280 --> 00:46:30,560
Speaker 3: like I wonder if I should send that person a card? Oh,

972
00:46:30,640 --> 00:46:34,239
Speaker 3: like you really tried and that was what must have

973
00:46:34,320 --> 00:46:37,160
Speaker 3: that have been? Like like what a goddamn monster.

974
00:46:37,120 --> 00:46:39,960
Speaker 4: Like being It's like it was like bad improv.

975
00:46:40,480 --> 00:46:43,520
Speaker 3: Yeah, like I'm as the improv partner and I'm just

976
00:46:43,560 --> 00:46:46,040
Speaker 3: have my arms crossing and that's not where we're gonna

977
00:46:46,080 --> 00:46:46,880
Speaker 3: have our occupation.

978
00:46:47,280 --> 00:46:49,680
Speaker 4: Good to see you, officer. I'm not a cop.

979
00:46:50,040 --> 00:46:56,600
Speaker 3: No, oh, get away from my car. We're in a theater. Oh,

980
00:46:57,800 --> 00:47:02,080
Speaker 3: it's so awful. The best I'm not sure why don't

981
00:47:02,160 --> 00:47:03,600
Speaker 3: do that story? Oh, I guess it's just.

982
00:47:03,680 --> 00:47:09,439
Speaker 4: The well who wears vertical stripes? Basketball officials? Yes, that's

983
00:47:09,440 --> 00:47:10,759
Speaker 4: why they always look so good.

984
00:47:11,080 --> 00:47:14,400
Speaker 3: Yeah, they're all slim people at the foot locker own.

985
00:47:15,040 --> 00:47:17,600
Speaker 4: Who else that's it? I mean the same shirt. There

986
00:47:17,640 --> 00:47:19,520
Speaker 4: is no one else that wears vertical stripes.

987
00:47:19,640 --> 00:47:21,640
Speaker 3: Soccer players like fans of soccer.

988
00:47:21,719 --> 00:47:24,200
Speaker 4: I suppose rugby and soccer. Sure that's it.

989
00:47:24,280 --> 00:47:25,359
Speaker 1: Yeah, that's definitely.

990
00:47:25,200 --> 00:47:29,520
Speaker 4: Popcorn man, candy man, that's right, the candy man. They

991
00:47:29,520 --> 00:47:34,120
Speaker 4: can wear verticals. The candy man can wear verd of stripes.

992
00:47:35,960 --> 00:47:38,120
Speaker 4: Who can wear some straight stripes?

993
00:47:39,160 --> 00:47:40,759
Speaker 3: Sprinkle them with goose?

994
00:47:41,640 --> 00:47:47,360
Speaker 4: Is that meat up with them in my van? Is

995
00:47:47,480 --> 00:47:50,000
Speaker 4: room enough for two? The candy man.

996
00:47:50,040 --> 00:47:51,600
Speaker 1: Tan molest you?

997
00:47:51,880 --> 00:47:53,600
Speaker 4: Oh no, why?

998
00:47:53,920 --> 00:47:55,360
Speaker 3: I just like his shirt?

999
00:47:55,920 --> 00:47:57,959
Speaker 4: Why are we leaving to the outskirts of town?

1000
00:47:58,160 --> 00:47:59,200
Speaker 3: Both hands out the window.

1001
00:47:59,560 --> 00:48:04,319
Speaker 4: Sure, I like that.

1002
00:48:05,480 --> 00:48:07,440
Speaker 3: Do you know what you're gonna do for our business

1003
00:48:07,440 --> 00:48:08,040
Speaker 3: class to night?

1004
00:48:08,400 --> 00:48:08,600
Speaker 5: Oh?

1005
00:48:08,680 --> 00:48:12,920
Speaker 4: What? Probably just do my jokes? No, I know some

1006
00:48:13,000 --> 00:48:18,120
Speaker 4: quick one hitters. Oh what do you don't mean?

1007
00:48:20,680 --> 00:48:23,239
Speaker 3: I think I was a serious blood triggersh I do

1008
00:48:23,360 --> 00:48:27,600
Speaker 3: I do that to people? I mean, do you know

1009
00:48:27,640 --> 00:48:29,240
Speaker 3: which jokes and then the order?

1010
00:48:29,640 --> 00:48:29,839
Speaker 5: Oh?

1011
00:48:30,000 --> 00:48:30,880
Speaker 4: No, I never know.

1012
00:48:31,480 --> 00:48:34,359
Speaker 3: I can't do the same jokes I've been doing. I'm

1013
00:48:34,440 --> 00:48:35,640
Speaker 3: so sick of my material.

1014
00:48:36,200 --> 00:48:38,640
Speaker 4: I get sick of it when I haven't done it

1015
00:48:38,680 --> 00:48:42,080
Speaker 4: for a while. But if I'm like times I've worked

1016
00:48:42,080 --> 00:48:45,239
Speaker 4: two weeks in a row saying the same, it's kind

1017
00:48:45,239 --> 00:48:48,160
Speaker 4: of fine. Ways to make it fun, Yeah, I guess

1018
00:48:48,200 --> 00:48:50,799
Speaker 4: that's the key. Yeah, you have to. I remember when

1019
00:48:50,840 --> 00:48:52,600
Speaker 4: I first started doing stand up. I'm like, oh, I'm

1020
00:48:52,640 --> 00:48:55,920
Speaker 4: never gonna repeat myself. I can't believe these comics. I

1021
00:48:55,920 --> 00:48:57,960
Speaker 4: heard that guy say that last week. I didn't get

1022
00:48:58,000 --> 00:49:02,919
Speaker 4: it yet. Yeah, So I just would talk and make

1023
00:49:02,960 --> 00:49:05,440
Speaker 4: stuff up, right. I tried to make a career of it,

1024
00:49:05,520 --> 00:49:07,080
Speaker 4: but I don't think I like it anymore.

