Speaker 1: Watch up and welcome back to another episode of No
Speaker 1: Sealers Podcast with your hosts now fuck that with your
Speaker 1: low glasses alone.
Speaker 2: Because at for a minute, like I wasn't I wasn't
Speaker 2: hitting the barber, right. I was just like, man, I
Speaker 2: just like telling my ship down a little bit on
Speaker 2: my own because I ain't never shaved like I'm at
Speaker 2: my age, I ain't never shaved, nigga. I always went
Speaker 2: to the barber. I said, you know what, I'm gonna
Speaker 2: save a couple of dollars, my nigga, just shave my
Speaker 2: ship down. I ain't gonna do too much lining though,
Speaker 2: because you try to line yourself up, you're you were,
Speaker 2: but I went too low. I went too low, and
Speaker 2: I was like, I don't I don't know if I
Speaker 2: like this ass face. You know when you're.
Speaker 3: Too low, like too short, too short, or too or
Speaker 3: you lined it too low, you just.
Speaker 4: Want to short.
Speaker 2: It's too short, just to everything. I was like, as
Speaker 2: soon as my little brother seen me, he said, nigga,
Speaker 2: what you do to your face?
Speaker 4: Yeremiah can't hide it because as soon as.
Speaker 2: But that's how I was like, this ship dude, look
Speaker 2: crazy man.
Speaker 1: Man all right, So y'all your audio is on y'all interfaces, Yes, sir,
Speaker 1: okay signing.
Speaker 4: So this was this was what was on my mind.
Speaker 4: Bro Is. We was talking about it earlier where.
Speaker 1: I'm not sure if these niggas know that they are
Speaker 1: not professional rappers creating content their professional create their professional
Speaker 1: content creators rapping.
Speaker 3: Yeah, what's.
Speaker 5: That's like Yachty kind of like, No, I think YACHTI
Speaker 5: is a professional rapper. Okay, I thought he got I
Speaker 5: thought he got started some other way.
Speaker 3: Was like it was, oh.
Speaker 1: Yeah, for sure, for sure, that whole generation of uh. So,
Speaker 1: there were these artists that Instagram broke, right, It was
Speaker 1: Extant Tasi on twenty one, Savage, Little Yachty, Little Uzi,
Speaker 1: and someone else, oh Kodak Black, and they were really
Speaker 1: popular on Instagram.
Speaker 4: They got broke on Instagram because of how they look like.
Speaker 1: I knew what Lil Yachti had red hair, Like, I
Speaker 1: knew that before I heard one of his songs, So
Speaker 1: at that time I could tell you who he was,
Speaker 1: and I hadn't heard none of his songs.
Speaker 4: Okay, Uzi vert had purple hair.
Speaker 1: Exten's Tasion had those kind of blond and black shit locks. Yeah, right,
Speaker 1: twenty one Savage had that sword in his face come
Speaker 1: to find out each munity, So that makes perfect sense.
Speaker 1: He had that sword in his face to night. Now
Speaker 1: it's a sword, and you never looked at how long
Speaker 1: that my motherfucker looked like a sword.
Speaker 4: Either way, it's a dagger.
Speaker 3: Or something because it will says an old school London.
Speaker 1: Dagger and Kodak Black had them pigtails. So I knew
Speaker 1: who that whole generation, that whole class of rappers were
Speaker 1: because Instagram broke them. So many people were making jokes
Speaker 1: about how they look. And you know Instagram is such
Speaker 1: a visual platform. That's how I discovered them. Now there
Speaker 1: are rappers who I discovered through content creat them like
Speaker 1: content creating, like Ao and Tao.
Speaker 4: They had the Roly song. The dude that be on uh.
Speaker 1: Metro producing some stuff, my homeboy Metro producing stuff on him.
Speaker 1: He's also on Nick Cannon Show. He was a content creator.
Speaker 3: This isn't that girl not? Who's the other girl with
Speaker 3: Sexy Red? Wasn't she a porn star?
Speaker 4: She?
Speaker 3: She don't even she seemed like a contact sexy No,
Speaker 3: the other one.
Speaker 1: All you're talking about lit Suki, Yeah, yeah.
Speaker 4: Porn star I don't believe it.
Speaker 2: She she she be doing like OnlyFans.
Speaker 4: Yeah, but I think I think that happened after she
Speaker 4: became a rapper. She did that to multiple music. I mean,
Speaker 4: I'm not sure, you know, I'm sure whoever this.
Speaker 2: Is porn shoot porn videos.
Speaker 4: Sure, yeah, at.
Speaker 1: This point, she you know, be sleeping with some dudes.
Speaker 1: But I think that's how she's marketing her brand. She's
Speaker 1: trying to prove that she's a like. Her brand is
Speaker 1: being a sleut so she creates.
Speaker 3: She seems more fake and less rap talented than does
Speaker 3: her counterpart.
Speaker 4: Yeah, totally agree.
Speaker 1: I'm I totally believe Sexy read, but I do not
Speaker 1: believe Suki Hannah. And Suki Hannah has videos fucking on tape, right,
Speaker 1: and I still don't believe it. I think all of
Speaker 1: them are her boyfriends, probably are, or whatever guy she's made.
Speaker 1: I haven't saw nothing, but I saw it, and it
Speaker 1: just it didn't really look that attractive to me.
Speaker 4: It was just like this.
Speaker 1: Rapper fucking you know, But I don't buy it. But
Speaker 1: I was telling Joey earlier, I think we're in this
Speaker 1: weird space of no one understanding exactly what business they're
Speaker 1: in and that's because I think everybody's in the business or.
Speaker 4: Their goal is to get famous.
Speaker 1: It's not really to do business, it's to get famous
Speaker 1: and to monetize who they are.
Speaker 2: Yeah, yeah, that makes that makes a lot of sense.
Speaker 2: I can agree with that. That's what it looked like. Yeah,
Speaker 2: because you can't just all time rapper and a full
Speaker 2: time content creator. And when I say content creator, I
Speaker 2: mean like creating all type of different types of content.
Speaker 2: You feel me it don't necessarily pertain to your actual
Speaker 2: rapping and your music. It's like, oh, I'm doing this,
Speaker 2: I'm shooting flogs about this, I'm doing that, you know
Speaker 2: what I mean. Like, it don't be about raping the music.
Speaker 2: It's about look at me, give me the views and
Speaker 2: watch my content. That's what it seems like a lot
Speaker 2: of people that do. And they'd be like, y'all wrap too.
Speaker 3: Sure. It seems a little reverse engineered from maybe twenty
Speaker 3: years ago where you would see rappers jump off because
Speaker 3: they like were into rapping and they were good at it,
Speaker 3: and they got famous for it, and then it was
Speaker 3: like just safety paying anything to their name and like
Speaker 3: all of a sudden, they're selling tequila and they're selling shirts,
Speaker 3: and they're selling cologne, and they're selling christs or whatever else.
