WEBVTT - Conversations About Content Creating (Vol. 1)

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealers Podcast with your hosts now fuck that with your

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<v Speaker 1>low glasses alone.

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<v Speaker 2>Because at for a minute, like I wasn't I wasn't

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<v Speaker 2>hitting the barber, right. I was just like, man, I

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<v Speaker 2>just like telling my ship down a little bit on

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<v Speaker 2>my own because I ain't never shaved like I'm at

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<v Speaker 2>my age, I ain't never shaved, nigga. I always went

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<v Speaker 2>to the barber. I said, you know what, I'm gonna

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<v Speaker 2>save a couple of dollars, my nigga, just shave my

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<v Speaker 2>ship down. I ain't gonna do too much lining though,

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<v Speaker 2>because you try to line yourself up, you're you were,

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<v Speaker 2>but I went too low. I went too low, and

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<v Speaker 2>I was like, I don't I don't know if I

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<v Speaker 2>like this ass face. You know when you're.

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<v Speaker 3>Too low, like too short, too short, or too or

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<v Speaker 3>you lined it too low, you just.

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<v Speaker 4>Want to short.

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<v Speaker 2>It's too short, just to everything. I was like, as

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<v Speaker 2>soon as my little brother seen me, he said, nigga,

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<v Speaker 2>what you do to your face?

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<v Speaker 4>Yeremiah can't hide it because as soon as.

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<v Speaker 2>But that's how I was like, this ship dude, look

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<v Speaker 2>crazy man.

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<v Speaker 1>Man all right, So y'all your audio is on y'all interfaces, Yes, sir,

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<v Speaker 1>okay signing.

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<v Speaker 4>So this was this was what was on my mind.

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<v Speaker 4>Bro Is. We was talking about it earlier where.

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<v Speaker 1>I'm not sure if these niggas know that they are

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<v Speaker 1>not professional rappers creating content their professional create their professional

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<v Speaker 1>content creators rapping.

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<v Speaker 3>Yeah, what's.

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<v Speaker 5>That's like Yachty kind of like, No, I think YACHTI

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<v Speaker 5>is a professional rapper. Okay, I thought he got I

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<v Speaker 5>thought he got started some other way.

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<v Speaker 3>Was like it was, oh.

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<v Speaker 1>Yeah, for sure, for sure, that whole generation of uh. So,

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<v Speaker 1>there were these artists that Instagram broke, right, It was

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<v Speaker 1>Extant Tasi on twenty one, Savage, Little Yachty, Little Uzi,

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<v Speaker 1>and someone else, oh Kodak Black, and they were really

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<v Speaker 1>popular on Instagram.

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<v Speaker 4>They got broke on Instagram because of how they look like.

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<v Speaker 1>I knew what Lil Yachti had red hair, Like, I

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<v Speaker 1>knew that before I heard one of his songs, So

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<v Speaker 1>at that time I could tell you who he was,

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<v Speaker 1>and I hadn't heard none of his songs.

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<v Speaker 4>Okay, Uzi vert had purple hair.

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<v Speaker 1>Exten's Tasion had those kind of blond and black shit locks. Yeah, right,

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<v Speaker 1>twenty one Savage had that sword in his face come

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<v Speaker 1>to find out each munity, So that makes perfect sense.

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<v Speaker 1>He had that sword in his face to night. Now

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<v Speaker 1>it's a sword, and you never looked at how long

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<v Speaker 1>that my motherfucker looked like a sword.

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<v Speaker 4>Either way, it's a dagger.

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<v Speaker 3>Or something because it will says an old school London.

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<v Speaker 1>Dagger and Kodak Black had them pigtails. So I knew

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<v Speaker 1>who that whole generation, that whole class of rappers were

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<v Speaker 1>because Instagram broke them. So many people were making jokes

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<v Speaker 1>about how they look. And you know Instagram is such

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<v Speaker 1>a visual platform. That's how I discovered them. Now there

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<v Speaker 1>are rappers who I discovered through content creat them like

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<v Speaker 1>content creating, like Ao and Tao.

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<v Speaker 4>They had the Roly song. The dude that be on uh.

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<v Speaker 1>Metro producing some stuff, my homeboy Metro producing stuff on him.

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<v Speaker 1>He's also on Nick Cannon Show. He was a content creator.

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<v Speaker 3>This isn't that girl not? Who's the other girl with

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<v Speaker 3>Sexy Red? Wasn't she a porn star?

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<v Speaker 4>She?

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<v Speaker 3>She don't even she seemed like a contact sexy No,

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<v Speaker 3>the other one.

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<v Speaker 1>All you're talking about lit Suki, Yeah, yeah.

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<v Speaker 4>Porn star I don't believe it.

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<v Speaker 2>She she she be doing like OnlyFans.

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<v Speaker 4>Yeah, but I think I think that happened after she

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<v Speaker 4>became a rapper. She did that to multiple music. I mean,

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<v Speaker 4>I'm not sure, you know, I'm sure whoever this.

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<v Speaker 2>Is porn shoot porn videos.

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<v Speaker 4>Sure, yeah, at.

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<v Speaker 1>This point, she you know, be sleeping with some dudes.

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<v Speaker 1>But I think that's how she's marketing her brand. She's

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<v Speaker 1>trying to prove that she's a like. Her brand is

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<v Speaker 1>being a sleut so she creates.

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<v Speaker 3>She seems more fake and less rap talented than does

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<v Speaker 3>her counterpart.

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<v Speaker 4>Yeah, totally agree.

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<v Speaker 1>I'm I totally believe Sexy read, but I do not

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<v Speaker 1>believe Suki Hannah. And Suki Hannah has videos fucking on tape, right,

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<v Speaker 1>and I still don't believe it. I think all of

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<v Speaker 1>them are her boyfriends, probably are, or whatever guy she's made.

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<v Speaker 1>I haven't saw nothing, but I saw it, and it

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<v Speaker 1>just it didn't really look that attractive to me.

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<v Speaker 4>It was just like this.

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<v Speaker 1>Rapper fucking you know, But I don't buy it. But

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<v Speaker 1>I was telling Joey earlier, I think we're in this

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<v Speaker 1>weird space of no one understanding exactly what business they're

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<v Speaker 1>in and that's because I think everybody's in the business or.

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<v Speaker 4>Their goal is to get famous.

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<v Speaker 1>It's not really to do business, it's to get famous

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<v Speaker 1>and to monetize who they are.

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<v Speaker 2>Yeah, yeah, that makes that makes a lot of sense.

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<v Speaker 2>I can agree with that. That's what it looked like. Yeah,

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<v Speaker 2>because you can't just all time rapper and a full

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<v Speaker 2>time content creator. And when I say content creator, I

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<v Speaker 2>mean like creating all type of different types of content.

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<v Speaker 2>You feel me it don't necessarily pertain to your actual

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<v Speaker 2>rapping and your music. It's like, oh, I'm doing this,

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<v Speaker 2>I'm shooting flogs about this, I'm doing that, you know

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<v Speaker 2>what I mean. Like, it don't be about raping the music.

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<v Speaker 2>It's about look at me, give me the views and

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<v Speaker 2>watch my content. That's what it seems like a lot

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<v Speaker 2>of people that do. And they'd be like, y'all wrap too.

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<v Speaker 3>Sure. It seems a little reverse engineered from maybe twenty

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<v Speaker 3>years ago where you would see rappers jump off because

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<v Speaker 3>they like were into rapping and they were good at it,

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<v Speaker 3>and they got famous for it, and then it was

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<v Speaker 3>like just safety paying anything to their name and like

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<v Speaker 3>all of a sudden, they're selling tequila and they're selling shirts,

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<v Speaker 3>and they're selling cologne, and they're selling christs or whatever else.

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<v Speaker 4>Well, I mean, I get it, you know what I mean.

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<v Speaker 4>But yeah, I think because.

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<v Speaker 1>What's going on currently, everything isn't flushed out the same way.

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<v Speaker 1>So like most rappers don't know how to rap, you know,

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<v Speaker 1>they don't know how to monetize their raps. Their Kardashian rappers,

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<v Speaker 1>they don't know how to monetize their raps. So guess

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<v Speaker 1>what now, they're just doing anything to get popular with

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<v Speaker 1>the goal of streaming their music. Like you know, some

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<v Speaker 1>people are in the business of streaming. And I was

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<v Speaker 1>telling Joey earlier, like, as professional recording artists, right, we're

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<v Speaker 1>hip hop artists, but we're professional recording artists, then we

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<v Speaker 1>have to be in the business of selling records. That's

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<v Speaker 1>the only way the record business can work.

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<v Speaker 4>This is no sellings. Gl I'm my boy Peter flushing

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<v Speaker 4>out some fucking thoughts.

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<v Speaker 1>I brought down the Joey Wests off from La Giants

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<v Speaker 1>once again because I flush out a lot of thoughts

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<v Speaker 1>with you know, in conversation with him. But I think

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<v Speaker 1>that's what's wrong. What's wrong is everyone is confused about

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<v Speaker 1>what business they're in. Like I was explaining to someone else,

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<v Speaker 1>Tech nine is in show business, like people think he's,

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<v Speaker 1>you know, in the record business. I'm like, no, Tech

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<v Speaker 1>nine's business center is concerts. Everything else happens around the concerts,

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<v Speaker 1>makes everything else happens around the concerts, And so what

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<v Speaker 1>you have is a bunch of people confused. Like one

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<v Speaker 1>of my homeboys hit me today, shout out to my

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<v Speaker 1>homeboy from Reno, Guilty, and he was like, man, glasses,

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<v Speaker 1>you should start a reaction channel where you start reacting

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<v Speaker 1>to people's music video. And you know, I'm listening because

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<v Speaker 1>Guilty as a smart dude. But I'm like thinking to myself, like,

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<v Speaker 1>why the fuck would I do that. I'm not in

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<v Speaker 1>the business of just creating content.

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<v Speaker 3>Did he come to the studio one time we met him?

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<v Speaker 3>I feel like I met a guy from Reno once before.

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<v Speaker 1>Yep, and he was a trollo, right, Yeah, that's my

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<v Speaker 1>homie Guilty. So but I was thinking to myself, but

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<v Speaker 1>I understand why he thinks that, because rappers have kind of,

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<v Speaker 1>well what people think of rappers today, they've kind of

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<v Speaker 1>blurred the line. I mean, they blurred the line of

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<v Speaker 1>what a rapper is a professional rapper is and a

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<v Speaker 1>content creator because they like, well, rappers have to create content.

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<v Speaker 1>But if you don't know the goal of why you're

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<v Speaker 1>creating content, you know what I mean, and you're just

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<v Speaker 1>creating content for the sake of creating content, most likely

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<v Speaker 1>your content creator.

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<v Speaker 4>Yeah, yeah, if you're.

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<v Speaker 1>Creating content, if you're in the record business and you're

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<v Speaker 1>not driving people to buy a record, and I think

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<v Speaker 1>that's what's wrong with today's timing, right, Like people don't

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<v Speaker 1>want to sell records, they want to stream records, so

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<v Speaker 1>therefore they don't have a true business idea. They don't

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<v Speaker 1>know what they want to do. They just doing some

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<v Speaker 1>shit and they don't know what the fuck they're doing.

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<v Speaker 1>It's like I had shot these four really dope interviews

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<v Speaker 1>on I had shot these really dope interviews for my

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<v Speaker 1>YouTube channel. My YouTube channels struggling like crazy, like like

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<v Speaker 1>I have I don't have any fake followers. I got

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<v Speaker 1>fifty plus thousand subscribers on YouTube, but I'm looking at

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<v Speaker 1>how my content is not going to the fifty thousand people.