1025
00:49:07,239 --> 00:49:11,840
Speaker 3: I go, it's so late now for us.

1026
00:49:11,719 --> 00:49:14,000
Speaker 4: To, I know, to change the way I do things.

1027
00:49:14,200 --> 00:49:16,799
Speaker 1: Yeah, and just a whole career change.

1028
00:49:16,840 --> 00:49:19,960
Speaker 4: It'd be nice to have a nice coach. Like Jokes

1029
00:49:20,000 --> 00:49:22,560
Speaker 4: told verbatim, they work every time they're in an order

1030
00:49:22,600 --> 00:49:26,080
Speaker 4: that tells a story. But I don't do that well.

1031
00:49:26,080 --> 00:49:27,680
Speaker 1: And also because that has nothing to do with you.

1032
00:49:27,880 --> 00:49:28,720
Speaker 1: That's not your style.

1033
00:49:29,280 --> 00:49:29,640
Speaker 4: Style.

1034
00:49:30,239 --> 00:49:32,960
Speaker 3: You grab you grab at food.

1035
00:49:33,560 --> 00:49:36,640
Speaker 4: I watched it, and I don't at times I don't

1036
00:49:36,880 --> 00:49:39,959
Speaker 4: in my meetings with him. I haven't really enjoyed David

1037
00:49:40,000 --> 00:49:42,759
Speaker 4: Krass the person, but I've watched his new special and

1038
00:49:42,800 --> 00:49:45,440
Speaker 4: it was so it was mostly about gun control, and

1039
00:49:45,480 --> 00:49:48,120
Speaker 4: it was really good. It's like, man, he's.

1040
00:49:47,960 --> 00:49:48,439
Speaker 3: A great writer.

1041
00:49:48,560 --> 00:49:49,400
Speaker 4: He's real good.

1042
00:49:49,440 --> 00:49:50,200
Speaker 1: He's a great writer.

1043
00:49:50,400 --> 00:49:52,479
Speaker 4: He's a great He had some silly jokes in there.

1044
00:49:52,840 --> 00:49:56,240
Speaker 3: He that's the thing. He knows exactly the balance because

1045
00:49:56,280 --> 00:49:58,920
Speaker 3: he had this joke. But I mean I saw him

1046
00:49:58,960 --> 00:50:01,960
Speaker 3: probably six years ago more. He did his set at

1047
00:50:02,000 --> 00:50:05,160
Speaker 3: Largo one night and he goes, he was talking about

1048
00:50:05,200 --> 00:50:09,520
Speaker 3: how when the economy collapsed, so was two thousand and

1049
00:50:09,600 --> 00:50:12,839
Speaker 3: seven or eight, Yeah, and he was like, there are

1050
00:50:12,840 --> 00:50:16,240
Speaker 3: millionaires that find out they lost everything and they kill themselves.

1051
00:50:16,480 --> 00:50:18,120
Speaker 1: Yeah, because and he's like, why.

1052
00:50:17,920 --> 00:50:22,040
Speaker 3: Would you do that? Like, like you just can't imagine

1053
00:50:22,080 --> 00:50:25,080
Speaker 3: a life of not being a millionaire or a billionaire man.

1054
00:50:25,160 --> 00:50:26,720
Speaker 1: He was like, billionaires are killing themselves.

1055
00:50:26,719 --> 00:50:29,839
Speaker 6: And he goes, he just hold the pretends to hold

1056
00:50:29,880 --> 00:50:32,760
Speaker 6: up a square and then goes, this isn't very good,

1057
00:50:32,920 --> 00:50:37,319
Speaker 6: butter and I honestly been laughing about that joke for

1058
00:50:37,360 --> 00:50:38,680
Speaker 6: like six years straight.

1059
00:50:38,920 --> 00:50:40,200
Speaker 1: Great joke, it's so good.

1060
00:50:40,320 --> 00:50:42,880
Speaker 4: Yeah, he made me. I laughed hard, and the audience

1061
00:50:42,920 --> 00:50:45,120
Speaker 4: it was nerd. They showed people leaving there was because

1062
00:50:45,120 --> 00:50:47,840
Speaker 4: he was talking to blue Lives, murder and stuff. He

1063
00:50:47,880 --> 00:50:51,160
Speaker 4: said a bunch of oh shit, yeah he was. I mean,

1064
00:50:51,160 --> 00:50:53,640
Speaker 4: he was saying crazy stuff that had scared me so

1065
00:50:53,760 --> 00:50:55,959
Speaker 4: much to think about saying. So I was like, wow,

1066
00:50:56,520 --> 00:50:59,040
Speaker 4: that's I think that. Watching that made me think more

1067
00:50:59,040 --> 00:51:02,360
Speaker 4: about my meaningless jokes.

1068
00:51:03,040 --> 00:51:04,479
Speaker 3: Yeah, but you don't.

1069
00:51:04,719 --> 00:51:08,320
Speaker 4: I do take a stance with circumcision. No one wants

1070
00:51:09,080 --> 00:51:11,200
Speaker 4: I do during my act. I'm like, that's I don't

1071
00:51:11,200 --> 00:51:11,799
Speaker 4: think it's good.

1072
00:51:11,920 --> 00:51:14,200
Speaker 3: I know you really fight it. You must rail it.

1073
00:51:14,280 --> 00:51:16,160
Speaker 4: I'm not even a baby maker.

1074
00:51:16,320 --> 00:51:16,799
Speaker 3: That's right.

1075
00:51:17,360 --> 00:51:18,600
Speaker 1: It's the concept you don't like.

1076
00:51:18,680 --> 00:51:22,520
Speaker 4: Yeah, I don't like it. You don't come my doctor

1077
00:51:22,800 --> 00:51:27,360
Speaker 4: signed my circumcision. There's a perfect ass. Is that typewriter?