Speaker 4: Well, I mean, I get it, you know what I mean.
Speaker 4: But yeah, I think because.
Speaker 1: What's going on currently, everything isn't flushed out the same way.
Speaker 1: So like most rappers don't know how to rap, you know,
Speaker 1: they don't know how to monetize their raps. Their Kardashian rappers,
Speaker 1: they don't know how to monetize their raps. So guess
Speaker 1: what now, they're just doing anything to get popular with
Speaker 1: the goal of streaming their music. Like you know, some
Speaker 1: people are in the business of streaming. And I was
Speaker 1: telling Joey earlier, like, as professional recording artists, right, we're
Speaker 1: hip hop artists, but we're professional recording artists, then we
Speaker 1: have to be in the business of selling records. That's
Speaker 1: the only way the record business can work.
Speaker 4: This is no sellings. Gl I'm my boy Peter flushing
Speaker 4: out some fucking thoughts.
Speaker 1: I brought down the Joey Wests off from La Giants
Speaker 1: once again because I flush out a lot of thoughts
Speaker 1: with you know, in conversation with him. But I think
Speaker 1: that's what's wrong. What's wrong is everyone is confused about
Speaker 1: what business they're in. Like I was explaining to someone else,
Speaker 1: Tech nine is in show business, like people think he's,
Speaker 1: you know, in the record business. I'm like, no, Tech
Speaker 1: nine's business center is concerts. Everything else happens around the concerts,
Speaker 1: makes everything else happens around the concerts, And so what
Speaker 1: you have is a bunch of people confused. Like one
Speaker 1: of my homeboys hit me today, shout out to my
Speaker 1: homeboy from Reno, Guilty, and he was like, man, glasses,
Speaker 1: you should start a reaction channel where you start reacting
Speaker 1: to people's music video. And you know, I'm listening because
Speaker 1: Guilty as a smart dude. But I'm like thinking to myself, like,
Speaker 1: why the fuck would I do that. I'm not in
Speaker 1: the business of just creating content.
Speaker 3: Did he come to the studio one time we met him?
Speaker 3: I feel like I met a guy from Reno once before.
Speaker 1: Yep, and he was a trollo, right, Yeah, that's my
Speaker 1: homie Guilty. So but I was thinking to myself, but
Speaker 1: I understand why he thinks that, because rappers have kind of,
Speaker 1: well what people think of rappers today, they've kind of
Speaker 1: blurred the line. I mean, they blurred the line of
Speaker 1: what a rapper is a professional rapper is and a
Speaker 1: content creator because they like, well, rappers have to create content.
Speaker 1: But if you don't know the goal of why you're
Speaker 1: creating content, you know what I mean, and you're just
Speaker 1: creating content for the sake of creating content, most likely
Speaker 1: your content creator.
Speaker 4: Yeah, yeah, if you're.
Speaker 1: Creating content, if you're in the record business and you're
Speaker 1: not driving people to buy a record, and I think
Speaker 1: that's what's wrong with today's timing, right, Like people don't
Speaker 1: want to sell records, they want to stream records, so
Speaker 1: therefore they don't have a true business idea. They don't
Speaker 1: know what they want to do. They just doing some
Speaker 1: shit and they don't know what the fuck they're doing.
Speaker 1: It's like I had shot these four really dope interviews
Speaker 1: on I had shot these really dope interviews for my
Speaker 1: YouTube channel. My YouTube channels struggling like crazy, like like
Speaker 1: I have I don't have any fake followers. I got
Speaker 1: fifty plus thousand subscribers on YouTube, but I'm looking at
Speaker 1: how my content is not going to the fifty thousand people.
Speaker 1: So one is either is for sure shadow man because
Speaker 1: it's not passing it through the algorithm, right, probably because
Speaker 1: I got a lot of strikes from really you know,
Speaker 1: trivial you know, visuals or people kind of struggling because
Speaker 1: they just was mad at the point of view and
Speaker 1: too they want me to advertise just to reach the
Speaker 1: people that subscribe to me, And I'm like, so I
Speaker 1: shot these for interviews because I'm like, okay, if I
Speaker 1: chop up these interviews right it My goal was to
Speaker 1: to to do a sit down with every last person
Speaker 1: that was you know, a future on Cancel These Nuts
Speaker 1: the album.
Speaker 4: Right.
Speaker 1: My goal was like, I'm going to do a feature
Speaker 1: with everybody on Cancel These Nuts, and I'm gonna do
Speaker 1: a video and I'm gonna break it up so I
Speaker 1: could keep offering you know, content daily to deliver the
Speaker 1: people to my fans. But I'm like, so I shot
Speaker 1: the I shot the content. Shout out to the me
Speaker 1: who shot it. The homie West really dope, and these
Speaker 1: dope interviews came from it, right, These really dope sit
Speaker 1: awns came from it, right, And I'm like, man, this
Speaker 1: shit is dope. I'm like, bro, like, how am I
Speaker 1: going to get somebody to buy a record by looking
Speaker 1: at someone sit down and have a conversation with d
Speaker 1: smoke or even my big brother Cam.
Speaker 4: It doesn't make sense. Why would they go buy my
Speaker 4: record if.
Speaker 1: They see and, you know, sit down with Cam with
Speaker 1: some interviewer that they don't know.
Speaker 4: Who it is. It stopped making sense.
Speaker 1: So I was already three thousand dollars in on the interviews,
Speaker 1: and I just had to kind of like scrap them
Speaker 1: off of my page.
Speaker 4: And then I started.
Speaker 1: I created a program for a digital soapbox where guess
Speaker 1: the chronicles is because I programmed for that YouTube channel
Speaker 1: and I just created a new show over there and
Speaker 1: had them retagged because it fit over there better. But
Speaker 1: that fast, I almost lost my way and became a
Speaker 1: content creator versus a professional recording artist that sells records.
Speaker 1: And you're looking at the comics. The comics are the
Speaker 1: same way, right, Like, if you're a comic, right.
Speaker 4: You you should.
Speaker 1: Be making funny comedies, right, you should be making short
Speaker 1: stat's comics.
Speaker 4: But if you're a rapper, I don't know if.
Speaker 1: Making comics short funny comedies really that don't have anything
Speaker 1: to do with music is what you want. I don't
Speaker 1: know how that really draws people to your show. And
Speaker 1: I think there's a confusion again, I say of people
Speaker 1: trying to be popular at any cost, not for their trade,
Speaker 1: not for their craft, not being skilled at what they do,
Speaker 1: you know what I mean, not even in their business,
Speaker 1: just to be popular for the.
Speaker 4: Sake of feeling like it all transition over.
Speaker 2: So talking transition over me, over to to money or
Speaker 2: to come to over to business. Now y'all gonna listen
Speaker 2: to me rap now that I'm popular here. But it
Speaker 2: don't work that.