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<v Speaker 1>So one is either is for sure shadow man because

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<v Speaker 1>it's not passing it through the algorithm, right, probably because

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<v Speaker 1>I got a lot of strikes from really you know,

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<v Speaker 1>trivial you know, visuals or people kind of struggling because

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<v Speaker 1>they just was mad at the point of view and

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<v Speaker 1>too they want me to advertise just to reach the

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<v Speaker 1>people that subscribe to me, And I'm like, so I

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<v Speaker 1>shot these for interviews because I'm like, okay, if I

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<v Speaker 1>chop up these interviews right it My goal was to

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<v Speaker 1>to to do a sit down with every last person

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<v Speaker 1>that was you know, a future on Cancel These Nuts

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<v Speaker 1>the album.

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<v Speaker 4>Right.

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<v Speaker 1>My goal was like, I'm going to do a feature

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<v Speaker 1>with everybody on Cancel These Nuts, and I'm gonna do

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<v Speaker 1>a video and I'm gonna break it up so I

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<v Speaker 1>could keep offering you know, content daily to deliver the

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<v Speaker 1>people to my fans. But I'm like, so I shot

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<v Speaker 1>the I shot the content. Shout out to the me

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<v Speaker 1>who shot it. The homie West really dope, and these

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<v Speaker 1>dope interviews came from it, right, These really dope sit

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<v Speaker 1>awns came from it, right, And I'm like, man, this

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<v Speaker 1>shit is dope. I'm like, bro, like, how am I

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<v Speaker 1>going to get somebody to buy a record by looking

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<v Speaker 1>at someone sit down and have a conversation with d

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<v Speaker 1>smoke or even my big brother Cam.

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<v Speaker 4>It doesn't make sense. Why would they go buy my

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<v Speaker 4>record if.

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<v Speaker 1>They see and, you know, sit down with Cam with

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<v Speaker 1>some interviewer that they don't know.

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<v Speaker 4>Who it is. It stopped making sense.

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<v Speaker 1>So I was already three thousand dollars in on the interviews,

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<v Speaker 1>and I just had to kind of like scrap them

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<v Speaker 1>off of my page.

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<v Speaker 4>And then I started.

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<v Speaker 1>I created a program for a digital soapbox where guess

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<v Speaker 1>the chronicles is because I programmed for that YouTube channel

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<v Speaker 1>and I just created a new show over there and

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<v Speaker 1>had them retagged because it fit over there better. But

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<v Speaker 1>that fast, I almost lost my way and became a

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<v Speaker 1>content creator versus a professional recording artist that sells records.

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<v Speaker 1>And you're looking at the comics. The comics are the

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<v Speaker 1>same way, right, Like, if you're a comic, right.

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<v Speaker 4>You you should.

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<v Speaker 1>Be making funny comedies, right, you should be making short

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<v Speaker 1>stat's comics.

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<v Speaker 4>But if you're a rapper, I don't know if.

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<v Speaker 1>Making comics short funny comedies really that don't have anything

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<v Speaker 1>to do with music is what you want. I don't

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<v Speaker 1>know how that really draws people to your show. And

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<v Speaker 1>I think there's a confusion again, I say of people

0:13:41.160 --> 0:13:45.560
<v Speaker 1>trying to be popular at any cost, not for their trade,

0:13:45.720 --> 0:13:49.040
<v Speaker 1>not for their craft, not being skilled at what they do,

0:13:49.440 --> 0:13:51.600
<v Speaker 1>you know what I mean, not even in their business,

0:13:51.760 --> 0:13:53.240
<v Speaker 1>just to be popular for the.

0:13:53.200 --> 0:13:55.280
<v Speaker 4>Sake of feeling like it all transition over.

0:13:55.760 --> 0:14:01.880
<v Speaker 2>So talking transition over me, over to to money or

0:14:01.960 --> 0:14:06.360
<v Speaker 2>to come to over to business. Now y'all gonna listen

0:14:06.360 --> 0:14:08.320
<v Speaker 2>to me rap now that I'm popular here. But it

0:14:08.360 --> 0:14:09.000
<v Speaker 2>don't work that.

0:14:08.960 --> 0:14:12.480
<v Speaker 1>Way, no, And it takes as much work to be

0:14:12.640 --> 0:14:15.480
<v Speaker 1>popular as just a content creator. Like I think people

0:14:15.520 --> 0:14:18.280
<v Speaker 1>think it's easy, and I'm like, bro, that shit's hard

0:14:18.400 --> 0:14:20.640
<v Speaker 1>because you know, I mean, whatever you sell them, you

0:14:20.680 --> 0:14:23.520
<v Speaker 1>gotta do it all the time. And at that same stance, shit,

0:14:23.560 --> 0:14:25.560
<v Speaker 1>if you did hip hop as much as it be different.

0:14:26.200 --> 0:14:29.400
<v Speaker 1>I'm watching people through two skits today but not dropping

0:14:29.440 --> 0:14:37.840
<v Speaker 1>two songs a day. Sure, yeah, how do you feel

0:14:37.840 --> 0:14:38.200
<v Speaker 1>about that?

0:14:38.240 --> 0:14:38.520
<v Speaker 4>People?

0:14:38.560 --> 0:14:42.640
<v Speaker 1>Being a comic and you know that that's how most

0:14:42.680 --> 0:14:47.400
<v Speaker 1>comics are marketing themselves through comedy skits or small standards.

0:14:47.440 --> 0:14:48.720
<v Speaker 4>However they use social media.

0:14:48.720 --> 0:14:51.600
<v Speaker 1>How do you feel about that as a comic or like,

0:14:51.680 --> 0:14:53.560
<v Speaker 1>as a.

0:14:54.360 --> 0:14:58.640
<v Speaker 3>I mean, it depends on your skill set. Like some people.

0:15:01.000 --> 0:15:03.880
<v Speaker 3>One thing I thought was really great that and this

0:15:03.960 --> 0:15:06.080
<v Speaker 3>is going back a lot of years. That Kat Williams

0:15:06.160 --> 0:15:11.920
<v Speaker 3>was talking about was who's the woman the comedian ship

0:15:13.200 --> 0:15:17.960
<v Speaker 3>attractive lady black comedian. There's a lot of movies and

0:15:18.000 --> 0:15:23.520
<v Speaker 3>ship attractive. Uh you, Tiffany Hattish?

0:15:23.600 --> 0:15:28.640
<v Speaker 5>Yeah, yeah, yeah, in opposed to attractors mark Okay, okay.

0:15:28.720 --> 0:15:31.880
<v Speaker 6>If you were to go into a comedy a room

0:15:31.960 --> 0:15:35.880
<v Speaker 6>of comedians that are women, she's like the top two.

0:15:36.080 --> 0:15:40.840
<v Speaker 6>Yeah yeah, comedians and women are not it.

0:15:40.360 --> 0:15:44.640
<v Speaker 2>From from from comedy beauty standards.

0:15:44.160 --> 0:15:46.960
<v Speaker 3>Yeah yeah, and talking about in that spectrum.

0:15:47.680 --> 0:15:51.360
<v Speaker 1>Yeah, more was fun when she was young who some

0:15:51.440 --> 0:15:53.800
<v Speaker 1>more used to like some more some morel was fun

0:15:53.840 --> 0:15:54.720
<v Speaker 1>when she was younger too.

0:15:55.480 --> 0:15:57.480
<v Speaker 3>Okay, there's two one and a half.

0:15:57.760 --> 0:16:00.600
<v Speaker 2>She's known to be, she's known to be. I wanted

0:16:00.640 --> 0:16:02.320
<v Speaker 2>a attractive comedy.

0:16:02.320 --> 0:16:07.120
<v Speaker 1>Deal was fine when she was young. Who Adele Adele

0:16:07.360 --> 0:16:11.240
<v Speaker 1>Adal Gibbons is that her name? She had them big lips.

0:16:12.480 --> 0:16:15.760
<v Speaker 1>She'd be like, I'm such a fucking lady Adell Gibbings.

0:16:16.160 --> 0:16:17.080
<v Speaker 2>Ah fine.

0:16:18.680 --> 0:16:21.760
<v Speaker 3>There's a lot more Ellen de generous, Wanda Sykes, Rosans

0:16:21.760 --> 0:16:24.040
<v Speaker 3>and Lunel's than there are those types of girls there.

0:16:24.080 --> 0:16:26.280
<v Speaker 4>You got the other ones by the baskets.

0:16:25.800 --> 0:16:29.760
<v Speaker 1>For yeah, oh yeah, Well, I mean t ain't tiv

0:16:29.840 --> 0:16:31.160
<v Speaker 1>the c lady, you know what I mean. But I

0:16:31.160 --> 0:16:36.080
<v Speaker 1>guess if you go to comedy, she'd be like, she's you're.

0:16:35.960 --> 0:16:38.400
<v Speaker 3>Not gonna find a whole anyway. I was just looking

0:16:38.400 --> 0:16:47.560
<v Speaker 3>for the name. But Kat was saying in that Wander

0:16:47.640 --> 0:16:50.960
<v Speaker 3>video that he did that lady the Wander from Atlanta.

0:16:50.960 --> 0:16:55.720
<v Speaker 3>I don't know her last name, No, not her the

0:16:55.800 --> 0:17:01.960
<v Speaker 3>radio famous that famous interview God got you it was

0:17:02.080 --> 0:17:04.760
<v Speaker 3>your favorite. Tiffany had his joke because she doesn't write,

0:17:05.520 --> 0:17:08.080
<v Speaker 3>you know. And at the point being, it's like some

0:17:08.119 --> 0:17:13.000
<v Speaker 3>people are just naturally goofy, funny whatever, and their shit

0:17:13.160 --> 0:17:15.720
<v Speaker 3>is at its best in a thirty second to two

0:17:15.760 --> 0:17:20.760
<v Speaker 3>to three minute thing with production and visuals around it.

0:17:21.760 --> 0:17:24.840
<v Speaker 3>Other people, like you couldn't take Dave Chappelle and have

0:17:25.000 --> 0:17:31.640
<v Speaker 3>him do tiktoks and it works, No, but he can't

0:17:31.680 --> 0:17:35.320
<v Speaker 3>fucking ask right, right, But you aren't going to make

0:17:35.359 --> 0:17:38.720
<v Speaker 3>a thirty minute TikTok either, you know. So it's like

0:17:39.359 --> 0:17:48.920
<v Speaker 3>they're they're conflicting skill sets in some senses. And I think, like, yeah, rappers,

0:17:49.480 --> 0:17:51.840
<v Speaker 3>book writers and comedians. I see a lot of people

0:17:51.880 --> 0:17:54.879
<v Speaker 3>who write books, and I've heard them on five podcasts.

0:17:54.960 --> 0:17:57.679
<v Speaker 3>I see them talk about their shit for you know,

0:17:57.800 --> 0:18:00.679
<v Speaker 3>five hours, and by the time I'm like, I know

0:18:00.720 --> 0:18:04.040
<v Speaker 3>what your book's about already. You're not selling books, you're

0:18:04.040 --> 0:18:06.600
<v Speaker 3>heard of. You You've promoted to the point where you've

0:18:06.600 --> 0:18:09.440
<v Speaker 3>now damaged your ability to sell this book because you've

0:18:09.440 --> 0:18:11.200
<v Speaker 3>told everybody else in the goddamn.

0:18:10.920 --> 0:18:13.199
<v Speaker 2>So it's like, there's like, what is it a lord, Like,

0:18:13.240 --> 0:18:17.320
<v Speaker 2>it's just you didn't gave me everything already with talking

0:18:17.359 --> 0:18:19.639
<v Speaker 2>about it. And because you feel like, because a lot

0:18:19.680 --> 0:18:21.159
<v Speaker 2>of people feel like I got to be seen, I

0:18:21.200 --> 0:18:23.240
<v Speaker 2>need to go on these podcasts. People need to see me.