1078
00:51:27,640 --> 00:51:30,600
Speaker 4: I don't know there is an ass? There's an ass.

1079
00:51:30,600 --> 00:51:31,640
Speaker 4: I don't know if he signed it.

1080
00:51:31,560 --> 00:51:35,239
Speaker 1: Like Zoro, doctor Steve, that asshole.

1081
00:51:35,120 --> 00:51:38,120
Speaker 4: Tiny little brand ow.

1082
00:51:39,160 --> 00:51:42,600
Speaker 3: That's the doctor's voice, not the baby's voice.

1083
00:51:43,520 --> 00:51:44,319
Speaker 4: You baby dot.

1084
00:51:44,440 --> 00:51:48,719
Speaker 3: You can The one doctor that shouldn't be doing circumcision

1085
00:51:48,840 --> 00:51:49,760
Speaker 3: is a baby doctor.

1086
00:51:49,840 --> 00:51:52,640
Speaker 4: You could barely hold that rattle. Don't give him a scalpel.

1087
00:51:52,920 --> 00:51:54,120
Speaker 4: Here we go, Yeah.

1088
00:51:54,080 --> 00:51:58,400
Speaker 3: Don't bring it over here. Your comedy doesn't compare to

1089
00:51:58,440 --> 00:52:02,320
Speaker 3: anybody else's. You can't compare yourself because you are so

1090
00:52:02,400 --> 00:52:04,560
Speaker 3: different than almost every comedian.

1091
00:52:05,360 --> 00:52:07,320
Speaker 1: Well, well, thanks, it's true.

1092
00:52:07,520 --> 00:52:09,160
Speaker 4: I'm sorry, I guess it is.

1093
00:52:09,520 --> 00:52:10,400
Speaker 1: No, it's the best.

1094
00:52:11,280 --> 00:52:13,600
Speaker 3: Are you kidding me? There's people go to any open mic.

1095
00:52:14,080 --> 00:52:17,040
Speaker 3: Every single schlove that's standing up there is exactly like

1096
00:52:17,080 --> 00:52:20,440
Speaker 3: the one that got on before. You have you have

1097
00:52:21,800 --> 00:52:26,520
Speaker 3: created an act that is you, but it is also

1098
00:52:27,880 --> 00:52:29,759
Speaker 3: presentational comedy performance.

1099
00:52:30,000 --> 00:52:34,040
Speaker 4: But sometimes there thank you. There's also a tone in

1100
00:52:34,080 --> 00:52:37,520
Speaker 4: it is that I'm ill prepared or lacking confidence, which

1101
00:52:38,080 --> 00:52:41,560
Speaker 4: in front of on the road or something, it doesn't work.

1102
00:52:41,640 --> 00:52:43,880
Speaker 4: They see that and they're like, oh, he doesn't even

1103
00:52:44,440 --> 00:52:46,560
Speaker 4: he can't even pronounce some of these words.

1104
00:52:46,719 --> 00:52:47,080
Speaker 3: I know.

1105
00:52:47,239 --> 00:52:48,440
Speaker 1: I hate that so much.

1106
00:52:48,600 --> 00:52:51,560
Speaker 4: It's like, no, it's my things, my YouTube comments on

1107
00:52:51,680 --> 00:52:54,800
Speaker 4: my con inerts, like this guy messed up four times

1108
00:52:54,840 --> 00:52:58,360
Speaker 4: and then he did on purpose. Idiots, you're an idiot,

1109
00:52:58,440 --> 00:53:00,600
Speaker 4: and then it goes racial and then I stop reading.

1110
00:53:01,640 --> 00:53:02,400
Speaker 3: Never read.

1111
00:53:05,520 --> 00:53:08,239
Speaker 4: I was like commenting back on some of them. No,

1112
00:53:08,600 --> 00:53:12,040
Speaker 4: it's like, oh thanks a lot, guys, Oh sorry, dude,

1113
00:53:12,200 --> 00:53:15,200
Speaker 4: Like some of them would apologize and my job well done.

1114
00:53:15,920 --> 00:53:19,200
Speaker 4: That was a good three hours two in the morning spent.

1115
00:53:20,440 --> 00:53:22,920
Speaker 3: That's permanently seared into your brain.

1116
00:53:23,040 --> 00:53:25,800
Speaker 4: Got to have the approval of strangers. It's so strange.

1117
00:53:25,880 --> 00:53:29,320
Speaker 3: But the place to get it is not the YouTube comments. No,

1118
00:53:29,480 --> 00:53:29,839
Speaker 3: it is.

1119
00:53:29,840 --> 00:53:34,760
Speaker 4: Not maybe a family meal with my family. There's people

1120
00:53:34,800 --> 00:53:36,320
Speaker 4: that I should want their approval.

1121
00:53:36,520 --> 00:53:39,160
Speaker 3: Ask your family to bring strangers to the next family meal.

1122
00:53:39,800 --> 00:53:43,440
Speaker 3: That's how you're going to bridge that distance. Also tonight

1123
00:53:43,800 --> 00:53:45,879
Speaker 3: where we're going to have a show and I don't

1124
00:53:45,920 --> 00:53:49,000
Speaker 3: care how many people show up, but I mean it

1125
00:53:49,080 --> 00:53:52,960
Speaker 3: doesn't And if they show up and there's a guy

1126
00:53:52,960 --> 00:53:54,840
Speaker 3: who work with Amos who's great, and he came to

1127
00:53:54,880 --> 00:53:58,600
Speaker 3: our last one and is it famous? Yes, tiny cookies,

1128
00:54:02,400 --> 00:54:05,680
Speaker 3: he's gonna say. And he told me, he's like, we're

1129
00:54:05,680 --> 00:54:09,680
Speaker 3: gonna come again. He brought his girlfriend last time, and uh,

1130
00:54:09,800 --> 00:54:12,239
Speaker 3: I said, please be as loud as you can, because look,

1131
00:54:12,360 --> 00:54:15,600
Speaker 3: the last show, the audience was like pin drop silent,

1132
00:54:15,680 --> 00:54:16,440
Speaker 3: you were gone.