Speaker 1: Way, no, And it takes as much work to be
Speaker 1: popular as just a content creator. Like I think people
Speaker 1: think it's easy, and I'm like, bro, that shit's hard
Speaker 1: because you know, I mean, whatever you sell them, you
Speaker 1: gotta do it all the time. And at that same stance, shit,
Speaker 1: if you did hip hop as much as it be different.
Speaker 1: I'm watching people through two skits today but not dropping
Speaker 1: two songs a day. Sure, yeah, how do you feel
Speaker 1: about that?
Speaker 4: People?
Speaker 1: Being a comic and you know that that's how most
Speaker 1: comics are marketing themselves through comedy skits or small standards.
Speaker 4: However they use social media.
Speaker 1: How do you feel about that as a comic or like,
Speaker 1: as a.
Speaker 3: I mean, it depends on your skill set. Like some people.
Speaker 3: One thing I thought was really great that and this
Speaker 3: is going back a lot of years. That Kat Williams
Speaker 3: was talking about was who's the woman the comedian ship
Speaker 3: attractive lady black comedian. There's a lot of movies and
Speaker 3: ship attractive. Uh you, Tiffany Hattish?
Speaker 5: Yeah, yeah, yeah, in opposed to attractors mark Okay, okay.
Speaker 6: If you were to go into a comedy a room
Speaker 6: of comedians that are women, she's like the top two.
Speaker 6: Yeah yeah, comedians and women are not it.
Speaker 2: From from from comedy beauty standards.
Speaker 3: Yeah yeah, and talking about in that spectrum.
Speaker 1: Yeah, more was fun when she was young who some
Speaker 1: more used to like some more some morel was fun
Speaker 1: when she was younger too.
Speaker 3: Okay, there's two one and a half.
Speaker 2: She's known to be, she's known to be. I wanted
Speaker 2: a attractive comedy.
Speaker 1: Deal was fine when she was young. Who Adele Adele
Speaker 1: Adal Gibbons is that her name? She had them big lips.
Speaker 1: She'd be like, I'm such a fucking lady Adell Gibbings.
Speaker 2: Ah fine.
Speaker 3: There's a lot more Ellen de generous, Wanda Sykes, Rosans
Speaker 3: and Lunel's than there are those types of girls there.
Speaker 4: You got the other ones by the baskets.
Speaker 1: For yeah, oh yeah, Well, I mean t ain't tiv
Speaker 1: the c lady, you know what I mean. But I
Speaker 1: guess if you go to comedy, she'd be like, she's you're.
Speaker 3: Not gonna find a whole anyway. I was just looking
Speaker 3: for the name. But Kat was saying in that Wander
Speaker 3: video that he did that lady the Wander from Atlanta.
Speaker 3: I don't know her last name, No, not her the
Speaker 3: radio famous that famous interview God got you it was
Speaker 3: your favorite. Tiffany had his joke because she doesn't write,
Speaker 3: you know. And at the point being, it's like some
Speaker 3: people are just naturally goofy, funny whatever, and their shit
Speaker 3: is at its best in a thirty second to two
Speaker 3: to three minute thing with production and visuals around it.
Speaker 3: Other people, like you couldn't take Dave Chappelle and have
Speaker 3: him do tiktoks and it works, No, but he can't
Speaker 3: fucking ask right, right, But you aren't going to make
Speaker 3: a thirty minute TikTok either, you know. So it's like
Speaker 3: they're they're conflicting skill sets in some senses. And I think, like, yeah, rappers,
Speaker 3: book writers and comedians. I see a lot of people
Speaker 3: who write books, and I've heard them on five podcasts.
Speaker 3: I see them talk about their shit for you know,
Speaker 3: five hours, and by the time I'm like, I know
Speaker 3: what your book's about already. You're not selling books, you're
Speaker 3: heard of. You You've promoted to the point where you've
Speaker 3: now damaged your ability to sell this book because you've
Speaker 3: told everybody else in the goddamn.
Speaker 2: So it's like, there's like, what is it a lord, Like,
Speaker 2: it's just you didn't gave me everything already with talking
Speaker 2: about it. And because you feel like, because a lot
Speaker 2: of people feel like I got to be seen, I
Speaker 2: need to go on these podcasts. People need to see me.
Speaker 2: The neything me talk and you see a lot of that,
Speaker 2: and even with rappers, like rappers will do interviews with
Speaker 2: no music out, no new music out, no no visuals out.
Speaker 2: It's just like, no watch me talk. Because I feel
Speaker 2: like this platform is giving me an opportunity to, like
Speaker 2: Glasses just said, be popular, to be saw. You can
Speaker 2: see me now, like niggas is really they want to
Speaker 2: do interviews just to be seen and with nothing going
Speaker 2: on at least we don't know what's going on. We
Speaker 2: just know you on this popular you know platform on
Speaker 2: the internet.
Speaker 1: That's why if you look at every one of my
Speaker 1: posts on social media on Instagram at this point, every
Speaker 1: post bro.
Speaker 4: I put the album.
Speaker 1: I put the album right there, click the link of
Speaker 1: my bio, like, I'm only doing this to sell records.
Speaker 1: I'm only doing this to sell records. I'm not posting
Speaker 1: for anything else.
Speaker 4: But to sell records.
Speaker 1: It's either one to reinforce my brand or two to
Speaker 1: sell records, and they go hand and in so prime
Speaker 1: example like how I almost got lost and did those
Speaker 1: YouTube interviews, which the interviews are dope, and when people
Speaker 1: see them on the Shaw and producing for a digital soapbox.
Speaker 4: People gonna love the that the interviews.
Speaker 1: But my platform needs to only be done with things
Speaker 1: to reinforce my brand and to sell records.
Speaker 4: That's the only post I should be happy.
Speaker 1: Somebody said to me that was brilliant on Instagram and
Speaker 1: they said, man, and I've had this thought before he
Speaker 1: even told me. I was like, I'm not trying to
Speaker 1: get fans, Like if you ever notice, I don't even
Speaker 1: the first day I came. I've never felt like I
Speaker 1: had fanatics. I've never thought to myself I have fans.
Speaker 1: I don't think there are any fanatics of glasses Malone,
Speaker 1: like how we'll entertain.
Speaker 4: A conversation about Drake not being hip hop.
Speaker 1: And he has fanatics that will hit me on Instagram
Speaker 1: and they'll just like or Tupac or people you know,
Speaker 1: disagree with the perspective of a song and they're threatened
Speaker 1: my life.
Speaker 4: I don't think I have fanatics like that. Fans.
Speaker 1: I've always looked at people like someone who supports me
Speaker 1: and my music, like they into the arts, they into
Speaker 1: the flavor, and they support dope shit.
Speaker 4: But I've never felt like.