0:18:23.280 --> 0:18:25.879
<v Speaker 2>The neything me talk and you see a lot of that,

0:18:26.000 --> 0:18:28.960
<v Speaker 2>and even with rappers, like rappers will do interviews with

0:18:29.080 --> 0:18:32.320
<v Speaker 2>no music out, no new music out, no no visuals out.

0:18:33.000 --> 0:18:36.240
<v Speaker 2>It's just like, no watch me talk. Because I feel

0:18:36.320 --> 0:18:39.879
<v Speaker 2>like this platform is giving me an opportunity to, like

0:18:40.080 --> 0:18:44.360
<v Speaker 2>Glasses just said, be popular, to be saw. You can

0:18:44.440 --> 0:18:46.760
<v Speaker 2>see me now, like niggas is really they want to

0:18:46.800 --> 0:18:50.400
<v Speaker 2>do interviews just to be seen and with nothing going

0:18:50.440 --> 0:18:54.439
<v Speaker 2>on at least we don't know what's going on. We

0:18:54.560 --> 0:18:59.359
<v Speaker 2>just know you on this popular you know platform on

0:18:59.359 --> 0:18:59.800
<v Speaker 2>the internet.

0:19:00.000 --> 0:19:01.480
<v Speaker 1>That's why if you look at every one of my

0:19:01.560 --> 0:19:04.879
<v Speaker 1>posts on social media on Instagram at this point, every

0:19:05.000 --> 0:19:05.840
<v Speaker 1>post bro.

0:19:05.720 --> 0:19:08.560
<v Speaker 4>I put the album.

0:19:08.640 --> 0:19:11.800
<v Speaker 1>I put the album right there, click the link of

0:19:11.880 --> 0:19:15.600
<v Speaker 1>my bio, like, I'm only doing this to sell records.

0:19:16.200 --> 0:19:19.640
<v Speaker 1>I'm only doing this to sell records. I'm not posting

0:19:20.000 --> 0:19:21.240
<v Speaker 1>for anything else.

0:19:21.040 --> 0:19:23.320
<v Speaker 4>But to sell records.

0:19:23.040 --> 0:19:28.639
<v Speaker 1>It's either one to reinforce my brand or two to

0:19:28.720 --> 0:19:32.640
<v Speaker 1>sell records, and they go hand and in so prime

0:19:32.680 --> 0:19:36.680
<v Speaker 1>example like how I almost got lost and did those

0:19:36.720 --> 0:19:39.119
<v Speaker 1>YouTube interviews, which the interviews are dope, and when people

0:19:39.160 --> 0:19:43.520
<v Speaker 1>see them on the Shaw and producing for a digital soapbox.

0:19:43.080 --> 0:19:45.399
<v Speaker 4>People gonna love the that the interviews.

0:19:45.560 --> 0:19:50.880
<v Speaker 1>But my platform needs to only be done with things

0:19:50.960 --> 0:19:54.160
<v Speaker 1>to reinforce my brand and to sell records.

0:19:54.320 --> 0:19:56.280
<v Speaker 4>That's the only post I should be happy.

0:19:59.000 --> 0:20:03.280
<v Speaker 1>Somebody said to me that was brilliant on Instagram and

0:20:03.320 --> 0:20:05.920
<v Speaker 1>they said, man, and I've had this thought before he

0:20:05.960 --> 0:20:08.399
<v Speaker 1>even told me. I was like, I'm not trying to

0:20:08.400 --> 0:20:12.320
<v Speaker 1>get fans, Like if you ever notice, I don't even

0:20:12.720 --> 0:20:15.159
<v Speaker 1>the first day I came. I've never felt like I

0:20:15.160 --> 0:20:18.200
<v Speaker 1>had fanatics. I've never thought to myself I have fans.

0:20:18.720 --> 0:20:22.400
<v Speaker 1>I don't think there are any fanatics of glasses Malone,

0:20:22.520 --> 0:20:24.400
<v Speaker 1>like how we'll entertain.

0:20:24.080 --> 0:20:27.120
<v Speaker 4>A conversation about Drake not being hip hop.

0:20:26.960 --> 0:20:30.320
<v Speaker 1>And he has fanatics that will hit me on Instagram

0:20:30.480 --> 0:20:34.359
<v Speaker 1>and they'll just like or Tupac or people you know,

0:20:34.480 --> 0:20:37.240
<v Speaker 1>disagree with the perspective of a song and they're threatened

0:20:37.280 --> 0:20:37.680
<v Speaker 1>my life.

0:20:37.760 --> 0:20:41.840
<v Speaker 4>I don't think I have fanatics like that. Fans.

0:20:42.840 --> 0:20:46.760
<v Speaker 1>I've always looked at people like someone who supports me

0:20:46.920 --> 0:20:50.280
<v Speaker 1>and my music, like they into the arts, they into

0:20:50.320 --> 0:20:52.680
<v Speaker 1>the flavor, and they support dope shit.

0:20:54.080 --> 0:20:55.480
<v Speaker 4>But I've never felt like.

0:20:55.480 --> 0:21:01.320
<v Speaker 1>I've had fanatics, Like even on Twitter, it was some

0:21:01.440 --> 0:21:05.679
<v Speaker 1>dude talking shit and to watch people respond and you know,

0:21:05.760 --> 0:21:09.080
<v Speaker 1>defend or defend me or attack them for attacking me,

0:21:09.760 --> 0:21:11.359
<v Speaker 1>it felt crazy.

0:21:11.080 --> 0:21:11.680
<v Speaker 4>You know what I mean.

0:21:11.800 --> 0:21:14.960
<v Speaker 1>And it was a humbling experience, you know what I mean,

0:21:15.000 --> 0:21:18.520
<v Speaker 1>because it's like I don't quite know how to take that,

0:21:18.560 --> 0:21:21.000
<v Speaker 1>you know what I mean. As far as like, damn, y'all,

0:21:21.040 --> 0:21:22.480
<v Speaker 1>fuck with what I'm saying that much.

0:21:23.359 --> 0:21:28.359
<v Speaker 2>It's yeah, you'll be surprised, man, because, uh, it's a

0:21:28.400 --> 0:21:30.359
<v Speaker 2>lot of people out there on the Internet and in

0:21:30.400 --> 0:21:33.359
<v Speaker 2>the world, man. So it's it's it's so many people.

0:21:33.400 --> 0:21:37.040
<v Speaker 2>It's enough people for everybody, you know, of course you

0:21:37.680 --> 0:21:40.080
<v Speaker 2>deal with people like like the names you just name

0:21:40.240 --> 0:21:44.119
<v Speaker 2>like they got I mean, these are like mega stars,

0:21:44.760 --> 0:21:48.120
<v Speaker 2>so it's people coming to they rescue that probably ain't

0:21:48.160 --> 0:21:50.560
<v Speaker 2>even into them like that, but they like, this dude

0:21:50.640 --> 0:21:53.440
<v Speaker 2>is a star. I don't view you as a star

0:21:53.640 --> 0:21:57.000
<v Speaker 2>like that. So that's why immediately they just say, oh,

0:21:57.080 --> 0:22:01.200
<v Speaker 2>you hate. They don't even it, don't even be hate

0:22:01.320 --> 0:22:06.440
<v Speaker 2>spewed in in the in the conversation, it's no dislike

0:22:06.520 --> 0:22:08.840
<v Speaker 2>at all. Like it's like you can be so clear

0:22:08.840 --> 0:22:11.960
<v Speaker 2>with your words. It's like like like with the most Depth,

0:22:12.040 --> 0:22:15.879
<v Speaker 2>she asked him a question and before he even answered that,

0:22:16.040 --> 0:22:18.080
<v Speaker 2>he was like, why are you doing this to me?

0:22:18.160 --> 0:22:21.560
<v Speaker 2>Because he already know what comes with being honest. And

0:22:21.880 --> 0:22:24.520
<v Speaker 2>then he said it, and the first thing people said

0:22:24.720 --> 0:22:26.160
<v Speaker 2>was he's hating.

0:22:27.640 --> 0:22:30.760
<v Speaker 4>And it was like most Death has a reason to

0:22:30.960 --> 0:22:32.200
<v Speaker 4>hate on Drake.

0:22:32.480 --> 0:22:36.320
<v Speaker 2>Because what you as success and and and and the

0:22:36.400 --> 0:22:39.680
<v Speaker 2>lack thereof. So they like, oh, you must be hating even.

0:22:39.480 --> 0:22:42.440
<v Speaker 1>Though Most Depth is a rap a bona fide hip

0:22:42.440 --> 0:22:48.400
<v Speaker 1>hop star legend and after the star, yeah, it's been movies.

0:22:48.800 --> 0:22:52.040
<v Speaker 3>Yeah that that that to me is just like it's

0:22:52.040 --> 0:22:57.119
<v Speaker 3>such a chicken shit, like cheap low IQ clickbait thing.

0:22:56.920 --> 0:22:59.760
<v Speaker 7>To do, and these oh so and so hate son

0:22:59.840 --> 0:23:05.280
<v Speaker 7>so and you know, idiot jels what he had to say,

0:23:05.400 --> 0:23:09.240
<v Speaker 7>you know, and.

0:23:07.480 --> 0:23:10.720
<v Speaker 2>And they totally disregard what you're saying, like they're not

0:23:10.800 --> 0:23:13.359
<v Speaker 2>even listening to you. It's like, I'm not about to

0:23:13.359 --> 0:23:16.280
<v Speaker 2>listen to you. All I see is this. And I'm

0:23:16.320 --> 0:23:17.480
<v Speaker 2>just addressing.

0:23:17.000 --> 0:23:21.040
<v Speaker 3>That there's a binary that exists. There's two things that

0:23:21.040 --> 0:23:23.520
<v Speaker 3>you can do. There's no spectrum, there's no gray area.

0:23:25.160 --> 0:23:28.800
<v Speaker 3>Suck dick or you're a hater. That's it. It's where

0:23:28.840 --> 0:23:33.240
<v Speaker 3>we know in the middle, there's no throat the guy

0:23:33.359 --> 0:23:34.600
<v Speaker 3>or you're a hater. Period.

0:23:36.200 --> 0:23:37.600
<v Speaker 4>Man. That's where we're at.

0:23:38.160 --> 0:23:43.520
<v Speaker 3>That's where where to that point in the block of

0:23:43.600 --> 0:23:47.600
<v Speaker 3>sphere the block sphere?

0:23:49.119 --> 0:23:51.520
<v Speaker 2>Man, It's it's amazing. And I ain't gonna lie sometime

0:23:51.560 --> 0:23:53.359
<v Speaker 2>and I'd be like, men, these ain't even real people,

0:23:53.480 --> 0:23:56.040
<v Speaker 2>like and you get a little noise or sometime I

0:23:56.240 --> 0:23:59.200
<v Speaker 2>just comment like if if if if, if it's a

0:23:59.440 --> 0:24:03.000
<v Speaker 2>if it's a video that's up that glasses put up

0:24:03.080 --> 0:24:05.280
<v Speaker 2>or whatever. You know, we got to support the movement

0:24:05.320 --> 0:24:07.879
<v Speaker 2>in the brand. So when I see certain comments, it's like, Okay,

0:24:07.920 --> 0:24:11.399
<v Speaker 2>I'll answer that question. For the homie York, you know whatever.