1133
00:54:17,160 --> 00:54:20,840
Speaker 4: They were so quiet, weird. Yeah, I wonder what because

1134
00:54:20,880 --> 00:54:23,000
Speaker 4: they're coming again? Is that why you don't want to

1135
00:54:23,000 --> 00:54:25,640
Speaker 4: do your jokes? If one person I don't think I

1136
00:54:25,640 --> 00:54:27,480
Speaker 4: did a set last time. There's times where you have

1137
00:54:27,480 --> 00:54:31,320
Speaker 4: two shows and someone sticks around one person and I'll

1138
00:54:31,640 --> 00:54:33,320
Speaker 4: try to do a whole new act just because of

1139
00:54:33,400 --> 00:54:35,799
Speaker 4: that one person, and it's not nearly as good because

1140
00:54:35,840 --> 00:54:37,759
Speaker 4: I did my good jokes. I was like, well, I

1141
00:54:37,760 --> 00:54:40,280
Speaker 4: don't want that person to hear anything they've heard before,

1142
00:54:40,360 --> 00:54:42,680
Speaker 4: so let me tabotage the whole concert.

1143
00:54:42,880 --> 00:54:47,160
Speaker 3: It's funny. I think that's left over nineties like mentality

1144
00:54:47,200 --> 00:54:49,839
Speaker 3: because I had the same thing we're repeating. I would

1145
00:54:49,880 --> 00:54:52,040
Speaker 3: write the worst shit in the world, but it was

1146
00:54:52,120 --> 00:54:53,920
Speaker 3: just because I couldn't repeat it.

1147
00:54:53,960 --> 00:54:55,880
Speaker 4: Was like, and it's fun to say new stuff.

1148
00:54:55,880 --> 00:54:58,919
Speaker 3: Im mortal sin it is, and it's fun to make

1149
00:54:59,000 --> 00:55:01,400
Speaker 3: up this and said that you have to say new

1150
00:55:01,440 --> 00:55:03,080
Speaker 3: stuff or you will be the worst.

1151
00:55:03,280 --> 00:55:03,960
Speaker 1: Right, that's a.

1152
00:55:03,880 --> 00:55:06,520
Speaker 3: Good mentality, I think for a comedian. Yeah, because when

1153
00:55:06,560 --> 00:55:08,239
Speaker 3: I am in my I don't care, and I'll do

1154
00:55:08,280 --> 00:55:10,280
Speaker 3: the same thing over and over. It is deadly.

1155
00:55:10,560 --> 00:55:11,200
Speaker 4: I hate it.

1156
00:55:11,640 --> 00:55:14,080
Speaker 3: I can tell other people don't like it. There's no

1157
00:55:14,120 --> 00:55:15,279
Speaker 3: reason for me to be doing it.

1158
00:55:15,320 --> 00:55:17,040
Speaker 4: Because of the way you're doing it. I can tell

1159
00:55:17,000 --> 00:55:18,160
Speaker 4: you she's not having fun.

1160
00:55:18,280 --> 00:55:21,600
Speaker 3: Yeah, not having fun. You're not connected, you're not actually

1161
00:55:21,640 --> 00:55:24,879
Speaker 3: trying to express anything like they can smell that, even

1162
00:55:24,920 --> 00:55:26,360
Speaker 3: if they don't know exactly what I am you.

1163
00:55:26,440 --> 00:55:29,840
Speaker 4: I don't hate you, the audience. I hate my words,

1164
00:55:29,920 --> 00:55:32,960
Speaker 4: and I'm saying them again. Don't get me wrong. This

1165
00:55:33,080 --> 00:55:33,799
Speaker 4: isn't about you.

1166
00:55:33,920 --> 00:55:36,799
Speaker 3: Stop holding up that mirror and maybe I'll stop attacking you,

1167
00:55:37,360 --> 00:55:39,719
Speaker 3: is what I like to say. I actually did a set.

1168
00:55:39,440 --> 00:55:41,160
Speaker 4: Though, Oh the mirrors of you.

1169
00:55:41,840 --> 00:55:42,239
Speaker 3: That's right.

1170
00:55:42,360 --> 00:55:44,040
Speaker 1: I have to look at my own they're just holding

1171
00:55:44,080 --> 00:55:44,319
Speaker 1: it up.

1172
00:55:45,200 --> 00:55:46,880
Speaker 3: Uh. The Walsh.

1173
00:55:48,280 --> 00:55:52,640
Speaker 4: Matt and Chris, Chris, Chris and the Walsh brothers. Yes, Chris.

1174
00:55:52,680 --> 00:55:56,279
Speaker 3: And then it's Chris's show. Yes, Matt Walsh is the

1175
00:55:56,320 --> 00:55:58,960
Speaker 3: actor that's on Yes, Yes, who is amazing and I

1176
00:55:59,000 --> 00:55:59,560
Speaker 3: love Yes.

1177
00:55:59,719 --> 00:56:02,480
Speaker 1: But it was Chris's show.