Speaker 1: I've had fanatics, Like even on Twitter, it was some
Speaker 1: dude talking shit and to watch people respond and you know,
Speaker 1: defend or defend me or attack them for attacking me,
Speaker 1: it felt crazy.
Speaker 4: You know what I mean.
Speaker 1: And it was a humbling experience, you know what I mean,
Speaker 1: because it's like I don't quite know how to take that,
Speaker 1: you know what I mean. As far as like, damn, y'all,
Speaker 1: fuck with what I'm saying that much.
Speaker 2: It's yeah, you'll be surprised, man, because, uh, it's a
Speaker 2: lot of people out there on the Internet and in
Speaker 2: the world, man. So it's it's it's so many people.
Speaker 2: It's enough people for everybody, you know, of course you
Speaker 2: deal with people like like the names you just name
Speaker 2: like they got I mean, these are like mega stars,
Speaker 2: so it's people coming to they rescue that probably ain't
Speaker 2: even into them like that, but they like, this dude
Speaker 2: is a star. I don't view you as a star
Speaker 2: like that. So that's why immediately they just say, oh,
Speaker 2: you hate. They don't even it, don't even be hate
Speaker 2: spewed in in the in the conversation, it's no dislike
Speaker 2: at all. Like it's like you can be so clear
Speaker 2: with your words. It's like like like with the most Depth,
Speaker 2: she asked him a question and before he even answered that,
Speaker 2: he was like, why are you doing this to me?
Speaker 2: Because he already know what comes with being honest. And
Speaker 2: then he said it, and the first thing people said
Speaker 2: was he's hating.
Speaker 4: And it was like most Death has a reason to
Speaker 4: hate on Drake.
Speaker 2: Because what you as success and and and and the
Speaker 2: lack thereof. So they like, oh, you must be hating even.
Speaker 1: Though Most Depth is a rap a bona fide hip
Speaker 1: hop star legend and after the star, yeah, it's been movies.
Speaker 3: Yeah that that that to me is just like it's
Speaker 3: such a chicken shit, like cheap low IQ clickbait thing.
Speaker 7: To do, and these oh so and so hate son
Speaker 7: so and you know, idiot jels what he had to say,
Speaker 7: you know, and.
Speaker 2: And they totally disregard what you're saying, like they're not
Speaker 2: even listening to you. It's like, I'm not about to
Speaker 2: listen to you. All I see is this. And I'm
Speaker 2: just addressing.
Speaker 3: That there's a binary that exists. There's two things that
Speaker 3: you can do. There's no spectrum, there's no gray area.
Speaker 3: Suck dick or you're a hater. That's it. It's where
Speaker 3: we know in the middle, there's no throat the guy
Speaker 3: or you're a hater. Period.
Speaker 4: Man. That's where we're at.
Speaker 3: That's where where to that point in the block of
Speaker 3: sphere the block sphere?
Speaker 2: Man, It's it's amazing. And I ain't gonna lie sometime
Speaker 2: and I'd be like, men, these ain't even real people,
Speaker 2: like and you get a little noise or sometime I
Speaker 2: just comment like if if if if, if it's a
Speaker 2: if it's a video that's up that glasses put up
Speaker 2: or whatever. You know, we got to support the movement
Speaker 2: in the brand. So when I see certain comments, it's like, Okay,
Speaker 2: I'll answer that question. For the homie York, you know whatever.
Speaker 2: And sometimes people they'll come for you and just you
Speaker 2: a hater too, and then they'd go to your page
Speaker 2: and but idne got caught an old rapper? Uh? All
Speaker 2: type of shit. Man, You still trying to rap. It's
Speaker 2: like trying, like you just came to my page and
Speaker 2: seen me doing it. But for whatever they comparing it
Speaker 2: to they I'm trying to do it and you just
Speaker 2: got to learn to laugh. It's really funny. It's really funny. Man.
Speaker 1: What killed me about those kind of people, bro, is
Speaker 1: like somebody said that to me the other day.
Speaker 4: They said, man, and you talking shit.
Speaker 1: You only got fifty six likes on your picture, and
Speaker 1: I'm like, I went to his page and that nigga
Speaker 1: had three followers. I was like, bro, why would you
Speaker 1: want to clown? And you know me like, I'm not
Speaker 1: for the most part, ninety nine point nine percent of
Speaker 1: the times, I'm not gonna try to diss with you back.
Speaker 4: Man, I don't know you. If we gon bag, we
Speaker 4: had to.
Speaker 1: Be in person because if you say something too far,
Speaker 1: I need to be able to reach across that motherfucker
Speaker 1: deck your light out, phebe.
Speaker 4: But so I'm like if.
Speaker 3: You say some real shit like it's now in the ethos,
Speaker 3: frozen in time, you know, for however the fuck along?
Speaker 4: Yeah, but I don't get why the fuck would you
Speaker 4: say you have three?
Speaker 1: So I said, why would you be talking about social
Speaker 1: engagement and you have three followers?
Speaker 2: Man, he went and made that page when he's saying.
Speaker 4: It, And he told me that he said.
Speaker 2: That page just to say that.
Speaker 1: I said, I said, he said that. I said, he said,
Speaker 1: it's funny you only got fifty. It's funny somebody with
Speaker 1: fifty lights on their picture talking about something.
Speaker 4: I said, it's.
Speaker 1: Funnier somebody with three followers is talking about social engagement.
Speaker 1: He said, well, this is my burner page. I said,
Speaker 1: it's even more funny that you won't even tweet from
Speaker 1: your real page talking to somebody that you don't know.
Speaker 2: And he said, well, it's my burner page, as if
Speaker 2: like you got it like you sup.
Speaker 3: Basically like, well, I'm really too scared to say this
Speaker 3: to you, even not in your face, but with my
Speaker 3: face on it. Bugs, buddy page, Why.
Speaker 2: Do you have a First of all, why do you
Speaker 2: have a bird? Who are you?
Speaker 3: Like?
Speaker 2: Anyone?
Speaker 3: Like anyone's gonna roll up on this dude, and and.
Speaker 4: It's funny to me because it's like.
Speaker 1: You just called yourself a bitch ass nigga without saying
Speaker 1: you a bitch ass nigga.
Speaker 4: And I'm looking at myself.
Speaker 1: Like this is where we're at in society, because where
Speaker 1: niggas is openly admitting they bitch ass niggas. Like I
Speaker 1: won't tell you what I think from my page. What
Speaker 1: the I don't know you, and if I knowed you,
Speaker 1: it wouldn't it wouldn't even bother me if I knew
Speaker 1: So if you knew me, you would you would be
Speaker 1: bothered to say that, right, But if you didn't know
Speaker 1: me and you just still hiding and you made a
Speaker 1: burner page, or you could say raggedy shit. I remember
Speaker 1: I LKD Man tweet from your page, bro, fuck a
Speaker 1: burner page?