0:24:11.480 --> 0:24:14.879
<v Speaker 2>And sometimes people they'll come for you and just you

0:24:15.000 --> 0:24:17.040
<v Speaker 2>a hater too, and then they'd go to your page

0:24:17.080 --> 0:24:22.080
<v Speaker 2>and but idne got caught an old rapper? Uh? All

0:24:22.119 --> 0:24:24.720
<v Speaker 2>type of shit. Man, You still trying to rap. It's

0:24:24.800 --> 0:24:26.800
<v Speaker 2>like trying, like you just came to my page and

0:24:26.840 --> 0:24:29.760
<v Speaker 2>seen me doing it. But for whatever they comparing it

0:24:29.800 --> 0:24:32.280
<v Speaker 2>to they I'm trying to do it and you just

0:24:32.280 --> 0:24:36.160
<v Speaker 2>got to learn to laugh. It's really funny. It's really funny. Man.

0:24:36.960 --> 0:24:40.359
<v Speaker 1>What killed me about those kind of people, bro, is

0:24:40.400 --> 0:24:42.240
<v Speaker 1>like somebody said that to me the other day.

0:24:42.240 --> 0:24:44.240
<v Speaker 4>They said, man, and you talking shit.

0:24:44.320 --> 0:24:47.600
<v Speaker 1>You only got fifty six likes on your picture, and

0:24:47.640 --> 0:24:49.560
<v Speaker 1>I'm like, I went to his page and that nigga

0:24:49.640 --> 0:24:53.199
<v Speaker 1>had three followers. I was like, bro, why would you

0:24:53.440 --> 0:24:56.040
<v Speaker 1>want to clown? And you know me like, I'm not

0:24:56.640 --> 0:24:59.159
<v Speaker 1>for the most part, ninety nine point nine percent of

0:24:59.200 --> 0:25:01.480
<v Speaker 1>the times, I'm not gonna try to diss with you back.

0:25:01.560 --> 0:25:03.800
<v Speaker 4>Man, I don't know you. If we gon bag, we

0:25:03.880 --> 0:25:04.160
<v Speaker 4>had to.

0:25:04.080 --> 0:25:06.440
<v Speaker 1>Be in person because if you say something too far,

0:25:06.480 --> 0:25:09.080
<v Speaker 1>I need to be able to reach across that motherfucker

0:25:09.240 --> 0:25:10.760
<v Speaker 1>deck your light out, phebe.

0:25:10.880 --> 0:25:12.840
<v Speaker 4>But so I'm like if.

0:25:12.760 --> 0:25:16.600
<v Speaker 3>You say some real shit like it's now in the ethos,

0:25:16.640 --> 0:25:21.840
<v Speaker 3>frozen in time, you know, for however the fuck along?

0:25:22.760 --> 0:25:24.840
<v Speaker 4>Yeah, but I don't get why the fuck would you

0:25:24.880 --> 0:25:25.920
<v Speaker 4>say you have three?

0:25:26.240 --> 0:25:29.000
<v Speaker 1>So I said, why would you be talking about social

0:25:29.119 --> 0:25:32.159
<v Speaker 1>engagement and you have three followers?

0:25:32.560 --> 0:25:35.480
<v Speaker 2>Man, he went and made that page when he's saying.

0:25:35.320 --> 0:25:38.040
<v Speaker 4>It, And he told me that he said.

0:25:38.240 --> 0:25:39.520
<v Speaker 2>That page just to say that.

0:25:39.960 --> 0:25:42.440
<v Speaker 1>I said, I said, he said that. I said, he said,

0:25:42.600 --> 0:25:44.919
<v Speaker 1>it's funny you only got fifty. It's funny somebody with

0:25:44.960 --> 0:25:47.600
<v Speaker 1>fifty lights on their picture talking about something.

0:25:48.240 --> 0:25:49.640
<v Speaker 4>I said, it's.

0:25:49.560 --> 0:25:53.800
<v Speaker 1>Funnier somebody with three followers is talking about social engagement.

0:25:54.000 --> 0:25:56.400
<v Speaker 1>He said, well, this is my burner page. I said,

0:25:56.400 --> 0:25:59.040
<v Speaker 1>it's even more funny that you won't even tweet from

0:25:59.040 --> 0:26:02.600
<v Speaker 1>your real page talking to somebody that you don't know.

0:26:02.760 --> 0:26:05.600
<v Speaker 2>And he said, well, it's my burner page, as if

0:26:05.680 --> 0:26:07.880
<v Speaker 2>like you got it like you sup.

0:26:08.119 --> 0:26:11.040
<v Speaker 3>Basically like, well, I'm really too scared to say this

0:26:11.160 --> 0:26:13.600
<v Speaker 3>to you, even not in your face, but with my

0:26:13.720 --> 0:26:17.280
<v Speaker 3>face on it. Bugs, buddy page, Why.

0:26:17.080 --> 0:26:19.000
<v Speaker 2>Do you have a First of all, why do you

0:26:19.040 --> 0:26:20.480
<v Speaker 2>have a bird? Who are you?

0:26:21.480 --> 0:26:21.560
<v Speaker 3>Like?

0:26:21.600 --> 0:26:21.959
<v Speaker 2>Anyone?

0:26:22.240 --> 0:26:27.920
<v Speaker 3>Like anyone's gonna roll up on this dude, and and.

0:26:26.320 --> 0:26:27.880
<v Speaker 4>It's funny to me because it's like.

0:26:29.760 --> 0:26:33.719
<v Speaker 1>You just called yourself a bitch ass nigga without saying

0:26:33.760 --> 0:26:35.159
<v Speaker 1>you a bitch ass nigga.

0:26:35.280 --> 0:26:37.080
<v Speaker 4>And I'm looking at myself.

0:26:36.720 --> 0:26:40.440
<v Speaker 1>Like this is where we're at in society, because where

0:26:40.760 --> 0:26:44.199
<v Speaker 1>niggas is openly admitting they bitch ass niggas. Like I

0:26:44.240 --> 0:26:47.800
<v Speaker 1>won't tell you what I think from my page. What

0:26:48.040 --> 0:26:52.239
<v Speaker 1>the I don't know you, and if I knowed you,

0:26:52.320 --> 0:26:54.359
<v Speaker 1>it wouldn't it wouldn't even bother me if I knew

0:26:54.400 --> 0:26:56.960
<v Speaker 1>So if you knew me, you would you would be

0:26:57.080 --> 0:27:00.280
<v Speaker 1>bothered to say that, right, But if you didn't know

0:27:00.400 --> 0:27:04.399
<v Speaker 1>me and you just still hiding and you made a

0:27:04.400 --> 0:27:07.320
<v Speaker 1>burner page, or you could say raggedy shit. I remember

0:27:07.359 --> 0:27:09.840
<v Speaker 1>I LKD Man tweet from your page, bro, fuck a

0:27:09.880 --> 0:27:10.600
<v Speaker 1>burner page?

0:27:11.320 --> 0:27:16.240
<v Speaker 3>Fuck you do they have burner gangsters and watts or

0:27:16.359 --> 0:27:19.200
<v Speaker 3>you can't. You can't pull it off? Really, what's that?

0:27:21.560 --> 0:27:24.840
<v Speaker 3>That's where you create a fake person to go, uh,

0:27:25.720 --> 0:27:28.199
<v Speaker 3>you know, run up on somebody so that they don't know.

0:27:28.320 --> 0:27:30.479
<v Speaker 2>There's so much of that ship going on on the Internet.

0:27:30.640 --> 0:27:35.800
<v Speaker 2>It's it's it's cringey. Sometimes you'd be like wait, no, this, this,

0:27:35.800 --> 0:27:37.960
<v Speaker 2>this didn't you be like this didn't just happen right,

0:27:38.040 --> 0:27:39.920
<v Speaker 2>Like he didn't just do that, right, or he didn't

0:27:39.960 --> 0:27:43.000
<v Speaker 2>just say that right like, yes he did. That's not

0:27:43.040 --> 0:27:46.399
<v Speaker 2>a that's not a that's not a grown man sitting

0:27:46.440 --> 0:27:49.320
<v Speaker 2>there talking to letting another man talk to him crazy

0:27:49.359 --> 0:27:51.280
<v Speaker 2>like that and going back and forth like that. That's

0:27:51.320 --> 0:27:55.320
<v Speaker 2>not happening right now. Like wait, you you just recorded

0:27:55.359 --> 0:27:58.520
<v Speaker 2>your phone and you start yelling at somebody that's not there.

0:27:58.600 --> 0:28:01.120
<v Speaker 2>You looking at yourself yelling at somebody else. You didn't

0:28:01.160 --> 0:28:04.840
<v Speaker 2>just do that, right, Yes, yes, the nigga just did that.

0:28:05.359 --> 0:28:09.760
<v Speaker 2>These it's wild right now, man, And it's all for

0:28:10.000 --> 0:28:11.040
<v Speaker 2>content creation.

0:28:12.920 --> 0:28:20.000
<v Speaker 4>Okay, So here's a better question, Pete, Joey.

0:28:21.440 --> 0:28:23.879
<v Speaker 1>If you okay Joey, if you saw a rapper, you

0:28:23.920 --> 0:28:26.680
<v Speaker 1>know what, No, I'm gonna go to Pete, Pete. If

0:28:26.720 --> 0:28:30.040
<v Speaker 1>you like a rapper, right, let's say you kind of

0:28:30.080 --> 0:28:32.240
<v Speaker 1>getting into this MC and he's dope and you like

0:28:32.320 --> 0:28:35.960
<v Speaker 1>his records, what type of content would you like to

0:28:36.000 --> 0:28:40.840
<v Speaker 1>see from him being created.

0:28:40.480 --> 0:28:42.680
<v Speaker 4>That would make you engage?

0:28:42.800 --> 0:28:45.640
<v Speaker 1>Would it be things to prove he's a better rapper,

0:28:46.080 --> 0:28:49.160
<v Speaker 1>or to prove he's a good rapper, like freestyle.

0:28:51.400 --> 0:28:54.640
<v Speaker 3>The only thing, the only value to me that can

0:28:54.680 --> 0:29:01.120
<v Speaker 3>be brought from that is if I'm getting like some

0:29:01.280 --> 0:29:03.880
<v Speaker 3>backstory type shit, Like you might hear a song and

0:29:03.920 --> 0:29:05.800
<v Speaker 3>it's like, oh, that's a cool song. This guy you know,

0:29:05.840 --> 0:29:09.400
<v Speaker 3>he's nice on the song whatever. And because there aren't

0:29:09.400 --> 0:29:12.280
<v Speaker 3>a lot of examples of that for me really where

0:29:12.320 --> 0:29:14.880
<v Speaker 3>I can be like, oh, yeah, no, I've seen this

0:29:14.920 --> 0:29:17.440
<v Speaker 3>guy do a bunch of shit that was just straight

0:29:17.520 --> 0:29:20.520
<v Speaker 3>talking about a thing. And now I get these three

0:29:20.600 --> 0:29:23.040
<v Speaker 3>or four songs more and they're kind of cooler because

0:29:23.040 --> 0:29:25.360
<v Speaker 3>I know they're about a thing. Would be like and

0:29:25.400 --> 0:29:27.040
<v Speaker 3>I've brought him up before, I don't need to keep

0:29:27.040 --> 0:29:27.920
<v Speaker 3>like beating a dead.

0:29:27.760 --> 0:29:28.320
<v Speaker 2>Horse or whatever.