1178
00:56:02,280 --> 00:56:05,040
Speaker 3: At the Steve Alln Theater and I had all my

1179
00:56:05,120 --> 00:56:07,839
Speaker 3: jokes on a notebook and then I just it was like,

1180
00:56:08,120 --> 00:56:11,480
Speaker 3: there weren't that many people there, and I was just like,

1181
00:56:11,560 --> 00:56:13,560
Speaker 3: what is the point of you even doing comedy If

1182
00:56:13,560 --> 00:56:16,680
Speaker 3: you're just going to read these same jokes off? What

1183
00:56:16,840 --> 00:56:19,040
Speaker 3: is the point? So then I didn't look at my

1184
00:56:19,040 --> 00:56:22,120
Speaker 3: book at all and I was just rambling. And at

1185
00:56:22,120 --> 00:56:24,640
Speaker 3: the end, even though it did feel kind of embarrassing

1186
00:56:24,640 --> 00:56:27,720
Speaker 3: and I didn't kill like I always have to or whatever,

1187
00:56:28,080 --> 00:56:30,080
Speaker 3: but at the end, I was like, I'm glad that's

1188
00:56:30,120 --> 00:56:30,600
Speaker 3: what I did.

1189
00:56:30,719 --> 00:56:32,000
Speaker 1: Instead of doing well with.

1190
00:56:32,040 --> 00:56:35,759
Speaker 3: Things that are like that's just like ringing the same

1191
00:56:35,800 --> 00:56:37,280
Speaker 3: bell over and over or something.

1192
00:56:37,640 --> 00:56:40,040
Speaker 4: I don't know, sometimes it's fun to just take them

1193
00:56:40,080 --> 00:56:42,120
Speaker 4: and have it be topic bag. I'm going to have

1194
00:56:42,200 --> 00:56:44,320
Speaker 4: all I'm going to do all my jokes about food

1195
00:56:44,400 --> 00:56:47,640
Speaker 4: or whatever. Pull a real gap again. David Walsh.

1196
00:56:47,680 --> 00:56:49,000
Speaker 3: That's his brother David.

1197
00:56:49,160 --> 00:56:51,839
Speaker 4: Yeah, he left town. So this waltsh brothers And now

1198
00:56:51,880 --> 00:56:52,520
Speaker 4: there's just Chris.

1199
00:56:52,640 --> 00:56:56,279
Speaker 3: David like went with his family. Yeah, took that he

1200
00:56:56,320 --> 00:56:57,280
Speaker 3: had a baby, didn't.

1201
00:56:57,040 --> 00:56:58,640
Speaker 4: He had a baby, took the baby with him. He

1202
00:56:58,680 --> 00:57:00,839
Speaker 4: didn't leave it with someone like me who was an

1203
00:57:00,880 --> 00:57:02,640
Speaker 4: eligible part time.

1204
00:57:02,520 --> 00:57:05,799
Speaker 3: Dad, just a welder looking for a baby, just.

1205
00:57:05,800 --> 00:57:08,520
Speaker 4: Looking for inspiration. Everything about coming.

1206
00:57:08,360 --> 00:57:13,640
Speaker 3: Up your sitcom is suspicious and seems legally dangerous.

1207
00:57:13,880 --> 00:57:15,919
Speaker 4: You're being a TV executive right now.

1208
00:57:17,520 --> 00:57:20,120
Speaker 3: No, I would say, right now, I'm being a concerned

1209
00:57:20,280 --> 00:57:23,400
Speaker 3: Midwestern mother. Okay, this feels dangerous.

1210
00:57:23,440 --> 00:57:26,800
Speaker 4: I'd say, well, it's just it's riding that line. You know.

1211
00:57:27,320 --> 00:57:32,120
Speaker 4: Is kidnapping always bad? Right, here's an example of it

1212
00:57:32,160 --> 00:57:35,320
Speaker 4: being a good thing for a kid. And get closer.

1213
00:57:35,760 --> 00:57:38,440
Speaker 3: Is child abuse always upsetting?

1214
00:57:38,600 --> 00:57:42,200
Speaker 4: Or could we use left on my porch by gypsies?

1215
00:57:42,920 --> 00:57:45,480
Speaker 3: There we go be happy, but then we leave the

1216
00:57:45,480 --> 00:57:48,520
Speaker 3: gypsies in right because they're hot right now? Have you

1217
00:57:48,560 --> 00:57:49,920
Speaker 3: seen my big fat gypsy.

1218
00:57:49,600 --> 00:57:52,480
Speaker 4: Wedding diante word, Yeah, gypsies, they're the whole new thing.

1219
00:57:52,840 --> 00:57:53,880
Speaker 1: Are they gypsies?

1220
00:57:53,920 --> 00:57:56,240
Speaker 4: Is there a big fat gypsy wedding? Yeah, there is

1221
00:57:56,280 --> 00:57:58,680
Speaker 4: a show where I saw where they were, Like it

1222
00:57:58,720 --> 00:58:01,680
Speaker 4: was surprising. I didn't know. And gypsy is a derogatory

1223
00:58:01,680 --> 00:58:03,920
Speaker 4: where you're not supposed to say that, right, It's like

1224
00:58:03,960 --> 00:58:05,080
Speaker 4: calling someone an eskimo?

1225
00:58:06,240 --> 00:58:06,880
Speaker 3: Is that bad?

1226
00:58:07,240 --> 00:58:11,720
Speaker 4: The traveling group? It's a gypsy? I think gypsy. I

1227
00:58:11,720 --> 00:58:14,240
Speaker 4: think it's like a bad word. No, it is.

1228
00:58:14,280 --> 00:58:17,080
Speaker 3: They'd like to know in the name of this TV show.

1229
00:58:17,480 --> 00:58:21,760
Speaker 4: Well, they probably got got named by an executive, some racest.

1230
00:58:21,840 --> 00:58:24,600
Speaker 4: But it's so funny that it's they get married early.

1231
00:58:24,640 --> 00:58:27,760
Speaker 4: They're always tanning and stuff. Yes, in that big.

1232
00:58:27,560 --> 00:58:30,520
Speaker 3: Big earrings, big necklaces. They all look.