Speaker 3: Fuck you do they have burner gangsters and watts or
Speaker 3: you can't. You can't pull it off? Really, what's that?
Speaker 3: That's where you create a fake person to go, uh,
Speaker 3: you know, run up on somebody so that they don't know.
Speaker 2: There's so much of that ship going on on the Internet.
Speaker 2: It's it's it's cringey. Sometimes you'd be like wait, no, this, this,
Speaker 2: this didn't you be like this didn't just happen right,
Speaker 2: Like he didn't just do that, right, or he didn't
Speaker 2: just say that right like, yes he did. That's not
Speaker 2: a that's not a that's not a grown man sitting
Speaker 2: there talking to letting another man talk to him crazy
Speaker 2: like that and going back and forth like that. That's
Speaker 2: not happening right now. Like wait, you you just recorded
Speaker 2: your phone and you start yelling at somebody that's not there.
Speaker 2: You looking at yourself yelling at somebody else. You didn't
Speaker 2: just do that, right, Yes, yes, the nigga just did that.
Speaker 2: These it's wild right now, man, And it's all for
Speaker 2: content creation.
Speaker 4: Okay, So here's a better question, Pete, Joey.
Speaker 1: If you okay Joey, if you saw a rapper, you
Speaker 1: know what, No, I'm gonna go to Pete, Pete. If
Speaker 1: you like a rapper, right, let's say you kind of
Speaker 1: getting into this MC and he's dope and you like
Speaker 1: his records, what type of content would you like to
Speaker 1: see from him being created.
Speaker 4: That would make you engage?
Speaker 1: Would it be things to prove he's a better rapper,
Speaker 1: or to prove he's a good rapper, like freestyle.
Speaker 3: The only thing, the only value to me that can
Speaker 3: be brought from that is if I'm getting like some
Speaker 3: backstory type shit, Like you might hear a song and
Speaker 3: it's like, oh, that's a cool song. This guy you know,
Speaker 3: he's nice on the song whatever. And because there aren't
Speaker 3: a lot of examples of that for me really where
Speaker 3: I can be like, oh, yeah, no, I've seen this
Speaker 3: guy do a bunch of shit that was just straight
Speaker 3: talking about a thing. And now I get these three
Speaker 3: or four songs more and they're kind of cooler because
Speaker 3: I know they're about a thing. Would be like and
Speaker 3: I've brought him up before, I don't need to keep
Speaker 3: like beating a dead.
Speaker 2: Horse or whatever.
Speaker 3: But like like CML, for example, you know, because he
Speaker 3: raps about shit that he interviews about. So if you
Speaker 3: don't know the interview necessarily, or you aren't from two
Speaker 3: blocks from where he's from, you probably don't know what
Speaker 3: the song is really really about. It's just kind of
Speaker 3: like souths like rhymes. That would be kind of probably
Speaker 3: the only thing. Otherwise, like you could have the greatest
Speaker 3: like bars persona and be a dead pan personality or
Speaker 3: vice versa. They don't necessarily correlate perfectly, you know what
Speaker 3: I mean? So, I mean sugar Free would be another
Speaker 3: example his ship. I don't need to hear him do
Speaker 3: an interview to understand what he's talking about on the
Speaker 3: mic when he's doing an album, but he's pretty fucking
Speaker 3: rad to hear talk. That's just kind of like separate.
Speaker 3: But it's not like it makes me more of it.
Speaker 3: I was like, Wow, that that song is way better now.
Speaker 3: I'm like that was just as good before. That was
Speaker 3: a cool interview also, that's fine.
Speaker 4: So so clarity into the art with your with your
Speaker 4: content creating.
Speaker 3: Sometimes, yeah, if if your if your art is providing
Speaker 3: an avenue for that to be there. You know, I
Speaker 3: don't think that like Rick Ross necessarily doing an interview
Speaker 3: about a song that he created. Sure, here's your creative process, Rick,
Speaker 3: thank you, because.
Speaker 4: The music lacks the depth. Yeah, okay, that's fair. Joey.
Speaker 4: Now let me ask you something.
Speaker 1: What kind of content do you want your the comedians
Speaker 1: that you would like to support, What type of content
Speaker 1: should they be creating that would make you get up
Speaker 1: and go see them at the comedy.
Speaker 4: Store or at the laugh factory.
Speaker 2: Honestly, man, I'm noticing they doing a lot of things
Speaker 2: that like the uh the rappers, do you know what
Speaker 2: I'm saying As far as creating the stand up clips,
Speaker 2: like I seen the Comedian the day that that had
Speaker 2: a funny joke and it made me laugh to the
Speaker 2: point where I was like if I I wouldn't mind
Speaker 2: seeing them live. So those work just being funny.
Speaker 4: Really, That's what I said.
Speaker 1: I think I think comedy as a profession is definitely
Speaker 1: using social media one hundred times better, like as a
Speaker 1: profession than rappers are. Like I think rapping raps are
Speaker 1: Rap is still looking for it's it's niche when it
Speaker 1: comes to creating content.
Speaker 4: Like as a thing.
Speaker 1: Because you know, if you look at Desi Banks, if
Speaker 1: you look at.
Speaker 4: You know, uh like Daisi.
Speaker 1: Uh, what's the dude name from Country?
Speaker 4: You know the dude from Michigan because I've never seen
Speaker 4: Country range. What's du Michigan?
Speaker 5: Uhm Michigani?
Speaker 1: Hi David south Side We saw south Side in Atlanta.
Speaker 1: Shout out to the homie south Side in Atlanta. I
Speaker 1: think they have figured it out because they just do
Speaker 1: skits and it's them being funny versus rap, where it's
Speaker 1: like everybody in rap is just doing the silver mic
Speaker 1: out the sky.
Speaker 2: Right right right and that ship, you know, making people
Speaker 2: go see them.
Speaker 1: Yeah, because because a comic, you're looking for them to
Speaker 1: be funny, and it's crazy because even then they be wrong,
Speaker 1: because you know, being a being actor in a skit
Speaker 1: is totally different than seeing somebody do stand up.
Speaker 2: And that's what I was. I'm a fan of stand
Speaker 2: up so most of the time the dudes that do
Speaker 2: that right, and it's not me like, no, not to them,
Speaker 2: but I already know if live like stand up, it
Speaker 2: ain't gonna be the same. I watched too much stand
Speaker 2: up comedy, I'm like, And when I went to go
Speaker 2: see Daisy, I seen DC Young fly Like, yeah, I laughed.
Speaker 1: They they're but not as much as you laughed at
Speaker 1: their skits at all. But it's two different arts. It's
Speaker 1: two different you know what's funny. It's a it's a
Speaker 1: during from Sacramento that I watched all the time, and
Speaker 1: I've been seeing his stand up clip. But he do
Speaker 1: the dope skit, remember he show I sent it to you, Pete.