0:29:28.360 --> 0:29:31.360
<v Speaker 3>But like like CML, for example, you know, because he

0:29:31.640 --> 0:29:34.600
<v Speaker 3>raps about shit that he interviews about. So if you

0:29:34.640 --> 0:29:39.160
<v Speaker 3>don't know the interview necessarily, or you aren't from two

0:29:39.200 --> 0:29:41.480
<v Speaker 3>blocks from where he's from, you probably don't know what

0:29:41.520 --> 0:29:43.520
<v Speaker 3>the song is really really about. It's just kind of

0:29:43.560 --> 0:29:47.040
<v Speaker 3>like souths like rhymes. That would be kind of probably

0:29:47.040 --> 0:29:52.000
<v Speaker 3>the only thing. Otherwise, like you could have the greatest

0:29:53.080 --> 0:29:57.240
<v Speaker 3>like bars persona and be a dead pan personality or

0:29:57.320 --> 0:30:01.800
<v Speaker 3>vice versa. They don't necessarily correlate perfectly, you know what

0:30:01.840 --> 0:30:06.600
<v Speaker 3>I mean? So, I mean sugar Free would be another

0:30:06.640 --> 0:30:09.680
<v Speaker 3>example his ship. I don't need to hear him do

0:30:09.720 --> 0:30:12.320
<v Speaker 3>an interview to understand what he's talking about on the

0:30:12.360 --> 0:30:16.240
<v Speaker 3>mic when he's doing an album, but he's pretty fucking

0:30:16.320 --> 0:30:19.320
<v Speaker 3>rad to hear talk. That's just kind of like separate.

0:30:20.040 --> 0:30:21.640
<v Speaker 3>But it's not like it makes me more of it.

0:30:21.720 --> 0:30:24.840
<v Speaker 3>I was like, Wow, that that song is way better now.

0:30:24.880 --> 0:30:28.240
<v Speaker 3>I'm like that was just as good before. That was

0:30:28.240 --> 0:30:30.640
<v Speaker 3>a cool interview also, that's fine.

0:30:32.360 --> 0:30:35.200
<v Speaker 4>So so clarity into the art with your with your

0:30:35.200 --> 0:30:36.440
<v Speaker 4>content creating.

0:30:36.480 --> 0:30:42.000
<v Speaker 3>Sometimes, yeah, if if your if your art is providing

0:30:43.520 --> 0:30:45.920
<v Speaker 3>an avenue for that to be there. You know, I

0:30:45.920 --> 0:30:48.600
<v Speaker 3>don't think that like Rick Ross necessarily doing an interview

0:30:48.600 --> 0:30:53.280
<v Speaker 3>about a song that he created. Sure, here's your creative process, Rick,

0:30:53.360 --> 0:30:55.560
<v Speaker 3>thank you, because.

0:30:55.720 --> 0:31:01.040
<v Speaker 4>The music lacks the depth. Yeah, okay, that's fair. Joey.

0:31:01.160 --> 0:31:02.240
<v Speaker 4>Now let me ask you something.

0:31:04.560 --> 0:31:08.920
<v Speaker 1>What kind of content do you want your the comedians

0:31:08.960 --> 0:31:11.600
<v Speaker 1>that you would like to support, What type of content

0:31:11.640 --> 0:31:14.440
<v Speaker 1>should they be creating that would make you get up

0:31:14.880 --> 0:31:17.640
<v Speaker 1>and go see them at the comedy.

0:31:17.200 --> 0:31:21.960
<v Speaker 4>Store or at the laugh factory.

0:31:23.440 --> 0:31:26.160
<v Speaker 2>Honestly, man, I'm noticing they doing a lot of things

0:31:26.160 --> 0:31:31.160
<v Speaker 2>that like the uh the rappers, do you know what

0:31:31.200 --> 0:31:33.680
<v Speaker 2>I'm saying As far as creating the stand up clips,

0:31:34.880 --> 0:31:37.040
<v Speaker 2>like I seen the Comedian the day that that had

0:31:37.080 --> 0:31:39.520
<v Speaker 2>a funny joke and it made me laugh to the

0:31:39.520 --> 0:31:42.160
<v Speaker 2>point where I was like if I I wouldn't mind

0:31:42.160 --> 0:31:45.000
<v Speaker 2>seeing them live. So those work just being funny.

0:31:45.720 --> 0:31:46.760
<v Speaker 4>Really, That's what I said.

0:31:46.920 --> 0:31:52.400
<v Speaker 1>I think I think comedy as a profession is definitely

0:31:52.520 --> 0:31:56.960
<v Speaker 1>using social media one hundred times better, like as a

0:31:57.000 --> 0:32:01.760
<v Speaker 1>profession than rappers are. Like I think rapping raps are

0:32:02.000 --> 0:32:07.040
<v Speaker 1>Rap is still looking for it's it's niche when it

0:32:07.080 --> 0:32:09.120
<v Speaker 1>comes to creating content.

0:32:09.000 --> 0:32:09.760
<v Speaker 4>Like as a thing.

0:32:09.880 --> 0:32:12.160
<v Speaker 1>Because you know, if you look at Desi Banks, if

0:32:12.160 --> 0:32:14.760
<v Speaker 1>you look at.

0:32:13.680 --> 0:32:15.560
<v Speaker 4>You know, uh like Daisi.

0:32:16.200 --> 0:32:20.720
<v Speaker 1>Uh, what's the dude name from Country?

0:32:20.920 --> 0:32:22.680
<v Speaker 4>You know the dude from Michigan because I've never seen

0:32:22.760 --> 0:32:25.960
<v Speaker 4>Country range. What's du Michigan?

0:32:26.280 --> 0:32:31.000
<v Speaker 5>Uhm Michigani?

0:32:31.760 --> 0:32:34.760
<v Speaker 1>Hi David south Side We saw south Side in Atlanta.

0:32:34.760 --> 0:32:38.200
<v Speaker 1>Shout out to the homie south Side in Atlanta. I

0:32:38.240 --> 0:32:41.480
<v Speaker 1>think they have figured it out because they just do

0:32:41.680 --> 0:32:45.440
<v Speaker 1>skits and it's them being funny versus rap, where it's

0:32:45.520 --> 0:32:47.640
<v Speaker 1>like everybody in rap is just doing the silver mic

0:32:47.680 --> 0:32:48.400
<v Speaker 1>out the sky.

0:32:49.960 --> 0:32:56.200
<v Speaker 2>Right right right and that ship, you know, making people

0:32:56.240 --> 0:32:56.880
<v Speaker 2>go see them.

0:32:57.400 --> 0:33:00.240
<v Speaker 1>Yeah, because because a comic, you're looking for them to

0:33:00.240 --> 0:33:03.160
<v Speaker 1>be funny, and it's crazy because even then they be wrong,

0:33:03.240 --> 0:33:07.200
<v Speaker 1>because you know, being a being actor in a skit

0:33:07.400 --> 0:33:09.680
<v Speaker 1>is totally different than seeing somebody do stand up.

0:33:09.800 --> 0:33:12.240
<v Speaker 2>And that's what I was. I'm a fan of stand

0:33:12.320 --> 0:33:15.400
<v Speaker 2>up so most of the time the dudes that do

0:33:15.600 --> 0:33:18.200
<v Speaker 2>that right, and it's not me like, no, not to them,

0:33:18.240 --> 0:33:23.360
<v Speaker 2>but I already know if live like stand up, it

0:33:23.400 --> 0:33:26.240
<v Speaker 2>ain't gonna be the same. I watched too much stand

0:33:26.320 --> 0:33:28.880
<v Speaker 2>up comedy, I'm like, And when I went to go

0:33:28.920 --> 0:33:33.280
<v Speaker 2>see Daisy, I seen DC Young fly Like, yeah, I laughed.

0:33:33.480 --> 0:33:36.200
<v Speaker 1>They they're but not as much as you laughed at

0:33:36.200 --> 0:33:41.200
<v Speaker 1>their skits at all. But it's two different arts. It's

0:33:41.240 --> 0:33:43.840
<v Speaker 1>two different you know what's funny. It's a it's a

0:33:43.960 --> 0:33:47.560
<v Speaker 1>during from Sacramento that I watched all the time, and

0:33:47.640 --> 0:33:49.520
<v Speaker 1>I've been seeing his stand up clip. But he do

0:33:49.640 --> 0:33:52.760
<v Speaker 1>the dope skit, remember he show I sent it to you, Pete.

0:33:52.920 --> 0:33:54.800
<v Speaker 1>He had this ship where he was the nigger READO

0:33:54.800 --> 0:33:55.960
<v Speaker 1>on the rocks.

0:33:57.080 --> 0:34:00.960
<v Speaker 4>Oh yes, that dude. Stand up is funny as fuck.

0:34:01.640 --> 0:34:06.240
<v Speaker 3>Okay, okay, now one well, it's like you remember back

0:34:06.280 --> 0:34:10.279
<v Speaker 3>in the nineteen nineties, every sitcom on network television was

0:34:10.320 --> 0:34:13.439
<v Speaker 3>a successful stand up comedian. Somebody gave Jerry sein Felled

0:34:13.440 --> 0:34:15.759
<v Speaker 3>a show, and then Tim Allen had a show, Paul

0:34:15.760 --> 0:34:19.480
<v Speaker 3>Reiser had a show. Uh all, it was just comedian

0:34:19.480 --> 0:34:21.759
<v Speaker 3>after comedian of comedian community. They just gave him a

0:34:21.800 --> 0:34:25.880
<v Speaker 3>show and it was like, here's you were collaboratively with

0:34:25.920 --> 0:34:28.080
<v Speaker 3>this team of ten writers and then go walk into

0:34:28.120 --> 0:34:30.239
<v Speaker 3>an apartment in some city or a house in some

0:34:30.320 --> 0:34:35.680
<v Speaker 3>suburb and just like whatever the fuck. And I've never

0:34:35.760 --> 0:34:37.880
<v Speaker 3>seen like Paul Reiser was the guy who did this

0:34:38.680 --> 0:34:41.120
<v Speaker 3>show is pretty famous called Matt About You with Helen

0:34:41.200 --> 0:34:42.520
<v Speaker 3>Hunt anywhere that from.

0:34:42.360 --> 0:34:43.520
<v Speaker 2>When we were probably kids.

0:34:45.200 --> 0:34:47.840
<v Speaker 3>I know he's a standup comedian. I've never seen a

0:34:47.880 --> 0:34:51.040
<v Speaker 3>perform stand up comedy in my life. But they were

0:34:51.080 --> 0:34:56.839
<v Speaker 3>just giving them away and yeah, totally separate. I mean

0:34:56.880 --> 0:34:59.680
<v Speaker 3>I wouldn't think, oh yeah, well that show on Tuesday

0:34:59.680 --> 0:35:02.000
<v Speaker 3>at eight PIM is pretty funny. Over there on ABC,

0:35:02.440 --> 0:35:04.160
<v Speaker 3>this guy has gotta be you know.

0:35:05.200 --> 0:35:07.080
<v Speaker 2>Great, it's two of your arts, man.

0:35:07.640 --> 0:35:08.279
<v Speaker 4>But it's dope.

0:35:08.320 --> 0:35:13.680
<v Speaker 1>But again, they stand up still will be successful the

0:35:13.719 --> 0:35:16.200
<v Speaker 1>commerce the business of their stand up, but still have

0:35:16.320 --> 0:35:21.640
<v Speaker 1>people there because right, because the skits are marketing, they're funny.

0:35:21.760 --> 0:35:24.200
<v Speaker 1>Now again, the art of being funny and stand up

0:35:24.280 --> 0:35:25.600
<v Speaker 1>is a completely different.

0:35:26.440 --> 0:35:27.960
<v Speaker 2>It's like the TV stars.

0:35:28.280 --> 0:35:31.799
<v Speaker 1>Yeah, it's a complete disc It's a different discipline. Lance Woods,

0:35:31.840 --> 0:35:34.000
<v Speaker 1>Sir Lance Woods, that's his name, Sir Lance Woods.

0:35:34.160 --> 0:35:36.040
<v Speaker 4>That nigga. I saw somethings stand there clips. I want

0:35:36.040 --> 0:35:41.120
<v Speaker 4>to see him. He's funny. But again it's different, you

0:35:41.120 --> 0:35:41.720
<v Speaker 4>know what I mean.