1233
00:58:30,560 --> 00:58:34,640
Speaker 4: All stolen, they don't. They steal everything?

1234
00:58:36,680 --> 00:58:42,680
Speaker 3: Yeah, Well, like these ones live in like Alabama or whatever.

1235
00:58:42,800 --> 00:58:44,880
Speaker 3: They have a house and kids and big s u.

1236
00:58:45,160 --> 00:58:47,920
Speaker 4: Money, bad money. Didn't they have the collection of money?

1237
00:58:47,960 --> 00:58:52,520
Speaker 7: They have gorgeous barbecues they always having stolen. They've stolen

1238
00:58:52,600 --> 00:58:57,160
Speaker 7: the money and the barbecuer. We're going to get strangled

1239
00:58:57,520 --> 00:58:58,280
Speaker 7: by gypsies.

1240
00:58:58,400 --> 00:59:01,680
Speaker 4: Gypsies are coming, and the jingling and jangling of their

1241
00:59:01,680 --> 00:59:05,680
Speaker 4: tooth necklace. I can hear you come and gypsy.

1242
00:59:05,160 --> 00:59:08,440
Speaker 3: You're thinking of you're thinking of a witch doctor.

1243
00:59:08,600 --> 00:59:12,240
Speaker 4: Oh I saw the witch doctor and this is what

1244
00:59:12,320 --> 00:59:12,680
Speaker 4: he said.

1245
00:59:12,800 --> 00:59:15,360
Speaker 3: What did he say? Yes?

1246
00:59:16,280 --> 00:59:21,200
Speaker 4: Oh, well a lot of ingang Uh yeah, I guess

1247
00:59:21,280 --> 00:59:26,920
Speaker 4: I'm confusing gypsy a voodoo. I'm thinking of voodoo. No,

1248
00:59:27,200 --> 00:59:30,880
Speaker 4: this whole time, I've been thinking about these voodoo voodoo tribes. Well,

1249
00:59:30,920 --> 00:59:33,480
Speaker 4: they have the teeth necklace, and that is true. They

1250
00:59:33,520 --> 00:59:36,040
Speaker 4: don't have the ear rings though, and they ain't getting.

1251
00:59:35,760 --> 00:59:37,160
Speaker 3: Married why not?

1252
00:59:37,640 --> 00:59:47,200
Speaker 4: Yeah, that's they're always playing with dolls, voodoo dolls. You

1253
00:59:47,240 --> 00:59:47,840
Speaker 4: know what I'm saying.

1254
00:59:47,880 --> 00:59:49,800
Speaker 3: I'm just trying to leave you in some silence for

1255
00:59:49,840 --> 00:59:50,200
Speaker 3: a while.

1256
00:59:52,320 --> 00:59:56,439
Speaker 4: Yeah. Yeah, wow, looks like we're coming up on the hour?

1257
00:59:56,680 --> 00:59:57,320
Speaker 1: Are we really?

1258
00:59:57,520 --> 00:59:58,240
Speaker 3: Yeah?

1259
00:59:58,240 --> 01:00:01,920
Speaker 4: I'm fast, We're life fucking we are talking machines.

1260
01:00:01,720 --> 01:00:05,400
Speaker 3: Yeah, we really are. Yeah, And we sure do enjoy ourselves.

1261
01:00:05,480 --> 01:00:07,400
Speaker 4: And if there are lulls, hey, you know what. You

1262
01:00:07,480 --> 01:00:09,600
Speaker 4: know what I've found out from half a dozen people

1263
01:00:09,640 --> 01:00:10,959
Speaker 4: on Twitter, they enjoy us too.

1264
01:00:11,560 --> 01:00:13,920
Speaker 1: They enjoy the lulls, the joys.

1265
01:00:14,200 --> 01:00:15,040
Speaker 3: That's that's the key.

1266
01:00:15,080 --> 01:00:17,960
Speaker 4: A lot of people love all lulls, but pregnant pauses

1267
01:00:18,000 --> 01:00:20,720
Speaker 4: it's the key to it. Like tig Todd Berry, this

1268
01:00:20,800 --> 01:00:26,440
Speaker 4: podcast where we promise pauses, yeah, you and they're funny.

1269
01:00:27,400 --> 01:00:29,120
Speaker 4: I used to talk a mile a minute. I thought

1270
01:00:29,160 --> 01:00:32,400
Speaker 4: you had to fill every moment with words. I bet

1271
01:00:32,600 --> 01:00:35,080
Speaker 4: and I watched Tig and I'm like, wow, she uses

1272
01:00:36,280 --> 01:00:41,640
Speaker 4: silence and gets uh during jokes and it gets it

1273
01:00:41,680 --> 01:00:44,400
Speaker 4: was It was important for me to discover.

1274
01:00:44,240 --> 01:00:45,720
Speaker 1: Well, yeah, it's a sign of confidence.

1275
01:00:45,920 --> 01:00:49,240
Speaker 4: It's timing. It's timing means you can be slow too.

1276
01:00:49,760 --> 01:00:51,959
Speaker 4: I think I always thought timing was like you gotta

1277
01:00:51,960 --> 01:00:53,080
Speaker 4: fill all the time.

1278
01:00:52,840 --> 01:00:56,160
Speaker 3: With words and really ding the last word elbow out.

1279
01:00:56,520 --> 01:00:58,640
Speaker 4: That's why I do. I go and then I wink

1280
01:00:58,720 --> 01:01:01,200
Speaker 4: and I do to kind of get a little of

1281
01:01:01,240 --> 01:01:04,200
Speaker 4: this guy thumbed to the side always yeah, there's no

1282
01:01:04,200 --> 01:01:04,600
Speaker 4: one there.