Speaker 1: He had this ship where he was the nigger READO
Speaker 1: on the rocks.
Speaker 4: Oh yes, that dude. Stand up is funny as fuck.
Speaker 3: Okay, okay, now one well, it's like you remember back
Speaker 3: in the nineteen nineties, every sitcom on network television was
Speaker 3: a successful stand up comedian. Somebody gave Jerry sein Felled
Speaker 3: a show, and then Tim Allen had a show, Paul
Speaker 3: Reiser had a show. Uh all, it was just comedian
Speaker 3: after comedian of comedian community. They just gave him a
Speaker 3: show and it was like, here's you were collaboratively with
Speaker 3: this team of ten writers and then go walk into
Speaker 3: an apartment in some city or a house in some
Speaker 3: suburb and just like whatever the fuck. And I've never
Speaker 3: seen like Paul Reiser was the guy who did this
Speaker 3: show is pretty famous called Matt About You with Helen
Speaker 3: Hunt anywhere that from.
Speaker 2: When we were probably kids.
Speaker 3: I know he's a standup comedian. I've never seen a
Speaker 3: perform stand up comedy in my life. But they were
Speaker 3: just giving them away and yeah, totally separate. I mean
Speaker 3: I wouldn't think, oh yeah, well that show on Tuesday
Speaker 3: at eight PIM is pretty funny. Over there on ABC,
Speaker 3: this guy has gotta be you know.
Speaker 2: Great, it's two of your arts, man.
Speaker 4: But it's dope.
Speaker 1: But again, they stand up still will be successful the
Speaker 1: commerce the business of their stand up, but still have
Speaker 1: people there because right, because the skits are marketing, they're funny.
Speaker 1: Now again, the art of being funny and stand up
Speaker 1: is a completely different.
Speaker 2: It's like the TV stars.
Speaker 1: Yeah, it's a complete disc It's a different discipline. Lance Woods,
Speaker 1: Sir Lance Woods, that's his name, Sir Lance Woods.
Speaker 4: That nigga. I saw somethings stand there clips. I want
Speaker 4: to see him. He's funny. But again it's different, you
Speaker 4: know what I mean.
Speaker 1: But I'm saying you see how comedy found its niche
Speaker 1: on social media to where like now we know about
Speaker 1: ten or twenty different comics that we will all share
Speaker 1: our like skits, right I men, I seen you shit
Speaker 1: from Desi. Desi is one of the funniest niggas. What's
Speaker 1: the other brother that did the Todd Alabama roll Tide?
Speaker 1: He actually liked the Little White Man and it was
Speaker 1: after Alabama football games.
Speaker 4: Drew Ski is another one that's funny.
Speaker 1: But again, I think it's ten or twelve of these
Speaker 1: guys that I know right off the back.
Speaker 4: Because they have skits.
Speaker 1: You know, they created content for Instagram that works and
Speaker 1: it carries across Hey, this guy is funny, even if
Speaker 1: they're not funny on stage, that it's doing the commerce,
Speaker 1: it's promoting them being funny comedy. I don't remember the
Speaker 1: last thing I shared with you from a rapper. I
Speaker 1: don't even know what that looks like. And I think
Speaker 1: we have some ideas writing the clips and different things
Speaker 1: we talk about, but.
Speaker 4: We don't have, you know, the we don't have.
Speaker 1: That comic kind of thing with the with the skits
Speaker 1: that the comedians like. We don't have that in hip hop,
Speaker 1: like we don't. There's not no rapper Like the closest
Speaker 1: is probably like a litt Russell where we're sharing his
Speaker 1: stuff because he's kind of giving you, you know, he's
Speaker 1: talking about how to be successful in the music business
Speaker 1: as an independent artist. But we're not sharing the records
Speaker 1: like that, like, and I think it's because something has
Speaker 1: came off. Something has came off about hip hop, Like
Speaker 1: I'm starting to believe more people is trying to be
Speaker 1: a rapper than a fucking comedian or something, because or
Speaker 1: either they found the niche when it comes to creating
Speaker 1: content to support their business.
Speaker 4: Hip hop, to me hasn't found that.
Speaker 1: It's too much relying on platforms like, okay, if you
Speaker 1: do the silver mic, you need to do the main
Speaker 1: silver mic platform. With comics, it ain't like that. We
Speaker 1: don't look to know comic page to tell us about comedy.
Speaker 1: Matter fact, all deaf comedy is behind on the other
Speaker 1: comics we like, I'm looking at Daisi Banks. I'm not
Speaker 1: really worried about what all deaf comedy is posting. I mean,
Speaker 1: but hip hop is different. We're looking for, you know,
Speaker 1: influencers to say hey, would followers say hey, you like this?
Speaker 1: And that means we still have work to do as
Speaker 1: content creators in the hip hop space. Excuse me as
Speaker 1: hip hop artists using content or creating content to market
Speaker 1: the records?
Speaker 2: Quick question?
Speaker 3: Do you think that? For example, like a guy likes
Speaker 3: like Vlad and and I'm acusur because I know him,
Speaker 3: and I'm not saying this positive or negative.
Speaker 4: I depend on how this goes.
Speaker 3: So, but nanda does Vlad provide Do his interviews provide
Speaker 3: more value to the interviewees or is he solely gaining
Speaker 3: value from the interviews that he does based off of
Speaker 3: who comes on?
Speaker 4: You know what?
Speaker 1: If you think about it, Lad would be only to
Speaker 1: promote your brand, That's it?
Speaker 4: Like yeah, I'm look.
Speaker 1: But does it to see how it translated streams? But
Speaker 1: I don't think Bootsy is streaming more music because he's
Speaker 1: a resident guest on Vlad. I think it keeps him
Speaker 1: relevant to his audience. But I don't think he's streaming
Speaker 1: more music.
Speaker 4: Like but but but min, who's get it?
Speaker 3: Who's gaining the value? Is getting the value or other
Speaker 3: rappers getting the value?
Speaker 1: I think they're gaining value.
Speaker 4: I think they're both gaining value.
Speaker 1: Vlad definitely has his end together because the content is
Speaker 1: his thing. You're trying to fit your content into his content.
Speaker 1: That's his content, you know. I mean not fuck ownership,
Speaker 1: but the style of it is self promotes what he does,
Speaker 1: you know. So again, being a rapper or being a
Speaker 1: hip hop artist or a rapper, you have to figure
Speaker 1: out a way to rap and make it appealing so
Speaker 1: people be like man. And that's what I was thinking
Speaker 1: about today when we were talking about content. And I
Speaker 1: know I'd be having some crazy thoughts because I'll be
Speaker 1: sober all of that damn time.
Speaker 4: So I'm never you know, on a vacation.