0:35:41.920 --> 0:35:44.960
<v Speaker 1>But I'm saying you see how comedy found its niche

0:35:45.000 --> 0:35:48.000
<v Speaker 1>on social media to where like now we know about

0:35:48.520 --> 0:35:52.640
<v Speaker 1>ten or twenty different comics that we will all share

0:35:53.120 --> 0:35:55.680
<v Speaker 1>our like skits, right I men, I seen you shit

0:35:55.760 --> 0:35:58.520
<v Speaker 1>from Desi. Desi is one of the funniest niggas. What's

0:35:58.560 --> 0:36:02.120
<v Speaker 1>the other brother that did the Todd Alabama roll Tide?

0:36:02.840 --> 0:36:05.040
<v Speaker 1>He actually liked the Little White Man and it was

0:36:05.040 --> 0:36:08.200
<v Speaker 1>after Alabama football games.

0:36:08.400 --> 0:36:10.040
<v Speaker 4>Drew Ski is another one that's funny.

0:36:12.239 --> 0:36:15.279
<v Speaker 1>But again, I think it's ten or twelve of these

0:36:15.320 --> 0:36:17.560
<v Speaker 1>guys that I know right off the back.

0:36:18.120 --> 0:36:21.000
<v Speaker 4>Because they have skits.

0:36:21.719 --> 0:36:25.480
<v Speaker 1>You know, they created content for Instagram that works and

0:36:25.600 --> 0:36:29.359
<v Speaker 1>it carries across Hey, this guy is funny, even if

0:36:29.360 --> 0:36:33.400
<v Speaker 1>they're not funny on stage, that it's doing the commerce,

0:36:33.440 --> 0:36:37.799
<v Speaker 1>it's promoting them being funny comedy. I don't remember the

0:36:37.880 --> 0:36:41.040
<v Speaker 1>last thing I shared with you from a rapper. I

0:36:41.040 --> 0:36:43.120
<v Speaker 1>don't even know what that looks like. And I think

0:36:43.160 --> 0:36:45.520
<v Speaker 1>we have some ideas writing the clips and different things

0:36:45.560 --> 0:36:46.640
<v Speaker 1>we talk about, but.

0:36:46.640 --> 0:36:52.080
<v Speaker 4>We don't have, you know, the we don't have.

0:36:53.400 --> 0:36:56.440
<v Speaker 1>That comic kind of thing with the with the skits

0:36:56.480 --> 0:36:59.279
<v Speaker 1>that the comedians like. We don't have that in hip hop,

0:36:59.560 --> 0:37:02.240
<v Speaker 1>like we don't. There's not no rapper Like the closest

0:37:02.320 --> 0:37:04.759
<v Speaker 1>is probably like a litt Russell where we're sharing his

0:37:04.840 --> 0:37:07.719
<v Speaker 1>stuff because he's kind of giving you, you know, he's

0:37:07.760 --> 0:37:10.760
<v Speaker 1>talking about how to be successful in the music business

0:37:10.840 --> 0:37:15.200
<v Speaker 1>as an independent artist. But we're not sharing the records

0:37:15.280 --> 0:37:17.879
<v Speaker 1>like that, like, and I think it's because something has

0:37:17.960 --> 0:37:21.560
<v Speaker 1>came off. Something has came off about hip hop, Like

0:37:21.640 --> 0:37:24.680
<v Speaker 1>I'm starting to believe more people is trying to be

0:37:24.719 --> 0:37:27.520
<v Speaker 1>a rapper than a fucking comedian or something, because or

0:37:27.560 --> 0:37:30.600
<v Speaker 1>either they found the niche when it comes to creating

0:37:30.640 --> 0:37:33.480
<v Speaker 1>content to support their business.

0:37:33.960 --> 0:37:35.560
<v Speaker 4>Hip hop, to me hasn't found that.

0:37:35.920 --> 0:37:39.080
<v Speaker 1>It's too much relying on platforms like, okay, if you

0:37:39.120 --> 0:37:41.279
<v Speaker 1>do the silver mic, you need to do the main

0:37:41.400 --> 0:37:44.520
<v Speaker 1>silver mic platform. With comics, it ain't like that. We

0:37:44.560 --> 0:37:47.400
<v Speaker 1>don't look to know comic page to tell us about comedy.

0:37:47.440 --> 0:37:51.839
<v Speaker 1>Matter fact, all deaf comedy is behind on the other

0:37:51.920 --> 0:37:54.600
<v Speaker 1>comics we like, I'm looking at Daisi Banks. I'm not

0:37:54.640 --> 0:37:58.080
<v Speaker 1>really worried about what all deaf comedy is posting. I mean,

0:37:58.080 --> 0:38:02.279
<v Speaker 1>but hip hop is different. We're looking for, you know,

0:38:02.560 --> 0:38:05.640
<v Speaker 1>influencers to say hey, would followers say hey, you like this?

0:38:05.960 --> 0:38:09.359
<v Speaker 1>And that means we still have work to do as

0:38:09.480 --> 0:38:13.040
<v Speaker 1>content creators in the hip hop space. Excuse me as

0:38:13.120 --> 0:38:17.400
<v Speaker 1>hip hop artists using content or creating content to market

0:38:17.640 --> 0:38:18.240
<v Speaker 1>the records?

0:38:21.480 --> 0:38:22.000
<v Speaker 2>Quick question?

0:38:22.600 --> 0:38:26.080
<v Speaker 3>Do you think that? For example, like a guy likes

0:38:26.480 --> 0:38:29.640
<v Speaker 3>like Vlad and and I'm acusur because I know him,

0:38:29.800 --> 0:38:32.040
<v Speaker 3>and I'm not saying this positive or negative.

0:38:32.080 --> 0:38:33.479
<v Speaker 4>I depend on how this goes.

0:38:33.640 --> 0:38:38.400
<v Speaker 3>So, but nanda does Vlad provide Do his interviews provide

0:38:38.480 --> 0:38:43.400
<v Speaker 3>more value to the interviewees or is he solely gaining

0:38:43.560 --> 0:38:49.040
<v Speaker 3>value from the interviews that he does based off of

0:38:49.080 --> 0:38:49.560
<v Speaker 3>who comes on?

0:38:49.840 --> 0:38:50.040
<v Speaker 4>You know what?

0:38:50.960 --> 0:38:53.279
<v Speaker 1>If you think about it, Lad would be only to

0:38:53.440 --> 0:38:56.799
<v Speaker 1>promote your brand, That's it?

0:38:57.000 --> 0:38:59.400
<v Speaker 4>Like yeah, I'm look.

0:39:00.080 --> 0:39:05.120
<v Speaker 1>But does it to see how it translated streams? But

0:39:05.160 --> 0:39:08.200
<v Speaker 1>I don't think Bootsy is streaming more music because he's

0:39:08.239 --> 0:39:11.359
<v Speaker 1>a resident guest on Vlad. I think it keeps him

0:39:11.440 --> 0:39:14.640
<v Speaker 1>relevant to his audience. But I don't think he's streaming

0:39:14.719 --> 0:39:15.360
<v Speaker 1>more music.

0:39:15.400 --> 0:39:18.600
<v Speaker 4>Like but but but min, who's get it?

0:39:18.640 --> 0:39:21.480
<v Speaker 3>Who's gaining the value? Is getting the value or other

0:39:21.520 --> 0:39:22.479
<v Speaker 3>rappers getting the value?

0:39:22.880 --> 0:39:26.760
<v Speaker 1>I think they're gaining value.

0:39:26.920 --> 0:39:28.520
<v Speaker 4>I think they're both gaining value.

0:39:28.600 --> 0:39:32.120
<v Speaker 1>Vlad definitely has his end together because the content is

0:39:32.200 --> 0:39:37.560
<v Speaker 1>his thing. You're trying to fit your content into his content.

0:39:37.920 --> 0:39:41.200
<v Speaker 1>That's his content, you know. I mean not fuck ownership,

0:39:41.200 --> 0:39:43.960
<v Speaker 1>but the style of it is self promotes what he does,

0:39:44.800 --> 0:39:48.640
<v Speaker 1>you know. So again, being a rapper or being a

0:39:48.719 --> 0:39:51.240
<v Speaker 1>hip hop artist or a rapper, you have to figure

0:39:51.239 --> 0:39:54.080
<v Speaker 1>out a way to rap and make it appealing so

0:39:54.120 --> 0:39:57.280
<v Speaker 1>people be like man. And that's what I was thinking

0:39:57.320 --> 0:40:00.640
<v Speaker 1>about today when we were talking about content. And I

0:40:00.680 --> 0:40:02.560
<v Speaker 1>know I'd be having some crazy thoughts because I'll be

0:40:02.600 --> 0:40:03.879
<v Speaker 1>sober all of that damn time.

0:40:03.960 --> 0:40:06.320
<v Speaker 4>So I'm never you know, on a vacation.

0:40:06.480 --> 0:40:11.120
<v Speaker 1>Mentally, I'm always thinking, so yeah, man, like, we gotta

0:40:11.200 --> 0:40:16.480
<v Speaker 1>figure out much better content, like people keep asking me

0:40:16.640 --> 0:40:20.399
<v Speaker 1>questions about what's wrong with West Coast hip hopper, what's

0:40:20.400 --> 0:40:22.400
<v Speaker 1>wrong with hip hop? And I'm like, bro, it's just

0:40:23.000 --> 0:40:27.600
<v Speaker 1>not great enough. It's not exciting. I repeat this. I

0:40:27.680 --> 0:40:30.760
<v Speaker 1>was looking at an ice Cube interview and ice Cube

0:40:30.800 --> 0:40:33.920
<v Speaker 1>was saying he wasn't mad about where we were at.

0:40:33.960 --> 0:40:36.360
<v Speaker 1>He was like, you're gonna have to be hella creative,

0:40:37.400 --> 0:40:42.000
<v Speaker 1>And I think that's what's driving it. Like comedy for

0:40:42.080 --> 0:40:45.640
<v Speaker 1>a great point, them comics are not content creators. They

0:40:45.800 --> 0:40:48.640
<v Speaker 1>not doing nothing else outside of comedy. You don't see

0:40:48.719 --> 0:40:51.640
<v Speaker 1>Drewski trying to sell no fucking cars on his fucking Instagram.

0:40:51.680 --> 0:40:54.680
<v Speaker 2>Yeah, he know, he's selling his funny funny.

0:40:54.760 --> 0:40:57.799
<v Speaker 3>Well that's that's a little bit of the difference though.

0:40:57.840 --> 0:41:03.600
<v Speaker 3>I mean, like, you're in no form of artistic expression.

0:41:03.640 --> 0:41:07.160
<v Speaker 3>Are you more ass naked than stand up comedy? You

0:41:07.280 --> 0:41:12.600
<v Speaker 3>have a dark space with a spotlight and a microphone

0:41:13.200 --> 0:41:15.120
<v Speaker 3>and you have to get a laugh out of people.

0:41:15.640 --> 0:41:17.840
<v Speaker 3>You don't have a beat behind you, you don't have

0:41:17.880 --> 0:41:22.080
<v Speaker 3>a song that people know. You have nothing. So if

0:41:22.120 --> 0:41:28.000
<v Speaker 3>you can take that, it's translatable outwardly very easily, like

0:41:30.880 --> 0:41:34.000
<v Speaker 3>in the sense that you can take a three minute

0:41:34.040 --> 0:41:37.959
<v Speaker 3>bit some of that bit is going to be illustration

0:41:38.360 --> 0:41:41.600
<v Speaker 3>of a scene. Some of it's going to be the punchline.