1283
01:01:04,720 --> 01:01:07,680
Speaker 3: It's just the invisible guy on stage with you, my

1284
01:01:07,840 --> 01:01:11,160
Speaker 3: idea guy, this guy over here. Am I right?

1285
01:01:12,200 --> 01:01:14,680
Speaker 4: Oh that's fun though.

1286
01:01:15,440 --> 01:01:24,640
Speaker 3: What's our parting thought? Be well, you miss the car.

1287
01:01:25,040 --> 01:01:30,040
Speaker 4: Sometimes I missed the idea of what we had in

1288
01:01:30,080 --> 01:01:33,680
Speaker 4: the beginning. I went to the airport and I was

1289
01:01:33,880 --> 01:01:37,160
Speaker 4: just talking to the uber driver and he said, it's

1290
01:01:37,200 --> 01:01:40,280
Speaker 4: so interesting here to watch all these people coming and going.

1291
01:01:40,880 --> 01:01:42,920
Speaker 4: You don't know where they're going, what their story is,

1292
01:01:42,960 --> 01:01:45,120
Speaker 4: and I'm like, I had a podcast where I told

1293
01:01:45,200 --> 01:01:47,200
Speaker 4: him about He's like, I thought about doing that?

1294
01:01:47,800 --> 01:01:48,480
Speaker 3: Oh did he?

1295
01:01:49,240 --> 01:01:51,520
Speaker 4: Yeah? He was like he probably is. Now I'm like,

1296
01:01:51,640 --> 01:01:53,640
Speaker 4: do it. Go ahead and do it also. But it

1297
01:01:53,680 --> 01:01:55,680
Speaker 4: was horrible to be at the airport. It always was.

1298
01:01:55,720 --> 01:01:59,000
Speaker 4: It brought me, you know, I wasn't comedically filled with grief.

1299
01:01:59,160 --> 01:02:01,840
Speaker 4: It was hard to work straight. Neither of us look

1300
01:02:01,920 --> 01:02:02,680
Speaker 4: forward to it.

1301
01:02:02,680 --> 01:02:03,160
Speaker 3: It sucks.

1302
01:02:03,200 --> 01:02:04,520
Speaker 4: Someone was going to die.

1303
01:02:05,120 --> 01:02:08,600
Speaker 3: It sucked, but it was The concept was it was

1304
01:02:08,640 --> 01:02:09,919
Speaker 3: a fun thing to act out.

1305
01:02:10,120 --> 01:02:10,440
Speaker 4: Yeah.

1306
01:02:11,000 --> 01:02:11,320
Speaker 3: Uh.

1307
01:02:11,360 --> 01:02:15,720
Speaker 1: And it kept topics rolling by us, so like.

1308
01:02:15,920 --> 01:02:18,160
Speaker 4: Literal or we were rolling by the welling.

1309
01:02:19,480 --> 01:02:19,600
Speaker 3: Uh.

1310
01:02:19,960 --> 01:02:20,600
Speaker 4: But I don't know.

1311
01:02:20,640 --> 01:02:23,760
Speaker 3: There's something about a studio like us doing it in

1312
01:02:23,800 --> 01:02:28,560
Speaker 3: the studio that I enjoy equally in a different way.

1313
01:02:28,920 --> 01:02:33,080
Speaker 4: And I think that the subject matter is better and

1314
01:02:33,120 --> 01:02:36,640
Speaker 4: we feel professionally feel like, you know, I'm following it.

1315
01:02:36,720 --> 01:02:39,280
Speaker 4: My dad was a DJ. You know that's right, radio guy?

1316
01:02:39,520 --> 01:02:41,320
Speaker 1: Yeah, yeah, you inherited this.

1317
01:02:41,320 --> 01:02:45,080
Speaker 4: This feels professional. Yeah, this is what's all unprofessional? Being

1318
01:02:45,120 --> 01:02:49,080
Speaker 4: in an eight han accord almost killing people not professional?

1319
01:02:49,240 --> 01:02:50,240
Speaker 4: To kill your guests?

1320
01:02:50,320 --> 01:02:52,120
Speaker 1: Wait, is yours is an No eight too?

1321
01:02:52,400 --> 01:03:00,040
Speaker 4: I haven't no, Wait, I mean I'm just on the

1322
01:03:00,080 --> 01:03:04,600
Speaker 4: heels of saying we're professionals. Karen Burp's into the mic.

1323
01:03:05,360 --> 01:03:07,040
Speaker 3: I just thought it would be a nice bookend.

1324
01:03:07,600 --> 01:03:14,520
Speaker 4: I mean, what is this, Howard Stern? Yeah, you just

1325
01:03:14,600 --> 01:03:18,160
Speaker 4: decide that from then on, this is what we're gonna down,

1326
01:03:18,400 --> 01:03:21,160
Speaker 4: Howard Stern. Now, thank you for listening to Howard Stern's

1327
01:03:21,240 --> 01:03:21,959
Speaker 4: comedy Hour.

1328
01:03:23,600 --> 01:03:25,240
Speaker 3: I can't do it again. I don't want to force it.

1329
01:03:25,400 --> 01:03:29,360
Speaker 4: Oh okay, yeah, really that was your opportunity. Fine, we're

1330
01:03:29,440 --> 01:03:30,320
Speaker 4: still do you need one?

1331
01:03:30,440 --> 01:03:32,320
Speaker 3: Yeah, we can't be Howard Sterne. If I can't burp

1332
01:03:32,400 --> 01:03:34,000
Speaker 3: twice in a row, that's.

1333
01:03:33,880 --> 01:03:36,920
Speaker 4: That's the key of good broadcast. That I have nothing

1334
01:03:36,960 --> 01:03:37,400
Speaker 4: to plug.

1335
01:03:38,000 --> 01:03:40,560
Speaker 3: Uh, I don't think I have anything to plug either.