Speaker 1: Mentally, I'm always thinking, so yeah, man, like, we gotta
Speaker 1: figure out much better content, like people keep asking me
Speaker 1: questions about what's wrong with West Coast hip hopper, what's
Speaker 1: wrong with hip hop? And I'm like, bro, it's just
Speaker 1: not great enough. It's not exciting. I repeat this. I
Speaker 1: was looking at an ice Cube interview and ice Cube
Speaker 1: was saying he wasn't mad about where we were at.
Speaker 1: He was like, you're gonna have to be hella creative,
Speaker 1: And I think that's what's driving it. Like comedy for
Speaker 1: a great point, them comics are not content creators. They
Speaker 1: not doing nothing else outside of comedy. You don't see
Speaker 1: Drewski trying to sell no fucking cars on his fucking Instagram.
Speaker 2: Yeah, he know, he's selling his funny funny.
Speaker 3: Well that's that's a little bit of the difference though.
Speaker 3: I mean, like, you're in no form of artistic expression.
Speaker 3: Are you more ass naked than stand up comedy? You
Speaker 3: have a dark space with a spotlight and a microphone
Speaker 3: and you have to get a laugh out of people.
Speaker 3: You don't have a beat behind you, you don't have
Speaker 3: a song that people know. You have nothing. So if
Speaker 3: you can take that, it's translatable outwardly very easily, like
Speaker 3: in the sense that you can take a three minute
Speaker 3: bit some of that bit is going to be illustration
Speaker 3: of a scene. Some of it's going to be the punchline.
Speaker 3: You can turn that into a one minute bit and
Speaker 3: let the illustration happen without describing it verbally. And the
Speaker 3: funny part has already been defined as funny, so now
Speaker 3: you just do the thing. It's still funny, you just
Speaker 3: don't have to lead it up. I feel like the
Speaker 3: answer to some degree maybe might be right in front
Speaker 3: of you know, the face of a rapper, because if
Speaker 3: you're a rapper, you're rapping about blank. Yeah, perfore mintive song.
Speaker 3: You can do a thirty second clip at location doing
Speaker 3: blank unless it's like you know whatever, But like there's
Speaker 3: an avenue for that. You can see the experience in
Speaker 3: a real time outside of the song where you're getting
Speaker 3: from a comedian. You get like a lot of these
Speaker 3: skits or whatever. They're just they're just bits taken off
Speaker 3: stage and illustrate and illustrated around them, you know.
Speaker 2: M Yeah, you know what it is to uh with
Speaker 2: the rap thing too. Like lastly, like when you were
Speaker 2: speaking on a lot of times people really don't want
Speaker 2: to do what it takes like to to to be
Speaker 2: creative and be dope. Care, it takes work, and I
Speaker 2: think people they just see what everybody else it's It's
Speaker 2: it's interesting to watch what people believe what success is like.
Speaker 2: They literally just take what they see everybody doing and
Speaker 2: be like, oh, that means it's cracking because everybody's doing it.
Speaker 2: So when I do it and then they do it
Speaker 2: lacks of days ago. It's like even what the hanging
Speaker 2: mic thing. I'll be watching rappers rap on the hanging
Speaker 2: mic and they don't even be rapping into the mic.
Speaker 2: It's like, you're not even wrapping in the microphone. This
Speaker 2: is a performance you supposed to rap into the mic
Speaker 2: even though you to you you walking around it away
Speaker 2: from it, still rapping it like Nigga, you're doing a
Speaker 2: fucking this ain't even it and I and it's and
Speaker 2: people notice that, even if they not even there consciously,
Speaker 2: it's like they it's like, what is he doing? You
Speaker 2: know what I'm saying. So they just be trying to
Speaker 2: do what they see every what they watching, Like I'm
Speaker 2: gonna just do what I'm watching, and I yeah, everybody
Speaker 2: else supposed to be watching it because I'm watching it,
Speaker 2: and it's.
Speaker 4: Like facts, but but uh an upcoming comic.
Speaker 1: Right, could look to Desi Banks and say, Okay, I
Speaker 1: need to make skits that fit me, Like there is
Speaker 1: nobody in hip hop to me that has the Desi Banks,
Speaker 1: Like they don't have the Drew ski there's no Drew
Speaker 1: Skie rapper content creating, you know, that's tens of thousands
Speaker 1: of comments that's overly engaging, that makes you want to share, right,
Speaker 1: because comic is funny.
Speaker 4: Funny.
Speaker 1: Comedy is funny. Funny is a huge arousal point. But
Speaker 1: it's five arousal points or six. It's funny things that
Speaker 1: put you in eye, things that make you excited, things
Speaker 1: that give you anxiety, or things that make you angry.
Speaker 1: Those are the things likely to go viral. Right, So
Speaker 1: we don't have that in hip hop. And I think
Speaker 1: that's what I was thinking about it. And I was
Speaker 1: thinking about We were talking about AD earlier, and I'm like,
Speaker 1: AD is a at this point?
Speaker 4: Is a content creator? Is a podcaster to a degree?
Speaker 1: Right, a content creator Like, Yeah, I'm finna get back
Speaker 1: into rap. But then like, I see why he dives
Speaker 1: out of it because it's like he don't he don't
Speaker 1: he wouldn't know how to create the business anymore, Like
Speaker 1: the business has changed so drastically because most people aren't
Speaker 1: selling records, which is why I kept it fundamental. I'm like,
Speaker 1: let me sell records. I don't give a fuck about. Like,
Speaker 1: I don't know where I would be at right now
Speaker 1: with this ship.
Speaker 2: Bro.
Speaker 4: If I wasn't selling vinyls, and if I wasn't selling.
Speaker 1: CDs or cassettes, like I really I probably would be
Speaker 1: done because really, there would be no business to do.
Speaker 4: That be no business, Like we are not in the
Speaker 4: business of.
Speaker 2: Content creator like freestyling and like freestyles every Friday, and and.
Speaker 1: Yeah, and imagine, imagine and freestyling is like imagine a
Speaker 1: comic just spewing jokes, nothing going on, but he's just
Speaker 1: spewing jokes randomly into the camera.
Speaker 2: That ain't that that don't work.
Speaker 4: That sounds cramagic. It just like even somebody like Bibles
Speaker 4: A lot of Bill Burr's podcasts, Huh.
Speaker 3: Bill Burr had a podcast where I can tell he's
Speaker 3: just bitballing content but.
Speaker 2: He's good though.
Speaker 3: He's yeah, he's really really good. But you can tell
Speaker 3: it's like, Okay, this is like this is not for that,
Speaker 3: this is phase one white paper for a joke. It's
Speaker 3: not even a joke in beta yet, it's before that,
Speaker 3: and you're just toying and tinkering and game planning with
Speaker 3: this concept. And that's your Monday whatever podcast. And that's fine,
Speaker 3: and it's interesting. It's an interesting guy. His shit's funny.
Speaker 3: It eventually matures into great material whatever. But you get
Speaker 3: the sense that that's what's going on when you're listening
Speaker 3: to a real time especially like as a writer.