0:41:41.800 --> 0:41:43.799
<v Speaker 3>You can turn that into a one minute bit and

0:41:43.880 --> 0:41:48.680
<v Speaker 3>let the illustration happen without describing it verbally. And the

0:41:48.719 --> 0:41:51.800
<v Speaker 3>funny part has already been defined as funny, so now

0:41:51.840 --> 0:41:54.000
<v Speaker 3>you just do the thing. It's still funny, you just

0:41:54.000 --> 0:41:57.880
<v Speaker 3>don't have to lead it up. I feel like the

0:41:58.040 --> 0:42:01.240
<v Speaker 3>answer to some degree maybe might be right in front

0:42:01.239 --> 0:42:03.719
<v Speaker 3>of you know, the face of a rapper, because if

0:42:03.760 --> 0:42:08.560
<v Speaker 3>you're a rapper, you're rapping about blank. Yeah, perfore mintive song.

0:42:08.800 --> 0:42:13.000
<v Speaker 3>You can do a thirty second clip at location doing

0:42:13.120 --> 0:42:17.160
<v Speaker 3>blank unless it's like you know whatever, But like there's

0:42:17.200 --> 0:42:21.040
<v Speaker 3>an avenue for that. You can see the experience in

0:42:21.080 --> 0:42:26.240
<v Speaker 3>a real time outside of the song where you're getting

0:42:26.239 --> 0:42:29.520
<v Speaker 3>from a comedian. You get like a lot of these

0:42:30.200 --> 0:42:32.879
<v Speaker 3>skits or whatever. They're just they're just bits taken off

0:42:32.920 --> 0:42:35.759
<v Speaker 3>stage and illustrate and illustrated around them, you know.

0:42:36.520 --> 0:42:41.840
<v Speaker 2>M Yeah, you know what it is to uh with

0:42:41.960 --> 0:42:44.080
<v Speaker 2>the rap thing too. Like lastly, like when you were

0:42:44.120 --> 0:42:46.319
<v Speaker 2>speaking on a lot of times people really don't want

0:42:46.360 --> 0:42:49.560
<v Speaker 2>to do what it takes like to to to be

0:42:49.760 --> 0:42:56.960
<v Speaker 2>creative and be dope. Care, it takes work, and I

0:42:57.000 --> 0:43:00.319
<v Speaker 2>think people they just see what everybody else it's It's

0:43:00.400 --> 0:43:06.319
<v Speaker 2>it's interesting to watch what people believe what success is like.

0:43:06.760 --> 0:43:09.719
<v Speaker 2>They literally just take what they see everybody doing and

0:43:09.719 --> 0:43:12.600
<v Speaker 2>be like, oh, that means it's cracking because everybody's doing it.

0:43:12.840 --> 0:43:15.040
<v Speaker 2>So when I do it and then they do it

0:43:15.120 --> 0:43:17.400
<v Speaker 2>lacks of days ago. It's like even what the hanging

0:43:17.480 --> 0:43:20.560
<v Speaker 2>mic thing. I'll be watching rappers rap on the hanging

0:43:20.600 --> 0:43:22.680
<v Speaker 2>mic and they don't even be rapping into the mic.

0:43:25.080 --> 0:43:27.279
<v Speaker 2>It's like, you're not even wrapping in the microphone. This

0:43:27.360 --> 0:43:29.719
<v Speaker 2>is a performance you supposed to rap into the mic

0:43:29.840 --> 0:43:33.600
<v Speaker 2>even though you to you you walking around it away

0:43:33.600 --> 0:43:35.640
<v Speaker 2>from it, still rapping it like Nigga, you're doing a

0:43:35.800 --> 0:43:40.160
<v Speaker 2>fucking this ain't even it and I and it's and

0:43:40.239 --> 0:43:44.040
<v Speaker 2>people notice that, even if they not even there consciously,

0:43:44.080 --> 0:43:47.200
<v Speaker 2>it's like they it's like, what is he doing? You

0:43:47.239 --> 0:43:49.719
<v Speaker 2>know what I'm saying. So they just be trying to

0:43:49.719 --> 0:43:52.440
<v Speaker 2>do what they see every what they watching, Like I'm

0:43:52.440 --> 0:43:55.240
<v Speaker 2>gonna just do what I'm watching, and I yeah, everybody

0:43:55.239 --> 0:43:56.960
<v Speaker 2>else supposed to be watching it because I'm watching it,

0:43:57.000 --> 0:43:57.400
<v Speaker 2>and it's.

0:43:57.320 --> 0:44:02.000
<v Speaker 4>Like facts, but but uh an upcoming comic.

0:44:03.280 --> 0:44:08.120
<v Speaker 1>Right, could look to Desi Banks and say, Okay, I

0:44:08.160 --> 0:44:11.759
<v Speaker 1>need to make skits that fit me, Like there is

0:44:11.840 --> 0:44:16.120
<v Speaker 1>nobody in hip hop to me that has the Desi Banks,

0:44:16.640 --> 0:44:19.160
<v Speaker 1>Like they don't have the Drew ski there's no Drew

0:44:19.200 --> 0:44:24.640
<v Speaker 1>Skie rapper content creating, you know, that's tens of thousands

0:44:24.680 --> 0:44:28.640
<v Speaker 1>of comments that's overly engaging, that makes you want to share, right,

0:44:28.680 --> 0:44:29.800
<v Speaker 1>because comic is funny.

0:44:29.800 --> 0:44:30.240
<v Speaker 4>Funny.

0:44:30.440 --> 0:44:33.480
<v Speaker 1>Comedy is funny. Funny is a huge arousal point. But

0:44:33.520 --> 0:44:39.080
<v Speaker 1>it's five arousal points or six. It's funny things that

0:44:39.160 --> 0:44:42.359
<v Speaker 1>put you in eye, things that make you excited, things

0:44:42.400 --> 0:44:46.360
<v Speaker 1>that give you anxiety, or things that make you angry.

0:44:47.440 --> 0:44:51.040
<v Speaker 1>Those are the things likely to go viral. Right, So

0:44:51.680 --> 0:44:53.520
<v Speaker 1>we don't have that in hip hop. And I think

0:44:53.600 --> 0:44:55.120
<v Speaker 1>that's what I was thinking about it. And I was

0:44:55.160 --> 0:44:57.719
<v Speaker 1>thinking about We were talking about AD earlier, and I'm like,

0:44:58.239 --> 0:45:00.000
<v Speaker 1>AD is a at this point?

0:45:00.120 --> 0:45:02.760
<v Speaker 4>Is a content creator? Is a podcaster to a degree?

0:45:02.840 --> 0:45:05.399
<v Speaker 1>Right, a content creator Like, Yeah, I'm finna get back

0:45:05.400 --> 0:45:08.320
<v Speaker 1>into rap. But then like, I see why he dives

0:45:08.360 --> 0:45:11.000
<v Speaker 1>out of it because it's like he don't he don't

0:45:11.000 --> 0:45:13.839
<v Speaker 1>he wouldn't know how to create the business anymore, Like

0:45:13.920 --> 0:45:18.120
<v Speaker 1>the business has changed so drastically because most people aren't

0:45:18.120 --> 0:45:21.080
<v Speaker 1>selling records, which is why I kept it fundamental. I'm like,

0:45:21.120 --> 0:45:23.400
<v Speaker 1>let me sell records. I don't give a fuck about. Like,

0:45:23.480 --> 0:45:25.200
<v Speaker 1>I don't know where I would be at right now

0:45:25.200 --> 0:45:25.600
<v Speaker 1>with this ship.

0:45:25.680 --> 0:45:25.799
<v Speaker 2>Bro.

0:45:25.840 --> 0:45:28.200
<v Speaker 4>If I wasn't selling vinyls, and if I wasn't selling.

0:45:27.920 --> 0:45:31.440
<v Speaker 1>CDs or cassettes, like I really I probably would be

0:45:31.480 --> 0:45:34.520
<v Speaker 1>done because really, there would be no business to do.

0:45:35.520 --> 0:45:38.160
<v Speaker 4>That be no business, Like we are not in the

0:45:38.200 --> 0:45:38.680
<v Speaker 4>business of.

0:45:39.120 --> 0:45:45.399
<v Speaker 2>Content creator like freestyling and like freestyles every Friday, and and.

0:45:45.920 --> 0:45:50.440
<v Speaker 1>Yeah, and imagine, imagine and freestyling is like imagine a

0:45:50.480 --> 0:45:55.440
<v Speaker 1>comic just spewing jokes, nothing going on, but he's just

0:45:55.480 --> 0:45:57.520
<v Speaker 1>spewing jokes randomly into the camera.

0:45:58.800 --> 0:46:00.959
<v Speaker 2>That ain't that that don't work.

0:46:01.120 --> 0:46:04.759
<v Speaker 4>That sounds cramagic. It just like even somebody like Bibles

0:46:04.760 --> 0:46:08.320
<v Speaker 4>A lot of Bill Burr's podcasts, Huh.

0:46:08.560 --> 0:46:11.080
<v Speaker 3>Bill Burr had a podcast where I can tell he's

0:46:11.320 --> 0:46:15.640
<v Speaker 3>just bitballing content but.

0:46:15.560 --> 0:46:16.560
<v Speaker 2>He's good though.

0:46:17.280 --> 0:46:21.239
<v Speaker 3>He's yeah, he's really really good. But you can tell

0:46:21.280 --> 0:46:24.560
<v Speaker 3>it's like, Okay, this is like this is not for that,

0:46:24.920 --> 0:46:28.160
<v Speaker 3>this is phase one white paper for a joke. It's

0:46:28.200 --> 0:46:30.880
<v Speaker 3>not even a joke in beta yet, it's before that,

0:46:32.080 --> 0:46:36.560
<v Speaker 3>and you're just toying and tinkering and game planning with

0:46:36.640 --> 0:46:40.479
<v Speaker 3>this concept. And that's your Monday whatever podcast. And that's fine,

0:46:40.480 --> 0:46:42.560
<v Speaker 3>and it's interesting. It's an interesting guy. His shit's funny.

0:46:42.560 --> 0:46:45.719
<v Speaker 3>It eventually matures into great material whatever. But you get

0:46:45.719 --> 0:46:47.959
<v Speaker 3>the sense that that's what's going on when you're listening

0:46:48.000 --> 0:46:49.840
<v Speaker 3>to a real time especially like as a writer.

0:46:50.800 --> 0:46:53.560
<v Speaker 2>And that makes sense. Death makes sense. I noticed comedians

0:46:53.560 --> 0:46:56.560
<v Speaker 2>do that sometimes too, even in interviews. They try to

0:46:56.600 --> 0:47:00.359
<v Speaker 2>get like a joke off and it's like all stay

0:47:00.400 --> 0:47:03.080
<v Speaker 2>waiting to see if the if the guy that's interviewing

0:47:03.120 --> 0:47:05.359
<v Speaker 2>him gonna laugh. He's like that was a bit right there,

0:47:06.080 --> 0:47:10.840
<v Speaker 2>always rowing the jab okay, and he tried to hit

0:47:10.920 --> 0:47:12.200
<v Speaker 2>him with a joke, like I caught that.

0:47:12.719 --> 0:47:15.520
<v Speaker 1>So I think I say that to say that hip

0:47:15.560 --> 0:47:20.160
<v Speaker 1>hop can take a page from using, you know, creating

0:47:20.200 --> 0:47:23.839
<v Speaker 1>content to market the selle of records from comic from

0:47:23.840 --> 0:47:30.120
<v Speaker 1>comedy from the comics on social media. Like imagine somebody

0:47:30.160 --> 0:47:35.520
<v Speaker 1>with a silver mic just saying jokes to a camera

0:47:35.560 --> 0:47:37.640
<v Speaker 1>with no crowd. It's probably would be weird, you know

0:47:37.680 --> 0:47:39.960
<v Speaker 1>what I mean? It probably would be like listening to

0:47:39.960 --> 0:47:42.439
<v Speaker 1>people rap. Like if you look at the Desi bank

0:47:42.480 --> 0:47:45.640
<v Speaker 1>skid right there, still skits ha ha. Davis is still

0:47:45.760 --> 0:47:48.880
<v Speaker 1>some some props, you know, jew Ski is still props.