1336
01:03:41,000 --> 01:03:43,880
Speaker 4: I have shows. By the time this arison'll be done.

1337
01:03:44,080 --> 01:03:45,400
Speaker 3: What are we gonna put this up next week?

1338
01:03:46,000 --> 01:03:46,240
Speaker 4: Sure?

1339
01:03:46,320 --> 01:03:47,000
Speaker 3: While you're gone?

1340
01:03:47,160 --> 01:03:47,480
Speaker 4: Sure?

1341
01:03:48,200 --> 01:03:48,840
Speaker 3: Yeah, that's good.

1342
01:03:49,200 --> 01:03:49,720
Speaker 4: I like that.

1343
01:03:51,520 --> 01:03:56,120
Speaker 3: I guess what would I plug? I guess I'm gonna

1344
01:03:56,120 --> 01:03:58,520
Speaker 3: plug positivity.

1345
01:03:59,320 --> 01:03:59,880
Speaker 4: I like it.

1346
01:04:00,080 --> 01:04:02,560
Speaker 3: Okay, I like it. I'm gonna try it, I guess,

1347
01:04:02,600 --> 01:04:03,080
Speaker 3: And I'm.

1348
01:04:02,960 --> 01:04:09,560
Speaker 4: Gonna plug productivity. WHOA positivity and productivity? In twenty seventeen.

1349
01:04:09,320 --> 01:04:13,000
Speaker 3: They meet together in two hands, shaking each other in

1350
01:04:13,040 --> 01:04:14,240
Speaker 3: a rainbow of success.

1351
01:04:14,400 --> 01:04:16,200
Speaker 4: I'd like, we already have a logo.

1352
01:04:16,320 --> 01:04:19,080
Speaker 3: Ding ding ding. If you're an artist and you not

1353
01:04:19,160 --> 01:04:21,600
Speaker 3: you Chris, but because you're busy. But if you're an

1354
01:04:21,680 --> 01:04:23,920
Speaker 3: artist and you hear those words and you see a vision,

1355
01:04:24,320 --> 01:04:24,920
Speaker 3: let's see it.

1356
01:04:25,120 --> 01:04:28,040
Speaker 4: Yeah, positivity and productivity twenty seventeen.

1357
01:04:28,200 --> 01:04:28,480
Speaker 3: Dang.

1358
01:04:28,680 --> 01:04:30,440
Speaker 4: Do you'd like how I'm writing off the rest of this?

1359
01:04:30,520 --> 01:04:31,040
Speaker 4: Goddamn you?

1360
01:04:32,280 --> 01:04:33,040
Speaker 3: It's August.

1361
01:04:33,040 --> 01:04:39,680
Speaker 4: Bring it on, Bring it on. Twenty seventeen. Twenty sixteen, suck. No,

1362
01:04:39,800 --> 01:04:40,960
Speaker 4: it was good good year for me.

1363
01:04:41,040 --> 01:04:43,000
Speaker 3: It was pretty good. I mean, you know what I

1364
01:04:43,040 --> 01:04:46,880
Speaker 3: realized in twenty sixteen. Things can be terribly bad, but

1365
01:04:46,920 --> 01:04:48,800
Speaker 3: they're still never as bad as I think they are.

1366
01:04:49,000 --> 01:04:53,040
Speaker 4: Yeah, what it's No, it's always worse around the corner.

1367
01:04:53,280 --> 01:04:53,920
Speaker 4: What you're saying?

1368
01:04:54,080 --> 01:04:59,880
Speaker 1: No that I A, I have a I'm a catastrophic thing.

1369
01:05:00,440 --> 01:05:01,040
Speaker 4: Yeah, me too.

1370
01:05:01,280 --> 01:05:03,920
Speaker 3: So one thing goes bad and it's just like, well,

1371
01:05:03,920 --> 01:05:06,120
Speaker 3: I'm going to get arrested. That's what I think about everything.

1372
01:05:06,160 --> 01:05:11,160
Speaker 4: Oh, you're just hungry, you've been listening. Do you need

1373
01:05:11,200 --> 01:05:13,760
Speaker 4: a ride? D y n A?

1374
01:05:14,080 --> 01:05:23,200
Speaker 3: Are are you leaving?

1375
01:05:23,400 --> 01:05:27,640
Speaker 2: I you wanna way back home? Either way, we want

1376
01:05:27,680 --> 01:05:33,200
Speaker 2: to be there. Doesn't matter how much baggage you claim

1377
01:05:33,280 --> 01:05:37,280
Speaker 2: and give us time and a turning on and gage.

1378
01:05:38,640 --> 01:05:41,160
Speaker 3: We want to send you off in soil.

1379
01:05:42,600 --> 01:05:44,920
Speaker 4: We want to welcome you back home.

1380
01:05:46,720 --> 01:05:48,120
Speaker 2: Tell us all about it.

1381
01:05:48,280 --> 01:05:49,080
Speaker 3: We scared her?

1382
01:05:49,280 --> 01:05:50,440
Speaker 4: Was it fine.

1383
01:05:52,000 --> 01:05:52,160
Speaker 5: Now?

1384
01:05:52,320 --> 01:06:11,920
Speaker 3: Porn? Do you need to ride? Do you need to ride?

1385
01:06:12,560 --> 01:06:15,800
Speaker 3: Do you need to ride? Do you need to ride?

1386
01:06:16,480 --> 01:06:20,320
Speaker 3: Do you need to ride? Do you need to ride?

1387
01:06:20,440 --> 01:06:28,040
Speaker 3: Do you need to ride? Do you need.

1388
01:06:29,600 --> 01:06:30,600
Speaker 5: With Karen and chriss

1389
01:06:32,440 --> 01:06:32,680
Speaker 4: Mh