Speaker 2: And that makes sense. Death makes sense. I noticed comedians
Speaker 2: do that sometimes too, even in interviews. They try to
Speaker 2: get like a joke off and it's like all stay
Speaker 2: waiting to see if the if the guy that's interviewing
Speaker 2: him gonna laugh. He's like that was a bit right there,
Speaker 2: always rowing the jab okay, and he tried to hit
Speaker 2: him with a joke, like I caught that.
Speaker 1: So I think I say that to say that hip
Speaker 1: hop can take a page from using, you know, creating
Speaker 1: content to market the selle of records from comic from
Speaker 1: comedy from the comics on social media. Like imagine somebody
Speaker 1: with a silver mic just saying jokes to a camera
Speaker 1: with no crowd. It's probably would be weird, you know
Speaker 1: what I mean? It probably would be like listening to
Speaker 1: people rap. Like if you look at the Desi bank
Speaker 1: skid right there, still skits ha ha. Davis is still
Speaker 1: some some props, you know, jew Ski is still props.
Speaker 4: They have a.
Speaker 1: Few things that sell the motherfucking bit. Hip Hop don't
Speaker 1: always use things to sell the bit, you know what
Speaker 1: I mean, because it's still the bit, right that maybe
Speaker 1: that's what we need to be looking at, is hip
Speaker 1: hop or creating content to market hip hop records for
Speaker 1: sale with like I said, taking a page from comedians
Speaker 1: on social media.
Speaker 2: Yeah, and even you know with the with the small
Speaker 2: movie series and all these other things that like all
Speaker 2: that giving them the culture, like you yeah, they they
Speaker 2: being funny. You could tell that. And you can see
Speaker 2: Desi bankshit is getting a lower he even producing them
Speaker 2: a lot even more. But he creative, but it don't
Speaker 2: take much, you know, like when he's doing the music videos, redoing.
Speaker 4: The nine telling Campbell shit, it's like, you.
Speaker 2: Know, he really taking his time to put that together.
Speaker 2: But the shit funny.
Speaker 4: Like and I think and I think hip hop.
Speaker 1: I think the concept of culture just being only out
Speaker 1: of things you said, is it's dead. It's flee people
Speaker 1: are demanding more like this ain't the eighties of the nineties.
Speaker 1: We're just saying something. Is the culture personified now? They're
Speaker 1: like they need more, like consider give you more like
Speaker 1: on social media, like like they give you voices talking
Speaker 1: back to you, like they'll be like the comic of
Speaker 1: voice the part and they'll be answering the voice to part.
Speaker 1: Like hip hop isn't you know? Hip hop has kind
Speaker 1: of rested on the laurels of being pure culture for
Speaker 1: far too long, and at this point, if you want
Speaker 1: to create content to market records for sale, you know,
Speaker 1: you probably need to be looking towards comedy to make
Speaker 1: it happen. They they've already done the hard work and
Speaker 1: the heavy lifting.
Speaker 2: Yeah, they gave it to you. It's like, here it go, man,
Speaker 2: just do your music and do this too.
Speaker 4: What you think.
Speaker 3: And some of it's also like you know, with hip hop,
Speaker 3: like with comedy, you're you're not in pure old school
Speaker 3: stand up comedy. You're not being afforded the visual with
Speaker 3: the presentation. But for a long time it's still to
Speaker 3: this day, what comes out with your song the video.
Speaker 3: But the video is just the song, you know, it's
Speaker 3: just a visual with the song. So now you have
Speaker 3: a piece of content. If you look at the video
Speaker 3: you say, okay, well now I gotta beat that. I like,
Speaker 3: that's cool. I heard what this guy is saying that's cool.
Speaker 3: And I'm seeing what he's talking about that's cool. There's
Speaker 3: not a lot of room to expand upon that. It's
Speaker 3: pretty all encompassing, so unless you were you'd have to
Speaker 3: then take it into some other type of space to
Speaker 3: expand upon it further. You know, whether it be like
Speaker 3: go to it like this is a spot where this
Speaker 3: song was talking about right with something you know there,
Speaker 3: or just just it's just your personality at that. If
Speaker 3: it's not gonna be about the content, that has to
Speaker 3: just be about the rapper. So it's good have to
Speaker 3: be to me because those the only two things. You have,
Speaker 3: the content that the rapper's talking about, and you have
Speaker 3: the rapper and his personality dynamic ability to translate who
Speaker 3: he is just aside from the material.
Speaker 4: To the audience.
Speaker 3: So you have to pick one of those two things
Speaker 3: and expand from there to me, I could rap that.
Speaker 4: That's a great point.
Speaker 3: Like if you were a rapper from La you could say,
Speaker 3: all right, here we are. I'm I'm over off a
Speaker 3: hide park. This is the sixties. This is where nipping
Speaker 3: that crew. They really run over here and then.
Speaker 2: Cut.
Speaker 3: Now we're in the Jay's This is their rifles over
Speaker 3: here or in a trace or whatever else.
Speaker 1: That's the kind of and to me, that's not what
Speaker 1: rappers should be doing, outside of talking about things that
Speaker 1: rest their music. Like like, I'm watching rappers do that,
Speaker 1: like the.
Speaker 4: Most dangerous fish markets in LA. Like, but you don't
Speaker 4: have a song about the most dangerous fish market in LA.
Speaker 1: Like you get what I'm saying, Like, it's too much
Speaker 1: random content being creating that doesn't drive people to your
Speaker 1: brand or to your record.
Speaker 2: Oh yeah, it really. It becomes like oh and it's
Speaker 2: just it's like we want this from you now, and
Speaker 2: you might the music too.
Speaker 4: Yeah.
Speaker 1: The coldest part is don't let them find something they
Speaker 1: want from your motherfucking ass.
Speaker 4: They will be like, fuck your music, this is what.
Speaker 2: We want from That's the dangerous part of doing all that,
Speaker 2: like because it oh no, we want to see more
Speaker 2: of this.
Speaker 3: Like, gee, we're laid in it. We're fifty two and
Speaker 3: a half in. You can cut it in the fifty
Speaker 3: you can cut it right now.
Speaker 2: Give you a cue.
Speaker 3: I'm just saying, as a as a pasta at the
Speaker 3: wall thought, I feel like if you really cooked, that
Speaker 3: would be very interesting.
Speaker 4: Finny, get me putting the fans man.
Speaker 3: Fifty two and a half ince a cup point then, man,
Speaker 3: I'm just like.
Speaker 1: Good looking out for tuning into The note Seller's podcast,
Speaker 1: Please do us a favorite, subscribe, rate, comment, and share.
Speaker 1: This episode was recorded right here on the West coast
Speaker 1: of the USA and produced by my homeboy A King,
Speaker 1: for the Black Effect Podcast Network and now Hard Radio.
Speaker 4: Yeah