0:47:48.880 --> 0:47:49.440
<v Speaker 4>They have a.

0:47:49.400 --> 0:47:54.040
<v Speaker 1>Few things that sell the motherfucking bit. Hip Hop don't

0:47:54.080 --> 0:47:57.160
<v Speaker 1>always use things to sell the bit, you know what

0:47:57.160 --> 0:47:59.760
<v Speaker 1>I mean, because it's still the bit, right that maybe

0:48:00.200 --> 0:48:02.239
<v Speaker 1>that's what we need to be looking at, is hip

0:48:02.280 --> 0:48:05.719
<v Speaker 1>hop or creating content to market hip hop records for

0:48:05.800 --> 0:48:09.040
<v Speaker 1>sale with like I said, taking a page from comedians

0:48:09.239 --> 0:48:10.120
<v Speaker 1>on social media.

0:48:10.520 --> 0:48:13.480
<v Speaker 2>Yeah, and even you know with the with the small

0:48:13.560 --> 0:48:17.080
<v Speaker 2>movie series and all these other things that like all

0:48:17.160 --> 0:48:20.880
<v Speaker 2>that giving them the culture, like you yeah, they they

0:48:21.040 --> 0:48:22.960
<v Speaker 2>being funny. You could tell that. And you can see

0:48:23.000 --> 0:48:26.200
<v Speaker 2>Desi bankshit is getting a lower he even producing them

0:48:26.239 --> 0:48:28.520
<v Speaker 2>a lot even more. But he creative, but it don't

0:48:28.560 --> 0:48:32.080
<v Speaker 2>take much, you know, like when he's doing the music videos, redoing.

0:48:31.640 --> 0:48:34.120
<v Speaker 4>The nine telling Campbell shit, it's like, you.

0:48:34.120 --> 0:48:36.520
<v Speaker 2>Know, he really taking his time to put that together.

0:48:36.640 --> 0:48:38.560
<v Speaker 2>But the shit funny.

0:48:39.320 --> 0:48:41.720
<v Speaker 4>Like and I think and I think hip hop.

0:48:44.360 --> 0:48:47.839
<v Speaker 1>I think the concept of culture just being only out

0:48:47.880 --> 0:48:52.200
<v Speaker 1>of things you said, is it's dead. It's flee people

0:48:52.400 --> 0:48:55.240
<v Speaker 1>are demanding more like this ain't the eighties of the nineties.

0:48:55.239 --> 0:48:59.919
<v Speaker 1>We're just saying something. Is the culture personified now? They're

0:48:59.920 --> 0:49:04.400
<v Speaker 1>like they need more, like consider give you more like

0:49:04.600 --> 0:49:08.920
<v Speaker 1>on social media, like like they give you voices talking

0:49:09.000 --> 0:49:11.920
<v Speaker 1>back to you, like they'll be like the comic of

0:49:12.000 --> 0:49:16.160
<v Speaker 1>voice the part and they'll be answering the voice to part.

0:49:16.440 --> 0:49:19.319
<v Speaker 1>Like hip hop isn't you know? Hip hop has kind

0:49:19.320 --> 0:49:21.880
<v Speaker 1>of rested on the laurels of being pure culture for

0:49:22.000 --> 0:49:24.560
<v Speaker 1>far too long, and at this point, if you want

0:49:24.600 --> 0:49:28.359
<v Speaker 1>to create content to market records for sale, you know,

0:49:28.440 --> 0:49:31.960
<v Speaker 1>you probably need to be looking towards comedy to make

0:49:32.000 --> 0:49:36.080
<v Speaker 1>it happen. They they've already done the hard work and

0:49:36.160 --> 0:49:36.960
<v Speaker 1>the heavy lifting.

0:49:37.800 --> 0:49:39.920
<v Speaker 2>Yeah, they gave it to you. It's like, here it go, man,

0:49:40.080 --> 0:49:43.719
<v Speaker 2>just do your music and do this too.

0:49:44.320 --> 0:49:44.799
<v Speaker 4>What you think.

0:49:45.719 --> 0:49:48.800
<v Speaker 3>And some of it's also like you know, with hip hop,

0:49:50.719 --> 0:49:55.240
<v Speaker 3>like with comedy, you're you're not in pure old school

0:49:55.239 --> 0:49:59.680
<v Speaker 3>stand up comedy. You're not being afforded the visual with

0:49:59.760 --> 0:50:02.960
<v Speaker 3>the presentation. But for a long time it's still to

0:50:03.000 --> 0:50:06.560
<v Speaker 3>this day, what comes out with your song the video.

0:50:08.239 --> 0:50:12.000
<v Speaker 3>But the video is just the song, you know, it's

0:50:12.040 --> 0:50:14.960
<v Speaker 3>just a visual with the song. So now you have

0:50:15.040 --> 0:50:16.600
<v Speaker 3>a piece of content. If you look at the video

0:50:16.640 --> 0:50:19.360
<v Speaker 3>you say, okay, well now I gotta beat that. I like,

0:50:19.480 --> 0:50:21.800
<v Speaker 3>that's cool. I heard what this guy is saying that's cool.

0:50:21.800 --> 0:50:24.879
<v Speaker 3>And I'm seeing what he's talking about that's cool. There's

0:50:24.920 --> 0:50:27.759
<v Speaker 3>not a lot of room to expand upon that. It's

0:50:27.800 --> 0:50:34.520
<v Speaker 3>pretty all encompassing, so unless you were you'd have to

0:50:34.560 --> 0:50:43.000
<v Speaker 3>then take it into some other type of space to

0:50:43.120 --> 0:50:47.759
<v Speaker 3>expand upon it further. You know, whether it be like

0:50:50.480 --> 0:50:53.719
<v Speaker 3>go to it like this is a spot where this

0:50:53.800 --> 0:50:56.720
<v Speaker 3>song was talking about right with something you know there,

0:50:57.280 --> 0:51:00.279
<v Speaker 3>or just just it's just your personality at that. If

0:51:00.280 --> 0:51:02.120
<v Speaker 3>it's not gonna be about the content, that has to

0:51:02.160 --> 0:51:04.960
<v Speaker 3>just be about the rapper. So it's good have to

0:51:05.000 --> 0:51:06.640
<v Speaker 3>be to me because those the only two things. You have,

0:51:06.680 --> 0:51:08.600
<v Speaker 3>the content that the rapper's talking about, and you have

0:51:08.680 --> 0:51:14.279
<v Speaker 3>the rapper and his personality dynamic ability to translate who

0:51:14.320 --> 0:51:17.520
<v Speaker 3>he is just aside from the material.

0:51:19.000 --> 0:51:19.800
<v Speaker 4>To the audience.

0:51:19.840 --> 0:51:21.399
<v Speaker 3>So you have to pick one of those two things

0:51:21.400 --> 0:51:30.040
<v Speaker 3>and expand from there to me, I could rap that.

0:51:30.040 --> 0:51:30.920
<v Speaker 4>That's a great point.

0:51:32.080 --> 0:51:34.120
<v Speaker 3>Like if you were a rapper from La you could say,

0:51:34.160 --> 0:51:37.120
<v Speaker 3>all right, here we are. I'm I'm over off a

0:51:37.200 --> 0:51:41.560
<v Speaker 3>hide park. This is the sixties. This is where nipping

0:51:42.160 --> 0:51:44.640
<v Speaker 3>that crew. They really run over here and then.

0:51:47.000 --> 0:51:47.400
<v Speaker 2>Cut.

0:51:47.680 --> 0:51:50.439
<v Speaker 3>Now we're in the Jay's This is their rifles over

0:51:50.480 --> 0:51:52.640
<v Speaker 3>here or in a trace or whatever else.

0:51:53.440 --> 0:51:55.960
<v Speaker 1>That's the kind of and to me, that's not what

0:51:56.160 --> 0:51:59.799
<v Speaker 1>rappers should be doing, outside of talking about things that

0:52:00.120 --> 0:52:03.719
<v Speaker 1>rest their music. Like like, I'm watching rappers do that,

0:52:03.880 --> 0:52:04.239
<v Speaker 1>like the.

0:52:04.120 --> 0:52:06.919
<v Speaker 4>Most dangerous fish markets in LA. Like, but you don't

0:52:06.960 --> 0:52:09.720
<v Speaker 4>have a song about the most dangerous fish market in LA.

0:52:09.840 --> 0:52:12.879
<v Speaker 1>Like you get what I'm saying, Like, it's too much

0:52:13.280 --> 0:52:16.839
<v Speaker 1>random content being creating that doesn't drive people to your

0:52:16.880 --> 0:52:18.280
<v Speaker 1>brand or to your record.

0:52:19.920 --> 0:52:24.000
<v Speaker 2>Oh yeah, it really. It becomes like oh and it's

0:52:24.120 --> 0:52:26.719
<v Speaker 2>just it's like we want this from you now, and

0:52:26.840 --> 0:52:29.719
<v Speaker 2>you might the music too.

0:52:29.840 --> 0:52:30.240
<v Speaker 4>Yeah.

0:52:30.280 --> 0:52:32.759
<v Speaker 1>The coldest part is don't let them find something they

0:52:32.760 --> 0:52:34.120
<v Speaker 1>want from your motherfucking ass.

0:52:34.160 --> 0:52:37.080
<v Speaker 4>They will be like, fuck your music, this is what.

0:52:36.880 --> 0:52:41.239
<v Speaker 2>We want from That's the dangerous part of doing all that,

0:52:41.480 --> 0:52:43.319
<v Speaker 2>like because it oh no, we want to see more

0:52:43.360 --> 0:52:43.680
<v Speaker 2>of this.

0:52:43.840 --> 0:52:48.480
<v Speaker 3>Like, gee, we're laid in it. We're fifty two and

0:52:48.480 --> 0:52:50.680
<v Speaker 3>a half in. You can cut it in the fifty

0:52:50.840 --> 0:52:51.640
<v Speaker 3>you can cut it right now.

0:52:51.719 --> 0:52:52.400
<v Speaker 2>Give you a cue.

0:52:54.160 --> 0:52:57.799
<v Speaker 3>I'm just saying, as a as a pasta at the

0:52:57.840 --> 0:53:03.040
<v Speaker 3>wall thought, I feel like if you really cooked, that

0:53:03.080 --> 0:53:04.400
<v Speaker 3>would be very interesting.

0:53:05.120 --> 0:53:07.120
<v Speaker 4>Finny, get me putting the fans man.

0:53:07.440 --> 0:53:09.680
<v Speaker 3>Fifty two and a half ince a cup point then, man,

0:53:10.840 --> 0:53:11.759
<v Speaker 3>I'm just like.

0:53:14.880 --> 0:53:17.520
<v Speaker 1>Good looking out for tuning into The note Seller's podcast,

0:53:17.800 --> 0:53:20.600
<v Speaker 1>Please do us a favorite, subscribe, rate, comment, and share.

0:53:21.040 --> 0:53:23.440
<v Speaker 1>This episode was recorded right here on the West coast

0:53:23.440 --> 0:53:26.680
<v Speaker 1>of the USA and produced by my homeboy A King,

0:53:26.760 --> 0:53:29.760
<v Speaker 1>for the Black Effect Podcast Network and now Hard Radio.

0:53:30.280 --> 0:53:36.520
<v Speaker 4>Yeah